[{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"3 b web Obrazlozenja_manjinske_koprodukcije_4_rok_jm.pdf","filename_decoded":"3 b web Obrazlozenja_manjinske_koprodukcije_4_rok_jm.pdf","sha256":"0009e054a4d57c2c28efbe15c07ebac51f3f0587b60f12b496558da65b14222b","bytes":151236,"page_count":4,"extracted_at":"2026-05-17T12:01:21Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/3%20b%20web%20Obrazlozenja_manjinske_koprodukcije_4_rok_jm.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika o odlukama o donošenju liste prioriteta i raspodjeli sredstava prema \nJavnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2022. godini, u kategoriji poticanja \nfilmskih koprodukcija s manjinskim hrvatskim udjelom (četvrti rok: 13.10.2022.) \nBojan Kanjera, umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom \nNa četvrti rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2022. godini \nprijavljen je 31 projekt. Od ukupnog broja prijavljenih, u razmatranje je ušlo njih 28, dok tri nisu ušla u \nrazmatranje, budući da nisu zadovoljila uvjete Javnog poziva. \nPromatrano s obzirom na vrstu filma, najviše prijavljenih dolazi iz kategorije dugometražnog igranog \nfilma, ukupno 21 (12 dugometražnih igranih filmova i 9 debitantskih dugometražnih igranih filmova). Za \ndugometražnim igranim filmovima slijede dugometražni dokumentarni filmovi sa šest prijava te \nkratkometražni igrani filmovi zastupljeni s četiri prijave. Od ukupnog broja prijava svega su tri filma \nprijavljena u fazi postprodukcije – dva dugometražna igrana te jedan dugometražni dokumentarni, pri \nčemu jedan od dva dugometražna igrana nije ušao u razmatranje. \nVrsta audiovizualnog djela \nBroj prijavljenih \ndebitantski dugometražni igrani film \n9 \ndugometražni dokumentarni film (od 60 minuta) \n6 \ndugometražni igrani film \n12 \nkratkometražni igrani film \n4 \nGrand Total \n31 \n \nPromatrano s aspekta države iz koje dolazi glavni producent, najviše je prijavljenih iz Republike Srbije \n(10), za kojom slijede Slovenija (7) i Bosna i Hercegovina (2) te Sjeverna Makedonija (2)  i Turska (2), \ndok su sve ostale države zastupljene s po jednim predstavnikom. Na ovom su roku prijavljeni projekti iz \n13 država.  \nDržava glavnog producenta \nBroj prijavljenih \nBosna i Hercegovina \n2 \nBugarska \n1 \nCipar \n1 \nCrna Gora \n1 \nGrčka \n1 \nLitva \n1 \nNjemačka \n1 \nRumunjska \n1 \nSjeverna Makedonija \n2 \nSlovenija \n7 \nSrbija \n10 \nTurska \n2 \nUkrajina \n1 \nGrand Total \n31 \n \n\n\f\nKriteriji za predlaganje projekata za sufinanciranje temelje se na: \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i redateljski \nkoncept; \n2. Ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala projekta, s obzirom na \nprodukcijski paket i producentov plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje \nprojekata.  \n \nFilmovi predloženi i odobreni za sufinanciranje: \n1. Debitantski dugometražni igrani film Vanja (Njemačka), u produkciji JIP film & Verleiha, hrvatski \nproducent Petnaesta umjetnost d.o.o., 530.000,00 kn/70.343,09 eura \n2. Debitantski dugometražni igrani film Yugo Florida (Srbija), u produkciji SENSE Productiona d.o.o., \nhrvatski producent Eclectica d.o.o., 315.000,00 kn/41.807,68 eura \n3. Dugometražni igrani film Mačji krik (Srbija), u produkciji Nova filma d.o.o., hrvatski producent \nArtizana film d.o.o., 350.000,00 kn/ 46.452,98 eura \n4. Dugometražni dokumentarni film Praslovan (Slovenija), u produkciji INVIDA internet video agencija \nd.o.o., hrvatski producent Jaka produkcija d.o.o., 170.000,00 kn/22.562,88 eura \n5. Dugometražni dokumentarni film 1 dan, 365 sati (Turska), u produkciji Caf Film Yapim Ltd. Şti, \nhrvatski producent Fade in d.o.o., 160.000,00 kn/21.235,65 eura \n- 1.525.000,00 kn/ 202.402,28 eura \n \n1) debitantski dugometražni igrani film Vanja (Njemačka) \nAutorica scenarija debitantskog dugometražnog igranog filma Vanja (Njemačka) je Aleksandra Odić, \nautorica niza uspješnih kratkih igranih filmova, uključujući i film Frida, koji je na Filmskom festivalu u \nCannesu (Cinéfondation) 2021. godine osvojio dvije nagrade – Queer palm za kratki film i Lights on \nWomen Award. Radnja filma prati Vanju, fotografkinju koja živi u Frankfurtu te se nalazi nadomak dugo \nočekivanom profesionalnom uspjehu. Vanja s majkom živi u Njemačkoj kamo je preselila za rata u BiH, \ndok je njezin otac ostao ondje. Pitanje koje ju čitav život muči je zašto je odbio otići s njom i majkom. \nNakon što doznaje da joj je otac teško bolestan, zbog loših odnosa s ocem se neko vrijeme nećka oko \nodlaska u BiH, međutim, ipak odlučuje otići onamo. Tijekom boravka ondje se susreće se starim \nprijateljima, koji vode bitno drugačije živote od nje te, slično kao i u odnosu s ocem, vidimo kontrast \nizmeđu Istoka i Zapada. Scenarij je kvalitetno i jasno napisan, a likovi u njemu su dobro razrađeni te \niznimno živopisni. Također, on obiluje dijalozima, koji su suvremeni i životni. Sama tema je aktualna, \nkako u kontekstu izbjeglištva i odvojenih života obitelji, do čega je došlo uslijed rata na prostoru Bosne i \nHercegovine i Hrvatske, tako i u kontekstu današnjeg raseljavanja stanovništva u potrazi za boljim \nživotom. \n \n \n\n\f\n \n2) debitantski dugometražni igrani film Yugo Florida  (Srbija) \nPrethodni radovi autora scenarija, kao i suradnika (ujedno i režisera) na scenariju debitantskog \ndugometražnog igranog filma - egzistencijalističke drame s elementima komedije - Yugo Florida (Srbija), \nupućuju na to da će ovo biti uspješan film. Naime, scenarij potpisuje višestruko nagrađivani autor \ndramskih djela, poput Klupe i Dobrog dočeka, Milan Marković Matthis, dok je na scenariju radio i sam \nredatelj Vladimir Tagić. Vladimir je scenarist uspješne TV serije  Jutro će promijeniti sve te autor \nscenarija i režiser 5 epizoda serije Mama i tata se igraju rata. Imajući uvid u prethodne radove autora \npoprilično je lako zaključiti da će i njegov debitantski igrani film  biti jedna zanimljiva i neobična „slatko-\ngorka“ (crno) humorna obiteljska drama. Scenarij ovog filma propituje kompleksnost kako obiteljskih, \ntako i međuljudskih odnosa općenito. Glavni lik Zoran pati od kroničnog umora jer radi u noćnoj smjeni \nprodukcije reality showa „Big Brother“. Jedno jutro ga nazove otac Vesa, koji boluje od raka. Zoran Vesi \nna sve moguće načine nastoji pomoći, međutim, nikako ne može prihvatiti da on umire. Osim \nneprihvaćanja očevog kraja koji se bliži, Zoran ima i nesređeni ljubavni život. Naime, upušta se u \navanturu sa svojom bivšom djevojkom, koja je trenutno zaručena, a paralelno s njom i u avanturu s \njednom od starleta iz showa „Big Brother“. Vesa ga moli da ga odvede u manastir, gdje će se po prvi put \nu životu ispovjediti te njih dvojica kreću na putovanje starim Yugo Floridom. Scenarij je kvalitetno \nnapisan, a likovi i njihovi međusobni dijalozi su iznimno uvjerljivi. Sama radnja je suvremena, budući da \ntematizira situacije s kojima se svi u nekom momentu nađemo pa se s njom lako identificirati. \n3) dugometražni igrani film Mačji krik (Srbija) \nAutori scenarija dugometražnog igranog filma Mačji krik (Srbija) su Goran Paskaljević i Đorđe Sibinović. \nInicijalno, Paskaljević ga je trebao i režirati, međutim, on je 2020. godine preminuo te će režijsku palicu \npreuzeti Sanja Živković.  Potrebno je napomenuti da je Sanjin prethodni film Easy land premijeru imao \nna Toronto International Film Festivalu te je kasnije nastavio uspješan festivalski život (Palm Springs \nizmeđu ostalih).  U ovoj intrigantnoj priči pratimo umirovljenika Stamena, čija nestabilna kćerka Milena \niz veze s nasilnim Igorom dobiva djevojčicu Leu. Ovaj radostan događaj uskoro poremeti Leina \ndijagnoza. Naime, Lea je rođena s rijetkim genetskim poremećajem zvanim mačji plač, a prognoza za \npreživljavanje joj je jako loša. Milena napušta djevojčicu i vraća se Igoru, a Stamen i njegova partnerica \nVera brigu o malenoj preuzimaju na sebe, no socijalna služba im je oduzme. Nakon toga Stamen prolazi \nkroz razne peripetije sa sustavom socijalne skrbi i kćeri Milenom bez čijeg potpisa ne može dobiti skrb \nnad Leom. Ova snažna i iznimno teška priča utemeljena je na istinitim događajima. Radilo se o Zoranu i \nSlavici Živanović koji su nakon tri godine borbe uspjeli dobiti skrb nad unukom Miom kojoj je bio \ndijagnosticiran sindrom mačjeg plača. Smatram da je scenarij kvalitetno i jasno napisan te da su likovi \nizvrsno razrađeni. Također, smatram važnim istaknuti potrebu da se progovori o problemima s rijetkim \ngenetskim poremećajima, koji su u društvu svojevrsna tabu tema – ono o čemu se ne govori. \nRežiju ovog iznimnog filma će preuzeti Sanja Živković. Što se tiče koncepcije koju je ponudila, ona je \niscrpno napisana te ukazuje na to da se Živković ozbiljno spremila za ovaj projekt. Najprije, dobro je \npromislila o vlastitoj motivaciji, posebice u kontekstu da je film inicijalno trebao režirati Paskaljević te je \nsvjesna izazova koje to nosi. Zatim,  detaljno je prošla kroz sve bitne značajke, poput glumaca, načina \nsnimanja, tona filma, scenografije i glazbe, koji u sinergiji čine kvalitetno audiovizualno djelo. Također, \nvizualni booklet jasno dočarava kako bi film u budućnosti trebao izgledati. Zanimljivo je da je Sanja \n\n\f\nŽivković, relativno nepoznata autorica u europskim krugovima, odabrana da preuzme redateljsku palicu \nlegendarnog redatelja Gorana Paskaljevića. No, vjerujem da je Sanja odličan odabir te da će upravo ovaj \nfilm označiti i prekretnicu u njezinoj karijeri te je postaviti kao jednu od potentnijih autora/ica u regiji. \n \n4) dugometražni dokumentarni film Praslovan (Slovenija) \n Scenarij za dugometražni dokumentarni film Praslovan potpisuje Slobodan Maksimović koji će ga \nujedno i režirati. Maksimović je do sada režirao niz igranih TV projekata te nekoliko igranih filmova. \nNjegov posljednji film Kapa, dječji igrani, trenutno je u kinodistribuciji diljem regije.  \nSam projekt, koji se bavi životom, karijerom, usponima i padovima legendarnog slovenskog glazbenika i \ntekstopisca Zorana Predina je zanimljivo osmišljen. Kako bi prikazao Zoranov život, Maksimović planira \nkombinirati igrane dijelove, arhivsku građu, intervjue s kolegama i prijateljima.  \nOvaj dokumentarni film progovara o Zoranu Predinu, koji je, iako dolazi iz Slovenije, relevantan za \nhrvatsku glazbenu scenu. Osim popularnosti diljem Jugoslavije u doba grupe Lačni Franz, Predin uživa \ngotovo kultni status u Hrvatskoj. Za njegove nastupe se mahom traži ulaznica više, a zanimljivo je \nspomenuti da je njegova knjiga „Mongolske pjege“ doživjela iznimno uspješno izdanje u Hrvatskoj i u \nregiji. Velik broj sugovornika, kolega, autora ili samo svjedoka vremena žive i rade u Hrvatskoj tako da \nće velik dio snimanja biti realiziran u Hrvatskoj.   \nRedateljska koncepcija je jasno i sažeto napisana te je u skladu s generalnim zamislima komuniciranim u \nscenariju. Riječ je o netipičnom autobiografskom glazbenom filmu koji se razvija u nekoliko faza, kao i \nsama karijera Zorana Predina. Kombinacijom arhivskih snimaka, intervjua sugovornika te samog Zorana \nPredina, minimalističkih igranih dijelova i pomno odabranih glazbenih brojeva redatelj će stvoriti \nosebujan kolaž koji će nas provesti kroz bogatu karijeru Zorana Predina. \n \n5) dugometražni dokumentarni film 1 dan, 365 sati  (Turska) \nDugometražni dokumentarni film 1 dan, 365 sati (Turska), scenaristice i redateljice Eylem Kaftan, prati \ntežak i društveno iznimno relevantan problem seksualnog zlostavljanja u obitelji, odnosno, incesta. Priča \nje ispripovjedana kroz prizmu tri mlade žene iz Turske, koje su se u jednom momentu našle u skloništu za \nžene žrtve nasilja te su skupile hrabrost svoje priče iznijeti u dokumentarnom filmu. Treatment za film \nkoji se trenutno nalazi u fazi postprodukcije je iscrpno i kvalitetno napisan. Trenutna verzija „filma“ tj. \nrough cut upućuje da je riječ o iznimno potresnom, emotivnom, snažnom, hrabrom i iskrenom filmu koji \nprati priču nekoliko mladih djevojaka koje su odlučile usprostaviti se „sistemu“ i boriti se za pravdu bez \nobzira na cijenu koju bi mogle platiti.  \nTema kojom se ovaj dokumentarni film bavi je (nažalost) suvremena i nadilazi granice same Turske. Ono \nšto je ovdje značajno leži u činjenici da su tri mlade žene iz jedne iznimno patrijarhalne zemlje odlučile \nistupiti i progovoriti o svojim sudbinama. Smatram bitnim da se o toj temi govori, ne bi li potaknulo kako \ninstitucije tako i pojedince da učine korake potrebne da se ovakve stvari prestanu događati. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje proizvodnja dugi igrani 1 rok 2021.pdf","filename_decoded":"obrazlozenje proizvodnja dugi igrani 1 rok 2021.pdf","sha256":"00374af534d2973b04d922f5b0cb67cdc36947edd975eea9a7b34374e36f22b3","bytes":84729,"page_count":5,"extracted_at":"2026-05-17T12:01:40Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20proizvodnja%20dugi%20igrani%201%20rok%202021.pdf"},"raw_text":" \n1 \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE PROIZVODNJE FILMOVA u 2021. - 1. ROK - 15.3.2021. \n \nUmjetnički savjetnici: Pavlica Bajsić Brazzoduro, Danilo Šerbedžija i Zdenka Gold \nFinancijski savjetnik: Ljubo Zdjelarević \n \nNa Javni poziv za poticanje proizvodnje u 2021. godini na prvom roku prijavilo se \nukupno 32 projekta, rekordni rok po broju prijava. Od toga je bilo čak jedanaest \ndebitantskih projekata te dvadeset i jedan dugometražni igrani film. Razmatrali smo \nsve projekte. \nAko bismo morali ovaj 1. rok 2021. svesti pod jedan nazivnik, onda bi taj nazivnik \nglasio: bogatstvo. Čitajući dokumentaciju, većinom vrlo pažljivo pripremljenu za \nnatječaj, susreli smo se s bogatstvom tema kojima se naši autori bave (od postratnih, \nratnih, predratnih, početka prošlog stoljeća, budućnosti, ljubavi, patnje, izbjeglica, \nmigranata, ubojstava…), ali i bogatstvom filmskih vizija koje su nam predstavili vrlo \niskusni redatelji, kao i debitanti, oni koje pratimo od razvoja scenarija do onih s \nkojima smo se susreli po prvi puta, bogatstvo žanrova, mogućnosti za distribuciju, \nstilova u producentskim pristupima projektima, bogatstvo kombinatorika oko \nkreiranja planova financiranja. \nUz iznimno velika financijska ograničenja, odlučili smo poduprijeti sveukupno tri \nfilma, od koji su dva debitantska, a jedan u realizaciji mlade iskusne redateljice. \n \n \nDebitantski dugometražni igrani filmovi \n \nKoke \nScenarij: Igor Jelinović \nRežija: Igor Jelinović \nProducent: Eclectica \n3.000.000,00 kn \n \n\n\f\n \n2 \nScenarij „Koke“, redatelja i scenarista Igora Jelinovića tipična je priča našeg \npodneblja (vjerujemo i šire) u kojoj sukob oko nekretnina razara inače skladnu širu \nobitelj. Ovaj problem je pogotovo prisutan u Dalmaciji, vjerojatno zbog turizma i \nvrijednosti nekretnina, odakle je i sam autor. Štoviše, radnja scenarija je autorova \nautobiografska priča, što ovom scenariju daje na težini, ali i predstavlja svojevrsni \nuteg redatelju. Na sreću, redatelj se nije uhvatio u zamku i oblikovao je scenarij tako \nda bude filmski funkcionalan. Primjećuje se dug rad na njemu te rad na radionicama \ns kvalitetnim mentorima. \nOvaj scenarij bio je sigurno jedan od najkvalitetnijih scenarija na natječaju, pogotovo \nu debitantskoj kategoriji. Scenarij je jako kvalitetno napisan, dramaturški čvrste \nkonstrukcije. Potpis autora prepoznatljiv je, a atmosfera juga, duh Mediterana \niščitava se sa svake stranice. Odnosi likova, pogotovo odnos Anite i Alin je odlično \nsložen, likovi su od krvi i mesa, sa svojim manama i vrlinama. Anita, iako u priči \nnegativan lik,  pokazuje kajanje i brigu prema sestrinoj obitelji isto kao što i Alin \npokazuje svoje mane i Ivan (sin od Alin) svoju prgavost i lijenost. Iako je ovaj projekt \nveć bio u najužem krugu na prethodnim rokovima, autor ga je znatno poboljšao.  \nRedateljska koncepcija je sigurno u samom vrhu svih redateljskih koncepcija koje su \nprijavljene na natječaj. Iz nje se vidi redateljeva spremnost i sigurnost u ovaj projekt. \nSvaki filmski aspekt je kvalitetno i opširno elaboriran i daje nam naslutiti točno kakav \nfilm autor želi. Slažemo se s primjerima svjetskih velikana čiji stil autor prepoznaje \nkao sebi sličan, pogotovo Cassavettes i Leigh. „Koke“ su projekt koji zaista miriše na \nfilmove ove dvojice redatelja. \nSmatramo da su „Koke“ projekt koji bi mogao privući širu publiku. Scenarij, iako \ndrama, obiluje duhovitim situacijama. Također vjerujemo da bi mogao uspješno \npredstavljati našu kinematografiju na raznim svjetskim festivalima.  \n„Koke“, film gotovo pa baziran na istinitoj priči je izuzetno kvalitetno pripremljen, \nautorski tim je vrlo kvalitetan i sve to je upakirano i vođeno mladom i kvalitetnom \nproducenticom koji pokazuje veliku motivaciju za ovaj projekt. \n \n \n \n \n\n\f\n \n3 \nBlok 62 \nScenarij: Vanja Vascarac, Nikola Kuprešanin \nRežija: Vanja Vascarac \nProducent: Antitalent \n3.200.000,00 kn \n \nRadnja filma smještena je u 1962. u betonsku stambenu utopiju pod nazivom BLOK \n62. Milan, doušnik UDBE i heroj NOB-a, počinio je zagonetno samoubojstvo. U \nzgradu se useljavaju Ivan i njegova trudna supruga Milica. Drugi stanari ne znaju da \nje Ivan agent UDBE poslan da nadzire događanja u zgradi i istraži okolnosti neobičnog \nMilanovog samoubojstva. Prisluškujući stanove, Ivana istraga dovede do bistre 12-\ngodišnje djevojčice Ane koja je nedavno čudno oboljela. Ali Ana pokazuje i neke \nparanormalne sposobnosti. \nOvako glasi u kratkim crtama radnja opisana u scenariju BLOK  62 kojim će redatelj \nVanja Vascarac debitirati. Radi se o scenariju i o cjelokupnom projektu čiji razvoj \npratimo već neko vrijeme. \nU jasno preuzetom žanru psihološkog trilera s elementima horora, tematski ovaj \nscenarij otvara pitanja kolektivne memorije, suočavanja s prošlošću, odnosa \nzajednice prema pojedincu i pitanje svih pitanja: koje su granice osobne \nodgovornosti?  Ili kako autori u razradi kažu: Spasiti drugog da bi se spasilo sebe. \nDakle, iako je žanrovski izrazito obojan, ova filmska priča nudi domaćoj i stranoj \npublici šansu da se s njim lako identificira.   \nSvjesni smo da se radi o dosta zahtjevnom filmu za debitanta, no cijeli projekt je \ntijekom godina razvijen na jedan vrlo visoki nivo, redateljska je koncepcija opsežna i \ndefinirana, produkcijski tim motiviran.  Vizualni aspekt filma je vrlo podrobno \nzamišljen, scenarij testiran s glumcima i razvijan u skladu s komentarima iznesenima \nu dosadašnjim recenzijama. \nOno što je sada sasvim jasno, scenarij BLOK  62 je sazrio i spreman je za produkciju \njednog žanrovskog filma, osebujne atmosfere i izražene napetosti, intrigantne \nvizualnosti i vrhunske glumačke postave - film kakvog dugo nismo imali u hrvatskim \nkinima. \n \n\n\f\n \n4 \n \nDugometražni igrani film \n \nBog neće pomoći \nScenarij: Hana Jušić \nRežija: Hana Jušić \nProducent: Kinorama \n4.800.000,00 kn \n \nUsuglašeni smo da je projekt \"Bog neće pomoći\" autorice Hane Jušić, scenaristički, \nredateljski te produkcijski gledano, najkvalitetniji na ovom natječaju. Radi se o \nizuzetno dobro napisanom i inteligentnom scenariju, snažnih rečenica, upečatljivih \nlikova te dramaturški savršeno oblikovanom pričom. Dugogodišnji rad na scenariju te \nsudjelovanje na scenarističkim radionicama (TorinoFilmLab, Cinefondation residence \nCannes) osjećaju se na svakoj stranici. Strukturno čak bi se moglo reći da se radi o \ndomaćem \"western\" filmu iako autorica pametno izbjegava kalupljenje u neki žanr .  \nImamo početak 20tog stoljeća, nepoznatu osobu koja se pojavljuje (argentinka \nTeresa je poput tajanstvenog neznanca koji ulazi u saloon), strogog i šutljivog šerifa \n(Ilija) te sumnjičavu zajednicu. Ono što ovaj film odmah izmiče iz kalupa jest činjenica \nda su glavni pokretači radnje žene. Teresa kao protagonistkinja koja nosi priču i \nMilena, odbačena osvetnica, ignorirana od zajednice, neudana i nedostojna drugih. \nHana Jušić ovim scenarijem radi veliki odmak od svojih dosadašnjih filmova. Odlazi u \nširinu, u povijest, širi \"mjesto radnje\" , nakon skučenosti i  unutarobiteljskih odnosa \n(Zimica, Terarij, Da je kuća dobra i vuk bi je imao, Ne gledaj mi u pijat) odlazi na \nDinaru, najvišu našu planinu, na njene obronke i vrhove. Pratimo život pastirske \nzajednice, njihove običaje (transhumantno stočarstvo), karaktere i međusobne \nodnose. Opet, nalazimo i prepoznatljiv autoričin potpis u psihologiji likova, njihovom \nponašanju i interakciji s drugim ljudima. Imponira vrlo lako čitanje onog što nije \nnapisano. Onog neizrečenog. Autorica nam, poput Andreja Zvjaginceva u svojim \nfilmovima,  inteligentno ostavlja prostor da sami zaključujemo i te pronalazimo \nrazloge postupanja nekog karaktera.  \nAspekt koji ovaj scenarij čini još bitnijim jest kritika položaja žene u društvu. Iako \n\n\f\n \n5 \nvremenski arhaičan ovaj scenarij je izuzetno moderan. I nakon više od sto godina \nžena u zajednici se nije do kraja ispunila ako nije majka i supruga poput odbačene \nMilene. Još uvijek, kao i početkom 20. stoljeća, živimo u muškom svijetu u kojem je \nnormalno da žena bude kažnjena pa i udarena. Zajednica s negodovanjem i prezirom \ngleda Teresu koja pokušava raditi muške poslove. Na kraju, dvije žene, prezrene i \nodbačene od muškog svijeta oslobađaju se i gotovo ritualno ispiru svoj grijeh sa \nsebe.   \nSmatramo da se radi o filmu koji će odigrati značajnu ulogu na domaćim i inozemnim \nfestivalima pa čak i onim najvećima. Produkcijski paket je izuzetno kvalitetan te \nraduje nesvakidašnja koprodukcija s Argentinom. Kao što i naslov sugerira, Bog neće \npomoći, Teresa i Milena moraju uzeti stvari u svoje ruke. Ankica i Hana također. \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2021,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web Obrazlozenje_RSC_DOKUMENTARNI_2rok_14IX2022.pdf","filename_decoded":"web Obrazlozenje_RSC_DOKUMENTARNI_2rok_14IX2022.pdf","sha256":"00b1f648c919cf48a03615d770ffcb205c58171afd5235aae094b51870a6f7fa","bytes":224785,"page_count":3,"extracted_at":"2026-05-17T12:02:19Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje_RSC_DOKUMENTARNI_2rok_14IX2022.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih \ndokumentarnih i animiranih filmova - potkategorija: RAZVOJ SCENARIJA u 2022.  \n- 2. ROK - 14.9.2022. \nDUGOMETRAŽNI DOKUMENTARNI FILM \n \nUmjetnička savjetnica: Tiha Gudac \nNa javni poziv u kategoriji poticanja razvoja scenarija dugometražnog dokumentarnog filma na 2. roku \nprijavljeno je sveukupno 20, a razmatrano 19 projekata. Također, razmatrani su i  projekti prijavljeni u \nkategoriji razvoja projekta, za koje je procijenjeno da je kategorija razvoja scenarija bila prikladnija za \nnastavak pripreme budućih filmova. \nDio pristiglih projekata prezentirani su na razini ideje, bez dodatne razrade, bez jasnog dramaturškog \nsmjera te bez stvarnih likova i potvrde o tome da je pristup temi i likovima osiguran. Dio projekata je \nponovio prijavu bez znatnog ili ikakvog napretka, a dio je prikladniji za televizijsku proizvodnju jer ne \nposjeduju obilježja autorskog filma, to su izlagački i filmovi koji pate od opterećenosti podacima. \nIstovremeno, prijavljeno je nekoliko projekata u naprednom stadiju razvoja, s kvalitetnim \nscenarističkim i vizualnim rješenjima. Među projektima koji se ističu kvalitetom autorskog pristupa \nodabir prijedloga za sufinanciranje je djelomično bio ograničen okvirima budžeta s kojim se raspolaže \nu ovoj kategoriji.  \nZa sufinanciranje je predloženo i odobreno ukupno 8 projekata u ovoj kategoriji u ukupnom iznosu od \n200.000,00 kn / 26.544,56 eura.  \n1. PRIJE POTOPA, Dorotea Vučić (scenaristica i redateljica), 25.000,00 kn /3.318,07 eura \nPrije potopa priča je o potrazi autorice za ličkim korijenima i pradjedom koji je potekao iz magičnog \nkosinjskog kraja, odselio u Slavoniju i dočekao tragičan kraj koji se krije kao obiteljska sramota i \ntragedija. Trag mu se gubi upravo u Gornjem Kosinju, koje upravo čeka isto tako neslavna sudbina \npotapanja i postajanja turističkom atrakcijom podvodnog grada, potopljenog u akumulacijskom \njezeru.  \n2. POTICAJI, Hrvoje Osvadić (scenarist), Goran Dević (redatelj), Petnaesta umjetnost (produkcija), \n25.000,00 kn /3.318,07 eura \nRadnja filma temelji se na suradnji filmske ekipe i lokalnog stanovništva male općine u Lici na \nprodukciji filma. Kako bi film dobio poticaje EU mora ispuniti uvjete koje je EU propisala. Redatelj \npoziva stanovništvo da se priključi projektu i pomognu u njegovoj realizaciji, što je i prvi uvjet \npropozicija EU. Ostali uvjeti su gotovo nepremostivi, međutim lokalno stanovništvo je snalažljivo i ima \nideje.  \n\n\f\n \n3. GRAD U POKERU RATA, Morana Ikić Komljenović (redateljica i scenaristica), Little Red Dot \n(produkcija), 25.000,00 kn /3.318,07 eura \nGrad u pokeru rata je dugometražni dokumentarni film koji spaja povijesno-faktografski element s \nopservacijom i dokumentarnim eksperimentom. Faktografski segment bavi se manje poznatim \naspektima Domovinskog rata u Rijeci. Opisuje trenutak koji u sebi nosi punokrvnu mirotvornu poruku. \nRijeka je posljednjih mjeseci 1991. godine bila u rukama samo jednog čovjeka, general-potpukovnika \nMarijana Čada koji je upravljao 13. riječkim korpusom JNA i koji je odbio izravne naredbe da grad  \nuništi.  Predloženom hibridnom strukturom filma redateljica ulazi u temu nasljeđa rata kroz otkrivanje \nmemorije prostora.   \n \n4. PRHKI TRAG PETRA TUTAVCA, Martina Globočnik  (scenaristica), 25.000,00 kn /3.318,07 eura \nPrhki trag Petra Tutavca je priča  o tome kako su tri keksa (Domaćica, Štrudla od smokava, Plazma) \nnapravljena u tri tvornice (Kraš, Lasta, Bambi), u  tri države (Hrvatska, BiH, Srbija) po recepturi prvog \njugoslavenskog majstora keksara, Petra Tutavca, ustrajno prisutna u životima generacija od baby \nboomera do generacije Z.   \nPreko jednog majstora i njegovih keksa film ulazi u niz intriga koje povezuju socijalizam i rodijački \nkapitalizam.  \n \n \n 5. OBJEKT 505, Mihovil Pirnat  (scenarist), 25.000,00 kn /3.318,07 eura \nPriča o kapetanu Danijelu Boroviću koji je svojim legendarnim preletom borbenog aviona iz vojne baze \nŽeljava kodnog imena “Objekt 505” prebjegao iz redova JNA u novo formiranu državu Hrvatsku. Taj \nčin označio je prekretnicu u Domovinskom ratu te je Hrvatska vojska dobila prvi borbeni avion u \ntrenutku kada je na raspolaganju imala samo poljoprivredne avione.  \n \n6. DIJETE, Veljko Skenderija (scenarist), Mario Papić (redatelj), 25.000,00 kn /3.318,07 eura \nFilm govori o putu jednog sasvim neobičnog para ka proširenju svoje obitelji. Nakon što im je iz Centra \nza socijalnu skrb neformalno, ali vrlo jasno rečeno da šanse da posvoje dijete u Hrvatskoj praktički \nnema, jer postoje adekvatniji parovi, Kekići, Siniša i Hamida odlučuju se za odlazak po dijete na afrički \nkontinent, u Zambiju. U konačnici ovo je film o posvajanju kao jednom od najuzvišenijih oblika ljubavi i \nroditeljstva.  \n\n\f\n \n \n7. OKTAVIJAN MILETIĆ, Goran Bukovčan i Željko Sarić (scenaristi), Željko Sarić (redatelj), ZOOM \nd.o.o. (produkcija), 25.000,00 kn /3.318,07 eura \nIgrano dokumentarni film koji predstavlja život i rad legende hrvatske kinematografije Oktavijana \nMiletića. Rođen na samom početku stoljeća proživio je dva svjetska rata i četiri državna ustroja koji su \nsvaki na svoj način utjecali i na njegov život i na mogućnosti filmskog stvaranja.  \nAutori životni put i stvaralaštvo  Oktavijana Miletića predstavljaju  i kao putovanje kroz dio povijesti \nrazvoja hrvatskog filma. Ovaj dokumentarac doprinosi sistematizaciji ostavštine umjetnika koji je \nzadužio nacionalnu filmsku umjetnost.  \n \n8. ŽIVOTI JANA BOLIĆA, Anđelo Jurkas (redatelj i scenarist), DOP produkcija (produkcija), 25.000,00 \nkn /3.318,07 eura \nJan Bolić (27) je mladi riječki pisac i motivacijski govornik kojem je kao malenom dijagnosticirana vrlo \nrijetka bolest - progresivna spinalna mišićna atrofija tipa 2 i čiji život od trena dijagnoze poprima \npotpuno drugačije kolosijeke. Samo s jednim jedinim funkcionalnim prstom na ruci on je dosad \nnapisao 5 samostalnih knjiga od kojih je posljednja „Štakori“ među najčitanijim djelima u Republici \nHrvatskoj. Ovo je priča o njegovom stvarnom i paralelnim životima.   \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2022,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"nova-odluka-vijeca-o-manjinskim-koprodukcijama-dugometrazni-igrani-filmovi-rok-12-11-2010-tablica.pdf","filename_decoded":"nova-odluka-vijeca-o-manjinskim-koprodukcijama-dugometrazni-igrani-filmovi-rok-12-11-2010-tablica.pdf","sha256":"00ba463be7752358ab2f686ce675dec1b7d4613579da4399442399ac43ff716f","bytes":179157,"page_count":1,"extracted_at":"2026-05-17T10:22:51Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/file/newsItemAttachment/attachmentFile/nova-odluka-vijeca-o-manjinskim-koprodukcijama-dugometrazni-igrani-filmovi-rok-12-11-2010-tablica.pdf"},"raw_text":"NAZIV FILMA\nREDATELJ/ICA\nSCENARIST/ICA\nPRODUCENT\nODOBRENO\n1.\nKrugovi\nSrdan Golubović\nSrđan Koljević, Melina \nPota Koljević\nPropeler film/Baš čelik \n(Srbija)\n999.000,00\nKOPRODUKCIJE S MANJINSKIM HRVATSKIM UDJELOM 2010. - ROK 12.11. 2010.  \n- kategorija dugometražni igrani filmovi\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"nova-odluka-vijeca-o-manjinskim-koprodukcijama-dugometrazni-igrani-filmovi-rok-12-11-2010-tablica","year":2010,"rok":null,"natjecaj_date":"2010-11-12","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"KOPRODUKCIJE S MANJINSKIM HRVATSKIM UDJELOM 2010. - ROK 12.11. 2010. - kategorija dugometražni igrani filmovi","section_key":"koprodukcije_s_manjinskim_hrvatskim_udjelom_2010_rok_12_11_2","columns":["NAZIV FILMA","REDATELJ/ICA","SCENARIST/ICA","PRODUCENT","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Krugovi","applicant":"Propeler Film d.o.o.","production_company":"Propeler Film d.o.o.","director":"Srdan Golubović","writer":"Srđan Koljević, Melina Pota Koljević","original_author":null,"category":"Dugometražni igrani film · koprod.","approved_amount_text":"999.000,00","approved_amount":999000.0,"currency":"HRK","extras":{"col_1":"1.","REDATELJ/ICA":"Srdan Golubović","SCENARIST/ICA":"Srđan Koljević, Melina Pota Koljević","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometr. · koprod.","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometr. · koprod.","to":"Dugometražni igrani film · koprod.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Propeler film/Baš čelik (Srbija)","entity_owner":"Baš čelik (Srbija)","entity_canonicalized_at":"2026-05-18T14:41:26Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"00ba463b_nova_odluka_vijeca_o_manjinskim_koprodukcijama_dugometrazni_.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 1 and title Krugovi match exactly, and adjacent REDATELJ/ICA and SCENARIST/ICA cells are clearly aligned.","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"00ba463b_nova_odluka_vijeca_o_manjinskim_koprodukcijama_dugometrazni_.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Row number 1 and title Krugovi match exactly, and adjacent REDATELJ/ICA and SCENARIST/ICA cells are clearly aligned."},"entity":"Propeler Film d.o.o.","row_id":"00ba463b:s0:160bcb634f19","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_3765c6adbaca","project_family_title":"Krugovi"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":999000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":999000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje RP dugi igrani 1 ROK 2024_WEB.pdf","filename_decoded":"Obrazlozenje RP dugi igrani 1 ROK 2024_WEB.pdf","sha256":"01a7c7dd907e7768c1660f0be676a4bb8f06b31017fc13ed104074f002c6b0ed","bytes":269719,"page_count":3,"extracted_at":"2026-05-17T12:02:03Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje%20RP%20dugi%20igrani%201%20ROK%202024_WEB.pdf"},"raw_text":"1 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npotkategorija:  \nRAZVOJ PROJEKATA u 2024. - 1. ROK - 13.3.2024. \n \nDUGOMETRAŽNI IGRANI FILM  \n \n- umjetnički savjetnici za dugometražni igrani film - Višnja Pentić, Dean Šoša, Juraj Lerotić  \n \n \nBroj prijava na javni poziv za razvoj projekata kroz godine kontinuirano oscilira između 15 i 25 filmova pa ovaj \nnaizgled slabiji odaziv sa 16 prijava ne predstavlja iznimku. Zanimljivo je da polovicu prijavljenih projekata \npotpisuju debitanti/ice, a među prijavljenima su samo dvije autorice.  \nI dok je javni poziv za poticanje proizvodnje u prvi plan stavio snažni ženski lik i pobunu protiv ustaljenih \nreprezentacijskih obrazaca, rezultate javnog poziva za razvoj projekata nije moguće svesti pod zajednički \nnazivnik.  \nČetiri projekta koji su se istaknuli svojom kvalitetom, upravo svojom različitošću zrcale i raznolikost \nprijavljenih projekata. Tako Doručak na travi Milana Trenca donosi romansu ambijentiranu u idiličnim \nzagorskim brežuljcima dok nas Poplava Gorana Devića - sasvim oprečno - suočava s dramom koja se odvija \nunutar jasenovačkog logora. Debitantica Darija Blažević pak svojom Močvarom donosi svojevrsni eko-\nhoror smješten u neretvansku dolinu, a Filip Heraković svoju egzistencijalnu dramu Noćni valovi uprizoruje \nna turizmom uzurpiranoj istarskoj obali.  \nVeseli nas što su među predloženim i odobrenim filmovima i oni koji bi mogli privući šire gledateljstvo \n(Doručak na travi), ali i filmovi koji će biti atraktivniji festivalskoj publici (npr. Noćni valovi). Među \npredlagateljima je Goran Dević, iskusni dokumentarist i suautor Crnaca, ali i Darija Blažević koja nastavlja s \ntematskim preokupacijama svojih kratkih filmova i koja će, nadamo se, ovim filmom uspješno debitirati u \ndugom metru.  \nNa koncu valja istaknuti da su sva četiri predložena i odobrena projekta prethodno dobila potporu za razvoj \nscenarija što govori o kontinuitetu i važnosti javnih poziva za poticanje razvoja.  \n \n \n \nPOPLAVA \nscenarij: Goran Dević \nrežija: Goran Dević \nprodukcija: Petnaesta umjetnost d.o.o. \n25.000,00 eura  \n \nImre Kertesz, Primo Levi i drugi zatočenici koncentracijskih logora često i na različite načine uvode \nneočekivane pojmove poput svakodnevnosti, normalnosti i običnosti dok opisuju svoja osobna sjećanja na \nproživljenje užase. Goran Dević, jedan od vodećih hrvatskih dokumentarista, na toj premisi gradi uvodni i \npokretački motiv svog dugometražnog filma. U jeseni 1942., za vrijeme velike poplave, skupina ustaških \nzatočenika kreće u apsurdnu radnu akciju; u traženje drva za nogometne golove. Među logorašima je i glavno \nlice filma, proslavljeni nogometaš Pavle Löw. Međutim, susret s partizanskom izvidnicom stavlja logoraše i \nLöwa pred tešku dilemu: Pobjeći s partizanima i riskirati da ustaše u logoru izvrše odmazdu ili se vratiti u \nzatočeništvo.   \n\n\f\n2 \n \nOslanjajući se na istinite događaje i osobna svjedočanstva, Goran Dević minimalističkim izvedbenim \nprosedeom i ne eksploatirajući strahote logora, vješto gradi film koji prikazuje univerzalnu priču o \nizdržljivosti, otporu i nadi usred okolnosti koje ostavljaju malo prostora za ljudskost.   \n \n \nMOČVARA \nscenarij: Daria Blažević \nrežija: Daria Blažević \nprodukcija: Umjetnička organizacija Kadromat \n25.000,00 eura \n \nNakon što brat i sestra Niko i Lucija svjedoče ubijanju rijetke ptice u Dolini Neretve, počinju se događati \nneobične stvari. Njihov otac Jure ne vrati se kući nakon što ga usred noći prijatelj Ivor zamoli za pomoć. Kad \nu Neretvi ispliva mrtvo tijelo Ivorove žene, Jurina obitelj boji se da se nešto strašno dogodilo. No, Jure se te \nnoći vraća kući, ponovno s molbom za pomoć. \nFilm je osmišljen kao psihološki horor s ekološkim elementima, a fokalizacija je podijeljena između mladih \nbrata i sestre Nike (16) i Lucije (14) s tim da je ona središnji lik kroz koji se prati  priča. Vizualna inspiracija \nprojekta je moćan, nesvakidašnji močvarni krajolik neretvanske doline koji funkcionira kao izvanjsko, \nmaterijalno zrcalo kompleksnim unutrašnjim stanjima likova. Priča je ispričana na klasično žanrovski način, \nali s bogatim i u cjelinu smisleno integriranim premazima začudnih motiva i vizualizacija te slojevitim \npsihološkim pristupom glavnim likovima. Atmosfera slutnji i naznaka izvrsno je osmišljena i provedena kroz \nfilm koja teži istražiti ono nevidljivo, a prisutno, nespoznatljivo, a moćno, ono što se ne može racionalno \nspoznati već samo osjetiti i naslutiti, a čime je presudno obilježen dječji doživljaj svijeta. Močvara želi istražiti \nmanje prikazivane aspekte djetinjstva kao razdoblja u kojem smo radikalno prepušteni na milost i nemilost \ndrugima, kao i silnicama i polugama društvu u cjelini, pa su njeni uvjerljivo osmišljeni dječji protagonisti \noptimalno polazište za propitivanje manje istraženih opresivnih rukavaca socijalnih i kulturnih obrazaca.  \n \nDORUČAK NA TRAVI \nscenarij: Milan Trenc \nrežija: Milan Trenc \nprodukcija: Studio Devet d.o.o. \n19.000,00 eura \n \nTridesetih godina prošlog stoljeća Elica i Viktor susreću se jednog proljetnog jutra na terasi Hotela Esplanade. \nIako se ne poznaju, povezuje ih prijateljstvo s pijanisticom Sašom s kojom su trebali putovati na njen koncert. \nSaša otkazuje u zadnji čas i dvoje neznanaca, kako im ne bi propao planirani izlet, kreću u Viktorovom \nautomobilu na jednodnevnu vožnju po Hrvatskom Zagorju. \nDoručak na travi uspješno konstruira onu vrstu očaravajućeg filmskog svijeta koja je hipnotična u svojoj \nstiliziranoj ljepoti, a opet nalik stvarnosti u kojoj caruju neispunjene žudnje i fantazije. Autor precizno \noznačava svoju priču kao arkadijsku ističući kako njegovo Zagorje predstavlja idealizirani krajolik iz mašte \nkojim putuje dvoje likova. Općenito je korištenje tog kraja kao vrste stiliziranog, a opet realnog filmskog \nprostora jedna od brojnih vrlina ovog projekta u kojem je filmska cjelina oblikovana kao fantazija. Sve je \nstilizirano, odnosno idealizirano jer protagonisti doživljavaju ultimativno romantični dan iz snova, onaj dan \nkojem će se ostatak života vraćati u sjećanju i dopisivati ga vlastitim fantazijama te iznova maštom rekreirati \nnjegove mirise, boje, oblike i senzacije. Taj dan sastavljen je od arhetipskih trenutaka kakvi se otjelovljuju u \numjetničkim oblicima pa se kao središnji trenutak filma koristi rekreiranje slavne Manetove slike Doručak na \n\n\f\n3 \n \ntravi s Elicom i Viktorom kao protagonistima otkuda i naslov filma. Na sličan se način uvode i druge vizualne \ni metafilmske reference poput stiliziranog erotskog prizora branja trešanja koji priziva onaj iz klasika Clairino \nkoljeno Erica Rohmera. Cjelina je dosljedno oblikovana u ključu arkadijske fantazije i kada je riječ o vizualnim \nmotivima i kada je riječ o dramskom razvoju (klasični motiv iščekivanje realizacije novootkrivene međusobne \nstrasti) i kada je riječ o dijalozima koji imaju burlesknu, kazališnu kvalitetu u svojoj stiliziranosti. \n \n \nNOĆNI VALOVI \nscenarij: Filip Heraković \nrežija: Filip Heraković \nprodukcija: Wolfgang i Dolly d.o.o. \n25.000,00 eura \n \nFilm je smješten u okruženje taksista koji rade noćne smjene za vrijeme velikih festivala elektronske glazbe \nkakvi se organiziraju na hrvatskoj obali tijekom ljeta. Glavni lik je Toni, sezonski radnik koji, igrom slučaja \npreuzima posao vozača Ubera i postaje opsjednut nestankom danske turistice čiju je vožnju zbog bolje \nponude odbio.... \n'Noćni valovi' trebali su biti cjelovečernji prvijenac Filipa Herakovića, no spletom okolnosti mladi je autor prije \ntoga debitirao niskobudžetnim filmom 'Pelikan'. Zapažen i nagrađen na brojnih festivalima, 'Pelikan' je \npredstavio Herakovića kao darovitog autora rafiniranog vizualnog izričaja.  \n'Noćne valove' producenti najavljuju kao kriminalističku dramu, no autor sam kaže kako je riječ o 'detektivskoj \npriči bez detektiva, u kojoj tražeći nekoga drugoga pronalazimo sebe', prizivajući u sjećanje kultni \nAntonionijev film 'Blow Up' i brojne druge njime nadahnute art krimiće. Vješto balansirajući između \nkriminalističke i egzistencijalističke istrage, autor se priklanja ovoj drugoj, izbjegavajući standardne žanrovske \nobrasce i konvencije. Priložena scena i moodboard ukazuju na buduću vizualnu raskoš 'Noćnih valova'. \nHerakovićev film prikazuje grad Pulu na način na koji još nismo vidjeli.    \nProjekt živi već dugo vremena no još uvijek sadrži prostora za razvoj. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2024,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_DOKUMENTARNI_RSC_2018_2rok_12VII2018.pdf","filename_decoded":"Obrazlozenje_DOKUMENTARNI_RSC_2018_2rok_12VII2018.pdf","sha256":"026962dd2132b32ab49a88b40494902f8c0899a9edc4e5f9eb0eada987257267","bytes":212671,"page_count":3,"extracted_at":"2026-05-17T12:02:07Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_DOKUMENTARNI_RSC_2018_2rok_12VII2018.pdf"},"raw_text":"1 \n \nNa javni poziv poticanja audiovizualnih djelatnosti i stvaralaštva u 2018. godini, 2. rok  (12.07.) - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih dokumentarnih filmova prijavilo se ukupno 13 \nprojekata: \nNa Hrvatskom audiovizualnom vijeću održanom 13.11. glasanju se pristupilo samo za potkategoriju razvoja \nscenarija: \nSlijede obrazloženja projekata  \nPotkategorija: RAZVOJ SCENARIJA DUGOMETRAŽNIH DOKUMENTARNIH FILMOVA \n1. \nNaslov projekta: MI SMO LJUDI, MI SMO SILA \nProducent:  - \nRedatelj: Srđan Kovačević \nScenarist: Srđan Kovačević \nVrsta / žanr: socijalni dokumentarni film \nPredložena sredstva: 25.000,00 kn \nSinopsis projekta:  \nOd 2012. do 2015. 92.5 % novozaposlenih u Hrvatskoj zaposleno je na određeno vrijeme. To je također i \nagencijski rad, rad na autorski ugovor, ugovor na nepuno radno vrijeme, sezonski posao, studentski rad, \nmigrantski rad. Znate li, brine li tko za te radnike?Radničko savjetovalište (Delavska svetovalnica) iz Ljubljane \njedina je organizacija koja se bavi direktnim radom s ljudima bez sindikalne zaštite, ljudima u koje spadamo i \nmi, filmski radnici. Ovo je priča o njima i nama, radnicima. \nKoncept / umjetnička relevantnost projekta:  \nAutor želi donijeti priču o radnicima s ovih prostora čija su radnička prava obespravljena diljem Europe kroz \nsubjektivnu priču čovjeka koji kroz udrugu takvim radnicima daje pravne savjete te na sudovima riješava \nnjihove sporove. Goran Lukić, jedan od glavnih aktera filma doslovno je heroj za sve obespravljene radnike. Iz \ntreatmenta je jasno da autor želi koristiti više dokumentarnih stilova. Metodu intervijua, ali i direct cimena stil.  \nVažnost ovog projekta leži u njegovoj temi, ne toliko u kreativnom pristupu, ali obzirom da je autor vrstan \nsnimatelj ne bojim se da ćemo dobiti tek televizijski dokumentarni film.  \nPrezentacija i potencijal projekta: \nKvalitetno prezentiran projekt s velikim potencijalom za festivale o ljudskim pravima te televizijama koje su \nčlanice EBUa.  \nOstvarivost projekta: \nAutor ovog projekta je iskusni snimatelj dokumentaraca. Obzirom da je tema odlična vjerujem kako autoru neće \nbiti teško naći dobrog producenta jednom kad razvije scenarij. Obzirom na širinu teme vjerujem da će se i lako \nnaći koproducenti što povećava ostvarivost projekta.  \nZaključni osvrt: \nIako tematski film jest vezan i uz prilike u Hrvatskoj i sudbine naših ljudi film se većinom ne snima u Hrvatskoj. \nFilm se ugavnom odvija u Sloveniji, Njemačkoj te Bosni i Hercegovini. Vjerujem, i napominjem autoru kako bi \nbilo poželjno da određen broj radnika budu hrvatski državljani. Vjerujem kako ih neće biti teško naći i da će \ndaljnje raspisivanje filma ići i u tom smijeru.  \n \n2. \nNaslov projekta: NA MORSKOME PLAVOM ŽALU \nProducent:  - \nRedatelj: Vlatka Vorkapić \n\n\f\n2 \n \nScenarist: Vlatka Vorkapić \nVrsta / žanr: socijalni dokumentarni film \nPredložena sredstva: 25.000,00 kn \nSinopsis projekta:  \nDokumentarni film Na morskome plavom žalu tematizira pitanje morskih plaža kao javnog dobra izrazito \npodložnog komodifikaciji prirode koja se očituje u pretvaranju prirode u predmet trgovine. Niz aktera i njihovih \nosobnih priča i individualnih nastojanja prikazuju borbu za javno dobro kroz nastojanje da se očuvaju morske \nplaže kao mjesta integriranja, a ne razdvajanja ljudi. Film govori o hrvatskom crony kapitalizmu (crony \ncapitalism, od engl. crony: blizak prijatelj, drug) u kojem su građanima sužene mogućnosti utjecaja ne samo na \npolitičke odluke već i na osnovnu kvalitetu života. Taj oblik kapitalizma kojeg nazivaju još i rođačkim ili \nortačkim kapitalizmom, gdje poslovni uspjeh ovisi o bliskim, ortačkim odnosima vlasnika tvrtki i političara na \nvlasti, u sferi upravljanja javnim dobrom daje mnoštvo primjera. \nKoncept / umjetnička relevantnost projekta:  \nFilm je zamišljen kao istraživačko - opservacijski dokumentarac s elementima autorskog poetskog \ndokumentarizma.  \nPrezentacija i potencijal projekta: \nJoš jedan iznimno kvalitetno pripremljen projekt.  Tema je ponajviše domicilno interesantna, ali ako autorica \nuspije, a vjerujem da hoće, prikazati tragediju devastiranja okoliša te segregacije koja se gotovo zakonski \nprovodi poradi profita male skupine ljudi, tema će dobiti globalan obol prepoznatljiv svugdje. Ta činjenica \nprojektu otvara mogućnost uspjeha na međunarodnoj festivalskoj sceni.  \nOstvarivost projekta: \nZbog važne i zanimljive teme, dosadašnjeg provedenog istraživačkog rada te prijašnjih radova autorice \nvjerujem u ostvarivost projekta.  \nZaključni osvrt: \nBaš kao i autorica tako i ja već četrdesetak godina ljetujem u mjestu gdje se plaže daju u koncesije te se javnom \ndobru zabranjuje pristup onima koji nisu odabrani gosti, a koji su do jučer na tim plažama bili „kao kod kuće.“ . \nBaš kao i autorica zastupam tezu kako je važnije da svi imamo mogućnost profitirati zdravstveno, a ne samo \nodabrani materijalno... na nečem što je javno dobro.  Mislim da će se većina moći identificirati s autoričinim \nstavom kao što sam se i ja mogla te smatram važnim podržati ovaj projekt.  \n3.  \nNaslov projekta: EX YU STRAIGHT EDGE \nProducent:  Izvan fokusa d.o.o., Adrijana Dimić \nRedatelj: Pavle Kocanjer  \nScenarist: Pavle Kocanjer \nVrsta / žanr: glazbeno povijesno biografski dokumentarni film \nPredložena sredstva: 25.000,00 kn \nSinopsis projekta:  \nStraight Edge je pokret nastao kao reakcija na nihilistički pogled punk scene u Americi u kasnim 70ima u kojem \nljudi ne konzumiraju alkohol, cigarete, droge i seks radi tjelesnog užitka. Ovo je film koji pruža drugačiji pogled \nna punk, pogled dionika koji su u potpunosti Straight Edge ili su dio života živjeli na taj način. Film koji će \npotaknuti na razmišljanje o različitostima, zdravom načinu života i promicanju drugačijih vrijednosti od \ndanašnjih konzumerističkih i eksploatacijskih. \nKoncept / umjetnička relevantnost projekta:  \nObzirom da je autor  i sam pripadnik Straight Edge pokreta, film je zamišljen kao prepričavanje povijesti \npokreta iz osobne vizure.  Film je zamišljen kao ispreplitanje intervijua aktera sXe scene i arhivskog materijala. \nTo je za sad  i najslabija točka projekta, ali se nadam da će je autor osvijestiti te da će zauzeti kreativniji stav \nprema obradi teme jer tema to svakako nudi. \nPrezentacija i potencijal projekta: \n\n\f\n3 \n \nProjekt me osvojio činjenicom da je kroz pisani materijal toliko jasno s koliko iskrenosti, motivacije i ljubavi \nautor pristupa temi. Potencijal filma je velik, jer iako se projekt bavi marginalnom glazbenom skupinom, on \ndonosi puno više od marginalnog stava. Donosi novu vizuru o rušenju predrasuda. Svakako će biti zanimljiv \nspecijaliziranim glazbenim festivalima i festivalima koji imaju sekciju za mlade. \nOstvarivost projekta: \nVjerujem u ostvarivost ovog projekta, naime, već je prepoznat i podržan kao iznimno kvalitetan i zanimljiv od \nstrane žirija fonda „Krsto Papić“ pri Društvu hrvatskih filmskih redatelja.  Obzirom da se na ovom fondu osim \nnovaca dobiva i mentorstvo nadam se da će autor zajedno s mentoricom (Vlatka Vorkapić) izdignuti televizijski \npristup temi na kreativniji nivo. \nZaključni osvrt: \nMislim da je iznimno važno podržati projekte koje mlađoj publici razbijajaju predrasude i daju vizuru kako \nmogu biti „cool“, a živjeti zdravo, bez droge i alkohola.  \n \n4.  \nNaslov projekta: UŽITAK U NESVJESTICI \nProducent:  - \nRedatelj: Bojana Burnać \nScenarist: Bojana Burnać \nVrsta / žanr: biografsko znanstveno popularni dokumentarni film \nPredložena sredstva: 25.000,00 kn \nSinopsis projekta:  \nOvaj film istražuje užitak u hipoksičnoj nesvjestici. Želim ujediniti jezik fizioloških procesa u ljudskom tijelu s \njezikom emocija. Do hipoksične nesvjestice dolazi dugotrajnim držanjem daha. Ova disciplina dio je svjetski \npriznatog sporta ronjenja na dah. Polazna hipoteza ovog filma jest da je detaljnom artikulacijom emocija i \ndrugih osjeta u tijelu moguće napraviti paralelu s fiziološkim procesom, te utvrditi kada i što unutar fiziološkog \nprocesa potiče stvaranje nekog osjećaja te kako. \nKoncept / umjetnička relevantnost projekta:  \nZanimljiv koncept koji oko teme okuplja stručni međunarodni tim koji nad samom autoricom provodi \nistraživanja hipnotičke nesvjestice. Ovaj tim ne okuplja se samo filma radi, oni već godinama rade znanstvena \nistraživanja, a autorica je također već dugo dio tog tima.  Sade će samo svoja istraživnaja raditi pred upaljenom \nkamerom iznimno talentirane autorice koja nas je do sada u svojim filmovima ostavljala bez daha svojom \nvisoko promišljeno stiliziranom, magnetičnom fotografijom.  \nPrezentacija i potencijal projekta: \nVrlo iscrpna i profesionalno pripremljena dokumentacija. Potencijal projekta je velik jer je autorica s ovom \ntemom već međunarodno prepoznata na festivalima kao što su Karlovy Vary, Hot Docs.... Osim festivalskog, \nprojekt sigurno ima i velik televizijski potencijal.  \nOstvarivost projekta: \nVjerujem u ostvarivost projekta.  Radi se o ozbiljnoj i talentiranoj autorici te temi koja intirgira (pokazao je to \nnjezin prvi film na ovu temu), s toga predpostavljam da autorici, jednom kad razvije scenarij, neće biti problem \nnaći kvalitetnog producenta te inozemne koproducente. \nZaključni osvrt: \nIznimno mi je drago da se autorica odlučila na ovakav pristup temi. Vjerujem kako će ovaj film, sa njezinim \nprvim uspješnim filmom „Moj život bez zraka“, činiti savršen diptih. 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17102016.pdf","sha256":"02afd86a9efc88b8b3983d88a8b8c42a1e36b2049ad041070461fb06d0cd7f9f","bytes":559954,"page_count":1,"extracted_at":"2026-05-17T12:02:07Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje_picula_animirani%2017102016.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničkog savjetnika po odlukama o donošenju liste prioriteta i raspodjeli \nsredstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2016. \ngodini, u kategoriji poticanja razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova (3. rok: 17. listopada 2016.). \n \nBoško Picula, umjetnički savjetnik za animirani film: \n \nNa Javni poziv u trećem roku u potkategoriji razvoja scenarija prijavljena su tri projekta, a u \npotkategoriji razvoja projekata prijavljen je jedan projekt. U konačnici su na roku razmatrana četiri \nprojekata. Kriteriji predlaganja projekta za financiranje razvoja scenarija temelje se razrađenosti \nsinopsisa i treatmenta, originalnosti priče, narativne zaokruženosti te izvedivosti realizacije \nscenarija. Što se tiče kriterija predlaganja financiranja razvoja projekata, oni se temelje na \nredateljskoj i scenarističkoj koncepciji animiranog filma, produkcijskoj cjelovitosti predloženog \nkoncepta, financijskoj održivosti, festivalskim potencijalima u Hrvatskoj i svijetu te na \nelaboriranosti izvedbe samih projekata.     \n \nZa financiranje razvoja projekata predložen je jedan projekt u iznosu od 100.000 kuna, a za \nfinanciranje razvoja scenarija jedan projekt u  iznosu od 32.000 kuna. Ukupan iznos predloženih \nsredstava jest 132.000,00 kuna. \n \nNa treći javni poziv za razvoj scenarija i projekata u 2016.-oj stigao je ponovno relativno mali broj \nprijava, ali su u pitanju tematski i koncepcijski razrađeni projekti čija realizacija, kao i u \ndosadašnjim slučajevima, prvotno ovisi o uspješnosti daljnjih faza rada na njima. Kada su posrijedi \ndugometražni animirani filmovi aktualna faza razvoja scenarija jest ključna, tim više jer je riječ o \nfilmskoj vrsti koja je u suvremenoj hrvatskoj kinematografiji deficitarna i – potrebna u više \naspekata. Naime, dugometražni animirani filmovi sa svojim  zahtjevnim produkcijskim i \npostprodukcijskim uvjetima pri čemu treba voditi računa i o ostvarivosti projekta, omogućuju \nostvarivanje najšireg kreativnog i komercijalnog potencijala te puni angažman filmskih ekipa. \nMeđu tri predložena projekta najbolju sinergiju navedenih karakteristika ima projekt Flora, štene \nupoznaje svijet scenaristice Koraljke Martić. Predviđenog trajanja filma 30 minuta, scenarij je \nefektno razrađena i duhovita priča o odnosu ljudi i kućnih ljubimaca ispričana iz perspektive \nnaslovne kujice s edukativnim pristupom s obzirom da su ciljna publika djeca. U potkategoriji \nrazvoja projekata predlaže se financiranje animiranog filma Na tri kralja u režiji Zvonimira Bulaje \nradnjom smještenog u Dubrovnik kao prilagodbe naslovne drame Williama Shakespearea u spoju s \npastirskom igrom Grižula Marina Držića. Originalno zamišljen i vizualno atraktivan projekt temeljen \nje na renesansnom postupku 'kazališta u kazalištu', a koncept mu ima i svoju edukativnu ulogu. \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_distribucija_2024_2_rok_web.pdf","filename_decoded":"JP_distribucija_2024_2_rok_web.pdf","sha256":"02fa8d8f945b7497364bc874165aa12f26cae3cfb5eaee6676024aaa50715a65","bytes":205032,"page_count":1,"extracted_at":"2026-05-16T13:54:38Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_distribucija_2024_2_rok_web.pdf"},"raw_text":"NOSITELJ \nPRIJAVE\nNASLOV FILMA\nKATEGORIJA \nFILMA\nREDATELJ/ICA\nPRODUCENT\nDISTRIBUTER\nODOBRENA \nSREDSTVA (€)\n1\nRestart\nVilinski vrt\ndugometražni \ndokumentarni film - \nmanjinska koprodukcija\nGergő Somogyvári\nRestart\nRestart\n2.400,00\n2\nMCF d.o.o.\nRadnička klasa ide u \npakao\ndugometražni  igrani \nfilm - manjinska \nkoprodukcija\nMladen Đorđević\nKinorama d.o.o.\nMCF d.o.o.\n3.000,00\n3\nUmjetnička \norganizacija \nZagreb Film \nFestival\nDomaćinstvo za \npočetnike\ndugometražni igrani \nfilm - manjinska \nkoprodukcija\nGoran Stolevski\nUmjetnička \norganizacija Zagreb \nFilm Festival\nUmjetnička \norganizacija Zagreb \nFilm Festival\n4.000,00\n4\nKinorama d.o.o.\nNe očekuj previše od \nkraja svijeta \ndugometražni igrani \nfilm - manjinska \nkoprodukcija\nRadu Jude\nKinorama d.o.o.\nUmjetnička \norganizacija Zagreb \nFilm Festival\n3.000,00\n5\nFactum\nNaša djeca\ndugometražni \ndokumentarni film\nSilvestar Kolbas\nFactum\nFactum\n2.700,00\n6\nJUČER d.o.o.\nNešto jače od mene\ndugometražni igrani \nfilm\nDanilo Šerbedžija\nKinoteka d.o.o.\nJUČER d.o.o.\n30.000,00\n7\nJUČER d.o.o.\nŽena s gumenim \nrukavicama\ndugometražni igrani \nfilm\nMario Šulina\nSlavonija Nova\nJUČER d.o.o.\n4.000,00\n8\nJUČER d.o.o.\nŠalša\ndugometražni igrani \nfilm\nDražen Žarković\nMaxima Film d.o.o.\nJUČER d.o.o.\n13.000,00\n62.100,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nDISTRIBUCIJE FILMOVA u 2024. - 2. ROK - 30.4.2024. - 37 sjednica Hrvatskog \naudiovizualnog vijeća, 14. lipnja 2024. \nTrg Josipa Jurja Strossmayera 4  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 080  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"distribucija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE DISTRIBUCIJE FILMOVA u 2024. - 2. ROK - 30.4.2024. - 37 sjednica Hrvatskog audiovizualnog vijeća, 14. lipnja 2024.","year":2024,"rok":"2. rok","natjecaj_date":"2024-04-30","decision_date":"2024-06-14","decision_body":"AV vijeće","currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NOSITELJ PRIJAVE","NASLOV FILMA","KATEGORIJA FILMA","REDATELJ/ICA","PRODUCENT","DISTRIBUTER","ODOBRENA SREDSTVA (€)"],"rows":[{"row_number":1,"project_title":"Vilinski vrt","applicant":"Restart","production_company":"Restart","director":"Gergő Somogyvári","writer":null,"original_author":null,"category":"Dugometražni igrani film · koprod.","approved_amount_text":"2.400,00","approved_amount":2400.0,"currency":"EUR","extras":{"DISTRIBUTER":"Restart","repair_v1":{"changes":[{"field":"category","from":"dugometražni dokumentarni film - manjinska koprodukcija","to":"Dugometr. · 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početnike"},{"row_number":4,"project_title":"Ne očekuj previše od kraja svijeta","applicant":"Kinorama d.o.o.","production_company":"Kinorama d.o.o.","director":"Radu Jude","writer":null,"original_author":null,"category":"Dugometražni igrani film · koprod.","approved_amount_text":"3.000,00","approved_amount":3000.0,"currency":"EUR","extras":{"DISTRIBUTER":"Umjetnička organizacija Zagreb Film Festival","repair_v1":{"changes":[{"field":"category","from":"dugometražni igrani film - manjinska koprodukcija","to":"Dugometr. · koprod.","reason":"category_from_existing_row_value","confidence":"high"},{"field":"category","from":"Dugometr. · koprod.","to":"Dugometražni igrani film · koprod.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kinorama 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film","approved_amount_text":"13.000,00","approved_amount":13000.0,"currency":"EUR","extras":{"DISTRIBUTER":"JUČER d.o.o.","repair_v1":{"changes":[{"field":"category","from":"dugometražni igrani film","to":"Dugometražni","reason":"category_from_existing_row_value","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Maxima Film d.o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":"JUČER d.o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Maxima film d.o.o.","row_id":"02fa8d8f:s0:858c5afba481","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_8f3da80ffa2b","project_family_title":"Šalša"}],"section_total_text":"62.100,00","section_total":62100.0}],"totals":{"ukupno_text":"62.100,00","ukupno":62100.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":62100.0,"ukupno_match":true,"row_count":8,"awarded_count":8,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":8}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web PROIZVODNJA_DUGOMETRAZNI_IGRANI FILM_OBRAZLOZENJE_1_ROK_2022.pdf","filename_decoded":"web PROIZVODNJA_DUGOMETRAZNI_IGRANI FILM_OBRAZLOZENJE_1_ROK_2022.pdf","sha256":"041a0c3071ccd3bad248c9e4fbd81ec0f8723dafa78ed9175af947c00e4c06e9","bytes":110062,"page_count":4,"extracted_at":"2026-05-17T12:01:55Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20PROIZVODNJA_DUGOMETRAZNI_IGRANI%20FILM_OBRAZLOZENJE_1_ROK_2022.pdf"},"raw_text":"Obrazloženje umjetničkih savjetnika po rezultatima Javnog poziva za poticanje \naudiovizualnih djelatnosti i stvaralaštva – kategorija proizvodnje dugometražnog \nigranog filma i debitantskog dugometražnog igranog filma na prvom roku u 2022. \ngodini – rok 15. ožujka 2022.  \nUmjetnički savjetnici za dugometražni igrani film – Zvonimir Jurić, Ivor Martinić, Ana \nŠtulina \nNa prvi natječajni rok za poticanje proizvodnje dugometražnog igranog filma u 2022. godini \nprijavilo se ukupno trideset i sedam (37) projekata, od toga je deset (10) projekata bilo \nprijavljeno u kategoriji debitantskog igranog filma. Jedan projekt (1) nismo razmatrali jer ne \nzadovoljava uvjete Pravilnika, a jedan projekt (1) je snimljeni film u fazi postprodukcije.  \nUz poneke iznimke, pristigle prijave u ovoj kategoriji odlikuje vrlo dobra razina produkcijske \ni autorske pripremljenosti. Posebno ističemo debitantsku kategoriju kao zanimljivu i \nintrigantnu.  \n \nVidljivo je da autore i autorice zanimaju raznolike teme, no prevladavaju one suvremene. \nZamjetan je broj filmova koji kao mjesto radnje ima prostor Srednje i Južne Dalmacije, kao i \notoka. I dalje je primjetan veliki postotak prijavljenih projekata koji su u potpunosti autorski; \nscenarij i režiju potpisuje ista osoba. Vrlo su rijetki prijavljeni projekti koji nisu prošli \nprethodne natječajne prijave, bilo na razvoju scenarija bilo na prijavama za razvoj projekta.  \nIako je većina projekata bila dobro pripremljena podržali smo one koji su se svojom temom, \nkvalitetom scenarija i pripremljenošću najviše izdvojili. Tako smo odlučili poduprijeti \nsveukupno četiri filma od kojih je jedan već snimljen, te se nalazi u fazi postprodukcije.      \nOd preostala tri filma, dva filma potpisuju debitanti.  \nZa sufinanciranje proizvodnje dugometražnog filma i debitantskog dugometražnog igranog \nfilma predložena su i odobrena četiri projekta, u ukupnom iznosu od 11.800.000,00 kuna. \nRiječ je o sljedećim projektima:  \nDEBITANTSKI DUGOMETRAŽNI IGRANI FILM \nDRUGI KRUG \nScenarij: Josip Lukić \nRežija: Josip Lukić \nProdukcija: Dinaridi film d.o.o. \n3.100.000,00 kn \n \nDrugi krug donosi priču o studentu Jakovu, koji se vraća u rodni Split kako bi pomogao \nmajci Antici, koja je u dubokoj depresiji te ima učestale panične napade. Iako u teškoj \nsituaciji, Jakov se grčevito bori protiv ideje o njenoj ponovnoj hospitalizaciji. Kroz dramski \nkratko vrijeme, te kroz intenzivan odnos Jakova i ostatka njegove obitelji (sestre, tetke, oca), \npostepeno uranjamo u svu kompliciranu dinamiku jedne naoko tipične splitske obitelji.  \n \nSnažna i potresna autorova osobna priča pretočena je u filmski scenarij koji nas nije ostavio \nravnodušnim. Zahtjevnoj temi mentalnih poremećaja pristupa s empatijom, ali i sa jasnom \nkritikom zdravstvenog sustava. Dijalozi su uvjerljivi, a usprkos težini ispričane priče, \nneočekivano su i duhoviti.  \n\n\f\nUpoznati smo sa autorovim kratkim filmovima za koje je i nagrađivan, te smo mišljenja da je \nspreman za cjelovečernju formu. Redateljska razrada i dobro izabrana glumačka podjela, \npotvrđuju da se radi o zrelom autoru spremnom za ovaj izazov.  \nFilm je namijenjen prije svega festivalskoj publici, ali mislimo da temom; obiteljskom \ndramom sa bogatim likovima i prisutnim humorom, može doprijeti i do šire publike. \n \nPET DANA NA MORU  \nScenarij: Ivana Škrabalo \nRežija: Ivana Škrabalo \nProdukcija: Dinaridi film d.o.o. \n3.100.000,00 kn \n \nDugogodišnji par u tridesetima, Maša i Boris, dolaze na odmor kod Mašine prijateljice iz \ndjetinjstva i njenog novog dečka.  \n \nPet dana na moru je egzistencijalna, tjeskobna drama oplemenjena humorom u kojoj se Maša \nsuočava s vlastitom nezrelosti, strahom od odgovornosti i gubitkom bliskosti. Vođena \ninstinktom testira svoj odnos s Borisom, prekida pasivnost, udaljava se i prepušta svim \nizazovima na koje nailazi. Film je ujedno i priča o ženskom prijateljstvu, s puno topline i bez \nuvijanja, iskreno prikazuje kompliciran odnos žena koji prolazi razne faze. \nOtočki ambijent nudi nam opijajuću melankoliju, uvjerljive likove lokalaca i prirodu koja \nkroz životinje, sušu, žeđ, vatru, šikaru i stijene prkosi urbanom modernom svijetu. \nZanimljiva tema propituje problematiku generacije milenijalaca, kako donositi djecu i stvarati \nnovi život u nestabilnim životnim okolnostima, koliko će novi naraštaji imati priliku upoznati \nsvijet kakav poznajemo i što im ostavljamo u nasljeđe. Temi autorica pristupa suptilno, mimo \ndijaloga, kroz anksiozna stanja svojih likova i motive flore i faune. \nDijalozi ne upadaju u zamku objašnjavanja i opisivanja konteksta važnih za priču ili \nkaraktere. Karakteri vjerno ocrtavaju današnje tridesetogodišnjake, i lako se poistovijetiti s \nnjima. Maša je punokrvni ženski lik, kakvih nedostaje u hrvatskoj kinematografiji. \nRedateljska koncepcija je napisana artikulirano i smisleno, s fotografijama koje su nam \ndočarale atmosferu i okružje u kojem će se priča odvijati. Prethodni zapaženi i nagrađivani \nfilmovi uz ovaj uvjerljiv i kvalitetan scenarij otkrivaju da je autorica spremna za svoj prvi \ndugometražni film. \nProdukcijski paket sa međunarodnim partnerima pažljivo je isplaniran i izvediv. Mišljenja \nsmo da je tema poput ove univerzalna u smislu dometa publike, uz to filmu možemo \npredvidjeti dinamičan festivalski život. \n \n \n \n \n\n\f\n \nDUGOMETRAŽNI IGRANI FILM \nNEŠTO JAČE OD MENE – PRIČA O DRAŽENU PETROVIĆU \nScenarij: Ivan Turković-Krnjak \nRežija: Danilo Šerbedžija \nProdukcija: Kinoteka d.o.o. \n5.500.000,00 kn \n \nRiječ je o uspjeloj transpoziciji, u igranoj formi, života jednog od najboljih svjetskih \nkošarkaša svih vremena, Šibenčanina Dražena Petrovića.  \n \nKroz brze i dinamične scene, scenarij pokriva sve važnije faze Draženovog života,  od \ndjetinjstva i odrastanja u Šibeniku sa bratom i roditeljima, igranja u Šibenci, Ciboni, Real \nMadridu, Portland Trailblazersima, New Jersey Netsima, ratnog perioda, romantičnih veza, \nsve do nesretne smrti u automobilskoj nesreći 1993.g.  \n \nVažno je naglasiti da ovaj biopic nije hagiografija glavnog junaka, sakrosanktna ispolirana \npriča o nekom velikanu, naprotiv, Dražena se pokazuje kao živi lik sa svim svojim vrlinama i \nmanama, kao osobu od krvi i mesa.  \nNaglasak nije na sportskim uspjesima već na osobnosti Dražena, njegovoj nezajažljivoj želji \nda bude najbolji što je imalo posljedice kako na njegov obiteljski, tako i na emotivni život.    \n  \nProjekt je produkcijski zahtjevan, autorsko-producentski tim je svjestan te činjenice i visoko \nmotiviran.  \n \nPred nama je projekt koji bi, nadamo se, mogao izrasti u film kojeg će publika voljeti, a \nkinematografiji donijeti biografski film kakvog nam nedostaje.  \n \nFilm ima ogroman potencijal u kino i VOD distribuciji, koji prelazi granice regije. \n \nZaključno, Dražen Petrović je svjetska sportska ikona o kojoj do sada nije snimljen niti jedan \ndugometražni dokumentarni ili igrani film, smatramo da bi ovaj film mogao ispraviti tu \n“nepravdu”.  \n \n \nDUGOMETRAŽNI IGRANI FILM U FAZI POSTPRODUKCIJE \n \nFRKA  \nScenarij: Sven Latinović  \nRežija: Svebor Mihael Jelić  \nProdukcija: Oksimoron \n100.000,00 kuna \n \nRadnja filma se događa u gradu Osijeku, pratimo četvero mladih ljudi koji, dobivši ultimatum \nod lokalnog dilera, u vremenskom ograničenju od nekoliko sati, unutar jedne noći, moraju \nizvršiti određeni zadatak - skupiti novac. Neprilike i neobične situacije se zatim nižu jedna za \ndrugom.  \n \n\n\f\nŽanrovski, u pitanju je kriminalistički film sa elementima komedije.  \nNarativno, film je strukturiran od većih paralelnih cjelina u kojima naizmjence pratimo \ndogađaje u klubu s dilerom i avanture četvoro mladih na ulicama Osijeka, sve do finala filma \nu kojem se te dvije cjeline spajaju u jednu.   \n \nGotovo sve scene, osim onih u epilogu, snimljene su po noći na iznimno mnogo lokacija, a \nprisutan je i velik broj “masovki” sa pozamašnim brojem glumaca i statista. \n \nSmatramo da ovaj već snimljeni film, odvažno napravljen velikim entuzijazmom mlade \nekipe, treba podržati sredstvima za postprodukciju.  Riječ je o zabavnom djelu, čija se radnja \ndoista prati sa zanimanjem i moguće je da ovaj film naiđe na dobar odjek, prvenstveno kod \nmlađe publike.    \n \n \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2022,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web Obrazlozenje_komplementarne_2026_1 rok.pdf","filename_decoded":"web Obrazlozenje_komplementarne_2026_1 rok.pdf","sha256":"0450708c135029f190cb0826465cbab48e71cd99ef74842cd9fe93bbabf55912","bytes":311846,"page_count":10,"extracted_at":"2026-05-17T12:01:33Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje_komplementarne_2026_1%20rok.pdf"},"raw_text":" \n \nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH \nDJELATNOSTI U 2026. GODINI – 1. rok \nObrazloženje umjetničkih savjetnika za komplementarne djelatnosti \nU prvom roku Javnog poziva za dodjelu sredstava za poticanje komplementarnih djelat-\nnosti u 2026. godini zaprimljeno je 415 prijava u kategorijama: \n- \ndjelatnosti razvijanja audiovizualne kulture, \n- \nfilmski festivali i druge audiovizualne manifestacije, \n- \nizdavaštvo u području audiovizualnih djelatnosti, \n- \nprogrami audiovizualnih udruga i organizacija, \n- \nprogrami promocije i prodaje hrvatskih audiovizualnih djela, \n- \nprogrami stručnog usavršavanja i/ili edukacije, \n- \nproučavanje i kritičko vrednovanje audiovizualnih djelatnosti, \n- \nzaštita audiovizualne baštine uključujući kinotečnu djelatnost, \n- \nostali programi. \n \nPrijave na Javni poziv za komplementarne djelatnosti podnose se u dva roka godišnje, \nu prvom roku do 8. rujna 2025. za projekte u svim kategorijama koji se održavaju u \n2026. godini te u drugom roku do 14. siječnja 2026. isključivo za one projekte iz katego-\nrije programa filmskih festivala i drugih audiovizualnih manifestacija koji se održavaju u \ndrugoj polovici 2026. godine, a nisu se prijavili na prvi rok javnog poziva. U okviru Jav-\nnog poziva za komplementarne djelatnosti, izuzetak čine programi međunarodne surad-\nnje za koje je poziv otvoren tijekom cijele godine, a odluke se donose najmanje četiri \nputa godišnje.  \nUmjetnički savjetnici za komplementarne djelatnosti, Ljubica Letinić, Jelena An-\ndroić i Slaven Zečević, za financijsku podršku na prvom roku predlažu 363 pro-\ngrama u ukupnom iznosu od 2,270,496.00 eura što je usvojeno na 28. sjednici Hr-\nvatskog audiovizualnog vijeća održanoj 4.2.2026. \n\n\f\n \n \nNa 1. rok pristiglo je ukupno 415 prijava, što je u odnosu na isti rok u prethodnoj godini \n(365 prijava) povećanje od 50 prijava. Ukupno je pritom zatraženo 5,210,985.54 eura \nza sufinanciranje. Zamjetan je porast prijava; među njima su prijavitelji koji se javljaju \nprvi put ili, u najvećem broju slučajeva, novi programi postojećih korisnika. Zamjećuje \nse i velika lokacijska disperziranost programa, od kojih nemali broj dolazi iz područja \nsjeverne i srednje Dalmacije, Slavonije, Banije, Hrvatskog zagorja i Istre.  \n \nU postupku procjenjivanja umjetnički savjetnici vodili su se otprije utvrđenim kriterijima, \nnavedenima u točki VIII. Javnog poziva za dodjelu sredstava za poticanje komplemen-\ntarnih djelatnosti u 2026. godini: \n− kvaliteta, izvedivost i održivost programa (od sadržajne do produkcijske razine) \n− programi koji imaju konkretne, realne i strateške planove u umjetničkom, organizacij-\nskom i financijskom smislu \n−  značaj programa za relevantan kontekst (ovisno o programu, od lokalne zajednice, \npreko nacionalnog značaja do međunarodne prepoznatljivosti i važnosti za audiovizu-\nalni sektor) \n−  kontinuitet programa odnosno njegova dugoročna usmjerenost, dostupnost projekta, \nvidljivost i komunikacija sa profesionalcima i javnosti, \n− kvaliteta prijave, kvaliteta i iskustvo projektnog tima u pojedinoj programskoj komple-\nmentarnoj djelatnosti za koju se prijavljuje (stabilni i dostatni izvori prihoda za kontinui-\nrano obavljanje aktivnosti tijekom razdoblja ostvarivanja projekta, stručne kompetencije \ni kvalifikacije potrebne za provođenje predložene aktivnosti) \n−  prethodna izdanja programa (ako nije prvo izdanje) \n−  ispunjavanje prethodnih ugovornih obveza sa Centrom \n−  odjek programa i komunikacija s javnosti (prije, za vrijeme i nakon održavanja pro-\ngrama) \n−  te povezivanje i suradnja. \n\n\f\n \n \nUmjetnički savjetnici za komplementarne djelatnosti, Ljubica Letinić, Jelena Androić i \nSlaven Zečević, u postupku evaluacije prijavljenih programa na javni poziv te sastavlja-\nnja liste prioriteta za sufinanciranje, posebnu su pozornost posvetili decentralizaciji, od-\nnosno pratili raspoređenost projekata po Republici Hrvatskoj, kako bi poticali audiovizu-\nalne projekte u onim sredinama u kojima oni sustavno nedostaju ili su generalno osku-\ndne kulturnim programima. \nU odlučivanju, dodatno su pažnju posvetili onim projektima čija su ciljana skupina djeca \ni mladi (posebno adolescenti), odnosno školska i srednjoškolska populacija, kako bi os-\nnažili mogućnosti njihovog audiovizualnog obrazovanja. Ono je nužno u vremenu izuze-\ntne zasićenosti digitalnim sadržajima, jer  stvara temelj za kvalitetno, aktivno i kritično \nsudjelovanje u generalnom medijskom prostoru, fizičkom i online.  \nRealističan financijski plan, bilo na strani diversificiranih planiranih prihoda, bilo na \nstrani realnih rashoda, horizontalni je kriterij kojim su se vodili kod svih prijava.  \nKonačno, sukladno najvećem broju prijava u toj kategoriji, najviše programa i najveći \nukupni iznos predložili su u kategoriji djelatnosti razvijanja audiovizualne kulture, za \nkoju po prijavama zaključujemo da je vibrantna i raznolika.  \n \nDJELATNOSTI RAZVIJANJA AUDIOVIZUALNE KULTURE \nPregled prijava i financijski okvir \nU ovoj kategoriji zaprimljene su 222 prijave (lani 198), od kojih su dvije nepripadajuće \nna ovaj javni poziv te jedna povučena. Za sufinanciranje je predloženo 189 projekata \nukupnog iznosa 833,020.00 eura. Predloženi iznos predstavlja oko 38 posto zatraženih \nsredstava. Generalno, prijave su kvalitetno pisane i većina je prijavitelja priložila doku-\nmente iz kojih je moguće razaznati sve potrebne informacije.  \nVrste programa \nRazmatrani su programi u najvećem broju radionički programi, i to za djecu i mlade, iz \nanimiranog i dokumentarnog te u manjoj mjeri igranog filma. U smislu medijskog opis-\nmenjavanja, dio programa namijenjen je i nastavnicima, što se prepoznaje kao odgovor \nna evidentiranu potrebu.  \n\n\f\n \n \nNadalje, to su kinoprikazivački programi, često godišnji programi kina, kulturnih centara \nte pučkih otvorenih učilišta, čija kvaliteta i prijava značajno varira (neke sadržavaju \nsamo najosnovnije opće smjerove, a neki elaborirane programe). Ovom se dijelu pridru-\nžuje i nemali broj ljetnih kina,  također s različitim programima različite kvalitete.  \nTreći je segment programa onaj radionički, namijenjen svim uzrastima, za korisnice i \nkorisnike koji se nalaze na granici između onih koji prvi put ulaze u svijet filma i onih s \nodređenim predznanjima.  \nIzdvajamo i večeri animiranog, dokumentarnog, igranog, tematskog filma, programe koji \nspajaju prikazivački, diskurzivni i radionički segment, radionice i programe koji potiču \ninkluziju, programe koji film dovode u male sredine te godišnje radioničke programe \nkino klubova. \nKriteriji vrednovanja \nPri procjeni radioničkih i edukativnih programa u obzir su uzeti  lokalitet, odnosno ten-\ndencija poticanju decentralizacije, dosadašnji rad prijavitelja i dosadašnja (poznata) us-\npješnost i prepoznatost programa, zatim stručnost predavača, nezasićenost lokaliteta \nsličnim radionicama i programima, broj polaznika i adekvatnost programa za ciljanu \nskupinu koja se navodi kao primarna te, gdje je bilo moguće, dosadašnji realizirani ra-\ndovi.  \nKod kinoprikazivačkih programa geografija je također igrala značajnu ulogu. Raznoli-\nkost programa također je bila važna stavka, s posebnim naglaskom na tematski (nacio-\nnalne kinematografije, specifična ostvarenja) aspekt.  \nZa radioničke programe za sve uzraste gledalo se na kvalitetu dosadašnjeg rada prija-\nvitelja, stručnost izvoditelja, broj polaznika_ca te nezasićenost sličnim programima na \nlokalitetu. Interdisciplinarni programi, koji spajaju prikazivački, diskurzivni i radionički \ndio, u glavnini su dobili potporu, kao rezultat prepoznate potrebe za zaokruženošću pro-\ngrama. Također su pozitivno vrednovani programi namijenjeni specifičnim publikama. \nPosebni naglasci \nPrednost su imali projekti koji odražavaju recentne potrebe, koji potvrđuju predanost \nkontinuitetu istaknutih predlagatelja, poput udruga i kinoklubova, te koji u svojim prija-\nvama jasno određuju funkcionalnost i očekivanja predloženog. Programi Restarta, \n\n\f\n \n \nBlanka, Kino kluba Split, Kino kluba Zagreb ili Filmaktiva, dokazana su mjesta na ko-\njima se organiziraju i obrazuju novi članovi audiovizualne zajednice izvan okvira držav-\nnih ili privatnih institucija.     \n \nFILMSKI FESTIVALI I DRUGE AUDIOVIZUALNE MANIFESTACIJE \nPregled prijava i financijski okvir \nU ovoj kategoriji prijavljen je 41 projekt (lani 36 u istom roku) od kojih je za sufinancira-\nnje predloženo njih 36. Ukupan predloženi iznosi jest 678,150.00 eura, što predstavlja \noko 51 posto ukupnog traženog iznosa. \nKriteriji vrednovanja \nProgrami su ocjenjivani prema nacionalnom i međunarodnom značaju, a sukladno tome \ni dugotrajnosti i kvaliteti samih festivala kao i stručnosti njihovih voditelja i voditeljica, ro-\ndovskoj raznolikosti, žanrovskoj i tematskoj raznolikosti, geografskoj disperziranosti, i-\nnovativnosti i specifičnosti programa te značaju programa za zajednice u kojima se \nsmještaju, a ovisno o procjeni i znanju  o postojanju drugih kulturnih programa u tim za-\njednicama, koji zadovoljavaju i kulturne potrebe stanovnika i otvaraju prostor za šire u-\nključivanje i edukaciju publika u polju audiovizualne kulture i umjetnosti. \nIstaknuti programi \nNajveće potpore dodijeljene su festivalima s ključnom ulogom u promociji hrvatskog \nfilma i međunarodnoj vidljivosti (Svjetski festival animiranog filma - Animafest Zagreb, \nZagreb Film Festival, ZagrebDox - Međunarodni festival dokumentarnog filma, Cinehill - \nMeđunarodni filmski festival, Festival mediteranskog filma Split). \nRegionalna i inovativna scena \nPodržani su i inovativni te društveno relevantni festivali (25 FPS, Subversive Film Festi-\nval, Fantastic Zagreb Film Festival, Filmske mutacije: Festival nevidljivog filma XX - \nFantom eklipse, Liburnia Film Festival, Timpetill - Young4Film), kao i manifestacije u \nmanjim sredinama koje imaju važnu ulogu u lokalnim zajednicama.  \nUpravo smo programima u manjim sredinama te alternativnim programima istaknutih \nfilmskih festivala posvetili dodatnu pažnju u predlaganju potpora.   \n\n\f\n \n \nDodatni kriterij \nU obzir je uziman i ukupan iznos sredstava dodijeljen organizacijama koje, uz festivalski \nprogram, prijavljuju i popratne aktivnosti. \n \nIZDAVAŠTVO U PODRUČJU AUDIOVIZUALNIH DJELATNOSTI \nPregled prijava i financijski okvir \nU ovoj kategoriji pristigla je 31 prijava (lani 29 ) od kojih jedna nije razmatrana, budući \nda je projekt već dobio potporu na Javnom pozivu za 2022. godinu. Za sufinanciranje je \nstoga predloženo 28 programa u ukupnom iznosu od 100,500.00 eura, što predstavlja \noko 46 posto traženih sredstava. Želimo pritom naglasiti da smo, sukladno intenciji poti-\ncanja izdavaštva koje je u permanentnoj krizi, u ovoj kategoriji za sufinanciranje predlo-\nžili ponajveći broj prijavljenih projekata. Naime, većina predloženih programa izdava-\nnjem filmoloških naslova daju vrijedan doprinos u poboljšanju izrazito deficitarnog seg-\nmenta u hrvatskom izdavaštvu.   \nVrste izdanja \nProgrami u ovoj kategoriji kreću se između starih i novih medija: od izdavanja knjiga, \nmonografija, ljetopisa, časopisa, teorijskih publikacija te drugih tiskanih publikacija, \npreko filmu posvećenih portala, nosača zvuka, do podcasta. \nKriteriji vrednovanja \nVisina potpore određivana je prema kontinuitetu izlaženja, procijenjenoj publici i njenoj \nraznovrsnosti, složenosti tematskog pristupa, inovativnosti te značaju za razvoj audiovi-\nzualne umjetnosti i kulture, nacionalne i međunarodne. \nTrendovi \nUočen je trend povezivanja elektroničkih izdanja s podcast formatima, čime se sadržaji \npribližavaju suvremenim navikama publike. \n \nPROGRAMI AUDIOVIZUALNIH UDRUGA I ORGANIZACIJA \n\n\f\n \n \nPregled prijava i financijski okvir \nU ovoj je kategoriji prijavljeno ukupno 36 programa (lani 33) te samo jedan nije predlo-\nžen za sufinanciranje (35 dakle jesu), s namjerom umjetničkih savjetnika da nagrade \nkontinuitet i raznolikost bavljenja te geografsku disperziranost audiovizualnih organiza-\ncija. Iznos koji je predložen za sufinanciranje jest 280,000.00 eura, što predstavlja oko \n47 posto traženih sredstava.  \nPrioriteti financiranja \nNajveći dio sredstava usmjeren je strukovnim udrugama koje imaju ključnu ulogu u raz-\nvoju i zastupanju audiovizualnog sektora. Potom su tu programi udruga i organizacija \nsmještenih u polje produkcije, edukacije, prikazivaštva, izdavaštva i audiovizualnog a-\nmaterizma te dakako kino i foto kino klubovi. \nLokalne inicijative \nZnačajna potpora dodijeljena je kinoklubovima i udrugama koje provode obrazovne i \nneprofesijske filmske aktivnosti, osobito u sredinama s ograničenim lokalnim izvorima \nfinanciranja ili ograničenom ponudom kulturnih programa, kao što je u ovom dokumentu \nveć naglašeno na više mjesta. \nNapomene \nSavjetnici prepoznaju potrebu snažnije podrške radu udruga i organizacija, osobito za \ntroškove tzv. “hladnog pogona”. Svjesni da u Hrvatskoj ne postoje dovoljni javni izvori \nkoji bi sustavno financirali takvu vrstu troškova, savjetnici su se - zbog velikog broja pri-\njava u ostalim kategorijama i ograničenih sredstava - mogli tek djelomično približiti tra-\nženim iznosima.  Kod dijela organizacija kojima su sredstva ipak povećana, povećanje \nse odnosi na sredstva namijenjena provedbi konkretnih programa. \n \nPROGRAMI PROMOCIJE I PRODAJE HRVATSKIH AUDIOVIZUALNIH DJELA \nPregled prijava i financijski okvir \nU ovoj je kategoriji razmatrano 7 projekata (jedan manje no lani), od kojih je 5 predlo-\nženo za sufinanciranje u ukupnom iznosu od 22,600.00 eura, odnosno oko 24 posto \ntraženih sredstava. U ovoj je kategoriji ujedno predloženo i najmanje sredstava za sufi-\nnanciranje, uglavnom slijedom činjenice da su neki od predloženih projekata ambicijom \n\n\f\n \n \nnadmašili mogućnosti ovog javnog poziva, ili je procjena da je riječ o komercijalnijim \nprojektima s potencijalom financiranja u drugim poljima, pored javnog sektora. \nFokus programa i istaknute inicijative \nNaglasak je stavljen na digitalne platforme koje povećavaju dostupnost i vidljivost hrvat-\nskog filma u zemlji i inozemstvu, kao što su croatian.film, Kino Mediteran od doma te \nfestivalska distribucija Ustanove Zagreb film. \n \nPROGRAMI STRUČNOG USAVRŠAVANJA I/ILI EDUKACIJE \nPregled prijava i financijski okvir \nU ovoj je kategoriji zaprimljeno 49 prijava (37 lani), a za potporu su predložena 43 pro-\ngrama u ukupnom iznosu od 211, 958.00 eura, što predstavlja oko 43 posto traženih iz-\nnosa.  \nKljučni programi \nNajveća potpora dodijeljena je Školi medijske kulture dr. Ante Peterlića, zatim industry \nprogramima velikih festivala, kao i dugogodišnjim i uhodanim edukacijama, primjerice \nonima strukovnih organizacija, kino klubova i organizacija koje se pored ostalog bave i \nfilmskom produkcijom. Prepoznati su programi usmjereni na dodatnu edukaciju filmskih \nprofesionalaca, osobito mlađih generacija, koji odgovaraju na praktične potrebe bu-\ndućnosti hrvatske audiovizualne produkcije. Podržane su i edukacije usmjerene na defi-\ncitarna tehnička i specijalistička znanja u audiovizualnom sektoru. \n \nPROUČAVANJE I KRITIČKO VREDNOVANJE AUDIOVIZUALNIH DJELATNOSTI \nPregled prijava i financijski okvir \nU ovoj je kategoriji prijavljeno 19 programa (15 lani), a za sufinanciranje je predloženo \nnjih 17, u ukupnom iznosu od 51,100.00 eura, odnosno oko 37 posto traženih sreds-\ntava. \nProgramski fokus \nIstiču se projekti koji kroz teorijski, znanstveni i edukativni pristup doprinose razumijeva-\nnju suvremene filmske i vizualne kulture. U ovoj su kategoriji prijavljeni programi poput \n\n\f\n \n \nmasterclassova, simpozija, diskurzivnih i diskurzivno-prikazivačkih programa te pro-\ngrami koji potiču kritičko razmišljanje kod šire publike.  \nRaznovrsnost prijavljenih projekata potvrđuje kako je interes za filmološke programe \nprisutan i izvan obrazovnih institucija, koje katkad ne mogu izvedbeno pratiti širinu razli-\nčitosti u pristupu audiovizualnoj baštini.  \n \nZAŠTITA AUDIOVIZUALNE BAŠTINE, UKLJUČUJUĆI KINOTEČNU DJELATNOST \nPregled prijava i financijski okvir \nRazmatrano je 9 programa, od kojih su svi predloženi za sufinanciranje, u ukupnom iz-\nnosu od 53,168.00 eura (oko 55 posto traženih sredstava). \nPrioriteti \nNajviši iznosi dodijeljeni su programima digitalizacije, restauracije i očuvanja filmske \ngrađe od nacionalne važnosti. Podržani su i programi producentskih kuća i kinoklubova \nkoji svoju filmsku baštinu čine dostupnom javnosti.  \nPosebno bismo istaknuli kako Ustanova Zagreb film ove godine planira restaurirati film \n“Tajna Nikole Tesle” redatelja Krste Papića iz 1980. godine, djelo koje u filmografiji au-\ntora dijelom odstupa od dominantnih tema i poetike ranijih ostvarenja. \n \nOSTALI PROGRAMI \nPregled prijava i financijski okvir \nU ovoj je kategoriji razmatran jedan program: Društvo hrvatskih filmskih autora i produ-\ncenata predložilo je izradu Strateškog nacrta za razvoj audiovizualne industrije u Hrvat-\nskoj do 2030. godine, što se za analizu i razvoj sektora vidi nužnim i korisnim dokumen-\ntom te je predložen ukupan traženi iznos, 40,000.00 eura. \n \n \n \n\n\f\n \n \nZAKLJUČAK \nZa sufinanciranje su predložena 363 od 415 prijavljenih programa, u ukupnom iznosu \npredloženom za sufinanciranje od 2,270,496.00 eura. Unatoč povećanju raspoloživih \nsredstava, velik broj programa i dalje se suočava s izazovima financijske održivosti i \nprovedivosti. \nUmjetnički savjetnici su svjesni kako je predlaganje veće potpore za pojedine projekte \nkatkad na razini simboličkog te da budžet ovog javnog poziva ne može u potpunosti od-\ngovoriti na stvarne potrebe korisnika. Naglasak je stoga stavljen na očuvanje kvalitete, \nraznolikosti i dostupnosti audiovizualnog stvaralaštva, uz posebno poticanje programa \nkoji razvijaju filmsku pismenost i prisutnost hrvatskog filma u svim dijelovima zemlje.  \nDodatno, kontinuitet u odvijanju programa također je element vrijedan isticanja, jer uz \nsvu moguću financijsku neizvjesnost, dio programa bilježi višegodišnju prisutnost. To su \nprogrami čije uporno zalaganje u traženju i privlačenju novih korisnika stvara pretpos-\ntavku stabilnosti u svim segmentima sektora. \nRaznolikost i brojnost prijavljenih programa, kao i njihov kontinuitet, potvrđuju da se au-\ndiovizualna kultura u Hrvatskoj u velikoj mjeri razvija izvan isključivo institucionalnih ok-\nvira te da počiva na dugoročnom radu organizacija i inicijativa u lokalnim sredinama. U-\nnatoč ograničenim sredstvima i strukturnim izazovima financiranja, upravo ta mreža \nprograma, festivala, edukacija i izdavačkih aktivnosti osigurava prisutnost filma i audio-\nvizualne kulture u različitim društvenim i geografskim kontekstima te stvara preduvjete \nza njezin daljnji razvoj. \nIstodobno, valja primijetiti da je povećanje ukupnog godišnjeg proračuna najvećim dije-\nlom usmjereno na programe razvoja audiovizualne kulture. Rast broja prijava u toj kate-\ngoriji, kao i u kategoriji stručnog usavršavanja i edukacije (čak 32% više nego lani), u-\npućuje na kontinuirano rastuću potrebu sektora za takvim vrstama programa i izdvaja ih \nkao ključne u dugoročnom razvoju audiovizualne djelatnosti. \n \nUmjetnički savjetnici za komplementarne djelatnosti: \nLjubica Letinić \nJelena Androić \nSlaven Zečević \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje proizvodnja dugometrazni igrani film 2.rok 2025.pdf","filename_decoded":"web obrazlozenje proizvodnja dugometrazni igrani film 2.rok 2025.pdf","sha256":"04df63b45f2fbeb9df3ab6c44388a853048ebffa99fde01c73bdf409c6a547b0","bytes":107008,"page_count":2,"extracted_at":"2026-05-17T12:01:52Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20proizvodnja%20dugometrazni%20igrani%20film%202.rok%202025.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti stvaralaštva – kategorija: POTICANJE \nPROIZVODNJE FILMOVA u 2025. - dugometražni igrani film i debitantski dugometražni igrani \nfilm – 2. rok, 11.9.2025. \n \n- umjetnički savjetnici za dugometražni igrani film - Branko Schmidt, Sandra Antolić, Ira Cecić \n- financijski savjetnik: Ivan Maloča \n \nNa drugi rok natječaja za poticanje proizvodnje dugometražnog igranog filma u 2025. godini pristigla \nsu 33 projekta: 19 u kategoriji dugometražnih igranih filmova i 14 u kategoriji debitantskih \ndugometražnih igranih filmova. Budući je jedan prijavitelj dostavio nepotpunu dokumentaciju, u \nocjenjivanje su ušla 32 naslova, a od toga nam je čak 17 naslova poznato s  proljetnog roka. \n \nZanimljivom držimo činjenicu da su u kategoriji debitantskih dugometražnih igranih filmova \nprijavljena 2 filma za djecu i mlade. \n \nPrijave su žanrovski i tematski raznolike; od takozvanog art house horora, do komedija i romantičnih \nkomedija, kriminalističkih drama, biografskih filmova, drama s tematikom imigranata, društveno \nangažiranih drama, filmova za djecu i mlade, jedne adaptacije romana, jednog hibrida između igranog \ni dokumentarnog filma, jednog ratnog filma i jednog omnibusa. Značajnije povećanje uočili smo u broju \nprijavljenih komedija te filmova za djecu i mlade uz napomenu da u potonjima ima još puno prostora \nza poboljšanja kroz konzultacije s razvojnim psiholozima. Također, zamjećujemo tendenciju dodavanja \nu prijave materijala za koje autori smatraju da dodatno osnažuju prezentaciju projekta poput \nmoodboarda, ali napominjemo kako takvi materijali kolikogod mogu biti kvalitetni, ne mogu \nnadomjestiti kvalitetu osnovnih stavki, pogotovo scenarija.    \n \nOd 32 razmatrana projekta za financiranje odobrena su 4 od kojih je jedan debitantski:  \n \n \nPOSKOCI \nRežija: Rajko Grlić \nScenarij: Rajko Grlić i Ante Tomić \nProducent: Antitalent d.o.o. \n1.250.000,00 EUR \nKomediju Poskoci potpisuje renomirana ekipa autora predvođena redateljskim doajenom Rajkom \nGrlićem. Temelji se na adaptaciji uspješnog predloška koscenariste Ante Tomića - Čudo u Poskokovoj \nDragi. Radnja je smještena u dalmatinsko zaleđe, u vrijeme ulaska Hrvatske u Europsku uniju. U prvom \nplanu je Krešo Poskok i njegova potraga za Lovorkom s kojom je prije petnaest godina proveo \nnezaboravnu noć. No Lovorka, umorna od čekanja Kreše, na korak je do udaje za policijskog šefa \nKapulicu. Kroz niz sukoba s policijom, otmica, potjera i obiteljskih lomova priča se razvija ka \nemotivnom raspletu, a ispod pitkog komičnog sloja scenarij propituje tradicionalne vrijednosti \npatrijarhata suprotstavljene ženskoj inicijativi. Identitetu filma doprinose i u radnju izvrsno integrirani \nglazbeni brojevi Saše Antića i grupe TBF. Vjerujemo da su Poskoci iznimno komunikativan i budućoj \npublici blizak film s jasno definiranim komercijalnim i festivalskim potencijalom. \n \n \n \n\n\f\nSUMNJIVO PODRUČJE \nRežija: Filip Peruzović \nScenarij: Filip Peruzović i Ivan Turković-Krnjak \nProducent: Pipser d.o.o. \n1.000.000,00 EUR \n \nSumnjivo područje je art house priča o deminerima na terenu Like 2026. godine kojima upravo završava \nsezona razminiranja. Građena je kao ansambl film, kroz vješto isprepletene psihološke uvide u stanja \naktera te u ritmu laganog suspensa kombinira svakodnevne situacije deminera i meditativna intermezza \nvješto sugerirajući osjećaj anksioznosti. Iza projekta stoji producentska kuća s velikim iskustvom i \nuspjehom u proizvodnji te plasmanu autorskih filmova društveno relevantne tematike, a redatelj se \npredstavio izuzetno jasnom kreativnom vizijom budućeg filma. \n \n \nNA JAVNOM ZADATKU \nRežija: Dražen Žarković \nScenarij: Lovre Kondža \nProducent: Maxima film d.o.o. \n1.000.000,00 EUR \n \nAkcijska komedija Na javnom zadatku smještena je u splitsko zaleđe i bavi se istragom otmice \nnačelnikove kćeri koju vode dvojica mladih inspektora nesposobnjakovića što su u nedostatku \nsposobnijeg kadra raspoređeni na za njih pretežak zadatak. Kroz niz apsurdnih situacija u stilu „više \nštete, nego koristi“ te verbalnih doskočica dvojica će antijunaka riješiti slučaj otmice na način koji često \nizmiče realističkim okvirima. Svježim humorom i bez moraliziranja priča se dubinski bavi ozbiljnim \ndruštvenim problemima poput klijentelizma, korupcije, lokalne politike i nefunkcionalnih institucija, \nšto joj otvara potencijal da dopre do široke domaće publike. \n \nDEBITANTSKI DUGOMETRAŽNI IGRANI FILM \nMOČVARA \nRežija: Daria Blažević \nScenarij: Daria Blažević \nProducent: Umjetnička organizacija Kadromat \n900.000,00 EUR \n \nMočvara je izuzetno originalan omnibus od pet priča u žanru takozvanog art house horora. Uvodna i \nzavršna priča čine okvir trima dužima, a povezuje ih atmosfera jeze i racionalno neobjašnjivih \nprisutnosti. Mjesto zbivanja je neretvanska dolina dočarana kroz osebujnu vegetaciju, autohtone običaje \ni legende te autentičan način života. Pretežu dječji likovi izgrađeni na kompleksnim unutarnjim \nstanjima, a posebno su dojmljivi motivi njihova žrtvovanja. Redateljica Daria Blažević je debitantica u \ndugometražnom igranom filmu, ali u svom kratkometražnom igranom opusu postavila je temama i \nredateljskim tretmanima dobru pripremu Močvari, a u redateljskoj razradi detektirala je sve zahtjevne \nrazine izvedbe i ponudila uvjerljiva rješenja. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"JP_distribucija_3_rok_recenzije_web.pdf","filename_decoded":"JP_distribucija_3_rok_recenzije_web.pdf","sha256":"054296f03fe9859f1a39c262a37403d9705019f4b08d1ea7f325bfcb698ed716","bytes":626221,"page_count":1,"extracted_at":"2026-05-17T12:01:18Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_distribucija_3_rok_recenzije_web.pdf"},"raw_text":"1. DISTRIBUCIJA dugometražnog dokumentarnog filma „KNJIŽEVNA GROUPIE” - 2.700,00 € \n \nDokumentarni biografski film o životu i radu književnika i kolumnista Željka Špoljara, on-line zajednici \npoznatiji pod virtualnim identitetom Pavle Svirac pod kojim objavljuje postove na FB profilu „Književna \ngroupie”. \n \n„Književna groupie” ima vrlo jasno profiliranu, respektabilnu i lojalnu, 'niche' publiku okupljenu oko \npopularnog istoimenog FB profila. \n \n \n2.  DISTRIBUCIJA dugometražnog igranog filma „NAKON LJETA” - 8.300,00 € \n \nŽivahna 30-i-nešto godišnja Maja, dolazi na udaljeni otok, odlučna pronaći odgovore na pitanja o svojoj \nprošlosti i položiti pravo na dio nasljedstva za koje smatra da joj pripada. No, ispostavlja se da će za sve to \ntrebati puno više vremena od planiranog što će prouzrokovati niz neobičnih i neočekivanih situacija... \n \nNovi dugometražni film oskarovca Danisa Tanovića pripada 'female driven' naslovima čija gledanost, dakle, \nuvelike ovisi o 'ženskom pogonu'. \n \n \n3.  DISTRIBUCIJA dugometražnog igranog filma „PROSLAVA” - 9.500,00 € \n \nEkranizacija hvaljenog istoimenog Karakaševog romana iz 2019.g., nelinearno je izložena priča - s \nneočekivanim obratom na kraju, o životu i sudbini mladog Mije u zabačenom ličkom selu kroz tri različita \ndesetljeća: dvadesetih, tridesetih i četrdesetih godina prošlog stoljeća. \n \nZadnji u nizu naših filmova prikazanih na „A” festivalima (Karlovy Vary), dobitnik „Velike Zlatne Arene za \nnajbolji film”, žanr koji u pravilu nailazi na dobar odaziv domaće kino publike, više je nego dovoljno \nargumenata da se podrži provedba redovne kinodistribucije. \n \n \n4.  DISTRIBUCIJA dugometražnog igranog filma „SVEMU DOĐE KRAJ” - 11.000,00 €  \n \nOportuni zagrebački odvjetnik, Maks Pinter, dio je tima koji zastupa bešćutnog tajkuna Dinka Horvata u \npredmetu u kojemu ga se tereti za dvostruko umorstvo. Po oslobađajućoj presudi, na prigodnoj proslavi, \npripiti Maks ga izvrijeđa, što nepovratno naruši njihov odnos i izazove eskalaciju nasilja... \n \nRajko Grlić jedan je od naših autora čiji filmovi redovito privlače znatniji broj gledatelja u kina. „Svemu dođe \nkraj” trebao bi nastaviti taj niz. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"odobreno KOMPLEMENTARNE 2019 .pdf","filename_decoded":"odobreno KOMPLEMENTARNE 2019 .pdf","sha256":"054dc2e06d0dc1e3b67fb03ed57145a7435fdb4e58cfeb5483aaeca87557bded","bytes":117319,"page_count":10,"extracted_at":"2026-05-17T10:23:08Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/odobreno%20KOMPLEMENTARNE%202019%20%20.pdf"},"raw_text":"Naziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\nAkademija  dramske  umjetnosti\n50  godina  Odsjeka  montaže\n10.000,00\n2\nAlternator,  udruga  za  promicanje  stvaralaštva  \ni  jednakih  mogućnosti\nFestival  prava  djece  2019.  -­  Prilagodba  filmova  \nza  osobe  s  oštećenjem  sluha  i  vida\n20.000,00\n3\nAlternator,  udruga  za  promicanje  stvaralaštva  \ni  jednakih  mogućnosti\nInkluzivne  projekcije  i  panel  rasprave  2019.\n20.000,00\n4\nApoteka  -­  Prostor  za  suvremenu  umjetnost\nCinemaniac  Misliti  Film  2019\n15.000,00\nGodišnji  program  Art-­kina  za  2019.  godinu  i  \nProgram  Art-­kina  za  djecu  i  mlade  za  2019.\n6\nASIFA  Hrvatske\nVEČERI  ANIMACIJE  2019.\n10.000,00\n7\nAutonomni  kulturni  centar\nFilmski  studio  Medika:  program  za  2019.\n20.000,00\n8\nAutorski  studio-­fotografija,  film,  video\nPROGRAM  SPECIJALISTIČKIH  \nRADIONICA„ONO  K'O  ZORAN  TADIĆ“\n10.000,00\nFilm  za  vrtiće  i  osnovne  škole,\nKino  za  mlade  i\nRedovna  -­  godišnja  kinotečna  djelatnost  Centra  \nza  kulturu  Čakovec\n100  GODINA  UNITED  ARTISTA,\n130  GODINA  CHARLIE  CHAPLINA,\n2.  GODINA  LJETNOG  KINA  „BAČVICE“,\n50  GODINA  ČOVJEKA  NA  MJESECU,        \nBUDUĆNOST  JE  STIGLA,      \nKINOTEKICA  i\nODABRAO/LA  UMJESTO  ĐELE  \nHADŽISELIMOVIĆA\nČetvrt  filma,  \nKINO  KAO  NEKAD  -­  filmski  program  za  \npripadnike  treće  životne  dobi  i\nKino  Kinoteka  i  Ljetna  pozornica  Tuškanac  -­  \nredovna  filmska  i  audiovizualna  djelatost  CKF  A.  \nCesarca  \n12\nCentar  za  kulturu  i  informiranje  Dr.  Franjo  \nTuđman\nKino  u  Grubišnom  Polju\n10.000,00\n13\nCentar  za  kulturu  Omiš\nProgram  Art  kinoteke  Kamena  klupa\n10.000,00\n14\nCentar  za  kulturu  Omiš\nProgram  filmske  škole  Art  kinoteke  Kamena  \nklupa  pri  CZK-­u  Omiš\n5.000,00\n15\nCentar  za  kulturu  Trešnjevka\nFilmska  i  video  radionica  Snimi  svoj  film  -­  postani  \nHitchcock\n5.000,00\n16\nČetiri  film  d.o.o.\nPitcher  Perfect\n15.000,00\n17\nDom  kulture  Kristalna  kocka  vedrine\nKINO-­POINT\n10.000,00\n18\nDom  mladih\nEdukativne  radionice  audiovizualnog  stvaralaštva  \nza  učenike  i  mentore  iz  OŠ  Grada  Rijeke  i  \nriječkogprstena  \"Video-­  filmska  svaštarnica\"\n7.000,00\n19\nEdukacijsko-­kreativna  udruga  Vita\nDuboko  prirodno  III\n7.000,00\n20\nEkološko  kulturna  scena  EKS  Hrvatska  \nKostajnica\nFILMSKE  RADIONICE  \"SNIMAMO  POUNJE\"\n7.000,00\n21\nFantastično  dobra  institucija  -­  Fade  In\nEDUKATIVNI  PROGRAM  \"U  FOKUSU:  \nIZGRADNJA  LIKA  U  DOKUMENTARNOM  \nFILMU\"  2019\n30.000,00\n5\n9\n10\n11\nArt-­kino\nCentar  za  kulturu  Čakovec\nCentar  za  kulturu  i  cjeloživotno  obrazovanje  \nZlatna  vrata\nCentar  za  kulturu  i  film  Augusta  Cesarca\n340.000,00\n30.000,00\n100.000,00\n30.000,00\nJavni  poziv  za  dodjelu  sredstava  za  poticanje  komplementarnih  djelatnosti  u  \n2019.  godini  -­  popis  odobrenih  projekata\ndjelatnosti  razvijanja  audiovizualne  kulture\n8.\t\r  sjednica\t\r  Hrvatskog\t\r  audiovizualnog\t\r  vijeća,\t\r  15.3.\t\r  2019.\n\n\f\nKino  Mediteran  i\nNezavisni  na  Bačvicama!\n23\nFilmski  centar  mladih  Šibenik\nFilmske  radionice  za  djecu  i  mlade  u  Šibeniku\n5.000,00\n24\nFilmsko-­kreativni  studio  Vanima\n15.  ljetne  filmske  radionice\n10.000,00\n25\nFilmsko-­kreativni  studio  Vanima\nCinema  Youth  Conference\n15.000,00\n26\nFoto  kino  video  klub  Zaprešić\nZimske  i  ljetne  filmske  radionice  2019.\n15.000,00\n27\nFoto-­kino  klub  Baranja  film\n11.  MIKRO-­ŠKOLA  MEDIJSKE  KULTURE  -­  \n2019.\n2.500,00\n28\nFoto-­kino  klub  Baranja  film\n13.  DOK-­FILM  '19.  -­  REVIJA  DOKUMENTARNIH  \nFILMOVA\n5.000,00\n29\nFoto-­kino  klub  Baranja  film\nFILMSKI  PROGRAMI  U  MIKRO-­KINU  '19.\n15.000,00\n30\nGFR  film-­video\nART  KINO\n18.000,00\n31\nGOKUL  -­  Građanska  organizacija  za  kulturu\nGreen  Room  Cinema  2019.\n15.000,00\n32\nHrvatska  udruga  filmskih  snimatelja\nSnimateljska  filmska  estetika  -­    retrospektiva  \nNikole  Tanhofera\n10.000,00\n33\nHrvatski  filmski  savez  -­  HFS\nFilmske  radionice  u  Kraljevici  za  djecu  i  mladež\n20.000,00\n34\nHrvatski  filmski  savez  -­  HFS\nFilmski  programi  kina  Tuškanac  2019.  \n390.000,00\n35\nHrvatski  filmski  savez  -­  HFS\nKratki  utorak  -­  filmski  program  autorskog  i  \numjetničkog  filma  i  videa\n50.000,00\n36\nHrvatski  filmski  savez  -­  HFS\nObrazovni  programi  u  kinu  Tuškanac  za  djecu  i  \nmlade\n10.000,00\n37\nHrvatski  filmski  savez  -­  HFS\nSenzorne  projekcije  u  kinu  Tuškanac,  Zagreb,  \nkinu  Gaj,  Varaždin,  kinu  Velebit,  Koprivnica  i  kinu  \nBjelovar\n12.000,00\n38\nHrvatski  filmski  savez  -­  HFS\nTrinaesti  susret  Dječje  filmsko  i  videostvaralaštvo  \nu  funkciji  javnoga  zdravstva  i  deveti  Dječji  filmski  \nkamp  \n10.000,00\n39\nHrvatski  filmski  savez  -­  HFS\nULOGA  MEDIJSKE  PISMENOSTI  U  BORBI    \nPROTIV  NASILJA  MEĐU  DJECOM  \nREGIONALNA  KONFERENCIJA\n10.000,00\n40\nIzvan  fokusa  -­  Udruga  za  medijsko  \nstvaralaštvo  i  kulturne  aktivnosti  \nAttachment:  film  kao  prilog\n5.000,00\n41\nIzvan  fokusa  -­  Udruga  za  medijsko  \nstvaralaštvo  i  kulturne  aktivnosti  \nRadionica  snimanja  DSLR  fotoaparatom\n10.000,00\n42\nJavna  ustanova  Pula  film  festival\nRedovna  djelatnost  i  edukativni  program  FUŠ  \nKina  Valli\n20.000,00\n43\nJavna  ustanova  u  kulturi  Kinematografi  \nDubrovnik\nProgram  rada  art  dvorana  Visia  i  Slavica  u  \n2019.godini\n25.000,00\n44\nKinematografi  Osijek  d.d.\n107  godina  kina  Urania\n90.000,00\n45\nKino  klub  Sisak\nKorak  do  Filma\n7.000,00\n46\nKino  klub  Sisak\nPlanet  film\n7.000,00\n47\nKino  klub  Split\nRadionica  filmske  analize\n12.000,00\n48\nKinoklub  Karlovac\nFilmski  Uskrs  i  Vaskrs  2019.\n10.000,00\n49\nKinoklub  Karlovac\nRadionica  stop  animacije  za  osobe  s  invaliditetom\n12.000,00\n50\nKinoklub  Karlovac\nSpecijalizirani  program  radionica  ekranizacije  \nslikovnice“Tamo  negdje  ispod  vode”  -­  2.  faza\n5.000,00\n51\nKinoklub  Zagreb\nRadionice  Kinokluba  Zagreb  u  2019.  godini\n80.000,00\n52\nKolektiv  za  razvoj,  istraživanje  i  propitivanje  \nqueer  kulture  -­  queerANarchive\nqRADIONICE  2019.  (audiovizualni  programi)\n10.000,00\n53\nKulturni  i  multimedijski  centar  Bjelovar\nKino  za  sve  -­  program  kina  Kulturnog  i  \nmultimedijskog  centra  Bjelovar  za  2019.\n20.000,00\n54\nKulturni  klub\nKino  Metropolis\n20.000,00\n55\nKulturno  prosvjetno  društvo  \"Sloga\"  Pakrac\nLjubav  riječi  i  slike\n20.000,00\n56\nMotion\n5.  Motion  filmska  radionica\n7.000,00\n57\nMotovun  film  festival  U.O.\nNOVOKINO\n20.000,00\nFestival  mediteranskog  filma  Split\n22\n75.000,00\n\n\f\n58\nMultimedijalni  centar  Studio  kreativnih  ideja  \nGunja  -­  MMC  SKIG\n10.  ljetna  škola  filma  Gunja  i  edukacija  članova\n35.000,00\n59\nMuzej  suvremene  umjetnosti\nKino  umjetnika  -­  serija  projekcija  i  razgovora\n12.000,00\n60\nOne  Take  Film  Festival\nRadionice  snimanja  filmova  u  jednom  kadru\n5.000,00\n61\nOtompotom\nANIMATION  SHOTS  2019\n10.000,00\n62\nOtompotom\nANIMIRANI  ŠIBENIK  2019\n15.000,00\n63\nOtompotom\nMIKROKINO\n10.000,00\n64\nOtompotom\nPLANKTOON  2019\n10.000,00\n65\nPari  Pikule\n#europeanfilmchallenge  2019\n10.000,00\n66\nProstor  rodne  i  medijske  kulture  K-­zona\nFilmska  škola  'Žene  s  videokamerama'\n10.000,00\n67\nPučko  otvoreno  učilište  -­  Universita  popolare  \naperta  Vodnjan  -­  Dignano  \nArt  kino  \"Cineast\"\n10.000,00\n68\nPučko  otvoreno  učilište  Daruvar\nKinoprikazivačka  djelatnost  kina  \"30.  svibnja\"  \nDaruvar  -­  permanentno  prikazivanje  filmova  i  \nrevija  hrvatskog,  europskog  i  internacionalnog  \nkino-­repertoara  u  2019.\n40.000,00\n69\nPučko  otvoreno  učilište  Duga  Resa\nKino  Duga  Resa  -­  redovna  kinoprikazivačka  \ndjelatnost\n10.000,00\n70\nPučko  otvoreno  učilište  Koprivnica\nPOPULARIZACIJA  EUROPSKOG  I  \nNEAMERIČKOG  FILMA  I  PROMOCIJA  \nMEDIJSKE  PISMENOSTI\n10.000,00\n71\nPučko  otvoreno  učilište  Kutina\nKULTKINO\n10.000,00\n72\nPučko  otvoreno  učilište  Matija  Antun  Relković\nKino  djelatnost  POUMAR  za  2019.\n10.000,00\n73\nPučko  otvoreno  učilište  Poreč\nKultni  ponedjeljak\n5.000,00\n74\nPučko  otvoreno  učilište  u  Pazinu\nKINO  PAZIN  U  GOSTIMA  2019.\n7.000,00\n75\nPučko  otvoreno  učilište  u  Pazinu\nLJETNO  KINO  2019.\n5.000,00\n76\nPučko  otvoreno  učilište  Varaždin\nProgram  kina  Gaj\n40.000,00\n77\nPučko  otvoreno  učilište  Velika  Gorica\nCjelogodišnji  program  Kina  Gorica\n15.000,00\n78\nPulska  filmska  tvornica\n15.  Škola  filma\n15.000,00\n79\nPulska  filmska  tvornica\nAutor  u  gostima\n7.000,00\n80\nRadar  d.o.o.\nKino  Plaški  –  Redovna  kinoprikazivačka  \ndjelatnost\n10.000,00\n81\nRadar  d.o.o.\nVolim  kino!\n5.000,00\n82\nRestart\nDokukino  KIC  Matineja  za  umirovljenike  i  \nprogram  55+  u  2019.\n5.000,00\n83\nRestart\nDokukino  program  u  2019.\n70.000,00\n84\nRestart\nFilmska  početnica  u  2019.  godini  -­  predškolski  i  \nosnovnoškolski  program\n15.000,00\n85\nRestart\nŠkola  dokumentarnog  filma  u  2019.  godini\n50.000,00\n86\nStvaralačka  mreža  Zebra\nInterface  2019\n25.000,00\n87\nŠkola  animiranog  filma  Čakovec\n26.  Internacionalna  filmska  radionica  (26.  IFR)\n15.000,00\n88\nŠkola  filma  Šipan\n16.  Ljetna  škola  filma  Šipan  -­  2019\n15.000,00\n89\nTeatar  to  go,  U.O.\nGodišnji  program  Filmska  RUNDA  2019.\n12.000,00\n90\nTvornica  Umjetnosti  -­  TUM\nIzrazi  se  filmom\n10.000,00\n91\nUdruga  \"Mladi  poduzetnik\"  Ladimirevci\n13.  Šovini  dani  -­  radionice  filma\n5.000,00\n92\nUdruga  Bacači  sjenki\nFROOOM!  INTERDISCIPLINARNI  FILMSKI  \nPROGRAM  MEDIJSKOG,  FILMSKOG  I  \nINFORMATIČKOG  OPISMENJAVANJA  DJECE  I  \nMLADIH\n55.000,00\nFilmska  škola  i\nFilmske  radionice\nUdruga  Blank\n93\n50.000,00\n\n\f\n94\nUdruga  Djeca  susreću  umjetnost\nANIMACIJSKI  LAB  SEDMI  KONTINENT  -­  \nProgram  stop  animacije  za  najmlađe,  njihove  \nodgajatelje  i  roditelje  \n7.000,00\n95\nUdruga  Djeca  susreću  umjetnost\nPutujući  Sedmi  kontinent  u  suradnji  s  nezavisnim  \nkinima  i  Mrežom  kinoprikazivača\n50.000,00\n96\nUdruga  Djeca  susreću  umjetnost\nSedmi  kontinent  -­  radionice  optičkih  igračaka\n10.000,00\n97\nUdruga  Djeca  susreću  umjetnost\nSEDMI  KONTINENT  U  BOLNICAMA  -­  program  \nfilma  i  radionica  za  male  pacijente  \n25.000,00\n98\nUdruga  Domino\nQueer  MoMenti  2019.\n35.000,00\n99\nUdruga  Filmaktiv\nFilm  svima  2019.\n7.000,00\n100\nUdruga  Filmaktiv\nOtoci  2019.\n11.000,00\n101\nUdruga  Filmaktiv\nPrimijenjeni  video  2019.\n7.000,00\n102\nUdruga  Globe  Media\nDYXY  NA  FILMU  6\n7.000,00\n103\nUdruga  Lanterna  Magica\nFilmska  radionica  za  mlade_PSFF  2019\n5.000,00\n104\nUdruga  Liburnia  film  festival\nGLEDAMO  DOKUMENTARCE,  PRAVIMO  \nDOKUMENTARCE!  -­  edukacijski  program  17.  \nLFF-­a\n15.000,00\n105\nUdruga  Liburnia  film  festival\nLiburnia  uplovljava  -­  turneja  pobjedničkih  filmova  \nLiburnia  Film  Festivala  2019.\n5.000,00\n106\nUdruga  ljubitelja  filma  Rare  Vinkovci\nEDIT:  Edukacija  i  Trening  2019\n15.000,00\nFilmske  radionice  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Faros\",\nFilmske  radionice  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Jolha\",\nFilmske  radionice  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Lisina\",\nFilmske  radionice  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Vallum\",\nFilmske  radionice  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Verboscam\",\nRadionica  animiranog  filma  na  radionici  dječjeg  \nstvaralaštva  \"Mali  grad  Faros\",\nRadionice  animiranog  filma  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Jolha\",\nRadionice  animiranog  filma  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Lisina\",\nRadionice  animiranog  filma  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Vallum\"  i\nRadionice  animiranog  filma  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Verboscam\"\n108\nUdruga  Metonimija\nAnimirajmo  zajedno\n10.000,00\n109\nUdruga  Skribonauti\nKino  Sloboda  \n7.000,00\n110\nUdruga  Što,  kako  i  za  koga  /  WHW\nKruh  i  ruže\n25.000,00\n111\nUdruga  za  audiovizualno  stvaralaštvo  \nArtizana\nDIGITAL  GENERATION  -­  radionica  \ndokumentarnog  filma  i  novih  tehnologija\n10.000,00\n112\nUdruga  za  kulturu  i  sport  Pozitivna  sila\nKino  Cirkus\n5.000,00\n113\nUdruga  za  promicanje  kulture  Dokuart  \n12.  Mali  DOKUart  sa  DOKUradionicom  za  \nosnovnoškolce\n35.000,00\n114\nUdruga  za  promicanje  medijske  kulture  Luža\nDUFF  radionice\n5.000,00\n115\nUdruženje  za  razvoj  kulture  URK\nNove  filmske  večeri  u  Močvari\n25.000,00\n116\nUmjetnička  organizacija  Film-­protufilm\nSerije  za  invizibilno  kino.  Remedijacije:  Vlado  \nKristl  -­  Neovlaštena  ljepota\n20.000,00\n117\nUmjetnička  organizacija  Rikšafilm\nAUDIOVIZUALNA  PISMENOST  -­  besplatna  \nradionica  za  djecu\n5.000,00\n118\nUmjetnička  organizacija  Zagreb  Film  Festival\nFil(m)harmonija:  Projekcije  kultnih  nijemih  filmova  \nuz  glazbenu  pratnju  orkestra  Zagrebačke  \nfilharmonije\n12.000,00\nFilmski  programi  kina  Europa  -­  suvremeni  \nnezavisni  film    i\nKino  Bibijada  -­  filmski  programi  za  djecu  i  mlade  \nu  kinu  Europa\n120\nVideo  klub  Mursa\nRadionica  stop-­trik  animacije  See/Touch/Try  –  \nLjeto  2019.\n5.000,00\nUdruga  Mali  grad  Faros\nUmjetnička  organizacija  Zagreb  Film  Festival\n107\n119\n20.000,00\n300.000,00\n\n\f\n121\nZajednica  tehničke  kulture  Grada  Slavonskog  \nBroda\nTreća  radionica  animiranog  filma  posvećenog  \nmanifestaciji  Svijet  bajki  Ivane  Brlić-­Mažuranić  \n7.000,00\n122\nZajednica  udruga  Centar  nezavisne  kulture\nArt  Kino  Zadar\n10.000,00\n3.121.500,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\n25  FPS,  Udruga  za  audio-­vizualna  istraživanja\nPetnaesti  Festival  25  FPS\n250.000,00\n2\nAkademija  dramske  umjetnosti\nFilmska  Revija  Kazališne  Akademije\n5.000,00\n3\nAlternator,  udruga  za  promicanje  stvaralaštva  \ni  jednakih  mogućnosti\n11.  Festival  prava  djece  2019.  \n40.000,00\n4\nASIFA  Hrvatske\nMEĐUNARODNI  DAN  ANIMACIJE  2019.\n15.000,00\n5\nASTER  Kulturno  društvo  -­  Dubrovnik\n''Tišina  molim''    filmska  manifestacija\n7.000,00\n6\nAutorski  studio-­fotografija,  film,  video\n15.  REVIJA  HRVATSKOG    FILMA  KRATKE  \nFORME    \"240  SEKUNDI  HRVATSKOG  FILMA\"\n5.000,00\n7\nCentar  za  dramsku  umjetnost  -­  CDU\nUNSEEN  III,  Umjetnost  gledanja  2019\n7.000,00\n8\nCentar  za  kulturu  Čakovec\n7.  Međunarodna  revija  filmova  za  djecu  i  mlade  –  \n4.  –  7.  ožujka  2019.\n12.000,00\n9\nCentar  za  kulturu  Trešnjevka\n13.  PSSST!  FESTIVAL  NIJEMOG  FILMA\n10.000,00\n10\nCentar  za  kulturu  Trešnjevka\n28.  Dani  hrvatskog  filma\n190.000,00\n11\nDigitalna  Avantura  d.o.o.\nReboot  Develop  Blue  2019  -­  međunarodna  \nkonferencija  i  festival  kreatora  video  igara\n50.000,00\n13.Vukovar  Film  Festival  -­  festival  podunavski  \nzemalja  i\nEdukativni  program  -­  radionice    13.Vukovar  Film  \nFestivala\n13\nDom  kulture  Kristalna  kocka  vedrine\n14.  FESTIVAL  DOKUMENTARNOG  FILMA  \n\"FIBULA\"\n5.000,00\n14\nDreaMaker  Productions  d.o.o.\nMeđunarodni  festival  filmske  glazbe  i  zvuka  \nISFMF\n18.000,00\n15\nEkološko  kulturna  scena  EKS  Hrvatska  \nKostajnica\n12.  SEFF  -­  SMARAGDNI  ECO  FILM  FESTIVAL\n35.000,00\n16\nEtnografski  muzej  Istre  -­  Museo  etnografico  \ndell'  Istria\n11.  ETNOFILm  festival  etnografskog  filma\n30.000,00\n17\nFactum\n15.  ZagrebDox  međunarodni  festival  \ndokumentarnog  filma\n450.000,00\n18\nFestival  mediteranskog  filma  Split\n12.  Festival  mediteranskog  filma  Split\n200.000,00\n19\nFestival  suvremenog  židovskog  filma  Zagreb\n13.  FESTIVAL  TOLERANCIJE  –  JFF  ZAGREB\n100.000,00\n20\nFilmaparat  d.o.o.\n13.  Pašmanske  filmske  večeri\n12.000,00\n21\nFilmsko-­kreativni  studio  Vanima\n10.  VAFI  &  RAFI  -­  internacionalni  festival  \nanimiranog  filma  djece  i  mladih  Varaždin/Rijeka\n45.000,00\n22\nFoto-­kino  klub  Baranja  film\n9.  REVIJA  FILMOVA  PODUNAVSKIH  ZEMALJA  \n'19.\n10.000,00\n23\nGFR  film-­video\n27.  HRVATSKI  FESTIVAL  JEDNOMINUTNIH  \nFILMOVA\n75.000,00\n24\nGFR  film-­video\nPOŽEŠKI  FILMSKI  TJEDAN  2019.\n10.000,00\n25\nGOKUL  -­  Građanska  organizacija  za  kulturu\n17.  Tabor  Film  Festival\n65.000,00\n26\nGOKUL  -­  Građanska  organizacija  za  kulturu\n8.  KIKI  -­  međunarodni  festival  dječjeg  filma\n10.000,00\n27\nHrvatski  filmski  savez  -­  HFS\n24.  Filmska  revija  mladeži  &  12.  Four  River  Film  \nFestival\n110.000,00\n28\nHrvatski  filmski  savez  -­  HFS\n51.  Revija  hrvatskog  filmskog  stvaralaštva\n80.000,00\n29\nHrvatski  filmski  savez  -­  HFS\n57.  Revija  hrvatskog  filmskog  stvaralaštva  djece\n70.000,00\n30\nHulahop  d.o.o.\n29.  Svjetski  festival  animiranog  filma  -­  Animafest  \nZagreb  2019\n900.000,00\nUKUPNO\nDiscovery  d.o.o.\n12\nfilmski  festivali  i  druge  audiovizualne  manifestacije\n300.000,00\n\n\f\n31\nIstra  film\n3.HISTORY  FILM  FESTIVAL\n20.000,00\n32\nJavna  ustanova  Pula  film  festival\n5.  Pulica  u  kaputu\n15.000,00\n33\nJavna  ustanova  u  kulturi  Kinematografi  \nDubrovnik\nFestival  djece  i  mladih  mediteranskih  zemalja  -­  \nDUff  2019.  \n15.000,00\n34\nKino  klub  Sisak\nStar  Film  Fest\n20.000,00\n35\nKinoklub  Karlovac\nFilmski  EU  tjedan  2019.\n5.000,00\n36\nKinoklub  Karlovac\nFUSE  -­  Film  Under  Severe  Experiment  \n5.000,00\n37\nKolektiv  za  razvoj,  istraživanje  i  propitivanje  \nqueer  kulture  -­  queerANarchive\nqFEST  -­  filmske  projekcije  2019.\n7.000,00\n38\nKulturno  informativni  centar\n4.  ARTERIA  -­  TJEDAN  FILMA  O  UMJETNICIMA\n5.000,00\n39\nMeđunarodni  festival  novog  filma\nSplitski  filmski  festival  /  Split  Film  Festival\n200.000,00\n40\nMENORAH  FILM,  U.O.\nMarco  Polo  Art  Festival\n20.000,00\n41\nMirage  kreativni  studio\nBetina  Film  Festival  2019.  \n10.000,00\n42\nMoonstone  Production  d.o.o.\nDalmatia  film  festival\n15.000,00\n43\nMotovun  film  festival  U.O.\nMotovun  Film  Festival  2019.\n500.000,00\n44\nMultimedijalni  institut\nHuman  Rights  Film  Festival\n170.000,00\n45\nNoć  hrvatskog  filma  i  novih  medija,  U.O.\nNoć  hrvatskog  filma  i  novih  medija  2019.\n20.000,00\n46\nOtompotom\nSUPERTOON  -­  Međunarodni  festival  animacije\n60.000,00\n47\nPari  Pikule\nDA2  -­  Međunarodni  filmski  festival  dizajna,  \narhitekture  i  umjetnosti\n25.000,00\n48\nProstor  rodne  i  medijske  kulture  K-­zona\nVox  Feminae  filmski  festival  2019.\n40.000,00\n49\nPučko  otvoreno  učilište  Poreč\n9.  POREČDOX,  međunarodni  festival  \ndokumentarnog  filma\n10.000,00\n50\nPučko  otvoreno  učilište  Sveti  Ivan  Zelina\nDiversions  International  Short  Film  Festival\n18.000,00\n51\nREA  -­  udruga  za  suvremene  umjetničke  i  \narhitektonske  produkcije\nFILMS  LIKE  NO  OTHER  -­  NEKI  DRUGI  FILM,  \nDani  umjetničkog  filma  u  Bolu,  na  Braču  2019.\n15.000,00\n52\nRobot  22  d.o.o.\nFantastic  Zagreb  Film  Festival\n50.000,00\n53\nSkateboard  klub  August  Šenoa\n9.  Vladimir  Skate  Film  Festival  \n5.000,00\n54\nUdruga  Bijeli  val\n12.Subversive  Film  Festival:  Svijet  i  film\n130.000,00\n55\nUdruga  Crtani  romani  šou\n22.  CRŠ  -­  Zagreb  Comic  Con  -­  COMICS  &  \nKOKICE,  filmski  program\n5.000,00\n56\nUdruga  Đakovački  rezovi\nManifestacija  Đakovački  rezovi\n25.000,00\n57\nUdruga  Filmaktiv\nMeđunarodni  studentski  filmski  festival  -­  STIFF  \n2019.\n18.000,00\n58\nUdruga  Globe  Media\nBrač  Film  Festival  2019\n25.000,00\n59\nUdruga  građana  Spirit\nUHVATI  FILM  2019\n15.000,00\n60\nUdruga  Lanterna  Magica\n9.  Postira  Seaside  Film  Festival  -­  međunarodni  \nfestival  kratkometražnog  filma\n18.000,00\n61\nUdruga  Liburnia  film  festival\n17.  LIBURNIA  FILM  FESTIVAL\n60.000,00\n62\nUdruga  ljubitelja  filma  Rare  Vinkovci\n13.Festival  dokumentarnog  rock  filma  DORF\n40.000,00\n63\nUdruga  Trash\n14.  Trash  Film  Festival  -­  međunarodni  festival  \nniskobuđetnih  filmova\n20.000,00\n64\nUdruga  za  promicanje  kulture  Dokuart  \nMeđunarodni  festival  dokumentarnog  filma  14.  \nDOKUart\n80.000,00\n65\nUmjetnička  organizacija  \"Asser  Savus\"\nFilmski  festival  glumca\n7.000,00\n66\nUmjetnička  organizacija  Film-­protufilm\nFILMSKE  MUTACIJE:  XIII.  Festival  nevidljivog  \nfilma  -­  FANTOMSKA  SLIKA\n80.000,00\n67\nUmjetnička  organizacija  Zagreb  Film  Festival\n17.  ZAGREB  FILM  FESTIVAL\n450.000,00\n68\nUmjetnička  organizacija  Zagreb  Film  Festival\n4.  KinoKino  -­  Međunarodni  filmski  festival  za  \ndjecu\n30.000,00\n69\nVerbum  d.o.o.\nFilmski  program  manifestacije  Dani  kršćanske  \nkulture  2019.\n8.500,00\n\n\f\n70\nVideo  klub  Mursa\n17.  Gastro  film  fest\n10.000,00\n5.387.500,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\nAkademija  dramske  umjetnosti\nADU  izdavačka  djelatnost  -­  Elsaesser,  Hagener:  \nFilm  Theory.  An  Introduction  through  the  Senses\n10.000,00\n2\nAkademija  dramske  umjetnosti\nADU  izdavačka  djelatnost  -­  Itten:  Kunst  der  Farbe\n6.000,00\n3\nDisput  d.o.o.\nIzdavanje  knjige  Roberta  Stama  \"Teorija  filma:  \nuvod\"\n18.000,00\n4\nHangar  7  d.o.o.\n  Inverzija,  el.  publikacija  za  znanstvenu  \nfantastiku,  fantastičnu  književnost  i  film\n5.000,00\n5\nHangar  7  d.o.o.\nFilmska  epopeja\n10.000,00\n6\nHrvatski  filmski  savez  -­  HFS\nHrvatski  filmski  ljetopis\n100.000,00\n7\nKulturni  klub\nFilmovi.hr\n12.000,00\n8\nKurziv  -­  Platforma  za  pitanja  kulture,  medija  i  \ndruštva\nKinemaskop\n30.000,00\n9\nMultimedijalni  institut\nPeter  Szendy  :  Supermarket  vidljivog\n10.000,00\n10\nProstor  rodne  i  medijske  kulture  K-­zona\nRodno  osviještena  filmska  kritika\n10.000,00\n11\nScarabeus  libris  -­  Udruga  za  promicanje  \nkulture  i  umjetnosti\nIzdavanje  knjige  'Ecrits  sur  cinéma',  autor  Jean  \nEpstein  \n10.000,00\n12\nUdruga  Dokumetar\nDokumentarni.net\n17.000,00\n13\nUdruga  Dušan  Vukotić\nKnjiga  \"Dobro  došli  na  Planet  Zemlja,  film  \nDušana  Vukotića\"\n15.000,00\n14\nUdruga  Metamedij\nTko  gleda  zlo  ne  misli  –  filmska  internet  stranica\n5.000,00\n15\nVedis  d.o.o.\nBiti  ili  ne  biti  -­  filmske  karikature  Nedeljka  Dragića\n20.000,00\n278.000,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\n25  FPS,  Udruga  za  audio-­vizualna  istraživanja\nProgrami  Udruge  25  FPS  U  2019.  \n40.000,00\n2\nAM  centar  audiovizualne  kulture  i  multimedije\nAM  Centar  -­  godišnje  aktivnosti\n5.000,00\nFILMSKE  I  VIDEO  RADIONICE  I  TEČAJEVI  U  \n2019.  i\nRADIONICA  ANIMIRANOG  FILMA  ZA  DJECU  -­  \nMALA  ZAGREBAČKA  ANIMACIJA    (Z-­\nANIMACIJA)\n4\nCentar  za  rad  i  promociju  medijske  kulture  \nLukas\nRedovna  djelatnost,  sudjelovanje  na  festivalima  i  \nstručno  usavršavanje  članova  Udruge\n5.000,00\n5\nDruštvo  hrvatskih  audiovizualnih  prevoditelja\nRedovna  djelatnost  udruge  DHAP\n3.000,00\n6\nDruštvo  hrvatskih  filmskih  redatelja\nProgram  redovite  djelatnosti  za  2019.  godinu\n130.000,00\n7\nFilmsko-­kreativni  studio  Vanima\nProgram  rada  u  2019.  godini\n30.000,00\n8\nFoto  film  video  amateri  Luke\nProgram  rada  FFVAL-­a  za  2019.  godinu\n15.000,00\n9\nFoto  kino  video  klub  Zaprešić\nRedovita  programska  djelatnost  2019.\n25.000,00\n10\nGFR  film-­video\nEDUKACIJA  MLADIH\n10.000,00\n11\nHrvatska  mreža  neovisnih  kinoprikazivača\nProgrami  i  projekti  Kino  mreže  u  2019.  godini\n125.000,00\nRedovna  djelatnost  Hrvatske  Udruge  Filmskih  \nSnimatelja  i\nHrvatska  udruga  filmskih  snimatelja  -­  \nOrganiziranje  dvodneve  radionice  za  asistente  \nkamere\n13\nHrvatska  udruga  producenata\nProgram  redovnih  djelatnosti  Hrvatske  udruge  \nproducenata  za  2019.  godinu\n115.000,00\n14\nHrvatski  filmski  savez  -­  HFS\nKoordinacijske  i  poticajne  funkcije  HFS-­a\n90.000,00\nHrvatska  udruga  filmskih  snimatelja\n12\nUKUPNO\nUKUPNO\nizdavaštvo  u  području  audiovizualnih  djelatnosti\nprogrami  audiovizualnih  udruga  i  organizacija\n35.000,00\n80.000,00\n3\nAutorski  studio-­fotografija,  film,  video\n\n\f\n15\nHrvatsko  društvo  filmskih  djelatnika\nRedovna  djelatnost  Hrvatskog  društva  filmskih  \ndjelatnika\n325.000,00\nProgram  redovne  djelatnosti  Hrvatskog  društva  \nfilmskih  kritičara  u  2019.  godini  i\nTribina  Psihijatrija  i  film  u  2019.  godini\n17\nHrvatsko  društvo  nezavisnih  producenata\nPROGRAM  REDOVNIH  AKTIVNOSTI  HDNP-­a  \nZA  2019.  g.\n20.000,00\n18\nHrvatsko  kaskadersko  društvo\nRedovni  program  Hrvatskog  kaskaderskog  \ndruštva  2019.\n50.000,00\n19\nIzvan  fokusa  -­  Udruga  za  medijsko  \nstvaralaštvo  i  kulturne  aktivnosti  \nRedovna  djelatnost  udruge  Izvan  fokusa  za  2019.\n10.000,00\n20\nKino  klub  Split\nEdukativni  program  i  produkcija  Kino  kluba  Split  \n2019\n60.000,00\n21\nKinoklub  Karlovac\nRedovna  djelatnost  Kinokluba  Karlovac  u  2019.  \ngodini  \n40.000,00\n22\nKinoklub  Zagreb\nRedovite  aktivnosti  Kinokluba  Zagreb  u  2019.  \ngodini\n20.000,00\n23\nPlatforma  za  unapređenje  kulture  -­  PUNKT\nRedovna  djelatnost  udruge  PUNKT  za  2019.  \ngodinu\n15.000,00\n24\nPulska  filmska  tvornica\nKlub  Pulske  filmske  tvornice\n30.000,00\n25\nPulska  filmska  tvornica\nProduction  In  -­  2019.  –  Istra  x  4\n12.000,00\n26\nSavez  scenarista  i  pisaca  izvedbenih  djela\nRedovna  djelatnost  SPID-­a  u  2019.  godini\n50.000,00\n27\nStvaralačka  mreža  Zebra\nGreta  ArtSpace\n25.000,00\n28\nŠkola  animiranog  filma  Čakovec\nRedovna  djelatnost  ŠAF-­a  u  2019.g.\n10.000,00\nFilmska  proizvodnja  kratkih  filmova  mladih  \nneafirmiranih  autora  i\nRedovita  programska  djelatnost  udruge  Blank  u  \n2019.\n30\nUdruga  Djeca  susreću  umjetnost\nRedovite  djelatnosti  Udruge  u  okviru  filmskog  \nprograma  Sedmi  kontinent  2019.  godine\n20.000,00\n31\nUdruga  za  promicanje  medijske  kulture  Luža\nGodišnji  program  filmskih  radionica  \n10.000,00\n1.575.000,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\nBonobostudio  d.o.o.\nDistribucija  i  promocija  filmova  2019.\n45.000,00\n2\nFactum\nFactum  distribucija  -­  redovna,  online  i  novi  \ndistribucijski  kanali\n12.000,00\n3\nRestart\nIzdavaštvo  i  distribucija  hrvatskih  dokumentaraca  \nu  2019.  godini\n15.000,00\n4\nRestart\nKineDok  2019.\n50.000,00\n5\nUstanova  Zagreb  film\nMeđunarodna  festivalska  distribucija  2019\n30.000,00\n152.000,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\nASIFA  Hrvatske\nANIDOK  2019.\n40.000,00\n2\nAvantura  d.o.o.\nAVVANTURA  MATCHMAKING  FORUM  PULA  -­  \n2  /  2018\n30.000,00\n3\nDruštvo  hrvatskih  filmskih  redatelja\nScenaristički  program  \"Branko  Bauer\"  2019.\n20.000,00\n4\nDuart  j.d.o.o.\nMasterclass  by  Duart  -­  casting  radionica  \nvrhunske  casting  direktorice  Tusse  Lande\n10.000,00\n5\neQuinoxe  Europe  -­  Verein  zur  Förderung  der  \nFilmkunst  e.V.\neQuinoxe  –  24.  Intl.  Screenwriter  Workshops  &  \nMaster  Class\n75.000,00\n6\nFactum\nZagrebDox  Pro  2019.\n80.000,00\n7\nHrvatski  filmski  savez  -­  HFS\n21.  Škola  medijske  kulture  Dr.  Ante  Peterlić\n240.000,00\n8\nHrvatski  filmski  savez  -­  HFS\nScenaristička  platforma  Palunko,  17.  sezona\n50.000,00\n9\nHrvatsko  društvo  filmskih  djelatnika\nMASTERCLASS  KRUPNI  KADAR\n15.000,00\nUKUPNO\n16\nHrvatsko  društvo  filmskih  kritičara\n29\nUdruga  Blank\nprogrami  stručnog  usavršavanja  i/ili  edukacije\nprogrami  promocije  i  prodaje  hrvatskih  audiovizualnih  djela\n90.000,00\n80.000,00\nUKUPNO\n\n\f\n10\nKinoklub  Karlovac\nRadionica  animiranog  filma  za  profesore\n10.000,00\n11\nLibertas  udruga  građana\n5.  EUROPSKI  ŽANROVSKI  FORUM\n25.000,00\n12\nLittle  Red  Dot\n«DISTRIBUTE  THIS!  /  DISTRIBUIRAJ  TO!»\n10.000,00\n13\nMotovun  film  festival  U.O.\nKAMPUS  MOTOVUN  2019\n10.000,00\n14\nRestart\nRestart  Laboratorij  2019.\n60.000,00\n15\nUdruga  Djeca  susreću  umjetnost\nStručno  usavršavanje  Sedmi  kontinent\n10.000,00\n16\nUdruga  Manda  -­  film  i  riječ\nMedijski  izazovi  -­  Škola  za  profesore\n10.000,00\n17\nUdruga  Metonimija\nSplit  Script\n7.000,00\n18\nUdruga  Metonimija\nSplit  Sound  s  Danom  Bunescu\n10.000,00\n19\nUmjetnička  organizacija  Zagreb  Film  Festival\nIndustrija  17.  Zagreb  Film  Festivala\n65.000,00\n20\nUstanova  Zagreb  film\n10.  međunarodna  radionica  animiranog  filma\n30.000,00\n21\nZajednica  tehničke  kulture  Grada  Slavonskog  \nBroda\nSudjelovanje  na  Školi  medijske  kulture  „Dr.  Ante  \nPeterlić\"  \n3.500,00\n810.500,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\nHulahop  d.o.o.\nMeđunarodni  znanstveni  skup  o  animiranom  \nfilmu  Animafest  Scanner  VI\n10.000,00\n2\nKA-­MATRIX  -­  Udruga  za  društveni  razvoj\nVHS  2019:  AMATERSKO  AUDIOVIZUALNO  \nSTVARALAŠTVO  KAO  BAŠTINA  U  JAVNOM  \nPROSTORU\n5.000,00\n3\nKreativni  sindikat\nVideoforum\n10.000,00\n4\nLokalna  baza  za  osvježavanje  kulture  -­  BLOK\nFILMSKI  PROGRAM  -­  ULICA  PRETKINJA\n7.000,00\n5\nMultimedijalni  institut\nVizualni  kolegij\n40.000,00\n6\nRestart\nDokukino  KIC  razgovori  s  autorima  u  2019.\n15.000,00\n7\nRestart\nRazmišljaj  filmom  u  2019.  godini\n17.000,00\n8\nRestart\nRestart  Masterclass  2019.\n40.000,00\n9\nSiva  zona  -­  prostor  suvremene  i  medijske  \numjetnosti\nKinematografija  Jadrana  \n10.000,00\n10\nSub  pokret\nKINO  KATARINA\n5.000,00\n11\nUdruga  Bijeli  val\nFILM  KAO  SLIKA  DOGAĐAJA:  VIZUALNI  \nOBRAT  ŽIVOTA  Međunarodni  interdisciplinarni  \nznanstveni  skup\n20.000,00\n12\nUdruga  Bijeli  val\nKinematografije  otpora  –  izložba  fotografija  i  \nvideo-­radova  Bouchre  Khalili\n10.000,00\n13\nUdruga  Jučer,  danas,  sutra  -­  platforma  za  \naudiovizualna  istraživanja\nZvuk  hrvatskog  filma:  Filmska  glazba  Alfi  Kabilja\n30.000,00\n14\nUdruga  za  interdisciplinarna  i  interkulturalna  \nistraživanja\nMnemosyne::  Jasenovac  na  filmu\n10.000,00\n229.000,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\nHrvatski  filmski  savez  -­  HFS\nFilmski  i  video  arhiv  Hrvatskog  filmskog  saveza  u  \n2019.  godini\n160.000,00\n2\nHrvatski  filmski  savez  -­  HFS\nProgram  digitalizacije,  restauracije  i  kopiranja  \nautorskih  filmova  Ivana  Faktora\n100.000,00\n3\nKino  klub  Split\nMedijski  Arhiv\n20.000,00\n4\nKinoklub  Zagreb\nDigitalna  restauracija  filmova  Tatjane  Ivančić\n100.000,00\n5\nUstanova  Zagreb  film\nRestauracija  i  digitalizacija  filmova  Ustanove  \nZagreb  film\n60.000,00\n440.000,00\nUKUPNO\nproučavanje  i  kritičko  vrednovanje  audiovizualnih  djelatnosti\nzaštita  audiovizualne  baštine  uključujući  kinotečnu  djelatnost\nUKUPNO\nUKUPNO\n\n\f\nBROJ  ODOBRENIH  PROGRAMA\nODOBRENA  \nSREDSTVA\n122\n3.121.500,00\n70\n5.387.500,00\n15\n278.000,00\n31\n1.575.000,00\n5\n152.000,00\n21\n810.500,00\n14\n229.000,00\n5\n440.000,00\n283\n11.993.500,00\nSVEUKUPNO\nproučavanje  i  kritičko  vrednovanje  audiovizualnih  \ndjelatnosti\nzaštita  audiovizualne  baštine  uključujući  \nkinotečnu  djelatnost\nprogrami  audiovizualnih  udruga  i  organizacija\nfilmski  festivali  i  druge  audiovizualne  manifestacije\ndjelatnosti  razvijanja  audiovizualne  kulture\nprogrami  promocije  i  prodaje  hrvatskih  \naudiovizualnih  djela\nprogrami  stručnog  usavršavanja  i/ili  edukacije\nPROGRAMSKA  DJELATNOST\nizdavaštvo  u  području  audiovizualnih  djelatnosti\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"odobreno KOMPLEMENTARNE 2019 ","year":2019,"rok":null,"natjecaj_date":"2019-03-15","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:05:49Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"djelatnosti r azvijanja a udiovizualne k ulture","section_key":"djelatnosti_r_azvijanja_a_udiovizualne_k_ulture","columns":["Naziv p redlagatelja","Naziv p rograma","Odobrena s redstva"],"rows":[{"row_number":1,"project_title":"50 godina Odsjeka montaže","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"1","Naziv p rograma":"50 g odina O dsjeka m ontaže","parity_original_project_title":"Akademija d ramske u mjetnosti","parity_original_applicant":null,"parity_original_category":null,"parity_action":"fix","parity_reasoning":"Row had applicant placed in project_title; restored real program (Naziv programa) and moved applicant to applicant/production_company.","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"054dc2e0:s0:f40ad6ffc81b","curation":{"changes":[{"field":"project_title","from":"50 godina Odsjeka montaže","to":"50 g odina O dsjeka m ontaže","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"50 g odina O dsjeka m ontaže","to":"50 godina Odsjeka montaže","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official HAVC 2019 award, row 1, section: djelatnosti razvijanja audiovizualne kulture. OCR spaces removed from title.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_4f248b2adf39","project_family_title":"50 godina Odsjeka montaže"},{"row_number":2,"project_title":"Festival prava djece 2019. - Prilagodba filmova za osobe s oštećenjem sluha i vida","applicant":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","production_company":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"2","Naziv p rograma":"Festival p rava d jece 2 019. - P rilagodba f ilmova za o sobe s o štećenjem s luha i v ida","parity_original_project_title":"Alternator, u druga z a p romicanje s tvaralaštva i j ednakih m ogućnosti","parity_original_applicant":null,"parity_original_category":null,"parity_action":"fix","parity_reasoning":"Row had applicant placed in project_title; restored real program (Naziv programa) and moved applicant to applicant/production_company.","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","row_id":"054dc2e0:s0:ad37ffb694ce","curation":{"changes":[{"field":"project_title","from":"Festival prava djece 2019. - Prilagodba filmova za osobe s oštećenjem sluha i vida","to":"Festival p rava d jece 2 019. - P rilagodba f ilmova za o sobe s o štećenjem s luha i v ida","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Festival p rava d jece 2 019. - P rilagodba f ilmova za o sobe s o štećenjem s luha i v ida","to":"Festival prava djece 2019. - Prilagodba filmova za osobe s oštećenjem sluha i vida","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official HAVC 2019 award, row 2. OCR letter spacing corrected.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_7925c75f9502","project_family_title":"Festival prava djece 2019. - Prilagodba filmova za osobe s oštećenjem sluha i vida"},{"row_number":3,"project_title":"Inkluzivne projekcije i panel rasprave 2019.","applicant":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","production_company":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"3","Naziv p rograma":"Inkluzivne p rojekcije i p anel r asprave 2 019.","parity_original_project_title":"Alternator, u druga z a p romicanje s tvaralaštva i j ednakih m ogućnosti","parity_original_applicant":null,"parity_original_category":null,"parity_action":"fix","parity_reasoning":"Row had applicant placed in project_title; restored real program (Naziv programa) and moved applicant to applicant/production_company.","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","row_id":"054dc2e0:s0:025e2924f11e","curation":{"changes":[{"field":"project_title","from":"Inkluzivne projekcije i panel rasprave 2019.","to":"Inkluzivne p rojekcije i p anel r asprave 2 019.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Inkluzivne p rojekcije i p anel r asprave 2 019.","to":"Inkluzivne projekcije i panel rasprave 2019.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official HAVC 2019 award, row 3. 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ROK, 2025. \nKRATKOMETRAŽNI DOKUMENTARNI FILM, UMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER  \nKATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - KRATKOMETRAŽNI DOKUMENTARNI FILM – 11. rujna \n2025.  \nOPĆI OSVRT \n____________________________________________________________________________________ \nNa javni poziv u kategoriji poticanja proizvodnje kratkometražnog dokumentarnog filma na 2. roku 2025. \ngodine prijavljeno je ukupno 13 projekata. Jedan od njih nije razmatran, zbog nepotpune dokumentacije.  \nKratki metar dokumentarnog filma, u posljednje dvije godine čini se postaje sve veći interes autora. Njihova \nustrajnost u formi, koja ima težu distributivnu putanju, izaziva dodatni respekt i potrebu da se i u njihovom \nslučaju istakne potreba za povećanjem budžeta kojim bi ih ovaj Centar podržao. Moguće je da bi neki od tih \nfilmova mogli biti relevantni u formatu dugog metra, ali očuvati ovaj žanr trebao bi biti jedan od ciljeva, \nkako filmske zajednice tako i onih koji odlučuju o potpori autorima ovih filmova jer i u ovoj formi pojavljuju \nse jaka osobna svjedočanstva, relevantne društvene teme, pa i one koje educiraju, otkrivaju široj publici \nteme koje su im inače nepoznate.  \nSveukupno u ovoj kategoriji odobrena su 3 projekta za sufinanciranje, u sveukupnom iznosu potpore od \n70.000,00 eura.  \nOva tri projekta, svojim su se prijedlozima ipak istakla kao sadržajno  cjeloviti projekti, autorski jakog \npristupa uz režijske inovacije, tematike koja jest suvremena i relevantna. Uvjeren sam da bi mogli postići \ndobru festivalsku distribuciju, a neki od njih nude i ozbiljnu promotivnu i distributivnu alternativu kojom bi \nživot svojih filmova dodatno produžili.  \n1. BOROVO - Izabela Dominković, Bela Bračko-Milešević (redateljice), Izabela Dominković,  Geoffrey \nBrossard (scenaristi) / Žana Jukić (producentica) / Udruga Blank (produkcija) - 25.000,00 eur  \n \nFilm spaja osobno i zajedničko, a Borovo postaje prostor potrage za značenjima, sjećanjima i \nvrijednostima – riječi su kojima završava sinopsis ovog projekta, dokumentarnog filma kratkog metra, \nkoje predstavlja debitantica Izabela Dominiković, zajedno s mladom autoricom Belom Bračko-Milešević. \nUdružene s francuskim koscenaristom Geoffreyem Brossardom, donose zanimljivu priču o vukovarskoj \ntvornici Borovo kako je već odavno trebala biti ispričana. Kroz osobni povratak same autorice Izabele u \ngrad svoje obitelji kao protagonistica svog filma, autorice probiru sjećanja njene obitelji koja je usko \nvezana uz ovu tvornicu, ali i obiteljskih prijatelja koji su također radili u toj tvornici, donoseći sliku jedne \nradne zajednice, jednog grada. \n \n2. FOXY LADY -  Marina Musulin (redateljica/scenaristica) / Bruno Stanković (producent) / Fade In \n(produkcija) - 25.000,00 eur \n \nDokumentarna drama s elementima komedije – rijetko predlagan žanr u posljednje vrijeme unutar \ndokumentarnog filma, na pozivima ovog Centra i utoliko izaziva određeni interes već pri početku čitanja \nprojekta autorice Marine Musulin. A onda kada pročitate priču njene protagonistice frizerke Dejane, \n\n\f\nosjetite šok čitajući borbu jedne žene koja se bori sa sustavom svojevrsnog Apsurdistana, koji joj je \ntrebao pomoći nakon potresa u Zagrebu. Umjesto toga gotovo ju je uništio. No zbog njene srčanosti,  \nstvara se želja da što prije upoznate ovu snažnu protagonisticu na velikom platnu. Koja svojim \nprimjerom autorici ukazuje na nekoliko osnovnih, a istovremeno i najbitnijih karakteristika kada birate \nprotagonista svog filma – ustrajnost, dostojanstvo koje ne da da se sruši, pa na kraju i hrabrost da se \nbori protiv sustava koji i na njenom primjeru pokazuje koliko je obesmislen svojim birokratskim \npostojanjem samo radi postojanja. \n \n3. TERMINAL -   Lucija Brkić (redateljica i scenaristica) / Vinko Brešan (producent), / Ustanova Zagreb \nfilm (produkcija)  - 20.000,00 eur \nTurizam nije rijetka tema u hrvatskom dokumentarnom filmu, no način na koji ga zamišlja autorica Lucija \nBrkić u sebi nosi svojevrsnu inovaciju. U svom sinopsisu najavljuje promatrački pristup svojoj temi, koju \npotvrđuje u svom scenariju. Istu doduše piše u formi temeljene na postojećem snimljenom materijalu \nkojim je inspirirana. Zvuči utemeljeno njeno uvjerenje kako će napisani dijalozi biti bogatiji s količinom \nsnimanja i daljnjim procesom rada na ovom filmu. Ono što se ističe kao posebna vrijednost ovog \nprojekta, jest činjenica da autorica tijekom cijelog postupka pisanja svog projekta ne kritizira one o \nkojima piše, već prije svega - promatra. Takvim autorskim postupkom daje gledatelju na uvid ono što \nsmatra vrijednom temom za njen film, i ostavlja njemu da sam donese sud o turizmu kojeg gleda na \nplatnu. Posebnost je ovog projekta i to što autorica nije odabrala već etablirane hrvatske turističke meke \nza cruisere poput Dubrovnika, Zadra, Splita ili nekih od istarskih obalnih gradova,  već je njen odabir \nRijeka, grad koji je u začetku otvaranja prema onome što u nas smatramo turizmom. \n \n \n \n \n \n \n \n  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"JP 2025_4 ROK_31_10_web recenzija.pdf","filename_decoded":"JP 2025_4 ROK_31_10_web recenzija.pdf","sha256":"05c950d21d2114861d432c46b7d9f729397fc8ea2683ebb4c9844d039b7597ca","bytes":390540,"page_count":3,"extracted_at":"2026-05-17T12:01:16Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP%202025_4%20ROK_31_10_web%20recenzija.pdf"},"raw_text":"1. DISTRIBUCIJA dugometražnog igranog filma „SVADBA“ – 35.000,00 eura \nKći hrvatskog tajkuna i sin srpskog ministra zaljubili su se za vrijeme studija u Londonu i započeli vezu, \na kad ona zatrudni odlučuju se vjenčati – na početno izrazito nezadovoljstvo svojih obitelji. Odlučeno \nse da se vjenčanje obavi što je diskretnije moguće, te se svi okupljaju u manjem obalnom mjestu, no \nponajprije zbog međunacionalnih napetosti prije same svadbene svečanosti nižu se razne \nkomplikacije. \nU prijavnoj dokumentaciji naveden je cilj da film u kina privuče 150 tisuća gledatelja, a takve se velike \nambicije čine potpuno utemeljenima. 'Svadba' je film čija je glavna namjera da zabavi gledatelje, i za \nočekivati je da će to raditi vrlo uspješno. Marketinška kampanja obuhvaća širok spektar aktivnosti i \ntemeljito je razrađena, a plan distribucije djeluje izvedivo. Velika je vjerojatnost da će ovaj film u \nnajmanju ruku postati jedan od najvećih kino hitova hrvatske kinematografije u ovom desetljeću. \n \n2. DISTRIBUCIJA dugometražnog igranog filma „GLAVONJA“ – 25.000,00 eura \nKada njezini roditelji jednog dana misteriozno nestanu, 10-godišnja Alisa zatraži pomoć od skupine \ndječaka detektiva. No morat će uključiti u potragu i svoga autističnog brat Milana, koji ne može ostati \nsam kod kuće. Na sreću, Milanova jedinstvena perspektiva postaje neočekivani ključ za razotkrivanje \nkriminalne zavjere. \nFilmovi za djecu već su neko vrijeme najpouzdaniji segment hrvatske kinematografije iz aspekta \ngledanosti u kinima, a na temelju prijavne dokumentacije realno je očekivati da će i 'Glavonja' postići \nzapažen uspjeh. Marketinški i medijski planovi primjerno su razrađeni; predviđen je niz  popratnih \naktivnosti edukativnog/pedagoškog karaktera, od pomno osmišljenog projekta 'Filmoglavci', čiji je cilj \npoticanje djece i mladih na kritičko i analitičko promišljanje o filmu, do inkluziviranja. \n \n3. DISTRIBUCIJA dugometražnog igranog filma „BOG NEĆE POMOĆI“ – 10.000,00 eura \nPočetkom 20. stoljeća, Čileanka Teresa dolazi u izoliranu zajednicu pastira na Dinari tvrdeći da je \nudovica starješininog brata koji je poginuo u čileanskom rudniku. Njen dolazak poremeti čvrstu \nstrukturu zajednice. \nDrugi film redateljice Hane Jušić snažna je drama koja je nakon svjetske premijere u Locarnu započela \nuspješnu međunarodnu festivalsku karijeru. Potencijal gledanosti u hrvatskim kinima u okvirima je \nrezultata prvog redateljičina filma, 'Ne gledaj mi u pijat', koji je 2016. godine privukao u kina nešto \nmanje od 5.500 gledatelja. 'Bog neće pomoći' jedan je od kreativnih vrhunaca hrvatskog filma u \ntekućoj godini, te će svakako predstavljati vrijedan doprinos kino repertoaru. \n \n4. DISTRIBUCIJA dugometražnog igranog filma „SVI OPERATERI SU TRENUTNO ZAUZETI“ – 6.000,00 \neura \nRoman Novotny, nekad cijenjeni scenarist, danas je zaboravljen autor koji nevoljko prihvaća posao u \nbizarnom turističkom resortu Simula Peninsula. Ondje se, pod vodstvom zagonetnog Doktora \nDopplera, odvija neobičan eksperiment: simulirano “filmsko” ljetovalište u kojem gosti igraju \nunaprijed pisane uloge, a scenaristi — “operateri” — svakodnevno kreiraju njihove priče. \n\n\f\nFilm redatelja Dalibora Barića iz komercijalne je perspektive djelo nišnog potencijala, ali obzirom na \nautorsku osebujnost zaslužuje da ga se podrži u nastojanju da dopre do kino publike. \n \n5. DISTRIBUCIJA dugometražnog igranog filma „DREAM ON/DREAM OFF“ – 3.000,00 eura \nPrvi hrvatski film realiziran uz pomoć umjetne inteligencije zanimljiv je eksperiment. Obzirom na sve \nširu upotrebu umjetne inteligencije, vjerojatno se može očekivati da će ovakvih filmova biti sve više, \nno u ovom trenutku nedvojbeno je riječ o jedinstvenom ostvarenju te je stoga legitimno podržati \nnjegovu pojavu na kino repertoaru, \n \n6. DISTRIBUCIJA dugometražnog igranog filma „DOBRE DJEVOJKE“ – 2.500,00 eura \nIntrovertirana djevojka Lucija pridružuje se ženskom zboru svoje katoličke škole, gdje se sprijatelji s \nAna-Marijom, popularnom i koketnom studenticom treće godine. Kada zbor otputuje u seoski \nsamostan na vikend intenzivnih proba, Lucijino zanimanje za tamnookog restauratora stavlja na \nkušnju njezino prijateljstvo s Ana-Marijom i drugim djevojkama. Lucija otkriva svoju seksualnost te \npočinje preispitivati svoja uvjerenja dok se pojavljuju novi nagoni, koji narušavaju harmoniju zbora. \nKoprodukcija s manjinskim hrvatskim udjelom, debitantski film slovenske redateljice Urške Djukić \nsvjetsku je premijeru imao početkom godine na Berlinaleu, i otad ostvaruje respektabilnu \nmeđunarodnu festivalsku karijeru. Potencijal gledanosti filma u hrvatskim kinima je ograničen, no \nobzirom na njegovu kvalitetu zaslužuje podršku za kinodistribuciju. \n \n7. DISTRIBUCIJA dugometražnog igranog filma „KAKO JE OVDJE TAKO ZELENO?“ – 2.500,00 eura \nNikola (34) je filmski redatelj zaglavljen u reklamama. Od roditelja saznaje o mogućnosti da konačno \nvrati kući posmrtne ostatke svoje pokojne bake, koja je pobjegla iz Hrvatske tijekom rata i umrla u \nSrbiji početkom 2000-ih. Nikola kreće na to putovanje sa svojim ocem Mirkom (74) i uči lekciju o \nroditeljstvu, obitelji i uspomenama koje ponekad nisu stvarne. \nNagrađen u Puli te s uspjehom prikazan na Zagreb Film Festivalu, film 'Kako je ovdje tako zeleno?' \nima solidne predispozicije da ostvari zadani cilj gledanosti u hrvatskoj kinodistribuciji od 3.000 \ngledatelja. \n \n8. DISTRIBUCIJA dugometražnog igranog filma „OTAPANJE VLADARA“ – 2.500,00 eura \nCrna Gora u 19. stoljeću. Teritorijem slobodnih brda upravlja Morlak, vladar koji želi biti pjesnik (lik je \nutemeljen na Petru Petroviću Njegošu). Teško bolestan, on putuje na liječenje u inozemstvo. Đuko, \nnajmlađi Morlakov tjelohranitelj, postaje opsjednut idejom da bi Morlakova smrt u tuđini mogla biti \nprokletstvo za cijelu zemlju. Morlaku u Italiji dani prolaze u lošem raspoloženju i šutnji, sve do \ntrenutka iznenadnog posjeta. Đuko se boji da bi nezvani gost mogao odložiti dugo očekivani povratak \nkući i pokušava ga se riješiti. \nKoprodukcija s manjinskim hrvatskim udjelom, film redatelja Ivana Salatića svjetsku je premijeru \nimao početkom godine na festivalu u Rotterdamu, a prikazan je i u Puli i Sarajevu. Riječ je o \nostvarenju ograničenog potencijala gledanosti, no unutar tih parametara mogao bi pronaći zahvalnu \npubliku. \n\n\f\n \n9. DISTRIBUCIJA dugometražnog igranog filma „VJETRE, PRIČAJ SA MNOM“ – 2.500,00 eura \nStefan se ponovno okuplja sa svojom obitelji kako bi prvi put nakon nedavne smrti majke proslavio \nbakin rođendan. Inspiriran stvarnim iskustvima redatelja i s članovima njegove obitelji u glavnim \nulogama “Vjetre, pričaj sa mnom” intimno je filmsko istraživanje bezvremenskog odnosa majke i sina. \nKoprodukcija s manjinskim hrvatskim udjelom, film redatelja Stefana Đorđevića osvojio je glavne \nnagrade na Sarajevo Film Festivalu i Zagreb Film Festivalu. Prijavna dokumentacija vrlo je kvalitetno \nrazrađena u svim aspektima, a plan distribucije djeluje izvedivo. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":2025,"rok":"4. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati JP MANJ 2024-2.pdf","filename_decoded":"rezultati JP MANJ 2024-2.pdf","sha256":"05f2386a2812d49200f10067feccaf5bdbab957f2085987d63d857a3902caa48","bytes":36086,"page_count":1,"extracted_at":"2026-05-17T10:22:52Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20JP%20MANJ%202024-2.pdf"},"raw_text":"REDATELJ/ICA\nHRVATSKI PRODUCENT\nODOBRENA SREDSTVA (€)\n1\nJulka\nTuna film - E d.o.o.\n30.000,00 €\n2\nVječni vojnik\nSekvenca d.o.o.\n50.000,00 €\n3\nNisam nikada bila tamo\nKinematograf d.o.o.\n35.000,00 €\n4\nDJ Ahmet\n365 films d.o.o.\n45.000,00 €\n5\nČista i zakopana\nKobra Koke Zagreb / Cobra \nChicks Zagreb\n70.000,00 €\n6\nDjeca pjevaju hitove\nEclectica d.o.o.\n80.000,00 €\n7\nHotel Alkohol\nPropeler Film d.o.o.\n80.000,00 €\n8\nMraz\nTelefilm d.o.o.\n35.000,00 €\n9\nPaviljon\nCine Planet d.o.o.\n50.000,00 €\n10\nImaginarni brojevi\nEclectica d.o.o.\n19.000,00 €\n494.000,00 €\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE FILMSKIH KOPRODUKCIJA S \nMANJINSKIM HRVATSKIM UDJELOM u 2024. - 2. ROK - 15.4.2024., 37. sjednica Hrvatskog audiovizualnog vijeća 14. \nlipnja 2024.\nanimirani filmovi\ndugometražni dokumentarni filmovi\nNAZIV FILMA\nValeria Cozzarini\nDebora Vrizzi\nAleksandar Nikolić\ndebitantski dugometražni igrani film u postprodukcijskoj fazi\nJan Cvitkovič\nMartin Turk\nMina Đukić\nGeorgi Unkovski\ndugometražni igrani filmovi\ndugometražni igrani filmovi u postprodukcijskoj fazi\nUKUPNO\nDino Mustafić\nPavle Vučković\nkratkometražni igrani filmovi\nJelica Jerinić\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"rezultati JP MANJ 2024-2","year":2024,"rok":"2. rok","natjecaj_date":"2024-04-15","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NAZIV FILMA","REDATELJ/ICA","HRVATSKI PRODUCENT","ODOBRENA SREDSTVA 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Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: Zakon), čl. 12. st. 6. \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog \nstvaralaštva (NN 10/20), Odluke Ministarstva kulture i medija Republike Hrvatske od dana 20. listopada \n2020., KLASA: 612-11/20-01/0017, URBROJ: 532-07-01/1-20-01, o dodatnoj potpori za proizvodnju \ndebitantskih dugometražnih igranih filmova i dugometražnih igranih filmova čija je nemogućnost završetka \nproizvodnje posljedica učinka pandemije COVID-19 na gospodarstvo i Odluke Hrvatskog audiovizualnog \ncentra od dana 23. listopada 2020., KLASA: 111-006, URBROJ: 5126-2020, o provedbi Odluke o dodatnoj \npotpori za proizvodnju debitantskih dugometražnih igranih filmova i dugometražnih igranih filmova čija je \nnemogućnost završetka proizvodnje posljedica učinka pandemije COVID-19 na gospodarstvo (dalje u tekstu: \nOdluka o provedbi Odluke o dodatnoj potpori za proizvodnju debitantskih dugometražnih igranih filmova i \ndugometražnih igranih filmova čija je nemogućnost završetka proizvodnje posljedica učinaka pandemije \nCOVID -19 na gospodarstvo), Hrvatsko audiovizualno vijeće u 3. sazivu na 2. sjednici održanoj 27. studenog \n2020. godine donijelo je: \n \nO  D  L  U  K  U \no odobravanju dodatnog sufinanciranja postprodukcije dugometražnog igranog filma „6 Autobus“ \nredatelja Eduarda Galića, producenta MissArt UO-a \n \n1. Odobrava se dodatno sufinanciranje postprodukcije dugometražnom igranom filmu „6 Autobus“ \nredatelja Eduarda Galića i producenta MissArt UO-a, temeljem Odluke o provedbi Odluke o \ndodatnoj potpori za proizvodnju debitantskih dugometražnih igranih filmova i dugometražnih \nigranih filmova čija je nemogućnost završetka proizvodnje posljedica učinaka pandemije COVID-19 \nna gospodarstvo, u ukupnom iznosu od 100.000,00 kuna. \n \n2. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n3. Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \n \nObrazloženje \n \nTemeljem Odluke Ministarstva kulture i medija Republike Hrvatske od dana 20. listopada 2020., KLASA: \n612-11/20-01/0017, URBROJ: 532-07-01/1-20-01, o dodatnoj potpori za proizvodnju debitantskih \ndugometražnih igranih filmova i dugometražnih igranih filmova čija je nemogućnost završetka proizvodnje \nposljedica učinka pandemije COVID-19 na gospodarstvo i Odluke Hrvatskog audiovizualnog centra od dana \n23. listopada 2020., KLASA: 111-006, URBROJ: 5126-2020, o provedbi Odluke o dodatnoj potpori za \nproizvodnju debitantskih dugometražnih igranih filmova i dugometražnih igranih filmova čija je \nnemogućnost završetka proizvodnje posljedica učinka pandemije COVID-19 na gospodarstvo, redatelj  \nEduard Galić i producent MissArt UO podnijeli su zahtjev za odobravanje dodatnog sufinanciranja \npostprodukcije dugometražnog igranog filma „6 Autobus“.  \n \n\n\f\n \n \n \n \nFinancijski savjetnik Centra, Ljubo Zdjelarević je nakon analiziranja i provjeravanja zahtjeva predložio iznos \ndodatnog sufinanciranja iz točke 1. izreke ove Odluke.  \n \nHrvatsko audiovizualno vijeće u 3. sazivu na 2. sjednici je jednoglasno s dvanaest (12) glasova “za” usvojilo \nZahtjev kao što je navedeno u ad. 1. ove Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku objaviti \nna svojoj mrežnoj stranici: www.havc.hr. \n \nPredsjednik \nHrvatskog audiovizualnog vijeća \n \n     Lado Skorin, v.r. \n \nDostaviti: \n- \nnositelju projekta kao u ad.1. \n- \npismohrana, ovdje \n \n","warnings":[],"document":{"program_type":"covid","year":2020,"rok":null,"referenced_projects":["6 Autobus"],"summary":"Hrvatsko audiovizualno vijeće na 2. sjednici 3. saziva odobrilo je dodatno sufinanciranje postprodukcije dugometražnog igranog filma „6 Autobus“ redatelja Eduarda Galića i producenta MissArt UO-a u iznosu od 100.000,00 kuna iz COVID-19 dodatne potpore.","project_links":[{"source_title":"6 Autobus","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"}]}},{"schema_version":"1.0","doc_type":"non_financing","source":{"filename":"Hrvatski%20filmovi%20Animafesta%202021_OBJAVA%20ZA%20MEDIJE.pdf","filename_decoded":"Hrvatski%20filmovi%20Animafesta%202021_OBJAVA%20ZA%20MEDIJE.pdf","sha256":"06b2229c98f225127bd7318e50b3883fa340b52dadac8d3b401b578ffc41e07d","bytes":155231,"page_count":4,"extracted_at":"2026-05-16T13:38:08Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazloz_enje proizvodnja kratki dokumentarni 1. rok_2025.pdf","filename_decoded":"obrazloz_enje proizvodnja kratki dokumentarni 1. rok_2025.pdf","sha256":"0701c6991c5a6016c16a8e9812b4ebb8ba4ce32a7e28fa94b4b5e970a29bc17a","bytes":59239,"page_count":2,"extracted_at":"2026-05-17T12:01:44Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazloz%CC%8Cenje%20proizvodnja%20kratki%20dokumentarni%201.%20rok_2025.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. \nROK, 2025. DOKUMENTARNI FILM, UMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER  \nKATEGORIJA: \nPOTICANJE \nPROIZVODNJE \nFILMOVA \n- \nKRATKOMETRAŽNI \nDOKUMENTARNI FILM – 13. ožujka 2025.  \n  \nOPĆI OSVRT  \n \nNa javni poziv u kategoriji proizvodnje kratkometražnog dokumentarnog filma u 1. \nroku 2025. godine prijavljeno je sveukupno 15 projekata. Od njih 15, tri su projekta \ninicijalno odbijena zbog nepotpune dokumentacije.  \n \nU ovom pozivu primjetan je trud autora da prijave teme koje smatraju relevantnima, \nno i u ovoj kategoriji moram reći kako je svojevrsni eskapizam hrvatskih autora  u \nprošlost ili pak svojevrsnu ezoteričnost njihovih tema vidljiv u nemalom broju \nprojekata. Oni pak projekti koji imaju želju da se bave temom, koja barem posredno \nmože biti suvremena iz naše svakodnevice, klize u televizijski format, a neki u \ndokumentarnu reportažu. I u tom smislu fokus na ovom pozivu okrenut je ka \nprojektima koji od tog principa odstupaju. I donose prije svega dobro zamišljen \nprojekt, koji u sebi nose zanimljiva kreativna autorska rješenja.  \n \nPotpora je u konačnici usmjerena na 3 projekta u ovoj kategoriji, s ukupnim iznosom \nod 70.000,00 eura. Spomenuti projekti svojim pristupom temi, vizualnim okvirom, \nprotagonistima koje nude, i u konačnici kreativnom konceptu istaknuli su se naspram \nostalih prijavljenih projekata na ovom pozivu.   \n \n1. Koze! Tonći Gaćina (redatelj i scenarist) / Tibor Keser (producent)  / Kompot \n(produkcija) – iznos potpore: 20.000,00 eur  \n \n„Koze!“ je kratki dokumentarni film u kojem svjedočimo odstrelu i onom što u društvu \nostane nakon odstrela napuštenih koza koje slobodno šeću divljinom otoka Unije. \nOdstrel koza na Unijama se dogodio zbog javnog interesa i opravdan je komunalno \nzdravstvenim razlozima. Na otoku je ukupno odstrijeljeno preko stotinu koza, jaraca i \nkozlića, čije strvine su zbrinute tako da su odvezene s otoka da bi dobile neku novu \ndruštvenu svrhu. Istovremeno, odlukom autora Tonćija Gaćine da cijeli proces prati \nteleobjektivom, vjerujem da se stvorila mogućnost stvaranja vrlo bitnog filma o \nodnosu prema životinjama u Hrvatskoj,  načinu kako se nosimo s problemima kada su \none u pitanju, slučajevima zaraze, humanosti u tom postupku, ili  njenom izostanku. \nOtok Unije i slučaj Q groznice vjerojatno se neće ponoviti, kako pretpostavlja autor, \nno pitanje je hoće li se slično nešto dogoditi na nekom drugom mjestu. I zato je ovaj \nfilm iznimno bitan.  \n \n2. Na Pegazu kroz gelere Damir Janeček (redatelj) / Tomislav Domović (scenarist) / \nTomislav Domović  (producent) /  Umjetnička organizacija Vjetrokaz (produkcija) - \niznos potpore: 40.000,00 eur  \n \nNudeći projekt koji govori o ratu, koji samim činom pričanja te priče postaje antiratnim \n– jedna je od kvaliteta projekta koji su ponudili autori redatelj Damir Janeček i \n\n\f\nscenarist Tomislav Domović. Iako u svojoj strukturi jednostavna, priča strukturirana \nkao okupljanje danas uspješnih umjetnika (redatelja, glazbenika, glumaca...), koji su \nbili članovi prve ratne Umjetničke satnije, nudi kompleksno sjećanje na jedno \nrazdoblje u stvaranju jedne države. Koja je u sebi utkala potrebu za sudjelovanjem u \nnjenoj obrani, do te mjere da u njoj sudjeluju i njeni umjetnici. Uz sve to vrlo suptilno \nje ugrađena ideja dodatnog dramatskog lika, Josipa Palade kojeg interpretira glumac \nSiniša Ružić. I time nudi zanimljiv alat igranja s bogatom arhivskom građom koja je i \nsvojevrsna posveta zapovjedniku postrojbe. Nažalost ovaj susret nije onaj koji se \ndogađa nakon toliko godina, s uvjerenjem – nikada više! Jer novi rat na europskom \nkontinentu postaje dio ovog razgovora, koji upućuje na ono što rat jest – \ndehumanizirajuća pojava.  \n \n3. Nožarije Ivan Mokrović (redatelj i scenarist) / Format XYZ d.o.o. (produkcija) - \niznos potpore: 10.000,00 eur  \n \nU velikoj mjeri film koncepta, u svojoj namjeri i eksperimentalan projekt autora Ivana \nMokrovića, jedan je od neobičnijih na ovome pozivu. U svojoj postprodukcijskoj fazi \ndonosi nam svojevrsnu mračnu, ali i komičnu priču o kolinju, ispričanu iz perspektive \nprotagonista kojeg teško da se može očekivati u nekom filmu – sarkastičnog noža. Za \nautora nož je dramatski lik, koji upućuje na alegoriju smrti i vrlo humorno komentira \nnešto što je njemu rutina – klanje na farmi. Dajući nam drugačiju perspektivu \nživotnih ciklusa. U kojoj taj protagonist, narativno sjajno interpretiran od strane \nglumca Sretena Mokrovića, ukazuje na ljepotu i brutalnost, tradiciju i modernost \nspomenutih ciklusa, kako to navodi autor. Nož u autorovom konceptu nije jedino \noživotvoren, nije jedini dobio osobnost već su to dobile i svinje, koje su na kraju \nneizbježno zaklane. Koncept filma, koji i gledatelja dovodi u posve drugu poziciju, \nkada nakon gledanja ovog filma ispred sebe vidi komad spečenog svinjskog mesa na \ntanjuru.   \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2022_1rok_14III2022_DUG_DOK_WEB.pdf","filename_decoded":"RSC_2022_1rok_14III2022_DUG_DOK_WEB.pdf","sha256":"07251a74da64df6b7a370f732b441353c2c2d179ec5e538d19b0b63ffc06b635","bytes":107635,"page_count":1,"extracted_at":"2026-05-17T10:24:25Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2022_1rok_14III2022_DUG_DOK_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\n1000 kilometara u \nkolicima\nLuka Čurčić\n25.000,00\n2\nČovjek koji nije mogao \nšutjeti\nJure Pavlović\n25.000,00\n3\nGreben\nIgor Dropuljić\nIgor Dropuljić\n25.000,00\n4\nOlimbi Hoxhaj-majka \nHrabrost 21. stoljeća \nKarlo Mlinar\n25.000,00\n5\nPandemonium \nMario Mlakar\nRacionalno \nInternacionalno d.o.o.\nMario Mlakar\n25.000,00\n6\nPosljednji teren\nFilip Peruzović\nFilip Peruzović\n25.000,00\n7\nZašto nisam rekla mami\nEugenija Prša\nAntitalent d.o.o.\nEugenija Prša\n25.000,00\nUKUPNO\n175.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ SCENARIJA u 2022. - 1. ROK - 14.3.2022.\ndugometražni dokumentarni film - trajanje nije kraće od 60 minuta\n44. sjednica Hrvatskog audiovizualnog vijeća u 3. sazivu, 15. lipnja 2022.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2022_1rok_14III2022_DUG_DOK_WEB","year":2022,"rok":"1. rok","natjecaj_date":"2022-03-14","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"44. sjednica Hrvatskog audiovizualnog vijeća u 3. sazivu, 15. lipnja 2022.","section_key":"44_sjednica_hrvatskog_audiovizualnog_vijeca_u_3_sazivu_15_li","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"1000 kilometara u kolicima","applicant":null,"production_company":null,"director":null,"writer":"Luka 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Filmska revija ''Novo kino Osmijeh''\n2.800,00 €\nJavna ustanova u kulturi \nKinematografi Dubrovnik\nKino klub Sisak\nLuma film, vl. Marija Udovičić\nMeđunarodni festival novog filma\nMljetski Avanturistički Robinzonski \nSavez - MARS\nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2023. godini - \n2. rok, popis odobrenih projekata, 14. sjednica Hrvatskog audiovizualnog vijeća 27.4.2023.\nfilmski festivali i druge audiovizualne manifestacije\nMotovun Film Festival\nGOKUL - Građanska organizacija \nza kulturu\nGreta Creative Network\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nIstra film\nNaziv predlagatelja\nBara Film\nCentar za dramsku umjetnost - \nCDU\nCentar za kulturu Trešnjevka\nEkološko kulturna scena EKS \nHrvatska Kostajnica\nFestival suvremenog židovskog \nfilma Zagreb\nFoto-kino klub Baranja film\nFoto-kino klub Baranja film\nMultimedijalni centar Studio \nkreativnih ideja Gunja - MMC SKIG\n\n\f\n21\nHuman Rights Film Festival\n24.000,00 €\n22\n21. Tabor Film Festival\n10.000,00 €\n23\n13. One Take Film Festival\n10.000,00 €\n24\nDA2 - Zagreb Design, Art & Architecture \nFilm Festival\n5.000,00 €\n25\nShpeena Dox festival dokumentarnog \nfilma\n800,00 €\n26\n13. Porečdox, međunarodni festival \ndokumentarnog filma\n2.000,00 €\n27\nLovely Days 2023.\n2.000,00 €\n28\n13. Fantastic Zagreb Film Festival\n8.500,00 €\n29\nRab Film Festival 2023 - RAFF Cinema / \nGeneration / Seaplex Kaich\n4.000,00 €\n30\n9. Brač Film Festival\n5.500,00 €\n31\n17. Festival dokumentarnog rock filma - \nDORF 2023.\n3.000,00 €\n32\n18. Trash Film Festival\n1.800,00 €\n33\n18. DOKUart - međunarodni festival \ndokumentarnog filma\n11.500,00 €\n34\nBokun festivala - festival nijemog filma i \ndrugih osjetila\n1.000,00 €\n35\nRevija UMAS 2023\n800,00 €\n36\n7. Filmski festival glumca\n1.700,00 €\n37\nFestival europskog filma\n2.000,00 €\n38\n21. Zagreb Film Festival\n85.000,00 €\n39\nFestival Kratkog Metra Novigrad\n2.000,00 €\n360.050,00 €\nUdruga za promicanje kulture \nDokuart\nUdruga za promicanje kulture, \nfilmske umjetnosti, putovanja, \ndomaće i strane kuhinje \"Gozba\"\nUmjetnička akademija u Splitu\nUmjetnička organizacija \"Asser \nSavus\"\nUKUPNO\nUmjetnička organizacija Metropolis\nUPKA Error\nUmjetnička organizacija Zagreb \nFilm Festival\nUdruga Trash\nTORO laboratorij j.d.o.o.\nUdruga Globe Media\nUdruga ljubitelja filma Rare \nVinkovci\nPučko otvoreno učilište Labin\nPučko otvoreno učilište Poreč\nREA - udruga za suvremene \numjetničke i arhitektonske \nprodukcije\nRobot 22 d.o.o.\nMultimedijalni institut\nOBNOMIKA d.o.o.\nOne Take Film Festival\nPari Pikule\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"web av JP KOMPL 2023_2. rok.xls","year":2023,"rok":"2. rok","natjecaj_date":"2023-04-27","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":"filmski festivali i druge audiovizualne manifestacije","section_key":"filmski_festivali_i_druge_audiovizualne_manifestacije","columns":["Naziv predlagatelja","Naziv programa","Odobrena sredstva (€)"],"rows":[{"row_number":1,"project_title":"Klein film festival","applicant":"Bara Film","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.700,00 €","approved_amount":1700.0,"currency":"EUR","extras":{"col_1":"1","Naziv programa":"Klein film festival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"0736cc82:s0:463ea45a413b","curation":{"changes":[{"field":"applicant","from":null,"to":"Bara Film","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Bara Film","to":"Klein film festival","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_c8467c6dd76b","project_family_title":"Klein film festival"},{"row_number":2,"project_title":"Unseen VII - Prema trikontinentalu: otkrivajući nevidljivo","applicant":"Centar za dramsku umjetnost - CDU","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.000,00 €","approved_amount":2000.0,"currency":"EUR","extras":{"col_1":"2","Naziv programa":"Unseen VII - Prema trikontinentalu: otkrivajući nevidljivo","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"0736cc82:s0:3685960f8fc7","curation":{"changes":[{"field":"applicant","from":null,"to":"Centar za dramsku umjetnost - CDU","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Centar za dramsku umjetnost - CDU","to":"Unseen VII - Prema trikontinentalu: otkrivajući nevidljivo","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_d8ea80bc60db","project_family_title":"Unseen VII - Prema trikontinentalu: otkrivajući nevidljivo"},{"row_number":3,"project_title":"17. 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godini – 2. rok, 14.9.2023.  \n \nSunčica Fradelić, umjetnička savjetnica za eksperimentalni film \n \n \nNa drugi rok Javnog poziva za poticanje proizvodnje audiovizualnih djela u kategoriji \neksperimentalnog filma u 2023. godini pristiglo je ukupno trinaest prijava. Sve prijave su \nzadovoljile formalne uvjete i ušle u razmatranje. Od trinaest projekata, tri su već prethodno \nprijavljivana na javni poziv u kategoriji eksperimentalnog filma.  \n \nZastupljene su raznolike teme, od kojih se ističu tematiziranje različitih vrsta i oblika \nnasilja – društvena represija, norme, običaji i utjecaj na živote pojedinaca, preispitivanje \ndruštvenih pozicija i uloga, klimatske promjene i odnos čovjeka prema prirodi, distopične vizure, \nautorefleksivnost i formalistički eksperimenti.  \n \nPri odlučivanju sam se vodila jasnoćom prijavnice, dobro predočenom i uvjerljivom \nredateljskom koncepcijom, kvalitetom pripreme projekta, elaboriranom metodologijom, razinom \npromišljenosti i vrstom eksperimentiranja s medijem, sposobnošću povezivanja forme i sadržaja \nu filmsku cjelinu, utemeljenošću priloženih referenci spram relevantnih elemenata projekta, \nizvedivošću projekta – operativnog plana i procjenom troškovnika, te procjenom relevantnosti \nsamog projekta u kontekstu suvremene audiovizualne produkcije.  \n \nZa sufinanciranje je predloženo i odobreno šest filmova u iznosu 175.060,00 eura. Riječ \nje o projektima: „Pjesme za Jadransko more“ Renate Poljak (REA), „Ne shvaćajte to osobno“ \nJelene Jureša (Kinematograf d.o.o.), „Sentenca“ Davida Lušičića (Greta Creative Network), \n„Fragmenti – oda tijelu“ Jelene Remetin (YELO), „Apstraktno iskustvo škole“ Tamare Bilankov \n(Blank) i film Ane Buljan „Kroz sredinu ako dođe“ (25 FPS, Udruga za audio-vizualna \nistraživanja). \n \nU projektu „Pjesme za Jadransko more“ Renata Poljak tematizira klimatske promjene i \nzagađenost mora. Temu obrađuje poetično, eksperimentirajući s filmskom dramaturgijom koju \nzasniva na špekulativnom komponiranju zvuka i slike. U središtu filma je portret \ndvanaestogodišnjeg dječaka Vanje iz Splita koji mikroskopom proučava sićušna morska bića. \nNjihovo prijateljstvo rezultira serijom eksperimenata i kreativnih egzistencijalnih promišljanja: \npokušavajući izliječiti zagađeno more, i autorica i dječak pronalaze način da s njim komuniciraju \ni zabilježe proces kroz film. Vanjine snimke začuđujuće visoke kvalitete uključene su u \nprojektnu dokumentaciju kao vizualne reference, s namjerom da kasnije postanu integralni dio \nfilma. Uz dječaka se u filmu u ulozi iscjeliteljice pojavljuje i pjevačica Amira Medunjanin. Rad \nisprepliće život i medij(e) na dirljiv način, ispitujući brojne odnose – međugeneracijske i \nmeđuljudske, odnos čovjeka i prirode i granice komunikacije i uzajamnog utjecaja, a inspiraciju \ncrpi iz znanosti, mitologije, ali i popularne kulture. Istovremeno problematizira štetne posljedice \naktualnih društveno-političkih uređenja.  \niznos sufinanciranja: 34.000,00 eura. \n \n \n\n\f\nJelena Jureša se u svojoj praksi bavi različitim oblicima nasilja, utjecaja nasilja na život \nte istu temu obrađuje i kroz projekt „Ne shvaćajte to osobno“ koristeći transformirane \ndokumentarističke metode i stvarajući nove načine pripovijedanja. Narativ koji obrađuje rasteže \nse u povijesnim razmjerima i u njima dovodi u korelacije sadašnjost s elementima \nsjevernoeuropske kulture i umjetnosti iz razdoblja renesanse, prvenstveno nizozemskog zlatnog \ndoba, čiji likovni prikazi (i brižno odabrane geste) na simboličkoj razini odražavaju postojeći \nsvjetski poredak blizak idejama kolonijalizma i kapitalizma. Film se sastoji od dva čina čiji se \nnarativi istovremeno isprepliću i suprotstavljaju; dovodeći u suodnos fragmentirane detalje slika \nflamanskih majstora i izvedbu energičnog glazbenog performansa Marije Nie, Jureša nastoji \nuspostaviti višeznačna i slojevita iščitavanja političke i individualne moći, odnosno dominacije i \notpora dominaciji kroz eksperimentiranje s medijem, akademsku istraživačku praksu i autentičan \nautorski rukopis.  Zvuk je promišljen, zaokružen i integriran s idejom. \niznos sufinanciranja: 33.000,00 eura. \n \nDavid Lušičić eksperimentalnim filmom naziva „Sentenca“ obuhvaća rezultate vlastitih \nistraživanja i pristupa mediju te povezuje opservacijski pristup s naknadnim intervencijama u \nslici i zvuku u nastojanju da ispita granice percepcije, kako vizualne, tako i percepcije ostalih \nosjetila. Oslanja se na pisanja Laure U. Marks o haptičkoj vizualnosti, čija je knjiga „The Skin of \nthe Film“ nastavak Deleuzeovih i Bergsonovih promišljanja. U osnovi, haptička vizualnost \npretpostavlja da se gledatelj može služiti očima kako bi „dodirnuo“ film. Film scenaristički \npočiva na adaptaciji knjige riječke spisateljice Tee Tulić „Maksimum jata“ – dokumentirat će \nprizore atmosfere primorskog grada koji se nalazi u intenzivnom razdoblju transformacije i \ndruštvene degradacije. U prizore, koji će biti snimani kroz sva godišnja doba, intervenirat će \nanimiranim crtežom Svena Klobučara i video kolažiranjem s namjerom razotkrivanja impresija, \nskrivenih i  intimnih narativa, a čime će se dodatno pokušati naglasiti i taktilnost medija. \nMontažni postupak sugerira promišljanje ritma filma, vremena koje obuhvaća i njegovu \ndramaturšku zaokruženost. Zvuk u filmu neodvojiv je od slike i sastojat će se od atmosfera, \nnaracije i detalja čija upotreba doprinosi ukupnom doživljaju s težnjom da proizvede i dopuni \nhaptičku kvalitetu filma. Lušičić filmom istovremeno problematizira stanje društva i posljedice \npolitičke i ekonomske tranzicije koje se štetno odražavaju na Rijeku, ali i druge priobalne \ngradove, čineći temu univerzalnom. \niznos sufinanciranja: 30.560,00 eura. \n \nProjektni prijedlog Jelene Remetin „Fragmenti – oda tijelu“ oslanja se na prethodna \nistraživanja odnosa tijelo-pokret-tehnologija koja je realizirala interdisciplinarno. Kroz svoj \ndosadašnji rad i ova autorica obrađivala je temu različitih vrsta nasilja, te na tom tragu i \npredloženi projekt problematizira stav prema vlastitom tijelu. Projekt se nalazi u odmakloj fazi \nprodukcije i do sada su napravljene pojedinačne i grupna preliminarna priprema koreografije s \ntestnim snimanjima u različitim uvjetima koja su priložena projektnoj dokumentaciji uz vizualne \nreference. U odnosu na prethodnu prijavu dodatno su obrazloženi režijski i snimateljski postupci, \nkoreografija/e, dramaturška struktura, scenoslijed i elaboracije filmskih postupaka po \npredviđenim scenama. Okosnica eksperimenta je pokret, pokret tijela sedam različitih aktera, \nples koji se upotrebom filmskog jezika dodatno definira, sabija i rasteže kroz sedam osmišljenih \nsegmenata čime se oblikuje i sama anatomija/kretanje filma. Kompleksne koreografije bazirane \nsu na korelacijama između funkcija pojedinih organa, utjecaja okoline na njihov rad i na ukupno \nstanje organizma, pa tako i film dobija začudne vizure, pomaknute narative i vlastito tijelo preko \n\n\f\nkojeg diše, misli, osjeća... Koreografije proizlaze organski iz komunikacije s plesačima i \nsnimateljima koji aktivno sudjeluju u procesu definiranja svih elemenata.  \niznos sufinanciranja: 26.500,00 eura. \n \nTamara Bilankov projektnim prijedlogom „Apstraktno iskustvo škole“ tematizira školu \nkao javni prostor, njenu ulogu u opće društvenom smislu, njene elemente kao dio kolektivne \nmemorije transformirajući ih svojom imaginacijom u začudne prizore koji pomiču njihova \nznačenja u sferu intimnog iskustva. Autorica temi prilazi zaigrano, dok filmsko promišljanje \nproizlazi iz njenog prethodnog projekta, istoimene multimedijalne instalacije čije elemente \nnavodi kao inspiraciju za mizanscenu predloženog projekta. Dramaturški, film počiva na plesnoj \nkoreografiji dva ženska lika čija se igra realizira i/ili nadopunjuje elementima stop animacije, \nfilm-eseja i arhivskim snimkama. Školski objekti i prostori, od krede, ploče, stolice do učionice \nčesto su animirani i pojavljuju se u drugačijim kontekstima i ulogama formirajući osobnu, \nalternativnu povijest školovanja, a preispitivanjem uloge škole, Bilankov preispituje i čitav \nsustav postojećih vrijednosti. \niznos sufinanciranja: 26.000,00 eura. \n \nRealizacija projekta „Kroz sredinu ako dođe“ Ane Buljan elaborirana je projektnom \ndokumentacijom koja uz detaljno i precizno opisan koncept, metodologiju rada, vizualne \nreference, uvjerljivo prezentira i režijski postupak. Eksperiment je izražen u dramaturškoj \nstrukturi. Polazeći od povezanosti s Kubom u kojoj je studirala, autorica istražuje različite javne i \nprivatne prostore (kao i granice među njima) kroz koje povezuje sociopolitičke aspekte sa \nsvakodnevnim životnim situacijama poetski, intimno i pažljivo. Kombinira analogne i digitalne \npostupke u kreiranju i traženju specifičnih audiovizualnih atmosfera; finalno rad oblikuje \npreciznim usklađivanjem slike i zvuka. Tehnički postupci dobro su objašnjeni, reference jasne a \nautorski tim suradnika dobro posložen. \niznos sufinanciranja: 25.000,00 eura. \n \n \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija proizvodnje eksperimentalnog filma u 2023. godini – 2. rok, 14.9.2023.","year":2023,"rok":"2. rok","natjecaj_date":"2023-09-14","decision_date":null,"decision_body":"AV vijeće","currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"Proizvodnja eksperimentalnog filma 2023 - 2. rok","section_key":"proizvodnja_eksperimentalnog_filma_2023_2_rok","columns":["NASLOV","REDATELJ/AUTOR","PRODUCENT","IZNOS SUFINANCIRANJA"],"rows":[{"row_number":1,"project_title":"Pjesme za Jadransko more","applicant":"REA","production_company":"REA","director":"Renata 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eura","ukupno":175060.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":175060.0,"ukupno_match":true,"row_count":6,"awarded_count":6,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":6}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"odluka%20av%20vijeca_05092014_debitantski_igrani.pdf","filename_decoded":"odluka%20av%20vijeca_05092014_debitantski_igrani.pdf","sha256":"0795416a1177254c5e6d498d70cbfbb90b85dbd1c9c0fee5c8346f209b8b0056","bytes":465552,"page_count":3,"extracted_at":"2026-05-16T14:09:24Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 3373-2014 \nU Zagrebu, 5. rujna 2014. \n \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12),  Hrvatsko audiovizualno vijeće, na prijedlog Umjetničkog vijeća,  na 50. sjednici održanoj 5. \nrujna 2014.godine donijelo je: \n \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2014.godini \nu  kategoriji -poticanje proizvodnje audiovizualnih djela-debitantski dugometražni igrani filmovi \n \n \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za poticanje audiovizualnih djelatnosti i stvaralaštva u 2014.godini  utvrđuje se lista \nprioriteta i donosi odluka o raspodjeli sredstava za poticanje audiovizualnih djelatnosti i stvaralaštva \nu kategoriji -poticanje proizvodnje audiovizualnih djela- debitantski dugometražni igrani filmovi u \nukupnom iznosu od 9.350.000,00 kn (devetmilijunatristopedesettisućakuna), prema tablici priloženoj \novoj Odluci koja čini njezin sastavni dio. \n \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku \npredviđenom Pravilnikom o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva (NN 118/12). \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 118/12)  u 2014. godini raspisan je Javni poziv HAVC-a za poticanje \naudiovizualnih djelatnosti i stvaralaštva u kategoriji -poticanje proizvodnje audiovizualnih djela-debitantski \ndugometražni igrani filmovi. \n \nNa Javni poziv ukupno je prijavljeno 11 projekata od kojih je razmatrano 10, sve prema tablici u prilogu ove \nOdluke. \n\n\f\n \n \n \n \n \nNa 33. sjednici Umjetničkog vijeća umjetnički savjetnici za dugometražni igrani film g. Branko Schmidt i g. \nDalibor Matanić predložio je listu prioriteta koju je Umjetničko vijeće usvojilo i proslijedilo na razmatranje \nHrvatskom audiovizualnom vijeću.  \nNa 50. sjednici Hrvatskog audiovizualnog vijeća održanoj 5. rujna 2014.godine većinom glasova je \nprihvaćena lista prioriteta iz točke 1. izreke Odluke. \n  \n \nSukladno čl.12. Zakona o audiovizualnim djelatnostima, ravnatelj HAVC-a izvršava odluke o raspodjeli \nsredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima sredstava.  \n \nSukladno čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić –Škarica, v.r. \n \n \n \n \n \nPrilog: tablice s rezultatima \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n\n\f\nR.br.\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nNe gledaj mi u \npijat\nHana Jušić\nKinorama d.o.o.\n3.000.000,00 kn\n2\nAleksi\nBarbara Vekarić\nStudio dim d.o.o.\n2.900.000,00 kn\n3\nDianina lista\nDana Budisavljević\nHulahop d.o.o. za \nfilmsku produkciju i \nusluge\n2.700.000,00 kn\n4\nHappy Endings\nDarko Šuvak\nAlka film d.o.o.\n750.000,00 kn\n9.350.000,00 kn\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE PROIZVODNJE AUDIOVIZUALNIH DJELA u 2014. - 1. ROK - \n28.3.2014.\nDEBITANTSKI DUGOMETRAŽNI IGRANI FILMOVI\nSNIMLJENI FILMOVI\nUKUPNO\n","warnings":[],"document":{"program_type":"proizvodnja","year":2014,"rok":"1. rok","referenced_projects":["Ne gledaj mi u pijat","Aleksi","Dianina lista","Happy Endings"],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 5. rujna 2014. o raspodjeli sredstava za poticanje proizvodnje debitantskih dugometražnih igranih filmova (1. rok, 28.3.2014.) u ukupnom iznosu od 9.350.000,00 kuna.","project_links":[{"source_title":"Ne gledaj mi u pijat","family_id":"pf_f1c91babe72e","family_title":"NE GLEDAJ MI U PIJAT","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Aleksi","family_id":"pf_902d1b38c43e","family_title":"Aleksi","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Dianina lista","family_id":"pf_45a79889f9a1","family_title":"Dianina lista","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Happy Endings","family_id":"pf_21bb70c90b3a","family_title":"Happy Endings","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2018_1rok_DOK_WEB.pdf","filename_decoded":"RSC_2018_1rok_DOK_WEB.pdf","sha256":"07aeada931bda0517e6ccb051837f52168e3652fbb28d8d7e91e7572d447bc32","bytes":32878,"page_count":1,"extracted_at":"2026-05-17T10:24:23Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2018_1rok_DOK_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nGradovi, sela, dvorci\nIrena Lukšić\nIrena Lukšić \"Gradovi, \nsela, dvorci\"\n25.000,00\n2\nObalno šetalište\nSilvio Mirošničenko\nČetiri film d.o.o. \nSilvio Mirošničenko\n25.000,00\n3\nSutra ću biti\nAnđelo Jurkas\nDOP produkcija\nAnđelo Jurkas\n25.000,00\nUKUPNO\n75.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2018. - 1. ROK - 12.4.2018.\ndugometražni dokumentarni film\n96. sjednica Hrvatskog audiovizualnog vijeća, 13. srpnja 2018.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2018_1rok_DOK_WEB","year":2018,"rok":"1. rok","natjecaj_date":"2018-04-12","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"96. sjednica Hrvatskog audiovizualnog vijeća, 13. srpnja 2018.","section_key":"96_sjednica_hrvatskog_audiovizualnog_vijeca_13_srpnja_2018","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Gradovi, sela, dvorci","applicant":null,"production_company":null,"director":null,"writer":"Irena Lukšić","original_author":"Irena Lukšić \"Gradovi, sela, 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Od dva (2) prijavljena projekta, za sufinanciranje su predložena oba projekta. Jedan \nsrednjemetražni i jedan dugometražni projekt.  \nU potkategoriji razvoja scenarija od četiri (4) prijavljena projekta na 1. roku 2021. predložena \nsu dva projekta. Riječ je o jednom srednjemetražnom filmu koji ima mogućnosti razviti se u \nserijal i jednom zaokruženom dugometražnom djelu koje svoje uporište traži i nalazi u hrvatskoj \nknjiževnoj baštini.  \nUkupna potpora u kategoriji razvoja scenarija i projekata: 235.000,00 kn  \n \n \n \n \n \n \n \n \n\n\f\nPotkategorija: razvoj projekta - animirani film \nRok: 1. rok / 11. ožujka 2021. \n1. Nedovršena  – Umjetnička organizacija PULPA, Petra Zlonoga - predloženo 75.000,00 kuna \n2. Vjeran prijatelj – Jaka produkcija; Beatrica Kurbel i Luka Rukavina - predloženo 115.000,00 kn \nUkupno: 190.000 kn \n \nObrazloženja: \n1. naziv projekta: NEDOVRŠENA \nscenarij: Petra Zlonoga \nrežija: Petra Zlonoga \nproducent: Umjetnička organizacija PULPA \npredloženo: 75.000,00 kn \n„Nedovršena“ je lijepo i jasno napisano djelo pretpostavljeno animaciji u kombiniranoj tehnici \nkoje se podjednako oslanja na izgovorenu riječ, sliku, zvuk i glazbu, pronalazeći pritom \nodgovarajuću ravnotežu, ali zadržavajući svoj jasni ritam, smjer i cilj.  \nNastavno na dosadašnji autoričin poetski rad, koji svoj odjek pronalazi i unutar izvanškolskog, \nali opet edukacijsko-obrazovnog sustava, „Nedovršena“ ostavlja dojam potpunosti, \nzaokruženosti i poželjnosti. A poezija i animacija u pravom omjeru u pravilu ispostave lijepo i \nnadahnjujuće filmsko djelo. „Nedovršena“ u sebi taj potencijal nosi. \n \n \n2. naziv projekta: VJERAN PRIJATELJ \nscenarij: Beatrica Kurbel \nrežija: Luka Rukavina \nproducent: Jaka produkcija d.o.o. \npredloženo: 115.000,00 kn \n \n„Vjeran prijatelj“ je scenaristički i projektno razrađen kao dugometražni animirani film zamišljen \nu tehnici 3D animacije.  Priča je postavljena i ispripovijedana kako bi se iz jednog osobitog \nšumskog svijeta reflektirala na naš svijet, ali isto tako uspostavlja da se naš svijet s lakoćom \n\n\f\nocrtava u životima junaka koji nastanjuju jednu „običnu“ šumu. Iako priča koje se oslanjaju i \ngrade na vrlo sličnim temeljima ima mnogo, „Vjeran prijatelj“ je u svom rukopisu ponudio nešto \ndrugačiju vizuru i ima potencija ostvariti se kao zanimljiv  dugometražni animirani film.    \n \n \n \nPotkategorija: razvoj scenarija - animirani film \nRok: 1. rok / 11. ožujka 2021. \n1. Veli Jože – Miro Gavran, Branko Ružić, Jakov Gavran - predloženo 25.000,00 kuna \n2. Stvorenjca – Iva Prolić - predloženo 20.000,00 kn \nUkupno: 45.000 kn \n \nObrazloženja: \n1. naziv projekta: VELI JOŽE \nscenarij: Miro Gavran, Branko Ružić, Jakov Gavran \npredloženo: 25.000,00 kn \n„Veli Jože“ je scenaristički i konceptom zanimljiv projekt koji objedinjuje mjuzikl i animaciju, a \npripravljen je prema libretu Mire Gavrana sa skladateljskim učešćem Tamare Obrovac. Uronjen \nu autentično ozračje Istre u kojem se i sama legenda o čovjeku velike snage, ali i nacionalnom \nsimbolu u borbi protiv nepravde, odvija, te čakavštini na kojoj će biti ispripovijedan, odnosno \nispjevan, scenarij u sebi nosi sav potreban potencijal pretočiti se u zanimljivo i izazovno \nanimirano filmsko djelo. \n \n2. naziv projekta: STVORENJCA \nscenarij: Iva Prolić \npredloženo: 20.000,00 kn \nIdeja o Stvorenjcima, bićima koja igrom slučaja iskaču iz televizijskog (monitorskog) ekrana u \nsebi nosi mnogo potencijala, a scenarij je oblikovan kako bi postavio i predstavio jednu svima \ndjetinje blisku, ali opet uzbudljivu priču o susretu dvaju svjetova koji se danas sve češće i \nintenzivnije pretaču i miješaju. Kao likovi, Stvorenjca su simpatična i s lakoćom mogu ponijeti \n\n\f\nmnogo više od jedne priče, odnosno uz malo pažnje i producentskog angažmana mogu se s \nlakoćom pretvoriti u zanimljivi animirani serijal za djecu. \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2021,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_naknada%20za%20umjetnicke%20savjetnike%20_komplementarne%20djelatnosti_14102020_Anita.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_naknada%20za%20umjetnicke%20savjetnike%20_komplementarne%20djelatnosti_14102020_Anita.pdf","sha256":"086c04a4013b82f01500b7131d8a07dd44b76583cc693eed5339659f07d68272","bytes":119494,"page_count":1,"extracted_at":"2026-05-16T14:09:48Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":"Na temelju članka 7. stavak 2. Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog \nprograma promicanja audiovizualnog stvaralaštva (NN 10/2020, dalje u tekstu: Pravilnik) i članka 27. \nstavak 2. Statuta Hrvatskog audiovizualnog centra (dalje u tekstu: Statut), a na prijedlog ravnatelja \nHrvatskog audiovizualnog centra Hrvatsko audiovizualno vijeće (dalje u tekstu: AV Vijeće) je na 34. \nsjednici održanoj 14. listopada 2020.  godine donijelo \n \nO D L U K U \nI. \nOvom Odlukom mijenja se ad.II Odluke o visini naknade za rad umjetničkih savjetnika Hrvatskog \naudiovizualnog vijeća donesene na 26. sjednici održanoj 28. svibnja 2020. godine, KLASA: 111-006-001, \nURBROJ: 2468-2020, na način da se mijenja visina naknade za umjetničkog/u savjetnika/icu za \nkomplementarne djelatnosti te isti sada glasi: \n„II. \nVisina naknade utvrđuje se ovisno o opsegu poslova za pojedine kategorije filmova i iznosi: \n- \numjetničkom savjetniku/ici za dugometražni igrani film (za proizvodnju i razvoj te proizvodnju \nmikroproračunskih dugometražnih igranih filmova) 8.000,00 kuna mjesečno, \n- \numjetničkom savjetniku/ici za razvoj projekta serijskih televizijska djela 8.000,00 kuna \nmjesečno, \n- \numjetničkom savjetniku/ici za kratkometražni igrani film 5.000,00 kuna mjesečno, \n- \numjetničkom savjetniku/ici za dugometražni i kratkometražni dokumentarni film (za \nproizvodnju i razvoj) 6.000,00 kuna mjesečno, \n- \numjetničkom savjetniku/ici za animirani film (za proizvodnju i razvoj) 4.000,00 kuna mjesečno, \n- \numjetničkom savjetniku/ici za eksperimentalni film 4.000,00 kuna mjesečno, \n- \numjetničkom savjetniku/ici za manjinske koprodukcije 7.000,00 kuna mjesečno, \n- \numjetničkom savjetniku/ici za komplementarne djelatnosti 4.500,00 kuna mjesečno.“ \n \nII. \nSve ostale točke Odluke o visini naknade za rad umjetničkih savjetnika Hrvatskog audiovizualnog \nvijeća donesene na 26. sjednici održanoj 28. svibnja 2020. godine, KLASA: 111-006-001, URBROJ: \n2468-2020, ostaju nepromijenjene. \nIII. \nOva Odluka stupa na snagu danom donošenja. \n \nKLASA: 111-006-001       \nURBROJ: 4920-2020 \nZagreb,  14. listopada 2020. \n \n              Predsjednik Hrvatskog audiovizualnog vijeća \n \n \n                         _____________________________ \n \n                                            Antonio Nuić, v.r. \nDostaviti: \n \n  \n -  pismohrana, ovdje \n","warnings":[],"document":{"program_type":"komplementarne","year":2020,"rok":null,"referenced_projects":[],"summary":"Odluka AV Vijeća na 34. sjednici od 14. listopada 2020. kojom se mijenja visina naknade za rad umjetničkih savjetnika HAVC-a, te se za umjetničkog savjetnika za komplementarne djelatnosti utvrđuje naknada od 4.500,00 kuna mjesečno.","project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"30_AV_proizvodnja_%E2%80%93%20kratkometra%C5%BEni%20igrani%20film-%201.%20ROK%20-%2007.%20travnja%202020..pdf","filename_decoded":"30_AV_proizvodnja_%E2%80%93%20kratkometra%C5%BEni%20igrani%20film-%201.%20ROK%20-%2007.%20travnja%202020..pdf","sha256":"086c7aa34c49ae2f0a198ae4335e1d01b76d2654526e66530497a6bfa965901c","bytes":239261,"page_count":4,"extracted_at":"2026-05-16T15:40:06Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url_missing":true},"raw_text":" \n \n \n \nKLASA: 111-006-001 \nURBROJ: 3250-2020 \nU Zagrebu, 15. srpnja 2020. \n \nTemeljem članka 36. Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: Zakon), te sukladno \nPravilniku o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 10/20, dalje u tekstu: Pravilnik), Hrvatsko audiovizualno vijeće u 2. sazivu, \nna prijedlog Umjetničkog vijeća, na 30. sjednici održanoj 15. srpnja 2020. godine donijelo je: \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini - kategorija: poticanje \nproizvodnje audiovizualnih djela – kratkometražni igrani film- 1. ROK - 07. travnja 2020. \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini utvrđuje se lista \nprioriteta i donosi odluka o raspodjeli sredstava za poticanje audiovizualnih djelatnosti i \nstvaralaštva u kategoriji - poticanje proizvodnje audiovizualnih djela – kratkometražni igrani film, \nrok 07. travnja 2020. godine u ukupnom iznosu od 850.000,00 kuna (osamstopedesettisućakuna) \nprema tablici priloženoj ovoj Odluci koja čini njezin sastavni dio. \n \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku predviđenom \nPravilnikom. \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \nObrazloženje \n \nTemeljem čl. 36. st. 1. Zakona i sukladno odredbama Pravilnika u 2020. godini raspisan je Javni poziv HAVC-\na za poticanje audiovizualnih djelatnosti i stvaralaštva u kategoriji - poticanje proizvodnje audiovizualnih \ndjela- kratkometražni igrani film- 1. ROK - 07. travnja 2020. g. (dalje u tekstu: Javni poziv). \n \nNa Javni poziv, rok 07. travnja 2020. g. ukupno je prijavljeno 36 projekata. Jedan projekt nije zadovoljio \nuvjete Javnog poziva. \n \nNa 81. sjednici Umjetničkog vijeća, održanoj u srijedu, 08. srpnja 2020. putem video linka Zoom aplikacije, s \npočetkom u 10 sati te nastavkom sjednice putem elektroničke komunikacije umjetničkih savjetnika koji su \nbili u sazivu Umjetničkog vijeća na 80. sjednici Umjetničkog vijeća radi usvajanja zapisnika 80. sjednice \nUmjetničkog vijeća, do ponedjeljka,  13. srpnja 2020. godine, umjetnički savjetnik za kratkometražni igrani \n\n\f\n \n \n \n \nfilm g. Ivan Sikavica predložio je listu prioriteta koju je Umjetničko vijeće usvojilo i proslijedilo na \nrazmatranje Hrvatskom audiovizualnom vijeću.  \n \nNa 30. sjednici Hrvatskog audiovizualnog vijeća, održanoj 15. srpnja 2020. g. s sedam (7) glasova „za“, \njednim (1) „suzdržan“ i dva (2) „izuzet“ je prihvaćena lista prioriteta iz točke 1. izreke ove Odluke. \n \n  \nTemeljem čl. 34. Zakona ravnatelj HAVC-a izvršava odluke o raspodjeli sredstava na temelju Nacionalnog \nprograma zaključivanjem ugovora s korisnicima sredstava.  \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku objaviti \nna svojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjednik po ovlasti \nHrvatskog audiovizualnog vijeća \n \n                                                                                              Lado Skorin v.r. \n \nPrilog: tablice s rezultatima \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n\n\f\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nObiteljski\t\r  portret\nLea\t\r  Vidaković\nJadranska\t\r  animacija\t\r  /\t\r  \nAdriatic\t\r  Animation\n450.000,00\n2\nU\t\r  malu\t\r  je\t\r  uša\t\r  đava\nVeljko\t\r  Popović,\t\r  Milivoj\t\r  \nPopović\nPrime\t\r  Render\t\r  d.o.o.\n420.000,00\n3\nOrnithology\nNina\t\r  Klarić,\t\r  Siniša\t\r  \nKoprivnjak\nUstanova\t\r  Zagreb\t\r  film\n350.000,00\n4\nPlavi\t\r  medo\nMarina\t\r  Andree\t\r  Škop\nStudio\t\r  dim\t\r  d.o.o.\n260.000,00\n5\nGrad\nMarko\t\r  Tadić\nKreativni\t\r  sindikat\n150.000,00\n6\nY\nMatea\t\r  Kovač\nUstanova\t\r  Zagreb\t\r  film\n130.000,00\n7\nLjubimac\t\r  Stres\nLaura\t\r  Martinović\nJadranska\t\r  animacija\t\r  /\t\r  \nAdriatic\t\r  Animation\n130.000,00\n1.890.000,00\n1\nKristalni\t\r  otmičari\nArsen\t\r  Anton\t\r  Ostojić\nFilmosaurus\t\r  Rex\t\r  d.o.o.\n5.000.000,00\n1\nPula\nAndrej\t\r  Korovljev\nKinematograf\t\r  d.o.o.\n3.300.000,00\n3.300.000,00\n1\nZečji\t\r  nasip\nČejen\t\r  Černić\nKinorama\t\r  d.o.o.\n4.000.000,00\n2\nDnevnik\t\r  Pauline\t\r  P.\nNeven\t\r  Hitrec\nJaka\t\r  produkcija\t\r  d.o.o.\n4.500.000,00\n3\nBumbarov\t\r  let\nAntonio\t\r  Nuić\nInter\t\r  film\t\r  d.o.o.\n5.000.000,00\n13.500.000,00\n1\nNuovo\t\r  Cinema\t\r  Buie\nAlessio\t\r  Bozzer\nAntitalent\t\r  d.o.o.\n200.000,00\n2\nUnderground\t\r  top\t\r  \nlista\nLidija\t\r  Špegar\nFactum\n280.000,00\ndugometražni\t\r  animirani\t\r  film\nJavni\t\r  poziv\t\r  za\t\r  poticanje\t\r  audiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  -­‐\t\r  kategorija:\t\r  POTICANJE\t\r  PROIZVODNJE\t\r  FILMOVA\t\r  \nu\t\r  2020.\t\r  -­‐\t\r  1.\t\r  ROK\t\r  -­‐\t\r  7.4.2020.,\t\r  30.\t\r  sjednica\t\r  Hrvatskog\t\r  audiovizualnog\t\r  vijeća\t\r  15.7.2020.\nanimirani\t\r  filmovi\nUKUPNO\t\r  KRATKOMETRAŽNI\t\r  ANIMIRANI\t\r  FILMOVI\nUKUPNO\t\r  DEBITANTSKI\t\r  DUGOMETRAŽNI\t\r  IGRANI\t\r  FILM\nUKUPNO\t\r  DUGOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\ndebitantski\t\r  dugometražni\t\r  igrani\t\r  film\ndugometražni\t\r  igrani\t\r  filmovi\ndugometražni\t\r  dokumentarni\t\r  filmovi\n\n\f\n3\nSurogat\t\r  za\t\r  Vuda\nSenad\t\r  Šahmanović\nSekvenca\t\r  d.o.o.\n350.000,00\n4\nBili\t\r  smo\t\r  u\t\r  ONB-­‐u\nBranko\t\r  Ištvančić\nUdruga\t\r  za\t\r  audiovizualno\t\r  \nstvaralaštvo\t\r  Artizana\n200.000,00\n5\nBorac\nDamir\t\r  Markovina\nWolfgang\t\r  i\t\r  Dolly\t\r  d.o.o.\n300.000,00\n6\nKrešok\nMarina\t\r  Musulin,\t\r  Zoran\t\r  \nKrema\nUdruga\t\r  Okodoko\n120.000,00\n7\n*\t\r  Djeca\t\r  mog\t\r  brata\nMilivoj\t\r  Puhlovski\nMetar60\n200.000,00\n8\nMi\t\r  smo\t\r  ljudi,\t\r  mi\t\r  smo\t\r  \nsila\nSrđan\t\r  Kovačević\nFantastično\t\r  dobra\t\r  institucija\t\r  \n-­‐\t\r  Fade\t\r  In\n150.000,00\n1.800.000,00\n1\nBiti\t\r  u\t\r  rodu\t\r  s\t\r  Johnom\t\r  \nMalkovichem\nLuka\t\r  Mavretić\nČetiri\t\r  film\t\r  d.o.o.\n180.000,00\n2\nKrivi\t\r  kotari\nMelita\t\r  Vrsaljko\nDinaridi\t\r  film\t\r  d.o.o.\n100.000,00\n3\nTobogan\nNebojša\t\r  Slijepčević\nUmjetnička\t\r  organizacija\t\r  \nParadoks\n180.000,00\n4\nBosanski\t\r  Brodvej\nJasmina\t\r  Beširević\nRestart\n50.000,00\n510.000,00\n1\nPravilo\t\r  broj\t\r  5:\t\r  \nPomno\t\r  pratite\t\r  svog\t\r  \nčovjeka\nMiro\t\r  Manojlović\nFilmska\t\r  udruga\t\r  Šuma\n115.000,00\n2\nValeria\nSara\t\r  Jurinčić\nNomad\t\r  Studio\t\r  j.d.o.o.\n150.000,00\n3\nTa\t\r  ravna\t\r  linija\t\r  \nhorizonta\nFilip\t\r  Peruzović\nUmjetnička\t\r  organizacija\t\r  \nPlafon\n135.000,00\n4\nImpresije\t\r  -­‐\t\r  Crna\t\r  \nplatna\nKrunoslav\t\r  Ptičar\nFilmska\t\r  udruga\t\r  Šuma\n110.000,00\n5\nThis\t\r  is\t\r  not\t\r  me\t\r  /\t\r  Ovo\t\r  \nnisam\t\r  ja\nRenata\t\r  Poljak\nREA\t\r  -­‐\t\r  udruga\t\r  za\t\r  suvremene\t\r  \numjetničke\t\r  i\t\r  arhitektonske\t\r  \nprodukcije\n140.000,00\n6\nZamišljene\t\r  \nbudućnosti:\t\r  Turizam\t\r  \nDarko\t\r  Fritz\nUdruga\t\r  Marinis\t\r  Media\n150.000,00\n800.000,00\n1\nArka\nMladen\t\r  Stanić\nMohikanac\t\r  d.o.o.\n350.000,00\n2\nDječak\nHrvoje\t\r  Mabić\nStudio\t\r  dim\t\r  d.o.o.\n300.000,00\n3\nČimavica\nJosipa\t\r  Bubica\nUdruga\t\r  Blank\n200.000,00\n850.000,00\n27.650.000,00\n*projekt\t\r  \"Djeca\t\r  mog\t\r  brata\"\t\r  odustao\t\r  je\t\r  od\t\r  sklapanja\t\r  Ugovora\t\r  o\t\r  sufinanciranju\nSVEUKUPNO\nUKUPNO\t\r  EKSPERIMENTALNI\t\r  FILMOVI\nkratkometražni\t\r  igrani\t\r  filmovi\nUKUPNO\t\r  DUGOMETRAŽNI\t\r  \t\r  DOKUMENTARNI\t\r  \t\r  FILMOVI\nUKUPNO\t\r  KRATKOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILMOVI\nUKUPNO\t\r  KRATKOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\nDUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\t\r  U\t\r  POSTPRODUKCIJSKOJ\t\r  FAZI\nkratkometražni\t\r  dokumentarni\t\r  filmovi\nKRATKOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\t\r  \t\r  U\t\r  POSTPRODUKCIJSKOJ\t\r  FAZI\neksperimentalni\t\r  filmovi\n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE PROIZVODNJE FILMOVA u 2020. - 1. ROK - 7.4.2020., 30. sjednica Hrvatskog audiovizualnog vijeća 15.7.2020.","year":2020,"rok":"1. rok","natjecaj_date":"2020-04-07","decision_date":"2020-07-15","decision_body":"AV vijeće","currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"animirani filmovi (kratkometražni)","section_key":"animirani_filmovi","columns":["R.br.","NASLOV","REDATELJ/ICA","PRODUCENT","ODOBRENO"],"rows":[],"section_total_text":"UKUPNO KRATKOMETRAŽNI ANIMIRANI FILMOVI 1.890.000,00","section_total":1890000.0},{"section_label":"dugometražni animirani film","section_key":"dugometrazni_animirani_film","columns":["R.br.","NASLOV","REDATELJ/ICA","PRODUCENT","ODOBRENO"],"rows":[],"section_total_text":null,"section_total":5000000.0},{"section_label":"debitantski dugometražni igrani film","section_key":"debitantski_dugometrazni_igrani_film","columns":["R.br.","NASLOV","REDATELJ/ICA","PRODUCENT","ODOBRENO"],"rows":[],"section_total_text":"UKUPNO DEBITANTSKI DUGOMETRAŽNI IGRANI FILM 3.300.000,00","section_total":3300000.0},{"section_label":"dugometražni igrani filmovi","section_key":"dugometrazni_igrani_filmovi","columns":["R.br.","NASLOV","REDATELJ/ICA","PRODUCENT","ODOBRENO"],"rows":[],"section_total_text":"UKUPNO DUGOMETRAŽNI IGRANI FILMOVI 13.500.000,00","section_total":13500000.0},{"section_label":"dugometražni dokumentarni filmovi","section_key":"dugometrazni_dokumentarni_filmovi","columns":["R.br.","NASLOV","REDATELJ/ICA","PRODUCENT","ODOBRENO"],"rows":[{"row_number":3,"project_title":"Surogat za Vuda","applicant":"Sekvenca d.o.o.","production_company":"Sekvenca d.o.o.","director":"Senad Šahmanović","writer":null,"original_author":null,"category":"Dokumentarni","approved_amount_text":"350.000,00","approved_amount":350000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Sekvenca d.o.o.","source_url_missing":true,"row_id":"086c7aa3:s4:60adfd3b361b","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_362aea8781c0","project_family_title":"Surogat za Vuda"},{"row_number":4,"project_title":"Bili smo u ONB-u","applicant":"Udruga za audiovizualno stvaralaštvo Artizana","production_company":"Udruga za audiovizualno stvaralaštvo Artizana","director":"Branko Ištvančić","writer":null,"original_author":null,"category":"Dokumentarni","approved_amount_text":"200.000,00","approved_amount":200000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga za audiovizualno stvaralaštvo Artizana","source_url_missing":true,"row_id":"086c7aa3:s4:a93805a4b478","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_4fc1995d5a11","project_family_title":"Bili smo u ONB-u"},{"row_number":5,"project_title":"Borac","applicant":"Wolfgang i Dolly d.o.o.","production_company":"Wolfgang i Dolly d.o.o.","director":"Damir Markovina","writer":null,"original_author":null,"category":"Dokumentarni","approved_amount_text":"300.000,00","approved_amount":300000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Wolfgang i Dolly d.o.o.","source_url_missing":true,"row_id":"086c7aa3:s4:39e0b0940c38","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_035df0f936fc","project_family_title":"Borac"},{"row_number":6,"project_title":"Krešok","applicant":"Udruga Okodoko","production_company":"Udruga Okodoko","director":"Marina Musulin, Zoran Krema","writer":null,"original_author":null,"category":"Dokumentarni","approved_amount_text":"120.000,00","approved_amount":120000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga Okodoko","source_url_missing":true,"row_id":"086c7aa3:s4:cd73bab2c4ce","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_c981cff45386","project_family_title":"Krešok"},{"row_number":7,"project_title":"* Djeca mog brata","applicant":"Metar60","production_company":"Metar60","director":"Milivoj Puhlovski","writer":null,"original_author":null,"category":"Dokumentarni","approved_amount_text":"200.000,00","approved_amount":200000.0,"currency":"HRK","extras":{"napomena":"projekt odustao od sklapanja Ugovora o sufinanciranju","repair_v1":{"changes":[{"field":"category","from":"DUGOMETRAŽNI DOKUMENTARNI FILM U POSTPRODUKCIJSKOJ FAZI","to":"Dokumentarni","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Metar60","source_url_missing":true,"row_id":"086c7aa3:s4:d77311efa8db","funding_status":"not_awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Listed in dugometražni dokumentarni filmovi section with approved amount 200.000,00 HRK. Asterisk in title is footnote marker; source footnote confirms withdrawal: 'projekt \"Djeca mog brata\" odustao je od sklapanja Ugovora o sufinanciranju'. Award was formally granted but applicant did not execute contract.","reviewed_reasons":["bullet_or_footnote_prefix"]},"project_family_id":"pf_69f15910dfd8","project_family_title":"Djeca mog brata"},{"row_number":8,"project_title":"Mi smo ljudi, mi smo sila","applicant":"Fantastično dobra institucija - Fade In d.o.o.","production_company":"Fantastično dobra institucija - Fade In d.o.o.","director":"Srđan Kovačević","writer":null,"original_author":null,"category":"Dokumentarni","approved_amount_text":"150.000,00","approved_amount":150000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"DUGOMETRAŽNI DOKUMENTARNI FILM U POSTPRODUKCIJSKOJ FAZI","to":"Dokumentarni","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","entity_original_production_company":"Fantastično dobra institucija - Fade In","entity_canonicalized_at":"2026-05-18T14:41:26Z"},"entity":"Fantastično dobra institucija - 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kategorija: \npoticanje proizvodnje filmova, 2. rok 2024., animirani filmovi \nkategorija: poticanje proizvodnje animiranog filma \nrok: 12.9.2024. \numjetnička savjetnica: Jelena Oroz \n \nNa javni poziv u ovom roku pristiglo je dvanaest (12) projekata i jedan projekt koji se \nnije razmatrao. \nOd toga jedan je dugometražni. \nŠest (6) projekata namijenjeno je djeci, ostali su za nešto stariju publiku. \nDebitantskih projekata ima sedam (7). \n \nZa financiranje je predloženo i odobreno osam projekata, od kojih je pet (5) prikladno \nza djecu, a čak četiri (4) su debitantska. \nUkupni iznos financiranja je 352.000,00 €   \n \nTehnika koja prevladava je 2D animacija (frame by frame), ali stilski se svi projekti \nrazlikuju.  \nS aspekta režije, neki autori/ce promišljaju više filmski, a neki u potpunosti koriste \nmedij animacije za transformacije i vizualne efekte kakve nije moguće prikazati niti \njednim drugim medijem. \nMogu reći da postoji jedna raznovrsnost i šarolikost u stilovima među autorima/icama \ni da sasvim sigurno postoji publika za svaki od odobrenih filmova. \nProjekti su vizualno suvremeni, tematski gotovo pa svevremeni.  \nIako na ovom roku prevladavaju dječji filmovi, naglasila bih da njihova radnja nije \nbanalna i nije puka zabava; svaki od njih ima dubinu, pouku i likovno kvalitetne \npredloške. \nPosebno mi je drago vidjeti projekte najnovije generacije animatora/ica tj autora/ica i \npohvaljujem njihovu pedantnost i kvalitetno pripremljene projekte. \nI ovaj put pozivam autore/ice na suradnju s ilustratorima/icama  i s \nanimatorima/icama koji mogu svojim vještinama doprinijeti likovnom aspektu filma. \nPredlažem im i da prate suvremenu likovnu scenu i suvremene animirane filmove.   \nIako je priča važna, ne zaboravimo da je animirani film ipak audiovizualni doživljaj i \nda i kroz taj način komunicira s publikom.  \n \n \n \n \n \n\n\f\n \n1.  \nnaziv projekta: Supić Slavko i ribica Špela \nprodukcija: Jaka produkcija d.o.o. \nscenarij: Siniša Bahun \nrežija: Darko Vidačković \niznos financiranja: 42.000,00 €  \ntrajanje: 6’ \ntehnika: 2D animacija \nSupić Slavko je kratki animirani film simpatičnih vizuala i edukativnog karaktera \nnamijenjen prvenstveno djeci.  Priča je to o avanturama mladog bjeloglavog supa \nkoji živi na Cresu sa svojim roditeljima. Po danu se za vrijeme igre odvaja od \nroditelja te odleti do daleke špilje gdje upozna novu životinju, čovječju ribicu Špelu i \ntako stekne novog prijatelja. Na taj način priča povezuje i dvije susjedne države, \nHrvatsku i Sloveniju. \nPotencijal ovog filma je i da se razvije u serijal; u svakoj epizodi Supić Slavko našao \nbi se u novoj avanturi te upoznao s novim likom koji ga potom, na djeci razumljiv \nnačin, informira o specifičnostima svoje vrste ili staništa u kojem obitava. \n \n2.   \nnaziv projekta: Točka sa sjenom \nprodukcija: Ustanova Zagreb Film \nscenarij i režija: Bruna Ercegovac \niznos financiranja: 47.000,00 €  \ntrajanje: 8’ \ntehnika: kombinacija pozadina nacrtanih na papiru i 2D digitalno animiranih likova \nDugogodišnja uspješna točka Klauna suočava se s novom konkurencijom – Sjenom \n(Klauna), koja svojom nepromišljenošću ugrožava sigurnost gledatelja i vodi sve u \nkatastrofu. Ipak, kroz zajedničku suradnju, Klaun i Sjena uspijevaju spasiti situaciju, \na njih dvoje zajedno osmišljavaju novu točku, do tada neviđenu. \nAutorica uz priložene vizuale nagovještava da će film biti vizualno iznimno atraktivan, \ndok interakcija između Klauna i Sjene donosi duhovite trenutke, ali i napetost koja će \ntrajati sve do samog kraja. \nIako je film prvenstveno namijenjen djeci, ljubitelji animiranog filma koji uživaju u \nlijepom crtežu i bogatoj animaciji također će uživati u ovom filmu. \n3. \nnaziv projekta: Ledene babe \nprodukcija: Jaka produkcija d.o.o. \nscenarij i režija: Lucija Bužančić \niznos financiranja:  55.000,00 €  \n\n\f\ntrajanje: 6’ \ntehnika: 2D animacija, kolaž, printana rotoskopija \n \nAutorica na zanimljiv i razigran način, kroz motiv igre Ledene babe, portretira glavni \nlik, staricu Elzu, koju u filmu pratimo i kao djevojčicu. Film, baš poput dječje igre, \nsvojim strukturama i kombinacijom tehnika postaje svojevrstan igrokaz, a autorica \nvješto koristi medij animacije kako bi prikazala razne transformacije likova i prostora \nunutar filma. \nIako je opća atmosfera filma pozitivna, ona nije nužno i naivna, na što bi nas naziv \nfilma mogao navesti. Film nudi dublje značenje i, kroz igre vremena i identiteta, \notkriva složenu dinamiku života. \nKako autorica filma ističe: \"Nitko od nas ne osjeća svoje godine. Mi smo samo mi, a \nonda, nekako, pronađemo se u situaciji u kojoj nismo očekivali da ćemo biti, u tijelu u \nkojem nismo očekivali da ćemo se naći.\" \n \n4.  \nnaziv projekta: Crvena ima okus krede \nprodukcija: Drybrush Studio \nscenarij i režija: Darko Masnec \niznos financiranja: 45.000,00 €   \ntrajanje: 7’30’’ \ntehnika: 2D animacija, digitalna i klasična \nGlavni motiv ovog filma je jezik – organ koji je transformativan, migoljav, rastezljiv, \nvizualno pomalo odbojan. Njime osjećamo raznolike podražaje, između ostalog i \nugodu.  \nI film će tako plesati na granici ugode i neugode, reflektirajući taj kontrast svojom \ndinamikom. S obzirom na to da će Masnec prikazati jezik kroz stilizirani 2D crtež, \nnjegova pojavnost bit će ublažena. \nPoznavajući prethodni rad Masneca, možemo očekivati neobičnu, zanimljivu i bogatu \ninterakciju slike i zvuka, koja će stvoriti jedinstvenu sinergiju na svim razinama filma. \n5.  \nnaziv projekta: Velika utrka prijateljstva \nprodukcija: Luma film \nscenarij i režija: Dean Hamer \niznos financiranja: 41.000,00 €     \ntrajanje: 6’ \ntehnika: cutout animacija snimana kamerom u multiplanu \nNakon niza uspješnih dječjih animiranih filmova, Luma studio u suradnji sa Deanom \nHamerom priprema novi projekt pod nazivom Velika utrka prijateljstva.  \nPriča je inspirirana poznatom basnom o Kornjači i Zecu.  \n\n\f\nIpak, ove dvije priče se razlikuju i nose različite pouke. Velika utrka prijateljstva film \nje namijenjen djeci, a jedna od pouka koje nosi jest da suradnja kojom tražimo izlaz \niz problema može prerasti i u snažno prijateljstvo. \nVizuali koje autor prilaže likovno su zanimljivi (spoj tradicionalnog i suvremenog), a u \nkombinaciji s cutout animacijom i korištenjem multiplana, sve skupa može imati \njedan čaroban efekt. \n \n6.  \nnaziv projekta: Djevojčica s balonima \nprodukcija: Kreativni sindikat \nrežija: Ana Kadoić, scenarij: Ana Kadoić, Nina Vađić \niznos financiranja: 40.000,00 €  \ntrajanje: 8’30” \ntehnika: 2D animacija \nDjevojčica s balonima je topla, emotivna i utješna priča namijenjena svim \ngeneracijama.  Ovaj animirani film kroz odnos oca i kćeri istražuje teme rođenja, \nsazrijevanja, odrastanja i gubitka voljenih osoba. Osim oca i kćeri, u filmu se \npojavljuju i drugi likovi, među kojima se posebno izdvaja prodavač balona. On je \njedini lik koji ne stari, čime postaje simbol ili metafora roditeljske ljubavi koja se \nprenosi s generacije na generaciju – prvo kroz odnos oca prema kćeri, a kasnije i \nkroz odnos kćeri prema vlastitoj djeci. \nVizualna estetika filma obuhvaća nježne pastelne boje koje čine svijet filma toplim i \nugodnim. Likovi su prikazani u svim životnim dobima, čime film dodatno osnažuje \nuniverzalnu poruku o rastu, ljubavi i prolaznosti vremena. \n \n7.  \nnaziv projekta: Pictoman \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Branko Farac  \niznos financiranja: 37.000,00 €  \ntrajanje: 7’ \ntehnika: 2D animacija \n \nNakon prometne nesreće, glazbenik se okreće introspekciji i novoj svijesti o sebi \nsamom.  \nFilm pun preobrazbi, vizualnih metafora, konstrukcija/dekonstrukcija, transformacija, \npruža jedno pomalo Lynchevsko iskustvo u kojem nismo sigurni kamo idemo, ali nas \nredatelj uspješno uvjerava u stvarnost postojanja kreiranog svijeta.  \nCrtež je reduciran i sveden na crno bijele crte i plohe. \n\n\f\nAutor nastavlja tragati za univerzalnim, neverbalnim jezikom, istražuje i \neksperimentira sa dramaturgijom i strukturom filma. \n \n8. \nnaziv projekta: Pustinja Blaca i legenda o bijelom konju \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Ana Despot \niznos financiranja: 45.000,00 € \ntrajanje: 7’ \ntehnika: 2D animacija \nU ovom uzbudljivom avanturističkom film, autorica vješto spaja fikciju i legendu, a \npritom se osvrće na vlastita iskustva i emocije. Pustinja Blaca i legenda o bijelom \nkonju topla je obiteljska priča koja će očarati sve uzraste. \nKroz naraciju u prvom licu, autorica vodi gledatelje kroz priču, omogućujući im da \nurone u unutarnji svijet protagonista. Iako koristi suvremene digitalne tehnike, \nautorica pažljivo bira kistove koji imitiraju akvarel, stvarajući time jedinstvenu \nvizualnu estetiku. Dizajn likova i pozadina usmjeren je prema suvremenim \nstandardima, ali kvaliteta izvedbe odražava snažan povratak tradicionalnoj animaciji. \nFilm ne samo da na zabavan način uvodi publiku u kulturnu baštinu, već nas vodi \nkroz bajkoviti, maštoviti svijet u kojem je teško razlučiti što je stvarno, a što samo \nsan. \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2024,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje AV 2016.pdf","filename_decoded":"obrazlozenje AV 2016.pdf","sha256":"087f61bcfa6bd95b8fa45ca2dc79771f9d95ed15379bb113e72614ee8472bf8d","bytes":596309,"page_count":5,"extracted_at":"2026-05-17T12:01:30Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20AV%202016.pdf"},"raw_text":" \n \n \nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2016. godini \nObrazloženje umjetničkih savjetnika za komplementarne djelatnosti \n \nNa Javni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2016. godini \npristiglo je sveukupno 355 prijava u kategorijama zaštite audiovizualne baštine uključujući \nkinotečnu djelatnost, filmskih festivala i drugih audiovizualnih manifestacija, djelatnostima \nrazvijanja audiovizualne kulture, programa promocije i prodaje hrvatskih audiovizualnih djela, \nproučavanja i kritičkog vrednovanja audiovizualnih djelatnosti, objavljivanja književnih radova u \npodručju audiovizualnih djelatnosti, programa stručnog usavršavanja i programa audiovizualnih \nudruga i organizacija. \nDio prijava koje su vezane za isti program umjetnički su savjetnici sagledavali kao jednu prijavu, a za \ndvije prijave savjetnici su zaključili da ne pripadaju u programsko područje komplementarnih \ndjelatnosti.  \nNakon razmatranja prijava savjetnici za komplementarne djelatnosti u sastavu Mima Simić, Teodor \nCelakoski i Boris Poljak za financiranje preporučuju 233 programa u ukupnom iznosu od \n11.628.600,00 kuna. \nU postupku procjenjivanja i vrednovanja prijava savjetnici su se vodili nizom kriterija po navedenim \nkategorijama, pri čemu je u svim kategorijama vrednovano sljedeće: \n- kvaliteta, izvedivost i održivost predloženog programa, pri čemu se posebno vodilo računa o \nprogramima koji imaju konkretne, realne i strateške planove u umjetničkom, organizacijskom i \nfinancijskom smislu, o dostupnosti samog projekta, njegovoj vidljivosti i komunikaciji s \nprofesionalcima i javnosti, kvaliteti prijave, kvaliteti i iskustvu projektnog tima u pojedinoj \nprogramskoj komplementarnoj djelatnosti za koju se prijavljuju, o prethodnom izdanju programa (u \nslučaju da nije riječ o prvom izdanju), te o različitim oblicima suradnje, umrežavanjima i \npartnerstvu  \n- važnost programa, od lokalne zajednice, preko nacionalne važnosti do međunarodne \nprepoznatosti \n- kontinuitet programa, odnosno njegova dugoročna usmjerenost (jednokratna događanja \npodržana su iznimno, i s relativno malim iznosima) primarno misleći na prethodno već pokrenute \nprograme koji su svojom kvalitetom, sustavnošću i javnom važnošću ostvarili uvjete za daljnju \npotporu od strane Hrvatskog audiovizualnog centra te su svojom kvalitetom opravdali nastavak \nfinanciranja \n- projekti koji dosad nisu financirani a pridonose specifičnosti, komplementarnosti te estetskoj \nraznovrsnosti audiovizualnih sadržaja \n- projekti koji nude različite aspekte audiovizualne edukacije  \n- projekti koje na pojedinom javnom pozivu, sukladno trenutačnim potrebama audiovizualnog \nsektora, umjetnički savjetnici odrede kao prioritetnu aktivnost ili aktivnosti koju bi trebalo \npojačano potpomagati u narednom periodu  \n\n\f\n \n \n \n \nUmjetnički savjetnici smatraju da u budućem razdoblju treba stvoriti uvjete za potpomaganje \nprograma digitaliziranih kinodvorana. \nI ove je godine zabilježen rast broja prijava te pojava novih vrijednih inicijativa (s naglaskom na \nprograme usmjerene na djecu i mlade), pri čemu smo prednost dali programima u sredinama u \nkojima su filmski programi ili zapostavljeni ili praktično nepostojeći. Programe čiji je rast i razvoj \nprimjetan u prethodnoj godini pokušali smo popratiti (makar simboličnim) povećanjem sredstava u \nokviru financijskih mogućnosti. Kao i prethodne godine, na Poziv je prijavljen velik broj edukativnih \nprograma vezanih uz školske programe, odnosno postojeći kurikulum – ove programe umjetnički \nsavjetnici smatraju iznimno važnima, no mišljenja je da se trebaju odvijati uz primarnu potporu \nresornog ministarstva, kako zbog prepoznavanja važnosti audiovizualnog obrazovanja i ozbiljnije \nnjegove integracije u kurikulum, tako i zbog HAVC-ova ograničenog budžeta.  \n \n \nKao i svake godine, u svim kategorijama utvrđeni su prioritetni programi za koje su predložene i \nnajviše potpore. Riječ je o programima od iznimne ili visoke nacionalne vrijednosti, koje možemo \nsmatrati temeljnim za očuvanje i razvoj audiovizualnog stvaralaštva u Hrvatskoj, odnosno o \nprogramima od velike regionalne ili lokalne važnosti, ili pak onima koji su važni za razvoj pojedinih \ndjelatnosti ili žanrova: \n U kategoriji Zaštita audiovizualne baštine uključujući kinotečnu djelatnosti kao posebno \nznačajan program koji dobiva kontinuiranu podršku ističe se Filmski i video arhiv Hrvatskog \nfilmskog saveza.  \n U kategoriji Proučavanje i kritičko vrednovanje audiovizualnih djelatnosti Vizualni kolegij \nMultimedijalnog \ninstituta \nte \nMasterclass \nprogram \nrazgovora \nsa \nsvjetskim \ndokumentaristima koji provodi Restart. Ističemo i Regionalnu konferenciju o pravima djece \nu okviru medijske pismenosti u organizaciji Hrvatskog filmskog saveza, koja će – nadamo se \n– propitati i odnos obrazovnog sustava prema ovoj problematici. \n U kategoriji Objavljivanje književnih radova u području audiovizualnih djelatnosti \ntradicionalno je najveća podrška dodijeljena filmološkom časopisu Hrvatski filmski ljetopis, \na prepoznata je i vrednovana visoka kvaliteta filmskog časopisa Filmonaut. Valja istaknuti i \ndvije važne monografske publikacije, posvećene Krsti Papiću (HFS) i Ivici Vidoviću (Teatar \nRugantino), dok se kod internetskog izdavaštva i dalje nastavilo s praksom financiranja \nportala koji na kvalitetan način predstavljaju, valoriziraju i kontekstualiziraju AV djelatnost. \n U kategoriji Programi stručnog usavršavanja filmskih profesionalaca i ove je godine \npodržan program edukacije nastavnika, voditelja klubova i samostalnih autora Škola \nmedijske kulture Dr. Ante Peterlić Hrvatskog filmskog saveza, kontinuirani program Restart \nLaboratorij, ZFF industrija, Korčula Cross Media Lab&Konferencija, kao i prva od tri sesije \nradionice Ex Oriente koja će se održati u Splitu. Posebna je pažnja posvećena i \n\n\f\n \n \n \nprofesionalnim obrazovnim programima, koji su prepoznati od strane Kreativne Europe te \nkoji bitno doprinose i međunarodnoj promociji hrvatskog filma, poput projekta ZagrebDox \nPro 2016 Udruge Factum.  \n U kategoriji Programi audiovizualnih udruga i organizacija kao posebno važna i programski \nkvalitetna prepoznata je redovita godišnja djelatnost Hrvatskog društva filmskih djelatnika \nkao krovne organizacije filmskih profesionalaca. Bitna je potpora dana i organizacijama \npojedinih profesija koje su ponudile kvalitetan i dobro osmišljen godišnji program: Društvo \nhrvatskih filmskih redatelja i Hrvatska udruga producenata te program Hrvatskog filmskog \nsaveza, Hrvatske udruge filmskih snimatelja i Hrvatskog društva filmskih kritičara te one \nkoje u svom godišnjem djelovanju objedinjuju niz obrazovnih, prikazivačkih i produkcijskih \ndjelatnosti, pri čemu je kao osobito važna karika u lancu komunikacije kvalitetnih AV \nsadržaja prepoznata Hrvatska mreža neovisnih kinoprikazivača te program Saveza \nscenarista i pisaca izvedbenih djela. \n Kategorija Filmskih festivala i drugih audiovizualnih manifestacija još uvijek je \nnajistaknutija budžetska stavka unutar financiranja komplementarnih djelatnosti \n(5.356.100,00 kn) te je kategorija koja iz godine u godinu raste i po broju i po razvoju \npojedinih festivala. Kao najvažniji nacionalni festivali značajnog međunarodnog ugleda i \ndalje su podržani ANIMAFEST Zagreb, ZagrebDox, Motovun Film Festival i Zagreb Film \nFestival. Bitno je naglasiti kako od 2015. godine Animafest postaje festival i \nkratkometražnih i dugometražnih animiranih filmova. Nadalje su prepoznati po svojoj \nizvrsnosti u promociji određenih žanrova i/ili su bitni iz perspektive regionalne raznolikosti i \nsljedeći festivali: 25FPS, Vukovar Film Festival i Splitski filmski festival, zatim Festival \nmediteranskog filma Split, Human Rights Film Festival, Festival tolerancije - Festival \nžidovskog filma Zagreb, te Four River Film Festival. Izdvajamo i Dane hrvatskog filma s \nnovom koncepcijom i organizatorom producentskom tvrtkom Spiritus movens d.o.o., \nfestivale s međunarodnim programom, jakim industrijskim dijelom te one lokalnog i \nregionalnog značaja (Avvantura Festival, Tabor Film Festival, Opuzen Film Festival i \nDOKUart), zatim one specifičnog formata i/ili sadržajnog odnosno koncepcijskog \nusmjerenja (Festival jednominutnih filmova, One Take Film Festival i Filmske mutacije) te \nnacionalno značajne revije filmskog stvaralaštva (Revija hrvatskog filmskog i video \nstvaralaštva, Revija hrvatskog filmskog i videostvaralaštva djece). Ostali programi mogu se \nokarakterizirati kao uglavnom lokalno orijentirani festivali i manifestacije. \n U kategoriji Djelatnosti razvijanja audiovizualne kulture posebna pažnja posvećena je art-\nkinima u većim urbanim središtima, a kojima su određene različite potpore s obzirom na \nkvalitetu ponuđenoga programa, njegov kontinuitet i koncepcijsku opravdanost: Filmski \nprogram u kinu Tuškanac (Zagreb), Filmski program Art-kina Croatia (Rijeka), Kino Europa \n(Zagreb), Kino Urania (Osijek), kinoteka Zlatna vrata (Split). Osim toga, kao važni su \n\n\f\n \n \n \nprepoznati i redovni prikazivački programi u manjim gradovima (Varaždin, Daruvar, \nSamobor, Velika Gorica..) te kontinuirani obrazovni programi i radionice Fade-ina, \nKinokluba Zagreb, Kinokluba Karlovac, Kino kluba Split, Restarta, Studentskog centra u \nZagrebu te Udruge Blank. Od različitih ponuđenih prikazivačkih programa za djecu, osobito \nse ističe program filma za djecu i mlade i nezavisnih digitaliziranih kinoprikazivača Udruge \nDjeca susreću umjetnost, a kao inovativan program i onaj Udruge Bacači sjenki pod \nnazivom FROOOM-program filmskog i interdisciplinarnog obrazovanja koji i u 2016. godini \nuspješno nastavljaju s radom. Prošle godine porinut putujući projekt Kina Mediteran \npokazao se iznimno uspješnim te je podržan i ove godine. \n  U kategoriji Programi promocije i prodaje hrvatskih audiovizualnih djela predložili smo za \nsufinanciranje četiri programa. Riječ je o godišnjem programu distribucije, promocije i \nprodaje kratkih filmova nositelja projekta Bonobostudija, festivalskoj distribuciji nositelja \nprojekta Ustanove Zagreb Film, Restartovom programu Kinedok koji se odvija i uz potporu \nKreativne Europe te o programu plasmana, distribucije, promocije i prodaje filmova na \ndomaće i međunarodno filmsko tržište tvrtke Everything Works. \nTijekom procjenjivanja ovogodišnjih prijava, kao i u sagledavanju cjeline natječaja, njegovih \nkategorija i raznolikosti prijavljenih programa, savjetnici za komplementarne djelatnosti naišli su na \nnekoliko otvorenih pitanja i izazova, od kojih se neka već više godina zaredom iznova pojavljuju.  \nI dalje je ključno pitanje budžeta.  \nZbog generalne tendencije strukturalne i financijske marginalizacije kulture, pa tako i audiovizualne \nkulture kao njezina ključna podskupa, većini projekata sve je teže, pa i gotovo nemoguće očekivati \nfinancijsku potporu lokalnih sredina i sponzora. Stoga je Hrvatski audiovizualni centar mnogim \nprogramima nerijetko jedini mogući (su)financijer. Također, kao što je već spomenuto, brojni \nprogrami koji ne nailaze na podršku unutar vlastitog resornog ministarstva – odnosno prijavljeni \nobrazovni/radionički programi koji se odvijaju u okviru školske nastave kao «komplementarna» \nškolska aktivnost – usmjereni su na HAVC kao jedini mogući izvor financiranja. U tom je smislu \nnužno da se otvori komunikacijski kanal između institucija/djelatnika obrazovnog sustava i MZOŠ-a, \nda bi se AV kultura na prikladan i kvalitetan način uistinu integrirala u postojeći kurikulum i bila \nnjegov sastavni dio, a ne sporadična posljedica entuzijazma pojedinih škola, nastavnika i \nučenika/studenata, uz potencijalnu podršku HAVC-a. U tom smislu umjetnički savjetnici smatraju \nda je u poduhvatu kvalitetne integracije AV kulture u kurikulum kontraproduktivno financiranje \novih programa od strane HAVC-a, ili bilo koje druge institucije koja nije pod izravnom jurisdikcijom \nMinistarstva znanosti i obrazovanja. \nZbog stalnog i intenzivnog rasta broja prijava na ovaj Poziv te pridruženih iznimnih financijskih \nzahtjeva, i ove je godine evaluacijska praksa umjetničkih savjetnika bila da se, osim u iznimnim \nslučajevima, novi projekti (odnosno projekti koji se na Poziv prijavljuju prvi put) ne predlažu za \nfinanciranje – da bi se u narednoj godini moglo objektivnije i informiranije procijeniti njihovu \n\n\f\n \n \n \nkvalitetu, dosege i potencijale te sukladno tome razmatrati ih za potporu. \nPitanje Hrvatske kinoteke čiji status i položaj i dalje nije riješen. \nJoš uvijek je otvoreno i pitanje unaprjeđenja i razrade smjernica natječaja, gdje umjetnički \nsavjetnici smatraju da su potrebni striktniji okviri te predlažu da se čvršće definiraju i točno \nodrede parametri i polja unutar prijave po kategorijama i djelatnostima kako bi se dobio \nprecizniji i kvalitetniji uvid u programe te bi samim time i procjenjivanje programa bilo \nučinkovitije. \n \nZagreb, 31. ožujka 2016. \n \nUmjetnički savjetnici \nMima Simić \nTeodor Celakoski \nBoris Poljak \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2016,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI AV MANJINSKE 2021-3. 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ROK - 15.7.2021., 22. sjednica \nHrvatskog audiovizualnog vijeća, 15.9.2021.\nanimirani film\ndugometražni dokumentarni film u postprodukcijskoj fazi\nUKUPNO\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"REZULTATI AV MANJINSKE 2021-3. 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2022.pdf","sha256":"08ec6b069f4bdbe3a4dbc1bde7cd448ed961d55beb38610b26412356ee1a83f2","bytes":71869,"page_count":2,"extracted_at":"2026-05-17T12:01:34Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/1%20web%20obrazlozenje%20kratki%20igrani%20film_2%20rok%202022.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po rezultatima Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva – kategorija proizvodnje kratkometražnog igranog filma na drugom roku \nu 2022. godini – rok 15. rujna 2022. \nUmjetnički savjetnik za kratkometražni igrani film – Mario Kozina \nNa drugi natječajni rok za poticanje proizvodnje kratkometražnih igranih filmova stigle su četrdeset \ndvije (42) prijave, od čega deset (10) potpisuju autorice, a trideset dvije (32) potpisuju autori. Jedan \n(1) projekt nije zadovoljio formalne uvjete natječaja te se njegova prijava nije razmatrala, a dva (2) \nprojekta su filmovi u fazi postprodukcije. Osamnaest (18) projekata već je bilo prijavljeno na neki od \nprethodnih javnih poziva, a dvadeset četiri (24) projekta prvi put su prijavljena na javni poziv u ovoj \nkategoriji. \nPrilikom odabira prijedloga za sufinanciranje vodio sam računa o dorađenosti scenarija, uvjerljivosti \nredateljske koncepcije, profesionalnom iskustvu autora te stupnju pripremljenosti i izvedivosti \nsamoga projekta. Projekti koji su predloženi i odobreni za sufinanciranje bave se temama u rasponu \nod osobne autonomije preko odrastanja i starenja pa do moralne panike i amoralnosti turizma, \nodlikuju ih aktualnost teme, dramaturška originalnost i jasna autorska vizija, a dva od četiri \npredložena projekta potpisuju debitantice.  \nZa sufinanciranje proizvodnje kratkometražnog  igranog filma predložena su i odobrena četiri \nprojekta, u ukupnom iznosu od 1.480.000,00 kuna/ 196.429,76 eura. Riječ je o sljedećim projektima: \n \n• \nVJETAR U LEĐA, režija i scenarij: Sonja Tarokić, produkcija: Eclectica d.o.o., iznos: 430.000,00 \nkuna (57.070,81 eura) \nSonja Tarokić već se više puta dokazala kao majstorica kratkog metra. Vjetar u leđa predstavlja njezin \npovratak ovom formatu, ali zamišljen režijskim jezikom i umijećem koje je maestralno demonstrirala \nu svom dugometražnom prvijencu Zbornica (2021). Fokus njezina novog filma je na razvedenom paru \n– muškarcu i ženi u drugoj polovici pedesetih, uvjerenih da je njihovo vrijeme prošlo, sve dok ih iz \nrezignacije ne trgne neočekivani nalet životne energije. Projekt je u izvedbenom smislu prilično \nzahtjevan: podrazumijeva nekoliko lokacija, poveći glumački ansambl i složenu mizanscenu – no s \nveć dokazanom zanatskom kompetencijom Sonje Tarokić te uz kreativnu i logističku potporu \nproducentske kuće Eclectica, koja ima niz uspješnih kratkometražnih filmova u svome portfelju, \nnema nikakve sumnje da će se vješto doskočiti svim izazovima realizacije. Pred nama je još jedno \nostvarenje koje pršti energijom i vizijom, s osiguranim mjestom u kanonu hrvatskog \nkratkometražnog filma i potencijalom za plasman na neki od važnijih međunarodnih festivala. \n• \nBANANARIBE, režija i scenarij: Dora Šustić, produkcija: Antitalent d.o.o., iznos: 350.000,00 \nkuna (46.452,98 eura) \nBananaribe su osobna, intimna i originalna priča o odrastanju, izgrađena oko dječaka koji rođendan \nprovodi sa svojim djedom. Redateljica i scenaristica Dora Šustić vješto koristi dječji pogled na svijet \nda bi iz drugačijeg očišta promotrila teme odrastanja i starenja, gubitka i rasta, na način koji \npametno i zrelo balansira ambivalentnost ovih motiva i procesa. Projekt je izrazito promišljen u svim \naspektima režije, realizacije i daljnjega plasmana, ima svijetlu festivalsku budućnost i predstavlja \ndragocjen dodatak korpusu filmova koji se bave odrastanjem. Dora Šustić školovala se na praškom \nFAMU, gdje je realizirala nekoliko kratkometražnih igranih filmova. Bananaribe je razvijala u sklopu \nradionice Berlinale Talents Short Form Station, a trenutačno ima i nekoliko projekata u razvoju, \n\n\f\nmeđu kojima ističem razvoj projekta debitantskog igranog filma Božice, koji je podržan na \nprethodnom roku ovog javnog poziva. S obzirom na dorađenost projekta Bananaribe, autoričinu \nradišnost, umreženost i njezine umjetničke ambicije i autorsku viziju jasno je da je spremna za režiju \nsvog prvog profesionalnog filma. \n• \nANNO DOMINI, režija i scenarij: Filip Antonio Lizatović, produkcija: Udruga Blank, iznos: \n350.000,00 kuna (46.452,98 eura) \nU svome novom projektu Anno domini Filip Antonio Lizatović nastavlja istraživati teme kojima se \nbavio u svom prethodnom kratkometražnom filmu, Carpe diem (2022), a to je utjecaj turizma na \nsvakodnevni život u Dalmaciji. Priča novoga filma odvija se na vrhuncu turističke sezone, a uključuje \nlokalnog redikula i neopreznu turisticu čiji će se sudbine ukrstiti na krajnje neugodan način. Lizatović \nsjajno vodi, povezuje i razvija likove kroz paralelne priče, sve do gorkog happy enda u kojem će \ndobro djelo proći kažnjeno. Lizatović time sugestivno dočarava amoralnost svijeta u kojem se osobni \nintegritet i kvaliteta života kompromitiraju u svrhu zarade pod svaku cijenu, pritom uspješno \nbalansirajući crni humor i jezu.  \n• \nLEKCIJE, režija i scenarij: Daria Blažević, produkcija: Umjetnička organizacija Kadromat, iznos: \n350.000,00 kuna (46.452,98 eura) \nBliski susret jedne dvanaestogodišnjakinje s „pedofilom“ uzburkat će mirnu atmosferu četvrti u \npredgrađu Zagreba u Lekcijama Darije Blažević. Riječ je o uzbudljivom kratkometražnom filmu koji \nbalansiranjem humora i napetosti kritizira različite oblike institucionalnog šovinizma, njegove \nmanifestacije u slučajevima moralne panike i osvetničkim pothvatima, koji problem ne rješavaju \nnego ga guraju pod tepih i dodatno osnažuju. Daria Blažević završila je dodiplomski studij filmske i TV \nrežije na Akademiji dramske umjetnosti u Zagrebu, a diplomirala je na Filmskoj akademiji u Beču. Iza \nsebe ima nekoliko zapaženih kratkometražnih filmova (Zubi, 2011, Srami se, 2013, Indonezija, 2015), \nu kojima je istraživala autonomiju ženskog identiteta, posebice u kontekstu tradicionalnih \n(malo)građanskih okvira. Varijacijom na ovu temu bave se Lekcije, ali iz neočekivanog kuta te prilično \nsvježe i originalno, pri čemu estetska rješenja nose etičku poruku, a bez da su opterećena \nmoraliziranjem i didaktičnošću. Iz svega navedenog vjerujem da realizacija ovog projekta predstavlja \nznačajan doprinos žanru filmova o odrastanju te da je pred njime i svijetla festivalska budućnost.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2022,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"JP_DISTRIBUCIJA_2025_1 ROK_31_01_web recenzija.pdf","filename_decoded":"JP_DISTRIBUCIJA_2025_1 ROK_31_01_web recenzija.pdf","sha256":"0978b2eb11917b403bed568fab4ef950f09d926e75d542c561dcb70bb292f2e8","bytes":379727,"page_count":2,"extracted_at":"2026-05-17T12:01:18Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_DISTRIBUCIJA_2025_1%20ROK_31_01_web%20recenzija.pdf"},"raw_text":"1. DISTRIBUCIJA dugometražnog dokumentarnog filma „FUNK YU“ – 4.000,00 € \nFranko, kolekcionar vinila, zaputi se na avanturu kroz bivšu Jugoslaviju kako bi pronašao jedini vinilni \nzapis koji nedostaje njegovoj kolekciji - singl \"Ulica Jorgovana / Zlatokosa\", jedan od najboljih \nprimjera jugoslavenskog funka. Na putu susreće raznolike likove je intervjuirao kako bi dobio uvid u \nmaniju pretraživanja kutija s vinilima. \nDebitantski film mladog redatelja Franka Dujmića zabavan je i stilski razigran, a u svjetlu činjenice da \nje djelomično financiran putem „crowdfunding“ kampanje može se očekivati da ima potencijal za \nostvarivanje iznadprosječnog rezultata za standarde gledanosti dokumentarnog filma u hrvatskim \nkinima. \n \n2. DISTRIBUCIJA dugometražnog dokumentarnog filma „GODINA PROĐE, DAN NIKAKO“ – 3.000,00 € \nRedateljica filma vraća se u rodno selo u Slavoniji i posjećuje oca Tomislava koji veći dio vremena \nprovodi sa svojim najboljim prijateljem. Zabrinuta zbog očeve usamljenosti, nastoji ga bolje upoznati i \nrazumjeti, kao i shvatiti zašto se razjedinila njezina obitelj. \nU planu distribucije filma naglasak je ispravno stavljen na područje Slavonije, gdje se može očekivati \nnajbolji odaziv publike, i tu leži potencijal ostvarivanja korektne gledanosti koja bi opravdala \nuvrštenje na redovni kino repertoar. \n \n3. DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „NE DAMO IGRALIŠTE“ – \n6.000,00 € \nKad 12-godišnja Alma sazna da će tvrtka njezina oca srušiti igralište ispred njihove zgrade, ne \npreostaje joj ništa drugo nego udružiti snage sa svojom suparnicom Lunom i njezinom skate ekipom. \nEkipa ima tjedan dana da spasi igralište. \nDječji filmovi imaju velik potencijal gledanosti u kinima, a u svjetlu dobro odabranog termina \ndistribucije – početak prikazivanja predviđen je za početak uskršnjih školskih praznika – legitimno je \nočekivati rezultat osjetno veći od uobičajenih brojaka koje slovenski filmovi ostvaruju u hrvatskim \nkinima. \n \n4. DISTRIBUCIJA dugometražnog dokumentarnog filma, manjinske koprodukcije „POD SRETNOM \nZVIJEZDOM“ – 2.500,00 € \nLuciana je talijanska astrologinja, vjeruje da na život utječe položaj sazviježđa u trenutku našeg \nrođenja. Brojni ljudi kontaktiraju Lucianu u vezi svojih problema; film prati njihove priče i \nrođendanska putovanja. \nFilm uvaženog češkog autora Petera Kerekesa, premijerno prikazan na prošlogodišnjem festivalu u \nVeneciji, svakako je vrijedno djelo koje će obogatiti kino repertoar. Na temelju dobrog distribucijskog \nplana, s početkom prikazivanja odmah hrvatske premijere na festivalu ZagrebDox, realno je očekivati \nda će pronaći solidan broj gledatelja među publikom dokumentarnih filmova. \n \n\n\f\n5. DISTRIBUCIJA dugometražnog dokumentarnog filma, manjinske koprodukcije „PRASLOVAN“ -\n3.500,00 € \nDokumentarni film „Praslovan“ istražuje život i karijeru Zorana Predina, jednog od najvažnijih \nslovenskih glazbenika i kantautora. Predin je kroz svoju glazbu utjecao na slovensku i regionalnu \nglazbenu scenu, te je svojim radom stekao veliki broj obožavatelja. Film prikazuje njegovu umjetničku \nevoluciju, od njegovih početaka u kultnoj grupi Lačni Franz do uspješne solo karijere. \nRealno je očekivati da među poklonicima Zorana Predina postoji širok krug publike koja će sa \nzanimanjem pogledati filmski portret tog istinskog velikana pop glazbe s naših prostora. \n \n \n6. DISTRIBUCIJA dugometražnog igranog filma „ŠLAGER“ – 10.000,00 € \nFilmski redatelj u krizi srednjih godina zove na Bled svoju neprežaljenu bivšu djevojku da mu pomogne \nnapisati scenarij temeljen na njihovoj vezi. \nRomantična komedija žanr je koji uvijek ima zahvalnu publiku, pa ima temelja za očekivanje da će \n„Šlager“ postići solidnu gledanost u okvirima sadašnjih standarda hrvatske kinematografije. \n \n7. DISTRIBUCIJA dugometražnog igranog filma „ZEČJI NASIP“ – 12.000,00 € \nU selu kojem prijete poplave, posložen život mladog sportaša Marka uzdrma povratak Slavena, \nnjegove dječačke zabranjene ljubavi. I dok cijelo selo gradi zečje nasipe kako bi zaštitilo svoje domove, \nMarko će pokušati izgraditi nasip oko sebe, braneći se od vlastitih emocija. Ali voda uvijek nađe put. \nNakon vrlo zapažene svjetske premijere u Berlinu, a u značajnoj mjeri i na valu popularnosti \ntinejdžerske televizijske serije „Sram“, „Zečji nasip“ ima potencijala da ostvari gledanost malo iznad \nprosječnih rezultata koje su hrvatski filmovi postizali u kinima u razdoblju nakon pandemije. \n \n8. DISTRIBUCIJA dugometražnog igranog filma „ŽENE, LUĐACI I MALO DOBRIH PEDERA“ – 7.000,00 € \nPisac i novinar Robert (39), uspio je spavati sa samohranom udovicom Anitom, njenom maloljetnom \nkćeri Megi, studenticom Irenom i ženom najboljeg prijatelja Ines, dobiti otkaz kao novinar i posao kao \nscenarist, potući se dvaput i izazvati dvije tučnjave među drugima, postati otac i krsni kum… a sve to \nu samo četiri pijana dana. \nFilm redatelja Ivana Salaja, ekranizacija istoimenog romana Roberta Roklicera iz 2010. godine, \nprovokativno je ostvarenje koje će zasigurno privući poklonike kultnog književnog predloška te ostalu \npubliku sklonu izazovnijim temama. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"AV proizvodnja 2010.pdf","filename_decoded":"AV proizvodnja 2010.pdf","sha256":"099840facafce2cbbf112cbe403816ee45bb4526652660470f3c8fd4a80f3ba6","bytes":134233,"page_count":6,"extracted_at":"2026-05-17T10:24:02Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/AV%20proizvodnja%202010.pdf"},"raw_text":"2010.\t\r  GODINA\t\r  \nDUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILMOVI\t\r  \nBR.\t\r  \nNASLOV\t\r  \nREDATELJ/ICA\t\r  \nSCENARIST/ICA\t\r  \nPRODUCENT\t\r  \nODOBRENO\t\r  \n1.\t\r  \nAko\t\r  prihvatiš\t\r  \nDejan\t\r  Aćimović\t\r  \nDejan\t\r  Aćimović\t\r  \nDA\t\r  FILM\t\r  \n100.000,00\t\r  \n2.\t\r  \nAndrija\t\r  po\t\r  doktoru\t\r  \nŠtamparu\t\r  \nMladen\t\r  Juran\t\r  \nJadranka\t\r  Božikov,\t\r  \nMladen\t\r  Juran\t\r  \nAdriatic\t\r  art\t\r  media\t\r  \nfilm\t\r  \n180.000,00\t\r  \n3.\t\r  \nBlokada\t\r  \nIgor\t\r  Bezinović\t\r  \nIgor\t\r  Bezinović\t\r  \nFactum\t\r  \n200.000,00\t\r  \n4.\t\r  \nMehaničke\t\r  \nfigure_Inspirirani\t\r  \nTeslom\t\r  \nHelena\t\r  Bulaja\t\r  \nHelena\t\r  Bulaja\t\r  \nAlt\t\r  F4\t\r  -­‐\t\r  Bulaja\t\r  \nnaklada\t\r  \n230.000,00\t\r  \n5.\t\r  \nMila\t\r  traži\t\r  Senidu\t\r  \nRobert\t\r  Tomić\t\r  Zuber\t\r  \nRobert\t\r  Tomić\t\r  Zuber\t\r  \nMaxima\t\r  film\t\r  \n100.000,00\t\r  \n6.\t\r  \nOblak\t\r  \nMiroslav\t\r  Sikavica\t\r  \nMiroslav\t\r  Sikavica\t\r  \nFantastično\t\r  dobra\t\r  \ninstitucija\t\r  -­‐\t\r  Fade\t\r  In\t\r  \n88.672,00\t\r  \n7.\t\r  \nVještica\t\r  u\t\r  raljama\t\r  \nživota\t\r  \nSenad\t\r  Zemunović,\t\r  \nMija\t\r  Pavliša\t\r  \nMija\t\r  Pavliša\t\r  \nFlaps\t\r  produkcija\t\r  \nd.o.o.\t\r  \n130.000,00\t\r  \nUKUPNO\t\r  \n1.028.672,00\t\r  \n\t\r  \nKRATKOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILMOVI\t\r  \nBR.\t\r  \nNASLOV\t\r  \nREDATELJ/ICA\t\r  \nSCENARIST/ICA\t\r  \nPRODUCENT\t\r  \nODOBRENO\t\r  \n1.\t\r  \n27.\t\r  slika\t\r  \nPavo\t\r  Marinković\t\r  \nPavo\t\r  Marinković\t\r  \nMitropa\t\r  \n130.000,00\t\r  \n2.\t\r  \nAutofokus\t\r  \nBoris\t\r  Poljak\t\r  \nBoris\t\r  Poljak\t\r  \nMilva\t\r  film\t\r  i\t\r  video\t\r  \n200.000,00\t\r  \n3.\t\r  \nCiklusi\t\r  \nVladimir\t\r  Gojun\t\r  \nVladimir\t\r  Gojun\t\r  \nNukleus\t\r  film\t\r  \n120.000,00\t\r  \n4.\t\r  \nČardak\t\r  preko\t\r  neba\t\r  \nDavid\t\r  Peroš\t\r  Bonnot\t\r  \nSanja\t\r  Šantak\t\r  \nFilozirka\t\r  \n40.000,00\t\r  \n5.\t\r  \nČedo\t\r  \nNikola\t\r  Strašek\t\r  \nNikola\t\r  Strašek\t\r  \nFactum\t\r  \n100.000,00\t\r  \n6.\t\r  \nKako\t\r  smo\t\r  snimali\t\r  \ndruga\t\r  Tita\t\r  \nDanko\t\r  Volarić\t\r  \nDanko\t\r  Volarić\t\r  \nFactum\t\r  \n110.000,00\t\r  \n7.\t\r  \nLika\t\r  -­‐\t\r  ljepotica\t\r  i\t\r  \nzvijer\t\r  \nZrinka\t\r  Matijević\t\r  -­‐\t\r  \nVeličan\t\r  \nZrinka\t\r  Matijević\t\r  -­‐\t\r  \nVeličan\t\r  \nFactum\t\r  \n300.000,00\t\r  \n8.\t\r  \nMarija\t\r  hoda\t\r  tiho\t\r  \nMarko\t\r  Stanić\t\r  \nPaula\t\r  Bobanović\t\r  \nKadar22\t\r  \n93.234,00\t\r  \n9.\t\r  \nNasljeđa\t\r  \nTonći\t\r  Gaćina\t\r  \nTonći\t\r  Gaćina\t\r  \nStudio\t\r  fugo\t\r  \n47.877,00\t\r  \n10.\t\r  \nPet\t\r  žena\t\r  \nTomislav\t\r  Perica\t\r  \nTomislav\t\r  Perica\t\r  \nF.F.\t\r  produkcija\t\r  \n150.000,00\t\r  \n11.\t\r  \nPortreti\t\r  -­‐\t\r  Pavao\t\r  \nŠtalter\t\r  i\t\r  Fadil\t\r  \nHadžić\t\r  \nAntun\t\r  Tonko\t\r  Jović\t\r  \nAntun\t\r  Tonko\t\r  Jović\t\r  \nKreator\t\r  media\t\r  \nd.o.o.\t\r  \n50.000,00\t\r  \n12.\t\r  \nPriča\t\r  o\t\r  baki\t\r  \nNika\t\r  Radić\t\r  \nNika\t\r  Radić\t\r  \nHrvatski\t\r  filmski\t\r  \nsavez\t\r  \n100.000,00\t\r  \n13.\t\r  \nProlaz\t\r  za\t\r  Stellu\t\r  \nLjiljana\t\r  Šišmanović\t\r  \nLjiljana\t\r  Šišmanović\t\r  \nFactum\t\r  \n100.000,00\t\r  \n14.\t\r  \nRondo\t\r  \nŽeljko\t\r  Senečić\t\r  \nŽeljko\t\r  Senečić\t\r  \nInter\t\r  film\t\r  d.o.o.\t\r  \n200.000,00\t\r  \n15.\t\r  \nStaklene\t\r  oči\t\r  \nMario\t\r  Papić\t\r  \nMario\t\r  Papić\t\r  \nGrupa\t\r  7\t\r  \n100.000,00\t\r  \n16.\t\r  \nU\t\r  ratu\t\r  i\t\r  revoluciji\t\r  \nAna\t\r  Bilankov\t\r  \nAna\t\r  Bilankov\t\r  \nHrvatski\t\r  filmski\t\r  \nsavez\t\r  \n110.000,00\t\r  \n17.\t\r  \nUlaz\t\r  besplatan\t\r  \nVlatka\t\r  Vorkapić\t\r  \nDavorin\t\r  Šišmanović\t\r  \nFantastično\t\r  dobra\t\r  \ninstitucija\t\r  -­‐\t\r  Fade\t\r  In\t\r  \n130.000,00\t\r  \n18.\t\r  \nZig\t\r  zag\t\r  \nRadislav\t\r  Jovanov\t\r  \nGonzo\t\r  \nAntonio\t\r  Nuić,\t\r  \nRadislav\t\r  Jovanov\t\r  \nGonzo\t\r  \nPropeler\t\r  Film\t\r  d.o.o.\t\r  \n130.000,00\t\r  \n19.\t\r  \nŽeljezara\t\r  Sisak\t\r  \nGoran\t\r  Dević\t\r  \nGoran\t\r  Dević\t\r  \nPetnaesta\t\r  \numjetnost\t\r  d.o.o.\t\r  \n300.000,00\t\r  \nUKUPNO\t\r  \n2.511.111,00\t\r  \n\t\r  \n\n\f\n\t\r  \nEKSPERIMENTALNI\t\r  FILMOVI\t\r  \nBR.\t\r  \nNASLOV\t\r  \nREDATELJ/ICA\t\r  \nSCENARIST/ICA\t\r  \nPRODUCENT\t\r  \nODOBRENO\t\r  \n1.\t\r  \nAuto-­‐portret\t\r  \nSilvestar\t\r  Kolbas\t\r  \nSilvestar\t\r  Kolbas\t\r  \nSilvestar\t\r  Kolbas,\t\r  \nsamostalna\t\r  \ndjelatnost\t\r  \n40.000,00\t\r  \n2.\t\r  \nDekonstrukcija\t\r  \nOdese\t\r  \nTvrtko\t\r  Rašpolić\t\r  \nTvrtko\t\r  Rašpolić\t\r  \nKinematograf\t\r  \n50.000,00\t\r  \n3.\t\r  \nHrpa\t\r  ZgRiZg\t\r  \nĐorđe\t\r  Jandrić\t\r  \nĐorđe\t\r  Jandrić\t\r  \nFilmska\t\r  autorska\t\r  \ngrupa\t\r  \"Enthusia\t\r  \nPlanck\"\t\r  \n75.000,00\t\r  \n4.\t\r  \nIn\t\r  Utero\t\r  \nIvan\t\r  Ramljak,\t\r  Marko\t\r  \nŠkobalj\t\r  \nIvan\t\r  Ramljak,\t\r  \nMarko\t\r  Škobalj\t\r  \nHrvatski\t\r  filmski\t\r  \nsavez\t\r  \n45.000,00\t\r  \n5.\t\r  \nJutarnji\t\r  program\t\r  \nIgor\t\r  Juran\t\r  \nIgor\t\r  Juran\t\r  \nAdriatic\t\r  art\t\r  media\t\r  \nfilm\t\r  \n30.000,00\t\r  \n6.\t\r  \nKlatno\t\r  \nIvana\t\r  Jelavić\t\r  \nIvana\t\r  Jelavić\t\r  \nProdukcija\t\r  Živa\t\r  \nd.o.o.\t\r  \n70.000,00\t\r  \n7.\t\r  \nMimohod\t\r  \nŽeljko\t\r  Sarić\t\r  \nŽeljko\t\r  Sarić\t\r  \nProject\t\r  6\t\r  studio\t\r  \n120.000,00\t\r  \n8.\t\r  \nMMC\t\r  \nDarko\t\r  Bavoljak\t\r  \nDarko\t\r  Bavoljak\t\r  \nArt\t\r  de\t\r  facto\t\r  \numjetnička\t\r  \norganizacija\t\r  \n30.000,00\t\r  \n9.\t\r  \nMonokromatski\t\r  \nsnovi\t\r  \nLuka\t\r  Rukavina,\t\r  Petra\t\r  \nBelc\t\r  \nLuka\t\r  Rukavina,\t\r  \nPetra\t\r  Belc\t\r  \nPlan\t\r  9\t\r  produkcija\t\r  \nd.o.o.\t\r  \n55.000,00\t\r  \n10.\t\r  \nPan\t\r  \nTomislav\t\r  Šoban\t\r  \nTomislav\t\r  Šoban\t\r  \nKinoteka\t\r  d.o.o.\t\r  \n65.000,00\t\r  \n11.\t\r  \nPlaneti\t\r  u\t\r  Zagrebu\t\r  \nHrvoje\t\r  Stipković,\t\r  \nMichel\t\r  Kubaček,\t\r  Josip\t\r  \nŠćurec,\t\r  Nikolina\t\r  \nButorac,\t\r  Hani\t\r  \nDomazet,\t\r  Ivica\t\r  Šćurec,\t\r  \nBranka\t\r  Valjin,\t\r  Tomislav\t\r  \nŠoban,\t\r  Luka\t\r  Čurčić\t\r  \nHrvoje\t\r  Stipković,\t\r  \nMichel\t\r  Kubaček,\t\r  \nJosip\t\r  Šćurec,\t\r  \nNikolina\t\r  Butorac,\t\r  \nHani\t\r  Domazet,\t\r  Ivica\t\r  \nŠćurec,\t\r  Branka\t\r  \nValjin,\t\r  Tomislav\t\r  \nŠoban,\t\r  Luka\t\r  Čurčić\t\r  \nSveučilište\t\r  u\t\r  \nZagrebu,\t\r  Studentski\t\r  \ncentar\t\r  u\t\r  Zagrebu,\t\r  \nprogram\t\r  kulture\t\r  \n7.500,00\t\r  \n12.\t\r  \nPolicijsko\t\r  dvorište\t\r  \nŽeljko\t\r  Kipke\t\r  \nŽeljko\t\r  Kipke\t\r  \nHrvatski\t\r  filmski\t\r  \nsavez\t\r  \n85.000,00\t\r  \n13.\t\r  \nPromjena\t\r  \nDijana\t\r  Protić\t\r  \nDijana\t\r  Protić\t\r  \nSintoment\t\r  -­‐\t\r  Marija\t\r  \nBistrica\t\r  \n60.000,00\t\r  \n14.\t\r  \nRakijaški\t\r  dnevnici\t\r  \nDamir\t\r  Čučić\t\r  \nDamir\t\r  Čučić\t\r  \nHrvatski\t\r  filmski\t\r  \nsavez\t\r  \n300.000,00\t\r  \n15.\t\r  \nReopening\t\r  the\t\r  \npast\t\r  \nLiliana\t\r  Resnick\t\r  \nLiliana\t\r  Resnick\t\r  \n(Ljiljana\t\r  Mikulčić)\t\r  \nRikšafilm\t\r  (engl.\t\r  \nCYCLOFILM)\t\r  \n50.000,00\t\r  \n16.\t\r  \nSvjetlo\t\r  u\t\r  diptihu\t\r  \nDan\t\r  Oki\t\r  \nDan\t\r  Oki\t\r  \nStudio\t\r  fugo\t\r  \n110.000,00\t\r  \n17.\t\r  \nTabula\t\r  raza\t\r  \nSunčica\t\r  Fradelić\t\r  \nSunčica\t\r  Fradelić\t\r  \nKino\t\r  klub\t\r  Split\t\r  \n30.000,00\t\r  \n18.\t\r  \nTeserakt\t\r  \nHelena\t\r  Schultheis\t\r  \nHelena\t\r  Schultheis\t\r  \nFrame\t\r  d.o.o.\t\r  \n60.000,00\t\r  \n19.\t\r  \nTrimhouse\t\r  \nHrvoslava\t\r  Brkušić,\t\r  \nMiroslav\t\r  Manojlović\t\r  \nHrvoslava\t\r  Brkušić,\t\r  \nMiroslav\t\r  \nManojlović\t\r  \nCentralna\t\r  jedinica\t\r  \n65.000,00\t\r  \n20.\t\r  \nViolinist\t\r  \nMatija\t\r  Radeljak\t\r  \nMatija\t\r  Radeljak,\t\r  \nMatej\t\r  Emer\t\r  \nStudio\t\r  Kubus\t\r  \n30.000,00\t\r  \nUKUPNO\t\r  \n1.377.500,00\t\r  \n\t\r  \n\t\r  \n\n\f\n\t\r  \n\t\r  \nANIMIRANI\t\r  FILMOVI\t\r  \nBR.\t\r  \nNASLOV\t\r  \nREDATELJ/ICA\t\r  \nSCENARIST/ICA\t\r  \nPRODUCENT\t\r  \nODOBRENO\t\r  \n1.\t\r  \nAmnezijak\t\r  na\t\r  \nplaži\t\r  \nDalibor\t\r  Barić\t\r  \nDalibor\t\r  Barić\t\r  \nBonobostudio\t\r  \nd.o.o.\t\r  \n280.000,00\t\r  \n2.\t\r  \nBanana\t\r  \nMarijan\t\r  Lončar\t\r  \nMarijan\t\r  Lončar\t\r  \nUstanova\t\r  Zagreb\t\r  \nfilm\t\r  \n180.000,00\t\r  \n3.\t\r  \nBla\t\r  \nMartina\t\r  Meštrović\t\r  \nMartina\t\r  Meštrović\t\r  \nUstanova\t\r  Zagreb\t\r  \nfilm\t\r  \n160.000,00\t\r  \n4.\t\r  \nCarmen\t\r  \nMiran\t\r  Miošić\t\r  \nMiran\t\r  Miošić\t\r  \nUstanova\t\r  Zagreb\t\r  \nfilm\t\r  \n130.000,00\t\r  \n5.\t\r  \nCrash\t\r  test\t\r  pig\t\r  \nStjepan\t\r  Mihaljević\t\r  \nStjepan\t\r  Mihaljević\t\r  \nUstanova\t\r  Zagreb\t\r  \nfilm\t\r  \n140.000,00\t\r  \n6.\t\r  \nCrtač\t\r  \nLjupče\t\r  Đokić\t\r  \nLjupče\t\r  Đokić\t\r  \nArs\t\r  animata\t\r  studio\t\r  \n160.000,00\t\r  \n7.\t\r  \nČoban\t\r  \nMatija\t\r  Pisačić\t\r  \nMatija\t\r  Pisačić\t\r  \nUstanova\t\r  Zagreb\t\r  \nfilm\t\r  \n100.000,00\t\r  \n8.\t\r  \nIndustrija\t\r  \nLivio\t\r  Rajh\t\r  \nLivio\t\r  Rajh\t\r  \n3D2D\t\r  Animatori\t\r  \nd.o.o.\t\r  \n120.000,00\t\r  \n9.\t\r  \nLovac\t\r  i\t\r  kralj\t\r  \nVjekoslav\t\r  Živković\t\r  \nVjekoslav\t\r  Živković\t\r  \nKinoteka\t\r  d.o.o.\t\r  \n300.000,00\t\r  \n10.\t\r  \nLjubav\t\r  i\t\r  \nprijevozna\t\r  \nsredstva\t\r  \nDraško\t\r  Ivezić\t\r  \nDraško\t\r  Ivezić\t\r  \nUstanova\t\r  Zagreb\t\r  \nfilm\t\r  \n80.000,00\t\r  \n11.\t\r  \nNa\t\r  prvi\t\r  pogled\t\r  \nLea\t\r  Kralj\t\r  Jager\t\r  \nLea\t\r  Kralj\t\r  Jager\t\r  \nUstanova\t\r  Zagreb\t\r  \nfilm\t\r  \n160.000,00\t\r  \n12.\t\r  \nObiteljski\t\r  ručak\t\r  \nDario\t\r  Juričić\t\r  \nSrđan\t\r  Bižić,\t\r  Dario\t\r  \nJuričić\t\r  \nGrupa\t\r  7\t\r  \n200.000,00\t\r  \n13.\t\r  \nOmega\t\r  \nTomislav\t\r  Findrik\t\r  \nTomislav\t\r  Findrik\t\r  \nDiedra\t\r  d.o.o.\t\r  \n280.000,00\t\r  \n14.\t\r  \nPožuda\t\r  \nIrena\t\r  Jukić\t\r  Pranjić\t\r  \nIrena\t\r  Jukić\t\r  Pranjić\t\r  \nUstanova\t\r  Zagreb\t\r  \nfilm\t\r  \n180.000,00\t\r  \n15.\t\r  \nPriča\t\r  o…\t\r  \nDarko\t\r  Kreč\t\r  \nDarko\t\r  Kreč\t\r  \n3D2D\t\r  Animatori\t\r  \nd.o.o.\t\r  \n280.000,00\t\r  \n16.\t\r  \nSlatki\t\r  snovi\t\r  \nDinko\t\r  Kumanović\t\r  \nDinko\t\r  Kumanović\t\r  \nUstanova\t\r  Zagreb\t\r  \nfilm\t\r  \n70.000,00\t\r  \n17.\t\r  \nWienerblut\t\r  \nZlatko\t\r  Bourek\t\r  \nZlatko\t\r  Bourek\t\r  \nUstanova\t\r  Zagreb\t\r  \nfilm\t\r  \n280.000,00\t\r  \n18.\t\r  \nŽenska\t\r  priča\t\r  \nLjubica\t\r  Heidler\t\r  \nLjubica\t\r  Heidler\t\r  \nD.i.a.t.\t\r  d.o.o.\t\r  \n100.000,00\t\r  \nUKUPNO\t\r  \n3.200.000,00\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\n\t\r  \nKRATKOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\t\r  \nBR.\t\r  \nNASLOV\t\r  \nREDATELJ/ICA\t\r  \nSCENARIST/ICA\t\r  \nPRODUCENT\t\r  \nODOBRENO\t\r  \n1.\t\r  \nDebeli\t\r  Ivo\t\r  i\t\r  FAP\t\r  \n13\t\r  \nNikola\t\r  Strašek\t\r  \nNikola\t\r  Strašek\t\r  \nGrupa\t\r  sedam\t\r  \n130.000,00\t\r  \n2.\t\r  \nGospodin\t\r  Kolak\t\r  i\t\r  \ngospođa\t\r  Mirković\t\r  \nNikola\t\r  Ivanda\t\r  \nNikola\t\r  Ivanda\t\r  \nF.F.\t\r  produkcija\t\r  \n120.000,00\t\r  \n3.\t\r  \nIzvan\t\r  sezone\t\r  \nDijana\t\r  Bolanča\t\r  Paulić\t\r  \nDijana\t\r  Bolanča\t\r  \nPaulić\t\r  \nStudio\t\r  dim\t\r  d.o.o.\t\r  \n135.000,00\t\r  \n4.\t\r  \nJer\t\r  ja\t\r  to\t\r  \nzaslužujem\t\r  \nSaša\t\r  Ban\t\r  \nSaša\t\r  Ban\t\r  \nKinorama\t\r  \n290.000,00\t\r  \n5.\t\r  \nKutija\t\r  \nNebojša\t\r  Slijepčević\t\r  \nNebojša\t\r  Slijepčević\t\r  \nPetnaesta\t\r  \numjetnost\t\r  d.o.o.\t\r  \n190.000,00\t\r  \n6.\t\r  \nNeboder\t\r  \nTomislav\t\r  Rukavina\t\r  \nLana\t\r  Šarić\t\r  \nJaka\t\r  produkcija\t\r  \nd.o.o.\t\r  \n140.000,00\t\r  \n7.\t\r  \nOliver\t\r  \nVladimir\t\r  Gojun\t\r  \nVladimir\t\r  Gojun,\t\r  \nIvana\t\r  Vukšić\t\r  \nCentralna\t\r  jedinica\t\r  \n100.000,00\t\r  \n8.\t\r  \nOna\t\r  i\t\r  on\t\r  \nIvan\t\r  Sikavica\t\r  \nIvan\t\r  Sikavica\t\r  \nFade\t\r  In\t\r  d.o.o.\t\r  \n90.000,00\t\r  \n9.\t\r  \nPrije\t\r  večere\t\r  \nKristijan\t\r  Milić\t\r  \nNino\t\r  Sorić\t\r  \nNinana\t\r  \n210.000,00\t\r  \n10.\t\r  \nRomkom\t\r  \nZvonimir\t\r  Rumboldt\t\r  \nDamir\t\r  Markovina\t\r  \n4\t\r  film\t\r  d.o.o.\t\r  \n200.000,00\t\r  \n11.\t\r  \nSamo\t\r  zbog\t\r  \nkišobrana\t\r  \nJure\t\r  Pavlović\t\r  \nIvor\t\r  Martinić\t\r  \nSekvenca\t\r  d.o.o.\t\r  \n75.000,00\t\r  \n12.\t\r  \nSlušaj\t\r  kako\t\r  puca\t\r  \nstaklo\t\r  \nDario\t\r  Juričan\t\r  \nDrago\t\r  Glamuzina\t\r  \nBlank\t\r  \n90.000,00\t\r  \n13.\t\r  \nSoba\t\r  s\t\r  kosim\t\r  \npogledom\t\r  \nDavor\t\r  Žmegač\t\r  \nDavor\t\r  Žmegač\t\r  \nInter\t\r  film\t\r  d.o.o.\t\r  \n280.000,00\t\r  \n14.\t\r  \nTeleport\t\r  Zovko\t\r  \nPredrag\t\r  Ličina\t\r  \nPredrag\t\r  Ličina\t\r  \nKinorama\t\r  \n240.000,00\t\r  \nUKUPNO\t\r  \n2.290.000,00\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\n\t\r  \n\t\r  \n\t\r  \nDEBITANTSKI\t\r  DUGOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\t\r  \nBR.\t\r  \nNASLOV\t\r  \nREDATELJ/ICA\t\r  \nSCENARIST/ICA\t\r  \nPRODUCENT\t\r  \nODOBRENO\t\r  \n1.\t\r  \nZagreb\t\r  Cappuccino\t\r  \nVanja\t\r  Sviličić\t\r  \nVanja\t\r  Sviličić,\t\r  \nOgnjen\t\r  Sviličić\t\r  \nMaxima\t\r  film\t\r  \n2.400.000,00\t\r  \n2.\t\r  \nThe\t\r  Show\t\r  Must\t\r  Go\t\r  \nOn\t\r  \nNevio\t\r  Marasović\t\r  \nNevio\t\r  Marasović\t\r  \nImitator\t\r  d.o.o.\t\r  \n450.000,00\t\r  \nUKUPNO\t\r  \n2.850.000,00\t\r  \n1.\t\r  \nMoj\t\r  tata\t\r  \nIrena\t\r  Škorić\t\r  \nIrena\t\r  Škorić\t\r  \nArtizana\t\r  \n150.000,00\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \nza\t\r  razvoj\t\r  projekta\t\r  \n\t\r  \nDUGOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\t\r  \nBR.\t\r  \nNASLOV\t\r  \nREDATELJ/ICA\t\r  \nSCENARIST/ICA\t\r  \nPRODUCENT\t\r  \nODOBRENO\t\r  \n1.\t\r  \nSvećenikova\t\r  djeca\t\r  \nVinko\t\r  Brešan\t\r  \nMate\t\r  Matišić\t\r  \nInter\t\r  film\t\r  d.o.o.\t\r  \n4.900.000,00\t\r  \n2.\t\r  \nČudnovate\t\r  zgode\t\r  \nšegrta\t\r  Hlapića\t\r  \nSilvije\t\r  Petranović\t\r  \nSilvije\t\r  Petranović\t\r  \nMaydi\t\r  Film\t\r  i\t\r  Video\t\r  \nd.o.o.\t\r  \n4.700.000,00\t\r  \n3.\t\r  \nŠuti\t\r  \nLukas\t\r  Nola\t\r  \nLukas\t\r  Nola\t\r  \nKinorama\t\r  \n4.600.000,00\t\r  \n4.\t\r  \nLjudožder\t\r  \nvegetarijanac\t\r  \nBranko\t\r  Schmidt\t\r  \nBranko\t\r  Schmidt\t\r  \nTelefilm\t\r  d.o.o.\t\r  \n4.200.000,00\t\r  \n5.\t\r  \nOtok\t\r  ljubavi\t\r  \nJasmila\t\r  Žbanić\t\r  \nJasmila\t\r  Žbanić,\t\r  \nAleksandar\t\r  Hemon\t\r  \nProdukcija\t\r  Živa\t\r  \nd.o.o.\t\r  \n3.100.000,00\t\r  \n6.\t\r  \nZagrebačke\t\r  priče\t\r  2\t\r  -­‐\t\r  \nljubav\t\r  \nSara\t\r  Hribar,\t\r  Ivan\t\r  \nSikavica,\t\r  Aldo\t\r  \nTardozzi,\t\r  Hana\t\r  \nVeček,\t\r  Josip\t\r  \nVisković,\t\r  Radislav\t\r  \nJovanov\t\r  Gonzo\t\r  \nSara\t\r  Hribar,\t\r  Ivan\t\r  \nSkorin,\t\r  Aldo\t\r  Tardozzi,\t\r  \nHana\t\r  Veček,\t\r  Josip\t\r  \nVisković,\t\r  Jasna\t\r  Žmak\t\r  \nPropeler\t\r  Film\t\r  d.o.o.\t\r  \n1.200.000,00\t\r  \nUKUPNO\t\r  \n22.700.000,00\t\r  \n1.\t\r  \nVukovar\t\r  \nVeljko\t\r  Bulajić\t\r  \nVeljko\t\r  Bulajić,\t\r  Paolo\t\r  \nFini,\t\r  Mirko\t\r  Kovač,\t\r  \nSergej\t\r  Grgurić\t\r  \nLuka\t\r  grupa\t\r  d.o.o.\t\r  \n175.000,00\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \nza\t\r  razvoj\t\r  projekta\t\r  \n2.\t\r  \nZvizdan\t\r  \nDalibor\t\r  Matanić\t\r  \nDalibor\t\r  Matanić\t\r  \nKinorama\t\r  \n150.000,00\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \nza\t\r  razvoj\t\r  projekta\t\r  \n3.\t\r  \nSedam\t\r  dana\t\r  srpnja\t\r  \nNikša\t\r  Sviličić\t\r  \nNikša\t\r  Sviličić\t\r  \nTelefilm\t\r  d.o.o.\t\r  \n35.000,00\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \nza\t\r  razvoj\t\r  scenarija\t\r  \n4.\t\r  \nVanka\t\r  \nMladen\t\r  Juran\t\r  \nHrvoje\t\r  Hitrec\t\r  po\t\r  ideji\t\r  \nMladena\t\r  Jurana\t\r  \nAdriatic\t\r  art\t\r  media\t\r  \nfilm\t\r  \n35.000,00\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \nza\t\r  razvoj\t\r  scenarija\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\n\t\r  \n\t\r  \nAUDIOVIZUALNO\t\r  STVARALAŠTVO\t\r  \nKATEGORIJA\t\r  \nBROJ\t\r  \nFILMOVA\t\r  \t\r  \nODOBRENI\t\r  \nIZNOS\t\r  \nDUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILMOVI\t\r  \n7\t\r  \n1.028.672,00\t\r  \nKRATKOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILMOVI\t\r  \n19\t\r  \n2.511.111,00\t\r  \nEKSPERIMENTALNI\t\r  FILMOVI\t\r  \n20\t\r  \n1.377.500,00\t\r  \nANIMIRANI\t\r  FILMOVI\t\r  \n18\t\r  \n3.200.000,00\t\r  \nKRATKOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\t\r  \n14\t\r  \n2.290.000,00\t\r  \nDEBITANTSKI\t\r  DUGOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\t\r  \n2\t\r  \n2.850.000,00\t\r  \nDUGOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\t\r  \n6\t\r  \n22.700.000,00\t\r  \nUKUPNO\t\r  \n86\t\r  \n35.957.283,00\t\r  \nRAZVOJ\t\r  SCENARIJA\t\r 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 FAZI\neksperimentalni  filmovi\nUKUPNO  EKSPERIMENTALNI  FILMOVI\n\n\f\n1\nRobovi\nRobert  Tomić  Zuber\nJaako  dobra  produkcija  \nj.d.o.o.\n400.000,00\n2\nNaša  djeca\nSilvestar  Kolbas\nFactum\n350.000,00\n3\nHrvatskog  narodnog  \npreporoda  10  \nGoran  Dević\nPetnaesta  umjetnost  d.o.o.  \n500.000,00\n4\nKnjiževna  Groupie\nNikica  Marović\nFactum\n350.000,00\n1.600.000,00\n5\nU  mom  svijetu,  gdje  mi  \nje  lijepo\nSlađana  Lučić\nWolfgang  i  Dolly  d.o.o.\n250.000,00\n6\nGlavu  dole  ruke  na  leđa\nStipo  Majić\nAmico  studio  d.o.o.\n200.000,00\n7\nTi  koja  imaš  nevinije  ruke\nBranko  Pejnović\nDruštvo  prijatelja  prirodnih  \nljepota  Slunja  i  Rastoka\n105.000,00\n555.000,00\n2.155.000,00\n1\nBrane\nInes  Jokoš\nKreativni  sindikat\n158.840,00\n2\nHassanovi  ratovi\nRobert  Bubalo\nOlimp  produkcija  d.o.o.\n300.000,00\n3\nHrvatska  zastava\nFilip  Filković\nKreativni  sindikat\n190.000,00\n648.840,00\n1\nSnjeguljica\nLana  Barić\nUstanova  Zagreb 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OCR letter-spacing artifact corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"U m om s vijetu, g dje m i je l ijepo","to":"U mom svijetu, gdje mi je lijepo","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_0bff65ed2526","project_family_title":"U mom svijetu, gdje mi je lijepo"},{"row_number":6,"project_title":"Glavu dole ruke na leđa","applicant":"Amico s tudio d .o.o.","production_company":"Amico s tudio d .o.o.","director":"Stipo Majić","writer":null,"original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"croatian","approved_amount":200000.0,"currency":"HRK","extras":{"col_2":"Glavu d ole r uke n a l eđa","col_3":"Stipo M ajić","1.600.000,00":"200.000,00","approved_amount_original":6.0,"approved_amount_text_original":"6","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"In raw_text, row 6 of the kratkometrazni dokumentarni section is 'Glavu dole ruke na leda / Stipo Majic / Amico studio d.o.o. / 200.000,00'. 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The amount '200.000,00' is unambiguous Croatian format = 200000.00.","repair_v1":{"changes":[{"field":"project_title","from":"Amico s tudio d .o.o.","to":"Glavu d ole r uke n a l eđa","reason":"project_title_from_col_2_when_title_looks_like_org","confidence":"high"},{"field":"applicant","from":null,"to":"Amico s tudio d .o.o.","reason":"backfill_applicant_from_original_project_title","confidence":"high"},{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"0a3e5387_odobreno_av_2018_2_rok_web_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 6 and title match in the short documentary block, and REDATELJ/ICA is Stipo Majić."},"entity":"Amico s tudio d .o.o.","row_id":"0a3e5387:s2:20bb9ef2cf93","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source row 6 (dugometražni dokumentarni filmovi). 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OCR spacing corrected in both applicant name and title.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Glavu d ole r uke n a l eđa","to":"Glavu dole ruke na leđa","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_469176b537ae","project_family_title":"Glavu dole ruke na leđa"},{"row_number":7,"project_title":"Ti koja imaš nevinije ruke","applicant":"Društvo prijatelja prirodnih ljepota Slunja i Rastoka","production_company":"Društvo prijatelja prirodnih ljepota Slunja i Rastoka","director":"Branko Pejnović","writer":null,"original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"croatian","approved_amount":105000.0,"currency":"HRK","extras":{"col_2":"Ti k oja i maš n evinije r uke","col_3":"Branko P ejnović","1.600.000,00":"105.000,00","approved_amount_original":7.0,"approved_amount_text_original":"7","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"In raw_text, row 7 of the kratkometrazni dokumentarni section is 'Ti koja imas nevinije ruke / Branko Pejnovic / Drustvo prijatelja prirodnih ljepota Slunja i Rastoka / 105.000,00'. The current_amount of 7.0 is the row number incorrectly captured; project_title shows the production company name. Amount '105.000,00' is unambiguous Croatian format = 105000.00. Section subtotal 555.000,00 = 250000 + 200000 + 105000 confirms this.","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"0a3e5387_odobreno_av_2018_2_rok_web_pdf.json","creator_backfill_director_confidence":"medium","creator_backfill_director_reasoning":"This row is identified by row number 7 and amount alignment, with REDATELJ/ICA reading Branko Pejnović despite noisy title text."},"entity":null,"row_id":"0a3e5387:s2:f9f2509ac0ba","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source row 7 (dugometražni dokumentarni filmovi). Flattened-table extraction error: production company name incorrectly placed in project_title field. Title restored from extras col_2, applicant/producer from project_title. Amount (105.000,00 HRK) confirmed. OCR spacing corrected throughout.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Društvo p rijatelja p rirodnih ljepota S lunja i R astoka","to":"Ti koja imaš nevinije ruke","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Društvo prijatelja prirodnih ljepota Slunja i Rastoka","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Društvo prijatelja prirodnih ljepota Slunja i Rastoka","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_ed697162674e","project_family_title":"Ti koja imaš nevinije ruke"}],"section_total_text":"2.155.000,00","section_total":2155000.0}],"totals":{"ukupno_text":null,"ukupno":1805024.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":2560000.0,"ukupno_match":false,"row_count":11,"awarded_count":11,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":11}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPRSERTV_2021_2rok_9IX2021_WEB.pdf","filename_decoded":"RPRSERTV_2021_2rok_9IX2021_WEB.pdf","sha256":"0ab60abd5975c7cd7a64cf7d45a869dc272593fc2dfdcee68709e42a68a3ac39","bytes":135130,"page_count":1,"extracted_at":"2026-05-17T10:24:12Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPRSERTV_2021_2rok_9IX2021_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nLovac Sakupljač\nMetar60 / Mirta Puhlovski \nNeda Hana Radić\nNeda Hana Radić\n50.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n2\nDa li se sjetiš nekad \nmene\nDrugi plan d.o.o. / \nMiodrag Sila\nSandra Antolić\nHrvoje Hribar\n100.000,00\n3\nPutovi pravde\nMedVid produkcija d.o.o.  \n/ Boris Plastić\nIvana Gudelj, Arsen \nOremović\nArsen Oremović\n80.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n4\n12 koraka\nKabinet d.o.o. / Suzana \nPandek\nTomislav Mršić\nTomislav Mršić\n80.000,00\n310.000,00\nUKUPNO RAZVOJ PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA\n30. sjednica Hrvatskog audiovizualnog vijeća u 3. sazivu, 15. prosinca 2021.\ntelevizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2021. - 2. 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empty.","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"0ab60abd_rprsertv_2021_2rok_9ix2021_web_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Row number 4 and title match directly, and both creator fields are clearly populated with the same name while original-author is empty."},"entity":"Kabinet d.o.o.","row_id":"0ab60abd:s0:dea137bdcfd6","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_c6c3eca36c11","project_family_title":"12 koraka"}],"section_total_text":"310.000,00","section_total":310000.0}],"totals":{"ukupno_text":null,"ukupno":310045.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":310000.0,"ukupno_match":false,"row_count":4,"awarded_count":4,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":4}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2020_2rok_14IX2020_WEB_DUG_IGR.pdf","filename_decoded":"RPR_2020_2rok_14IX2020_WEB_DUG_IGR.pdf","sha256":"0ab80e1d442b2faf1ba68cc62a01152068a05b205d8f65e6515387dd808c9bb4","bytes":42509,"page_count":1,"extracted_at":"2026-05-17T10:24:21Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2020_2rok_14IX2020_WEB_DUG_IGR.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nGlavu gore\nPropeler 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 te\t\r  \nostalih\t\r  programa.\t\r   \n \nUmjetnički\t\r   su\t\r   savjetnici\t\r   dio\t\r   prijava,\t\r   za\t\r   koje\t\r   su\t\r   procijenili\t\r   da\t\r   su\t\r   integralan\t\r   dio\t\r   istog\t\r  \nprograma,\t\r  razmatrali\t\r  kao\t\r  jednu\t\r  prijavu,\t\r  a\t\r  za\t\r  3\t\r  je\t\r  prijave\t\r  ustanovljeno\t\r  da\t\r  ne\t\r  pripadaju\t\r  u\t\r  \nprogramsko\t\r  područje\t\r  komplementarnih\t\r  djelatnosti.\t\r   \n \nNakon\t\r   razmatranja\t\r   prijava\t\r   savjetnici\t\r   za\t\r   komplementarne\t\r   djelatnosti,\t\r   Dušan\t\r   Gačić,\t\r  \nTomislav\t\r   Šakić\t\r   i\t\r   Slaven\t\r   Zečević,\t\r   za\t\r   financijsku\t\r   podršku\t\r   preporučuju\t\r   283\t\r   programa\t\r   u\t\r  \nukupnom\t\r  iznosu\t\r  od\t\r  11.993.500,00\t\r  kuna. \n\t\r  \nU\t\r  postupku\t\r  procjenjivanja\t\r  i\t\r  vrednovanja\t\r  prijava\t\r  savjetnici\t\r  su\t\r  se\t\r  vodili\t\r  nizom\t\r  kriterija\t\r  po\t\r  \nnavedenim\t\r  kategorijama,\t\r  pri\t\r  čemu\t\r  je\t\r  u\t\r  svim\t\r  kategorijama\t\r  vrednovano\t\r  sljedeće:\t\r   \n-­‐\t\r  kvaliteta,\t\r  izvedivost\t\r  i\t\r  održivost\t\r  predloženog\t\r  programa,\t\r  pri\t\r  čemu\t\r  se\t\r  posebno\t\r  vodilo\t\r  \nračuna\t\r  o\t\r  programima\t\r  koji\t\r  imaju\t\r  konkretne,\t\r  realne\t\r  i\t\r  strateške\t\r  planove\t\r  u\t\r  umjetničkom,\t\r  \norganizacijskom\t\r   i\t\r   financijskom\t\r   smislu,\t\r   potom\t\r   o\t\r   dostupnosti\t\r   samog\t\r   projekta,\t\r   njegovoj\t\r  \nvidljivosti\t\r   i\t\r   komunikaciji\t\r   s\t\r   profesionalcima\t\r   i\t\r   javnošću,\t\r   o\t\r   kvaliteti\t\r   prijave,\t\r   o\t\r   kvaliteti\t\r   i\t\r  \niskustvu\t\r  projektnog\t\r  tima\t\r  u\t\r  pojedinoj\t\r  programskoj\t\r  komplementarnoj\t\r  djelatnosti\t\r  za\t\r  koju\t\r  \nse\t\r   prijavljuju,\t\r   o\t\r   prethodnom\t\r   izdanju\t\r   programa\t\r   te\t\r   o\t\r   različitim\t\r   oblicima\t\r   suradnje,\t\r  \numrežavanju\t\r  i\t\r  partnerstvu; \n-­‐\t\r   važnost\t\r   programa,\t\r   u\t\r   rasponu\t\r   od\t\r   lokalne\t\r   zajednice\t\r   preko\t\r   nacionalne\t\r   važnosti\t\r   do\t\r  \nmeđunarodne\t\r  prepoznatljivosti; \n-­‐\t\r   kontinuitet\t\r   programa,\t\r   odnosno\t\r   njegova\t\r   dugoročna\t\r   usmjerenost\t\r   (jednokratna\t\r  \ndogađanja\t\r  podržana\t\r  su\t\r  iznimno,\t\r  a\t\r  i\t\r  tad\t\r  s\t\r  relativno\t\r  malenim\t\r  iznosima),\t\r  u\t\r  prvom\t\r  redu\t\r  \nmisleći\t\r   na\t\r   već\t\r   prijašnjih\t\r   godina\t\r   pokrenute\t\r   programe\t\r   koji\t\r   su\t\r   svojom\t\r   kvalitetom,\t\r  \nsustavnošću\t\r   i\t\r   javnom\t\r   važnošću\t\r   ostvarili\t\r   preduvjete\t\r   za\t\r   daljnju\t\r   potporu\t\r   Hrvatskog\t\r  \naudiovizualnog\t\r  centra\t\r  te\t\r  su\t\r  svojom\t\r  kvalitetom\t\r  i\t\r  rastom\t\r  opravdali\t\r  nastavak\t\r  financiranja; \n \n\n\f\n-­‐\t\r  projekti\t\r  koji\t\r  dosad\t\r  nisu\t\r  financirani,\t\r  a\t\r  doprinose\t\r  specifičnosti,\t\r  komplementarnosti\t\r  te\t\r  \nestetskoj\t\r  raznovrsnosti\t\r  audiovizualnih\t\r  sadržaja; \n-­‐\t\r  projekti\t\r  koji\t\r  nude\t\r  različite\t\r  aspekte\t\r  audiovizualne\t\r  edukacije; \n-­‐\t\r  projekti\t\r  koji\t\r  naglašavaju\t\r  kustosku,\t\r  kinotečnu\t\r  i\t\r  istraživačku\t\r  djelatnost;\t\r   \n-­‐\t\r   projekti\t\r   koje\t\r   na\t\r   pojedinom\t\r   javnom\t\r   pozivu,\t\r   sukladno\t\r   trenutačnim\t\r   potrebama\t\r  \naudiovizualnog\t\r   sektora,\t\r   umjetnički\t\r   savjetnici\t\r   odrede\t\r   kao\t\r   prioritetnu\t\r   aktivnost\t\r   ili\t\r  \naktivnosti\t\r  koju\t\r  bi\t\r  trebalo\t\r  pojačano\t\r  potpomagati\t\r  u\t\r  sljedećem\t\r  razdoblju.\t\r   \n\t\r  \nNa\t\r  prvome\t\r  mjestu\t\r  treba\t\r  odmah\t\r  naglasiti\t\r  kako\t\r  je\t\r  broj\t\r  prijavljenih\t\r  programa\t\r  ove\t\r  godine\t\r  \nznatno\t\r  povećan,\t\r  što\t\r  osjetno\t\r  dovodi\t\r  u\t\r  pitanje\t\r  održivost\t\r  komplementarnih\t\r  djelatnosti\t\r  u\t\r  \nokviru\t\r   trenutačnih\t\r   financijskih\t\r   mogućnosti\t\r   i\t\r   načina\t\r   ocjenjivanja\t\r   kriterija.\t\r   I\t\r   dalje\t\r   je\t\r  \nzamjetna\t\r   pojava\t\r   novih,\t\r   vrijednih\t\r   inicijativa\t\r   koje\t\r   se\t\r   ponajprije\t\r   odnose\t\r   na\t\r   lokalne\t\r  \nmanifestacije,\t\r  programe\t\r  usmjerene\t\r  na\t\r  djecu\t\r  i\t\r  mlade,\t\r  građane\t\r  treće\t\r  životne\t\r  dobi,\t\r  kao\t\r  i\t\r  \nna\t\r  osobe\t\r  sa\t\r  posebnim\t\r  potrebama.\t\r  Prednost\t\r  je\t\r  takvim\t\r  programima\t\r  dana\t\r  u\t\r  sredinama\t\r  u\t\r  \nkojima\t\r  su\t\r  filmski\t\r  programi\t\r  ili\t\r  zapostavljeni\t\r  ili\t\r  praktički\t\r  nepostojeći.\t\r  Kao\t\r  i\t\r  2017.\t\r  te\t\r  2018.,\t\r  \ntreba\t\r  napomenuti\t\r  kako\t\r  je\t\r  izradi\t\r  i\t\r  izvedbi\t\r  takvih\t\r  programa\t\r  potrebno\t\r  posvetiti\t\r  posebnu\t\r  \npažnju,\t\r   odnosno\t\r   kako\t\r   je\t\r   pri\t\r   njihovoj\t\r   izradi\t\r   i\t\r   provedbi\t\r   nužna\t\r   stručna\t\r   pomoć\t\r   te\t\r   bolja\t\r  \npovezanost\t\r  s\t\r  nadležnim\t\r  institucijama.\t\r  \t\r  \n \nNa\t\r  ovogodišnji\t\r  se\t\r  Javni\t\r  poziv,\t\r  kao\t\r  i\t\r  prethodnih\t\r  godina,\t\r  prijavio\t\r  znatan\t\r  broj\t\r  obrazovnih\t\r  \nprograma\t\r  za\t\r  učenike\t\r  srednjih\t\r  i\t\r  osnovnih\t\r  škola.\t\r  Umjetnički\t\r  savjetnici\t\r  prepoznaju\t\r  potrebu\t\r  \nza\t\r   takvim\t\r   programima\t\r   koja\t\r   proizlazi\t\r   iz\t\r   očito\t\r   i\t\r   dalje\t\r   nedostatno\t\r   razvijenoga\t\r   pristupa\t\r  \nmedijskoj\t\r  kulturi\t\r  kroz\t\r  postojeći\t\r  nacionalni\t\r  kurikulum,\t\r  odnosno\t\r  kroz\t\r  redovitu\t\r  nastavu,\t\r  no\t\r  \nprogrami\t\r   javnog\t\r   poziva\t\r   za\t\r   komplementarne\t\r   djelatnosti\t\r   ne\t\r   bi\t\r   trebali\t\r   predstavljati\t\r  \ndominantan\t\r   oblik\t\r   medijskog\t\r   obrazovanja,\t\r   već\t\r   nadopunu\t\r   postojećega,\t\r   što\t\r   trenutačno\t\r  \nnije\t\r  slučaj.\t\r  \t\r  \n \nKao\t\r   i\t\r   svake\t\r   godine,\t\r   u\t\r   svim\t\r   kategorijama\t\r   utvrđeni\t\r   su\t\r   prioritetni\t\r   programi\t\r   za\t\r   koje\t\r   su\t\r  \npredložene\t\r  i\t\r  najviše\t\r  potpore.\t\r  Riječ\t\r  je\t\r  o\t\r  programima\t\r  od\t\r  iznimne\t\r  ili\t\r  visoke\t\r  vrijednosti,\t\r  koje\t\r  \nmožemo\t\r  držati\t\r  temeljnima\t\r  za\t\r  očuvanje\t\r  i\t\r  razvoj\t\r  audiovizualnog\t\r  stvaralaštva\t\r  u\t\r  Hrvatskoj,\t\r  \nodnosno\t\r  o\t\r  programima\t\r  velike\t\r  regionalne\t\r  ili\t\r  lokalne\t\r  važnosti,\t\r  ili\t\r  pak\t\r  onima\t\r  koji\t\r  su\t\r  važni\t\r  za\t\r  \nrazvoj\t\r  pojedinih\t\r  djelatnosti\t\r  ili\t\r  žanrova: \n \n•   U\t\r   kategoriji\t\r   Djelatnosti\t\r   razvijanja\t\r   audiovizualne\t\r   kulture\t\r   posebna\t\r   je\t\r   pažnja\t\r  \ntradicionalno\t\r   posvećena\t\r   umjetničkim\t\r   i\t\r   nezavisnim\t\r   kinima\t\r   u\t\r   većim\t\r   urbanim\t\r  \nsredištima,\t\r   kojima\t\r   su\t\r   dodijeljene\t\r   različite\t\r   potpore\t\r   s\t\r   obzirom\t\r   na\t\r   kvalitetu\t\r   i\t\r  \nkontinuitet\t\r   ponuđenog\t\r   programa,\t\r   ali\t\r   i\t\r   na\t\r   financijsku\t\r   strukturu\t\r   pojedinog\t\r  \nprograma\t\r   i\t\r   veličinu\t\r   ciljane\t\r   publike:\t\r   Filmski\t\r   program\t\r   Art-­‐kina\t\r   Croatia\t\r   (Rijeka),\t\r  \n\n\f\nFilmski\t\r  programi\t\r  Kina\t\r  Tuškanac,\t\r  koje\t\r  vodi\t\r  Hrvatski\t\r  filmski\t\r  savez\t\r  (Zagreb),\t\r  Kino\t\r  \nEuropa\t\r  (Zagreb),\t\r  Centar\t\r  za\t\r  kulturu\t\r  i\t\r  cjeloživotno\t\r  obrazovanje\t\r  Zlatna\t\r  vrata\t\r  (Split),\t\r  \nKino\t\r   Urania\t\r   (Osijek)\t\r   i\t\r   Dokukino\t\r   (Zagreb).\t\r   Kao\t\r   važni\t\r   prepoznati\t\r   su\t\r   i\t\r   redoviti\t\r  \nprikazivački\t\r   programi\t\r   i\t\r   u\t\r   drugim\t\r   gradovima\t\r   (Čakovec,\t\r   Daruvar,\t\r   Dubrovnik,\t\r  \nKoprivnica,\t\r   Kutina,\t\r   Požega,\t\r   Sisak,\t\r   Varaždin,\t\r   Vodnjan\t\r   te\t\r   Bjelovar,\t\r   Duga\t\r   Resa,\t\r  \nGrubišno\t\r   Polje,\t\r   Nova\t\r   Gradiška,\t\r   Omiš,\t\r   Pakrac,\t\r   Plaški,\t\r   Velika\t\r   Gorica,\t\r   Zadar).\t\r  \nPutujući\t\r  projekt\t\r  Kina\t\r  Mediteran\t\r  i\t\r  dalje\t\r  se\t\r  pokazuje\t\r  uzornim\t\r  te\t\r  je\t\r  podržan\t\r  i\t\r  ove\t\r  \ngodine.\t\r   \nIstiču\t\r   se\t\r   i\t\r   kontinuirani\t\r   obrazovni\t\r   programi\t\r   i\t\r   radionice\t\r   Kinokluba\t\r   Zagreb,\t\r   Kino\t\r  \nkluba\t\r   Split\t\r   te\t\r   udruga\t\r   Restart\t\r   i\t\r   Blank.\t\r   Od\t\r   različitih\t\r   ponuđenih\t\r   prikazivačkih\t\r  \nprograma\t\r   za\t\r   djecu\t\r   i\t\r   mlade\t\r   i\t\r   dalje\t\r   se\t\r   ističu\t\r   program\t\r   filma\t\r   za\t\r   djecu\t\r   i\t\r   mlade\t\r  \nUdruge\t\r   Djeca\t\r   susreću\t\r   umjetnost,\t\r   program\t\r   Udruge\t\r   Bacači\t\r   sjenki\t\r   \"FROOOM\t\r   –\t\r  \nprogram\t\r  filmskog\t\r  i\t\r  interdisciplinarnog\t\r  obrazovanja\",\t\r  inovativni\t\r  programi\t\r  udruge\t\r  \nOtompotom,\t\r  kao\t\r  i\t\r  program\t\r  udruge\t\r  Dokuart.\t\r  \t\r  \n \n•   Kategorija\t\r   Filmskih\t\r   festivala\t\r   i\t\r   drugih\t\r   audiovizualnih\t\r   manifestacija\t\r   i\t\r   dalje\t\r   je\t\r  \nnajveća\t\r   proračunska\t\r   stavka\t\r   u\t\r   okviru\t\r   financiranja\t\r   komplementarnih\t\r   djelatnosti\t\r  \n(5.387,500\t\r  kn,\t\r  što\t\r  iznosi\t\r  44,92%).\t\r  Kao\t\r  najvažniji\t\r  nacionalni\t\r  festivali\t\r  značajnoga\t\r  \nmeđunarodnog\t\r   ugleda\t\r   i\t\r   dalje\t\r   su\t\r   podržani\t\r   Animafest\t\r   Zagreb\t\r   (900.000\t\r   kn),\t\r  \nMotovun\t\r   Film\t\r   Festival\t\r   (500.000\t\r   kn),\t\r   ZagrebDox\t\r   (450.000\t\r   kn),\t\r   Zagreb\t\r   Film\t\r  \nFestival\t\r  (450.000\t\r  kn)\t\r  i\t\r  25fps\t\r  (Zagreb)\t\r  (250.000\t\r  kn).\t\r  I\t\r  dalje\t\r  su\t\r  po\t\r  svojoj\t\r  važnosti\t\r  \nprepoznati\t\r  sljedeći\t\r  festivali:\t\r  Vukovar\t\r  Film\t\r  Festival,\t\r  Dani\t\r  hrvatskog\t\r  filma\t\r  (Zagreb),\t\r  \nFestival\t\r  mediteranskog\t\r  filma\t\r  u\t\r  Splitu,\t\r  Human\t\r  Rights\t\r  Film\t\r  Festival\t\r  (Zagreb,\t\r  Rijeka)\t\r  \ni\t\r   Subversive\t\r   Film\t\r   Festival\t\r   (Zagreb).\t\r   Također\t\r   su\t\r   prepoznati\t\r   i\t\r   drugi\t\r   festivali\t\r  \nregionalnog\t\r  i\t\r  lokalnog\t\r  značenja\t\r  kao\t\r  što\t\r  su\t\r  međunarodni\t\r  Four\t\r  River\t\r  Film\t\r  Festival\t\r  \n(Karlovac)\t\r  te\t\r  Liburnia\t\r  Film\t\r  Festival\t\r  (Opatija).\t\r  Valja\t\r  izdvojiti\t\r  i\t\r  festivale\t\r  specifičnog\t\r  \nformata\t\r  i/ili\t\r  sadržajnog,\t\r  odnosno\t\r  koncepcijskog\t\r  usmjerenja\t\r  (Festival\t\r  tolerancije\t\r  \nu\t\r   Zagrebu,\t\r   Festival\t\r   jednominutnih\t\r   filmova\t\r   u\t\r   Požegi,\t\r   Filmske\t\r   mutacije,\t\r  \t\r  \nSupertoon\t\r   u\t\r   Šibeniku,\t\r   DOKUart\t\r   u\t\r   Bjelovaru,\t\r   Fantastic\t\r   Zagreb\t\r   Film\t\r   Festival,\t\r  \nVoxfeminae\t\r  festival).\t\r  Ostali\t\r  programi\t\r  u\t\r  ovoj\t\r  kategoriji\t\r  mogu\t\r  se\t\r  okarakterizirati\t\r  \nkao\t\r   uglavnom\t\r   lokalno\t\r   orijentirani\t\r   festivali\t\r   i\t\r   manifestacije,\t\r   odnosno\t\r   filmske\t\r  \nrevije,\t\r  od\t\r  kojih\t\r  treba\t\r  izdvojiti\t\r  tri\t\r  specifično\t\r  usmjerene\t\r  nacionalne\t\r  natjecateljske\t\r  \nrevije\t\r   u\t\r   organizaciji\t\r   Hrvatskoga\t\r   filmskog\t\r   saveza,\t\r   Reviju\t\r   hrvatskoga\t\r   filmskog\t\r  \nstvaralaštva,\t\r   Filmsku\t\r   reviju\t\r   mladeži\t\r   i\t\r   Reviju\t\r   hrvatskog\t\r   filmskog\t\r   stvaralaštva\t\r  \ndjece.\t\r   \n \n•   U\t\r   kategoriji\t\r   Izdavaštvo\t\r   u\t\r   području\t\r   audiovizualnih\t\r   djelatnosti\t\r   tradicionalno\t\r   je\t\r  \nnajveća\t\r   podrška\t\r   dodijeljena\t\r   filmološkom\t\r   časopisu\t\r   Hrvatski\t\r   filmski\t\r   ljetopis.\t\r  \n\n\f\nPreporučuje\t\r   se\t\r   nastavak\t\r   dosadašnje\t\r   prakse\t\r   financiranja\t\r   portala\t\r   koji\t\r   na\t\r  \nkvalitetan\t\r   način\t\r   predstavljaju,\t\r   valoriziraju\t\r   i\t\r   kontekstualiziraju\t\r   audiovizualnu\t\r  \numjetnost\t\r   i\t\r   uopće\t\r   djelatnost,\t\r   bilo\t\r   putem\t\r   specijaliziranih\t\r   portala\t\r   bilo\t\r   putem\t\r  \nfilmskih\t\r   rubrika\t\r   unutar\t\r   općih\t\r   kulturnih\t\r   portala.\t\r   U\t\r   ovoj\t\r   je\t\r   kategoriji\t\r   ipak\t\r  \nnajvažnije\t\r   istaknuti\t\r   porast\t\r   broja\t\r   prijavljenih\t\r   kritički\t\r   i\t\r   filmološki\t\r   relevantnih\t\r  \nknjiških\t\r   izdanja,\t\r   što\t\r   savjetnici\t\r   drže\t\r   izravnom\t\r   posljedicom\t\r   jasne\t\r   podrške\t\r  \nHrvatskog\t\r   audiovizualnog\t\r   centra\t\r   filmskom\t\r   izdavaštvu.\t\r   Za\t\r   poželjeti\t\r   je\t\r   jedino\t\r  \npojačane\t\r  prijave\t\r  u\t\r  području\t\r  izdavanja\t\r  hrvatske\t\r  filmske\t\r  klasike\t\r  i\t\r  posljedične\t\r  veće\t\r  \ndostupnosti\t\r   hrvatskih\t\r   filmova,\t\r   no\t\r   takve\t\r   prijave\t\r   –\t\r   mahom\t\r   radi\t\r   poteškoća\t\r   oko\t\r  \nautorskih,\t\r  producentskih\t\r  i\t\r  prikazivačkih\t\r  prava\t\r  –\t\r  i\t\r  dalje\t\r  izostaju.  \n \n•   U\t\r   kategoriji\t\r   Programi\t\r   audiovizualnih\t\r   udruga\t\r   i\t\r   organizacija\t\r   umjetnički\t\r   su\t\r  \nsavjetnici\t\r  i\t\r  opet\t\r  prepoznali\t\r  važnost\t\r  kontinuiranog\t\r  djelovanja\t\r  strukovnih\t\r  udruga\t\r  \nu\t\r  području\t\r  filma,\t\r  kao\t\r  i\t\r  neprofesijskih\t\r  filmskih\t\r  i\t\r  videoudruga\t\r  te\t\r  njihove\t\r  krovne\t\r  \norganizacije,\t\r  Hrvatskoga\t\r  filmskog\t\r  saveza.\t\r  Treba\t\r  istaknuti\t\r  i\t\r  podršku\t\r  nizu\t\r  manjih\t\r  \nudruga\t\r   čija\t\r   redovita\t\r   godišnja\t\r   djelatnost\t\r   podrazumijeva\t\r   ponajprije\t\r   radioničku\t\r   i\t\r  \nedukativnu\t\r  djelatnost.\t\r   \n \n•   U\t\r   kategoriji\t\r   Programi\t\r   promocije\t\r   i\t\r   prodaje\t\r   hrvatskih\t\r   audiovizualnih\t\r   djela\t\r   za\t\r  \nsufinanciranje\t\r   su\t\r   predloženi\t\r   kontinuirani\t\r   programi\t\r   distribucije\t\r   i\t\r   promocije\t\r  \nfilmova\t\r   Bonobostudija\t\r   d.o.o.,\t\r   program\t\r   \"KineDok\"\t\r   udruge\t\r   Restart\t\r   te\t\r  \nmeđunarodna\t\r   festivalska\t\r   distribucija\t\r   Ustanove\t\r   Zagreb\t\r   film,\t\r   kao\t\r   i\t\r   podrška\t\r  \ndistribuciji\t\r  Factuma. \n \n•   U\t\r   kategoriji\t\r   Programi\t\r   stručnog\t\r   usavršavanja\t\r   filmskih\t\r   profesionalaca\t\r   i/ili\t\r  \nedukacije,\t\r   prepoznata\t\r   je\t\r   nužnost\t\r   daljnjega\t\r   kontinuiranog\t\r   rada\t\r   edukaciji\t\r  \nnastavnika/ica,\t\r  voditelja/ica\t\r  klubova\t\r  i\t\r  samostalnih\t\r  autora\t\r  i\t\r  autorica\t\r  kroz\t\r  \"Školu\t\r  \nmedijske\t\r   kulture\t\r   Dr.\t\r   Ante\t\r   Peterlić\"\t\r   Hrvatskoga\t\r   filmskog\t\r   saveza.\t\r   Umjetnički\t\r  \nsavjetnici\t\r   kao\t\r   primjere\t\r   programa\t\r   s\t\r   kontinuiranim\t\r   rastom\t\r   i\t\r   razvojem\t\r   izdvajaju:\t\r  \nnastavak\t\r  organiziranja\t\r  međunarodnih\t\r  programa\t\r  edukacije\t\r  i\t\r  umrežavanja\t\r  poput\t\r  \n\"ZagrebDox\t\r   Pro\"\t\r   i\t\r   \"Industrija\"\t\r   Zagreb\t\r   film\t\r   festivala,\t\r   \"Restart\t\r   Laboratorij\",\t\r  \nscenarističku\t\r   platformu\t\r   \"Palunko\"\t\r   Hrvatskoga\t\r   filmskog\t\r   saveza.\t\r   Također\t\r   su\t\r  \nprepoznati\t\r   i\t\r   programi\t\r   razmjene\t\r   i\t\r   edukacije\t\r   u\t\r   specifičnim\t\r   filmskim\t\r   područjima\t\r  \nkao\t\r   što\t\r   su\t\r   ASIFA-­‐in\t\r   \"Anidox\",\t\r   a\t\r   treba\t\r   istaknuti\t\r   potpore\t\r   novom\t\r   programu\t\r  \n\"Avvantura\t\r  Matchmaking\t\r  Forum\t\r  Pula\"\t\r  te\t\r  međunarodnoj\t\r  radionici\t\r  \"eQuinoxe\t\r  –\t\r  \n24.\t\r  Intl.\t\r  Screenwriter\t\r  Workshops\t\r  &\t\r  Master\t\r  Class\"\t\r  koja\t\r  bi\t\r  se\t\r  ove\t\r  godine\t\r  trebala\t\r  \nodržati\t\r  u\t\r  Hrvatskoj.\t\r  \t\r  \n\n\f\n\t\r  \n•   U\t\r   kategoriji\t\r   Proučavanje\t\r   i\t\r   kritičko\t\r   vrednovanje\t\r   audiovizualnih\t\r   djelatnosti\t\r  \numjetnički\t\r   savjetnici\t\r   ukazuju\t\r   na\t\r   dugo\t\r   očekivan\t\r   porast\t\r   istraživačkih\t\r   i\t\r   kuriranih\t\r  \nprograma.\t\r   Uz\t\r   redovitu\t\r   potporu\t\r   \"Restart\t\r   Masterclassu\"\t\r   i\t\r   \"Vizualnom\t\r   kolegiju\"\t\r  \nMultimedijalnog\t\r   instituta,\t\r   ističe\t\r   se\t\r   prepoznavanje\t\r   i\t\r   davanje\t\r   potpore\t\r   većem\t\r  \nbroju\t\r  kustoskih\t\r  projekata\t\r  nego\t\r  prijašnjih\t\r  godina,\t\r  što\t\r  umjetnički\t\r  savjetnici\t\r  drže\t\r  \nbitnim\t\r   u\t\r   održavanju\t\r   i\t\r   rastu\t\r   nezavisnog,\t\r   alternativnog,\t\r   galerijskog\t\r   i\t\r   civilnog,\t\r  \nneinstitucionalnog\t\r  sektora\t\r  audiovizualne\t\r  kulture\t\r  i\t\r  kulture\t\r  općenito. \n \n•   U\t\r  kategoriji\t\r  Zaštita\t\r  audiovizualne\t\r  baštine\t\r  uključujući\t\r  kinotečnu\t\r  djelatnost\t\r  i\t\r  dalje\t\r  \nje\t\r  prepoznata\t\r  važnost\t\r  rada\t\r  na\t\r  redovitom\t\r  održavanju\t\r  i\t\r  jačanju\t\r  javne\t\r  dostupnosti\t\r  \nfilmskog\t\r   i\t\r   videoarhiva\t\r   Hrvatskoga\t\r   filmskog\t\r   saveza.\t\r   Nakon\t\r   podrške\t\r   digitalnoj\t\r  \nrestauraciji\t\r   kratkih\t\r   filmova\t\r   Ivana\t\r   Ladislava\t\r   Galete\t\r   i\t\r   Tomislava\t\r   Gotovca,\t\r   ove\t\r   je\t\r  \ngodine\t\r  za\t\r  potporu\t\r  preporučena\t\r  digitalna\t\r  restauracija\t\r  radova\t\r  filmskog\t\r  umjetnika\t\r  \nIvana\t\r   Faktora\t\r   u\t\r   okviru\t\r   djelatnosti\t\r   Filmskog\t\r   i\t\r   video\t\r   arhiva\t\r   Hrvatskoga\t\r   filmskog\t\r  \nsaveza.\t\r  Posebno\t\r  treba\t\r  istaknuti\t\r  potporu\t\r  digitalnoj\t\r  restauraciji\t\r  filmova\t\r  prve\t\r  žene-­‐\nmajstora\t\r  amaterskog\t\r  filma\t\r  u\t\r  nas,\t\r  Tatjane\t\r  Ivančić,\t\r  koju\t\r  je\t\r  prijavio\t\r  njezin\t\r  matični\t\r  \nklub\t\r   Kinoklub\t\r   Zagreb,\t\r   kao\t\r   i\t\r   potporu\t\r   izradi\t\r   Medijskog\t\r   arhiva\t\r   Kino\t\r   kluba\t\r   Split.\t\r  \nTradicionalna\t\r  podrška\t\r  i\t\r  ove\t\r  je\t\r  godine\t\r  dana\t\r  programu\t\r  restauracije\t\r  i\t\r  digitalizacije\t\r  \nfilmova\t\r  iz\t\r  arhiva\t\r  Ustanove\t\r  Zagreb\t\r  film.\t\r   \nKao\t\r  i\t\r  prethodnih\t\r  godina,\t\r  \t\r  za\t\r  godišnji\t\r  plan\t\r  zaštite\t\r  i\t\r  restauracije\t\r  audiovizualnoga\t\r  \ngradiva\t\r   Hrvatskoga\t\r   državnog\t\r   arhiva\t\r   –\t\r   Hrvatske\t\r   kinoteke\t\r   osigurana\t\r   su\t\r   zasebna\t\r  \nsredstva\t\r  izvan\t\r  programskih\t\r  sredstava\t\r  za\t\r  komplementarne\t\r  djelatnosti\t\r  u\t\r  iznosu\t\r  od\t\r  \n1.000.000,00\t\r  kn. \nU\t\r   ovoj\t\r   kategoriji\t\r   umjetnički\t\r   savjetnici\t\r   napominju\t\r   kako\t\r   bi\t\r   se\t\r   posebna\t\r   pažnja\t\r  \ntakođer\t\r  trebala\t\r  posvetiti\t\r  što\t\r  većoj\t\r  i\t\r  lakšoj\t\r  dostupnosti\t\r  građe\t\r  nakon\t\r  digitalizacije,\t\r  \nkako\t\r  istraživačima,\t\r  tako\t\r  i\t\r  široj\t\r  zainteresiranoj\t\r  javnosti,\t\r  i\t\r  to\t\r  ne\t\r  tek\t\r  fizički,\t\r  nego\t\r  \nputem\t\r  novih,\t\r  digitalnih\t\r  i\t\r  mrežnih\t\r  sredstava\t\r  distribucije.\t\r   \n \n \nUmjetnički\t\r  savjetnici\t\r  za\t\r  komplementarne\t\r  djelatnosti\t\r  \n\t\r  \n\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  Dušan\t\r  Gačić \nTomislav\t\r  Šakić\t\r  \nSlaven\t\r  Zečević \n\t\r  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Jp_za_distribuciju_3_rok.pdf","filename_decoded":"Jp_za_distribuciju_3_rok.pdf","sha256":"0bba1db25176fc580329b6eea54cd6313302734038a5b778916406a64e180d07","bytes":137242,"page_count":1,"extracted_at":"2026-05-17T10:22:50Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Jp_za_distribuciju_3_rok.pdf"},"raw_text":" \nNOSITELJ \nPRIJAVE\nNASLOV FILMA\nREDATELJ/ICA\nPRODUCENT\nDISTRIBUTER\nODOBRENA \nSREDSTVA U \nEUR\n1\nRestart\nMuzej revolucije\nSrđan Keča\nRestart\nRestart\n1.990,84\n2\nKinorama d.o.o.\nLjeto kada sam \nnaučila letjeti \nRadivoje Andrić\nKinorama d.o.o.\nUmjetnička \norganizacija \nZagreb Film \nFestival\n7.299,75\n3\nFestival \nmediteranskog \nfilma Split\nStric\nAndrija Mardešić, \nDavid Kapac\nEclectica\nFestival \nmediteranskog \nfilma Split\n10.617,83\n4\nK A O S d.o.o.\nNešto slatko\nTin Vodopivec\nK A O S d.o.o.\nK A O S d.o.o.\n1.327,23\n5\nPomPom Film \nd.o.o.\nKapa\nSlobodan \nMaksimović\nPomPom Film \nd.o.o.\nDuplicato Media \nd.o.o.\n5.972,53\n6\nDiedra d.o.o.\nCvrčak i Mrvica\nLuka Rukavina\nDiedra d.o.o.\nDuplicato Media \nd.o.o.\n23.890,11\n7\nAntitalent d.o.o.\nNovo kino Buje\nAlessio Bozzer\nAntitalent d.o.o.\nAntitalent d.o.o.\n3.118,99\n8\nFantastično dobra \ninstitucija - Fade \nIn d.o.o.\nPunim plućima \nRadislav Jovanov \nGonzo\nFantastično dobra \ninstitucija - Fade \nIn d.o.o.\nFantastično dobra \ninstitucija - Fade \nIn d.o.o.\n6.636,14\n9\nMaxima film d.o.o.\nGarbura\nJosip Žuvan\nMaxima film d.o.o.\nDuplicato Media \nd.o.o.\n9.290,60\n70.144,02\nKATEGORIJA \nFILMA\ndugometražni \ndokumentarni film \n(manjin.kopr.)\ndugometražni \nigrani film (manjin. \nkopr.)\ndugometražni \nigrani film\ndugometražni 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€","section_total":100000.0}],"totals":{"ukupno_text":null,"ukupno":100004.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":100000.0,"ukupno_match":false,"row_count":7,"awarded_count":7,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":7}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje mikroproracunski.pdf","filename_decoded":"obrazlozenje mikroproracunski.pdf","sha256":"0be2dbb1ee2f06ade271b32ac335b8f07a7ee52e804a286842774c7e28ece30c","bytes":35871,"page_count":2,"extracted_at":"2026-05-17T12:01:55Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20mikroproracunski.pdf"},"raw_text":"\t\r  \r  \n1\t\r  \nJavni\t\r  poziv\t\r  za\t\r  poticanje\t\r  audiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  -­‐\t\r  kategorija:\t\r  \nPOTICANJE\t\r  PROIZVODNJE\t\r  MIKROPRORAČUNSKIH\t\r  DUGOMETRAŽNIH\t\r  IGRANIH\t\r  \nFILMOVA\t\r  u\t\r  2020.\t\r  -­‐\t\r  ROK\t\r  PRIJAVE\t\r  -­‐\t\r  7.10.2020.\t\r  \n\t\r  \nUmjetnički\t\r  savjetnici:\t\r  Pavlica\t\r  Bajsić\t\r  Brazzoduro,\t\r  Danilo\t\r  Šerbedžija\t\r  i\t\r  Zdenka\t\r  Gold\t\r  \nFinancijski\t\r  savjetnik:\t\r  Ljubo\t\r  Zdjelarević\t\r  \n\t\r  \nNa\t\r  Javni\t\r  poziv\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  mikroproračunskih\t\r  dugometražnih\t\r  igranih\t\r  \nfilmova\t\r  u\t\r  2020.\t\r  godini\t\r  prijavilo\t\r  se\t\r  ukupno\t\r  15\t\r  projekta.\t\r  Jedan\t\r  projekt\t\r  nije\t\r  zadovoljio\t\r  \nuvjete\t\r  Javnog\t\r  poziva\t\r  te\t\r  ga\t\r  nismo\t\r  razmatrali.\t\r  \nOdlučili\t\r  smo\t\r  poduprijeti\t\r  sveukupno\t\r  dva\t\r  filma.\t\r  \nIstaknuli\t\r  bismo\t\r  dosta\t\r  skromnu\t\r  kvalitetu\t\r  igranih\t\r  filmova\t\r  prijavljenih\t\r  na\t\r  ovaj\t\r  Javni\t\r  \npoziv\t\r  kao\t\r  i\t\r  neprikladno\t\r  pripremljene\t\r  projekte\t\r  za\t\r  mikroproračunske\t\r  uvjete.\t\r  \n\t\r  \n\t\r  \nDéjà\t\r  Vu\t\r  \nScenarij:\t\r  Gjermund\t\r  Gisvold\t\r  \nRežija:\t\r  Nevio\t\r  Marasović\t\r  \nProducent:\t\r  Švenk\t\r  \n600.000,00\t\r  kn\t\r  \n\t\r  \nFilm\t\r  Déjà\t\r  Vu\t\r  najbolje\t\r  sažima\t\r  iduća\t\r  rečenica:\t\r  \"Dok\t\r  sjedi\t\r  u\t\r  restoranu\t\r  koji\t\r  predstavlja\t\r  \nčekaonicu\t\r  za\t\r  drugi\t\r  svijet,\t\r  umorni\t\r  starac\t\r  promatra\t\r  goste\t\r  restorana\t\r  koji\t\r  predstavljaju\t\r  \nnjega\t\r  i\t\r  njegovu\t\r  najužu\t\r  obitelj\t\r  tokom\t\r  bitnih\t\r  trenutaka\t\r  njegova\t\r  života.\" \nInspirirani\t\r  atmosferom\t\r  zagrebačkog\t\r  restorana\t\r  \"Pri\t\r  Zvoncu\",\t\r  režiser\t\r  Nevio\t\r  Marasović\t\r  \ni\t\r  norveški\t\r  scenarist\t\r  Gjermund\t\r  Gisvold\t\r  odlučili\t\r  su\t\r  napisati\t\r  i\t\r  djelomično\t\r  već\t\r  snimiti\t\r  film\t\r  \nkoji\t\r  se\t\r  u\t\r  potpunosti\t\r  zbiva\t\r  na\t\r  tom\t\r  mjestu.\t\r   \nZapravo,\t\r  možemo\t\r  reći\t\r  da\t\r  fenomenalna\t\r  glumačka\t\r  izvedba\t\r  prije\t\r  svega,\t\r  a\t\r  potom\t\r  i\t\r  \nrežija,\t\r  rad\t\r  kamere\t\r  i\t\r  sound\t\r  design\t\r  te\t\r  glazba\t\r  –\t\r  doista\t\r  nude\t\r  ovaj\t\r  materijal\t\r  kao\t\r  potresnu\t\r  \nbajku\t\r  jednog\t\r  propalog\t\r  života.\t\r  Potpuno\t\r  svejedno\t\r  gdje\t\r  i\t\r  kada\t\r  se\t\r  ona\t\r  zbiva.\t\r  \t\r  \n\t\r  \n\t\r  \nPelikan\t\r  \nScenarij:\t\r  Filip\t\r  Heraković,\t\r  Nikolina\t\r  Bogdanović\t\r  \nRežija:\t\r  Filip\t\r  Heraković\t\r  \nProducent:\t\r  Wolfgang\t\r  i\t\r  Dolly\t\r  \n799.000,00\t\r  kn\t\r  \n\t\r  \nNogometaš\t\r  Josip,\t\r  tijekom\t\r  svog\t\r  boravka\t\r  na\t\r  rehabilitaciji\t\r  proživljava\t\r  krizu\t\r  identiteta\t\r  te\t\r  \nnije\t\r  siguran\t\r  želi\t\r  li\t\r  nastaviti\t\r  s\t\r  nogometnom\t\r  karijerom.\t\r  Umjesto\t\r  da\t\r  radi\t\r  na\t\r  svom\t\r  što\t\r  \nbržem\t\r  oporavku,\t\r  Josip\t\r  provodi\t\r  vrijeme\t\r  predstavljajući\t\r  se\t\r  kao\t\r  netko\t\r  drugi\t\r  na\t\r  \nkonferenciji\t\r  prodajnih\t\r  predstavnika\t\r  koji\t\r  prodaju\t\r  robotske\t\r  usisavače.\t\r  Na\t\r  kraju,\t\r  Josip\t\r  \nnamjerno\t\r  sabotira\t\r  vlastiti\t\r  oporavak\t\r  očito\t\r  odlučivši\t\r  prekinuti\t\r  nogometnu\t\r  karijeru.\t\r   \nOvaj\t\r  scenarij\t\r  izuzetno\t\r  je\t\r  kvalitetno\t\r  napisan.\t\r  Rečenice\t\r  su\t\r  uvjerljive,\t\r  likovi\t\r  upečatljivi,\t\r  \na\t\r  ritam\t\r  radnje\t\r  postavljen\t\r  je\t\r  dramaturški\t\r  besprijekorno.\t\r  Često\t\r  viđena\t\r  tema\t\r  krize\t\r  \nidentiteta\t\r  prikazana\t\r  je\t\r  nenametljivo\t\r  i\t\r  ljudski.\t\r  Kvalitetu\t\r  ovog\t\r  projekta\t\r  garantira\t\r  i\t\r  \n\n\f\n\t\r  \r  \n2\t\r  \nodlična\t\r  lokacija\t\r  (Istarske\t\r  toplice)\t\r  te\t\r  prirodne\t\r  znamenitosti\t\r  poput\t\r  ogromne\t\r  stijene\t\r  \nkoja\t\r  ima\t\r  važno\t\r  mjesto\t\r  u\t\r  scenariju.\t\r  \nPohvalna\t\r  je\t\r  činjenica\t\r  što\t\r  je\t\r  ovaj\t\r  scenarij\t\r  pisan\t\r  imajući\t\r  u\t\r  vidu\t\r  sva\t\r  ograničenja\t\r  i\t\r  \nizazove\t\r  koje\t\r  donosi\t\r  proizvodnja\t\r  filma\t\r  u\t\r  mikroproračunskim\t\r  uvjetima.\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje proizvodnja dugi dokum 1. rok_2024.pdf","filename_decoded":"web obrazlozenje proizvodnja dugi dokum 1. rok_2024.pdf","sha256":"0c07e95321a43c63b476bed7e85a748f828846db687b505f6abd0d186f3525b4","bytes":55901,"page_count":2,"extracted_at":"2026-05-17T12:01:51Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20proizvodnja%20dugi%20dokum%201.%20rok_2024.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. ROK 2024.,  14. \nožujka 2024. \nDOKUMENTARNI FILM, UMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER  \nKATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - DUGOMETRAŽNI DOKUMENTARNI FILM – \n \nOPĆI OSVRT  \n \nNa javni poziv u kategoriji proizvodnje dugometražnog dokumentarnog filma u 1. roku prijavljeno \nje sveukupno 17 projekata.  Od njih 17, dva nisu razmatrana zbog nepotpune dokumentacije.  \n \n Samo šest prijavljenih projekata nije koristilo nikakvu prethodnu potporu HAVC-a. Sagledavajući \nprojekte koji su predloženi, njima su prethodne faze razvoja pomogle, budući da su dosegli razinu \nu kojoj je bilo moguće odobriti njihovu proizvodnju. No, nemali broj projekta nije kvalitetno \niskoristio prethodne faze razvoja. Čak štoviše primjetno je prijavljivanje projekata pojedinih \nautora na gotovo identičan način kao i na prethodnom roku. Pretpostavljajući kako bi novi \numjetnički savjetnik mogao odlučiti suprotno odlukama prethodne umjetničke savjetnice, \npropustili su vrijeme između dvije prijave iskoristiti na način da poboljšaju svoj projekt. Nažalost, \nta činjenica stagniranja projekata, doprinijela je odbijanju jednog broja njih.   \n \nRaznolikost tematike predloženih projekata nije prevelika, no ne izostaje obzirom na broj prijava \nna ovom pozivu. Ono što veseli jest da pojedini projekti, njihovi autori i produkcije naginju prema \nkompleksnijim projektima i prijavama u kojima možemo pročitati zavidni produkcijski paket koji \nnude. Uz to, teme od šire društvene važnosti, istraživačke teme, potom projekti opservacijskog \npristupa, nisu izostali na ovom natječaju. Gotovo svi prijavljeni projekti dobro su i temeljito \nistraženih tema. One koje pak nije bilo moguće predložiti nerijetko su lišeni dobre dramaturške \nstrukture, utemeljenosti, autorski su neuvjerljivi, ili pak jednostavno repetitivni.  \n \nNo ovaj poziv ponudio je mogućnost odabira kvalitetnih projekata. Zaključno su predložena i \nodobrena  4 projekta za sufinanciranje u ovoj kategoriji, u ukupnom iznosu od 191.000,00 eura. \nSvaki od odobrenih projekta u sebi nosi posebnost svoje tematike, utemeljenost u društvenoj \nrelevantnosti, s jasnom vizijom autorske kreativnosti i umjetničke vrijednosti njihova projekta, \nkoja upućuje na konkretnost u realizaciji samog projekta koji je prijavljen.  \n \n \n1. NIJE NA PRODAJU Marina Aničić Spremo (redateljica / scenaristica) / Nenad Puhovski  \n(producent) / FACTUM (produkcija) - 45.000,00 eur  \n \nVeć samim sinopsisom autorica predstavlja projekt oštro i bez uvijanja. Uzurpacija grada Zagreba, \nkroz investitorske primjere, kao priča ima svoju publiku. Odnos onoga što se naziva napretkom i \nopstanak starosjedioca i njihova načina života, svojevrsna borba Davida i Golijata, intrigira od \nprvog čitanja. Grad, glavni grad države, koji sve teže to biva svakim danom, ovim projektom \nmogao bi dobiti svoje svjedočanstvo i to ono audiovizualno. I to čini se ne baš laskavo. Ali nužno.  \n \n \n\n\f\n2. PRIJEMNI ISPIT Davor Žmegač (redatelj / scenarist) / Marin Lukanović  (producent) / Udruga \nFilmaktiv (produkcija) - 48.000,00 eur  \n \nU vrlo konciznom projektu autor predlaže temu o kojoj se kao temi dokumentarnog filma nije do \nsada razmišljalo, ili se o tom pokušaju do sada nije znalo. Predstaviti one koji žele postati glumci \nili filmski redatelji, pratiti ih u procesu pripreme za prijemni ispit, sudar s mogućim mišljenjima \nroditelja koji se boje za egzistenciju svoje djece, i sa svojim očekivanjima što je to život glumaca, \nusporedno s praćenjem i rada povjerenstva, i procesa njegova odlučivanja, čini se u ovoj fazi kao \nprilično uzbudljiv projekt.  \n \n3. ZEMLJA KOJU (U)DIŠEMO Manuel Inacker (redatelj / scenarist) / Ana Marija Marinov \n(scenaristica) / Oliver Sertić  (producent) / Restart (produkcija) – 83.000,00 eur  \n \nRadi se o jednom od rijetkih projekata u ovom pozivu koji se bavi suvremenom odnosno \nrecentnom ekološkom tematikom. Ekološke teme nerijetko znaju biti poopćene, no u ovom \nprojektu autori kroz tri protagonista pričaju globalnu klimatsku priču mikro lokacijskim \nprimjerima u Dalmaciji.  Kontrasti turizma, i onoga što je turiste Dalmaciji privuklo, priroda \nugrožena ljudskim djelovanjem, čini se kao sjajan kontemplativni proces, ali koji je daleko od \nnekonkretnog. Cjelokupni sadržaj ovog filma kroz njegovu dramaturšku strukturu nastavlja biti \nkonkretan, koncizan i upozoravajući. \n \n \n4. ČUVARI DUŠE GRADA Silvio Mirošničenko (redatelj / scenarist),  Željka Benčić (producentica) \n/ Bond Squad j.d.o.o. (produkcija) -  15.000,00 eur – film u postprodukcijskoj fazi \n \nAutor u svom projektu nudi neobičan pogled na propitivanje identiteta i smisla života onih koji su \nsudjelovali u Domovinskom ratu, a u njega su ušli kao umjetnici. Koncept ispovijedi u spoju \nfotografije, kroz snimke ukazuje na kvalitetno produciran projekt. \n \n \n  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2024,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2013 Razvoj scenarija AV djela LISTOPAD.pdf","filename_decoded":"2013 Razvoj scenarija AV djela LISTOPAD.pdf","sha256":"0c36024ea15321be66b67a2d213c18118fa5049c8b6fa5e82208f37b27107b71","bytes":107952,"page_count":1,"extracted_at":"2026-05-17T10:24:17Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2013%20Razvoj%20scenarija%20AV%20djela%20LISTOPAD.pdf"},"raw_text":"RAZVOJ SCENARIJA 2013 - DUGOMETRAŽNI IGRANI FILM - 3. ROK - 18.10.2013.\nR. br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG PREDLOŠKA\nODOBRENO\n1 ANA KOLOVIĆ\nVanja Sviličić\nMaxima film d.o.o./ Damir Terešak\nVanja Sviličić\n35,000.00\n2 ČOVJEK IZ KATANGE\nRadislav Jovanov Gonzo\nPropeler film d.o.o./ Boris T. Matić\nRadislav jovanov Gonzo\n35,000.00\n3 GERILA\nMarko Šantić i Lana Šarić\nMarko Šantić\n35,000.00\n4 GOLUBINJAK\nSilvija Luks-Kalogjera\n35,000.00\n5 I BILI SMO PINGVINI\nAnita Čeko\n35,000.00\n6 OSMERAC\nDavor Špišić\nArtizana film d.o.o./ Irena Škorić\nBranko Ištvančić\nDavor Špišić\n35,000.00\n7 SPAJANJE\nHani Domazet i Sanja Milardović\n35,000.00\n8 TAKO TO ČESTO BIVA\nŠime Šimatović\n35,000.00\n9 U.P.M.\nIvo Balenović\n35,000.00\n10 ŽIVOT JE IPAK LIJEP\nBranko Ružić i Silvio Jesenković\nInterfilm d.o.o./ Ivan Maloča\nSilvio Jesenković\nGoran Tribuson\n35,000.00\n11 RAZGOVOR S RIBOM\nLukas Nola\nKinroama d.o.o.\nLukas Nola\n35,000.00\nUKUPNO\n385,000.00\nRAZVOJ SCENARIJA 2013 - DUGOMETRAŽNI DOKUMENTARNI FILM - 3. 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Munižaba te dramaturginja i scenaristica\nIvana Vuković dodijelio je šest nagrada.\nNajbolji film - Hrvatskog narodnog preporoda, Goran Dević\nFilm nas nenametljivom prisutnošću uvodi u blok, haustor, stanove izgrađene s utopijskom\nnamjerom boljeg života za radnike Željezare Sisak i idejom o stvaranju njihove zajednice.\nPeriferija tada predstavlja vrhunac modernizacije. Iako film pokazuje da je zajednica ipak\npostojala, danas taj blok simbolizira grad iz kojeg ljudi iseljavaju uslijed loših tranzicijskih\npolitika. Umješnost ovog opservacijskog dokumentarca je u preciznom korištenju isključivo\nfilmskih sredstava kojima autor priča tešku, ali što je važnije, empatičnu priču o malom\nčovjeku, prožetu humorom svakodnevice stanovnika bloka hrvatskog narodnog preporoda,\nšto je fino iskorištena ironija i za naslov filma.\nNagrada za najbolju režiju - Goran Dević za film „Hrvatskog narodnog preporoda“\n \nRedateljskom empatijom neodvojivom od umješnog redateljskog postupka, Dević bilježi\nsvakodnevicu svojih junaka sjedinjujući svoju perspektivu s njihovom, i tako publici daje moć\ninteligentnog sveprisutnog promatrača, uvijek u centru intimnih zbivanja. Vješto balansirajući\nnostalgično, potresno, a onda i komično, koje neočekivano prevlada, nijednog trenutka ne\nugrožava širu relevantnost kronike jedne zgrade kao simbola propasti ideologije i društva.\nNagrada za najbolju montažu - Janu Klemshe za film „Hrvatskog narodnog preporoda“\n \nNaizgled jednostavnom transparentnom gramatikom, ali ne shvaćajući olako nijedan rez, Jan\nKlemše nas precizno vodi kroz statične sekvence ostavljajući utisak neraskidivosti ritmički\nuzbudljive narativne cjeline, a emotivnim naglascima sa često humorističnim efektom definira\nfilmski doživljaj, vraćajući nas presudnom značaju umjetnosti montaže.\nNagrada za najbolju fotografiju - Ivan Slipčević i Davor Sanvincenti za film „Mjesta\nkoja ćemo disati“\n \nAutorova vizualna interpretacija odnosa koje film propitkuje vodi nas kroz svojevrsno\nputovanje isprepleteno prostornim i vremenskim fragmentima. Gotovo slikarska faktura\nprikazanih pejzaža kreira poetičnu i asocijativnu atmosferu filma dok stanje kamere balansira\nizmeđu perspektive promatranog i promatrača te suptilno usmjerava gledateljeva osjetila,\nzadržavajući ih svakim kadrom u neizvjesnosti i promišljanju. Prizori funkcioniraju kao\nkrhotine sjećanja koje svojom jednostavnošću uvjerljivo podupiru redateljeve preokupacije u\novom vizualnom eseju. \nNagrada za dizajn zvuka - Luka Gamulin za film „Tvornica filma“\nU filmu koji se velikim dijelom svoje težine oslanja na zvuk, Luka Gamulin je pokazao kako\nnajosnovniji elementi zvuka mogu biti i najmoćniji. Zvučnim sredstvima saznajemo, \nupoznajemo i osjećamo nostalgične priče protagonista koje nikada zapravo ne ugledamo, i to\nsve u velikom skladu sa slikama prostora kojima vizualno putujemo. Slike i zvuk tijesno su\nprotkani u ritmično tijelo narativa koji se nadopunjuju tako da ono neprikazano lako gradimo\nsvojim osobnim uspomenama i maštom - gdje fotografija započne, zvuk nastavi i razigra u\nviziju ili retro-viziju o slavnoj tvornici i njihovim radnicima. Zvučni efekti mijenjaju oblik u\nmuziku, a glasovi u našim glavama postaju nikad razvijena fotografija lica ljudi koji su živjeli i\nradili za ovu tvornicu. Čestitamo.\nNajbolji regionalni film - In medias res, Ana Klepo\n\n\f\nNagradu za najbolji regionalni film dobiva film In Medias Res redateljice Ane Klepo. Riječ je o\njednostavnom, ali ujedno i preciznom i zanimljivom prikazu mlade osobe u izgradnji identiteta\ni propitivanju egzistencije. Autorica bira performativno-participacijski način izlaganja\ndokumentarnog filma i gledatelju otvara vrata u intiman prostor protagonistice. Uz scene\nzabave prikazuju se i izvrsno dozirane scene (ili samo off-screen zvuk) dijaloga između Mele\ni redateljice, u kojima protagonistica nakon introspekcije donosi važne životne odluke.\nSekvenca zabave je surova i eksplicitna, ali njome redateljica gotovo kao da ni ne zauzima\nstav o tome je li prikazano dobro ili loše, već izlaže stvarnost onakvu kakva jest.\nNagradu dodjeluje kritičarka Iva Rosandić\nNagrada kritičarke „Dragan Rubeša“ - Lutajući oceanom, Toma Zidić\nMod življenja ljudi koje susreće, atmosferu pejzaža koje posjećuje, Toma Zidić preobražava u\npoetiku filma, da bi Lutajući oceanom bilo moguće shvatiti kao film o fizičkom mjestu, u\nsvakom trenutku potencijalno izmještenom u imaginarno. Esejističku studiju kristalizira iz\ndijalektike artificijelnog i prirodnog, ne dajući prednost niti jednom, već ih uvlači u stalni\nmeđuodnos.\nSugestivnom igrom pripovijedanja i slike otkriva se prostor usporavanja kao kontrapunkt\nvremenu koje živimo. I dok materijalizirana misao tendira prema sveobuhvatnosti, neprekidni\nje proboji realiteta uvijek iznova individualiziraju.\n","warnings":[],"document":{"program_type":"festivali","year":null,"rok":null,"referenced_projects":["Hrvatskog narodnog preporoda","Mjesta koja ćemo disati","Tvornica filma","In medias res","Lutajući oceanom"],"summary":"Obrazloženja žirija 20. Liburnia Film Festivala (snimateljica A. Kaštelan, redatelj M. Kovačević, S. Mišković, J. Munižaba, I. 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ROK - 15.9.2021., 32. sjednica Hrvatskog audiovizualnog vijeća 29.12.2021.\ndugometražni dokumentarni filmovi\ndugometražni dokumentarni film u postprodukcijskoj fazi\nUKUPNO DUGOMETRAŽNI DOKUMENTARNI FILMOVI\nkratkometražni dokumentarni filmovi\n\n\f\n1\nŽene, luđaci i malo dobrih pedera\nIvan Salaj\nPlavi mjesec d.o.o.\n4.000.000,00\n2\nPrije ljeta\nDanis Tanović\nPropeler Film d.o.o.\n4.800.000,00\n3\n4:2\nAnđelo Jurkas\nDOP produkcija \n200.000,00\n9.000.000,00\n1\nLaku noć\nPetra Mrša\nKreativni sindikat\n160.000,00\n2\nEl Shatt\nAna Bilankov\nKreativni sindikat\n180.000,00\n3\nTišina\nToni Meštrović\nKreativni sindikat\n110.000,00\n4\nVlasta nad tijelom\nDenis Golenja\nFilmska udruga Šuma\n180.000,00\n5\nFenomena\nVlado Zrnić\nUdruga Metonimija\n110.000,00\n740.000,00\n1\n671\nNebojša Slijepčević\nAntitalent d.o.o.\n400.000,00\n2\nA gdje je Nataša?\nSanja Milardović\nCastor Multimedia \nd.o.o.\n270.000,00\n3\nBuleta\nIvana Marinić Kragić Udruga Marinis 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Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), Hrvatsko audiovizualno \nvijeće je na 51. sjednici održanoj 17. rujna 2014. godine donijelo: \n \nO  D  L  U  K  U \no sufinanciranju programa „Croatian Month“ na Eurochannelu \n \n1.) Dodjeljuju se sredstva za sufinanciranje programa „Croatian Month“ u suradnji s Eurochannelom \nInc. 235 Lincoln Road Suite 201, Miami Beach FL 33139, USA (dalje u tekstu: Eurochannel) u \niznosu od 10.000,00 (desettisućaeura) u protuvrijednosti u kunama na dan plaćanja. \n2.) Ovlašćuje se ravnatelj Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) na zaključivanje ugovora s Eurochannelom. \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \nObrazloženje \n \nEurochannel je svjetski televizijski kanal posvećen promicanju europske kulture i europskog životnog stila, \nplasiranjem sadržaja kao što su igrani i dokumentarni filmovi, serije, koncerti, posebne emisije te razni ostali \nkulturni i zabavni sadržaji. Svake godine, Eurochannel organizira projekt „One month, one country“ u okviru \nkojeg većinu svojeg programa posvećuje jednoj zemlji, ove godine projekt je ponuđen Hrvatskoj. Program \n„Croatian Month“ na rasporedu je u studenome 2014. godine. \n \nNa 51. sjednici Hrvatskog audiovizualnog vijeća održanoj 17. rujna 2014.godine usvojena je odluka iz toč. 1. \nizreke Odluke. \n \nTemeljem čl.12. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) ravnatelj HAVC-a zaključit će \nugovor s Eurochannelom. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić –Škarica, v.r. \n \nDostaviti: \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"komplementarne","year":2014,"rok":null,"referenced_projects":["Croatian Month"],"summary":"AV vijeće na 51. sjednici od 17. rujna 2014. dodjeljuje 10.000,00 eura (u protuvrijednosti u kunama) za sufinanciranje programa „Croatian Month“ u suradnji s televizijskim kanalom Eurochannel, koji se emitira u studenome 2014.","project_links":[{"source_title":"Croatian Month","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"razvoj scenarija animirani web obrazlozenje 19062019.pdf","filename_decoded":"razvoj scenarija animirani web obrazlozenje 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 kojih\t\r  su\t\r  se\t\r  \nrazmatrala\t\r  tri\t\r  (3)\t\r  budući\t\r  da\t\r  se\t\r  jedan\t\r  projekt\t\r  prijavio\t\r  i\t\r  u\t\r  kategoriju\t\r  razvoja\t\r  \nprojekta\t\r  (u\t\r  koju\t\r  kvalitativno\t\r  i\t\r  pripada).\t\r  \nPredloženi\t\r  projekti\t\r  su\t\r  BESMRTNIK,\t\r  scenarista\t\r  Renata\t\r  Grgića\t\r  i\t\r  Kristijana\t\r  \nPetrovića\t\r  te\t\r  TRAG,\t\r  scenaristice\t\r  Martine\t\r  Globočnik\t\r  i\t\r  Tomislava\t\r  Beštaka.\t\r  \n\t\r  \nBESMRTNIK\t\r  je\t\r  priča\t\r  \t\r  o\t\r  bogovima\t\r  klasične\t\r  grčke\t\r  mitologije\t\r  koji\t\r  su\t\r  utjelovljeni\t\r  u\t\r  \nsuvremenom\t\r  kontekstu.\t\r  Osnovna\t\r  premisa\t\r  je\t\r  \"što\t\r  bi\t\r  se\t\r  dogodilo\t\r  da\t\r  su\t\r  grčki\t\r  \nbogovi\t\r  živi\t\r  danas\t\r  -­‐‑\t\r  kako\t\r  bi\t\r  se\t\r  uklopili\t\r  i\t\r  kako\t\r  bi\t\r  izgledali\t\r  njihovi\t\r  odnosi\t\r  te\t\r  da\t\r  li\t\r  bi\t\r  \nmogli\t\r  opstati\t\r  kao\t\r  bogovi?\"\t\r  Projekt\t\r  se\t\r  stilom\t\r  i\t\r  radnjom\t\r  slanja\t\r  se\t\r  na\t\r  duh\t\r  vesterna\t\r  \nsa\t\r  elementima\t\r  horrora\t\r  i\t\r  akcijskih\t\r  fantastičkih\t\r  filmova\t\r  a\t\r  priča\t\r  se\t\r  odvija\t\r  u\t\r  \ndanašnjem\t\r  SAD-­‐‑u.\t\r  Iskusni\t\r  autori\t\r  u\t\r  suradnji\t\r  sa\t\r  renomiranom\t\r  producentskom\t\r  \nkućom\t\r  obećavaju\t\r  multimedijski\t\r  spektakl\t\r  koji\t\r  spaja\t\r  tradiciju\t\r  i\t\r  suvremeni\t\r  svijet\t\r  na\t\r  \nfantastičan\t\r  i\t\r  široj\t\r  publici\t\r  primamljiv\t\r  način.\t\r  \nDrugi\t\r  projekt\t\r  je\t\r  sasvim\t\r  drugačija,\t\r  ali\t\r  jednako\t\r  uzbudljiva\t\r  priča.\t\r  Autori\t\r  scenarija\t\r  \nTRAG\t\r  stavljaju\t\r  psa\t\r  Vilmu\t\r  u\t\r  glavnu\t\r  ulogu\t\r  i\t\r  to\t\r  u\t\r  ratni\t\r  kontekst\t\r  Vukovara\t\r  1991.\t\r  \nSama\t\r  radnja\t\r  filma\t\r  prati\t\r  njegovu\t\r  potragu\t\r  za\t\r  vlasnicom\t\r  i\t\r  to\t\r  većinom\t\r  kroz\t\r  (njegov)\t\r  \nsubjektivni\t\r  kadar.\t\r  Budući\t\r  da\t\r  pas\t\r  percipira\t\r  svijet\t\r  na\t\r  poprilično\t\r  drugačiji\t\r  način\t\r  od\t\r  \nčovjeka,\t\r  autori\t\r  na\t\r  dosjetljiv\t\r  način\t\r  koriste\t\r  animaciju\t\r  kako\t\r  bi\t\r  pokazali\t\r  i\t\r  dočarali\t\r  te\t\r  \nrazlike\t\r  u\t\r  doživljaju\t\r  i\t\r  kako\t\r  bi\t\r  ispričali\t\r  priču\t\r  o\t\r  ljubavi\t\r  i\t\r  potrebi\t\r  za\t\r  smislom\t\r  u\t\r  \nnajtežim\t\r  vremenima.\t\r  \t\r  \n\t\r  \nSveukupna\t\r  predložena\t\r  potpora\t\r  je\t\r  \t\r  50.000,00\t\r  kn\t\r  za\t\r  2\t\r  projekta.\t\r  \t\r  \n\t\r  \n\t\r  \t\r  \n\t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2018_1rok_IGR_WEB.pdf","filename_decoded":"RPR_2018_1rok_IGR_WEB.pdf","sha256":"0db7c63c3e245d8e92e4c7b7829274029054309b89f19d9eb5df32df397704d1","bytes":33810,"page_count":1,"extracted_at":"2026-05-17T10:24:20Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2018_1rok_IGR_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nPula\nKinematograf d.o.o. \nIvan Turković-Krnjak\nAndrej Korovljev\nVladimir Stojsavljević \n\"Pula\"\n100.000,00\n2\nBožji gnjev\nEurofilm d.o.o.\nJosip Mlakić\nKristijan Milić\nJosip Mlakić \"Božji gnjev\"\n120.000,00\n3\nBrdo\nInter film d.o.o.\nBruno Gmulin i Ivica \nPrtenjača\nBruno Gamulin\nIvica Prtenjača \"Brdo\"\n120.000,00\n4\nBumbarov let\nInter film d.o.o.\nIvan Turković-Krnjak i \nMarko Hrenović\nAntonio Nuić\n120.000,00\n5\nČetvrti kralj\nKinorama d.o.o.\nZvonimir Jurić i Jurica \nPavičić\nZvonimir Jurić\n120.000,00\nUKUPNO\n580.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ PROJEKATA u 2018. - 1. 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d.o.o.","row_id":"0db7c63c:s0:5426710fccee","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_36da54f6a74f","project_family_title":"Četvrti 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poziv za razvoj scenarija dugometražnih igranih filmova u 2018. godini, 3. rok, prijavilo \nse 45 projekata.  \nZbog otvorenosti javnog poziva mnogi projekti ne zadovoljavaju profesionalne standarde u \nprezentaciji autorskog materijala.  \nU izboru odabranih projekata umjetnički savjetnici su se rukovodili principom konsenzusa te \nrealnih izgleda projekata za uspješan život na kino i festivalskom tržištu.  \nOdabrana su samo dva projekta od kojih oba imaju izniman gledateljski, ali i koprodukcijski \npotencijal.  \n \n \nGORO, scenaristi: Miroslav Sikavica i Marija Šimoković Sikavica, redatelj: Miroslav Sikavica  \n30.000 HRK \nU želji da se zbliži sa svojom kćeri, rastavljeni PTSP-ovac, i bivši branitelj prati njen razred na \nmaturalno putovanje. To je zabavan, šarmantan, ali i dubok film o obostranom sazrijevanju. \nFilm ima visok koprodukcijski potencijal, dobrim djelom događa se u Španjolskoj, a redatelj \nima izvrsne reference za uspješnog debitanta.  \n \n \nMISTER MORGEN, scenarist: Ivan Đuričić, producent: Wolfgang i Dolly \n \n30.000 HRK \n \nVrlo zanimljivo koncipirana autobiografska priča o legendarnom pjevaču Ivi Robiću i njegovoj \nsupruzi Marti. Scenarij visokog distribucijskog i koprodukcijskog potencijala. Dobro je da \nscenarist, inače naš poznati glumac, već u ovoj fazi surađuje s producentskom kućom.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n \n2\nREZULTATI HAVC-ovog JAVNOG POZIVA ZA RAZVOJ PROJEKATA DUGOMETRAŽNOG IGRANOG \nFILMA ZA 2018., 3. ROK \n \nNa HAVC-ov javni poziv za razvoj projekata dugometražnog igranog filma za 2018., 3. rok, bilo \nje prijavljeno 9 projekata. Od devet prijavljenih projekata, 4 su projekta ranije dobila potporu \nza razvoj scenarija. 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Zbog \ngomile raznorodnih motiva osjete se povremeni nedostaci u dramaturškoj disciplini i tempu \ntako da razvoj projekta može ovom scenariju iznimno koristiti. Potencijalno zanimljiv projekt \nmlađoj filmskoj publici.  \n \nE, JEBI GA, scenaristi: Rajko Grlić i Ante Tomić, redatelj: Rajko Grlić,  \nProdukcija INTERFILM  \n \n \n \n \n \n \n \n140.000 HRK \nU početku zamišljen kao osuvremenjena adaptacija Krležina romana «Na rubu pameti», ovaj \nprojekt sada tek počiva na Krležinoj inicijalnoj ideji. No, to mu nije nedostatak. Projekt ima \niznimno kvalitetnu dramaturšku strukturu, ali u segmentu dublje nadgradnje karaktera, \nmogao bi od faze razvoja projekta imati velike koristi, jer se evidentno radi o vrlo ranoj fazi \nscenarija. 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600.000,00","ukupno":600000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":600000.0,"ukupno_match":true,"row_count":20,"awarded_count":20,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":20}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web%20PROIZVODNJA%20DUGI%20DOKUMENTARNI_1_ROK_2022.pdf","filename_decoded":"web%20PROIZVODNJA%20DUGI%20DOKUMENTARNI_1_ROK_2022.pdf","sha256":"0e7b9099b0e001bd9d9b46c6d880266fe28178345614c6898498e579edd658d6","bytes":63621,"page_count":2,"extracted_at":"2026-05-16T15:40:37Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20PROIZVODNJA%20DUGI%20DOKUMENTARNI_1_ROK_2022.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. ROK, 2022. \nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac  \nKATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - DUGOMETRAŽNI DOKUMENTARNI FILM – 15. ožujka \n2022.  \nOPĆI OSVRT  \nNa javni poziv u kategoriji proizvodnje dugometražnog dokumentarnog filma u 1. roku prijavljeno je \nsveukupno 17 projekata. Od toga je jedan projekt prijavljen u fazi postprodukcije. Od 17 projekata, svi su \nrazmatrani. Značajan broj pristiglih projekata već je iskoristio potporu u fazi razvoja scenarija ili razvoja \nprojekta i to je vidljivo u kvaliteti dijela pripremljenih produkcijskih paketa. Dio projekata ranije je \nprijavljivan u kategoriji proizvodnje te su sada ponovili prijavu.  \nAutorski principi su raznoliki uz dominaciju opservacijskih, istraživačkih i polu-autobiografskih pristupa. \nTeme koje autori i autorice postavljaju u fokus su većinom vezane uz  turbulentne događaje iz recentne \nprošlosti poput pandemije i potresa, autori također nude zanimljive i društveno relevantne uvide u \nrealnosti kroz portrete specifičnih lokaliteta i pojedinaca te ulaze u očito još uvijek nedovoljno obrađivane \nteme posljedica Domovinskig rata. Pristiglo je i nekoliko kompleksnih i inovativnih projekata s uvjerljivim \nmeđunarodnim potencijalom ostvarivim u sferama festivalske i komercijalne  distribucije.  \nPredloženo je i odobreno ukupno 5 projekata za sufinanciranje u ovoj kategoriji u ukupnom iznosu od \n1.990.000,00 kn. Odobreni projekti iskaču svojim kreativnim potencijalom, nadahnutim pristupom obradi \nteme, ali i relevantni su u društvenom i umjetničkom kontekstu.  \n1. VIA ROMA David Lušičić  (scenarist i redatelj) / David Lušičić (producent) / Greta Creative Network \n(produkcija) –370.000 kn  \nJedna riječka ulica kao pozornica na kojoj se kroz razgovore dovikivane preko zida otvara spektar izazova  \npod nazivnikom preživljavanja u suvremenom hrvatskom društvu. Via Roma je riječki zatvor kojeg \nistoimena cesta razdvaja od parka gdje se svake večeri skupljaju ljudi kako bi se čuli s zatvorenicima \nnadovikivajući se preko ulice. Kad se svi raziđu, jedna žena ostaje kako bi ovdje pričala sa svojim mužem. \nOn je iza rešetaka svoje ćelije, a ona u parku preko puta. Film prati transformaciju njezine svakodnevice \nkako otkriva njegove dugove koje mora riješiti dok štiti njihova sina od saznanja o očevoj prošlosti te \npokušava spasiti život kakav poznaje.  \n2.CENTAR SVITA Marko Šantić ( redatelj i scenarist) / Jure Bušić (producent) / Jaka produkcija d.o.o. -  \n370.000 kn  \n \nČistim opservacijskim stilom, redatelj privilegijom kamere ulazi u realnosti pulsirajućeg krvotoka najvećeg \nspasa hrvatske egzistencije – turizma.  \nOvaj dokumentarac prati troje iznajmljivača koji se, unutar jedne ljetne turističke sezone, svaki na svoj \nosebujan način bave turizmom, a glavno mjesto radnje je Split ili kako njegovi stanovnici znaju reći - \ncentar svita. Tri lika kao nositelji generacijskih obilježja života u našem društvu, u košmaru mirisa, okusa i \n\n\f\nboja donošenih rijekama turista dok preplavljuju ulice i domove Dioklecijanovog grada. Svaki od \nprotagonista u toj rijeci gradi vlastiti splav, ne bi li ostali na površini.  \n \n3.DJECA MOG BRATA Milivoj Puhlovski (redatelj) / Milivoj Puhlovski i Marina Šur – Puhlovski  \n(scenaristi) / Mirta Puhlovski (producentica) / Metar60 (produkcija)400.000 kn  \nOvaj punokrvan dokumentarac s elementima animacije, nastoji odmičući sloj po sloj nagomilanih taloga \nobiteljskih odnosa dati odgovor na pitanje postoji li portret savršene obitelji ili obitelj čini ono što se nalazi \nispod raznih prašina koje je moguće obrisati tek uz dozu zdravog humora?   Redatelj filma kameru okreće \nprema vlastitoj familiji, portretirajući osebujni životni put i nasljeđe vlasitog brata.  Tri sina istog oca, tri \nnacije, tri rase i njihov prvi zajednički susret na filmu. Braća - Srbin, Filipinac i Afroamerikanac svi već u \n“skoro zrelim” godinama susreću se prvi put zajedno u Hrvatskoj, svaki noseći sa sobom dio ostatka svijeta \ni njegovih tereta. Protagonist Bero i autor filma, također su polubraća. Petorica polubraće postavljaju \nosobna, ali vječna pitanja očeva i djece, problematizirajući odrastanje, odgoj i toleranciju.  \n4.MJERENJE NEBA Petar Orešković (scenarist i redatelj) / Siniša Juričić (producent) / Nukleus Film d.o.o. \n(produkcija) -  480.000 kn  \nImpresivna priča o otkrivanju svemira. Film prati put glavnog protagonista nekadašnjeg đaka zagrebačkog \nasfalta, do čileanskih visina na kojima vodi izgradnju The Legacy Survey of Space and Time (LSST), \nnajmoćnijeg teleskopa u povijesti, koji će započeti s radom za nekoliko godina. Ovaj projekt vodeći je \ndoseg civilizacije u vječnoj želji čovjeka da otkrije svemir.  Jedan od ključnih ljudi na tom projektu je Željko \nIvezić - zagrebački fizičar i astronom. U ovom dokumentarcu pratiti će se posljednje godine izgradnje LSST-\na i početak njegovog rada. Sniman na tri kontinenta, impresivnom fotografijom, uz glavnog antagonista \nElona Muska.  Film ostavlja dojam susreta intimističkih priča s produkcijama na razini National \nGeographica.   \n \n5. CORDON  Antun Mezulić (scenarist, redatelj) / Oliver Sertić (producent) / Restart (produkcija) – \ndebitantski film - 370.000 kn  \nČistim i vještim opservacijskim stilom redatelj, i sam dio zajednice koju snima, lišen patetike, kroz \nsuptilnost ljudskih odnosa ulazi u kompleksne ukorijenjene posjedice poslijeratnih realnosti, bez \npolarizirajućih podjela. Film prati Pavu i Pićija, domare dva nacionalno suprotstavljena nogometna kluba \nkoja igraju na istom stadionu s dva različita imena u malenom gradu u kojemu se sve dijeli prema istom \nkriteriju.  Neizbrisivo obilježeni različitim nacionalnim pripadnostima, članovi male zajednice pune duha \ndijele zajednički problem – neizvjesnu budućnost.  Mladi odlaze i oba kluba uskoro će ostati bez igrača. \nKroz posljedice turbulentne nerazriješene povijesti i smjenu generacija kojima je povijest tek uzrok \nsadašnjih egzistencijalnih izazova, film suprostavlja pitanja «intimnog i globalnog».  \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. 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Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12),  Hrvatsko audiovizualno vijeće, na prijedlog Umjetničkog vijeća, na 50. sjednici održanoj 5. \nrujna 2014.godine donijelo: \n \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2014.godini \nu  kategoriji -poticanje razvoja projekata-dugometražni igrani filmovi, rok 25. travnja 2014.godine \n \n \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra (dalje u tekstu: HAVC) za poticanje \naudiovizualnih djelatnosti i stvaralaštva u 2014.godini  utvrđuje se lista prioriteta i donosi odluka o \nraspodjeli sredstava za poticanje audiovizualnih djelatnosti i stvaralaštva u kategoriji -poticanje \nrazvoja projekata -dugometražni igrani filmovi, rok 25. travnja 2014.godine u ukupnom iznosu od \n200.000,00 kn (dvjestotisućakuna), prema tablici priloženoj ovoj Odluci koja čini njezin sastavni \ndio. \n \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku \npredviđenom Pravilnikom o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva (NN 118/12). \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 118/12)  u 2014. godini raspisan je Javni poziv Hrvatskog audiovizualnog \ncentra za poticanje audiovizualnih djelatnosti i stvaralaštva u kategoriji -poticanje razvoja projekata \ndugometražni igrani filmovi. \n \nNa Javni poziv ukupno je prijavljeno 11 projekata i svi su imali uredne prijave. \n \n\n\f\n \n \n \n \nNa 33. sjednici Umjetničkog vijeća umjetnički savjetnici za dugometražni igrani film g. Branko Schmidt i g. \nDalibor Matanić predložili su listu prioriteta koju je Umjetničko vijeće usvojilo i proslijedilo na razmatranje \nHrvatskom audiovizualnom vijeću.  \nNa 50. sjednici Hrvatskog audiovizualnog vijeća održanoj 5. rujna 2014. godine većinom glasova je \nprihvaćena lista prioriteta iz točke 1. izreke Odluke. \n  \n \nSukladno čl.12. Zakona o audiovizualnim djelatnostima, ravnatelj HAVC izvršava odluke o raspodjeli \nsredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima sredstava.  \n \nSukladno čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić –Škarica, v.r. \n \n \n \n \n \nPrilog: tablice s rezultatima \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n\n\f\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\n1\nNosila je rubac črleni\nŠvenk d.o.o. / Nina \nPetrović\nSandra Antolić\nGoran Dukić\n100.000,00\n2\nUstav Republike \nHrvatske\nInter film d.o.o. / \nMaja Pavić\nRajko Grlić, Ante \nTomić\nRajko Grlić\n100.000,00\nUKUPNO\n200,000.00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih \ndokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2014. - 1. \nROK - 25.4.2014.\ndugometražni igrani film\n","warnings":[],"document":{"program_type":"razvoj_projekata","year":2014,"rok":"1. rok","referenced_projects":["Nosila je rubac črleni","Ustav Republike Hrvatske"],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 5. rujna 2014. o raspodjeli sredstava za poticanje razvoja projekata dugometražnih igranih filmova (1. rok, 25.4.2014.) u ukupnom iznosu od 200.000,00 kuna za 2 projekta po 100.000,00 kuna.","project_links":[{"source_title":"Nosila je rubac črleni","family_id":"pf_a1c32644a226","family_title":"Nosila je rubac črleni","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Ustav Republike Hrvatske","family_id":"pf_4ca5174235f5","family_title":"Ustav Republike Hrvatske","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.0","doc_type":"other","source":{"filename":"Dodatak%201-kvalifikacijski%20test.pdf","filename_decoded":"Dodatak%201-kvalifikacijski%20test.pdf","sha256":"0ed9ab56ab89ca5ce340861381e6517d32ac37acb9da2c67ee6399a595c9a67f","bytes":217095,"page_count":3,"extracted_at":"2026-05-16T13:38:08Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_WEB_2016_2rok_ANIM_11072016.pdf","filename_decoded":"RPR_WEB_2016_2rok_ANIM_11072016.pdf","sha256":"0f149315003daa42c01e5e840052815cdaa77b3d6d4f8887c7494e310b10fb0d","bytes":84698,"page_count":1,"extracted_at":"2026-05-17T10:24:22Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_WEB_2016_2rok_ANIM_11072016.pdf"},"raw_text":"RAZVOJ\t\r  PROJEKATA\n-­‐\t\r  2.\t\r  ROK\nANIMIRANI\n1\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nMendo i Slavica\nProjekt 6 Studio d.o.o.\nIrena Krčelić\nPetar Orešković\n110,000.00\nUKUPNO\n110,000.00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija \ni razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ PROJEKATA u 2016. - 2. ROK - 11.7.2016.\nanimirani film\n75. sjednica Hrvatskog audiovizualnog vijeća, 28. listopada 2016.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"RPR_WEB_2016_2rok_ANIM_11072016","year":2016,"rok":"2. rok","natjecaj_date":"2016-07-11","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"75. sjednica Hrvatskog audiovizualnog vijeća, 28. listopada 2016.","section_key":"75_sjednica_hrvatskog_audiovizualnog_vijeca_28_listopada_201","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Mendo i Slavica","applicant":"Projekt 6 Studio d.o.o.","production_company":"Projekt 6 Studio d.o.o.","director":"Petar Orešković","writer":"Irena Krčelić","original_author":null,"category":"Animirani","approved_amount_text":"110,000.00","approved_amount":110000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Irena Krčelić","REDATELJ":"Petar Orešković","approved_amount_original":110.0,"approved_amount_text_original":"110,00","amount_repaired_at":"2026-05-17T12:54:59Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"us_std","amount_repair_confidence":"high","repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_doc_single_signal","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"0f149315_rpr_web_2016_2rok_anim_11072016_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 1 and title match exactly, with writer and director clearly aligned under SCENARIST/-ICA and REDATELJ while original-author cell is empty.","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"0f149315_rpr_web_2016_2rok_anim_11072016_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Row number 1 and title match exactly, with writer and director clearly aligned under SCENARIST/-ICA and REDATELJ while original-author cell is empty."},"entity":"Projekt 6 Studio d.o.o.","row_id":"0f149315:s0:0077be8fc5a5","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_864a7b7428d6","project_family_title":"Mendo i Slavica"}],"section_total_text":"110,00","section_total":110.0}],"totals":{"ukupno_text":null,"ukupno":110.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":110000.0,"ukupno_match":false,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"razvoj%20projekta%20animirani%20web%20obrazlozenje%2019062019(1).pdf","filename_decoded":"razvoj%20projekta%20animirani%20web%20obrazlozenje%2019062019(1).pdf","sha256":"0f30f9685ea1b2ef2d80c86948fd4432e087a8b316584d21da6b7e8b1faf91ca","bytes":25355,"page_count":1,"extracted_at":"2026-05-16T14:15:10Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/razvoj%20projekta%20animirani%20web%20obrazlozenje%2019062019%281%29.pdf"},"raw_text":"JAVNI\t\r  POZIV\t\r  ZA\t\r  POTICANJE\t\r  AUDIOVIZUALNIH\t\r  DJELATNOSTI\t\r  I\t\r  STVARALAS3TVA\t\r  U\t\r  \n2019.\t\r  GODINI\t\r  \n\t\r  \nKategorija:\t\r  poticanje\t\r  razvoja\t\r  scenarija\t\r  i\t\r  razvoja\t\r  projekata\t\r  \nPodkategorija:\t\r  razvoj\t\r  projekata\t\r  -­‐‑\t\r  animirani\t\r  film\t\r  \t\r  \nRok:\t\r  1.\t\r  rok,\t\r  19.\t\r  lipnja\t\r  2019.\t\r  \n\t\r  \nNa\t\r  prvi\t\r  natječajni\t\r  rok\t\r  javnog\t\r  poziva\t\r  za\t\r  poticanje\t\r  razoja\t\r  scenarija\t\r  i\t\r  razvoja\t\r  \nprojekata\t\r  u\t\r  2019.godini\t\r  prijavljena\t\r  su\t\r  i\t\r  razmatrana\t\r  četiri\t\r  (4)\t\r  projekta\t\r  od\t\r  kojih\t\r  su\t\r  \ntri\t\r  (3)\t\r  predložena\t\r  za\t\r  potporu.\t\r  Većina\t\r  projekata\t\r  (3\t\r  od\t\r  4\t\r  )\t\r  je\t\r  ili\t\r  ciljana\t\r  ili\t\r  \nprilagođena\t\r  i\t\r  dječjem\t\r  uzrastu\t\r  što\t\r  je\t\r  novost\t\r  u\t\r  ovoj\t\r  kategoriji\t\r  gledajući\t\r  unazad\t\r  \nnekoliko\t\r  zadnjih\t\r  rokova.\t\r  Također\t\r  je\t\r  zanimljivo\t\r  i\t\r  obećavajuće\t\r  da\t\r  su\t\r  svaki\t\r  od\t\r  tih\t\r  \nčetiri\t\r  projekta,\t\r  gledano\t\r  u\t\r  smislu\t\r  animacije,\t\r  sasvim\t\r  različitih\t\r  pristupa\t\r  i\t\r  tehnika,\t\r  a\t\r  \njedan\t\r  projekt\t\r  je\t\r  i\t\r  kombinacija\t\r  animiranog\t\r  i\t\r  igranog\t\r  filma.\t\r  \t\r  \nIGRA\t\r  BOGOVA:\t\r  POSLJEDNJI\t\r  IZAZOV,\t\r  scenarista\t\r  i\t\r  redatelja\t\r  Božidara\t\r  Trkulje,\t\r  \nzamišljen\t\r  je\t\r  kao\t\r  dugometražni\t\r  film\t\r  za\t\r  sve\t\r  uzraste,\t\r  a\t\r  temeljen\t\r  je\t\r  na\t\r  likovima\t\r  \nkratkometražnog\t\r  animiranog\t\r  filma\t\r  istog\t\r  autora.\t\r  Koristeći\t\r  se\t\r  ponovno\t\r  tehnikom\t\r  \nlutka-­‐‑animacije,\t\r  autor\t\r  smješta\t\r  radnju\t\r  filma\t\r  paralelno\t\r  u\t\r  suvremeni\t\r  svijet\t\r  i\t\r  u\t\r  \nmitsku\t\r  prošlost\t\r  u\t\r  kojoj\t\r  vladaju\t\r  fantastični\t\r  bogovi\t\r  i\t\r  nadnaravni\t\r  junaci.\t\r  Film\t\r  je\t\r  \nbaziran\t\r  na\t\r  duhovitim,\t\r  jednostavnim\t\r  te\t\r  vrlo\t\r  često\t\r  metaforički\t\r  baziranim\t\r  \ngegovima\t\r  i\t\r  na\t\r  iznimno\t\r  maštovit\t\r  način\t\r  \"podsjeća\t\r  na\t\r  mitološku\t\r  i\t\r  teološku\t\r  istinu\t\r  da\t\r  \nljudi\t\r  mogu\t\r  postati\t\r  junacima,\t\r  da\t\r  junaci\t\r  mogu\t\r  postati\t\r  bogovima\t\r  i\t\r  da\t\r  bogovi\t\r  mogu\t\r  \npostati\t\r  ljudima\".\t\r  \nRadnja\t\r  drugog\t\r  filma,\t\r  HELLO\t\r  ISABELLE,\t\r  scenarista\t\r  Marjana\t\r  Alčevskog,\t\r  odvija\t\r  se\t\r  \nu\t\r  ne\t\r  tako\t\r  dalekoj\t\r  budućnosti\t\r  a\t\r  glavna\t\r  protagonistica\t\r  je\t\r  slijepa\t\r  Isabelle.\t\r  Od\t\r  strane\t\r  \njedne\t\r  velike\t\r  korporacije\t\r  ona\t\r  dobiva\t\r  poseban\t\r  implantant\t\r  u\t\r  mozgu\t\r  pomoću\t\r  kojeg\t\r  \nje\t\r  spojena\t\r  na\t\r  centralno\t\r  računalo\t\r  te\t\r  joj\t\r  ono\t\r  omogućuje\t\r  vid.\t\r  Na\t\r  isti\t\r  način,\t\r  takva\t\r  \ntehnologija\t\r  može\t\r  izliječiti\t\r  bilo\t\r  koju\t\r  bolest,\t\r  ukoliko\t\r  si\t\r  korisnik\t\r  može\t\r  priuštiti\t\r  \npretplatu.\t\r  Radi\t\r  se\t\r  o\t\r  znanstveno-­‐‑\t\r  fantastičnoj\t\r  priči\t\r  koja\t\r  postavlja\t\r  pitanja\t\r  o\t\r  \netičnosti\t\r  korištenja\t\r  i\t\r  distribucije\t\r  tehnologije\t\r  u\t\r  medicinske\t\r  svrhe\t\r  te\t\r  o\t\r  opasnosti\t\r  \nsuvremenih\t\r  civilizacijskih\t\r  dostignuća\t\r  ukoliko\t\r  su\t\r  oni\t\r  monopolizirani.\t\r  \nTreći\t\r  predloženi\t\r  projekt\t\r  je\t\r  KONRADOVA\t\r  PRODAVAONICA\t\r  PTICA\t\r  scenarista\t\r  i\t\r  \nredatelja\t\r  Nene\t\r  Lončar\t\r  i\t\r  Marijana\t\r  Lončara.\t\r  Priča\t\r  je\t\r  to\t\r  o\t\r  dječaku\t\r  Konradu\t\r  koji\t\r  \nživi\t\r  sa\t\r  bakom\t\r  na\t\r  selu,\t\r  a\t\r  posebno\t\r  voli\t\r  i\t\r  razumije\t\r  ptice.\t\r  Stjecajem\t\r  okolnosti\t\r  Konrad\t\r  \nzavrši\t\r  u\t\r  gradu\t\r  kod\t\r  svog\t\r  ujaka\t\r  koji\t\r  ima\t\r  prodavaonicu\t\r  ptica.\t\r  Za\t\r  razliku\t\r  od\t\r  ptica\t\r  na\t\r  \nselu,\t\r  ove\t\r  su\t\r  sve\t\r  u\t\r  krletkama.\t\r  Radi\t\r  se\t\r  o\t\r  zanimljivoj\t\r  priči\t\r  o\t\r  vrijednostima\t\r  \npoštivanja\t\r  i\t\r  razumijevanja\t\r  svih\t\r  živih\t\r  bića,\t\r  ispričanoj\t\r  jednostavnim\t\r  i\t\r  poetičnim\t\r  \njezikom,\t\r  a\t\r  koja\t\r  bi\t\r  mogla\t\r  postići\t\r  značajan\t\r  uspjeh\t\r  upravo\t\r  zbog\t\r  svoje\t\r  univerzalnosti\t\r  \ni\t\r  topline.\t\r  \nSveukupna\t\r  predložena\t\r  potpora\t\r  je\t\r  300.000,00\t\r  kn\t\r  za\t\r  3\t\r  projekta.\t\r  \t\r  \n\t\r  \n\t\r  \n","warnings":[],"document":{"program_type":"razvoj_projekata","year":2019,"rok":"1. rok","referenced_projects":["IGRA BOGOVA: POSLJEDNJI IZAZOV","HELLO ISABELLE","KONRADOVA PRODAVAONICA PTICA"],"summary":"Obrazloženje natječaja za poticanje razvoja projekata animiranog filma (1. rok, 19.6.2019.): od 4 razmatrana projekta predložena su 3 za potporu - 'Igra bogova: Posljednji izazov', 'Hello Isabelle' i 'Konradova prodavaonica ptica', u sveukupnom iznosu od 300.000,00 kuna.","project_links":[{"source_title":"IGRA BOGOVA: POSLJEDNJI IZAZOV","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"HELLO ISABELLE","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"KONRADOVA PRODAVAONICA PTICA","family_id":"pf_6c9b2225ed2a","family_title":"Konradova prodavaonica ptica","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje_animirani_dokumentarni_27032015.pdf","filename_decoded":"obrazlozenje_animirani_dokumentarni_27032015.pdf","sha256":"0f8f8b1447d1e96418dd62e45d2fde0d0d72eb29d05a0beed02e15ef698e1fe2","bytes":428850,"page_count":2,"extracted_at":"2026-05-17T12:01:42Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje_animirani_dokumentarni_27032015.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničkog savjetnika po odlukama o donošenju liste prioriteta i raspodjeli \nsredstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. \ngodini, u kategoriji poticanja proizvodnje audiovizualnih djela za animirani film (rok 27. ožujka \n2015.).  \n \nIgor Prassel, umjetnički savjetnik za animirani film: \n \nNa Javni poziv prijavilo se 16 kratkometražnih i jedan projekt dugometražnog animiranog filma. \nKriteriji predlaganja projekta za financiranje kojima sam se vodio su u prvom redu međunarodni \nprikazivački potencijal, originalni vizualni stil i univerzalno razumljiva priča.  \n \nNa listu filmova predloženih za financiranje proizvodnje uvrstio sam šest kratkometražnih \nprojekata, ukupne minutaže animacije od 40 minuta. Ukupni iznos predloženih sredstava je \n1.582.840,00 kuna.  \n \nProjekti predloženi za financiranje su raznoliki i imaju veliki potencijal za međunarodni festivalski \nživot. Zadnjih godina pojavljuje se sve više i više novih producenata, koji se specijaliziraju za \nanimirani film, a po kvantiteti prijava još uvijek prednjači Zagreb film. Na ovaj rok Zagreb film je \nprijavio čak 7 projekta, od kojih su 3 odabrana zaista kvalitetna i omogućuju profesionalni rad \nautorima nove generacije. Treba dodati da je s novim studijem za lutkarski animirani film Zagreb \nfilm na dobrom putu da se konačno u Hrvatskoj razvije i ta do sada zanemarena vrsta animiranog \nfilma. Među projektima predloženim za financiranje posebno ističem debitantski profesionalni film \nmlade autorice Jelene Oroz, koja je već sa svojim studentskim filmom 'Vučje igre' upozorila da je \nnjena estetika originalna i međunarodno prepoznatljiva. Dea Jagić je još jedna mlada autorica koja \nje već sa svojim prvim profesionalnim filmom doživjela međunarodni uspjeh. Originalni likovni i \nnarativni stil tih dviju mladih autorica pokazuju da je budućnost animiranog filma u Hrvatskoj \nzdrava. Ističem i novog producenta Draška Ivezića, čiji se Adriatic Animation iz Pule želi baviti \nmogućnostima rada s autorima koji nisu iz Hrvatske u kombinaciji s hrvatskim umjetničkim timom i \nna taj način doprinositi obogaćivanju cijele scene kao i otvaranju novih estetskih mogućnosti koje \nmeđunarodne suradnje sa sobom nose. Za prvi projekt su odabrali talentiranu mladu autoricu iz \nBeograda Ivu Ćirić koja priprema vizualno remek djelo koje na poetski način govori gledateljima \nsvih uzrasta o svijetu u kojem živimo. Lutkarski animirani film 'Jelenko' autora Brune Razuma se od \nsvih prijavljenih projekta ističe po najzanimljivijem scenariju i originalnoj priči o dječaku koji boluje \nod šizofrenije. Cijenjeni autor srednje generacije Marko Meštrović ovaj put fokusirao se na \nhibridno područje između animiranog i eksperimentalnog filma s konceptualno jako zanimljivom \npričom. Za kraj ističem projekt koji je namijenjen najmlađoj publici: po međunarodnom uspjehu \nsvog prethodnog filma Miran Miošić ovaj put jednostavnom radnjom, promišljenom \npsihologizacijom glavnog lika te humorom želi promovirati ideju prihvaćanja različitosti.  \n \n \n\n\f\n \n \n \n \nObrazloženje odluke o listi prioriteta i raspodjeli sredstava prema Javnom pozivu za \npoticanje audiovizualnih djelatnosti i stvaralaštva u kategoriji poticanja proizvodnje \naudiovizualnih djela za kratkometražni i dugometražni dokumentarni film (rok 27. ožujka 2015.).  \n \nIvana Fumić, umjetnička savjetnica za dokumentarni film: \n \n \nSredstva su odobrena za 8 prijava (3 dugometražna i 5 kratkometražnih dokumentaraca). Ukupni iznos \npotpore iznosi 1.655.000,00 kuna (825.000 kuna za dugometražne i 830.000 kuna za kratkometražne \ndokumentarce).  \n \nU sve četiri kategorije (proizvodnja te razvoj scenarija i projekata) prijavljeno je čak 113  projekata tematski \nvrlo raznolikih: od trenutno vrlo popularne potrage za vlastitim identitetom, sveprisutnih društveno \nangažiranih tema i glazbenih dokumentaraca do hibridnih filmova koji dokumentarnu formu hrabro \nkombiniraju s igranom, animiranom i eksperimentalnom. U kriterijima kojima sam se ravnala, odabir teme \nnije bio ključan koliko sam autorski pristup, temeljito istraživanje te vizualni koncept koji je mahom kod \nvelikog broja prijavljenih projekata u potpunosti izostao.  \n \nDodatno u kategoriji dugometražnog filma jedan od važnih elemenata bila je i dramaturška kompleksnost, \nvođenje priče na više nivoa koje omogućuje dinamičku raznolikost filma te pospješuje njegov prikazivački \npotencijal. Sva tri odobrena projekta u ovoj kategoriji posjeduju upravo te kvalitete, a budući da su svi prošli \nbarem jednu od razvojnih faza, dokazuje kako su odobrene iznose u tim kategorijama na pravi način \niskoristili.  U kratkometražnom filmu odobreno je pet projekata, a veseli me povratak poetskog \ndokumentarca koji se snažno oslanja na vizualnu komponentu filma inače zanemarenu u tendenciji \novisnosti o intervjuima koja je prisutna u velikoj većini prijavljenih projekata.  \n \nVažno je napomenuti da i među projektima koji nisu odobreni za financiranje ima potencijalno vrlo \nzanimljivih ideja koje dodatnom doradom imaju šansu u jednom od sljedećih natječaja.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web%20obrazlozenje%20kratki%20igrani.pdf","filename_decoded":"web%20obrazlozenje%20kratki%20igrani.pdf","sha256":"0fb282e0f5eade31da73b27b47d894a7e2fd178a062c1eb12b9f118e396adb0d","bytes":32365,"page_count":2,"extracted_at":"2026-05-16T14:11:57Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20kratki%20igrani.pdf"},"raw_text":"Obrazloženje\t\r  umjetničkog\t\r  savjetnika\t\r  po\t\r  rezultatima\t\r  Javnog\t\r  poziva\t\r  za\t\r  \npoticanje\t\r  proizvodnje\t\r  kratkometražnog\t\r  igranog\t\r  filma\t\r  na\t\r  prvom\t\r  roku\t\r  u\t\r  \n2018.\t\r  godini\t\r  –\t\r  rok\t\r  3.\t\r  svibanj\t\r  2018.\t\r   \nNa\t\r  prvi\t\r  natječajni\t\r  rok\t\r  u\t\r  2018.\t\r  godini\t\r  pristiglo\t\r  je\t\r  trideset\t\r  (30)\t\r  projekata\t\r  od\t\r  čega\t\r  šest\t\r  \n(6)\t\r  u\t\r  fazi\t\r  postprodukcije.\t\r  \t\r  Dva\t\r  projekta\t\r  nisu\t\r  ušla\t\r  u\t\r  razmatranje.\t\r  Najveći\t\r  broj\t\r  radova\t\r  \nsu\t\r  u\t\r  žanrovskom\t\r  smislu\t\r  igranofilmske\t\r  drame,\t\r  dok\t\r  zanimljivu\t\r  grupu\t\r  čine\t\r  filmovi\t\r  \nfantastike,\t\r  visokog\t\r  koncepta\t\r  i\t\r  nadrealne\t\r  priče.\t\r  Odabrani\t\r  projekti\t\r  izdvajaju\t\r  se\t\r  višom\t\r  \nrazinom\t\r  scenarističke\t\r  kvalitete\t\r  i\t\r  u\t\r  redateljskim\t\r  razradama\t\r  pružaju\t\r  jasnu\t\r  i\t\r  \noriginalnu\t\r  sliku\t\r  redateljske\t\r  nadgradnje.\t\r  \t\r  \n\t\r  \nODABRANI\t\r  PROJEKTI:\t\r  \n\t\r  \nDOGODILO\t\r  SE\t\r  DUBOKO\t\r  U\t\r  ŠUMI\t\r  -­‐‑\t\r  produkcija:\t\r  Umjetnička\t\r  organizacija\t\r  Paradoks,\t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Nebojša\t\r  Slijepčević\t\r  \t\r  \nFilm\t\r  počinje\t\r  dokumentarnim\t\r  svjedočanstvom\t\r  u\t\r  kojemu\t\r  se\t\r  otvara\t\r  nadrealna\t\r  priča.\t\r  \nPostajemo\t\r  svjedoci\t\r  situacije\t\r  koja\t\r  se\t\r  možda\t\r  nikada\t\r  nije\t\r  dogodila,\t\r  ali\t\r  upravo\t\r  ovo\t\r  \nuprizorenje\t\r  može\t\r  funkcionirati\t\r  kao\t\r  most\t\r  između\t\r  dokumentarne\t\r  stvarnosti\t\r  i\t\r  mašte.\t\r  \t\r  \n(320.000,00\t\r  kuna)\t\r  \n\t\r  \nKAZNENI\t\r  UDARAC\t\r  -­‐‑\t\r  produkcija:\t\r  Antitalent\t\r  d.o.o.,\t\r  scenarij:\t\r  Rok\t\r  Biček\t\r  i\t\r  Kristijan\t\r  \nNovak,\t\r  režija:\t\r  Rok\t\r  Biček\t\r  \t\r  \nScenarij\t\r  se\t\r  bazira\t\r  na\t\r  jednoj\t\r  situaciji\t\r  iz\t\r  knjige\t\r  Črna\t\r  mati\t\r  zemla\t\r  Kristijana\t\r  Novaka.\t\r  \nProdukcijska\t\r  kuća\t\r  Antitalent,\t\r  redatelj\t\r  Rok\t\r  Biček\t\r  i\t\r  Kristijan\t\r  Novak\t\r  u\t\r  razradi\t\r  su\t\r  \nscenarija\t\r  za\t\r  dugometražni\t\r  film\t\r  prema\t\r  istoj\t\r  knjizi.\t\r  \t\r  \nIzuzetno\t\r  uvjerljiv\t\r  scenarij\t\r  koji\t\r  se\t\r  bavi\t\r  maloljetničkim\t\r  nasiljem,\t\r  željom\t\r  za\t\r  \npripadanjem\t\r  i\t\r  ritualnom\t\r  zloćom.\t\r  \t\r  \n(250.000,00\t\r  kuna)\t\r  \n\t\r  \nDRUKER\t\r  -­‐‑\t\r  produkcija:\t\r  Udruga\t\r  Blank,\t\r  scenarij\t\r  i\t\r  režija:\t\r  Rino\t\r  Barbir\t\r  (redatelj\t\r  je\t\r  \ndebitant)\t\r  \t\r  \nPriča\t\r  o\t\r  Deniju\t\r  zaokružena\t\r  je\t\r  minijatura\t\r  o\t\r  identitetu,\t\r  o\t\r  maskama\t\r  koje\t\r  mijenjamo\t\r  \novisno\t\r  o\t\r  sredini\t\r  i\t\r  o\t\r  neuspješnom\t\r  pokušaju\t\r  izlaska\t\r  iz\t\r  sigurne\t\r  zone\t\r  roditeljskog\t\r  \ndoma.\t\r  \t\r  \nAutor\t\r  je\t\r  u\t\r  rodu\t\r  kratkometražnog\t\r  igranog\t\r  filma\t\r  debitant,\t\r  ali\t\r  radi\t\r  se\t\r  o\t\r  izrazito\t\r  \ntalentiranom\t\r  snimatelju\t\r  i\t\r  redatelju\t\r  spotova\t\r  Rini\t\r  Barbiru.\t\r  \t\r  \n(250.000,00\t\r  kuna)\t\r  \n\t\r  \nBRANKA\t\r  -­‐‑\t\r  produkcija:\t\r  Dinaridi\t\r  film\t\r  d.o.o.,\t\r  scenarij\t\r  i\t\r  režija:\t\r  Mate\t\r  Ugrin\t\r  \t\r  \nPratimo\t\r  suživot\t\r  mlade,\t\r  sezonske\t\r  radnice\t\r  i\t\r  starije\t\r  gospođe\t\r  koja\t\r  na\t\r  Pagu\t\r  živi\t\r  od\t\r  \nturizma.\t\r  Snažno\t\r  djeluje\t\r  osnovna\t\r  misao\t\r  sinopsisa\t\r  koji\t\r  tematizira\t\r  život\t\r  dvaju\t\r  \nprotagonistica\t\r  od\t\r  kojih\t\r  starija\t\r  osoba\t\r  ima\t\r  više\t\r  perspektive\t\r  od\t\r  mlađe.\t\r  \t\r  \nMate\t\r  Ugrin\t\r  svojim\t\r  prijašnjim\t\r  radovima\t\r  pokazuje\t\r  da\t\r  su\t\r  lokacija,\t\r  vremenski\t\r  uvjeti,\t\r  \nminimalna\t\r  dramaturgija\t\r  elementi\t\r  koje\t\r  zna\t\r  iskoristiti\t\r  na\t\r  najbolji\t\r  način.\t\r  \t\r  \n(300.000,00\t\r  kuna)\t\r  \n\n\f\n\t\r  \n\t\r  \nTINA\t\r  -­‐‑\t\r  film\t\r  je\t\r  u\t\r  postprodukcijskoj\t\r  fazi\t\r  -­‐‑\t\r  produkcija:\t\r  Ustanova\t\r  Zagreb\t\r  film,\t\r  scenarij\t\r  i\t\r  \nrežija:\t\r  Dubravka\t\r  Turić\t\r  \t\r  \nNakon\t\r  majčine\t\r  smrti\t\r  Tina\t\r  se\t\r  vraća\t\r  u\t\r  grad\t\r  za\t\r  koji\t\r  je\t\r  više\t\r  ništa\t\r  ne\t\r  veže.\t\r  Izražajna\t\r  \nsamoća\t\r  glavne\t\r  junakinje\t\r  koja\t\r  u\t\r  praznom\t\r  majčinom\t\r  stanu\t\r  prolazi\t\r  ritual\t\r  rastanka\t\r  \nsnažno\t\r  opisuju\t\r  suočavanje\t\r  sa\t\r  smrću\t\r  i\t\r  gubitkom.\t\r  \t\r  \n(100.000,00\t\r  kuna)\t\r  \n\t\r  \n\t\r  \nSveukupna\t\r  davanja\t\r  HAVC-­‐‑a\t\r  na\t\r  1.\t\r  roku\t\r  \t\r  3.\t\r  5.\t\r  2018.\t\r  -­‐‑\t\r  poticanje\t\r  proizvodnje\t\r  \naudiovizualnih\t\r  djela,\t\r  kategorija\t\r  kratki\t\r  igrani\t\r  film:\t\r  1.220.000,00\t\r  Kn\t\r  \n\t\r  \n\t\r  \nZagreb,\t\r  13.\t\r  srpnja\t\r  2018.\t\r  \n\t\r  \nUmjetnički\t\r  savjetnik,\t\r  \n\t\r  \nSaša\t\r  Ban\t\r  \n","warnings":[],"document":{"program_type":"proizvodnja","year":2018,"rok":"1. rok","referenced_projects":["DOGODILO SE DUBOKO U ŠUMI","KAZNENI UDARAC","DRUKER","BRANKA","TINA"],"summary":"Obrazloženje umjetničkog savjetnika Saše Bana za 1. rok 2018. (3. svibnja 2018.) za proizvodnju kratkometražnog igranog filma: od 30 projekata odabrano 5 u ukupnom iznosu od 1.220.000,00 kuna.","project_links":[{"source_title":"DOGODILO SE DUBOKO U ŠUMI","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"KAZNENI UDARAC","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"DRUKER","family_id":"pf_41d0e1daaf7d","family_title":"Druker","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"BRANKA","family_id":"pf_1a1af0122046","family_title":"Branka","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"TINA","family_id":"pf_6fc8a2449521","family_title":"Tina","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati MEDJUNARODNA_ 2022 _2. rok.pdf","filename_decoded":"rezultati MEDJUNARODNA_ 2022 _2. rok.pdf","sha256":"0fc722d64c9b492310b429395b0c9eed01457b0678215c571096b322c3bfdf7f","bytes":51620,"page_count":2,"extracted_at":"2026-05-17T10:23:50Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20MEDJUNARODNA_%202022%20_2.%20rok.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA POTPORA\n1\nMarko Dješka\nRazvoj scenarija na umjetničkoj rezidenciji Kooshk u \nTeheranu, Iran\n3.921,00\n2\nWolfgang i Dolly d.o.o.\nSudjelovanje Dalije Dozet i Matije Drnikovića na \nkoprodukcijskom i pitching forumu Euro Connection \n2022 u Clermont-Ferrandu\n4.011,00\n3\nAntitalent d.o.o.\nSudjelovanje scenaristice i redateljice Hani Domazet s \nprojektom kratkometražnog filma \"Rasulo\" na prvom \nmodulu programa The Talent Academy of Linz \nInternational Short Film Festival\n4.136,00\n4\nHana Tintor\nSudjelovanje na programu stručnog usavršavanja La \nPoudrière u Bourg-lès-Valenceu, Francuska\n10.000,00\n5\nSonja Tarokić\nSudjelovanje na programu stručnog usavršavanja \nMIDPOINT Feature Launch 2022 u Češkoj\n10.000,00\n6\nCastor Multimedia d.o.o.\nSudjelovanje dugometražnog igranog filma \"Prvi tjedan \nu kolovozu\" na radionici Midpoint Feature Launch 2022\n33.000,00\n7\nFocus Media d.o.o.\nSudjelovanje producenta Ivana Perića u programu \nEAVE Producers Workshop 2022 s projektom \"Eva \nnakon pada\", uz sudjelovanje scenaristice Lane Barić\n60.000,00\n8\nMate Ugrin\nSudjelovanje redatelja Mate Ugrina na programu \nrazvoja scenarija TorinoFilmLab - ScriptLab 2022 u \nItaliji i Finskoj\n24.000,00\n9\nJadranska animacija\nSudjelovanje projekta \"Leptir\" na umjetničkoj \nrezidenciji Open Workshop, u sklopu The Animation \nWorkshop u Viborgu, Danska\n2.770,00\n10\nJadranska animacija\nSudjelovanje filma \"More Misli\" na festivalu Monstra u \nLisabonu\n1.865,00\n11\nMetar60\nMeđunarodna premijera hrvatskog dugometražnog \ndokumentarnog filma \"Veće od Traume\" na Hot Docs \nCanadian International Documentary Festivalu\n30.000,00\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2022. - \nPROGRAMI MEĐUNARODNE SURADNJE - ROK 14.4.2022., 43. sjednica Hrvatskog audiovizualnog vijeća \n14.6.2022.\n\n\f\n12\nMarko Dješka\nSudjelovanje filma \"Sve te senzacije u mom trbuhu\" na \nfestivalu Monstra u Portugalu\n3.631,00\n13\nCentar za dramsku \numjetnost - CDU\nSudjelovanje na manifestaciji Eye International \nConference 2022 u Amsterdamu\n5.000,00\n14\nUdruga Dušan Vukotić\nSjećanje na Borivoja Dovnikovića i promocija knjige \n\"Dobro došli na Planet Zemlja, film Dušana Vukotića\" \nna Martovskom festivalu, Beograd 2022.\n1.950,00\n15\nMihael Šandro\nSudjelovanje filma \"U Šumi\" na festivalu Go Short u \nNijmegenu, Nizozemska\n1.956,00\n16\nOmnimedia d.o.o.\nSudjelovanje filma \"N-ta kinematska tvornica čavala\" \nna manifestaciji International Short Film Festival \nOberhausen\n10.000,00\n17\nSara 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proizvodnje \nfilmova, 2. rok 2022. \nKategorija: poticanje proizvodnje animiranog filma \nRok: 15.9.2022. \nUmjetnička savjetnica: Ana Horvat \n \n \nNa ovaj rok prijavljen je dvadeset i jedan (21) projekt za animirani film.  \nOd toga je sedam debitanata, a šest filmova za djecu.  \nSedam filmova je prijavljeno po drugi put (ili čak treći), s doradama.  \nVećina projekata namjerava koristiti 2D animaciju (devet projekata), a sedam 3D digitalnu \nanimaciju. Od ostalih, četiri kombiniraju razne varijante stop-animacije i 2D animaciju, a jedan je \npripremljen za lutka-animaciju.  \nScena je vitalna i sve ambicioznija, te imamo lijepu zbirku različitih priča, tehnika i vizija.  \n \nOd filmova predloženih i odobrenih za financiranje, dva su debitantska, a jedan za djecu.  \nGeneralno je odluke o preporukama bilo čak teže donijeti nego u prošlom roku, jer dobrih projekata \nje mnogo.  \n \nProjekti koji su predloženi i odobreni za financiranje u ovom roku: \n \n1. \nnaziv projekta:  Motorizirana žablja brigada \nprodukcija: Tetrabot d.o.o. \nscenarij i režija: Vedran Štefan \n400.000,00 kn/ 53.089,12 eura \n \n(scenarij je adaptacija teksta pjesme \"Motorized Frog Squad\" zagrebačkog glazbenog sastava Moon \nUnit, autora Jurice Buljevića) \nOvaj projekt ima formu SF filma, u kojem su likovi svemirske žabe. Pod utjecajem je animiranih \nTV serija za djecu i mlade iz devedesetih, te prati njihov stil pojednostavljenog dizajna i \nekonomične animacije. Film će biti ostvaren 2D animacijom, a pozadine koje prikazuju svemir će \nbit snimljene eksperimentalnom tehnikom miješanja boja i tekućina raznih gustoća. Što je \njednostavno, ali vrlo efektivno... zbog fraktalnog principa. \nSvojom finom ironijom i apsurdnim situacijama, projekt kritizira ljudsko društvo u cjelini. Uz \nantiratnu poruku, dotiče se i teme konzumerizma, šund kulture, pokvarenih političara, propagande, i \nna kraju, idealizma koji isto ne umije stvoriti bolji i pravedniji svijet, već uspostavlja diktaturu. \nUsput, na bizaran i crnohumoran način, postavlja se i pitanje misterije ukupnog postojanja svemira. \nAutor ima namjeru da ovo bude tek prvi u nizu filmova - serije “Age of Goyang”, koji će se baviti \nrazličitim filozofskim i društvenim temama, također nadahnut radom banda Moon Unit. \n \n  \n2. \nnaziv projekta:  U iščekivanju \nprodukcija:  Kreativni sindikat \nscenarij / režija: Dea Jagić i Božidar Trkulja /  Dea Jagić \n340.000,00 kn / 45.125,75 eura \n \nVeć poznatoj i formiranoj autorici Dei Jagić u radu na scenariju se pridružio također priznati autor, \nBožidar Trkulja sa sličnim senzibilitetom za mistično-fantastične teme. \nFilm će biti izveden kao kombinacija piksilacije i lutka-animacije te 2D animacije. \n\n\f\nPrvi dio filma bit će ostvaren piksilacijom (glumci) i stop animacijom lutki i maski. U tom dijelu \nfilma upoznajemo likove - Vuka, Vranu i Lisicu - personifikacije prirodnih elemenata zemlje, zraka \ni vatre. Oni proživljavaju tešku sušu, život je stao, i oni žude za kišom, tj. za četvrtim elementom – \nvodom. \nPoniru u sebe te zajednički u mističnom prostoru (2D animacija) kroz ritual prizivaju kišu. Dolazi \nkiša, a s njom i četvrti lik, Žaba, kao personifikacija vode. Završava se suša i prirodna ravnoteža \nčetiri elementa je ponovno uspostavljena, život ponovno teče i buja... \nOvaj temeljito razrađen projekt  je pravo osvježenje sa svojim intuitivnim pristupom i istraživanjem \nsvijeta simbola. Poetična priča se razvija i teče u skladnom ritmu, te ostavlja dojam kao da joj u \nžilama teče glazba.  \n \n \n3. \nnaziv projekta:  Svijet smeća \nprodukcija: Jaka produkcija d.o.o. \nscenarij / režija: Lana Šarić / Pavao Stanojević \n330.000,00 kn / 43.798,53 eura \n \nPriča je aktualna i društveno angažirana - bavi se prenatrpanošću i otrovanjem svijeta smećem.  \nMeđutim, uzima nadrealni kut gledanja na tu temu, stvarajući bizarni svijet u kojem se smeće \ntransformira u niz novih bića, koja sada preuzimaju dominaciju u svijetu kao čudovišni novi oblici \nživota. \nKao što redatelj sam kaže: \"Hipertrofiranom metaforom svijeta u kojemu se doslovno svijet \npretvara u cronenbergovski spoj organskog i plastičnog, zapravo se satirizira moment ljudske \nnebrige za vlastitu budućnost.\" \nRedatelj je vrstan 3D animator, te bi po priloženim probama film trebao biti vizualno impresivan. \n \n \n4. \nnaziv projekta:  Srcolom \nprodukcija: Kinoteka d.o.o. \nscenarij / režija: Luka Vucić i Sonja Babić /  Luka Vucić \n350.000,00 kn/ 46.452,98 eura \n \nOvaj debitantski film se bavi univerzalnom temom slomljenog srca i procesa zacjeljivanja istog.  \nAutor temi pristupa s velikom dozom humora, ali i puno empatije i nježnosti. \nNakon što prekine s djevojkom, glavni lik Brko doživi (metaforičnu) prometnu nesreću u kojoj se \npojavljuje krupni, strastveni lik emotivca – (njegovo personificirano) Srce.  \nBrko i Srce kroz svoj turbulentni odnos i šašave dogodovštine prolaze razne faze prebolijevanja \nprekida s voljenom osobom. Srce prvo pokušava pomoći Brki na klasične, toksične načine, \npokušavajući se uporno vratiti nazad u istu vezu. Nadmeću se čak oko toga tko će \"preuzeti \nkormilo\" Brkinog života. Postupno se bolje upoznaju i nalaze načina da prebrode emotivnu krizu, te \nstvore osnove za buduću sreću u skladnom zajedništvu. \n \n5. \nnaziv projekta: Majuškove pustolovine \nprodukcija: Maxima film d.o.o. \nscenarij / režija: Dario Rukavina / Tomislav Gregl \n220.000,00 kn / 29.199,02 eura \n \nScenarij ovog filma istražuje potrebu djece za novom vrstom junaka. Dječak u razgovoru s tatom \nodbija klasične priče, te radije sam priča priču, u kojoj je dječak kao on – tj. naravno, on sam – \n\n\f\nglavni junak. Priča se seli u svemir, dječak Majuško i njegovi prijatelji su pod napadom zlobnih \nvanzemaljaca Superljiga. Zajedničkim snagama i hrabrom borbom, djeca pobjede vanzemaljce \nupravljajući golemim robotom. Priča završava izlaženjem iz mašte, djeca nisu astronauti već djeca u \nvrtiću koja su se igrala s usisavačem. Vanzemaljci ne postoje. Ili? \nPriča je zabavna, dinamična, maštovita i duhovita. Likovi su simpatični, čak i vanzemaljci, iako su \nzločesti. Svojim šašavim obratima ne bi trebala biti dosadna ni roditeljima. \n \n6. \nNaziv projekta: Bez efekta \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Dinko Kumanović \n200.000,00 kn / 26.544,56 eura \n \nOvaj vrlo zaokružen i precizno definiran projekt je stilski i tipski hommage dobroj staroj \nZagrebačkoj školi animiranog filma. Stilizirani, simpatični likovi, \"blesave\" peripetije upornog \nglavnog lika, i satirična kritika društva kroz dosta crni razvoj priče.  \nNaš istinski tragičan junak nikada ne uspije ostvariti to što želi, pa ni tada. Teško nalazi mira za \nprikazati ljepotu koju vidi u ovom turbulentnom svijetu. A kada i uspije, svojim zadnjim dahom, \nuhvatiti ljepotu, čovječanstvo samo kratki trenutak može uživati u tome, jer kapitalizam i sebičnost \nvlastodršca to uskraćuju svijetu. \nNadamo se da ipak nije sve tako crno, jer autor je ipak pripremio ovaj projekt, i potreba za \nstvaranjem neće nikad nestati iz svijeta. \n \nSVEUKUPNO: 1.840.000,00 kn / 244.209,97 eura \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2022,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati JP ME_ 2026. - 1. rok.pdf","filename_decoded":"rezultati JP ME_ 2026. - 1. rok.pdf","sha256":"0fe8de337e40a544da4fc2114cca39cd4883a3df8eeed8c3b3bc4219da9b9c23","bytes":72802,"page_count":5,"extracted_at":"2026-05-17T10:23:50Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20JP%20ME%C4%90%202026.%20-%201.%20rok.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA POTPORA\n(€)\n1\nHulahop d.o.o.\nSvjetska premijera filma Vučja gozba na 29. \nTallinn Black Nights Film Festivalu u Estoniji\n3.200,00 €\n2\nHulahop d.o.o.\nSudjelovanje redateljice Sare Jurinčić i \nproducentice Dane Budisavljević na pitchingu u \nsklopu Linz Short Film Festivala i Jihlava IDFF \ns projektom Closing time\n423,73 €\n3\nDOH d.o.o.\nSvjetska premijera \"Iza Jednog Osmijeha\" na \nAlexandria Mediterranean Countries Film \nFestival\n804,44 €\n4\nDOH d.o.o.\nEuropska premijera \"Iza Jednog Osmijeha\" na \n37. Giron Film Festival\n1.325,56 €\n5\nAkademija dramske \numjetnosti\nSudjelovanje filma \"Rahlo\" na Tallinn Black \nNights Film Festivalu (sekcija PÖFF Shorts)\n355,00 €\n6\nAkademija dramske \numjetnosti\nSudjelovanje filma \"Kupam se, voli vas tata\" na \nfestivalu Doclisboa u Portugalu\n1.020,00 €\n7\nAkademija dramske \numjetnosti\nPredstavljanje filma \"Čeljade\" na festivalu \nCINEMED 2025\n2.306,88 €\n8\nAntitalent d.o.o.\nSudjelovanje scenarista i redatelja Renea Galla \nna Riga Test Screenings s projektom \nkratkometražnog igranog filma Pramenka\n681,27 €\n9\nAntitalent d.o.o.\nSudjelovanje producentice Katarine Prpić i \nscenarista i redatelja Ivana Veljače na 2. \nradionici programa MIDPOINT Shorts 2025-\n2026 u Trstu, s projektom \"Hrabri dečki\"\n71,52 €\n10\nNukleus Film d.o.o.\nSudjelovanje na filmskom marketu Les Arcs \nWork In Progress, s filmom \"Čovjek protiv jata\"\n746,87 €\n11\nNukleus Film d.o.o.\nSudjelovanje producenta Siniše Juričića s \nfilmom \"The Wolf, the Fox & the Leopard\" na \nfilmskom festivalu u Rotterdamu\n1.140,89 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2026. \n- PROGRAMI MEĐUNARODNE SURADNJE - ROK 13.1.2026.\n 29. sjednica Hrvatskog audiovizualnog vijeća, 13. ožujka 2026.\n\n\f\n12\nPetnaesta umjetnost d.o.o.\nSudjelovanje redatelja i producenta filma \"Novi \nživot\" na Jihlava New Vision Marketu \n744,00 €\n13\nKOMPOT\nNordijska premijera kratkometražnog \ndokumentarnog filma \"Koze!\" u natjecateljskom \nprogramu 22. Reykjavík International Film \nFestivala\n1.933,99 €\n14\nRestart\nSudjelovanje na Thessaloniki Locarno Industry \nAcademy 2025 godine\n386,77 €\n15\nRestart\nSudjelovanje na 29. Ji.hlava International \nDocumentary Film Festivalu\n66,05 €\n16\nRestart\nSudjelovanje Dine Pokrajac u programu Doc's \nKingdom 2025. \n1.014,49 €\n17\nWolfgang i Dolly d.o.o.\nSudjelovanje redatelja Damira Markovine i \nproducentice Tamare Babun Zovko na radionici \nDOK Preview International, u sklopu festivala \nDOK Leipzig\n1.087,82 €\n18\nRestart\nSudjelovanje članova ekipe \"Fiume o morte!\" na \ngodišnjoj dodjeli nagrada Europske filmske \nakademije 2026. u Berlinu\n2.352,48 €\n19\nRestart\nSudjelovanje projekta \"Zemlja koju (u)dišemo\" \nna Autumn Camp 4Science Prague Science \nFilm Festivala\n1.195,05 €\n20\nDobar film\nSudjelovanje projekta „Oblak čvoraka” na TV \nBeats Tallinn programu\n958,82 €\n21\nUmjetnička organizacija \nMitropa\nSvjetska premijera filma \"Krava\" redatelja Pave \nMarinkovića na 61. Chicago International Film \nFestivalu\n2.722,00 €\n22\nUmjetnička organizacija \nMitropa\nEuropska premijera filma Krava na Matera Film \nFestivalu\n330,00 €\n23\nFactum\nZagrebDox/Factum - gostovanje na DOK \nLeipzigu\n1.098,82 €\n24\nLux film d.o.o.\nSudjelovanje na Cinekid for Professionals\n360,00 €\n25\nWolfgang i Dolly d.o.o.\nSudjelovanje producenta Matije Drnikovića i \nredatelja Filipa Mojzeša na manifestaciji Les \nArcs Work in Progress\n1.157,02 €\n26\nMultimedijalni centar Studio \nkreativnih ideja Gunja - MMC \nSKIG\nSudjelovanje Hrvatske delegacije na \nmeđunarodnom filmskom festivalu u Gruziji\n1.034,00 €\n\n\f\n27\nUdruga Blank\nSudjelovanje ekipe filma Dobro je sve, dobro je \nsve, dobro je sve na svjetskoj premijeri filma na \nfestivalu Filmski Front u Novom Sadu\n186,53 €\n28\nWolfgang i Dolly d.o.o.\nSudjelovanje Matije Drnikovića u programu \nFilms x Games Connection Hub, u sklopu \nfestivala When East Meets West\n239,37 €\n29\nWolfgang i Dolly d.o.o.\nSudjelovanje Matije Drnikovića u programu \nstručnog usavršavanja EAVE Producers \nWorkshop 2026, u Luksemburgu, Italiji i Velikoj \nBritaniji\n6.540,04 €\n30\nEclectica d.o.o.\nSudjelovanje redateljice Sonje Tarokić i \nproducentice Ree Rajčić na SHORT RIGA Test \nScreening\n1.363,76 €\n31\nEclectica d.o.o.\nSudjelovanje redatelja Bruna Ankovića i glumca \nBernarda Tomića na dodijeli nagrada AFA\n870,52 €\n32\nCentar za kulturu i \ncjeloživotno obrazovanje \nZlatna vrata\nSudjelovanje na Valladolid Audience \nDevelopment & Innovation Lab, “Shaping \nTomorrow’s Cinemas: Innovative Tools and \nSkills to Navigate Change”\n800,00 €\n33\nSplit Screen, vl. Marcella Jelić\nSudjelovanje na međunarodnom festivalu \ndokumentarnog filma IDFA\n590,29 €\n34\nEma Mikolaci\nSudjelovanje producentice Eme Mikolaci na \nJi.hlava New Visions Marketu 2025\n187,33 €\n35\nUstanova Zagreb film\nEuropska premijera filma \"Medo u šparugama\" \nuz sudjelovanje autorskog tima na IDFA\n3.300,00 €\n36\nIda Barac\nSudjelovanje producentice Ide Barac na Ji.hlava \nNew Visions Marketu 2025.\n187,33 €\n37\nAndrea Miletić\nGostovanje na Early Bird International Student \nFilm festivalu\n319,76 €\n38\nLucija Marčec\nSudjelovanje redateljice Lucije Marčec na \nJi.Hlava New Visions Marketu 2025.\n187,33 €\n39\nJaka produkcija d.o.o.\nSudjelovanje na manifestaciji CEE Animation \nForum u Plzeňu, Češka\n1.700,00 €\n40\nJaka produkcija d.o.o.\nMeđunarodna premijera film \"Drugi dnevnik \nPauline P.\" u sklopu POFF Tallinn Black Night \nfilm festivala.\n2.039,23 €\n41\nMore-Magnets d.o.o.\nSudjelovanje na manifestaciji FIFDH Geneva \nImpact Days u Švicarskoj\n934,40 €\n\n\f\n42\nPipser d.o.o.\nSudjelovanje Miljenke Čogelje u programu \nInspirational Lab: Sustainable Leadership i \nLucije Perić u programu Inspirational Lab: \nImpact Zone, u sklopu koprodukcijskog foruma \nWhen East Meets West u Trstu\n1.096,07 €\n43\nEva Kraljević\nPromocija filma \"Planina\" (\"To Hold a \nMountain\") i gostovanje direktorice fotografije \nEve Kraljević na Sundance Film Festivalu\n2.210,00 €\n44\nATL MEDIA, vl. Maja Gros\nSudjelovanje Maje Gros u programu Amazing \nIntelligence Inspirational Lab, u sklopu \nmanifestacije When East Meets West\n277,05 €\n45\nTara Jović\nSudjelovanje u programu Berlinale Talents, u \nsklopu filmskog festivala u Berlinu\n781,13 €\n46\nUmjetnička organizacija \nKadromat\nGostovanje redateljice Darije Blažević i \npredstavljanje kratkometražnog igranog filma \n\"Lekcije\" u službenoj konkurenciji festivala \nPremiers Plans d'Angers\n281,88 €\n47\nPučko otvoreno učilište \nKoprivnica\nSudjelovanje u žiriju na Berlin International Film \nFestivalu\n700,00 €\n48\nMultimedijalna umjetnička \norganizacija Bacači Sjenki\nSudjelovanje filma \"Vitić pleše\" na Tilburg \nArchitecture Film Festivalu\n500,00 €\n49\nMultimedijalna umjetnička \norganizacija Bacači Sjenki\nPredstavljanje Bacača sjenki na godišnjoj \nskupštini ECFA-e (European Children's Film \nAssociation) u sklopu festivala u Berlinu\n710,00 €\n50\nWoodz production d.o.o.\nSudjelovanje redatelja Dražena Krešića te \nproducenata Noe Nikolića i Davida Uranjeka na \npitching forumu Euro Connection, u sklopu \nClermont-Ferrand International Short Film \nFestivala\n1.983,39 €\n51\nMorana Ikić Komljenović\nSudjelovanje projekta \"Praznovjerje slobode - \nMisterij San Marina\" u programu Vis-à-Vis, koji \norganizira Trentino Film Commission\n749,00 €\n52\nDinko Božanić\nSudjelovanje filma \"Tango Siesta\" na Out of \nBounds Film Festivalu u mjestu Molfetta, Italija\n445,64 €\n53\nUdruga Bijeli val\nSudjelovanje na konferenciji Ethics and \nSpectatorship in Film and Screen Media u \nCorku, Irska\n761,13 €\n54\nČetiri film d.o.o.\nAustralska premijera dugometražnog igranog \nfilma \"Lijepa večer, lijep dan\" na Brisbane \nInternational Film Festivalu\n3.000,00 €\n55\nJozo Schmuch\nSudjelovanje Joze Schmucha na radionici Kyoto \nFilmmakers Lab u Japanu\n595,00 €\n\n\f\n56\nGFR film-video\nSudjelovanje Željka Baloga u žiriju \nmeđunarodnog filmskog festivala Grand Off u \nVaršavi\n419,91 €\n57\nNina Klarić\nSudjelovanje na konferenciji i izložbi The \nAnimation Without Borders 2025 International \nConference & The 8th Snow Wolf Cup Creative \nExhibition u Changchunu, Kina\n1.100,00 €\n58\nVertigo Media d.o.o.\nSudjelovanje projekta \"Stranac\" na Europskom \nžanrovskom forumu - 3. modul u sklopu Tallinn \nBlack Nights Film Festivala\n1.200,00 €\n59\nFestival mediteranskog filma \nSplit\nSudjelovanje na konferenciji Europa Distribution \nu Bruxellesu\n497,76 €\n60\nKino klub Split\nSudjelovanje na manifestaciji Kurzfilmfestival \nKöln u Njemačkoj\n340,92 €\n61\nMate Ugrin\nSudjelovanje Mate Ugrina na manifestaciji \nKurzfilmfestival Köln u Njemačkoj\n440,16 €\n62\nSrđan Šarenac\nSudjelovanje filma \"Poslije kraja svijeta\" \n(\"Cinema Under Siege\") na sajmu Docs for \nSale, u sklopu International Documentary Film \nFestivala Amsterdam\n313,59 €\n63\nFilmsko-kreativni studio \nVanima\nSudjelovanje na konferenciji Youth Cinema \nNetwork u Trollhättanu, Švedska\n1.047,16 €\n64\nDamir Šuša\nSudjelovanje na Braunschweig International \nFilm Festivalu u Njemačkoj\n532,41 €\n65\nDina Uglešić\nSudjelovanje u industrijskom dijelu Les Arcs \nFilm Festivala\n629,27 €\n66\nAna Martinović\nSudjelovanje filma \"Rahlo\" na Tallinn Black \nNights Film Festivalu (sekcija PÖFF Shorts)\n400,00 €\n67\nKreativni sindikat\nSudjelovanje redatelja i animatora Marka \nMeštrovića i Martine Meštrović na Tallinn Black \nNights Film Festivalu (sekcija PÖFF Shorts)\n545,92 €\n68\nSavez scenarista i pisaca \nizvedbenih djela\nGodišnja skupština FSE-a (Federation of \nScreenwriters in Europe) u Berlinu i Europski \ndan scenarista\n951,34 €\n70.472,09 €\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati JP ME_ 2026. - 1. rok","year":2025,"rok":null,"natjecaj_date":"2026-01-13","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":"29. sjednica Hrvatskog audiovizualnog vijeća, 13. ožujka 2026.","section_key":"29_sjednica_hrvatskog_audiovizualnog_vijeca_13_ozujka_2026","columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA (€)"],"rows":[{"row_number":1,"project_title":"Svjetska premijera filma Vučja gozba na 29. 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Media d.o.o.":"Savez scenarista i pisaca izvedbenih djela","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"0fe8de33:s4:b77bf1850868","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_61a260a22fcb","project_family_title":"Godišnja skupština FSE-a (Federation of Screenwriters in Europe) u Berlinu i Europski dan scenarista"}],"section_total_text":"70.472,09 €","section_total":70472.09}],"totals":{"ukupno_text":null,"ukupno":65486.21,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":65486.21,"ukupno_match":true,"row_count":61,"awarded_count":61,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":61}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje prvi rok 2021. kratkometrazni igrani film.pdf","filename_decoded":"web obrazlozenje prvi rok 2021. kratkometrazni igrani film.pdf","sha256":"0ff6cfe4943ef46a7736b5a75e1069ed99e92dd71f5a9697384f37e39e7dd9ef","bytes":75107,"page_count":1,"extracted_at":"2026-05-17T12:01:53Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20prvi%20rok%202021.%20kratkometrazni%20igrani%20film.pdf"},"raw_text":"Na Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija proizvodnje \nkratkometražnog igranog filma na prvom roku u 2021. godini - rok 15. ožujak 2021.  prijavljeno \nje 26 projekata, što je najmanje do sada u ovo pandemijsko vrijeme.                                                                                  \nOd razmatranih prijava tri (3) su projekta prijavljena u fazi postprodukcije, a dvadeset i tri (23) su \nprocjenjivana za produkciju. Osam (8) projekata su već bila prijavljena na neki od prethodnih javnih \npoziva, a sedam (7) scenarija djela su debitanata. Sedamnaest (17) projekata je po prvi puta \nprijavljeno na javni poziv za poticanje proizvodnje kratkometražnog igranog filma.                                                          \nNa temelju prijavljenih projekata na natječaj, rekao bi da je zamjetan osjetan pad i u kvantitativnom i \nu kvalitativnom smislu, a primjetan je već neko vrijeme broj prijavljenih scenarija koji snagu crpe iz \nosobnih, biografskih epizoda.                                                                                                                                               \nOdabrana su tri projekta sličnih tema. Sva tri su obiteljske tematike, ali stilski i emocionalno različitih \nredateljskih estetika. Zajedničko im je da imaju istaknutu osobnu i prije svega autorsku notu. \n1.Jogurt, sok, cigarete, redatelj i scenarist Josip Lukić, producent: Sabmarine \nJoš jedan autorski projekt splitskog autora koji koristi svoje biografsko iskustvo kao pogonsko gorivo \nza ovoga puta igrani projekt. Nastavljeno na njegov obiteljski dokumentarni opus, autor se ponovno \nbavi obiteljskim zaleđem, promatrajući u maniri opservacijskog dokumentarca, jedan dan pacijentice \nSare u psihijatrijskoj bolnici u Splitu. Njezina neprilagođenost i koškanja sa glavnom sestrom Anitom, \nna kraju dana dovode ju do njezinog konačnog emotivnog sloma.  Iako se radi o specifičnom, \nnesvakidašnjem ambijentu, film je to o prepoznatljivom ljudskom otporu, o strpljivosti i snazi \nljudskog duha da opstanemo i onda kada nam izgledi ne idu tome u prilog. Tematski sličan \nFormanovom filmu zbog čega ga možemo prozvati i hrvatskom varijantom Leta iznad kukavičjeg \ngnijezda.  \n2. Jednog dana dogodit će se nešto (strašno), scenaristica i redateljica: Dalija Dozet, produkcija: \nWolfgang i Dolly \nPriča je to o empatičnoj djevojci Maši koja odlazi na sprovod momka kojeg nije nikad upoznala, ali \nkojoj prisustvo na karminama pomaže da se suoči sa izvjestnošću smrti kojim je trenutno opsjednuta \ndok se brine za svoju bolesnu majku. Priča je to o odrastanju kao i priča o izlasku iz svoje komfort \nzone i suočavanju sa vlastitim strahovima koji su prepoznatljivi motivi koji nas mogu navesti da lako \nzavolimo ovaj film. Prožimanje unutarnjeg i vanjskog svijeta protagonistice, redateljica gradi pomoću \nsugestivnog filmskog izraza praćenog testnim snimkama kojima dočarava vizualni jezik filma. \nAmbiciozan projekt, vizualno složen tako da slikom komunicira sa gledateljima. \n3. Traje veliko finale, scenarist i redatelj: Luka Galešić, produkcija: Digital Cinema Environment \nd.o.o. \nJoš jedan gorko slatki film obiteljske tematike koja se događa u dalmatinskom ambijentu zadarskog \npredgrađa. Radi se o momku kojeg vlastita obiteljska situacija primora da se brine o bolesnom ocu i \nmlađem bratu zbog čega je ispunjen frustracijom koja samo čeka da nenadano eksplodira. Autor gradi \nsvijet mladog Tonija, kojem obrisi i zidovi vlastite kuće postaju okovi, distancirajući ga od svijeta \nizvan prostora obiteljske kuće. Gradirajući taj psihološki zatvor u koji je stjeran protagonist, autor \ngradi realističan portret obitelji, prepoznatljivih odnosa koji su osim što su zagušujući za protagoniste, \noni su isto tako topli i brižni jer drugačiji ambijent ni ne poznaju i u njemu se jedino osjećaju \nzaštićeno i sigurno. Autor barata sa prepoznatljivim elementima i temom s kojom se možemo lako \npoistovjetiti. Iako debitant, autor je spreman za svoj prvi profesionalni kratki igrani film. \n \n \n \n \nIvan Sikavica, umjetnički savjetnik za kratkometražni film  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2021,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"OBRAZLOZENJE_igrani_razvoj projekata_1rok_2021.pdf","filename_decoded":"OBRAZLOZENJE_igrani_razvoj projekata_1rok_2021.pdf","sha256":"106c41c503247c9e8ad5d62c4b8b4daa7ad4adc281d194aae6d44f31a66d0e71","bytes":166005,"page_count":5,"extracted_at":"2026-05-17T12:02:07Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/OBRAZLOZENJE_igrani_razvoj%20projekata_1rok_2021.pdf"},"raw_text":" \nHrvatski audiovizualni centar \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje \nrazvoja \nscenarija \ni \nrazvoja \nprojekata \ndugometražnih \nigranih, \ndugometražnih dokumentarnih i animiranih filmova, 1. rok 2021. \n \nKategorija: Poticanje razvoja scenarija i razvoja projekata – \ndugometražni igrani film \n \nRok: 11. ožujka 2021. \nUmjetnički savjetnici: Pavlica Bajsić Brazzoduro, Danilo Šerbedžija i Zdenka Gold \n \nNa Javni poziv za poticanje razvoja projekata dugometražnog igranog filma u 2021. \ngodini na prvom roku prijavilo se ukupno 26 projekata. I ovaj je rok rekordan po \nbroju prijava u podkategoriji razvoja projekata. \nIstaknuli bismo i na ovom roku iznimno visoku kvalitetu velike većine prijavljenih \nfilmova na ovaj Javni poziv i pohvalili bismo sveukupnu pripremljenost projekata. \nOvaj Javni poziv je ponovno zablistao i bilo je iznimno teško odlučiti kojem filmu \npružiti potporu za razvoj projekta, a kojem ne, zaista su veliku ulogu odigrale sitnice. \nOdlučili smo poduprijeti sveukupno devet filmova za razvoj projekta. Ponovno se \nsusrećemo s ozbiljnim financijskim limitima tako da su svi projekti podržani (znatno) \nmanjim iznosima od traženih u dobroj vjeri da će autorsko-produkcijski timovi i s \novim skromnim iznosima uspjeti izvući ono najbolje za njihove projekte.  \n \nPrvi tjedan u kolovozu \nScenarij: Filip Mojzeš \nRežija: Filip Mojzeš \nProducent: Castor Multimedia / Matej Merlić \n120.000,00 kn \n \nZagrebačka obitelj odlazi na odmor. Iznenadna neprimjerena reakcija majke izazvana \nstrahom izaziva otpor i niz lančanih reakcija koje kasnije kulminiraju podmetanjem \npožara.  \nRadi se o izuzetno kvalitetnom i dobro pripremljenom paketu. Scenarij već u ovoj fazi \nizgleda spreman za snimanje što i ne čudi kada pogledamo s kojim je sve mentorima \nautor radio (Radulescu, Paljan, Žalica, Nuić). Kao i u svim svojim ranijim projektima, \nprimjetna je zrelost i spremnost mladog autora Mojzeša.  \nLikovi su odlično osmišljeni, dramaturška napetost je itekako prisutna, a ritam \nscenarija, što ponekad zna biti problem u sličnim projektima, vodi nas lagano i \nsigurno prema kraju. Imamo dojam da je Filip mudro birao teme za svoje kratke \nfilmove i koristio ih kao pripremu za svoj veliki prvi dugometražni igrani film.  \nProducent Merlić, iako mlad, nije nikako neiskusan. Iz produkcijskih materijala \nvidljiva je njegova pripremljenost i želja za uspješnim ostvarivanjem ovog \nobećavajućeg projekta.  \n \n \n \n\n\f\n \nDrugi krug \nScenarij: Josip Lukić \nRežija: Josip Lukić \nProducent: Dinaridi film / Tena Gojić \n100.000,00 kn \n \nScenarij kojeg pratimo i podržavamo još od faze njegovog prvog razvoja, danas \nčitamo kao jedan intiman, vrlo dinamičan, dobro ritmički balansiran, dubinski \npotresan tekst s utemeljenim i motiviranim likovima od krvi i mesa. \nAutor se bavi pričom koja mu je jako dobro poznata, dapače, bavi se temom koju je \non sam proživio – hospitalizacijom najbližeg člana obitelji na psihijatriju. Nikako ne \nmožemo ne spomenuti dva vrlo važna lika u cijeloj priči – pas Casper i sam grad Split \nu kojem se odvija radnja filma. \nProducentica je visoko motivirana za rad na ovom projektu i cijeli je produkcijski \npaket uredno prezentiran.  \n \nEva nakon pada \nScenarij: Lana Barić \nRežija: Lana Barić \nProducent: Focus Media / Irena Marković \n100.000,00 kn \n \nProjekt \"Eva nakon pada\" je interesantna priča o ženi koja, u bijegu od stvarnosti i \nprivatne nesreće koja joj je još uvijek neprihvatljiva, nakon potresa, nalazi utočište u \nprihvatilištu. Tamo mijenja identitet i sprijateljuje se s mladom djevojkom koja će u \nnjoj ponovno probuditi život.  \nKao i u svom prvom scenariju, Lana Barić i u ovom govori o običnom životu, životu \nnas i naših susjeda. Također, glavni protagonisti ovog filma su žene, Žana i Sara koje \nunatoč svojim prvotnim različitostima, jedna drugoj pomažu kročiti kroz život.  \nVeliku ulogu u ovom projektu ima i potres koji je zadesio grad Zagreb tako da i grad \nsam postaje aktivni sudionik priče što je dodatna kvaliteta ovog projekta. \n \"Eva nakon pada\" ambiciozan je projekt s visoko određenim ciljevima, a autorsko-\nproducentski tim, što je vidljivo po dokumentaciji, je potpuno uvjeren u njegovu \nrealizaciju i sigurni smo da će rezultat biti kvalitetan film koji će naći svoje mjesto na \nfestivalima, ali i u kinima.  \n \nKuzmanovi \nScenarij: Snježana Tribuson \nRežija: Snježana Tribuson \nProducent: Maxima film / Damir Terešak \n80.000,00 kn \n \nProjekt \"Kuzmanovi\", Maxima filma i redateljice Snježane Tribuson priča je koja \ngovori o tri generacije obitelji, o njihovim razdvajanjima te mogućnostima popravka \n\n\f\n \n\"nepopravljivog\".  Dramaturški podjeljen u tri odvojene filmske priče scenarij nas \nvodi kroz odnose sina, oca i unuka.  \nNa prvo čitanje ovaj scenarij osvaja svojom uvjerljivošću likova, odličnom rečenicom \nte izuzetnim osjećajem za ritam što je veoma važno u scenarijima s više kraćih \ncjelina.  Autorica je vrlo detaljno objasnila svoju viziju filma, a Bogdan Diklić i Leon \nLučev garantiraju visoko kvalitetnu glumačku podjelu.  \nKako se radi o iskusnom i uspješnom redateljsko-producentskom tandem, kao i \npriznatoj producentskoj kući, sigurni smo da će se sredstva s ovog natječaja \nmaksimalno kvalitetno iskoristiti. \n \nMama tata i ja \nScenarij: Tena Štivičić \nRežija: Vanja Juranić \nProducent: MP-filmska produkcija / Majda Pilat \n100.000,00 kn \n \nImpresionirani smo lakoćom vođenja filmske priče unutar scenarija autorice Tene \nŠtivičić, kao i razrađenošću redateljske koncepcije iz koje zrači i osobna motiviranost \nredateljice Vanje Juranić. \nOvo je film koji će, kroz priču o znanstvenici Daši koja se zbog mamine bolesti \nprivremeno vraća u Hrvatsku,  govoriti o svima nama, iz nas i za nas – te zbog toga \nsmatramo da je izrazito važno podržati ga u razvoju projekta. U žanru tragikomedije, \novaj film je tematski i provedbeno duboko ukorjenjen u aktualni trenutak i obiteljske \nbolne problematike kakve vrlo dobro poznajemo i sami živimo. Iznad svega, on \ntematizira junakinju, ženu, koja balansira usred tektonskih poremećeja kulturoloških \nobrazaca iz kojih je potekla i onih koje je, svojim kasnijim životom u Švedskoj - \nusvojila.  \nStanje konstantnog nepripadanja, svojstveno svim ljudima koji su privremeno ili \nstalno napustili svoju kulturu, a nikad neće do kraja preuzeti onu u koju su došli, to \nlebdenje u čardaku nit' na nebu nit' na zemlji – pojačano je činjenicom da se radi o \nženi koja svoju afirmaciju nalazi van ustaljenih patrijarhalnih modela.  Radi se \nsvakako o temi o kojoj bi hrvatska kinematografija, trebala progovarati sve više i više. \n \nPrije ljeta \nScenarij: Anja Matković i Nikola Kuprešanin \nRežija: Danis Tanović \nProducent: Propeler film / Boris T. Matić \n120.000,00 kn \n \nMlada Zagrepčanka, vanbračna kći imućnog Bračanina, prvi put posjeti otok i \nzapočne aferu s oženjenim britanskim piscem kojeg tresu sredovječna i stvaralačka \nkriza. Morska avantura prerasta u zabranjenu ljubav koja se prelama na čvrstim \nživotnim pozicijama, tragikomičnoj renovaciji kuće i stadu napušenih krava. \nOvaj scenarij pratimo od faze treatmenta kada je bio i podržan na razvoju scenarija. \nOd tada se scenaristici Anji Matković pridružio i koscenarist Nikola Kuprešanin.  \nRezultat je taj da smo u ruke dobili zavodljiv scenarij koji istovremeno pršti humorom \n\n\f\n \ni nježnošću, uvjerljivo ukorijenjen u jadransko podneblje u kojem se radnja zbiva, \nlikovima od krvi i mesa, sigurno vođenom strukturom.   \nProjekt prijavljuje iskusni producent koji je izrazito motiviran, a timu je pripojen još i \nrenomirani redatelj Danis Tanović što filmu također može pomoći da preraste regiju. \n \nŽena u gumenim rukavicamas \nScenarij: Franjo Nagulov \nRežija: Mario Šulina \nProducent: Slavonija Nova / Mario Šulina \n77.200,00 kn \n \nScenarij „Žena u gumenim rukavicama“ nadahnut je velikim štrajkom prosvjetnih \nradnika iz 2019. godine. Iz perspektive školske spremačice, film pobliže tematizira \niznevjerenu solidarnost i opću društvenu hipokriziju koja je okružila činjenicu da su \nrezultatima tog štrajka u potpunosti bili iznevjereni oni najranjiviji i s najmanje glasa. \n \nPisan iz neobične perspektive, ovaj scenarij nas je zaintrigirao već na prošlom \nnatječaju i vidjeli smo u njemu veliki potencijal, kako scenaristički, tako i u \nmotiviranosti producentsko-redateljske ekipe iz Đakova. Također, čini nam se kao \ndobar primjer projekta koji se od samog starta može razvijati u smjeru filma za \nkategoriju mikroproračunskih projekata.  \n \nLet na sjever \nScenarij: Zvonimir Munivrana \nRežija: Zvonimir Munivrana \nProducent: Studio Corvus / Zvonimir Munivrana \n100.000,00 kn \n \nRadi se o dobro strukturiranoj i dvostruko aktualnoj priči za nas. Osim na filmu često \nprikazanog sukoba na relaciji susjedi Hrvati i Srbi, ovdje je pridodan i  suvremeni \nproblem migranata. Glavna protagonistica filma, Hrvatica Nada, pruža utočište \nsirijskom izbjeglici Aylanu koji se u bijegu pred policijom skriva u Nadinoj kući. Nada i \nAylan se s vremenom sprijatelje te joj Aylan pomaže s radovima po kući. Nadina \nsusjeda Mira, prije rata najbolja prijateljica, i njen muž - konstantna su opasnost za \nAylana.  \nStruktura scenarija veoma je kvalitetna kao i njegov ritam. Redateljska koncepcija je \nveoma opširna i kvalitetno sastavljena. Zaključno, radi se o odličnom projektu koji se \nbavi uvijek aktualnim temama u našem društvu, susjedskim odnosima i prihvaćanju \nrazličitosti.  \n \nBambina \nScenarij: Ana Tonković Dolenčić \nRežija: Robert Orhel, Krešimir Dolenčić \nProducent: Telefilm d.o.o. / Stanislav Babić \n102.800,00 kn \n \n\n\f\n \nU splitskom škveru 80-ih godina 20. st. gradi se tanker. Malverzacije u upravi i \nkorupcija u političkom vrhu povezuju ideološki i generacijski podijeljene likove u \nzajedničku borbu protiv gospodarskog kriminala. I sve to uz puno glazbe.  \nOvaj projekt pratimo od faze treatmenta, te smo ga podržali na razvoju scenarija i \nkolaudirali, on je sada spreman za razvoj projekta. Kako se radi o hibridnom žanru \nmjuzikla i filma socijalne tematike, koji potiče iz kazališne predstave, sasvim je \nsigurno da mu u ovoj fazi treba puno prostora za dramaturške dorade, castinge, \nglazbene pripreme, lokacije i scenografske studije.  \nVisoku komercijalnost projekta jamči i to da se filmska priča gradi kroz hitove Nene \nBelana iz vremena grupe Đavoli. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2021,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web%20rezultati%20av%20RSC_2024_1rok_13III2024_DUG_IGR.pdf","filename_decoded":"web%20rezultati%20av%20RSC_2024_1rok_13III2024_DUG_IGR.pdf","sha256":"10b9866641b13519a271da89e7c642ae2a20aa75dc8b5f25c131a45c23786852","bytes":41247,"page_count":1,"extracted_at":"2026-05-16T15:33:26Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20rezultati%20av%20RSC_2024_1rok_13III2024_DUG_IGR.pdf"},"raw_text":"NASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nODOBRENA \nSREDSTVA\n1\nO ljudima i psima\nIvan Salaj\nIvan Salaj\n6.150,00 €\n2\nOdbačeni\nLuka Ranogajec\nUdruga za razvoj \nkulture TOČKA \nKULTURE / Sanjin \nHasanefendić\n6.150,00 €\n3\nMrtve boje\nMile Božičević\n6.150,00 €\n4\nLice tajne\nDijana Cetina \nMlađenović\nKinematograf d.o.o. \n/ Dijana Cetina \nMlađenović\nDijana Cetina \nMlađenović\n6.150,00 €\n5\nOdisejeva zemlja\nJosip Mlakić\n Alka film d.o.o. / \nJozo Patljak\nKristijan Milić\n6.150,00 €\n6\nRezervacije\nMarko Bičanić\nUdruga Blank / Igor \nJelinović\nMarko Bičanić\n6.150,00 €\n7\nSumnjivo Područje Filip Peruzović, Ivan \nTurković-Krnjak\nPipser d.o.o. / \nMiljenka Čogelja\nFilip Peruzović\n6.150,00 €\n8\nTemelji\nSrđan Kovačević\nSrđan Kovačević\n6.150,00 €\n9\nListanje kupusa\nBranko Schmidt, \nVivien Karlović\nTelefilm d.o.o.\nBranko Schmidt\n6.150,00 €\n10\nAjka\nAnte Storić\nSuteren film / Ante \nStorić\nAnte Storić\n6.150,00 €\n11\nBolje\nZoran Lazić\n6.150,00 €\n12\nNoć kralja Arthura\nAndrija Mardešić, \nŠimun Šitum\nEclectica d.o.o. / \nTomislav \nStojanović\nAndrija Mardešić\n6.150,00 €\n13\nHIDRA\nHana Japundžić\n6.150,00 €\n79.950,00 €\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova \n- potkategorija: RAZVOJ SCENARIJA u 2024. - 1. 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€","ukupno":79950.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":79950.0,"ukupno_match":true,"row_count":13,"awarded_count":13,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":13}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"FESTIVALI_I%20KAT_DUGI_2014_web.pdf","filename_decoded":"FESTIVALI_I%20KAT_DUGI_2014_web.pdf","sha256":"117c4c4f3165bb8cf8350609b18a908eef28224253f7e688877fb7efc14fcb5a","bytes":124027,"page_count":1,"extracted_at":"2026-05-16T14:10:29Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url_missing":true},"raw_text":"GRAD / NAZIV FESTIVALA\nSLUŽBENI \nNATJECATELJSKI \nPROGRAMI\nPARALELNI PROGRAMI I SEKCIJE\nIZD.\nROK ZA \nPRIJAVE\nDATUMI \nODRŽAVANJA\nGODINA \nODRŽAVANJA\nWEBSITE\nDRŽAVA\nAMSTERDAM                                                                          \nIDFA International Documentary Film Festival \nOfficial Competition\nFirst Appearance Competition, IDFA \nStudent Competition, Reflecting \nImages, Paradocs, Green Screen \nCompetition, IDFA Play Music Doc.\n27\nsvibanj / \nkolovoz\nstudeni\n2014\nwww.idfa.nl\nNETHERLANDS \nBERLIN                                                                                          \nBerlin International Film Festival \nOfficial Competition\nPanorama, Forum, Berlinale \nSpecial, Generation (Kplus & 14plus \nCompetition)\n64\nlistopad\nveljača\n2014\nwww.berlinale.de\nGERMANY \nCANNES                                                                                \nCannes International Film Festival \nOfficial Competition\nOfficial Selection - Out of \nCompetition, Un Certain Regard\n67\nožujak\nsvibanj\n2014\nwww.festival-cannes.com\nFRANCE \nCANNES Parallel Sections\nCritics' Week /  Semaine de la Critique\n54\ntravanj\nsvibanj\n2014\nwww.semainedelacritique.com\nFRANCE \nDirectors' Fortnight / Quinzaine des Realiaateurs\n45\nožujak\nsvibanj\n2014\nwww.quinzaine-realisateurs.com\nFRANCE \nTORONTO                                                                                    \nHot Docs Canadian International Documentary Festival \n20\nsiječanj\ntravanj-svibanj\n2014\nwww.hotdocs.ca\nCANADA \nKARLOVY VARY                                                                         \nKarlovy Vary International Film Festival \nOfficial Competition, \nDocumentary Films in \nCompetition\nOut of Competition, East of the \nWest, Antoher View, Horizons, \nVariety Critics' Choice (EFP). Forum \nof the Independents\n49\nožujak\nsrpanj\n2014\nwww.kviff.com\nCZECH REPUBLIC \nLOCARNO                                                                                \nLocarno International Film Festival \nPiazza Grande, \nInternational Competition \n(Concorso \nInternazionale) \nFilmmakers of the Present (Cineasti \ndel Presente)\n67\nlipanj\nkolovoz\n2014\nwww.pardo.ch\nSWITZERLAND \nROTTERDAM                                                                                \nInternational Film Festival Rotterdam\nVPRO Tiger Awards \nCompeition\nBright Future, Spectrum, Signals\n44\nlistopad\nsiječanj / veljača\n2015\nwww.filmfestivalrotterdam.com\nNETHERLANDS \nSAN SEBASTIAN                                                                       \nSan Sebastian International Film Festival \nOfficial Section Awards\nZabaltegi New Directors\n62\nsrpanj\nrujan\n2014\nwww.sansebastianfestival.com\nSPAIN \nPARK CITY                                                                           \nSundance Film Festival\nDramatic & Documentary \nWorld Cinema \nCompetition\nSpectrum, New Frontier, Spotlight\n29\nkolovoz / \nrujan\nsiječanj\n2014\nwww.sundance.org\nUSA\nTORONTO                                                                                     \nToronto International Film Festival \nGala Presentations, \nMasters, Contemporary \nWorld Cinema, Visions, \nDiscovery, Reel to Reel\nVanguard, WaveLenghts\n38\ntravanj\nrujan\n2014\nwww.tiff.net\nCANADA \nVENICE                                                                                       \nInternational Film Festival / Venezia - Mostra d'Arte \nCinematografica \nOfficial Competition\nOut of Competition, Orizzonti\n71\nlipanj\nkolovoz-rujan\n2014\nwww.labiennale.org\nITALY \nVenice 2012 Official Selection: Venezia 69, Out of \nCompetition, Orizzonti, the retrospective section and \nrestored classics (Venezia Classici).\nVENICE Parallel Sections\nInternational Critics’ Week (SIC) \n29\nsrpanj\nkolovoz-rujan\n2014\nwww.sicvenezia.it\nITALY \nGiornate degli autori - Venice Days\n10\nlipanj\nkolovoz-rujan\n2014\nwww.venice-days.com\nITALY \nDUGOMETRAŽNI IGRANI I DOKUMENTARNI FILMOVI - FESTIVALI PRVE KATEGORIJE\n","warnings":[],"document":{"program_type":"festivali","natjecaj_title":"DUGOMETRAŽNI IGRANI I DOKUMENTARNI FILMOVI - FESTIVALI PRVE KATEGORIJE","year":2014,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":"DUGOMETRAŽNI IGRANI I DOKUMENTARNI FILMOVI - FESTIVALI PRVE KATEGORIJE","section_key":"dugometrazni_igrani_i_dokumentarni_festivali_prve_kategorije","columns":["GRAD / NAZIV FESTIVALA","SLUŽBENI NATJECATELJSKI PROGRAMI","PARALELNI PROGRAMI I SEKCIJE","IZD.","ROK ZA PRIJAVE","DATUMI ODRŽAVANJA","GODINA ODRŽAVANJA","WEBSITE","DRŽAVA"],"rows":[],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":null,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":null,"ukupno_match":null,"row_count":0,"awarded_count":0,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":0}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje_RAZVOJ_proj_i_scen_anim_2.rok 2022.pdf","filename_decoded":"web obrazlozenje_RAZVOJ_proj_i_scen_anim_2.rok 2022.pdf","sha256":"11dff701bcf04e255e91ba70f758573c7e52f5ccc9f1d2af786d0740c44bb997","bytes":100511,"page_count":1,"extracted_at":"2026-05-17T12:02:18Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje_RAZVOJ_proj_i_scen_anim_2.rok%202022.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih \ndokumentarnih i animiranih filmova - potkategorija: RAZVOJ SCENARIJA u 2022.  \n- 2. ROK - 14.9.2022. \n \nANIMIRANI FILM \n \nUmjetnička savjetnica: Ana Horvat \n \n \nNa javni poziv u kategoriji poticanja razvoja scenarija i projekata, na 2. rok u 2022. godini \nprijavljena su dva (2) projekta u potkategoriji razvoja scenarija, a niti jedan u potkategoriji razvoja \nprojekta.  \n \nZa financiranje su predložena i odobrena oba projekta iz potkategorije razvoja scenarija, s ukupnom \npotporom od 50.000,00 kn/ 6.636,14 eura: \n \n \n \nnaziv projekta:  ZIMSKA KOPRENA \nscenarij: Mihaela Erceg \n25.000,00 kn/ 3.318,07 eura \n \nAutorica predlaže jasan i dobro odmjeren projekt.  \nBajkovita priča počinje u selu Ovčarevci, a čiji su stanovnici nadahnuti hrvatskim ovčarima. \nSmještanjem radnje u područje Like ovaj projekt promiče hrvatsku kulturnu baštinu.   \nMladi junak (Stipica) odlazi u planinu da se sukobi s božicom zime Moranom (koja je zaledila \ncijelo selo i sve stanovnike osim njega i otkazala proljeće). Putem susreće razne likove kojima je \nMorana isto naudila. Oni mu se pridružuju na putu. Sukobe se i bore s Moranom, ali je ne uspiju \npobijediti - već ju Stipica pridobije na način suvremenih priča – razgovorom i razumijevanjem. \nOslobađaju Ladu – božicu proljeća, i zajedno se sretno vraćaju u selo, donose proljeće. \nSinopsis i treatment imaju dobro odabrane elemente uzbudljive priče i potencijal za lijepi film za \ndjecu, koji prati tradiciju i po temi i po formi, ali rješava probleme na suvremene načine...  \n \n \n \nnaziv projekta:  SAIMA \nscenarij: Draško Ivezić, Chintis Lundgren (Christin Peets) \nprodukcija: Jadranska animacija \n25.000,00 kn/ 3.318,07 eura \n \nSaima je projekt koji ima ambiciju prequel priče o Manivaldu ostvariti u dugometražnom obliku. \nPriča se odvija u istom komičnom svijetu očovječenih lisica, vukova, ovaca, itd., kao i u \ndosadašnjim filmovima Chintis Lundgren.  \nGlavni lik Saima i njena prijateljica Denika su u biti tragične figure, koje prolaze šašave ljubavne \nperipetije. Kroz humoristične situacije koje proizlaze iz toga, projekt se bavi temom toksičnih \nljubavnih odnosa i očekivanja, proizašlih iz potrebe za ljubavlju i/ili straha od samoće.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2022,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"odluka%20vijeca_razv%20scen%20anim.pdf","filename_decoded":"odluka%20vijeca_razv%20scen%20anim.pdf","sha256":"12213d7ad83a2393cc3185167d2d165ea6cf675f6ad539d6d450e4a1139bce85","bytes":199348,"page_count":3,"extracted_at":"2026-05-16T14:11:16Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 4286-2014 \nU Zagrebu, 10. listopada 2014. \n \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12),  Hrvatsko audiovizualno vijeće, na prijedlog Umjetničkog vijeća, na 52. sjednici održanoj 10. \nlistopada 2014.godine donijelo je: \n \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2014.godini \nu  kategoriji -poticanje razvoja scenarija -animirani film, rok 20. lipnja 2014. godine \n \n \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za poticanje audiovizualnih djelatnosti i stvaralaštva u 2014.godini utvrđuje se lista \nprioriteta i donosi se odluka o raspodjeli sredstava za poticanje audiovizualnih djelatnosti i \nstvaralaštva u kategoriji -poticanje razvoja scenarija –animirani film u ukupnom iznosu od \n105.000,00 kuna (stopettisućakuna), prema tablici priloženoj ovoj Odluci koja čini njezin sastavni \ndio. \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku \npredviđenom Pravilnikom o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva (NN 118/12) \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 118/12)  u 2014. godini raspisan je Javni poziv HAVC-a za poticanje \naudiovizualnih djelatnosti i stvaralaštva u kategoriji -poticanje razvoja scenarija - animirani film. \n \nNa Javni poziv ukupno je prijavljeno 4 projekata i svi su imali uredne prijave. \n \nNa 34. sjednici Umjetničkog vijeća umjetnički savjetnik za animirani film g. Igor Prassel predložio je listu \nprioriteta koju je Umjetničko vijeće usvojilo i proslijedilo na razmatranje Hrvatskom audiovizualnom vijeću.  \n\n\f\n \n \n \n \n \nNa 52. sjednici Hrvatskog audiovizualnog vijeća održanoj 10. listopada 2014.godine jednoglasno je odlučeno \nkao u točki 1. izreke Odluke. \n \n \nTemeljem čl.12. Zakona o audiovizualnim djelatnostima, ravnatelj HAVC-a izvršava odluke o raspodjeli \nsredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima sredstava.  \n  \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić –Škarica \nPrilog: tablice s rezultatima \n \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n\n\f\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\n1\nDabić\nMidhat Ajanovic, Chris \nLandreth\nUstanova Zagreb film / \nVinko Brešan\n35,000.00\n2\nDjevojka koja je bila \nradio\nPavlica Bajsić\nPavlica Bajsić, \nDalibor Barić\n35,000.00\n3\nNa Tri kralja (Twelfth \nNight), Grižula (Plakir)\nZvonimir Bulaja, Ana \nTonković Dolenčić\nBulaja naklada d.o.o. / \nZvonimir Bulaja\nZvonimir Bulaja\nWilliam Shakespeare, \nMarin Držić\n35,000.00\nUKUPNO\n105,000.00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih \ndokumentarnih i animiranih filmova - podkategorija: RAZVOJ SCENARIJA u 2014. - 2. \nROK - 20.6.2014.\nanimirani film\n","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2014,"rok":"2. rok","referenced_projects":["Dabić","Djevojka koja je bila radio","Na Tri kralja (Twelfth Night), Grižula (Plakir)"],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 10. listopada 2014. o raspodjeli sredstava za poticanje razvoja scenarija - animirani film (2. rok, 20.6.2014.) u ukupnom iznosu od 105.000,00 kuna za 3 projekta po 35.000,00 kuna.","project_links":[{"source_title":"Dabić","family_id":"pf_082d011f91ba","family_title":"Dabić","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Djevojka koja je bila radio","family_id":"pf_ff7191d323de","family_title":"Djevojka koja je bila radio","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Na Tri kralja (Twelfth Night), Grižula (Plakir)","family_id":"pf_a246f28994d4","family_title":"Na Tri kralja (Twelfth Night), Grižula (Plakir)","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web%20Obrazlozenje%20-KOMPLEMENTARNE-%201.%20ROK%202022.pdf","filename_decoded":"web%20Obrazlozenje%20-KOMPLEMENTARNE-%201.%20ROK%202022.pdf","sha256":"124db27d5652ac656bd1e4dbe57270bdf38b67dbe73829a69ac5cc906a488353","bytes":69484,"page_count":5,"extracted_at":"2026-05-16T14:09:44Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje%20-KOMPLEMENTARNE-%201.%20ROK%202022.pdf"},"raw_text":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH \nDJELATNOSTI U 2022. GODINI – 1. rok \n \nObrazloženje umjetničkih savjetnika za komplementarne djelatnosti \n \n \nU prvom roku Javnog poziva za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2022. godini zaprimljeno je 295 prijava u kategorijama djelatnosti \nrazvijanja audiovizualne kulture, filmski festivali i druge audiovizualne manifestacije, \nizdavaštvo u području audiovizualnih djelatnosti, programi audiovizualnih udruga i \norganizacija, programi promocije i prodaje hrvatskih audiovizualnih djela, programi \nstručnog usavršavanja i/ili edukacije, programi proučavanja i kritičkog vrednovanja \naudiovizualnih djelatnosti i programi zaštite audiovizualne baštine, uključujući \nkinotečnu djelatnost.  \n \nPrijave na Javni poziv za komplementarne djelatnosti za 2022. godinu podnose se u \ndva roka godišnje. Prvi rok, do 8. rujna 2021., odnosio se na projekte u svim \nkategorijama koji se održavaju u 2022. godini, a drugi rok, raspisan do 13. siječnja \n2022., odnosi se isključivo na one projekte u kategoriji programa filmskih festivala i \ndrugih audiovizualnih manifestacija koji se održavaju u drugoj polovici 2022. godine, \na nisu se prijavili na prvi rok javnog poziva.  \n \nSavjetnici za komplementarne djelatnosti, Davorka Begović, Carmen Lhotka i \nTomislav Šakić, za financijsku podršku na prvom roku preporučili su 243 programa u \nukupnom iznosu od 8.994.700,00 kn što je Hrvatsko audiovizualno vijeće odobrilo na \n32. sjednici 29.12.2021. \n \nU postupku procjenjivanja vodili smo se otprije utvrđenim kriterijima, navedenima u \ntočki VIII Javnog poziva za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2022. godini:  \n \n– kvaliteta, izvedivost i održivost programa (od sadržajne do produkcijske razine) \n– programi koji imaju konkretne, realne i strateške planove u umjetničkom, \norganizacijskom i financijskom smislu \n– značaj programa za relevantan kontekst (ovisno o programu, od lokalne zajednice, \npreko nacionalnog značaja do međunarodne prepoznatljivosti i važnosti za \naudiovizualni sektor) \n– kontinuitet programa odnosno njegova dugoročna usmjerenost, dostupnost \nprojekta, vidljivost i komunikacija sa profesionalcima i javnosti, \n– kvaliteta prijave, kvaliteta i iskustvo projektnog tima u pojedinoj programskoj \nkomplementarnoj djelatnosti za koju se prijavljuje (stabilni i dostatni izvori prihoda za \nkontinuirano obavljanje aktivnosti tijekom razdoblja ostvarivanja projekta, stručne \nkompetencije i kvalifikacije potrebne za provođenje predložene aktivnosti) \n– prethodna izdanja programa (ako nije prvo izdanje) \n– ispunjavanje prethodnih ugovornih obveza sa Centrom \n– odjek programa i komunikacija s javnosti (prije, za vrijeme i nakon održavanja \nprograma) \n– te povezivanje i suradnja. \n \n\n\f\nPosebnu smo pažnju pritom posvetili programima koji nude različite aspekte \naudiovizualne edukacije – posebice djece i mladih – kao jednom od prioritetnih \nciljeva navedenih u Nacionalnom programu promicanja audiovizualnog stvaralaštva.  \n \nKao i svake godine, u svim kategorijama prepoznati su programi za koje su \npredložene i odobrene i odgovarajuće potpore. U nastavku ističemo programe koje \ndržimo od iznimne ili visoke vrijednosti za očuvanje i razvoj audiovizualnih djelatnosti \ni stvaralaštva u Hrvatskoj, odnosno programe nacionalne ili lokalne važnosti ili pak \none koji su važni za razvoj pojedinih djelatnosti.  \n \nDjelatnosti razvijanja audiovizualne kulture \n \nU kategoriji djelatnosti razvijanja audiovizualne kulture, tradicionalno najopsežnijoj, \nprijavljeno je 148 programa. Za potporu je u ovoj kategoriji odobreno 119 programa u \niznosu od 3.002.000,00 kn.  \n \nMeđu programima treba istaknuti dvije najveće skupine sadržaja. Prva su umjetnička \ni nezavisna kina u hrvatskim gradovima (najveći dio njih dio je Kino mreže). Svako \nprijavljeno kino dobiva potporu, ovisno o opsegu programa, veličini grada, visini \nlokalne potpore, veličini ciljane publike, kvaliteti programa i postignutim rezultatima u \nneposredno proteklom razdoblju. Izdvajaju se, redom, Kino Tuškanac u Zagrebu, Art-\nkino Croatia u Rijeci, Kinoteka Zlatna vrata u Splitu te Kinoteka u Zagrebu, pri čemu \nneka kina zasebna sredstva dobivaju za školske programe i programe medijske \npismenosti. Ističemo da u 2022. podupiremo rad nešto više od 25 kina, mahom u \norganizaciji pučkih otvorenih učilišta i centara za kulturu (uz neke prikazivačke \nprograme brojka doseže 30). Uspješnu djelatnost nastavlja i program \"Kino \nMediteran\". \n \nDrugu skupinu čine obrazovni programi i radionice. U ovoj se skupini, kao i dosad, \nističu redoviti obrazovni programi i radionice Kinokluba Zagreb te udruge Restart i \nBlank. Od programa za djecu i mlade naglašavamo redoviti rad udruga Djeca \nsusreću umjetnost (programi \"Sedmog kontinenta\") i Bacači sjenki, a posebno \nističemo inicijativu proisteklu iz programa \"Sedmi kontinent\", nedavno pokrenutu \nonline-bazu filmova za nastavu medijske pismenosti <www.vrtisvoj.film>. Radionica, \nbilo za djecu, bilo za odrasle, predloženih i odobrenih za potporu je oko 60. Posebno \nističemo pozitivan iskorak u programima inkluzivnosti – senzornim projekcijama, \nizradbi audionaracija i podnatpisa ili pak radionicama s disleksičnim osobama i \nosobama s invaliditetom, kakve, uz udrugu Alternator iz Zagreba, provode udruge \nFilmaktiv i Spirit iz Rijeke te Globe Media iz Splita, koje redom preporučujemo za \nvidljivije potpore.  \n \nFilmski festivali i druge audiovizualne manifestacije  \n \nOd 33 prijave na 1. roku, koji obuhvaća filmske festivale i audiovizualne \nmanifestacije, odobrena je potpora za 28 programa u iznosu od 2.665.000,00 kn.  \n \nTradicionalno važnošću i iznosom predložene i odobrene  potpore prednjače \nAnimafest Zagreb i ZagrebDox, a slijede ih Festival mediteranskog filma Split, Dani \nhrvatskog filma, Subversive Film Festival i Festival tolerancije. Željeli bismo skrenuti \npažnju na simboličnu potporu koju dajemo audiovizualnim manifestacijama koji se \n\n\f\nbave radikalnim i inovativnim audiovizualnim praksama (ugledne Filmske mutacije, ali \ni programi FUSE i Vector Hack Festival), kao i manifestacijama namijenjenima djeci \n(Festival prava djece, VAFI & RAFI), mladeži ili pak inkluzivnima, namijenjenima \nosobama s invaliditetom (Uhvati film fest).  \n \nIzdavaštvo u području audiovizualnih djelatnosti  \n \nU ovoj kategoriji evidentan je gorući manjak u izdavaštvu hrvatskih ili klasičnih, odn. \numjetničkih \nfilmova, \nkao \ni \nknjiga \ndomaćih \npisaca \nposvećenih \nhrvatskoj \nkinematografiji. S druge strane, treba primijetiti porast prijevoda klasične filmološke \nliterature, što pripisujemo upravo kontinuiranoj potpori Hrvatskog audiovizualnog \ncentra, pa je tako u 2022. potpora odobrena za prve hrvatske prijevode čak triju \nkanonskih knjiga: Što je film? Andréa Bazina (Disput), Bilješke o kinematografu \nRoberta Bressona (Bijeli val) i Transcendentalni stil na filmu Paula Schradera \n(Hrvatski filmski savez). \n \nNajviša potpora u ovoj kategoriji tradicionalno ide za časopis Hrvatski filmski ljetopis, \na posebno ističemo da, nakon što je u protekle tri godine Hrvatsko društvo filmskih \nkritičara uspješno izgradilo svoje internetsko izdanje, filmski portal Zona filma (na \nadresi https://zonafilma.com), tom je online-izdanju odobrena značajna potporu.  \n \nOd 26 prijavljenih programa za potporu je odobreno njih 17 u iznosu od 332.700,00 \nkn.  \n \nProgrami audiovizualnih udruga i organizacija \n \nOd 32 programa za potporu je odobreno njih 29 u iznosu od 1.546.000,00 kn. \nNastavlja se redovita godišnja potpora strukovnim udrugama poput Hrvatskog \ndruštva filmskih djelatnika, Hrvatske udruge producenata, Društva hrvatskih filmskih \nredatelja, Hrvatskog društva filmskih kritičara, Saveza scenarista i pisaca izvedbenih \ndjela, Hrvatskog društva nezavisnih producenata i Hrvatskog kaskaderskog društva, \nzatim potpora Hrvatskoj mreži neovisnih prikazivača, ali i udrugama koje desetljećima \nprovode neprofesijske, radioničke i obrazovne filmske djelatnosti, kao što su Hrvatski \nfilmski savez, Kinoklub Zagreb, Blank i Autorski studio – fotografija, film, video, Kino \nklub Split, Pulska filmska tvornica, Filmsko-kreativni studio Vanima u Varaždinu, \nŠkola animiranog filma Čakovec, Foto kino video klub Zaprešić, GFR film-video u \nPožegi, Kino klub Sisak, Kinoklub Karlovac i Filmski centar mladih u Šibeniku. Mnoge \nod njih za posebne radionice i programe potporu ostvaruju i u kategoriji djelatnosti \nrazvijanja audiovizualne kulture. \n \nProgrami promocije i prodaje hrvatskih audiovizualnih djela \n \nU ovoj deficitnoj kategoriji od 5 prijavljenih programa potpora je odobrena za njih 4 u \niznosu od 105.000,00 kn. Nastavlja se potpora Ustanovi Zagreb film i udruzi Restart \nza festivalsku i regionalnu distribuciju filmova. U nesigurnom području filmskog \nstreaminga, u kojem treba primijetiti više inicijativa i pokušaja, djelatnost nastavljaju \ntek dva programa – platforma <croatian.film> (UO Zagreb film festival) i ponuda \nhrvatskih filmova u programu \"Kino Mediteran od doma\" (Festival mediteranskog \nfilma Split).  \n \n\n\f\nProgrami stručnog usavršavanja i/ili edukacije  \n \nOd 30 prijavljenih programa za potporu je odobreno njih 28 u iznosu od 868.000,00 \nkn. Najistaknutiji programi ujedno su i oni već uhodani: tzv. \"industry\" sekcije vodećih \nfestivala, gdje se ističu ZagrebDox Pro, Industrija Zagreb Film Festivala, Animafest \nPRO i European Genre Forum 2022, te oni posvećeni edukaciji za medijsku \npismenost, gdje prednjači \"Škola medijske kulture dr. Ante Peterlić\" (u svojem 24. \nizdanju). U osjetnom nedostatku programa stručnog usavršavanja za profesionalce \ntreba napomenuti da je, uz već peti međunarodni Split Script udruge Metonimija, \npotpora odobrena i novim programima za scenariste (\"Konstelacije narativne \nstrukture\" DimDim produkcije) te dvama za glumce (\"Gluma pred kamerom\" DA filma \ni \"Method za kameru\" UO Plafon), uz nastavak potpore scenarističkim programima \n\"Palunko\" (Hrvatski filmski savez), \"Branko Bauer\" (Društvo hrvatskih filmskih \nredatelja) i \"Zora Dirnbach\" (Savez scenarista i pisaca izvedbenih djela).  \n \nProučavanje i kritičko vrednovanje audiovizualnih djelatnosti  \n \nU ovoj kategoriji razmatrano je 15 programa, a potpora je odobrena za 14  programa \nu iznosu od 261.000,00 kn s obzirom na to da su potraživanja u ovoj kategoriji obično \nniska. Zamjetan je akutni nedostatak promišljenih i dorađenih kustoskih i kritičkih \nprograma. Kao i dosad, najvišu potporu dobivaju redovita programska djelatnost \nMultimedijalnog instituta u Zagrebu te više uhodanih, selektorski profiliranih \nprikazivačko-diskurzivnih programa udruge Restart (Hall of Fame, Masterclass, \nRazmišljaj filmom, Upoznaj autora). Potpora je odobrena i kustosko-prikazivačkim \nprogramima Apoteke u Puli i Vodnjanu, Kina Katarina u Puli (Sub pokret), Kulturno-\ninformativnog centra u Zagrebu te Lokalne baze za osvježavanje kulture BLOK u \nZagrebu. \n \nZaštita audiovizualne baštine uključujući kinotečnu djelatnost \n \nUnatoč činjenici da su protokom vremena mnogi audiovizualni materijali nepovratno \nizgubljeni ili su na najboljem putu da budu, zbog zanemarivanja i tehnološke \nzastarjelosti, u ovoj kategoriji uočljiv je manjak inicijativa za zaštitu audiovizualne \nbaštine, a od 6 prijavljenih programa odobrena je potpora za njih 4 u iznosu od \n215.000,00 kn. Redovite potpore odobrene  su Hrvatskom filmskom savezu za \ngodišnji rad arhiva te Ustanovi Zagreb film za nastavak redovitoga godišnjeg \nprograma restauracije i digitalizacije filmova iz produkcije Zagreb filma. Posebno \ntreba pozdraviti dovršetak digitalne obrade i baze podataka Kino kluba Split te \npočetak digitalizacije arhivskoga gradiva Kinokluba Zagreb, što je posebno važno s \nobzirom na to da je riječ o dvama najstarijim hrvatskim kinoklubovima. \n \nNa kraju bismo se htjeli, uz dosad istaknuto, osvrnuti i na općenitu kvalitetu prijava. \nPremda su od lani uvedene nove smjernice za prijavu programa, treba primijetiti da \nnajveći dio prijavitelja, koji otprije sudjeluje u Javnom pozivu za poticanje \nkomplementarnih djelatnosti, predaje iste, tek neznatno prilagođene opise programa, \na da su troškovnici nerazrađeni.  \n \nS obzirom na to da se proračun predviđen za poticanje komplementarnih djelatnosti \nodržava u istim okvirima, a broj se prijava povećava, u popisu odobrenih programa \nvidljivo je da je došlo do korekcije većeg broja iznosa. Prilikom korekcija uspoređivani \n\n\f\nsu međusobno slični programi usmjereni na sličnu ciljanu publiku i slične sadržaje te \nsu odmjeravani sukladno broju sudionika, dosegu, potpori lokalne zajednice i mjestu \nodržavanja. Također, treba istaknuti da kvaliteta dijela prijavljenih programa i samih \nprijava stagnira, posebice u slučaju postojećih programa koji ostvaruju kontinuiranu \npotporu. Iz godine u godinu savjetnici su suočeni uvijek s istim izazovom, a to je \nnedostatnost sredstava u odnosu na broj prijavljenih programa te manjak snažnije \npotpore lokalnih zajednica, zbog čega se velik dio prijavitelja oslanja ponajviše na \npotporu Hrvatskog audiovizualnog centra. S obzirom na protok vremena, priljev novih \nkvalitetnih prijavljenih programa i vrijednost novca, predložena sredstva ne prate \nrealne potrebe. Za usporedbu navodimo statistički podatak: u 2013. godini \ndodijeljeno je 12.280.626,00 kn za 207 programa, a 2021., u dva roka, 12.215.000,00 \nkn za 288 programa.  \n \nZaključno, željeli bismo – kao i svi naši prethodnici – naglasiti važnost \nkomplementarnih djelatnosti i kontinuiranoga poticanja koje im nudi godišnji javni \npoziv Hrvatskog audiovizualnog centra. Komplementarne djelatnosti, premda \nmnogima na rubu percepcije u području audiovizualne industrije i kulture, zapravo su \nsama okosnica audiovizualnoga stvaralaštva i kulture, pa stoga i ključan dio \nNacionalnog programa promicanja audiovizualnog stvaralaštva, u tom smislu da \npružaju temelje audiovizualnoj kulturi i medijskoj pismenosti pojedinca od malih nogu. \nVrijednost ovoga sektora zbog svoje sveobuhvatne i disperzivne prirode nije na prvi \npogled uočljiva i mjerljiva, ali ona čini svakodnevicu i budućnost audiovizualne kulture \ni djelovanja. Stoga priželjkujemo da se i ubuduće nastavi odrješita potpora \nkomplementarnim djelatnostima, ako je moguće i financijski osnažena, kao i da se \npoveća broj kvalitetnih prijava, napose kustoskih kolektiva, individualnih istraživača, \nnakladnika, nakladnika audiovizualnih sadržaja, umjetničkih škola i akademija, \nlokalnih udruga itd.  \n \n \numjetnički savjetnici za komplementarne djelatnosti \nDavorka Begović \nCarmen Lhotka \nTomislav Šakić \n","warnings":[],"document":{"program_type":"komplementarne","year":2022,"rok":"1. rok","referenced_projects":["Kino Tuškanac","Art-kino Croatia","Kinoteka Zlatna vrata","Kinoteka","Kino Mediteran","Kinoklub Zagreb","Restart","Blank","Djeca susreću umjetnost","Sedmi kontinent","Bacači sjenki","vrtisvoj.film","Alternator","Filmaktiv","Spirit","Globe Media","Animafest Zagreb","ZagrebDox","Festival mediteranskog filma Split","Dani hrvatskog filma","Subversive Film Festival","Festival tolerancije","Filmske mutacije","FUSE","Vector Hack Festival","Festival prava djece","VAFI & RAFI","Uhvati film fest","Što je film? Andréa Bazina (Disput)","Bilješke o kinematografu Roberta Bressona (Bijeli val)","Transcendentalni stil na filmu Paula Schradera (Hrvatski filmski savez)","Hrvatski filmski ljetopis","Zona filma","Hrvatsko društvo filmskih djelatnika","Hrvatska udruga producenata","Društvo hrvatskih filmskih redatelja","Hrvatsko društvo filmskih kritičara","Savez scenarista i pisaca izvedbenih djela","Hrvatsko društvo nezavisnih producenata","Hrvatsko kaskadersko društvo","Hrvatska mreža neovisnih prikazivača","Hrvatski filmski savez","Autorski studio – fotografija, film, video","Kino klub Split","Pulska filmska tvornica","Filmsko-kreativni studio Vanima","Škola animiranog filma Čakovec","Foto kino video klub Zaprešić","GFR film-video","Kino klub Sisak","Kinoklub Karlovac","Filmski centar mladih u Šibeniku","Ustanova Zagreb film","croatian.film","Kino Mediteran od doma","ZagrebDox Pro","Industrija Zagreb Film Festivala","Animafest PRO","European Genre Forum 2022","Škola medijske kulture dr. Ante Peterlić","Split Script","Konstelacije narativne strukture","Gluma pred kamerom","Method za kameru","Palunko","Branko Bauer","Zora Dirnbach","Multimedijalni institut","Hall of Fame","Masterclass","Razmišljaj filmom","Upoznaj autora","Apoteka","Kino Katarina","Sub pokret","Kulturno-informativni centar","BLOK"],"summary":"Obrazloženje umjetničkih savjetnika za 1. rok Javnog poziva za poticanje komplementarnih djelatnosti u 2022. – od 295 prijava odobrena su 243 programa u ukupnom iznosu od 8.994.700,00 kn. 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Programe tih udruga i organizacija smatramo važnim aspektom u \nstručnom razvoju korisnika, ali i širenju znanja van uskih strukovnih krugova.  \nUzimajući taj okvir u obzir, umjetnički savjetnici, prepoznali su razvoj relativno \nnove strukovne organizacije Saveza scenarista i pisaca izvedbenih djela – SPID, \nkao svojevrstan ogledni primjer rada i razvoja jedne audiovizualne udruge. \nTakođer, u kontekstu promicanja djelovanja strukovnih udruga u široj javnosti – \numjetnički savjetnici izvrsnim ocjenjuju program Psihijatrija i film u organizaciji \nDruštva hrvatskih filmskih kritičara i ostvarenu u suradnji sa zdravstvenim \nsustavom. Iz polja filmske edukacije, valjalo bi izdvojiti kontinuirano dobar rad na \npolju medijske pismenosti udruge Djeca susreću umjetnost, kao i djelatnosti \nkinoklubova kao polazišnih stanica u filmskom stasanju kreativnih pojedinaca. \n \nUmjetnički savjetnici za komplementarne djelatnosti \nJaka Primorac \nMario Kikaš \nDragan Rubeša \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2017,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2020_2rok_14IX2020_WEB_DUG_DOK.pdf","filename_decoded":"RPR_2020_2rok_14IX2020_WEB_DUG_DOK.pdf","sha256":"137173bebb3f4ea9e8444ac01823ab2ccd7980000bd488e87a22e6235a6c3b8d","bytes":39439,"page_count":1,"extracted_at":"2026-05-17T10:24:21Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2020_2rok_14IX2020_WEB_DUG_DOK.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nGrandpa Guru\nČetiri film d.o.o.\nSilvio Mirošničenko, \nSanjin Hasanefendić\nSilvio Mirošničenko\n140.000,00\n2\nK67\nMore-Magnets d.o.o.\nFilip Filković\nFilip Filković\n100.000,00\n3\nNa morskome plavom \nžalu\nFade In d.o.o.\nVlatka Vorkapić\nVlatka Vorkapić\n100.000,00\n4\nVukovarski osmerac\nArtizana film d.o.o.\nIrena Škorić\nIrena Škorić\n100.000,00\nUKUPNO\n440.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ PROJEKATA u 2020. - 2. 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Obrazlozenja_manjinske_koprodukcijE.pdf","sha256":"14174f8423ffb6dce89756e2f46a54219ff1118706919dc2c832220578a4fce8","bytes":83402,"page_count":6,"extracted_at":"2026-05-17T12:01:25Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20final%20Obrazlozenja_manjinske_koprodukcijE.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika o odlukama o donošenju liste prioriteta i raspodjeli sredstava prema \nJavnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2022. godini, u kategoriji poticanja \nfilmskih koprodukcija s manjinskim hrvatskim udjelom (prvi rok: 11.1.2022.) \nBojan Kanjera, umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom \nNa prvi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2022. godini prijavljeno je \n30 projekata. Od ukupnog broja prijavljenih, u razmatranje je ušlo njih 29, dok jedan nije ušao u \nrazmatranje, budući da nije zadovoljio uvjete Javnog poziva. \nPromatrano s obzirom na vrstu filma, najviše prijavljenih dolazi iz kategorije dugometražnog igranog filma, \nukupno 20 (16 dugometražnih igranih filmova i 4 debitantska dugometražna igrana filma). Najmanje \nprijavljenih, po jedan, dolazi iz kategorija eksperimentalnog filma te kratkometražnog dokumentarnog \nfilma. \nVrsta filma \nUkupan broj prijavljenih filmova \nAnimirani \n2 \nDebitantski dugometražni igrani \n4 \nDugometražni dokumentarni film \n4 \nDugometražni igrani film \n16 \nEksperimentalni film \n1 \nKratkometražni dokumentarni film \n1 \nKratkometražni igrani film \n2 \nTotal \n30 \n \n \nPromatrano s aspekta države iz koje dolazi glavni producent, najviše je prijavljenih iz Republike Srbije (11), \nza kojom slijedi Bosna i Hercegovina (5), dok su sve ostale države zastupljene s 1-2 predstavnika. Na ovom \nsu roku prijavljeni dugometražni igrani filmovi iz 13 država. \nDržava \nUkupan broj prijavljenih filmova \nBelgija \n1 \nBosna i Hercegovina \n5 \nČeška \n1 \nCrna Gora \n1 \nGruzija \n1 \nItalija \n1 \nMađarska \n1 \nNjemačka \n2 \nRumunjska \n1 \nSjeverna Makedonija \n2 \nSlovenija \n2 \nSrbija \n11 \nTurska \n1 \nTotal \n30 \n \n\n\f\nKriteriji za predlaganje projekata za sufinanciranje temelje se na: \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i redateljski \nkoncept; \n2. Ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala projekta, s obzirom na \nprodukcijski paket i producentov plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje projekata.  \n \nODOBRENI PROJEKTI \n1. Dugometražni igrani film Saučesnici (Srbija), u produkciji Zillion filma,  hrvatski producent INTER FILM \nd.o.o., 302.800 kn; \n2. Dugometražni igrani film Primjer iz prakse (Rumunjska), u produkciji 4 Proof Filma, hrvatski producent \nKINORAMA  d.o.o., 450.000 kn; \n3. Dugometražni igrani film Zvečarke (Srbija), u produkciji Biberche Productionsa, hrvatski producent \nMAXIMA FILM d.o.o., 450.000 kn; \n4. Dugometražni igrani film Kuća Ulpius (Mađarska), u produkciji Mythberg Filmsa, hrvatski producent \nČETIRI FILM d.o.o., 380.000 kn; \n5. Dugometražni igrani film (postprodukcijska faza) Umri prije smrti (IL OMBRE) (BIH), u produkciji \nComprex d.o.o., hrvatski producent GECL d.o.o., 180.000 kn; \n6. Dugometražni dokumentarni film Jump Out (Italija), u produkciji Tico Film Companya, hrvatski \nproducent FADE IN d.o.o., 165.000 kn; \n7. Animirani film Bez lica (Slovenija), u produkciji Zavoda SPOK, hrvatski producent ANTITALENT d.o.o., \n202.500 kn; \n8. Kratkometražni igrani film Mala Šala (Makedonija), u produkciji DNF Films, hrvatski producent IZVAN \nFOKUSA d.o.o., 50.000 kn \nUkupni iznos sredstava jest 2.180.300 kuna. \n \n1. dugometražni igrani film SAUČESNICI \nDugometražni igrani film Saučesnici, prema scenariju Ognjena Obradovića, novi je projekt plodnog \nrežisera Marka Novakovića, autora brojnih TV serija, dokumentaraca, TV filmova, kao i raznih drugih TV \nformata. Ovdje je riječ o kriminalističkom dramskom filmu, u čijem je središtu odnos između Branka i \nSofije, koji bi se uskoro trebali vjenčati, međutim, njihov odnos se nađe na kušnji nakon što skrive \nprometnu nesreću sa smrtnim ishodom. Branko će pokušati zataškati zločin, dok će ga Sofija htjeti \npriznati. Scenarij se bavi temom koja se mogla dogoditi bilo gdje i bilo kome od nas te nas na taj način \ntjera da propitamo vlastite moralne i etičke stavove, čineći je na taj način univerzalnom. On jasno \nisprepliće likove i lokacije te nas drži fokusiranima na priču. Što se tiče važnosti za hrvatsku audiovizualnu \numjetnost, osim teme korupcije koja je na žalost aktualna na ovim prostorima, potrebno je istaknuti i \nčinjenicu da će na filmu biti angažiran veći broj filmskih djelatnika iz Hrvatske. \n\n\f\nRedateljska koncepcija vješto naglašava psihološka stanja u kojima se likovi nađu nakon prometne \nnesreće te će dijelovi radnje biti prikazani različitim kadriranjem.  \nPotrebno je napomenuti da su Saučesnici, dio dobro uhodanog ko-produkcijskog partnerstva Zillion filma i \nInter filma, te da je cjelokupna financijska struktura projekta u granicama realnog i izvedivog uz relativno \nmali iznos tražen od strane HAVC-a. \nS obzirom na temu kojom se bavi, ovaj film ima veliki potencijal kako na festivalima, tako i u kinima. \n2. dugometražni igrani film PRIMJER IZ PRAKSE \nDugometražni igrani film Primjer iz prakse (Rumunjska), novi je film scenarista i redatelja Radua Judea, koji \nje na Berlinskom filmskom festivalu 2021. za film Bad Luck Banging or Loony Porn, dobio Zlatnog \nmedvjeda. Već i sam sinopsis pogađa radnju u srž, dok scenarij detaljno razrađuje likove, lokacije i \ndijaloge. Film na zanimljiv način priča o post-tranzicijskom društvu u Rumunjskoj, iako bi se s obzirom na \ntemu moglo raditi i o Hrvatskoj, problematizirajući odnose tvrtki prema radnicima kroz lik Angele na \nkojem je fokus u prvom dijelu filma, gdje se radnja isprepliće s rumunjskim filmom iz 1981. - Angela \nnastavlja dalje Luciana Bratua. Scenarist na zanimljiv način prikazuje Angelu, asistenticu produkcije, koja \norganizira snimanje namjenskih filmova o nesrećama na radu za jednu korporaciju, upletenu u skandal \noko ozljeda. U drugom dijelu filma fokus se prebacuje na Mariana, ozlijeđenog radnika korporacije koja je \nangažirala produkcijsku kuću u kojoj radi Angela, ne bi li na taj način popravila svoj ugled u javnosti. Osim \nsame radnje, relevantne za sva post-tranzicijska društva pa tako i hrvatsko, u kontekstu doprinosa \nhrvatskom audiovizualnom stvaralaštvu, važno je istaknuti da će na ovom projektu biti angažirano \nnekoliko ključnih autora u produkciji. \n \n3. dugometražni igrani film ZVEČARKE \nDugometražni igrani film Zvečarke (Srbija), u režiji Nikole Ljuce, plodnog srpskog redatelja mlađe \ngeneracije, bavi se isprepletenim životima „malih“ ljudi te njihovim sudbinama, koje ovise o odlukama \nnekolicine. Predložak za njega je scenarij koji supotpisuju Nikola Ljuca, Staša Bajac i Vuk Bošković. Sam \nscenarij obiluje dijalozima koji komuniciraju napetost situacije u filmu, ocrtavajući kompleksnost \nmeđuljudskih odnosa, ljubavnih priča, nasilja, političkih i poslovnih ambicija. Tema kojom se bavi je \nbutterfly effect u formi kriminalističke drame, gdje vidimo da su svi likovi, iako naoko udaljeni, u biti \npovezani i kako svačija akcija utječe na ostale. Priča prati Nađu, bivšu NGO aktivistkinju, koja sada radi kao \nasistentica Milanki, direktorici \"Magnolije\"- tvrtke koja kupuje tvornicu oružja, kako bi ju pretvorila u \nobradivo zemljište. Tu je i njezin bivši dečko Boris, koji radi za Rankovića, biznismena sa političkim \nambicijama, koji, suprotno planovima „Magnolije“, tvornicu oružja želi obnoviti i zaposliti ljude iz kraja, \ndok istodobno otpušta svoje postojeće zaposlenike pa tako i Nađinog oca Dobricu.  \nRedateljska koncepcija je jasno napisana, ističući kao glavnu motivaciju propitivanje promjena do kojih je \nu svijetu došlo unazad 20 godina te našu međuovisnost.  \nProdukcijski paket je sustavno i pažljivo sastavljen te obuhvaća planove za svako pojedino tržište regije, \nuz, dakako i pristup prilagođen distribuciji na određenom tržištu.  \n \n\n\f\n4. dugometražni igrani film KUĆA ULPIUS \nScenarij za dugometražni igrani film Kuća Ulpius, nastao je prema jednom od najpoznatijih mađarskih \nromana „Putnik i mjesečina“, Antala Szerba. Sam roman je objavljen 1937. godine. Scenarij za film \npotpisuju Hanna Szász, János Szász, ujedno i režiser filma te Balázs Maruszki, a nastao je uz podršku \nNacionalnog filmskog instituta Mađarske i MEDIA programa Kreativne Europe. Priča prati isprepletene \nživote Mihálya, koji dolazi iz bogate građanske obitelji i njegovih prijatelja blizanaca Eve i Tamása Ulpiusa. \nUpoznaju se 1918. godine, iste godine kada se raspala Austro-Ugarska monarhija te je okončan i svjetski \nrat, a Mađarskom, kao i svijetom, hara španjolska gripa. Blizanci naivnog Mihálya uvode u svijet \nzadovoljenja požuda, droge i kulta smrti. Njima se pridružuje divlji János Szepetneki i Ervin. Scenarij \nprikazuje pokušaj petero mladih da žive mladenačkim životom, u svijetu koji djeluje beznadno. Teme koje \nsu prisutne u filmu su, nažalost, i danas aktualne. Pa tako umjesto španjolske gripe, imamo iskustvo s \npandemijom COVIDa 19, sa svim posljedicama koje će imati kako na mlade tako i na društvo u cjelini. Na \nsnimanju ovog filma bit će angažiran značajan broj filmskih djelatnika iz Hrvatske te će veći dio filma biti \nsniman na lokacijama u Hrvatskoj. \nZbog zanimljive i aktualne teme, ovaj film bi se mogao probiti do festivala s A liste. Osim u Mađarskoj, \nuspjeh u kinima bi mogao imati i u Italiji, kao i u Hrvatskoj. Osim festivalskog i kino potencijala, mogao bi \nbiti uspješan i na nacionalnim televizijama. Plan producenta o promociji i distribuciji je sadržajan i čini se \nizvediv. Zanimljivo je da uključuje i re-izdavanje romana „Putnik i mjesečina“, Antala Szerba, što bi trebalo \nbiti dio promocije.  \n \n5. dugometražni igrani film u postprodukcijskoj fazi UMRI PRIJE SMRTI \nDugometražni igrani film Umri prije smrti, čiji scenarij potpisuju Ahmed Imamović i Dragan Komadina, je \nkombinacija drame i filma ceste s elementima crnog humora. Film se bavi sudbinama ginekologa Zlatana, \nnjegove supruge Vesne te djevojke Selme koja dolazi u Zlatanovu ordinaciju napraviti abortus. U priči \npratimo preobrazbu Zlatana, od samouvjerenog i uspješnog čovjeka, koji je zaljubljen sam u sebe u \nsvojevrsnu sjenu, nakon što dozna da će uskoro umrijeti. Svjestan neminovnog brzog kraja Zlatan kreće na \nputovanje na kojem će se pokušati suočiti sa greškama počinjenim u prošlosti, a najviše se grize zbog \nvelikog broja abortusa koje je obavio.  \nU scenariju se pretapaju san i java, podsvjesno i racionalno, naglašavajući tako moralnu dilemu pred \nkojom se Zlatan nalazi. Također, u njemu nalazimo i arhetipske likove, koji Zlatana prate na putovanju – \nanđela i vraga. \n Umri prije smrti je slojevita drama, koja nas potiče da sagledamo vlastite živote. Zbog teme koju obrađuje \nte zbog načina na koji joj pristupa, pretapajući svjesno i podsvjesno, ovaj bi film mogao ostvariti festivalski \nuspjeh. Što se tiče glumačke ekipe, uloge u filmu uloge ima nekoliko glumaca iz Hrvatske. \nRedateljska koncepcija je iscrpna i ukazuje na to da je Imamović dobro promislio o temi koju obrađuje. \nPropitujući teme života, smrti i slobode, u njoj se poziva na brojne autore, poput Mevlane Rumija i Ericha \nFromma. Kako bi ocrtao psihološka stanja i promjene kroz koje prolazi Zlatan, Imamović je snimao  s \nprirodnim svjetlom i iz ruke, odnosno s ramena, čak i kad je kamera statična, dok je u unutarnjim scenama \n\n\f\nintrospekcije i snova kamera različita, moglo bi se reći holivudska, kako navodi Imamović te prilagođena \nstilu vremena - od one crno- bijele, preko technicolora pa do suvremene. \nFilm je trenutno u post-produkcijskoj fazi te se dovršetak planira u 2022.godini. \n \n6. dugometražni dokumentarni film JUMP OUT \nDugometražni dokumentarni film Jump Out, scenaristice i redateljice Nike Šaravanje, prati priču četvorice \ndječaka iz četvrti Južni Kariobangi, jednoj od najsiromašnijih u Nairobiju, koji uslijed pandemije COVID-a \n19 vrijeme provode lutajući kvartom, jer pandemija je zatvorila škole. Jedina konstanta u njihovom životu \nje akrobatski trening koji imaju svako poslijepodne. Steve, njihov trener, je akrobat i jedan od osnivača \nakrobatske skupine koja s predstavom „Cirque du Soleil“, svako ljeto obilazi Europu, a prikupljene \ndonacije upotrebljavaju za edukaciju djece. Ovu aktualnu situaciju, u kojoj su se našla gotovo sva djeca na \nnašoj planeti, autorica prikazuje u sinopsisu, u kojem ostavlja otvoreno pitanje – hoće li se ovi dječaci \npriključiti „Cirque du Soleilu“. Također, autorica je iscrpno, na temelju vlastitog izravnog iskustva pokrila \nradnju u tretmanu. \nProjekt je financiran od strane IDM Südtirola, Fond Audiovisivo FVG i Kreativna Europa – Media , a uz \npotporu Hrvatskog audiovizualnog centra u potpunosti će zatvoriti financijsku konstrukciju.  \nOsim scenaristice i redateljice koja dolazi iz Hrvatske, na ovom dugometražnom dokumentarnom filmu  \nbit će angažirano više filmskih djelatnika iz Hrvatske u postprodukcijskoj fazi projekta. \n \n7. animirani film BEZ LICA \nAnimirani film Bez lica (Slovenija), lutkarska stop animacija redateljice i scenaristice Anje Resman će u 6 \nminuta ispričati priču o dječaku Nalu, koji udubljen u svoj svijet sanjari o avionima, te je najednom \nprimoran iskoračiti u drugi svijet kako bi ostvario svoje želje te tako zauvijek prekinuo vezu s djetinjstvom. \nU tom drugom svijetu svi nose maske, što će na kraju nositi i Nalu. Sam scenarij je detaljno razrađen i \nprecizno nas uvodi u radnju, a isto je i sa storyboardom, koji crtežom precizno definira likove, njihove \nmeđusobne odnose i transformaciju koju prolazi Nalu. \nČitajući redateljsku koncepciju, pod dojmom sam da se radi o projektu koji je Anja Resman pomno \nplanirala još od studentskih dana. Također, sama ideja je proizašla iz njezinog osobnog iskustva izlaska iz \nsfere „privatnog“ u sferu „javnog“ te nam Anja ovim animiranim filmom želi prenijeti vlastiti sentiment. U \nredateljskoj koncepciji, kao i u scenariju, jasno se ocrtava taj kontrast između svijeta djece, kroz žive boje \nte svijeta odraslih kroz zagasite tonove. \n \n8. kratkometražni igrani film MALA ŠALA \nScenarij kratkometražnog igranog filma Mala šala, potpisuje Trifun Sitnikovski, koji će ujedno biti zadužen i \nza režiju. Ovaj comming of age film se bavi odrastanjem Nadie, koja bi uskoro trebala maturirati i potražiti \nbolju budućnost na studiju u Amsterdamu. Pod bremenom donošenja odluke o svojoj budućnosti, jednog \njutra u školi pita svoj bliskog prijatelja Ivana da zajedno pođu na željezničku stanicu nakon nastave te da \n\n\f\nlegnu na tračnice dok iznad njih prelazi vlak. Dok vlak tutnji iznad njih, Nadji se učini da joj je Ivan izjavio \nljubav. Likovi, kao i radnja filma su dobro razrađeni u scenariju te su popraćeni mladenačkim dijalozima. \nSitnikovski u redateljskoj koncepciji jasno navodi svoju viziju – prebaciti Čehovljevu priču Šala, u današnje \nvrijeme.  \n \n \n \n \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2011 Komplementarne djelatnosti.pdf","filename_decoded":"2011 Komplementarne djelatnosti.pdf","sha256":"14429948f40ec2fca2962acd89f8f70ec6ec12c0c34ce9e79457d1ab4d10d659","bytes":162877,"page_count":8,"extracted_at":"2026-05-17T10:22:59Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2011%20Komplementarne%20djelatnosti.pdf"},"raw_text":"ZAŠTITA AUDIOVIZUALNE BAŠTINE UKLJUČUJUĆI KINOTEČNU DJELATNOST \n  \nnaziv predlagatelja \nnaziv programa \nodobreno \n1. \nEnthusia Planck, filmska \nautorska grupa \nArhiv 1968-2009 - druga faza \n12.355,00 \n2. \nHrvatski državni arhiv - \nHrvatska kinoteka \nZaštita i restauracija audiovizualnog \ngradiva u 2011. godini \n2.500.000,00 \n3. \nHrvatski filmski savez \nFilmski i video arhiv Hrvatskog \nfilmskog saveza \n180.000,00 \n4. \nPulska filmska tvornica \nSakupljanje, restauracija, arhiviranje i \nprezentiranje filmova Foto kino kluba \nJelen Pula \n10.000,00 \nUKUPNO \n2.702.355,00 \n \n \nFILMSKI FESTIVALI I DRUGE AUDIOVIZUALNE MANIFESTACIJE \n  \nnaziv predlagatelja \nnaziv programa \nodobreno \n1. \n25 FPS, udruga za audiovizualna \nistraživanja \n7. 25 FPS internacionalni festival \neksperimentalnog filma i videa \n175.000,00 \n2. \nAkademija dramske umjetnosti \nFilmska revija kazališne akademije \n5.000,00 \n3. \nBijeli val \nSubversive Film Festival \n150.000,00 \n4. \nDiscovery  \n5. Vukovar film festival \n200.000,00 \n5. \nDOKUart, udruga za promicanje \nkulture \n6. DOKUart - dani dokumentarnog \nfilma \n40.000,00 \n6. \nDom kulture Kristalna kocka \nvedrine \n4. Sisački ekološki filmski festival \n25.000,00 \n7. \nDomino \nQueer  Zagreb Film Festival \n60.000,00 \n8. \nEtnografski muzej Istre \nETNOFILm3 festival etnografskog filma  \nETNOFILm visual anthropology and \nediting workshop \n40.000,00 \n9. \nFactum \n 7. ZagrebDox - međunarodni festival \ndokumentarnog filma    \nZagrebDox Pro 2011. \n420.000,00 \n10. \nFAR \n10. revija amaterskog filma \n40.000,00 \n11. \nFestival suvremenog židovskog \nfilma Zagreb \n5. festival židovskog filma Zagreb        \nMeđunarodna filmska radionica - \nInternational Talent Workshop \n50.000,00 \n\n\f\n12. \nGokul - građanska organizacija \nza kulturu \nTabor Film Festival \n45.000,00 \n13. \nHrvatski filmski savez \n19. hrvatski festival jednominutnih \nfilmova \n80.000,00 \n14. \nHrvatski filmski savez \n49. revija hrvatskoga filmskog i \nvideostvaralaštva djece \n40.000,00 \n15. \nHrvatski filmski savez \n43. revija hrvatskog filmskog i \nvideostvaralaštva \n80.000,00 \n16. \nHrvatski filmski savez \n16. filmska revija mladeži i 4. Four \nRiver Film Festival  \nEdukativni program u okviru 16. \nfilmske revije mladeži i 4. Four River \nFilm Festival  \n80.000,00 \n17. \nHulahop d.o.o.   \nSvjetski festival animiranog filma - \nANIMAFEST Zagreb        \n Radionica animiranog filma za djecu \n400.000,00 \n18. \nIncognito produkcija d.o.o. \n2. SPFF - Starigrad Paklenica Film \nFestival \n30.000,00 \n19. \nIstra film \n2. festival hrvatskih vjerskih filmova  \n10.000,00 \n20. \nKaret produkcija \n4. Festival mediteranskog filma Split \n100.000,00 \n21. \nKinoklub Zagreb \nOne take film festival \n30.000,00 \n22. \nLibertas udruga građana \nLibertas Film Festival \n40.000,00 \n23. \nMeđunarodni festival novog \nfilma - Split \nSplit film festival \n300.000,00 \n24. \nMotovun-Film festival d.o.o. \n13. Motovun Film Festival \n450.000,00 \n25. \nMultimedijalni institut \nHuman Rights Film Festival \n90.000,00 \n26. \nMuzej hrvatskih arheoloških \nspomenika Split \nMeđunarodni festival arheološkog \nfilma -  pripremna godina za 2. izdanje \n2012.  \n15.000,00 \n27. \nProstor rodne i medijske kulture \nK zona \nFilmska Vox Feminae II \n40.000,00 \n28. \nPuffer, obrt za sport i rekreaciju \nFestival podvodnog filma 'Bijeli lav' \n10.000,00 \n29. \nRARE, udruga ljubitelja filma \nFestival dokumentarnog rock filma \nDORF 2011. \n40.000,00 \n30. \nSerafini \nFilmski program Zagrebi! festivala \n20.000,00 \n31. \nStudentski centar u Zagrebu \n20. dani hrvatskog filma \n160.000,00 \n32. \nUdruga Delta \n9. Liburnia film festival \n15.000,00 \n\n\f\n33. \nUdruga Kinofon \nII. Pučiške filmske večeri \n10.000,00 \n34. \nUdruga Super Supetar \n3. Supetar Super Film Festival \n40.000,00 \n35. \nUmjetnička organizacija Zagreb \nFilm Festival \n9. Zagreb Film Festival \n350.000,00 \n36. \nVanima \n2. VAFI - internacionalni festival \nanimiranog filma djece i mladih \nVaraždin  \n20.000,00 \n37. \nCentar za pokret \nXontakt godišnja manifestacija \nplesnog filma i videa \n \n10.000,00 \n38. \nUdruga Trash \n \nTrash film festival \n \n20.000,00 \n39. \nZagrebački plesni ansambl \n \n12. festival plesa i neverbalnog \nkazališta Svetvinčenat- audiovizualna \nprogramacija festivala \n \n20.000,00 \nUKUPNO \n3.750.000,00 \n \nDJELATNOSTI RAZVIJANJA AUDIOVIZUALNE KULTURE \n  \nnaziv predlagatelja \nnaziv programa \nodobreno \n1. \n3D2D animatori \nLog in - edukativne filmske radionice \nza mlade \n15.000,00 \n2. \nAlt F4 d.o.o. \nDECro Junior \n25.000,00 \n3. \nBlank \nFilmske radionice u predgrađu \n30.000,00 \n4. \nCentar za kulturu i informiranje \ndr. Franjo Tuđman \nSvi u kino! \n10.000,00 \n5. \nDOKUart, udruga za promicanje \nkulture \n4. mali DOKUart - dokuradionica s \nnacionalnim natječajem za najbolji \ndokumentarac osnovnoškolaca \n30.000,00 \n6. \nDOKUart, udruga za promicanje \nkulture \nDOKU-art - filmski program \n20.000,00 \n7. \nFoto-kino klub 'Baranja film' \nFilmski programi u Mikro-kinu 2011. \n15.000,00 \n8. \nGrad Rijeka \nFilmski program Art kina Croatia        \nObrazovni program za djecu i mlade \n200.000,00 \n9. \nGRF film - video \nProgrami Art kina \n15.000,00 \n10. \nGRF film - video \nMinuta u vašem gradu \n10.000,00 \n\n\f\n11. \nHKZ - HRVATSKO SLOVO d.o.o. \nFilmske tribine i projekcije, \npredavanja \n10.000,00 \n12. \nHrvatski dom Vukovar \nPetak u Ružički \n15.000,00 \n13. \nHrvatski filmski savez \n Filmski programi u kinu Tuškanac       \nKratki utorak, filmski program \nautorskog umjetničkog filma i videa \n320.000,00 \n14. \nHrvatski filmski savez \n18. internacionalna radionica \nanimiranog filma \n20.000,00 \n15. \nHrvatski filmski savez \nMedijska kultura, filmsko i \nvideostvaralaštvo u osnovnim i \nsrednjim školama \n25.000,00 \n16. \nHrvatski filmski savez \nGostujuće radionice u 4 grada \n40.000,00 \n17. \nHrvatski filmski savez \n2. radionica za animirani film na \nLibertas Film Festivalu \n10.000,00 \n18. \nHrvatski filmski savez \nFilmske i video radionice za djecu i \nmladež u Kraljevici \n25.000,00 \n19. \nHrvatski filmski savez \n13. škola medijske kulture 'dr. Ante \nPeterlić' \n250.000,00 \n20. \nKinematografi Osijek \nSvijet bajki Hans Christian Andersena \n25.000,00 \n21. \nKino klub Split \nFilmska škola                       \n Program projekcija     \nRadionice \n25.000,00 \n22. \nKinoklub Karlovac \nRadionica dokumentarnog filma  \nRadionice animiranog filma             \nFilmski tečaj                        \nKarlovačko mikrokino \n50.000,00 \n23. \nKinoklub Zagreb \nNapredne klupske radionice            \nRadionica animiranog filma             \nRadionica scenarija, režije, kamere, \nrasvjete i montaže \n60.000,00 \n24. \nMali grad Faros \nFestival mali grad Faros - radionica za \nanimirani film \n5.000,00 \n25. \nMetafizika d.o.o. \nRadionica dokumentarnog filma \n'Šibenik - grad djece' \n11.100,00 \n26. \nMultimedijalni centar Luka \nCinemaniac 2011. \n15.000,00 \n27. \nPučko otvoreno učilište Duga \nResa \nPotpora redovne kinoprikazivačke \ndjelatnosti Pučkog otvorenog učilišta \nDuga Resa \n20.000,00 \n28. \nPučko otvoreno učilište u Splitu \nProgram filmske klasike                \nArt program \n40 godina Kinoteke Zlatna vrata \n80.000,00 \n\n\f\n29. \nPučko otvoreno učilište \nVaraždin \nFilmske uspješnice \n10.000,00 \n30. \nPulska filmska tvornica \nRadionice filmske medijske kulture u \nosnovnoškolskoj nastavi               \n7. radionica izrade  filma 'Pulska \nfilmska tvornica'                      \nNapredna škola animiranog filma \n40.000,00 \n31. \nRestart \nRestart laboratorij \n50.000,00 \n32. \nRestart \nMasterclass-svjetski dokumentaristi u \nZagrebu \n30.000,00 \n33. \nRestart \nProgram Dokukina Croatia za 2011. \ngodinu \n100.000,00 \n34. \nStudentski centar u Zagrebu \nKlubvizija SC \n60.000,00 \n35. \nStudio Kreativnih Ideja Gunja, \nmultimedijalni centar - MMC \nSKIG \nArhiviranje, edukacija članova i Ljetna \nškola filma Gunja (LJŠFG) \n25.000,00 \n36. \nŠkola filma Šipan \nLjetna škola filma Šipan 2011. \n10.000,00 \n37. \nUmjetnička organizacija Zagreb \nFilm Festival \nKino Europa - programi u 2011. \n150.000,00 \n38. \nZEBRA, stvaralačka mreža \nInterface 012 \n30.000,00 \nUKUPNO \n1.881.100,00 \n \n \nPROGRAMI PROMOCIJE I PRODAJE HRVATSKIH AUDIOVIZUALNIH DJELA \n  \nnaziv predlagatelja \nnaziv programa \nodobreno \n1. \nBonobostudio d.o.o. \nProgram promocije i prodaje filmova u \nprodukciji i distribuciji Bonobostudija \n20.000,00 \n2. \nTrinula \nRegionalna promocija HR filma kroz \nlokalne verzije Filmski.net portala \n15.000,00 \nUKUPNO \n35.000,00 \n \n \n \n \n \n \n\n\f\nPROUČAVANJE I KRITIČKO VREDNOVANJE AUDIOVIZUALNIH DJELATNOSTI \n  \nnaziv predlagatelja \nnaziv programa \nodobreno \n1. \nFilm - protufilm \nFilmske mutacije: Festival nevidljivog \nfilma  \n30.000,00 \n2. \nKulturni klub \nFILMOVI.hr \n20.000,00 \n3. \nMultimedijalni institut  \nVizualni kolegij \n20.000,00 \n4. \nRestart \nInovatori dokumentarnog filma          \nRazgovori s autorima u Dokukinu \nCroatia \n30.000,00 \n5. \nSpalatos, kulturno povijesna \nudruga \nOčuvanje uspomene i materijalnih \nostataka starih kino dvorana grada \nSplita i Dalmacije \n10.000,00 \nUKUPNO \n110.000,00 \n \n \nIZDAVAŠTVO U PODRUČJU AUDIOVIZUALNIH DJELATNOSTI \nnaziv predlagatelja \nnaziv programa \nodobreno \n1. \n25 FPS, udruga za audio-\nvizualna istraživanja \nKnjiga 'Filmska umjetnost sinestezije' \n25.000,00 \n2. \nBlank \nFilmonaut \n20.000,00 \n3. \nFactum \nPredsjednici - DVD kolekcija \ndokumentarnih filmova predsjednika \nžirija ZagrebDoxa \n50.000,00 \n4. \nFactum \nSlike vremena: dvd kolekcija \n50.000,00 \n5. \nFilm - protufilm, umjetnička \norganizacija \nSerge Danay: Mikrofilm \n30.000,00 \n6. \nHrvatski filmski savez \nHrvatski filmski ljetopis \n100.000,00 \n7. \nHrvatski filmski savez \nKlupski katalozi \n15.000,00 \n8. \nHrvatski filmski savez \nDVD izdanja \n50.000,00 \n9. \nHrvatski filmski savez \nIrena Paulus: Teorija filmske glazbe \n15.000,00 \n10. \nHrvatski filmski savez \nJurica Pavičić: Stilske tendencije u \npost-jugoslavenskom filmu \n15.000,00 \n11. \nHrvatski filmski savez \nJelena Vlašić Duić: Govor u hrvatskom \nfilmu \n15.000,00 \n12. \nHrvatski filmski savez \nContemporary Croatian Cinema \n30.000,00 \n13. \nHrvatski filmski savez \nZapis - bilten Hrvatskog filmskog \nsaveza \n20.000,00 \n14. \nHrvatski filmski savez \nMonografija Zvonimir Berković \n40.000,00 \n\n\f\n15. \nHrvatsko društvo filmskih \nkritičara \nAntologija hrvatskog filmskog eseja \n15.000,00 \n16. \nHrvatsko društvo filmskih \nkritičara \nHrvatske rekonstrukcije žanrovskog \nfilma \n10.000,00 \n17. \nRESTART \nRestart label - distribucija i izdavaštvo \nhrvatskih dokumentarnih filmova \n50.000,00 \n18. \nUdruga Kinookus \nKinoliber \n40.000,00 \n19. \nVedis d.o.o. \nIzdavanje knjige 'Prijateljsko \nuvjeravanje' Petra Krelje \n20.000,00 \n20. \nVedis d.o.o. \nIzdavanje knjige 'Estetika animacije' \nRanka Munitića \n30.000,00 \nUKUPNO \n640.000,00 \n \n \nPROGRAMI STRUČNOG USAVRŠAVANJA \nnaziv predlagatelja \nnaziv programa \nodobreno \n1. \nAkademija dramske \numjetnosti \nRadionica snimanje D-SLR \n4.065,00 \n2. \nDruštvo hrvatskih filmskih \nredatelja \nScenaristički program 'Branko Bauer' \n2011. \n15.000,00 \n3. \nDubrovnik Film Meeting \nDubrovnik Film Meeting \n111.000,00 \n4. \nHrvatski državni arhiv - \nHrvatska kinoteka \nStručno usavršavanje djelatnika \nHrvatske kinoteke u 2011. godini \n7.400,00 \n5. \nHrvatski film d.o.o. \nRadionica profesionalnog usavršavanja \nza redatelje i scenariste \"Umijeće \npitchinga i paketiranja: prezentacija \nprojekta u europskoj/međunarodnoj \nperspektivi“ \n20.000,00 \n6. \nHrvatski filmski savez \nInfo punkt i scenaristička radionica \nPalunko \n30.000,00 \n7. \nLibertas udruga građana \nSnimateljska radionica \n20.000,00 \n8. \nLibertas udruga građana \nScenaristička radionica \n20.000,00 \n9. \nPegaz Auctoritas \nAutorskopravna edukacija za \nproducente, autore i umjetnike \nizvođače u audiovizualnoj djelatnosti \n20.000,00 \n10. \nUstanova Zagreb Film \nRAB - radionica animiranog filma \n25.000,00 \nUKUPNO \n272.465,00 \n \n\n\f\nPROGRAMI AUDIOVIZUALNIH UDRUGA I ORGANIZACIJA \n  \nnaziv predlagatelja \nnaziv programa \nodobreno \n1. \n25 FPS, udruga za audio-\nvizualna istraživanja \nInicijativa za kratki film \n30.000,00 \n2. \nBlank \nRedovita programska djelatnost 2011. \n35.000,00 \n3. \nDruštvo hrvatskih filmskih \nredatelja \nRedovita programska djelatnost DHFR \n135.000,00 \n4. \nHrvatska udruga filmskih \nsnimatelja \nProgram rada za 2011. godinu \n70.000,00 \n5. \nHrvatska udruga producenata \nPromicanje audiovizualnih djelatnosti i \nunaprjeđenje profesija \n100.000,00 \n6. \nHrvatski filmski savez \nKoordinacijske i poticajne funkcije \nSaveza \n100.000,00 \n7. \nHrvatsko društvo filmskih \ndjelatnika \nRedovna djelatnost društva \n325.000,00 \n8. \nHrvatsko društvo filmskih \nkritičara \nRedovita djelatnost Hrvatskog društva \nfilmskih kritičara \n70.000,00 \n9. \nKinoklub Karlovac \nRedovna djelatnost \n30.000,00 \n10. \nKinoklub Zagreb \nFilmska i video produkcija \n40.000,00 \n11. \nPulska filmska tvornica \nKlub Pulske filmske tvornice \n15.000,00 \n12. \nVanima \nProgram rada za 2011. godinu \n25.000,00 \nUKUPNO \n975.000,00 \n \nPROGRAMI \nBROJ \nODOBRENIH \nPROGRAMA \nIZNOS \nzaštita audiovizualne baštine uključujući kinotečnu djelatnost \n4 \n2.702.355,00 \nfilmski festivali i druge audiovizualne manifestacije \n39 \n3.750.000,00 \ndjelatnosti razvijanja audiovizualne kulture \n38 \n1.881.100,00 \nprogrami promocije i prodaje hrvatskih audiovizualnih  djela \n2 \n35.000,00 \nproučavanje i kritičko vrednovanje audiovizualnih  djelatnosti \n5 \n110.000,00 \nizdavaštvo u području audiovizualnih djelatnosti \n20 \n640.000,00 \nprogrami stručnog usavršavanja \n10 \n272.465,00 \nprogrami audiovizualnih udruga i organizacija \n12 \n975.000,00 \nUKUPNO \n130 \n10.365.920,00 \n \n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"2011 Komplementarne djelatnosti","year":2011,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:05:49Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["naziv predlagatelja","naziv programa","odobreno"],"rows":[{"row_number":1,"project_title":"Arhiv 1968-2009 - druga faza","applicant":"Enthusia Planck, filmska autorska grupa","production_company":null,"director":null,"writer":null,"original_author":null,"category":"zaštita audiovizualne baštine","approved_amount":12355.0,"approved_amount_text":"12.355,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s0:87c94b1250dd","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 1, zaštita audiovizualne baštine section: applicant and program name separated in original, positive amount 12.355,00 HRK confirmed. OCR error: 'filmska - autorska' corrected to 'filmska autorska'.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"1. - Enthusia Planck, filmska - autorska grupa - Arhiv 1968-2009 - druga faza - 12.355,00","to":"Arhiv 1968-2009 - druga faza","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Enthusia Planck, filmska autorska grupa","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_f6ca2b03113d","project_family_title":"Arhiv 1968-2009 - druga faza"},{"row_number":2,"project_title":"Zaštita i restauracija audiovizualnog gradiva u 2011. godini","applicant":"Hrvatski državni arhiv - Hrvatska kinoteka","production_company":null,"director":null,"writer":null,"original_author":null,"category":"zaštita audiovizualne baštine","approved_amount":2500000.0,"approved_amount_text":"2.500.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s0:ab66e21f54ec","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 2, zaštita audiovizualne baštine section: 2.500.000,00 HRK awarded for audiovisual material protection and restoration.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"2. - Hrvatski državni arhiv - - Hrvatska kinoteka - Zaštita i restauracija audiovizualnog - gradiva u 2011. godini - 2.500.000,00","to":"Zaštita i restauracija audiovizualnog gradiva u 2011. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Hrvatski državni arhiv - Hrvatska kinoteka","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent entity (Hrvatski državni arhiv - Hrvatska kinoteka), identical program concept across 2009–2012, same specialized category.","candidate_id":"fc_2b8cfdfefb86"}},"project_family_id":"pf_67eb551ecd22","project_family_title":"Zaštita i restauracija audiovizualnog gradiva"},{"row_number":3,"project_title":"Filmski i video arhiv Hrvatskog filmskog saveza","applicant":"Hrvatski filmski savez","production_company":null,"director":null,"writer":null,"original_author":null,"category":"zaštita audiovizualne baštine","approved_amount":180000.0,"approved_amount_text":"180.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s0:f9d09c56d446","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 3, zaštita audiovizualne baštine section: 180.000,00 HRK confirmed for film and video archive.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"3. - Hrvatski filmski savez - Filmski i video arhiv Hrvatskog - filmskog saveza - 180.000,00","to":"Filmski i video arhiv Hrvatskog filmskog saveza","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Hrvatski filmski savez","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_54765f581b58","project_family_title":"Filmski i video arhiv Hrvatskog filmskog saveza"},{"row_number":4,"project_title":"Sakupljanje, restauracija, arhiviranje i prezentiranje filmova Foto kino kluba Jelen Pula","applicant":"Pulska filmska tvornica","production_company":null,"director":null,"writer":null,"original_author":null,"category":"zaštita audiovizualne baštine","approved_amount":10000.0,"approved_amount_text":"10.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s0:97109084293a","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 4, zaštita audiovizualne baštine section: 10.000,00 HRK for film collection activities.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"4. - Pulska filmska tvornica - Sakupljanje, restauracija, arhiviranje i - prezentiranje filmova Foto kino kluba - Jelen Pula - 10.000,00","to":"Sakupljanje, restauracija, arhiviranje i prezentiranje filmova Foto kino kluba Jelen Pula","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Pulska filmska tvornica","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_3da046f5810c","project_family_title":"Sakupljanje, restauracija, arhiviranje i prezentiranje filmova Foto kino kluba Jelen Pula"}],"section_total_text":"2.702.355,00","section_total":2702355.0},{"section_label":null,"section_key":null,"columns":["naziv predlagatelja","naziv programa","odobreno"],"rows":[{"row_number":1,"project_title":"7. 25 FPS internacionalni festival eksperimentalnog filma i videa","applicant":"25 FPS, udruga za audiovizualna istraživanja","production_company":null,"director":null,"writer":null,"original_author":null,"category":"filmski festivali i druge audiovizualne manifestacije","approved_amount":175000.0,"approved_amount_text":"175.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s1:5a65ce934307","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 1, filmski festivali section: 175.000,00 HRK for international experimental film and video festival.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"1. - 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Vukovar film festival","applicant":"Discovery","production_company":null,"director":null,"writer":null,"original_author":null,"category":"filmski festivali i druge audiovizualne manifestacije","approved_amount":200000.0,"approved_amount_text":"200.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s1:7aa74638cbe8","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 4, filmski festivali section: 200.000,00 HRK for Vukovar film festival.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"4. - Discovery - 5. Vukovar film festival - 200.000,00","to":"5. 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Long-running recurring international workshop.","candidate_id":"fc_d4309972ae9a"}},"project_family_id":"pf_e28e2e0f83c8","project_family_title":"Internacionalna radionica animiranog filma"},{"row_number":15,"project_title":"Medijska kultura filmsko i videostvaralaštvo u osnovnim i srednjim školama","applicant":"Hrvatski filmski savez","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":25000.0,"approved_amount_text":"25.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:59b52d5b62dd","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"DJELATNOSTI section, row 15: 25,000 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"15. - Hrvatski filmski savez - Medijska kultura, filmsko i - videostvaralaštvo u osnovnim i - srednjim školama - 25.000,00","to":"Medijska kultura filmsko i videostvaralaštvo u osnovnim i srednjim školama","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Hrvatski filmski savez","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_4146942a395a","project_family_title":"Medijska kultura, filmsko i videostvaralaštvo u osnovnim i srednjim školama"},{"row_number":16,"project_title":"Gostujuće radionice u 4 grada","applicant":"Hrvatski filmski savez","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":40000.0,"approved_amount_text":"40.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:bec332e29029","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"DJELATNOSTI section, row 16: 40,000 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"16. - Hrvatski filmski savez - Gostujuće radionice u 4 grada - 40.000,00","to":"Gostujuće radionice u 4 grada","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Hrvatski filmski savez","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_45ad8a6e9007","project_family_title":"Gostujuće radionice u 4 grada"},{"row_number":17,"project_title":"2. radionica za animirani film na Libertas Film Festivalu","applicant":"Hrvatski filmski savez","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":10000.0,"approved_amount_text":"10.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:5237ed22ecfa","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"DJELATNOSTI section, row 17: 10,000 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"17. - Hrvatski filmski savez - 2. radionica za animirani film na - Libertas Film Festivalu - 10.000,00","to":"2. radionica za animirani film na Libertas Film Festivalu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Hrvatski filmski savez","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_0d427d1d2093","project_family_title":"2. radionica za animirani film na Libertas Film Festivalu"},{"row_number":18,"project_title":"Filmske i video radionice za djecu i mladež u Kraljevici","applicant":"Hrvatski filmski savez","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":25000.0,"approved_amount_text":"25.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:bcc786481306","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 18, 'djelatnosti razvijanja audiovizualne kulture' section. Applicant and title correctly separated from flattened format. Amount 25.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"18. - Hrvatski filmski savez - Filmske i video radionice za djecu i - mladež u Kraljevici - 25.000,00","to":"Filmske i video radionice za djecu i mladež u Kraljevici","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Hrvatski filmski savez","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_296ce78a5683","project_family_title":"Filmske i video radionice za djecu i mladež u Kraljevici"},{"row_number":19,"project_title":"13. škola medijske kulture 'dr. Ante Peterlić'","applicant":"Hrvatski filmski savez","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":250000.0,"approved_amount_text":"250.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:f29d06848ee0","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 19. OCR hyphenation 'dr. Ante - Peterlić' corrected to 'dr. Ante Peterlić'. Amount 250.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"19. - Hrvatski filmski savez - 13. škola medijske kulture 'dr. Ante - Peterlić' - 250.000,00","to":"13. škola medijske kulture 'dr. Ante Peterlić'","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Hrvatski filmski savez","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"family":{"method":"claude-haiku","confidence":"high","reason":"Clear edition numbering (11th–28th), consistent entity (Hrvatski filmski savez), and distinctive wording with person honorific across 17 years (2009–2026).","candidate_id":"fc_82f647cb3d99"}},"project_family_id":"pf_c78a5c188d5b","project_family_title":"Škola medijske kulture Dr. Ante Peterlić"},{"row_number":20,"project_title":"Svijet bajki Hans Christian Andersena","applicant":"Kinematografi Osijek","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":25000.0,"approved_amount_text":"25.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:5c5f80e51e94","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 20. Applicant and title correctly extracted. Amount 25.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"20. - Kinematografi Osijek - Svijet bajki Hans Christian Andersena - 25.000,00","to":"Svijet bajki Hans Christian Andersena","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Kinematografi Osijek","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_d4af5897ce5d","project_family_title":"Svijet bajki Hans Christian Andersena"},{"row_number":21,"project_title":"Filmska škola Program projekcija Radionice","applicant":"Kino klub Split","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":25000.0,"approved_amount_text":"25.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:a8d15745e7e6","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 21. Multi-line wrapped title components consolidated. Amount 25.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"21. - Kino klub Split - Filmska škola - Program projekcija - Radionice - 25.000,00","to":"Filmska škola Program projekcija Radionice","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Kino klub Split","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_e17ea8cb5a84","project_family_title":"Filmska škola Program projekcija Radionice"},{"row_number":22,"project_title":"Radionica dokumentarnog filma Radionice animiranog filma Filmski tečaj Karlovačko mikrokino","applicant":"Kinoklub Karlovac","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":50000.0,"approved_amount_text":"50.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:dfe827af557c","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 22. Multi-component title preserved. Amount 50.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"22. - Kinoklub Karlovac - Radionica dokumentarnog filma - Radionice animiranog filma - Filmski tečaj - Karlovačko mikrokino - 50.000,00","to":"Radionica dokumentarnog filma Radionice animiranog filma Filmski tečaj Karlovačko mikrokino","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Kinoklub Karlovac","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_75b9950da592","project_family_title":"Radionica dokumentarnog filma Radionice animiranog filma Filmski tečaj Karlovačko mikrokino"},{"row_number":23,"project_title":"Napredne klupske radionice Radionica animiranog filma Radionica scenarija, režije, kamere, rasvjete i montaže","applicant":"Kinoklub Zagreb","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":60000.0,"approved_amount_text":"60.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:7ff70d2e8d2f","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 23. Multi-line title unwrapped. OCR space-insertion in 'rasvjete' corrected. Amount 60.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"23. - Kinoklub Zagreb - Napredne klupske radionice - Radionica animiranog filma - Radionica scenarija, režije, kamere, - rasvjete i montaže - 60.000,00","to":"Napredne klupske radionice Radionica animiranog filma Radionica scenarija, režije, kamere, rasvjete i montaže","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Kinoklub Zagreb","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_7febf3c016d1","project_family_title":"Napredne klupske radionice Radionica animiranog filma Radionica scenarija, režije, kamere, rasvjete i montaže"},{"row_number":24,"project_title":"Festival mali grad Faros radionica za animirani film","applicant":"Mali grad Faros","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":5000.0,"approved_amount_text":"5.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:cbc1456f43c4","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 24. Applicant and title extracted. Amount 5.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"24. - Mali grad Faros - Festival mali grad Faros - radionica za - animirani film - 5.000,00","to":"Festival mali grad Faros radionica za animirani film","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Mali grad Faros","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_11d7173dbb74","project_family_title":"Festival mali grad Faros radionica za animirani film"},{"row_number":25,"project_title":"Radionica dokumentarnog filma 'Šibenik - grad djece'","applicant":"Metafizika d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":11100.0,"approved_amount_text":"11.100,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:afcfa00f95b2","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 25. Quoted title preserved. Amount 11.100,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"25. - Metafizika d.o.o. - Radionica dokumentarnog filma - 'Šibenik - grad djece' - 11.100,00","to":"Radionica dokumentarnog filma 'Šibenik - grad djece'","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Metafizika d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_2eb791efd848","project_family_title":"Radionica dokumentarnog filma 'Šibenik - grad djece'"},{"row_number":26,"project_title":"Cinemaniac 2011.","applicant":"Multimedijalni centar Luka","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":15000.0,"approved_amount_text":"15.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:a85b05bc4cf7","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 26. Applicant and title correctly separated. Amount 15.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"26. - Multimedijalni centar Luka - Cinemaniac 2011. - 15.000,00","to":"Cinemaniac 2011.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Multimedijalni centar Luka","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_fe6e4a1767d5","project_family_title":"Cinemaniac 2011."},{"row_number":27,"project_title":"Potpora redovne kinoprikazivačke djelatnosti Pučkog otvorenog učilišta Duga Resa","applicant":"Pučko otvoreno učilište Duga Resa","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":20000.0,"approved_amount_text":"20.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:6190cd46b26b","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 27. Multi-line title consolidated. Amount 20.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"27. - Pučko otvoreno učilište Duga - Resa - Potpora redovne kinoprikazivačke - djelatnosti Pučkog otvorenog učilišta - Duga Resa - 20.000,00","to":"Potpora redovne kinoprikazivačke djelatnosti Pučkog otvorenog učilišta Duga Resa","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Pučko otvoreno učilište Duga Resa","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_1c91d56a9b7d","project_family_title":"Potpora redovne kinoprikazivačke djelatnosti Pučkog otvorenog učilišta Duga Resa"},{"row_number":28,"project_title":"Program filmske klasike Art program 40 godina Kinoteke Zlatna vrata","applicant":"Pučko otvoreno učilište u Splitu","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":80000.0,"approved_amount_text":"80.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:875921818d43","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 28. Multi-component title unwrapped. Amount 80.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"28. - Pučko otvoreno učilište u Splitu - Program filmske klasike - Art program - 40 godina Kinoteke Zlatna vrata - 80.000,00","to":"Program filmske klasike Art program 40 godina Kinoteke Zlatna vrata","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Pučko otvoreno učilište u Splitu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_ab5958f4903f","project_family_title":"Program filmske klasike Art program 40 godina Kinoteke Zlatna vrata"},{"row_number":29,"project_title":"Filmske uspješnice","applicant":"Pučko otvoreno učilište Varaždin","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":10000.0,"approved_amount_text":"10.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:9e409f7af28e","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 29. Applicant and title extracted. Amount 10.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"29. - Pučko otvoreno učilište - Varaždin - Filmske uspješnice - 10.000,00","to":"Filmske uspješnice","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Pučko otvoreno učilište Varaždin","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_031bf5262f08","project_family_title":"Filmske uspješnice"},{"row_number":30,"project_title":"Radionice filmske medijske kulture u osnovnoškolskoj nastavi 7. radionica izrade filma 'Pulska filmska tvornica' Napredna škola animiranog filma","applicant":"Pulska filmska tvornica","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":40000.0,"approved_amount_text":"40.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:e94ea323deb8","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 30. Multi-line title components consolidated. Amount 40.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"30. - Pulska filmska tvornica - Radionice filmske medijske kulture u - osnovnoškolskoj nastavi - 7. radionica izrade  filma 'Pulska - filmska tvornica' - Napredna škola animiranog filma - 40.000,00","to":"Radionice filmske medijske kulture u osnovnoškolskoj nastavi 7. radionica izrade filma 'Pulska filmska tvornica' Napredna škola animiranog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Pulska filmska tvornica","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_22a1881d316a","project_family_title":"Radionice filmske medijske kulture u osnovnoškolskoj nastavi 7. radionica izrade filma 'Pulska filmska tvornica' Napredna škola animiranog filma"},{"row_number":31,"project_title":"Restart laboratorij","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":50000.0,"approved_amount_text":"50.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:17350a39600d","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 31. Applicant and title separated. Amount 50.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"31. - Restart - Restart laboratorij - 50.000,00","to":"Restart laboratorij","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Restart","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"family":{"method":"claude-haiku","confidence":"high","reason":"Same entity (Restart), consistent name across spanning 2009-2019. Recurring professional development workshop/laboratory program.","candidate_id":"fc_d8f5eedfc19c"}},"project_family_id":"pf_56b98fd277a5","project_family_title":"Restart laboratorij"},{"row_number":32,"project_title":"Masterclass svjetski dokumentaristi u Zagrebu","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":30000.0,"approved_amount_text":"30.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:cb658a3e3338","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 32. OCR hyphenation 'Masterclass-svjetski' corrected to 'Masterclass svjetski'. Amount 30.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"32. - Restart - Masterclass-svjetski dokumentaristi u - Zagrebu - 30.000,00","to":"Masterclass svjetski dokumentaristi u Zagrebu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Restart","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_cb5e8959a14a","project_family_title":"Masterclass svjetski dokumentaristi u Zagrebu"},{"row_number":33,"project_title":"Program Dokukina Croatia za 2011. godinu","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":100000.0,"approved_amount_text":"100.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:d9f7492b3bdf","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 33. Applicant and title extracted. Amount 100.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"33. - Restart - Program Dokukina Croatia za 2011. - godinu - 100.000,00","to":"Program Dokukina Croatia za 2011. godinu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Restart","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_b0a00f9bf1d4","project_family_title":"Program Dokukina Croatia za 2011. godinu"},{"row_number":34,"project_title":"Klubvizija SC","applicant":"Studentski centar u Zagrebu","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":60000.0,"approved_amount_text":"60.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:8a09d8bd7304","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 34. Applicant and title correctly separated. Amount 60.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"34. - Studentski centar u Zagrebu - Klubvizija SC - 60.000,00","to":"Klubvizija SC","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Studentski centar u Zagrebu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_e540aa05b114","project_family_title":"Klubvizija SC"},{"row_number":35,"project_title":"Arhiviranje, edukacija članova i Ljetna škola filma Gunja (LJŠFG)","applicant":"Studio Kreativnih Ideja Gunja, multimedijalni centar MMC SKIG","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":25000.0,"approved_amount_text":"25.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:cdc9394980cd","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 35. Multi-line title and applicant consolidated. Amount 25.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"35. - Studio Kreativnih Ideja Gunja, - multimedijalni centar - MMC - SKIG - Arhiviranje, edukacija članova i Ljetna - škola filma Gunja (LJŠFG) - 25.000,00","to":"Arhiviranje, edukacija članova i Ljetna škola filma Gunja (LJŠFG)","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Studio Kreativnih Ideja Gunja, multimedijalni centar MMC SKIG","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_a61b4dc4a576","project_family_title":"Arhiviranje, edukacija članova i Ljetna škola filma Gunja (LJŠFG)"},{"row_number":36,"project_title":"Ljetna škola filma Šipan 2011.","applicant":"Škola filma Šipan","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":10000.0,"approved_amount_text":"10.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:66d7a2e09f3d","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 36. Applicant and title extracted. Amount 10.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"36. - Škola filma Šipan - Ljetna škola filma Šipan 2011. - 10.000,00","to":"Ljetna škola filma Šipan 2011.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Škola filma Šipan","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"family":{"method":"claude-haiku","confidence":"high","reason":"Twelve entries with numbered editions spanning 2010-2026, same entity (Škola filma Šipan), consistent naming. Clear annual summer film school program.","candidate_id":"fc_774586b03c9c"}},"project_family_id":"pf_535d20be219c","project_family_title":"Ljetna škola filma Šipan"},{"row_number":37,"project_title":"Kino Europa programi u 2011.","applicant":"Umjetnička organizacija Zagreb Film Festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":150000.0,"approved_amount_text":"150.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:45b9f92961c8","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 37. Applicant and title correctly separated. Amount 150.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"37. - Umjetnička organizacija Zagreb - Film Festival - Kino Europa - programi u 2011. - 150.000,00","to":"Kino Europa programi u 2011.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Umjetnička organizacija Zagreb Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"family":{"method":"claude-haiku","confidence":"high","reason":"Same title base ('Kino Europa') and organizer (Umjetnička organizacija Zagreb Film Festival), same category and program across consecutive years (2010–2011).","candidate_id":"fc_32124707744d"}},"project_family_id":"pf_ceea4b131c91","project_family_title":"Kino Europa - programi"},{"row_number":38,"project_title":"Interface 012","applicant":"ZEBRA, stvaralačka mreža","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":30000.0,"approved_amount_text":"30.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s2:119eb777f188","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source table row 38. Applicant and title extracted. Amount 30.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"38. - ZEBRA, stvaralačka mreža - Interface 012 - 30.000,00","to":"Interface 012","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"ZEBRA, stvaralačka mreža","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_0b552439a64c","project_family_title":"Interface 012"}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["33."],"rows":[{"row_number":1,"project_title":"Program promocije i prodaje filmova u produkciji i distribuciji Bonobostudija","applicant":"Bonobostudio d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":"programi promocije i prodaje hrvatskih audiovizualnih djela","approved_amount":20000.0,"approved_amount_text":"20.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s3:8d880c9c36a3","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source, 'programi promocije i prodaje hrvatskih audiovizualnih djela' section row 1. Amount 20.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"1. - Bonobostudio d.o.o. - Program promocije i prodaje filmova u - produkciji i distribuciji Bonobostudija - 20.000,00","to":"Program promocije i prodaje filmova u produkciji i distribuciji Bonobostudija","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Bonobostudio d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_4522264a1744","project_family_title":"Program promocije i prodaje filmova u produkciji i distribuciji Bonobostudija"},{"row_number":2,"project_title":"Regionalna promocija HR filma kroz lokalne verzije Filmski.net portala","applicant":"Trinula","production_company":null,"director":null,"writer":null,"original_author":null,"category":"programi promocije i prodaje hrvatskih audiovizualnih djela","approved_amount":15000.0,"approved_amount_text":"15.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s3:80d1a5bcc86f","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source, 'programi promocije i prodaje' section row 2. Multi-line title consolidated. Amount 15.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"2. - Trinula - Regionalna promocija HR filma kroz - lokalne verzije Filmski.net portala - 15.000,00","to":"Regionalna promocija HR filma kroz lokalne verzije Filmski.net portala","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Trinula","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_58d545ef91d4","project_family_title":"Regionalna promocija HR filma kroz lokalne verzije Filmski.net portala"}],"section_total_text":"3.750.000,00","section_total":3750000.0},{"section_label":"DJELATNOSTI RAZVIJANJA AUDIOVIZUALNE KULTURE","section_key":"djelatnosti_razvijanja_audiovizualne_kulture","columns":["naziv predlagatelja","naziv programa","odobreno"],"rows":[{"row_number":1,"project_title":"Filmske mutacije: Festival nevidljivog filma","applicant":"Film - protufilm","production_company":null,"director":null,"writer":null,"original_author":null,"category":"proučavanje i kritičko vrednovanje audiovizualnih djelatnosti","approved_amount":30000.0,"approved_amount_text":"30.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s4:cb731d58b05a","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source, 'proučavanje i kritičko vrednovanje audiovizualnih djelatnosti' section row 1. Amount 30.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"1. - Film - protufilm - Filmske mutacije: Festival nevidljivog - filma - 30.000,00","to":"Filmske mutacije: Festival nevidljivog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Film - protufilm","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_92d9ce282b8c","project_family_title":"FILMSKE MUTACIJE: FESTIVAL NEVIDLJIVOG FILMA"},{"row_number":2,"project_title":"FILMOVI.hr","applicant":"Kulturni klub","production_company":null,"director":null,"writer":null,"original_author":null,"category":"proučavanje i kritičko vrednovanje audiovizualnih djelatnosti","approved_amount":20000.0,"approved_amount_text":"20.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s4:6bca340a7b31","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source, 'proučavanje i kritičko vrednovanje' section row 2. Amount 20.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"2. - Kulturni klub - FILMOVI.hr - 20.000,00","to":"FILMOVI.hr","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Kulturni klub","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_3f4394c420a9","project_family_title":"Filmovi.hr"},{"row_number":3,"project_title":"Vizualni kolegij","applicant":"Multimedijalni institut","production_company":null,"director":null,"writer":null,"original_author":null,"category":"proučavanje i kritičko vrednovanje audiovizualnih djelatnosti","approved_amount":20000.0,"approved_amount_text":"20.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s4:5f59fc0e0309","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source, 'proučavanje i kritičko vrednovanje' section row 3. Amount 20.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"3. - Multimedijalni institut - Vizualni kolegij - 20.000,00","to":"Vizualni kolegij","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Multimedijalni institut","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_4ebdeb7bcb08","project_family_title":"Vizualni kolegij"},{"row_number":4,"project_title":"Inovatori dokumentarnog filma Razgovori s autorima u Dokukinu Croatia","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":"proučavanje i kritičko vrednovanje audiovizualnih djelatnosti","approved_amount":30000.0,"approved_amount_text":"30.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s4:17f2657db003","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source, 'proučavanje i kritičko vrednovanje' section row 4. Multi-line title consolidated. Amount 30.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"4. - Restart - Inovatori dokumentarnog filma - Razgovori s autorima u Dokukinu - Croatia - 30.000,00","to":"Inovatori dokumentarnog filma Razgovori s autorima u Dokukinu Croatia","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Restart","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_364f1a666e75","project_family_title":"Inovatori dokumentarnog filma Razgovori s autorima u Dokukinu Croatia"},{"row_number":5,"project_title":"Očuvanje uspomene i materijalnih ostataka starih kino dvorana grada Splita i Dalmacije","applicant":"Spalatos, kulturno povijesna udruga","production_company":null,"director":null,"writer":null,"original_author":null,"category":"proučavanje i kritičko vrednovanje audiovizualnih djelatnosti","approved_amount":10000.0,"approved_amount_text":"10.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s4:a216545d0c75","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source, 'proučavanje i kritičko vrednovanje' section row 5. Multi-line title consolidated. Amount 10.000,00 HRK confirmed.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"5. - Spalatos, kulturno povijesna - udruga - Očuvanje uspomene i materijalnih - ostataka starih kino dvorana grada - Splita i Dalmacije - 10.000,00","to":"Očuvanje uspomene i materijalnih ostataka starih kino dvorana grada Splita i Dalmacije","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Spalatos, kulturno povijesna udruga","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_328d8e214788","project_family_title":"Očuvanje uspomene i materijalnih ostataka starih kino dvorana grada Splita i Dalmacije"}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["Filmski programi u kinu Tuškanac"],"rows":[{"row_number":1,"project_title":"Knjiga 'Filmska umjetnost sinestezije'","applicant":"25 FPS, udruga za audiovizualna istraživanja","production_company":null,"director":null,"writer":null,"original_author":null,"category":"izdavaštvo u području audiovizualnih djelatnosti","approved_amount":25000.0,"approved_amount_text":"25.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"14429948:s5:723daf99896e","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source, 'izdavaštvo u području audiovizualnih djelatnosti' section row 1. Quoted title preserved. 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umjetničkog savjetnika po odlukama o donošenju liste prioriteta i \nraspodjeli sredstava prema Javnom pozivu za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2017. godini, u kategoriji poticanja razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i \nanimiranih filmova (1. rok: 10. travnja 2017.). \n \nBoško Picula, umjetnički savjetnik za animirani film: \n \nNa Javni poziv u prvom roku u potkategoriji razvoja scenarija prijavljena su tri \nprojekta, a u potkategoriji razvoja projekata prijavljen je jedan projekt. U \nkonačnici su na roku razmatrana četiri projekata. Kriteriji predlaganja projekta \nza financiranje razvoja scenarija temelje se razrađenosti sinopsisa i treatmenta, \noriginalnosti priče, narativne zaokruženosti te izvedivosti realizacije scenarija. \nŠto se tiče kriterija predlaganja financiranja razvoja projekata, oni se temelje na \nredateljskoj i scenarističkoj koncepciji animiranog filma, produkcijskoj \ncjelovitosti \npredloženog \nkoncepta, \nfinancijskoj \nodrživosti, \nfestivalskim \npotencijalima u Hrvatskoj i svijetu te na elaboriranosti izvedbe samih projekata.     \n \nZa financiranje razvoja projekata predložen je jedan projekt u iznosu od \n100.000 kuna, a za financiranje razvoja scenarija dva projekta u iznosu od \n50.000 kuna. Ukupan iznos predloženih sredstava jest 150.000,00 kuna. \n \n \nNa prvi javni poziv za razvoj scenarija i projekata u 2017.-oj stigao je očekivano \nmanji broj prijava te kao i na dosadašnjim rokovima njihova realizacija ovisi \nprije svega o pripremljenosti daljnjih faza rada na njima. U tom smislu \npredloženi projekt Tajna svemirskog burgera čija je redateljica Tea Stražičić \nima velike mogućnosti, a riječ je o radu za koji su već odobrena sredstva za \nrazvoj scenarija te je ta faza završena i kolaudirana. Film u predviđenom trajanju \nod 24 minute koristi 2D flash i 3D računalnu animaciju, a riječ je o efektnom \npoigravanju motiva priča za djecu i mlade o dvoje kadeta Gastro akademije koji \nkreću na svoju prvu misiju. Što se tiče scenarija, predložena su dva projekta. \nPrvi je Aja čiji tekst potpisuju Sandra Antolić i Jasmina Kallay. Priča prati \nskupinu životinja iz zoološkog vrta u ratom zahvaćenom sirijskom gradu Alepu \nkoje bježe prema Europi, konkretno prema Osijeku, a u pitanju je uspjela \nalegorija, zapravo suvremena basna u kojoj se stvarna ratna stradanja i socijalno-\npolitička pitanja prikazuju kroz plastičnu i univerzalno razumljivu priču. Drugi \nje predloženi scenarij Nemirno more autorice Helene Klakočar-Vukšić nastao \nprema njezinoj knjizi o obiteljskoj epopeji na početku Domovinskog rata 1991. \nkada je s obitelji brodom napustila Šibenik, ali se putovanje prema Dubrovniku \npretvorilo u višegodišnje lutanje. Dojmljiv spoj osobnog i kolektivnog doživljaja \nrata i čovjekovog položaja u najtežim okolnostima ima visok filmski potencijal. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2014 Proizvodnja AV djela ANIM_ rok 28 03 2014_1_.pdf","filename_decoded":"2014 Proizvodnja AV djela ANIM_ rok 28 03 2014_1_.pdf","sha256":"14f05313978ca5ca629eb8b916b63b5043bd67770174002384902860e4b67868","bytes":200679,"page_count":1,"extracted_at":"2026-05-17T10:24:00Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2014%20Proizvodnja%20AV%20djela%20ANIM%2C%20rok%2028%2003%202014(1).pdf"},"raw_text":"NASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nSamo plivanje\nDarko Vidačković\nBonobostudio d.o.o.\n263.000,00\n2\nIgra/Gamer Girl\nIrena Jukić Pranjić\nUmjetnička organizacija \nANIMA\n250.600,00\n3\nPetrova šuma\nMartina Meštrović\nKreativni sindikat\n247.450,00\n4\nLisica i roda\nMaja Zdelar\n3D2D Animatori d.o.o.\n202.714,00\n5\nVoće\nIvan Mirko Senjanović\nSekvenca d.o.o.\n179.060,00\n1.142.824,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE PROIZVODNJE AUDIOVIZUALNIH DJELA u 2014. - 1. 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audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nFILMSKIH KOPRODUKCIJA S MANJINSKIM HRVATSKIM UDJELOM u 2023. - 4. ROK - 12.10.2023.,  \n27. sjednica Hrvatskog audiovizualnog vijeća 15.12.2023.    \nanimirani film\ndugometražni dokumentarni film\ndugometražni igrani filmovi \nDane Komljen\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"av Manjinske 2023. - 4. rok","year":2023,"rok":"4. rok","natjecaj_date":"2023-10-12","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NAZIV FILMA","REDATELJ/ICA","HRVATSKI PRODUCENT","ODOBRENI IZNOS (€)"],"rows":[{"row_number":1,"project_title":"Kolostrum","applicant":"MINYA FILM I ANIMACIJA j.d.o.o.","production_company":"MINYA FILM I ANIMACIJA j.d.o.o.","director":"Filip Jembrih","writer":null,"original_author":null,"category":"Animirani","approved_amount_text":"40.000,00 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Komljen","writer":null,"original_author":null,"category":"Kratkometražni igrani film","approved_amount_text":"10.000,00 €","approved_amount":10000.0,"currency":"EUR","extras":{"col_1":"7","REDATELJ/ICA":"Filip Jembrih","repair_v1":{"changes":[{"field":"category","from":null,"to":"Kratkometražni","reason":"category_from_inline_header_context","confidence":"high"},{"field":"category","from":"Kratkometražni","to":"Kratkometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"151d8da6_av_manjinske_2023_4_rok_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 7 and title Dobrodošli doma align with the seventh listed director."},"entity":"Terminal 3","row_id":"151d8da6:s0:cf1ffe26987f","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_b87c744f3e1d","project_family_title":"Dobrodošli doma"}],"section_total_text":"300.000,00 €","section_total":300000.0}],"totals":{"ukupno_text":null,"ukupno":300000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":300000.0,"ukupno_match":true,"row_count":7,"awarded_count":7,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":7}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RPR_IGR_2025_2rok_10IX2025_WEB.pdf","filename_decoded":"Obrazlozenje_RPR_IGR_2025_2rok_10IX2025_WEB.pdf","sha256":"155ecd5cb01a32bacbcf64012756ccac690a7f180b57c00e3e535d53db7aa0b6","bytes":164378,"page_count":2,"extracted_at":"2026-05-16T14:09:26Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RPR_IGR_2025_2rok_10IX2025_WEB.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i \nanimiranih filmova - potkategorija:  RAZVOJ PROJEKATA u 2025.  - dugometražni igrani film \n- 2. rok, 10.9. 2025.  \n \n- umjetnički savjetnici za dugometražni igrani film - Ira Cecić, Branko Schmidt, Sandra Antolić \n \nNa ovaj rok pristiglo je 26 prijava. Ustanovili smo kako jedan prijavljeni projekt ne pripada kategoriji \ndugometražnih igranih filmova, već kategoriji dugometražnih dokumentarnih filmova. Također jedan \nprojekt nije prijavljen uz potpunu dokumentaciju pa su nam za razmotriti ostale 24 prijave. Od toga ih \nčak sedam potpisuju ženske redateljice, a devet je debitanata. \n \n11 od 24 projekata razmatrali smo i na prošlom roku te zaključili kako niti jedan od njih za sada nije \nznačajnije kvalitativno unaprijeđen. \n \nGledajući tematski i žanrovski, pretežu drame na različitim platformama (od kriminalističkih, ljubavnih, \ndo meta filmskih, društveno distopičnih i društveno kritičnih). Potom su zastupljene ratna i povijesna \ntematika pa komedije, a prijavljene su i dvije interpretacije američkih žanrova - film noirea i westerna. \n \nNa ovom smo roku odlučili podržati pet projekata, uz općeniti komentar kako će neki trebati \nintenzivirati rad na scenariju. U skladu s tim komentarom, 2 prijavljena projekta podržat ćemo u \nkategoriji Razvoja scenarija.  \n \nOdabrani projekti su: \n \nBOJ POD SIGETOM \nRežija: Arsen Anton Ostojić \nScenarij: Arsen Anton Ostojić, Božidar Smiljanić \nProdukcija: Filmosaurus Rex d.o.o. / Hrvoje Vajić \n25.000,00 EUR \n \nScenarij Boj pod Sigetom je iznimno vješto ispričana priča o turskoj opsadi Sigeta i junaštvu Nikole \nŠubića Zrinjskog, od selekcije građe u povijesnom i dramaturškom smislu, do ritma pripovijedanja i \ngradnje likova. Autor ističe intenciju da projektom skine sloj školskog mita s važnog povijesnog \ndogađaja donoseći ga kroz emocionalni aspekt stvarnih sudionika. Realizacija projekta zamišljena je uz \nnaprednu digitalnu tehnologiju, što je značajan iskorak za hrvatsku kinematografiju. Premda je projekt \npovijesnog predznaka, smatramo ga izuzetno relevantnim za današnje gledatelje.  \n \nO LJUDIMA I PSIMA  \nRežija: Ivan Salaj \nScenarij: Ivan Salaj \nProdukcija: Plavi mjesec d.o.o. / Zoran Živković \n25.000,00 EUR \n \nPsihološki triler O ljudima i psima priča je koja u metafori o stradanju pasa - nijemih promatrača \nljudskog zločinjenja - reflektira ideju o bespomoćnost pojedinca sukobljenog sa samovoljom \ninstitucionaliziranih lokalnih moćnika. Centralni lik je  pedesetogodišnji umjetnik Niko kojem lovci u \nIstri ubiju psa, a njegova osveta pokreće spiralu nasilja što dovodi do krvavog raspleta i tragičnog kraja \n\n\f\nsvih uključenih, i ljudi, i pasa. Priča je ispričana iz autofikcijske pozicije sugestivno i s intenzivnim \nemocionalnim nabojem, ali joj treba osigurati dodatnu stratešku podršku u produkcijskom paketu.  \n \nDVAPUT \nRežija: Aldo Tardozzi \nScenarij: Aldo Tardozzi \nProdukcija: Wolfgang i Dolly d.o.o. / Tamara Babun Zovko \n25.000,00 EUR \n \nLjubavna veza Darije i Alena - zagrebačkog para u tridesetima godinama koji nakon burnog prekida \nodlučuje svojoj ljubavi dati novu šansu - stavljena je na vrlo zanimljivu liniju protoka vremena duž koje \nse naracija kreće malo u prošlost, malo i budućnost. Ova jednostavna, ali izuzetno efektna scenaristička \ninovacija kroz kontrastiranje prezenta odnosno kronološke perspektive Alena te perfekta u Darijinim \nflashbackovima, dubinski razotkriva aporije smisla te mogućnosti opstanka ljubavnih veza.  \n \nPIKOLO \nRežija: Filip Heraković \nScenarij: Filip Heraković, Igor Zenzerović \nProdukcija: Wolfgang i Dolly d.o.o. / Tamara Babun Zovko \n25.000,00 EUR \n \nNakon što kao početnik zabrlja u pljački s autentičnom bandom Lizzardo i Stoccovich, istarskim \nrazbojnicima između dva rata, priča prati pustolovine mladoga Pikola i njegovo sazrijevanje na \npovijesnoj vjetrometini tijekom kojeg će spoznati kako stvari stoje u Istri pod talijanskom okupacijom. \nOriginalna i britko ispričana priča donosi Istru s okusom westerna kakvu na filmu još nismo vidjeli te \nvjerujemo da bi projekt s budućom jačom dozom političkog konteksta mogao ostvariti uspjeh kod \ngledatelja.  \n \nSELEKCIJA \nRežija: Bruno Anković \nScenarij: Anica Tomić, Nađa Petrović \nProdukcija: Antitalent d.o.o. / Danijel Pek \n23.500,00 EUR \n \nSelekcija je izvrsno zamišljena priča uronjena u kompetitivni svijet budućih uspješnih, visoko plaćenih \nnogometnih profesionalaca. Ispričana je iz vizure njihovih roditelja i trenera s fokusom na unutarnjem \nsvijetu dječaka Borne tijekom turnira na kojem će lovci na talente selektirati najperspektivnije mladiće, \npa možda i upravo njega. Tema nehumanog odnosa i pritiska okoline na dječake odabrana je izvrsno. \nAktualna je i inspirativna pogotovo uzmemo li u obzir hrvatsku fascinaciju nogometom i identifikaciju \ns nogometašima kao nacionalnim herojima pa stoga očekujemo da bi uz dorade na scenariju, ovaj \nprojekt mogao ostvariti izvrstan  kinematografski potencijal. \n","warnings":[],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"2. rok","referenced_projects":["BOJ POD SIGETOM","O LJUDIMA I PSIMA","DVAPUT","PIKOLO","SELEKCIJA"],"summary":"Obrazloženje umjetničkih savjetnika za 2. rok 2025. natječaja za razvoj projekata dugometražnih igranih filmova: od 24 razmatrane prijave podržano je pet projekata, a dva će biti podržana u kategoriji Razvoja scenarija.","project_links":[{"source_title":"BOJ POD SIGETOM","family_id":"pf_e3de2df4ce24","family_title":"Boj pod Sigetom","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"O LJUDIMA I 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"2 web obrazlozenje eksperimentalni film_2 rok 2022.pdf","filename_decoded":"2 web obrazlozenje eksperimentalni film_2 rok 2022.pdf","sha256":"15a3723702a0b4034163bcabecc4297b2f0e96198601daa919c8f8d013ae6fbe","bytes":31335,"page_count":3,"extracted_at":"2026-05-17T12:01:34Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2%20web%20obrazlozenje%20eksperimentalni%20film_2%20rok%202022.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA U \n2022. GODINI   \n \nKategorija: poticanje proizvodnje eksperimentalnog filma, drugi rok 2022.   \nRenata Poljak, umjetnička savjetnica za eksperimentalni film  \n \nNa drugi rok 2022. godine, za proizvodnju eksperimentalnog filma prispjelo je 17 projekata, \nod kojih dva filma u postprodukcijskoj fazi. Jedan od projekata se nije razmatrao jer nije \nzadovoljio formalne uvjete.  \n \nZa ovaj rok specifično je da su svi predloženi projekti autora i autorica posve različiti; \nsvaki od njih ima svojstvenu, vrlo izraženu, artikuliranu i zanimljivu estetiku, s tim da su teme \ni interesi autora potpuno drugačiji.  \n \nZbog limitiranih sredstava, neki od prijavljenih, isto interesantnih projekata, nisu mogli biti \npredloženi za sufinanciranje na ovom roku. \n \nOd prijavljenih projekata izdvojila bih vrlo jasan i promišljen projekt Sunčice Fradelić te \npotencijalno komercijalan i interesantan projekt Damira Čučića. Uz njih i projekt Dana Okija \nkoji ima svojstvenu estetiku i elaboriran plan distribucije te Helene Bulaje koja nastavlja svoje \nbavljenje opusom i likom Nikole Tesle. Vrlo interesantan projekt Izlet Arijane Lekić-Fridrih \ngovori o migrantima, dok projekt Opera Igora Zelića na vrlo suptilan filmski način progovara o \nostavštini ovog zadnjeg rata. \n \nOcjenjivala sam prvenstveno kvalitetu predloženog projekta i njegovu inovativnost, kao i \nkvalitetu priloženog vizualnog materijala, posvećenost temi te redateljski koncept. U finalnom \nodlučivanju vodila sam se i pregledavanjem minulih filmova autora/ica, priloženih skica i \ntrailera te izvedivosti i relevantnosti budućeg filma u hrvatskom i internacionalnom kontekstu. \n \nZa sufinanciranje je na ovom roku predloženo i odobreno 6 filmskih naslova u ukupnom \niznosu od 800.000,00 kuna/ 106.178,25 eura.   \n \n1. SLIKE UZNEMIRENE IMAGINACIJE  \nredateljica: Sunčica Fradelić \nproducent: Kino klub Split \niznos: 170.000,00 kn (22.562,88 eura) \nU ovom filmu nagrađivane autorice i po meni najinteresantnijem projektu ovog roka, u fokusu \nje par zadnjih sati bake Ružice koja si je oduzela život sredinom sedamdesetih godina, \nnakon što je kao pripadnica pokreta Hrvatskog proljeća sustavno proživljavala poniženja i \nprijetnje koje su je dovele do psihičkih poteškoća i odbacivanja okoline. Autorica prilazi temi \niz autorefleksivnog rakursa jer shvaća da bakini ideali, uvjerenja i težnje suštinski nisu \ndrugačiji od njenih i da je bakino stradanje direktna posljedica zauzimanja za njih. Filmom \nistražuje i nastanak vlastitog identiteta koji se formirao bez značajnijeg prisustva roditelja i \npokušava odgonetnuti mehanizme zatiranja traumatičnih iskustava i stigmatizacije, kako u \nosobnoj obiteljskoj povijesti, tako i povijesti neke zajednice, države ili nacije.  \nTemi, u kojoj se prožima osobno i političko, autorica prilazi vizualno vrlo interesantno i \nneočekivano, suprotstavljajući dva različita filmska pristupa te koristeći poetski recital \numjesto političkog manifesta. \n \n\n\f\n \n2. SABLASNA ČESTICA  \nredatelj: Slobodan Jokić \nproducent: Kazimir - Udruga za promicanje kulture, umjetnosti i audiovizualnog stvaralaštva \niznos: 180.000,00 kn (23.890,11 eura) \n \nDan Oki priznati je autor eksperimentalnih filmova te profesor na UMAS-u u Splitu, a njegovi \nfilmski radovi su do sada često imali internacionalni i nacionalni uspjeh. Ovaj projekt \nvjerojatno će nastaviti taj niz. Projekt je vrlo ambiciozan i snimanja su zamišljena od Pariza \ndo Singapura. Koncept je u polazištu utemeljen na intelektualnoj bazi uz masku kao \nantropološki, vizualni i poetski sadržaj dok je mentalna slika budućeg filma stvorena \nautorovim čitanjem povijesti kvantne mehanike koja se bavi sablasnom česticom. U filmu, \nkoji obiluje citatima, jako zanimljivim maskama koje je autor već pribavio na internetu i \ndodijelio im različita estetska, emotivna i intelektualna svojstva, autor uvodi i različite likove ili \nnjihova djela tako da u ovom specifičnom esejističko filmskom kolažu srećemo Danila \nHarmsa, Tonyja Ourslera, Sophie Call, Joan Jonas, Jacquesa Derridu, Alberta Einsteina, \nJohna Bella, Charlesa Baudelairea, Jeanne Duval, Reinera Mariu Rilkea, Lewisa Carrolla i \ndruge. \n \nKraj filma vraća nas u realnost - u dokumentarizam gdje vidimo slike nastale na početku \npandemije i potresa u Zagrebu, a isto tako vidimo i brisanje kontakata svih preminulih osoba \niz adresara autora kao rezultat tog procesa. \n \n3. ALKEMIJA SVJETLA @ TESLOPOLIS.ONLINE = NIKOLA TESLA MIND \nPROJECTOR = PLATONOVA PEĆINA  \nredateljica: Helena Bulaja \nproducent: Moje Čarobne Misli d.o.o \niznos: 150.000,00 kn (19.908,42 eura) \n \nNavedeni projekt kombinira različite tehnike, od fotografije, animacije i motion grafike u \nspecifičnom i istančanom rukopisu redateljice, koji se oblikuje zadnjih 30 godina i koji \nnastavlja autoričinu životnu temu bavljenja Nikolom Teslom i njegovim djelom. U ovom \nsegmentu novi film će se baviti Teslinim mind projectorom kojeg će autorica istražiti i \nvizualno uobličiti. \n \n4. SOUS LES PAVES, LA PLAGE!  \nredatelj: Damir Čučić \nproducent: Sve gore i gore, obrt \niznos: 130.000,00 kn (17.253,97 eura) \n \nDamir Čučić - vrsni montažer i talentirani redatelj ovim eksperimentalnim filmom montira i \nrežira već snimljene klipove koji su se vrtili u medijima, pri tome mislim više u osobnim \nkomunikacijama preko WhatsApp-a i sličnih platformi, dajući nam jednu sliku vremena u \nkojem živimo i koja je na kraju začudno realna, te tragična i smiješna istovremeno. \n \n5. IZLET  \nredateljica: Arijana Lekić-Fridrih \nproducent: Udruga Domino \niznos: 40.000,00 kn (5.308,91 eura) \nOvo je vrlo specifičan film po svom aktivističko - dokumentarnom pristupu. Do sada nismo \nimali prijavljene filmove ove vrste i mislim da je jako bitno da  podržimo i njih i autore/ice koji \n\n\f\nžele u direktnoj akciji involvirati publiku i rekla bih čak  i prisiliti je na direktnu emociju i \ndoživljaj. Film “Izlet” sastoji se od 3 dijela; poziv na izlet, izlet i dekonstrukcija. \nCilj filma je utjecati na predrasude koje građani imaju prema izbjegličkom putovanju kao i na \napatiju građana prema eskalaciji nasilja nad migrantima. \n6. OPERA  \nredatelj: Igor Zelić \nproducent: Filmska udruga Šuma \niznos: 130.000,00 kn (17.253,97 eura) \nSuptilan film koji kroz filmski eksperiment, vrlo detaljno tehnički objašnjen i elaboriran, \nprogovara o ratnim stradanjima. Kroz samo jedan motiv autor uspijeva ispričati priču o \npustoši koju rat ostavlja kako u životima ljudi tako i u pejzažu.  \nFokus je stavljen na eksperimentalan pristup slici i zvuku te se kroz elemente filmskog jezika \nstvara začudna filmska slika. Bez riječi ili dijaloga ulazimo u atmosferu i ideju autora koji nam \nna fin i nenametljiv način pred očima otvara priču o ratu, ratnim razaranjima i onome što \nnakon njih ostaje, propitujući istovremeno i filmski medij. \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2022,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2019__1rok_19VI2019_WEB_DUG_IGR.pdf","filename_decoded":"RSC_2019__1rok_19VI2019_WEB_DUG_IGR.pdf","sha256":"15ea643dbf4b022e1ceed8451d1f6b1734915e13646cbd06db89f591c9fbf45a","bytes":45688,"page_count":2,"extracted_at":"2026-05-17T10:24:24Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2019__1rok_19VI2019_WEB_DUG_IGR.pdf"},"raw_text":"1\nRAZVOJ SCENARIJA 2019.\n- 1. rok 19VI2019\nDUGOMETRAŽNI IGRANI\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nD&M\nJosip Mlakić\nDejan Aćimović\n30.000,00\n2\nDobar život\nJelena Paljan\n30.000,00\n3\nGlasnije\nVelibor Jelčić\nSpiritus movens d.o.o. \nVelibor Jelčić\n30.000,00\n4\nHrvojka Horvat i vrtlog \ntotalne perspektive\nPredrag Ličina\nPredrag Ličina\n30.000,00\n5\nOstavi vrata otvorena\nJudita Gamulin\nEclectica d.o.o. \nJudita Gamulin\n30.000,00\n6\nPantovčak jedan, drugi \nulaz, treći kat\nSara Hribar\n30.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2019. - 1. ROK - 19.6.2019.\ndugometražni igrani film\n16. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 9. listopada 2019.\n\n\f\n2\nRAZVOJ SCENARIJA 2019.\n- 1. rok 19VI2019\nDUGOMETRAŽNI IGRANI\n7\nPočinje bitka\nDejan Šorak\nInter film d.o.o.\nDejan Šorak\n30.000,00\n8\nProlazno mjesto\nDavor Žmegač\n30.000,00\n9\nVeliki Medvjed\nFilip Filković\nFilip Filković\n30.000,00\n10\nVražda\nNikola Kuprešanin\nAntitalent d.o.o. \n30.000,00\n11\nZajednica\nIvan Pavličić\n30.000,00\n12\nŽene, luđaci i malo \ndobrih pedera\nIvan Salaj\nIvan Salaj\nRobert Roklicer: \"Žene, \nluđaci i malo dobrih \npedera\"\n30.000,00\nUKUPNO\n360.000,00\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2019__1rok_19VI2019_WEB_DUG_IGR","year":2019,"rok":"1. 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GODINI – 2. rok \nObrazloženje umjetničkih savjetnika za komplementarne djelatnosti \n  \nDrugi rok Javnog poziva za komplementarne djelatnosti, za koji je krajnji datum prijave bio 14. \nsiječnja 2026., odnosi se isključivo na one projekte iz kategorije programa filmskih festivala i \ndrugih audiovizualnih manifestacija koji se održavaju u drugoj polovici 2026. godine, a nisu se \nprijavili na prvi rok javnog poziva. Na ovaj su rok javnog poziva u 2026. godini pristigle 62 \nprijave (68 lani), a ukupno je zatražen iznos od 911.128,85 eura.  \nProcijenjeno je da 14 projekata ne pripada na ovaj rok, iz razloga što se održavaju tijekom \ncijele godine, odnosno u prvom dijelu godine,  ili zbog toga što nije riječ o festivalima i drugim \naudiovizualnim manifestacijama već o djelatnostima koje se uklapaju u neku od kategorija \npodržanih na 1. roku. \n \nUmjetnički savjetnici za komplementarne djelatnosti, Ljubica Letinić, Jelena Androić i \nSlaven Zečević, za financijsku podršku na drugom roku predlažu 42 programa u \nukupnom iznosu od 323.650,00 eura što je usvojeno na 32. sjednici Hrvatskog \naudiovizualnog vijeća 23.4.2026. \n \nU postupku procjenjivanja umjetnički savjetnici vodili su se otprije utvrđenim kriterijima, \nnavedenima u točki VIII. Javnog poziva za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2026. godini: \n− kvaliteta, izvedivost i održivost programa (od sadržajne do produkcijske razine) \n− programi koji imaju konkretne, realne i strateške planove u umjetničkom, organizacijskom i \nfinancijskom smislu \n−  značaj programa za relevantan kontekst (ovisno o programu, od lokalne zajednice, preko \nnacionalnog značaja do međunarodne prepoznatljivosti i važnosti za audiovizualni sektor) \n−  kontinuitet programa odnosno njegova dugoročna usmjerenost, dostupnost projekta, \nvidljivost i komunikacija sa profesionalcima i javnosti, \n\n\f\n− kvaliteta prijave, kvaliteta i iskustvo projektnog tima u pojedinoj programskoj \nkomplementarnoj djelatnosti za koju se prijavljuje (stabilni i dostatni izvori prihoda za \nkontinuirano obavljanje aktivnosti tijekom razdoblja ostvarivanja projekta, stručne kompetencije \ni kvalifikacije potrebne za provođenje predložene aktivnosti) \n!\"\"#$%&'()*+\",-)+*.+\"#$(/$+0+\"1+2(\"*,.%\"#$3(\",-)+*.%4 \n!\"\",5#6*.+3+*.%\"#$%&'()*,'\"6/(3($*,'\"(73%-+\"5+\"8%*&$(0 \n−  odjek programa i komunikacija s javnosti (prije, za vrijeme i nakon održavanja programa) \n!\"\"&%\"#(3%-,3+*.%\",\"56$+)*.+9 \nProgrami su ocjenjivani prema nacionalnom i međunarodnom značaju, a sukladno tome i \ndugotrajnosti i kvaliteti festivala i manifestacija, kao i stručnosti njihovih voditelja i voditeljica, \nrodovskoj raznolikosti, žanrovskoj i tematskoj raznolikosti, geografskoj disperziranosti, \ninovativnosti i specifičnosti programa te značaju programa za zajednice u kojima se smještaju, \na ovisno o procjeni i znanju  o postojanju drugih kulturnih programa u tim zajednicama koji \nzadovoljavaju i kulturne potrebe stanovnika i otvaraju prostor za šire uključivanje i edukaciju \npublika u polju audiovizualne kulture i umjetnosti. \nPregled prijava i financijski okvir \nKako je na prvom roku Javnog poziva za komplementarne djelatnosti za sufinanciranje \npredloženo te podržano 36 filmskih festivala i drugih AV manifestacija, i to s ukupnim iznosom \nod  678.150,00 eura, što je ujedno bila i druga najizdašnije financirana kategorija prvog roka \njavnog poziva, na ovaj je rok stiglo i manje prijava, ali su savjetnici na raspolaganju imali i \nznatno manji budžet.  \nNa prvom su roku, podsjetimo, podržani neki od najistaknutijih hrvatskih festivala (Svjetski \nfestival animiranog filma - Animafest Zagreb, Zagreb Film Festival, ZagrebDox - Međunarodni \nfestival dokumentarnog filma, Cinehill - Međunarodni filmski festival, Festival mediteranskog \nfilma Split), a podržani su i inovativni te društveno relevantni festivali (25 FPS, Subversive Film \nFestival, Fantastic Zagreb Film Festival, Filmske mutacije: Festival nevidljivog filma XX, \nLiburnia Film Festival, Timpetill - Young4Film), kao i manifestacije u manjim sredinama koje \nimaju važnu ulogu u lokalnim zajednicama. \n\n\f\nNa ovom roku, među predloženima i odobrenima nalaze se dugovječni i prepoznati festivali \nkao što su Vukovar Film Festival, Human Rights Film Festival, Dani hrvatskog filma, Split Film \nFestival, Festival tolerancije Zadar, DOKUart međunarodni festival dokumentarnog filma, \nSupertoon - Međunarodni festival animacije ili Brač Film Festival.  \nMeđu specijaliziranijim manifestacijama na popisu odobrenih projekata nalaze se RAFF - Rab \nFilm Festival, DA2 - Zagreb Design, Art & Architecture Film Festival, DUff 2026. - 15. izdanje \nmeđunarodnog filmskog festivala djece i mladih, Kiki - međunarodni festival dječjeg filma, \nFilmska RUNDA 2026., Uhvati film fest u organizaciji riječke Udruge građana Spirit, Kino \nUnseen X ili ASIFA-in Međunarodni dan animacije. \nOdobreno je sufinanciranje i nekim manjim manifestacijama značajnima za razvoj kulture \nmjesta, ili manifestacijama specifičnog žanra: Klein film festival - festival kratkog filma koji se \nodržava u Vukovaru, Filmska revija \"Novo kino Osmijeh” u organizaciji Multimedijalnog centra \nStudio kreativnih ideja Gunja - MMC SKIG, REF - Revija europskog filma u organizaciji Foto-\nkino kluba Baranja, Lovely Days u Bolu na Brač u organizaciji REA - udruge za suvremene \numjetničke i arhitektonske produkcije te Vrboska Film Festival. \nZAKLJUČAK \nUmjetnički savjetnici svjesni su da predlaganje i odobravanje veće potpore za pojedine \nprojekte katkad ostaje na razini simboličkog te da budžet ovog javnog poziva ne može u \npotpunosti odgovoriti na stvarne potrebe korisnika. Naglasak je stoga stavljen na očuvanje \nkvalitete, raznolikosti i dostupnosti audiovizualnog stvaralaštva, uz posebno poticanje \nprograma koji razvijaju filmsku pismenost i prisutnost hrvatskog filma u svim dijelovima zemlje. \nDodatno, kontinuitet u odvijanju programa također je element vrijedan isticanja, jer uz svu \nmoguću financijsku neizvjesnost, dio programa bilježi višegodišnju prisutnost. To su programi \nčije uporno zalaganje u traženju i privlačenju novih korisnika stvara pretpostavku stabilnosti u \nsvim segmentima sektora. \nUmjetnički savjetnici za komplementarne djelatnosti: \nLjubica Letinić \nJelena Androić \nSlaven Zečević \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2026,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"regulation","source":{"filename":"Zakon%20o%20izmjenama%20i%20dopunama%20Zakona%20o%20audiovizualnim%20djelatnostima_23102024.pdf","filename_decoded":"Zakon%20o%20izmjenama%20i%20dopunama%20Zakona%20o%20audiovizualnim%20djelatnostima_23102024.pdf","sha256":"1725df655344e4e72c7019393de93cd08d293a445f1e761bea62ac8526241318","bytes":121218,"page_count":3,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati medunarodna suradnja u 2021. - 3. rok.pdf","filename_decoded":"rezultati medunarodna suradnja u 2021. - 3. rok.pdf","sha256":"17b90df9e2f45c8cc604a2535fddd7ef516e1438814891dfab485ff657a998d4","bytes":41307,"page_count":2,"extracted_at":"2026-05-17T10:23:51Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20medunarodna%20suradnja%20u%202021.%20-%203.%20rok.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA POTPORA\n1\nSunčana Brkulj\nSudjelovanje Sunčane Brkulj i filma \"Kula\" \nna međunarodnom festivalu animacije u \nAnnecyju\n2.500,00\n2\nPrime Render d.o.o.\nPredstavljanje VR ostvarenja \"Dislokacije\" \nna festivalu Annecy 2021\n9.000,00\n3\nEclectica d.o.o.\nSudjelovanje projekta \"Proslava\" na \nradionici EKRAN+ 2021 u Varšavi\n15.000,00\n4\nZajednica udruga Centar \nnezavisne kulture\nSudjelovanje Andreja Frica na programu \nstručnog usavršavanja CICAE \"Art Cinema \n= Action + Management\" 2021. u Veneciji \n7.500,00\n5\nČetiri film d.o.o.\nSudjelovanje dokumentarnog filma \"Biti u \nrodu s Johnom Malkovichem\" na \nmanifestaciji Bio to B 2021 u Bologni, Italija\n5.500,00\n6\nMarko Dješka\nGostovanje na međunarodnom festivalu \nanimiranog filma u Annecyju s filmom \"Sve \nte senzacije u mom trbuhu\"\n2.407,00\n7\nČetiri film d.o.o.\nSudjelovanje TV-serijala \"Ženska posla\" \nna radionici TFL Next TV - 2nd Online \nWorkshop\n9.500,00\n8\nStudio Pangolin\nSudjelovanje Ane Hušman na manifestaciji \nOSTRALE Biennale 021 u Dresdenu, \nNjemačka\n5.500,00\n9\nAkademija dramske \numjetnosti\nSudjelovanje na manifestaciji 16. \nProducentski dan u Beogradu\n3.000,00\n10\nAntitalent d.o.o.\nSudjelovanje scenaristice i redateljice \nDore Šustić na radionici MFI Script 2 Film \nWorkshops\n15.000,00\n11\nGoran Škofić\nSudjelovanje na manifestaciji OSTRALE \nBiennale 021 u Dresdenu, Njemačka\n3.685,10\n12\nMihael Šandro\nSudjelovanje filma \"U Šumi\" na festivalu \nBašta Fest u Srbiji\n900,00\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U \n2021. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 12.7.2021.,  22. sjednica Hrvatskog \naudiovizualnog vijeća, 15.9.2021.\n\n\f\n13\nSara Grgurić\nSudjelovanje filma \"U Šumi\" na festivalu \nBašta Fest u Srbiji\n900,00\n14\nPeglanje Snova d.o.o.\nSudjelovanje u programu Producers on the \nMove 2021 u Cannesu\n9.794,35\n15\nStudio dim d.o.o.\nGostovanje Ksenije Marinković povodom \npremijere filma \"Nebesa\" u natjecateljskom \nprogramu Locarno Film Festivala\n2.918,00\n16\nCAMERON - obrt za film i \nvideo\nSmotra hrvatskog filma u Beogradu 2021\n15.000,00\n17\nKinoklub Karlovac\nSudjelovanje hrvatske delegacije na \nGiffoni Film Festivalu u Italiji\n2.500,00\n18\nHrvatski filmski savez - HFS\nSudjelovanje Margarete Đordić na \nsimpoziju platforme European Film \nFactory, u sklopu Transilvania International \nFilm Festivala u Rumunjskoj\n2.000,00\n19\nIvana Bošnjak\nSudjelovanje na međunarodnom festivalu \nanimiranog filma Animist Tallinn i \npredstavljanje filma \"Udahnut život\"\n2.027,04\n20\nThomas Johnson\nSudjelovanje na međunarodnom festivalu \nanimiranog filma Animist Tallinn i \npredstavljanje filma \"Udahnut život\"\n2.027,04\n21\nKata Gugić\nPredstavljanje filma \"Cockpera\" na \nmanifestaciji MONSTRA 2021 - Lisbon \nAnimation Festival\n2.534,69\n22\nAntitalent d.o.o.\nPredstavljanje kratkometražnog igranog \nfilma \"Kazneni udarac\" na Locarno Film \nFestivalu\n15.000,00\n134.193,22\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati medunarodna suradnja u 2021. - 3. rok","year":2021,"rok":null,"natjecaj_date":"2021-07-12","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA"],"rows":[{"row_number":1,"project_title":"Sudjelovanje Sunčane Brkulj i filma \"Kula\" na međunarodnom festivalu animacije u Annecyju","applicant":"Sunčana Brkulj","production_company":"Sunčana Brkulj","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.500,00","approved_amount":2500.0,"currency":"HRK","extras":{"col_1":"1","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Sunčana Brkulj","row_id":"17b90df9:s0:dfbb4955e324","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_f635de60ad40","project_family_title":"Sudjelovanje Sunčane Brkulj i filma \"Kula\" na međunarodnom festivalu animacije u Annecyju"},{"row_number":2,"project_title":"Predstavljanje VR ostvarenja \"Dislokacije\" na festivalu Annecy 2021","applicant":"Prime Render d.o.o.","production_company":"Prime Render d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"9.000,00","approved_amount":9000.0,"currency":"HRK","extras":{"col_1":"2","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Prime Render d.o.o.","row_id":"17b90df9:s0:ab257a95cb1d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_2fa01505f1ee","project_family_title":"Predstavljanje VR ostvarenja \"Dislokacije\" na festivalu Annecy 2021"},{"row_number":3,"project_title":"Sudjelovanje projekta \"Proslava\" na radionici EKRAN+ 2021 u Varšavi","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"3","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Eclectica d.o.o.","row_id":"17b90df9:s0:40ea32caf010","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_7c6251f218be","project_family_title":"Sudjelovanje projekta \"Proslava\" na radionici EKRAN+ 2021 u Varšavi"},{"row_number":4,"project_title":"Sudjelovanje Andreja Frica na programu stručnog usavršavanja CICAE \"Art Cinema = Action + Management\" 2021. u Veneciji","applicant":"Zajednica udruga Centar nezavisne kulture","production_company":"Zajednica udruga Centar nezavisne kulture","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.500,00","approved_amount":7500.0,"currency":"HRK","extras":{"col_1":"4","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Zajednica udruga Centar nezavisne kulture","row_id":"17b90df9:s0:d1ae62f834a2","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_42eb376bc7c6","project_family_title":"Sudjelovanje Andreja Frica na programu stručnog usavršavanja CICAE \"Art Cinema = Action + Management\" 2021. u Veneciji"},{"row_number":5,"project_title":"Sudjelovanje dokumentarnog filma \"Biti u rodu s Johnom Malkovichem\" na manifestaciji Bio to B 2021 u Bologni, Italija","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.500,00","approved_amount":5500.0,"currency":"HRK","extras":{"col_1":"5","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"17b90df9:s0:921924408f75","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_2af82f0fd7dd","project_family_title":"Sudjelovanje dokumentarnog filma \"Biti u rodu s Johnom Malkovichem\" na manifestaciji Bio to B 2021 u Bologni, Italija"},{"row_number":6,"project_title":"Gostovanje na međunarodnom festivalu animiranog filma u Annecyju s filmom \"Sve te senzacije u mom trbuhu\"","applicant":"Marko Dješka","production_company":"Marko Dješka","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.407,00","approved_amount":2407.0,"currency":"HRK","extras":{"col_1":"6","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Marko Dješka","row_id":"17b90df9:s0:ea3c76992859","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_cce4cc957153","project_family_title":"Gostovanje na međunarodnom festivalu animiranog filma u Annecyju s filmom \"Sve te senzacije u mom trbuhu\""},{"row_number":7,"project_title":"Sudjelovanje TV-serijala \"Ženska posla\" na radionici TFL Next TV - 2nd Online Workshop","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"9.500,00","approved_amount":9500.0,"currency":"HRK","extras":{"col_1":"7","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"17b90df9:s0:2796c1220ac1","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_461015f9250a","project_family_title":"Sudjelovanje TV-serijala \"Ženska posla\" na radionici TFL Next TV - 2nd Online Workshop"},{"row_number":8,"project_title":"Sudjelovanje Ane Hušman na manifestaciji OSTRALE Biennale 021 u Dresdenu, Njemačka","applicant":"Studio Pangolin","production_company":"Studio Pangolin","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.500,00","approved_amount":5500.0,"currency":"HRK","extras":{"col_1":"8","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Studio Pangolin","row_id":"17b90df9:s0:45fec1705aeb","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_ca0b6cb2b55b","project_family_title":"Sudjelovanje Ane Hušman na manifestaciji OSTRALE Biennale 021 u Dresdenu, Njemačka"},{"row_number":9,"project_title":"Sudjelovanje na manifestaciji 16. Producentski dan u Beogradu","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.000,00","approved_amount":3000.0,"currency":"HRK","extras":{"col_1":"9","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"17b90df9:s0:38e89311a80f","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_065449bf7699","project_family_title":"Sudjelovanje na manifestaciji 16. 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Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: Zakon), \nHrvatsko audiovizualno vijeće, na prijedlog ravnatelja Hrvatskog audiovizualnog centra (dalje u tekstu: \nHAVC), u 3. sazivu na 9. sjednici održanoj 04. veljače 2021. godine donijelo je: \n \nO  D  L  U  K  U \no dodjeli sredstava za promociju dugometražnog animiranog filma za nominaciju za nagradu Oscar u \n2021. godini \n \n \n1. Dodjeljuju se sredstva producentu Kaos d.o.o., Bartolići 33, 10000 Zagreb (dalje u tekstu: Kaos \nd.o.o.) za promociju dugometražnog animiranog filma „Slučajna raskoš prozirnog vodenog rebusa“, \nautora Dalibora Barića, za nominaciju za nagradu Oscar u 2021. godini, u iznosu od 370.000,00 kn \n(tristosedamdesetttisućakuna). \n \n2. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n3. Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \nObrazloženje \n \nDana 25. siječnja 2021. godine Kaos d.o.o., producent filma „Slučajna raskoš prozirnog vodenog rebusa“, \nautora Dalibora Barića uputio je HAVC-u molbu, KLASA: 777-153-017, URBROJ: 421-2021 (u daljnjem tekstu: \nMolba) za dodjelu sredstava za promociju filma „Slučajna raskoš prozirnog vodenog rebusa“ u kampanji za \nnominaciju za nagradu Oscar u 2021. godini.   \n \nOdlukom Hrvatskog audiovizualnog vijeća na 9. sjednici u 3. sazivu održanoj 04. veljače 2021. g. jednoglasno \ns dvanaest (12) glasova „za“  usvojena je odluka kao u točki 1. izreke ove Odluke. \n \nTemeljem čl. 34. Zakona, ravnatelj HAVC-a zaključit će ugovor s producentom Kaos d.o.o. o dodjeli \nsredstava za promociju dugometražnog animiranog filma za nominaciju za nagradu Oscar. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku objaviti \nna svojoj mrežnoj stranici: www.havc.hr. \n \nPredsjednik \nHrvatskog audiovizualnog vijeća \n \n     Lado Skorin, v.r. \n \n \n\n\f\n \n \n \n \n \nDostaviti: \n- \nKaos d.o.o., Bartolići 33, Zagreb \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"komplementarne","year":2021,"rok":null,"referenced_projects":["Slučajna raskoš prozirnog vodenog rebusa"],"summary":"Hrvatsko audiovizualno vijeće na 9. sjednici 3. saziva dodijelilo je producentu Kaos d.o.o. 370.000,00 kn za promociju dugometražnog animiranog filma „Slučajna raskoš prozirnog vodenog rebusa“ autora Dalibora Barića u kampanji za nominaciju za nagradu Oscar 2021.","project_links":[{"source_title":"Slučajna raskoš prozirnog vodenog rebusa","family_id":"pf_0792ceeb030a","family_title":"Slučajna raskoš prozirnog vodenog rebusa","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje savjetnika - komplementarne djelatnosti 2011.pdf","filename_decoded":"Obrazlozenje savjetnika - komplementarne djelatnosti 2011.pdf","sha256":"1842088d7a24fb198b63dddd68a87341f5b23984330937b622714af846799e6b","bytes":256088,"page_count":4,"extracted_at":"2026-05-17T12:01:29Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje%20%20savjetnika%20-%20komplementarne%20djelatnosti%202011.pdf"},"raw_text":" \n1\nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u \n2011.  \nObrazloženje prijedloga za dodjelu sredstava \n \n \nNa osnovi „Javnog poziva za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2011.“ , \nobjavljenog 2. studenog 2010., Hrvatski audiovizualni centar  je tijekom javnog natječaja službeno \nzaprimio 226. prijave za poticanje komplementarnih djelatnosti uključujući i prijave izvan osnovnog \nroka natječaja te krive prijave. Savjetnici Umjetničkog vijeća za komplementarne djelatnosti u sastavu: \nMarina Škrabalo, Nenad Polimac i Slaven Zečević , odlučili su dio prijava koje su vezane za isti \nprogram sagledavati kao jednu prijavu čime se broj prijava smanjio sa 226. na 207. prijava koje su \nuzete u razmatranje prijedloga za poticanje komplementarnih djelatnosti odnosno 202. prijave ako iz \nove statistike izdvojimo krive prijave. Od tih 202. prijava koje su uzete u razmatranje, savjetnici su \nizdvojili 130 prijava kao nositelje poticajnih i vrijednih programa koji će bilo na državnoj ili lokalnoj \nrazini omogućiti kontinuitet prisutnosti audiovizualnog segmenta djelovanja, uz ukupnu financijsku \npotporu HAVC-a u predloženom iznosu od  10.365.920,00 kuna.   \n \nTablica 1 – prijedlog financiranja komplementarnih djelatnosti u 2011. godini, prema vrsti programa \n \nPROGRAMI \nBROJ \nPRIJAVA \nBROJ \nPREDLOŽENIH \nPROGRAMA \nPREDLOŽE\nNI IZNOS \nUDIO U  \nUKUPNOM  \nPRIJEDLOGU \nFINANCIRANJA \nzaštita audiovizualne baštine \nuključujući kinotečnu djelatnost* \n10 \n4 \n2.702.355,00 \n26,07% \nfilmski festivali i druge \naudiovizualne manifestacije \n49 \n36 \n3.700.000,00 \n35,69% \ndjelatnosti razvijanja \naudiovizualne kulture \n69 \n38 \n1.881.100,00 \n18,15% \nprogrami promocije i prodaje \nhrvatskih audiovizualnih  djela \n3 \n2 \n35.000,00 \n0,34% \nproučavanje i kritičko vrednovanje \naudiovizualnih  djelatnosti \n8 \n5 \n110.000,00 \n1,06% \nizdavaštvo u području \naudiovizualnih djelatnosti \n25 \n20 \n640.000,00 \n6,17% \nprogrami stručnog usavršavanja \n19 \n10 \n272.465,00 \n2,63% \nprogrami audiovizualnih udruga i \norganizacija \n13 \n12 \n975.000,00 \n9,41% \nostali programi \n2 \n0 \n0,00 \n0,00% \nkrive prijave \n5 \n0 \n0,00 \n0,00% \nprijave izvan roka \n4 \n3 \n50.000,00 \n0,48% \nUKUPNO \n207 \n130 \n10.365.920,00 \n100,00% \n \n* uključuje i prijedlog financiranja Hrvatskog državnog arhiva -Hrvatske  kinoteke u iznosu 2.500.000,00 kn \n\n\f\n \n2\nUspoređujući sa prošlogodišnjim natječajem iz 2010. godine, ovogodišnji je natječaj pokazao \ndonekle usporediv broj prijava u većini kategorija otvorenih na natječaju, a radi statističke \npreciznosti možemo govoriti o umjerenom smanjenju broja prijava, osobito u dominantnim \nkategorijama unutar javnog poziva za komplementarne djelatnosti – filmskim festivalima i \ndrugim audiovizualnim manifestacijama odnosno u djelatnostima razvijanja audiovizualne \nkulture.  \n \nKao i prethodnih godina, u razmatranju prijedloga za raspodjelu sredstava u cilju poticanja \nkomplementarnih djelatnosti, umjetnički su savjetnici pored temeljnih pretpostavki kvalitete i \nizvedivosti predloženih projekata, posebnu pozornost usmjerili projektima koje možemo \nrazvrstati prema sljedećim kriterijima:  \n \n1. projekti od nacionalnog značaja  koji su usmjereni na veću prisutnost Hrvatske u \nkontekstu primarno europskih, ali i svjetskih audiovizualnih događanja, te projekti koji \ndoprinose stvaranju javne svijesti o postojanju raznovrsnih segmenata i institucija nacionalne \nkinematografije čije djelovanje u segmentima produkcije, arhiviranja i konzervatorskim \nradom, omogućuju da povijest hrvatskog filma ima i svoju materijalnu supstancu. \n \n2. projekti od lokalnog značaja koji u svojim matičnim sredinama imaju ulogu poticanja i \nrazvijanja audiovizualne kulture, stvarajući manje filmske i kulturne centre, koji unutar svojih \nkulturoloških posebnosti omogućuju uspostavu sustavnog bavljenja filmom čime se pridonosi \ndecentralizaciji audiovizualne djelatnosti u Hrvatskoj. Dodatna je pažnja u tom pogledu \nposvećena projektima razvoja audiovizualne kulture usmjerenima  na djecu i mlade. \n \n3. projekti koji iziskuju nastavak financijske potpore,  primarno misleći na  prethodno već \npokrenute programe, koji su svojom kvalitetom, sustavnošću i javnim značajem ostvarili \nuvjete za daljnju potporu od strane Hrvatskog audiovizualnog centra \n \n4.projekti koji do sada nisu financirani, a pridonose daljnjem razvijanju posebnosti i \nraznovrsnosti, podjednako estetskoj i etičkoj, u javnoj ponudi audiovizualnih sadržaja. \nTijekom rada na sagledavanju ovogodišnjih prijava na javni poziv za komplementarne \ndjelatnosti, savjetnicima Umjetničkog vijeća za komplementarne djelatnosti nametnulo se više \nformalnih upita ili mogućih poteškoća u djelovanju, a što je rezultiralo otvorenim pitanjima \nkoje smatramo da zahtijevaju odgovore ali i moguće rješavanje u okviru djelatnih tijela \nHrvatskog audiovizualnog centra.   \n \n\n\f\n \n3\nOd otvorenih pitanja, smatramo da  dva moramo posebno istaknuti pred tijelima Centra; \n \n1.Pitanje održivosti filmskih festivala \nOvogodišnje prijave za sufinanciranje filmskih festivala opetovano su istaknule problem s \nkojim se suočavaju organizatori ovakvih manifestacija u ostvarivanju budžeta za svoje \nprograme. Kao jasan odraz ekonomske situacije, sponzorsko sufinanciranje festivala je sve \nmanje zastupljeno u budžetima takvih manifestacija, a financiranje iz većine lokalnih javnih \nproračuna značajno se smanjuje i vrlo je neizvjesno,  tako da se organizatori nužno okreću \nonim izvorima koji su im još uvijek otvoreni za suradnju,  među kojima je od presudnog \nznačaja HAVC.  \n \nPrepoznajući važnost takvih manifestacija za korisnike u Hrvatskoj koji često kroz festivale \nupoznaju one filmske rodove i filmsko stvaralaštvo koji nisu dio njihove filmske \nsvakodnevice, savjetnici su prepoznali da takav vid audiovizualnog djelovanja mora biti \nsastavni dio ponude u Hrvatskoj. U tom kontekstu se kod sufinanciranja filmskih festivala ili \nsličnih manifestacija nametnula činjenica da takvi programi unutar budžeta za \nkomplementarne djelatnosti čine trećinu ukupnog iznosa, čime se značajno smanjuje budžet \nza potrebe osnovne edukacije, stručnog usavršavanja ili recimo izdavaštva. U svrhu veće \nravnomjernosti financiranja različitih programa, smatramo da bi bilo korisno  jasno odrediti \nkoji su festivali od posebnog značaja za Hrvatsku te sukladno tome uspostaviti za korisnike \nveću jasnoću u sufinanciranju takvih manifestacija. \n \n2. Pitanje Hrvatske kinoteke \nIz godine u godinu se  unutar rada savjetnika postavlja pitanje statusa Hrvatske kinoteke koji \nje velik korisnik budžeta za komplementarne djelatnosti ali čije sufinanciranje programa \nrestauracije filmova ne pomaže temeljitom rješavanju organizacijskog problema ove ustanove \nod iznimnog značaja za hrvatsku kulturu. Smatramo da je vrijeme za temeljito mijenjanje \nodnosa Ministarstva kulture prema osnovnoj djelatnosti ove institucije, a to je čuvanje \nhrvatske filmske baštine, i to tako što će osnovni financijski izvor te djelatnosti biti osigurana \nkao zasebna stavka  u okviru državnog proračuna za zaštitu kulturnih dobara. Drugo pitanje \nvezano uz Kinoteku je njezin položaj unutar postojećeg sustava Hrvatskog državnog arhiva. \nSmatramo da bi trebalo ispitati mogućnost odvajanja Kinoteke iz sustava Hrvatskog državnog \narhiva čime bi se mogli stvoriti drugačiji uvjeti za djelovanje ove institucije. Vjerujemo da \nsadašnji status Kinoteke ne zadovoljava potrebe audiovizualne zajednice tako da smatramo \n\n\f\n \n4\nkako je potrebno  pokušati jasnije odrediti status ove institucije unutar našeg društva, čemu bi \nHAVC mogao doprinijeti, pokretanjem stručne  i političke rasprave. \n \nU okviru ostalih programa ovogodišnji je poziv potvrdio potrebu javnog edukativnog \ndjelovanja u audiovizualnom polju s ciljem što većeg uključivanja  djece i mladeži u \nprograme koju su usmjereni prema tom djelu naših korisnika. Sustavni audiovizualni odgoj \ndjece i mladeži ne pridonosi samo razvijanju novih sposobnosti kod ciljane skupine već ih \nuklapa u širi kontekst europskog i svjetskog obrazovanja u kojem svi oblici audiovizualnih \nmedija imaju veliku ulogu u njihovoj pripremi za buduće djelovanje unutar zajednice. Zato \nnam se čini da na audiovizualni odgoj djece i mladeži ne treba gledati kao na nešto čime se \nispunjava slobodno vrijeme već kao sastavni dio školstva koji će omogućiti da dobivena \nznanja i vještine postanu važan dio daljnje profesionalne usmjerenosti neovisno o polju u \nkojem djeluju. \n \nTakođer treba naglasiti da su savjetnici pažljivo pristupali programima prema njihovom \nmatičnom mjestu događanja, potičući one programe koji u manjim sredinama ili manjim \ngradovima imaju svoj kontinuitet i predstavljaju važan društveni segment za njihove \nkorisnike. Ovaj bi naglasak na decentralizaciji svakako bio uspješniji da se više sustavnih i \ndorađenih programa iz manjih centara javlja na natječaj, tako da bi unutar postojećih \nkapaciteta trebalo voditi računa da se otvorenom komunikacijom pomaže mogućim \nkorisnicima u omogućavanju pristupa ovakvim pozivima.  \n \nPotreba za jasnijim planom djelovanja unutar javnog poziva za komplementarne djelatnosti \nnije zaobišla ni ovogodišnji sastav savjetnika, a svojim smo odlukama nastojali biti otvoreni \nprema onim programima koji pokazuju usmjerenost prema dugoročnoj aktivnosti, smatrajući \nda jedino kontinuitet predloženih programa može stvoriti pretpostavku za poticaj \naudiovizualnog djelovanja, te tako u dobroj namjeri odgovoriti na zahtjeve društva. Nadamo \nse da smo svojim djelovanjem dodatno pojačali pretpostavke za kontinuitet predloženih \nprograma koji će biti prihvatljiv i budućim savjetnicima. \n \nU Zagrebu, 16. ožujka 2011. \nUmjetnički savjetnici: \nNenad Polimac \nMarina Škrabalo \nSlaven Zečević  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2011,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"15 9 JP COVID .pdf","filename_decoded":"15 9 JP COVID .pdf","sha256":"18677b5e24573a34030fbdb622d549342330120b52466066ea56d51d7cf9332a","bytes":31488,"page_count":1,"extracted_at":"2026-05-17T10:23:57Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/15%209%20%20JP%20COVID%20%20.pdf"},"raw_text":"REDATELJ\nPRODUCENT\nODOBRENA \nSREDSTVA\nPavo Marinković\nTELEFILM d.o.o.\n180.000,00 HRK\nJasna Nanut\nPetnaesta \numjetnost d.o.o.\n180.000,00 HRK\nAndrej Korovljev\nKinematograf d.o.o.\n200.000,00 HRK\nPULA, debitantski dugometražni \nigrani film\nVAMPIRI S MILJACKE, \ndugometražni igrani film\nJavni poziv za podnošenjem zahtjeva za potporu za dodatne troškove snimanja filmova nastale \nuslijed izvanrednih okolnosti uzrokovanih epidemijom COVID-19, 22. sjednica Hrvatskog \naudiovizualnog vijeća u trećem sazivu, 15.9. 2021.\nNASLOV\nSEDMO NEBO, debitantski \ndugometražni igrani film\n","warnings":[],"document":{"program_type":"covid","natjecaj_title":"15 9 JP COVID ","year":2021,"rok":null,"natjecaj_date":"2021-09-15","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","REDATELJ","PRODUCENT","ODOBRENA SREDSTVA"],"rows":[{"row_number":null,"project_title":"VAMPIRI S MILJACKE, dugometražni igrani film","applicant":"Telefilm d.o.o.","production_company":"Telefilm d.o.o.","director":"Pavo Marinković","writer":null,"original_author":null,"category":null,"approved_amount_text":"180.000,00 HRK","approved_amount":180000.0,"currency":"HRK","extras":{"REDATELJ":"Pavo Marinković","entity_original_production_company":"TELEFILM d.o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"18677b5e_15_9_jp_covid_pdf.json","creator_backfill_director_confidence":"medium","creator_backfill_director_reasoning":"Production company Telefilm d.o.o. matches the director-company pair in raw_text, while writer and original-author columns are absent."},"entity":"Telefilm d.o.o.","row_id":"18677b5e:s0:0a0be9661e7c","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_9bcf4fac569f","project_family_title":"VAMPIRI S MILJACKE, dugometražni igrani film"},{"row_number":null,"project_title":"SEDMO NEBO, debitantski dugometražni igrani film","applicant":"Petnaesta umjetnost d.o.o.","production_company":"Petnaesta umjetnost d.o.o.","director":"Jasna Nanut","writer":null,"original_author":null,"category":null,"approved_amount_text":"180.000,00 HRK","approved_amount":180000.0,"currency":"HRK","extras":{"REDATELJ":"Jasna Nanut","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"18677b5e_15_9_jp_covid_pdf.json","creator_backfill_director_confidence":"medium","creator_backfill_director_reasoning":"Production company Petnaesta umjetnost d.o.o. matches the corresponding director-company entry, with no writer or source-author field shown."},"entity":"Petnaesta umjetnost d.o.o.","row_id":"18677b5e:s0:1ff3ade75b97","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_425c2a1478dd","project_family_title":"SEDMO NEBO, debitantski dugometražni igrani film"},{"row_number":null,"project_title":"PULA, debitantski dugometražni igrani film","applicant":"Kinematograf d.o.o.","production_company":"Kinematograf d.o.o.","director":"Andrej Korovljev","writer":null,"original_author":null,"category":null,"approved_amount_text":"200.000,00 HRK","approved_amount":200000.0,"currency":"HRK","extras":{"REDATELJ":"Andrej Korovljev","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"18677b5e_15_9_jp_covid_pdf.json","creator_backfill_director_confidence":"medium","creator_backfill_director_reasoning":"Production company Kinematograf d.o.o. aligns to Andrej Korovljev in the same table block, and no writer/original-author columns are visible."},"entity":"Kinematograf d.o.o.","row_id":"18677b5e:s0:3ec7054a5b94","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_d75e187d9f4a","project_family_title":"PULA, debitantski dugometražni igrani film"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":560000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":560000.0,"ukupno_match":true,"row_count":3,"awarded_count":3,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":3}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_10072014_molba_Trigon.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_10072014_molba_Trigon.pdf","sha256":"187d3b6b8e41871c206d75a1fe254fd01555be63c9304b7680ae0afd50187459","bytes":290176,"page_count":1,"extracted_at":"2026-05-16T13:53:56Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 2903-2014 \nU Zagrebu, 10. srpnja 2014. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12),  Hrvatsko audiovizualno vijeće je na prijedlog ravnatelja na 49. sjednici održanoj 10. srpnja \n2014.  godine donijelo: \n \nO  D  L  U  K  U \no usvajanju molbe producenta Trigon d.o.o. \n \n1.) Usvaja se molba producenta Trigon d.o.o., Zinka Kunc 7, Zagreb, (dalje u tekstu: Trigon d.o.o.) na \nzaključivanje ugovora za razvoj scenarija igranog serijskog televizijskog djela „Ravnica“ između \nHrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: HAVC) i producenta Trigon \nd.o.o. \n2.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n3.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n  \n \n \n \n \nObrazloženje \n \nProducent Trigon d.o.o. uputio je molbu HAVC-u, 9. srpnja 2014.godine Klasa: 222-233-022-046, Urbroj: \n2737-2014 (dalje u tskstu: Molba) kojom je zatraženo da se ugovor za razvoj scenarija igranog televizijskog \ndjela „Ravnica“  zaključi između HAVC-a i producenta Trigon d.o.o., a ne između koscenarista Velimira \nGrgića, Gajnice 5, Zagreb i koscenarista Marka Mihalineca, Stjepana Fabeka15, Zaprešić i HAVC-a. \n \nHrvatsko audiovizualno vijeće je na 49. sjednici većinom glasova usvojilo Molbu kao što je navedeno u ad.1  \nove Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v.r. \nDostaviti: \n \n \n - Tigon d.o.o., Zinke Kunc 7, Zagreb \n   -  pismohrana, ovdje \n \n \n","warnings":[],"document":{"program_type":"tv_djela","year":2014,"rok":null,"referenced_projects":["Ravnica"],"summary":"AV vijeće na 49. sjednici od 10. srpnja 2014. usvaja molbu producenta Trigon d.o.o. da se ugovor za razvoj scenarija igranog serijskog televizijskog djela „Ravnica“ zaključi izravno između HAVC-a i producenta, umjesto s koscenaristima Velimirom Grgićem i Markom Mihalinecom.","project_links":[{"source_title":"Ravnica","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB Obrazlozenja_manjinske_koprodukcije_3_rok_2023.pdf","filename_decoded":"WEB Obrazlozenja_manjinske_koprodukcije_3_rok_2023.pdf","sha256":"189c27615d3b4b1d67827de08b09fd4a9f4d953eab3953aece19927cc2aa3ffd","bytes":105136,"page_count":4,"extracted_at":"2026-05-17T12:01:27Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20Obrazlozenja_manjinske_koprodukcije_3_rok_2023.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika o odlukama o donošenju liste prioriteta i raspodjeli sredstava prema \nJavnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2023. godini, u kategoriji poticanja \nfilmskih koprodukcija s manjinskim hrvatskim udjelom (treći rok: 12.07.2023.) \nBojan Kanjera, umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom \nNa treći rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2023. godini prijavljeno \nje 50 projekata. Od ukupnog broja prijavljenih, jedan projekt nije ušao u razmatranje, jer nije zadovoljio \nuvjete Javnog poziva. \nPromatrano s obzirom na broj prijava u odnosu na prethodni rok, na ovom su roku prijavljena 2 projekata \nviše. Ovakav porast ne zvuči dramatično, međutim, ako usporedimo broj prijava s prva tri roka lani s \novogodišnjim brojem prijava u istom razdoblju dobivamo realniju sliku. Naime, prijavljena su čak 44 \nprojekta više nego u istom razdoblju prošle godine.  \n \nPromatrano s obzirom na vrstu filma, najviše prijavljenih dolazi iz kategorije dugometražnog igranog filma, \nukupno 32 (22 dugometražna igrana filma i 10 debitantskih dugometražnih igranih filmova). Za \ndugometražnim igranim filmovima slijede dugometražni dokumentarni filmovi, sa šest prijava, zatim \nkratkometražni igrani filmovi zastupljeni s pet prijava te kratki dokumentarni filmovi s dvije prijave. U \nodnosu na prethodni rok kada su bila prijavljena 3 animirana filma, sada ih je pet. Četiri prijavljena \nprojekta se nalaze u fazi postprodukcije. \n \nVrsta \nBroj \nprijavljenih \nAnimirani \n5 \nDebitantski dugometražni igrani \n10 \nDugometražni dokumentarni \n6 \nDugometražni igrani \n22 \nKratkometražni dokumentarni \n2 \nKratkometražni igrani \n5 \n \n \nUkupno \n50 \n97\n141\nUsporedba broja prijavljenih projekata 2023/2022 (prva \ntri roka)\n2022\n2023\n\n\f\nS obzirom na državu iz koje dolazi glavni producent, kao i na svim prethodnim rokovima prednjači \nRepublika Srbija (13), za kojom slijede Slovenija (6), Bosna i Hercegovina (6) i Sjeverna Makedonija (5).  \nDržava \nBroj prijavljenih \nBosna i Hercegovina \n6 \nBugarska \n2 \nČeška \n2 \nCipar \n1 \nCrna Gora \n3 \nFrancuska \n1 \nItalija \n3 \nLitva \n1 \nMađarska \n1 \nNizozemska \n1 \nNjemačka \n2 \nPoljska \n1 \nSjeverna Makedonija \n5 \nTurska \n1 \nSlovačka \n1 \nSlovenija \n6 \nSrbija \n13 \nUkupno \n50 \n \nKriteriji za predlaganje projekata za sufinanciranje temelje se na: \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i redateljski \nkoncept; \n2. Ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala projekta, s obzirom na \nprodukcijski paket i producentov plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje projekata.  \n \nFilmovi predloženi i odobreni za sufinanciranje: \n1. animirani film Borisova pekarnica (Francuska), hrvatski producent Jadranska animacija, 30.000,00 EUR; \n2. animirani film Jedan dan na Leninoj farmi (Njemačka), hrvatski producent MINYA FILM I ANIMACIJA \nj.d.o.o., 30.000,00 EUR; \n3. debitantski dugometražni igrani film Vjetre pričaj sa mnom (Srbija), hrvatski producent Restart, \n40.000,00 EUR; \n4. debitantski dugometražni igrani film Slatka gorčina zrelih nara (S. Makedonija), hrvatski producent \nStudio Corvus d.o.o., 35.000,00 EUR; \n5. kratkometražni igrani film Kalafon (Srbija), hrvatski producent Četiri film d.o.o., 25.000,00 EUR; \nukupni iznos sredstava - 160.000,00 EUR. \n\n\f\nObrazloženje: \n \n1) animirani film Borisova pekarnica (Francuska) \nFilm Borisova pekarnica (Francuska), kratki je animirani film redateljice Maše Avramović. Njezin je prvi \nanimirani film Tragovi jutra, nastao u suradnji s France Télévisions, obišao više od 40 festivala širom \nsvijeta. \nU priči pratimo pekara Borisa, koji je pekarnicu naslijedio od svojih predaka. Jednog jutra, Boris postane \nalergičan na brašno i ne može više peći kruh za svoje sumještane.  \nHrvatska strana će u ovom projektu biti zastupljena prije svega kroz ulogu scenarista i režisera, a zatim je \nplanirana gotovo cjelokupna postprodukcija filma u Hrvatskoj.  \nRedateljska koncepcija je jasno napisana, a autorica naglašava vlastito iskustvo iz kojeg je proizašla \ninspiracija za ovaj animirani film. Naime, nakon što je 2021. dovršila posljednji film, naprosto nije mogla \ncrtati te je ostala suočena s praznim papirom. Što se tiče animacije, ona naglašava da će koristiti \nmješavinu “paper cuta” i 2d animacije. Što se tiče zvuka, kako neće biti previše dijaloga,  on će, prema \nnjenim riječima igrati važnu ulogu – dodavanja teksture i humora. \n \n2) animirani film Jedan dan na Leninoj farmi (Njemačka) \nAnimirani film Jedan dan na Leninoj farmi (Njemačka), kratki je animirani film mlade redateljice Elene \nWalf, scenaristice, ilustratorice i redateljice nagrađivanih animiranih filmova.  \nKreativna dokumentacija priložena projektu je kvalitetno i detaljno razrađena te je iz nje moguće iščitati o \nkakvom se animiranom filmu radi, kako će izgledati likovi i koje su njihove psihološke karakteristike i što je \nnajbitnije, samu radnju. Dakle, u ovom animiranom filmu pratimo Leninu farmu kroz tri razdoblja – jutro, \npopodne i večer – pri čemu svako od njih ima glavnog protagonista. Ujutro je to vjeverica kradljivica, \npopodne žaba, dok je to navečer mačka. Sva tri razdoblja čine cjelinu priče o drugačijim osobama koje žive \nmeđu nama te o njihovom snalaženju u zajednici. U tom kontekstu priča je suvremena, kao i relevantna za \nhrvatsku audiovizualnu umjetnost. Isto tako važno je napomenuti kako su neke od ključnih uloga \nanimacijskog tima namijenjene upravo hrvatskim autorima i osoblju. \n \n3. debitantski dugometražni igrani film Vjetre pričaj sa mnom (Srbija) \n  Scenarij za debitantski dugometražni igrani film Vjetre pričaj sa mnom (Srbija) potpisuje Stefan Đorđević, \nkoji će ga i režirati. Đorđević, koji je uspješan snimatelj, do sada je režirao nekoliko kratkih igranih filmova, \nkoji su postigli uspjehe na festivalima, pri čemu je najuspješniji bio film Posljednja slika mog oca.  \nU radnji, u kojoj se isprepliću dokumentarne (ono što je Đorđević snimio na ljeto dok mu je majka još bila \nživa) i igrane forme, pratimo Stefana, koji putem do bakinog rođendana, slučajno autom udari psa. \nStefanu je nedavno umrla majka i on se vraća na mjesto na kojem je Neca (majka) provela posljednje dane \nživota pokušavajući se izliječiti od raka. Stefanov djed želi da obnove kamp kućicu u kojoj je živjela Neca \n\n\f\nšto dovodi do mnogih otkrića i spoznaja o slojevitim i isprepletenim obiteljskim odnosima, a i životu \nopćenito.  \nRadnja filma je zanimljiva i dobro osmišljena, posebno s obzirom da se ovdje radi o hibridnoj formi. \nOvome u prilog govori i video materijal koji je priložen prijavi. \nRežijska koncepcija je kvalitetno napisana te je iz nje jasna redateljeva vizija, način na koji misli pristupiti \ntemi. U tom kontekstu treba naglasiti da je kombiniranje igranih i dokumentarnih dijelova daje naslutiti da \nće film u konačnici biti iznimno zanimljiv, jer je želja autora povezati dva vremenska toka u koherentnu \ncjelinu. Što je u priloženoj dokumentaciji vrlo vješto i demonstrirao. \n \n4. debitantski dugometražni igrani film Slatka gorčina zrelih nara (S. Makedonija) \nScenarist i redatelj debitantskog dugometražnog igranog filma Slatka gorčina zrelih nara (S. Makedonija), \nAndrej Ilievski Volkašin, napravio je čitav niz dramaturških izmjena u scenariju od prve prijave na HAVC-ov \nnatječaj pa tako sad imamo zrelu i zaokruženu priču. U priči pratimo Doru, ženu koja živi u maloj sredini te \nse po dolasku tajanstvene Bendide suočava sa svojom homoseksualnošću, koja je daleko od prihvaćene u \nmalim sredinama. Priča filma je izuzetno zanimljiva i lijepo oslikava odnose u obitelji te međuljudske \nodnose i probleme malih i konzervativnih  sredina.  \nSama priča, s problematizacijom odnosa u malim sredinama, posebice kada se radi o homoseksualnosti je \nrelevantna na razini čitave regije pa tako i Hrvatske.  \nRedateljska koncepcija je jasno napisana, ističući kao glavnu motivaciju Volkašinovo odrastanje u malom \ngradu u Makedoniji te procijep u kojem se nalazio zbog svoje seksualne orijentacije u tradicionalnoj \nmakedonskoj sredini, gdje su uloge jasno naznačene. U odnosu na raniju prijavu, Volkašin je odabrao \nglumice koje će igrati neke od najvažnijih uloga. Isto tako važno je spomenuti da je film osigurao potporu \nEurimagesa.  \n \n5.  kratkometražni igrani film Kalafon (Srbija) \nAutor scenarija za kratkometražni igrani film Kalafon (Srbija) napisao je Vuk Bogdanović, autor čitavog niza \nkratkometražnih filmova. Bogdanović u režijskoj eksplikaciji ističe da je inspiraciju za ovaj scenarij dobio \nkada je tijekom jednog putovanja povezao mladog muzičara, koji mu je ispričao ovu priču. Ovdje pratimo \nvremešnog glazbenika Almira koji na audiciji za violinistu odabere dječaka. Scenarij je ispresijecan \nflashbackovima, u kojima se Almir prisjeća svojih glazbenih početaka. Glazbenici te večeri trebaju \nnastupati na momačkoj večeri u organizaciji Branka, kontroverznog biznismena. Momačka je klasična – s \npotocima alkohola, kokainom i prostitutkama sve dok se zabava u jednome trenu u potpunosti ne otme \nkontroli. Sam scenarij je zanimljiv, obiluje uvjerljivim likovima i dijalozima. Potrebno je istaknuti da bi na \nfilmu trebao biti angažiran značajan udio hrvatskih filmskih djelatnika.  \nRežijska koncepcija je jasno i uvjerljivo napisana, počevši od motivacije Bogdanovića za upravo ovu priču, \npreko likova i njihove dramaturgije, zatim stila režije, kadriranja i fotografije, glazbe koja je za ovaj film \niznimno bitna do scenografije i kostima. Sve odaje dojam da se on ozbiljno pripremio za ovaj projekt. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2023,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_06032015_molba_Menorah.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_06032015_molba_Menorah.pdf","sha256":"18b95137cd71e3a126c302427ba8a60bd5ec2bfb31fe772ef81d2ae1b547bbb2","bytes":289255,"page_count":1,"extracted_at":"2026-05-16T13:53:29Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 1084-2015 \nU Zagrebu, 6. ožujka 2015. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 144/14),  Hrvatsko audiovizualno vijeće je na prijedlog ravnatelja na 58. sjednici održanoj 6. ožujka \n2015. godine donijelo: \n \nO  D  L  U  K  U \n \n \n1.) Usvaja se molba producenta Menorah film d.o.o., Jabukovac 16, Zagreb, (dalje u tekstu: Menorah \nfilm d.o.o.) za isplatom sredstava odobrenih za razvoj scenarija u 2014. godini, scenaristu g. Franu \nJuraju Prižmić, Jabukovac 16, Zagreb, (dalje u tekstu: Fran Juraj Prižmić). \n \n2.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n3.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: HAVC): www.havc.hr. \n \n \n  \n \n \n \n \nObrazloženje \n \nDana 29. siječnja 2015. godine producent Menorah film d.o.o. uputio je HAVC-u Molbu Klasa: 222-229-\n003-111, Urbroj: 375-2015 (dalje u tekstu: Molba) da se odobrena sredstva za razvoj scenarija u 2014. godini \nza projekt „Izgubljena generacija“ scenarista Frana Juraja Prižmića, isplate na račun scenarista.  \n \nHrvatsko audiovizualno vijeće je na 58. sjednici, održanoj 6. ožujka 2015. godine, većinom glasova usvojilo \nMolbu kao što je navedeno u ad.1  ove Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v.r. \nDostaviti: \n \n \n - Menorah film d.o.o., Jabukovac 16, Zagreb \n   - Fran Juraj Prižmić, Jabukovac 1, Zagreb \n   -  pismohrana, ovdje \n \n","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2015,"rok":null,"referenced_projects":["Izgubljena generacija"],"summary":"AV vijeće na 58. sjednici od 6. ožujka 2015. usvaja molbu producenta Menorah film d.o.o. da se sredstva odobrena za razvoj scenarija u 2014. godini za projekt „Izgubljena generacija“ isplate izravno scenaristu Franu Juraju Prižmiću.","project_links":[{"source_title":"Izgubljena generacija","family_id":"pf_4140fa22d7c8","family_title":"Izgubljena generacija","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web Obrazlozenje manjinske 2. rok 2024.pdf","filename_decoded":"web Obrazlozenje manjinske 2. rok 2024.pdf","sha256":"18cccae302d9434f729fdb60e7c2752f8c9f37178e5118adc13b79849ebdd018","bytes":84505,"page_count":5,"extracted_at":"2026-05-17T12:01:27Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje%20manjinske%202.%20rok%202024.pdf"},"raw_text":"Obrazloženje umjetničke savjetnice o odlukama o donošenju liste prioriteta i raspodjeli sredstava \nprema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2024. godini, u kategoriji \npoticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (drugi rok: 15.04.2024.)  \n \n \nZdenka Gold, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim udjelom  \n \n \nNa drugi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2024. godini \nprijavljena su 54 projekta. Od ukupnog broja prijavljenih, dva projekta nisu razmatrana jer nisu \nzadovoljili uvjete Javnog poziva.  \n \nOd prijavljenih projekata, obzirom na vrstu filma, najviše prijavljenih dolazi iz kategorije dugometražnog \nigranog filma, ukupno 34 (od toga 9 debitantskih dugometražnih igranih filmova). 5 dugometražnih \nigranih filmova (od toga 2 debitantska), su u fazi postprodukcije. Za dugometražnim igranim filmovima \nslijede dugometražni dokumentarni filmovi, sa 9 ukupnih prijava (od toga 4 debitantska dugometražna \ndokumentarna filma i 2 dugometražna dokumentarna filma koji su u fazi postprodukcije). Zatim se po \nbroju prijava ističu kratkometražni igrani filmovi s ukupno 5 prijava (od kojih 2 debitantska). Nakon njih \ndolazimo do kratkometražnih animiranih filmova kojih je ukupno 5, a nije zaprimljena niti jedna prijava \nza dugometražni animirani film. I na posljetku dolazimo do roda kratkometražnog dokumentarnog filma, \nod kojih je zaprimljena 1 prijava.  \n \nVRSTA FILMA \nBROJ PRIJAVA \nDebitantski dugometražni igrani i \ndugometražni igrani \n34 \nKratkometražni igrani \n5 \nDugometražni dokumentarni \n9 \nKratkometražni dokumentarni \n1 \nDugometražni animirani \n0 \nKratkometražni animirani \n5 \nUKUPNO \n54 \n \n \nOd prijavljenih projekata, obzirom na zemlju iz koje dolazi glavni producent, odnosno produkcijska kuća \ns većinskim udjelom u financiranju, brojevi nam ponovno svjedoče o velikoj i rekordnoj raznolikosti, vrlo \nsličnoj kao i na prethodnim Javnim pozivima: većinski producenti iz čak 20 zemalja planiraju u svojim \nplanovima financiranja učešće Hrvatske. Tradicionalno, najveći broj prijava, gotovo 75% od ukupnog \nbroja, stigao je s područja s kojima dijelimo jezičnu sličnost – Srbija, Slovenija, Bosna i Hercegovina, Crna \nGora i Sjeverna Makedonija.  \n \nZEMLJA VEĆINSKOG PRODUCENTA \nBROJ PRIJAVA \nSrbija \n17 \nSlovenija \n8 \nBosna i Hercegovina \n4 \nCrna Gora \n3 \nSjeverna Makedonija \n4 \nRumunjska \n3 \n\n\f\nItalija \n2 \nBugarska \n1 \nLitva \n1 \nČeška \n1 \nNjemačka \n1 \nPoljska \n1 \nSlovačka \n1 \nTurska \n1 \nNorveška \n1 \nGrčka \n1 \nŠpanjolska \n1 \nUkrajina \n1 \nUK \n1 \nCipar \n1 \nUKUPNO \n54 \n \n \nKriteriji za predlaganje projekata za sufinanciranje temelje se na:  \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i redateljski \nkoncept;  \n2. Ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala projekta, s obzirom na \nprodukcijski paket i producentov plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje \nprojekata.  \n \n \nFilmovi predloženi i odobreni za sufinanciranje, s ukupnim iznosom sufinanciranja 494.000 EUR: \n \n1.) Dugometražni igrani film Čista i zakopana (Slovenija), hrvatska produkcijska kuća Kobra Koke, \n70.000,00 EUR \n2.) Dugometražni igrani film Djeca pjevaju hitove (Srbija), hrvatska produkcijska kuća Eclectica, \n80.000,00 EUR \n3.) Dugometražni igrani film Hotel Alkohol (Slovenija), hrvatska produkcijska kuća Propeler film, \n80.000,00 EUR \n4.) Debitantski dugometražni igrani film DJ Ahmet (Sjeverna Makedonija), hrvatska produkcijska \nkuća 365 films, 45.000,00 EUR- film u fazi postprodukcije \n5.) Dugometražni igrani film Mraz (Srbija), hrvatska produkcijska kuća Telefilm, 35.000,00 EUR- film \nu fazi postprodukcije \n6.) Dugometražni igrani film Paviljon (Bosna i Hercegovina), hrvatska produkcijska kuća Cine \nPlanet, 50.000,00 EUR - film u fazi postprodukcije \n7.) Dugometražni dokumentarni film Vječni vojnik (Srbija), hrvatska produkcijska kuća Sekvenca, \n50.000,00 EUR \n8.) Dugometražni dokumentarni film Nikada nisam bila tamo (Italija), hrvatska produkcijska kuća \nKinematograf, 35.000,00 EUR \n9.) Kratkometražni igrani film Imaginarni brojevi (Srbija), hrvatska produkcijska kuća Eclectica, \n19.000,00 EUR \n\n\f\n10.) Kratkometražni animirani film Julka (Slovenija), hrvatska produkcijska kuća Tuna film - E, \n30.000,00 EUR \n \nOBRAZLOŽENJA \n \n1. Dugometražni igrani film Čista i zakopana (Slovenija), hrvatska produkcijska kuća Kobra Koke, \n70.000,00 EUR \n \n\"Čista i zakopana\" donosi duboku obiteljsku dramu s elementima magičnog realizma, prateći \nživot mlade odvjetnice Nadje. Scenaristi Martin Turk i Fabrizio Bozzetti vješto vode gledatelje \nkroz Nadjino traganje za obiteljskim tajnama. Priča je dosljedna i napeta, s intrigantnim \nprikazom magičnih običaja slovenske manjine u Italiji. Likovi su uvjerljivi, posebno Nadja, čiji \nkompleksan emocionalni put dodatno obogaćuje priču. Film se bavi temama tradicije, \npatrijarhata, slobode mladih žena i mistike, što ga čini relevantnim za publiku. Inovativnost \nscenarija dolazi kroz povezivanje magičnih elemenata s obiteljskim tajnama, stvarajući \njedinstvenu atmosferu. Plan promocije je izuzetno detaljan i opširan. Što se distribucije tiče, \nsigurna sam da ovaj film može jednako biti festivalska uspješnica kao i hit u kinima, na TV-u i \nVoD platformama.  \n \n2. Dugometražni igrani film Djeca pjevaju hitove (Srbija), hrvatska produkcijska kuća Eclectica, \n80.000,00 EUR \n \nScenarij \"Djeca pjevaju hitove\" donosi emotivnu priču o odrastanju kroz tri faze života Milene i \nJovane. Mina Đukić vješto isprepliće životne izazove s dječjim radostima, uvodeći likove kroz \nrastavu braka roditelja, suživot s bakom i djedom, i suočavanje s ratom. Likovi su autentični, s \ndubokim emocionalnim slojevima, a dijalozi su dojmljivi i stvarni. Film je tematski relevantan, \nistražujući univerzalne teme odrastanja, ljubavi i gubitka, s posebnim fokusom na ratne godine. \nInovativnost scenarija leži u njegovoj podjeli na tri dijela, svaki fokusiran na različito razdoblje \ndjetinjstva. Redateljska koncepcija izražava jasnu viziju emotivnog odrastanja, koristeći \nfantastične elemente poput blic isječaka. Plan promocije je vrlo kreativan i opširan kao i plan \ndistribucije. Vjerujem da će ovaj film biti kino hit, ali i festivalska uspješnica.  \n \n3. Dugometražni igrani film Hotel Alkohol (Slovenija), hrvatska produkcijska kuća Propeler film, \n80.000,00 EUR \n \nScenarij \"Hotel Alkohol\" Jana Cvitkoviča donosi duboko emotivnu i slojevitu priču o životnim \nizazovima. Cvitkovič, poznati slovenski redatelj i scenarist, vješto razvija likove Bake, Medeje i \nDraga, čineći ih punokrvnim i životnim, s kojima se lako identificirati. Dramaturška dosljednost i \nuvjerljivi dijalozi dodatno naglašavaju emocionalni dojam priče. Tema alkoholizma, narkomanije \ni psihičkih bolesti je suvremena i relevantna, a scenarij suptilno integrira ove elemente, donoseći \ninovativnost i autentičnost. Redateljska vizija Jana Cvitkoviča jasno vodi likove kroz emotivna \niskustva i izazove, stvarajući uvjerljivu i autentičnu atmosferu. Njegov inovativni pristup istražuje \nkompleksnost ljudskog iskustva, duboko involvirajući gledatelja kroz pažljivo postavljene scene. \nPlan promocije i distribucije je vrlo kvalitetan. Novi Cvitkovičev film ima izuzetan festivalski \npotencijal. \n \n4. Debitantski dugometražni igrani film DJ Ahmet (Sjeverna Makedonija), hrvatska produkcijska \nkuća 365 films, 45.000,00 EUR - film u fazi postprodukcije \n\n\f\n \nScenarij \"DJ Ahmet\" donosi duboku i emotivnu priču o sukobu tradicionalnih vrijednosti i \nsuvremenog života kroz život mladog Ahmeta u izoliranom selu Yuruk. Debitantski rad Georgija \nUnkovskog ističe se vještinom pričanja priče, dramaturškom dosljednošću i uvjerljivim likovima i \ndijalozima. Ahmetova želja da postane DJ simbolizira njegovu težnju za slobodom, dok se \nsuočava s očevim očekivanjima i tradicionalnim načinom života. Likovi su dobro razvijeni i \nautentični, a scenarij podsjeća na film \"Billy Elliot\". Plan distribucije i promocije je izniman. Ovaj \nfilm ima izniman festivalski potencijal kao i potencijal velikih brojeva u kinu i na TV i VOD \nkanalima. \n \n5. Dugometražni igrani film Mraz (Srbija), hrvatska produkcijska kuća Telefilm, 35.000,00 EUR- film \nu fazi postprodukcije \n \n\"Mraz\" se ističe iznimnom vještinom pričanja priče koja majstorski balansira između realnosti i \nfantastike. Radnja je intrigantna i drži pažnju gledatelja od početka do kraja, dok dramaturška \ndosljednost kroz pažljivo razvijene scene stvara napetost i misterij. Likovi su detaljno osmišljeni, \na protagonistica Mirjana prolazi kroz duboku emocionalnu transformaciju koja je prikazana s \nvelikom suptilnošću. Tematika filma, koja se bavi strahom od nepoznatog i osobnim demonima, \notvara važna društvena pitanja i pruža svježinu hrvatskoj kinematografiji. \nRedateljska vizija uspješno prenosi atmosferu filma. Plan promocije i distribucije je kvalitetan i \nvrlo ambiciozan, a film ima visoki festivalski i kino-hit potencijal. \n \n6. Dugometražni igrani film Paviljon (Bosna i Hercegovina), hrvatska produkcijska kuća Cine \nPlanet,  50.000,00 EUR - film u fazi postprodukcije \n \n\"Paviljon\" je duboko emotivan film koji hrabro istražuje granice ljudske borbe za pravdu. Kroz \nživopisne likove i intenzivnu radnju, film nudi slojevitu priču o otporu i osveti, postavljajući \nmoralna pitanja i potičući na dublje razmišljanje o društvenoj pravdi i moći. Uz dinamičnu \nnapetost koja se gradi između stanara staračkog doma i snaga reda, gledatelji su uvučeni u \nvrtlog sukoba koji razotkriva najdublje strahove i nade likova. Ova filmska avantura nije samo \npuki prikaz događaja; ona je poziv na akciju, potičući gledatelje da se suoče s vlastitim \nuvjerenjima i moralnim dilemama. Kroz snažnu emotivnu vezu s likovima i snažnu atmosferu, \n\"Paviljon\" ostavlja neizbrisiv trag u umu i srcu svoje publike. Plan promocije i distribucije je \nkvalitetan, a ovaj bi film mogao privući u kina zaista veliki broj kino publike za koju se rijetko \nrade filmovi, naše gledatelje u godinama. \n \n7. Dugometražni dokumentarni film Vječni vojnik (Srbija), hrvatska produkcijska kuća Sekvenca, \n50.000,00 EUR \n \nFilm \"Vječni vojnik\" predstavlja duboku introspekciju u život vojnika kreiranu isključivo od \narhivskog materijala, postavljajući moralna pitanja i istražujući univerzalne teme ratovanja. Kroz \npažljivo strukturiran narativ, film oslikava vojnički život s osobnom i emotivnom dubinom, \npotičući gledatelje na introspekciju i raspravu o posljedicama ratova. Suvremenost teme i \nintrigantan pristup čine ovaj film relevantnim i primamljivim za široku publiku, a redateljska \nkoncepcija pruža jasan, detaljan i opširan prikaz vojničke sudbine. Kroz studiozno istraživanje, \nfilm nudi autentičan uvid u život vojnika, od njihovog ulaska u vojsku do suočavanja s vlastitom \nratnom prošlošću, stvarajući snažan i duboko korijenski dojam na gledatelje.  \nFilm ima izuzetan festivalski potencijal. \n\n\f\n \n8. Dugometražni dokumentarni film Nikada nisam bila tamo (Italija), hrvatska produkcijska kuća \nKinematograf, 35.000,00 EUR \n \nScenarij filma \"Nikada nisam bila tamo\" se ističe svojom iznimnom kvalitetom i \nprofesionalnošću. Kroz svoj hibridni pristup koji kombinira elemente dokumentarnog i igranog \nfilma na inovativan način, film donosi duboku i emotivnu priču o migracijama iz '70-ih godina. \nAutori su temeljito istražili povijesni i društveni kontekst migracija, što je rezultiralo autentičnim \nprikazom života gastarbajtera tog vremena. Koristeći perspektivu osmogodišnje djevojčice Dore, \nfilm pruža originalan i učinkovit način za istraživanje dubokih emocionalnih aspekata života u \ntuđini. Ovaj pristup ne samo da obogaćuje narativ već i humanizira temu, čineći je \npristupačnijom i razumljivijom široj publici. \nRedateljska koncepcija filma je kvalitetna, jasna i konkretna, obećavajući izuzetan i važan film. \nTeaser filma pruža uvid u sve segmente ovog hibridnog filma - fantastiku, arhivske snimke i \nigrani dio - te obećava emotivno iskustvo koje će gledatelje zasigurno dirnuti i potaknuti na \ndruštvenu refleksiju. \nOvaj film posjeduje potencijal uspješnog festivalskog filma. \n \n9. Kratkometražni igrani film Imaginarni brojevi (Srbija), hrvatska produkcijska kuća Eclectica, \n19.000,00 EUR \n \nScenarij \"Imaginarni brojevi\" nudi duboku i dirljivu priču o očinskoj podršci i hrabrosti djevojčice, \nMirne, koja se suočava s izazovima na svom putu. Jelica Jerinić, zajedno s Aleksandrom \nMarkovićem, vješto gradi dramaturšku strukturu filma podijeljenu na pet činova, omogućujući \nnam da kroz intimne trenutke pratimo Mirnin unutarnji rast. Likovi su uvjerljivo prikazani, a \nposebno je Goran kao otac istaknut kao osoba koja s ljubavlju i razumijevanjem podupire svoju \nkćerku. Tema filma, koja se bavi važnošću znanosti i poticanjem mladih na sudjelovanje u STEM \npodručju, donosi inspirativnu poruku o prevladavanju prepreka i stereotipa. \nRedateljska koncepcija filma je uvjerljiva i konkretna, pokazujući vrlo visoku motiviranost \nautorice i jasnu redateljsku viziju. Film je lako vizualizirati, a predložena koncepcija prikladna je \novom filmu. \nPlan promocije i distribucije vrlo je kvalitetan, a film posjeduje festivalski potencijal.  \n \n10. Kratkometražni animirani film Julka (Slovenija), hrvatska produkcijska kuća Tuna film - E, iznos \n30.000,00 EUR \n \nScenarij animiranog projekta \"Julka\" nudi duboku i snažnu priču o hrabrosti djevojčice koja je \nsuočena s represijom fašizma i talijanizacije. Likovi su detaljno razrađeni, posebno glavna \njunakinja Julka, čiji unutarnji rast i borba protiv nepravde dodatno obogaćuju priču. Vizualna \nizvedba je impresivna, s kombinacijom različitih tehnika koje stvaraju kohezivnu i estetski \nprivlačnu cjelinu. Redateljska koncepcija vješto prenosi povijesni kontekst 20-ih godina, \nistovremeno oživljavajući atmosferu tog vremena. I ovaj film posjeduje veliki festivalski \npotencijal. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2024,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RPR_IGR_2024_2rok_11IX2024_WEB.pdf","filename_decoded":"Obrazlozenje_RPR_IGR_2024_2rok_11IX2024_WEB.pdf","sha256":"194cfbe1ce259d4ffcae404266a5be5eb2016bdf66ea5e8a2b5cfe0b053fe66a","bytes":193101,"page_count":4,"extracted_at":"2026-05-17T12:02:10Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RPR_IGR_2024_2rok_11IX2024_WEB.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija: poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih \ndokumentarnih i animiranih filmova- potkategorija: razvoj projekata dugometražnih \nigranih filmova u 2024. – 2.ROK 11.9.2024. \nUmjetnički savjetnici za dugometražni igrani film: Juraj Lerotić, Višnja Pentić, Dean Šoša \nNa drugom roku javnog poziva za razvoj projekta u 2024. godini prijavljeno je 16 projekata, \njednako koliko i na prvom roku.  \nKao i tada -  od prijavljenih 16 za financiranje predlažemo 4 projekta. Tu nije kraj analogijama \ns prvim rokom -  predložena 4 projekta i ovoga puta nemaju neki zajednički nazivnik već \nsvojom različitošću zrcale i raznolikost svih prijavljenih projekata.  \nTako je jedan predloženi projekt dječji film - 'Eva & Hm', redatelja Mladena Dizdara, prema \nscenariju Branka Ružića; dva projekta djela su iskusnih i nagrađivanih autora srednje \ngeneracije - 'Sauna' Ognjena Sviličića i 'U svemiru, na ivici svijeta' Damira Čučića dok je \n'Povijest bolesti' debitantski dugometražni igrani projekt jednoga od naših najistaknutijih \nautora kratkoga metra- Davida Gaše.  \nOd predloženih projekata, dječji film 'Eva i Hm', o neobičnom prijateljstvu  djevojčice iz \nnašega vremena i dječaka neandertalca iz daleke prošlosti, ima najizrazitiji kino potencijal.  \nPreostala tri  naslova namijenjena su ponajprije festivalima i sadrže zavidan umjetnički \npotencijal.  \n'Sauna' Ognjena Sviličića komorna je psihološka  drama sa svega nekoliko likova, \nkoncentrirana na razotkrivanje našeg mentaliteta. 'U svemiru, na ivici svijeta', Damira Čučića,  \nneobičan je film ceste  snažnog filmofilskog podteksta, utemeljen na stvarnim likovima i \nzbivanjima. 'Povijest bolesti' je osebujan art house projekt, radnje smještene u jednu javnu \nbolnicu, utemeljen na redateljevim iskustvima i strahovima.   \nTri su filma ('Eva & Hm', 'U svemiru na ivici svijeta' i Povijest bolesti') prethodno dobila \npotporu za razvoj scenarija, što ponovno svjedoči o važnosti javnih poziva za  razvoj \nscenarija.  \n \nU SVEMIRU, NA IVICI SVIJETA \nScenarij: Damir Čučić \nRežija: Damir Čučić \nProdukcija: Sve gore i gore, vl. Jelena Duh \n25.000,00 eura \n\n\f\nPrvi je travnja 1992, Osijek je pod neprekidnim granatiranjem.  Bordo kombi kojim upravlja \nmisteriozni vozač skuplja umjetnika Ivana Faktora, branitelja s prve linije fronta, Vlatka \nBačića i njegovog ranjenog suborca Slavena, te ih odvozi na dvije tisuće kilometara dugo \nputovanje do danskog Kopenhagena. Faktor sve dokumentira svojom VHS kamerom: ratno \nludilo, mukotrpni put, susrete s davno izgubljenim prijateljima i članovima obitelji, vlastitu \nčežnju za bezbrižnosti… \n'U svemiru, na ivici svijeta', u osnovi je film ceste,  osmišljen u klasičnom narativnom ključu, \nutemeljen na istinitom likovima i događajima. Radnja filma zbiva se ratne 1992. godine i \nprikazuje put skupine Osječana u Dansku, kako bi ondje u medijima svjedočili  istinu o \nDomovinskom ratu. Jedan od putnika hrvatski je eksperimentalni filmaš Ivan Faktor. \nFaktorove snimke s putovanja predstavljat će dio građe ovog u određenoj mjeri hibridnog \nfilma, dok će ostatak činiti novi, igrani  prizori. Damir Čučić jedan je od naših istaknutijih \ndokumentarnih i eksperimentalnih autora, uspješan i na igranom filmu. \nU filmu se i kao lik i kao glumac pojavljuje međunarodno najslavniji suvremeni hrvatski \nglumac Zlatko Burić, čije će ime, nadamo se, projektu pomoći otvoriti vrata raznih \nkoprodukcijskih kanala.  \nFilm 'U svemiru, na ivici svijeta' inovativan je i u kontekstu filmova o Domovinskom ratu.   \n \nEVA I HM \n \nScenarij: Branko Ružić \nRedatelj: Mladen Dizdar \nProdukcija: Lot dvadesetiosam studio d.o.o. \n25.000,00 eura \n \nPonašanje dvanaestogodišnje Eve, duboko potresene smrću djeda, počinje zabrinjavati \nnjezine ionako prezaposlene roditelje. Ne znajući kako joj pomoći, odlučuju je poslati u dječji \nkamp smješten u blizini Krapinskog muzeja neandertalaca. Međutim, umjesto novih \nprijateljstava, Eva, bježeći od nasilnika Marka, otkriva portal koji je vodi u potpuno nepoznati \nsvijet. Ona postupno shvaća da se vratila 40 000 godina u prošlost i da je zaglavila u svijetu \ngdje joj je jedini saveznik i nada njezin vršnjak, neandertalac Hm. \nScenarij ove međuvremenske bajke, po ideji snimatelja i redatelja Mladena Dizdara, raspisao \nje Branko Ružić, poznat kao koscenarist nagrađivanog dječjeg filma Moj dida je pao s Marsa. \nPriča na inovativan način istražuje proces odrastanja i kompleksnu temu gubitka, koristeći \nprapovijesni \"offline\" svijet kao duhovit kontrapunkt današnjem. \nZanimljivost projekta leži i u njegovoj univerzalnosti i velikom koprodukcijskom potencijalu, \nšto potvrđuje činjenica da je već u ovoj ranoj fazi rada primljen na prestižnu poljsku \nradionicu Ekran+  uz još samo četiri izabrana projekta iz cijele Europe. \n\n\f\n \nSAUNA \nScenarij: Ognjen Sviličić \nRedatelj: Ognjen Sviličić \nProdukcija: Propeler film d.o.o. \n20.000,00 eura \n \n„Menadžerica restorana na obali (Morana) održava seksualnu vezu sa mladim konobarom iz \nSrbije, problemi počinju kada se zaljubi u vlasnika tog restorana te u potrazi za ljubavlju \npostane žrtva ljubomore i muške posesivnosti.“ \nIzvrsno osmišljena i napisana komorna drama fokusira se na psihološka stanja i intimne \nodnose troje protagonista, od kojih je središnja i najvažnija Morana, temperamentna \nsamohrana majka koja odrađuje turističku sezonu kao voditeljica restorana. Ona je socijalno i \nekonomski ranjiva ne samo kao samohrana majka u duboko konzervativnoj sredini, već i \nosoba koja nema riješeno stambeno pitanje, a nema ni stalno zaposlenje. Svemu tome \nunatoč pokušava održati na životu iluziju vlastitoga ljudskog dostojanstva. U scenariju ostaje \ndonekle ambivalentno prikazano koliko je njeno inzistiranje na ostvarivanju intimnog odnosa \nsa šefom Lukom, koji joj je evidentno emocionalno nedostupan, motivirano iskrenim \nosjećajima, a koliko činjenicom kako joj ostvarenje te veze može pomoći da klasno napreduje \nšto je izuzetno intrigantna ideja. S druge strane, odnos s mladim konobarom Amarom ne \nnudi joj takvu mogućnost jer je on ekonomski i socijalno od nje ugroženiji. Scenarij zorno \npokazuje kako je Morana pounutrila patrijarhalne vrijednosti društva u kojem se formirala i \nkako zbog njih nije spremna primati i davati ljubav, odnosno pričom se uvjerljivo i dramski \nzaokruženo ilustrira kruženje traume i potisnutih emocija koje su uzrokovane patološkim \nvrijednostima upisanim u društvene odnose. Ova priča ima mogućnost istražiti dalekosežne \nposljedice ekonomskog izrabljivanja na ljudsko dostojanstvo koje uključuje pravo na ljubav. \n \nPOVIJEST BOLESTI \nScenarij: David Gašo \nRedatelj: David Gašo \nProdukcija: Eclectica d.o.o. \n25.000,00 eura \n \n„Usred bolničkih renovacija, osjetljivi Jošt provodi dan pokušavajući saznati više o tiku na \nsvom lijevom oku, kirurga muči predosjećaj koji ne može objasniti, a gladni Pacijent_02 čeka \noperaciju koja se uporno odgađa. Službenici je rođendan, jedan golub pokušava ući u \n\n\f\nbolnicu, a žedna Pacijentica_01 ne može dohvatiti čašu vode — bolnički sistem upogonit će i \nugasiti aparat za magnetsku rezonancu.“ \nScenarij funkcionira kao detaljistička meditacija o ljudskoj krhkosti pretočena u formu \natmosferičnog filma stanja s pomaknutim humornim elementima. Sama bolnica ključna je u \noblikovanju cjeline jer funkcionira kao mikrokozmos koji ima vlastita pravila, ona je svijet za \nsebe u kojem glavni protagonist ulazi u vrstu paralelne stvarnosti u kojoj se suočava sa \nsvojim strahovima i potisnutim sadržajima. Prostor bolnice filmski je uzbudljiv jer omogućuje \npermanentnu izloženost protagonista povišenim životnim stanjima koja njegov boravak u \nnjoj čine vrstom unutarnjeg putovanja vlastitom psihom. Autor gradi bogat, moćan koloplet \ndetalja koji se mozaički slažu u uzbudljivu umjetničku cjelinu nepogrešivo opipljive atmosfere \ni emocija koje progovaraju ne samo iz prikazanih ljudi, već i iz pomno odabranih stvari i \nprostora koji ih okružuju. Povijest bolesti primjer je filmske cjeline u kojoj se posredno, a \nopet upečatljivo progovara o prvim i posljednjim stvarima na emotivno i intelektualno \nautentičan i intrigantan način. \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2024,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"proizvodnja dokumentarni obrazlozenje _rok 4.11._.pdf","filename_decoded":"proizvodnja dokumentarni obrazlozenje _rok 4.11._.pdf","sha256":"1954be77c9c1d856e644167b9827886b1e72dec5e24ed94650dc55b1929cdd9a","bytes":47210,"page_count":2,"extracted_at":"2026-05-17T12:01:45Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/proizvodnja%20dokumentarni%20obrazlozenje%20%28rok%204.11.%29.pdf"},"raw_text":"1\t\r  \n\t\r  \nJavni\t\r  poziv\t\r  za\t\r  poticanje\t\r  audiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  :\t\r  kategorija\t\r  poticanje\t\r  proizvodnje\t\r  \naudiovizualnih\t\r  djela\t\r  u\t\r  2019.\t\r  godini-­‐\t\r  2.\t\r  rok\t\r  4.11.2019.\t\r  \n\t\r  \nNa\t\r  javni\t\r  poziv\t\r  u\t\r  kategoriji\t\r  proizvodnje\t\r  dokumentarnog\t\r  filma\t\r  na\t\r  2.\t\r  roku\t\r  \t\r  (04.11.2019.)\t\r  prijavljeno\t\r  je\t\r  sveukupno\t\r  24\t\r  \nprojekta.\t\r  \t\r  \n\t\r  \n16\t\r  projekata\t\r  –\t\r  DUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\t\r  \t\r  \n\t\r  \nPrijave\t\r  su\t\r  stigle\t\r  iz\t\r  14\t\r  produkcijskih\t\r  kuća,\t\r  a\t\r  potpisuju\t\r  ih\t\r  11\t\r  autora\t\r  i\t\r  9\t\r  autorica.\t\r  Razmatrali\t\r  su\t\r  se\t\r  svi\t\r  projekti.\t\r  \n\t\r  \n8\t\r  projekata\t\r  –\t\r  KRATKOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\t\r  \t\r  \n\t\r  \nPrijave\t\r  su\t\r  stigle\t\r  iz\t\r  7\t\r  produkcijskih\t\r  kuća,\t\r  a\t\r  potpisuje\t\r  ih\t\r  7\t\r  autora\t\r  i\t\r  1\t\r  autorica.\t\r  \nJedan\t\r  projekt\t\r  se\t\r  nije\t\r  razmatrao.\t\r  \t\r  \n\t\r  \nNa\t\r  2.\t\r  rok\t\r  proizvodnje,\t\r  uspoređujući\t\r  sa\t\r  prethodna\t\r  tri\t\r  roka,\t\r  prijavio\t\r  se\t\r  manji\t\r  broj\t\r  projekata.\t\r  Iako\t\r  je\t\r  broj\t\r  filmova\t\r  bio\t\r  \nmanji,\t\r  izbor\t\r  za\t\r  listu\t\r  prioriteta\t\r  nije\t\r  bio\t\r  ništa\t\r  lakši.\t\r  Kvaliteta\t\r  projekata\t\r  je,\t\r  pogotovo\t\r  u\t\r  kategoriji\t\r  dugog\t\r  dokumentarnog\t\r  \nfilma,\t\r  i\t\r  dalje\t\r  bila\t\r  izvrsna.\t\r  To\t\r  je\t\r  razlog\t\r  zbog\t\r  kojeg\t\r  za\t\r  sufinanciranje\t\r  predlažem\t\r  6\t\r  dugometražnih,\t\r  te\t\r  dva\t\r  \nkratkometražna\t\r  filma.\t\r  Svi\t\r  dugometražni\t\r  projekti,\t\r  osim\t\r  jednog,\t\r  već\t\r  su\t\r  od\t\r  HAVCa\t\r  podržani\t\r  u\t\r  jednoj\t\r  ili\t\r  obje\t\r  faze\t\r  \nrazvoja.\t\r  Projekti\t\r  koje\t\r  predlažem\t\r  potpuno\t\r  su\t\r  tematski\t\r  različiti,\t\r  a\t\r  u\t\r  kreativnom\t\r  pristupu\t\r  svaki\t\r  nudi\t\r  svoj\t\r  autentičan\t\r  \nfilmski\t\r  rukopis.\t\r  \t\r  \nPOTICANJE\t\r  PROIZVODNJE\t\r  DUGOMETRAŽNIH\t\r  DOKUMENTARNIH\t\r  FILMOVA:\t\r  \n1.\t\r  GENI\t\r  MOJE\t\r  DJECE,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Vladimira\t\r  Spindler,\t\r  Ustanova\t\r  Zagreb\t\r  film\t\r  \nFilm\t\r  je\t\r  ovo\t\r  o\t\r  majkama\t\r  i\t\r  kćerima.\t\r  Ali\t\r  ne\t\r  bilo\t\r  kojim\t\r  majkama\t\r  i\t\r  kćerima.\t\r  Ove\t\r  majke\t\r  i\t\r  ove\t\r  kćeri\t\r  ispisivale\t\r  su\t\r  ili\t\r  ispisuju\t\r  \npovijest\t\r  hrvatske\t\r  književnosti.\t\r  I\t\r  nisu\t\r  nasumično\t\r  odabrane,\t\r  nego\t\r  su\t\r  se\t\r  složile\t\r  u\t\r  nisku\t\r  kao\t\r  biserna\t\r  ogrlica.\t\r  Autoricu\t\r  \nfilma\t\r  rodila\t\r  je\t\r  književnica\t\r  Sanja\t\r  Pilić,\t\r  nju\t\r  je\t\r  pak\t\r  rodila\t\r  Sunčana\t\r  Škrinjarić,\t\r  a\t\r  Sunčanu\t\r  spisateljica\t\r  Zofka\t\r  Škveder.\t\r  Tu\t\r  je\t\r  i\t\r  \nlik\t\r  poznate\t\r  plesačice\t\r  i\t\r  koreografkinje\t\r  Tihane\t\r  Škrinjarić,\t\r  autoričine\t\r  tete.\t\r  Kroz\t\r  obitelj\t\r  se\t\r  godinama\t\r  provlači\t\r  obrazac\t\r  \nmajki\t\r  koje\t\r  odabiru\t\r  nestalne\t\r  muškarce\t\r  za\t\r  partnere,\t\r  rastavljaju\t\r  se,\t\r  ostaju\t\r  same\t\r  odgajati\t\r  svoju\t\r  djecu\t\r  s\t\r  kojima\t\r  razvijaju\t\r  \nkompleksne\t\r  odnose.\t\r  Autorica\t\r  taj\t\r  obrazac\t\r  razlaže\t\r  i\t\r  obrazlaže\t\r  ga\t\r  fotografski\t\r  pažljivo\t\r  i\t\r  polako\t\r  odmatajući\t\r  sva\t\r  vela\t\r  u\t\r  \nkoja\t\r  su\t\r  zapetljane\t\r  žene\t\r  5\t\r  generacija\t\r  jer\t\r  uz\t\r  gore\t\r  spomenute\t\r  majke,\t\r  tu\t\r  je\t\r  i\t\r  autoričina\t\r  kćer.\t\r  \t\r  \n\t\r  \n2.\t\r  LEKCIJE\t\r  MOG\t\r  TATE,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Dalija\t\r  Dozet,\t\r  Hulahop\t\r  d.o.o.\t\r  \nDirektan,\t\r  nježan,\t\r  bolan,\t\r  a\t\r  pun\t\r  prpošnosti,\t\r  nadasve\t\r  iskren\t\r  i\t\r  topao\t\r  metafilmski\t\r  portret\t\r  autoričine\t\r  obitelji.\t\r  Film\t\r  \nponajviše\t\r  prati\t\r  odrastanje\t\r  i\t\r  odnos\t\r  između\t\r  oca\t\r  snimatelja\t\r  i\t\r  kćeri\t\r  redateljice,\t\r  a\t\r  potaknut\t\r  je\t\r  očevom\t\r  preranom\t\r  smrti.\t\r  \nTu\t\r  su\t\r  još\t\r  i\t\r  majka\t\r  koja\t\r  se\t\r  ne\t\r  snalazi\t\r  u\t\r  novonastaloj\t\r  situaciji\t\r  i\t\r  brat\t\r  koji\t\r  prerano\t\r  mora\t\r  odrasti.\t\r  Sve\t\r  je\t\r  to\t\r  umotano\t\r  u\t\r  \npregršt\t\r  zanimljivih\t\r  arhivskih\t\r  snimaka\t\r  koje\t\r  je\t\r  snimio\t\r  autoričin\t\r  pokojni\t\r  otac.\t\r  Kao\t\r  što\t\r  sama\t\r  autorica\t\r  kaže\t\r  „film\t\r  \npokušava\t\r  izgovoriti\t\r  sve\t\r  ono\t\r  za\t\r  što\t\r  nismo\t\r  bili\t\r  dovoljno\t\r  hrabri\t\r  i\t\r  mudri\t\r  dok\t\r  smo\t\r  svi\t\r  još\t\r  bili\t\r  zajedno.“\t\r  \n\t\r  \n3.\t\r  LINIJE\t\r  BIJEGA,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Karla\t\r  Crnčević,\t\r  Ustanova\t\r  Zagreb\t\r  film\t\r  \nAutorica\t\r  prati\t\r  žensku\t\r  ekološku\t\r  zajednicu\t\r  „Bračke\t\r  vještice“\t\r  kroz\t\r  pokušaj\t\r  stvaranja\t\r  samoodrživog\t\r  sela,\t\r  te\t\r  njihove\t\r  \nuspone\t\r  i\t\r  padove\t\r  koji\t\r  u\t\r  pitanje\t\r  dovode\t\r  opstanak\t\r  same\t\r  zajednice.\t\r  Zajednica\t\r  je\t\r  najprije\t\r  bila\t\r  odbacivana\t\r  od\t\r  otočana,\t\r  \nčak\t\r  i\t\r  fizički\t\r  napadana,\t\r  ali\t\r  s\t\r  vremenom\t\r  su\t\r  ih\t\r  starosjedioci\t\r  prigrlili,\t\r  no\t\r  izgleda\t\r  da\t\r  članice\t\r  zajednice\t\r  nisu\t\r  prigrlile\t\r  same\t\r  \nsebe\t\r  te\t\r  zajednici\t\r  prijeti\t\r  raskol.\t\r  Kroz\t\r  portret\t\r  jedne\t\r  male\t\r  otočke\t\r  zajednice\t\r  autorica\t\r  progovara\t\r  o\t\r  cijelom\t\r  nizu\t\r  tema\t\r  kao\t\r  \nšto\t\r  su\t\r  samoodrživost,\t\r  tolerantnost,\t\r  solidarnost,\t\r  migracije,\t\r  klimatske\t\r  promjene,\t\r  potraga\t\r  za\t\r  mjestom\t\r  koje\t\r  zovemo\t\r  \ndomom.\t\r  Kroz\t\r  film\t\r  se\t\r  povremeno\t\r  namjeravaju\t\r  ispreplitati\t\r  iskustva\t\r  članova\t\r  ostalih\t\r  manje\t\r  ili\t\r  više\t\r  uspješnih\t\r  \nsamoodrživih\t\r  zajednica\t\r  u\t\r  Hrvatskoj.\t\r  \t\r  \n\t\r  \n4.\t\r  SLIKA\t\r  ZA\t\r  POVIJEST,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Igor\t\r  Mirković,\t\r  Motovun\t\r  film\t\r  festival\t\r  U.O.\t\r  \nPrateći\t\r  fotografa\t\r  Šimu\t\r  Strikomana,\t\r  poznatog\t\r  po\t\r  milenijskim\t\r  fotografijama,\t\r  autor\t\r  priča\t\r  priču\t\r  o\t\r  ljudima\t\r  našeg\t\r  \nvremena\t\r  –\t\r  o\t\r  sajmovima,\t\r  vašarima,\t\r  misama,\t\r  feštama,\t\r  procesijama,\t\r  začudnim\t\r  regatama\t\r  i\t\r  vatrogasnim\t\r  zabavama.\t\r  O\t\r  \npotrebi\t\r  ljudi\t\r  da\t\r  zaustave\t\r  vrijeme\t\r  i\t\r  ostave\t\r  trag.\t\r  Nadahnuto,\t\r  duhovito,\t\r  tragično,\t\r  poetično,\t\r  sve\t\r  se\t\r  isprepliće\t\r  u\t\r  ovom\t\r  \n\n\f\n2\t\r  \n\t\r  \nfilmu\t\r  kojeg\t\r  autor\t\r  povremeno\t\r  već\t\r  13\t\r  godina\t\r  snima.\t\r  Ove\t\r  godine\t\r  bit\t\r  će\t\r  20\t\r  godina\t\r  kako\t\r  Šime\t\r  zaranja\t\r  u\t\r  srce\t\r  hrvatske\t\r  \nprovincije,\t\r  u\t\r  gradove\t\r  pokraj\t\r  kojih\t\r  automobili\t\r  prolaze,\t\r  u\t\r  svjetove\t\r  analognih\t\r  ljudi\t\r  koji\t\r  oblače\t\r  svoja\t\r  najbolja\t\r  odijela\t\r  ili\t\r  \nnošnje\t\r  da\t\r  bi\t\r  u\t\r  ovom\t\r  digitalnom\t\r  vremenu\t\r  ostavili\t\r  svoj\t\r  trag\t\r  na\t\r  fotografijama\t\r  za\t\r  povijest,\t\r  a\t\r  u\t\r  ovom\t\r  filmu\t\r  i\t\r  svoje\t\r  životne\t\r  \nsudbine\t\r  za\t\r  buduće\t\r  generacije.\t\r  Za\t\r  tu\t\r  20.\t\r  godinu\t\r  Šime\t\r  Strikoman\t\r  planira\t\r  posebnu\t\r  turneju\t\r  po\t\r  Hrvatskoj\t\r  koja\t\r  će\t\r  autoru\t\r  \nfilma\t\r  omogućiti\t\r  da\t\r  do\t\r  sada\t\r  sporadično\t\r  sakupljeni,\t\r  ali\t\r  kao\t\r  što\t\r  trailer\t\r  pokazuje,\t\r  odličan\t\r  materijal\t\r  obogati\t\r  novim\t\r  i\t\r  sve\t\r  \nzajedno\t\r  uvije\t\r  u\t\r  jednu\t\r  duboku\t\r  sociološko\t\r  emotivnu\t\r  priču\t\r  o\t\r  prolaznosti\t\r  života\t\r  koji\t\r  tek\t\r  na\t\r  tren\t\r  može\t\r  biti\t\r  uhvaćen\t\r  samo\t\r  \nna\t\r  fotografiji.\t\r  \n\t\r  \n5.\t\r  SUTRA\t\r  ĆU\t\r  BITI\t\r  (Priča\t\r  o\t\r  Domcima),\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Anđelo\t\r  Jurkas,\t\r  DOP\t\r  produkcija\t\r  \nSocijalno\t\r  ispovjedna\t\r  dokumentarna\t\r  drama\t\r  donosi\t\r  priču\t\r  o\t\r  snovima,\t\r  nadama,\t\r  težnjama,\t\r  strahovima,\t\r  sumnjama\t\r  i\t\r  \nizazovima\t\r  štićenika\t\r  odgojnih\t\r  domova.\t\r  Kroz\t\r  individualne\t\r  portrete\t\r  i\t\r  ispovijesti\t\r  bivših\t\r  i\t\r  sadašnjih\t\r  štićenika\t\r  Martina,\t\r  \nPatrika,\t\r  Damjana,\t\r  Gorana,\t\r  Elvisa,\t\r  Iggyja\t\r  i\t\r  Marina\t\r  autor\t\r  donosi\t\r  svjedočanstva\t\r  nekadašnjih\t\r  štićenika\t\r  popravnih\t\r  \ndomova\t\r  i\t\r  današnjih\t\r  štićenika\t\r  odgojnih\t\r  domova.\t\r  Protagonisti\t\r  su\t\r  do\t\r  bola\t\r  iskreni\t\r  i\t\r  autentični,\t\r  svoje\t\r  teške\t\r  obiteljske\t\r  \npriče\t\r  i\t\r  međusobne\t\r  trzavice\t\r  pričaju\t\r  direktno\t\r  u\t\r  kameru.\t\r  Autor\t\r  temi\t\r  nije\t\r  pristupio\t\r  maštovito,\t\r  ali\t\r  upornost\t\r  i\t\r  lojalnost\t\r  s\t\r  \nkojom\t\r  vodi\t\r  svoje\t\r  protagoniste\t\r  te\t\r  priča\t\r  svakog\t\r  tog\t\r  djeteta\t\r  zaslužuje\t\r  dokumentarni\t\r  film.\t\r  \t\r  \n\t\r  \n6.\t\r  VUK\t\r  EUROPSKE\t\r  UNIJE,\t\r  scenarist\t\r  Dragan\t\r  Grozdanić,\t\r  redatelj\t\r  Jadran\t\r  Boban,\t\r  Hulahop\t\r  d.o.o.\t\r  \nFilm\t\r  prati\t\r  Anu,\t\r  vještakinju\t\r  za\t\r  procjenu\t\r  štete\t\r  koju\t\r  čini\t\r  vuk.\t\r  Dok\t\r  vozi\t\r  vrletima\t\r  Dalmatinskog\t\r  zaleđa\t\r  i\t\r  Like,\t\r  Ana\t\r  svjedoči\t\r  \nbizarnoj\t\r  zavjeri.\t\r  Mještani\t\r  su\t\r  uvjereni\t\r  da\t\r  država\t\r  i\t\r  EU\t\r  helikopterima\t\r  dovoze\t\r  vukove\t\r  kako\t\r  bi\t\r  od\t\r  tamo\t\r  otjerali\t\r  narod.\t\r  \nNije\t\r  neobično\t\r  da\t\r  je\t\r  zavjera\t\r  koncentrirana\t\r  na\t\r  vuka,\t\r  paradigmu\t\r  nepoznatog\t\r  Zla.\t\r  Racionalna\t\r  i\t\r  simpatična\t\r  veterinarska\t\r  \ndržavna\t\r  službenica\t\r  postavlja\t\r  se\t\r  spram\t\r  iracionalnih\t\r  vjerovanja\t\r  mještana\t\r  bukovičkog\t\r  kraja.\t\r  Spoj\t\r  tih\t\r  svjetova\t\r  u\t\r  \nneočekivanom\t\r  obratu\t\r  stapa\t\r  se\t\r  u\t\r  maglu\t\r  mita\t\r  kao\t\r  znaka\t\r  predaje\t\r  i\t\r  društvene\t\r  nemoći.\t\r  Osim\t\r  odličnog\t\r  character\t\r  driven\t\r  \npotencijala\t\r  ovaj\t\r  film\t\r  ima\t\r  i\t\r  magičnu\t\r  sineastičnost\t\r  koju\t\r  pružaju\t\r  krajevi\t\r  koje\t\r  Ana\t\r  obilazi.\t\r  \t\r  \t\r  \n\t\r  \nPOTICANJE\t\r  PROIZVODNJE\t\r  KRATKOMETRAŽNIH\t\r  DOKUMENTARNIH\t\r  FILMOVA:\t\r  \n1.\t\r  BROD,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Elvis\t\r  Lenić,\t\r  Kinematograf\t\r  d.o.o.\t\r  \nPriča\t\r  o\t\r  Uljaniku\t\r  ispričana\t\r  visoko\t\r  estetskim,\t\r  ali\t\r  zato\t\r  ništa\t\r  manje\t\r  potresnim\t\r  filmskim\t\r  jezikom.\t\r  Nekad\t\r  moćno\t\r  \nbrodogradilište\t\r  stoji\t\r  prazno.\t\r  Odsutno\t\r  iz\t\r  vremena\t\r  i\t\r  prostora\t\r  života.\t\r  Pred\t\r  očima\t\r  nam\t\r  se\t\r  nižu\t\r  kadrovi\t\r  zaustavljenih\t\r  \ndizalica,\t\r  napušteni\t\r  prostori\t\r  brodske\t\r  strojarnice,\t\r  puste\t\r  menza\t\r  i\t\r  kancelarije,\t\r  brodske\t\r  olupine,\t\r  morski\t\r  račići\t\r  i\t\r  galebovi.\t\r  \nTe\t\r  pustošne\t\r  slike\t\r  umrlog\t\r  gigantskog\t\r  i\t\r  mikro\t\r  svijeta\t\r  prate\t\r  snažni\t\r  emotivni\t\r  iskazi\t\r  radnika.\t\r  Njihovi\t\r  intervjui\t\r  utapaju\t\r  se\t\r  u\t\r  \nskandiranju\t\r  parola,\t\r  povicima\t\r  masa,\t\r  trubljenju,\t\r  bubnjevima,\t\r  sirenama.\t\r  \t\r  \nAutorova\t\r  priča\t\r  također\t\r  je\t\r  i\t\r  osobna\t\r  priča\t\r  s\t\r  ULJANIKOM\t\r  jer\t\r  je\t\r  upravo\t\r  to\t\r  brodogradilište\t\r  prehranjivalo\t\r  generacije\t\r  \nnjegove\t\r  obitelji.\t\r  \t\r  \t\r  \n\t\r  \n2.\t\r  GALEB,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  David\t\r  Lušičić,\t\r  Stvaralačka\t\r  mreža\t\r  Zebra\t\r  \nU\t\r  filmu\t\r  se\t\r  prati\t\r  proces\t\r  posljednje\t\r  rekonstrukcije\t\r  Titovog\t\r  broda\t\r  'Galeb'\t\r  postavljajući\t\r  ga\t\r  u\t\r  središte\t\r  turbulentnih\t\r  \ndruštvenih\t\r  zbivanja\t\r  koja\t\r  će\t\r  2020.\t\r  godine\t\r  zadesiti\t\r  grad\t\r  Rijeku,\t\r  te\t\r  dovodeći\t\r  ga\t\r  u\t\r  osobni\t\r  odnos\t\r  sa\t\r  životnim\t\r  pričama\t\r  i\t\r  \nsudbinama\t\r  ljudi\t\r  koji\t\r  su\t\r  dio\t\r  njegove\t\r  prošlosti,\t\r  sadašnjosti\t\r  i\t\r  neizvjesne\t\r  budućnosti,\t\r  kroz\t\r  gledište\t\r  trojice\t\r  čuvara\t\r  koji\t\r  žive\t\r  \nna\t\r  brodu\t\r  24\t\r  sata\t\r  dnevno.\t\r  Čuvajući\t\r  ga.\t\r  Da\t\r  li\t\r  se\t\r  brod\t\r  treba\t\r  potopiti\t\r  ili\t\r  obnoviti\t\r  bilo\t\r  je\t\r  vruće\t\r  pitanje\t\r  2019.\t\r  Nedavno\t\r  je\t\r  \nodlučeno\t\r  da\t\r  ga\t\r  se\t\r  obnavlja\t\r  sa\t\r  30\t\r  milijuna\t\r  kuna\t\r  iako\t\r  Grad\t\r  Rijeka\t\r  ima\t\r  poteškoće\t\r  sa\t\r  osnovnim\t\r  uslugama\t\r  koje\t\r  bi\t\r  trebao\t\r  \npružati\t\r  svojim\t\r  građanima.\t\r  Po\t\r  svim\t\r  javnim\t\r  anketama\t\r  prevladava\t\r  mišljenje\t\r  da\t\r  brod\t\r  treba\t\r  potopiti\t\r  kako\t\r  bi\t\r  postao\t\r  \nronilačka\t\r  turstička\t\r  atrakcija.\t\r  Brod\t\r  se\t\r  trebao\t\r  obnoviti\t\r  za\t\r  EPK,\t\r  ali\t\r  zakasnilo\t\r  se,\t\r  ovo\t\r  je\t\r  zadnji\t\r  tren\t\r  da\t\r  autor\t\r  ne\t\r  zakasni\t\r  o\t\r  \ncijelom\t\r  ovom\t\r  spletu\t\r  okolnosti\t\r  napraviti\t\r  dokumentarni\t\r  film.\t\r  \t\r  \n\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \nKatarina\t\r  Zrinka\t\r  Matijević,\t\r  umjetnička\t\r  savjetnica\t\r  za\t\r  dokumentarni\t\r  film\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"odluka_dugi_dok_26092014.pdf","filename_decoded":"odluka_dugi_dok_26092014.pdf","sha256":"1968c0a42ba4972fb140804960f934f8e349c66528e2581cc62398a0485ef542","bytes":548267,"page_count":3,"extracted_at":"2026-05-16T14:12:05Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 309-2015 \nU Zagrebu, 23. siječnja 2015. \n \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 144/14),  Hrvatsko audiovizualno vijeće, na prijedlog Umjetničkog vijeća, na 56. sjednici održanoj 23. \nsiječnja 2015.godine donijelo je: \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2014. godini \nu  kategoriji - poticanje proizvodnje audiovizualnih djela-dugometražni dokumentarni filmovi, rok 26. \nrujna 2014. godine. \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za poticanje audiovizualnih djelatnosti i stvaralaštva u 2014. godini utvrđuje se lista \nprioriteta i donosi odluka o raspodjeli sredstava za poticanje audiovizualnih djelatnosti i stvaralaštva \nu kategoriji - poticanje proizvodnje audiovizualnih djela - dugometražni dokumentarni filmovi u \nukupnom iznosu od 830.000,00 kuna (osamstotridesettisućekuna), prema tablici priloženoj ovoj \nOdluci koja čini njezin sastavni dio. \n \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku \npredviđenom Pravilnikom o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva (NN 144/14). \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 118/12)  u 2014. godini raspisan je Javni poziv HAVC-a za poticanje \naudiovizualnih djelatnosti i stvaralaštva u kategoriji - poticanje proizvodnje audiovizualnih djela-\ndugometražni dokumentarni filmovi, rok 26. rujna 2014. godine. \n \nNa Javni poziv, rok 26. rujna 2014. godine, ukupno je prijavljeno 17 projekata, a 1 nije razmatran zbog \nnepotpune i/ili nepravovaljane prijave. \n \nNa 37. sjednici Umjetničkog vijeća, održanoj 22. siječnja 2015. godine, umjetnički savjetnik za \ndokumentarni film g. Tomislav Mršić predložio je listu prioriteta koju je Umjetničko vijeće usvojilo i \n\n\f\n \n \n \n \nproslijedilo na razmatranje Hrvatskom audiovizualnom vijeću.  \nNa 56. sjednici Hrvatskog audiovizualnog vijeća održanoj 23. siječnja 2015.godine jednoglasno je \nprihvaćena lista prioriteta iz točke 1. izreke Odluke. \n  \n \nTemeljem čl.12. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), ravnatelj HAVC-a izvršava \nodluke o raspodjeli sredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima \nsredstava.  \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić –Škarica, v.r. \n \n \n \n \n \nPrilog: tablice s rezultatima \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n\n\f\nR.b\nr.\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nApnea: moj život bez zraka\nBojana Burnać\nRestart\n300.000,00 kn\n2\nJosip Halla, začetak hrvatskog \nprofesionalnog filma – rođenog da \numre\nMladen Juran\nAdriatic-art-media-film, \nU.O.\n100.000,00 kn\n3\nŠpanovica Revisited\nJadran Boban\nFantastično dobra \ninstitucija - Fade In - \nUdruga\n230.000,00 kn\n4\nZapisi iz zatvorenog prostora\nNebojša Slijepčević\nRestart\n200.000,00 kn\n830.000,00 kn\nR.b\nr.\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nDum spiro, spero\nPero Kvesić\nFactum\n130.000,00 kn\n2\nU ime Republike Hrvatske\nGoran Dević\nPetnaesta umjetnost d.o.o. \n190.000,00 kn\n3\nNoćas\nZdravko Mustać\nHrvatski filmski savez \n130.000,00 kn\n4\nPomutnje\nLana Kosovac\nEurokaz, U.O.\n120.000,00 kn\n5\nZatvorenik\nŽeljko Sarić\nProjekt 6 Studio d.o.o.\n100.000,00 kn\n6\nVodonosac\nVlatka Vorkapić\nFantastično dobra \ninstitucija - Fade In - \nUdruga\n180.000,00 kn\n850.000,00 kn\n1.680.000,00 kn\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nPROIZVODNJE AUDIOVIZUALNIH DJELA u 2014. - 2. ROK - 26.9.2014.\nDUGOMETRAŽNI DOKUMENTARNI FILMOVI\nUKUPNO:\nKRATKOMETRAŽNI DOKUMENTARNI FILMOVI\nUKUPNO:\nSVEUKUPNO:\n","warnings":[],"document":{"program_type":"proizvodnja","year":2014,"rok":"2. rok","referenced_projects":["Apnea: moj život bez zraka","Josip Halla, začetak hrvatskog profesionalnog filma – rođenog da umre","Španovica Revisited","Zapisi iz zatvorenog prostora","Dum spiro, spero","U ime Republike Hrvatske","Noćas","Pomutnje","Zatvorenik","Vodonosac"],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 23. siječnja 2015. o raspodjeli sredstava za poticanje proizvodnje dugometražnih dokumentarnih filmova (2. rok, 26.9.2014.) u iznosu od 830.000,00 kuna, a prema priloženim tablicama sveukupno (s kratkometražnim dokumentarnim filmovima) 1.680.000,00 kuna.","project_links":[{"source_title":"Apnea: moj život bez zraka","family_id":"pf_817fbf38c74b","family_title":"Apnea: moj život bez zraka","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Josip Halla, začetak hrvatskog profesionalnog filma – rođenog da umre","family_id":"pf_5fe90923d3b4","family_title":"Josip Halla, začetak hrvatskog profesionalnog filma- rođenog da umre","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Španovica Revisited","family_id":"pf_448416f1f377","family_title":"Španovica Revisited","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Zapisi iz zatvorenog prostora","family_id":"pf_6b6d6961a17a","family_title":"Zapisi iz zatvorenog prostora","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Dum spiro, spero","family_id":"pf_4c84837f33e8","family_title":"Dum spiro, spero","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"U ime Republike Hrvatske","family_id":"pf_87553ea5d579","family_title":"U ime Republike Hrvatske","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Noćas","family_id":"pf_4af700dafb21","family_title":"Noćas","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Pomutnje","family_id":"pf_7241601f08b3","family_title":"Pomutnje","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Zatvorenik","family_id":"pf_72a712397691","family_title":"Zatvorenik","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Vodonosac","family_id":"pf_1674bbda4cac","family_title":"Vodonosac","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI%20medjunarodna%20suradnja%20-%202021%20-%202.%20rok.xls.pdf","filename_decoded":"REZULTATI%20medjunarodna%20suradnja%20-%202021%20-%202.%20rok.xls.pdf","sha256":"1a0e436e6ce83f1a98fd6ea9eaa5b6977ba6904facde3a606162fe75a615e206","bytes":35595,"page_count":1,"extracted_at":"2026-05-16T14:18:26Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI%20medjunarodna%20suradnja%20-%202021%20-%202.%20rok.xls.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA SREDSTVA\n1\nPrime Render d.o.o.\nPredstavljanje projekta \"Dreamworld\" na manifestaciji CEE \nAnimation Forum 2021\n1.125,00\n2\nČetiri film d.o.o.\nSudjelovanje producentice Anite Juke i redateljice Ivone Juke \nna radionici Paul Haggis Screenwriting Class\n3.024,00\n3\nAntitalent d.o.o.\nSudjelovanje producentice Maje Pek-Brünjes na programu \nstručnog usavršavanja Series' Women 2021\n26.705,00\n4\nMarija Šimoković Sikavica\nSudjelovanje projekta \"Moseć\" na radionici TorinoFilmLab - \nScriptLab 2021\n35.069,67\n5\nCastor Multimedia d.o.o.\nSudjelovanje redateljice i producenta dugometražnog \nigranog filma ”Greta” na međunarodnoj radionici \nTorinoFilmLab Next Film - Online Workshop\n12.895,00\n6\nFocus Media d.o.o.\nSudjelovanje projekta \"Eva nakon pada\" na radionici \nTorinoFilmLab Next Film - Online Workshop\n12.860,00\n7\nFocus Media d.o.o.\nGostovanje Irene Marković i Ivane Roščić te sudjelovanje \nfilma \"Tereza37\" u natjecateljskom programu Međunarodnog \nFilmskog Festivala – FEST 2021 u Beogradu\n10.000,00\n8\nFantastično dobra institucija - \nFade In d.o.o.\nSvjetska premijera filma \"Tvornice radnicima\" na Sheffield \nInternational Documentary Festivalu u Velikoj Britaniji\n25.000,00\n126.678,67\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2021. - PROGRAMI \nMEĐUNARODNE SURADNJE - ROK 12.4.2021., 17. sjednica Hrvatskog audiovizualnog  vijeća 14.6.2021.\nUKUPNO\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2021. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 12.4.2021., 17. sjednica Hrvatskog audiovizualnog vijeća 14.6.2021.","year":2021,"rok":"2. rok","natjecaj_date":"2021-04-12","decision_date":"2021-06-14","decision_body":"AV vijeće","currency":"HRK","currency_inferred":true},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA SREDSTVA"],"rows":[{"row_number":1,"project_title":"Predstavljanje projekta \"Dreamworld\" na manifestaciji CEE Animation Forum 2021","applicant":"Prime Render d.o.o.","production_company":"Prime Render d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.125,00","approved_amount":1125.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Prime Render d.o.o.","row_id":"1a0e436e:s0:4930f1cd9bf6","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_79d944bb149b","project_family_title":"Predstavljanje projekta \"Dreamworld\" na manifestaciji CEE Animation Forum 2021"},{"row_number":2,"project_title":"Sudjelovanje producentice Anite Juke i redateljice Ivone Juke na radionici Paul Haggis Screenwriting Class","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.024,00","approved_amount":3024.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"1a0e436e:s0:a17ae5bbf5d8","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_b2ba0719456a","project_family_title":"Sudjelovanje producentice Anite Juke i redateljice Ivone Juke na radionici Paul Haggis Screenwriting Class"},{"row_number":3,"project_title":"Sudjelovanje producentice Maje Pek-Brünjes na programu stručnog usavršavanja Series' Women 2021","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"26.705,00","approved_amount":26705.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent d.o.o.","row_id":"1a0e436e:s0:2dea567e8fc1","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_6a3863543607","project_family_title":"Sudjelovanje producentice Maje Pek-Brünjes na programu stručnog usavršavanja Series' Women 2021"},{"row_number":4,"project_title":"Sudjelovanje projekta \"Moseć\" na radionici TorinoFilmLab - ScriptLab 2021","applicant":"Marija Šimoković Sikavica","production_company":"Marija Šimoković Sikavica","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"35.069,67","approved_amount":35069.67,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Marija Šimoković Sikavica","row_id":"1a0e436e:s0:31b2269edf53","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_25e21e8eddd5","project_family_title":"Sudjelovanje projekta \"Moseć\" na radionici TorinoFilmLab - ScriptLab 2021"},{"row_number":5,"project_title":"Sudjelovanje redateljice i producenta dugometražnog igranog filma \"Greta\" na međunarodnoj radionici TorinoFilmLab Next Film - Online Workshop","applicant":"Castor Multimedia d.o.o.","production_company":"Castor Multimedia d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.895,00","approved_amount":12895.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Castor Multimedia d.o.o.","row_id":"1a0e436e:s0:a46c5ab37364","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_59864891cbfc","project_family_title":"Sudjelovanje redateljice i producenta dugometražnog igranog filma \"Greta\" na međunarodnoj radionici TorinoFilmLab Next Film - 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Fade In d.o.o.","production_company":"Fantastično dobra institucija - Fade In d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Fantastično dobra institucija - Fade In d.o.o.","row_id":"1a0e436e:s0:b7d7c464b383","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_5d1702655b9a","project_family_title":"Svjetska premijera filma \"Tvornice radnicima\" na Sheffield International Documentary Festivalu u Velikoj Britaniji"}],"section_total_text":"UKUPNO 126.678,67","section_total":126678.67}],"totals":{"ukupno_text":"UKUPNO 126.678,67","ukupno":126678.67,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":126678.67,"ukupno_match":true,"row_count":8,"awarded_count":8,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":8}},{"schema_version":"1.0","doc_type":"other","source":{"filename":"nagrada_zlatni_oktavijan_za2023.pdf","filename_decoded":"nagrada_zlatni_oktavijan_za2023.pdf","sha256":"1a262a5ff134697aefdb00dcb2a2a05cd542ccabd2cad5ff3df51279dc19c0ba","bytes":475722,"page_count":2,"extracted_at":"2026-05-16T13:38:10Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazloz_enje proizvodnja animirani film 2.rok 2025. docx.pdf","filename_decoded":"web obrazloz_enje proizvodnja animirani film 2.rok 2025. docx.pdf","sha256":"1a2697ae0ab180c27e876dae37c1986d1d8b5c30fb6bc66adad6dfb3f5c2603f","bytes":35401,"page_count":3,"extracted_at":"2026-05-17T12:01:54Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazloz%CC%8Cenje%20proizvodnja%20animirani%20film%202.rok%202025.%20docx.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje proizvodnje filmova, 2. rok 2025., animirani filmovi \nkategorija: poticanje proizvodnje animiranog filma \nrok: 11.9.2025. \numjetnička savjetnica: Jelena Oroz \n \nNa javni poziv u ovom roku pristigao je dvadeset i jedan projekt, pet više nego na \nprvom roku. Dva su dugometražna filma. \nDječjih je četiri, ali više njih je prikladno za nešto stariju dječju publiku.  \nKao i na prošlom roku, moram naglasiti da je i na ovom roku bilo zanimljivih \nprojekata koji su bili razmatrani i visoko pozicionirani uz one predložene. No kako to \nbiva, budžet je limitiran i neki od njih ovaj put nisu uspjeli doći na listu predloženih.  \nTeme su raznovrsne i različito obrađene - od biografskih priča, osvrta na neizvjesnu \nblisku budućnost, ali i sadašnjost, do priča koje su duhovite i manje opterećene \nteškim temama. \nOno čime se ponajviše vodim je festivalski potencijal filma, ali i time da se predloženi \nprojekti razlikuju i po pitanju likovnosti, tehnike, ciljane publike itd. Osim festivalskih \nprikazivanja, filmovi koji uspješno komuniciraju sa publikom nerijetko su uvršteni i na \npojedine platforme preko kojih pronalaze put do prikazivanja u školama, budu \nuvršteni na inkluzivne projekcije, neki imaju i galerijski potencijal - sve to čini film \ndostupnijim široj publici. \nNeki animirani filmovi naprosto imaju “ono nešto” što ih izdvaja, nešto što ih čini \nistovremeno suvremenim i bezvremenim, u čemu značajnu ulogu igra likovnost i \nlikovni senzibilitet odnosno vizual filma kao i koncept i tema koju autor/ica obrađuje. \nIz vlastitog iskustva, kao animatorica i autorica, mogu reći da je gledanje \nnatjecateljskih programa animiranih filmova na festivalima istovremeno nadahnjujuće \ni  pomalo obeshrabrujuće iz razloga što ima toliko dobrih i zanimljivih filmova da je \nteško pozicionirati svoj rad u odnosu na današnju produkciju. No svakako je korisno i \npotrebno jer nas potiče na promišljanje o vlastitom radu. A kada na svoj rad gledamo \ns malim odmakom, možda možemo postati svjesniji prednosti i nedostataka koje kao \nautori imamo te u skladu s tim, ostvariti zanimljive, ali i potrebne suradnje, s \ndramaturzima, ilustratorima, animatorima, montažerima itd. \n \nOvaj put odobrena su ukupno četiri filma od kojih će se jedan raditi tehnikom 2D \nanalogne animacije, dva su kombinacija 2D i 3D animacije, a jedan je lutka film. \nDva su odobrena filma debitantska. \nUkupan iznos odobren za sufinanciranje je 230.000,00 € . \n \n \n\n\f\n1.  \nnaziv projekta: Frula \nprodukcija: Kreativni sindikat \nscenarij i režija: Marko Meštrović \niznos financiranja: 49.000,00 €  \ntrajanje: 10’ \ntehnika: 2D animacija \nMarko Meštrović jedan je od onih autora, koji unatoč prepoznatljivom slikarskom  \nrukopisu, uvijek pomiče granice i radu pristupa istraživački, spajajući koncept, \nlikovnost i pokret tj. animaciju tako da neminovno proizvodi radove koji su značajni \ndoprinos kako hrvatskoj kulturi, tako i hrvatskoj sceni animiranog filma. Također, \nfilmovi mu jednako dobro funkcioniraju u blokovima na festivalima, ali i prikazani \npojedinačno, u galerijama. \nU  filmu Frula, Meštrović istražuje vezu između zvuka i slike; zvučni zapis od 3 \nminute ponavlja se tri puta u filmu dok se slika mijenja do kraja filma te tako zvučne \nrepeticije sa slikom imaju novo značenje. Autor također dijeli sliku na dva dijela (split \nscreen), na desnoj strani pratimo figurativni crno-bijeli narativ, a na lijevoj apstraktnu \ncolor vizualizaciju zvuka (kao skriveni zvučni zapis na filmskoj traci).  \nAutor je svjestan potencijalnog problema kojeg split screen može izazvati, tako da \nplanira posebnu pažnju posvetiti i finom usklađivanju lijevog i desnog svijeta, u kako \nnavodi, fini balans neke treće realnosti. \n \n2.   \nnaziv projekta: Food for thought \nprodukcija: Damm It d.o.o. \nscenarij : Olov Burman \nrežija: Olov Burman i  Yngve Werner Daniel Damm \niznos financiranja: 26.000,00 €  \ntrajanje: 4’ \ntehnika: 2D i 3D animacija \nAutorski duo Olov Burman i Daniel Damm, kreiraju duhovitu priču gdje koriste pun \npotencijal onoga što karakterna animacija može. To je vidljivo u svakoj sličici njihove \nanimacije, a zbog toga doslovno svaki pokret, bez dijaloga ili naratora, vjerno \npredočava karakter likova i pritom ima komični efekt. \nU ovoj priči pratimo dva lika, pohlepnog poslovnjaka Wilsona, i Globa, lika koji ima \nnevjerojatnu sposobnost da manifestira ono što zamisli, ali uvijek zamišlja hranu. \nWilson to vidi kao priliku da se lako obogati te pokuša Globu nametnuti svoju misao - \ngomilu novčanica koje namjerava uzeti čim se pojave u oblačiću iznad Globove \nglave. Situacija se odvije drugačije, ali ne u korist Wilsona. \nSmatram da se ovaj film može svidjeti i nasmijati djecu, kao i odraslu publiku. \n \n\n\f\n3. \nnaziv projekta: Pobjeglo srce \nprodukcija: Antitalent d.o.o. \nscenarij i režija: Mery Gobec  \niznos financiranja: 55.000,00 €   \ntrajanje: 8’ \ntehnika: tehnika frame-by-frame crtana animacija, digitalna 3D tehnika \nRadnja filma Pobjeglo srce smještena je u stilizirano hrvatsko selo iz 19. stoljeća i \nprati Ružicu, mladu ženu koja kreće u potragu za svojim srcem nakon što joj \ndoslovno iskoči iz prsa zbog nasilja koje trpi. Vizual i priča inspirirani su \ntradicionalnim zidnjacima i njihovim često mizoginim porukama, koje film pretvara u \nsuvremenu feminističku i satiričnu priču o potrazi za vlastitim vrijednostima. Humor, \nsarkazam i dašak groteske koriste se pažljivo – ne umanjujući pritom ozbiljnost \nteme, već da je dodatno istaknu i učine pristupačnijom. \nAnimirani prizori bit će izvedeni pomoću digitalne 3D tehnike koja imitira teksture i \nestetiku vezova. Glazba se temelji na varijacijama slavonskog kola, čiji ritam \nprirodno prati scene potjere. Izreke sa zidnjaka imat će ulogu dijaloga u priči. \n \n4. \nnaziv projekta: Po mjeri \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Božidar Trkulja \niznos financiranja: 100.000,00 €   \ntrajanje: 13’ \ntehnika: lutka film \nRadnja filma Po mjeri inspirirana je vremenom koje je autor kao dječak  proveo uz \ndjeda krojača. U filmu se pojavljuju mušterije koje u dućanima nisu mogle pronaći \nodjeću koja bi im pristajala stoga su dolazile djedu krojaču da im skroji odjeću po \nmjeri. Patuljak, izrazito visoki muškarac, fan Zvjezdanih staza, samo su neki od \nlikova koji trebaju uslugu šivanja. Kako vrijeme odmiče, mušterije su sve zahtjevnije, \nizazovi sve veći dok se na vratima ne pojavi Smrt, koja treba uslugu skraćivanja \nhaljine. Ona nipošto nije antagonist, kako navodi autor, već samo posrednik između \ndva svijeta od kojih djed napušta onaj prvi dok unuk ostaje u njemu.  \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2013%20Me%C4%91unarodna%20suradnja,%2025%2008%202013.pdf","filename_decoded":"2013%20Me%C4%91unarodna%20suradnja,%2025%2008%202013.pdf","sha256":"1aade2ecab4cf60adceef5fbc64ef7226710c737e90ecbf401468a15a0d5439c","bytes":145883,"page_count":3,"extracted_at":"2026-05-16T16:41:07Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2013%20Me%C4%91unarodna%20suradnja%2C%2025%2008%202013.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA (kn)\n1\nAning usluge d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producenta Bojana Kanjere i predstavljanje  \ncross medijskog projekta 'Istra zemlja vina' na MAIA radionici \ns područja prava i financija - 'Legal and financial issues', \nBratislava, Slovačka, od 24. do 28. lipnja 2013.\n5.000,00\n2\nAning usluge d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producenta Matije Radeljaka i predstavljanje \nprojekta, kratkog eksperimentalnog filma 'Violinist' odnosno \nnjegove cross - medijske ekstenzije 'Potraga za violinistom' \nna radionici Multiplatform business school - Media Business \nschool, Ronda, Španjolska, od 05. do 10. kolovoza 2013.\n10.972,50\n3\nČetiri film d.o.o.\nPotpora producentima/ - icama i autorima/ - icama \nza predstavljanje filmova\nSudjelovanje jedne predstavnice Četiri filma i predstavljanje \ndugometražnog filma 'Drugi' red. I. Juka na Film London \nproduction Finance Marketu u sklopu 57. međunarodnog \nfestivala BFI London Film Festival, London, UK, od 15. do 19. \nlistopada 2013.\n10.350,00\n4\nČetiri film d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producentice na dva modula programa stručnog \nusavršavanja ' Leadership and Strategic Company \nDevelopment Programme', u Berlinu, Njemačka, od 23. do \n25. listopada 2013. i u Hamburgu, Njemačka, od 28. \nstudenog do 03. prosinca 2013.\n5.218,00\n5\nFactum\nPitching, koprodukcijski forumi i programi za razvoj \nprojekta\nSudjelovanje redateljice s dokumentarnim filmom 'Lika: \nljepotica i zvijer', red. Z. Matijević na tri dijela međunarodne \nradionice za razvoj i financiranje kreativnih dokumentarnih \nfilmova iz srednje i istočne Europe 'Ex Oriente Film', Rijeka, \nHrvatska, od 17. do 22. srpnja 2013., Jihlava, Češka, od 23. \ndo 29. listopada 2013., Prag, Češka, od 03. do 09. ožujka \n2014.\n14.550,00\n6\nFilmska udruga Motion\nProgrami stručnog usavršavanja\nSudjelovanje Ivane Marinić Kragić s dugometražnim igranim \nfilmom 'Da je moguće' na MAIA radionici ' Marketing & \nDistribution', Dubrovnik, Hrvatska, od 29. rujna do 04. \nlistopada 2013.\n3.554,00\n7\nGrađanska organizacija za \nkulturu - GOKUL\nProgrami gostovanja hrvatskih autora/- ica, \nproducenata/- ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje predstavnika GOKUL-a, Nenada Borovčaka i \npredstavljanje programa hrvatskih kratkih filmova Tabor Film \nFestivala (nastalih u protekle 3 godine), u sklopu \nmeđunarodnog festivala International Short Film Festival of \nCyprus (ISFFC), Limassol, Cipar, od 12. do 18. listopada \n2013.\n5.220,00\n8\nHrvatski filmski savez\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti (razmjena \nhrvatskih i stranih pojedinaca i institucija).\nSudjelovanje Jasminke Bijelić Ljubić i troje učenika 'Škole \nanimiranog filma Čakovec' i održavanje radionice na \nKalifornijskom filmskom institutu, San Francisco, SAD, od 03. \ndo 10. siječnja 2014.\n30.000,00\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2013.                                                                            PROGRAMI \nMEĐUNARODNE SURADNJE - rok 25.kolovoza 2013.                                                                  \n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA (kn)\n9\nHulahop d.o.o.\nPitching, koprodukcijski forumi i programi za razvoj \nprojekta\nSudjelovanje redateljice i producentice s dokumentarnim \nprojektom u završnoj fazi razvoja 'Mija, ja i kromosom viška', \nred. Eve Kraljević na radionici DOCU Rough Cut Boutique, u \nsklopu  Sarajevo Film Festivala, Sarajevo, BiH, od 19. do 24. \nkolovoza 2013.\n2.250,00\n10\nKinorama\nProgrami gostovanja hrvatskih autora/- ica, \nproducenata/- ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi izrade \npromidžbenih materijala i prijavljivanje u službenu \nkonkurenciju festivala. Programi predstavljanja i \npromocije filmova.\nSudjelovanje redatelja i glavne glumice i predstavljanje \ndugometražnog igranog filma 'Hitac' , red. Roberta Orhela u \nmeđunarodnoj konkurenciji, u sklopu Montreal World Film \nFestivala, Montreal, Kanada, od 22. kolovoza do 02. rujna \n2013.\n27.829,00\n11\nKinorama\nProgrami gostovanja hrvatskih autora/- ica, \nproducenata/- ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi izrade \npromidžbenih materijala i prijavljivanje u službenu \nkonkurenciju festivala. Programi predstavljanja i \npromocije filmova.\nPredstavljanje kratkometražnog igranog filma 'Ljepotan', red. \nSaše Bana na programu 'Focus On World Cinema' u sklopu \nmeđunarodnog festivala  Montreal World Film Festival, \nMontreal, Kanada, od 22. kolovoza do 02. rujna 2013., na \nprogramu kratkometražnog filma u sklopu festivala \npodunavskih zemalja Vukovar film festival, Vukovar, \nHrvatska, od 28. kolovoza do 01. rujna 2013. te na popratnom \nprogramu 'White nights RIGA' u sklopu međunarodnog \nfestivala Riga International Short Film Festival 2ANNAS, \nRiga, Latvija, od 21. do 27. listopada 2013.\n4.292,00\n12\nKinorama\nProgrami gostovanja hrvatskih autora/- ica, \nproducenata/- ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi izrade \npromidžbenih materijala i prijavljivanje u službenu \nkonkurenciju festivala. Programi predstavljanja i \npromocije filmova.\nSudjelovanje redatelja i predstavljanje dugometražnog \nigranog filma 'Zagonetni dječak' , red. Dražena Žarkovića na \nfestivalima: dječji program u sklopu Sarajevo Film Festivala, \nod 16. do 24. kolovoza 2013.; 34. međunarodni festival dječjih \nfilmova LUCAS - International Children's Film Festival, \nFrankfurt, Njemačka, od 22. do 29. rujna 2013.; MICHEL - \nChildren and Youth Filmfest, od 27. rujna do 5. listopada \n2013.; International Festival of Films for Children and Young \nAdults, Isfahan, Iran, od 07. do 11. listopada 2013.; \nCinemagic International Film Festival for Young People, \nBelfast, Velika Britanija, od 04. do 18. listopada 2013.\n4.263,00\n13\nKinorama\nProgrami gostovanja hrvatskih autora/- ica, \nproducenata/- ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi izrade \npromidžbenih materijala i prijavljivanje u službenu \nkonkurenciju festivala. Programi predstavljanja i \npromocije filmova.\nSudjelovanje redatelja i predstavljanje dugometražnog \nigranog filma 'Hitac' , red. Roberta Orhela u natjecateljskom \nprogramu međunarodnog festivala Reykjavik International \nFilm Festival, Reykjavik, Island, od 29. rujna do 06. listopada \n2013.\n6.390,00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA (kn)\n14\nMaxima film d.o.o.\nPitching, koprodukcijski forumi i programi za razvoj \nprojekata\nSudjelovanje Ivane Marinić Kragić i Ane Radečić i \npredstavljanje projekta u razvoju, dugometražnog igranog \nfilma 'Što dečki vole', red. D. Terešaka na radionici Multi \nPlatform Business School, Ronda, Španjolska, od 05. do 09. \nkolovoza 2013.\n15.465,00\n15\nNino Kovačić\nProgrami gostovanja hrvatskih autora/- ica, \nproducenata/- ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi stručnog \nusavršavanja. \nSudjelovanje filmskog kritičara Nine Kovačića na radionici \nfilmskog novinarstva 'Nisimazine (Nisimazine film journalism \nworkshop)' u sklopu 70. Venecijanskog međunarodnog \nfilmskog festivala, Venecija, Italija, od 02. do 09. rujna 2013.\n1.402,00\n16\nPierre Vally Teatar\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti (razmjena \nhrvatskih i stranih pojedinaca i institucija)\nSudjelovanje glumice Lucije Barišić i studenata režije, \nsnimanja i montaže Dalije Dozet, Luke Matića i Sare Gregorić \nna filmskom labu 11.  MonFilmFest, Casalborgone, Italija, od \n24. do 31. kolovoza 2013.\n2.330,00\n17\nSveučilište u Zagrebu, \nStudentski centar u Zagrebu\nProgrami predstavljanja i promocije filmova.\nSudjelovanje voditeljice i predstavljanje programa Klubvizije \nSC na programu susreta međunarodnih filmskih laboratorija \n'Alternative measures: An Investigation of Artist-run Film \nLabs' u sklopu međunarodnog festivala eksperimentalnog \nfilma 'TIE- The International Experimental Cinema \nExposition', Colorado Springs, SAD, od 20. do 24. studenog \n2013.\n6.919,00\n18\nTelefilm\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj projekta.\nSudjelovanje redatelja i predstavljanje scenarija za projekt \n'Ministarstvo ljubavi' red. Pave Marinkovića na međunarodnoj \nradionici  'ScriptEast', Poljska, Berlin, Cannes, od 29. rujna \n2013. do svibnja 2014.\n3.800,00\n19\nTiha Gudac\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj projekta.\nSudjelovanje Tihe Gudac i predstavljanje animiranog \ndokumentarnog filma 'Ne-Vidljivo' na 4 modula \nmeđunarodnog foruma za animirane dokumentarne filmove \n'AniDox Lab', Danska ( Viborg, Copenhagen) i Hrvatska \n(Pula), od svibnja do studenog 2013.   \n3.750,00\n20\nUdruga ljubitelja filma \n'RARE'\nProgrami predstavljanja i promocije filmova.\nSudjelovanje 3 autora filmova i direktora festivala DORF i \npredstavljanje dokumentarnih glazbenih filmova iz programa \nfestivala DORF u sklopu projekta 'DORF u Beču' , Beč, \nAustrija, od 26. do 29. rujna 2013.\n10.000,00\nUKUPNO:\n173.554,50\n HRVATSKI AUDIOVIZUALNI CENTAR, ODJEL ZA PROMOCIJU I PLASMAN\n            Napomena: PRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"REZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2013. PROGRAMI MEĐUNARODNE SURADNJE - rok 25.kolovoza 2013.","year":2013,"rok":null,"natjecaj_date":"2013-08-25","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"medjunarodna_suradnja","to":"komplementarne","reason":"filename/title keyword: komplementarne","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","OPIS PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje producenta Bojana Kanjere i predstavljanje cross medijskog projekta 'Istra zemlja vina' na MAIA radionici s područja prava i financija - 'Legal and financial issues', Bratislava, Slovačka, od 24. do 28. lipnja 2013.","applicant":"Aning usluge d.o.o.","production_company":"Aning usluge d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi stručnog usavršavanja","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Aning usluge d.o.o.","row_id":"1aade2ec:s0:8e757e7eff21","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_2d39b81d88e9","project_family_title":"Sudjelovanje producenta Bojana Kanjere i predstavljanje cross medijskog projekta 'Istra zemlja vina' na MAIA radionici s područja prava i financija - 'Legal and financial issues', Bratislava, Slovačka, od 24. do 28. lipnja 2013."},{"row_number":2,"project_title":"Sudjelovanje producenta Matije Radeljaka i predstavljanje projekta, kratkog eksperimentalnog filma 'Violinist' odnosno njegove cross - medijske ekstenzije 'Potraga za violinistom' na radionici Multiplatform business school - Media Business school, Ronda, Španjolska, od 05. do 10. kolovoza 2013.","applicant":"Aning usluge d.o.o.","production_company":"Aning usluge d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.972,50","approved_amount":10972.5,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi stručnog usavršavanja","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Aning usluge d.o.o.","row_id":"1aade2ec:s0:e6a7af27c706","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_45a8e00a549b","project_family_title":"Sudjelovanje producenta Matije Radeljaka i predstavljanje projekta, kratkog eksperimentalnog filma 'Violinist' odnosno njegove cross - medijske ekstenzije 'Potraga za violinistom' na radionici Multiplatform business school - Media Business school, Ronda, Španjolska, od 05. do 10. kolovoza 2013."},{"row_number":3,"project_title":"Sudjelovanje jedne predstavnice Četiri filma i predstavljanje dugometražnog filma 'Drugi' red. I. Juka na Film London Production Finance Marketu u sklopu 57. međunarodnog festivala BFI London Film Festival, London, UK, od 15. do 19. listopada 2013.","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.350,00","approved_amount":10350.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Potpora producentima/-icama i autorima/-icama za predstavljanje filmova","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"1aade2ec:s0:c8086e9884bf","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_64e8c2912ab7","project_family_title":"Sudjelovanje jedne predstavnice Četiri filma i predstavljanje dugometražnog filma 'Drugi' red. I. Juka na Film London Production Finance Marketu u sklopu 57. međunarodnog festivala BFI London Film Festival, London, UK, od 15. do 19. listopada 2013."},{"row_number":4,"project_title":"Sudjelovanje producentice na dva modula programa stručnog usavršavanja 'Leadership and Strategic Company Development Programme', u Berlinu, Njemačka, od 23. do 25. listopada 2013. i u Hamburgu, Njemačka, od 28. studenog do 03. prosinca 2013.","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.218,00","approved_amount":5218.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi stručnog usavršavanja","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"1aade2ec:s0:72e4467bff93","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_a6ae90724fd0","project_family_title":"Sudjelovanje producentice na dva modula programa stručnog usavršavanja 'Leadership and Strategic Company Development Programme', u Berlinu, Njemačka, od 23. do 25. listopada 2013. i u Hamburgu, Njemačka, od 28. studenog do 03. prosinca 2013."},{"row_number":5,"project_title":"Sudjelovanje redateljice s dokumentarnim filmom 'Lika: ljepotica i zvijer', red. 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Pave Marinkovića na međunarodnoj radionici 'ScriptEast', Poljska, Berlin, Cannes, od 29. rujna 2013. do svibnja 2014."},{"row_number":19,"project_title":"Sudjelovanje Tihe Gudac i predstavljanje animiranog dokumentarnog filma 'Ne-Vidljivo' na 4 modula međunarodnog foruma za animirane dokumentarne filmove 'AniDox Lab', Danska (Viborg, Copenhagen) i Hrvatska (Pula), od svibnja do studenog 2013.","applicant":"Tiha Gudac","production_company":"Tiha Gudac","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.750,00","approved_amount":3750.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi stručnog usavršavanja; Pitching","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Tiha Gudac","row_id":"1aade2ec:s0:c88bbfbb524f","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_963bcdf057c5","project_family_title":"Sudjelovanje Tihe Gudac i predstavljanje animiranog dokumentarnog filma 'Ne-Vidljivo' na 4 modula međunarodnog foruma za animirane dokumentarne filmove 'AniDox Lab', Danska (Viborg, Copenhagen) i Hrvatska (Pula), od svibnja do studenog 2013."},{"row_number":20,"project_title":"Sudjelovanje 3 autora filmova i direktora festivala DORF i predstavljanje dokumentarnih glazbenih filmova iz programa festivala DORF u sklopu projekta 'DORF u Beču', Beč, Austrija, od 26. do 29. rujna 2013.","applicant":"Udruga ljubitelja filma Rare","production_company":"Udruga ljubitelja filma Rare","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi predstavljanja i promocije filmova","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":"Udruga ljubitelja filma 'RARE'","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga ljubitelja filma Rare","row_id":"1aade2ec:s0:356de9505059","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_8d207a148e30","project_family_title":"Sudjelovanje 3 autora filmova i direktora festivala DORF i predstavljanje dokumentarnih glazbenih filmova iz programa festivala DORF u sklopu projekta 'DORF u Beču', Beč, Austrija, od 26. do 29. rujna 2013."}],"section_total_text":"UKUPNO: 173.554,50","section_total":173554.5}],"totals":{"ukupno_text":"UKUPNO: 173.554,50","ukupno":173554.5,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":173554.5,"ukupno_match":true,"row_count":20,"awarded_count":20,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":20}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_SPECRPR_IGR_2025_11IX2025_WEB.pdf","filename_decoded":"Obrazlozenje_SPECRPR_IGR_2025_11IX2025_WEB.pdf","sha256":"1ab5dda0df84f7a3d5b1e7560939d14447edfa4076f190e4a7728b51444eca24","bytes":140404,"page_count":1,"extracted_at":"2026-05-17T12:02:20Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_SPECRPR_IGR_2025_11IX2025_WEB.pdf"},"raw_text":"Specijalizirani javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih i dugometražnih \nanimiranih filmova namijenjenih djeci i mladima - podkategorija: RAZVOJ PROJEKATA u \n2025. – rok prijave 11.9.2025. \n \n- umjetnički savjetnici za dugometražni igrani film - Ira Cecić, Branko Schmidt, Sandra Antolić \n \nNa ovaj se rok prijavilo 8 igranih projekata. Većinu čine adaptacije djela domaće dječje književnosti. \nNajvećim problemom smatramo što većini projekata nedostaje intenzivnije promišljanje likova pa su \nili stereotipni, ili postupaju, govore i ponašaju se u neskladu sa svojom dobi. Vjerujemo da bi od velike \npomoći mnogim prijavljenim projektima bile konzultacije s razvojnim psihologom kako bi se \nuvjerljivije profilirali dječji likovi i jasnije poslale željene poruke. \n \nZa sufinanciranje predlažemo jedan projekt: \n \nMIRON U ŠKRIPCU \nRedatelj: Matej Sudarić \nScenarist: Matej Sudarić \nProducent: Lux film d.o.o. / Goran Ribarić \n25.000,00 EUR \n \nProjekt Miron u škripcu smatramo pravom poslasticom ovog roka. U maniri detektivskog filma za \nmlade te uz elemente trilera scenarist je izvrsno izveo adaptaciju istoimenog romana Anta Gardaša. \nPriča je ispričana na neobičan način. Glavni protagonist Miron priča je policijskom istražitelju uz \nnamjerno meta filmsko odugovlačenje u službi neočekivanog raspleta. Miron će naime, malo-pomalo \notkriti kako je glavni negativac, čovjek koji vuče konce bande dilera, a koja pak ucjenjuje brata i sestru \niz sirotišta što ih Miron i njegovi prijatelji nastoje spasiti, upravo sam istražitelj. Ispričana u izvrsnom \nritmu, s pravom mjerom akcije, humora i emocija, ova priča u dubinskom sloju donosi i teške i važne \nteme poput nezbrinute i nevoljene djece, zlouporabe droge, korupcije u društvu i manipulacije \nmaloljetnicima, ali bez tezičnosti i dociranja. Likovi su uvjerljivi i simpatični pa ih je lako zamisliti kao \nbuduće filmske heroje mladih gledatelja. Autori projekt vode uvjerljivo i s jasnom kreativnom i \nprodukcijskom vizijom.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati mikroproracunski 2021.pdf","filename_decoded":"rezultati mikroproracunski 2021.pdf","sha256":"1b0001c142df5b41d1f5d65321055cf166cc89e13490886f6afcbbc154243f18","bytes":30720,"page_count":1,"extracted_at":"2026-05-17T10:24:09Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20mikroproracunski%202021.pdf"},"raw_text":"NASLOV\nREDATELJ\nPRODUCENT\nODOBRENA \nSREDSTVA\n1\nSretni ljudi\nFilip Peruzović\nDinaridi film d.o.o.\n900.000,00\n2\nŽena s gumenim \nrukavicama\nMario Šulina\nSlavonija Nova\n700.000,00\n1.600.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nPROIZVODNJE MIKROPRORAČUNSKIH DUGOMETRAŽNIH IGRANIH FILMOVA u 2021. - \nROK PRIJAVE - 21.10.2021., 34. sjednica Hrvatskog audiovizualnog vijeća, 21.1.2022.\nmikroproračunski dugometražni igrani film\nUKUPNO\n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"rezultati mikroproracunski 2021","year":2021,"rok":null,"natjecaj_date":"2021-10-21","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","REDATELJ","PRODUCENT","ODOBRENA SREDSTVA"],"rows":[{"row_number":1,"project_title":"Sretni ljudi","applicant":"Dinaridi film d.o.o.","production_company":"Dinaridi film d.o.o.","director":"Filip Peruzović","writer":null,"original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"900.000,00","approved_amount":900000.0,"currency":"HRK","extras":{"col_1":"1","REDATELJ":"Filip Peruzović","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_inline_header_context","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"1b0001c1_rezultati_mikroproracunski_2021_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number and title match cleanly, and the REDATELJ column gives Filip Peruzović while no writer or source-author column is present."},"entity":"Dinaridi film d.o.o.","row_id":"1b0001c1:s0:3d3da4a3734a","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_5e4aa09892c9","project_family_title":"Sretni ljudi"},{"row_number":2,"project_title":"Žena s gumenim rukavicama","applicant":"Slavonija Nova","production_company":"Slavonija Nova","director":"Mario Šulina","writer":null,"original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"700.000,00","approved_amount":700000.0,"currency":"HRK","extras":{"col_1":"2","REDATELJ":"Mario Šulina","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_inline_header_context","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","people_backfill_v1":{"changes":[{"field":"director","from":null,"to":"Mario Šulina","source":"title_propagation:director","confidence":"high"}],"updated_at":"2026-05-18T15:25:14Z","method":"machine:people_backfill_v1"}},"entity":"Slavonija Nova","row_id":"1b0001c1:s0:467872e6cb3d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_8fbccef2325f","project_family_title":"Žena s gumenim rukavicama"}],"section_total_text":"1.600.000,00","section_total":1600000.0}],"totals":{"ukupno_text":null,"ukupno":1600000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":1600000.0,"ukupno_match":true,"row_count":2,"awarded_count":2,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":2}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_IGRANI_2rok_2024_11IX2024_WEB.pdf","filename_decoded":"Obrazlozenje_RSC_IGRANI_2rok_2024_11IX2024_WEB.pdf","sha256":"1b2641f57948b204bd1296490bd313593f1b3fd6a3d95ea456e3ca9ac76d561f","bytes":327941,"page_count":9,"extracted_at":"2026-05-17T12:02:13Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_IGRANI_2rok_2024_11IX2024_WEB.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - potkategorija: RAZVOJ \nSCENARIJA DUGOMETRAŽNIH IGRANIH FILMOVA u 2024. - 2. ROK - 11.9.2024. \n- \numjetnič ki savjetniči: Juraj Lerotič , Vis nja Pentič , Dean Š os a \n \n \nNa javni poziv za potičanje razvoja sčenarija dugometražnog igranog filma u 2024.  godini \nna drugom roku prijavljeno je ukupno sedamdeset (70) projekata. To je manje projekata \nu odnosu na prvi rok u 2024. godini (87 projekata), ali i oba roka u 2023. godini (91 \nprojekt na prvom roku i 101 na drugom roku).  \nManji broj prijava u odnosu na prvi rok, međutim, vrlo je  jednostavno obrazložiti \nčinjeničom da je u međuvremenu pokrenut spečijalizirani natječaj za potičaj razvoja \nsčenarija filmova za dječu i mlade. Štoga u ovoj kategoriji nisu bili prijavljivani dječji \nprojekti. Zbrojimo li filmove prijavljene u 'staroj' i 'novoj' kategoriji, dolazimo do ukupne \nbrojke od 90 projekata, koja svjedoči o podjednakom broju  prijava na svim rokovima \nposljednjih godina.   \nJednako kao i sve rokove u 2023.  i 2024. godini, i ovaj rok karakterizira ponajprije velika \nraznolikost projekata na svim razinama. Projekte su prijavili autori različitih generačija, \nod debitanata do iskusnih autora. Otprilike su podjednako zastupljeni festivalski i \nžanrovski filmovi.  \nŽanrovski su filmovi također međusobno vrlo raznorodni pa pored najzastupljenijih \nkomedija među prijavljenim filmovima imamo i krimiće, trilere, horore, mjuzikle, \nbiografske drame pa čak i jedan vestern.  \nVećina projekata zasniva se na originalnim pričama, no među prijavljenim djelima je i \nnekoliko ekranizacija hvaljenih suvremenih romana.  \nPri odlučivanju o potpori vodili smo se ponajprije kvalitetom projekata, ali i njihovom \nostvarivošću unutar postavljenih okvira.  \nNavedenu raznolikost prijava nastojali smo zadržati i unutar naše selekčije, vodeći brigu \nda među predloženim projektima budu i filmovi čija je čiljana publika festivalska i filmovi \nkoji će se razvijati u pravču budućih kino hitova.   \nPredlažemo potporu razvoja scenarija petnaest (15 ) projekata u ukupnom iznosu od  \n90.000,00 eura. \nNa konču naših mandata, s iskustvom čitanja brojnih zanimljivih treatmenta od kojih će \nmnogi biti kvalitetno razvijeni, no tek rijetki na konču i produčirani, predlažemo HAVC-u \nda jednom godišnje organizira radioniče, prezentačije ili susrete sčenarista, produčenata \ni redatelja, na kojima bi se različiti dioniči hrvatske kinematografije redovito upoznavali \nsa scenarijima razvijenim sredstvima HAVC-a. Također, predlažemo potenčijalno \nkreiranje \nzaštićene \nbaze \nsčenarija \nrazvijenih \nsredstvima \nHAVC-a,  \ngdje bi, uz pristanak autora, bili dostupni za čitanje zainteresiranim strankama \n(redateljima, producentima). \n \n\n\f\n \nILI ILI / I I \nScenarij i režija : Tanja Golić \n6.000,00 eura \n \nFilm predstavlja kolaž sjećanja glavne junakinje, koja nas vodi kroz ključne trenutke svog \nživota – od najranijih sjećanja iz vrtićke dobi pa sve do trenutka kada navršava 50 godina \nživota, u 2023. godini. Autorica Tanja Golić, koja je oduševila  filmovima Nije da znam \nnego je to tako i Čekajte, čekajte, vraća se ovim dugometražnim filmom svojim početnim \nautorskim preokupacijama: eksperimentu s formom i intimističkim temama.     \nHrabro polazeći od vlastitog / autobiografskog materijala, film postaje istovremeno \nsvojevrsna rekapitulacija dosad odživljenog života, prikaz procesa samospoznaje, ali i \npoziv na refleksiju i pažljivije promatranje svijeta oko sebe. Film ILI ILI / I I tjera nas \nsvojom enigmatičnom kaleidoskopskom formom da presipitamo na koji način \npovezujemo svoje prošlo i sadašnje te kako se odnosimo prema svijetu oko nas. \n \n \nAMATER \nScenarij i režija : Zoran Stojkovski \n6.000,00 eura \n \nŠto se događa kada glumac u kazalištu dobije ulogu sličnu onoj koju igra u pravom životu? \nPostavlja se pitanje koliko se glumac može distancirati od svoje uloge, a u ovom slučaju, \nkoliko to uopće želi.  \nAutor scenarija odlučio je postaviti ovu dilemu u okruženje koje vrlo dobro poznaje: u \nkazalište, kojim se bavi dugi niz godina, te u okolnosti obiteljskog života koji stvarno živi. \nScenarij i ogledne dijaloške scene pršte autentičnošću i beskompromisnošću s kojima \nautor demistificira kako svoju profesiju, tako i često serviranu idealnu sliku obitelji. \nGlavni lik, 35-godišnji Janko, opterećen je nizom stvarnih egzistencijalnih problema koji \nga tjeraju na neprestanu aktivnost, ne dopuštajući mu da se pasivno samosažalijeva ili \nprepušta umjetničkom sanjarenju.  \nAutor prati svog glavnog junaka u svakodnevnoj jurnjavi između obiteljskih i poslovnih \nobaveza, gradeći vješto sliku kaotičnog života današnjih prekarnih radnika. \n \n \nAZBESTOS \nScenarij i režija : Matej Matijević \n6.000,00 eura \n \nU svijetu ovog filma geografski postoji samo selo i grad. Između njih nalazi se veliko polje, \noranica koja ih geografski razdvaja. Selo i grad, iako različiti, žive u simbiozi. Povezuje ih \ncesta, trgovanje, obitelji, snovi... Radnja filma događa se na podsvjesnoj razini glavnog lika \nViga. Svi likovi su zapravo Vigo, a ovo je sve njegova psiha, kao da je izrezana uvodna i \nzavršna špica hipnoze i buđenja. \n \nMatej Matijević u scenariju Azbestos, koji je već razvijan na scenarističkom programu \nBranko Bauer, nastavlja brusiti svoj specifični svijet, koji kao da je na razmeđu \nCronenbergovog i Lynchevog.  Azbestos tako kombinira elemente body horrora, \nistražujući načine na koje se ljudsko tijelo mijenja, deformira i stapa s tehnologijom, te \n\n\f\npokazuje kako ona može biti destruktivna, ali i osnažujuća. Istovremeno, usprkos gotovo \nkirurškoj preciznosti u razradi scena, Matijevićev je pristup apstraktan i katkad \nzastrašujuće udaljen od stvarnosti. Njegovi se likovi često nalaze u stanju psihoze ili \ntransa, što rađa filmski svijet prepun simbolike, nejasnih vremensko-prostornih okvira i \niznenađujućih preokreta. \n \n \nBEZ SUNCA \nScenarij i režija : Igor Jelinović \nProdukcija: Udruga Blank \n6.000,00 eura \n \nTridesetogodišnji Ivan s djevojkom Tamarom preko ljeta seli na Hvar kako bi radio kao \nnoćni recepcioner. Njihov disfunkcionalan, ali privržen odnos polako se raspada tijekom \nturističke sezone. Iscrpljen nedostatkom sna, pijanim gostima i emotivno napregnutim \nodnosima s kolegicama i kolegama, Ivan je sve bliži točki sloma. \n \nBez sunca donosi autentičan i emotivan prikaz života ispod površine turističke \nopuštenosti, kroz oči radnika u malom, dislociranom hotelu na Hvaru. Inspiriran vlastitim \niskustvima, scenarist i redatelj Igor Jelinović pruža uvid u svijet \"ispod i iznad stubišta\" – \nu odnose, konflikte i žrtve koje oblikuju svakodnevicu sezonskih radnika. Odnos između \nIvana i Tamare vješto ocrtava dinamiku dvoje ljudi koji se vole, ali se ne mogu nositi s \npritiskom odrastanja i vlastitim demonima. Smještanje radnje u hotel omogućuje priču \nkoja je istovremeno univerzalna i intimna. Svijet sezonskog turizma s njegovim \nspecifičnim ritmom, živopisnim likovima i emocionalnim turbulencijama postaje idealna \npozornica za ovo istraživanje osobnih granica, ljubavi i izdaje. \n \n \nČIČA ZIMA \nScenarij i režija : Sara Grgurić \n6.000,00 eura \n \nU selu podno vječno snježne planine, Željko je mladić na razmeđu dvaju svjetova – onog \nukorijenjenog u drevnim običajima i modernog života koji ga privlači, ali i zbunjuje. Kada \ndođe vrijeme za zvončarski obred, on se, zajedno s nekolicinom mladića, mora suočiti ne \nsamo s grijehom zajednice već i s vlastitim unutarnjim demonima. Svakom od njih \ndodijeljena je maska divlje životinje, zrcalo njihove skrivene prirode. Ako ne uspiju završiti \npohod, maske će ih zarobiti, zauvijek ih pretvarajući u ono čega su se najviše bojali. \n \nFilm Čiča Zima intimno je istraživanje tradicije i identiteta, pri čemu ritual zvončara \npostaje središnji motiv, prepleten elementima magičnog realizma i psihološke drame. \nScenaristica i redateljica Sara Grgurić (U šumi) dopušta nam da kroz Željkove oči \npromatramo sukob  tradicije i slobode, zajednice i individualnosti. Selo podno planine \nnije samo dom, već i zatvor – mjesto gdje praznovjerje i ritual postaju sredstvo spasenja, \nali i oruđe kontrole. \n \n \nČiča Zima donosi mračnu i istovremeno dirljivu priču o završetku mladosti, spajajući \nbogatu folklornu tradiciju s univerzalnim temama identiteta i odrastanja. \n\n\f\n \n \nHERUCINA \nScenarij: Dario Lonjak \n6.000,00 eura \n \nBiografska drama Herucina izlaže istinitu priču o Magdi Logomer Heručini, križevčanki \nkoja je u 18. stoljeću bila lažno optužena kao vještiča i osuđena na smrt na lomači. Iako su \ntadašnji zakoni dopuštali tri kruga mučenja, Heručina ih je preživjela čak dvadeset i bila  \nzatočena u samiči sedam mjeseči.  Špašena u posljednji čas od strane bečkoga dvora, \nHeručina je s vremenom postala legendom, nadahnuvši pored ostalih i Mariju Jurić \nZagorku pri osmišljavanju 'Gričke vještiče'. \nŽanrovski autor mlađe generačije Dario Lonjak končipirao je 'Heručinu' kao mračnu \nbiografsku dramu koja kroz priču o seljanki optuženoj za vještičarenje prikazuje težak \npoložaj žena u patrijarhalnom društvu, sečirajući pritom onodobni pravosudni aparat, pri \nčemu film u određenoj mjeri  korespondira sa današnjim društvom i vremenom. Potpora \nautoru, pored ostalog  omogućava i dodatno istraživanje  zbivanja i vremena kako bi \nprikaz života i duha sredine 18. stoljeća bio čim autentičniji.  \n \nHOTEL \nŠčenarij i režija: Borna Zidarić \n6.000,00 eura \n \nŠredovječni bračni par posjeduje i vodi izolirani hotel u planinama. Posao i ljubavni život \nim čvjetaju. Špremaju se privesti kraju još jednu uspješnu sezonu, ali jedne večeri u hotel \npristiže neočekivana gošća, mlada djevojka koja neodoljivo podsjeća na njihovu pokojnu \nprijateljiču i koja za svoga boravka uspijeva uništiti sve što su supružniči godinama \ngradili. \nMladi autor Borna Zidarić potpisuje nekoliko zapaženih kratkih igranih filmova čija je \nzajednička odlika  autorova sposobnost građenja napete i tjeskobne atmosfere. U tom je \nključu i Zidarićev treatment za čjelovečernji film Hotel- triler čija se radnja odvija u \nizoliranom hotelu u planinama. Priča filma zbiva se u sadašnjosti, no prolog priče i zla kob \nlikova podrijetlo vuku u prošlosti. Autor zanatski vješto barata standardnim žanrovskim \nobrascima trilera i horora. Zanimljivo je prikazan i neobičan seksualni odnos dvaju \nglavnih likova, koji u žanrovskom smislu pruža mogućnost okretanja projekta u smjeru \nerotskog trilera.  \n \n \n \n \n \n \n \n \n\n\f\nIZLOŽBA \nScenarij i režija : Karlo Vorih \n6.000,00 eura \n \nIzložba istražuje univerzalnu temu obitelji kroz sukob dviju sestara, Jasne i Tatjane, oko \nnasljedstva, nekretnine koja simbolizira mnogo više od obične materijalne vrijednosti. Za \njednu je to dom, mjesto identiteta i sigurnosti, dok je za drugu financijska prilika i korak \nprema samostalnosti. Njihov sukob nije plitak obračun pohlepe, već sudar različitih \nsvjetonazora, životnih prioriteta i emocionalnih tereta. Inspiriran klasicima poput \nHappiness i Secrets and Lies, redatelj i scenarist Karlo Vorih (Jesen našeg ljeta / Videobox) \nvješto balansira između ozbiljnih tema i lepršavog humora. \n \nIzložba nije samo priča o nasljedstvu, već o naslijeđenim osjećajima, konfliktima i ljubavi. \nNa raskrižju drame i komedije, film progovara o univerzalnoj ljudskoj potrebi za \npripadanjem, ali i izazovima koje ta povezanost nosi. To je priča koja će gledatelje \nnasmijati, dirnuti i podsjetiti na važnost obitelji – sa svim njezinim nesavršenostima. \n \n \nLAŽNA DEVETKA \nŠčenarij: Filip Rutić \n6.000,00 eura \n \nProfesionalni  nogometaš bez angažmana vraća se u rodno selo gdje ga čeka čijeli  niz \nnerazjašnjenih odnosa i jedna stara ljubav. Špletom okolnosti priključuje se ekipi kluba u \nkojem je odrastao prije velike utakmiče protiv lokalnih rivala. Kada mu se učini da bi \novdje mogao iznova započeti svoj život, planove mu može poremetiti samo laž koju si je \nponavljao toliko dugo da je za njega postala istina. \nLažna devetka mladoga dramaturga i romanopisča Filipa Rutića u osnovi je nogometna \nhumorna drama koja se, međutim, odlikuje iznimnom višeznačajnošću u smislu da \nmožemo zamisliti razvoj ovog projekta u više različitih pravača. Ponajprije - film vješto \nrazvijene priče i funkcionalno profiliranih likova, jasno situiran u vrijeme i mjesto radnje \n-  ima potenčijal nogometnog 'feelgood' kino filma. Š druge strane, treatment sadrži i \nbrojne mogućnosti  snažnijeg nagnuća prema drami- ne zove se glavni lik uzaludno Arsen \nToplak, jednako kao i glavni lik prijelomnog hrvatskog romana 'Isušena kaljuža' Janka \nPolića Kamova. U svakom slučaju, projekt je zasad na svim razinama raspisan vrlo dobro \ni nosi u sebi snažan potenčijal u kojem god ga pravču autor poželi razvijati. \n \n \nMLADENKA KOSTONOGA \nScenarij: Ivana Vuković, prema romanu Želimira Periša \nRežija: Andrija Mardešić \n6.000,00 eura \n \nU 19. stoljeću, po zabačenim dijelovima Habsburške monarhije, što zbog načionalnih \nprevrata što zbog praznovjernih mještana, u stalnom je bijegu vještiča Gila. Njen konačni \n\n\f\nmir u selu, teško stečen vještičjim metodama, prekida se kad se nađe pred životnom \ndilemom, spasiti seoskog učitelja od vješala ili austrijskoj čariči napraviti abortus. Što god \nizabrala, Gila zna da se vraća u život pun bježanja, koji završava prvim suđenjem vještiči \nnakon 70 godina.  \n \nMladenka kostonoga zasniva se na istoimenom romanu Želimira Periša, ovjenčanim \nbrojnim nagradama i nerijetko smatranim jednim od ponajboljih romana hrvatske \nknjiževnosti objavljenih posljednjih desetak godina. Iako roman nelinearne priče i \nbezbroj likova i motiva ostavlja dojam djela koje je iznimno teško ekranizirati, \nsčenarističa Ivana Vuković i redatelj Andrija Mardešić pristupaju mu zrelo i ambičiozno, \nu potpunosti svjesni njegove zahtjevnosti.  Razvoj Mladenke kostonoge  neće biti lak niti \njednostavan - njegov je treatment tek prvi međukorak u prevođenju literarne u filmsku \nstrukturu -  no priloženi materijali, uključujući vrlo iskreno i vješto napisane tekstove \nautorskih motivačija, obećavaju filmski rezultat koji neće razočarati literarni predložak.   \n \nPOKOPAJ ME NJEŽNO \nŠčenarij i režija: Ljubomir Kerekeš \nProdukcija: Kerekesh Teatar \n6.000,00 eura \n \n„Nakon tamne prošlosti groblja u selu Gornje Blato, direktor pogrebnog poduzeća \n\"Pokopaj me nježno\" raspisuje natječaj za grobare i zajedno sa svojim asistentom pokreće \niničijativu za obnovu groblja i mrtvačniče. Na javni natječaj za grobare javljaju se \nčetvoriča živopisnih kandidata iz područja čijele bivše Jugoslavije. Iako su mještani \nzadovoljni i podržavaju moderan pogreb koji nudi pogrebno poduzeće, velike probleme \ngrobarima zadaje velečasni sa svojim pomoćničima koji poštuju tradičiju.” \n \nRiječ je o filmskoj adaptačiji istoimene hit predstave Kerekesh Teatra koju uspješno \nigraju od 2018. godine do danas te su je odigrali više od 100 puta diljem Hrvatske i \ninozemstva. Priču osmišljenu na  klasičnim dramaturškim postavkama komedije situačije \nkarakteriziraju efektan humor i urnebesni živopisni likovi te vjerujemo kako će s ovim \nprojektom autor ponoviti uspjeh svojih prethodnih filmova \"Ufuraj se i pukni\" (film je u \nkinima pogledalo više od 24 000 gledatelja) te \"Marginalči\" koji je bio najgledaniji \nhrvatski film u kinima u 2022. godini. U daljnjem razvoju ovog projekta bit će moguće \ndodatno razviti bogatstvo humornih nijansi te dodatno profilirati uzbudljivu plejadu \nkomičnih likova uz pomoć koji se propituju i neka društvena pitanja i predrasude koje se \novdje raskrinkavaju s uvijek dobrodošlom dozom komike i empatije. \n \n \n \n \n \n \n\n\f\nS ONE STRANE GRANICE \nScenarij i režija: Damir Radić \nProdukcija: Udruga Blank \n6.000,00 eura \n \n„Idaho, sjeverozapad ŠAD-a, 1870-ih. Nakon ubojstva u samoobrani, mlade seksualne \nradnice Anne i Mary bježe u divljinu gdje podižu izoliranu farmu. Pomoć im pruža \nsredovječni svećenik iz nekoliko sati jahanja udaljenog gradića, koji ne zna za njihovu \nprošlost. Djevojkama je na tragu iskusni lovač na učjene koji stigne u gradić i počne se \nraspitivati o njima. Uz mladog pomoćnika uspije locirati farmu i sprema se privesti \ndjevojke pravdi. Anne i Mary ništa ne slute…” \n \nŠjajno napisana western priča oblikovana u revizionističkom feminističkom ključu kojim \nse klasične postavke žanra postavljaju u dobrodošlu novu perspektivu. Koristeći \nklasičističke dramaturške obrasče žanra kao što su skrivanje protagonističa od vlasti i \ndolazak lovča na učjene, autor posredno skreće pažnju na manje istražene emotivne i \nidejne slojeve naizgled poznate priče kao što su solidarnost, ljubav i mogućnost zajedniče \nda se odupre destruktivnim elementima šireg društvenog konteksta. U budućem razvoju \nprojekta bit će moguće dodatno ga osnažiti i produbiti referenčama na aktualni društveni \nkontekst i kulturu uspostavljanjem metaforičkih i metonimijskih veza sa kompleksnom i \ntrajno ambivalentnom društvenom i političkom stvarnošću u kojoj živimo. \n \n \nSLUČAJ VLASTITE POGIBELJI \nScenarij: Marjan Alčevski \nProdukcija: Antitalent d.o.o. \n6.000,00 eura \n \n„Prije 10-ak godina PROFA želi otići na LiDraNo i sa školskom dramskom skupinom \npriprema predstavu prema motivima iz stvarnosti: nedavno se ubio mladi prometni \npoličajač i žele ispričati dijelove njegove priče. Dobro im ide dok se ne ispostavi da jedna \nod djevojaka iz skupine ima ogromni problem s time da se krive tatini sinovi, a slave \nporemećeni poličajči. Izbije afera, Profi prijeti otkaz ako ne prestane dječu iskorištavati \nza budalaštine, no ona ne odustaje od svoje namjere.“ \n \nAdaptačija najnovijeg romana našeg višestruko nagrađivanog i izrazito čitanog autora \nKristiana Novaka dobrodošao je nastavak plodnog dijaloga suvremene hrvatske \nknjiževnosti sa suvremenim hrvatskim filmom. U adaptačiji čiji je autor Marjan Alčevski \nna intrigantan je način uvedena meta razina u kojoj se kroz referiranje na materijal iz \nnedovršenog dokumentarnog filma propituje i potenčira autobiografski sloj priče koji \nproizlazi iz činjeniče kako je sam pisač radio kako srednjoškolski profesor te pripremao \nučenike za LiDraNo. Budući sčenarij bit će potrebno staviti u kreativan suodnos sa \nsčenarijem koji se nalazi u samom filmu čega je autor adaptačije itekako svjestan. Naime, \n\n\f\nroman Slučaj vlastite pogibelji Kristiana Novaka ispripovijedan je od poglavlja u kojima \nse naizmjenče smjenjuju glas profesoriče i sčenarij koji prati događaje i akčije koje se roje \noko braće poličajača. Kroz tu dvostruku strukturu istražuju se slojevi i sprega društvenih \naparata moći kako bi se istražila pitanja korupčije, povjerenja u sustav i društvene \nodgovornosti pojedinca. Šredišnje je pitanje pak ove nevjerojatno rezonantne priče ono \npravde jer, kako se navodi u samom romanu, „ako se slučaj pogibelji pravednoga tiče \nsamo njega, s njim umire i pravda sama“. \n \nTEHNIKE ISCJELJIVANJA \nŠčenarij i režija: Josipa Krčelić \n6.000,00 eura \n \n„REA (26) je mlada žena suočena s muževom, PETAR (45), bolesti i neizbježnom smrti. \nOpraštanje od svog dotadašnjeg života nenadano joj prekine neočekivani poziv iz bolniče. \nPetar se naglo oporavio. Nova informacija zatekne Reu nespremnu i u njoj izazove \nneočekivani osjećaj nezadovoljstva. Iščekivajući njegov povratak, Rea shvati da njen život \nne može ostati isti.” \n \nZačudna priča koja na inovativan i autentičan način koristi posdvjesni sadržaj kao okidač \nradnje i središnji mehanizam koji upravlja postupčima protagonista uhvaćenima u ralje \nvlastitih potisnutih žudnji, želja i trauma. Atmosfera je sustavno izgrađena na \npostavkama ambivalentnih intimnih odnosa čija priroda ostaje u trajnoj transformačiji \nkako likovi kreću na putovanje vlastitim unutarnjim krajolicima. Emotivnu jezgru priče \nčini protagonističin put osolobođenja na kojem se oslobađa nametnutih joj identiteta i \nzaranja u vlastite skrivene, a neutažive žudnje ne prezajući na svom putu od rubnih \nintimnih eksperimenata. Ovaj projekt svojom neupitnom svježinom i autentičnim \ninteresom  za psihoanalitički pristup u oblikovanju likova ima priliku zagaziti u manje \nistražene predjele portretiranja ljubavnih odnosa kroz uključivanje u njima prisutnih \nambivalencija kako na razini pojedinca tako i na razini društva koje oblikuje i uvjetuje naš \nemotivni horizont. \n \nŽARI ME SUNCE, PERE ME KIŠA \nŠčenarij i režija: Luka Galešić \n6.000,00 eura \n \n„Nakon smrti majke dvojiča braće ostaju sami sa tristotinjak ovaca u izoliranom selu \npodno Velebita. Štarijem je bratu teško biti strog jer zna da je mlađi na pragu sazrijevanja, \nali mora ga postepeno uvesti u realnost. A realnost znači odsječenost od ostatka svijeta. \nOd zabave. Od djevojke. Od sreće.” \n \nŠjajno osmišljena psihološka drama koja počiva na izuzetno suptilno portretiranom \nodnosu dvojiče braće koji se nose s gubitkom majke i pokušavaju svaki za sebe pronaći \nnovu paradigmu bivanja u svijetu. Taj svijet svojevrsni je treći lik jer je riječ o filmski \n\n\f\npotentnom krajoliku podno Velebita, prečiznije kao ključni topos figurira krška zaravan \nBukoviče koja se prostire između Velebita i rijeke Zrmanje, a koja svojom istodobno \nsurovom i mekom atmosferom sjajno odražava emočionalnu dinamiku dvojiče braće. \nDramaturški je priča provedena kroz četiri faze, a svaku od kojih utjelovljuje jedno \ngodišnje doba čije karakteristike zrčale stanja samih protagonista čiji je odnos oslikan \nslojevito, ambivalentno i empatično te čini izvrsnu osnovu buduće filmske čjeline u kojoj \nse ono što je važno prvenstveno komuničira vizualnim i osjetilnim vodeći nas u skrivene \npredjele unutrašnjosti mladića koji su se sudbinom našli na kraju svijeta, ali su zapravo \ntek na početku svojih životnih pustolovina.  \n \n \n \n \n \n \n \n \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2024,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP razvoj projekata_dugi_igrani_1rok 2015.pdf","filename_decoded":"JP razvoj projekata_dugi_igrani_1rok 2015.pdf","sha256":"1bdfb5e12277dd987176fe7cf059bcf82bd0b4384a335ebad5e5e498db651e1b","bytes":1072760,"page_count":1,"extracted_at":"2026-05-17T10:24:18Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP%20razvoj%20projekata_dugi_igrani_1rok%202015.pdf"},"raw_text":"RAZVOJ\t\r  PROJEKATA\t\r  2015.\n-­‐\t\r  1.\t\r  ROK\t\r  -­‐\t\r  \nDUGOMETRAŽNI\t\r  IGRANI\n1\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\n1\nGolubinjak\nGral Film d.o.o. / Tomislav \nŽaja\nSilvija Luks-Kalogjera\nTomislav Žaja\n150,000.00\n2\nLIFE BEGINS (aka \nFreestyle)\nAvantura d.o.o. / Sergej \nStanojkovski\nOgnjen Sviličić, Sergej \nStanojkovski\nSergej Stanojkovski\n150,000.00\n3\nRibanje i ribarsko \nprigovaranje\nStudio Devet d.o.o. / \nMilan Trenc\nMilan Trenc\nMilan Trenc\nPetar Hektorović\n110,000.00\n4\nBody Korack\nTelefilm\t\r  d.o.o.\t\r  /\t\r  Stanko\t\r  Babić\nHrvoje\t\r  Hitrec\nNeven\t\r  Hitrec\n110,000.00\nUKUPNO\n520,000.00\ndugometražni igrani film\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ PROJEKATA u 2015. - 1. 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Iako ima fikcije, \ndosta projekata/priča ima uporište u stvarnim događajima. \nUkupni iznos financiranja je 35.000,00 €  \n \n1.  \nnaziv projekta: Saima \nprodukcija: Jadranska animacija  \nscenarij i režija: Chintis Lundgren i Draško Ivezić \niznos financiranja: 20.000,00 € \ntrajanje: 90 minuta \ntehnika: 2D animacija \nSaima je dugometražni animirani film autorice Chintis Lundgren i autora Draška \nIvezića koji uspješno surađuju i osvajaju festivale već dugi niz godina. Djelomično \ninspiriran stvarnim događajima, film Saima zamišljen je kao introspektivna drama s \nelementima crnog humora. Temeljna tema su obiteljski odnosi i uspostava ravnoteže \nizmeđu vlastitih želja i odgovornosti. \nVizualan stil podsjeća na ranija djela Chintis Lundgren kao što je festivalski vrlo \nuspješan Manivald;  kombinacijom naivne likovnosti i sofisticiranog i emocionalno \nnabijenog pripovjedanja autoričin stil je vrlo dobro primljen i kod publike koja se s \nnjenim filmovima može povezati. \nKao inspiraciju autori navode djela i redatelje Akija Kaurismakija, Wes Andersona te \nNoah Baumbacha. \n \n \n\n\f\n \n2. \nnaziv projekta: Kaleid \nprodukcija: Filmska udruga Šuma \nscenarij i režija: David Lovrić i Natko Klobučar \niznos financiranja: 5.000,00 € \ntrajanje: 13 minuta \ntehnika: kombinacija ručno crtanih i 3D tehnika \n \nRadnja filma Kaleid prati lika Putnika koji tajanstvenim Redovnicima i Ženi Ptici \ndostavlja ključni sastojak za skidanje kletve u kojoj žive stanovnici grada,  \ndragocjeno jaje. \nSvijet filma bit će prikazan kroz nekoliko lokacija - od netaknutih planina, preko \nužurbanog grada, do podzemlja Ukletog Grada. \nBitan aspekt filma je interakcija materije i zvuka. Dizajn zvuka će pokrivati raspon od \nsnimljenog do sintetiziranog materijala, od šuma i ambijenta do komponirane glazbe. \nGeneralna atmosfera filma je pomalo mračna, jeziva i mistična.   \n \n3. \nnaziv projekta: Albedo \nprodukcija: Kreativni sindikat \nscenarij i režija: Ana Mušćet \niznos financiranja: 5.000,00 € \ntrajanje: 6 minuta \ntehnika: stop animacija, kolaž \n \nAutorica prezentira izrazito zanimljiv koncept priče koja ilustrira traganje za nestalima \nu domovinskom ratu. U projekt ulazi iz osobnih razloga, ali povrh svega jer ju tema tj \npitanje nestalih intrigira; obitelji i dalje računaju na povratak svojih nestalih članova \nobitelji. Film bi se radio tehnikom stop animacije i kolaža, a autorica bi koristila \ndokumentarne fotografije snimljene na terenu Vukovarsko-srijemske županije. Zvuk \nje također dokumentaran, nastao na spomenutim lokacijama. Motivi su u funkciji \nsimbola, animacija se razvija u slojevima i preslagivanjima što ima uporište u \nstvarnom “preslagivanju zemlje/detalja o potrazi/izjava svjedoka/pretraženih polja i \nlokacija/naslaganih tijela/presloženih emocija ogorčenosti, tuge, praštanja” kako \nnavodi autorica. \n2022. godine nagrađena je Grand Prixom na 57. Zagrebačkom salonu za rad \nHorizont, nastao u sklopu petogodišnjeg istraživanja nestalih osoba u Domovinskom \nratu.  \n \n\n\f\n4. \nnaziv projekta: Boje prijateljstva \nprodukcija: Jaka produkcija d.o.o. \nscenarij i režija: Luka Vucić, Sonja Babić \niznos financiranja: 5.000,00 € \ntrajanje: 10 minuta \ntehnika: 2D animacija \n \nBoje prijateljstva dječji je animirani film koji se bavi temom vršnjačkog nasilja. \nMali dječak Toma biva izrugivanim od strane vršnjaka zbog tamnijih mrlja koje ima \nna koži. No uskoro, možda i ne svojom željom, postaje vlasnikom ljubimca čiju kožu \ntakođer krase slične mrlje. Dječak i pas razviju snažno prijateljstvo no priča dobiva \nnove zaplete. \nNasilje nažalost poznajemo u raznim oblicima, velik broj ljudi izložen je nekoj vrsti \nnasilja i tokom odrasle dobi, ali djeca su ipak najranjivija skupina i smatram da je \nvažno pričati što više o toj temi, a i djelovati u mjeri u kojoj možemo, primjerice kroz \nanimirani film. 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postani Hitchcock\nProgram filmskih radionica i \nedukativnih projekcija\nFilmske radionice i tečajevi u \n2015.                      \ni\nEdukativni program - U fokusu: \nizgradnja lika u \ndokumentarnom filmu\nFilmska radionica Kokice\nJavni poziv za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2015. godini - popis odobrenih projekata\ndjelatnosti razvijanja audiovizualne kulture\nNaziv predlagatelja\nAlternator, udruga za promicanje \nstvaralaštva i jednakih \nmogućnosti\nRadionica animiranog filma - \nmala zagrebačka animacija (z-\nanimacija)\nCentar za kulturu Čakovec\nNaziv programa\nFestival o pravima djece 2015. -\nPrilagodbe filmova za slijepe i \ngluhe osobe\nCentar za kulturu Trešnjevka\nCentar za pokret\nCentar za poticanje kreativnog \nizražavanja Skupovi\nFantastično dobra institucija - \nFade In - Udruga\n\n\f\n9\n15.000,00\n10\n40.000,00\n11\n10.000,00\n12\n40.000,00\n13\n10.000,00\n14\n20.000,00\n15\n2.500,00\n16\n15.000,00\n17\n20.000,00\n18\n20.000,00\n19\n20.000,00\n20\n15.000,00\n21\n10.000,00\n22\n5.000,00\n23\n10.000,00\n24\n25.000,00\nFilmska estetika 50-ih\n22. internacionalna filmska \nradionica \nDeveti susret Dječjeg filmskog \nstvaralaštva u funkciji javnog \nzdravstva i sedmi Dječji filmski \nkamp \nFilmska umjetnost za srednju \nškolu u kinu Tuškanac \nFilmske radionice za djecu i \nmladež u kinu Tuškanac \nKino Galerija - program rada u \n2015. godini\nVA-Ž-AN u 2015. godini\nZimska i ljetna filmska \nradionica djece i mladeži 2015\nFilmske radionice za djecu i \nmladež u Kraljevici \n7. mikro-škola medijske kulture -\n2015.\nFilmski programi u mikro-kinu \n2015.\nArt kino\nGreen Room Cinema 2015.\nKino Mediteran\n11. ljetne filmske radionice\nFade In - Ekspertna radionica \nzvuka\nHrvatski filmski savez \nGOKUL - Građanska \norganizacija za kulturu\nHrvatska udruga filmskih \nsnimatelja\nHrvatski filmski savez \nHrvatski filmski savez \nHrvatski filmski savez \nHrvatski filmski savez \nFoto-kino klub Baranja film\nGFR film-video\nFestival mediteranskog filma \nSplit\nFilmsko-kreativni studio Vanima\nFilmsko-kreativni studio Vanima\nFantastično dobra institucija - \nFade In - Udruga\nFilmsko-kreativni studio Vanima\nFoto kino video klub Zaprešić\nFoto-kino klub Baranja film\n\n\f\n25\n350.000,00\n26\n50.000,00\n27\n10.000,00\n28\n20.000,00\n29\n140.000,00\n30\n12.000,00\n31\n10.000,00\n32\n15.000,00\n33\n8.000,00\n34\n10.000,00\n35\n5.000,00\n36\n10.000,00\n37\n15.000,00\n38\n80.000,00\n39\n20.000,00\n40\n20.000,00\n41\n6.300,00\n42\n12.000,00\nHrvatski filmski savez \nHrvatski filmski savez \nKino umjetnika\nArt kino Grič\nKreativne strategije: Početnica\nArt kino Metropolis\nSpecijalizirane radionice\nFilmski Uskrs i Vaskrs 2015.\nRadionica animiranog filma - \nspajalica\nSpecijalizirana radionica \nigranog filma\nRadionice Kinokluba Zagreb\nFilmska škola\nKino klub Split predstavlja: \nfilm.factory\nPočetničke radionice\nProgram filmskih projekcija\nFilm u školi\n100+2 godina filma u kinu \nUrania\nFilmski programi u kinu \nTuškanac\nKratki utorak - filmski program \nautorskog i umjetničkog filma i \nvidea\nŠesta radionica animiranog \nfilma u Dubrovniku \nMultidisciplinarni autorski projekti \ni akcije - MAPA\nMuzej suvremene umjetnosti\nKulturni klub\nKulturni klub\nKino klub Split\nKinoklub Karlovac\nKinoklub Karlovac\nKinoklub Karlovac\nKinoklub Zagreb\nKino klub Split\nKino klub Split\nKino klub Split\nKino klub Split\nHrvatski filmski savez \nJavna ustanova Pula film festival\nKinematografi Osijek d.d.\n\n\f\n43\n15.000,00\n44\n10.000,00\n45\n10.000,00\n46\n16.000,00\n47\n40.000,00\n48\n30.000,00\n49\n40.000,00\n50\n6.000,00\n51\n20.000,00\n52\n15.000,00\n53\n15.000,00\n54\n70.000,00\n55\n12.000,00\n56\n55.000,00\n57\n5.000,00\nFilmska početnica u 2015. \ngodini\nŠkola dokumentarnog filma u \n2015. godini\nMala ljetna škola filma\n11. Radionica izrade filma\n5. Škola animiranog filma - \n2015.\nMedionauti - radionice medijske \npismenosti za djecu\nDokukino program za 2015.\nRod i Film: Vox Feminae \nfilmska škola\nKinoprikazivačka djelatnost \nkina \"30. svibnja\" Daruvar - \npermanentno prikazivanje \nfilmova i revija hrvatskog, \neuropskog i internacionalnog \nkino-repertoara\nKino za sve\nKino Samobor - program kina \nza 2015. godinu\nKratki na brzinu - Škola kratkog \nfilma 2015.\nAnimirani Šibenik 2015\nMikrokino\nGrad na drugi pogled\nRestart\nRestart\nRestart\nSavez društava Naša djeca \nHrvatske\nPučko otvoreno učilište Sveti \nIvan Zelina\nPulska filmska tvornica\nPulska filmska tvornica\nPulska filmska tvornica\nPlatforma za unapređenje kulture \n- PUNKT\nProstor rodne i medijske kulture \nK-zona\nPučko otvoreno učilište Daruvar\nPučko otvoreno učilište Novska\nPučko otvoreno učilište Samobor\nOtompotom\nOtompotom\n\n\f\n58\n25.000,00\n59\n45.000,00\n60\n30.000,00\n61\n15.000,00\n62\n40.000,00\n63\n40.000,00\n64\n50.000,00\n65\n25.000,00\n66\n10.000,00\n67\n35.000,00\n68\n15.000,00\n69\n15.000,00\n70\n10.000,00\n71\n7.000,00\nPrimijenjeni video 2015\nRadionica kreativnog izričaja \nkroz digitalne tehnologije\nDyxy na filmu 2 - filmske \nradionice za djecu s disleksijom\nPutujući Sedmi kontinent u \nsuradnji s partnerima \nkinoprikazivačima \nSedmi kontinent u bolnicama - \nkvalitetan film, gosti filmaši i \nanaliza filma za djecu u \nbolnicama \nSedmi kontinent: Radionice \noptičkih igračaka za najmlađe\nQueer MoMenti\nOtoci 2015\nKratke slike\nLjetna škola filma Šipan 2015\nFROOOM 2015 - program \nfilmskog i interdisciplinarnog \nobrazovanja\nFilmske radionice\nInterface - festival novih medija\nKlubvizija SC - programi \nedukativnih radionica, \nprojekcija i predavanja u 2015. \ngodini\nUdruga Filmaktiv\nUdruga Globe Media\nUdruga Djeca susreću umjetnost\nUdruga Djeca susreću umjetnost\nUdruga Domino\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Blank\nUdruga Djeca susreću umjetnost\nStvaralačka mreža Zebra\nSveučilište u Zagrebu - \nStudentski centar u Zagrebu\nSveučilište u Zagrebu - \nStudentski centar u Zagrebu\nŠkola filma Šipan\nUdruga Bacači sjenki\n\n\f\n72\n7.000,00\n73\n15.000,00\n74\n15.000,00\n75\n10.000,00\n76\n5.000,00\n77\n5.000,00\n78\n6.000,00\n79\n15.000,00\n80\n25.000,00\n81\n10.000,00\n82\n10.000,00\n83\n35.000,00\nDigital Generation - radionica \ndokumentarnog filma\n8. Mali DOKUart - \nDOKUradionica s nacionalnim \nnatječajem za najbolji \ndokumentarac osnovnoškolaca\nAdriatic Game Jam\nCinemaniac 2015.  \"1976.- \nTransnacionalni video susret\"\nMapiranje putovanja - serija \ntematskih filmskih i video \nprograma u izboru \nmeđunarodnih filmskih kustosa\nRadionica pisanja filmskog \nscenarija\nGledamo dokumentarce, \npravimo dokumentarce! - \nedukcijski program Liburnia \nFilm Festivala 2015.\nEDIT - Edukacija i trening 2015\nFilmski program utorkom u \nCentru znanja 2015\nFestival dječjeg stvaralaštva \nMali grad Faros- radionica\nFestival dječjeg stvaralaštva \nMali grad Jolha- radionica\nOkusi drugačije kino\nUdruga za promicanje kulture \nDokuart \nUdruga Multimedijalni centar \nLUKA - Udruga MMC LUKA\nUdruga Što, kako i za koga \n/WHW\nUdruga trenutak.39\nUdruga za audiovizualno \nstvaralaštvo Artizana\nUdruga ljubitelja filma Rare\nUdruga ljubitelja filma Rare\nUdruga Mali grad Faros\nUdruga Mali grad Faros\nUdruga Metamedij\nUdruga Kinookus\nUdruga Liburnia film festival\n\n\f\n84\n5.000,00\n85\n10.000,00\n86\n10.000,00\n87\n10.000,00\n88\n25.000,00\n89\n15.000,00\n91\n20.000,00\nUKUPNO\n2.800.300,00\n290.000,00\n90\nFilmski programi Kina Europa – \nsuvremeni nezavisni film; \nKino Bibijada - Dječji filmski \nprogrami kina Europa\nProslava 90. godišnjice kina \nEuropa \nOpuzenska filmska škola\nOd scenarija do filma\nStudio animacije\nNove filmske večeri u Močvari\nSerije za invizibilno kino\nHeroji - ciklus dokumentarnog \nfilma / Galerija 90-60-90\nSlušam, dakle vidim 2015\nUstanova Opuzen film festival\nUdruga za promicanje medijske \nkulture Luža\nUdruga za promicanje medijske \nkulture Luža\nUdruženje za razvoj kulture \n\"URK\"\nUmjetnička organizacija FILM-\nPROTUFILM\nUmjetnička organizacija Zagreb \nFilm Festival\nUdruga za promicanje \nkvalitetnog likovnog i općenito \nkulturnog razvoja 90 60 90\nUdruga za promicanje \nkvalitetnog obrazovanja mladih s \ninvaliditetom Zamisli\n\n\f\nOdobrena \nsredstva\n1\n250.000,00\n2\n40.000,00\n3\n5.000,00\n4\n80.000,00\n5\n5.200,00\n6\n1.600,00\n7\n10.000,00\n8\n15.000,00\n10\n30.000,00\n11\n50.000,00\n12\n450.000,00\n13\n150.000,00\n275.000,00\nDiscovery d.o.o.\n9\nObilježavanje svjetskog dana \nanimacije \n9. PSSST! Festival nijemog \nfilma\n7. ETNOFILm festival \netnografskog filma\n11. ZagrebDox međunarodni \nfestival dokumentarnog filma\n3. Međunarodna revija filmova \nza djecu\n11. revija hrvatskog \njednominutnog filma \"60 \nsekundi hrvatskog filma\"\nfilmski festivali i druge audiovizualne manifestacije\nNaziv programa\nJedanaesti Festival 25 FPS\nFestival o pravima djece 2015.\n8. Festival mediteranskog filma \nSplit 2015.\nFestival podvodnog filma Bijeli \nlav  Rovinj 2015\nEdukativne radionice  - 9. \nVukovar Film Festival - festival \npodunavskih zemalja\n9. Vukovar Film Festival - \nfestival podunavskih zemalja    \ni\n8. sisački ekološki filmski \nfestival - SEFF\nDom kulture Kristalna kocka \nvedrine\nCentar za kulturu Čakovec\nD.C. Puffer - obrt za sport i \nrekreaciju\nAvvantura Film Festival Zadar \n2015\nNaziv predlagatelja\n25 FPS, Udruga za audio-\nvizualna istraživanja\nAlternator, udruga za promicanje \nstvaralaštva i jednakih \nmogućnosti\nAutorski studio-fotografija, film, \nvideo\nAvantura d.o.o.\nEtnografski muzej Istre\nFactum\nFestival mediteranskog filma \nSplit\nCentar za kulturu Čakovec\nCentar za kulturu Trešnjevka\n\n\f\n14\n45.000,00\n15\n10.000,00\n16\n10.000,00\n17\n55.000,00\n18\n100.000,00\n19\n75.000,00\n20\n80.000,00\n21\n70.000,00\n22\n900.000,00\n23\n5.000,00\n24\n5.000,00\n25\n10.000,00\n26\n5.000,00\n27\n5.000,00\n28\n40.000,00\nDani flamanskog filma\nCaife Gaelach\n5. Fantastic Zagreb Film \nFestival\nFilmski EU tjedan\nDani europskog filma\n53. Revija hrvatskog filmskog \nstvaralaštva djece\nSvjetski festival animiranog \nfilma - Animafest Zagreb 2015\n6. Festival hrvatskih katoličkih \nfilmova Trsat 2015.\n23. hrvatski festival \njednominutnih filmova\n6. VAFI - internacionalni festival \nanimiranog filma djece i mladih \nVaraždin\n47. Revija hrvatskog filmskog \nstvaralaštva\nKulturno prosvjetno društvo \n\"Sloga\" Pakrac\nIstra film\nKinoklub Karlovac\nKulturni klub\nHrvatski filmski savez \nHrvatski filmski savez \n13. Tabor Film Festival - \nmeđunarodni festival \nkratkometražnog filma\n20. Filmska revija mladeži i 8. \nFour River Film Festival \n(5.) Revija filmova podunavskih \nzemalja - 2015.\nPožeški filmski tjedan\nHrvatski filmski savez \nHrvatski filmski savez \nHulahop d.o.o.\nLot 28 studio d.o.o.\nKulturno informativni centar\nFoto-kino klub Baranja film\nGFR film-video\nFilmsko-kreativni studio Vanima\nGOKUL - Građanska \norganizacija za kulturu\n\n\f\n30\n500.000,00\n31\n130.000,00\n32\n20.000,00\n33\n50.000,00\n34\n40.000,00\n35\n10.000,00\n36\n10.000,00\n37\n3.000,00\n38\n2.100,00\n39\n10.000,00\n40\n200.000,00\n41\n40.000,00\n42\n130.000,00\n29\n8.Subversive Film Festival: \nProstori slobode: mikropolitike i \npobune\nDani video umjetnosti / Lovely \ndays\nDani hrvatskog filma\n6. SPFF 2015. Solo Positivo \nFilm Festival\nSupertoon - Međunarodni \nfestival animacije\nFilmski program Vox Feminae \nFestivala 2015\n5. PorečDox - međunarodni \nfestival dokumentarnog filma\nKratki na brzinu, 2. Revija \nhrvatskih kratkih filmova 2015.\nMože i bez Hollywooda - \nfilmska revija\nTDF - Tjedan dokumentarnog \nfilma\nMotovun fim festival 2015\nHuman Rights Film Festival\nOne Take Film Festival - \npredfestivalska godina\n20. Međunarodni festival novog \nfilma / Splitski filmski festival    \ni\nE(d)U Kino – Edukacijske \nprojekcije za djecu i mlade u \nokviru 20. Međunarodnog \nfestivala novog filma / Splitskog \nfilmskog festivala\nPučko otvoreno učilište Poreč\nSpiritus movens d.o.o.\nPučko otvoreno učilište Sveti \nIvan Zelina\nPučko otvoreno učilište Velika \nGorica\nPučko otvoreno učilište Velika \nGorica\nMultimedijalni institut\nMotovun film festival U.O.\nOne Take Film Festival\nOtompotom\nProstor rodne i medijske kulture \nK-zona\nSolo Positivo j.d.o.o.\nUdruga Bijeli val\n250.000,00\nMeđunarodni festival novog filma\nREA - udruga za suvremene \numjetničke produkcije i \narhitektonske produkcije\n\n\f\n43\n10.000,00\n44\n30.000,00\n46\n10.000,00\n47\n10.000,00\n48\n35.000,00\n49\n15.000,00\n50\n60.000,00\n51\n40.000,00\n52\n10.000,00\n53\n15.000,00\n54\n40.000,00\n55\n20.000,00\n56\n17.000,00\n57\n70.000,00\n58\n80.000,00\n45\nInternational Talent Workshop \n(ITW)\nFestival Novih 2015\nSupetar Super Film Festival \nTrash film festival 10\nNOIR Festival 2015\n10. DOKUart Dani \ndokumentarnog filma\nFilmske mutacije: festival \nnevidljivog filma - politike \npažnje\nUhvati film fest\nKinookus Film Festival\nPostira Seaside Film Festival - \nmeđunarodni festival \nkratkometražnog filma\n13. Liburnia Film Festival\n9. Festival dokumentarnog rock \nfilma - DORF\n9. Pašmanske filmske večeri\nDokuMA Film Festival\nManifestacija Đakovački rezovi\n9. Festival tolerancije - JFF \nZagreb                     \ni\nMeđunarodni studentski filmski \nfestival - STIFF\nUdruga za promicanje \nknjiževnosti i audiovizualne \numjetnosti Predstava\nUdruga za promicanje kulture \nDokuart \nUmjetnička organizacija FILM-\nPROTUFILM\nUdruga Đakovački rezovi\nUdruga ljubitelja filma Rare\nUdruga pašmanske mladeži Dica\nUdruga SB Film\nUdruga Super Supetar\nUdruga Trash\nUdruga Filmaktiv\nUdruga građana Spirit\nUdruga Kinookus\nUdruga Lanterna Magica\nUdruga Liburnia film festival\nUdruga Dokuma\n130.000,00\nUdruga Festival suvremenog \nžidovskog filma Zagreb\n\n\f\n59\n440.000,00\n60\n10.000,00\n61\n60.000,00\n62\n5.000,00\nUKUPNO\n5.278.900,00\nFilmski program manifestacije \nDani kršćanske kulture\nUmjetnička organizacija Zagreb \nFilm Festival\nUstanova Kinematografi \nDubrovnik\nUstanova Opuzen film festival\nVerbum d.o.o.\n13. Zagreb Film Festival\n5. Opuzen Film Festival\nDUFF 2015 . - 4. Festival \nfilmskog stvaralaštva djece i \nmladeži zemalja Mediterana \n\n\f\nOdobrena \nsredstva\n1\n10.000,00\n2\n100.000,00\n3\n20.000,00\n4\n7.500,00\n5\n10.000,00\n6\n20.000,00\n7\n20.000,00\n8\n15.000,00\n9\n15.000,00\n10\n10.000,00\n11\n10.000,00\n12\n20.000,00\n13\n20.000,00\n14\n25.000,00\n15\n25.000,00\nIzdavanje knjige Fadila Hadžića \n- Od Disneya do zagrebačke \nškole\nMonografija - 20 godina \nMeđunarodnog festivala novog \nfilma / Splitskog filmskog \nfestivala\nNenad Polimac: Leksikon yu \nkinematografije\nRodno osviještena filmska \nkritika\nFranjo Ledić - pionir hrvatskog \nfilma knjiga+dvd\nZvuk hrvatskog filma i radija - \nserija vinilnih retrospektiva 1\nFilmonaut\nIzdavanje knjige - Uvod u \nscenaristiku: Osnove pisanja za \nfilm, TV i nove medije\nNaziv programa\nizdavaštvo u području audiovizualnih djelatnosti\nHrvatski filmski ljetopis\nProstor rodne i medijske kulture \nK-zona\nFilmovi.hr\nKinemaskop\nKulturni klub\nKurziv - Platforma za pitanja \nkulture, medija i društva\nUdruga Kinofon\nUdruga Filmonaut\nUdruga Jučer, danas, sutra - \nplatforma za audiovizualna \nistraživanja\nRestart label - izdavaštvo i \ndistribucija hrvatskih \ndokumentaraca u regiji\nDokumentarni.net\nRestart\nUdruga Dokumetar\nZapis - bilten Hrvatskog \nfilmskog saveza \nPazi, snima se!\nFilmski katalog j.d.o.o.\nHrvatski filmski savez \nMeđunarodni festival novog filma\nNaziv predlagatelja\nHrvatski filmski savez \nHrvatski filmski savez \nNaklada Ljevak d.o.o.\nUdruga Dušan Vukotić\n\n\f\n16\n5.000,00\n17\n10.000,00\n18\n10.000,00\n19\n15.000,00\nUKUPNO\n367.500,00\nVedis d.o.o.\nFilmski web portal Nemilosrdni \ngadovi\nTko gleda zlo ne misli – filmska \ninternet stranica\nIzdavanje knjige Ive Škrabala - \nDistributer iz onih vremena\nFeminističko čitanje popularne \naudiovizualne kulture\nUdruga Metamedij\nUdruga za feminizam i kulturu \nMuf\nUdruga za promicanje filmske \nkulture i filmskog izdavaštva - \nFilm i dobro\n\n\f\nOdobrena \nsredstva\n1\n40.000,00\n2\n130.000,00\n3\n30.000,00\n4\n30.000,00\n5\n10.000,00\n6\n20.000,00\n7\n80.000,00\n8\n100.000,00\n9\n110.000,00\n10\n325.000,00\n11\n80.000,00\n13\n15.000,00\n75.000,00\n12\nNaziv programa\nProfesionalna briga na SET-u - \nDuty of Care 2015\nprogrami audiovizualnih udruga i organizacija\nProgrami Udruge 25 FPS u \n2015.\nProgram redovite djelatnosti \nDHFR-a u 2015. godini\nFilmske radionice i djelatnosti \ngrupe 2015\nProgram rada za 2015. godinu\nFilmska autorska grupa \n\"Enthusia Planck\" \nHrvatska udruga producenata - \nrad na unaprijeđenju \naudiovizualne djelatnosti u \n2015. godini\nRedovita djelatnost Hrvatskog \ndruštva filmskih djelatnika\nProgram redovite djelatnosti \nhrvatskog društva filmskih \nkritičara u 2015. godini\nProgram Hrvatskog \nKaskaderskog Društva za 2015 \ni\nRedovita djelatnost udruge \nIzvan fokusa u 2015. godini\nRedovita programska djelatnost \n2015.\nRedovna djelatnost Hrvatske \nudruge filmskih snimatelja\nOsnovne djelatnosti Hrvatskog \nfilmskog saveza \nProgram rada FFVAL-a za \n2015.\nIzvan fokusa - Udruga za \nmedijsko stvaralaštvo i kulturne \naktivnosti \nDruštvo hrvatskih filmskih \nredatelja\nHrvatska udruga producenata\nHrvatski filmski savez \nHrvatsko društvo filmskih \ndjelatnika\nHrvatsko društvo filmskih \nkritičara\nHrvatsko kaskadersko društvo\nFilmsko-kreativni studio Vanima\nFoto film video amateri Luke\nFoto kino video klub Zaprešić\nHrvatska udruga filmskih \nsnimatelja\nNaziv predlagatelja\n25 FPS, Udruga za audio-\nvizualna istraživanja\n\n\f\n14\n35.000,00\n15\n35.000,00\n16\n30.000,00\n17\n20.000,00\nUKUPNO\n1.235.000,00\n18\nGRETA ArtSpace\nKinoklub Karlovac\nProgram udruge za \n2015.godinu\nMultimedijalni centar Studio \nkreativnih ideja Gunja - MMC \nSKIG\nRedovita programska djelatnost \nudruge Blank u 2015.          \ni\nRedovna djelatnost Kinokluba \nKarlovac u 2015. godini\nKlub Pulske filmske tvornice\nProizvodnja filmova\nPulska filmska tvornica\nStvaralačka mreža Zebra\n70.000,00\nUdruga Blank\n\n\f\nOdobrena \nsredstva\n1\n40.000,00\n2\n35.000,00\n3\n30.000,00\nUKUPNO\n105.000,00\nprogrami promocije i prodaje hrvatskih audiovizualnih djela\nFestivalska distribucija \nNaziv programa\nDistribucija i promocija filmova \n2015.\nNaziv predlagatelja\nKineDok\nBonobostudio d.o.o.\nRestart\nUstanova Zagreb film\n\n\f\nOdobrena \nsredstva\n1\n10.000,00\n2\n20.000,00\n3\n70.000,00\n4\n240.000,00\n5\n45.000,00\n6\n20.000,00\n7\n50.000,00\n8\n20.000,00\n9\n20.000,00\n10\n15.000,00\n11\n60.000,00\n12\n12.000,00\n13\n55.000,00\nprogrami stručnog usavršavanja\n17. Škola medijske kulture Dr. \nAnte Peterlić \nDECro01 - Pelješac Youth \nMedia Education Center \nZootropski vrt\nRestart Laboratorij u 2015. \ngodini \nCinemaDance = FAMU + Ukus, \nintenzivna radionica kratkih \nigranih filmskih formi\nRefineri - platforma za potporu i \nrazvoj hibridnog AV \nstvaralaštva \nKako napraviti bolji festival\nZagrebDox Pro 2015\nFestival o pravima djece 2015. -\nRadionice i edukativne \naktivnosti\nScenaristički program Branko \nBauer 2015.\nRestart\nNaziv programa\nMoje Čarobne Misli d.o.o.\nOtompotom\nRadionica animacije: 3D \nmapiranje\nDECro01 - Korčula Cross \nMedia LAB & Konferencija \nHrvatski filmski savez \nScenaristički projekt Palunko, \n13. sezona\nUdruga Ukus\nMoje Čarobne Misli d.o.o.\nUdruga Ukus\nMotovun film festival U.O.\nHulahop d.o.o.\nFactum\nHrvatski filmski savez \nDruštvo hrvatskih filmskih \nredatelja\nNaziv predlagatelja\nAlternator, udruga za promicanje \nstvaralaštva i jednakih \nmogućnosti\n\n\f\n14\n70.000,00\n15\n25.000,00\n16\n40.000,00\nUKUPNO\n772.000,00\n RAB - radionica animiranog \nfilma \nZFF Industrija \nanidox:adriatic\nUstanova Zagreb film\nUstanova Zagreb film\nUmjetnička organizacija Zagreb \nFilm Festival\n\n\f\nOdobrena \nsredstva\n1\n20.000,00\n2\n40.000,00\n3\n40.000,00\n4\n25.000,00\n5\n25.000,00\n6\n20.000,00\n7\n10.000,00\nUKUPNO\n180.000,00\nA Sunday in the Country\nMeđunarodni znanstveni skup \no animiranom filmu Animafest \nScanner 2015\nJugoslavenski eksperimentalni \nfilm − tradicija regije, rodna \nkritika i filmska baština\nMasterclass - Svjetski \ndokumentaristi u Hrvatskoj \nproučavanje i kritičko vrednovanje audiovizualnih djelatnosti\nNaziv programa\nRazgovori s autorima u \nDokukinu u 2015.\nVizualni kolegij\nUdruga Dušan Vukotić\nRestart\nRestart\nRevolver studio d.o.o.\nUdruga Avvantura\nDušan Vukotić: nastavak \nistraživanja i izrada \nbibliografije, te arhiviranje i \ndigitalizacija pisane građe\nMultimedijalni institut\nNaziv predlagatelja\nHulahop d.o.o.\n\n\f\nOdobrena \nsredstva\n1\n200.000,00\n2\n2.000,00\n3\n10.000,00\n4\n25.000,00\n5\n60.000,00\nUKUPNO\n297.000,00\nDigitalizacija filmova Škole \nanimiranog filma Čakovec \nsnimljenih u \"Super 8\" i \"16mm\" \nformatu (nastalih u periodu od \n1975. - 1998. godine)\nDigitalizacija i korištenje \naudiovizualnog gradiva iz \nrazdoblja Domovinskog rata\nFilmski / video arhiv Hrvatskog \nfilmskog saveza \nNaziv programa\nPulska filmska tvornica\nŠkola animiranog filma Čakovec\nUstanova Zagreb film\nRestauracija filmova \nZagrebačke škole crtanog filma\nPrikupljanje, popisivanje, \ndigitalizacija, zaštita i pohrana \ngrađe Kino kluba Jelen i \nMeđuklupskog i autorskog \nfestivala amaterskog filma u \nPuli \nNaziv predlagatelja\nHrvatski filmski savez \nHrvatski memorijalno-\ndokumentacijski centar \nDomovinskog rata\nzaštita audiovizualne baštine uključujući kinotečnu djelatnost\n\n\f\nBroj odobrenih \nprograma\nOdobrena \nsredstva\n91\n2.800.300,00\n62\n5.278.900,00\n19\n367.500,00\n18\n1.235.000,00\n3\n105.000,00\n16\n772.000,00\n7\n180.000,00\n5\n297.000,00\n221\n11.035.700,00\nprogrami audiovizualnih udruga i organizacija\nprogrami promocije i prodaje hrvatskih \naudiovizualnih djela\nprogrami stručnog usavršavanja\nSVEUKUPNO:\nproučavanje i kritičko vrednovanje audiovizualnih \ndjelatnosti\nProgramska djelatnost\ndjelatnosti razvijanja audiovizualne kulture\nfilmski festivali i druge audiovizualne \nmanifestacije\nizdavaštvo u području audiovizualnih djelatnosti\nzaštita audiovizualne baštine uključujući \nkinotečnu djelatnost\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"odobreni projekti komplementarne","year":2015,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"djelatnosti razvijanja audiovizualne kulture","section_key":"djelatnosti_razvijanja_audiovizualne_kulture","columns":["Naziv predlagatelja","Naziv programa","Odobrena sredstva"],"rows":[{"row_number":1,"project_title":"Festival o pravima djece 2015. - Prilagodbe filmova za slijepe i gluhe osobe","applicant":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"14.000,00","approved_amount":14000.0,"currency":"HRK","extras":{"col_1":"1","Naziv programa":"Festival o pravima djece 2015. - Prilagodbe filmova za slijepe i gluhe osobe","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"1ee7366f:s0:a7853adda6ec","curation":{"changes":[{"field":"applicant","from":null,"to":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","to":"Festival o pravima djece 2015. - Prilagodbe filmova za slijepe i gluhe osobe","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high","family":{"method":"claude-haiku","confidence":"high","reason":"Identical distinctive program name and focus, same entity (Alternator), accessibility-focused festival","candidate_id":"fc_cfdabe5e6fca"}},"funding_status":"awarded","project_family_id":"pf_a390a4294cf9","project_family_title":"Festival o pravima djece - Prilagodbe filmova za slijepe i gluhe osobe"},{"row_number":2,"project_title":"Cjelogodišnji program Art-kina za 2015. godinu i Škola u kinu","applicant":"ART-KINO","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"350.000,00","approved_amount":350000.0,"currency":"HRK","extras":{"col_1":"2","Naziv programa":"Cjelogodišnji program Art-kina za 2015. godinu i Škola u kinu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"1ee7366f:s0:c59f1b3dc32a","curation":{"changes":[{"field":"applicant","from":null,"to":"ART-KINO","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"ART-KINO","to":"Cjelogodišnji program Art-kina za 2015. godinu i Škola u kinu","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_a0316023511b","project_family_title":"Cjelogodišnji program Art-kina za 2015. godinu i Škola u kinu"},{"row_number":3,"project_title":"Filmske radionice i tečajevi u 2015. i Radionica animiranog filma - mala zagrebačka animacija (z- animacija)","applicant":"Autorski studio-fotografija, film, video","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"col_1":"3","Naziv programa":"Filmske radionice i tečajevi u 2015. i Radionica animiranog filma - mala zagrebačka animacija (z- animacija)","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"1ee7366f:s0:dd3c00ad4760","curation":{"changes":[{"field":"applicant","from":null,"to":"Autorski studio-fotografija, film, video","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Autorski studio-fotografija, film, video","to":"Filmske radionice i tečajevi u 2015. i Radionica animiranog filma - mala zagrebačka animacija (z- animacija)","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_e213fbd41044","project_family_title":"Filmske radionice i tečajevi u 2015. i Radionica animiranog filma - mala zagrebačka animacija (z- animacija)"},{"row_number":4,"project_title":"Disperzije hrvatskih filmskih festivala: Pula film festival, Motovun film festival, Disperzija Zagrebačkog festivala, Tjedan Češkog filma","applicant":"Centar za kulturu Čakovec","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"4","Naziv programa":"Disperzije hrvatskih filmskih festivala: Pula film festival, Motovun film festival, Disperzija Zagrebačkog festivala, Tjedan Češkog filma","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"1ee7366f:s0:78f8814a9557","curation":{"changes":[{"field":"applicant","from":null,"to":"Centar za kulturu Čakovec","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Centar za kulturu Čakovec","to":"Disperzije hrvatskih filmskih festivala: Pula film festival, Motovun film festival, Disperzija Zagrebačkog festivala, Tjedan Češkog filma","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_24d191b6afa0","project_family_title":"Disperzije hrvatskih filmskih festivala: Pula film festival, Motovun film festival, Disperzija Zagrebačkog festivala, Tjedan Češkog filma"},{"row_number":5,"project_title":"Filmska i video radionica Snimi svoj film - 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GODINI \n \nObrazloženje umjetničkih savjetnika za komplementarne djelatnosti \n \nNa Javni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2020. godini \npristiglo je 428 prijava u sljedećim kategorijama: djelatnosti razvijanja audiovizualne \nkulture; filmski festivali i druge audiovizualne manifestacije; izdavaštvo u području \naudiovizualnih djelatnosti; programi audiovizualnih udruga i organizacija; programi \npromocije i prodaje hrvatskih audiovizualnih djela; programi stručnog usavršavanja i/ili \nedukacije; programi proučavanja i kritičkog vrednovanja audiovizualnih djelatnosti; programi \nzaštite audiovizualne baštine, uključujući kinotečnu djelatnost; i ostali programi.  \nZa dvije prijave ustanovljeno je da ne pripadaju u programsko područje komplementarnih \ndjelatnosti, a jedna prijava nije se razmatrala jer je bila nepotpuna.   \n \nSavjetnici za komplementarne djelatnosti, Mirna Belina, Dušan Gačić i Slaven Zečević, za \nfinancijsku podršku preporučuju 297 programa u ukupnom iznosu od 11.999.800 kuna. \n \nU postupku procjenjivanja prijava savjetnici su se vodili nizom kriterija koji su se uglavnom \nodnosili na kvalitetu programa i zaokruženost prijave (posebice financijski i strateški plan), \nlokalnu i nacionalnu važnost programa i kontinuitet odvijanja projekta, s time da se posebna \npozornost posvećivala audiovizualnoj edukaciji i razvoju audiovizualne kulture.  \n \nOsnovni kriteriji procjene bili su: \n- kvaliteta, izvedivost i održivost programa; predloženi su programi koji imaju konkretne i \nrealne strateške planove u umjetničkom, organizacijskom i financijskom smislu; programi \nkoji vode računa o vidljivosti i dostupnosti njihova projekta za profesionalce i javnost; \nprogrami koji zaokruženo i jasno komuniciraju svoje planove u prijavi; programe koje \nizvršavaju iskusni, educirani timovi; programi koji podižu ljestvicu izvrsnosti u svome \nsektoru; programi koji pokazuju tendenciju prema umrežavanju i lokalnom ili \nmeđunarodnom partnerstvu; \n- važnost programa za lokalne zajednice, ali i važnost na državnoj razini, te međunarodna \nprepoznatljivost projekata; \n- strateška usmjerenost projekta na budućnost; predloženi su višegodišnji programi koji \nopravdavaju nastavak financiranja svojom kvalitetom, sustavnošću i javnom važnosti \n(jednokratna događanja predložena su iznimno, a i tad s relativno niskim iznosima); \n- kod projekata koji su prvi put predloženi za sufinanciranje savjetnike je zanimala \nspecifičnost projekta i doprinos raznovrsnosti audiovizualnih sadržaja lokalno (ili \nnacionalno); \n- savjetnici su posebnu pozornost posvećivali projektima koji nude različite aspekte \naudiovizualne edukacije – posebice djece i mladih. \n \nPrimjećuje se nastavak pojava inicijativa koje se odnose na lokalne manifestacije i programe \nusmjerene na djecu, mlade i građane treće životne dobi. Prednost pri prijedlozima za \nsufinanciranje davala se programima koji se nalaze u sredinama u kojima je filmska kultura \nzapostavljena ili nepostojeća. Savjetnici od 2017. godine napominju da je pri provedbi tih \nprograma nužna bolja povezanost s nadležnim institucijama i uključivanje stručnjaka u \n\n\f\n \n2\nkonceptualizaciju projekata i izvedbu.  \n \nNa ovogodišnji se Javni poziv, kao i prethodnih godina, prijavilo mnogo obrazovnih \nprograma za učenike srednjih i osnovnih škola, ali i za školske profesore. Umjetnički \nsavjetnici prepoznaju potrebu za takvim programima jer ona proizlazi iz nerazvijenoga \npristupa medijskoj kulturi u nacionalnom kurikulumu i redovitoj nastavi. Medijska edukacija \nslabo je zastupljena na profesorskim/nastavničkim studijima (a kad i jest, prilično je \nzastarjela), a zatim posljedično i u samoj nastavi. Trebalo bi imati na umu da Javni poziv za \nkomplementarne djelatnosti ne bi trebao biti dominantan oblik medijskog obrazovanja, već \nnadopuna postojećega, što trenutačno nije slučaj.  \n \nAudiovizualno obrazovanje ključna je točka razvoja sektora. Umjetnički savjetnici i ove \ngodine naglašavaju nužnost za snažnijim otvaranjem komunikacijskih kanala između \nMinistarstva kulture, Ministarstva znanosti i obrazovanja i Hrvatskog audiovizualnog centra \noko tih pitanja kako bi se postigao veći napredak u području audiovizualnog obrazovanja. \n \nKao i svake godine, u svim kategorijama utvrđeni su prioritetni programi za koje su \npredložene i najviše potpore. Riječ je o programima od iznimne ili visoke vrijednosti, koje \nmožemo držati temeljnima za očuvanje i razvoj audiovizualnog stvaralaštva u Hrvatskoj, \nodnosno o programima velike regionalne ili lokalne važnosti, ili pak onima koji su važni za \nrazvoj pojedinih djelatnosti ili žanrova. Neke od njih navodimo u nastavku.  \n \nU kategoriji Djelatnosti razvijanja audiovizualne kulture savjetnici su posebnu pažnju \nposvetili umjetničkim i nezavisnim kinima u većim urbanim središtima, kojima su predložene \nrazličite potpore s obzirom na kvalitetu i važnost predloženog programa, ali i na financijsku \nstrukturu programa i veličinu publike. Ove godine u ovoj kategoriji izostala je, očekivano, \nprijava za Kino Europa u Zagrebu. Od predloženih programa možemo izdvojiti filmske \nprograme Art-kina Croatia (Rijeka), filmske programe Kina Tuškanac, koje vodi Hrvatski \nfilmski savez (Zagreb), Centar za kulturu i cjeloživotno obrazovanje Zlatna vrata (Split), \nKino Urania (Osijek) i Dokukino (Zagreb). Kao važni prepoznati su i redoviti prikazivački \nprogrami u Bjelovaru, Daruvaru, Dubrovniku, Pakracu, Samoboru, Varaždinu, Velikoj Gorici \nitd. Napominjemo da dio kina diljem Hrvatske svoj repertoarni program temelji na \nkomercijalnoj kinematografiji, što Hrvatski audiovizualni centar ne smatra prioritetom pri \nsufinanciranju. Stoga su prijedlozi potpore određenim kinima prilagođeni u skladu s \npredloženim programima. Putujući projekt Kino Mediteran i dalje uzorno izvršava i širi \nplanove te je i ove godine predložen za potporu. Ističu se i kontinuirani obrazovni programi i \nradionice Kinokluba Zagreb, Kino kluba Split i udruga Restart i Blank. U programu radionica \nvrlo je aktivna i Pulska filmska tvornica te Kino klub Karlovac. Od raznih programa za djecu \ni mlade naglašavamo važnost programa udruge Djeca susreću umjetnost i Bacača sjenki.  \n \nPrijedlozi za sufinanciranje u kategoriji Filmskih festivala i drugih audiovizualnih \nmanifestacija najviša su proračunska stavka u okviru komplementarnih djelatnosti – \n5.551.000 kn, što iznosi 46 % od ukupnog iznosa ovogodišnje potpore. Kao najvažniji \nnacionalni festivali značajnoga međunarodnog ugleda i dalje su predloženi Animafest \nZagreb, Motovun Film Festival, ZagrebDox, Zagreb Film Festival, Vukovar Film Festival i \n25 FPS, dakle, najveći hrvatski međunarodni festivali animiranog, dokumentarnog, \neksperimentalnog i igranog filma. Slijede ih specijalizirani festivali poput Dana hrvatskog \nfilma, Festivala mediteranskog filma u Splitu, Splitskog filmskog festivala, Human Rights \n\n\f\n \n3\nFilm Festivala (Zagreb, Rijeka) i Subversive Film Festivala (Zagreb) te drugi festivali \nregionalnog značaja kao što su međunarodni Four River Film Festival (Karlovac) i Liburnia \nFilm Festival (Opatija). Valja izdvojiti i festivale specifičnog formata ili usmjerenja kao što \nsu Festival tolerancije, Filmske mutacije, Fantastic Zagreb Film Festival, Festival \nVoxFeminae u Zagrebu, Supertoon u Šibeniku i DOKUart u Bjelovaru. Tu naglašavamo i \nprijedlog za nastavak sufinanciranja međunarodnog festivala kreatora videoigara i \nkonferencije Reboot Develop Blue (Dubrovnik). Ostale prijave u ovoj kategoriji lokalno su \norijentirani festivali, odnosno filmske revije, od kojih treba izdvojiti tri nacionalne revije u \norganizaciji Hrvatskoga filmskog saveza: Reviju hrvatskoga filmskog stvaralaštva, Filmsku \nreviju mladeži i Reviju hrvatskog filmskog stvaralaštva djece.  \nIstičemo prijedlog za povećanje potpore kod nekih od spomenutih najznačajnijih nacionalnih \nmeđunarodnih festivala, prije svega jer i dalje ispunjavaju ulogu prikazivača suvremenog \numjetničkog filmskog programa u velikim hrvatskim gradovima s tek jednim ili bez art kina i \njer filmove koje dovode na festival zatim nastavljaju prikazivati širom države.  \nNapominjemo čitatelji(ca)ma ovoga racionala da festivali nerijetko posebno prijavljuju \nprofesionalne edukacijske programe te da za detektiranje pune potpore određenome festivalu \ntreba uzeti u obzir i prijave iz kategorije programa stručnog usavršavanja i edukacije. \nTakođer, moramo napomenuti da su mnogi izdaci poput smještaja ili cateringa znatno \nposkupjeli te da ih ova korekcija prijedloga potpore kod najvećih nacionalnih festivala – \nfestivala s najviše međunarodnih i domaćih gostiju – pokušava uzeti u obzir.  \n \nU kategoriji Izdavaštvo u području audiovizualnih djelatnosti najviši prijedlog za potporu \ntradicionalno je dodijeljen filmološkom časopisu Hrvatski filmski ljetopis. U području \nelektroničkih publikacija ili internetskih portala tek se nekoliko platformi bavi ozbiljnim i \nkontinuiranim kritičarskim i istraživačkim radom poput npr. Kinemaskopa (Kulturpunkt), \nstranice Dokumentarni.net ili stranice portala Vox.Feminae, kojima predlažemo nastavak \npotpore sufinanciranja. Ističemo i prijedlog potpore za nekoliko filmološki relevantnih \nprijevoda poput Prostora prikazivanja Vivian Sobchack (Hangar 7 d.o.o.) ili Uvoda u \ndokumentarni film Billa Nicholsa (HFS). Kao i uvijek, zdušno podupiremo objavljivanje \ndomaće filmološke literature i za sufinanciranje predlažemo knjigu Hrvoja Turkovića (ADU), \npublikaciju o Ivanu Ladislavu Galeti, monografiju Vatroslava Mimice (HFS), drugu zbirku \ntekstova Nenada Polimca (Novi Gordogan) i knjigu o Dušanu Vukotiću (Udruga Dušan \nVukotić).  \n \nU kategoriji Programi audiovizualnih udruga i organizacija umjetnički savjetnici prepoznaju \nvažnost kontinuiranog djelovanja strukovnih udruga u području filma, ali i neprofesijskih \nfilmskih i videoudruga te njihove krovne organizacije, Hrvatskoga filmskog saveza. \nKontinuitet kvalitete rada tih organizacija smatramo važnim aspektom razvoja cjelokupnog \naudiovizualnog sektora i važnim doprinosom stručnom razvoju filmskih radnika i radnica, \nkao i širenju znanja izvan užih strukovnih krugova. Treba istaknuti i prijedlog podrške niza \nmanjih udruga čija redovita godišnja djelatnost podrazumijeva ponajprije radioničku i \nedukativnu djelatnost. Navodimo neke od najznačajnijih udruga: Hrvatsko društvo filmskih \ndjelatnika, Društvo hrvatskih filmskih redatelja, Hrvatska udruga producenata, Hrvatska \nudruga filmskih snimatelja, Hrvatska mreža nezavisnih kinoprikazivača, Hrvatsko društvo \nfilmskih kritičara i Savez scenarista i pisaca izvedbenih djela.  \n \nU kategoriji Programi promocije i prodaje hrvatskih audiovizualnih djela najviše je \nsufinanciranje predloženo za kontinuirani program distribucije i promocije uglavnom \n\n\f\n \n4\ndomaćih animiranih i eksperimentalnih filmova (Bonobostudio d.o.o.), program KineDok \nudruge Restart i festivalsku distribuciju Ustanove Zagreb film. Po prvi put se predlaže \nfinanciranje internetske platforme Croatian.Film (UO Zagreb Film Festival), odnosno \nbesplatne internetske baze hrvatskog (kratkometražnog) filma.   \n \nU kategoriji Programi stručnog usavršavanja i/ili edukacije prepoznata je nužnost daljnjega \nkontinuiranog rada na edukaciji nastavnika/ica, voditelja/ica klubova i samostalnih autora i \nautorica kroz Školu medijske kulture \"Dr. Ante Peterlić\" Hrvatskoga filmskog saveza. \nUmjetnički savjetnici izdvajaju kao pozitivne primjere programa s kontinuiranim razvojem \nRestartov Laboratorij, scenarističku platformu Palunko u organizaciji Hrvatskoga filmskog \nsaveza i scenaristički program \"Branko Bauer\" Društva hrvatskih filmskih redatelja.  \nU ovoj kategoriji prijavljuju se i programi namijenjeni profesionalcima tijekom već \nnavedenih najvećih domaćih filmskih festivala. Spominjemo prijedlog nastavka \nsufinanciranja profesionalnih platformi kao što su ZagrebDox Pro i ZFF Industrija, a zatim i \nradionica Discovery filma (organizator Vukovar Film Festivala), program industrije Festivala \nmediteranskog filma Split, Animafest PRO (Hulahop d.o.o.), Kampus Motovun i Europski \nžanrovski forum (uz Fantastic Zagreb Film Festival) i sl. Po prvi put je za sufinanciranje \npredložen pitching forum Circle – Women Doc Accelerator (modul 2) u organizaciji \nSekvence d.o.o., program osnaživanja žena u dokumentarnom filmu, koji će se odvijati \ntijekom Liburnia Film Festivala. Prvi put je za potporu predloženo i trodnevno događanje \nnamijenjeno profesionalcima iz televizijske industrije, NEM Zagreb. Prepoznati su i \nprogrami razmjene i edukacije u specifičnim filmskim područjima kao što su ASIFA-in \nAnidok i 11. međunarodna radionica animiranog filma u organizaciji Ustanove Zagreb film.  \n \nU kategoriji Proučavanje i kritičko vrednovanje audiovizualnih djelatnosti umjetnički \nsavjetnici pozdravljaju istraživačke projekte i kustoske programe. Uz prijedloge potpore \nredovitim programima poput Restartova Masterclassa i Vizualnog kolegija Multimedijalnog \ninstituta, ističe se i prijedlog potpore udruzi Jučer, danas, sutra za izdavanje ploče \"Zvuk \nhrvatskog filma – Zagrebačka škola animiranog filma\". \n \nU kategoriji Zaštita audiovizualne baštine uključujući kinotečnu djelatnost prepoznaje se \nvažnost redovitog održavanja filmskog i video arhiva Hrvatskoga filmskog saveza. \nUmjetnički savjetnici cijene napore da se digitalizira što veći dio hrvatske filmske baštine iz \nraznih arhiva. I dalje napominjemo da se posebna pažnja mora posvetiti dostupnosti građe \nnakon digitalizacije za istraživače i širu javnost.  \nKao i prethodne godine, umjetnički savjetnici žele posebno naglasiti da su za godišnji plan \nzaštite i restauracije audiovizualnoga gradiva Hrvatskoga državnog arhiva – Hrvatske \nkinoteke osigurana zasebna sredstva izvan programskih sredstava za komplementarne \ndjelatnosti. \n \nNaglašavamo ponovno nekoliko problema koje smo napomenuli i u uvodu ovoga \nobjašnjenja, a to su održivost komplementarnih djelatnosti i nesustavni pristup zanemarenoj \nmedijskoj pismenosti u okviru (visoko)školskog obrazovanja u RH. Manjak sustavnog \nobrazovanja iz jezika medija, gledanja i analize filmova i svih ostalih slika oko nas u \nobrazovnom sustavu donosi na natječaj HAVC-a niz nesustavnih, raštrkanih i nejednako \nkvalitetnih inicijativa koje žele obrazovati nastavnike i učenike. Kratko i jasno, bez sustavnog \npristupa tom problemu ne možemo očekivati poboljšanje medijske pismenosti u Hrvatskoj.  \n \n\n\f\n \n5\nČinjenica da raste broj prijava na Javni poziv komplementarne djelatnosti, a iznos koji se \nosigurava ostaje u istim okvirima, također nije riješena.  \n \nNažalost, dio prijavitelja i dalje cijelu financijsku konstrukciju prijavljenog projekta temelji \nisključivo na potpori Hrvatskog audiovizualnog centra, što je, smatramo, neodrživo.  \n \nPrestanak rada kina Europa ove godine ostavio je, između ostalog, pod upitnikom repertoarni \nprogram suvremenog umjetničkog, odnosno nekomercijalnog filma u gradu Zagrebu. Pitanje \nfilmske obrazovanosti i kulture tako se još dodatno zakompliciralo jer je kino donosilo ne \nsamo programe suvremenog filma nego i razne edukacijske programe za mlađe i starije, a \nfunkcioniralo je i kao središte velikoga dijela filmskih festivala. Činjenica da je Zagreb \nizgubio veliku kinodvoranu u središtu grada događaj je s nesagledivim posljedicama za \nfilmsku kulturu u glavnome gradu Republike Hrvatske. Još je tragičnija činjenica da je \nbudućnost toga prostora posve nepoznata te da trenutačno stoji prazan bez naznake obnove ili \nponovnog otvaranja \n \nNapominjemo i neriješen status, odnosno nepostojanje samostalne institucije Hrvatske \nkinoteke, unatoč tomu što je njezino osamostaljivanje od Hrvatskoga državnog arhiva, \nodnosno osnivanje ostalo jedini neostvaren cilj prvoga Nacionalnog programa promicanja \naudiovizualnog stvaralaštva, a i ponovljeno je kao neposredni provedbeni cilj do 2021. u \nnovom Nacionalnom programu promicanja audiovizualnog stvaralaštva 2017.–2021.\" \n \n \nUmjetnički savjetnici za komplementarne djelatnosti \n \nMirna Belina \nDušan Gačić \nSlaven Zečević \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2023_1rok_14III2023_DUG_IGR_WEB.pdf","filename_decoded":"RSC_2023_1rok_14III2023_DUG_IGR_WEB.pdf","sha256":"1f003de761450f65a8e6fbab3db04303adb4ed901c27792d38851ed9b9a34abb","bytes":122281,"page_count":1,"extracted_at":"2026-05-17T10:24:25Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2023_1rok_14III2023_DUG_IGR_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nODOBRENO (€)\n1\nBilo jednom u Dalmaciji\nAnte Marin\n5.300,00\n2\nKada umren zamotan u \nbilo\nJosip Lukić\nJosip Lukić\n5.300,00\n3\nLito koje traje zauvik\nKarla Leko\n5.300,00\n4\nMama je kriva za sve\nLuka Mavretić, Valentina \nMavretić\nLux film d.o.o.\nGoran Ribarić\n5.300,00\n5\nMiron u škripcu\nMatej Sudarić\nLux film d.o.o.\n5.300,00\n6\nMladež\nJakov Nola\nJakov Nola\n5.300,00\n7\nMočvara\nDaria Blažević\nDaria Blažević\n5.300,00\n8\nPoštanska stanica\nVeno Mušinović\n5.300,00\n9\nRaskoljnikov na \ngodišnjem\nMatija Drniković\nWolfgang i Dolly d.o.o. \n5.300,00\n10\nSezona\nKatarina Radetić\nMedVid d.o.o.\n5.300,00\n11\n\"Sise i smoki\"\nAntonela Tošić\n5.300,00\n12\nSlijepo svjetlo\nZorko Sirotić, Ema \nDobrota\nZorko Sirotić\n5.300,00\n13\nTetrix\nNiko Sučić, Dino Julius\nDino Julius, Luka Hrgović\n5.300,00\n14\nU svemiru, na ivici svijeta\nDamir Čučić\nDamir Čučić\n5.300,00\n15\nBoj pod Sigetom\nArsen Anton Ostojić, \nBožidar Smiljanić\nFilmosaurus Rex d.o.o.\nArsen Anton Ostojić\n5.300,00\n79.500,00\nUKUPNO\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ SCENARIJA u 2023. - 1. 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Jedan projekt nije razmatran radi nepotpune dokumentacije.  \n• Prema grupi audiovizualnih djela u kojoj se prijavljuje projekt prijavljeno je:  \nOSAMNAEST dugometražnih igranih filmova \nSEDAM debitantskih dugometražnih igranih filmova te od tog broja JEDAN u fazi postprodukcije  \nPET dugometražnih dokumentarnih filmova \nJEDAN kratkometražni dokumentarni film  \nTRI kratkometražna igrana filma  \nDVA kratkometražna animirana filma  \n• I to produkcijskih kuća s većinskim udjelom u financiranju iz ukupno PETNAEST zemalja (od projekata koji su \nse razmatrali) \nSrbija (10), Slovenija (6), Sjeverna Makedonija (1), Crna Gora(1), Bosna i Hercegovina(2), Češka Republika(1), \nBelgija(1), Njemačka(2), Turska(1), Kanada(1), Ukrajina(3), Italija(2), Rumunjska(2), Španjolska(1), Švedska (1) \n• Kriteriji za predlaganje projekata za sufinanciranje temelje se na:  \ncjelovitosti i dorađenosti projekata u kreativnom smislu i to na temelju ocjene scenarija i redateljske \nkoncepcije. Ocjena proizlazi iz analize relevantnosti teme, inovativnosti scenarija i redateljskog pristupa, \ndramaturške dosljednosti scenarija te cjelovitosti scenarija i redateljske koncepcije.  \nJednako važan aspekt su i ocjena financijske izvedivosti te predstavljenog distribucijskog potencijala projekta \nte doprinos u broju hrvatskog dijela ekipe filma.  \nUz ocjenu svih kreativnih i produkcijskih potencijala pojedinačnog projekta, kriterij predlaganja uključuje i \nodnos reciprociteta sa zemljama s većinskim udjelom u financiranju prijavljenih projekata. Riječ je o zemljama \nregije s kojima dugi niz godina njegujemo suradnju te koje sustavno sufinanciraju proizvodnju hrvatskog filma \nkroz manjinske koprodukcije.  \nI na kraju, kriterij su svakako i aktualne financijske mogućnosti Hrvatskog audiovizualnog centra za \nfinanciranje projekata.  \nNa listu filmova odobrenih za sufinanciranje proizvodnje uvršteno je pet projekata:  \n \n1. dugometražni igrani film Domaćinstvo za početnike (Sjeverna Makedonija) s odobrenim sredstvima u iznosu \nod 550.000 kn  \n2. dugometražni igrani film Šterkijada (Slovenija) s odobrenim sredstvima u iznosu od  550.000 kn \n\n\f\n3. debitantski dugometražni igrani film u postprodukciji Metamorfoze (Srbija) s odobrenim sredstvima u iznosu \nod  250.000 kn, \n4. dugometražni dokumentarni film Pod sretnom zvijezdom (Italija) s odobrenim sredstvima u iznosu od \n250.000 kn, \n5. animirani film Lenin pas (Njemačka) s odobrenim sredstvima u iznosu od 250.000 kn \nUkupni iznos odobrenih sredstava jest 1.850.000 kuna.  \n \n1.Domaćinstvo za početnike s odobrenim sredstvima u iznosu od 550.000 kn dugometražni je igrani film \nsjeverno-makedonskog redatelja Gorana Stolevskog koji živi na relaciji između Australije i Skopja. Stolevski je u \npetnaestak godina karijere režirao niz nagrađivanih kratkometražnih igranih filmova, među kojima je Would \nYou Look at Her, nagrađen kao najbolji kratki film festivala Sundance 2018.  \nNjegov dugometražni igrani film Domaćinstvo za početnike smješta ljubavni par Suadu i Ditu, Suadine kćeri i \nnjihove queer sustanare u kuću u predgrađu Skopja. Nakon Suadine smrti od raka gušterače, njihova zajednica \ndoživljava ogroman emotivni gubitak, a Dita koja Suadi obeća preuzeti ulogu majke suočava se sa izazovima \nnekonvencionalnog načina da se izbori za svoju obitelj.  \nHrvatski producent je Kinorama, glavni producent sjeverno-makedonski List-Production. \n2. Dugometražni igrani film Šterkijada s odobrenim sredstvima u iznosu 550.000 kuna intiman je portret \nobitelji Jure Šterka, prvog Slovenca koji je sam oplovio svijet, iz perspektive njegovog sina, redatelja filma Igora \nŠterka. Nagrađivani slovenski redatelj, u obiteljskoj drami Šterkijada pripovijeda priču o izazovima odrastanja \nuz osebujnog čovjeka kakav je bio njegov otac, ulazi u najintimnije kutke obiteljskog života i pripovijeda priču o \nodnosu s ocem, njegovom odnosu prema životu, obitelji i sportskim izazovima. \n \nHrvatski producent je produkcija Švenk, a glavni producent slovenska A.A.C. Productions.   \n \n \n3. Dugometražni igrani film u postprodukciji Metamorfoze  s odobrenim sredstvima od 250.000 kuna \ndebitantski je film redatelja i scenarista Dušana Zorića i Matije Gluščevića - crna komedija koja prati tri životne \npriče žene u pedesetim godinama Drahinje, koju tumači Ksenija Marinković.  \nSvaka priča čini jedinstvenu, narativno neovisnu cjelinu koju obilježava u elementima različita, ali u srži \njedinstvena atmosfera međuprostora nevidljivosti u kojem egzistira glavni lik. Riječ je o intrigantnom projektu \nkoji se bavi različitim verzijama postojanja sredovječne žene koju sjajno glumi Ksenija Marinković. Izvrsnim \nodabirom glavne glumice i situacijama na granici realnog u koje guraju glavni lik autori kreiraju začudnu, \ngotovo apsurdnu cjelinu u kojoj, kako navode jedna sredovječna žena pokušava iskočiti iz svoje kože. \nHrvatski producent je produkcija Dinaridi film, a glavni producent Non-Aligned Films.  \n4. Dugometražni dokumentarni film Pod sretnom zvijezdom  s odobrenim sredstvima od 250.000 kuna novi je \nprojekt slovačkog redatelja Petera Kerekesa koji realizira u suradnji s talijanskom autoricom Ericom Barbiani.  \nSredišnji lik dokumentarca je Luciana, talijanska astrologinja koja svoje klijente, na dan njihovih rođenja, šalje u \nsve krajeve svijeta da im promijeni stav prema životu i tako utječe na njihovu sudbinu. Primjerice, neudane \nžene šalje na mjesta na kojima misli da će sresti iznimno muževne tipove, žene s niskim samopoštovanjem u \n\n\f\nudaljena mjesta, usred prirode, gdje se moraju u potpunosti osloniti na sebe...Riječ je o projektu koji vješto \nkoristeći humor priča priču po potrazi za ljubavlju, priznanjem, srećom i mjestom u društvu.  \nHrvatski producent je Restart, a glavni producent je talijanska produkcija Videomante.  \n5. Lenin pas kratki je kratkometražni animirani film s odobrenim sredstvima od 250.000 kuna, poznatog \nnjemačkog studija Film Bilder autorice Elene Walf u tehnici rukom crtane 2D animacije u TV paint programu. \nFilm kroz zgode i nezgode malog, simpatičnog, trapavog ali prije svega dobrodušnog psa progovara o temama \npoput važnosti prijateljstva, posvajanju, ali i uči djecu o svakodnevici života na farmi, izmjeni prirodnih ciklusa, \ngodišnjih doba, suživotu raznih vrsta. Sve se događa kroz vrlo simpatične zgode i nezgode koje uvijek dobro \nzavrše jer je pas pozitivan i pun ljubavi prema životu i svijetu. \nHrvatski producent je Minya Film i Animacija, a glavni producent je njemački Film Bilder.  \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2021,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2013%20Me%C4%91unarodna%20suradnja,%2015%2005%202013.pdf","filename_decoded":"2013%20Me%C4%91unarodna%20suradnja,%2015%2005%202013.pdf","sha256":"215cbfe1ae247bdd49e308436d6dc47a7b36ed6b817523665540966203a31e60","bytes":277954,"page_count":6,"extracted_at":"2026-05-16T16:45:25Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2013%20Me%C4%91unarodna%20suradnja%2C%2015%2005%202013.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA (kn)\n1\nAkademija dramske umjetnosti\nProgrami stručnog usavršavanja\nSudjelovanje dvojice studenata i jednog nastavnika na \nkonferenciji o scenskoj rasvjeti Showlight 2013 u Česky \nKrumlovu, Češka, od 18. do 21. svibnja 2013.\n3.800,00\n2\nAkademija dramske umjetnosti\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija); Programi stručnog \nusavršavanja, \nOrganizacija međunarodne radionice Film Editing \nMasterclass IV u Grožnjanu, Hrvatska, od 14. do 20. \nlistopada 2013.\n17.000,00\n3\nAkademija dramske umjetnosti\nProgrami gostovanja hrvatskih autora/- \nica, producenata/- ica, izbornika filmskih \nfestivala, filmskih stručnjaka i \ndjelatnika.Programi izrade promidžbenih \nmaterijala i prijavljivanje u službenu \nkonkurenciju. festivala.Programi \npredstavljanja i promocije filmova.\nPredstavljanje studentskih filmova na međunarodnim \nfestivalima i manifestacijama\n25.000,00\n4\nAna Vilenica ( za Fun Da Mental)\nPitching, koprodukcijski forumi i programi \nza razvoj projekata.   Programi stručnog \nusavršavanja.\n Sudjelovanje producentice Ane Vilenice na tri sesije \nradionice MAIA - Fiuggi regija, Italija (27. - 31. 05.), \nBratislava, Slovačka (24. - 28.06.), Dubrovnik, Hrvatska \n(30.09 - 04.10.)\n13.000,00\n5\nAning usluge d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje producenta Bojana Kanjere na radionici s \npodručja kreativnog razvoja projekta 'Creative Aspects' u \nsklopu MAIA radionica, Fuiggi, Italija, od 27. svibnja do 01. \nlipnja 2013.\n4.000,00\n6\nARS SEPTIMA d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje autorice romana 'Anđeli će samo zaspati', \nMerite Arslani na radionici za razvoj scenarija 'Sources 2 - \nScript Development Workshop', Troms, Norveška, od 13. \ndo 21. lipnja 2013.\n13.000,00\n7\nFactum\nPitching, koprodukcijski forumi i programi \nza razvoj projekata\nSudjelovanje scenaristice i redateljice filma \"Goli\"  na Docs \nin Progress, u sklopu međunarodnog festivala Visions du \nRéel u Nyonu, Švicarska, od 22. do 27. travnja 2013.\n9.000,00\n8\nFADE IN d.o.o.\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i programi \nza razvoj projekata.\nSudjelovanje Morane Komljenović na tri follow - up \nradionice u sklopu programa DOK.Incubator, Wroclaw, \nPoljska (17.06-23.06.2013.), Bratislava, Slovačka (08.09.-\n15.09.2013.), Leipzig, Njemačka (27.10.-03.11.2013.) \n8.000,00\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2013.                                                                                                                                \nPROGRAMI MEĐUNARODNE SURADNJE - rok 15. svibnja 2013.\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA (kn)\n9\nGrađanska organizacija za \nkulturu Gokul\nProgrami predstavljanja i promocije \nhrvatskih filmova\nSudjelovanje predstavnika udruge Gokul  i predstavljanje \nkratkometražnih filmova 'Ustaj Miro', 'Životinjsko carstvo', \n'Prva dama Dubrave', 'Zima', 'Čistina', 'O snu' i 'I'm \nnobody', u sklopu projekta Fil'm@9 u Istanbulu, Turska, od \n26. ožujka do srpnja 2013.\n3.450,00\n10\nHrvatski državni arhiv - Hrvatska \nKinoteka\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija)\nSudjelovanje 3 stručnih djelatnika Hrvatske kinoteke, 2 \ndjelatnika studija za digitalnu restauraciju Vizije, te gosta \nredatelja i predstavljanje restaurirane kopije \ndugometražnog filma 'Crne ptice' red. E. Galića, te \nprikazivanje izbora dokumentarnih filmova, red.  E. Galića \nu sklopu Dana hrvatske kinoteke u Ljubljani, Slovenija, 6. \nsvibnja 2013., te predstavljanje projekta zajedničke \nrestauracije filma 'Crne ptice' i  programa slovenskog  \nfilma prema izboru Slovenskog filmskog arhiva u sklopu \nDana slovenskog filma u Zagrebu, od 28. do 31. listopada \n2013.\n4.371,00\n11\nHrvatski državni arhiv - Hrvatska \nKinoteka\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti. Programi stručnog \nusavršavanja.\nSudjelovanje stručnog djelatnika Hrvatske Kinoteke na \nGeneralnoj skupštini Europskog udruženja filmskih arhiva, \nspecijaliziranoj radionici 'Prikupljanje, čuvanje i \nprikazivanje u digitalnom svijetu', restauratorskim panelima \ni majstorskim radionicama u sklopu 27. Festivala \nnovootkrivenog i restauriranog filma 'Il Cinema Ritrovato' i \nna festivalu 'Il Cinema Ritrovato', od 29. lipnja do 06. \nsrpnja 2013., Bologna, Italija\n5.767,50\n12\nHrvatski filmski savez\nProgrami gostovanja hrvatskih autora/- \nica, producenata/- ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti.\nSudjelovanje Željka Baloga na godišnjem sastanku \nKomiteta i  Generalne skupštine međunarodne \norganizacije UNICA-e, te sudjelovanje Aleksandra \nMuharemovića i Tonćija Gaćine na međunarodnom \nfilmskom festivalu UNICA, Fieberbrunn, Austrija, od 24. do \n31.08.2013.\n13.000,00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA (kn)\n13\nHulahop d. o. o.\nPitching, koprodukcijski forumi i programi \nza razvoj projekata\nSudjelovanje redatelja i producentice i predstavljanje \ndokumentarnog filma 'Vještica u raljama života' , red. \nSenad Zemunović i Mija Plaviša na tri modula 3. radionice \nza razvoj dokumentarnog filma BDC Discoveries 2013. u \nSofiji, Bugarska (06. - 12.05), Prizren, Kosovo u sklopu \nDokuFesta (22. - 25.08.2013.), Leipzig, Njemačka u sklopu \nDOK Leipzig (28. - 31.10. 2013.)\n15.000,00\n14\nInter film d.o.o.\nProgrami gostovanja hrvatskih autora/- \nica, producenata/- ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami izrade promidžbenih materijala i \nprijavljivanje u službenu konkurenciju \nfestivala. Programi međunarodne \nkulturalne razmjene iz područja \naudiovizualnih djelatnosti.\nSudjelovanje člana filmske ekipe i predstavljanje filma \n'Svećenikova djeca', red. Vinka Brešana u službenoj \nkonkurenciji 48. međunarodnog filmskog festivala Karlovy \nVary, Karlovy Vary, Češka, od 28.lipnja do 06. srpnja \n2013.\n90.000,00\n15\nKINEMATOGRAF d.o.o.\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti.\nSudjelovanje predstavnika Kinematografa na dvije sesije \nradionica u sklopu 2. izdanja međunarodne filmske i video \nradionice za pripadnike manjinskih zajednica u Europi \nCamera di specchi, Momjan, Hrvatska, od 10. do 16. lipnja \n2013. (I sesija), te u Trstu, Italija, od 02. do 08. rujna 2013. \n17.000,00\n16\nKinoklub Zagreb\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i programi \nza razvoj projekata.\nSudjelovanje scenarista Tina Žanića i predstavljanje \nscenarija za dugometražni film 'Slavonija' na radionici \nSources 2, Troms, Norveška, od 17. do 21. lipnja 2013. i \nsudjelovanje scenarista i producentice i predstavljanje \nscenarija za dugometražni film 'Slavonia' na radionici \nMIDPOINT, Slovačka, od 13. do 21. lipnja 2013. i Češka \nod 24. do 31. kolovoza 2013.\n13.000,00\n17\nMarija Tadić\nProgrami stručnog usavršavanja\nSudjelovanje glumice Marije Tadić na međunarodnom \nprogramu kreativnog i profesionalnog razvoja 'The Actors' \nLab - generation Campus International Film School' u \nsklopu Međunarodnog Moskva film festivala, Moskva, \nRusija, od 18. do 25.lipnja 2013.\n1.148,70\n18\nMarko Rojnić\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje Marka Rojnića na konferenciji u organizaciji \n'The Society for Cognitive Studies of the Moving Image' s \nradom 'Gaze cueing of attention as an empirical \nexplanation for cut motivation in point-of-view editing?' u \nBerlinu, Njemačka, od 12. do 15. lipnja 2013.\n3.830,00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA (kn)\n19\nMarko Rojnić\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti. Programi stručnog \nusavršavanja.\nStručno usavršavanje Marka Rojnića iz područja \npsihologije filma pri Odsjeku za Filmske Studije Sveučilišta \nu Kentu, Canterbury, Kent, Velika Britanija, od 21. rujna \n2013. do 20. rujna 2014.\n35.000,00\n20\nNUKLEUS FILM d.o.o.\nProgrami gostovanja hrvatskih autora/- \nica, producenata/- ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nPitching, koprodukcijski forumi i programi \nza razvoj projekata\nSudjelovanje producenta i predstavljanje projekta igranog \nfilma 'Trema (Stage fright)' red. Yorgosa Zoisa u sekciji \nCinefondation - L' Atelier, u sklopu 66. međunarodnog \nfilmskog festivala u Cannesu, Francuska, od 16. do 23. \nsvibnja 2013.\n13.000,00\n21\nPropeler\nPitching, koprodukcijski forumi i programi \nza razvoj projekta.\nSudjelovanje redatelja i producenta i predstavljanje filma \n'Srce mesara' na koprodukcijskom forumu Paris Project u \nsklopu međunarodnog filmskog festivala Paris Cinema, \nPariz, Francuska, od 30. lipnja do 06. srpnja 2013.\n5.202,00\n22\nRestart\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami gostovanja hrvatskih autora/- \nica, producenata/- ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redatelja i producentice i predstavljenje \ndokumentarnog filma 'Gangster te voli', red. N. \nSlijepčevića u programu dokumentarne konkurencije \ndugometražnih filmova u sklopu 48. međunarodnog \nfilmskog festivala Karlovy Vary, Karlovy Vary, Češka, od \n28. lipnja do 06. srpnja 2013.\n25.000,00\n23\nRestart\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija)\nSudjelovanje Olivera Sertića na međunarodnim festivalima \ndokumentarnog filma HOT DOCS, uTorontu, Kanada, od \n25. travnja do 05. svibnja 2013. i na pripremnom sastanku \nza prezentaciju hrvatskog dokumentarnog filma, u sklopu \n56. festivala dokumentarnog filma DOK Leipzig, Leipzig, \nNjemačka, od 28.10. do 03.11.2013., te sudjelovanje O. \nSertića i Petre Ivišić na 4. festivalu dokumentarnog filma \nMakedox, Skopje, Makedonija, od 15. do 21.06.2013. \n13.000,00\n24\nRestart\nProgrami stručnog usavršavanja\nSudjelovanje Inje Korać sa projektom Dokukino na \nprogramu stručnog usavršavanja - master program Mega \nPlus MEDIA BUSINESS SCHOOL, MEGA Plus trening, \nRonda, Španjolska, od 03. 06. do 05.09.2013.\n40.000,00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA (kn)\n25\nRestart\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti.\nSudjelovanje redatelja i suautorice/montažerke i \npredstavljanje kratkometražnog dokumentarno - \neksperimentalnog filma 'Sitna ptica', red. D. Komljen u \nsklopu 24. festivala dokumentarnog filma FID Marseille, \nMarseille, Francuska, od 02. do 08. 07. 2013.\n10.020,00\n26\nSekvenca d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje redatelja i tonskog snimatelja i predstavljanje \ndugometražnog igranog projekta 'Samo zatvori oči' na \nradionici Sound for Cinema u sklopu  Fest Film Lab-a, \nLondon, UK, 05. i 06. listopada 2013.\n7.500,00\n27\nSekvenca d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje Dragana Šiše na radionici 'Davinci Resolve \nAdvanced Colorist' u organizaciji tvrtke Vision2see, \nMunchen, Njemačka, kolovoz 2013.\n12.000,00\n28\nSpiritus movens d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje Ivane Sansević na radionici 'Marketing & \nInternational Distribution Course' u organizaciji Media \nBusiness School, Ronda, Španjolska, od 08. do 14. srpnja \n2013.\n11.000,00\n29\nSpiritus movens d.o.o.\nProgrami gostovanjahrvatskih autora/-ica, \nproducenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami izrade promidžbenih materijala i \nprijavljivanje u službenu konkurenciju \nfestivala. Programi predstvaljanja i \npromocije filmova. Potpora producentima -\nicama i autorima/ -icama za predstavljanje \nfilmova\nSudjelovanje producentice i predstavljanje projekata \n'Obrnuta perspektiva'  i ostalih projekata Spiritus Movens \nna filmskom festivalu u Canessu u sklopu programa \nProducers on the move, Cannes, Francuska, od 15. do 26. \nsvibnja 2013.\n13.000,00\n30\nSrđan Laterza\nProgrami stručnog usavršavanja.\nSudjelovanje scenarista Srđana Laterze na krosmedijskoj \nradionici 'The Pixel Lab: The Cross - Media Workshop' , \nGenval, Belgija, od 30. lipnja do 06. srpnja 2013. \n11.000,00\n31\nUDRUGA ASIFA\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje Borivoja Dovinkovića na Canlandiranlar \nFestival, 1. međunarodnom festivalu animacije, Istanbul, \nTurska, od 24. do 28. travnja 2013.\n2.197,00\n32\nUDRUGA DJECA SUSREĆU \nUMJETNOST\nProgrami stručnog usavršavanja.\nSudjelovanje voditeljice filmskog programa 'Sedmi \nkontinent' na radionici CICAE, na temu 'Art Cinema = \nAction + Managment' , Venecija, Italija, od 26. kolovoza do \n01. rujna 2013.\n6.000,00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA (kn)\n33\nUDRUGA DJECA SUSREĆU \nUMJETNOST\nProgrami stručnog usavršavanja.\nSudjelovanje voditeljice filmskog programa 'Sedmi \nkontinent'  i tajnice Udruge na seminaru 'Young Audience \nSeminar - Engaging Communities in the digital era' u \nsklopu festivala 'Il Cinema Ritrovato', Bologna, Italija, od \n29. lipnja do 03. srpnja 2013.\n4.000,00\n34\nUmjetnička organizacija \nMITROPA\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje 4 člana MITROPA-e i predstavljanje \ndokumentarnog filma 'Okupacija, 27. slika', red. \nP.Marinkovića na 48. međunarodnom filmskom festivalu u \nKarlovy Varyma, Češka od 28.07. do 06.08.2013. i na 19. \nSarajevo Film Festivalu, Sarajevo, BiH, od 16. do 24. \nkolovoza 2013.\n20.000,00\n35\nUstanova Zagreb film\nProgram izrade promidžbenih materijala i \nprijavljivanja u službenu konkurenciju \nfestivala.\nDistribucija kratkih animiranih i eksperimentalnih filmova \nna međunarodnim festivalima u 2013. godini\n40.000,00\n36\nVEDIS d.o.o.\nProgram međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti. Ostali programi.\nRetrospektiva filmova Borivoja Dovinkovića i organizacija \nspomenar izložbe 'Bordo - život posvećen animaciji i \numjetnosti' na 11. Međunarodnom salonu stripa, Beograd, \nSrbija, od 26. do 30. rujna 2013.\n10.000,00\n37\nVeljko Popović\nPitching, koprodukcijski forumi i programi \nza razvoj projekata\nSudjelovanje Veljka Popovića i predstavljanje projekta \nkratkog animiranog filma '10 stvari koje trebate znati o \njelenima' na pitching forumu MIFA, u sklopu \nmađunarodnog festivala animiranog filma Annecy, Annecy, \nFrancuska, od 11. do 14.06.2013.\n2.991,00\nUKUPNO:\n540.277,20\nHRVATSKI AUDIOVIZUALNI CENTAR, ODJEL ZA PROMOCIJU I PLASMAN                                                                                                                                                    \nNapomena: PRIJAVLJENIM  PROGAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"2013 Međunarodna suradnja, 15 05 2013","year":2013,"rok":null,"natjecaj_date":"2013-06-23","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"REZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2013. 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ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 2. ROK, 2021. \nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Morana Ikić Komljenović \nKATEGORIJA:  POTICANJE PROIZVODNJE FILMOVA - DUGOMETRAŽNI DOKUMENTARNI FILM – 15. rujna 2021. \n \nOPĆI OSVRT \n_______________________________________________________________________________________________ \n \nNa javni poziv u kategoriji proizvodnje dugometražnog dokumentarnog filma u 2. roku prijavljeno je sveukupno 18 projekta. Od \ntoga je  jedan projekt prijavljen u fazi postprodukcije. Od 18 projekta, svi su razmatrani.  \nZnačajan broj pristiglih projekata već je iskoristio potporu u fazi razvoja scenarija ili razvoja projekta i to je vidljivo u kvaliteti \npripremljenih produkcijskih paketa.  \nAutorski pristupi su raznoliki i teme koje autori i autorice postavljaju u fokus su većinom vezane uz zanimljive priče iz nedavne \nprošlosti, uz portrete zanimljivih ljudi, važna društvena pitanja, a pristiglo je i nekoliko iznimno produkcijski ambicioznih i \nkompleksnih projekata. \nOdobreno je ukupno 7 projekata za sufinanciranje u ovoj kategoriji u ukupnom iznosu od 2.030.000,00 kn. Od toga je jedan \nodobreni projekt u fazi postprodukcije. Odobreni projekti iskaču svojim kreativnim potencijalom, nadahnutim pristupom obradi \nteme, ali i relevantni su u društvenom i umjetničkom kontekstu. \n1. Iza jednog osmijeha Ena-Sanan Hdagha (scenaristica i redateljica) / Ana Grbac i Damir Terešak (producenti) / Maxima \nfilm d.o.o. (produkcija) – debitantski film, POSTPRODUKCIJA \n170.000 kn \n„Iza jednog osmijeha“ je priča o odrastanju kroz prizmu malodobnika u surovom procesu izbjeglištva. Autorica u fokus postavlja \nmalodobnog dječaka i prati ga kroz nekoliko godina njegova puta iz Sirije do neizvjesnosti europskih zemalja. Na tom putu dječak \nje sam, odvojen od svoje obitelji. U kampu u Slavonskom Brodu susreće redateljicu. Njihov osobni odnos postaje važan element \nu filmskom narativu i vezivno tkivo dramaturških elemenata. Tema izbjeglištva i migracija suvremena je i relevantna, a posebnu \nvrijednost pridodaje i odabrana autorska fokalizacija – odrastanje u izbjeglištvu na tzv. Balkanskoj ruti. Smatramo da bi ovaj \nprojekt mogao biti vrijedan dodatak hrvatskoj kinematografiji i zbog svog potencijala da komunicira mlađoj publici. \n2. Diplomatska Oluja Kristijan Milić, redatelj / Fran Juraj Prižmić, scenarist / Menorah Film UO \n200.000 kn \nOvaj povijesni dokumentarni film osvrće se na početke Domovinskog rata, na rat u BiH i medijaciju sukoba od strane američke \ndiplomacije, na formiranje hrvatske diplomacije i njene ključne uloge u stvaranju suvremene države, na redarstvene akcije \n«Bljesak» i «Oluja», na Daytonski sporazum, a osvrt zaključuje u trenutku stvaranja suvremene mreže hrvatske diplomacije. \nProjekt se temelji na istoimenoj knjizi memoara dr. Mate Granića, bivšeg potpredsjednika Vlade Republike Hrvatske i ministra \nvanjskih poslova. Redatelj Kristijan Milić se odlučuje na ekstenzivne anegdotalne izjave i bogatu arhivu, ali i na rekonstrukcije \nnekih događaja. Važnost ovog projekta pokazuje i činjenica da on nastaje pod visokim pokroviteljstvom Vlade Republike Hrvatske \ni Ministarstva vanjskih poslova, a njegova je premijera planirana je na tridesetu obljetnicu primanja RH u članstvo UN-a. \n3. Grandpa Guru Sanjin Hasanefendić i  Silvio Mirošničenko (scenaristi) / Silvio Mirošničenko (redatelj) / Anita Juka \n(producentica) /  Četiri film d.o.o. (produkcija)  \n450.000 kn \n„Grandpa Guru“ je psihološki portret s elementima animacije koji donosi slojevit i intiman uvid u lik Srđana Gine Jevđevića, \nglazbenika i performera koji je nekim generacijama s ovih prostora poznat kao Gino Banana, a nekima kao karizmatični frontman \nenergičnog američkog multikulturalnog glazbenog sastava Kultur Shock. Okosnica ovog filmskog portreta jest psihološke naravi, a \nautori biraju pratiti unutarnja previranja lika i to kroz nekoliko glavnih područja – kroz potragu za identitetom i duhovnim mirom \ni kroz pronalazak načina za izlazak iz (ratne) traume. \n\n\f\n \n2 \n \n4. Samo je jedan na vrhu Dejan Aćimović (scenarist, redatelj i producent) /  DA film d.o.o. (produkcija)  \n400.000 kn \nCentralni lik predloženog filmskog projekta je Ratko Rudić, svjetski poznati sportaš i vaterpolo trener. Autor bira ovaj sportsko-\nportretni vremeplov graditi na izjavama stotinjak sugovornika iz mnoštva zemalja svijeta i to ovom projektu daje posebno \nzanimljivu notu. Projekt obiluje zanimljivom i šarolikom arhivom, a tema koja se predlaže je važna jer donosi sportsku priču koja \nima potencijala inspirirati razne generacije. Osim što govori o važnim trenucima iz hrvatske sportske povijesti, ovaj projekt \ndonosi univerzalnu priču o upornosti, posvećenosti, virtuoznosti, ali i ludosti zaljubljenika u profesiju i poziv (koji je, u ovom \nslučaju i sasvim slučajno – sport). \n \n5. Tražeći Renatu Višnja Starešina (scenaristica i redateljica) / Ivan Maloča (producent) /  Inter film d.o.o. (produkcija)  \n340.000 kn \nProjekt «Tražeći Renatu» u fokusu ima potresnu i intimnu obiteljsku priču uronjenu u kontekst stradanja i holokausta za vrijeme \nvladavine NDH. Dramaturško ishodište priče posvećene očuvanju i njegovanju sjećanja, gradi se na gubitku sjećanja glavne \nprotagonistice. Upravo dijagnoza oboljenja od Alzheimerove bolesti, ishodište je pitanja o prošlosti, o identitetu i – sjećanju. Ta \nfluidnost sjećanja, ta potraga za «istinom» čine ovaj projekt univerzalno umjetnički potentnim i podatnim za kreativnu filmsku \nobradu. Projekti poput ovog preveniraju i aktivno preispituju i suvremene društvene procese koji apologetski pristupaju \nnegativnim segmentima naše nacionalne povijesti. Umjetničke obrade holokausta, ali i stradanja od totalitarističkih sistema \nopćenito, su važne jer su duboko uronjene u sadašnjost, a upozoravaju na lekcijama prošlosti. \n \n6. Zaustavi me ako možeš Bruna Bajić (scenaristica i redateljica) / Tamara Babun (producentica) /  Wolfgang i Dolly \nd.o.o. (produkcija)  \n240.000 kn \nProjekt «Zaustavi me ako možeš » poetski je film koji se, kroz centralni lik paraolimpijca Dine, kreativno i nadahnuto dotiče teme \ninvaliditeta, ali i snage duha koja pobjeđuje ograničenja. Prisutna je i tema roditeljstva koje autorica sagledava kroz neuobičajenu \nprizmu (invaliditeta). Posebna se pažnja posvećuje glazbi koja je autorska i stvarana u suglasju s tematskim blokovima. Autor \nglazbe je Ozren K. Glaser, skladatelj filmske glazbe s trajnim oštećenjem sluha, što čitavom projektu pridaje dodatnu vrijednosnu \ndimenziju. \n \n7. O mačkama i ljudima Sunčica Ana Veldić (scenaristica i redateljica) / Lado Skorin (producent) /  3D2D Animatori d.o.o. \n(produkcija)  \n230.000 kn \nProjekt «O mačkama i ljudima» ekološka je filmska debata o etičkim i ekološkim aspektima kastracije životinja, a smještena je na \nhrvatskim otocima. Autorica, veterinarka s dugogodišnjim iskustvom, vezivno je tkivo ove filmske rasprave, a film obogaćuju i \nživopisni epizodni likovi. Filmska priča je satkana od niza zanimljivih sučeljavanja i bizarnih, ali nenametljivih humorističnih \nsituacija. Ovaj je projekt tematski kompleksan jer se ne dotiče samo mačaka tj. životinja i njihovog pomora, već i proizvodnje \nhrane, zagađenja prirode i prirodnih resursa, ugroze ljudskog zdravlja, neravnoteže ekosustava i drugih važnih i suvremenih \ntema. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2021,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web_recenzija_3_rok_2021.pdf","filename_decoded":"web_recenzija_3_rok_2021.pdf","sha256":"21c1743e2697b821ca166491779c033f65429c308135057bb5ce761e9460eebe","bytes":136384,"page_count":2,"extracted_at":"2026-05-17T12:01:20Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web_recenzija_3_rok_2021.pdf"},"raw_text":"1) KINODISTRIBUCIJA dugometražnog igranog filma „PO TAMBURI” - 152.000,00 kn  \nLegendarni TV voditelj Branko Uvodić poziva sve tamburaške sastave na natjecanje na glazbenom \nfestivalu. Privučen bogatom nagradom, tamburaški sastav Aveti ravnice putuje na događaj na kojem \nje pogrešno optužen za krađu glavne nagrade. Tijekom noći, Aveti progoni policija. Na putu do rodnog \nsela moraju se boriti i s tamburaškim skupinama. Kad konačno stignu kući, suočavaju se s posljednjim \ni najvećim izazovom. \nPo tamburi je zabavna komedija za široku publiku i budući da u kinima dugo nije bilo komercijalne \nkomedije (niti strane niti domaće) ovaj film ima priliku ispuniti taj vakuum. \n \n2) KINODISTRIBUCIJA dugometražnog dokumentarnog filma „DUBICA” - 20.000,00 kn \nDubica je dokumentarni film o Hrvatskoj Dubici, selu na rijeci Uni, na granici s BiH. To mjesto nikada se \nnije oporavilo od ratnih razaranja devedesetih. Praktički izumire prepušteno samo sebi i sve manjem \nbroju preostalih stanovnika. Kroz intervjue s nekolicinom intrigantnih protagonista dobivamo opću \nsliku o razlozima propasti hrvatskog sela i poljoprivrede. \nLjubitelje domaćeg dokumentarnog filma Dubica bi mogla zainteresirati jer obrađuje bitne teme i \npruža uvid u svakodnevnicu jednog manjeg mjesta na lijep, zanimljiv i nenametljiv način, a \nistovremeno kroz intimnu priču govori o sudbinama i ljudskoj prirodi na jednoj univerzalnoj razini. \n \n3) KINODISTRIBUCIJA dugometražnog igranog filma „MURINA” - 100.000,00 kn \nMurina je obiteljska drama i film odrastanja koji prati događanja tijekom jednog vikenda u jednoj \nhrvatskoj otočkoj obitelji. Julija, mlada djevojka, nezadovoljna svojom pozicijom u obitelji te \nograničenjima koja joj ona postavlja, pronalazi priliku za bijeg iz okova tradicionalnih vrijednosti koji \nsputavaju njezinu ambiciju i želju za slobodom. \nKvaliteta i respektabilni rezultati na filmskim festivalima (prvenstveno Camera D'Or) adut su koji \ngarantira interes kod dijela domaće publike, no film ima mogućnost doći do šire publike kroz glavni \nženski lik s kojim se može poistovjetiti i mlađa kino publika, kao i atraktivne scene mora i podmorja, \nšto sve skupa daje naslutiti manje zainteresiranoj publici da ovdje nije riječ o „još jednoj dosadnoj \nkomornoj drami“. \n \n4) KINODISTRIBUCIJA dugometražnog igranog filma „NEBESA” - 40.000,00 kn \nNebesa se sastoje od tri priče koje se odvijaju 1993., 2001. i 2026. godine. Prva priča prati lik \ndobrodušnog Stojana koji na dar od Boga dobije AUREOLU. Aureola mu radi probleme u susjedstvu, ali \ni u braku. Druga priča prati Gojka, jako religioznog mladića koji vjeruje kako će mu mobitel omogućiti \nizravnu vezu s njegovom najomiljenijom sveticom Sv.Petkom. U trećoj priči također pratimo Gojka, ali \novog puta je Gojko slikar i njegova platna su izuzetno moćna – toliko moćna da mogu utažiti glad! \nNebesa će više odgovarati senzibilitetu ozbiljnije publike i ljubitelja art filmova, a ekipa filma (redatelj \nSrđan Dragojević te  Goran Navojec , Ksenija Marinković i Bojan Navojec u glavnoj i istaknutim \nulogama) mogla bi omogućiti filmu da dođe i do šire kino-publike. \n \n\n\f\n5) KINODISTRIBUCIJA dugometražnog igranog filma „TE MRAČNE NOĆI” - 12.000,00 kn \nSarajevo, 1993. Haška, 28 godina, živi sa sinom Denisom, 9 godina, i suprugom, Elvirom. Smrt supruga \nElvira baca mračnu sjenu na njen život. Pronalazi u džepu njegove uniforme ljubavne stihove koje mu \nje vjerojatno napisala neka žena. Od tog trenutka, Haška će nastojati boriti se, tražiti istinu, pronaći \nnovi smisao svog života, trudeći se sve vrijeme održati privid normalnog života za svog sina Denisa. \nFilm Te mračne noći priča zanimljivu i potresnu priču o pokušaju održavanja iluzije normalnosti i \nosobnoj tragediji usred ratnih stradanja koji bi mogla biti bliska i relevantna domaćoj publici. \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":2021,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"non_financing","source":{"filename":"Talents%20Sarajevo%2028thSFF%20selekcija.pdf","filename_decoded":"Talents%20Sarajevo%2028thSFF%20selekcija.pdf","sha256":"220a94a4f1b8341d447a7254304179500dddea96f450aba427bae359e3b4acc7","bytes":353395,"page_count":2,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Prijava izvan roka - odluka 27.03.2015..pdf","filename_decoded":"Prijava izvan roka - odluka 27.03.2015..pdf","sha256":"2256abd12b75a54611df9de8657927884c6edd69f322f02b164792c01717fb36","bytes":180246,"page_count":1,"extracted_at":"2026-05-17T10:23:08Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Prijava%20izvan%20roka%20-%20odluka%2027.03.2015..pdf"},"raw_text":"PREDLAGATELJ\nPROGRAM\nODOBRENO\n1\nHrvatska mreža neovisnih \nkinoprikazivača\nKino mreža - Programi u \n2015. godini\n120.000,00 kn\n                                    KOMPLEMENTARNE DJELATNOSTI U 2015. GODINI                              \nPrijava sukladno članku 59. Pravilnika o postupku, kriterijima i rokovima za provedbu \nnacionalnog programa promicanja audiovizualnog stvaralaštva \n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"Prijava izvan roka - odluka 27.03.2015.","year":2015,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false},"sections":[{"section_label":"KOMPLEMENTARNE DJELATNOSTI U 2015. GODINI Prijava sukladno članku 59. 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S. A. Veldić na 47. međunarodnom filmskom festivalu \nTampere; Finska; 07. do 12. ožujka 2018.\n2.730,00 kn\n2\nAnotneta Alamat Kusijanović\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'U \nplavetnilo', red. A. A. Kusijanović u službenom progamu međunarodnog filmskog \nfestivala Les Arcs; Francuska; 16. do 23. prosinca 2017.\n1.100,00 kn\n3\nDavor Sanvincenti\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje redatelja i predstavljanje kratkometražnog eksperimentalnog filma \n'Skoro ništa: i dalje noć', red. D. Sanvincentija na 47. međunarodnom filmskom \nfestivalu u Rotterdamu, Nizozemska; 04. siječnja do 04. veljače 2018.\n1.727,00 kn\n4\nDora Prpić\nProgrami stručnog usavršavanja.\nSudjelovanje Dore Prpić na 3 sesije međunarodne radionice MAIA - developing \nproducers; 06.-30.03.'18, Litva, Vilnius; 22.-28.06.'18, Italija, Sicilija; 24.-28.09.'18, \nSlovenija, Ljubljana\n22.500,00 kn\n5\nEclectica d.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata\nSudjelovanje redateljice/scenaristice i producenta s projektom kratkometražnog \nigranog filma 'Njemački inat', red. S. Ćapin na 3 sesije međunarodne radionice \nEuropean Short Pitch u organizaciji Nisi Mase; 08.-14.01.'18; Villnius, Litva; 22.-\n25.03.2018.; Poznan, Poljska\n5.775,00 kn\n6\nEclectica d.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata\nSudjelovanje redateljice/scenaristice i producenta s projektom kratkometražnog \nigranog filma 'Sedra', red. J. Gamulin na 3 sesije međunarodne radionice \nEuropean Short Pitch u organizaciji Nisi Mase; 08.-14.01.'18; Villnius, Litva; 22.-\n25.03.2018.; Poznan, Poljska\n5.775,00 kn\n7\nFilmska udruga Motion\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje autorskog tima i predstavljanje kratkometražnog igranog filma 'Deer \nBoy', red. K. Gondek na natjecateljskom programu međunarodnog filmskog \nfestivala Sundance; Park City, Utah; 18. do 28. siječnja 2018.\n12.800,00 kn\n8\nHrvatski filmski savez\nOstali programi\nSudjelovanje mladih filmaša na 17. europskom susretu audiovizualnog \nstvaralaštva mladih Camera Zizanio; Pygros, Grčka; 02. do 10. prosinca 2017.\n3.938,00 kn\n9\nHrvatski filmski savez\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nSudjelovanje redatelja i predstavljanje kratkometražnog dokumentarnog filma \n'Oni samo dolaze i odlaze', red. B. Poljaka na međunarodnom festivalu \nkratkometražnih filmova 2ANNAS u Rigi, Latvija; 01. do 03. prosinca 2017.\n3.617,00 kn\n10\nHulahop d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje koproducentice i predstavljanje dugometražnog dokumentarnog \nfilma 'U slučaju rata', red. J. Geberta na programu Panorame Dokumente u sklopu \n68. međunarodnog filmskog festivala u Berlinu, Njemačka; 15. do 25. veljače \n2018.\n4.919,00 kn\n11\nIgor Bezinović\nProgrami predstavljanja i promocije filmova\nSudjelovanje redatelja i predstavljanje dugometražnog igranog filma 'Kratki izlet', \nred. I. Bezinovića na 58. međunarodnom filmskom festivalu Thessaloniki; Solun, \nGrčka; 02. do 12. studenog 2017.\n1.067,00 kn\n12\nIgor Bezinović\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje redatelja i predstavljanje kratkometražnog dokumentarnog filma \n'The Lovetts', red. I. Bezinovića na međunarodnom festivalu dokumentarnog filma \nCPH:DOX; Kopenhagen, Danska; 15. do 18. ožujka 2018.\n2.348,00 kn\n13\nIvana Škrabalo\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata\nSudjelovanje Ivane Škrabalo s projektom igranog filma 'Četiri dana na moru', red. \nI. Škrabalo na na 3 sesije međunarodne radionice za razvoj projekta EKRAN+; \nVaršava, Poljska; 05.- 08.03.'18; 16.- 24.04.'18; 18.-26.06.'18\n1.238,00 kn\n\n\f\n14\nJaako dobra produkcija j.o.o.o.\nProgrami predstavljanja i promocije filmova\nSudjelovanje producenta i kostimografkinje i predstavljanje dugometražnog \nigranog filma 'An Impossibly Small Object', red. D. Verbeeka na međunarodnom \nfilmskom festivalu u Rotterdamu, Nizozemska; 27. do 29. siječnja 2018.\n2.038,00 kn\n15\nJadranska animacija / Adriatic \nAnimation\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje producenta i redateljice s kratkometražnim animiranim filmom \n'Manivald', red. C. Lundgren na ceremoniji dodjele nagrada za Europski animirani \nfilm Emille, Lille, Francuska; 08. i 09. prosinca 2017.\n4.150,00 kn\n16\nJadranska animacija / Adriatic \nAnimation\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje producenta i redateljice i predstavljanje kratkometražnog \nanimiranog filma 'Manivald', red. C. Lundgren u programu  Sundance Shorts \nmeđunarodnog filmskog festivala Sundance; Park City, Utah, SAD; 18. do 28. \nsiječnja 2018.\n5.250,00 kn\n17\nJadranska animacija / Adriatic \nAnimation\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje producenta i redateljice i predstavljanje kratkometražnog \nanimiranog filma 'Manivald', red. C. Lundgren u službenom programu \nmeđunarodnog filmskog festivala MONSTRA; Lisabon, Portugal; 08. do 18. ožujka \n2018.\n1.890,00 kn\n18\nJadranska animacija / Adriatic \nAnimation\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje producenta i redateljice i predstavljanje kratkometražnog \nanimiranog filma 'Manivald', red. C. Lundgren u službenom programu \nmeđunarodnog  festivala kratkometražnih filmova u Clermont-Ferrandu; \nFrancuska; 02. do 10. veljače 2018.\n3.850,00 kn\n19\nJadranska animacija / Adriatic \nAnimation\nProgrami predstavljanja i promocije filmova\nSudjelovanje producenta i redateljice i predstavljanje kratkometražnog \nanimiranog filma 'Manivald', red. C. Lundgren u glavnom programu 37. \nmeđunarodnog festivala animiranih filmova Anima; Brussels; 13. do 15. veljače \n2018.\n1.750,00 kn\n20\nKinematograf d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami stručnog usavršavanja\nSudjelovanje Dijane Mlađenović na platformi Berlinale Talents u sklopu 68. \nmeđunarodnog filmskog festivala u Berlinu, Njemačka; 16. do 23. veljače 2018.\n2.965,00 kn\n21\nKinoklub Karlovac\nOstali programi\nSudjelovanje Lucije Ćeškić na 17. europskom susretu audiovizualnog stvaralaštva \nmladih Camera Zizanio; Pygros, Grčka; 02. do 09. prosinca 2017.\n1.856,00 kn\n22\nKinorama d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje redateljice i predstavljanje dugometražnog igranog filma 'Uzbuna na \nZelenom Vrhu', red. Č. Černić na 19. međunarodnom filmskom festivalu u \nStockholm Junior; Stockholm, Švedska; 16. do 21. travnja 2018.\n4.022,00 kn\n23\nMatija Pisačić\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata\nSudjelovanje redatelja s kratkometražnim animiranim filmom 'Portretist mrtvih', \nred. M. Pisačića na  forumu Euro Connection u sklopu međunarodnog festivala \nkratkometražnog filma u Clermont - Ferrandu, Francuska; 05. do 09. veljače 2018.\n3.100,00 kn\n24\nNoć hrvatskog filma i novih \nmedija, U.O.\nProgrami predstavljanja i promocije filmova\nOrganizacije manifestacije 'Noć hrvatskog filma i novih medija' u Srbiji; Subotica, \nNovi Sad, Sombor; Austriji, Beč, Borta; Mađarskoj; Koljnof, Petrovo Selo, Bizonja; \n20. listopada 2018.\n5.400,00 kn\n25\nNukleus Film d.o.o.\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata\nSudjelovanje producenta i redateljice s projektom animiranog filma 'Hello \nIsabelle', red. A. Kofmel na  na međunarodnom koprodukcijskom sajmu i radionici \nBridging the Dragon; Berlin, Njemačka; 21. do 24. veljače 2018.\n1.673,00 kn\n26\nPetra Balekić\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje redateljice i predstavljanje kratkometražnog animiranog filma \n'Stranac u mojoj glavi', red. P. Balekić na 14. međunarodnom festivalu animiranog \nfilma Animateka; Ljubljana, Slovenija; 04. do 10. prosinca 2017.\n150,00 kn\n27\nPučko otvoreno učilište Samobor\nProgrami stručnog usavršavanja\nSudjelovanje ravnateljice POU Samobor na 15. međunarodnoj radionici za art \nkinoprikazivače 'Art Cinema = Action + Managment'; Venecija, Italija; 27. kolovoza \ndo 02. rujna 2018.\n7.000,00 kn\n28\nPetnaesta umjetnost  d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje Hrvoja Osvadića tri modula međunarodne radionice za razvoj \nprojekta EAVE; 08.-15.03.'18, Luksemburg; 22.-29.06.'18, Stavanger, Norveška; \n22.-29.10.'18, Santiago de Compostela, Španjolska\n30.000,00 kn\n\n\f\n29\nRestart\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje redatelja i producentice i predstavljanje dugometražnog \ndokumentarnog filma 'Srbenka', red. N. Sljepčevića u službenoj konkurenciji \nmeđunarodnog festivala dokumentarnog filma Visions du Reel; Nyon, Švicarska; \n13. do 21. travnja 2018.\n14.879,00 kn\n30\nRestart\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje redatelja i predstavljanje srednjemetražnog dokumentarnog filma \n'Dom boraca', red. I. Ramljaka na 40. međunarodnom filmskom festivalu Cinema \ndu Reel; Pariz, Francuska; 28. do 31. ožujka 2018.\n2.500,00 kn\n31\nRestart\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje redateljice i predstavljanje dugometražnog dokumentarnog filma \n'Moj život bez zraka', red. B. Burnać u konkurenciji 7. međunarodnog festivala \nAmerican Documentary Film Festival; Palm Springs, SAD; 06. do 12. travnja 2018.\n6.900,00 kn\n32\nSrđan Šarenac\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata\nSudjelovanje Srđana Šarenca s projektom dugometražnog dokumentarnog filma \n'Izbor za Miss Zatvora' na međunarodnom pitching forumu When East Meets \nWest; Trst, Italija; 21. do 24. siječnja 2018.\n1.300,00 kn\n33\nSrđan Šarenac\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata\nSudjelovanje redatelja s projektom dokumentarnog filma 'Poslije kraja svijeta', \nred. Š. Šarenca na međunarodnom filmskom sajmu East Doc Project Market; Prag, \nČeška; 06. do 08. ožujka 2018.\n900,00 kn\n34\nUdruga Filmaktiv\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje Marina Lukanovića i predstavljanje svojih radova u popratnom \nprogramu 56. međunarodnog filmskog festivala Ann Arbor; SAD; ožujak 2018.\n4.000,00 kn\n35\nUdruga za audiovizualno \nstvaralaštvo Artizana\nOstali programi\nOrganizacija programa pod nazivom 'Ciklus hrvatskog filma u Vojvodini'; Subotica, \nTavankut, Đurđin, bački Monoštor, Sonta; 01. svibnja do 31. prosinca 2018.\n13.000,00 kn\n36\nUdruga za audiovizualno \nstvaralaštvo Artizana\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova\nSudjelovanje redatelja i predstavljanje dugometražnog dokumentarnog filma 'Sve \nje bio dobar san', red. B. Ištvančića na 14. međunarodnom filmskom festivalu \nljudskih prava u Barceloni; Španjolska; 14. do 21. studenog 2017.\n3.195,00 kn\n37\nWoof Films j.d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producenta i scenarista s projektom dugometražnog igranog filma \n'Hotline' na 3 sesije međunarodne producentske radionice EAVE; Luksemburg, 08.-\n15.03.'18; Stavanger, Norveška, 22.-29.06.'18; Santiago de Compostela, \nŠpanjolska; 22.-29.10.'18\n15.000,00 kn\nUKUPNO:\n206.302,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\nNova ves 18  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 085  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JP_me_unarodna_rok_26022018_rezultati","year":2018,"rok":null,"natjecaj_date":"2018-03-25","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PREDLAGATELJ","VRSTA PROGRAMA","NAZIV PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje redateljice i predstavljanje kratkometražnog dokumentarnog filma 'White Trash', red. S. A. Veldić na 47. međunarodnom filmskom festivalu Tampere; Finska; 07. do 12. ožujka 2018.","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.730,00 kn","approved_amount":2730.0,"currency":"HRK","extras":{"col_1":"1","NAZIV PROGRAMA":"Sudjelovanje redateljice i predstavljanje kratkometražnog dokumentarnog filma 'White Trash', red. S. A. Veldić na 47. međunarodnom filmskom festivalu Tampere; Finska; 07. do 12. ožujka 2018.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"22afc39e:s0:4f9b83a4550d","curation":{"changes":[{"field":"project_title","from":"Programi gostovanja hrvatskih autora/-ica, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. 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Kusijanović u službenom progamu međunarodnog filmskog festivala Les Arcs; Francuska; 16. do 23. prosinca 2017.","applicant":"Anotneta Alamat Kusijanović","production_company":"Anotneta Alamat Kusijanović","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.100,00 kn","approved_amount":1100.0,"currency":"HRK","extras":{"col_1":"2","NAZIV PROGRAMA":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'U plavetnilo', red. A. A. Kusijanović u službenom progamu međunarodnog filmskog festivala Les Arcs; Francuska; 16. do 23. prosinca 2017.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Anotneta Alamat Kusijanović","row_id":"22afc39e:s0:4787b48fdde4","curation":{"changes":[{"field":"project_title","from":"Programi gostovanja hrvatskih autora/-ica, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. 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Sanvincentija na 47. međunarodnom filmskom festivalu u Rotterdamu, Nizozemska; 04. siječnja do 04. veljače 2018.","applicant":"Davor Sanvincenti","production_company":"Davor Sanvincenti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.727,00 kn","approved_amount":1727.0,"currency":"HRK","extras":{"col_1":"3","NAZIV PROGRAMA":"Sudjelovanje redatelja i predstavljanje kratkometražnog eksperimentalnog filma 'Skoro ništa: i dalje noć', red. D. Sanvincentija na 47. međunarodnom filmskom festivalu u Rotterdamu, Nizozemska; 04. siječnja do 04. veljače 2018.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Davor Sanvincenti","row_id":"22afc39e:s0:7f4e7b8ecdac","curation":{"changes":[{"field":"project_title","from":"Programi gostovanja hrvatskih autora/-ica, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. Programi predstavljanja i promocije filmova","to":"Sudjelovanje redatelja i predstavljanje kratkometražnog eksperimentalnog filma 'Skoro ništa: i dalje noć', red. D. Sanvincentija na 47. međunarodnom filmskom festivalu u Rotterdamu, Nizozemska; 04. siječnja do 04. veljače 2018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_30740d856199","project_family_title":"Sudjelovanje redatelja i predstavljanje kratkometražnog eksperimentalnog filma 'Skoro ništa: i dalje noć', red. D. Sanvincentija na 47. međunarodnom filmskom festivalu u Rotterdamu, Nizozemska; 04. siječnja do 04. veljače 2018."},{"row_number":4,"project_title":"Sudjelovanje Dore Prpić na 3 sesije međunarodne radionice MAIA - developing producers; 06.-30.03.'18, Litva, Vilnius; 22.-28.06.'18, Italija, Sicilija; 24.-28.09.'18, Slovenija, Ljubljana","applicant":"Dora Prpić","production_company":"Dora Prpić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"22.500,00 kn","approved_amount":22500.0,"currency":"HRK","extras":{"col_1":"4","NAZIV PROGRAMA":"Sudjelovanje Dore Prpić na 3 sesije međunarodne radionice MAIA - developing producers; 06.-30.03.'18, Litva, Vilnius; 22.-28.06.'18, Italija, Sicilija; 24.-28.09.'18, Slovenija, Ljubljana","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Dora Prpić","row_id":"22afc39e:s0:37a361f5c1fa","curation":{"changes":[{"field":"project_title","from":"Programi stručnog usavršavanja.","to":"Sudjelovanje Dore Prpić na 3 sesije međunarodne radionice MAIA - developing producers; 06.-30.03.'18, Litva, Vilnius; 22.-28.06.'18, Italija, Sicilija; 24.-28.09.'18, Slovenija, Ljubljana","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_bf1df27dc107","project_family_title":"Sudjelovanje Dore Prpić na 3 sesije međunarodne radionice MAIA - developing producers; 06.-30.03.'18, Litva, Vilnius; 22.-28.06.'18, Italija, Sicilija; 24.-28.09.'18, Slovenija, Ljubljana"},{"row_number":5,"project_title":"Sudjelovanje redateljice/scenaristice i producenta s projektom kratkometražnog igranog filma 'Njemački inat', red. S. Ćapin na 3 sesije međunarodne radionice European Short Pitch u organizaciji Nisi Mase; 08.-14.01.'18; Villnius, Litva; 22.- 25.03.2018.; Poznan, Poljska","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.775,00 kn","approved_amount":5775.0,"currency":"HRK","extras":{"col_1":"5","NAZIV PROGRAMA":"Sudjelovanje redateljice/scenaristice i producenta s projektom kratkometražnog igranog filma 'Njemački inat', red. S. Ćapin na 3 sesije međunarodne radionice European Short Pitch u organizaciji Nisi Mase; 08.-14.01.'18; Villnius, Litva; 22.- 25.03.2018.; Poznan, Poljska","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Eclectica d.o.o.","row_id":"22afc39e:s0:91599124b8b9","curation":{"changes":[{"field":"project_title","from":"Pitching, koprodukcijski forumi i programi za razvoj projekata","to":"Sudjelovanje redateljice/scenaristice i producenta s projektom kratkometražnog igranog filma 'Njemački inat', red. S. Ćapin na 3 sesije međunarodne radionice European Short Pitch u organizaciji Nisi Mase; 08.-14.01.'18; Villnius, Litva; 22.- 25.03.2018.; Poznan, Poljska","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_00409bfa5079","project_family_title":"Sudjelovanje redateljice/scenaristice i producenta s projektom kratkometražnog igranog filma 'Njemački inat', red. S. Ćapin na 3 sesije međunarodne radionice European Short Pitch u organizaciji Nisi Mase; 08.-14.01.'18; Villnius, Litva; 22.- 25.03.2018.; Poznan, Poljska"},{"row_number":6,"project_title":"Sudjelovanje redateljice/scenaristice i producenta s projektom kratkometražnog igranog filma 'Sedra', red. J. Gamulin na 3 sesije međunarodne radionice European Short Pitch u organizaciji Nisi Mase; 08.-14.01.'18; Villnius, Litva; 22.- 25.03.2018.; Poznan, Poljska","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.775,00 kn","approved_amount":5775.0,"currency":"HRK","extras":{"col_1":"6","NAZIV PROGRAMA":"Sudjelovanje redateljice/scenaristice i producenta s projektom kratkometražnog igranog filma 'Sedra', red. J. Gamulin na 3 sesije međunarodne radionice European Short Pitch u organizaciji Nisi Mase; 08.-14.01.'18; Villnius, Litva; 22.- 25.03.2018.; Poznan, Poljska","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Eclectica d.o.o.","row_id":"22afc39e:s0:2a54e1672925","curation":{"changes":[{"field":"project_title","from":"Pitching, koprodukcijski forumi i programi za razvoj projekata","to":"Sudjelovanje redateljice/scenaristice i producenta s projektom kratkometražnog igranog filma 'Sedra', red. J. 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€\n12\nProgram kinoteke Zlatna vrata za 2025\n19.400,00 €\n13\nKino Kinoteka i Ljetna pozornica Tuškanac - \nredovna audiovizualna djelatnost u 2025.\n16.400,00 €\n14\nLjetno kino\n1.600,00 €\n15\nNovi valovi u Kinu Pazin\n1.300,00 €\nArt-kino\nArt-kino\nASIFA Hrvatske\nAutonomni kulturni centar\nAutorski studio - fotografija, film, video\n2.550,00 €\nAutorski studio - fotografija, film, video\nBreg, vl. Mija Pavliša\nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2025. godini - 1. \nrok- popis odobrenih projekata, 6. sjednica Hrvatskog audiovizualnog vijeća 30.12.2024.\nNaziv predlagatelja\ndjelatnosti razvijanja audiovizualne kulture\nAkademski filmski klub\nArt-kino\nArt-kino\n8\nBreg, vl. Mija Pavliša\nCentar za kulturu i cjeloživotno \nobrazovanje Zlatna vrata\nCentar za kulturu i film Augusta \nCesarca\nCentar za kulturu i obrazovanje Pazin\nCentar za kulturu i obrazovanje Pazin\n\n\f\n16\nRedovna kinoprikazivačka djelatnost - Kino \nPazin\n2.350,00 €\n17\nGledaj, analiziraj, snimaj! - radimo film \ngledanjem\n1.500,00 €\n18\nPlanet Trešnjevka\n1.000,00 €\n19\nMala škola filma\n1.800,00 €\n20\nKino-Point 2025.\n2.550,00 €\n21\nKinoprikazivačka djelatnost Doma kulture - \nKina Nova Gradiška za 2025. godinu\n2.850,00 €\n22\nOslobođeni film: filmske pustolovine za djecu \ni mlade\n1.600,00 €\n23\nDomaće je domaće: Premijere\n4.350,00 €\n24\nKino Mediteran\n22.400,00 €\n25\nKino Mediteran za djecu i mlade\n5.350,00 €\n26\nNezavisni na Bačvicama!\n4.350,00 €\n27\nKino Istra 2025.\n2.500,00 €\n28\nFilmske radionice za djecu i mlade u Šibeniku\n3.050,00 €\n29\n21. Ljetne filmske radionice\n2.350,00 €\n30\nVaraždinska tvornica eksperimentalnog filma \nvol. 9\n1.800,00 €\n31\nZimske i ljetne filmske radionice djece i \nmladeži 2025.\n2.450,00 €\n32\n17. Mikro-škola medijske kulture, 2025.\n600,00 €\n33\nDOKfilm '25 - 19. Revija dokumentarnog filma\n1.100,00 €\n34\nFilmski programi u Mikro-kinu, 2025.\n2.700,00 €\n35\nFilmska radionica u OŠ Frana Galovića: \nIzgradnja medijske pismenosti i kreativnog \nrazmišljanja kroz film v.3\n2.100,00 €\n36\nArt kino Požega 2025.\n3.150,00 €\nCentar za kulturu Trešnjevka\nDalmatia Film Festival\nDom kulture Kristalna kocka vedrine\nDom kulture Nova Gradiška\nDom kulture Nova Gradiška\nFestival mediteranskog filma Split\nFestival mediteranskog filma Split\nCentar za kulturu i obrazovanje Pazin\nCentar za kulturu Trešnjevka\nFestival mediteranskog filma Split\nFestival mediteranskog filma Split\nFilmska autorska grupa \"Enthusia \nBlanck\"\nFilmski centar mladih Šibenik\nFilmsko-kreativni studio Vanima\nFilmsko-kreativni studio Vanima\nFoto kino video klub Zaprešić\nFoto-kino klub Baranja film\nFoto-kino klub Baranja film\nFoto-kino klub Baranja film\nGenerator Multidisciplinarnih \nKoprodukcija (GMK)\nGFR film-video\n\n\f\n37\nGreen Room Cinema 2025.\n3.350,00 €\n38\nStudio i režija\n1.300,00 €\n39\nRadionice doku-istraživačkog filma \n3.350,00 €\n40\n17. Filmske radionice za djecu i mlade\n4.950,00 €\n41\nDigitalna filmska naSTAVa 2025.\n3.350,00 €\n42\nKratki utorak 2025.\n5.900,00 €\n43\nMladi mladima 2025. - poticanje razvoja \nfilmskih družina u novim sredinama\n1.900,00 €\n44\nObrazovni programi u kinu Tuškanac za \ndjecu i mlade 2025. – Filmska naSTAVa\n3.350,00 €\n45\nSenzorne projekcije 2025.\n3.850,00 €\n46\nTuškanac u gostima 2025.\n62.400,00 €\n47\nKino Valli - cjelogodišnja kinoprikazivačka \ndjelatnost\n15.400,00 €\n48\nKino bez granica\n3.350,00 €\n49\nVisia/Slavica 2025.\n5.350,00 €\n50\nArt kino Arsen 2025 - redovni filmski program \nKuće umjetnosti Arsen\n5.350,00 €\n51\nBubamarac 2025 – redovni dječji filmski \nprogram Kuće umjetnosti Arsen\n1.800,00 €\n52\nInterdisciplinarni program filma i animacije za \ndjecu i mlade\n1.500,00 €\n53\n113 godina kina Urania\n16.400,00 €\n54\nCINEvolution\n1.800,00 €\n55\nFilm in Residence i program kina u \nsecesijskim vrtovima\n2.350,00 €\n56\nResonance Cinema. Cultural Hub for Curious \nMinds\n3.000,00 €\n57\nCiklus svjetskog filma i kulture\n1.500,00 €\nGOKUL - Građanska organizacija za \nkulturu\nGradska knjižnica \"Juraj Šižgorić\" \nŠibenik\nHrvatski centar za istraživačko \nnovinarstvo i slobodu medija\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nJedna mladost\nKinematografi Osijek d.d.\nKinematografi Osijek d.d.\nKinematografi Osijek d.d.\nKinematografi Osijek d.d.\nKino Edison, multimedijski centar za \nkulturno-turističke sadržaje\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nJavna ustanova Pula film festival\nJavna ustanova u kulturi Kinematografi \nDubrovnik\nJavna ustanova u kulturi Kinematografi \nDubrovnik\nJavna ustanova u kulturi Tvrđava \nkulture Šibenik\nJavna ustanova u kulturi Tvrđava \nkulture Šibenik\n\n\f\n58\n365/7\n4.850,00 €\n59\nKorak do filma\n2.850,00 €\n60\nPlanet Film\n2.850,00 €\n61\nProjekt kino\n1.300,00 €\n62\nStar Gardens\n1.300,00 €\n63\nSkriveni Grad\n2.350,00 €\n64\nFilmski Uskrs i Vaskrs 2025.\n1.800,00 €\n65\nRadionica izrade videospotova 2025.\n1.800,00 €\n66\nRiječno kino 2025.\n3.850,00 €\n67\nFilmska gluma\n2.550,00 €\n68\nEksperimentalna filmska škola\n1.800,00 €\n69\nRadionice Kinokluba Zagreb u 2025. godini\n12.900,00 €\n70\nProgram prvog hrvatskog VR kina \"KEK\" u \n2025. godini\n3.350,00 €\n71\nqRadionice 2025.\n2.550,00 €\n72\nEscape za van u Kino mreži\n2.350,00 €\n73\nOko svijeta\n1.300,00 €\n74\nKino za sve - posebni cjelogodišnji program \nKMC-a u 2025.\n5.900,00 €\n75\nFILMBOOK by KIC\n1.000,00 €\n76\nKino4Us\n3.350,00 €\n77\nKino trešnja 2025.\n2.100,00 €\n78\nŠkola animacije 2025.\n2.850,00 €\nKinoklub Karlovac\nKinoklub Karlovac\nKinoklub Karlovac\nKinoklub Ogulin\nKinoklub Zagreb\nKinoklub Zagreb\nKlub za ekspedicionizam i kulturu\nKino klub Sisak\nKino klub Sisak\nKino klub Sisak\nKino klub Sisak\nKino klub Sisak\nKino klub Split\nKolektiv za razvoj, istraživanje i \npropitivanje queer kulture - \nqueerANarchive\nKreativna audiovizualna asocijacija - \nKAVA\nKulturna udruga Jutro\nKulturni i multimedijski centar Bjelovar\nKulturno informativni centar\nKulturno prosvjetno društvo \"Sloga\" \nPakrac\nLokalna baza za osvježavanje kulture - \nBLOK\nLuma film, vl. Marija Udovičić\n\n\f\n79\n16. Ljetna škola filma ''Josip Krunić''\n5.700,00 €\n80\nKino MaMa \n2.350,00 €\n81\nGodišnji audiovizualni program \nMultimedijalnog kulturnog centra Split\n1.300,00 €\n82\nKino na rubu\n1.600,00 €\n83\nMikrokino\n2.850,00 €\n84\nPlanktoon 2025.\n2.350,00 €\n85\nArt kino \"Cineast\" - cjelogodišnji program \n2025.\n2.000,00 €\n86\nKino Buzet 2025.\n2.350,00 €\n87\nGodišnji program za 2025. godinu - Posebni \nprogrami\n2.950,00 €\n88\nGodišnja kinoprikazivačka djelatnost kina \n\"30. svibnja\" Daruvar - permanentno \nprikazivanje filmova i revija hrvatskog, \neuropskog i internacionalnog kino-repertoara \nu 2025. godini\n4.850,00 €\n89\nGodišnji program kina Velebit\n4.850,00 €\n90\n102 godina kinematografije u Krapini \n2.950,00 €\n91\nFilmske srijede u Kino Moslavini\n1.800,00 €\n92\nProgram za škole i kino - ŠIK\n2.550,00 €\n93\nRedovni program Kina Labin\n1.300,00 €\n94\nKino za sve\n2.850,00 €\n95\nMoje malo kino vol. 4\n2.850,00 €\n96\nNafalice u kino\n1.800,00 €\n97\nGodišnji program Kina Samobor 2025.\n8.100,00 €\n98\n105. godina kinematografije u Slatini\n2.350,00 €\nMultimedijalni institut\nMultimedijalni kulturni centar Split\nMuzej suvremene umjetnosti\nOtompotom\nOtompotom\nPučko otvoreno učilište - Universita \npopolare aperta Vodnjan - Dignano\nPučko otvoreno učilište \"Augustin \nVivoda\" Buzet\nMultimedijalni centar Studio kreativnih \nideja Gunja - MMC SKIG\nPučko otvoreno učilište \"Đuro Arnold\" \nIvanec\nPučko otvoreno učilište Daruvar\nPučko otvoreno učilište Koprivnica\nPučko otvoreno učilište Krapina\nPučko otvoreno učilište Kutina\nPučko otvoreno učilište Kutina\nPučko otvoreno učilište Labin\nPučko otvoreno učilište Novska\nPučko otvoreno učilište Novska\nPučko otvoreno učilište Ogulin\nPučko otvoreno učilište Samobor\nPučko otvoreno učilište Slatina\n\n\f\n99\nU kinu je mrak\n1.800,00 €\n100\nGodišnji filmski program kina Gaj 2025.\n7.700,00 €\n101\nCjelogodišnji program Kina Gorica za 2025. \ngodinu\n4.150,00 €\n102\n15. Škola animiranog filma\n2.750,00 €\n103\n21. Škola filma\n3.850,00 €\n104\nAutor u gostima\n1.300,00 €\n105\nFilmsko-edukativni klub mladih FeKaeM\n1.800,00 €\n106\nProduction In turneja 2025.\n2.750,00 €\n107\nKino.hr - kinoprikazivačka djelatnost dijela \nmreže\n7.900,00 €\n108\nDemokracija za početnike u 2025. godini\n1.000,00 €\n109\nDokukino program u 2025. godini\n11.900,00 €\n110\nDoku-matineje za umirovljenike - arhivi i \nsjećanja\n1.700,00 €\n111\nFilmska početnica u 2025.\n2.850,00 €\n112\nKineDok 2025.\n5.900,00 €\n113\nŠkola dokumentarnog filma 2025.\n9.400,00 €\n114\nKritička dramaturgija: izvan kontrole\n1.300,00 €\n115\nVrti svoj film – godišnja online baza filmova i \nmetodičkih materijala za osnovne škole u \nHrvatskoj\n5.900,00 €\n116\nAnimation Shots 2025.\n3.150,00 €\n117\nAnimirani Šibenik 2025.\n2.550,00 €\n118\n31. Internacionalna filmska radionica (31. \nIFR)\n3.050,00 €\n119\n22. Ljetna škola filma Šipan 2025.\n3.850,00 €\nPulska filmska tvornica\nPulska filmska tvornica\nPulska filmska tvornica\nRadar d.o.o.\nRestart\nRestart\nRestart\nPučko otvoreno učilište Slatina\nPučko otvoreno učilište Varaždin\nPučko otvoreno učilište Velika Gorica\nPulska filmska tvornica\nPulska filmska tvornica\nRestart\nRestart\nRestart\nSavez scenarista i pisaca izvedbenih \ndjela\nSedmi kontinent produkcija d.o.o.\nSUPERTOON\nSUPERTOON\nŠkola animiranog filma Čakovec\nŠkola filma Šipan\n\n\f\n120\nFROOOM! 2025 - cjelogodišnji program \naudiovizualnog opismenjavanja djece i mladih\n9.400,00 €\n121\nSamo nebo nam je granica - filmsko \nopismenjavanje osoba 54+ u 2025\n2.350,00 €\n122\nBlank_senior\n1.800,00 €\n123\nFilmska škola\n3.650,00 €\n124\nFilmske radionice\n6.800,00 €\n125\nAnimacijski Lab Sedmi kontinent\n4.350,00 €\n126\nFILM-o-GRAM 2025. FILMsko – obrazovni \nproGRAM za srednjoškolce grada Zadra \n1.800,00 €\n127\nPutujući Sedmi kontinent u suradnji s \nnezavisnim kinoprikazivačima 2025.\n7.900,00 €\n128\nSedmi kontinent u bolnicama - kvalitetan \ndječji film i filmske kreativne radionice te \nposebni gosti filmaši za djecu u bolnicama za \n2025. godinu\n4.850,00 €\n129\nFilm svima 2025. — 10. izdanje\n3.550,00 €\n130\nFilm svima svugdje 2025.\n1.300,00 €\n131\nOtoci 2025.\n2.100,00 €\n132\nPrimijenjeni video 2025\n1.100,00 €\nFilmske Radi-OSI-onice i\nMonti pajdon - radionice\n134\nGledamo dokumentarce - pravimo \ndokumentarce 2025\n2.950,00 €\n135\nLiburnia uplovljava 2025\n2.100,00 €\n136\nSlučajno kino 2025.\n1.300,00 €\nRadionica animiranog filma \"Mali grad Agram\" \n2025 i\nRadionica igranog filma \"Mali grad Agram\" \n2025\nUdruga Djeca susreću umjetnost\nUdruga Djeca susreću umjetnost\nUdruga Djeca susreću umjetnost\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Bacači sjenki\nUdruga Bacači sjenki\nUdruga Blank\nUdruga Blank\nUdruga Blank\nUdruga Djeca susreću umjetnost\nUdruga građana Spirit\n2.350,00 €\nUdruga Liburnia film festival\nUdruga Liburnia film festival\nUdruga Liburnia film festival\nUdruga Mali grad\n2.350,00 €\n133\n137\n\n\f\nFilmske radionice na festivalu dječjeg \nstvaralaštva \"Mali grad Lisina\", \"Mali grad \nFaros\" i \"Mali grad Jolha\" 2025 i\nRadionice animiranog filma na festivalima \ndječjeg stvaralaštva \"Mali grad Lisina\", \"Mali \ngrad Faros\" i \"Mali grad Jolha\" 2025\n139\nFilmski izazovi - Škola za profesore i učenike\n1.800,00 €\n140\nMali duhovi\n1.300,00 €\n141\nSjeti se slobode\n4.350,00 €\n142\nDigital Generation filmska radionica\n2.100,00 €\n143\nRadionica glazbenog dokumentarnog filma \nDoc'n'Rhythm\n2.100,00 €\n144\nVikend animiranih klasika za mlade\n1.300,00 €\n145\nDOKUart EDU 2025. - predavanja i posebne \nprojekcije za osnovnoškolce i srednjoškolce\n2.100,00 €\n146\nDOKUart EDU 2025. - radionica za \ndokumentarni film \n3.150,00 €\n147\n17. Festival prava djece - prilagodbe filmova \nza gluhe i slijepe osobe\n3.750,00 €\n148\nRazgovor počinje filmom 2025.\n3.450,00 €\n149\nRocument u VIB-u\n2.650,00 €\n150\nOd ideje do premijere kratkog filma - \nradionica za tinejdžere\n1.300,00 €\n151\nRedovni program Kina Veli Lošinj\n1.300,00 €\n152\nFilmodrom - Ljetno kino Udruge DOKUart \n2025.\n2.100,00 €\n153\nFilmske večeri u Močvari \n4.350,00 €\n154\nSMOOKI - Slavonsko mobilno kino\n1.800,00 €\n155\nSerije za invizibilno kino: Mahnito razdoblje \nkarbona\n3.750,00 €\n156\nKlubvizija predstavlja: Kinoskop\n1.300,00 €\n157\nRadionice na filmskoj vrpci\n2.000,00 €\nUdruga Mali grad Faros\n2.850,00 €\nUdruga Manda - film i riječ\nUdruga Metonimija\nUdruga Što, kako i za koga / WHW\nUdruga za audiovizualno stvaralaštvo \nArtizana\nUdruga za audiovizualno stvaralaštvo \nArtizana\nUdruga za promicanje audiovizualnog \nstvaralaštva Donat\nUdruga za promicanje kulture Dokuart\nUdruga za promicanje kulture Dokuart\nUdruga za promicanje stvaralaštva i \njednakih mogućnosti Alternator\nUdruga za promicanje stvaralaštva i \njednakih mogućnosti Alternator\nUdruga za razvoj kulture TOČKA \nKULTURE\nUdruga ZAG\nUdruga Relive\nUdruga za promicanje kulture Dokuart\nUdruženje za razvoj kulture - URK\nUmjetnička organizacija \"Asser Savus\"\nUmjetnička organizacija Film-protufilm\nUmjetnička organizacija Klubvizija\nUmjetnička organizacija Klubvizija\n138\n\n\f\n158\nKino Metropolis\n4.750,00 €\nBesplatna filmska radionica u O.Š. Mihaela \nŠiloboda (Sveti Martin pod Okićem) - filmska \npraksa; \nBesplatna filmska radionica za djecu i mlade -\nAudiovizualna pismenost (uključuje polaznike \ns posebnim potrebama) i\nKako snimiti kratki film? - za niže razrede \nosnovnih škola u Klinča Selu\n160\nKinoKino - Filmski program za djecu\n6.000,00 €\n161\nFor the Love of Film: filmska radionica za \ntinejdžere\n1.300,00 €\n162\nMala škola crtanog filma\n1.500,00 €\n163\nRadionica stop-trik animacije See/Touch/Try \n– 2025.\n1.300,00 €\n164\nRadionica stop-trik animacije See/Touch/Try \n– Darda 2025.\n1.700,00 €\n165\nDeveta radionica animiranog filma \nposvećenog manifestaciji Svijet bajki Ivane \nBrlić-Mažuranić \n2.100,00 €\n166\nKino Zona Zadar\n4.350,00 €\n685.800,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nDvadeset i prvi Festival 25 FPS\n40.000,00 €\n2\nDalmatia film festival\n4.000,00 €\n3\n20. Revija dokumentarnog filma Fibula\n1.200,00 €\n4\nRevija recentnog hrvatskog filma\n1.700,00 €\n5\n21. ZagrebDox - Međunarodni festival \ndokumentarnog filma\n90.000,00 €\n6\n18. Festival mediteranskog filma Split\n60.000,00 €\n7\n16. VAFI & RAFI - internacionalni festival \nanimiranog filma djece i mladih\n8.800,00 €\nUmjetnička organizacija Metropolis\nUmjetnička organizacija Rikšafilm\n2.350,00 €\nUmjetnička organizacija Zagreb Film \nFestival\n25 FPS, Udruga za audio-vizualna \nistraživanja\nDalmatia Film Festival\nDom kulture Kristalna kocka vedrine\nDom kulture Nova Gradiška\nFactum\nFestival mediteranskog filma Split\nFilmsko-kreativni studio Vanima\nUmjetnička organizacija Zara\nUstanova Zagreb film\nVideo klub Mursa\nVideo klub Mursa\nZajednica tehničke kulture Grada \nSlavonskog Broda\nZajednica udruga Centar nezavisne \nkulture\nUKUPNO\nfilmski festivali i druge audiovizualne manifestacije\nNaziv predlagatelja\n159\n\n\f\n8\n33. Hrvatski festival jednominutnih filmova, \nMala minuta i 3. Put oko svijeta u minuti & AI\n8.800,00 €\n9\nPožeški filmski tjedan 2025.\n2.500,00 €\n10\n35. Svjetski festival animiranog filma - \nAnimafest Zagreb 2025\n130.000,00 €\n11\nFestival kaskaderstva - 3, 2, 1 akcija!\n5.000,00 €\n12\nStar Film Fest\n5.300,00 €\n13\nFUSE - Film Under Severe Experiment 2025.\n2.500,00 €\n14\nStop Motion Scena 2025.\n750,00 €\n15\nqFest 2025.\n1.300,00 €\n16\nFestival empatije - audiovizualni dio\n1.000,00 €\n17\nCinehill 2025 - Međunarodni filmski festival\n63.000,00 €\n18\nVox Feminae Festival 2025.\n6.300,00 €\n19\n15. Fantastic Zagreb Film Festival\n11.000,00 €\n20\n18. Subversive Film Festival: Doba sukoba - \nEskalirajući ratovi, globalne migracije\n23.000,00 €\n21\n12. Međunarodni studentski filmski festival - \nSTIFF \n5.000,00 €\n22\nUhvati Karavan\n2.200,00 €\n23\nAvant-Garde Horror & Fantasy Film Festival \n(AGHFFF)\n3.000,00 €\n24\n23. Liburnia Film Festival\n12.000,00 €\n25\n6. Apox Film Festival\n2.300,00 €\n26\n17. Festival prava djece 2025.\n8.800,00 €\n27\nFilmske mutacije: Festival nevidljivog filma \nXIX - Kino Dekadenta\n14.000,00 €\n28\n14. Festival europskog filma\n5.200,00 €\nKolektiv za razvoj, istraživanje i \npropitivanje queer kulture - \nqueerANarchive\nKreativna audiovizualna asocijacija - \nKAVA\nMotovun Film Festival\nProstor rodne i medijske kulture K-zona\nRobot 22 d.o.o.\nUdruga Bijeli val\nUdruga Filmaktiv\nUdruga građana Spirit\nGFR film-video\nGFR film-video\nHulahop d.o.o.\nKino Edison, multimedijski centar za \nkulturno-turističke sadržaje\nKino klub Sisak\nKinoklub Karlovac\nKinoklub Karlovac\nUdruga KRUZEJ: Kroz muzej(e) jednaki\nUdruga Liburnia film festival\nUdruga Relive\nUdruga za promicanje stvaralaštva i \njednakih mogućnosti Alternator\nUmjetnička organizacija Film-protufilm\nUmjetnička organizacija Metropolis\n\n\f\n29\n23. Zagreb Film Festival\n110.000,00 €\n30\n23. Gastro Film Fest\n1.500,00 €\n31\nCiklus filmova Pedra Almodovara u Kino Zoni \nZadar i Kinu Velebit Koprivnica\n1.000,00 €\n631.150,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nIzdavanje knjige \"Umijeće filmologije: zbornik \nu čast Hrvoja Turkovića\"\n1.300,00 €\n2\nMartina Meštrović i Marko Meštrović, knjige \nsnimanja suvremenih hrvatskih animiranih \nfilmova\n2.800,00 €\nDokumentarni.net i\nDokunet Video\n4\nVlatka Vorkapić: O montaži, u montaži\n2.800,00 €\n5\nInverzija.net, web publikacija za žanrovski \nfilm, znanstvenu fantastiku i fantastičnu \nknjiževnost\n1.200,00 €\n6\nHrvatski filmski ljetopis\n15.350,00 €\n7\nToni Juričić: Karneval, eksces i zazor: \nGroteska u hrvatskoj i (post)jugoslavenskoj \nkinematografiji (radni naslov)\n2.800,00 €\n8\nVanja Kulaš: NOVI SOCIJALNI REALIZAM: \nPrimjeri suvremenog francuskog i belgijskog \nfilma (radni naslov)\n2.800,00 €\n9\nMrežna stranica ZonaFilma.com\n4.100,00 €\n10\nWeb-stranica Kinofilm.hr\n3.800,00 €\n11\nKontraplan - podcast Kinokluba Zagreb\n1.200,00 €\n12\nKinemaskop\n4.800,00 €\n13\nRodno osviještena filmska kritika\n3.000,00 €\n14\nLukas Nola – monografija\n2.800,00 €\nUKUPNO\nizdavaštvo u području audiovizualnih djelatnosti\nNaziv predlagatelja\nAkademija dramske umjetnosti\nASIFA Hrvatske\nDokumetar\n5.850,00 €\nUmjetnička organizacija Zagreb Film \nFestival\nVideo klub Mursa\nZajednica udruga Centar nezavisne \nkulture\nProstor rodne i medijske kulture K-zona\nSkladište znanja\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatsko društvo filmskih kritičara\nKinofilm d.o.o.\nKinoklub Zagreb\nKurziv - Platforma za pitanja kulture, \nmedija i društva\n3\nFADE IN\nHangar 7 d.o.o.\nHrvatski filmski savez - HFS\n\n\f\n15\nMonografija \"Djeca i animacija - 50 godina \nŠkole animiranog filma Čakovec\"\n1.700,00 €\n16\nBiblioteka Sinestetika: Chantal Akerman - \nMoja majka se smije \n2.800,00 €\n17\nZvuk hrvatskog filma: Alfi Kabiljo - \nNepokoreni grad\n2.800,00 €\n18\nMonografija Festivala DORF\n1.200,00 €\n19\nSlijepe pjege\n1.950,00 €\nFokus na iza scene i\nKratki, animirani i eksperimentalni film u \nmedijima 2025\n21\nWeb izdavaštvo putem portala Kinoljubac\n1.200,00 €\n22\nFilmovi.hr\n3.600,00 €\n23\nHrvatska književnost na filmu u 21. stoljeću\n2.800,00 €\n24\nLicem u lice: Papić, Brešan, Vrdoljak, \nBulajić, Ogresta, Budisavljević...\n1.400,00 €\n78.350,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nProgrami Udruge 25 FPS u 2025. godini\n6.350,00 €\n2\nRadionica animiranog filma za djecu – Mala \nzagrebačka animacija (Z–animacija) 2025.\n5.550,00 €\n3\nRedovita djelatnost udruge Dokumetar u \n2025. godini\n2.300,00 €\n4\nProgram redovite djelatnosti DHFA-a za \n2025. godinu\n18.350,00 €\n5\nDjelatnosti Društva hrvatskih filmskih \nmontažera u 2025. godini\n5.850,00 €\n6\nGodišnji program dokumentarne produkcije \nFade Ina\n2.300,00 €\n7\nRedovita djelatnost u 2025. godini\n1.900,00 €\nŠkola animiranog filma Čakovec\nUdruga Bijeli val\nUdruga Jučer, danas, sutra - platforma \nza audiovizualna istraživanja\nUdruga ljubitelja filma Rare Vinkovci\nUdruga za promicanje filmske kulture, \nfilma i televizijskih serija Kinoljubac\nUmjetnička organizacija Metropolis\nUmjetnička organizacija Metropolis\nVedis d.o.o.\nUKUPNO\n20\nprogrami audiovizualnih udruga i organizacija\nNaziv predlagatelja\n25 FPS, Udruga za audio-vizualna \nistraživanja\nAutorski studio - fotografija, film, video\nDokumetar\nDruštvo hrvatskih filmskih autora i \nproducenata\nDruštvo hrvatskih filmskih montažera\nFADE IN\nFilmski centar mladih Šibenik\nUdruga Slobodni filozofski\nUdruga Vizkultura\n4.300,00 €\n\n\f\n8\nProgram rada u 2025. godini\n4.800,00 €\n9\nProgram rada FFVAL-a za 2025. godinu - \nFoto film video amateri Luke (FFVAL)\n2.500,00 €\n10\nRedovita programska djelatnost 2025.\n4.800,00 €\n11\nFilmska edukacija mladih 2025.\n3.100,00 €\n12\nProgrami i projekti Kino mreže u 2025. godini\n18.350,00 €\nRedovna djelatnost Hrvatske udruge filmskih \nsnimatelja i\nProfesije u sektoru kamere - DIT (Digital \nImaging Technician)\n14\nProgram redovne djelatnosti Hrvatske udruge \nproducenata za 2025. godinu\n20.350,00 €\n15\nKoordinacijske i poticajne funkcije HFS-a \n2025.\n14.350,00 €\n16\nRedovna djelatnost Hrvatskog društva \nfilmskih djelatnika\n49.350,00 €\n17\nProgram redovne djelatnosti Hrvatskog \ndruštva filmskih kritičara\n13.350,00 €\n18\nProgram redovnih aktivnosti HDNP-a za \n2025. godinu\n6.000,00 €\n19\nRedovni program Hrvatskog kaskaderskog \ndruštva 2025.\n5.300,00 €\n20\nGodišnji program Kino kluba Sisak\n3.100,00 €\n21\nEdukativni programi i produkcija 2025\n16.350,00 €\n22\nRedovna djelatnost Kinokluba Karlovac u \n2025. godini\n7.850,00 €\n23\nRedovite aktivnosti Kinokluba Zagreb u 2025. \ngodini\n5.300,00 €\n24\nRedovan rad udruge MMC SKIG i edukacija \nčlanova 2025.\n2.300,00 €\n25\nRedovna djelatnost SPID-a u 2025. godini\n10.150,00 €\n26\nMisli i stvaraj filmski! - redovna djelatnost \nŠAF-a u 2025. godini\n3.800,00 €\n27\nProgram redovne audiovizualne djelatnosti i \nfilmska produkcija udruge Bacači Sjenki 2025\n3.300,00 €\nFoto kino video klub Zaprešić\nGFR film-video\nHrvatska mreža neovisnih \nkinoprikazivača\nHrvatska udruga filmskih snimatelja\n16.950,00 €\nHrvatska udruga producenata\nHrvatski filmski savez - HFS\nHrvatsko društvo filmskih djelatnika\nHrvatsko društvo filmskih kritičara\nHrvatsko društvo nezavisnih \nproducenata\nHrvatsko kaskadersko društvo - HKD\nKino klub Sisak\nKino klub Split\nKinoklub Karlovac\nKinoklub Zagreb\nMultimedijalni centar Studio kreativnih \nideja Gunja - MMC SKIG\nSavez scenarista i pisaca izvedbenih \ndjela\nŠkola animiranog filma Čakovec\nUdruga Bacači sjenki\n13\nFilmsko-kreativni studio Vanima\nFoto film video amateri Luke\n\n\f\n28\nFilmska proizvodnja kratkih filmova mladih \nneafirmiranih autora\n12.350,00 €\n29\nProgrami AV Udruge Djeca susreću \numjetnost – filmski program Sedmi kontinent \n2025. \n3.300,00 €\n30\nProgram rada Jedine solucije, udruge za \naudiovizualnu umjetnost (2025.)\n1.900,00 €\n271.500,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nKino Mediteran od doma: ponuda i promocija \nhrvatskih filmova\n5.300,00 €\n2\nKinoholik.hr 2025.\n2.850,00 €\n3\nIzdavaštvo i distribucija hrvatskih \ndokumentaraca u regiji u 2025. godini\n1.500,00 €\n4\nInternetska platforma croatian.film - središnje \nmjesto hrvatske kinematografije online\n8.350,00 €\n5\nFestivalska distribucija 2025\n3.800,00 €\n21.800,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nPraktikum: edukacija za deficitarna \nzanimanja u audiovizualnim djelatnostima\n3.100,00 €\n2\nScenaristički program \"Branko Bauer\" za \n2025. godinu\n3.000,00 €\n3\nZagrebDox Pro 2025.\n15.350,00 €\n4\nMasterclass “Kamera u dokumentarnom \nfilmu”\n950,00 €\n5\nFilmski market Split\n5.300,00 €\nRadionica (workshop) za operatere kamere - \nPokretna kamera i\nRadionica „Prvi asistent kamere – šarfer“\nUdruga Djeca susreću umjetnost\nUdruga Jedina solucija\nUKUPNO\nprogrami promocije i prodaje hrvatskih audiovizualnih djela\nNaziv predlagatelja\nFestival mediteranskog filma Split\nKulturno informativni centar\nRestart\nUdruga Blank\nFactum\nFADE IN\nFestival mediteranskog filma Split\nHrvatska udruga filmskih snimatelja\n7.350,00\nUmjetnička organizacija Zagreb Film \nFestival\nUstanova Zagreb film\nUKUPNO\nprogrami stručnog usavršavanja i/ili edukacije\nNaziv predlagatelja\n25 FPS, Udruga za audio-vizualna \nistraživanja\nDruštvo hrvatskih filmskih autora i \nproducenata\n6\n\n\f\n7\n27. Škola medijske kulture \"Dr. Ante Peterlić\"\n39.350,00 €\n8\nScenaristička radionica Palunko\n6.350,00 €\n9\nMasterClass: Krupni kadar\n2.300,00 €\n10\nTV Burza 2025\n4.800,00 €\n11\nAnimafest PRO 2025\n6.350,00 €\n12\nMala škola medijske kulture 8\n3.100,00 €\n13\nMind the Image / Pazi na sliku\n4.500,00 €\n14\nRadionica za odgojno-obrazovne djelatnike - \nkamera i snimanje\n2.000,00 €\n15\nFilmska čitanka 2025: Igra pogleda\n2.300,00 €\n16\nKampus Cinehill 2025.\n3.100,00 €\n17\nInkubator Pulske filmske tvornice\n2.300,00 €\n18\nRestart Laboratorij u 2025. godini\n8.350,00 €\n19\nScenaristički program Zora Dirnbach 2025.\n2.700,00 €\n20\nMasterclass filmske kritike i analize - \nprogram usavršavanja za nastavnike na \nportalu Vrti svoj film u 2025. godini\n2.500,00 €\n21\nCinEd 2025 – program filmske edukacije za \nnastavnike \n5.850,00 €\n22\nFilmski dani 2025. za odgojno-obrazovne \ndjelatnike\n2.500,00 €\n23\nFilmska etika i pristup protagonistu\n1.700,00 €\n24\nLFF Rough Cut 2025\n3.500,00 €\n25\n8. Split Script, 2025.\n3.800,00 €\n26\n11. Europski žanrovski forum\n4.300,00 €\n27\nKinotehnika\n1.200,00 €\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatsko društvo filmskih djelatnika\nHrvatsko društvo nezavisnih \nproducenata\nHulahop d.o.o.\nKino klub Split\nKino klub Split\nKinoklub Karlovac\nKinoklub Zagreb\nMotovun Film Festival\nUdruga Metonimija\nUdruga Rudolf\nUmjetnička organizacija Klubvizija\nPulska filmska tvornica\nRestart\nSavez scenarista i pisaca izvedbenih \ndjela\nSedmi kontinent produkcija d.o.o.\nUdruga Bacači sjenki\nUdruga Djeca susreću umjetnost\nUdruga Domino\nUdruga Liburnia film festival\n\n\f\n28\nIndustrija 23. Zagreb Film Festivala\n16.350,00 €\n29\nMasterclass izgovora američkog engleskog \njezika za profesionalne glumce\n1.200,00 €\n30\nOsnove Location Managementa\n1.200,00 €\n31\n16. Međunarodna radionica animiranog filma\n3.800,00 €\n32\nOd 5 do 25 (minuta) - radionica scenarija \nkratkog dokumentarnog filma\n1.500,00 €\n171.950,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nCinemaniac: Misliti film 2025. - Forum slika: \nIza plime\n3.100,00 €\n2\nDoku-diskurziv\n1.200,00 €\n3\nKritika i društvo - filmsko-diskurzivni program \nHrvatskog društva filmskih kritičara\n2.800,00 €\n4\nTribina \"Psihijatrija i film\" u 2025. godini\n1.700,00 €\n5\n12. Međunarodni simpozij o suvremenoj \nanimaciji Animafest Scanner XII\n4.000,00 €\n6\nVizualni kolegij\n6.350,00 €\n7\nHall of Fame u 2025. godini\n2.300,00 €\n8\nMasterclass program u 2025. godini\n4.000,00 €\n9\nRazmišljaj filmom u 2025. godini\n3.100,00 €\n10\nUpoznaj autora i Doku-razgovori u 2025. \ngodini\n3.500,00 €\n11\nKino Katarina 2025.\n1.900,00 €\n12\nAudiovizualna istraživanja\n2.300,00 €\n13\nKinematografije otpora 2025. Luiza Margan: \nFundament \n1.500,00 €\nUmjetnička organizacija Zagreb Film \nFestival\nUO Kazališna družina Teatar Prima \nVista\nUstanova za razvoj kompetencija, \ninovacija i specijalizacije Zadarske \nŽupanije INOVAcija / Filmski ured Zadar\nUstanova Zagreb film\nUstanova Zagreb film\nUKUPNO\nproučavanje i kritičko vrednovanje audiovizualnih djelatnosti\nNaziv predlagatelja\nApoteka - Prostor za suvremenu \numjetnost\nDokumetar\nHrvatsko društvo filmskih kritičara\nHrvatsko društvo filmskih kritičara\nHulahop d.o.o.\nMultimedijalni institut\nRestart\nRestart\nRestart\nRestart\nSub pokret\nSveučilište u Zagrebu - Studentski \ncentar u Zagrebu\nUdruga Bijeli val\n\n\f\n14\nDiskurzivni program 23. LFF-a (studija \nslučaja i tribina)\n1.000,00 €\n15\nPansinijevi dani 2025\n3.800,00 €\n42.550,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nDigitalizacija i restauracija filmske, video i \naudio građe Autorskog studija 2025.\n3.300,00 €\n2\nDigitalizacija i objavljivanje filmske arhive\n4.300,00 €\n3\nDigitalizacija Fade In arhive\n2.000,00 €\n4\nDigitalizacija i restauracija kratkih \neksperimentalnih filmova iz arhiva HFS-a\n6.350,00 €\n5\nFilmski i video arhiv Hrvatskog filmskog \nsaveza u 2025. godini\n18.350,00 €\n6\nDigitalni medijski arhiv\n2.500,00 €\n7\nDigitalizacija i zaštita arhivskog gradiva \nKinokluba Zagreb\n4.700,00 €\n8\nZbirka neprofesijskog filma Istre i Pule\n1.200,00 €\n9\nRestauracija i digitalizacija filmova Ustanove \nZagreb film 2025.\n11.350,00 €\n54.050,00 €\nBROJ ODOBRENIH PROGRAMA\nODOBRENA SREDSTVA \n166\n685.800,00 €\n31\n631.150,00 €\n24\n78.350,00 €\n30\n271.500,00 €\n5\n21.800,00 €\nUdruga Liburnia film festival\nUdruga za interdisciplinarna i \ninterkulturalna istraživanja\nUKUPNO\nzaštita audiovizualne baštine uključujući kinotečnu djelatnost\nNaziv predlagatelja\nAutorski studio - fotografija, film, video\nFactum\nFADE IN\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nKino klub Split\nprogrami promocije i prodaje \nhrvatskih audiovizualnih djela\nKinoklub Zagreb\nPulska filmska tvornica\nUstanova Zagreb film\nUKUPNO\nPROGRAMSKA DJELATNOST\ndjelatnosti razvijanja audiovizualne \nkulture\nfilmski festivali i druge \naudiovizualne manifestacije\nizdavaštvo u području \naudiovizualnih djelatnosti\nprogrami audiovizualnih udruga i \norganizacija\n\n\f\n32\n171.950,00 €\n15\n42.550,00 €\n9\n54.050,00 €\n312\n1.957.150,00 €\nprogrami stručnog usavršavanja i/ili \nedukacije\nproučavanje i kritičko vrednovanje \naudiovizualnih djelatnosti\nzaštita audiovizualne baštine \nuključujući kinotečnu djelatnost\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati Komplementarne 2025_popis.","year":2025,"rok":"1. rok","natjecaj_date":"2024-12-30","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["Naziv predlagatelja","Naziv programa","Odobrena sredstva (€)"],"rows":[{"row_number":1,"project_title":"Godišnji radionički program za djecu i mlade","applicant":null,"production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount_text":"1.700,00 €","approved_amount":1700.0,"currency":"EUR","extras":{"col_1":"1","Naziv programa":"Godišnji radionički program za djecu i mlade","parity_original_project_title":"Akademski filmski klub","parity_original_category":null,"parity_action":"fix","parity_reasoning":"project_title was applicant/wrong text; 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje animirani.pdf","filename_decoded":"web obrazlozenje animirani.pdf","sha256":"243e6ef29cd032e968c2fc3049d654b03750bfbb844e29101f8ca4fd4dfdfcd2","bytes":32848,"page_count":2,"extracted_at":"2026-05-17T12:01:50Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20animirani.pdf"},"raw_text":"JAVNI\t\r  POZIV\t\r  ZA\t\r  POTICANJE\t\r  AUDIOVIZUALNIH\t\r  DJELATNOSTI\t\r  I\t\r  STVARALAS3TVA\t\r  U\t\r  \n2018.\t\r  GODINI\t\r  \n\t\r  \nKategorija:\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  \nRok:\t\r  3.\t\r  svibanj\t\r  2018.\t\r  \nPetra\t\r  Zlonoga,\t\r  umjetnička\t\r  savjetnica\t\r  za\t\r  animirani\t\r  film\t\r  \nNa\t\r  prvi\t\r  natječajni\t\r  rok\t\r  javnog\t\r  poziva\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  \njavilo\t\r  se\t\r  sveukupno\t\r  20\t\r  projekata,\t\r  od\t\r  kojih\t\r  2\t\r  nisu\t\r  razmatrana\t\r  zbog\t\r  \nnezadovoljavajućih\t\r  formalnih\t\r  predispozicija\t\r  natječaja.\t\r  \t\r  \nOd\t\r  razmatranih\t\r  prijava,\t\r  jedna\t\r  je\t\r  prijava\t\r  aplicirala\t\r  za\t\r  financiranje\t\r  postprodukcije,\t\r  \na\t\r  ostalih\t\r  17\t\r  za\t\r  produkciju\t\r  animiranih\t\r  filmova.\t\r  \nZanimljivost\t\r  je\t\r  da\t\r  se\t\r  među\t\r  prijavama\t\r  nalazi\t\r  cijeli\t\r  raspon\t\r  autora\t\r  od\t\r  onih\t\r  početnih\t\r  \n(čak\t\r  5\t\r  debitanata\t\r  ),\t\r  autora\t\r  srednje\t\r  generacije\t\r  i\t\r  onih\t\r  sa\t\r  već\t\r  dužim\t\r  stvarateljskim\t\r  \nstažem.\t\r  Teme\t\r  su\t\r  raznovrsne,\t\r  ali\t\r  se\t\r  može\t\r  primijetiti\t\r  da\t\r  je\t\r  nekolicina\t\r  filmova\t\r  \nposebno\t\r  fokusirana\t\r  na\t\r  problematiku\t\r  bliže,\t\r  često\t\r  distopijske\t\r  budućnosti,\t\r  \nčovjekovog\t\r  snalaženja\t\r  u\t\r  sveopćem\t\r  tehnološkom\t\r  napretku\t\r  te\t\r  izazovima\t\r  koje\t\r  ono\t\r  \ndonosi.\t\r  Manji\t\r  broj\t\r  prijava\t\r  je\t\r  orijentiran\t\r  na\t\r  filmove\t\r  za\t\r  djecu\t\r  dok\t\r  se\t\r  više\t\r  teži\t\r  \nautorskom\t\r  animiranom\t\r  filmu\t\r  namijenjenom\t\r  festivalskoj\t\r  publici.\t\r  \nSveukupno\t\r  gledano,\t\r  prijave\t\r  su\t\r  pretežno\t\r  zadovoljile\t\r  kvalitativne\t\r  kriterije\t\r  \nnatječaja;\t\r  scenariji\t\r  su\t\r  većinski\t\r  dobro\t\r  postavljeni,\t\r  vizuali\t\r  i,\t\r  općenito,\t\r  likovnost\t\r  \npojedinih\t\r  projekata\t\r  je\t\r  na\t\r  visokoj\t\r  razini.\t\r  Ali\t\r  ono\t\r  što\t\r  je\t\r  možda\t\r  boljka\t\r  natječajnih\t\r  \nprojekata\t\r  u\t\r  cjelini\t\r  jest\t\r  da\t\r  je\t\r  često\t\r  redatelj\t\r  ujedno\t\r  i\t\r  scenarist\t\r  i\t\r  dizajner\t\r  likova\t\r  i\t\r  \nanimator.\t\r  Iako\t\r  nije\t\r  neuobičajena\t\r  praksa\t\r  da\t\r  su\t\r  te\t\r  funkcije\t\r  sadržane\t\r  u\t\r  jednoj\t\r  osobi,\t\r  \nšto\t\r  iz\t\r  idejnih\t\r  što\t\r  iz\t\r  izvedbenih\t\r  razloga,\t\r  pretpostavka\t\r  je\t\r  da\t\r  bi\t\r  neki\t\r  od\t\r  projekata\t\r  \nbili\t\r  bolje\t\r  razrađeni\t\r  i\t\r  dosegli\t\r  svoj\t\r  puni\t\r  potencijal\t\r  kada\t\r  bi\t\r  se\t\r  ti\t\r  zadaci\t\r  razvrstali\t\r  na\t\r  \ntim\t\r  ljudi.\t\r  \nPrimijećujem\t\r  i\t\r  veliku\t\r  razliku\t\r  u\t\r  posvećenosti\t\r  autora\t\r  kod\t\r  pripremanja\t\r  prijava.\t\r  \nNaime,\t\r  detaljno\t\r  i\t\r  strateški\t\r  razrađena\t\r  prijava,\t\r  koja\t\r  jasno\t\r  prenosi\t\r  ideju\t\r  i\t\r  \nzaokružuje\t\r  pojedinačne\t\r  elemente\t\r  u\t\r  cjelinu,\t\r  jedan\t\r  je\t\r  od\t\r  manjih,\t\r  ali\t\r  ne\t\r  i\t\r  \nzanemarivih\t\r  kriterija\t\r  koji\t\r  mogu\t\r  biti\t\r  presudni\t\r  u\t\r  dobivanju\t\r  opće\t\r  slike\t\r  pojedinog\t\r  \nprojekta.\t\r  \nKriteriji\t\r  prema\t\r  kojima\t\r  su\t\r  filmovi\t\r  bili\t\r  razmatrani\t\r  su\t\r  jasnoća\t\r  u\t\r  ideji\t\r  i\t\r  potencijalnoj\t\r  \nizvedbi\t\r  predloženog\t\r  projekta,\t\r  kreativnost\t\r  i\t\r  originalnost\t\r  tema\t\r  i\t\r  pristupa,\t\r  \nrazrađenost\t\r  scenarija,\t\r  vrijednost\t\r  filma\t\r  u\t\r  vidu\t\r  prikazivačkog\t\r  aspekta\t\r  te\t\r  \t\r  \nkoherentnost\t\r  prijave\t\r  u\t\r  cijelini.\t\r  \nMeđu\t\r  prijavama\t\r  koji\t\r  su\t\r  zadovolje\t\r  kriterije\t\r  odabrani\t\r  su\t\r  projekti\t\r  sa\t\r  različitim\t\r  \ntematskim\t\r  i\t\r  izvedbenim\t\r  pristupima.\t\r  Primjerice,\t\r  projekt\t\r  Veljka\t\r  i\t\r  Milivoja\t\r  \nPopovića\t\r  pod\t\r  nazivom\t\r  DISLOKACIJE,\t\r  da\t\r  bi\t\r  približio\t\r  aktualnu\t\r  problematiku\t\r  \nsvakodnevice\t\r  ljudi\t\r  koji\t\r  su\t\r  bili\t\r  prisiljeni\t\r  napustiti\t\r  svoj\t\r  dom,\t\r  \t\r  koristi\t\r  tehnologiju\t\r  \nVR-­‐‑a,\t\r  virtualne\t\r  stvarnosti.\t\r  \t\r  \nOd\t\r  klasičnih\t\r  animacijskih\t\r  tehnika,\t\r  tu\t\r  je\t\r  projekt\t\r  NAPLAVINE,\t\r  autora\t\r  Davora\t\r  \nMeđurečana,\t\r  koji\t\r  tradicionalnom\t\r  2D\t\r  rukom\t\r  rađenom\t\r  animacijom,\t\r  stvara\t\r  \nmelakonličan\t\r  i\t\r  poetski\t\r  ugođaj\t\r  u\t\r  priči\t\r  jednog\t\r  čovjeka\t\r  koji\t\r  prebire\t\r  po\t\r  4\t\r  ciklusa\t\r  \nsvojeg\t\r  života\t\r  te\t\r  se\t\r  na\t\r  taj\t\r  način\t\r  miri\t\r  sa\t\r  prošlošću.\t\r  \n\n\f\nKlasičnu\t\r  animaciju\t\r  rukom,\t\r  ali\t\r  na\t\r  digitalnoj\t\r  osnovi,\t\r  koristi\t\r  i\t\r  Lucija\t\r  Bužančić,\t\r  koja\t\r  \nje\t\r  za\t\r  svoj\t\r  debitantski\t\r  film\t\r  adaptirala\t\r  priču\t\r  o\t\r  Narcisu.\t\r  Ovaj\t\r  puta\t\r  Narcis\t\r  postaje\t\r  \nIRIS,\t\r  djevojka\t\r  koja\t\r  se\t\r  isto\t\r  tako\t\r  zaljubila\t\r  u\t\r  svoj\t\r  odraz\t\r  -­‐‑\t\r  ali\t\r  ovaj\t\r  puta\t\r  je\t\r  to\t\r  odraz\t\r  na\t\r  \ndruštvenim\t\r  mrežama.\t\r  \nU\t\r  svojem\t\r  jednostavnom\t\r  ali\t\r  potencijalno\t\r  upečatljivom\t\r  filmu\t\r  naslova\t\r  \nPARADIGMA,\t\r  Andrej\t\r  Rehak\t\r  bavi\t\r  se\t\r  istoimenim\t\r  pojmom\t\r  tako\t\r  da\t\r  svojeg\t\r  glavnog\t\r  \nlika\t\r  pretpostavlja\t\r  okviru\t\r  samog\t\r  kadra\t\r  te\t\r  istražuje\t\r  na\t\r  koji\t\r  način\t\r  on\t\r  sa\t\r  tim\t\r  \nnametnutim,\t\r  ali\t\r  i\t\r  sa\t\r  svojim\t\r  osobnim\t\r  \"rubovima\",\t\r  ulazi\t\r  u\t\r  interakciju.\t\r  \nS3to\t\r  se\t\r  tiče\t\r  kombiniranih\t\r  tehnika,\t\r  zanimljivi\t\r  projekt\t\r  predlaže\t\r  Martina\t\r  Meštrović.\t\r  \nU\t\r  svojem\t\r  filmu\t\r  JOŠ\t\r  JEDAN\t\r  DAN\t\r  planira\t\r  koristiti\t\r  spoj\t\r  2D\t\r  digitalne\t\r  animacije\t\r  sa\t\r  \nanalognom\t\r  3D\t\r  scenografijom\t\r  kako\t\r  bi\t\r  u\t\r  priči\t\r  o\t\r  svojoj\t\r  baki\t\r  prikazala\t\r  razliku\t\r  \nizmeđu\t\r  rutine\t\r  i\t\r  rituala.\t\r  Uz\t\r  minijaturne\t\r  gegove,\t\r  ali\t\r  i\t\r  ozbiljnu\t\r  tematiku,\t\r  ovaj\t\r  \nprojekt\t\r  obećava\t\r  gorko-­‐‑slatki\t\r  film\t\r  koja\t\r  gledatelja\t\r  vuče\t\r  čas\t\r  u\t\r  vedro\t\r  i\t\r  veselo,\t\r  čas\t\r  u\t\r  \nsjetu.\t\r  \nSasvim\t\r  vedar\t\r  i\t\r  optimističan,\t\r  film\t\r  je\t\r  AUGUSTOVA\t\r  TREĆA\t\r  SREĆA,\t\r  koji\t\r  ponovno\t\r  \nvraća\t\r  sveopće\t\r  popularnog\t\r  profesora\t\r  Baltazara.\t\r  Boris\t\r  Kolar,\t\r  jedan\t\r  od\t\r  idejnih\t\r  \nzačetnika\t\r  tog\t\r  originalnog\t\r  hrvatskog\t\r  animiranog\t\r  junaka,\t\r  složio\t\r  je\t\r  zajedno\t\r  sa\t\r  \nDinom\t\r  Krpanom,\t\r  novi\t\r  animirani\t\r  film\t\r  koji\t\r  je\t\r  namijenjen\t\r  najmlađoj\t\r  publici,\t\r  ali\t\r  \nsasvim\t\r  sigurno\t\r  bi\t\r  mogao\t\r  biti\t\r  vrlo\t\r  dobro\t\r  prihvaćen\t\r  i\t\r  kod\t\r  one\t\r  starije.\t\r  Vrijednost\t\r  \nkoju\t\r  još\t\r  jedan\t\r  nastavak\t\r  omiljenog\t\r  Baltazara\t\r  nosi\t\r  nije\t\r  samo\t\r  ona\t\r  sentimentalna,\t\r  \nveć\t\r  se\t\r  autori\t\r  pozivaju\t\r  na\t\r  temeljne\t\r  vrijednosti\t\r  serijala\t\r  koje\t\r  su\t\r  danas\t\r  itekako\t\r  \npotrebite\t\r  a\t\r  to\t\r  su\t\r  “dobrota,\t\r  pomaganje,\t\r  nenasilje\t\r  i\t\r  kreativnost.”\t\r  \nOsim\t\r  ovih\t\r  6\t\r  projekata\t\r  koji\t\r  su\t\r  potraživali\t\r  potporu\t\r  za\t\r  produkciju,\t\r  odobren\t\r  je\t\r  i\t\r  \njedan\t\r  projekt\t\r  u\t\r  postprodukcijskoj\t\r  fazi.\t\r  Riječ\t\r  je\t\r  o\t\r  filmu\t\r  NEOBIČNA\t\r  KUPKA\t\r  \nGOSPODINA\t\r  OTMARA,\t\r  režisera\t\r  i\t\r  scenarista\t\r  Nike\t\r  Radasa,\t\r  za\t\r  kojeg\t\r  se\t\r  već\t\r  sada\t\r  \nmože\t\r  reći\t\r  da\t\r  je\t\r  vrlo\t\r  zanimljiv\t\r  uradak\t\r  u\t\r  kojeg\t\r  je\t\r  uložen\t\r  značajan\t\r  rad\t\r  i\t\r  trud.\t\r  Ovaj\t\r  \nlutka\t\r  –film\t\r  rijeđe\t\r  istraživane\t\r  tematike,\t\r  odlikuje\t\r  se\t\r  i\t\r  vrlo\t\r  vještom\t\r  režijom\t\r  te\t\r  \nuvjerljivim\t\r  dijalogom\t\r  glavnih\t\r  protagonist.\t\r  Radnja\t\r  prati\t\r  lika\t\r  koji\t\r  se\t\r  nalazi\t\r  u\t\r  \nmentalnoj\t\r  instituciji\t\r  i\t\r  “liječenje”\t\r  koje\t\r  za\t\r  cilj\t\r  ima\t\r  izmijeniti\t\r  njegovu\t\r  percepciju\t\r  i\t\r  \nočaranost\t\r  bojama.\t\r  \nSveukupna\t\r  predložena\t\r  potpora\t\r  je\t\r  1.855.000,00\t\r  kn\t\r  na\t\r  7\t\r  projekata.\t\r  \t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web AV JP PR FILM u 2024. - 2. rok - EKSPERIMENTALNI.pdf","filename_decoded":"web AV JP PR FILM u 2024. - 2. rok - EKSPERIMENTALNI.pdf","sha256":"24bc26ee04b9d7a4464fcdc01c26c2b56472be65874e4ead3231349321671379","bytes":38497,"page_count":1,"extracted_at":"2026-05-17T10:24:09Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20AV%20JP%20PR%20FILM%20u%202024.%20-%202.%20rok%20-%20EKSPERIMENTALNI.pdf"},"raw_text":"NAZIV PROJEKTA\nREDATELJ/ICA\nPRODUCENT\nODOBRENA SREDSTVA (€)\n1\nDream On/Dream Off\nDalibor Barić\nK A O S d.o.o.\n36.000,00 €\n2\nSuhi vrt\nKarla Crnčević\nCentar za dramsku umjetnost - CDU\n27.800,00 €\n3\nBeskrajni inventar\nBarbara Matijević, Giuseppe \nChico\n25 FPS, Udruga za audio-vizualna \nistraživanja\n30.000,00 €\n4\nLunar\nBela Bračko-Milešević\nUdruga Blank\n35.000,00 €\n5\nJagodina Soba\nNina Kurtela\nUmjetnička organizacija Jagoda\n30.000,00 €\n6\nLeptirov zagrljaj\nAna Bilankov\nGreta Creative Network\n35.000,00 €\n7\nUkazivačice\nVida Guzmić\nStudio Pangolin\n35.000,00 €\n228.800,00 €\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE PROIZVODNJE FILMOVA u \n2024. - 2. ROK - 12.9.2024. - 5. sjednica Hrvatskog audiovizualnog vijeća 13. prosinca 2024.\neksperimentalni filmovi\nUKUPNO EKSPERIMENTALNI FILMOVI\n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"web AV JP PR FILM u 2024. - 2. rok - EKSPERIMENTALNI","year":2024,"rok":"2. rok","natjecaj_date":"2024-09-12","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NAZIV PROJEKTA","REDATELJ/ICA","PRODUCENT","ODOBRENA SREDSTVA (€)"],"rows":[{"row_number":1,"project_title":"Dream On/Dream Off","applicant":"K A O S d.o.o.","production_company":"K A O S d.o.o.","director":"Dalibor Barić","writer":null,"original_author":null,"category":"Eksperimentalni","approved_amount_text":"36.000,00 €","approved_amount":36000.0,"currency":"EUR","extras":{"col_1":"1","REDATELJ/ICA":"Dalibor 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ROK 2024. / \nDUGOMETRAŽNI DOKUMENTARNI FILM UMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER \n \nKATEGORIJA: POTICANJE RAZVOJA SCENARIJA I RAZVOJA PROJEKATA DUGOMETRAŽNIH IGRANIH, \nDUGOMETRAŽNIH \nDOKUMENTARNIH \nI \nANIMIRANIH \nFILMOVA \n– \nRAZVOJ \nSCENARIJA \nDUGOMETRAŽNIH DOKUMENTARNIH FILMOVA – 11. rujna 2024. \n \n \n \nNa drugom pozivu ove godine prijavljeno je 28 projekata za razvoj scenarija, što je porast od jednog \nprojekta više naspram prošlog poziva.  Svi projekti su razmatrani, odnosno predana je za njih sva \npotrebna dokumentacija.  \n \nVeseli činjenica da u početnoj fazi razvoja scenarija postoji interes za pričanja vrlo različitog spektra \ntema. Od osobnih, intimnih, do onih društveno relevantnih tema koji istražuju određene fenomene u \ndruštvu u kojem živimo i da se ta različitost povećala naspram prošlog poziva. Ono što se i u ovom pozivu \nmože primijetiti, jest manja okrenutost temama iz sadašnjice. Veći je fokus autora u prošlost, koja im \nostaje čini se u većem djelu prijava izvor motiva za njihove projekte. Za svaki od tih projekata ne može \nse reći, bilo da su predloženi za potporu, ili su odbijeni da nisu interesantni za kretanje u filmski projekt, \nali je zanimljivo da istraživački film kao format izostaje i iz ovog poziva.  Ono s čim određeni broj autora \nima problem i u ovom pozivu, jest svojevrsno nerazlikovanje prikladnosti njihova projekta za televizijsku \nproizvodnju više od autorskog filma. Pa, iako neki projekti te odlike koje bi trebao imati autorski \nkreativni dokumentarac nemaju, autori s velikim uvjerenjem i dalje prijavljuju tu vrstu prije svega tv \nformata na ovaj natječaj. I na ovom se pozivu nastavio trend manjeg fokusa na dramatsku strukturu \nnjihova buduća projekta, u kojem čitam prije svega svojevrsno prepričavanje podataka, umjesto same \nfilmske radnje.  \n \nOni projekti koje predlažem za potporu, valja reći kako imaju ambiciju autorskog dokumentarnog filma, \ni već u ovoj fazi viziju kako bi taj film trebao izgledati, biti strukturiran. Svojim autorskim fokusom \ndonose priče koje nose bitno društvenu relevantnost. \n \nIzmeđu tih projekata, odabrano je 10 projekata za prijedlog  Hrvatskom audiovizualnom vijeću za \nsufinanciranje u ovoj kategoriji u ukupnom iznosu od 50.000,00 eura.  \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n1. BRODOVI KOJI SE ODUPIRU UMJETNOSTI ILI O GLUPOSTI, Vlatka Vorkapić (scenaristica i \nredateljica), predloženi iznos potpore: 5.000 eura \n \nVrlo neobičan tematski i konceptualno projekt autorice Vlatke Vorkapić,  tematizira fenomen gluposti, \nali na način da je pokušava oživotvoriti i suočiti sa samom sobom – odnosno njenom vlastitom glupošću.  \nU svom sinopsisu autorica elaborira što sve smatra glupošću, i zašto se njome autorski bavi. Rezultat je \nveć na razini sinopsisa zabavan tekst, koji najavljuje svojevrsnu doku-komedije ili mogući \nmockumentary. U svakom slučaju čini se argumentirana teza, kako je najefikasnije s glupošću se boriti \nhumorom, satirom. Da se radi o toliko univerzalnoj temi, da može funkcionirati kao ona koja interesira \nkako hrvatsku publiku, tako i onu europsku pa i svjetsku, slažem se s autoricom. Njen treatment \nnastavlja elaborirati njen autorski interes za glupost kao takvu, navodeći primjere koji su već ovako \npisani prilično humorni. Iz čega se već može iščitati ton koji će autorica vjerojatno koristiti u svom filmu. \nU svakom slučaju, jedan od najneobičnijih prijedloga na ovom pozivu, koji pritom izgleda kao moguć i \nizvediv. Iako će puno toga ovisiti i biti na leđima same autorice.  \n \n2. DARWIL, Tin Bačun (scenarist i redatelj),  predloženi iznos potpore: 5.000 eura \n \nIspričati vrlo kompleksnu, društveno relevantnu, povijesnu priču koristeći kao pokretački motiv jedan \npredmet rijetko je olako moguće u dokumentarnom filmu. No čini se da već u ovoj fazi razvoja scenarija \nautoru Tinu Bučanu to polazi za rukom. Predlažući vrlo osobnu priču kroz restauraciju djedova sata \nmarke Darwil, autor donosi prikaz jedne cijele epohe bivše Jugoslavije. Propitujući njene moguće \ntemelje na šarenoj laži, pa čak i na nivou možda izmišljenog cijelog branda jednog sata, made in \nSwitzerland? Nudeći čini se uzbudljiv film ceste, sa sjajnim soundtrackom, u kombinaciji s elementima \nistraživačkog novinarstva. Dajući naglaske moguće vrlo uzbudljivog projekta o cijeloj jednoj generaciji \nkroz sat koji je ta generacija nosila.  \n \n3. FRED, PRIČA O LJUBAVI,  Tomislav Domović (scenarist), predloženi iznos potpore: 5.000 eura \n \nU svojoj osnovi, prijedlog biografskog filma o nedavno preminulom političaru, nekadašnjem branitelju, \nbivšem logorašu Fredu Matiću dobro došla je inicijativa autora Tomislava Domovića. Ono što u svom \nprijedlogu nudi u ovoj razvojnoj fazi jest pravocrtni biografski dokumentarac, ipak nešto \nkonvencionalnijeg okvira unatoč tvrdnjama autora. Ipak u svojoj nam osnovi autor daje jedan \ndokument vremena, sa sugovornicima (suprugom, suradnicima, prijateljima) koji mogu pomoći u \nrekonstruiranju njegova života. Života kojeg vrijedi zabilježiti kamerom.   \n4. GOVEDARICA, Tiha K. Gudac (scenaristica i redateljica), Antitalent (produkcija) predloženi iznos \npotpore: 5.000 eura \n \nGovedarica autorice Tihe Gudac na prvi mah daje dojam jednodimenzionalne priče o eskapizmu jedne \nmlade žene što na razini sinopsisa služi kao pametno ponuđeni chliffhanger već na samom početku \nčitanja ovog prijedloga. No ulazeći dublje u sam treatmenta autorice, odmah se nudi dodatna \nstupnjevitost u kazivanju njene priče. Od odabira protagonistice Antonije Tomaš, koja odlazi sa svojih \n25 godina i svojih 50 krava u napušteno selo u izoliranom djelu Biokova (što je samo po sebi već dovoljan \nargument za gledateljevu intrigu), do strukture koju autorica bira prilikom pričanja ove priče – „od \n\n\f\nproljetnog izlaska u svijet do ponovnog zimskog povlačenja Antonije...“. Ovaj iznimno protagonistički \nfilm, ili kako ga titulira autorica character driven dokumentarac, autorica vidi kao promatračku formu. \nU kojoj svojevrsna iznimka, žena među muškarcima uzgajivačima goveda, postaje san protagonistice \nkoju autorica prati. Istovremeno donoseći nam priču žene koja u tradicionalnom okruženju razbija \nstereotipe, autorica govori i o kraju predstavljenog u lokaciji na kojoj snima. U svom prijedlogu to čini s \npoštovanjem, promatrački, neosuđujuće. Ostavljajući gledatelju/čitatelju da donese svoj sud.  \n \n5. IZA OTVORENIH VRATA, Nikola Kuprešanin (scenarist i redatelj),  predloženi iznos potpore: 5.000 \neura \n \nSada već etablirani scenarist Nikola Kuprešanin, odlučuje se na rizičan autorski potez u svrhu dodatnog \nohrabrenja pričanja o temi mentalnog zdravlja. Koje, iako ispravno u svom sinopsisu ističe kao temu za \nkoju ima primjera u našoj kinematografiji, poput dok. filma „Veće od traume“ Vedrane Pribačić, ili \nigranog filma „Sigurno mjesto“ Juraja Lerotića, još uvijek je nedovoljno je zastupljena. Upravo \npsihoterapija još uvijek u nekim slojevima našeg društva zvuči kao ogromni osobni narodski rečeno – \nbauk. Imati svog psihijatra još uvijek je tabu, i nešto što ne treba okolini priznati. Kuprešanin upravo to \nčini. Priznaje da ima potrebu za psihoterapijom, da je odlazio psihoterapeutkinji s kojom se ispred \nkamera nalazi nekoliko godina nakon što je njihov proces terapije završio. Uz sve to u projekt je \nuključena i autorova supruga, i sama psihoterapeutkinja s kojom se ne libi prikazati i izazove u njihovu \nbraku. Sam proces psihoterapije opisan u treatmentu, dvojbe koje donose autorove anksioznosti zorno \nsu opisane. Zapravo, cijeli ovaj projekt čini se kao svojevrsno ohrabrenje okolini, da se iste situacije u \nsmislu mentalnog zdravlja ne treba sramiti. I već u tom dijelu ispunjava potrebnu funkciju ovakvog \ndokumentarnog filma.  \n \n6. NASLJEDSTVO, Vedrana Pribačić, Mirta Puhlovski (scenaristice), Vedrana Pribačić (redateljica), \nMetar60 (producent), predloženi iznos potpore: 5.000 eura \n \nPo drugi put prijavljeni projekt „Nasljedstvo“ autorice Vedrane Pribačić i Mirte Puhlovski ovoga puta \npuno temeljitije ekspliciraju prije svega svoj koncept projekta, a onda i samu temu, odnosno nekoliko \nnjih kojima je tek početak ona o sudskom procesu, u kojem se osporava ugovor o doživotnom \nuzdržavanju koji je s majkom i bakom bivše supruge i svoje kćeri, pod sumnjivim okolnostima sklopio \nbivši suprug i otac protagonistica. Osim što donosi priču o sve većem broju prevara kada su spomenuti \nugovori sa starijim osobama u pitanju, ovaj projekt donosi i kompleksnu obiteljsku priču u kojoj su \ncentralni likovi majka Lili i kćer Nina/Nika. U svom treatmentu jasno naznačuju kako namjeravaju \nstrukturu filma iznijeti na dva stupa, perspektive majke i perspektive kćeri. I pritom ne donose samo \nobiteljsku priču, već iznimno društveno relevantnu temu.  \n \n7. PRAZNOVJERJE SLOBODE – MISTERIJ SVETOG MARINA,  Morana Ikić Komljenović (redateljica i \nscenaristica), predloženi iznos potpore: 5.000 eura \n \nPovijesna tema velik je zadatak za dokumentarni film, koji želi biti povijesno točan ali istovremeno i \nintrigantan i zanimljiv gledatelju. Utoliko je intrigantan sam interes autorice Morane Ikić Koljenović prije \nsvega za format, a tek onda za samu temu filma. U svom sinopsisu autorica vješto objašnjava interes za \ntu temu, kao i strukturu budućeg filma. Kao i način kako misli povezati prošlost, sa sadašnjosti. Pa i \n\n\f\npovezujući dva posve drugačija lokaliteta – San Marino i Rab. Povezujući legendu kako je ovaj grad \ndržavu Republiku San Marino, osnovao Rabljanin klesar, danas štovan kao sv. Marin. U treatmentu \nautorica nadalje daje jasne odgovore na pitanja kako će strukturirati svoj povijesni film, ne koristeći \nigrane rekonstrukcije, već sadašnjost kao alat kojim se koristi da bi došla u tu povijest. I to također čini \nvrlo zanimljivo, kako u San Marinu, tako i u Rabu. \n \n8. TAKO JE GOVORIO KORADO, Zoran Krema (scenarist i redatelj), Udruga Okodoko (produkcija) \npredloženi iznos potpore: 5.000 eura \n \nDoista je čudno da o Koradu Korleviću, astronomu koji je zvjezdarnicu u Višnjanju nakon 40 godina \ndjelovanja, doveo do trećeg mjesta u svijetu po broju objavljenih asistencija u određivanju orbita \nnovootkrivenih opasnih objekata u svemiru, nema biografskog filma. Stoga autorski interes Zorana \nKreme dolazi kao dobrodošla inicijativa da se o njemu snimi biografski dokumentarni film. Ono što u \nsvom treatmentu autor pak nudi, nije klasični biografski film sa sugovornicima koji idealiziraju \nprotagonista, već svojevrsno praćenje protagonista u njegovoj svakodnevici, kroz koju tematizira \nbiografiju s protagonistom kroz postavljene razgovore i neformalnu konverzaciju značajno odmaknutu \nod forme klasičnog intervjua. Čini se nekonvencionalan film za nekonvencionalnu ličnost.  \n \n9.  TBF,  Damir Janaček (redatelj i scenarist),  predloženi iznos potpore: 5.000 eura \n \nAutor Damir Janaček u svom predloženom sinopsisu vrlo precizno i jasno predlaže priču o poznatoj \nglazbenoj splitskoj grupi TBF u maniri glazbenih dokumentaraca, kojih nažalost u ovoj kvaliteti nema \npreviše u recentnoj produkciji. Pritom svoje junake, čiju svojevrsnu biografiju donosi, ne gleda kao \nbezgrešne superheroje već donosi realni pregled njihova nastanka. Svoj scenarij strukturira kroz tri čina, \nprolog i epilog. U ovome ima svojevrsne nostalgije prema vremenima kada je TBF nastajao, ali i realna \npogleda razloga njihova uspjeha. Kroz godine njihova razvoja, paralelno se i društvo u kojem nastaju \nmijenjalo, pa  Janačekov projekt postaje i svojevrsno retrospektivno ogledalo dekada koje su paralelno \ns razvojem grupe prolazile. Ovaj film postaje kako glazbeni tako i sociološka studija jednog društva. \n \n10. ZAJEDNO, Silvio Jesenković, Snježana Tribuson (koscenaristi), Snježana Tribunson (redateljica), \nMetar60 (producent) predloženi iznos potpore: 5.000 eura \n \nAutori u ovoj prijavi ulaze u dijalog s umjetničkim savjetnikom, započevši svoju prijavu razlikama u \nrecentnoj i prethodnoj prijavi koja je najviše vidljiva u njihovu treatmentu. Radi se o važnoj temi \nočuvanja nestajuće židovske zajednice na prostoru bivše Jugoslavije. Donose simboličnih zasad šest \nsudbina, koje isprepliću u njihovim nastojanjima da otrgnu svoje sudbine zaboravu i sudbine njihovih \nzajednica. Svaka od tih priča slična je koliko i različita i može dobro funkcionirati u svojevrsnoj freski \nteme koja je ovim projektom predložena, bilo da se radi o potrazi za predmetima iz sinagoge, \nodržavanju židovskih narodnih plesova, podučavanju o holokaustu, ili zapisivanju tj. nanovo otkrivanju   \npreostalih imena na pojedinom židovskim grobovima u vrijeme kada pitanje židovske manjine, njihove \nkulture i tradicije postaje pitanje pritisnuto globalnom ratnim događajima na koje ljudi poput \nprotagonista ovog filma nemaju utjecaja. Time ovaj projekt postaje dodatno bitan.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2024,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_TV_djela_2018_final.pdf","filename_decoded":"Obrazlozenje_TV_djela_2018_final.pdf","sha256":"251d900885fe494279a4795fd86af34077682665f58489859f36eb43e62884f6","bytes":242062,"page_count":2,"extracted_at":"2026-05-16T14:09:58Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_TV_djela_2018_final.pdf"},"raw_text":"REZULTATI JAVNOG POZIVA U KATEGORIJI RAZVOJA SCENARIJA I RAZVOJA PROJEKATA \nTELEVIZIJSKIH DJELA U 2018.  \nNa ovaj javni poziv pristiglo je 85 projekata od kojih neki nisu spadali u prijavljene kategorije.  \nPo zanimljivosti i aktualnosti teme, svježini priče i likova, kreativnom dramaturškom pristupu, \nrazrađenosti forme, elaboriranosti i izvedivosti projekta te tržišnim potencijalima, izdvojili su se \nsljedeći projekti kojima je Hrvatsko audiovizualno vijeće odobrilo financiranje, samo u kategoriji \nrazvoja projekata serijskih televizijskih djela. \n \nPOTICANJE RAZVOJA PROJEKATA TV DJELA - POTKATEGORIJA SERIJSKA TV DJELA \nDokumentarno TV djelo \n \nSMEĆE I JA \nProducent: Fantastično dobra institucija - Fade In / Morana Ikić Komljenović \nScenaristica i redateljica: Vlatka Vorkapić \n \nSerijal  istražuje hrvatsku politiku gospodarenja otpadom u okviru crony kapitalizma kroz zanimljivu \nformu „putovanja“ autoričinog smeća do deponije. Počevši od odgovornosti pojedinca, koncept \ngovori o onima koji na otpadu zarađuju i onima koji od njega žive, kako je politika od Zagreba učinila \neuropsku prijestolnicu smeća, te kako se u tome svemu (ne) snalazi pravosuđe, da bi cijelu priču \nzavršila u optimističnom tonu. Izuzetno visokog društvenog značaja, ova napetica od dokumentarne \nserije traži od gledatelja preispitivanje sebe i društva, ali na zabavan način. Domaći i inozemni uspjeh \ni plasman je gotovo zagarantiran. \n \nĐAVOLJI ADVOKATI \nProducent: Factum / Nenad Puhovski \nScenarist i redatelj: Nenad Puhovski \n \nAutor koncepta ima namjeru društvena zbivanja i deformacije hrvatskog društva u posljednjih 25 \ngodina kroz rad renomiranog odvjetničkog para. Svaka je epizoda posvećena jednom njihovom \nslučaju koji je izazvao burne reakcije javnosti i nosio ogroman društveni značaj. Koncept ima izuzetno \nvisoke šanse postati serija za svjetske TV festivale. \n \nREALIZIRANE UTOPIJE – KUHARICA BUDUĆNOSTI \nProducent: Udruga Burra / Ines Pletikos \nScenaristi: Irena Bosnić, Rade Dragojević \nRedateljica: Ines Pletikos \n \nKroz primjere iz prakse, serija opisuje realizirane „utopije“, poput zajamčenog temeljnog dohotka ili \nekonomskih utopija koje koriste etičko bankarstvo i kriptovalutu te raznih drugih vrsta koncepata koji \nvraćaju vjeru u konkretno poboljšanje kvalitete života i konstruktivno nadilaženje trenutne zbilje. \nSerija donosi svježinu u obradi tema koje se mogu lako nizati u nove sezone. \n \n \n \n \n\n\f\nIgrano TV djelo \n \nPRIČE IZ DAVNINE \nProducent: Jaka produkcija d.o.o. / Jure Bušić \nScenaristica: Dora Delbianco \nRedatelj: Aldo Tardozzi \n \nSerija opisuje život Ivane Brlić Mažuranić, preplitanjem s motivima njezinih bajki iz zbirke ˝Priče iz \ndavnine˝, od njezinog djetinjstva sve do smrti, prepoznajući veze između simbola iz njezine fantazije i \nključnih životnih događaja. Suvišno je spominjati koliko je Ivana zadužila hrvatsku kulturu svojim \n„Pričama iz davnine“ koje su bile nominirane za Nobela, a ovaj koncept se doima kao da bi ih serija  \nmogla biti dostojna i plasirati se na inozemna tržišta. \n \nSAVJETNICA \nProducent: 3D2D Animatori d.o.o. / Lado Skorin \nScenaristica: Višnja Skorin \nRedateljica: Sara Hribar \n \nAktualna priča o osnivačici Savjetovališta za maloljetne trudnice i majke kojemu prijeti zatvaranje i \nnjezinim sukobima s društvenim silama koje se zalažu za rađanje sve začete djece, bez obzira na \nokolnosti, te njezinim vlastitim demonima, kao i problemima maloljetnih trudnica i majki, punoj \nmoralnih dvojbi i obiteljskih drama. Koncept ima visok kapacitet za kvalitetnu seriju s \ninternacionalnim plasmanom.  \n \n \n \nUmjetnička savjetnica za razvoj televizijskih djela \n \nSanja Kovačević \n","warnings":[],"document":{"program_type":"tv_djela","year":2018,"rok":null,"referenced_projects":["SMEĆE I JA","ĐAVOLJI ADVOKATI","REALIZIRANE UTOPIJE – KUHARICA BUDUĆNOSTI","PRIČE IZ DAVNINE","SAVJETNICA"],"summary":"Obrazloženje rezultata javnog poziva za razvoj scenarija i razvoja projekata televizijskih djela u 2018.: od 85 prijava HAV vijeće je odobrilo financiranje 5 projekata u kategoriji razvoja projekata serijskih televizijskih djela (3 dokumentarna, 2 igrana).","project_links":[{"source_title":"SMEĆE I JA","family_id":"pf_b0bd67dada89","family_title":"Smeće i ja","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"ĐAVOLJI ADVOKATI","family_id":"pf_0aa83ac9aef2","family_title":"Đavolji advokati","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"REALIZIRANE UTOPIJE – KUHARICA BUDUĆNOSTI","family_id":"pf_a389d2b2cd59","family_title":"Realizirane utopije - kuharica budućnosti","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"PRIČE IZ DAVNINE","family_id":"pf_711056b2aea6","family_title":"Priče iz davnine","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"SAVJETNICA","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati%20manjinske%201%20rok%202020.pdf","filename_decoded":"rezultati%20manjinske%201%20rok%202020.pdf","sha256":"25512d929338a66d6d843d8eff96a34ea14a7219d35ae1fb0f3a5352d76f79b2","bytes":35830,"page_count":1,"extracted_at":"2026-05-16T15:32:14Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20manjinske%201%20rok%202020.pdf"},"raw_text":"NAZIV  FILMA\nREDATELJ/ICA\nHRVATSKI  PRODUCENT\nODOBRENO\n1\nČovjek  bez  krivnje\nIvan  Gergolet\nPropeler  Film  d.o.o.\n419.000,00\n2\nSunburn  /  Opekline\nŠtěpán  Fok  Vodrážka\nAntitalent  d.o.o.\n532.000,00\n3\nPriča  o  Fateme\nVuk  Ršumović\nKinorama  d.o.o.\n456.000,00\n4\nMajka\nZornitsa  Sophia  Popgantcheva\nFocus  Media  d.o.o.\n500.000,00\n5\nPosljednji  nomadi\nBiljana  Tutorov,  Petar  Glomazić\nKinematograf  d.o.o.\n200.000,00\n6\nTijelo\nPetra  Seliškar,  Brand  Ferro\nWolfgang  i  Dolly  d.o.o.\n250.000,00\n7\nU  posjetu  Fortuni\nMatyas  Kalman\nPeglanje  Snova  d.o.o.\n150.000,00\n8\nBalzamirani\nTornike  Gogrichiani\nEclectica  d.o.o.\n80.800,00\n2.587.800,00\nUKUPNO\ndugometražni  igrani  filmovi\nkratkometražni  igrani  film-­  postprodukcijska  faza\nJavni  poziv  za  poticanje  audiovizualnih  djelatnosti  i  stvaralaštva  -­  kategorija:  POTICANJE  FILMSKIH  \nKOPRODUKCIJA  S  MANJINSKIM  HRVATSKIM  UDJELOM  u  2020.  -­  1.  ROK  -­  14.4.2020.,                                                             \n                                          30.  sjednica  Hrvatskog  audiovizualnog  vijeća  15.7.2020.\ndebitantski  dugometražni  igrani  filmovi\ndugometražni  dokumentarni  filmovi\nDUGOMETRAŽNI  DOKUMENTARNI  FILM    U  POSTPRODUKCIJSKOJ  FAZI\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE FILMSKIH KOPRODUKCIJA S MANJINSKIM HRVATSKIM UDJELOM u 2020. - 1. 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":["reclassified_from_results_table_to_non_financing"]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI- MEDJUNARODNA 4 ROK 2018.pdf","filename_decoded":"REZULTATI- MEDJUNARODNA 4 ROK 2018.pdf","sha256":"26ba9713bb510c34cd730891e29106bcf195d5dacaae6af26fa1a295d4f8b238","bytes":40511,"page_count":1,"extracted_at":"2026-05-17T10:23:52Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI-%20MEDJUNARODNA%204%20ROK%202018.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA  \nPOTPORA  KN\n1\nJaako  dobra  produkcija  j.d.o.o. Sudjelovanje  producenta  Siniše  Juričića  na  Trans  Atlantic  Partners  2018  \n-­  modul  u  Halifaxu  u  Kanadi\n11.145,00\n2\nMohikanac  d.o.o.\nSudjelovanje  na  radionici  MAIA  WORKSHOP  3:  Marketing  and  \nDistribution  (Sales  &  Promotion)\n2.700,00\n3\nKinorama  d.o.o.\nComic  Sans  -­  sudjelovanje  na  Raindance  Film  Festivalu\n5.800,00\n4\nČetiri  film  d.o.o.\nSudjelovanje  redatelja  SILVIA  MIROŠNIČENKA  i  producenta  SANJINA  \nHASANEFENDIĆA  na  PITCH  BALKAN  u  sklopu  BALKAN  FILM  \nMARKET  2018.  \n5.200,00\n5\nTvornica  Umjetnosti  -­  TUM\nCINEEAST  -­  Lada  Kamenski  \n7.000,00\n6\nUdruga  Ukus\nSvjetska  premijera  KRAJA  SVJETLA  u  natjecateljskoj  sekciji  22  \nJI.HLAVE  \n3.390,00\n7\nFantastično  dobra  institucija  -­  \nFade  In\nGostovanje  redateljice  Vlatke  Vorkapić,  film  \"PUSTI    DOBRE,  PUSTI\"  \nna  22.  Ji.hlava  International  DFF\n1.174,00\n8\nKarla  Lulić\nSudjelovanje  scenaristice  i  redateljice  Karle  Lulić  na  programu  za  razvoj  \nprojekata  Mediterranean  Film  Institute  Script  2  Film  u  Grčkoj\n2.070,00\n9\nRestart\nSudjelovanje  redatelja  i  producenta  filma  DANI  LUDILA  na  DOK  \nLEIPZIGU\n4.000,00\n10\nGFR  film-­video\nČlan  žirija  12.MEĐUNARODNOG  FILMSKOG  FESTIVALA  GRAND  \nOFF\n1.573,00\n11\nTvornica  Umjetnosti  -­  TUM\nDok  Leipzig  Co-­Production  Market  sudjelovanje  filma  Surogat  za  Vuda\n2.356,00\n12\nMarija  Ratković  Vidaković\nBoravak  redateljice  i  producentice    Marije  Ratković  Vidaković  u  Leipzigu  \nu  okviru  predstavljanja  filma  IKEA  for  YU  na  međunarodnom  festivalu  \ndokumentarnog  i  animiranog  filma  –  DOKLeipzig  2018  \n2.245,00\n13\nDinka  Radonić\nBoravak  redateljice  Dinke  Radonić  u  Leipzigu  u  okviru  predstavljanja  \nfilma  IKEA  for  YU  na  međunarodnom  festivalu  dokumentarnog  i  \nanimiranog  filma  –  DOKLeipzig  2018  \n1.527,00\n14\nRafaela  Tassotti\n34th  International  Short  Film  Festival  Berlin\n639,00\n15\nŠkola  animiranog  filma  \nČakovec\nSudjelovanje  voditelja  ŠAF-­a  na  festivalu  Camera  Zizanio\n2.486,00\n16\nManuela  Svorcan\n34th  International  Short  Film  Festival  Berlin\n639,00\n17\nFilmaparat  d.o.o.\nSudjelovanje  producentice  Morane  Mitić  na  radionici  \"Digital  Distribution-­\nMaximizing  Reach  and  Revenues\"\n4.357,00\n18\nTena  Pataky\n34th  International  Short  Film  Festival  Berlin\n639,00\n19\nLucija  Mrzljak\nPredstavljanje  filma  \"Demonstracija  briljantnosti  u  4  čina\"  na  \nEtiuda&Anima  International  Film  Festivalu\n1.500,00\n20\nMINYA  FILM  I  ANIMACIJA  \nj.d.o.o.  za  usluge  \nCartoon  MASTERS  -­  Cartoon  Connection  Canada  2018\n2.027,00\n21\n3D2D  Animatori  d.o.o.\nMIPJunior  i  MIPCOM,  MEDIA  UMBRELLA\n2.862,00\n22\nIgor  Bezinović\nPredstavljanje  filma  Lovettovi  na  Winterthur  film  festivalu\n2.908,00\n23\n3D2D  Animatori  d.o.o.\nCEE  Animation  Workshop,  animirani  film  \"Gusari  i  Gusarice\"\n10.000,00\n78.237,00\nJAVNI  POZIV  ZA  DODJELU  SREDSTAVA  ZA  POTICANJE  KOMPLEMENTARNIH  DJELATNOSTI  U  2018.  -­  PROGRAMI  \nMEĐUNARODNE  SURADNJE  -­  ROK  31.10.2018.,    3.  sjednica  Hrvatskog  audiovizualnog  vijeća  14.12.2018.\nUKUPNO\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"REZULTATI- MEDJUNARODNA 4 ROK 2018","year":2018,"rok":null,"natjecaj_date":"2018-10-31","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false},"sections":[{"section_label":"JAVNI P OZIV Z A D ODJELU S REDSTAVA Z A P OTICANJE K OMPLEMENTARNIH D JELATNOSTI U 2 018. - P ROGRAMI MEĐUNARODNE S URADNJE - R OK 3 1.10.2018., 3 . s jednica H rvatskog a udiovizualnog v ijeća 1 4.12.2018.","section_key":"javni_p_oziv_z_a_d_odjelu_s_redstava_z_a_p_oticanje_k_omplem","columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA K N"],"rows":[{"row_number":1,"project_title":"Sudjelovanje producenta Siniše Juričića na Trans Atlantic Partners 2018 - modul u Halifaxu u Kanadi","applicant":"Jaako dobra produkcija j.d.o.o.","production_company":"Jaako dobra produkcija j.d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"11.145,00","approved_amount":11145.0,"currency":"HRK","extras":{"col_1":"1","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Jaako dobra produkcija j.d.o.o.","row_id":"26ba9713:s0:780b72bd1041","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official award from JAVNI POZIV ZA DODJELU SREDSTAVA 2018 Međunarodne suradnje. 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OCR spaces corrected: 'n a r adionici M AIA W ORKSHOP' normalized.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje n a r adionici M AIA W ORKSHOP 3 : M arketing a nd Distribution ( Sales & P romotion)","to":"Sudjelovanje na radionici MAIA WORKSHOP 3: Marketing and Distribution (Sales & Promotion)","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_2d0c2e770b52","project_family_title":"Sudjelovanje na radionici MAIA WORKSHOP 3: Marketing and Distribution (Sales & Promotion)"},{"row_number":3,"project_title":"Comic Sans - sudjelovanje na Raindance Film Festivalu","applicant":"Kinorama d.o.o.","production_company":"Kinorama d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.800,00","approved_amount":5800.0,"currency":"HRK","extras":{"col_1":"3","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kinorama d.o.o.","row_id":"26ba9713:s0:3cf37e7107e0","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official award. Title 'Comic Sans' is legitimate (font reference). 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OCR spaces corrected throughout (r edatelja → redatelja, S ILVIA → SILVIA, etc.).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje r edatelja S ILVIA M IROŠNIČENKA i p roducenta S ANJINA HASANEFENDIĆA n a P ITCH B ALKAN u s klopu B ALKAN F ILM MARKET 2 018.","to":"Sudjelovanje redatelja SILVIA MIROŠNIČENKA i producenta SANJINA HASANEFENDIĆA na PITCH BALKAN u sklopu BALKAN FILM MARKET 2018","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_8d7f36524eaf","project_family_title":"Sudjelovanje redatelja SILVIA MIROŠNIČENKA i producenta SANJINA HASANEFENDIĆA na PITCH BALKAN u sklopu BALKAN FILM MARKET 2018"},{"row_number":5,"project_title":"CINEEAST - L ada K amenski","applicant":"Tvornica Umjetnosti - TUM","production_company":"Tvornica Umjetnosti - TUM","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"col_1":"5","entity_original_production_company":"Tvornica U mjetnosti - T UM","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Tvornica Umjetnosti - TUM","row_id":"26ba9713:s0:b3978dbbd822","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_4bec529f398b","project_family_title":"CINEEAST - L ada K amenski"},{"row_number":6,"project_title":"Svjetska premijera KRAJA SVJETLA u natjecateljskoj sekciji 22 JI.HLAVE","applicant":"Udruga Ukus","production_company":"Udruga Ukus","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.390,00","approved_amount":3390.0,"currency":"HRK","extras":{"col_1":"6","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga Ukus","row_id":"26ba9713:s0:6a935b75c5ff","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official award. 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MEĐUNARODNOG FILMSKOG FESTIVALA GRAND OFF","applicant":"GFR film-video","production_company":"GFR film-video","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.573,00","approved_amount":1573.0,"currency":"HRK","extras":{"col_1":"10","entity_original_production_company":"GFR f ilm-video","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"GFR film-video","row_id":"26ba9713:s0:d0d1811eccc6","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official award. OCR spaces corrected: 'ž irija' → 'žirija', 'f ilm-video' → 'film-video'.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Član ž irija 1 2.MEĐUNARODNOG F ILMSKOG F ESTIVALA G RAND OFF","to":"Član žirija 12. 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MEĐUNARODNOG FILMSKOG FESTIVALA GRAND OFF"},{"row_number":11,"project_title":"Dok Leipzig Co-Production Market sudjelovanje filma Surogat za Vuda","applicant":"Tvornica Umjetnosti - TUM","production_company":"Tvornica Umjetnosti - TUM","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.356,00","approved_amount":2356.0,"currency":"HRK","extras":{"col_1":"11","entity_original_production_company":"Tvornica U mjetnosti - T UM","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Tvornica Umjetnosti - TUM","row_id":"26ba9713:s0:5caf089f8523","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official award, second entry for this organization. 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This is one of three small individual-attendee grants for the same Berlin festival (rows 14, 16, 18 all 639,00). Summing all 23 row amounts (11145+2700+5800+5200+7000+3390+1174+2070+4000+1573+2356+2245+1527+639+2486+639+4357+639+1500+2027+2862+2908+10000) yields exactly 78237, matching the document's UKUPNO total of 78.237,00. Value is below the typical 1,400 HRK floor heuristic but reconciliation against the printed total confirms it is correct.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Rafaela T assotti","row_id":"26ba9713:s0:db114436a69f","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official award. Amount 639,00 HRK verified by document total reconciliation: sum of all 23 rows = 78.237,00 HRK (UKUPNO). 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OCR spaces corrected: 'a nimiranog' → 'animiranog', 'v oditelja' → 'voditelja', 'f estivalu' → 'festivalu', 'C amera' → 'Camera'.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje v oditelja Š AF-a n a f estivalu C amera Z izanio","to":"Sudjelovanje voditelja ŠAF-a na festivalu Camera Zizanio","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_13b5c80ccce4","project_family_title":"Sudjelovanje voditelja ŠAF-a na festivalu Camera Zizanio"},{"row_number":16,"project_title":"34th International Short Film Festival Berlin","applicant":"Manuela S vorcan","production_company":"Manuela S vorcan","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"639,00","approved_amount":639.0,"currency":"HRK","extras":{"col_1":"16","amount_triage_kept_at":"2026-05-17T14:24:11Z","amount_triage_reasoning":"Raw text shows '639,00' for row 16 (Manuela Svorcan). 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OCR spaces corrected: 'p roducentice' → 'producentice', 'M orane' → 'Morane', 'M itić' → 'Mitić', 'r adionici' → 'radionici'.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje p roducentice M orane M itić n a r adionici \" Digital D istribution- Maximizing R each a nd R evenues\"","to":"Sudjelovanje producentice Morane Mitić na radionici \"Digital Distribution- Maximizing Reach and Revenues\"","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_5b1fa2e7d47a","project_family_title":"Sudjelovanje producentice Morane Mitić na radionici \"Digital Distribution- Maximizing Reach and Revenues\""},{"row_number":18,"project_title":"34th International Short Film Festival Berlin","applicant":"Tena P ataky","production_company":"Tena P ataky","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"639,00","approved_amount":639.0,"currency":"HRK","extras":{"col_1":"18","amount_triage_kept_at":"2026-05-17T14:24:11Z","amount_triage_reasoning":"Raw text shows '639,00' for row 18 (Tena Pataky). 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OCR spaces corrected: 'F ILM I A NIMACIJA' → 'FILM I ANIMACIJA', 'z a u sluge' → 'za usluge', 'C artoon' → 'Cartoon'.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Cartoon M ASTERS - C artoon C onnection C anada 2 018","to":"Cartoon MASTERS - Cartoon Connection Canada 2018","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_9e4021b8ca26","project_family_title":"Cartoon MASTERS - Cartoon Connection Canada 2018"},{"row_number":21,"project_title":"MIPJunior i MIPCOM, MEDIA UMBRELLA","applicant":"3D2D Animatori d.o.o.","production_company":"3D2D Animatori d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.862,00","approved_amount":2862.0,"currency":"HRK","extras":{"col_1":"21","entity_original_production_company":"3D2D A nimatori d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"3D2D Animatori d.o.o.","row_id":"26ba9713:s0:debd819f88c1","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official award, first entry for this organization. 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OCR spaces corrected: 'P redstavljanje' → 'Predstavljanje', 'f ilma' → 'filma', 'B ezinović' → 'Bezinović', 'f estivalu' → 'festivalu'.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Predstavljanje f ilma L ovettovi n a W interthur f ilm f estivalu","to":"Predstavljanje filma Lovettovi na Winterthur film festivalu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_6469e5c02d9c","project_family_title":"Predstavljanje filma Lovettovi na Winterthur film festivalu"},{"row_number":23,"project_title":"CEE Animation Workshop, animirani film \"Gusari i Gusarice\"","applicant":"3D2D Animatori d.o.o.","production_company":"3D2D Animatori d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"23","entity_original_production_company":"3D2D A nimatori d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"3D2D Animatori d.o.o.","row_id":"26ba9713:s0:7e178b4b9f0b","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official award, second entry for this organization (row 23, final row). 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Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11, dalje u tekstu: Zakon) te \nsukladno Pravilniku o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14, dalje u tekstu: Pravilnik ), Hrvatsko audiovizualno vijeće je na \nprijedlog ravnatelja na 66. sjednici održanoj 22. prosinca 2015. godine donijelo: \n \nO  D  L  U  K  U \n \n1.) Usvaja se molba producenta Živa produkcija d.o.o., Heinzelova 47, Zagreb (dalje u tekstu: Živa \nprodukcija d.o.o.) da se ugovor odobren za razvoj scenarija u 2015. godini, potpiše sa scenaristom g. \nAldom Tardozzijem, Draškovićeva 4, Zagreb, (dalje u tekstu: Aldo Tardozzi). \n \n2.) Ovlašćuje se ravnatelj Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) na zaključivanje ugovora s korisnikom sredstava u roku predviđenom Pravilnikom o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog \nstvaralaštva (NN 144/14). \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a www.havc.hr. \n \n \n  \n \n \n \n \n              Obrazloženje \n \n \nDana 17.studenoga 2015. godine producent Živa produkcija d.o.o. uputio je HAVC-u molbu Klasa: 222-239-\n001-099, Urbroj: 3823-2015 (dalje u tekstu: Molba) da se odobrena sredstva za razvoj scenarija u 2015. \ngodini za projekt „Štriguni“ scenariste Alde Tardozzija, potpiše sa scenaristom.  \n \nHrvatsko audiovizualno vijeće je na 66. sjednici, održanoj 22. prosinca 2015. godine, većinom glasova \nusvojilo Molbu kao što je navedeno u ad.1  ove Odluke. \n \nSukladno čl.12. Zakona ravnatelj HAVC-a izvršava odluke o raspodjeli sredstava na temelju Nacionalnog \nprograma zaključivanjem ugovora s korisnicima sredstava.  \n \nSukladno čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku objaviti \nna svojoj mrežnoj stranici: www.havc.hr. \n \n \n \n \n\n\f\n \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v.r. \nDostaviti: \n \n \n - Živa produkcija d.o.o., Heinzelova 47, Zagreb \n   - Aldo Tardozzi, Draškovićeva 4, Zagreb \n   -  pismohrana, ovdje \n \n","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2015,"rok":null,"referenced_projects":["Štriguni"],"summary":"Odluka AV Vijeća na 66. sjednici od 22. prosinca 2015. o usvajanju molbe producenta Živa produkcija d.o.o. da se ugovor odobren za razvoj scenarija u 2015. godini za projekt „Štriguni“ potpiše sa scenaristom Aldom Tardozzijem.","project_links":[{"source_title":"Štriguni","family_id":"pf_42336a2bb443","family_title":"Štriguni","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPRTV SER_WEB.pdf","filename_decoded":"RPRTV SER_WEB.pdf","sha256":"27194daaad0bb670cc07242f01f416697ed71cf6d0b89f1f604e89f4179ccf63","bytes":55515,"page_count":1,"extracted_at":"2026-05-17T10:24:13Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPRTV%20SER_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nBobo i Čudesni \nTESLOPOLIS d.o.o.\nBranislav Brkić\nBranislav Brkić\n50.000,00\n2\nNUTZ\nReci RCLE d.o.o. \nDenis Valentić\nDenis Valentić\n50.000,00\nUKUPNO\n100.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\n65+\nPetnaesta umjetnost \nd.o.o. \nGoran Dević\nGoran Dević\n50.000,00\n2\nBetonski spavači - \nTrijumfi modernizma\nHulahop d.o.o.\nSaša Ban, Nevenka \nSablić, Maroje Mrduljaš\nSaša Ban\n50.000,00\n3\nHrvatski pravednici\nPlavi film d.o.o. \nOlivera Milenković\nLuka Čurčić\n50.000,00\n4\nKako je privatizacija u \nregiji stvorila tajkune\nUdruga Blank\nSaša Paparella\nDario Juričan\n50.000,00\nUKUPNO\n200.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nDvije\nWolfgang i Dolly d.o.o.\nKatarina Zrinka Matijević, \nVeno Mušinović\nKatarina Zrinka Matijević\nAdaptacija postojeće TV \nserije \"My Husband’s \nWife\" autorice Juuli Niemi\n100.000,00\n2\nŽenska posla\nČetiri film d.o.o. \nNenad Antolović\nIvona Juka\n100.000,00\nUKUPNO\n200.000,00\n500.000,00\nUKUPNO RAZVOJ PROJEKATA SERIJSKIH TV DJELA\ntelevizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su namijenjena prvenstveno televizijskom \nprikazivanju\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE RAZVOJA \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2020. - 2. ROK - 10.9.2020.\nanimirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute\ndokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta\n6. sjednica Hrvatskog audiovizualnog vijeća u 3. sazivu, 15. prosinca 2020.\n","warnings":["section0_row_numbers_not_sorted"],"document":{"program_type":"tv_djela","natjecaj_title":"RPRTV SER_WEB","year":2020,"rok":"2. rok","natjecaj_date":"2020-09-10","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"razvoj_projekata","to":"tv_djela","reason":"filename/title keyword: tv djela","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute","section_key":"animirano_televizijsko_djelo_cije_ukupno_trajanje_serije_nij","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Bobo i Čudesni","applicant":"TESLOPOLIS d.o.o.","production_company":"TESLOPOLIS d.o.o.","director":"Branislav Brkić","writer":"Branislav Brkić","original_author":null,"category":"TV","approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Branislav Brkić","REDATELJ":"Branislav Brkić","repair_v1":{"changes":[{"field":"category","from":null,"to":"TV","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"parity_original_director":null,"parity_original_writer":null,"parity_action":"fix","parity_reasoning":"Bobo i Čudesni - writer and director both Branislav Brkić per raw_text; fill missing fields.","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"TESLOPOLIS d.o.o.","row_id":"27194daa:s0:01804b9cc818","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_bc2be005b451","project_family_title":"Bobo i Čudesni"},{"row_number":2,"project_title":"NUTZ","applicant":"Recircle d.o.o.","production_company":"Recircle d.o.o.","director":"Denis Valentić","writer":"Denis Valentić","original_author":null,"category":"TV","approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Denis Valentić","REDATELJ":"Denis Valentić","repair_v1":{"changes":[{"field":"category","from":null,"to":"TV","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"parity_original_director":null,"parity_original_writer":null,"parity_action":"fix","parity_reasoning":"NUTZ - writer and director both Denis Valentić per raw_text; fill missing fields.","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_production_company":"Reci RCLE d.o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Recircle d.o.o.","row_id":"27194daa:s0:f0cdb92f59ec","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_8a9cc76b32d5","project_family_title":"NUTZ"},{"row_number":1,"project_title":"65+","applicant":"Petnaesta umjetnost d.o.o.","production_company":"Petnaesta umjetnost d.o.o.","director":"Goran Dević","writer":"Goran Dević","original_author":null,"category":"TV","approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Goran Dević","REDATELJ":"Goran Dević","repair_v1":{"changes":[{"field":"approved_amount","from":50000.0,"to":null,"reason":"artifact_row:numeric_row_counter","confidence":"high"},{"field":"approved_amount_text","from":"50.000,00","to":null,"reason":"artifact_row:numeric_row_counter","confidence":"high"},{"field":"category","from":null,"to":"TV","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"parity_original_director":null,"parity_original_writer":null,"parity_original_approved_amount":null,"parity_original_approved_amount_text":null,"parity_action":"fix","parity_reasoning":"65+ - missing approved_amount 50.000,00 HRK per raw_text; writer and director both Goran Dević.","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Petnaesta umjetnost d.o.o.","row_id":"27194daa:s0:d2efd1626659","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Title '65+' is present in the source table as a complete project title (row 1 of the second section), paired with applicant Petnaesta umjetnost d.o.o. and approved amount 50.000,00 HRK. 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Full row verified in raw_text.","reviewed_reasons":[]},"project_family_id":"pf_5d4c1c2a09b1","project_family_title":"65+"},{"row_number":2,"project_title":"Betonski spavači - Trijumfi modernizma","applicant":"Hulahop d.o.o.","production_company":"Hulahop d.o.o.","director":"Saša Ban","writer":"Saša Ban, Nevenka Sablić, Maroje Mrduljaš","original_author":null,"category":"TV","approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Saša Ban, Nevenka Sablić, Maroje Mrduljaš","REDATELJ":"Saša Ban","repair_v1":{"changes":[{"field":"category","from":null,"to":"TV","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"parity_original_director":null,"parity_original_writer":null,"parity_action":"fix","parity_reasoning":"Betonski spavači - writers 'Saša Ban, Nevenka Sablić, Maroje Mrduljaš', director 'Saša Ban' per raw_text.","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Hulahop d.o.o.","row_id":"27194daa:s0:76ac2b3eef2b","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_00c1aac3599c","project_family_title":"Betonski spavači - Trijumfi modernizma"},{"row_number":3,"project_title":"Hrvatski pravednici","applicant":"Plavi film d.o.o.","production_company":"Plavi film d.o.o.","director":"Luka Čurčić","writer":"Olivera Milenković","original_author":null,"category":"TV","approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Olivera Milenković","REDATELJ":"Luka Čurčić","repair_v1":{"changes":[{"field":"category","from":null,"to":"TV","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"parity_original_director":null,"parity_original_writer":null,"parity_action":"fix","parity_reasoning":"Hrvatski pravednici - writer 'Olivera Milenković', director 'Luka Čurčić' per raw_text.","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Plavi film d.o.o.","row_id":"27194daa:s0:9d8cd58e9b73","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_3262790b5356","project_family_title":"Hrvatski pravednici"},{"row_number":4,"project_title":"Kako je privatizacija u regiji stvorila tajkune","applicant":"Udruga Blank","production_company":"Udruga Blank","director":"Dario Juričan","writer":"Saša Paparella","original_author":null,"category":"TV","approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Saša Paparella","REDATELJ":"Dario Juričan","repair_v1":{"changes":[{"field":"category","from":null,"to":"TV","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"parity_original_director":null,"parity_original_writer":null,"parity_action":"fix","parity_reasoning":"Kako je privatizacija - writer 'Saša Paparella', director 'Dario Juričan' per raw_text.","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga Blank","row_id":"27194daa:s0:26730165e569","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_1a8c3a2477f9","project_family_title":"Kako je privatizacija u regiji stvorila tajkune"},{"row_number":1,"project_title":"Dvije","applicant":"Wolfgang i Dolly d.o.o.","production_company":"Wolfgang i Dolly d.o.o.","director":"Katarina Zrinka Matijević","writer":"Katarina Zrinka Matijević, Veno Mušinović","original_author":"Adaptacija postojeće TV serije \"My Husband's Wife\" autorice Juuli Niemi","category":"TV","approved_amount_text":"100.000,00","approved_amount":100000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Katarina Zrinka Matijević, Veno Mušinović","REDATELJ":"Katarina Zrinka Matijević","AUTOR IZVORNOG PREDLOŠKA":"Adaptacija postojeće TV serije \"My Husband’s Wife\" autorice Juuli Niemi","repair_v1":{"changes":[{"field":"category","from":null,"to":"TV","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"parity_original_director":null,"parity_original_writer":null,"parity_original_original_author":null,"parity_action":"fix","parity_reasoning":"Dvije - writers 'Katarina Zrinka Matijević, Veno Mušinović', director 'Katarina Zrinka Matijević'; original_author note about adaptation of 'My Husband's Wife' by Juuli Niemi per raw_text.","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Wolfgang i Dolly d.o.o.","row_id":"27194daa:s0:8162b2611d07","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_1759f322851f","project_family_title":"Dvije"},{"row_number":2,"project_title":"Ženska posla","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":"Ivona Juka","writer":"Nenad Antolović","original_author":null,"category":"TV","approved_amount_text":"100.000,00","approved_amount":100000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Nenad Antolović","REDATELJ":"Ivona Juka","repair_v1":{"changes":[{"field":"category","from":null,"to":"TV","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"parity_original_director":null,"parity_original_writer":null,"parity_action":"fix","parity_reasoning":"Ženska posla - writer 'Nenad Antolović', director 'Ivona Juka' per raw_text.","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"27194daa:s0:6e9c89fbb67d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_3699a1f1acf9","project_family_title":"Ženska posla"}],"section_total_text":"500.000,00","section_total":500000.0}],"totals":{"ukupno_text":null,"ukupno":500045.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":500000.0,"ukupno_match":false,"row_count":8,"awarded_count":8,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":8}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlo_enje_manjinske_koprodukcije_24042015.pdf","filename_decoded":"Obrazlo_enje_manjinske_koprodukcije_24042015.pdf","sha256":"280fd3aafd4276e7de98603923f81af0210f28427a1e860349f178be1c2f19a0","bytes":428235,"page_count":2,"extracted_at":"2026-05-17T12:01:25Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlo%C5%BEenje_manjinske_koprodukcije_24042015.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničkih savjetnika po rezultatima Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2015. godini u kategoriji filmskih koprodukcija s manjinskim \nhrvatskim udjelom (rok 24. travnja 2015.)  \n \nSaša Vojković, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim udjelom: \n \nNa ovom sam roku odlučivanja, od  27 prijavljenih projekata na Javni poziv u kategoriji filmskih \nkoprodukcija s manjinskim hrvatskim udjelom, za sufinanciranje predložila tri dugometražna igrana \ni jedan dugometražni dokumentarni film.  \n \nPrvenstveni kriterij kojim sam se vodila pri odabiru predloženih filmova bila je kvaliteta ponuđenih \nscenarija, ali od velike važnosti bila je i činjenica da se sva tri dugometražna igrana filma \npredložena za sufinanciranje na ovom roku odlučivanja bave ženskim temama i  jakim i uvjerljivim \nženskim likovima s kojima se lako poistovjetiti. 'Ženski filmovi' su, nažalost,  još uvijek vrlo rijetki u \nsvjetskoj kinematografiji, posebno oni koji se oslanjaju na kvalitetan scenarij. Kad je riječ o \ndugometražnom dokumentarnom  filmu koji je predložen sa sufinanciranje, naslova 'Zašto je \nDragan napravio orkestar' riječ je o filmu koji nam kao gledateljima otkriva jedan nov, nepoznat \nsvijet i promiče univerzalnu poruku tolerancije. Drugi, ali isto tako važan kriterij na koji sam \nkoristila prilikom odabira predloženih projekata bila je zastupljenost hrvatskih autora i djelatnika u \nsamoj proizvodnji filma te to da li se film barem djelomično snima u Hrvatskoj.  \n \n1. Debitantski dugometražni film 'Izbrisana' slovenskog redatelja Mihe Mazzinija prema \nscenariju Mihe Mazzinija i Dušana Joksimovića (slovenski producent: Gustav film; hrvatski \nkoproducent: Kinorama) drama je o samohranoj majci koju je administrativno brisanje s \npopisa stanovništva koje se dogodilo u Sloveniji 1992. godine pretvorilo preko noći u \n«strankinju» te prisililo na bitku za vlastito dijete. Film govori o moći države koja je u stanju \n«malim administrativnim zahvatom» u računalnu bazu podataka uništiti nečiji život. Riječ je \no filmu kojeg resi uvjerljiva priča i uvjerljive dramske situacije kroz koje se možemo u \npotpunosti poistovjetiti s glavnom junakinjom.  \n \n2. Dugometražni igrani film 'Ivan' slovenskog redatelja Janeza Burgera, (slovenski producent: \nStaragara, hrvatski koproducent: Propeler film) priča je o Mari i njenom novorođenom sinu \nIvanu, djetetu rođenom u izvanbračnoj vezi između Mare i oženjenog tajkuna Roka koji je \noptužen za gospodarski kriminal. Premda isprva opsesivno vezana uz svog ljubavnika,  Mara \nse naposljetku uspijeva osloboditi te svoje fiksacije i krenuti sa svojim novorođenim sinom \nIvanom u nov život. Prema riječima redatelja i koscenarista Janeza Burgera riječ je o \nemblematičnoj priči o stanju u današnjem, ne samo slovenskom, nego općenito društvu u \nkojem živimo, društvu gdje su negativnosti svakodnevna pojava. \n \n\n\f\n \n \n \n \n3. Treći dugometražni igrani film predložen za sufinanciranje - 'Vojvoda' bugarske redateljice \nSofije Zornitse (bugarski producent: MQ Pictures, hrvatski koproducent Focus Media), \npovijesna je akcijska drama čija je glavna junakinja žena po imenu Rumena, planinska \nkraljica koja se u dominanto muškom svijetu koji je okružuje uspijeva nametnuti kao \nvojvoda, odnosno kao vođa hajduka. Scenaristica i redateljica Sofia Zornitsa vrlo uvjerljivo \npredočava dileme žene preodjevene u muško ruho, žene od koje se očekuje da bude i \n«muškarac» i «žena» u isto vrijeme. No, ono što je najvažnije od svega je da se Rumena, \nusprkos svemu tome, uspijeva u konačnici na upečatljiv način afirmirati u svojoj višestrukoj \nulozi žene, majke i ratnice, što rijetko srećemo u filmovima. Riječ je o filmu koji preispituje \nnaše uvriježeno poimanje «drugosti», i poziva nas to da se upitamo koliko smo uistinu \ntolerantni prema ljudima koji su drugačiji od nas.  \n \n4. Dugometražni dokumentarni film 'Zašto je Dragan napravio orkestar' redatelja Nikole \nSpasića (srbijanski producent: REZON, hrvatski koproducent: Menorah film) govori o \nsamohranom ocu romske nacionalnosti iz vojvođanskog sela Beška u Srijemu koji čvrsto \nstoji iza svoje odluke da svoja tri maloljetna sina ne preda na brigu socijalnoj skrbi nego da \nse sam o njima brine. Dječaci pomažu ocu u svim kućnim poslovima, jedan drugom oko \nškole, a svi zajedno čine orkestar “Petrovići iz Beške”. Film nam otkriva jedan nov, dosad \nnepoznat svijet promičući univerzalnu poruku tolerancije.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"proizvodnja web eksperimentalni film OBRAZLOZENJE 17062019.pdf","filename_decoded":"proizvodnja web eksperimentalni film OBRAZLOZENJE 17062019.pdf","sha256":"2971bff5498ef088175911ed09c5b9052bd52f5076c214fdb64e26b0ea566b5c","bytes":157657,"page_count":3,"extracted_at":"2026-05-17T12:01:47Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/proizvodnja%20web%20eksperimentalni%20film%20OBRAZLOZENJE%2017062019.pdf"},"raw_text":" \n1\nObrazloženje umjetničke savjetnice za eksperimentalni film - rok 17. lipnja \n2019. \nAna Hušman, umjetnička savjetnica za eksperimentalni film \n \nNa prvi rok Javnog poziva za poticanje proizvodnje audiovizualnih djela u kategoriji \neksperimentalnog filma u 2019. godini pristiglo je sveukupno četrnaest prijava, sve s \nurednom dokumentacijom te su ušle u razmatranje. \nPolovica ih je debitantskih, tri su već bila prijavljena na javni poziv u kategoriji \neksperimentalnog filma. Na ovom roku imamo veći broj prijava te veći broj prijava \nrenomiranih autora/ica, a i kvaliteta prijava je puno bolja. \n \nPri odlučivanju sam se vodila razrađenošću projekta, jasno raspisanom redateljskom \nkoncepcijom, što preciznije objašnjenim početnim pozicijama i mogućim smjerovima \nrazrade materijala te smjelošću u eksperimentiranju s materijalom i izrazima. \n \nOd četrnaest prijavljenih filmova za sufinanciranje predlažem sedam filmova, tri \nmeđunarodno već prepoznatih autora/ica od kojih jedan debitira u eksperimentalnoj \nformi i četvero mladih autorica.  \nRiječ je o projektima: \"Odsutnost teleprisutnosti\" Slobodana Jokića (Kazimir - \nUdruga za promicanje kulture, umjetnosti i audiovizualnog stvaralaštva), \"Oživjeti \ndjeda\" Sandre Sterle (Kinematograf d.o.o.), \"Dečki koji baš i nisu\" Marka Gutića \nMižimakova (Kolektiv za razvoj, istraživanje i propitivanje queer kulture - \nqueerANarchive),  \"Sve što nije pustinja, ne postoji\" Ane Buljan (Kreativni \nsindikat), \"Famozno - Svaki je umjetnik za sebe, svi zajedno nikad\" Jelene \nBlagović i Branka Linte (Terminal 3), \"Jesen, zima, proljeće i ljeto\" Tamare \nBilankov (Udruga Blank) i \"Kako bi Stan Brakhage gledao Fritza Langa\" Ivana \nFaktora (Umjetnička organizacija Mitropa). \n \nPrvi film je projekt renomiranog autora Slobodana Jokića koji godinama već djeluje u \npolju igranog, eksperimentalnog filma, video umjetnosti i fotografije. \nU projektu \"Odsutnost teleprisutnosti\" koristi se materijalima snimljenima prije 20. \ngodina referirajući se na njega kolažirajući pokretnu sliku, fotografiju, igrane scene, \nanimirane i dokumentarističko esejističke postupke kako bi rekreirao minule \ndogađaje. Autor nas vodi kroz dijelom osobnu, dijelom fiktivnu priču baziranu na \nnizu slučajnosti gradeći detektivsko eksperimentalni esej analizirajući i dovodeći u \nodnose mobilne telefone, smartphone kroz odnos generacija i vremenski razmak od \ndvadeset godina. \nOdobreno: 150.000,00 kn \n \nNovi projekt renomirane autorice Sandre Sterle čiji rad se nalazi na izuzetno \nzanimljivoj liniji koja spaja filmske festivale, muzejsko galerijske prostore i \nperformativne filmske elemente pod nazivom \"Oživjeti djeda\" za početnu točku \nuzima osobno iskustvo i povijest vlastite obitelji i relacije unutar nje. Razlažući \nfilmskim sredstvima odnos unuka - djed istražuje granice sjećanja, pripovijedanja, \npamćenja i prepričavanja. U filmu koristi arhivske materijale, rekreirane situacije na \nspecifičnim lokacijama, dokumentarni materijal nastao kroz radioničarske procese \nbavljenja obiteljskim konstelacijama. Kombinacija crno bijele fotografije s kolorima i \nreferencama na znanstvenu fantastiku i ruski konstruktivizam obećava izuzetno \nzanimljiv produkt. \nOdobreno: 150.000,00 kn \n\n\f\n \n2\n \nTamara Bilankov mlada je autorica također vrlo angažirana u edukaciji u polju \nfilmske umjetnosti kao voditeljica Blankovih radionica i profesorica filma, videa i \nanimacije u Školi za umjetnost,dizajn, grafiku i odjeću Zabok. \nPredložen projekt \"Jesen, zima, proljeće i ljeto\"  propituje ideju Barthesovog \nPunctuma kroz meditativno opservacijski strukturalistički film kojem je centralno \npolje istraživanja mali komadić brijega u Zagrebu između Podolja, Vinogradske i \nIlice. Zapisujući svakodnevne situacije, bilježeći tekstom, tonom i slikom unutar tog \nmajušnog trokuta pogledom kroz prozor, Bilankov istražuje mikrosituacije i sitne \npromjene intervenirajući u materijal i upućujući na promjene koje govore o dvorištu, \nali i o sadašnjosti koju živimo. \nOdobreno: 90.000,00 kn \n \nDebitantski projekt Jelene Blagović i Branka Linte pod radnim nazivom \"Famozno - \nSvaki je umjetnik za sebe, svi zajedno nikad\"  \nIdeja filma je ispreplitanje osobnog i profesionalnog prostora Jelene Blagović, Branka \nLinte i Gorana Trbuljaka koji su na Akademiji dramskih umjetnosti proveli deset \ngodina kao kolege. Film grade propitujući teme arhiva, reprezentacije umjetnika, \nartikulacije pozicije umjetnika i umjetničkog autorstva, hijerarhiju ustaljene filmske \nprodukcije gradeći vlastite mini monografije u odnosu na drugoga. \nReferirajući se na Trbuljakov rad \"Monografije\" filmski pripovijedaju ispreplićući tri \nrazličita pristupa u hibridno dokumentarno eksperimentalnoj filmskoj formi. \nOdobreno: 90.000,00 kn \n \nDebitantski projekt mladog autora Marka Gutića Mižimakova \"Dečki koji to baš i \nnisu\" u potpunosti je načinjen od kompjuterski generirane slike krajolika, fragmenata \nzamišljenih prostora i generiranih figura izvođača po motivima znanstveno \nfantastičnog romana Stars in my pocket Like Grains of Sand. U tako kreiranoj \nscenografiji događaju se susreti tijela izvođača sa njihovim klon inačicama u \ndigitalnom svijetu propitujući prostore queer susreta i na koji način u suvremenoj \nsvakodnevici oni mogu izbjeći neoliberalnom tržištu. \nOdobreno: 90.000,00 kn \n \nDebitantski filmski eksperiment Ane Buljan \"Sve što nije pustinja, ne postoji\"  \nnastavlja se ne njezinu prvu studiju Whatever is not desert no longer exists \nsklopljenog od materijala snimljenog na području pustinje Atacama krajem 2018. \nNovi film nastaje strukturiran raspadanjem, sastavljanjem, propadanjem i odronima \nfilmskog materijala u procesima pohranjivanja, taloženja, razvijanja i procesuiranja \nfilmske trake, ali i sadržaja, pejzaža i prostranstva zabilježenog na traci. \nPrimjenjujući metode lutanja, vrludanja i slučajnosti kao strukturno pravilo i metodu \nautorica radi bilješke prirode, krajolika i kretanja na filmsku traku. \nOdobreno: 90.000,00 kn \n \nPosljednji film koji predlažem za financiranje je projekt \"Kako bi Stan Brakhage \ngledao Fritza Langa”  renomiranog autora u području eksperimentalnog i \ndokumentarnog filma Ivana Faktora koji se nastavlja baviti cjeloživotnim interesom -\nradom Fritza Langa. \nDugometražni  eksperimentalni film u jednom kadru strukturiran prema načelima \nStana Brakhagea kroz koji se Faktor vraća pristupu koji je koristio u svom prvom \nfilmu iz sedamdesetih \"Prvi program\" u kojem jedan medij prepisuje ili prevodi u \n\n\f\n \n3\ndrugi medij. Postupcima koje koristi dovodi ih u odnos i generira novi sadržaj nastao \nkao posljedica \"grešaka\" u prijevodu i tekstura specifičnih pojedinim medijima. \nOdobreno: 200.000,00 kn \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_DOKUMENTARNI_2rok_2021_WEB.pdf","filename_decoded":"Obrazlozenje_RSC_DOKUMENTARNI_2rok_2021_WEB.pdf","sha256":"2979cc3e20068cb8c0e900d01e349e46f9ca3647fb46a8aa6df223e293fe0d95","bytes":194922,"page_count":2,"extracted_at":"2026-05-17T12:02:12Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_DOKUMENTARNI_2rok_2021_WEB.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA, 2. ROK 2021. / DOKUMENTARNI FILM \nMorana Ikić Komljenović \n1 \n \nJAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 2. ROK, 2021. \nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Morana Ikić Komljenović \nKATEGORIJA:  POTICANJE RAZVOJA SCENARIJA I RAZVOJA PROJEKATA DUGOMETRAŽNIH IGRANIH, DUGOMETRAŽNIH \nDOKUMENTARNIH I ANIMIRANIH FILMOVA – RAZVOJ SCENARIJA DUGOMETRAŽNIH DOKUMENTARNIH FILMOVA – 14. rujna \n2021. \n \nOPĆI OSVRT \n_______________________________________________________________________________________________ \n \nNa javni poziv u kategoriji poticanja razvoja scenarija dugometražnog dokumentarnog filma u 2. roku prijavljeno je sveukupno \n29, a razmatrano 27 projekata.  \nVećina pristiglih projekata su prikladniji za televizijsku proizvodnju i ne posjeduju kreativna i umjetnička obilježja autorskog filma. \nTo su izlagački i faktografski filmovi klasične strukture. Ipak, među prijavama se našla nekolicina scenarističkih koncepata koji će \nse potencijalno razviti u punokrvne autorske projekte i kojima će faza razvoja sigurno pomoći u daljnjoj nadogradnji.  \nPredlažem Hrvatskom audiovizualnom vijeću ukupno 8 projekata za sufinanciranje u ovoj kategoriji u ukupnom iznosu od \n200.000,00 kn.  \n1. Komad Stvarnosti Renata Lučić (scenaristica i redateljica) / Filip Filković (producent) / More-Magnets d.o.o \n(produkcija)  \nPredloženi iznos potpore: 25.000 kn \n«Komad stvarnosti» je zanimljiv biografski prikaz umjetnika Mije Vesovića koji je ostavio zamjetan pečat u hrvatskoj suvremenoj \nlikovnoj umjetnosti i pop-kulturi. Scenaristički koncept koji se predlaže nije klasična biografija, već portret umjetnika kroz osoban \nodnos s autoricom i kroz njihovu zajedničku kreativnu fotografsku suradnju. \n2. Zašto se mrzimo Anđelo Jurkas (redatelj i scenarist) / DOP Produkcija, obrt (produkcija) \nPredloženi iznos potpore: 25.000 kn \n«Zašto se mrzimo» je istraživačko-antropološki filmski esej koji, kroz kolažni prikaz osam različitih podtema tj. teza, u fokusu ima \nnetrpeljivost i predrasude. Autora zanima istražiti ishode i razloge za mržnju među ljudima i u toj potrazi se služi primjerima \nnetrpeljivosti koja nastaje na vjerskoj, nacionalnoj, političkoj, geografskoj, statusnoj i drugim osnovama. \n3. Disco 79 Željko Luketić (scenarist) / Udruga Jučer, danas, sutra – platforma za audiovizualna istraživanja (produkcija) \nPredloženi iznos potpore: 25.000 kn \nKratak sadržaj iz prijavnice:  \nGodine 1979. u Hrvatskoj i Jugoslaviji jedan je glazbeni žanr postao i više od glazbe. Tereza Kesovija objavila je singl 'Disco \n79' s potpourijem svih svojih pjesama, ali u stilu plesne disco glazbe. Špica Dnevnika TV Zagreb, glavne političke i \ninformativne emisije koja je najviše prostora davala praćenju Tita i partije, imala je disco ritam u svojoj podlozi. Plesnjaci \nsu postali disco večeri i pojavio se novi koncept izlazaka, DJ kulture i načina uživanja u plesu i glazbi. Disco je stigao. \n„Disco 79» je fenomenološki dokumentarni film o počecima i razvoju popularne disko glazbe u Hrvatskoj, o njenom utjecaju na \nrazne sfere života i o nastojanjima prema njenoj revitalizaciji danas. Disko se promatra kao glazbeni žanr, ali i životna filozofija \nkoja ima mnoštvo poveznica u suvremenosti. Poveznice nose dodatne teme (npr. seksualnost, dizajn, politički ustroj, autorsko \npravo, emancipaciju i dr.). \n \n4. Irena Jasmina Beširević (scenaristica i redateljica) / Hulahop d.o.o. (produkcija)  \nPredloženi iznos potpore: 25.000 kn \n\n\f\nJAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA, 2. ROK 2021. / DOKUMENTARNI FILM \nMorana Ikić Komljenović \n2 \n \n«Irena» je dokumentarni projekt s elementima igranog filma, kreativan filmski psihološki portret obogaćen raznim asocijativnim i \nemotivnim slojevima. U pozadini portreta autorica se bavi depresijom kao psihološkim stanjem uzrokovanim raskorakom \nrealnosti i htijenja. Autorica koristi vrijedan sadržajni kapital u vidu dnevničkih zapisa koje glavna protagonistkinja detaljno vodi \nod svoje 12.  godine, a na kojima se gradi radnja. Osim psihološkog, ovo je i društveni vremeplov. \n \n5. Ljubav na Balkanu Anđela Rostuhar (scenaristica) / Anđela Rostuhar i Davor Rostuhar (redatelji) / Klub za \nekspedicionizam i kulturu (produkcija)  \nPredloženi iznos potpore: 25.000 kn \n«Ljubav na Balkanu» je antropološko-fenomenološka filmska studija i nastavak uspješnog prethodnog projekta prijavitelja \n«Ljubav oko svijeta». Ishodište autorskog interesa je romantična ljubav kao fenomen koji je univerzalno raspoznatljiv, ali \npodložan kulturološkim, političkim, religijskim ili pak psihološko-karakternim interpretacijama.   \n6. Postati majka  Danijela Stanojević (scenaristica i redateljica)  \nPredloženi iznos potpore: 25.000 kn \nAutorica u fokus postavlja tri snažna ženska lika koja teže majčinstvu, a svim lošim izgledima usprkos. Autorica ih bira pratiti u \nprocesu pokušaja začeća kroz umjetnu oplodnju u razdoblju od 2 godine, pritom pomno bilježeći psihološka stanja koja ga prate. \nVažan je i društveni aspekt na koji se reflektira izabrana tema. Ipak, autorski interes nije društveno-fenomenološki, već duboko \nintiman. Zanimljiva je i perspektiva na korištenje nataliteta u političke svrhe. \n7. Kosinjska dolina Goran Dević (scenarist i redatelj)  \nPredloženi iznos potpore: 25.000 kn \nScenaristički koncept za projekt «Kosinjska dolina» prati živote stanovnika čija će sela do 2028. godine ostati na dnu \nakumulacijskog jezera, a u sebi nosi dokumentarnu dramu koja se odvija u kontekstu života u nestajanju, borbe napretka i «malih \nživota», prirode i čovjeka. Osnovna autorska intencija jest stvoriti empatiju prema zajednici u nestajanju, ali i naznačiti \ndvoznačnost situacije u kojoj je upravo taj gubitak, ustvari, dobitak i napredak u širem kontekstu. Filmski potencijal predloženog \nprojekta leži u dihotomiji emocija koje prate ovu dramatičnu radnju. \n \n8. Ulični hodač Damir Čučić (scenarist i redatelj)  \nPredloženi iznos potpore: 25.000 kn \nOvaj trodijelni dokumentarni filmski esej s elementima eksperimentalnog filma, emotivna je samoironična psihološka pseudo-\nautobiografija filmskog autora Damira Čučića. Emocije i stanja koja autor komunicira su snažna i dojmljiva. U scenarističkom \nkonceptu su izloženi kreativno zanimljivi i inspirativni vizualni aspekti filma koji se zamišlja. Opisane su vizualno bogate slike koje,  \nkroz igru svjetlosti i korištenje arhiva i fotografija, obrađuju unutarnje i vanjske (fizičke) procese kroz koje autor prolazi u \noblikovanju ove filmske autorefleksije. \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2021,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"Odluka%20AV_Sporazum%20_HFS_25102021_dr.pdf","filename_decoded":"Odluka%20AV_Sporazum%20_HFS_25102021_dr.pdf","sha256":"29e348c503e4621192889103b609b2c1b3231e6758715cc0f1a8b54ddc61b5da","bytes":495836,"page_count":1,"extracted_at":"2026-05-16T14:10:17Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \nKLASA: 111-006-001 \nURBROJ: 4957-2021 \nU Zagrebu, 25. listopada 2021. \n \nTemeljem članka 10. Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: Zakon), \nHrvatsko audiovizualno vijeće je u 3. sazivu na 24. sjednici održanoj 25. listopada 2021. godine \ndonijelo: \n \nO  D  L  U  K  U \no usvajanju prijedloga o sklapanju Sporazuma o suradnji s Hrvatskim filmskim  \n \n1. Usvaja se prijedlog o sklapanju Sporazuma o suradnji između Hrvatskog audiovizualnog \ncentra, Trg J. J. Strossmayera 4, Zagreb (dalje: HAVC) i Hrvatskog filmskog saveza, Tuškanac \n1, Zagreb (dalje: HFS), na rok od godinu dana, kojim se HAVC obavezuje poduprijeti rad \nfilmskih družina u osnovnim i srednjim školama u proizvodnji audiovizualnih djela u iznosu \nod 300.000,00 kn (tristotisućakuna). \n \n2. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n3. Ova Odluka će biti objavljena u zakonom propisanom roku na mrežnoj stranici Hrvatskog \naudiovizualnog centra: www.havc.hr. \n \n \nObrazloženje \n \nSukladno prijedlogu predstavnika neprofesijskih filmskih udruga i amaterskih školskih družina pri \nHrvatskom audiovizualnom vijeću, Hrvatsko audiovizualno vijeće je razmatralo prijedlog o \nsklapanju Sporazuma o suradnji između HAVC-a i HFS-a, na rok od godinu dana, kojim bi se HAVC \nobavezao poduprijeti rad filmskih družina u osnovnim i srednjim školama u proizvodnji \naudiovizualnih djela. Prije sklapanja Sporazuma, HFS će HAVC-u dostaviti financijski plan i plan \nprovedbe programa s naznakom kada i na koji način će se provesti javni poziv. \n \nHrvatsko audiovizualno vijeće je u 3. sazivu na 24. sjednici održanoj 25. listopada 2021. godine, \njednoglasno, s devet (9) glasova „za“ donijelo Odluku kao u točki 1. izreke Odluke, u ukupnom \niznosu od 300.000,00 (tristotisućakuna). \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), Hrvatski \naudiovizualni centar će ovu Odluku objaviti na svojoj mrežnoj stranici: www.havc.hr. \n \nPredsjednik \nHrvatskog audiovizualnog vijeća \n \nLado Skorin, v.r. \n \nDostaviti: \n- \nHrvatski filmski savez \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"komplementarne","year":2021,"rok":null,"referenced_projects":[],"summary":"Odluka AV Vijeća u 3. sazivu na 24. sjednici od 25. listopada 2021. o usvajanju prijedloga o sklapanju Sporazuma o suradnji između HAVC-a i Hrvatskog filmskog saveza, kojim se podupire rad filmskih družina u osnovnim i srednjim školama u iznosu od 300.000,00 kn.","project_links":[]}},{"schema_version":"1.0","doc_type":"regulation","source":{"filename":"Pravilnik_o_kategorizaciji_AV_djela_.pdf","filename_decoded":"Pravilnik_o_kategorizaciji_AV_djela_.pdf","sha256":"2a3dbb653fd053f6a8c7ff3f38e1ee4c385bef4263aab9b43e435ea808c9f38b","bytes":276138,"page_count":5,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"novo_JP_me_unarodna_web_rok_12_08_2016.pdf","filename_decoded":"novo_JP_me_unarodna_web_rok_12_08_2016.pdf","sha256":"2a46097e97d41c87507884fec516caaf639813918f6a3308b92c33039fb5406c","bytes":413885,"page_count":2,"extracted_at":"2026-05-17T10:23:44Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/novo_JP_me%C4%91unarodna_web_rok_12_08_2016.pdf"},"raw_text":"PREDLAGATELJ\nVRSTA PROGRAMA\nNAZIV PROGRAMA\nODOBRENA POTPORA (kn)\n1\nAnte Marin\nPitching, koprodukcijski forumi i programi \nza razvoj projekata.\nSudjelovanje scenarista i redatelja s projektom kratkometražnog \nigranog filma 'Humurva', red. A. Marina na međunarodnom \nscenarističkom razvojnom programu MIDPOINT Feature Launch; \nPrag/Ponešice, Češka, 20. do 30. kolovoza 2016.\n1.546,00 kn\n2\nArtizana film d.o.o.\nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redateljice i predstavljanje dokumentarnog filma \n'Neželjena baština', red. I. Škorić na programu 'Suočavanje s \nprošlošću' u sklopu 22. međunarodnog filmskog festivala u Sarajevu, \nBiH; 16. do 19. kolovoza 2016.\n1.500,00 kn\n3\nCentar za nove \ninicijative\nProgrami predstavljanja i promocije \nfilmova.\nOrganizacija manifestacije 'Hrvatski film u Beču i Gradišću'; Beč i \nGradišće, Austrija; veljača 2017.\n10.000,00 kn\n4\nCorvus film d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje scenarista Zvonimira Munivrane s projektom 'Jogurt \nsindrom', red. G. Rukavine na jednoj sesiji međunarodne  radionice \nza razvoj projekata MAIA - 'Legala & Finance'; Poljska, 20. do 25. \nlipnja 2016.\n2.362,00 kn\n5\nČetiri film d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje koordinatorice produkcije Ive Markić na međunarodnoj \nradionici za producente EP2C; Halle, Njemačka; 26. listopada do 01. \nstudenog 2016.\n1.995,00 kn\n6\nČetiri film d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje producentice Anite Juka na 7. međunarodnoj \nproducentskoj platformi Producers Lab u sklopu međunarodnog \nfestivala u Torontu, Kanada; 06. do 11. rujna 2016.\n3.000,00 kn\n7\nFactum\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redateljice i producenata i predstavljanje \nsrednjemetražnog dokumentarnog filma 'Iza lica zrcala',red. K. Z. \nMatijević na natjecateljskom programu 22. međunarodnog filmskog \nfestivala u Sarajevu, BiH; 12. do 20. kolovoza 2016.\n6.750,00 kn\n8\nFactum\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje producenta i predstavljanje srednjemetražnog \ndokumentarnog filma 'Dum Spiro Spero', red. P. Kvesića na \nmeđunarodnoj konkurenciji 59. međunarodnog festivala \ndokumentarnog i animiranog filma DOK Leipzig; Njemačka; 31. \nlistopada do 06. studenog 2016.\n3.000,00 kn\n9\nGral Film d.o.o.\nPitching, koprodukcijski forumi i programi \nza razvoj projekata.\nSudjelovanje redatelja i predstavljanje dugometražnog \ndokumentarnog projekta 'Susjedi', red. T. Žaje na pitching forumu \n'Lau Haizetara Co-production Forum' u sklopu 64. međunarodnog \nfilmskog festivala u San Sebastianu, Španjolska; 16. do 24. rujna \n2016.\n2.900,00 kn\n10\nHrvatski filmski savez\nOstali programi.\nSudjelovanje hrvatske delegacije na 78. međunarodnom festivalu \namaterskog filma UNICA; Suceava, Rumunjska; 19. do 26. kolovoza \n2016.\n4.500,00 kn\n11\nHrvatski filmski savez\nOstali programi.\nSudjelovanje voditeljice i 3 člana žirija djece i mladeži na \nmeđunarodnom festivalu filmova za djecu i mlade Giffoni Georgia; \nTbilisi, Gruzija; 24. do 26. lipnja 2016.\n5.500,00 kn\n12\nHrvatski filmski savez\nProgrami stručnog usavršavanja.\nSudjelovanje Lea Vitasovića na međunarodnoj radionici Prodigy \nCamp; Seattle; SAD; 08. do 15. srpnja 2016.\n6.000,00 kn\n13\nHrvatski filmski savez\nOstali programi.\nSudjelovanje hrvatske delegacije na 46. međunarodnom festivalu \nfilmova za djecu i mlade Giffoni Experience; Rim, Italija; 15. do 24. \nsrpnja 2016.\n5.000,00 kn\n14\nHrvatski filmski savez\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje direktorice fotografije i dizajnera zvuke  i predstavljanje \nkratkometražnog dokumentarnog filma 'Noćas', red. Z. Mustaća u \nslužbenoj konkurenciji 2. međunarodnog festivala dokumentarnog \nfilma DocuTIFF; Tirana, Albanija; 05. do 08. lipnja 2016.\n1.500,00 kn\n15\nIgor Bezinović\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redatelja i predstavljanje kratkometražnih \ndokumentarnih filmova 'Kratki obiteljski film', red. I. Bezinovića na \nmeđunarodnom festivalu dokumentarnih filmova u Prizrenu, Kosovo; \n05. do 13. kolovoza 2016. te 'Veruda-film o Bojanu', red. I. Bezinovića \nna međunarodnom festivalu u Herceg Novom, Crna Gora; 02. do 06. \nkolovoza 2016.\n1.868,00 kn\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2016. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 12. kolovoza 2016. \n\n\f\n16\nInter film d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje članova autorskog tima i predstavljanje dugometražnog \nigranog filma 'Narodni heroj Ljiljan Vidić', red. I.G. Viteza u službenoj \nkonkurenciji 24. međunarodnog filmskog festivala Raindance; \nLondon; UK; 21. rujna do 02. listopada 2016.\n8.000,00 kn\n17\nInter film d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje članova autorskog tima i predstavljanje dugometražnog \nigranog filma 'Ustav Republike Hrvatske', red. R. Grlića u službenoj \nkonkurenciji 40. međunarodnog filmskog festivala u Montrealu, \nKanada; 25. kolovoza do 05. rujna 2016.\n76.000,00 kn\n18\nIvan Koroman\nProgrami stručnog usavršavanja.\nSudjelovanje direktora fotografije Ivana Koromana na 11. \nmeđunarodnoj radionici dokumentarnog filma Aristotel; Maramures, \nRumunjska 23. kolovoza do 24. rujna 2016.\n1.400,00 kn\n19\nKazimir - Udruga za \npromicanje kulture, \numjetnosti i \naudiovizualnog \nstvaralaštva\nProgrami stručnog usavršavanja.\nSudjelovanje redatelja i producenta s projektom dugometražnog \ndokumentarnog filma 'Zaljev', red. B. Pavića na tri sesije \nmeđunarodne radionice za razvoj i financiranje kreativnih \ndokumentarnih filmova iz srednje i istočne Europe 'Ex Oriente Film'; \n27.06.-02.07.'16; Split, Hrvatska; 24.-29.10.'16, Jihlava, Češka; 06.-\n12.03.'17; Prag, Češka\n8.000,00 kn\n20\nKinoteka d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje članova autorskog tima i predstavljanje dugometražnog \nigranog filma 'ZG80', red. I. Šeregija na programu Avant Premiere u \nsklopu 22. međunarodnog filmskog festivala u Sarajevu, BiH; 14. do \n16. kolovoza 2016.\n5.000,00 kn\n21\nKrupni kadar d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog animiranog \nfilma 'Planemo', red. V. Popovića u službenoj konkurenciji \nmeđunarodnog festivala animiranog filma u Ottawi, Kanada; 21. do \n25. rujna 2016.\n5.900,00 kn\n22\nKrupni kadar d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje producenta i predstavljanje kratkometražnog \nanimiranog filma 'Planemo', red. V. Popovića u službenoj \nkonkurenciji 24. međunarodnog festivala animiranog filma Curtas \nVila do Conde;Portugal; 15. do 17. srpnja 2016.\n1.990,00 kn\n23\nMarko Dješka\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog animiranog \nfilma 'Grad duhova', red. M. Dješka na međunarodnom festivalu \nanimiranih filmova Animator; Poznan, Poljska; 08. do 15. srpnja \n2016.\n1.590,00 kn\n24\nProdukcija Živa d.o.o.\nPitching, koprodukcijski forumi i programi \nza razvoj projekata.\nSudjelovanje producentice i redatelja i predstavljanje projekta \ndugometražnog igranog filma 'Štriguni', red. A. Tardozzija na \nkoprodukcijskom marketu Frontieres u sklopu međunarodnog \nfilmskog festivala Fantasia; Montreal, Kanada; 21. do 24. srpnja \n2016.\n5.000,00 kn\n25\nStvaralačka mreža \nZebra\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje članova autorskog tima i predstavljanje dugometražnog \nigrano eksperimentalnog filma 'Transmania' na 22. međunarodnom \nfilmskom festivalu u Sarajevu, BiH; 12. do 20. kolovoza 2016.\n2.000,00 kn\n26\nTelefilm d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje producenta i redatelja i predstavljanje dugometražnog \nigranog filma 'Ministarstvo ljubavi', red. P. Marinkovića na programu \nWorld Cinema u sklopu 52. međunarodnog filmskog festivala u \nChicagu; SAD; 13. do 27. listopada 2016.\n9.765,00 kn\n27\nTelefilm d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redatelja i predstavljanje dugometražnog igranog filma \n'Ministarstvo ljubavi', red. P. Marinkovića na programu World Greats \nu sklopu 40. međunarodnog filmskog festivala u Montrealu, Kanada; \n25. kolovoza do 05. rujna 2016.\n10.000,00 kn\n28\nTvornica Svjetlosti \nd.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje članova autorskog tima i predstavljanje \nkratkometražnog animirano eksperimentalnog filma 'Only lovers left \nto die', red. V. Kanića u službenoj konkurenciji 24. međunarodnog \nfilmskog festivala Raindance; London;VB; 21. rujna do 02. listopada \n2016.\n4.000,00 kn\nUKUPNO:\n196.066,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\nNova ves 18  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 085  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"novo_JP_me_unarodna_web_rok_12_08_2016","year":2016,"rok":null,"natjecaj_date":"2016-08-30","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PREDLAGATELJ","VRSTA PROGRAMA","NAZIV PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje scenarista i redatelja s projektom kratkometražnog igranog filma 'Humurva', red. A. Marina na međunarodnom scenarističkom razvojnom programu MIDPOINT Feature Launch; Prag/Ponešice, Češka, 20. do 30. kolovoza 2016.","applicant":"Ante Marin","production_company":"Ante Marin","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.546,00 kn","approved_amount":1546.0,"currency":"HRK","extras":{"col_1":"1","NAZIV PROGRAMA":"Sudjelovanje scenarista i redatelja s projektom kratkometražnog igranog filma 'Humurva', red. A. Marina na međunarodnom scenarističkom razvojnom programu MIDPOINT Feature Launch; Prag/Ponešice, Češka, 20. do 30. kolovoza 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Ante Marin","row_id":"2a46097e:s0:b6ff72af6ea9","curation":{"changes":[{"field":"project_title","from":"Pitching, koprodukcijski forumi i programi za razvoj projekata.","to":"Sudjelovanje scenarista i redatelja s projektom kratkometražnog igranog filma 'Humurva', red. A. Marina na međunarodnom scenarističkom razvojnom programu MIDPOINT Feature Launch; Prag/Ponešice, Češka, 20. do 30. kolovoza 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_0ea2758d7fbb","project_family_title":"Sudjelovanje scenarista i redatelja s projektom kratkometražnog igranog filma 'Humurva', red. A. Marina na međunarodnom scenarističkom razvojnom programu MIDPOINT Feature Launch; Prag/Ponešice, Češka, 20. do 30. kolovoza 2016."},{"row_number":2,"project_title":"Sudjelovanje redateljice i predstavljanje dokumentarnog filma 'Neželjena baština', red. I. Škorić na programu 'Suočavanje s prošlošću' u sklopu 22. međunarodnog filmskog festivala u Sarajevu, BiH; 16. do 19. kolovoza 2016.","applicant":"Artizana film d.o.o.","production_company":"Artizana film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.500,00 kn","approved_amount":1500.0,"currency":"HRK","extras":{"col_1":"2","NAZIV PROGRAMA":"Sudjelovanje redateljice i predstavljanje dokumentarnog filma 'Neželjena baština', red. I. Škorić na programu 'Suočavanje s prošlošću' u sklopu 22. međunarodnog filmskog festivala u Sarajevu, BiH; 16. do 19. kolovoza 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Artizana film d.o.o.","row_id":"2a46097e:s0:f307eee2011c","curation":{"changes":[{"field":"project_title","from":"Programi predstavljanja i promocije filmova.","to":"Sudjelovanje redateljice i predstavljanje dokumentarnog filma 'Neželjena baština', red. I. 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Cherry Pop Film Festival\n3.500,00 €\n2\nMeđunarodni dan animacije 2026\n4.500,00 €\n3\nKlein film festival\n4.000,00 €\n4\nKino Unseen X\n4.000,00 €\n5\n20. PSSST! - Festival nijemog filma\n3.800,00 €\n6\n21. Revija dokumentarnog filma Fibula\n1.300,00 €\n7\nFestival tolerancije Zadar (2026.)\n16.000,00 €\n8\nMjesec hrvatskog filma u MIKRO-KINU\n1.800,00 €\n9\nREF - Revija europskog filma '26.\n2.500,00 €\n10\nCroatian International Film Festival \n5.000,00 €\n11\n15. Kiki - međunarodni festival dječjeg \nfilma\n6.500,00 €\n12\n31. Filmska revija mladeži i 19. Four River \nFilm Festival\n18.000,00 €\n13\n58. Revija hrvatskog filmskog stvaralaštva\n12.000,00 €\nAkademski filmski klub\nASIFA Hrvatske\nBara Film\nCentar za dramsku umjetnost - CDU\nNaziv predlagatelja\nJavni poziv za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2026. godini, 2. rok  - popis odobrenih projekata, 32. \nsjednica Hrvatskog audiovizualnog vijeća 23.4.2026.\nfilmski festivali i druge audiovizualne manifestacije\nFoto-kino klub Baranja film\nFoto-kino klub Baranja film\nCentar za kulturu Trešnjevka\nDom kulture Kristalna kocka vedrine\nFestival suvremenog židovskog filma \nZagreb\nHrvatski filmski savez - HFS\nGalileo Films d.o.o.\nGOKUL - Građanska organizacija za \nkulturu\nHrvatski filmski savez - HFS\n\n\f\n14\n64. Revija hrvatskog filmskog stvaralaštva \ndjece\n15.000,00 €\n15\n20. Vukovar Film Festival\n43.000,00 €\n16\nDUff 2026. - 15. izdanje međunarodnog \nfilmskog festivala djece i mladih\n6.000,00 €\n17\n35. Dani hrvatskog filma\n26.000,00 €\n18\nZlatnih 5\n1.500,00 €\n19\nIV. Festival Ludrum\n1.000,00 €\n20\nDunjine noći - međunarodni festival video \npoezije\n2.000,00 €\n21\n31. Split Film Festival\n22.000,00 €\n22\nMARS 2026. Festival\n1.650,00 €\n23\n17. Filmska revija \"Novo kino Osmijeh\"\n4.500,00 €\n24\nHuman Rights Film Festival\n28.000,00 €\n25\n9. Međunarodni festival arheološkog filma \n(MFAF)\n1.800,00 €\n26\nTabor New Frame Film \n11.000,00 €\n27\n8. DA2 - Zagreb Design, Art & Architecture \nFilm Festival\n6.000,00 €\n28\n4. Playbox Shorts Film Festival\n2.000,00 €\n29\n15. Lovely Days, Bol, Brač\n3.500,00 €\n30\nFestival Amaterskog Filma - FAF\n800,00 €\n31\nKino Palke 7\n1.500,00 €\nHrvatski filmski savez - HFS\nKulturno-umjetnička i športska \nudruga Lovreć\nMavena - 36 njenih čuda\nMeđunarodni festival novog filma\nMljetski Avanturistički Robinzonski \nSavez - MARS\nJavna ustanova u kulturi Hrvatski \ndom Vukovar\nJavna ustanova u kulturi \nKinematografi Dubrovnik\nKino Edison, multimedijski centar za \nkulturno-turističke sadržaje\nKinoklub Ogulin\nMultimedijalni centar Studio kreativnih \nideja Gunja - MMC SKIG\nMultimedijalni institut\nMuzej hrvatskih arheoloških \nspomenika Split\nOBNOMIKA d.o.o.\nPari Pikule\nPlaybox Production – udruga za \npromicanje filmske i video umjetnosti\nREA - udruga za suvremene \numjetničke i arhitektonske produkcije\nSavez studenata Fakulteta \nelektrotehnike i računarstva (SS \nFER)\nSinjski kulturni urbani pokret - SKUP\n\n\f\n32\nSupertoon - Međunarodni festival animacije\n11.000,00 €\n33\n11. Filmska RUNDA 2026.\n5.500,00 €\n34\nRAFF - Rab Film Festival 2026.\n7.000,00 €\n35\n12. Brač Film Festival\n10.000,00 €\n36\nUhvati film fest\n4.500,00 €\n37\n21. DOKUart međunarodni festival \ndokumentarnog filma\n15.000,00 €\n38\nBokun festivala - festival nijemog filma i \ndrugih osjetila\n2.000,00 €\n39\nBokun festivala na putu oko svijeta\n1.000,00 €\n40\n10. Filmski festival glumca\n3.500,00 €\n41\n3. Vrboska Film Festival\n3.000,00 €\n42\nHitchcock Nights 2026.\n1.000,00 €\n323.650,00 €\nZajednica udruga Centar nezavisne \nkulture\nUKUPNO\nUdruga građana Spirit\nUdruga za promicanje kulture Dokuart\nUdruga za promicanje kulture, filmske \numjetnosti, putovanja, domaće i \nstrane kuhinje \"Gozba\"\nUdruga za promicanje kulture, filmske \numjetnosti, putovanja, domaće i \nstrane kuhinje \"Gozba\"\nUmjetnička organizacija \"Asser \nSavus\"\nTORO laboratorij j.d.o.o.\nUdruga Globe Media\nUmjetnička organizacija PALMA\nSUPERTOON\nTeatar to go, U.O.\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati AV Komplementarne 2026._2. rok","year":2026,"rok":"2. rok","natjecaj_date":"2026-04-23","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":"filmski festivali i druge audiovizualne manifestacije","section_key":"filmski_festivali_i_druge_audiovizualne_manifestacije","columns":["Naziv predlagatelja","Naziv programa","Odobrena sredstva (€)"],"rows":[{"row_number":1,"project_title":"5. 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Prijave često imaju problem s konceptualnom \nsnagom, kvalitetno dokumentiranim opsegom projekta, adekvatno granuliranim \noperativnim planom, dostatnim iskustvom projektnog tima ili troškovne utemeljenosti. \nRecenzije prijava na proizvodnju videoigara u velikom broju stoga imaju preporuku \numjetničkog savjetnika da prijavu s doradama prijave na razvoj projekta umjesto na \nprodukciju jer je to prikladnija prijava s obzirom na zrelost dijeljene dokumentacije. \n \nOpisano stanje prijava za rezultat ima da se za sufinanciranje proizvodnje predlažu \ntek dva projekta, dok se za sufinanciranje razvoja predlaže šest projekata. \n \n \nVUČEDOL (Razvoj projekta) \nGlavni autor: Andrija Zorić \nProducent: Andrija Zorić \nPrijavitelj: Bad Elektron \n50.000,00 HRK \n \nVučedol je kartaška igra o izgradnji Vučedola i razvoju metalurgije. Konceptualno je \novo najsnažniji projekt od svih za primljenih prijava. Projekt vrlo vješto kombinira \nupečatljiv vizualni doživljaj s modernim sustavima mehanika i gameplaya, te sve to \nmajstorski nadovezuje temom Vučedola u iznimno interesantno audiovizualno djelo. \nOsim što je Vučedol konceptualno iznimno snažan, ima sjajan tim koji ima svo \npotrebno iskustvo za umjetničko operativnu izvedivost projekta. Pored ovih snaga \nprojekta ima jedan od najnižih traženih iznosa za sufinanciranje te je ujedno i jedini za \nkoji se predlaže sufinanciranje u cijelom traženom iznosu. \n \n \n\n\f\nPROFESOR BALTHASAR (Razvoj projekta) \nGlavni autor: Aleksandar Gavrilović \nProducent: Aleksandar Gavrilović \nPrijavitelj: Gamechuck \n75.000,00 HRK \n \nProfesor Balthasar je dobro poznati kulturni lik i djelo čiji doseg dopire puno dalje iz \nnaše regije. Prijavitelj donosi poznati lik i djelo u novi medijski kontekst videoigara na \nnačin da poštuje tradicionalan likovni i narativni pristup originala te unosi zanimljive i \nnove elemente kako igrivosti, tako i samih priča koje će biti ispričane u sklopu \nrealizacije projekta. Prijavitelj ima bogato iskustvo u izradi igara raznih tipova i \nplasman na međunarodno tržište. Pored toga je ostvario suradnju s autorima koji \nmogu ovaj koncept dosljedno izvesti čime projekt ima visok stupanj umjetničko \noperativne izvedivosti. \n \nANCIENT TALES (Razvoj projekta) \nGlavni autor: Mirinda Paraman \nProducent: Mirinda Paraman  \nPrijavitelj: Mirinda Games \n65.000,00 HRK \n \nIgra Ancient Tales temelji se na bajci Regoč iz kolekcije bajki Priče iz Davnine Ivane \nBrlić-Mažuranić. Uz poznate likove iz svijeta pera Brlić-Mažuranić projekt uvodi i \ndruge elemente hrvatske narodne baštine i slavenske mitologije. Uz navedene teme i \nmotive koje donosi u medijski kontekst videoigre projekt sadrži i vrlo interesantne \nmehanike temeljene na ritmu i glazbi. S obzirom na kvalitetan koncept te iskustvo \ntima u kontekstu video igara temeljenih na motivima Ivane Brlić-Mažuranić vjerujem \nda prijavu treba podržati. \n \nBUMBAROV LET (Razvoj projekta) \nGlavni autor: Marko Hrenović, Ivan Turković-Hrnjak \nProducent: Ivana Brkljačić \nPrijavitelj: Interfilm Produkcija \n40.000,00 HRK \n \nProjekt Bumbarov let je transmedijalan projekt baziran na istoimenom filmu. U \nprethodnim javnim pozivima je HAVC već podržao film Bumbarov let. Prijavitelj vrlo \nvješto namjerava kombinirati pojedine isječke iz filma između kojih su interaktivni, \nigrivi dijelovi koji igračima uz gledanje filma pružaju i mogućnosti interaktivnosti. Na \ntaj način gledatelji postaju igrači te imaju mogućnost intervenirati u medij i pomoći \nlikovima djela da postignu svoje ciljeve na razne načine. Interaktivan transmedijalan \nkarakter projekt čini vrlo interesantnim i relevantnim za domaću audiovizualnu \numjetnost. \n \n \n\n\f\nONE ON ONE, BOYS AND GIRLS (Razvoj projekta) \nGlavni autor: Frano Petruša \nProducent: Frano Petruša \nPrijavitelj: Umjetnička organizacija PET RUSA \n30.000,00 HRK \n \nProjekt One on one, boys and girl interesantan je radi nekoliko aspekata. S likovne \nstrane projekt ima vrlo upečatljiv pristup animiranja dinamičnih pokreta košarkaških \npoteza. Igra prati dvoje dječaka i jednu djevojčicu u procesu učenja raznih \nkošarkaških poteza poput fintiranja, driblanja i šutiranja. Pored vizualne upečatljivosti \ni edukativnog karaktera igre usmjerenog prvenstveno na dječju populaciju, igra \nnamjerava svoje male igrače nakon svake partije pozivati da u ruke uzmu pravu loptu \ni novonaučene poteze sami pokušaju na košarkaškom igralištu. \n \n \nPATH OF VIEW (Razvoj projekta) \nGlavni autor: Vanja Čulek \nProducent: Filip Prah \nPrijavitelj: Siva \n60.000,00 HRK \n \nPath of view je mobilna igra prostornih zagonetki koje igrač rješava razumijevanjem \nograničenja kretanja u zadanoj dimenziji. Igra istražuje odnose bića koji egzistiraju u \ndvije dimenzije s onima koji egzistiraju u tri dimenzije. Na taj način igra ne tematizira \nsamo prostorna, već i perceptivna ograničenja nas samih te nam približava četvrtu \ndimenziju. Slojevitost priče je vješto uklopljena u tematiku i mehanike igre te svojom \nuniverzalnošću teme i igrivosti ima potencijal biti privlačna brojnim publikama \nneovisno o dobi. \n \nGO HOME ANNIE (Proizvodnja) \nGlavni autor: Mladen Bošnjak \nProducent: Mladen Bošnjak \nPrijavitelj: Misfit Village 2.0 \n75.000,00 HRK \n \nGo Home Annie je horor igra iz prvog lica smještena u postrojenje SCP Fondacije na \nneodređenoj lokaciji u Žumberačkom gorju. SCP Fondacije je popularna fiktivna \norganizacija koja se bavi nadnaravnim događajima. Kroz autentične hrvatske motive i \noriginalne elemente igrivosti ova igra stvara upečatljiv horor dojam. S obzirom na \niskustvo tima, te vješto kombiniranje nekoliko autorskih doprinosa vjerujem da projekt \ntreba podržati. \n \n \n \n\n\f\nKIDDOLAND (Proizvodnja) \nGlavni autor: Mateja Vedrina \nProducent: Stefan Vedrina \nPrijavitelj: Stegris \n200.000,00 HRK \n \nEdukativna videoigra za djecu mlađe dobi u kojoj mali igrači prate simpatična \nčudovišta kroz razne avanture. Djeca pomažu čudovištima dovršiti razne izazove \nčime je edukativan karakter kaširan kroz igru i pomaganje. Brojni izazovi adekvatni za \nciljanu dob omogućuju da čudovišta evoluiraju u svoja naprednija stanja što pojačava \nosjećaj napretka kako u igri tako i u sposobnosti mladih igrača u rješavanju zadanih \nizazova. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"videoigre","year":2021,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje%20dokumentarni%20proizvodnja.pdf","filename_decoded":"obrazlozenje%20dokumentarni%20proizvodnja.pdf","sha256":"2c7fd09f2bdcc93dfc4a2c91045943c63758a1c9fa2fc2233f6d26af30319920","bytes":55631,"page_count":4,"extracted_at":"2026-05-16T14:13:05Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20dokumentarni%20proizvodnja.pdf"},"raw_text":"JAVNI\t\r  POZIV\t\r  ZA\t\r  POTICANJE\t\r  AUDIOVIZUALNIH\t\r  DJELATNOSTI\t\r  I\t\r  STVARALAŠTVA,\t\r  2.\t\r  ROK\t\r  2020.\t\r  \nDOKUMENTARNI\t\r  FILM,\t\r  UMJETNIČKA\t\r  SAVJETNICA:\t\r  Morana\t\r  Ikić\t\r  Komljenović\t\r  \nKATEGORIJA:\t\r  POTICANJE\t\r  PROIZVODNJE\t\r  DUGOMETRAŽNIH\t\r  I\t\r  KRATKOMETRAŽNIH\t\r  DOKUMENTARNIH\t\r  \nFILMOVA\t\r  (rok:\t\r  15.\t\r  rujna\t\r  2020.)\t\r  \nNa\t\r  javni\t\r  poziv\t\r  u\t\r  2.\t\r  roku\t\r  prijavljeno\t\r  je\t\r  sveukupno\t\r  62\t\r  projekta.\t\r  U\t\r  kategoriji\t\r  proizvodnje,\t\r  za\t\r  sufinanciranje\t\r  \nje\t\r  prijavljeno\t\r  11\t\r  dugometražnih\t\r  filmova,\t\r  od\t\r  kojih\t\r  1\t\r  u\t\r  kategoriji\t\r  za\t\r  sufinanciranje\t\r  u\t\r  fazi\t\r  postprodukcije\t\r  \nte\t\r  12\t\r  kratkometražnih\t\r  filmova,\t\r  od\t\r  kojih\t\r  2\t\r  u\t\r  kategoriji\t\r  za\t\r  sufinanciranje\t\r  u\t\r  fazi\t\r  postprodukcije.\t\r  \t\r  \nIz\t\r  kategorije\t\r  proizvodnje\t\r  dugometražnog\t\r  dokumentarnog\t\r  filma\t\r  nije\t\r  se\t\r  razmatrao\t\r  1\t\r  projekt\t\r  jer\t\r  nije\t\r  \nzadovoljavao\t\r  formalne\t\r  uvjete\t\r  natječaja.\t\r  Iz\t\r  kategorije\t\r  kratkometražnog\t\r  dokumentarnog\t\r  filma\t\r  nisu\t\r  se\t\r  \nrazmatrala\t\r  3\t\r  projekta\t\r  jer\t\r  nisu\t\r  zadovoljila\t\r  propisane\t\r  formalne\t\r  uvjete\t\r  natječaja.\t\r  \t\r  \nU\t\r  kategoriji\t\r  razvoja\t\r  scenarija\t\r  pristiglo\t\r  je\t\r  29\t\r  projekata,\t\r  od\t\r  kojih\t\r  se\t\r  nije\t\r  razmatrao\t\r  1\t\r  projekt.\t\r  U\t\r  kategoriju\t\r  \nrazvoja\t\r  projekta\t\r  pristiglo\t\r  je\t\r  10\t\r  projekata.\t\r  \nProjekti\t\r   pristigli\t\r   na\t\r   ovaj\t\r   poziv\t\r   ukazuju\t\r   da\t\r   autori\t\r   i\t\r   autorice\t\r   i\t\r   dalje\t\r   usmjeravaju\t\r   svoj\t\r   fokus\t\r   na\t\r  \npreispitivanje,\t\r  reinterpretaciju\t\r  i\t\r  razumijevanje\t\r  nedavne\t\r  povijesti,\t\r  ali\t\r  i\t\r  sagledavanja\t\r  posljedica\t\r  nekih\t\r  \ndogađaja\t\r  bliske\t\r  prošlosti.\t\r  Projekti\t\r  često\t\r  obrađuju\t\r  teme\t\r  Domovinskog\t\r  rata\t\r  i\t\r  to\t\r  kroz\t\r  razne\t\r  prizme\t\r  i\t\r  \nraznolike\t\r  forme.\t\r  \t\r  \nIsto\t\r  tako,\t\r  tema\t\r  interesa\t\r  su\t\r  migracije\t\r  i\t\r  posljedice\t\r  migracija\t\r  europskog\t\r  stanovništva.\t\r  U\t\r  tom\t\r  smislu,\t\r  priče\t\r  \nnisu\t\r   strukturirane\t\r   zagovarački\t\r   i\t\r   aktivistički,\t\r   već\t\r   duboko\t\r   intimno\t\r   i\t\r   refleksivno\t\r   na\t\r   stanje\t\r   koje\t\r   je\t\r  \nsveprisutno\t\r  i\t\r  aktualno.\t\r  \t\r  \nBiografski\t\r  film\t\r  je,\t\r  također,\t\r  prisutan\t\r  u\t\r  velikoj\t\r  mjeri,\t\r  ali\t\r  (s\t\r  obzirom\t\r  na\t\r  projekte\t\r  pristigle\t\r  na\t\r  prošlom\t\r  roku)\t\r  \npredloženi\t\r  projekti\t\r  donose\t\r  snažne\t\r  autorske\t\r  i\t\r  umjetnički\t\r  artikulirane\t\r  interpretacije\t\r  osoba\t\r  ili\t\r  skupina\t\r  \nljudi.\t\r  Fokus\t\r  ovog\t\r  interesa\t\r  većinom\t\r  se\t\r  usmjerava\t\r  na\t\r  prepoznatljiva\t\r  lica\t\r  iz\t\r  glazbenog\t\r  svijeta\t\r  i\t\r  svijeta\t\r  \nlikovne\t\r   umjetnosti\t\r   ili\t\r   arhitekture.\t\r   Neki\t\r   su\t\r   projekti\t\r   i\t\r   autobiografski,\t\r   a\t\r   neki\t\r   snažno\t\r   autorefleksivni.\t\r  \nProjekti\t\r  koji\t\r  bi\t\r  se\t\r  mogli\t\r  definirati\t\r  kao\t\r  televizijski\t\r  dokumentarni\t\r  filmovi\t\r  su\t\r  prisutni\t\r  u\t\r  manjoj\t\r  mjeri\t\r  i\t\r  to\t\r  \nme\t\r  posebno\t\r  veseli.\t\r  \t\r  \nU\t\r  kategoriji\t\r  razvoja\t\r  scenarija\t\r  pristigli\t\r  su\t\r  istraživački\t\r  dokumentarni\t\r  projekti,\t\r  kreativni\t\r  portreti,\t\r  filmovi\t\r  \neseji,\t\r  intimni\t\r  opservacijski\t\r  projekti\t\r  i\t\r  nekoliko\t\r  zanimljivih\t\r  projekata\t\r  koji\t\r  zagovaraju\t\r  određenu\t\r  ideju\t\r  i\t\r  \nvrijednost,\t\r  a\t\r  sve\t\r  kroz\t\r  umjetničku\t\r  obradu\t\r  fenomena\t\r  ili\t\r  društvenog\t\r  procesa.\t\r  \t\r  Posebna\t\r  vrijednost\t\r  u\t\r  ovoj\t\r  \nkategoriji\t\r  prijava\t\r  jest\t\r  dobna\t\r  i\t\r  iskustvena\t\r  raznolikost\t\r  prijavitelja.\t\r  Ohrabrujuće\t\r  je\t\r  vidjeti\t\r  taj\t\r  pluralizam.\t\r  \nKategorija\t\r   razvoja\t\r   projekata\t\r   obiluje\t\r   pripremljenim\t\r   i\t\r   produkcijski\t\r   dobro\t\r   pozicioniranim\t\r   projektima.\t\r  \nNeki\t\r  od\t\r  njih\t\r  su\t\r  ostvarili\t\r  i\t\r  potporu\t\r  potprograma\t\r  MEDIA\t\r  Kreativne\t\r  Europe.\t\r  Neki\t\r  od\t\r  njih\t\r  već\t\r  imaju\t\r  dobro\t\r  \nrazrađena\t\r  koprodukcijska\t\r  i\t\r  kreativna\t\r  partnerstva.\t\r  U\t\r  ovoj\t\r  kategoriji\t\r  projekata\t\r  nije\t\r  dominirala\t\r  niti\t\r  jedna\t\r  \ntema\t\r   i\t\r   međusobno\t\r   su\t\r   iznimno\t\r   raznoliki.\t\r   Predlažu\t\r   se\t\r   teme\t\r   vezane\t\r   uz\t\r   prošlost,\t\r   obradu\t\r   nekih\t\r  \nuniverzalnih\t\r   motiva\t\r   iz\t\r   umjetnosti\t\r   i\t\r   dizajna,\t\r   biografske\t\r   kreativne\t\r   obrade,\t\r   ali\t\r   i\t\r   obrade\t\r   zanimljivih\t\r  \ndruštvenih\t\r  fenomena\t\r  (od\t\r  ekologije,\t\r  do\t\r  socijalne\t\r  psihologije).\t\r  \nPozdravljam\t\r   nastojanja\t\r   producenata\t\r   i\t\r   autora\t\r   da\t\r   svoje\t\r   projekte\t\r   postupno\t\r   izgrađuju\t\r   i\t\r   stvaraju\t\r  \npreduvjete\t\r  za\t\r  kvalitetan\t\r  i\t\r  što\t\r  bolji\t\r  proces\t\r  produkcije.\t\r  Primjećujem\t\r  i\t\r  porast\t\r  svijesti\t\r  o\t\r  važnosti\t\r  ulaganja\t\r  \n\n\f\nu\t\r   međunarodne\t\r   koprodukcije\t\r   i\t\r   porast\t\r   tendencije\t\r   oslanjanja\t\r   i\t\r   na\t\r   strane\t\r   izvore\t\r   financiranja,\t\r   ali\t\r   i\t\r  \nsudjelovanja\t\r  u\t\r  raznim\t\r  programima\t\r  usavršavanja\t\r  projekata\t\r  u\t\r  ovoj\t\r  fazi\t\r  razvoja.\t\r  \t\r  \nU\t\r  kategoriji\t\r  proizvodnje\t\r  kratkih\t\r  dokumentarnih\t\r  filmova\t\r  većinom\t\r  su\t\r  autori\t\r  i\t\r  autorice\t\r  mlađe\t\r  generacije\t\r  \nte\t\r   oni\t\r   s\t\r   nešto\t\r   manje\t\r   iskustva.\t\r   U\t\r   toj\t\r   kategoriji\t\r   pronalazimo\t\r   obrade\t\r   neposredne\t\r   okoline\t\r   autora\t\r   i\t\r  \nautorica,\t\r  njihove\t\r  intimne\t\r  poglede\t\r  na\t\r  svoje\t\r  uže\t\r  ili\t\r  šire\t\r  obitelji,\t\r  okolinu\t\r  ili\t\r  procese\t\r  koji\t\r  su\t\r  im\t\r  poznati.\t\r  \nNalazimo\t\r  i\t\r  nekoliko\t\r  projekata\t\r  koji\t\r  se\t\r  u\t\r  trajanju\t\r  približavaju\t\r  dugom\t\r  metru,\t\r  a\t\r  oni\t\r  većinom\t\r  obrađuju\t\r  neke\t\r  \npovijesne\t\r  događaje.\t\r  Osim\t\r  toga,\t\r  u\t\r  ovoj\t\r  je\t\r  kategoriji\t\r  najviše\t\r  izrazito\t\r  umjetničkih\t\r  filmova\t\r  koji\t\r  su\t\r  hibridni\t\r  \nu\t\r  svojoj\t\r  formi\t\r  i\t\r  graniče\t\r  s\t\r  eksperimentalnim\t\r  filmom\t\r  ili\t\r  umjetničkim\t\r  videom.\t\r  Ovaj\t\r  iskorak\t\r  iz\t\r  «klasične»\t\r  \nforme\t\r  govori\t\r  o\t\r  prisutnosti\t\r  novog\t\r  pogleda\t\r  na\t\r  značaj\t\r  i\t\r  prirodu\t\r  dokumentarnog\t\r  izričaja.\t\r  \t\r  \nU\t\r   kategoriji\t\r   proizvodnje\t\r   dugometražnih\t\r   dokumentarnih\t\r   filmova\t\r   pronalazimo\t\r   nekoliko\t\r   biografskih\t\r  \nprojekata,\t\r  ali\t\r  dominiraju\t\r  autobiografski.\t\r  Čini\t\r  se\t\r  da\t\r  su\t\r  se\t\r  autori\t\r  i\t\r  autorice,\t\r  u\t\r  ovom\t\r  izazovnom\t\r  trenutku\t\r  \nu\t\r   vremenu,\t\r   okrenuli/e\t\r   dokumentarističkoj\t\r   obradi\t\r   segmenata\t\r   vlastitih\t\r   života.\t\r   Smatram\t\r   taj\t\r   proces\t\r  \nlegitimnim\t\r   i\t\r   važnim\t\r   jer\t\r   on\t\r   obogaćuje\t\r   umjetničko\t\r   stvaralaštvo\t\r   za\t\r   još\t\r   jednu\t\r   dimenziju.\t\r   Od\t\r   ostalih,\t\r  \ndominantne\t\r  su\t\r  teme\t\r  migracija\t\r  (domaćeg\t\r  stanovništva\t\r  u\t\r  strane\t\r  zemlje,\t\r  u\t\r  Europu).\t\r  \t\r  \t\r  \nPozitivnim\t\r   ocjenjujem\t\r   to\t\r   da\t\r   producenti\t\r   i\t\r   producentice\t\r   posvećuju\t\r   više\t\r   pažnje\t\r   detaljnoj\t\r   razradi\t\r  \nstrategija\t\r  distribucije\t\r  i\t\r  promocije.\t\r  Uočavam\t\r  da\t\r  većina\t\r  njih\t\r  zaista\t\r  promišlja,\t\r  već\t\r  u\t\r  fazi\t\r  razvoja,\t\r  kako\t\r  \npostaviti\t\r  svoj\t\r  projekt\t\r  da\t\r  bi\t\r  ostvarili\t\r  što\t\r  veću\t\r  vidljivost\t\r  i\t\r  što\t\r  bolje\t\r  produkcijske\t\r  uvjete.\t\r  \t\r  \t\r  \n\t\r  \nODABRANI\t\r  PROJEKTI:\t\r  \n\t\r  \nPROIZVODNJA\t\r  KRATKOMETRAŽNOG\t\r  DOKUMENTARNOG\t\r  FILMA:\t\r  \n\t\r  \n1.\t\r  \t\r  20.03.2020.,\t\r  scenarist,\t\r  redatelj\t\r  i\t\r  producent\t\r  Igor\t\r  Grubić,\t\r  Kreativni\t\r  sindikat\t\r  \nFilmski\t\r   projekt\t\r   koji\t\r   se\t\r   predlaže\t\r   donosi\t\r   umjetničku\t\r   interpretaciju\t\r   nedavnog\t\r   razornog\t\r   zagrebačkog\t\r  \npotresa.\t\r  Autor\t\r  zauzima\t\r  zanimljivu\t\r  poziciju\t\r  za\t\r  promatranje\t\r  i\t\r  ishodište\t\r  pronalazi\t\r  u\t\r  vlastitom\t\r  doživljaju\t\r  \ntraume,\t\r  a\t\r  čitav\t\r  proces\t\r  snimanja\t\r  i\t\r  sadržaj\t\r  snimljenog,\t\r  doživljava\t\r  kao\t\r  svojevrsnu\t\r  terapijsku\t\r  akciju.\t\r  U\t\r  tom\t\r  \nkonceptu\t\r  iznimno\t\r  je\t\r  važan\t\r  zvuk,\t\r  odnosno,\t\r  narativi\t\r  i\t\r  iskustva\t\r  rekonstruirana\t\r  i\t\r  satkana\t\r  iz\t\r  segmenata\t\r  \nradijskih\t\r   komentara\t\r   građana\t\r   i\t\r   građanki\t\r   te\t\r   voditelja\t\r   radijskih\t\r   programa\t\r   (koje\t\r   autor\t\r   doživljava\t\r   kao\t\r  \n«terapeute»).\t\r   Radijski\t\r   prostor\t\r   je\t\r   utočište,\t\r   isto\t\r   kao\t\r   i\t\r   društvene\t\r   mreže.\t\r   Naracija\t\r   je\t\r   temeljena\t\r   na\t\r  \natmosferi,\t\r  motivima,\t\r  asocijacijama,\t\r  podsvjesnim\t\r  i\t\r  nedoslovnim\t\r  elementima.\t\r  S\t\r  obzirom\t\r  da\t\r  je\t\r  redatelj\t\r  \nIgor\t\r  Grubić\t\r  multimedijalni\t\r  umjetnik,\t\r  nije\t\r  neobično\t\r  što\t\r  predložena\t\r  struktura\t\r  koketira\t\r  sa\t\r  formom\t\r  video\t\r  \numjetnosti\t\r  kakvu\t\r  možemo\t\r  susresti\t\r  jednakopravno\t\r  u\t\r  kinu\t\r  i\t\r  u\t\r  galerijskom\t\r  prostoru.\t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\n2.\t\r  1991.\t\r  TKO\t\r  JE\t\r  TVOJ\t\r  BLIŽNJI,\t\r  scenaristi\t\r  Goran\t\r  Maršalek\t\r  i\t\r  Tomislav\t\r  Šulj,\t\r  redatelj\t\r  Goran\t\r  Maršalek,\t\r  \nproducent\t\r  Dražen\t\r  Hrženjak,\t\r  Udruga\t\r  veterana,\t\r  vojnika\t\r  i\t\r  domoljuba\t\r  \nProjekt\t\r  koji\t\r  se\t\r  predlaže\t\r  donosi\t\r  dokumentarnu\t\r  i\t\r  umjetničku\t\r  obradu\t\r  jednog\t\r  manje\t\r  poznatog\t\r  i\t\r  manje\t\r  \nistaknutog\t\r   fenomena\t\r   Domovinskog\t\r   rata\t\r   –\t\r   fenomena\t\r   stranaca\t\r   dragovoljaca.\t\r   U\t\r   filmu\t\r   se\t\r   postavlja\t\r  \npitanje\t\r  o\t\r  prirodi\t\r  motivacije\t\r  stranaca\t\r  koji\t\r  su\t\r  se\t\r  dragovoljno\t\r  borili\t\r  u\t\r  Domovinskom\t\r  ratu\t\r  te\t\r  propituje\t\r  \nstereotip\t\r  koji\t\r  ih\t\r  prati\t\r  i\t\r  označava\t\r  kao,\t\r  npr.\t\r  «pse\t\r  rata».\t\r  Posebna\t\r  vrijednost\t\r  ovog\t\r  projekta\t\r  leži\t\r  u\t\r  činjenici\t\r  \nda\t\r  on\t\r  dolazi\t\r  «iznutra»,\t\r  iz\t\r  braniteljske\t\r  populacije.\t\r  Redatelj\t\r  Goran\t\r  Maršalek\t\r  odlučio\t\r  je\t\r  pratiti\t\r  šest\t\r  stranih\t\r  \ndragovoljaca\t\r  koji\t\r  su\t\r  ostali\t\r  živjeti\t\r  u\t\r  Hrvatskoj.\t\r  On,\t\r  osim\t\r  što\t\r  obrađuje\t\r  neka\t\r  njihova\t\r  ratna\t\r  djelovanja\t\r  (u\t\r  \nograničenom\t\r  vremenskom\t\r  razdoblju\t\r  tj.\t\r  u\t\r  1991.\t\r  godini),\t\r  on\t\r  uranja\t\r  i\t\r  u\t\r  njihovu\t\r  suvremenu\t\r  svakodnevicu,\t\r  \nrekonstruirajući\t\r  na\t\r  taj\t\r  način\t\r  posljedice\t\r  koje\t\r  je\t\r  rat\t\r  ostavio\t\r  na\t\r  njihove\t\r  živote.\t\r  Osim\t\r  sugovornika\t\r  koji\t\r  su\t\r  \nstranci,\t\r  planirano\t\r  je\t\r  sudjelovanje\t\r  i\t\r  hrvatskih\t\r  dragovoljaca.\t\r  Teme\t\r  koje\t\r  se\t\r  obrađuju\t\r  ovim\t\r  projektom\t\r  \ndjelomice\t\r   jesu\t\r   vezane\t\r   uz\t\r   nedavnu\t\r   prošlost,\t\r   ali\t\r   obrađuju\t\r   se\t\r   i\t\r   univerzalne\t\r   teme\t\r   poput\t\r   PTSP-­‐a,\t\r  \nalternativne\t\r  kulture,\t\r  kulture\t\r  rata,\t\r  kulture\t\r  mira,\t\r  solidarnosti,\t\r  identiteta\t\r  i\t\r  pripadanja.\t\r  \n\t\r  \nPROIZVODNJA\t\r  DUGOMETRAŽNOG\t\r  DOKUMENTARNOG\t\r  FILMA:\t\r  \n\t\r  \n1.\t\r  KOSTI\t\r  U\t\r  MIKSERU,\t\r  scenaristi\t\r  Boris\t\r  Pavelić\t\r  i\t\r  Dijana\t\r  Mlađenović,\t\r  redateljica\t\r  i\t\r  producentica\t\r  Dijana\t\r  \nMlađenović,\t\r  Kinematograf\t\r  d.o.o.\t\r  \nTema\t\r  koja\t\r  se\t\r  predlaže\t\r  od\t\r  velikog\t\r  je\t\r  društvenog\t\r  značaja\t\r  i\t\r  predstavlja\t\r  važan\t\r  dokument\t\r  naše\t\r  suvremene\t\r  \npovijesti,\t\r   ali\t\r   i\t\r   potrebno\t\r   upozorenje\t\r   na\t\r   ustrajnost\t\r   sustava\t\r   u\t\r   zatiranju\t\r   medijskih\t\r   sloboda\t\r   i\t\r  \nomalovažavanja\t\r   medija\t\r   i\t\r   novinara\t\r   u\t\r   njihovu\t\r   djelovanju.\t\r   U\t\r   fokusu\t\r   interesa\t\r   redateljice\t\r   Dijane\t\r  \nMlađenović\t\r  nalazi\t\r  se\t\r  «Feral\t\r  Tribune»\t\r  i\t\r  poznati\t\r  sudski\t\r  slučaj\t\r  iz\t\r  1996.\t\r  godine\t\r  \t\r  u\t\r  kojemu\t\r  su\t\r  dva\t\r  novinara\t\r  \nbila\t\r  tužena\t\r  za\t\r  klevetu.\t\r  Koscenarist\t\r  ovog\t\r  projekta\t\r  je\t\r  Boris\t\r  Pavelić\t\r  (autor\t\r  knjige\t\r  o\t\r  «Feral\t\r  Tribuneu»)\t\r  pa\t\r  \nscenaristički\t\r  dvojac\t\r  dobro\t\r  raspolaže\t\r  materijom\t\r  i\t\r  jasno\t\r  je\t\r  da\t\r  je\t\r  film\t\r  temeljen\t\r  da\t\r  provedenom\t\r  detaljnom\t\r  \nistraživanju.\t\r  Tema\t\r  zatiranja\t\r  slobode\t\r  i\t\r  autonomije\t\r  novinara\t\r  u\t\r  prikazu,\t\r  kritici\t\r  ili\t\r  analizi\t\r  stvarnosti\t\r  koju\t\r  \nzahvaćaju,\t\r   svakako\t\r   je\t\r   uvijek\t\r   suvremena\t\r   i\t\r   relevantna\t\r   društvena\t\r   tema.\t\r   Istraživanje\t\r   Reportera\t\r   bez\t\r  \ngranica\t\r  (iz\t\r  travnja\t\r  ove\t\r  godine)\t\r  jasno\t\r  ukazuje:\t\r  \"…,\t\r  fizički\t\r  napadi\t\r  i\t\r  kibernetičko\t\r  nasilje\t\r  su\t\r  i\t\r  dalje\t\r  jedni\t\r  od\t\r  \nglavnih\t\r  problema\t\r  za\t\r  hrvatske\t\r  novinare,\t\r  bez\t\r  ijedne\t\r  reakcije\t\r  vlasti\".\t\r  Zato\t\r  smatram\t\r  da\t\r  je\t\r  važno\t\r  podržati\t\r  \nfilmski\t\r  projekt\t\r  koji\t\r  upravo\t\r  i\t\r  postavlja\t\r  pitanje\t\r  sustavne\t\r  političke\t\r  cenzure\t\r  nad\t\r  slobodom\t\r  izražavanja\t\r  i\t\r  \nmisli.\t\r  \t\r  \n\t\r  \n2.\t\r   LJUDI\t\r   U\t\r   MOJOJ\t\r   KUĆI,\t\r   scenaristi\t\r   Tatjana\t\r   Božić\t\r   i\t\r   Jacob\t\r   Gesnik,\t\r   redateljica\t\r   Tatjana\t\r   Božić,\t\r  \nproducentica\t\r  Magdalena\t\r  Petrović,\t\r  LEWA\t\r  productions\t\r  j.d.o.o.\t\r  \nU\t\r  projektu\t\r  koji\t\r  se\t\r  predlaže,\t\r  redateljica\t\r  se\t\r  bavi\t\r  temom\t\r  života\t\r  u\t\r  tuđini,\t\r  posljedicama\t\r  migracije.\t\r  U\t\r  fokusu\t\r  \nnjena\t\r  interesa\t\r  je\t\r  potraga\t\r  za\t\r  zajedništvom.\t\r  U\t\r  Nizozemskoj\t\r  (gdje\t\r  živi)\t\r  ne\t\r  osjeća\t\r  povezanost\t\r  sa\t\r  ljudima\t\r  i\t\r  \nzajednicom.\t\r  Kako\t\r  bi\t\r  uspješnije\t\r  tragala\t\r  za\t\r  zajedništvom\t\r  (pogotovo\t\r  u\t\r  doba\t\r  korona\t\r  krize),\t\r  ona\t\r  iznajmljuje\t\r  \nsobu\t\r  svoga\t\r  sina\t\r  te\t\r  kroz\t\r  njihov\t\r  život\t\r  prolaze\t\r  mnoge\t\r  zanimljive\t\r  osobe.\t\r  U\t\r  tom\t\r  procesu,\t\r  autorica\t\r  je\t\r  u\t\r  \nkontinuiranoj\t\r  samorefleksiji.\t\r  Ona\t\r  je\t\r  nostalgična\t\r  za\t\r  pripadanjem.\t\r  No,\t\r  više\t\r  od\t\r  toga,\t\r  ona\t\r  želi\t\r  svom\t\r  sinu\t\r  \npokazati\t\r  što\t\r  znači\t\r  živjeti\t\r  u\t\r  zajedništvu\t\r  i\t\r  želi\t\r  mu\t\r  usaditi\t\r  vrijednost\t\r  zajedništva.\t\r  Posebno\t\r  bogatstvo\t\r  ovog\t\r  \n\n\f\nautorskog\t\r  pristupa\t\r  jest\t\r  humor\t\r  i\t\r  (samo)ironija\t\r  koja\t\r  se\t\r  gradi\t\r  kroz\t\r  redateljsku\t\r  iskrenost\t\r  i\t\r  spremnost\t\r  na\t\r  \nizlaganje,\t\r  a\t\r  materijalizira\t\r  kroz\t\r  odnos\t\r  majke\t\r  i\t\r  sina.\t\r  U\t\r  dočaravanju\t\r  atmosfere\t\r  i\t\r  svojih\t\r  unutarnjih\t\r  stanja\t\r  \nautorica\t\r  je\t\r  iznimno\t\r  kreativna\t\r  i\t\r  komunicira\t\r  gotovo\t\r  na\t\r  intuitivnoj\t\r  razini.\t\r  \t\r  \n\t\r  \n3.\t\r  GODINA\t\r  PROĐE,\t\r  DAN\t\r  NIKAKO,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Renata\t\r  Lučić,\t\r  producentica\t\r  Tamara\t\r  Babun,\t\r  \nWolfgang&Dolly\t\r  d.o.o.\t\r  \nPredloženi\t\r  projekt\t\r  donosi\t\r  suvremenu\t\r  i\t\r  aktualnu\t\r  priču\t\r  o\t\r  hrvatskoj\t\r  migraciji\t\r  i\t\r  to\t\r  kroz\t\r  prizmu\t\r  onih\t\r  koji\t\r  \niza\t\r  «odlazećih»\t\r  i\t\r  «nestalih»\t\r  ostaju.\t\r  Iako\t\r  smo\t\r  u\t\r  prošlosti\t\r  lik\t\r  iseljenika\t\r  redovito\t\r  percipirali\t\r  kao\t\r  muškarca\t\r  \n(koji\t\r   odlazi\t\r   kako\t\r   bi\t\r   prehranio\t\r   svoju\t\r   obitelj),\t\r   redateljica\t\r   Renata\t\r   Lučić\t\r   donosi\t\r   posve\t\r   nov\t\r   pogled\t\r   na\t\r  \npoznati\t\r  fenomen\t\r  –\t\r  u\t\r  njenoj\t\r  su\t\r  priči\t\r  muškarci\t\r  ti\t\r  koji\t\r  bivaju\t\r  ostavljeni.\t\r  Glavni\t\r  protagonist\t\r  ovog\t\r  filma\t\r  je\t\r  \notac\t\r  redateljice\t\r  i\t\r  njegov\t\r  krug\t\r  prijatelja.\t\r  Svi\t\r  su\t\r  oni,\t\r  na\t\r  ovaj\t\r  ili\t\r  onaj\t\r  način,\t\r  ostali\t\r  bez\t\r  svojih\t\r  žena\t\r  jer\t\r  su\t\r  one\t\r  \notišle\t\r  raditi\t\r  u\t\r  neku\t\r  stranu\t\r  zemlju.\t\r  Namjera\t\r  je\t\r  redateljice\t\r  ispričati\t\r  toplu\t\r  i\t\r  (samo)ironičnu\t\r  priču\t\r  o\t\r  temi\t\r  \nkoja\t\r  joj\t\r  je\t\r  životno\t\r  bliska\t\r  i\t\r  to\t\r  kroz\t\r  punokrvni\t\r  film-­‐esej\t\r  o\t\r  vlastitom\t\r  stavu\t\r  prema\t\r  mjestu\t\r  ishodišta\t\r  i\t\r  to\t\r  kroz\t\r  \nprecizan\t\r  portret\t\r  jednog\t\r  stanja.\t\r  Autorski\t\r  pristup\t\r  je\t\r  emotivan\t\r  i\t\r  iskren,\t\r  precizan\t\r  u\t\r  definiciji\t\r  okolnosti,\t\r  \nrazloga\t\r  i\t\r  posljedica.\t\r  Ipak,\t\r  u\t\r  isto\t\r  vrijeme,\t\r  poziva\t\r  na\t\r  prihvaćanje\t\r  i\t\r  ne\t\r  osuđuje;\t\r  on\t\r  ukazuje\t\r  na\t\r  male,\t\r  ali\t\r  \nvažne\t\r  stvari\t\r  koje\t\r  čine\t\r  ljudski\t\r  život\t\r  i\t\r  upotpunjuju\t\r  njegov\t\r  smisao.\t\r  \n\t\r  \n4.\t\r  NAĆI\t\r  ĆU\t\r  TE,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Justina\t\r  Matov,\t\r  producent\t\r  Nenad\t\r  Puhovski,\t\r  Factum\t\r  \t\r  \nProjekt\t\r  koji\t\r  se\t\r  predlaže\t\r  autobiografski\t\r  je\t\r  dokumentarni\t\r  film\t\r  koji\t\r  donosi\t\r  emotivnu\t\r  priču\t\r  kćeri\t\r  koja\t\r  traga\t\r  \nza\t\r  obiteljskim\t\r  naslijeđem.\t\r  Autorica\t\r  postavlja\t\r  okosnicu\t\r  oko\t\r  vlastita\t\r  života\t\r  te\t\r  postepeno\t\r  rekonstruira\t\r  lik\t\r  \noca\t\r  kojeg\t\r  je\t\r  slabo\t\r  poznavala.\t\r  Njezin\t\r  je\t\r  otac\t\r  Rastko\t\r  Milošev\t\r  (Ras),\t\r  poznati\t\r  bivši\t\r  član\t\r  skupine\t\r  Parni\t\r  \nValjak.\t\r  Predloženi\t\r  projekt\t\r  je\t\r  višeslojan\t\r  –\t\r  on\t\r  istražuje,\t\r  forenzično\t\r  rekonstruira\t\r  emocije,\t\r  odnose.\t\r  On\t\r  je\t\r  \nautorefleksivan,\t\r  ali\t\r  i\t\r  glazbeni.\t\r  Tema\t\r  koja\t\r  se\t\r  predlaže\t\r  je\t\r  univerzalna\t\r  jer\t\r  obuhvaća\t\r  arhetipski\t\r  odnos\t\r  \ndjeteta\t\r   i\t\r   roditelja\t\r   pa\t\r   je\t\r   razumljiva\t\r   široj\t\r   publici.\t\r   Težnja\t\r   za\t\r   otkrivanjem\t\r   vlastitih\t\r   korijena,\t\r   ali\t\r   i\t\r   za\t\r  \nidentifikacijom\t\r  obiteljskog\t\r  mjesta\t\r  pripadanja\t\r  (bilo\t\r  emotivnog\t\r  ili\t\r  fizičkog)\t\r  je\t\r  bezvremenska.\t\r  S\t\r  obzirom\t\r  \nda\t\r  se\t\r  radi\t\r  o\t\r  autorici\t\r  koja\t\r  je\t\r  debitantica,\t\r  a\t\r  koja\t\r  je\t\r  iskazala\t\r  visoku\t\r  razinu\t\r  kreativnosti\t\r  i\t\r  otvorenosti\t\r  u\t\r  \nispitivanju\t\r   različitih\t\r   načina\t\r   kreativne\t\r   obrade\t\r   ove\t\r   osjetljive\t\r   autobiografske\t\r   teme,\t\r   ovaj\t\r   projekt\t\r   ima\t\r  \npotencijala\t\r  da\t\r  se\t\r  ostvari\t\r  u\t\r  punokrvni\t\r  autorski\t\r  film.\t\r  \t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":[],"document":{"program_type":"proizvodnja","year":2020,"rok":"2. rok","referenced_projects":["20.03.2020.","1991. TKO JE TVOJ BLIŽNJI","KOSTI U MIKSERU","LJUDI U MOJOJ KUĆI","GODINA PROĐE, DAN NIKAKO","NAĆI ĆU TE"],"summary":"Obrazloženje umjetničke savjetnice Morane Ikić Komljenović za 2. rok 2020. (15. rujna 2020.) za proizvodnju dugometražnih i kratkometražnih dokumentarnih filmova: na javni poziv pristiglo je 62 projekta - odabrana 2 kratkometražna i 4 dugometražna dokumentarna projekta.","project_links":[{"source_title":"20.03.2020.","family_id":"pf_ac6a73d7c910","family_title":"22.03.2020.","match_status":"awarded","method":"series_base","confidence":"high"},{"source_title":"1991. TKO JE TVOJ BLIŽNJI","family_id":"pf_48eaa8092d6e","family_title":"1991. Tko je tvoj bližnji?","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"KOSTI U MIKSERU","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"LJUDI U MOJOJ KUĆI","family_id":"pf_917c28d9db60","family_title":"Ljudi u mojoj kući","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"GODINA PROĐE, DAN NIKAKO","family_id":"pf_20a5bbe08fbd","family_title":"Godina prođe, dan nikako","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"NAĆI ĆU TE","family_id":"pf_210758b83f8e","family_title":"Naći ću te","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati%20JP%20MEDJUNARODNA%202022_1.%20rok.pdf","filename_decoded":"rezultati%20JP%20MEDJUNARODNA%202022_1.%20rok.pdf","sha256":"2c979bbbee26cf1f3394e72ec9327758bfb80c7b3240cb8f013cae67c927ebaf","bytes":47360,"page_count":3,"extracted_at":"2026-05-16T15:35:18Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20JP%20MEDJUNARODNA%202022_1.%20rok.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA \nPOTPORA\n1\nAntoneta Alamat Kusijanović\nAmerička premijera filma \"Murina\" na Hamptons \nInternational Film Festivalu\n12.000,00\n2\nMarko Dješka\nSudjelovanje filma \"Sve te senzacije u mom trbuhu\" na \nLinz International Short Film Festivalu u Austriji\n345,00\n3\nNatko Stipaničev\nGostovanje filma \"Arka\" na festivalima (Španjolska, \nSlovenija, Kina, Kanada Poljska i Velika Britanija)\n1.740,00\n4\nMultimedijalni institut\nGostovanje Petra Milata na sveučilištu Stanford, SAD\n6.943,00\n5\nNukleus Film d.o.o.\nSudjelovanje producenta Siniše Juričića na manifestaciji \nCinekid for Professionals 2021 u Amsterdamu\n2.750,00\n6\nAntitalent d.o.o.\nSudjelovanje producentice Katarine Prpić na radionici \nEAVE Marketing u Luksemburgu \n2.358,00\n7\nJadranska animacija\nSudjelovanje na manifestaciji Cinekid for Professionals \n2021 u Amsterdamu\n2.031,00\n8\nSunčica Ana Veldić\nGostovanje Sunčice Ane Veldić u programskoj sekciji \n\"Green Years\", u sklopu međunarodnog festivala \ndokumentarnog filma Doclisboa\n1.374,00\n9\nWolfgang i Dolly d.o.o.\nSudjelovanje Tamare Babun, Filipa Herakovića i Matije \nDrnikovića s dugometražnim igranim filmom \"Pelikan\" \nna manifestaciji Agora Work in Progress u Solunu, \nGrčka\n11.000,00\n10\nRestart\nSudjelovanje Petre Babić u programu Nebulae, u sklopu \nFestivala Doclisboa\n4.710,00\n11\nFantastično dobra institucija - Fade In\nSudjelovanje filma \"Tvornice radnicima\" na festivalu \nDoclisboa\n3.425,00\n12\nTetrabot d.o.o.\nSudjelovanje na manifestaciji Cartoon Springboard u \nValenciji, Španjolska\n10.000,00\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2022. - \nPROGRAMI MEĐUNARODNE SURADNJE - ROK 12.1.2022., 38. sjednica Hrvatskog audiovizualnog vijeća \n8.3.2022.\n\n\f\n13\nMarko Dješka\nSudjelovanje filma \"Sve te senzacije u mom trbuhu\" na \nBig Cartoon Festivalu u Moskvi\n2.817,00\n14\nGoran Škofić\nSudjelovanje na manifestaciji LOOP Fair u Barceloni, \nŠpanjolska\n3.100,00\n15\nJadranska animacija\nSudjelovanje filma \"Sve te Senzacije u mom trbuhu\" na \nfestivalu CINANIMA 2021 u Portugalu\n2.644,00\n16\nRestart\nSvjetska premijera dokumentarnog filma \"Muzej \nRevolucije\" na manifestaciji International Documentary \nFilm Festival Amsterdam (IDFA)\n35.000,00\n17\nRestart\nSudjelovanje redateljice i producenta na manifestaciji \nIDFA Forum 2021 u Amsterdamu, s projektom \"Snajka \ntraži sreću\"\n20.000,00\n18\nMarko Dješka\nSudjelovanje filma \"Sve te senzacije u mom trbuhu\" na \nLes Arcs Film Festivalu u Francuskoj\n2.396,00\n19\nNukleus Film d.o.o.\nSudjelovanje Producenta Siniše Juričića na \nmanifestaciji IDFA Forum 2021 u Amsterdamu\n2.604,00\n20\nHrvatski filmski savez - HFS\nSudjelovanje mladih filmaša na festivalu Camera \nZizanio 2021 u Grčkoj\n2.996,00\n21\nGFR film-video\nSudjelovanje Željka Baloga u žiriju 15. međunarodnog \nfilmskog festivala Grand Off u Varšavi\n2.267,00\n22\nJadranska animacija\nSudjelovanje Sunčane Brkulj i projekta \"Leptir\" na \nmanifestaciji ANIMARKT StopMotion Forum u Poljskoj\n1.632,00\n23\nMate Ugrin\nSudjelovanje filma \"Sve što dolazi\" u natjecateljskom \nprogramu manifestacije International Short Film \nFestival Leuven u Belgiji\n956,00\n24\nAna Šegrt\nSudjelovanje u žiriju Europa Cinemas Label, u sklopu \nfestivala Berlinale\n3.918,00\n25\nPrime Render d.o.o.\nPredstavljanje projekta \"Snovozemlje\" na manifestaciji \nCartoon Movie 2022 u Bordeauxu, Francuska\n11.000,00\n26\nCastor Multimedia d.o.o.\nSudjelovanje Sanje Milardović i filma \"Ništa ja tebi ne \ngovorim, samo kažem\" na Vilnius International Short \nFilm Festivalu u Litvi\n2.024,00\n27\nSara Jurić\nSudjelovanje u programu stručnog usavršavanja 3D \nCharacter Animation, koji organizira danski The \nAnimation Workshop u Viborgu\n15.000,00\n\n\f\n28\nUdruga Bacači sjenki\nGostovanje Bacača Sjenki na sveučilištu Stanford, SAD\n6.943,00\n173.973,00\nUKUPNO\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2022. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 12.1.2022., 38. sjednica Hrvatskog audiovizualnog vijeća 8.3.2022.","year":2022,"rok":"1. rok","natjecaj_date":"2022-01-12","decision_date":"2022-03-08","decision_body":"AV 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173.973,00","ukupno":173973.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":176152.0,"ukupno_match":false,"row_count":28,"awarded_count":28,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":28}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazloz_enje mikroprorac_unski 2021.pdf","filename_decoded":"web obrazloz_enje mikroprorac_unski 2021.pdf","sha256":"2ca3e1b16fc04f96b8ddbd36920a362f4ac4c82c33406e6b1fd2d6b4024faa8f","bytes":48751,"page_count":2,"extracted_at":"2026-05-17T12:01:55Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazloz%CC%8Cenje%20mikroprorac%CC%8Cunski%202021.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija: \nPOTICANJE PROIZVODNJE MIKROPRORAČUNSKIH DUGOMETRAŽNIH IGRANIH \nFILMOVA U 2021. – ROK PRIJAVE: 21.10.2021. \n \nUmjetnički savjetnici: Pavlica Bajsić Brazzoduro, Danilo Šerbedžija i Zdenka Gold \nFinancijski savjetnik: Ljubo Zdjelarević \n \nNa Javni poziv za poticanje proizvodnje mikroproračunskih dugometražnih igranih \nfilmova u 2021. godini prijavilo se ukupno 15 projekata, od čega čak 9 iz jedne \nprodukcijske kuće. Kao i na prošlogodišnjem Javnom pozivu za poticanje proizvodnje \nmikroproračunskih dugometražnih igranih filmova možemo ustvrditi da je opća \nrazina kvalitete dosta niska te da je većina projekata neprikladno pripremljena za \nmikroproračunske uvjete proizvodnje. Bilo je čak i nekoliko projekata koji su bili \nprijavljeni na redovni Javni poziv za proizvodnju, a paralelno i na ovaj za \nmikroproračunske filmove. Preporučujemo autorima i producentima da se unaprijed \nodluče kakve produkcijske uvjete zahtijeva njihov film. \nOdlučili smo poduprijeti sveukupno dva filma. \n \n \nSretni ljudi \nScenarij: Filip Peruzović i Nikolina Bogdanović \nRežija: Filip Peruzović \nProducent: Dinaridi film \n900.000,00 kn \n \nProjekt “Sretni ljudi” govori o bolnim trenucima koji čekaju sve nas (a neki smo na \nžalost to i proživjeli), o oproštaju od najmilijih, u ovom slučaju od oca, te o \nraspremanju, bacanju i čuvanju stvari ostalih za preminulima. Scenarij, naoko \njednostavan, u sebi nosi mnogo slojeva. Dok čiste kuću, dvojica braće čiste sebe, svoj \nodnos, svoju mladost i ono što je ostalo od njihove obitelji.  \nAko trebamo izdvojiti nešto onda je to atmosfera koja se osjeća čitajući scenarij. \nOsjećaj nedostajanja, tuge za onim kojeg više nema. Od mirisa starog pulovera kojeg \nbraća dugo vremena ne miču s mjesta gdje su preminulog našli, kao da očekuju da je \ndio oca još živ dok su i njegove stvari blizu, pa do male figurice slonića s otkinutim \nrepom koji svira svoju posljednju melodiju - autori uspješno dočaravaju osjećaj \npraznine, gubitka i tuge.  \n \nPosebno bi pohvalili činjenicu da je cijeli projekt od početka pripreman upravo za \novakav natječaj, mali broj likova, jedna lokacija, vidi se kako je autorska i \nproducentska ekipa mislila na sve faktore koji utječu na budžet te na izvedivost \novakvog projekta u zadanim parametrima.  \nOdobrena sredstva su niža od planiranih u prijavljenom financijskom planu, i to \nisključivo radi financijskih ograničenja HAVC-a. \n \n\n\f\n \nŽene s gumenim rukavicama \nScenarij: Franjo Nagulov i Ivor Martinić \nRežija: Mario Šulina \nProducent: Slavonija Nova \n700.000,00 kn \n \nScenarij „Žena s gumenim rukavicama“ nadahnut je velikim štrajkom prosvjetnih \nradnika iz 2019. godine, a pisan je iz perspektive školske čistačice Mirne. Snimao bi  \nse u Đakovu s profesionalnim glumcima u glavnim ulogama. Scenarij je zapravo \ndnevnik u trajanju deset dana kroz koji pratimo tijek štrajka, a fokusiran je na odnos \nškolskog kolektiva prema naslabijim članicama radne  zajednice: čistačicama. Autori \ntako posredno tematiziraju nužnost ozdravljenja društva iznutra  kao preduvjeta za \nbilo kakvu temeljitu promjenu.   \n \nIzuzetno poštujemo veliku srčanost i entuzijazam kolega filmaša iz Đakova, koji su, \npraktički, samo na svojim plećima iznijeli već jedan raniji dugometražni naslov. Osim \ntoga, jako je bitno naglasiti i to da se đakovačka ekipa u predloženom scenariju, kao i \nranije,  odlučila baviti društveno teškim temama pristupajući im višeslojno.  \nAutorski i produkcijski  tim je pokazao veliku spremnost na suradnju s umjetničkim \nsavjetnicima HAVC-a reagirajući na primjedbe iznesene u našim ranijim recenzijama, \nte bismo taj pristup posebno pohvalili. Cijeli projekt je prošao vrlo vidljiv razvoj od \nprve prijave na mikrobudžetne filmove prije godinu dana, preko razvoja projekta pa \ndo ove nove prijave za proizvodnju mikrobudžetnih filmova, te će se uloženi trud \nnadamo se i odraziti na budući film. \n \nOdobrena sredstva su niža od planiranih u prijavljenom financijskom planu, i to \nisključivo radi financijskih ograničenja HAVC-a. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2021,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web%20obrazlo%C5%BEenje%20MK%201%20rok%202021.pdf","filename_decoded":"web%20obrazlo%C5%BEenje%20MK%201%20rok%202021.pdf","sha256":"2d05f0a1848de4c1e1012f7be5a225d761034d3e1d8c1c10b6033d1957aac11f","bytes":58138,"page_count":3,"extracted_at":"2026-05-16T13:54:47Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlo%C5%BEenje%20MK%201%20rok%202021.pdf"},"raw_text":"Obrazloženje  umjetničke  savjetnice  o  odlukama  o  donošenju  liste  prioriteta  i  raspodjeli  \nsredstava  prema  Javnom  pozivu  za  poticanje  audiovizualnih  djelatnosti  i  stvaralaštva  u  \n2021.  godini,  u  kategoriji  poticanja  filmskih  koprodukcija  s  manjinskim  hrvatskim  \nudjelom  (prvi  rok:  20.1.2021.)   \nMiljenka  Čogelja,  umjetnička  savjetnica  za  filmske  koprodukcije  s  manjinskim  hrvatskim  \nudjelom   \n•  Na  prvi  rok  Javnog  poziva  za  poticanje  audiovizualnih  djelatnosti  i  stvaralaštva  u  2021.  \ngodini  prijavljena  su  32  projekta,  a  razmatran  je  31  projekt.  Jedan  projekt  nije  razmatran  \nradi  nepotpune  dokumentacije.   \n•  Prema  grupi  audiovizualnih  djela  u  kojoj  se  prijavljuje  projekt  prijavljeno  je:   \nDEVETNAEST  dugometražnih  igranih  filmova  \nČETIRI  debitantska  dugometražna  igrana  filma  \nDVA  dugometražna  dokumentarna  filma    \nTRI  animirana  filma,  od  toga  JEDAN  u  fazi  postprodukcije  i  \nČETIRI  kratkometražna  igrana  filma.    \n  \n•  I  to  produkcijskih  kuća  s  većinskim  udjelom  u  financiranju  iz  ukupno  TRINAEST  zemalja   \nSrbija,  Slovenija,  Sjeverna  Makedonija,  Crna  Gora,  Bosna  i  Hercegovina,  Češka  Republika,  \nMađarska,  Nizozemska,  Njemačka,  Cipar,  Grčka,  Turska,  Kanada   \n•  Kriteriji  za  predlaganje  projekata  za  sufinanciranje  temelje  se  na:   \ncjelovitosti  i  dorađenosti  projekata  u  kreativnom  smislu  i  to  na  temelju  ocjene  scenarija  i  \nredateljske  koncepcije.  Ocjena  proizlazi  iz  analize  relevantnosti  teme,  inovativnosti  scenarija  \ni  redateljskog  pristupa,  dramaturške  dosljednosti  scenarija  te  cjelovitosti  scenarija  i  \nredateljske  koncepcije.   \nJednako  važan  aspekt  su  i  ocjena  financijske  izvedivosti  te  predstavljenog  \ndistribucijskog  potencijala  projekta  te  doprinos  u  broju  hrvatskog  dijela  ekipe  filma.   \nUz  ocjenu  svih  kreativnih  i  produkcijskih  potencijala  pojedinačnog  projekta,  kriterij  \npredlaganja  uključuje  i  odnos  reciprociteta  sa  zemljama  s  većinskim  udjelom  u  \nfinanciranju  prijavljenih  projekata.  I  na  kraju,  kriterij  su  svakako  i  aktualne  financijske  \nmogućnosti  Hrvatskog  audiovizualnog  centra  za  financiranje  projekata. \nNa  listu  filmova  predloženih  za  sufinanciranje  proizvodnje  uvršteno  je  pet  projekata:   \n  \n1.  dugometražni  dokumentarni  film  Taj  zvuk  u  visini  (Srbija)  s  odobrenim  sredstvima  u  \niznosu  od  250.000  kn, \n2.  dugometražni  igrani  film  Kajmak  (Sjeverna  Makedonija)  s  odobrenim  sredstvima  u  iznosu  \nod    650.000  kn,  \n3.  dugometražni  igrani  film  Pukotina  u  ledu  (Srbija)  s  odobrenim  sredstvima  u  iznosu  od    \n650.000  kn,  \n\n\f\n4.  debitantski  dugometražni  igrani  film  Sirin  (Crna  Gora)  s  odobrenim  sredstvima  u  iznosu  \nod  450.000  kn,  \n5.  animirani  film  u  postprodukciji  Prava  Pepeljuga  (Slovenija)  s  odobrenim  sredstvima  u  \niznosu  od  100.000  kn  \nUkupni  iznos  odobrenih  sredstava  jest  2.100.000,00  kuna.   \n\t\r  \n\t\r  \n1.  Dugometražni  dokumentarni  film  Taj  zvuk  u  visini  (Srbija)  s  odobrenim  sredstvima  u  \niznosu  od  250.000  kn    \nSrpski  redatelj  Srđan  Keča  u  svom  novom  dugometražnom  dokumentarnom  filmu  Taj  zvuk  u  \nvisini  prati  grupu  znanstvenika  sastavljenu  od  geologa,  vulkanologa,  botaničara/  \nkompjuterskog  znanstvenika  i  arheologa  koji  na  planinskom  lancu  Tibesti,  u  jednom  od  \nnajnepristupačnijih  dijelova  Sahare,  traže  odgovore  na  pitanja  o  klimatskoj  povijesti  tog  \npodručja  i  seobama  ljudi.  Svake  večeri,  preko  radiovalova  dolaze  im  vijesti  iz  svijeta  –  \nmigrantska  kriza,  slomovi  vlasti,  prirodne  katastrofe  koje  ih  potiču  na  razne  filozofske  \nrasprave.  Te  dvije  paralelne  stvarnosti,  koje  kao  da  se  događaju  na  dva  udaljena  planeta,  \nKeča  povezuje  u  jednu  cjelinu  u  kojoj  se  granice  između  realizma  i  znanstvene  fantastike  \npretapaju  i  gube.    \nHrvatski  producent  je  Restart,  producentica  Vanja  Jambrović,  glavni  producent  je  Non-­\nAligned  Films  (Srbija)  producentica  Dragana  Jovović,  uz  koprodukciju  i  sa  Bocalupo  Films  \n(Francuska)  producentica  Jamina  Sijerčić.    \n2.  dugometražni  igrani  film  Kajmak  (Sjeverna  Makedonija)  s  odobrenim  sredstvima  u  iznosu  \nod    650.000  kn  \nNovi  projekt  makedonskog  redatelja  Milča  Mančevskog,  crnohumorna  komedija  Kajmak  kroz  \nodnos  dva  para,  na  suprotnim  polovima  društvene  ljestvice,  propituje  granice  muško-­ženskih  \nodnosa.  Mančevski  se  pita  što  je  to  normalno,  ali  se  ne  trudi  odgovoriti  na  to  pitanje,  već  \nkroz  izbore  svojih  likova  proširuje  granice  onoga  što  je  društveno  ukorijenjeno  kao  normalno  \n-­  ono  što  je  tradicija  usadila  u  nas  kao  osnovu  intimnog  odnosa  -­  muškarac,  žena,  dijete.    \nFilm  je  koprodukcija  između  Sjeverne  Makedonije,  Danske,  Bugarske  i  Hrvatske,  a  hrvatski  \nproducent  projekta  je  Jaako  dobra  produkcija,  producent  Siniša  Juričić.  Glavni  producent  je  \nBanana  film,  producent  Milčo  Mančevski.    \n3.  dugometražni  igrani  film  Pukotina  u  ledu  (Srbija)  s  odobrenim  sredstvima  u  iznosu  od    \n650.000  kn  \nPukotina  u  ledu  novi  je  projekt  srpske  redateljice  Maje  Miloš.  Ova  suvremena  bajka,  \nsmještena  u  surovo  i  socijalno  marginalizirano  predgrađe  Beograda,  kroz  narativni  okvir  \nPepeljuge,  priča  o  djevojci  Mariji,  sportašici  koja  prolazi  kroz  izazove  odrastanja  koje  prati  \nsložen  proces  sazrijevanja  ženske  seksualnosti  u  svijetu  u  kojem  se  seks  koristi  najčešće  za  \nigre  moći.      \n\n\f\nProjekt  je  koprodukcija  između  Srbije,  Italije,  Nizozemske,  Slovenije  i  Hrvatske  uz  planiranu  \nprijavu  na  Eurimages.  Hrvatski  producent  je  Propeler  film,  producent  je  Boris  T.  Matić,  a  \nglavni  producent  je  srpska  produkcija  Baš  Čelik,  producentica  Jelena  Mitrović.  Produkcijske  \nkuće  imaju  dugogodišnji  partnerski  odnos  izgrađen  na  uspješnim  koprodukcijama  poput  \ndugometražnog  igranog  filma  Otac  redatelja  Srdana  Golubovića  (2019.),  Krugovi    Srdana  \nGolubovića  (2013.),  Život  je  truba  redatelja  Antonia  Nuića  (2015.)…  \n4.  debitantski  dugometražni  igrani  film  Sirin  (Crna  Gora)  s  odobrenim  sredstvima  u  iznosu  \nod  450.000  kn  \nDebitantski  dugometražni  igrani  film  Sirin  crnogorskog  redatelja  Senada  Šahmanovića,  bavi  \nse  temama  identiteta,  integracije,  pripadanja  zajednici,  kroz  priču  žene  koja  je  kroz  dvadeset  \ngodina  provedenih  u  inozemstvu  marljivo  radila  na  tome  da  izgradi  novu  sebe  lišenu  starog  \nidentiteta.    Kada  se  spletom  okolnosti  prisiljena  vratiti  u  rodni  kraj,  nađe  se  u  potpunom  \nidentitetskom  limbu  -­  ne  pripada  niti  društvu  u  koje  se  doselila  niti  onome  iz  kojega  je  otišla.  \nGlavna  uloga  u  filmu  dodijeljena  je  kosovarskoj  glumici  Arti  Dobroshi  («Lornina  šutnja»  r.  \nbraća  Dardenne),  čiji  su  filmovi  prikazivani  u  glavnim  programima  Cannesa,  Berlina  i  \nSundancea.      \nProjekt  je  koprodukcija  između  Crne  Gore,  Bosne  i  Hercegovine,  Kosova,  Albanije  i  \nHrvatske.  Hrvatski  producent  je  produkcija  Sekvenca,  producenta  Jure  Pavlovića,  a  glavni  \nproducent  je  crnogorski  Cut-­  Up,  producent  je  Veliša  Popović.    \n5.  animirani  film  u  post-­produkciji  Prava  Pepeljuga  (Slovenija)  s  odobrenim  sredstvima  u  \niznosu  od  100.000    \nPrava  Pepeljuga  je  prvi  u  nizu  od  6  animiranih  filmova  transmedijskog  projekta  Uvrnute  priče  \nkoji  obrađuje  najpoznatije  svjetske  bajke  uvodeći  u  narativ  elemente  stigme  i  hendikepa.  \nRedateljica  Sara  Božanić  i  scenaristica  Jasmina  Kallay,  nagrađivane  su  stručnjakinje  za  \ntransmedijske  projekte.  Prava  Pepeljuga,  kratki  je  animirani  film  za  djecu  (14  minuta),  u  \ntehnici  2D  animacije,  a  bavi  se  stigmom  fizičke  invalidnosti  i  s  puno  empatije  i  razumijevanja  \npokazuje  mladim  gledateljima  kako  da  razviju  vještine  koje  će  im  pomoći  da  se  s  time  nose.    \nProjekt  je  koprodukcija  između  Slovenije,  Portugala  i  Hrvatske,  podržan  od  programa  \nKreativna  Europa.  Hrvatski  producent  je  Minya  film  i  animacija,  producentice  Miljane  \nDragičević,  a  glavni  producent  je  Inštitut  za  transmedijski  dizajn,  producentica  Sara  Božanić.    \n  \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2021,"rok":"1. rok","referenced_projects":["Taj zvuk u visini","Kajmak","Pukotina u ledu","Sirin","Prava Pepeljuga"],"summary":"Obrazloženje umjetničke savjetnice Miljenke Čogelje za 1. rok 2021. filmskih koprodukcija s manjinskim hrvatskim udjelom; od 32 prijave (razmatran 31 projekt) odobreno je pet projekata u ukupnom iznosu od 2.100.000,00 kuna.","project_links":[{"source_title":"Taj zvuk u visini","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Kajmak","family_id":"pf_d1e9e67955c6","family_title":"Kajmak","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Pukotina u ledu","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Sirin","family_id":"pf_18581be4b8a8","family_title":"Sirin","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Prava Pepeljuga","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazloz%CC%8Cenje%20umjetnicke%20savjetnice_eksperimentalnifilm_JP_2025_1_rok.pdf","filename_decoded":"Obrazloz%CC%8Cenje%20umjetnicke%20savjetnice_eksperimentalnifilm_JP_2025_1_rok.pdf","sha256":"2d7c8c1ea4d0a4fd7af72a69c54a9934455c61060c4cb55f729b32d54cae6619","bytes":98962,"page_count":3,"extracted_at":"2026-05-16T13:53:54Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazloz%CC%8Cenje%20umjetnicke%20savjetnice_eksperimentalnifilm_JP_2025_1_rok.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija \nproizvodnje eksperimentalnog filma u 2025. godini – 1. rok,  13. 3. 2025.  \nObrazloženje \nBranka Benčić, umjetnička savjetnica za eksperimentalni film \n \nNa prvi rok Javnog poziva za poticanje proizvodnje audiovizualnih djela u kategoriji \neksperimentalnog filma u 2025. godini pristiglo je ukupno petnaest (15) prijava. Sve su prijave  \nzadovoljile formalne uvjete i ušle u razmatranje. Od petnaest prijavljenih projekata, šest (6) ih \nje prethodno bilo prijavljivano na isti javni poziv, u kategoriji eksperimentalnog filma, a dva su \nprijavljena projekta s drugim naslovom ili producentom.  \n \nU okviru svih radova pristiglih na javni poziv zastupljen je širok spektar kreativnih i \numjetničkih pozicija, žanrova i interesa: od društvenog angažmana i preispitivanja društvenih \npozicija i uloga, dokumentarno – eksperimentalnih pristupa, različitih oblika vizualnih \nistraživanja, korištenja medijskih slika i oblika njihova prijenosa, prijedloga strukturalnog \nfilma, formalnih istraživanja, istraživanja materijalnosti filma, medijskih eksperimenata, \ninteresa za znanstveno-fantastične teme i pristupe, ili distopijske scenarije. Od 15 prijava, 4 je \nprijedloga kojima su autorice žene.  \n \nPrema kriterijima iz Pravilnika i Javnog poziva, pri odlučivanju razmatrala sam \nkvalitetu i jasnoću prijave, konceptualizaciju projekta iz koje je moguće razaznati osnovne ideje \ni polazišta filma i metodologiju rada; promišljanje medija, kvalitetu i razrađenost vizualnih \nreferenci, svijest o kontekstu – povijesti eksperimenata u mediju filma ili videa, i suvremenim \nkretanjima u filmskoj umjetnosti, izvedivost projekta u okviru operativnog i financijskog plana, \nplan promocije i dristribucije, te procjenu relevantnosti teme/projekta u kontekstu suvremene \naudiovizualne produkcije. \n \nZa sufinanciranje je predloženo i odobreno sedam (7) projekata u ukupnom iznosu \n170.000 EUR, koji usmjereni na osobno iskustvo ili društveni kontekst, na različite načine \ndoprinose aktualnosti audiovizualne produkcije. Dok redatelji i redateljice, umjetnici i \numjetnice mlađe generacije donose svježinu novih pogleda, oni srednje generacije nastavljaju \nkontinuitet istraživanja postojećih ili poznatih tema ili procedura.  \n \nRadi se o sljedećim projektima: Hranidbeni lanac, Petra Mrša (Kreativni sindikat), \niznos 24.000 EUR; Otvori, Zdravko Mustać (Greta Creative Network) 23.000 EUR; Rojevi \nMario Udženija aka Mario Mu (Otvoreni likovni pogon) 19.000 EUR;  Abstraktna mašina, Dan \nOki (Kazimir, udruga) 28.000 EUR; Jama Jeka Željka Blakšić (Jagoda, UO)  26.000 EUR; \niris., Andrej Korovljev (Kreativni sindikat) 26.000 EUR; Nevidljivi gradovi Renata Poljak \n(Rea, Udruga) 24.000 EUR. \n \nPetra Mrša, vizualna umjetnica mlađe generacije znanje i interese prema osvajanju \nvidljivosti različitih društvenih skupina mlađih ljudi ugrađuje u filmske, video i umjetničke \nradove. Hranidbeni lanac film je koji koristi radionički format i dokumentarni pristup kako bi \n\n\f\nuokvirio razgovore i kretnje protagonista/ica, stvarajući meki pristup protagonistima, otvorenu \nstrukturu radne procedure, reflektirajući društveni prostor. Upravo radionički format  na kojem \nse temelji rad i njegova ugrađena participativnost, doprinose aktualnosti teme i pristupa, \nunutarnjoj dinamici, a fokus na mlađe protagoniste/ice, te rekviziti, alati i pokušaji njihove \nemancipacije reflektiraju društvenu osjetljivost autorice. \n \nEksperimentalni film Otvori Zdravka Mustaća utemeljen u preciznoj strukturi, \npromišlja formalni eksperiment, sažetim sredstvima. Uz zadanu matematičku preciznost broja \nscena i njihova trajanja Mustać sustavno razvija ideju otvora, kontinuitetom nizanja i varijacija \nuokvirenog pogleda, alata usmjerenog gledanja, te pripadajućih prizora i prostora, kao mjesto \ntransformacijskog potencijala, protoka, mijena, temporalnosti i trajanja, odnosa prostora i \nvremena. Film uspostavlja kontinuitet tradicije formalnog eksperimenta u hrvatskoj \nkinematografiji. \n \nMario Udženija, na umjetničkoj sceni poznatiji kao Mario Mu, suvremeni je umjetnik \nmlađe generacije koji predlaže produkciju kratkog eksperimentalnog filma Rojevi. U Rojevima \nsuprotstavlja slike i zvukove različitog porijekla, koji stvaraju poetiku i estetiku specifičnu \noblicima ekranskih slika. Protok slika i zvukova kojima je promatrač izložen sudjeluje u \nstvaranju subjektivnih osjećaja prijetnje ili nelagode, što je u skladu s autorovom namjerom. \nRojevi donose jedan od fragmenata medijske reprezentacije suvremenog svijeta, i osjećaje \nsuvremenog čovjeka, poput apstraktnih fragmenata različitih režima vidljivosti i oblika njihove \nreprezentacije. Usmjeren na vidljivo i nevidljivo Rojevi operiraju u okviru proizvodnje \nsubjektivnosti u asocijativnom polju i prostoru proizvodnje kritičkog pogleda i medijskih slika.  \n \nAbstraktna mašina Dana Okija (Slobodana Jokića) predstavlja osobnu poetiku općeg i \npoznatog, bliskog i udaljenog. Usmjeren na mjesta, gradove ili prostore koji su dio autorove \nbiografije, poput Amsterdama ili Dalmacije, nizom prizora različitog porijekla, režima gledanja \ni oblika reprezentacije (kartografija, 4K, slide projekcija), te filmskih i umjetničkih elemenata \n(performans, glazba, zvuk), Oki gradi specifičnu kolažnu strukturu u kojoj se reflektiraju \nslojevite povijesti krajeva povezanih morem, a tema vode/mora dodatno uokviruje fluidnost \nprotoka slika/prizora kojima je film posvećen. U formi filmskog/video eseja Abstraktna mašina \ndonosi registar medijskih slika kako bi razvila pripovijest koja funkcionira kao kompleksan \n„aparat“, ili Okijevim riječima – mašina, koja apsorbira različite medijske i umjetničke izraze, \nslike, glazbu, tekst i zvuk u filmsko djelo koje donosi prizore mjesta i kontekste koji ih \nuokviruju, slojeve svakodnevnice, aktivnosti od performansa do protesta, politike, povijesti, \nizgrađenog okoliša ili infrastrukture. \n \nJama Jeka Željke  Blakšić suvremeno je mišljen i slojevit eksperimentalni filmski esej \nkoji isprepliće sjećanje na djetinjstvo, feminističke pozicije i politike emancipacije, istraživanje \nuloge glasa, mitološku referencu na Eho i eksperiment s filmom. Jama Jeka spaja slike \nrazličitog porijekla i medijske izraze putem asocijativne montaže – osobni arhiv autorice, \ntelevizijske arhivske materijale i suvremene snimke zborskog pjevanja, istraživanja \nmaterijalnosti filmskog medija, medijsku procesualnost, te eksperimente s 16mm trakom u \nslojevitu osobnu i političku kratku eksperimentalnu filmsku formu.  \n\n\f\n \n iris. redatelja Andreja Korovljeva igrano je eksperimentalni film, jasnog društvenog \nangažmana koji se formira oko središnje teme migracija, traumatičnih slika posljedica \nmigrantske krize u cjelokupnom prostoru Mediterana, kojima film uspostavlja vezu s lokalnim \ni globalnim kontekstom. U vrlo sažetoj formi od nekoliko minuta uz precizno razrađenu \nekonomičnost filmskog pripovijedanja, film donosi dva prizora, s metafilmskim obratom, a \npočiva na osjećaju empatije i zagovaranju veće društvene odgovornosti. \n \nPredloženi projekt Nevidljivi gradovi umjetnice Renate Poljak nastaje u kontinuitetu \nnjezine recentne umjetničke i audiovizualne produkcije koja je posljednjih desetak godina \nobilježena morem, i rezultirala opusom od čak 5 blisko povezanih eksperimentalnih filmova. \nNevidljivi gradovi razvijaju se kao labavo strukturirana cjelina koja okuplja niz vizualnih \nzapažanja o gradovima, podmorju, njihovim refleksijama u vodi, „kratki esej o gradovima i \nsmrti“. Film predstavlja osobnu poetiku autorice koja se isprepliće s razotkrivanjem \ngraditeljske baštine, podvodnim prizorima, stvaranjem specifične atmosfere vodenih refleksija \ni dvostruke ekspozicije. Nastajuće poetske slike donose stanja, asocijacije, atmosfere, \nimaginaciju. Naglasak je na vizualnom ritmu. Kroz niz vizualnih fragmenata gradi se svijet u \nkojem se stvarno i reflektirano neprestano preklapaju. Fluidnost koju prepoznajemo u naraciji \no gradovima i moru, nestalna je i neuhvatljiva, lomi se u odsjajima, ili ruševinama i \nkrhotinama podvodnog graditeljskog nasljeđa, preslikava se i na formu filma. \n \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","year":2025,"rok":"1. rok","referenced_projects":["Hranidbeni lanac","Otvori","Rojevi","Abstraktna mašina","Jama Jeka","iris.","Nevidljivi gradovi"],"summary":"Obrazloženje umjetničke savjetnice Branke Benčić za 1. rok 2025. proizvodnje eksperimentalnog filma; od 15 prijava odobreno je sedam projekata u ukupnom iznosu 170.000 EUR.","project_links":[{"source_title":"Hranidbeni lanac","family_id":"pf_fd6e18de575f","family_title":"Hranidbeni lanac","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Otvori","family_id":"pf_1bc1cb6e68e2","family_title":"Otvori","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Rojevi","family_id":"pf_d47a61cd895d","family_title":"Rojevi","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Abstraktna mašina","family_id":"pf_10dda7b2f825","family_title":"Abstraktna Mašina","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Jama Jeka","family_id":"pf_6c44c76274b9","family_title":"Jama Jeka","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"iris.","family_id":"pf_0c70abcd8b5b","family_title":"Iris","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Nevidljivi gradovi","family_id":"pf_16bb640ccdb8","family_title":"Nevidljivi gradovi","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje_dokumentarni_20062016.pdf","filename_decoded":"obrazlozenje_dokumentarni_20062016.pdf","sha256":"2db4abf302b5a48d40a78cf1c40cfc12f802c97ecde8db0e061b27fcb5334629","bytes":235864,"page_count":1,"extracted_at":"2026-05-17T12:01:42Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje_dokumentarni_20062016.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničke savjetnice po rezultatima Javnog poziva za poticanje \naudiovizualnih djelatnosti i stvaralaštva u 2016. godini u kategoriji poticanja \nproizvodnje audiovizualnih djela (dokumentarni film – rok 20. lipnja 2016.). \n \nIvana Fumić, umjetnička savjetnica za dokumentarni film:  \n \nUsudila bih se reći kako se radi o najboljem natječaju, barem za mog mandata, čemu u prilog \nide činjenica da je odobreno čak 17 projekata od 43 prijavljena. Iznimno mi je drago da su se \nautori okrenuli kreativnijim autorskim pristupima te proširili opseg interesnih tema. Također, \nu formativnom smislu su projekti postali raznovrsni: uz uvijek prisutne opservacijske \nprojekte tu su filmovi eseji, portret umjetnice korištenjem 2D animacije, filmovi kolaž tehnike, \nfilm o nastanku  opere, hibridni spoj eksperimentalnog i dokumentarnog filma te sportski \ndokumentarac prepun zanimljive arhive. Zadovoljna sam kako su autori počeli dublje \npromišljati i o dramaturgiji kao iznimno važnom i najteže predvidljivom segmentu \ndokumentarnog filma.  \nNadam se da će se ovako zanimljiv natječaj ponoviti već na drugom roku. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"4 8 JP COVID.pdf","filename_decoded":"4 8 JP COVID.pdf","sha256":"2de7cf44a018d40e409be46ab91baa788eceb86c60178f6495b02f1f49e41876","bytes":30012,"page_count":1,"extracted_at":"2026-05-17T10:23:57Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/4%208%20%20JP%20COVID.pdf"},"raw_text":"REDATELJICA\nPRODUCENT\nODOBRENA \nSREDSTVA\nVlatka Vorkapić\nInter film d.o.o.\n340.000,00 HRK\nSVETA OBITELJ, dugometražni \nigrani film\nJavni poziv za podnošenjem zahtjeva za potporu za dodatne troškove snimanja filmova nastale \nuslijed izvanrednih okolnosti uzrokovanih epidemijom COVID-19, 20. sjednica Hrvatskog \naudiovizualnog vijeća u trećem sazivu, 4.8. 2021.\nNASLOV\n","warnings":[],"document":{"program_type":"covid","natjecaj_title":"4 8 JP COVID","year":2021,"rok":null,"natjecaj_date":"2021-08-04","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","REDATELJICA","PRODUCENT","ODOBRENA SREDSTVA"],"rows":[{"row_number":null,"project_title":"SVETA OBITELJ, dugometražni igrani film","applicant":"Inter film d.o.o.","production_company":"Inter film d.o.o.","director":"Vlatka Vorkapić","writer":null,"original_author":null,"category":null,"approved_amount_text":"340.000,00 HRK","approved_amount":340000.0,"currency":"HRK","extras":{"REDATELJICA":"Vlatka Vorkapić","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"2de7cf44_4_8_jp_covid_pdf.json","creator_backfill_director_confidence":"medium","creator_backfill_director_reasoning":"U retku je jasno naveden stupac REDATELJICA s imenom Vlatka Vorkapić, dok scenarist i izvorni predložak nisu navedeni."},"entity":"Inter film d.o.o.","row_id":"2de7cf44:s0:e9ca526f8795","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_a3e90372c748","project_family_title":"SVETA OBITELJ, dugometražni igrani film"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":340000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":340000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":1}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2011 Razvoj scenarija AV djela.pdf","filename_decoded":"2011 Razvoj scenarija AV djela.pdf","sha256":"2e1a7e9a018c40ac758cc49ca8e5bbf4681211febc03c0aec491be7de98144e2","bytes":79083,"page_count":1,"extracted_at":"2026-05-17T10:24:16Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2011%20Razvoj%20scenarija%20AV%20djela.pdf"},"raw_text":"NASLOV\nSCENARIST/-ICA\nREDATELJ/-ICA\nAUTOR/-ICA IZVORNOG \nPREDOLOŠKA\nIZNOS POTPORE\n1 Čekajući Aleksi\nBarbara Vekarić\nBarbara Vekarić\n HRK                                  35.000,00 \n2 Mater\nJuraj Lerotić\n35.000,00\nHRK                                   \n3 Raj na zemlji\nVivien Karlović\n35.000,00\nHRK                                   \n4 Ljepši kraj\nMarjan Alčevski\nBekim Sejranović; 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GODINI  \nKategorija: poticanje proizvodnje eksperimentalnog filma drugi rok \n2020.  \nDamir Čučić, umjetnički savjetnik za eksperimentalni film \nNa drugi rok 2020. godine, za proizvodnju eksperimentalnog filma \nprispjelo je 20 projekata. To je povećanje od 66% u odnosu na \nprethodni natječaj. Razmatrano je 19 filmova, jedan nije zadovoljio \nuvjete prijave. Ocjenjivala se kvaliteta scenarija ili treatmenta, \nte redateljski koncept iz kojeg je moguće razaznati osnovne ideje i \nmetodologiju rada. Velika većina prijavljenih je projekte upotpunila \nvideo primjerima, foto ilustracijama i skicama zvučne piste.  \nZa sufinanciranje je predloženo i odobreno šest filmskih naslova u \nukupnom iznosu od 760 000 kuna.  \n1. Svemirski leševi, suluda priča \nredatelj: Tin Žanić \nproducentica: Tena Gojić / Dinaridi film d.o.o. \nSurealan film o adaptaciji stranog inteligentnog bića na ovaj \nsvijet. Zove se Crnognoj, katkad je veličine atoma, katkad je velik \nkao neboder. Priča je ispričana iz prvog lica, prikazuje Crnognojeve \ndoživljaje i shvaćanja njemu strane sredine. Redatelj Tin Žanić  \nradnju provlači kroz brojne kolaže ekspresivnih vizura u kojima \ndominira atmosfera nelagode. Baš kao što smo navikli od njegovih \nfilmova.   \n2. Wolfgang Gring \nredatelji: David Lušičić i Sven Klobučar \nproducent: David Lušičić / Stvaralačka mreža Zebra \nFilm polazi od metode nastanka crteža kao osnove za kombiniranje \nrazličitih medija u modeliranju filmske priče. \"Wolfgang Gring\" je \nnarativno vođen dramaturgijom dvije linije, jedna prati crtača u \nprocesu nastanka crteža dok druga 'ulazi' u crtež unutar kojeg \nmanifestira niz intenzivnih fragmenata. Lušičić i Klobučar propituju \ngranice paranormalnog na način da istražuju mogućnosti izmjene \npozicija kreatora i protagonista - subjekta i objekta radnje. \n3. Zakrivljeno gledište/iskrivljeni pogled \nredateljica: Vida Guzmić \nproducentica: Nicole Anne Marie Hewit / Studio Pangolin \n\n\f\nFilm se u širem smislu bavi impresijama oko nedavnih događaja u \nLibanonu i funkcionira kao memorijski otisak autorice. Vida Guzmić \nfilmu pristupa kao alatu za rekonstrukciju osobne memorije, koja \ndnevničke zapise iz Bejruta modificira u laboratorijski oblikovane \ndistorzirane apstraktne prikaze. Autorica ispituje osjetilna \nograničenja filma i promišlja mogućnosti rekreiranja memorije u \nfilmskom mediju.   \n4. Prozor \nredatelj: Damir Radić \nproducent: Igor Jelinović / Udruga Blank \n\"Prozor\" je promatrački film uređen kao niska slučajno zatečenih \nuličnih prizora snimljenih sa iste pozicije - kroz prozor stana. \nAutorova je namjera da gledatelja čim vjernije postavi u poziciju \nvoajera, poziciju koja je ponekad i neugodna, ali nas ipak vabi da \nnastavimo promatrati događaj. Damir Radić je tijekom deset godina \nbilježio 'život sam', kako se spontano događa, odvija, približio se \nšto je najviše moguće njegovoj istini. \n5. Valovi \nredateljica: Klara Dujmović \nproducent: Igor Jelinović / Udruga Blank \n„Valovi“ su prikaz dinamike odnosa, točnije upoznavanja ženske i \nmuške osobe na poetičan, osjetilno perceptivan način. Klara Dujmović \npred nas donosi osebujan unutarnji svijet, vješto isprepličući \ndokumentarne prizore, monologe i dijaloge s apstraktnim, likovno \nnaglašenim prizorima koji prate emocionalna zbivanja i stanja \nlikova. \"Valovi\" su sadržajno i stilski jedno unikatno svjedočanstvo \nljepote života - u formi eksperimentalnog filma.   \n6. AER \nredatelj: Tonči Bakotin \nproducent: Tonči Bakotin / Udruga Sensoria \nCavtatski otoci su ornitološki rezervat zbog gnjezdilišta  kolonije \ngaleba klaukavca. Otočje se nalazi točno na ruti slijetanja i \npoletanja aviona s obližnje zračne luke Dubrovnik u Čilipima. Kroz \nfilm se postupkom paralelne montaže konfrontira građa i osjenčanost \nptice s arhitekturom leteće tvrđave. Slobodi, samostalnosti, \nnježnosti i mitologiji se suprotstavlja turistifikacija i \nnezaustavljivi mehanizmi prikupljanja kapitala. \n\t\r  \n","warnings":[],"document":{"program_type":"proizvodnja","year":2020,"rok":"2. rok","referenced_projects":["Svemirski leševi, suluda priča","Wolfgang Gring","Zakrivljeno gledište/iskrivljeni pogled","Prozor","Valovi","AER"],"summary":"Obrazloženje umjetničkog savjetnika Damira Čučića za 2. rok 2020. za proizvodnju eksperimentalnog filma: od 20 pristiglih projekata (razmatrano 19) odobreno je šest filmskih naslova u ukupnom iznosu od 760.000 kuna.","project_links":[{"source_title":"Svemirski leševi, suluda priča","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Wolfgang Gring","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Zakrivljeno gledište/iskrivljeni pogled","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Prozor","family_id":"pf_4eb58664caaa","family_title":"Prozor","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Valovi","family_id":"pf_5c2cc7513ed3","family_title":"Valovi","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"AER","family_id":"pf_30b2d7ed6ed8","family_title":"AER","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB%20obrazloz%CC%8Cenje%20rsc%202_2023%20dokumentarni.pdf","filename_decoded":"WEB%20obrazloz%CC%8Cenje%20rsc%202_2023%20dokumentarni.pdf","sha256":"2e6de1c1f73e763590f67537444c1a2bfd37859df6286131662620d484c6b44d","bytes":65468,"page_count":3,"extracted_at":"2026-05-16T13:54:13Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20obrazloz%CC%8Cenje%20rsc%202_2023%20dokumentarni.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA, 2. ROK \n2023. / DUGOMETRAŽNI DOKUMENTARNI FILM  \n \nUMJETNIČKA SAVJETNICA: Tiha Gudac  \n \nKATEGORIJA: \nPOTICANJE \nRAZVOJA \nSCENARIJA \nI \nRAZVOJA \nPROJEKATA \nDUGOMETRAŽNIH IGRANIH, DUGOMETRAŽNIH DOKUMENTARNIH I ANIMIRANIH \nFILMOVA – RAZVOJ SCENARIJA DUGOMETRAŽNIH DOKUMENTARNIH FILMOVA – 29. \nrujna 2023.  \nOPĆI OSVRT  \n________________________________________________________________________  \nNa javni poziv u kategoriji poticanja razvoja scenarija dugometražnog dokumentarnog \nfilma u 2. roku prijavljeno je sveukupno 27, a razmatrano 26 projekata.  \nDio pristiglih projekata prezentirani su na razini ideje, bez dodatne razrade, bez jasnog \ndramaturškog smjera te bez stvarnih likova i potvrde o tome da je pristup temi i likovima \nosiguran. Dio projekata je ponovio prijavu, a dio je prikladniji za televizijsku proizvodnju \njer ne posjeduju obilježja autorskog filma, to su izlagački i filmovi koji pate od \nopterećenosti podacima. \nIstovremeno, prijavljeno je više projekata u naprednom stadiju razvoja, s kvalitetnim \nscenarističkim i vizualnim rješenjima. Među projektima koji se ističu kvalitetom \nautorskog pristupa predloženo je i odobreno ukupno  12 projekata za sufinanciranje u \novoj kategoriji u ukupnom iznosu od 63.600,00 eura.  \n \n1. \nPUSTA ZEMLJA Damir Čučić (scenarist i redatelj), \n5.300 eur  \n \nPovijest i sadašnjost Vojne krajine te međunacionalne mržnje autor obrađuje kroz \nprizmu geo-političkih kompleksnosti unutar koje se povijest ciklički ponavlja. Film je \ngrađen kroz opservacijske snimke današnjice i arhivske snimke političkih govora vođa \nsukobljenih strana nastalih u periodu od 1990. do 1995. godine. \n \n2. \nPARAVAN David Lušičić (scenarist i redatelj),  Greta Creative Network \n(produkcija),  \n5.300 eur \n \nFilm temeljen na ispovijestima bivšeg mornara Arsena B. koji je kroz niz nevjerojatnih \nokolnosti od crnogorskih vlasti otkupio stari vojni brod 'Vis'. Pri povratku u Hrvatsku \nbrod je iskorišten kao paravan za krijumčare oružja te Arsen postaje žrtva prijevare zbog \nkoje njegov san da ga opet renovira postaje neostvariva misija. Film nas vodi kroz priču \nčovjeka koji je nekad spasio ovaj brod od potapanja, da bi ga na kraju sam morao \npotopiti.  \n \n3. SKRILE SMO SVE ŠTO JE VAŽNO! Karla Crnčević (scenaristica i redateljica), \n5.300 eur \n\n\f\n \nSkrile smo sve što je važno! je arhivski dokumentarni film koji se bavi ostavštinom \naudiovizualne građe o ženskom antifašističkom pokretu. Kroz niz poglavlja koji nižu priče \niz različitih faza pokreta otpora osim važnošću borbe i njenih posljedica, bavi se i \nmetodama njenog (samo)arhiviranja te propituje danas prisutne varijacije memorije.  \n4. LJILJANA Katarina Pejović (redateljica i scenaristica),  Wolfgang i Dolly d.o.o. \n(produkcija), \n5.300 eur \n \nAutorica predlaže razvoj scenarija za film o  jezikoslovki i redateljici Ljiljani Jojić, prvoj \nženi koja  je u povijesti hrvatske kinematografije snimila dugometražni igrani film. \nUnatoč intenzivnom i inovativnom radu Ljiljana Jojić se kroz dugi radni vijek odlučuje za \nsvojevrsnu povučenost te njezin život i rad tako ostaju nepoznati široj javnosti.  \n \n5. NE VOLIM VOJNU MUZIKU Kruno Lokotar (scenarist),  \n5.300 eur  \n \nFilm „Ne volim vojnu muziku“ iznosi i provjerava tezu da su djeca vojnih lica ključni \nautori za uspostavljanje rock-scene u Jugoslaviji. Filmom autor želi propitati odnose \nopresije i slobode koji su u bivšoj državi doveli do zanimljivih kurioziteta. Ovo je film \nsazrijevanja i povratka na trenutke obojene šarenilom i nostalgijom, no i mogućom \npromjenom paradigme.  \n \n6. LJEPOTICE MOJE PRIJATELJICE Lana Barić  (scenaristica i redateljica), Propeler film \nd.o.o. (produkcija), \n5.300 eur  \n \nPoluautobiografski projekt autorice koja filmom želi propitati ženske odnose na razini \nprijateljstva, podrške i osnaživanja specifičnog za krugove koje međusobno stvaraju \nfantastične žene.  \n \n7. SAMO BOG ME MOGA UČINITI  Matija Debeljuh (redatelj i scenarist),  \n5.300 eur \n \nDugometražni dokumentarni film o istarskom glazbeniku Alenu Vitasoviću, početkom \n1990-ih velikoj zvijezdi hrvatske estrade, a danas pjevaču na margini nekadašnje slave \nkoji puni stupce trač rubrika i portala skandalima iz privatnog života...  \n \n8. DIJALOG BEZ SUGOVORNIKA  Niko Kostanić (scenarist),  \n5.300 eur \n \n\"Dijalog bez sugovornika\" je dokumentarni film koji se bavi problemom pedofilije u \ncrkvenim redovima. U središtu filma su dvije žrtve i dva zlostavljača. Nažalost oba \n\n\f\nzlostavljača su preminula prije nego što su slučajevi došli u završnu fazu pravosudnog \npostupka. Film se bazira prije svega na svjedočenjima žrtava kroz „dijalog” sa svojim \nzlostavljačima.  \n  \n9. ČOVIK KOJI SE SMIJE,   Mladen Matičević  (redatelj i scenarist),  Peglanje Snova \nd.o.o. (produkcija)    \n5.300 eur \n \nFilm o Tomi Bebiću – splitskom kantautoru, pjesniku, slikaru, anarhistu, boemu, travaru, \nocu troje djece... Budući da od umjetnosti nije mogao živjeti, u “slobodno vrijeme” bavio \nse zanimanjima kao što su mornarički podoficir, nastavnik, tajnik škole, novinar u \nNedjeljnoj Dalmaciji i Vjesniku, sudski pljenitelj, trener Hajduka, pomorski strojar. Prije \nsvoje smrti 1990. godine, snimio je dva antologijska albuma.  \n \n9. PLANKTONI,   Renata Poljak  (redateljica i scenaristica),  REA – udruga za \nsuvremene umjetničke i arhitektonske produkcije (produkcija),    \n5.300 eur \n \nOvo je film o dvanaestogodišnjem dječaku Vanji koji živi u Splitu gdje dvije godine hvata \nplanktone i snima ih pod mikroskopom. Pomičući granice ulaskom u svijet planktona  i \nnjihovih latinskih imena, Vanjina stvarnost spaja se s glazbom Amire Medunjanin koja je \nodlučila otpjevati novi mit o moru kako bi ukrotila i promijenila energiju mora. Vanjina \nkompozicija za violinu postat će osnova pjesme za more.  \n \n11. BRAZDA,   Sara Jurinčić  (redateljica i scenaristica),  \n5.300 eur \n \nPoluautobiografski film o odrastanju u otočkoj obitelji uz snažnu prisutnost žena i \nodsutnost koju nose muškarci ”nestali” u Marijanskoj brazdi. Autorica istražuje narativ \nodsutnosti, kombinirajući poznato jadransko žensko naslijeđe, suočeno s brazdom koju \nje ostavila ta druga polovica mahom isčezla na Pacifiku.  \n  \n12. SMRT JEDNOG VLAKA,   Silvestar Kolbas  (redatelj i scenarist),  \n5.300 eur \n \nFilm o legendarnom  vlaku Samoborčeku koji povezivao Zagreb i Samobor od 1901. - \n1979. godine. Trajanje tog razdoblja je poput trajanja ljudskog života, a taj je period \nistovremeno bio obilježen brojnim političkim, društvenim, ekonomskim i kulturnim \npromjenama. Film je pokušaj sagledavanja povijesti propasti jednog sustava kroz pet \ndržava. Kako je uvođenje te gašenje vlaka utjecalo na prostor? Zašto je Samoborček \npropao i što očekivati u budućnosti? \n \n","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2023,"rok":"2. rok","referenced_projects":["PUSTA ZEMLJA","PARAVAN","SKRILE SMO SVE ŠTO JE VAŽNO!","LJILJANA","NE VOLIM VOJNU MUZIKU","LJEPOTICE MOJE PRIJATELJICE","SAMO BOG ME MOGA UČINITI","DIJALOG BEZ SUGOVORNIKA","ČOVIK KOJI SE SMIJE","PLANKTONI","BRAZDA","SMRT JEDNOG VLAKA"],"summary":"Obrazloženje umjetničke savjetnice Tihe Gudac za 2. rok 2023. razvoja scenarija dugometražnog dokumentarnog filma; od 27 prijava (razmatrano 26) odobreno je 12 projekata u ukupnom iznosu od 63.600,00 eura.","project_links":[{"source_title":"PUSTA ZEMLJA","family_id":"pf_c5f0ee5160c8","family_title":"Pusta zemlja","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"PARAVAN","family_id":"pf_fb613dba70f0","family_title":"Paravan","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"SKRILE SMO SVE ŠTO JE VAŽNO!","family_id":"pf_7c6e0733c231","family_title":"Skrile smo sve što je važno!","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"LJILJANA","family_id":"pf_0e2b3e4f9954","family_title":"Ljiljana","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"NE VOLIM VOJNU MUZIKU","family_id":"pf_afd2dda75349","family_title":"\"Ne volim vojnu muziku\"","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"LJEPOTICE MOJE PRIJATELJICE","family_id":"pf_8e4f04f278a7","family_title":"Ljepotice moje prijateljice","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"SAMO BOG ME MOGA UČINITI","family_id":"pf_a32a0b3c7fa8","family_title":"Samo Bog me moga učiniti","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"DIJALOG BEZ SUGOVORNIKA","family_id":"pf_47a5ad3f8937","family_title":"DIJALOG BEZ SUGOVORNIKA","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"ČOVIK KOJI SE SMIJE","family_id":"pf_6366dcc78631","family_title":"Čovik koji se smije","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"PLANKTONI","family_id":"pf_269e847038cd","family_title":"Planktoni","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"BRAZDA","family_id":"pf_ac2a6c98d290","family_title":"Brazda","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"SMRT JEDNOG VLAKA","family_id":"pf_2186c69ffbb2","family_title":"Smrt jednog vlaka","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2 12 JP COVID .pdf","filename_decoded":"2 12 JP COVID 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ROK - 10.7.2017.\nanimirani film\n88. sjednica Hrvatskog audiovizualnog vijeća, 13. studenoga 2017.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"RPR_2017_WEB_ANIMIRANI_2rok_10VII2017_novo","year":2017,"rok":"2. rok","natjecaj_date":"2017-07-10","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"88. sjednica Hrvatskog audiovizualnog vijeća, 13. studenoga 2017.","section_key":"88_sjednica_hrvatskog_audiovizualnog_vijeca_13_studenoga_201","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Gusarice","applicant":"3D2D Animatori d.o.o.","production_company":"3D2D Animatori d.o.o.","director":"Dorotea Vučić","writer":"Dorotea Vučić","original_author":null,"category":"Animirani","approved_amount_text":"100.000,00","approved_amount":100000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Dorotea Vučić","REDATELJ":"Dorotea Vučić","repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_doc_single_signal","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"2ece29a4_rpr_2017_web_animirani_2rok_10vii2017_novo_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 1 and title Gusarice match exactly, and the scenarist and redatelj cells both contain Dorotea Vučić with no value present in the original-author column.","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"2ece29a4_rpr_2017_web_animirani_2rok_10vii2017_novo_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Row number 1 and title Gusarice match exactly, and the scenarist and redatelj cells both contain Dorotea Vučić with no value present in the original-author column."},"entity":"3D2D Animatori d.o.o.","row_id":"2ece29a4:s0:d040565afbf3","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e1e06954173a","project_family_title":"Gusarice"}],"section_total_text":"100.000,00","section_total":100000.0}],"totals":{"ukupno_text":null,"ukupno":100000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":100000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":1}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"odluka%20vijeca_razv%20scen%202504.pdf","filename_decoded":"odluka%20vijeca_razv%20scen%202504.pdf","sha256":"2f30f2ddb049f1ff3c49e99944c998a2b0baf6cc5e5de34e3430c685d8467a96","bytes":413152,"page_count":3,"extracted_at":"2026-05-16T14:10:53Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 3396-2014 \nU Zagrebu, 5. rujna 2014. \n \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12),  Hrvatsko audiovizualno vijeće, na prijedlog Umjetničkog vijeća, na 50. sjednici održanoj 5. \nrujna 2014.godine donijelo: \n \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2014.godini \nu  kategoriji -poticanje razvoja scenarija-dugometražni igrani filmovi, rok 25. travnja 2014.godine \n \n \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u \ntekstu:HAVC) za poticanje audiovizualnih djelatnosti i stvaralaštva u 2014.godini  utvrđuje se lista \nprioriteta i donosi odluka o raspodjeli sredstava za poticanje audiovizualnih djelatnosti i stvaralaštva \nu kategoriji -poticanje razvoja scenarija -dugometražni igrani filmovi, rok 25. travnja 2014.godine u \nukupnom iznosu od 280.000,00 kn (dvjestoosamdesettisućakuna), prema tablici priloženoj ovoj \nOdluci koja čini njezin sastavni dio. \n \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku \npredviđenom Pravilnikom o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva (NN 118/12). \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 118/12)  u 2014. godini raspisan je Javni poziv HAVC-a za poticanje \naudiovizualnih djelatnosti i stvaralaštva u kategoriji -poticanje razvoja scenarija dugometražni igrani filmovi. \n \nNa Javni poziv ukupno je prijavljeno 31 projekt i svi su imali uredne prijave. \n \nNa 33. sjednici Umjetničkog vijeća umjetnički savjetnici za dugometražni igrani film g. Branko Schmidt i g. \n\n\f\n \n \n \n \nDalibor Matanić predložili su listu prioriteta koju je Umjetničko vijeće usvojilo i proslijedilo na razmatranje \nHrvatskom audiovizualnom vijeću.  \nNa 50. sjednici Hrvatskog audiovizualnog vijeća održanoj 5. rujna 2014. Godine većinom glasova je \nprihvaćena lista prioriteta iz točke 1. izreke Odluke. \n  \n \nSukladno čl.12. Zakona o audiovizualnim djelatnostima, ravnatelj HAVC-a izvršava odluke o raspodjeli \nsredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima sredstava.  \n \nSukladno čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić –Škarica, v.r. \n \n \n \n \n \nPrilog: tablice s rezultatima \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n\n\f\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\n1\nA koliko vi imate \ngodina?\nMia Bučević\n35,000.00\n2\nČekanje\nVid Spindler\n35,000.00\n3\nDnevnik Pauline P.\nDora Delbianco\nJaka produkcija d.o.o. / \nJure Bušić\nSanja Polak\n35,000.00\n4\nDrenje\nDalija Dozet, Tena \nGojić\nTena Gojić\nDalija Dozet\nLuka Bekavac\n35,000.00\n5\nGenijalci\nJasmina Kallay\n35,000.00\n6\nGodina svinje\nIvan Sikavica\nIvan Sikavica\nNebojša Lujanović\n35,000.00\n7\nStarapana\nDorotea Vučić\nU SVOM FILMU d.o.o. / \nBarbara Jukopila\nDorotea Vučić\n35,000.00\n8\nU.P.M.\nIvo Balenović\nKabinet d.o.o. / Suzana \nPandek\nTomislav Fiket\nDražen Karakaš\n35,000.00\nUKUPNO\n280,000.00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i \nanimiranih filmova - podkategorija: RAZVOJ SCENARIJA u 2014. - 1. ROK - 25.4.2014.\ndugometražni igrani film\n","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2014,"rok":"1. rok","referenced_projects":["A koliko vi imate godina?","Čekanje","Dnevnik Pauline P.","Drenje","Genijalci","Godina svinje","Starapana","U.P.M."],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 5. rujna 2014. o raspodjeli sredstava za poticanje razvoja scenarija dugometražnih igranih filmova (1. rok, 25.4.2014.) u ukupnom iznosu od 280.000,00 kuna za 8 projekata po 35.000,00 kuna.","project_links":[{"source_title":"A koliko vi imate godina?","family_id":"pf_285556f7125e","family_title":"A koliko vi imate godina?","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Čekanje","family_id":"pf_d862fdbbd946","family_title":"Čekanje","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Dnevnik Pauline P.","family_id":"pf_a1b8395f4553","family_title":"Dnevnik Pauline P.","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Drenje","family_id":"pf_a50641018325","family_title":"Drenje","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Genijalci","family_id":"pf_e98ef8cddbd9","family_title":"Genijalci","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Godina svinje","family_id":"pf_a95db29b4ae3","family_title":"Godina svinje","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Starapana","family_id":"pf_3bed16e5abf6","family_title":"Starapana","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"U.P.M.","family_id":"pf_066bfded1bce","family_title":"U.P.M.","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje_kratkometrazni_lipanj2016.pdf","filename_decoded":"obrazlozenje_kratkometrazni_lipanj2016.pdf","sha256":"2f6e0c2a4c56077ae9e61e44564a697f164f361941a4753231aa8f2684e0801a","bytes":509717,"page_count":2,"extracted_at":"2026-05-17T12:01:44Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje_kratkometrazni_lipanj2016.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničkog savjetnika po rezultatima Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2016. godini u kategoriji poticanja proizvodnje audiovizualnih djela \n(kratkometražni igrani film – rok 20. lipnja 2016.) \n  \nMiroslav Sikavica, umjetnički savjetnik za kratkometražni igrani film:  \n \nNa 1. natječajni rok za kratkometražni igrani film u 2016. godini pristiglo je četrdeset prijava, od \nkojih su četiri projekta prijavljena u fazi postprodukcije. Jedan zahtjev za sufinanciranjem nije \nzadovoljio formalne uvjete natječaja. \n \nBrojnost i tematska različitost scenarija vesele, no neugodno iznenađuje rast budžeta i visina \nfinancijskih zahtjeva, koji ponekad nisu proporcionalni dramskoj razini predloška, kompaktnosti i \nuvjerljivosti cjeline, promišljenosti i funkcionalnosti redateljskog postupka te, općenito, \noriginalnosti autorske vizije.  \n \nOsim što debitantski projekti imaju u prosjeku veće proračune nego projekti autora koji iza sebe \nveć imaju profesionalni kratkometražni igranofilmski uradak (ili više njih), zabrinjava i vrednovanje \nuloge i važnosti scenarija, odnosno scenarista, s obzirom da u određenom broju financijskih \nproračuna na stavku scenarij (odnosno scenarist) otpada manje od minimalnih 2% (a ponekad i \nispod 1%) iznosa ukupnog budžeta. \n \nEvidentan je izostanak ekonomičnih, usko fokusiranih narativa, efektnih low budget projekata te \nkompaktnih kraćih kratkih filmova (većina prijavljenih projekata su duži kratki filmovi iznad 15 \nminuta trajanja ili ih se na silu pokušava stisnuti u 15-minutno trajanje), koji kratku formu ne \ntretiraju kao ograničenje, odnosno na dugometražni način (sporo uvodeći središnji problem po \nnačelu razvlačenja), već kao izazov, odnosno koji su u službi intenzifikacije i intenzivna završetka. \n \nŠto se tiče žanrovskog usmjerenja, dominantnu struju čine drame i komedije, u oba slučaja, sa \nzamjetnim, učestalim elementom fantastike i/ili nadrealnog, karikature te konstrukcije. Dva su \nprojekta, uvjetno rečeno, dječji filmovi. Jedan projekt je srednjometražni rekonstrukcijski omnibus \ntriju priča. \n \nPored dramske vrijednosti i kompaktnosti scenarija, uvjerljivosti likova te redateljske \npromišljenosti i originalnosti, kao umjetnički savjetnik, pri utvrđivanju liste prioriteta, vodio sam \nračuna i o cjelokupnom opusu redatelja/ice, trajanju filma, budžetu i visini financijskog zahtjeva, o \nprocjeni da će autori/ce biti sposobni/e umjetnički i operativno uspješno realizirati prijavljene \nprojekte, kao i o tome da se odobri sufinanciranje najmanje jednog debitantskog projekta, filma \nredatelj/ica koji do sada nije realizirao/la profesionalni kratkometražni igrani film. \n \n\n\f\n \n \n \n \nZa sufinanciranje proizvodnje predlažem tri projekta te jedan snimljeni film, koji traži sredstva za \npostprodukciju. \n \nDebitantski igrani film scenarista i redatelja Leona Lučeva Teško je staviti točku – proživljenu, \nintimnu i kompleksnu dramu glavnog lika, smještenu na otok, koji odlučuje prešutjeti smrt oca i \nnastaviti s proslavom rođendana svoje kćeri kao da se ništa nije dogodilo, boreći se u sebi s \ndihotomijom dviju isključivih, suprotstavljenih emocija – predlažem za sufinanciranje u iznosu od \n300.000,00 kuna. \n   \nKratki film s ovcom scenaristice i redateljice Ivane Škrabalo – koji se u cijelosti događa u školi, \nmahom u učionici, pod sivim zagrebačkim nebom i natopljen kišom, suptilnu priču o nemoći i \nfrustraciji asistentice u nastavi, koja se bori sa zahtjevnim učenikom kojemu treba pomoć u \nobrazovnom procesu, s nerazumijevanjem školskog sistema i kolektiva te, na kraju, sama sa sobom \ni svojim očekivanjima – predlažem za sufinanciranje u iznosu od 290.000,00 kuna. \n \nProjekt Tina i Sendy scenaristice i redateljice Hani Domazet – pomalo hektična, ali neuobičajena i \nsugestivna priča o impulzivnom i bezglavom lažnom prijateljstvu dviju posve različitih djevojaka, \nkoje u potrazi za identitetom, brzom zaradom i bijegom od problema svakodnevna života spaja i \nrazdvaja jedna amaterska porno audicija – predlažem za sufinanciranje u iznosu od 280.000,00 \nkuna. \n \nFilmu u fazi postprodukcije Med i mliko – prvom profesionalnom igranom projektu Marka Jukića, \nhumornom prikazu isprazne kvartovske svakodnevice troje splitskih danguba, čije se prijateljstvo \nvrti u začaranom krugu inercije i podbadanja – predlažem sredstva za postprodukciju u iznosu od \n40.000.00 kn.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2016,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"admin","source":{"filename":"NATJECAJ_za_ravnatelja_Hrvatski%20audiovizualni%20centar_2023.pdf","filename_decoded":"NATJECAJ_za_ravnatelja_Hrvatski%20audiovizualni%20centar_2023.pdf","sha256":"2fabc23154a4a1eaa60f3e429f9c1afba8a99ae3da476a597cc904ee7c9c5910","bytes":80364,"page_count":2,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"proizvodnja rezultati 1 rok 2020.pdf","filename_decoded":"proizvodnja rezultati 1 rok 2020.pdf","sha256":"303c88ead46737eb11612e116f3f3eebf9d18c961415050edb857ee72001e2fa","bytes":50886,"page_count":2,"extracted_at":"2026-05-17T10:24:04Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/proizvodnja%20rezultati%201%20rok%202020.pdf"},"raw_text":"NASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nObiteljski\t\r  portret\nLea\t\r  Vidaković\nJadranska\t\r  animacija\t\r  /\t\r  \nAdriatic\t\r  Animation\n450.000,00\n2\nU\t\r  malu\t\r  je\t\r  uša\t\r  đava\nVeljko\t\r  Popović,\t\r  Milivoj\t\r  \nPopović\nPrime\t\r  Render\t\r  d.o.o.\n420.000,00\n3\nOrnithology\nNina\t\r  Klarić,\t\r  Siniša\t\r  \nKoprivnjak\nUstanova\t\r  Zagreb\t\r  film\n350.000,00\n4\nPlavi\t\r  medo\nMarina\t\r  Andree\t\r  Škop\nStudio\t\r  dim\t\r  d.o.o.\n260.000,00\n5\nGrad\nMarko\t\r  Tadić\nKreativni\t\r  sindikat\n150.000,00\n6\nY\nMatea\t\r  Kovač\nUstanova\t\r  Zagreb\t\r  film\n130.000,00\n7\nLjubimac\t\r  Stres\nLaura\t\r  Martinović\nJadranska\t\r  animacija\t\r  /\t\r  \nAdriatic\t\r  Animation\n130.000,00\n1.890.000,00\n1\nKristalni\t\r  otmičari\nArsen\t\r  Anton\t\r  Ostojić\nFilmosaurus\t\r  Rex\t\r  d.o.o.\n5.000.000,00\n1\nPula\nAndrej\t\r  Korovljev\nKinematograf\t\r  d.o.o.\n3.300.000,00\n3.300.000,00\n1\nZečji\t\r  nasip\nČejen\t\r  Černić\nKinorama\t\r  d.o.o.\n4.000.000,00\n2\nDnevnik\t\r  Pauline\t\r  P.\nNeven\t\r  Hitrec\nJaka\t\r  produkcija\t\r  d.o.o.\n4.500.000,00\n3\nBumbarov\t\r  let\nAntonio\t\r  Nuić\nInter\t\r  film\t\r  d.o.o.\n5.000.000,00\n13.500.000,00\n1\nNuovo\t\r  Cinema\t\r  Buie\nAlessio\t\r  Bozzer\nAntitalent\t\r  d.o.o.\n200.000,00\n2\nUnderground\t\r  top\t\r  \nlista\nLidija\t\r  Špegar\nFactum\n280.000,00\ndugometražni\t\r  animirani\t\r  film\nJavni\t\r  poziv\t\r  za\t\r  poticanje\t\r  audiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  -­‐\t\r  kategorija:\t\r  POTICANJE\t\r  PROIZVODNJE\t\r  FILMOVA\t\r  \nu\t\r  2020.\t\r  -­‐\t\r  1.\t\r  ROK\t\r  -­‐\t\r  7.4.2020.,\t\r  30.\t\r  sjednica\t\r  Hrvatskog\t\r  audiovizualnog\t\r  vijeća\t\r  15.7.2020.\nanimirani\t\r  filmovi\nUKUPNO\t\r  KRATKOMETRAŽNI\t\r  ANIMIRANI\t\r  FILMOVI\nUKUPNO\t\r  DEBITANTSKI\t\r  DUGOMETRAŽNI\t\r  IGRANI\t\r  FILM\nUKUPNO\t\r  DUGOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\ndebitantski\t\r  dugometražni\t\r  igrani\t\r  film\ndugometražni\t\r  igrani\t\r  filmovi\ndugometražni\t\r  dokumentarni\t\r  filmovi\n\n\f\n3\nSurogat\t\r  za\t\r  Vuda\nSenad\t\r  Šahmanović\nSekvenca\t\r  d.o.o.\n350.000,00\n4\nBili\t\r  smo\t\r  u\t\r  ONB-­‐u\nBranko\t\r  Ištvančić\nUdruga\t\r  za\t\r  audiovizualno\t\r  \nstvaralaštvo\t\r  Artizana\n200.000,00\n5\nBorac\nDamir\t\r 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DISTRIBUCIJA dugometražnog igranog filma „PAMTIM SAMO SRETNE DANE” - 6.600,00 € \n \nDok sjedi u restoranu koji predstavlja čekaonicu za drugi svijet, umorni starac promatra goste \nrestorana koji predstavljaju njega i njegovu najužu obitelj tijekom bitnih trenutaka njegova života. \nTrenutaka koji su utjecali na njega i tu obitelj, te ga pretvorili u čovjeka kakav je bio na kraju života. \nStarac je prisiljen te događaje gledati objektivno, sa strane, kao svojevrsni sudac i porota tragičnog \nživota punog žaljenja, gorčine i krivih odluka. \n \n„Pamtim samo sretne dane” naslov je skromna komercijalnog potencijala čiji rezultat će \nprvenstveno ovisiti o odazivu publike starije dobi. \n \n \n2.  DISTRIBUCIJA dugometražnog dokumentarnog filma „GRANDPA GURU” - 3.500,00 € \n \nUnutarnja potraga za vlastitim identitetom i preispitivanje obiteljskih dvojbi oko njegovog izbora \nbavljenja glazbom, odvodi Srđana 'Ginu' Jevđevića tijekom rata u Sarajevu u Seattle, SAD. Tamo je \nosnovao poznati balkanski punk bend ''Kultur Shock''. Mučen pitanjem pripadnosti i osjećajem \nrastrganosti između života u Americi, Sarajeva i majke za koju je iznimno vezan, Gino mora \nnapraviti veliki slavljenički koncert kako bi svoj mukotrpan rad konačno predstavio rodbini i \nprijateljima... \n \nGlazbeni dokumentarci, u okviru pripadajućeg filmskog roda, kod nas bilježe solidne rezultate, a \n„Grandpa Guru” bi trebao nastaviti taj trend. \n \n \n3.  DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „EKSKURZIJA” - 3.500,00 € \n \nDok se njezin 8. razred priprema za izlet, Iman privlači pažnju starijeg dečka. Kada za vrijeme igre \n'istine ili izazova' potvrdi da je spavala s njim, glasina se proširi školom i stvari izmiču kontroli.... \n \n„Ekskurzija” spada među one kvalitetne naslove bez osobitog komercijalnog potencijala čije \nuvrštenje na redovan kino-repertoar ne bi trebao biti upitan. \n \n \n4.  DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „LOST COUNTRY” - \n3.500,00 €  \n \nSrbija, 1996. Tijekom studentskih prosvjeda protiv Miloševićevog režima, petnaestogodišnji Stefan \nmora proći kroz najtežu revoluciju od svih. Mora se suočiti sa svojom voljenom majkom, \nglasnogovornicom i suučesnicom korumpirane vlade protiv koje prosvjeduju njegovi prijatelji. \n \nJedini dugometražni hrvatski naslov prikazan na prošlogodišnjem filmskom festivalu u Cannesu u \nokviru programa „Tjedan kritike”. Odaziv filmofila te redovnih posjetitelja specijaliziranih kina ne bi \ntrebao izostati. \n\n\f\n \n \n5.  DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „M” - 2.000,00 € \n \nSvijet je poharala pandemija. Sam i izvan sigurnosti šume, Marko se suočava s razorenim svijetom \nobavijenim tišinom i opasnošću. \n \nRegionalne manjinske koprodukcije na stranom jeziku pridonose kulturnoj raznolikosti redovnog \nnacionalnog kino-repertoara. \n \n \n6.  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ROK - 12.3.2025.\nanimirani film - trajanje nije kraće od 24 minute\nAUTOR IZVORNOG \nPREDLOŠKA\nFranka Blažić, \"Kora i \nzačarani izvor\"\n14. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 12. lipnja 2025.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2025_1rok_12III2025_ANIMIRANI_WEB","year":2025,"rok":"1. rok","natjecaj_date":"2025-03-12","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"14. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 12. lipnja 2025.","section_key":"14_sjednica_hrvatskog_audiovizualnog_vijeca_u_5_sazivu_12_li","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO (€)"],"rows":[{"row_number":1,"project_title":"Kora i začarani izvor","applicant":null,"production_company":null,"director":null,"writer":"Franka Blažić","original_author":"Franka Blažić, \"Kora i začarani izvor\"","category":"Animirani","approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"EUR","extras":{"SCENARIST/-ICA":"Franka Blažić","AUTOR IZVORNOG PREDLOŠKA":"Franka Blažić, \"Kora i začarani izvor\"","repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_doc_single_signal","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"30e498c5_rsc_2025_1rok_12iii2025_animirani_web_pdf.json","creator_backfill_writer_confidence":"low","creator_backfill_writer_reasoning":"Naslov i scenaristica se jasno podudaraju, ali u retku nije pouzdano vidljivo popunjeno polje redatelja.","creator_backfill_original_author":true,"creator_backfill_original_author_at":"2026-05-18T16:54:59Z","creator_backfill_original_author_source":"30e498c5_rsc_2025_1rok_12iii2025_animirani_web_pdf.json","creator_backfill_original_author_confidence":"low","creator_backfill_original_author_reasoning":"Naslov i scenaristica se jasno podudaraju, ali u retku nije pouzdano vidljivo popunjeno polje redatelja."},"entity":null,"row_id":"30e498c5:s0:5ac9798bdd65","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_6b03d4fea9bd","project_family_title":"Kora i začarani izvor"}],"section_total_text":"5.000,00","section_total":5000.0}],"totals":{"ukupno_text":null,"ukupno":5000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":5000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web%20obrazlozenje%20PR%20DEB%20I%20DUGI%20IGRANI%201.ROK_2024_00.pdf","filename_decoded":"web%20obrazlozenje%20PR%20DEB%20I%20DUGI%20IGRANI%201.ROK_2024_00.pdf","sha256":"3102590a919d9557e02e9c0338f004a547cb12155d331f7bdb88b82bfb3d214e","bytes":88969,"page_count":3,"extracted_at":"2026-05-16T13:54:47Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20PR%20DEB%20I%20DUGI%20IGRANI%201.ROK_2024_00.pdf"},"raw_text":"Javni poziv za po*canje audiovizualnih djelatnos* i stvaralaštva – kategorija proizvodnje \ndugometražnog igranog filma i debitantskog dugometražnog igranog filma u 2024. godini – 1. rok, \n14.3.2024.  \n- umjetnički savjetnici za dugometražni igrani film - Juraj Lero:ć, Dean Šoša, Višnja Pen:ć \n- financijski savjetnik - Čedomir Kolar \nNa prvi natječajni rok za po0canje proizvodnje dugometražnog igranog filma u 2024. godini prijavilo se \nukupno 26 projekata; 20 dugometražnih igranih filmova i 6 debitantskih dugometražnih igranih filmova.  3 \nprojekta nisu razmatrana jer nisu zadovoljila uvjete javnog poziva.  \nPrijavljeni filmovi tematski i formalno pokrivaju širok raspon interesa i pristupa te je među prijavljenima na \novom roku bio značajan broj umjetnički orijen0ranih projekata. \nNa ovom su se roku istaknula tri projekta u čijem je središtu zreli, kompleksno oblikovan ženski lik. Riječ je \no debitantskom filmu redatelja mlađe generacije Filipa Mojzeša Prvi tjedan u kolovozu (Wolfang i Dolly) te \nfilmovima Mama, tata i ja (An0talent) redateljice Vanje Juranić i Pogana (Eclec0ca) Davida Kapca koji, uz \nAndriju Mardešića potpisuje scenarij, a riječ je o novom projektu dua iza uspješnice Stric. Film Mama, tata \ni ja nastaje prema scenariju proslavljene drama0čarke Tene Š0vičić pa posebno veseli kako je riječ o \nprojektu iza kojeg stoje dvije već etablirane ženske autorice.  \nU središtu sva tri filma postavljene su psihološki ambivalentno nijansirane karizma0čne ženske junakinje \nzatočene u dramski intrigantnim situacijama koje ih tjeraju da napuste društveno nametnute iden0tete i \nodvažno krenu putem promjene koja vodi u auten0čnost. Kao dramaturška jezgra postavljena je obitelj \nkoja postaje poligon na kojem se tes0raju individualne granice njenih članova, a kompromisi postaju jezik \nkojim se na često neočekivan način porađaju nove zajedničke vrijednos0. \ndebitantski i dugometražni igrani filmovi - ukupni iznos financiranja: 2.683.000,00 eura \n \nDEBITANTSKI DUGOMETRAŽNI IGRANI FILM \n \nPRVI TJEDAN U KOLOVOZU \nscenarij: Filip Mojzeš \nrežija: Filip Mojzeš \nprodukcija: Wofgang i Dolly d.o.o. \n800.000,00 eura \n \nUgledna novinarka Ivana odlazi na godišnji odmor sa suprugom Zoranom i desetogodišnjim sinom \nDavidom, u kuću na osami, na jednom dalma0nskom otoku. Ivana pa0 od preživljene psihičke traume \nzbog čega nasrne na Davida, gubeći kontrolu nad svojim ponašanjem. Kako tjedan odmiče, razotkrivaju se \nsve dublji problemi u odnosima Ivane i Zorana, a problemi se prenose i na odnose njih troje i četveročlane \nobitelji prijatelja koji ljetuju u susjednoj kući... \n \nMladi autor Filip Mojzeš istaknuo se zapaženim i nagrađivanim kratkim filmovima u kojima se uglavnom \nbavio odnosima unutar zagrebačkih obitelji više srednje klase. U cjelovečernjem igranom prvijencu Mojzeš \n\n\f\nse nastavlja bavi0 istom temom, pokazujući odlično poznavanje društvenog okvira i likova, u djelu koje \nsadrži, kako i sam autor priznaje, autobiografske elemente. Najveća vrijednost vješto napisanog scenarija \nleži u slojevitom i uvjerljivom odnosu majke i sina, ali i liku novinarke Ivane – samosvjesne i ambiciozne \njunakinje čija pojava predstavlja novost u našoj kinematografiji.  \n'Prvi tjedan u kolovozu' je ambiciozno osmišljen projekt zavidnog fes0valskog potencijala. \n \nDUGOMETRAŽNI IGRANI FILMOVI \nPOGANA \nscenarij: Andrija Mardešić i David Kapac  \nrežija: David Kapac \nprodukcija: Eclectica d.o.o. \n1.000.000,00 eura  \n \nJednako kao i u Stricu, filmu koji je publiku i kritiku oduševio upravo odmakom od dominantnih stilskih \ntendencija u hrvatskom filmu, autorski dvojac i u Poganoj uspijeva iznenaditi - kako pričom tako i \npristupom. Scenarij koji su po ideji Ivane Roščić raspisali David Kapac i Andrija Mardešić, odvija se u \nvremenu nakon Prvog svjetskog rata i prati Poganu koju otac prodaje na udaljeni otok kako bi vodila brigu \no djeci mornara udovca. Međutim, ubrzo po dolasku mornar nestaje u olujnom nevremenu i Pogana biva \nostavljena na milost i nemilost negostoljubivim mještanima.  \nDok se posljednjih godina u svjetskoj produkciji autorskog filma može zamijetiti svojevrstan trend \nsmještanja radnje u daleku prošlost, u hrvatskoj kinematografiji to nije bio čest slučaj. Autori Mardešić / \nKapac ne bježe od stvarnosti i sadašnjosti, već problemima koje i danas živimo prilaze takoreći s druge \nstrane, iz dubine prošlosti. Pogana nije samo film o ženi koja pokušava živjeti svoj život bez obzira na \nzahtjeve okoline, to je i priča koja nas podsjeća na to kako je biti  onaj drugi, stranac i pridošlica u nekoj \nzajednici, što film čini izuzetno aktualnim.  \nRežijski pristup koji potpisuje David Kapac  funkcionalan je, prati priču i opire se manirizmu umjetničkog \nfilma. \n \nMAMA, TATA I JA \nscenarij: Tena Š0vičić \nrežija: Vanja Juranić \nprodukcija: An0talent d.o.o. \n883.000,00 eura \nUspješna i karizma0čna Daša vraća se u roditeljski dom da bude podrška majci suočenoj s teškom \ndijagnozom. Stavivši život i karijeru u inozemstvu na čekanje, ponovno upoznajući roditelje i preuzimajući \nkormilo obitelji, otkriva tajne i odnose radi kojih preispituje stavove na kojima je gradila život. \nIzvrsno napisana gorko slatka komedija, smještena u zagrebački građanski milje, duhovito i nijansirano \nprikazuje obiteljsko suočavanje s potencijalno fatalnim karcinomom od kojeg obolijeva mama iz naslova. \nGlavna junakinja snažna je, kompleksna i emancipirana žena koja povratkom u obiteljsko gnijezdo dobiva \n\n\f\npriliku da promisli i preispita širi kontekst svog života, kako na individualnoj, tako i na kolek0vnoj razini. \nIznimna su vrijednost ovog projekta realis0čno i nadasve auten0čno napisani dijalozi i životno, a \nistovremeno prepoznatljivo osmišljeni sporedni likovi susjeda, liječnika, poznanika i rodbine. Mozaik likova \ni njihovih životnih preokupacija postavljen je nesvakidašnje plas0čno, a auten0čna dramska snaga proizlazi \niz nijansirano prikazanih odnosa iz kojih se porađa empa0čan i humoris0čan prikaz jednog specifičnog \ndruštvenog kruga, njegovih rituala i mentaliteta pa je moguće uspostavi0 poveznicu s klasikom Tko pjeva \nzlo ne misli. Nudeći uzbudljiv i inova0van način ženske emancipacije i snage u jednoj od najizazovnijih \nživotnih situacija, Mama, tata i ja uspostavlja prostor nade, suosjećanja i solidarnos0 čineći to toplo, \nsup0lno i inteligentno, ili, jednom jedinom riječju, ženski. \n \n","warnings":[],"document":{"program_type":"proizvodnja","year":2024,"rok":"1. rok","referenced_projects":["PRVI TJEDAN U KOLOVOZU","POGANA","MAMA, TATA I JA"],"summary":"Obrazloženje umjetničkih savjetnika za 1. rok 2024. proizvodnje dugometražnog igranog i debitantskog dugometražnog igranog filma; od 26 prijava (3 nisu razmatrane) odobrena su tri projekta u ukupnom iznosu 2.683.000,00 eura.","project_links":[{"source_title":"PRVI TJEDAN U KOLOVOZU","family_id":"pf_83b2a798e179","family_title":"Prvi tjedan u 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OSTOJIĆ \nARKADENA ZAGREB  \n4.600.000,00 \nLJUBAVNI ŽIVOT \nDOMOBRANA \nPAVO MARINKOVIĆ \nALKA FILM \n1.600.000,00 \nMIRNI LJUDI \nOGNJEN SVILIČIĆ \nMAXIMA FILM  \n4.300.000,00 \nMOST NA KRAJU \nSVIJETA \nBRANKO IŠTVANČIĆ \nUDRUGA ZA AUDIOVIZUALNO STVARALAŠTVO \n'ARTIZANA' \n4.500.000,00 \nOBRANA I ZAŠTITA \nBOBO JELČIĆ \nSPIRITUS MOVENS  \n4.600.000,00 \nUKUPNO: \n24.100.000 kn \n \n \nDEBITANTSKI DUGOMETRAŽNI IGRANI FILMOVI \nNASLOV \nREDATELJ/ICA \n             PRODUCENT \nODOBRENO \nSONJA I BIK \nVLATKA VORKAPIĆ \nINTERFILM \n2.800.000,00 \nSVINJARI \nIVAN LIVAKOVIĆ \nFOS FILM \n2.800.000,00 \nUKUPNO: \n5.600.000,00 \n \n \n \n\n\f\nKRATKOMETRAŽNI DOKUMENTARNI FILMOVI \nNASLOV \nREDATELJ/ICA \nPRODUCENT \nODOBRENO \nBEBE NA VOLE \nVLADIMIR GOJUN \nNUKLEUS FILM  \n300.000,00 \nCIKLUS MLADIH \nAUTORA \nĐURO GAVRAN, LUCIJA BUŠIĆ, BRANKO \nVILUS, IVANA SANSEVIĆ, LIDIJA ŠPEGAR \nRESTART \n70.000,00 \nČUVAJ FILM \nANTONIO PERAJICA \nHIPERMEDIA \n288.729,00 \nGOLI \nTIHA GUDAC \nFACTUM \n110.000,00 \nJESAM LI SRETNA? \nVANJA SVILIČIĆ \nMAXIMA FILM \n55.875,00 \nLIBERTE, EGALITE, \nFRATERNITE \nGORAN TRBULJAK \nFACTUM \n65.000,00 \nLIMENKE \nSILVIO MIROŠNIČENKO \nUDRUGA ZA AUDIOVIZUALNO STVARALAŠTVO \n'ARTIZANA' \n80.000,00 \nMARTIĆEVA 14 D - F \nMILIVOJ PUHLOVSKI \nMETAR 60 \n200.000,00 \nMOJ PUT \nROBERT BUBALO \nOLIMP PRODUKCIJA \n65.000,00 \nSUSRET \nIGOR BEZINOVIĆ \nRESTART \n35.000,00 \nSVI UVJETI ZA PRIČU \nLUKAS NOLA \nKINORAMA \n250.000,00 \nTERASA \nVEDRAN ŠAMANOVIĆ \nMITROPA \n54.800,00 \nTIJANA \nŽELJKO SARIĆ \nPROJECT 6 STUDIO \n185.850,00 \nUVIJEK VJERNI \nKRISTIJAN MILIĆ \nOLIMP PRODUKCIJA \n170.000,00 \nVODA \nIVAN SALAJ \nOLIMP PRODUKCIJA \n230.000,00 \nUKUPNO: \n2.160.254,00 \n \n \n \n \n \n\n\f\nDUGOMETRAŽNI DOKUMENTARNI FILMOVI \nNASLOV \nREDATELJ/ICA \nPRODUCENT \nODOBRENO \nDANKE DEUTSCHLAND \nMIROSLAV SIKAVICA \nFACTUM \n400 000,00 \nOVRHA \nNEVEN HITREC \nHRVATSKI FILMSKI SAVEZ \n678 800,00 \nTATA OD FORMATA \nIVONA JUKA \nČETIRI FILM \n245 000,00 \nUKUPNO: \n1.323.800,00 \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n \n \nANIMIRANI FILMOVI \nNASLOV \nREDATELJ/ICA \nPRODUCENT \nODOBRENO \nCIGLA \nDUBRAVKO MATAKOVIĆ \nUSTANOVA ZAGREB FILM \n150.000,00 \nFLIPER \nDARKO VIDAČKOVIĆ \nBONOBOSTUDIO  \n200.000,00 \nFUNICULUS \nUMBIBLICALIS \nSLAVE LUKAROV, IVAN KLEPAC \nOTOMPOTOM \n200.000,00 \nMALLEUS DEI \nDINO KRPAN \nDIEDRA  \n410.000,00 \nONI SU ŽIVJELI NOĆU \nGORAN TRBULJAK \nUSTANOVA ZAGREB FILM \n340.000,00 \nPLIMA \nALEN ZANJKO \nDIEDRA  \n200.000,00 \nPRIČA O VODI \nZDENKO BAŠIĆ \nIN FINE  \n200.000,00 \nPRIČA S POČETKA \nVREMENA \nBOŽIDAR TRKULJA \nBONOBOSTUDIO  \n250.000,00 \nSKRETNIČAR \nDAVOR MEĐUREČAN \nKREATIVNI SINDIKAT \n250.000,00 \nSOBA \nIVANA JURIĆ \nKINORAMA \n80.000,00 \nVELIKA AVANTURA \nGOSPODINA ŠMRKLJIĆA \nDARKO VUČENIK \nNUKLEUS FILM  \n100.000,00 \nVRLO MOKRA NOĆ U \nMUZEJU \nMILAN TRENC \nSTUDIO DEVET \n350.000,00 \nZAŠTO SLONOVI \nMARKO MEŠTROVIĆ \nKREATIVNI SINDIKAT \n300.000,00 \nZLATKINE 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animacija","row_id":"31494c7b:s0:8ec0cb75ff47","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_aaa2ed0e76d2","project_family_title":"Saima"}],"section_total_text":"35.000,00","section_total":35000.0}],"totals":{"ukupno_text":"35.000,00","ukupno":35000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":35000.0,"ukupno_match":true,"row_count":4,"awarded_count":4,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":4}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP razvoj projekata_dugi_dokumentarni_2rok 2015.pdf","filename_decoded":"JP razvoj projekata_dugi_dokumentarni_2rok 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ROK - \nDUGOMETRAŽNI DOKUMENTARNI\n1\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\n1\nIngrid i Marina\nStudio dim d.o.o. / \nDarija Kulenović Gudan\nLeda Festini Jensen\nLeda Festini Jensen\n120,000.00\nUKUPNO\n120,000.00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ PROJEKATA u 2015. - 2. ROK - 23.6.2015.\ndugometražni dokumentarni film\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"JP razvoj projekata_dugi_dokumentarni_2rok 2015","year":2015,"rok":"2. rok","natjecaj_date":"2015-06-23","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"dugometražni dokumentarni film","section_key":"dugometrazni_dokumentarni_film","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Ingrid i Marina","applicant":"Studio dim d.o.o.","production_company":"Studio dim d.o.o.","director":"Leda Festini Jensen","writer":"Leda Festini Jensen","original_author":null,"category":"Dokumentarni","approved_amount_text":"120,000.00","approved_amount":120000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Leda Festini Jensen","REDATELJ":"Leda Festini Jensen","approved_amount_original":120.0,"approved_amount_text_original":"120,00","amount_repaired_at":"2026-05-17T12:54:59Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"us_std","amount_repair_confidence":"high","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Studio dim d.o.o. / Darija Kulenović Gudan","entity_owner":"Darija Kulenović Gudan","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"31671305_jp_razvoj_projekata_dugi_dokumentarni_2rok_2015_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number and title align exactly, and the scenarist and redatelj columns both list Leda Festini Jensen while the original-author cell is blank.","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"31671305_jp_razvoj_projekata_dugi_dokumentarni_2rok_2015_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Row number and title align exactly, and the scenarist and redatelj columns both list Leda Festini Jensen while the original-author cell is blank."},"entity":"Studio dim d.o.o.","row_id":"31671305:s0:83f97287626c","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_dcb3b88554a8","project_family_title":"Ingrid i Marina"}],"section_total_text":"120,00","section_total":120.0}],"totals":{"ukupno_text":null,"ukupno":120.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":120000.0,"ukupno_match":false,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_ANIMIRANI_2025_2rok_10IX2025_WEB.pdf","filename_decoded":"Obrazlozenje_RSC_ANIMIRANI_2025_2rok_10IX2025_WEB.pdf","sha256":"3180e35be4f1423fa42282d985aff0558f3f28f67f2b719559e266c85f75bc59","bytes":119923,"page_count":2,"extracted_at":"2026-05-17T12:02:11Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_ANIMIRANI_2025_2rok_10IX2025_WEB.pdf"},"raw_text":" \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i projekata dugometražnih igrani, dugometražnih \ndokumentarnih i  animiranih filmova, 2. rok 2025. \npodkategorija: razvoj scenarija, animirani film \nrok: 10.9.2025. \numjetnička savjetnica: Jelena Oroz \n \n \nNa javni poziv u ovom roku pristiglo je šest projekata.  \nZa financiranje su predložena dva projekta. \nUkupni iznos financiranja je 10.000,00 €. \n \n1.  \nnaziv projekta:  DLT - DUGAVLJANSKA LIBERALNA TELEVIZIJA _ Skoro \nzaboravljena televizija \nscenarij: Antonija Veljačić \niznos financiranja: 5.000,00 € \ntrajanje: dugometražni animirani film \n \nDLT – Skoro zaboravljena televizija prati priču Dugavljanske liberalne televizije, prve \npiratske kabelske televizije u Hrvatskoj, nastale početkom 90-ih u zagrebačkim \nDugavama. Film rekonstruira neobičan medijski eksperiment Roberta Knjaza, Lubine \ni susjeda koji su usred domovinskog rata stvorili televiziju kvarta s reportažama, \nemisijama, kvizovima i skečevima. Kroz arhiv, animirane rekonstrukcije i sjećanja \ntadašnje djece, otkriva se kako je zajednica oblikovala svoj vlastiti medijski prostor. \nDLT postaje simbol kreativnosti, otpora i humora u teškim vremenima.  \n \n2. \nnaziv projekta: Raspored sjemenki u prerezanoj rajčici \nscenarij: Dalibor Barić \niznos financiranja: 5.000,00 € \ntrajanje: dugometražni animirani film \n \nRadnja ovog  filma odvija se krajem 19.stoljeća unutar vile izumitelja Magrita. Magrit \npoziva inspektora Ambroza u svoju vilu jer sumnja da mu je život u opasnosti. U vili \nsu okupljeni članovi obitelji i prijatelji kojima je Margit htio predstaviti svoj eter-stroj, \nneobičan mehanizam osmišljen za manipulaciju suptilnim slojevima stvarnosti. Stroj \n\n\f\n \nse ne ponaša kako je očekivano, stvarnost se počinje mijenjati pod utjecajem \nnjihovih vlastitih misli. Sobarica pronalazi leš Magrita iako Magrit sjedi živ i zdrav u \nsobi. \nInspektor mora riješiti zločin - ubojstvo koje se dogodilo i nije se dogodilo. \nU filmu pratimo devet likova - devet sjemenki u konstelaciji prerezane rajčice. \nKoristeći prepoznatljive mehanizme detektivske priče (tragovi, nove informacije, \nneizvjesnost) film se poigrava očekivanjima gledatelja te ga umjesto pasivnog \npromatrača, dovodi u poziciju istražitelja.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"KRATKI IGRANI WEB.pdf","filename_decoded":"KRATKI IGRANI WEB.pdf","sha256":"32ca6c5744f7d835ebdca76cc97f58a68758d1c71a1a59685c5129a51b1228ee","bytes":36749,"page_count":2,"extracted_at":"2026-05-17T12:01:38Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/KRATKI%20IGRANI%20WEB.pdf"},"raw_text":"Obrazloženje\t\r  umjetničkog\t\r  savjetnika\t\r  po\t\r  rezultatima\t\r  Javnog\t\r  poziva\t\r  za\t\r  \npoticanje\t\r  proizvodnje\t\r  kratkometražnog\t\r  igranog\t\r  filma\t\r  na\t\r  drugom\t\r  roku\t\r  u\t\r  \n2018.\t\r  godini\t\r  –\t\r  rok\t\r  21.\t\r  studeni\t\r  2018.\t\r   \nNa\t\r  drugi\t\r  natječajni\t\r  rok\t\r  u\t\r  2018.\t\r  godini\t\r  pristiglo\t\r  je\t\r  dvadeset\t\r  i\t\r  osam\t\r  (28)\t\r  projekata.\t\r  Od\t\r  \nprijavljenih\t\r  projekata\t\r  dva\t\r  (2)\t\r  nisu\t\r  razmatrana\t\r  jer\t\r  nisu\t\r  zadovoljili\t\r  formalne\t\r  uvjete\t\r  \nnatječaja.\t\r  Od\t\r  razmatranih\t\r  prijava\t\r  dvije\t\r  (2)\t\r  su\t\r  prijavljene\t\r  u\t\r  fazi\t\r  postprodukcije,\t\r  a\t\r  \ndvadeset\t\r  i\t\r  četiri\t\r  (24)\t\r  je\t\r  procjenjivano\t\r  za\t\r  produkciju.\t\r  Osamnaest\t\r  (18)\t\r  projekata\t\r  je\t\r  po\t\r  \nprvi\t\r  puta\t\r  prijavljeno\t\r  na\t\r  javni\t\r  poziv\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  kratkometražnog\t\r  \nigranog\t\r  filma.\t\r  \n\t\r  \n\t\r  \nOSVRT:\t\r  \n\t\r  \nVeliki\t\r  broj\t\r  prijavljenih\t\r  scenarija\t\r  tematizira\t\r  poziciju\t\r  žene\t\r  -­‐‑\t\r  točnije\t\r  16\t\r  od\t\r  26\t\r  \nrazmatranih\t\r  projekata.\t\r  Djelomično\t\r  to\t\r  proizlazi\t\r  i\t\r  iz\t\r  sve\t\r  veće\t\r  prisutnosti\t\r  autorica,\t\r  ali\t\r  i\t\r  \nmuški\t\r  autori\t\r  se\t\r  rado\t\r  bave\t\r  ženskim\t\r  likovima\t\r  i\t\r  postavljaju\t\r  ih\t\r  kao\t\r  centralno\t\r  mjesto\t\r  \nsvojeg\t\r  interesa.\t\r  \t\r  \nOdabrani\t\r  scenariji\t\r  reflektiraju\t\r  tendenciju\t\r  da\t\r  se\t\r  na\t\r  natječaje\t\r  javljaju\t\r  autori\t\r  različitih\t\r  \nprofila.\t\r  Tako\t\r  su\t\r  među\t\r  odabranima\t\r  na\t\r  ovom\t\r  roku\t\r  dvije\t\r  glumice\t\r  kojima\t\r  će\t\r  ovo\t\r  biti\t\r  \ndebitantski\t\r  radovi,\t\r  te\t\r  dvoje\t\r  mladih\t\r  redatelja.\t\r  \t\r  \n\t\r  \n\t\r  \nODABRANI\t\r  PROJEKTI:\t\r  \n\t\r  \nSNJEGULJICA\t\r  -­‐‑\t\r  produkcija:\t\r  Ustanova\t\r  Zagreb\t\r  film,\t\r  scenarij\t\r  i\t\r  režija:\t\r  Lana\t\r  Barić\t\r  \n(debitantica)\t\r  -­‐‑\t\r  300.000,00\t\r  kn\t\r  \n\t\r  \nLana\t\r  Barić\t\r  gradi\t\r  priču\t\r  oko\t\r  lika\t\r  Željke\t\r  i\t\r  tajne\t\r  koju\t\r  ona\t\r  nosi.\t\r  Radikalni\t\r  kraj\t\r  daje\t\r  nam\t\r  \nodgovor,\t\r  ali\t\r  istovremeno\t\r  otvara\t\r  nova\t\r  pitanja\t\r  i\t\r  nudi\t\r  prostor\t\r  za\t\r  različite\t\r  \ninterpretacije\t\r  viđenog.\t\r  Naglašena\t\r  je\t\r  autorska\t\r  motivacija\t\r  koja\t\r  se\t\r  bavi\t\r  mogućnošću\t\r  \nostvarivanja\t\r  osobne\t\r  slobode.\t\r  \n\t\r  \n\t\r  \nMALI\t\r  MESSI\t\r  -­‐‑\t\r  projekt\t\r  je\t\r  na\t\r  natječaju\t\r  drugi\t\r  puta\t\r  -­‐‑\t\r  produkcija:\t\r  Ustanova\t\r  Zagreb\t\r  film,\t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Mladen\t\r  Stanić\t\r  -­‐‑\t\r  320.000,00\t\r  kn\t\r  \n\t\r  \nMladen\t\r  Stanić\t\r  je\t\r  mladi\t\r  autor\t\r  koji\t\r  je\t\r  svojim\t\r  prethodnim\t\r  filmom\t\r  \"Bila\t\r  soba\"\t\r  pokazao\t\r  \nda\t\r  kvalitetno\t\r  zna\t\r  razraditi\t\r  međuljudske\t\r  odnose\t\r  i\t\r  izgraditi\t\r  priču\t\r  iz\t\r  likova.\t\r  Na\t\r  istom\t\r  \ntragu\t\r  je\t\r  i\t\r  scenarij\t\r  za\t\r  film\t\r  Mali\t\r  Messi.\t\r  Dobar\t\r  odabir\t\r  glumaca\t\r  mogao\t\r  bi\t\r  ovaj\t\r  scenarij\t\r  \npretvoriti\t\r  u\t\r  emotivan\t\r  film.\t\r  \n\t\r  \n\t\r  \n\n\f\nRASULO\t\r  -­‐‑\t\r  produkcija:\t\r  Antitalent\t\r  d.\t\r  o.\t\r  o.,\t\r  scenarij\t\r  i\t\r  režija:\t\r  Hani\t\r  Domazet\t\r  -­‐‑\t\r  \n330.000,00\t\r  kn\t\r  \n\t\r  \nHani\t\r  Domazet\t\r  je\t\r  napisala\t\r  neobičan\t\r  scenarij\t\r  specifične\t\r  atmosfere\t\r  i\t\r  situacija\t\r  prepunih\t\r  \nkontradiktornosti:\t\r  miješa\t\r  se\t\r  napetost\t\r  između\t\r  likova\t\r  i\t\r  njihova\t\r  ravnodušnost,\t\r  \nekstrovertnost\t\r  likova\t\r  i\t\r  \t\r  njihova\t\r  emotivna\t\r  zatvorenost,\t\r  realizam\t\r  i\t\r  apsurd.\t\r  \nPrecizna\t\r  razrada\t\r  odnosa\t\r  među\t\r  likovima\t\r  na\t\r  kojima\t\r  se\t\r  ovaj\t\r  scenarij\t\r  bazira\t\r  bit\t\r  će\t\r  \nključna\t\r  u\t\r  pretvaranju\t\r  ovog\t\r  scenarija\t\r  u\t\r  film.\t\r  \n\t\r  \n\t\r  \nNIŠTA\t\r  JA\t\r  TEBI\t\r  NE\t\r  GOVORIM,\t\r  SAMO\t\r  KAŽEM\t\r  -­‐‑\t\r  produkcija:\t\r  Castor\t\r  multimedija\t\r  d.\t\r  o.\t\r  \no.,\t\r  redateljica\t\r  i\t\r  scenaristica:\t\r  Sanja\t\r  Milardović\t\r  (debitantica)\t\r  \t\r  \n\t\r  250.000,00\t\r  kn\t\r  \n\t\r  \nSanja\t\r  Milardović\t\r  scenarij\t\r  gradi\t\r  kroz\t\r  finu\t\r  gradaciju\t\r  odnosa\t\r  majke\t\r  i\t\r  kćeri.\t\r  Iz\t\r  načina\t\r  na\t\r  \nkoji\t\r  je\t\r  projekt\t\r  razrađen\t\r  pokazuju\t\r  da\t\r  se\t\r  radi\t\r  o\t\r  projektu\t\r  koji\t\r  autorica\t\r  vidi\t\r  i\t\r  razumije.\t\r  \nLokacije,\t\r  željene\t\r  atmosfere\t\r  i\t\r  odabir\t\r  glumaca\t\r  kvalitetno\t\r  opisuju\t\r  melankoliju\t\r  kojom\t\r  je\t\r  \nobojena\t\r  ova\t\r  priča.\t\r  \n\t\r  \n\t\r  \nSveukupna\t\r  davanja\t\r  HAVC-­‐‑a\t\r  na\t\r  2.\t\r  roku\t\r  21.\t\r  11.\t\r  2018.\t\r  -­‐‑\t\r  poticanje\t\r  proizvodnje\t\r  \naudiovizualnih\t\r  djela,\t\r  kategorija\t\r  kratki\t\r  igrani\t\r  film:\t\r  \t\r  \n1.200.000,00\t\r  Kn\t\r  \n\t\r  \nSaša\t\r  Ban,\t\r  umjetnički\t\r  savjetnik\t\r  za\t\r  kratkometražni\t\r  igrani\t\r  film\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_WEB_DUG_IGR_2016_3rok_17102016.pdf","filename_decoded":"RSC_WEB_DUG_IGR_2016_3rok_17102016.pdf","sha256":"32da8b50d6d0ba2f8cc982419aef4f3445973933923cdbc0e7510ca85802ed5c","bytes":33351,"page_count":1,"extracted_at":"2026-05-16T15:36:54Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_WEB_DUG_IGR_2016_3rok_17102016.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nAdio školo\nJosipa Bubica, Igor \nJelinović\nUdruga Blank\n30.000,00\n2\nGec&Spomenka\nIvan Turković-Krnjak, \nMarko Hrenović\n30.000,00\n3\nMladoženja\nMihaela Marija Perković\n30.000,00\n4\nPo tamburi\nMario Marko Krce, \nStanislav 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ROK - 17.10.2016.\ndugometražni igrani film\nPRODUCENT\n82. sjednica Hrvatskog audiovizualnog vijeća, 15. svibnja 2017.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ SCENARIJA u 2016. - 3. 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Domazet\n160.000,00\n21.235,65\n2\nSitni lopovi\nUmjetnička organizacija \nKadromat\nMate Ugrin\nMate Ugrin\n160.000,00\n21.235,65\n3\nViktorija\nCobra Chicks Zagreb\nAnita Čeko\nLuka Galešić\n140.000,00\n18.581,19\n460.000,00\n61.052,49\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: \nRAZVOJ PROJEKATA u 2022. - 2. ROK - 14.9.2022.\ndugometražni igrani film - trajanje nije kraće od 70 minuta\nUKUPNO\n6. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 15. prosinca 2022.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"RPR_2022_2rok_14IX2022_WEB_DUG_IGR","year":2022,"rok":"2. rok","natjecaj_date":"2022-09-14","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"6. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 15. prosinca 2022.","section_key":"6_sjednica_hrvatskog_audiovizualnog_vijeca_u_4_sazivu_15_pro","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN","ODOBRENO EUR"],"rows":[{"row_number":1,"project_title":"Prolog, Texas","applicant":"Scarlet d.o.o.","production_company":"Scarlet d.o.o.","director":"Hani Domazet","writer":"Hani Domazet, 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.pdf","sha256":"339649f341627fe23bbc671f6d54800047c88129c9136b11887cbc1d1646137d","bytes":176827,"page_count":3,"extracted_at":"2026-05-17T12:01:28Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20Obrazlo%C5%BEenje%20umjetni%C4%8Dkog%20savjetnika%204%20ROK%202018%20.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po odlukama o donošenju liste prioriteta i raspodjeli sredstava prema \nJavnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2018. godini, u kategoriji poticanja \nfilmskih koprodukcija s manjinskim hrvatskim udjelom (četvrti rok: 22. studenoga 2018.). \n \ndoc. dr. sc. Boško Picula, umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom \n \nNa Javni poziv prijavljeno je ukupno 37 projekata. Pritom je za dva projekta utvrđeno da ne zadovoljavaju \nuvjete javnog poziva, dok se za jedan prijava povukla na zahtjev producenta te im sukladno tomu prijave \nnisu niti razmatrane. Stoga su u konačnici razmatrana 34 projekta. Od toga je sedam debitantskih \ndugometražnih igranih filmova, trinaest dugometražnih igranih filmova, zatim deset dugometražnih \ndokumentarnih filmova (od 60 minuta trajanja), jedan kratkometražni dokumentarni film (do 59 minuta \ntrajanja) te tri kratkometražna igrana filma. Među navedenim je projektima pet prijavljeno u \npostprodukcijskoj fazi. Kriteriji predlaganja projekta za sufinanciranje temelje se na: cjelovitosti predloženih \nradova, redateljskom konceptu, scenarističkoj dorađenosti, doprinosu i broju hrvatskog dijela kreativne, \ntehničke i produkcijsko-organizacijske ekipe filma, realizaciji projekta u Hrvatskoj, festivalskim \npotencijalima u Hrvatskoj i inozemstvu, elaboriranosti izvedbe samog projekata i aktualnim financijskim \nmogućnostima.  \n \nNa listu filmova predloženih za sufinanciranje proizvodnje uvršteno je osam projekata:  \n \n1.   dugometražni igrani film Švedsko srce moje majke (Bosna i Hercegovina) s predloženim sredstvima \nu iznosu od 720.000 kn  \n2.   dugometražni igrani film Ljeto kada sam naučila letjeti (Srbija) s predloženim sredstvima u iznosu \nod 670.000 kn  \n3.   dugometražni igrani film Jeka (Danska) s predloženim sredstvima u iznosu od 400.000 kn  \n4.   dugometražni igrani film Svi protiv svih (Slovenija) s predloženim sredstvima u iznosu od 170.000 \nkn  \n5.   dugometražni dokumentarni film Auti kojima smo se odvezli u kapitalizam (Bugarska) s \npredloženim sredstvima u iznosu od 320.000 kn  \n6.   dugometražni dokumentarni film Izbor za Miss zatvora (Srbija) s predloženim sredstvima u iznosu \nod 200.000 kn  \n7.   dugometražni dokumentarni film Rujanska klasa (Slovenija) s predloženim sredstvima u iznosu od \n190.000 kn  \n8.   kratkometražni igrani film Budimo u kontaktu (Srbija) s predloženim sredstvima u iznosu od 60.000 \nkn  \n \nUkupni iznos predloženih sredstava jest 2.730.000,00 kuna. \n \nOSVRT: \n \nNa četvrti rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2018. godini u kategoriji \npoticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (22. studenoga 2018.) prijavljeni su \nprojekti u većini skupina (debitantski dugometražni igrani film, dugometražni igrani film, dugometražni \ndokumentarni film (od 60 minuta trajanja), te kratkometražni dokumentarni (do 59 minuta trajanja) i igrani \nfilm), i to produkcijskih kuća s većinskim udjelom u financiranju razmatranih projekata iz ukupno dvanaest \nzemalja. Uvjerljivo je najveći broj prijava stigao iz Srbije (četrnaest). Slijede projekti prijavljeni iz Slovenije \n(sedam) te iz Bosne i Hercegovine (četiri). Po dva su projekta prijavljena iz Bugarske, Crne Gore i Gruzije, \na po jedan iz Češke, Danske, Grčke, Kosova, Ruminjske i Švedske. U usporedbi s preostala tri roka u 2018. \nriječ je o i dalje raznolikim projektima glede svojih filmskih rodova, žanrova, tema, autorskih koncepata i \nplaniranih proračunskih sredstava te angažmana hrvatskog dijela ekipe i – realizacije projekata u samoj \nHrvatskoj. Od 34 razmatrana projekata pet je u trenutku prijave bilo u postprodukcijskoj fazi, dok je \nrazmatrane projekte prijavilo 29 hrvatskih produkcijskih kuća.            \n \n \n \n \n \n \n\n\f\nPREDLOŽENI PROJEKTI: \nDugometražni igrani film Ljeto kada sam naučila letjeti (Srbija) povratnički je projekt jednog od \nnajuspješnijih srbijanskih redatelja kada je riječ o kinohitovima proteklih dvadesetak godina u matičnoj \nkinematografiji Radivoja Andrića. Proslavljen uspjesima svojih dugometražnih igranih filmova Tri palme za \ndve bitange i ribicu, Munje! i Kad porastem biću Kengur, Andrić se u samo nekoliko godina nametnuo kao \npravi majstor u osmišljavanju i realizaciji iznimno komunikativnih filmskih priča koje su odreda tematizirale \nmlade ljude. I u novom mu je filmu u središtu mlada osoba, zapravo dijete na pragu puberteta, a posrijedi je \nekranizacija istoimenog romana Jasminke Petrović. Redatelj kroz lik glavne junakinje, dvanaestogodišnje \ndjevojčice iz Beograda Sofije prikazuje ne samo put njezina zgusnutog sazrijevanja tijekom nenedanog \nljetovanja na Hvaru, nego i sazrijevanje šire sredine koju i dalje određuju ne tako davna ratna zbivanja i \nobiteljske traume. S obzirom da je priča smještena na hrvatskoj obali, projekt se najvećim dijelom realizira \nu Hrvatskoj. Hrvatski je koproducent renomirana kuća Kinorama d.o.o. iza koje je, uz uspješno producirane \nhrvatske filmove (Zvizdan, Ne gledaj mi u pijat, serijal o Koku), niz nagrađivanih koprodukcija (Teret, Ničije \ndijete, Bit ćemo prvaci svijeta). Glede doprinosa i broja hrvatskog dijela ekipe filma, on se uz koprodukciju \nodnosi na niz glumačkih nastupa te na angažmane dijela umjetničkog i tehničkog osoblja.   \n \nDugometražni igrani film Švedsko srce moje majke (Bosna i Hercegovina) novi je projekt bosansko-\nhercegovačkog filmskog i kazališnog redatelja Adisa Bakrača čiji je debitantski film Ostavljeni prikazan i \nnagrađen na nizu međunarodnih filmskih festivala, a dobitnik je i Zlatne arene za najbolju glavnu mušku \nulogu na Pulskom filmskom festivalu. Novi je Bakračev rad ekranizacija istoimene kazališne drame Zilhada \nKljučanina praizvedene 2009. U biti psihološka drama o odnosu dviju osoba različitih kulturnih pozadina \nkoje ključno povežu prijateljstvo i konkretna životna nedaća, film se žanrovski širi i na socijalnu i političku \ndramu te komediju fokusirajući se na dvije iznimno slojevite glavne junakinje. To su bosansko-hercegovačka \ndošljakinja u Švedsku Derviša koja se sprijatelji sa Šveđankom Ingrid unatoč tomu što obje ne znaju jezik \none druge. No, kada Ingrid oboli od nepoznate bolesti Derviša će pokušati pronaći prirodni lijek za sebi sve \nvažniju osobu. Interpersonalno emotivan i socijalno kritičan, film kroz priču o dolasku bosansko-\nhercegovačkih izbjeglica na zapad Europe u kontekstu rata i poraća u domovini, na efektan način donosi i \naktualan prikaz položaja imigranata u sredinu koja im nije nimalo sklona. Hrvatski je koproducent Eurofilm \nd.o.o. koji stoji i iza redateljeva filma Ostavljeni te više projekata u Hrvatskoj (Mrtve ribe). Film se snima u \nMalmöu, dok se hrvatski doprinos realizaciji filma odnosi na angažmane dijela umjetničkog i tehničkog \nosoblja te postprodukcijske usluge.   \n \nDugometražni igrani film Jeka (Danska) novi je rad redatelja i scenarista Rúnara Rúnarssona koji je proteklih \ngodina privukao pozornost svojim atmosferičnim pričama o sudbinama pojedinaca na rodnom Islandu. \nNakon tri kratkometražna filma objedinjena u trilogiji Crossroad od kojih je Posljednja farma zavrijedila \nnominaciju za Oscara, Rúnarsson je režirao i svoja prva dva cjelovečernja rada. To su Vulkan i Vrapci pri \nčemu je potonji nastao u hrvatskoj koprodukciji osvojivši na Pulskom filmskom festivalu Zlatnu arenu za \nnajbolju režiju manjinske hrvatske korpodukcije. Za svoj novi projekt na dodiru igranog i eksperimentalnog \nroda autor ističe da je različit film u odnosu na prethodnike, u prvom redu zbog strukture priče u kojoj ne \npostoji jedan ili više glavnih likova nego je to u ovom slučaju – cijelo društvo. Konkretno, suvremeno \nislandsko društvo čije su članice i članovi, ali i njihova mjesta življenja te prirodni okoliš prikazani kroz 58 \npojedinačnih slika povezanih adventskim vremenom te božićnim i novogodišnjim blagdanima. Predviđene \nsituacije funkcioniraju kao jedinstveni kadrovi-scene s nevidljivim prijelazima među sobom spajajući se u \nzavršnici u veoma sugestivnu sinergiju karaktera, atmosfere i – ideja. Hrvatski je koproducent tvrtka MP \nfilmska produkcija d.o.o. koja ima višegodišnje iskustvo suradnje s inozemnim partnerima (Dede, \nOslobođenje Skoplja), a koproducirala je i redateljev film Vrapci. Što se tiče hrvatskog doprinosa filmu, \nodnosi se na angažmane dijela umjetničkog i tehničkog osoblja te postprodukcijske usluge.   \n \nDugometražni igrani film Svi protiv svih (Slovenija) slovenskog redatelja i scenarista Andreja Košaka \n(Outsider, Zujanje u glavi, Stanje šoka) nastavak je redateljeve uspješne karijere kojom dominiraju reske \nanalize politike i društva bivšega socijalističkog režima. Riječ je o političkoj drami radnjom smještenoj u \ntranzicijskoj Sloveniji s elementima satire, crnog humora te kriminalističkog trilera, a autor se fokusira se na \ntipičnoga (zapadno)balkanskog političara koji se podjednako dobro snalazi i u novim demokratskim \nokolnostima, i u bivšem komunističkom represivnom sustavu. Film je prijavljen u postprodukcijskoj fazi. \nŠto se tiče doprinosa i broja hrvatskog dijela ekipe filma, riječ je o angažmanu više hrvatskih glumaca u \nsporednim ulogama, zatim dijela umjetničkog i tehničkog osoblja te postprodukcijskim uslugama.   \n Hrvatski je koproducent tvrtka Motion (U plavetnilo). \n\n\f\n \nDugometražni dokumentarni film Auti kojima smo se odvezli u kapitalizam (Bugarska) projekt je bugarskih \nredatelja i scenarista Borisa Missirkova i Georgija Bogdanova, uigranoga umjetničkog dvojca i u \nmeđunarodnim okvirima poznatoga po svom stvaralaštvu koje uključuje film, fotografiju i ostale vizualne \numjetnosti. Što se tiče filmova, autori su se projekta etablirali upravo dokumentarnim radovima prikazanima \nna nizu svjetskih festivala (Corridor #8, The Mosquito Problem and Other Stories). Novi im je film prikaz \nautomobilske industrije u socijalističkim zemljama od 1960.-ih do završetka Hladnog rata kada su vozila na \nčetiri kotača s jedne strane postala način na koji je komunistički blok pokušao parirati ideološkim \nprotivnicima sa zapada, a s druge, priželjkivano vlasništvo stanovnika u istočnom bloku koji su na ne osobito \nkvalitetne automobile trebali čekati godinama. Kao protagonisti uključeni su i neki od hrvatskih vlasnika \nautomobila iz socijalističkih vremena. Hrvatski je koproducent Hulahop d.o.o., poznat po više nagrađivanih \nfilmskih i televizijskih projekata (Onda vidim Tanju, Nije ti život pjesma Havaja, Lijepo mi je s tobom, znaš, \nBetonski spavači). Doprinos hrvatskog dijela filmske ekipe, uz koprodukciju, odnosi se na nekoliko \nsegmenata rada (glazba, ton,...).        \n \nDugometražni dokumentarni film Izbor za Miss zatvora (Srbija) projekt je hrvatskog redatelja i scenarista \nSrđana Šarenca, autora međunarodno prepoznatih i nagrađivanih dokumentaraca (Selo bez žena, Dvije škole). \nNastavljajući pratiti ljudske sudbine u specifičnim životnim okolnostima, autor u svom novom radu portretira \nštićenice u zatvoru u brazilskom gradu Pirajuíu (država Sao Paolo) čija upraviteljica nastoji poboljšati ozračje \nživota u kaznionici. Stoga organizira izbor za Miss proljeća (Miss Primavera) na kojem će se natjecati i neke \nod zatvorenica s najtežim vremenskim kaznama. Intrigantna tema dokumentarnog filma, u redateljskom je \nkonceptu razrađena kroz prikaz zatvora kao živog mjesta neobičnog događaja s praćenjem protagonistica, \nnjihovih životnih priča, stavova i nadanja. Hrvatski je koproducent Provid d.o.o. iza kojega je i redateljev rad \nDvije škole. Doprinos hrvatskog dijela filmske ekipe, uz koprodukciju, odnosi se na rad samog redatelja i \nscenarista te na nekoliko umjetničkih i organizacijskih angažmana. \n \nDugometražni dokumentarni film Rujanska klasa (Slovenija) projekt je slovenskog redatelja i scenarista \nIgora Šterka poznatog po više filmova zapaženih i nagrađivanih u domovini i inozemstvu (Ekspres, ekspres, \n9:06). Rad na ovom filmu autor je započeo tijekom ljeta 2012. kada se navršilo četvrt stoljeća od početka \nsluženja vojnog roka rujanskog naraštaja vojnika bivše Jugoslavenske narodne armije na otoku Visu. Projekt \nzbog naravi priče i praćenja svojih protagonista – ročnika tadašnje jesenske klase JNA-a – ima relativno \notvoren razvoj radnje, ali čvrstu redateljsku strukturu u kojoj se doslovce istraživački prate sudbine ljudi koje \nje 1987. povezala vojska, a kasnije razdvojio život na različite načine pri čemu su se neki od njih u \npredstojećem ratu našli na međusobno suprotstavljenim stranama. Hrvatski je koproducent Spiritus movens \nd.o.o. iza kojega je niz nagrađivanih projekata (Obrana i zaštita) među kojima su i međunarodne \nkoprodukcije (Sieranevada). Uz dio filmske ekipe, glavnina su protagonista filma iz Hrvatske te lokacije \nsnimanja. \n \nKratkometražni igrani film Budimo u kontaktu (Srbija) projekt je srbijanskog redatelja Aleksandra \nRadivojevića, poznatog po scenarijima za međunarodno zapažene i nagrađivane filmove (Čarlston za \nOgnjenku, Srpski film). Cijenjeni scenarist, dramaturg i publicist ovim projektom debitira u redateljskoj ulozi, \na riječ je o transžanrovskom spoju znanstvene fantastike, horora i socijalne drame. Protagonist je ove idejno \ni vizualno sugestivne priče šesnaestogodišnji mladić Radoš teške socijalne situacije čija svakodnevica \nprotječe uz bolesnu majku i potragu za kakvim-takvim bijegom od stvarnosti. Uz neostvarivu romantičnu \nvezu s vršnjakinjom taj će mu bijeg omogućiti pronalazak najsuvremenijeg modela pametnog telefona koji \nse može spojiti s njegovim snovima. Hrvatski je koproducent kuća Plan 9 produkcija d.o.o. (Ne pričamo o \nvama nego o djeci, Brija), a doprinos hrvatskog dijela filmske ekipe, uz koprodukciju, odnosi se na više \nsegmenata proizvodnje i postprodukcije.  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2018,"rok":"4. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati-javnog-poziva-za-manjinske-koprodukcije-rok-26-04-2011-tablica.pdf","filename_decoded":"rezultati-javnog-poziva-za-manjinske-koprodukcije-rok-26-04-2011-tablica.pdf","sha256":"339c60bee9802f8df3763e2d4975fe0b80d606329e91f3f147cb62a961387a63","bytes":183928,"page_count":2,"extracted_at":"2026-05-17T10:22:53Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/file/newsItemAttachment/attachmentFile/rezultati-javnog-poziva-za-manjinske-koprodukcije-rok-26-04-2011-tablica.pdf"},"raw_text":"NAZIV FILMA\nREDATELJ/ICA\nSCENARIST/ICA\nPRODUCENT\nODOBRENO\n1.\nPLUTOKRACIJA HRVATSKA\nSteven Ellis\nSteven Ellis\nPlan 9 Produkcija d.o.o./ Watson Institute, Brown University \n(SAD)\n35.000,00\n2.\n3 DANA\nZdenko Jurilj\nZdenko Jurilj\nMaxima film d.o.o./Kadar d.o.o. 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ROK - 10.3.2022. \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2022. - 1. ROK - 10.3.2022. \n \n \n \n \nNa Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA ukupno je prijavljeno 80 projekata, \nod toga u 33 u podkategoriji Razvoj projekta, a 47 u podkategoriji Razvoj scenarija.  \nS obzirom na to da nisam imao uvid u radove prijavljivane na ranijim natječajima ne mogu \nsuditi o trendovima, no s obzirom na iskustva s natječajima na HTV-u, dojma sam da se kvaliteta \nprijavljenih radova popravlja, da je uočljivo medijsko i žanrovsko osvještavanje autora i producenata. \nPojavio se nemali broj vrlo dobro konceptualno i scenaristički pripremljenih projekata, pri tome mnogi \ni atraktivno prezentirani, te formatirani s punom sviješću o programskim mogućnostima i potrebama \ndomaćih televizijskih kuća. \n \n \n \n \n \n \n \n \n \n \n \n \n \nIgor Tomljanović \n \n \n \n \nUmjetnički savjetnik za razvoj scenarija i projekata televizijskih djela \n \n \n \n \n \n\n\f\n \n2 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2022. - 1. ROK - 10.3.2022. \n \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute \n \n1.1 Inspektor Aslund \nAnimirana serija, 12x5’ \nProducent: 3D2D Animatori d.o.o. \nScenaristica: Sandra Antolić \nRedateljica: Višnja Skorin \n50 000 kn \nŠarmantno zamišljen animirani serijal namijenjen djeci predškolskog uzrasta, od tri do šest godina, o \nzgodama i nezgodama djevojčice i njezinog psa, hrta Aslunda, kojeg obitelj naziva inspektorom jer \nčesto rješava probleme nespretne djevojčice, zametnute igračke, odjeću i slično. Priložene scenarije \nprve četiri epizode odlikuju jednostavne, ali simpatično koncipirane situacije, zapleti i razrješenja \n„malih nevolja“, te vrlo maštoviti i pamtljivi songovi, izuzetno važni za razvoj djece u ciljanoj skupini. \n1.2. Cubos \nAnimirana serija, 4x6’ \nProducent: UPRISE d.o.o. \nScenarist: Srđan Laterza \nRedatelj: Filip Gašparović Melis \n30 000 kn \nSerijal namijenjen predškolskoj djeci pripovijeda o dogodovštinama tri životinjska prijatelja: mede, \nzeke i krave. Dopadljivo osmišljen serijal odlikuje inovativan koncept koji osim zabavne sadrži i \nnenametljivo provedenu edukativnu razinu. Riječ je o projektu iznimno modernog i pitkog \nstorytellinga te atraktivnih animacija koji na šarmantan i uzrastu primjeren način upozorava na \nprobleme s kojima se naše društvo suočava, ponajprije na one vezane uz očuvanje okoliša i prirode. \nZa rješavanje problema često koristi tehnološka rješenja, no istovremeno se oslanja na provjerene \ndruštvene vrijednosti, kao što su zajedništvo, prijateljstvo ili solidarnost te tako pomiruje \ntradicionalnost s modernitetom.  \nUz animirani serijal, u razvoju su i drugi formati, kratki film, VR igrica i mobilna igrica. \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n2.1. Moderna vremena \nDokumentarna serija, 7x52’ \nProducent: Castor Multimedia d.o.o. \nScenaristi: Dubravko Merlić, Matea Milić \nRedatelj: Tomislav Šoban \n50 000 kn \n\n\f\n \n3 \n \nMinuciozno osmišljen projekt prati razvoj produkt dizajna u Hrvatskoj od sredine prošlog stoljeća, \ngrupe EXAT 51 pa sve do danas. Dobar dizajn uvijek korespondira s vremenom u kojemu nastaje, \nstoga, vodeći nas kroz najzanimljivije primjere vrhunskog produkt dizajna, serijal daje i širu sliku \nvremena, kulturološku, gospodarsku i političku. \nRiječ je o izvanredno inovativnom i kvalitetno koncipiranom dokumentarnom serijalu koji ima veliku \nkulturološku vrijednost, stoga je i velika vjerojatnost njegove realizacije u suradnji s javnom \ntelevizijom. \n \n2.2. Hrvatsko ratno zrakoplovstvo u Domovinskom ratu \nDokumentarna serija, 3x52’ \nProducent: Inter film d.o.o.  \nScenarist: Arsen Oremović \nRedatelj: Istvan Filakovity \n20 000 kn \nDokumentarna serija pripovijeda uzbudljivu priču o rađanju Hrvatskog ratnog zrakoplovstva, od prvih \nletova poljoprivrednim avionima i djelovanja ručno izrađenim bombama, tzv. bojlerima, potom u \npsihološkom smislu izuzetno važnim preletima pilota JNA i njihovih zrakoplova na hrvatsku stranu, pa \nsve do stvaranja profesionalnih zrakoplovnih postrojbi koje su imale značajnu ulogu u oslobodilačkim \nakcijama Maslenica, Bljesak i Oluja. \nDobro osmišljen, pomno pripremljen i raspisan, potencijalno uzbudljiv serijal koji kvalitetom i \nobjektivnim pristupom temi, bez manipulacije i ideologizacije, značajno nadvisuje dokumentarni \nopus nastao na temu Domovinskog rata u posljednja tri desetljeća te nudi autentičnu povijesnu \npatriotsku priču koja zavređuje da bude ispričana. \n \n2.3. Vještice \nDokumentarna serija, 3x52’ \nProducent: Pulsar produkcija j.d.o.o. \nScenaristi: Irena Bosnić, Rade Dragojević \nRedatelj: Lukša Benić \n50 000 kn \nZahvaljujući događajima kojima svjedočimo posljednjih mjeseci i godina te odnosu društva prema \nženama, filmski slabo istražena tema srednjovjekovnih vještica u Hrvatskoj i Europi, pa i izvan nje, \nparadoksalno postaje sve relevantnija i suvremenija. Inventivno koncipiran i kvalitetno pripremljen \ndokumentarni serijal istražuje uzroke kolektivnog zlostavljanja i ubijanja žena koje znamo pod \nterminom „lov na vještice“, odnosno daje nam sociološki, psihološki, ekonomski i politički kontekst u \nkojemu se tako nešto uopće moglo dogoditi. Pri tome, ovaj mučni relikt povijesti stavlja i u \nsuvremenu perspektivu, istražuje praznovjerje koje je do njega dovelo i feministički pokret koji je \nnastao i kao odgovor na ovakav društveni status žena. \n \n \n\n\f\n \n4 \n \n \n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n3.1. Maličke/Afterparty \nDramska serija, 7x52’ \nProducent: Antitalent d.o.o. \nScenaristica: Dora Šustić \nRedatelji: Dora Šustić, Milica Tomović, Dina Duma \n60 000 kn \nAtipična priča o četiri prijateljice u kasnim dvadesetima i njihovom osobnom, seksualnom i  \npolitičkom sazrijevanju unutar društva koje sve snažnije obilježava bujanje konzervativnih pokreta. \nČetiri prijateljice različitih životnih poziva, profesionalne i privatne uspješnosti, moraju se suočiti i sa \nsobom i sa svojom okolinom kako bi naučile živjeti i ponovno steći samopoštovanje. \nStrastven i vrlo osoban pristup projektu o kojemu u redateljskoj koncepciji svjedoče sve tri \nredateljice podiže uvjerljivost čitavog projekta koji daje naslutiti snažnu generacijsku seriju kakvu kod \nnas već dugo nismo imali. \n \n3.2.Sjene u mraku \nDramska serija, 8x52’ \nProducent: Castor Multimedia d.o.o. \nScenaristi: Dubravko Merlić, Anita Čeko, Ivana Vuković \nRedateljica: Dubravka Turić \n50 000 kn \nKriminalistička dramska serija koja je već dobila HAVC-ovu potporu za razvoj scenarija. Priča o seriji \nbrutalnih ubojstava smještena je u Osijek i Slavoniju, a ističe se atraktivnim zapletom, slojevito \nportretiranim likovima, tečnim i prirodnim dijalozima, sumornom atmosferom te uvjerljivo \nosmišljenim raspletom. Look & feel serije nedvosmisleno upućuje na skandinavske i britanske \nžanrovske uzore, što u slučaju realizacije naslućuje i komercijalni i umjetnički potencijal.  \n \n3.3. Mladi Tesla \nDramska serija, 5x55’ \nProducent: Inter film d.o.o.  \nScenaristi: Ivan Turković-Krnjak, Marko Hrenović \nRedatelj: Vinko Brešan \n60 000 kn \nSvjesni činjenice kako je biografija Nikole Tesle globalno opće poznata te da postoji nemala \nfilmografija koja se makar dotiče Tesle, ovaj projekt nema ambiciju snimiti još jedan biografski film, \nveć se prihvatio zadatka istraživanja najmanje poznatog dijela života velikog znanstvenika, djetinjstva \nprovedenog u Hrvatskoj. Serija se, stoga, fokusirala na deset Teslinih formativnih godina (od sedme \n\n\f\n \n5 \n \ndo sedamnaeste) provedenih u Smiljanu i pokušala prikazati njegov intimni i intelektualni razvoj kroz \ndinamiku odnosa unutar obitelji Tesla.  \n \n \n3.4. Siva zona \nDramska serija, 6x50’ \nProducent: Kabinet d.o.o. \nScenarist: Emir Imamović \nRedatelj: Tomislav Rukavina \n50 000 kn \nKriminalistička dramska serija prati nekoliko paralelnih slučajeva ubojstava povezanih s \norganiziranim kriminalom koje pokušava razriješiti prekaljeni policajac iz Odreda za organizirani \nkriminal, a scenarij već iskusnog scenarista Emira Imamovića vješto sklapa autentičnu domaću krimi \npriču, koja duboko zadire u sve pore društva. Scenarij jasno detektira rak rane hrvatskog \nposttranzicijskog društva koje se ogledaju u skladnom prožimanju i preplitanju biznisa, politike, \npolicije i organiziranog kriminala, a sve kroz uzbudljivu  priču kojoj ne nedostaje atraktivno \nkoncipiranih zapleta i akcijskih scena, čime se uklapa u brzorastuću suvremenu produkciju dramskih \nkrimi serija. \n \n \n4) Televizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta \n \n4.1. Igra malog tigra \nHumoristička serija, 12x30’ \nProducent: Eclectica d.o.o. \nScenaristica: Jasna Nanut \nRedateljica: Jasna Nanut \n50 000 kn \nHumoristička serija bazira se na okretanju tradicionalnih muško-ženskih uloga, glavni je lik uspješni \nglumac i TV voditelj, samac u četrdesetima koji otkriva da mu se smanjuje broj spermija što ga \nispunjava strahom i odluči pronaći ženu s kojom može imati potomstvo. To ga dovodi u ulogu \ntradicionalno rezerviranu za drugi spol, žene koja se želi udati, pa će i ishodi njegovih pokušaja biti \nslični, morat će se suočiti s činjenicom da su i tradicionalne muško-ženske uloge doživjele promjenu.  \nOriginalna ideja, slojevita razrada glavnih likova kao i logički razrađen narativni luk triju sezona serije  \npružaju podlogu za inteligentnu suvremenu seriju s hit potencijalom kakvu već dugo nismo imali. \n \n \n \n\n\f\n \n6 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2022. - 1. ROK - 10.3.2022. \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute \n \n1.1. Elidina galaktička pjesmarica \nAnimirana serija, 11x15-20’ \nScenaristica: Lucija Klarić \n25 000 kn \nPustolovni ZF serijal usmjeren prema ciljnoj publici djece školske dobi (7+) i njihovim obiteljima. \nGlavni protagonisti su patuljčica s kraja galaksije Elida i njezin pomoćnik Klimglavačko, odbačena \nigračka TV voditelja, koji je ujedno i pripovjedač. Njihove galaktičke putešestvije strukturirane su \ntako da nas svaka epizoda upoznaje s novim planetom, a svaki planet s drugačijim društvom, \nkulturom i sustavom vrijednosti koji pak predstavljaju neskrivene refleksije na ovozemaljske \ndruštvene modele i vrijednosti. Djeca na taj način dolaze u doticaj s drugačijim kulturološkim \nparadigmama što im omogućuje da bolje razumiju kako ne postoje apsolutno ispravna i neispravna \ndruštvena uređenja, vrijednosti i ponašanja.  \nIzvanredno pametno i maštovito zamišljena te narativno kompleksno strukturirana serija ima velik \nkulturološki, ali i komercijalni potencijal. \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n \n2.1. Divlja Hrvatska \nDokumentarna serija, 4x52’ \nProducent: Antitalent d.o.o. \nScenarist i redatelj: Filip Filković \n25 000 kn \nPrirodoslovni dokumentarni serijal koji, pozivajući se na tradiciju popularnih dokumentarnih filmova \nDavida Attenborougha, želi dokumentirati život četiriju najpoznatijih hrvatskih divljih životinja: vuka, \nrisa, bjeloglavog supa i dupina. \nIznimno ambiciozan, produkcijski i tehnički zahtjevan projekt, no u početnoj fazi dobro pripremljen \nte jasno koncepcijski oblikovan – namjera je prikazati jednogodišnji životni ciklus svake od četiriju \nnavedenih vrsta, koristeći se svim mogućim dokumentarnim tehnikama praćenja i sačekivanja, dok bi \npopratni intervjui s ekspertima serijalu donijeli dodatan edukativni sloj. \n \n2.2. 1991. godina koja se vraća \nDokumentarna serija, 3x50’ \nProducent: HRCIN \nScenarist: Saša Paparella \n20 000 kn \n\n\f\n \n7 \n \nTrodijelna dokumentarna serija bavi se historijskom rekonstrukcijom ključnih tranzicijskih godina \nnastanka hrvatske države, no ne pukim nizanjem ključnih događaja, već dijakronijskim portretima tri \nosobe koje su bile ključne za proces osamostaljenja Hrvatske, Franje Tuđmana, Franje Kuharića i \nGojka Šuška. Odlikuje je autorski pristup koji istražuje i preispituje izvan već utabanih i \nideologiziranih narativa te opće prihvaćene povijesne istine. \n \n2.3. Partizani \nDokumentarna serija, 6x50’ \nScenarist: Hrvoje Klasić \n25 000 kn \n \nNakon dobro primljenog serijala „NDH“ povjesničar Hrvoje Klasić priprema još jedan povijesni serijal, \nonaj o ulozi partizanskog antifašističkog i oslobodilačkog pokreta u Drugom svjetskom ratu. S \nobzirom na to da je u bivšoj državi partizanski pokret nekritički uzdignut i mitologiziran, a u \nsuvremenoj Hrvatskoj ima kontroverzan status – s jedne strane se Ustav RH poziva na antifašistički \npokret, dok ga s druge strane javnost i politika ili ignoriraju ili omalovažavaju, serijal ima namjeru \npružiti pregled povijesti antifašističkog pokreta na našim prostorima, sagledati njegovu ulogu i \npokušati rasvijetliti kako poznate (ali često mitologizirane) historijske epizode, tako i brojne \nkontroverze koje se uz njega vežu. \n \n2.4. Murtić \nDokumentarna serija, 5x26’ \nProducent: Mohikanac d.o.o. \nScenarist i redatelj: Boris Miljković \n20 000 kn \nDokumentarna serija o velikom hrvatskom slikaru Edi Murtiću nekonvencionalne je strukture, za \npolazište priče pronalazi slabije poznate a povijesno zanimljive epizode na kojima gradi biografsku \npriču o umjetničkom velikanu. Jedna od takvih jest ona o distribuciji grafičke mape „Jama“ (autor \npoeme Ivan Goran Kovačić, ilustracije Edo Murtić i Zlatko Prica) koju je Centralni komitet KPJ iz \npropagandnih razloga slao diljem svijeta pa je tako jedan primjerak završio u rukama Pabla Picassa, a \ndrugi kod Winstona Churchilla. Iako je redateljska koncepcija nezgrapna, sadržaj serije temelji se na \nobimnim istraživanjima i posve novim otkrićima, stoga je široj javnosti nepoznat, zanimljiv, \nprezentacijski atraktivan i povijesno relevantan. \n \n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n3.1. Budi dobra, Lidija \nDramska serija, 8x45’ \nProducent: Wolfgang i Dolly d.o.o. \nScenaristi: Ivan Đuričić, Lada Bonacci \n30 000 kn \n\n\f\n \n8 \n \nGeneracijska serija u kojoj milenijalce predstavlja pametna i obrazovana žena iz naslova na pragu \nčetrdesetih. Usprkos činjenici da je na poslu relativno uspješna, te da ima posložen sustav \nvrijednosti, svejedno ne uspijeva voditi zadovoljavajući i ispunjavajući život, sve dok ne shvati da \n„njen zadatak na ovom svijetu nije da bude dobra, nego da bude dobro“.  \nSerija relativno konvencionalnog zapleta i tzv. „ženskog pisma“, ali za novu generaciju – sve je \nisto, a ipak sasvim drugačije. Minuciozno razrađen i duhovito napisan treatment daje naslutiti \nšarmantan dramedy s velikim potencijalom za realizaciju unutar javne ili komercijalne televizije. \n \n \n3.2. U ime svih nas \nDramska serija, 6x52’ \nScenarist: Saša Podgorelec \n30 000 kn \nU sve većoj i kvalitetnijoj konkurenciji scenarija za kriminalističke serije, koncept serije „U ime svih \nnas“ ističe se originalnim konceptom žanrovske fluidnosti koji se zasniva na whodoneit krimiću, no \nnjegova artikulacija kroz tri sezone mijenja žanrovske forme, prva sezona svojevrsni je Balkan Noir, \nčisti triler, druga sezona kombinira triler i psihološku dramu (u ratnom okruženju), dok je treća i \nzavršna sezona kombinacija techno trilera i filma ceste. \nPosebno je dojmljiv set-up prve sezone, smješten u socijalističko skijalište Divčibare u Srbiji, tim više \nšto osnovna priča vremenski koincidira s boravkom predsjednika bivše države u ljubljanskoj bolnici \n1980. godine. Ubojstvo bosanske djevojke za koje su osumnjičeni jedan Hrvat, jedan Srbin i jedan \nRom, može se doživjeti i kao simbolički nagovještaj raspada Jugoslavije, no riječ je o originalnoj i \ndramski iznimno potentnoj seriji, a autor ne skriva ambiciju da projekt preskoči hrvatske granice i \nzainteresira kako gledatelje tako i koproducente u cijeloj regiji. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2022,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_razvoj_scenarija_DUG_DOK_3.rok_2014.pdf","filename_decoded":"JP_razvoj_scenarija_DUG_DOK_3.rok_2014.pdf","sha256":"3408dd3c0c483e75380148d5ccbf8ffdad700f69e740d2c1a5926c47d7bebfd5","bytes":210457,"page_count":1,"extracted_at":"2026-05-17T10:24:19Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_razvoj_scenarija_DUG_DOK_3.rok_2014.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\n1\nDokumentarni film o \neksperimentalnom \nfilmu u Hrvatskoj\nGordana Brzović, Diana \nNenadić\nUdruga Laboratorij \nmultimedijalnih \nmogućnosti - MMLab / \nGordana Brzović\nGordana Brzović\n25.000,00\n2\nHaustor\nLuka Lovrenčić\nLuka Lovrenčić\n25.000,00\n3\nIzgubljena generacija\nFran Juraj Prižmić\nMENORAH FILM, U.O. \n/ Fran Juraj Prižmić\n25.000,00\n4\nIzgubljena kolonija \nEdi Mužina\n25.000,00\n5\nLažljivi tepih\nŽeljka Sukova\nUdruga Ukus / Aleš \nSuk\n25.000,00\n6\nManča\nVid Begić\n25.000,00\n7\nMuke dubrovačkih \npoklisara\nŽeljko Musić\nŽeljko Musić\n25.000,00\n8\nMuškarci\nTatjana Božić\nTatjana Božić\n25.000,00\n9\nPosljednja \nreprezentacija\nJure Pavlović\nSekvenca d.o.o. / Jure \nPavlović\nJure Pavlović\n25.000,00\n10\nSala br.2\nMarko Jerbić\nUdruga Blank / Dario \nJuričan\nMarko Jerbić\n25.000,00\n11\nSavršeni krug\nBoris Bakal\nMultimedijalna \numjetnička \norganizacija Bacači \nSjenki / Boris Bakal\nBoris Bakal\n25.000,00\n12\nVan zone\nDavid Lušičić\nDavid Lušičić\n25.000,00\n13\nŽivot jači od smrti\nDamir Janeček\nDamir Janeček\n25.000,00\n14\nKako živi narod \nKristina Leko\nHrvatski filmski savez  / \nVera Robić-Škarica\nKristina Leko\n25.000,00   \nUKUPNO\n350.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i \nanimiranih filmova - podkategorija: RAZVOJ SCENARIJA u 2014. - 3. 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d.o.o.","production_company":"Eclectica d.o.o.","director":"Andrija Mardešić, David Kapac","writer":null,"original_author":null,"category":null,"approved_amount_text":"140.000,00 HRK","approved_amount":140000.0,"currency":"HRK","extras":{"REDATELJ/ ICA":"Andrija Mardešić, David Kapac","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"347a61dd_15_6_rezultati_javni_poziv_covid_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Final title row aligns with the sixth director cell, which contains two names separated by a comma."},"entity":"Eclectica d.o.o.","row_id":"347a61dd:s0:3f1ccd2d0a00","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_8ce2b7aaab8d","project_family_title":"STRIC, debitantski dugometražni igrani 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KN\n1\nParlov: Ja bivam mlađi\nMarjan Alčevski\nJaako dobra produkcija \nj.d.o.o. \n30.000,00\n2\nPolitika je kurva (radni \nnaslov)\nDražen Žarković\nDražen Žarković\n30.000,00\nUKUPNO\n60.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2018. - 2. ROK - 12.7.2018.\ndugometražni igrani film\n2. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 13. studenoga 2018.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2018_2rok_DUG_IGR_WEB","year":2018,"rok":"2. rok","natjecaj_date":"2018-07-12","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"2. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 13. studenoga 2018.","section_key":"2_sjednica_hrvatskog_audiovizualnog_vijeca_u_2_sazivu_13_stu","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Parlov: Ja bivam mlađi","applicant":"Jaako dobra produkcija j.d.o.o.","production_company":"Jaako dobra produkcija j.d.o.o.","director":"AUTOR IZVORNOG","writer":"Marjan 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film","approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Dražen Žarković","REDATELJ":"Dražen Žarković","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_doc_single_signal","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"34c53daf_rsc_2018_2rok_dug_igr_web_pdf.json","creator_backfill_writer_confidence":"low","creator_backfill_writer_reasoning":"Row 2 title matches and the listed person aligns with the scenarist column, but no reliable director cell is present."},"entity":null,"row_id":"34c53daf:s0:067b2233bbd5","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_c4955074807c","project_family_title":"Politika je kurva (radni naslov)"}],"section_total_text":"60.000,00","section_total":60000.0}],"totals":{"ukupno_text":null,"ukupno":60000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":60000.0,"ukupno_match":true,"row_count":2,"awarded_count":2,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":2}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"24.%206.%20rezultati%20JAVNI%20POZIV%20COVID%20.pdf","filename_decoded":"24.%206.%20rezultati%20JAVNI%20POZIV%20COVID%20.pdf","sha256":"3565806f402048c153c3855b5c1c0be4460aa882c12961275bceb0097183e144","bytes":30648,"page_count":2,"extracted_at":"2026-05-16T15:34:31Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/24.%206.%20rezultati%20JAVNI%20POZIV%20COVID%20.pdf"},"raw_text":"REDATELJ\nPRODUCENT\nODOBRENO\nGoran  Dukić\nŠvenk  d.o.o.\n320.000,00  HRK\nJavni  poziv  za  podnošenjem  zahtjeva  za  potporu  za  dodatne  troškove  snimanja  filmova  nastale  uslijed  izvanrednih  \nokolnosti  uzrokovanih  epidemijom  COVID-­19,  28.  sjednica  Hrvatskog  audiovizualnog  vijeća,  24.  lipnja  2020.\nNASLOV\nNOSILA  JE  RUBAC  ČRLENI\n\n\f\n","warnings":[],"document":{"program_type":"covid","natjecaj_title":"Javni poziv za podnošenjem zahtjeva za potporu za dodatne troškove snimanja filmova nastale uslijed izvanrednih okolnosti uzrokovanih epidemijom COVID-19, 28. sjednica Hrvatskog audiovizualnog vijeća, 24. lipnja 2020.","year":2020,"rok":null,"natjecaj_date":null,"decision_date":"2020-06-24","decision_body":"AV vijeće","currency":"HRK","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","REDATELJ","PRODUCENT","ODOBRENO"],"rows":[{"row_number":null,"project_title":"NOSILA JE RUBAC ČRLENI","applicant":"Švenk d.o.o.","production_company":"Švenk d.o.o.","director":"Goran Dukić","writer":null,"original_author":null,"category":null,"approved_amount_text":"320.000,00 HRK","approved_amount":320000.0,"currency":"HRK","extras":{"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Švenk d.o.o.","row_id":"3565806f:s0:683a07e9fb86","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_a1c32644a226","project_family_title":"Nosila je rubac črleni"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":null,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":320000.0,"ukupno_match":null,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":1}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web%20kratkometraz%CC%8Cni%20film.pdf","filename_decoded":"web%20kratkometraz%CC%8Cni%20film.pdf","sha256":"356d5eb87c355629b8c72dadd3852e71efec041eacb7f3e499d11c58da5056ea","bytes":42603,"page_count":2,"extracted_at":"2026-05-16T15:41:35Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20kratkometraz%CC%8Cni%20film.pdf"},"raw_text":"Obrazloženje\t\r  umjetničkog\t\r  savjetnika\t\r  po\t\r  rezultatima\t\r  Javnog\t\r  poziva\t\r  za\t\r  poticanje\t\r  \naudiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  –\t\r  kategorija\t\r  proizvodnje\t\r  kratkometražnog\t\r  igranog\t\r  \nfilma\t\r  na\t\r  prvom\t\r  roku\t\r  u\t\r  2020.\t\r  godini\t\r  –\t\r  rok\t\r  07.\t\r  travnja\t\r  2020.\t\r  \n\t\r  \n\t\r  \nNa\t\r  prvi\t\r  natječajni\t\r  rok\t\r  za\t\r  kratkometražni\t\r  igrani\t\r  film\t\r  u\t\r  2020.\t\r  godini\t\r  pristiglo\t\r  je\t\r  trideset\t\r  i\t\r  šest\t\r  \n(36)\t\r  prijava.\t\r  Jedanaest\t\r  (11)\t\r  autorica\t\r  i\t\r  dvadeset\t\r  dva\t\r  (22)\t\r  autora.\t\r  Od\t\r  toga\t\r  jedan\t\r  (1)\t\r  projekt\t\r  \nnije\t\r  zadovoljio\t\r  formalne\t\r  uvjete\t\r  natječaja\t\r  te\t\r  se\t\r  njegova\t\r  prijava\t\r  nije\t\r  razmatrala,\t\r  a\t\r  jedan\t\r  (1)\t\r  \nprojekat\t\r  je\t\r  film\t\r  u\t\r  fazi\t\r  postprodukcije.\t\r  Osamnaest\t\r  (18)\t\r  projekata\t\r  je\t\r  već\t\r  bilo\t\r  prijavljeno\t\r  na\t\r  \nneki\t\r  od\t\r  prethodnih\t\r  javnih\t\r  poziva,\t\r  a\t\r  devet\t\r  projekata\t\r  djela\t\r  su\t\r  debitanata.\t\r  \nOdabrana\t\r  su\t\r  tri\t\r  projekta,\t\r  prije\t\r  svega\t\r  zbog\t\r  dobrog\t\r  scenarija,\t\r  koji\t\r  se\t\r  odlikuju\t\r  sugestivnošću\t\r  \nkojom\t\r  izlažu\t\r  i\t\r  uvlače\t\r  u\t\r  svoj\t\r  svijet,\t\r  redateljskom\t\r  promišljenošću\t\r  i\t\r  sposobnošću\t\r  da\t\r  svojim\t\r  \nautorskim\t\r  svijetom\t\r  naprave\t\r  punokrvni\t\r  zaokruženi\t\r  kratkometražni\t\r  film.\t\r  \n\t\r  \nARKA\t\r  \nScenarij\t\r  i\t\r  režija:\t\r  Mladen\t\r  Stanić\t\r  \nProducentska\t\r  kuća:\t\r  Mohikanac\t\r  \t\r  \nProducent:\t\r  Danijel\t\r  Popović\t\r  \t\r  \nOdobreno:\t\r  350.000,00\t\r  kuna\t\r  \n\t\r  \nPriča\t\r  o\t\r  dječaku\t\r  koji\t\r  u\t\r  jeku\t\r  svog\t\r  puberteta\t\r  i\t\r  prve\t\r  zaljubljenosti\t\r  doživi\t\r  emocionalni\t\r  slom,\t\r  ali\t\r  ne\t\r  \nod\t\r  ljubavi\t\r  nego\t\r  od\t\r  otkrića\t\r  da\t\r  mu\t\r  otac\t\r  ima\t\r  ljubavnicu.\t\r  Naizgled\t\r  lakonotna\t\r  priča\t\r  o\t\r  odrastanju\t\r  \nu\t\r  malom\t\r  gradiću\t\r  pored\t\r  Splita,\t\r  krije\t\r  ozbiljnu\t\r  dramu\t\r  o\t\r  rasapu\t\r  jedne\t\r  obitelji,\t\r  unutar\t\r  male\t\r  \nkonzervativne\t\r  sredine.\t\r  Univerzalna\t\r  tema,\t\r  smještena\t\r  u\t\r  dalmatinski\t\r  milje,\t\r  puna\t\r  je\t\r  južnjačkog\t\r  \nduha\t\r  i\t\r  temperamenta,\t\r  dalmatinskog\t\r  kolorita,\t\r  uvjerljivih\t\r  dijaloga,\t\r  nostalgičnih\t\r  situacija,\t\r  \ndobro\t\r  pogođenih\t\r  dramskih\t\r  elemenata\t\r  sa\t\r  uvjerljivim\t\r  portretiranjem\t\r  psihološkog\t\r  stanja\t\r  \nglavnog\t\r  junaka.\t\r  Velika\t\r  prednost\t\r  projektu\t\r  da\t\r  je\t\r  uloga\t\r  dječaka\t\r  Marka\t\r  pisana\t\r  za\t\r  autentičnog\t\r  \ntrinaestogodišnjeg\t\r  dječaka\t\r  iz\t\r  Omiša,\t\r  mjesta\t\r  gdje\t\r  se\t\r  i\t\r  događa\t\r  dio\t\r  radnje\t\r  ovog\t\r  filma\t\r  i\t\r  dječaka\t\r  s\t\r  \nkojim\t\r  je\t\r  redatelj\t\r  već\t\r  ranije\t\r  surađivao.\t\r  Redatelj\t\r  je\t\r  ekspresivan\t\r  u\t\r  svojoj\t\r  redateljskoj\t\r  viziji\t\r  i\t\r  \nnačinu\t\r  kako\t\r  će\t\r  izvesti\t\r  pojedine\t\r  psihološke\t\r  nijanse\t\r  glavnog\t\r  lika.\t\r  Ova\t\r  humorna\t\r  drama\t\r  čini\t\r  se\t\r  \nkao\t\r  dobar\t\r  spoj\t\r  koji\t\r  može\t\r  privući\t\r  i\t\r  festivale\t\r  i\t\r  publiku.\t\r  Mladen\t\r  Stanić,\t\r  redatelj\t\r  mlađe\t\r  \ngeneracije\t\r  i\t\r  čiji\t\r  kratki\t\r  filmovi\t\r  već\t\r  imaju\t\r  uspješnu\t\r  recepciju,\t\r  ovim\t\r  scenarijem\t\r  razvija\t\r  svoj\t\r  \t\r  \nnajambiciozniji\t\r  film\t\r  do\t\r  sada.\t\r  \t\r  \n\t\r  \nDJEČAK\t\r  \nScenarist\t\r  i\t\r  redatelj:\t\r  Hrvoje\t\r  Mabić\t\r  \nProducentska\t\r  kuća:\t\r  Studio\t\r  dim\t\r  \nProducenti:\t\r  Darija\t\r  Kulenović\t\r  Gudan\t\r  i\t\r  Marina\t\r  Andree\t\r  Škop\t\r  \nOdobreno:\t\r  300.000,00\t\r  kuna\t\r  \nDebitantski\t\r  igrani\t\r  projekt,\t\r  do\t\r  sada\t\r  istaknutog\t\r  dokumentarista,\t\r  mračna\t\r  je\t\r  priča\t\r  o\t\r  ksenofobiji\t\r  i\t\r  \nnetoleranciji\t\r  u\t\r  ruralnoj\t\r  sredini,\t\r  jedne\t\r  male\t\r  obiteljske\t\r  zajednice.\t\r  Redatelj\t\r  i\t\r  scenarist\t\r  gradi\t\r  \npriču,\t\r  a\t\r  time\t\r  i\t\r  napetost,\t\r  pomoću\t\r  slika,\t\r  sugestivnih\t\r  i\t\r  atmosferičnih,\t\r  služeći\t\r  se\t\r  žanrovskim\t\r  \nkonvencijama\t\r  pa\t\r  film\t\r  djeluje\t\r  poput\t\r  horora\t\r  što\t\r  je\t\r  netipično\t\r  za\t\r  hrvatski\t\r  kratki\t\r  film.\t\r  Scenarij\t\r  \nodlikuje\t\r  efektni\t\r  trilerski\t\r  zaplet,\t\r  žanrovska\t\r  atmosfera,\t\r  sugestivni\t\r  ugođaj\t\r  praćen\t\r  vremenskim\t\r  \nnepogodama,\t\r  a\t\r  sve\t\r  uobličeno\t\r  plastičnom\t\r  redateljskom\t\r  koncepcijom\t\r  koja\t\r  omogućava\t\r  vidjeti\t\r  \nzamišljeno.\t\r  Zbog\t\r  jake\t\r  vizualnosti\t\r  i\t\r  atmosfere,\t\r  tematski\t\r  intrigantnog\t\r  i\t\r  angažiranog\t\r  sižea,\t\r  \n\n\f\nuvijek\t\r  aktualne,\t\r  društveno\t\r  referentne\t\r  teme\t\r  imigracija\t\r  i\t\r  ksenofobije,\t\r  zaogrnutog\t\r  u\t\r  ruho\t\r  \nžanra,\t\r  film\t\r  bi\t\r  mogao\t\r  imati\t\r  uspješan\t\r  festivalski\t\r  život.\t\r  S\t\r  obzirom\t\r  na\t\r  redateljev\t\r  minuli\t\r  rad,\t\r  iako\t\r  \nu\t\r  domeni\t\r  dokumentarnih\t\r  filmova,\t\r  njegov\t\r  senzibilitet\t\r  i\t\r  dugotrajnu\t\r  pripremu\t\r  projekata,\t\r  \nvjerujem\t\r  da\t\r  će\t\r  i\t\r  ovaj\t\r  projekt\t\r  dobiti\t\r  adekvatnu\t\r  realizaciju\t\r  i\t\r  biti\t\r  dobrodošao\t\r  prilog\t\r  hrvatskoj\t\r  \nkratkometražnoj\t\r  produkciji.\t\r  \nČIMAVICA\t\r  \nScenaristica\t\r  i\t\r  redateljica:\t\r  Josipa\t\r  Bubica\t\r  \nProducentska\t\r  kuća:\t\r  Blank\t\r  \nProducent:\t\r  Igor\t\r  Jelinović\t\r  \nOdobreno:\t\r  200.000,00\t\r  kuna\t\r  \n\t\r  \nFilm\t\r  jednostavnog\t\r  sižea,\t\r  događa\t\r  se\t\r  u\t\r  Splitu.\t\r  Radi\t\r  se\t\r  o\t\r  popodnevnom\t\r  ljetnom\t\r  danu\t\r  u\t\r  kojem\t\r  \ndvije\t\r  najbolje\t\r  prijateljice,\t\r  srednjoškolke\t\r  Nika\t\r  i\t\r  Gabrijela,\t\r  smišljaju\t\r  kako\t\r  da\t\r  ispune\t\r  dugački\t\r  \nsparni\t\r  i\t\r  vrući\t\r  dan.\t\r  Radi\t\r  se\t\r  o\t\r  debitantskom\t\r  projektu\t\r  mlade\t\r  scenaristice\t\r  koja\t\r  je\t\r  do\t\r  sad\t\r  pisala\t\r  \nscenarije\t\r  za\t\r  druge\t\r  i\t\r  koja\t\r  trenutno\t\r  razvija\t\r  dugometražni\t\r  scenarij\t\r  uz\t\r  potporu\t\r  Havc-­‐a.\t\r  \nJoš\t\r  jedan\t\r  dalmatinski\t\r  lokalni\t\r  film,\t\r  splitskog\t\r  kvartovskog\t\r  ugođaja,\t\r  u\t\r  kojem\t\r  se\t\r  svatko\t\r  poznaje,\t\r  \t\r  \ni\t\r  u\t\r  kojem\t\r  dramaturgija\t\r  jednog\t\r  ljetnog,\t\r  sparnog,\t\r  vlažnog\t\r  i\t\r  dosadnog\t\r  dana\t\r  donosi\t\r  generacijski\t\r  \nglas\t\r  pun\t\r  energije,\t\r  bijesa,\t\r  prkosa,\t\r  samodostatnosti,\t\r  sebičnosti\t\r  i\t\r  svega\t\r  onoga\t\r  što\t\r  odlikuje\t\r  \nmlade,\t\r  izgubljene\t\r  ljude.\t\r  Dijalozi\t\r  su\t\r  realistični,\t\r  atmosfera\t\r  sve\t\r  napetija\t\r  i\t\r  tenzična\t\r  kako\t\r  dan\t\r  \nodmiče,\t\r  situacije\t\r  sve\t\r  gušće\t\r  i\t\r  nepodnošljivije.\t\r  Podigrana\t\r  dramska\t\r  struktura\t\r  nadomješta\t\r  se\t\r  \nčvrstim\t\r  fokusom\t\r  na\t\r  glavni\t\r  ženski\t\r  lik\t\r  i\t\r  autentične\t\r  karaktere\t\r  koji\t\r  su\t\r  smješteni\t\r  u\t\r  realistične\t\r  \nsituacije\t\r  bez\t\r  konstrukcija\t\r  i\t\r  idealiziranja\t\r  pa\t\r  redateljica\t\r  nikad\t\r  ne\t\r  pribjegava\t\r  u\t\r  patetiku.\t\r  \nTematski\t\r  i\t\r  stilski\t\r  različit\t\r  od\t\r  svih\t\r  scenarija\t\r  na\t\r  natječaju,\t\r  pogađa\t\r  autentični\t\r  svijet\t\r  teenagera\t\r  i\t\r  \nima\t\r  festivalskog\t\r  potencijala.\t\r  \n\t\r  \n\t\r  \nIvan\t\r  Sikavica,\t\r  umjetnički\t\r  savjetnik\t\r  za\t\r  kratkometražni\t\r  igrani\t\r  film\t\r  \t\r  \n\t\r  \n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija proizvodnje kratkometražnog igranog filma na prvom roku u 2020. godini – rok 07. travnja 2020.","year":2020,"rok":"1. rok","natjecaj_date":"2020-04-07","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"kratkometražni igrani film","section_key":"kratkometrazni_igrani","columns":["NASLOV","SCENARIST","REDATELJ","PRODUCENT","PRODUCENTSKA KUĆA","IZNOS"],"rows":[{"row_number":1,"project_title":"ARKA","applicant":"Mohikanac d.o.o.","production_company":"Mohikanac d.o.o.","director":"Mladen Stanić","writer":"Mladen Stanić","original_author":null,"category":"Kratkometražni igrani 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film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Blank","row_id":"356d5eb8:s0:0103cda55f4a","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_6a68c8065909","project_family_title":"Čimavica"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":null,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":850000.0,"ukupno_match":null,"row_count":3,"awarded_count":3,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":3}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Poticanje_koprodukcija_s_manjinskim_udjelom_rok_19_07_2013.pdf","filename_decoded":"Poticanje_koprodukcija_s_manjinskim_udjelom_rok_19_07_2013.pdf","sha256":"3575718733c5b40a0ccaf410b4d61686179d99088d161a8b690ab20ce37d5557","bytes":35341,"page_count":1,"extracted_at":"2026-05-16T14:15:06Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url_missing":true},"raw_text":"NAZIV\t\r  FILMA\nREDATELJ/ICA\nHRVATSKI\t\r  PRODUCENT/\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \nGLAVNI\t\r  PRODUCENT\nODOBRENO\nNosorog\nOleg\t\r  Sentsov\nDrugi\t\r  plan\t\r  d.o.o.\t\r  /\t\r  CryCinema\t\r  \n(Ukrajina)\t\r  \n600.000,00\nHouston,\t\r  imamo\t\r  problem!\nŽiga\t\r  Virc\nNukleus\t\r  film\t\r  d.o.o.\t\r  /\t\r  Studio\t\r  Virc\t\r  \nd.o.o.\t\r  (Slovenija)\n313.500,00\nKokoška\nUna\t\r  Gunjak\nNukleus\t\r  film\t\r  d.o.o.\t\r  /\t\r  Zak\t\r  Film\t\r  \n(Njemačka)\n140.000,00\n1.053.500,00\n1\nDUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\nKRATKOMETRAŽNI\t\r  IGRANI\t\r  FILM\nUKUPNO:\nKOPRODUKCIJE\t\r  S\t\r  MANJINSKIM\t\r  HRVATSKIM\t\r  UDJELOM-­‐\t\r  ROK\t\r  19.\t\r  07.\t\r  2013.\nDUGOMETRAŽNI\t\r  IGRANI\t\r  FILM\n1\n1\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"KOPRODUKCIJE S MANJINSKIM HRVATSKIM UDJELOM- ROK 19. 07. 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odlukama o donošenju liste prioriteta i \nraspodjeli sredstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i \nstvaralaštva u 2025. godini, u kategoriji poticanja filmskih koprodukcija s manjinskim \nhrvatskim udjelom (drugi rok: 15. travnja 2025.)  \n \ndr. sc. Boško Picula \numjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom  \n \nNa drugi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2025. \ngodini prijavljena su ukupno 74 projekta. Od ovoga ukupnog broja prijavljenih, jedanaest \nprojekata nije razmatrano jer nisu zadovoljili uvjete Javnog poziva te su u konačnici \nrazmatrana 63 projekta.  \n \nOd razmatranih projekata, s obzirom na filmski rod i vrstu, najviše prijavljenih dolazi iz \nkategorije dugometražnoga igranog filma, ukupno 39 (od toga 12 debitantskih dugometražnih \nigranih filmova). Tri su dugometražna igrana filma (od toga jedan debitantski), prijavljena u \nfazi postprodukcije. Nakon dugometražnih igranih filmova prema broju prijava slijede \nkratkometražni igrani filmovi s ukupno 10 prijava (dva u postprodukciji), zatim dugometražni \ndokumentarni filmovi s 8 prijava (dva u postprodukciji), te kratkometražni animirani filmovi \ns 5 prijava. Glede roda, od prijava koje su ušle u razmatranje, u kategoriji kratkometražnoga \ndokumentarnog filma zaprimljena je i razmatrana samo 1 prijava, a nijedna eksperimentalnog \nfilma:  \n \nVRSTA FILMA \nBROJ PRIJAVA \n \nDugometražni igrani i debitantski \ndugometražni igrani filmovi \n39 (12) \nKratkometražni igrani filmovi \n10 \nDugometražni dokumentarni filmovi \n8 \nKratkometražni dokumentarni filmovi \n1 \nDugometražni animirani filmovi \n0 \nKratkometražni animirani filmovi \n5 \nEksperimentalni filmovi \n0 \nUKUPNO \n63 \n \n \nOd prijavljenih i razmatranih projekata, s obzirom na zemlju iz koje dolazi glavni producent, \nodnosno produkcijska kuća s većinskim udjelom u financiranju, riječ je o 21 zemlji s dva \nkontinenta (Europa, Azija). Najveći broj prijava stigao je iz Srbije (14), Bosne i Hercegovine \n(8) te Slovenije (7). \n \n \nZEMLJA VEĆINSKOG \nPRODUCENTA \nBROJ PRIJAVA \n \nSrbija \n14 \nBosna i Hercegovina \n8 \nSlovenija \n7 \nCrna Gora \n6 \nSjeverna Makedonija \n4 \n\n\f\nBugarska \n4 \nRumunjska \n3 \nGrčka \n2 \nSlovačka \n2 \nTurska \n2 \nČeška \n1 \nFilipini  \n1 \nFrancuska \n1 \nIrska \n1 \nItalija \n1 \nLibanon \n1 \nLitva \n1 \nMalta \n1 \nNizozemska \n1 \nPoljska \n1 \nUjedinjeno Kraljevstvo (Škotska) \n1 \nUKUPNO \n63 \n \n \nKriteriji za predlaganje projekata za sufinanciranje temelje se na: \n  \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i \nredateljski koncept;  \n2. Ocjeni financijske izvedivosti te predstavljenoga distribucijskog potencijala projekta, \ns obzirom na produkcijski paket te plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za \nfinanciranje projekata.  \n \n \nFilmovi predloženi i odobreni za sufinanciranje, s ukupnim iznosom sufinanciranja od \n342.000 EUR: \n \n1.) Dugometražni igrani film 20 metara (Slovenija), hrvatska produkcijska kuća \nTerminal 3 Film d.o.o., 50.000,00 EUR (u postprodukciji) \n2.) Dugometražni igrani film Supermarket (Bosna i Hercegovina), hrvatska \nprodukcijska kuća Kinorama d.o.o., 76.000,00 EUR \n3.) Debitantski dugometražni igrani film Evanđelje po rodijaku (Bosna i Hercegovina), \nhrvatska produkcijska kuća Cinema studio production d.o.o., 81.000,00 EUR \n4.) Kratkometražni igrani film Majka (Sjeverna Makedonija), hrvatska produkcijska \nkuća Wolfgang & Dolly d.o.o., 8.000,00 EUR (u postprodukciji) \n5.) Kratkometražni igrani film Možda poslije (Srbija), hrvatska produkcijska kuća \nPropeler Film d.o.o., 10.000,00 EUR \n6.) Kratkometražni igrani film Potvrda za život (Sjeverna Makedonija), hrvatska \nprodukcijska kuća Udruga Marinis Media, 22.000,00 EUR \n7.) Kratkometražni igrani film U jeku sezone (Crna Gora), hrvatska produkcijska kuća \nWoodz production d.o.o., 15.000,00 EUR \n8.) Dugometražni dokumentarni film SKC – Studentski kulturni centar (Srbija), \nhrvatska produkcijska kuća DOH d.o.o., 22.000,00 EUR \n\n\f\n9.) Dugometražni dokumentarni film Thorntree (Ujedinjeno Kraljevstvo / Škotska), \nhrvatska produkcijska kuća Petnaesta umjetnost d.o.o., 24.000,00 EUR (u \npostprodukciji) \n10.) \nKratkometražni dokumentarni film Unutra (Slovačka), hrvatska produkcijska \nkuća Antitalent d.o.o., 14.000,00 EUR \n11.) \nKratkometražni animirani film Djevojka koja se nije bojala medvjeda \n(Slovenija), hrvatska produkcijska kuća Jaka produkcija d.o.o., 20.000,00 EUR \n \n \nOBRAZLOŽENJA \n \n \n1.) Dugometražni igrani film 20 metara (Slovenija), hrvatska produkcijska kuća \nTerminal 3 Film d.o.o., 50.000,00 EUR (u postprodukciji) \n \nDugometražni igrani film u postprodukciji naslova 20 metara režira slovenski sineast Damjan \nKozole koji više od dva desetljeća gradi karijeru autora međunarodno prepoznatih \ndugometražnih igranih filmova (Rezervni dijelovi, Slovenka, Noćni život). Koscenarist je \nnagrađivani hrvatski filmaš Ognjen Sviličić (Oprosti za kung fu, Armin). Permanentno \nintrigantna tema zločina i (moguće) kazne koju je opisao ruski književnik Fjodor M. \nDostojevski u svom klasičnom romanu, može dobiti različite izvedbe. U ovom spoju \npsihološke drame i trilera, inačica Rodiona R. Raskoljnikova jest majka dviju kćerki \nVeronika koja kao vlasnica restorana na slovenskoj obali u samoobrani zaustavi \nkorumpiranog službenika te ga na samrti baci '20 metara' u Piranski zaljev pomoću \nmaloljetne kćerke Line. Ovaj nemili događaj u potpunosti impregnira živote Veronike i Line \nu iščekivanju katarze. Opravdano komornog ugođaja i usredotočen na psihička i \ninterpersonalna stanja i odnose središnjih junakinja, film je sugestivno napisan i režiran uz \nsigurnu glumačku ekipu u kojoj je i Goran Bogdan. Produkcijska kuća Terminal 3 Film d.o.o. \nkao hrvatski partner u projektu, potvrđeno je ime aktualnim te nagrađivanim projektima u \nHrvatskoj i Europi (Baci se na pod, Najsretniji čovjek na svijetu).  \n \n2.) Dugometražni igrani film Supermarket (Bosna i Hercegovina), hrvatska \nprodukcijska kuća Kinorama d.o.o., 76.000,00 EUR \n \nDugometražni igrani film radnog naslova Supermarket, žanrovski je socijalna drama, čiji je \nredatelj i scenarist Nermin Hamzagić (koscenaristica je Emina Omerović), a zemlja glavnog \nproducenta Bosna i Hercegovina. Redatelj Hamzagić, nakon nekoliko kratkih filmova, već je \nsvojim dugometražnim igranim prvijencem Pun mjesec koji mu je donio nominaciju za \nEuropsku filmsku nagradu u kategoriji europskog otkrića, pokazao umješnost u prikazu \nstranputica balkanskoga tranzicijskog društva na primjeru konkretnih pojedinaca. Pošavši \novdje od produljene tranzicije bosansko-hercegovačkog društva proteklih desetljeća, autor \nfilma portretira četiri radnice različitih naraštaja u naslovnom supermarketu čije ionako \nnelake radne uvjete i život općenito, oteža ponašanje nove šefice sklone kažnjavanju \npodređenih. Uoči desetogodišnjice rada trgovine jedna od radnica odluči podignuti glas u ime \nkolegica, ali će se njihov čin pobune uskoro zakomplicirati... Gotovo reportažnog ugođaja, \nscenarij kroz uvjerljivo profilirane središnje likove, odreda ženske, na trpak i prijemčiv način \nopisuje sredinu koja se trajno našla u raskoraku između potrebe za boljim radnim i životnim \nuvjetima i – socijalne, ali i ljudske neosjetljivosti diktata tržišta. Produkcijska kuća Kinorama \nd.o.o. kao hrvatski partner u projektu, renomirano je ime u europskim koprodukcijskim \n\n\f\nokvirima niz godina čiji su recentni radovi također postigli međunarodnu festivalsku \nvidljivost (Zečji nasip, Ne očekuj previše od kraja svijeta, Domaćinstvo za početnike).  \n \n3.) Debitantski dugometražni igrani film Evanđelje po rodijaku (Bosna i Hercegovina), \nhrvatska produkcijska kuća Cinema studio production d.o.o., 81.000,00 EUR \n \nDebitantski dugometražni igrani film radnog naslova Evanđelje po rodijaku, žanrovski je spoj \nobiteljske i zavičajne humorne drame, čiji je redatelj Zdravko Terkeš, scenarist Dragan \nKomadina, a zemlja glavnog producenta Bosna i Hercegovina. Film nastaje prema motivima \nromana Legende o rodijaku Ćipi književnika Petra Miloša. U središtu je priče smještene u \n1980.-e dobrodušni pedesetogodišnji duvanjski gastarbajter Stjepan Radoš zvan Ćipa. Kada \nga život natjera na odlazak u Njemačku na ono što se uobičajilo zvati 'privremenim radom u \ninozemstvu', Ćipa će, s jedne strane, u rodnom kraju ostaviti obitelj unutar koje će veoma \nbrzo doći do sukoba, a s druge, nastojati se priviknuti na novu svakodnevicu koju mu čine \nzemljaci i Nijemci... Temeljen na Miloševoj živoj, autentičnoj i gorko-slatkoj prozi, scenarij \nplastično kontekstualizira sve dimenzije odlazaka u inozemstvo ljudi dinarskog podneblja \nporadi boljeg života za svoju obitelj i sebe. Produkcijska kuća Cinema studio production \nd.o.o. kao hrvatski partner u projektu, djeluje od 2021., a dosad se najviše istaknula dvjema \nsezonama televizijske serije Nestali.  \n \n4.) Kratkometražni igrani film Majka (Sjeverna Makedonija), hrvatska produkcijska \nkuća Wolfgang & Dolly d.o.o., 8.000,00 EUR (u postprodukciji) \n \nKratkometražni igrani film u postprodukciji naslova Majka režirao je Gjorgji Lazov, autor \nnekoliko zapaženih kratkometražnih igranih filmova (Ashes, One more cup of coffee), a \nzemlja je glavnog producenta Sjeverna Makedonija. Navodeći slično intoniranu priču iz \nstvarnog života, redatelj u filmu prikazuje odnos između kćerke i majke od kojih potonja kao \nudovica traži novog supruga preko novina. Oštro se suprotstavljajući majčinoj namjeri, \nkćerka i sama mora preispitati vlastiti životni trenutak. Sugestivno te ponešto komorno \nispričan unutarobiteljski duel na rasteru različitih naraštaja, očekivanja i kulturoloških \nobrazaca, krije i efektan rasplet, a vodeća su mu odlika nastupi središnjih glumica. \nProdukcijska kuća Wolfgang & Dolly d.o.o. kao hrvatski partner u projektu, u posljednje \nvrijeme stoji iza veoma zapaženih projekata za veliki i mali ekran (Pelikan, Put su ljudi, \nKuća male zvijezde, Dulum zemlje).  \n \n5.) Kratkometražni igrani film Možda poslije (Srbija), hrvatska produkcijska kuća \nPropeler Film d.o.o., 10.000,00 EUR \n \nKratkometražni igrani film radnog naslova Možda poslije, žanrovski je drama, čiji je redatelj \ndebitant Damjan Radovanović, scenaristica Maja Šuša, a zemlja glavnog producenta Srbija. \nIntimistički ugođena, priča portretira mladu ženu Iskru kojoj trudnoća počne mijenjati životni \nplan zbog čega se ona vraća u rodno mjesto kako bi pronašla odgovor na svoje dvojbe. U \ntome će joj neočekivano pomoći druženje s djevojkom koja je karakterno različita od nje... \nNaoko uobičajena životna situacija u kojoj se osoba priprema na roditeljstvo, može poprimiti \nniz dimenzija od kojih je jedna poprilično sugestivno opisana u ovom tekstu. Kada se netko u \nnedoumici nađe na životnom raskrižju, možda je pogled unatrag jedan od putokaza. \nJednostavne mizanscene, s dvije efektno portretirane mlade žene u kratkom, ali važnom \nsuodnosu, priča se vodi dosljedno uz prirodne dijaloge te istančan osjećaj za trenutak. \nProdukcijska kuća Propeler Film d.o.o. kao hrvatski partner u projektu, dulji se niz godina \npotvrđuje kao uspješan akter i u koprodukcijama (Nakon ljeta, Otac, Bosonogi car).  \n\n\f\n \n6.) Kratkometražni igrani film Potvrda za život (Sjeverna Makedonija), hrvatska \nprodukcijska kuća Udruga Marinis Media, 22.000,00 EUR \n \nKratkometražni igrani film naslova Potvrda za život, režira Sandra Gjorgieva, a zemlja je \nglavnog producenta Sjeverna Makedonija. Autorica filma Sandra Gjorgieva ističe se \nhvaljenim kratkometražnim radovima različitih rodova i ugođaja (Green Walls, Black Food, \nBlack and White, A Ton of Ice Cream). Redateljica ovdje sukladno ozračju priče ustrajava na \nprirodnosti slike te na svojevrsnoj sirovoj estetici kako bi naglasila elemente realističnosti, \nizoliranosti i beznađa u srazu s nesavršenim sustavom. Nadahnuta istinitim događajima, \nredateljica u žanru drame apsurda portretira umirovljenicu koju gradska uprava proglasi \nmrtvom, a ona ne može dobiti ni svoju mirovinu nužnu kako bi obitelji priredila blagdanski \nobjed za Uskrs. Kafkijanski intonirana, priča uistinu djeluje kao životni apsurd, i to poglavito \nu sredinama nesavršenih uprava na jugoistoku Europe. U tom je smislu priča vješto dočarana \ns dosljednim i uvjerljivim tijekom radnje. Produkcijska kuća Udruga Marinis Media kao \nhrvatski partner u projektu, osnovana je 2016. U njezinu se igranom programu ističu filmovi \nReži i Sunce mamino te Jedini izlaz, a u dokumentarnom Nun of Your Business i Novi južni \nZagreb.  \n \n7.) Kratkometražni igrani film U jeku sezone (Crna Gora), hrvatska produkcijska kuća \nWoodz production d.o.o., 15.000,00 EUR \n \nKratkometražni igrani film naslova U jeku sezone, režira Zvonimir Grujić, a zemlja je \nglavnog producenta Crna Gora. Zvonimir Grujić dosad je režirao više kratkih filmova \n(Pomoz' Bog, Jadi mladog Ljubića, Inkluziv) prikazanih na regionalnim festivalima. Potaknut \nosobnim iskustvima vezanima za rad u turizmu, ali i kao turist, redatelj govori o suvremenoj \nCrnoj Gori koja je gospodarski posve ovisna o ovoj grani gospodarstva. To dovodi i do niza \nzloporaba te je glavni lik u priči mještanin Tivatskog zaljeva u kasnim dvadesetima kojega \nkamatar prisiljava na podmetanje požara kako bi se opožareno zemljište prenamijenilo u \ngrađevinsko. Razvijajući u središtu priče ključnu moralnu dvojbu ne samo glavnog lika, autor \nvješto i dosljedno spaja elemente drame i trilera suptilno portretirajući i pojedine likove, i \nsredinu u kojoj se odigravaju njihove intenzivne interakcije. Produkcijska kuća Woodz \nproduction d.o.o. kao hrvatski partner u projektu, djeluje od 2022., a trenutačno u fazi razvoja \ni produkcije već ima više projekata, dok je producentica nedavno sudjelovala u  produkciji  \ndugometražnog dokumentarnog filma Vitić pleše.  \n \n8.) Dugometražni dokumentarni film SKC – Studentski kulturni centar (Srbija), \nhrvatska produkcijska kuća DOH d.o.o., 22.000,00 EUR \n \nDugometražni dokumentarni film naslova SKC – Studentski kulturni centar režira Marija \nVukić, a zemlja je glavnog producenta Srbija. Marija Vukić redateljica je i teoretičarka \nkulture te doktorica znanosti koja je svoj prvi dugometražni dokumentarni film Električni \norgazam za ljude budućnosti predstavila 2019. Autorica u novom projektu temeljem \nopsežnoga istraživačkog rada te kvalitetne scenarističke obrade teme koncipira filmski prikaz \nnaslovne kulturne ustanove koja je proteklih desetljeća, u posve različitim političkim, \ndruštvenim i umjetničkim okolnostima (re)definirala alternativnu umjetnost ponajprije u \nBeogradu i Srbiji, a zatim i u suradnji s ostalim središtima u regiji poput Studentskog  centra \nu Zagrebu i ŠKUC-a u Ljubljani, uvelike bivajući uz bok europskim trendovima. Projekt \nkreativno pristupa temi te je u isto vrijeme njezino svjedočanstvo i interpretacija. Temeljem \ndosadašnjih projekata predlagatelja prijave (Iza jednog osmijeha, The Egg, Dječaci iz Ulice \n\n\f\nMarxa i Engelsa) te cjelokupnoga produkcijskog rada i rezultata, predlagatelj DOH d.o.o. je \nstudiozan u svojoj prijavi. \n \n9.) Dugometražni dokumentarni film Thorntree (Ujedinjeno Kraljevstvo / Škotska), \nhrvatska produkcijska kuća Petnaesta umjetnost d.o.o., 24.000,00 EUR (u \npostprodukciji) \n \nDugometražni dokumentarni film u postprodukciji naslova Thorntree režirao je Isaac \nKnights-Washbourn, a zemlja je glavnog producenta Škotska (Ujedinjeno Kraljevstvo). Isaac \nKnights-Washbourn podrijetlom je s Novog Zelanda, a živi i radi u Škotskoj. Istaknuo se \nnagrađivanim kratkim igranim (Money Honey) i dokumentarnim (Majčino mlijeko) \nfilmovima. Pošavši od vlastitog iskustva gubitka oca zbog alkoholizma te volontiranja u \nnaslovnom domu za starije muškarce s problemom ovisnosti, redatelj portretira pojedine \nštićenike ovog doma te samu ustanovu čija je posebnost da je unutar nje dopušteno \nkonzumiranje alkohola. Film u isto vrijeme govori na koji način ovisnost, konkretno \nalkoholizam, traumatično utječe na pojedinačne sudbine, te kako društvo reagira na \nalkoholizam, ponajprije stigmatizacijom ovisnika. Istodobno rezak i dirljiv, film ponajviše \nduguje osobnom, ali ne i neobjektivnom pristupu svog autora koji u konačnici govori o \nmeđuljudskoj interakciji. Iza filma stoji veoma kvalitetan istraživački rad ugrađen u sam \nscenarij pri čemu autor svojoj temi i protagonistima pristupa odgovorno i kreativno. \nProdukcijska kuća Petnaesta umjetnost d.o.o. kao hrvatski partner u projektu, uspješno \ndjeluje od 2007., dok se proteklih godina predstavila dokumentarnim (Paviljon 6), hibridnim \n(Što da se radi?) i igranim (Sedmo nebo) filmovima.  \n \n10.) \nKratkometražni dokumentarni film Unutra (Slovačka), hrvatska produkcijska \nkuća Antitalent d.o.o., 14.000,00 EUR \n \nKratkometražni dokumentarni film radnog naslova Unutra, čija je redateljica i scenaristica \nDorota Vlnová, autorica više zapaženih kratkih dokumentarnih naslova (Poslije nas potop, \nIkone: Ferdinand Milučký), a zemlja glavnog producenta Slovačka, temi iskustva pobačaja \npristupa spojem pažljivoga istraživačkog rada i elemenata eksperimentalnog filma. Na taj se \nnačin postiže dvostruki učinak: s jedne strane, u filmu su ugrađena detaljna svjedočanstva \nžena koje su imale iskustvo pobačaja čime je dokumentirana jedna od najosjetljivijih tema \nsuvremenog društva, a s druge, metaforičko korištenje pojedinih filmskih izražajnih sredstava \nu slici i zvuku efektno doprinosi umjetnički originalnom dočaravanju središnje teme. Koncept \nse temelji na prenošenju snažnih emocija kroz vizualnu ljepotu kako bi se gledateljstvu \nomogućilo shvatiti i osjetiti kako je živjeti sa spomenutim iskustvom. Produkcijska kuća \nAntitalent d.o.o. kao hrvatski partner u projektu, postigla je svjetski uspjeh kratkometražnim \nigranim filmom Čovjek koji nije mogao šutjeti redatelja Nebojše Slijepčevića, od Zlatne \npalme u Cannesu, preko Europske filmske nagrade do nominacije za Oscara. Kuća je \nproducirala, među ostalim, i filmove Murina, Prava istina priče o šori te Starac i roda, priča \no Malenoj i Klepetanu.  \n \n11.) \nKratkometražni animirani film Djevojka koja se nije bojala medvjeda \n(Slovenija), hrvatska produkcijska kuća Jaka produkcija d.o.o., 20.000,00 EUR \n \nKratkometražni animirani film naslova Djevojka koja se nije bojala medvjeda režira Lea \nVučko, scenarist je Tilen Izar Lunaček, a zemlja je glavnog producenta Slovenija. Temeljem \nalbanske te šire balkanske predaje, u središtu je priče djevojka koja preuzima mušku ulogu te \nsvojom hrabrošću i lucidnošću zauzima i novu životnu ulogu, no i dalje sa sjećanjem na \n\n\f\nizvorni identitet. Scenarij je zaokružen, s profiliranim likovima te narativno koherentan, a \nvizualizacija dojmljiva te harmonizirana s pričom. Nakon filma Legenda o zlatorogu \nredateljica i u novom projektu nastavlja razvijati svoj umjetnički stil o čemu svjedoči i \npriloženi animatik. Produkcijska kuća Jaka produkcija d.o.o. kao hrvatski partner u projektu, \nkontinuirano ostvaruje zapažene projekte različitih filmskih rodova (Dnevnik Pauline P., \nPovuci-potegni, Balada o fruli i ogrlici).  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2025,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje - igrani film _6.11._.pdf","filename_decoded":"Obrazlozenje - igrani film _6.11._.pdf","sha256":"35ce6ec8920d55f50912f0c98b80cc3cd6475aed4faccfca55c78c3c62cdfda8","bytes":202011,"page_count":6,"extracted_at":"2026-05-17T12:02:02Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje%20-%20igrani%20film%20%286.11.%29.pdf"},"raw_text":" \n1\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja \nscenarija \ni \nrazvoja \nprojekata \ndugometražnih \nigranih, \ndugometražnih \ndokumentarnih i animiranih filmova, 2. rok 2019. \n \n \n \nDUGOMETRAŽNI IGRANI FILM \n \nRAZVOJ SCENARIJA  \n \n4 C \nScenarij – Marko Marjanović \n \nOvaj alegorijski scenarij zanimljiv je na nekoliko razina. Osim što progovara o uvijek popularnoj \ntemi netrpeljivosti među narodima i narodnostima, tijekom radnje se pretvara u pravi pravcati film \nstrave kakve smo navikli gledati u prošlim desetljećima, a pogotovo u 80-im godinama prošlog \nstoljeća. Film osim što komentira neke današnje probleme koje bi svi najradije stavili pod tepih, \nfunkcionira i kao svojevrsno odavanje počasti pravim punokrvnim hororima kakvi se više ne rade. \nS obzirom da se u hrvatskim uvjetima takvi filmovi rijetko snimaju, a još rjeđe financiraju mislimo \nda bi svakako tebalo dati šansu autoru da ideju dodatno razradi. \n \nApatija \nScenarij – Sergej Stanojkovski i Ilija Đurović \nAvantura d.o.o. \n \nApatija je vrlo zanimljiv i neobičan predložak koji govori o bolesti odnosno stanju koje na prvi \npogled djeluje kao da pripada žanru znanstvene fantastike. No riječ je o stvarnoj pojavi, a kako se \ndijagnosticira jednom toliko specifičnom dijelu populacije možda nije ni čudan toliko velik broj \nskeptika koji pacijentima ne vjeruju. Kroz film pratimo paralelno patnje žrtava kao i borbu glavne \njunakinje protiv sistema i predrasuda, a film je zanimljiv i zbog činjenice da bi se u jednoj toliko \nrazvijenoj europskoj zemlji poput Švedske i nemali broj hrvatskih obitelji mogao naći u sličnim \nproblemima.  \n \nBablje ljeto \nScenarij – Lana Kosovac \nRežija - Lana Kosovac \n \nScenaristica se bavi psihološkim portretom starije žene koja je nezadovoljna životom i željela bi u \nživotu nešto promijeniti, a ne zna kako. Vrlo vješto vodi priču u kojoj nam se polako otkriva lik \nglavne protagonistice tako da psihološko ocrtavanje ima napetost sličnu detekcijskom filmu. \nPolako dobivamo naznake što se zapravo sa ženom događa, odnosno tko je uopće ona.  \nDva dominantna ženska lika u filmu su zanimljiva i dobro postavljena i zanimljiva je geneza \nnjihovog odnosa koji je dinamičan i gotovo melodramatski.  \n \n \n \n\n\f\n \n2\n \nBog vas mrzi \nScenarij – Velimir Grgić \n \nOvo je još jedan netipičan scenarij za hrvatsko filmsko podneblje. Riječ je o spoju trilera i filma \nstrave, a podžanrovski bi se mogao okarakterizirati i kao film osvete. Djela glavnog junaka i njegov \nkrvavi put osvete i njegovog viđenja pravde mnoge će šokirati, ali će se isto tako zapitati nije li i \nnjima ponekad palo na pamet uzeti stvari u svoje ruke i zaobići nikad dovoljno brz i adekvatan \nsistem. Film donosi i vrlo zanimljivu višeslojnu kritiku današnjeg društva, s posebnim naglaskom \nna medijsku ovisnost i opsjednutost današnjih generacija. \n \nBoksačica \nScenarij - Zoran Sudar \n \nKvaliteta ovog predloška leži u činjenici da se autor odlučio na drugačija rješenja u često korištenoj \npremisi u kojoj glavni protagonisti svjedoče teškom, ali zataškanom zločinu. Umjesto da se film \nbavi pokušajem dokazivanja i istjerivanja pravde na klasičan način, u neobičnom obratu naša će \nse junakinja zbližiti s ubojicom, čak će mu i pomagati te će ga pokušati nagovoriti da sam prizna \nkrivnju, nesvjesna opasnosti koje leže u takvom razrješenju. Robi je pak netipični ubojica kojeg \nkrivnja progoni toliko jako da čak doživljava i halucinacije. Riječ je o zanimljivoj drami koja u \nsebi sadrži i snažne žanrovske elemente, stoga mislimo da zaslužuje šansu za daljim razvijanjem. \n \nBožice \nScenarij – Dora Šustić \n \n \nPriča je prilično vješto sklopljena. Lik glavne junakinje je neobičan i mislim da u našem filmu još \nnismo imali junakinju koja bi bila na taj način hendikepirana. Zanimljivo je što je scenaristica \njunakinji dala integritet i učinila je psihološki privlačnom osobom koja zaslužuje poštovanje zbog \nsvojih postupaka i odluka. Drugi ženski lik, ovisnice Megi radikalno je drugačiji, ali pod utjecajem \nBožice i ona postaje bolja i vrijedna poštovanja.  \n \nDivlje guske \nScenarij - Julijana Adamović \nRežija – Branko Ištvančić \nUdruga za audiovizualno stvaralaštvo Artizana \n \nTritment za film napravljen je prema istoimenom romanu koji je štampan prije par godina te je bio \nvrlo dobro primljen u javnosti. Priča je to o odrastanju dviju djevojčica u atmosferi nelagode, straha \ni nesigurnosti. Situacije i slike s kojima djevojčice odrastaju neugodne su i djeluju snažno i \nautentično. Obješeni psi, mrtve ptice, smrt susjeda, svađe majke i bake, pijanstvo oca sve je to \nrazlogom zašto djevojčice postaju drugačije i povlače se u svijet papirnatih ptica i izmišljenih bića.  \nVeć je u tritmentu postignuta atmosfera koja nas upućuje da se nešto dodatno krije u sudbini \ndjevojčica pa nam ta znatiželja da otkrijemo tajnu, drži pažnju i čini ovaj projekt zanimljivim. \n \n \n \n\n\f\n \n3\nKrstitke \nScenarij – Olja Runjić i Leon Lučev \nRežija - Leon Lučev \n \nOvaj film smišljen je kao vrlo realistična drama s elementima komedije. Cijeli film događa se u \njednom danu u kojem pratimo događanja koja prethode krstitkama, same krstitke i svečani ručak \nnakon toga. Ono što scenariste zanima su likovi i odnosi među njima. Prilično vješto nam ocrtavaju \nglavne protagoniste i njihove trenutne životne situacije. Marin je tretiran kao glavni lik i dosta toga \ngledamo iz njegove vizure. Lik je dobro profiliran i čini nam se da se za taj lik možemo vezati. \nPoentirani kraj nam se čini učinkovit u ovakvoj vrsti filma koji je u biti film jedne situacije.   \n \nLjetovanje s ocem \nScenarij – Ante Nerovčić \nRežija – Istvan Filakovity \n \nNajveća vrlina ovog scenarija je u zanimljivo postavljenim likovima dvojice glavnih protagonista. \nOtac i sin koji su obojica imali traumatične događaje u životu  navikavaju se ponovo jedan na \ndrugog da bi na kraju ipak učvrstili svoj odnos i prihvatili sličnosti koje imaju. Stvari koje jedan \ndrugom predbacuju polako se razbistravaju i uzrokuju da i jedan i drugi mijenjaju svoje stavove. \n \nNestali \nScenarij i režija - Mladen Stanić \n \nOvaj scenarij zaslužuje pažnju već i samom činjenicom da je smješten u alternativnu realnost, jer \ntako nešto kod nas još nije snimljeno, iako je podžanr već desetljećima izuzetno popularan u \nliteraturi, a u zadnje vrijeme sve zastupljeniji i u svijetu filma. Sve ono što je preteško ili preopasno \nza stvarnost može se ispričati u žanru znanstvene fantastike. No autor umjesto da radnju smješta u \nbudućnost, on se odlučio za prošlost, ali onu koja se nikad nije ni desila. Na gledateljima je da \nsami zaključe koliko je ta prošlost doista alternativna, a koliko stvarna. Nestali ako se ikad \nrealiziraju imaju sve značajke kultnog filma. \n \nOsmi mart \nScenarij – Rumena Bužarovska \nRežija – Branko Schmidt \nTelefilm d.o.o. \n \nRumena Bužarovska je ugledna mlađa makedonska spisateljica čije su knjige pripovijedaka, koje \nsu uglavnom o ženama ili ženskim temama, poznate i prevedene u Hrvatskoj. U pripovjetci Osmi \nMart, bavi se sredovječnom ženom, alkoholičarkom, koja je već u godinama pred penziju. \nNeuspješna je i nevoljena, ostavljena od muža i prezrena od sina ona iznenada doživljava priznanje \ni uspjeh koji će donijeti sasvim malu, ali značajnu promjenu u njen život. \nVrlo je rijetko da se u našoj kinematografiji netko bavio sredovječnim ženama, njihovim životima \ni sudbinama. Čini nam se da u ovoj priči koja je naoko vrlo jednostavna ima puno emotivnog \nnaboja i da priča o jednoj običnoj, ali zapravo tragičnoj ženskoj sudbini može biti novost u našoj \nkinematografiji. \n \n\n\f\n \n4\nPasijans \nScenarij - Josip Razum, Martin Majcenović \n \nOvo je priča o tipičnom frustriranom Hrvatu bez perspektive, a posljedično i ambicije. Glavni \nprotagonist će u nekoliko obrata biti u prilici popraviti svoje stanje, ali će svaki put svjesno \npropustiti priliku. Njegovi razlozi nisu svima jasni, ali su itekako razumljivi, jer su moralno \nispravni. Karlo se unatoč savjetima i utjecajima okoline uvijek odlučuje za vlastiti etički kodeks \nkoji ga nažalost košta prosperiteta i neminovno ga uvijek vraća na početak. Autori vrlo vješto vode \nglavnog protagonista kroz priču i situacije koje su nam svima bolno poznate, a gledatelja \ninvolviraju na način da ponekad suosjeća s junakom, a ponekad ga smatra totalnim idiotom unatoč \nnjegovim posve opravdanim postupcima. \n \nSretan čovjek \nScenarij - Pavao Marinković \nRežija – Robert Orhel \nUmjetnička organizacija Mitropa \n \nNašem junaku ništa ne ide od ruke. Slučajnom fizičkom nezgodom prvo mu postaje upitan osnovni \nizvor preživljavanja, a potom mu sve osobne konstante u životu polako nestaju do te mjere da se \nviše nema na što osloniti. Za neke stvari je i sam kriv, ali većina se toga dešava spletom nesretnih \nokolnosti. Vrlo vješto napisana drama o osobnoj krizi čovjeka koji sve u životu ima naizgled \nposloženo da bi mu se u desetak dana srušio kompletan sistem.  \n \nSveti Petar \nScenarij i režija – Jure Pavlović \n \nOvo je priča o ratnom veteranu koji se ne snalazi u civilnom životu.  \nScenarij je vrlo koherentno i zaokruženo zamišljen. Gledajući ranije filmove Jure Pavlovića imamo \ndojam da je njegov interes konzistentan i da je ovaj film  logičan nastavak njegovog interesa. Kako \nse ova priča veže za istinitu sudbinu Dubrovčanina koji je bio prisiljen kao invalid vratiti se u \nHrvatsku, bez državljanstva zemlje za koju se u Afganistanu borio, pretpostavljamo da je redatelj \nsaznao mnoge činjenice koje će mu trebati u stvaranju ovog scenarija. Budući da se radnja cijelog \nfilma događa u Americi, bez obzira što su glavni likovi Hrvati, pretpostavljamo da je redatelj \nrazmišljao o raznim načinima financiranja. Kratki filmovi Jure Pavlovića igrali su na prestižnim \nfestivalima i dobitnik je europskog Oscara za kratki film pa vjerojatno razmišlja o široj karijeri. \nNadamo se da će mu se ovim projektom pružiti ta mogućnost.  \n \nSvi Kalaševi konji \nScenarij - Dubravka Majić Misir \n \nOvo je scenarij bogat događanjima i kobnim i značajnim odnosima među junacima. Prilično \nkomplicirana fabula postavljena je dosta uvjerljivo. U fabulu predloženog filma autorica je prilično \nvješto uklopila elemente psihološke drame, kriminalističkog filma, ali i dijelove koji bi mogli imati \nelemente fantastike. Likovi su sa svojim osebujnostima, jakim reakcijama, noćnim morama \nprilično uvjerljivi i zanimljivi. Glavni lik Kalaša je lik strastvenog karizmatika koji sve što radi, \nradi bez zadrške i s velikim emocijama. Bilo bi zanimljivo imati takav lik u hrvatskom filmu. \n\n\f\n \n5\nOsnovni odnos oca i kćeri pratimo sa zanimanjem, jer Kalaševa kćer Jelena ima strast i \ntvrdoglavost naslijeđenu od oca. Radnja je smještena u mjesto Krasno u kojem se nalazi veliko \nsmetlište koje je pod kontrolom lokalnih Roma. Projekt je dobro pripremljen i spreman da se \nrazvije u scenarij. \n \n \nRAZVOJ PROJEKTA \n \nČetiri dana na moru \nScenarij i režija - Ivana Škrabalo \nDinaridi film d.o.o. \n \nScenarij je dramaturški dobro postavljen. Pratimo odnos dvoje ljudi uglavnom iz ženske (Mašine) \nperspektive očekujući finalnu odluku. Kako su glavni likovi zamišljeni kao relativno zatvoreni, \nintrovertni likovi (to se naročito odnosi na glavni lik Maše), nema direktnih, otvorenih razgovora \no problemima s kojim se susreću i koji ih muče već su to uglavnom situacije u kojima scenaristica \nsuptilnim postupkom postiže da očitavamo što junaci misle ili osjećaju.  \n U interakciji autorefleksivne glavne junakinje, podneblja i ljetne vrućine na jadranskom otoku, \ndivljih životinja koje ostaju bez vode i pojavljuju se na plažama kako bi pile more, scenaristica je \nuspjela stvoriti specifičnu atmosferu koja nas pomalo podsjeća na filmove starijih europskih \nredatelja Antonionija ili Rohmera. Čini nam se da redateljica ima senzibilitet koji je nešto drugačiji \nod onog kojeg nalazimo u recentnoj hrvatskoj kinematografiji i da bi zbog njega, a i izrazito ženske \ntematike, film mogao biti interesantan međunarodnim festivalima. \nRedateljica je snimila nekoliko kratkih igranih filmova koji su bili pozivani na festivale, ali i \nkontinuirano radi na dugim igranim filmovima kao scenograf, pa predlažemo podržavanje njenoga \ndebitantskog projekta u fazi razvoja projekta. \n \nD&M \nScenarij – Josip Mlakić \nRežija - Dejan Aćimović \nEurofilm d.o.o. \n \nRadnja D&Ma je manje bitna od međuljudskih odnosa koji su stvarni autorov interes, a velika \nprednost je smještanje njihovih priča u vrlo zanimljiv kontekst „male pušačke zajednice“. Ovaj \nscenarij naizgled glorificira pušenje, ali u stvari je poanta u tome da kad se neka grupa ljudi iz bilo \nkojeg razloga počinje osjećati marginalizirano, u ovom slučaju je to strast prema duhanu, među \nnjima se počne stvarati neka poprilično čvrsta veza i solidarnost bez obzira na društveni sloj, \nnarodnost, vjeru ili čak seksualnu orijentaciju. Zanimljivo je kako si oni u jednom trenutku počnu \nvrlo konkretno i aktivno pomagati, jer se osjećaju pripadnicima neke gotovo romantične ideologije \nkoja u nekim trenucima nadilazi sve druge postojeće ideologije. U današnje vrijeme selektivne i \nlicemjerne političke korektnosti lako ćemo se povezati sa svojevrsnim otpadnicima i gubitnicima \nkoje ovaj scenarij oslikava s neskrivenim simpatijama. D&M je film koji, unatoč teškim temama \nkoje se provlače kroz radnju i teškim trenucima koje njegovi glavni junaci proživljavaju, ipak \npruža zrno nade i utjehe, pa makar to bilo i običnih par dimova cigarete u dobrom društvu. \n \n \n\n\f\n \n6\nUžas je naša furka \nScenarij - Robert Cukina i Ivo Balenović \nRežija – Goran Rukavina \nTelefilm d.o.o. \n \nScenarij je dramaturški dobro postavljen, a zavrzlame u kojima se naši protagonisti nalaze su \nduhovite i zanimljive. Iako su neke situacije inspirirane istinitim događajima, a druge izmišljene, \nodlično su uklopljene u zajednički dramaturški slijed. Likovi su dosljedni, a njihovi karakteri \nnastavljeni na nama već dobro poznate obrasce, ali ovaj put s novim, uvijek dobro došlim \nvarijacijama. Kako je ovo svojevrstan nastavak rado gledanog filma ZG80, i prednastavak kultnih \nMetastaza uvjereni smo kako je riječ o novom kino hitu u kojem će publika zasigurno uživati. \n \n  \nVeliki medvjed \nScenarij i režija – Filip Filković \nAntitalent d.o.o. \n \nOvaj film trebao bi biti u jednakoj mjeri akcijsko avanturistički, ali i film o psihološkim odnosima \ndvojice braće. Sa zanimanjem pratimo i jedan i drugi aspekt ovog filma. Dramaturški, priča je \ndobro sklopljena. Čini nam se dobrim da je početni gledalački interes usmjeren na odnose između \nbraće, koji nisu baš skladni, a posljednja trećina je dominantno akcijsko avanturistička.  Budući da \nhrvatska kinematografija rijetko ima akcijske filmove, a kako se ovdje radi o akcijskom filmu sa \nslijepom osobom u glavnoj ulozi, čini nam se da bi to mogao biti zanimljiv i neobičan film. Dijalog \nje napisan živo i kolokvijalno pa teče glatko. Budući da je film uglavnom iz pozicije slijepe osobe, \nredatelj je posvetio osobitu pažnju šumovima i načinu na koji slijepe osobe doživljavaju okolinu. \nImamo dojam da se autor filma dobro pripremio surađujući sa slijepom osobom koja se bavi \nplaninarenjem te da se dobro snalazi u materiji koja u filmu mora izgledati uvjerljivo. Svakako je \nzanimljivo i to da će glavni junak ovog filma biti osoba s posebnim potrebama što u Hrvatskoj do \nsada nismo imali. \n \nZajednica \nScenarij – Ivan Pavličić, Nino Sorić i Marko Vrdoljak \nRežija – Ivan Pavličić \nTelefilm d.o.o. \n \nZajednica je netipičan film sa sve popularnijom tematikom izbjeglica koje prolaze kroz Hrvatsku. \nIako bi se moglo reći da autori očito plešu po rubu krajnje političke nekorektnosti, ta je odluka i te \nkako opravdana, jer su motivi naših glavnih protagonista posve čisti. Oni osim što se bore za \nvlastite živote ujedno i štite mladu trudnicu kojoj opasnost prijeti od pripadnika vlastite nacije iz \nne posve razjašnjenih razloga. Na gledatelju je da sam zaključi je li riječ o vjersko sektaškim, \nrasnim ili nekim trećim motivima, a upravo ta kontroverznost čini Zajednicu još zanimljivijom. \nKao što smo već zaključili ovaj film bi mogao vrlo lako postići veliku gledanost u kinima, a \nkritičare sigurno neće ostaviti ravnodušnima. \n \n \nSnježana Tribuson i Kristijan Milić, umjetnički savjetnici za dugometražni igrani film \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2013 Razvoj scenarija AV djela DOKU TRAVANJ.pdf","filename_decoded":"2013 Razvoj scenarija AV djela DOKU TRAVANJ.pdf","sha256":"35d8b5bded58e1e072cf02fdd4988cb9eb534b69a87cd1ba47f01368c4cccee2","bytes":23203,"page_count":1,"extracted_at":"2026-05-17T10:24:17Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2013%20Razvoj%20scenarija%20AV%20djela%20DOKU%20TRAVANJ.pdf"},"raw_text":"RAZVOJ\t\r  SCENARIJA\t\r  2013\t\r  -­‐\t\r  DUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\t\r  -­‐\t\r  1.\t\r  ROK\t\r  -­‐\t\r  26.04.2013.\nR.\t\r  br.\nNASLOV\nSCENARIST/-­‐ICA\nPRODUCENT\nREDATELJ\nODOBRENO\n1 KRIŽ,\t\r  RAT\t\r  I\t\r  MIR\nToma\t\r  Bačić\t\r  i\t\r  Corinne\t\r  Enquist\nD'Art/\t\r  Toma\t\r  Bačić\nCorinne\t\r  Enquist\n35,000.00\n2 MOJ\t\r  RADIO\t\r  LUKSEMBURG\nŽeljko\t\r  Sarić\nProject\t\r  6\t\r  studio/\t\r  Nikola\t\r  Klobučarić\nŽeljko\t\r  Sarić\n35,000.00\n3 NEVIDLJIVA\t\r  KOLONA\nMorana\t\r  Komljenović\nFade\t\r  In\t\r  d.o.o/\t\r  Morana\t\r  Komljenović\n35,000.00\n4 TURBO\t\r  CLASSICO\nCorinne\t\r  Enquist\t\r  i\t\r  Toma\t\r  Bačić\nD'Art/\t\r  Toma\t\r  Bačić\nCorinne\t\r  Enquist\n35,000.00\n5 ZEN\t\r  MAJSTOR\t\r  JE\t\r  REKAO\nBisera\t\r  Fabrio\t\r  i\t\r  Anamari\t\r  Šegota Restart/\t\r  Vanja\t\r  Jambrović\n35,000.00\n6 JOSIP\t\r  HALLA\t\r  -­‐\t\r  PRVI\t\r  HRVATSKI\t\r  PROFESIONALAC Mladen\t\r  Juran\nAdriatic\t\r  Art\t\r  Media\t\r  Film\nMladen\t\r  Juran\n35,000.00\n7 DORA\t\r  MAAR\nŽeljko\t\r  Senečić\nFos\t\r  film\nŽeljko\t\r  Senečić\n35,000.00\n245,000.00\nUKUPNO\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"2013 Razvoj scenarija AV djela DOKU TRAVANJ","year":2013,"rok":"1. rok","natjecaj_date":"2013-04-26","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"RAZVOJ SCENARIJA 2013 -‐ DUGOMETRAŽNI DOKUMENTARNI FILM -‐ 1. 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R OK - 3 .5.2018., 1 . s jednica H rvatskog audiovizualnog v ijeća 9 .11.2018.","section_key":"javni_p_oziv_z_a_p_oticanje_a_udiovizualnih_d_jelatnosti_i_s","columns":["NASLOV","REDATELJ/ICA","PRODUCENT","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Mjesta koja ćemo disati","applicant":"Petikat, umjetnicka radionica","production_company":"Petikat, umjetnicka radionica","director":"Davor Sanvincenti","writer":null,"original_author":null,"category":"Eksperimentalni","approved_amount_text":"120.000,00","approved_amount":120000.0,"currency":"HRK","extras":{"col_1":"1","REDATELJ/ICA":"Davor S anvincenti","repair_v1":{"changes":[{"field":"category","from":null,"to":"Eksperimentalni","reason":"category_from_inline_header_context","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Petikat - u mjetnička r adionica","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"3623bbba_rezultati_eksperimentalni_1_rok_2018_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number and title match clearly, and the adjacent REDATELJ/ICA cell lists Davor Sanvincenti with no writer/original-author columns present."},"entity":"Petikat, umjetnicka radionica","row_id":"3623bbba:s0:b7313a7893cc","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official HAVC experimental film results (2018, round 1, 9.11.2018). Raw source shows NASLOV='Mjesta  koja  ćemo  disati', PRODUCENT='Petikat  -­  umjetnička  radionica', ODOBRENO=120.000,00 HRK. Director: Davor Sanvincenti. Row matches document section header and verified against UKUPNO total (470.000,00). OCR spacing in project_title is documented and corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Mjesta k oja ć emo d isati","to":"Mjesta koja ćemo disati","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_8bdc0c2309fc","project_family_title":"Mjesta koja ćemo disati"},{"row_number":2,"project_title":"Slučajni raskoš prozirnog vodenog rebusa","applicant":"K A O S d.o.o.","production_company":"K A O S d.o.o.","director":"Dalibor Barić","writer":null,"original_author":null,"category":"Eksperimentalni","approved_amount_text":"145.000,00","approved_amount":145000.0,"currency":"HRK","extras":{"col_1":"2","REDATELJ/ICA":"Dalibor B arić","repair_v1":{"changes":[{"field":"category","from":null,"to":"Eksperimentalni","reason":"category_from_inline_header_context","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Kaos d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"3623bbba_rezultati_eksperimentalni_1_rok_2018_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number and title match clearly, and the adjacent REDATELJ/ICA cell lists Dalibor Barić with no writer/original-author columns present."},"entity":"K A O S d.o.o.","row_id":"3623bbba:s0:69dae8bba2dd","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official HAVC experimental film results (2018, round 1, 9.11.2018). Raw source shows NASLOV='Slučajni  raskoš  prozirnog  vodenog  rebusa', PRODUCENT='Kaos  d.o.o.', ODOBRENO=145.000,00 HRK. Director: Dalibor Barić. Explicit award status in official results table, verified against UKUPNO total. OCR spacing in project_title is documented and corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Slučajni r askoš p rozirnog vodenog rebusa","to":"Slučajni raskoš prozirnog vodenog rebusa","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_bde9c5567cc6","project_family_title":"Slučajni raskoš prozirnog vodenog rebusa"},{"row_number":3,"project_title":"Kravata / The Tie","applicant":"Udruga Ukus","production_company":"Udruga Ukus","director":"Željka Suková","writer":null,"original_author":null,"category":"Eksperimentalni","approved_amount_text":"155.000,00","approved_amount":155000.0,"currency":"HRK","extras":{"col_1":"3","REDATELJ/ICA":"Željka S uková","repair_v1":{"changes":[{"field":"category","from":null,"to":"Eksperimentalni","reason":"category_from_inline_header_context","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Udruga U kus","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"3623bbba_rezultati_eksperimentalni_1_rok_2018_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number and title match clearly, and the adjacent REDATELJ/ICA cell lists Željka Suková with no writer/original-author columns present."},"entity":"Udruga Ukus","row_id":"3623bbba:s0:05c2f45850aa","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Official HAVC experimental film results (2018, round 1, 9.11.2018). Raw source shows NASLOV='Kravata  /  The  Tie', PRODUCENT='Udruga  Ukus', ODOBRENO=155.000,00 HRK. Director: Željka Suková. Explicit award status in official results table. All three awards sum to 470.000,00 HRK (verified against UKUPNO total). OCR spacing issues are minor and corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Kravata / T he T ie","to":"Kravata / The Tie","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_247d0cf4b4a6","project_family_title":"Kravata / The Tie"},{"row_number":4,"project_title":"Toranj","applicant":"Samostalna djelatnost Silvestar Kolbas","production_company":"Samostalna djelatnost Silvestar Kolbas","director":"Silvestar Kolbas","writer":null,"original_author":null,"category":"Eksperimentalni","approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"col_1":"4","REDATELJ/ICA":"Silvestar K olbas","repair_v1":{"changes":[{"field":"category","from":null,"to":"Eksperimentalni","reason":"category_from_inline_header_context","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Samostalna d jelatnost S ilvestar Kolbas","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"3623bbba_rezultati_eksperimentalni_1_rok_2018_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number and title match clearly, and the adjacent REDATELJ/ICA cell lists Silvestar Kolbas with no writer/original-author columns present."},"entity":"Samostalna djelatnost Silvestar Kolbas","row_id":"3623bbba:s0:1790cf2a6d82","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_0aedd06e89df","project_family_title":"Toranj"}],"section_total_text":"470.000,00","section_total":470000.0}],"totals":{"ukupno_text":null,"ukupno":470000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":470000.0,"ukupno_match":true,"row_count":4,"awarded_count":4,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":4}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"final_RPR TV SERIJSKA 2015.pdf","filename_decoded":"final_RPR TV SERIJSKA 2015.pdf","sha256":"3631797f7f6a254d5aa9385c9d18806ecba63eab53e2f2d51a76c0251d6fa8e5","bytes":115664,"page_count":2,"extracted_at":"2026-05-17T10:24:11Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/final_RPR%20TV%20SERIJSKA%202015.pdf"},"raw_text":"RAZVOJ\t\r  TV\t\r  PROJEKATA\t\r  2015.\n-­‐\t\r  SERIJSKA\t\r  TV\t\r  DJELA\n1\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\t\r  KN\n1\niCrnoiBijelo\nAmulet studio d.o.o. / \nTihana Šmitran\nMarko Hrenović\nDarko Bakliža, Daniel \nŠuljić, Manuel Šumberac, \nMiranda Herceg\n120,000.00\n2\nTibor\nKinorama d.o.o. / Ankica \nJurić Tilić\nAna Perčinlić, Višeslav \nRadić, Damir Čivrak\nDalija Dozet\nDamir Čivrak \"Tibor i \nvampiri nad Zarinom\"\n120,000.00\nUKUPNO\n240,000.00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\t\r  KN\n1\nBetonski spavači - \nNedovršene \nmodernizacije\nHulahop d.o.o. / Miljenka \nČogelja i Dana \nBudisavljević\nSaša Ban, Nevenka \nSablić, Maroje Mrduljaš\nSaša Ban\n90,000.00\n2\nDobra ekonomija\nPipser d.o.o. / Đuro \nGavran\nĐuro Gavran\nĐuro Gavran\n70,000.00\n3\nDocumenta Memoriae\nKinematograf d.o.o. / \nDijana Mlađenović\nDijana Mlađenović\nDijana Mlađenović\n90,000.00\n4\nGranice  - Borderline \nKinoteka d.o.o. / Ljubo \nZdjelarević\nFrederik Paul Nicolai\nTiha K. Gudac\n90,000.00\n5\nSjeverozapadni vjetar - \nizmeđu legende i \nstvarnosti\nAntitalent d.o.o. / Danijel \nPek\nZdenko Bašić, Filip Filković\nZdenko Bašić\n60,000.00\n6\nSudbonosni zalogaji\nCastor multimedia d.o.o. / \nDubravko Merlić\nŽeljko Matić\nRobert Tomić Zuber\n90,000.00\n7\nU zamci\nBis Melior produkcija d.o.o. \n/ Hrvoje Habeković\nDavor Butorac\nZoran Margetić\n60,000.00\nUKUPNO\n550,000.00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: RAZVOJ PROJEKATA \npojedinačnih i serijskih televizijskih djela - podkategorija: SERIJSKA TELEVIZIJSKA DJELA u 2015. - ROK \nPRIJAVE - 22.1.2016.\n71. sjednica Hrvatskog audiovizualnog vijeća 30. kolovoza 2016.\nanimirano televizijsko djelo\ndokumentarno televizijsko djelo\n\n\f\nRAZVOJ\t\r  TV\t\r  PROJEKATA\t\r  2015.\n-­‐\t\r  SERIJSKA\t\r  TV\t\r  DJELA\n2\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\t\r  KN\n1\nMala Nada\nJaako dobra produkcija \nd.o.o. / Siniša Juričić\nIgor Šeregi\nIgor Šeregi\nFranky Ribbens\n80,000.00\n2\nPočivali u miru 3\nRing produkcija d.o.o. / \nDario Vince\nSaša Podgorelec, Dario \nVince\nGoran Rukavina\n90,000.00\n3\nUsamljena srca\nJaka produkcija d.o.o. / \nJure Bušić\nIvor Martinić\nAldo Tardozzi\n75,000.00\nUKUPNO\n245,000.00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\t\r  KN\n1\nBrzografija\n3D2D Animatori d.o.o.\nVišnja Skorin\nVišnja Skorin\n60,000.00\n2\nCrtaj, pričaj\nU svom filmu d.o.o. / \nBarbara Jukopila\nĐina Jakir\nGoran Ribarić\n60,000.00\n3\nŠašavi prijatelji\nU svom filmu d.o.o. / \nBarbara Jukopila\nTomica Šćavina\nPetar Orešković\n60,000.00\nUKUPNO\n180,000.00\nUKUPNO\t\r  RAZVOJ\t\r  \nPROJEKATA\t\r  SERIJSKA\t\r  \nTV\t\r  DJELA\n1,215,000.00\nigrano televizijsko djelo\nkreativni televizijski format za djecu i mlade\n","warnings":["section0_row_numbers_not_sorted","section1_row_numbers_not_sorted"],"document":{"program_type":"razvoj_projekata","natjecaj_title":"final_RPR TV SERIJSKA 2015","year":2015,"rok":null,"natjecaj_date":"2016-01-22","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"71. sjednica Hrvatskog audiovizualnog vijeća 30. kolovoza 2016.","section_key":"71_sjednica_hrvatskog_audiovizualnog_vijeca_30_kolovoza_2016","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"iCrnoiBijelo","applicant":"Amulet studio d.o.o.","production_company":"Amulet studio d.o.o.","director":"Marko Hrenović","writer":"Darko Bakliža, Daniel Šuljić, Manuel Šumberac, Miranda 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Iskustvo Ratimira Rakuljića u \nizradi  animacija i vizualnih efekata (kojim će i ovaj film obilovati) neuobičajeno je među \nhrvatskim filmskim autorima što potencira zanimljivost ovog debitantskog projekta. Projekt \nje podržan s 400.000 kuna. \n \nKroz natječaje iz 2015. godine  sufinancirano je ukupno devet kratkih igranih filmova, od čega \ntri debitantska. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"preba_eno u razvoj projekta dugi igrani .pdf","filename_decoded":"preba_eno u razvoj projekta dugi igrani .pdf","sha256":"36c0aba52ed0dfaa60a6c93c1b98bf1cd776c25fec5973f8ad9372b33cb6beca","bytes":35951,"page_count":1,"extracted_at":"2026-05-17T10:24:03Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url_missing":true},"raw_text":"NASLOV\nREDATELJ/ICA\nSCENARIST/ICA\nPRODUCENT\nODOBRENO\n1\nMurina\nAntoneta  Alamat  \nKusijanović\nAntoneta  Alamat  \nKusijanović\nSpiritus  movens  d.o.o.\n120.000,00\n120.000,00\n1\nPo  tamburi\nStanislav  Tomić\nMario  Marko  Krce,  \nStanislav  Tomić\nKaos  d.o.o.\n120.000,00\n2\nVanka  -­  Gift  to  \nAmerica\nMladen  Juran\nMladen  Juran,  \nHrvoje  Hitrec\nAdriatic-­art-­media-­film,  \nU.O.\n140.000,00\n3\nBrijunska  priča\nArsen  Anton  \nOstojić\nArsen  Anton  Ostojić\nGripfilm  d.o.o.\n140.000,00\n400.000,00\nUKUPNO\ndugometražni  igrani  film\nUKUPNO\nPrebačeno  u  kategoriju  poticanja  razvoja  scenarija  i  razvoja  projekata,  podkategorija  RAZVOJ  \nPROJEKTA,  sukladno  članku  7.  Pravilnika  o  postupku,  kriterijima  i  rokovima  za  provedbu  nacionalnog  \nprograma  promicanja  audiovizualnog  stvaralaštva,    93.  sjednica  Hrvatskog  audiovizualnog  vijeća  29.  ožujka  \n2018.                                                                                                                                                                             \ndebitantski  dugometražni  igrani  film\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"preba_eno u razvoj projekta dugi igrani ","year":2018,"rok":null,"natjecaj_date":"2018-03-29","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"Prebačeno u k ategoriju p oticanja r azvoja s cenarija i r azvoja p rojekata, podkategorija R AZVOJ PROJEKTA, sukladno č lanku 7 . 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N. Zdunić na programu 'Glances from the \nfuture' u sklopu međunarodnog festivala MedFilm; Rim, \nItalija; 07. do 13. studenog 2016.\n1.500,00 kn\n2\nAna Cvitaš\nProgrami stručnog usavršavanja.\nSudjelovanje Ane Cvitaš na seminaru European Co-\nProduction u organizaciji Erich Pommer Instituta; Berlin, \nNjemačka; 23. do 27. studenog 2016.\n3.970,00 kn\n3\nAntitalent d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje producentice Tamare Babun na \nmeđunarodnoj radionici 'Digital strategies' u organizaciji \nErich Pommer instituta; Barcelona, Španjolska 19. do 23. \nlistopada 2016.\n4.000,00 kn\n4\nAntitalent d.o.o.\nPitching, koprodukcijiski forumi i programi za \nrazvoj projekta.\nSudjelovanje koproducenta s projektom 'Povijest ljubavi' \nna međunarodnom filmskom sajmu MIA i s projektom \n'Babylon Sisters' na programu Kino Panorama; Rim, Italija; \n20. do 24. listopada 2016.\n1.817,00 kn\n5\nCorvus film d.o.o.\nPitching, koprodukcijiski forumi i programi za \nrazvoj projekta.\nSudjelovanje scenarista s projektom dugometražnog \nigranog filma 'Aylan' na scenarističkoj platformi European \nScript Meeting u sklopu međunarodnog festivala u Rigi, \nLatvija; 21. do 24. listopada 2016.\n2.663,00 kn\n6\nČetiri film d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje koordinatorice produkcije Laure Sinovčić s \nprojektom 'Moj privatni ratni zločinac', red. I. Juka na \nmeđunarodnoj producentskoj radionici EAVE; Luksemburg, \nLuksemburg; 16. do 20. studenog 2016.\n8.000,00 kn\n7\nDaniel Šuljić\n        Programi gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika\nSudjelovanje redatelja i predstavljanje kratkometražnog \nanimiranog filma 'Stakleni čovjek', red. D. Šuljića na \nprogramu World Panorama u sklopu međunarodnog \nfestivala animiranih filmova Animated Dreams; Tallinn, \nEstonija; 17. do 20. studenog 2016.\n2.040,00 kn\n8\nEverything works \nd.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje stručnog suradnika Nikole Milića na \nmeđunarodnoj producentskoj radionici EAVE; Luksemburg, \nLuksemburg; 16. do 20. studenog 2016.\n8.000,00 kn\n9\nFactum\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redateljice i predstavljanje srednjemetražnog \ndokumentarnog filma 'Iza lica zrcala', red. K. Z. Matijević \nna natjecateljskom programu 'Between the Seas' u sklopu \n20. međunarodnog festivala dokumentarnog filma Jihlava, \nČeška; 25. do 30. listopada 2016.\n5.300,00 kn\n10\nGFR film-video\n        Programi gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje Željka Baloga i Sandre Kovač kao članova \nžirija  međunarodnog filmskog festivala Grand Off; \nVaršava, Poljska; 28. studenog do 04. prosinca 2016.\n1.650,00 kn\n11\nHrvatski filmski \nsavez\nOstali programi.\nSudjelovanje hrvatske delegacije i predstavljanje HFS-a \nYouth Cinema Networku i međunarodnom festivalu \nWicked Wales; Prestatyn, VB; 21. do 24. rujna 2016.\n4.500,00 kn\n12\nHrvatski filmski \nsavez\nOstali programi.\nSudjelovanje hrvatske delegacije na međunarodnom \nfestivalu filmova za djecu i mlade Giffoni Macedonia; \nSkopje; 21. do 26. listopada 2016.\n3.175,00 kn\n13\nInter film d.o.o.\n        Programi gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje redatelja i predstavljanje dugometražnog \nigranog filma 'S one strane', red. Z. Ogreste u kategoriji \nDebate 40. međunarodnog filmskog festivala BFI London, \nVB; 05. do 16. listopada 2016.\n2.594,00 kn\n14\nJadranska animacija \n/ Adriatic Animation\nPitching, koprodukcijiski forumi i programi za \nrazvoj projekta. \nSudjelovanje člana autorskog tima s animiranim projektom \n'Piraterija Princeze Prekrasne' na međunarodnom Tv pitch \nforumu Cartoon; Toulouse, Francuska; 13. do 17. rujna \n2016.\n5.450,00 kn\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2016. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 11. studenog 2016.\n\n\f\n15\nJadranska animacija \n/ Adriatic Animation\nPitching, koprodukcijiski forumi i programi za \nrazvoj projekta. \nSudjelovanje producenata s animiranim projektom \n'Piraterija Princeze Prekrasne' na junior koprodukcijskom \nmarketu u sklopu međunarodnog festivala filmova za \ndjecu i mlade Cinekid; Amsterdam, Nizozemska; 19. do 21. \nlistopada 2016.\n2.300,00 kn\n16\nJaako dobra \nprodukcija d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje scenarista i producenta s projektom tv serije \n'Nuts' na prvoj sesiji međunarodne scenarističke radionice \nMIDPOINT TV Launch; Banska Stiavnica, Slovačka; 04. do \n10. studenog 2016.\n2.200,00 kn\n17\nKinematograf d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redateljice i predstavljanje kratkometražnog \nigranog filma 'Grimizno', red. D. Mlađenović u službenoj \nkonkurenciji 14. međunarodnog festivala kratkometražnog \nfilma Shnit; Bern, Švicarska; 05. do 09. listopada 2016.\n1.765,00 kn\n18\nKinoteka d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje članova autorskog tima i predstavljanje \ndugometražnog igranog filma 'ZG80', red. I. Šeregija u \nslužbenoj konkurenciji 24. međunarodnog filmskog \nfestivala Raindance; London, VB; 21. rujna do 02. listopada \n2016.\n8.000,00 kn\n19\nKinoklub Karlovac\n Programi gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika\nSudjelovanje člana autorskog tima i predstavljanje \nkratkometražnog igranog filma 'Barina konstanta' , red. M. \nPiralić u međunarodnoj konkurenciji  \nTheNextFilmFestivala; Odense, Danska; 30. kolovoza do \n04. rujna 2016.\n1.595,00 kn\n20\nKinoklub Karlovac\nOstali programi.\nSudjelovanje pobjednika Filmske revije mladeži na \nmeđunarodnom filmskom festivalu mladeži Pural+ i \nradionici medijske pismenosti Discover Manhattan; New \nYork, SAD; 21. do 28. listopada 2016.\n3.500,00 kn\n21\nKinoklub Zagreb\n Programi gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika\nSudjelovanje redateljice i predstavljanje eksperimentalnog \nfilma 'The Tenant', red.  S. A. Veldić na 33. međunarodnom \nfestivalu eksperimentalnog i dokumentarnog filma Kassel, \nNjemačka; 15. do 20. studenog 2016.\n796,00 kn\n22\nLijeni film d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje članova autorskog tima i predstavljanje \ndugometražnog igranog filma 'Oslobođenje Skopja', red. D. \nŠerbedžije, R. Šerbedžije na 28. međunarodnom festivalu u \nPalm Springsu; SAD; 05. do 16. siječnja 2017.\n15.000,00 kn\n23\nMaja Vukić\nProgrami stručnog usavršavanja.\nSudjelovanje producentice Maje Vukić na međunarodnoj \nradionici 'Digital strategies' u organizaciji Erich Pommer \ninstituta; Barcelona, Španjolska 19. do 23. listopada 2016.\n4.000,00 kn\n24\nMarko Dješka\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog \nanimiranog filma 'Grad duhova', red. M. Dješke u službenoj \nkonkurenciji 22. međunarodnog festivala kratkog igranog i \nanimiranog filma Encounters; Bristol, VB; 20. do 25. rujna \n2016.\n2.542,00 kn\n25\nPetra Balekić\n Programi gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika\nSudjelovanje redateljice i predstavljanje kratkometražnog \nanimiranog filma 'Utjecaji', red. P. Balekić u programu \nConfrontations 32. međunarodno festival kratkog filma \nInterfilm; Berlin, Njemačka; 14. do 20. studenog 2016.\n960,00 kn\n26\nRestart\n Programi gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika\nSudjelovanje redatelja i predstavljanje kratkometražnog \neksperimentalnog filma 'Sve, još uvijek, u orbiti', red. D. \nKomljena, J. Lattimera u službenom programu 31. \nmeđunarodnog filmskog festivala Mar del Plata; Buenos \nAires, Argentina; 18. do 27. studenog 2016.\n6.446,00 kn\n27\nSrđan Šarenac\nPitching, koprodukcijski forumi i programi za \nrazvoj projekta.\nSudjelovanje redatelja s dugometražnim dokumentarnim \nprojektom 'Poslije kraja svijeta', red. S. Šarenca, A. Barliant \nna međunarodnom koprodukcijskom forumu za \ndokumentarni film u sklopu 59. međunarodnog festivala \nDOK Leipzig; Njemačka; 30. listopada do 03. studenog \n2016.\n3.260,00 kn\n\n\f\n28\nSrđan Šarenac\nPotpora producentima/ - icama i autorima/ - \nicama za predstavljanje filmova\nSudjelovanje Srđana Šarenca i predstavljanje \ndugometražnog dokumentarnog filma 'The Road Movie', \nred. D. Kalashnikova u natjecateljskom programu First \nAppereance te s dugometražnim dokumentarnim \nprojektom 'Dvije škole pod jednim krovom', red. S. Šarenca \nu sklopu 29. međunarodnog festivala dokumentarnog \nfilma IDFA; Amsterdam, Nizozemska; 16. do 27. studenog \n2016.\n1.002,00 kn\n29\nŠesnić & Turković\nProgrami stručnog usavršavanja.\nSudjelovanje Gorana Turkovića s projektom TV mini serije \n'Posljednji socrealistički artefakt' na međunarodnoj \nradionici EAVE Marketing; Luxemburg; 16. do 20. studenog \n2016.\n8.000,00 kn\n30\nTena Bošnjaković\nProgrami stručnog usavršavanja.\nSudjelovanje Tene Bošnjaković na međunarodnoj radionici \n'Digital strategies' u organizaciji Erich Pommer instituta; \nBarcelona, Španjolska 19. do 23. listopada 2016.\n4.000,00 kn\n31\nTibor Keser\nProgrami stručnog usavršavanja.\nSudjelovanje producenta na 5. međunarodnoj \nproducentskoj radionici Emerging Producers u sklopu 20. \nmeđunarodnog festivala dokumentarnog filma Jihlava, \nČeška; 25. do 29. listopada 2016.\n3.500,00 kn\n32\nU svom filmu d.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekta.\nSudjelovanje redateljice i producentice s projektom \ndugometražnog igranog filma 'Sakupljači svinja', red. D. \nVučić na međunarodnoj scenarističkoj radionici MIDPOINT; \nPrag, Češka; 21. do 26. kolovoza 2016.\n2.600,00 kn\n33\nUdruga za \naudiovizualno \nstvaralaštvo \nArtizana\n Programi predstavljanja i promocije filmova.\nPredstavljanje dugometražnog dokumentarnog filma 'Sve \nje bio dobar san', red. B. Ištvančića u službenoj selekciji 1. \nmeđunarodnog festivala dokumentarnog filma Beyond the \nBorders; Castellorizo, Grčka; 28. kolovoza do 03. rujna \n2016.\n2.500,00 kn\n34\nUdruga za \naudiovizualno \nstvaralaštvo \nArtizana\nMeđunarodni filmski sajmovi.\nPredstavljanje dugometražnog dokumentarnog filma 'Sve \nje bio dobar san', red. B. Ištvančića na međunarodnom \nfilmskom sajmu IDFA Dosc for Sale; Amsterdam, \nNizozemska; 18. do 25. studenog 2016.\n1.500,00 kn\n35\nUmjetnička \norganizacija \nRikšafilm\n Programi gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika\nSudjelovanje redateljice i predstavljanje srednjemetražnog \ndokumentarnog filma 'Aida's Crossover', red. L. Resnick u \nslužbenom programu 10. međunarodnog festivala \ndokumentarnog filma Cinema verite; Teheran, Iran; 04. do \n11. prosinca 2016.\n4.000,00 kn\nUKUPNO:\n134.125,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\nNova ves 18  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 085  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JP_me_unarodna_rezultati_rok_11_11_2016_web","year":2016,"rok":null,"natjecaj_date":"2016-11-13","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PREDLAGATELJ","VRSTA PROGRAMA","NAZIV PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje studentice Nikice Zdunić kao člana studentskog žirija te predstavljanje dokumentarnog filma 'Sanja', red. N. Zdunić na programu 'Glances from the future' u sklopu međunarodnog festivala MedFilm; Rim, Italija; 07. do 13. studenog 2016.","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.500,00 kn","approved_amount":1500.0,"currency":"HRK","extras":{"col_1":"1","NAZIV PROGRAMA":"Sudjelovanje studentice Nikice Zdunić kao člana studentskog žirija te predstavljanje dokumentarnog filma 'Sanja', red. N. Zdunić na programu 'Glances from the future' u sklopu međunarodnog festivala MedFilm; Rim, Italija; 07. do 13. studenog 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"37cb6590:s0:7443cb4caf60","curation":{"changes":[{"field":"project_title","from":"Programi gostovanja hrvatskih autora/-ica, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika","to":"Sudjelovanje studentice Nikice Zdunić kao člana studentskog žirija te predstavljanje dokumentarnog filma 'Sanja', red. N. Zdunić na programu 'Glances from the future' u sklopu međunarodnog festivala MedFilm; Rim, Italija; 07. do 13. studenog 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_d938e6b63b34","project_family_title":"Sudjelovanje studentice Nikice Zdunić kao člana studentskog žirija te predstavljanje dokumentarnog filma 'Sanja', red. N. Zdunić na programu 'Glances from the future' u sklopu međunarodnog festivala MedFilm; Rim, Italija; 07. do 13. studenog 2016."},{"row_number":2,"project_title":"Sudjelovanje Ane Cvitaš na seminaru European Co- Production u organizaciji Erich Pommer Instituta; Berlin, Njemačka; 23. do 27. studenog 2016.","applicant":"Ana Cvitaš","production_company":"Ana Cvitaš","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.970,00 kn","approved_amount":3970.0,"currency":"HRK","extras":{"col_1":"2","NAZIV PROGRAMA":"Sudjelovanje Ane Cvitaš na seminaru European Co- Production u organizaciji Erich Pommer Instituta; Berlin, Njemačka; 23. do 27. studenog 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Ana Cvitaš","row_id":"37cb6590:s0:566e8d2a9c85","curation":{"changes":[{"field":"project_title","from":"Programi stručnog usavršavanja.","to":"Sudjelovanje Ane Cvitaš na seminaru European Co- Production u organizaciji Erich Pommer Instituta; Berlin, Njemačka; 23. do 27. studenog 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_7314c765a291","project_family_title":"Sudjelovanje Ane Cvitaš na seminaru European Co- Production u organizaciji Erich Pommer Instituta; Berlin, Njemačka; 23. do 27. studenog 2016."},{"row_number":3,"project_title":"Sudjelovanje producentice Tamare Babun na međunarodnoj radionici 'Digital strategies' u organizaciji Erich Pommer instituta; Barcelona, Španjolska 19. do 23. listopada 2016.","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.000,00 kn","approved_amount":4000.0,"currency":"HRK","extras":{"col_1":"3","NAZIV PROGRAMA":"Sudjelovanje producentice Tamare Babun na međunarodnoj radionici 'Digital strategies' u organizaciji Erich Pommer instituta; Barcelona, Španjolska 19. do 23. listopada 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent d.o.o.","row_id":"37cb6590:s0:bd001debc55a","curation":{"changes":[{"field":"project_title","from":"Programi stručnog usavršavanja.","to":"Sudjelovanje producentice Tamare Babun na međunarodnoj radionici 'Digital strategies' u organizaciji Erich Pommer instituta; Barcelona, Španjolska 19. do 23. listopada 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_e81bf8b39e4a","project_family_title":"Sudjelovanje producentice Tamare Babun na međunarodnoj radionici 'Digital strategies' u organizaciji Erich Pommer instituta; Barcelona, Španjolska 19. do 23. listopada 2016."},{"row_number":4,"project_title":"Sudjelovanje koproducenta s projektom 'Povijest ljubavi' na međunarodnom filmskom sajmu MIA i s projektom 'Babylon Sisters' na programu Kino Panorama; Rim, Italija; 20. do 24. listopada 2016.","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.817,00 kn","approved_amount":1817.0,"currency":"HRK","extras":{"col_1":"4","NAZIV PROGRAMA":"Sudjelovanje koproducenta s projektom 'Povijest ljubavi' na međunarodnom filmskom sajmu MIA i s projektom 'Babylon Sisters' na programu Kino Panorama; Rim, Italija; 20. do 24. listopada 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent d.o.o.","row_id":"37cb6590:s0:3c01533dda50","curation":{"changes":[{"field":"project_title","from":"Pitching, koprodukcijiski forumi i programi za razvoj projekta.","to":"Sudjelovanje koproducenta s projektom 'Povijest ljubavi' na međunarodnom filmskom sajmu MIA i s projektom 'Babylon Sisters' na programu Kino Panorama; Rim, Italija; 20. do 24. listopada 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_6997576cac36","project_family_title":"Sudjelovanje koproducenta s projektom 'Povijest ljubavi' na međunarodnom filmskom sajmu MIA i s projektom 'Babylon Sisters' na programu Kino Panorama; 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 dugometražnog\t\r  igranog\t\r  filma\t\r  u\t\r  2020.\t\r  godini\t\r  na\t\r  prvom\t\r  roku\t\r  prijavilo\t\r  \nse\t\r  ukupno\t\r  29\t\r  projekata.\t\r  Od\t\r  toga\t\r  je\t\r  bilo\t\r  šest\t\r  debitantskih\t\r  projekata\t\r  te\t\r  dvadesettri\t\r  \ndugometražna\t\r  igrana\t\r  filma.\t\r  \n\t\r  Jedan\t\r  projekt\t\r  nije\t\r  zadovoljio\t\r  uvjete\t\r  Javnog\t\r  poziva,\t\r  a\t\r  jedan\t\r  projekt\t\r  je\t\r  povučen\t\r  s\t\r  \nJavnog\t\r  poziva\t\r  te\t\r  se\t\r  ta\t\r  dva\t\r  projekta\t\r  nisu\t\r  razmatrala.\t\r  \nZajedno\t\r  s\t\r  umjetničkim\t\r  savjetnikom\t\r  za\t\r  animirani\t\r  film\t\r  dodatno\t\r  smo\t\r  sudjelovali\t\r  i\t\r  u\t\r  \t\r  \nrazmatranju\t\r  jednog\t\r  \t\r  dugometražnog\t\r  animiranog\t\r  filma.\t\r  \nOdlučili\t\r  smo\t\r  poduprijeti\t\r  sveukupno\t\r  pet\t\r  filmova,\t\r  od\t\r  koji\t\r  je\t\r  jedan\t\r  debitantski,\t\r  dva\t\r  \ndječja,\t\r  jedan\t\r  u\t\r  realizaciji\t\r  redateljice\t\r  te\t\r  jedan\t\r  dugometražni\t\r  animirani\t\r  film.\t\r  \n\t\r  \n\t\r  \nDebitantski\t\r  dugometražni\t\r  igrani\t\r  film\t\r  \n\t\r  \nPula\t\r  \n(slobodna\t\r  adaptacija\t\r  romana\t\r  Pula,\t\r  Vladimira\t\r  Stojsavljevića)\t\r  \nScenarij:\t\r  Ivan\t\r  Turković-­‐Krnjak\t\r  \nRežija:\t\r  Andrej\t\r  Korovljev\t\r  \nProducent:\t\r  Kinematograf\t\r  \n3.300.000,00\t\r  kn\t\r  \n\t\r  \nOvaj\t\r  nas\t\r  scenarij\t\r  vodi\t\r  u\t\r  Pulu\t\r  u\t\r  ljeto\t\r  ’95-­‐e\t\r  godine\t\r  i\t\r  priča\t\r  nam\t\r  ljubavnu\t\r  priču\t\r  \nprognanika\t\r  Mahira\t\r  i\t\r  maturantice\t\r  Une.\t\r  Njih\t\r  dijeli\t\r  ne\t\r  samo\t\r  razlika\t\r  u\t\r  godinama,\t\r  nego\t\r  \nizmeđu\t\r  njih\t\r  stoje\t\r  i\t\r  razlike\t\r  u\t\r  društvenom\t\r  statusu,\t\r  osobnom\t\r  backgroundu,\t\r  \ntrenutačnim\t\r  pozicijama\t\r  i\t\r  situacijama\t\r  u\t\r  kojima\t\r  se\t\r  nalaze\t\r  -­‐\t\r  mogli\t\r  bismo\t\r  reći\t\r  oni\t\r  \npredstavljaju\t\r  dva\t\r  svijeta\t\r  različita.\t\r  \t\r  \t\r  \nIznimno\t\r  bitnu\t\r  ulogu\t\r  u\t\r  cijelom\t\r  filmu\t\r  ima\t\r  sam\t\r  grad\t\r  Pula\t\r  koji\t\r  je\t\r  prikazan\t\r  u\t\r  svoj\t\r  svojoj\t\r  \ngrandioznosti\t\r  u\t\r  to\t\r  nedoba\t\r  ’90-­‐ih\t\r  godina.\t\r  Vidimo\t\r  jednu\t\r  Pulu\t\r  koja\t\r  je\t\r  potpuno\t\r  lišena\t\r  \nsvoje\t\r  turističke\t\r  slike\t\r  s\t\r  razglednica\t\r  te\t\r  koja\t\r  se\t\r  doima\t\r  kao\t\r  svojevrsno\t\r  nadrealno\t\r  \nčistilište\t\r  -­‐\t\r  kako\t\r  za\t\r  sve\t\r  one\t\r  koji\t\r  su\t\r  tamo\t\r  stigli\t\r  stjecajem\t\r  životnih\t\r  okolnosti,\t\r  tako\t\r  i\t\r  za\t\r  \ndomicilno\t\r  stanovništvo.\t\r  \t\r  \nOvaj\t\r  projekt\t\r  razvijao\t\r  se\t\r  dugotrajno\t\r  i\t\r  intenzivno,\t\r  te\t\r  je\t\r  prošao\t\r  kroz\t\r  sve\t\r  faze\t\r  razvoja.\t\r  \nVidljivo\t\r  je\t\r  to\t\r  iz\t\r  pomno\t\r  pripremljene\t\r  opširne\t\r  i\t\r  detaljne\t\r  dokumentacije.\t\r  Prije\t\r  svega\t\r  \nvrlo\t\r  kvalitetan\t\r  scenarij,\t\r  potom\t\r  iscrpna\t\r  redateljska\t\r  razrada\t\r  koja\t\r  vrlo\t\r  precizno\t\r  \ndočarava\t\r  stil\t\r  filma,\t\r  kao\t\r  i\t\r  kompletna\t\r  produkcijska\t\r  dokumentacija\t\r  koja\t\r  garantira\t\r  \nizvedivost\t\r  projekta\t\r  u\t\r  optimalnim\t\r  uvjetima.\t\r  Priložene\t\r  probne\t\r  snimke\t\r  nekih\t\r  scena\t\r  u\t\r  \nnama\t\r  stvaraju\t\r  želju\t\r  da\t\r  utonemo\t\r  u\t\r  neku\t\r  kino\t\r  fotelju\t\r  i\t\r  pogledamo\t\r  tu\t\r  priču\t\r  od\t\r  početka\t\r  \ndo\t\r  kraja\t\r  na\t\r  nekom\t\r  A\t\r  festivalu,\t\r  a\t\r  kasnije\t\r  i\t\r  u\t\r  kinima.\t\r  \t\r  \nBez\t\r  zadrške\t\r  vjerujemo\t\r  u\t\r  scenarij,\t\r  redateljsku\t\r  viziju\t\r  i\t\r  produkcijsku\t\r  snagu\t\r  ekipe\t\r  koja\t\r  \nnosi\t\r  projekt\t\r  Pula\t\r  te\t\r  ga\t\r  preporučujemo\t\r  za\t\r  sufinanciranje\t\r  u\t\r  punom\t\r  traženom\t\r  iznosu.\t\r  \n\n\f\n\t\r  \r  \n2\t\r  \n\t\r  \n\t\r  \nDugometražni\t\r  igrani\t\r  filmovi\t\r  \n\t\r  \n\t\r  \n\t\r  \nZečji\t\r  nasip\t\r  \nScenarij:\t\r  Tomislav\t\r  Zajec\t\r  \nRežija:\t\r  Čejen\t\r  Černić\t\r  \nProducent:\t\r  Kinorama\t\r  \n4.000.000,00\t\r  kn\t\r  \n\t\r  \nSlaven,\t\r  dvadesetodvogodišnji\t\r  mladić\t\r  se\t\r  zbog\t\r  očeve\t\r  smrti\t\r  vraća\t\r  iz\t\r  Berlina\t\r  i\t\r  nehotično\t\r  \nobnavlja\t\r  ljubavnu\t\r  vezu\t\r  s\t\r  prijateljem\t\r  iz\t\r  djetinjstva.\t\r  \n\t\r  \nZEČJI\t\r  NASIP\t\r  se\t\r  već\t\r  na\t\r  scenarističkoj\t\r  razini\t\r  izdvaja\t\r  visoko\t\r  iznad\t\r  mnoštva\t\r  prijavljenih\t\r  \nprojekata.\t\r  Dok\t\r  ga\t\r  čitamo,\t\r  „utapamo\t\r  se”\t\r  u\t\r  atmosferu\t\r  jednog\t\r  zaboravljenog\t\r  hrvatskog\t\r  \nmalog\t\r  mjesta\t\r  negdje\t\r  uz\t\r  nabujalu\t\r  rijeku.\t\r  \t\r  Minimalnim,\t\r  nikad\t\r  pretjeranim\t\r  izražajnim\t\r  \nsredstvima,\t\r  scenarist\t\r  Tomislav\t\r  Zajec\t\r  nam,\t\r  već\t\r  na\t\r  prvo\t\r  čitanje,\t\r  projicira\t\r  budući\t\r  film\t\r  u\t\r  \nnašim\t\r  mislima.\t\r  To\t\r  je\t\r  film\t\r  boja\t\r  rane\t\r  jeseni,\t\r  mirisa\t\r  vlage\t\r  u\t\r  zraku,\t\r  zvuka\t\r  kamenčića\t\r  \nbačenih\t\r  u\t\r  rijeku,\t\r  zagušljivih\t\r  i\t\r  mračnih\t\r  interijera,\t\r  kramom\t\r  pretrpane\t\r  garaže,\t\r  ali\t\r  i\t\r  film\t\r  \nsa\t\r  živim,\t\r  od\t\r  papira\t\r  oslobođenim\t\r  likovima,\t\r  u\t\r  cijeloj\t\r  njihovoj\t\r  kompleksnoj\t\r  paleti\t\r  \nosjećaja\t\r  i\t\r  akcija.\t\r  \t\r  \t\r  \n\t\r  \nDramska\t\r  napetost\t\r  unutar\t\r  filma\t\r  pak\t\r  funkcionira\t\r  konstantno,\t\r  prijeteći\t\r  sukobom\t\r  na\t\r  isti\t\r  \nnačin\t\r  kao\t\r  što\t\r  i\t\r  nabujala\t\r  rijeka\t\r  cijelo\t\r  vrijeme\t\r  filma\t\r  prijeti\t\r  mještanima\t\r  koji\t\r  uz\t\r  nju\t\r  žive,\t\r  \nnajavljujući\t\r  tragediju\t\r  koja\t\r  će\t\r  stići,\t\r  ali\t\r  ne\t\r  zna\t\r  se\t\r  kada\t\r  i\t\r  ne\t\r  zna\t\r  se\t\r  u\t\r  kojem\t\r  obimu,\t\r  te\t\r  se\t\r  \nne\t\r  zna\t\r  s\t\r  koliko\t\r  žrtava.\t\r  Zato\t\r  nam\t\r  je\t\r  drago\t\r  da\t\r  upravo\t\r  „nasip“\t\r  stoji\t\r  u\t\r  naslovu\t\r  filma.\t\r  Jer\t\r  \nnasip\t\r  obećava\t\r  mjesto\t\r  koje\t\r  je\t\r  uzdignuto\t\r  iznad\t\r  rječne\t\r  bujice,\t\r  mjesto\t\r  koje\t\r  smo\t\r  mi\t\r  sami,\t\r  \nsvojom\t\r  snagom\t\r  i\t\r  svojim\t\r  rukama,\t\r  podigli\t\r  –\t\r  ono\t\r  je\t\r  suho\t\r  i\t\r  sigurno.\t\r  \t\r  \n\t\r  \nAnalizom\t\r  cjelokupne\t\r  projektne\t\r  dokumentacije,\t\r  jasno\t\r  nam\t\r  je\t\r  da\t\r  je\t\r  producentica\t\r  \t\r  \nAnkica\t\r  Jurić\t\r  Tilić\t\r  više\t\r  godina\t\r  pomno\t\r  planirala\t\r  projekt\t\r  u\t\r  kojem\t\r  spaja\t\r  senzibilitete\t\r  i\t\r  \ntalente\t\r  svojih\t\r  dugogodišnjih\t\r  suradnika,\t\r  redateljice\t\r  Čejen\t\r  Černić\t\r  i\t\r  Tomislava\t\r  Zajeca,\t\r  \nscenarista\t\r  i\t\r  dramskog\t\r  pisca.\t\r  Redateljska\t\r  razrada\t\r  je\t\r  bogata,\t\r  fokusirana\t\r  i\t\r  inspirativna,\t\r  \nprojekt\t\r  je\t\r  u\t\r  dovoljnoj\t\r  mjeri\t\r  prošao\t\r  i\t\r  međunarodni\t\r  razvoj,\t\r  a\t\r  vodeći\t\r  se\t\r  idejom\t\r  sličnosti\t\r  \nestetika\t\r  i\t\r  cjenovnih\t\r  razreda,\t\r  strukturirana\t\r  je\t\r  realna\t\r  koprodukcijska\t\r  strategija\t\r  koja\t\r  \nulijeva\t\r  povjerenje\t\r  da\t\r  bi\t\r  ovaj\t\r  film\t\r  mogao\t\r  biti\t\r  snažan\t\r  europski\t\r  festivalski\t\r  naslov,\t\r  a\t\r  \nslijedom\t\r  navedenog\t\r  i\t\r  potencijalno\t\r  dobra\t\r  kino\t\r  uspješnica\t\r  (nap.\t\r  na\t\r  tragu\t\r  festivalskog\t\r  i\t\r  \nkino\t\r  uspjeha\t\r  igranog\t\r  filma\t\r  Zvizdan\t\r  redatelja\t\r  Dalibora\t\r  Matanića,\t\r  iste\t\r  producentske\t\r  \nkuće).\t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\n\t\r  \r  \n3\t\r  \nBumbarov\t\r  let\t\r  \n(prema\t\r  romanu\t\r  Tajanstveni\t\r  svjetionik\t\r  Maje\t\r  Gluščević)\t\r  \t\r  \t\r  \t\r  \nScenarij:\t\r  Marko\t\r  Hrenović,\t\r  Ivan\t\r  Turković-­‐Krnjak\t\r  \nRežija:\t\r  Antonio\t\r  Nuić\t\r  \nProducent:\t\r  Inter\t\r  film\t\r  \n5.000.000,00\t\r  kn\t\r  \n\t\r  \nIako\t\r  pisan\t\r  za\t\r  dječji\t\r  film\t\r  ovaj\t\r  scenarij\t\r  progovara\t\r  o\t\r  vrlo\t\r  ozbiljnom\t\r  problemu\t\r  današnjice\t\r  \n-­‐\t\r  krijumčarenju\t\r  ljudi.\t\r  Pratimo\t\r  razvoj\t\r  dječaka\t\r  Bumbara,\t\r  koji\t\r  od\t\r  vječitog\t\r  zanovijetala\t\r  u\t\r  \ndruštvu\t\r  postaje\t\r  herojem\t\r  koji\t\r  svojom\t\r  hrabrošću,\t\r  žrtvujući\t\r  pritom\t\r  slobodu\t\r  vlastitog\t\r  \noca,\t\r  pomaže\t\r  svojim\t\r  prijateljima\t\r  privesti\t\r  ozbiljnu\t\r  situaciju\t\r  kraju.\t\r  \t\r  \nImponira\t\r  način\t\r  na\t\r  koji\t\r  scenaristi\t\r  lik\t\r  Bumbara\t\r  od\t\r  neinteresantnog\t\r  i\t\r  napornog\t\r  lika\t\r  \npretvaraju\t\r  u\t\r  glavnog\t\r  heroja\t\r  ove\t\r  priče.\t\r  \nDruga\t\r  velika\t\r  odlika\t\r  ovog\t\r  scenarija\t\r  je\t\r  laka\t\r  vizualizacija\t\r  likova\t\r  što\t\r  opet\t\r  proizlazi\t\r  iz\t\r  \nkvalitete\t\r  napisanog\t\r  predloška.\t\r  \nIz\t\r  redateljske\t\r  koncepcije\t\r  jasno\t\r  je\t\r  kakav\t\r  film\t\r  redatelj\t\r  Nuić\t\r  želi,\t\r  kako\t\r  će\t\r  film\t\r  izgledati\t\r  i\t\r  \nšto\t\r  želi\t\r  izvući\t\r  iz\t\r  ovog\t\r  scenarija.\t\r  Njegov\t\r  vizualni\t\r  pristup\t\r  savršeno\t\r  pristaje\t\r  uz\t\r  ovaj\t\r  \nscenarij.\t\r  Redateljska\t\r  koncepcija\t\r  izuzetno\t\r  je\t\r  opširna\t\r  te\t\r  ulazi\t\r  i\t\r  u\t\r  detalje\t\r  poput\t\r  popisa\t\r  i\t\r  \nvrste\t\r  rasvjete\t\r  koju\t\r  redatelj\t\r  želi\t\r  koristiti.\t\r  \nBumbarov\t\r  let,\t\r  baziran\t\r  na\t\r  popularnoj\t\r  dječjoj\t\r  knjizi\t\r  je\t\r  film\t\r  koji\t\r  sigurno\t\r  može\t\r  očekivati\t\r  \nveliku\t\r  gledanost\t\r  u\t\r  kinima.\t\r  Projekt\t\r  je\t\r  izuzetno\t\r  kvalitetno\t\r  pripremljen,\t\r  autorski\t\r  tim\t\r  je\t\r  \nvrlo\t\r  kvalitetan,\t\r  sve\t\r  je\t\r  upakirano\t\r  i\t\r  vođeno\t\r  iskusnim\t\r  i\t\r  kvalitetnim\t\r  producentom\t\r  koji\t\r  \npokazuje\t\r  veliku\t\r  motivaciju\t\r  za\t\r  ovaj\t\r  projekt.\t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \nDnevnik\t\r  Pauline\t\r  P.\t\r  \n(prema\t\r  istoimenoj\t\r  knjizi\t\r  Sanje\t\r  Polak)\t\r  \nScenarij:\t\r  Dora\t\r  Delbianco\t\r  \nRežija:\t\r  Neven\t\r  Hitrec\t\r  \nProducent:\t\r  Jaka\t\r  produkcija\t\r  \n4.500.000,00\t\r  kn\t\r  \n\t\r  \nU\t\r  ovom\t\r  scenariju,\t\r  baziranom\t\r  na\t\r  poznatom\t\r  literarnom\t\r  predlošku,\t\r  pratimo\t\r  događaje\t\r  \nPauline\t\r  P.,\t\r  devetogodišnje\t\r  djevojčice,\t\r  koja\t\r  opisuje\t\r  događaje\t\r  unutar\t\r  jedne\t\r  školske\t\r  \ngodine.\t\r  \t\r  \nPaulinin\t\r  način\t\r  pripovijedanja\t\r  je\t\r  živahan\t\r  i\t\r  dinamičan,\t\r  a\t\r  karakteri\t\r  su\t\r  vrlo\t\r  dobro\t\r  opisani\t\r  \nte\t\r  ih\t\r  se\t\r  s\t\r  lakoćom\t\r  može\t\r  vizualizirati.\t\r  Na\t\r  nekoliko\t\r  mjesta\t\r  usputni\t\r  karakteri\t\r  prekidaju\t\r  \nradnju\t\r  i,\t\r  poput\t\r  neke\t\r  vrste\t\r  antičkog\t\r  kora,\t\r  efektno\t\r  komentiraju\t\r  događaje.\t\r  Tim\t\r  \npostupkom\t\r  scenaristica\t\r  razbija\t\r  ritam\t\r  te\t\r  obogaćuje\t\r  pripovjedačku\t\r  živahnost\t\r  i\t\r  \nraznovrsnost.\t\r  \nOva\t\r  priča\t\r  se\t\r  temelji\t\r  na\t\r  popularnoj\t\r  istoimenoj\t\r  dječjoj\t\r  knjizi.\t\r  Knjiga\t\r  se\t\r  nalazi\t\r  na\t\r  popisu\t\r  \nškolske\t\r  lektire\t\r  te\t\r  je\t\r  izuzetno\t\r  čitana\t\r  među\t\r  mlađim\t\r  naraštajima\t\r  što\t\r  bi\t\r  trebalo\t\r  \ngarantirati\t\r  veliku\t\r  kino\t\r  gledanost.\t\r  \nOsim\t\r  čvrstog\t\r  i\t\r  kvalitetnog\t\r  scenarija\t\r  koji\t\r  je\t\r  prošao\t\r  sve\t\r  faze\t\r  razvoja,\t\r  dodatni\t\r  razlog\t\r  \n\n\f\n\t\r  \r  \n4\t\r  \npuštanja\t\r  ovog\t\r  projekta\t\r  je\t\r  kvalitetna\t\r  producentska\t\r  priprema\t\r  i\t\r  sigurnost\t\r  koju\t\r  \nprodukcija\t\r  pruža\t\r  u\t\r  ostvarenje\t\r  istog.\t\r  \t\r  \nNa\t\r  kraju\t\r  bismo\t\r  spomenuli\t\r  i\t\r  činjenicu\t\r  da\t\r  je\t\r  Neven\t\r  Hitrec\t\r  iskusan\t\r  i\t\r  kvalitetan\t\r  redatelj\t\r  \nkoji\t\r  se\t\r  nakon\t\r  dosta\t\r  vremena\t\r  konačno\t\r  vraća\t\r  igranom\t\r  filmu.\t\r  \n\t\r  \n\t\r  \n\t\r  \nDugometražni\t\r  animirani\t\r  film\t\r  \n\t\r  \nObrazloženje\t\r  za\t\r  potporu\t\r  filma\t\r  Kristalni\t\r  otmičari\t\r  nalazi\t\r  se\t\r  u\t\r  obrazloženjima\t\r  za\t\r  \nanimirani\t\r  film.\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"eksperimentalni obrazlozenje.pdf","filename_decoded":"eksperimentalni obrazlozenje.pdf","sha256":"3893d9bcc758c044348d8aadb543bb0d20450989ca5e950ceb8502591eaa49bc","bytes":55029,"page_count":1,"extracted_at":"2026-05-17T12:01:37Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/eksperimentalni%20obrazlozenje.pdf"},"raw_text":"Obrazloženje umjetničke savjetnice za eksperimentalni film \n \n \nNa prvi rok Javnog poziva za poticanje proizvodnje AV djela u kategoriji \neksperimentalnoga filma u 2017. godini pristiglo je rekordno malo prijava: \nsveukupno šest, s time da tek pet zadovoljava uvjete natječaja. Od prijavljenih \npet radova tri prijavljuju autorice, a dva autori.  \n \nZa sufinanciranje predlažem projekt Renate Poljak radnoga naslova Mogao je \nbiti Čile u kojem autorica nastavlja istraživanje migracije (nakon filma \nPartenza), ovaj put preko motiva potopljenog broda Vis kod Premanture koji u \nkonceptu spaja teme ekonomskog iseljeništva, suvremene migrantske krize, \npolitičkih trauma, kolektivne memorije i prolaznosti vremena odnosno sistema. \nFilm je zamišljen kao niz evokativnih snimki u kojima se gradi snažan emotivni \nodnos između ljudskog lica/lika i pejzaža. Autorica navodi nastavak suradnje \nsa snimateljem Borisom Poljakom, i to na vizualno impresivnim i razolikim \nlokacijama. Film obuhvaća i rekonstrukciju potapanja broda Vis na moru kod \nRta Kamenjak, snimke olupine ispod mora te razne eksterijere (i interijere) na \nBrijunima i svjetioniku Porer. Uz mnogobrojne lokacije, film donosi i brojne \nstatiste, profesionalne glumce i arhivske materijale te smatram da opravdava \niznos od 100.000 kuna sufinanciranja. Projekt su već podržali Grad Zagreb i \nMinistarstvo kulture s 20.000 kuna sveukupno.  \n \nOd početka 2014. godine naovamo javni poziv u ovoj kategoriji nije nikada \nprošao s manje od 12 korektnih prijava, što čini natječaj sa šest prijava vrlo \nzabrinjavajućim. Čini mi se da je glavni problem što do zaključenja prijava \nnisu javno objavljene odluke s prethodnoga roka zbog čega su mnogi autori \nostali u svojevrsnom limbu. Također, jedan dio autora eksperimentalnoga \nfilma – kojih je ionako malo – trenutačno radi na svojim filmovima, čemu je \npridonijelo blago usporavanje ritma financiranja iz HAVC-a zbog iscrpljujuće i \nturbulentne protekle godine. Financijski oprez također nosi svoje pa je 2016. \ngodine financirano pet projekata, 2015. šest, a 2014. čak deset \neksperimentalnih filmova.  \n \nNo recimo nešto i o kvaliteti projekata pristiglih na ovaj natječaj, što svakako \nnajviše utječe na broj radova koji se predlažu za sufinanciranje. Od pet prijava \nčak su tri projekta već bila odbijena 2016. godine (jedan i više puta od 2013. \ngodine), a u novoj prijavi nisu se uopće ili dovoljno posvetili dodatnoj razradi \nkoncepta. Treba spomenuti da neki od njih rodovski/žanrovski promašuju \nnatječaj. Druga dva projekta stižu iz “likovnjačkog” konteksta. Eksperimentalni \nfilm već dvadesetak godina redovito nalazi svoj black box u prostoru \ngalerije/muzeja. Filmovi koji se kontekstualiziraju u (prostoru) izložbe \nkonceptualno su snažni, politički, aktivacijski. Od “umjetničkih radova” (artist \ncinema) očekuje se jaka ideja – obično temeljena na istraživanju – i razrada \nkoja se preklapa s opsesijama eksperimentalnog filma. Smatram da bi takav \numjetnički projekt već trebao na neki način uključiti suradnju s \nkustosicom/kustosom, što bi osiguralo izloženost rada koji će svakako imati \ndrugačiji put od klasičnoga filma.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPRSERTV_2021_1rok_10III2021_WEB.pdf","filename_decoded":"RPRSERTV_2021_1rok_10III2021_WEB.pdf","sha256":"38c9d1ecba0eb521f4d462cfbcdbed375925d8c58d9899bf3ef9e1a47ba5feea","bytes":127049,"page_count":2,"extracted_at":"2026-05-17T10:24:12Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPRSERTV_2021_1rok_10III2021_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nČovjek i biljka\nUmjetnička organizacija \nKadromat / Daria \nBlažević\nDaria Blažević, Borna \nSor\nDaria Blažević\n50.000,00\nUKUPNO\n50.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n2\nKunst Detektiv\nJaka produkcija d.o.o. / \nJure Bušić\nSara Hribar\nSara Hribar\n50.000,00\n3\nNajveća bitka u Europi\nUmjetnička organizacija \nMissart / Matija Prskalo\nEduard Galić, Dominik \nGalić\nEduard Galić\n75.000,00\n4\nŽenska strana grada\nRestart / Vanja \nJambrović\nAna Kutleša, Ivana \nHanaček\nDaria Blažević\n50.000,00\nUKUPNO\n175.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2021. - 1. ROK - 10.3.2021.\nanimirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute\ndokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta\n18. sjednica Hrvatskog audiovizualnog vijeća u 3. sazivu, 15. lipnja 2021.\n\n\f\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n5\nČaruga\nDA Film d.o.o. / Dejan \nAćimović\nDejan Aćimović, Boris \nRašeta\nDejan Aćimović\nRoman \"Čaruga\" autora \nBorisa Rašete\n75.000,00\n6\nNevina u ludnici\nMP-filmska produkcija \nd.o.o. / Majda Pilat\nSanja Kovačević\nRobert Orhel\n100.000,00\n7\nObiteljski arhiv\nStudio Corvus d.o.o. / \nZvonimir Munivrana\nMarjan Alčevski\nKristijan Milić\n100.000,00\n8\nOno kad nemaš \ndovoljno igrača\nInter film d.o.o. / Ivan \nMaloča\nSlavica Šnur\nKristijan Milić\n100.000,00\nUKUPNO\n375.000,00\n600.000,00\nUKUPNO RAZVOJ PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA\ntelevizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su namijenjena prvenstveno \n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"RPRSERTV_2021_1rok_10III2021_WEB","year":2021,"rok":"1. rok","natjecaj_date":"2021-03-10","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute","section_key":"animirano_televizijsko_djelo_cije_ukupno_trajanje_serije_nij","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Čovjek i biljka","applicant":"Umjetnička organizacija Kadromat","production_company":"Umjetnička organizacija Kadromat","director":"Daria Blažević","writer":"Daria Blažević, Borna Sor","original_author":null,"category":"TV","approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Daria Blažević, Borna Sor","REDATELJ":"Daria Blažević","repair_v1":{"changes":[{"field":"category","from":null,"to":"TV","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Umjetnička organizacija Kadromat / Daria Blažević","entity_owner":"Daria Blažević","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"38c9d1ec_rprsertv_2021_1rok_10iii2021_web_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row 1 title matches exactly and the SCENARIST/-ICA and REDATELJ cells align cleanly, while no original-source cell is populated.","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"38c9d1ec_rprsertv_2021_1rok_10iii2021_web_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Row 1 title matches exactly and the SCENARIST/-ICA and REDATELJ cells align cleanly, while no original-source cell is populated."},"entity":"Umjetnička organizacija Kadromat","row_id":"38c9d1ec:s0:02fbc4e8a17d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_4ff0547d1fa2","project_family_title":"Čovjek i biljka"},{"row_number":2,"project_title":"Kunst Detektiv","applicant":"Jaka produkcija d.o.o.","production_company":"Jaka produkcija d.o.o.","director":"Sara Hribar","writer":"Sara 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazloz_enje po Javnom pozivu za komplementarne djelatnosti u 2022 - drugi rok copy.pdf","filename_decoded":"web obrazloz_enje po Javnom pozivu za komplementarne djelatnosti u 2022 - drugi rok copy.pdf","sha256":"391aa8c35dfbe6b941082b283812c283f74c19f867634c1b691fc75f01e798e8","bytes":25658,"page_count":2,"extracted_at":"2026-05-17T12:01:33Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazloz%CC%8Cenje%20po%20Javnom%20pozivu%20za%20komplementarne%20djelatnosti%20u%202022%20-%20drugi%20rok%20copy.pdf"},"raw_text":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH \nDJELATNOSTI U 2022. GODINI \nu drugom roku do 13. siječnja 2022.  \nisključivo za one projekte iz kategorije programa filmskih festivala i drugih \naudiovizualnih manifestacija koji se održavaju u drugoj polovici 2022. godine, a \nnisu se prijavili na prvi rok javnog poziva \n \n \nObrazloženje umjetničkih savjetnika za komplementarne djelatnosti \n \n \nPrijave na Javni poziv za dodjelu sredstava za poticanje komplementarne djelatnosti \nu 2022. godini podnose se u dva roka. Prvi rok, do 8. rujna 2021., odnosio se na \nprojekte u svim kategorijama koji se održavaju u 2022. godini, a drugi rok, predmet \novog natječaja, bio je raspisan do 13. siječnja 2022. i odnosi se isključivo na one \nprojekte u kategoriji programa filmskih festivala i drugih audiovizualnih manifestacija \nkoji se održavaju u drugoj polovici 2022. godine, a nisu se prijavili na prvi rok javnog \npoziva. U drugom roku zaprimljene su 62 prijave.  \n \nSavjetnici za komplementarne djelatnosti, Davorka Begović, Carmen Lhotka i \nTomislav Šakić, za financijsku podršku na drugom roku preporučuju 40 programa u \nukupnom iznosu od 2.674.500,00 kn što je Hrvatsko audiovizualno vijeće odobrilo.  \n \nU postupku procjenjivanja vodili smo se otprije utvrđenim kriterijima, navedenima u \ntočki VIII Javnog poziva za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2022. godini:  \n \n– kvaliteta, izvedivost i održivost programa (od sadržajne do produkcijske razine) \n– programi koji imaju konkretne, realne i strateške planove u umjetničkom, \norganizacijskom i financijskom smislu \n– značaj programa za relevantan kontekst (ovisno o programu, od lokalne zajednice, \npreko nacionalnog značaja do međunarodne prepoznatljivosti i važnosti za \naudiovizualni sektor) \n– kontinuitet programa odnosno njegova dugoročna usmjerenost, dostupnost \nprojekta, vidljivost i komunikacija sa profesionalcima i javnosti, \n– kvaliteta prijave, kvaliteta i iskustvo projektnog tima u pojedinoj programskoj \nkomplementarnoj djelatnosti za koju se prijavljuje (stabilni i dostatni izvori prihoda za \nkontinuirano obavljanje aktivnosti tijekom razdoblja ostvarivanja projekta, stručne \nkompetencije i kvalifikacije potrebne za provođenje predložene aktivnosti) \n– prethodna izdanja programa (ako nije prvo izdanje) \n– ispunjavanje prethodnih ugovornih obveza sa Centrom \n– odjek programa i komunikacija s javnosti (prije, za vrijeme i nakon održavanja \nprograma) \n– te povezivanje i suradnja. \n \nPosebno treba naglasiti da se 20 prijava odnosilo na programe koji pripadaju prvom \nroku Javnog poziva pa nisu razmatrane. Treba snažno apelirati na sve dionike u \nsegmentu audiovizualnih komplementarnih djelatnosti da obrate pozornost na rokove \ni propisane uvjete prijave na pojedini rok javnog poziva za komplementarne \ndjelatnosti. \n\n\f\n \nMeđu 40 programa predloženih  i odobrenih za potporu na ovome, drugom roku u \nkategoriji festivala i drugih audiovizualnih manifestacija važnošću i iznosom potpore \nprednjače Motovun Film Festival 2022 i 20. Zagreb Film Festival, a slijede ih 16. \nVukovar Film Festival te Human Rights Film Festival, 27. Splitski filmski festival i 12. \nOne Take Film Festival. Treba dakako istaknuti i tri tradicionalne godišnje revije \nneprofesijskoga filma u produkciji Hrvatskoga filmskog saveza: 60. Reviju hrvatskog \nfilmskog stvaralaštva djece, 54. Reviju hrvatskog filmskog stvaralaštva i 27. Filmsku \nreviju mladeži. Uz niz manjih festivala i filmskih revija, treba skrenuti pozornost na \nredovite potpore za specijalizirane festivale kao što su DOKUart – međunarodni \nfestival profesionalnog dokumentarnog filma u Bjelovaru, Fantastic Zagreb Film \nFestival, Smaragdni eco film festival SEFF, Festival dokumentarnog rock filma DORF \nu Vinkovcima ili PSSST! Festival nijemog filma u Zagrebu, uz mnoge druge.  \n \n \numjetnički savjetnici za komplementarne djelatnosti \nDavorka Begović \nCarmen Lhotka \nTomislav Šakić \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2022,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_me_unarodna_rezultati_rok_21_08_2015_print.pdf","filename_decoded":"JP_me_unarodna_rezultati_rok_21_08_2015_print.pdf","sha256":"39518210105e70b1b498b54bb3cf8075e56c6f6dd29057fed143c22a743e5289","bytes":355342,"page_count":5,"extracted_at":"2026-05-17T10:23:40Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_me%C4%91unarodna_rezultati_rok_21_08_2015_print.pdf"},"raw_text":" \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n \n \n \nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE \nKOMPLEMENTARNIH DJELATNOSTI U 2015. - PROGRAMI MEĐUNARODNE \nSURADNJE - Rok 21. kolovoza 2015.                  \n  \nPREDLAGATELJ \nODGOVORNA \nOSOBA \nPROGRAM \nOPIS PROGRAMA \nODOBRENA \nPOTPORA (kn) \n1 \nAna Horvat \n/ \nProgrami gostovanja hrvatskih \nautora/-ica, producenata/-ica, \nizbornika filmskih stručnjaka i \ndjelatnika festivala. Programi \nizrade promidžbenih \nmaterijala i prijavljivanje u \nslužbenu konkurenciju \nfestivala. Programi \npredstavljanja i promocije \nfilmova. \nSudjelovanje redateljice i \npredstavljanje \nkratkometražnog animiranog \nfilma 'Razgovori', red. A. \nHorvat u natjecateljskom \nprogramu 8. međunarodnog \nfestivala animiranog filma \nAnimator u Poznanu, Poljska; \n14. do 17. srpnja 2015. \n2.000,00 kn \n2 \nAntitalent \nprodukcija \nd.o.o. \nDanijel Pek \nProgrami stručnog \nusavršavanja. Pitching, \nkoprodukcijski forumi i \nprogrami za razvoj projekta \nSudjelovanje redatelja i \nproducenta s \ndokumentarnim projektom  \n'Rode', red. T. Jelinčića na 3 \nsesije međunarodne \nradionice za razvoj \ndugometražnih \ndokumentarnih projekata Ex \nOriente; 20.-25.07.'15, \nRijeka, Hrvatska; 26.-\n31.10'15, Jihlava, Češka, 07.-\n16.03.'16, Prag, Češka \n13.600,00 kn \n3 \nAnton Radačić \n/ \nProgrami stručnog \nusavršavanja. \nSudjelovanje animatora \nAntona Radačića na \nmeđunarodnom programu \nza vizualne efekte i animaciju \nVFX u organizaciji The \nAnimation Workshop; \nViborg, Danska; 24.08. do \n04.12.2015. \n3.000,00 kn \n4 \nArtizana film \nd.o.o. \nIrena Škorić \nProgrami predstavljanja i \npromocije filmova \nPredstavljanje \nkratkometražnog igranog \nfilma 'Ponoćno sivo', red. B. \nIštvančića na 13. \nmeđunarodnog festivala \nmediteranskog filma; \nTangier, Maroko; 05. do 10. \nlistopada 2015. \n3.000,00 kn \n\n\f\n \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n5 \nBianca Dagostin \n/ \nProgrami stručnog \nusavršavanja. \nSudjelovanje Biance \nDagostin na međunarodnoj \nradionici za art \nkinoprikazivače 'Art Cinema \n= Action + Managment'; \nVenecija, Italija; 31. kolovoza \ndo 07. rujna 2015. \n3.500,00 kn \n6 \nCorvus film \nd.o.o. \nZvonimir \nMunivrana \nProgrami stručnog \nusavršavanja. \nSudjelovanje Zvonimira \nMunivrane na \nmeđunarodnoj radionici za \nrazvoj projekta MFI \nScript2Film; Nissyros, Grčka, \n23.06. - 05.07.; Samos, \nGrčka; 11. - 18.10.2015. \n4.500,00 kn \n7 \nFilmaparat \nd.o.o. \nMorana Mitić \nProgrami stručnog \nusavršavanja. \nSudjelovanje producentice \nna modulu međunarodne \nradionice MAIA - 'Marketing \ni distribucija'; Bologna, \nItalija; 21. - 25. rujna 2015. \n4.000,00 kn \n8 \nFilmsko \nkreativni studio \nVanima \nHrvoje Selec \nProgrami stručnog \nusavršavanja. Međunarodni \nfilmski sajmovi. \nSudjelovanje Sandre \nMalenice na međunarodnoj \nkonferenciji filma za djecu \nECFA; Bruxelles, Belgija; 23. - \n24. rujna 2015. \n1.396,00 kn \n9 \nFoto kino video \nklub Zaprešić \nMiroslav Klarić \nProgrami gostovanja hrvatskih \nautora/-ica, producenata/-ica, \nizbornika filmskih stručnjaka i \ndjelatnika festivala. \nSudjelovanje 3 autora i 2 \nvoditelja i predstavljanje \nigranog filma 'Disciplina' te \nanimiranih filmova 'Frizura' i \n'Z Z Zmaj' u dječjem \nprogramu 39. \nmeđunarodnog festivala \nOpen-Air Filmfest \nWeiterstadt; Njemačka; 13. \ndo 16. kolovoza 2015.   \n4.000,00 kn \n10 \nHrvatski filmski \nsavez \nMarija Ratković \nVidaković \nOstali programi \nSudjelovanje hrvatske \ndelegacije na \nmeđunarodnom festivalu \nfilmova mladeži Seoul \nInternational Youth Film \nFestival; Seoul, Južna Koreja; \n05. do 12. kolovoza 2015. \n8.385,00 kn \n11 \nHrvatski filmski \nsavez \nMarija Ratković \nVidaković \nOstali programi \nSudjelovanje hrvatske \ndelegacije na \nmeđunarodnom festivalu \nfilmova za djecu i mlade \nGiffoni Experienca; Giffoni, \nItalija; 17. do 26. srpnja \n2015. \n5.856,00 kn \n\n\f\n \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n12 \nHrvatski filmski \nsavez \nMarija Ratković \nVidaković \nProgrami predstavljanja i \npromocije filmova \nSudjelovanje snimatelja i \nredatelja i predstavljanje \ndugometražnog \ndokumentarnog filma \n'Rakijaški dnevnik' u \nnatjecateljskom programu \n14. međunarodnog festivala \nDokuFest ; Prizren, Kosovo; \n06. do 16. kolovoza 2015. \n3.921,00 kn \n13 \nHrvoje Mabić \n/ \nProgrami gostovanja hrvatskih \nautora/-ica, producenata/-ica, \nizbornika filmskih stručnjaka i \ndjelatnika festivala. \nSudjelovanje redatelja i \npredstavljanje \ndugometražnog \ndokumentarnog filma \n'Bolesno', red. H. Mabića  na \n31. međunarodnom \nfilmskom festivalu u \nWarsawi, Poljska; 09. do 18. \nlistopada 2015. \n2.664,00 kn \n14 \nIrena Krčelić \n/ \nProgrami stručnog \nusavršavanja. \nSudjelovanje Irene Krčelić na \ndvije sesije radionice \nEuropean TV Drama Series \nLab 2015 Erich Pommer \nInstituta; Berlin, Njemačka; \n30. lipnja do 05. srpnja 2014. \ni 11. do 15. studeni 2015. \n3.800,00 kn \n15 \nKinoklub Zagreb \nVedran Šuvar \nProgrami gostovanja hrvatskih \nautora/-ica, producenata/-ica, \nizbornika filmskih stručnjaka i \ndjelatnika festivala. Programi \nizrade promidžbenih \nmaterijala i prijavljivanje u \nslužbenu konkurenciju \nfestivala. Programi \npredstavljanja i promocije \nfilmova. \nSudjelovanje redateljice i \npredstavljanje \ndokumentarnog filma 'Hux, \nFlux, Smokvin Sin', red. S.A. \nVeldić, M. Semenčić na \nprogramu 'Croatia in focus' \nmeđunarodnog festivala \nkreativnog dokumentarnog \nfilma Open city; London, VB; \n16. do 22. lipnja 2015. \n1.139,00 kn \n16 \nMarko Dješka \n/ \nProgrami stručnog \nusavršavanja. Pitching, \nkoprodukcijski forumi i \nprogrami za razvoj projekata. \nSudjelovanje animatora \nMarka Dješke s projektom \n'Bul i Bal' na međunarodnom \nprogramu umjetničke \nrezidencije i razvoja \nprojekata za animatore Open \nWorkshop; Viborg, Danska; \n29. svibnja do 30. rujna \n2015. \n2.440,00 kn \n\n\f\n \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n17 \nNukleus Film \nd.o.o. \nSiniša Juričić \nProgrami gostovanja hrvatskih \nautora/-ica, producenata/-ica, \nizbornika filmskih stručnjaka i \ndjelatnika festivala. Programi \nizrade promidžbenih \nmaterijala i prijavljivanje u \nslužbenu konkurenciju \nfestivala. Programi \npredstavljanja i promocije \nfilmova. \nSudjelovanje koproducenta i \npredstavljanje \ndugometražnog igranog \nfilma 'Trema', red. Y. Zoisa \nna natjecateljskom \nprogramu 72. \nmeđunarodnog filmskog \nfestivala u Veneciji, Italija; \n07. do 08. rujna 2015.  \n1.000,00 kn \n18 \nNukleus Film \nd.o.o. \nSiniša Juričić \nProgrami gostovanja hrvatskih \nautora/-ica, producenata/-ica, \nizbornika filmskih stručnjaka i \ndjelatnika festivala. Programi \nizrade promidžbenih \nmaterijala i prijavljivanje u \nslužbenu konkurenciju \nfestivala. Programi \npredstavljanja i promocije \nfilmova. \nSudjelovanje koproducenta i \npredstavljanje \ndugometražnog igranog \nfilma 'Full Contact', red. D. \nVerbeeka na programu \nPlatforma 40. \nmeđunarodnog filmskog \nfestivala u Torontu, Kanada; \n13. do 17. rujna 2015. \n6.883,00 kn \n19 \nSlavica film \nd.o.o. \nMirta Puhlovski \nProgrami gostovanja hrvatskih \nautora/-ica, producenata/-ica, \nizbornika filmskih stručnjaka i \ndjelatnika festivala. Programi \nizrade promidžbenih \nmaterijala i prijavljivanje u \nslužbenu konkurenciju \nfestivala. Programi \npredstavljanja i promocije \nfilmova. \nSudjelovanje redateljice i \npredstavljanje \nkratkometražnog igranog \nfilma \"Zvjerka\", red. D. O. \nPusić  na Telluride film \nfestivalu; Colorado, SAD; 04. \ndo 07. rujna 2015. \n5.200,00 kn \n20 \nStvaralačka \nmreža Zebra \nDavid Lušičić \nProgrami stručnog \nusavršavanja. \nSudjelovanje redatelja s \nprojektom dokumentarnog \nfilma 'Mlungu - Bijeli kralj', \nred. D. Lušičić na 3 sesije \nmeđunarodne radionice \nMAIA; 13. - 18.04.'15,; Chia, \nSardinija; 06. - 10.07.'15; \nVilnius, Litva; 21. - 25.09.'15; \nBologna, Italija \n6.056,00 kn \n21 \nSpiritus movens \nd.o.o. \nZdenka Gold \nProgrami gostovanja hrvatskih \nautora/-ica, producenata/-ica, \nizbornika filmskih stručnjaka i \ndjelatnika festivala. Programi \nizrade promidžbenih \nmaterijala i prijavljivanje u \nslužbenu konkurenciju \nfestivala. Programi \npredstavljanja i promocije \nfilmova. \nSudjelovanje filmske ekipe i \npredstavljanje \nkratkometražnog igranog \nfilma 'Belladonna', red. D. \nTurić u natjecateljskom \nprogramu Orizzonti 72. \nmeđunarodnog filmskog \nfestivala u Veneciji, Italija; \n02. do 12. rujna 2015. \n20.000,00 kn \n\n\f\n \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n22 \nSveučilište u \nZagrebu - \nStudentski \ncentar u \nZagrebu \nPejo Pavlović \nProgrami gostovanja hrvatskih \nautora/-ica, producenata/-ica, \nizbornika filmskih stručnjaka i \ndjelatnika festivala. Programi \nizrade promidžbenih \nmaterijala i prijavljivanje u \nslužbenu konkurenciju \nfestivala. Programi \npredstavljanja i promocije \nfilmova. \nSudjelovanje predstavnice \nfilmskog labaratorija \nKlubvizija SC i predstavljanje \nfilmskog programa u sklopu \n22. međunarodnog filmskog \nfestivala nezavisnog filma  \nL'Alternativa; Barcelona, \nŠpanjolska; 16. do 22. \nstudeni 2015. \n1.500,00 kn \n23 \nTamara Babun \n/ \nProgrami stručnog \nusavršavanja. \nSudjelovanje producentice \nTamare Babun na \nmeđunarodnoj radionici \nEmerging Producers u sklopu \n19. međunarodnog festivala \ndokumentarnog filma u \nJihlavi, Češka; 28.10. do \n01.11.2015. \n3.500,00 kn \n24 \nU svom filmu \nd.o.o. \nBarbara \nJukopila \nPitching, korpodukcijski forumi \ni programi za razvoj projekata \nSudjelovanje redatelja i \nproducentice s projektom \ndugometražnog igranog \nfilma 'Rent a tata', red. A. \nTardozzija na dvije sesije \nmeđunarodne radionice MFI \nScript2Film; Nissyros, Grčka; \n24.06. - 04.07.'15; Somos, \nGrčka; 11. - 18.10.'15 \n10.000,00 kn \n25 \nVilka Alfier \n/ \nProgrami stručnog \nusavršavanja. \nSudjelovanje Vilke Alfier na \ndvije sesije međunarodne \nradionice dokumentarnog \nfilma Ex Oriente; Jihlava, \nČeška, 26. - 31.10.'15; Prag, \nČeška; 07.-13.03.'16 \n2.000,00 kn \n  \n  \n  \n  \nUKUPNO: \n123.340,00 kn \n  \n  \n  \n  \n  \n  \n  \nHRVATSKI AUDIOVIZUALNI CENTAR \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE \nODOBRENA POTPORA. \n  \n  \n  \n  \n  \n  \n  \n \n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JP_me_unarodna_rezultati_rok_21_08_2015_print","year":2015,"rok":null,"natjecaj_date":"2015-12-04","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"REZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2015. - PROGRAMI MEĐUNARODNE SURADNJE - Rok 21. kolovoza 2015.","section_key":"rezultati_javnog_poziva_za_dodjelu_sredstava_za_poticanje_ko","columns":["PREDLAGATELJ","ODGOVORNA OSOBA","PROGRAM","OPIS PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje redateljice i predstavljanje kratkometražnog animiranog filma 'Razgovori', red. A. Horvat u natjecateljskom programu 8. međunarodnog festivala animiranog filma Animator u Poznanu, Poljska; 14. do 17. srpnja 2015.","applicant":"Ana Horvat","production_company":"Ana Horvat","director":null,"writer":null,"original_author":null,"category":"Programi gostovanja hrvatskih autora/-ica, producenata/-ica, izbornika filmskih stručnjaka i djelatnika festivala. Programi izrade promidžbenih materijala i prijavljivanje u službenu konkurenciju festivala. Programi predstavljanja i promocije filmova.","approved_amount_text":"2.000,00 kn","approved_amount":2000.0,"currency":"HRK","extras":{"col_1":"1","ODGOVORNA OSOBA":"/","col_5":"Programi gostovanja hrvatskih","OPIS PROGRAMA":"Sudjelovanje redateljice i predstavljanje kratkometražnog animiranog filma 'Razgovori', red. A. Horvat u natjecateljskom programu 8. međunarodnog festivala animiranog filma Animator u Poznanu, Poljska; 14. do 17. srpnja 2015.","parity_original_project_title":"1 - Ana Horvat - / - Programi gostovanja hrvatskih - Sudjelovanje redateljice i predstavljanje kratkometražnog animiranog filma 'Razgovori', red. A. Horvat u natjecateljskom programu 8. međunarodnog festivala animiranog filma Animator u Poznanu, Poljska; 14. do 17. srpnja 2015.","parity_original_applicant":null,"parity_original_category":null,"parity_action":"fix","parity_reasoning":"Anchor row for entry #1 (Ana Horvat); replace fragmented project_title with cleanly reconstructed fields. 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Jelinčića na 3 sesije međunarodne radionice za razvoj dugometražnih dokumentarnih projekata Ex Oriente; 20.-25.07.'15, Rijeka, Hrvatska; 26.-31.10'15, Jihlava, Češka, 07.-16.03.'16, Prag, Češka","applicant":"Antitalent produkcija d.o.o.","production_company":"Antitalent produkcija d.o.o.","director":"Danijel Pek","writer":null,"original_author":null,"category":"Programi stručnog usavršavanja. Pitching, koprodukcijski forumi i programi za razvoj projekta","approved_amount_text":"13.600,00 kn","approved_amount":13600.0,"currency":"HRK","extras":{"col_1":"2","ODGOVORNA OSOBA":"Danijel Pek","col_8":"Sudjelovanje redatelja i","parity_original_project_title":"Programi stručnog usavršavanja. Pitching, koprodukcijski forumi i programi za razvoj projekta","parity_original_applicant":null,"parity_original_category":null,"parity_action":"fix","parity_reasoning":"Anchor row for entry #2 (Antitalent produkcija d.o.o.); replace fragmented project_title with cleanly reconstructed fields. 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Jelinčića na 3 sesije međunarodne radionice za razvoj dugometražnih dokumentarnih projekata Ex Oriente; 20.-25.07.'15, Rijeka, Hrvatska; 26.-31.10'15, Jihlava, Češka, 07.-16.03.'16, Prag, Češka"},{"row_number":3,"project_title":"Sudjelovanje animatora Antona Radačića na međunarodnom programu za vizualne efekte i animaciju VFX u organizaciji The Animation Workshop; Viborg, Danska; 24.08. do 04.12.2015.","applicant":"Anton Radačić","production_company":"Anton Radačić","director":null,"writer":null,"original_author":null,"category":"Programi stručnog usavršavanja.","approved_amount_text":"3.000,00 kn","approved_amount":3000.0,"currency":"HRK","extras":{"col_1":"3","ODGOVORNA OSOBA":"/","col_8":"Sudjelovanje animatora","parity_original_project_title":"Programi stručnog usavršavanja.","parity_original_applicant":null,"parity_original_category":null,"parity_action":"fix","parity_reasoning":"Anchor row for entry #3 (Anton Radačić); replace fragmented project_title with cleanly reconstructed fields. 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 kategorija: poticanje proizvodnje \nfilmova, 1. rok 2022. \n \nKategorija: poticanje proizvodnje animiranog filma \nRok: 15.3.2022. \nUmjetnička savjetnica: Ana Horvat \n \n \n \nNa prvi rok natječaja za poticanje proizvodnje animiranog filma, prijavljeno je sedamnaest (17) \nkratkometražnih projekata.  \n \nOd tih sedamnaest, šest (6) projekata su debitantski, a četiri (4) su namijenjeni djeci. \n \nZa sufinanciranje je predloženo i odobreno šest (6) filmova, od kojih ni jedan nije za djecu, a tri (3) \nsu debitantska. \n \nŠto se tehnike animacije tiče, većina prijavljenih projekata je planirano za 2D animaciju, mnogi u \nkombinaciji s drugim animacijskim tehnikama. \n \nTeme i vizuali su jako različiti, čini se da i scenariji postaju bolji, a jako mi je drago vidjeti da se \ndosta eksperimentira i kombinira tehnike. Ipak, neki autori često ponavljaju iste eksperimentalne \ntehnike u svojim filmovima, što onda i nije više inovativno. \n \nNeobičnost je da se u sva tri debitantska filma odobrena za sufinanciranje radnja odvija oko lika \nbake. Međutim ipak se radi o tri dosta različite priče, kao i različitim vrstama animacije.   \n \nUkupna sredstva odobrena za poticanje proizvodnje tih 6 filmova iznosi 1.810.000,00 kn. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n \nObrazloženja \n \n \n1. \nnaziv projekta:  Vanja i Vanja \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Danijel Žeželj \ntehnika/ publika:  2D animacija, rotoskopija / odrasli \n380.000,00 kn \n \nU okrutni post-apokaliptični svijet Žeželj smješta prijateljstvo dvoje djece, okorjele beskućnice i  \nmalog gladijatora u opasnom hokeju na koturaljkama. Njihova razigranost i nesebičan odnos je u \noštrom kontrastu sa svijetom ovog filma, te kada priča neminovno završava tragično, ostavlja nas s \njakom porukom važnosti i vrijednosti ljudskog odnosa i ljubavi. \nAutor se oslanja na rotoskopiju, ali njegov prepoznatljiv stil crteža oštrih sjena i jakih kontrasta \ntonova će izražajno podržavati mračnu poetiku priče.  \n \n \n2. \nnaziv projekta:  Baba \nprodukcija: 3D2D Animatori d.o.o. \nscenarij i režija: Maja Duvnjak \ntehnika/ publika:  2D animacija / odrasli \n230.000,00 kn \n \nPrethodni film je tragedija koja nas ostavlja s tugom, a ovaj je duhovita tragedija koja nas ostavlja s \nkatarzom. Duhom podsjeća na klasične priče s ovih prostora poput Postolara i vraga, te Šume \nStriborove.  \nSkromna usamljena Baka – Baba pregovara sa Smrti i uspijeva je zavarati domišljato poput \narhetipskog junaka iz bajki, da bi se zatim otvorio neočekivan obrat u kojem nam se otkriva pravi \nmotiv njenog odugovlačenja – zadnji čin ljubavi za njenu obitelj. \nAutorica je debitantica i dolazi iz svijeta stripa više nego animacije, ali priča je cjelovita i \nuravnotežena u svim elementima, a projekt je temeljito i kvalitetno pripremljen.   \nFilm je zamišljen u klasičnoj 2D animaciji, ilustrativnog stila u crno-bijelom tonalitetu, koji je \nprimjeren temi i stilu filma. \n \n \n3. \nnaziv projekta:  Čekam da te prepoznam u nekom novom liku \nprodukcija: Jaka produkcija d.o.o. \nscenarij i režija: Petra Balekić \ntehnika/ publika:  2D,  frame by frame animacija  / odrasli \n260.000,00 kn \n \nTema ovog filma je iščekivanje slijedeće ljubavi. U praznom prostoru žena se valjuška u sfumatu \nsvojih miješanih emocija. Čežnja, dosada, neizvjesnost, rizik, strast. Krupni kadrovi tijela i sporost \nkretnji su intimni i erotični, a njene ruke su gladne, pomalo grabljive.  \nTehnika odabrana za izvedbu je prava snaga ovog projekta. Animacija će se precrtavati na paus \npapir, te će se više faza prikazivati istovremeno i sukcesivno. Nastajanje i nestajanje crteža, spore \nkretnje te mutna, nepouzdana prozirnost pausa likovno snažno oslikavaju emotivni sadržaj filma. \n \n\n\f\n \n \n4. \nnaziv projekta:  Bablje ljeto \nprodukcija: Jadranska animacija \nscenarij i režija: Paula Skelin \ntehnika/ publika:  2D animacija, kolaž / odrasli \n340.000,00 kn \n \nUnuka i baka provode dane ljeta zajedno na dalmatinskom otoku - starica u svojoj kućanskoj \nsvakodnevnici, a djevojka snima zvukove u okolici i u garaži radi na svom projektu. \nSvaka je uronjena u svoj svijet te je atmosfera prožeta tihim, ali napetim nerazumijevanjem, da bi se \nna kraju priča meko rasplela u ostvarenje nježnog odnosa prihvaćanja i bliskosti između unuke i \nbake. \nAutorica dolazi iz svijeta igranog i dokumentarnog filma, te je debitant u animiranom. Ovdje \nostvaruje suradnju s mladom autoricom animiranog filma Sunčanom Brkulj kao nositeljicom \ndizajna likova i pozadina, te animatoricom, te je film planiran u 2D kolažnoj tehnici.  \nBrkulj eksperimentira s različitim materijalima te su nastali vizuali vrlo taktilni, slikovito bizarni i  \npomaknuti od svakidašnjeg. \n \n \n5. \nnaziv projekta:  Nema mjesta \nprodukcija: Bonobostudio d.o.o. \nscenarij i režija: Jelena Oroz \ntehnika/ publika:  2D animacija, kolaž ( kombinirana tehnika) / odrasli \n340.000,00 kn \n \nOvaj projekt satirično govori o iskustvima pješaka u prometu – mjesta je malo, automobila je \nmnogo. Nadrealni automobili su nogata čudovišta koja razuzdano trče po ulicama. Nitko nije \nsiguran. Kroz bizarne situacije i kreativna rješenja, autorica donosi iskustva stvarnih ljudi o \npoteškoćama u kretanju gradom, kao i stvarnoj opasnosti tog nepredvidivog kaosa. \nOroz za realizaciju planira inventivnu i razigranu kombinaciju 2D, stop i kolažne animacije \npripremivši bogat, svježi dizajn, stiliziran i namjerno naivan, primjeren nadrealnim situacijama koje \npostavlja. \n \n \n6. \nnaziv projekta:  Otvaranje \nprodukcija: Umjetnička organizacija Pulpa \nscenarij i režija: Dalija Dozet \ntehnika/ publika:  2D animacija, kolaž (kombinirana tehnika) / odrasli \n260.000,00 kn \n \nOtvaranje je osoban, sjetan film o obiteljskim odnosima, koji dotiče i univerzalnu razinu \nmeđugeneracijskih odnosa.  Autorica u filmu odgovara na pismo koje je njena baka napisala pred \nsmrt. Baka je sluteći kraj radila inventuru svog života, te ostavlja savjete i dobre želje svojoj djeci i \nunucima. Unuka ima potrebu odgovoriti joj, razmišljajući o promjenama u obitelji i prolasku \nvremena. Prava direktna komunikacija je nemoguća, ali u tom fiktivnom prostoru zamišlja njihov \nsusret, pomirenje i bliskost, koje većina obitelji tako teško postiže u realnosti.  \nZa ostvarenje filma, autorica planira koristiti arhivske fotografije i video snimke obitelji, te ih \npovezati i doraditi kolažnom i 2D animacijom. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2022,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"HAVC%20-%201.%20rok%20RAZVOJ.pdf","filename_decoded":"HAVC%20-%201.%20rok%20RAZVOJ.pdf","sha256":"39daac71dffe551daee741f0ec66567e478b434c28864ab090f6bbd64f391996","bytes":279987,"page_count":2,"extracted_at":"2026-05-16T15:36:09Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/HAVC%20-%201.%20rok%20RAZVOJ.pdf"},"raw_text":"Na 1. rok Javnog poziva za razvoj projekata dugometražnih igranih filmova prijavilo se \nukupno devet projekata, od kojih dva predlažemo za financiranje. \n \nMALI TESLA I KRADLJIVCI IDEJA, scenarista Vanje Obada i Petra Oreškovića, u produkciji \nkuće Jaako dobra produkcija, maštovita je priča za djecu čiji se zaplet temelji na Teslinoj \nizjavi kako ga ne brine što su drugi krali njegove ideje, već što nisu imali svoje.  \nRiječ je o scenariju velikog kino-potencijala i projektu koji je već dobio potporu MEDIA-e u \niznosu od 50.000 eura. Budući da je riječ o produkcijski najzahtjevnijem projektu, \npredlažemo potporu od 140.000 kuna. \n \nŽIVOTINJE, scenarista i redatelja Nebojše Sljepčevića, u produkciji Umjetničke organizacije \nParadoks, psihološka je drama koja glavne junake, ali i čitavo društvo, prikazuje kao entitete \nu kojima mračna strana na kraju uvijek prevladava nad svijetlom. \nŽivotinje se produkcijski čine idealnim debitantskim filmom koji bi mogao imati podjednak \nuspjeh u kinima i na festivalima, stoga predlažemo iznos od 120.000 kuna. \n \n \nNa 1. rok Javnog poziva za razvoj scenarija dugometražnih igranih filmova stiglo je ukupno \nšezdeset i devet prijava, a za financiranje u iznosu od 30.000 kn predlažemo sedam scenarija. \n \nBOBO, scenarista i redatelja Tina Žanića, prati sudbinu ilegalnog građevinskog radnika u \nLondonu koji preko noći ostaje bez posla i prihoda. Žanićevi kratki filmovi imali su priličan \nfestivalski uspjeh, što je samo dodatna preporuka ionako uvjerljivom i vizualno sugestivnom \ntreatmentu.    \n \n \n \n \n \n \n \n \n \nČOVJEK KOJEM BOG NIJE DAO SUZE kompilacija je četiri romana Midhata Ajanovića koje se \nkao koscenarist i redatelj prihvatio Damir Čučić. Prema riječima redatelja, budući scenarij \nzamišljen je kao akcijski triler koji prati odrastanje i život jednog čovjeka, ali i čitave zemlje, \nkoja je posrnula i raspala se u nacionalističkim ratovima.   \n \nNAJGORI LJUDI NA SVIJETU, scenaristice Nikoline Bogdanović, priča je o njemačkom \nbračnom paru koji na odmoru u Hrvatskoj doživi nešto što će im narušiti sliku o njima \nsamima kao dobrim osobama. Napisan uvjerljivo i zrelo, treatment nagovještava izuzetno \nzanimljiv scenarij.  \n \nPUTNICI, scenaristice i redateljice Čejen Černić, u produkciji Kinorame, dječji je film o troje \n12-godišnjaka koji, svaki iz svog razloga i svaki u svom aranžmanu, bježe od kuće.  \nAutorica je ove godine debitirala filmom Uzbuna na Zelenom vrhu koji je postigao priličan \nuspjeh u kinima, a Putnici imaju sve što je potrebno da se taj uspjeh ponovi.  \n \n \n \n \n \n \n \n \n \n \nRENT-A-TATA, scenarista i redatelja Alde Tardozzija, producentske kuće U svom filmu, \nkomedija je za djecu i odrasle koja prati odnos dječaka Olega i sitnog prevaranta Muhe koji \nmu glumi oca na roditeljskim sastancima, ali i u drugim prilikama. Radi se o priči s velikim \nkino-potencijalom, a činjenica da je 2017. godine primljen na produkcijsku radionicu EAVE, \ndodatni je razlog da ga podržimo. \n \n\n\f\nTAJNICE ILI KAKO ODABRATI TELEFAKS UREĐAJ, scenaristice i redateljice Silve Ćapin, u \nprodukciji kuće Eclectica, govori o 60-godišnjoj tajnici Mireli koja odlazi u Crikvenicu na \nnatjecanje za Tajnicu godine. Komedija Tajnice ima sve preduvjete postati kino-hitom, a \nprojekt je već osvojio prvu nagradu na programu Pack&Pitch u Sarajevu 2016. godine. \n \nULJEZ, prema riječima autora Zorana Lazića, predstavlja spoj psihološke drame o rasapu \nličnosti i home-invasion trilera koji ne igra na šok, već na jezovitu atmosferu, s \nminimaliziranom fabulom, ali maksimaliziranim podtekstom. 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Antonio \nBritvar\nSudjelovanje Antonija Britvara na 12. Youth \nCinema Networku i FiSH – Filmfestival im \nStadtHafen u Rostocku, Njemačkoj\n319,44 €\n6\nPipser d.o.o.\nSudjelovanje Miljenke Čogelje na filmskom \nfestivalu u Cannesu kao članice Crescine \nProducer's kluba\n813,22 €\n7\nStudio Pangolin\nSudjelovanje filma Radije bih bila kamen, \nredateljice Ane Hušman na 40. Festivala kratkog \nfilma u Hamburgu.\n229,54 €\n8\nAntitalent d.o.o.\nPredstavljanje filma Čovjek koji nije mogao šutjeti \nna Filmskom festivalu u Cannesu u službenoj \nselekciji kratkometražnog filma\n10.923,48 €\n9\nUdruga Marinis Media\nSudjelovanje filma \"Bezbroj poljubaca\" u \nprogramu BDC Discoveries 2024 u Srbiji, \nBugarskoj i Njemačkoj\n1.580,24 €\n10\nDobar film\nSudjelovanje projekta TV-serije \"Poštovani kukci i \ndruge jezive priče\" u programu TorinoFilmLab - \nSeriesLab u Belgiji, Španjolskoj i Italiji\n3.062,06 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2024. - \nPROGRAMI MEĐUNARODNE SURADNJE - ROK 11.7.2024., 39. sjednica Hrvatskog audiovizualnog vijeća \n13.9.2024.\n\n\f\n11\nSara Jurinčić\nTalijanska premijera i predstavljanje filma \n\"Valerija\" autorice Sare Jurinčić na \nmeđunarodnom filmskom festivalu La Guarimba u \nAmantei\n233,63 €\n12\nRestart\nSudjelovanje redatelja Mladena Ivanovića i \nproducentice Zrinke Košar s filmom \n\"Kontraadmiral\" na radionici BDC Discoveries \n2024 u Beogradu – 1. sesija\n1.071,97 €\n13\nKreativni sindikat\nSudjelovanje animatorice Martine Meštrović na In \nthe Palace festivalu u Bugarskoj od 4. do \n7.7.2024.\n106,49 €\n14\nUdruga Djeca susreću \numjetnost\nSudjelovanje Udruge Djeca susreću umjetnost na \nKIDS Regio Forum 2024.\n451,32 €\n15\nEugen Bilankov\nSudjelovanje na Međunarodnom festivalu \nanimiranog filma u Annecyju\n633,60 €\n16\nSplit Screen, vl. Marcella \nJelić\nSudjelovanje na festivalu Sheffield doc/fest 2024\n211,69 €\n17\nRestart\nSudjelovanje projekta \"Budi realan, traži \nnemoguće\" na EX ORIENTE radionici - prva sesija \nu Bugarskoj \n3.500,00 €\n18\nJavna ustanova Pula film \nfestival\nSudjelovanje na Bologna Innovation Lab 2024\n325,00 €\n19\nWolfgang i Dolly d.o.o.\nSudjelovanje hrvatskog dijela ekipe filma \n„Obiteljska terapija“ na Tribeca Festivalu 2024. \n7.900,00 €\n20\nPipser d.o.o.\nSudjelovanje redatelja Đure Gavrana i \nproducentice Miljenke Čogelje na radionici Ex \nOriente Film Workshop \n3.000,00 €\n21\nDina Pokrajac\nSudjelovanje Dine Pokrajac na Radical Film \nNetwork Conference 2024 \n768,64 €\n22\nFilip Zadro\nSudjelovanje u programu Bologna Audience \nDevelopment & Innovation Lab 2024 u Italiji, te na \nfestivalu Bašta Fest u Bajinoj Bašti, Srbija, s \nfilmom \"Susjede bubice\"\n370,38 €\n23\nJaka produkcija d.o.o.\nSudjelovanje na manifestaciji KIDS Regio Forum \n2024 u Erfurtu, Njemačka\n241,09 €\n24\nEclectica d.o.o.\nSvjetska premijera filma \"Proslava\" na Karlovy \nVary International Film Festivalu\n8.900,00 €\n\n\f\n25\nStudio Pangolin\nSudjelovanje filma Radije bih bila kamen, \nredateljice Ane Hušman na 47. Festivala kratkog \nfilma u Drami, Grčka.\n256,89 €\n26\nPlan 9 produkcija d.o.o.\nPremijera filma \"Tako te volim\" na Curtas Vila do \nConde - International Film Festivalu u Portugalu\n2.850,00 €\n27\nTea Matanović\nSudjelovanje kratkometražnog igranog filma \n\"Susjede bubice\" na festivalu Bašta Fest u Bajinoj \nBašti, Srbija\n149,59 €\n28\nDanijela Stanojević\nSudjelovanje na filmskom festivalu Elles Tournent \nu Bruxellesu\n761,00 €\n29\nPetnaesta umjetnost d.o.o.\nRegionalna premijera filma \"Paviljon 6\" na \nSarajevo Film Festivalu\n657,00 €\n30\nIvan Perić\nProjekcija filma \"Romeo & Julio\" u umjetničkoj \nustanovi Barbican Centre u Londonu\n197,00 €\n31\nMultimedijalna umjetnička \norganizacija Bacači Sjenki\nSudjelovanje filmske škole FROOOM! na filmskom \nfestivalu Filem'On u Bruxellesu\n1.000,00 €\n32\nHrvatski filmski savez - \nHFS\nSudjelovanje hrvatske delegacije na festivalu \nGiffoni Experience 2024. u Italiji\n2.154,00 €\n33\nUmjetnička organizacija \nPlafon\nSudjelovanje Matije Drnikovića s projektom \"Zubi \nkrokodila\" na sajmu OFF Pro Film Market u \nSarajevu od 21. do 25.7.2024.\n240,34 €\n34\nMultimedijalna umjetnička \norganizacija Bacači Sjenki\nSudjelovanje filma \"Vitić pleše\" na Histories and \nFilm Festivalu u Râșnovu, Rumunjska\n305,46 €\n6. Smotra hrvatskog filma u Beogradu i\n\"Make it Happen\" - pitching forum hrvatskih kratkih \nfilmova u sklopu Smotre hrvatskog filma u \nBeogradu\n36\nPropeler Film d.o.o.\nSvjetska premijera filma \"Nakon ljeta\" i svečano \notvaranje 30. Sarajevo Film Festivala\n3.800,00 €\n37\nTara Klepac\nSudjelovanje filma \"Crvotočina\" na Ottawa \nInternational Animation Festivalu u Kanadi\n1.270,00 €\nTeatar Stella\n4.500,00 €\n35\n\n\f\n38\nDinaridi film d.o.o.\nSudjelovanje producentice Tene Gojić i redateljice \nIvane Škrabalo na manifestaciji New Nordic Films \nCo-Production Market, u sklopu Norwegian \nInternational Film Festivala, u Haugesundu\n817,01 €\n39\nCentar za dramsku \numjetnost - CDU\nSudjelovanje na radionici Archives Imagined, u \nsklopu festivala MakeDox u Skoplju, Sjeverna \nMakedonija\n263,00 €\n40\nKinematograf d.o.o.\nPromocija filma \"Šume šume\" i gostovanje filmske \nekipe na festivalu DokuFest u Prizrenu, Kosovo\n862,32 €\n41\nAna Bilankov\nPortugalska premijera filma \"Dohvatiti sunce: El \nShatt\" na Olhares do Mediterrâneo – Women's \nFilm Festivalu u Lisabonu\n597,00 €\n42\nDigital Cinema \nEnvironment d.o.o.\nSudjelovanje redatelja Joze Schmucha na \nradionici Pack & Pitch, u sklopu Sarajevo Film \nFestivala\n170,34 €\n68.268,59 €\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati av JP ME_ 2024. - 3. rok.xls - Compatibility Mode","year":2024,"rok":null,"natjecaj_date":"2024-07-11","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA (€)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje redatelja Damira Markovine na međunarodnom programu Beldocs Pitching Forum 2024","applicant":"Wolfgang i Dolly d.o.o.","production_company":"Wolfgang i Dolly d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"500,00 €","approved_amount":500.0,"currency":"EUR","extras":{"col_1":"1","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Wolfgang i Dolly d.o.o.","row_id":"3b0162f3:s0:8d783af607fc","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_c3d1c39fdd98","project_family_title":"Sudjelovanje redatelja Damira Markovine na međunarodnom programu Beldocs Pitching Forum 2024"},{"row_number":2,"project_title":"Sudjelovanje redateljice Marcelle Zanki i producenta Matije Drnikovića na međunarodnom programu Beldocs Pitching Forum 2024","applicant":"Wolfgang i Dolly d.o.o.","production_company":"Wolfgang i Dolly d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"796,55 €","approved_amount":796.55,"currency":"EUR","extras":{"col_1":"2","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Wolfgang i Dolly d.o.o.","row_id":"3b0162f3:s0:a49fbcbfcde3","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_42ae6aebcb9e","project_family_title":"Sudjelovanje redateljice Marcelle Zanki i producenta Matije Drnikovića na međunarodnom programu Beldocs Pitching Forum 2024"},{"row_number":3,"project_title":"Sudjelovanje suradnica revijskih i obrazovnih programa na Međunarodnom dječjem filmskom festivalu Kristiansand u Norveškoj","applicant":"Hrvatski filmski savez - HFS","production_company":"Hrvatski filmski savez - HFS","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"656,94 €","approved_amount":656.94,"currency":"EUR","extras":{"col_1":"3","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Hrvatski filmski savez - HFS","row_id":"3b0162f3:s0:f40611861c53","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_cc36401cefcd","project_family_title":"Sudjelovanje suradnica revijskih i obrazovnih programa na Međunarodnom dječjem filmskom festivalu Kristiansand u Norveškoj"},{"row_number":4,"project_title":"Sudjelovanje na međunarodnom sajmu animiranog filma Marché international du film d'animation (MIFA) u sklopu festivala u Annecyju 2024","applicant":"MINYA FILM I ANIMACIJA j.d.o.o.","production_company":"MINYA FILM I ANIMACIJA j.d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"822,36 €","approved_amount":822.36,"currency":"EUR","extras":{"col_1":"4","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"MINYA FILM I ANIMACIJA j.d.o.o.","row_id":"3b0162f3:s0:86424f2cce17","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high","family":{"method":"claude-haiku","confidence":"high","reason":"Consistent entity (MINYA FILM I ANIMACIJA), identical distinctive wording about MIFA in Annecy, same program category. 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kategorija: po*canje razvoja scenarija \ni razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npotkategorija: RAZVOJ SCENARIJA u 2023. - 2. ROK - 29.9.2023. - dugometražni igrani filmovi \n \numjetnički savjetnici: Višnja Pen3ć, Juraj Lero3ć, Dean Šoša \nNa Javni poziv za poticanje razvoja scenarija dugometražnog igranog filma u 2023. godini na drugom roku \nprijavljen je ukupno stotinu i jedan (101) projekt.  Četiri (4) nismo razmatrali jer ne zadovoljavaju uvjete \njavnog poziva, a jedan smo projekt u ovu kategoriju prebacili iz kategorije razvoja projekata.  \n \nKao i na prvom roku javnog poziva u 2023. godini, tematski i autorski raspon prijavljenih projekata bio je \nizrazito raznolik. Raznoliki su i autori koji ih prijavljuju - filmski studenti, već etablirani autori \ndugometražnih igranih filmova, ali i potpuni amateri. Primjetan je i sve veći broj autora iz drugih \numjetnosti, pri čemu neki od njih filmski medij promišljaju vrlo zrelo i inovativno, šireći tematske, stilske i \nžanrovske okvire naše kinematografije.  \n \nPri odlučivanju o potporama, temeljni nam je kriterij bila originalnost ideje i zaokruženost osnovnog \nkoncepta.  \nŽelja nam je bila stvaranje neke buduće baze domaćih scenarija - tematski, stilski i žanrovski što bogatije i \nraznovrsnije. Baze iz koje će redatelji i producenti moći odabrati projekte.  Stoga je predložen i odobren \nrekordni broj potpora. \n \nPredložena je i odobrena potpora razvoja scenarija ukupno dvadeset i šest (26) projekata - dvadeset i pet \n(25) prijavljenih u ovoj kategoriji i jednome projektu prebačenom iz  kategorije razvoja projekata, u \nukupnom iznosu od 159.900,00 eura.  \n \nRiječ je o djelima različitih žanrova, podjednako namijenjena kinima i festivalima, kritici i publici. Šest \nfilmova mogu se okarakterizirati kao komedije, a još dva rubno koketiraju s ovim popularnim žanrom. \nMeđu odobrenima je i jedan dječji film.  \n \nVećinom je riječ o originalnim treatmentima, no nekoliko projekata predlaže ekranizaciju hvaljenih \nknjiževnih predložaka.  \n \nDevet (9) razvoja scenarija predloženih i odobrenih za potporu scenaristički potpisuju autorice, a \nsedamnaest (17) autori.  \n \n \n \n \n \n \n \n\n\f\nNOIR \n \nScenaristi : Stjepan Perić, Stanislav Tomić \nRedatelj: Stanislav Tomić \nProdukcija: Alka film d.o.o. \n \nRadnja filma, situirana u Zagrebu 30-ih, prati duhovitog probisvijeta Gaspara koji igrom slučaja \ndobije  priliku izmisliti svoj identitet nanovo i predstavljati se lažno kao uspješni privatni detektiv. Zadatak \nu kojem  mora slijediti ženu lokalnog moćnika isprva mu donosi prijeko potrebnu financijsku injekciju, ali \ni opasnosti i probleme koje ni sa zarađenim novcem neće moći riješiti. Stanislav Tomić i Stjepan Perić \n(glumac i koscenarist serije Instruktor) se u Noiru atmosferom oslanjaju na radove Fritza Langa, a likovima \nsmušenih luzera na filmske svjetove braće Coen.   \n \n \nSJAJNO MJESTO ZA NESREĆU \n \nScenarist: Damir Karakaš, prema romanu 'Sjajno mjesto za nesreću' Damira Karakaša \n \nNeafirmirani hrvatski prozaist, pasionirani karikaturist i intelektualac, u želji da objavi roman u Parizu, vodi \nistodobno vanjsku i unutarnju borbu s izdavačima, vlas33m ambicijama, realnim mogućnos3ma, surovim \nokolnos3ma, tuđim planovima i interesima, nepristojnim ponudama, sveopćim kaosom, nebrigom i \nprimi3vizmom, jedva spajajući kraj s krajem po ulicama europske metropole… \nSjajno mjesto za nesreću ekranizacija je istoimenog nagrađivanog romana našega uglednog književnika \nDamira Karakaša. Treatment Sjajnog mjesta za nesreću nagoviješta mogućnost uspjelog prevođenja \nKarakaševa literarnog svijeta u filmski medij. Temeljem treatmenta, ali i pokaznih scena scenarija, čini se \nkako bi osebujni likovi i efektno opisan pariški polusvijet mogli dobi3 svoj uspjeli filmski ekvivalent. \n \nPROJEKT PALMA \n \nScenarij: Daria S3lin \n \nLara se hitno vraća u svoje malo otočko rodno mjesto kad načelnica odluči posjeći jednu posebnu palmu, \na da to spriječi, Larin se djed na nju - zavezao. Šef joj u Irskoj daje rok od tjedan dana da to riješi i vra3 se \nako misli zadrža3 posao, no ona ionako želi doma osta3 što kraće, da izbjegne suočavanje i neminovne \nkomplikacije s bivšim dečkom. Potencijalno može dobi3 to što želi, da se nono odveže, ali postoji kvaka - \nmora prihva33 kandidaturu na predstojećim izborima za načelnicu. \n \nŠarmantna otočka komedija na dramski potentan način koris3 premisu povratka glavne junakinje u sredinu \nu kojoj je odrasla, a koja uporno živi po nekim svojim pravilima. Najveća su vrijednost scenarija sjajno \nodabrani mo3vi oko kojih se gradi zaplet mišljen u ključu komedije kojom se daje kri3čki komentar \naktualnih društvenih fenomena. Odnosi među likovima postavljeni su uvjerljivo i u daljnjem radu na \n\n\f\nprojektu bit će moguće dodatno ih oplemeni3 3pično mediteranskim koloritom, mentalitetom i \nambijentom kako bi se punokrvno dramski iskoris3la tenzija između proak3vnih vrijednos3 glavne \nprotagonis3ce i iskonske malomišćanske letargije. \n \n \nPOVIJEST BOLESTI \n \nScenarij: David Gašo \nRežija: David Gašo \n \nPriča je osmišljena kao niz psihološki pregnantnih vinjeta objedinjenih prostorom bolnice. Usred bolničkih \nrenovacija, osjetljivi mladić Jošt provodi dan pokušavajući sazna3 više o 3ku na svom lijevom oku, dok \nkirurga muči predosjećaj koji ne može objasni3, a gladni pacijent čeka operaciju koja se uporno odgađa. \nBolničkoj službenici je rođendan, jedan golub pokušava ući u bolnicu, a žedna pacijen3ca ne može dohva33 \nčašu vode. \n \nIzrazito filmično osmišljena meditacija o ljudskoj krhkos3 zadijevana u formu atmosferičnog filma stanja s \nhumornim elemen3ma. Autor gradi bogat, moćan koloplet detalja koji se mozaički slažu u uzbudljivu \numjetničku cjelinu nepogrešivo opipljive atmosfere i emocija koje progovaraju ne samo iz prikazanih ljudi \nveć i iz pomno odabranih stvari i prostora koji ih okružuju. Povijest boles8 sjajan je primjer filmske cjeline \nu kojoj se posredno, a opet upečatljivo progovara o prvim i posljednjim stvarima na emo3vno i \nintelektualno odvažan način. \n \nZAŠTO SAM VAM LAGALA \n \nScenarij: Dina Vukelić \nProducent: Lux film d.o.o. \n \nAdaptacija istoimenog hit romana Julijane Matanović koja se fokusira na odrastanje 13-godišnje Julijane u \nomanjem pitoresknom slavonskom mjestu početkom 1970-ih. Julijana je dječačke građe, kratke frizure i \nmuškobanjastog držanja. Nigdje se dokraja ne uklapa, a ponajmanje u svoju obitelj gdje autoritarna teta \npreuzima ulogu majke. U Julijaninom se životu sve stubokom promijeni otkrićem jedne fotografije, zbog \nkoje ona odluči potraži3 svoje biološke roditelje. \n \nIzvrsno izvedena adaptacija sačuvala je najvažnije kvalitete knjige te ih oplemenila dobrodošlim \ndramaturškim inovacijama kojima su priče iz predloška objedinjenje u uvjerljivu i koherentnu cjelinu. Tema \nse is3če svojom univerzalnošću i snagom, a velika je prednost autofikcijski, odnosno autobiografski \nmoment predloška koji je s uspjehom preveden u filmski jezik jasne i dopadljive dramaturgije čija je \nfunkcija prije svega uvjerljivo oblikovano iznošenje jedne stvarne sudbine veće od života. \n \n \n\n\f\nKAD JE BOG IZ CRIKVE ZAŠA \n \nScenaristi: Teo Morosin, Eric Ušić \nRedatelji: Teo Morosin, Eric Ušić \nProdukcija: Dinaridi film d.o.o.  \n \nU 16. stoljeću, u punom jeku inkvizicije, svećenik Giacomo dolazi u Vodnjan kako bi preuzeo napuštenu \nžupu. Upoznaje osebujne mještane koji ne idu u crkvu i ne čitaju Bibliju, već žive za kulturu i suvremenu \numjetnost. Pred Giacomom je dvostruki zadatak: prevesti Bibliju na narodni jezik da bi privukao ljude u \ncrkvu i osmisliti umjetnički performans da bi crkvu uključio u kulturni program grada. Dok je svećenik \nzaokupljen prijevodom, inkvizitor dolazi u Vodnjan kako bi se obračunao s Giacomom. \n \nFilm je inspiriran knjigom Fulvija Tomizze „Kad je Bog izašao iz crkve“, koja dokumentaristički portretira \nutjecaj reformacije u Vodnjanu ranog 16. stoljeća. Svijet filma izuzetno je neobičan u načinu na koji \nduhovito isprepliće sakralno sa svjetovnim, povijesne činjenice sa suvremenim političkim kontekstom. \nScenarističko redateljski duo Teo Morosin i Eric Ušić sa svojim prošlim filmom La Predstava osvojio je \nnagradu publike na Danima hrvatskog filma. Njihov talent, uz  motivacijsko pismo i iskustvo producentice \nTene Gojić, obećava da bi i ovaj projekt mogao također imati dobar prijem kod publike i kritike. \n \n \nPIKOLO \n \nScenarij: Filip Heraković i Igor Zenzerović  \nRežija: Filip Heraković \nProducent: Wolfgang i Dolly d.o.o. \n \nPriča pra3 dogodovš3ne kradljivca nadimka Pikolo i njegove pokušaje da odgovori na vlas3ta moralna i \negzistencijalna preispi3vanja koja se prelamaju sa životom u izrazito turbulentnom povijesnom razdoblju \nizmeđu dva svjetska rata u Istri. \n \nProjekt se temelji na intrigantnom konceptu da se struktura vesterna preslika na lokalni kontekst i potrebi \nda se na umjetnički relevantan način istraži fašis3čko nasljeđe Istre. Budući će film stoga ima3 jasan \nžanrovski okvir revizionis3čkog vesterna s elemen3ma komedije, a sama  dramaturgija evocirat će utjecaje \npikarskog romana. Lako čitljiva simbolika karakteris3čna je za oblikovanje priče dok se u slikanju osobne \ntransformacije glavnog junaka krije mogućnost za refleksiju kompleksnog povijesnog trenutka u kojem \ndjeluje. \n \n \n \n \n \n \n\n\f\nRADNIK SOLANE \n \nScenarij: Ivana Škrabalo \nRežija: Ivana Škrabalo \n \nZdenka je u kasnim 50-im godinama i živi u ovisničkom odnosu sa svojom starijom majkom. Saznaje da \nboluje od raka i dok čeka terapiju počinje istraživa3 život svoga djeda o kojem njena majka neprestano \npriča s velikim emo3vnim angažmanom. Zdenka odlazi na otok Pag gdje je njen djed prije Drugog svjetskog \nrata radio u solani. Drugi dio priče vraća nas u 1937. godinu za vrijeme štrajka radnika solane čiji je sudionik \ni Zdenkin djed Mićo. \n \nSup3lno i psihološki nijansirano predočena priča o klasno uvjetovanom prijenosu manjka samopouzdanja \niz generacije u generaciju kao i studija rodnih odnosa u ranjivom miljeu duboko tradicionalne siromašne \nsredine. Autorica vrhunskim osjećajem za detalj i psihološko nijansiranje dubinski uvjerljivo i empa3čno \nportre3ra svoje ženske protagonis3ce stavljajući pred njih životna pitanja bez jednoznačnih i konačnih \nodgovora. \n \nNEŠTO ZA PONIJETI  \n \nScenarij: Jasna Safić \nRežija: Jasna Safić \n \nPriča o odrastanju osjetljive, inteligentne 3nejdžerice Sanje (14) usred ratnog vihora devedese3h. U prvom \ndijelu filma pra3mo njenu četveročlanu obitelj u malom bosanskom gradiću početkom devedese3h kad joj \notac biva odveden u nepoznato. Nakon što se otac nakon nekog vremena vra3, obitelj odlučuje izbjeći u \nZagreb kod rodbine. U drugom dijelu pra3mo prilagođavanje Sanje i njene sestre na novu sredinu nakon \nšto ih roditelji ostave rodbini i pođu na rad u Njemačku. Sestre se polako navikavaju na novi život, ali u \nnjima ostaje živa slika doma koji su napus3le. \n \nKomorna drama preplavljena auten3čnim emocijama među kojima dominira gorko-slatka melankolija \nispripovijedana je na izrazito dojmljiv način. Sve su velike geste, događaji i riječi zaobiđeni ili namjerno \npodigrani te je priča ispričana iz vizure unutarnjeg svijeta hipersenzibilne djevojčice koja odrasta i postaje \nžena u ekstremnim uvje3ma i čiji se mladenački svijet ljubavi i prijateljstva odvija u konstantnoj sjeni ratnih \nužasa koji su ovdje prisutni tek kao zastrašujuća kulisa koja proždire junakinjino pravo na bezbrižnu \nmladost, prve ljubavi i samoostvarenje. \n \n \n \n \n \n \n \n\n\f\n11 DANA \n \nScenarij: Katarina Pejović \n \nU proljeće 1972., 13-godišnja Lena prolazi krizu dublju od one uobičajene pubertetske. Pod terorom stroge \ni nasilne bake, uz mekane i bojažljive roditelje, te muke s učenjem i vršnjačko zlostavljanje u školi, Lena \nizlaz nalazi u sanjarenju i zaljubljenos3 koja dobiva realne obrise. Tijekom 11 dana kućne karantene usred \nepidemije velikih boginja, Lena prolazi kroz vatru istodobno povišene i konkretne realnos3, s ljubavnim \nrazočarenjem sazrijeva i stječe novu snagu da se zauzme za sebe. \n \nPriča o odrastanju hipersenzibilne, inteligentne 3nejdžerice čije se nježne godine preklapaju sa zanimljivim \npovijesnim trenucima koji utječu na njen in3mni svijet. Likovi i situacije dramski su precizno i plas3čno \npostavljeni, a kroz priču uvjerljivo dočarane mladenačke emocije poput ranjivos3, nevinos3 i roman3čnog \npatosa. Iako smještena u prošlost, radnja itekako rezonira sa sadašnjošću s obzirom da smo nedavno prošli \nkroz još jednu epidemiju, a budući scenarij pruža priliku da se istraži kompleksan utjecaj društvenih mijena \ni preokreta na mikro sudbine pojedinaca koji su njima posredno zahvaćeni. \n \nEVA I HM \n \nScenarist: Branko Ružić \nRedatelj: Mladen Dizdar \nProdukcija: Lot dvadesetiosam studio d.o.o.  \n \nEvu, duboko potresenu smrću djeda, roditelji zabrinuti za njenu sve veću sklonost osamljivanju, odluče \nposlati u dječji kamp. Tamo, među šatorima koji se nalaze u blizini Muzeja neandertalaca, Eva umjesto na \nnovo prijateljstvo nailazi na bullyja Marka. Zbog sukoba s njim Eva će završiti u obližnjoj špilji čija utroba \nskriva portal u njoj potpuno nepoznat svijet. Ona postupno shvaća da se vratila 40 000 godina u prošlost i \nda je zaglavila u svijetu gdje joj je jedini saveznik vršnjak, neandertalac Hm.  \n \nScenarij ove međuvremenske bajke Branka Ružića (koscenarist dječjeg filma Moj dida je pao s  Marsa) na \ninovativan način oslikava odrastanje u današnjem, informacijama pretrpanom svijetu i kompleksnu temu \ngubitka koristeći prapovijesni offline svijet kao duhovit kontrapunkt. Projektu su pridruženi redatelji \nMladen Dizdar i producentica Mia Pećina Drašković te su zajednički, već u ovoj ranoj fazi, sudjelovali  na \nradionici Ekran+, uz svega još četiri projekta iz cijele Europe. \n \n \n \n \n \n \n \n\n\f\nNA JAVNOM ZADATKU \nScenarist: Lovre Kondža \nPriča akcijske komedije Na javnom zadatku odvija se u zaleđu Splita i pra3 napore dvojice mladih policijskih \ninspektora koji pokušavaju riješi3 slučaj otmice kćeri načelnika općine, u dubokoj sjeni korup3vnih \npoli3čkih zbivanja koja potresaju državu. Ne pretjerano sposobni inspektori ruše sva očekivanja normalne \npolicijske istrage te kroz apsurdne, crnohumorne i neočekivane situacije na koncu ipak rješavaju slučaj…  \nTreatment akcijske komedije Na javnom zadatku najavljuje mladog autora Lovru Kondžu kao itekako \nosvježenje unutar hrvatske kinematografije. Kondžin predložak sadrži uvjerljive i životne likove koji se \nza3ču u brojnim zanimljivim, neočekivanim i duhovi3m situacijama. Radnja filma nadahnuto pleše onkraj \ngranice realnos3, a mladi autor osobito vješto plovi apsurdnim prizorima, podigravajući ih na način da u \nnjih povjeruju i likovi i čitatelji. Osobito veseli činjenica da mladi autor, u scenaris3čkoj razradi dviju scena, \nzorno demonstrira talent za filmsko pripovijedanje i uho za filmski dijalog.  \n \nKOGA VIŠE VOLIŠ  \n \nScenarij: Luka Čurčić \nRežija: Luka Čurčić \nProducent: Free Fall Films d.o.o. \n \nSlavkov (38) problem je kako zaš333 svoje dijete od neadekvatne majke kad stalno preispituje da li je i on \nsam op3malan roditelj. On i Jaca (42) su u braku već 15 godina, a posljednjih šest žive u stalnoj tenziji, \nuzrokovanoj uzajamno oprečnim psihopatologijama. Razlozi su različi3 (odgoj kćeri, kućni poslovi), a uzroci \nsu zapravo is3 (želja za dominacijom nad supružnikom). Burne svađe završavaju mirenjima, te silovi3m i \nnezasitnim seksom. I tako iznova ostaju zaglavljeni u svojim patologijama. \n \nSjajno napisan predložak fokusira se na patološki postavljen muško-ženski odnos fokalizirajući ga kroz \nnevino zajedničko dijete koje postaje kolateralna žrtva trauma svojih roditelja. Pričom se posredno zaziva \nemancipacija od pasivnih i neosviještenih izbora, ali na sup3lan i promišljen način bez dociranja i \nnadmenos3. Dramaturški klasično, a emo3vno intrigantno bivamo uvučeni u intenzivan dvoboj dvoje \nranjenih ljudi koji postaju i ostaju žrtve vlas33h obiteljskih trauma i koji pritom svom djetetu potencijalno \nserviraju istu takvu mračnu budućnost. \n \nKRIZMA \n \nScenaristica: Ljiljana Šišmanović \n \nU nekoliko tjedana svibnja koji prethode njegovoj krizmi, osmaš Sven spoznaje koliko je svijet odraslih \nlicemjeran. Dok se priprema za primanje sedam darova Duha Svetoga, Sven se prvi put zaljubljuje, na užas \n\n\f\nvelečasnog Drage i Svenove obitelji, u deklariranu ateisticu Hatu (13). Svenov vjeroučitelj odbija je primiti \nu glazbeni sastav u kojemu i Sven djeluje zbog čega on odluči odustati od obreda Svete krizme. Zbog ljubavi \nprema Hati, Sven skupi hrabrosti prvi put u životu suprotstaviti se autoritetima u školi i obitelji, ali i svojim \ndojučerašnjim prijateljima.  \n \nIskusna televizijska urednica i dokumentaristica Ljiljana Šišmanović u scenariju Krizma vješto plete niz \nparalelnih fabularnih tokova te barata s velikim brojem autentičnih likova. Problem odrastanja na suptilan \nnačin uvezan je s nizom društvenih i političkih pitanja koji dodatno obogaćuju ovu priču o odrastanju.    \n \nPOSLJEDNJI PIONIR \n \nScenaristi: Ozren Marod, Marjan Alčevski \n \nMatko je bivši murjak s planom da ukrade 15 kg kokaina prije nego ih MUP spali u lokalnoj cementari. Jer \nto je najbolji način da se osveti nekadašnjem partneru i najboljem frendu, sadašnjem šefu policije. \nOdustao je od toga da skine ljagu sa svog imena. Matko je uništeni čovjek kojem su uzeli sve i sada ih želi \nzeznuti zadnji put i zauvijek otići iz slavonske kaljuže.  \n \nMarjan Alčevski, scenarist serije Šutnja i Ozren Marod, suradnik na scenarijima serija Granica i Dar Mar, \nudružili su na ovom projektu snage i razvijaju akcijsku komediju koja koristi žanrovske obrasce kako bi nam \npričala priču o kompleksnim, autentičnim i duhovitim likovima gubitnika.  \n \nRiječima autora: \"Nije nam cilj samo napraviti kopiju poznate forme heist filma već tu formu iskoristiti da \nbi progovorili o obitelji iz perspektive muškarca koji tek kad je izgubio sve shvaća što mu je zapravo jedino \nvažno.\"  Prethodni rad tandema Alčevski - Marod ulijeva nam vjeru da će u tome i uspjeti.  \n \nDOKUMENTARCI \n \nScenarist: Nebojša Slijepčević \nRedatelj: Nebojša Slijepčević \n \nNa međunarodnoj radionici dokumentarnog filma susreću se troje redatelja koji prolaze kroz kreativnu i \negzistencijalnu krizu. Prateći proces stvaranja filma od istraživanja teme do kino premijere, svjedočimo \nkako se stvaralački proces reflektira na živote protagonista i što su kreativci sve spremni učiniti, koja \npravila i norme prekršiti, kako bi napravili dobar film.  \n \nParalelno s tim, scenarij suptilno problematizira niz bitnih društvenih tema: od postupanja s imigrantima, \nzataškavanja policijskog nasilja, do medijskog tretmana osobnih priča. Budući da se radnja filma odvija na \nnizu radionica Europskog stručnog edukacijskog programa, Nebojša Slijepčević nam u svom debitantskom \nigranom filmu daje sjajan uvid i u način na koji se društveni narativ konstruira. \n \n \n\n\f\nSLONICA \n \nScenaristica: Nikolina Bogdanović \n \nIrena vodi svoju majku Gogu u Opatiju kako bi je trgnula iz letargije s kojom se bori nakon smrtnog slučaja \nu obitelji. Umjesto babljeg ljeta, tamo ih dočeka oblačno i hladno vrijeme, neadekvatan smještaj u \npolupraznom hotelu i jedan tužan slon. Svađaju se i čini se da im se sve opire u njihovom nastojanju da se \ndobro provedu, sve dok samoubojstvo jednog gosta ne popravi situaciju. \n \nNikolina Bogdanović, koscenaristica filma Pelikan, kombinira apsurdnu komiku s nježnošću i ljubavlju koju \nosjeća za svoje karaktere te ih šalje na Opatijsku rivijeru u postsezoni, mjesto koje će ih natjerati da se \niznova upoznaju. Osim meditacije o prolaznosti i uvjerljivo dočarane intimne drame Majke i Kćeri koje su \nse međusobno otuđile, film nam nudi i istinit prikaz  atmosfere priobalja kada turistička sezona završi.  \n \n \nTKO PJEVA ZLO NE MISLI 2 (ili Valter u vrtlogu života) \nScenarist: Robert Škiljan \nTko pjeva zlo ne misli 2 (ili Valter u vrtlogu života) nastavak je najpopularnijeg i najgledanijeg hrvatskog \nfilma svih vremena, u novim i posve neočekivanim okolnos3ma. Već dobro pozna3m likovima – Franji, Ani, \nPerici, Mini i gosponu Fuliru – priključuju se podstanarka, ilegalka Rada i tajanstveni i karizma3čni Valter.  \nPrema riječima samoga autora, Tko pjeva zlo ne misli 2 “poli3čko je ljubavna komedija s pjevanjem, bez \npucanja”. Riječ je o krajnje neobičnom, ali vrlo originalno osmišljenom nastavku glasovitog filma Kreše \nGolika, u kojem se, pored obitelji Šafranek i gospona Fulira, pojavljuju stvarni protagonis3 poli3čkog i \ndruštvenog života 1930-ih godina. Novi likovi vrlo su vješto i uvjerljivo inkorporirani u dobro pozna3 svijet \nŠafranekovih, koji u novom, poli3čki profiliranom okružju, zadržava šarm i duh izvornika, ni3 u jednom \ntrenutku ne prelazeći u parodiju.   \n \nAJME MAJKO! \n \nScenaristica: Sandra Antolić \n \nAjme majko! je crnohumorna komedija s dozom magičnog realizma. Smještena je na neimenovanom \njadranskom otoku, točnije u kompleks apartmana obitelji Žuvela. Na samom kraju sezone Lenki Žuveli \ndogodi se ono najgore što se jednom malom iznajmljivaču može dogoditi. Ona naprosto umre. Međutim, \ntu Lenkinoj muci nije kraj. Osnovna ćelija hrvatskog apartmanskog turizma i istovremeno Mater Familias \nLenka nakon smrti ima sedam dana da riješi sve što je u njenoj brojnoj obitelji ostalo nerazriješeno, \nposvađano i neoprošteno pa da mirno može otići na onaj svijet. \n \n\n\f\nScenaristica Sandra Antolić (Nosila je rubac črleni) u obiteljskoj feel good komediji Ajme majko! na duhovit \nnačin tematizira tamne strane turističke sezone, posljedice apartmanizacije na zdravlje i na međuljudske \nodnose u obitelji iznajmljivača.  \n \n \nSUB ROSA \nScenaris3ca: Silva Ćapin \nRedateljica: Silva Ćapin \nSub Rosa je ljubavni film o ranoj fazi odnosa dvoje novozaljubljenih ljudi. Nedugo nakon što su se spetljali, \nTina (46) i Mislav (42) zajedno provode roman3čni vikend u spa centru.  Što su jedno drugome bliži -  radnja \nse sve više odvija u paralelnim rukavcima, unutrašnjim prostorima samih likova. Ti su prostori refleksije \nnjihovih osobnos3, preokupacija, strahova i osjećaja…  \nKonceptualno osmišljen ljubavni film Sub Rosa, autorice Silve Ćapin, inova3vno je strukturiran u kontekstu \nhrvatske kinematografije. Dio radnje odvija se u stvarnim, a dio u imaginarnim prostorima, koji se \numnožavaju, ritmom kojim se odnos dvoje zaljubljenih uslojava. Glavni su likovi vješto profilirani i \nemo3vno nijansirani, a posebice se čini zanimljivom nakana mlade autorice da - za razliku od filmova koji \nobično prikazuju unutarnje svjetove i koji su mračni i sjetni (npr. Vječni sjaj nepobjedivog uma, Bi8 John \nMalkovich) – Sub Rosa bude 'topla roman3čna komedija'.    \n \nNEMAM JOŠ NAZIV, TRENUTNO JE NEIMENOVANA LJETNA EGZISTENCIJALNA DRAMA \nScenarist: Sven Marić \nRedatelj: Sven Marić \nPisac Krešo proživljava laganu i dokoličarsku svakodnevnicu ljetujuću na otoku, osjećajući se pritom poput \nlika u scenariju, u kojem se ništa ne događa. Na otok dolazi Tea radi inspiracije jer upravo piše priču o piscu \nkoji proživljava idiličnu svakodnevnicu na otoku, sluteći da nije stvaran.  \nKoncept ljetne egzistencijalne drame autora Svena Marića tek je na početku razvoja, o čemu svjedoči i \nnedostatak njegova naziva! Projektu zasad nedostaje naziv, ali mu srećom ne nedostaje zanimljivos3 i \nambicija. Priča o dvoje pisaca koji uporedno provode ljeto na jednom dalma3nskom otoku pruža \nmogućnost razvijanja u više pravaca i žanrova, a najzanimljivijim elementom projekta čini se svojevrsni \nmetafikcijski dvoboj dvaju glavnih likova. \n \n \n \n \n\n\f\nČUDOVIŠTE \n \nScenarij: Tomislav Zajec \n \nAndrej (34), neostvareni slikar zaposlen kao profesor Likovnog u prigradskoj gimnaziji, vraća se na posao \nnakon incidenta s disciplinom u razredu. U trenutku u kojem u razred s kojim je imao problem dolazi učenik \nJan (17) stvari postaju još ozbiljnije. Da bi se dokazao u okolini, Jan počinje provocira3 Andreja te umjesto \nkazne završava na Andrejevoj Likovnoj radionici. Nakon što mu na parkiralištu izgori automobil, a pretučeni \nJan mu se pojavi na vra3ma, Andrej se napokon suočava sa samim sobom. \n \nIzvrsno napisan scenarij koji beskompromisno zadire u niz intrigantnih tema na dramski promišljen i \nemo3vno plas3čno oslikan način. Kompleksnim i ambivalentnim pristupom razlaže se središnja i najvažnija \ntema konformiranja pojedinca dominantnim vrijednos3ma sredine u kojoj živi. Zbog toga žrtvuje vlas3tu \nin3mu i auten3čnost te postepeno postaje emo3vno zaleđen u permanentnom biranju naizgled lakšeg \nputa s ciljem da se uklopi u sliku sebe koja bi bila opće prihvatljiva, ali za koju je duboko u sebi svjestan da \nje lažna. Glavni izazov iz kojeg proizlazi unutarnja tenzija priče jest hoće li ima3 snage obgrli3 dio sebe koji \nje društvu neprihvatljiv pa čak i zazoran.  \n \nDOBAR JE STRAH TKO GA IMA \nScenarist: Dario Juričan \nRedatelj: Dario Juričan \nProducent: Udruga Blank \nKriminalis3čka drama Dobar je strah tko ga ima odvija se 3jekom pakleno vrućega ljeta. Ratko (45) je 'težak' \nčovjek kojeg od sina Tvrtka (8) i supruge više zanimaju psi vučjaci i atrak3vna ljubavnica. Dužan opasnim \nljudima, Ratko ulazi u svijet ilegalnih borbi pasa… \nProjekt scenarista i redatelja Darija Juričana u osnovi je obiteljska priča o odnosu oca i sina. Situiranje \nradnje u svijet ilegalnih borbi pasa pruža mogućnost za žanrovsko profiliranje filma u pravcu gangsterske \ndrame koja će, na pozadini problema3čnog roditeljskog odnosa, inova3vno i provoka3vno prikaza3 tekuću \nhrvatsku stvarnost i brojne društvene probleme.   \n \nKONFORMISTIČKI MANIFESTO \nScenaris3: Velimir Grgić i Marko Mihalinec \nKonformis8čki manifesto je sa3rična komedija autorskog dvojca Velimir Grgić i Marko Mihalinec, potaknuta \nnjihovim nagrađivanim (SFERA) romanom 'Kriza- Hrvatski horor', objavljenim 2010. godine. Za razliku od \nromana, u kojem je virus koji se igrom slučaja nadvije nad hrvatskim građanima bio virus zombija, u filmu \nje riječ o virusu konzumerizma i konformizma. Naime, zaključivši kako je zombie pošast u međuvremenu \n\n\f\nna filmu eksploa3rana preko svake mjere, autori su preokrenuli priču i souočili svoje junake s prijetnjom \nepidemije konzumerizma i konformizma, kreirajući pritom niz zanimljivih i duhovi3h likova i situacija.  \n \nSLUŠAJ CVRČKE \n \nScenarij: Vjekoslav Gašparović \nRežija: Vjekoslav Gašparović \nProducent: dok produkt d.o.o. \n \nU ruralnom krajoliku središnje Istre živi muškarac zanesen arheološkim istraživanjima. Njegova obuzetost \nnepozna3m postaje uzrokom usamljenos3 djevojke s kojom živi. Na drugoj strani sela živi majka sa sinom. \nMajka piše, dječak promatra kukce i biljke. Majka skriva da nije dobro. Jedne večeri otpliva, za njom ostaju \nbilješke koje voda rastače. Odlazeći na posao, arheolog ponekad sreće čovjeka koji hoda kraj ceste, bez \nodredišta.  \n \nNekonvencionalna, inova3vno predočena meditacija o čovjekovom mjestu u prostoru i vremenu, te, prije \nsvega, prirodi. Scenarij je zamišljen kao niz moćnih poetskih slika te se prvenstveno oslanja na \natmosferičnost i vizualno moćne detalje koji su pregnantni značenjem. Čitava priča ima izrazito opipljivu \nkvalitetu svojevrsnog filmskog snoviđenja u kojem se brišu granice prošlog i sadašnjeg, zamišljenog i \nproživljenog, pretapajući se u uzbudljivom, emocijama nabijenom filmskom svijetu koji jest i nije nalik \nnašem. \n \n \nDORUČAK NA TRAVI \n \nScenarij: Milan Trenc \nRežija: Milan Trenc \nProducent: Studio Devet \n \nTridese3h godina prošlog stoljeća, dvoje tridesetpetgodišnjaka, Elica i Viktor, povezani prijateljstvom s \ntajanstvenom Sašom, kreću na jednodnevni izlet automobilom po Hrvatskom zagorju prilikom kojeg se \nrazvija obostrana simpa3ja. Kraj dana i kraj izleta otvara pitanje hoće li konzumira3 svoju simpa3ju ili \nostavi3 sve na jednom lijepom, platonskom iskustvu.   \n \nDramaturški scenarij uspješno razvija koncept odvagivanja i konačnog odabira između stvarnos3 i fantazije \nvizualno intrigantno tema3zirajući mogućnost njihova preplitanja, kao i cijenu koju plaćamo ukoliko se \nfantazije pokažu suviše dominantnima nad stvarnošću. Cjelina je uvjerljivo oblikovana u ključu arkadijske \nfantazije i kada je riječ o vizualnim mo3vima i o dramskom razvoju (iščekivanje realizacije stras3) dok sami \ndijalozi imaju burlesknu, kazališnu kvalitetu u svojoj osviještenoj s3lizaciji. Zagorje kojim putuje dvoje likova \npredstavlja svojevrsni krajolik iz mašte te je njegovo korištenje kao vrste s3liziranog, a opet realnog \n\n\f\nfilmskog prostora dio sustavno provedenog koncepta prepletanja stvarnog i idealiziranog specifičnog za \nosjećaj zaljubljenos3 čije rađanje u likovima predstavlja središnju dramaturšku okosnicu ove priče. \n \n \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2023,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati JP PR FILM 2024-1. rok - KRATKI IGRANI_1_.pdf","filename_decoded":"rezultati JP PR FILM 2024-1. rok - KRATKI IGRANI_1_.pdf","sha256":"3b54d2995f1469360ee02fa79623f85935354a5c0c8c005939fe9e8d5b2e8b18","bytes":32159,"page_count":1,"extracted_at":"2026-05-17T10:24:07Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20JP%20PR%20FILM%202024-1.%20rok%20-%20KRATKI%20IGRANI%281%29.pdf"},"raw_text":"PRODUCENT\nODOBRENA SREDSTVA \n(€)\n1\nDalija Dozet\nWolfgang i Dolly d.o.o.\n70.000,00 €\n2\nAndrija Tomić\nKino klub Split\n48.200,00 €\n3\nSara Grgurić\nPipser d.o.o.\n60.000,00 €\n178.200,00 €\nUKUPNO KRATKOMETRAŽNI IGRANI FILMOVI\nNema mukte \nbeštimji\nPesniki\nNASLOV\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nPROIZVODNJE FILMOVA u 2024. - 1. ROK - 14.3.2024., 37. sjednica Hrvatskog audiovizualnog vijeća 14. \nlipnja 2024.\nkratkometražni igrani filmovi\nREDATELJ/ICA\nBuše\n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"rezultati JP PR FILM 2024-1. rok - KRATKI IGRANI_1_","year":2024,"rok":"1. rok","natjecaj_date":"2024-03-14","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","REDATELJ/ICA","PRODUCENT","ODOBRENA SREDSTVA (€)"],"rows":[{"row_number":1,"project_title":"Buše","applicant":"Wolfgang i Dolly d.o.o.","production_company":"Wolfgang i Dolly d.o.o.","director":null,"writer":null,"original_author":null,"category":"Kratkometražni igrani film","approved_amount_text":"70.000,00 €","approved_amount":70000.0,"currency":"EUR","extras":{"col_1":"1","REDATELJ/ICA":"Dalija Dozet","repair_v1":{"changes":[{"field":"category","from":null,"to":"Kratkometražni","reason":"category_from_inline_header_context","confidence":"high"},{"field":"category","from":"Kratkometražni","to":"Kratkometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Wolfgang i Dolly d.o.o.","row_id":"3b54d299:s0:78d0fe5e88a6","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_94624d5a2f6f","project_family_title":"Buše"},{"row_number":2,"project_title":"Nema mukte beštimji","applicant":"Kino klub Split","production_company":"Kino klub Split","director":null,"writer":null,"original_author":null,"category":"Kratkometražni igrani film","approved_amount_text":"48.200,00 €","approved_amount":48200.0,"currency":"EUR","extras":{"col_1":"2","REDATELJ/ICA":"Andrija Tomić","repair_v1":{"changes":[{"field":"category","from":null,"to":"Kratkometražni","reason":"category_from_inline_header_context","confidence":"high"},{"field":"category","from":"Kratkometražni","to":"Kratkometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kino klub Split","row_id":"3b54d299:s0:f51caf6e4477","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_28dde7ebd793","project_family_title":"Nema mukte beštimji"},{"row_number":3,"project_title":"Pesniki","applicant":"Pipser d.o.o.","production_company":"Pipser d.o.o.","director":null,"writer":null,"original_author":null,"category":"Kratkometražni igrani film","approved_amount_text":"60.000,00 €","approved_amount":60000.0,"currency":"EUR","extras":{"col_1":"3","REDATELJ/ICA":"Sara Grgurić","repair_v1":{"changes":[{"field":"category","from":null,"to":"Kratkometražni","reason":"category_from_inline_header_context","confidence":"high"},{"field":"category","from":"Kratkometražni","to":"Kratkometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Pipser d.o.o.","row_id":"3b54d299:s0:1fd5da858d86","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_997f0876571d","project_family_title":"Pesniki"}],"section_total_text":"178.200,00 €","section_total":178200.0}],"totals":{"ukupno_text":null,"ukupno":178200.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":178200.0,"ukupno_match":true,"row_count":3,"awarded_count":3,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":3}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_ANIMIRANI_RSC.pdf","filename_decoded":"Obrazlozenje_ANIMIRANI_RSC.pdf","sha256":"3b5b4442671844f15b0fbb648705353f0cd6339636e056428d67665666b1e859","bytes":228396,"page_count":1,"extracted_at":"2026-05-17T12:02:06Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_ANIMIRANI_RSC.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA U 2018. \nGODINI \n \nKategorija: poticanje razvoja scenarija animiranih filmova \n \nRokovi: 12.4.2018, 12.7.2018 \nNa prvi natječajni rok za poticanje razvoja scenarija animiranih filmova prijavljena su 4 \nprojekta od kojih 1  nije zadovoljavao formalne uvjete natječaja te nije uzet u razmatranje.  \nNijedan od 3 preostala projekta nije zadovoljio kvalitativne uvjete natječaja, odnosno, niti \njedan od njih u trenutno prijavljenom obliku, ne obećava, dugoročno gledajući, predložak \nkoji bi se nastavio razvijati u scenaristički, režijski i projektno zanimljivu cjelinu. Kod ovog \nnatječaja, potrebno je obratiti pažnju na to da predložak za scenarij i treatment jasno \ndočaravaju namjeru autora te da sam projekt ima kvalitete djela kojem je cilj u konačnici \npostati filmom. Iako su sve tri prijave formalno imale sve potrebne dijelove, ono što \nnedostaje ovom prijavnom roku u cijelini jest obraćanje pažnje na to da, iako djelo (scenarij, \npredložak) može biti vrlo kvalitetni pisani rad, on mora imati potencijal i autorovu jasnu i \nprodukcijski utemeljenu viziju kako će film u konačnici izgledati. \nKriteriji prema kojima su prijave bile vrednovane jest njezina razrađenost, originalnost ideje \nprojekta, izvedivost projekta i jasna ideja u kojem smjeru se potencijalni scenarij ostvaruje. \nZa razliku od prvog natječajnog roka, na drugi su stigle dvije prijave od kojih su obje \nzadovoljile i formalne i kvalitativne uvjete natječaja. Riječ je o dva dobro postavljena \nscenaristička projekta koji obećavaju zanimljive i potencijalno vrlo uspješne filmske uratke.  \nPrvi od njih je 2MOROW, redatelja i animatora Kristijana Dulića, koji se kroz dinamičnu priču \no dva policajca na zadatku bavi propitivanjem tehnološkog napretka i njegovih posljedica na \nsvakodnevicu ljudi. Kako bi to najbolje prikazao, autor se odlučio na žanrovski pristup a sva \ntehnološka dostignuća koja se pojavljuju u filmu su ili u upotrebi ili u zadnjoj fazi razvoja pred \nkomercijalizaciju. Jasan treatment i ideja u kojem smjeru će se scenarij razvijati, daje naslutiti \nda se radi o potencijalno vrlo uspješno razvijenom budućem projektu.  \nPredložena potpora: 25 000 kn. \n  \nDrugi projekt je STOPPING ROCKETS AGAIN, autorice Anje Pletikose, koji je zamišljen u \nsuradnji sa redateljem i umjetnikom Leom Vukelićem. Film u nastanku kombinirao bi stop \nanimaciju s prostornim snimanjem/interijerom, animaciju papirnatih objekata i kaširanih \nlutaka te 3D print. Priča prati dva lika koji kroz tri različita narativna slijeda (re)konstruiraju \nsvoja sjećanja, svoju prošlost ali i gdje se trenutno nalaze sada, “na kraju povijesti”. Pomalo \nfanatastičan te narativno i izvedbeno eksperimentalan, ovaj projekt ima potencijala postati \nvrlo originalno i tematski aktualno ostvarenje.  \nPredložena potpora: 25 000 kn. \n \nUkupni iznos predložene potpore je 50.000,00 kn. \n \nUmjetnička savjetnica za animirani film \n \nPetra Zlonoga \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_distribucija_2025_4_rok_REZULTATI.pdf","filename_decoded":"JP_distribucija_2025_4_rok_REZULTATI.pdf","sha256":"3b610783052177fd74ff17b1d33602af6a655111eed21c70a91781de9ebb63f7","bytes":205593,"page_count":1,"extracted_at":"2026-05-17T10:22:48Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_distribucija_2025_4_rok_REZULTATI.pdf"},"raw_text":"NOSITELJ \nPRIJAVE\nNASLOV FILMA\nKATEGORIJ\nA FILMA\nREDATELJ/ICA\nPRODUCENT\nDISTRIBUTER\nODOBRENA \nSREDSTVA\n1\nRestart\nVjetre, pričaj sa \nmnom\nigrani film \n(manjinska \nkoprodukcija)\nStefan Đorđević\nRestart\nRestart\n2.500,00\n2\nKinorama \nd.o.o.\nBog neće pomoći \nigrani film\nHana Jušić\nKinorama d.o.o.\nDuplicato Media \nd.o.o.\n10.000,00\n3\nPomPom \nFilm d.o.o.\nGlavonja\nigrani film\nMarina Andree \nŠkop, Vanda \nRaýmanová\nPomPom Film \nd.o.o.\nDuplicato Media \nd.o.o.\n25.000,00\n4\nHulahop \nd.o.o.\nKako je ovdje tako \nzeleno?\nigrani film \n(manjinska \nkoprodukcija)\nNikola Ležaić\nHulahop d.o.o.\nHulahop d.o.o.\n2.500,00\n5\nHulahop \nd.o.o.\nDobre djevojke\nigrani film \n(manjinska \nkoprodukcija)\nUrška Djukić\nHulahop d.o.o.\nHulahop d.o.o.\n2.500,00\n6\nEclectica \nd.o.o.\nSvadba\nigrani film\nIgor Šeregi\nEclectica d.o.o.\nDuplicato Media \nd.o.o.\n35.000,00\n7\nDinaridi film \nd.o.o.\nOtapanje vladara\nigrani film \n(manjinska \nkoprodukcija)\nIvan Salatić\nDinaridi film d.o.o. 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ROK - 14.3.2024., 36. sjednica Hrvatskog audiovizualnog vijeća 13. lipnja 2024.\ndebitantski dugometražni igrani filmovi\nNASLOV\nREDATELJ/ICA\nPrvi tjedan u \nkolovozu\nUKUPNO DEBITANTSKI DUGOMETRAŽNI IGRANI FILM\nMama, tata i ja\nUKUPNO DUGOMETRAŽNI IGRANI FILMOVI\nPogana\ndugometražni igrani filmovi\n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"rezultati JP PR FILM 2024-1. rok - DEB I DUGI IGRANI","year":2024,"rok":"1. rok","natjecaj_date":"2024-03-14","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","REDATELJ/ICA","PRODUCENT","ODOBRENA SREDSTVA (€)"],"rows":[{"row_number":1,"project_title":"Prvi tjedan u kolovozu","applicant":"Wolfgang i Dolly d.o.o.","production_company":"Wolfgang i Dolly d.o.o.","director":"Filip 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Juranić","writer":null,"original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"883.000,00 €","approved_amount":883000.0,"currency":"EUR","extras":{"col_1":"2","REDATELJ/ICA":"Vanja Juranić","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_inline_header_context","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"3bf75143_rezultati_jp_pr_film_2024_1_rok_deb_i_dugi_igrani_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number, producer, and title placement align with the entry showing Vanja Juranić in the director column."},"entity":"Antitalent d.o.o.","row_id":"3bf75143:s0:2941147b523d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_c07895d09de5","project_family_title":"Mama tata i ja"}],"section_total_text":"2.683.000,00 €","section_total":2683000.0}],"totals":{"ukupno_text":null,"ukupno":2683000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":2683000.0,"ukupno_match":true,"row_count":3,"awarded_count":3,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":3}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje eksperimentalni web.pdf","filename_decoded":"obrazlozenje eksperimentalni web.pdf","sha256":"3bfb42970b5ef20b390821b865cdcea94d04cf0264cab82de8be616d5547d5e4","bytes":97862,"page_count":2,"extracted_at":"2026-05-17T12:01:39Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20eksperimentalni%20web.pdf"},"raw_text":"Obrazloženje umjetničke savjetnice za eksperimentalni film \n \nNa drugi rok Javnog poziva za poticanje proizvodnje audiovizualnih djela u kategoriji \neksperimentalnog filma u 2017. godini pristiglo je sveukupno deset prijava (od toga \njedan projekt u fazi postprodukcije). Osnovni kriteriji kojima sam se vodila u procjeni \nprojekata bili su važnost teme koja se obrađuje, prikazivački potencijal filma, \ninovativnost u pristupu, prijašnji rad autora i kvalitetno raspisana redateljska \nkoncepcija i treatment preko čega se može iščitati namjera autora.  \n \nZa sufinanciranje stoga predlažem četiri filma od čega je jedan debitant i tri \nmeđunarodno etablirane redateljice odnosno redatelja. Riječ je o projektima: Colonelo \nFuturista Vladislava Kneževića (Zagreb film), Khora Nine Kurtele (Kreativni \nsindikat), Blizu Raja Sunčice Fradelić (Kino klub Split) i Surf Luke Matića \n(Kadromat).  \n \nProjekt Vladislava Kneževića Colonelo Futurista zamišljen je kao 15-minutni \neksperimentalni film s povijesno-znanstvenofantastičnom narativnom osnovom. Film \nprikazuje let talijanskog špijunskog balona na misiji izviđanja vojne zone Pula \nneposredno prije ulaska Italije u Drugi svjetski rat. Iako kreće s dokumentarističkim \nopisima svijeta iz zraka, namjera je filma rastočiti stvarnost u apstrakciju avangardne \nlikovnosti i kakofoniju futurističke buke. Film postavlja pitanje o nestabilnosti \nstvarnosti i različitim “doživljajima” iste stvarnosti u kontekstu netolerantnog \ndruštvenog sustava, u ovom slučaju talijanskog fašizma. Odobrava se sufinanciranje u \niznosu od 180.000 kuna.   \n \nKhora Nine Kurtele propituje temu identiteta i doma, odnosno pripadnost određenom \npodručju i uvjetovanost zavičajem. Taj 13-minutni film zamišljen je kao \neksperimentalni esej koji se temelji na osobnom iskustvu (ne)pripadnosti, što \nobilježava naše doba suvremenih migracija, a još je dodatno pojačan zanimljivom \nzabunom; redateljicu naime zbog imena često smatraju Finkinjom. Film se razvija \nkroz jukstapoziciju dvaju polova, sjevernog i južnog, Dubrovnika i Helsinkija, i \nrazvija se kroz razmjenu pisama s finskim redateljem Akijem Kaurismäkijem, koji na \nzidu u svom baru u Helsinkiju drži neonski znak “Dubrovnik”. Odobrava se \nsufinanciranje u iznosu od 110.000 kuna.  \n \nSunčica Fradelić svoj je projekt razvijala tijekom rada na školi film.factory u Sarajevu \ni dolazi uz preporuku i mentorstvo Bele Tarra i Apichatponga Weerasethakula. U \nfilmu Blizu Raja autorica namjerava prikazati različite mikrosituacije u životima pet \nlikova/parova. Dok se u pozadini kontekstualiziraju suvremene političke tenzije, film  \nbilježi raspon od jednostavne svakodnevice likova preko određenog događaja koji \nmijenja stvar do novonastale promjene u likovima. Film ne slijedi dramaturgiju \nigranog filma, nego se polagano kreće u nizu sekvenci koje tek nagovještavaju \nsložena emocionalna stanja i događaje. Smatram da ovaj polusatni eksperiment može \npridonijeti istraživanju drugačijih oblika donošenja priče na veliko platno. Predlažem \nsufinanciranje od 90.000 kuna.  \n \nDebitant Luka Matić s novoosnovanom Umjetničkom organizacijom Kadromat \n(producentica Daria Blažević) predlaže 10-minutni tehnološki eksperiment Surf. \nAutor planira pričvrstiti antenu na kameru koja bi tako istodobno hvatala signale TV \nprograma u šumi i snimala prirodni okoliš. Signali se preko razdjelnika šalju u DVB-t \n\n\f\nprijamnike i zatim se miksaju u sliku koja dolazi iz kamere. Na taj način autor želi \nproizvesti neobičan elektromagnetski pejzaž kombiniran iz medijskog TV krajolika i \nprirode. Uz istraživanje medija i elektromagnetskog spektra, film želi ukazati na to da \nje priroda kompleksnija od uobičajene podjele na “prirodno” i “artificijelno”. \nPredloženi je iznos sufinanciranja od 70.000 kuna.  \n \nSmanjenje prijava za otprilike 40 % u 2017. godini (u odnosu na 2015. i 2016.) \nsugerira određene promjene na sceni. Najviše se primjećuje manjak debitanata, koji bi \nprvi trebali iskoristiti poziciju filmskog početnika za istraživanje novih načina \nprikazivanja kompleksnih tema i mogućnosti medija. Eksperimentalni film široka je \nkategorija, iako je tradicionalno vrlo specifična, i obuhvaća radove umjetnika (artist \ncinema), filmske i tehnološke eksperimente, ali i dokumentarističke eseje, filmove na \nrazmeđima rodova i sl. Smatram da je jedan od osnovnih problema slaba edukacija iz \nsuvremenog umjetničkog filma i nemogućnost aplikanata da jasno formuliraju misao, \nodnosno da objasne što i zašto žele raditi. S druge strane, hrvatski eksperimentalni \nfilm proporcionalno broju prijava za sufinanciranje i ukupnom iznosu koji se \nodobrava za projekte na godinu kontinuirano donosi vrhunske rezultate: od 2015. \ngodine hrvatski su eksperimentalni filmovi gotovo svake godine prisutni na festivalu \nu Rotterdamu, Oberhausenu, Jihlavi, Slamdanceu, FID Marseilleu i sl. Takvi rezultati \ndokazuju da forma nije iscrpljena (a ni festivalska scena), da naši autori mogu i s \nminimalnim sredstvima parirati vrhunskim svjetskim produkcijama i da filmsku \nformu koju obilježavaju inovacija i smjelost treba nastaviti njegovati i cijeniti.  \n \n \nMirna Belina, umjetnička savjetnica za eksperimentalni film \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_distribucija_3_rok_2023_web.pdf","filename_decoded":"JP_distribucija_3_rok_2023_web.pdf","sha256":"3c5f015bf1548b333b928cc6af1eedb04ed8234040bcfcda4b625ab6be330abf","bytes":192179,"page_count":1,"extracted_at":"2026-05-17T10:22:49Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_distribucija_3_rok_2023_web.pdf"},"raw_text":"","warnings":[],"document":{"program_type":"distribucija","natjecaj_title":"JP_distribucija_3_rok_2023_web","year":2023,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":true},"sections":[{"section_label":"Distribucija","section_key":"distribucija","columns":["Nositelj prijave","Naslov filma","Kategorija filma","Redatelj/ica","Producent","Distributer","Odobrena sredstva (€)"],"rows":[{"row_number":1,"project_title":"Sveta obitelj","applicant":"Inter film d.o.o.","production_company":"Inter film d.o.o.","director":"Vlatka Vorkapić","category":"dugometražni igrani film","approved_amount_text":"14.000,00","approved_amount":14000.0,"currency":"EUR","extras":{"distributor":"Duplicato Media d.o.o."},"curation":{"method":"source-pdf-reconciliation","confidence":"high","evidence":"Reconciled against the original one-page HAVC distribution results PDF. 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web manjiske Obrazlozenja 2 rok.pdf","filename_decoded":"web manjiske Obrazlozenja 2 rok.pdf","sha256":"3ceb25f71572e2573d98e55d7104459097a2f4776d7a8d6df5ce1ee91b4e2cca","bytes":89269,"page_count":7,"extracted_at":"2026-05-17T12:01:26Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20manjiske%20Obrazlozenja%20%202%20rok.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika o odlukama o donošenju liste prioriteta i raspodjeli sredstava prema \nJavnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2022. godini, u kategoriji poticanja \nfilmskih koprodukcija s manjinskim hrvatskim udjelom (drugi rok: 12.4.2022.) \nBojan Kanjera, umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom \n \nNa drugi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2022. godini prijavljena \nsu 34 projekta. Od ukupnog broja prijavljenih, u razmatranje je ušlo njih 32, dok dva nisu ušla u \nrazmatranje, budući da nisu zadovoljila uvjete Javnog poziva. \nPromatrano s obzirom na vrstu filma, najviše prijavljenih dolazi iz kategorije dugometražnog igranog filma, \nukupno 27 (20 dugometražnih igranih filmova i 7 debitantskih dugometražnih igranih filmova). Najmanje \nprijavljenih, po jedan, dolazi iz kategorija animiranog filma te kratkometražnog dokumentarnog filma. \nVrsta audiovizualnog djela \nBroj prijavljenih \nAnimirani \n1 \nDebitantski dugometražni igrani \n7 \nDugometražni igrani \n20 \nDugometražni dokumentarni \n3 \nkratkometražni dokumentarni \n1 \nKratkometražni igrani \n2 \nGrand Total \n34 \n \nPromatrano s aspekta države iz koje dolazi glavni producent, najviše je prijavljenih iz Republike Srbije (15), \nza kojom slijede Slovenija (7) i Sjeverna Makedonija (5) dok su sve ostale države zastupljene s 1-2 \npredstavnika. Na ovom su roku prijavljeni dugometražni igrani filmovi iz 7 država. \nDržava \nBroj prijavljenih \nAlbanija \n1 \nČeška \n1 \nCrna Gora \n2 \nIsland \n1 \nNizozemska \n1 \nRumunjska \n1 \nSjeverna Makedonija \n5 \nSlovenija \n7 \nSrbija \n15 \nGrand Total \n34 \n \n \n \n \n\n\f\nKriteriji za predlaganje i odobravanje projekata za sufinanciranje temelje se na: \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i redateljski \nkoncept; \n2. Ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala projekta, s obzirom \nna produkcijski paket i producentov plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje \nprojekata.  \n \n \nFilmovi predloženi i odobreni za sufinanciranje proizvodnje: \n1. Animirani film Tri ptičice (Slovenija), u produkciji Finta (No History), hrvatski producent Jadranska \nanimacija, 105,000.00 kn; \n2. Dugometražni igrani film Zaliv/Zaljev (Crna Gora), u produkciji Montenegro Max Filma, hrvatski \nproducent Interfilm produkcija,  515,000.00 kn; \n3. Dugometražni igrani film Maturalac (Srbija), u produkciji This and That Productions, hrvatski producent \nKinorama, 565,000.00 kn; \n4. Dugometražni igrani film Posljednji heroj (Slovenija), u produkciji Studio Virca, hrvatski producent \nNukleus film, 240,000.00 kn; \n5. Dugometražni igrani film Bijela nedjelja (Srbija), u produkciji Filmske kuće Baš čelik, hrvatski producent \nPropeler film,  500,000.00 kn; \n6. Dugometražni igrani film Luna park (Albanija), u produkciji On Film Production, hrvatski producent \nStudio Corvus, 370,000.00 kn; \n7. Dugometražni dokumentarni film Neptunova bura (Srbija), u produkciji Katarina Stanković PR \nSirena4reel, hrvatski producent LEWA productions j.d.o.o., 90,000.00 kn; \n8. Kratkometražni dokumentarni film Zagrljaj (Slovenija), u produkciji KUD-a Center 21 - Hupa Brajdič \nprodukcija, hrvatski producent Kazimir, Udruga za promicanje kulture, umjetnosti i audiovizualnog \nstvaralaštva, 55,000.00 kn; \nUkupni iznos sredstava jest 2,440,000.00 kuna. \n \n \n \n \n \n \n\n\f\nObrazloženje: \n \n 1. Animirani film Tri ptičice (Slovenija), u produkciji Finta (No History), hrvatski producent Jadranska \nanimacija, 105,000.00 kn \nAnimirani film Tri ptičice (Slovenija), kratki je animirani film Zarje Menart, koja je do sada radila kao \nfilmska animatorica, ilustratorica i umjetnička direktorica, a ovo će biti njezin prvijenac. Kroz proces \nnastanka filma imat će pomoć nagrađivane redateljice Špele Čadež, s kojom je do sada uspješno \nsurađivala na nekoliko projekata. Radnja filma prati ženu-pticu, koja tri ptice, s ključem u kljunu, pošalje \nna put. One odlete svaka u svom smjeru te nailaze na krajolike u koje mogu ući samo s ključem. Tamo ih \nčekaju iskušenja koja se isprva doimaju nepremostivima, međutim, ptice se suočavaju s njima te se na taj \nnačin vraćaju kući. Scenarij s likovnom knjigom snimanja ostavlja dojam da je autorica pomno promislila o \novom projektu te da se za njega kvalitetno pripremila. Slikovni predlošci koje je Menart priložila su \ndojmljivi u smislu crteža i korištenja palete boja kojom se podcrtava određena faza putovanja triju ptica. \nIako svoju inspiraciju pronalazi u tradiciji, preciznije, u pjesmici o tri ptičice, ona zapravo predstavlja \nunutarnje putovanje, karakteristično za svakoga od nas. \nHrvatska će biti zastupljena u umjetničkom i tehničkom osoblju pa će se u timu naći producent, zatim \nmontažerka i animator. \nRedateljska koncepcija je jasno napisana, a autorica naglašava inspiraciju koju je našla u slovenskoj \nnarodnoj pjesmi Tri ptičice. Motive iz pjesme planira kombinirati s tradicijskom glazbom, za koju kaže da \nju je oduvijek fascinirala. Osim toga, ona planira u animaciju uvesti i jezik, odnosno simbole nesvjesnog. Za \nrealizaciju ovog projekta planira koristiti višeplan kolaž na stop trick stolu, tehniku koju je usvojila \nsurađujući sa Špelom Čadež, međutim, naglašava da će ju i nadograditi. Važno je napomenuti da je upravo \nstil animacije i cjelokupni vizualni identitet filma to što ga čini zaista posebnim. Što se tiče zvuka, koji igra \nvažnu ulogu u ovom animiranom filmu, Menart ističe da namjerava graditi zvučnu sliku na kontrastu \nizmeđu tišine s minimalnim zvučnim efektima i ženskog glasa koji nas vodi kroz priču. \n \n2. Dugometražni igrani film Zaliv/Zaljev (Crna Gora), u produkciji Montenegro Max Filma, hrvatski \nproducent Interfilm produkcija,  515,000.00 kn \nScenarij za dugometražni igrani film Zaljev/Zaliv supotpisuju nagrađivani redatelj Dragutin Draško Đurović \ni Goran Gocić , slobodni novinar, urednik, autor i filmaš. Sam film je, kako redatelj navodi, melodrama, \nkoja u klimaksu postaje triler i to triler epohe. Radnja se odvija pred izbijanje Prvog svjetskog rata u Boki \nKotorskoj i njezinoj okolici. Glavni lik Zaliva je Ivo, krijumčar i svodnik koji nastoji izaći na kraj kako sa \nsumještanima, tako i s austrougarskim vlastima, utjelovljenim u liku poručnika Otta, koji je s jedne strane \ngermanski pedantan, dok je s druge strane sklon kockanju i ženama. Situacija se komplicira kad se u \nPerastu pojavi Liza, nekadašnja Ivina ljubav, sa suprugom Danielom, Englezom, koji ima skrivenu agendu. \nSam scenarij je izvrsno napisan, a priča je iznimno zanimljiva. \n\n\f\nSam film je važan za hrvatsku audiovizualnu umjetnost, budući da dijelimo isti mediteranski kulturni \nprostor te su obje današnje države u momentu kada kreće radnja filma bile dijelom iste cjeline – Austro-\nUgarske monarhije. Važno je napomenuti da je hrvatska zastupljena u nekoliko bitnih uloga te u \ntehničkom i kreativnom osoblju.  \n \n3. Dugometražni igrani film Maturalac (Srbija), u produkciji This and That Productions, hrvatski producent \nKinorama, 565,000.00 kn \nAutor scenarija za dugometražni igrani film Maturalac, koji progovara o vršnjačkom nasilju, je Vladimir \nArsenijević, čiji je scenarij za film Asimetrija iz 2019. osvojio brojne nagrade. Priča prati učenike VIII 2 \nrazreda, koji odlaze na maturalac nedugo nakon samoubojstva Andrije, njihovog prijatelja iz razreda. Zbog \nnevremena i kvara autobusa, učenici i njihovi nastavnici su prisiljeni prenoćiti u planinarskom domu, a \nizoliranost, nedostatak Interneta i dometa i na prvu običan sastanak razredne zajednice, suočava djecu i \nnastavnike s pravom istinom o smrti Andrije i činjenicom da nitko nije nevin. Ubrzo, djeca pronalaze novu \nžrtvu, Andrijinog prijatelja Cocu, međutim, za razliku od Andrije, on se suprotstavi... \nScenarij je iznimno slojevit i nadasve zanimljiv, a likovi su napisani jezovito uvjerljivo. Ovo je svima nama \npoznata priča, koja je nažalost iznimno aktualna pa svakodnevno imamo priliku pročitati medijske \nizvještaje o vršnjačkom nasilju i sustavu koji po tom pitanju ne čini ništa konstruktivno. Zbog navedenoga \nje bitno da se o temi progovori i na ovaj način. Režiser, Miroslav Terzić, u redateljskoj eksplikaciji navodi \nkako je odgledao YouTube video vršnjačkog nasilja, što ga je potaknulo da razradi ovu priču. U novoj \nverziji eksplikacije, Terzić navodi da je taj konkretan video maknut na zahtjev roditelja, međutim, kao \nreferencu je dodao novi. Ovo se, konkretno, odigralo u Hrvatskoj, međutim, kao što sam spomenuo, priča \nje univerzalna i mogla se odigrati (i odigrava se) bilo gdje.  \nTakođer, neke od naslovnih uloga odigrat će glumci iz Hrvatske, a osim njih bit će angažiran i veći broj \ndrugog filmskog osoblja iz Hrvatske. \nVizija Miroslava Terzića je jasna – suočiti nas s problemima s kojima se susreću naša djeca, a tiču se nove \nrazine vršnjačkog nasilja, koje se osim u stvarnosti, događa i u virtualnom svijetu. Terzić je svjestan da je \nza ovaj film izuzetno bitan casting, jer u njemu će glumiti velik broj tinejdžera. Film bi trebao imati tri čina \n– od veselog mladenačkog filma u prvom, preko suočavanja s izolacijom, koja okida još veće zlo.  \n \n4. Dugometražni igrani film Posljednji heroj (Slovenija), u produkciji Studio Virca, hrvatski producent \nNukleus film, 240,000.00 kn \nScenarij dugometražnog igranog filma, drame s elementima crne komedije, Posljednji heroj (Slovenija) \npotpisuju nagrađivana slovenska scenaristica Iza Strehar i redatelj filma Žiga Virc. \nRadnja prati Francea koji u malom slovenskom gradiću Kamno, pokušava spriječiti njemački trgovački \nlanac Kaufdorf da otvori trgovinu na mjestu kipa njegovog oca Johna, odlikovanog heroja NOB-a. Ovdje \ndolazimo do kompleksnosti odnosa između oca i sina, naime France se čitav život trudio dobiti očevo \npoštovanje očuvanjem uspomene na njegova herojska djela. Za pomoć u sprečavanju rušenja France \n\n\f\nnastoji pridobiti kćer Vidu. France odluči upriličiti veliku očevu bitku koja se odigrala na mjestu gdje stoji \nkip, kako bi uvjerio Kaufdorf da tamo ne gradi trgovinu. Paralelno s pokušajem sprečavanja izgradnje, \nodvija se privatna drama Vide i njenog supruga Tonija. \nScenarij je kvalitetno napisan i strukturiran te obiluje zanimljivim i nerijetko duhovitim dijalozima i \nsituacijama. Priča u svojoj osnovi propituje kompleksnost odnosa u obitelji, s kojom smo svi mi suočeni pa \nje s te strane se vrlo lako povezati s likovima i pričom filma. \nRedateljska koncepcija je jasno i korektno napisana. Virc u njoj navodi motivaciju da snimi ovaj film te \nrazrađuje suprotnosti između Franceovih ideja i modernog kapitalizma, simboliziranog shopping centrima. \nŠto se tiče pristupa snimanju, on navodi da planira ići u realistične prikaze, bliske dokumentarnom filmu, \nkorištenjem 35 mm trake. Glazba koju planira koristiti će biti iz vremena 40.-ih do 70.-ih godina prošlog \nstoljeća te bi trebala naglasiti opći dojam filma. \n \n5. Dugometražni igrani film Bijela nedjelja (Srbija), u produkciji Filmske kuće Baš čelik, hrvatski \nproducent Propeler film, 500,000.00 kn \nScenarij za dugometražni igrani film Bijela nedjelja napisao je Bojan Vuletić, autor niza nagrađivanih \naudiovizualnih djela, poput TV serije Porodica. Vuletić je ujedno i režiser filma Bijela nedjelja. U njemu \npratimo priču o dječaku Đorđu koji nakon svađe s autoritativnim ocem slučajno izazove smrt mlađeg \nbrata Jovana. Kroz scenarij pratimo Đorđeve odnose s obitelji, kao i odnose njegove obitelji sa širom \nzajednicom unutar koje se nalaze. Zanimljivo je istaknuti da je scenarij ispresijecan montažnim scenama \npokladnih običaja karakterističnih za ovo podneblje. \nSvi likovi, kao i radnja, uvjerljivo su napisani te vjerno prikazuju isprepletenost života i sudbina malog \nmjesta. Ova je priča na neki način univerzalna za našu regiju te je lako zamisliti da se ovakva priča odigra i \nu Hrvatskoj. \nPričajući priču o sazrijevanju dječaka Đorđa, u kontekstu njegove obitelji i šire društvene zajednice u kojoj \nse nalazi, Vuletić želi ispričati priču o zamagljivanju granice između istine i laži. Kako sam navodi u \nredateljskoj koncepciji, sumnja što je istina, a što laž i manipulacija činjenicama postaju normalan model \nkomunikacije. U takvom sistemu vrijednosti osnovna svojstva dobra i zla teško je razdvojiti. U pogledu \nvizualnog identiteta, on navodi kako će ga karakterizirati realističnost kadra, minimalistička svedenost \nizraza i velika razlika u planovima. Psihološki segment bit će naglašen totalima ruralnih pejzaža i krupnim \nplanovima glavnih junaka. Bitnu ulogu u filmu će igrati i zvuk, čija će uloga biti da dočara realni svijet, kao i \npsihološka stanja likova. \n \n6. Dugometražni igrani film Luna park (Albanija), u produkciji On Film Production, hrvatski producent \nStudio Corvus, 370,000.00 kn \nAutor scenarija za dugometražni igrani film Luna Park, koji progovara o obitelji koja pokušava izdržati \nteškoće života za vrijeme izbijanja čiste društvene i državne anarhije u Albaniji koncem devedesetih \ngodina prošlog stoljeća, je Florenc Papas, koji će ga ujedno i režirati. Priča prati Miru, koja odgaja sina \n\n\f\nTonija, dok suprug Arben radi ilegalno u  Grčkoj te povremeno financijski pomaže obitelj. Toni je na rubu \ndelinkvencije i često ima probleme u školi. Slično kao i u ostalim državama Balkanskog poluotoka, u \nAlbaniji je tada vladala pomama za piramidalnim shemama koje nude brzu zaradu. Miri poznanik Berti \npredloži da uloži u jednu od njih kako bi stekla novac potreban da otvori restoran. Budući da nema novaca \nza ulaganje, Mira odluči prodati svoj stan te živjeti u stanu koji joj je na čuvanje ostavila prijateljica Alma. \nNa njenu nesreću, 1997. se čitav albanski sustav piramidalnih shema urušava, a u zemlji počinje građanski \nrat.  \nPapasov scenarij je zanimljiv i dobro napisan. Likovi i njihove sudbine su realistični i karakteristični za \npodručje Balkana i s njima se lako poistovjetiti. Nekako je karakteristično da se svi u ovom podneblju \nnadaju da će im se posrećiti te su skloni vjerovati obećanjima brze zarade. \nPapas nam ovim filmom želi dati uvid u jedan specifičan moment iz albanske prošlosti, koji je sam iskusio \nkao dijete, ponajviše zato što, kako sam navodi, ljudi u Albaniji ne vole ni misliti ni razgovarati o tom \nperiodu.  \n \n7. Dugometražni dokumentarni film Neptunova bura (Srbija), u produkciji Katarina Stanković PR \nSirena4reel, hrvatski producent LEWA productions j.d.o.o., 90,000.00 kn \nDugometražni dokumentarni film Neptunova bura, scenaristice i redateljice Katarine Stanković, priča nam \npriču o Visu, jednom od najudaljenijih jadranskih otoka, koji je, kao vojna baza, gotovo pola stoljeća bio \nzatvoren za strance. Nakon otvaranja, kreće nadmetanje između ribara i masovnog turizma. Glavni lik \novog dokumentarnog filma, koji tematizira odsustvo komunikacije između aktera, je kolektivni, prikazan \nkroz tvornicu Neptun. Osim tvornice za preradu ribe, u filmu susrećemo još tri aktera, svakog sa svojim \npogledom na budućnost tvornice Neptun. \nIzuzev očitog, a to je da se radi o otoku Visu, ovaj dokumentarni film je relevantan za hrvatsku \naudiovizualnu umjetnost u kontekstu propitivanja međuljudskih odnosa, sukoba između tradicionalnog i \nmodernog te sukoba između masovnog turizma i potreba lokalne zajednice. \nŠto se tiče redateljske koncepcije, u njoj je jasno naznačena motivacija autorice. Stanković navodi kako, za \nrazliku od njenih prethodnih dokumentaraca, u Neptunovoj buri ni u jednom trenutku glavna radnja neće \nbiti inscenirana. Posebno je zanimljivo njezino postavljanje kolektivnog glavnog lika, utjelovljenog u \ntvornici Neptun, čiju je priču temeljito istražila. Film će biti sačinjen od snimljenih razgovora, arhivskih \nmaterijala i originalne muzike. \n \n8. Kratkometražni dokumentarni film Zagrljaj (Slovenija), u produkciji KUD-a Center 21 - Hupa Brajdič \nprodukcija, hrvatski producent Kazimir, Udruga za promicanje kulture, umjetnosti i audiovizualnog \nstvaralaštva, 55,000.00 kn \nJasno je da je režiser, Miroslav Mandić, koji će ujedno biti i snimatelj dokumentarnog filma Zagrljaj, dobro \npromislio o temi koju planira ekranizirati te da su mu more i masline, kao i njihova simbolika u kontekstu \nMediterana bliske od najranije mladosti. Također, on se ovdje želi pozabaviti međuvremenom u \n\n\f\nmeđuprostoru, nepreglednim plavetnilom, koje se kako Mandić navodi, čini ničijim. Meditativnost planira \npostići kombinacijom slike i zvuka. U pogledu kadrova, Mandić navodi da će biti dugi, a veze među njima \nalogične, nastavljajući da će kamera uglavnom biti statična, osim u dva kadra koja bi bila snimljena \n„steadyem“. Također, autor planira koristiti bliske i apstraktne planove, utemeljene na dokumentarnom \npredlošku, dok će totali služiti kao dojmovi prirode, aluzije na slikarske pravce.  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Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12),  Hrvatsko audiovizualno vijeće, je na prijedlog ravnatelja na 53. sjednici održanoj 1. prosinca \n2014.  godine donijelo: \n \nO  D  L  U  K  U \no usvajanju molbe Srđana Šarenca   \n \n1.) Usvaja se molba za sporazumnu promjenu producenta projekta „Izbor za miss zatvora“ s producenta \nMP Filmska produkcija d.o.o., Hruševečka 9, Zagreb, (dalje u tekstu: MP Filmska produkcija d.o.o.) \nna producenta Provid d.o.o.,Sveti Duh 22, Zagreb (dalje u tekstu: Provid d.o.o.). \n2.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n3.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: HAVC): www.havc.hr. \n \n  \n \n \n \n \nObrazloženje \n \nDana 4. studenoga 2014. godine g. Srđan Šarenac, Bana Ivana Mažuranića 14, Orebić (dalje u tekstu: Srđan \nŠarenac) scenarist i redatelj projekta „Izbor za miss zatvora“ uputio je HAVC-u molbu Klasa: 222-217-028, \nUrbroj: 4404-2014 (dalje u tekstu: Molba) kojom je zatražena sporazumna promjena producenta projekta \n„Izbor za miss zatvora“ s producenta MP Filmska produkcija d.o.o. na producenta Provid d.o.o.. \n \nHrvatsko audiovizualno vijeće je na 53. sjednici većinom glasova donijelo odluku o usvajanju molbe kao što \nje navedeno u ad.1 ove Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica \nDostaviti: \n \n \n - Srđan Šarenac, Bana Ivana Mažuranića 14, Orebić \n     -  pismohrana, ovdje \n \n \n \n","warnings":[],"document":{"program_type":"other","year":2014,"rok":null,"referenced_projects":["Izbor za miss zatvora"],"summary":"Odluka Hrvatskog audiovizualnog vijeća s 53. sjednice (1. prosinca 2014.) o usvajanju molbe Srđana Šarenca za sporazumnu promjenu producenta projekta „Izbor za miss zatvora“ s MP Filmska produkcija d.o.o. na Provid d.o.o.","project_links":[{"source_title":"Izbor za miss zatvora","family_id":"pf_5c24f7454243","family_title":"IZBOR ZA MISS ZATVORA","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web Obrazlozenje po Javnom pozivu za komplementarne djelatnosti u 2023 - prvi rok copy.pdf","filename_decoded":"web Obrazlozenje po Javnom pozivu za komplementarne djelatnosti u 2023 - prvi rok copy.pdf","sha256":"3d53818d248d0e32e192b6f802405db2b041331b34baf88be1cc577b6e6cc21b","bytes":91156,"page_count":5,"extracted_at":"2026-05-17T12:01:31Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje%20po%20Javnom%20pozivu%20za%20komplementarne%20djelatnosti%20u%202023%20-%20prvi%20rok%20copy.pdf"},"raw_text":" \n \nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE \nKOMPLEMENTARNIH DJELATNOSTI U 2023. GODINI – 1. rok \n \nObrazloženje umjetničkih savjetnika za komplementarne djelatnosti \n \nU prvom roku Javnog poziva za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2023. godini zaprimljeno je 316 prijava u kategorijama: djelatnosti \nrazvijanja audiovizualne kulture, filmski festivali i druge audiovizualne manifestacije, \nizdavaštvo u području audiovizualnih djelatnosti, programi audiovizualnih udruga i \norganizacija, programi promocije i prodaje hrvatskih audiovizualnih djela, programi \nstručnog usavršavanja i/ili edukacije, programi proučavanja i kritičkog vrednovanja \naudiovizualnih djelatnosti,  programi zaštite audiovizualne baštine, uključujući \nkinotečnu djelatnost, i ostali programi.  \n \nPrijave na Javni poziv za komplementarne djelatnosti za 2023. godinu podnose se u \ndva roka godišnje. Prvi rok, do 8. rujna 2022., odnosio se na projekte u svim \nkategorijama koji se održavaju u 2023. godini, a drugi rok, raspisan do 12. siječnja \n2023., odnosi se isključivo na one projekte iz kategorije programa filmskih festivala i \ndrugih audiovizualnih manifestacija koji se održavaju u drugoj polovici 2023. godine, \na nisu se prijavili na prvi rok javnog poziva.  \n \nSavjetnici za komplementarne djelatnosti, Davorka Begović, Carmen Lhotka i \nTomislav Šakić, za financijsku podršku na prvom roku predložili su 279 programa u \nukupnom iznosu od 10.318.500,00 kn, odnosno 1.369.500,30 € što je i odobreno. \n \nU postupku procjenjivanja vodili smo se otprije utvrđenim kriterijima, navedenima u \ntočki VIII Javnog poziva za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2023. godini:  \n \n– kvaliteta, izvedivost i održivost programa (od sadržajne do produkcijske razine) \n– programi koji imaju konkretne, realne i strateške planove u umjetničkom, \norganizacijskom i financijskom smislu \n– značaj programa za relevantan kontekst (ovisno o programu, od lokalne zajednice, \npreko nacionalnog značaja do međunarodne prepoznatljivosti i važnosti za \naudiovizualni sektor) \n– kontinuitet programa odnosno njegova dugoročna usmjerenost, dostupnost \nprojekta, vidljivost i komunikacija sa profesionalcima i javnosti, \n– kvaliteta prijave, kvaliteta i iskustvo projektnog tima u pojedinoj programskoj \nkomplementarnoj djelatnosti za koju se prijavljuje (stabilni i dostatni izvori prihoda za \nkontinuirano obavljanje aktivnosti tijekom razdoblja ostvarivanja projekta, stručne \nkompetencije i kvalifikacije potrebne za provođenje predložene aktivnosti) \n– prethodna izdanja programa (ako nije prvo izdanje) \n– ispunjavanje prethodnih ugovornih obveza sa Centrom \n– odjek programa i komunikacija s javnosti (prije, za vrijeme i nakon održavanja \nprograma) \n– te povezivanje i suradnja. \n \nPosebnu smo pažnju pritom posvetili programima koji nude različite aspekte \naudiovizualne edukacije – posebice djece i mladih – kao jednom od prioritetnih \nciljeva navedenih u Nacionalnom programu promicanja audiovizualnog stvaralaštva.  \n\n\f\n \n \n \nKao i svake godine, u svim kategorijama prepoznati su programi za koje su \npredložene i odobrene odgovarajuće potpore. U nastavku ističemo programe koje \ndržimo od iznimne ili visoke vrijednosti za očuvanje i razvoj audiovizualnih djelatnosti \ni stvaralaštva u Hrvatskoj, odnosno programe nacionalne ili lokalne važnosti, ili pak \none koji su važni za razvoj pojedinih djelatnosti.  \n \nDjelatnosti razvijanja audiovizualne kulture \n \nU kategoriji djelatnosti razvijanja audiovizualne kulture, tradicionalno najopsežnijoj, \nprijavljeno je 159 programa (11 više nego prošle godine). Za potporu se u ovoj \nkategoriji predlaže i odobreno je 146 programa u iznosu od 3.686.500,00 kn/ \n489.282,63 €.  \n \nMeđu programima treba istaknuti dvije najveće skupine sadržaja. Prva su umjetnička \ni nezavisna kina u hrvatskim gradovima (najveći dio njih dio je Kino mreže). Svako \nprijavljeno kino dobiva potporu, ovisno o opsegu programa, veličini grada, visini \nlokalne potpore, veličini ciljane publike, kvaliteti programa i postignutim rezultatima u \nneposredno proteklom razdoblju. Izdvajaju se, redom, Kino Tuškanac u Zagrebu, Art-\nkino Croatia u Rijeci, Kinoteka Zlatna vrata u Splitu te kina Kinoteka i Europa u \nZagrebu. Ističemo da u 2023. podupiremo rad 30-ak kina, mahom u organizaciji \npučkih otvorenih učilišta i centara za kulturu. Uspješnu djelatnost nastavlja i \"Kino \nMediteran\". U ovom segmentu zamjetan je sve veći broj programa posvećenih \nrazvoju publike, a ove godine ističemo program Timpetill – Young4Film koji će na \npodručju Gorskog kotara uz potporu programa MEDIA Kreativne Europe provoditi \nMotovun Film Festival te Moje malo kino koje provode Centar za kulturu Čakovec, \nPučko otvoreno učilište Samobor i Pučko otvoreno učilište Novska uz potporu \nprograma Collaborate to Innovate mreže Europa Cinemas.  \n \nDrugu skupinu čine obrazovni programi i radionice. U ovoj se skupini, kao i dosad, \nističu redoviti obrazovni programi i radionice Kinokluba Zagreb, Restarta i Blanka. \nRadionica, bilo za djecu, bilo za odrasle, predloženih i odobrenih za potporu je oko \n60. Posebno ističemo kontinuitet u programima inkluzivnosti – senzornim \nprojekcijama, izradbi audionaracija i podnatpisa ili pak radionicama s disleksičnim \nosobama i osobama s invaliditetom, kakve, uz udrugu Alternator iz Zagreba, provode \nudruge Filmaktiv i Spirit iz Rijeke te Globe Media iz Splita, koje i ove godine \npreporučujemo za vidljivije potpore.  \n \n \nFilmski festivali i druge audiovizualne manifestacije  \n \nOd 31 prijave na 1. roku, koji obuhvaća filmske festivale i audiovizualne \nmanifestacije, predložena je i odobrena potpora za njih 29 u iznosu od 2.862.500,00 \nkn/ 379.919,04 €.  \n \nTradicionalno, važnošću i iznosom odobrene potpore prednjače Animafest Zagreb i \nZagrebDox, a slijede ih 25 FPS, Festival mediteranskog filma Split, Subversive Film \nFestival, Dani hrvatskog filma, Filmske mutacije: festival nevidljivog filma XVII  i \nLiburnia film festival. Željeli bismo skrenuti pažnju na potporu koju dajemo \n\n\f\n \n \nmanifestacijama namijenjenima djeci (Festival prava djece), mladeži, ili pak \ninkluzivnima, namijenjenima osobama s invaliditetom (Filmski karavan).  \n \n \nIzdavaštvo u području audiovizualnih djelatnosti  \n \nU ovoj kategoriji treba primijetiti nastavak povećanja broja iznimno važnih prijevoda \nfilmološke literature, zamjetan posljednjih nekoliko godina. U 2023. potpora je \npredložena i odobrena za hrvatski prijevod knjige Modernizam na filmu – europski \numjetnički film 1950.–1980. Andrása Bálinta Kovácsa (Hrvatski filmski savez), ali i za \nšestu i sedmu knjigu iz edicije Kvadrati sekunde (Udruga 25 FPS). Posebno treba \nistaknuti i potporu za četiri knjige domaćih autora o domaćem filmu.  \n \nNajviši iznos za potporu u ovoj kategoriji tradicionalno ide za časopis Hrvatski filmski \nljetopis, a posebno ističemo da, nakon što je u protekle tri godine Hrvatsko društvo \nfilmskih kritičara uspješno izgradilo svoje internetsko izdanje, filmski portal Zona filma \n(na adresi https://zonafilma.com), tom online-izdanju predložena je i odobrena  i dalje \nznačajna potpora.  \n \nOd 28 prijavljenih programa za potporu se predlaže i odobreno je njih 21 u iznosu od \n394.500,00 kn / 52.359,15 €.  \n \n \nProgrami audiovizualnih udruga i organizacija \n \nOd 35 programa, za potporu je predloženo i odobreno njih 30 u iznosu od \n1.617.500,00 kn / 214.679,14 €. Na ovom se roku prvi put pojavljuje i tek osnovano \nDruštvo hrvatskih filmskih montažera, koje smo odlučili poduprijeti, a  nastavlja se \nredovita godišnja potpora strukovnim udrugama poput Hrvatskog društva filmskih \ndjelatnika, Hrvatske udruge producenata, Društva hrvatskih filmskih redatelja, \nHrvatske udruge filmskih snimatelja, Hrvatskog društva filmskih kritičara, Saveza \nscenarista i pisaca izvedbenih djela, Hrvatskog društva nezavisnih producenata, \nzatim potpora Hrvatskoj mreži neovisnih prikazivača, ali i udrugama koje desetljećima \nprovode neprofesijske, radioničke i obrazovne filmske djelatnosti, kao što su Hrvatski \nfilmski savez, Kinoklub Zagreb, Blank i Autorski studio – fotografija, film, video, Kino \nklub Split, Pulska filmska tvornica, Filmsko-kreativni studio Vanima u Varaždinu, \nŠkola animiranog filma Čakovec, Foto kino video klub Zaprešić, GFR film-video u \nPožegi i Kinoklub Karlovac. Mnoge od njih za posebne radionice i programe potporu \nostvaruju i u kategoriji djelatnosti razvijanja audiovizualne kulture. \n \nProgrami promocije i prodaje hrvatskih audiovizualnih djela \n \nU ovoj kategoriji ove godine prijavljena su samo 4 programa i potpora se predlaže i \nodobrena je za sva 4 u iznosu od 117.000,00 kn / 15.528,57 €. Nastavlja se potpora \nUstanovi Zagreb film i udruzi Restart za festivalsku i regionalnu distribuciju filmova. U \nnesigurnom području filmskog streaminga, u kojem treba primijetiti više inicijativa i \npokušaja, djelatnost nastavljaju tek dva programa – platforma <croatian.film> (UO \nZagreb film festival) i ponuda hrvatskih filmova u programu \"Kino Mediteran od \ndoma\" (Festival mediteranskog filma Split).  \n \n\n\f\n \n \n \nProgrami stručnog usavršavanja i/ili edukacije  \n \nOd 35 prijavljenih programa za potporu se predlaže i odobreno je njih 28 u iznosu od \n1.003.500,00 kn / 133.187,34 €. Najistaknutiji programi ujedno su i oni već uhodani: \ntzv. industry sekcije vodećih festivala, gdje se ističu ZagrebDox Pro i  Industrija \nZagreb Film Festivala, te oni posvećeni edukaciji za medijsku pismenost, gdje \nprednjači Škola medijske kulture „Dr. Ante Peterlić\" (u svojem jubilarnom 25. \nizdanju).  \n \n \nProučavanje i kritičko vrednovanje audiovizualnih djelatnosti  \n \nU ovoj kategoriji razmatrano je 17 programa, a za potporu predloženo i odobreno njih \n15 u iznosu od 237.000,00 kn / 31.455,31 €  s obzirom na to da su potraživanja u \novoj kategoriji obično niska. Kao i dosad, redovitu potporu dobiva kvalitetna, redovita \nprogramska djelatnost Multimedijalnog instituta u Zagrebu, Hulahop d.o.o. za 10. \nMeđunarodni simpozij o suvremenoj animaciji Animafest Scanner te više uhodanih \nprikazivačko-diskurzivnih programa, poput programa udruge Restart (Hall of Fame, \nMasterclass, Razmišljaj filmom, Upoznaj autora).  \n \n \nZaštita audiovizualne baštine uključujući kinotečnu djelatnost \n \nUnatoč činjenici da su protokom vremena mnogi audiovizualni materijali nepovratno \nizgubljeni ili su na najboljem putu da budu, zbog zanemarivanja i tehnološke \nzastarjelosti, u ovoj kategoriji zabrinjavajući je manjak izvaninstitucionalnih inicijativa \nza zaštitu audiovizualne baštine. Razmatrali smo 6 prijavljenih programa i predlaže \nse i odobrava potpora za svih 6 programa u iznosu od 400.000,00 kn / 53.089,12 €. \nU ovoj kategoriji bismo željeli istaknuti inicijativu Kinokluba Zagreb da u programu \nDigitalne restauracije filmova Ljubiše Grlića sačuva nedavno preuzetu značajnu \nfilmsku arhivu ovog autora eksperimentalnog filma i svojega dugogodišnjeg člana. \nRedovite potpore predlažu se i odobrene su Hrvatskom filmskom savezu za godišnji \nrad arhiva te Ustanovi Zagreb film za nastavak redovitoga godišnjeg programa \nrestauracije i digitalizacije filmova iz produkcije Zagreb filma. Posebno treba \npozdraviti nastojanje za unaprjeđenjem i nadogradnjom digitalne arhive i baze \npodataka Kino kluba Split te nastavak rada na digitalizaciji i zaštiti arhivskoga gradiva \nKinokluba Zagreb, što je posebno važno s obzirom na to da je riječ o dvama \nnajstarijim hrvatskim kinoklubovima. \n \n \n \nZAKLJUČAK \nS obzirom na to da se proračun predviđen za poticanje komplementarnih djelatnosti \nodržava u istim ili sličnim okvirima iz godine u godinu, savjetnici su suočeni uvijek s \nistim izazovom, a to je nedostatnost sredstava u odnosu na broj prijavljenih programa \nte manjak snažnije potpore lokalnih zajednica, zbog čega se velik dio prijavitelja \noslanja ponajviše na potporu Hrvatskog audiovizualnog centra. S obzirom na protok \nvremena, priljev novih kvalitetnih prijavljenih programa i vrijednost novca, predložena \nsredstva ne prate realne potrebe. Za usporedbu navodimo statistički podatak: u \n\n\f\n \n \n2013. godini dodijeljeno je 12.280.626,00 kn za 207 programa, 2021., u dva roka, \n12.215.000,00 kn za 288 programa, a u 2022. za 283 programa u dva roka \n11.669.200,00  kn. \n \nZaključno, željeli bismo – kao i svi naši prethodnici – naglasiti važnost \nkomplementarnih djelatnosti i kontinuiranoga poticanja koje im nudi godišnji javni \npoziv Hrvatskog audiovizualnog centra. Komplementarne djelatnosti, premda \nmnogima na rubu percepcije u području audiovizualne industrije i kulture, zapravo su \nsama okosnica audiovizualnoga stvaralaštva i kulture, pa stoga i ključan dio \nNacionalnog programa promicanja audiovizualnog stvaralaštva, u tom smislu da \npružaju temelje audiovizualnoj kulturi i medijskoj pismenosti pojedinca od malih nogu. \nVrijednost ovoga sektora zbog svoje sveobuhvatne i disperzivne prirode nije na prvi \npogled uočljiva i mjerljiva, ali ona čini svakodnevicu i budućnost audiovizualne kulture \ni djelovanja. Stoga priželjkujemo da se i ubuduće nastavi odrješita potpora \nkomplementarnim djelatnostima, ako je moguće i financijski osnažena, kao i da se \npoveća broj kvalitetnih prijava, napose kustoskih kolektiva, individualnih istraživača, \nnakladnika, nakladnika audiovizualnih sadržaja, umjetničkih škola i akademija, \nlokalnih udruga itd.  \n \n \numjetnički savjetnici za komplementarne djelatnosti \nDavorka Begović \nCarmen Lhotka \nTomislav Šakić \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2023,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2013 Me_unarodna suradnja_ 15 02 2013.pdf","filename_decoded":"2013 Me_unarodna suradnja_ 15 02 2013.pdf","sha256":"3d6cdda1498533195184f8aa58676714bac900eef0b70266511f1d2a95579cb8","bytes":195645,"page_count":4,"extracted_at":"2026-05-17T10:23:30Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2013%20Me%C4%91unarodna%20suradnja%2C%2015%2002%202013.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA  \nPOTPORA (kn)\n1\nAna Bilankov\nProgrami predstavljanja i promocije \nfilmova; Programi stručnog \nusavršavanja\nSudjelovanje multimedijalne umjetnice Ane Bilankov u \nprogramu AIR (artist in residence) te predstavljanje video \nradova autorice u Residency Unlimited centru u New \nYorku, S.A.D., tijekom srpnja 2013.\n9,000.00\n2\nArs Septima\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika\nSudjelovanje redatelja i predstavljanje dugometražnog \nigranog filma 'Halimin put', red.  Arsena A. Ostojića,  na 8. \nSEEFestu - festivalu filmova jugoistočne Europe u Los \nAngelesu, S.A.D., od 2. do 6. svibnja 2013.\n7,822.00\n3\nArtizana film d.o.o.\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje producentice kratkometražnog igranog filma \n'Ponoćno sivo', red. B. Ištvančića, na koprodukcijskom \nforumu EURO CONNECTION 2013 u sklopu 35. \nmeđunarodnog festivala kratkometražnog filma u \nClermont-Ferrandu, Francuska, od 4. do 8. veljače 2013.\n3,701.00\n4\nBranka Benčić\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika; Programi međunarodne \nkulturalne razmjene iz područja \naudiovizualnih djelatnosti (razmjena \nhrvatskih i stranih pojedinaca i \ninstitucija); Ostali programi\nSudjelovanje kustosice Branke Benčić i organizacija \nkustoske izložbe pod nazivom 'Videofolklor: Televizija, \nvideo, anticipacija' u Salonu Muzeja suvremene \numjetnosti u Beogradu, Srbija, od 7. lipnja do 7. srpnja \n2013.\n5,000.00\n5\nBranka Benčić\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika\nSudjelovanje kustosice Branke Benčić na Curators \nMeeting i ostalim programima u sklopu 59. međunarodnog \nfestivala kratkog filma u Oberhausenu, Njemačka, od 2. \ndo 7. svibnja 2013.\n3,485.00\n6\nDalija Dozet\nProgrami stručnog usavršavanja\nSudjelovanje studentice MA režije Dalije Dozet na Go \nShort Student Campusu u sklopu Go Short Film Festivala \nu Nijmegenu, Nizozemska, od 12. do 17. ožujka 2013.\n4,003.00\n7\nDraško Ivezić\nProgrami stručnog usavršavanja\nSudjelovanje animatora Draška Ivezića na edukacijskom \nprogramu Animation Sans Frontiers koji se održava u 4 \nsesije, od listopada 2012. do ožujka 2013. na europskim \nškolama animacije - Filmakademie Baden - Wurttemberg \nu Ludwigsburgu, Njemačka (15.-26.10.2012.), MOME u \nBudimpešti, Mađarska (26.11.-7.12.2012.,The Animation \nWorkshop u Viborgu, Danska (28.01.-08.02.2013.), \nGobelins u Parizu, Francuska (11. do 22. ožujka 2013.)\n6,068.55\n8\nDruštvo hrvatskih \naudiovizualnih \nprevoditelja\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i \nstranih pojedinaca i institucija); \nProgrami stručnog usavršavanja, \nOstali programi\nOrganizacija međunarodne konferencije Media for All 5 u \nDubrovniku, Hrvatska, od 25. do 27. rujna 2013.\n15,000.00\n9\nFilmsko-kreativni \nstudio Vanima\nProgrami gostovanja hrvatskih autora-\n/ica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika;\nSudjelovanje voditelja filmsko-kreativnog studija VANIMA \nna 1. međunarodnom seminaru voditelja radionica za \nanimirani film za djecu i mlade u sklopu 12. Monstre - \nfestivala animiranog filma u Lisabonu, Portugal, od 15. do \n16. ožujka.\n5,790.00\n10\nFoto kino video klub \nZaprešić\nProgrami gostovanja hrvatskih autora-\n/ica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika\nSudjelovanje voditelja i autora na 16. međunarodnom \nfilmskom festivalu 'ZOOM - ZBLIZENIA 2013' u Jelenia \nGori, Poljska, od 19. do 24. veljače 2013.\n4,000.00\n11\nHrvatska udruga \nfilmskih snimatelja\nOstali programi\nSudjelovanje predstavnika na godišnjoj skupštini IMAGO-\na u Brusselsu, Belgija, od 14. do 17. veljače u svrhu \npripreme godišnje skupštine IMAGO-a u Zagrebu, \nHrvatska, 2013./2014.\n2,183.48\n12\nHrvatski državni arhiv - \nHrvatska kinoteka\nProgrami stručnog usavršavanja\nSudjelovanje filmske arhivistice na  međunarodnoj \nkonferenciji XX Udine International Film Studies \nConference i radionicama u sklopu XI MAGIS Gorizia \nInternational Film Studies Spring School u Udinama i \nGoriziji, Italija, od 12. do 21. ožujka 2013.\n1,666.00\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2013.     \nPROGRAMI MEĐUNARODNE SURADNJE - Rok 15. veljače 2013.                 \n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA  \nPOTPORA (kn)\n13\nHrvatski državni arhiv - \nHrvatska kinoteka\nOstali programi\nSudjelovanje stručnog djelatnika Hrvatske kinoteke na 69. \nkongresu međunarodnog udruženja filmskih arhiva (FIAF) \nu Barceloni, Španjolska, od 21. do 27. travnja 2013.\n5,500.00\n14\nHrvatski državni arhiv - \nHrvatska kinoteka\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i \nstranih pojedinaca i institucija)\nSudjelovanje stručnih djelatnika Hrvatske kinoteke i \njednog gosta redatelja te suorganizacija manifestacije \nDani Hrvatske kinoteke u Skopju i Bitoli, Makedonija, od \n15. do 24. svibnja 2013. te manifestacije Dani \nMakedonske kinoteke u Zagrebu i Splitu, Hrvatska, od 19. \ndo 28. rujna 2013. \n15,000.00\n15\nHrvatski filmski savez\nProgrami gostovanja hrvatskih autora-\n/ica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika\nSudjelovanje Željka Baloga na sastanku Komiteta UNICA-\ne u Bratislavi, Slovačka, od 18. do 21. travnja 2013.\n2,000.00\n16\nHrvatski filmski savez\nProgrami gostovanja hrvatskih autora-\n/ica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika; Programi predstavljanja i \npromocije filmova \nSudjelovanje redatelja i direktora fotografije te \npredstavljanje dugometražnog igranog filma 'Pismo Ćaći', \nred. D. Čučića, na 36. međunarodnom filmskom festivalu \nu Göteborgu, Švedska, od 25. siječnja do 4. veljače 2013.\n25,000.00\n17\nHrvatsko kaskadersko \ndruštvo\nProgrami stručnog usavršavanja\nSudjelovanje članova Hrvatskog kaskaderskog društva na \nradionici 'SWAT TACTICAL & FIREARMS 4 FILM' u \nKopenhagenu, Danska od 17. do 19. svibnja 2013.\n15,000.00\n18\nHulahop d.o.o.\nProgrami stručnog usavršavanja; \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje asistentice produkcije na programu East Doc \nPlatform u Pragu, Češka, od 4. do 10. ožujka 2013.\n2,671.60\n19\nKinoklub Zagreb\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i \nstranih pojedinaca i institucija)\nSudjelovanje člana Kinokluba Zagreb na Generatoru - \naudiovizualnom forumu mladih filmaša u Strasbourgu, \nFrancuska, od 25. do 27. siječnja 2013.\n1,100.00\n20\nKinoklub Zagreb\nOstali programi\nSudjelovanje članova Kinokluba Zagreb na NISI MASA \ngeneralnoj skupštini u Münchenu, Njemačka, od 21. do \n24. ožujka 2013.\n2,862.34\n21\nKinorama d.o.o.\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje scenaristice/redateljice s projektom 'Ne \ngledaj mi u pijat', red. H. Jušić, na tri sesije scenarističke \nradionice Script & Pitch u sklopu Torino Film Laba u \nKrakovu, Poljska (11.-17.03.2013.), u Brignoganu, \nFrancuska (16.-22.06.2013) i u Torinu, Italija (listopad / \nstudeni 2013) \n22,000.00\n22\nManevar d.o.o.\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje redatelja s projektom u razvoju 'Mlade nade', \nred. T. Fikete, na Docs in Thessaloniki pitching forumu u \nSolunu, Grčka, od 20. do 24. ožujka 2013.\n6,650.00\n23\nMarko Rojnić\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika\nSudjelovanje Marka Rojnića na 53. godišnjoj konferenciji \nSociety for Cinema & Media Studies s radom The Patalas' \nTypology of Female Stars in American Cinema u Chicagu, \nS.A.D., od 6. do 10. ožujka 2013.\n4,352.19\n24\nMateo Tomislav Klarić\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika\nSudjelovanje redatelja i predstavljanje kratkometražnog \nigranog filma 'Semaforsiranje', red. Matea T. Klarića, na \n18. međunarodnom filmskom festivalu u Palm Beachu, \nS.A.D., od 4. do 11. travnja 2013.\n7,000.00\n25\nMoje čarobne misli \nd.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika; međunarodni filmski \nsajmovi\nSudjelovanje producentice Helene Bulaje a na sajmu  \nMIPTV u sklopu MEDIA UMBRELLA štanda u Cannesu, \nFrancuska, od 6. do 11. travnja 2013.\n9,425.25\n26\nMoje čarobne misli \nd.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika;  Programi međunarodne \nkulturalne razmjene iz područja \naudiovizualnih djelatnosti (razmjena \nhrvatskih i stranih pojedinaca i \ninstitucija)\nSudjelovanje autorice i predstavljanje krosmedijskog \nprojekta 'Zgodice o Micama' i animirane priče 'Neva' na 9. \nMeđunarodnom festivalu bajki Fiabesque u Peccioli, \nItalija, od 5. do 7. siječnja 2013.\n3,000.00\n27\nNukleus film d.o.o\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika; Program izrade \npromidžbenih materijala i prijavljivanje \nu službenu konkurenciju festivala; \nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje producenta i predstavljanje dugometražnog \ndokumentarnog filma 'Posljednja ambulantna kola Sofije', \nred. I. Meteva, na Documentary Fortnight 2013. u \norganizaciji Muzeja moderne umjetnosti (MoMA) u New \nYorku, S.A.D., od 15. veljače do 4.ožujka 2013.\n11,000.00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA  \nPOTPORA (kn)\n28\nNukleus film d.o.o\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje producenta s projektom u razvoju 'Ljepši \nkraj', red. R. Andrića, na Rotterdam Labu u sklopu \nMeđunarodnog filmskog festivala u Rotterdamu, \nNizozemska, od 26. do 30. siječnja 2013.\n2,015.00\n29\nPipser d.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika; Program izrade \npromidžbenih materijala i prijavljivanje \nu službenu konkurenciju festivala; \nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje montažerke Ive Mrkić i predstavljanje \nkratkometražnog dokumentarnog filma 'Presuda', red. Đ. \nGavrana, na 42. međunarodnom filmskom festivalu u \nRotterdamu, Nizozemska, u programu Spectrum Shorts, \nod 22. siječnja do 2. veljače 2013.\n10,000.00\n30\nPropeler Film d.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika; Programi predstavljanja i \npromocije filmova\nSudjelovanje koproducenta i glavnog glumca te \npredstavljanje dugometražnog igranog filma 'Krugovi', red. \nS. Golubovića, na 63. Berlineleu - međunarodnom \nfilmskom festivalu u Berlinu, Njemačka, u programu \nForum, od 7. do 17. veljače 2013. \n21,000.00\n31\nRea - udruga za \nsuvremene umjetničke i \narhitektonske \nprodukcije\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika; Program izrade \npromidžbenih materijala i prijavljivanje \nu službenu konkurenciju festivala\nSudjelovanje autorice Renate Poljak i organizatorice te \nprezentacija monografije, filmova i video radova autorice u \nOccurrenceu u Montrealu, Kanada, u studenom i prosincu \n2013.\n12,000.00\n32\nRenata Poljak\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika; Program izrade \npromidžbenih materijala i prijavljivanje \nu službenu konkurenciju festivala\nSudjelovanje autorice Renate Poljak i predstavljanje \nautoričinih radova na video festivalu SCREEN Barcelona, \nŠpanjolska, od 16. do 25. svibnja 2013.\n3,000.00\n33\nRestart\nProgrami stručnog usavršavanja\nSudjelovanje redatelja Igora Bezinovića i producentice \nVanje Jambrović na Berlinale Talent Campusu u Berlinu, \nNjemačka, od 9. do 14. veljače 2013.\n1,800.00\n34\nRestart\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika; Program izrade \npromidžbenih materijala i prijavljivanje \nu službenu konkurenciju festivala; \nProgrami predstavljanja i promocije \nfilmova \nSudjelovanje producentice i predstavljanje \ndugometražnog dokumentarnog filma 'Gangster te voli', \nred. N. Slijepčevića, na 20. međunarodnom festivalu \ndokumentarnog filma Hot Docs, Toronto, Kanada, u \nprogramu World Showcase, od 25. travnja do 5. svibnja \n2013.\n33,894.00\n35\nRestart\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika; Program izrade \npromidžbenih materijala i prijavljivanje \nu službenu konkurenciju festivala; \nProgrami predstavljanja i promocije \nfilmova \nSudjelovanje redatelja i predstavljanje dugometražnog \ndokumentarnog filma 'Blokada', red. I. Bezinovića,  na \nAmeričkom festivalu dokumentarnog filma (Am Docs) u \nPalm Springsu, S.A.D., od 4. do 8. travnja 2013.\n20,218.00\n36\nRiva Film d.o.o.\nProgrami stručnog usavršavanja; \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata; \nOrganizacija CineLink radionice u sklopu Dubrovnik Film \nMeetinga u Slanom, Hrvatska, od 10. do 15. lipnja 2013.\n85,000.00\n37\nSekvenca\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje redatelja i predstavljanje dugometražnog \nprojekta 'Samo zatvori oči', red. J. Pavlovića, na \nmeđunarodnom pitching forumu 'When East Meets West' \nu Trstu, Italija, od 21. do 23. siječnja 2013.\n2,525.17\n38\nSintoment\nProgrami stručnog usavršavanja\nSudjelovanje filmskih djelatnica na filmskoj radionici \nSOAP! Film Workshop u organizaciji NISI MASA-e u \nMarseilleu, Francuska, od 19. do 23. veljače 2013.\n3,220.00\n39\nTina Tišljar\nProgrami stručnog usavršavanja; \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje producentice Tine Tišljar na tri sesije \nradionice MAIA - Lazio regija, Italija (27.-31.05.2013), \nSlovačka (17.-22.6.2013.) i Hrvatska (30.09.-04.10.2013.)\n15,000.00\n40\nUdruga UKUS\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika; Programi predstavljanja i \npromocije filmova \nSudjelovanje redateljice i producenta te predstavljanje \ndugometražnog dokumentarnog filma 'Zimsko čudo', red \nG. Becka i Ž. Sukove, na 36. međunarodnom filmskom \nfestivalu u Göteborgu,  Švedska, od 25. siječnja do 4. \nveljače 2013.\n6,975.75\n41\nUdruga za \naudiovizualno \nstvaralaštvo ARTIZANA\nProgrami predstavljanja i promocije \nfilmova \nOrganizacija programa pod nazivom Ciklus hrvatskog \nfilma u Vojvodini koji će se održati u Vojvodini (Subotica, \nSombor, Tavankut), Srbija tijekom 2013. godine (od 1. \nsvibnja do 31. prosinca).\n25,000.00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA  \nPOTPORA (kn)\n42\nUstanova Zagreb film\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje producentice na koprodukcijskom forumu \nNISI MASA - European Short Pitch u Luxembourgu, \nLuxembourg, od 1. do 3. ožujka 2013.\n4,000.00\n43\nVišnja Pentić\nProgrami stručnog usavršavanja\nSudjelovanje kritičarke Višnje Pentić na Berlinale Talent \nCampusu u Berlinu, Njemačka, od 9. do 14. veljače 2013.\n608.00\n44\nTonći Gaćina\nProgrami stručnog usavršavanja\nSudjelovanje redatelja Tonćija Gaćine na radionici i_doc \n2013, u sklopu Visions du Reel festivala u Nyonu, \nŠvicarska, od 18. do 22. travnja 2013.\n1,807.86\nUKUPNO:\n448,344.19\nHRVATSKI AUDIOVIZUALNI CENTAR, ODJEL ZA PROMOCIJU I PLASMAN\nNapomena: PRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"2013 Me_unarodna suradnja_ 15 02 2013","year":2013,"rok":null,"natjecaj_date":"2012-10-26","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false},"sections":[{"section_label":"REZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2013. PROGRAMI MEĐUNARODNE SURADNJE - Rok 15. veljače 2013.","section_key":"rezultati_javnog_poziva_za_dodjelu_sredstava_za_poticanje_ko","columns":["PODNOSITELJ","PROGRAM","OPIS PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Programi predstavljanja i promocije filmova; Programi stručnog usavršavanja","applicant":"Ana Bilankov","production_company":"Ana Bilankov","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"9,000.00","approved_amount":9000.0,"currency":"HRK","extras":{"col_1":"1","OPIS PROGRAMA":"Sudjelovanje multimedijalne umjetnice Ane Bilankov u programu AIR (artist in residence) te predstavljanje video radova autorice u Residency Unlimited centru u New Yorku, S.A.D., tijekom srpnja 2013.","approved_amount_original":9.0,"approved_amount_text_original":"9,00","amount_repaired_at":"2026-05-17T12:54:59Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"us_std","amount_repair_confidence":"high","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Ana Bilankov","row_id":"3d6cdda1:s0:a0dbd4c926b1","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_9e5a73664c64","project_family_title":"Programi predstavljanja i promocije filmova; Programi stručnog usavršavanja"},{"row_number":2,"project_title":"Programi gostovanja hrvatskih autora/- ica, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika","applicant":"Ars Septima, udruga","production_company":"Ars Septima, udruga","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"US-in-Croatian: comma thousands, period decimal ('7,822.00')","approved_amount":7822.0,"currency":"HRK","extras":{"col_1":"2","OPIS PROGRAMA":"Sudjelovanje redatelja i predstavljanje dugometražnog igranog filma 'Halimin put', red. Arsena A. Ostojića, na 8. SEEFestu - festivalu filmova jugoistočne Europe u Los Angelesu, S.A.D., od 2. do 6. svibnja 2013.","approved_amount_original":7.82,"approved_amount_text_original":"7,82","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"Raw text shows '7,822.00' for row 2 (Ars Septima). Parser dropped the thousands portion and read '7,82' as 7.82. 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_2024_RPR_DOK_2rok_11IX2024_WEB.pdf","filename_decoded":"Obrazlozenje_2024_RPR_DOK_2rok_11IX2024_WEB.pdf","sha256":"3d900f60f2b4cf0e1e14b94949f6fa65cdd1a2b614f96103c050bd4846381a45","bytes":146745,"page_count":2,"extracted_at":"2026-05-17T12:02:04Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_2024_RPR_DOK_2rok_11IX2024_WEB.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 2. ROK, 2024. \nDUGOMETRAŽNI DOKUMENTARNI FILM, UMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER  \nKATEGORIJA: POTICANJE RAZVOJA SCENARIJA I RAZVOJA PROJEKATA DUGOMETRAŽNIH IGRANIH, \nDUGOMETRAŽNIH \nDOKUMENTARNIH \nI \nANIMIRANIH \nFILMOVA \n– \nRAZVOJ \nPROJEKATA \nDUGOMETRAŽNIH DOKUMENTARNIH FILMOVA –  11. rujna 2024.  \n \n \nNa javni poziv u kategoriji poticanja razvoja projekta dugometražnog dokumentarnog filma na 2. roku \n2024. godine prijavljeno je nešto manje projekata – ukupno 11 projekata. Svi su pristigli projekti na \npoziv su razmatrani.  \nU smislu tematike, ovoga puta autori su ponudili široki raspon tema. Priče donose relevantne poglede \nna glazbene teme, političke, društveno bitne teme, povijesne ili pak fenomenološke teme. Od njih 11 \nprijavljenih, njih četiri prošli su fazu razvoja scenarija. Od tih četiri dva su projekta preporučeni za \npotporu HAVC-a na ovom pozivu.  Kada pak govorimo o potpunom broju, predložena su sveukupno 4 \nprojekata za sufinanciranje u ovoj kategoriji na ovom pozivu.  \nSveukupno u kategoriji razvoja projekta predlažem da se financiranje projekata realizira u sveukupnom \niznosu potpore od 71.000,00 eura.  \nOdobreni projekti u svojim prijedlozima sadržajno su cjeloviti projekti, koji nude jak autorski pristup, \nkreativne inovacije suvremenih i relevantnih tema, koje bi mogle postići festivalsku distribuciju, ali i uz \nsve više razmišljanja o alternativnim mogućnostima distribucije ovih dokumentarnih djela. U tom \nsmislu, primjetno je kako autori razmišljaju kako i na koji način čak i direktno komunicirati sa svojom \npublikom.  \n \n \n1. BANDA,  Igor Jelinović (redatelj scenarist) /  Dario Juričan (producent) / Udruga Blank (produkcija) \n- predloženi iznos potpore: 20.000,00 eura \n \nZanimljiv opservacijski projekt, koji tematizira starije osobe koje dolaze na filmsku i glumačku \nradionicu. Po svemu napisano, vrlo dinamičan, veseo, emotivan i zanimljiv film koji daje ton \nnostalgije za životom, koji svojim dolascima na radionicu ovi naši stariji sugrađani održavaju živim. \nJedan od boljih prijedloga, u smislu davanja uvida u crtice života ali i karaktera spomenutih starijih \nsugrađana, one koje nerijetko ne vidimo izvan okvira starije populacije. Sadržajno, ovaj film izgleda \nvrlo živopisno, da ne kažemo kao budući crowd-pleaser. Scenarij nudi uvid u zasebne živote \npojedinih protagonista. I to vrlo dobro. Svi oni isti su – a posve različit. Izbor protagonista na \nsvojevrsni način nudi u ovom filmu i presjek društva u kojem živimo.  \n \n\n\f\n2. PARAVAN,  David Lušičić (redatelj, scenarist i producent) / Greta Creative Network (produkcija) - \npredloženi iznos potpore: 12.000,00 eura \n \nVeć u samom sinopsisu, autor donosi vrlo koncizno elaboriran prijedlog potencijalno sjajne kako \nživotne, tako i filmske priče. Neobična kupovina admiralskog broda „Vis“ perjanice nekadašnje \nmornarice JNA, od crnogorskih vlasti od protagonista filma iz Pule Arsena Brajkovića nekadašnjeg \nkormilara ovog broda, triler je koji se rijetko vidi u dokumentarnom projektu u nas, koji uključuje \nuspješnu kupnju starog broda zarad plana da se obnovi i od njega u Puli gdje je izgrađen otvori \nmuzej, ali i prepad NATO snaga, MUP-a i HV-a u trenutku dotegljena u Riječku luku pod optužbom \nda je švercao rakete za režim Sadama Husseina u Irak. Shvativši da je žrtva prevare, korišten kao \nparavan za trgovinu oružja Arsen se prvo nalazi u situaciji borbe da se oslobodi krivnje, a onda \nživotne borbe za brod koji postaje kako i sam autor navodi, njegov osobni simbol Ikara koji se zalijeće \nu Sunce i izgara. No, Arsena vodi intuicija i on uspijeva nakon silnih godina gubitaka, razvoda, iz \nsvega stvoriti neku korist. Sjajno je da je putem velik dio procesa protagonist sam dokumentirao \nkamerom, pa je autoru na raspolaganju nemala arhiva.  \n \n3. POSLJEDNJI SVJEDOK PROLAZNOSTI,  Igor Prižmić (redatelj) / Fran Juraj  Prizmić (scenarist i \nproducent), / Menorah Film (produkcija)  - predloženi iznos potpore: 25.000,00 eura \n \nOd samog sinopsisa i logline, autor jednostavno i efektno postavlja/predstavlja svoj projekt – kao \npriču Renate Horvat, supruge Jože Horvata. Dosada, nevjerojatno, nikada ispričane. Iako je dijelila \nživot s iznimno vidljivim supruga, cijeli njen nevjerojatan život ostaje u sjeni njenog muža. Za njene \nili zajedničke uspjehe supruga i nje, poslovnu i obiteljsku sreću, ili pak obiteljsku tragediju gubitka \nsinova, javnost zna isključivo iz vizure slavnog putopisca Jože Horvata. Iako je kroz sve to cijelo to \nvrijeme prolazila i njegova supruga Renata. Do te mjere da je primjerice zbog te činjenice postala \nprva Hrvatica koja je oplovila cijeli svijet bez prekida. A da javnost slaveći njenog supruga u tom \npothvatu, nije percipirala isti pothvat – ali njen. Već ovako inicijalno postavljen projekt izaziva \ndodatnu pažnju. I daje dojam filma koji ima namjeru ispraviti ovu svojevrsnu „nepravdu“ prema \ndanas 95-godišnjoj Renati Horvat.  \n \n4. PROJEKT 1978,  Ivan Perić (redatelj i scenarist), / Marko Višnjić (producent)  / Udruga Kazimir \n(produkcija)  - predloženi iznos potpore: 14.000,00 eura \n \nU svom sinopsisu autor vrlo precizno donosi informacije o subjektu svog filmskog projekta, \nsplitskom Domu mladih i kratku povijest i značaj ove zgrade. Nudeći mozaik sudionika koji ovu \nzgradu koriste, autor upućuje na šarolikost, diverzitet njene funkcije ali i dodatno upućuje na \nvažnost te zgrade za samo društvo jednog urbisa. U ovoj fazi, čini se kako autor od same zgrade želi \nnapraviti protagonista, svojevrsnog trajnog svjedoka vremena – što se čini kao ispravan i moguć \npostupak. Uza sve to, autor nudi vrlo iscrpan istraživački rad kada je ova zgrada u pitanju, što govori \no ozbiljnosti njegove posvećenosti ovom projektu.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2024,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB obrazlo_enje koprodukcije 1 rok 2019.pdf","filename_decoded":"WEB obrazlo_enje koprodukcije 1 rok 2019.pdf","sha256":"3e2d4dc6deb909665ba159b0bcb372ef161945d3925b39cb6d0ae02335f60bee","bytes":178111,"page_count":4,"extracted_at":"2026-05-17T12:01:28Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20obrazlo%C5%BEenje%20koprodukcije%201%20rok%202019.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po odlukama o donošenju liste prioriteta i raspodjeli sredstava prema \nJavnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2019. godini, u kategoriji poticanja \nfilmskih koprodukcija s manjinskim hrvatskim udjelom (prvi rok: 11. srpnja 2019.). \n \ndoc. dr. sc. Boško Picula, umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom \n \nNa Javni poziv prijavljena su ukupno 33 projekta. Pritom je za šest projekata utvrđeno da ne zadovoljavaju \nuvjete javnog poziva. Stoga je u konačnici razmatrano 27 projekta. Od toga su četiri (4) animirana filma, \nčetiri (4) debitantska dugometražna igrana filma, šest (6) dugometražnih dokumentarnih filmova (od 60 \nminuta trajanja), šest (6) dugometražnih igranih filmova, jedan (1) eksperimentalni film, jedan (1) \nkratkometražni dokumentarni film (do 59 minuta trajanja) te pet (5) kratkometražnih igranih filmova. Među \nnavedenim su projektima tri prijavljena u postprodukcijskoj fazi. Kriteriji predlaganja projekata za \nsufinanciranje temelje se na: cjelovitosti predloženih radova, redateljskom konceptu, scenarističkoj \ndorađenosti, doprinosu i broju hrvatskog dijela kreativne, tehničke i produkcijsko-organizacijske ekipe filma, \nrealizaciji projekta u Hrvatskoj, festivalskim potencijalima u Hrvatskoj i inozemstvu, elaboriranosti izvedbe \nsamog projekata i aktualnim financijskim mogućnostima.  \n \nNa listu filmova predloženih za sufinanciranje proizvodnje uvršteno je devet projekata:  \n \n1. \nanimirani film Elena (Litva) s predloženim sredstvima u iznosu od 200.000 kn  \n2. \ndugometražni dokumentarni film (u postprodukciji) Rat je gotov (Njemačka) s predloženim \nsredstvima u iznosu od 120.000 kn  \n3. \ndugometražni dokumentarni film Muzej Revolucije (Srbija) s predloženim sredstvima u \niznosu od 150.000 kn  \n4. \ndebitantski dugometražni igrani film (u postprodukciji) Poslije zime (Crna Gora) s \npredloženim sredstvima u iznosu od 300.000 kn  \n5. \ndebitantski dugometražni igrani film Djed Mraz u Bosni (Bosna i Hercegovina) s \npredloženim sredstvima u iznosu od 400.000 kn  \n6. \ndugometražni igrani film Probudi me (Slovenija) s predloženim sredstvima u iznosu od \n700.000 kn  \n7. \ndugometražni igrani film Praznik rada (Bosna i Hercegovina) s predloženim sredstvima u \niznosu od 600.000 kn  \n8. \ndugometražni igrani film Nije loše biti čovjek (Srbija) s predloženim sredstvima u iznosu \nod 350.000 kn  \n9. \nkratkometražni igrani film Kamena srca (Belgija) s predloženim sredstvima u iznosu od \n180.000 kn  \n \nUkupni iznos predloženih sredstava jest 3.000.000,00 kuna. \n \nOSVRT: \n \nNa prvi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2019. godini u kategoriji \npoticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (11. srpnja 2019.) prijavljeni su projekti u \nsvim skupinama (animirani film, debitantski dugometražni igrani film, dugometražni igrani film, \neksperimentalni film, dugometražni dokumentarni film (od 60 minuta trajanja) te kratkometražni \ndokumentarni (do 59 minuta trajanja) i igrani film), i to produkcijskih kuća s većinskim udjelom u \nfinanciranju razmatranih projekata iz ukupno trinaest zemalja. Ponovno je najveći broj prijava stigao iz Srbije \n(šest). Slijede projekti prijavljeni iz Slovenije (četiri), zatim iz Bosne i Hercegovine i Poljske (po tri) te iz \nCrne Gore i Italije (dva). Po jedan je razmatrani projekt prijavljen iz Litve, Latvije, Mađarske, Njemačke, \nBugarske, Belgije i Rumunjske. U usporedbi s rokovima u 2018. godini nastavlja se trend prijava veoma \nrazličitih projekata kada su posrijedi filmski rodovi, žanrovi, teme, autorski koncepti, planirana proračunska \nsredstva te angažmani hrvatskog dijela ekipe i – realizacija projekata u samoj Hrvatskoj, a raste broj autora \ndebitanata. Od 27 razmatranih projekata tri je u trenutku prijave bilo u postprodukcijskoj fazi, dok je \nrazmatrane projekte prijavilo 19 hrvatskih produkcijskih kuća.            \n \n \n \n \n\n\f\nPREDLOŽENI PROJEKTI: \n \nANIMIRANI FILM  \n \nAnimirani film Elena (Litva) novi je projekt mlade litavske redateljice Birutė Sodeikaitė koja se nakon \nstečenog iskustva na projektima stop-animacije i u lutkarskom kazalištu ponovno odlučila za spoj \nintimističke priče i konteksta bajke kao katalizatora osobne drame. Nakon teme borbe s bolešću u uspješnom \nprvijencu kada je posrijedi animirani film Last Stop in the Moon, redateljica sada tematizira roditeljstvo kao \nživotni izazov. Svevremenskog ozračja, ali veoma aktualne teme, rad nastaje tehnikom stop-animacije, \nkonkretno kao lutka-film pri čemu su animatori likova Ivana Bošnjak i Thomas Johnson, nagrađivani autorski \ndvojac iz Hrvatske (Simulacra, Udahnut život). Film u predviđenom trajanju od 15 minuta s hrvatske strane \nproducira Jadranska animacija (Adriatic Animation) iza koje je više međunarodnih uspjeha (Manivald, \nToomas ispod doline divljih vukova), a hrvatski dio autorske ekipe sudjelovat će u montaži i \npostprodukciji.       \n \n \nDUGOMETRAŽNI DOKUMENTARNI FILM \n \nDugometražni dokumentarni film (u postprodukciji) Rat je gotov (Njemačka) aktualni je projekt talijanskog \nredatelja Stefana Obina koji trenutačno živi i radi u Njemačkoj. Diplomirani dramaturg Obino iza sebe ima \nviše dokumentarnih televizijskih serija (Workers) i filmova (In the Land of Coppolon) koje odlikuju tematska \nraznolikost i društvena angažiranost. U svom se novom radu bavi krhkošću poslijeratnih sredina na primjeru \nIračkog Kurdistana koji već desetljećima balansira između rata i mira, posljednji put nakon sloma Islamske \ndržave. Žanrovski promatrački dokumentarac na iznimno sugestivan način govori o mnogobrojnim ljudima \novisnima o odlukama domaće i strane političke elite... Hrvatski je koproducent filma (trenutačno u fazi \npostprodukcije) Jaako dobra produkcija j.d.o.o. čija je sestrinska tvrtka Nukleus film koproducirala više \nmeđunarodno zapaženih i nagrađivanih projekata (Kokoška, Posljednja ambulantna kola Sofije), a i sama \nsve više realizira vlastite projekte (Rafael, Chris the Swiss). Doprinos hrvatske ekipe bit će u montaži i \noblikovanju zvuka. \n \nDugometražni dokumentarni film Muzej Revolucije (Srbija) zasad je najambiciozniji projekt mladoga \nsrbijanskog redatelja Srđana Keče čiji su dosadašnji dokumentarci kratkog i srednjeg metra (Mirage, Pismo \nocu) prikazani na više vodećih svjetskih festivala dokumentarnog filma. Recentni rad istodobno je potresna \ni nježna priča o djevojčici Milici i starici Mari čijem krajnje skromnom životu u ostacima nekoć grandioznog \nprojekta posvećenog jugoslavenskoj socijalističkoj revoluciji u Beogradu, zaprijeti odluka gradskih vlasti o \nprenamjeni prostora... U isto vrijeme portret najnezaštićenijih članova tranzicijskog društva i stranputica te \niste tranzicije, film donosi jedinstvenu priču o jednoj epohi i njezinim razvalinama u kontekstu \narhitektonskog genija hrvatskog umjetnika Vjenceslava Richtera koji je autor naslovnog zdanja. Hrvatski je \nkoproducent tvrtka Restart čiji je dugometražni dokumentarni film Srbenka dosad osvojio niz nagrada, a \nhrvatski se doprinos realizaciji projekta uz dio lokacija odnosi i na montažu, glazbu, oblikovanje zvuka te – \ngrafički dizajn.   \n \n \nDEBITANTSKI DUGOMETRAŽNI IGRANI FILM  \n \nDebitantski dugometražni igrani film (u postprodukciji) Poslije zime (Crna Gora) rad je crnogorskog \nredatelja Ivana Bakrača koji je i napisao scenarij. Ivan Bakrač dosad je realizirao nekoliko zapaženih \nkratkometražnih naslova (Ratovi, Koža će nam postati siva), dok je ovaj projekt zamislio kao umjetničku \nanalizu teme prijateljstva danas, i to kroz prizmu različitih vrsta prijateljstava (žensko-žensko, muško-muško, \nmuško-žensko). Baveći se mladim ljudima na pragu zrelosti autor istražuje njihove odnose stavljajući ih u \nkontekst godišnjih doba sa zimom kao narativnim i metaforičkim epilogom. Čvrste scenarističke strukture i \nelegantnih redateljskih rješenja, film je u biti generacijska priča koja unatoč lokalnom koloritu progovara o \nuniverzalno razumljivim stvarima. Hrvatski je koproducent Maxima film s dugogodišnjim iskustvom rada u \nHrvatskoj (Takva su pravila, Armin) i s inozemnim partnerima (Kad svane dan). Doprinos hrvatskoga \numjetničkog i tehničkog osoblja sastoji se u jednoj od sporednih uloga, skladateljskom radu i oblikovanju \nzvuka te postprodukciji slike i zvuka. \n \n\n\f\nDebitantski dugometražni igrani film Djed Mraz u Bosni (Bosna i Hercegovina) cjelovečernji je igrani \nprvijenac mladoga bosansko-hercegovačkog redatelja Emira Kapetanovića koji se nakon niza uspješno \npostavljenih kazališnih predstava (Superžaba spašava Tokio, Bajka koju idiot priča) te dokumentarnih \nfilmova (ReGeneracija, Djeca mira) odlučio za filmsku komediju. U duhu poznatoga sarajevskog humora, \nfilm prema scenariju nagrađivanog dramaturga Vahida Durakovića govori o glumačkoj družini koja u \nkostimima Djeda Mraza planiraju blagdansku predstavu u jednom hrvatskom i jednom bošnjačkom selu što \nće s jedne strane izazvati radost djece, a s druge različite reakcije odraslih mještana... Zabavno viđenje \nsloženih međunacionalnih i međugeneracijskih odnosa u suvremenoj Bosni i Hercegovini protječe uz efektan \nspoj apsurda i gorkog humora. Hrvatski je koproducent Eurofilm d.o.o. koji stoji iza više projekata u \nHrvatskoj (Mrtve ribe) i inozemstvu (Ostavljeni), dok se hrvatski doprinos realizaciji filma odnosi na niz \nuloga  te scenografiju, kostimografiju i  glazbu.       \n   \n \nDUGOMETRAŽNI IGRANI FILM  \n \n \nDugometražni igrani film Probudi me (Slovenija) nova je drama hrvatskog redatelja sa slovenskom adresom \nMarka Šantića, poznatog po cjelovečernjem igranom prvijencu Zavedi me i filmu Lada Kamenski, višestruko \nnagrađenom na 65. pulskom filmskom festivalu, koji je režirao zajedno s kolegicom Sarom Hribar (Pričaj \nmi o ljubavi, U jednoj zimskoj noći). Njima se dvoje u scenarističkoj ulozi pridružio cijenjeni slovenski \nromanopisac i redatelj Goran Vojnović (Čefuri, raus!), a priča baštini autorske senzibilitete i preokupacije \nsvo troje scenarista. U njihovu je središtu Rok koji u ranim tridesetima napokon živi sređenim životom radeći \nu hotelu na Bledu uz voljenu djevojku Rinu. No, nakon što netko napadne Roka te on izgubi pamćenje, Rina \nće doznati uznemirujuće tajne iz njegove prošlosti što će ih odvesti u Rokovo rodno mjesto opterećeno \nmeđureligijskom nesnošljivošću... Izvrsno napisan i – filmičan tekst lako bi mogao zaživjeti u spoju socijalne \ni kriminalističke drame s veoma aktualnom temom života u postmigrantskoj Europi. Hrvatski je producent \nJaka produkcija iza koje je i redateljev hvaljeni kratkometražni film Plavi Petar, a mnogobrojnu hrvatsku \nekipu čine i glumci, direktor fotografije, montažer te snimatelj zvuka.      \n \nDugometražni igrani film Praznik rada (Bosna i Hercegovina) novi je projekt cijenjena bosansko-\nhercegovačkog redatelja i scenarista Pjera Žalice koji je punu pozornost domaće i svjetske javnosti priskrbio \nuspjehom svog filma Gori vatra iz 2003., a zatim i filmom Kod amidže Idriza iz 2004. Petnaest godina \nkasnije redatelj koncipira svojevrsni treći dio filmske trilogije o sunarodnjacima koje je rat uvelike odredio i \nkao osobe i kao članove zajednice koja će naraštajima biti praćena zbivanjima iz prve polovice 1990.-ih. \nFilm Praznik rada naoko je crnohumorna drama o Sarajliji Arminu koji se nakon punog desetljeća iz \nNjemačke vraća u rodni grad sretan što ocu Fudi može priopćiti vijest da se oženio i da napreduje. No, Fudino \niznenadno uhićenje, promijenut će sve. Film je, s jedne strane, intimna drama pojedinca u kontekstu odnosu \ndjeteta i roditelja, a s druge kolektivna drama o društvu koje teško zacjeljuje svoje ratne rane. Hrvatski je \nkoproducent Propeler film d.o.o. iza kojega je više međunarodno zapaženih i nagrađivanih projekata \n(Krugovi, Žaba) uz kontinuirani niz festivalski uspješnih produkcija u Hrvatskoj (Sve džaba, Karaula, Mali). \nUz glavne uloge,  treba istaknuti da je hrvatski doprinos i glazba, scenografski rad te dvije epizodne uloge.   \n  \nDugometražni igrani film Nije loše biti čovjek (Srbija) novi je rad jednog od najcjenjenijih scenarista \njugoslavenske i srbijanske kinematografije Dušana Kovačevića, autora tekstova za klasike Ko to tamo peva, \nMaratonci trče počasni krug i Balkanski špijun koji je i korežirao. Nakon filma Profesionalac Dušan \nKovačević ponovno režira vlastiti predložak, i to nanovo crnu komediju kao sinergiju raspleta individualnih \nsudbina i zrcala cijeloga jednog društva. Glavni je lik priče otpušteni profesor klavira Milan koji nakon što \nga od samoubojstva spasi pas lutalica počne komunicirati s neobičnom životinjom vraćajući smisao vlastitog \nživota, ali i otkrivajući tajnu nestalog kuma i najboljeg prijatelja... Sugestivno napisan s nizom poveznica na \ndruštvo u tranziciji čiji mnogobrojni članovi imaju slične probleme i neodoumice kao središnji junak, film \nima visok potencijal naći se među ponajboljim Kovačevićevim filmskim djelima. Hrvatski je koproducent \ntvrtka Terminal 3, a hrvatski se doprinos projektu uz jednu veću ulogu, odnosi na masku, šminku, montažu \nte na nekoliko glumačkih epizoda.      \n \n \n \n \n \n\n\f\nKRATKOMETRAŽNI IGRANI FILM \n \nKratkometražni igrani film Kamena srca (Belgija) novi je projekt mladoga belgijskog redatelja i scenarista \nToma Van Avermaeta, najpoznatijeg po svom prethodnom filmu, fantastičnoj drami Dood van een schaduw \n(eng. Death of a Shadow) iz 2012. kojom je, među ostalim priznanjima, osvojio Europsku filmsku nagradu \nte zavrijedio nominaciju za Oscara. Žanrovskom mozaiku fantastike i romantike posvećuje se i u svom \naktualnom projektu. Njegova je glavna junakinja samotna umjetnica Paula koja radi kao živući kip sanjareći \no ljubavi s Agatom koja je pak stvarna kamena skulptura. No, njihova će fizička razdvojenost u jednom \ntrenutku prestati biti preprekom... Riječ je o izvrsno pripremljenom projektu punom idejno snažne simbolike \nte suptilno izabranih filmskih izražajnih sredstava. U glavnim su ulogama svjetski poznate glumice. Hrvatski \nje koproducent filma Jaako dobra produkcija j.d.o.o., a angažman se hrvatske ekipe odnosi na snimateljski \nrad, glazbu, montažu, oblikovanje zvuka i – vizualne efekte.   \n \n \n \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2019,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP razvoj projekata WEB 2014. - 2. rok DUG DOK_02.pdf","filename_decoded":"JP razvoj projekata WEB 2014. - 2. rok DUG DOK_02.pdf","sha256":"3e2fb89637694df19a971e2da4a63fc53c824db9aa9d11c1657bbac56a4eabce","bytes":57512,"page_count":1,"extracted_at":"2026-05-17T10:24:18Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP%20razvoj%20projekata%20WEB%202014.%20-%202.%20rok%20DUG%20DOK_02.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nODOBRENO\n1\nMLUNGU - 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P. Oreškovića na dvije sesije \nmeđunarodne radionice za razvoj \nscenarija i projekata MFI Script 2 Film; \nNisiros, Grčka; 23.06. - 05.07.2015.; \nSamos, Grčka; listopad 2015.\n11.500,00 kn\n2\nCentar za nove \ninicijative\nProgrami predstavljanja i promocije \nfilmova.\nOrganizacija manifestacije 'Hrvatski film \nu Beču'; Beč i Burgland, Austrija; \nstudeni 2015.\n10.000,00 kn\n3\nČetiri film d.o.o.\nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje članova filmske ekipe i \npredstavljanje dugometražnog igranog \nfilma 'Ti mene nosiš', red. I. Juka u \nnatjecateljskom programu East of the \nWest 50. međunarodnog filmskog \nfestivala Karlovy Vary, Češka; 03. do 11. \nsrpnja 2015.\n90.000,00 kn\n4\nDA Film d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi izrade \npromidžbenih materijala i prijavljivanje \nu službenu konkurenciju festivala. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje producenta i glumca i \npredstavljanje kratkometražnog \nigranog filma 'Šetač', red. F. Mojzeša u \nnatjecateljskom programu 62. \nBeogradskg festivala dokumentarnog  i \nkratkometražnog filma; Beograd, Srbija; \n23. do 29. ožujka 2015.\n3.000,00 kn\n5\nDobar film\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje scenaristice s projektom \nkratkometražnog filma 'U ime jagode, \nčokolade i Duha svetoga' na \nmeđunarodnom programu razvoja \nscenarija Pitch Discovery Luxembourg u \nsklopu međunarodnog filmskog \nfestivala u Luxembourgu; 28. veljače do \n03. ožujka 2015.\n1.500,00 kn\n6\nDubravka Premar\nProgrami stručnog usavršavanja.\nSudjelovanje Dubravke Premar na \nmeđunarodnom simpoziju School of \nSound; London; VB; 08. do 11. travnja \n2015.\n5.000,00 kn\n7\nFilmska udruga Motion\nProgrami stručnog usavršavanja.\nSudjelovanje redateljice s projektom \ndugometražnog igranog filma 'Zdravo \nMarijo', red. I. M. Kragić na \nmeđunarodnoj radionici za razvoj \nprojekta MAIA - 'Kreativni aspekti'; \nSardinija, Italija; 12. do 19. travnja \n2015.\n6.100,00 kn\n8\nGOKUL - Građanska \norganizacija za kulturu\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika.  Programi predstavljanja i \npromocije filmova.\nSudjelovanje predstavnice Udruge \nGokul i predstavljanje hrvatskih \nkratkometražnih filmova na \nmeđunarodnom susretu kina, televizije, \nvidea i multimedije AVANCA; Portugal; \n22. do 26. srpnja 2015.\n3.000,00 kn\n9\nGral film d.o.o.\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje redatelja s projektom \ndokumentarnog filma 'Susjedi', red. T. \nŽaje na pitching forumu za \ndugometražne dokumentarne filmove \nThe Edinburgh Pitch u sklopu \nmeđunarodnog festivala \ndokumentarnog filma u Edinburghu; \nŠkotska; 14. do 17. lipnja 2015.\n7.000,00 kn\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2015. - \nPROGRAMI MEĐUNARODNE SURADNJE - ROK 15.05.2015. \n\n\f\n10\nHrvatski filmski savez\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika.  Programi predstavljanja i \npromocije filmova.\nSudjelovanje filmske ekipe i \npredstavljanje dugometražnog \ndokumentarnog filma 'Rakijaški \ndnevnici', red. D. Čučića na 62. \nBeogradskom festivalu dokumentarnog \ni kratkometražnog filma; Beograd, \nSrbija; 27. ožujka 2015.\n4.700,00 kn\n11\nIvan Zelić\nProgrami stručnog usavršavanja.\nSudjelovanje Ivana Zelića na \nmeđunarodnom simpoziju School of \nSound; London; VB; 08. do 11. travnja \n2015.\n5.000,00 kn\n12\nJadranska animacija\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje producenta i \npredstavljanje kratkometražnog \nanimiranog filma 'Život s Hermanom H. \nRottom', red. C. Lundgren na sajmu za \nanimirane filmove MIFA i u glavnoj \nkonkurenciji međunarodnog festivala \nanimiranih filmova u Annecyju; \nFrancuska; 15. do 20. lipnja 2015. \n4.720,00 kn\n13\nJadranska animacija\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi predstavljanja i \npromocije filmova.\nSudjelovanje producenta i \npredstavljanje kratkometražnog \nanimiranog filma 'Život s Hermanom H. \nRottom', red. C. Lundgren na \nnatjecateljskom programu 55. \nmeđunarodnog filmskog festivala u \nKrakovu; Poljska; 03. do 07. lipnja 2015.\n3.160,00 kn\n14\nJelena Oroz\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika.\nSudjelovanje redateljice i predstavljanje \nkrakometražnog animiranog filma \n'Vučje igre', red. J. Oroz na \nmeđunarodnom festivalu animiranog \nfilma u Annecyu, Francuska; 15. do 20. \nlipnja 2015.\n2.150,00 kn\n15\nKabinet d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi izrade \npromidžbenih materijala i prijavljivanje \nu službenu konkurenciju festivala. \nProgrami predstavljanja i promocije \nfilmova.\nPredstavljanje dugometražnog igranog \nfilma 'Kauboji', red. T. Mršića na \nmeđunarodnom festivalu SOHO; New \nYork; SAD; 14. do 25. svibnja 2015.\n9.300,00 kn\n16\nKarlo Pavičić - Ravlić\nProgrami stručnog usavršavanja.\nSudjelovanje animatora na \nmeđunarodnoj radionici za animatore \nAnomalia; Litomyšl, Češka; 20. srpnja \ndo 28. kolovoza 2015\n4.500,00 kn\n17\nKazališna grupa \"Scena\"\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti. \nOrganizacija manifestacije \"Dani \nhrvatskog filma u Orašju\"; Orašje, BiH; \n05. do 13. rujna 2015.\n30.000,00 kn\n18\nKinorama d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. \nSudjelovanje redatelja i predstavljanje \ndugometražnog igranog filma 'Ljubav ili \nsmrt', red. D. Kušana na 5. \nmeđunarodnom festivalu filmova za \ndjecu i mlade Vittorio Veneto; Italija; \n14. do 18. travnja 2015.\n1.000,00 kn\n19\nKreativni sindikat\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. \nSudjelovanje redatelja i predstavljanje \nkratkometražnog animiranog filma \n'Levitacija', red. M. Meštrovića u \nslužbenoj konkurenciji 61. \nmeđunarodnog festivala \nkratkometražnog filma u Oberhausenu, \nNjemačka; 30. travnja do 5. svibnja \n2015.\n1.150,00 kn\n20\nLuma film d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje producentice Maše \nUdovičić na programu stručnog \nusavršavanja iz područja animacije \nCartoon Business u sklopu Cartoon \nMasters programa; München; \nNjemačka; 24. do 26. ožujka 2015.\n473,00 kn\n\n\f\n21\nMarija Škrlec\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje scenaristice Marije Škrlec \ns projektom 'Glass ceiling above the \nsticky floor' na međunarodnoj radionici \nPitch Discovery workshop Luxembourg \nu sklopu međunarodnog filmskog \nfestivala u Luxembourgu; 28. veljače do \n03. ožujka 2015.\n1.500,00 kn\n22\nMarko Rojnić\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. \nSudjelovanje Marka Rojnića na \nmeđunarodnoj konferenciji iz filozofije \nfilma Film - Philosophy Conference: The \nEvaluation of Form i izlaganje rada \n'Cinematic vs. uncinematic: Historical \nrelativization of medium purism'; \noxford, VB; 20. do 22. srpnja 2015. \n2.300,00 kn\n23\nMartin Mrzljak\nProgrami stručnog usavršavanja.\nSudjelovanje Martina Mrzljaka na \nmeđunarodnoj radionici za animatore \nVFX Course 2015; Viborg, Danska; 24. \nkolovoza do 05. prosinca 2015.\n4.500,00 kn\n24\nNukleus Film d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi predstavjanja i \npromocije filmova.\nSudjelovanje redateljice i predstavljanje \nkratkometražnog igranog filma \n'Kokoška', red. U. Gunjak u službenoj \nselekciji međunarodnog filmskog \nfestivala New Directors/ New Films; \nNew York; SAD; 18.do 29. ožujka 2015.\n3.860,00 kn\n25\nNukleus Film d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje producenta Siniše Juričića \nna 4 sesije međunarodne radionice \nInside Picture 2015.; London, VB; 15. - \n20.06.2015. i 15.  20.11.2015.; Los \nAngeles; SAD; 26.09. - 03.10.2015. i 12. -\n15.01.2016.\n12.000,00 kn\n26\nNukleus Film d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje Sare Juričić na kampus \nradionici New arrivals - Go Short \nCampus u sklopu 7. međunarodnog \nfestivala Go Short; Nijmegen, \nNizozemska; 07. do 12. travnja 2015.\n4.000,00 kn\n27\nOgnjen Sviličić\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi predstavjanja i \npromocije filmova.\nSudjelovanje redatelja i predstavljanje \ndugometražnog igranog filma 'Takva su \npravila', red. O. Sviličića u sekciji \nAnother View u sklopu 50. \nmeđunarodnog filmskog festivala \nKarlovy Vary, Češka; 03. do 11. srpnja \n2015.\n1.600,00 kn\n28\nRestart\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti. \nSudjelovanje producenta i \nkoordinatorice kino distribucije na 4. \ngodišnjoj skupini Balkan Documentary \nDistribution Network u sklopu \nmeđunarodnog festivala \ndokumentarnog filma MakeDox; \nSkopje, Makedonija; 20. do 26. lipnja \n2015.\n3.000,00 kn\n29\nRestart\nProgrami stručnog usavršavanja.\nSudjelovanje producentice na radionici \nMovie Magic Budgeting and Scheduling \nCourse; Beograd, Srbija; 27. do 30. \ntravnja 2015.\n2.000,00 kn\n30\nSpiritus movens d.o.o.\n Programi izrade promidžbenih \nmaterijala i prijavljivanje u službenu \nkonkurenciju festivala. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redateljice i predstavljanje \nkratkometražnog igranog filma \n'Odvajanje', red. N. Violić u službenoj \nkonkurenciji 20. međunarodnog \nfilmskog festivala u Vilniusu, Litva; 19. \nožujka do 02. travnja 2015.\n4.100,00 kn\nUKUPNO:\n242.113,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR, ODJEL ZA PROMOCIJU I PLASMAN\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JP_medjunarodna_rezultati_rok_15_05_2015","year":2015,"rok":null,"natjecaj_date":"2015-07-05","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"REZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2015. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 15.05.2015.","section_key":"rezultati_javnog_poziva_za_dodjelu_sredstava_za_poticanje_ko","columns":["PODNOSITELJ","PROGRAM","OPIS PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Pitching, koprodukcijski forumi i programi za razvoj projekata.","applicant":"Brojka Produkcija","production_company":"Brojka Produkcija","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"11.500,00 kn","approved_amount":11500.0,"currency":"HRK","extras":{"col_1":"1","OPIS PROGRAMA":"Sudjelovanje scenarista, redatelja i producenta s projektom dugometražnog igranog filma 'Šala i užas', red. P. Oreškovića na dvije sesije međunarodne radionice za razvoj scenarija i projekata MFI Script 2 Film; Nisiros, Grčka; 23.06. - 05.07.2015.; Samos, Grčka; listopad 2015.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Brojka Produkcija","row_id":"3eca8650:s0:bd8236c722f6","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_1df3de8cd7a1","project_family_title":"Pitching, koprodukcijski forumi i programi za razvoj projekata"},{"row_number":2,"project_title":"Programi predstavljanja i promocije filmova.","applicant":"Centar za nove inicijative","production_company":"Centar za nove inicijative","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00 kn","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"2","OPIS PROGRAMA":"Organizacija manifestacije 'Hrvatski film u Beču'; Beč i Burgland, Austrija; studeni 2015.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Centar za nove inicijative","row_id":"3eca8650:s0:112962c7a5da","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_606a90066648","project_family_title":"Programi predstavljanja i promocije filmova"},{"row_number":3,"project_title":"Programi predstavljanja i promocije filmova.","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"90.000,00 kn","approved_amount":90000.0,"currency":"HRK","extras":{"col_1":"3","OPIS PROGRAMA":"Sudjelovanje članova filmske ekipe i predstavljanje dugometražnog igranog filma 'Ti mene nosiš', red. 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Programi predstavljanja i promocije filmova"}],"section_total_text":"242.113,00 kn","section_total":242113.0}],"totals":{"ukupno_text":null,"ukupno":226193.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":226193.0,"ukupno_match":true,"row_count":26,"awarded_count":26,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":26}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_RPR_DOKUMENTARNI_WEB__dup1.pdf","filename_decoded":"Obrazlozenje_RSC_RPR_DOKUMENTARNI_WEB__dup1.pdf","sha256":"3f259fd4fca2fe31c32466dcb4d251331b87b32c365b3886b00a414af3e4d78a","bytes":156269,"page_count":3,"extracted_at":"2026-05-17T12:02:15Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_RPR_dokumentarni_WEB.pdf"},"raw_text":"Na Javni poziv za razvoj scenarija i razvoj projekata za dugometražni dokumentarni film u 2018., \nna 3. roku, 11.10. 2018., prijavljeno je sveukupno 24 projekata.  \n13 projekata u kategoriji poticanja razvoja scenarija \n11 projekta u kategoriji poticanja razvoja projekata \nPrijave su stigle iz 15 produkcijskih kuća,  a potpisuju ih 13 redatelja, 6 redateljica, 16 \nscenarista i 8 scenaristica. \nOd 24 projetka izabrano je 11 projekata, 7 produkcijskih kuća, 4 projekta potpisuju redateljice, a \n7 projekata redatelji.  \nNa 3. rok stiglo je dosta profesionalno pripremljenih i kreativno kvalitetnih projekata.  Izabrano \nje najbolje do intimističkih autobiografskih filmova, povjesnih filmova evociranih političkom \nsituacijom s posebnim kreativnim pristupom temi, te suvremenih tema koje se donose kroz \nistraživačko kritički dokumentarni pristup.  \nRAZVOJ SCENARIJA DUGOMETRAŽNOG DOKUMENTARNOG FILMA: \n1. DEZERTER ILI GDJE SI BIO '91, scenarist i redatelj Tomislav Pulić, bez producenta \nSkupljajući audiovizualne krhotine svoje prošlosti, autor u interakciji sa sebi najbližima \npokušava dobiti odgovor da li je trebao otići u rat kao njegov otac ili ne, ali i da li bi on jednog \ndana svog sina pustio u rat ili bi napravio sve da mu sin sačuva glavu na ramenima. Intimističan, \ndo gole kože iskren ton priče kroz jedno jedino pitanje uvlači nas sve dublje u napete obiteljske \nodnose, različite poglede i dirljive trenutke samospoznaje. Na prostorima u kojima gotovo nema \ngeneracije koja nije bila dotaknuta ratom ova priča čini se kao ljekovito propitivanje ne samo \npojedinca nego cijele zajednice. \n \n2. TIŠINA PUSTINJE – DNEVNIK IZ EL SHATTA, scenarist i redatelj Ivan Ramljak, bez \nproducenta \nSasvim slučajno autor pronalazi djedov dnevnik. Djed je partizanski liječnik. I djed je završio u \nšatorskom kompleksu izbjegličkih logora u El Shattu. Duhovitost, šarm i iskrenost kojom autorov \ndjed zapisuje život u El Shattu ruši sve maske rata i usred pustinje ni manje ni više slavi \njednostavnost i lakoću življenja. Dokumentarna komedija koja svjedoči kako čovjek uvijek može \nnaći put ako stvari gleda iskreno s dozom humora. \n \n3. ŽIVI LJUDI, scenaristca i redateljica Eugenija Prša, Fade In \nDokumentarni film Živi ljudi prati osnivanje društva koje zastupa mišljenje da  su obrasci po \nkojima smo se naviknuli živjeti - iluzija. Ideja filozofije živih ljudi jest da pomoću statusa pravne \nosobe država na više razina kontrolira i nepravedno zakida svoje građane u zamjenu za neke \nugodnosti i pritom ne daje odabir ljudima žele li u tome sudjelovati ili ne. Glavni nositelji radnje \nsu Dražen Kasalo i Vedran Stošić Miošić. Oni su osnivači Društva živih ljudi i prvi živi ljudi u \nRepublici Hrvatskoj. Uz osnivanje i djelovanje društva pratimo isprepletene priče Vedrana \nStošića Miošića koji će pokušati zadobiti zemlju kao živi čovjek i Dražena Kasala koji vodi \nArbitražni sud za žive ljude pomoću kojega ih povezuje sa trenutnim pravnim sistemom u \nsudskim sporovima. Iako se takvom čini, ova priča u biti nije o odmetnicima izvan sistema, već je \npriča o odgovornosti i borbi za slobodu razmišljanja. Da li će se zamršeni konflikt između iluzije i \nstvarnosti živih ljudi razmrsiti pozitivno za žive ljude ili ipak sustav, ostaje nam pričekati gotov \nscenarij. \n \n \n \n\n\f\n4. ISUS KRIST NAŠ SVAGDAŠNJI, scenarist i redatelj Dario Juričan, Udruga Blank \nZaigranom i intrigantnom pričom koja propituje ulogu vjere kako u pojedinca tako i u  \nsuvremenom društvu scenarist kreće od samog izvora vjere te polako sužava obruč na domaći \nteren. Scenarij je zamišljen kao triptih o tri fenomena karakterističnih za religiju kršćanstva, s \nnaglaskom na katolicizam. Prvi dio bavi se Jeruzalemskim sindromom koji nastaje posjetom \nJeruzalemu na način da osoba ubrzo nakon dolaska bude pod religioznom psihozom te često \nhospitalizirana. Mnogi se umisle da su Isus Krist. Drugi dio bavi se Međugorjem u Bosni i \nHercegovini. Biznis ili vjera te ima li Papa Franjo pravo kad kaže „Marija nije telegrafistica koja \nšalje poruke“. U trećem dijelu autor se bavi crkvom u Hrvatskoj i kako Crkva reagira na \nsuvremene trendove: od proglašenja neovisnosti Hrvatske i sljubljivanjem s politikom, do \nmobilnih aplikacija s molitvama.  \n \n5. MI GRADIMO BRODOVE, A BRODOVI TONU, scenarist i redatelj Ivan Dobran, Fade In \nPriča o pulskom škveru ispričana preko četvorice radnika koji, uglavnom na svoju ruku, \nuspijevaju prilično poljuljati planove daleko moćnijih ljudi. U pozadini kraha brodogradilišta \nUljanik stoji vrlo vjerojatno priča o korupciji koja će se preko četiri protagonista pokušati \nraskrinkati. Autor piše kako se nestanak škvera u javnosti percipira kao smrt Pule. Smrt u \nekonomskom, ali i u emotivnom smislu. Uz ovu emotivnu notu autor donosi kvalitetnu i iznimno \nbitnu temu kojoj pristupa u maniri istraživačko soijalno političkog dokumentarizam.  \n \n6.  PRAVILO ZLATNOG SATA, scenarist Tomica Bajsić, Centar za kulturne djelatnosti \nPriča o  vojnom medicinskom sanitetu koji je zbrinjavao ranjenike tijekom Domovinskog rata s \nprve crte bojišnice. Da bi spasili ranjenike, ali  isvoju glavu na ramenima, liječnici su organizirali \nputeve evakuacije i prihvata ranjenika u roku kojeg struka naziva „pravilo zlatnog sata“. Priča \nnaglašava tragične detalje medicinskih intervencija te slučajeve kada su spašeni ranjenici koji su \npo svim pravilila struke već bili osuđeni na smrt. \nAutor  u svojoj motivaciji navodi kako je u Domovinskom ratu zbrinuto više od 30 000 ranjenika, \npreminulo je svega 1.75% vojnika što je impresivan rezultat za ratni sanitet čak i na svjetskoj \nrazini. Ovakvu uspješnost valja zahvaliti dobroj organizaciji. Čak 61% ranjenika dopremljeno je \nu bolnicu unutar sat, odnosno 76% dopremljeno ih je u bolnice unutar dva sata nakon \nranjavanja.  Svoja svjedočanstva iznose liječnici Ivica Vlatković, Vesna Ramljak Ušljebrka, Tonći \nSoža i Josip Mihaljević.  \n \n \nRAZVOJ PROJEKATA DUGOMETRAŽNOG DOKUMENTARNOG FILMA: \n1. NAĆI ĆU TE, scenristica i redateljica Justina Matov, Factum \nNaći ću te je autobiografski dokumentarni film o dirljivoj potrazi kćeri za identitetom svog oca u \nnadi da će kroz taj proces naći odgovore na već trideset godina neodgovorena pitanja. Iznimno \npotresna priča, sa obratima koje samo život može „izrežirati“. Blagost, iskrenost, upornost, \nkrhkost, ali i hrabrost glavne protagonistkinje ostavlja čitatelja bez daha. \n \n2. GREŠNICI, scenaristica i redateljica Željka Sukova, Udruga Ukus \nProjekt opisuje neke od događaja uzroka i posljedica exodusa na otoku Susku nakon 2.svjetskog \nrata.. Iseljavanje otoka Suska nije samo priča o prošlosti već je i primjer mikrokozmosa jednog \nmalog komada zemlje u općenito aktualnoj temi. Priložen vrlo razrađen plan razvoja projekta te \npismo namjere koproducenta Petera Kerekeša (Slovačka) s kojim ekipa filma ima dobru \nsuradnju na predhodnim projektima. Također je napravljen trailer koji dočarava atmosferu filma \nte kreativan pristup s jakim autorskim rukopisom.  \n \n3. UNDERGROUND TOP LISTA scenaristica i redateljica Lidija Špegar, Factum \nGorko slatka dokumentarna komedija o glazbi na sprovodima, glazbenicima koji ju izvode i \nDjima koji ju puštaju. Od H. Purcella, preko Mozarta i Verdija, pa sve do Preisnera i Lylod \n\n\f\nWebbera, ali i do cajki i popa. Druga vremena donose druge ukuse i nova tržišta. Dodatnu dramu \nu ovu „komediju“ uvodi činjenica da ZAMP traži načina kako i od koga naplatiti autorska prava za \nglazbu koja se na sprovodima koristi.  \n \n4. MAJKA REVOLUCIJA, scenarist i redatelj Damir Čučić, Wolfgang & Dolly d.o.o \nMajka revolucija je film koji dolazi iz budućnosti te je kao takav koncipiran s elementima \ndokudrame, mockumentara i povijesnog filma. „Kroz portrete desetak žena, kronološki se \nopisuje društvena kretanja u Hrvatskoj između 2020. i 2030. godine. Os događanja je preuzeta iz \nkronologije povijesnih događaja vezanih uz razvoj ženskih organizacija u Zagrebu oko 1920. \ngodine. Riječ je o preslikavanju događaja koji su se u odnosu na film dogodili prije 100 godina i \nnjihovom imaginiranju u današnjem društvenom kontekstu.“ Od svih pristiglih projekata ovo je \ndefinitivno projekt sa najkreativnijim dramaturškim pristupom koji nije tu samo pristupa radi \nveć nam i na strukturalnoj razini donosi poraznu sliku kako se na žalost u 100 godina i nije tako \npuno toga promijenilo.  \n \n5. NUOVO CINEMA BUIE, scenarist i redatelj Alessio Bozzer, Antitalent d.o.o \nFilm o malom mjestu nakon drugog svjetskog rata u kojem dva naroda pričaju dva jezika i nitko \nse s nikim ne razumije, ali u tom malom mjestu postoji jedno još manje mjesto u kojem se govori \njezik koji svi razumiju. Taj jezik je jezik emocija kojima progovaraju filmovi, a to malo mjesto je \nkino – glavni protagonist ovog filma. Nakon Drugog svjetskog rata uslijedila je velika emigracija \nTalijana. Usprkos tome, talijanska zajednica se ipak uspjela odrzati u gradu Buje. 1950. \nizgrađeno prvo kino u Bujama, a vodio ga je Leonardo Acuavita. Iako tada još toga nije bio \nsvjestan, Acuavita je postavio temelj za održanje društvenog života Buja. Nuovo cinema Buie je \nnovi projekt redatelja uspješnog filma „Trst, Jugoslavija“. 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II"}],"section_total_text":"42.000,00","section_total":42000.0}],"totals":{"ukupno_text":null,"ukupno":42000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":42000.0,"ukupno_match":true,"row_count":6,"awarded_count":6,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":6}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"2 obrazloz_enej dugi igrani 2 rok 2022 PROIZVODNJA.pdf","filename_decoded":"2 obrazloz_enej dugi igrani 2 rok 2022 PROIZVODNJA.pdf","sha256":"408570fa12cdb47319572f40a7f6e19546bb4f264fe52ea049929ade5f24df9a","bytes":80662,"page_count":3,"extracted_at":"2026-05-17T12:01:34Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2%20obrazloz%CC%8Cenej%20dugi%20igrani%202%20rok%202022%20PROIZVODNJA.pdf"},"raw_text":" \nObrazloženje umjetničkih savjetnika po rezultatima Javnog poziva za poticanje \naudiovizualnih djelatnosti i stvaralaštva – kategorija proizvodnje dugometražnog \nigranog filma i debitantskog dugometražnog igranog filma na drugom roku u 2022. \ngodini – rok 15. rujna 2022. \n \nUmjetnički savjetnici za dugometražni igrani film – Zvonimir Jurić, Ivor Martinić, Ana \nŠtulina \n \nNa drugi natječajni rok za poticanje proizvodnje dugometražnog igranog filma u 2022. godini \nprijavilo se ukupno trideset i dva (32) projekta, od toga je trinaest (13) projekata bilo \nprijavljeno u kategoriji debitantskog igranog filma. Tri projekta (3) nismo razmatrali jer ne \nzadovoljavaju uvjete Pravilnika, a jedan projekt (1) je naknadno povukao svoju prijavu. Isto \ntako, od projekata koji su se razmatrali, imali smo čak četiri (4) prijavljena filma koja su \nsnimljena i nalaze se u fazi postprodukcije. \n \nUz poneke iznimke, pristigle prijave u ovoj kategoriji odlikuje vrlo dobra razina produkcijske \ni autorske pripremljenosti. Kao i na prethodnom roku, posebno ističemo debitantsku \nkategoriju kao zanimljivu i intrigantnu. \nVidljivo je da autore i autorice zanimaju raznolike teme, a prevladavaju suvremene teme \nsmještene u sadašnjost koje se bave obiteljskim traumama, osamljenošću pojedinca i \nlikovima na rubu zakona. I dalje je primjetan veliki postotak prijavljenih projekata koji su u \npotpunosti autorski; scenarij i režiju potpisuje ista osoba. Vrlo su rijetki prijavljeni projekti \nkoji nisu prošli prethodne natječajne prijave, bilo na razvoju scenarija bilo na prijavama za \nrazvoj projekta.  \nIako je većina projekata bila dobro pripremljena, podržali smo one koji su se svojom temom, \nkvalitetom scenarija i pripremljenošću najviše izdvojili. Tako smo odlučili poduprijeti \nsveukupno pet filmova od kojih su dva već snimljena, te se nalaze u fazi postprodukcije. \n \nOd preostala tri filma, dva filma potpisuju debitantice. \n \nZa sufinanciranje proizvodnje dugometražnog filma i debitantskog dugometražnog igranog \nfilma predloženo je i odobreno pet projekata, u ukupnom iznosu od 12.300.000,00 \nkuna/1.632.490,54 eura. Riječ je o sljedećim projektima: \n \nDugometražni igrani filmovi \n \nGlavonja \n \nScenarij: Juraj Raýman \nRežija: Marina Andree Škop i Vanda Raýmanová  \nProdukcija: PomPom Film d.o.o. \n \n4.300.000,00 kuna/ 570.708,08 eura \nAlisa, desetogodišnja djevojčica, odrasla uz starijeg autističnog brata Glavonju, naviknuta je \nda je većina pažnje usmjerena njemu i njegovim potrebama. S preseljenjem u novu sredinu \nona pokušava prikriti njegovo postojanje kako bi izbjegla dječje predrasude. Tajanstveni \nnestanak njihovih roditelja odvaži je na korak u kojem prihvaća pomoć trojice dječaka-\ndetektiva i s Glavonjom se upuštaju u potragu. Autori se ovim duhovitim pustolovnim \n\n\f\ndječjim filmom na pomaknut i djeci prihvatljiv način bave temom uvažavanja i inkluzijom \ndrugačijih.  \nŠlager  \nfilm u postprodukcijskoj fazi \nScenarij: Nevio Marasović, Janko Popović Volarić \nRežija: Nevio Marasović \nProducent: Šlager film d.o.o.   \n230.000,00 kuna / 30.526,25 eura \nPriča je to o Niki, filmskom redatelju s bečkom adresom, koji našavši se u egzistencijalnoj i \nkreativnoj krizi potraži pomoć od svoje bivše suradnice i djevojke Sare, danas učiteljice u \nškoli. Njihov ponovni susret donosi na površinu davno zakopane međusobne traume koje su \nih bile razdvojile i udaljile. U pitanju je razigrana gorko-slatka intimistička duo drama \nuvjerljivih glumačkih kreacija unutar jednako tako upečatljivih dekora koja završava, \nvremenskim skokom, u nježnom, melankoličnom epilogu koji otkriva da su bivši partneri i \nsuradnici sada konačno našli mir.  \n \nDebitantski dugometražni igrani filmovi \nOstavi vrata otvorena \nScenarij: Judita Gamulin \nRežija: Judita Gamulin \nProdukcija: Eclectica d.o.o. \n3.600.000,00 kuna / 477.802,11 eura \nPriča prati četiri različite obitelji koje dolaze u konzumeristički raj - zagrebačku poslovnicu \nmeđunarodno poznate trgovine namještajem u nadi da će preuređenjem domova preurediti \nsvoje živote. Mozaične, kompleksne strukture međusobno isprepletenih priča u velikom,  \npoput labirinta, prodajnom prostoru; s jedinstvom mjesta, vremena i radnje, bez centralnog \nzapleta i s velikim brojem likova, svjedoci smo gustom, živom, vibrantnom tkanju \nmeđuljudskih odnosa koji završavaju upečatljivim, oporim, gorkim krajem.   \n \n \n \n \n \n \n\n\f\nEva nakon pada \nScenarij: Lana Barić \nRežija: Lana Barić \nProdukcija: Propeler Film d.o.o. \n \n3.900.000,00 kuna / 517.618,95 eura \nNakon velikog potresa koji pogodi Zagreb, Žana, žena u srednjim četrdesetima, iskoristi \nsituaciju elementarne nepogode kako bi pobjegla od vlastitog života i kreirala novi, potpuno \ndrugačiji život. U pitanju je iznimno zanimljiva ideja gdje se nedavnim traumatičnim \ndogađajima potresa u Zagrebu pristupa na svjež i neočekivan način. Riječ je o psihološki \nistančanom portretu kućanice i majke koja nije iskoristila svoje umjetničke, ali ni životne \npotencijale, te kao što potres protrese glavni grad, tako protrese i nešto duboko intimno \nunutar nje. Vrsno napisan scenarij postavlja bitna pitanja o prolaznosti života, životnim \nodlukama, prava na sreću, ženskom usudu… \n \nMeđu nama \n \nfilm u postprodukcijskoj fazi  \n \nScenarij: Vini Jurčić, Laura Pascu i Matej Sudarić \nRežija: Laura Pascu \nProdukcija: Udruga Blank  \n \n270.000,00 kuna / 35.835,16 eura \n \nMarina i David su mladi urbani par s velikim očekivanjima koja se u svakodnevici \nrasplinjuju. Nakon sedam godina njihov odnos dolazi do točke u kojoj prijeđu granicu zdrave \ni funkcionalne veze. Mladi glumci Vini Jurčić i Adrian Bagarić zaista su sjajno iznijeli ovu \nmladenačku priču.  \nRiječ je o šarmantnom suvremenom nezavisnom filmu nastalom na entuzijazmu autora, koji \nće obogatiti domaću kinematografiju. \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2022,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenja_RPRSERTV_2020_2_WEB.pdf","filename_decoded":"Obrazlozenja_RPRSERTV_2020_2_WEB.pdf","sha256":"4144727b6692e592a9de7a9be9b0a21beccaa16d410a640a51b01f0f0d3e9833","bytes":229930,"page_count":5,"extracted_at":"2026-05-17T12:01:57Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenja_RPRSERTV_2020_2_WEB.pdf"},"raw_text":" \n \n1 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE RAZVOJA PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2020. - 2. ROK - \n10.9.2020. \n \n \nSERIJSKA TELEVIZIJSKA DJELA – Umjetnički savjetnik: Saša Runjić \n \n \n \n \n \n \n \nNa javni poziv za razvoj TV djela u 2020. - 2. rok prijavljeno je 28 radova. Za dodjelu sredstava \npredloženo je 8 radova, od čega 2 u podkategoriji animiranih tv djela, 4 u podkategoriji \ndokumentarnih serijskih TV djela, te 2 u podkategoriji dramske serije. \n \nRaduje činjenica da je nastavljen trend žanrovske raznovrsnosti i kvalitete prijavljenih radova, pa \nvjerujemo kako će značajan dio projekata koji su predloženi za poticanje razvoja u 2020. godini u \nkonačnici  naići na interes TV nakladnika i doživjeti realizaciju. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nSaša Runjić, \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \numjetnički savjetnik HAVC-a \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nza razvoj televizijskih djela  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n \n \n2 \n \n \n \n1.  Animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute \n \n \n1.1   \nNUTZ   (13x7 min.)  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n50.000 \n \n \n \n \n \nProducent: Reci RCLE d.o.o. \nScenarist i redatelj: Denis Valentić \n \nAnimirana serija Nutz prati dogodovštine neobične obitelji; najstarije sestre vjeverice Sally, \nblizanaca kokosa Koka i kikirikija Pea te najmlađe sestrice žirice Oak. Iako šašavi, Nutzi su u isto \nvrijeme dragi, velikodušni i pažljivi. \n \nPredočeni materijal vrlo je zabavan i dopadljiv. Od bibilije projekta, karakterizacije i opisa glavnih \nlikova do sinopsisa i scenarija, sve je vrlo uvjerljivo i na visokoj razini. Likovno, riječ je o 2D animaciji \nvrlo bogatog kolorita i konzekventno provedenog crtačkog prosedea minucioznog u detalju a \njednostavnog i čistog u definiciji oblika. \n \n \n \n1.2  \nBOBO I ČUDESNI  (13 x7 min.)  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n50.000 \n \n \n \n \n \nProducent: Teslopolis d.o.o. \nScenarist i redatelj: Branislav Brkić \n \n \nGlavni lik Bobo, je junak iz video igrice koji slučajno dolazi u stvarni svijet i poželi postati pravo \ndijete. Bobu kroz pustolovine vode tri jednostavna predmeta iz svakodnevnog života ali magični kao \nigračke: kartonska Kutija, gumena Lopta i stara Boca. Oni postaju Bobini prijatelji i najdraže igračke. \n \nProjekt je brižno i detaljno razrađen, a diskurs u suglasju sa očekivanjima i mogućnostima \nspecifične publike (djeca 4-7 godina). Glavni lik nosi duboku unutarnju motivaciju pa ima potencijal \nza razvoj dužeg serijala. Likovni prosede na visokoj je razini, i priziva u daleko sjećanje poetiku \nDušana Vukotića, ali ponešto pojednostavljen te učinjen potencijalno još prijemčivijim ciljanoj \npublici. \n \n \n \n \n \n \n\n\f\n \n \n3 \n \n \n \n \n2.  Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n \n \n \n2.3   \nBETONSKI SPAVAČI - TRIJUMFI MODERNIZMA  (4x52 min.)  \n \n \n \n50.000 \n \n \n \n \n \nProducent: Hulahop d.o.o. \nRedatelj: Saša Ban \nscenaristi: Saša Ban, Nevenka Sablić, Maroje Mrduljaš \n \n \nDokumentarna serija Betonski spavači gradi priču oko moderne arhitekture u Hrvatskoj i regiji \nbivše Jugoslavije - području jedinstvenom po velikom broju napuštenih, neiskorištenih, zapuštenih \nili ruševnih zgrada iz 20. stoljeća, iznimne arhitektonske vrijednosti.  Ovaj izniman dokumentarni \nserijal koji je, polazeći od naoko jednostavne matrice - kunsthistoričarske analize arhitektonskih \nrealizacija javne namjene iz druge polovice 20. stoljeća, prerasta u vrlo široku, suptilno kritički \nintoniranu evokaciju velikih dosega jedne epohe i, ponajviše, našeg sramotnog odnosa prema \nvlastitoj baštini.  \n \n \n2.4.   \n65+   \n \n(8x26 min.)  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n50.000 \n \n \n \n \n \nProducent: Petnaesta umjetnost d.o.o. \nScenarist i redatelj: Goran Dević \n \nUspješan nastavak kvalitetnog i široko prihvaćenog dokumentarnog serijala koji se bavi životom \nstarijih ljud i njihovom ulogom i mjestom u našem društvu.  \n \nAutor pred nas niže skladno spojene, ponekad tužne, ponekad zabavne tople priče, zapravo \nslojeviti portreti stvarnih ljudi starijih od 65 godina, u kojima život bukti kao i u mladih, premda je \nto prema općoj društvenoj predrasudi teško pojmiti.  \nOvo je projekt u svim aspektima već dokazan kao izniman, budući da je, osim nesporne \numjetničke, dokumentarističke i javne vrijednosti, polučio i veliki interes gledatelja. \n \n \n \n \n \n \n \n \n\n\f\n \n \n4 \n2.5   \nHRVATSKI PRAVEDNICI  (6x52 min.)  \n \n \n \n \n \n \n \n \n \n \n \n \n \n50.000 \n \n \n \n \n \nProducent: Plavi film d.o.o. \nRedatelj: Luka Čurčić \nScenaristica: Olivera Milenković \n \nDokumentarni serijal o hrvatskim pravednicima, ljudima koji su u vrijeme 2. svjetskog rata riskirali \nsvoj život i živote svojih obitelji da bi spasili svoje sugrađane Židove od progona i smrti. Autori su se  \nusredotočili na bitno, i to na način koji daje mjesta visokim očekivanjima od ovog projekta.\"Ravno\", \nstilski neobilježeno, ali koncentrirano i predano iznose duboko ljudske, emotivne i ponekad sasvim \nnevjerojatne priče o velikoj ljudskosti u mračnim vremenima. \n \n \n2.6   \nKAKO JE PRIVATIZACIJA U REGIJI STVORILA TAJKUNE (3x52min.)  \n50.000 \n \n \n \n \n \nProducent: Udruga Blank \nRedatelj: Dario Juričan \nScenarist: Saša Paparella \n \n \n \nDetaljno pripremljen materijal za trodijelnu dokumentarnu seriju o privatizaciji u tri najveće države \nnastale raspadom Jugoslavije, koncentrirano se drži teme i razvija bogatu pripovjednu matricu. \nKritički ton odnosno, prikriveni, ali zapravo jasan  angažman već dokazanog autorskog dvojca, a koji \nje u podtekstu cijelog projekta, nimalo ne umanjuje njegovu dokumentarističku vrijednost. \n\n\f\n \n \n5 \n3. Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n \n \n3.7  \nŽENSKA POSLA  (10x52min.)  \n \n \n \n \n \n \n \n \n \n \n \n \n \n100.000 \n \n \n \n \n \nProducent: Četiri film d.o.o. \nRedateljica: Ivona Juka \nScenarist: Nenad Antolović \n \n \n \nSerija čija je tematska okosnica zajednička borba protiv kriminala/nepravde četiri vrlo različite žene \niz krajnje udaljenih socijalnih, nacionalnih i generacijskih miljea, čvrsto je  i jasno postavljen \ndramski projekt koji nosi vidljivu ali ne i nametljivu dozu angažmana. Kvalitetan i visoko zanatski \ndorađen projekt već u ovoj fazi razvoja.  \n \n \n \n3.8  \nDVIJE (8x52min.)  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n100.000 \n \n \n \n \n \nProducent: Wolfgang i Dolly d.o.o. \nRedateljica:  Katarina Zrinka Matijević \n \n \n \nScenaristi: Katarina Zrinka Matijević, Veno Mušinović \n \nNeočekivani srčani udar muškarca razotkrije njegov tajni obiteljski život u dvije različite zemlje - \nHrvatskoj i Sloveniji. Sudbine njegove dvije obitelji, međusobno će se ispreplesti, a  dvije će supruge \nbiti prisiljene živjeti pod istim krovom. \n \nProjekt je remake dramske serije \" Supruga moga muža\" finske produkcijske kuće Lucy Loves Drama, \nkoja je uspješno i nadahnuto transponirana u hrvatsko-slovensko okruženje. Projekt bogato \nrazvijene dramske strukture, s galerijom živih, slojevitih protagonista koji su jednim potezom \ndovedeni u vrlo komplicirane, ali dramski vrlo atraktivne, međuodnose. \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2020,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"HAVC razvoj scenarija 1. rok 2018. obrazlozenje IGR_WEB.pdf","filename_decoded":"HAVC razvoj scenarija 1. rok 2018. obrazlozenje IGR_WEB.pdf","sha256":"4167cec518dc1cde9b099d8d01bde857d3b7e09e6fe7b46a804a45f5c402134f","bytes":243958,"page_count":2,"extracted_at":"2026-05-17T12:02:01Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/HAVC%20razvoj%20scenarija%201.%20rok%202018.%20obrazlozenje%20IGR_WEB.pdf"},"raw_text":"REZULTATI JAVNOG POZIVA HAVC-a ZA RAZVOJ SCENARIJA – DUGOMETRAŽNI IGRANI FILM  \n1. ROK – 2018.  \n \n \nNa prvi rok za razvoj filmskih scenarija za dugometražni igrani film prijavilo se 59 projekata. \nOd 59 prijava, jedna je odbačena, a od preostalih 58 scenarija, 13 ih se prijavilo po drugi puta.  \nNaravno da razumijemo ideju da ovaj javni poziv mora biti otvoren što širem krugu ljudi, ali  \nsmatramo da se sustav može i mora unaprijediti.  \n \nUkupna kvaliteta pristiglih prijedloga na ovom je roku bila na razmjerno skromnoj razini. Od \n58 razmatranih prijava odlučili smo predložiti za potporu njih pet, a njima pridodati i jedan \nscenarij s natječaja za razvoj projekata.  \n \n \nDIVLJACI  \nautor: Dario Lonjak (30.000 kn) \n \nAtraktivan predložak za akcijski triler koji se odigrava na granici Hrvatske \ni Bosne i Hercegovine, protagonisti su sitni kriminalci koji nakon \nneuspjele pljačke završe u kampu islamskih terorista. Tekst obiluje \nobratima i ukoliko se dobro razvije, bit će zadovoljni i publika i kritika. \n \n \nNEŠTO JAČE OD MENE  \nautor: Ivan Turković-Krnjak (30.000 kn) \n \nTreatment za biografski film o košarkaškoj legendi Draženu Petroviću, \nizložen tako da o njemu sve doznajemo od ljudi koji su mu bili najbliži. \nVrlo pomno istražen, plijeni zanimljivim i manje poznatim detaljima te \nobećava ostvarenje kakvo nam je u kinematografiji nedostajalo. \n \n \nMARA \nautorica: Dijana Mlađenović (30.000 kn) \n \nPriča o intrigantnom ljubavnom trokutu, koji policija razotkriva nakon što \nnestane žena srednjih godina. Njezin suprug znao je da ona ima \nljubavnika, znatno mlađega stranca sa Srednjeg Istoka kojem je obećala \nsrediti putovnicu, ali ništa nije poduzimao. Intimna drama, vrlo netipična \nza hrvatski film. \n \n \n\n\f\nPRVI TJEDAN U KOLOVOZU \nautor: Filip Mojzeš (30.000 kn) \n \nObiteljska drama o bračnom paru na ljetovanju koji nema kontrolu nad \n12-godišnjim sinom. Vidjevši da roditelji, koji ionako nisu u baš idiličnoj \nvezi, ništa suvislo ne poduzimaju, dječak postaje sve bezobrazniji, što bi \nnaposlijetku moglo ugroziti njihove živote. \n \n \nUŽAS JE NAŠA FURKA \n autori: Ivo Balenović i Robert Cukina (30.000 kn) \n \nNastavak filma „ZG80“, koji je postigao velik uspjeh u našim kinima. \nOdigrava se 1990., u vrijeme promijenjene političke situacije u Hrvatskoj, \nuoči utakmice Dinamo – Crvena Zvezda u Maksimiru. Razvoj scenarija \ntreba podržati, jer u svjetskoj kinematografiji nastavci su uobičajena \npojava, samo bi tekst trebalo više pozicionirati – kao i prvi film – kao \nakcijsku komediju, a ne političku dramu. \n \n \nSVI OPERATERI SU TRENUTNO ZAUZETI \nautor: Dalibor Barić (30.000 kn) \n \nU osnovi eksperimentalni rad. Kako bi danas izgledao modernistički \nklasik „Prošle godine u Marienbadu“, u razdoblju u kojem dominira \nvirtualna stvarnost? Projekt obećava vizualno intrigantno ostvarenje. \n \n \n \nPavo Marinković i Nenad Polimac \numjetnički savjetnici za dugometražni igrani film \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2018,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje kratki igrani web.pdf","filename_decoded":"obrazlozenje kratki igrani web.pdf","sha256":"41685b5c60ba246fb75bd41425496da569fb50a3a9b8359a4350574dd4fb9235","bytes":213339,"page_count":4,"extracted_at":"2026-05-17T12:01:40Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20kratki%20igrani%20web.pdf"},"raw_text":" \n1\nObrazloženje umjetničkog savjetnika po rezultatima Javnog poziva za \npoticanje proizvodnje kratkometražnog igranog filma na drugom roku \nu 2017. godini – rok 30. studeni 2017. \n \nNa drugi natječajni rok za kratkometražni igrani film u 2017. godini pristiglo je \ntrideset devet (39) prijava. Od toga četiri projekta nisu zadovoljila formalne uvjete \nnatječaja te se njihove prijave nisu razmatrale, a pet projekata su filmovi u fazi \npostprodukcije. Devet projekata je već bilo prijavljeno na neki od prethodnih javnih \npoziva. Natječajem dominiraju mladi autori te redatelji debitanti. Očekivano velik \nbroj prijavljenih projekata klasificira se žanrovski kao igranofilmska drama. Priče o \nodrastanju čine značajan segment te pokazuju svojevrstan trend. Uslijed, s jedne \nstrane, nedostatne narativne strukturiranosti i samovoljna nizanja te, s druge strane, \nzapostavljanja redateljske razrade (neelaboriranosti koncepcija te nedovoljne \nredateljske promišljenosti), znatan broj projekata emocionalno ne angažira \ngledatelja te se ne razvija u smjeru uvjerljivih, kompaktnih i kompletnih \nkratkometražnih cjelina. Umjetnički i poetički te razradom iskaču dva projekta, oba \nuvelike nadrealistička te alternativna u smislu scenarističke strukture, no niti jedan \nod njih zasad ne funkcionira dostatno kao efektan kratkometražni igranofilmski \npredložak: Laž AngeleS (r. Željka Sukova), mišljen s naturščicima na Susku, \ndugometražni je dokufikcijski antiplot, koji se na silu gura u igranofilmsku formu i \nkratkometražno trajanje; likovnjački Raspored sjemenki u prerezanoj rajčici (r. \nDalibor Barić), kombinacija komornog filma, detektivskog žanra i haunted house \nhorora, pod utjecajem nadrealizma i filozofije apsurda, puno je bliži \neksperimentalnom i animiranom izričaju te barem srednjometražnom trajanju. Treći \nprojekt koji djelomično odudara je projekt Mrtvi ne plaču (r. Svebor Kranjc), \ntrenutačno hibrid igranog i animiranog filma, high-concept na temu svijeta ljudi i \ncvijeća, ali bez čvrste priče i zapleta te s inferiornim igranim dijelom.  \n \nZa sufinanciranje proizvodnje predlažem četiri projekta te jedan film u fazi \npostprodukcije, pri tome tri debitantska. \n \nPOČETKOM LJETA \nScenaristica i redateljica: Nikica Zdunić \nProdukcija: Ferial \n \nNov, intimističan film izrazite vizualnosti o djevojačkom odrastanju talentirane \nscenaristice i redateljice Nikice Zdunić, koja se nametnula svojim studentskim \nradovima distingvirana izraza i poetičnosti, prije svega efektnom i suptilnom \ndramskom vinjetom 13+ (ADU, 2016.). Film radna naslova Početkom ljeta drugi je \nZdunićin tinejdžerski film, ovaj put s fokusom na fazu srednje djevojačke \nadolescencije, na razdoblje seksualne zrelosti i požude, pomiješanih osjećaja, \nsuparništva te lezbijska eksperimentiranja, lociran u dječje odmaralište, ljetni kamp \nza mlade, zatvoren tinejdžerski mikrokozam, vizualno sugestivna, eliptična i \nintimistična vinjeta o odrastanju, s malo riječi, u kojoj pokušava ući u intimu tjelesno \nzrele i konfuzne srednjoškolke, koja iz ljubomore te radi zadovoljenja taštine zavodi \ndjevojku dečka koji joj se sviđa. U glavnoj roli redateljica ponovo zamišlja mladu Niku \nDolušić, djevojku koja je tumačila glavnu ulogu plesačice Janke u njezinom \n\n\f\n \n2\nnagrađivanom diplomskom kratkišu. Bit će zanimljivo pratiti glumičin rast i razvoj. \nRedateljica je debitantica u kategoriji profesionalnog kratkometr. igr. filma, a projekt \nrazvija u suradnji sa svojim stalnim kreativnim suradnicima: producenticom Tajanom \nBakotom, snimateljem Marijem Pućićem, montažerom Denisom Golenjom te \ngrafičkim dizajnerom Darijem Devićem. \n \nMARKO I MARKO \nScenarist: Goran Vojnović \nRedatelj: Marko Šantić \nProdukcija: Jaka produkcija \n \nCrnohumorna priča prema scenariju poznatog slovenskog pisca, scenarista i filmskog \nredatelja Gorana Vojnovića, koja podsjeća na političke komedije Vinka Brešana, ali i \nna predratnu srpsku mračnu komediju autorskog tandema Šijan-Kovačević, a govori \no ekonomski depriviranom bračnom paru umirovljenika, koji, pod pritiskom da \n«bacaju pare kroz prozor, jer imaju u Dalmaciji praznu sobu», iznajmljuju sobu svog \nsina jedinca poginulog u Domovinskom ratu. Međutim, stvar se zakompolicira kad se \nispostavi da je tajanstven turist po nacionalnosti Srbin. Supruga pokušava urazumiti \nmuža da u njihovom prvom gostu (koji povazdan sjedi na plaži i bulji u more) ne \ngleda personificirana neprijatelja ni ubojicu vlastita djeteta nego «dvjesto eura na \ndvije noge». Predviđeno trajanje filma je 20 minuta. Međutim, scenarij zasad ima \nnepotreban, dvostruk kraj pa bi njegovim možebitnim štrihiranjem djelo bilo ne \nsamo dramaturški nego i trajanjem efektnije. Riječ je, s jedne strane, o klasičnoj \nnarativnoj strukturi, no, s druge strane, vrlo zahtjevnom te redateljski skliskom \nterenu, žanru političke komedije, koja zahtijeva redateljsku umješnost te jasno \nestetičko viđenje i glumačko vođenje kako bi se fino, depatetizirano, humorno i \nhumano progovorilo o ozbiljnoj temi. \n \nANTIOTPAD \nScenaristi: Filip Romac i Tin Žanić \nRedatelj: Tin Žanić \nProdukcija: Dinaridi film \n \nFilm o odrastanju na ulici te transgresiji maloljetničkog nasilja, koji se događa unutar \njednoga dana, s radnjom smještenom na gradsku periferiju te njen vreo i prazan \nasfalt, prikaz zanemarene društvene sfere, skejterske supkulture. Priča o skitajućem \nskejteru problematična ponašanja, prepuštenom ulici, na pragu zrelosti, koji bježi od \nkuće te nakon što biva uhvaćen i pretučen u provali, svoje frustracije istresa na \nslabijem i mlađem od sebe. Kako na tematsko-motivskoj tako i na stilskoj razini, film \nje pod snažnim utjecajem Arene (r. Joao Salaviza; Zlatna palma za kratki igrani film \n2009. godine), nagrađivana portugalska kratkiša kojega redatelj navodi, među inim, \nkao primjer «snažne atmosfere i dominantne neverbalne naracije» kojoj teži. \nProsede uključuje rad s naturščicima, inspirativno korištenje arhitekture predgrađa, \ntehniku tzv. širokog platna, uporabu mahom širokokutnih objektiva kako bi se \n«prikazalo emocionalno stanje likova osuđenih na samoću i prazan grad», fotografiju \nvelikog kontrasta, duboke i oštre sjene, fluidnu kameru (steadycam), «razvijajuće \n\n\f\n \n3\nkadrove s iskorištavanjem planova po dubini», korištenje prirodna svjetla. Redateljev \npovratak ishodišnim autorskim preokupacijama. \n \nEMIL \nScenaristica i redateljica: Neda Hana Radić \nProdukcijska kuća: Metar60 \n \nMračna priča o obiteljskim odnosima, razočarenju, gubitku ideala i osveti, smještena \nu novozagrebačku socijalističku stambenu arhitekturu, s likom odgojno zapuštenog \ndvanaestogodišnjeg dječaka, na pragu puberteta te životnom raskršću da «postane \nhuligan ili izabere potpuno drugi put», koji odrasta u nepovoljnom okruženju te koji – \nnakon što svjedoči silovanju svoje samohrane majke od strane njena partnera sklona \nnasilništvu i sitnom kriminalu – sveti se majčinom tlačitelju, sitnom uličnom dileru, \nkojega je dotad slijepo obožavao. Ambiciozan i težak zadatak za profesionalni \nprvijenac, pogotovo jer film unutar kratkometražne strukture tematizira promjenu u \nsmislu unutarnjeg rasta i razvoja glavnog lika. Redateljica je svjesna da «jako puno \ntoga ovisi o dječaku», koji je «potencijalni huligan, ali i vrlo blago, obzirno dijete», \nkojega treba pronaći te s njim znati glumački raditi. No, puno toga ovisi i o druga dva \nsredišnja karaktera na kojima se gradi narativno strukturiran dramski odnos–\nnekompetentnoj majci koja «nema kontrolu nad svojim životom» te koja je zbog \nsvoje nesigurnosti meta za problematične muškarce, ali i o njenom ljubavnom \npartneru, huliganu i manipulatoru koji iskorištava njenu krhkost te služi kao \nneadekavatan uzor posinku.  \n \nLOVEBOX \nScenarist i redatelj: Ivan Turković-Krnjak \nProdukcija: Inter film \n \nFilm u fazi postprodukcije talentirana scenarista i dramaturga Ivana Turkovića-\nKrnjaka, koji ovim projektom debitira kao redatelj. Priča o ovisnosti mladih o \ndruštvenim mrežama za pronalazak neobavezujuća seksualna partnera te seksa za \njednu noć, koji su u potpunosti izmijenili paradigmu seksualnosti te odnose među \nmladima danas. Predočeni grubi šnit filma (bez kolor-korekcije, finalne obrade zvuka \ni odjavne špice) traje 14 minuta, a režiran je te montiran u svega osam eliptičnih i \nčvrstih kadrova (snimatelj David Oguić), lišenih, izuzev posljednjeg kadra, dramske \ndogađajnosti te djeluju kao da je «netko postavio nevidljivu kameru na ulicu, u \ntramvaj, pred prozor zalogajnice». Povezni lik je usamljen mladić (Josip Lukić) \nzaposlen u kebabdžinici, koji cijelo vrijeme «visi» na mobitelu i dating aplikaciji za \ntraženje flerta i seksa. Ono što je zanimljivo i specifično, izuzev zumiranja u funkciji \ntraženja lika u prizoru te njegova pogađanja, da karakteri unutar prizora najčešće \ntipkaju na mobitel, a da redatelj preko ekrana grafički ispisuje sadržaj njihovih \nporuka te da te pisane informacije tretira ravnopravno slici, stvarajući tako zanimljiv \nprostor međuigre i spoja tih dvaju svjetova– fizičkog i virtualnog (montaža i grafike: \nUrša Vlahušić). Na taj način grafički prikaz chata (pozicioniranje poruka u kadru, \nprostorni odnos poruka i likova koji ih šalju, način njihova ispisivanja, pristizanja i \nodlaženja, i sl.) postaje ključni nositelj radnje te sredstvo portretiranja likova.  \n \n\n\f\n \n4\n \nMiroslav Sikavica, umjetnički savjetnik za kratkometražni igrani film \n \nZagreb, 29. ožujka 2018. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje distribucija_Mater za WEB.pdf","filename_decoded":"Obrazlozenje distribucija_Mater za WEB.pdf","sha256":"419c84ca2b9f4a0818b4d2fd20b6e556f7f3d95338216a5e721f7a4bccc2043b","bytes":136451,"page_count":1,"extracted_at":"2026-05-17T12:01:19Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje%20distribucija_Mater%20za%20WEB.pdf"},"raw_text":" \nJavni poziv \nJavni poziv za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2020. godini – \npoticanje kinodistribucije filmova \n \nGodina i rok \n2020., 1. rok – 15.4. \nPredlagatelj prijave  \nSekvenca d.o.o. \nNaziv projekta/programa \nKinodistribucija filma „Mater“ \nIme i prezime umjetničkog savjetnika/ce \nPavlica Bajsić Brozzaduro, Zdenka Gold, \nDanilo Šerbedžija, financijski savjetnik: \nLjubo Zdjelarević \nDatum recenzije \n7.7.2020. \n \n \nNakon godina provedenih u Njemačkoj, Jasna se vraća u Hrvatsku kako bi se brinula o majci, \nkoja je na umoru. \n \nIako je “Mater“ film za koji ne možemo reći da je tipični ljetni hit, jer progovara o teškoj temi, \non svejedno u sebi nosi pitkost u filmskom jeziku kojim progovara, u finoj duhovitosti kojom \nse kiti, u glumačkoj interpretaciji protagonistica koja ostavlja bez daha (Darija Lorenci i Neva \nRošić), a iznad svega, on je duboko ukorijenjen u našu sredinu i autentičan. Ovo potonje je \njako važno i za distribuciju jer je to ono što će publika sigurno prvo osjetiti i cijeniti.  I to prije \nsvega publika u Dalmaciji, iz koje ova kinodistribucija i starta u okviru suradnje s mrežom \nKino Mediteran. Nakon ljetne turneje po manjim i većim mjestima na obali, film dolazi u \nZagreb i ostale gradove.  \n \nStrategija je kvalitetno osmišljena, potencijal epidemioloških ugroza je smanjen planom prve \ndistribucije kroz ljetna kina i vanjske prostore. Pozdravljamo činjenicu da distribuciju i PR \nfilma “Mater“ radi isti tim koji je zabljesnuo nesvakidašnjim distribucijskim uspjehom još \njednog filma s teškom temom („Dnevnik Diane Budisavljević“), te ga je bitno podržati, da mu \nse omogući i olakša šira, intenzivnija i jasnija marketinška komunikacija sa potencijalnom \npublikom, te veća medijska prisutnost, sa nadom da će ista polučiti pozitivne rezultate i \nprivući ciljanu publiku u kinodvorane. \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2014 Medjunarodna suradnja_ rok 15 05 2014.pdf","filename_decoded":"2014 Medjunarodna suradnja_ rok 15 05 2014.pdf","sha256":"41fc74fff4c55a9c7f8b93e0eff1ccd405d60fdc7cd07d302a5860d93833e18b","bytes":216869,"page_count":3,"extracted_at":"2026-05-17T10:23:32Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2014%20Medjunarodna%20suradnja%2C%20rok%2015%2005%202014.pdf"},"raw_text":"REZULTATI JAVNOG POZIVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2014.- PROGRAMI MEĐUNARODNE SURADNJE \nROK: 15. svibnja 2014.\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nPREDLOŽENA \nPOTPORA\n1\nAna Bilankov\nProgrami stručnog usavršavanja\nSudjelovanje multimedijalne umjetnice Ane Bilankov u \nprogramu AIR (artist in residence) te predstavljanje projekta \n'New Town Future Film' u Residency Unlimited centru u New \nYorku, SAD, kolovoz do listopad 2014.\n5.000,00 kn\n2\nAning usluge d.o.o.\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekta. \nProgrami stručnog usavršavanja.\nSudjelovanje producenta Matije Radeljaka na tri sesije \nmeđunarone radionice EAVE - 'European producers workshop \n2014.'; 10.-17.svibnja 2014., Luksemburg; 16.-23. lipnja 2014., \nBolzano, Italija; 20.-27.listopada 2014., Istanbul, Turska\n25.000,00 kn\n3\nAning usluge d.o.o.\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekta. \nProgrami stručnog usavršavanja.\nSudjelovanje producenta i redatelja s projektom 'Odbjegli \nTwingo: Malo Europe,i kulture, u 40 dana', red. M.Radeljaka na \nmeđunarodnoj radionici BDC Discoveries 2014; Sofija, \nBugarska, 04. - 11. svibnja 2014., Prizen, Kosovo, 20.-24. \nkolovoza 2014., Malmo, Švedska 20.-24. rujna 2014.\n15.000,00 kn\n4\nArsen Anton Ostojić\nProgrami stručnog usavršavanja\nSudjelovanje Arsena A. Ostojića na Master Classu o virtualnoj \nprodukciji u organizaciji Europske filmske akademije, 02. do 08. \nlipnja 2014, Berlin, Njemačka \n4.000,00 kn\n5\nBojan Mrđenović\nProgrami stručnog usavršavanja\nSudjelovanje Bojana Mrđenovića na međunarodnoj \nprodukcijskoj radionici Film Rave, 31. ožujka do 05. travnja \n2014., Poznan, Poljska\n1.800,00 kn\n6\nDubravka Kurobasa\nProgrami stručnog usavršavanja\nSudjelovanje Dubravke Kurobasa na međunarodnoj \nprodukcijskoj radionici Film Rave, 31. ožujka do 05. travnja \n2014., Poznan, Poljska\n1.800,00 kn\n7\nFilmsko-kreativni \nstudio Vanima\nProgrami gostovanja hrvatskih \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova. \nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualne \ndjelatnosti (razmjena hrvatskih i \nstranih pojedinaca i institucija).\nSudjelovanje voditelja VANIMA-e i dvoje djece i predstavljanje \nVAFI festivala i radionica animiranog filma u suradnji s WILD \nKIDS Animation Studio; Jeruzalem, Izrael; 30. rujna do 8. \nlistopada 2014.\n20.000,00 kn\n8\nGate film, obrt za \nusluge\nProgrami izrade promidžbenih \nmaterijala i prijavljivanje u službenu \nkonkurenciju festivala. Programi \npredstavljanja i promocije filmova\nSudjelovanje redatelja i predstavljanje kratkometražnog \ndokumentarnog filma 'Autofokus', red. B. Poljaka u \nnatjecateljskom programu u sklopu 49. međunarodnog filmskog \nfestivala Karlovy Vary, Češka, 04. do 12. srpnja 2014\n20.700,00 kn\n9\nHrvatski državni arhiv \nProgrami gostovanja hrvatskih \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova. \nProgrami stručnog usavršavanja.\nSudjelovanje predstavnika Hrvatskog državnog arhiva na \nGeneralnoj skupštini europskog udruženja filmskih \narhiva,popratnoj radionici i festivalu „Il Cinema Ritrovato“ u \nBologni; 28. lipnja do 5. srpnja 2014. \n5.000,00 kn\n10\nHrvatski filmski savez \nProgrami stručnog usavršavanja\nSudjelovanje redateljice i producentice s dokumentarnim filmom \n'U potrazi za izgubljenom državom, red. M. R. Vidaković na tri \nsesije međunarodne produkcijske radionice BDC Discoveries; \nSofija, 04. - 11. svibnja, Prizren, kolovoz, Malmo, listopad 2014.\n15.000,00 kn\n11\nHrvatski filmski savez \nProgrami stručnog usavršavanja\nSudjelovanje redateljice s projektom dokumetarnog filma 'U \npotrazi za izgubljenom državom', red. M. R. Vidaković na prvoj \nsesiji MAIA radionice - Kreativni aspekti; Lazio, Italija, 17. do 21. \nožujka 2014.\n7.500,00 kn\n\n\f\n12\nHrvatski filmski savez \nProgrami gostovanja hrvatskih \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje Diane Nenadić i predstavljanje hrvatskog \neksperimentalnog filma na programu 'Artists, Amateurs, \nAlternative Spaces: Experimental Cinema in Eastern Europe, \n1960-1990' u Nacionalnoj umjetničkoj galeriji u Washingtonu \nD.C, SAD, 24. svibnja 2014. \n896,00 kn\n13\nHulahop d.o.o. za \nfilmsku produkciju i \nusluge\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekta. \nProgrami stručnog usavršavanja.\nSudjelovanje članova autorskog tima s projektom \ndokumentarno igranog filma 'Dijanina lista', red. D. Budisavljević \nna dvije sesije međunarodne radionice  EKRAN, Varšava, \nPoljska, 31. ožujka do 10. travnja 2014. i 02. do 12. lipnja 2014.\n10.000,00 kn\n14\nIgor Bezinović\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekta. \nProgrami stručnog usavršavanja.\nSudjelovanje Igora Bezinovića s projektom 'Microcassette - Side \nB' na četiri sesije međunarodne radionice za animirani i \ndokumentarni film AniDox Lab; Viborg, Danska, 02. do 04. \nsvibnja 2014.; Copenhagen, Danska, 28. do 30. lipnja 2014.; \nViborg, 10. do 14. rujna 2014; CPH:DOX, Copenhagen, Danska \ni Dok.Leipzig; Leipzig, Njemačka, studeni 2014.\n3.831,00 kn\n15\nJosip Visković\nProgrami gostovanja hrvatskih \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje redatelja i predstavljanje kratkometražnog igranog \nfilma 'Može netko bacit čik odozgo', red. J. Viskovića na \nnatjecateljskom programu u sklopu međunarodnog festivala \nkratkometražnih filmova DaKINO; Bukurešt, Rumunjska, 12. do \n16. ožujka 2014.\n895,00 kn\n16\nKinematograf d.o.o.\nProgrami gostovanja hrvatskih \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redateljice i predstvaljanje kratkometražnog \nigranog filma 'Pragovi', red. D. Mlađenović na natjecateljskom \nprogramu kratkometražnog igranog filma u sklopu 19. \nmeđunarodnog festivala Vilnius, Litva, 20. ožujka do 03. travnja \n2014.\n3.818,00 kn\n17\nKinoklub Karlovac\nOstali programi\nSudjelovanje članova Kino kluba Karlovac i predstavljanje \nfestivala Four River Film Festivala na 6. TimeLine Film \nFestivalu; Carate Brianza, Italija, 08. do 10. svibnja 2014.\n3.120,00 kn\n18\nKinoklub Zagreb\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualne \ndjelatnosti (razmjena hrvatskih i \nstranih pojedinaca i institucija).\nOrganizacija i sudjelovanje članova KKZ-a na Generalnoj \nskupštini NISI MASA-e; Zagreb, Hrvatska, 25. do 27. travnja \n2014.\n12.000,00 kn\n19\nMatija Drniković\nProgrami stručnog usavršavanja\nSudjelovanje Matije Drnikovića na međunarodnoj radionici Go \nShort Student Campus u sklopu međunarodnog festivala \nkratkometražnih filmova Short; Nijmegen, Nizozemska, 09. do \n13. travnja 2014.\n4.000,00 kn\n20\nMaxima film d.o.o.\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualne \ndjelatnosti (razmjena hrvatskih i \nstranih pojedinaca i institucija). \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekta.\nSudjelovanje scenaristice s projektom dugometražnog igranog \nfilma u razvoju 'Izgubljeni' na 3. sesiji razvojng programa \n'BABYLON - feature film development programme'; Cannes, \nFrancuska, 16. do 19. svibnja 2014.\n3.500,00 kn\n21\nMeđunarodni centar za \numjetnost\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualne \ndjelatnosti (razmjena hrvatskih i \nstranih pojedinaca i institucija). \nProgrami stručnog usavršavanja.\nOrganizacija redateljske i glumačke radionice pod voditeljstvom \naustralskog redatelja Roberta Marchanda 'Character - based \nImprovisations workshop'; Zagreb, Hrvatska, 23. do 27. lipnja \n2014.\n5.000,00 kn\n22\nMontažstroj d.o.o. \n Pitching, koprodukcijski forumi i \nprogrami za razvoj projekta.\nSudjelovanje 2 člana Montažstroja s projektom 'Protunapad'  na \ntri sesije međunarodne radionice za razvoj projekta Babylon; \nLondon, UK, 15. do 20. listopada 2013.; Beč, Austrija, 21. do 23. \nveljače 2014.; Cannes, Francuska, 15. do 20. svibnja 2014.\n7.000,00 kn\n23\nNukleus Film d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producenta na međunarodnoj produkcijskoj \nradionici 'Clearing Rights for Film and TV' u organizaciji Erich \nPommer Instituta; Palma de Mallorca, Španjolska, 09. do 13. \ntravnja 2014.\n8.500,00 kn\n24\nNukleus Film d.o.o.\n Pitching, koprodukcijski forumi i \nprogrami za razvoj projekta.\nSudjelovanje producenta s animirano - dokumentarnim \nkoprodukcijskim projektom 'Chris the Swiss', red. A. Kofmel na \npitching i koprodukcijskom forumu Cartoon Movie 2014.; Lyon, \nFrancuska, 05. do 07. ožujka 2014.\n9.370,00 kn\n25\nNukleus Film d.o.o.\nProgrami gostovanja hrvatskih \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \nizrade promidžbenih materijala i \nprijavljivanje u službenu \nkonkurenciju festivala. Programi \npredstavljanja i promocije filmova\nSudjelovanje redateljice, producenta i glumice (+pratnja) i \npredstavljanje kratkometražnog igranog filma 'Kokoška', red. \nU.Gunjak na natjecateljskom programu kratkometražnih filmova \n53. Semaine de la Critique u sklopu 67. međunarodnog filmskog \nfestivala u Cannesu, Francuska, 15. do 23. svibnja 2014.\n28.100,00 kn\n26\nOmnimedia d.o.o.\nProgrami gostovanja hrvatskih \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \nizrade promidžbenih materijala i \nprijavljivanje u službenu \nkonkurenciju festivala. Programi \npredstavljanja i promocije filmova\nSudjelovanje redatelja i predstavljanje kratkometražnog \neksperimentalnog filma 'U ime naroda', red. D. Martinisa na \nnatjecateljskom programu u sklopu 60. međunarodnog festivala \nkratkometražnih filmova u Oberhausenu, Njemačka, 01. do 06. \nsvibnja 2014.\n8.500,00 kn\n\n\f\n27\nPetra Zlonoga \nProgrami gostovanja hrvatskih \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika.\nSudjelovanje redateljice i predstavljanje kratkometražnog \nanimiranog filma 'Glad', red. P. Zlonoga, na natjecateljskom \nprogramu u sklopu 30. međunarodnog festivala animiranog \nfilma u Hiroshimi, Japan, 21. do 25. kolovoza 2014.\n8.292,00 kn\n28\nRestart\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualne \ndjelatnosti (razmjena hrvatskih i \nstranih pojedinaca i institucija).\nSudjelovanje producenta u programu distribucije na Godišnjoj \nskupštini Balkan Documentary Distribution Network u sklopu 5. \nfestivala Makedox u Skopju, Makedonija, 14. do 20. lipnja 2014.\n5.000,00 kn\n29\nRestart\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekta.\nSudjelovanje producentice na 67. međunarodnom filmskom \nfestivalu u Cannesu u sklopu programa Producers on the move, \nCannes, Francuska, od 17. do 19. svibnja 2014.\n5.152,00 kn\n30\nSekvenca d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producenta na prvoj sesiji MAIA radionice - \nKreativni aspekti; Lazio, Italija, 17. do 21. ožujka 2014.\n5.000,00 kn\n31\nSiniša Mataić\nProgrami stručnog usavršavanja\nSudjelovanje Siniše Mataića na profesionalnom tečaju Cartoon \nAnimation Production, Litomyšl, Češka, 25. kolovoza do 05. \nrujna 2014.\n4.500,00 kn\n32\nSveučilište u Zagrebu, \nStudentski centar\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualne \ndjelatnosti (razmjena hrvatskih i \nstranih pojedinaca i institucija).\nSudjelovanje troje članova Klubvizije SC i predstavljanje \nprogramske aktivnosti i projekcija filmova u filmskom labaratoriju \n'filmskoop Wien'; Beč, Austrija, listopad 2014.\n1.410,00 kn\n33\nTena Gojić\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekta. \nProgrami stručnog usavršavanja.\nSudjelovanje Tene Gojić s projektom kratkometražnog igranog \nfilma 'Manjača', red. T. Žanić na radionici CineVision u sklopu \nmeđunarodnog festivala 11. Festival du cinema de Brive; Brive \nde la Gaillarde, Francuska, 09. do 12. travnja 2014.\n2.826,00 kn\n34\nTomislav Šoban\nProgrami predstavljanja i promocije \nfilmova. Programi gostovanja \nhrvatskih autora/-ica, producenata/ -\nica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje redatelja i montažerke i prestavljanje \nkratkometražnog eksperimentalnog filma 'Najmanji', red. 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Programi međunarodne kulturalne razmjene iz područja audiovizualne djelatnosti (razmjena hrvatskih i stranih pojedinaca i institucija).","applicant":"Filmsko-kreativni studio Vanima","production_company":"Filmsko-kreativni studio Vanima","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00 kn","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"7","OPIS PROGRAMA":"Sudjelovanje voditelja VANIMA-e i dvoje djece i predstavljanje VAFI festivala i radionica animiranog filma u suradnji s WILD KIDS Animation Studio; Jeruzalem, Izrael; 30. rujna do 8. listopada 2014.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Filmsko-kreativni studio Vanima","row_id":"41fc74ff:s0:4389690ec29a","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_712a2cf68312","project_family_title":"Programi gostovanja hrvatskih autora/-ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. 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Splitski filmski festival\n140.000,00\n16\nMljetski Avanturistički \nRobinzonski Savez - MARS\nIsle of MARS 2022. Festival\n10.000,00\nJavni poziv za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2022. godini - 2. rok, popis odobrenih projekata\nfilmski festivali i druge audiovizualne manifestacije\n40. sjednica Hrvatskog audiovizualnog vijeća, 7.4.2022.\n\n\f\n17\nMotovun Film Festival\nMotovun Film Festival 2022\n520.000,00\n18\nMultimedijalni centar Studio \nkreativnih ideja Gunja - MMC SKIG Filmska revija ''Novo kino Osmijeh'' \n20.000,00\n19\nMultimedijalni institut\nHuman Rights Film Festival\n180.000,00\n20\nMuzej hrvatskih arheoloških \nspomenika Split\n7. Međunarodni festival \narheološkog filma - MFAF\n12.000,00\n21\nOne Take Film Festival\n12. One Take Film Festival\n75.000,00\n22\nPari Pikule\nDA2 - Zagreb Design, Art & \nArchitecture Film Festival\n30.000,00\n23\nPučko otvoreno učilište Kutina\nŠiK Kutina \n7.000,00\n24\nPučko otvoreno učilište Sveti \nIvan Zelina\n9. Diversions International Short \nFilm Festival\n25.000,00\n25\nRobot 22 d.o.o.\n12. Fantastic Zagreb Film Festival\n60.000,00\n26\nSUPERTOON\nSupertoon - Međunarodni festival \nanimacije\n65.000,00\n27\nTORO laboratorij j.d.o.o.\nRab Film Festival 2022 - RAFF \nCinema / Generation / Seaplex \nKaich\n30.000,00\n28\nUdruga Globe Media\n8. Brač Film Festival\n35.000,00\n29\nUdruga ljubitelja filma Rare \nVinkovci\n16. Festival dokumentarnog rock \nfilma DORF 2022\n15.000,00\n30\nUdruga Relive\nAPOX Film Festival\n10.000,00\n31\nUdruga Trash\n17. Trash Film Festival\n12.000,00\n32\nUdruga za promicanje kulture \nDokuart\n17. 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DOKUart međunarodni festival profesionalnog dokumentarnog filma","applicant":"Udruga za promicanje kulture Dokuart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"80.000,00","approved_amount":80000.0,"currency":"HRK","extras":{"17":"32","Motovun Film Festival":"Udruga za promicanje kulture Dokuart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"426bef79:s1:c4eb0c7495c9","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga za promicanje kulture Dokuart","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high","family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (16–17) in 2021–2022, identical distinctive wording, same organizing entity 'Udruga za promicanje kulture Dokuart'","candidate_id":"fc_0b2c27b15a46"}},"funding_status":"awarded","project_family_id":"pf_5a0687aa7818","project_family_title":"DOKUart – međunarodni festival profesionalnog dokumentarnog filma"},{"row_number":33,"project_title":"Bokun festivala - festival nijemog filma i drugih osjetila","applicant":"Udruga za promicanje kulture, filmske umjetnosti, putovanja, domaće i strane kuhinje \"Gozba\"","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"17":"33","Motovun Film Festival":"Udruga za promicanje kulture, filmske umjetnosti, putovanja, domaće i strane kuhinje \"Gozba\"","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"426bef79:s1:17e2fa17e796","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga za promicanje kulture, filmske umjetnosti, putovanja, domaće i strane kuhinje \"Gozba\"","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_653bf7086370","project_family_title":"Bokun festivala - festival nijemog filma i drugih osjetila"},{"row_number":34,"project_title":"\"Čije je što?\" - Ciklus dokumentarnog filma","applicant":"Udruga za promicanje kvalitetnog likovnog i općenito kulturnog razvoja 90 60 90","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"17":"34","Motovun Film Festival":"Udruga za promicanje kvalitetnog likovnog i općenito kulturnog razvoja 90 60 90","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"426bef79:s1:b4f04411ffd0","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga za promicanje kvalitetnog likovnog i općenito kulturnog razvoja 90 60 90","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_e0e633f48da2","project_family_title":"\"Čije je što?\" - Ciklus dokumentarnog filma"},{"row_number":35,"project_title":"6. Filmski festival glumca","applicant":"Umjetnička organizacija \"Asser Savus\"","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"17":"35","Motovun Film Festival":"Umjetnička organizacija \"Asser Savus\"","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"426bef79:s1:2cfe5832a517","curation":{"changes":[{"field":"applicant","from":null,"to":"Umjetnička organizacija \"Asser Savus\"","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high","family":{"method":"claude-haiku","confidence":"high","reason":"Consistent festival title and organizing entity (Asser Savus). Clear sequential edition numbering (4th through 10th) across years 2020-2026 demonstrates coherent recurring festival.","candidate_id":"fc_45af45188d72"}},"funding_status":"awarded","project_family_id":"pf_057f1296c4c9","project_family_title":"Filmski festival glumca"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":1568000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":1568000.0,"ukupno_match":true,"row_count":34,"awarded_count":34,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":34}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"proizvodnja dugi obrazlozenje _rok 4.11._.pdf","filename_decoded":"proizvodnja dugi obrazlozenje _rok 4.11._.pdf","sha256":"426f4b55e45a2133adfdc0f55204331940518a374564acdc296130958351dbb4","bytes":38072,"page_count":3,"extracted_at":"2026-05-17T12:01:45Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/proizvodnja%20dugi%20obrazlozenje%20%28rok%204.11.%29.pdf"},"raw_text":"1\t\r  \n\t\r  \nJavni\t\r  poziv\t\r  za\t\r  poticanje\t\r  audiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  :\t\r  kategorija\t\r  poticanje\t\r  \nproizvodnje\t\r  audiovizualnih\t\r  djela\t\r  u\t\r  2019.\t\r  godini-­‐\t\r  2.\t\r  rok\t\r  4.11.2019.\t\r  \nUmjetnički\t\r  savjetnici:\t\r  Snježana\t\r  Tribuson\t\r  i\t\r  Kristijan\t\r  Milić\t\r  \n\t\r  \nNa\t\r  Javni\t\r  poziv\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  u\t\r  2019.\t\r  godini\t\r  na\t\r  drugom\t\r  roku\t\r  prijavilo\t\r  se\t\r  ukupno\t\r  28\t\r  \nprojekata.\t\r  Od\t\r  toga\t\r  je\t\r  bilo\t\r  sedam\t\r  debitantskih\t\r  projekata\t\r  (jedan\t\r  u\t\r  postprodukcijskoj\t\r  fazi)\t\r  te\t\r  21\t\r  \ndugometražni\t\r   igrani\t\r   film.\t\r   Jedan\t\r   projekt\t\r   nije\t\r   zadovoljio\t\r   uvjete\t\r   javnog\t\r   poziva\t\r   te\t\r   se\t\r   nije\t\r  \nrazmatrao.\t\r  \nOdlučili\t\r  smo\t\r  \t\r  poduprijeti\t\r  sveukupno\t\r  tri\t\r  filma,\t\r  od\t\r  kojih\t\r  je\t\r  jedan\t\r  debitantski.\t\r  \t\r  \n\t\r  \ndebitantski\t\r  dugometražni\t\r  igrani\t\r  film\t\r  \nProslava\t\r  \n(prema\t\r  romanu\t\r  Damira\t\r  Karakaša)\t\r  \nScenarij\t\r  -­‐\t\r  Jelena\t\r  Paljan\t\r  \nRežija\t\r  –\t\r  Bruno\t\r  Anković\t\r  \nProducent-­‐\t\r  Eclectica\t\r  d.o.o.\t\r  \n3.300.000,00\t\r  kn\t\r  \nScenarij\t\r  za\t\r  film\t\r  Proslava\t\r  rađen\t\r  je\t\r  prema\t\r  romanu\t\r  Damira\t\r  Karakaša\t\r  koji\t\r  se\t\r  tim\t\r  romanom\t\r  \nponovo\t\r  vraća\t\r  u\t\r  surovu\t\r  i\t\r  mučaljivu\t\r  Liku\t\r  koju\t\r  smo\t\r  upoznali\t\r  u\t\r  njegovim\t\r  prethodnim\t\r  knjigama.\t\r  \nScenaristica\t\r  Jelena\t\r  Paljan\t\r  uglavnom\t\r  se\t\r  drži\t\r  romana\t\r  prepoznajući\t\r  njegove\t\r  kvalitete\t\r  u\t\r  surovoj\t\r  \ni\t\r  mučnoj\t\r  atmosferi,\t\r  u\t\r  likovima\t\r  koji\t\r  ne\t\r  mogu\t\r  izbjeći\t\r  svoje\t\r  teške\t\r  sudbine,\t\r  u\t\r  strukturi\t\r  romana\t\r  \nkoja\t\r  u\t\r  četiri\t\r  vremenski\t\r  odmaknute\t\r  priče\t\r  govori\t\r  o\t\r  istim\t\r  likovima\t\r  i\t\r  o\t\r  tome\t\r  koliko\t\r  su\t\r  im\t\r  životi\t\r  \nslični\t\r  i\t\r  sudbine\t\r  nepromjenjive,\t\r  bez\t\r  obzira\t\r  koliko\t\r  je\t\r  vremena\t\r  u\t\r  međuvremenu\t\r  prošlo.\t\r  \nScenaristica\t\r  je\t\r  napravila\t\r  nekoliko\t\r  suptilnih\t\r  odmaka\t\r  u\t\r  odnosu\t\r  na\t\r  roman\t\r  i\t\r  to\t\r  u\t\r  svrhu\t\r  \nzaokruživanja\t\r  sve\t\r  četiri\t\r  priče\t\r  u\t\r  koherentniju\t\r  cjelinu.\t\r  \nScenarij\t\r  je\t\r  vrlo\t\r  dojmljiv\t\r  i\t\r  postoji\t\r  izvjesna\t\r  napetost\t\r  u\t\r  gotovo\t\r  konstantnoj\t\r  tjeskobnoj\t\r  atmosferi\t\r  \nkoja\t\r  okružuje\t\r  junake.\t\r  Redatelj\t\r  se\t\r  govoreći\t\r  o\t\r  svojim\t\r  uzorima\t\r  poziva\t\r  na\t\r  redatelje\t\r  koji\t\r  režiraju\t\r  \nfilmove\t\r  sporog\t\r  ritma\t\r  i\t\r  pretežno\t\r  statičnih\t\r  kadrova,\t\r  ali\t\r  svejedno\t\r  velike\t\r  psihološke\t\r  napetosti,\t\r  \nnelagode\t\r  i\t\r  atmosferičnosti.\t\r  U\t\r  svojoj\t\r  koncepciji\t\r  detaljno\t\r  i\t\r  uvjerljivo\t\r  govori\t\r  o\t\r  načinu\t\r  na\t\r  koji\t\r  želi\t\r  \nvoditi\t\r  priču\t\r  te\t\r  postići\t\r  \t\r  dojam\t\r  i\t\r  atmosferu\t\r  nelagode.\t\r  \t\r  \t\r  \nOvaj\t\r  scenarij\t\r  (roman)\t\r  na\t\r  suptilan\t\r  način\t\r  govori\t\r  i\t\r  o\t\r  dva\t\r  perioda\t\r  u\t\r  hrvatskoj\t\r  povijesti\t\r  koja\t\r  su\t\r  u\t\r  \nnašoj\t\r  svakodnevici\t\r  još\t\r  uvijek\t\r  stvar\t\r  političkih\t\r  opredjeljivanja,\t\r  zauzimanja\t\r  strana\t\r  i\t\r  polemika.\t\r  \nOva\t\r  tema\t\r  trebala\t\r  bi\t\r  zaintrigirati\t\r  \t\r  publiku\t\r  i\t\r  biti\t\r  jedan\t\r  od\t\r  razloga\t\r  za\t\r  odlazak\t\r  u\t\r  kino.\t\r  \n\t\r  \n\n\f\n2\t\r  \n\t\r  \ndugometražni\t\r  igrani\t\r  filmovi\t\r  \nSvemu\t\r  dođe\t\r  kraj\t\r  \n(prema\t\r  motivima\t\r  Miroslava\t\r  Krleže)\t\r  \nScenarij\t\r  –\t\r  Ante\t\r  Tomić\t\r  i\t\r  Rajko\t\r  Grlić\t\r  \nRežija\t\r  –\t\r  Rajko\t\r  Grlić\t\r  \nProducent-­‐\t\r  Inter\t\r  film\t\r  \n5.000.000,00\t\r  \nOvaj\t\r  film\t\r  progovara\t\r  o\t\r  kriminalnim\t\r  djelatnostima\t\r  javno\t\r  poznatih\t\r  osoba,\t\r  koje\t\r  iz\t\r  nekog\t\r  razloga\t\r  \nza\t\r  njih\t\r  ne\t\r  odgovaraju\t\r  ili\t\r  odgovaraju\t\r  s\t\r  nekoliko\t\r  desetljeća\t\r  zakašnjenja.\t\r  Činjenica\t\r  da\t\r  je\t\r  i\t\r  glavni\t\r  \nprotagonist\t\r  Maks\t\r  sudjelovao\t\r  u\t\r  prikrivanju\t\r  prljavih\t\r  radnji\t\r  čini\t\r  ga\t\r  uvjerljivim\t\r  antijunakom\t\r  \nkojem\t\r  je\t\r  trebalo\t\r  dugo\t\r  da\t\r  progleda,\t\r  ali\t\r  je\t\r  na\t\r  kraju\t\r  ipak\t\r  prešao\t\r  na\t\r  pravu\t\r  stranu.\t\r  Mnogi\t\r  od\t\r  nas\t\r  \ns\t\r  lakoćom\t\r  će\t\r  shvatiti\t\r  njegove\t\r  razloge\t\r  i\t\r  opravdanja\t\r  te\t\r  se\t\r  moguće\t\r  i\t\r  potpuno\t\r  poistovjetiti\t\r  s\t\r  \nnjegovim\t\r  problemima.\t\r  Nina\t\r  je\t\r  jedini\t\r  glavni\t\r  lik\t\r  u\t\r  filmu\t\r  koji\t\r  je\t\r  posve\t\r  ispravan\t\r  i\t\r  gotovo\t\r  bez\t\r  \nmrlje\t\r  na\t\r  savjesti.\t\r  Kao\t\r  takva\t\r  je\t\r  potrebna\t\r  i\t\r  zbog\t\r  publike,\t\r  ali\t\r  i\t\r  zbog\t\r  glavnog\t\r  junaka\t\r  koji\t\r  bi\t\r  bez\t\r  \nnje\t\r  opet\t\r  lako\t\r  mogao\t\r  zabrazditi\t\r  i\t\r  prepustiti\t\r  sve\t\r  nekom\t\r  drugom.\t\r  \t\r  \nKako\t\r  je\t\r  riječ\t\r  o\t\r  kriminalističkoj\t\r  drami\t\r  s\t\r  elementima\t\r  trilera\t\r  koja\t\r  na\t\r  općeprihvatljiv\t\r  način\t\r  priča\t\r  \ndublju\t\r  i\t\r  višeslojnu\t\r  priču\t\r  o\t\r  aktualnim\t\r  dilemama\t\r  i\t\r  problemima\t\r  držimo\t\r  da\t\r  će\t\r  \"Svemu\t\r  dođe\t\r  kraj\"\t\r  \nimati\t\r  uspjeha\t\r  i\t\r  kod\t\r  kritike\t\r  i\t\r  kod\t\r  publike.\t\r  Redatelj\t\r  Rajko\t\r  Grlić\t\r  dokazao\t\r  je\t\r  svojim\t\r  opusom\t\r  da\t\r  je\t\r  \nviše\t\r  nego\t\r  sposoban\t\r  na\t\r  zabavan\t\r  i\t\r  pitak\t\r  način\t\r  progovoriti\t\r  o\t\r  zabrinjavajućoj\t\r  i\t\r  puno\t\r  ozbiljnijoj\t\r  \ntemi\t\r  nego\t\r  što\t\r  se\t\r  to\t\r  na\t\r  prvi\t\r  pogled\t\r  čini.\t\r  \n\t\r  \nZatvoreno\t\r  za\t\r  javnost\t\r  \nScenarij\t\r  –\t\r  Vanja\t\r  Juranić,\t\r  Elma\t\r  Tataragić\t\r  \nRežija\t\r  –\t\r  Vanja\t\r  Juranić\t\r  \nProducent-­‐\t\r  Maxima\t\r  film\t\r  d.o.o.\t\r  \n4.200.000,00\t\r  kn\t\r  \nPriča\t\r  ovog\t\r  filma\t\r  ispričana\t\r  je\t\r  iz\t\r  ženske\t\r  perspektive,\t\r  a\t\r  to\t\r  je\t\r  perspektiva\t\r  žene\t\r  koja\t\r  je\t\r  žrtva\t\r  \nzlostavljanja\t\r  i\t\r  koja\t\r  \t\r  nema\t\r  šanse\t\r  istrgnuti\t\r  se\t\r  iz\t\r  situacije\t\r  u\t\r  kojoj\t\r  je\t\r  zapela.\t\r  Nasilan\t\r  muž,\t\r  \npatrijarhalna\t\r  sredina,\t\r  okolina\t\r  koja\t\r  nema\t\r  razumijevanja\t\r  za\t\r  problem\t\r  i\t\r  financijska\t\r  \nnesamostalnost\t\r  ne\t\r  daju\t\r  junakinji\t\r  da\t\r  se\t\r  istrgne\t\r  i\t\r  izbjegne\t\r  tragičnu\t\r  sudbinu.\t\r  Scenarij\t\r  vrlo\t\r  \nsuptilno\t\r  i\t\r  uvjerljivo\t\r  ocrtava\t\r  situacije\t\r  u\t\r  kojima\t\r  se\t\r  glavna\t\r  junakinja\t\r  nalazi.\t\r  Pažljivo\t\r  su\t\r  profilirani\t\r  \nlikovi\t\r  i\t\r  njihovi\t\r  odnosi,\t\r  pa\t\r  tako\t\r  dobivamo\t\r  bogatu\t\r  i\t\r  jasnu\t\r  sliku,\t\r  ne\t\r  samo\t\r  glavnih\t\r  likova,\t\r  već\t\r  i\t\r  \nonih\t\r  sporednih\t\r  koji\t\r  su\t\r  nam\t\r  zbog\t\r  svojih\t\r  stavova\t\r  itekako\t\r  važni\t\r  u\t\r  stvaranju\t\r  kompletne\t\r  slike\t\r  i\t\r  \natmosfere\t\r  u\t\r  kojoj\t\r  glavna\t\r  junakinja\t\r  živi.\t\r  \n\n\f\n3\t\r  \n\t\r  \nČini\t\r  nam\t\r  se\t\r  da\t\r  je\t\r  osobita\t\r  vrijednost\t\r  ovog\t\r  scenarija\t\r  što\t\r  se\t\r  bavi\t\r  temom\t\r  zlostavljanih\t\r  žena\t\r  jer\t\r  \nnaša\t\r  svakodnevica\t\r  pokazuje\t\r  koliko\t\r  je\t\r  taj\t\r  problem\t\r  prisutan\t\r  u\t\r  našem\t\r  društvu\t\r  i\t\r  kako\t\r  se\t\r  još\t\r  \nuvijek\t\r  neadekvatno\t\r  tretira.\t\r  \t\r  \nTakođer,\t\r  posebna\t\r  vrijednost\t\r  ovog\t\r  projekta\t\r  je\t\r  i\t\r  u\t\r  tome\t\r  što\t\r  redateljica\t\r  posvećuje\t\r  osobitu\t\r  \npažnju\t\r  načinu\t\r  na\t\r  koji\t\r  će\t\r  postići\t\r  atmosferu\t\r  nelagode\t\r  i\t\r  beznađa\t\r  u\t\r  kojem\t\r  se\t\r  našla\t\r  glavna\t\r  \njunakinja.\t\r  Ističući\t\r  u\t\r  svojoj\t\r  režijskoj\t\r  koncepciji\t\r  način\t\r  na\t\r  koji\t\r  će\t\r  kadrirati\t\r  i\t\r  rješavati\t\r  pojedine\t\r  \nscene\t\r  u\t\r  filmu,\t\r  razlučujući\t\r  ih\t\r  po\t\r  razlici\t\r  u\t\r  dojmu\t\r  kojega\t\r  bi\t\r  htjela\t\r  postići\t\r  kod\t\r  gledatelja,\t\r  govori\t\r  o\t\r  \npromišljenom\t\r  i\t\r  preciznom\t\r  pristupu\t\r  režijskim\t\r  postupcima.\t\r  \t\r  \nAutorica\t\r  ističe\t\r  i\t\r  svoju\t\r  namjeru\t\r  da\t\r  napravi\t\r  film\t\r  koji\t\r  će\t\r  biti\t\r  interesantan\t\r  svjetskim\t\r  filmskim\t\r  \nfestivalima,\t\r  a\t\r  ova\t\r  priča\t\r  svakako\t\r  ima\t\r  taj\t\r  potencijal.\t\r  Svjetski\t\r  filmski\t\r  festivali\t\r  počinju\t\r  voditi\t\r  \nračuna\t\r  o\t\r  zastupljenosti\t\r  žena\t\r  redateljica\t\r  u\t\r  svojim\t\r  programima\t\r  te\t\r  se\t\r  češće\t\r  odlučuju\t\r  uvrstiti\t\r  u\t\r  \nnjih\t\r  filmove\t\r  ženske\t\r  tematike.\t\r  Tako\t\r  se\t\r  polako\t\r  povećava\t\r  broj\t\r  žena\t\r  redateljica,\t\r  do\t\r  sada\t\r  gotovo\t\r  \nzanemariv,\t\r  u\t\r  programima\t\r  tih\t\r  festivala.\t\r  Smatramo\t\r  da\t\r  su\t\r  se\t\r  redateljica\t\r  i\t\r  scenaristica\t\r  ovog\t\r  \nfilma\t\r  opredijelile\t\r  za\t\r  ovu\t\r  temu\t\r  prvenstveno\t\r  zato\t\r  što\t\r  ih\t\r  tema\t\r  živo\t\r  interesira\t\r  i\t\r  zato\t\r  što\t\r  žele\t\r  \npridonijeti\t\r  povećanju\t\r  vidljivosti\t\r  i\t\r  javnog\t\r  interesa\t\r  za\t\r  probleme\t\r  zlostavljanih\t\r  žena\t\r  te\t\r  \nsenzibilizirati\t\r  filmsku\t\r  publiku\t\r  za\t\r  taj\t\r  problem,\t\r  a\t\r  i\t\r  plasman\t\r  na\t\r  filmske\t\r  festivale\t\r  tome\t\r  bi\t\r  \npomogao.\t\r  \t\r  \t\r  \t\r  \nČini\t\r  nam\t\r  se\t\r  da\t\r  je\t\r  ovaj\t\r  projekt\t\r  svojom\t\r  temom\t\r  potreban\t\r  i\t\r  intrigantan,\t\r  a\t\r  istovremeno\t\r  zreo\t\r  u\t\r  \nrežijskim\t\r  promišljanjima\t\r  autorice,\t\r  pa\t\r  ga\t\r  predlažemo\t\r  za\t\r  proizvodnju.\t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje proizvodnja dugi dokum 1. rok_2025.pdf","filename_decoded":"obrazlozenje proizvodnja dugi dokum 1. rok_2025.pdf","sha256":"42eef4ec240c79f8f951af19a71e7af7cca506996aea605d4ec1a206dd65da0b","bytes":73083,"page_count":4,"extracted_at":"2026-05-17T12:01:40Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20proizvodnja%20dugi%20dokum%201.%20rok_2025.pdf"},"raw_text":" \nJAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. ROK, 2025. \nDOKUMENTARNI FILM, UMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER  \nKATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - DUGOMETRAŽNI DOKUMENTARNI FILM – 13. \nožujka 2025.   \n \nOPĆI OSVRT  \n \nNa javni poziv u kategoriji proizvodnje dugometražnog dokumentarnog filma u 1. roku prijavljeno \nje sveukupno 18 projekata.  Od njih 18, njih četiri nije razmatrano zbog nepotpune dokumentacije.  \n \nKada govorimo o onim projektima koji su prijavljeni, valja reći kako se u ovom pozivu mogla \nprimijetiti iznimna raznolikost tema koje su autori odlučili prijaviti. Razina prijava također se \npovećala, te je vidljiva sve veća kompleksnost prijavljenih projekata. Ipak, u ne baš zanemarivom \nbroju, može se i dalje primijetiti prijavljivanje projekata koji nominalno ne pripadaju onome što bi \nnazvali kreativnim dokumentarnim filmom. Radi se o filmovima koji bi mogli možda dobro \nfunkcionirati i naginju TV formatu, ali čini se zbog nedostatka otvorenosti na natječajima javne \ntelevizije autori se odlučuju na prijavu ovom Centru. U jednu ruku to može biti kompliment samom \nradu Centra, no u drugu ruku stvara dodatnu frustraciju autoru u slučajevima kada njihov projekt \ntreba odbiti upravo zbog nedostatka strukture kreativnog dokumentarnog filma.  \n \nU smislu spomenute raznolikosti tema, valja reći kako i dalje postoji svojevrsni otklon autora  od \nhrvatske svakodnevice. Pa se autori i dalje bave temama koje se tiču hrvatske prošlosti, ili \nsuvremenih tema u nekoj drugoj državi. Recentne teme iz Hrvatske prisutne su vrlo rijetko, i tada \nna način koji je gotovo neuhvatljiv, eteričan, meditativan. Što dovodi do projekata, koji možda \ngovore o određenoj temi ili pojavi u nas, ali tako da se nikome ne zamjere. No valja reći kako se - \niako se radi o svojevrsnoj tendenciji, koja je vidljiva - istoj može kontrapunktirati činjenica kvalitete \nprijavljenih projekata koji iz poziva u poziv postaju sve bolji.  \n \nZaključno je prijedlog da se financijski podupre 7 projekata u ovoj kategoriji, u ukupnom iznosu od \n340.000,00 eura. Svaki od odobrenih projekta u sebi nosi određeni posebni pristup svojim \ntematikama, koje bez obzira na okolnosti u kojima su nastajale društveno su relevantne. Vjerujem \nda u njima ima jasnog autorskog stava i vizije kako pred svoju publiku donijeti važan dokumentarni \nfilm.  \n \n1. Bardo – jedna postcovid priča - Branko Ištvančić (redatelj/scenarist/producent) / Artizana -  \niznos potpore: 60.000,00 eur  \n \nPrijavljujući drugi put na ovaj poziv ovaj projekt, Branko Ištvančić u autorskim ulogama redatelja i \nscenarista, i dalje nudi biografski film potaknut teškim oboljenjem Covidom, koji u tom smislu \nostaje prije svega hrabar čin autora koji svjedoči o svojem oboljenju i suočavanju s mogućom smrti \nputem jednog vrlo osobnog filma. Prvotno ponuđeno meditativno ozračje u njegovu filmu, opstalo \nje i u novoj prijavi. I dalje na papiru u smislu njegova treatmenta, ovaj film čini se kao dobro \nzamišljen projekt. U autorovu treatmentu naznačeno je prihvaćanje prethodnih prijedloga \n\n\f\numjetničkog savjetnika da angažira script doctora i voice coacha, koji su nužni za jačanje \ndramaturške strukture projekta i vokalne pozicije naratora. Osobno iskustvo susreta sa smrću, u \novom slučaju kao posljedica teška oboljenja od Covida, rijedak je primjer osobnog svjedočanstva \novakve vrste u hrvatskoj kinematografiji.  \n \n \n2. Heroine domovinskog rata – različite - Irena Ščurić (redateljica i scenaristica),  Ivan Katić \n(producent) / K A O S d.o.o. (produkcija) -  iznos potpore: 20.000,00 eur  \n \nAutorica Irena Ščurić po drugi put donosi ženski film, kroz temu koju prvotno ne bi vezali uz žene \n– tri priče veteranki Domovinskog rata. Svojevrsni je to nastavak uspješnice gotovo istog naslova \nHeroine domovinskog rata – Pobjednice. Ovaj nastavak nudi – Različite. I doista tri protagonistice \novog predloženog filma, posve su različite. Što je vidljivo iz samog treatmenta autorice, ali i \npredanog video materijala. Ana Kasunić, Božena Šimek Šuplika, i Dijana Strize posve su različite u \nsmislu okruženja u kojem su rasle, životnih interesa, ali i načina kako su u ratu završile kao \nbraniteljice. Ono što im je zajedničko, jest činjenica da su kao žene ravnopravno rame uz rame \nmuškarcima branile svoj dom. I ljude oko njih. Autoričina namjera, ukazati kako različitost može \nbiti ponekad problem, ali kada se ispred njega postavi zajednički cilj – u ovom slučaju obrana od \nagresije – onda ona može postati i prednost, čini se dobro formuliranom porukom njena projekta. \n„Slabiji spol“ koji ovim filmom ukazuje na taj željeni autoričin zanimljiv pogled žena na fenomen \nrata, jedan je od jakih aduta ovog projekta.   \n \n3. Iz ničega u ništa - Ivan Perić (redatelj i scenarist) / Boris T. Matić  (producent) / Propeler film \nd.o.o. (produkcija) - iznos potpore: 30.000,00 eur  \n \nPrava je rijetkost pročitati prijedlog hrvatskog dokumentarnog filma koji je po svemu što nudi \npunokrvna satira. I to satira koja koristi apsurd kao alat neuvijene kritike. Debitant Ivan Perić nudi \nupravo takav projekt. Koristeći malo turističko mjesto, koje u ljetnoj sezoni ubija prometna gužva, \nkoju bi možda riješila cesta, ali koja se gradi posljednjih 50 godina. Svojevrsni mockumentary s vrlo \nuvjerljivim protagonistima – lokalnim iznajmljivačem polupodmornice Antom, koji uz pomoć Vice \nGurua, engleskog umjetnika Frigsteena i Mehaničke kokoši (prvi put na filmu) pokušava doznati \nzašto radovi idu tako sporo. U toj svojoj avanturi, snimajući film o radovima na zaobilaznici, \nkamerom koja je ostala nekom od njegovih čeških turista doznaje svašta.  \n \n4. Kolo - Bojan Mrđenović (redatelj i scenarist) / Tibor Keser  (producent) / Kompot (produkcija) \n-iznos potpore: 60.000,00 eur  \n \nSvojom pričom o sedmero posve različitih ljudi, koje povezuje opeka, a da toga nisu ni svjesni, \nautor Bojan Mrđenović stvara sjajan kolaž jednog društva. Inicijalno hrvatskog, ali ne nužno samog \ntog društva. Spomenuti mozaik moguće je aplicirati na mnoga europska društva oko nas. I time \nfilm dobiva i međunarodni potencijal. Likovi umjetnice, poduzetnika, prodavačice, radnika, seljaka, \nali i samog redatelja ovog projekta, svojevrsna je sociološka studija mišljena iznimno kreativno. Od \nstrukture koju je autor u ovom projektu donio, vizualnog prosedea do određene poetičnosti, koja \nnastaje kao rezultat pristupa autora njegovim protagonistima. Sve njih povezuje opeka, cigla koju \n\n\f\nkoriste u svom radu. Bilo umjetničkom, građevinskom, trgovinskom, arhitektonskom, pa na kraju i \nfilmskom, nakon što i sam autor postaje jedan od protagonista svog filma. Pritom ovi posve različiti \nljudi, nesvjesni su koliko ih cigla koju koriste zapravo povezuje sa za njih posve stranim osobama. \nNa simboličkoj razini cigla može biti bilo što, čega smo nesvjesni u društvima u kojima inzistiramo \nna našim različitostima kao preprekama međusobnog uvažavanja. Projekt u svojem finalu nudi \nkolo svih tih protagonista, ali sada s namjerom da u gotovo fikcijskom kontekstu ponudi prostor, \nkoji u stvarnosti ne postoji. Prostor u kojem bi se ti različiti protagonisti sreli.  \n \n5. Ljubavna priča - Ivona Juka (redateljica i scenaristica) / Anita Juka (producentica) / Četiri film \nd.o.o. (produkcija) – iznos potpore: 60.000,00 eur  \n \nU smislu LGBTIQA+ tema vidjeli smo već priče o majčinstvu, ili pak očinstvu istospolnih parova. Ili \npak o njihovoj borbi za to pravo. Ono što u ovom projektu jest neobično, upravo je činjenica da on \nnema tu vrstu konfliktnog konteksta, koju kamera tijekom određenog vremena prati. Već nam \nnjegova autorica Ivona Juka donosi jednu obiteljsku priču, skladnu, lijepu, punu ljubavi, \nmeđusobne nježnosti para, njihovo roditeljstvo ispunjeno prekrasnim odnosom prema njihovo \ndvoje djece. Dakle posve jednostavna, nekonfliktna obiteljska priča o ljepoti svakodnevice te/jedne \nobitelji. S jednim izuzetkom - radi se o paru dviju žena, dakle dviju majki Camile i Stine, roditelja \ndvoje djece – sina June i kći Charlie. I tu film postaje neobičan, drugačiji od onih slične tematike. \nAutorica u njemu ovu obitelj tretira kao nešto što nije posebno, kao nešto što nije „drugačije“, time \nproblematično na bilo koji način. Daje nam uvid, a time i prostor da se zamislimo, kako izgleda \nsvakodnevica istospolne obitelji u ozračju, okruženju koje ih tretira kao posve običnu obitelj. Poput \nmnogih drugih, dakle i heteroseksualnih. I time ovaj projekt postaje vrlo neobičan. Događa se u \nNorveškoj, s ljetnim refleksijama u Hrvatskoj.  \n  \n6. Olimbi – Majka Hrabrost - Karlo Mlinar (redatelj i scenarist) / Filip Filković  (producent) / More-\nMagnets d.o.o. (produkcija) – iznos potpore: 50.000,00 eur  \n \nPrateći rad autora Karla Mlinara, debitanta u ovom projektu, vidi se posvećenost temi koju nudi. \nFasciniranost glavnom junakinjom Olimbi Hoxhaj, Albankom oboljeloj od HIV-a kojeg joj je prenio \nsuprug, a potom i svojoj djeci ne znajući da ga ima, vidljiva je iz svakog retka njegova napisanog \nprojekta. Iscrpan je istraživački trud uložen u ovaj projekt. Motivacijski je jasno zašto je autoru, koji \nkako i sam kaže voli junačke priče. Priča o jednoj ženi, koja je u Albaniji ustala protiv stigme nje \nsame i njene obitelji, zbog bolesti koja je greškom albanskog zdravstvenog društva gotovo uništila \nnjenu obitelj, i njena borba da se takvo što ne dogodi nikome nakon nje - doista jest jedna od tih \njunačkih priča. Suočena s osudom okoline, koja njoj i njenoj djeci onemogućuje bilo kakav vid \ndruštvenog života nakon dijagnoze koja nosi prezir, Olimbi nema izbora osim da se bori.  \n  \n7. Ukrajinska ljepota – Dario Juričan (redatelj i scenarist) / Žana Jukić (producentica) / Hrvatski \ncentar za istraživačko novinarstvo i slobodu medija (produkcija) – iznos potpore: 60.000,00 eur  \n \nAutor Dario Juričan donosi nam u finalnoj fazi svog projekta dodatno strukturiran projekt, učvršćen \nna temeljima koje gradi vrlo oprezno, ali istovremeno i s jasnim dramaturškim okvirom potrebnim \nza film koji predlaže. Pričajući priču o ratu u Ukrajini na vrlo neobičan, ali u potpunosti osmišljen \n\n\f\nnačin. I time ovoj temi daje dodatni fokus, u već velikom broju filmova na tu temu. Kako rat utječe \nna svakodnevni život, kroz prizme života o kojoj ne razmišljate na prvi mah – kozmetičkih salona, \ntetovaža i frizerskih usluga? Svojevrsni kontrapunkt ljepote naspram užasa rata. S komparacijom \nhrvatskih i ukrajinskih priča, i pokušajem fokusa na postratne nedaće, o kojima je u ovom trenutku \nfaze rata u Ukrajini vrlo teško uopće razmišljati. Ipak dolazeći iz Hrvatske, autor ima priliku ponuditi \noptiku postratnog društva s obzirom na iskustvo u našem društvu. I ta proturječja koja su vidljiva \nu njegovu scenariju, ono je što intrigira.  \n \n \n \n \n \n \n  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"OBRAZLOZENJE_DOK_RPR2018_2rok_12VII_2018_WEB.pdf","filename_decoded":"OBRAZLOZENJE_DOK_RPR2018_2rok_12VII_2018_WEB.pdf","sha256":"43bf2c61be3163f316cdd2816a721d5a6825a46e9c6661efa31832797c27b3f6","bytes":231225,"page_count":1,"extracted_at":"2026-05-17T12:02:06Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/OBRAZLOZENJE_DOK_RPR2018_2rok_12VII_2018_WEB.pdf"},"raw_text":"1 \n \nJAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 2. ROK, 2018. \nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA:  Katarina Zrinka Matijević \nPODKATEGORIJA:               POTICANJE RAZVOJA PROJEKATA – 12. 07. 2018.             \n_______________________________________________________________________________________________                 \n \nNa 2. rok pristigla su 3 projekta. Predlažem jedan projekt:   \nNaslov projekta: Valter u Sibiru \nProducent: Wolfgang & Dolly, Tamara Babun \nRedatelj: Marko Stričević \nScenaristica: Marko Stričević \nVrsta/ žanr/ trajanje: povijesno biografski dokumentarni film \nUkupan budžet razvoja projekta:  199,836,00 kn \nTražena sredstva: 170.000,00 kn \nPredložena sredstva: 150.000,00 kn \n \nSinopsis projekta:  \nTragovima anonimnog austrougarskog ratnog zarobljenika krećemo na putovanje po Rusiji u vrijeme Velike ruske \nrevolucije i Građanskog rata. Priču kazuju potomci ljudi s kojima je dolazio u kontakt, ljudi koji danas žive i rade na \nmjestima na kojima je boravio, te specijalizirani povjesničari. S vremenom se razvija i priča o jednoj zemlji i povijesnoj \nepohi koja je odredila kako zarobljenika, tako i svijet u 20. stoljeću. Zarobljenik je podrijetlom seljak iz Zagorja, a ime \nmu je Josip Broz.  \n \nRecenzija projekta: \n \nAutor nam donosi ideju za hibridni dokumentarni film (kombinacija animacije, arhive, istraživačke intervju \nmetode, te poetičnog dokumentarizma) kojim kroz dubinsko istraživanje rasvjetljava život ličnosti koja će od \nanonimusa postati vođa jedne države. Autor se ne libi propitivati kako hrabru tako i onu drugu stranu osobe koja se \ntrudi sačuvati glavu na ramenima pod svaku cijenu čime kroz scenarij dobivamo objektivnu sliku jedne osobe, ali i \njedne povijesne epohe.   \nIznimno profesionalno pripremljen projekt koji će svoje mjesto naći na  dokumentarnim festivalima koji \nnjeguju povijesne i biografske kreativne filmove. Veliki interes mogle bi imati i televizijske kuće, kako s ovih prostora, \ntako i specijalizirani međunarodni povijesni TV kanali.  Josip Broz još uvijek pobuđuje veliki interes širom svijeta, a \nfilm koji rasvjetljava njegov život za vrijeme boravka u Rusiji te koji objektivno propituje ulogu jednog tada \nanonimnog komunista koji se nije libio prokazivati prijatelje kako bi sam ostao živ mogla bi u današnje vrijeme biti \nprava filmska poslastica.   \nAutor je priložio veliki broj dokaza o kretanju zarobljenika, a kasnije najamnog  radnika pustošima Sibira. Iz \nscenarija je vidljivo da je autor imao priliku obići veliki broj lokacija snimanja te razgovarati s gotovo svim sudionicima \nfilma. Autorovo poznavanje teme, entuzijazam i motivacija su „zarazni“ –piše producentica filma u svojoj motivaciji \nza ovaj projekt.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2018,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web dokumentarni proizvodnja.pdf","filename_decoded":"web dokumentarni proizvodnja.pdf","sha256":"43df543a219e9070f7d44bce55c2cf332e0326a177af7251bcfa8b4deaa46ffd","bytes":62534,"page_count":5,"extracted_at":"2026-05-17T12:01:48Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20dokumentarni%20proizvodnja.pdf"},"raw_text":"JAVNI\t\r  POZIV\t\r  ZA\t\r  POTICANJE\t\r  AUDIOVIZUALNIH\t\r  DJELATNOSTI\t\r  I\t\r  STVARALAŠTVA\t\r  1.\t\r  ROK,\t\r  2020.\t\r  \nDOKUMENTARNI\t\r  FILM,\t\r  UMJETNIČKA\t\r  SAVJETNICA:\t\r  Morana\t\r  Ikić\t\r  Komljenović\t\r  \nKATEGORIJA:\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  POTICANJE\t\r  PROIZVODNJE\t\r  DUGOMETRAŽNIH\t\r  I\t\r  KRATKOMETRAŽNIH\t\r  \nDOKUMENTARNIH\t\r  FILMOVA\t\r  –\t\r  \t\r  rok\t\r  7.\t\r  travnja\t\r  2020.\t\r  \n\t\r  \nNa\t\r  javni\t\r  poziv\t\r  u\t\r  1.\t\r  roku\t\r  u\t\r  kategoriji\t\r  proizvodnje,\t\r  razvoja\t\r  scenarija\t\r  i\t\r  razvoja\t\r  projekata\t\r  prijavljeno\t\r  je\t\r  \nsveukupno\t\r  85\t\r  projekata.\t\r  Jedan\t\r  je\t\r  projekt\t\r  diskvalificiran\t\r  pri\t\r  samoj\t\r  prijavi,\t\r  a\t\r  dva\t\r  naknadnim\t\r  uvidom\t\r  u\t\r  \ndokumentaciju.\t\r   Ukupno\t\r   je\t\r   razmatrano\t\r   82\t\r   projekta.\t\r   Dva\t\r   su\t\r   projekta\t\r   povukla\t\r   svoju\t\r   prijavu\t\r   tijekom\t\r  \nevaluacije.\t\r  \nU\t\r  kategoriji\t\r  razvoja\t\r  scenarija\t\r  pristiglo\t\r  je\t\r  29\t\r  projekata,\t\r  a\t\r  u\t\r  kategoriji\t\r  razvoja\t\r  projekta\t\r  16\t\r  projekata.\t\r  U\t\r  \nkategoriji\t\r   poticanja\t\r   proizvodnje\t\r   kratkometražnih\t\r   filmova\t\r   pristiglo\t\r   je\t\r   20,\t\r   a\t\r   u\t\r   kategoriji\t\r   proizvodnje\t\r  \ndugometražnih\t\r  filmova\t\r  isto\t\r  20\t\r  prijava.\t\r  Prijave\t\r  su\t\r  stigle\t\r  od\t\r  44\t\r  produkcijske\t\r  kuće.\t\r  \nProjekti\t\r  pristigli\t\r  na\t\r  ovaj\t\r  poziv\t\r  većinom\t\r  su\t\r  usmjereni\t\r  na\t\r  prikaz\t\r  povijesnih\t\r  zbivanja\t\r  (kroz\t\r  osobne\t\r  priče,\t\r  \nanalize,\t\r  ali\t\r  i\t\r  portrete).\t\r  Portreti\t\r  osoba\t\r  i\t\r  povijesni\t\r  prikazi\t\r  sportskih,\t\r  kulturnih\t\r  i\t\r  društvenih\t\r  grupa,\t\r  čini\t\r  mi\t\r  \nse,\t\r   zaokupljaju\t\r   pažnju\t\r   autora.\t\r   Biografski\t\r   filmovi\t\r   značajno\t\r   se\t\r   međusobno\t\r   razlikuju.\t\r   \t\r   Prevladavaju,\t\r  \nnažalost,\t\r  televizijski\t\r  portreti,\t\r  ali\t\r  prijavljeno\t\r  je\t\r  i\t\r  nekoliko\t\r  kreativnih\t\r  i\t\r  inovativnih\t\r  projekata.\t\r  Ne\t\r  mislim\t\r  \nda\t\r   su\t\r   koncepti\t\r   koji\t\r   se\t\r   oslanjaju\t\r   na\t\r   klasičnu\t\r   televizijsku\t\r   formu\t\r   manje\t\r   vrijedni,\t\r   ali\t\r   ih\t\r   suha\t\r   zanatska\t\r  \nkorektnost\t\r  i\t\r  nedostatak\t\r  autorskog\t\r  potpisa\t\r  udaljuju\t\r  od\t\r  fokusa\t\r  javnih\t\r  poziva\t\r  Hrvatskog\t\r  audiovizualnog\t\r  \ncentra,\t\r  a\t\r  to\t\r  je\t\r  potpora\t\r  umjetničkim\t\r  i\t\r  autorskim\t\r  filmovima.\t\r  Sve\t\r  ostalo\t\r  spada\t\r  u\t\r  kreativno\t\r  područje\t\r  koje\t\r  \nbi\t\r  trebala\t\r  podržati\t\r  javna\t\r  televizija.\t\r  \nU\t\r  kategoriji\t\r  razvoja\t\r  scenarija\t\r  tek\t\r  se\t\r  par\t\r  projekata\t\r  bavi\t\r  aktualnim\t\r  društvenim\t\r  temama.\t\r  Začuđujuće,\t\r  tek\t\r  \n1\t\r  aktualnom\t\r  epidemijom\t\r  COVID-­‐19\t\r  i\t\r  1\t\r  zagrebačkim\t\r  potresom.\t\r  Većina\t\r  pristiglih\t\r  projekata,\t\r  opet,\t\r  donosi\t\r  \nportrete\t\r  i\t\r  povijesne\t\r  prikaze\t\r  osoba\t\r  i\t\r  grupa\t\r  te\t\r  neke\t\r  značajne\t\r  povijesne\t\r  događaje.\t\r  Dosta\t\r  se\t\r  projekata\t\r  \nbavi\t\r  temom\t\r  roditeljstva,\t\r  obrazovanja\t\r  i\t\r  odgoja.\t\r  \t\r  \nU\t\r   kategoriji\t\r   razvoja\t\r   projekata\t\r   pristiglo\t\r   je\t\r   nekoliko\t\r   iznimno\t\r   kvalitetno\t\r   pripremljenih\t\r   koji\t\r   obrađuju\t\r  \naktualni\t\r   društveni\t\r   trenutak\t\r   u\t\r   Hrvatskoj\t\r   i\t\r   svijetu\t\r   te\t\r   zastupaju\t\r   važne,\t\r   podzastupljene,\t\r   društveno-­‐\naktualne\t\r  i\t\r  socijalne\t\r  teme,\t\r  a\t\r  sve\t\r  kroz\t\r  jasan\t\r  autorski\t\r  koncept.\t\r  Ti\t\r  su\t\r  projekti\t\r  duboko\t\r  promišljeni\t\r  i\t\r  već\t\r  sad\t\r  \nje\t\r  vidljiv\t\r  njihov\t\r  potencijal\t\r  za\t\r  uspješnu\t\r  nacionalnu,\t\r  ali\t\r  i\t\r  međunarodnu\t\r  distribuciju.\t\r  \t\r  \nU\t\r  kategoriji\t\r  poticanja\t\r  proizvodnje\t\r  dugometražnih\t\r  i\t\r  kratkometražnih\t\r  filmova\t\r  pristiglo\t\r  je\t\r  desetak\t\r  prijava\t\r  \nautora\t\r  i\t\r  autorica\t\r  koji\t\r  su\t\r  debitanti\t\r  u\t\r  kategoriji.\t\r  Nekima\t\r  od\t\r  njih\t\r  to\t\r  je\t\r  prvi\t\r  film\t\r  uopće.\t\r  Bez\t\r  obzira\t\r  na\t\r  manjak\t\r  \niskustva,\t\r  mogu\t\r  istaknuti,\t\r  većina\t\r  je\t\r  tih\t\r  projekata\t\r  svježa\t\r  i\t\r  promišljena\t\r  te\t\r  u\t\r  sebi\t\r  nosi\t\r  snažnu\t\r  autorsku\t\r  \nviziju.\t\r  Redateljske\t\r  koncepcije\t\r  su\t\r  razigrane,\t\r  a\t\r  dramaturgije\t\r  dobro\t\r  strukturirane\t\r  te\t\r  možemo\t\r  očekivati\t\r  \nkvalitetne\t\r  filmske\t\r  naslove.\t\r  Neki\t\r  od\t\r  pristiglih\t\r  filmova\t\r  u\t\r  ovoj\t\r  kategoriji\t\r  iznimno\t\r  kreativno\t\r  i\t\r  sinergijski\t\r  \nkoriste\t\r  igrano-­‐dokumentarne\t\r  elemente\t\r  u\t\r  alternaciji\t\r  s\t\r  animacijama,\t\r  kreativno\t\r  postavljaju\t\r  arhiv\t\r  kao\t\r  \nvažan\t\r   element\t\r   u\t\r   pričanju\t\r   filmske\t\r   priče\t\r   te\t\r   dodatno\t\r   obogaćuju\t\r   dojam\t\r   umjetničke\t\r   kompleksnosti\t\r   i\t\r  \nodvažnosti\t\r  u\t\r  obradi\t\r  teme.\t\r  \t\r  \nPozitivnim\t\r  ocjenjujem\t\r  trend\t\r  postupne\t\r  izgradnje\t\r  zdrave\t\r  strukture\t\r  za\t\r  proizvodnju\t\r  filma.\t\r  Pa\t\r  je\t\r  tako,\t\r  od\t\r  \nsvih\t\r  prijavljenih\t\r  projekata\t\r  za\t\r  poticanje\t\r  proizvodnje,\t\r  značajan\t\r  broj\t\r  ranije\t\r  ostvario\t\r  potpore\t\r  za\t\r  razvoj\t\r  \nprojekta\t\r  i/ili\t\r  scenarija.\t\r  Smatram\t\r  da\t\r  je\t\r  izuzetno\t\r  važno\t\r  ulagati\t\r  u\t\r  razvojne\t\r  faze\t\r  projekata,\t\r  promišljati\t\r  \n\n\f\nkreativne\t\r   aspekte\t\r   filma,\t\r   analizirati\t\r   produkcijsko\t\r   i\t\r   distributivno\t\r   okruženje,\t\r   ispitivati\t\r   i\t\r   modificirati\t\r  \nstrategije\t\r  te\t\r  ne\t\r  brzati\t\r  u\t\r  produkciju.\t\r  \t\r  \nODABRANI\t\r  PROJEKTI:\t\r  \nPROIZVODNJA\t\r  KRATKOMETRAŽNOG\t\r  DOKUMENTARNOG\t\r  FILMA:\t\r  \n1.\t\r  BITI\t\r  U\t\r  RODU\t\r  S\t\r  JOHNOM\t\r  MALKOVICHEM,\t\r  redatelj\t\r  i\t\r  scenarist:\t\r  Luka\t\r  Mavretić,\t\r  producentica:\t\r  Anita\t\r  \nJuka,\t\r  produkcija:\t\r  Četiri\t\r  film\t\r  d.o.o.\t\r  \nOva\t\r  gorko-­‐slatka\t\r  humoristična\t\r  drama\t\r  ima\t\r  elemente\t\r  filma\t\r  ceste\t\r  (potraga\t\r  za\t\r  rodbinskom\t\r  vezom\t\r  sa\t\r  \npoznatim\t\r  holivudskim\t\r  glumcem\t\r  Johnom\t\r  Malkovichem).\t\r  Priča\t\r  koju\t\r  projekt\t\r  predlaže\t\r  jest\t\r  zanimljiva\t\r  i\t\r  \ntopla,\t\r  onakva\t\r  kakva\t\r  ima\t\r  potencijala\t\r  za\t\r  emotivnu\t\r  mobilizaciju\t\r  publike.\t\r  Priča\t\r  u\t\r  sebi\t\r  nosi\t\r  motivaciju\t\r  s\t\r  \nkojom\t\r  se\t\r  može\t\r  poistovjetiti\t\r  velik\t\r  broj\t\r  gledatelja/ica;\t\r  sa\t\r  željom\t\r  za\t\r  pripadanjem\t\r  i\t\r  povezivanjem\t\r  (baš\t\r  kao\t\r  \ni\t\r  što\t\r  se\t\r  autor\t\r  ima\t\r  potrebu\t\r  povezati\t\r  s\t\r  očevom\t\r  stranom\t\r  obitelji).\t\r  Redateljski\t\r  pristup\t\r  temi\t\r  je\t\r  ležeran\t\r  i\t\r  \nkreativan,\t\r  ali\t\r  opet\t\r  posjeduje\t\r  emociju\t\r  koja\t\r  nije\t\r  jednostavna\t\r  ni\t\r  laka.\t\r  \n2.\t\r  KRIVI\t\r  KOTARI,\t\r  redateljica\t\r  i\t\r  scenaristica:\t\r  Melita\t\r  Vrsaljko,\t\r  producentice:\t\r  Tena\t\r  Gojić\t\r  i\t\r  Tena\t\r  Trstenjak,\t\r  \nprodukcija:\t\r  Dinaridi\t\r  film\t\r  d.o.o.\t\r  \nPredloženi\t\r  projekt\t\r  punokrvni\t\r  je\t\r  autorski\t\r  poetski\t\r  dokumentarac.\t\r  Priča\t\r  je\t\r  to\t\r  o\t\r  svakodnevici\t\r  željezničkog\t\r  \nprometnika\t\r  koji\t\r  u\t\r  Benkovcu\t\r  radi\t\r  u\t\r  postaji\t\r  kroz\t\r  koju\t\r  više\t\r  ne\t\r  prometuju\t\r  putnički\t\r  vlakovi.\t\r  Bez\t\r  obzira\t\r  na\t\r  \nto,\t\r  prometnik\t\r  svoje\t\r  besposlene\t\r  dane\t\r  provodi\t\r  tako\t\r  da\t\r  održava\t\r  stanicu\t\r  i\t\r  provjerava\t\r  skretnice,\t\r  unatoč\t\r  \ntomu\t\r  što\t\r  mjesecima\t\r  tamo\t\r  ne\t\r  prođe\t\r  niti\t\r  jedan\t\r  vlak.\t\r  Ponekad,\t\r  prođe\t\r  teretni\t\r  vlak,\t\r  ali\t\r  on\t\r  se\t\r  ne\t\r  zaustavlja.\t\r  \nBizarnost\t\r  ove\t\r  priče\t\r  strašno\t\r  je\t\r  zanimljiva\t\r  i\t\r  na\t\r  neki\t\r  način\t\r  ona\t\r  predstavlja\t\r  metaforu\t\r  izgubljenih\t\r  šansi.\t\r  \nGlavni\t\r  protagonist\t\r  je\t\r  vrlo\t\r  filmičan,\t\r  a\t\r  njegov\t\r  lik\t\r  nosi\t\r  u\t\r  sebi\t\r  univerzalnost\t\r  zarobljenosti\t\r  u\t\r  situaciji\t\r  s\t\r  kojom\t\r  \nse\t\r  (vjerujem)\t\r  publika\t\r  može\t\r  lako\t\r  povezati.\t\r  \n3.\t\r   TOBOGAN,\t\r   scenarist,\t\r   redatelj\t\r   i\t\r   producent:\t\r   Nebojša\t\r   Slijepčević,\t\r   produkcija:\t\r   Umjetnička\t\r  \norganizacija\t\r  Paradoks\t\r  \nOvaj\t\r  petnaestominutni\t\r  dokumentarni\t\r  eksperiment\t\r  autentični\t\r  je\t\r  arthouse\t\r  film.\t\r  Kroz\t\r  višedimenzionalni\t\r  \nstorytelling\t\r   autor\t\r   interpretira\t\r   stvarnost\t\r   –\t\r   dekonstruira\t\r   ju\t\r   i\t\r   ponovo\t\r   konstruira.\t\r   Tu\t\r   se\t\r   dramaturgija\t\r  \nodvija\t\r  na\t\r  više\t\r  kanala\t\r  –\t\r  kroz\t\r  dokumentarne\t\r  situacije\t\r  i\t\r  animacije\t\r  koje\t\r  toj\t\r  dokumentarnoj\t\r  situaciji\t\r  pridaju\t\r  \nnovo,\t\r  neočekivano\t\r  značenje.\t\r  Predloženi\t\r  projekt\t\r  prati\t\r  društveno-­‐aktivističke\t\r  procese\t\r  koji\t\r  se\t\r  javljaju\t\r  oko\t\r  \nprijepora\t\r  vezanih\t\r  uz\t\r  kvartovski\t\r  park\t\r  pa\t\r  sama\t\r  tema\t\r  koja\t\r  je\t\r  u\t\r  pozadini\t\r  ove\t\r  iznimno\t\r  kreativne\t\r  obrade,\t\r  \nustvari,\t\r  odiše\t\r  suvremenošću\t\r  i\t\r  u\t\r  sebi\t\r  nosi\t\r  niz\t\r  bitnih\t\r  pod-­‐tema\t\r  (građanski\t\r  aktivizam,\t\r  građanski\t\r  neposluh,\t\r  \nsukob\t\r  ideologija\t\r  i\t\r  sl.).\t\r  \t\r  \n4.\t\r   BOSANSKI\t\r   BRODVEJ,\t\r   redateljica\t\r   i\t\r   scenaristica:\t\r   Jasmina\t\r   Beširević,\t\r   producent:\t\r   Tibor\t\r   Keser,\t\r  \nprodukcija:\t\r  Restart\t\r  \nProjekt\t\r  je\t\r  u\t\r  fazi\t\r  postprodukcije.\t\r  Glavna\t\r  priča\t\r  oslanja\t\r  se\t\r  na\t\r  tri\t\r  glavna\t\r  lika\t\r  (studenti\t\r  triju\t\r  akademija\t\r  \ndramskih\t\r  umjetnosti\t\r  u\t\r  Sarajevu,\t\r  Banja\t\r  Luci\t\r  i\t\r  Tuzli)\t\r  koje\t\r  autorica\t\r  prati\t\r  u\t\r  razdoblju\t\r  od\t\r  2\t\r  godine,\t\r  a\t\r  smješta\t\r  \nih\t\r  u\t\r  kontekst\t\r  nastanka\t\r  mjuzikla\t\r  koji\t\r  producira\t\r  američka\t\r  produkcija.\t\r  Sukob\t\r  realnosti\t\r  i\t\r  nadanja,\t\r  glavni\t\r  je\t\r  \ndramaturški\t\r  trenutak\t\r  oko\t\r  kojeg\t\r  se\t\r  prelama\t\r  filmska\t\r  radnja.\t\r  Dramaturgija\t\r  filma,\t\r  suptilna\t\r  atmosfera\t\r  koja\t\r  \ndrži\t\r  pažnju\t\r  te\t\r  izvrstan\t\r  rad\t\r  s\t\r  protagonistima,\t\r  govore\t\r  o\t\r  zrelosti\t\r  redateljice\t\r  i\t\r  njenoj\t\r  predanosti\t\r  projektu.\t\r  \nZa\t\r  svaku\t\r  je\t\r  pohvalu\t\r  ovakav\t\r  ozbiljan\t\r  rad,\t\r  a\t\r  posebno\t\r  rad\t\r  debitantice\t\r  koja\t\r  je\t\r  ovaj\t\r  projekt\t\r  započela\t\r  u\t\r  \nsklopu\t\r  \t\r  edukativne\t\r  radionice\t\r  Restarta.\t\r  \n\n\f\nPROIZVODNJA\t\r  DUGOMETRAŽNOG\t\r  DOKUMENTARNOG\t\r  FILMA:\t\r  \n1.\t\r  NUOVO\t\r  CINEMA\t\r  BUIE,\t\r  redatelj\t\r  i\t\r  scenarist:\t\r  Alessio\t\r  Bozzer,\t\r  producent:\t\r  Danijel\t\r  Pek,\t\r  produkcija:\t\r  \nAntitalent\t\r  d.o.o.\t\r  \nRadnja\t\r  predloženog\t\r  projekta\t\r  smještena\t\r  je\t\r  u\t\r  malom\t\r  istarskom\t\r  gradiću\t\r  Buje\t\r  koje\t\r  je\t\r  1950.\t\r  godine\t\r  bilo\t\r  \npod\t\r  vojnom\t\r  upravom\t\r  jugoslavenske\t\r  vojske\t\r  i\t\r  tijekom\t\r  koje\t\r  se\t\r  odvijao\t\r  egzodus\t\r  talijanskog\t\r  stanovništva.\t\r  \nIste\t\r  je\t\r  godine,\t\r  u\t\r  Bujama\t\r  izgrađeno\t\r  prvo\t\r  kino.\t\r  Ono\t\r  je,\t\r  začudno,\t\r  postalo\t\r  katalizator\t\r  društvene\t\r  kohezije\t\r  \nmjesta.\t\r   Osim\t\r   po\t\r   svojoj\t\r   temi\t\r   (magija\t\r   malog\t\r   lokalnog\t\r   istarskog\t\r   kina\t\r   koje\t\r   facilitira\t\r   teške\t\r   povijesno-­‐\ndruštvene\t\r  trenutke\t\r  i\t\r  suživot\t\r  dvaju\t\r  zajednica\t\r  na\t\r  malom\t\r  prostoru\t\r  i\t\r  na\t\r  samoj\t\r  granici\t\r  između\t\r  dva\t\r  politička\t\r  \nsustava),\t\r  ovaj\t\r  je\t\r  projekt\t\r  i\t\r  prema\t\r  svojim\t\r  kreativnim\t\r  obilježjima,\t\r  iznimno\t\r  filmski\t\r  projekt.\t\r  Bez\t\r  obzira\t\r  na\t\r  \nto\t\r   što\t\r   predloženi\t\r   projekt\t\r   obrađuje\t\r   i\t\r   obuhvaća\t\r   nekoliko\t\r   veoma\t\r   intenzivnih\t\r   povijesnih\t\r   trenutaka,\t\r  \nposebno\t\r  za\t\r  istarsko\t\r  stanovništvo\t\r  talijanskog\t\r  porijekla,\t\r  autor\t\r  im\t\r  pristupa\t\r  s\t\r  pomirljivošću\t\r  i\t\r  fokusom\t\r  na\t\r  \nuniverzalne\t\r  ljudske\t\r  vrijednosti\t\r  (zajednica,\t\r  ljubav\t\r  prema\t\r  kraju,\t\r  strast\t\r  prema\t\r  filmu\t\r  koja\t\r  zbližava,\t\r  život\t\r  u\t\r  \nrazličitosti)\t\r  te\t\r  iskazuje\t\r  mjeru\t\r  u\t\r  obradi\t\r  politički\t\r  osjetljivih\t\r  pitanja\t\r  unutar\t\r  teme\t\r  koju\t\r  obrađuje.\t\r  Predloženi\t\r  \nprojekt\t\r  eliminira\t\r  ideološke\t\r  granice\t\r  između\t\r  dvije\t\r  zajednice\t\r  (Hrvata\t\r  i\t\r  Talijana),\t\r  socijalne\t\r  razlike\t\r  i\t\r  razloge\t\r  \nza\t\r  netoleranciju.\t\r  On\t\r  ih\t\r  postavlja\t\r  u\t\r  kontekst\t\r  kino\t\r  dvorane\t\r  i\t\r  sjedinjuje\t\r  u\t\r  ljubavi\t\r  prema\t\r  magiji\t\r  –\t\r  filmu.\t\r  \n2.\t\r  UNDERGROUND\t\r  TOP\t\r  LISTA,\t\r  scenaristica\t\r  i\t\r  redateljica:\t\r  Lidija\t\r  Špegar,\t\r  producent:\t\r  Nenad\t\r  Puhovski,\t\r  \nprodukcija:\t\r  Factum\t\r  \nAutorica\t\r  prati\t\r  raznolikost\t\r  sprovoda,\t\r  različite\t\r  glazbenike\t\r  i\t\r  ožalošćene\t\r  diljem\t\r  Hrvatske,\t\r  a\t\r  glavni\t\r  joj\t\r  je\t\r  \nfokus\t\r   na\t\r   glazbi\t\r   i\t\r   njenoj\t\r   funkciji\t\r   tijekom\t\r   «posljednjeg\t\r   pozdrava».\t\r   Smatram\t\r   da\t\r   je\t\r   predložena\t\r   tema\t\r  \nzanimljiva\t\r   u\t\r   kontekstu\t\r   epidemije\t\r   COVID-­‐19\t\r   gdje\t\r   prevladava\t\r   promišljanje\t\r   o\t\r   krhkosti\t\r   života,\t\r   smrti\t\r   i\t\r  \nprolaznosti.\t\r  Ovim\t\r  teškim\t\r  temama,\t\r  predloženi\t\r  projekt\t\r  dodaje\t\r  duhovitost\t\r  i\t\r  iskreno\t\r  im\t\r  se\t\r  obraća\t\r  kroz\t\r  \nmedij\t\r  glazbe.\t\r  Sigurna\t\r  sam\t\r  da\t\r  će\t\r  novonastale\t\r  okolnosti\t\r  i\t\r  ograničenja\t\r  zbog\t\r  epidemije,\t\r  stvoriti\t\r  i\t\r  dodatne\t\r  \n(bizarne)\t\r  situacije\t\r  koje\t\r  će\t\r  filmu\t\r  dati\t\r  i\t\r  novu\t\r  dimenziju.\t\r  Svjež\t\r  i\t\r  kreativan\t\r  pristup\t\r  koji\t\r  je\t\r  već\t\r  sad\t\r  jasno\t\r  \nizražen\t\r  u\t\r  pripremljenom\t\r  materijalu,\t\r  nagovještava\t\r  jak\t\r  umjetnički\t\r  film.\t\r  \t\r  \n3.\t\r  SUROGAT\t\r  ZA\t\r  VUDA,\t\r  redatelj\t\r  i\t\r  scenarist:\t\r  Senad\t\r  Šahmanović,\t\r  producent:\t\r  Jure\t\r  Pavlović,\t\r  produkcija:\t\r  \nSekvenca\t\r  d.o.o.\t\r  \nPredloženi\t\r  projekt,\t\r  kojeg\t\r  su\t\r  predlagatelji\t\r  okarakterizirali\t\r  kao\t\r  «poetičan\t\r  kreativni\t\r  dokumentarni\t\r  film»,\t\r  \npripremljen\t\r  je\t\r  na\t\r  zavidnoj\t\r  umjetničkoj\t\r  i\t\r  produkcijskoj\t\r  razini,\t\r  a\t\r  u\t\r  fokusu\t\r  ima\t\r  umjetničko\t\r  stvaralaštvo\t\r  i\t\r  \nostavštinu\t\r   jedinog\t\r   hrvatskog\t\r   oskarovca\t\r   Dušana\t\r   Vukotića,\t\r   autora\t\r   koji\t\r   je\t\r   svojim\t\r   umjetničkim\t\r  \ndoprinosom\t\r  i\t\r  tehničkim\t\r  inovacijama\t\r  obogatio\t\r  nacionalnu\t\r  kinematografiju\t\r  do\t\r  neslućenih\t\r  razmjera\t\r  te\t\r  \nkoji\t\r  je\t\r  utjecao\t\r  na\t\r  formiranje\t\r  mnogih\t\r  umjetnika\t\r  u\t\r  nas\t\r  i\t\r  u\t\r  svijetu.\t\r  Posebno\t\r  je\t\r  važno\t\r  otvoreno\t\r  obraditi\t\r  i\t\r  \ndruštveno-­‐politički\t\r  kontekst\t\r  u\t\r  kojemu\t\r  se\t\r  njegovo\t\r  djelovanje\t\r  događalo.\t\r  Smatram\t\r  da\t\r  je\t\r  takav\t\r  uvid\t\r  u\t\r  ovu\t\r  \nikonu\t\r  hrvatske\t\r  animacije\t\r  dio\t\r  suvremenosti\t\r  ovog\t\r  projekta\t\r  jer\t\r  on\t\r  obrađuje\t\r  temu\t\r  slobodnog\t\r  umjetničkog\t\r  \nstvaranja\t\r  u\t\r  okolnostima\t\r  izazovnih\t\r  političkih\t\r  previranja.\t\r  \n4.\t\r  BILI\t\r  SMO\t\r  U\t\r  ONB-­‐u,\t\r  scenarist:\t\r  Nikša\t\r  Kušelj,\t\r  redatelj\t\r  i\t\r  producent:\t\r  Branko\t\r  Ištvančić,\t\r  produkcija:\t\r  \nUdruga\t\r  za\t\r  audiovizualno\t\r  stvaralaštvo\t\r  Artizana\t\r  \nPredloženi\t\r  povijesno-­‐biografski\t\r  film\t\r  ratne\t\r  tematike,\t\r  smješten\t\r  je\t\r  u\t\r  Dubrovniku\t\r  i\t\r  tematizira\t\r  zanimljiv\t\r  i\t\r  \nmalo\t\r  poznat\t\r  fenomen\t\r  Odreda\t\r  naoružanih\t\r  brodova,\t\r  ali\t\r  kroz\t\r  intimistički\t\r  prikaz\t\r  scenarista\t\r  Nikše\t\r  Kušelja\t\r  \nkoji\t\r  je\t\r  i\t\r  sam\t\r  bio\t\r  pripadnik\t\r  tog\t\r  odreda.\t\r  Osim\t\r  povijesnog\t\r  kurioziteta,\t\r  priča\t\r  o\t\r  ONB-­‐u\t\r  predstavlja\t\r  iznimno\t\r  \nzahvalnu\t\r  kulisu\t\r  za\t\r  univerzalnu\t\r  priču\t\r  o\t\r  prekinutoj\t\r  mladosti\t\r  i\t\r  potrazi\t\r  za\t\r  smislom\t\r  u\t\r  ljubavi\t\r  i\t\r  roditeljstvu.\t\r  \n\n\f\nSmatram\t\r  ovaj\t\r  projekt\t\r  relevantnim\t\r  jer\t\r  na\t\r  iskren\t\r  i\t\r  intiman\t\r  način\t\r  progovara\t\r  o\t\r  Domovinskom\t\r  ratu,\t\r  stvaran\t\r  \nje\t\r  «iznutra»,\t\r  od\t\r  sudionika\t\r  ratnih\t\r  zbivanja,\t\r  a\t\r  lišen\t\r  svake\t\r  ideologije\t\r  i\t\r  podjela.\t\r  Držim\t\r  da\t\r  je\t\r  iznimno\t\r  važno\t\r  \nda\t\r  se\t\r  kroz\t\r  umjetničke\t\r  filmske\t\r  projekte\t\r  otvoreno\t\r  progovara\t\r  o\t\r  ratnom\t\r  nasljeđu\t\r  i\t\r  posljedicama\t\r  koje\t\r  ono\t\r  \nima\t\r  na\t\r  društvo\t\r  u\t\r  kojem\t\r  živimo.\t\r  \n5.\t\r   BORAC,\t\r   scenarist\t\r   i\t\r   redatelj:\t\r   Damir\t\r   Markovina,\t\r   producentica:\t\r   Tamara\t\r   Babun,\t\r   produkcija:\t\r  \nWolfgang&Dolly\t\r  d.o.o.\t\r  \nFilm\t\r  o\t\r  odnosu\t\r  oca\t\r  i\t\r  sina\t\r  krije\t\r  u\t\r  sebi\t\r  vrlo\t\r  živu,\t\r  suvremenu\t\r  i\t\r  bitnu\t\r  temu\t\r  sadašnjosti\t\r  naših\t\r  prostora.\t\r  U\t\r  \nprošlosti,\t\r  kao\t\r  aktivni\t\r  sudionik\t\r  političkih\t\r  procesa\t\r  u\t\r  ratnoj\t\r  skupštini\t\r  BiH,\t\r  glavni\t\r  je\t\r  protagonist\t\r  u\t\r  kritičnim\t\r  \ntrenucima\t\r  predratnog\t\r  i\t\r  ratnog\t\r  vremena\t\r  pozivao\t\r  na\t\r  mir\t\r  i\t\r  razum.\t\r  Film\t\r  suptilno\t\r  i\t\r  nježno\t\r  postavlja\t\r  gorko\t\r  \npitanje\t\r  o\t\r  tome\t\r  što\t\r  ostaje\t\r  kad\t\r  povijest\t\r  pišu\t\r  pobjednici,\t\r  a\t\r  idealisti\t\r  ostaju\t\r  u\t\r  zapećku.\t\r  Smatram\t\r  da\t\r  je\t\r  \novakav,\t\r   autorski\t\r   nenametljiv,\t\r   prikaz\t\r   naše\t\r   dijeljene\t\r   povijesti\t\r   i\t\r   iskustva\t\r   iznimno\t\r   važan\t\r   za\t\r   hrvatsku\t\r  \naudiovizualnu\t\r  umjetnost.\t\r  Ono\t\r  što\t\r  čini\t\r  ovaj\t\r  projekt\t\r  posebno\t\r  važnim\t\r  jest\t\r  i\t\r  poruka\t\r  koju\t\r  on\t\r  nosi,\t\r  a\t\r  to\t\r  je\t\r  \noda\t\r  mirotvorstvu\t\r  i\t\r  pojedinačnoj\t\r  građanskoj\t\r  hrabrosti.\t\r  \n6.\t\r  KREŠOK,\t\r  scenaristi\t\r  i\t\r  redatelji:\t\r  Marina\t\r  Musulin\t\r  i\t\r  Zoran\t\r  Krema,\t\r  producent:\t\r  Zoran\t\r  Krema,\t\r  produkcija:\t\r  \nUdruga\t\r  Okodoko\t\r  \nPredloženi\t\r  projekt\t\r  žanrovski\t\r  je\t\r  neuobičajen\t\r  –\t\r  radi\t\r  se\t\r  o\t\r  dokumentarnom\t\r  trileru\t\r  koji\t\r  je\t\r  nastao\t\r  na\t\r  bazi\t\r  \neksperimentalnog\t\r   filma,\t\r   a\t\r   prati\t\r   životni\t\r   put\t\r   i\t\r   šokantan\t\r   nestanak\t\r   riječkog\t\r   alternativnog\t\r   umjetnika\t\r  \nKrešimira\t\r  Kovačičeka.\t\r  Kreativan\t\r  pristup\t\r  očituje\t\r  se\t\r  u\t\r  kombinaciji\t\r  eksperimentalnog\t\r  filma\t\r  (koji,\t\r  smješten\t\r  \nu\t\r  kontekst\t\r  dokumentarnog,\t\r  relativizira\t\r  granicu\t\r  između\t\r  prošlosti\t\r  i\t\r  sadašnjosti),\t\r  filma\t\r  potrage\t\r  (opsežna\t\r  \narhiva\t\r  dramatičnog\t\r  traganja\t\r  i\t\r  otkrivanja\t\r  fragmenata\t\r  priče)\t\r  te\t\r  trilera\t\r  na\t\r  granici\t\r  s\t\r  filmom\t\r  strave.\t\r  Ono\t\r  \nšto\t\r  ovaj\t\r  projekt\t\r  zaista\t\r  čini\t\r  društveno\t\r  zanimljivim\t\r  jest\t\r  autentični\t\r  prikaz\t\r  alternativne\t\r  scene\t\r  Rijeke,\t\r  a\t\r  \nuopćeno\t\r  –\t\r  zagovor\t\r  onih\t\r  «drugih\t\r  i\t\r  drugačijih»\t\r  koji\t\r  koračaju\t\r  na\t\r  margini\t\r  normalnosti.\t\r  \t\r  \n7.\t\r   DJECA\t\r   MOG\t\r   BRATA,\t\r   scenarist\t\r   i\t\r   redatelj:\t\r   Milivoj\t\r   Puhlovski,\t\r   producentica:\t\r   Mirta\t\r   Puhlovski,\t\r  \nprodukcija:\t\r  Metar60\t\r  \nPredloženi\t\r   projekt\t\r   predstavlja\t\r   bizarnu,\t\r   ali\t\r   toplu\t\r   obiteljsku\t\r   priču\t\r   o\t\r   neobičnim\t\r   krvnim\t\r   vezama\t\r   i\t\r  \nobiteljskim\t\r  konstelacijama.\t\r  Projekt\t\r  je\t\r  zamišljen\t\r  kao\t\r  dokumentarni\t\r  film\t\r  s\t\r  elementima\t\r  igranih\t\r  scena\t\r  i\t\r  \njednostavnim\t\r  animacijama.\t\r  Svi\t\r  ovi\t\r  elementi\t\r  obiluju\t\r  humorističnim\t\r  i\t\r  crnohumornim\t\r  situacijama\t\r  koje\t\r  \nsu\t\r  vrlo\t\r  kreativno\t\r  zamišljene.\t\r  Sam\t\r  opis\t\r  projekta:\t\r  «Polubraća\t\r  /\t\r  jedan\t\r  otac\t\r  /\t\r  3\t\r  sina\t\r  /\t\r  3\t\r  nacije\t\r  /\t\r  3\t\r  rase\t\r  /\t\r  1.\t\r  \nsusret»;\t\r  plijeni\t\r  pažnju\t\r  i\t\r  otkriva\t\r  višedimenzionalnost\t\r  likova\t\r  i\t\r  njihovih\t\r  odnosa.\t\r  Iako\t\r  zamišljen\t\r  iznimno\t\r  \nkomično\t\r  i\t\r  ležerno,\t\r  ova\t\r  izrazito\t\r  topla\t\r  obiteljska\t\r  drama\t\r  u\t\r  sebi\t\r  nosi\t\r  neupitno\t\r  važne\t\r  teme\t\r  poput\t\r  odgoja\t\r  i\t\r  \nodrastanja,\t\r  zlostavljanja\t\r  djece\t\r  od\t\r  strane\t\r  roditelja,\t\r  odgovornosti\t\r  za\t\r  vlastite\t\r  postupke\t\r  te\t\r  tolerancije\t\r  i\t\r  \nnetolerancije\t\r  spram\t\r  različitosti.\t\r  \t\r  \n8.\t\r  MI\t\r  SMO\t\r  LJUDI,\t\r  MI\t\r  SMO\t\r  SILA,\t\r  scenarist\t\r  i\t\r  redatelj:\t\r  Srđan\t\r  Kovačević,\t\r  producentica:\t\r  Sabina\t\r  Krešić,\t\r  \nprodukcija:\t\r  Fantastično\t\r  dobra\t\r  institucija\t\r  –\t\r  Fade\t\r  In\t\r  (udruga)\t\r  \nProjekt\t\r  se\t\r  nalazi\t\r  u\t\r  fazi\t\r  postprodukcije,\t\r  u\t\r  fokusu\t\r  ima\t\r  probleme\t\r  s\t\r  kojima\t\r  se\t\r  suočavaju\t\r  obespravljeni\t\r  \nradnici\t\r  u\t\r  Sloveniji,\t\r  a\t\r  koji\t\r  su\t\r  gotovo\t\r  svi\t\r  iz\t\r  Bosne\t\r  i\t\r  Hercegovine.\t\r  Relevantnost\t\r  ovog\t\r  projekta\t\r  leži\t\r  u\t\r  teškoj\t\r  \nspoznaji\t\r   i\t\r   činjenici\t\r   da\t\r   su\t\r   mnogi\t\r   radnici\t\r   i\t\r   mnoge\t\r   radnice\t\r   u\t\r   Hrvatskoj\t\r   suočeni/suočene\t\r   s\t\r   istim\t\r  \nproblemima\t\r   i\t\r   radnim\t\r   okolnostima.\t\r   Problematika\t\r   se\t\r   iznosi\t\r   filmski,\t\r   a\t\r   ne\t\r   reportažno\t\r   i\t\r   u\t\r   sebi\t\r   nosi\t\r  \numjetničku\t\r  vrijednost\t\r  koja\t\r  nadilazi\t\r  onu\t\r  informativnu\t\r  i\t\r  zagovaračku\t\r  i\t\r  ponekad\t\r  se\t\r  čini\t\r  da\t\r  su\t\r  dijalozi\t\r  koji\t\r  \nse\t\r  odvijaju\t\r  pred\t\r  lećom\t\r  kamere\t\r  pisani\t\r  za\t\r  igranu\t\r  formu,\t\r  a\t\r  ne\t\r  tek\t\r  zatečene\t\r  situacije.\t\r  Filmska\t\r  priča,\t\r  bez\t\r  \n\n\f\nuljepšavanja,\t\r   prikazuje\t\r   svu\t\r   surovost\t\r   suvremenog\t\r   kapitalizma\t\r   koju\t\r   je\t\r   neugodno\t\r   gledati,\t\r   ali\t\r   je\t\r  \nistovremeno\t\r  i\t\r  cinično-­‐humoristična.\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati AV ME_UNARODNA 4 ROK 2020 .pdf","filename_decoded":"rezultati AV ME_UNARODNA 4 ROK 2020 .pdf","sha256":"43eb4681a89e769c3111113ec070249a90d44815e117c05498e02d147a4b8ad0","bytes":36033,"page_count":1,"extracted_at":"2026-05-17T10:23:47Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20AV%20ME%C4%90UNARODNA%204%20ROK%202020%20%20.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA  POTPORA\n1\nReci  RCLE  d.o.o.\nPredstavljanje  animirane  serije  \"Tree&Bee\"  \nna  manifestaciji  Cartoon  Forum  2020  u  \nToulouseu,  Francuska\n18.046,81  HRK\n2\nEclectica  d.o.o.\nSudjelovanje  projekta  \"Klimanje\"  Paule  Skelin  \nna  radionici  European  Short  Pitch  2020.\n11.576,00  HRK\n3\nUdruga  Marinis  Media\nSudjelovanje  projekta  \"Demokracija,  nije  to  \nza  vlaje\"  na  radionici  Midpoint  Shorts  2020-­\n2021\n9.288,00  HRK\n4\nGFR  film-­video\nSudjelovanje  Željka  Baloga  u  žiriju  14.  \nMeđunarodnog  filmskog  festivala  Grand  Off  u  \nVaršavi\n1.968,00  HRK\n5\nAmulet  studio  d.o.o.\nSudjelovanje  producentice  Tihane  Šmitran  s  \nmultiplatformskim  TV  serijalom  \n\"&Black&White\"  na  forumu  Kidscreen  Summit  \n2021  u  Miamiju,  SAD\n10.780,20  HRK\n51.659,01  HRK\nJAVNI  POZIV  ZA  DODJELU  SREDSTAVA  ZA  POTICANJE  KOMPLEMENTARNIH  DJELATNOSTI  U  2020.  -­  \nPROGRAMI  MEĐUNARODNE  SURADNJE  -­  ROK  10.9.2020.,  34.  SJEDNICA  HRVATSKOG  AUDIOVIZUALNOG  \nVIJEĆA  14.10.2020.\nUKUPNO\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"rezultati AV ME_UNARODNA 4 ROK 2020 ","year":2020,"rok":null,"natjecaj_date":"2020-09-10","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"JAVNI P OZIV Z A D ODJELU S REDSTAVA Z A P OTICANJE K OMPLEMENTARNIH D JELATNOSTI U 2 020. - PROGRAMI M EĐUNARODNE S URADNJE - R OK 1 0.9.2020., 3 4. S JEDNICA H RVATSKOG A UDIOVIZUALNOG VIJEĆA 1 4.10.2020.","section_key":"javni_p_oziv_z_a_d_odjelu_s_redstava_z_a_p_oticanje_k_omplem","columns":["PODNOSITELJ","PROGRAM","ODOBRENA P OTPORA"],"rows":[{"row_number":1,"project_title":"Predstavljanje animirane serije \"Tree&Bee\" na manifestaciji Cartoon Forum 2020 u Toulouseu, Francuska","applicant":"Recircle d.o.o.","production_company":"Recircle d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"18.046,81 HRK","approved_amount":18046.81,"currency":"HRK","extras":{"col_1":"1","entity_original_production_company":"Reci R CLE d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Recircle d.o.o.","row_id":"43eb4681:s0:e1285577c2c8","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Awarded entry with valid amount (18.046,81 HRK) confirmed in source. Applicant name has OCR spacing 'Reci RCLE' corrected to 'Recircle'. Project title corrected from OCR-inserted spaces: 'a nimirane s erije', 'm anifestaciji', 'C artoon F orum 2 020', 'F rancuska' restored to proper words.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Predstavljanje a nimirane s erije \" Tree&Bee\" na m anifestaciji C artoon F orum 2 020 u Toulouseu, F rancuska","to":"Predstavljanje animirane serije \"Tree&Bee\" na manifestaciji Cartoon Forum 2020 u Toulouseu, Francuska","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_bcf32febf113","project_family_title":"Predstavljanje animirane serije \"Tree&Bee\" na manifestaciji Cartoon Forum 2020 u Toulouseu, Francuska"},{"row_number":2,"project_title":"Sudjelovanje projekta \"Klimanje\" Paule Skelin na radionici European Short Pitch 2020.","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"11.576,00 HRK","approved_amount":11576.0,"currency":"HRK","extras":{"col_1":"2","entity_original_production_company":"Eclectica d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Eclectica d.o.o.","row_id":"43eb4681:s0:8a76e7275550","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Awarded entry with valid amount (11.576,00 HRK) in source. Title corrected from OCR spacing: 'p rojekta', 'P aule S kelin', 'r adionici', 'E uropean S hort P itch 2 020' restored to standard form.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje p rojekta \" Klimanje\" P aule S kelin na r adionici E uropean S hort P itch 2 020.","to":"Sudjelovanje projekta \"Klimanje\" Paule Skelin na radionici European Short Pitch 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_85a2279919e4","project_family_title":"Sudjelovanje projekta \"Klimanje\" Paule Skelin na radionici European Short Pitch 2020."},{"row_number":3,"project_title":"Sudjelovanje projekta \"Demokracija, nije to za vlaje\" na radionici Midpoint Shorts 2020-2021","applicant":"Udruga Marinis Media","production_company":"Udruga Marinis Media","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"9.288,00 HRK","approved_amount":9288.0,"currency":"HRK","extras":{"col_1":"3","entity_original_production_company":"Udruga M arinis M edia","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga Marinis Media","row_id":"43eb4681:s0:93f3f9d1d7ad","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Awarded entry with valid amount (9.288,00 HRK) in source. Title corrected from OCR spacing: 'p rojekta', 'n ije t o za v laje', 'n a r adionici', 'M idpoint S horts 2 020' restored. Hyphen in '2020-2021' preserved as source shows continuation across lines.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje p rojekta \" Demokracija, n ije t o za v laje\" n a r adionici M idpoint S horts 2 020- 2021","to":"Sudjelovanje projekta \"Demokracija, nije to za vlaje\" na radionici Midpoint Shorts 2020-2021","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_aab324be54ab","project_family_title":"Sudjelovanje projekta \"Demokracija, nije to za vlaje\" na radionici Midpoint Shorts 2020-2021"},{"row_number":4,"project_title":"Sudjelovanje Željka Baloga u žiriju 14. Međunarodnog filmskog festivala Grand Off u Varšavi","applicant":"GFR film-video","production_company":"GFR film-video","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.968,00 HRK","approved_amount":1968.0,"currency":"HRK","extras":{"col_1":"4","entity_original_production_company":"GFR f ilm-video","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"GFR film-video","row_id":"43eb4681:s0:e909f5c8afcc","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Awarded entry with valid amount (1.968,00 HRK) in source. Title corrected from OCR spacing: 'Ž eljka', 'B aloga', 'ž iriju 1 4', 'f ilmskog f estivala', 'G rand O ff' restored to correct form. Diacritics preserved.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje Ž eljka B aloga u ž iriju 1 4. 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Title corrected from OCR spacing: 'p roducentice', 'T ihane Š mitran', 'T V s erijalom', 'K idscreen S ummit', 'M iamiju' restored. Special character '&' in title preserved as source.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje p roducentice T ihane Š mitran s multiplatformskim T V s erijalom \"&Black&White\" n a f orumu K idscreen S ummit 2021 u M iamiju, S AD","to":"Sudjelovanje producentice Tihane Šmitran s multiplatformskim TV serijalom \"&Black&White\" na forumu Kidscreen Summit 2021 u Miamiju, SAD","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_922aabfb4e53","project_family_title":"Sudjelovanje producentice Tihane Šmitran s multiplatformskim TV serijalom \"&Black&White\" na forumu Kidscreen Summit 2021 u Miamiju, SAD"}],"section_total_text":"51.659,01 HRK","section_total":51659.01}],"totals":{"ukupno_text":null,"ukupno":51659.01,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":51659.01,"ukupno_match":true,"row_count":5,"awarded_count":5,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":5}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web REZULTATI AV JP ME_ 2023. - 1. rok.xls - Compatibility Mode.pdf","filename_decoded":"web REZULTATI AV JP ME_ 2023. - 1. rok.xls - Compatibility Mode.pdf","sha256":"442afcbee2a721e7146b3c64d4b8b3925df960e66ded11badee8927aa2deb778","bytes":59419,"page_count":4,"extracted_at":"2026-05-17T10:23:57Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20REZULTATI%20AV%20JP%20ME%C4%90%202023.%20-%201.%20rok.xls%20%20-%20%20Compatibility%20Mode.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA POTPORA\n(€)\n1\nBAM PRODUKCIJA, vl. Nika Hacek\nSudjelovanje projekta \"Rasulo\" na programu Talent \nAcademy Short Film Lab, u sklopu Linz International \nShort Film Festivala u Austriji\n420,00 €\n2\nAntitalent d.o.o.\nSudjelovanje producentice Katarine Prpić na \nprogramu stručnog usavršavanja Audiovisual Women \nu Njemačkoj - prva sesija\n1.592,67 €\n3\nLana Barić\nSudjelovanje kratkometražnog igranog filma \n\"Snjeguljica\" na festivalu Interfilm u Berlinu\n229,48 €\n4\nLana Barić\nSudjelovanje autorice kratkometražnog igranog filma \n\"Snjeguljica\" na festivalu u Uppsali, Švedska\n385,62 €\n5\nKinorama d.o.o.\nSudjelovanje filma \"Tragovi\" u natjecateljskom \nprogramu 1-2, u sklopu Međunarodnog filmskog \nfestivala u Varšavi\n3.318,07 €\n6\nSamostalna djelatnost Silvestar Kolbas\nSudjelovanje filma \"Tvornica filmova\" na festivalu \nFIPADOC (Festival International de Programmes \nAudiovisuels) u Biarritzu, Francuska\n629,72 €\n7\nSamostalna djelatnost Silvestar Kolbas\nSudjelovanje filma \"Tvornica filmova\" na Tehran \nInternational Short Film Festivalu, Teheran, Islamska \nRepublika Iran\n853,13 €\n8\nRestart\nNjemačka premijera i predstavljanje kratkog \ndokumentarnog filma \"Babajanja\" redatelja Ante \nZlatka Stolice u natjecateljskom programu festivala \nDOK Leipzig\n386,74 €\n9\nNukleus Film d.o.o.\nPremijera manjinske koprodukcije \"Kajmak\" na Tokyo \nInternational Film Festivalu\n1.875,11 €\n10\nDamir Markovina\nSudjelovanje redatelja Damira Markovine na Ji.hlava \nInternational Documentary Film Festivalu u Češkoj \nRepublici, na svjetskoj premijeri filma \"Dezerteri\"\n113,34 €\n11\nUdruga Blank\nSudjelovanje redatelja Filipa Antonija Lizatovića i \nfilma \"Carpe diem\" na Cinemed – Montpellier \nMediterranean Film Festivalu u Francuskoj\n530,89 €\n12\nPetnaesta umjetnost d.o.o.\nSudjelovanje filma \"Što da se radi?\" na manifestaciji \nWhen East Meets West u Trstu\n929,06 €\n13\nRestart\nPremijera filma \"Istražitelj\" na Ji.hlava International \nDocumentary Film Festivalu u Češkoj\n832,37 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2023. - PROGRAMI MEĐUNARODNE \nSURADNJE - ROK 11.1.2023., 11. sjednica Hrvatskog audiovizualnog vijeća 10.3.2023.\n\n\f\n14\nNukleus Film d.o.o.\nSudjelovanje na najvećem svjetskom dokumentarnom \nfestivalu International Documentary Film Festival \nAmsterdam (IDFA) s filmom \"Novi imperij\"\n275,53 €\n15\nSilva Ćapin\nSudjelovanje redateljice na međunarodnoj premijeri \nkratkometražnog filma \"Hortikultura\" na Festivalu \nkratkometražnog europskog filma u Brestu\n555,09 €\n16\nMaxima film d.o.o.\nSudjelovanje dokumentarnog filma \"Djevojka od nula \ndolara\" u natjecateljskom programu međunarodnog \nfestivala FICTS (Fédération Internationale Cinéma \nTélévision Sportifs) u Milanu\n309,24 €\n17\nJosip Žuvan\nSudjelovanje filma \"Garbura\" na manifestaciji \nFilmFestival Cottbus u Njemačkoj\n131,88 €\n18\nPetra Belc Krnjaić\nGostujuća predavanja u Parizu, na Sorbonne \nUniversité i Paris College of Art\n205,99 €\n19\nJaka produkcija d.o.o.\nSvjetska premijera filma \"Probudi me\" na Black Nights \nFilm Festivalu u Tallinnu, Estonija\n1.902,35 €\n20\nPaula Skelin\nSudjelovanje redateljice na međunarodnoj premijeri \nkratkometražnog filma \"Klimanje\" na Olympia \nInternational Film Festivalu u Grčkoj\n216,16 €\n21\nIvana Škrabalo\nSudjelovanje projekta \"Radnik solane\" na radionici \nScript Savages u Francuskoj\n2.654,46 €\n22\nAntitalent d.o.o.\nSudjelovanje nominirane glumice Gracije Filipović na \ndodjeli nagrada Gotham u New Yorku, SAD\n2.133,76 €\n23\nGFR film-video\nSudjelovanje Željka Baloga u žiriju 16. \nmeđunarodnog filmskog festivala Grand Off u Varšavi\n280,05 €\n24\nSabmarine\nSudjelovanje producentice Sabrine Herak Smoković \nna radionici Digital Distribution - Maximizing Reach \nand Revenues u Berlinu\n463,57 €\n25\nLana Barić\nSudjelovanje autorice kratkometražnog igranog filma \n\"Snjeguljica\" na festivalu u Leuvenu, Belgija\n132,19 €\n26\nKinoklub Karlovac\nSudjelovanje na manifestaciji European Meeting of \nYoung Peoples' Audiovisual Creation – Camera \nZizanio u Grčkoj\n453,91 €\n27\nSekvenca d.o.o.\n4. Smotra hrvatskog filma u Beogradu\n2.389,01 €\n28\nRestart\nSudjelovanje Petre Babić na radionici On Demand \nEcosystem / VoD Inspirational Lab, u sklopu \nmanifestacije When East Meets West u Trstu\n187,34 €\n29\nIzvan fokusa d.o.o.\nSudjelovanje projekta \"Prema vjetru\" na forumu Euro \nConnection, u sklopu Clermont-Ferrand International \nShort Film Festivala u Francuskoj\n1.350,72 €\n30\nMatija Drniković\nSudjelovanje producenta Matije Drnikovića na \nradionici Rotterdam Lab u Nizozemskoj\n288,74 €\n\n\f\n31\nDamir Markovina\nRegionalna premijera dokumentarnog filma \n\"Dezerteri\" redatelja Damira Markovine na Trieste \nFilm Festivalu u Italiji\n89,06 €\n32\nČetiri film d.o.o.\nSudjelovanje producentice Anite Juka i glumice Lene \nJuka Štambuk na Sundance Film Festivalu, SAD\n9.290,60 €\n33\nKreativni sindikat\nSvjetska premijera filma \"Ingresso animali vivi\" autora \nIgora Grubića na manifestaciji International Film \nFestival Rotterdam u Nizozemskoj\n806,22 €\n34\nNukleus Film d.o.o.\nSudjelovanje i predstavljanje projekata \"Mjerenje \nneba\" i \"Novi imperij\" na manifestacijama When East \nMeets West i Trieste Film Festival u Italiji\n439,80 €\n35\nIvan Perić\nSudjelovanje na posebnom izdanju radionice \nRotterdam Lab u Nizozemskoj\n488,00 €\n36\nBonobostudio d.o.o.\nPredstavljanje projekta \"Noć cvate\" u programu \nTalents Connexion, na sajmu kratkometražnog filma u \nClermont-Ferrandu\n254,61 €\n37\nKata Gugić\nPredstavljanje projekta \"Noć cvate\" u programu \nTalents Connexion, na sajmu kratkometražnog filma u \nClermont-Ferrandu\n426,66 €\n38\nČetiri film d.o.o.\nSudjelovanje producentice Anite Juka i članova \nfilmske ekipe na Berlin International Film Festivalu\n6.612,00 €\n39\nLucija Mrzljak\nSudjelovanje na međunarodnom festivalu animiranog \nfilma Monstra u Lisabonu, 20.-25.3.2023.\n610,00 €\n40\nUmjetnička organizacija Metropolis\nDani hrvatskog filma \"Ivo Gregurević\" u Orašju, Bosna \ni Hercegovina\n3.981,68 €\n41\nRestart\nSudjelovanje projekta u postprodukciji \"Snajka: \ndnevnik očekivanja\" na manifestaciji Last Stop Trieste \nu Italiji\n1.016,56 €\n42\n25 FPS, Udruga za audio-vizualna istraživanja\nSudjelovanje Hrvoja Spudića na manifestaciji \nAnalogue Resilience: A Film Labs Gathering u \nTorontu, Kanada\n2.389,01 €\n43\nNukleus Film d.o.o.\nSudjelovanje glumice Nike Petrović i producenta \nSiniše Juričića s filmom \"Morska iskra\" na Berlin \nInternational Film Festivalu\n1.500,00 €\n44\nMargit Antauer\nSudjelovanje na međunarodnom festivalu animiranog \nfilma Monstra u Lisabonu, 20.-26.3.2023.\n359,25 €\n45\nRestart\nSudjelovanje projekta u postprodukciji \"Fiume o \nmorte!\" na programu This is IT, u sklopu manifestacije \nWhen East Meets West u Trstu\n394,00 €\n46\nJadranska animacija\nSudjelovanje projekta \"Bablje ljeto\" na radionici CEE \nAnimation Workshop 2023 u Sloveniji i Slovačkoj\n2.919,90 €\n\n\f\n47\nJadranska animacija\nSudjelovanje filma \"EEVA\" u službenoj konkurenciji \nBerlinale Shorts, u sklopu festivala u Berlinu\n628,50 €\n58.232,04 €\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"web REZULTATI AV JP ME_ 2023. - 1. rok.xls - Compatibility Mode","year":2023,"rok":null,"natjecaj_date":"2023-01-11","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA (€)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje projekta \"Rasulo\" na programu Talent Academy Short Film Lab, u sklopu Linz International Short Film Festivala u Austriji","applicant":"BAM PRODUKCIJA, vl. 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ROK - 14.9.2022. \n \nDUGOMETRAŽNI IGRANI FILM \n \nUmjetnički savjetnici: Zvonimir Jurić, Ivor Martinić i Ana Štulina \n \n \nNa Javni poziv za poticanje razvoja projekata dugometražnog igranog filma u 2022. godini na \ndrugom roku prijavilo se ukupno petnaest (15) projekata što je znatno manje nego na prethodnom \nroku.  \nIstaknuli bismo vrlo visoku razinu produkcijske i autorske pripremljenosti u ovoj kategoriji. Autore \nokupiraju raznolike teme koje je na ovom roku bilo teško svrstati pod jedan nazivnik.  \nIako su gotovo svi projekti bili dobro pripremljeni, podržali smo one za koje smo smatrali da su \ntematski najzanimljiviji. Riječ je o projektima s jasno artikuliranom željom za filmskim \npripovijedanjem, te odlično pripremljenim režijskim i produkcijskim eksplikacijama. Tako smo \nodlučili poduprijeti sveukupno tri filma za razvoj projekta u ukupnom iznosu od 460.000,00 \nkuna/61.052,49 eura.  Riječ je o sljedećim projektima: \n \nProlog, Texas \n \nScenarij: Anita Čeko i Hani Domazet \nRežija: Hani Domazet \nProdukcija: Scarlet d.o.o. \n \n160.000,00 kuna/ 21.235,65 eura \n \nMlada trudna žena dolazi u selo svojih predaka boreći se s mišlju treba li zadržati dijete ili ga \nabortirati. U selu je okružena mještanima, uglavnom staricama, koje se na određeni način i same \nupliću u njenu odluku. Autorice sučeljavaju svijet suvremene i tradicionalne žene kako kroz likove \nUnuke i Bake, tako i kroz izbor suvremene i narodne poezije tvoreći transgeneracijsku priču koja \npropituje teme identiteta i društvene osude. Autentičan film koji će hrvatskoj kinematografiji \ndonijeti potrebno osvježenje.  \n \nSitni lopovi \n \nScenarij: Mate Ugrin \nRežija: Mate Ugrin \nProdukcija: Umjetnička organizacija Kadromat \n \n160.000,00 kuna/21.235,65 eura \nScenarij o nekoliko tjedana života mladića Ria iz centralne Istre koji živi od sezonskih poslova u \nturizmu i malih krađa u turističkim resortovima na obali. Njegovu tmurnu svakodnevicu prekida \nAndrea, tajanstvena sezonska radnica, podrijetlom iz Srbije s kojom će započeti nježno prijateljstvo. \nRiječ je o sjajnom scenariju, iznimno uvjerljivih likova, bolno točnih u nemogućnosti da preslože \nsvoje živote i pronađu pravi put. Scenarij je to koji od prve rečenice sjajno barata svim filmskim \nznakovima, stvarajući uvjerljivu priču, odlične dinamike, uvjerljive atmosfere, a uza sve je i \nvizualno iznimno impresivan. \n\n\f\nViktorija \nScenarij: Anita Čeko \nRežija: Luka Galešić \nProdukcija: Cobra Chicks \n \n140.000,00 kuna/18.581,19 eura \nŽanrovski, riječ je o komediji. Naslovna junakinja neugledna je, povučena djevica koja živi s \ndominantnom i osebujnom majkom Fabijankom u Splitu. Nakon što Fabijanka doživi moždani \nudar, Viktorija smješta majku u dom za nemoćne. Progonjena osjećajem krivnje, ali i uzbuđenjem \nzbog novonastale slobode, kreće u konačno otkrivanje sebe i svijeta koji je okružuje. Vrlo duhovit \nscenarij, pun uvjerljivih i životopisnih situacija sa sjajno napisanom glavnom protagonistkinjom. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_distribucija_4_rok_rezultati.pdf","filename_decoded":"JP_distribucija_4_rok_rezultati.pdf","sha256":"46bce6c7f0a82ff7c80fe441a857da54b1e33879c044008d8985b21510cac5a7","bytes":146576,"page_count":1,"extracted_at":"2026-05-16T13:54:39Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_distribucija_4_rok_rezultati.pdf"},"raw_text":"NOSITELJ PRIJAVE\nNASLOV FILMA\nKATEGORIJA FILMA\nREDATELJ/ICA\nPRODUCENT\nDISTRIBUTER\nODOBRENA SREDSTVA \n(€)\n1\nUmjetnička \norganizacija Zagreb \nFilm Festival\nKad svane dan\nigrani film, manjinska \nkoprodukcija\nRúnar Rúnarsson\nUmjetnička \norganizacija Zagreb \nFilm Festival\nUmjetnička organizacija \nZagreb Film Festival\n3.400,00\n2\nFestival \nmediteranskog filma \nSplit\nObiteljska terapija\nigrani film, manjinska \nkoprodukcija\nSonja Prosenc\nFestival mediteranskog \nfilma Split\nFestival mediteranskog \nfilma Split\n4.000,00\n3\nHulahop d.o.o.\nFrka\nigrani film\nSvebor Mihael \nJelić\nHulahop d.o.o.\nHulahop d.o.o.\n13.500,00\n4\nHulahop d.o.o.\nGodina udovice\nigrani film, manjinska \nkoprodukcija\nVeronika Lišková\nHulahop d.o.o.\nHulahop d.o.o.\n2.700,00\n5\nRestart\nKIX\ndokumentarni film\nBálint Révész, \nDávid Mikulán\nRestart\nRestart\n2.000,00\n6\nK A O S d.o.o.\nBožji gnjev\nigrani film\nKristijan Milić\nK A O S d.o.o.\nK A O S d.o.o.\n10.200,00\n7\nDinaridi film d.o.o.\nDobra djeca\nigrani film\nFilip Peruzović\nDinaridi film d.o.o.\nDinaridi film d.o.o.\n8.300,00\n8\nMotovun Film \nFestival\nLijepi i dragi ljudi\ndokumentarni film\nIgor Mirković\nMotovun Film Festival\nMotovun Film Festival\n4.000,00\n9\nRestart\nFiume o Morte!\ndokumentarni film\nIgor Bezinović\nRestart\nRestart\n5.000,00\n53.100,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE DISTRIBUCIJE \nFILMOVA u 2024. - 4. ROK - 30.10.2024. - 4. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 12. \nprosinca 2024.\nTrg Josipa Jurja Strossmayera 4  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 080  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"distribucija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE DISTRIBUCIJE FILMOVA u 2024. - 4. 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Jan Juračić \n12.500,00 EUR  \n \nActive Measures je kombinacija strategije i paranoične simulacije posla/rada (work–\nsimulator) u kojoj igrač preuzima ulogu komandanta ćelije špijuna u srcu dekadentne \nmonarhije u raspadu. Igrač šalje svoje špijune na misije kojima će pokušati osigurati da \npolitička atmosfere ove zemlje u raspadu prevagne na stranu liberalne ideologije. \nUmjesto apstraktnog korisničkog sučelja, interakcija sa svijetom se vrši kroz dijegetsko \nsučelje radnog stola i bijednog stana u kojem se igrač nalazi. Povratne informacije svojih \nagenata i špijuna igrač dobiva kroz tajne telegrame ili šifrirane telefonske pozive, njihove \nakcije se planiraju na karti grada, a posljedice igračevih odabira se odražavaju na njegovoj \nfizičkoj okolini. \nMnoge od metoda kojima će osigurati svoju ideološku pobjedu - ucjene, prijetnje, \npodmićivanja - će igrače dovesti u konflikt sa idealima i moralnim načelima novog društva \nkoje pokušavaju proizvesti. Što je sve igrač voljan učiniti za bolji svijet? I koga je sve \nspreman prodati? Ambicija tima je obraditi kompleksnu temu pokreta otpora i operacije \nsvrgavanja režima postavljanjem igrača u poziciju nekoga tko mora donositi neugodne \nodluke zbog kojih i nevini stradavaju. \nKoncept igre i svijeta u kojem se radnja odvija su vrlo jedinstveni i inovativni te izokreću \nuobičajene žanrovske paradigme, a razvojni tim je vrlo iskusan sa dobro pripremljenom \ndokumentacijom. \n \n \n \n \nAPEIRON (Razvoj projekta) \nGlavni autor: Oldin Soukup \nPrijavitelj: Better Plan, vl. Oldin Soukup \n8.000,00 EUR  \n \nApeiron je tajnovita i pomalo eksperimentalna igra o mitu stvaranja svijeta. \nIgrači će u ulozi kreatora imati priliku stvarati prve biljke i životinje novog svijeta, a zatim ih \n(po potrebi) uništavati jakim vjetrovima, bolestima i ostalim prirodnim nepogodama.  \nCilj Apeirona je ispričati priču stvaranja još neviđenog svijeta bez gubitka nadnaravnog \ndoživljaja mitova i legendi. Stoga, kao što je slučaj u legendama o početku svijeta, igrači i \nkreatori Apeirona, također će imati iskustvo osobnog odnosa sa svojom kreacijom. \nZa razliku od mnogih drugih igara “God Game” žanra, Apeiron se ne fokusira na strategije \nširenja i osvajanja, nego na istraživanje i eksperimentiranje. Sve biljke i životinje u igri biti će \nizmišljene kako bi ih igrači mogli znatiželjno promatrati, a kasnije i koristiti njihova \nnovootkrivena svojstva. \nProjekt je konceptualno vrlo jedinstven i pomalo eksperimentalan sa kvalitetnom \ndokumentacijom te vrlo relevantan za domaću audiovizualnu umjetnost. \n \n \n \n \n\n\f\nBARTALKS (Razvoj projekta) \nGlavni autor: Matija Tomšić \nPrijavitelj: Artor, vl. Matija Tomšić \n12.500,00 EUR  \n \nBartalks je narativna igra upravljanja barom, u kojoj će igrači u ulozi barmena imati priliku \nposluživati koktele i čavrljati sa svojim omiljenim umjetnikom ili - umjetničkim djelom, i \npokušati ne dovesti svoj bar do bankrota s previše rundi \"na kuću\" za \"izgladnjele \numjetnike\"...  \nIgra se odvija u koktel baru “Nighthawk”, omiljenom okupljalištu umjetnika. Slična mjesta \noduvijek su bila utočišta za razmjenu iskustava, smišljanje novih ideja i ugodno druženje \nkreativaca, potpomognuto raznim napitcima. Glavni likovi su poznati svjetski i hrvatski \numjetnici koji su svojim radom i životima oduvijek raspirivali maštu. \nNarativ je ključni element igre. Duboke teme ispričane su kroz smislene, tečne i zabavne \ndijaloge s kvalitetno razvijenim likovima, kao i neverbalno kroz ključne vizualne momente u \nigri gledane kroz prizmu povijesti umjetnosti koju svi baštinimo. Cilj je kroz likove usporediti \nideje, brige i svjetonazore raznih epoha ljudske povijesti sa svijetom danas. \n \n \n \nDARKSTAR (Razvoj projekta) \nGlavni autor: Filip Ugrin \nPrijavitelj: MOXO, vl. Filip Ugrin \n10.000,00 EUR  \n \nDarkstar je dungeon-crawler RPG (role-playing game) inspiriran pulp stripovima 80-ih i \nčasopisom \"Heavy Metal\". Igra se odvija na pustinjskom planetu Sator koji je progonjen \nčudovištima, sukobima za resurse i mističnim crnim tornjevima. Igra poziva igrača na \nistraživanje tornjeva kroz borbu i istraživanje sa ciljem unapređenja svog avatara. Zadatak \nigrača je otkriti izvor ovih tornjeva te spriječiti potpuni kolaps planete. \nDarkstar koristi pastiš dungeon-crawler žanra kako bi istražio teme identiteta, žudnje i \nekologije. Kroz priču, čiji su motivi povučeni iz knjige teorijske fikcije \"Cyclonopedia\" autora \nReza Negarestania, se postavlja fantastično pitanje: \"Što ako je planeta inteligentna i pri \ntome zavidna Suncu?\" Inteligentan, no nesvijestan sebe, Sator postaje auto-kanibalističan, \nvršeći nekontroliranu ekstrakciju svoje utrobe, urušava se u crnu rupu i postaje Darkstar. \nRadi se o izrazito zanimljivom i kvalitetnom konceptu sjajnog vizualnog stila već u ovoj ranoj \nfazi razvoja. \n \n \n \nELIRIA (Razvoj projekta) \nGlavni autor: Andrija Zorić \nPrijavitelj: Bad Elektron, vl. Andrija Zorić \n15.000,00 EUR  \n \nEliria je jedinstvena videoigra izgradnje ruta (route-builder) u kojoj se sukobi rješavaju \nputem kartaške igre, smještena u srednjovjekovnom futurističkom kristal-punk svijetu \niznimno bogate i originalne pozadinske priče.  \n\n\f\nIgrači preuzimaju ulogu ambicioznih kapetana industrije u neobičnoj ekonomiji Elirije koja se \npokreće kristalima. Razvijat će niz ispostava u opasnoj Magli, gradeći svoje specifične \nprivrede izgradnjom ruta za prikupljanje i obradu resursa i povezujući ih u unosne lance \nopskrbe. \nIgrači istražuju nove tehnologije kako bi konstruirali nove strukture i napredovali kroz priču. \nEkspedicije \"ronilaca magle\" (Fog-divers) šalju se u Maglu kako bi osvojili nove zemlje za \nbuduće ispostave i prikupili dragocjeni bijeli kristal. Sukobi unutar Magle rješavaju se kroz \nkartaške bitke, što rezultira novim ispostavama spremnim za integraciju u ekonomiju igrača. \nTema i narativna pozadina igre su vrlo jedinstveni, a vizualni i gameplay koncepti jako \nkvalitetni i atraktivni već u ovoj ranoj fazi razvoja. \n \n \n \nFIREWALKERS (Razvoj projekta) \nGlavni autor: Argo Tuulik \nPrijavitelj: Gamechuck d.o.o. \n15.000,00 EUR  \n \nFirewalkers Tijekom nesnosnog ljetnog vala vrućine u gradu inspiriranom sovjetskom erom, \nigrač preuzima ulogu mentalno nestabilnog vatrogasca koji vodi dobrovoljnu brigadu \nsastavljenu od bivših ovisnika. Dok požari bjesne diljem grada, igračev je cilj upravljati \nograničenim resursima, gasiti sve bizarnije i nadnaravnije požare (vatre koje gase svijetlo, \npodvodne vatre, i slično) te otkriti misterij podmetnutih požara.  \nIgra sadrži duboku narativnu priču s moralnim dilemama, uključujući imerziju u piromaniju \ngdje igrač može i sam započinjati požare kako bi preživio financijski pritisak. Igra balansira \nizmeđu domaćih scena, misija vatrogastva i istraživanja otvorenog svijeta, baveći se \ntemama kapitalizma, ovisnosti i identiteta, sve uz mračan i nadrealan ton. \nGlavni autor igre je Argo Tuulik, jedan je od glavnih pisaca na kultnoj igri Disco Elysium, \ndobitnik BAFTA i Game Awards nagrade za najbolji scenarij. \n \n \n \nFOOD2DOORMOUSE (Razvoj projekta) \nGlavni autor: Eugen Štimac \nPrijavitelj: Glis Glis, vl. Eugen Štimac \n10.000,00 EUR  \n \nFood2dormouse je 2D akcijska avantura gdje igrač ima ulogu dostavljačice hrane u svijetu \nu kojem su životinje i ljudi ravnopravna bića koja mogu međusobno komunicirati. \nOsunčani obalni grad u koji je tek preselio, protagonistu je otvoren za istraživanje tako da \nsamostalno bira kako želi prolaziti kroz priču, koje sporedne zadatke obavljati i s kojim će \nskupinama stanovnika u igri razviti prisniji odnos. \nUloga je igre opustiti igrača i pomoći u promišljanju nekih od problema današnjice: od \nemigracije i mirnog suživota u različitosti, do snalaženja u užurbanoj urbanoj sadašnjosti \ngdje je dobra komunikacija sve važniji aspekt života. \nZanimljiv je to alternativni svijet pun rukom crtanih vizuala, ali i rješavanja zadataka na \nležeran i inteligentan način s naglaskom na zanimljiv i humorističan narativ. Ovaj simpatičan \n\n\f\nprojekt veselog vizualnog stila unosi inovaciju u uobičajene mehanike i to ga čini vrlo \nsuvremenim i relevantnim za domaću audiovizualnu umjetnost. \n \n \n \nFORBIDDEN MASTERY (Razvoj projekta) \nGlavni autor: Mario Korov \nPrijavitelj: Root Games \n7.000,00 EUR  \n \nForbidden Mastery je metroidvania jednostavnog i jedinstvenog vizualnog stila smještena \nna mračnom planetu Umbra 5 kojim vladaju bogovi sjene te sa svojih prijestolja određuju \nsudbine svih duša. Igrač preuzima ulogu smrtnika i jednog od zadnjih poznavaoca \nzabranjene vještine mačevanja. Cilj igre je osloboditi narod od tiranije bogova i ispuniti svoju \nsudbinu koristeći platforming (kretanje i skakanje) i jednostavne, ali precizne borbene \nvještine. Igra je crtana u jednostavnom pixel-art stilu koji igrom svjetla i sjene te gotovo \nsiluetskim prikazom likova i prednjeg plana ostavlja napet i blago zastrašujući dojam. \nIako je konceptualno jednostavna, igra sa svojim specifičnim vizualnim stilom i inovacijama \npoznatih mehanika stvara novo iskustvo u žanru metroidvanija, te se može smatrati \nsuvremenom i relevantnom za domaću audiovizualnu umjetnost. \n \n \n \nHABITAT 564 (Razvoj projekta) \nGlavni autor: Tomislav Orešković, \nPrijavitelj: Cutting Edge Entertainment d.o.o. \n10.000,00 EUR  \n \nHabitat 564 je horor igra iz prvog lica smještena u raspadajućoj stambenoj zgradi iz doba \nkomunizma. Igrač preuzima ulogu jednog od novijih stanara. Zarobljen zbog snažne snježne \noluje, otkriva da njegovi snovi počinju oblikovati alternativnu stvarnost koja mu omogućuje \nda otkrije tajnu zavjeru među ostalim stanarima, koja uključuje demonsku sektu, mračnu \npovijest zgrade i mogući kraj ljudskog svijeta. \nIgra se odvija u svijetu razdvojene stvarnosti te istražuje teme izolacije, otuđenja i paranoje.  \nU stvarnom svijetu, igrač istražuje zgradu u kojoj je zarobljen, razgovara s drugim stanarima \ni prikuplja tragove. U svijetu snova, igrač istražuje uznemirujuću noćnu moru, rješava \nzagonetke i izbjegava nadnaravna bića.  \nHabitat 564 kod kreiranja zagonetki koristi originalnu poeziju i prozu inspiriranu Krležom, te \nsuvremene metode foto-skeniranja okruženja i rekvizita snimljenih u Zagrebu i okolici, zbog \nvjerodostojnosti korisničkog iskustva. \n \n \n \nHEARTS OF THE MOUNTAIN (Razvoj projekta) \nGlavni autor: Jakov Dužević \nPrijavitelj: Naria d.o.o. \n10.000,00 EUR  \n \n\n\f\nHearts of The Mountain je video igra koja igraču približava iskustvo potrage u gorskoj \nslužbi spašavanja te prenosi znanja i vještine kojima se gorski spašavatelji služe. Igrač \nupravlja tokom spašavalačke operacije donoseći ključne odluke za pravodobnu i efikasnu \norganizaciju potrage, podjelu zadataka na terenu, pružanje pomoći unesrećenoj osobi te \nizvlačenje iz nepristupačnog terena. \nCilj igre je predočiti plemenitost spašavalačkog poziva te potaknuti interes za avanturističkim \nboravkom u prirodi uz razvijanje vještina orijentacijskog snalaženja, upoznavanjem sa \nsvrhom i načinom korištenja penjačke opreme, potaknuti upoznavanje biljnog i životinjskog \nsvijeta planinskog krajolika. Timski rad je predstavljen kao ključ uspješne potrage pa je \nglavni izazov pred igraćem predstavljen kroz komunikaciju i koordinaciju tima s ciljem \nzajedničkog rješavanja izazova.  \nRazvoj ovakve igre pozitivno utječe na mlade igrače, nudeći igru bez nasilnih elemenata, \npromovirajući kvalitetne ljudske vrline kroz promicanje volonterstva, empatije i realnih \nživotnih uzora. \n \n \n \nHELLO, MY NAME IS LUCAS (Razvoj projekta - DEBITANT) \nGlavni autor: Matija Drniković \nPrijavitelj: Wolfgang i Dolly d.o.o. \n10.000,00 EUR  \n \nHello, My Name is Lucas je narativna igra interaktivnih dijaloških opcija u kojoj igrač radi u \ncall-centru korisničke službe velike telekomunikacijske tvrtke. U brojnim telefonskim \nrazgovorima igrač će biti zadužen za (neuspješno) otklanjanje poteškoća korisnika, \n(neuspješno) uvaljivanje novih usluga, ali i (potencijalno jedino uspješno) produbljivanje \nodnosa sa svojim regularnim klijentima. Razgovori s djevojkom Marom naglo mu promjene \nsvakodnevicu. A sve se to događa u ugodnom programu call-centra na monitoru igrača. \nNajveći dio user interface-a se bazira na vizualnom prikazu stiliziranog programa za agente \nu call-centru, te igrači neće vizualno vidjeti niti jednog drugog lika, već će isključivo čuti \nnjihove glasove.  \nS obzirom na postavljene kreativne limite u vizualnom smislu, autori stavljaju naglasak na \nvrhunske glumačke glasovne izvedbe svih likova u igri, kao i spretno postavljanje dizajna \nzvuka na visoku razinu. \n \n \n \nILLYRICUM (Razvoj projekta) \nGlavni autor: Dino Kranjčević \nPrijavitelj: Beard Positive, vl. Dino Kranjčević \n10.000,00 EUR  \n \nIllyricum je inovativna strateška simulacija u stvarnom vremenu (real-time strategy) sa \nmogućnosti pauziranja u kojoj će igrači pokušati vratiti stabilnost u kaos nastao migracijom \nbarbarskih plemena na područje Ilirika kroz mitologiju, estetiku i specifičnost tadašnjih \nkultura. \nIgra koristi inovativnu mehaniku “motivacije” likova i stvara prilagodljiv i pouzdan sustav koji \nigra autonomno i ne zahtijeva mikro-upravljanje, dok igrač indirektno utječe na događanja u \n\n\f\nsvijetu kroz osobnosti likova i njihovu umjetnu inteligenciju. Konačna pobjeda ne ovisi o \nčistoj snazi i resursima, već o dobrom razumijevanju osobnosti i motivacija igračevih i \nneprijateljskih jedinica.  \nAutori žele istražiti period seobe naroda koji je rijetko prikazan u suvremenoj kulturi, a \ninspiraciju crpe iz umjetnosti Rima i ranog Bizanta, artefakata seobe naroda te umjetnosti \nAlphonsea Muche čiji radovi, poput Slavenske Epopeje, najviše evociraju taj period. \n \n \n \nPIRATE NATION (Razvoj projekta) \nGlavni autor: David Kelečić \nPrijavitelj: Levant Ludus d.o.o. \n12.500,00 EUR  \n \nPirate Nation je avanturističko-istraživačka igra smještena u fantastičnom svijetu malog \ntropskog otočja gdje igrač ima priliku sudjelovati u svečanom gusarskom festivalu koji \nobilježava dvadesetu godišnjicu pobjede gusara nad mornaricom te zrači dubokom \nnostalgijom za minulim vremenima. Igrač može sudjelovati u festivalskim igrama, istraživati \notočje, upoznavati njegove stanovnike, zaljubiti se, ali i dokazati da je najbolji mladi gusar \nsvoje generacije. \nSpecifičnost igre leži u činjenici da istražuje narativ koji se bavi pitanjem “Što nam preostaje \nnakon što završimo svoju avanturu”? Naime, temeljni sukob ovog otočja se odvio prije \ndvadeset godina kada su gusari izborili neovisnost otočja. Sve lokacije su otkrivene, sve \nkarte su iscrtane, a škrinje s blagom su odavno iskopane. Jedino što je otočju preostalo su \npriče o staroj slavi i davnim bitkama sada već onemoćalih heroja. \nTema je jedinstvena, zabavna i pristupačna, a vizualni i gameplay koncepti jako kvalitetni i \natraktivni. \n \n \n \nPLITICE (Razvoj projekta) \nGlavni autor: Darko Masnec \nPrijavitelj: Custoys Lab d.o.o. \n12.500,00 EUR  \n \nPlitice su HOPA avantura (hidden object puzzle adventure), žanr videoigara koje \nkarakterizira rješavanje vizualnih zagonetki i pristupačnost širokoj publici (casual).  \nU svijet „Plitica“ igrača uvodi leteća konstrukcija od osam stanova/kaveza u kojima obitavaju \nantropomorfizirana pticolika bića, a njihovi prostori su povezani nitima koje ih drže na okupu, \niako su oni sami prezentirani kao odvojeni entiteti i prostori koji nemaju direktnog dodira. \nSvi likovi nalaze se u vlastitoj neugodnoj situaciji koja se uvijek iznova ponavlja, odnosno \nanimacija se vrti u kompleksnom loopu-ciklusu koji, kao i prostor u kojem obitavaju, otkrivaju \nnešto o karakteru tih bića i nelagodi koja se daje naslutiti iz njihovih postupaka.  \nIgračev zadatak je prekinuti taj krug pronalaskom i prenošenjem određenih objekata iz scene \nu scenu, dok bi ti objekti trebali bi potaknuti razrješenje ciklusa na neočekivane načine, \nomogućujući pticama da indirektno pomognu jedna drugoj. \nAutor želi istražiti kako videoigra funkcionira kada je u prvom planu animacija izražena \nfilmskim pravilima, dok je glavna ideja spojiti poznate pristupe te jednostavne i pristupačne \n\n\f\nmehanike igranja koje neće odvlačiti pažnju od fokusa igre: osobina likova i njihovih \ninsinuiranih konekcija. Inspiracija „Plitica“ proizlazi iz Zagrebačke škole crtanog filma, čiji su \nmnogi filmovi i danas relevantni u estetskom i sadržajnom smislu. \n \n \n \nPROJEKT NEVERA (Razvoj projekta) \nGlavni autor: Toni Dorotić \nPrijavitelj: Mad Cat Entertainment, vl. Toni Dorotić \n10.000,00 EUR  \n \nProjekt NEVERA je arkadna sportska igra u kojoj igrači igraju vaterpolo brodovima na \nHrvatskoj obali. Prilagođena današnjim E-Sports standardima, fokusira se na igrivost i \nzabavu, specifičan vizualni identitet, unikatne mehanike i jednakosti među igračima. \nCilj je dati igračima novo i jedinstveno iskustvo u žanru inspiriranom mega-popularnom \nigrom Rocket League. Zbog specifične interakcije između igrača i okoliša (vode ili mora), i \nfizikom koja je prilagođena brzini igre, pružit će igraču uzbudljivo i nepredvidivo iskustvo u \nsvakoj utakmici. \nLokacije na kojima će se odvijati radnja igre biti će stilizirane replike stvarnih lokacija \nHrvatske obale poput Splita, Visa, Dubrovnika, Pulske Arene i raznih stadiona, te drugih \nprepoznatljivih destinacija. Na ovaj način autori žele predstaviti ljepote i znamenitosti \nHrvatske kulturne baštine i lokaliteta. Tema je jedinstvena i ambiciozna, a vizualni koncepti \nsu jako kvalitetni i atraktivni već u ovoj ranoj fazi planiranja. \n \n \n \nSPECULAAS (Razvoj projekta) \nGlavni autor: Andrej Kovačević \nPrijavitelj: MIYAGI, vl. Andrej Kovačević \n15.000,00 EUR  \n \nSpeculaas je digitalna verzija prve društvene igre (board game) domaćeg izdavača \nUmmaramma. To je simpatična igra simultanog odabira i slaganja karata te skupljanja \nsetova za 1-5 igrača, prikladna za dob od 10+ godina, s trajanjem igre od otprilike 20 minuta.  \nSpeculaas su začinjeni kolačići od prhkog tijesta koji potječu iz Nizozemske i Belgije te se \noblikuju u različite oblike, obično prikazujući vjetrenjače, brodove i životinje.  \nU igri Speculaas igrači su slastičari koji pokušavaju osvojiti najviše bodova skupljajući kartice \nzačina i usklađujući ih s karticama recepta. Vizualni stil odiše vedrinom i toplinom, s \ndizajnom koji evocira domaću atmosferu, karakterističnu za pripremu i konzumaciju slatkih \npeciva. Autori žele graditi model po kojemu se društvene igre lakše prilagođavaju digitalnoj \nsferi te unaprijediti međusobne promocije – društvena igra može promovirati videoigru i \nobrnuto.  \nSpekulaas je odličan primjer promicanja domaćih autora te povećanja svijesti o hrvatskim \nkreativnim projektima i europskoj proizvodnji igara koji potiče na pozitivno valoriziranu \ndruštvenu aktivnost – igranje društvenih igara. \n \n \n \n\n\f\nTEMPORIUM (Razvoj projekta) \nGlavni autor: Vedran Vivoda \nPrijavitelj: Crane 51, vl. Vedran Vivoda \n10.000,00 EUR  \n \nTemporium je uzbudljiva roguelike avantura smještena u Cogpunk svijet, gdje igrači \npreuzimaju uloge Holly, hrabre istraživačice, i Ellda, talentiranog izumitelja, dok istražuju \ntajne unutar velikog sata koji polako propada i vibrantnog svijeta koji ga okružuje. Igra \ndonosi inovativnu Glitch mehaniku, proceduralno generirane razine i strateške borbe na \npoteze (turn-based), dok se Holly i Elldo bore protiv raspadajuće stvarnosti i otkrivaju tajne \nsvog svijeta.  \nIgra nudi solo i kooperativne načine igranja, dopuštajući igračima da zajedno osmisle \nstrategiju u prevladavanju svih izazova. Prepoznatljivi Cogpunk vizualni stil igre spaja \ntradicionalnu steampunk estetiku s detaljno izrađenim mehaničkim dizajnom. Svi likovi, \nokruženja, razine i objekti su ručno nacrtani kako bi se naglasili 2.5D vizualni prikazi, \nstvarajući živahan i impresivan svijet. \n \n \n \nWATAR - A TALE OF SALVATION (Razvoj projekta) \nGlavni autor: Matija Čić \nPrijavitelj: TurboSnail Interactive, vl. Matija Čić \n10.000,00 EUR  \n \nWatar – A Tale Of Salvation je menadžersko-strateška videoigra o preživljavanju društva i \nizgradnji nove civilizacije. Kao Prorok koji vodi svoj narod kroz pustinju u potrazi za novim \ndomom, igračeva je dužnost pronaći nepresušni izvor vode. U surovoj pustinjskoj vrućini, \nljudi razvijaju tehnologiju čiji je glavni pokretač voda kako bi se suprotstavili surovim uvjetima \ni neizdrživoj vrućini. Pred igračem je zadatak izgradnje novog grada koji ima nepresušan \nizvor vode te osiguravanje potrebnih sredstava za opstanak društva. Optimizacija i \nupravljanje resursima često su u sukobu s empatijom i promišljenim donošenjem odluka koje \nsu zaslužne za ishod videoigre. \nKoncept igre i svijeta u kojem se radnja odvija su jedinstveni i inovativni te izokreću \nuobičajene žanrovske paradigme, a razvojni tim pokazuje zrelost i iskustvo sa dobro \npripremljenom dokumentacijom. \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\nATRE: DOMINACE WARS (Proizvodnja) \nGlavni autor: Hrvoje Horvatek \nPrijavitelj: Iron Ward j.d.o.o. \n15.000,00 EUR  \n \nATRE – Dominance Wars je kombinacija strategije u stvarnom vremenu (RTS žanr) i \nstrategije na poteze (turn-based). Igrač preuzima ulogu drevnog starješine koji, probuđen \nnakon tisućljetnog sna, otkriva zemlju kontroliranu drevnom magijom i podijeljenu sukobima i \nželjom za moći. Strateški upravljajući svojim utjecajem i sveprisutnošću, igrač pokušava \nzavladati bezvremenskim svijetom u kojem se ciklusi istraživanja svijeta i razvoja moćnih \nstvorenja, upravljanja naseljima i resursima, ratovanja i razvoja mitskih vojski, diplomacije i \nnadmudrivanja, te stvaranja novih svjetova stalno ponavljaju nakon sto je prethodni ciklus \nzavršen. Također, artefakti koji se kreiraju u igri koriste urezane zapise ne hrvatskoj \nglagoljici. \nATRE – Dominance Wars je originalan i ambiciozan projekt u tzv. 4X žanru (explore, \nexpand, exploit, and exterminate). Koncept igre i svijeta u kojem se radnja odvija su vrlo \njedinstveni i inovativni te izokreću uobičajene žanrovske paradigme, a razvojni tim je vrlo \niskusan sa dobro pripremljenom dokumentacijom i demo verzijom igre.  \nProjekt je dobitnik prošlogodišnjih potpora za razvoj videoigara HAVC-a te sada prelazi u \nfazu proizvodnje. \n \n \n \nCANVAS (Proizvodnja) \nGlavni autor: Joško Mikuličić \nPrijavitelj: MIPMAP d.o.o. \n15.000,00 EUR  \n \nCanvas je digitalna adaptacija društvene igre u kojoj se prozirne karte slažu \njedna na drugu i spajaju u umjetnička djela, a igrači postaju umjetnici na prestižnom \numjetničkom festivalu. Igra nudi stratešku dubinu i prekrasne ilustracije, što je čini \nsavršenom za ljubitelje umjetnosti i društvenih igara. \nTijekom igre igrač skuplja prozirne umjetničke karte i slaže ih u slojevima jednu na drugu \nkako bi stvorio slike. Ovisno o tome koje karte izabere i redoslijedu njihovog postavljanja, \nodređeni elementi slike će ostati prikazani ili skriveni o čemu će ovisiti konačno bodovanje \numjetničkog djela. Svaka kombinacija karata stvara zabavnu i jedinstvenu ilustraciju te \nnaslov za sliku. Kada svi igrači završe 3 slike, igra završava i igrač s najviše bodova osvaja \nnagradu za najbolju izložbu. \nProjekt je originalan, edukativan i vrlo zanimljivo koncipiran - na inovativan način spaja dva \nnaoko nespojiva svijeta slikarstva i videoigara. \n \n \n \nCIRCUIT MASTER (Proizvodnja) \nGlavni autor: Marko Otašević \nPrijavitelj: Turing Studio d.o.o. \n15.000,00 EUR  \n \n\n\f\nCircuit Master je simulator spajanja strujnih krugova koji kombinira zabavu i učenje. Ovaj je \nsimulator uvelike inspiriran STEM obrazovanjem, uključujući elemente znanosti, tehnologije, \ninženjerstva i matematike kako bi pružio sveobuhvatan pristup učenju na zabavan i lak \nnačin. Circuit Master se razlikuje od drugih simulatora jer nije prikazan hladno i tehnički, već \nna topao i osoban način uz izraženu narativnu komponentu. Bavi se problemima iz stvarnog \nsvijeta kroz koje igrač uči o strujnim krugovima prelazeći niz izazova. Igrači će preuzeti ulogu \nprotagonistice koja je čudo od djeteta te uživati u lijepom vizualnom stilu i ugodnoj glazbi koji \nstvaraju efekt opuštanja i pomažu kod učenja.  \nPostoji i vrlo stvaran potencijal da obrazovne ustanove implementiraju igru u svoj kurikulum. \nOvaj simpatičan i vrlo originalan projekt je dobitnik prošlogodišnjih potpora za razvoj \nvideoigara HAVC-a te sada prelazi u fazu proizvodnje. \n \n \n \nDARK QUEEN (Proizvodnja) \nGlavni autor: Josip Vincetić \nPrijavitelj: Downtown Game Studio j.d.o.o. \n15.000,00 EUR  \n \nDark Queen (Crna Kraljica) je akcijska avantura inspirirana hrvatskom književnošću i \nmitologijom - djelima Augusta Šenoe, Ivane Brlić Mažuranić i drugih velikana hrvatske \nknjiževnosti, kao i legendama o kraljici Barbari Celjskoj, zloglasnoj vladarici Medvedgrada, \nali i drugim elementima hrvatske povijesti i folklora. Igra donosi inovativne mehanike borbe i \nmanipulacije vremena, omogućujući dinamičan i izazovan gameplay, a poseban naglasak je \nstavljen na bogatu priču i povezanost s književnim djelima i legendama iz hrvatske povijesti. \nZanimljiva kombinacija mehanika i suvremen vizualni stil te korištenje domaćih kulturnih \nmotiva projekt čini suvremenim i relevantnim za domaću audiovizualnu umjetnost. \nOvaj projekt odlično pripremljene dokumentacije i atraktivne demo verzije je dobitnik potpora \nza razvoj videoigara HAVC-a 2023 te sada prelazi u fazu proizvodnje. \n \n \n \nJANCER (Proizvodnja) \nGlavni autor: Mislav Majdandžić \nPrijavitelj: Eksperimental Games, vl. Mislav Majdandžić \n10.000,00 EUR  \n \nJancer je 2D pixel art platformer u kojem se svijet kreće u ritmu i/ili melodiji. Priča prati \nmačka Jancera koji je u potrazi za drevnim artefaktima koji obećavaju doživotnu udobnost. \nTijekom putovanja Jancer će se susresti s mnogim izazovima koji će testirati njegove \nvještine tajminga i preciznosti. U ovom alternativnom svemiru gdje su mačke personificirane, \nJancer će se susresti s alternativnim svemirskim ekvivalentima velikih skladatelja iz \nprošlosti. U ovom svijetu u kojem je glazba materijalizirana, Jancer ih sve mora proživjeti \nprije nego što odraste i postane vrijedan skrivenih artefakata.  \nOvaj simpatičan i originalan projekt je dobitnik prošlogodišnjih potpora za razvoj videoigara \nHAVC-a te sada prelazi u fazu proizvodnje. \n \n \n\n\f\nPOMPEII: THE LEGACY (Proizvodnja) \nGlavni autor: Željko Kos \nPrijavitelj: Intercorona d.o.o. \n15.000,00 EUR  \n \nPompeii: The Legacy je strateška povijesna igra izgradnje grada (eng. city builder) \nsmještena u doba Rimskog Carstva, u kojoj igrač preuzima ulogu vođe rimske obitelji \nzadužene za obnovu Pompeja nakon erupcije Vezuva. Kroz više generacija gradi, istražuje i \nbalansira političke, ekonomske i društvene izazove, vodeći Pompeje prema ponovnom \nprocvatu. Igrač osim gradnje grada mora savladavati razne zadatke koje mu zadaju \nsavjetnici, suradnici i rimski car, te je također naglašena trgovina i upravljanje trgovačkom \nflotom sa brojnim mediteranskim gradovima među kojima su Pula, Salona i Narona. Razvojni \ntim koristi tehniku fotogrametrije (eng. photogrametry) prilikom kreiranja objekata za igru, te, \nzbog vjerodostojnosti korisničkog iskustva, planiraju skenirati razne objekte u hrvatskim \ngradovima bogatim rimskom ostavštinom. \nOvaj ambiciozan i kvalitetno pripremljen projekt je dobitnik prošlogodišnjih potpora za razvoj \nvideoigara HAVC-a te sada prelazi u fazu proizvodnje. \n \n \n \nWAY (Proizvodnja) \nGlavni autor: Rea Budić \nPrijavitelj: Tiny Meow Studio j.d.o.o. \n15.000,00 EUR  \n \nWay je opuštajuća, proceduralno generirana igra sa kartama (eng. deckbuilder, wholesome) \nkoja povezivanjem više žanrova stvara originalno, ugodno i zabavno iskustvo igranja. Igrač \npreuzima ulogu poštara s glavnim ciljem da raznosi poštu i pakete na otoku na kojem se \ntrenutno nalazi, te brodom putuje između otoka i mjesta na obali. Kao i prijašnji radovi \npredlagatelja, igra Way se odvija u Dalmaciji, a izazovi i likovi s kojima se igrač susreće su \ntipični za naša dalmatinska mjesta i gradove. Igrači će zbog roguelite elementa imati veliku \nmogućnost ponovnog igranja (replayability), no umjesto čestih borbenih i mračnih tema, ova \nće igra sadržavati pozitivne poruke i afirmacije, ugodan vizualni stil i personalizaciju. \nOvaj jedinstveni projekt je dobitnik prošlogodišnjih potpora za razvoj videoigara HAVC-a te \nsada prelazi u fazu proizvodnje. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"videoigre","year":2024,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP%20za%20kinodistribuciju_web_2rok2021.pdf","filename_decoded":"JP%20za%20kinodistribuciju_web_2rok2021.pdf","sha256":"4748c37ffdfd494f05e587a07462afb57fcfb4d767ae3a95ea85c40a9df1bc19","bytes":200696,"page_count":1,"extracted_at":"2026-05-16T14:11:17Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP%20za%20kinodistribuciju_web_2rok2021.pdf"},"raw_text":"NOSITELJ \nPRIJAVE\nNASLOV FILMA\nKATEGORIJA \nFILMA\nREDATELJ/ICA\nPRODUCENT\nDISTRIBUTER\nODOBRENA SREDSTVA\n1.\nFocus Media \nd.o.o.\nTereza37\ndugometražni igrani \nfilm\nDanilo Šerbedžija\nFocus Media d.o.o.\nFocus Media d.o.o.\n50.000,00\n50.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti  i stvaralaštva u 2021. godini - poticanje \nkinodistribucije filmova\n2.ROK - 30.4.2021., 29. SJEDNICA HRVATSKOG AUDIOVIZUALNOG VIJEĆA u 3. sazivu, 7. prosinca \n2021.\nUKUPNO\n","warnings":[],"document":{"program_type":"distribucija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2021. godini - poticanje kinodistribucije filmova","year":2021,"rok":"2. rok","natjecaj_date":"2021-04-30","decision_date":"2021-12-07","decision_body":"AV vijeće","currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NOSITELJ PRIJAVE","NASLOV FILMA","KATEGORIJA FILMA","REDATELJ/ICA","PRODUCENT","DISTRIBUTER","ODOBRENA SREDSTVA"],"rows":[{"row_number":1,"project_title":"Tereza37","applicant":"Focus Media d.o.o.","production_company":"Focus Media d.o.o.","director":"Danilo Šerbedžija","writer":null,"original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"DISTRIBUTER":"Focus Media d.o.o.","repair_v1":{"changes":[{"field":"category","from":"dugometražni igrani film","to":"Dugometražni","reason":"category_from_existing_row_value","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Focus Media d.o.o.","row_id":"4748c37f:s0:dfc7b8ea417a","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_6463605990c8","project_family_title":"Tereza37"}],"section_total_text":"UKUPNO 50.000,00","section_total":50000.0}],"totals":{"ukupno_text":"UKUPNO 50.000,00","ukupno":50000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":50000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":1}},{"schema_version":"1.0","doc_type":"regulation","source":{"filename":"Pravilnik%20za%20provedbu%20nacionalnog%20programa.pdf","filename_decoded":"Pravilnik%20za%20provedbu%20nacionalnog%20programa.pdf","sha256":"477bc52d95e7c6f81373375ccb44cc18dd53269d4f3f0048bcfe1efe8b5a155a","bytes":452944,"page_count":33,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_me_unarodna_rezultati_rok_04_08_2017.pdf","filename_decoded":"JP_me_unarodna_rezultati_rok_04_08_2017.pdf","sha256":"47bf7ae6831b9d721c33db389bd6275d0f5e2abe3e7ee00da1ace44755ceca06","bytes":411291,"page_count":2,"extracted_at":"2026-05-17T10:23:37Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_me%C4%91unarodna_rezultati_rok_04_08_2017.pdf"},"raw_text":"PREDLAGATELJ\nVRSTA PROGRAMA\nNAZIV PROGRAMA\nODOBRENA POTPORA (kn)\n1\nAnti - Apsurd d.o.o.\nProgrami gostovanja hrvatskih autora/ -ica, \nproducenata/ -ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i producenta i predstavljanje \ndugometražnog dokumentarnog filma 'Slatko od ništa', \nred. B. Mitića u  programu Signs of Life 70. međunarodnog \nfilmskog festivala u Locarnu, 02. do 12. kolovoza 2017.\n13.000,00 kn\n2\nAntoneta Alamat Kusijanović\nProgrami predstavljanja i promocije filmova.\nSudjelovanje redateljice i predstavljanje kratkometražnog \nigranog filma 'U Plavetnilo', red. A. A. Kusijanović u \nslužbenom programu međunarodnog filmskog festivala \nOdense, Danska; 28. kolovoza do 03. rujna 2017.\n2.835,00 kn\n3\nAntoneta Alamat Kusijanović\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata\nSudjelovanje redateljice s projektom dugometražnog \nigranog filma 'Murina', red. A. A. Kusijanović na 3 modula \nmeđunarodne radionice za razvoj projekata First films \nfirst; Bitola, Makedonija; rujan 2017.; Beograd, Srbija; \nstudeni/prosinac 2017.; Sofija, Bugarska; ožujak 2018.\n5.000,00 kn\n4\nAntoneta Alamat Kusijanović\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata\nSudjelovanje redateljice s projektom dugometražnog \nigranog filma 'Murina', red. A. A. Kusijanović na 35. \nrezidenciji Cinefondation; Paris Francuska; 02. listopada \n2017. do 15. veljače 2018. \n2.362,00 kn\n5\nHrvatski filmski savez - HFS\nProgrami stručnog usavršavanja\nSudjelovanje Luke Pisačića na međunarodnoj radionici \nProdigy Camp; Lake Kachess Resort, Seattle; 08. do 15. \nsrpnja 2017.\n6.995,00 kn\n6\nHrvatski filmski savez - HFS\nOstali programi\nSudjelovanje troje predstavnika na 12. svjetskom summitu \nmedija za mlade; Falkenberg, Švedska; 27. srpnja do 09. \nkolovoza 2017.\n4.700,00 kn\n7\nHrvatski filmski savez - HFS\nOstali programi\nSudjelovanje hrvatske delegacije na 79. međunarodnom \nfestivalu amaterskog filma UNICA; Dortmund, Njemačka; \n05. do 12. kolovoza 2017.\n2.975,00 kn\n8\nJadranska animacija / Adriatic \nanimation\nProgrami predstavljanja i promocije filmova.\nSudjelovanje autorskog tima i predstavljanje \nkratkometražnog animiranog filma 'Manivald', red. C. \nLundgren u službenom programu međunarodnog festivala \nanimiranog filma Annecy, Francuska; 12. do 17. lipnja \n2017.\n3.175,00 kn\n9\nJadranska animacija / Adriatic \nanimation\nProgrami predstavljanja i promocije filmova\nSudjelovanje producenta i predstavljanje kratkometražnog \nanimiranog filma 'Manivald', red. C. Lundgren u programu \nnarativnog filma  međunarodnog festivala animiranog \nfilma u Ottawi, Kanada; 20. do 24. rujna 2017.\n4.692,00 kn\n10\nJadranska animacija / Adriatic \nanimation\nProgrami gostovanja hrvatskih autora/ -ica, \nproducenata/ -ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redateljice i producenta i predstavljanje \nkratkometražnog animiranog filma 'Manivald', red. C. \nLundgren u natjecateljskom programu međunarodnog \nfestivala animiranog filma Turku; Tartu, Finska; 23. do 27. \nkolovoza 2017.\n1.600,00 kn\n11\nKinoklub Karlovac\nOstali programi\nSudjelovanje Rudolfa Ravbara s projektom 'Phobia' na \nmeđunarodnom ljetnom kampu Teen Summer Film \nProduction u okviru Relativity School programa; Los \nAngeles, SAD; 23. srpnja do 13. kolovoza 2017.\n7.861,00 kn\n12\nLimen, obrt za usluge \naudiovizualne produkcije\nProgrami stručnog usavršavanja\nSudjelovanje producentice s projektom dugometražnog \nigranog filma 'Drugdje', red. F. Peruzovića na 3. sesiji \nmeđunarodne radionice za razvoj projekata EKRAN+; \nVaršava, Poljska; 19. do 27. lipnja 2017.\n2.095,00 kn\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2017. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 04. kolovoza 2017. \n\n\f\n13\nLimen, obrt za usluge \naudiovizualne produkcije\nProgrami stručnog usavršavanja\nSudjelovanje producentice Tene Gojić na 6. međunarodnoj \nproducentskoj radionici Emergin producers u sklopu \nmeđunarodnog filmskog festivala Jihlava, Češka; 24. do 28. \nlistopada 2017. te Berlin, Njemačka; 13. do 16. veljače \n2018.\n8.880,00 kn\n14\nMarko Dješka\nProgrami gostovanja hrvatskih autora/ -ica, \nproducenata/ -ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog \nanimiranog filma 'Grad duhova', red. M. Dješke u \nprogramu World Panorama 10. međunarodnog festivala \nanimiranog filma Fest Anca; Žilina, Slovačka; 29. lipnja do \n02. srpnja 2017.\n698,00 kn\n15\nNukleus Film d.o.o.\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata.\nSudjelovanje redateljice s projektom dugometražnog \nigranog filma 'Alfa', red. U. Gunjak na 3 sesije \nmeđunarodne radionice za razvoj projekata FeatureLab \n360 TorinoFilmLab-a; Rotterdam, Nizozemska; 05.-\n11.06.'17; Miskolc, Mađarska; 10.-15.09.'17; Turin, Italija; \n22.-26.11.'17.\n9.275,00 kn\n16\nNukleus Film d.o.o.\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata.\nSudjelovanje redateljice i producenta s projektom 'Hello \nIsabel', red. A. Kofmel na međunarodnom  \nkoprodukcijskom marketu i radionici Bridging the Dragon; \nNanjing, Kina; 13. do 16. lipnja 2017.\n7.500,00 kn\n17\nProdukcija Živa d.o.o.\nProgrami gostovanja hrvatskih autora/ -ica, \nproducenata/ -ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje članova autorskog time i predstavljanje \ndugometražnog igranog filma 'Muškarci ne plaču', red. A. \nDrljevića u natjecateljskom programu 52. međunarodnog \nfilmskog festivala Karlovy Vary, Češka; 30. lipnja do 08. \nsrpnja 2017.\n20.100,00 kn\n18\nRecircle d.o.o.\nPitching, koprodukcijski forumi i programi za razvoj \nprojekata.\nSudjelovanje  producentice s projektom 'Little Who Who' \nna međunarodnom koprodukcijskom sajmu Seoul \nPromotion Plan; Seoul, Koreja; 02. do 12. srpnja 2017.\n2.130,00 kn\n19\nRestart\nProgrami gostovanja hrvatskih autora/ -ica, \nproducenata/ -ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje producentice i predstavljanje \ndugometražnog dokumentarnog filma 'Playing Men', red. \nM. Ivanišina u natjecateljskom programu 28. \nmeđunarodnog filmskog festivala FIDMarseille; Marseille, \nFrancuska; 11. do 17. srpnja 2017.\n9.200,00 kn\n20\nRestart\n Pitching, koprodukcijski forumi i programi za \nrazvoj projekata.\nSudjelovanje redateljice i producenta s projektom  \ndokumentarnog filma 'Snajka traži sreću', red. T. Vidović \nna 2 sesije međunarodne radionice za razvoj projekata \nBDC Discoveries; Prizren, Kosovo; 10. do 12. kolovoza \n2017.; Beograd, Srbija; studeni 2017.\n11.250,00 kn\n21\nTomislav Gregl\nProgrami gostovanja hrvatskih autora/ -ica, \nproducenata/ -ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog \nanimiranog filma 'Medo trapavko', red. T. Gregl  u \nprogramu Elements +3 47. međunarodnog filmskog \nfestivala Giffoni Expereince; Giffoni Valle Piana, Italija; 20. \ndo 23. srpnja 2017. \n3.400,00 kn\n22\nUmjetnička organizacija Zagreb \nFilm Festival\nProgrami gostovanja hrvatskih autora/ -ica, \nproducenata/ -ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje koordinatorice programa za djecu i mlade \nKatarine Crnčić na 22. međunarodnom festivalu dječjeg \nfilma Schlingel te Industry forumu u sklopu festivala; \nChemnitz, Njemačka; 25. rujna do 01. listopada 2017.\n2.218,00 kn\n23\nVladimir Kanić\n Pitching, koprodukcijski forumi i programi za \nrazvoj projekata.\nSudjelovanje redatelja i predstavljanje kratkometražnog \nanimirano eksperimentalnog filma 'Only lovers left to die', \nred. V. Kanića u programu Narrative Short 41. \nmeđunarodnog festivala animiranih filmova u Otawi, \nKanaa; 20. do 24. rujna 2017.\n5.213,00 kn\nUKUPNO:\n137.154,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\nNova ves 18  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 085  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JP_me_unarodna_rezultati_rok_04_08_2017","year":2017,"rok":null,"natjecaj_date":"2017-08-12","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PREDLAGATELJ","VRSTA PROGRAMA","NAZIV PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje redatelja i producenta i predstavljanje dugometražnog dokumentarnog filma 'Slatko od ništa', red. B. Mitića u programu Signs of Life 70. međunarodnog filmskog festivala u Locarnu, 02. do 12. kolovoza 2017.","applicant":"Anti-Apsurd d.o.o.","production_company":"Anti-Apsurd d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"13.000,00 kn","approved_amount":13000.0,"currency":"HRK","extras":{"col_1":"1","NAZIV PROGRAMA":"Sudjelovanje redatelja i producenta i predstavljanje dugometražnog dokumentarnog filma 'Slatko od ništa', red. B. Mitića u programu Signs of Life 70. međunarodnog filmskog festivala u Locarnu, 02. do 12. kolovoza 2017.","entity_original_production_company":"Anti - Apsurd d.o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Anti-Apsurd d.o.o.","row_id":"47bf7ae6:s0:805c543270e6","curation":{"changes":[{"field":"project_title","from":"Programi gostovanja hrvatskih autora/ -ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. Programi predstavljanja i promocije filmova.","to":"Sudjelovanje redatelja i producenta i predstavljanje dugometražnog dokumentarnog filma 'Slatko od ništa', red. B. Mitića u programu Signs of Life 70. međunarodnog filmskog festivala u Locarnu, 02. do 12. kolovoza 2017.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_886521d858a1","project_family_title":"Sudjelovanje redatelja i producenta i predstavljanje dugometražnog dokumentarnog filma 'Slatko od ništa', red. B. Mitića u programu Signs of Life 70. međunarodnog filmskog festivala u Locarnu, 02. do 12. kolovoza 2017."},{"row_number":2,"project_title":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'U Plavetnilo', red. A. A. Kusijanović u službenom programu međunarodnog filmskog festivala Odense, Danska; 28. kolovoza do 03. rujna 2017.","applicant":"Antoneta Alamat Kusijanović","production_company":"Antoneta Alamat Kusijanović","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.835,00 kn","approved_amount":2835.0,"currency":"HRK","extras":{"col_1":"2","NAZIV PROGRAMA":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'U Plavetnilo', red. A. A. Kusijanović u službenom programu međunarodnog filmskog festivala Odense, Danska; 28. kolovoza do 03. rujna 2017.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antoneta Alamat Kusijanović","row_id":"47bf7ae6:s0:0d7c59a1f35d","curation":{"changes":[{"field":"project_title","from":"Programi predstavljanja i promocije filmova.","to":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'U Plavetnilo', red. A. A. Kusijanović u službenom programu međunarodnog filmskog festivala Odense, Danska; 28. kolovoza do 03. rujna 2017.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_19fc1df2ed02","project_family_title":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'U Plavetnilo', red. A. A. Kusijanović u službenom programu međunarodnog filmskog festivala Odense, Danska; 28. kolovoza do 03. rujna 2017."},{"row_number":3,"project_title":"Sudjelovanje redateljice s projektom dugometražnog igranog filma 'Murina', red. A. A. 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ROK - 14.3.2023. \nUmjetnička savjetnica: Tiha Gudac, dugometražni dokumentarni film \nNa javni poziv u kategoriji poticanja razvoja projekta dugometražnog dokumentarnog filma na 1. roku \nprijavljeno je sveukupno 8 projekata. Svi projekti su razmatrani. Također, razmatrani su i  projekti prijavljeni u \nkategoriji produkcije dugometražnog igranog filma, za koje je procijenjeno da je kategorija razvoja projekta \nprikladnija za nastavak pripreme budućih filmova.  \nVećina pristiglih projekata autorska su istraživanja segmenata društva i kolektivne prošlosti kroz pojedince, \nfenomene, društvene pokrete i pop kulturu. Dio projekata pokazuje slabost u jasnoći, pripremljenosti ili \noriginalnosti, a kod dijela se radi o ponovljenim prijavama bez uočenog unapređenja koncepta. \nS druge strane, nekoliko projekata temama koje obrađuju pristupa s autorskom pripravnošću i zrelošću \ndostatnom za stjecanje povjerenja u održivost nastavka razvoja projekta.  \nPredlažem Hrvatskom audiovizualnom vijeću ukupno četiri projekta za sufinanciranje u ovoj kategoriji, a među \npredloženima je jedan projekt prebačen iz kategorije proizvodnje. U kategoriji razvoja projekta predloženo je \nfinanciranje u ukupnom iznosu od 61.000,00 eura.  \nSmatram da će potpora razvoja dolje navedenih filmskih projekata doprinijeti stvaranju jakih kreativnih i \ndruštveno relevantnih filmskih djela te omogućiti njihovu prisutnost na europskoj dokumentarističkoj sceni već \nprije početka snimanja te da će tako biti osiguran bolji plasman budućih filmova.   \n1. NIJE NA PRODAJU - Marina Aničić Spremo  (redateljica i scenaristica), Nenad Puhovski (producenti), \nFactum   (produkcija)  \n- \n15.000,00 eura \n \nFilmska priča je o ljudima koji su direktno suočeni s neorganiziranom i ekspanzivnom gradnjom u Zagrebu. \nUnutar realnosti koja je naklonjena investitorima umjesto stanovnicima grada, protagonisti filma suočeni su \ns problemima koji djeluju nerješivo. Njihovo susjedstvo kakvo su poznavali nestaje, a kvaliteta življenja im \ndrastično opada. Film prati procese pokušaja pružanja otpora i paralelnog nestanka dijela nekog starog \ngrada. \n \n2. OLIMBI HOXHAJ - Karlo Mlinar  (redatelj i scenaristi). Renata Lučić (producentica), More – Magnets d.o.o. \n(produkcija)  \n- \n15.000,00 eura \n \nPriča o protagonistici Olimbi koja 2003. godine postaje udovica i samohrana majka četvero djece te iste \ngodine saznaje kako su ona i njezino troje od četvero djece HIV pozitivni u trenutku kada terapija za \noboljele od HIV-a nije bila dostupna u Albaniji.  Prateći Olimbi na putu osnivanja Fondacije u čast svom \nsuprugu koji je preminuo od AIDS-a film ulazi u realnosti života sa zarazom koja je uslijed diskriminacije \ndruštva iznjedrila veliku Hrabrost pojedinca.  \n \n3.  BEZBROJ POLJUBACA - Alessio Bozzero (redatelj i scenarist). Ivana Marinić Kragić (redateljica),  Ivana \nMarinić     Kragić (producentica), Udruga Marinis Medija  (produkcija)   \n- \n15.000,00 eura \n \nKrenuvši od pjesme «24000 baci» film gledatelja uvodi u svijet utjecaja talijanske glazbe na glazbu i kulturu \n\n\f\nJugoslavije. Kroz filmsku i glazbenu arhivu te dokumentaristička svjedočanstva snimljena u sadašnjosti, film \ngledatelja vodi u svijet koji je osim nostalgičarskim notama ocrtan i pozivom na umjetničko stvaralaštvo \nkoje može stvarati promjenu i otvarati nove pozitivne svjetove u kolektivnoj svijesti i povijesti.  \n4.    BOL - Ivan Faktor  (redatelji i scenarist), Jelena Duh (producentica), Sve gore i  gore  (produkcija) /  \n- 16.000,00 eura \n \nBilježeći svoju svakodnevicu ovim autobiografskim filmom umjetnik ulazi u suživot vlastitoga tijela s novom \nsporošću i neposluhom, tražeći pri tome novi i jedinstven vizualni kod. Ivan (69) i Blanka (71) Faktor žive u \nizolirano dvosobnom stanu u centru Osijeka, sve je započelo s pandemijom, a nastavilo se jer su oboje \nboležljivi i zbog starosti osuđeni jedno na drugo. 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Zoran Bručić","REDATELJ":"Živorad Tomić","AUTOR IZVORNOG PREDLOŠKA":"Zoran Bručić „25 godina poslije: Diploma za smrt“","entity_original_production_company":"Inter film d.o.o. / Ivan Maloča","entity_owner":"Ivan Maloča","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","people_backfill_v1":{"changes":[{"field":"director","from":null,"to":"Zoran Bručić","source":"raw_chunk:director","confidence":"medium"},{"field":"writer","from":null,"to":"Živorad Tomić","source":"raw_chunk_strict:writer","confidence":"medium"}],"updated_at":"2026-05-18T15:25:14Z","method":"machine:people_backfill_v1"},"creator_backfill_original_author":true,"creator_backfill_original_author_at":"2026-05-18T16:54:59Z","creator_backfill_original_author_source":"4875bc34_rprtv_2019_serijska_20i2020_web_pdf.json","creator_backfill_original_author_confidence":"high","creator_backfill_original_author_reasoning":"Naslov i redni broj se podudaraju, a tri polja autora slijede očekivani redoslijed stupaca."},"entity":"Inter film d.o.o.","row_id":"4875bc34:s0:a60f78f121a9","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_fb47a1938cb1","project_family_title":"Diploma za smrt"}],"section_total_text":"300.000,00","section_total":300000.0}],"totals":{"ukupno_text":null,"ukupno":300000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":300000.0,"ukupno_match":true,"row_count":4,"awarded_count":4,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:02Z","result_rows":4}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"Odluka%20AV_pojedinacno%20glasanje%20o%20listi_RP%20dugi%20igrani%20film_14122020_ad.pdf","filename_decoded":"Odluka%20AV_pojedinacno%20glasanje%20o%20listi_RP%20dugi%20igrani%20film_14122020_ad.pdf","sha256":"48b4a43b6652bdc8c78caddd10a572b3444c6dea26e08662238c4606948459bf","bytes":199149,"page_count":2,"extracted_at":"2026-05-16T14:11:55Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKLASA: 111-006-001 \nURBROJ: 5389-2020 \nU Zagrebu, 14. prosinca 2020. \n \n \nTemeljem članka 36., stavak 1. Zakona o audiovizualnim djelatnostima („Narodne novine“, broj 61/18), te \nsukladno članku 11., stavak 3. Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog \nprograma promicanja audiovizualnog stvaralaštva („Narodne novine“, broj 10/20),  Hrvatsko audiovizualno \nvijeće u 3. sazivu je na 5. sjednici održanoj 14. prosinca 2020.  godine donijelo: \n \nO  D  L  U  K  U \no pojedinačnom glasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih djelatnosti \ni stvaralaštva u 2020. godini - kategorija: poticanje razvoja projekata dugometražnih igranih filmova – 2. \nROK –14.09.2020. \n \n \n1. Sukladno članku 11. stavak 3. Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog \nprograma promicanja audiovizualnog stvaralaštva („Narodne novine“, broj 10/20), Hrvatsko \naudiovizualno vijeće donosi Odluku o pojedinačnom glasovanju o listi prioriteta prema Javnom \npozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini – kategorija: poticanje \nrazvoja projekata dugometražnih igranih filmova – 2. ROK –14.09.2020. \n \n2. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n3. Ova Odluka bit će objavljena u zakonom propisanom roku na mrežnoj stranici Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb, (dalje u tekstu: HAVC): www.havc.hr. \n \n  \n \n \n \n \n             \nObrazloženje \n \nTemeljem članka 36. stavak 1. alineja 3. Zakona o audiovizualnim djelatnostima („Narodne novine“, broj \n61/18) i sukladno odredbama Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog \nprograma promicanja audiovizualnog stvaralaštva („Narodne novine“, broj 10/20), u 2020. godini raspisan je \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva za kategoriju poticanje razvoja scenarija i \nprojekata dugometražnih igranih filmova – 2. ROK –14.09.2020. \n \nHrvatsko audiovizualno vijeće je dana 14. prosinca 2020. na 5. sjednici, temeljem članka 11. stavka 3. \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog \nstvaralaštva („Narodne novine“, broj 10/20) jednoglasno s trinaest (13) glasova „za“ donijelo Odluku o \npojedinačnom glasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih djelatnosti i \nstvaralaštva u 2020. godini - kategorija: poticanje razvoja projekata dugometražnih igranih filmova – 2. ROK \n–14.09.2020. \n \n \n\n\f\n \n \n \n \nNavedena odluka je donesena sa ciljem kvalitetnijeg raspravljanja o projektima predloženim od strane \nUmjetničkog vijeća. \n \nTemeljem članka 10. Zakona o pravu na pristup informacijama („Narodne novine“, broj 25/13 i 85/15), HAVC \nće ovu Odluku objaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \n \n \n         Predsjednik  \nHrvatskog audiovizualnog vijeća \n \n                                             Lado Skorin, v.r. \n \n \nDostaviti: \n \n  \n -  pismohrana, ovdje \n","warnings":[],"document":{"program_type":"razvoj_projekata","year":2020,"rok":"2. rok","referenced_projects":[],"summary":"Odluka AV Vijeća u 3. sazivu na 5. sjednici od 14. prosinca 2020. o pojedinačnom glasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini u kategoriji poticanje razvoja projekata dugometražnih igranih filmova – 2. rok (14.09.2020.).","project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"Odluka%20AV_-%20Sjene%20u%20mraku_09092020_DR.pdf","filename_decoded":"Odluka%20AV_-%20Sjene%20u%20mraku_09092020_DR.pdf","sha256":"48da5083d485251950caaed7b34e9ec17c976e1eebea9e13c45600de22dc5926","bytes":197783,"page_count":2,"extracted_at":"2026-05-16T14:11:54Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKLASA: 111-006-001 \nURBROJ: 3790-2020 \nU Zagrebu, 09. rujna 2020. \n \n \nTemeljem članka 36., stavak 1. Zakona o audiovizualnim djelatnostima („Narodne novine“, broj 61/18, dalje \nu tekstu: Zakon o audiovizualnim djelatnostima), sukladno članku 11., stavak 3. Pravilnika o postupku, \nkriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(„Narodne novine“, broj 10/20), te sukladno Odluci Hrvatskog audiovizualnog vijeća o pojedinačnom \nglasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u \n2019. godini – kategorija: poticanje razvoja scenarija i razvoja projekata televizijskih djela, rok prijave \n20.01.2020.g. KLASA: 111-006-001, URBROJ: 3776-2020, od dana 09. rujna 2020., Hrvatsko audiovizualno \nvijeće u 2. sazivu je na 32. sjednici održanoj 09. rujna 2020.  godine donijelo: \n \nO  D  L  U  K  U \n \no odobravanju sredstva državne potpore serijskom igranom televizijskom djelu “Sjene u mraku”, \nproducenta Castor Multimedia d.o.o. \n \n1. Sukladno članku 11., stavak 3. Pravilnika o postupku, kriterijima i rokovima za provedbu \nNacionalnog programa promicanja audiovizualnog stvaralaštva („Narodne novine“, broj 10/20), \nHrvatsko audiovizualno vijeće je na 32. sjednici održanoj 09. rujna 2020. godine donijelo Odluku o \npojedinačnom glasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2019. godini – kategorija: poticanje razvoja scenarija i razvoja projekata \ntelevizijskih djela, rok prijave 20.01.2020.g., KLASA: 111-006-001, URBROJ: 3776-2020 temeljem \nkoje donosi Odluku o odobravanju sredstva državne potpore serijskom igranom televizijskom djelu \n“Sjene u mraku”, producenta Castor Multimedia d.o.o., u ukupnom iznosu od 40.000,00 \n(četrdesettisućakuna). \n \n2. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n3. Ova Odluka bit će objavljena u zakonom propisanom roku na mrežnoj stranici Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb, (dalje u tekstu: HAVC): www.havc.hr. \n \n  \n \n \n \n \n             \nObrazloženje \n \nTemeljem članka 36., stavak 1., alineja 3. Zakona o audiovizualnim djelatnostima i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog \nstvaralaštva („Narodne novine“, broj 144/14) u 2019. godini raspisan je Javni poziv za poticanje \naudiovizualnih djelatnosti i stvaralaštva u kategoriji poticanje razvoja scenarija i razvoja projekata \ntelevizijskih djela, rok prijave 20.01.2020.g. \n \nNa 82. sjednici Umjetničkog vijeća održanoj 02. rujna 2020. godine, umjetnički savjetnik za televizijska djela \n\n\f\n \n \n \n \ng. Saša Runjić, predložio je listu prioriteta prema projektima prijavljenima na Javni poziv za poticanje \naudiovizualnih djelatnosti i stvaralaštva u kategoriji poticanje razvoja scenarija i razvoja projekata \ntelevizijskih djela, rok prijave 20.01.2020.g. \n \nOdredbom članka 11., stavak 3. Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog \nprograma promicanja audiovizualnog stvaralaštva („Narodne novine“, broj 10/20), koji je stupio na snagu 1. \nveljače 2020. g., dana je Hrvatskom audiovizualnom vijeću mogućnost glasovanja o listi prioriteta \nobjedinjeno ili pojedinačno, a odluka o načinu glasovanja donosi se prije glasovanja o svakoj od lista \npredloženih od strane umjetničkog savjetnika. \n \nHrvatsko audiovizualno vijeće je na 32. sjednici održanoj 09. rujna 2020. godine donijelo Odluku o \npojedinačnom glasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih djelatnosti i \nstvaralaštva u 2019. godini – kategorija: poticanje razvoja scenarija i razvoja projekata televizijskih djela, rok \nprijave 20.01.2020.g. KLASA: 111-006-001, URBROJ: 3776-2020. \n \nSlijedom navedenog, temeljem članka 36., stavak 1. Zakona o audiovizualnim djelatnostima,  sukladno \nčlanku 11., stavak 3. Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva te sukladno Odluci Hrvatskog audiovizualnog vijeća o pojedinačnom \nglasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u \n2019. godini – kategorija: poticanje razvoja scenarija i razvoja projekata televizijskih djela, rok prijave \n20.01.2020.g., KLASA: 111-006-001, URBROJ: 3776-2020 od dana 09. rujna 2020. Hrvatsko audiovizualno \nvijeće u 2. sazivu je s jedanaest (11) glasova “za“ i jednim (1) “izuzet ” donijelo odluku iz točke 1. izreke \nOdluke. \n \nTemeljem čl. 34. Zakona o audiovizualnim djelatnostima ravnatelj HAVC-a izvršava odluke o raspodjeli \nsredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima sredstava.  \n \nTemeljem članka 10. Zakona o pravu na pristup informacijama („Narodne novine“, broj 25/13 i 85/15), \nHAVC će ovu Odluku objaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \n \n \n         Predsjednik  \nHrvatskog audiovizualnog vijeća \n \n \n                         _____________________________ \n \n                                            Antonio Nuić, v.r. \n \n \nDostaviti: \n \n  \n -  pismohrana, ovdje \n","warnings":[],"document":{"program_type":"tv_djela","year":2020,"rok":null,"referenced_projects":["Sjene u mraku"],"summary":"Odluka AV Vijeća u 2. sazivu na 32. sjednici od 9. rujna 2020. o odobravanju sredstava državne potpore serijskom igranom televizijskom djelu „Sjene u mraku“ producenta Castor Multimedia d.o.o. u ukupnom iznosu od 40.000,00 kuna.","project_links":[{"source_title":"Sjene u mraku","family_id":"pf_1c878a5b0d17","family_title":"Sjene u 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 natječajni\t\r  rok\t\r  Javnog\t\r  poziva\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  u\t\r  2020.\t\r  godini\t\r  \nprijavljeno\t\r  je\t\r  i\t\r  razmatrano\t\r  sveukupno\t\r  devetnaest\t\r  (19)\t\r  projekata,\t\r  od\t\r  čega\t\r  osamnaest\t\r  (18)\t\r  \nkratkometražnih\t\r  i\t\r  jedan\t\r  (1)\t\r  dugometražni\t\r  projekt.\t\r  \t\r  \nOd\t\r  19\t\r  projekata\t\r  \t\r  za\t\r  sufinanciranje\t\r  je\t\r  predloženo\t\r  osam\t\r  (8)\t\r  filmova,\t\r  jedan\t\r  (1)\t\r  dugometražni\t\r  i\t\r  \nsedam\t\r  (7)\t\r  kratkometražnih\t\r  animiranih\t\r  filmova.\t\r  \t\r  \nPosebnost\t\r  ovog\t\r  natječaja\t\r  je\t\r  upravo\t\r  dugometražni\t\r  animirani\t\r  film\t\r  koji\t\r  je\t\r  u\t\r  suradnji\t\r  sa\t\r  \nsavjetnicima\t\r  za\t\r  dugometražni\t\r  igrani\t\r  film\t\r  i\t\r  predložen\t\r  za\t\r  sufinanciranje.\t\r  \t\r  \nKao\t\r  i\t\r  na\t\r  nekoliko\t\r  prethodnih\t\r  natječaja\t\r  ponovno\t\r  je\t\r  prijavljen\t\r  veliki\t\r  broj\t\r  debitantskih\t\r  projekata,\t\r  \nnjih\t\r  čak\t\r  devet\t\r  (9),\t\r  a\t\r  za\t\r  sufinanciranje\t\r  su\t\r  predložena\t\r  tri\t\r  (3)\t\r  filma.\t\r  \t\r  \nNa\t\r  natječaj\t\r  su\t\r  prijavljena\t\r  četiri\t\r  (4)\t\r  filma\t\r  za\t\r  djecu,\t\r  a\t\r  za\t\r  sufinanciranje\t\r  su\t\r  predložena\t\r  dva\t\r  (2)\t\r  \nfilma.\t\r  Jedan\t\r  je\t\r  nadahnut\t\r  slikovnicom,\t\r  dok\t\r  je\t\r  drugi\t\r  napisan\t\r  i\t\r  u\t\r  knjigu\t\r  snimanja\t\r  uobličen\t\r  prema\t\r  \noriginalnom\t\r  scenariju.\t\r  \nŠto\t\r  se\t\r  tehnika\t\r  tiče,\t\r  najveći\t\r  je\t\r  broj\t\r  prijava,\t\r  odnosno\t\r  filmova\t\r  zamišljen\t\r  da\t\r  se\t\r  izvede\t\r  u\t\r  2D\t\r  tehnici,\t\r  \niako\t\r  je\t\r  vidljiv\t\r  i\t\r  porast\t\r  broja\t\r  lutka\t\r  filmova,\t\r  dok\t\r  je\t\r  nešto\t\r  manji\t\r  broj\t\r  kombiniranih\t\r  tehnika,\t\r  kolaža\t\r  i\t\r  \n3D\t\r  animacije.\t\r  Za\t\r  sufinanciranje\t\r  su\t\r  predložena\t\r  četiri\t\r  (4)\t\r  2D\t\r  filma,\t\r  dva\t\r  (2)\t\r  stop\t\r  animacijska\t\r  lutka\t\r  \nfilma\t\r  i\t\r  jedan\t\r  (1)\t\r  film\t\r  koji\t\r  koristi\t\r  kombinaciju\t\r  tehnika.\t\r  \t\r  \n\t\r  \nSveukupna\t\r  potpora\t\r  \t\r  za\t\r  proizvodnju\t\r  kratkometražnih\t\r  animiranih\t\r  filmova\t\r  je\t\r  1.890.000,00\t\r  kn\t\r  za\t\r  7\t\r  \nprojekata.\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\n\t\r  \nnaziv\t\r  projekta:\t\r  OBITELJSKI\t\r  PORTRET\t\r  \nprodukcija:\t\r  Jadranska\t\r  animacija/\t\r  Adriatic\t\r  animation\t\r  \t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Lea\t\r  Vidaković\t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  15\t\r  min\t\r  /\t\r  lutka\t\r  film/\t\r  odrasli\t\r  \t\r  \n450.000,00\t\r  kn\t\r  \n„Obiteljski\t\r  portret“\t\r  je\t\r  lijepa\t\r  i\t\r  osjećajima\t\r  nabijena\t\r  priča\t\r  o\t\r  obiteljskim\t\r  odnosima\t\r  koji\t\r  se\t\r  očituju,\t\r  \noblikuju\t\r  i\t\r  razotkrivaju\t\r  u\t\r  jednom\t\r  danu,\t\r  u\t\r  jednom\t\r  okupljanju,\t\r  na\t\r  jednom\t\r  mjestu.\t\r  \t\r  \nIako\t\r  smještena\t\r  u\t\r  prostorno-­‐vremenske\t\r  okvire\t\r  Austro-­‐ugarske\t\r  monarhije,\t\r  kako\t\r  to\t\r  sugerira\t\r  \npomno\t\r  i\t\r  minuciozno\t\r  osmišljena\t\r  scenografija\t\r  (pritom\t\r  svemu\t\r  skupa\t\r  dajući\t\r  očaravajući\t\r  šarm),\t\r  to\t\r  \nje\t\r  univerzalna\t\r  priča\t\r  s\t\r  mnoštvo\t\r  dobro\t\r  i\t\r  jasno\t\r  okarakteriziranih\t\r  likova\t\r  s\t\r  kojima\t\r  se\t\r  gledatelj\t\r  lako\t\r  \nmože\t\r  suživjeti.\t\r  Ako\t\r  ne\t\r  sa\t\r  pojedincem,\t\r  onda\t\r  na\t\r  koncu\t\r  sa\t\r  svim\t\r  članovima\t\r  obitelji\t\r  u\t\r  cjelini\t\r  koja\t\r  \nmože\t\r  biti\t\r  nervozna\t\r  i\t\r  bučno\t\r  razdragana,\t\r  a\t\r  opet\t\r  u\t\r  drugom\t\r  trenu\t\r  uspavana,\t\r  snena\t\r  i\t\r  prazna\t\r  nakon\t\r  \nteškoga\t\r  ručka\t\r  kojeg\t\r  ponekad\t\r  pohode\t\r  i\t\r  teška\t\r  i\t\r  bolna\t\r  sjećanja.\t\r  \nU\t\r  filmu\t\r  svaki\t\r  lik\t\r  nosi\t\r  svoju\t\r  istinu\t\r  i\t\r  osobnost,\t\r  želje,\t\r  htijenja\t\r  i\t\r  moranja,\t\r  tuge\t\r  i\t\r  razočaranja,\t\r  a\t\r  \npretapa\t\r  se\t\r  u\t\r  upravo\t\r  ono\t\r  što\t\r  i\t\r  naslov\t\r  postavlja\t\r  kao\t\r  polazišnu\t\r  i\t\r  završnu\t\r  točku,\t\r  a\t\r  to\t\r  je\t\r  obiteljski\t\r  \nportret\t\r  koji\t\r  daje\t\r  jednu\t\r  ćutljivu\t\r  reviziju\t\r  osobnog\t\r  i\t\r  kolektivnog\t\r  sjećanja\t\r  i\t\r  osjećanja.\t\r  \t\r  \nAutorica\t\r  je\t\r  svojim\t\r  prethodnim\t\r  filmovima\t\r  izgradila\t\r  prepoznatljivi\t\r  stil\t\r  i\t\r  uspostavila\t\r  se\t\r  kao\t\r  jedna\t\r  \nod\t\r  najvještijih\t\r  animatora\t\r  unutar\t\r  hrvatskog\t\r  lutkarskog\t\r  animiranog\t\r  film.\t\r  \t\r  \t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  U\t\r  MALU\t\r  JE\t\r  UŠA\t\r  ĐAVA\t\r  \t\r  \nprodukcija:\t\r  Prime\t\r  Render\t\r  d.o.o.\t\r  \t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Veljko\t\r  Popović,\t\r  Milivoj\t\r  Popović\t\r  \t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  12\t\r  min\t\r  /\t\r  2d\t\r  animacija/\t\r  odrasli\t\r  i\t\r  djeca\t\r  \t\r  \n420.000,00\t\r  kn\t\r  \nPrema\t\r  uspješnom\t\r  autobiografskom\t\r  romanu\t\r  \"U\t\r  malu\t\r  je\t\r  uša\t\r  đava\"\t\r  likovne\t\r  umjetnice,\t\r  a\t\r  očito\t\r  i\t\r  \nvješte\t\r  spisateljice,\t\r  Tisje\t\r  Kljaković\t\r  Braić,\t\r  adaptiran\t\r  je\t\r  scenarij\t\r  i\t\r  osmišljen\t\r  duhovit\t\r  i\t\r  dijaloški\t\r  \nrazigrani\t\r  film\t\r  o\t\r  odrastanju\t\r  i\t\r  spoznavanju\t\r  svijeta\t\r  i\t\r  života.\t\r  Glavni\t\r  akteri\t\r  priče\t\r  su\t\r  djevojčica\t\r  Tisja\t\r  i\t\r  \nnjen\t\r  djed,\t\r  a\t\r  sve\t\r  ono\t\r  što\t\r  se\t\r  zbiva\t\r  između\t\r  jedne\t\r  ljubavi\t\r  i\t\r  generacijskog\t\r  jaza,\t\r  ostavlja\t\r  nas\t\r  da\t\r  i\t\r  sami\t\r  \npropitujemo\t\r  svoje\t\r  ljubavi,\t\r  generacijske\t\r  jazove,\t\r  ali\t\r  i\t\r  sjećanja.\t\r  Film\t\r  nas\t\r  u\t\r  to\t\r  svakako\t\r  uvlači\t\r  svojim\t\r  \nnarativom,\t\r  vizualom,\t\r  ritmom\t\r  i\t\r  humorom.\t\r  \n\n\f\nToplina\t\r  i\t\r  neposrednost\t\r  priče\t\r  uz\t\r  primjenjive\t\r  i\t\r  prispodobljive\t\r  vizuale\t\r  i\t\r  karakter\t\r  animacije\t\r  \npretpostavljaju\t\r  uspješno\t\r  izveden\t\r  festivalski,\t\r  televizijski\t\r  ili\t\r  na\t\r  bilo\t\r  kojoj\t\r  drugoj\t\r  platformi\t\r  \nprezentan\t\r  film.\t\r  \t\r  \nAutori\t\r  su\t\r  dosad\t\r  uspješno\t\r  ostvarivali\t\r  odobrene\t\r  projekte\t\r  uz\t\r  stalnu\t\r  prisutnost\t\r  u\t\r  natjecateljskim\t\r  \nprogramima\t\r  najvećih\t\r  svjetskih\t\r  filmskih\t\r  festivala.\t\r  \t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  ORINTHOLOGY\t\r  \nprodukcija:\t\r  Ustanova\t\r  Zagreb\t\r  film\t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Nina\t\r  Klarić,\t\r  Siniša\t\r  Koprivnjak\t\r  (debitanti)\t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  8\t\r  min\t\r  /\t\r  lutka\t\r  film/\t\r  odrasli\t\r  \t\r  \n350.000,00\t\r  kn\t\r  \nIako\t\r  je\t\r  riječ\t\r  o\t\r  debitantima\t\r  u\t\r  animiranom\t\r  filmu,\t\r  projekt\t\r  je\t\r  čvrsto\t\r  postavljen\t\r  i\t\r  ima\t\r  sve\t\r  potrebne\t\r  \nkvalitete\t\r  za\t\r  uspješan\t\r  lutka-­‐film,\t\r  od\t\r  priče,\t\r  odnosno\t\r  scenarija,\t\r  pa\t\r  sve\t\r  do\t\r  samog\t\r  vizuala,\t\r  animacije\t\r  \ni\t\r  atmosfere\t\r  što\t\r  se\t\r  moglo\t\r  vidjeti\t\r  iz\t\r  kratkog\t\r  isječka\t\r  kojeg\t\r  su\t\r  autori\t\r  priložili\t\r  uz\t\r  natječajnu\t\r  \ndokumentaciju.\t\r  Pticoliki\t\r  muškarac\t\r  i\t\r  pticolika\t\r  žena\t\r  ili\t\r  muškolika\t\r  i\t\r  ženskolika\t\r  ptica\t\r  uronjeni\t\r  su\t\r  u\t\r  \nsvoju\t\r  pomalo\t\r  sablasnu\t\r  rutinu\t\r  koja\t\r  se\t\r  do\t\r  kraja\t\r  filma\t\r  razotkriva\t\r  u\t\r  svom\t\r  punom\t\r  svjetlu\t\r  ostavljajući\t\r  \nnas\t\r  da\t\r  prepoznajemo\t\r  i\t\r  svoje\t\r  vlastite\t\r  zakutke\t\r  podsvijesti.\t\r  \nGlavni\t\r  akteri\t\r  priče\t\r  su\t\r  upečatljivi,\t\r  a\t\r  atmosfera\t\r  uznemirujuće\t\r  napeta\t\r  iako\t\r  se\t\r  radnja\t\r  ne\t\r  oslanja\t\r  na\t\r  \nakciju\t\r  već\t\r  na\t\r  unutarnji\t\r  i\t\r  međusobni\t\r  sukob.\t\r  \t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  PLAVI\t\r  MEDO\t\r  \nprodukcija:\t\r  Studio\t\r  dim\t\r  d.o.o.\t\r  \t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Marina\t\r  Andree\t\r  Škop\t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  10\t\r  min\t\r  /\t\r  2d\t\r  animacija/\t\r  djeca\t\r  \n260.000,00\t\r  kn\t\r  \n„Plavi\t\r  medo“\t\r  je\t\r  i\t\r  pričom\t\r  i\t\r  vizualom\t\r  upečatljiv,\t\r  poučan\t\r  i\t\r  duhovit\t\r  film\t\r  za\t\r  djecu,\t\r  nastao\t\r  prema\t\r  \nnagrađivanoj\t\r  slikovnici\t\r  spisateljice\t\r  Silvije\t\r  Šesto\t\r  i\t\r  ilustratorice\t\r  Vande\t\r  Čižmek.\t\r  Autorica\t\r  je\t\r  \nprepoznala\t\r  kvalitetu\t\r  i\t\r  vrijednost\t\r  priče\t\r  koja\t\r  ima\t\r  potencijala\t\r  dopasti\t\r  se\t\r  i\t\r  djeci,\t\r  ali\t\r  i\t\r  njihovim\t\r  \nroditeljima,\t\r  a\t\r  svakako\t\r  i\t\r  bakama\t\r  i\t\r  djedovima.\t\r  Priča\t\r  o\t\r  dječaku\t\r  Svemiru\t\r  koji\t\r  za\t\r  rođendan\t\r  dobiva\t\r  \nplavog\t\r  medu\t\r  u\t\r  celofanu,\t\r  razvija\t\r  se\t\r  na\t\r  koncu\t\r  u\t\r  jednu\t\r  životnu\t\r  višegeneracijsku\t\r  storiju\t\r  koja\t\r  spaja\t\r  \nfrustraciju,\t\r  sjećanje,\t\r  ali\t\r  i\t\r  ljepotu,\t\r  pomirenje\t\r  i\t\r  ljubav\t\r  koju\t\r  u\t\r  odnosima\t\r  proživljavaju\t\r  djeca\t\r  i\t\r  njihovi\t\r  \nroditelji.\t\r  \n\n\f\nVizualno\t\r  uzbudljiv\t\r  i\t\r  na\t\r  tragu\t\r  likovnosti\t\r  kakvu\t\r  je\t\r  njegovala\t\r  Zagrebačka\t\r  škola\t\r  crtanog\t\r  filma,\t\r  a\t\r  uz\t\r  \nemotivnu\t\r  priču,\t\r  film\t\r  ima\t\r  veliki\t\r  potencijal\t\r  \t\r  kako\t\r  na\t\r  festivalima\t\r  filmova\t\r  za\t\r  djecu,\t\r  tako\t\r  i\t\r  na\t\r  ostalim\t\r  \naudiovizualnim\t\r  platformama.\t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  GRAD\t\r  \nprodukcija:\t\r  Kreativni\t\r  sindikat\t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Marko\t\r  Tadić\t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  6\t\r  min/\t\r  stop-­‐animacija,\t\r  kolaž,\t\r  2d\t\r  crtež/\t\r  odrasli\t\r  \n150.000,00\t\r  kn\t\r  \n„Grad“\t\r  je\t\r  vizualno\t\r  uzbudljiv\t\r  animacijsko-­‐eksperimentalni\t\r  film\t\r  kojim\t\r  autor\t\r  nastavlja\t\r  svoj\t\r  niz\t\r  \nnadograđujući\t\r  slikarsko-­‐animacijski\t\r  stil\t\r  koji\t\r  je\t\r  dosad\t\r  uspješno\t\r  izgrađivao.\t\r  Film\t\r  nas\t\r  uvlači\t\r  u\t\r  svijet\t\r  \nkoji\t\r  se\t\r  izgrađuje,\t\r  dograđuje\t\r  i\t\r  razgrađuje,\t\r  a\t\r  posveta\t\r  je\t\r  vizualnom\t\r  umjetniku\t\r  i\t\r  teoretičaru\t\r  \nVjenceslavu\t\r  Richteru\t\r  i\t\r  njegovom\t\r  kontroverznom\t\r  projektu\t\r  Sinturbanizam.\t\r  \nProjekt\t\r  osim\t\r  svojeg\t\r  filmsko-­‐festivalskog\t\r  puta\t\r  ima\t\r  sve\t\r  potencijale\t\r  ostvarivanja\t\r  i\t\r  unutar\t\r  \nizložbeno-­‐galerijskih\t\r  prostora\t\r  te\t\r  tako\t\r  ima\t\r  priliku\t\r  filmsku\t\r  umjetnost\t\r  i\t\r  samu\t\r  animaciju\t\r  predstaviti\t\r  \njoš\t\r  široj\t\r  publici,\t\r  predlažući\t\r  pritom\t\r  i\t\r  drugačiji\t\r  projekcijsko/projektni\t\r  prostor\t\r  kao\t\r  mogućnost\t\r  \nviđenja\t\r  konteksta\t\r  življenja\t\r  u\t\r  današnjici,\t\r  a\t\r  to\t\r  je\t\r  promišljanje\t\r  arhitektura\t\r  i\t\r  njena\t\r  primjenjivost\t\r  o\t\r  \nkojoj\t\r  ćemo\t\r  u\t\r  vremenima\t\r  koja\t\r  dolaze\t\r  sve\t\r  više\t\r  i\t\r  sve\t\r  dublje\t\r  morati\t\r  promišljati.\t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  Y\t\r  \nprodukcija:\t\r  Ustanova\t\r  Zagreb\t\r  film\t\r  \t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Matea\t\r  Kovač\t\r  (debitantica)\t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  5\t\r  min\t\r  /\t\r  2d\t\r  animacija\t\r  /\t\r  odrasli\t\r  \t\r  \n130.000,00\t\r  kn\t\r  \n„Y“\t\r  je\t\r  animirana\t\r  studija\t\r  o\t\r  ljubavi\t\r  i\t\r  strasti\t\r  namijenjena\t\r  odrasloj\t\r  publici.\t\r  Riječ\t\r  je\t\r  o\t\r  otvorenoj\t\r  i\t\r  bez\t\r  \nskanjivanja\t\r  ispričanoj\t\r  priči\t\r  koju\t\r  naratorski\t\r  nose\t\r  glavna\t\r  junakinja\t\r  pripovjedačica\t\r  i\t\r  njena\t\r  \n„vokalna“\t\r  pratilja\t\r  koja\t\r  podcrtava\t\r  likovne\t\r  procese\t\r  na\t\r  temelju\t\r  kojih\t\r  je\t\r  izgrađen\t\r  ovaj\t\r  kratki,\t\r  ali\t\r  \nefektno-­‐provokativni\t\r  film.\t\r  Osim\t\r  natjecateljskih\t\r  programa\t\r  svjetskih\t\r  festivala,\t\r  film\t\r  ima\t\r  \npotencijala\t\r  biti\t\r  zastupljen\t\r  i\t\r  u\t\r  posebnim\t\r  popratnim\t\r  programima\t\r  kakve\t\r  i\t\r  domaći\t\r  i\t\r  svjetski\t\r  festivali\t\r  \nčesto\t\r  vole\t\r  imati.\t\r  \t\r  \n\n\f\nIako\t\r  je\t\r  autorica\t\r  debitantica\t\r  film\t\r  je\t\r  čvrsto\t\r  postavljen,\t\r  a\t\r  njen\t\r  prethodni\t\r  uradak,\t\r  diplomski\t\r  film\t\r  \n„Osmijeh“\t\r  postigao\t\r  je\t\r  i\t\r  zamjetan\t\r  uspjeh\t\r  ujedno\t\r  i\t\r  pokazavši\t\r  jedan\t\r  čvrsti\t\r  i\t\r  principijelni\t\r  pristup\t\r  \nmateriji.\t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  LJUBIMAC\t\r  STRES\t\r  \nprodukcija:\t\r  Jadranska\t\r  animacija/\t\r  Adriatic\t\r  animation\t\r  \t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Laura\t\r  Martinović\t\r  (debitantica)\t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  5\t\r  min\t\r  /\t\r  2d\t\r  animacija/\t\r  djeca\t\r  \n130.000.00\t\r  kn\t\r  \n„Ljubimac\t\r  stres“\t\r  je\t\r  jednostavna,\t\r  ali\t\r  upečatljivo\t\r  razigrana\t\r  priča\t\r  o\t\r  prijateljstvu,\t\r  o\t\r  odbacivanju\t\r  i\t\r  \nprihvaćanju,\t\r  o\t\r  vjernosti\t\r  i\t\r  potrebi\t\r  za\t\r  igrom\t\r  i\t\r  ljubavi.\t\r  U\t\r  središtu\t\r  priče\t\r  je\t\r  djevojčica\t\r  koja\t\r  se\t\r  teško\t\r  \nuklapa\t\r  u\t\r  društvo\t\r  vršnjaka\t\r  jer\t\r  je\t\r  njena\t\r  lutka\t\r  prema\t\r  vršnjačkim\t\r  mjerilima\t\r  ružna.\t\r  No,\t\r  osim\t\r  \nnelijepe,\t\r  ali\t\r  srcu\t\r  joj\t\r  drage\t\r  lutke,\t\r  djevojčica\t\r  udomi\t\r  još\t\r  čudnijeg,\t\r  ružnijeg\t\r  i\t\r  neobičnijeg\t\r  ljubimca.\t\r  \nUviđa\t\r  kako\t\r  nije\t\r  nimalo\t\r  jednostavno\t\r  brinuti\t\r  se\t\r  za\t\r  druge\t\r  i\t\r  ostati\t\r  im\t\r  vjeran\t\r  prijatelj\t\r  kada\t\r  to\t\r  nije\t\r  \nnimalo\t\r  jednostavno.\t\r  \nAutorica\t\r  je\t\r  debitantica,\t\r  a\t\r  „Ljubimac\t\r  stres“\t\r  ima\t\r  potencijala\t\r  postati\t\r  lijepi\t\r  i\t\r  uzbudljivi\t\r  festivalski\t\r  \nfilm\t\r  namijenjen\t\r  dječjem\t\r  uzrastu.\t\r  \t\r  \n\t\r  \nUKUPNI\t\r  IZNOS:\t\r  \n1.890,000\t\r  kn\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":[],"document":{"program_type":"proizvodnja","year":2020,"rok":"1. rok","referenced_projects":["OBITELJSKI PORTRET","U MALU JE UŠA ĐAVA","ORINTHOLOGY","PLAVI MEDO","GRAD","Y","LJUBIMAC STRES"],"summary":"Obrazloženje umjetničkog savjetnika za animirani film Božidara Trkulje za 1. rok 2020. Javnog poziva za poticanje proizvodnje animiranog filma – od 19 prijavljenih projekata predloženo je 8 za sufinanciranje (1 dugometražni i 7 kratkometražnih); sveukupna potpora za kratkometražne animirane filmove iznosi 1.890.000,00 kn.","project_links":[{"source_title":"OBITELJSKI PORTRET","family_id":"pf_28473f466799","family_title":"Obiteljski portret","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"U MALU JE UŠA ĐAVA","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"ORINTHOLOGY","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"PLAVI MEDO","family_id":"pf_d7480faf7222","family_title":"Plavi medo","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"GRAD","family_id":"pf_8a735b529685","family_title":"Grad","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Y","family_id":"pf_05d69c913810","family_title":"Y","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"LJUBIMAC STRES","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_RPR_ANIMIRANI_2023_2rok_WEB.pdf","filename_decoded":"Obrazlozenje_RSC_RPR_ANIMIRANI_2023_2rok_WEB.pdf","sha256":"4958f78ee73c88b48ed85ae40bc9d127201a0db37c3fbbbf671be7d30891fff5","bytes":118327,"page_count":3,"extracted_at":"2026-05-16T13:53:54Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_RPR_ANIMIRANI_2023_2rok_WEB.pdf"},"raw_text":" \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih \ndokumentarnih i animiranih filmova - podkategorija: RAZVOJ SCENARIJA i \nRAZVOJ PROJEKATA - 2. rok, 29. rujna 2023. \n \nANIMIRANI FILM \n \nUmjetnička savjetnica Ana Horvat \n \nNa javni poziv na ovom roku prispjele su samo dvije (2) prijave za razvoj projekta, te tri (3) \nza razvoj scenarija. Jedan od projekata za razvoj scenarija je namijenjen dječjoj publici. \n \nZa sufinanciranje je predloženo i odobreno, jedan (1) projekt u potkategoriji razvoja scenarija, \na pet (5) u potkategoriji razvoja projekta, od kojih su tri (3) prebačena iz javnog poziva za \naudiovizualnu proizvodnju. \n \n \nProjekt u kategoriji razvoja scenarija, duži od 24 minute:  \n \n1. \nnaziv projekta: JAGOROVA ŠUMA \nscenarij: Sven Klobučar \nredatelj: David Lušičić \nproducent: Greta Creative Network \niznos financiranja: 4.000,00 eura \n \nRadi se o nadrealnoj tragediji, sa elementima horora. Duh umno poremećenog i ispaćenog \nVojčeka, vojnika iz Prvog svjetskog rata, luta Jagorovom šumom, svake večeri se bezuspješno \npokušava ubiti. U šest dana, prikazanih u šest poglavlja, susreće Magdu, cvjećaricu sa groblja \nuz ludnicu. Njihova melankolična, neostvariva komunikacija i ljubav završavaju Magdinom \nsmrću šestoga dana. \nVrlo uspješno i snažno izražene su mračne emocije, tuga, egzistencijalni očaj, te se autor \nosobito bavi temom smrtnosti, koja se svih tiče, a rijetko tko se s njom suočava.  \nProjekt je dosta temeljito razrađen, te donosi i likovne predloške. Autor scenarija je likovni \numjetnik, za animaciju je u planu korištenje raznih tehnika, stop animacije, 2D animacije, \nintervencije na video snimke te već ima redatelja i producenta, Davida Lušičića.  \n \n \nProjekti u kategoriji razvoja projekta, duži od 5 minuta:  \n \n1. \nnaziv projekta: RAT JE DOBIVEN  \nscenarist i redatelj: Ratimir Rakuljić \nproducent: 3D2D Animatori d.o.o. \ntrajanje 7 minuta, film za odrasle  \niznos financiranja: 5.000,00 eura  \n \nRat je dobiven je također mračna tragedija kao i projekt u kategoriji razvoja scenarija, ali s \ndrugom temom - vrlo rječito progovara o temi rata i uništenja ljudskosti.  \n\n\f\nRobot oživljava generala i čestita mu pobjedu. Postupno saznajemo da je pobjeda o kojoj \ngovori u stvari opće uništenje civilizacije, a general je održavan na životu potpuno umjetno, te \nje u biti kostur povezan žicama i smolama. Užasnut je i pokušava se uništiti. Robot lojalno \nprati svoj protokol, te ga ponovno počine popravljati. \nApsurdno održavanje generala na životu je zaslužena, beskrajna kazna za njegov zločin \nuništenja, i slika općeg užasa i bezumlja rata. \nPriča je ispričana jasno, kompaktno, bez viškova. Dijalog je uvjerljiv i dobro odmjeren, likovi  \nkvalitetno individualno karakterizirani.  \nProjekt bi trebao biti izveden u digitalnoj 3D tehnici. \n \n2. \nnaziv projekta: MAČJA REPUBLIKA \nscenarist: Siniša Bahun \nredateljica: Ana -Marija Vidaković \nproducent: Jaka produkcija d.o.o. \ntrajanje 9 minuta, film za mlade i odrasle \niznos financiranja: 5.000,00 eura  \n \nProjekt se na duhovit način bavi temom propadanja dubrovačkog hotela Belvedere, prateći \nmačke koje tamo žive. U zlatno doba hotela kad je bio pun gostiju, mačke su bile pola \nljubimci, pola maskote hotela, kradući meso iz kuhinje i privlačeći pažnju turista. Danas, kada \nje hotel zatvoren, mačke u potpunosti vladaju njegovim napuštenim, raspadajućim prostorima. \nFilm bi trebao biti ostvaren u digitalnoj 2D tehnici. \n \n3. \nnaziv projekta: LEDENE BABE \nscenaristica i redateljica: Lucija Buzančić \nproducent: Jaka produkcija d.o.o. \ntrajanje 6 minuta, film za odrasle \niznos financiranja: 5.000,00 eura  \n \nAutorica stvara zaigrani, likovno raznolik film na temu dječje igre Ledene babe.  \nU toj igri djeca izmišljaju priču, te kada se neočekivano ubaci sintagma Ledene babe, nastane \nopća trka i jurnjava oko „zaleđivanja” i „odleđivanja” onih koji sudjeluju.  \nIgra kombinira dvije komponente, izmišljanje priče - sa igrom lovice. Omogućava zabavno \nkaotičnu igru i neobuzdanu, ludu maštu.  \nAutorica namjerava ostvariti projekt kombiniranjem raznih likovnih i animacijskih tehnika, \ntradicionalnih kao i eksperimentalnih, izražavajući kreativni kaos i slobodnu, nadrealnu maštu \ndjetinjstva. \n \n4. \nnaziv projekta: DJEVOJČICA S BALONIMA \nscenaristice: Nina Vađić i Ana Kadoić  \nredateljica : Ana Kadoić \nproducent: Luma film \ntrajanje 7 minuta, film za djecu \niznos financiranja: 5.000,00 eura  \n \nAdaptacija istoimene slikovnice Nine Vađić i Ana Kadoić, debitantski projekt ilustratorice \nAne Kadoić u ulozi redateljice. Priča je obilježena motivom balona koje jedan otac daruje \n\n\f\nsvake godine po jedan više, svojoj kćeri za rođendan. Kroz priču pratimo njeno odrastanje i \nnjihov odnos. Kako djevojčica odrasta, priča se dotiče i teme smrtnosti kad otac umire. To jest \nteška tema, ali dio je realnosti i dobrodošlo je da se ta tema obradi pažljivo i s ljubavi, kao u \novoj priči.  \nFilm bi trebao biti ostvaren digitalnom 2D animacijom. \n \n5. \nnaziv projekta: PICTOMAN \nscenarist i redatelj: Branko Farac \nproducent: Ustanova Zagreb film \ntrajanje 5 minuta, film za mlade i odrasle \niznos financiranja: 5.000,00 eura  \n \nPriča prati emotivne uspone i padove pijanista. Priča je isprepletena nadrealnim momentima u \nnjegovoj potrazi za identitetom nakon teške prometne nesreće. Film kroz to istražuje vizualne \ni komunikacijske mogućnosti piktograma. Vizual je ostvaren kroz snažan kontrast crnoga i \nbijeloga. Film bi trebao biti ostvaren u tehnici rotoskopije. \n","warnings":[],"document":{"program_type":"razvoj_projekata","year":2023,"rok":"2. rok","referenced_projects":["JAGOROVA ŠUMA","RAT JE DOBIVEN","MAČJA REPUBLIKA","LEDENE BABE","DJEVOJČICA S BALONIMA","PICTOMAN"],"summary":"Obrazloženje umjetničke savjetnice Ane Horvat za 2. rok 2023. razvoja scenarija i razvoja projekata animiranog filma; odobren je jedan projekt razvoja scenarija (Jagorova šuma, 4.000 €) i pet projekata razvoja projekata (po 5.000 € svaki).","project_links":[{"source_title":"JAGOROVA ŠUMA","family_id":"pf_b7964a92b2a8","family_title":"Jagorova šuma","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"RAT JE DOBIVEN","family_id":"pf_baaeeaa2d7a3","family_title":"Rat je dobiven","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"MAČJA REPUBLIKA","family_id":"pf_a24f8da22876","family_title":"Mačja Republika","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"LEDENE BABE","family_id":"pf_daa946899b18","family_title":"Ledene babe","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"DJEVOJČICA S BALONIMA","family_id":"pf_1c647197be17","family_title":"Djevojčica s balonima","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"PICTOMAN","family_id":"pf_18a17ac2539f","family_title":"Pictoman","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"4. 12. rezultati JAVNI POZIV COVID _1_.pdf","filename_decoded":"4. 12. rezultati JAVNI POZIV COVID _1_.pdf","sha256":"4967c2477492ddb5992a911b68d046d2f53861d097d15a6c4dd60e24d0e68c88","bytes":31854,"page_count":1,"extracted_at":"2026-05-17T10:23:57Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/4.%2012.%20rezultati%20JAVNI%20POZIV%20COVID%20%281%29.pdf"},"raw_text":"REDATELJ\nPRODUCENT\nODOBRENO\nLuka  Mavretić\nČetiri  film\n35.000,00  HRK\nLana  Barić\nUstanova  Zagreb  film\n6.400,00  HRK\nJavni  poziv  za  podnošenjem  zahtjeva  za  potporu  za  dodatne  troškove  snimanja  filmova  nastale  uslijed  izvanrednih  \nokolnosti  uzrokovanih  epidemijom  COVID-­19,  3.  sjednica  Hrvatskog  audiovizualnog  vijeća  u  trećem  sazivu,  4.12.  \n2020.\nNASLOV\nBITI  U  RODU  S  JOHNOM  \nMALKOVICHEM,  kratkometražni  \ndokumentarni  film\nSNJEGULJICA,  kratkometražni  \nigrani  film\n","warnings":[],"document":{"program_type":"covid","natjecaj_title":"4. 12. rezultati JAVNI POZIV COVID _1_","year":2020,"rok":null,"natjecaj_date":"2020-12-04","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":"Javni p oziv z a p odnošenjem z ahtjeva z a p otporu z a d odatne t roškove s nimanja f ilmova n astale u slijed i zvanrednih okolnosti u zrokovanih e pidemijom C OVID-1 9, 3 . s jednica H rvatskog a udiovizualnog v ijeća u t rećem s azivu, 4 .12. 2020.","section_key":"javni_p_oziv_z_a_p_odnosenjem_z_ahtjeva_z_a_p_otporu_z_a_d_o","columns":["NASLOV","REDATELJ","PRODUCENT","ODOBRENO"],"rows":[{"row_number":null,"project_title":"BITI U RODU S JOHNOM MALKOVICHEM, kratkometražni dokumentarni film","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":"Luka Mavretić","writer":null,"original_author":null,"category":null,"approved_amount_text":"35.000,00 HRK","approved_amount":35000.0,"currency":"HRK","extras":{"REDATELJ":"Luka M avretić","entity_original_production_company":"Četiri f ilm","entity_canonicalized_at":"2026-05-18T14:41:26Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"4967c247_4_12_rezultati_javni_poziv_covid_1_pdf.json","creator_backfill_director_confidence":"medium","creator_backfill_director_reasoning":"Naziv projekta i producent Četiri film odgovaraju retku s imenom redatelja Luka Mavretić, bez vidljivih stupaca za scenarista ili izvorni predložak."},"entity":"Četiri film d.o.o.","row_id":"4967c247:s0:d491f3a3763c","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source shows ODOBRENO (awarded) with 35.000,00 HRK to Četiri film d.o.o. 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DUGOMETRAŽNI IGRANI FILM  \n \numjetnički savjetnici: Juraj Lerotić, Višnja Pentić, Dean Šoša \n \nNa Javni poziv za poticanje razvoja projekata dugometražnog igranog filma u 2023. godini na \nprvom roku prijavilo se ukupno dvadeset i šest (26) projekata. Dva projekta nisu razmatrana jer \nnisu zadovoljili uvjete javnog poziva.  \nProjekte je odlikovala iznimna raznovrsnost, odnosno širok spektar kako tema tako i autorskih \npristupa u njihovoj obradi. Dio projekata odlučio se baviti komentiranjem aktualnih socijalnih \nfenomena fokusiranjem na sadašnjost, dok je pak jedan dio njih građu potražio u prijelomnim \npovijesnim trenucima, kako onim recentnim tako i onima iz dalje prošlosti.  \nProjekti su se međusobno značajno razlikovali i stupnjem sveukupne pripremljenosti te \nujednačenošću kvalitete scenarija i razrade redateljske koncepcije.  \nOdlučili smo podržati one projekte za koje vjerujemo da uz daljnji razvoj u konačnici mogu \nponuditi moćna i autentična filmska ostvarenja. Zajedničko im je postavljanje kompleksnih \ndruštvenih pitanja koja se prije svega tematiziraju kroz intrigantno postavljen središnji lik, umješno \noblikovanje filmske priče te dosljedno postavljen registar filmske cjeline. Posebno nam je drago \nda od tri odabrana projekta dva za glavnu junakinju imaju zrelu ženu čiji je karakter oblikovan van \nustaljenih reprezentacijskih obrazaca i koja svojim djelovanjem nudi uzbudljiv model ženske \nemancipacije.  \nOdlučili smo poduprijeti sveukupno tri filma za razvoj projekta u ukupnom iznosu od 58.000,00 \neura. Riječ je o sljedećim projektima: \n \nPOGANA \nscenarij: Andrija Mardešić i David Kapac \nrežija: David Kapac \nprodukcija: Eclectica d.o.o. \n18.500,00 eura \n \n\n\f\nDrama 'Pogana' odvija se 1920-ih godina, na dalmatinskom kršu i kamenjaru. Pogana je šutljiva i \nnepredvidljiva žena koju otac prodaje na udaljeni otok kako bi vodila brigu o djeci mornara \nudovca. Mornar ubrzo nestane na moru i Pogana je ostavljena na milost i nemilost mještanima, \nkrajoliku, ali i samoj sebi.  \n \nFestivalska drama osebujnih likova i 'pomaknute' atmosfere 'Pogana' novi je projekt hvaljenog dua \nAndrija Mardešić i David Kapac, zaslužnog za jedan od najoriginalnijih hrvatskih filmova \nposljednjih godina - 'Stric'. \nAutori 'Strica' bez sumnje zaslužuju prigodu za brz nastavak karijere. U prilog im ide zanimljiv, \nvješto  napisan scenarij, koji u paketu s tekstom redateljske koncepcije najavljuje film potencijalno \nznačajne umjetničke vrijednosti i dugog festivalskog života.   \n \n \nGOLA NAKON RAZVODA \nScenarij: Biljana Čakić \nRežija: Biljana Čakić \nProdukcija: Bond Squad j.d.o.o. \n19.500,00 eura \n \nTelevizijskoj producentici Sari život se iz temelja sruši nakon što otkrije kako je muž vara s \ndvadesetak godina mlađom televizijskom zvijezdom. Katastrofe odmah slijede jedna za drugom - \nukraden joj je auto, a nakon fizičkog sukoba s muževom ljubavnicom, Sara završi na policiji. Ondje \nupoznaje simpatičnog policijskog inspektora, no prije nego što ozbiljnije porazmisli je li on taj, \nSaru čeka niz usputnih ljubavnih avantura.  Ona istodobno radi na priručniku o samopomoći \nnamijenjenom ženama nakon razvoda. \n \nRomantična komedija 'Gola nakon razvoda', scenaristice i redateljice Biljane Čakić, izrazito je \nnepretenciozna i ležerna, no pronicljiva i inteligentna obrada zahtjevne teme ženske krize srednjih \ngodina i krize identiteta općenito. Kako su ove teme obrađene s puno vrckavog humora, film bi, \nosim festivalskih selektora, mogao zaintrigirati i kino publiku. Najveća su vrlina projekta bogati \nslojevi humora i ironije, sočni dijalozi, odličan ritam zbivanja i iskreno naznačeni osobni kontekst \npriče.  \n \n \n \n \n\n\f\nPODMETAČI LEŠEVA \nscenarij: Ivo Balenović \nrežija: Goran Rukavina \nprodukcija: Cinema studio production d.o.o. \n20.000,00 eura \n \n'Podmetači leševa', projekt velikog kino potencijala, kriminalistička je drama radnje smještene u \nhrvatski zdravstveni sustav - prepoznatljivi milje scenarista Ive Balenovića, koji predložak za film \ntemelji na vlastitom romanu.  Lavinu kriminalnih radnji u filmu orkestriraju korumpirani ministar \nzdravstva i njegov glavni suradnik, ginekolog.  \nNa drugoj je strani društvenog spektra nepotkupljivi sveučilišni profesor čiji je brat policajac. Lik \nginekologa dovodi priču u vezu s još jednim filmom prema Balenovićevom predlošku - 'Ljudožder \nvegetarijanac'.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2023,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Rezultati udruge 2017_02.pdf","filename_decoded":"Rezultati udruge 2017_02.pdf","sha256":"49e16720394a3becf29d3ca38311e65b08bd3ddeb5a204d5d9eb135191ceeaa8","bytes":176534,"page_count":1,"extracted_at":"2026-05-17T10:23:19Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Rezultati%20udruge%202017_02.pdf"},"raw_text":"Naziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\n25 FPS, Udruga za audio-vizualna \nistraživanja\nProgrami Udruge 25 FPS u 2017.\n40.000,00 kn\n2\nAutorski studio-fotografija, film, \nvideo\nFilmske radionice i tečajevi u 2017. i Z- animacija-\nradionica animiranog filma za djecu - mala \nzagrebačka animacija\n35.000,00 kn\n3\nDruštvo hrvatskih filmskih redatelja Program redovite djelatnosti DHFR u 2017. godini\n130.000,00 kn\n4\nFilmska autorska grupa \"Enthusia \nPlanck\" \nFilmske radinice i djelatnosti grupe u 2017.\n20.000,00 kn\n5\nFilmsko-kreativni studio Vanima\nProgram rada za 2017. godinu\n30.000,00 kn\n6\nFoto film video amateri Luke\nProgram rada FFVAL-a za 2017. godinu\n15.000,00 kn\n7\nFoto kino video klub Zaprešić\nRedovita programska djelatnost 2017.\n20.000,00 kn\n8\nGFR film-video\nFilmska edukacija mladih\n7.000,00 kn\n9\nHrvatska mreža neovisnih \nkinoprikazivača\nKino mreža - Programi u 2017. godini\n150.000,00 kn\n11\nHrvatska udruga producenata\nHrvatska udruga producenata - rad na \nunaprjeđenju audiovizualne djelatnosti u 2017. \ngodini i Uspostava certifikata nezavisnih \nproducenata\n100.000,00 kn\n12\nHrvatski filmski savez - HFS\nOsnovne djelatnosti Hrvatskog filmskog saveza - \nkoordinacijske i poticajne funkcije \n90.000,00 kn\n13\nHrvatsko društvo filmskih \ndjelatnika\nRedovna djelatnost Hrvatskog društva filmskih \ndjelatnika\n325.000,00 kn\n14\nHrvatsko društvo filmskih kritičara\nProgram redovne djelatnosti Hrvatskog društva \nfilmskih kritičara u 2017. godini i Tribina \n\"Psihijatrija i film\" u 2017.\n90.000,00 kn\n15\nHrvatsko kaskadersko društvo\nRedovni Program Hrvatskog kaskaderskog \ndruštva 2017.\n50.000,00 kn\n16\nIzvan fokusa - Udruga za \nmedijsko stvaralaštvo i kulturne \naktivnosti \nRedovna djelatnost udruge Izvan fokusa u 2017. \ngodini\n20.000,00 kn\n17\nKinoklub Karlovac\nRedovna djelatnost Kinokluba Karlovac u 2017. \ngodini\n40.000,00 kn\n18\nKinoklub Zagreb\nRedovite aktivnosti Kinokluba Zagreb\n15.000,00 kn\n19\nPulska filmska tvornica\nKlub Pulske filmske tvornice 2017.\n30.000,00 kn\n20\nSavez scenarista i pisaca \nizvedbenih djela\nRedovna djelatnost SPID-a u 2017. godini\n50.000,00 kn\n21\nStvaralačka mreža Zebra\nGreta ArtSpace\n20.000,00 kn\n22\nUdruga Blank\nRedovita programska djelatnost udruge Blank u \n2017. i Filmska proizvodnja kratkih filmova mladih \nneafirmiranih autora\n80.000,00 kn\n23\nUdruga Djeca susreću umjetnost\nRedovite djelatnosti Udruge u okviru filmskog \nprograma Sedmi kontinent 2017. godine\n15.000,00 kn\n24\nUdruga Globe Media\nGlobe Media - Redovna djelatnost za 2017.\n10.000,00 kn\n1.462.000,00 kn\nHrvatska udruga filmskih \nsnimatelja\n10\nNova ves 18  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 085  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2017. godini - popis \nodobrenih projekata\nSVEUKUPNO\n80.000,00 kn\nRedovna djelatnost Hrvatske Udruge Filmskih \nSnimatelja i Radionice\n83. sjednica Hrvatskog audiovizualnog vijeća, 29. svibnja 2017.\nprogrami audiovizualnih udruga i organizacija\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"Rezultati udruge 2017_02","year":2017,"rok":null,"natjecaj_date":"2017-05-29","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false},"sections":[{"section_label":"programi audiovizualnih udruga i organizacija","section_key":"programi_audiovizualnih_udruga_i_organizacija","columns":["Naziv predlagatelja","Naziv programa","Odobrena sredstva"],"rows":[{"row_number":1,"project_title":"Programi Udruge 25 FPS u 2017.","applicant":"25 FPS, Udruga za audio-vizualna istraživanja","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00 kn","approved_amount":40000.0,"currency":"HRK","extras":{"col_1":"1","Naziv programa":"Programi Udruge 25 FPS u 2017.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"49e16720:s0:f666c6c7078f","curation":{"changes":[{"field":"applicant","from":null,"to":"25 FPS, Udruga za audio-vizualna istraživanja","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"25 FPS, Udruga za audio-vizualna istraživanja","to":"Programi Udruge 25 FPS u 2017.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high","family":{"method":"claude-haiku","confidence":"high","reason":"Recurring annual program from 25 FPS (2012-2021, scattered years). 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U \nfokusu je ostarjeli profesor, homoseksualac koji noći provodi tumarajući noćnim \nulicama Zagreba odjeven kao žena, s druge strane on ima nacistički background i vrlo \ntvrde stavove oko drugih nacionalnosti. Nakon što biva brutalno pretučen od mladih \nneonacista, on nevoljko počinje komunicirati sa svojim susjedima iz zgrade, točnije \npolicajcem srpske nacionalnosti kojeg kreće podučavati Ustav RH ne bi li ovaj položio \nstručan ispit. Precizno napisan, suvereno postavljen, riječ je o projektu koji suočava \nduhove prošlosti, ali nažalost i hrvatske sadašnjosti, analizira ukopanu mržnju i \nnevidljive pukotine među ljudima i ogoljava ih na esencijalne ljudske vrijednosti. I \nnajbitnija stvar u projektu \"Ustav Republike Hrvatske\" jest da je sve ovo navedeno \npostavljeno duhovito, suočavanje s ozbiljnim problemima i gorki okus nakon spoznaje \nistih, prezentiran je kroz toliko potreban smijeh hrvatskoj publici tako da smo uvjereni \nda je riječ o vrlo potencijalnom, punokrvnom kino hitu.  \n \n \n2. \"SAM SAMCAT\"  \nredatelj: Bobo Jelčić \nscenarist: Bobo Jelčić  \nprodukcija: Spiritus Movens d.o.o. \n \nNakon debitantske uspješnice \"Obrana i zaštita\", autor Bobo Jelčić nam se vraća s \narthouse projektom koji u trodijelnoj formi analizira borbu roditelja za kvalitetniju \nskrb nad djetetom nakon razvoda. Prvi dio se modernistički obrušava na vidljive i \nnevidljive mane birokratskog aparata i uspješno potencira jaz između pojedinca i \nsistema. Drugi dio obilježen s više realizma, tjera glavnog lika da razvije svoju inačicu \n\n\f\n \n \n \n \nsistema i pokuša nastaviti bitku za dijete kroz akciju koju sistem ne poznaje i to mu ne \ndaje veliku utjehu. Treći dio potpuno izmiče pravilima sistema u jedan nehajan \nslobodan dan roditelja i djeteta gdje životnost dolazi u prvi plan. Kroz uznemirujuću \natmosferu scene djeteta koje se u jednom trenu izgubi i roditelj kreće u potragu, autor \notvara pitanja kvalitete života djeteta pogubljenog kao i njegovi roditelji u \nnametnutom životnom sistemu. Složen, intiman i hrabar, istovremeno vrlo jasno i \nprecizno napisan, mišljenja smo da je \"Sam samcat\" modernistički arthouse projekt \nkojem predstoji bogat festivalski život.   \n \nSanja Grbin, umjetnička savjetnica za eksperimentalni film:  \n \nU kategoriji eksperimentalne filmske proizvodnje, od petnaest prijavljenih projekata \npredložila sam četiri za financiranje, a od kojih su tri debitantska. Projekt Damira Očka \nTreći stupanj (produkcija Kreativni sindikat) snažna je kombinacija poetskog i \nkonceptualnog koja tematizira pitanje individualnih i kolektivnih granica kroz vizualnu \nmetaforu doslovnog paljenja i izgaranja ljudske kože, te prekoračenja granica medija \nrazotkrivanjem procesa nastanka filma kao „guljenja filmske kože“. Projekt Leopoldina \nSabine Mikelić (produkcija Restart) je netipična kombinacija fikcije, dokumentarnog, \nanimiranog i performativnog gdje autorica kroz proces temeljitog uživljavanja u \npovijesnu ličnost habsburške princeze namjerava forenzički dekonstruirati pitanje \nženskoga identiteta. Projekt Izmještanja Neli Ružić (produkcija Kinematograf) je \nslojeviti esej o odnosu migracije i memorije potaknut vlastitim iskustvom imigracije, \npovratka te susreta s posljedicama devedesetih godina kroz vizualni dijalog s mjestom \nna kojem se nalaze ostaci napuštene vlastite skulpture i razrušenog spomenika \nBogdana Bogdanovića. Projekt Skoro ništa, i dalje noć Davora Sanvincentija (produkcija \nPetikat) je netipično medijsko istraživanja odnosa između vidljivog i nevidljivog, \ndoslovno tame noći i crnoga filma, kroz kombinaciju analognih i digitalnih medija i \npostupaka snimanja, unošenje performativnog elemenata proširenoga filma i \nkompleksnu izgradnju soundtracka. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2014,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_umjetn.%20savj.%20dugometrazni_06032015.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_umjetn.%20savj.%20dugometrazni_06032015.pdf","sha256":"4a4ed56d0421f46b5bf0365cdc61cc793922d3cc3e4a3fecff442e9e380ecc96","bytes":368034,"page_count":2,"extracted_at":"2026-05-16T13:54:20Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 1082-2015 \nU Zagrebu, 6. ožujka 2015. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) Hrvatsko audiovizualno \nvijeće, na prijedlog ravnatelja, na 58. sjednici održanoj 6. ožujka 2015.  godine donijelo je: \n \n \nO  D  L  U  K  U  \no imenovanju umjetničkog savjetnika za \ndugometražni igrani film za Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. \ngodini  \n \n \n \n1.) Dalibor Matanić, Božidara Adžije 22, Zagreb imenuju se za umjetničkog savjetnika za dugometražni \nigrani film za Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. godini. \n \n2.) Mandat imenovanom umjetničkom savjetniku iz točke 1. ove Odluke traje do donošenja odluke \nHrvatskog audiovizualnog vijeća o raspodjeli sredstava prema javnom pozivu za koji je isti imenovan, sve \nsukladno čl. 16. Zakona o audiovizualnim djelatnostima (NN 76/07, NN 90/11). \n \n3.) Ova Odluka stupa na snagu danom donošenja. \n \n4.) Ova odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a na: www.havc.hr \n \n \nObrazloženje \n \nTemeljem čl. 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) ravnatelj Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: HAVC) predložio je Hrvatskom \naudiovizualnom vijeću, donošenje Odluke o imenovanju g. Dalibora Matanića za umjetničkog savjetnika za \ndugometražni igrani film za Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. godini.  \n \nSvoju odluku te kompetencije imenovanoga ravnatelj HAVC-a detaljno je obrazložio. \n \nNa 58. sjednici Hrvatskog audiovizualnog vijeća, održanoj 6. ožujka 2015. godine, je usvojen prijedlog za \nimenovanje novog umjetničkog savjetnika iz točke 1. izreke Odluke. \n  \n \nSlijedom navedenog, odlučeno je kao u izreci Odluke. \n \nTemeljem čl. 10 Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \n\n\f\n \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v.r. \n \nDostaviti: \n- \nDalibor Matanić, Božidara Adžije 22, Zagreb  \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"proizvodnja","year":2015,"rok":null,"referenced_projects":[],"summary":"Hrvatsko audiovizualno vijeće na 58. sjednici od 6. ožujka 2015. imenovalo je Dalibora Matanića umjetničkim savjetnikom za dugometražni igrani film za Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. godini.","project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI koprodukcije 4 rok 2021.pdf","filename_decoded":"REZULTATI koprodukcije 4 rok 2021.pdf","sha256":"4a5de666bf53d1f55e8a1441d53141d5b353b016a1f3c4b13c7dd9c30d016550","bytes":43403,"page_count":1,"extracted_at":"2026-05-17T10:22:51Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI%20%20koprodukcije%204%20rok%202021.pdf"},"raw_text":"NAZIV FILMA\nREDATELJ/ICA\nHRVATSKI PRODUCENT\nODOBRENA SREDSTVA\n1\nMačak na vratima\nAna Čigon\nBonobostudio d.o.o.\n190.000,00\n2\nMuškarac kuće\nAndamion Murataj\nPeglanje Snova d.o.o.\n400.000,00\n3\nOče naš\nGoran Stanković\nPomPom Film d.o.o.\n480.000,00\n4\nOtapanje vladara\nIvan Salatić\nDinaridi film d.o.o.\n430.000,00\n5\nPromatranje\nJanez Burger\nPropeler Film d.o.o.\n570.000,00\n6\nŽal\nKosta Đorđević\nUdruga Marinis Media\n243.000,00\n7\nIzmeđu revolucija\nVlad Petri\nRestart\n220.000,00\n8\nKada padne mrak\nDušica Novaković\nJaka produkcija d.o.o.\n100.000,00\n2.633.000,00\nUKUPNO\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nFILMSKIH KOPRODUKCIJA S MANJINSKIM HRVATSKIM UDJELOM u 2021. - 4. ROK - \n14.10.2021., 30. sjednica Hrvatskog audiovizualnog vijeća, 15. prosinca 2021. \nanimirani film\ndebitantski dugometražni igrani film\ndugometražni dokumentarni film \ndugometražni igrani film\nkratkometražni igrani film\ndugometražni igrani film u postprodukcijskoj fazi\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"REZULTATI koprodukcije 4 rok 2021","year":2021,"rok":"4. rok","natjecaj_date":"2021-10-14","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NAZIV FILMA","REDATELJ/ICA","HRVATSKI PRODUCENT","ODOBRENA SREDSTVA"],"rows":[{"row_number":1,"project_title":"Mačak na vratima","applicant":"Bonobostudio d.o.o.","production_company":"Bonobostudio d.o.o.","director":"Ana 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let\nIvan Turković-Krnjak, \nMarko Hrenović\nInter film d.o.o. / Ivan \nMaloča\nMaja Gluščević \n\"Tajanstveni svjetionik\"\n30.000,00\n2\nLet na sjever (Heron \nFlies North)\nZvonimir Munivrana\n30.000,00\n3\nLuka\nGjermund Gisvold\nAntitalent d.o.o. / Danijel \nPek\nNevio Marasović\n30.000,00\n4\nMurina\nAntoneta Alamat \nKusijanović\nSpiritus movens d.o.o. / \nZdenka Gold\nAntoneta Alamat \nKusijanović\n30.000,00\n5\nSam u koloni\nDavor Šišmanović\n4 film\nZvonimir Rumboldt\n30.000,00\n6\nSvadba\nIgor Šeregi\nEclectica d.o.o. / Ivan \nKelava\nIgor Šeregi\n30.000,00\n7\nŠvabo\nVedran Kukavica, Dario \nPleić\nDario Pleić\nVedran Kukavica \"Ja \nnisam Švabo\"\n30.000,00\nUKUPNO\n210.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2017. - 2. 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 Galić\nMissart,  umjetnička  organizacija\n127.684,00  HRK\nJavni  poziv  za  podnošenjem  zahtjeva  za  potporu  za  dodatne  troškove  snimanja  filmova  nastale  uslijed  izvanrednih  \nokolnosti  uzrokovanih  epidemijom  COVID-­19,  27.  sjednica  Hrvatskog  audiovizualnog  vijeća,  11.  lipnja  2020.\nNASLOV\nŠESTI  AUTOBUS\n","warnings":[],"document":{"program_type":"covid","natjecaj_title":"Javni poziv za podnošenjem zahtjeva za potporu za dodatne troškove snimanja filmova nastale uslijed izvanrednih okolnosti uzrokovanih epidemijom COVID-19, 27. sjednica Hrvatskog audiovizualnog vijeća, 11. lipnja 2020.","year":2020,"rok":null,"natjecaj_date":null,"decision_date":"2020-06-11","decision_body":"AV vijeće","currency":"HRK","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","REDATELJ","PRODUCENT","ODOBRENO"],"rows":[{"row_number":null,"project_title":"ŠESTI AUTOBUS","applicant":"Missart, umjetnička 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\nscenarija \ni \nrazvoja \nprojekata \ndugometražnih \nigranih, \ndugometražnih \ndokumentarnih i animiranih filmova u 2025. godini - potkategorija: RAZVOJ PROJEKATA - 1. \nrok, 12.3 2025. (dugometražni igrani film) \n \n- umjetnički savjetnici za dugometražni igrani film - Ira Cecić, Branko Schmidt i Sandra Antolić \n \nNa ovaj rok pristigle su 33 prijave. \n \nUstanovili smo kako jedan prijavljeni projekt ne pripada kategoriji dugometražnih igranih \nfilmova već kategoriji dugometražnih dokumentarnih filmova što nam je potvrdio i konzultirani \numjetnički savjetnik za dokumentarni film. Tako smo razmatrali 32 prijave. \n \nTematski su projekti izuzetno raznoliki pa je teško pronaći neke zajedničke preokupacije autora \nna ovom roku. Ako bismo ipak pokušali na neki način povezati projekte, mogli bismo istaknuti \nkako ih veliki broj gradi priče na platformi muško-ženskih odnosa te Domovinskoga rata i \nnjegovih posljedica.  \n \nPrimijetili smo i jedan mikro-trend koji počiva na povijesnim re/konstrukcijama, od kojih je \nnajdalje u prošlost otišla priča iz 1906. godine. \n \nVećinu projekata predlažu debitanti, a u četiri slučaja autori su potpisani i/ili supotpisani na \npo dva projekta. Tri projekta su adaptacije romana, a jedan adaptacija kazališne predstave.  \n \nPrimjećujemo i da mnogi projekti koji su već prije dobili poticaj u potkategoriji Razvoja \nscenarija nisu za ovaj rok uspjeli doseći zadovoljavajuću razinu kvalitete scenarija te je gotovo \npravilo da u dokumentaciji ističu kako bi eventualna sredstva dobivena na ovom natječaju \nuložili u scenarističke radionice i rad sa script-doktorima.  \n \nI konačno; od 32 prijavljena projekta odabrali smo tri projekta i njima pridodali još jedan sa \novoga roka, ali iz kategorije Proizvodnje dugometražnih igranih filmova.  \n \nTako izdvajamo: \n \nSumnjivo područje Filipa Peruzovića - art house dramu koja prati nekolicinu profesionalnih \npirotehničara na jednom od njihovih posljednjih zadataka prije rasformiranja grupe. Bilo \njednom u Dalmaciji, humornu dramu Ante Marina koja obrađuje bijeg pisca ljubića iz rutine \nte njegovo kreativno i osobno oslobađanje u divljem kampu na otoku okupiranom turizmom. \nJosip Lukić potpisuje strukturalno inventivnu dramu s elementima trilera Nikad nećeš hodat \nsama inspiriranu stvarnim ubojstvom mlade turistkinje na splitskom Marjanu, a još jedan \nSplićanin, glumac Lovre Kondža, autor je komedije Na javnom zadatku u kojoj duet \nnesposobnih inspektora - Maki i Fićo - potežu iz Splita u Sinj riješiti slučaj otmice načelnikove \nkćeri i iskupiti se pred šefom za prethodne promašaje.  \n \n \n \n\n\f\nSUMNJIVO PODRUČJE \nscenarij: Filip Peruzović, Ivan Turković-Krnjak \nrežija: Filip Peruzović \nprodukcija: Pipser d.o.o. \n25.000 EUR \n \nAutorova dugogodišnja preokupacija životom pirotehničara koji razminiraju Hrvatsku \nrezultirala je originalnim scenarističkim predloškom s mnoštvom insajderskih uvida, izvrsnog \nhard-boiled tona te prožetog suptilnim suspensom. Scenarij vješto dočarava svakodnevicu \ngrupe profesionalaca u Lici, u proljeće 2026. na kraju sezone razminiranja, prateći njihove \nmeđusobne distance i veze s normalnim svijetom u kojem se odvija običan život, bez \"glave u \ntorbi\".  \n \n \nNIKAD NEĆEŠ HODAT SAMA \nscenarij: Josip Lukić \nrežija: Josip Lukić \nprodukcija: Petnaesta umjetnost d.o.o. \n25.000 EUR \n \nBrutalno ubojstvo strane turistkinje u Splitu 2012. godine inspiriralo je Josipa Lukića na \nstrukturalno polifonu priču s vješto ugrađenim trilerskim zapletom i dokumentaristički \npredstavljenim ambijentom Splita. Lukić proučava banalnost zla spajajući čin nasilja s \nhektikom nekontrolirano rastućeg splitskog turizma. Specifičnost ovog projekta je u autorovoj \nintenciji da izbjegne fiksaciju na ubojicu te razradu motivacije kreirajući pritom paletu emocija \ni precizno prebacujući fokus između likova. \n \n \nBILO JEDNOM U DALMACIJI \nscenarij: Ante Marin \nrežija: Ante Marin \nprodukcija: Wolfgang i Dolly d.o.o. \n25.000 EUR \n \nSatirična humoreska Bilo jednom u Dalmaciji bavi se temom umjetničkog stvaranja i potragom \numjetnika za Arkadijom kao iskonskim ambijentom umjetnosti. Glavni lik je Lik - pisac ljubića \nkoji raskida sa \"štancanjem\" pod pseudonimom te bježi u divlji kamp na otoku gdje se nada \npronaći inspiraciju za pravi roman koji će napokon moći potpisati svojim imenom. No u kampu \ninspiracije nema sve do smrti djevojke što ga konačno potakne na pisanje. Scenarij je pisan \nduhovito i moderno, a autor u humorni prosede vješto upliće temu moralne odgovornosti \numjetnika. \n \n \n \n \n \n \n\n\f\nNA JAVNOM ZADATKU (prebačen iz proizvodnje) \nscenarij: Lovre Kondža \nrežija: Lovre Kondža \nprodukcija: Maxima film d.o.o. \n25.000 EUR \n \nAkcijska komedija iz dalmatinskog zaleđa s mladim inspektorima PU splitsko-dalmatinske, \nnesposobnjakovićima koji istražuju otmicu kćeri sinjskog načelnika, napisana je britko, u \npreciznom ritmu i s izvrsnim poznavanjem običaja i karaktera Sinjske krajine. Na javnom \nzadatku se do apsurda poigrava s obrascima komercijalnih rodonačelnika svoga žanra. \nMišljenja smo kako bi se projekt unatoč scenarističkom i redateljskom neiskustvu autora Lovre \nKondže uz dobro odabrane suradnike mogao uspješno realizirati. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"WEB MANJINSKE KOPRODUKCIJE 2025-3. ROK.pdf","filename_decoded":"WEB MANJINSKE KOPRODUKCIJE 2025-3. 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\n \n \nKLASA: 011-06/25-02/7 \nURBROJ: 115-01-25-3 \nZagreb, 13. svibnja 2025. \n \nTemeljem članka 36. Zakona o audiovizualnim djelatnostima (NN 61/18, 114/22 i 123/24 dalje u \ntekstu: Zakon) i Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva, Hrvatsko audiovizualno vijeće, a sukladno Odluci o dodatnoj \npotpori za proizvodnju filmova čija je nemogućnost završetka proizvodnje posljedica učinka inflacije \nna gospodarstvo KLASA: 011-06/25-02/5, URBROJ: 115-01-25-4 od 26. ožujka 2025., na prijedlog \nRavnatelja, u 5. sazivu na 13. sjednici održanoj 13. svibnja 2025. godine donijelo je: \nO  D  L  U  K  U  \n o promjeni odobrenog iznosa sredstava  \n \n1. Sukladno Odluci o dodatnoj potpori za proizvodnju filmova čija je nemogućnost završetka \nproizvodnje posljedica učinka inflacije na gospodarstvo KLASA: 011-06/25-02/5, URBROJ: \n115-01-25-4 od 26. ožujka 2025. mijenja se iznos odobrenih sredstava zaključenih Ugovora o \nsufinanciranju prema tablici priloženoj ovoj Odluci koja čini njezin sastavni dio. \n \n2. Ovlašćuje se ravnatelj HAVC-a na zaključivanje dodatka ugovora o sufinanciranju s \nkorisnicima sredstava sukladno odredbama Pravilnika o postupku, kriterijima i rokovima za \nprovedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva i Odluke o dodatnoj \npotpori za proizvodnju filmova čija je nemogućnost završetka proizvodnje posljedica učinka \ninflacije na gospodarstvo KLASA: 011-06/25-02/5, URBROJ: 115-01-25-4 od 26. ožujka 2025. \n \n3. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4. Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: \nwww.havc.hr. \n \nObrazloženje \n \nHrvatsko audiovizualno vijeće, na prijedlog Ravnatelja, u 5. sazivu na 11. sjednici održanoj 26. ožujka \n2025. godine donijelo je Odluku o dodatnoj potpori za proizvodnju filmova čija je nemogućnost \nzavršetka proizvodnje posljedica učinka inflacije na gospodarstvo KLASA: 011-06/25-02/5, URBROJ: \n115-01-25-4. \n \nNa web stranicama HAVC-a www.havc.hr objavljen je poziv korisnicima sredstava Centra kojima su \ndodijeljena sredstva po javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u \nkategoriji proizvodnja filmova na rokovima odlučivanja u periodu od 2018. - 2022. godine da do 28. \ntravnja 2025. godine podnesu Centru Zahtjev za dodatnu potporu za proizvodnju filmova čija je \nnemogućnost završetka proizvodnje posljedica učinka inflacije na gospodarstvo. \n \nPravo podnošenja zahtjeva za dodatnu potporu za proizvodnju filmova čija je nemogućnost završetka \nproizvodnje posljedica učinka inflacije na gospodarstvo imali su producenti - fizičke i pravne osobe, \n\n\f\n \n \nupisane u sudski ili drugi registar za obavljanje djelatnosti proizvodnje audiovizualnih djela, sa \nsjedištem u Republici Hrvatskoj ili one koje obavljaju djelatnost u Republici Hrvatskoj, upisane u \nočevidnik producenata, zajedno s redateljima. \n \nSukladno uvjetima iz Odluke o dodatnoj potpori za proizvodnju filmova čija je nemogućnost završetka \nproizvodnje posljedica učinka inflacije na gospodarstvo KLASA: 011-06/25-02/5, URBROJ: 115-01-25-4 \nod 26. ožujka 2025. i odredbama Pravilnika o postupku, kriterijima i rokovima za provedbu \nNacionalnog programa promicanja audiovizualnog stvaralaštva za dodatnu potporu odobren je 61 \nzahtjev u ukupnom iznosu 1.706.740,35 €. \n \nTemeljem Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva bitnim elementima Ugovora o sufinanciranju zaključenog s \nCentrom smatraju se: nositelji projekta i odobreni iznos sredstava. U slučaju promjene jednog od \nbitnih elemenata Ugovora o sufinanciranju, Ugovor o sufinanciranju se može održati na snazi \nisključivo temeljem nove odluke Hrvatskog audiovizualnog vijeća. \n \nSukladno Odluci o dodatnoj potpori za proizvodnju filmova čija je nemogućnost završetka \nproizvodnje posljedica učinka inflacije na gospodarstvo KLASA: 011-06/25-02/5, URBROJ: 115-01-25-4  \nod 26. ožujka 2025. i odredbama Pravilnika o postupku, kriterijima i rokovima za provedbu \nNacionalnog programa promicanja audiovizualnog stvaralaštva na 13. sjednici Hrvatskog \naudiovizualnog vijeća u 5. sazivu održanoj 13. svibnja 2025. godine je s devet (9) glasova „za“, dva (2) \n„suzdržan“ i dva (2) „izuzet“ (gđa Gros, g. Skorin) odlučeno o promjeni odobrenog iznosa sredstava \nsukladno tablici priloženoj ovoj Odluci. \nTemeljem čl. 34. Zakona ravnatelj HAVC-a izvršava odluke o raspodjeli sredstava na temelju \nNacionalnog programa zaključivanjem ugovora i dodataka ugovora s korisnicima sredstava.  \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15 i 69/22), HAVC će ovu \nOdluku objaviti na svojoj mrežnoj stranici: www.havc.hr. \n \nPrilog: tablica  \nZamjenik predsjednika \nHrvatskog audiovizualnog vijeća \n \nAndrej Kovačević, v.r. \n \n \n \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","year":2025,"rok":null,"referenced_projects":[],"summary":"Odluka AV Vijeća u 5. sazivu na 13. sjednici od 13. svibnja 2025. o promjeni odobrenog iznosa sredstava zaključenih Ugovora o sufinanciranju, sukladno Odluci o dodatnoj potpori za proizvodnju filmova čija je nemogućnost završetka proizvodnje posljedica učinka inflacije; odobreno 61 zahtjev u ukupnom iznosu 1.706.740,35 €.","project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Rezultati_Medjunarodna_rok 22 08 2014.pdf","filename_decoded":"Rezultati_Medjunarodna_rok 22 08 2014.pdf","sha256":"4d1c9602e57d87b2d85b4f8cb0cbc149db59c3b02e9e8a803f377928ecc6fac9","bytes":253739,"page_count":2,"extracted_at":"2026-05-17T10:23:53Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Rezultati_Medjunarodna_rok%2022%2008%202014.pdf"},"raw_text":"REZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2014. - PROGRAMI MEĐUNARODNE SURADNJE\nROK 22. kolovoza 2014.\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA (kn)\n1\nAntitalent produkcija d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producentice na dvije sesije programa \nSerial Eyes u sklopu Deutsche Film u \nFernsehakademie Berlin; Berlin, Njemačka; 15. rujna \ndo 19. prosinca 2014. i od 05. siječnja do 15. svibnja \n2015.\n25.000,00 kn\n2\nArtizana film d.o.o.\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redatelja i producentice i predstavljanje \ndugometražnog igranog filma 'Most na kraju svijeta', \nred. B. Ištvančića u sklopu programa Fokus na \nsvjetski film 38. festivala svjetskog filma u Montrealu, \nKanada; 21. kolovoza do 01. rujna 2014. \n10.000,00 kn\n3\nDamir Čučić\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redatelja i predstavljanje \ndugometražnog dokumentarnog filma 'MITCH-\ndnevnik jednog shizofreničara', red. D. Čučića u \nsklopu međunarodne konkurencije FID Marseillesa; \nMarseilles, Francuska; 02. do 05. srpnja 2014.\n3.533,00 kn\n4\nFactum\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i \nprogrami razvoja projekta.\nSudjelovanje redateljice i montažerke s projektom \n'Iza lica zrcala', red. K. Z. Matijević Veličan na \nstručnoj radionici Docu Rough Cut Boutiqe u sklopu \n20. Sarajevo film festivala; Sarajevo, BiH; 18. do 22. \nkolovoza 2014.\n2.500,00 kn\n5\nFactum\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje autora, producenta i izvršne \nproducentice i predstavljanje filmova 'Ljubavna \nodiseja', red. T.Božić, 'Goli', red. T.Gudac i 'Djeca \ntranzicije', red. M.Vukšića u sklopu 20. Sarajevo Film \nFestivala; Sarajevo, BiH; 19. do 24. kolovoza 2014.\n25.000,00 kn\n6\nFactum\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redateljice i producenta i predstavljanje \ndugometražnog dokumentarnog filma 'Goli', red. \nT.Gudac na programu Balkan Dox u sklopu 13. \nmeđunarodnog festivala dokumentarnog i \nkratkometražnog filma DokuFest; Prizren, Kosovo; \n16. do 24. kolovoza 2014. \n10.000,00 kn\n7\nFestival mediteranskog filma \nSplit\nProgrami stručnog usavršavanja\nSudjelovanje direktora festivala s projektom 'Kino \nMediteran' na radionici za voditelje art kina 'Art \nCinema = Action + Management' u sklopu 11. \nmeđunarodnog filmskom festivala u Veneciji, Italija; \n27. kolovoza do 02. rujna 2014.\n7.211,00 kn\n8\nHrvatski filmski savez\nProgrami stručnog usavršavanja\nSudjelovanje redateljice dokumentarnog filma 'U \npotrazi za izgubljenom državom', red. M.R.Vidaković \nna drugoj sesiji 'Pravna i financijska pitanja' MAIA \nradionice; Halle, Njemačka; 23. do 28. lipnja 2014.\n7.500,00 kn\n9\nHrvatski filmski savez\nOstali programi\nSudjelovanje troje predstavnika Four River Film \nFestivala u sklopu 16. međunarodnog festivala Seoul \nInternational Youth Film Festival; Seoul, Južna \nKoreja; 21. do 28. kolovoza 2014.\n15.000,00 kn\n10\nHrvatski filmski savez\nOstali programi\nSudjelovanje voditeljice Revijskog programa na 44. \nmeđunarodnom festivalu Giffoni Experience; Giffoni, \nItalija; 18. do 27. srpnja 2014.\n10.000,00 kn\n11\nHrvatski filmski savez\nOstali programi\nSudjelovanje Željka Baloga na sastanku Komiteta i \nSkupštine UNICA-e te troje autora  i predstavljanje \nhrvatske filmske reprezentacije na 76. filmskom \nfestivalu UNICA; Pies'tany, Slovačka; 23. do 31. \nkolovoza 2014.\n12.000,00 kn\n12\nIgor Bezinović\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. \nSudjelovanje Igora Bezinovića na 12. \nmeđunarodnom festivalu MonFilmFest; \nCasalborgoneo, Italija; 23. do 30. kolovoza 2014.\n3.874,00 kn\n13\nJasmina Kallay\nProgrami stručnog usavršavanja\nSudjelovanje Jasmine Kallay na dvije sesije radionice \nEuropean TV Drama Series Lab 2014 Erich Pommer \nInstituta; Berlin, Njemačka; 01. do 06. srpnja 2014. i \n17. do 23. studeni 2014.\n12.000,00 kn\n\n\f\n14\nJura Troje\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. \nSudjelovanje J. Troje na međunarodnom festivalu \ndječjeg filma u Istanbulu, Turska; 27. do 31. listopada \n2014.\n1.546,00 kn\n15\nKinematograf d.o.o.\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova\nSudjelovanje redateljice i predstavljanje \nkratkometražnog igranog filma 'Pragovi', red. D. \nMlađenović u sklopu programa službene konkurencije \n13. međunarodnog festivala dokumentarnog i kratkog \nfilma DokuFest; Prizren, Kosovo; 16. do 24. kolovoza \n2014.\n3.100,00 kn\n16\nMaxima film d.o.o.\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova\nSudjelovanje dva člana autorske ekipe \ndugometražnog igranog filma 'Takva su pravila', red. \nO. Sviličića na programu Orrizonti Competition u \nsklopu 71. međunarodnog festivala u Veneciji, Italija; \n27. kolovoza do 06. rujna 2014. \n60.000,00 kn\n17\nMaydi Film & Video d.o.o.\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova\nSudjelovanje producentice i redatelja i predstavljanje \ndugometražnog igranog filma 'Šegrt Hlapić', red. S. \nPetranovića u službenoj konkurenicji 37. \nmeđunarodnog festivala dječjeg filma Lucas; \nFrankfurt, Njemačka; 22. do 28. rujna 2014.\n9.019,00 kn\n18\nMoje čarobne misli d.o.o.\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redateljice i predstavljanje filma \n'Mehaničke figure_Inspririani Teslom' u sklopu izložbe \n'Nikola Tesla: suyo es el futuro'; Madrid, Španjolska; \n05. studenog 2014. do 01. veljače 2015.\n6.000,00 kn\n19\nNukleus\nPotpora producentima/ -icama i \nautorima/ -icama za predstavljanje \nfilmova. Programi predstavljanja i \npromocije filmova.\nSudjelovanje redateljice i predstavljanje \nkratkometražnog igranog filma 'Kokoška', red. U. \nGunjak na 22. međunarodnom filmskom festivalu \nCurtas Vila do Conde; Portugal; 05. do 13. srpnja \n2014.\n892,00 kn\n20\nProdukcija Živa d.o.o.\nProgrami izrade promidžbenih \nmaterijala i prijavljivanje u službenu \nkonkurenciju festivala. Programi \npredstavljanja i promocije filmova.\nSudjelovanje članova autorske ekipe i predstavljanje \ndugometražnog igranog filma 'Otok ljubavi', red. J. \nŽbanić na programu Piazza Grande u sklopu 67. \nmeđunarodnog filmskog festivala u Locarnu, \nŠvicarska; 06. do 16. kolovoza 2014.\n46.000,00 kn\n21\nUdruga za audiovizualno \nstvaralaštvo Artizana\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redateljice i predstavljanje \nkratkometražnog igranog filma 'I LOVE YU', red. I. \nŠkorić na programu One Title Selection u sklopu \nmeđunarodnog festivala Sapporo International Short \nFilm Festival and Market; Sapporo, Japan, od 08. do \n13. listopada 2014.\n7.500,00 kn\n22\nUdruga Blank\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i producenta i predstavljanje \nkratkometražnog igranog filma 'Vrag u gospođici \nJones', red. J. Lukića na službenoj konkurenciji 29. \nmeđunarodnog festivala kratkometražnog filma u \nBrestu, Francuska; 11. do 16. studenog 2014. \n9.000,00 kn\n23\nUdruga Dušan Vukotić\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti. Ostali programi.\nOrganizacija izložbe 'Svijet mašte Dušana Vukotića \nVuda' u suradnji s Udruženjem 'Cetinje', pod \npokroviteljstvom Jugoslavenske Kinoteke Beograd; \nBeograd, Srbija, 24. lipnja 2014.\n3.800,00 kn\n24\nUdruga ljubitelja filma Rare\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje troje autora filmova i direktora festivala i \npredstavljanje projekta DORF na festivalu europskog \nfilma Cinedays ; Skopje, Makedonija; 13. do 22. \nstudenog 2014.\n10.000,00 kn\n25\nSveučilište u Zagrebu, \nStudentski centar\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti. \nSudjelovanje članova Klubvizije SC-a i predstavljanje \nprogramskih aktivnosti u sklopu projekta 9-LABS u \nFilmswerkplaatsu; Rotterdam, Nizozemska; prosinac \n2014.\n2.031,00 kn\n26\nŽeljka Ferenčić\nProgrami stručnog usavršavanja\nSudjelovanje Željke Ferenčić na radionici CICAE, na \ntemu 'Art Cinema = Action + Managment'; Venecija, \nItalija; 26. kolovoza do 01. rujna 2014.\n2.280,00 kn\nUKUPNO:\n304.786,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR, ODJEL ZA PROMOCIJU I PLASMAN\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"Rezultati_Medjunarodna_rok 22 08 2014","year":2014,"rok":null,"natjecaj_date":"2014-08-22","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","OPIS PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Programi stručnog usavršavanja","applicant":"Antitalent produkcija d.o.o.","production_company":"Antitalent produkcija d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00 kn","approved_amount":25000.0,"currency":"HRK","extras":{"col_1":"1","OPIS PROGRAMA":"Sudjelovanje producentice na dvije sesije programa Serial Eyes u sklopu Deutsche Film u Fernsehakademie Berlin; Berlin, Njemačka; 15. rujna do 19. prosinca 2014. i od 05. siječnja do 15. svibnja 2015.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent produkcija d.o.o.","row_id":"4d1c9602:s0:f2cf79ef082b","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_26a545799e6c","project_family_title":"Programi stručnog usavršavanja"},{"row_number":2,"project_title":"Programi predstavljanja i promocije filmova","applicant":"Artizana film d.o.o.","production_company":"Artizana film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00 kn","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"2","OPIS PROGRAMA":"Sudjelovanje redatelja i producentice i predstavljanje dugometražnog igranog filma 'Most na kraju svijeta', red. 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Škorić na programu One Title Selection u sklopu međunarodnog festivala Sapporo International Short Film Festival and Market; Sapporo, Japan, od 08. do 13. listopada 2014.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"4d1c9602:s1:dbdac9943813","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_606a90066648","project_family_title":"Programi predstavljanja i promocije filmova"},{"row_number":22,"project_title":"Programi gostovanja hrvatskih autora/ -ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. 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Lukića na službenoj konkurenciji 29. međunarodnog festivala kratkometražnog filma u Brestu, Francuska; 11. do 16. studenog 2014.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"4d1c9602:s1:6194a59194fc","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_3812eff9d75f","project_family_title":"Programi gostovanja hrvatskih autora/ -ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. Programi predstavljanja i promocije filmova."},{"row_number":23,"project_title":"Programi međunarodne kulturalne razmjene iz područja audiovizualnih djelatnosti. 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Mlađenović u sklopu programa službene konkurencije 13. međunarodnog festivala dokumentarnog i kratkog filma DokuFest; Prizren, Kosovo; 16. do 24. kolovoza 2014.":"Organizacija izložbe 'Svijet mašte Dušana Vukotića Vuda' u suradnji s Udruženjem 'Cetinje', pod pokroviteljstvom Jugoslavenske Kinoteke Beograd; Beograd, Srbija, 24. lipnja 2014.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"4d1c9602:s1:b5d202f7bdcb","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_70d22e0652ec","project_family_title":"Programi međunarodne kulturalne razmjene iz područja audiovizualnih djelatnosti. Ostali programi."},{"row_number":24,"project_title":"Programi gostovanja hrvatskih autora/ -ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. 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Mlađenović u sklopu programa službene konkurencije 13. međunarodnog festivala dokumentarnog i kratkog filma DokuFest; Prizren, Kosovo; 16. do 24. kolovoza 2014.":"Sudjelovanje troje autora filmova i direktora festivala i predstavljanje projekta DORF na festivalu europskog filma Cinedays ; Skopje, Makedonija; 13. do 22. studenog 2014.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"4d1c9602:s1:2910ab614ddd","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_3812eff9d75f","project_family_title":"Programi gostovanja hrvatskih autora/ -ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. 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Mlađenović u sklopu programa službene konkurencije 13. međunarodnog festivala dokumentarnog i kratkog filma DokuFest; Prizren, Kosovo; 16. do 24. kolovoza 2014.":"Sudjelovanje članova Klubvizije SC-a i predstavljanje programskih aktivnosti u sklopu projekta 9-LABS u Filmswerkplaatsu; Rotterdam, Nizozemska; prosinac 2014.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"4d1c9602:s1:aa026ecc4c5f","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_72a6297aacb2","project_family_title":"Programi međunarodne kulturalne razmjene iz područja audiovizualnih djelatnosti."},{"row_number":26,"project_title":"Programi stručnog usavršavanja","applicant":"Željka Ferenčić","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.280,00 kn","approved_amount":2280.0,"currency":"HRK","extras":{"15":"26","Kinematograf d.o.o.":"Željka Ferenčić","Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'Pragovi', red. 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Kriteriji \npredlaganja projekata za sufinanciranje kojima sam se vodio u prvom su redu međunarodni \nprikazivački potencijal, originalni vizualni stil i univerzalno razumljiva priča. Na listu \nprijedloga uvrstio sam pet kratkometražnih projekata, od kojih iza čak tri stoje redateljice: \nIgra, 2D kompjuterska animacija redateljice nove generacije Irene Jukić Pranjić, ironijski je \nkomentar sizifovskih radnji nametnutih ženama kroz njihovu rodnu ulogu; Petrova šuma, u \nkombinaciji 3D i 2D kompjuterske animacije redateljice Martine Meštrović (koscenaristica \ndebitantica Betina Ilić) o samoostvarenju i preispitivanju konvencionalne sredine koja ne \ntolerira različitost; Lisica i roda, u tehnici crteža tušem na papiru redateljice debitantice Maje \nZdelar, inspiriran je Ezopovom basnom i od svih predloženih pogodan i za dječju publiku. \nČetvrti i peti projekt koje predlažem za financijsku potporu su filmovi Samo plivanje, u \ntehnici kombiniranih crteža na papiru redatelja Darka Vidačkovića i Voće, u tehnici animacije \nobjekata redatelja Ivana Mirka Senjanovića. Oba projekata su već bila prijavljivana na \nprijašnjim rokovima te su u novim prijavama uvažali primjedbe prethodne umjetničke \nsavjetnice za animirani film, Margit Antauer. Ako Samo plivanje donosi intimnu priču o \nintrospekciji, Voće s iznimnom notom humora donosi složenu temu kako zajednica \nantropomorfiziranih voćaka prolazi kroz periode rata i mira. Na kraju moram napomenuti da, \nod dva projekta prijavljena u podkategoriji razvoj scenarija animiranog filma, oba imaju \nznatne „dramaturške rupe“ i zato, na ovom roku, ne zadovoljavaju kriterije za sufinanciranje. \nJedini projekt prijavljen u podkategoriji razvoj projekata već je dobio potporu za scenarij \nserijskog TV djela po Javnom pozivu za razvoj scenarija i razvoj projekata televizijskih djela \nu 2013. godini.  \n \n\n\f\n \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n \n \nSanja Ravlić, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim \nudjelom: \n \nNa drugi ovogodišnji rok Javnog poziva za filmske koprodukcije s manjinskim hrvatskim \nudjelom pristiglo je ukupno 20 prijava u sljedećim kategorijama: animirani film, \ndugometražni debitantski igrani film, dugometražni debitantski film, dugometražni \ndokumentarni film i kratkometražni igrani film. Najviše prijava bilo je u kategorijama \ndugometražnog debitantskog igranog filma i dugometražnog igranog filma, njih ukupno 13. \n \nValja posebno istaknuti da je četiri godine nakon što je, 2010. godine, uvedena posebna \nkategorija za manjinske koprodukcije, unutar Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva, i osigurano njeno stabilno financiranje, sve uočljivije da se u ovoj \nkategoriji hrvatski producenti prijavljuju sa sve raznolikijim projektima te da prijave dolaze iz \nsve većeg broja zemalja, a ne samo onih u našem neposrednom okruženju, koje su nam inače \ntradicionalni koprodukcijski partneri. Tako je posljednje dvije godine podržan značajan broj \nfilmskih koprodukcija sa zemljama poput Grčke, Švicarske, Ujedinjenog Kraljevstva, Italije, \nČeške, Poljske, Bugarske, Francuske, Ukrajine. Ovo je očit pokazatelj da je odabrani način \nostvarenja cilja koji je definiran u Nacionalnom programu promicanja audiovizualnog \nstvaralaštva 2010. – 2014., a to je učinkovitije uključenje hrvatskih filmskih djelatnika u \nsustav međunarodnih koprodukcija, urodio plodom: hrvatski su filmski djelatnici danas puno \numreženiji na europskoj razini i otvoreniji za kreativnu suradnju nego što je to bio slučaj \n2010. godine. \n \nKao jasan brojačani indikator ovog iskoraka može poslužiti sljedeći podatak:  ne samo da se \ntijekom posljednje četiri godine povećao broj prijava, nego se povećao i broj uspješnih prijava \nna europski koprodukcijski fond Eurimages. U razdoblju od 2010. do danas potporu fonda \ndobilo je ukupno sedam većinskih i 12 manjinskih hrvatskih koprodukcija, a ukupan iznos \npotpore u tom razdoblju iznosi čak 1.776.287 eura.  \n \nIstovremeno to znači da se, naročito u posljednje dvije godine, s povećanjem broja prijava \nznatno povećao i broj izrazito kvalitetnih prijava, no nažalost na raspolaganju su ipak \nograničena godišnja sredstva, što umjetničkog savjetnika za ovu kategoriju često stavlja u \nnezavidan položaj, jer se ne mogu prodržati svi projekti koji to zaslužuju. Tako se i u ovom \nkrugu odlučivanja, kao i u nizu prethodnih, određeni dio projekata iz tog razloga našao „ispod \ncrte”. Svima njima preporučit će se ponovna prijava na sljedeći godišnji rok koji je, \nnapomenimo, produžen s 11.7. na 18.7.2014.  \n \nŠto se tiče projekata podržanih na ovom roku odlučivanja vodila sam se prvenstveno, kao i do \nsada u svom mandatu, kombinacijom kriterija umjetničke kvalitete projekta, njegovih \nprodukcijskih kvaliteta, potencijalom cirkulacije (kako u kinima tako i na  \n\n\f\n \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n \nmeđunarodnim festivalima), kao i kriterijem podupiranja daljnje suradnje s već prokušanim \nkoprodukcijskim partnerima. U nekim slučajevima jedan od kriterija bio je, uvjetno rečeno, i \nreciprocitet između Hrvatske i zemlje iz koje dolazi glavni producent projekta. \n \nKao i u prethodnim javnim pozivima za manjinske koprodukcije, ova lista podržanih \nprojekata svjedoči o tome da Hrvatski audiovizualni centar nastavlja s aktivnom politikom \njednakopravnog odnosa poticanja svih filmskih rodova i vrsta te da nastavlja aktivno \npodupirati koprodukcijske projekte u često zanemarivanim formama, posebno kada je riječ o \ndokumentarnom filmu te općenito kratkom metru, bilo igranom, dokumentarnom ili \nanimiranom.  \n \nTako je od  animiranih filmova u ovom roku podržan kratkometražni animirani film pod \nnaslovom Život s Hermanom H. Rottom, estonske animatorice Chintis Lungren; koprodukcija \nizmeđu Estonije, Danske i Hrvatske. Kroz šarmantnu i humornu priču o bračnom suživotu \nštakora anarhista i mačke malograđanke, ovaj 10-minutni film u 2D tehnici crteža govori o \ntome da naoko nepremostive kulturne i socijalne razlike ne moraju u konačnici biti prepreka \nljubavi i razumijevanju.  \n \nU kategoriji kratkometražnog igranog filma podržan je film Majka finskog autora Otta \nKylmale. Film ima vrlo prepoznatljiva obilježja finskog „magičnog realizma” koji poznajemo \niz Kaurismakijevog opusa te vješto spaja tematski i formalno naoko nespojivo: potresnu priču \no nuklearnoj obitelji suočenoj s mentalnom bolešću majke i humorne, tople, bajkovite \nelemente.  \n \nU kategoriji dugometražnog dokumentarnog filma podržan je projekt Moj svijet je \nnaopačke slovenske dokumentaristice Petre Seliškar. Ovo je projekt kojim se nastavlja \nuspješna koproducentska i kreativna suradnja između hrvatske produkcijske kuće Restart i \nslovenske produkcijske kuće Petra Pan. Riječ je o kreativnom glazbenom dokumentarcu, \noriginalnom hommageu poznatom i popularnom slovenskom glumcu, piscu i prvenstveno \ntelevizijskom i radijskom izvođaču, „slovenskom Charlie Chaplinu“, Frani Miličinskom \nJežeku. Film se razvija kroz dvije paralelne narativne linije. Jedna se sastoji od bogatog \narhivskog materijala iz zabilježenih Ježekovih televizijskih i radijskih izvedbi te materijala u \nkojima on objašnjava genezu svojih pjesama, a druga od suvremene reinterpretacije njegovog \nopusa kroz globalno žanrovsko glazbeno putovanje. To putovanje uključuje jednog klasičnog \ngitarista, hrvatsku pjevačku ikonu Josipu Lisac, šezdeseteročlani orkestar, underground sastav \niz Australije, talijanskog kantautora, eksperimentalnu harmonikašku glazbu iz Finske, žestoki \npunk iz Makedonije, magično arapsko-romski lirizam i američku avangardu. \n \nU kategoriji dugometražnog debitantskog igranog filma, podržan je projekt Ustrajnost \nmladog slovenskog redatelja Mihe Knifica. Ovaj ambiciozni niskobudžetni projekt \ninspiriranom lavnom Gauguinovom slikom pod naslovom D’où Venons-Nous? Que  \n\n\f\n \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n \nSommes-Nous? Où Allons-Nous? (Odakle dolazimo? Tko smo? Kamo idemo?) sastoji se od \n15 nepovezanih priča inspiriranih stvarnim likovima i događajima koji su se odigrali tijekom \nposljednjih 60 godina. Sve te priče zajedno, iako naoko nepovezane, dio su jedinstvenog \nvećeg mozaika, jedne velike priče te dobivaju svoje specifično značenje kad se odgledaju u \ncjelini: poput ljudskog bića sastavljenog od 15 različitih bića od kojih svatko ima svoju priču.  \n \nI na kraju, u kategoriji dugometražnog filma podržan je projekt Čovjek u kutiji (The Man in \nthe Box). Riječ je o prvom filmu na engleskom jeziku poznatog i nagrađivanog hrvatskog \nredatelja Arsena Antona Ostojića. Scenarij, prema istoimenom romanu američkog pisca \nThomasa Morana, potpisuje britansko-španjolski scenaristički dvojac Dan i Nuria Wicksman. \nPriča je smještena u zabačeno planinsko selo u austrijskom Tirolu neposredno pred kraj \nDrugog svjetskog rata. Govori o odrastanju i emocionalnom sazrijevanju dvoje tinejdžera koji \nse brinu o sakrivenom Židovu, liječniku. Radi se o britansko-austrijsko-hrvatskoj \nkoprodukciji koja već ima potvrđenu sjajnu međunarodnu glumačku podjelu i samim time  \npotencijal za uspješnu široku distribuciju u kinima.  \n \n \nU Zagrebu, 10. srpnja 2014.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2014,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"2014 Koprodukcije_ rok 25 04 2014_ OBRAZLO_ENJE.pdf","filename_decoded":"2014 Koprodukcije_ rok 25 04 2014_ OBRAZLO_ENJE.pdf","sha256":"4d22e124eb825a7f8d03aa595ffef88aa5959b1273c5ba08a7efac52db4b2ce0","bytes":143863,"page_count":4,"extracted_at":"2026-05-17T12:01:35Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2014%20Obrazlo%C5%BEenje%20umjetni%C4%8Dkih%20savjetnika%2C%20ANIM%2C%20KOPRO%2C%2010%2007%202014.pdf"},"raw_text":" \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n \n \nObrazloženje umjetničkih savjetnika po odlukama o donošenju liste prioriteta i \nraspodjeli sredstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i \nstvaralaštva u 2014. godini, u kategoriji poticanja proizvodnje audiovizualnih djela \n(animirani film – rok 28. ožujka 2014.), u kategoriji poticanja razvoja scenarija i \nrazvoja projekata (animirani film – rok 25. travnja 2014.) i u kategoriji poticanja \nproizvodnje filmskih koprodukcija s manjinskim hrvatskim udjelom (rok 25. travnja \n2014.) \n \nSaziv 32. sjednice Umjetničkog vijeća, održane 9. srpnja 2014: Sanja Ravlić, Sanja Grbin, \nEmina Višnić, Slaven Zečević, Dragan Rubeša, Juraj Lerotić, Igor Prassel. \n \nSaziv 49. sjednice Hrvatskog audiovizualnog vijeća, održane 10. srpnja 2014: Vera Robić-\nŠkarica (predsjedavajuća), Carmen Lhotka, Snježana Tribuson, Nataša Petrović, \nSilvestar Kolbas, Zrinko Ogresta, Silvio Jesenković, Dino Paškov, Tonko Weissmann. \n \nIgor Prassel, umjetnički savjetnik za animirani film: \n \nNa natječaj se prijavilo osam kratkometražnih i jedan dugometražni animirani film. Kriteriji \npredlaganja projekata za sufinanciranje kojima sam se vodio u prvom su redu međunarodni \nprikazivački potencijal, originalni vizualni stil i univerzalno razumljiva priča. Na listu \nprijedloga uvrstio sam pet kratkometražnih projekata, od kojih iza čak tri stoje redateljice: \nIgra, 2D kompjuterska animacija redateljice nove generacije Irene Jukić Pranjić, ironijski je \nkomentar sizifovskih radnji nametnutih ženama kroz njihovu rodnu ulogu; Petrova šuma, u \nkombinaciji 3D i 2D kompjuterske animacije redateljice Martine Meštrović (koscenaristica \ndebitantica Betina Ilić) o samoostvarenju i preispitivanju konvencionalne sredine koja ne \ntolerira različitost; Lisica i roda, u tehnici crteža tušem na papiru redateljice debitantice Maje \nZdelar, inspiriran je Ezopovom basnom i od svih predloženih pogodan i za dječju publiku. \nČetvrti i peti projekt koje predlažem za financijsku potporu su filmovi Samo plivanje, u \ntehnici kombiniranih crteža na papiru redatelja Darka Vidačkovića i Voće, u tehnici animacije \nobjekata redatelja Ivana Mirka Senjanovića. Oba projekata su već bila prijavljivana na \nprijašnjim rokovima te su u novim prijavama uvažali primjedbe prethodne umjetničke \nsavjetnice za animirani film, Margit Antauer. Ako Samo plivanje donosi intimnu priču o \nintrospekciji, Voće s iznimnom notom humora donosi složenu temu kako zajednica \nantropomorfiziranih voćaka prolazi kroz periode rata i mira. Na kraju moram napomenuti da, \nod dva projekta prijavljena u podkategoriji razvoj scenarija animiranog filma, oba imaju \nznatne „dramaturške rupe“ i zato, na ovom roku, ne zadovoljavaju kriterije za sufinanciranje. \nJedini projekt prijavljen u podkategoriji razvoj projekata već je dobio potporu za scenarij \nserijskog TV djela po Javnom pozivu za razvoj scenarija i razvoj projekata televizijskih djela \nu 2013. godini.  \n \n\n\f\n \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n \n \nSanja Ravlić, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim \nudjelom: \n \nNa drugi ovogodišnji rok Javnog poziva za filmske koprodukcije s manjinskim hrvatskim \nudjelom pristiglo je ukupno 20 prijava u sljedećim kategorijama: animirani film, \ndugometražni debitantski igrani film, dugometražni debitantski film, dugometražni \ndokumentarni film i kratkometražni igrani film. Najviše prijava bilo je u kategorijama \ndugometražnog debitantskog igranog filma i dugometražnog igranog filma, njih ukupno 13. \n \nValja posebno istaknuti da je četiri godine nakon što je, 2010. godine, uvedena posebna \nkategorija za manjinske koprodukcije, unutar Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva, i osigurano njeno stabilno financiranje, sve uočljivije da se u ovoj \nkategoriji hrvatski producenti prijavljuju sa sve raznolikijim projektima te da prijave dolaze iz \nsve većeg broja zemalja, a ne samo onih u našem neposrednom okruženju, koje su nam inače \ntradicionalni koprodukcijski partneri. Tako je posljednje dvije godine podržan značajan broj \nfilmskih koprodukcija sa zemljama poput Grčke, Švicarske, Ujedinjenog Kraljevstva, Italije, \nČeške, Poljske, Bugarske, Francuske, Ukrajine. Ovo je očit pokazatelj da je odabrani način \nostvarenja cilja koji je definiran u Nacionalnom programu promicanja audiovizualnog \nstvaralaštva 2010. – 2014., a to je učinkovitije uključenje hrvatskih filmskih djelatnika u \nsustav međunarodnih koprodukcija, urodio plodom: hrvatski su filmski djelatnici danas puno \numreženiji na europskoj razini i otvoreniji za kreativnu suradnju nego što je to bio slučaj \n2010. godine. \n \nKao jasan brojačani indikator ovog iskoraka može poslužiti sljedeći podatak:  ne samo da se \ntijekom posljednje četiri godine povećao broj prijava, nego se povećao i broj uspješnih prijava \nna europski koprodukcijski fond Eurimages. U razdoblju od 2010. do danas potporu fonda \ndobilo je ukupno sedam većinskih i 12 manjinskih hrvatskih koprodukcija, a ukupan iznos \npotpore u tom razdoblju iznosi čak 1.776.287 eura.  \n \nIstovremeno to znači da se, naročito u posljednje dvije godine, s povećanjem broja prijava \nznatno povećao i broj izrazito kvalitetnih prijava, no nažalost na raspolaganju su ipak \nograničena godišnja sredstva, što umjetničkog savjetnika za ovu kategoriju često stavlja u \nnezavidan položaj, jer se ne mogu prodržati svi projekti koji to zaslužuju. Tako se i u ovom \nkrugu odlučivanja, kao i u nizu prethodnih, određeni dio projekata iz tog razloga našao „ispod \ncrte”. Svima njima preporučit će se ponovna prijava na sljedeći godišnji rok koji je, \nnapomenimo, produžen s 11.7. na 18.7.2014.  \n \nŠto se tiče projekata podržanih na ovom roku odlučivanja vodila sam se prvenstveno, kao i do \nsada u svom mandatu, kombinacijom kriterija umjetničke kvalitete projekta, njegovih \nprodukcijskih kvaliteta, potencijalom cirkulacije (kako u kinima tako i na  \n\n\f\n \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n \nmeđunarodnim festivalima), kao i kriterijem podupiranja daljnje suradnje s već prokušanim \nkoprodukcijskim partnerima. U nekim slučajevima jedan od kriterija bio je, uvjetno rečeno, i \nreciprocitet između Hrvatske i zemlje iz koje dolazi glavni producent projekta. \n \nKao i u prethodnim javnim pozivima za manjinske koprodukcije, ova lista podržanih \nprojekata svjedoči o tome da Hrvatski audiovizualni centar nastavlja s aktivnom politikom \njednakopravnog odnosa poticanja svih filmskih rodova i vrsta te da nastavlja aktivno \npodupirati koprodukcijske projekte u često zanemarivanim formama, posebno kada je riječ o \ndokumentarnom filmu te općenito kratkom metru, bilo igranom, dokumentarnom ili \nanimiranom.  \n \nTako je od  animiranih filmova u ovom roku podržan kratkometražni animirani film pod \nnaslovom Život s Hermanom H. Rottom, estonske animatorice Chintis Lungren; koprodukcija \nizmeđu Estonije, Danske i Hrvatske. Kroz šarmantnu i humornu priču o bračnom suživotu \nštakora anarhista i mačke malograđanke, ovaj 10-minutni film u 2D tehnici crteža govori o \ntome da naoko nepremostive kulturne i socijalne razlike ne moraju u konačnici biti prepreka \nljubavi i razumijevanju.  \n \nU kategoriji kratkometražnog igranog filma podržan je film Majka finskog autora Otta \nKylmale. Film ima vrlo prepoznatljiva obilježja finskog „magičnog realizma” koji poznajemo \niz Kaurismakijevog opusa te vješto spaja tematski i formalno naoko nespojivo: potresnu priču \no nuklearnoj obitelji suočenoj s mentalnom bolešću majke i humorne, tople, bajkovite \nelemente.  \n \nU kategoriji dugometražnog dokumentarnog filma podržan je projekt Moj svijet je \nnaopačke slovenske dokumentaristice Petre Seliškar. Ovo je projekt kojim se nastavlja \nuspješna koproducentska i kreativna suradnja između hrvatske produkcijske kuće Restart i \nslovenske produkcijske kuće Petra Pan. Riječ je o kreativnom glazbenom dokumentarcu, \noriginalnom hommageu poznatom i popularnom slovenskom glumcu, piscu i prvenstveno \ntelevizijskom i radijskom izvođaču, „slovenskom Charlie Chaplinu“, Frani Miličinskom \nJežeku. Film se razvija kroz dvije paralelne narativne linije. Jedna se sastoji od bogatog \narhivskog materijala iz zabilježenih Ježekovih televizijskih i radijskih izvedbi te materijala u \nkojima on objašnjava genezu svojih pjesama, a druga od suvremene reinterpretacije njegovog \nopusa kroz globalno žanrovsko glazbeno putovanje. To putovanje uključuje jednog klasičnog \ngitarista, hrvatsku pjevačku ikonu Josipu Lisac, šezdeseteročlani orkestar, underground sastav \niz Australije, talijanskog kantautora, eksperimentalnu harmonikašku glazbu iz Finske, žestoki \npunk iz Makedonije, magično arapsko-romski lirizam i američku avangardu. \n \nU kategoriji dugometražnog debitantskog igranog filma, podržan je projekt Ustrajnost \nmladog slovenskog redatelja Mihe Knifica. Ovaj ambiciozni niskobudžetni projekt \ninspiriranom lavnom Gauguinovom slikom pod naslovom D’où Venons-Nous? Que  \n\n\f\n \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n \nSommes-Nous? Où Allons-Nous? (Odakle dolazimo? Tko smo? Kamo idemo?) sastoji se od \n15 nepovezanih priča inspiriranih stvarnim likovima i događajima koji su se odigrali tijekom \nposljednjih 60 godina. Sve te priče zajedno, iako naoko nepovezane, dio su jedinstvenog \nvećeg mozaika, jedne velike priče te dobivaju svoje specifično značenje kad se odgledaju u \ncjelini: poput ljudskog bića sastavljenog od 15 različitih bića od kojih svatko ima svoju priču.  \n \nI na kraju, u kategoriji dugometražnog filma podržan je projekt Čovjek u kutiji (The Man in \nthe Box). Riječ je o prvom filmu na engleskom jeziku poznatog i nagrađivanog hrvatskog \nredatelja Arsena Antona Ostojića. Scenarij, prema istoimenom romanu američkog pisca \nThomasa Morana, potpisuje britansko-španjolski scenaristički dvojac Dan i Nuria Wicksman. \nPriča je smještena u zabačeno planinsko selo u austrijskom Tirolu neposredno pred kraj \nDrugog svjetskog rata. Govori o odrastanju i emocionalnom sazrijevanju dvoje tinejdžera koji \nse brinu o sakrivenom Židovu, liječniku. Radi se o britansko-austrijsko-hrvatskoj \nkoprodukciji koja već ima potvrđenu sjajnu međunarodnu glumačku podjelu i samim time  \npotencijal za uspješnu široku distribuciju u kinima.  \n \n \nU Zagrebu, 10. srpnja 2014.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2014,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"regulation","source":{"filename":"PLAN%20NABAVE%202020..pdf","filename_decoded":"PLAN%20NABAVE%202020..pdf","sha256":"4d2bd77dcd5456a2de68ee375a9c80eb10a56e7e294d3a578258bd9af78b46af","bytes":202315,"page_count":2,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web eksperimentalni film obrazloz_enje.pdf","filename_decoded":"web eksperimentalni film obrazloz_enje.pdf","sha256":"4d5132157a52eb663875753191f12452c8430e6a990b4e2231a9c1a844d64f4b","bytes":108633,"page_count":3,"extracted_at":"2026-05-17T12:01:49Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20eksperimentalni%20film%20obrazloz%CC%8Cenje.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I \nSTVARALAŠTVA U 2020. GODINI \n \nKategorija: poticanje proizvodnje eksperimentalnog filma \nprvi rok 2020. \n \nDamir Čučić, umjetnički savjetnik za eksperimentalni film \nNa prvi rok Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva- poticanje proizvodnje filmova u \nkategoriji eksperimentalnog filma u 2020. godini pristiglo je \ndvanaest prijava te su sve ušle u razmatranje.  \nNakon analize pisanih predložaka, priloženih video i foto \nmaterijala te provedenih konzultacija i razgovora s \nredateljima i producentima putem Zoom platforme, odabrano je \nšest naslova u iznosu 800.000,00 kuna.  \n \nPravilo broj 5: Pomno pratite svog čovjeka \nRedatelj: Miro Manojlović \nProducent: Filmska udruga Šuma \nOdobreno 115.000,00 kn \n \nZanosno. Zanatski. Znanstveno. Baš po mjeri. Ovaj film spada u \nistraživanja koja se moraju financijski popratiti. Uzbudljivi \nlaboratorijski eksperiment za predložak ima insert iz filma \nBustera Keatona, Sherlock Jr. iz 1925.godine. Pomno odabranim \nmanipulacijama Manojlović sliku filma Sherlock Jr. propušta \nkroz vremenske petlje. U svom projektu redatelj potpuno jasno \nobjašnjava ideju, principe i materijale prilikom \nmikroskopiranja i analizira filmske materije s pozicije \nvremena. Riječ je o kompleksno usustavljenom, ali vizualno \npreglednom radu kojemu međunarodna distribucija može trajati 4 \ndo 5 godina. Taman za vrlo uspješan eksperimentalni film.  \n \nValeria \nRedateljica: Sara Jurinčić \nProducent: Nomad Studio j.d.o.o. \nOdobreno: 150.000,00 kn \n \nGeneza obiteljskog stabla koje se sastoji samo od žena. U \njednoj rečenici je pozicija iz koje Sara Jurinčić kreće u \n\n\f\nfilm, a to je tek početak. Slijede stop animacije, snimke \ngrobnih fotografija i konceptualno involviranje u arhetip \notočke žene. Autorica se postavila u središte vlastita filma i \nevidentno raspolaže svim oruđima da isti uspješno privede \nkraju.  \n \nTa ravna linija horizonta \nRedatelj: Filip Peruzović \nProducent: Umjetnička organizacija Plafon \nOdobreno: 135.000,00 kn \n \nScenaristički brza, a pritom dostatno temeljita reakcija na \npandemiju bolesti Covid-19 i samoizolaciju. Lirski prpošno \nobrazložen projekt s vrlo dobrim vizualnim predloškom u obliku \nskice filma. Peruzović nam nudi iskustvenu vizualizaciju u \ndnevničkom obliku. Snažno uobličeno unutarnje putovanje kojem \ntreba vjerovati na riječ i sliku. Drago mi da imamo Odiseja, \nčekamo vidjeti putovanje. Spremno podržavam autorovu ideju da \novaj film bude dugometražan.  \n \nImpresije - Crna platna \nRedatelj: Krunoslav Ptičar \nProducent: Filmska udruga Šuma \nodobreno 110.000,00 kn \n \nVrlo pregledno pisan projekt koji je evidentno omeđen time da \nsu slikovni opiti većinski realizirani, što znači da autor na \nfilmu već radi i to je za svaku hvalu. Zajedno s producentom \nkoji taj proces prati ulaganjima i sinergijom imaju rezultate \nkoje su prezentirali kroz video isječke. Osim evidentno \nuspjelih optičkih atrakcija, projekt krasi i dobro pisana \nredateljska koncepcija. Iz nje je razvidno da je Ptičar \npolivalentan autor koji može ovaj apstraktni film dovesti do \nfilmskih festivala.  \n \nOvo nisam ja \nRedateljica: Renata Poljak \nProducent:  REA - udruga za suvremene umjetničke i \narhitektonske produkcije \nodobreno 140.000,00 kn \n \n\n\f\nSuptilnim građenjem atmosfere autorica nastoji vizualizirati \nosobno iskustvo rastanka. To iskustvo je toliko svježe da se \nmože reći kako ga autorica/protagonistica doživljava in situ, \nupravo sada ispred kamere. Riječ je o radu u nastajanju koji \nkroz nadrealne slikovne impresije dočarava trenutak rastanka s \npartnerom, ocem zajedničkog djeteta. Renata Poljak je, među \nautorima, imala najbolje video obraćanje u konzultacijama \nputem zoom formata i pokazalo se da je znatno napredovala u \nrazradi projekta. Od metode “rad u nastajanju” je za očekivati \nda se neprekidno razvija. Često u neočekivanim smjerovima.  \n \nZamišljene budućnosti - Turizam  \nRedatelj: Darko Fritz \nProducent: Udruga Marinis Media \nOdobreno 150.000,00 kn \n \nHvale vrijedan doprinos povijesti umjetnosti s pregršt priča i \nzanimljivih likova uz precizno ilustriranje arhivskim \nmaterijalom. U pisanom predlošku je dominirala dokumentarnost, \nno u razgovoru je redatelj vješto izložio eksperimentalni \nkarakter filma. Darko Fritz spaja historiografiju, land art, \nmakete i 3D objekte u jedinstven prikaz nikad ostvarenog \nturističkog naselja. Projektu doprinosi i video prethodnog \nrada koji ima stilskih sličnosti s ovim filmom. Uz sve to \npostoji i galerijsko-izložbeni potencijal projekta. Dosta je \nmogućih distribucijskih rukavaca za autora i za producenticu. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web Obrazlozenje_RPR_DOKUMENTARNI_2rok_14IX2022.pdf","filename_decoded":"web Obrazlozenje_RPR_DOKUMENTARNI_2rok_14IX2022.pdf","sha256":"4d5e9487fabb8d38bbff43cb041a9d90d08d49bb25f997afc7b34de026f2c670","bytes":224428,"page_count":3,"extracted_at":"2026-05-17T12:02:18Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje_RPR_DOKUMENTARNI_2rok_14IX2022.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja \nscenarija \ni \nrazvoja \nprojekata \ndugometražnih \nigranih, \ndugometražnih \ndokumentarnih i animiranih filmova - potkategorija: RAZVOJ PROJEKATA u 2022.  \n- 2. ROK - 14.9.2022. \n \nDUGOMETRAŽNI DOKUMENTARNI FILM  \n \nUmjetnička savjetnica: Tiha Gudac \n \n \nNa javni poziv u kategoriji poticanja razvoja projekta dugometražnog dokumentarnog filma u 2. roku \nprijavljeno je sveukupno 11 projekata. Svi projekti su razmatrani.  \n \nVećina pristiglih projekata autorska su istraživanja segmenata društva i kolektivne prošlosti kroz \npojedince, fenomene i društvene pokrete ili autobiografske refleksije. Dio projekata pokazuje slabost \nu jasnoći  i nerazrađenost autorskog pristupa. S druge strane, više projekata temama koje obrađuju \npristupa s autorskom pripravnošću i zrelošću dostatnom za stjecanje povjerenja u održivost nastavaka \nrazvoja projekta.  \nZa sufinanciranje je predloženo i odobreno 6 projekata u ovoj kategoriji u ukupnom iznosu od \n515.000,00 kn/68.352,25 eura.  \n \nSmatram da će potpora razvoju dolje navedenih filmskih projekata doprinijeti stvaranju jakih \nkreativnih i društveno relevantnih filmskih djela te omogućiti njihovu prisutnost na europskoj \ndokumentarističkoj sceni već prije početka snimanja te da će tako  biti osiguran bolji plasman budućih \nfilmova.  \n \n \n1. 1000 kilometara u kolicima, Luka Čurčić (redatelj i scenarist) / Luka Čurčić, Sabina Krešić \n(producenti) / Best Boy Produkcija (produkcija), 85.000,00 kn/ 11.281,44 eura \n \nSlaven Škrobot je mladi putopisac koji unatoč tetraplegiji koja ga ograničava putuje i biciklira diljem \nsvijeta. Autor prati Slavena uoči i tijekom njegove crowdfunding kampanje  u kojoj je biciklom prešao \nviše od 1000 kilometara hrvatske obale pokušavajući sakupiti dovoljno sredstava za četiri bicikla poput \nnjegovog te je nastavio kampanju i vožnju sve do Turske. Na svom putu Slaven se suočava s nizom \nfizičkih poteškoća i ugroza te sa specifičnim mentalnim i emotivnim krizama koje proizlaze iz fizičkog \nhendikepa s kojim živi. Ovo je priča o snazi duha i važnosti podrške zajednice u savladavanju izazova. \nProtagonist filma pokazuje da je snaga volje veća od ograničenja uma i tijela.  \n \n \n \n\n\f\n2. Sedmi kolap, David Lušičić (redatelj i scenaristi) / David Lušičić (producent) / Greta Creative \nNetwork (produkcija), 80.000,00 kn / 10.617,82 eura \n \nKroz sedam plesnih figura bojnog korčulanskog plesa «Moreška» redatelj ulazi u lokalne sukobe \notočkih «crnih»  i «crvenih». Plesnom igrom redatelj ujedno ulazi i u folklor svakodnevice stanovnika \nmale zajednice te u njoj prepoznaje arenu međuljudskih odnosa na razini univerzalnog značaja. Film je \ngrađen opservacijski, nošen je protagonistima, a struktura se oslanja na plesne figure koje \npredstavljaju alegoriju društva.  \n \n3. Irena, Jasmina Beširević (redateljica)/ Jasmina Beširević, Anita Čeko  (scenaristice) / Olinka Vištica \n(producentica) / Hulahop.o.o. (produkcija), 95.000,00 kn / 12.608,67 eura \n \nOvo je film o Ireni koja nas kroz impresivnu osobnu kolekciju audio, video i pisane arhive uvodi u svoj \nživot. Počela se snimati već kao djevojčica, kada je život još bio velika i sjajna slika u svijetlu \nbudućnosti. Tamo se vidjela kao filmska zvijezda.  Danas, kada Irena zaista pronalazi svoje mjesto na \nvelikom platnu, upoznajemo svakodnevicu četrdesetpetogodišnje žene koja je razvedena, živi s \nmaloljetnom kćeri i ustrajno se bori  s depresijom. Irena je priča prisjećanja na osunčano mladenačko \nnadanje koja vodi u neminovan rascjep između idealiziranog života i stvarnosti. Projekt koji podsjeća \nna proširenu dokumentarističku verziju filma «Boyhood», uz uvid u kompleksnosti generacije koja je \nrasla između dva sistema, formirala se tijekom rata i zrelost dočekala u društvu koje trajno traži svoj \nidentitet. \n4. Kosinjska dolina, Goran Dević (redatelji i scenarist ) / Hrvoje Osvadić (producent) /  Petnaesta \numjetnost d.o.o. (produkcija), 90.000,00 kn /11.945,05 eura \n \nFilm „Kosinjska dolina“ prati život stanovnika dvaju sela doline koja će po projektu povećanja \nproizvodnje električne energije, najkasnije do 2028.g. ostati na dnu akumulacijskog jezera.  \nZbog desetljeća prijetnje mogućeg iseljavanja taj kraj u kome je nekad živjelo više tisuća stanovnika \nspao je na jedva sto pedeset ljudi koji tu stalno borave. Mjesto pomireno sa svojom sudbinom mijenja \nse dolaskom neobičnog župnika Pere Jurčevića koji je mještanima koji se protive potapanju dao novu \nmotivaciju za djelovanje.  Ovaj film o uništenju prekrasne doline i zajednice koja u njoj živi dovodi nas \ndo nikad aktualnijeg pitanja  – vrijedi li energija više od ljudskih života i prirode?  \n \n5. Daleko je Kandahar, Anita Čeko (redateljica i scenaristica ) / Oliver Sertić (producent) / Restart \n(produkcija), 85.000,00 kn / 11.281,44 eura \n \nTema ratne i poslijeratne traume kroz film na iskren i autentičan način dolazi u susret s realnostima \nobitelji obilježene neprisutnošću oca. Ovo je priča o ocu redateljice kojem je nakon tri rata koja je \npreživio i jedanaest godina provedenih u sukobima u Hrvatskoj, Afganistanu i Africi, preostao još \njedan – PTSP. Noseći se s njim kako zna i umije, lik oca pokušava povratiti svoju primarnu ulogu i \n\n\f\nsakupiti krhotine svoje velike obitelji koja je godinama strepila od ‘najgore vijesti’. Danas, kada je \nkonačno doma, rat za njega još nije završio. Kćerka preuzima poziciju suptilnog istraživača \npokušavajući rasvijetliti značaje višeslojnosti  njenih obiteljskih odnosa.  \n \n6.  ST90, Dragan Đokić (redatelj i scenarist) / Igor Jelinović (producent) / Udruga Blank (produkcija), \n80.000,00 kn / 10.617,82 eura \n \nFilm «ST 90» se bavi fenomenom alternativne glazbene scene koja se u gradu Splitu razvila kao oblik \nmladenačkog otpora sistemu i bunta protiv životnih realnosti tijekom ratnih devedesetih.  \nAutor priči pristupa iz osobne perspektive djeteta Splita koje je osobno svjedočilo vremenu i \nfenomenu kojim se film bavi.  Film je građen hibridnim stilom te vizualnim identitetom i ritmom želi \nreplicirati estetiku  punk pokreta. Ovo je priča o mladim ljudima koji su izlaz iz zla koje ih je okruživalo \nnašli u stvaranju nekog novog duha kroz glazbu te se i danas pitaju - mogu li najteža vremena iznjedriti \nnajbolje u ljudima? \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2022,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPRTV_2020_1rok_2IV2020_WEB.pdf","filename_decoded":"RPRTV_2020_1rok_2IV2020_WEB.pdf","sha256":"4d7fde494302e783f81822941102609ae476bd6efcf187e713829d8c0f42e376","bytes":53039,"page_count":1,"extracted_at":"2026-05-17T10:24:13Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPRTV_2020_1rok_2IV2020_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nSamo za taj osjećaj\nInter film d.o.o. / Ivan \nMaloča\nArsen Oremović\nArsen Oremović\n70.000,00\nUKUPNO\n70.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nLovac na vještice\nAntitalent d.o.o. / Danijel \nPek\nMaja Pek-Brünjes\nAntoneta Alamat \nKusijanović\n100.000,00\n2\nU ringu\nPlavi film d.o.o. / Zoran \nSertić\nDorotea Vučić\nMladen Dizdar\n100.000,00\n3\nZlatarovo zlato\nKabinet d.o.o. / Suzana \nPandek\nSuzana Pandek, Aldo \nTardozzi\nAldo Tardozzi\nAugust Šenoa \"Zlatarovo \nzlato\"\n100.000,00\nUKUPNO\n300.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nCarstvo ladovine\nEclectica d.o.o. / \nTomislav Stojanović\nŠimun Šitum\nMarko Jukić\n50.000,00\nUKUPNO\n50.000,00\n420.000,00\nUKUPNO RAZVOJ PROJEKATA SERIJSKIH TV DJELA\ntelevizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su namijenjena prvenstveno televizijskom \ntelevizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE RAZVOJA \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2020. - 1. ROK - 2.4.2020.\ndokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta\n32. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 9. rujna 2020.\n","warnings":["section0_row_numbers_not_sorted"],"document":{"program_type":"tv_djela","natjecaj_title":"RPRTV_2020_1rok_2IV2020_WEB","year":2020,"rok":"1. rok","natjecaj_date":"2020-04-02","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"razvoj_projekata","to":"tv_djela","reason":"filename/title keyword: tv djela","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta","section_key":"dokumentarno_televizijsko_djelo_cije_trajanje_po_epizodi_nij","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO 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ROK - 15.3.2023.  \n \n \nSunčica Fradelić, umjetnička savjetnica za eksperimentalni film \n \n \nNa prvi rok Javnog poziva za poticanje proizvodnje filmova u kategoriji eksperimentalnog \nfilma u 2023. godini pristiglo je ukupno sedamnaest prijava. Sve prijave su zadovoljile formalne \nuvjete i ušle u razmatranje. Od sedamnaest projekata, deset je već prijavljivano na javni poziv u \nkategoriji eksperimentalnog filma. Jedan film je prijavljen i u kategoriji dugometražnog igranog \nfilma.  \n \nZastupljene su različite teme, od kojih se ističu okupiranost klimom, klimatskim \npromjenama, odnosom čovjeka prema okruženju, zatim emotivni odnosi, društvene pozicije i \nuloge, autorefleksivnost, formalistički eksperimenti.  \nPrimjećuje se razlika u pripremljenosti prijava projekata koji su više puta prijavljivani, iako \nima i izuzetaka. Prijave realizirane unutar kolektiva koji im omogućavaju resurse za preliminarni \nistraživački i pripremni rad u pravilu su kvalitetnije prezentirane. \n \nPri odlučivanju sam se vodila jasnoćom prijavnice, dobro predočenom i uvjerljivom \nredateljskom koncepcijom, kvalitetom pripreme projekta, elaboriranom metodologijom, razinom \npromišljenosti i vrstom eksperimentiranja s medijem, sposobnošću povezivanja forme i sadržaja u \nfilmsku cjelinu, utemeljenošću priloženih referenci spram relevantnih elemenata projekta, \nizvedivošću projekta – operativnog plana i procjenom troškovnika, te procjenom relevantnosti \nsamog projekta u kontekstu suvremene audiovizualne produkcije.  \n \nZa sufinanciranje je predloženo i odobreno pet filmova u iznosu 114.899,00 eura.  \n \nRiječ je o projektima: „U potrazi za čudesnim“ Damira Čučića (Sve gore i gore), „Tijesna \nzemlja“ Davora Sanvincentija (Filmska udruga Šuma), „Rekurzije“ Hrvoja Spudića (25 FPS, \nUdruga za audio-vizualna istraživanja), „Isti znoj i dalje teče kroz te iste pore“ Neže Knez (Studio \nPangolin) i „49 cm, 3264 gr / Saša“ Petre Belc Krnjaić (Wolfgang i Dolly d.o.o.). \n \nRealizacija filma „U potrazi za čudesnim“ Damira Čučića  zamišljena je dobro \nelaboriranim eksperimentiranjem s medijem, služeći se specifično definiranom foto i video \nopremom, projektorima, kamerama, objektivima i raznovrsnim rekvizitima. Sadržajno se narativ \nfilma zasniva na osobnom osjećaju očinstva autora i kreće se prema općim pitanjima bitka, odnosa \ni uzroka. Film je poetično ontološko istraživanje kroz audiovizualni jezik kojim autor vješto barata \nu formalnom smislu, s jasnom intencijom i bez straha od eksperimenta, ponavljanja i potrage za \noptimalnom slikom koja treba reflektirati ideju čudesnog. Naročito je dojmljiva iskrenost kojom \nse opisuju veze unutar mikro zajednice obitelji, te potreba autora da preispita i suoči se s intimnim \nstanjima, istraži (ne)ugodne emocije kroz medij, što kao film, ali i kao gesta, nosi potencijal \ntransformacije ustaljenih i tradicionalnih obiteljskih koncepata i uloga u autentične, vizualno i \ndramaturški uzbudljive narative. Kako u ideji, slici, tako i u zvuku, autor kreće od konkretnog \n\n\f\nprema apstraktnom, kontinuirano balansirajući između opipljivog i eteričnog, dok se u \npretpostavljenom filmu vrijeme sabija i proteže u pažljivo konstruiranim intervalima. \nProjekt je hrabar iskorak prema ispitivanju uloge očinstva, muške ranjivosti, odgovornosti \ni fragilnosti međuljudskih odnosa, što u kontekstu patrijarhalnog društva predstavlja određen \nizazov, a temu čini relevantnom.  \niznos sufinanciranja: 30.000,00 eura \n \n \n„Tijesna zemlja“ Davora Sanvincentija filmska je poema karakterističnog izričaja s \nuvjerljivo zamišljenim kadrovima realiziranim upotrebom 8mm i 16mm filma u boji. Sastoji se od \nšest dijelova; u prvih pet slikovito se isprepliću pejzaži sjeverne Istre, živa bića, vegetacija, \narhetipske vizure uronjene u protok vremena, godišnja doba, sve otisnuto na materijal filmske \nvrpce… u šestom se snimljeni materijal reproducira u studijskim uvjetima i tretira kroz dobro \nrazrađen eksperiment s medijem za kojeg autor sam kreira tehničke uvjete. I slika i zvuk originalno \nsu osmišljeni, a zvuk na posebno dojmljiv način upotpunjuje atmosferu filma – od recitala koji \nizgovara Franci Blašković, preko šumova i zvukova prirode do apstraktnih elektroničkih zvučnih \nkompozicija, zvuk bi istovremeno mogao funkcionirati i kao samostalan soundtrack. Autor \nnastavlja istraživanje na tragu svojih prethodnih preokupacija u pokušaju da prenese i kroz film \nmaterijalizira sliku vremena, običaje koji nestaju, specifičnu dinamiku odnosa čovjeka s okolišem. \nProjektu pristupa zaigrano i zrelo, uz već prepoznatljiv rukopis, bez suvišnih detalja. Autor toplo \ni autentično komunicira povezanost s prirodom na dirljiv, osoban način, baveći se istovremeno \ntemom ekologije suptilno i iskreno.  \niznos sufinanciranja: 26.000,00 eura \n \n \nRealizacija filma „Rekurzije“ Hrvoja Spudića predlaže se spajanjem digitalne i analogne \ntehnologije u kojima slika nastaje kao posljedica smisleno i kvalitetno definiranog \neksperimentalnog postupka. Film nastaje sekvenciranim kopiranjem i uslojavanjem found footage \nanalogne slike putem računalnih algoritamskih komandi kojima se određuju njeni parametri. \nMetode tretmana slike, predlažu se i u tretiranju zvuka. Generiranje novih vizualnih i zvučnih \nuzoraka kao osnove filma pretpostavlja intrigantan i uvjerljiv istraživački aspekt, a nepredvidivost \nrezultata pobuđuje radoznalost u ispitivanju granica medija i odnosa prema i sa suvremenim \ntehnologijama. Treatment filma je jasan i dobro elaboriran i služi se kvalitetnim slikovnim \nprikazima.  Tehnički postupci su vrlo precizno razrađeni, a oprema uključuje DIY optički printer \nte modificirani optički čitač/snimač zvuka.  \nPosebno je dojmljiv način promišljanja medija u odnosu na tradicionalne eksperimentalne \nmetode i veza analognog filma sa suvremenim tehnologijama i tendencijama. Potrebno je istaknuti \ni svijest o kolektivnom djelovanju unutar zajednica koje njeguju etiku dijeljenja znanja, resursa i \nsuradnji i koje pomažu i „omogućuju opstanak amaterske analogno filmske prakse“ kako navodi \nautor. U pripremu projekta uložena je pohvalna količina truda. \niznos sufinanciranja: 21.899,00 eura \n \n \n \n \n\n\f\n „Isti znoj i dalje teče kroz te iste pore“ Neže Knez prijedlog je filma s elaboriranom \nprojektnom dokumentacijom koja uz detaljno i precizno opisan koncept, metodologiju rada, \nvizualne reference, sadrži i primjer procesa eksperimentiranja s medijem, kako u slici, tako i u \nzvuku. Polazeći od povezanosti s određenim prostorom, autorica širi istraživanje u nekoliko \nsmjerova – s jedne strane prati odnose i suživot koji se oblikuju krajolikom, s druge kombinira \nanalogne i digitalne postupke u kreiranju i traženju specifičnih vizura; finalno svoju ideju pažljivo \noblikuje spajanjem rezultata nastalih kroz istraživački rad i kreaciju. Okosnicu filma čine tijelo i \nmaterijalnost, kontakt ili dodir koji se u različitim formama očituje u filmu – nekad kroz prikaz, \nnekad kroz postupak (transformacije), uvijek prisutan kao trag ili otisak u pejzažu, odnosima, u \nslici, u samom oblikovanju medija. Dojmljivi su svježina, čulnost i lakoća s kojima autorica \npristupa mediju.  \nTreba istaknuti da priprema projekta nastaje u produkciji Studija Pangolin koji omogućuje \nuvjete za posvećen rad što podiže kvalitetu predloženog materijala, istovremeno ukazujući na \nznačaj i ulogu kolektiva u sklopu kojih je moguće razvijati različite pristupe, tehnologije i \nindividualne poetike. \niznos sufinanciranja: 20.000,00 eura \n \n \nPrijedlog eksperimentalnog filma i „49 cm, 3264 gr / Saša“ Petre Belc Krnjaić obrazložen \nje slikovito i jasno. Autorica čije je djelovanje prvenstveno prepoznato kroz teorijska istraživanja \npronalazi svojevrsno oslobođenje od formalnosti znanstvene metodologije u pokušaju da intimnu \ntemu majčinstva i suvremeni teorijski diskurs o ulozi žene u zajednici i društvu, poveže \nizražavajući se neposrednije kroz filmsku sliku. Snimanja su uvjetovana s četiri lokacije kojima \ndominira atmosfera fragmentiranih prikaza svakodnevnog obiteljskog života autorice. Projektu su \npriložene dobro elaborirane vizualne reference i primjeri, a ponajviše se referira na tradiciju \neksperimentalnog kućnog filma. Oblikovan kao video esej koji povezuje znanstveni istraživački \nrad i eksperiment sa slikom, digitalne i analogne tehnologije, autorica se nastoji igrati s granicama \nmedija smisleno ih uklapajući u novu cjelinu. 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2021.pdf","sha256":"4ecb13389d6184b015ff4b49f4ab015f61004015e640b91489d6acde068a07f3","bytes":35855,"page_count":3,"extracted_at":"2026-05-17T12:01:39Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20eksperimentalni%20%201%20rok%202021.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA U \n2021. GODINI   \nKategorija: poticanje proizvodnje eksperimentalnog filma prvi rok 2021.   \nRenata Poljak, umjetnička savjetnica za eksperimentalni film  \n \nNa prvi rok 2021. godine, za proizvodnju eksperimentalnog filma prispjelo je 20 projekata i \nsvi su razmatrani, pošto su zadovoljili formalne uvjete prijave. Ocjenjivala sam kvalitetu \npredloženog projekta, priloženog trailera ili video skice te redateljski koncept i izvedivost te \nrelevantnost budućeg filma u hrvatskom i internacionalnom kontekstu. \nViše projekata nije zadovoljilo zakone filmskog jezika, kod nekih projekata ideje i motivacije \nautora/ica nisu bile dovoljno razrađene dok je sedam projekta iskočilo svojom kvalitetom. \nTime je za sufinanciranje predloženo i odobreno sedam filmskih naslova u ukupnom iznosu \nod 860 000 kuna.  \n \n \n1. BUDUĆNOST \n \nredateljica: Nika Radić  \nproducent: Igor Grubić / Kreativni sindikat  \nNika Radić nastavlja svoje istraživanje o svijetu hipnoze. U prijašnjim radovima bavila se \nidejom kako hipnozom možemo utjecati na percepciju umjetničkog djela, dok se u ovom filmu \nbavi temom budućnosti. Cijeli film koncipiran je kao hipnotička seansa i bit će strukturiran po \ntemama koje se pojavljuju u hipnozi.   \n  \nAutorica se sama bavi hipnozom baziranoj na metodi američkog psihijatra Miltona Ericksona \nkoja se sastoji od tri dijela, a na kraju hipnoze dobivena poruka postaje osobno relevantna. \nNa toj tezi autorica gradi jasnu redateljsku viziju spajanja intimnog i općeg, a preko šest \nrazličitih osoba koje govore o svom viđenju sretne budućnosti. Autorica ih pod hipnozom \nvodi kroz viziju budućnosti kakvu bi sudionici htjeli doživjeti.  \n  \n2. DA LI ME SE SJEĆAŠ  \nredatelj: Elvis Lenić  \n  \nproducent: Dijana Mlađenović / Kinematograf d.o.o.  \nDa li me se sjećaš je kratki film o Puli, posveta rodnom gradu autora baziran na filmskom \nmaterijalu snimljenom na osmici (tijekom 1960-ih, 70-ih i 80-ih) pronađenom u pulskom Kino \nklubu Jelen.  \n \nPažljivim odabirom kadrova  i montažom vizualno zavodljivog arhivskog materijala gradi se film \no Puli kakva je nekada bila dok je zvučna slika  nasnimljena danas te predstavlja kontrapunkt \nslici.  \n \n\n\f\n3. ALBUM OTOČKOG ZLOČINA \nredatelj: Ivan Ramljak   \nproducent: Igor Grubić / Kreativni sindikat   \nAlbum otočkog zločina je strukturalni found footage film napravljen od fotografija kriminalnih \ndjelatnosti počinjenih na otoku Korčuli od 1969. do 2001. (uz pojavu široke palete parola kroz \nkoje možemo pratiti društvene promjene i događaje na otoku, kao Živio Stepinac u \nsedamdesetima preko Kosovo Republika u osamdesetima …). Nagrađivani Ivan Ramljak \novaj put u suradnji s dizajnerom zvuka Martinom Semenčićem gradi naraciju filma stavljajući  \nfotografije zločina koji su se desili na Korčuli u širi politički i socijalni kontekst uz dozu humora \ni očitog socijalnog komentara.  \n \n4. \nNA BRDU \nredateljica: Karla Crnčević  \nproducent: Jelena Androić / Udruga Liburnija fim festival   \nFilm u fokusu ima lokaciju (prostor)  te prati pse i Sandru Sambrailu, skrbiteljicu za 300-tinjak \npasa ilegalnog azila Žarkovica iznad Dubrovnika. Kadrovima psećih slamova, s toliko \npoznatom vizurom Dubrovnika, ali ovaj put u pozadini, afirmira se ono Drugo, ‘očišćeno’ s \nulica Grada i pospremljeno na mjesto gdje ga neće svi vidjeti.   \nUz dokumentarne elemente autorica kombinira i slike koje generira GPS  \nsignal postavljen na ogrlice pasa te uvodi i suradnju s ilustratoricom Lucijom Bužančić \nkojoj GoogleEarth fotografije lokacije služe kao polazna točka za likovne intervencije.   \n   \nU filmu se uz urbanizam i kritiku Grada i vlasti obrađuju teme azila, životinja, aktivizma, \nfeminizma te požrtvovanja koje utjelovljuje glavna akterica kroz čiju se figuru i ulogu, u \nsredini u kojoj djeluje i iz koje dolazi, daje širi komentar na društvo kako lokalno (Dubrovnik i \nokolica) tako i globalno.  \n  \n5. ALTER GENEZA  \nredatelji: Filipa Bavčević, Luka Galešić  \nproducent: Tena Bošnjaković / Spotlight  \nFilm bi se snimao na otocima Zadarskog arhipelaga. U filmu bi sudjelovalo šesnaest \nizvođača, njihov jezik bio bi pokret, a njihovoj egzistenciji kontrirali bi prikazi pustog krajolika \n– netaknute prirode.   \n   \nRedateljica filma Filipa Bavčević je i plesačica te čitam film kao koreografiju koja se bazira na \npokretima, a uz redateljicu tu je i redatelj Luka Galešić.  \nFilm se velikom većinom snima ispod mora te je zamišljen kao svojevrsna studija postojanja, \nanaliza ljudske prisutnosti i uočavanja prostora. Propituje se pojam vremena, odlaska i \ndolaska na ovaj svijet, a lokacija snimanja su otoci kao i more puno planktona i odsjaja \nzvjezdanog neba.   \n \n\n\f\n6. MALO POLJE \nredateljica: Ana Hušman \nproducent: Studio Pangolin   \nLokacija snimanja Malog polja je Lika i sama lokacija je u centru filma, promatra se kao kraj \niz kojeg potječe autoričina majka, ali je ujedno i studija o okolišu, vremenu i prolaznosti. \nAutoricu zanima transformacija pejzaža i na koji način političke, ekonomske, ekološke i \nkulturne okolnosti utječu na formu narativa. Film se bavi temama koje su uronjene u kontekst \nprirode, ekologije, politike i ekonomije, ali su istodobno i duboko osobne.   \nFilm kombinira različite izvore filmskih sredstava; dia film, 16 mm film, snimke mobitelom, \nrazličite vrste audio zapisa kao i različite mikrofone. Koristi se arhivima i dokumentima, ali ne \nradi pripovjedanja standardnom narativnom formom već kako bi propitao njene granice i \nmogućnosti.  \n  \n7. OGIB \nredatelj: Vladislav Knežević  \nproducent: Ustanova Zagreb film  \nOgib je treći dio trilogije koju čine filmovi Archeo 29 i Colonello Futurista vrsnog autora \nVladislava Kneževića. Trilogija se bavi fenomenom rane umjetničke avangarde i njenim \nutjecajem na društvene procese u periodu između 1895.-1930. Koriste se slova, riječi ili \nsintagme koje se javljaju kao citati svojstveni futurizmu, konstruktivizmu, dadaizmu i \nnadrealizmu. 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Marcella Jelić\nSudjelovanje na Međunarodnom festivalu \ndokumentarnog filma FIPADOC u Biarritzu, \nFrancuska \n311,89 €\n3\nRestart\nSudjelovanje projekta \"Zatvaranje\" (\"Closing \nTime\") u programu Short Film Lab u Cannesu i \nLinzu, u organizaciji ustanove Talent Academy \n(Linz International Film Festival)\n2.295,00 €\n4\nRestart\nSvjetska premijera dokumentarno-igranog filma \n\"Fiume o morte!\" u glavnom natjecanju Tiger \nCompetition na IFF Rotterdamu 2025\n4.647,06 €\n5\nAkademija dramske umjetnosti\nGrand Prize film na SEEfest 2025\n2.047,40 €\n6\nKinorama d.o.o.\nSudjelovanje filma Zečji nasip u natjecateljskom \nprogramu Međunarodnog filmskog festivala u \nBerlinu - Generation 14plus\n7.800,00 €\n7\n365 films d.o.o.\nPredstavljanje filma Dobre djevojke na filmskom \nfestivalu u Berlinu u Programu Perspectives\n600,79 €\n8\nUdruga Marinis Media\nJEDRIMA U ORCU / MIDPOINT Feature Launch \n2025\n4.959,28 €\n9\nKino klub Split\nArchitecture of Healing na Go Short 2025\n682,20 €\n10\nJuraj Lerotić\nSudjelovanje u programu MIDPOINT Feature \nLaunch 2025 - Script Consultancy Training u \nČeškoj\n2.731,35 €\n11\nPipser d.o.o.\nSudjelovanje producentice Marije Ćurić na \nBrussels CoProMarketu\n282,45 €\n12\nLea Vidaković\nObiteljski portret u natjecateljskom programu \nWomen & film ​festivala u Valenciji\n192,54 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2025. - PROGRAMI \nMEĐUNARODNE SURADNJE - ROK 14.4.2025., 14. sjednica Hrvatskog audiovizualnog vijeća 12.6.2025.\n\n\f\n13\nSara Jurinčić\nPredstavljanje filma \"Valerija\" autorice Sare \nJurinčić na međunarodnom filmskom festivalu u \nRegensburgu u Njemačkoj\n270,00 €\n14\nKobra Koke Zagreb / Cobra Chicks \nZagreb\nSudjelovanje Inje Korać na Midpoint Series \nLaunch radionici\n2.475,11 €\n15\nWolfgang i Dolly d.o.o.\nSudjelovanje producentice Tamare Babun Zovko \nna RE-ACT Animation Lab 2025\n229,50 €\n16\nJaka produkcija d.o.o.\nCEE animation - sudjelovanje sa projektom \nanimirane serije \"Bijeli jelen\" redateljice Lucije \nBužančić\n2.370,00 €\n17\nJaka produkcija d.o.o.\nACE Producers - sudjelovanje producenta Jure \nBušića\n1.661,01 €\n18\nDruštvo hrvatskih audiovizualnih \nprevoditelja\nGodišnja skupština AVTE-a, Lisabon, svibanj \n2025.\n733,08 €\n19\nMultimedijalna umjetnička \norganizacija Bacači Sjenki\nFilm \"Vitić pleše\" na 22. Crossing Europe Film \nFestival (AT) u Linz-u\n205,00 €\n20\nMultimedijalna umjetnička \norganizacija Bacači Sjenki\nFilm \"Vitić pleše\" na 12. UrbanEye Filmskom \nFestivalu u Cluju, Rumunjska\n378,40 €\n21\nSvebor Kranjc\nGostovanje redatelja-animatora kratkometražnog \nanimiranog filma U ŠKRIPCU (STUCK), na \nfestivalu MONSTRA\n420,00 €\n22\nUdruga za razvoj kulture TOČKA \nKULTURE\nSudjelovanje producenta Sanjina Hasanefendića \nna radionici RE-ACT Animation Lab u Novoj Gorici\n658,00 €\n23\nSplit Screen, vl. Marcella Jelić\nSudjelovanje na Međunarodnom festivalu \ndokumentarnog filma u Kopenhagenu CPH:DOX \n2025\n469,62 €\n24\nRestart\nSudjelovanje dugometražnog dokumentarnog \nprojekta \"Budi realan, traži nemoguće\" u \nprogramu Ex Oriente Film - treća sesija u Češkoj \n(One World Festival 2025)\n927,51 €\n25\nPučko otvoreno učilište Samobor\nSudjelovanje na Sofia Lab 2025\n399,00 €\n26\nStudio Corvus d.o.o.\nSudjelovanje ekipe filma \"Nisam Takva\" na Sofia \nInternational Film Festivalu u Bugarskoj\n1.508,54 €\n27\nWolfgang i Dolly d.o.o.\nSudjelovanje redatelja Damira Markovine i \nmontažerke Marte Bregeš na Docu Rough Cut \nBoutique 2025\n1.709,74 €\n\n\f\n28\nRestart\nSudjelovanje projekta Cordon na DOCU ROUGH \nCUT BOUTIQUE - 1. modul - Sofija\n1.921,38 €\n29\n25 FPS, Udruga za audio-vizualna \nistraživanja\nSudjelovanje Davora Sriće i Melite Kovačević u \nprogramu stručnog usavršavanja na Go Short \nFilm Festivalu u Nijmegenu, Nizozemska\n1.595,77 €\n30\nFestival mediteranskog filma Split\nSudjelovanje u programu Sofia Audience \nDevelopment and Innovation Lab, u sklopu Sofia \nFilm Festivala u Bugarskoj\n493,81 €\n31\nNukleus Film d.o.o.\nSudjelovanje producenta Siniše Juričića s \nprojektom \"Anatomija genocida\" na CPH:DOX - \nCopenhagen International Documentary Film \nFestivalu\n998,26 €\n32\nIgor Bezinović\nSudjelovanje redatelja Igora Bezinovića i filma \n\"Fiume o morte!\" na CPH:DOX – Copenhagen \nInternational Documentary Film Festivalu\n262,68 €\n33\nDOH d.o.o.\nSudjelovanje filma \"Obraz\" na Sofia International \nFilm Festivalu u selekciji Nagrade za najbolji \nbalkanski film\n337,16 €\n34\nUdruga Blank\nSudjelovanje producentice Veronike Milinović u \nprogramu New Producers Room, u sklopu \nfestivala u Cannesu\n1.575,12 €\n35\nDinko Božanić\nSudjelovanje filma \"Tango Siesta\" na Landshut \nShort Film Festivalu u Njemačkoj\n190,00 €\n36\nRestart\nSudjelovanje Petre Babić i Klare Berdais u \nIndustry programu Pordenone Docs Festivala\n182,22 €\n37\nMultimedijalna umjetnička \norganizacija Bacači Sjenki\nSudjelovanje edukatora Bacača sjenki na \nfestivalu Cinema Ritrovato & Workshop \nWarehouse/ECFA\n862,84 €\n38\nJadranska animacija\nSudjelovanje filma \"Bablje ljeto\" Paule Skelin na \nmanifestaciji MIFA (Marché international du film \nd'animation) u Annecyju, Francuska\n815,00 €\n39\nMarijana Veljović\nSudjelovanje scenaristice Marijane Veljović u \nprogramu MIDPOINT HOMECOMING u Pragu od \n24. 4. do 27. 4. 2025.\n428,90 €\n40\nEclectica d.o.o.\nSudjelovanje redatelja Davida Gaše u programu \nScriptLab 2025 u Srbiji, Njemačkoj i Italiji, u \norganizaciji TorinoFilmLaba\n2.952,33 €\n41\nUstanova Zagreb film\nSvjetska premijera filma \"Crni dim slutnje\" i \nsudjelovanje autora Damira Šuše na South East \nEuropean Film Festivalu u Los Angelesu\n1.160,00 €\n\n\f\n42\nNukleus Film d.o.o.\nSudjelovanje producenta Siniše Juričića s \nprojektom \"The Color Green\" u programu \nDot.on.the.Map Industry Days u Limassolu, Cipar\n342,00 €\n43\nREA - udruga za suvremene \numjetničke i arhitektonske produkcije\nSudjelovanje Renate Poljak na manifestaciji \nOSTRALE Biennale O25 u Dresdenu\n426,98 €\n44\nNikki Beverly Bohm\nGostovanje i prezentacija AGHFFF-a (Avant-\nGarde Horror & Fantasy Film Festival) na sajmu \nBIF Market, u sklopu Brussels International \nFantastic Film Festivala\n179,25 €\n45\nUdruga za audiovizualno stvaralaštvo \nArtizana\nSudjelovanje u programu East-West Talent Lab, u \nsklopu festivala goEast u Wiesbadenu, Njemačka\n601,50 €\n46\nUdruga Djeca susreću umjetnost\nDjeca susreću umjetnost na međunarodnom \ndječjem filmskom festivalu Kristiansand u \nNorveškoj\n496,26 €\n47\nAna Bilankov\nFrancuska premijera filma \"Dohvatiti sunce: El \nShatt\" u Parizu na festivalu L'Europe autour de \nl'Europe\n612,58 €\n48\nNukleus Film d.o.o.\nSudjelovanje producenta Siniše Juričića na \nfilmskom festivalu Tribeca u New Yorku s \nkoprodukcijskim filmom \"Vuk, lisica i leopard\"\n1.630,00 €\n49\nNoć hrvatskog filma i novih medija, \nU.O.\nNoć hrvatskog filma i novih medija u Austriji, \nNjemačkoj, Bosni i Hercegovini i Mađarskoj\n4.200,00 €\n50\nLEWA productions j.d.o.o.\nSvjetska premijera dokumentarnog filma \"Dolazi \nmali sivi vuk\" na festivalu Sheffield DocFest u \nVelikoj Britaniji\n1.601,20 €\n51\nTetrabot d.o.o.\nSudjelovanje kratkog animiranog filma \"Fačuk\" na \nAnnecy International Animation Film Festivalu\n887,68 €\n52\nTeatar Stella d.o.o.\n2. \"Make it Happen\" - pitching forum hrvatskih \nkratkih filmova u sklopu 7. Festivala hrvatskog \nfilma u Beogradu\n3.000,00 €\n53\nČetiri film d.o.o.\nSudjelovanje na radionici Green Film Lab u \nBudimpešti, koju organizira TorinoFilmLab\n1.529,90 €\n54\nAna Bilankov\nČeška premijera filma \"Dohvatiti sunce: El Shatt\" \nna Prague Film Festivalu\n312,74 €\n55\nUmjetnička organizacija Metropolis\n30. Dani hrvatskog filma \"Ivo Gregurević\" u \nOrašju, Bosna i Hercegovina\n4.500,00 €\n75.689,89 €\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati JP ME_ 2025. - 2 rok 2025.xls - Compatibility Mode","year":2025,"rok":null,"natjecaj_date":"2025-04-14","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA (€)"],"rows":[{"row_number":1,"project_title":"NEXT/CHANGE - posjet Cinema Galeries","applicant":"Javna ustanova Pula film festival","production_company":"Javna ustanova Pula film festival","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"629,86 €","approved_amount":629.86,"currency":"EUR","extras":{"col_1":"1","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Javna ustanova Pula film festival","row_id":"4f5bb443:s0:b50ac05ae9ae","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_6c70ef13db02","project_family_title":"NEXT/CHANGE - posjet Cinema Galeries"},{"row_number":2,"project_title":"Sudjelovanje na Međunarodnom festivalu dokumentarnog filma FIPADOC u Biarritzu, Francuska","applicant":"Split Screen, vl. 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Od ukupnog broja prijavljenih, jedan projekt nije ušao u razmatranje, jer nije zadovoljio \nuvjete Javnog poziva. \nPromatrano s obzirom na broj prijava u odnosu na prethodni rok, na ovom je roku prijavljeno 5 projekata \nviše. S druge strane, u usporedbi s prošlom godinom, došlo je do značajnog porasta broja projekata \nprijavljenih na natječaj – na prva dva roka 2022. bilo ih je 64, dok ih je u istom periodu 2023. bilo čak 91, \nodnosno 27 audiovizualnih projekata više. \nPromatrano s obzirom na vrstu filma, najviše prijavljenih dolazi iz kategorije dugometražnog igranog filma, \nukupno 33 (19 dugometražnih igranih filmova i dva u fazi postprodukcije, 12 debitantskih dugometražnih \nigranih filmova). Za dugometražnim igranim filmovima slijede dugometražni dokumentarni filmovi, sa šest \nprijava te kratkometražni igrani filmovi zastupljeni sa šest prijava. Za razliku od prethodnih rokova, ovaj \nput opet imamo i nekoliko animiranih filmova, odnosno njih tri. \n \nVrsta \nBroj \nprijavljenih \nanimirani film \n3 \ndebitantski dugometražni igrani film \n12 \ndugometražni dokumentarni film (od 60 minuta) \n5 \ndugometražni dokumentarni film u postprodukcijskoj fazi \n1 \ndugometražni igrani film \n19 \ndugometražni igrani filmovi u postprodukcijskoj fazi \n2 \nkratkometražni igrani film \n6 \nUkupno \n48 \n \nS obzirom na državu iz koje dolazi glavni producent, kao i na svim prethodnim rokovima prednjači \nRepublika Srbija (13), za kojom slijede Slovenija (9), Sjeverna Makedonija (6) i Bosna i Hercegovina (5). \nZanimljivo, na ovaj je rok prijavljeno šest projekata manje iz Srbije, dok je broj prijava iz Sjeverne \nMakedonije narastao za četiri. Sve ostale države, od njih ukupno 14, su zastupljene s 1-3 projekta. \n \nDržava \nBroj prijavljenih \nBosna i Hercegovina \n5 \nBugarska \n1 \nČeška \n2 \nCipar \n1 \nCrna Gora \n2 \n\n\f\nFrancuska \n1 \nGrčka \n1 \nItalija \n2 \nLitva \n1 \nNjemačka \n1 \nSjeverna Makedonija \n6 \nSlovenija \n9 \nSrbija \n13 \nTurska \n3 \nUkupno \n48 \n \nKriteriji za predlaganje projekata za sufinanciranje temelje se na: \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i redateljski \nkoncept; \n2. Ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala projekta, s obzirom na \nprodukcijski paket i producentov plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje projekata.  \n \nFilmovi predloženi i odobreni za sufinanciranje proizvodnje: \n1. Debitantski dugometražni igrani film Za Elizu (BiH), hrvatski producent Eurofilm d.o.o., 50.000,00 EUR; \n2. Debitantski dugometražni igrani film Čovjek protiv jata (S. Makedonija), hrvatski producent Nukleus \nFilm d.o.o., 60.000,00 EUR; \n3. Debitantski dugometražni igrani film Godina udovice (Češka),  hrvatski producent Pipser d.o.o., \n60.000,00 EUR; \n4. Debitantski dugometražni igrani film Dječak sa svijetloplavim očima (Grčka),  hrvatski producent Studio \nCorvus d.o.o., 75.000,00 EUR; \n5. Dugometražni igrani film Blok 5 (Slovenija), hrvatski producent Antitalent d.o.o., 75.000,00 EUR; \n6. Dugometražni igrani film Izgubljeni sin (Slovenija), hrvatski producent Propeler film d.o.o., 70.000,00 \nEUR; \n7. Dugometražni igrani film 1970. (Srbija), hrvatski producent PomPom Film d.o.o., 65.000,00 EUR; \n8. Dugometražni dokumentarni film TRACKING: The Cyprus Tigers (Cipar), hrvatski producent Robot 22 \nd.o.o., 30.000,00 EUR; \n9. Kratkometražni igrani film Orkestar (Srbija), hrvatski producent Eclectica d.o.o., 15.000,00 EUR; \nUkupni iznos sredstava jest 500.000,00 EUR. \n \n \n\n\f\n1) Debitantski dugometražni igrani film Za Elizu, BiH  \nScenarij za debitantski dugometražni igrani film Za Elizu (Srbija) potpisuje Aleš Kurt. Za Elizu je drama koja \nse bavi promišljanjem o Sarajevu i njegovim žiteljima. U njoj pratimo nekoliko likova i njihovih obitelji, čiji \nse životi isprepliću budući da žive u istom kvartu u centru grada. Sam kvart je, baš kao i likovi koje ovdje \npromatramo, prepun suprotnosti pa je u njemu moguće uočiti stare građevine koje su izgubile sjaj te nove \ngrađevine koje odaju dojam agresije i ružnoće. Priča koju ovdje pratimo je iznimno zanimljiva, a scenarij \nobiluje interesantnim likovima i dijalozima. Također, ova priča je zanimljiva i relevantna i izvan okvira \nSarajeva, jer u široj regiji svjedočimo sličnim problemima, suprotnostima i urušavanju životnih vrijednosti.  \n2)  Debitantski dugometražni igrani film Čovjek protiv jata, S. Makedonija \nScenarij za debitantski dugometražni igrani film Čovjek protiv jata (S. Makedonija) potpisuje Tamara \nKotevska, javnosti poznata po uspješnom dugometražnom dokumentarnom filmu Zemlja meda, koji joj je, \nuz brojne nagrade, poput onih u Sundanceu, donio i nominaciju za Oskara. I ovaj put, Kotevska progovara \no ruralnim sredinama, međutim u formi igranog filma. \n U priči o zamršenim obiteljskim odnosima, koji se sudaraju, svaki na svoj način s interesima velike \nkorporacije, pratimo starog Temelka, koji jedini u svom selu nije potpisao prodaju imanja, zbog čega \nradovi na „Putu svile“ stoje. On želi očuvati vlastito nasljeđe. S druge strane, tu su njegov sin Vasil i snaha \nVasilka, koji, radeći za korporaciju protiv koje se Temelko bori, žele kćeri Jani osigurati bolju budućnost u \nAustraliji. Osim njih, tu je i Temelkova kći Petra, koja živi u Skopju i bavi se zaštitom prirode. Budući da \nTemelko, kako bi očuvao usjeve, često ubija vrane, Petra ga se na neki način srami i pokušava sakriti svoju \npovezanost s ocem. Priča doživljava kulminaciju kada u selo sleti Elliah, influencer iz SAD-a, koji pokušava \npronaći informacije o svom djedu i baki koji su nekad živjeli u tom istom selu.  \nSmatram važnim istaknuti da se scenarij bavi ulogom velikih međunarodnih korporacija u uništavanju \nbiosfere u ime upitnog progresa te da je taj trend uzeo maha u zemljama regije. Također, zanimljivo je \nopisan i njihov utjecaj na ljude koji ondje žive putem oslikavanja motivacije za djelovanje svakog \npojedinog lika iz ove priče. Kao takav, scenarij je relevantan daleko izvan okvira same S. Makedonije. \n3) Debitantski dugometražni igrani film Godina udovice, Češka \nScenarij za debitantski dugometražni igrani film Godina udovice (Češka) napisao je češki scenarist i \nredatelj Eugen Liška. U smislu žanra, ovdje se radi o obiteljskoj drami uz elemente coming of age filma. \nLiška ističe da je inspiraciju za scenarij pronašao u dnevničkim zapisima Zuzane Pokorne, koje je u \nrazdoblju od 2014. do 2016. objavljivao jedan od čeških tjednika. U ovoj priči pratimo tri generacije žena, \nkoje se na svoj način nose s gubitkom voljene osobe. Bračni par Petra i Martin planiraju s kćeri Dominikom \niz Praga odseliti na selo, gdje Martin već uređuje kuću. Martin iznenada umire, a Petra se loše nosi s \nnovonastalom situacijom. Priča o kojoj Liška progovara je suvremena te problematizira međuljudske \nodnose. Zanimljivo, glavne protagonistice ovdje su žene pa bih se usudio reći da se ovdje radi o \npunokrvnom ženskom filmu. \n\n\f\nRežiju ovog filma će preuzeti Veronika Lišková, koja je do sada, sudeći prema priloženoj dokumentaciji i \npodacima s IMDB-a, režirala 2 dokumentarna filma i jednu TV seriju. Oba filma su postigla značajan uspjeh \nna festivalima.  \n4) Debitantski dugometražni igrani film Dječak sa svijetloplavim očima, Grčka \nScenarij debitantskog dugometražnog igranog filma Dječak sa svjetloplavm očima (Grčka) potpisuje \nThanasis Neofotistos, koji će ga ujedno i režirati. Neofotistos iza sebe ima niz kratkometražnih igranih \nfilmova, od kojih su mnogi postigli zapažen uspjeh na raznim međunarodnim filmskim festivalima \n(Sundance, Clermont-Ferrand, Locarno). Dosad, njegovi su filmovi imali 41 nominaciju i osvojili 15 \nnagrada. Ova coming of age priča je u scenarističkom smislu vješto ispričana. Neofotistos u njoj progovara \no odrastanju u malim konzervativnim sredinama, u koje su duboko ukorijenjena različita praznovjerja. U \novom slučaju autor temu obrađuje kroz prizmu vjerovanja o urokljivom oku, koje je široko \nrasprostranjeno i na Balkanu. Glavni lik ove priče je Peter, tinejdžer koji živi u zabačenom selu u grčkim \nplaninama s opresivnom majkom i bakom. Naime, mještani tog sela vjeruju u urokljivo oko, koje onome \ntko ga pogleda donosi nesreću. Peter se rodio sa svijetloplavim očima, što se u njegovom selu smatra \nlošim znakom, zbog čega ga majka i baka, pod krinkom da ima osjetljive oči, tjeraju da nosi povez preko \nnjih.  \n Likovi u scenariju su kvalitetno razrađeni, a on obiluje uvjerljivim dijalozima. Neofotistos je uspješno \nportretirao odnose između majke, koja se nije u stanju zauzeti za sina, dječaka, koji čitav život živi u laži te \nbake koja je uvjerena da sve čini u najboljoj namjeri. Kako kaže narodna izreka – put do pakla popločan je \ndobrim namjerama.  \nRedateljska koncepcija, promatrana u kombinaciji s priloženim moodboardom, ukazuje na to da se radi o \ndobro promišljenom projektu, čija je polazišna točka redateljevo vlastito iskustvo. Naime, sama je priča \ninspirirana Neofotistosovim odrastanjem u religioznoj grčkoj obitelji. Autor je pokrio sve bitne aspekte koji \nu sinergiji čine uspješan igrani film, počevši od atmosfere, preko kolorita, zvuka te rada s glumcima. \n \n5) Dugometražni igrani film Blok 5, Slovenija \nScenarij za dugometražni coming of age igrani film Blok 5 (Slovenija) potpisuje Dora Šustić, inače \nscenaristica nekoliko uspješnih kratkih filmova. Scenaristica u priči koju je pretočila u scenarij u prvi plan \nstavlja ono što se na neki način zagubilo, a to je pozitivan mladenački bunt, u kojem vidimo da aktivizam \nmože dovesti do pozitivnih promjena. Ovdje mladi svojim angažmanom postignu da se umjesto parkinga, \nkoji žele odrasli, gradi novo igralište, koje žele oni, jer ondje provode vrijeme. Konkretno, aktivistički \nmoment je prikazan kroz borbu za očuvanje urbanističke zone u kojoj mladi provode vrijeme skejtajući. \nŠustić je u dokumentu koji objašnjava njenu motivaciju navela da je Blok 5 film  o djeci koja odbijaju \npristati na tuđa pravila. Kroz pet različitih klinaca – različitih religijskih, klasnih, nacionalnih, spolnih \nidentiteta – publika preispituje što je to zajedništvo i što znači pripadati i boriti se za svoje. Naši junaci \nodbijaju zaboraviti na važnost igre, bunta i boravka na otvorenom – odbijaju izgubiti svoj omiljeni hobi, \nskejtanje, i svoj omiljeni prostor za druženje, svoje blokovsko igralište, što je u scenariju i ispunila. Ova \npriča u svakom slučaju prelazi granice Slovenije, budući da u čitavoj regiji pa i šire svakodnevno \n\n\f\nsvjedočimo brojnim zahvatima u javni prostor koji su upitne urbanističke vrijednosti i gube iz vida stvarne \npotrebe zajednice. \nRežiju filma Blok 5 preuzet će Klemen Dvornik, iskusan slovenski redatelj, koji je do sada režirao čitav niz \naudiovizualnih djela. Priložena režijska koncepcija je jasno i uvjerljivo napisana. Definirajući motivaciju za \nsnimanje ovog djela, ističe da mu se kao režiseru, filmom Blok 5 nudi jedinstvena prilika da osobno \niskustvo prenese u film i stvori komunikativno i inspirativno iskustvo za današnje generacije. Dvornik, \nnaime, želi potaknuti djecu na aktivizam te naglašava kakav su utjecaj na njega kao dijete imali filmovi E.T. \ni Družba Goonies. Redatelj ističe i da bi htio da ovaj film bude cool današnjim klincima, što će nastojati \npostići kako vizualnim (npr. kostimi), tako i glazbenim elementima (suvremena glazba iz naše regije). \nTakođer, namjera mu je postići univerzalnost pa će film biti sniman na nedefiniranom mjestu. Kao što je \nscenaristica navela, film progovara i o različitim društvenim pozadinama aktera, a Dvornik će to nastojati \nprikazati prilagodbom scenografije.  \n \n6. Dugometražni igrani film Izgubljeni sin, Slovenija \nScenarij ove socijalne drame, koja propituje izvore obiteljskog nasilja, Izgubljeni sin (Slovenija) potpisuje \nDarko Štante, koji će ga ujedno i režirati. Štante je prethodno režirao nagrađivani film Posljedice. Ovdje \npromatramo odnos između uspješnog kriminalista Andreja, njegovog brata i oca, odnosno posljedice koje \nnasilan odnos ima na buduće živote ljudi. Moram napomenuti da je tema nasilja trenutno prilično \naktualna. Scenarij je zanimljiv i kvalitetno napisan, a likovi i njihovi dijalozi su dobro razrađeni. U priči \npratimo kriminalista Andreja, koji jednog dana, nakon što ga dugi niz godina nije vidio, susreće brata \nKristijana. Taj susret okida niz događaja koji uzdrmaju život koji je nastojao graditi. Naime, on je nastojao \nživjeti drugačiji život od onoga kakvog je kroz djetinjstvo i mladost poznavao. On i njegov brat Kristijan su \nodrastali uz nasilnog oca, a Andrej uvidi da je Kristijan također postao obiteljski nasilnik. U pokušaju da \npomogne Kristijanu, Andrej ugrožava vlastiti posao i odnos s djevojkom Annom. \nSam scenarij je suvremeno napisan, a tema koju obrađuje je nažalost nešto s čim se svakodnevno \nsusrećemo. Također, ova je tema univerzalna.  Ono što je zanimljivo je da autor suprotstavlja slobodu \nvolje pojedinaca pa tako Andrej bira život suprotan onome kakvog je vodio, te uvjetovanost odgojem, koja \nje vidljiva kod Kristijana  koji ponavlja naučene obrasce ponašanja i ne može se izvući iz spirale nasilja.  \n7. Dugometražni igrani film 1970., Srbija \nDugometražni coming of age igrani film 1970. (Srbija), scenarista i redatelja Darka Lungulova, \nproblematizira obiteljske odnose i odrastanje u Srbiji, jednoj od republika bivše Jugoslavije, početkom \nsedamdesetih godina prošlog stoljeća. Darkova su audiovizualna djela do sada nagrađena na nekoliko  \nmeđunarodnih filmskih festivala. U scenariju se pojavljuju i dosta zanimljivi elementi mladenačkog bunta i \nživota tadašnjih supkultura mladih. Radnja prati mlađeg tinejdžera Draška, kojeg roditelji pošalju k baki i \ndjedu u Vojvodinu, kako bi odlučili na koji način da se razvedu. Draško ondje upoznaje šesnaestogodišnju \nEržiku, koja želi odseliti iz male sredine. Njih dvoje bježe u Beograd na proteste povodom dolaska. Kad \ndođe kući, Draško otkriva da su se njegovi roditelji rastali te da više ne žive zajedno.  \n\n\f\nRedateljska koncepcija je jasno i uvjerljivo napisana. Njegova motivacija za snimanje ovog filma proizlazi iz \nvlastite traume razvoda roditelja sedamdesetih godina prošlog stoljeća.  \n8. Dugometražni dokumentarni film TRACKING: The Cyprus Tigers, Cipar \nTreatment za debitantski dugometražni dokumentarni film TRACKING: The Cyprus Tigers (Cipar) potpisuje \nAndreas Kyriacou, inače, scenarist i redatelj čitavog niza kratkih filmova, a on će ga i režirati. Autorova \nglavna nit vodilja je njegova ljubav prema videotekama, koja, kako ističe u režijskoj koncepciji traje više \ndesetljeća. Zbog navedenog je odlučio istražiti fenomen filma Ciparski tigrovi, koji je sniman na Cipru, \nmeđutim, ondje nikad nije prikazan. Ono što mu se ovdje neminovno nametnulo kao tema je i fenomen \npiratstva, kojeg se vjerujem, većina nas sjeća. Osim potrage za sudionicima ovog davnog filmskog \nprojekta, priča ga vodi i u Hrvatsku, jer kod nas postoji fenomen Jackieja Chana i njegovog filma Božji \noklop, koji je desetljeće ranije sniman ovdje. Istraživanje ga, nadalje, vodi u Oregon, gdje u najvećem lancu \nza iznajmljivanje filmova upoznaje jednu od originalnih zvijezda Ciparskih tigrova - Sophiju Crawford, koja \nga povezuje s ostalim azijskim zvijezdama u Hong Kongu. On odlazi u Hong Kong - prijestolnicu filmova o \nborilačkim vještinama, gdje upoznaje protagoniste \"Ciparskih tigrova\" i \"Božjeg oklopa\", legendu kung-fua \nJackieja Chana. Konkretna tema, odnosno teme, kojima se autor bavi, od videoteka, preko piratstva pa \nsve do borilačkih vještina i legendi filmova o borilačkim vještinama daje naslutiti da će se ovdje raditi o \nzanimljivom projektu. Također, iz treatmenta je uočljivo da je autor posvetio dosta vremena istraživanju \nteme te da mu je ona iznimno bliska. \n9. Kratkometražni igrani film Orkestar, Srbija \nScenarij za kratkometražni igrani film Orkestar (Srbija) potpisuje Miloš Radović, scenarist koji je u \ndosadašnjoj karijeri za svoj rad dobio čitav niz međunarodnih priznanja pa stoga ne čudi da je priča \nispričana u ovom scenariju ispričana iznimno vješto, uz neočekivan, rekao bih duhovit, obrat. U priči \npratimo krijumčara ljudima na balkanskoj ruti, koji se dosjetio inovativnog načina da migrante prebaci \npreko granice. Naime, on ih preruši u romske trubače te na taj način izbjegava granične kontrole. Ova je \npriča relevantna za sve nas, prvenstveno, jer živimo u zemljama koje se nalaze na balkanskoj ruti, a osim \ntoga, jer vješto portretira likove migranata, naglašavajući njihova psihološka stanja. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2023,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"regulation","source":{"filename":"21122023-Godi%C5%A1nji%20plan%20provedbe%20Nacionalnog%20programa%20za%202024.%20godinu%20-%20usvojeno.pdf","filename_decoded":"21122023-Godi%C5%A1nji%20plan%20provedbe%20Nacionalnog%20programa%20za%202024.%20godinu%20-%20usvojeno.pdf","sha256":"520c8a7f34b62eacca695e9b2b2c6d56a4838d3b846e63876908768d40ca76ff","bytes":913494,"page_count":107,"extracted_at":"2026-05-16T13:38:08Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"dokumentarni obrazlozenje 30032017.pdf","filename_decoded":"dokumentarni obrazlozenje 30032017.pdf","sha256":"537c3c5ed0214e87438c42c06a6b827e7b0c2e56ae21aadcbbf85ad8c48d1c6c","bytes":19717,"page_count":2,"extracted_at":"2026-05-17T12:01:36Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/dokumentarni%20obrazlozenje%2030032017.pdf"},"raw_text":"POTICANJE\t\r  PROIZVODNJE\t\r  –\t\r  DUGOMETRAŽNI\t\r  I\t\r  KRATKOMETRAŽNI\t\r  \nDOKUMENTARNI\t\r  FILM,\t\r  ROK\t\r  30.\t\r  OŽUJKA\t\r  2017.\t\r  GODINE\t\r  \n\t\r  \n\t\r  \nNa\t\r  proljetni\t\r  rok\t\r  za\t\r  produkciju\t\r  dokumentarnog\t\r  filma\t\r  javilo\t\r  se\t\r  13\t\r  autora\t\r  i\t\r  \nproducenata\t\r  za\t\r  dugometražni,\t\r  te\t\r  10\t\r  za\t\r  kratkometražni\t\r  film.\t\r  \t\r  Tom\t\r  broju\t\r  nisam\t\r  \npridodao\t\r  6\t\r  projekata\t\r  koji\t\r  zbog\t\r  nedostatne\t\r  dokumentacije\t\r  automatski\t\r  nisu\t\r  \nuvršteni\t\r  u\t\r  recenziranje.\t\r  Velik\t\r  broj\t\r  prijavljenih\t\r  projekata\t\r  izrazito\t\r  je\t\r  televizijskog\t\r  \t\r  \npristupa\t\r  u\t\r  konceptu\t\r  i\t\r  dramaturgiji,\t\r  \t\r  tako\t\r  da\t\r  bi\t\r  prirodna\t\r  adresa\t\r  za\t\r  njihovu\t\r  \nrealizaciju\t\r  morala\t\r  biti\t\r  Televizija.\t\r  I\t\r  u\t\r  tom\t\r  i\t\r  takvom\t\r  pristupu\t\r  ima\t\r  dobrih\t\r  i\t\r  \nzanimljivih\t\r  tema\t\r  koje\t\r  bi\t\r  se\t\r  mogle\t\r  pretvoriti\t\r  u\t\r  kvalitetan\t\r  televizijski\t\r  program.\t\r  S\t\r  \ndruge\t\r  strane,\t\r  novac\t\r  je\t\r  kao\t\r  i\t\r  uvijek\t\r  bio\t\r  važan\t\r  \t\r  ograničavajući\t\r  regulativ\t\r  broja\t\r  \nodobrenih\t\r  projekata.\t\r  \nOd\t\r  pristiglih\t\r  dugometražnih\t\r  projekata\t\r  prednost\t\r  sam\t\r  dao\t\r  projektima\t\r  autora\t\r  koji\t\r  \nsu\t\r  svojim\t\r  redateljskim\t\r  koncepcijama\t\r  i\t\r  primjerima\t\r  audio-­‐vizualnog\t\r  pristupa\t\r  u\t\r  \ndostavljenim\t\r  trailerima\t\r  dali\t\r  svjež\t\r  i\t\r  zanimljiv\t\r  pogled\t\r  na\t\r  izabrane\t\r  teme.\t\r  \n\t\r  Igrano-­‐dokumentarna\t\r  „Berekina“\t\r  Ivane\t\r  Marinić\t\r  Kragić\t\r  na\t\r  intimno-­‐poetski\t\r  \nnačin,\t\r  jednostavno\t\r  i\t\r  nenametljivo\t\r  \t\r  progovara\t\r  o\t\r  intrigantnoj\t\r  temi\t\r  zabranjene\t\r  \nženske\t\r  ljubavi\t\r  u\t\r  kojoj\t\r  se\t\r  vjera\t\r  i\t\r  ljubav\t\r  neprestano\t\r  propitkuju\t\r  i\t\r  stavljaju\t\r  na\t\r  \nkušnju.\t\r  Bruno\t\r  Pavić\t\r  je\t\r  u\t\r  „Zaljevu“\t\r  ekološkoj\t\r  temi\t\r  kontaminacije\t\r  kaštelanskog\t\r  \nzaljeva\t\r  prišao\t\r  vizualno\t\r  vrlo\t\r  dojmljivo,\t\r  pronašavši\t\r  kreativni\t\r  put\t\r  kako\t\r  isključivo\t\r  \nfilmskim\t\r  sredstvima\t\r  ispričati\t\r  kompleksnu\t\r  priču\t\r  o\t\r  posljedicama\t\r  više\t\r  desetljetnog\t\r  \nzagađivanja.\t\r  Autor\t\r  temi\t\r  ne\t\r  prilazi\t\r  aktivistički,\t\r  nego\t\r  voajerski\t\r  bilježi\t\r  situacije\t\r  i\t\r  \nljudska\t\r  stanja\t\r  u\t\r  i\t\r  oko\t\r  razrušenih\t\r  industrijskih\t\r  objekata,\t\r  dajući\t\r  gledateljima\t\r  \nprostor\t\r  za\t\r  zaključivanje.\t\r  „Štafeta\t\r  smrti“\t\r  Nade\t\r  Prkačin,\t\r  ratne\t\r  izvjestiteljice\t\r  iz\t\r  \nIstočne\t\r  Slavonije\t\r  priča\t\r  je\t\r  o\t\r  proboju\t\r  iz\t\r  Vukovara\t\r  i\t\r  putu\t\r  kroz\t\r  minska\t\r  polja.\t\r  Nada\t\r  \nPrkačin\t\r  dobro\t\r  poznaje\t\r  svoje\t\r  protagoniste,\t\r  ljude\t\r  koji\t\r  su\t\r  preživjeli\t\r  taj\t\r  put.\t\r  To\t\r  \nuzajamno\t\r  povjerenje\t\r  i\t\r  želja\t\r  da\t\r  se\t\r  ispriča\t\r  sugestivna\t\r  ratna\t\r  priča\t\r  daje\t\r  mogućnost\t\r  \nintimne\t\r  snage\t\r  ovog\t\r  filma.\t\r  \n„Snajka\t\r  traži\t\r  sreću“\t\r  ,\t\r  kratkometražni\t\r  film\t\r  Tee\t\r  Vidović\t\r  neka\t\r  je\t\r  vrsta\t\r  \ndokumentarne\t\r  inačice\t\r  igranog\t\r  filma\t\r  „\t\r  Moje\t\r  grčko\t\r  vjenčanje“.\t\r  Tea\t\r  je\t\r  Hrvatica\t\r  iz\t\r  \ndobrostojeće\t\r  zagrebačke\t\r  obitelji,\t\r  njen\t\r  novopečeni\t\r  suprug\t\r  dolazi\t\r  iz\t\r  \ntradicionalne\t\r  Romske\t\r  obitelji\t\r  s\t\r  Kosova.\t\r  Oženili\t\r  su\t\r  se\t\r  nakon\t\r  kraće\t\r  veze,\t\r  na\t\r  \nzaprepaštenje\t\r  obje\t\r  obitelji.\t\r  Je\t\r  li\t\r  moguć\t\r  uspješan\t\r  brak\t\r  uz\t\r  tolike\t\r  kulturološke,\t\r  \nsocijalne\t\r  i\t\r  ine\t\r  razlike?\t\r  Humoristično-­‐dramski\t\r  koncept\t\r  ovog\t\r  filma\t\r  dobar\t\r  je\t\r  \n\n\f\npristup\t\r  složenoj\t\r  temi\t\r  traženja\t\r  sklada\t\r  i\t\r  sreće\t\r  u\t\r  naizgled\t\r  nepremostivim\t\r  \nrazlikama.\t\r  \nDva\t\r  su\t\r  kratkometražna\t\r  dokumentarna\t\r  filma\t\r  dobila\t\r  sredstva\t\r  za\t\r 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 \n\t\r  \nNeven\t\r  Hitrec,\t\r  umjetnički\t\r  savjetnik\t\r  za\t\r  dokumentarni\t\r  film\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI%20manjinske%202%20rok%202020.pdf","filename_decoded":"REZULTATI%20manjinske%202%20rok%202020.pdf","sha256":"53b859c23621e5dcbe5c2b1a13f68622731578d2a81455084431c11156497344","bytes":34263,"page_count":1,"extracted_at":"2026-05-16T14:17:56Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI%20manjinske%202%20rok%202020.pdf"},"raw_text":"NAZIV  FILMA\nREDATELJ/ICA\nHRVATSKI  PRODUCENT\nODOBRENA  \nSREDSTVA\n1\nZec  iz  limenog  \nšešira\nIvan  Bereš\nJadranska  animacija  /  Adriatic  \nAnimation\n150.000,00\n2\nPrelazak\nJacqueline  van 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film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kinorama d.o.o.","row_id":"53b859c2:s2:c7e6192d96dc","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_5e75dab15cd0","project_family_title":"Živi i zdravi"},{"row_number":6,"project_title":"Južni vjetar 2: Ubrzanje","applicant":"Telefilm d.o.o.","production_company":"Telefilm d.o.o.","director":"Miloš Avramović","writer":null,"original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"490.000,00","approved_amount":490000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"dugometražni igrani film","to":"Dugometražni","reason":"category_from_existing_row_value","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Telefilm d.o.o.","row_id":"53b859c2:s2:b1c54168b7e3","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_a0dbb33e2761","project_family_title":"Južni vjetar 2: Ubrzanje"}],"section_total_text":null,"section_total":null},{"section_label":"dugometražni dokumentarni film","section_key":"dugometrazni_dokumentarni_film","columns":["NAZIV FILMA","REDATELJ/ICA","HRVATSKI PRODUCENT","ODOBRENA SREDSTVA"],"rows":[{"row_number":7,"project_title":"Jedna umiruća zvijezda","applicant":"Nukleus Film d.o.o.","production_company":"Nukleus Film d.o.o.","director":"Tea Lukač","writer":null,"original_author":null,"category":"Dokumentarni","approved_amount_text":"185.000,00","approved_amount":185000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"dugometražni dokumentarni film","to":"Dokumentarni","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Nukleus Film d.o.o.","row_id":"53b859c2:s3:c18c897f06a0","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_200f7cdc27b8","project_family_title":"Jedna umiruća zvijezda"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":"UKUPNO 3.355.000,00","ukupno":3355000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":3355000.0,"ukupno_match":true,"row_count":7,"awarded_count":7,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":7}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje-animirani-rok20062016.pdf","filename_decoded":"obrazlozenje-animirani-rok20062016.pdf","sha256":"53ce12a36ebef357258659653bac3279243568b8b189ae7e974db310ead5cfc4","bytes":370443,"page_count":2,"extracted_at":"2026-05-17T12:01:41Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje-animirani-rok20062016.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničkog savjetnika po rezultatima Javnog poziva za poticanje \naudiovizualnih djelatnosti i stvaralaštva u 2016. godini u kategoriji poticanja \nproizvodnje audiovizualnih djela (animirani film – rok 20. lipnja 2016.). \n \nBoško Picula, umjetnički savjetnik za animirani film:  \n \nNa Javni poziv prijavilo se 20 kratkometražnih animiranih filmova pri čemu se jedna prijava \nnije razmatrala zbog nepotpune dokumentacije te je u konačnici razmatrano 19 projekata. \nKriteriji predlaganja projekta za financiranje temelje se na cjelovitosti predloženih radova, \nvizualno originalnom konceptu, scenarističkoj dorađenosti, festivalskim potencijalima u \nHrvatskoj i inozemstvu te na elaboriranosti izvedbe samih projekata.  \n \nNa listu filmova predloženih za sufinanciranje proizvodnje uvršteno je osam kratkometražnih \nprojekata, ukupnog trajanja animacije od 52 minute. Ukupni pak iznos predloženih sredstava \njest 2.318.000,00 kuna. \n \nAktualni rok za poticanje proizvodnje animiranih filmova odlikuje se većim brojem veoma \nkvalitetnih projekta te općenito njihovom ujednačenošću. S druge strane, predloženi su \nprojekti raznoliki i što se tiče tehnika animacije, i što se tiče tematsko-stilskih pristupa. Pritom \nosim širokoga autorskog, generacijskog i koncepcijskog spektra projekata, treba istaknuti i \nvelik broj produkcijskih kuća koje su se prijavile na Natječaj, na ovom roku njih trinaest. To \nsvjedoči o nastavku trenda uključivanja sve većeg broja svih zainteresiranih i ostručenih u \nproizvodnji animiranog filma u hrvatskoj kinematografiji što dugoročno treba podržati i \ntemeljem toga pretpostaviti rast količine i kakvoće realiziranih radova. Projekti predloženi za \nsufinanciranje uključuju filmove različitih tehnika animacije, autore više naraštaja pri čemu su \ndva predložena projekta radovi debitanata u kategoriji u kojoj se prijavljuju te kontrastni u \nsvom likovnom izričaju, temama kojima se bave i publikom kojoj su prvotno namijenjeni.  \n \nDebitantske radove realizirat će cijenjeni animator i suradnik na više međunarodno zapaženih \nradova Kristijan Dulić s predloženim 3D animiranim filmom Putnik kao metaforičnom \npričom o potrazi za domom i prevarom te David Lovrić, hvaljeni autor studentskog filma \nSlom s projektom Sveti ljudi, s trilerski ugođenim prikazom jedne neobične inicijacije. Novi \nprojekt jednog od međunarodno najuspješnijih hrvatskih redatelja Daniela Šuljića je film \nIspod kojeg li su samo kamena ispuzli, rad animacije kave na staklu o simbolima zla i nasilja u \nopreci s nemoći pojedinca, dok Oktavijanom ovjenčani Matija Pisačić predstavlja projekt \nPortretist mrtvih, atmosferičnu priču o čovjeku kojega počinju proganjati portreti mrtvaca \nkoje izrađuje za nadgrobne ploče. Mladi hrvatski redatelj i višestruki dobitnik Oktavijana \nNatko Stipaničev realizira film Brod, parafrazu na potonuća poznatih brodova čija metaforika \ni umjetnički koncept postižu jedinstvenu sinergiju. Balada o fruli i ogrlici, duhovito iščitavanje \nslavenskih legendi, realizirat će se stop animacijom čiji je autor Martin Babić, iako mladi \nredatelj, prepoznat upravo preko lutka-filmova na kojima je radio kao samostalan autor ili kao \nsuradnik. Film Epistaxis predložio je također jedan od umjetnika posvećenih stop animaciji \n\n\f\n \n \n \n \nDavid Peroš Bonnot koji se ovaj put odlučio za spoj 2D i 3D animiranog filma u sarkastičnoj \npriči o čovjeku s naoko nerješivom poteškoćom temeljenoj na estetici ružnog. Napokon, \nDinko Kumanović režira Plodove suše, satirični i univerzalno razumljivi osvrt na taštinu i \nposlušnost u ljubavnoj vezi kontekstualiziran vizualno razigranim prikazom afričke savane na \nvrhuncu sušnog razdoblja. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB Obrazlozenje_RSC_DOKUMENTARNI_1rok_14III2022.pdf","filename_decoded":"WEB Obrazlozenje_RSC_DOKUMENTARNI_1rok_14III2022.pdf","sha256":"547ca9c2da590407e572bf82e70dc5846443692cfb72d8bbf364e4d961f6e3d0","bytes":170461,"page_count":2,"extracted_at":"2026-05-17T12:02:19Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20Obrazlozenje_RSC_DOKUMENTARNI_1rok_14III2022.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ \nSCENARIJA DUGOMETRAŽNIH DOKUMENTARNIH FILMOVA u 2022. - 1. ROK - \n14.3.2022.  \nUMJETNIČKA SAVJETNICA: Tiha Gudac \nOPĆI OSVRT  \nNa javni poziv u kategoriji poticanja razvoja scenarija dugometražnog dokumentarnog filma na \nprvom roku prijavljeno je sveukupno 34, a razmatrano 33 projekata. \nDio pristiglih projekata prezentiran je na razini ideje, bez dodatne razrade, bez jasnog \ndramaturškog smjera te bez stvarnih likova i potvrde o tome da je pristup temi i likovima \nosiguran. Dio projekata zamišljen je u obliku za koji je upitno je li žanrovski odgovara formi \ndokumentarnog filma, a dio je prikladniji za televizijsku proizvodnju jer ne posjeduju obilježja \nautorskog filma, to su izlagački i filmovi koji pate od opterećenosti podacima. \nIstovremeno među prijavama iznenađuje više projekata u naprednom stadiju razvoja, s \nkvalitetnim scenarističkim i vizualnim rješenjima te s priloženim pokaznim scenama i trailerima. \nMeđu projektima koji se ističu kvalitetom autorskog pristupa odabir prijedloga za sufinanciranje \nstoga je djelomično bio ograničen okvirima budžeta s kojim se raspolaže u ovoj kategoriji.  \nHrvatskom audiovizualnom vijeću predloženo je ukupno 7 projekata za sufinanciranje u ovoj \nkategoriji u ukupnom iznosu od 175.000 kn što je Hrvatsko audiovizualno vijeće odobrilo. \n1. Zašto nisam rekla mami, Eugenija Prša (scenaristica i redateljica) / Danijel Pek  (producent) / \nAntitalent d.o.o (produkcija) 25.000 kn  \nOvaj dokumentarac prati priče tri djevojke koje su imale nesreću doživjeti seksualno \nzlostavljanje, manipulaciju i indoktrinaciju u školskoj dobi od strane sportskog trenera. Nakon \nodlaska iz kluba su ga odlučile tužiti. U ovom trenu se odvija glavni dio suđenja u kojemu sve tri \nimaju glavna svjedočenja. Dokumentarac će pratiti njihove emocije kroz taj proces, kroz \nintervjue, obitelj, zajednička nalaženja i pripreme za svjedočenje s odvjetnicima. \n2. Posljednji teren, Filip Peruzović (redatelj i scenarist) 25.000 kn  \nJasnim opservacijskim stilom redatelj prati skupinu pirotehničara u hodu po posljednjem terenu \nkojeg obrađuju. Jednu po jednu minu približavaju se kraju svoje profesije. Hodajući po rubu, \nuklanjaju zaostale, no ne nužno i zadnje zaostale fragmente rata.  \n3. Greben,  Igor Dropuljić (redatelj i scenarist) 25.000 kn  \nJelenko Ujdur, naizgled sasvim prosječan 45-godišnji obiteljski čovjek iz malog mjesta u dolini \n\n\f\nNeretve na jugu Hrvatske. U sretnom je braku i otac troje odrasle djece. Zaposlen je u \nrehabilitacijskoj ustanovi gdje je prvi put zakoračio kao ovisnik o drogi. Na posao putuje, a spas \nje pronašao u kiparstvu i danas djeluje pod pseudonimom Koraljko Greben. Kroz svoje \nstvaralaštvo, između jave i sna, umjetnik traži smisao i odgovore na svoj unutarnji nemir. \n4. Čovjek koji nije mogao šutjeti, Jure Pavlović  (scenarist) 25.000 kn  \n«Čovjek koji nije mogao šutjeti»  je dokumentarni film koji kroz stvarnu i tužnu životnu sudbinu \nKaštelanina Tome Buzova tematizira kompleksne teme nacionalne pripadnosti, pripadanja masi i \nreagiranja pojedinca u vremenima kolektivnog ludila. \n5. Olimbi Hoxhaj-majka Hrabrost 21. stoljeća, Karlo Mlinar (scenarist) 25.000 kn  \nOlimbi Hoxhaj 2003. godine postala je udovica i samohrana majka četvero djece.  Nedugo nakon \niznenadne smrti supruga Victora saznaje kako su ona i troje od četvero njezine djece HIV \npozitivni kada u Albaniji nije bila dostupna terapija za HIV pacijente. Suprugu Victoru prilikom \noperacije 1993. godine transfuzirano je 3 litre krvi zaražene HIV-om te on na posljetku umire od \nposljedica AIDS-a.  Prepuštena na milost virusu osniva Asocijaciju za sve HIV/AIDS pacijente i \nmijenja albansku povijest. \n6. 1000 kilometara u kolicima, Luka Čurčić (scenarist) 25.000 kn  \nSlaven Škrobot (35) je putopisac koji unatoč tetraplegiji koja ga ograničava od njegove 23. \ngodine, putuje i biciklira diljem svijeta. Autor prati Slavena uoči i tijekom njegove crowdfunding \nkampanje “1000 kilometara u kolicima za osmjehe na licima” u kojoj je biciklom prešao više od \n1000 kilometara hrvatske obale, i nije uspio skupiti dovoljno sredstava za četiri bicikla poput \nnjegovog te je nastavio kampanju i vožnju sve do Turske. \n7. Pandemonium,   Mario Mlakar  (scenarist, redatelj),  Bojan Opačak (producent), Racionalno \nInternacionalno d.o.o. (produkcija)   25.000 kn  \nPandemonium je film o bizarnim vremenima, te o naizgled običnim ljudima koji u kaosu \npandemije i potresa, te strahu od trećeg svjetskog rata, žive najbolje što mogu. Sanjivom \nmontažom povijesnih kadrova, mnogobrojnih intervjua s građanima, raznih zvučnih zapisa, \ntajnih snimki života iza vrata lockdowna, te narativa medija i vlasti - uz zvučnu kulisu izmišljene \nradio stanice - film sakuplja fragmente istine, te od njih sastavlja sliku hrvatskog društva u \nnovom normalnom. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2022,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_10072014_molba_Kabinet.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_10072014_molba_Kabinet.pdf","sha256":"5499747d8a5fa448a4c25ab54e6046d58981669027c3e024dcbe767733f4b4c2","bytes":290098,"page_count":1,"extracted_at":"2026-05-16T13:53:47Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 2902-2014 \nU Zagrebu, 10. srpnja 2014. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12), Hrvatsko audiovizualno vijeće je na prijedlog ravnatelja na 49. sjednici održanoj 10. srpnja \n2014.  godine donijelo: \n \nO  D  L  U  K  U \no usvajanju molbe producenta Kabinet d.o.o. \n \n1.) Usvaja se molba producenta Kabinet d.o.o., Blažekova 15, Zagreb, (dalje u tekstu: Kabinet d.o.o.) za \nisplatom sredstava odobrenih za razvoj scenarija serijskog igranog televizijskog djela u 2013. godini \nscenaristici  gđi Sandri Antolić, Savska cesta 5, Zagreb,(dalje u tekstu: Sandra Antolić) \n2.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n3.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu:HAVC): www.havc.hr. \n \n  \n \n \n \n \nObrazloženje \n \nProducent Kabinet d.o.o. uputio je molbu HAVC-u, 29. lipnja 2014. Klasa: 222-233-022-024, Urbroj: 2738-\n2014  (dalje u tekstu: Molba) da se odobrena sredstva za razvoj scenarija serijskog igranog televizijskog \ndjela u 2013. godini za projekt „Dal' se sjetiš nekad mene“ scenaristice  Sandre Antolić, isplate na račun \nscenaristice.  \n \nHrvatsko audiovizualno vijeće je na 49. sjednici većinom glasova usvojilo je Molbu kao što je navedeno u \nad.1  ove Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v.r. \nDostaviti: \n \n \n - Kabinet d.o.o., Blažekova 15, Zagreb \n   -  pismohrana, ovdje \n \n","warnings":[],"document":{"program_type":"tv_djela","year":2014,"rok":null,"referenced_projects":["Dal' se sjetiš nekad mene"],"summary":"AV vijeće na 49. sjednici od 10. srpnja 2014. usvaja molbu producenta Kabinet d.o.o. da se sredstva odobrena za razvoj scenarija serijskog igranog televizijskog djela u 2013. godini za projekt „Dal' se sjetiš nekad mene“ isplate izravno scenaristici Sandri Antolić.","project_links":[{"source_title":"Dal' se sjetiš nekad mene","family_id":"pf_17a32a6030aa","family_title":"Dal se sjetiš nekad mene","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web AV JP PR FILM u 2024. - 2. rok - DUGI I KRATKI DOKUMENTARNI .pdf","filename_decoded":"web AV JP PR FILM u 2024. - 2. rok - DUGI I KRATKI DOKUMENTARNI .pdf","sha256":"54a487f5411f3ca5227e1cf98d265a6332aafff0e5ac44fac3246d3f0e086098","bytes":40896,"page_count":1,"extracted_at":"2026-05-17T10:24:09Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20AV%20JP%20PR%20FILM%20u%202024.%20-%202.%20rok%20-%20DUGI%20I%20KRATKI%20DOKUMENTARNI%20.pdf"},"raw_text":"NAZIV PROJEKTA\nREDATELJ/ICA\nPRODUCENT\nODOBRENA SREDSTVA (€)\n1\n69 km\nAnđelo Jurkas\nDOP produkcija\n30.000,00 €\n2\nIDENTITET\nSlađana-Marija Lučić\nWolfgang i Dolly d.o.o.\n70.000,00 €\n3\nKroz proces 10-6-93\nMarina Petković Liker\nČetveroruka\n80.000,00 €\n4\nNovi život\nGoran Dević\nPetnaesta umjetnost d.o.o.\n80.000,00 €\n5\nSmrt jednog vlaka\nSilvestar Kolbas\nMetar60\n80.000,00 €\n6\nStruja u kamenu\nMarko Stanić\nKadar 22, obrt za snimanje, dizajn i \nusluge\n40.000,00 €\n380.000,00 €\n1\nAl' nemoj nikom reć\nSilvija Bumbak\nHrvatski filmski savez - HFS\n29.000,00 €\n2\nBraća po oružju\nGoran Maršalek\nUdruga veterana, vojnika i \ndomoljuba\n40.000,00 €\n3\nFuck the Army\nMarko Pekić\nRadar d.o.o.\n10.000,00 €\n4\nNA GROBLJE SE NE IDE SA \nHARMONIKOM\nRenata Lučić\nWolfgang i Dolly d.o.o.\n30.000,00 €\n5\nSnovi od papira\nBoris Miljković\nCastropola d.o.o.\n12.000,00 €\n121.000,00 €\nUKUPNO KRATKOMETRAŽNI DOKUMENTARNI FILMOVI\ndugometražni dokumentarni filmovi\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE PROIZVODNJE \nFILMOVA u 2024. - 2. 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"OBRAZLOZENJE_dokumentarni_razvoj scenarija i projekata_1rok_2021.pdf","filename_decoded":"OBRAZLOZENJE_dokumentarni_razvoj scenarija i projekata_1rok_2021.pdf","sha256":"551cb1902d43f655ff20cd5a8d7ae4f218f9a641ad164b1e2443387bdfb5d985","bytes":167382,"page_count":3,"extracted_at":"2026-05-17T12:02:06Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/OBRAZLOZENJE_dokumentarni_razvoj%20scenarija%20i%20projekata_1rok_2021.pdf"},"raw_text":"Hrvatski audiovizualni centar \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih \ndokumentarnih i animiranih filmova, 1. rok 2021. \n \nKategorija: Poticanje razvoja scenarija i razvoja projekata – dugometražni \ndokumentarni film \n \nRok: 11. ožujka 2021. \nUmjetnička savjetnica: Morana Ikić-Komljenović \n \n \nNa javni poziv u kategoriji razvoja projekata dokumentarnog filma u 1. roku prijavljeno je sveukupno 17 \nprojekata. Od toga je 1 projekt preusmjeren na razvoj scenarija. Razmatrano je, dakle, ukupno 16 prijava i sve \nsu zadovoljile formalne uvjete ovog poziva. Na javni poziv u kategoriji razvoja scenarija dokumentarnog filma u \n1. roku prijavljeno je sveukupno 24 projekta. Dodatno je u tu kategoriju preusmjeren i 1 projekt sa razvoja \nprojekata. Jedna prijava se nije razmatrala jer nije zadovoljila formalne uvjete ovog poziva.  \n \nKod prijava pristiglih na razvoj projekata primjećujemo kako prijavitelji već i u ovoj fazi imaju dobro pripremljene \nprojekte, definirana partnerstva, a neki čak i potpisane ugovore o surazvoju i planirane koprodukcije. To posebno \nveseli u kontekstu postizanja bolje vidljivosti projekta i bolje produkcijske kapacitiranosti. I u ovoj se kategoriji, \nipak, primjećuje značajna razlika u kvaliteti pripreme prijava i natječajne dokumentacije. Pojedini projekti su \nzaista šturo ili nikako definirali svoju strategiju razvoja, ali pohvalno je što su odlučili ne upuštati se u produkciju \ndok bolje ne pripreme projekt u kreativnom i produkcijskom smislu. Tematski, projekti su dosta različiti, ali prate \ntendenciju prema biografskim i povijesnim prikazima. Kreativnih i autorskih projekata je manje, ali oni su \npotentni i značajno odskaču od većine.  \n \nVećina pristiglih projekata za razvoj scenarija su informativni i prikazivački filmovi koji u fokusu imaju povijesne \ndogađaje ili društveno relevantne fenomene, ali njima pristupaju bez jasnog autorskog glasa. Jedan dio projekata \nsu biografski filmovi. U manjini su istraživački projekti, kreativno izazovni projekti, projekti koji čine iskorak u temi \nili obradi. Ipak, pristigla su dva projekta koja se ističu svojim kreativnim posebnostima i utilizacijom \nnesvakidašnjih postupaka u dramaturškom, ali i opće konceptualnom smislu. Isto tako, neki su projekti i solidni \nkreativni projekti koji će sigurno (ukoliko se realiziraju) ostvariti dobar prijem kod publike.  \nNeke su prijave detaljno pripremljene i ova faza razvoja scenarija će im služiti tek za definiciju dramaturgije i \nmožda pronalazak ponekih likova, ali dobro su pripremljeni već i za fazu razvoja projekta. Neki projekti su, \nnaravno, tek na razini nešto bolje razrađene ideje, ali iskazuju zamjetan potencijal te se nadamo da će im faza \nrazvoja scenarija pomoći da bolje definiraju temelj za daljnju nadogradnju.  \n \nODABRANI PROJEKTI: \n \nRAZVOJ PROJEKATA \n \n1. Via Roma; redatelj i producent: David Lušičić, produkcija: Udruga Stvaralačka mreža Zebra \n \n«Via Roma» iznimno je zanimljiv prikaz komunikacije i konteksta u kojemu se komunikacija odvija. \n(Ne)mogućnost komunikacije strogo je definirana specifičnostima lokaliteta. Pozornica na kojoj se odvija ova \nkomunikacijska drama je lokalitet poznatog riječkog zatvora (popularno zvanog) Via Roma. Transponiramo li \ntemu iz lokalnog (Via Roma kao specifičan toponim, cesta koja dijeli zatvorenike od obitelji, prijatelja i uobičajena \nživota koji se živi na slobodi) u univerzalno, pred nama je priča iznimno relevantna – priča o nemogućnosti \nkomunikacije, o otežanoj komunikaciji, o prisutnosti, a (ipak) o odsutnosti, o slobodi koja se sudara o sputanost, \no nadi. U svakom slučaju, svaki od ovih motiva koje prepoznajemo u projektu, prepoznajemo u suvremenom \nsvijetu kojeg živimo u pandemijskom i kvazi-post-pandemijskom društvu. Globalno.  \n \n \n\n\f\n2. Zemlja koju (u)dišemo; redatelj: Manuel Inacker, producent: Oliver Sertić, produkcija: Udruga Restart \n \n«Zemlja koju (u)dišemo» pokazuje nam kako je živjeti u svijetu koji se mijenja brže nego što bismo to željeli. Film \nmikroskopski prati globalne sukobe lokaliteta vidljivih duž toka rijeke Krke i njezinih stanovnika. Ne samo zbog \nlokaliteta koji se izabire (tok rijeke Krke, park Krka, Skradin...), već i zbog nacionalne i globalne važnosti teme \nklimatskih promjena i neposredne opasnosti koja iz toga prijeti čitavom čovječanstvu, smatram da je ovaj projekt \nnužan i relevantan za nacionalnu kinematografiju i zbog svog nadprosječnog kreativnog potencijala. Drama koja \nse odvija u prirodi, odjekuje i u narativu koji se dotiče nedavnog rata i (posljedično) opustošenosti čitava kraja. \nPoetika redateljskog zahvaćanja je nenametljiva, suptilna, ali i univerzalno razumljiva i gromoglasna. U svojim \nminucioznim promišljanjima projekta, autor je odvažan, uvjerljiv i inovativan te smatram da “Zemlja koju \n(u)dišemo” zaista ima potenciju zaživjeti u punokrvni poetski film-esej koji će inspirirati domaću, ali i \nmeđunarodnu publiku. \n \n3. Cordon; redatelj: Anton Mezulić, producent: Oliver Sertić, produkcija: Udruga Restart \n \n«Cordon» je priča o malenom gradu u kojemu na istom nogometnom stadionu, koji nosi dva različita imena, \nigraju dva nacionalno suprotstavljena kluba. Nacionalne podjele, neizvjesna budućnosti i iseljavanje mladih, \nglavne su teme ovog opservacijskog dokumentarnog projekta iz kojeg izbijaju i elementi tragikomedije. Projekt \nnudi iscrtavanje koda za detekciju univerzalnog stanja – neopipljivog zida koji dijeli na «naše» i «tuđe», na «nas» \ni «druge», na «ove» i «one».  Ovaj će projekt, tako se nadamo, kroz specifičnosti jednog lokaliteta, glasno \nprogovoriti o raznim sredinama (nacionalno, ali i regionalno) koje dijele njegovu istu ili sličnu sudbinu. Osim toga, \nnadamo se da će jasno odaslati poruku i centrima političkih moći, bilo lokalno, bilo šire. \n \n4. Mjerenje naba; redateljica: Florence Tran, producent: Siniša Juričić, produkcija: Nukleus film d.o.o. \n \n«Mjerenje neba» zanimljiv je znanstveni dokumentarni film koji u svojoj sadržajnoj srži nosi revolucionarno \nznanstveno otkriće koje će u izazvati i možda osporiti postojeće znanstvene paradigme. Redateljica se odlučuje \npratiti izgradnju najsnažnijeg teleskopa koji je čovjek ikad izgradio. Ta «najveća kamera» na svijetu mogla bi \notkriti mnoge tajne svemira, ali i zaskočiti nas nespremne naznakama drugih oblika života ili približavanja \nprijetećih asteroida. Jedan od ključnih ljudi na tom projektu je Željko Ivezić - fizičar i astronom iz Zagreba.  \nSmatramo da je ovaj projekt važan zbog svog međunarodnog potencijala koji može donijeti značajnu vidljivost \nnašim znanstvenim postignućima i našoj kinematografiji. \n \n5. Djeca mog brata; redatelj: Milivoj Puhlovski, producentica: Marta Puhlovski, produkcija: Metar60 \n \n«Djeca mog brata» zanimljiv je dokumentarno-igrani film koji u fokusu ima obiteljsku tragikomediju i neobičnu \nobiteljsku konstelaciju. Redatelj Milivoj Puhlovski filmski obrađuje život svoga brata i njegovih neobičnih \nroditeljskih odluka. Osim propitivanja njihova bratskog odnosa, na neki način, on filmski «spaja» razdvojenu \nobitelj i pri tom je iznimno duhovit i britak. Redatelj izaziva tradicionalističko gledanje na obitelj, ali i dotiče se \nhomofobije i nacionalizma. \n \n6. Ljevica desnica centralno; redatelj: Arsen Oremović, producent: Ivan Maloča, produkcija: Inter film d.o.o. \n \n«Ljevica desnica centralno» glazbeni je dokumentarni film koji u fokusu ima autorski i kreativni odnos dvoje \nznačajnijih umjetnika koji su obilježili glazbenu scenu osamdesetih, a čiji utjecaj i danas jasno živi. Naši poznati \nglazbenici Darko Rundek i basist Srđan Sacher kreativno su se razišli i imaju dinamičan odnos. Iako je kontekst u \nkojemu se odvija ova filmska priča glazbeni (reizdanje snimke zajedničkog koncerta otprije 25 godina), težište \npriče je upravo na odnosu dvoje snažnih osobnosti u kreativnom procesu stvaranja.  \n \n \nRAZVOJ SCENARIJA \n \n1. Tri minute dovoljne da te ubiju; scenarist i redatelj: Damian Nenadić \n \n«Tri minute dovoljne da te ubiju» na kreativan i neuobičajen način povezuje  dokumentarne elemente s igranim \nrekonstrukcijama, a u fokusu ima nasilje nad ženama i to ženama široke lepeze rodnog identiteta. Nasilje s kojim \nse susreću je verbalno, fizičko i seksualno. Obuhvaćajući razne boje ženskog rodnog identiteta, autor ih dodatno \n\n\f\nlegitimizira, pritom osuđujući nasilje. On ruši uvriježenu sliku nasilja koje je isključivo vezano uz heteroseksualne \nodnose. Dodatnu zanimljivost čini i autorski fokus na nasilje koje je društveno uvjetovano i lišeno osobnih, \nintimnih razloga, već dolazi od nepoznatih, anonimnih ljudi. \n \n2. Daleko je Kandahar; scenaristica i redateljica: Anita Čeko, producentica: Vanja Jambrović, producent: \nUdruga Restart \n \n«Daleko je Kandahar» u fokusu ima posttraumatski stresni sindrom, ali pruža i intiman uvid u nevidljive procese \nkoji se događaju unutar obitelji koja se, sekundarno, s tim sindromom nosi. Autorska motivacija je osobna, a \nglavni protagonist je otac autorice. Ona bira ispričati univerzalnu priču o izlasku iz traume kroz vlastitu prizmu i \nprizmu svoje obitelji.  \n \n3. Vremeplovke zona 1; scenaristica i redateljica: Nicole Anne Marie Hewitt, producent: Studio Pangolin \n \n«Vremeplovke zona 1» dokumentarni je film s elementima eksperimentalnog i igranog filma. Autorica, kao \nsredište svog interesa, bira lokacije kultnih djela – «Stalkera» Andreja Tarkovskog te «Piknik kraj ceste» braće \nStrugatsky. Kroz ova dva polazišta, autorica se bavi kategorijama vremena i prostora; post-sovjetskim i post-\ntotalitarističkim prostorom i vremenom. Autorica rekonstruira mizanscene prema djelima u kojima pronalazi \ninspiraciju, u njih smješta asocijativne artefakte koje obrađuje. \n \n4. No dilemma – lica koja svijetle u mraku; scenarist i redatelj: Tomislav Jelinčić, producent: Danijel Pek, \nprodukcija: Antitalent d.o.o. \n \n«No dilemma – lica koja svijetle u mraku» već u naslovu nosi tematsku poveznicu s uspješnicom «The Social \nDilemma», a koji tematizira ovisnost o društvenim mrežama i tehnici koja ih nosi (mobiteli, tableti, kompjuteri) \nkroz prikaz kreatora te tehnike. Autor u svom kreativnom dokumentarcu fokus svog interesa proširuje na utjecaj \ntehnologija i platformi na mentalno zdravlje djece i mladih te ga zanima proces razvoja ovisnosti o istima. Svoj \ninteres on gradi iz osobnog primjera i iz roditeljske perspektive, što projekt čini dodatno autentičnim i \nzanimljivim. \n \n5. Prašina u vitrini; scenarist i redatelj: Daniel Pavlić, producent: Branko Ištvančić, produkcija: Udruga za \naudiovizualno stvaralaštvo Artizana \n \n«Prašina u vitrini» nosi uvid u intiman obiteljski svijet autora, ali i izravnost u prikazu teme otuđenja od oca i \nautorova pokušaja revitalizacije tog odnosa. U potrazi za poslom, autor dolazi u Amsterdam i tamo se, nakon \nmnogo godina otuđenja, pokušava ponovo približiti ocu. U tom pokušaju, njih dvojica dijele razmišljanja o \nprošlosti, pripadanju, ljubavi, oprostu i mogućoj budućnosti.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2021,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati JP MEDJ 2025. - 3. rok.xls - Compatibility Mode.pdf","filename_decoded":"rezultati JP MEDJ 2025. - 3. rok.xls - Compatibility Mode.pdf","sha256":"554f3accb719572a3bdce4b63636764dc5bde5a60002c724e677942197eae7c8","bytes":55698,"page_count":4,"extracted_at":"2026-05-17T10:23:48Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20JP%20MEDJ%202025.%20-%203.%20rok.xls%20%20-%20%20Compatibility%20Mode.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA POTPORA\n1\nAkademija dramske umjetnosti\nRahlo na European short pitch 2025\n701,24 €\n2\nDinko Božanić\nSudjelovanje filma \"Tango Siesta\" na \nAlexandria Short Film Festivalu u Egiptu\n368,84 €\n3\nWolfgang i Dolly d.o.o.\nSudjelovanje Matije Drnikovića na Focus \nAsia koprodukcijskom marketu \n312,40 €\n4\nĐildo Bavčević\nSudjelovanje filma Tango Siesta na \nAlexandria Short Film Festivalu u Egiptu\n347,00 €\n5\nLucija Brkić\nNAS TRI - Taskovski training\n1.750,00 €\n6\nPetnaesta umjetnost d.o.o.\nGostovanje redatelja i producenta filma \nPaviljon 6 na Beldocs-u \n563,44 €\n7\nHrvatski filmski savez - HFS\nSudjelovanje hrvatske delegacije na \nmeđunarodnom filmskom festivalu mladih \nBaloss Milano Film Festival 2025.\n1.539,00 €\n8\nJavna ustanova Pula film festival\nSudjelovanje na Danima Industrije u sklopu \nKristiansand International Children´s Film \nFestivala 2025.\n365,00 €\n9\nDobar film\nSudjelovanje projekta „Poštovani kukci i \ndruge jezive priče” na Seriencamp \nkonferenciji\n1.216,54 €\n10\nLaura Anić-Kaliger\n'Ether' kratki film na Cannes Film Festivalu\n247,76 €\n11\nWolfgang i Dolly d.o.o.\nSudjelovanje Tamare Babun Zovko na \nProducers on the Move 2025.\n2.552,21 €\n12\nSplit Screen, vl. Marcella Jelić\nSudjelovanje na Međunarodnom festivalu \nfilma u Cannesu, Francuska\n728,70 €\n13\nKOMPOT\nKoze! kratki dokumentarni film Tonćija \nGaćine u industry programu filmskog \nfestivala u Cannesu\n1.823,39 €\n14\nUdruga za audiovizualno stvaralaštvo \nArtizana\nSudjelovanje filma Prašina u vitrini na \nindustrijskom CEDOC marketu 2025. u \nokviru 65. Krakow film festivala\n699,41 €\n15\nSara Jurinčić\nPredstavljanje projekta \"ZATVARANJE\" Sare \nJurinčić na Short Film Talent rezidenciji pri \nCannes film festivalu u Francuskoj 2025.\n310,00 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2025. - PROGRAMI \nMEĐUNARODNE SURADNJE - ROK 14.7.2025., 17. sjednica Hrvatskog audiovizualnog vijeća 12.9.2025.\n\n\f\n16\nŽeljka Županić\nYoung Director Award (YDA)  - Cannes Lions \nInternational Festival of Creativity\n399,34 €\n17\nKinoteka d.o.o.\nEX ORIENTE FILM WORKSHOP 2025\n3.313,00 €\n18\nRestart\nSudjelovanje ekipe filma Škola hodanja 2 na \nsvjetskoj premijeri na Beldocsu\n1.022,53 €\n19\nČetiri film d.o.o.\nPremijera filma Biti u rodu s Johnom \nMalkovichem na Krakow Film Festivalu\n1.828,38 €\n20\n365 films d.o.o.\nPredstavljanje filma \"Dobre djevojke\" (\"Little \nTrouble Girls\") na Tribeca Festivalu u New \nYorku\n3.033,70 €\n21\nPipser d.o.o.\nSudjelovanje producentice Miljenke Čogelja \nna sajmu Brussels CoProMarket u Belgiji\n461,14 €\n22\nUmjetnička organizacija Lišera film\nSudjelovanje producentice Biance Dagostin \nna radionici EURODOC u Ljubljani, s \nprojektom \"La La Labin\"\n331,97 €\n23\nHulahop d.o.o.\nSudjelovanje producenta Noe Nikolića na \nradionici EURODOC u Ljubljani, s projektom \n\"Tata na tavanu\"\n700,95 €\n24\nSekvenca d.o.o.\nSudjelovanje projekta TV-serije \"Slatki \nkuhar\" u programu SeriesLab 2025, u Belgiji, \nŠpanjosloj i Italiji\n3.256,69 €\n25\nRestart\nSudjelovanje Petre Babić na EPI radionici \n\"Digital Distribution – Maximizing Reach and \nRevenues\"\n948,01 €\n26\nČetiri film d.o.o.\nSudjelovanje tima na radionici Ekran + s \nprojektom \"Svi Kalaševi konji\"\n1.734,89 €\n27\nRestart\nSudjelovanje projekta Cordon na DOCU \nROUGH CUT BOUTIQUE - 2. modul - Cluj\n997,26 €\n28\nRestart\nSudjelovanje ekipe filma Škola hodanja 2 na \nUnderhillFest festivalu\n565,06 €\n29\nJadranska animacija\nSudjelovanje projekta \"Saima: Prizori iz krize \nsrednjih godina\" na manifestaciji Mifa \nPitches 2025, u sklopu festivala u Annecyju\n250,00 €\n30\nDubravka Turić\nSudjelovanje scenaristice i redateljice \nDubravke Turić u programu TorinoFilmLab – \nNEXT Green Narratives 2025.\n777,75 €\n31\nWolfgang i Dolly d.o.o.\nSudjelovanje redatelja Damira Markovine i \nmontažerke Marte Bregeš na Docu Rough \nCut Boutique 2025 - 2 modul\n1.558,00 €\n32\nKinoteka d.o.o.\nDocsConnect – Conscious Filmmaking Lab\n3.900,00 €\n33\nUdruga Blank\nSudjelovanje ekipe dugometražnog filma \n\"Epilog\" na FEST - New Directors | New \nFilms Festivalu u Espinhu, Portugal\n1.784,07 €\n\n\f\n34\nNina Bačun\nSudjelovanje na manifestaciji \"2025 \nArchitecture & Film Symposium: Of Affect\" u \nOhiju; te održavanje predavanja i projekcije \nu New Yorku\n1.867,46 €\n35\nEclectica d.o.o.\nSudjelovanje projekta \"Pogana\" na radionici \nCineLink Co-Production Market, u sklopu \nSarajevo Film Festivala\n1.003,73 €\n36\nHulahop d.o.o.\nMeđunarodna premijera filma \"Lekcije mog \ntate\" na 31. Sarajevo Film Festivalu\n1.246,38 €\n37\nAkademija dramske umjetnosti\nDIORAMA - FEST NEW DIRECTORS/NEW \nFILMS\n547,97 €\n38\nHrvatski filmski savez - HFS\nSudjelovanje stručne suradnice revijskih i \nobrazovnih programa na festivalu Il Cinema \nRitrovato i ECFA Workshop Warehouseu\n894,40 €\n39\nČetiri film d.o.o.\nPremijera filma Lijepa večer, lijep dan na \nFrameline film festivalu u San Franciscu\n4.314,80 €\n40\nWolfgang i Dolly d.o.o.\nGostovanje Matije Drnikovića i Antonija \nScarpe na svjetskoj premijeri filma Na drugoj \nstrani ljeta na međunarodnom filmskom \nfestivalu Karlovy Vary 2025\n988,86 €\n41\nDinko Božanić\nSudjelovanje filma \"Tango Siesta\" na \nFestival du Film court en Plein air de \nGrenoble\n179,55 €\n42\nKinoteka d.o.o.\nSummer League Film Festival 2025 - \npromocija i plasman filma DRAŽEN\n1.653,70 €\n43\nNukleus Film d.o.o.\nSudjelovanje hrvatske ekipe filma \"Kako je \novdje tako zeleno?\" na Karlovy Vary \nInternational Film Festivalu\n1.731,95 €\n44\nJaka produkcija d.o.o.\nSudjelovanje projekta \"Bijeli jelen\" na \nradionici CEE Animation Workshop u Łódźu, \nPoljska\n708,99 €\n45\nLucía Aimara Borjas\nSudjelovanje filma \"Jedrenjak na kraju ulice\" \nna Anibar International Animation Festivalu u \nPeću, Kosovo\n258,14 €\n46\nLucija Bužančić\nSudjelovanje na radionici CEE Animation \nWorkshop u Łódźu, Poljska (3. modul)\n202,69 €\n47\nPomPom Film d.o.o.\nSudjelovanje Gorana Markovića na svjetskoj \npremijeri filma \"Oče naš\" na Toronto \nInternational Film Festivalu\n3.919,10 €\n48\nKinoklub Karlovac\nSudjelovanje hrvatske delegacije na Giffoni \nFilm Festivalu u Italiji\n1.374,90 €\n49\nFestival mediteranskog filma Split\nSudjelovanje na manifestaciji Venice \nProduction Bridge, u sklopu filmskog \nfestivala u Veneciji\n1.347,40 €\n\n\f\n50\nUdruga Bacači sjenki\nFilem'On 2025 - Sudjelovanje Bacača sjenki \nna filmskom festivalu u Bruxellesu\n1.314,60 €\n51\nKinorama d.o.o.\nSudjelovanje filma \"Bog neće pomoći\" u \nglavnom natjecateljskom programu Locarno \nFilm Festivala\n5.979,45 €\n52\nPipser d.o.o.\nSudjelovanje glumca Ivana Čuića na \npremijernom prikazivanju filma \"Linije želje\" \nna 78. 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Boško Picula, umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim \nudjelom  \n \nNa prvi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2025. godini \nprijavljeno je ukupno 58 projekata. Od ovoga ukupnog broja prijavljenih, četiri projekta nisu \nrazmatrana jer nisu zadovoljili uvjete Javnog poziva ili su povučeni iz procedure, te su u \nkonačnici razmatrana 54 projekta.  \n \nOd prijavljenih projekata, s obzirom na filmski rod i vrstu, najviše prijavljenih dolazi iz \nkategorije dugometražnoga igranog filma, ukupno 36 (od toga 13 debitantskih dugometražnih \nigranih filmova). Šest je dugometražnih igranih filmova (od toga tri debitantska), prijavljeno u \nfazi postprodukcije. Nakon dugometražnih igranih filmova prema broju prijava slijede \nkratkometražni igrani filmovi s ukupno 9 prijava (tri u postprodukciji), zatim dugometražni \ndokumentarni filmovi sa 7 prijava (jedan u postprodukciji), te kratkometražni animirani filmovi \ns 5 prijava (jedan u postprodukciji). Glede roda kratkometražnoga dokumentarnog filma, \nzaprimljena je samo 1 prijava, a nijedna eksperimentalnog filma:  \n \nVRSTA FILMA \nBROJ PRIJAVA \n \nDugometražni igrani i debitantski \ndugometražni igrani filmovi \n36 (13) \nKratkometražni igrani filmovi \n9 \nDugometražni dokumentarni filmovi \n7 \nKratkometražni dokumentarni filmovi \n1 \nDugometražni animirani filmovi \n0 \nKratkometražni animirani filmovi \n5 \nEksperimentalni filmovi \n0 \nUKUPNO \n58 \n \n \nOd prijavljenih projekata koji su se razmatrali (54), s obzirom na zemlju iz koje dolazi glavni \nproducent, odnosno produkcijska kuća s većinskim udjelom u financiranju, riječ je o 19 zemalja \ns tri kontinenta (Europa, Amerika, Azija). Najveći broj prijava stigao je iz Srbije (14) i Crne \nGore (9). \n \n \nZEMLJA \nVEĆINSKOG \nPRODUCENTA \nBROJ PRIJAVA \n \nSrbija \n14 \nCrna Gora \n9 \nSlovenija \n5  \nSjeverna Makedonija \n4 \nGrčka \n3 \nRumunjska \n3 \n\n\f\nBosna i Hercegovina \n2  \nČeška \n2 \nUjedinjeno Kraljevstvo \n2 \nBugarska \n1 \nFrancuska \n1 \nKanada \n1 \nLibanon \n1 \nNjemačka \n1  \nNorveška \n1 \nSlovačka \n1 \nŠpanjolska \n1 \nŠvicarska \n1 \nTurska \n1 \nUKUPNO \n54 \n \n \nKriteriji za predlaganje projekata za sufinanciranje temelje se na: \n  \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i \nredateljski koncept;  \n2. Ocjeni financijske izvedivosti te predstavljenoga distribucijskog potencijala projekta, s \nobzirom na produkcijski paket te plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za \nfinanciranje projekata.  \n \n \nFilmovi predloženi i odobreni za sufinanciranje, s ukupnim iznosom sufinanciranja \n496.500 EUR: \n \n1.) Dugometražni igrani film Prizovi velikog psa (Rumunjska), hrvatska produkcijska \nkuća Propeler Film d.o.o., 75.000,00 EUR \n2.) Dugometražni igrani film The Last Moon (Ujedinjeno Kraljevstvo), hrvatska \nprodukcijska kuća Robot 22 d.o.o., 68.000,00 EUR \n3.) Dugometražni igrani film Virus patološke dobrote (Srbija), hrvatska produkcijska \nkuća Terminal 3 Film d.o.o., 65.000,00 EUR \n4.) Debitantski dugometražni igrani film Loya (Kanada), hrvatska produkcijska kuća \nČetiri film d.o.o., 72.000,00 EUR \n5.) Debitantski dugometražni igrani film Treća smjena (Sjeverna Makedonija), hrvatska \nprodukcijska kuća Wolfgang i Dolly d.o.o., 70.000,00 EUR \n6.) Kratkometražni igrani film Tijesto (Crna Gora), hrvatska produkcijska kuća \nAntitalent d.o.o., 15.000,00 EUR \n7.) Dugometražni dokumentarni film Bogovi su sigurno u zabludi (Slovenija), hrvatska \nprodukcijska kuća Restart, 32.000,00 EUR \n8.) Dugometražni dokumentarni film Jesen patrijarha (Norveška), hrvatska produkcijska \nkuća Nukleus Film d.o.o., 24.000,00 EUR \n9.) Kratkometražni animirani film Divlji (Srbija), hrvatska produkcijska kuća Luma film, \n10.500,00 EUR \n10.) \nKratkometražni animirani film O golubovima i psima (Njemačka), hrvatska \nprodukcijska kuća Bonobostudio d.o.o., 25.000,00 EUR \n\n\f\n11.) \nKratkometražni animirani film Solitaire (Švicarska), hrvatska produkcijska \nkuća Jadranska animacija, 40.000,00 EUR \n \nOBRAZLOŽENJA \n \n1.) Dugometražni igrani film Prizovi velikog psa (Rumunjska), hrvatska produkcijska \nkuća Propeler Film d.o.o., 75.000,00 EUR \n \nDugometražni igrani film radnog naslova Prizovi velikog psa, žanrovski je spoj drame i trilera, \nčiji je redatelj i scenarist međunarodno etablirani Radu Jude (Zlatni medvjed za hrvatsku \nmanjinsku koprodukciju Baksuzno bubanje ili bezumni pornić), a zemlja glavnog producenta \nRumunjska. Inovativno i vješto vođena priča profiliranih likova i razrađenih dijaloških prizora \nportretira Vitoriju u kasnim tridesetim godinama koja s ocem i sinom živi skromnim životom \nna selu u blizini metropole Bukurešta. Zaposlena je u multinacionalnoj korporaciji u kojoj je \nradio i njezin pokojni suprug, preminuo u nerazjašnjenim okolnostima... Strukturiran kao \nnaizmjenični diptih igranih dijelova – priča – na koje rezoniraju dokumentarni prizori – \ndokument – film potvrđuje da je autor koji se i proslavio svježim, provokativnim i uzbudljivim \nfilmskim jezikom u dosadašnjim radovima, i dalje inovator kada je posrijedi pripovijedanje o \nčemu elaborirano piše u redateljskoj koncepciji. Produkcijska kuća Propeler Film d.o.o. kao \nhrvatski partner u projektu, u domaćem je i međunarodnom kontekstu potvrđen akter s nizom \nrecentnih uspješno pripremljenih i ostvarenih radova (Nakon ljeta, Otac, Bosonogi car, Mali). \n \n2.) Dugometražni igrani film The Last Moon (Ujedinjeno Kraljevstvo), hrvatska \nprodukcijska kuća Robot 22 d.o.o., 68.000,00 EUR \n \nDugometražni igrani film radnog naslova The Last Moon, žanrovski je spoj psihološkog  trilera \ni horora, čiji je redatelj i scenarist Sean McConville (Deadline), a zemlja glavnog producenta \nUjedinjeno Kraljevstvo. Sugestivno osmišljena i napisana priča dosljedno razvija navedenu \nžanrovsku sinergiju te stvara vlastiti, prepoznatljivi svijet u kojem se napetost generira \ninterakcijom likova, njihovim dijalozima te iščekivanjem. U njezinu su središtu dva brata od \nkojih jedan tvrdi da ga je napao vukodlak te da je opasan za vlastitu obitelj. Je li riječ o \nnadnaravnom događaju ili o psihičkoj bolesti napadnutoga brata, doznat će se kako se pomalo \nrazotkrivaju obiteljske tajne... Netipično prožimanje filma strave i analize psihičkog zdravlja u \npriloženom scenariju rezultira uzbudljivim i nepredvidljivim razvojem radnje s plastično \nprofiliranim likovima te osjećajem redatelja i scenarista za vizualno dočaravanje unutarnjih i \nvanjskih lomova. Produkcijska kuća Robot 22 d.o.o. kao hrvatski partner u projektu, ima \nnekoliko perspektivnih projekata različitih filmskih rodova i vrsta u različitim fazama \nprodukcije u zemlji i inozemstvu (Budimo u kontaktu, Tracking: The Cyprus Tigers, Blok 62). \n \n3.) Dugometražni igrani film Virus patološke dobrote (Srbija), hrvatska produkcijska \nkuća Terminal 3 Film d.o.o., 65.000,00 EUR \n \nDugometražni igrani film radnog naslova Virus patološke dobrote, žanrovski je spoj \nznanstveno-fantastične komedije i parodije, čiji je redatelj i scenarist Predrag Ličina, a zemlja \nglavnog producenta Srbija. Kao i u slučaju redateljeva prethodnog cjelovečernjeg filma \nPosljednji Srbin u Hrvatskoj posrijedi je nadahnuto iščitavanje klasika žanra kontekstualizirano \npolitičkim i društvenim prilikama u državama nasljednicama bivše Jugoslavije. \nReinterpretacija filmova Terminator redatelja Jamesa Camerona te Dvanaest majmuna Terryja \nGilliama, projekt polazi od njihove zamisli o putovanju u prošlost kako bi se spriječila buduća \nkataklizma. Središnja je junakinja Beograđanka Zorka kojoj u godinu 1983. stiže došljak iz \n\n\f\nbudućnosti Luka kako bi je uvjerio da će njezin sin kemičar početkom 2030.-ih uzrokovati \npošast naslovnim virusom... Redatelj i scenarist nadahnut spomenutim naslovima gradi \nvlastitu, duhovitu i britku priču s nizom podsjećanja na okolnosti ratnog raspada bivše \nJugoslavije, razigrane dijaloške strukture i zaokruženih likova koji unatoč znanstveno-\nfantastičnoj premisi zapravo predstavljaju realne protagoniste. Produkcijska kuća Terminal 3 \nFilm d.o.o. kao hrvatski partner u projektu, a kao sljednik umjetničke organizacije Terminal 3, \nsvojom je čelnom osobom Vanjom Sremac, potvrđeno ime aktualnim te nagrađivanim \nprojektima u Hrvatskoj i Europi (Baci se na pod, Najsretniji čovjek na svijetu). \n \n4.) Debitantski dugometražni igrani film Loya (Kanada), hrvatska produkcijska kuća \nČetiri film d.o.o., 72.000,00 EUR \n \nDebitantski dugometražni igrani film radnog naslova Loya, spoj je obiteljske i ekološke drame, \nčija je redateljica i scenaristica Sibel Guvenc, a zemlja glavnog producenta Kanada. \nElaboriranog konteksta u kojem se prožimaju osobne sudbine i globalno relevantna pitanja, \nkonkretno zaštita okoliša, autorica govori o naslovnoj jedanaestogodišnjoj djevojčici iz Turske \nčiji će se život u potpunosti promijeniti: izgubit će oca, sama oboljeti, a njeno će slikovito \nmjesto stanovanja ugroziti rudarska tvrtka iz Kanade za koju radi netko za koga nije niti mogla \nočekivati da postoji... Emotivno nabijena priča dramaturški je koherentna i umješno vođena pri \nčemu joj životnost likova i situacija podaruju mnogobrojne poveznice sa stvarnošću. \nProdukcijska kuća Četiri film d.o.o. kao hrvatski partner u projektu, jedna je od najuspješnijih \nhrvatskih kuća u posljednje vrijeme kada su posrijedi koprodukcije o čemu svjedoče recentni \nfestivalski naslovi i njihovi strukovni uspjesi (Bazen beskraja, Dani suše, Vizija leptira), kao i \nkontinuirani rad u domaćoj kinematografiji. \n \n5.) Debitantski dugometražni igrani film Treća smjena (Sjeverna Makedonija), hrvatska \nprodukcijska kuća Wolfgang i Dolly d.o.o., 70.000,00 EUR \n \nDebitantski dugometražni igrani film radnog naslova Treća smjena, žanrovski je spoj obiteljske \ni psihološke drame s elementima humora. Njegova je redateljica i, uz Slobodana Trajkoskog, \nkoscenaristica Ana Opačić, a zemlja glavnog producenta Sjeverna Makedonija. Veoma zrelo \npripremljen projekt za debitantsko ostvarenje dugog metra, film je iznijansirano vođena priča \no postarijem profesoru glazbe koji doživi živčani slom te iz Skoplja sa suprugom odlazi u \nslikoviti gradić na Prespanskom jezeru kako bi vratio stabilnost... Čvrsto profiliranih likova i \nnjihovih snažnih međuodnosa, redateljica vodi radnju koja je nadahnuta stvarnošću te \npermanentnim pitanjem ljudskog starenja, ali je umjetničkim senzibilitetom pretvara u nešto \nnovo i drukčije. Produkcijska kuća Wolfgang i Dolly d.o.o. kao hrvatski partner u projektu, u \nposljednje vrijeme stoji iza veoma zapaženih projekata za veliki i mali ekran (Pelikan, Put su \nljudi, Kuća male zvijezde, Dulum zemlje). \n \n6.) Kratkometražni igrani film Tijesto (Crna Gora), hrvatska produkcijska kuća \nAntitalent d.o.o., 15.000,00 EUR \n \nKratkometražni igrani film radnog naslova Tijesto, žanrovski je drama o odrastanju, čija je \nredateljica i scenaristica Sara Stijović a zemlja glavnog producenta Crna Gora. U isto vrijeme \nrealistična i metaforična, autoričina priča filmski elaborira primalnu scenu, odnosno, prema \nfrojdističkoj teoriji, situaciju u kojoj dijete na različite načine svjedoči seksualnom činu \nroditelja što može utjecati na njegov psihoseksualni razvoj. Živo napisan scenarij s puno \ndetalja, redateljičin tekst opisuje dvanaestogodišnju sestru i petogodišnjeg brata koji se u \nkuhinji zabavljaju tijestom, dok sestra počne osluškivati zvukove iz spavaće sobe pri čemu je \n\n\f\nono što čuje istodobno intrigira i muči, posebice u želji da zaštiti mlađeg brata... Promišljene \nradnje i njezina razvoja, scenarij je vrlo kompleksan, unatoč jednostavnoj mizansceni, te u \nraspletu konotativan. Produkcijska kuća Antitalent d.o.o. kao hrvatski partner u projektu, \npostigla je svjetski uspjeh kratkometražnim igranim filmom Čovjek koji nije mogao šutjeti \nredatelja Nebojše Slijepčevića, od Zlatne palme u Cannesu, preko Europske filmske nagrade \ndo nominacije za Oscara. Kuća je producirala, među ostalim, i filmove Murina, Prava istina \npriče o šori, Jahači te Starac i roda, priča o Malenoj i Klepetanu. \n \n7.) Dugometražni dokumentarni film Bogovi su sigurno u zabludi (Slovenija), hrvatska \nprodukcijska kuća Restart, 32.000,00 EUR \n \nDugometražni dokumentarni film radnog naslova Bogovi su sigurno u zabludi, čiji je redatelj i \nscenarist Jakob Krese Weidner (Što ostaje na putu), a zemlja glavnog producenta Slovenija, \nprimjer je angažiranoga dokumentarnog filma koji paralelno govori o sudbinama konkretnih \nljudi i široj sredini koja ih je naraštajima određivala. Projekt na veoma složen i dojmljiv način \nkreativno odgovara na pitanje koliko je pojedinac determiniran svojom najužom okolinom, a \nkoliko društvenim i političkim prilikama u kojima živi njegova obitelj. Autor filma pripovijeda \no svojoj baki (Staramama) i majci (Mama), koje su obje preminule, te o svom odnosu prema \nnjima, u kontekstu burnih vremena u kojima su svi oni živjeli i proživljavali različite promjene, \nod Drugog svjetskog rata i života u socijalističkom društvu bivše Jugoslavije, preko njezina \nratnog raspada, do današnjeg vremena. Produkcijska kuća Restart kao hrvatski partner u \nprojektu etablirani je realizator niza recentnih međunarodno uspješnih projekata među kojima \nsu Između revolucija, Valerija, Muzej revolucije, Dosje Labudović: Nesvrstani i Dosje \nLabudović: Cine-Guerillas. \n \n8.) Dugometražni dokumentarni film Jesen patrijarha (Norveška), hrvatska produkcijska \nkuća Nukleus Film d.o.o., 24.000,00 EUR \n \nDugometražni dokumentarni film radnog naslova Jesen patrijarha, čija je redateljica i \nscenaristica Anna Shishova-Bogolyubova (Novi imperij), a zemlja glavnog producenta \nNorveška, nije samo jedinstven dokument vremena, nego i iznijansirana studija karaktera u \nkrajnje zahtjevnom vremenu. Odlikuje ga iscrpan i rizičan istraživački rad te rad na terenu, koji \nje de facto kolektivni portret suvremenoga ruskog režima kroz portretiranje pojedinaca koji na \nrazličite načine prolaze kroz svakodnevicu Ruske Federacije proteklih nekoliko godina. Široka \nse lepeza protagonista kreće od fotoreporterke protivnice autokracije i umjetnice proskribirane \nseksualne orijentacije preko zagovaratelja režima predsjednika Vladimira Putina u provinciji \ndo svećenika i vojnika koji imaju vlastito tumačenje događaja. Produkcijska kuća Nukleus Film \nd.o.o. kao hrvatski partner u projektu, baštini višegodišnji uspješan rad u Hrvatskoj i \ninozemstvu ovjenčan nizom priznanja za svoje dugometražne i kratkometražne igrane i \ndokumentarne filmove (Kokoška, Houston, imamo problem, Ekskurzija, Treća vrsta). \n \n9.) Kratkometražni animirani film Divlji (Srbija), hrvatska produkcijska kuća Luma film, \n10.500,00 EUR \n \nKratkometražni animirani film radnog naslova Divlji, čiji je redatelj i scenarist Miloš Tomić \n(Očeva prokleta kamera), a zemlja glavnog producenta Srbija, metaforičnošću, likovnim \nizražavanjem te reduciranošću slike zaziva Zagrebačku školu crtanog filma. Autora projekta \nnadahnula je novinska vijest o tri nerazdvojne životinje, dok je on toj situaciji dodao lik \ndjevojčice kojoj otac, okorjeli kriminalac kupi medvjeda, tigra i lava, ali ih zatoči u podrumu \nnakon čega ih djevojčica odluči spasiti. No, u sve će se umiješati policija te djevojčici zauvijek \n\n\f\npromijeniti život... Originalnog zapleta i upečatljive vizualizacije, film u autorovoj viziji \nfunkcionira višestruko tako da ga mogu pratiti različiti naraštaji. Osobito se ističe autorova \nodluka da sukladno tehnici animacije koju koristi (spoj 2D animacije i stop-animacije) oživi \nodbačene predmete koji i na taj način oslikavaju središnju temu (ne)dostupnosti društva. \nProdukcijska kuća Luma film kao hrvatski partner u projektu, kontinuirano ostvaruje zapažene \nprojekte za različite naraštaje gledatelja (Tonka će sutra, Među nama, Putovanje). \n \n10.) \nKratkometražni animirani film O golubovima i psima (Njemačka), hrvatska \nprodukcijska kuća Bonobostudio d.o.o., 25.000,00 EUR \n \nKratkometražni animirani film radnog naslova O golubovima i psima, čiji je redatelj i scenarist \nMalte Stein (Stvar), a zemlja glavnog producenta Njemačka, svojim (anti)junakom podsjeća \nna klasične protagoniste realizma i naturalizma, te na jednostavan, a veoma snažan način \ntematizira dehumanizaciju društva i njegovu anomiju. Visoke dovršenosti u trenutku prijave \nglede razrađenosti scenarija, slikovnih predložaka i knjige snimanja, projekt potvrđuje iznimnu \nvještinu pripovijedanja i likovno izražavanje svog autora. Središnji je lik priče siromašni, \nbesperspektivni mladić kojem lutanja gradom služe za neuspješne pokušaje socijalnih i \nemocionalnih kontakata, a što on kompenzira bijegom u podjednako frustrirajući svijet mašte...  \nProdukcijska kuća Bonobostudio d.o.o. kao hrvatski partner u projektu, jedna je od vodećih \nhrvatskih tvrtki za proizvodnju, distribuciju i promociju animiranih i eksperimentalnih filmova \ndomaćih i međunarodnih uspjeha (Udahnut život, Ježeva kuća, Noćna ptica). \n \n11.) \nKratkometražni animirani film Solitaire (Švicarska), hrvatska produkcijska \nkuća Jadranska animacija, 40.000,00 EUR \n \nKratkometražni animirani film radnog naslova Solitaire, čija je redateljica i scenaristica Maja \nGehrig (Average Happiness), a zemlja glavnog producenta Švicarska, domišljata je priča o \nsrednjoj klasi i njezinu čestom položaju 'ni na nebu, ni na zemlji'. Iznimno maštovitog zapleta \no stanovnicima gradilišta iznad grada u kojem je svakodnevni život neprestance na rubu, film \nje razrađena metafora o ljudskoj slobodi i (ne)mogućnostima odlučivanja o svojoj sudbini. \nGlavna mu je junakinja Norma koja s partnerom i sinom živi na spomenutom gradilištu \ndoslovce balansirajući između frustrirajućeg posla i obiteljske rutine lišene punine. Kada je \njednog dana ptice dovedu u ekstremnu situaciju, sve će krenuti u neželjenom smjeru... U tehnici \nstop-animacije i kolaža, autorica začudnom sinergijom slike, pokreta i priče na veoma \noriginalan i efektan način dočarava naoko fantastičan svijet i prilike u njemu. Produkcijska \nkuća Jadranska animacija kao hrvatski partner u projektu, već godinama realizira hrvatske i \nmeđunarodne projekte u konkurenciji za nagrade na najprestižnijim svjetskim festivalima \n(Obiteljski portret, Eeva, Sve te senzacije u mom trbuhu).    \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"1 rok 2017 animirani i eksperimentalni.pdf","filename_decoded":"1 rok 2017 animirani i eksperimentalni.pdf","sha256":"5599dc5962440572b332a4a68c37bb392f87ea66799ecb19d9b0f92cfc5dc9f6","bytes":33396,"page_count":1,"extracted_at":"2026-05-17T10:23:58Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/1%20rok%202017%20animirani%20i%20eksperimentalni.pdf"},"raw_text":"NASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nEutanazija\nJoško  Marušić\nUstanova  Zagreb  film\n195.000,00\n2\nMali  orkestar  za  \nveliku  glazbu\nIrena  Škorić\nArtizana  film  d.o.o.\n250.000,00\n3\nOnona\nMarko  Dješka\nJadranska  animacija  /  \nAdriatic  Animation\n450.000,00\n4\nParalelno  jutro\nDanijel  Žeželj\nUstanova  Zagreb  film\n200.000,00\n1\nMogao  je  biti  Čile  \nRenata  Poljak\nREA  -­  udruga  za  \nsuvremene  umjetničke  i  \narhitektonske  produkcije\n100.000,00\n100.000,00\neksperimentalni  film\nUKUPNO\nJavni  poziv  za  poticanje  audiovizualnih  djelatnosti  i  stvaralaštva  -­  kategorija:  \nPOTICANJE  PROIZVODNJE  AUDIOVIZUALNIH  DJELA  u  2017.  -­  1.  ROK  -­  30.3.2017.              \n88.  sjednica  Hrvatskog  audiovizualnog  vijeća    13.11.2017.\nanimirani  film\nUKUPNO\n1.095.000,00\n","warnings":["section0_row_numbers_not_sorted"],"document":{"program_type":"proizvodnja","natjecaj_title":"1 rok 2017 animirani i eksperimentalni","year":2017,"rok":"1. rok","natjecaj_date":"2017-03-30","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"Javni p oziv z a p oticanje a udiovizualnih d jelatnosti i s tvaralaštva - k ategorija: POTICANJE P ROIZVODNJE A UDIOVIZUALNIH D JELA u 2 017. - 1 . 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U 10 prijava potpisan je i \nredatelj/ica, a 8 prati i produkcijska kuća. U odnosu na prijave s Razvoja scenarija dugometražnih \nigranih filmova, scenariji prijavljeni u ovoj kategoriji doimaju se maštovitiji i dramaturški fokusiraniji. \nSmatramo da i kvaliteta, i kvantiteta pristiglih prijava opravdavaju postojanje ovog specijaliziranog \njavnog poziva. \n \nZa financiranje ih predlažemo 6: \n \nDAN PO DAN \nScenarij: Neo Turković \n7.000,00 EUR \n \nKako je u našem društvu sve više tinejđera izloženo psihičkim poremećajima, izuzetno dobrodošlom i \nrelevantnom smatramo tragikomičnu priču Dan po dan koja se bavi senzibilnim, zbunjenim i \nizgubljenim mladim ljudima zatvorenima u psihijatrijskoj bolnici za djecu i mlade. Fokus je na \nšesnaestogodišnjem suicidalnom štićeniku Maku i začetku jedne ljubavi, a kraj priče donosi \nneočekivani optimizam. \n \nKRALJ ARTUR I ČAROBNJAK UMJETNE INTELIGENCIJE \nScenarij: Nikola Kuprešanin \n7.000,00 EUR \n \nRadnja dječjeg pustolovnog filma Kralj Artur i čarobnjak umjetne inteligencije prati ukrajinsku \ntinejdžericu Yuliju što uz pomoć AI aplikacije i prijatelja kreće u potragu za blagom kralja Artura u \nPodstrani, a sve u nadi da će tako spasiti svoga oca, ukrajinskog vojnika, i ponovno okupiti obitelj. Priča \nima edukativnu dimenziju baziranu na ideji o zajedništvu djece različitog porijekla, jezika i iskustva, \nuz nenametljivu sugestiju suvremene geopolitičke stvarnosti. Prezentirani materijal obećava film \nprivlačan i djeci, i roditeljima.  \n \nTAJNA CRNE KUTIJE \nScenarij: Hrvoje Kovačević \nProdukcija: Wolfgang i Dolly d.o.o. / Tamara Babun Zovko  \n7.000,00 EUR \n \nAdaptacija romana Hrvoja Kovačevića Tajna crne kutije koji je u lektiri za četvrti razred osnovne škole \nprati Vitu, trinaestogodišnjeg junaka priče koji nakon što na svom požeškom tavanu pronađe crnu kutiju \nza koju je mislio da je stari televizor, otkrije da se kroz nju ulazi u međugalaktičku igru koja će izazvati \ncijelu lavinu događaja u Požegi i šire, dovesti ga do novih prijateljstava i ljubavi djevojčice Andree. \nObzirom na autorovo iskustvo u proizvodnji scenarija za filmove za djecu i mlade, vjerujemo da će i \novaj biti odličan. \n \n\n\f\nVELI JOŽE \nScenarij: Ivana Škrabalo \nRežija: Ivana Škrabalo \n7.000,00 EUR \n \nZahtjevna adaptacija književnog klasika Vladimira Nazora Veli Jože u scenarij filma za djecu i mlade \nvelik je posao, no autorica nas je uvjerila u svoje kreativne izbore. Priča prati Jožu kojeg zovu veli jer \nje div. No premda moćnog tijela, Jože nije velike pameti i ne zna kako treba živjeti, a najviše pati što \nga ne vole njegovi Motovunjani kojima vjerno služi i radi za njih u zamjenu za hranu. Kad ga prodaju \nu roblje, Veli Jože uzima sudbinu u svoje ruke, oslobodi se i udruži s drugim divovima. No puno pića \nih zavadi prema planu zlog Civette pa na kraju Jože bježi u Motovunsku šumu.  \n \nJUNACI \nScenarij: Ante Marin \n7.000,00 EUR \n \nPriča o dvjema „zaraćenim“ grupama djece koje se udružuju da bi čuvale i očuvale svoju uvalu od \ndevastacije iznimno je relevantne teme budući živimo u vremenu podivljalog kapitalizma te \nsvakodnevno čujemo o uništenju jadranske obale. Inspirirana je motivima književnog klasika Ferenca \nMolnara „Junaci Pavlove ulice“ te podsjeća na važnost zajedništva i brige za prirodu. Junaci bi mogli \nbiti pravi, pomalo staromodan u dobrom smislu te riječi, film o velikoj pustolovini. \n \nDETEKTIV DJED I BANDA IZ DOMA \nScenarij: Ljubo Zdjelarević \nProdukcija: Kinoteka d.o.o. / Ljubo Zdjelarević \n7.000,00 EUR \n \nIdeja priče Detektiv djed i banda iz doma temelji se na pretpostavci da stari ne idu s mladima. No na \nkraju će priče dokazati kako ova teza jednostavno ne stoji. Fabula započinje kad u sklopu socijalnog \neksperimenta osnovnoškolci iz SOS doma dolaze živjeti u starački dom. Sukob generacija je naravno \nneizbježan; starci žele svoj mir i rutinu te prigovaraju zbog nereda i previše pozitivne dječje energije. \nKad se u domu počinju događati misteriozne krađe, starci će optužiti djecu. No jedan Djed će se \naktivirati i krenuti u istragu te zajedničkim snagama s djecom naći rješenje. Tako će se na kraju otkriti \nkako stari i mladi imaju puno više zajedničkog nego što su mislili.  \n \n \n \n  \n \n","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2025,"rok":null,"referenced_projects":["DAN PO DAN","KRALJ ARTUR I ČAROBNJAK UMJETNE INTELIGENCIJE","TAJNA CRNE KUTIJE","VELI JOŽE","JUNACI","DETEKTIV DJED I BANDA IZ DOMA"],"summary":"Specijalizirani javni poziv za razvoj scenarija dugometražnih igranih i animiranih filmova namijenjenih djeci i mladima (rok 11.9.2025.): od 29 prijava predloženo je za financiranje 6 projekata po 7.000,00 EUR.","project_links":[{"source_title":"DAN PO DAN","family_id":"pf_422264b52dcf","family_title":"\"Dan po dan\"","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"KRALJ ARTUR I ČAROBNJAK UMJETNE INTELIGENCIJE","family_id":"pf_ca92c6751caa","family_title":"Kralj Artur i čarobnjak umjetne inteligencije","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"TAJNA CRNE KUTIJE","family_id":"pf_1298fb365fee","family_title":"Tajna crne kutije","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"VELI JOŽE","family_id":"pf_f01874991ded","family_title":"Veli Jože","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"JUNACI","family_id":"pf_f45c7a1be68a","family_title":"Junaci","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"DETEKTIV DJED I BANDA IZ DOMA","family_id":"pf_169ca9700255","family_title":"Detektiv Djed i banda iz doma","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2024_1rok_13III2024_ANIMIRANI_WEB.pdf","filename_decoded":"RSC_2024_1rok_13III2024_ANIMIRANI_WEB.pdf","sha256":"566872984f2a7b11b5657c5d6b8e70e7d3a5d58aff0c2c70e09f6f4aa98fd40c","bytes":94870,"page_count":1,"extracted_at":"2026-05-17T10:24:25Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2024_1rok_13III2024_ANIMIRANI_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nODOBRENO (€)\n1\nKrila\nMaja Pavić\n5.000,00\n2\nMagarčić Mate\nArsen Anton Ostojić\nArsen Anton Ostojić\n5.000,00\nUKUPNO\n10.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ \nSCENARIJA u 2024. - 1. ROK - 13.3.2024.\nanimirani film - trajanje nije kraće od 24 minute\n36. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 13. lipnja 2024.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2024_1rok_13III2024_ANIMIRANI_WEB","year":2024,"rok":"1. rok","natjecaj_date":"2024-03-13","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"razvoj_projekata","to":"razvoj_scenarija","reason":"filename/title keyword: razvoj scenarija","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"36. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 13. lipnja 2024.","section_key":"36_sjednica_hrvatskog_audiovizualnog_vijeca_u_4_sazivu_13_li","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","ODOBRENO 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Arsen Anton Ostojić stoji u dva susjedna stupca uz blagu nejasnoću poravnanja stupaca."},"entity":null,"row_id":"56687298:s0:be2f6f0e51aa","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_2c5d06543ae1","project_family_title":"Magarčić Mate"}],"section_total_text":"10.000,00","section_total":10000.0}],"totals":{"ukupno_text":null,"ukupno":10000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":10000.0,"ukupno_match":true,"row_count":2,"awarded_count":2,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":2}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"proizvodnja kratki igrani obrrazlozenje _rok 4.11._.pdf","filename_decoded":"proizvodnja kratki igrani obrrazlozenje _rok 4.11._.pdf","sha256":"57375a1fc111681a85f37a0bb26db0b4cef7871dff776edd2e825be768c1a86b","bytes":36280,"page_count":2,"extracted_at":"2026-05-17T12:01:46Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/proizvodnja%20kratki%20igrani%20obrrazlozenje%20%28rok%204.11.%29.pdf"},"raw_text":"Obrazloženje\t\r  umjetničkog\t\r  savjetnika\t\r  po\t\r  rezultatima\t\r  Javnog\t\r  poziva\t\r  u\t\r  kategoriji\t\r  \t\r  \npoticanja\t\r  proizvodnje\t\r  kratkometražnog\t\r  igranog\t\r  filma\t\r  na\t\r  drugom\t\r  roku\t\r  u\t\r  2019.\t\r  \ngodini\t\r  –\t\r  rok\t\r  4.\t\r  11.\t\r  2019.\t\r  \n\t\r  \nNa\t\r  drugi\t\r  natječajni\t\r  rok\t\r  u\t\r  2019.\t\r  godini\t\r  pristiglo\t\r  je\t\r  dvadeset\t\r  i\t\r  pet\t\r  (25)\t\r  projekata.\t\r  Od\t\r  \nprijavljenih\t\r  projekata\t\r  jedan\t\r  (1)\t\r  nije\t\r  razmatran\t\r  jer\t\r  nije\t\r  zadovoljio\t\r  formalne\t\r  uvjete\t\r  \nnatječaja.\t\r  Sve\t\r  druge\t\r  razmatrane\t\r  prijave\t\r  prijavljene\t\r  su\t\r  za\t\r  fazu\t\r  produkcije.\t\r  Petnaest\t\r  \t\r  \n(15)\t\r  projekata\t\r  je\t\r  po\t\r  prvi\t\r  puta\t\r  prijavljeno\t\r  na\t\r  javni\t\r  poziv\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  \nkratkometražnog\t\r  igranog\t\r  filma.\t\r  \n\t\r  \nOSVRT:\t\r  \nNa\t\r  ovaj\t\r  natječaj\t\r  prijavljen\t\r  je\t\r  veći\t\r  broj\t\r  kvalitetnih\t\r  radova\t\r  pa\t\r  je\t\r  gotovo\t\r  polovina\t\r  \nprijavljenih\t\r  konkurirala\t\r  za\t\r  finalnih\t\r  pet\t\r  radova\t\r  koje\t\r  predlažem.\t\r  Ti\t\r  su\t\r  se\t\r  projekti\t\r  u\t\r  \nkontekstu\t\r  užeg\t\r  kruga\t\r  vrlo\t\r  kvalitetnih\t\r  prijava\t\r  istaknuli\t\r  time\t\r  što\t\r  u\t\r  sadržajnom\t\r  ili\t\r  \nformalnom\t\r  smislu\t\r  donose\t\r  nešto\t\r  novo\t\r  i\t\r  izbjegavaju\t\r  opća\t\r  mjesta\t\r  bolje\t\r  od\t\r  ostalih.\t\r  \t\r  \nSpecifičnost\t\r  autorske\t\r  perspektive\t\r  svakog\t\r  od\t\r  autora\t\r  i\t\r  originalnost\t\r  scenarija\t\r  pružaju\t\r  \nkvalitetan\t\r  temelj\t\r  za\t\r  potencijalno\t\r  dobre\t\r  kratke\t\r  filmove.\t\r  \t\r  \n\t\r  \nPustara\t\r  -­‐\t\r  redatelj\t\r  i\t\r  scenarist\t\r  Zvonimir\t\r  Jurić,\t\r  produkcija\t\r  Castor\t\r  Multimedia\t\r  d.o.o.\t\r  \n370.000,00\t\r  Kn\t\r  \t\r  \n\t\r  \nPustara\t\r  je\t\r  scenarij\t\r  o\t\r  ljudima\t\r  na\t\r  rubu\t\r  Hrvatske,\t\r  na\t\r  rubu\t\r  zakona\t\r  i\t\r  na\t\r  rubu\t\r  odlaska\t\r  od\t\r  \nsvega\t\r  što\t\r  ih\t\r  okružuje.\t\r  Oni\t\r  žive\t\r  kod\t\r  močvara\t\r  Kopačkog\t\r  rita,\t\r  bave\t\r  se\t\r  krivolovom\t\r  i\t\r  \notvoreno\t\r  od\t\r  toga\t\r  žive\t\r  kao\t\r  dio\t\r  zajednice.\t\r  \t\r  Scenarij\t\r  koji\t\r  je\t\r  predložio\t\r  Zvonimir\t\r  Jurić\t\r  \nzaokuplja\t\r  atmosferom\t\r  i\t\r  autentičnom\t\r  lokalnosti\t\r  koje\t\r  se\t\r  nadam\t\r  se\t\r  da\t\r  će\t\r  prenijeti\t\r  u\t\r  \nfilm\t\r  koji\t\r  bi\t\r  kao\t\r  takav\t\r  mogao\t\r  imati\t\r  dobar\t\r  festivalski\t\r  uspjeh.\t\r  \n\t\r  \nKratka\t\r  priča\t\r  -­‐\t\r  redatelj\t\r  i\t\r  scenarist\t\r  Ante\t\r  Storić\t\r  -­‐\t\r  debitant,\t\r  produkcija\t\r  Suteren\t\r  film\t\r  \n200.000,00\t\r  \t\r  Kn\t\r  \t\r  \n\t\r  \nKratka\t\r  priča\t\r  je\t\r  scenarij\t\r  debitanta\t\r  u\t\r  ovoj\t\r  kategoriji\t\r  Ante\t\r  Storića.\t\r  Radi\t\r  se\t\r  o\t\r  autoru\t\r  koji\t\r  \nje\t\r  po\t\r  struci\t\r  montažer,\t\r  ali\t\r  se\t\r  već\t\r  u\t\r  nekoliko\t\r  navrata\t\r  okušao\t\r  u\t\r  pisanju.\t\r  Tema\t\r  scenarija\t\r  \nje\t\r  stvaralački\t\r  proces\t\r  nastanka\t\r  kratke\t\r  priče.\t\r  Glavni\t\r  lik\t\r  u\t\r  filmu,\t\r  autor\t\r  sam,\t\r  odlučio\t\r  je\t\r  \nsudjelovati\t\r  na\t\r  natječaju\t\r  na\t\r  kojemu\t\r  se\t\r  traži\t\r  kratka\t\r  priča\t\r  na\t\r  temu\t\r  grada\t\r  Trogira.\t\r  Kroz\t\r  \ndijaloge\t\r  sa\t\r  svojim\t\r  bližnjima\t\r  i\t\r  kolegama\t\r  bavi\t\r  se\t\r  pitanjima,\t\r  umjetnosti,\t\r  mentaliteta,\t\r  \nsmislenosti\t\r  stvaralaštva,\t\r  a\t\r  sve\t\r  kroz\t\r  autentične\t\r  dijaloge\t\r  i\t\r  puno\t\r  humora.\t\r  \t\r  \n\t\r  \nSprovod\t\r  -­‐\t\r  redatelj\t\r  i\t\r  scenarist\t\r  Šimun\t\r  Šitum,\t\r  produkcija\t\r  Eclectica\t\r  d.o.o.\t\r  \t\r  \n270.000,00\t\r  Kn\t\r  \t\r  \n\t\r  \nSprovod\t\r  je\t\r  intimna\t\r  priča\t\r  o\t\r  suočavanju\t\r  sa\t\r  smrti.\t\r  Djed\t\r  je\t\r  preminuo,\t\r  a\t\r  glavni\t\r  lik\t\r  i\t\r  njegov\t\r  \notac\t\r  dogovaraju\t\r  pogreb.\t\r  Odnos\t\r  oca\t\r  i\t\r  sina\t\r  je\t\r  razrađen\t\r  kroz\t\r  izvrsne\t\r  dijaloge\t\r  u\t\r  kojima\t\r  \nse\t\r  protagonisti\t\r  dodiruju\t\r  tema\t\r  kao\t\r  što\t\r  su\t\r  obiteljski\t\r  odnosi,\t\r  ostavština,\t\r  susret\t\r  sa\t\r  \nsmrću.\t\r  Ono\t\r  što\t\r  izdvaja\t\r  ovaj\t\r  projekt\t\r  je\t\r  Šitumov\t\r  autorski\t\r  pristup\t\r  u\t\r  kojemu\t\r  takozvane\t\r  \n\n\f\nvelike\t\r  teme\t\r  nisu\t\r  nametnute\t\r  već\t\r  organski\t\r  proizlaze\t\r  iz\t\r  situacija\t\r  u\t\r  kojima\t\r  se\t\r  likovi\t\r  \nnalaze\t\r  i\t\r  njihovog\t\r  autentičnog\t\r  međusobnog\t\r  odnosa\t\r  i\t\r  ironijskog,\t\r  humornog\t\r  pristupa\t\r  \nnaspram\t\r  okolnosti.\t\r  \t\r  \n\t\r  \nKlimanje\t\r  -­‐\t\r  redateljica\t\r  i\t\r  scenaristica\t\r  Paula\t\r  Skelin\t\r  -­‐\t\r  debitantica,\t\r  produkcija\t\r  Eclectica\t\r  \nd.o.o.\t\r  \t\r  \n280.000,00\t\r  Kn\t\r  \t\r  \n\t\r  \nKlimanje\t\r  je\t\r  scenarij\t\r  u\t\r  kojemu\t\r  se\t\r  autorica\t\r  bavi\t\r  sa\t\r  specifičnom\t\r  situacijom\t\r  deložacije\t\r  iz\t\r  \nperspektive\t\r  djevojčice\t\r  stare\t\r  6\t\r  godina.\t\r  Autorica\t\r  vrlo\t\r  živo\t\r  prenosi\t\r  atmosferu\t\r  i\t\r  \nobiteljsku\t\r  dinamiku\t\r  u\t\r  domu\t\r  majke\t\r  i\t\r  kćeri\t\r  koji\t\r  se\t\r  nalazi\t\r  u\t\r  splitskom\t\r  stambenom\t\r  \nkompleksu.\t\r  Paula\t\r  Skelin\t\r  je\t\r  na\t\r  HAVC-­‐ovim\t\r  natječajima\t\r  debitantica\t\r  iako\t\r  već\t\r  ima\t\r  \niskustva\t\r  sa\t\r  studentskim\t\r  kratkim\t\r  filmom.\t\r  Također\t\r  ima\t\r  iskustvo\t\r  rada\t\r  s\t\r  djecom\t\r  i\t\r  iz\t\r  toga\t\r  \ngradi\t\r  živi\t\r  lik\t\r  djevojčice\t\r  čije\t\r  akcije\t\r  koristi\t\r  kao\t\r  dramaturški\t\r  katalizator\t\r  što\t\r  dovodi\t\r  do\t\r  \nneobičnog\t\r  i\t\r  originalnog\t\r  razvoja\t\r  događaja.\t\r  \n\t\r  \nZubi\t\r  krokodila\t\r  -­‐\t\r  redatelj\t\r  Filip\t\r  Heraković,\t\r  scenaristica\t\r  Nikolina\t\r  Bogdanović,\t\r  \nprodukcija\t\r  Umjetnička\t\r  organizacija\t\r  Plafon\t\r  \t\r  \n-­‐\t\r  370.000,00\t\r  Kn\t\r  \t\r  \n\t\r  \nZubi\t\r  krokodila\t\r  je\t\r  scenarij\t\r  koji\t\r  je\t\r  napisala\t\r  scenaristica\t\r  Nikolina\t\r  Bogdanović,\t\r  a\t\r  film\t\r  će\t\r  \nrežirati\t\r  Filip\t\r  Heraković.\t\r  Pristup\t\r  temi\t\r  obiteljskog\t\r  nasilja\t\r  je\t\r  kroz\t\r  ovaj\t\r  scenarij\t\r  razrađen\t\r  \t\r  \nminimalistički\t\r  i\t\r  s\t\r  jako\t\r  malo\t\r  dijaloga.\t\r  Radnja\t\r  je\t\r  smještena\t\r  u\t\r  pusto\t\r  ljetno\t\r  odmaralište\t\r  \nna\t\r  otoku\t\r  tijekom\t\r  zime.\t\r  Scenaristica\t\r  gradi\t\r  gotovo\t\r  žanrovske\t\r  situacije\t\r  i\t\r  pretvara\t\r  priču\t\r  \nu\t\r  triler.\t\r  Tako\t\r  pisan\t\r  scenarij\t\r  je\t\r  izuzetak\t\r  među\t\r  prijavljenim\t\r  radovima\t\r  i\t\r  predstavljat\t\r  će\t\r  \nizazov\t\r  za\t\r  redatelja\t\r  Filipa\t\r  Herakovića\t\r  koji\t\r  ima\t\r  zadatak\t\r  vođenja\t\r  priče\t\r  i\t\r  stvaranja\t\r  napete\t\r  \natmosfere\t\r  koju\t\r  je\t\r  autorica\t\r  u\t\r  scenariju\t\r  uspjela\t\r  postići.\t\r  \n\t\r  \nSveukupna\t\r  davanja\t\r  HAVC-­‐a\t\r  na\t\r  2.\t\r  roku\t\r  4.\t\r  11.\t\r  2019.\t\r  -­‐\t\r  poticanje\t\r  proizvodnje\t\r  \naudiovizualnih\t\r  djela,\t\r  kategorija\t\r  kratki\t\r  igrani\t\r  film:\t\r  \t\r  \n1.490.000,00\t\r  Kn\t\r  \n\t\r  \nSaša\t\r  Ban,\t\r  umjetnički\t\r  savjetnik\t\r  za\t\r  kratkometražni\t\r  igrani\t\r  film\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2013 Razvoj scenarij AV djela LIPANJ.pdf","filename_decoded":"2013 Razvoj scenarij AV djela LIPANJ.pdf","sha256":"584689976c743985d3442a587af3f497237e7e8c0714d4885727c2523a8a0ad2","bytes":36172,"page_count":1,"extracted_at":"2026-05-17T10:24:17Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2013%20Razvoj%20scenarij%20AV%20djela%20LIPANJ.pdf"},"raw_text":"RAZVOJ\t\r  SCENARIJA\t\r  2013\t\r  -­‐\t\r  2.\t\r  ROK\t\r  -­‐\t\r  21.06.2013.\n\t\r  DUGOMETRAŽNI\t\r  IGRANI\t\r  FILM\nNASLOV\nSCENARIST/-­‐ICA\nPRODUCENT\nREDATELJ\nODOBRENO\n1 MARA\t\r  I\t\r  MRTVACI\nKoraljka\t\r  Meštrović\nGoran\t\r  Rukavina\n35,000.00\n2 SAMO\t\r  ZATVORI\t\r  OČI\nJure\t\r  Pavlović\nSekvenca/\t\r  Luka\t\r  Venturin\nJure\t\r  Pavlović\n35,000.00\nUkupno\n70,000.00\nNASLOV\nSCENARIST/-­‐ICA\nPRODUCENT\nREDATELJ\nODOBRENO\n1 MARINA\nLeda\t\r  Festini\t\r  Jensen\nLeda\t\r  Festini\t\r  Jensen\n35,000.00\n2 MLUNGU\t\r  -­‐\t\r  BIJELI\t\r  KRALJ\nDavid\t\r  Lušičić\nNukleus\t\r  film\t\r  d.o.o./\t\r  Siniša\t\r  \nJuričić\nDavid\t\r  Lušičić\n35,000.00\n3 ŠPANOVICA\t\r  REVISITED\nVesna\t\r  Kesić\n35,000.00\nUkupno\n105,000.00\nDUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\n","warnings":["section0_row_numbers_not_sorted"],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"2013 Razvoj scenarij AV djela LIPANJ","year":2013,"rok":"2. rok","natjecaj_date":"2013-06-21","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"RAZVOJ SCENARIJA 2013 -‐ 2. ROK -‐ 21.06.2013.","section_key":"razvoj_scenarija_2013_2_rok_21_06_2013","columns":["NASLOV","SCENARIST/-‐ICA","PRODUCENT","REDATELJ","ODOBRENO"],"rows":[{"row_number":1,"project_title":"MARA I MRTVACI","applicant":null,"production_company":null,"director":"Goran Rukavina","writer":"Koraljka MeÅ¡trović","original_author":null,"category":null,"approved_amount_text":"35,000.00","approved_amount":35000.0,"currency":"HRK","extras":{"col_1":"1","SCENARIST/-‐ICA":"Koraljka Meštrović","REDATELJ":"Goran 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Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11, dalje u tekstu: Zakon), te \nsukladno Pravilniku o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14, dalje u tekstu: Pravilnik), Hrvatsko audiovizualno vijeće, na \nprijedlog Umjetničkog vijeća, na 68. sjednici održanoj 10. svibnja 2016.godine donijelo je: \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. godini \nu  kategoriji -poticanje proizvodnje audiovizualnih djela-animirani filmovi, rok 27. studenoga 2015. \ngodine \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015.godini utvrđuje se lista \nprioriteta i donosi odluka o raspodjeli sredstava za poticanje audiovizualnih djelatnosti i stvaralaštva \nu kategoriji -poticanje proizvodnje audiovizualnih djela - animirani filmovi, rok 27. studenoga 2015. \ngodine \nu \nukupnom \niznosu \nod \n2.231.800,00 \nkuna \n(dvamilijunadvjestotridesetjednatisućaosamstokuna), prema tablici priloženoj ovoj Odluci koja čini \nnjezin sastavni dio. \n \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku \npredviđenom Pravilnikom o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva (NN 144/14). \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona i sukladno odredbama Pravilnika u 2015. godini raspisan je Javni poziv \nHAVC-a za poticanje audiovizualnih djelatnosti i stvaralaštva u kategoriji - poticanje proizvodnje \naudiovizualnih djela - animirani filmovi, rok 27. studenoga 2015. godine. \n \nNa Javni poziv, rok 27. studenoga 2015. godine, ukupno je prijavljeno 21 projekata od kojih 3 nisu \nrazmatrani zbog nepotpune i/ili nepravodobne prijave. \n \nNa 48. sjednici Umjetničkog vijeća, održanoj 9. svibnja 2016. godine, umjetnički savjetnik za animirani film \ng. Igor Prassel predložio je listu prioriteta koju je Umjetničko vijeće usvojilo i proslijedilo na razmatranje \nHrvatskom audiovizualnom vijeću.  \n\n\f\n \n \n \n \n \nNa 68. sjednici Hrvatskog audiovizualnog vijeća, održanoj 10. svibnja 2016.godine, većinom glasova je \nprihvaćena lista prioriteta iz točke 1. izreke Odluke. \n  \n \nTemeljem čl.12. Zakona ravnatelj HAVC-a izvršava odluke o raspodjeli sredstava na temelju Nacionalnog \nprograma zaključivanjem ugovora s korisnicima sredstava.  \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku \nobjaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić –Škarica, v.r. \n \n \nPrilog: tablice s rezultatima \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n\n\f\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nBiciklisti\nVeljko Popović\nKrupni kadar d.o.o.\n350.800,00\n2\nCarrus Navalis\nAntonia Begušić\nUstanova Zagreb \nfilm\n300.000,00\n3\nJedan od mnogih\nPetra Zlonoga\nBonobostudio \nd.o.o.\n283.000,00\n4\nUdahnut život\nIvana Bošnjak, Thomas \nJohnson\nBonobostudio \nd.o.o.\n500.000,00\n5\nČetiri pokreta\nMorten Tšinakov, \nLucija Mrzljak\nJadranska animacija \n/ Adriatic \nAnimation\n398.000,00\n6\nPoruke sa zida\nJuliana Kučan, Maša \nUdovičić\nLuma film d.o.o.\n200.000,00\n7\nIgramo se priče - \nŠkrtac\nMarina Andree Škop\nStudio dim d.o.o.\n200.000,00\n2.231.800,00\nanimirani film\nUKUPNO:\n68. sjednica Hrvatskog audiovizualnog vijeća, 10. svibnja 2016.\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE PROIZVODNJE AUDIOVIZUALNIH DJELA u 2015. - 2. 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PROJEKATA DUGOMETRAŽNIH DOKUMENTARNIH FILMOVA – 1. rok, \n2017. GODINA \n \n Od projekata prvog roka po kreativnom potencijalu, zanimljivosti teme i \nredateljske koncepcije izdvojila su se tri projekta.  \nU „Lekcijama moga tate“ u produkciji „Hula Hopa“ redateljica/snimateljica Dalija \nDozet preko filmova svoga pokojnog oca snimatelja i sadašnjih obiteljskih \nsituacija pokušava rekonstruirati svoj odnos s ocem, iskoristiti propušteno i nikad \ndorečeno.  \n„Trumpov Veles“  Hrvoja Mabića u produkciji “ Fade In-a „priča je o izgubljenoj \ngeneraciji mladih koji žive u nekad važnom industrijskom centru Velesu, danas \ngradu bez perspektive. Spremni su učiniti sve za novac, uključujući i hakiranje \nweb stranica  Demokratske stranke u SAD. Jesu li baš oni donijeli prevagu \nDonaldu Trampu na prošlim predsjedničkim izborima? \n„M“ Darija Juričana, u produkciji“ Udruge Blank“. Juričan se, na tragu uspjeha \nsvog posljednjeg filma  „ Gazda “, odlučio pozabaviti hrvatskom privatizacijom \ndevedesetih godina, personificiranoj u liku i djelu tajkuna Miroslava Kutle.  \n \n RAZVOJ SCENARIJA ZA DOKUMENTARNI FILM – 1. rok \nU prvom roku za dodjelu sredstava potpore predlažem 4 projekta.  \n„Ćaća se vraća“, Marine Rajčić i Eclectica produkcije duhovit je koncept opisa  \nsplitskog mentaliteta i smisla za humor na primjeru odnosa prema  bivšem \npremijeru Ivi Sanaderu. \n„Saljski kum“ Tihe Gudac, priča je o maloj oazi mira, duha i iskričavih ljudskih \nodnosa – knjižnici i knjižničaru u Salima na Dugom otoku. \n„Nebojša“ Siniše Glogoškog  priča je o čovjeku koji pokušava izraditi vozilo - rover \nza površinu Mjeseca i za to uzeti obećanu veliku međunarodnu novčanu nagradu.  \n„Don Marko“ Morane Mitić u produkciji Filmaparata govori o  malom čovjeku, \nsvećeniku sa otoka Pašmana, čovjeku koji nije zapisan u povijesnim knjigama, ali  \nje svojim djelovanjem ostavio neizbrisiv trag u svojoj zajednici. \n \n\n\f\nRAZVOJ PROJEKATA DUGOMETRAŽNIH DOKUMENTARNIH FILMOVA -   2.rok, \n2017. GODINA \n \nU drugom roku izdvojio se projekt „Surogat majka“ redatelja Silvija \nMirošničenka, u produkciji „Četiri filma“. Priča prati faze procesa u kojem bračni \npar iz Zagreba vodi dugu medicinsko-pravnu borbu. Cilj je usvojiti vlastito dijete \nkoje će u stranoj zemlji roditi surogat majka. \n „Veće od traume“ redateljice Vedrane Pribačić u produkciji „ Slavica filma“ u \nteškoj temi  žena silovanih u Domovinskom ratu, pokušava naći novu nadu i \nnormalan život za svoje protagonistice.  \n \nRAZVOJ SCENARIJA ZA DOKUMENTARNI FILM – 2. rok \n \n„Via Roma“ Davida Lušičića ljubavna je priča koju pričaju dvije osobe. Jedna je na \nlivadi s jedne strane Via Rome, druga je iza rešetaka preko puta. Dovikivanja i \nrazgovori žene sa muškarcem koji odslužuje kaznu u riječkom zatvoru pokazuju \nda ljubav ne poznaje granice. \n„ Plastični diskovi i kotači od čelika“ dokumentarno je animirani projekt Franka \nDujmića, nostalgično- zafrkantski opis osobnog odnosa prema gramofonskim \npločama i cd-ima.   \n„Apel“ Arsena Oremovića kroz povijest punk-banda u kojem je svirao, kroz glazbu \ni sudbine tadašnjih prijatelja na osoban način govori o kraju jednog društveno-\npolitičkog razdoblja. \n \nNeven Hitrec, umjetnički savjetnik za dokumentarni film \n \n \n \n","warnings":[],"document":{"program_type":"razvoj_projekata","year":2017,"rok":null,"referenced_projects":["Lekcijama moga tate","Trumpov Veles","M","Ćaća se vraća","Saljski kum","Nebojša","Don Marko","Surogat majka","Veće od traume","Via Roma","Plastični diskovi i kotači od čelika","Apel"],"summary":"Obrazloženje umjetničkog savjetnika Nevena Hitreca za 1. i 2. rok 2017. u kategorijama razvoja projekata i razvoja scenarija dugometražnih dokumentarnih filmova, s prijedlozima projekata poput 'Lekcije moga tate', 'Trumpov Veles', 'M', 'Surogat majka', 'Veće od traume' i scenarija 'Ćaća se vraća', 'Saljski kum', 'Don Marko', 'Via Roma', 'Apel' i drugi.","project_links":[{"source_title":"Lekcijama moga tate","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Trumpov Veles","family_id":"pf_ff9f8da16882","family_title":"TRUMPOV VELES","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"M","family_id":"pf_e1ba088bd558","family_title":"M","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Ćaća se vraća","family_id":"pf_bb01e0fd90ef","family_title":"Ćaća se vrača","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Saljski kum","family_id":"pf_a1d899a34693","family_title":"Saljski kum","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Nebojša","family_id":"pf_c9baefdfd16c","family_title":"Nebojša","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Don Marko","family_id":"pf_ddf142d6ec84","family_title":"Don Marko","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Surogat majka","family_id":"pf_4b04b7d699c8","family_title":"Surogat majka","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Veće od traume","family_id":"pf_c892fef535aa","family_title":"Veće od traume","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Via Roma","family_id":"pf_9743033f4967","family_title":"Via Roma","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Plastični diskovi i kotači od čelika","family_id":"pf_96fcbe09c92e","family_title":"Plastični diskovi i kotači od čelika","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Apel","family_id":"pf_dcf59c5b2d5b","family_title":"Apel","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenja_skupno_27112015_bez kratkog.pdf","filename_decoded":"obrazlozenja_skupno_27112015_bez kratkog.pdf","sha256":"5a0f5dac4aa7508aeb8c4045690e72fb4e11ff56011f0a4a30d3340008457631","bytes":595830,"page_count":8,"extracted_at":"2026-05-17T12:01:38Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenja_skupno_27112015_bez%20kratkog.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničkih savjetnika po rezultatima Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2015. godini u kategoriji poticanja proizvodnje audiovizualnih djela za \ndugometražni igrani film (rok 27. studeni 2015.). \n \nDean Šoša i Dalibor Matanić, umjetnički savjetnici za dugometražni igrani film: \n \nZajedničko svim zrelim kinematografijama jest to da u njima normalno djeluju sve generacije \nautora, od debitanata do najstarijih živućih klasika. U hrvatskoj kinematografiji, mladi su nerijetko \ndočekivali  zrele godine prije no što su debitirali, a najveći klasici poput Branka Belana, Branka \nBauera ili Kreše Golika, u najboljim godinama više nisu odobravani igrani filmovi. Odabirom igranih \nfilmova na ovom roku za proizvodnju, nastojali smo ispraviti tu praksu. Najmlađem je autoru \ndvadeset i sedam godina, najstarijima više od osamdeset. Zajedničko većini projekata jest to dugo \ntraju, autori ih razvijaju i ne odustaju od njih godinama. Gotovo svi filmovi na prethodnim su \npozivima HAVC-a poticani kroz razvoj projekta i scenarija. Debitanti u cjelovečernjem filmu mogu \nse pohvaliti nekim od najprestižnijih nagrada u svijetu kratkoga metra- Dubravka Turić nagrađena \nje prošle jeseni na Venecijanskog filmskom festivalu, a Jure Pavlović osvojio je koncem prošle \ngodine europskog 'kratkog Oscara'. Veterani Antun Vrdoljak i Veljko Bulajić režirali su u proteklih \n60 godina filmove koje su gledali milijuni ljudi. Debitanti i Ognjen Sviličić trebali bi nastaviti \nhrvatsku okupaciju najprestižnijih svjetskih filmskih festivala. Veterani bi trebali privući u \nmultiplexe publiku koja hrvatski film guta na televiziji, no dvorane prepušta tinejdžerima.  \n \nDEBITANTSKI DUGOMETRAŽNI IGRANI FILMOVI: \n \n1. SAMO ZATVORI OČI \nRedatelj i scenarist: Jure Pavlović \nProdukcija: Sekvenca d.o.o.  \n \nNakon što je žanr kratkog igranog filma apsolvirao sjajnim 'Piknikom', koji je, uz brojne druge \nnagrade, koncem prošle godine ovjenčan Europskom filmskom nagradom, popularnim ‘Europskim \nOscarom’, 31-godišnji Jure Pavlović zaslužio je prigodu za snimanje cjelovečernjeg igranog filma. \nRadnjom situiran u njegovu rodnu Cetinsku krajinu, ‘Samo zatvori oči’ je vrijedan, duboko osoban i \nza jednog 31-godišnjaka neobično zreo scenarij. Projekt je ambiciozno i ozbiljno razvijen, casting \nobećavajući (Neva Rošić i Daria Lorenci-Flatz, a jedan od glavnih aduta scenarija - autentičnost \nprostora i likova - dodatno podupiru autorova promišljanja o naturščicima. Vrijedan i osoban \nscenarij Pavlović će, uvjereni smo, znati pretvoriti u jednako vrijedan film, zanimljiv najuglednijim \nfilmskim festivalima jednako kao što je bio zanimljiv njegov kratki 'Piknik'.  \n \n \n \n \n\n\f\n \n \n \n \n2. ILLYRICVM \nRedatelj: Simon Bogojević Narath \nScenaristi: Simon Bogojević Narath i Saša Podgorelec \nProdukcija: Kinorama d.o.o. \n \nU doba kad sve rasprave o sadašnjosti završe u bližoj ili daljoj prošlosti, film 'Illyricvm' vodi nas u \nonu najdalju, antičku - davno prije stoljeća sedmoga. Pravi hrvatski povijesni filmovi skoro da se \nmogu izbrojati na prste jedne ruke. Jedan od najhvaljenijih i najnagrađivanijih hrvatskih animatora \nSimon Bogojević Narath vodi nas u svome prvijencu u povijest koju hrvatski film još nikada nije \nprikazao. Antropološki pedantno obećava nam ljude koje nitko nije vidio, pa čak i rekonstrukciju \njezika kojeg nitko nije čuo. Scenarij 'Illyricvuma' je uzbudljiv, napet i slojevit. Prethodni Narathov \nanimatorski rad jamči sjajan izgled svijeta kojega još nitko nije gledao filmskim očima. Ovaj film \nneće biti lako proizvesti, no hrvatska ga kinematografija mora imati. Njegov je kino potencijal velik, \njednako kao i onaj festivalski. Film je prije svega umjetnost, no nemoguće se oteti dojmu da ovaj \nfilm ima i veliki znanstveni i obrazovni potencijal učenja novih generacija o najstarijim \nstanovnicima Hrvatske.  \n \nIGRANI FILMOVI \n \n1. DUBOKI REZOVI; omnibus \nRedatelji: Filip Peruzović, Filip Mojzeš, Dubravka Turić \nScenaristi: Ivan Turković-Krnjak, Jelena Paljan, Ksenija Kušec \n \nOmnibus 'Duboki rezovi' po svemu je debitantski film, osim po činjenici da je jedan od triju \nnjegovih redatelja - Filip Peruzović (rođen 1986.) prethodno snimio cjelovečernji televizijski film. \nFilip Mojzeš (rođen 1989.) i Dubravka Turić (ugledna montažerka) nisu. 'Duboki rezovi' ogledni su \nprimjer odlično razvijanog projekta. U njegovom su korijenu dobre priče naših uglednih pisaca, o \nnasilju i posljedicama koje ono ostavlja na djecu i odrasle.  Projekt je ogledni primjer kvalitetne \nsinergije filmaša i pisaca. Predlošci naših (mlađih) književnika sjajno su adaptirani od strane \nscenarista i 'nadograđeni' od strane redatelja, u opsežnim redateljskim koncepcijama. Priče su više \nnego relevantne u kontekstu sadašnjosti, a osobito u kontekstu hrvatskog filma, koji se s motivima \nprve i druge priče nije dosad gotovo uopće bavio, a i kad jeste, autori su to činili drugačije i ovaj je \nfilm tematski i stilski iskorak hrvatske kinematografije. Nastanak 'Dubokih rezova' svjedoči o \nodličnoj 'podjeli rada' kakva nerijetko izostaje u hrvatskom filmu. Redatelji imaju zavidno zaleđe u \nkratkom igranom filmu, čiji je vrhunac pobjeda filma jedne od njih- Dubravke Turić- na \nprošlogodišnjem Venecijanskom filmskom festivalu. 'Duboki rezovi' su ozbiljno promišljeni \ntriler/horor koji bi mogao imati uspjeha i na festivalima i u kinima.  \n \n \n \n\n\f\n \n \n \n \n2. BOG U CIPELI \nRedatelj i scenarist: Ognjen Sviličić \nProdukcija: Maxima film d.o.o. \n \n'Bog u cipeli' je priča o odnosu jednog dječaka naspram religije i Boga. Priča o odnosu nečega jako \nmalog, nemoćnog i nečega jako velikog'. Ove dvije rečenice autorske koncepcije najbolje sažimaju \nbit novog projekta Ognjena Sviličića, čiji je prethodni film 'Takva su pravila ' prikazan na \nVenecijanskom filmskom festivalu. Sviličićev scenarij kroz jednostavnu priču tematizira velike istine \ni to čini iznimno nenametljivo, s neočekivanim preokretom, koji čitavoj priči produljuje život dugo \nnakon okončanja samoga filma. 'Bog u cipeli' dosad je možda i najambiciozniji projekt Ognjena \nSviličića. Predložak korespondira s recentnim festivalskim i umjetničkim trendovima, pa je \nfestivalski potencijal filma velik. Linearna, jasna i emotivna priča mogla bi mu donijeti i uzbudljiv \nkino život.  \n \n \n3. BIJEG DO MORA \nRedatelj i scenarist: Veljko Bulajić \nProdukcija: Gral film d.o.o. \n \n \n4. GENERAL \nRedatelj i scenarist: Antun Vrdoljak \nProdukcija: Kiklop film d.o.o. \n \n \nZajedničko obrazloženje (Bulajić + Vrdoljak):  \n \nKinematografije koje drže do sebe, omogućuju svojim živućim klasicima da snimaju filmove i u \ndubokoj starosti. U filmskoj umjetnosti pravi redatelji ne idu u mirovinu niti sa 65 niti sa 67 godina. \nS hrvatskom kinematografijom to nije uvijek bio slučaj. Dok je portugalski klasik Manoel de Oliveira \nuspješno režirao cjelovečernje filmove i nakon navršene stote godine, mi smo najveće legende slali \nprisilno u mirovinu u najboljim godinama. Jedan od najvećih hrvatskih umjetnika 20-og stoljeća \nBranko Bauer posljednji je film u Hrvatskoj 'dobio' u dobi od 46 godina.  \n \n2016. godine hrvatski je film 'življi' no ikada. Produciramo više cjelovečernjih igranih filmova negoli \nu najkvalitetnijim razdobljima naše filmske povijesti. Ovakva hrvatska kinematografija ima snage i \nnovca omogućiti našim živućim klasicima Antunu Vrdoljaku i Veljku Bulajiću da u devetom \ndesetljeću života snime cjelovečernje igrane filmove. Antun Vrdoljak priprema opsežni biografski \nfilm o generalu Anti Gotovini, koji prati njegov život od ranog djetinjstva do najnovijih dana, \nkoncentrirajući se podjednako na intimni život generala kao i povijesna zbivanja u kojima je \n\n\f\n \n \n \n \nsudjelovao. Film koji računa na veliki budžet, naciji blisku priču i zvjezdana glumačka imena, trebao \nbi biti veliki hit u hrvatskim kinima. Veljko Bulajić priprema pak ratnu dramu o njemačkom vojniku \nkoji se - progonjen Partizanima - pokušava dokopati mora, u Istri. 'Bijeg do mora' je film kojim se \nBulajić na neki način miri sa svojim opusom, smještajući u središte priče jednog od bezimenih \ntisuća njemačkih epizodista iz njegovih najslavnijih ratnih klasika.   \n \nAntun Vrdoljak i Veljko Bulajić djelovali su u gotovo svim razdobljima naše kinematografije. Režirali \nsu brojne klasike koje su u kinima i na TV ekranima gledali milijuni ljudi. Ova su dva filma najmanje \nšto im hrvatska kinematografija i kultura duguju.  \n \nFILMOVI U POSTPRODUKCIJSKOJ FAZI \n \n1. GORAN \nRedatelj: Nevio Marasović \nScenarist: Gjermund Gisvold \nProdukcija: Antitalent d.o.o. \n \nNevio Marasović jedan je od naših najzanimljivijih mlađih autora, kad su u pitanju cjelovečernji \nigrani filmovi. Film 'Goran' nastao je 'izvan sustava', no riječ je o profesionalnom i uspjelom \nostvarenju, čiji je možda i ponajveći adut da slikovito prikazuje jedan dio Hrvatske - Gorski Kotar - \nkoji je na filmu dosad sramotno malo prikazivan.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n \n \n \n \nObrazloženje odluke o listi prioriteta i raspodjeli sredstava prema Javnom pozivu za poticanje \naudiovizualnih djelatnosti i stvaralaštva u kategoriji poticanja proizvodnje audiovizualnih djela \nza kratkometražni i dugometražni dokumentarni film (rok 27. studeni 2015.).  \n \nIvana Fumić, umjetnička savjetnica za dokumentarni film: \n \nHrvatski autori dokumentarnih filmova i dalje preferiraju društveno angažirane teme pa je od 46 \nprijavljenih filmova na ovom roku većina upravo te tematike. Ono što zabrinjava je da gotovo 50 \nposto autora i dalje ne razlikuje filmski dokumentarac od dokumentarne televizijske emisije. \nTakođer, dugometražna forma i dalje obiluje projektima koji se nisu pomakli od izbora i \nistraživanja same teme. Režijski dio je gotovo nepoznanica, a dramaturgija je i dalje plošna i \nprepojednostavljena.  \n \nOd 24 filma prijavljena u dugometražnoj kategoriji odobrena su dva projekta od kojih jedan na \ninventivan i režijski kreativan način pristupa povijesno arhitektonskoj temi kombinirajući \nistraživački dokumentarac s umjetničkim performansom. Drugi film opservacijskom metodom \nobrađuje aktualnu temu reintegracije blažih psihičkih bolesnika u društvo. Oba ova projekta imaju i \nfestivalski i kinoprikazivački potencijal.  \n \nU kratkometražnoj konkurenciji je situacija puno bolja pa je od 22 prijavljena projekta odobreno \nnjih 8 od kojih čak 5 debitantskih. Pokazalo se da su autori u kratkometražnoj formi puno \nkreativniji i pri izboru teme i pri autorskom pristupu koji se bitno razlikuje od projekta do projekta, \na spomenula bih samo neke od njih: film dnevničke strukture o autoričinoj majci koja se liječi od \nraka, film u kojem autorica preispituje gubljenje vlastite vjere u Boga, poetski film o posljednjoj \ngodini plovidbe jednog broda, hibrid dokumentarnog i eksperimentalnog filma o slijepoj i \nslabovidnoj djeci, film koji prati napore jednog devetogodišnjaka da savlada obimno školsko \ngradivo itd. Svakako želim pohvaliti ovako kreativan pristup i nadam se da će se autori i na \nbudućim natječajima potruditi te na taj način unaprijediti hrvatski dokumentarni film. \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n \n \n \n \nObrazloženje umjetničkog savjetnika po odlukama o donošenju liste prioriteta i raspodjeli \nsredstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. \ngodini, u kategoriji poticanja proizvodnje audiovizualnih djela za animirani film (rok 27. studeni \n2015.). \n \nIgor Prassel, umjetnički savjetnik za animirani film: \n \nNa drugi rok Javnog poziva za poticanje audiovizualnih djela za animirani film prijavilo se čak 20 \nkratkometražnih projekata i jedan projekt dugometražnog animiranog filma. Kriteriji predlaganja \nprojekata za financiranje kojima sam se vodio u prvom su redu međunarodni prikazivački \npotencijal, originalni vizualni stil i univerzalno razumljiva priča.  \n \nNa listu filmova predloženih za financiranje proizvodnje uvrstio sam sedam kratkometražnih \nprojekata ukupne minutaže animacije od 50 minuta. Ukupni iznos predloženih sredstava je \n2.231.800 kuna.  \n \n21 projekt predložilo je čak 18 različitih producenta, a za financiranje predlažem šest različitih \nproducenata (samo Bonobostudio je u izboru s dva projekta). To je svakako dobar trend za \nbudućnost hrvatske animacije. Jako sam sretan, da sam među sedam predloženih projekta na bazi \nkvalitete i originalnog vizualno/narativnog pristupa, uvrstio čak tri projekta debitantica.  \n \nAntonia Begušić (Zagreb film) projekt Carrus Navalis prijavljuje po drugi put i sa zadovoljstvom \nocjenjujem da je ovaj put taj scenaristički kompleksan lutka film spreman za realizaciju, čemu \nsvjedoči i sufinanciranje od strane Grada Zagreba. Lucija Mrzljak (Jadranska animacija/Adriatic \nAnimation) je diplomirala animaciju na ALU Zagreb, a sada živi i radi u Estoniji zajedno sa svojim \npartnerom i suradnikom Mortenom Tšinakovom. Iskustvo u animaciji stjecali su zajednički kao \nasistenti Priita i Olge Parn u studiu Eesti Joonisfilm. Njihov 2D prvijenac Četiri pokreta u sebi nosi \nelemente tradicije iz estonske i hrvatske animacije stvarajući novu i dublju povezanost između te \ndvije zemlje. Hrvatska i Estonija u posljednjih nekoliko desetljeća igrale su važnu ulogu na svjetskoj \nsceni animiranog filma s originalnim i snažnim izrazom. Zanimljivo je da iako su geografski \nudaljene, jedna drugu inspiriraju zajedničkim jezikom animacije i sličnim smislom za humor. \nUspješna producentica Maša Udovičić (Luma film) u projektu Poruke sa zida udružila je snage s \nuspješnom animatoricom Julianom Kučan za etnografsko-feminističko propitkivanje iskorištavanja \nžene u društvu.  \n \nOd već renomiranih autora i autorica, Veljko Popović (Krupni kadar) s projektom Biciklisti donosi \npriču o strasti i naporima biciklizma (likovi su adaptirani po grafikama i skulpturama slavnog \numjetnika Vaska Lipovca). Petra Zlonoga (Bonobostudio) je za svoj novi egzistencijalistički film \nJedan od mnogih tražila inspiraciju u poeziji i djelima Rumija. Rumi je inspiracija za lik čiju potragu \npratimo u filmu. Obična drvena olovka i bojica dočaravaju jednostavnost ideje. Nakon \n\n\f\n \n \n \n \nmeđunarodnog uspjeha svog prvog profesionalnog filma Simulacra (među drugim nagradama i \ndobitnik Oktavijana 2015!), Ivana Bošnjak i Thomas Johnson (Bonobostudio) s projektom Udahnuti \nživot idu još korak dalje u tehničkom i vizualno/narativnom smislu. Priču o mladoj ženi koja \npokušava razumjeti život prirode i s njime se povezati koristeći svoj dar za prepariranje životinja, \nodlikuje isprepletena struktura u kojoj se izmjenjuju snovi, prepariranje/očuvanje i sadašnjost. \n \nNa kraju posebno ističem kvalitetu i međunarodni potencijal animirane serije Igrajmo se priče! \nMarine Andree Škop (Studio Dim), koja je namijenjena najmlađoj publici. Redovito čitanje odnosno \npričanje priča educira djecu, razvija njihovu imaginaciju te osigurava djetetu duhovni i društveni \nnapredak. Igrajmo se priče! Ide još korak dalje od toga. Djecu ne uči samo slušanju i razumijevanju \npriče već ih potiče u tome da se kroz igru ohrabre na pripovijedanje. Na osnovi te serije predložio \nbi Hrvatskom audiovizualnom vijeću, da započne raspravu kako u sustavu HAVC-a pronaći \nzadovoljavajući način financiranja serija, da producenti ne bi morali s pojedinačnim epizodama \nprolaziti natječaje za poticanje proizvodnje.  \n \nVeliki potencijal za realizaciju iskazuju projekti Portretist mrtvih Matije Pisačića i Putnik Kristijana \nDulića.  \n \nSa zaključkom ovog natječaja, dolazi i do zaključka mog dvogodišnjeg mandata u funkciji savjetnika \nza animirani film u kategoriji poticanje proizvodnje audiovizualnih djela – animirani film. Tako bih \nse ovom prilikom za iskazano povjerenje htio zahvaliti ravnatelju HAVC-a Hrvoju Hribaru, \nčlanovima i članicama Hrvatskog audiovizualnog vijeća te posebno mojim kolegama i kolegicama iz \nUmjetničkog vijeća, s kojima sam zadnje dvije godine u konstruktivnom dijalogu sukreirao uspjehe \nsuvremene hrvatske kinematografije. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n \n \n \n \nObrazloženje umjetničkih savjetnika po rezultatima Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2015. godini u kategoriji poticanja proizvodnje audiovizualnih djela za \nkratkometražni igrani film i eksperimentalni film (rok 27. studeni 2015.). \n \nSanja Grbin, umjetnička savjetnica za eksperimentalni film: \n \nOd prijavljenih šesnaest projekata na drugi rok natječaja eksperimentalne filmske proizvodnje u \n2015., a od kojih je četrnaest zadovoljilo formalne uvjete poziva, za sufinanciranje sam predložila \nčetiri projekta (tri u produkcijskoj i jedan u postprodukcijskoj fazi). Generalni kriteriji je bio \nzanimljivost, inovativnost i aktualnost koncepta, formalno-izvedbena promišljenost i razrađenost \nrežijskih postupaka, te prikazivački potencijal s naglaskom na međunarodnom festivalsko-\ngalerijskom kontekstu. \n \nProjekt Tvornica Igora Grubića u produkciji Kreativnog sindikata, predviđenog trajanja od 25', \npredložen je za najvišu potporu od 150.000 kn. Odlikuje ga dobro promišljeni i slojevito angažirani \numjetnički pristup u bavljenju postindustrijskom tranzicijom kroz tematiziranje ugašenih tvornica – \nnekada stupova ekonomskog i društvenog razvoja, a danas zapuštene baštine industrijske \narhitekture. Vrijednost redateljskog koncepta je što se ne ograničava na dokumentarističko-\nopservacijsko portretiranje napuštenih prostora, već se bavi procedurama rada koji se odvijao u \nprostorima ispražnjenim od konteksta rada kroz izvedbeni angažman bivših radnika, te nevidljivim \nradom umjetnika na setu. Projekt Sve, još uvijek, u orbiti Dane Komljena u produkciji Restarta, u \ntrajanju od 23', predložen je za potporu od 90.000 kn. Projekt je podržan zbog zanimljive \nkombinacije dokumentarnog i fikcionalnog koja se bavi arhitekturom utopijskog modernizma \ngrada bez povijesti koji nastaje na kontrastima između apstrakcije neopipljivog sna Svetoga Ivana \nBosca o nastanku Brazilije, konkretne hiperprojektirane strukture i organskog nereda improvizacije \nkoja prati izgradnju uređene strukture. Projekt Partenca Renate Poljak u produkciji udruge REA, u \ntrajanju od 12', predložen je  za sufinanciranje u iznosu od 60.000 kn. Autorica je uspješno \npovezala stalne teme svoje umjetničke preokupacije - emigraciju i gubitak kroz paralelu Dalmacije \ns početka XX. stoljeća i aktualne izbjegličke krize. Zanimljivim spojem crno-bijele i fotografije u boji, \nstatičnih kadrova, krupnih planova i totala protagonistica u boli zbog odlazaka muževa u \nemigraciju, u završnom metaforičkom obratu efektno vraća, gotovo stoljeće poslije, naplavine \nbrodoloma političko-ekonomske stvarnosti u kojoj živimo. Projekt Posljednji super 8 film Dana \nOkija u produkciji udruge Kazimir, u trajanju od 83' i u fazi postprodukcije, predložen je za \nsufinanciranje u iznosu od 60.000 kn. Autobiografski je film satkan kao intimna kolekcija isječaka 8-\nmilimetarskih filmova i izazovan je primjer prakse samoarhiviranja. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_DOKUMENTARNI_2025_2rok_10IX2025_WEB.pdf","filename_decoded":"Obrazlozenje_RSC_DOKUMENTARNI_2025_2rok_10IX2025_WEB.pdf","sha256":"5a279210d6f4696a3d9c29efa7edafbf7f55ef9d0b571e3d1535a1164efdf0c0","bytes":184043,"page_count":3,"extracted_at":"2026-05-17T12:02:12Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_DOKUMENTARNI_2025_2rok_10IX2025_WEB.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA, 2. ROK 2025. / \nDUGOMETRAŽNI DOKUMENTARNI FILM, UMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER \n \nKATEGORIJA: POTICANJE RAZVOJA SCENARIJA I RAZVOJA PROJEKATA DUGOMETRAŽNIH \nIGRANIH, DUGOMETRAŽNIH DOKUMENTARNIH I ANIMIRANIH FILMOVA – RAZVOJ SCENARIJA \nDUGOMETRAŽNIH DOKUMENTARNIH FILMOVA – 10. rujna 2025.  \n \n \nNa drugom pozivu ove godine prijavljeno je čak 39 projekata za razvoj scenarija, što je \nzapravo nastavak kontinuiteta broja prijavljenih scenarija naspram prošlog roka. Svi pristigli \nprojekti na ovaj poziv razmatrani su.  \nZanimljivost je i u ovom pozivu da se pojavljuju autorska scenaristička imena, koja do sada \nnisu nužno bila povezana uz dokumentarni film. I neki to čine prilično uspješno. Raznolikost tema \nje kontinuirano velika. No i čini mi se prisutno je svojevrsno promišljanje ovog poziva, kao neka \nvrst test momenta za određene filmske ideje. Što u svojoj biti ne mora biti loše. Ali bi vjerojatno \nbilo bolje da autori, već u fazi prijave znaju što je to točno što predlažu, koja forma, i kako misle \nsvoj projekt realizirati. S kojom autorskom ekipom. Veseli da u ovom pozivu imamo debitante koji \nse odlučuju za svoj prvi korak u dokumentarnom filmu, uz bok već afirmiranim autorima.  \nIpak za projekte koje predlažem za potporu, moram reći da su imali ili tematsku ili već \ndramaturšku konkretnost, veću od onih koji su se također prijavili na poziv.  \nTim slijedom predlažem da se podrži 7 projekata za sufinanciranje u ovoj kategoriji u \nukupnom iznosu od 35.000,00 eura.  \n \n \n1. DIONICOM ŽIVOTA OD DACHAUA DO MAUTHAUSSENA  - Ivan Žada (scenarist i redatelj) -  \n5.000 eura \n \nRijetkost je naići na dokument vremena, kao što je to imao priliku debitant u dokumentarnoj \nformi autor Ivan Žada. Kao novinar ima sposobnost prepoznati temu, koja mu se ponudila u obliku \ndnevnika njegova djeda Franje Žade iz Virovitice koji donosi svjedočanstvo njegova puta 1944. od \nTreglave do logora Mathausen/Gusen u vrijeme Drugog svjetskog rata. Već u njegovu sinopsisu, \nistaknuta autorova namjera da krene istim putem toliko desetljeća nakon djeda, ali ovoga puta \nkoristeći kameru kao suputnika, čini se kao iznimno potrebna dokumentarna priča u nas. \nPogotovo u vremenu u kojem  živimo zaborav ljudskih sudbina poput one Franje Žade. \n \n \n2. DJEČJA POSLA - Toni Jelinić (scenaristi/redatelj) / Oliver Sertić (producent) / Restart \n(produkcija) - 5.000 eura \n \nVeć u ovoj fazi razvoja scenarija vrlo je ambiciozan projekt autora Tonija Jelinića, koji donosi priču \nbraće Mate i Luke iz Dalmatinske zagore, ali paralelno sa njom i onu Youssefa iz Kaira. Zajedničko \nsvima jest činjenica da u svojoj ranoj dječjoj dobi od osam, dvanaest i trinaest godina rade posao \nodraslih ljudi. Bilo da voze kamion, vode ovce na pašu, pomažu roditelju u prodaji, ili u skupljanju \nplastike. Zanimljivo je i povezivanje dviju priča simbolima janjeta i goluba.  U jednoj verziji janje \n\n\f\nje dio te nužnosti kako je naziva autor, u drugoj pripadanju nebu i slobodi. Uz ono što je različito \nu dvjema kulturama, autor donosi i ono što je posve jednako, uloga majki,  svojevrsnih čuvarica \nostatka djetinjstva svoje djece. Složio bih se s autorom kako njegova priča govori o trenutku, \ntrenutku gdje završava djetinjstvo, a počinje odraslost. \n \n3. GRADOVI KOJE NOSIMO - Renata Poljak  (scenaristica, redateljica, producentica) / REA – \nudruga za Suvremene umjetničke i Arhitektonske produkcije - 5.000 eura \n \nNačin kako autorica ovoga projekta, Renata Poljak donosi priču o gradovima, jedan je od onih \nkoji upućuje na trenutni dojam inovativnosti pristupu nekoj temi zbog koje možemo reći kako \nposebnost ovog projekta nije njegova tema, već prije svega pristup autorice. Taj odnos prostora \ntih gradova i onih koji u njima žive. U kojem donosi misli umjetnika, pisaca i fotografa o njima. O \nonome što ih je u njihovim gradovima oblikovalo. Izbor Dubrovnika, Splita, Sarajeva i Zagreba, \nmožda može uzrokovati pitanje zašto ti gradovi, a ne neki drugi? No opet, sama autorica na \nkraju svog treatmenta ističe kako ovaj film nije portret pojedinih gradova, već esej o načinu na \nkoji gradovi žive u svakom od nas. Stoga su odabrani gradovi različiti jedan od drugog, mogu biti \nosnova strukture priče u kojoj autorica teži ukazati na vezu između grada i oblikovanja njenog \ngrađanina. Utoliko ovaj spoj može simbolizirati bilo koji grad, i bilo kojeg građanina oko nas.   \n4. JAKI, PLAVI DJEČAK - Marijana Mikulić (scenaristica) -  5.000 eura \n \nTeško je objektivno čitati prijedlog autorice Marijane Mikulić, koji donosi priču i majke i djeteta s \nporemećajem iz spektra autizma. Istovremeno dakle i autorice debitantice u dokumentarnoj \nformi, i pripovjedačice njene priče i one njenog sina. Ipak, ono što je bilo presudno u ovoj recenziji \njest rečenica pri kraju njene prijave, u kojoj ističe kako ima potrebu progovoriti o sustavu koji je \nnemilosrdan prema djeci s poteškoćama i njihovim obiteljima. Jer iako nisu sve nedaće sustava \niza nje, veliki dio je već u borbi za svog sina odradila. I mogla je sebi, svojoj obitelji reći – dobro \nje, preživjeli smo, idemo dalje. No ona se ipak odlučila za ovu vrstu ispovjedne forme, kao da \ngovori u ime onih koji njenu poziciju javne osobe nemaju. Ili onih koji će se tek naći u njenoj \nsituaciji. Preuzima odgovornost i ulogu one koja će ne samo u ime svog djeteta uputiti, ne više \nsamo poziv već i sam krik prema ostatku društva koje nesmetano živi pored njih. \n \n5. KANARINAC - Marijana Veljović (scenaristica) - 5.000 eura \n \nOsobno podrijetlo u dokumentarnom filmu nije tema koja se u njemu rijetko pojavljuje. No \nprijedlog autorice Marijane Veljović, Puležanke koja se odlučuje istražiti tabu svoje obitelji, \nljubavnu vezu njene prabake Veronike s majčine strane i talijanskog fašista Giovannia donosi \ndodatnu dimenziju neke od takvih priča – onu političku, ideološku, ratnu i poratnu. Sve iz jedne \nproskribirane ljubavne veze iz koje je rođen njen djed Ivan, u jeku Drugog svjetskog rata 1942. Po \nkapitulaciji fašista, Veronika je osuđena na dugogodišnji zatvor i gubitak svih građanskih prava. O \nljubavi njene prabake i ocu njenog djeda, kako kaže sama autorica u njenoj obitelji prabaka nije \nhtjela govoriti ili nije bilo onih dovoljno upornih da postavljaju pitanja o njemu. S druge pak \nstrane, ovo je projekt koji govori kako povijesne i političke okolnosti mogu itekako odrediti nečije \nživote. \n\n\f\n \n6. O ČEMU NISMO RAZGOVARALE S NAŠIM MAJKAMA - Monika Herceg (scenaristica)   \n- 5.000 eura \n \nNedavno sam bio u prilici doći u kontakt s knjigom koja govori o odnosu majke i kćeri, pisanu na \ndva načina – majčina verzija i potom kćerina. Otisnuta tako da sami birate koju ćete verziju prvu \nčitati. I taman kad sam pomislio, šteta da nemamo neki takav umjetnički primjer u nas (iako je \nmoguće da sam u krivu), pred mene dolazi prijedlog autorice Monike Herceg. Doduše drugačije \nforme i drugačijeg medija, onog filmskog. Dvije protagonistice, pjesnikinje, od kojih je jedna i \nautorica ovog prijedloga. Njezin film podijeljen je drugačije od primjera koji sam naveo, u nekoliko \ntematskih poglavlja unutar kojih se koriste radionice poezije, uz gošće s polaznicama govore o \ntabu temama o tijelu i sramu. Čitajući prijedlog autorice, kao muškarac moram se složiti s njenom \nnamjerom ispisanom u riječima u kojima svoj film opisuje ne kao katalog tabua nego priručnik za \nosvajanje vlastitoga glasa. Na koje kao njihov sugrađanin uvjeren sam da imaju pravo. \n \n7. STADION OD ŠEZDESET KVADRATA - Matej Matijević (scenarist i redatelj) - 5.000 eura \n \nVeć u ovoj prvoj fazi razvoja scenarija autor Matej Matijević donosi iznimno zanimljiv projekt, koji \nje u smislu slijedeće generacije koja živi sa roditeljima u premalo stambenih kvadrata prava \nrijetkost. Dinamika kojom donosi više od šest godina obiteljskog života, u zajednici s roditeljima i \njoš tri brata, čini se kao da se radi o dobro posloženom predlošku za igrani film. Ipak sve napisano, \nautor naznačava, nastaje iz već snimljenog materijala u periodu od 2019. do 2023. Fascinantna je \npredstavljena opuštenost šesteročlane obitelji pred autorovom kamerom, povjerenje koje su mu \ndali, pristup koji mu je omogućen. Neko će reći -radi se o obitelji. No moje iskustvo govori da je \njedan od najtežih dokumentarističkih radova, onaj u kojem su protagonisti članovi autorove \nobitelji. I čini mi se da se autor ovog projekta sjajno nosi s tom pozicijom i svojim protagonistima.   \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati web JP MED 2024. - 1. rok.xls - Compatibility Mode.pdf","filename_decoded":"rezultati web JP MED 2024. - 1. rok.xls - Compatibility Mode.pdf","sha256":"5a2f9cd0e3403b768ea0771faed3f09a1c686c5ef9ad063d0ec0e9276ae573ae","bytes":69096,"page_count":4,"extracted_at":"2026-05-17T10:23:51Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20web%20JP%20MED%202024.%20-%201.%20rok.xls%20%20-%20%20Compatibility%20Mode.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA POTPORA\n(€)\n1\nPipser d.o.o.\nSudjelovanje Miljenke Čogelje, producentice filma \"Sigurno mjesto\", redatelja Jurja \nLerotića, na dodjeli nagrada Europske filmske akademije u Berlinu\n1.148,18 €\n2\nPipser d.o.o.\nSudjelovanje producentice Miljenke Čogelje u programu EAVE Slate, u sklopu festivala \nWhen East Meets West u Trstu\n882,20 €\n3\nAntitalent d.o.o.\nSudjelovanje redateljice Andree Slaviček na Reykjavik International Film Festivalu s \nfilmom \"Prava istina priče o šori\"\n434,51 €\n4\nAntitalent d.o.o.\nSudjelovanje producentice Nike Obučine u programu stručnog usavršavanja \nRotterdam Lab, u sklopu manifestacije International Film Festival Rotterdam\n359,11 €\n5\nLana Barić\nSudjelovanje na radionici LIM / Less Is More 2023 u mjestu Plounéour-Brignogan-\nPlages, Francuska (treća sesija)\n553,62 €\n6\nSplit Screen, vl. Marcella Jelić\nSudjelovanje na međunarodnom festivalu dokumentarnog filma Doclisboa u Portugalu\n174,95 €\n7\nPetnaesta umjetnost d.o.o.\nSudjelovanje filma \"Paviljon 6\" na manifestaciji Last Stop Trieste u Italiji\n1.001,32 €\n8\nKOMPOT\nMeđunarodna premijera dugometražnog dokumentarnog filma \"El Shatt - nacrt za \nutopiju\" na festivalu DOK Leipzig u Njemačkoj\n1.748,45 €\n9\nKobra Koke Zagreb / Cobra Chicks Zagreb\nPredstavljanje filma \"Sveta nedjelja\" na manifestaciji Euro Connection, u sklopu \nClermont-Ferrand International Short Film Festivala\n486,72 €\n10\nKreativni sindikat\nSudjelovanje autora Igora Grubića i filma \"Ingresso Animali Vivi\" na London Short Film \nFestivalu (LSFF)\n424,77 €\n11\nDinaridi film d.o.o.\nSudjelovanje producentice Tene Gojić na radionici EAVE Producers Workshop 2023 u \nRotterdamu - treća sesija\n1.384,39 €\n12\nDinaridi film d.o.o.\nSudjelovanje producentice Tene Gojić na manifestaciji AGORA Works in Progress, u \nsklopu Thessaloniki International Film Festivala\n584,41 €\n13\nDinaridi film d.o.o.\nSudjelovanje Melite Vrsaljko na premijeri filma \"Knin - Zadar\" na manifestaciji \nFestival International de Programmes Audiovisuels (FIPADOC) u Biarritzu, \nFrancuska\n624,22 €\n14\nWolfgang i Dolly d.o.o.\nSudjelovanje redateljice Katarine Zrinke Matijević i producentice Tamare Babun na \nradioničkoj rezidenciji TFL Extended – RE-ACT u Portorožu, Slovenija\n1.142,00 €\n15\nWolfgang i Dolly d.o.o.\nSudjelovanje Filipa Herakovića, Matije Drnikovića i Tamare Babun u sekciji \ncocoPITCH, u sklopu manifestacije Connecting Cottbus u Njemačkoj\n1.899,80 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2024. - PROGRAMI MEĐUNARODNE SURADNJE - ROK \n10 1 2024\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2024. - \nPROGRAMI MEĐUNARODNE SURADNJE - ROK 10.1.2024., 32. sjednica Hrvatskog audiovizualnog vijeća \n14.3.2024.\n\n\f\n16\nWolfgang i Dolly d.o.o.\nSudjelovanje Aleksandra Arsovskog u sekciji AGORA, u sklopu Thessaloniki \nInternational Film Festivala u Grčkoj\n850,62 €\n17\nLea Vidaković\nSudjelovanje animiranog filma \"Obiteljski portret\" na festivalu Animateka u Ljubljani\n304,41 €\n18\nUdruga Sensoria\nSudjelovanje filma \"More među nama\" na Trieste Film Festivalu u Italiji\n1.200,00 €\n19\nPetra Belc Krnjaić\nSudjelovanje na simpoziju Avant-Garde Does Not Surrender: Cinema of Želimir \nŽilnik, na sveučilištu Columbia; te gostujuće predavanje na sveučilištu New York\n812,58 €\n20\nTelefilm d.o.o.\nSudjelovanje filma \"Bosanski lonac\" na Tallinn Black Nights Film Festivalu u Estoniji\n697,00 €\n21\nStudio Pangolin\nPremijera filma \"Radije bih bila kamen\" redateljice Ane Hušman na manifestaciji \nInternational Film Festival Rotterdam u Nizozemskoj\n1.724,57 €\n22\nPavao Marinković\nSudjelovanje filma \"Bosanski lonac\" na manifestaciji International Film Festival of \nIndia, u mjestu Goa, Indija\n209,80 €\n23\nMINYA FILM I ANIMACIJA j.d.o.o.\nSudjelovanje u programu stručnog usavršavanja eTraining | Green Production, u \norganizaciji instituta Erich Pommer\n176,47 €\n24\nKinoklub Zagreb\nPredstavljanje filmova i djelovanja Kinokluba Zagreb u Bloomsbury Theatre & Studio, u \nLondonu\n603,07 €\n25\nPipser d.o.o.\nSudjelovanje producentice i scenarističkog tima projekta \"Muzara\" na radionici Script \nSavages u mjestu La Roche Jaune, Francuska\n3.867,50 €\n26\nAkademija dramske umjetnosti\nSudjelovanje redateljice Sare Alavanić te producentica Roze Medvešek i Lucije Perić s \nfilmom \"Fleka\" na manifestaciji European Short Pitch u Rennesu, Francuska\n1.057,14 €\n27\nČetiri film d.o.o.\nSudjelovanje projekta \"Stranci u noći\" na manifestaciji European Work in Progress \nCologne u Njemačkoj\n2.762,37 €\n28\nČetiri film d.o.o.\nSudjelovanje producentice Anite Juka na dodjeli Europskih filmskih nagrada u Berlinu\n1.002,00 €\n29\nČetiri film d.o.o.\nSudjelovanje producentice Anite Juka na manifestaciji Les Arcs Industry Village, u \nsklopu Les Arcs Film Festivala u Francuskoj\n452,95 €\n30\nKinoklub Karlovac\nSudjelovanje na radionici Film Days at VBU (Västerbergslagens utbildningsförbund) u \nŠvedskoj i Njemačkoj\n1.400,00 €\n31\nSara Jurinčić\nSudjelovanje filma \"Valerija\" autorice Sare Jurinčić na Minimalen Short Film Festival \nu Trondheimu, Norveška\n348,50 €\n32\nJaka produkcija d.o.o.\nSudjelovanje filma \"Dnevnik Pauline P.\" na Black Nights Film Festivalu u Tallinnu, \nEstonija\n1.087,40 €\n33\nEclectica d.o.o.\nSudjelovanje Ree Rajčić, Davida Kapca i Andrije Mardešića na manifestaciji Baltic \nEvent Co-Production Market, u sklopu Black Nights Film Festivala u Tallinnu, Estonija\n1.505,00 €\n\n\f\n34\nKinematograf d.o.o.\nPromocija filma \"Brod\" i gostovanje filmske ekipe na Ji.hlava International \nDocumentary Film Festivalu u Češkoj\n630,00 €\n35\nKinematograf d.o.o.\nPromocija filma \"Hotel Pula\" i gostovanje filmske ekipe na Black Nights Film \nFestivalu u Tallinnu, Estonija\n749,83 €\n36\nSara Jurinčić\nSudjelovanje filma \"Valerija\" autorice Sare Jurinčić na manifestaciji ZINEBI – \nInternational Festival of Documentary and Short Film of Bilbao u Španjolskoj\n355,00 €\n37\n25 FPS, Udruga za audio-vizualna istraživanja\nSudjelovanje Davora Sriće i Filipa Zadra u programu stručnog usavršavanja na Go \nShort Film Festivalu u Nijmegenu, Nizozemska\n1.047,00 €\n38\nSekvenca d.o.o.\nSudjelovanje Jure Pavlovića i Velimira Rašića sa startupom \"FilmConnect\" u \nprogramu EFM Startups, u sklopu manifestacije European Film Market u Berlinu\n1.227,00 €\n39\nDigital Cinema Environment d.o.o.\nSudjelovanje redatelja Joze Schmucha i producentice Ane Vidović na radionici \nMIDPOINT Shorts u Brnu, Češka (prva sesija)\n1.319,92 €\n40\nCentar za kulturu i cjeloživotno obrazovanje \nZlatna vrata\nSudjelovanje na radionici Valladolid Audience Development & Innovation Lab u \nŠpanjolskoj\n877,49 €\n41\nSrđan Šarenac\nSudjelovanje filma \"Izbor za Miss Zatvora\" u sekciji Docs for Sale Market, u sklopu \nmanifestacije International Documentary Film Festival Amsterdam (IDFA)\n800,65 €\n42\nUstanova Zagreb film\nSudjelovanje na radionici Shorts Distribution Workshop u Ljubljani\n1.202,60 €\n43\nKata Gugić\nSudjelovanje u programu stručnog usavršavanja Animation Sans Frontières 2023-2024 \n– treći i četvrti modul u Danskoj i Francuskoj\n421,36 €\n44\nIvana Bošnjak\nSudjelovanje animiranog filma \"Sjeti se kako sam jahala bijelog konja\" na Uppsala \nShort Film Festivalu u Švedskoj\n248,76 €\n45\nThomas Johnson Volda\nSudjelovanje animiranog filma \"Sjeti se kako sam jahala bijelog konja\" na Uppsala \nShort Film Festivalu u Švedskoj\n248,76 €\n46\nTerminal 3\nSudjelovanje producentice Vanje Sremac i projekta \"Strah\" u programu stručnog \nusavršavanja EAVE Producers Workshop u Luksemburgu, Norveškoj i Švedskoj\n6.930,00 €\n47\nRestart\nSudjelovanje filma \"Snajka: dnevnik očekivanja\" na festivalima u Srbiji, Mađarskoj, \nTurskoj, Njemačkoj, Crnoj Gori, Sloveniji, Švicarskoj, Nepalu i Kosovu\n1.161,25 €\n48\nAna Buljan\nAmerička premijera filma \"Sve što nije pustinja ne postoji\" na festivalu Film Diary \nNYC u New Yorku\n496,93 €\n49\nNarrativium design d.o.o.\nSudjelovanje projekta \"Besmrtnik\" na Europskom žanrovskom forumu u Nizozemskoj \ni Estoniji\n1.787,68 €\n50\nPetra Mađarić\nSudjelovanje u programu Black Room 2023 u Tallinnu, Estonija\n483,00 €\n\n\f\n51\nSve gore i gore, vl. Jelena Duh\nSudjelovanje članova filmske ekipe na svjetskoj premijeri filma \"Bol\" na manifestaciji \nInternational Film Festival Rotterdam u Nizozemskoj\n1.518,20 €\n52\nHrvatska udruga producenata\nSudjelovanje Draška Ivezića na manifestaciji Animar_BCN - The European Animation \nConvention u Barceloni\n187,00 €\n53\nAna Bilankov\nPredstavljanje i promocija filma \"Dohvatiti sunce: El Shatt/Chasing the Sun: El Shatt\" u \nLisabonu tokom umjetnickog rezidencijalnog boravka u Mono Lisboa \n567,00 €\n54\nDobar film\nSudjelovanje autorice i redateljice Karle Lulić s projektom \"Ogledalo za slavuja\" u \nprogramu Sam Spiegel International Film Lab u Jeruzalemu\n700,00 €\n55\nSplit Screen, vl. Marcella Jelić\nSudjelovanje na CPH:DOX - Copenhagen International Documentary Film Festivalu u \nDanskoj\n294,12 €\n56\nSplit Screen, vl. Marcella Jelić\nSudjelovanje u sekciji Docs for Sale, u sklopu manifestacije International Documentary \nFilm Festival Amsterdam (IDFA)\n711,61 €\n57\nSplit Screen, vl. Marcella Jelić\nSudjelovanje na manifestacijama European Film Market i Berlinale Forum\n368,85 €\n58\nSplit Screen, vl. Marcella Jelić\nSudjelovanje na Hot Docs Festivalu u Torontu, Kanada\n1.443,40 €\n58.687,44 €\nSVEUKUPNO:\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati web JP MED 2024. - 1. rok.xls - Compatibility Mode","year":2023,"rok":null,"natjecaj_date":"2024-01-10","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA (€)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje Miljenke Čogelje, producentice filma \"Sigurno mjesto\", redatelja Jurja Lerotića, na dodjeli nagrada Europske filmske akademije u Berlinu","applicant":"Pipser d.o.o.","production_company":"Pipser d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.148,18 €","approved_amount":1148.18,"currency":"EUR","extras":{"col_1":"1","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Pipser d.o.o.","row_id":"5a2f9cd0:s0:df21d485f2f3","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_709e63ee5b1e","project_family_title":"Sudjelovanje Miljenke Čogelje, producentice filma \"Sigurno mjesto\", redatelja Jurja Lerotića, na dodjeli nagrada Europske filmske akademije u Berlinu"},{"row_number":2,"project_title":"Sudjelovanje producentice Miljenke Čogelje u programu EAVE Slate, u sklopu festivala When East Meets West u Trstu","applicant":"Pipser d.o.o.","production_company":"Pipser d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"882,20 €","approved_amount":882.2,"currency":"EUR","extras":{"col_1":"2","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Pipser d.o.o.","row_id":"5a2f9cd0:s0:6b11c21ebb23","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_ed765f4883ae","project_family_title":"Sudjelovanje producentice Miljenke Čogelje u programu EAVE Slate, u sklopu festivala When East Meets West u Trstu"},{"row_number":3,"project_title":"Sudjelovanje redateljice Andree Slaviček na Reykjavik International Film Festivalu s filmom \"Prava istina priče o šori\"","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"434,51 €","approved_amount":434.51,"currency":"EUR","extras":{"col_1":"3","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent d.o.o.","row_id":"5a2f9cd0:s0:f519c5701bc1","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_6ab35e39a2c9","project_family_title":"Sudjelovanje redateljice Andree Slaviček na Reykjavik International Film Festivalu s filmom \"Prava istina priče o šori\""},{"row_number":4,"project_title":"Sudjelovanje producentice Nike Obučine u programu stručnog usavršavanja Rotterdam Lab, u sklopu manifestacije International Film Festival Rotterdam","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"359,11 €","approved_amount":359.11,"currency":"EUR","extras":{"col_1":"4","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent d.o.o.","row_id":"5a2f9cd0:s0:932c5c16991f","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_603543a91703","project_family_title":"Sudjelovanje producentice Nike Obučine u programu stručnog usavršavanja Rotterdam Lab, u sklopu manifestacije International Film Festival Rotterdam"},{"row_number":5,"project_title":"Sudjelovanje na radionici LIM / Less Is More 2023 u mjestu Plounéour-Brignogan- Plages, Francuska (treća sesija)","applicant":"Lana Barić","production_company":"Lana Barić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"553,62 €","approved_amount":553.62,"currency":"EUR","extras":{"col_1":"5","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Lana Barić","row_id":"5a2f9cd0:s0:b8972572e850","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_031c896a7b0a","project_family_title":"Sudjelovanje na radionici LIM / Less Is More 2023 u mjestu Plounéour-Brignogan- Plages, Francuska (treća sesija)"},{"row_number":6,"project_title":"Sudjelovanje na međunarodnom festivalu dokumentarnog filma Doclisboa u Portugalu","applicant":"Split Screen, vl. 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\n \n \n \nObrazloženje umjetničke savjetnice po rezultatima Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2015. godini u kategoriji poticanja proizvodnje audiovizualnih djela \nfilmske koprodukcije s manjinskim hrvatskim udjelom (rok 30. studeni 2015.). \n \nSaša Vojković, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim udjelom:  \n \nNa ovom sam roku odlučivanja od 30 prijavljenih projekata (od kojih 2 nisu zadovoljili kriterije) na \nJavni poziv u kategoriji filmskih koprodukcija s manjinskim hrvatskim udjelom, za sufinanciranje \npredložila jedan dugometražni debitantski igrani film, jedan dugometražni igrani film, jedan \nsrednjemetražni dokumentarni film, jedan dugometražni animirani film i jedan kratkometražni \nanimirani film. Glavni kriterij kojim sam se vodila pri odabiru predloženih filmova bila je kvaliteta \nponuđenih scenarija. Drugi kriterij koji sam koristila prilikom odabira predloženih projekata bila je \nzastupljenost hrvatskih djelatnika u samoj proizvodnji filma. Treći kriterij bila je sveukupna \nuspješnost autora/autorica.  \nDugometražni debitantski igrani film Muškarci ne plaču nagrađivanog redatelja Alena Drljevića je \ndrama inspirirana radom nevladine organizacije Centar za nenasilnu akciju koja okuplja članove i \nratne veterane iz Bosne i Hercegovine, Srbije i Hrvatske.  \nDrugi za sufinanciranje predloženi projekt je dugometražni igrani film Pijavice za koji je scenarij \nnapisao renomirani književnik Ruben Albahari, a redatelj je Dragan Marinković. Riječ je o trileru, \nglavni lik je književnik koji je nekada radio za tajnu službu, a danas piše komentare protiv režima na \njednoj TV stanici u Beogradu. Marinković je režirao niz dugometražnih igranih filmova za koje je \nprimio brojne nagrade. \nEsejistički srednjemetražni dokumentarni film Playing Men redatelja i scenarista Matjaža Ivanišina \nbavi se mediteranskim muškarcima koje pratimo kroz njihove igre i odnose među igračima. \nPromatraju se tradicionalne društvene igre i njihovi igrači, a kroz njih se istražuje muškost. \nOsnovna tema filma je maskulinitet i način na koji se muškost tretira, odnosno formira u \nmediteranskoj kulturi. \nNeparožderi je dugometražni animirani film redateljice Galine Miklinove koji se temelji na \npopularnoj dječjoj knjizi o malim bićima koja se skrivaju po kućama i jedu neparne čarape \nostavljajući ljude da u nevjerici traže drugu čarapu. \nKratkometražni animirani film Koyaa- Automobilčić redatelja Kolje Sakside je jedan od filmova \nlutkarske serije koja je emitirana na slovenskoj televiziji. Filmovi redatelja Sakside prikazivani su na \nviše od 150 festivala, a dobitnik je i brojnih nagrada.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"kratki%20i%20dugi%20dokumentarni%20obrazloz%CC%8Cenje%201%20rok%202021.pdf","filename_decoded":"kratki%20i%20dugi%20dokumentarni%20obrazloz%CC%8Cenje%201%20rok%202021.pdf","sha256":"5b1ad6ad1cac0ed8d2ce92898f1e85fc85bb1e08b9e15c3ebc1d95149c5df9e4","bytes":101406,"page_count":3,"extracted_at":"2026-05-16T13:54:30Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/kratki%20i%20dugi%20dokumentarni%20obrazloz%CC%8Cenje%201%20rok%202021.pdf"},"raw_text":" \nNa javni poziv u kategoriji proizvodnje dokumentarnog filma u 1. roku u 2021. godini prijavljeno je sveukupno 35 \nprojekata. \n Prijavljeno je 12 projekata kratkometražnih filmova (od kojih je 3 prijavljeno u fazi postprodukcije) i 23 projekta \ndugometražnih dokumentarnih filmova (od kojih 2 u fazi postprodukcije).  \nDva dugometražna projekta nisu zadovoljila formalne uvjete javnog poziva i nisu razmatrana.  \nPrimjećuje se značajna razlika u kvaliteti pripreme prijava i natječajne dokumentacije.  \nPojedini projekti su iznimno detaljno i ozbiljno pripremljeni, ali prijavljeno je i mnogo projekata koji su nedostatno \nobrazloženi, površno promišljeni i siromašno produkcijski postavljeni.  \n \nTematski, projekti pristigli na ovaj poziv ukazuju da autori i autorice svoj fokus usmjeravaju na biografske prikaze, \nna preispitivanje i reinterpretaciju nedavne povijesti, ali biraju i suvremene teme te se bave relevantnim \ndruštvenim fenomenima. Uz to, zanimljivi su im prikazi prostora, ali i osobni i obiteljski odnosi te osobne povijesti. \nPosebno je vrijedno napomenuti da se autori/ce u značajnoj mjeri zagledavaju u teme izvan nacionalnih granica, \nali s jasnom poveznicom s našim društveno-političkim ili društveno-kulturološkim kontekstom. Klasični, \ntelevizijski filmovi koji su bremeniti informacijama, a šturi u kreativnom i jasnom autorskom pristupu, također su \nprisutni, ali u manjoj mjeri.  \n \nAutorski pristupi su raznoliki i smjeli, a variraju od opservacijskog filma, biografskog filma, filma-eseja, igrano-\ndokumentarnih formi i punokrvnih kreativnih filmova koji reflektiraju autorsku zrelost pojedinih redatelja/ica, a \nneki projekti planiraju koristiti inovativne suvremene tehnologije u izvedbi, a koje se do sad nisu često koristile. \n \n \nODABRANI PROJEKTI: \n \nDUGOMETRAŽNI DOKUMENTARNI FILM \n \n1. RokOtok; redatelj: Igor Bogdanović, producent: Vedran Šuvar, produkcija: Filmska udruga Šuma \n \nProjekt «RokOtok» nosi priču o gubitku i tugovanju. Nakon tragične pogibije sina, otac se odlučuje za neobičan \npothvat kojime mu želi odati počast. Ipak, osim o gubitku djeteta i psihološkim procesima zacjeljenja jednog od \nroditelja, on donosi i niz važnih tema – važnost očuvanja okoliša, sigurnost djece na internetu i važnost \nkomunikacije. Tema gubitka i tugovanja iznimno je relevantna u ovo pandemijsko doba, ali i izlazak iz traume \nnosi u sebi univerzalnost koja ne zastarijeva. Osim toga, ekološke teme koje  su sveprisutne u ovom filmskom \npredlošku (od mikro-razine osobne ekologije duha, do makro-razine koja se dotiče ekologije mora i priobalja, ali \ni ekologije međuljudskih odnosa, nenasilja i praštanja), iznimno su relevantne za hrvatsku audiovizualnu \numjetnost. Prijavitelji ističu da je ovaj projekt posjeduje odlike umjetničkog i autorskog filma, ali da on komunicira \ni na edukativnoj razini te da će biti razumljiv i mlađoj publici (djeci i mladima). \n \n2. Tišina pustinje – Dnevnik iz El Shatta; redatelj: Ivan Ramljak, producent: Tibor Keser, produkcija: Umjetnička \norganizacija Kompot \n \nOvaj dokumentarni film u fokus donosi malo poznatu priču sa samoga konca 2. svjetskog rata – priču o zbjegu \nviše desetaka tisuća stanovnika (većinom) Dalmacije u Sinajsku pustinju. Priča je ovo o snalaženju u nemogućim \nživotnim uvjetima i pobjedi ljudskog duha, ali i melankolično prisjećanje na zajedništvo i solidarnost. Osim što \ndonosi umjetničku obradu zanemarenog i manje poznatog povijesnog događaja, u svojoj biti, ona reflektira na \ndanašnjicu i na društveno-političke procese u nas, ali i svijetu. Suptilno, ova tema donosi promišljanje o \nzapadnoeuropskom odnosu prema izbjegličkoj krizi (povlači se pitanje prihvata naših, mađarskih i poljskih \nizbjeglica od strane egipatskih i sirijskih vlasti, u suodnosu na prijezir i negodovanje prema suvremenim \nizbjeglicama od strane današnjih vlada tih istih europskih naroda). Redatelj je umješno ugradio taj subliminalni \nproces \nodređene \nkolektivne \nsamoevaluacije \ni \nsamorefleksije \nu \novu \numjetničku \npovijesnu \nrekonstrukciju/reinterpretaciju.    \n \n \n\n\f\n \n3. Tihi skitnica; redatelj: Zdenko Jurilj, producent: Mario Vukadin, produkcija: Olimp produkcija d.o.o. \n \n«Tihi skitnica» je kreativni biografski dokumentarni film s elementima igranog filma, a u fokusu ima život i \nstvaranje Vergilija Nevjestića, svjetski poznatog slikara i grafičara. Povod za ovu filmsku umjetničku obradu jest i \npovratak posmrtnih ostataka Nevjestića i supruge iz Pariza za Zagreb koji se ima dogoditi ove jeseni, a prema \noporučnoj želji umjetnika. \nOvaj sadržajno slojevit projekt obuhvaća kompleksnu životnu priču, priču o umjetniku koji uviđa, prokazuje, ali \nse i djelomice snalazi u svijetu iskrivljenih vrijednosti, korumpiranih sustava i samovolje moćnika. Upravo su ove \npodteme izrazito suvremene i relevantne za hrvatsku audiovizualnu umjetnost. Vergilijevi zapisi ogledalo su \nmijene vremena i jasan putokaz za snalaženje u pokušaju shvaćanja izazova s kojima se umjetnost (i umjetnici) \nsuočavaju. \n \n4. Budi realan, traži nemoguće; redateljica: Vanja Juranić, producenti: Vanja Jambrović i Tibor Keser, \nprodukcija: Udruga Restart \n \n«Budi realan, traži nemoguće», parafraza je krilatice koja opisuje godinu koja je «promijenila svijet». Iako je \nšezdesetosmaška revolucija i dalje živo prisutna u nekim segmentima realiteta u kojemu se krećemo, redateljica \nVanja Juranić je bira koristiti kako bi govorila o hrvatskoj migraciji i to kroz netipičan primjer dvoje protagonista. \nBorba protiv autoriteta, u ovom slučaju države i «pripadanja» odrađenom entitetu, ali i žaljenje zbog \nnemogućnosti pripadanja, u pozadini su priče koju predlaže.  \nTema hrvatske emigracije je iznimno suvremena, ali još je više relevantna neizgovorena činjenica da mnogi \nemigranti biraju otići iz osjećaja razočarenja, otuđenosti, nepripadanja i nerazumijevanja. Redateljica donosi \nintimistički pogled upravo u svijet dvoje ljudi koji su birali ostaviti Hrvatsku u poznim srednjim godinama, \ndjelomice i iz nemogućnosti pronalaska vlastita vrijednosnog mjesta i iz osjećaja nemoći. Ipak, bez obzira na \nsumornu realnost koje se dotiče, ovaj je projekt i vedar, obojan širokom lepezom ljudskih emocija i smatram da \nće budućoj publici otvoriti niz važnih prostora promišljanja.  \n \n5. Snovi o El Doradu (Dreaming of El Dorado); redatelj: Alan Stanković, producenti: Boris Veličan i Uwe Boll, \nprodukcija: Studio devet d.o.o. \n \nOvaj projekt donosi priču smještenu daleko od Hrvatske, na ishodište onog što mi, u domovini, zahvaćamo tek \nposljedično. Autori su odlučili otići u Senegal i istražiti razloge odlaska ekonomskih migranata iz subafričkog \npodručja u europske zemlje.  \nTema kojom se autori bave je suvremena, aktualna i relevantna jer zahvaća naš nacionalni kontekst u svojim \nposljedicama. Isto tako, evocira vrijeme ekonomskih migracija s ovih područja, ali evocira i ono vrijeme života u \npred-kapitalističkom sustavu u nas; nostalgično se postavlja prema društvu orijentiranom na prirodu, povezanost \ns prirodom, ali i proizvodnjom hrane, životom u zajednici, kao kontrapunkt kapitalističkom i eksploatacijskom \nsustavu kakvog (većinom) imamo danas.  \n \n6. Roditeljstvo; redateljica: Zrinka Katarina Matijević, producentica: Tamara Babun, produkcija: Wolfgang i \nDolly d.o.o. \n \n«Roditeljstvo» je film-esej, ali i intimno zadiranje redateljice u temu koja joj je bliska i u koju, gotovo nagonski, \nzadire i njome se bavi. Nenametljivo. I kroz vlastito roditeljsko iskustvo. Dramaturški tokovi se isprepliću i stvaraju \nzanimljivu sliku, često neopisivih energetskih krajolika koji vežu roditelje i djecu. Roditeljstvo je iznimno \nrelevantna i suvremena tema. U javnom se prostoru, nažalost, intenzivirala prisutnost ove teme na negativan \nnačin – od polemika oko «obitelji», prava na posvajanje, roditeljskih kompetencija i nekompetencija. Ipak, \npronalazimo i napore ka sagledavanju roditeljstva kao područja napretka cjelokupnog društva – inkluzivno \nroditeljstvo, uključenost očeva, radno-pravna pitanja koja se osvješćuju i sl. Sigurna sam da će, upravo zbog svega \ntoga, a i zbog činjenice da je roditeljstvo zaista zauzelo poziciju političkog i vrijednosnog  pitanja, ovaj film biti \nvisoko relevantan još neko vrijeme.  \n \n \n \n \n \n\n\f\nKRATKOMETRAŽNI DOKUMENTARNI FILM \n \n1. Drveni delfin; redatelj i producent: Bernardin Modrić, produkcija: Umjetnička organizacija Istra film \n \n«Drveni delfin» je dokumentarni film koji obrađuje priču o padu Vukovara, ali kroz centralni i jedini lik majke \nnajmlađe žrtve zločina na Ovčari. Ova udovica i majka koja je ostala bez svoje troje djece u Domovinskom ratu, \nvraća se u Vukovar, a redatelj je prati u njenim bolnim reminiscencijama. Dramaturška struktura obiluje filmskim \nelipsama (prisjećanjima), a čitav ovaj projekt za svoj temelj ima konstrukciju sjećanja. Tema pada Vukovara, ali i \nuniverzalni motiv majke koja je, zbog ratnih razaranja, izgubila i supruga i svoju djecu, relevantna je i suvremena. \nNjegovanje kulture sjećanja na nedavna ratna razaranja važna je u procesu zacjeljenja ovog društva i smatram \nda su ove teme od strateške važnosti za našu nacionalnu kinematografiju. \n \n2. Škola hodanja 2; redateljica: Jelena Novaković, producent: Oliver Sertić, produkcija: Udruga Restart \n \n«Škola hodanja 2» biografski je film o Borivoju Dovnikoviću – Bordi, ali i više od toga. To je pogled u prošlost i \npogled na život «malog čovjeka», uvjetovanog političkim previranjima. Nazvan «zagovornikom malog čovjeka», \nDovniković je bio svojevrsni Marcell Jankovics naših prostora. Ovaj je projekt tek naoko biografski jer se u \nnjegovoj pozadini nalazi presjek vremena ovih prostora. Mijene političkih i društvenih sistema, obrađene kroz \nprizmu života i stvaranja ovog poznatog animatora i umjetnika, iznimno su zanimljivo i relevantno \ndokumentarističko polazište. Zagovornik «običnog čovjeka», u tom smislu, postaje «običan čovjek» u oluji \ndruštveno-političkih previranja.  \n \n3. Motel; redatelj: Filip Mojzeš, producentica: Dora Prpić, produkcija: Umjetnička organizacija Kadromat \n \nAutor je svoj fokus usmjerio prema arhitektonskoj posebnosti kompleksa Plitvice. Osim urona u jedinstvenu \nestetiku prostora, on bira prikazati gotovo neprisutan protok vremena, stagnaciju i konzervaciju koja se, \nposljedično, događa u prostoru.  Autor, također, bira prikazati kontrapunkt lokacije na kojoj je smješten motel \n(prometna zagrebačka obilaznica) i skoro potpunog odsustva aktivnosti i gostiju unutar kompleksa. Dramaturška \nstruktura se vezuje uz aktivnosti pojedinaca, nekolicini od 150 zaposlenih osoba u kompleksu Plitvice. «Motel» \nje višeslojan i komunicira na više razina te daje veoma preciznu definiciju post-tranzicijskog realiteta ovog \nmikrokozmosa.  \n \n4. Dokument; redatelj i producent: Matej Merlić, produkcija: Castor Multimedia d.o.o. \n \n”Dokument” je kratki debitantski dokumentarni film koji promatra opustošeno pulsko brodogradilište Uljanik, \ntrenutke nakon stečaja. Autor bira ispričati priču o propasti, nestajanju i postepenom jenjavanju jednog od \nsimbola nekad značajne proizvodne grane. Uz «Brodosplit» i «3. Maj», «Uljanik» je donedavno bio simboličnim \nnositeljem pojma radništva, radnog kolektiva i identiteta grada. Osim što predstavlja bilješku vremena i \numjetničku reinterpretacija aktualnog društvenog trenutka, ova autorska vizija je vrijedan dokument, opis \nkolektivnog odnosa prema naslijeđu i predstavlja neupitan putokaz za snalaženje u detekciji jasne društvene i \nvrijednosne tranzicije.  \n \n5. Put su ljudi; redatelj: Tomislav Krnić, producentica: Tamara Babun, produkcija: Wolfgang i Dolly d.o.o. \n \nOvaj debitantski dokumentarni projekt u postprodukcijskoj fazi, donosi duhovno dokumentarističko putovanje \nkoje prati grupu hodočasnika na putu prema mjestu Santiago de Campostela. Autor ulazi u intiman prostor \nhodočasnika i s lakoćom postavlja uvjete za njihovu verbalizaciju kompleksnih unutarnjih procesa. Duhovnost je \nuniverzalna i uvijek relevantna tema. Smatram da će ovaj vrijedan autorski projekt obogatiti domaću \nkinematografiju, ali i pronaći svoj put prema široj publici. \n \n","warnings":[],"document":{"program_type":"proizvodnja","year":2021,"rok":"1. rok","referenced_projects":["RokOtok","Tišina pustinje – Dnevnik iz El Shatta","Tihi skitnica","Budi realan, traži nemoguće","Snovi o El Doradu (Dreaming of El Dorado)","Roditeljstvo","Drveni delfin","Škola hodanja 2","Motel","Dokument","Put su ljudi"],"summary":"Obrazloženje za 1. rok 2021. proizvodnje dokumentarnog filma; od 35 prijavljenih projekata (12 kratkometražnih i 23 dugometražnih, dva nisu razmatrana) odabrano je 11 projekata u kategorijama dugometražnog i kratkometražnog dokumentarnog filma.","project_links":[{"source_title":"RokOtok","family_id":"pf_916be548ff07","family_title":"RokOtok","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Tišina pustinje – Dnevnik iz El Shatta","family_id":"pf_261f31779392","family_title":"Tišina pustinje - Dnevnik iz El Shatta","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Tihi skitnica","family_id":"pf_4c0beef33ed7","family_title":"Tihi skitnica","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Budi realan, traži nemoguće","family_id":"pf_b26302701667","family_title":"Budi realan, traži nemoguće","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Snovi o El Doradu (Dreaming of El Dorado)","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Roditeljstvo","family_id":"pf_f7013b14eff2","family_title":"Roditeljstvo","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Drveni delfin","family_id":"pf_4208527d9f01","family_title":"Drveni delfin","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Škola hodanja 2","family_id":"pf_ccbcc7711759","family_title":"Škola hodanja 2","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Motel","family_id":"pf_29b68990eef8","family_title":"Motel","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Dokument","family_id":"pf_dd2c18182eba","family_title":"Dokument","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Put su ljudi","family_id":"pf_ec284e66426c","family_title":"Put su ljudi","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI_PRO_VIDEOIGRE_2025.pdf","filename_decoded":"REZULTATI_PRO_VIDEOIGRE_2025.pdf","sha256":"5b7b527b363de200815a14b93c8b0545d635479853b5b2b43cb13c9c2e9c0ea6","bytes":117131,"page_count":1,"extracted_at":"2026-05-17T10:24:10Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI_PRO_VIDEOIGRE_2025.pdf"},"raw_text":"NAZIV\nGLAVNI AUTOR\nPRODUCENT\nODOBRENA \nSREDSTVA (€)\n1\nAnchor\nKarlo Eldić\nFEAREM d.o.o.\n26.452,00 €\n2\nDarkstar\nFilip Ugrin\nMOXO, vl. 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U nekim boljim vremenima bilo bi \nodobreno mnogo više filmova. Nažalost, ovo nisu ta vremena; nekoliko zanimljivih redatelja još će \nneko vrijeme morati pričekati s nastavkom karijere, nekoliko darovitih debitanata morat će još \nmalo ostarjeti. Jedanaest cjelovečernjih filmova odobrenih ranijih godina, od kojih većina kreće u \nprodukciju u 2018., jedini su razlog ovako malom broju predloženih filmova - dva u kategoriji \nprodukcije, uz skromna tri u kategoriji razvoja projekata i pet u kategoriji razvoja scenarija.  \nOdlučujući o dodjeli sredstava za produkciju umjetnički savjetnici Jelena Paljan i Dean Šoša vodili \nsu se kriterijima kao što su kvaliteta scenarija, jasna redateljska vizija, autorska reputacija te \nvažnost projekta za hrvatsku kinematografiju i kulturu uopće. Osim što udovoljavaju ovim \nkriterijima, autori predložena dva projekta bili su otvoreni za sugestije savjetnika i u ponovljenim \nsu prijavama priložili vidno dorađeniju i kvalitetniju verziju scenarija. \nJednako kao u kategoriji produkcije, nedostatak sredstava savjetnike je prisilio na maksimalnu \nredukciju odabira u drugim kategorijama. U kategoriji razvoja projekata predloženi su isključivo oni \nkoji su se prijavili na poziv za produkciju, a čak i u financijski skromnijoj kategoriji razvoja scenarija \nselekcija je bila najstroža moguća.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n \n \n \n \nPOTICANJE PROIZVODNJE 2. ROK 2016. \n \n \nRIBANJE I RIBARSKO PRIGOVARANJE \nScenarist i redatelj: Milan Trenc, prema istoimenom djelu Petra Hektorovića \nProdukcija: Studio devet d.o.o.  \n \nPremda bi adaptacija kapitalnog djela hrvatske književnosti sama po sebi zaslužila potporu, autor \nse ni na koji način ne \"šverca\" iza takvog poduhvata; scenariju prethodi obiman istraživački rad te \npomne pripreme koje, uz ostalo, obuhvaćaju i pregled lokacija te vizualnu razradu sa snimateljem.  \nProjekt je svakako važan za hrvatsku kulturu. Vrlo je izvjestan njegov festivalski život, posebice u  \nkrugu mediteranskih zemalja koje dijele sličnu tradiciju. Javna televizija, dužna ekranizirati \nkulturnu baštinu, kao i lokalna i turistička zajednica, prirodni su koprodukcijski partneri filma. \nLogline filma upravo je neodoljiv: 'autor holivudskog blockbustera Noć u muzeju ekranizira jedno \nod prvih djela hrvatske književnosti'. Projekt dugo živi i razvija se, i nema ga više smisla zaustavljati. \n \n \nZORA \nScenarist i redatelj: Dalibor Matanić \nProdukcija: Kinorama d.o.o. \n \nZora je drugi dio Matanićeve najavljene \"Trilogije sunca\" koju je započeo Zvizdanom. Naslovi oba \ndijela ne sugeriraju samo atmosferu, već se odnose i na formalnu te sadržajnu razinu: Zvizdan sve \ntri priče hvata pod okomitim suncem, pod kojim su okolnosti, odnosi i osjećaji jasno rasvijetljeni, \nužareni i ogoljeni. Zora pak donosi maglovit, tajanstven, povremeno čak i jezovit ugođaj, \nnepoznatu prijetnju, zatomljene osjećaje i fantastične elemente.  \nZora, čak i više nego Zvizdan, ima sve preduvjete postati kino-hit, a redateljeva reputacija sigurno \nće mu otvoriti put prema velikim festivalima. Nakon odbijanja na prethodnom pozivu, autor je \nznačajno doradio scenarij i krajnje je vrijeme da film krene u produkciju, želimo li da na valu \nuspjeha prvog dijela, i središnji dio trilogije ostvari zapažen inozemni uspjeh. \n \n \nRAZVOJ PROJEKATA 3.ROK 2016. \n \n \nDOPUNSKA NASTAVA  \nScenarist i redatelj: Ivan Goran Vitez \nProdukcija: Interfilm d.o.o. \n \n\n\f\n \n \n \n \nDopunska nastava je izuzetno zanimljivo postavljen žanrovski film o talačkoj krizi. Riječ je o dosad \nnajambicioznijem projektu Ivana Gorana Viteza, u kojem je autor zanimanje za žanrovski film \nvješto nadogradio snažnim socijalnim i političkim podtekstom, referirajući se na brojne probleme \nhrvatske svakodnevnice. Umjetnički potencijal filma je velik, a kino potencijal još veći: Dopunska \nnastava mogla bi postati prvi hrvatski suvremeni kino 'blockbuster' među filmovima koji nisu niti \ndječji niti komedije.  \n \nŠTRIGUNI \nScenarist i redatelj: Aldo Tardozzi \nProdukcija: Živa d.o.o. \n \nŠtriguni su vrlo zanimljiv projekt modernog filma strave, radnje locirane u Istri, podjednako \nizraženog umjetničkog i komercijalnog potencijala. Priča filma utemeljena je na glasovitoj istarskoj \nlegendi o mitskim bićima Štrigunima. Autor je minuciozno razradio likovni aspekt filma i njegov \nmarketinški potencijal, kao i strategiju apliciranja na međunarodne fondove.  \n \n \nGLAVA VELIKE RIBE \nScenarist i redatelj: Arsen Oremović, prema istoimenom romanu Ognjena Sviličića  \nProdukcija: Interfilm \n \nScenarij debitanta Arsena Oremovića, temeljen na romanu Ognjena Sviličića, dorađen je i  \nkompaktan. Priča i karakteri vješto su zaokruženi, jednako kao i društveni kontekst. Osobito se čini \nznačajno to što se autor, ekranizirajući roman redatelja i scenarista Ognjena Sviličića, uspio \npoprilično udaljiti od Sviličićeve poetike, do razine posve drugačijeg i originalnog autorskog svijeta. \nGlava velike ribe ima relevantan festivalski potencijal.  \n \n \n \nRAZVOJ SCENARIJA 3.ROK 2016 \n \n \nADIO ŠKOLO \nScenaristi: Josipa Bubica, Igor Jelinović \n \nTreatment mladih autora sadrži jednu, nažalost vrlo rijetku karakteristiku u našoj kinematografiji - \nizlaže priču o mladima iz njihove vizure, s puno ljubavi, razumijevanja. Autorska koncepcija, \nbiografske crte priče i zreli treatment  nagoviještaju budući vrhunski scenarij.  \n \n \n\n\f\n \n \n \n \nGEC I SPOMENKA \nScenaristi: Marko Hrenović i Ivan Turković-Krnjak   \n \nGec i Spomenka zabavan je, emotivan i izrazito originalan koncept mladih scenarista, ne samo u \nokvirima naše kinematografije. Potencijal ovog projekta je velik, samo ga treba pažljivo razvijati. \nDuhovita priča o neobičnoj ljubavi maturanta i penzionerke, ispričana klasičnim narativnim stilom, \nobećava budućem filmu uspješan kino-život.  \n \n \nMARE \nScenaristica: Andrea Štaka \n \nPrethodni filmovi autorice označili su je kao redateljicu ženskih likova i priča, a i Mare se uklapa u \ntaj niz. Scenarij govori o ženi čiji se unutarnji život ne iscrpljuje u majčinstvu i kućanstvu, premda je \noboma u potpunosti posvećena. Posebna vrijednost scenarija je u tome što se o osjećajima ne \ngovori, već su posredovani vizualno.  \n \n \nMLADOŽENJA \nScenaristica: Mihaela Marija Perković \nProdukcija: nije određeno \n \nProjekt Mladoženja predstavlja dobrodošao izuzetak u hrvatskoj kinematografiji. Motivirana \nvlastitim iskustvom, darovita i mlada scenaristica situirala je radnju ove romantične komedije u \nveleposlanstvo Indije, druge najmnogoljudnije zemlje u svijetu. Dinamična i moderna priča ne \nsamo da ima velik potencijal u domaćim kinima nego, možda prvi put u novijoj povijesti našega \nfilma, imamo projekt koji bi morao donijeti značajan prodor na indijsko filmsko tržište.  \n \n \nPO TAMBURI \nScenaristi: Stanislav Tomić i Mario Marko Krce \nProdukcija: nije određeno \n \nPo tamburi je nevjerojatno maštovita prerada kultnog filma Waltera Hilla Ratnici podzemlja, radnje \npremještene u tamburaški milje Slavonije.  Zrelo napisan treatment izrazito je filmičan, ispunjen \nzvukovima i slikama. Imajući u vidu priču i ciljanu skupinu gledatelja, nije pretjerano reći kako Po \ntamburi ima golemi kino potencijal u Hrvatskoj i regiji.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"regulation","source":{"filename":"Nacrt%20prijedloga%20Nacionalnog%20programa%20promicanja%20audiovizualnog%20stvaralastva%202017.-2021..pdf","filename_decoded":"Nacrt%20prijedloga%20Nacionalnog%20programa%20promicanja%20audiovizualnog%20stvaralastva%202017.-2021..pdf","sha256":"5c0a33fc9f3b916ef7e533c92a8f349d008cec10522375d007761f34f6eaa99a","bytes":3165408,"page_count":70,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. 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ROK - 6.4.2020.\ndugometražni dokumentarni film\n30. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 15. srpnja 2020.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ SCENARIJA u 2020. - 1. 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225.000,00","ukupno":225000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":225000.0,"ukupno_match":true,"row_count":9,"awarded_count":9,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":9}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI JP KOMPL 2026. - 1. rok.pdf","filename_decoded":"REZULTATI JP KOMPL 2026. - 1. rok.pdf","sha256":"5d02e3dcd3d4fab20e833c6656e4fc41434150c64d2887d911922b5a530b1b16","bytes":617666,"page_count":17,"extracted_at":"2026-05-17T10:23:12Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI%20JP%20KOMPL%202026.%20-%201.%20rok.pdf"},"raw_text":"Naziv programa\nOdobrena sredstva\n(€)\n1\nGodišnji program Art-kina za 2026. godinu\n50.000,00 €\n2\nProgram Art-kina za 10. izdanje festivala Tobogan\n2.800,00 €\n3\nŠkola u kinu za 2026.\n6.500,00 €\n4\nVečeri animacije 2026.\n3.500,00 €\n5\nProgram Filmskog studija Medika za 2026.\n4.500,00 €\n6\nLego radionica – od kockica do animiranog filma 2026.\n2.000,00 €\n7\nRadionica animiranog filma za djecu – Mala zagrebačka \nanimacija (Z–animacija) 2026.\n4.000,00 €\n8\nRadionice \"Ono k'o…  Zoran Tadić\" 2026. godine\n1.800,00 €\n9\nGodišnji program u Kinu Toplice: filmovi, radionice i \ngostovanja\n3.500,00 €\n10\n14. Revija filmova za djecu\n2.800,00 €\n11\nMoje malo kino Vol. 5\n4.000,00 €\n12\nRedovna filmska djelatnost\n6.000,00 €\n13\nGodišnji program Kinoteke Zlatna vrata\n20.000,00 €\n14\nKino Kinoteka i Ljetna pozornica Tuškanac - redovna \naudiovizualna djelatnost u 2026. godini\n18.000,00 €\n15\nKino u Grubišnom Polju\n2.300,00 €\n16\nGodišnji program Kina Ludbreg\n4.000,00 €\n17\nFilmska početnica\n1.000,00 €\n18\nFilmski klub Kino Pazin\n1.000,00 €\n19\nLjetno kino\n2.000,00 €\n28. sjednica Hrvatskog audiovizualnog vijeća, 4.2.2026. \nCentar za kulturu Čakovec\nCentar za kulturu Čakovec\nCentar za kulturu i cjeloživotno obrazovanje \nZlatna vrata\nCentar za kulturu i film Augusta Cesarca\nCentar za kulturu i informiranje Dr. Franjo \nTuđman\nCentar za kulturu i informiranje Dragutin Novak \nLudbreg\nCentar za kulturu i obrazovanje Pazin\nCentar za kulturu i obrazovanje Pazin\nCentar za kulturu i obrazovanje Pazin\nNaziv predlagatelja\nArt-kino\nArt-kino\nArt-kino\nASIFA Hrvatske\nAutonomni kulturni centar\nAutorski studio - fotografija, film, video\nAutorski studio - fotografija, film, video\nAutorski studio - fotografija, film, video\nBreg, vl. Mija Pavliša\nCentar za kulturu Čakovec\nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2026. godini, 1. rok \n- popis predloženih projekata\ndjelatnosti razvijanja audiovizualne kulture\n\n\f\n20\nRedovna kino djelatnost - Kino Pazin\n2.500,00 €\n21\nRewind!\n1.500,00 €\n22\nOslobođeni film: filmske pustolovine za djecu i mlade\n2.000,00 €\n23\nMala škola filma\n2.000,00 €\n24\nKino-Point 2026.\n2.550,00 €\n25\nEdukativne radionice audiovizualnog stvaralaštva za \nučenike i mentore iz OŠ Grada Rijeke i riječkog prstena \n\"Video-filmska svaštarnica\"\n1.800,00 €\n26\nRadionica \"Inkluzija – dokumentiranje svijeta oko mene\"\n1.500,00 €\n27\nRadionica \"Istraživanje kvarta filmskim metodama 1\"\n2.300,00 €\n28\nDomaće je domaće: premijere\n4.350,00 €\n29\nKino Mediteran\n24.000,00 €\n30\nKino Mediteran za djecu i mlade\n6.000,00 €\n31\nNezavisni na Bačvicama!\n5.000,00 €\n32\nKino ISTRA 2026.\n3.000,00 €\n33\nFilmske radionice za djecu i mlade u Šibeniku\n4.000,00 €\n34\n22. Ljetne filmske radionice\n3.000,00 €\n35\nVaraždinska tvornica eksperimentalnog filma vol. 10\n2.300,00 €\n36\nZimske i ljetne filmske radionice djece i mladeži 2026\n2.800,00 €\n37\n18. Mikro-škola medijske kulture, 2026.\n1.000,00 €\n38\nDOKfilm '26. - 20. Revija dokumentarnog filma\n1.200,00 €\n39\nFilmski programi u Mikro-kinu - 2026.\n3.000,00 €\n40\nFilmska radionica u OŠ Frana Galovića: Izgradnja \nmedijske pismenosti i kreativnog razmišljanja kroz film v.4\n2.500,00 €\n41\nArt kino Požega 2026.\n3.500,00 €\n42\nKino Regenerator 2026.\n4.000,00 €\n43\nOslobođeni film: filmske pustolovine za djecu i mlade u \nZaboku\n2.500,00 €\nCentar za kulturu i obrazovanje Pazin\nCentar za kulturu i obrazovanje Pazin\nCentar za umjetnost i kulturu Vodice\nDalmatia Film Festival\nDom kulture Kristalna kocka vedrine\nDom mladih\nFADE IN\nFADE IN\nFestival mediteranskog filma Split\nFoto-kino klub Baranja film\nFoto-kino klub Baranja film\nGenerator Multidisciplinarnih Koprodukcija (GMK)\nGFR film-video\nGOKUL - Građanska organizacija za kulturu\nGOKUL - Građanska organizacija za kulturu\nFestival mediteranskog filma Split\nFestival mediteranskog filma Split\nFestival mediteranskog filma Split\nFilmska autorska grupa \"Enthusia Blanck\"\nFilmski centar mladih Šibenik\nFilmsko-kreativni studio Vanima\nFilmsko-kreativni studio Vanima\nFoto kino video klub Zaprešić\nFoto-kino klub Baranja film\n\n\f\n44\nStudio i režija #2\n1.700,00 €\n45\n18. Filmske radionice za djecu i mlade\n5.500,00 €\n46\nDigitalna filmska naSTAVa 2026.\n3.000,00 €\n47\nKratki utorak 2026.\n6.500,00 €\n48\nMladi mladima 2026. - poticanje razvoja filmskih družina u \nnovim sredinama\n2.700,00 €\n49\nObrazovni programi u kinu Tuškanac za djecu i mlade \n2026. – Filmska naSTAVa\n5.000,00 €\n50\nSenzorne projekcije 2026.\n4.000,00 €\n51\nSimpozij \"GEFF: od antifilma do lekcija iz slobode\"\n3.000,00 €\n52\nTuškanac u gostima 2026.\n64.000,00 €\n53\nMali gledatelji, veliki doživljaji - filmska pismenost od vrtića\n3.500,00 €\n54\nKino Valli - cjelogodišnja kinoprikazivačka djelatnost 2026.\n17.000,00 €\n55\nKino bez granica \n3.500,00 €\n56\nVisia / Slavica 2026.\n5.500,00 €\n57\n11. Filmska sezona Ljetnog kina Barone\n2.500,00 €\n58\nArt Kino Arsen 2026 – redovni filmski program Kuće \numjetnosti Arsen\n7.000,00 €\n59\nBubamarac 2026. – redovni dječji filmski program Kuće \numjetnosti Arsen\n2.000,00 €\n60\n114 godina kina Urania - godišnji program\n17.000,00 €\n61\nCinema4YOUth\n3.500,00 €\n62\nCINEvolution - program za 2026. godinu\n1.800,00 €\n63\nFilm in Residence i program projekcija u secesijskim \nvrtovima\n2.800,00 €\n64\nResonance Cinema. Cultural Hub for Curious Minds.\n3.000,00 €\n65\nKino svira kako srednja bira!\n2.500,00 €\n66\nFilmske radionice za djecu i mlade Bjelovara\n3.000,00 €\n67\nO filmu sa - razgovori s filmskim stručnjacima\n1.000,00 €\n68\nAnatomija filma\n1.500,00 €\nGradska knjižnica \"Juraj Šižgorić\" Šibenik\nHrvatski filmski savez - HFS\nJavna ustanova Pula film festival\nJavna ustanova u kulturi Kinematografi Dubrovnik\nJavna ustanova u kulturi Kinematografi Dubrovnik\nJavna ustanova u kulturi Tvrđava kulture Šibenik\nJavna ustanova u kulturi Tvrđava kulture Šibenik\nJavna ustanova u kulturi Tvrđava kulture Šibenik\nKinematografi Osijek d.d.\nKinematografi Osijek d.d.\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHulahop d.o.o.\nKinematografi Osijek d.d.\nKinematografi Osijek d.d.\nKinematografi Osijek d.d.\nKino Edison, multimedijski centar za kulturno-\nturističke sadržaje\nKino klub Bjelovar\nKino klub Bjelovar\nKino klub Osijek\n\n\f\n69\nGodišnji radionički program Kino kluba Osijek\n7.000,00 €\n70\n365/7\n6.000,00 €\n71\nKorak do filma\n2.850,00 €\n72\nMasterclass\n2.000,00 €\n73\nPlanet film\n3.300,00 €\n74\nProjekt kino\n3.000,00 €\n75\nStar Gardens\n1.500,00 €\n76\nSkriveni Grad\n2.350,00 €\n77\nFilmski eko kamp FilmEK 2026.\n2.000,00 €\n78\nFilmski Uskrs i Vaskrs 2026.\n2.000,00 €\n79\nRiječno kino 2026.\n4.000,00 €\n80\nStop Motion Scena 2026.\n1.000,00 €\n81\nAnimiraj i ti!\n3.000,00 €\n82\nEpistolarni film: Međunarodna radionica u suradnji s Oslo \nFotokunstskole\n3.000,00 €\n83\nRadionice Kinokluba Zagreb u 2026. godini\n13.500,00 €\n84\nqRADIONICE 2026. - a/v programi\n2.800,00 €\n85\nEscape the Cinema!\n2.350,00 €\n86\nSmjernice svima svugdje\n5.000,00 €\n87\nMinuta života - filmske radionice\n2.000,00 €\n88\nKino za sve - posebni cjelogodišnji program KMC-a u \n2026. godini\n5.900,00 €\n89\nFilmbook by KIC 2026.\n2.000,00 €\n90\nOslobođeni film: filmske pustolovine za djecu i mlade\n1.600,00 €\n91\nKino Hrvatski dom 2026.\n4.000,00 €\n92\nKino Trešnja 2026. (Kino na placu, Kino na pruzi, Kino \n\"Mladost\")\n2.300,00 €\n93\nAnimafin u zajednici 2026.\n1.500,00 €\nKino klub Osijek\nKino klub Sisak\nKino klub Sisak\nKino klub Sisak\nKino klub Sisak\nKino klub Sisak\nKino klub Sisak\nKinoklub Zagreb\nKolektiv za razvoj, istraživanje i propitivanje queer \nkulture - queerANarchive\nKreativna audiovizualna asocijacija - KAVA\nKultura svima svugdje\nKulturna organizacija NIIT\nKulturni i multimedijski centar Bjelovar\nKulturno informativni centar\nKulturno Informativni Centar Gospić\nKino klub Split\nKinoklub Karlovac\nKinoklub Karlovac\nKinoklub Karlovac\nKinoklub Karlovac\nKinoklub Ogulin\nKinoklub Zagreb\nKulturno prosvjetno društvo \"Sloga\" Pakrac\nLokalna baza za osvježavanje kulture - BLOK\nLuma film, vl. Marija Udovičić\n\n\f\n94\nŠkola animacije 2026.\n3.000,00 €\n95\n17. Ljetna Škola Filma Gunja \"Josip Krunić\"\n7.000,00 €\n96\nKino MaMa\n3.000,00 €\n97\nAudiovizualni program MKC-a Split u 2026. godini\n2.000,00 €\n98\nKino na rubu\n2.000,00 €\n99\nMikrokino\n3.200,00 €\n100\nPlanktoon 2026.\n3.500,00 €\n101\nFilmska škola \"Žene s videokamerama\"\n2.700,00 €\n102\nArt kino \"Cineast\" - Open air cinema\n2.200,00 €\n103\nKino Buzet 2026.\n3.000,00 €\n104\nGodišnji program za 2026. godinu - Posebni programi\n3.500,00 €\n105\nGodišnja kinoprikazivačka djelatnost kina \"30. svibnja\" \nDaruvar - permanentno prikazivanje filmova i revija \nhrvatskog, europskog i internacionalnog kino-repertoara u \n2026. godini\n5.300,00 €\n106\nOZbiljno dobri filmovi\n3.000,00 €\n107\nGodišnji program kina Velebit\n6.000,00 €\n108\n103 godine kinematografije u Krapini\n3.500,00 €\n109\nFilmske srijede u Kino Moslavini\n2.500,00 €\n110\nProgram za škole i kino - ŠIK\n3.000,00 €\n111\nLjetno kino - kino u kvartu\n1.500,00 €\n112\nOslobođeni film: filmske pustolovine za djecu i mlade\n2.000,00 €\n113\nRedovni program Kina Labin\n3.000,00 €\n114\nKino za sve\n3.500,00 €\n115\nFilmska pismenost 2026.\n1.500,00 €\n116\nGodišnji program Kina Samobor 2026.\n8.500,00 €\n117\n115 godina kinematografije u Slatini\n4.000,00 €\nLuma film, vl. Marija Udovičić\nMultimedijalni centar Studio kreativnih ideja Gunja \n- MMC SKIG\nMultimedijalni institut\nMultimedijalni kulturni centar Split\nMuzej suvremene umjetnosti\nOtompotom\nPučko otvoreno učilište Katarina Zrinska - Ozalj\nPučko otvoreno učilište Koprivnica\nPučko otvoreno učilište Krapina\nPučko otvoreno učilište Kutina\nPučko otvoreno učilište Kutina\nPučko otvoreno učilište Labin\nPučko otvoreno učilište Labin\nOtompotom\nProstor rodne i medijske kulture K-zona\nPučko otvoreno učilište - Universita popolare \naperta Vodnjan - Dignano\nPučko otvoreno učilište \"Augustin Vivoda\" Buzet\nPučko otvoreno učilište \"Đuro Arnold\" Ivanec\nPučko otvoreno učilište Daruvar\nPučko otvoreno učilište Labin\nPučko otvoreno učilište Novska\nPučko otvoreno učilište Samobor\nPučko otvoreno učilište Samobor\nPučko otvoreno učilište Slatina\n\n\f\n118\nGodišnji filmski program kina Gaj 2026.\n8.000,00 €\n119\nCjelogodišnji program Kina Gorica za 2026. godinu\n4.500,00 €\n120\n16. Škola animiranog filma\n2.900,00 €\n121\n22. Škola filma\n4.000,00 €\n122\nAutor u gostima\n1.500,00 €\n123\nFilmsko-edukativni klub mladih FeKaeM\n2.500,00 €\n124\nProduction In, turneja 2026.\n3.200,00 €\n125\nKino.hr - kinoprikazivačka djelatnost dijela mreže\n9.000,00 €\n126\nDemokracija za početnike u 2026. godini\n1.500,00 €\n127\nDokukino program u 2026. godini\n12.500,00 €\n128\nDokumatineje za umirovljenike \n2.000,00 €\n129\nFilmska početnica u 2026. godini\n3.000,00 €\n130\nKineDok 2026.\n6.500,00 €\n131\nŠkola dokumentarnog filma 2026.\n10.500,00 €\n132\nBudi novi svijet\n3.000,00 €\n133\nKritička dramaturgija: pauza\n1.500,00 €\n134\nVrti svoj film – godišnja online baza filmova i metodičkih \nmaterijala za osnovne škole u Hrvatskoj\n6.000,00 €\n135\nAnimation Shots 2026.\n3.500,00 €\n136\nAnimirani Šibenik 2026.\n3.000,00 €\n137\nNation in Motion\n4.000,00 €\n138\nUmjetnički video / Eksperimentalni film / Medijska \nistraživanja\n3.000,00 €\n139\n32. Internacionalna filmska radionica (32. IFR)\n3.400,00 €\n140\n23. Ljetna škola filma Šipan 2026.\n4.000,00 €\n141\nIzrazi se filmom 2026.\n2.800,00 €\n142\nFROOOM! 2026. - škola filmske budućnosti - cjelogodišnji \nprogram audiovizualnog opismenjavanja djece i mladih\n10.500,00 €\nPulska filmska tvornica\nPulska filmska tvornica\nPulska filmska tvornica\nPulska filmska tvornica\nRadar d.o.o.\nRestart\nPučko otvoreno učilište Varaždin\nPučko otvoreno učilište Velika Gorica\nPulska filmska tvornica\nSUPERTOON\nSUPERTOON\nSUPERTOON\nSveučilište u Zagrebu - Studentski centar u \nZagrebu\nŠkola animiranog filma Čakovec\nŠkola filma Šipan\nTvornica Umjetnosti - TUM\nUdruga Bacači sjenki\nRestart\nRestart\nRestart\nRestart\nRestart\nSamostalna djelatnost Danijela Stanojević\nSavez scenarista i pisaca izvedbenih djela\nSedmi kontinent produkcija d.o.o.\n\n\f\n143\nIzmeđu baštine i filma\n3.000,00 €\n144\nSamo nebo nam je granica - filmsko opismenjavanje \nosoba 54+ u 2026. godini\n3.000,00 €\n145\nBlank_senior\n2.000,00 €\n146\nFilmska škola\n4.000,00 €\n147\nFilmske radionice\n7.500,00 €\n148\nAnimacijski lab Sedmi kontinent\n4.350,00 €\n149\nFILM-o-GRAM 2026. FILMsko – obrazovni proGRAM za \nsrednjoškolce grada Zadra\n3.000,00 €\n150\nPutujući Sedmi kontinent u suradnji s nezavisnim \nkinoprikazivačima 2026.\n8.700,00 €\n151\nSedmi kontinent u bolnicama - kvalitetan dječji film i \nfilmske kreativne radionice i posebni gosti filmaši za djecu \nu bolnicama za 2026. godinu\n5.300,00 €\n152\nQueer MoMenti 2026.\n4.000,00 €\n153\nFilm svima 2026. — 11. izdanje\n4.000,00 €\n154\nFilm svima svugdje 2026 — radionice inkluzivne AV \nkulture\n1.500,00 €\n155\nFilmaktivova škola dokumentarnog filma 2026.\n4.000,00 €\n156\nFilmski klub umirovljenika - radionice\n1.000,00 €\n157\nFilodrammatične doku projekcije 2026.\n500,00 €\n158\nOtoci 2026.\n2.400,00 €\n159\nPrimijenjeni video 2026.\n1.100,00 €\n160\nMonti pajdon radionice\n1.500,00 €\n161\nRadi-OSI-onice\n2.500,00 €\n162\nUhvati Karavan\n2.200,00 €\n163\nŠkola igranog filma 2026.\n3.000,00 €\n164\nFilmska radionica za mlade PSFF-a 2026.\n1.570,00 €\n165\nGledamo dokumentarce - pravimo dokumentarce 2026.\n3.500,00 €\n166\nLiburnia uplovljava 2026.\n2.500,00 €\n167\nSlučajno kino 2026.\n2.000,00 €\nUdruga Djeca susreću umjetnost\nUdruga Domino\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Bacači sjenki\nUdruga Bacači sjenki\nUdruga Blank\nUdruga Blank\nUdruga Blank\nUdruga Djeca susreću umjetnost\nUdruga Djeca susreću umjetnost\nUdruga Djeca susreću umjetnost\nUdruga Liburnia film festival\nUdruga Liburnia film festival\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga građana Spirit\nUdruga građana Spirit\nUdruga građana Spirit\nUdruga Kaooosss\nUdruga Lanterna Magica\nUdruga Liburnia film festival\n\n\f\n168\nKin-o-zvuk 2026.\n2.750,00 €\n169\nFilmski izazovi - Škola za profesore i učenike\n1.800,00 €\n170\nSjeti se slobode: Slike otpora\n7.000,00 €\n171\nRadionica glazbenog dokumentarnog filma Doc'n'Rhythm\n1.500,00 €\n172\nDOKUart EDU 2026. - predavanja i posebne projekcije za \nosnovnoškolce i srednjioškolce\n2.100,00 €\n173\nDOKUart EDU 2026. - radionica za dokumentarni film\n3.500,00 €\n174\nFilmodrom - Ljetno kino Udruge DOKUart 2026.\n2.100,00 €\n175\n18. Festival prava djece - prilagodbe filmova za gluhe i \nslijepe\n4.000,00 €\n176\nRazgovor počinje filmom 2026.\n3.500,00 €\n177\nRocument u VIB-u\n2.000,00 €\n178\nFilm bez barijera (inkluzivna filmska radionica za \ntinejdžere)\n1.500,00 €\n179\nFilmske večeri u Močvari\n4.500,00 €\n180\nMali filmaši – Igralište animacije\n2.000,00 €\n181\nSerije za invizibilno kino: Vlado Kristl – Tijela nepravde\n4.000,00 €\n182\nRadionice na filmskoj vrpci #2\n3.000,00 €\n183\nKino Metropolis\n5.000,00 €\n184\nKinoKino - Filmski program za djecu\n7.000,00 €\n185\nFor the Love of Film: filmska radionica za tinejdžere (2. \nizdanje)\n2.000,00 €\n186\nMala škola crtanog filma\n1.500,00 €\n187\nRadionica stop-trik animacije See/Touch/Try – 2026.\n1.500,00 €\n188\nRadionica stop-trik animacije See/Touch/Try – Darda \n2026.\n2.000,00 €\n189\nKino Zona Zadar\n5.500,00 €\n833.020,00 €\nNaziv programa\nOdobrena sredstva\n(€)\nUdruga ljubitelja filma Rare Vinkovci\nUdruga Manda - film i riječ\nUdruga Što, kako i za koga / WHW\nUdruga za audiovizualno stvaralaštvo Artizana\nUdruga za promicanje kulture Dokuart\nUdruga za promicanje kulture Dokuart\nUdruga za promicanje kulture Dokuart\nUdruga za promicanje stvaralaštva i jednakih \nmogućnosti Alternator\nUdruga za promicanje stvaralaštva i jednakih \nmogućnosti Alternator\nUdruga za razvoj kulture TOČKA KULTURE\nUdruga ZAG\nUdruženje za razvoj kulture - URK\nUmjetnička organizacija ANIMA\nUmjetnička organizacija Film-protufilm\nUmjetnička organizacija Klubvizija\nNaziv predlagatelja\nUmjetnička organizacija Metropolis\nUmjetnička organizacija Zagreb Film Festival\nUmjetnička organizacija Zara\nUstanova Zagreb film\nVideo klub Mursa\nVideo klub Mursa\nZajednica udruga Centar nezavisne kulture\nUkupno\nfilmski festivali i druge audiovizualne manifestacije\n\n\f\n1\nDvadeset i drugi Festival 25 FPS\n42.000,00 €\n2\n14. International Sound & Film Music Festival\n4.000,00 €\n3\n22. ZagrebDox - Međunarodni festival dokumentarnog \nfilma\n90.000,00 €\n4\n19. Festival mediteranskog filma Split\n60.000,00 €\n5\n17. VAFI & RAFI - internacionalni festival animiranog filma \ndjece i mladih\n9.000,00 €\n6\nAvant-Garde Horror & Fantasy Film Festival (AGHFFF) - \n2. izdanje\n3.000,00 €\n7\n34. hrvatski festival jednominutnih filmova, 4. put oko \nsvijeta u minuti & AI i 2. MALA minuta\n9.000,00 €\n8\nPožeški filmski tjedan 2026.\n3.000,00 €\n9\n36. Svjetski festival animiranog filma - Animafest Zagreb \n2026.\n130.000,00 €\n10\n3. Festival kaskaderstva - 3, 2, 1 akcija!\n5.000,00 €\n11\nStar film fest\n7.000,00 €\n12\nFUSE - Film Under Severe Experiment 2026.\n2.500,00 €\n13\nqFEST 2026. - filmski program\n1.800,00 €\n14\nFestival empatije - audiovizualni dio\n1.000,00 €\n15\nSinema - program afričkog filma\n2.500,00 €\n16\nDalmatia Film Festival\n7.000,00 €\n17\nCinehill 2026. - Međunarodni filmski festival\n63.000,00 €\n18\nTimpetill - Young4Film\n11.500,00 €\n19\nVox Feminae Festival 2026.\n6.950,00 €\n20\nCineSound Marof - festival filma i glazbe na otvorenom\n1.500,00 €\n21\n16. Porečdox, međunarodni festival dokumentarnog filma\n4.000,00 €\n22\n16. Fantastic Zagreb Film Festival\n12.000,00 €\n23\n19. Subversive Film Festival: Neljudska moć - Algoritmi \nkapitala\n25.000,00 €\n24\n13. Međunarodni studentski filmski festival - STIFF\n6.000,00 €\n25\n16. Postira Seaside Film Festival\n4.000,00 €\n25 FPS, Udruga za audio-vizualna istraživanja\nDreaMaker Productions d.o.o.\nFactum\nFestival mediteranskog filma Split\nFilmsko-kreativni studio Vanima\nFormat XYZ d.o.o.\nGFR film-video\nGFR film-video\nHulahop d.o.o.\nKino Edison, multimedijski centar za kulturno-\nturističke sadržaje\nKino klub Sisak\nKinoklub Karlovac\nKolektiv za razvoj, istraživanje i propitivanje queer \nkulture - queerANarchive\nKreativna audiovizualna asocijacija - KAVA\nKulturno informativni centar\nMoonstone Production d.o.o.\nMotovun Film Festival\nMotovun Film Festival\nProstor rodne i medijske kulture K-zona\nPučko otvoreno učilište Novi Marof\nPučko otvoreno učilište Poreč\nRobot 22 d.o.o.\nUdruga Bijeli val\nUdruga Filmaktiv\nUdruga Lanterna Magica\n\n\f\n26\n24. Liburnia Film Festival\n13.500,00 €\n27\nBura film festival\n4.000,00 €\n28\n18. Festival prava djece\n9.000,00 €\n29\nProces 26\n1.700,00 €\n30\nFilmske mutacije: Festival nevidljivog filma XX - Fantom \neklipse\n16.000,00 €\n31\n15. Festival europskog filma\n5.200,00 €\n32\n24. Zagreb Film Festival\n110.000,00 €\n33\nSlowmotion2 festival Opatija\n1.500,00 €\n34\n24. Gastro Film Fest\n2.000,00 €\n35\nCiklus filmova Jima Jarmuscha u Kino Zoni Zadar i Kinu \nVelebit Koprivnica\n2.500,00 €\n36\nSferakon - 48. dani znanstvene fantastike\n2.000,00 €\n678.150,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nIzdavanje knjige Jelene Modrić \"Razvoj i uloga montaže \nzvuka u hrvatskoj kinematografiji od 1940-ih do 1970-ih\"\n2.000,00 €\n2\nAutorica & Autor: Lucija Mrzljak i Daniel Šuljić, knjige \nsnimanja hrvatskih animiranih filmova\n2.800,00 €\n3\nDokumentarni.net\n5.000,00 €\n4\nDokunet Video\n2.500,00 €\n5\nInverzija.net - web publikacija za žanrovski film, \nznanstvenu fantastiku i fantastičnu književnost\n1.500,00 €\n6\nAntologija hrvatskog filmskog eseja\n3.000,00 €\n7\nHrvatski filmski ljetopis\n15.500,00 €\n8\nMrežna stranica ZonaFilma.com\n5.000,00 €\n9\nStrujanja: video-podcasti\n3.000,00 €\nDruštvo za znanstvenu fantastiku SFera\nUkupno\nNaziv predlagatelja\nAkademija dramske umjetnosti\nUdruga za promicanje stvaralaštva i jednakih \nmogućnosti Alternator\nUmjetnička akademija u Splitu\nUmjetnička organizacija Film-protufilm\nUmjetnička organizacija Metropolis\nUmjetnička organizacija Zagreb Film Festival\nUSTA NA USTA j.d.o.o.\nVideo klub Mursa\nZajednica udruga Centar nezavisne kulture\nUdruga Liburnia film festival\nUdruga Studio B7\nHangar 7 d.o.o.\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatsko društvo filmskih kritičara\nHrvatsko društvo filmskih kritičara\nASIFA Hrvatske\nDokumetar\nDokumetar\nizdavaštvo u području audiovizualnih djelatnosti\n\n\f\n10\nWeb-stranica Kinofilm.hr\n4.200,00 €\n11\nKrupniji plan - podcast Kinokluba Zagreb\n1.500,00 €\n12\nKinemaskop\n5.500,00 €\n13\nObjavljivanje knjige \"Serijal Twin Peaks Davida Lyncha i \nMarka Frosta u kontekstu feminističke i psihoanalitičke \nteorije\" Karle Lončar\n4.000,00 €\n14\nRodno osviještena filmska kritika\n3.000,00 €\n15\nPrijevod i objavljivanje knjige filmskog opismenjavanja - \nAlain Bergala: \"Hipoteza kino\"\n3.000,00 €\n16\nBiblioteka Sinestetika: Filmski manifesti i globalne filmske \nkulture - kritička antologija (ur. Scott MacKenzie)\n4.000,00 €\n17\nBiblioteka Sinestetika: Marguerite Duras – Moj film\n3.000,00 €\n18\nBiblioteka Sinestetika: Noël Burch - Praksa filma\n2.000,00 €\n19\nZvuk hrvatskog filma: 'Kuća' Bogdana Žižića\n3.000,00 €\n20\nZvuk hrvatskog filma: Zagrebačka škola animiranog filma - \nGlazba namjenskih i reklamnih filmova studija STEP\n3.000,00 €\n21\nSlijepe pjege II\n2.000,00 €\n22\nFeminističko čitanje popularne kulture vol. 6.0\n2.500,00 €\n23\nOsobne stranice – odabrani tekstovi Mihovila Pansinija \n(knjiga)\n5.000,00 €\n24\nFilmski portal Goodtalking\n1.500,00 €\n25\nWeb izdavaštvo putem portala Kinoljubac\n2.000,00 €\n26\nFilmovi.hr\n5.000,00 €\n27\nLicem u lice\n3.000,00 €\n28\nFanomanija - filmski podcast\n3.000,00 €\n100.500,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nStrateški nacrt za razvoj audiovizualne industrije u \nHrvatskoj do 2030. godine\n40.000,00 €\n40.000,00 €\nUdruga Bijeli val\nUdruga Bijeli val\nUdruga Jučer, danas, sutra - platforma za \naudiovizualna istraživanja\nUdruga Jučer, danas, sutra - platforma za \naudiovizualna istraživanja\nUdruga Slobodni filozofski\nUdruga za feminizam i kulturu Muf\nUdruga za interdisciplinarna i interkulturalna \nistraživanja\nUdruga za promicanje filma, filmske kulture i \ntelevizijskih serija \"Filmofil\"\nUdruga za promicanje filmske kulture, filma i \ntelevizijskih serija Kinoljubac\nUmjetnička organizacija Metropolis\nVedis d.o.o.\nAndromedia, vl. Velimir Grgić\nUkupno\nostali programi\nNaziv predlagatelja\nDruštvo hrvatskih filmskih autora i producenata\nUkupno\nKinofilm d.o.o.\nKinoklub Zagreb\nKurziv - Platforma za pitanja kulture, medija i \ndruštva\nObrt Sandorf\nProstor rodne i medijske kulture K-zona\nUdruga Bacači sjenki\nUdruga Bijeli val\n\n\f\nNaziv programa\nOdobrena sredstva\n(€)\n1\nProgrami Udruge 25 FPS u 2026. godini\n6.500,00 €\n2\nGodišnji radionički program\n2.000,00 €\n3\nProgrami video radionica AS-a za djecu i mlade 2026.\n2.500,00 €\n4\nRedovita djelatnost udruge Dokumetar u 2026. godini\n3.000,00 €\n5\nRedovne djelatnosti DHAP-a u 2026. godini\n2.300,00 €\n6\nRedovita djelatnost Društva hrvatskih filmskih redatelja \n2026.\n18.500,00 €\n7\nDjelatnosti Društva hrvatskih filmskih montažera u 2026. \ngodini\n6.000,00 €\n8\nFade In - godišnji program rada u 2026. godini\n3.000,00 €\n9\nFilmske radionice u 2026. godini\n2.500,00 €\n10\nRedovita djelatnost u 2026. godini\n3.000,00 €\n11\nProgram rada u 2026. godini\n5.000,00 €\n12\nProgram rada FFVAL-a za 2026. godinu - Foto film video \namateri Luke (FFVAL)\n2.700,00 €\n13\nRedovita programska djelatnost 2026.\n5.000,00 €\n14\nFilmska edukacija mladih 2026.\n3.500,00 €\n15\nProgrami i projekti Kino mreže u 2026. godini\n18.500,00 €\n16\nRedovna djelatnost Hrvatske udruge filmskih snimatelja\n11.000,00 €\n17\nProgram redovne djelatnosti Hrvatske udruge producenata \nza 2026. godinu\n20.500,00 €\n18\nKoordinacijske i poticajne funkcije HFS-a 2026.\n14.500,00 €\n19\nRedovna djelatnost Hrvatskog društva filmskih djelatnika\n49.500,00 €\n20\nProgram redovne djelatnosti Hrvatskog društva filmskih \nkritičara \n14.000,00 €\n21\nProgram redovnih aktivnosti HDNP-a za 2026. godinu\n6.000,00 €\n22\nRedovni program Hrvatskog kaskaderskog društva 2026.\n5.500,00 €\nprogrami audiovizualnih udruga i organizacija\nNaziv predlagatelja\n25 FPS, Udruga za audio-vizualna istraživanja\nAkademski filmski klub\nAutorski studio - fotografija, film, video\nDokumetar\nDruštvo hrvatskih audiovizualnih prevoditelja\nDruštvo hrvatskih filmskih autora i producenata, \npodružnica Društvo hrvatskih filmskih redatelja\nDruštvo hrvatskih filmskih montažera\nFADE IN\nFilmska autorska grupa \"Enthusia Blanck\"\nFilmski centar mladih Šibenik\nFilmsko-kreativni studio Vanima\nFoto film video amateri Luke\nFoto kino video klub Zaprešić\nGFR film-video\nHrvatska mreža neovisnih kinoprikazivača\nHrvatska udruga filmskih snimatelja\nHrvatska udruga producenata\nHrvatski filmski savez - HFS\nHrvatsko društvo filmskih djelatnika\nHrvatsko društvo filmskih kritičara\nHrvatsko društvo nezavisnih producenata\nHrvatsko kaskadersko društvo - HKD\n\n\f\n23\nRedovita djelatnost Kino kluba Osijek\n3.000,00 €\n24\nCijelogodišnji program Kino kluba Sisak\n4.000,00 €\n25\nEdukativni programi i produkcija 2026.\n16.500,00 €\n26\nRedovna djelatnost Kinokluba Karlovac 2026.\n8.000,00 €\n27\nRedovite aktivnosti Kinokluba Zagreb u 2026. godini\n5.500,00 €\n28\nRedovan rad udruge MMC SKIG i edukacija članova 2026. \ngodine\n3.000,00 €\n29\nRedovna djelatnost SPID-a u 2026. godini\n10.500,00 €\n30\nMisli i stvaraj filmski! (Redovna djelatnost ŠAF-a Čakovec \nu 2026. god.)\n4.000,00 €\n31\nProgram redovne audiovizualne djelatnosti i filmska \nprodukcija udruge Bacači Sjenki 2026.\n3.500,00 €\n32\nFilmska proizvodnja kratkih filmova mladih neafirmiranih \nautora\n12.000,00 €\n33\nRedovita programska djelatnost Udruge Blank u 2026.\n2.000,00 €\n34\nProgrami AV Udruge Djeca susreću umjetnost – filmski \nprogram Sedmi kontinent 2026.\n1.000,00 €\n35\nProgram rada Jedine solucije, udruge za audiovizualnu \numjetnost (2026.)\n2.000,00 €\n280.000,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nKino Mediteran od doma: ponuda i promocija hrvatskih \nfilmova\n5.300,00 €\n2\nKinoholik 2026.\n3.000,00 €\n3\n Distribucija hrvatskih dokumentaraca u regiji u 2026. \ngodini\n1.800,00 €\n4\nInternetska platforma croatian.film - središnje mjesto \nhrvatske kinematografije online\n8.500,00 €\n5\nFestivalska distribucija 2026.\n4.000,00 €\n22.600,00 €\nKino klub Osijek\nKino klub Sisak\nKino klub Split\nUkupno\nprogrami promocije i prodaje hrvatskih audiovizualnih djela\nNaziv predlagatelja\nFestival mediteranskog filma Split\nKulturno informativni centar\nKinoklub Karlovac\nKinoklub Zagreb\nMultimedijalni centar Studio kreativnih ideja \nGunja - MMC SKIG\nSavez scenarista i pisaca izvedbenih djela\nŠkola animiranog filma Čakovec\nUdruga Bacači sjenki\nUdruga Blank\nUdruga Blank\nRestart\nUmjetnička organizacija Zagreb Film Festival\nUstanova Zagreb film\nUkupno\nUdruga Djeca susreću umjetnost\nUdruga Jedina solucija\n\n\f\nNaziv programa\nOdobrena sredstva\n(€)\n1\nPraktikum: edukacija za deficitarna zanimanja u \naudiovizualnim djelatnostima\n3.300,00 €\n2\nKad slike uzvrate pogled: film, sjećanje i budućnosti koje \ntrebamo \n2.500,00 €\n3\nPazi na sliku\n5.000,00 €\n4\nAnatomija dokumentarne forme: Filmska analiza i \ninterpretacija\n1.000,00 €\n5\nScenaristički program \"Branko Bauer\" za 2026. godinu\n3.000,00 €\n6\nGluma na filmu: oslobađanje maske i bivanje u kadru\n2.000,00 €\n7\nZagrebDox Pro 2026.\n15.500,00 €\n8\nMasterclass \"Kamera u dokumentarnom filmu\"\n958,00 €\n9\nNapredna radionica snimanja, oblikovanje svjetla za \nkameru\n1.000,00 €\n10\nRadionica snimanja zvuka na igranom i dokumentarnom \nfilmu\n2.000,00 €\n11\nFMFS Industrija\n7.000,00 €\n12\nKino akademija Kino mreže u 2026. godini\n1.500,00 €\n13\nFilmska radionica \"Operater kamere\"\n5.000,00 €\n14\nRadionica \"Prvi asistent kamere – šarfer\"\n4.500,00 €\n15\nRadionica „Pokretna kamera – steadicam, trinity i gimball“\n4.500,00 €\n16\nRise & Shine 2026.\n2.000,00 €\n17\n28. Škola medijske kulture \"Dr. Ante Peterlić\"\n40.000,00 €\n18\nScenarističke radionice Palunko 2026.\n6.500,00 €\n19\nMasterClass: Krupni kadar\n2.500,00 €\n20\nTV Burza 2026.\n4.800,00 €\n21\nAnimafest PRO 2026.\n6.500,00 €\nFestival mediteranskog filma Split\nDokumetar\nHrvatska mreža neovisnih kinoprikazivača\nHrvatska udruga filmskih snimatelja\nHrvatska udruga filmskih snimatelja\nHrvatska udruga filmskih snimatelja\nHrvatska udruga producenata\nDruštvo hrvatskih filmskih autora i producenata\nDuart j.d.o.o.\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatsko društvo filmskih djelatnika\nHrvatsko društvo nezavisnih producenata\nFactum\nFADE IN\nFADE IN\nFADE IN\nprogrami stručnog usavršavanja i/ili edukacije\nNaziv predlagatelja\n25 FPS, Udruga za audio-vizualna istraživanja\nANTENA KOLEKTIV\nANTENA KOLEKTIV\nHulahop d.o.o.\n\n\f\n22\nMala škola medijske kulture 9\n3.300,00 €\n23\nŠkola nove filmske prakse\n3.000,00 €\n24\nRadionica za odgojno-obrazovne djelatnike - zvuk i \nobrada zvuka\n2.000,00 €\n25\nFilmska čitanka 2026. - S druge strane ogledala\n2.500,00 €\n26\nKampus Cinehill DHFA\n3.500,00 €\n27\nPonta Lopud Film Festival 2026.\n8.200,00 €\n28\nPitching Forum Vox Feminae Festivala\n1.600,00 €\n29\nInkubator Pulske filmske tvornice\n2.500,00 €\n30\nStandardi i načela reguliranja filmskih prava\n2.800,00 €\n31\nRestart Laboratorij u 2026. godini \n8.500,00 €\n32\nRadionica razvoja scenarija kinohita 2026.\n3.000,00 €\n33\nScenaristički program Zora Dirnbach 2026.\n2.700,00 €\n34\nMasterclass filmske kritike i analize - program \nusavršavanja za nastavnike na portalu Vrti svoj film u \n2026. godini\n2.500,00 €\n35\nCinEd 2026. – program filmske edukacije za nastavnike\n6.000,00 €\n36\nFilmski dani 2026. za odgojno-obrazovne djelatnike - \nStručno usavršavanje Sedmog kontinenta posvećeno \nfilmskoj pismenosti\n2.500,00 €\n37\nLFF Rough Cut 2026.\n4.000,00 €\n38\n9. Split Script, 2026.\n4.000,00 €\n39\n12. Europski žanrovski forum\n4.300,00 €\n40\nKinotehnika #2\n1.500,00 €\n41\nIndustrija 24. Zagreb Film Festivala\n16.500,00 €\n42\n17. Međunarodna radionica animiranog filma\n4.000,00 €\n43\nOd 5 do 25 (minuta) - radionica scenarija kratkog \ndokumentarnog filma\n2.000,00 €\n211.958,00 €\nKino klub Split\nKino klub Split\nKinoklub Karlovac\nKinoklub Zagreb\nMotovun Film Festival\nPonta Lopud Festival j.d.o.o.\nProstor rodne i medijske kulture K-zona\nPulska filmska tvornica\nRastika, vl. Sabina Krešić\nRestart\nSavez scenarista i pisaca izvedbenih djela\nSavez scenarista i pisaca izvedbenih djela\nSedmi kontinent produkcija d.o.o.\nUdruga Bacači sjenki\nUdruga Djeca susreću umjetnost\nUdruga Liburnia film festival\nUdruga Metonimija\nUdruga Rudolf\nUmjetnička organizacija Klubvizija\nUmjetnička organizacija Zagreb Film Festival\nUstanova Zagreb film\nUstanova Zagreb film\nUkupno\n\n\f\nNaziv programa\nOdobrena sredstva\n(€)\n1\nSimpozij: Disperzije\n3.000,00 €\n2\nCinemaniac > Misliti Film 2026: Protu-slike\n3.100,00 €\n3\nDiskurzivno-prikazivački program Filmske efemerije: \nnamjenski i primijenjeni film\n2.300,00 €\n4\nKritika i društvo: filmsko-diskurzivni program Hrvatskog \ndruštva filmskih kritičara \n3.000,00 €\n5\nTribina \"Psihijatrija i film\" u 2026. godini\n2.000,00 €\n6\n13. Međunarodni simpozij o suvremenoj animaciji \nAnimafest Scanner XIII\n4.000,00 €\n7\nVizualni kolegij\n6.500,00 €\n8\nKvir retrospektiva - večeri hrvatskog filmskog kanona\n2.300,00 €\n9\nHall of Fame u 2026. godini\n2.300,00 €\n10\nMasterclass program u 2026. godini\n4.500,00 €\n11\nRazmišljaj filmom u 2026. godini\n3.100,00 €\n12\nUpoznaj autora i Doku-razgovori u 2026. godini\n3.750,00 €\n13\nKino Katarina 2026.\n3.000,00 €\n14\nKinematografije otpora 2026. - Bouchra Khalili\n2.000,00 €\n15\nDiskurzivni program 24. LFF-a (studija slučaja i tribina)\n1.250,00 €\n16\nObilježavanje 100-te obljetnice Pansinijevog rođenja\n1.000,00 €\n17\nPansinijevi dani 2026.\n4.000,00 €\n51.100,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nDigitalizacija i restauracija filmske, video i audio građe \nAutorskog studija 2026.\n3.500,00 €\n2\nDigitalizacija Fade In arhive 2\n1.668,00 €\nProstor rodne i medijske kulture K-zona\nRestart\nproučavanje i kritičko vrednovanje audiovizualnih djelatnosti\nNaziv predlagatelja\n25 FPS, Udruga za audio-vizualna istraživanja\nUkupno\nzaštita audiovizualne baštine uključujući kinotečnu djelatnost\nNaziv predlagatelja\nAutorski studio - fotografija, film, video\nFADE IN\nRestart\nRestart\nRestart\nSub pokret\nUdruga Bijeli val\nUdruga Liburnia film festival\nUdruga za interdisciplinarna i interkulturalna \nistraživanja\nUdruga za interdisciplinarna i interkulturalna \nistraživanja\nApoteka - Prostor za suvremenu umjetnost\nGenerator Multidisciplinarnih Koprodukcija (GMK)\nHrvatsko društvo filmskih kritičara\nHrvatsko društvo filmskih kritičara\nHulahop d.o.o.\nMultimedijalni institut\n\n\f\n3\nDigitalizacija i restauracija kratkih filmova iz arhiva \nHrvatskog filmskog saveza u 2026. godini\n7.000,00 €\n4\nFilmski i video arhiv Hrvatskog filmskog saveza u 2026. \ngodini\n18.500,00 €\n5\nDigitalni medijski arhiv 2026.\n2.500,00 €\n6\nDigitalizacija i zaštita arhivskog gradiva Kinokluba Zagreb\n5.000,00 €\n7\nZbirka neprofesijskog filma Istre i Pule\n1.500,00 €\n8\nPregled, obnova, digitalizacija i prezentacija filmova i \nVHS-ova Kugla glumišta/Kugla Oko, Željka Zorice i \nHelene Klakočar\n2.000,00 €\n9\nRestauracija i digitalizacija filmova Ustanove Zagreb film \n2026.\n11.500,00 €\n53.168,00 €\nBROJ PRIJAVLJENIH \nPROGRAMA\nBROJ ODOBRENIH PROGRAMA\nODOBRENA SREDSTVA\n222\n189\n833.020,00 €\n41\n36\n678.150,00 €\n31\n28\n100.500,00 €\n1\n1\n40.000,00 €\n36\n35\n280.000,00 €\n7\n5\n22.600,00 €\n49\n43\n211.958,00 €\n19\n17\n51.100,00 €\n9\n9\n53.168,00 €\n415\n363\n2.270.496,00 €\nKino klub Split\nKinoklub Zagreb\nPulska filmska tvornica\nUmjetnička organizacija Studio Artless\nUstanova Zagreb film\nUkupno\nPROGRAMSKA \nDJELATNOST\nproučavanje i kritičko \nvrednovanje audiovizualnih \ndjelatnosti\nzaštita audiovizualne \nbaštine uključujući \nkinotečnu djelatnost\nUKUPNO\ndjelatnosti razvijanja \naudiovizualne kulture\nfilmski festivali i druge \naudiovizualne manifestacije\nizdavaštvo u području \naudiovizualnih djelatnosti\nostali programi\nprogrami audiovizualnih \nudruga i organizacija\nprogrami promocije i \nprodaje hrvatskih \naudiovizualnih djela\nprogrami stručnog \nusavršavanja i/ili edukacije\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"REZULTATI JP KOMPL 2026. - 1. rok","year":2026,"rok":"1. rok","natjecaj_date":"2026-02-04","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"28. sjednica Hrvatskog audiovizualnog vijeća, 4.2.2026.","section_key":"28_sjednica_hrvatskog_audiovizualnog_vijeca_4_2_2026","columns":["Naziv predlagatelja","Naziv programa","Odobrena sredstva (€)"],"rows":[{"row_number":1,"project_title":"Godišnji program Art-kina za 2026. godinu","applicant":"Art-kino","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00 €","approved_amount":50000.0,"currency":"EUR","extras":{"col_1":"1","Naziv programa":"Godišnji program Art-kina za 2026. godinu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"5d02e3dc:s0:816b20d1a934","curation":{"changes":[{"field":"applicant","from":null,"to":"Art-kino","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Art-kino","to":"Godišnji program Art-kina za 2026. godinu","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high","family":{"method":"claude-haiku","confidence":"high","reason":"Clear recurring annual program (2020-2026) with consistent title structure and primary entity Art-kino.","candidate_id":"fc_940e015845c5"}},"funding_status":"awarded","project_family_id":"pf_0c33ead6afc2","project_family_title":"Godišnji program Art-kina za godinu"},{"row_number":2,"project_title":"Program Art-kina za 10. izdanje festivala Tobogan","applicant":"Art-kino","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.800,00 €","approved_amount":2800.0,"currency":"EUR","extras":{"col_1":"2","Naziv programa":"Program Art-kina za 10. izdanje festivala Tobogan","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"5d02e3dc:s0:ec26fef874b0","curation":{"changes":[{"field":"applicant","from":null,"to":"Art-kino","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Art-kino","to":"Program Art-kina za 10. izdanje festivala Tobogan","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_76080cff8063","project_family_title":"Program Art-kina za 10. izdanje festivala Tobogan"},{"row_number":3,"project_title":"Škola u kinu za 2026.","applicant":"Art-kino","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"6.500,00 €","approved_amount":6500.0,"currency":"EUR","extras":{"col_1":"3","Naziv programa":"Škola u kinu za 2026.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"5d02e3dc:s0:a4f61bf117df","curation":{"changes":[{"field":"applicant","from":null,"to":"Art-kino","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Art-kino","to":"Škola u kinu za 2026.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high","family":{"method":"claude-haiku","confidence":"high","reason":"Consistent distinctive title and organizing entity (Art-kino) across years 2021-2026. 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ROK \n2025. / DUGOMETRAŽNI DOKUMENTARNI FILM UMJETNIČKI SAVJETNIK: ROBERT TOMIĆ \nZUBER \n \nKATEGORIJA: \nPOTICANJE \nRAZVOJA \nSCENARIJA \nI \nRAZVOJA \nPROJEKATA \nDUGOMETRAŽNIH IGRANIH, DUGOMETRAŽNIH DOKUMENTARNIH I ANIMIRANIH \nFILMOVA – RAZVOJ SCENARIJA DUGOMETRAŽNIH DOKUMENTARNIH FILMOVA – 12. \nožujak 2025.  \n \nOPĆI OSVRT  \n \nNa drugom pozivu ove godine prijavljeno je čak 39 projekta za razvoj scenarija, što je je \nznačajan porast naspram prošlog poziva (tada 28 prijavljenih scenarija). Svi projekti su \nrazmatrani, odnosno predana je za njih sva potrebna dokumentacija.  \n \nI ovdje može veseliti da se naspram prošlog poziva nastavio trend pričanja priča vrlo \nrazličitog spektra tema. Od onih biografskih, intimnih, do onih koji donose društveno \nrelevantnu ili povijesnu temu. Ono što se i u ovom pozivu može primijetiti, jest manja \nokrenutost temama iz sadašnjice.  Autori se u nekim projektima okreću eskapizmu do te \nmjere, da prijavljuju projekte koji govore o temama koje propitkuju prije svega osobne \ndvojbe, koje nemaju preveliku težinu za širu društvenu zajednicu. U tom duhu, i ovoga \nputa izostaje žanr istraživačkog filma. Nastavlja se i trend nerazlikovanja prikladnosti \npojedinih projekta za televizijsku proizvodnju više od autorskog filma. U tom smislu \nponovila se i tendencija manjeg fokusa na dramatsku strukturu njihova buduća projekta, \ndajući prednost prepričavanju određenih podataka koje autori smatraju bitnijima od same \nfilmske radnje. \n \nIpak za projekte koje predlažem za potporu, valja već u ovoj fazi reći kako pokazuju \ntendenciju stvaranja autorskog dokumentarnog filma. Projekti koje predlažem da se \npodrže donose društveno relevantne teme, ali i u nekim slučajevima i autorski inovativno \nzamišljene.  \n \nTim slijedom predlažem da se podrži 11 projekata za sufinanciranje u ovoj kategoriji u \nukupnom iznosu od 55.000,00 eura.  \n \n \n1. 2,44  Sara Horvatić (scenaristica i redateljica) / Adrijana Prugovečki \n(producentica) / Woodz production d.o.o. (produkcija) - predloženi iznos \npotpore: 5.000 eura \n \nDebitantski dugometražni dokumentarni film „ceste“ autorice Sare Horvatić, o vozačima \nteretnih vozila mogao bi biti prava mali dokumentaristički biser. Barem prema onome što \nje u svom prijedlogu ponudila autorica, nudeći priču vozača teretnih vozila, njihova \nsuočavanja s usamljenošću, stresom, obiteljskim problemima ili pak otuđenjem od njih. U \n\n\f\nsvojem character driven prijedlogu projekta, nudi protagoniste koji se bave istim poslom, \nali i osobnim razlikama. Emil, Stjepan i Karlo različitih su iskustava u svojoj profesiji vozača. \nTri različite generacije u gotovo istim kabinama njihovih kamiona koje autorica promatra \nmotivirana vlastitim iskustvom unutar svoje obitelji, kao kćer vozača kamiona. \nNepredvidivi mozaik koji nudi, baš zbog svjesnosti o njegovoj različitosti od protagonista \ndo protagonista, iz dana u dan, mogao bi u svojoj konačnici biti vrlo dinamičan, emotivan \ni potreban dokumentarni film.   \n \n2. 7x7x7 Danijela Stanojević (scenaristica) -  predloženi iznos potpore: 5.000 eura \n \nOvaj tematski bitan prijedlog filma autorice Danijele Stanojević, nudi iznimno relevantnu \ni suvremenu temu koja u svom loglineu zvuči sjajno -  \"Sedam redateljica, sedam \nscenaristica i sedam producentica odgovaraju na ista pitanja, ali svaka priča drukčije. Kroz \nnjihove riječi, prostore i tišine, ‘7×7×7’ postaje arhiv budućnosti – film koji ne dokumentira \nprošlost, već traži svoje mjesto u vremenu koje dolazi\". Govoriti o autoricama, kolegicama \nredateljicama, scenaristicama i producenticama bitno je za hrvatsku kinematografiju.  O \nnjihovom viđenju filmske industrije u nas ne samo da je važno progovoriti, pa i samim \ndokumentarnim filmom na tu temu, već je zanimljivo da se to do sada u istoj industriji nije \nučinilo. I upravo zato je napor i prijedlog autorice nešto što se čita s posebnom pažnjom. \nGledajući ga u ovoj kategoriji, kao svojevrsno promišljanje, naznaku onoga što bi ovaj film \nmogao biti, vjerujem da autorica ima prostora za dobar razvoj ovog projekta, koji bi \nsvojom temom, i načinom kako se već sada promišlja mogao intrigirati svoju publiku.  \n \n3. BIVŠI ČOVJEK Marko Zdravković Kunac (scenarist) /Pulska filmska radionica \n(produkcija) - predloženi iznos potpore: 5.000 eura \n \nPriče koje dolaze iz Pule u posljednje vrijeme u dokumentarnom smislu prava su \nrijetkost. No, nije samo to ono što intrigira u prijedlogu autora Marka Zdravkovića \nKunca. Jer on u svom filmu donosi priču o skoro zaboravljenom građaninu Pule, gradu \nkoji njeguje brend svoje multikulturalnosti. Upravo stoga je sudbina čovjeka koji je u taj \ngrad stigao iz norveških logora, a iz njega morao otići kao umirovljeno vojno lice u \nvrijeme rata u Hrvatskoj, nakon čega se prisilno seli u Beograd, slomljena srca - bitna ne \nsamo za one koji o toj priči nešto znaju, već i za grad iz kojega dolazi ali i države u kojoj \nse dogodila. Jer takvu priču (možda je to i pozitivna predrasuda) ne očekujete iz ovog \nistarskog grada. Kada čitate prijedlog autora o sudbini Dušana Čurića, jednog od \nosnivača Filmskog kluba Jelen, voditelja tečajeva fotografija, fotografskog kroničara \ngrada kao službenog fotoreportera Večernjeg lista, u konačnici i volontera pulskoga \ndoma za nezbrinutu djecu i dobrog oca dviju kćeri, shvaćate da niti jedan prostor u \nHrvatskoj nije bio očuvan od onoga što kolokvijalno možemo nazvati dehumanizacijom \nrata. Svoj život Dušan Čurić završava u Beogradu, za života ne vrativši se u Pulu unatoč \nmnogim pozivima. Razočaran, ali ipak bez iskazane gorčine.  \n \n\n\f\n \n4. BRONČANA ZAVJESA Dubravko Merlić (scenarist) / Matej Merlić (producent) / \nCastor Multimedia d.o.o (produkcija) - predloženi iznos potpore: 5.000 eura \n \nGlazbu i njen napredak, kontrastirati političkim kontekstom i raspadom jedne države, \nkako ju je u svojem projektu ponudio autor Dubravkom Merlić, čini se kao vrlo uspješna \nformula dokumentarnog filma koji bi mogao dati dodatno viđenje razdoblja, o kojem u \npovijesnom smislu smatramo da znamo gotovo sve. No u njegovom treatmentu u \npročitanih 16 sekvenci, vidljivo je kako neke od stvari šira javnost ili nije znala, nije htjela \nznati, ili pak nije imala prilike doznati. U tom smislu ovaj projekt koji govori o razdoblju u \nbivšoj Jugoslaviji od smrti Josipa Broza Tita, do koncerta Prljavog kazališta na glavnom \nzagrebačkom trgu 1989., mogao bi biti prava povijesno dokumentarna poslastica.  \n \n5. JA, TANGUERA Ljiljana Šišmanović (scenaristica i redateljica), - predloženi iznos \npotpore: 5.000 eura \n \nOvo je neobična priča o tangu u Hrvatskoj, ne zato što ona originalno pripada drugoj \nkulturi, a ne onoj ovog društva, već zato što vjerojatno nisam jedina osoba, koja bi se \nzačudila informacijom o zapravo vrlo jakoj sceni onih koji su ljubitelji tog plesa. I onog \ntrena kada ta začuđenost prođe, autorica Ljiljana Šišmanović uspijeva nas uvesti na \nputovanje sa svojim protagonisticama, koje žele postati tanguera – žene koje uspješno \nprate muškarca u plesnom koraku tanga. Ovaj projekt svojevrsno je i putovanje \nemocijama, jer teško je ovaj ples odvojiti od njih, ili pak strasti, erotičnosti, te povjerenja \nu ovom slučaju žene prema muškarcu, koji ju kroz ples vodi. Svakako nešto što bi se moglo \npretvoriti u pravu filmsku poslasticu \n \n6. MIRA Sabina Krešić (scenaristica i producentica) / Rastika (produkcija) - \npredloženi iznos potpore: 5.000 eura \n \nOvoj filmografiji ali i kazalištu i hrvatskoj umjetnosti nedostaje nešto što će progovoriti o \nbiografiji velike glumice i aktivistice, Miri Furlan. Samo ime ove glumice daje dojam \nnedovršene priče i nakon njene smrti. Koju kao da se do sada nitko nije usudio ispričati. \nDo trenutka predaje ovog prijedloga projekta, inače uspješne producentice Sabine Krešić, \nkoja se u ovom filmu pojavljuje na autorskoj poziciji inicijalne scenaristice. U svom pismu \nnamjere, autorica ističe da u daljnjim fazama scenarij piše u suradnji s iskusnijim \nscenaristom ili scenaristicom, kao i da ima želju da ovaj film režira redateljica, s kojom bi \ndijelila viziju ovog projekta. Kako se god odlučila za svoj autorski tim, u ulozi autorice \nSabina Krešić već im sada donosi pomno istraženu biografiju, ali i temu jedne prognane \nglumice koju je potrebno ispričati, i zbog društva kojem se takvo što ne bi trebalo ponoviti.  \n \n \n \n\n\f\n \n7. NAŠI ZAMIŠLJENI OTOCI Ana Grgić (scenaristica i redateljica) / Oliver Sertić \n(producent) / Restart (produkcija) - predloženi iznos potpore: 5.000 eura \n \nU svojoj drugoj prijavi autorica Ana Grgić, donoseći priču o svom djedu koja je odvodi na \npoetično putovanje razotkrivanja duhova dalje i bliže prošlosti, pokrenuto raspadom bivše \ndržave koje je oblikovalo i njen identitet i sadašnjost, hrabro iskoračuje naspram prošlog \nprijedloga i u onome što naziva međugeneracijskim dijalogom. Ovoga puta ona otvoreno \nnudi i svoje viđenje u tom spomenutom dijalogu. Povratkom na Lastovo, gdje je provodila \nljeta svog djetinjstva nudi nam kompleksnu historiografiju jedne obitelji, ali istovremeno \ni jedne epohe.  \n \n8. OSNOVNA ŠKOLA Ana Buljan (scenaristica i redateljica) - predloženi iznos \npotpore: 5.000 eura \n \nPitanja nestanka stanovništva na hrvatskim otocima, nerijetko je tema gotovo \njednoobraznih novinarskih uradaka. Tema koja je poznata, o kojoj se od izbora do izbora \ngovori, nikako da postane dovoljno društveno relevantno pitanje koje bi se nekom \nciljanom demografskom politikom rješavalo. Upravo zato je bitan prijedlog priče autorice \nAne Buljan o činjenici da se na otoku Kapriju, nakon 50 godina otvara škola, za samo \njednog prvašića – Vala. Njegova učiteljica svakodnevno dolazi iz Šibenika i vodi nastavu \nValu, čiji početak ovisi o sezonskom rasporedu Jadrolinije. Ova činjenica nije mala vijest \nna otoku. U Valovu obrazovanju malo pomalo sudjeluju i sumještani. Kako? Kroz sate \nprirode i društva Val shvaća kako na njegovu otoku ima flore koja nestaje. Pa uz pomoć \nsumještana krene u projekt sadnje vrsta nestalih iz uzgoja, ječma i pšenice.   \n  \n9. TKIVO  Lucija Marčec (scenaristica i redateljica) -  predloženi iznos potpore: 5.000 \neura \n \nFizičko, psihičko i društveno zdravlje žena u Hrvatskoj nerijetko je tema onih, koji o \npoložaju žena u društvu vole govoriti s pozicije onih koji obećavaju konstantnu pomoć u \nunaprjeđenju položaju žena u našem društvu. No, projekti poput ovog autorice Lucije \nMarčec, nažalost su neposredni dokazi suprotnog ponašanja. Pritom ta opaska ne \numanjuje vrijednost njenog projekta, o četiri žene s endometriozom, reproduktivnom \nbolesti pojedinih žena, koje se uz tu bolest moraju boriti i sa sustavom. Scenaristica i \nredateljica s kojom protagonistice dijele dijagnozu, vješto ukazuje na strukturu društveno \nrelevantnog filma koja donosi pogled na ono što znači biti žena u današnjem svijetu, ali \nujedno i vrlo intimnog svjedočanstva naših sugrađanki, ali i same autorice, koja vrlo \ndecentno a onda organski sve prisutnije, postaje svojevrsna naratorica cijelog filma. Koja \nna kraju i sama u njegovu finalu donosi emotivni zaključak o procesu snimanja filma.     \n \n \n\n\f\n \n \n10. TRG SVIBANJSKIH ŽRTAVA Ines Mrenica Mutevelić (scenaristica) - predloženi \niznos potpore: 5.000 eura \n \nPričati ratnu priču tri desetljeća nakon što se ona dogodila, iznimno je zahtjevan autorski \nizazov. Autorica Ines Mrenica Mutevelić donosi priču o sinu civilne žrtve raketiranja \nZagreba 1995. godine, koji putuje u daleki estonski zatvor kako bi se pokušao susresti s \nratnim zločincem Milanom Martićem, osobom koja je naredila teroristički napad u svibnju \n1995. na glavni grad Hrvatske. Samo čekanje hoće li Zlatan Mutevelić, sin ubijene Višanke \nAne Mutevelić, dočekati da Milan Martić razgovara s njim, autorica dramaturški ispunjava \nrekonstrukcijom događaja tijekom raketiranja, kroz koju doznajemo sudbine sedam \nžrtava. No uz njih, nudi i sugovornike u potrazi glavnog protagonista Zlatana, koji su \nrelevantni svjedoci vremena. Od novinara, međunarodnih političara, umjetnica, vojnih \nstručnjaka, i obitelji žrtava, na vrlo koherentan način autorica stvara fresku jedne \ntragedije, koja svojom strukturom, što nije nebitno, podsjeća na sjajne svjetske recentne \ndokumentarne filmove slične tematike.  \n \n11. FRAGMENTI NEVERE Lucija Stojević (scenaristica i redateljica) / Tiha Gudac \n(producentica) / Arbor Films d.o.o. - predloženi iznos potpore: 5.000 eura \n \nNerijetko osobna intimna priča protagonista u dokumentarnom filmu, može donijeti uvid \nu određene društvene pojave, više nego li bilo koja šira društvena akcija koja određenu \ntemu želi aktualizirati. Posljedice Alzheimera tema je koja nije nepoznata u širem \nkontekstu, no što kada s njom, odnosno s članom obitelji koji boluje od te bolesti ostanete \nsami? Upravo taj uvid projekt Lucije Stojević donosi, kroz priču sina koji bilježi kako \nsjećanje njegove majke blijedi u toj bolesti. U priči smještenoj u Španjolskoj, autorica ima \nsjajan pristup svom protagonistu Sebastianu koji dokumentira životnu priču svoje majke \nLourdes, 75-godišnje supruge bivšeg diplomata i operne pjevačice. U toj borbi da otrgne \nnjeno sjećanje zaboravu, Sebastian kroz obiteljsku arhivu dobiva uvid u fascinantnu priču \nod 1960-ih u Barceloni, diplomatskih službi njena supruga diljem Europe u tranziciji – \ndajući nam posve osobni uvid u društvene promjene, od Ceaușescove Rumunjske do \npodijeljenog Berlina, Francove Španjolske do nove nade koje zalaskom u 1990-e nudi \nBruxelles. Fascinantna paneuropsko svjedočanstvo koje u sadašnjosti blijedi, nudi \nkompleksni europski dokumentarni film, s hrvatskim autorskim pečatom. Istovremeno \novo je emotivno svjedočanstvo jednog odlaska. Osobe iznimno bitne u životu \nprotagonista, koji se ovom svojevrsnom kronikom jednog života, trudi taj odlazak učiniti \nšto dostojanstvenijim.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje komplementarne 2015.pdf","filename_decoded":"obrazlozenje komplementarne 2015.pdf","sha256":"5dd2b4d9096ff27082bc4948d5c0d112f241db4c845ece85a2294431670f843b","bytes":328694,"page_count":4,"extracted_at":"2026-05-17T12:01:30Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20komplementarne%202015.pdf"},"raw_text":" \nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2015. \ngodini \nObrazloženje umjetničkih savjetnika za komplementarne djelatnosti \n \nNa Javni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2015. \ngodini pristiglo je sveukupno 347 prijava u kategorijama zaštite audiovizualne baštine \nuključujući kinotečnu djelatnost, filmskih festivala i drugih audiovizualnih manifestacija, \ndjelatnostima razvijanja audiovizualne kulture, programa promocije i prodaje hrvatskih \naudiovizualnih djela, proučavanja i kritičkog vrednovanja audiovizualnih djelatnosti, \nizdavaštva u području audiovizualnih djelatnosti, programa stručnog usavršavanja i \nprograma audiovizualnih udruga i organizacija. \nDio prijava koje su vezane za isti program umjetnički su savjetnici sagledavali kao jednu \nprijavu, a za ukupno tri prijave savjetnici su zaključili da ne pripadaju u programsko \npodručje komplementarnih djelatnosti.  \n \nNakon razmatranja prijava savjetnici za komplementarne djelatnosti u sastavu Mima Simić, \nTeodor Celakoski i Slaven Zečević za financiranje preporučuju 221 program u ukupnom \niznosu od 11.035.700,00 kuna. \n \nU postupku procjenjivanja i vrednovanja prijava savjetnici su se vodili nizom kriterija po \nnavedenim kategorijama, no pritom je u svim kategorijama vrednovano sljedeće: \n \n- kvaliteta, izvedivost i održivost samog programa, pri čemu se posebno vodilo računa \no programima koji imaju konkretne, realne i strateške planove u umjetničkom, \norganizacijskom i financijskom smislu, o dostupnosti samog projekta, njegovoj vidljivosti i \nkomunikaciji s profesionalcima i javnosti, kvaliteti same prijave, kvaliteti i iskustvu \nprojektnog tima u pojedinoj programskoj komplementarnoj djelatnosti za koju se prijavljuju, \no prethodnom izdanju programa (u slučaju da nije riječ o prvom izdanju), te o različitim \noblicima suradnje, umrežavanjima i partnerstvu   \n \n- značaj programa, od lokalne zajednice, preko nacionalnog značaja do međunarodne \nprepoznatosti \n \n- kontinuitet programa odnosno njegova dugoročna usmjerenost (jednokratna \ndogađanja podržana su samo iznimno, i to s relativno malim iznosima) primarno misleći na  \nprethodno već pokrenute programe koji su svojom kvalitetom, sustavnošću i javnim \nznačajem ostvarili uvjete za daljnju potporu od strane Hrvatskog audiovizualnog centra te \nsu svojom kvalitetom opravdali nastavak financiranja \n \n- projekti koji dosad nisu financirani a pridonose specifičnosti, komplementarnosti te \nestetskoj raznovrsnosti audiovizualnih sadržaja \n \n\n\f\n- projekti koji nude različite aspekte audiovizualne edukacije  \n- projekti koje na pojedinom javnom pozivu umjetnički savjetnici odrede, sukladno \ntrenutačnim potrebama audiovizualnog sektora,  kao prioritetnu aktivnost ili \naktivnosti koju bi trebalo pojačano potpomagati u narednom periodu Umjetnički \nsavjetnici  smatraju da u budućem razdoblju treba stvoriti uvjete za potpomaganje \nkinotečnog programa digitaliziranih kinodvorana. \n \nTakođer; i ove godine primjetno je povećanje prijava i pojava novih vrijednih inicijativa pri \nčemu smo prednost dali programima u sredinama u kojima su filmski programi ili \nzapostavljeni ili praktično nepostojeći. Programe čiji je rast i razvoj primjetan u zadnjoj \ngodini pokušali smo u okviru financijskih mogućnosti popratiti laganim povećanjem \nsredstava. Zamijećen je i porast programa koji temeljno ne pripadaju području \nkomplementarnih djelatnosti, nego području vizualne umjetnosti i području novih medijskih \nkultura (područja koja se financiraju putem natječaja Ministarstva kulture). \n \nKao i svake godine, u svim kategorijama utvrđeni su prioritetni programi za koje su \npredložene i najviše potpore. Riječ je o programima od iznimnog ili bitnog nacionalnog \nznačaja, koje možemo smatrati temeljnim za očuvanje i razvoj audiovizualnog stvaralaštva \nu Hrvatskoj, odnosno o programima koji imaju bitan regionalni ili lokalni značaj, ili pak \nonima koji su važni za razvoj pojedinih djelatnosti ili žanrova: \n U kategoriji Zaštita audiovizualne baštine uključujući kinotečnu djelatnosti kao \nposebno važan program koji dobiva kontinuiranu podršku ističe se  Filmski i video \narhiv Hrvatskog filmskog saveza.  \n U kategoriji Proučavanje i kritičko vrednovanje audiovizualnih djelatnosti Vizualni \nkolegij Multimedijalnog instituta te Masterclass program razgovora sa svjetskim \ndokumentaristima koji provodi Restart. Također ističemo Međunarodni znanstveni \nskup o animiranom filmu u organizaciji Hulahop d.o.o.-a, za koji se nadamo da će \nbiti uspješan. \n U kategoriji Izdavaštvo u području audiovizualnih djelatnosti tradicionalno je \nnajveća podrška dodijeljena filmološkom časopisu Hrvatski filmski ljetopis. \nPrepoznat je niz novih zanimljivih izdanja, dok se kod internetskog izdavaštva i \ndalje nastavilo s praksom financiranja portala koji na kvalitetan način predstavljaju, \nvaloriziraju i kontekstualiziraju AV djelatnost. \n U kategoriji Programi stručnog usavršavanja filmskih profesionalaca i ove je godine \npodržan program edukacije nastavnika, voditelja klubova i samostalnih autora \nŠkola medijske kulture Dr. Ante Peterlić Hrvatskog filmskog saveza, kontinuirani \nprogram \nRestart \nLaboratorij, \nZFF \nindustrija \ni \nKorčula \nCross \nMedia \nLab&Konferencija. Posebna je pažnja posvećena i profesionalnim obrazovnim \nprogramima, koji su prepoznati od strane Kreativne Europe te koji bitno doprinose i \nmeđunarodnoj promociji hrvatskog filma, poput  projekta ZagrebDox Pro 2015 \nUdruge Factum.   \n U kategoriji Programi audiovizualnih udruga i organizacija kao posebno važna i \nprogramski kvalitetna prepoznata je redovita godišnja djelatnost Hrvatskog društva \n\n\f\nfilmskih djelatnika kao krovne organizacije filmskih profesionalaca. Bitna je potpora \ndana i organizacijama pojedinih profesija koje su ponudile kvalitetan i dobro \nosmišljen godišnji program: Društvo hrvatskih filmskih redatelja i Hrvatska udruga \nproducenata te program Hrvatskog filmskog saveza, Hrvatske udruge filmskih \nsnimatelja i Hrvatskog društva filmskih kritičara te one koje u svom godišnjem \ndjelovanju objedinjuju niz obrazovnih, prikazivačkih i produkcijskih djelatnosti. \n    Kategorija Filmskih festivala i drugih audiovizualnih manifestacija predstavlja   \nkategoriju koja iz godine u  godinu raste i po broju  i po razvoju pojedinih festivala. \nKao najvažniji nacionalni festivali značajnog međunarodnog ugleda i dalje su \npodržani ANIMAFEST Zagreb, ZagrebDox, Motovun Film Festival i Zagreb Film \nFestival. Bitno je naglasiti kako od 2015. godine Animafest postaje festival i \nkratkometražnih i dugometražnih animiranih filmova. Nadalje su prepoznati po \nsvojoj izvrsnosti u promociji određenih žanrova i/ili su bitni iz perspektive \nregionalne raznolikosti i sljedeći festivali: 25FPS, Vukovar Film Festival i Splitski \nfilmski festival, zatim Festival mediteranskog filma Split, Human Rights Film \nFestival, Festival tolerancije - Festival židovskog filma Zagreb, te Four River Film \nFestival. Izdvajamo i Dane hrvatskog filma s novom koncepcijom i organizatorom \nproducentskom tvrtkom Spiritus movens d.o.o., festivale s međunarodnim \nprogramom, jakim industrijskim dijelom te one lokalnog i regionalnog značaja \n(Avvantura Festival, Tabor Film Festival, Opuzen Film Festival i DOKUart), zatim \none specifičnog formata i/ili sadržajnog odnosno koncepcijskog usmjerenja \n(Festival jednominutnih filmova i Filmske mutacije) te nacionalno značajne revije \nfilmskog stvaralaštva (Revija hrvatskog filmskog i video stvaralaštva, Revija \nhrvatskog filmskog i videostvaralaštva djece). Ostali programi mogu se \nokarakterizirati kao uglavnom  lokalno orijentirani festivali i manifestacije. \nU kategoriji Djelatnosti razvijanja audiovizualne kulture posebna pažnja \nposvećena je art-kinima u većim urbanim središtima, a kojima su određene \nrazličite potpore s obzirom na kvalitetu ponuđenoga programa, njegov kontinuitet i \nkoncepcijsku opravdanost: Filmski program u kinu Tuškanac (Zagreb), Filmski \nprogram Art-kina Croatia (Rijeka), Kino Europa (Zagreb), Kino Urania (Osijek). \nOsim toga, kao važni su prepoznati redovni prikazivački programi u manjim \ngradovima (Varaždin, Daruvar, Samobor) te kontinuirani obrazovni programi i \nradionice Fade-ina, Kinokluba Zagreb, Restarta, Studentskog centra u Zagrebu te \nUdruge Blank. Od različitih ponuđenih prikazivačkih programa za djecu, osobito se \nističe program filma za djecu i mlade i nezavisnih digitaliziranih kinoprikazivača \nUdruge Djeca susreću umjetnost, a kao inovativan program i onaj Udruge Bacači \nsjenki pod nazivom FROOOM-program filmskog i interdisciplinarnog obrazovanja \nkoji i u 2015. godini uspješno nastavljaju svoj rad. Od novih inicijativa istaknuli \nbismo projekt Kino Mediteran koji je dobio potporu Kreativne Europe, a za kojeg \nse nadamo da će oživjeti otočke sredine u ljetnim, te naročito u zimskim \nmjesecima. \n U kategoriji Programi promocije i prodaje hrvatskih audiovizualnih djela prihvatili \nsmo tri programa. Riječ je o godišnjem programu distribucije, promocije i prodaje \nkratkih filmova Bonobostudija, festivalskoj distribuciji Ustanove Zagreb Film te o \n\n\f\nnovom programu Kinedok koji je dobio potporu Kreativne Europe. \nTijekom rada na procjenjivanju ovogodišnjih prijava, kao i u sagledavanju cjeline natječaja, \nnjegovih kategorija i raznolikosti prijavljenih programa, savjetnici za komplementarne \ndjelatnosti naišli su na nekoliko otvorenih pitanja i izazova, od kojih se neka već više \ngodina zaredom iznova pojavljuju.  \nPrvo i osnovno je pitanje budžeta.  \nPrimjetno je da su u zadnjih nekoliko godina lokalne sredine i sponzori smanjili financiranje \nvećini projekata te da je nekim programima jedini sufinancijer Hrvatski audiovizualni \ncentar. Umjetnički savjetnici primijetili su određenu stagnaciju i pad u kvaliteti pojedinih \nprograma koji bez odgovarajuće financijske injekcije lokalne zajednice i HAVC-a u \nnarednom razdoblju neće opstati. Nadamo se da će nedavno uspostavljena mreža \nnezavisnih kina pomoći da se u nekim sredinama stvari održe na životu te da će kina, osim \nu kinoprikazivačkom segmentu, postati mjesto okupljanja i edukacije.   \nPitanje Hrvatske kinoteke čiji status i položaj i dalje nije riješen. \nPitanje unaprjeđenja odredbi natječaja \nSavjetnici  su primijetili određeni napredak korisnika pri prijavi projekata te u izvještavanju i \nkomunikaciji s institucijom, no još uvijek smatraju da ima mjesta za napredak u čemu bi od \nnajveće koristi bilo donošenje smjernica na kojima se trenutačno radi. \n \nZagreb, 30. siječnja 2015. \n \nUmjetnički savjetnici \nMima Simić \nTeodor Celakoski \nSlaven Zečević \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2015,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlo_enje manjinske _3 rok 2016.pdf","filename_decoded":"Obrazlo_enje manjinske _3 rok 2016.pdf","sha256":"5ddd82b6b0c82d0e7c5715cdacd19c3e6105cece6e6ffefb702af334d0547c16","bytes":609677,"page_count":3,"extracted_at":"2026-05-17T12:01:24Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlo%C5%BEenje%20manjinske%20_3%20rok%202016.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničke savjetnice po rezultatima Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2016. godini u kategoriji poticanja proizvodnje audivizualnih djela \nfilmske koprodukcije s manijnskim hrvatskim udjelom  (rok 20. srpnja 2016. godine). \n \nSanja Ravlić, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim udjelom: \n \nNa ovom roku odlučivanja od ukupno 18 prijavljenih projekata (od kojih se 3 nisu razmatrala jer \nnisu zadovoljili kriterije)  u svim kategorijama na Javni poziv u kategoriji filmskih koprodukcija s \nmanjinskim hrvatskim udjelom, za sufinanciranje sam predložila dva dugometražna igrana filma i  \njedan kratkometražni animirani film. \nGlavni kriterij kojim sam se vodila pri odabiru predloženih filmova/projekata bila je, naravno, \nkvaliteta ponuđenih scenarija, potom sveukupna uspješnost autora/autorica, ali i producenta i \nkoproducenata filma. Potom kriterij zastupljenosti hrvatskih filmskih djelatnika (bilo da se radi o \numjetničkim ili tehničkim zanimanjima) u samoj proizvodnji filma. I na kraju, ali ne nevažno,  \nprodukcijski kriteriji konzistentnosti koprodukcijske strukture u smislu već potvrđenih ili mogućih \ndodatnih izvora financiranja  te potencijala cirkulacije filma u kinima ili na međunarodnim filmskim \nfestivalima.  \n \nKao da je moj sin talijanske redateljice Costanze Quatriglio. Scenarij zajednički potpisuju \nredateljica Quatrglio i iskusna talijanska scenaristica Doriana Leondeff.  \nInspiraciju za ovu intimističku dramu o egzilu i o tome kako egzil oblikuje i mijenja nečiji identitet, \nredateljica je našla u istinitoj životnoj priči Mohammada Jan Azada, lika iz svog dokumentarnog \nfilma Il mondo addosso iz 2006. Krajem 1990.-ih, tisuće muških pripadnika naroda Hazar iz \nAfganistana bili su prisiljeni napustiti svoje majke i obitelji te doći u Europu preko Pakistana, Irana, \nTurske i Grčke kako bi izbjegli talibansko etničko čišćenje. Dva brata Hazara, mlađi Ismail i stariji \nHussein koji su izbjegli u Italiju, nakon 20 godina po prvi put uspijevaju stupiti u kontakt sa svojom \nmajkom, što će dovesti do nesagledivih posljedica po njihov odnos i život koji su za sebe izgradili u \n\n\f\n \n \n \n \negzilu.  \nGlavnu žensku ulogu u filmu tumači hrvatska glumica Tihana Lazović, a dio filma će se i snimati u \nHrvatskoj.  \n \n \nFilm Otac četvrti je dugometražni igrani film srbijanskog redatelja Srđana Golubovića, čiji je \nprethodni film Krugovi, također koprodukcija između Srbije, Njemačke, Francuske i Hrvatske, bio \nprikazan na festivalima u Berlinu i na Sundance Film Festivalu gdje je osvojio posebno priznanje \nžirija.  Scenarij za ovaj novi film zajednički potpisuju redatelj Golubović i poznati hrvatski scenarist i \nredatelj Ognjen Sviličić. Priča je to o Nikoli, čovjeku kojemu je novo vrijeme oduzelo sve, pa i pravo \nna vlastitu djecu. Nikola je simbol borbe protiv licemjerja koje donosi to novo vrijeme koje nam \ncinično postavlja pitanje – da li siromaštvo isključuje i pravo na vlastitu djecu?  Poput nekog \nmodernog Sizifa Nikola se u svojoj potrazi za pravdom suočava s korupcijom, birokracijom, \napsurdom i ravnodušnošću te luta od jednih do drugih vrata, od jednog do drugog službenika, a \nsve dalje od rješenja i pravde.  \nPremda Nikola počinje priču kao gubitnik, odbačen i ponižen čovjek, kroz svoje putovanje, hodajući \nod svog sela do glavnog grada, s jednog na drugi kraj zemlje, vođen protestom, osjećajem \nosnovnog ljudskog dostojanstva i željom da dokaže nešto samom sebi i drugima, postaje heroj, u \novom, kako ga redatelj Golubović karakterizira, «bajkolikom tranzicijskom vesternu».  \n \nPad Rima  \nRiječ je o 12 minutnom kratkometražnom filmu u tehnici 2D digitalne animacije kojeg autor, \nmađarski animator Balasz Turai žanrovski određuje kao distopijsku komediju ili znanstveno-\nfantastičnu satiru.  Sam naslov filma, ali i u velikoj mjeri njegova radnja i svijet inspirirani su \nistoimenom pjesmom slavnog britanskog pjesnika W.H. Audena iz 1940. godine, u kojoj pjesnik \npovlači analogiju između povijesti drevnog Rima i onim što smatra mračnom realnosti suvremenog \n\n\f\n \n \n \n \nživota, implicitno dijagnosticirajući da suvremena civilizacija pati od istih bolesti kao i drevni Rim, \nbolesti koje su dovele do njegove propasti.  \nAutor Turai u svom kratkom animiranom filmu na sličan način povlači paralele između \ntragikomičnog distopijskog postapokaliptičnog fikcijskog svijeta kojeg kreira u filmu i današnjice u \nkojoj, prema njegovim riječima: ”postkršćanska bogata enklava agresivno štiti svoj prostor od  \nprodora drugačijih, uljeza.”  \nTakođer valja naglasiti da je riječ o projektu koji nastaje u okviru započete inicijative suradnje na \npodručju animacije između Hrvatske i zemalja tzv. Višegradske incijative, u ovom slučaju \nMađarske.  \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2016,"rok":"3. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"5%20WEB%20obrazlozenje_proizvodnja%20dugi%20igrani%201.rok%202023_copy%202.pdf","filename_decoded":"5%20WEB%20obrazlozenje_proizvodnja%20dugi%20igrani%201.rok%202023_copy%202.pdf","sha256":"5de28a1e5d4ac48c6e57022c39624850d037c4134019327a6002d2c0ecab4bba","bytes":90911,"page_count":3,"extracted_at":"2026-05-16T13:53:53Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/5%20WEB%20obrazlozenje_proizvodnja%20dugi%20igrani%201.rok%202023_copy%202.pdf"},"raw_text":" \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija \nproizvodnje dugometražnog igranog filma i debitantskog dugometražnog igranog filma \nu 2023. godini – 1. rok,  15. ožujka 2023. \n \n- \numjetnički savjetnici za dugometražni igrani film - Višnja Pentić, Juraj Lerotić, \nDean Šoša \n- \nfinancijski savjetnik - Čedomir Kolar \n \nNa prvi natječajni rok za poticanje proizvodnje dugometražnog igranog filma u 2023. godini \nprijavilo se ukupno četrdeset projekata, 15 debitantskih dugometražnih igranih filmova od \nčega tri u fazi postprodukcije i 25 dugometražnih igranih filmova od čega dva u fazi \npostprodukcije. Svi su se projekti razmatrali. \n \nPrijavljeni filmovi tematski i formalno pokrivaju vrlo širok raspon; od onih koji se bave \nodrastanjem u kompliciranim životnim okolnostima preko filmova koji tematiziraju ljubav u \ntrećoj dobi do distopijskih i povijesnih spektakla.  \n \nIntrigantnih žanrovskih filmova, prvenstveno kriminalističkih i komedija, nedostaje jednako \nkao i dječjih filmova. \n \nZanimljivo je da se srazmjerno velik broj filmova bavi izrazito ranjivim društvenim \nskupinama: izbjeglicama, azilantima i Romima. \n \nOdlučili smo poduprijeti sveukupno tri filma, jedan u kategoriji debitantskog dugometražnog \nigranog filma i dva dugometražna igrana filma u sveukupnom iznosu 2.250.000,00 eura. \n \nIzbor filmova koji su predloženi i odobreni za sufinanciranje odražava upravo opisanu \nraznolikost.  \n \nVeseli činjenica da se među njima nalaze filmovi koji bi zbog teme, načina izlaganja priče i \nhumora mogli biti izrazito zanimljivi domaćoj kino publici (Svadba,  Hajka),  ali i  jedan \ndebitantski film (Sitni lopovi) koji zbog prethodnih radova autora i njegove specifične filmske \npoetike ima velik međunarodni festivalski potencijal. \n \n \nDUGOMETRAŽNI IGRANI FILMOVI \n \nHAJKA \nscenarij: Jelena Paljan \nrežija: Nevio Marasović \nprodukcija: Kinorama d.o.o. \n900.000,00 eura \n \n'Hajka' je komedija o biologinji Marti, osebujnoj i snažnoj ženi u četrdesetim godinama, koja \nradi u interventnom timu za spašavanje medvjeda. Neobičan slučaj vodi je u Veliki Dabar, \nizmišljeno mjesto u Gorskom kotaru. Ondje je pred vilom gradonačelnika pronađen ubijeni \nmedvjed. Smrt nesretnog medvjeda okidač je niza uzbudljivih zbivanja u kojima se isprepliću \n\n\f\nsudbine korumpiranog gradonačelnika, mladoga i nespretnog policajca, Martinoga bivšega \nmuža i brojnih drugih osebujnih likova... \n'Hajka' redatelja Nevija Marasovića, prema scenariju Jelene Paljan, inteligentna je 'feel good' \nkomedija koja u izmišljenom kutku Gorskoga kotara vješto oživljava atmosferu smještenu \nnegdje između 'Života na sjeveru' i 'Twin Peaksa'. Likovi su redom napisani s puno ljubavi i \nrazumijevanja. 'Feel good' priča u pozadini donosi i prepoznatljiv socijalni kontekst koji, \nmeđutim, ničim ne remeti osnovnu fabularnu liniju i zabavni karakter filma. Vjerujemo kako \nbi 'Hajka' mogla postati komercijalan i kvalitetan film.  \n \n \nSVADBA \nscenarij i režija: Igor Šeregi \nprodukcija: Eclectica d.o.o. \n800.000,00 eura \n \n'Svadba' je komedija o vjenčanju Ane, kćeri hrvatskog tajkuna i Nebojše, sina srpskog \nministra vanjskih poslova. Ana i Nebojša su zaljubljeni, ali nisu planirali vjenčanje, iako je \nbuduća mladenka u sedmom mjesecu trudnoće. Anin otac Miljenko, međutim,  u teškim je \nfinancijskim problemima. Njegov je poslovni imperij ozbiljno načet i jedini mu spas donosi \niskorak na srpsko tržište. Nebojšin otac Vuk u podjednako je teškoj situaciji jer ne stiže na \nvrijeme zatvoriti sva poglavlja iz pristupnih pregovora o ulasku Srbije u EU, pa svadbu \ndoživljava kao posljednju priliku za popravak imidža u medijima i pred članovima EU \nkomisije. Svadba se održava na jednom malom hrvatskom otoku i, unatoč golemom trudu \nroditelja, ne odvija se onako kako je planirano... \n \nNajkraće opisano – 'Svadba', scenarista i redatelja Igora Šeregija, budući je hrvatski i \nregionalni blockbuster. Komedija o dogovorenom vjenčanju odlikuje se zanimljivom i vješto \nispričanom pričom. Karakteri su profilirani uvjerljivo i kroz akciju, s puno ljubavi i \nrazumijevanja, dijalozi su duhoviti i filmični, a posebice fascinira činjenica kako autor, bez \nobzira na brojne potencijalno 'skliske' motive, ne upada u zamku klišeja ili pak pretjerane \nparodije ili groteske.  \nRedateljska koncepcija napisana je žanrovski suvereno, a ozbiljno je koncipiran i \nproducentski plan promocije i distribucije filma. Dodamo li svemu i veliki uspjeh u kinima \nprethodnog Šeregijeva filma 'ZG-80', uvjereni smo kako je pred nama budući hit u kinima \nHrvatske i susjednih država, čiji uspjeh autora neće dočekati nespremnoga, budući da je priču \n'Svadbe' koncipirao na način da je lako ostvariv i njezin nastavak.     \n \n \n \n \n \n \n \n\n\f\nDEBITANTSKI DUGOMETRAŽNI IGRANI FILM \n \nSITNI LOPOVI \nScenarij i režija: Mate Ugrin \nprodukcija: UO Kadromat \n550.000,00 eura \n \n'Sitni lopovi' priča je o mladiću Riju koji sezonski radi kao pomoćni kuhar u luksuznom \nljetovalištu na obali. Introvertirani Rio budžet popunjava sitnim krađama, pomaže bolesnome \ndjedu i ima neriješene probleme s ocem koji je započeo novi život. Ljeto mu donosi \nprijateljstvo sa sezonskom radnicom Andrejom, s kojom razvija emotivni odnos. \nDebitantski  dugometražni igrani film Mate Ugrina odlikuje se iznimno vješto napisanim \nscenarijem koji je upotpunjen jednako uvjerljivom redateljskom koncepcijom i osobito \ndojmljivim mood videom. Posljednjih godina Ugrin se nametnuo kao jedan od naših \nnajzanimljivijih autora kratkoga igranog filma. Ugrinova ostvarenja, posebice nagrađivani \n'Sve što dolazi', kao i priloženi mood video realiziran u suradnji s uglednim snimateljem \nIvanom Markovićem, najavljuju 'Sitne lopove' kao ambiciozan izdanak tzv. 'slow cinema', \nznačajnog svjetskog filmskog stila koji u hrvatskoj kinematografiji još nije ozbiljnije zaživio. \nOsim stilski, 'Sitni lopovi' inovativni su u hrvatskim okvirima i tematski, kako zbog bavljenja \nprekarnim radom i naličjem hrvatskog turizma, tako i zbog prikazivanja manjinskih \nseksualnih identiteta. \nImajući u vidu kvalitetu scenarija, ambiciozno postavljene estetske ciljeve, kao i dosadašnji \nopus Mate Ugrina, mišljenja smo kako će 'Sitni lopovi' doživjeti iznimno dug i uspješan \nfestivalski život.  \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","year":2023,"rok":"1. rok","referenced_projects":["HAJKA","SVADBA","SITNI LOPOVI"],"summary":"Obrazloženje umjetničkih savjetnika za 1. rok 2023. javnog poziva za proizvodnju dugometražnog igranog filma; od četrdeset prijava odobrena su tri filma u ukupnom iznosu 2.250.000,00 eura.","project_links":[{"source_title":"HAJKA","family_id":"pf_e32dde88d48f","family_title":"Hajka","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"SVADBA","family_id":"pf_ac43126474d8","family_title":"Svadba","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"SITNI LOPOVI","family_id":"pf_9c2cb6f68f5d","family_title":"Sitni lopovi","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2017_WEB_DUG_IGR_2rok_10VII2017_novo.pdf","filename_decoded":"RPR_2017_WEB_DUG_IGR_2rok_10VII2017_novo.pdf","sha256":"5e88156861db15ac2b48537682e7e25bb3ede72fd0278fa285bfd1bab74cf291","bytes":15931,"page_count":1,"extracted_at":"2026-05-17T10:24:20Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2017_WEB_DUG_IGR_2rok_10VII2017_novo.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nSedmo nebo \nPetnaesta umjetnost d.o.o.  \n/ Hrvoje Osvadić\nJasna Nanut\nJasna Nanut\n120.000,00\n2\nKrivi izlaz\nMaxima film d.o.o./ Damir \nTerešak\nVanja (Sviličić) Juranić\nVanja (Sviličić) Juranić\n100.000,00\nODOBRENO\n220.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ PROJEKATA u 2017. - 2. ROK - 10.7.2017.\ndugometražni igrani film\n90. sjednica Hrvatskog audiovizualnog vijeća, 19. prosinca 2017.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"RPR_2017_WEB_DUG_IGR_2rok_10VII2017_novo","year":2017,"rok":"2. rok","natjecaj_date":"2017-07-10","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"90. sjednica Hrvatskog audiovizualnog vijeća, 19. prosinca 2017.","section_key":"90_sjednica_hrvatskog_audiovizualnog_vijeca_19_prosinca_2017","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Sedmo nebo","applicant":"Petnaesta umjetnost d.o.o.","production_company":"Petnaesta umjetnost d.o.o.","director":"Jasna Nanut","writer":"Jasna Nanut","original_author":null,"category":"Dugometražni igrani 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prazan.","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"5e881568_rpr_2017_web_dug_igr_2rok_10vii2017_novo_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Naslov Krivi izlaz i redni broj 2 jasno vode na red u kojem su scenarist i redatelj isti, a stupac izvornog predloška je prazan."},"entity":"Maxima film d.o.o.","row_id":"5e881568:s0:362cb1119df8","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_67cf472abc9d","project_family_title":"Krivi izlaz"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":440000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":220000.0,"ukupno_match":false,"row_count":2,"awarded_count":2,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":2}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje - dokumentarni film _6.11._.pdf","filename_decoded":"Obrazlozenje - dokumentarni film _6.11._.pdf","sha256":"5ea41cb278fd45f6c3dddd44027181399b4cae2f64adf215ec63e5c3fc524dd5","bytes":187802,"page_count":4,"extracted_at":"2026-05-17T12:02:02Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje%20-%20dokumentarni%20film%20%286.11.%29.pdf"},"raw_text":" \n1\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja \nscenarija \ni \nrazvoja \nprojekata \ndugometražnih \nigranih, \ndugometražnih \ndokumentarnih i animiranih filmova, 2. rok 2019. \n \nDUGOMETRAŽNI DOKUMENTARNI FILM \n \nNa Javni poziv za razvoj scenarija i razvoj projekata za dokumentarni dugometražni film na 2. \nroku (06.11. 2019.) prijavljen je sveukupno 31 projekt. \n \n23 projekta u kategoriji poticanja razvoja scenarija \n8 projekata u kategoriji poticanja razvoja projekata \nPrijave su stigle iz 14 produkcijskih kuća. \nNa 2. rok stigao je veliki broj izvrsnih, profesionalno pripremljenih i kreativno kvalitetnih \nprojekata.  \n31 projekt  potpisuje 13 autorica i  23 autora. Jedan projekt iz razvoja scenarija se nije razmatrao \njer je predana dokumentacija nepotpuna.  \nOd 30 projekta za sufinanciranje predlaže se 14 projekata, 10 produkcijskih kuća (4 \nprojekata sa razvoja scenarija su bez producenta). 5 projekata u razvoju scenarija potpisuju \nautorice, a 5 projekata autori. U razvoju projekata sve projekte potpisuju autori, a u samo jednom \nprojektu režiju će potpisivati autorica.  \n \nOvaj rok obilovao je odličnim projektima u kategoriji razvoja scenarija i projekata. \n \nVodeći računa da izaberem najkvalitetnije projekte različitih žanrova i tema te s različitim \nkreativnim pristupima za sufinanciranje predlažem sljedećih 14 projekata (10 razvoja scenarija i 4 \nrazvoja projekata): \n \nRAZVOJ SCENARIJA DUGOMETRAŽNOG DOKUMENTARNOG FILMA: \n \n1. BRDO, scenaristica i redateljica Monika Herceg \nNaša poznata i priznata mlada pjesnikinja donosi iskreno i poetično napisanu priču o životu svoje \nmajke i njezine desetogodišnje sestre u selu odsječenom od svijeta u kojem ono malo stanovnika \nkoji obitavaju takoreći uopće ne komuniciraju iako doslovno žive na rubu siromaštva. Priča prati \nglavnu protagonisticu i ostale likove kroz sva četri godišnja doba. U centru autoričinog \npropitivanja jest dirljiva poetična studija majke koja se bori kako god zna i umije ne bi li preživjela \ni prehranila sebe i mlađu kćer iako joj sredina, ona ljudska sredina, nije naklona. Priroda pak, i \nnjezini plodovi spašavaju ih od propasti.  \n \n2. CORDON, scenarist i redatelj Antun Mezulić, Restart \nGrad Vojnić ima jedan stadion, ali taj stadion ima dva imena, dva nogometna kluba  i dva domara. \nPavo i Pići u malom podijeljenom gradiću održavaju mali podijeljeni stadion. Svatko svoju stranu. \nOno što je i Pavi i Pićiju, kao i ostalim stanovnicima grada, zajedničko jest – nedostatak \nperspektive.  Jednom godišnje ta dva kluba zaigraju jedan protiv drugog na tom svom stadionu. \nNo i tada, svaki klub organizira svoju proslavu nakon tekme. Da li će filmska kamera zabilježiti ta \ndva svijeta u jednom mikrokozmosu ili će isprovocirati neki suvisliji vid komunikacije mještana \nostaje za vidjeti.  \n\n\f\n \n2\n \n \n3. DODATI ŽIVOT DANIMA, scenarist  Zoran Cipek, Studio Dim d.o.o. \nHrvatska je jedina zemlja u EU koja nema pedijatrijsku palijativnu skrb. No ima jednog vizionara, \nautora scenarija koji je osnovao i vodi udrugu koja pomaže roditeljima i njihovoj umirućoj djeci. \nNjegova želja je upravo to da kad se više ne može dodati dane životu da se onim preostalim danima \ndoda život. Autor scenarija je svjedočio brojnim preminućima djece u bolnicama te na vrlo dirljiv, \nbrižan način nastoji otkriti što znači  adekvatna podrška umirućem djetetu i njegovoj obitelji i ima \ncilj da se u Hrvatskoj, kao i u ostalim zemljama EU sustavno organizira profesionalna palijativna \nskrb za djecu. \n \n4. DOMA, scenarist i redatelj Mario Papić \nAutor pronalazi četiri obitelji koje su se iselile iz Hrvatske. Svaka obitelj specifična je na svoj \nnačin i na drugom je kraju svijeta. Glavni protagonisti iz obitelji su Ana i Marko koji s djecom \nžive u Irskoj, Ksenija i Emil s djecom su u Švedskoj, Josipa je u Kanadi, a Stipe radi i živi u \nNjemačkoj dok je supruga s djecom u Hrvatskoj. Masovno iseljavanje iz Hrvatske koje se dogodilo  \nnakon ulaska u Europsku uniju sve je veća rak rana društva. S tom tezom autor od svojih \nprotagonista traži da se godinu dana, od odlaska sa godišnjeg do ponovnog dolaska na godišnji \nodmor u Hrvatsku,  snimaju sami. Snimljeni materijali trebali bi dati uvid u život ljudi koji su otišli \nu potragu za boljim standardom, ostavivši dio svojih obitelji u Hrvatskoj. Da li su pronašli bolji \nstandard i da li su pronašli novi dom ostaje za vidjeti.  \n \n5. ENIGMA MAUROVIĆ, scenarist Veljko Krulčić, Vedis d.o.o. \nOvo je projekt koji rasvjetljava život i djelo Andrije Maurovića, genijalnog crtača stripa i slikara, \nkoji nikad nije imao status državnog umjetnika, nego je uvijek bio svoj i protiv struje. Kako mu je \nuspijevalo do danas je ostala tajna, enigma koju autor rasvjetljava u ovom filmu.  \n \n6.  HAKERI RATA, scenarist Tomislav Brdjanović \nU vrijeme opsade Vukovara branitelji improviziraju tajni kanal komunikacije pomoću primitivnih \nmodema, radio-stanica i Commodore 64 računala kojima uspješno odolijevaju ometanjima i \npokušaju agresora da grad u potpunosti izolira od vanjskog svijeta. S jedne strane ovo je povijesno \nratna priča o snalažljivosti vukovarskih branitelja, a s druge strane je osobna priča autora scenarija \nkoji kroz bavljenje ovom temom evocira vlastite uspomene na svoje ratno iskustvo u neposrednoj \nblizini Vukovara i izbjeglištvu. Njegova nit vodilja dok sa protagonistima oživljava sjećanja jest \n„ljudska snalažljivost kao protuotrov licu smrti je svijet u koji želim vjerovati“.  \n \n7.  KOGA BRIGA, scenaristica Maša Drndić, Udruga Filmaktiv \nRijeka je grad koji u zadnje vrijeme bilježi najveći porast depopulacije. Od 2001. do danas Rijeku \nje napustilo blizu 27 000 ljudi. U takvom okruženju autorica odabire petero mladih ljudi koji su u \npotrazi za svojim mjestom na svijetu. Ono što je posebno zanimljivo jest da odabrani protagonisti \nneće biti ljudi koji su poslovno formirani nego srednjoškolci, od 16. do 18. godine. Priča prati \nprelazak iz svijeta tinejdžerstva u svijet odraslih, kada pet međusobno nepovezanih srednjoškolaca \npokušava naći način da ostvare svoje snove.  \n \n \n\n\f\n \n3\n8.  OBEĆANA ZEMLJA, scenaristica i redateljica Renata Poljak, REA- Udruga za suvremene \numjetničke i arhitektonske produkcije \nAutoričin pradjed, skupivši sve obiteljske novce, odlazi na sam južni vrh Južne Amerike kako bi \nu Obećanoj zemlji zaradio novce koji će prehranjivati njegovu obitelj. Na žalost, djed se po dolasku \nrazbolijeva i uskoro umire. Odlazak u dio svijeta koji je sve samo nije obećana zemlja autoricu \ninspirira i dalje. Ona se doslovno nalazi na kraju svijeta u kojem stanovnici pred svojim očima \nvide klimatsku propast. Tu se autorici otvara cijeli niz pitanja: da li u našem tijelu ostaju sjećanja \nnaših djedova? Da li su i migracije dio miraza koje nam predci ostavljaju u nasljeđe? Autorica \nspaja intimnu tragičnu ispovjed sudbine svoje obitelji sa današnjim migracijama tj. širom \ndruštvenom i klimatskom slikom u kojoj danas živimo.  \n \n9.  ŠTRAJK, scenaristica Ivana Biočina \n1936. održan je do tad najveći zabilježeni štrajk na ovim prostorima. Trajao je 40 dana. Završio je \npobjedom radnika. A povod za štrajk bio je premještaj jedne radnice u novi pogon gdje joj je za \nisti rad ponuđena manja plaća od muškog kolege. Štrajkali su i radnice i radnici. Solidarizirali su \nse svi za prava jednog tj. jedne! Autorica ne staje tu, ovaj podatak samo nam otvara temu za \ndokumentarni film, a to je povijest sindikata i prosvjeda u Hrvatskoj, njihov značaj, trenutno stanje \ni mogućnosti u budućnosti. Ideja je u filmu prikazati industrijalizaciju i tranziciju hrvatskog \ngospodarstva. Sadašnjost oslikava održavanje, ostatke i mogućnosti, dok sindikalna budućnost \nmože značiti spas industrije i radnika. Film je ovo o prošlosti, ali i budućnosti rada, kojim će se \nputem razvijati i kako će se prilagoditi sve većoj globalizaciji na tržištu. \n \n10.  U POTRAZI ZA ĐUKOM, scenaristi Dorotea Vučić i Berislav Cimerman,  redateljica \nDorotea Vučić, Ankh Media  \nĐuku Begovića, poznati lik iz istoimenog književnog djela Ivana Kozarca,  utjelovilo je nekoliko \numjetničkih izražaja i glumačkih lica. Đuka je postao metafora za duh Slavonije, njegova nestalna, \nduhovita, silna, strastvena, nemarna, vrckasta, tragična priroda postala je refleksija melankolične, \nusporene, a u isto vrijeme vatrene, krvave, strastvene, ako ne i nasilne zemlje. Gdje je ona sada? \nPita se autorica. Gdje je i je li nestao strastveni Đuka? Pita se dalje.  U potrazi za  pucketanjima \nnjegovog biča i galopiranjem njegovih konja autorica je pronašla neke današnje slavonske Đuke. \nOni nose druga imena i različitih su zanimanja, ali Đukin duh je prepoznatljiv, nezamjenjiv i \nprimamljiv. Duhovita i emotivna dokumentarna studija Slavonaca. \n \nRAZVOJ PROJEKATA DUGOMETRAŽNOG DOKUMENTARNOG FILMA: \n \n1. BILI SMO U ODREDU NAORUŽANIH BRODOVA, scenarist Nikša Kušelj, redatelj \nBranko Ištvančić, Udruga Artizana \nAutor scenarija kao devetnaestogodišnji mladić odlučuje braniti svoj rodni grad Dubrovnik te \nstupa u Odred naoružanih brodova. U tisućljetnoj tradiciji kapetana, pomoraca, mornara, pojavili \nsu se ljudi kojima je kao što piše autor „more život, a brodovi sudbina“ pa samoorganiziraju Odred \nnaoružanih brodova koji postaje žila kucavica za grad. Oni doslovno donose život tamo gdje se \npuno toga činilo izgubljenim.  Hrabrost i sudbine članova Odreda ostale su do danas javno \nneispričane. Autor scenarija poseže za svojim ratnim dnevnikom kako bi emotivno, intimistički \noživio priče svojih suboraca te svjedočio svojoj životnoj sudbini koja je doista filmska. \nDevetnaestogodišnji mladić koji preživljava strahote rata postaje poznati hrvatski glumac koji \nulicama Dubrovnika danas slobodno može prošetati svoju kćer čija majka je poznata hrvatska \n\n\f\n \n4\nfotografkinja Mare Bratoš, kćer tragično poginulog  osnivača Odreda naoružanih brodova. Film \nće dijelom biti ispričan iz vizure ovog para, a dijelom iz vizura ostalih članova Odreda naoružanih \nbrodova.  \n \n2. DANAS KAD SUTRA KREĆEŠ U ŠKOLU (A ŠTA SAD, A ŠTA TAD?), scenarist i redatelj \nBoris Mitić, Anti Apsurd d.o.o. \nBoris Mitić ovaj put dolazi sa dokumentarnim filmom u kojem kamerom prati svoje troje djece i \nsvoje nespecifične, iznimno kreativne, vrckaste, inovativne odgojne metode. Ono što je specifično \njest to što ga autor kani napraviti u jednom kadru s pregršt specijalnih efekata jer ovo nije \ndokumentarac samo za roditelje nego i za djecu.  Taj jedan devedesetominutni kadar koji se cijeli \ndogađa u malom zagrebačkom stanu pun je dramskih obrata. Magičnim realizmom autor gradi \njedan potpuno uvrnuti svijet djetinjstva u kojem svaki predmet ima pedagošku, emotivnu, \nsubverzivnu ili poetsku vrijednost. Osobno je to traganje i za djetetom u samom autoru.  \n \n \n3. PRAVILO ZLATNOG SATA, scenarist Tomica Bajsić, redateljica Ivona Juka, Centar za \nkulturne djelatnosti \nOvo je projekt o liječnicima, djelatnicima ratnog saniteta koji su zbrinjavali ranjenike s prve crte \nbojišnice, riskirali svoje živote i stradavali tijekom medicinskih intervencija. Organizirali su \nputeve evakuacije i prihvata ranjenika u roku kojeg struka naziva „pravilo zlatnog sata“. Naglasit \nće se tragični detalji medicinskih intervencija, slučajevi kada su spašeni ranjenici koji su po svim \npravilima struke već bili osuđeni na smrt, ali i slučajevi zbrinjavanja ostalih stradalih građana. U \nDomovinskom ratu zbrinuto je više od 30 000 ranjenika, preminulo je svega 1.75% vojnika što je \nimpresivan rezultat za ratni sanitet čak i na svjetskoj razini. Ovakvu uspješnost valja zahvaliti \ndobroj organizaciji. Čak 61% ranjenika dopremljeno je u bolnicu unutar sat, odnosno 76% \ndopremljeno ih je u bolnice unutar dva sata nakon ranjavanja. \n \n4. TIŠINA PUSTINJE – WELCOME TO EL SHIT, scenarist i redatelj Ivan Ramljak, \nKompot \nPriča o zbjegu 30 000 (velikom većinom) Hrvata iz Dalmacije od 1944. do 1946. u predio El Shatta \ni El Khatabe u Sinajskoj pustinji u Egiptu, gdje je podignut šatorski kompleks izbjegličkih logora \nu organizaciji Savezničkih sila i Nacionalnog komiteta oslobođenja  Jugoslavije (NKO), ispričana \nkroz dijelove osobnog dnevnika jednog od protagonista događaja - partizanskog liječnika dr. Karla \nPansinija, inače djeda autora filma. Duhovitost, šarm i iskrenost kojom autorov djed zapisuje život \nu El Shattu ruši sve maske rata i usred pustinje ni manje ni više slavi jednostavnost i lakoću \nživljenja. Dokumentarna komedija koja svjedoči kako čovjek uvijek može naći put ako stvari gleda \niskreno s dozom humora. \n \n \nKatarina Zrinka Matijević, umjetnička savjetnica za dokumentarni film \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2014 Koprodukcije_ rok 07 02 2014.pdf","filename_decoded":"2014 Koprodukcije_ rok 07 02 2014.pdf","sha256":"5eb094236f544108575d4586612fd3d523580f198f93ebaca2d03781f91f07f4","bytes":61689,"page_count":1,"extracted_at":"2026-05-17T10:22:50Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2014%20Koprodukcije%2C%20rok%2007%2002%202014.pdf"},"raw_text":"R.br. \nforma\nNAZIV FILMA\nREDATELJ/ICA\nSCENARIST/ICA\nHRVATSKI \nPRODUCENT\nGLAVNI PRODUCENT\nODOBRENO\n1\nTrema\nYorgos Zois\nYorgos Zois\nJaako dobra produkcija \nd.o.o.\nPan Entertainment            \n(Grčka)\n600.000 HRK\n2\nNaša svakodnevna priča\nInes Tanović\nInes Tanović\nSpiritus movens d.o.o.\nDokument d.o.o.             \n(Bosna i Hercegovina)\n300.000 HRK\n1\nSierra Nevada\nCristi Puiu\nCristi Puiu\nSpiritus movens d.o.o.\nMandragora                 \n(Rumunjska)\n700.000 HRK\n1\nChris the Swiss\nAnja Kofmel\nAnja Kofmel, Marjan \nAlčevski\nNukleus Film d.o.o.\nDschoint Ventschr \nFilmproduktion AG (Švicarska)\n760.000 HRK\n1\n4 putovnice / 4 pasoša / \n4 passports\nMihajlo Jevtić\nMihajlo Jevtić\nFantastično dobra \ninstitucija - FADE IN \nd.o.o.\nParabellum Film GmbH \n(Njemačka)\n100.000 HRK\n2.460.000 HRK\nSVEUKUPNO\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nFILMSKIH KOPRODUKCIJA S MANJINSKIM HRVATSKIM UDJELOM u 2014. - 1. 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Budući da je jedan prijavitelj dostavio nepotpunu \ndokumentaciju, u ocjenjivanje je ušlo ukupno 33 naslova. Če0ri prijavljena filma već su u \nzavršnoj fazi postprodukcije, među kojima je i jedan debitantski. \n \nPremda žanrovski jako raznoliki, većina projekata usredotočena je na pojedinca na \ndruštvenom rubu koji se suočen s ratnim naslijeđem, tranzicijskim lomovima ili \n(post)migracijskim pri0skom nastoji izbori0 za vlas00 glas, dom ili is0nu. Autori teme obrađuju \nkroz žanrovske i hibridne forme – od trilera i horora do dječje pustolovine – čineći ih publici \npristupačnijima i dramaturški svježijima.  \n \nU takvom kontekstu posebno su se istaknula tri projekta, od kojih su dva debitantska: \n \nScenarij Dvije male noćne more Nađe Petrović i Nebojše Slijepčevića (ujedno njegov \nredateljski prvijenac u dugometražnom igranom filmu) adaptacija je romana Črna maC zemla \nKris0jana Novaka. U nelinearnoj ruralnoj psihodrami uspješni pisac Ma0ja vraća se u \nmeđimursko selo te se istražujući tajanstvene događaje iz 1991. suočava s po0snutom \ntraumom vlas0ta dje0njstva. \n \nPovijest boles2 debitanta Davida Gaše crnohumorna je ansambl-drama smještena u javnu \nbolnicu 0jekom jednoga dana i noći. Priča pra0 paralelne putanje pacijenta na pretragama, \npreopterećenog kirurga i administracije koja zapinje u vlas00m regulama. \n \nTajna ribljeg oka, dječji detek0vski film scenarista Hrvoja Kovačevića u režiji Gorana \nKulenovića pra0 maštovitog desetogodišnjaka Domagoja i njegovu nevoljku pomagačicu koji \nnastoje spriječi0 krađu slike za koju baka tvrdi da je izgubljeni Van Gogh - pritom stapajući \nhumor, akciju i napetost u klasičnoj tročinskoj strukturi. \n \nOvi filmovi zorno pokazuju kako suvremeni hrvatski autori spajaju društveno relevantne teme \ns hrabrim žanrovskim pristupom i jasnim nara0vnim fokusom, a istodobno nose tržišni i \nfes0valski potencijal. \n \n \n \n \n \n \n \n\n\f\nDVIJE MALE NOĆNE MORE \nscenarij: Nađa Petrović i Nebojša Slijepčević \nrežija: Nebojša Slijepčević \nprodukcija: An0talent d.o.o. \n1.200.000 EUR \nScenarij Dvije male noćne more mudro se odmiče od doslovne radnje romana Črna mati \nzemla i polazeći od njegove temeljne emocije gradi samostalno filmsko djelo prožeto jasnim \nritmom i napetošću. Naizmjenični prizori prošlosti i sadašnjosti oblikuju detektivsku potragu \nu kojoj Matija – istodobno protagonist i antagonist – slojevito otkriva potisnute traume iz \ndjetinjstva. Usredotočenost na njegovu priču sužava široki društveni okvir romana, ali \npojačava emocionalnu snagu. Dijalozi pružaju psihološku dubinu i intiman uvid u zajednicu \nkoja istodobno štiti i sputava, a tri vremenska sloja – djetinjstvo, sadašnjost i majčina \nperspektiva – najavljuju vizualno raznolik film u kojem se stvarno i snovito prirodno stapaju. \nIako debitant u kategoriji dugometražnog filma, jako iskusni i međunarodno etablirani \nredatelj Nebojša Slijepčević pokazuje istančan osjećaj za pripovijedanje i jasnu viziju kako \nfilmski prostor pretvoriti u produžetak Matijina unutarnjeg stanja, što jamči zrelo, emotivno \nsnažno i inovativno ostvarenje.  \nPor^elj uspjeha i dobro umreženi koprodukcijski kontak0 producentske kuće An0talent jamče \nsigurnu krea0vnu potporu i omogućuju projektu da u potpunos0 ispuni svoj međunarodni \npotencijal. Ključno je i to što su Slijepčević i An0talent već surađivali na kratkom filmu čiji \nuspjeh potvrđuje čvrstu producentsko-redateljsku vezu i visoku razinu međusobnog \npovjerenja. U kontekstu natječaja projekt se izdvaja kao najcjelovi0ja prijava.  \n \n \nPOVIJEST BOLESTI \nscenarij: David Gašo \nrežija: David Gašo \nprodukcija: Eclec0ca d.o.o. \n900.000 EUR \nPovijest bolesti (autor je scenarist i redatelj David Gašo) donosi iznimno svjež i zreo scenarij \nkoji unutar jednog dana u bolnici gradi živ, višeslojan portret društva i njegovih \ninstitucionalnih pukotina. Mozaik kratkih epizoda spaja tankoćutnu psihološku dramu, crni \nhumor i suptilnu socijalnu satiru: Joštov tjeskobni pokušaj da razumije vlastiti tik postaje \nemotivno sidro kroz koje se osjeća i osobna i sistemska ranjivost. Kroz prirodne i ironično \nduhovite dijaloge, svaki lik – od kirurga s nelagodnim predosjećajem do pacijenta izgubljenoga \nizmeđu birokratskih procedura – oblikovan je s empatijom koja nadilazi karikaturu. Bolnica \npritom funkcionira kao gotovo živi organizam: kvarovi strojeva, besmisleni protokoli i uporni \ngolub nenametljivo podcrtavaju tematiku dehumanizacije i apsurda. \nRedateljski pristup Davida Gaše jednako je svjež kao i scenarij. Gašina vizualna poetika želi \nizbjeći spektakularnost pa redatelj zato jako pažljivo bira slike i zvukove - obični bolnički \nhodnici već s papira odjekuju skrivenom napetošću. Sinergija scenarističke dubine, \n\n\f\ninteligentnog humora i promišljenog, intimnog redateljskog rukopisa čine Povijest bolesti \nnajsvježijim projektom prijavljenim na natječaj. \nČinjenica da je prvijenac Davida Gaše  u rukama producentske kuće Eclec0ca koja stavlja fokus \nna debitantske filmove i filmove mladih redatelja, vjerujemo da će projektu ponudi0 krea0vno \nsigurno okruženje koje će sigurno nadopuni0 Gašinu autorsku viziju i zaokruži0 cjelovitost \nprojekta. \n \n \nTAJNA RIBLJEG OKA \nscenarij: Hrvoje Kovačević (uz suradnju Gorana Kulenovića) \nrežija: Goran Kulenović \nprodukcija: Wolfgang&Dolly d.o.o. \n1.080.000 EUR \nProjekt Tajna ribljeg oka oblikovan je kao dinamična dječja avantura koja počiva na \nistoimenom romanu poznatom iz školske lektire, što filmu od početka osigurava visoku \nprepoznatljivost i zajamčenu publiku. Scenarij Hrvoja Kovačevića – uz suradnju Gorana \nKulenovića – spaja kriminalistički misterij, humor i toplu obiteljsku priču: potraga \ndesetogodišnjeg Domagoja za istinom o navodno Van Goghovoj slici razmotava se kroz niz \nnapetih, ali vedrih epizoda viđenih iz autentične dječje perspektive. \nRedatelj Goran Kulenović zamišlja film kao spoj realistične zagrebačke svakodnevice i dječje \nmaštovitosti; njegov pristup počiva na uvjerenju da se najjači dojam postiže kada publika \nosjeti kako Domagojeva znatiželja oboji cijeli svijet oko njega. Stoga će vizualni stil naglašavati \nosjećaj otkrivanja i igre, ritam će biti prilagođen dječjem doživljaju vremena, sve s ciljem da \nse zadrži iskrenost i toplina priče koja potiče mlade gledatelje da vjeruju vlastitoj intuiciji. \nEkranizacija romana s više nastavaka otvara jasan prostor za budući filmski serijal, a planirana \ntransmedijska proširenja u video-igru ili strip osiguravaju dug život priče i čvrstu vezu s \nmladom publikom te stratešku prednost projekta. Sigurni smo da će produkcijska kuća \nWolfgang & Dolly poznata po krea0vnoj brizi i širokoj mreži međunarodnih kontakata, \nprojektu pruži0 ne samo snažnu producentsku potporu, nego i visoku vidljivost. \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2011%20Koprodukcije,%2014%2010%202011.pdf","filename_decoded":"2011%20Koprodukcije,%2014%2010%202011.pdf","sha256":"5f6a423eacf2db3d152f0e1b4864d665a68fc534b12cfe61d5b7eb0ec6ba39b5","bytes":33947,"page_count":1,"extracted_at":"2026-05-16T14:15:33Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2011%20Koprodukcije%2C%2014%2010%202011.pdf"},"raw_text":"NAZIV\t\r  FILMA\nREDATELJ/ICA\nHRVATSKI\t\r  PRODUCENT/\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \nGLAVNI\t\r  PRODUCENT\nODOBRENO\n1\nCURE\nAndrea\t\r  Štaka\nProdukcija\t\r  Živa/\t\r  Okofilm\t\r  Productions\t\r  \n(Švicarska)\n1.500.000,00\n1\nGLOBAL\t\r  SHOPPING\t\r  SELO\nUlli\t\r  Gladik\nNukleus\t\r  film/\t\r  Golden\t\r  Girls\t\r  Filmproduktion\t\r  &\t\r  \nFilmservices\t\r  GmbH\t\r  (Austrija)\n200.000,00\n1.700.000,00\nKOPRODUKCIJE\t\r  S\t\r  MANJINSKIM\t\r  HRVATSKIM\t\r  UDJELOM-­‐\t\r  ROK\t\r  14.\t\r  10.\t\r  2011.\nDUGOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\nUKUPNO\nDUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"KOPRODUKCIJE S MANJINSKIM HRVATSKIM UDJELOM - 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ROK, 2021. \nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Morana Ikić Komljenović \nKATEGORIJA:  POTICANJE PROIZVODNJE FILMOVA - KRATKI DOKUMENTARNI FILM – 15. rujna 2021. \n \nOPĆI OSVRT \n_______________________________________________________________________________________________ \n \nNa javni poziv u kategoriji proizvodnje kratkometražnog dokumentarnog filma u 2. roku prijavljeno je sveukupno 10 projekta. Svi \nprojekti su razmatrani.  \nVećina pristiglih projekata su faktografski filmovi koji lako mogu zaživjeti u televizijskoj formi. Ipak, pristiglo je nekoliko iznimno \nkreativno potentnih filmova koji posjeduju dobar festivalski potencijal. Neki projekti, osim što su utemeljeni u dokumentarnoj \nformi, posjeduju elemente animacije i eksperimentalnog filma. \nOdobreno je ukupno 6 projekata za sufinanciranje u ovoj kategoriji u ukupnom iznosu od 980.000,00 kn. Odobreni projekti \niznimno su kreativni i razigrani, te propituju dokumentarnu formu na uzbudljiv način, ne zanemarujući pritom relevantnost tema \nkojima se bave (neke od kojih su: bespravna gradnja, turizam, obitelj, suvremena umjetnost). \n \n1. Zima dolazi Bojan Mrđenović i Karla Crnčević (scenaristi i redatelji) / Vinko Brešan i Julija Martinović (producenti) / \nUstanova Zagreb film (produkcija)  \n200.000 kn \nFilm «Zima dolazi» publiku uvodi u svijet dubrovačkih turističkih vodiča koji turiste vode kroz tematske ture vezane uz kultnu \nseriju «Igre prijestolja». Tema koja se predlaže je zanimljiva i suvremena, a pruža svjež pogled na već staru temu - na turističke \nradnike i izazove suvremena turističkog djelovanja. U tom srazu društveno relevantne teme i snažnog prepoznatljivog motiva \nkreativne industrije i industrije zabave, događa se začudnost i vrijednost ovog projekta. Uz nekoliko inovativnih i kreativnih \niskoraka u stilu i suodnosu zvuka i slike, redateljska vizija nosi potencijal za vrijedan festivalski film koji će biti blizak i široj publici. \n \n2. P kao pleme Bela Bračko-Milešević (redateljica i scenaristica) / Igor Jelinović (producent) / Udruga Blank (produkcija) \n90.000 kn \n«P kao pleme» je dokumentarno-eksperimentalna studija čiji je fokus usmjeren na koncept obitelji i obiteljskih tradicija kroz \nprizmu rituala i zajednice, a u intimističnom kontekstu autoričine obitelji koja se jednom godišnje (i tako već stotinu godina) \nokuplja oko napuštenog obiteljskog ognjišta. Fenomenološki zanimljiva i prostorno specifična, predložena priča nudi nekoliko \nslojeva tema – od koncepta obitelji, obiteljskih uloga, tradicije, pa do analize hrvatskog obiteljskog nukleusa u malim zatvorenim \nruralnim zajednicama. Kontinuirani prijepori oko definicije obitelji i njene funkcije u suvremenom društvu jasno ukazuju na \naktualnost teme koju autorica predlaže. \n \n3. Izvorni sjaj Toni Juričić (scenarist) / Toni Juričić i Bianca Dagostin (redatelji) / Sanel Isanović i Bianca Dagostin \n(producenti) / Level 52 d.o.o. (produkcija) \n80.000 kn \n \n„Izvorni sjaj“ u fokusu ima tri glavne protagonistice koje, kroz svoju zanimljivu profesiju restauratorica starih prostora, nose priču \no rodnim stereotipima i rodnoj ravnopravnosti. Motiv slojevitosti u procesu restauracije prostora korelira sa slojevitošću likova i \nteme, a autori im prilaze izvana, kroz društveni kontekst, i iznutra, kroz intiman pogled na njihove osobnosti. Tema rodne \n\n\f\n \n2 \n \nnejednakosti i rodnih stereotipa važna je i relevantna za hrvatsko društvo i hrvatsku audiovizualnu umjetnost, ali i globalno je \nsuvremena. \n \n \n4. Ađo voli Stipu / Stipa voli Ađu Martina Meštrović (scenaristica i redateljica) / Igor Grubić i Marijana Veljović \n(producenti) /  Kreativni sindikat (produkcija)  \n210.000 kn \n«Ađo voli Stipu / Stipa voli Ađu» dokumentarni je film s elementima animacije, a donosi nježnu ljubavnu i životnu priču kroz koju \nautorica predstavlja umjetnost, aktivizam i stvaralaštvo Mladena Stilinovića. Ovo nije klasičan biografski film, već intimna crtica o \njednom segmentu umjetnikova života i života njegove životne partnerice Branke Stipančić i prikaz jednog osebujnog umjetničkog \nopusa. Društvene ideje koje izviru iz Stilinovićevih umjetničkih akcija (ideje poput glorifikacije iskustva radikalne slobode, slobode \nod ideologije i društvene uvjetovanosti) inspirativne su za promišljanje i reinterpretaciju u suvremenom kontekstu u kojem se \nkrećemo.  \n \n5. One Way Street / Susret sa smrću Arsen Oremović (scenarist i redatelj) / Ivan Maloča  i Ivana Rukavina (producenti) /  \nInter film d.o.o. (produkcija)  \n200.000 kn \nAutor gradi zanimljivu sliku male lokalne sredine fokusirajući se na nesvakidašnji trenutak lokalne povijesti kada je, tijekom jedne \nkino predstave, pedesetak mještana skoro tragično skončalo. Ovaj je događaj samo kontekst koji nosi sliku o raseljenosti, \nodsustvu života i zajednice, starosti i otuđenja. Ono što ovu priču čini nacionalno i univerzalno razumljivom jesu motivi kina kao \nprostora susreta i života zajednica u prošlosti, a koji sad nestaju i transponiraju se u masovne prostore multipleksa ili (pak) u \nizolirane jedinice kućnih kina. Kreativni potencijal ovog pseudo-dokumentarnog projekta leži u nakani da se priča gradi kroz lažne \narhivske snimke. \n \n6. Privat Katerina Duda (scenaristica i redateljica) / Vanja Jambrović (producentica) /  Restart (produkcija)  \n200.000 kn \nTema bespravne gradnje, a posebno bespravne gradnje uz morsku obalu, suvremena je i iznimno relevantna nacionalna tema. \nNjena filmska kreativna obrada kroz formu filmskog eseja posjeduje kreativne elemente poput umjetničke prostorne intervencije \nili meta-filma (koji preispituje filmsku sliku, ali i dokumentarni jezik). Autorica svojim protagonistima, ali i situacijama koje \nobuhvaća pristupa kroz autobiografske elemente i intimna promišljanja. Ovaj dokumentarni film posjeduje jasna obilježja \neksperimentalnog filma i obiluje začudnim i razigranim elementima koji odmiču od klasičnog dokumentarističkog pristupa. \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 2. ROK, 2021. - KATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - KRATKI DOKUMENTARNI FILM – 15. rujna 2021.","year":2021,"rok":"2. rok","natjecaj_date":"2021-09-15","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"kratki dokumentarni film","section_key":"kratkometrazni_dokumentarni","columns":["NASLOV","SCENARIST","REDATELJ","PRODUCENT","PRODUKCIJA","IZNOS"],"rows":[{"row_number":1,"project_title":"Zima dolazi","applicant":"Ustanova Zagreb film","production_company":"Ustanova Zagreb film","director":"Bojan Mrđenović i Karla Crnčević","writer":"Bojan Mrđenović i Karla Crnčević","original_author":null,"category":"Kratki dok.","approved_amount_text":"200.000 kn","approved_amount":200000.0,"currency":"HRK","extras":{"PRODUCENT":"Vinko Brešan i Julija Martinović","repair_v1":{"changes":[{"field":"category","from":"kratki dokumentarni 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dok.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga Blank","row_id":"5fea8cd3:s0:ca565ff7250b","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_aad42e8a7690","project_family_title":"P kao Pleme"},{"row_number":3,"project_title":"Izvorni sjaj","applicant":"Level 52 d.o.o.","production_company":"Level 52 d.o.o.","director":"Toni Juričić i Bianca Dagostin","writer":"Toni Juričić","original_author":null,"category":"Kratki dok.","approved_amount_text":"80.000 kn","approved_amount":80000.0,"currency":"HRK","extras":{"PRODUCENT":"Sanel Isanović i Bianca Dagostin","repair_v1":{"changes":[{"field":"category","from":"kratki dokumentarni film","to":"Kratki dok.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Level 52 d.o.o.","row_id":"5fea8cd3:s0:9a1149b5fb12","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_16665dab3460","project_family_title":"Izvorni sjaj"},{"row_number":4,"project_title":"Ađo voli Stipu / Stipa voli Ađu","applicant":"Kreativni sindikat","production_company":"Kreativni sindikat","director":"Martina Meštrović","writer":"Martina Meštrović","original_author":null,"category":"Kratki dok.","approved_amount_text":"210.000 kn","approved_amount":210000.0,"currency":"HRK","extras":{"PRODUCENT":"Igor Grubić i Marijana Veljović","repair_v1":{"changes":[{"field":"category","from":"kratki dokumentarni film","to":"Kratki dok.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kreativni sindikat","row_id":"5fea8cd3:s0:250db277313c","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_3eb8b5dad83a","project_family_title":"Ađo voli Stipu / Stipa voli Ađu"},{"row_number":5,"project_title":"One Way Street / Susret sa smrću","applicant":"Inter film d.o.o.","production_company":"Inter film d.o.o.","director":"Arsen Oremović","writer":"Arsen Oremović","original_author":null,"category":"Kratki dok.","approved_amount_text":"200.000 kn","approved_amount":200000.0,"currency":"HRK","extras":{"PRODUCENT":"Ivan Maloča i Ivana Rukavina","repair_v1":{"changes":[{"field":"category","from":"kratki dokumentarni film","to":"Kratki dok.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Inter film d.o.o.","row_id":"5fea8cd3:s0:db3353c0e33b","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_8f323ed4605f","project_family_title":"One Way Street/Susret sa smrću"},{"row_number":6,"project_title":"Privat","applicant":"Restart","production_company":"Restart","director":"Katerina Duda","writer":"Katerina Duda","original_author":null,"category":"Kratki dok.","approved_amount_text":"200.000 kn","approved_amount":200000.0,"currency":"HRK","extras":{"PRODUCENT":"Vanja Jambrović","repair_v1":{"changes":[{"field":"category","from":"kratki dokumentarni film","to":"Kratki dok.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Restart","row_id":"5fea8cd3:s0:02c74893d45d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_8812aa931a8c","project_family_title":"Privat"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":"ukupno 980.000,00 kn","ukupno":980000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":980000.0,"ukupno_match":true,"row_count":6,"awarded_count":6,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":6}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenja TV_RSC i RP serijskih TV djela_jm_2rok2022.pdf","filename_decoded":"web obrazlozenja TV_RSC i RP serijskih TV djela_jm_2rok2022.pdf","sha256":"6022ed048567ec9583ffa316c1fca974c00cd5f9089e87df4c58b247fc69137d","bytes":219512,"page_count":8,"extracted_at":"2026-05-17T12:02:00Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenja%20TV_RSC%20i%20RP%20serijskih%20TV%20djela_jm_2rok2022.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2022. - 2. ROK - 12.9.2022. \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2022. - 2. ROK - 12.9.2022. \n \n \n \nNa Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE RAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA ukupno je prijavljen \n71 projekt, od toga u 28 u podkategoriji razvoja projekta, a 43 u podkategoriji razvoja scenarija.  \n \nNačelna ocjena kvalitete prijavljenih djela u obje kategorije je vrlo dobra, no uočljivo je odstupanje \nizmeđu potreba televizijskih nakladnika za određenim tipovima sadržaja i samih prijava koje često, i \nkad su sadržajno kvalitetne, žanrom ili formatom ne odgovaraju na zahtjeve tržišta, stoga smatram \nda u narednom periodu, po mogućnosti prije sljedećeg natječaja, treba unaprijediti komunikaciju \nsvih dionika kako bi natječaji ubuduće kvalitetnije odgovarali na potrebe domaće AV industrije. \nVećina prijavljenih projekata prijavljena je prvi put, no jedan dio prijava je ponovljen, dio na sugestiju \numjetničkog savjetnika, a dio samoinicijativno, stoga jedan dio projekata predloženih za \nsufinanciranje čine ponovljeni projekti od kojih su neki između dva roka značajno unaprijedili i razvili \nkoncepte, sinopsise i treatmente. \n \n \n \nIgor Tomljanović \n \nUmjetnički savjetnik za razvoj scenarija  \ni projekata televizijskih djela \n \n \n \n\n\f\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2022. - 2. ROK - 12.9.2022. \n \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute \n \n1.1 Drvo i Pčela \nAnimirana serija, 13x7’ \nProducent: Reci RCLE d.o.o.  \nScenarist: Denis Valentić \nRedatelj: Denis Valentić \n45.000,00 kn/ 5.972,53 eura \nAnimirani serijal namijenjen je predškolskoj djeci (3-6 godina) čiji su glavni junaci nerazdvojni \nprijatelji iz naslova, Drvo i Pčela koji proživljavaju brojne pustolovine, istražuju svijet u kojem žive, \nupoznaju nove prijatelje te pronalaze rješenja za probleme na koje nailaze. Sve epizode uz zabavnu \nimaju i edukativnu funkciju, a naglasak je na temama vezanim uz zaštitu okoliša i prirode. Kvalitetno \nrazrađen i pripremljen projekt s već posve definiranim stilom crteža i animacije, a uključuje i izradu \ndječjih pjesmica koje olakšavaju komunikaciju s djecom te dobi,  potiču na učenje i senzibiliziraju ih \nza teme kojima se serija bavi, prije svega važnost komunikacije, međusobne povezanosti i tolerancije \nsvih bića na Zemlji. \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n2.1. Sezona \nDokumentarna serija, 5x52’ \nProducent: Eclectica d.o.o. \nScenarist: Ivan Grgur \nRedatelj: Ivan Grgur \n40.000,00 kn/ 5.308,91 eura \nKulturološka dokumentarna serija koja u pet jednosatnih epizoda kronološki prati jednu turističku \nsezonu i problematizira iz više perspektiva hrvatski turizam, najveću hrvatsku gospodarsku \ndjelatnost, kroz njezine nesporno dobre, ali i negativne efekte. U pristupu daleko od uobičajenih \ntelevizijskih emisija, reportaža i current affair dokumentaraca o turizmu, ovaj serijal ima ambiciju \nprodrijeti dublje od brojanja gostiju, analizirati efekte koje turizam ima na ljude koji od njega žive, ali \ni na one kojima otežava život, posljedice na mikro i makro sredine, posebno kad je riječ o padu \nvisokoškolski obrazovanih ljudi u turističkim centrima te već notorno pražnjenje gradskih jezgri od \nautohtonog stanovništva.  \nIznimno dobro razrađen redateljski koncept i moodboard dočarava narativne postupke koji su \nhibridni, ali precizno opisani, daje jasnu perspektivu i registar pripovijedanja u kojemu se, uz \nuobičajene dokumentarne postupke, namjerava koristiti i one manje česte, primjerice \nperformativne, dok se generalno ozbiljan ton pripovijedanja povremeno razbija ironijskim \ndiskursom. Internetske recenzije kao dominantan narativ suvremenog turizma bit će korištene kao \nlajtmotiv, uvoditi nas u teme i motive i davati kontekst priče, ali naravno imaju i komičnu ulogu. \n\n\f\nDinamika pripovijedanja, šarolikost stilova, ali istovremeno i fokusirana priča i jasnoća ideje ovaj \nprojekt kvalitetom izdvajaju iz recentne domaće dokumentarne produkcije. \n \n3) Kreativni televizijski format namijenjen djeci i mladima čije ukupno trajanje serije nije kraće \nod 25 minuta i koji su namijenjeni prvenstveno televizijskom prikazivanju \n \n3.1. Znatiželjna Ana \nTelevizijski format, 26x26’ \nProducent: Wolfgang i Dolly d.o.o. \nScenaristi: Aleksandar Arsovski, Veno Mušinović, Vida Zelić, Ninoslav Mrvelj, Marija Androić, \nMatej Sudarić \nRedatelji: Veno Mušinović, Filip Heraković, Borna Zidarić, Aleksandar Arsovski \n50.000,00 kn/ 6.636,14 eura \n \nTelevizijski format namijenjen djeci zamišljen je kao show unutar showa, odnosno kao projekt \ndvoje 12-godišnjaka, prijatelja Ane i Petra, koji uz pomoć lutke osmišljavaju vlastiti internetski \nedukativni show u garaži, a cilj mu je istraživati pojave i fenomene koji ih zanimaju. Specifičnost \nprojekta jest da je zamišljen multimedijski, kao televizijska i web serija te kao web blog, a \nrazrađenost projekta od redateljske koncepcije do pilot projekta na vrlo je visokoj razini.  \nSam koncept u kojem autori izbjegavaju izlaganje „odozgora“, od strane odraslih, kao i svako \ndociranje, već pronalaze način da se mladima obraćaju mladi sličnih godina dobro je osmišljen, \nkao i sam prostor garaže kao poprište showa, a taj „studijski“ prostor u kombinaciji s \ndokumentarističkim „live“ sekvencama u kojima protagonisti odlaze istraživati na teren i \npronalaze relevantne sugovornike, rezultira visokom dinamikom pripovijedanja.  \nVizualna i zvučna slika serije dobro korespondira sa suvremenim televizijskim izričajem djela za \nmlade, vizualno je atraktivna i dinamična, bez stilističkih upadica koje odvraćaju pažnju na sebe, \numjesto toga u punoj je funkciji pripovijedanja, što je od iznimne važnosti za ovu ciljnu skupinu. \n \n \n4) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n4.1. Mrtvi kut \nDramska serija, 9x50’ \nProducent: Kinematograf d.o.o. \nScenaristi: Andrej Korovljev, Marijana Veljović \nRedatelj: Andrej Korovljev \n60.000,00 kn / 7.963,37 eura \n \nKriminalistička serija s neobičnom inicijalnom potkom, naime u njoj se istražuju ubojstva u regiji \n(Zagreb-Sarajevo-Beograd) inspirirana glazbenim hitovima iz zemalja bivše Jugoslavije. Taj osnovni \nmotiv serije, iako rubno uvjerljiv, svakako je vrlo atraktivan (catchy) i pruža autorima mogućnost da \n\n\f\nrazigraju zbivanja u scenariju preko cijele regije, konstruiraju detektivsku trojku iz triju država, te u \npozadini priče prikažu složene društvene i političke procese kao što su zahlađenje hrvatsko-srpskih \nodnosa, izbjeglička kriza ili npr. Gay Pride, ukratko serija koja kao i svaki dobar krimić govori mnogo \nviše o društvu i njegovim problemima, nego o individualnom zločinu. \nScenarij prve epizode karakteriziraju upečatljivi likovi i autentično napisani dijalozi te originalno \nosmišljen zaplet, a zbog paralelnih slučajeva koji se događaju u različitim gradovima regije, serija \nobiluje atraktivnim lokacijama i velikom dinamikom zbivanja što bi uz kvalitetnu glumačku podjelu i  \nuvjerljivu režiju moglo rezultirati vrlo dobrom gledanošću. \n \n5) Televizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta \n \n5.1. Lijepe naše \nHumoristička serija, 12x40’ \nProducent: Ambasada Studio d.o.o. \nScenaristice: Nataša Dangubić, Zrinka Šamija \nRedatelj: Jakov Nola \n50.000,00 kn / 6.636,14 eura \nSuvremeni dramedy, urban i obiteljski na pomaknut način: pratimo obitelji dviju najboljih prijateljica, \nemancipiranih mladih žena koje paralelno pokušavaju brinuti o obitelji i karijeri, žive zajedno s tri \nkćeri. Serija svježim tonom progovara o samosvjesnim ženama mlađih srednjih godina koje se nalaze \npod pritiskom istovremenog vođenja obiteljskog, profesionalnog i emotivnog života. Vrlo upečatljivo \nkoncipirani likovi i odlično napisani vrckavi dijalozi, dobar su temelj za daljnji razvoj scenarija i cijelog \nprojekta. \nS obzirom na popularnost tzv. obiteljskih humorističkih serija na domaćim televizijama, ova serija \nmože se smatrati svojevrsnim modernizacijskim iskorakom, budući da je također riječ o seriji koja se \nbavi obitelji, ali sasvim drugačijom suvremenom obitelji koja, naravno, preuzima i neke funkcije i \nsličnosti s tradicionalnom obitelji. \n \n5.2. Roberta, saberi se \nHumoristička serija, 13x26’ \nProducent: Wolfgang i Dolly d.o.o. \nScenaristice: Lana Kosovac, Amanda Prenkaj \nRedateljica: Lana Kosovac \n50.000,00 kn / 6.636,14 eura \nAutorski projekt dviju žena, glumice i redateljice, koji je „labavo postavljen na autobiografskim \nelementima“, atipično je žensko pismo koje se poziva na kultnu „Živu istinu“ i nadograđuje je \nsuvremenim televizijskim izričajem, uvijek aktualnim „ženskim temama“, kao što su odnos prema \nvlastitom tijelu, objektivizacija tijela, samopoštovanje, nesigurnost, ženska prijateljstva, seksualno \nuznemiravanje, mirenje profesionalnog i privatnog života, obiteljski odnosi, ženski aktivizam i slično. \nRezultat je detaljan i kvalitetno razrađen koncept „ženske“ humoristične serije sa zanimljivo \nosmišljenom glavnom junakinjom i njezinim dramskim izazovom.  \n\n\f\nKoncept predviđa izmjenjivanje više pripovjedačkih postupaka, a posebno je zanimljiv i očuđujući \nonaj koji su autorice nazvali meta momentima, a predstavljaju zamišljaje glavne junakinje u kojima \nona kompenzira izostanak vlastite reakcije u stvarnosti fantastičnom i duhovitom maštarijom. Takve \nstilizacije u svojevrsnom su kontrapunktu s decentno osmišljenim redateljskim stilom i realističnim \nvizualnim prosedeom, te se uklapaju u suvremene pripovjedačke trendove koji se pokušavaju \nodmaknuti od jednostavnih pravocrtnih naracija svojstvenih žanru dramedije i obogaćuju ga \ndobrodošlim inovativnim stilizacijama. \n \n \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA – podkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2022. – 2. ROK – 12.9.2022. \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute \n \n1.1. Erwin Tesla \nAnimirana serija, 7x7’ \nScenarist: Srđan Laterza \n25.000,00 kn / 3.318,07 eura \nOriginalan koncept animirane serije za djecu spaja dvije mačke, jednu čuvenu koja je nadahnula \nfizičara Erwina Schrödingera na eksperiment kojim je ustvrdio da u kvantnoj fizici mačka može biti u \nisto vrijeme i živa i mrtva, te jednu manje poznatu koja je u ranom djetinjstvu inspirirala Nikolu Teslu \nna razumijevanje elektriciteta. Spajajući dvije mačke u jednu, autor dolazi do imena glavnog junaka \nErwin Tesla čija je uloga da pomaže junacima pojedinih epizoda razriješiti probleme pred kojima su \nse našla uz pomoć znanosti, prilagođeno uzrastu mlađem od 10 godina.  \nVrlo kreativan koncept koji ukazuje na važnost znanosti, ali čak i više od same znanosti, na važnost \nkomunikacije i empatije koji nam često više pomažu od tehnicistički shvaćene znanosti. \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n \n2.1. Radijski raj \nDokumentarna serija, 3x30’ \nProducent: Hrvatski centar za istraživačko novinarstvo i slobodu medija - HRCIN \nScenarist: Dario Juričan \n20.000,00 kn/ 2.654,46 eura \nIstraživački current affairs dokumentarni serijal autora koji je već izazvao veliku medijsku pažnju \nsličnim projektima posvećenima bivšem zagrebačkom gradonačelniku Milanu Bandiću i \nkontroverznom bosanskohercegovačkom poduzetniku Miroslavu Kutli. Ovaj projekt pokušava \nistražiti pozadinu u medijima često spominjane mreže hrvatskih radio stanica netransparentnog \nvlasništva s kojima se povezuju brojni kontroverzni poduzetnici. “Vruća tema”, dobra upućenost \nautora u temu, te najava zanimljivih sugovornika, svakako predstavljaju dobrodošao medijski iskorak, \n\n\f\na realizacija projekta nesumnjivo bi doprinijela podizanju demokratskih standarda i medijskoj \ntransparentnosti. \n \n2.2. Budućnost sada! \nDokumentarna serija, 3x52’ \nScenarist: Hrvoje Mabić \nRedatelj: Hrvoje Mabić \n20.000,00 kn/ 2.654,46 eura \nDokumentarni futuristički serijal u tri epizode ima namjeru dati dubinski uvid u teme razvoja umjetne \ninteligencije, genetike, bionike i nanotehnologije, odnosno njihovim ulogama u medicini, te zaštiti \nokoliša i održivom razvoju. Svaka epizoda razrađuje jednu temu uz pomoć desetak kompetentnih \nsugovornika iz različitih perspektiva (znanost i tehnologija, medicina, sociologija, ekonomija, etika…), \na dinamično vizualizirani i montirani isječci njihovih komentara bit će popraćeni arhivskim snimkama \nznanstvenih prezentacija, eksperimenata i objava, te animiranim vinjetama za koje je zadužen \nDalibor Barić, što smatram jako kvalitetnim rješenjem jer su animacije nužne kako bi gledatelju \nolakšali praćenje teme i vizualno je učinile atraktivnom. Također, autor namjerava prezentirati i živu \nscenu start-up kompanija u Hrvatskoj koje se bave nekom od djelatnosti koje korespondiraju s \ntemom serije. \nZanimljiva i aktualna tema s kvalitetnim redateljskim konceptom, a iskazane namjere za dodatnim \nistraživanjem i pisanjem scenarija u suradnji sa sugovornicima, kao i ranije reference autora, jamče \nkvalitetan projekt za koji postoji i javni interes. \n \n2.3. Što ćemo s Alfom? \nDokumentarna serija, 5x50’ \nScenaristice: Marija Šimoković Sikavica, Nevenka Sablić \n25.000,00 kn / 3.318,07 eura \nOriginalni dokumentarni koncept ima za cilj istražiti što razlikuje a što povezuje šest živućih \ngeneracija (Tiha generacija, Baby boomeri, X generacija, Milenijalci, Generacija Z, Generacija Alfa) i \nto prvenstveno iz perspektive žena o čijem doživljaju svijeta kroz povijest znamo malo ili nimalo, a \nnajčešće posredno (kroz muške interpretacije). \nIznimno kvalitetno osmišljen i formatiran projekt koji će kroz inventivnu inscenaciju u kojoj će \nsudjelovati predstavnice svih generacija potaknuti dijalog o pet velikih tema, odnosno pet osnovnih \nljudskih potreba: bazične potrebe (hrana, kuća, odjeća), potreba za sigurnošću (osobna sigurnost, \nzaposlenje i novac, zdravlje), potreba za pripadanjem (obitelj, prijateljstvo, ljubav i seks), \nsamoostvarenje (poštovanje i društveni status, samopouzdanje, snaga), smisao i svrha (ono više od \nživota – vjera, ideologija i politika, budućnost).  \n \n \n \n\n\f\n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n3.1. Lov na guske \nDramska serija, 8x50’ \nScenarist: Andrija Mardešić \n30.000,00 kn/ 3.981,68 eura \nPovijesna krimi noir serija koja koketira s tzv. alternativnom poviješću te pripovijeda zamršenu priču \nsmještenu u 30-e godine prošlog stoljeća, vrijeme vrenja brojnih političkih silnica koje će kasnije \neksplodirati u Drugom svjetskom ratu. Priča u kojoj jedan propali slikar, sada likovni kritičar, igrom \nslučaja dolazi u posjed romana koji raskrinkava veliku zavjeru u državnom vrhu, u središtu koje je \ntajna organizacija, okultno društvo Kletve kralja Zvonimira, paravan kojim se prikriva korupcija i \nmreža privatnih interesnih skupina koje zapravo vode zemlju, diktiraju političke procese i pripremaju \ndolazak fašista na vlast.  \nIntrigantna dramska serija neskriveno je inspirirana uspješnim naslovima kao što su „Babylon Berlin“ \nili „Senke nad Balkanom“ u kojima se kombiniraju fikcionalni elementi priče s povijesnim događajima \ni ličnostima, nekad u prvom, a nekad u drugom ili trećem planu.  \nAutor iskazuje namjeru da prikažu drugu, mračniju i zloslutniju stranu 30-ih godina na ovim \nprostorima od one koju poznajemo u romantiziranoj i nostalgičnoj atmosferi najpopularnijeg \ndomaćeg filma „Tko pjeva zlo ne misli“. Riječ je o iznimno ambicioznom projektu kakav ne \npoznajemo u hrvatskoj kinematografiji, te o žanru koji je iznimno scenaristički i produkcijski \nzahtjevan. \n \n3.2. Časni sude \nDramska serija, 10x52’ \nProducent: Antitalent d.o.o. \nScenaristica: Maja Pek-Brünjes \n30.000,00 kn / 3.981,68 eura \n \nAdaptacija iznimno uspješne izraelske kriminalističke dramske serije „Kvodo“ koja je poznatija po \nameričkoj verziji „Your Honor“ (showrunner Peter Moffat), dok je nekoliko europskih adaptacija u \ntijeku. Producentska kuća dostavila je ugovor o licenciranju formata s vlasnicima prava Yes Studios. \nRiječ je o vrlo dobroj seriji, no u ovom je slučaju važnija ocjena kako se predložak izvrsno uklapa u \nlokalne prilike. Glavni je junak sudac visokih moralnih načela, kvalitetan i pošten, no sav moralni \nintegritet doveden mu je u pitanje nakon što njegov sin u automobilskoj nesreći usmrti sina lokalne \nmafije. Umjesto prijavljivanja policiji, otac u posljednji trenutak odluči zaštititi sina od mafijaške \nosvete i laže policiji, a to nas dovodi u izvanredno zanimljivu i dramski potentnu situaciju u kojoj \nkriminalac (šef mafije) traži pravdu za svoga sina, dok časni sudac, štiteći svoga sina, postaje \nkriminalac.  \nSjajan koncept i u treatmentima kvalitetno napravljena razrada likova, kao i kratki sadržaji svih deset \nepizoda. Uz to, mišljenja sam da je serija i izvanredno ambijentirana, naime glavnina radnje događa \n\n\f\nse na prostoru između Ploča i Dubrovnika, socijalno i vizualno vrlo zanimljivim lokalitetima koji su \npodzastupljeni u domaćoj kinematografiji. \n \n \n3.3. Dora \nDramska serija, 6x60’ \nProducent: Eclectica d.o.o. \nScenaristica: Mija Matasović \n30.000,00 kn/ 3.981,68 eura \n \nAmbiciozno koncipirana biografska serija o slikarici Dori Maar, ovu umjetnicu, koja je u svjetskom \nnarativu svedena na ljubavnicu slavnog Pabla Picassa, pokušava predstaviti iz sasvim drugačije \nperspektive, kao subjekt, a ne objekt, kao ženu koja je tek danas u vrijeme MeToo pokreta i \nosvještavanja spolne i rodne ravnopravnosti, došla u sinkronicitet sa svijetom.  \nNjezina emancipacija konzistentno je utkana u samu dramaturgiju serije; ne samo što je Dora glavni \nfokalizator, već je provedena i njezina, kako to autorica naziva, „de-picassizacija“, tako da Dora više \nnije definirana Picassom, odnosno da iz ove nove perspektive Picasso više nije glavni lik njezine \nbiografije. Minuciozno osmišljen projekt s uvjerljivom autorskom koncepcijom, kvalitetnim \ntreatmentima svih epizoda i jasnim planom razvoja projekta, no istovremeno i produkcijski, a time i \nfinancijski izuzetno zahtjevan. Hrvatske nacionalne televizije teško bi se same nosile s tim izazovom, \nno vjerujem da s obzirom na međunarodnu „poznatost“ glavne junakinje postoji i realna mogućnost \nznačajnije koprodukcijske participacije u regiji i izvan nje. \n \n3.4. Mitoman \nDramska serija, 8x52’ \nProducent: Petnaesta umjetnost d.o.o. \nScenaristica: Nina Mitrović \n30.000,00 kn / 3.981,68 eura \n \nDramedija renomirane dramatičarke Nine Mitrović stilski se može opisati riječima autorice kao \n„kombinacija francuskog Novog vala, filmskog pravca 20. stoljeća, i moronizma, kao društvenog \npravca 21. stoljeća“. Ambiciozan dramski projekt daje krajnje ciničan prikaz raspada društvenih \nvrijednosti kroz priču o privatnoj i karijernoj propasti glavnog lika, donedavno uspješnog mladog \nstečajnog upravitelja. Predstavljen kao junak našeg doba, „ni hrabar ni pošten ni principijelan“, \nsavršeni je suvremeni heroj, čovjek koji vjeruje u vlastiti mit. \nIako je sama priča pretežito realistična, ton pripovijedanja u bitnome je pomaknut, očuđujući, \nironijski diskurs i narativne tehnike,  koje baštini od spomenutog francuskog Novog vala zahtjevne su \ni u nekoj mjeri rizične u formatu kao što je televizijska serija. Ipak, pozivanje na iznimno kvalitetne, \nali ujedno i komercijalno uspješne naslove kao što su „Vuk s Wall Streeta“, „Velika oklada“ i \n„Sopranosi“ uvjerava nas u medijsku i žanrovsku osviještenost projekta, a odmak od \nsrednjostrujaškog manirizma, tematska relevantnost, upečatljiv autorski izričaj i neskrivena \numjetnička pretenzija zaslužuju potporu. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2022,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2015_3rok_DUG_IGR.pdf","filename_decoded":"RPR_2015_3rok_DUG_IGR.pdf","sha256":"6112877f7ba5d0bf07ad32223435767ace3141d344aff62e8924ae1d4b99cd7c","bytes":91681,"page_count":1,"extracted_at":"2026-05-17T10:24:19Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2015_3rok_DUG_IGR.pdf"},"raw_text":"RAZVOJ\t\r  PROJEKATA\t\r  2015.\n-­‐\t\r  3.\t\r  ROK-­‐\nDUGOMETRAŽNI\t\r  IGRANI\n1\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nUPM\nKabinet d.o.o. / Suzana Pandek\nIvan Turković-Krnjak\nTomislav Fiket\nDražen Karakaš \"U pičku \nmaterinu\"\n90,000.00\n2\nZaokruži me!\nTelefilm d.o.o. / Stanislav Babić\nVelimir Grgić, Marko Mihalinec\nDario Lonjak\n100,000.00\nUKUPNO\n190,000.00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata \ndugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2015. - \n3. 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d.o.o.","row_id":"6112877f:s0:46d85d37a2d8","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_b9687f2d7f02","project_family_title":"Zaokruži me!"}],"section_total_text":"190,00","section_total":190.0}],"totals":{"ukupno_text":null,"ukupno":190.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":190000.0,"ukupno_match":false,"row_count":2,"awarded_count":2,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":2}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje za kratkometrazni film drugi rok 2020_final.pdf","filename_decoded":"Obrazlozenje za kratkometrazni film drugi rok 2020_final.pdf","sha256":"6131826df4898965ecf411cb92416efb3837b601e0f18339913f5b942bf152f4","bytes":47450,"page_count":4,"extracted_at":"2026-05-17T12:01:41Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje%20za%20kratkometrazni%20film%20drugi%20rok%202020_final.pdf"},"raw_text":"Obrazloženje\t\r  umjetničkog\t\r  savjetnika\t\r  po\t\r  rezultatima\t\r  Javnog\t\r  poziva\t\r  za\t\r  poticanje\t\r  \naudiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  –\t\r  kategorija\t\r  proizvodnje\t\r  kratkometražnog\t\r  igranog\t\r  \nfilma\t\r  na\t\r  drugom\t\r  roku\t\r  u\t\r  2020.\t\r  godini\t\r  –\t\r  rok\t\r  15.\t\r  rujan\t\r  2020.\t\r  \n\t\r  \nNa\t\r  drugi\t\r  natječajni\t\r  rok\t\r  za\t\r  kratkometražni\t\r  igrani\t\r  film\t\r  u\t\r  2020.\t\r  godini\t\r  pristigle\t\r  su\t\r  dvadeset\t\r  i\t\r  tri\t\r  \n(23)\t\r  prijave.\t\r  Pet\t\r  (5)\t\r  autorica\t\r  i\t\r  osamnaest\t\r  (18)\t\r  autora.\t\r  Od\t\r  toga\t\r  jedan\t\r  (1)\t\r  projekt\t\r  nije\t\r  \nzadovoljio\t\r  formalne\t\r  uvjete\t\r  natječaja\t\r  te\t\r  se\t\r  njegova\t\r  prijava\t\r  nije\t\r  razmatrala,\t\r  a\t\r  dva\t\r  (2)\t\r  projekta\t\r  \nsu\t\r  filmovi\t\r  u\t\r  fazi\t\r  postprodukcije.\t\r  Šest\t\r  (6)\t\r  projekata\t\r  su\t\r  već\t\r  bili\t\r  prijavljeni\t\r  na\t\r  neki\t\r  od\t\r  \nprethodnih\t\r  javnih\t\r  poziva,\t\r  a\t\r  šest\t\r  scenarija\t\r  djela\t\r  su\t\r  debitanata.\t\r  \n\t\r  \nU\t\r  odnosu\t\r  na\t\r  prvi\t\r  rok\t\r  2020,\t\r  drugi\t\r  rok\t\r  karakterizira\t\r  osim\t\r  značajno\t\r  manje\t\r  prijavljenih\t\r  \nkandidata,\t\r  sadržajno\t\r  vrlo\t\r  raznolik\t\r  opus,\t\r  a\t\r  prednjače\t\r  obiteljske\t\r  teme,\t\r  ali\t\r  ono\t\r  što\t\r  bih\t\r  izdvojio\t\r  \nkao\t\r  posebitost\t\r  su\t\r  autobiografske\t\r  značajke\t\r  polovice\t\r  projekata\t\r  pa\t\r  je\t\r  očito\t\r  da\t\r  su\t\r  autori\t\r  ova\t\r  \npandemijska\t\r  vremena\t\r  iskoristili\t\r  za\t\r  propitivanje\t\r  i\t\r  autorefleksiju.\t\r  \t\r  \n\t\r  \nOdabrano\t\r  je\t\r  sedam\t\r  projekata\t\r  zbog\t\r  snage\t\r  filmskog\t\r  izraza\t\r  i\t\r  autentičnog\t\r  glasa\t\r  autora\t\r  koji\t\r  su\t\r  \npisali\t\r  proživljeno.\t\r  Od\t\r  njih\t\r  sedam,\t\r  četiri\t\r  projekta\t\r  su\t\r  autobiografske\t\r  epizode,\t\r  od\t\r  kojih\t\r  je\t\r  jedan\t\r  \nhumorna\t\r  drama\t\r  o\t\r  nemogućnosti\t\r  nošenja\t\r  sa\t\r  bolešću;\t\r  drugi\t\r  o\t\r  obiteljskom\t\r  nasilju\t\r  zaogrnutom\t\r  \nu\t\r  ruho\t\r  teen\t\r  komedije;\t\r  treći\t\r  o\t\r  motivu\t\r  osvete;\t\r  četvrti\t\r  o\t\r  traumama\t\r  iz\t\r  djetinjstva;\t\r  peti\t\r  projekt\t\r  \npripada\t\r  karakterističnoj\t\r  niši\t\r  festivalskih\t\r  art\t\r  house\t\r  filmova,\t\r  dok\t\r  je\t\r  šesti\t\r  projekt,\t\r  odmak\t\r  od\t\r  \nvećinskih\t\r  prijavljenih\t\r  filmova\t\r  koji\t\r  se\t\r  klasificiraju\t\r  kao\t\r  drame,\t\r  čisti\t\r  žanrovski\t\r  fetiš\t\r  kakav\t\r  se\t\r  u\t\r  \nhrvatskoj\t\r  snima\t\r  malo\t\r  ili\t\r  nimalo.\t\r  Sedmi\t\r  projekt\t\r  je\t\r  u\t\r  fazi\t\r  postprodukcije,\t\r  debitantski\t\r  igrani\t\r  \nfilm,\t\r  netipičnog\t\r  sadržaja\t\r  za\t\r  kratki\t\r  igrani\t\r  film.\t\r  \n\t\r  \n\t\r  \nZOF\t\r  \nScenarist\t\r  i\t\r  redatelj:\t\r  Rino\t\r  Barbir\t\r  \nProdukcija:\t\r  Kino\t\r  klub\t\r  Split\t\r  \nProducent:\t\r  Ivan\t\r  Perić\t\r  \n\t\r  \nScenarij\t\r  o\t\r  osveti,\t\r  pritajenoj\t\r  agresiji,\t\r  samokontroli,\t\r  nemogućnosti\t\r  iskazivanja\t\r  i\t\r  nošenja\t\r  \nprotagonista\t\r  s\t\r  visokim\t\r  emocijama,\t\r  ali\t\r  i\t\r  o\t\r  odnosu\t\r  psa\t\r  i\t\r  njegovog\t\r  gospodara,\t\r  odnosa\t\r  koji\t\r  može\t\r  \nutjecati\t\r  na\t\r  destruktivnu\t\r  narav\t\r  impulzivnog\t\r  i\t\r  agresivnog\t\r  čovjeka.\t\r  \t\r  \nScenarij\t\r  je\t\r  rađen\t\r  po\t\r  stvarnom\t\r  čovjeku,\t\r  naturščiku\t\r  koji\t\r  i\t\r  „glumi“\t\r  u\t\r  filmu,\t\r  zbog\t\r  čega\t\r  sve\t\r  djeluje\t\r  \ntako\t\r  stvarno,\t\r  sirovo\t\r  i\t\r  temperamentno.\t\r  \t\r  Autor\t\r  koristi\t\r  svoje\t\r  poznanstvo\t\r  i\t\r  prijateljstvo\t\r  s\t\r  \nprotagonistom\t\r  i\t\r  kao\t\r  nijemi\t\r  promatrač\t\r  njegovog\t\r  života\t\r  ostvaruje\t\r  pseudo\t\r  dokumentarističku\t\r  \nformu\t\r  mogućeg\t\r  vlastitog\t\r  života\t\r  protagonista.\t\r  Tako\t\r  scenaristički\t\r  nastaje\t\r  filmski\t\r  lik\t\r  inspiriran\t\r  \nstvarnim\t\r  likom.\t\r  Scenarij\t\r  ima\t\r  dokumentarističku\t\r  snagu,\t\r  autentičnog\t\r  protagonista,\t\r  autorski\t\r  \npotpis\t\r  u\t\r  obliku\t\r  snažne\t\r  i\t\r  jasne\t\r  redateljske\t\r  vizije,\t\r  posjeduje\t\r  snimljene\t\r  probe\t\r  s\t\r  glavnim\t\r  \nglumcem\t\r  i\t\r  definiran\t\r  izgled\t\r  filma\t\r  u\t\r  vidu\t\r  probnih\t\r  snimki\t\r  koji\t\r  će\t\r  biti\t\r  i\t\r  dijelom\t\r  finalnog\t\r  \nproizvoda.\t\r  Iza\t\r  projekta\t\r  stoji\t\r  uhodana\t\r  autorska\t\r  ekipa\t\r  koja\t\r  iza\t\r  sebe\t\r  već\t\r  ima\t\r  uspješne\t\r  filmove,\t\r  \na\t\r  glavni\t\r  autor\t\r  je\t\r  ujedno,\t\r  redatelj,\t\r  scenarist\t\r  i\t\r  direktor\t\r  fotografije.\t\r  \t\r  \nOdobren\t\r  iznos\t\r  -­‐\t\r  \t\r  200.000,00\t\r  kuna\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\nKAKO\t\r  JE\t\r  DOŠLO\t\r  DO\t\r  ŠORE\t\r  \nScenaristica\t\r  i\t\r  redateljica:\t\r  Andrea\t\r  Slaviček\t\r  \nProdukcija:\t\r  Udruga\t\r  Blank\t\r  \nProducent:\t\r  Igor\t\r  Jelinović\t\r  \n\t\r  \nLepršavi\t\r  scenarij\t\r  koji\t\r  svojim\t\r  montažnim\t\r  izmjenama\t\r  prati\t\r  zapravo\t\r  tok\t\r  svijesti\t\r  glavne\t\r  junakinje\t\r  \nkoja\t\r  indirektno\t\r  govori\t\r  o\t\r  obiteljskim\t\r  traumama,\t\r  ali\t\r  je\t\r  kamuflirana\t\r  digresijama\t\r  o\t\r  naslovnoj\t\r  \nšori\t\r  sa\t\r  školskih\t\r  hodnika.\t\r  \t\r  \nIza\t\r  mozaične\t\r  strukture\t\r  o\t\r  srednjoškolskim\t\r  epizodama,\t\r  krije\t\r  se\t\r  drama\t\r  o\t\r  obiteljskom\t\r  nasilju\t\r  \nkoja\t\r  konzistentno\t\r  tinja\t\r  i\t\r  prelijeva\t\r  se\t\r  nesvjesno\t\r  u\t\r  život\t\r  glavne\t\r  junakinje,\t\r  a\t\r  da\t\r  toga\t\r  nije\t\r  ni\t\r  \nsvjesna.\t\r  \nZa\t\r  razliku\t\r  od\t\r  svoje\t\r  junakinje\t\r  koja\t\r  ne\t\r  može\t\r  otvoreno\t\r  pričati\t\r  o\t\r  obiteljskom\t\r  nasilju\t\r  nego\t\r  čini\t\r  to\t\r  \npodsvjesno,\t\r  redateljičina\t\r  je\t\r  motivacija\t\r  da\t\r  napravi\t\r  film,\t\r  upravo\t\r  spremnost\t\r  da\t\r  kroz\t\r  film\t\r  \notvoreno\t\r  govori\t\r  o\t\r  autobiografskim\t\r  epizodama\t\r  koje\t\r  je\t\r  godinama\t\r  skrivala\t\r  zbog\t\r  straha\t\r  od\t\r  \nsrama\t\r  i\t\r  sažaljenja\t\r  drugih\t\r  ljudi.\t\r  \nMaštoviti\t\r  scenarij\t\r  prati\t\r  nadahnuta\t\r  redateljska\t\r  koncepcija\t\r  koja\t\r  otkriva\t\r  sugestivni,\t\r  lepršavi,\t\r  \nsuvremeni\t\r  jezik\t\r  koji\t\r  obećava\t\r  i\t\r  kakav\t\r  je\t\r  potreban\t\r  hrvatskom\t\r  kratkom\t\r  filmu.\t\r  \t\r  \nOdobren\t\r  iznos\t\r  -­‐\t\r  300.000,00\t\r  kuna\t\r  \n\t\r  \nKATRAN\t\r  \nScenarist\t\r  i\t\r  redatelj:\t\r  Marko\t\r  Jukić\t\r  \nProdukcija:\t\r  Sekvenca\t\r  \nProducentica:\t\r  Dora\t\r  Prpić\t\r  \n\t\r  \nOvaj\t\r  projekt\t\r  je\t\r  priča\t\r  o\t\r  kraju\t\r  ljubavne\t\r  veze,\t\r  o\t\r  pokušaju\t\r  dočaravanja\t\r  unutarnjeg\t\r  stanja\t\r  \nglavnog\t\r  protagonista,\t\r  nezrelog\t\r  mladog\t\r  čovjeka\t\r  koji\t\r  je\t\r  nesposoban\t\r  suočiti\t\r  se\t\r  sa\t\r  djevojkom\t\r  i\t\r  \nodlučiti\t\r  što\t\r  želi\t\r  u\t\r  životu.\t\r  Vatrogasci,\t\r  vrućina,\t\r  vatra,\t\r  fatamorgana,\t\r  visoko\t\r  sunce,\t\r  crvenilo,\t\r  gola\t\r  \nkoža,\t\r  visoki\t\r  kontrasti,\t\r  pričinjavanja\t\r  i\t\r  zamišljaji,\t\r  motivi\t\r  su\t\r  koji\t\r  će\t\r  se\t\r  naći\t\r  u\t\r  ovom\t\r  art\t\r  kratkišu,\t\r  \ngdje\t\r  stil\t\r  pršti\t\r  iz\t\r  svakog\t\r  elementa:\t\r  od\t\r  estetizirane\t\r  fotografije,\t\r  reduciranog\t\r  ali\t\r  izražajnog\t\r  \nredateljskog\t\r  prosedea\t\r  do\t\r  ogoljelog\t\r  “vanzemaljskog”\t\r  okoliša\t\r  koji\t\r  čine\t\r  ovaj\t\r  projekt\t\r  stvorenim\t\r  \nza\t\r  festivale.\t\r  U\t\r  autorskom\t\r  smislu\t\r  projekt\t\r  je\t\r  nadogradnja\t\r  u\t\r  odnosu\t\r  na\t\r  dosadašnji\t\r  rad\t\r  redatelja\t\r  \nkoji\t\r  uključuje\t\r  film\t\r  Med\t\r  i\t\r  mliko\t\r  i\t\r  serijal\t\r  Carstvo\t\r  ladovine.\t\r  \t\r  \nOdobren\t\r  iznos\t\r  -­‐\t\r  \t\r  250.000,00\t\r  kuna\t\r  \n\t\r  \n\t\r  \nŠKAFETIN\t\r  \nScenarist\t\r  i\t\r  redatelj:\t\r  Paško\t\r  Vukasović\t\r  \nProdukcija:\t\r  Media\t\r  Punkt\t\r  \nProducenti:\t\r  Marin\t\r  Leo\t\r  Janković\t\r  i\t\r  Sabrina\t\r  Herak\t\r  Smoković\t\r  \n\t\r  \nJoš\t\r  jedan\t\r  izdanak\t\r  splitske\t\r  škole,\t\r  karakteristične\t\r  po\t\r  svojim\t\r  osobnim\t\r  pričama,\t\r  koje\t\r  su\t\r  \nnaturalističke,\t\r  pseudo\t\r  dokumentarne\t\r  i\t\r  autentične\t\r  te\t\r  jasno\t\r  portretiraju\t\r  podneblje\t\r  i\t\r  specifični\t\r  \ndalmatinski\t\r  mentalitet.\t\r  \t\r  \nScenarij\t\r  Škafetin\t\r  govori\t\r  o\t\r  majci\t\r  koja\t\r  se\t\r  razboli\t\r  i\t\r  ostane\t\r  nepokretna\t\r  u\t\r  krevetu\t\r  dok\t\r  otac\t\r  i\t\r  sin\t\r  \nangažiraju\t\r  ženu\t\r  koja\t\r  će\t\r  se\t\r  brinuti\t\r  za\t\r  nju.\t\r  Kako\t\r  bi\t\r  riješili\t\r  financijske\t\r  probleme,\t\r  a\t\r  posredno\t\r  i\t\r  \nmeđuljudske,\t\r  otac\t\r  prodaje\t\r  ženinu\t\r  zemlju,\t\r  a\t\r  novce\t\r  sakriva\t\r  u\t\r  škafetinu.\t\r  \t\r  Glumački\t\r  film\t\r  koji\t\r  \npočiva\t\r  na\t\r  stanjima,\t\r  načinu\t\r  govora,\t\r  mikro\t\r  ekspresiji\t\r  i\t\r  pritajenom\t\r  humoru\t\r  koji\t\r  izlazi\t\r  iz\t\r  \ncrnohumornih\t\r  situacija.\t\r  Scenarij\t\r  prepoznatljivih\t\r  obiteljskih\t\r  odnosa\t\r  i\t\r  lokalnog\t\r  ambijenta,\t\r  ali\t\r  \n\n\f\nuniverzalnog\t\r  jezika\t\r  kojim\t\r  može\t\r  komunicirati\t\r  i\t\r  na\t\r  filmskim\t\r  festivalima.\t\r  Priča\t\r  odiše\t\r  \nautentičnošću\t\r  i\t\r  većina\t\r  autorske\t\r  ekipe\t\r  dio\t\r  su\t\r  redateljeve\t\r  obiteljske\t\r  situacije\t\r  i\t\r  važan\t\r  kotačić\t\r  \nove\t\r  autobiografske\t\r  priče\t\r  redatelja,\t\r  scenarista\t\r  i\t\r  glumca\t\r  ovog\t\r  projekta.\t\r  \nOdobren\t\r  iznos\t\r  -­‐\t\r  \t\r  200.000,00\t\r  kuna\t\r  \n\t\r  \nIGRE\t\r  MILOSTI\t\r  \nScenarij:\t\r  Ivor\t\r  Radmilović\t\r  Pavlek\t\r  \nRedatelj:\t\r  Mario\t\r  Macedo\t\r  \nProdukcija:\t\r  Plan\t\r  9\t\r  \nProducenti:\t\r  Šimun\t\r  Kuliš\t\r  i\t\r  Vanja\t\r  Vascarac\t\r  \n\t\r  \nNostalgična,\t\r  ali\t\r  i\t\r  surova\t\r  priča\t\r  o\t\r  dječaku\t\r  koji\t\r  provodi\t\r  vrijeme\t\r  na\t\r  selu\t\r  kod\t\r  djeda\t\r  i\t\r  bake\t\r  i\t\r  koji\t\r  \nubije\t\r  životinju\t\r  kao\t\r  dio\t\r  seoskog\t\r  folklora\t\r  zbog\t\r  čega\t\r  doživi\t\r  svoje\t\r  prvo\t\r  traumatično\t\r  iskustvo.\t\r  \t\r  \nAutori\t\r  se\t\r  vode\t\r  poetskim\t\r  realizmom\t\r  kao\t\r  smjerom\t\r  kojim\t\r  će\t\r  dočaravati\t\r  dječiji\t\r  doživljaj\t\r  seoskog\t\r  \nživota.\t\r  S\t\r  obzirom\t\r  da\t\r  scenarij\t\r  nastoji\t\r  dočarati\t\r  prvo\t\r  dječje\t\r  iskustvo\t\r  sa\t\r  okrutnim\t\r  i\t\r  nečim\t\r  \ntraumatskim,\t\r  a\t\r  hlebinska\t\r  slikarska\t\r  škola\t\r  naive\t\r  često\t\r  sadrži\t\r  u\t\r  sebi\t\r  mračnjaštvo,\t\r  autori\t\r  žele\t\r  \ndoslovno\t\r  rekreirati\t\r  motive\t\r  i\t\r  situacije\t\r  iz\t\r  slika\t\r  Ivana\t\r  Lackovića\t\r  i\t\r  Ivana\t\r  Generalića.\t\r  \nRedateljska\t\r  koncepcija\t\r  bazirana\t\r  i\t\r  inspirirana\t\r  naivnim\t\r  slikarstvom,\t\r  izrazito\t\r  je\t\r  zanimljiva,\t\r  \nnesvakidašnja,\t\r  i\t\r  u\t\r  kombinaciji\t\r  tog\t\r  tradicionalnog,\t\r  arhaičnog,\t\r  specifičnog\t\r  lokalnog\t\r  ambijenta,\t\r  \netnografskih\t\r  elemenata\t\r  naivnog\t\r  slikarstva\t\r  i\t\r  spoja\t\r  suvremene\t\r  i\t\r  univerzalne\t\r  teme\t\r  koja\t\r  je\t\r  \nobrađena\t\r  sa\t\r  začudnim,\t\r  stiliziranim\t\r  filmskim\t\r  jezikom,\t\r  mogao\t\r  bi\t\r  se\t\r  izroditi\t\r  nadahnuti\t\r  spoj\t\r  i\t\r  \nfilm\t\r  bi\t\r  mogao\t\r  biti\t\r  izrazito\t\r  poticajan\t\r  i\t\r  zahvalan\t\r  za\t\r  proboj\t\r  na\t\r  filmske\t\r  festivale.\t\r  \nOdobren\t\r  iznos\t\r  -­‐\t\r  \t\r  280.000,00\t\r  kuna\t\r  \n\t\r  \n\t\r  \nOSMA\t\r  ZAPOVIJED\t\r  \nScenarist:\t\r  Velimir\t\r  Grgić\t\r  \nRedatelj:\t\r  Dario\t\r  Lonjak\t\r  \nProdukcija:\t\r  Pulsar\t\r  produkcija\t\r  \nProducent:\t\r  Dario\t\r  Lonjak\t\r  \n\t\r  \nOva\t\r  kratka\t\r  žanrovska\t\r  crtica\t\r  o\t\r  osveti\t\r  je\t\r  parodirajuća\t\r  minijatura\t\r  koja\t\r  kompilira\t\r  mnoštvo\t\r  \nmotiva\t\r  iz\t\r  raznih\t\r  žanrovskih\t\r  filmova.\t\r  Autori\t\r  pokušavaju\t\r  pod\t\r  čestom\t\r  temom\t\r  filmova\t\r  o\t\r  osveti,\t\r  \nprovući\t\r  priču\t\r  koja\t\r  dovodi\t\r  do\t\r  apsurda,\t\r  jer\t\r  su\t\r  postupci\t\r  ljudi\t\r  vođeni\t\r  osvetom\t\r  često\t\r  iracionalni,\t\r  \nvođeni\t\r  emocijama.\t\r  Tako\t\r  u\t\r  scenariju\t\r  osvetoljubivi\t\r  protagonist\t\r  otima\t\r  voditeljicu\t\r  vremenske\t\r  \nprognoze\t\r  \t\r  zato\t\r  što\t\r  je\t\r  svojom\t\r  nepogođenom\t\r  prognozom\t\r  na\t\r  javnom\t\r  televizijskom\t\r  servisu\t\r  \nnehotice\t\r  skrivila\t\r  smrt\t\r  njegovih\t\r  roditelja.\t\r  \t\r  \t\r  \nS\t\r  obzirom\t\r  da\t\r  se\t\r  uspješni\t\r  kratki\t\r  filmovi\t\r  oslanjaju\t\r  na\t\r  neku\t\r  udicu\t\r  koja\t\r  te\t\r  zgrabi\t\r  u\t\r  prvih\t\r  par\t\r  \nminuta,\t\r  ovaj\t\r  film\t\r  ima\t\r  osim\t\r  toga\t\r  ima\t\r  i\t\r  završni\t\r  obrat\t\r  kojeg\t\r  ne\t\r  očekujete.\t\r  \nAutori\t\r  se\t\r  oslanjaju\t\r  na\t\r  funkcionalne\t\r  likove,\t\r  atmosferu\t\r  i\t\r  napetost\t\r  iz\t\r  koje\t\r  stalno\t\r  iščekuješ\t\r  što\t\r  \nće\t\r  se\t\r  dalje\t\r  dogoditi.\t\r  \t\r  Ovaj\t\r  crnohumorni\t\r  triler\t\r  je\t\r  definitivno\t\r  najrazličitiji\t\r  projekt\t\r  od\t\r  svih\t\r  \nprojekata\t\r  na\t\r  natječaju,\t\r  ima\t\r  potencijala\t\r  da\t\r  bude\t\r  viralan\t\r  i\t\r  da\t\r  obiđe\t\r  specijalizirane\t\r  žanrovske\t\r  \nfestivale.\t\r  S\t\r  obzirom\t\r  da\t\r  projekt\t\r  ima\t\r  potvrđena\t\r  sredstva\t\r  iz\t\r  drugih\t\r  izvora,\t\r  filmu\t\r  je\t\r  odobren\t\r  \niznos\t\r  130.000,00\t\r  kuna.\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\n9TA\t\r  SEANSA\t\r  \nScenarist\t\r  i\t\r  redatelj:\t\r  Mislav\t\r  Muretić\t\r  \nProdukcija:\t\r  Teatrum\t\r  U.O.\t\r  \nProducenti:\t\r  Davor\t\r  Tomić\t\r  i\t\r  Petar\t\r  Cvirn\t\r  \n\t\r  \nKad\t\r  se\t\r  nema\t\r  sredstava\t\r  onda\t\r  autori\t\r  svoj\t\r  nedostatak\t\r  tretiraju\t\r  kao\t\r  izazov:\t\r  jedan\t\r  prostor,\t\r  jedna\t\r  \nscena,\t\r  jedna\t\r  situacija.\t\r  Radnja\t\r  je\t\r  smještena\t\r  u\t\r  kancelariju\t\r  koja\t\r  izgleda\t\r  kao\t\r  da\t\r  je\t\r  inspirirana\t\r  \nserijom\t\r  Mindhunter\t\r  i\t\r  oživljava\t\r  povratak\t\r  1970-­‐ih.\t\r  Film\t\r  funkcionira\t\r  kao\t\r  mala\t\r  demonstracija\t\r  \nfunkcioniranja\t\r  mijenjanja\t\r  oblika\t\r  podvojene\t\r  ličnosti\t\r  kroz\t\r  psihijatrijsku\t\r  seansu\t\r  između\t\r  \ndoktorice\t\r  i\t\r  pacijenta.\t\r  Već\t\r  snimljeni\t\r  film,\t\r  grubog\t\r  šnita,\t\r  bez\t\r  kolor\t\r  korekcije\t\r  i\t\r  miksa\t\r  zvuka,\t\r  ovaj\t\r  \nprojekt\t\r  je\t\r  prijavljen\t\r  za\t\r  postprodukciju.\t\r  \nOdobren\t\r  iznos\t\r  -­‐\t\r  \t\r  40.000,00\t\r  kn\t\r  \n\t\r  \n\t\r  \n\t\r  \nIvan\t\r  Sikavica,\t\r  umjetnički\t\r  savjetnik\t\r  za\t\r  kratkometražni\t\r  igrani\t\r  film\t\r  \t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2020,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"SPECRSC_2025_11IX2025_ANIMIRANI_WEB.pdf","filename_decoded":"SPECRSC_2025_11IX2025_ANIMIRANI_WEB.pdf","sha256":"614c69e57aaf87c671847782a8002c042feb12038fe6a2d411af96497b3ee274","bytes":89005,"page_count":1,"extracted_at":"2026-05-17T10:24:27Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/SPECRSC_2025_11IX2025_ANIMIRANI_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nODOBRENO (€)\n1\nLuma\nRona Žulj\n5.000,00\n5.000,00\nSpecijalizirani javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih i \ndugometražnih animiranih filmova namijenjenih djeci i mladima - podkategorija: \nRAZVOJ SCENARIJA u 2025. - ROK PRIJAVE - 11.9.2025.\ndugometražni animirani filmovi (trajanje duže od 70 minuta) namijenjeni djeci i mladima\nUKUPNO\n23. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 12. prosinca 2025.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"SPECRSC_2025_11IX2025_ANIMIRANI_WEB","year":2025,"rok":null,"natjecaj_date":"2025-09-11","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"dugometražni animirani filmovi (trajanje duže od 70 minuta) namijenjeni djeci i mladima","section_key":"dugometrazni_animirani_filmovi_trajanje_duze_od_70_minuta_na","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","ODOBRENO (€)"],"rows":[{"row_number":1,"project_title":"Luma","applicant":null,"production_company":null,"director":null,"writer":"Rona Žulj","original_author":null,"category":"Animirani","approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"EUR","extras":{"SCENARIST/-ICA":"Rona Žulj","repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"614c69e5_specrsc_2025_11ix2025_animirani_web_pdf.json","creator_backfill_writer_confidence":"low","creator_backfill_writer_reasoning":"Naslov i redni broj odgovaraju, scenaristica je jasno navedena, ali stupac redatelja nije moguće pouzdano izolirati iz izvornog ispisa."},"entity":null,"row_id":"614c69e5:s0:463e0632016a","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_fb45154bbe7b","project_family_title":"Luma"}],"section_total_text":"5.000,00","section_total":5000.0}],"totals":{"ukupno_text":null,"ukupno":5000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":5000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2018_1rok_IGR_WEB.pdf","filename_decoded":"RSC_2018_1rok_IGR_WEB.pdf","sha256":"6197dfb58f72bc580812fb72a10023444cda283b7b50ed18e97318e40c843da1","bytes":34259,"page_count":1,"extracted_at":"2026-05-16T15:28:46Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2018_1rok_IGR_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nDivljaci\nDario Lonjak\nDario Lonjak\n30.000,00\n2\nNešto jače od mene\nIvan Turković-Krnjak\nKinoteka d.o.o.\n30.000,00\n3\nOmara\nDijana Mlađenović\nKinematograf d.o.o. \nDijana Mlađenović\nIva Ušćumlić \"Omara\"\n30.000,00\n4\nPrvi tjedan u kolovozu\nFilip Mojzeš\nFilip Mojzeš\n30.000,00\n5\nUžas je naša furka (Reci \nkaj ili krepaj, ku'iš)\nRobert Cukina, Ivo \nBalenović\nTelefilm d.o.o. \nGoran Rukavina\n30.000,00\n6\nSvi operateri su \ntrenutno zauzeti\nDalibor Barić\nKaos d.o.o.\nDalibor Barić\n30.000,00\nUKUPNO\n180.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2018. - 1. ROK - 12.4.2018.\ndugometražni igrani film\n96. sjednica Hrvatskog audiovizualnog vijeća, 13. srpnja 2018.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ SCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2023. - 1. 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50.500,00","ukupno":50500.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":50500.0,"ukupno_match":true,"row_count":13,"awarded_count":13,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":13}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlo_enje animirani.pdf","filename_decoded":"obrazlo_enje animirani.pdf","sha256":"6215c620181a6805014b31b8b6e0e712a6ead0b431ade3fdf7a3e450770b4f27","bytes":122425,"page_count":2,"extracted_at":"2026-05-17T12:01:44Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlo%C5%BEenje%20animirani.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po odlukama o donošenju liste prioriteta i \nraspodjeli sredstava prema Javnom pozivu za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2017. godini, u kategoriji poticanja proizvodnje \naudiovizualnih djela za animirani film (drugi rok: 30. studenoga 2017.).\ndoc. dr. sc. Boško Picula, umjetnički savjetnik za animirani film:\nNa Javni poziv prijavilo se 18 kratkometražnih animiranih filmova pri čemu se \njedna prijava nije razmatrala jer prethodni animirani film predlagatelja nije bio \nkolaudiran u trenutku prijave novog projekta. Zbog toga je u konačnici stoga \nrazmatrano 17 projekata. Kriteriji predlaganja projekta za sufinanciranje \ntemelje se na: cjelovitosti predloženih radova, vizualno originalnom konceptu, \nscenarističkoj dorađenosti, festivalskim potencijalima u Hrvatskoj i inozemstvu, \nelaboriranosti izvedbe samih projekata te na financijskim mogućnostima. \nNa listu filmova predloženih za sufinanciranje proizvodnje uvršteno je osam \nkratkometražnih projekata, ukupnoga predviđenog trajanja animacije od 55 \nminuta. Ukupni iznos predloženih sredstava jest 1.700.000,00 kuna.\nOSVRT:\nDrugi rok za poticanje proizvodnje animiranih filmova u 2017. godini u odnosu \nna prethodna dva roka iznadprosječan je i u broju prijavljenih projekata (ukupno \nsedamnaest), i u broju produkcijskih kuća koje su ih prijavile, njih čak četrnaest. \nPritom je nastavljen trend s rokova u prethodnim godinama s više veoma \nkvalitetnih projekta u smislu tražene zaokruženosti redateljskih koncepcija, a \nprojekte u cjelini odlikuje tematsko-stilska raznolikost od tehnika animacije \npreko scenarističkih pristupa do autorskih vizija. I na ovom roku predloženi \nprojekti ispunjavaju sve zadane kriterije za sufinanciranje ističući se kakvoćom \nrazrade i argumentiranim fazama realizacije te visokom razinom koncepcijskih i \nizvedbenih odlika kao preduvjeta što raznolikije produkcije suvremenoga \nhrvatskog animiranog filma. Također treba istaknuti da i ostali projekti koji na \novom Natječaju nisu predloženi za sufinanciranje zaslužuju visoke ocjene te \npreporuku za nastavak prijava. Svaki je od osam predloženih projekata djelo \ndruge produkcijske kuće, dok su tri projekta radovi debitanata u kategoriji u \nkojoj se prijavljuju. Projekti predloženi za sufinanciranje na drugom roku u \n2017. predstavljaju filmove različitih tehnika animacije te autorice i autore više \nnaraštaja. Napokon, projekti su i dalje inventivni u svom likovnom prosedeu te \npoprilično različiti u temama kojima se bave i publikom kojoj se obraćaju, pa \npredstavljaju potencijalno atraktivne kandidate za domaće i inozemne festivale.\n\n\f\nPREDLOŽENI PROJEKTI:\nMeđu osam predloženih projekata nalazi se film Gljive, meduze i atomske \neksplozije i leteći tanjuri novi rad nagrađivanoga redatelja i scenarista Marka \nMeštrovića (Ciganjska, Levitacija) koji uz korištenje više tehnika animacije \n(2D, 3D, cut-out, stop-motion, pikselizacija) te uz zaplet o glazbenicima usred \nglobalne tragedije na veoma atraktivan i inovativan način testira analizu i \nsintezu osnovnih gradivnih elemenata animiranog filma. Sljedeći predloženi \nprojekt je film Misija izvršena redatelja Draška Ivezića (Ljubav i prijevozna \nsredstva) koji je uz Chintis Lundgren koscenarist efektne znanstveno-fantastične \npriče u 2D digitalnoj animaciji o mladom računalnom geniju koji se u kontekstu \nvirtualne stvarnosti nađe u – stvarnom ratu s dva prijatelja. Redateljica Irena \nJukić Pranjić (Ornament duše, Požuda) u predloženom projektu Real Boy 2D \nračunalne animacije nastavlja nakon prethodnog filma Gamer Girl na duhovit i \nvizualno razigran način propitivati ljudsku potrebu za ljubavlju i pripadanjem u \nparodiranju pojma muževnosti oslonjenoga na ikonografiju Jamesa Bonda. \nRedatelj Tomislav Gregl (Malformance – Performance, Zulejka – legenda grada \nOgulina) uz scenarij Maje Gregl odlazi pak u prošlost predlažući povijesnu \nromantičnu dramu 1202 koja u naslovnoj godini govori o namjeri Mletačke \nRepublike da zauzme Zadar na drugoj strani Jadranskog mora što je prikazano u \nkontrastu kolektivnog događaja i intimnih osjećaja te uz spoj tehnika 2D \nanimacije i gline. Redateljica Ivana Guljašević Kuman (Kao nekim čudom, \nBoutov bubanj) i scenarist Bruno Kuman autori su konotativnog projekta \nnamijenjenog prvotno mlađoj publici Crni vuk, bijeli vuk u kombiniranoj \ntehnici crteža, kolaža i računalne animacije nadahnutoga indijanskom \nposlovicom o naslovnim vukovima kao metaforama zla i dobra koje čovjek \nhrani sâm u sebi. Sljedeća su tri projekta prijedlozi debitanata u ovoj kategoriji. \nPrvi je Pozdrav suncu redatelja i scenarista Darka Masneca, doktora umjetnosti \nnagrađivanog za svoj studentski rad Ja već znam što čujem koji predlaže \nikarovski ugođenu priču u digitalnoj i klasičnoj 2D animaciji o astronautu čija se \nfascinacija suncem pretvara u opsesiju i pravo ljubavno pismo. Sljedeći je \ndebitantski rad Mareki djelo redateljice i scenaristice Višnje Skorin, tematski i \nvizualno razigrana priča za djecu osmišljena u 3D animaciji o sićušnim \nstvorenjima koja čiste podmorje ugledavši na dnu nepoznato biće. Napokon, \nsvoj bi debitantski kratkometražni animirani film trebao realizirati još jedan \ndoktor umjetnosti. To je Tihoni Brčić, autor projekta u tehnikama 2D i glini Jež \nBodljikavko o naslovnoj životinji koja se nesebično pomažući stanovnicima \nšume nađe u velikoj opasnosti. Edukativnost i socijalna osjetljivost su među \nvodećim odlikama ovog likovno privlačnog filma namijenjenoga najmlađima. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"non_financing","source":{"filename":"About%20CIRCLE2020.pdf","filename_decoded":"About%20CIRCLE2020.pdf","sha256":"621efbb5759cfa4f7d21836f9ca8df8260c470b526a327002204c6e19d77fcce","bytes":487875,"page_count":3,"extracted_at":"2026-05-16T13:38:08Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"odluka%20vijeca_kompl_dodatno.pdf","filename_decoded":"odluka%20vijeca_kompl_dodatno.pdf","sha256":"627411859e2a7d2d93ad335a61a556ca41d4e58a6e851e4b715e82d88d83d31c","bytes":564978,"page_count":3,"extracted_at":"2026-05-16T14:10:04Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj:4291 -2014 \nU Zagrebu, 10. listopad 2014. \n \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12),  Hrvatsko audiovizualno vijeće, na prijedlog Umjetničkog vijeća, na 52. sjednici održanoj 10. \nlistopada 2014. godine donijelo je: \n \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za komplementarne djelatnosti u 2014.godini-sukladno  \nčl. 59 Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 118/12) \n \n \n \n \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za komplementarne djelatnosti u 2014.godini donosi se odluka o raspodjeli sredstava u \nukupnom iznosu od 25.000,00 kn (dvadesetpettisućakuna), prema tablici u prilogu. \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnikom sredstava iz točke 1. Ove \nOdluke u roku predviđenom Pravilnikom o postupku, kriterijima i rokovima za provedbu \nNacionalnog programa promicanja audiovizualnog stvaralaštva (NN 118/12).  \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a na: \nwww.havc.hr. \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 118/12), u 2014. godini raspisan je Javni poziv HAVC-a za \nkomplementarne djelatnosti. \n \nNa Javni poziv sukladno čl. 59 Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog \nprograma promicanja audiovizualnog stvaralaštva (NN 118/12)  ukupno je prijavljen 1 projekt.  \n \nNa 34. sjednici Umjetničkog vijeća umjetnički savjetnik za komplementarne djelatnosti g. Slaven Zečević \n\n\f\npredložio je financiranje navedenog projekta,  koji prijedlog je Umjetničko vijeće usvojilo i proslijedilo na \nrazmatranje Hrvatskom audiovizualnom vijeću.  \nNa 52. sjednici Hrvatskog audiovizualnog vijeća održanoj 10. listopada 2014.godine prihvaćeno je \nfinanciranje prijave iz točke 1. izreke Odluke.  \nTemeljem čl.12. Zakona o audiovizualnim djelatnostima, ravnatelj HAVC-a izvršava odluke o raspodjeli \nsredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima sredstava.  \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \nVera Robić -Škarica, v.r. \nPrilog: tablica s rezultatima \nDostaviti: \n- \npismohrana, ovdje \n\n\f\nNaziv predlagatelja\nNaziv programa\nODOBRENO\n1\nUstanova Kinematografi \nDubrovnik \nKonferencija filmskog stvaralaštva \nmladih \n25.000,00\n                                  KOMPLEMENTARNE DJELATNOSTI U 2014. GODINI                                          \nPrijava sukladno članku 59. Pravilnika o postupku, kriterijima i rokovima za provedbu \nnacionalnog programa promicanja audiovizualnog stvaralaštva (NN 118/12)\n","warnings":[],"document":{"program_type":"komplementarne","year":2014,"rok":null,"referenced_projects":["Konferencija filmskog stvaralaštva mladih"],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 10. listopada 2014. o raspodjeli sredstava za komplementarne djelatnosti (sukladno čl. 59. Pravilnika NN 118/12) u ukupnom iznosu od 25.000,00 kuna, odobreno Ustanovi Kinematografi Dubrovnik.","project_links":[{"source_title":"Konferencija filmskog stvaralaštva mladih","family_id":"pf_dd6c0fe7f82a","family_title":"Konferencija filmskog stvaralaštva mladih","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.0","doc_type":"other","source":{"filename":"Program%203SHF%202021.pdf","filename_decoded":"Program%203SHF%202021.pdf","sha256":"630cb42daa7f217b65682450b88a6798ed9d38ec8c4dc6ef606a67f5c20025af","bytes":9963554,"page_count":2,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_RPR_ANIMIRANI_WEB__dup1.pdf","filename_decoded":"Obrazlozenje_RSC_RPR_ANIMIRANI_WEB__dup1.pdf","sha256":"6354d4d8f6da29b621c42d87e358e8266925a7b598a9c35ad677b63bcef86dc3","bytes":116511,"page_count":2,"extracted_at":"2026-05-17T12:02:14Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_RPR_animirani_WEB.pdf"},"raw_text":" \n1\nJAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAS TVA U \n2018. GODINI \nKategorija: razvoj scenarija -  animirani film \n \nRok: 11. listopada 2018. (3.rok) \nNa treć i natjeć ajni rok javnog poziva za potićanje razvoja sćenarija za animirani \nfilm pristiglo je sveukupno s est prijava koje su sve zadovoljile formalne \npredispozićije natjeć aja. Od tih s est prijava, tri su adaptaćije već postojeć ih \nliterarnih djela. Također, tri prijave su bile orijentirane na razvoj sćenarija \nfilmova za djeću a tri za s iru, već inom festivalsku, publiku.  \nKriteriji za odabir potpore za razvoj sćenarija su originalnost ideje i pristupa, \nnjihova razrađenost te jasnoć a vizije daljnje razrade projekta koji za ćilj ima \nanimirani film. Kod prijava razrada adaptaćije postojeć ih djela uzima se u obzir i \nfilmić nost same prić e te koliko uspjes no sćenarist postojeć u literaranu vrijednost \npredlos ka prevodi u srodan ali medijski razlić it filmski jezik. \nDva su se prijedloga posebiće istakla svojim potenćijalom za daljnju razradu te se \npredlaz u za finanćijsku potporu.  \nPrvi od njih je Obiteljski portret nagrađivane animatoriće i redateljiće Lee \nVidaković , stilski vrlo zanimljivog pristupa. U ovoj pomalo opskurnoj ali iznimno \npoetić noj prić i ulazimo u svijet jedne velike građanske obitelji te dobivamo uvid u \nmeđusobne odnose i intrige njenih ć lanova. Gledatelj je na gotovo voajerski nać in \nuvuć en u svijet ove (a)tipić ne obitelji kojeg autorića gradi kroz niz zanimljivih \ndetalja.  Ovo je projekt koji obeć ava originalni animirani uradak velikog \nfestivalskog potenćijala.  \nDrugi projekt predloz en za potporu je Tubist, nagrađivane knjiz evniće i \nsćenaristiće Nene Lonć ar.  Radi se o sćenariju gorkih emoćija koji prati mladog \nprotagonista u sazrijevanju. On je trinaestogodis njak kojeg otać alkoholić ar, \nsuprotno djeć akovim z eljama, upisuje u limeni orkestar u kojem mu se dodjeljuje \nda svira tubu.  Djeć ak svejedno nastavlja raditi na vlastitim snovima koji nisu \ndaleko od glazbe ali su daleko od tog njemu nezgrapnog instrumenta.  Kvalitetno \nrazrađena i izvedena, ova tes ka ali inspirativna prić a neuobić ajene tematike za \nhrvatski animirani film, mogla bi biti zanimljiv i dobrodos ao doprinos domać oj \nfilmskoj sćeni. \nSveukupna predloz ena potpora je 50.000,00 kn na 2 projekata.   \nPREDLOŽENI PROJEKTI: \nnaziv projekta : OBITELJSKI PORTRET   \nsćenaristića: Lea Vidaković \npredloz eno: 25.000,00 kn \nnaziv projekta : TUBIST   \nsćenaristića: Nena Lonć ar \npredloz eno: 25.000,00 kn \n\n\f\n \n2\n \nJAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAS TVA U \n2018. GODINI \n \nKategorija: razvoj projekata -  animirani film \nRok: 11. listopada 2018. (3.rok) \n \nU kategoriji javnog poziva za potićanje razvoja projekata animiranog filma u \n2018.godini bio je prijavljen jedan projekt. On je odgovarao predispozićijama \nnatjeć aja u formalnom i kvalitativnom smislu te je za njegov razvoj predloz ena \nnovć ana potpora. \nRijeć je o projektu Krvavi sabor Križevački predlagatelja Jaka produkćija d.o.o. \nć iji sćenarij potpisuje Sinis a Bahun a rez iju Martin Babić .  Projekt je zamis ljen kao \nlutka- film u kojem se prikazuje pokolj hrvatskog bana Laćković a i niza hrvatskih \nplemić a na saboru koji se odvio krajem 14. stoljeć a u Kriz evćima.  Zanimljiva \nradnja temeljena na vrlo dramatić nim stvarnim događajima punim zavjera i \nprevrata obeć ava dinamić an i uzbudljiv animirani film koji bi mogao biti \natraktivan za publiku s irokog raspona godina.  \n \nPREDLOŽENI PROJEKT: \nnaziv projekta : KRVAVI SABOR KRIŽEVAČKI   \nprodućent: Jaka produkćija d.o.o. \npredloz eno: 100.000,00 kn \n \n \n \n \nPetra Zlonoga, umjetnić ka savjetnića za animirani film \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2009%20Komplementarne%20djelatnosti.pdf","filename_decoded":"2009%20Komplementarne%20djelatnosti.pdf","sha256":"6371a2f314557da97b56fce2cc15526d966f74a7898faeefae85f45ad81eed99","bytes":181126,"page_count":9,"extracted_at":"2026-05-16T16:45:33Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2009%20Komplementarne%20djelatnosti.pdf"},"raw_text":"naziv predlagatelja\nnaziv programa\nodobreno 2009.\nHRVATSKI FILMSKI SAVEZ\nFilmski i video arhiv Hrvatskog filmskog saveza\n150.000,00\nKino klub Split\nRestauracija i telekiniranje arhivskih materijala Kino \nkluba Split\n30.000,00\nUSTANOVA ZAGREB FILM\nRESTAURACIJA ZVUČNOG ZAPISA I IZRADA DIGITALNIH \nMASTERA SERIJALA PROFESOR BALTAZAR, 59 epizoda u \nukupnom trajanju od 490 minuta\n40.000,00\nUSTANOVA ZAGREB FILM\nRESTAURACIJA SLIKOVNOG I ZVUČNOG ZAPISA I \nIZRADA DIGITALNIH MASTERA ANTOLOGIJSKOG \nIZBORA ANIMIRANIH FILMOVA ZAGREB FILMA POD \nNAZIVOM \"DRAGULJI ZAGREB FILMA\" Trajanje 74 min\n55.000,00\nHRVATSKI DRŽAVNI ARHIV ‐ \nHRVATSKA KINOTEKA\nZaštita i restauracija audiovizualnog gradiva u 2009. \ngodini\n2.000.000,00\n2.275.000,00\nUKUPNO\nZAŠTITA  AUDIOVIZUALNE  BAŠTINE  UKLJUČUJUĆI  KINOTEČNU  DJELATNOST\n\n\f\nnaziv predlagatelja\nnaziv programa\nodobreno 2009.\nURBANA KULTURA I EDUKACIJA\nFilmska Vox Feminae\n30.000,00\nHRVATSKI FILMSKI SAVEZ\n17. hrvatska revija jednominutnih filmova\n80.000,00\nHRVATSKI FILMSKI SAVEZ\n14. revija hrvatskog filmskog i videostvaralaštva \nmladeži i 2nd Four River Film Festival\n30.000,00\nHRVATSKI FILMSKI SAVEZ\n47. revija hrvatskoga filmskog i videostvaralaštva djece\n40.000,00\nHRVATSKI FILMSKI SAVEZ\n41. revija hrvatskog filmskog i videostvaralaštva\n90.000,00\nDomino\nQueer Zagreb Festival 2009 ‐ filmski program\n30.000,00\nKONTRAFILM d.o.o.\nFilmski program Zagrebi! Ekofestivala\n20.000,00\nUmjetnička organizacija FILM ‐ \nPROTUFILM\nFILMSKE MUTACIJE: FESTIVAL NEVIDLJIVOG FILMA\n30.000,00\nDrugo more\nMEDITERANSKE IGRE\n30.000,00\nFAR\n8. REVIJA AMATERSKOG FILMA\n40.000,00\nSVEUČILIŠTE U ZAGREBU, \nSTUDENTSKI CENTAR U ZAGREBU, \nPROGRAM KULTURE\n18. DANI HRVATSKOG FILMA\n200.000,00\nMultimedijalni institut\nFESTIVAL FILMA O LJUDSKIM PRAVIMA ZAGREB [HRFF]\n100.000,00\nUmjetnička organizacija Zagreb \nFilm Festival\n7. Zagreb Film Festival\n200.000,00\nPRIGRADIČKE FILMSKE VEČERI \n(PFV)\nFESTIVAL MEDITERANSKOG FILMA SPLIT (FMFS)\n30.000,00\nMEDJUNARODNI FESTIVAL \nNOVOG FILMA I VIDEA\nSPLIT FILM FESTIVAL / MEDJUNARODNI FESTIVAL \nNOVOG FILMA\n400.000,00\nJavna ustanova Pula Film Festival\n56. festival igranog filma u Puli\n1.600.000,00\nHULAHOP d.o.o. za filmsku \nprodukciju i usluge u kulturi\nSvjetski festival animiranog filma ‐ ANIMAFEST Zagreb \n(dugometražno izdanje)\n300.000,00\nUdruga Bijeli val\nSUBVERSIVE FILM FESTIVAL\n60.000,00\nGRAD KRAPINA\nDANI ANIMACIJE U KRAPINI\n8.000,00\nASIFA HRVATSKE ‐ HRVATSKI \nOGRANAK ASIFA‐E, \nMEĐUNARODNE ASOCIJACIJE \nANIMIRANOG FILMA\nDAN HRVATSKE ANIMACIJE U POVODU SVJETSKOG \nDANA ANIMIRANOG FILMA\n3.000,00\nGOKUL ‐ Građanska organizacija \nza kulturu\nTabor Film Festival 2009.\n50.000,00\nLIBERTAS UDRUGA GRAĐANA\nLIBERTAS FILM FESTIVAL\n40.000,00\n25 FPS, udruga za audio‐vizualna \nistraživanja\n5. 25 FPS Internacionalni festival eksperimentalnog \nfilma i videa\n100.000,00\nFACTUM\n5. ZagrebDox ‐ međunarodni festival dokumentarnog \nfilma\n200.000,00\nMotovun‐Film festival d.o.o.\n11. Motovun Film Festival 2009\n500.000,00\nUDRUGA LJUBITELJA FILMA \n\"RARE\"\nFESTIVAL DOKUMENTARNOG ROCK FILMA DORF '09\n30.000,00\nUdruga Trash\nTRASH FILM FESTIVAL 4\n10.000,00\nFESTIVAL SUVREMENOG \nŽIDOVSKOG FILMA ZAGREB \n(UDRUGA)\nFESTIVAL ŽIDOVSKOG FILMA ZAGREB / JEWISH FILM \nFESTIVAL ZAGREB\n30.000,00\nEtnografski muzej Istre\nETNOFILm\n10.000,00\nUdruga za promicanje kulture \nDOKUart\n4. DOKUart‐Dani dokumentarnog filma\n20.000,00\nMuzeji moderne i suvremene \numjetnosti\nVLADO KRISTL Retrospektiva filmova\n5.000,00\n4.316.000,00\nUKUPNO\nFILMSKI  FESTIVALI  I DRUGE AUDIOVIZUALNE MANIFESTACIJE\n\n\f\nnaziv predlagatelja\nnaziv programa\nodobreno 2009.\nGFR FILM_VIDEO\nProgrami ART KINA\n10.000,00\nHRVATSKI FILMSKI SAVEZ\nFilmski programi u kinu Tuškanac\n300.000,00\nHRVATSKI FILMSKI SAVEZ\nFilmski program autorskog umjetničkog videa \nu kinu Tuškanac\n30.000,00\nStudio Nezavisne Produkcije ‐ filmska \nudruga\nHušnjakovo film radionica\n10.000,00\nSVEUČILIŠTE U ZAGREBU, \nSTUDENTSKI CENTAR U ZAGREBU, \nPROGRAM KULTURE\nSTVARAM MEDIJ! Edukacija studenata o \nangažiranom video sadržaju\n5.000,00\nSVEUČILIŠTE U ZAGREBU, \nSTUDENTSKI CENTAR U ZAGREBU, \nPROGRAM KULTURE\nBorderLess\n5.000,00\nKino klub Split\nFilmska škola\n5.000,00\nSVEUČILIŠTE U ZAGREBU, \nSTUDENTSKI CENTAR U ZAGREBU, \nPROGRAM KULTURE\nPROGRAM MM centra\n10.000,00\n25 FPS, udruga za audio‐vizualna \nistraživanja\nInicijativa za kratki film\n25.000,00\nHRVATSKI FILMSKI SAVEZ\n16. internacionalna radionica animiranog filma\n10.000,00\nHRVATSKI FILMSKI SAVEZ\nRadionice filmskih i videoudruga, filmskih i \nvideodružina djece i mladeži\n10.000,00\nHRVATSKI FILMSKI SAVEZ\nMedijska kultura, filmsko i videostvaralaštvo u \nosnovnim i srednjim školama\n30.000,00\n\"VANIMA\" ‐ Varaždinski animatori\nProgram rada za 2009. god.\n10.000,00\nFOTO‐KINO KLUB \"BARANJA‐FILM\"\n\"FILMSKI PROGRAMI U MIKRO‐KINU ‐ 2009\"\n10.000,00\nPUČKO OTVORENO UČILIŠTE U \nSPLITU\nProgram filmske klasike\n30.000,00\nPučko otvoreno učilište Duga Resa\nPotpora redovne kinoprikazivačke djelatnosti \nPučkog otvorenog učilišta Duga Resa\n10.000,00\nJavna ustanova Pula Film Festival\nRadionica izrade dokumentarnog filma Pulska \nfilmska tvornica\n10.000,00\nGrad Rijeka\nProgram Art kina Croatia\n40.000,00\nMEĐUNARODNI DJEČJI FESTIVAL\nMeđunarodni dječji festival, Šibenik, Hrvatska; \nFilmski(dio) programa\n15.000,00\nFoto video klub \"Mirko Lauš\"\nŠkola crtanog filma\n10.000,00\nŠKOLA FILMA ŠIPAN\nŠkola filma Šipan, filmska edukacija djece i \nmladih, Ljetna škola filma Šipan i Filmski \nFestival 2009\n10.000,00\nHKZ ‐ HRVATSKO SLOVO d.o.o.\nFilmske tribine, Revija dokumentarnih filmova \niz Domovinskog rata (i Revija filmova o \nprikrivenim grobištima) \n10.000,00\nRESTART \nRESTART LABORATORIJ\n20.000,00\nHRVATSKI FILMSKI SAVEZ\nKoordinacijske i poticajne funkcije Saveza\n30.000,00\nHRVATSKI FILMSKI SAVEZ\nBaza podataka ‐ film.hr\n30.000,00\n685.000,00 kn\nUKUPNO\nDJELATNOSTI  RAZVIJANJA  AUDIOVIZUALNE  KULTURE\n\n\f\nnaziv predlagatelja\nnaziv programa\nodobreno 2009.\nHRVATSKI FILMSKI SAVEZ\nMeđunarodna suradnja\n40.000,00\nUmjetnička organizacija FILM ‐ \nPROTUFILM \nFILMSKE MUTACIJE: FESTIVAL NEVIDLJIVOG FILMA\n15.000,00\nHRVATSKI DRŽAVNI ARHIV ‐ \nHRVATSKA KINOTEKA\nMEĐUNARODNA SURADNJA u 2009. GODINI\n50.000,00\nVESNA DOVNIKOVIĆ\nAktivnost glavne tajnice ASIFA‐e ‐ sudjelovanje na \nMeđunarodnom festivalu animiranog filma u \nAnnecy‐u\n5.000,00\nGOKUL ‐ Građanska \norganizacija za kulturu\nPromocija ‐ P1 2009.\n15.000,00\n25 FPS, udruga za audio‐\nvizualna istraživanja\nSudjelovanje i prezentacija 25 FPS Internacionalnog \nfestivala eksperimentalnog filma i videa na 31. \nFestival International du court metrage Clermont ‐ \nFerrand\n7.000,00\n25 FPS, udruga za audio‐\nvizualna istraživanja\nSudjelovanje i prezentacija 25 FPS Internacionalnog \nfestivala eksperimentalnog filma i videa na 38. \nInternational Film Festival Rotterdam\n10.000,00\nBonobostudio\nPREDSTAVLJANJE HRVATSKE ANIMACIJE NA \nMEĐUNARODNOM SAJMU ANIMIRANOG FILMA U \nANNECYJU\n70.000,00\nFACTUM\nZagrebDox, među‐festivalska suradnja\n25.000,00\nČETIRI FILM d.o.o.\nPohađanje radionice La Femis & Filmakademie \nBaden‐Wurttemberg: L'Atelier / Masterclass\n12.000,00\nHRVATSKI DRŽAVNI ARHIV ‐ \nHRVATSKA KINOTEKA\nSTRUČNO USAVRŠAVANJE DJELATNIKA HRVATSKE \nKINOTEKE U 2009. GODINI\n20.000,00\nCENTAR ZA NOVE INICIJATIVE ‐ \nCENTAR ZA RAVNOPRAVNOST \nSPOLOVA\nHRVATSKI FILM U BEČU\n10.000,00\nStudio dim d.o.o.\nSudjelovanje na trening radionici EAVE sa \nprojektom Zagrljaj noćnog broda\n32.000,00\nStudio dim d.o.o.\nSudjelovanje scenarista Igora Mirkovića i Elvisa \nBošnjaka na radionici stručnog usavršavanja \nscenarista Scripteast sa projektom Noćni Brodovi\n15.000,00\nKONTRAFILM d.o.o.\nSufinanciranje promotivnih materijala za kratki \nigrani film \"TORSIA\"\n10.000,00\n336.000,00 kn\nUKUPNO\nMEĐUNARODNA  SURADNJA\n\n\f\nnaziv predlagatelja\nnaziv programa\nodobreno 2009.\nHRVATSKI FILMSKI SAVEZ\nHrvatski filmski ljetopis ‐ posebno izdanje\n50.000,00\nHRVATSKI FILMSKI SAVEZ\nKlupski katalozi\n15.000,00\nHRVATSKI FILMSKI SAVEZ\nZapis ‐ bilten Hrvatskog filmskog saveza\n35.000,00\nAlt F4 d.o.o.\nMultimedijski projekt \"Priče iz davnine\" ‐ \nobjavljivanje DVD‐ova i slikovnica\n20.000,00\nMaxima film d.o.o.\nFILMSKA PRODUKCIJA\n20.000,00\nUdruga Bijeli val\nBiblioteka CINESTETIKA\n15.000,00\nRESTART \nDOKUMENTARNO IZDAVAŠTVO I \nDISTRIBUCIJA\n35.000,00\nUDRUGA FACTUM\n\"SLIKE VREMENA\" ‐ DVD kolekcija \ndokumentarnih filmova iz produkcije \nFactuma\n30.000,00\nFACTUM\nDVD ‐ predsjednici žirija ‐ Hrvatski autori\n30.000,00\nFACTUM\nDVD ‐ Najbolje od ZagrebDox‐a 2005‐\n2009\n30.000,00\nHRVATSKI FILMSKI SAVEZ\nDVD izdanja\n50.000,00\n330.000,00 kn\nUKUPNO\nIZDAVAŠTVO U PODRUČJU  AUDIOVIZUALNIH DJELATNOSTI\n\n\f\nnaziv predlagatelja\nnaziv programa\nodobreno 2009.\nHRVATSKI FILMSKI SAVEZ\n11. škola medijske kulture Dr. Ante Peterlić\n200.000,00\nHRVATSKI FILMSKI SAVEZ\nInfo punkt i scenaristička radionica Palunko 7\n30.000,00\nTelecentar\nŠkola multimedije\n10.000,00\n\"VANIMA\" ‐ Varaždinski animatori\nEdukacija voditelja\n4.000,00\nDRUŠTVO HRVATSKIH FILMSKIH \nREDATELJA\nSCENARISTIČKI PROGRAM \"Branko Bauer\" u \n2009.\n15.000,00\nSVEUČILIŠTE U ZAGREBU, \nSTUDENTSKI CENTAR U ZAGREBU, \nPROGRAM KULTURE\nKlubvizija SC\n60.000,00\nFACTUM\nZagrebDox Pro\n10.000,00\nAKADEMIJA DRAMSKE \nUMJETNOSTI\nRADIONICA \"35mm\"\n5.000,00\nAKADEMIJA DRAMSKE \nUMJETNOSTI\nDRAMATURŠKO KORIŠTENJE GLAZBE U \nIGRANOM FILMU\n7.760,00\nAKADEMIJA DRAMSKE \nUMJETNOSTI\nMONTAŽA ZVUKA U NENARATIVNOM FILMU\n6.000,00\nAKADEMIJA DRAMSKE \nUMJETNOSTI\nMONTAŽA U DOKUMENTARNOM PROJEKTU \n1.000,00\n348.760,00\nUKUPNO\nPROGRAMI  STRUČNOG  USAVRŠAVANJA\n\n\f\nbr.\nnaziv predlagatelja\nnaziv programa\nodobreno 2009.\n1.\nHRVATSKA UDRUGA \nPRODUCENATA\nRedovita programska djelatnost u 2009.\n70.000,00\n2.\nDRUŠTVO HRVATSKIH \nFILMSKIH REDATELJA\nRedovita programska djelatnost u 2009.\n132.000,00\n3.\nHRVATSKO DRUŠTVO \nFILMSKIH KRITIČARA\nRedovita programska djelatnost u 2009.\n80.000,00\n4.\nHRVATSKO DRUŠTVO \nFILMSKIH DJELATNIKA\nRedovita programska djelatnost u 2009.\n370.000,00\n5.\nHrvatska udruga filmskih \nsnimatelja\nRedovita programska djelatnost u 2009.\n80.000,00\n732.000,00\nUKUPNO\nPROGRAMI AUDIOVIZUALNIH UDRUGA I ORGANIZACIJA\n\n\f\nnaziv predlagatelja\nnaziv programa\nodobreno 2009.\nUmjetnička organizacija Zagreb Film \nFestival\nKino Europa\n100.000,00\n100.000,00\nUKUPNO\nOSTALI PROGRAMI\n\n\f\nKOMPLEMENTARNE DJELATNOSTI\nBROJ ODOBRENIH \nPROJEKATA\nIZNOS\nzaštita audivizualne baštine uključujući kinotečnu \ndjelatnost\n5\n2.275.000\nfilmski festivali i druge audiovizualne manifestacije\n31\n4.316.000,00\ndjelatnosti razvijanja audiovizualne kulture\n25\n685.000,00\nmeđunarodna suradnja\n15\n336.000,00\nizdavaštvo u području audiovizualnih djelatnosti\n11\n330.000,00\nprogrami stručnog usavršavanja\n11\n348.760,00\nprogrami audiovizualnih udruga i organizacija\n5\n732.000,00\nostali programi\n1\n100.000,00\nukupno\n104\n9.122.760\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"igrani film \"TORSIA\"","year":2009,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"distribucija","to":"komplementarne","reason":"filename/title keyword: komplementarne","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"ZAŠTITA AUDIOVIZUALNE BAŠTINE UKLJUČUJUĆI KINOTEČNU DJELATNOST","section_key":"zastita_audiovizualne_bastine_ukljucujuci_kinotecnu_djelatno","columns":["naziv predlagatelja","naziv programa","odobreno 2009."],"rows":[{"row_number":null,"project_title":"Filmski i video arhiv Hrvatskog filmskog saveza","applicant":"HRVATSKI FILMSKI SAVEZ","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"150.000,00","approved_amount":150000.0,"currency":"HRK","extras":{"naziv programa":"Filmski i video arhiv Hrvatskog 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djelatnosti i stvaralaštva - \nkategorija: RAZVOJ SCENARIJA I PROJEKATA pojedinačnih i serijskih \ntelevizijskih djela 2019. \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA PROJEKATA SERIJSKIH \nTELEVIZIJSKIH DJELA 2020., 1. rok, 2. travnja 2020. \n \n \n \n \n \nNa javni poziv za 2019. godinu prijavljen je 101 rad, od čega 68 u kategoriji razvoja \nscenarija, te 33 u kategoriji razvoja projekta. Za dodjelu sredstava izabrano je 18 radova, \nod čega 14 u kategoriji razvoja scenarija i 4 u kategoriji razvoja projekta.  \n \nNa javni poziv za 2020. godinu prijavljeno je 50 radova u kategoriji razvoja projekta, od \nčega je za dodjelu sredstava izabrano 5 projekata. \n \nPresjek prijavljenih radova ukazuje na trend sve veće žanrovske artikuliranosti i \nraznovrsnosti projekata, ali i na njihovu prosječno sve višu profesionalnu razinu.  \nOvaj izbor predstavlja, između ostaloga, osviještenu težnju da se toj raznovrsnosti pruži \ndodatni poticaj. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nSaša Runjić, \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \numjetnički savjetnik HAVC-a \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nza razvoj televizijskih djela  \n \n \n \n \nu Zagrebu, 10. kolovoza 2020. \n \n \n \n \n\n\f\n2 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: RAZVOJ SCENARIJA I PROJEKATA pojedinačnih i serijskih \ntelevizijskih djela 2019. \n \n \nPODKATEGORIJA: POJEDINAČNA TELEVIZIJSKA DJELA \n \n \n \n \n1.Igrano televizijsko djelo \n \n \n \n \n1.1.  \n \nBožićna priča \n(90 min.)  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenarist: Ante Marin \n \n \nTopla obiteljska priča o emotivno rasutoj obitelji djevojčice Ane koja u predbožićno vrijeme \ndovodi kući gluhonijemog starca, beskućnika Anđela. \nDvostruko kodirana narativna linija  vješto se kreće unutar klišea (u pozitivnom smislu) tzv. \nbožićnog filma i obećava televizijski film visoke razine i čvrste žanrovske opredijeljenosti.   \n \n \n \n \n1.2  \n \nPosljednji tango u Đevrskama (75 min.)  \n \n \n \n \n \n \n \nscenaristi: Irena Bosnić, Rade Dragojević \n \n \n \n \n \n \n \n \n \nSjetna komedija o očevoj ljubimici koja se prijavljuje na izbor za Miss ljeta u Đevrskama, \nselu u šibenskom zaleđu. Peripetije ne nedostaje, galerija likova je živopisna i autentična; \nautori uspijevaju rekonstruirati dirljivi svijet provincijskog glamura i ljudskih sudbina \nzatočenih unutar njega, melankoličnim ugođajem jednak istoimenoj pjesmi Arsena Dedića \nprema kojoj je projekt nastao. Realizacija projekta vrlo moguća.  \n \n \n \n \n \n\n\f\n3 \n \nPODKATEGORIJA: SERIJSKA TELEVIZIJSKA DJELA \n \n \n2. Animirano televizijsko djelo \n \n2.3  \n \nŽivot s Lolom \n(12x2 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristica i redateljica: Hana Tintor \n \n \n \nprodukcija: Jadranska animacija / Draško Ivezić \n \nDjelomično autobiografska priča o adolescentici koja se osamostaljuje i počinje živjeti \nsama s psom Lolom. Likovna prezentacija projekta je vanserijska i obećava animirano \ndjelo visoke kvalitete.  \n  \n \n \n3. Dokumentarno televizijsko djelo \n \n \n \n3.4  \n \nVjera Biller-umjetnica u zenitu oluje  \n(3x30 min.) \n \n \n \n \n \n \n \n \nscenarist: Mirko Ćurić  \n \n \n \nprodukcija: Zoom d.o.o. \n \nDokumentarna serija o tragičnoj sudbini Vjere Biller, avangardne umjetnice iz Đakova koja \nje skončala u nacističkom programu eutanazije kao Židovka s dijagnozom psihičke bolesti. \nBiller je surađivala s Der Sturmom, odnosno izlagala s njemačkim ekspresionistima, pa se \nmože reći da je bila jedna od prvih žena s ovih prostora (a i uopće) ravnopravnih članica \neuropske umjetničke scene tridesetih godina 20.stoljeća. Vrijedan projekt s visokim \npotencijalom realizacije na javnoj televiziji. \n \n \n \n \n \n \n \n3.5  \n \nJadranski vjetrovi  \n(8x26 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristi: Silva Ćapin i Lukša Benić \n \n \n \nprodukcija: Eclectica d.o.o / Tomislav Stojanović \n \nDokumenarni serijal koristi vjetrove Jadrana kao čvrsti okvir priče o životu i običajima ljudi \nu Dalmaciji i Hrvatskom primorju. Priča je potencijalno vrlo slojevita, odnosi se na povijest, \nobičaje, književnost, gospodarstvo, način života, legende; opisuje kako su i u kojoj mjeri \nvjetrovi uvjetovali i oblikovali život na Jadranu, uključujući mentalitet ljudi vezan za \nraspoloženje sukladno pojedinom vjetru.  \n \n \n3.6  \n \nOne- žene prve polovice 20. stoljeća  (4x50 min.) \n \n \n \n \n \n \n \n \nscenaristice: Ivana Karačonji Rupčić, Katarina Horvat \n \n \n \nČetverodjelni serijal o životima žena koje su uspješno krčile put ženskoj emancipaciji u \nbrojnim profesijama. Biografije Kornelije Sertić, prve diplomantice Medicinskog fakluteta u \nZagrebu, kao i glumica Božene Kralj i Mile Dimitrijević, ili velike pjesnikinje Vesne Parun- \nsvjedoče o nepojmljivim preprekama koje su ženama stajale na putu životne i \nprofesionalne afirmacije u hrvatskom društvu na prijelazu iz 19. u 20. stoljeće.  \n \n\n\f\n4 \n \n3.7  \n \nRođenje države-nepoznato  \n(6x50 min.) \n \n \n \n \n \n \n \n \n \n \nscenarist: Jure Pavlović \n \nTema  serijala su najveće kontroverze iz vremena nastanka suvremene Hrvatske, od \nubojstava čelnika HOS-a, obavještajne i paraobavještajne pozadine glasina o uzrocima \npada Vukovara, o djelovanju pripadnika nekadašnje UDBE u strukturama nove vlasti itd.  \nVrijednost koncepta leži u autorovoj iskazanoj želji da navedene teme istraži, suprotstavi \ndostupne izvore i, pogotovo, još žive sudionike a bez želje da formira konačan stav o njima, \nili ga autorskim postupcima sugerira.  \n \n \n4. Igrano televizijsko djelo \n \n \n \n \n4.8  \n \nBanija \n(10x55 min.)  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristica: Vlatka Vorkapić  \n \n \n \n \n \n \n \n \n \n \n \nKriminalistička dramska serija smještena na Baniju, zapuštenu i osiromašenu hrvatsku \nprovinciju u kojoj se miješaju predrasude, zavist, zlo, korupcija, kriminal sitni i krupni, a \nsvakodnevnu nepravdu začinja opće beznađe. U središtu priče je policijska inspektorica \noko čijeg se profesionalnog i privatnog života razvija čitav niz narativnih linija i likova. \nProjekt ima značajan koprodukcijski potencijal, kao i mogućnost internacionalnog \nplasmana. \n \n \n \n4.9  \n \nCiganin, ali najljepši \n \n(6x52 min.) \n \n \n \n \n \n \n \n \n \n \n \n \nscenarist: Mario Kozina \n \n \n \nprodukcija: Antitalent d.o.o. / Danijel Pek \n \nNastao prema motivima nagrađivanog i vrlo čitanog romana Kristijana Novaka,  tv serijal  \nse odmiče od predloška, i to prema nešto čvršćoj žanrovskoj strukturi “whodunit” krimića, \nne propuštajući pritom emulirati bogati i slojeviti svijet Novakovog mračnog, maglovitog \nMeđimurja i, poglavito, mučnih odnosa izmedju romske zajednice i “bijele” većine.  \nProjekt bi, prema svemu sudeći, trebao imati visoki koprodukcijski potencijal i širi spektar \nmogućih naručitelja.  \n \n \n \n4.10 \n \nGladne kosti  \n \n \n(6x50 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristi: Goran Kulenović, Zoran Ferić \n \nKriminalistička serija s dvostrukom narativnom linijom, o piscu krimića koji tražeći \ninspiraciju nailazi na stvarni zločin u kojeg biva upetljan. Suprotstavljen mu je opori \nkarakter tvrdog, grubog, ostarjelog policajca, životnog i emotivnog gubitnika tipičnog za \nhard boiled krimiće. Razvojnu liniju osnovne priče začinjenu galerijom živopisnih karaktera \ni s puno suspensa prati karakterna mijena dva glavna lika, koji se, polazeći s udaljenih \ngotovo suprotstavljenih pozicija polako približavaju i poprimaju karakteristike svog \nantipoda.  \n \n\n\f\n5 \n \n \n4.11 \n \nNevina u ludnici \n(8x55 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristica: Sanja Kovačević \n \nSerija o životu Marije Jurić Zagorke, jedne od glavnih ikona ženske emancipacije u Hrvata,   \nozbiljno je i detaljno pripremljen projekt. u kojem se vrlo minuciozno evociraju detalji iz \nživota ove neobične velike i važne pojave hrvatske kulturne povijesti. Potencijalno, radi se \no seriji s višestruko važnim umjetničkim, ali i obrazovnim i javnim značajem. \n \n \n4.12 \n \nTišina  \n(4x52 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenarist: Ivan Salaj \n \nDramski serijal čiji su likovi trajno obilježeni ratnim zbivanjima u Vukovaru postavljen je s \njasnom idejom o tri međusobno isprepletene stilske i dramske cjeline koje na simboličnoj \nravni, kako navodi autor, emaniraju tri stanja duše. Radi se o vrlo životnoj, dramski \nutemeljenoj i vrlo emotivnoj priči o ratu i njegovim trajnim posljedicama na ljude koji su ga \ndoživjeli u svoj njegovoj stravičnoj raskoši. \n \n \n \n \n \n\n\f\n6 \n \n4. Igrano televizijsko djelo - projekti prebačeni iz razvoja projekta u razvoj scenarija \n \n \n4.13 \n \nOperacija Gusar  \n(7x52 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristica: Ivona Juka \n \n \n \nprodukcija: Četiri Film d.o.o. / Anita Juka \n \nPredloženi ratni spektakl o operaciji Maslenica, jednom od ključnih događaja Domovinskog \nrata inicijalno je važan i potreban, a potencijalno uzbudljiv i komercijalno atraktivan projekt. \nMedjutim, priložena dokumentacija pokazuje kako je projekt zapravo u fazi razvoja \nscenarija, pa ga u tu kategoriju i smještano.  \n \n \n4.14 \n \nSjene u mraku  (8x50 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristi: Dubravko Merlić, Anita Čeko, Ivana Vuković \n \n \n \nprodukcija: Castor Multimedia d.o.o. / Dubravko Merlić \n \nTmurni psihološki triler o seriji surovih, međusobno povezanih ubojstava, smješten u \nOsijek i okolicu, dramski je serijal jasno razrađene redateljske koncepcije. Prva epizoda je \nobećavajuća, dijalozi životni i funkcionalni, dramska radnja tečna i jasna, a ukupan dojam \nprojekta visoko profesionalan.  \n \n \n \n \n \n\n\f\n7 \n \nKATEGORIJA:   \nRAZVOJ PROJEKATA POJEDINAČNIH I SERIJSKIH TELEVIZIJSKIH DJELA u 2019. \n \n \n5. Dokumentarno televizijsko djelo \n \n5.15 \n \nElvis s Balkana  \n(3x52 min) \n \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Behemot d.o.o. / Ivan Živković \n \n \n \nscenarist: Ivan Živković \n \nTema projekta su život i djelo Miše Kovača. Priloženi materijal sugerira da autor ima \nnamjeru ne samo ispričati priču o njegovoj  estradnoj karijeri, nego dublje zasjeći u \nfenomen i osvijetliti sav nesporan ikonički potencijal čovjeka čija je pojava postala \nneizostavnim dijelom identitetske matrice suvremene Dalmacije, na način koji još nije niti \nadekvatno proučen niti pravilno valoriziran.  \n \n \n \n \n5.16 \n \nTko je Irina Alexander? \n(4x52 min) \n \n \n \n \n \n \n \n \n \n \n \nArtizana film d.o.o. \n \n \n \nscenaristice: Irena Lukšić, Irena Škorić \n \n \n \nredateljica: Irena Škorić  \n \n \n \n \n \n \n \n \n \n \nDetaljno elaboriran monografski dokumentarni serijal o Irini Aleksander, slabo poznatoj, ali \nvrlo važnoj osobi društvene i kulturne scene Rusije a potom i Hrvatske s početka 20. \nstoljeća, koja se družila s pripadnicima ruske i hrvatske društvene i umjetničke elite, u \nrasponu od Staljina do Krleže. Autorice projekt definiraju kao krimi doku-dramu, gotovo s \nelementima suspensa.   \n \n \n \n \n6. Igrano televizijsko djelo \n \n \n \n6.17 \n \nDiploma za smrt \n(12x50 min.)  \n \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Inter film d.o.o. / Ivan Maloča \n \n \n \nscenaristi: Živorad Tomić, dr.sc. Zoran Bručić \n \n \n \nredatelj: Živorad Tomić \n \n \nKriminalistički serijal sequel je istoimenog filma iz sredine 90-tih. Autori razvijaju priču na \nizgubljenim iluzijama glavnog junaka koji je u međuvremenu uronio u sredovječnost, a biva \nprotiv svoje volje uvučen natrag u svijet kriminala. Projekt je daleko odmakao u razvoju i \nima veliki potencijal realizacije, pronalaženja stranih koproducenata, i, konačno, plasmana \nna svjetsko tržište. \n \n \n \n \n\n\f\n8 \n \n6.18 \n \nBlokada  \n \n \n(6x50 min) \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Telefilm d.o.o. / Stanislav Babić \n \n \n \nscenarist: Pavao Marinković \n \n \n \nredatelji: Pavao Marinković, Dražen Žarković, Robert Orhel \n \n \nTV serija inspirirana istinitim događajima vezanim za otok Vis početkom Domovinskog rata \ni blokadu otoka koju provodi odlazeća JRM, sastavljen je od zaokruženih epizoda krhko \npovezanih  jedinstvenim mjestom i vremenom. Ratni okvir za priču nije korišten  kao plošni \nideologem o dobru i zlu, nego kao polazište za analizu ljudskih karaktera u teškom \nvremenu. \n \n \n \n \n\n\f\n9 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA PROJEKATA SERIJSKIH \nTELEVIZIJSKIH DJELA 2020., 1. rok, 2. travnja 2020. \n \n \n \n1. Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n \n \n1.1  \nSamo za taj osjećaj \n(6x52 min) \n \n \n \n \n \n \n \n \n \n \n  \n \n \nprodukcija: Inter Film d.o.o. / Ivan Maloča \n \n \nscenarist i redatelj: Arsen Oremović \n \nDokumentarni serijal o najvećim albumima hrvatske pop i rock glazbe u kojemu se u \nsvakoj epizodi autori tri (stilski bliska) albuma vraćaju na “mjesto zločina”, u studio i, uz \nevociranje vremena i načina nastanka pojednih pjesama, uživo, na instrumentima \nilustriraju minuli kreativni proces.  \n \n \n2. Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n \n \n2.2  \nLovac na vještice  \n(6x52 min) \n \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Antitalent d.o.o. / Danijel Pek \n \n \nscenaristica: Maja Pek Bruenjes \n \n \nredateljica: Antoneta Alamat Kusijanović \n \n \nLovac na vještice je kriminalistička povijesna serija s elementima nadrealnog, smještena u \nterezijansko doba i prostor tadašnje Habsburške monarhije, čiji je tematski okvir jedan od \nnajstrašnijih običaja/praksi iz relativno nedavne povijesti – lov na vještice.  \nProjekt je u ideji nastao kao višenacionalna koprodukcija, a potencijalni interes za \nplasmanom projekta postoji u nekoliko srednjoeuropskih država koje dijele isto povijesno \nsjećanje i u kojima se, radnja serije i odvija.  \n \n \n2.3  \nU ringu \n \n \n \n \n(12x52 min)  \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Plavi Film d.o.o. / Zoran Sertić \n \n \nscenaristica: Dorotea Vučić \n \n \nredatelj:Mladen Dizdar \n \n \nDramska serija tematski smještena u surovi svijet profesionalnih borbi, priča je o dvojici \nmladića i jednoj djevojci, pripadnicima socijalno depriviranih obitelji s periferije grada i \nživota, te izazovima i dilemama s kojima se susreću penjući se na profesionalnoj i \ndruštvenoj ljestvici. Potencijal plasmana serije prema najširoj gledateljskoj populaciji koji je, \nzbog njezinog bogatog i slojevitog bildungs zapleta, sasvim izvjestan, čini ovaj projekt ne \nsamo iznimno komercijalnim nego i društveno relevantnim. \n \n \n\n\f\n10 \n \n \n2.4  \nZlatarovo zlato  \n \n(6x50 min) \n \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Kabinet d.o.o. / Suzana Pandek \n \n \nscenaristi: Suzana Pandek, Aldo Tardozzi \n \n \nredatelj: Aldo Tardozzi \n \n \nEkranizacija jednog od najpoznatijih i najomiljenijih romana ukupne hrvatske književnosti. \nPriloženi materijal svjedoči kako je kreativni i produkcijski tim ovom velikom izazovu prišao \nbrižno i s poštovanjem, ali istovremeno i s osviještenim, konceptom razvoja projekta \nkompatibilnog s modernim senzibilitetom televizijske serije. Potencijal realizacije projekta \nje, unatoč zahtjevnoj i skupoj produkciji, vrlo velik.  \n \n \n \n \n\n\f\n11 \n \n3. Televizijsko humoristično djelo čije trajanje po epizodi nije kraće od 20 minuta \n \n \n3.5  \nCarstvo ladovine \n \n(8x26 min) \n \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Eclectica d.o.o. / Tomislav Stojanović \n \n \nscenarist: Šimun Šitum \n \n \nredatelj: Marko Jukić \n \nHumoristična serija o trojici mladih splitskih spadala čijih je nekoliko epizoda već \nrealizirano, projekt je koji ima veliki potencijal. \nNaime, redateljsko-scenaristička ekipa, uspjela je pronaći autentičan dijaloški okvir za \ntipičnu situacijsku komediju uronjenu u živopisnu stvarnost suvremenog Splita, grada \nkojeg su tako talentirano već opjevali pripadnici lokalne glazbene scene i koji jednostavno \nvapi za svojom novom autentičnom humorističnom serijom.  \n \n  \n \n \n \n------------------------------------------------------------ \n \n \n \n \n \n","warnings":[],"document":{"program_type":"tv_djela","year":2019,"rok":"1. rok","referenced_projects":["Božićna priča","Posljednji tango u Đevrskama","Život s Lolom","Vjera Biller-umjetnica u zenitu oluje","Jadranski vjetrovi","One- žene prve polovice 20. stoljeća","Rođenje države-nepoznato","Banija","Ciganin, ali najljepši","Gladne kosti","Nevina u ludnici","Tišina","Operacija Gusar","Sjene u mraku","Elvis s Balkana","Tko je Irina Alexander?","Diploma za smrt","Blokada","Samo za taj osjećaj","Lovac na vještice","U ringu","Zlatarovo zlato","Carstvo ladovine"],"summary":"Obrazloženja umjetničkog savjetnika Saše Runjića za Javne pozive za razvoj scenarija i projekata televizijskih djela u 2019. 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WEB.pdf","sha256":"65e1381bc8f920d49a668ee7a54d6902009bdb0e6de20290d8fa45933e88dc78","bytes":84880,"page_count":2,"extracted_at":"2026-05-17T12:01:37Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/EKSPERIMENTALNI%20WEB.pdf"},"raw_text":"Obrazloženje umjetničke savjetnice za eksperimentalni film - rok 21. studenog \n2018. \nAna Hušman, umjetnička savjetnica za eksperimentalni film \n \nNa drugi rok Javnog poziva za poticanje proizvodnje audiovizualnih djela u kategoriji \neksperimentalnog filma u 2018. godini pristiglo je sveukupno petnaest prijava od \nkojih dvije nisu ušle u razmatranje jer nije dostavljena potpuna dokumentacija. \nOd trinaest projekata pet ih je debitantskih, a četiri su već bila prijavljena na javni \npoziv i to dva projekta u kategoriji dokumentarnog filma, jedan u kategoriji igranog i \njedan u kategoriji eksperimentalnog filma. Uz priličan broj zalutalih prijava ipak me \nveseli vidjeti nekoliko novih imena i mlađih autora/ica te nekoliko zaista izuzetno \nelaborirano raspisanih prijava. Pri odlučivanju vodila sam se razrađenošću projekta, \njasno obrazloženom redateljskom koncepcijom, što definiranijim početnim \npozicijama i mogućim smjerovima razrade materijala. \nOd trinaest prijavljenih filmova koji su zadovoljili uvjete javnog poziva za \nsufinanciranje predlažem četiri filma, dva međunarodno već prepoznatih autora/ica i \ndva debitantska projekta. Riječ je o projektima: \"Polako nikuda\" Damira Čučića \n(Hrvatski filmski savez), \"Terra Incognita\" Renate Poljak (REA - udruga za \nsuvremene umjetničke i arhitektonske produkcije), \" Ovu sobu ostavite zakopanu\" Ive \nKraljević (Kreativni sindikat) i \"Nazovimo ovaj dan toplim\" Nike Pećarine (Prostor \nrodne i medijske kulture K-zona). \n \nPrvi film je projekt hvaljenog autora Damira Čučića čiji filmovi su do sada prikazani \nna brojim filmskim festivalima, koji kroz svoj rad vješto izbjegava kategoriziranje i \nstavljanje u ladice. Njegov projekt \"Polako nikuda\" u produkciji Hrvatskog \nfilmskog saveza je dokumentarno - igrani hibrid ispresijecanog narativa. Autorov \ninteres za građanski bunt i neposluh kroz istraživanje ga je doveo do dva stvarna \nmuška lika - prvi - vođa Torcide i drugi - bivši branitelj, knjižničar, pisac..) i jednog \nizmišljenog ženskog lika. Postupkom kolažiranja biografskih podataka tih likova \nnastaje filmski narativ. Dokumentiranim zapisima svjedočanstava s jedne strane i \nglumačke interpretacije odabranih elemenata, slaže priču o liku koji može biti bilo tko \nili nitko. Pri tome se koristi metodom dadaističkog cutupa, isprekidane montaže te \nkonstantnog prijenosa fokalizacije s jednog na drugi lik. Izlaganjem narativa na \novakav način iskušava kako bi princip hyper teksta funkcionirao unutar filmskog \npripovijedanja. \n170.000,00 kn \n \nOstala tri filma aktivno promišljaju ljudsku odgovornost u geološko doba antropocena \ni posljedice ljudskog postojanja na ekosustav. \nPrvi od ta tri, novi film Renate Poljak \"Terra Incognita\" u produkciji REA - udruga \nza suvremene umjetničke i arhitektonske produkcije oslanja se na prethodna dva filma \ns kojima čini trilogiju; \"Partenza\" i \"Još jedan odlazak\". \"Terra incognita\" kroz \nosobnu priču govori o odlascima, traženju bolje budućnosti u obećanim zemljama \npromišljajući teme migracija, seljenja i odlazaka kombinirajući ih s aktualnim \nekološkim propadanjem nastalim kao posljedicom politika kasnog 19. i 20. stoljeća. \nUnutar filmske strukture Renata Poljak iskušava mogućnost pripovijedanja s više \nkrajeva razmišljajući o subjektivnosti u filmu pitajući se što je istina i na koji način \nnam je povijest ispripovijedana te tko je onaj ili ona koja govori. \nFilmovi Renate Poljak uvršteni su u sve relevantne filmske festivale. \n160.000,00 kn \n\n\f\nDebitantica u autorskom filmu Iva Kraljević, godinama već poznata na sceni kao \nmontažerka i snimateljica na velikom broju animiranih, dokumentarnih i \neksperimentalnih filmova te višegodišnja aktivna članica Fade In - a još od samih \npočetaka video aktivizma svoj politički angažman konačno je odlučila artikulirati \nkroz vlastiti projekt \"Ovu sobu ostavite zakopanu\" u produkciji Kreativnog \nsindikata. Radi se o poetsko-znanstvenofantastičnom prikazu medijski zabilježene \npovijesti svijeta u kojem trenutno živimo. \nProjekt otvara vrlo zanimljiva pitanja jezika i na koji način možemo komunicirati \nnasljeđe koje ostavljamo na Zemlji, posebice ono koje ostaje opasno još neizrecivo \ndug niz godina, ono koje bi trebali ostaviti zakopano i nedodirljivo. Nuklearna \nsemiotika odnosno mogućnost komunikacije s budućim civilizacijama koje bi mogle \nnastanjivati ovo mjesto i nakon diskontinuiteta u jeziku ili prekida povijesti u \ntrenutcima kada tumačenje napisanog podliježe spekulaciji. Kroz problem otpada \nkojeg ostavljamo deponirajući ga u bunkere dobro zatvorene i zakopane, vodi nas \nputnik iz nekog drugog vremena, bezimeni lik, u vrijeme kada čovječanstva više \nnema i iz tog vremena izmaknut pripovijeda nizom halucinantnih slika sjećanja, \nzabilježenih fiktivnih slika, arhivskih materijala, bilješki o nama samima s jednog od \ntih arhitektonskih armirano betonskih napuštenih deponija. \n90.000,00 kn \n \nPosljednji film koji predlažem za financiranje je debitantski rad mladog autora Nike \nPećarine \"Nazovimo ovaj dan toplim\" u produkciji Prostor rodne i medijske kulture \nK-zona.  \nFilm esej koji kroz primjer eksploatacije tla na lokalitetu okolice Petrove gore (mjesta \nVojnić i rijeku Glinu te njezine pritoke) dokumentarno - esejističko istraživačkim \npostupkom preispituje veze između iskorištavanja minerala tla, filmske proizvodnje, \nte kakav otisak i film i glina ostavljaju na/u tome istom tlu. Istražuje narativne veze \nkoji se iz tih podataka mogu aktualizirati, dovesti u odnos generirani 3D prikaz, \nsnimljenu sliku i zvuk. Povezujući izradu glinenog vrča, prostor glinokopa i širu \nokolicu Petrove gore Nika Pećarina dovodi u odnos pitanja ljudskog rada, okoliša, \nflore i faune, notirajući proizvodnju značenja i proizvodnju objekta, preispitujući \nrazličite ekonomije proizvodnje neoliberalne stvarnosti.    \n90.000,00 kn \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"razvoj dokumentarni web obrazlozenje 19062019.pdf","filename_decoded":"razvoj dokumentarni web obrazlozenje 19062019.pdf","sha256":"6605c007c216ee965472b1a6e76da24b88661122062156e1c7c434f54486ad74","bytes":57938,"page_count":4,"extracted_at":"2026-05-17T12:02:17Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/razvoj%20dokumentarni%20web%20obrazlozenje%2019062019.pdf"},"raw_text":"\t\r  \n1\r  \nNa\t\r  javni\t\r  poziv\t\r  za\t\r  Razvoj\t\r  scenarija\t\r  i\t\r  Razvoj\t\r  projekata\t\r  za\t\r  dokumentarni\t\r  dugometražni\t\r  film\t\r  na\t\r  1.\t\r  roku\t\r  \n(19.06.\t\r  2019.)\t\r  prijavljeno\t\r  je\t\r  sveukupno\t\r  34\t\r  projekta.\t\r  \t\r  \n23\t\r  projekta\t\r  u\t\r  kategoriji\t\r  poticanja\t\r  razvoja\t\r  scenarija\t\r  \n11\t\r  projekata\t\r  u\t\r  kategoriji\t\r  poticanja\t\r  razvoja\t\r  projekata\t\r  \nPrijave\t\r  su\t\r  stigle\t\r  iz\t\r  17\t\r  produkcijskih\t\r  kuća,\t\r  \t\r  a\t\r  potpisuju\t\r  ih\t\r  \t\r  10\t\r  autorica\t\r  i\t\r  \t\r  27\t\r  autora.\t\r  Jedan\t\r  projekt\t\r  iz\t\r  \nrazvoja\t\r  projekata\t\r  se\t\r  ne\t\r  razmatra\t\r  jer\t\r  je\t\r  producent\t\r  odustao\t\r  i\t\r  povukao\t\r  projekt.\t\r  \t\r  \nOd\t\r  33\t\r  projekta\t\r  za\t\r  sufinanciranje\t\r  predlaže\t\r  se\t\r  15\t\r  projekata,\t\r  9\t\r  produkcijskih\t\r  kuća\t\r  (5\t\r  projekata\t\r  sa\t\r  \nrazvoja\t\r  scenarija\t\r  su\t\r  bez\t\r  producenta).\t\r  7\t\r  projekata\t\r  potpisuju\t\r  autorice,\t\r  a\t\r  11\t\r  projekata\t\r  autori,\t\r  od\t\r  kojih\t\r  su\t\r  \nneki\t\r  \t\r  zajednički.\t\r  \nNa\t\r  1.\t\r  rok\t\r  stigao\t\r  je\t\r  veliki\t\r  broj\t\r  izvrsnih,\t\r  profesionalno\t\r  pripremljenih\t\r  i\t\r  kreativno\t\r  kvalitetnih\t\r  \t\r  projekata.\t\r  \nVodeći\t\r  računa\t\r  da\t\r  izaberem\t\r  najkvalitetnije\t\r  projekte\t\r  s\t\r  različitim\t\r  temama,\t\r  žanrovima\t\r  te\t\r  pristupima,\t\r  za\t\r  \nsufinanciranje\t\r  predlažem\t\r  sljedećih\t\r  15\t\r  projekata:\t\r  \n\t\r  \nRAZVOJ\t\r  SCENARIJA\t\r  DUGOMETRAŽNOG\t\r  DOKUMENTARNOG\t\r  FILMA:\t\r  \n1.\t\r  DICA\t\r  SPLITA,\t\r  scenarist\t\r  Sandro\t\r  Baraba\t\r  te\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Šimun\t\r  Šitum,\t\r  Eclectica.d.o.o\t\r  \nInspirirani\t\r  nikad\t\r  prije\t\r  viđenim\t\r  dirljivim\t\r  prizorom\t\r  ispraćaja\t\r  glazbenog\t\r  miljenika\t\r  Olivera\t\r  Dragojevića,\t\r  \nautori\t\r  pokušavaju\t\r  ući\t\r  u\t\r  srž\t\r  mentaliteta,\t\r  karizme,\t\r  duha,\t\r  melodija,\t\r  stihova,\t\r  ne\t\r  samo\t\r  spomenutog\t\r  Olivera\t\r  \nnego\t\r  cijele\t\r  glazbene\t\r  scene\t\r  grada\t\r  Splita\t\r  od\t\r  šezdesetih\t\r  godina\t\r  prošlog\t\r  stoljeća\t\r  pa\t\r  do\t\r  danas.\t\r  \t\r  Film\t\r  \nobrađuje\t\r  i\t\r  prati\t\r  glazbene\t\r  fenomene\t\r  ne\t\r  odvajajući\t\r  glazbu\t\r  od\t\r  konteksta\t\r  cijelog\t\r  grada\t\r  koji\t\r  bi\t\r  bez\t\r  \nglazbene\t\r  podloge\t\r  kojom\t\r  je\t\r  prožet\t\r  bio\t\r  gotovo\t\r  neprepoznatljiv.\t\r  Lokalna\t\r  glazbena\t\r  baština,\t\r  krucijalni\t\r  je\t\r  \ndio\t\r  identiteta\t\r  jednog\t\r  od\t\r  najopjevanijih\t\r  gradova\t\r  na\t\r  svijetu\t\r  -­‐‑\t\r  Splita.\t\r  \t\r  \t\r  \nFilmskim\t\r  jezikom\t\r  kreiraju\t\r  spomenik\t\r  jednom\t\r  ludom\t\r  gradu\t\r  i\t\r  glazbenom\t\r  čudu.\t\r  \t\r  \t\r  \t\r  \nAutori\t\r  također\t\r  kroz\t\r  film\t\r  žele\t\r  istražiti\t\r  koji\t\r  su\t\r  to\t\r  potencijalni\t\r  faktori\t\r  koji\t\r  utječu\t\r  na\t\r  ovaj\t\r  nevjerojatan\t\r  \nfenomen\t\r  glazbenog\t\r  grada.\t\r  Pitati\t\r  će\t\r  stručnjake\t\r  iz\t\r  različitih\t\r  područja\t\r  jesu\t\r  li\t\r  razlozi\t\r  u\t\r  geografskoj\t\r  \npoziciji\t\r  grada,\t\r  dugogodišnje\t\r  povoljnoj\t\r  vremenskoj\t\r  prognozi,\t\r  lokalnim\t\r  prehrambenim\t\r  navikama,\t\r  \nmentalitetu\t\r  Splićana\t\r  ili\t\r  u\t\r  nečemu\t\r  drugom?\t\r  \t\r  Komična\t\r  glazbena\t\r  dokumentarna\t\r  biografija\t\r  jednog\t\r  grada.\t\r  \n\t\r  \t\r  \n2.\t\r  DJECA\t\r  MOGA\t\r  BRATA,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Milivoj\t\r  Puhlovski,\t\r  Metar\t\r  60\t\r  d.o.o.\t\r  \nPolubrat\t\r  autora\t\r  filma,\t\r  BERISLAV,\t\r  prije\t\r  35\t\r  godina\t\r  napustio\t\r  je\t\r  Hrvatsku\t\r  i\t\r  otišao\t\r  ostvariti\t\r  glazbenu\t\r  \nkarijeru\t\r  bubnjara\t\r  u\t\r  Ameriku.\t\r  Među\t\r  tisućama\t\r  boljih\t\r  bubnjara\t\r  nije\t\r  stvorio\t\r  uspješan\t\r  američki\t\r  san,\t\r  ali\t\r  je\t\r  \ndobio\t\r  3\t\r  sina,\t\r  svakih\t\r  deset\t\r  godina\t\r  jednog,\t\r  s\t\r  različitim\t\r  ženama,\t\r  različitih\t\r  nacionalnosti.\t\r  Srbina\t\r  Sašu,\t\r  \nFilipinca\t\r  Andrea\t\r  i\t\r  Afroamerikanca\t\r  Josepha.\t\r  Različiti\t\r  Berislavovi\t\r  sinovi\t\r  dolaze\t\r  u\t\r  Hrvatsku\t\r  gdje\t\r  će\t\r  se\t\r  po\t\r  \nprvi\t\r  puta\t\r  upoznati.\t\r  \t\r  Izrazito\t\r  komična\t\r  i\t\r  topla\t\r  obiteljska\t\r  dokumentarna\t\r  drama.\t\r  \t\r  \n\t\r  \n3.\t\r  FRANE\t\r  ZANKI,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Marcella\t\r  Zanki,\t\r  Eclectica.d.o.o\t\r  \nAutorica\t\r  prati\t\r  svoj\t\r  odnos\t\r  s\t\r  ocem.\t\r  Pri\t\r  tom\t\r  Marcellin\t\r  otac\t\r  jest\t\r  legendarni\t\r  podvodni\t\r  ribolovac,\t\r  sportsko\t\r  i\t\r  \nmedicinsko\t\r  čudo\t\r  koji\t\r  porijeklo\t\r  vuče\t\r  sa\t\r  nenaseljenog\t\r  otoka\t\r  Sveca,\t\r  jedinog\t\r  otoka\t\r  u\t\r  Jadranskom\t\r  moru\t\r  \nkoji\t\r  je\t\r  u\t\r  privatnom\t\r  posjedu\t\r  i\t\r  to\t\r  upravo\t\r  obitelji\t\r  Zanki.\t\r  \t\r  Tokom\t\r  jednog\t\r  ljeta,\t\r  u\t\r  svojoj\t\r  tridesetoj\t\r  godini\t\r  te\t\r  \nprije\t\r  planirane\t\r  trudnoće\t\r  autorica\t\r  želi\t\r  po\t\r  prvi\t\r  put\t\r  zaroniti\t\r  s\t\r  ocem.\t\r  Sve\t\r  obećaje\t\r  dubokom\t\r  \nraskrinkavanju\t\r  obiteljskih\t\r  odnosa\t\r  kroz\t\r  sineastičan,\t\r  meditativan,\t\r  a\t\r  opet\t\r  emotivno\t\r  nabijen\t\r  \ndokumentarni\t\r  obiteljski\t\r  filmski\t\r  portret.\t\r  \n\t\r  \n\t\r  \n\t\r  \n4.\t\r  GROFICA,\t\r  scenaristica\t\r  Ana\t\r  Vilenica\t\r  \n13\t\r  osoba\t\r  ulazi\t\r  u\t\r  isti\t\r  brisani\t\r  prostor,\t\r  sjeda\t\r  pred\t\r  kameru\t\r  i\t\r  počinje\t\r  pričati\t\r  svoju\t\r  priču.\t\r  Iako\t\r  naizgled\t\r  \npotpuno\t\r  različiti\t\r  svi\t\r  dijele\t\r  istu\t\r  sudbinu.\t\r  Svi\t\r  su\t\r  oboljeli\t\r  od\t\r  multiple\t\r  skleroze.\t\r  Zovu\t\r  je\t\r  još\t\r  i\t\r  Grofica.\t\r  \t\r  Kako\t\r  \nideja\t\r  ne\t\r  bi\t\r  ostala\t\r  na\t\r  kazališnom\t\r  karakteru,\t\r  autorica\t\r  ispovjednim\t\r  intervjuima\t\r  svojih\t\r  protagonista\t\r  \n\n\f\n\t\r  \n2\r  \nsineastično\t\r  pristupa,\t\r  tvoreći\t\r  filmski\t\r  slikovni\t\r  zapis\t\r  onakvim\t\r  kakav\t\r  je\t\r  vizualni\t\r  svijet\t\r  oboljelih\t\r  od\t\r  \nmultiple\t\r  skleroze.\t\r  \t\r  „Ono\t\r  što\t\r  MS\t\r  pogađa\t\r  prvo\t\r  su\t\r  osjeti,\t\r  ona\t\r  djeluje\t\r  na\t\r  pokret,\t\r  na\t\r  vid,\t\r  na\t\r  sluh,\t\r  na\t\r  glas\t\r  i\t\r  \ngovor,\t\r  ona\t\r  pogađa\t\r  sva\t\r  moja\t\r  izražajna\t\r  sredstva\t\r  i\t\r  stvara\t\r  novu\t\r  realnost,\t\r  pa\t\r  suradnja\t\r  i\t\r  interakcija\t\r  s\t\r  \nljudima\t\r  oboljelim\t\r  od\t\r  MS,\t\r  može\t\r  dobrotvorno\t\r  i\t\r  terapijski\t\r  djelovati\t\r  na\t\r  njih\t\r  s\t\r  jedne\t\r  strane,\t\r  ali\t\r  s\t\r  druge\t\r  \nstrane,\t\r  za\t\r  mene\t\r  kao\t\r  umjetnicu\t\r  ona\t\r  znači\t\r  i\t\r  otvaranje\t\r  portala\t\r  u\t\r  novi\t\r  svijet\t\r  u\t\r  kojem\t\r  igra\t\r  osjeta\t\r  postaje\t\r  \nopasna\t\r  po\t\r  život\t\r  i\t\r  u\t\r  kojem\t\r  vrijede\t\r  drugačija\t\r  pravila\t\r  bivanja.“\t\r  Pojašnjava\t\r  autorica\t\r  svoju\t\r  motivaciju\t\r  za\t\r  \nbavljenje\t\r  ovom\t\r  temom.\t\r  \n\t\r  \n5.\t\r  MJERENJE\t\r  NEBA,\t\r  scenarist\t\r  Marjan\t\r  Alčevski,\t\r  Nukleus\t\r  film\t\r  d.o.o.\t\r  \nProjekt\t\r  koji\t\r  otvara\t\r  pitanje\t\r  vjere\t\r  u\t\r  znanost.\t\r  Zašto\t\r  ljudi\t\r  više\t\r  vjeruju\t\r  onome\t\r  što\t\r  ne\t\r  vide\t\r  nego\t\r  onome\t\r  što\t\r  \nvide\t\r  i\t\r  što\t\r  je\t\r  stvarno\t\r  dokazljivo.\t\r  Naime,\t\r  kroz\t\r  par\t\r  godina\t\r  s\t\r  radom\t\r  započinje\t\r  arge\t\r  Snaptic\t\r  Surve\t\r  \nTelescope\t\r  (SST),\t\r  najveći\t\r  teleskop\t\r  u\t\r  povijesti.\t\r  Jedan\t\r  od\t\r  ključnih\t\r  ljudi\t\r  na\t\r  tom\t\r  projektu\t\r  je\t\r  Željko\t\r  Ivanić\t\r  -­‐‑\t\r  \nfizičar\t\r  i\t\r  astronom\t\r  iz\t\r  Zagreba.\t\r  Autor\t\r  želi\t\r  pratiti\t\r  zadnje\t\r  godine\t\r  izgradnje\t\r  SST-­‐‑a\t\r  i\t\r  početak\t\r  njegovog\t\r  rada\t\r  \nte\t\r  paralelno\t\r  tražiti\t\r  odgovore\t\r  na\t\r  pitanje\t\r  kako\t\r  to\t\r  da\t\r  u\t\r  vremenu\t\r  kada\t\r  imamo\t\r  sve\t\r  više\t\r  informacija\t\r  o\t\r  tome\t\r  \nkako\t\r  svemir\t\r  zaista\t\r  izgleda\t\r  i\t\r  čega\t\r  sve\t\r  ima\t\r  na\t\r  nebu...\t\r  mnogi\t\r  i\t\r  dalje\t\r  misle\t\r  da\t\r  je\t\r  Zemlja\t\r  ravna\t\r  ploča.\t\r  \t\r  \nDokumentarni\t\r  projekt\t\r  koji\t\r  ima\t\r  sve.\t\r  Jakog\t\r  i\t\r  zanimljivog\t\r  \t\r  glavnog\t\r  lika,\t\r  njegove\t\r  oponente\t\r  koji\t\r  zastupaju\t\r  \nza\t\r  ne\t\r  povjerovat\t\r  teze\t\r  te\t\r  praćenje\t\r  tehnološko\t\r  znanstvenog\t\r  procesa\t\r  koji\t\r  se\t\r  događa\t\r  po\t\r  prvi\t\r  put.\t\r  Iznimno\t\r  \nvažan\t\r  projekt\t\r  koji\t\r  propituje\t\r  kakva\t\r  je\t\r  perspektiva\t\r  znanosti\t\r  u\t\r  sve\t\r  mnogobrojnijem\t\r  neznanstvenom\t\r  \nokruženju.\t\r  \n\t\r  \n6.\t\r  \t\r  ONO\t\r  ŠTO\t\r  NAS\t\r  POVEZUJE,\t\r  scenaristica\t\r  Lana\t\r  Šarić\t\r  \nOno\t\r  što\t\r  nas\t\r  povezuje\t\r  istražuje\t\r  aktualni\t\r  problem\t\r  Jadrana\t\r  i\t\r  hrvatske\t\r  obale,\t\r  koji\t\r  iz\t\r  godine\t\r  u\t\r  godinu\t\r  \npostaje\t\r  sve\t\r  veći-­‐‑\t\r  smeće\t\r  koje,\t\r  pogotovo\t\r  u\t\r  danima\t\r  jakog\t\r  juga,\t\r  dolazi\t\r  na\t\r  naše\t\r  obale\t\r  iz\t\r  Albanije,\t\r  Crne\t\r  Gore\t\r  \ni\t\r  Italije\t\r  narušavajući\t\r  ekološku,\t\r  ali\t\r  i\t\r  ekonomsku\t\r  održivost\t\r  jadranskih\t\r  zemalja.\t\r  Kako\t\r  institucije\t\r  ne\t\r  mogu\t\r  \npronaći\t\r  način\t\r  da\t\r  problem\t\r  smeća\t\r  riješe\t\r  na\t\r  institucionalnoj,\t\r  strateškoj\t\r  razini,\t\r  on\t\r  ostaje\t\r  privatan\t\r  \nproblem\t\r  time\t\r  pogođenih\t\r  stanovnika\t\r  čak\t\r  četiri\t\r  zemlje\t\r  na\t\r  obalama\t\r  Jadranskog\t\r  mora.\t\r  Autorica\t\r  kroz\t\r  film\t\r  \nprati\t\r  više\t\r  protagonista,\t\r  od\t\r  ekološki\t\r  osvještenih\t\r  preko\t\r  Albanskih\t\r  poslodavaca\t\r  do\t\r  Talijanskih\t\r  političara\t\r  \nkoji\t\r  se\t\r  ne\t\r  libe\t\r  javno\t\r  govoriti\t\r  o\t\r  licemjerju\t\r  EU\t\r  koja\t\r  nema\t\r  poblem\t\r  da\t\r  svoje\t\r  smeće\t\r  izvozi\t\r  u\t\r  zemlje\t\r  za\t\r  koje\t\r  \nzna\t\r  da\t\r  ga\t\r  neće\t\r  ekološki\t\r  deponirati.\t\r  \t\r  Oštar\t\r  ekološko-­‐‑politički\t\r  dokumentarni\t\r  film.\t\r  \n\t\r  \t\r  \n7.\t\r  \t\r  POLITIČKE\t\r  VODE,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Hrvoje\t\r  Mabić\t\r  \nStanovnici\t\r  sela\t\r  Kosinjske\t\r  doline\t\r  u\t\r  Lici\t\r  već\t\r  50\t\r  godina\t\r  žive\t\r  u\t\r  neizvjesnosti\t\r  i\t\r  lišeni\t\r  su\t\r  nekih\t\r  elementarnih\t\r  \nprava.\t\r  Nikada\t\r  nisu\t\r  dobili\t\r  vodovod.\t\r  Nemaju\t\r  pravo\t\r  gradnje\t\r  na\t\r  vlastitoj\t\r  zemlji,\t\r  a\t\r  shodno\t\r  tome\t\r  niti\t\r  \nmogućnost\t\r  podizanja\t\r  hipotekarnih\t\r  kredita.\t\r  Također,\t\r  oni\t\r  su\t\r  dugo\t\r  vremena\t\r  bili\t\r  lišeni\t\r  mogućnosti\t\r  \npolitičke\t\r  participacije\t\r  jer\t\r  nisu\t\r  imali\t\r  svog\t\r  predstavnika\t\r  u\t\r  nadležnoj\t\r  općini.\t\r  Zašto?\t\r  Zato\t\r  što\t\r  je\t\r  još\t\r  1971.\t\r  \ngodine\t\r  država\t\r  naumila\t\r  na\t\r  njihovim\t\r  stoljetnim\t\r  ognjištima\t\r  napraviti\t\r  akumulacijsko\t\r  jezero\t\r  koje\t\r  nije\t\r  ni\t\r  \nzapočeto,\t\r  ali\t\r  pedeset\t\r  godina\t\r  svake\t\r  godine\t\r  samo\t\r  što\t\r  nije.\t\r  Seljanima\t\r  svake\t\r  godine\t\r  prijeti\t\r  još\t\r  jedna\t\r  \nopasnost\t\r  -­‐‑\t\r  poplave.\t\r  No,\t\r  jesu\t\r  li\t\r  slučajne?\t\r  Stanovnici\t\r  Kosinjske\t\r  doline\t\r  smatraju\t\r  da\t\r  iza\t\r  njih\t\r  stoje\t\r  \nfinancijski\t\r  lobiji,\t\r  a\t\r  vode\t\r  koje\t\r  naviru\t\r  su\t\r  prozvali\t\r  -­‐‑\t\r  političke\t\r  vode.\t\r  \t\r  Film\t\r  će\t\r  biti\t\r  pričan\t\r  iz\t\r  perspektive\t\r  \npoštara\t\r  koji\t\r  nas\t\r  povezuje\t\r  sa\t\r  protagonistima\t\r  i\t\r  upoznaje\t\r  sa\t\r  svim\t\r  zakulisnim\t\r  \t\r  razinama\t\r  ove\t\r  priče.\t\r  \n\t\r  \n8.\t\r  \t\r  RAZGOVOR\t\r  S\t\r  MRTVIMA,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Goran\t\r  Dević\t\r  \nZa\t\r  mnoge\t\r  koji\t\r  izgube\t\r  svoje\t\r  najbliže\t\r  ne\t\r  prestaje\t\r  i\t\r  komunikacija\t\r  s\t\r  njima.\t\r  Kao\t\r  što\t\r  autor\t\r  kaže\t\r  „Dok\t\r  mrtvi\t\r  \nimaju\t\r  koga\t\r  slušati\t\r  još\t\r  su\t\r  na\t\r  neki\t\r  način\t\r  živi.“\t\r  Autor\t\r  izabire\t\r  sedam\t\r  osoba\t\r  koje\t\r  prati\t\r  nakon\t\r  što\t\r  su\t\r  izgubili\t\r  \nnajdraže.\t\r  Relacije\t\r  između\t\r  protagonista\t\r  i\t\r  umrlih\t\r  su\t\r  različite:\t\r  roditelj/dijete,\t\r  žena/muž,\t\r  sestra/brat,\t\r  \nratni\t\r  suborci....\t\r  također\t\r  autor\t\r  prati\t\r  razne\t\r  dobne\t\r  skupine.\t\r  Razgovori\t\r  protagonista\t\r  imaju\t\r  najčešće\t\r  \nispovjedni\t\r  karakter,\t\r  ali\t\r  ponekad\t\r  se\t\r  traži\t\r  dopuštenje\t\r  za\t\r  neku\t\r  životnu\t\r  promjenu.\t\r  Razgovori\t\r  pokušavaju\t\r  \nšto\t\r  realnije\t\r  u\t\r  biti\t\r  negirati\t\r  smrt.\t\r  Autor\t\r  se,\t\r  shodno\t\r  temi,\t\r  \t\r  odlučuje\t\r  za\t\r  opservacijski\t\r  pristup.\t\r  Iako\t\r  se\t\r  tema\t\r  \nčini\t\r  teška,\t\r  ona\t\r  u\t\r  biti\t\r  slavi\t\r  život\t\r  i\t\r  kad\t\r  isti\t\r  iščezne.\t\r  \t\r  \n\t\r  \n9.\t\r  \t\r  ZAUSTAVI\t\r  ME\t\r  AKO\t\r  MOŽEŠ,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Bruna\t\r  Bajić\t\r  \nSportski\t\r  dokumentarni\t\r  film\t\r  ,ali\t\r  i\t\r  puno\t\r  više\t\r  od\t\r  toga.\t\r  Ovo\t\r  je\t\r  topla\t\r  i\t\r  borbena\t\r  priča\t\r  o\t\r  \ndvadesetšestogodišnjem\t\r  mladiću\t\r  koji\t\r  je\t\r  rođen\t\r  sa\t\r  artrogripozom,\t\r  neizlječivim\t\r  invaliditetom\t\r  koji\t\r  mu\t\r  je\t\r  \n\n\f\n\t\r  \n3\r  \nmogao\t\r  formirati\t\r  besmisao\t\r  života,\t\r  a\t\r  postao\t\r  je\t\r  smisao\t\r  njegova\t\r  postojanja.\t\r  Dinu\t\r  Sinovčića,\t\r  krasi\t\r  \nmnoštvo\t\r  zlatnih,\t\r  srebrnih\t\r  i\t\r  brončanih\t\r  medalja,\t\r  od\t\r  toga\t\r  recentno\t\r  europsko\t\r  zlato\t\r  za\t\r  100metara\t\r  leđno.\t\r  \nPriča\t\r  prati\t\r  pripreme\t\r  za\t\r  Paraolimpijske\t\r  igre\t\r  2020.\t\r  u\t\r  Tokyu\t\r  te\t\r  Dinovo\t\r  privikavanje\t\r  na\t\r  prve\t\r  porteze.\t\r  \nAutoricu\t\r  zanima\t\r  mentalna\t\r  dinamika\t\r  ovoga\t\r  mladića\t\r  čije\t\r  se\t\r  tijelo\t\r  kreće\t\r  sporo\t\r  i\t\r  uz\t\r  pomoć\t\r  kolica\t\r  dok\t\r  ne\t\r  \ndodirne\t\r  čarobni\t\r  medij\t\r  vode.\t\r  \t\r  \n\t\r  \nRAZVOJ\t\r  PROJEKATA\t\r  DUGOMETRAŽNOG\t\r  DOKUMENTARNOG\t\r  FILMA:\t\r  \n1.\t\r  BRAK\t\r  NA\t\r  PAPIRU,\t\r  scenarist\t\r  Vedran\t\r  Husremović,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Renata\t\r  Lučić,\t\r  \nWolfgang\t\r  &\t\r  Dolly\t\r  d.o.o\t\r  \nRedateljica\t\r  se\t\r  odlučuje\t\r  vratiti\t\r  istoj\t\r  temi.\t\r  Nakon\t\r  filma\t\r  o\t\r  roditeljima\t\r  čiji\t\r  se\t\r  brak\t\r  raspada\t\r  autorica\t\r  sada,\t\r  \nosim\t\r  oca,\t\r  prati\t\r  još\t\r  trojicu\t\r  muškaraca\t\r  koje\t\r  su\t\r  žene\t\r  ostavile\t\r  najprije\t\r  u\t\r  potrazi\t\r  za\t\r  poslom,\t\r  a\t\r  zatim\t\r  i\t\r  \nemotivno\t\r  jer\t\r  su\t\r  tamo\t\r  gdje\t\r  su\t\r  našle\t\r  posao\t\r  našle\t\r  i\t\r  nove\t\r  partnere.\t\r  Tomislav,\t\r  Joso,\t\r  Marko\t\r  i\t\r  Tićo\t\r  se\t\r  u\t\r  \nsvojim\t\r  pedesetima\t\r  snalaze\t\r  kako\t\r  koji\t\r  može\t\r  u\t\r  nastaloj\t\r  situaciji.\t\r  Oni\t\r  su\t\r  sa\t\r  svojim\t\r  suprugama\t\r  i\t\r  dalje\t\r  u\t\r  \nbraku,\t\r  no\t\r  on\t\r  je\t\r  realiziran\t\r  samo\t\r  na\t\r  papiru.\t\r  Socijalno\t\r  dokumentarna\t\r  drama\t\r  o\t\r  muško-­‐‑ženskim\t\r  odnosima\t\r  \nte\t\r  iseljavanju\t\r  ispričana\t\r  na\t\r  iskren\t\r  slatko\t\r  gorak\t\r  način.\t\r  \t\r  \n\t\r  \n2.\t\r  BUBBY\t\r  SANJA\t\r  ZELENO,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Ranko\t\r  Pauković,\t\r  Restart\t\r  \nJedan\t\r  od\t\r  najbolje\t\r  pripremljenih\t\r  projekata\t\r  donosi\t\r  priču\t\r  o\t\r  slijepome\t\r  rudaru\t\r  slikaru.\t\r  Bubby\t\r  je\t\r  u\t\r  biti\t\r  \nbivši\t\r  rudar\t\r  sa\t\r  nevjerojatnim,\t\r  urođenim\t\r  slikarskim\t\r  talentom.\t\r  Nakon\t\r  nesreće\t\r  u\t\r  rudniku\t\r  ostaje\t\r  bez\t\r  \njednog\t\r  oka,\t\r  a\t\r  i\t\r  na\t\r  drugom\t\r  polako\t\r  gubi\t\r  vid.\t\r  Na\t\r  novom\t\r  radnom\t\r  mjestu\t\r  nema\t\r  puno\t\r  posla,\t\r  pa\t\r  po\t\r  cijeli\t\r  dan\t\r  \nslika\t\r  čarobne\t\r  krajolike\t\r  i\t\r  mrtve\t\r  prirode.\t\r  I\t\r  dok\t\r  s\t\r  jedne\t\r  strane\t\r  pratimo\t\r  tužnu\t\r  i\t\r  napetu\t\r  priču\t\r  o\t\r  gubitku\t\r  \nvida,\t\r  s\t\r  druge\t\r  strane\t\r  tu\t\r  je\t\r  slikarska\t\r  karijera\t\r  koja\t\r  se\t\r  uprkos\t\r  slabom\t\r  vidu\t\r  ipak\t\r  razvija.\t\r  Također\t\r  film\t\r  o\t\r  \nBubbyju\t\r  priča\t\r  je\t\r  o\t\r  stravičnim\t\r  posljedicama\t\r  korištenja\t\r  ugljena,\t\r  kako\t\r  na\t\r  život\t\r  ljudi\t\r  koji\t\r  ga\t\r  kopaju\t\r  tako\t\r  i\t\r  \nna\t\r  one\t\r  koji\t\r  su\t\r  ga\t\r  prisiljeni\t\r  udisati,\t\r  a\t\r  to\t\r  smo\t\r  svi\t\r  mi.\t\r  Mjesto\t\r  zbivanja\t\r  ove\t\r  priče\t\r  je\t\r  BiH.\t\r  TE\t\r  Ugljevik,\t\r  \nrelativno\t\r  mala\t\r  elektrana\t\r  u\t\r  svjetskim\t\r  razmjerima,\t\r  drugi\t\r  je\t\r  najveći\t\r  zagađivač\t\r  u\t\r  Europi\t\r  i\t\r  ispušta\t\r  više\t\r  \nsumpornog\t\r  dioksida\t\r  od\t\r  svih\t\r  250\t\r  njemačkih\t\r  termoelektrana\t\r  zajedno\t\r  –\t\r  127.524\t\r  tone\t\r  godišnje.\t\r  \nHrvatska\t\r  svoje\t\r  potreba\t\r  za\t\r  ugljenom\t\r  skoro\t\r  50\t\r  %\t\r  popunjava\t\r  iz\t\r  BiH,\t\r  a\t\r  kao\t\r  što\t\r  znamo,\t\r  zrak\t\r  ne\t\r  poznaje\t\r  \ngranice.\t\r  \t\r  \n\t\r  \n3.\t\r  BUDI\t\r  REALAN\t\r  TRAŽI\t\r  NEMOGUĆE\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Vanja\t\r  Juranić,\t\r  Kompot\t\r  \nIza\t\r  jednog\t\r  od\t\r  najboljih\t\r  naslova\t\r  ovog\t\r  roka\t\r  skriva\t\r  se\t\r  biografska\t\r  priča\t\r  o\t\r  iseljeničkom\t\r  životu\t\r  vodećeg\t\r  \nhrvatskog\t\r  konceptualnog\t\r  umjetnika\t\r  Siniše\t\r  Labrovića\t\r  i\t\r  njegove\t\r  žene\t\r  Snježane\t\r  koji\t\r  su\t\r  ponukani\t\r  \nekonomskim\t\r  razlozima\t\r  bili\t\r  prisiljeni\t\r  potražiti\t\r  sreću\t\r  preseljenjem\t\r  u\t\r  Berlin.\t\r  Tematizirajući\t\r  problem\t\r  \nmigracija\t\r  na\t\r  prostorima\t\r  istočne\t\r  Europe,\t\r  dobivamo\t\r  priliku\t\r  saznati\t\r  više\t\r  o\t\r  tome\t\r  kako\t\r  izgleda\t\r  prilagodba,\t\r  \nživotu\t\r  u\t\r  dijaspori\t\r  i\t\r  razlozima\t\r  zašto\t\r  do\t\r  raseljavanja\t\r  dolazi,\t\r  kroz\t\r  izuzetno\t\r  zanimljiv\t\r  lik\t\r  suvremenog\t\r  \numjetnika.\t\r  Dio\t\r  materijala\t\r  koji\t\r  je\t\r  snimljen\t\r  obećava\t\r  iskren\t\r  slatko-­‐‑gorak\t\r  dokumentarn\t\r  film.\t\r  \t\r  \t\r  \n\t\r  \n4.CENTAR\t\r  SVITA,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Marko\t\r  Šantić,\t\r  Jaka\t\r  Produkcija\t\r  d.o.o.\t\r  \nCentar\t\r  svita\t\r  je\t\r  naravno\t\r  –\t\r  Split!\t\r  A\t\r  u\t\r  Splitu\t\r  ova\t\r  priča\t\r  prati\t\r  5\t\r  različitih\t\r  iznajmljivača\t\r  tijekom\t\r  turističke\t\r  \nsezone.\t\r  Gospođa\t\r  Smilja\t\r  iznajmljuje\t\r  dvije\t\r  sobe\t\r  na\t\r  13.\t\r  katu\t\r  nebodera,\t\r  Tara\t\r  iznajmljuje\t\r  šator\t\r  na\t\r  balkonu\t\r  \nsvoga\t\r  stana,\t\r  Ivica\t\r  je\t\r  na\t\r  35\t\r  kvadrata\t\r  nagurao\t\r  15\t\r  ležajeva\t\r  i\t\r  napravio\t\r  mali\t\r  hostel,\t\r  baka\t\r  Milka\t\r  još\t\r  uvijek\t\r  s\t\r  \nkartonom\t\r  »zimmer\t\r  frei«\t\r  stoji\t\r  u\t\r  Splitskoj\t\r  luci\t\r  i\t\r  »hvata«\t\r  goste,\t\r  te\t\r  jedna\t\r  obitelj\t\r  koja\t\r  početkom\t\r  ljeta\t\r  seli\t\r  iz\t\r  \nsvog\t\r  stana\t\r  radi\t\r  iznajmljivanja.\t\r  I\t\r  dok\t\r  svaki\t\r  od\t\r  naših\t\r  protagonista\t\r  muku\t\r  muči\t\r  oko\t\r  iznajmljivanja\t\r  \nkamera\t\r  paralelno\t\r  prati\t\r  horde\t\r  turista\t\r  koje\t\r  ljeti\t\r  posjećuju\t\r  grad.\t\r  Ovo\t\r  bi\t\r  mogao\t\r  biti\t\r  pravi\t\r  festivalski,\t\r  ali\t\r  i\t\r  \nkino\t\r  hit.\t\r  \n\t\r  \n5.\t\r  LJUDI\t\r  U\t\r  MOJOJ\t\r  KUĆI,\t\r  scenarist\t\r  Jacob\t\r  Gesink,\t\r  scenaristica\t\r  \t\r  i\t\r  redateljica\t\r  \t\r  Tatjana\t\r  Božić,\t\r  Lewa\t\r  \nProductions\t\r  j.d.o.o\t\r  \nIza\t\r  ovog\t\r  odličnog\t\r  naslova\t\r  krije\t\r  se\t\r  nova\t\r  dokumentarna\t\r  poslastica;\t\r  intimna,\t\r  iskrena\t\r  i\t\r  zabavna\t\r  kao\t\r  i\t\r  \nautoričin\t\r  zadnji\t\r  film.\t\r  Kao\t\r  samohrana\t\r  majka,\t\r  Tatjana\t\r  želi\t\r  više\t\r  zajedništva\t\r  u\t\r  životu.\t\r  Počinje\t\r  iznajmljivati\t\r  \nsobu\t\r  svog\t\r  sina\t\r  turistima.\t\r  Neočekivano\t\r  za\t\r  Tatjanu,\t\r  gosti\t\r  postaju\t\r  prijatelji\t\r  za\t\r  jednokratnu\t\r  upotrebu,\t\r  \nprivremeni,\t\r  ali\t\r  važni\t\r  članovi\t\r  male\t\r  obiteljske\t\r  zajednice.\t\r  Uskoro\t\r  se\t\r  cijeli\t\r  sistem\t\r  razvali\t\r  i\t\r  Tatjana\t\r  \n\n\f\n\t\r  \n4\r  \nmahnito\t\r  traži\t\r  rješenje\t\r  -­‐‑\t\r  kako\t\r  održati\t\r  svoje\t\r  krdo\t\r  na\t\r  okupu.\t\r  Ovo\t\r  je\t\r  putovanje\t\r  kroz\t\r  mnoge\t\r  kulture\t\r  koje\t\r  \ndovodi\t\r  do\t\r  iznenađujućeg\t\r  i\t\r  emocionalnog\t\r  preispitivanja\t\r  onoga\t\r  što\t\r  obitelj\t\r  uistinu\t\r  znači.\t\r  \nOsim\t\r  uvida\t\r  u\t\r  druge\t\r  ljude,\t\r  svoga\t\r  sina\t\r  i\t\r  bitnih\t\r  samouvida\t\r  Tatjana\t\r  priča\t\r  globalnu\t\r  priču\t\r  o\t\r  usamljenosti\t\r  i\t\r  \nraznim\t\r  načinima\t\r  da\t\r  ju\t\r  pobjedimo.\t\r  \n\t\r  \n6.\t\r  MI\t\r  SMO\t\r  LJUDI,\t\r  MI\t\r  SMO\t\r  SILA,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Srđan\t\r  Kovačević,\t\r  Fade\t\r  in\t\r  \nOvaj\t\r  projekt\t\r  nastavljamo\t\r  podržavati.\t\r  Prošle\t\r  godine\t\r  je\t\r  dobio\t\r  razvoj\t\r  scenarija\t\r  te\t\r  sada,\t\r  sa\t\r  dijelom\t\r  već\t\r  \nsnimljenog\t\r  materijala,\t\r  dolazi\t\r  na\t\r  razvoj\t\r  projekta.\t\r  Priča\t\r  je\t\r  to\t\r  o\t\r  Radničkom\t\r  savjetovalištu\t\r  (Delavska\t\r  \nsvetovalnica)\t\r  iz\t\r  Ljubljane\t\r  koje\t\r  je\t\r  jedina\t\r  organizacija\t\r  koja\t\r  se\t\r  bavi\t\r  direktnim\t\r  radom\t\r  s\t\r  ljudima\t\r  bez\t\r  \nsindikalne\t\r  zaštite,\t\r  ljudima\t\r  u\t\r  koje\t\r  spadamo\t\r  i\t\r  mi,\t\r  filmski\t\r  radnici.\t\r  Ljudi\t\r  iz\t\r  Delavske\t\r  svetovalnice\t\r  radi\t\r  \ndirektan\t\r  sindikalni\t\r  posao\t\r  s\t\r  najugroženijim\t\r  skupinama\t\r  našeg\t\r  društva,\t\r  u\t\r  tome\t\r  je\t\r  uspješna\t\r  i\t\r  zbog\t\r  toga\t\r  je\t\r  \njedinstvena\t\r  u\t\r  Europi.\t\r  Film\t\r  rasvjetljava\t\r  licemjerje\t\r  bogatih\t\r  Europskih\t\r  društava\t\r  i\t\r  malog\t\r  čovjeka\t\r  sa\t\r  ovih\t\r  \nprostora\t\r  koji\t\r  se\t\r  pokušava\t\r  snaći\t\r  na\t\r  velikom\t\r  tržištu\t\r  rada.\t\r  \t\r  \n\t\r  \n\t\r  \nKatarina\t\r  Zrinka\t\r  Matijević,\t\r  umjetnička\t\r  savjetnica\t\r  za\t\r  dokumentarni\t\r  film\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje%20rsc%201.rok_2024%20dokumentarni_WEB.pdf","filename_decoded":"Obrazlozenje%20rsc%201.rok_2024%20dokumentarni_WEB.pdf","sha256":"66572031b3e91ddbffee362eeca972fbff1215ad06ccae144163f8e6b1fb8d7c","bytes":247622,"page_count":4,"extracted_at":"2026-05-16T14:12:50Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje%20rsc%201.rok_2024%20dokumentarni_WEB.pdf"},"raw_text":"1 \n \nJAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA, 1. ROK \n2024. / DUGOMETRAŽNI DOKUMENTARNI FILM  \n \nKATEGORIJA: \nPOTICANJE \nRAZVOJA \nSCENARIJA \nI \nRAZVOJA \nPROJEKATA \nDUGOMETRAŽNIH IGRANIH, DUGOMETRAŽNIH DOKUMENTARNIH I ANIMIRANIH \nFILMOVA – RAZVOJ SCENARIJA DUGOMETRAŽNIH DOKUMENTARNIH FILMOVA – ROK \n13. ožujka 2024. \n \nUMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER \n \nOPĆI OSVRT  \n________________________________________________________________________  \n27 dokumentarnih prijedloga za razvoj scenarija prijavilo se na javni poziv u kategoriji \npoticanja razvoja scenarija dugometražnog dokumentarnog filma u 1. roku u 2024. \ngodini. Svi projekti su razmatrani, odnosno predana je za njih sva potrebna \ndokumentacija.  \n \nMoglo bi se zaključiti kako je na ovaj rok pristiglo dosta raznolikih tema. Nemali broj njih \nje tek na razini ideje, nemaju neku strukturu, ideju razrade, pa čak i konkretnog \nprotagonista već ga u svojim prijedlozima ideal tipski zamišljaju što jest neobično, s \nobzirom na to da se radi o dokumentarnim projektima u kojima bi se već u ovoj fazi \ntrebalo dokazati pristup njegovim protagonistima. No, ono što još više brine kod nekih \nprijava, jest svojevrsno nerazlikovanje nemalog broja autora prikladnosti njihova \nprojekta za televizijsku proizvodnju više od autorskog filma. Pa, iako neki projekti te \nodlike koje bi trebao imati autorski kreativni dokumentarac nemaju, autori s velikim \nuvjerenjem prijavljuju tu vrstu prije svega tv formata na ovaj natječaj. Opća mjesta u \nnedostatku utemeljenja radnje koje predlažu, drugi je problem s kojim se suočava na \novom natječaju. Svojevrsno prepričavanje podataka, umjesto radnje nažalost nije eksces \nili izuzetak u prijavama, već ih ima u nemalom broju.  \n \nIpak valja istaknuti kako većina prijavljenih projekata u sebi na ovom pozivu nosi \nambiciju autorskog dokumentarnog filma, i temelj za takvu ambiciju. Neki od tih \nprojekata unose inovativnost u izričaju, zanimljiva vizualna rješenja, hibridnu \ntransmedijalnost, ali i ono što je iznimno bitno, društvenu relevantnost, kada su teme \nkoje su predložene u pitanju.  \n \nIzmeđu tih projekata, odabrano je 10 projekata za prijedlog  Hrvatskom audiovizualnom \nvijeću za sufinanciranje u ovoj kategoriji u ukupnom iznosu od 50.000,00 eura.  \n \n \n \n \n \n \n\n\f\n2 \n \n1. 126 DIONICA NAME ILI NARODNI MAGAZIN Lana Kosovac (scenaristica i \nredateljica), 5.000 eur  \n \nIspričati prošlost cijelog jednog društva, kroz samo jednu ljudsku sudbinu, ili tek nekoliko \nnjih, odnosno jednu nazovimo je instituciju (iako to nije bila, već prodajni magazin) koji \nje nosio u sebi ne samo trgovinu kojom se bavio, već i živote ljudi veliki je izazov. \nScenaristički, a kasnije sveukupno autorski. No ono što autorica predstavlja u svom \ntreatmentu, navodi na dojam kako je i sama svjesna kompleksnosti projekta koji nudi i u \ntome leži njena vrijednost. Spremnost da istražuje, i bude otvorena na ono što će ju \nistraživanje navesti. Radi se o mogućem sjajnom projektu, koji bi mogao imati i \nmeđunarodni festivalski potencijal, ako se konzistentno i oprezno vodi do njegove \nfinalne realizacije.  \n \n2. DJEČJI DOM U LIPIKU (IZ PEPELA LIPIKA) Tena Perišin (scenaristica),  3D2D \nanimatori, 5.000 eur \n \nJezgrovit logline odmah stvara interes na vrlo jednostavan način, nudeći motiviranog \nprotagonista s pretpovijesti, koji se suočava s prošlošću na vrlo kreativan način. U \nsamom pak sinopsisu upoznajemo bolje Danijela Topića, studenta dramskih umjetnosti \nu Londonu koji još uvijek nije zaboravio slučaj svojega djetinjstva, i svoje tete koja je u \nLipiku ostala u napadnutom gradu, brinući o djeci u ratnim stradanjima porušenog \nDječjeg doma. Danijel je svoju sudbinu pronašao u izbjeglištvu, Lipiku se vraća uvjeren \nda priča njegove tete može biti sjajna filmska priča. Na taj način autorice Tena Perišin i \nJanet Harris vrlo spretno ulaze u metafilm koji im nudi zanimljive moguće filmske alate \nkako pričati priču iz sad već nešto dalje prošlosti. Korištenje kazališne skupine i rada na \npredstavi koju potiče protagonist, dodatni je motor radnje ovog projekta. Time se \nscenarij oslanja na dva čvrsta dramaturška stupa, a treći ovisi o tome što će se događati \nsa Danijelom i predstavom. Ukratko, dobro osmišljena dokumentarna priča, u tri čina.  \n \n3. GAZDA SE VRAĆA! Saša Paparella (scenarist), Hrvatski centar za istraživačko \nnovinarstvo i slobodu medija, 5.000 eur \n \nKoautor dokumentarne uspješnice „Gazda“ vraća se svojoj prvotnoj inspiraciji Ivici \nTodoriću, u svojevrsnom nastavku tog filma sugestivnog naslova „Gazda se vraća“. U \nvrlo konciznom sinopsisu, Saša Paparella nudi sve potrebne razloge zašto pratiti pokušaj \npovratka Ivice Todorića na društvenu scenu, ovoga puta osnivanjem stranke „Zajedno \nHrvatska.“ Paralelno s njim, vješta scenaristička odluka je da koautora i redatelja prvog \nfilma Darija Juričana postavi u ulogu protagonista, koji nasuprot svom antagonistu Ivici \nTodoriću, nekadašnjem cvjećaru kontrastira u poziciji građanina koji gradi staklenik, svoj \nprvi, čekajući građevinsku dozvolu i početak radova. I jednoga i drugog autora život \npomaže scenarističkim obratima, pa cvijeće postane i unosan biznis s europskim \nfondovima, u kojem nekadašnja jaka politička i gospodarska imena također padaju pred \neuropskim pravosuđem. Kao u primjeru poduzetnika i bivšeg političara Hrvoja Vojkovića, \n\n\f\n3 \n \nuhićenom radi prevare sa sadnjom tulipana. Svojom ambicijom Juričan osigurava \ndodatni motor radnje, učlanjenjem u novoosnovanu stranku Zajedno Hrvatska Ivice \nTodorića.  \n4. LA LA LABIN Toni Juričić (redatelj i koscenarist),  5.000 eur \n \nAutor Toni Juričić predlaže moguće sjajnu priču, otrgnutu od zaborava kao višeslojni \ndokumentarni film. Od pronalaska jednog vjerojatno od posljednjih promotivnih \nfilmova, mjuzikla u bivšoj državi, snimljenog za Turističku zajednicu Labin Rabac, u ljeto \n1990. autora filma Gorana Gajića, koji uslijed pritiska medija i prijetnji smrću sa \nsuprugom Mirom Furlan seli u SAD, a film Ovdje nema nesretnih turista biva bunkeriran. \nViše od 30 godina kasnije, vrpca dospijeva u ruke autora ovog filma, koja stvara \nmogućnost pokretanja glazbeno dokumentarnog projekta, koji ima nekoliko layera u \nsebi.  \n \n5. MISIJA Tiha K. Gudac (scenaristica i redateljica), 5.000 eur  \n \nAutorica Tiha K. Gudac vrlo sažeto, kako to u sinopsisu i treba biti, predstavlja svoju \npriču, misiju u nizinskim područjima bolivijske Amazone. U dužem sinopsisu detaljnije \nobrazlaže svoju temu, protagoniste i motive zašto se odlučila za ovaj projekt u kojem je \nkontrast koji nudi, kontrast istog okrilja jedne vjere (kršćanstva), ali različitih konteksta, \nonog južnoameričkog i europskog. Samom činjenicom da autorica prati isključivo \njužnoamerički primjer, stvara svojevrsni transmedijalni projekt, u kojem europski \nkontekst kao publika promatra onaj nizinskih dijelova bolivijske Amazone.  \n \n6. Neustrašivi T. Anja Matković  (scenaristica), 5.000 eur  \n \nZačudna tema, sa začudnim protagonistom odmah privlači pažnju čitatelja. Gospodin T. \nje prigodni navijač Hajduka u Zagrebu, ali vlasnik i nadimka „Tuđman“ po prvom \npredsjedniku Jugoslavenskog sportsko društva Partizan, čiji je FK Partizan gospodin T. \nzapravo navijač.   Njegovu želju da još jednom posjeti Beograd, i ode na utakmicu svog \nkluba, sprječava strah od prelaska granice sa Srbijom i riskira moguće uhićenje zbog \ntajnih listi nekih od sudionika rata devedesetih. A gospodin T. aktivni je sudionik obrane \nHrvatske, pa se kao osoba koja se u Domovinskom ratu borila, boji stupiti na tlo \nRepublike Srbije. Sinopsis stvarnog života, kao da ga je napisao autor nekog pomaknutog \nigranog filma.  \n \n7. SAMA Ivana Sansević (redateljica i scenaristica), 5.000 eur \n \nIako bi suvremeno društvo trebalo biti lišeno rasprave o stečenim pravima žena, realitet \nje posve suprotan što pokazuje i primjer i projekt autorice Ivane Sansević, koja kroz sebe \nkao centralnog lika i naratorice filma govori o iskustvu prekida trudnoće. Ali ne samo \nsvojega, već i onih žena čija iskustva također donosi u svom filmu. \n \n\n\f\n4 \n \n \n8. SUDNJI DAN  Melita Vrsaljko (scenaristica i redateljica), 5.000 eur \n \nKlimatsku anksioznost zapravo osjeća Melita Vrsaljko autorica projekta koji govori o \nnečemu što kao društvo gotovo da ništa ne znamo. Strah od klimatskih promjena čini se \ndalekim, a zapravo je vrlo blizu svih nas. To osjeća i sama autorica, čija anksioznost \npostaje polazišna točka ovog zanimljivog projekta sve do svečanog otvaranja koša za \nsmeće u selu Nadin, u koje se iz Zagreba doselila.  \n \n9. SVIH NAS NE BI BILO,   Snježana Tribuson (redateljica i scenaristica),  5.000 eur \n \nAutorica Snježana Tribuson donosi priču iz svoje obitelji, njenog pradjeda i njegove \nsupruge, koji budući da nisu mogli imati djece, odluče u kuću dovesti ženu, koja je živjela \ns njima i rađala im djecu. Tabu tema prije 150 godina, koja je takvom ostala sve do \ndanas s vjerojatnošću da bi ovo dvoje predaka autorice i danas proživjeli osudu okoline. \nOno što fascinira, jest njihova borba u to vrijeme protiv crkve i tadašnjih zakona, kako bi \nse izborili da im djeca budu zakonita, što i danas u autoričinoj obitelji izaziva veliku \nintrigu. Priča u kojoj se stvorio trokut od pradjeda, prabake koja nije mogla rađati koju \nto smeta, pa dogovara život sa ženom koja im rađa devetoro djece, zvuči alternativno i \ndanas.  \n \n10. UKRAJINSKA LJEPOTA,   Dario Juričan  (redatelji i scenarist), Hrvatski centar za \nistraživačko novinarstvo i slobodu medija, 5.000 eur \n \nU nažalost danas svakodnevnici rata u Ukrajini, na koji se ostatak svijeta već navikao, \nautor Dario Juričan donosi vrlo neobičnu optiku tog rata – rad salona za uljepšavanje i \nUkrajinke koje se tim poslom bave, bilo i dalje u Ukrajini unatoč ratu ili u zbjegu u \nHrvatskoj.  \n \n \n","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2024,"rok":"1. rok","referenced_projects":["126 DIONICA NAME ILI NARODNI MAGAZIN","DJEČJI DOM U LIPIKU (IZ PEPELA LIPIKA)","GAZDA SE VRAĆA!","LA LA LABIN","MISIJA","Neustrašivi T.","SAMA","SUDNJI DAN","SVIH NAS NE BI BILO","UKRAJINSKA LJEPOTA"],"summary":"Obrazloženje umjetničkog savjetnika Roberta Tomića Zubera za 1. rok 2024. (13. ožujka 2024.) za razvoj scenarija dugometražnih dokumentarnih filmova: od 27 prijavljenih projekata odabrano je 10 za sufinanciranje u ukupnom iznosu od 50.000,00 eura.","project_links":[{"source_title":"126 DIONICA NAME ILI NARODNI MAGAZIN","family_id":"pf_f9eed44d57ea","family_title":"126 dionica Name ili Narodni magazin","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"DJEČJI DOM U LIPIKU (IZ PEPELA LIPIKA)","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"GAZDA SE VRAĆA!","family_id":"pf_496526d1c15b","family_title":"Gazda se vraća!","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"LA LA LABIN","family_id":"pf_d5af5cd35cdf","family_title":"La La Labin","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"MISIJA","family_id":"pf_9b4cf81c633f","family_title":"Misija","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Neustrašivi T.","family_id":"pf_d6437984b369","family_title":"Neustrašivi T","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"SAMA","family_id":"pf_906591d93df4","family_title":"Sama","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"SUDNJI DAN","family_id":"pf_63685a9efc27","family_title":"Sudnji dan","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"SVIH NAS NE BI BILO","family_id":"pf_994f94b5b18c","family_title":"Svih nas ne bi bilo","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"UKRAJINSKA LJEPOTA","family_id":"pf_19a6db51de4a","family_title":"Ukrajinska ljepota","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB brazlozenje manjinske 4 rok 2023.pdf","filename_decoded":"WEB brazlozenje manjinske 4 rok 2023.pdf","sha256":"66aafff2699d21a04cb9939c29230d47a05d2d252e0c551bdeb6a0a4a7a6c6a4","bytes":90338,"page_count":6,"extracted_at":"2026-05-17T12:01:25Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20brazlozenje%20manjinske%204%20rok%202023.pdf"},"raw_text":"Obrazloženje umjetničke savjetnice o odlukama o donošenju liste prioriteta i raspodjeli \nsredstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2023. \ngodini, u kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (četvrti \nrok: 12.10.2023.)  \n \n \nZdenka Gold, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim udjelom  \n \nNa četvrti rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2023. godini \nprijavljeno je rekordnih 60 projekata. Od ukupnog broja prijavljenih, pet projekata nije ušlo u \nrazmatranje, jer nisu zadovoljili uvjete javnog poziva ili su prijave povučene.  \n \nObrazloženje ću započeti s malo statistike i brojeva. Usporedimo li ukupni broj prijava iz godine \n2022. s godinom koja se upravo bliži svome kraju - 2023. dolazimo do vrlo zanimljivog podatka.  \nU 2022. ukupan broj prijavljenih projekata je bio 128, a u 2023. ta se brojka penje na 201 \nprojekt - svjedočimo povećanju od čak 57% u ukupnom broju prijava. \n \nOd projekata koji se razmatraju, obzirom na vrstu filma, najviše prijavljenih dolazi iz kategorije \ndugometražnog igranog filma, ukupno 33 (od toga 7 debitantskih dugometražnih igranih \nfilmova, od čega jedan u postprodukciji, i 26 dugometražnih igranih filmova, od čega 3 u \npostprodukciji). Za dugometražnim igranim filmovima slijede dugometražni dokumentarni \nfilmovi, sa 10 ukupnih prijava (od toga 2 debitantska dugometražna dokumentarna filma i 2 \ndugometražna dokumentarna filma koji su u fazi postprodukcije). Zatim se po broju prijava \nističu kratkometražni animirani filmovi kojih je ukupno 6 (od kojih su 2 debitantska). Nije \nzaprimljena niti jedna prijava za dugometražni animirani film. Nakon njih dolazimo do \nkratkometražnog igranog filma s ukupno 5 prijava (od kojih 1 debitantski) i naposljetku \ndolazimo do roda kratkometražnog dokumentarnog filma, od kojih je zaprimljena 1 prijava i taj \nprijavljeni film se nalazi u fazi postprodukcije.  \n \nVRSTA FILMA \nBROJ \nPRIJAVA \nDugometražni igrani i debitantski \ndugometražni igrani \n33 \nKratkometražni igrani \n5 \nDugometražni dokumentarni \n10 \nKratkometražni dokumentarni \n1 \nDugometražni animirani \n0 \nKratkometražni animirani \n6 \nUKUPNO \n55 \n \n \nOd projekata koji se razmatraju, obzirom na zemlju iz koje dolazi glavni producent, odnosno \nprodukcijska kuća s većinskim udjelom u financiranju, brojevi nam svjedoče o rekordnoj \n\n\f\nraznolikosti: većinski producenti iz čak 19 zemalja planiraju u svojim planovima financiranja \nučešće Hrvatske. Tradicionalno, najveći broj prijava, gotovo 70% od ukupnog broja, stigao je s \npodručja s kojima dijelimo jezičnu sličnost – Srbija, Slovenija, Bosna i Hercegovina, Crna Gora i \nSjeverna Makedonija.  \n \n \n \nZEMLJA VEĆINSKOG PRODUCENTA \nBROJ \nPRIJAVA \nSrbija \n16 \nSlovenija \n8 \nBosna i Hercegovina \n6 \nCrna Gora \n4 \nSjeverna Makedonija \n4 \nBugarska \n3 \nLitva \n2 \nCipar \n1 \nČeška \n1 \nIsland \n1 \nItalija \n1 \nIzrael \n1 \nMađarska \n1 \nNizozemska \n1 \nNjemačka \n1 \nPoljska \n1 \nSAD \n1 \nSlovačka \n1 \nTurska \n1 \nUKUPNO \n55 \n \n \nKriteriji za predlaganje projekata za sufinanciranje temelje se na:  \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i \nredateljski koncept;  \n2. Ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala projekta, s \nobzirom na produkcijski paket i producentov plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje \nprojekata.  \n \n \n \n \n \n\n\f\nFilmovi predloženi i odobreni za sufinanciranje, s ukupnim iznosom sufinanciranja 300.000 \nEUR: \n \n1. Kratkometražni animirani film Kolostrum (Izrael), hrvatska produkcijska kuća Minya film \ni animacija j.d.o.o., iznos sredstava 40.000,00 EUR \n2. Dugometražni igrani film Linije želje (Srbija), hrvatska produkcijska kuća Pipser d.o.o., \niznos sredstava 70.000,00 EUR \n3. Dugometražni igrani film Skateboarding nije za djevojke (Sjeverna Makedonija), \nhrvatska produkcijska kuća Terminal 3, iznos sredstava 70.000,00 EUR \n4. Dugometražni igrani film (u fazi postprodukcije) Kad svane dan (Island), hrvatska \nprodukcijska kuća MP-filmska produkcija d.o.o., iznos sredstava 50.000,00 EUR \n5. Dugometražni igrani film (u fazi postprodukcije) Djeca (Crna Gora), hrvatska \nprodukcijska kuća DOH d.o.o., iznos sredstava 30.000,00 EUR \n6. Dugometražni dokumentarni film Stepo (Crna Gora), hrvatska produkcijska kuća \nWolfgang & Dolly d.o.o., iznos sredstava 30.000,00 EUR \n7. Kratkometražni igrani film Dobrodošli doma (Slovenija), hrvatska produkcijska kuća \nTerminal 3, iznos sredstava 10.000,00 EUR \n \n \nOBRAZLOŽENJA \n \n1.) Kratkometražni animirani film Kolostrum (Izrael), hrvatska produkcijska kuća Minya film \ni animacija j.d.o.o., iznos sredstava 40.000,00 EUR \n \nYaniv i Margarita Linton, nagrađivani autorski dvojac, donose iznimno uvjerljiv i \nemotivno angažiran film \"Kolostrum\", koji prati prve sate u životu mlade mame krave \nSilvije na farmi. Iako priča obuhvaća surove stvarnosti farme, prenosi se na light način \nobogaćen humorom i simpatičnim likovima kravica. Film uspješno stvara paralelu \nizmeđu životinjskog i ljudskog svijeta, naglašavajući moć identifikacije s mladom \nmamom kravom Silvijom. Vještina pripovijedanja, vizualna izvedba i dijalozi na visokoj su \nrazini, a teme gubitka i suočavanja s teškim istinama obrađene su s humorom i \nemotivnom snagom. Redateljska koncepcija je detaljna i uvjerljiva, a motivacija redatelja \nYaniva Lintona jasno proizlazi iz osobnog iskustva rada u mljekari, predstavljajući film \nkao glas kravama. Financijski plan i plan nacionalnog i internacionalnog plasmana su \nrealni, a planovi za promociju i distribuciju su ambiciozni. \n \n2.) Dugometražni igrani film Linije želje (Srbija), hrvatska produkcijska kuća Pipser d.o.o., \niznos sredstava 70.000,00 EUR \n \nFilm \"Linije želje\" redatelja Dane Komljena pruža poetsku odiseju kroz teme hodanja, \nizgubljenosti, jedinstva i otkrića na jedinstven i nekonvencionalan način. Komljenova \nvještina pričanja priče oduševljava suptilnom simbolikom i dubokim emotivnim \nrezonancama, stvarajući film koji potiče gledateljevo razmišljanje. Dramaturški \nstrukturiran, film fluidno prikazuje prijelaz iz urbanog okoliša u netaknutu prirodu, \n\n\f\nstvarajući snažan emotivni luk likova. Likovi su uvjerljivi, dijalozi prožeti introspekcijom, \na tema identiteta, prirode i unutarnje borbe postaje izuzetno relevantna. Scenaristički \npristup odlikuje se inovativnošću i hrabrošću, koristeći promjenu okoliša kao ključni \nelement narativa. \"Linije želje\" predstavlja hrabro istraživanje filmskog izraza s jasnom \nredateljskom vizijom, poetičnošću i emocionalnom snagom. Produkcijski tim s iskustvom \njamči odgovarajuću realizaciju, a planovi za promociju i distribuciju su prikladni za ovu \nvrstu filma.  \n \n3.) Dugometražni igrani film Skateboarding nije za djevojke (Sjeverna Makedonija), \nhrvatska produkcijska kuća Terminal 3, iznos sredstava 70.000,00 EUR \n \nFilm \"Skateboarding nije za djevojke\" redateljice Dine Dume hrabro se suočava s \nkompleksnom romskom zajednicom, pričajući snažnu priču o hrabrosti i otporu prema \ntradicionalnim normama. Prateći dvanaestogodišnju Adelu, romsku djevojčicu koja se na \nsvoj način bori u spašavanju sestre od sudbine prodaje na sajmu mladenki, film vješto \nbalansira između tradicionalnog patrijarhata i modernog svijeta \"generacije Z\". Scenarij \nje snažan i dosljedan. Priča o Adelinoj borbi je izuzetno vješto ispričana, a likovi pružaju \ngledateljima mogućnost dubljeg suosjećanja. Film ne samo da donosi emocionalnu \ndubinu, već izaziva razmišljanje o tradicijama, emancipaciji i hrabrosti pojedinca. \nNjegova autentičnost i relevantnost teme ističu se, a redateljica pokazuje izuzetan dar za \npripovijedanje snažnih i osnažujućih priča. Redateljska koncepcija i vizija su jasne, a \nmotivacija redateljice visoka. Produkcijski tim, predvođen iskusnim partnerima, jamči \nkvalitetnu realizaciju i plasman, a planovi za promociju i distribuciju su dobro \npromišljeni. Očekujem da će ovaj film vrlo uspješno proći i kroz festivalsku i kroz kino \ndistribuciju. \n \n4.) Dugometražni igrani film (u fazi postprodukcije) Kad svane dan (Island), hrvatska \nprodukcijska kuća MP-filmska produkcija d.o.o., iznos sredstava 50.000,00 EUR \n \n\"Kad svane dan\" islandskog autora Rúnara Rúnarssona predstavlja duboko emotivan \nfilm koji istražuje gubitak, tugu i suočavanje s teškim istinama. Smješten u jedan dan, \nfilm vješto istražuje ljubavni trokut i neizbježnost gubitka, vođen pažljivo izrađenim \nnarativom. Likovi su kompleksni, dijalozi uvjerljivi, a tragični događaji postupno otkrivaju \nduboke slojeve emocija. Tematizirajući suvremene teme gubitka i suočavanja s \ntragedijom, film postavlja pitanja ljubavi i tajni na način koji rezonira s gledateljima. \nScenaristički pristup je inovativan, istražujući intimne emocije unutar zajednice \npogođene nesrećom. \"Kad svane dan\" ostavlja snažan dojam autentičnosti i sposobnosti \nistraživanja ljudskih emocija, predstavljajući značajan doprinos svjetskoj kinematografiji. \nPlanovi za promociju, distribuciju i već dogovorene suradnje sa sales agentom i \ndistributerima, obećavaju uspješan plasman filma na međunarodnoj sceni. \n \n \n \n \n\n\f\n5.) Dugometražni igrani film (u fazi postprodukcije) Djeca (Crna Gora), hrvatska \nprodukcijska kuća DOH d.o.o., iznos sredstava 30.000,00 EUR \n \n\"Djeca\", redatelja Nikole Vukčevića, donosi duboko emotivnu priču smještenu u Drugi \nsvjetski rat, istražujući teške odluke, čast i moralne izazove unutar obiteljske kuće. Film \nje dramaturški dosljedan, vješto gradi napetost te potiče duboko promišljanje gledatelja. \nLikovi su uvjerljivi, dijalozi, kostimi i kamera dojmljivi, a glumačke izvedbe snažne. \nUnatoč povijesnom kontekstu, tema časti i moralnosti ostaje suvremena. Adaptacija \ndjela \"Obraz\" Zuvdije Hodžića pokazuje inovativan pristup, pridonoseći filmskom \niskustvu koje potiče duboko razmišljanje. Film je okupio iskusni producentski tim, a \nhrvatski doprinos filmu obećava uspješan završetak postprodukcije. Redateljska \nkoncepcija je opsežna, a planovi za promociju i distribuciju filma su kvalitetni. \"Djeca\" će \nostaviti snažan dojam na gledatelja svojom dubokom analizom ljudske prirode i \nmoralnih dilema. \n \n6.) Dugometražni dokumentarni film Stepo (Crna Gora), hrvatska produkcijska kuća \nWolfgang & Dolly d.o.o., iznos sredstava 30.000,00 EUR \n \nPovijesni dokumentarni film „Stepo“ redatelja Tylera Neala Gatesa na intrigantan i \nsuvremen način pripovijeda o životima inspirativnih pojedinaca, a posebno je relevantan \nu kontekstu suvremenih migracija diljem svijeta. Priča prati Crnogorca Mikea Stepovicha, \nkoji je emigrirao u Ameriku tijekom austrougarske okupacije Crne Gore, te njegovu \nizuzetnu životnu borbu na novom kontinentu. Njegov najstariji sin postaje prvi guverner \nAljaske, zaslužan za uvrštavanje Aljaske kao 49. zvijezde na američkoj zastavi. Sadržaj \nfilma je kvalitetan i temelji se na detaljnom istraživanju s respektabilnim povjesničarima \nkao sugovornicima. Kreativan pristup temi i odgovoran pristup protagonistima dodatno \nobogaćuju film. \nTema migracije, koja je centralna u filmu, izuzetno je aktualna i relevantna za suvremeni \nsvijet.  \nRedateljska koncepcija je precizna i jasna, usklađena s temom filma. Produkcijski tim \nobećava kvalitetnu realizaciju. Plan promocije i distribucije je klasičan i prikladan ovom \nprojektu.  \n \n7.) Kratkometražni igrani film Dobrodošli doma (Slovenija), hrvatska produkcijska kuća \nTerminal 3, iznos sredstava 10.000,00 EUR \n \n\"Dobrodošli doma\", redatelja Filipa Jembriha, je izuzetno dojmljiv kratkometražni igrani \nfilm s dubokom emocionalnom rezonancom. Redateljski pristup omogućuje glavnom \nliku, Veri, jasan luk promjene kroz strukturiranu priču. Dramaturška dosljednost je \nizvanredna, a likovi su uvjerljivi s dobro napisanim dijalozima. Film istražuje važne teme \npoput ženske emancipacije, prihvaćanja različitosti i tradicije, dodajući širinu priči. \nScenaristički pristup je inovativan i film ostavlja dubok dojam svojom emotivnom \nsnagom. Redateljska koncepcija je detaljna, a motivacija za istraživanjem snažna. Projekt \nje okupio iskusan produkcijski tim. Planovi za promociju i distribuciju su kvalitetni i \n\n\f\nobećavajući, uz jasnu međunarodnu strategiju. Film već privlači pažnju kroz radionice i \nforume, a planirana PR kampanja dodatno će doprinijeti vidljivosti filma. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2023,"rok":"4. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje dugi igrani proizvodnja.pdf","filename_decoded":"obrazlozenje dugi igrani proizvodnja.pdf","sha256":"686f0ec6a7eb4cce15a9884f6991b18097e02f55705cf4aaf65575dde528b936","bytes":39654,"page_count":2,"extracted_at":"2026-05-17T12:01:39Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20dugi%20igrani%20proizvodnja.pdf"},"raw_text":"\t\r  \r  \n1\t\r  \nJavni\t\r  poziv\t\r  za\t\r  poticanje\t\r  audiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  -­‐\t\r  kategorija:\t\r  \nPOTICANJE\t\r  PROIZVODNJE\t\r  FILMOVA\t\r  u\t\r  2020.\t\r  -­‐\t\r  2.\t\r  ROK\t\r  -­‐\t\r  15.9.2020.\t\r  \n\t\r  \nUmjetnički\t\r  savjetnici:\t\r  Pavlica\t\r  Bajsić\t\r  Brazzoduro,\t\r  Danilo\t\r  Šerbedžija\t\r  i\t\r  Zdenka\t\r  Gold\t\r  \nFinancijski\t\r  savjetnik:\t\r  Ljubo\t\r  Zdjelarević\t\r  \n\t\r  \nNa\t\r  Javni\t\r  poziv\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  u\t\r  2020.\t\r  godini\t\r  na\t\r  drugom\t\r  roku\t\r  prijavilo\t\r  se\t\r  \nukupno\t\r  24\t\r  projekta.\t\r  Od\t\r  toga\t\r  je\t\r  bilo\t\r  sedam\t\r  debitantskih\t\r  projekata\t\r  te\t\r  sedamnaest\t\r  \ndugometražnih\t\r  igranih\t\r  filmova.\t\r  Dva\t\r  projekta\t\r  nisu\t\r  zadovoljila\t\r  uvjete\t\r  Javnog\t\r  poziva\t\r  te\t\r  \nih\t\r  nismo\t\r  razmatrali.\t\r  \nOdlučili\t\r  smo\t\r  poduprijeti\t\r  sveukupno\t\r  dva\t\r  filma,\t\r  od\t\r  koji\t\r  je\t\r  jedan\t\r  debitantski,\t\r  a\t\r  drugi\t\r  \ndugometražni\t\r  igrani\t\r  film\t\r  iskusnog\t\r  i\t\r  renomiranog\t\r  redatelja.\t\r  \nIstaknuli\t\r  bismo\t\r  vrlo\t\r  visoku\t\r  kvalitetu\t\r  posebice\t\r  debitantskih\t\r  filmova\t\r  prijavljenih\t\r  na\t\r  \novaj\t\r  Javni\t\r  poziv\t\r  koji\t\r  nisu\t\r  mogli\t\r  biti\t\r  sufinancirani\t\r  isključivo\t\r  zbog\t\r  financijskih\t\r  \nograničenja.\t\r  \n\t\r  \nDebitantski\t\r  dugometražni\t\r  igrani\t\r  film\t\r  \n\t\r  \nPunim\t\r  plućima\t\r  \nScenarij:\t\r  Radislav\t\r  Jovanov\t\r  Gonzo\t\r  \nRežija:\t\r  Radislav\t\r  Jovanov\t\r  Gonzo\t\r  \nProducent:\t\r  Fade\t\r  In\t\r  \n2.550.000,00\t\r  kn\t\r  \n\t\r  \nPunim\t\r  plućima\t\r  je\t\r  dramaturški\t\r  fokusiran\t\r  oko\t\r  okupljanja\t\r  nekadašnjih\t\r  prijatelja\t\r  \npovodom\t\r  smrti\t\r  jednog\t\r  od\t\r  njih.\t\r  Taj\t\r  događaj\t\r  funkcionira,\t\r  kao\t\r  što\t\r  i\t\r  sam\t\r  autor\t\r  zapisuje,\t\r  \nkao\t\r  Pandorina\t\r  kutija\t\r  koja\t\r  se\t\r  polako\t\r  otvara\t\r  i\t\r  istresa\t\r  pred\t\r  njihova\t\r  lica\t\r  sva\t\r  najteža\t\r  \nživotna\t\r  pitanja\t\r  bez\t\r  da\t\r  se\t\r  ijednom\t\r  upotrijebe\t\r  velike\t\r  riječi,\t\r  bez\t\r  imalo\t\r  pretencioznosti,\t\r  \nu\t\r  dijalozima\t\r  koji\t\r  zvuče\t\r  gotovo\t\r  dokumentarno.\t\r  \nPunim\t\r  plućima\t\r  je\t\r  scenarij\t\r  koji\t\r  konačno\t\r  daje\t\r  glas\t\r  gradu\t\r  Zagrebu\t\r  i\t\r  cijeloj\t\r  jednoj\t\r  \ngeneraciji\t\r  rođenih\t\r  70\t\r  i\t\r  neke;\t\r  gradskoj\t\r  ekipi\t\r  koja\t\r  se\t\r  na\t\r  karuselu\t\r  tektonskih\t\r  društvenih\t\r  \npromjena\t\r  koje\t\r  su\t\r  je\t\r  dočekale\t\r  90-­‐ih\t\r  u\t\r  jeku\t\r  njihovih\t\r  gimnazija\t\r  i\t\r  fakulteta\t\r  -­‐\t\r  naprosto\t\r  \nnije\t\r  snašla.\t\r  Oni\t\r  su\t\r  u\t\r  međuvremenu\t\r  odrasli\t\r  u\t\r  svoje\t\r  četrdesete,\t\r  a\t\r  neki\t\r  iz\t\r  njih\t\r  uskoro\t\r  i\t\r  \nizlaze,\t\r  a\t\r  da\t\r  im\t\r  život\t\r  zapravo\t\r  nije\t\r  nikad\t\r  ni\t\r  počeo.\t\r  \nRadislav\t\r  Jovanov\t\r  Gonzo\t\r  je\t\r  predao\t\r  izuzetno\t\r  iscrpnu\t\r  redateljsku\t\r  koncepciju\t\r  iz\t\r  koje\t\r  je\t\r  \nvidljivo\t\r  da\t\r  je\t\r  dugo\t\r  promišljao\t\r  svaki\t\r  pa\t\r  i\t\r  najmanji\t\r  detalj.\t\r  Iz\t\r  svega\t\r  pročitanog,\t\r  jasno\t\r  je\t\r  \nda,\t\r  bez\t\r  obzira\t\r  što\t\r  je\t\r  formalno\t\r  debitant\t\r  dugog\t\r  metra,\t\r  autor\t\r  ima\t\r  pod\t\r  kontrolom\t\r  sve\t\r  \nizazove\t\r  koji\t\r  su\t\r  pred\t\r  njim,\t\r  a\t\r  njegovo\t\r  dosadašnje\t\r  iskustvo\t\r  direktora\t\r  fotografije,\t\r  autora\t\r  \nkratkog\t\r  metra\t\r  i\t\r  video\t\r  spotova\t\r  –\t\r  jamči\t\r  nam\t\r  sposobnost\t\r  brze\t\r  realizacije. \n\t\r  \nDugometražni\t\r  igrani\t\r  film\t\r  \n\t\r  \nVampiri\t\r  s\t\r  Miljacke\t\r  \nScenarij:\t\r  Pavao\t\r  Marinković\t\r  \nRežija:\t\r  Pavao\t\r  Marinković\t\r  \nProducent:\t\r  Telefilm\t\r  \n3.450.000,00\t\r  kn\t\r  \n\n\f\n\t\r  \r  \n2\t\r  \n\t\r  \nSpoj\t\r  “civiliziranog”\t\r  Zapada\t\r  i\t\r  “temperamentnog”\t\r  Balkana\t\r  suptilno\t\r  je\t\r  provučen\t\r  kroz\t\r  \ncijeli\t\r  scenarij\t\r  Vampira\t\r  s\t\r  Miljacke.\t\r  \nSarajlija\t\r  Faruk,\t\r  nakon\t\r  20\t\r  godina\t\r  života\t\r  u\t\r  Austriji,\t\r  pokušava\t\r  na\t\r  sve\t\r  načine\t\r  produžiti\t\r  \ndozvolu boravka.\t\r  Odlučuje\t\r  uz\t\r  pomoć\t\r  kolega\t\r  postaviti\t\r  u\t\r  kazalištu\t\r  svoj\t\r  davni\t\r  dramski\t\r  \ntekst.\t\r  Pomaže\t\r  mu\t\r  producentica\t\r  i\t\r  glumica\t\r  Therese\t\r  i\t\r  njen\t\r  partner,\t\r  redatelj\t\r  Manni.\t\r  Na\t\r  \nsamoj\t\r  premijeri\t\r  dolazi\t\r  do\t\r  tehničkog\t\r  kolapsa\t\r  i\t\r  Faruk\t\r  je\t\r  prisiljen\t\r  izaći\t\r  sam\t\r  samcat\t\r  pred\t\r  \npubliku\t\r  u\t\r  pokušaju\t\r  da\t\r  spasi\t\r  predstavu. \nRadi\t\r  se\t\r  o\t\r  veoma\t\r  kvalitetno\t\r  napisanom\t\r  predlošku\t\r  te\t\r  o\t\r  projektu\t\r  s\t\r  već\t\r  sad\t\r  \nkoprodukcijski\t\r  osiguranom\t\r  potporom\t\r  i\t\r  velikim\t\r  djelom\t\r  potvrđenog\t\r  financiranja.\t\r  \nScenarij\t\r  ima\t\r  odličan\t\r  ritam\t\r  i\t\r  nenametljiv,\t\r  ugodan\t\r  humor\t\r  koji\t\r  gađa\t\r  “od\t\r  mantinele”.\t\r  \nOva\t\r  komedija,\t\r  ako\t\r  bude\t\r  realizirana\t\r  jednako\t\r  kvalitetno\t\r  kao\t\r  što\t\r  je\t\r  i\t\r  \nnapisana,\t\r  garantira\t\r  dobru\t\r  posjećenost\t\r  u\t\r  kinodvoranama,\t\r  a\t\r  može\t\r  sigurno\t\r  naći\t\r  i\t\r  ulaz\t\r  \nna\t\r  dosta\t\r  filmskih\t\r  festivala.\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web Obrazlozenje umjetnicke savjetnice za eksperimentalni film_2024_1.rok.pdf","filename_decoded":"web Obrazlozenje umjetnicke savjetnice za eksperimentalni film_2024_1.rok.pdf","sha256":"6940d4a3824b3c4a004c1e5b11170a82b7594ba8296e91bca23e24993e825bd8","bytes":95877,"page_count":2,"extracted_at":"2026-05-17T12:01:53Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje%20umjetnicke%20savjetnice%20za%20eksperimentalni%20film_2024_1.rok.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija proizvodnje \neksperimentalnog filma u 2024. godini – 1. rok, 14.3.2024.  \nObrazloženje umjetničke savjetnice za eksperimentalni film - rok 14. ožujka \n2024. \n \nSunčica Fradelić, umjetnička savjetnica za eksperimentalni film \n \n \nNa prvi rok Javnog poziva za poticanje proizvodnje audiovizualnih djela u kategoriji \neksperimentalnog filma u 2024. godini pristiglo je ukupno petnaest prijava. Dvije prijave nisu \nzadovoljile formalne uvjete i nisu ušle u razmatranje. Od trinaest projekata koji su se razmatrali, \nčetiri su prethodno prijavljivana na javni poziv u kategoriji eksperimentalnog filma.  \n \nZastupljene su raznolike teme, od kojih se ističe tematiziranje nasilja – društvena \nrepresija, norme i običaji, preispitivanje društvenih pozicija i uloga, klimatske promjene, odnos \nčovjeka prema prirodi, egzistencijalne teme, distopične vizure, autorefleksivnost i formalistički \neksperimenti.  \n \nPri odlučivanju sam se vodila jasnoćom prijavnice, dobro predočenom i uvjerljivom \nredateljskom koncepcijom, kvalitetom pripreme projekta, elaboriranom metodologijom, razinom \npromišljenosti i vrstom eksperimentiranja s medijem, sposobnošću povezivanja forme i sadržaja \nu filmsku cjelinu, utemeljenošću priloženih referenci spram relevantnih elemenata projekta, \nizvedivošću projekta – operativnog plana i procjenom troškovnika, te procjenom relevantnosti \nsamog projekta u kontekstu suvremene audiovizualne produkcije. \n \nZa sufinanciranje su predložena i odobrena četiri filma. Riječ je o projektima: \n„Zatvaranje / Closing Time“ Sare Jurinčić (Restart) u iznosu 37.000 eura, „Kukumar“ Maje Čule \n(queerANarchive) u iznosu od 35.000 eura, „Exterminata“ Vladislava Kneževića (Filmska \nudruga Šuma) u iznosu od 31.000 eura i film „Brijestovi prokletnici“ Dina Topolnjaka (Mura \nMura) u iznosu od 30.000 eura \nUkupan iznos: 133.000,00 eura \n \nProjektni prijedlog za eksperimentalno-dokumentarni film Zatvaranje Sare Jurinčić \nzaokružen je i dobro promišljen: od koncepta, vizualnog pristupa do planirane realizacije, \njednostavno i jasno predstavljene su sve faze rada. Mjesto radnje je između Zagreba i \nKopenhagena za vrijeme zatvaranja uličnih trgovina. Autorica polazi od vlastitog iskustva \nselidbe iz Hrvatske u Dansku i prenosi osjećaj otuđenosti koji postaje polazišna točka odabranih \nslika i njihovog vizualnog tretmana. Prikazujući ljude u trenutcima kad napuštaju radna mjesta i \nodlaze u privatnost svojih života, osvjetljava međuprostor bivanja, egzistencijalno stanje \nprotagonista, melankoliju i nelagodu. Autorica obraća pažnju na one manje vidljive, ali \nsveprisutne posljedice društvenih promjena, globalizacije i migracija, prepoznaje ih u \nsvakodnevnim situacijama, a zatim vješto, suptilno i suosjećajno odabire vrijeme, mjesto i \nfilmske postupke koji ih čine očitima. Za način snimanja i tehniku uz snimke kamerom, predlaže \nkombinaciju stop animacije, kolažiranja i pretapanja slike, dok zvukom nastoji podcrtati ili \ndekonstruirati sliku i narativ, istražujući i sam medij. Iza autorice stoji snažan autorski tim \npažljivo odabranih suradnika.   \n\n\f\n \nProjekt Maje Čule naziva Kukumar predlaže filmski esej čiji se polazišni motiv, morski \nkrastavac, interpretira u kontekstu ekoloških promjena i queer kulture duhovito i angažirano. \nAutorica se igra s nekoliko narativnih linija kroz koje provlači ove teme i isprepliće ih stvarajući \npomaknute interpretacije i rješenja za društvene i ekološke probleme. Morski krastavac doslovno \ni simbolički postaje ključ za čitanje vlastite seksualnosti i strahova, lokalnih društvenih \nkonvencija, istovremeno otkrivajući autoričinu fascinaciju prirodom, ponašanjem trpova i \nnjihovim značenjem u drugim kulturama. Struktura filma oslanja se na pet narativnih linija, a \ninterdisciplinarni proces u koji su uključeni i drugi znanstvenici i umjetnici, želi doći do finalne \nfilmske forme spekulativno. Projekt obiluje inovativnim i interesantnim metodama, svjež je i \nuvjerljiv, a filmski postupci su pregledni i organizirani. Predložena materija se može zamisliti i \nkao zanimljiv multimedijalni rad. \n \nVladimir Knežević projektnim prijedlogom Exterminata uspostavlja fantastični \ndistopijski svijet koji se dekonstruira, ispražnjava i ispire od svega prepoznatljivog pod utjecajem \nnepoznatog entiteta. Autor uvjerljivo prenosi svoje namjere i jasno komunicira sadržaj filma \nvješto opisujući scene uz dobro elaborirane vizualne reference, a putem klasičnih žanrovskih \nkrižanja SF-a i horora suptilno aludira i na postojeće prijetnje – ubrzani razvoj tehnologije, \nkontrole i njenog utjecaja na suvremeno društvo. Radi se o zrelom autoru, prepoznatljivog \nrukopisa, s jasnom vizijom i idejom, a prepoznaje se i iskustvo u pripremi i realizaciji projektnih \nprijedloga. Autor navodi da mu je u samom fokusu interesa istraživačka pozicija u odnosu na \nrazličite načine generiranja slike. Navodi animacijske tehnike i metode, kombiniranje analognih i \ndigitalnih medija, odnosno elemenata 2D i 3D animacije i generiranje slika pomoću umjetne \ninteligencije.  \nSnimljeni kadrovi, fotografije i materijali te rad s tekstualnim uputstvima umjetnoj \ninteligenciji koristi se kao jedan od alata u artikulaciji filma, s tendencijom da se izbjegnu često \npredvidive vizualizacije, već se metoda zasniva na generiranju neočekivanih rezultata, traženju \n„pogreške“ koja postaje jedan od ključnih elemenata filma. \n \nDino Topolnjak debitant je u kategoriji eksperimentalnog filma. Polazišna točka za \nnjegov projekt Brijestovi prokletnici su snovi, riznica slika i događaja čiji se kauzalitet zasniva \nna imaginaciji izvan zakona realiteta. Radnja filma smještena je na otoke Vis, Hvar, Cres, \nodnosno napuštene otočke lokacije koje se uz scenografske intervencije transformiraju u kulise \nza nadrealne prizore. Tretman slike izrazito je stiliziran i evocira neonoirovsku estetiku, s \nreferencama na crno-bijele filmove mračnog mediteranskog ugođaja, Mimice, Martinca ili \nZafranovića, u novije vrijeme Šovagovića (Visoka modna napetost). Radnja filma prati Rozu, lik \nžene koji se u seriji začudnih situacija iz mlade djevojke preobraća u staricu. Kostimi, šminka, \nrekviziti i koreografija su brižljivo planirani, a zvuk u filmu doprinosi njegovoj eklektičnosti, \nstvaranju dramaturške napetosti i komuniciranju čitavog raspona emotivnih stanja. Iako se bavi \nuniverzalnom temom, strahom od prolaznosti, protokom vremena, film obraća pažnju i na \nizoliranost otočkih zajednica u suvremenom društvu. Iza projekta stoji zanimljiv autorski tim. \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2024,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web%20eksperimentalni%20obrazloz%CC%8Cenje%201%20rok%202022.pdf","filename_decoded":"web%20eksperimentalni%20obrazloz%CC%8Cenje%201%20rok%202022.pdf","sha256":"6981662d26852d1ecb0f5ab9690f292fbc1831cf99c1523d773c4ba40f68d21f","bytes":31028,"page_count":3,"extracted_at":"2026-05-16T13:54:31Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20eksperimentalni%20obrazloz%CC%8Cenje%201%20rok%202022.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA U \n2022. GODINI   \n \nKategorija: poticanje proizvodnje eksperimentalnog filma prvi rok 2022.   \nRenata Poljak, umjetnička savjetnica za eksperimentalni film  \n \nNa prvi rok 2022. godine, za proizvodnju eksperimentalnog filma prispjelo je 15 projekata od \nkojih se jedan nije razmatrao jer nije zadovoljio formalne uvjete.  \n \nOvo je za sada, za mene kao savjetnicu, bio i najinteresantniji rok. Naime prijavilo se dosta \nveć etabliranih autorica i autora, a predloženi projekti su opravdali njihovo zasluženo \nistaknuto mjesto u svijetu eksperimentalnog filma. Također prijavili su se i neki vrlo \ninteresantni debitanti/ice. Ocjenjivala sam kvalitetu predloženog projekta, priloženog \nvizualnog materijala te redateljski koncept i izvedivost kao i relevantnost budućeg filma u \nhrvatskom i internacionalnom kontekstu. U finalnom odlučivanju vodila sam se i \npoznavanjem minulog rada redatelja/ica te pregledavanjem njihovih već napravljenih filmova. \nTakođer, zbog financijske situacije i limitiranog budžeta, nekim autorima predlažem prijave \nna idući rok jer u ovom nije bilo financijskog mjesta za sve projekte koje smatram \ninteresantnim i vrijednim financiranja.  \n \nZa sufinanciranje na ovom roku predloženo je i odobreno 6 filmskih naslova u ukupnom \niznosu od 910.000 kuna.  \n \nSLUGA  \nredatelj: Matija Debeljuh \nproducent: Apoteka - Prostor za suvremenu umjetnost \n130.000,00 kn \n \nOvaj film je prijavljen na prošlom roku te je dobio preporuku da se prijavi razrađeniji i \npromišljeniji na novi natječaj, što je autor i učinio. \nU filmu ‘Sluga’ radi se o reinterpretaciji opere Antonija Smareglie ‘Sigetski vazal’ iz 1889. \ngodine. Dramaturška vodilja filma je sam libreto, ali su protagonisti – glumci- \npojednostavljeni, osuvremenjeni i lišeni barokne groteske. Radnja se odvija sa glumcima na \nsceni, a paralelno ih vidimo i u vanjskom eksterijeru, prirodi, nekim prirodnim habitusima koji \nigraju asocijativnu ulogu. \nCijeli film uokviren je glazbenom reinterpretacijom istoimenog djela u izvedbi Livija Morosina, \nte samom glazbom maestra s kraja 19. stoljeća. \n \n \nPANIKA  \nredateljica: Sara Grgurić \nproducent: Digital Cinema Environment d.o.o. \n150.000,00 kn \n \nZa mene najbolje napisan projekt ovog roka. Redateljica i producentica dolaze iz igranog \nfilma, ali sa jasnom vizijom zašto je ovaj predloženi film eksperimentalni. Priloženi su i jasni \nvizuali, kao i i režijske vježbe. Tehnički pristup kameri i način snimanja opravdava emotivno \nstanje aktera i na tome počiva eksperiment mlade, nagrađivane redateljice. Koristi se slider, \na lokacija snimanja (automobil) pojačava emotivni osjećaj panike. Koncept je vrlo jasan, \nrazrađen i propituje filmsku formu. \n \n \n\n\f\n \n \nZRAK  \nredatelj: Zdravko Mustać \nproducent: Greta Creative Network \n180.000,00 kn \n \nFilm „Zrak“ želi asocijativnim prizorima dočarati pojam umiranja na tri načina; \nmetaforički, metafizički i doslovan način, te je i u strukturi podijeljen na tri dijela. \nFilm će predstavljati kolaž estetiziranih, sirovih, autentičnih i artificijelnih kadrova koji će \npažljivo poredani dati čvrstu kompoziciju koja se trudi pokazati što revniji opis naše \ncivilizacije i njene ultimativne propasti. Mustać je iskusni redatelj eksperimentalnih filmova i \nna osnovu minulog rada mu se ukazuje povjerenje za izvedbu ovog novog filma.  \n \n \nTROKUT PRAVAC TOČKA  \nredatelj: Ivan Faktor \nproducent: Hrvatski filmski savez – HFS \n130.000,00 kn \n \nMeni osobno najdraži projekt ovog roka i za mene najemotivniji, jer vidimo arhivske snimke \nTomislava Gotovca i Vladimira Dodiga Trokuta kako razgovaraju, iako možda razgovor nije \nnajbolji termin za ono što se dešava između njih dvojice, oni stvaraju umjetnost dok ih Ivan \nFaktor snima. Zapravo se radi o snimci koja je nastala prije tri desetljeća kao zabilježba \nperformansa za kameru. Cilj ovog filma Ivana Faktora je postprodukcijom arhivskog \nmaterijala prenijeti autentičnu atmosferu Zagreba i Osijeka 1991. kao svjedočanstva o \njednom povijesnom trenutku uz afirmiranje individualnog i osobnog doživljaja stvarnosti. \nPovod performansu iz 1991. je potreba i stav da se izrazi reakcija na ratno zbivanje te je \nupravo ta činjenica ono što ga danas čini potpuno relevantnim u novonastalom kontekstu \nrata u Ukrajni. \n \nALISA U ZEMLJI  \nredateljica: Maja Ležaić \nproducent: Lux film d.o.o. \n100.000,00 kn \n \nDebitantski film napisan iz vrlo osobnog rakursa u kojem autorica tematizira rijetki neuro- \npsihološki sindrom nazvan AWS (Alice in Wonderland syndrome) kojeg je sama iskusila, a \nčiji simptomi i zabilježene anegdote po riječima britanskog psihijatra Dr. Todda, nalikuju \nepizodama iz romana Alice in Wonderland. \nAutorica je završila BA studij Dramaturgije i MA studij, usmjerenje Dramaturgija izvedbe, što \nse u ovom vrlo dobro napisano projektu lako iščitava. Naime autorica barata riječima i \nslikovnim opisima i lako nas uvodi u svoj svijet koji je u najmanju ruku neobičan i pun \nvizualnih referenci, kako u slikarstvu, tako i u muzici. \n \nVREMEPLOVKE ZONA 1 \nredateljica: Nicole Anne Marie Hewitt \nproducent: Studio Pangolin \n220.000,00 kn \n \nVremeplovke Zona 1 prati lokacije Stalkera, Andreja Tarkovskog i situacije iz romana Piknik \nkraj ceste braće Strugatsky po kojem je Stalker snimljen. Film propituje teme sablasnosti, \npovijesti i futurizma kroz kontaminirane zone kontakata u kontekstu istočnog evropskog \n\n\f\nbloka. Film se bavi sindromom post/sovjetskog dekolonijalizma unutar kojeg su identiteti i \npovijesti nestabilni, a memorija, postmemorija i sadašnjost se isprepliću, proganjani \nduhovima mnogih prošlosti. \n \nOva prijava obiluje vizualnim materijalima dok je koncepcija vrlo razvijena i jasna. I u ovom \nslučaju radi se o ozbiljnoj autorici čije radove poznajemo već godinama i čiji novi film s \nnestrpljenjem očekujemo. \n \n","warnings":[],"document":{"program_type":"proizvodnja","year":2022,"rok":"1. rok","referenced_projects":["SLUGA","PANIKA","ZRAK","TROKUT PRAVAC TOČKA","ALISA U ZEMLJI","VREMEPLOVKE ZONA 1"],"summary":"Obrazloženje umjetničke savjetnice Renate Poljak za 1. rok 2022. proizvodnje eksperimentalnog filma; od 15 prijava (jedna nije razmatrana) odobreno je 6 filmskih naslova u ukupnom iznosu od 910.000 kuna.","project_links":[{"source_title":"SLUGA","family_id":"pf_bce03da9bd3a","family_title":"Sluga","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"PANIKA","family_id":"pf_23b29ea96d6f","family_title":"Panika","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"ZRAK","family_id":"pf_2cc1c04f1e47","family_title":"Zrak","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"TROKUT PRAVAC TOČKA","family_id":"pf_812a4e40e3cc","family_title":"Trokut pravac točka","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"ALISA U ZEMLJI","family_id":"pf_54c89d7a2c67","family_title":"Alisa u zemlji","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"VREMEPLOVKE ZONA 1","family_id":"pf_c48af2684a48","family_title":"Vremeplovke Zona 1","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenja_RSC_RPR_IGRANI_2018_2rok_12VII2018.pdf","filename_decoded":"Obrazlozenja_RSC_RPR_IGRANI_2018_2rok_12VII2018.pdf","sha256":"69c43fd18e7923100b496156b217483a76f41f23b02d9d53fc8f00b5c155a6ad","bytes":180530,"page_count":4,"extracted_at":"2026-05-17T12:02:02Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenja_RSC_RPR_IGRANI_2018_2rok_12VII2018.pdf"},"raw_text":" \n1\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih \ndokumentarnih i animiranih filmova- podkategorija: RAZVOJ SCENARIJA I \nPROJEKATA u 2018. - 2. ROK - 12.7.2018. \n \nRAZVOJ PROJEKATA \n \nNa 2. rok Javnoga poziva Hrvatskog audiovizualnog centra za razvoj projekata dugometražnih \nigranih filmova u 2018. godini prijavilo se 5 projekata.  \n \nOd tih 5 prijavljenih projekata 4 se od razvijala unutar HAVC-ovog sustava te su autori bili dobili \npoticaj za razvoj scenarija, dok je jedan projekt već bio odbijen u kategoriji razvoja scenarija. \nOd pet prijavljenih projekata mišljenja smo da su dva zadovoljila kriterije za ovu dosta \nkompetitivnu kategoriju koja će filmašima pomoći da kvalitetno pripreme projekte za natječaj \nza proizvodnju.  \n \nNeki odbijeni projekti također obećavaju, ali su im scenariji još uvijek nedovoljno završeni da \nbi dobili potporu.   \n \nProjekti koje predlažemo za sufinanciranje u kategoriji razvoja projekta su debitantski projekt \n«Stric» Andrije Mardešića i Davida Kapca te novi projekt Nevija Marasovića «Vražji vrt».  \n \n \nVRAŽJI VRT; redatelj: Nevio Marasović; produkcija: Kinorama i \nAntitalent (120.000 kn) \nNakon suradnje na filmu „Goran“, hrvatski redatelj Nevio Marasović i \nnorveški scenarist Gjermund Grisvold ponovno su se udružili na scenariju \nza ovaj projekt, koji se opet odigrava u Gorskom kotaru (kako tvrdi \nredatelj, naslov filma je stari naziv za taj kraj). Priča je puno slojevitija i \nrazrađenija nego ona u „Goranu“, s više likova, a odigrava se krajem \nosamdesetih u ljetnim mjesecima, kada grupa turista, norveških \nheavymetalaca, nabasa u mjesto koje ih očara svojim jezerom i gustim \nšumama. Susret s lokalnom mladeži počinje benigno, da bi završio \nnehotičnim ubojstvom. U razrješenje zločina upliću se dva najmoćnija \nžitelja, tamošnji policajac i vlasnik pilane, ali s puno predrasuda, koje \nizvrću ono što se uistinu dogodilo. Žanrovski, to je vrlo solidan triler, koji \nvješto održava napetost, s dodatnom temom sukoba među \ngeneracijama. Priložena verzija scenarija zahtjeva još razrada, no autori i \nproducenti svjesni su toga i to ekspliciraju u dodatnim obrazloženjima. \n\n\f\n \n2\nProjekt će po svoj prilici izazvati zanimanje na međunarodnoj sceni (ne \nsamo zbog Norvežana koji su zabasali u Gorski kotar), što će dosta \npomoći mogućnostima za realizaciju filma. \n \n \nSTRIC; redatelji David Kapac i Andrija Mardešić; produkcija \nEcletica (100.000 kn) \nZasigurno najoriginalniji scenarij koji je posljednjih godina prijavljen na \nnatječaj HAVC-a. Odigrava se u nekoj vikendici, u kojoj jedna obitelj \n(majka, otac i sin) naizgled nestrpljivo iščekuje dolazak „ strica iz \nNjemačke“ s božićnim darovima. Kad taj stigne, nastane blagdansko \nslavlje, ali poprilično usiljeno. Ispostavlja se da je u pitanju ritual koji se \nponavlja svakoga dana, da im „stric“ uopće nije stric nego manijak: oteo \nje njihovu kćer i prisiljava ostatak obitelji da mu pomognu doživjeti \nsavršeni Božić. Pritom se radnja ne odigrava 1989., kako se stalno \nspominje, nego danas, ali to se nazire tek po detaljima. Sve se zasniva na \nponavljanju, jednom je obitelj dobro uigrana jer se nada čim prije vidjeti \notetu kćer, drugi put to odrađuje preko volje, svjesna da bi se ista \nsituacija mogla nastaviti u nedogled i bez ikakvih rezultata. U pitanju je \ndrama apsurda s elementima horora, trilera i crnog humora, koja \nposjeduje izniman potencijal. Budući da su oba redatelja, ujedno i \nscenarista, debitanti, morali bi paziti da priča ne sklizne u grotesku i \nčvrsto kontrolirati sva dramska ponavljanja. Također, motivi „strica“ za \ntakve „božićne“ igrokaze trebali bi biti preciznije obrazloženi.  \n \n \n \n \n \n \n \n \n \n \n\n\f\n \n3\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih \ndokumentarnih i animiranih filmova- podkategorija: RAZVOJ SCENARIJA I \nPROJEKATA u 2018. - 2. ROK - 12.7.2018. \n \nRAZVOJ SCENARIJA \n \nNa 2. rok Javnoga poziva Hrvatskog audiovizualnog centra za razvoj scenarija dugometražnih \nigranih filmova u 2018. godini bilo je prijavljeno 31 projekt.  \nNeki od tih projekata već su bili prijavljivani i odbijeni na prethodnim rokovima, a sada su \nponovno prijavljeni, s neznatnim promjenama.  \nZbog dosta slabije kvalitete prijavljenih uradaka, ali i zbog dosta velike količine kolaudiranih  \nscenarija u razvoju koji su završili upravo na ovoj razvojnoj stepenici, odlučili smo ovog puta \npostrožiti kriterije te za potporu predložiti samo dva scenarija, od kojih oba imaju realnu \nfilmsku budućnost, a to su «Parlov: ja bivam mlađi» Marjana Alčevskog i «Politika je kurva» \nDražena Žarkovića.  \nMeđu odbijenim projektima našlo bi se još zanimljivih prijedloga, ali svaki od njih sa sobom \nnosi ponešto protuargumenata za dodjelu potpore. Ili bi projekt više pasao rodu animiranog \nfilma, ili autori već imaju zanimljivije radove u istoj kategoriji, ili je projekt u produkcijskim \nlimitima domaćeg filma neostvariv. \n \n \nPARLOV: JA BIVAM MLAĐI autor: Marjan Alčevski (30.000 kn) \nBiografska priča o vrhunskom hrvatskom boksaču Mati Parlovu, izvrstan \nje predložak za film, pogotovo što autor treatmenta naglašava da mu nije \ncilj napraviti kronologiju sportaševih pobjeda nego pokazati kako je \nnaposljetku uspio kontrolirati samog sebe: naime, svojeglavost i \nmladenačka neobuzdanost bili su njegovi najveći protivnici. U pisanju \nscenarija neophodno je razraditi likove koji su ovdje samo skicirani, a još \nje veći problem kako realizirati sve one spektakularne scene navedene u \ntreatmentu.  \n \n \nPOLITIKA JE KURVA autor: Dražen Žarković (30.000 kn) \nZabavna varijacija na temu „Kraljevića i prosjaka“ Marka Twaina. \nČistačica srpskog podrijetla u osnovnoj školi hrvatskog mjesta koje se \nnekad nalazilo u sastavu SAO Krajine frapantno sliči predsjednici \nRepublike, iako nitko toga nije svjestan. Kad potonja dođe u protokolarni \nposjet, oklizne se u školskom WC-u i čini se mrtvom. Čistačica silom \n\n\f\n \n4\nprilika zauzima njezino mjesto i pokaže se da posjeduje neslućeni politički \ntalent, dok „mrtva“ predsjednica oživljava, pod amnezijom je i uzima \nzdravo za gotovo da ima četvero djece, supruga umirovljenog branitelja \ni tako nezahvalan posao: ipak, kao i njezina dvojnica, i ona se snađe te \npokaže da nema te nezahvalne situacije koju spretna žena ne bi mogla \nnadvladati. Potencijalni predložak za urnebesnu komediju koju bi trebalo \nčim prije realizirati. \n \n \n \nUmjetnički savjetnici za dugometražni igrani film  \n \nNenad Polimac \n \nPavo Marinković  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2018,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati komplementarne 2 rok 2024.pdf","filename_decoded":"rezultati komplementarne 2 rok 2024.pdf","sha256":"6a21893f1e92dfecbaf7183149230d63790c0f6f07f5f5f54734c207e6315231","bytes":50337,"page_count":3,"extracted_at":"2026-05-17T10:23:13Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20komplementarne%202%20rok%202024.pdf"},"raw_text":"Naziv programa\nOdobrena sredstva\n(€)\n1\n3. Cherry Pop Film Festival\n2.000,00 €\n2\nMeđunarodni dan animacije 2024\n3.500,00 €\n3\nKlein Film Festival\n2.500,00 €\n4\nUnseen VIII: Slika pripada onima koji s \nnjom rade\n2.500,00 €\n5\n18. PSSST! Festival nijemog filma\n3.000,00 €\n6\n18. Vukovar Film Festival\n41.000,00 €\n7\n12. International Sound & Film Music \nFestival\n2.000,00 €\n8\n17. Smaragdni eco film festival - SEFF\n6.500,00 €\n9\n18. Festival tolerancije \n14.500,00 €\n10\nMjesec hrvatskog filma u Mikro-kinu\n1.500,00 €\n11\nREF - Revija europskog filma '24.\n1.400,00 €\n12\nCroatian International Film Festival (CIFF)\n4.000,00 €\n13\n13. Kiki - međunarodni festival dječjeg \nfilma\n4.300,00 €\n14\n29. Filmska revija mladeži i 17. Four River \nFilm Festival\n16.000,00 €\n15\n56. Revija hrvatskog filmskog stvaralaštva\n10.000,00 €\n16\n62. Revija hrvatskog filmskog stvaralaštva \ndjece\n12.000,00 €\n35. sjednica Hrvatskog audiovizualnog vijeća 25.4.2024.\nHrvatski filmski savez - HFS\nfilmski festivali i druge audiovizualne manifestacije\nCentar za kulturu Trešnjevka\nDesign Studio D\nFoto-kino klub Baranja film\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u \n2024. godini, 2. rok - popis odobrenih projekata\nGalileo Films d.o.o.\nGOKUL - Građanska organizacija za \nkulturu\nFestival suvremenog židovskog filma \nZagreb\nFoto-kino klub Baranja film\nDreaMaker Productions d.o.o.\nEkološko kulturna scena EKS \nHrvatska Kostajnica\nCentar za dramsku umjetnost - CDU\nNaziv predlagatelja\nAkademski filmski klub\nASIFA Hrvatske\nBara Film\n\n\f\n17\n8. History Film Festival\n3.800,00 €\n18\nDUff 2024. – 13. izdanje međunarodnog \nfestivala za djecu i mlade\n4.300,00 €\n19\n33. Dani hrvatskog filma\n23.000,00 €\n20\nAnimafin - festival animacije za djecu i \nmlade 2024.\n1.000,00 €\n21\nMARS 2024. Festival\n1.400,00 €\nCinehill - Motovun Film Festival 2024. i\nKampus Cinehill 2024.\n23\nTimpetill - Young4Film\n8.800,00 €\n24\n15. Filmska revija ''Novo kino Osmijeh''\n3.500,00 €\n25\nHuman Rights Film Festival\n26.000,00 €\n26\n8. Međunarodni festival arheološkog filma \n(MFAF)\n1.600,00 €\n27\n22. Tabor Film Festival\n11.000,00 €\n28\nDA2 - Zagreb Design, Art & Architecture \nFilm Festival\n5.500,00 €\n29\nShpeena Dox 2024\n800,00 €\n30\n14. Porečdox, međunarodni festival \ndokumentarnog filma\n2.800,00 €\n31\nLovely Days 2024.\n2.500,00 €\n32\n14. Fantastic Zagreb Film Festival\n10.000,00 €\n33\nKino Palke 5\n800,00 €\n34\nSupertoon - Međunarodni festival animacije\n10.000,00 €\n35\nHvar Film Festival\n4.000,00 €\n36\n9. Filmska RUNDA\n4.000,00 €\n37\nRab Film Festival 2024 - RAFF Cinema / \nPanorama/ Generation\n6.000,00 €\n38\n10. Brač Film Festival\n7.000,00 €\n39\n18. Festival dokumentarnog rock filma - \nDORF\n3.800,00 €\n63.000,00 €\nSinjski kulturni urbani pokret - SKUP\nSUPERTOON\nŠušur Štimung j.d.o.o.\nTeatar to go, U.O.\nTORO laboratorij j.d.o.o.\nUdruga ljubitelja filma Rare Vinkovci\nPučko otvoreno učilište Labin\nPučko otvoreno učilište Poreč\nREA - udruga za suvremene \numjetničke i arhitektonske produkcije\nKino Edison, multimedijski centar za \nkulturno-turističke sadržaje\nIstra film\nMotovun Film Festival\nUdruga Globe Media\nRobot 22 d.o.o.\nPari Pikule\nMultimedijalni centar Studio \nkreativnih ideja Gunja - MMC SKIG\nMultimedijalni institut\nMuzej hrvatskih arheoloških \nspomenika Split\nOBNOMIKA d.o.o.\nLuma film, vl. Marija Udovičić\nMljetski Avanturistički Robinzonski \nSavez - MARS\n22\nJavna ustanova u kulturi \nKinematografi Dubrovnik\nMotovun Film Festival\n\n\f\n40\n19. Trash Film Festival\n2.350,00 €\n41\n19. DOKUart - festival profesionalnog \ndokumentarnog filma\n13.000,00 €\n42\nRevija UMAS 2024\n1.000,00 €\n43\n8. Filmski festival glumca\n2.400,00 €\n44\nFestival europskog filma\n4.500,00 €\n45\nFestival kratkog metra Novigrad\n2.400,00 €\n46\nHitchcock Nights 2024.\n1.000,00 €\n357.950,00 €\nUdruga Trash\nUKUPNO\nUdruga za promicanje kulture \nDokuart\nUmjetnička akademija u Splitu\nUmjetnička organizacija \"Asser \nSavus\"\nUmjetnička organizacija Metropolis\nUPKA Error\nZajednica udruga Centar nezavisne \nkulture\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati komplementarne 2 rok 2024","year":2024,"rok":"2. rok","natjecaj_date":"2024-04-25","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":"filmski festivali i druge audiovizualne manifestacije","section_key":"filmski_festivali_i_druge_audiovizualne_manifestacije","columns":["Naziv predlagatelja","Naziv programa","Odobrena sredstva (€)"],"rows":[{"row_number":1,"project_title":"3. 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prema \nJavnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2022. godini, u kategoriji poticanja \nfilmskih koprodukcija s manjinskim hrvatskim udjelom (treći rok: 12.7.2022.) \nBojan Kanjera, umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom. \nNa treći rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2022. godini \nprijavljena su 33 projekta. Od ukupnog broja prijavljenih, u razmatranje je ušlo njih 31, dok dva nisu ušla \nu razmatranje, budući da nisu zadovoljila uvjete Javnog poziva. \nPromatrano s obzirom na vrstu filma, najviše prijavljenih dolazi iz kategorije dugometražnog igranog \nfilma, ukupno 26 (17 dugometražnih igranih filmova i 9 debitantskih dugometražnih igranih filmova). Od \nukupnog broja prijava koje su se razmatrale svega su dva filma prijavljena u fazi postprodukcije. \nNajmanje prijavljenih, po jedan, dolazi iz kategorija animiranog filma te kratkometražnog igranog filma. \nVrsta audiovizualnog djela \nBroj \nprijavljenih \nAnimirani film \n1 \nDebitantski dugometražni igrani film \n9 \nDugometražni dokumentarni film (od 60 minuta) \n3 \nDugometražni igrani film \n17 \nKratkometražni dokumentarni film (do 59 minuta) \n2 \nKratkometražni igrani film \n1 \nGrand Total \n33 \n \nPromatrano s aspekta države iz koje dolazi glavni producent, najviše je prijavljenih iz Republike Srbije \n(10), za kojom slijede Slovenija (6) i Bosna i Hercegovina (4) dok su sve ostale države zastupljene s po \njednim predstavnikom. Na ovom su roku prijavljeni filmovi iz 16 država. \nDržava glavnog producenta \nBroj \nprijavljenih \nBelgija \n1 \nBosna i Hercegovina \n4 \nČeška \n1 \nCipar \n1 \nCrna Gora \n1 \nDanska \n1 \nGrčka \n1 \nIsland \n1 \nLitva \n1 \nMađarska \n1 \nMaroko \n1 \nNjemačka \n1 \nSjeverna Makedonija \n1 \nSlovenija \n6 \nSrbija \n10 \nUkrajina \n1 \nGrand Total \n33 \n \n\n\f\nKriteriji za predlaganje projekata za sufinanciranje temelje se na: \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i redateljski \nkoncept; \n2. Ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala projekta, s obzirom na \nprodukcijski paket i producentov plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje \nprojekata.  \n \nFilmovi odobreni za sufinanciranje proizvodnje: \n1. Dugometražni dokumentarni film Poslije kraja svijeta (Bosna i Hercegovina), u produkciji Udruženja \nNovi film, hrvatski producent Metar 60, 160.000,00 kn/ 21.235,65 eura; \n2. Dugometražni igrani film Vidra (Crna Gora), u produkciji Artikulacije d.o.o., hrvatski producent Izazov \n365 d.o.o., 415.000,00 kn/ 55.079,97 eura; \n3. Dugometražni igrani film Nezahvalna bića (Češka), u produkciji Endorfilma s.r.o., hrvatski producent \nKinorama d.o.o., 600.000,00 kn/ 79.633,69 eura; \n4. Dugometražni igrani film Mama (Srbija), u produkciji Nikola Ležaić PR QČE-a, hrvatski producent \nNukleus film d.o.o., 480.000,00 kn/ 63.706,95 eura; \n5. Dugometražni igrani film Brod Budućnost (Srbija), u produkciji Art & Popcorna d.o.o., hrvatski \nproducent Terminal 3, 500,000.00 kn/ 66.361,40 eura; \n6. Dugometražni igrani film Iskupljenje (Slovenija), u produkciji Zavoda Monoo, hrvatski producent \nWolfgang i Dolly d.o.o., 450.000,00 kn/59.725,26 eura             \nUkupni iznos sredstava: 2.605.000,00 kuna/ 345.742,92 eura.            . \n \nRecenzije: \n1. Dugometražni dokumentarni film Poslije kraja svijeta - BIH \nDugometražni dokumentarni film Poslije kraja svijeta, scenarista i redatelja Srđana Šarenca, \nkombinirajući arhivske snimke, animaciju i intervjue nas namjerava odvesti u Sarajevo 1993., grad koji se \ntada nalazio pod opsadom. Međutim, ovo nije priča o ratu ni o ratnim stradanjima, već je to priča, kako \nŠarenac navodi u redateljskoj eksplikaciji, o jednom gradu pod opsadom i jednoj maloj grupi umjetnika \nkoji su pomogli ljudima održati nadu i dostojanstvo u ratnom Sarajevu 1993. godine. U samom scenariju, \nkoji je kvalitetno i zanatski vješto napisan, je jasno uočljivo koliko je istraživačkog rada u njega uloženo \nšto nas navodi na zaključak da će ovo biti iznimno zanimljiv i poučan dokumentarni film. U novonastalim \nokolnostima ratnih sukoba u Ukrajini, ovaj je dokumentarni film posebice bitan kako bi nas podsjetio da i \nu krajnje mučnim okolnostima život ne prestaje te kako bi istaknuo važnost umjetničkog stvaralaštva za \nduh ljudi koji se nalaze u ratom pogođenim područjima. \nRedateljska koncepcija odaje dojam da se radi o pomno promišljenom projektu u kojeg je uloženo dosta \nistraživačkog rada. Osim toga, Šarenac, rodom iz Sarajeva, ima direktno iskustvo iz ratnog Sarajeva te \nizvrsno poznaje tematiku, a njegova vizija je prikazati kontrast između ratom pogođenog grada i želje za \n\n\f\nnečim većim od pukog preživljavanja, što je realizirano kroz organizaciju tog prvog izdanja festivala. \nRedateljska koncepcija, a i ostatak kreativne dokumentacije je dosta dobro raspisan i „zapakiran“ te je \njasno da je riječ o projektu u kojeg je uloženo puno vremena i energije autora. \n \n2. Dugometražni igrani film Vidra – Crna Gora \nScenarij coming of age dugometražnog igranog filma Vidra (Crna Gora) potpisuje crnogorski pisac \nStefan Bošković, koji je do sada bio autor nekoliko scenarija za serije te za dugometražne i \nkratkometražne filmove. Priča filma prati tinejdžericu Hanu koja je zaljubljena u Marija, člana lokalnog \nYouTube dua Luka&Mario. Scenarij filma Vidra je suvremen, jer problematizira odrastanje mladih ljudi \nu doba modernih tehnologija. \nRedatelj filma je Srđan Vuletić, autor nagrađivanih filmova koji su prikazivani te nagrađivani na mnogim \nznačajnim festivalima (Berlinale – Panorama best short, Rotterdam Film Festival, Toronto Film Festival). \nVjerujem da će Vidra zasigurno nastaviti sličan festivalski put obzirom da je riječ o iznimno dobro \npripremljenom i režijski promišljenom projektu. Iz koncepcije je vidljivo da je Vuletić temeljito pristupio \ntemi. Njegova vizija je jasna – napraviti igrani film koji se bavi suvremenim i mladenačkim temama, \nukorijenjen u današnje doba te se odmaknuti od klasičnih balkanskih filmova koji ponajprije tematiziraju \nrat i ratne traume. Vuletić se ozbiljno pozabavio i vizualnim identitetom filma, kao i  razradom likova koji \nsu nadasve autentični. \n \n3. Dugometražni igrani film Nezahvalna bića - Češka \nScenarij ove obiteljske drame supotpisuju Olmo Omerzu, koji će ga ujedno i režirati te Nebojša Pop \nTasić, svestrani dramaturg, dramatičar, scenarist, glazbenik i izvođač i Kateřina Jandáčková. \nU priči, čiji su glavni protagonisti David, nedavno razvedeni otac, njegova kći Klara koja boluje od \nanoreksije, sin Teo, njihova majka Laura i Denis, mladić u kojeg se Klara zaljubi tijekom ljetovanja, \npratimo kompleksnost obiteljskih odnosa, prožetih „dobronamjernim“ lažima.  \nScenarij je iznimno zanimljiv i životan te problematizira odrastanje, kao i sve ono na što su spremni \nroditelji kako bi zaštitili djecu. Također, on je zanatski kvalitetno, vješto i nadasve „pitko“ napisan. Ovdje \nvalja svakako napomenuti da će se sam film snimati i u Hrvatskoj, gdje se odvijaju scene ljetovanja. \nRežijska koncepcija je iznimno dobro napisana i upućuje na to da je Omerzu pažljivo promislio o svim \nsegmentima koji će činiti ovaj film, poput odnosa u obitelji, načina na koji djeca uče obrasce ponašanja \nod roditelja, odnosa prema tijelu i sl.  \nVažno je spomenuti da će se dio snimanja realizirati u Hrvatskoj te da je planirana potrošnja značajno \nveća od predložene potpore. Isto tako u proizvodnji će uz jednu od bitnijih uloga, biti uključen veći broj \nautora i djelatnika.   \n \n \n \n\n\f\n4. Dugometražni igrani film Mama - Srbija \nScenarij za film Mama potpisuje Nikola Ležaić, koji će ga i režirati. Nikolin prethodni film Tilva Roš \nosim što je bio kandidat za nagradu Europske filmske akademije osvajao je nagrade i prikazivan je na \nmnogim značajnim međunarodnim festivalima (Locarno, Les Arcs…). \nSam scenarij je zanimljiv, s jasno razrađenim likovima te nas već na prvu uvlači u svojevrsnu \nautobiografsku priču o Nikoli Ležaiću, koji je u nemogućnosti da realizira filmski projekt „zaglavio“ u \noglašivačkoj industriji, „jer od nečega mora živjeti“. Scenarij jasno ocrtava Nikolinu frustraciju stanjem u \nkojem se nalazi već godinama i želju da na smislen način unese promjene u vlastiti život, prije nego \npostane otac, što je u velikoj mjeri svojstveno čitavoj njegovoj generaciji, neovisno o zemlji iz koje \npojedinci dolaze. Zbog navedenog se jednostavno identificirati s Nikolinim likom. Autor ovaj (zakašnjeli) \n„coming of age“ žanr vješto isprepliće s obiteljskom dramom.  \nGotovo polovica filma se snima na lokacijama u Hrvatskoj, a u njegovu proizvodnju će biti uključen \nznačajan broj autora i filmskih djelatnika iz Hrvatske. \nRedateljska koncepcija koju nudi Nikola Ležaić je jasna i koherentna te daje dodatni impuls scenariju, \nobjašnjavajući kako se on kroz ovo putovanje ujedno opraštao od oca, koji će nekoliko godina nakon, \numrijeti od teške bolesti. On u koncepciji nudi jednostavnost, uz naglasak na prirodnost dijaloga, a \nvjerujem da je upravo to i postigao kroz sami scenarij. Kao što sam i prethodno spomenuo režijski, a i \ncjelokupni kreativni segment filma smatram dobro pripremljenim, kompaktnim i konzistentnim te što je \nnajbitnije spremnim za realizaciju.  \n \n \n5. Dugometražni igrani film Brod Budućnost - Srbija \nAutor scenarija za dugometražni igrani film Brod Budućnost je Jovan Arsenić, a on će ga ujedno i režirati. \nRadnja prati Kostu, Baneta, Tankog i Jelenu, koji se preruše u glazbenike i upadnu na dunavski kruzer po \nimenu „Brod Budućnost“. Svaki od njih ima svoje motive za upad na brod. \nSama ideja za radnju daje naslutiti da će ovo biti jedan iznimno zanimljiv i uzbudljiv projekt, dok scenarij \npokazuje da je Arsenić ozbiljno pristupio poslu te je vrlo dobro razradio radnju te raspisao likove i \nnjihove međusobne dijaloge koji su nerijetko izvanredni.  \nSmatram da je bitno podržati komedije, budući da ih kronično nedostaje, a ovdje je riječ o iznimno \nugodnom i duhovitom predlošku. Isto tako bitno je naglasiti da je predloženi udio hrvatskih autora i \nosoblja značajan. \nInspiraciju za ovaj film Arsenić je pronašao u priči Gorana, prijatelja iz djetinjstva, sitnog kriminalca koji \nje nekada radio na kruzerima. Dodatno, i sam se ukrcao na jedan od tih kruzera kako bi dobio direktno \niskustvo boravka ondje. Likovima – „bandi“ i penzionerima koji plove na brodu – Arsenić je odlučio prići \ns puno topline i humora. Njegova vizija je jasna i dobro potkrijepljena detaljima u redateljskoj koncepciji.  \n \n \n\n\f\n6. Dugometražni igrani film Iskupljenje - Slovenija \nAutorica ovog scenarija za dramu s elementima humora je slovenska redateljica Sonja Prosenc koja je \nneosporno jedan od zanimljivijih slovenskih autora mlađe generacije. Radnja u Iskupljenju se bavi \nnaizgled savršenom obitelji koju okolnosti primoraju na suočavanje s disfunkcionalnim odnosima unutar \nsebe. Prosenc je vješto i uvjerljivo ispričala ovu priču o suočavanju s disfunkcionalnosti obitelji i \npromjenama na „bolje“. Tema kojom se bavi je svakako suvremena i s njom se lako poistovjetiti te \nvjerujem da može podjednako dobro funkcionirati festivalski i u „široj“ kino i/ili TV distribuciji.  \nAutoričina vizija i motivacija su jasno iznesene u redateljskoj koncepciji. Ona je ovdje odlučila uzeti \nnešto drugačiji pristup nego što je to slučaj s njezinim prethodnim radovima koji su bili izrazito \nnelinearne strukture obogaćene ispreplitanjem realnosti i imaginarnog/unutarnjeg svijeta pa će radnja \nIskupljenja biti smještena u konvencionalnije jedinstvo prostora i vremena. Opću atmosferu filma i \npromjene u radnji planira postići promjenama u kameri te glazbom, dok će razlike u društvenim slojevima \nprikazati kostimima.  \nCjelokupni projekt počiva na čvrstim (ko) produkcijskim temeljima te producent iznimno uspješno ide \nprema zatvaranju zavidnog financijskog plana dok je zatraženi iznos od HAVC-a skroman, ali uključuje \nvažne autorske funkcije za hrvatske autore i filmske profesionalce.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"non_financing","source":{"filename":"PROGRAM%20HR%20SMOTRE.pdf","filename_decoded":"PROGRAM%20HR%20SMOTRE.pdf","sha256":"6be36b9d6faac33e5ad2842754c1328c3eade4021c44d176097f38208feb256d","bytes":101805,"page_count":2,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"SPECRPR_2025_11IX2025_ANIMIRANI_WEB.pdf","filename_decoded":"SPECRPR_2025_11IX2025_ANIMIRANI_WEB.pdf","sha256":"6cd12a31e69076fe3efee5c30160e350b3122e02cc090b752c1c1c1712b30f6b","bytes":91910,"page_count":1,"extracted_at":"2026-05-17T10:24:27Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/SPECRPR_2025_11IX2025_ANIMIRANI_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nODOBRENO (€)\n1\nPipi i izgubljeno pleme\nZelena zraka\nSaša Ban\nSaša Ban\n20.000,00\n20.000,00\nSpecijalizirani javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih i \ndugometražnih animiranih filmova namijenjenih djeci i mladima - podkategorija: \nRAZVOJ PROJEKATA u 2025. - ROK PRIJAVE - 11.9.2025.\ndugometražni animirani filmovi (trajanje duže od 70 minuta) namijenjeni djeci i mladima\nUKUPNO\n23. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 12. prosinca 2025.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"SPECRPR_2025_11IX2025_ANIMIRANI_WEB","year":2025,"rok":null,"natjecaj_date":"2025-09-11","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"dugometražni animirani filmovi (trajanje duže od 70 minuta) namijenjeni djeci i mladima","section_key":"dugometrazni_animirani_filmovi_trajanje_duze_od_70_minuta_na","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","ODOBRENO (€)"],"rows":[{"row_number":1,"project_title":"Pipi i izgubljeno pleme","applicant":"Zelena zraka","production_company":"Zelena zraka","director":"Saša Ban","writer":"Saša Ban","original_author":null,"category":"Animirani","approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"EUR","extras":{"SCENARIST/-ICA":"Saša Ban","REDATELJ":"Saša Ban","repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"6cd12a31_specrpr_2025_11ix2025_animirani_web_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 1 and title match exactly, and SCENARIST/-ICA and REDATELJ columns both list Saša Ban.","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"6cd12a31_specrpr_2025_11ix2025_animirani_web_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Row number 1 and title match exactly, and SCENARIST/-ICA and REDATELJ columns both list Saša Ban."},"entity":"Zelena zraka","row_id":"6cd12a31:s0:1d3f9c9dfd6c","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_1d10bd456882","project_family_title":"Pipi i izgubljeno pleme"}],"section_total_text":"20.000,00","section_total":20000.0}],"totals":{"ukupno_text":null,"ukupno":20000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":20000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenja eksp i kratki 27032015.pdf","filename_decoded":"obrazlozenja eksp i kratki 27032015.pdf","sha256":"6cfaa0deb2869faafbe44cd27bd8b6dd85a9d228b5c8e4719ec7084fba732b68","bytes":370791,"page_count":2,"extracted_at":"2026-05-17T12:01:38Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenja%20eksp%20i%20kratki%2027032015.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničkih savjetnika po rezultatima Javnog poziva za poticanje \naudiovizualnih djelatnosti i stvaralaštva u 2015. godini u kategoriji poticanja \nproizvodnje audiovizualnih djela (kratkometražni igrani film i eksperimentalni film – \nrok 27. ožujka 2015.). \n \nSanja Grbin, umjetnička savjetnica za eksperimentalni film:  \n \nOd prijavljenih 16 projekata na prvi rok natječaja eksperimentalne filmske proizvodnje u \n2015. godini, a od kojih je 12 zadovoljilo formalne uvjete poziva, za sufinanciranje sam \npredložila dva projekta. To je prvenstveno projekt Tomislava Šobana Vrtovi u produkciji \nKinokluba Zagreb koji je zbog svoje idejne i izvedbene kompleksnosti, dobre pripremljenosti i \njasnoće autorske vizije predložen za najvišu potporu u iznosu od 200.000 kn. Vrtovi su \nslojevito zamišljen tridesetminutni animirano-eksperimentalni film jednogodišnjeg \nkontinuiranog bilježenja različitih ciklusa, koji doslovno ispituje ideju prirode kao sastavnog \nelementa filma te međusobnih utjecaja i akcije između prirodnog i umjetnog.  \nDrugi projekt Sve bih ostavio ovdje Ivana Faktora i u produkciji Hrvatskog filmskog saveza \npredložen je za potporu od 70.000 kn. Ovim osobnim dvanaestminutnim filmom autor \nnamjerava tematski zaključiti trilogiju u kojoj se bavi Slavonijom i svojim rodnim mjestom \nkroz formalno zanimljiv i poetičan postupak bilježenja dostupnosti i ograničenja pogleda i \nkamere. \n \nKao važan kriterij za predlaganje projekata je prepoznavanje prikazivačko-izlagačkog \npotencijala u međunarodnom kontekstu, te smatram da će oba projekta kao realizirani filmovi \nnaći svoje prikazivačko mjesto i na svjetskim festivalima kratkometražnog filma različitih \nrodova. \n \nJuraj Lerotić, umjetnički savjetnik za kratkometražni igrani film: \n \nNa natječaj je prijavljeno 44 projekata od kojih su tri već snimljena, a za sufinanciranje je \nodabrano 5 projekata.  \nDebitantski projekt Filipa Filkovića, nagrađivanog redatelja video spotova te scenarista \nVelimira Grgića Posljednji bunar (Antitalent d.o.o.) podržan je s 150.000,00 kn. Radi se o \ndistopijskom filmu smještenom u Dalmatinsku zagoru gdje posljednji izvor pitke vode \ngenerira niz peripetija.  \nProjekt Matije Vukšića Čistačica (Kino klub Split) podržan je s 280.000,00 kn. Film prati obitelj \nkoja odlučuje zataškati teški zločin jednog od svojih članova.  \nU filmu Alde Tardozzija Siguran let (U svom filmu d.o.o.) roditelji zbog straha od učestalih \nnesreća odlučuju obitelj poslati na put u Ameriku različitim avionima. Odluka izaziva raspravu \nkoja izmiče kontroli. Ova komorna, humorna drama podržana je s 250.000,00 kn. \nU plavetnilu (Filmska udruga motion) Antonete Alamat Kusijanović portretira grupu djece \nkoju počinju razdirati rivalske emocije. Kupanje na dubrovačkim stijenama postaje sve \nopasnija borba za naklonost. Projekt je podržan s 340.000,00 kn.  \n\n\f\n \n \n \n \nNišta (Manevar d.o.o) Stanislava Tomića je ekranizacija priče Zorana Ferića Potrči doktora. \nOvaj crnohumorni film, smješten u Zagrebu tridesetih godina, prati eskalaciju sukoba liječnika \ninstituta i njihovih susjeda, djelatnika groblja. Projekt je podržan s 476.250,00 kn. \n \nValja istaknuti da su svi sufinancirani projekti dobili zatražene iznose.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"non_financing","source":{"filename":"Distribucija%20recenzije%20-%20rok%201.2.2022..pdf","filename_decoded":"Distribucija%20recenzije%20-%20rok%201.2.2022..pdf","sha256":"6d3a49b338b9b013a4ccb8dd930e8454ac1f1e0c6c7d7afe52f0409aa1c95610","bytes":102768,"page_count":1,"extracted_at":"2026-05-16T13:38:08Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Distribucija%20recenzije%20-%20rok%201.2.2022..pdf"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"razv scenarija serijska TV djela2014.pdf","filename_decoded":"razv scenarija serijska TV djela2014.pdf","sha256":"6d7eb2c4515fab44506bb8de82e6c7748981117755a42af3b62545417fd5100e","bytes":132393,"page_count":1,"extracted_at":"2026-05-17T10:24:11Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/razv%20scenarija%20serijska%20TV%20djela2014.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\n1\nMali Guj i njegov Zmuj\nDarko Macan\nNukleus Film d.o.o. \n/ Siniša Juričić\nDarko Macan\nDamir Macan i Frano \nPetruša, \"Mali Guj i \nnjegov Zmuj\"\n30.000,00\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\n2\nDaleko od kuće\nIvan Živalj, Nikola \nStrašek\nDrugi plan d.o.o. / \nMiodrag Sila\nNikola Strašek\n25.000,00\n3\nGrad i rijeka \nSaša Šimpraga\nUroš Živanović\n25.000,00\n4\nImati ili biti\nĐuro Gavran, Tiha \nGudac\nPipser d.o.o.\nĐuro Gavran\n25.000,00\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\n5\nJona i Barbara\nMario Marko Krce\nMario Marko Krce, \nStanislav Tomić\nStanislav \nTomić\n25.000,00\n6\nKad je Dunav prestao \nteći\nTomislav Domović\n30.000,00\n7\nMrvice \nIrena Škorić\nArtizana film d.o.o / \nIrena Škorić\nIrena Škorić\n25.000,00\n8\nNebo može čekati\nGoran Pirš\n25.000,00\n9\nPričaj mi\nDiana Pečkaj \nVuković\n25.000,00\n10\nR-21\nMaja Gluščević, \nVladimir Gluščević\nInter film d.o.o. / \nIvan Maloča\nDario Pleić\n25.000,00\n11\nŠofer\nAntonio Nuić\nPropeler Film d.o.o. \n/ Boris T. Matić\nAntonio Nuić\n25.000,00\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\n12\nPotraga za fantastičnim \nbićima Hrvatske\nPetar Orešković, \nLjiljana Šišmanović\nLjiljana Šišmanović\nPetar \nOrešković\n25.000,00\n13\nRock and roll škola\nTvrtko Rašpolić, \nVedran Šuvak\nPlan 9 produkcija \nd.o.o. / Šimun Kuliš\nTvrtko \nRašpolić, \n25.000,00\nUKUPNO\n335.000,00\nanimirano televizijsko djelo\ndokumentarno televizijsko djelo\nigrano televizijsko djelo\nkreativni televizijski format za djecu i mlade\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: RAZVOJ \nSCENARIJA pojedinačnih i serijskih televizijskih djela - podkategorija: SERIJSKA TELEVIZIJSKA \nDJELA u 2014. - ROK PRIJAVE - 7.3.2014.\n","warnings":[],"document":{"program_type":"tv_djela","natjecaj_title":"razv scenarija serijska TV 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BODLJIKAVO PRASE \nSrđan Dragojević\nDrugi plan d.o.o. / Delirium \nFilms (Srbija)\n750.000,00\n2. INFERNO\nVinko \nMöderndorfer\nKinorama d.o.o. / Forum \nLjubljana (Slovenija)\n750.000,00\n3. TIR - KORIDOR 5\nAlberto Fasulo\nFocus Media d.o.o. / Faber film \n(Italija)\n135.000,00\n4. KISMET\nNina Maria \nPaschalidou\nNukleus film d.o.o. / Forest \nTroop (Cipar) \n195.000,00\n5. PUTUJUĆA ZEMLJA\nIvan Bogdanov, \nVesela Dančeva\nBonobostudio d.o.o. / Compote \ncollective (Bugarska)\n210.000,00\n2.040.000,00\nSVEUKUPNO\nANIMIRANI FILM\nKOPRODUKCIJE S MANJINSKIM HRVATSKIM UDJELOM- ROK 1.2.2013.\nDUGOMETRAŽNI IGRANI FILMOVI\nDUGOMETRAŽNI DOKUMENTARNI FILM\nJAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA U 2013. \nGODINI - kategorija poticanje filmskih koprodukcija s manjinskim hrvatskim udjelom\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA U 2013. 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kategorija: \npoticanje \nrazvoja \nscenarija \ni \nrazvoja \nprojekata \ndugometražnih \nigranih, \ndugometražnih dokumentarnih i animiranih filmova - potkategorija: RAZVOJ \nSCENARIJA i  RAZVOJ PROJEKATA u 2020. - 2. ROK - 14.9.2020. \n \nDUGOMETRAŽNI IGRANI FILM - Umjetnički savjetnici: Pavlica Bajsić Brazzoduro, \nDanilo Šerbedžija i Zdenka Gold \n \n1. Razvoj projekata \n \nNa Javni poziv za poticanje razvoja projekata dugometražnog igranog filma u 2020. \ngodini na drugom roku prijavilo se ukupno 13 projekata.  \nOdlučili smo poduprijeti sveukupno šest filmova za razvoj projekta te smo dodatni \njedan film koji je bio prijavljen za proizvodnju preporučili na razvoj projekta. \nSveukupno preporučujemo sedam filmova za razvoj projekta. \nIstaknuli bismo iznimno visoku kvalitetu velike većine prijavljenih filmova na ovaj \nJavni poziv i pohvalili bismo svekupunu pripremljenost projekata. Ovaj Javni poziv je \ndoslovno zablistao. \n \nFilm prijavljen za proizvodnju \n \nGlavu gore \nScenarij: Ognjen Sviličić \nRežija: Ognjen Sviličić \nProducent: Propeler film \n100.000,00 kn \n \nGlavu gore je scenarij o obiteljskom nasilju koje se kristalizira u okviru kaotične \nsituacije u kojoj smo se svi našli za vrijeme prvog lock downa uslijed pandemije \nuzrokovane virusom Covid – 19, odnosno priča o nemogućoj ljubavi uronjenoj u \nbrutalnu i vrlo agresivnu stvarnost. Ta ljubav iz svojih glavnih protagonista, Ksenije, \nnjenog supruga Željka i susjeda i ljubavnika Matije, izvlači ono najgore i \nnajagresivnije. \nKao što autor sam navodi u vrlo detaljnoj i preciznoj redateljskoj koncepciji u kojoj su \npromišljeni svi filmski elementi, on želi uhvatiti tu iskru ljubavi kojom su protagonisti \nza tren osvijetlili svoje sive živote. Oboje, pak, nisu svjesni tinjajuće agresije oko njih \nkoja će eksplodirati. “Recimo da želim uhvatiti taj trenutak kad su pomislili da su \nprinc i princeza, a ne prodavačica i bivši robijaš.” \n \n \nFilmovi prijavljeni za razvoj projekta \n \nNa rijeci \nScenarij: Zrinko Ogresta, Živorad Tomić \nRežija: Zrinko Ogresta \nProducent: Inter film \n70.000,00 kn \n\n\f\n \n \n2\n \nNa rijeci je scenarij dojmljive atmosfere u kojem se ne govori puno, ali kada se \ngovori, postoje jaki razlozi za to. To je, također, scenarij u kojem se s rijekom složenih \nemocija godinama udaljenih oca i sina ne trguje, već joj se dozvoljava da ona polako \nali nezaustavljivo buja, šireći i dubeći svoje korito u svoj svojoj slojevitosti.  \nEmigrantska priča je ovoj, prvenstveno drami oca i sina, pritok sa strane koji se \npomalo iznenada pojavi, a sve kako bi protagonistima pomogla da zamijene svoje \nuloge, prožive katarzu i da se konačno, u dirljivom finalu ilegalnog prelaska rijeke, \njedan s drugim ponovo zbliže.  \n \n \nSan doktora Mišića \nScenarij: Pjer Žalica \nRežija: Tomislav Rukavina \nProducent: Livada produkcija \n90.000,00 kn \n \nSan doktora Mišića inspiriran je fantastičnom pripovijetkom Ksavera Šandora \nGjalskog i ima veliki potencijal da reafirmira književnu baštinu kroz filmsku formu. \nMladi liječnik, dr. Mišić, čovjek uvjeren u snagu znanosti pokušava promijeniti navike \ni budućnost zaostalog, u legende zametenog mjesta Jabučevac, no umjesto toga \nJabučevac nepovratno mijenja njega. Čovjek koji prezire svaku vrstu vjerovanja u \nsvijet snova i nadnaravnog, koji čvrsto vjeruje samo onome što može opipati i u svom \nlaboratoriju empirijski dokazati, na koncu strada nepovratno zarobljen u vrtlogu \nstrašnih snova i putene ljubavi ka ženi koje odavno nema. \nOvaj neobičan scenarij smo podržali upravo zbog njegove netipičnosti kojom autor \nna zabavni način dijalogizira s baštinom. \n \n \nŽene, luđaci i malo dobrih pedera \nScenarij: Ivan Salaj \nRežija: Ivan Salaj \nProducent: Plavi mjesec \n120.000,00 kn \n \nScenarij \"Žene, luđaci i malo dobrih pedera\" nastao je po književnom predlošku \npokojnog pisca i boema Roberta Roklicera. Priča prati tri dana Robertovog \nnetriježnjenja u kojima on uspije dobiti otkaz, ponovo se zaposliti, spavati s nekoliko \nžena, saznati da će možda postati otac te donekle indirektno biti krivac za \nprijateljevo samoubojstvo. \nPrateći glavni lik kroz tih par dana autor odlično popratno secira probleme u našem \ndruštvu. Ostali likovi također su dokumentaristički uvjerljivo opisani te ih s lakoćom \nmožemo vizualizirati. \nRedateljska koncepcija je opširna i detaljna. Primjećuje se da autor ima točnu viziju \nšto želi, odlično i stručno  nam je to u koncepciji dočarao. Autorov filmski jezik je \njasan. \n \n\n\f\n \n \n3\nHrvojka Horvat u vrtlogu totalne perspektive \nScenarij: Predrag Ličina  \nRežija: Predrag Ličina \nProducent: Terminal 3 \n115.000,00 kn \n \nProjekt  Hrvojka Horvat u vrtlogu totalne perspective svojevrsni je nastavak, točnije \n\"spin off\" autorovog ranijeg filma POSLJEDNJI SRBIN U HRVATSKOJ.  \nGlavni lik, preuzet iz prijašnjeg filma je Hrvojka Horvat. Saznajemo kako je Hrvojka  \npostala super junakinja te pratimo njene napore da spasi čovječanstvo od vanzema-\nljaca, koji su, iako prijateljski nastrojeni,  zavladali ovim prostorima. \nRadi se o SF komediji s elementima pjevanja i plesa što projekt čini još zanimljivijim.  \nOvaj spoj prepoznatljivih stilova Terry Gilliama, Woody Allena te Johna Watersa,  \ns repetativnim elementom (Groundhog Day, Los cronocrimenes) obećaje odličnu \nzabavu te dobru posjećenost kino dvoranama. Ovaj film, prepun metafora i ironije  \ngarantira smijeh što nam je u ovo krizno vrijeme itekako potrebno. \n \n \nPonoć u savršenom svijetu \nScenarij: Una Radić  \nRežija: Una Radić \nProducent: Wolfgang i Dolly \n135.000,00 kn \n \nNakon što ISIS otme hrvatskog građanina u Kairu, a hrvatske se vlasti susretnu sa za \nnjih netipičnom međunarodnom krizom, nekoliko naizgled nespojivih karaktera \nkreće u neizvjesnu akciju spašavanja jednog života, koja se pretvara u dramatično \nputovanje puno improvizacije. Ispod krinke diplomacije i suradnje razotkrit će se \nistine koje bismo svi radije previdjeli. \nIako zahtjevan zbog žanrovskih obilježja, scenarij “Ponoć, u savršenom svijetu” Une \nRadić imponira osjećajem za ritam i mjeru, razvojem napetosti i slikovitošću prizora. \nJoš od prvog čitanja uvukao nas je u svoj svijet, neobičnih, a opet tako tipičnih likova, \nu kojem se spajaju avantura i thriller. Aktualan da aktualniji ne može biti, napet u \nizlaganju narativa, fotogeničan u suprotstavljanju prizora iz Hrvatske i Egipta, ne \nsamo da se radi o filmu kao festivalskoj poslastici, već bi mogao privući publiku u kina \nu nekoj budućoj, nadamo se, postpandemijskoj kino stvarnosti. \n \n \nSjena \nScenarij: Antonio Nuić  \nRežija: Antonio Nuić \nProducent: Propeler film \n120.000,00 kn \n \nPrivatni istražitelj Luka Modrić, protiv svoje volje, obavljajući klasični posao praćenja \nbiva upleten u niz zločina. Nakon neočekivanih obrata, u radnji u kojoj su umješani \nmnogi pa čak i šef policije i gradonačelnik, Luka nalazi izlaz iz ove zapetljane situacije. \n\n\f\n \n \n4\nSa zadovoljstvom možemo konstatirati kako nam je drago da se među mnogo drugih \nkvalitetnih projekata nalazi i jedan pravi kvalitetan žanrovski projekt. Kao što sam \nautor u redateljskoj koncepciji konstatira, u domaćem filmu je potpuno nestao \nžanrovski film. SJENA  je punokrvni kriminalistički scenarij te ide stopama naših \nsjajnih autora poput Zorana Tadića. \n \n \n \n\n\f\n \n \n5\n2. Razvoj scenarija \n \nNa Javni poziv za poticanje razvoja scenarija dugometražnog igranog filma u 2020. \ngodini na drugom roku prijavilo se ukupno 88 projekata. Dva projekta nisu \nzadovoljila uvjete Javnog poziva te ih nismo razmatrali. \nOdlučili smo poduprijeti sveukupno dvanaest projekata za razvoj scenarija.  \nKao što je uobičajeno za našu kinematografiju, u prijavama nadmoćno prevladavaju \ndrame, nađe se tu i pokoja komedija, triler i žanrovski te dječji film.  \nKao neko pravilo i na ovom roku uočavamo da je najveći broj autorica prisutan kod \nprijavljivanja projekata na razvoj scenarija, a kako se penjemo prema realizaciji tako \nse taj broj smanjuje i gotovo pa nestaje. \n  \n \nSanjica Lacković \nScenarij: Dario Harjaček \nRežija: -  \nProducent: - \n30.000,00 kn \n \nAdaptacija istoimenog romana istog autora. \nSanjica Lacković je jedna vrlo netipična petnaestogodišnjakinja. Talentirana je \npjesnikinja i osvaja nagrade za svoj rad, ne snalazi se u okolini svojih vršnjaka i u \npaklu je zbunjenosti vezane uz svoj seksualni identitet.  \nRadi se o prijedlogu za scenarij jednog vrlo uzbudljivog i pomaknutog filma o \nsazrijevanju. \nTekst nam također na vrlo uvjerljiv način predstavlja Varaždin i njegovu neposrednu \nokolicu u ’70-im godinama prošlog stoljeća. \n \n \nJužnije od raja \nScenarij: Josip Mlakić \nRežija: -  \nProducent: Eurofilm \n30.000,00 kn \n \nTreatment projekta «Južnije od raja», izašao iz pera dobro nam poznatog i uspješnog \nscenariste Josipa Mlakića. Autor se vrlo vješto bavi suvremenom temom iseljavanja i \nnapuštanja obiteljskog ognjišta u traganju za boljim životom i onime što ostaje iza \ntoga, isprepleteno je potragom za (i dan danas) nestalima u posljednjem ratu na \novim prostorima, za njihovim posmrtnim ostacima.  \n \n \nPark \nScenarij: Beatrica Kurbel \nRežija: -  \nProducent: Jaka produkcija \n30.000,00 kn \n\n\f\n \n \n6\nNa petnaestu godišnjicu ubojstva svoje mame, Ema se stjecajem okolnosti vraća u \nnjezin nekadašnji stan s pogledom na park gdje je njezinu mamu Ljiljanu ubio \nljubavnik pred nekolicinom susjeda koji nisu ništa učinili, a kasnije su lažno svjedočili. \nKroz dvadeset i četiri sata pratimo Emu, dvoje ključnih svjedoka i Vladimira – sina \nubojice. Emin povratak unosi nemir u mirno susjedstvo.  \nTema filma je već sama po sebi vrlo jaka, emotivno slojevita i potencijalno vrlo \ndramska, a dotiče se dječje traume i njene refleksije kroz kasniji život.  \nScenaristica je uvažila recenziju umjetničkih savjetnika na prošlom roku i unijela \nizmjene koje su poboljšale kvalitetu treatmenta. \n \n \nEva nakon pada \nScenarij: Lana Barić \nRežija: Lana Barić  \nProducent: - \n30.000,00 kn \n \nAna, nakon potresa, dolazi u prihvatilište gdje se sprijateljuje s mladom djevojkom \nSarom. Iako nigdje izrijekom rečeno, Ana se teško nosi s gubitkom sina. Brak joj se \nraspao i ona u bijegu od stvarnosti bježi u prihvatilište. \nU filmovima često viđen motiv dvije osobe, starije i mlađe, koje uslijed zajedničkog \nputovanja mijenjaju jedna drugu, u ovom projektu je postavljen u jedan skoro pa \npostapokaliptičan Zagreb (centar grada je veoma razrušen), što ovoj drami daje neku \ndrugu dimenziju. \n \n \nMoseć \nScenarij: Marija Šimoković Sikavica \nRežija: - \nProducent: - \n30.000,00 kn \n \nOva komorna obiteljska drama napisana je izuzetno dinamično i već se iz treatmenta \nmože vrlo lako vizualizirati budući film.  \nTugujuća obitelj, rodbina, susjedi i prijatelji okupili su se u pokojnikovoj kući uoči \nsprovoda. Netko koristi gužvu oko dolaska vozila pogrebnog poduzeća i krade \npokojnikovu ostavinu, koju udovica čuva u ormaru u spavaćoj sobi. Situacija iz \nzbunjenosti i nevjerice prerasta u ljutnju. Izbačena iz takta i ugrožena, uža obitelj \ngubi kontrolu.  \nAutorska koncepcija ima nadahnutu umjetničku formu koja je istovremeno i vrlo \nkonceptualna i vrlo organska. \n \nJa sam F \nScenarij: Mirsada Begović, Jelena Veljača \nRežija: -  \nProducent: - \n30.000,00 kn \n\n\f\n \n \n7\n \nJa sam F je film koji prati sudbine tri žene koje, iako iz različitih gradova, socijalnih \nkrugova i klasa, proživljavaju istu sudbinu, odnosno žrtve su obiteljskog nasilja, a \nživoti im se, prije no što se na kraju filma ugase na istom mjestu, preklope u nekoliko \nnavrata.  \nJa sam F je film koji bi se mogao nastaviti na, ne toliko frekventan ali postojeći, \nfilmski niz igranih filmova koji u Hrvatskog progovaraju o obiteljskom nasilju, kao što \nsu “Šuti” iz 2013. i “Trampolin” iz 2016.  \nNo, ono čime se ovaj scenarij izdvaja od svojih prethodnika je taj da je pisan iznutra, \nodnosno od strane osnivačica inicijative SPASI ME koje se na dnevnoj bazi susreću s \nnajtežim mogućim ljudskim pričama. Potpora će, vjerujemo, pružiti mogućnost \nautoricama da svoje bogato i neposredno iskustvo lakše, i s prijeko potrebnim \nodmakom, formuliraju u filmsku priču uz pomoć dostupnih alata za razvoj scenarija. \n \n \nCrvenkapica \nScenarij: Saša Vojković, Tanja Kirhmajer \nRežija: -  \nProducent: - \n30.000,00 kn \n \nCrvenkapica je priča o emancipaciji djevojke Mare iz čvrstih okova dalmatinskog \nmatrijarhata, ali u formi psihološkog thrillera. \nRiječ je o priči u kojoj tri glavna lika u jednom danu prelaze put od mirne uobičajene \nrutine do ekstremnih iskustava straha, žudnje i smrti. Mare je pobožna djevojka iz \ndalmatinskog mjesta, Vinko zagrebački taksist koji trguje antikvitetima, a Olga je \numirovljena znanstvenica i bivša logorašica. Za ova tri lika sve će započeti kao obični \nzimski dan, a samo dvadeset i četiri sata kasnije netko će biti mrtav, netko ubojica, a \nživot onih koji su opstali više neće biti isti. \nLikovi su u Crvenkapici svaki na svoj način arhetipski, a opet vrlo živi, nose u sebi sve \nosnovne oznake društvenih slojeva kojima pripadaju i mnogi će ih prepoznati u svojoj \nokolini. Matrica Grimmove bajke koja je u materijalima spomenuta, a kroz koju su \nlikovima podijeljene funkcije – odlično djeluje. \n \nTanja i dijete nisu dobro \nScenarij: Vid Adam Hribar \nRežija: - \nProducent: - \n30.000,00 kn \n \nFilm je inspiriran istoimenim grafitom koji je 2010-ih osvanuo na zidu jedne zgrade u \nzagrebačkoj Mesničkoj ulici. Priča je ispričana u dva paralelna svijeta koja se na kraju \nstapaju u jedan, u kojem autor Goran raspisuje priču o raspadu svoje obitelji. \nMaterijali predani na natječaj, a pogotovo dio scenarija, već su u ovom stadiju zaista \nkvalitetno napisani, prelasci iz jedne stvarnosti u drugu uspješno su izvedeni i lako se \nprate. Već u ovom stadiju prepoznaje se autorov potpis (vlastiti stil), što scenariji \nčesto nemaju, a izuzetno je bitno. \n\n\f\n \n \n8\n \n \nTajna ribljeg oka \nScenarij: Hrvoje Kovačević \nRežija: -  \nProducent: Wolfgang i Dolly \n30.000,00 kn \n \nTajna ribljeg oka ekranizacija je dječjeg kriminalističkog romana s elementima \nhumora i ljubavnom pričom, autora i scenarista Hrvoja Kovačevića. \nGlavni lik je desetogodišnji dječak Domagoj Kovačić koji je u krugu svoje obitelji, \nškole, a i šire, na glasu po svojoj maštovitosti. Svima je simpatičan, ali ljudi obično ne \nvjeruju većini onoga što izgovori. Upravo će se on naći u središtu velike pustolovine \nzbog slike u vlasništvu njegove bake za koju je Domagoj uvjeren da ju je naslikao \nVincent van Gogh... \nScenarist Hrvoje Kovačić je dječji autor koji je napisao niz kriminalističkih romana za \ndjecu. Njegove su knjige rado čitane, a ovaj naslov je dio serijala te spada u školsku \nlektiru. \nOsjeća se visoka motivacija cijelog autorskog i produkcijskog tima da se upusti u \nrazvoj ovog dječjeg krimića. \n \n \nZadnja klapa \nScenarij: Zoran Margaretić \nRežija: Zoran Margaretić \nProducent: - \n30.000,00 kn \n \nZaštitar prijeti da će eksplozivom kojeg ima na sebi dići u zrak televizijsku ekipu \nprepunu zvijezda, koju je zatočio tijekom božićne proslave zadnje klape aktualne hit \nserije. Policija, vojska i novinari prate talačku krizu, polako otkrivajući njegov \nidentitet i motive. Jedini uvijet koji postavlja ekipi je da snime film o njemu, o jednoj \njedinoj sekundi nakon koje mu se raspao život. \nNakon laganog uvoda koji ne naslućuje kasnije događaje scenarij kreće u jedan \npakleni ritam klasične žanrovske utrke s vremenom, često viđene u filmovima s \ntalačkom krizom. Autor je uspješno radnju mnogih američkih akcijskih filmova \nprebacio u naše domaće ozračje koje, uslijed drugačijeg temperamenta, za sobom \nnosi i druga pravila. Također, vrlo uspješno je iskorišten i motiv Domovinskog rata i \nposljedica koje je ostavio na braniteljsku populaciju spretno izbjegavši čestu zamku \npatetike. \n \n \nViktorija \nScenarij: Anita Čeko \nRežija: -  \nProducent: - \n30.000,00 kn \n\n\f\n \n \n9\n \nViktorija je scenarij koji kroz nisku tragikomičnih situacija tematizira seksualnu i \nemotivnu emancipaciju glavne junakinje, pritom oslikavajući živopisnu i autentičnu \nsliku današnjeg Splita.  \nViktorija je povučena djevojka punašnije tjelesne građe. Radi u malom antikvarijatu, \nnema prijatelje i živi u stanu u Splitu s kontrolirajućom i dominantnom majkom.  \nOd početka je jasno da ćemo lik Viktorije, sa svim njenim nezrelostima i \nnespretnostima, vrlo lako zavoljeti, što je preduvjet za film ovakvog žanra. Također, \nopisani splitski mentalitet, pogotovo specifični mentalitet \"splitskih gospođa\" kao što \nsu likovi Fabijanke i Ruže, autentičan je i pun boja i mirisa. Vidi se da autorica vrlo \ndobro poznaje sredinu i da iz nje progovara o suzbijenom ženskom glasu. \nScenaristici ovo nije prva prijava na natječaj s ovim projektom, uvažila je sugestije \numjetničkih savjetnika i unijela izmjene u scenarij te smatramo da je spreman za \niduću fazu u razvoju. \n \n \nGreta \nScenarij: Sanja Milardović \nRežija: Sanja Milardović \nProducent: Castor Multimedia \n30.000,00 kn \n \nPrvakinja HNK Greta, saznaje da njen sin jedinac s kojim nema gotovo nikakav odnos \nboluje od neizlječive bolesti. Napušta Zagreb i dolazi živjeti kod sina i snahe u \nKopačevo.  \nNe prihvaćajući sinovu odluku da umre na miru dok nije isprobao sve mogućnosti \nliječenja, Greta se sukobi s njima i biva izbačena iz kuće. Međutim, Greta ne odustaje \ni odlučna je osvojiti sinovo i snahino povjerenje. \nKao što sama autorica kaže, riječ je o toploj ljudskoj priči o bolu, gubitku i \nmomentima u životu koji promijene ljude. Treatment je izuzetno kvalitetno napisan, \nvidi se autoričin trud i posvećenost djelu te uvažavanje prijedloga umjetničkih \nsavjetnika iz recenzije na prošlom roku. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_ANIMIRANI_RPR.pdf","filename_decoded":"Obrazlozenje_ANIMIRANI_RPR.pdf","sha256":"6f9926908cc6fb4c21f071e7fba399ae6d3720f58e792dcad292acd1f321f60c","bytes":212749,"page_count":1,"extracted_at":"2026-05-17T12:02:05Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_ANIMIRANI_RPR.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA U 2018. \nGODINI \n \nKategorija: poticanje razvoja projekata animiranih filmova \n \nRokovi: 12.4.2018, 12.7.2018 \n \nNa prvi natječajni rok za razvoj projekata animiranih filmova prijavljen je jedan projekt koji \nnije zadovoljio formalne uvjete natječaja tako da nije bio uzet u razmatranje. Na drugi \nnatječajni rok nije prijavljen niti jedan projekt.  \nU kategoriji proizvodnje animiranih filmova, jedan projekt se isticao svojom kvalitetom i \npotencijalom ali istovremeno i ponešto nedovoljnom pripremljenošću za izvedbu te je , \nbudući da je zadovoljavao formalne uvjete Javnog poziva za razvoj projekta, prebačen u ovu \nkategoriju.  \nRiječ je o projektu DJEČAK, scenarista i redatelja Frane Petruše i baziran na stripu istog \nautora,  u kojem kroz arhivske snimke i klasično 2D animirane crtice iz života Dražena \nPetrovića pratimo odrastanje i stvaranje jedne sportske legende. \nZanimljivo postavljen film u kojem kroz arhivske snimke i klasično 2D animirane crtice iz \nživota Dražena Petrovića pratimo odrastanje i stvaranje jedne sportske legende. Vješt stripaš i \nautor animiranih filmova Frano Petruša, uvjerljivo je skinuo glavne karakteristike poznatog \nkošarkaša i osmislio kako predočiti spoj talenta i upornosti koji je Petrovića doveo do svjetske \nslave. Iako je film većinski dobro postavljen, dojam je da je on sveukupno još nedovoljno \npripremljen (poglavito u vidu režije i kombinacije arhivskih snimaka sa animacijom ) da bi se \nrealizirao na najbolji mogući način i time ostvario svoj puni potencijal. Zbog vrijedne \nbiografske komponente i likovnih predložaka filma, te zadovoljavajuće dužine trajanja (24 \nmin) ali ipak nedovoljno razrađene pripreme filma, projekt je predložen za promjenu \nkategorije te je premješten u fazu razvoja projekta. \nPredložena potpora: 100 000 kn \n \n \nUkupni iznos predložene potpore je 100.000,00 kn. \n \nUmjetnička savjetnica za animirani film \n \nPetra Zlonoga \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_WEB_2016_2rok_DUG_IGR_11072016.pdf","filename_decoded":"RPR_WEB_2016_2rok_DUG_IGR_11072016.pdf","sha256":"6feb79def4addb09c0396fca31916ab3ded74a7c5927b5e18e88c74f8e2b3abb","bytes":83955,"page_count":1,"extracted_at":"2026-05-17T10:24:22Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_WEB_2016_2rok_DUG_IGR_11072016.pdf"},"raw_text":"RAZVOJ\t\r  PROJEKATA\t\r  2016.\n-­‐\t\r  2.\t\r  ROK\nDUGOMETRAŽNI\t\r  IGRANI\n1\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nSansego\nPetnaesta umjetnost d.o.o. \nIvan Ramljak, Marko \nŠkobalj\nIvan Ramljak, Marko \nŠkobalj\n120,000.00\nUKUPNO\n120,000.00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija \ni razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ PROJEKATA u 2016. - 2. ROK - 11.7.2016.\ndugometražni igrani film\n76. sjednica Hrvatskog audiovizualnog vijeća, 4. studenoga 2016.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"RPR_WEB_2016_2rok_DUG_IGR_11072016","year":2016,"rok":"2. rok","natjecaj_date":"2016-07-11","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"76. sjednica Hrvatskog audiovizualnog vijeća, 4. studenoga 2016.","section_key":"76_sjednica_hrvatskog_audiovizualnog_vijeca_4_studenoga_2016","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Sansego","applicant":"Petnaesta umjetnost d.o.o.","production_company":"Petnaesta umjetnost d.o.o.","director":"Ivan Ramljak, Marko Škobalj","writer":"Ivan Ramljak, Marko Škobalj","original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"120,000.00","approved_amount":120000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Ivan Ramljak, Marko Škobalj","REDATELJ":"Ivan Ramljak, Marko Škobalj","approved_amount_original":120.0,"approved_amount_text_original":"120,00","amount_repaired_at":"2026-05-17T12:54:59Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"us_std","amount_repair_confidence":"high","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_doc_single_signal","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"6feb79de_rpr_web_2016_2rok_dug_igr_11072016_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 1 and title Sansego align exactly, with identical adjacent scenarist and redatelj cells and no original-predložak entry.","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"6feb79de_rpr_web_2016_2rok_dug_igr_11072016_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Row number 1 and title Sansego align exactly, with identical adjacent scenarist and redatelj cells and no original-predložak entry."},"entity":"Petnaesta umjetnost d.o.o.","row_id":"6feb79de:s0:d88b17f16f17","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_a7c29ada14de","project_family_title":"Sansego"}],"section_total_text":"120,00","section_total":120.0}],"totals":{"ukupno_text":null,"ukupno":120.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":120000.0,"ukupno_match":false,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_10072014_molba_Brojka%20produkcija.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_10072014_molba_Brojka%20produkcija.pdf","sha256":"7010d8772b8e2a5060890f7ce56e5f4fffcf393554626ed7e37aa2c97f708045","bytes":289775,"page_count":1,"extracted_at":"2026-05-16T13:53:38Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 2904-2014 \nU Zagrebu, 10. srpnja 2014. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12),  Hrvatsko audiovizualno vijeće je na prijedlog ravnatelja na 49. sjednici održanoj 10. srpnja \n2014.  godine donijelo: \n \nO  D  L  U  K  U \no usvajanju molbe producenta Brojka produkcija d.o.o. \n \n1.) Usvaja se molba producenta Brojka produkcija d.o.o., Odranska 6, Zagreb, (dalje u tekstu: Brojka \nprodukcija d.o.o.) za isplatom sredstava odobrenih za razvoj scenarija pojedinačnog televizijskog \ndjela u 2013. godini, scenaristu g. Natku Jurdani, Bosutska 20, Zagreb, (dalje u tekstu: Natko \nJurdana). \n2.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n3.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: HAVC): www.havc.hr. \n \n  \n \n \n \n \nObrazloženje \n \nProducent Brojka produkcija d.o.o. uputio je molbu HAVC-u dana 16. lipnja 2014.godine Klasa: 222-233-\n001-005, Urbroj: 2492-2014 (dalje u tekstu: Molba) da se odobrena sredstva za razvoj scenarija \npojedinačnog televizijskog djela u 2013. godini za projekt „Šala i užas“ scenarista Natka Jurdane, isplate na \nračun scenarista.  \n \nHrvatsko audiovizualno vijeće je na 49. sjednici većinom glasova usvojilo Molbu kao što je navedeno u ad.1  \nove Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v.r. \nDostaviti: \n \n \n - Brojka produkcija d.o.o., Odranska 6, Zagreb \n   -  pismohrana, ovdje \n","warnings":[],"document":{"program_type":"tv_djela","year":2014,"rok":null,"referenced_projects":["Šala i užas"],"summary":"AV vijeće na 49. sjednici od 10. srpnja 2014. usvaja molbu producenta Brojka produkcija d.o.o. da se sredstva odobrena za razvoj scenarija pojedinačnog televizijskog djela u 2013. godini za projekt „Šala i užas“ isplate izravno scenaristu Natku Jurdani.","project_links":[{"source_title":"Šala i užas","family_id":"pf_2727ed341e48","family_title":"Šala i užas","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web AV JP PR FILM u 2024. - 2. rok - ANIMIRANI.pdf","filename_decoded":"web AV JP PR FILM u 2024. - 2. rok - ANIMIRANI.pdf","sha256":"70451ae332888a14a20ff3a6452e8e2cbf9e7a50c9d0dd0e97801c5e4baf3d38","bytes":38785,"page_count":1,"extracted_at":"2026-05-17T10:24:09Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20AV%20JP%20PR%20FILM%20u%202024.%20-%202.%20rok%20-%20ANIMIRANI.pdf"},"raw_text":"NAZIV PROJEKTA\nREDATELJ/ICA\nPRODUCENT\nODOBRENA SREDSTVA (€)\n1\nSupić Slavko i ribica \nŠpela\nDarko Vidačković\nJaka produkcija d.o.o.\n42.000,00 €\n2\nTočka sa sjenom\nBruna Ercegovac\nUstanova Zagreb film\n47.000,00 €\n3\nLedene babe\nLucija Bužančić\nJaka produkcija d.o.o.\n55.000,00 €\n4\nCrvena ima okus krede\nDarko Masnec\nDrybrush Studio d.o.o.\n45.000,00 €\n5\nVelika utrka \nprijateljstva\nDean Hamer\nLuma film, vl. 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje_manjinske_njegic 14112016.pdf","filename_decoded":"obrazlozenje_manjinske_njegic 14112016.pdf","sha256":"71728178d15ed41969efdb0ab5a676f2ba7605236f2b83b32adbab16fe66dbcb","bytes":511255,"page_count":2,"extracted_at":"2026-05-17T12:01:24Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje_manjinske_njegic%2014112016.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničkog savjetnika po rezultatima Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2016. godini u kategoriji poticanja proizvodnje audiovizualnih djela \nfilmskih koprodukcija s manijnskim hrvatskim udjelom (rok 14. studenog 2016.). \n \n \nMarko Njegić, umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom: \n \nOd ukupno 17 prijavljenih projekata na Javni poziv u kategoriji filmskih koprodukcija s manjinskim \nhrvatskim udjelom, za sufinanciranje sam na ovom roku predložio dva filma - jedan dugometražni \nigrani i jedan dugometražni dokumentarni. To ne znači da su se samo ta dva projekta na papiru \nizdvajala po kakvoći. Da je financijska mogućnost dozvoljavala, brojka za potporu bila bi bitno veća. \nRukovodio sam se kvalitetom ponuđenih scenarija i njihovom “misli lokalno, djeluj globalno“ \ndruštvenom relevantnošću i festivalskim potencijalom. Dakle, potrebnom “težinom“ u društvenom \ni umjetničkom smislu. Uz to je, dakako, kriterij bio zamijećenost redateljičinog/redateljevog \nposljednjeg ostvarenja i(li) njegov cjelokupni opus, kao i recentnih projekata (ko)producenata, a da \nje pritom zadovoljena i dostatna zastupljenost hrvatskih filmskih djelatnika u samoj proizvodnji \nfilma, te koprodukcijska struktura u vezi potvrđenih ili dodatnih izvora financiranja.  \n \nBOG POSTOJI, NJENO IME JE PETRUNIJA  \n“Što ako je Bog žena“, pitaju se u filmu “Bog postoji, njeno ime je Petrunija“. Ne bi bilo prvi put da \nje Bog na filmu žena, vidjeli smo ga/je u “Dogmi“ (Alanis Morissette) i recentno u “Kolibi“ (Octavia \nSpencer). No, Bog se u “Petruniji“ neće manifestirati u naslovnom liku. Takvo što ne zanima \nredateljicu i koscenaristicu Teonu Strugar Mitevsku koja je dala nadahnut prikaz autorske vizije \nfilma. Dovodeći u pitanje “spol Boga“ i “važnost spola“ preko lika Petrunije, njezine “svetice“, \n“Ivane Orleanske“, ona preispituje položaj žena u društvu suvremena svijeta i njihova (još uvijek) \nugrožena prava zbog neravnopravnosti spolova, ne nužno unutar religije i Balkana (Makedonije), \niako je radnja filma, nadahnuta istinitom pričom, usko vezana za jedno i drugo. Konkretno, priča je \nfokusirana na Petruniju, slobodoumnu djevojku koja je prekršila pravila i razbila okvire \ncrkvenih/društvenih normi kad je skočila u hladnu rijeku i uzela/osvojila blagoslovljeni križ (donosi \nsreću osvajaču idućih godinu dana) tijekom ceremonije rezervirane samo za muškarce. Ispričana s \ndosta simbolike (žene kao objekti/lutke za izlog), priča je možda lokalna, no djeluje globalno u \notkrivanju društva stereotipa i besmisla te poticanju na diskusiju, naizgled u stilu rumunjskog filma.  \n \n \nNA CILJU  \n“Teaser“ dokumentarca “Na cilju“ intrigira od uvodnog dijela s kamerom u simboličnoj vrtnji ukrug \ndok se vozi unutar kružnog toka. Tema emigracije je (ne samo filmski) promptna i relevantna, \nredateljska koncepcija brižno izložena, a sam redatelj, Želimir Žilnik, svakako jedan od najvećih \n(dokumentarnih) filmaša s ovih prostora. Žilnik je s temom na domaćem terenu nakon posljednjeg \nostvarenja “Destinacija Serbistan“ kojem “Na cilju“ dođe kao neki neslužbeni nastavak. “Na cilju“ \n\n\f\n \n \n \n \nširi područje tematskog djelovanja na prošlost migracije u Europi, od jugoslavenskog do aktualnog \nbliskoistočnog vala koji puni tiskovine i festivalske kinodvorane, zrcaleći europsku sadašnjost u \nkojoj se najviše zadržava, možda i budućnost sudeći po njezinu začaranu krugu. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"proizvodnja animirani kratki i dugi obrazlozenje.pdf","filename_decoded":"proizvodnja animirani kratki i dugi obrazlozenje.pdf","sha256":"7189d093c29f97794956f40abafe3e5bb3b88b4c48168eb87b9405b98fb15c65","bytes":73412,"page_count":7,"extracted_at":"2026-05-17T12:01:45Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/proizvodnja%20animirani%20kratki%20i%20dugi%20obrazlozenje.pdf"},"raw_text":"Javni\t\r  poziv\t\r  za\t\r  poticanje\t\r  audiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  -­‐\t\r  kategorija:\t\r  poticanje\t\r  \nproizvodnje\t\r  filmova,\t\r  1.\t\r  rok\t\r  2020.\t\r  \n\t\r  \nKategorija:\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  \t\r  \nRok:\t\r  7.\t\r  travnja\t\r  2020.\t\r  \t\r  \nUmjetnički\t\r  savjetnik\t\r  za\t\r  animirani\t\r  film:\t\r  Božidar\t\r  Trkulja\t\r  \t\r  \n\t\r  \nNa\t\r  prvi\t\r  natječajni\t\r  rok\t\r  Javnog\t\r  poziva\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  u\t\r  2020.\t\r  godini\t\r  \nprijavljeno\t\r  je\t\r  i\t\r  razmatrano\t\r  sveukupno\t\r  devetnaest\t\r  (19)\t\r  projekata,\t\r  od\t\r  čega\t\r  osamnaest\t\r  (18)\t\r  \nkratkometražnih\t\r  i\t\r  jedan\t\r  (1)\t\r  dugometražni\t\r  projekt.\t\r  \t\r  \nOd\t\r  19\t\r  projekata\t\r  \t\r  za\t\r  sufinanciranje\t\r  je\t\r  predloženo\t\r  osam\t\r  (8)\t\r  filmova,\t\r  jedan\t\r  (1)\t\r  dugometražni\t\r  i\t\r  \nsedam\t\r  (7)\t\r  kratkometražnih\t\r  animiranih\t\r  filmova.\t\r  \t\r  \nPosebnost\t\r  ovog\t\r  natječaja\t\r  je\t\r  upravo\t\r  dugometražni\t\r  animirani\t\r  film\t\r  koji\t\r  je\t\r  u\t\r  suradnji\t\r  sa\t\r  \nsavjetnicima\t\r  za\t\r  dugometražni\t\r  igrani\t\r  film\t\r  i\t\r  predložen\t\r  za\t\r  sufinanciranje.\t\r  \t\r  \nKao\t\r  i\t\r  na\t\r  nekoliko\t\r  prethodnih\t\r  natječaja\t\r  ponovno\t\r  je\t\r  prijavljen\t\r  veliki\t\r  broj\t\r  debitantskih\t\r  projekata,\t\r  \nnjih\t\r  čak\t\r  devet\t\r  (9),\t\r  a\t\r  za\t\r  sufinanciranje\t\r  su\t\r  predložena\t\r  tri\t\r  (3)\t\r  filma.\t\r  \t\r  \nNa\t\r  natječaj\t\r  su\t\r  prijavljena\t\r  četiri\t\r  (4)\t\r  filma\t\r  za\t\r  djecu,\t\r  a\t\r  za\t\r  sufinanciranje\t\r  su\t\r  predložena\t\r  dva\t\r  (2)\t\r  \nfilma.\t\r  Jedan\t\r  je\t\r  nadahnut\t\r  slikovnicom,\t\r  dok\t\r  je\t\r  drugi\t\r  napisan\t\r  i\t\r  u\t\r  knjigu\t\r  snimanja\t\r  uobličen\t\r  prema\t\r  \noriginalnom\t\r  scenariju.\t\r  \nŠto\t\r  se\t\r  tehnika\t\r  tiče,\t\r  najveći\t\r  je\t\r  broj\t\r  prijava,\t\r  odnosno\t\r  filmova\t\r  zamišljen\t\r  da\t\r  se\t\r  izvede\t\r  u\t\r  2D\t\r  tehnici,\t\r  \niako\t\r  je\t\r  vidljiv\t\r  i\t\r  porast\t\r  broja\t\r  lutka\t\r  filmova,\t\r  dok\t\r  je\t\r  nešto\t\r  manji\t\r  broj\t\r  kombiniranih\t\r  tehnika,\t\r  kolaža\t\r  i\t\r  \n3D\t\r  animacije.\t\r  Za\t\r  sufinanciranje\t\r  su\t\r  predložena\t\r  četiri\t\r  (4)\t\r  2D\t\r  filma,\t\r  dva\t\r  (2)\t\r  stop\t\r  animacijska\t\r  lutka\t\r  \nfilma\t\r  i\t\r  jedan\t\r  (1)\t\r  film\t\r  koji\t\r  koristi\t\r  kombinaciju\t\r  tehnika.\t\r  \t\r  \n\t\r  \nSveukupna\t\r  potpora\t\r  \t\r  za\t\r  proizvodnju\t\r  kratkometražnih\t\r  animiranih\t\r  filmova\t\r  je\t\r  1.890.000,00\t\r  kn\t\r  za\t\r  7\t\r  \nprojekata.\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\n\t\r  \nnaziv\t\r  projekta:\t\r  OBITELJSKI\t\r  PORTRET\t\r  \nprodukcija:\t\r  Jadranska\t\r  animacija/\t\r  Adriatic\t\r  animation\t\r  \t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Lea\t\r  Vidaković\t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  15\t\r  min\t\r  /\t\r  lutka\t\r  film/\t\r  odrasli\t\r  \t\r  \n450.000,00\t\r  kn\t\r  \n„Obiteljski\t\r  portret“\t\r  je\t\r  lijepa\t\r  i\t\r  osjećajima\t\r  nabijena\t\r  priča\t\r  o\t\r  obiteljskim\t\r  odnosima\t\r  koji\t\r  se\t\r  očituju,\t\r  \noblikuju\t\r  i\t\r  razotkrivaju\t\r  u\t\r  jednom\t\r  danu,\t\r  u\t\r  jednom\t\r  okupljanju,\t\r  na\t\r  jednom\t\r  mjestu.\t\r  \t\r  \nIako\t\r  smještena\t\r  u\t\r  prostorno-­‐vremenske\t\r  okvire\t\r  Austro-­‐ugarske\t\r  monarhije,\t\r  kako\t\r  to\t\r  sugerira\t\r  \npomno\t\r  i\t\r  minuciozno\t\r  osmišljena\t\r  scenografija\t\r  (pritom\t\r  svemu\t\r  skupa\t\r  dajući\t\r  očaravajući\t\r  šarm),\t\r  to\t\r  \nje\t\r  univerzalna\t\r  priča\t\r  s\t\r  mnoštvo\t\r  dobro\t\r  i\t\r  jasno\t\r  okarakteriziranih\t\r  likova\t\r  s\t\r  kojima\t\r  se\t\r  gledatelj\t\r  lako\t\r  \nmože\t\r  suživjeti.\t\r  Ako\t\r  ne\t\r  sa\t\r  pojedincem,\t\r  onda\t\r  na\t\r  koncu\t\r  sa\t\r  svim\t\r  članovima\t\r  obitelji\t\r  u\t\r  cjelini\t\r  koja\t\r  \nmože\t\r  biti\t\r  nervozna\t\r  i\t\r  bučno\t\r  razdragana,\t\r  a\t\r  opet\t\r  u\t\r  drugom\t\r  trenu\t\r  uspavana,\t\r  snena\t\r  i\t\r  prazna\t\r  nakon\t\r  \nteškoga\t\r  ručka\t\r  kojeg\t\r  ponekad\t\r  pohode\t\r  i\t\r  teška\t\r  i\t\r  bolna\t\r  sjećanja.\t\r  \nU\t\r  filmu\t\r  svaki\t\r  lik\t\r  nosi\t\r  svoju\t\r  istinu\t\r  i\t\r  osobnost,\t\r  želje,\t\r  htijenja\t\r  i\t\r  moranja,\t\r  tuge\t\r  i\t\r  razočaranja,\t\r  a\t\r  \npretapa\t\r  se\t\r  u\t\r  upravo\t\r  ono\t\r  što\t\r  i\t\r  naslov\t\r  postavlja\t\r  kao\t\r  polazišnu\t\r  i\t\r  završnu\t\r  točku,\t\r  a\t\r  to\t\r  je\t\r  obiteljski\t\r  \nportret\t\r  koji\t\r  daje\t\r  jednu\t\r  ćutljivu\t\r  reviziju\t\r  osobnog\t\r  i\t\r  kolektivnog\t\r  sjećanja\t\r  i\t\r  osjećanja.\t\r  \t\r  \nAutorica\t\r  je\t\r  svojim\t\r  prethodnim\t\r  filmovima\t\r  izgradila\t\r  prepoznatljivi\t\r  stil\t\r  i\t\r  uspostavila\t\r  se\t\r  kao\t\r  jedna\t\r  \nod\t\r  najvještijih\t\r  animatora\t\r  unutar\t\r  hrvatskog\t\r  lutkarskog\t\r  animiranog\t\r  film.\t\r  \t\r  \t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  U\t\r  MALU\t\r  JE\t\r  UŠA\t\r  ĐAVA\t\r  \t\r  \nprodukcija:\t\r  Prime\t\r  Render\t\r  d.o.o.\t\r  \t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Veljko\t\r  Popović,\t\r  Milivoj\t\r  Popović\t\r  \t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  12\t\r  min\t\r  /\t\r  2d\t\r  animacija/\t\r  odrasli\t\r  i\t\r  djeca\t\r  \t\r  \n420.000,00\t\r  kn\t\r  \nPrema\t\r  uspješnom\t\r  autobiografskom\t\r  romanu\t\r  \"U\t\r  malu\t\r  je\t\r  uša\t\r  đava\"\t\r  likovne\t\r  umjetnice,\t\r  a\t\r  očito\t\r  i\t\r  \nvješte\t\r  spisateljice,\t\r  Tisje\t\r  Kljaković\t\r  Braić,\t\r  adaptiran\t\r  je\t\r  scenarij\t\r  i\t\r  osmišljen\t\r  duhovit\t\r  i\t\r  dijaloški\t\r  \nrazigrani\t\r  film\t\r  o\t\r  odrastanju\t\r  i\t\r  spoznavanju\t\r  svijeta\t\r  i\t\r  života.\t\r  Glavni\t\r  akteri\t\r  priče\t\r  su\t\r  djevojčica\t\r  Tisja\t\r  i\t\r  \nnjen\t\r  djed,\t\r  a\t\r  sve\t\r  ono\t\r  što\t\r  se\t\r  zbiva\t\r  između\t\r  jedne\t\r  ljubavi\t\r  i\t\r  generacijskog\t\r  jaza,\t\r  ostavlja\t\r  nas\t\r  da\t\r  i\t\r  sami\t\r  \npropitujemo\t\r  svoje\t\r  ljubavi,\t\r  generacijske\t\r  jazove,\t\r  ali\t\r  i\t\r  sjećanja.\t\r  Film\t\r  nas\t\r  u\t\r  to\t\r  svakako\t\r  uvlači\t\r  svojim\t\r  \nnarativom,\t\r  vizualom,\t\r  ritmom\t\r  i\t\r  humorom.\t\r  \n\n\f\nToplina\t\r  i\t\r  neposrednost\t\r  priče\t\r  uz\t\r  primjenjive\t\r  i\t\r  prispodobljive\t\r  vizuale\t\r  i\t\r  karakter\t\r  animacije\t\r  \npretpostavljaju\t\r  uspješno\t\r  izveden\t\r  festivalski,\t\r  televizijski\t\r  ili\t\r  na\t\r  bilo\t\r  kojoj\t\r  drugoj\t\r  platformi\t\r  \nprezentan\t\r  film.\t\r  \t\r  \nAutori\t\r  su\t\r  dosad\t\r  uspješno\t\r  ostvarivali\t\r  odobrene\t\r  projekte\t\r  uz\t\r  stalnu\t\r  prisutnost\t\r  u\t\r  natjecateljskim\t\r  \nprogramima\t\r  najvećih\t\r  svjetskih\t\r  filmskih\t\r  festivala.\t\r  \t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  ORINTHOLOGY\t\r  \nprodukcija:\t\r  Ustanova\t\r  Zagreb\t\r  film\t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Nina\t\r  Klarić,\t\r  Siniša\t\r  Koprivnjak\t\r  (debitanti)\t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  8\t\r  min\t\r  /\t\r  lutka\t\r  film/\t\r  odrasli\t\r  \t\r  \n350.000,00\t\r  kn\t\r  \nIako\t\r  je\t\r  riječ\t\r  o\t\r  debitantima\t\r  u\t\r  animiranom\t\r  filmu,\t\r  projekt\t\r  je\t\r  čvrsto\t\r  postavljen\t\r  i\t\r  ima\t\r  sve\t\r  potrebne\t\r  \nkvalitete\t\r  za\t\r  uspješan\t\r  lutka-­‐film,\t\r  od\t\r  priče,\t\r  odnosno\t\r  scenarija,\t\r  pa\t\r  sve\t\r  do\t\r  samog\t\r  vizuala,\t\r  animacije\t\r  \ni\t\r  atmosfere\t\r  što\t\r  se\t\r  moglo\t\r  vidjeti\t\r  iz\t\r  kratkog\t\r  isječka\t\r  kojeg\t\r  su\t\r  autori\t\r  priložili\t\r  uz\t\r  natječajnu\t\r  \ndokumentaciju.\t\r  Pticoliki\t\r  muškarac\t\r  i\t\r  pticolika\t\r  žena\t\r  ili\t\r  muškolika\t\r  i\t\r  ženskolika\t\r  ptica\t\r  uronjeni\t\r  su\t\r  u\t\r  \nsvoju\t\r  pomalo\t\r  sablasnu\t\r  rutinu\t\r  koja\t\r  se\t\r  do\t\r  kraja\t\r  filma\t\r  razotkriva\t\r  u\t\r  svom\t\r  punom\t\r  svjetlu\t\r  ostavljajući\t\r  \nnas\t\r  da\t\r  prepoznajemo\t\r  i\t\r  svoje\t\r  vlastite\t\r  zakutke\t\r  podsvijesti.\t\r  \nGlavni\t\r  akteri\t\r  priče\t\r  su\t\r  upečatljivi,\t\r  a\t\r  atmosfera\t\r  uznemirujuće\t\r  napeta\t\r  iako\t\r  se\t\r  radnja\t\r  ne\t\r  oslanja\t\r  na\t\r  \nakciju\t\r  već\t\r  na\t\r  unutarnji\t\r  i\t\r  međusobni\t\r  sukob.\t\r  \t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  PLAVI\t\r  MEDO\t\r  \nprodukcija:\t\r  Studio\t\r  dim\t\r  d.o.o.\t\r  \t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Marina\t\r  Andree\t\r  Škop\t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  10\t\r  min\t\r  /\t\r  2d\t\r  animacija/\t\r  djeca\t\r  \n260.000,00\t\r  kn\t\r  \n„Plavi\t\r  medo“\t\r  je\t\r  i\t\r  pričom\t\r  i\t\r  vizualom\t\r  upečatljiv,\t\r  poučan\t\r  i\t\r  duhovit\t\r  film\t\r  za\t\r  djecu,\t\r  nastao\t\r  prema\t\r  \nnagrađivanoj\t\r  slikovnici\t\r  spisateljice\t\r  Silvije\t\r  Šesto\t\r  i\t\r  ilustratorice\t\r  Vande\t\r  Čižmek.\t\r  Autorica\t\r  je\t\r  \nprepoznala\t\r  kvalitetu\t\r  i\t\r  vrijednost\t\r  priče\t\r  koja\t\r  ima\t\r  potencijala\t\r  dopasti\t\r  se\t\r  i\t\r  djeci,\t\r  ali\t\r  i\t\r  njihovim\t\r  \nroditeljima,\t\r  a\t\r  svakako\t\r  i\t\r  bakama\t\r  i\t\r  djedovima.\t\r  Priča\t\r  o\t\r  dječaku\t\r  Svemiru\t\r  koji\t\r  za\t\r  rođendan\t\r  dobiva\t\r  \nplavog\t\r  medu\t\r  u\t\r  celofanu,\t\r  razvija\t\r  se\t\r  na\t\r  koncu\t\r  u\t\r  jednu\t\r  životnu\t\r  višegeneracijsku\t\r  storiju\t\r  koja\t\r  spaja\t\r  \nfrustraciju,\t\r  sjećanje,\t\r  ali\t\r  i\t\r  ljepotu,\t\r  pomirenje\t\r  i\t\r  ljubav\t\r  koju\t\r  u\t\r  odnosima\t\r  proživljavaju\t\r  djeca\t\r  i\t\r  njihovi\t\r  \nroditelji.\t\r  \n\n\f\nVizualno\t\r  uzbudljiv\t\r  i\t\r  na\t\r  tragu\t\r  likovnosti\t\r  kakvu\t\r  je\t\r  njegovala\t\r  Zagrebačka\t\r  škola\t\r  crtanog\t\r  filma,\t\r  a\t\r  uz\t\r  \nemotivnu\t\r  priču,\t\r  film\t\r  ima\t\r  veliki\t\r  potencijal\t\r  \t\r  kako\t\r  na\t\r  festivalima\t\r  filmova\t\r  za\t\r  djecu,\t\r  tako\t\r  i\t\r  na\t\r  ostalim\t\r  \naudiovizualnim\t\r  platformama.\t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  GRAD\t\r  \nprodukcija:\t\r  Kreativni\t\r  sindikat\t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Marko\t\r  Tadić\t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  6\t\r  min/\t\r  stop-­‐animacija,\t\r  kolaž,\t\r  2d\t\r  crtež/\t\r  odrasli\t\r  \n150.000,00\t\r  kn\t\r  \n„Grad“\t\r  je\t\r  vizualno\t\r  uzbudljiv\t\r  animacijsko-­‐eksperimentalni\t\r  film\t\r  kojim\t\r  autor\t\r  nastavlja\t\r  svoj\t\r  niz\t\r  \nnadograđujući\t\r  slikarsko-­‐animacijski\t\r  stil\t\r  koji\t\r  je\t\r  dosad\t\r  uspješno\t\r  izgrađivao.\t\r  Film\t\r  nas\t\r  uvlači\t\r  u\t\r  svijet\t\r  \nkoji\t\r  se\t\r  izgrađuje,\t\r  dograđuje\t\r  i\t\r  razgrađuje,\t\r  a\t\r  posveta\t\r  je\t\r  vizualnom\t\r  umjetniku\t\r  i\t\r  teoretičaru\t\r  \nVjenceslavu\t\r  Richteru\t\r  i\t\r  njegovom\t\r  kontroverznom\t\r  projektu\t\r  Sinturbanizam.\t\r  \nProjekt\t\r  osim\t\r  svojeg\t\r  filmsko-­‐festivalskog\t\r  puta\t\r  ima\t\r  sve\t\r  potencijale\t\r  ostvarivanja\t\r  i\t\r  unutar\t\r  \nizložbeno-­‐galerijskih\t\r  prostora\t\r  te\t\r  tako\t\r  ima\t\r  priliku\t\r  filmsku\t\r  umjetnost\t\r  i\t\r  samu\t\r  animaciju\t\r  predstaviti\t\r  \njoš\t\r  široj\t\r  publici,\t\r  predlažući\t\r  pritom\t\r  i\t\r  drugačiji\t\r  projekcijsko/projektni\t\r  prostor\t\r  kao\t\r  mogućnost\t\r  \nviđenja\t\r  konteksta\t\r  življenja\t\r  u\t\r  današnjici,\t\r  a\t\r  to\t\r  je\t\r  promišljanje\t\r  arhitektura\t\r  i\t\r  njena\t\r  primjenjivost\t\r  o\t\r  \nkojoj\t\r  ćemo\t\r  u\t\r  vremenima\t\r  koja\t\r  dolaze\t\r  sve\t\r  više\t\r  i\t\r  sve\t\r  dublje\t\r  morati\t\r  promišljati.\t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  Y\t\r  \nprodukcija:\t\r  Ustanova\t\r  Zagreb\t\r  film\t\r  \t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Matea\t\r  Kovač\t\r  (debitantica)\t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  5\t\r  min\t\r  /\t\r  2d\t\r  animacija\t\r  /\t\r  odrasli\t\r  \t\r  \n130.000,00\t\r  kn\t\r  \n„Y“\t\r  je\t\r  animirana\t\r  studija\t\r  o\t\r  ljubavi\t\r  i\t\r  strasti\t\r  namijenjena\t\r  odrasloj\t\r  publici.\t\r  Riječ\t\r  je\t\r  o\t\r  otvorenoj\t\r  i\t\r  bez\t\r  \nskanjivanja\t\r  ispričanoj\t\r  priči\t\r  koju\t\r  naratorski\t\r  nose\t\r  glavna\t\r  junakinja\t\r  pripovjedačica\t\r  i\t\r  njena\t\r  \n„vokalna“\t\r  pratilja\t\r  koja\t\r  podcrtava\t\r  likovne\t\r  procese\t\r  na\t\r  temelju\t\r  kojih\t\r  je\t\r  izgrađen\t\r  ovaj\t\r  kratki,\t\r  ali\t\r  \nefektno-­‐provokativni\t\r  film.\t\r  Osim\t\r  natjecateljskih\t\r  programa\t\r  svjetskih\t\r  festivala,\t\r  film\t\r  ima\t\r  \npotencijala\t\r  biti\t\r  zastupljen\t\r  i\t\r  u\t\r  posebnim\t\r  popratnim\t\r  programima\t\r  kakve\t\r  i\t\r  domaći\t\r  i\t\r  svjetski\t\r  festivali\t\r  \nčesto\t\r  vole\t\r  imati.\t\r  \t\r  \n\n\f\nIako\t\r  je\t\r  autorica\t\r  debitantica\t\r  film\t\r  je\t\r  čvrsto\t\r  postavljen,\t\r  a\t\r  njen\t\r  prethodni\t\r  uradak,\t\r  diplomski\t\r  film\t\r  \n„Osmijeh“\t\r  postigao\t\r  je\t\r  i\t\r  zamjetan\t\r  uspjeh\t\r  ujedno\t\r  i\t\r  pokazavši\t\r  jedan\t\r  čvrsti\t\r  i\t\r  principijelni\t\r  pristup\t\r  \nmateriji.\t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  LJUBIMAC\t\r  STRES\t\r  \nprodukcija:\t\r  Jadranska\t\r  animacija/\t\r  Adriatic\t\r  animation\t\r  \t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Laura\t\r  Martinović\t\r  (debitantica)\t\r  \ntrajanje/\t\r  tehnika\t\r  /\t\r  publika:\t\r  5\t\r  min\t\r  /\t\r  2d\t\r  animacija/\t\r  djeca\t\r  \n130.000.00\t\r  kn\t\r  \n„Ljubimac\t\r  stres“\t\r  je\t\r  jednostavna,\t\r  ali\t\r  upečatljivo\t\r  razigrana\t\r  priča\t\r  o\t\r  prijateljstvu,\t\r  o\t\r  odbacivanju\t\r  i\t\r  \nprihvaćanju,\t\r  o\t\r  vjernosti\t\r  i\t\r  potrebi\t\r  za\t\r  igrom\t\r  i\t\r  ljubavi.\t\r  U\t\r  središtu\t\r  priče\t\r  je\t\r  djevojčica\t\r  koja\t\r  se\t\r  teško\t\r  \nuklapa\t\r  u\t\r  društvo\t\r  vršnjaka\t\r  jer\t\r  je\t\r  njena\t\r  lutka\t\r  prema\t\r  vršnjačkim\t\r  mjerilima\t\r  ružna.\t\r  No,\t\r  osim\t\r  \nnelijepe,\t\r  ali\t\r  srcu\t\r  joj\t\r  drage\t\r  lutke,\t\r  djevojčica\t\r  udomi\t\r  još\t\r  čudnijeg,\t\r  ružnijeg\t\r  i\t\r  neobičnijeg\t\r  ljubimca.\t\r  \nUviđa\t\r  kako\t\r  nije\t\r  nimalo\t\r  jednostavno\t\r  brinuti\t\r  se\t\r  za\t\r  druge\t\r  i\t\r  ostati\t\r  im\t\r  vjeran\t\r  prijatelj\t\r  kada\t\r  to\t\r  nije\t\r  \nnimalo\t\r  jednostavno.\t\r  \nAutorica\t\r  je\t\r  debitantica,\t\r  a\t\r  „Ljubimac\t\r  stres“\t\r  ima\t\r  potencijala\t\r  postati\t\r  lijepi\t\r  i\t\r  uzbudljivi\t\r  festivalski\t\r  \nfilm\t\r  namijenjen\t\r  dječjem\t\r  uzrastu.\t\r  \t\r  \n\t\r  \nUKUPNI\t\r  IZNOS:\t\r  \n1.890,000\t\r  kn\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\nJavni\t\r  poziv\t\r  za\t\r  poticanje\t\r  audiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  -­‐\t\r  kategorija:\t\r  poticanje\t\r  \nproizvodnje\t\r  filmova,\t\r  1.\t\r  rok\t\r  2020.\t\r  \nKategorija:\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  \t\r  \n\t\r  \nRok:\t\r  7.\t\r  travnja\t\r  2020.\t\r  \t\r  \nUmjetnički\t\r  savjetnik\t\r  za\t\r  animirani\t\r  film:\t\r  Božidar\t\r  Trkulja\t\r  \t\r  \n\t\r  \nDUGOMETRAŽNI\t\r  ANIMIRANI\t\r  FILM\t\r  \n\t\r  \nnaziv\t\r  filma:\t\r  KRISTALNI\t\r  OTMIČARI\t\r  \nproducent:\t\r  Filmosaurus\t\r  Rex\t\r  d.o.o.\t\r  \nscenarij:\t\r  Dušan\t\r  Vukotić,\t\r  Arsen\t\r  Anton\t\r  Ostojić,\t\r  Aleksandar\t\r  Žiljak\t\r  \nrežija:\t\r  Arsen\t\r  Anton\t\r  Ostojić\t\r  \ntehnika:\t\r  3D\t\r  animacija\t\r  \npredviđeno\t\r  trajanje:\t\r  95\t\r  min\t\r  \n5.000.000,00\t\r  kn\t\r  \n\t\r  \nOBRAZLOŽENJE\t\r  \nU\t\r  prijedlogu\t\r  o\t\r  sufinanciranju\t\r  proizvodnje,\t\r  uz\t\r  umjetničkog\t\r  savjetnika\t\r  za\t\r  animirani\t\r  film,\t\r  \nsudjelovali\t\r  su\t\r  i\t\r  umjetnički\t\r  savjetnici\t\r  za\t\r  dugometražni\t\r  igrani\t\r  film:\t\r  Pavlica\t\r  Bajsić\t\r  Brazzoduro,\t\r  \nDanilo\t\r  Šerbedžija\t\r  i\t\r  Zdenka\t\r  Gold.\t\r  \n„Kristalni\t\r  otmičari“\t\r  su\t\r  prepoznati\t\r  kao\t\r  iznimno\t\r  vrijedan\t\r  i\t\r  komercijalno\t\r  potentan\t\r  projekt,\t\r  koji\t\r  \nmože\t\r  na\t\r  koncu\t\r  postići\t\r  i\t\r  veliki\t\r  svjetski\t\r  uspjeh.\t\r  Riječ\t\r  je\t\r  o\t\r  kompleksnom\t\r  i\t\r  produkcijski\t\r  zahtjevnom,\t\r  \nali\t\r  čvrsto,\t\r  temeljito\t\r  i\t\r  mudro\t\r  postavljenom\t\r  projektu\t\r  koji\t\r  se\t\r  razvijao\t\r  više\t\r  od\t\r  25\t\r  godina.\t\r  Projekt\t\r  je\t\r  \nzapočeo\t\r  i\t\r  za\t\r  njega\t\r  scenarij\t\r  napisao\t\r  jedan\t\r  od\t\r  najznačajnijih\t\r  i\t\r  najvećih\t\r  hrvatskih\t\r  i\t\r  svjetskih\t\r  \nanimatora\t\r  –\t\r  Dušan\t\r  Vukotić.\t\r  Oscarom\t\r  nagrađeni\t\r  autor,\t\r  nakon\t\r  niza\t\r  nagrađivanih\t\r  i\t\r  danas\t\r  \ngenijalnih\t\r  animiranih\t\r  filmova,\t\r  napravio\t\r  je\t\r  i\t\r  tri\t\r  igrana\t\r  dugometražna\t\r  filma,\t\r  te\t\r  je\t\r  potom\t\r  zamislio\t\r  i\t\r  \nsvijet\t\r  „Kristalnih\t\r  otmičara“\t\r  koji\t\r  ipak\t\r  nije\t\r  stigao\t\r  oblikovati\t\r  u\t\r  film,\t\r  u\t\r  prvobitnoj\t\r  viziji\t\r  igrano-­‐\nanimirani\t\r  film.\t\r  Ipak,\t\r  Vukotić\t\r  je\t\r  svoju\t\r  ostavštinu\t\r  vezanu\t\r  uz\t\r  projekt\t\r  uspio\t\r  ostaviti\t\r  u\t\r  nasljeđe\t\r  \njednom\t\r  od\t\r  svojih\t\r  učenika,\t\r  Arsenu\t\r  Antonu\t\r  Ostojiću,\t\r  koji\t\r  je\t\r  u\t\r  priči,\t\r  odnosno\t\r  scenariju\t\r  i\t\r  \n\n\f\nVukotićevim\t\r  vizijama\t\r  prepoznao\t\r  potencijal\t\r  i\t\r  odlučio\t\r  ga\t\r  20-­‐ak\t\r  godina\t\r  kasnije\t\r  ostvariti,\t\r  ali\t\r  ovaj\t\r  \nput\t\r  kao\t\r  potpuno\t\r  animirani\t\r  film\t\r  u\t\r  tehnici\t\r  3D\t\r  animacije.\t\r  \t\r  \nRedatelj,\t\r  a\t\r  ujedno\t\r  i\t\r  producent,\t\r  Arsen\t\r  Anton\t\r  Ostojić,\t\r  vješto\t\r  je\t\r  postavio\t\r  projekt,\t\r  a\t\r  rezultati\t\r  do\t\r  \nsada\t\r  nisu\t\r  izostali.\t\r  \t\r  \nOsim\t\r  što\t\r  je\t\r  sufinanciran\t\r  za\t\r  razvoj\t\r  projekta\t\r  i\t\r  od\t\r  Hrvatskog\t\r  audiovizualnog\t\r  centra\t\r  2015.\t\r  godine,\t\r  \nsufinanciran\t\r  je\t\r  i\t\r  od\t\r  češkog\t\r  Štatnog\t\r  fonda\t\r  kinematografije\t\r  za\t\r  razvoj\t\r  projekta\t\r  2018.,\t\r  kao\t\r  i\t\r  \nsredstvima\t\r  Creative\t\r  Europe/MEDIA\t\r  za\t\r  razvoj\t\r  projekta\t\r  2017.\t\r  godine.\t\r  Suradnja,\t\r  odnosno\t\r  \nkoprodukcija\t\r  ostvarena\t\r  je\t\r  i\t\r  s\t\r  češkim\t\r  studijom\t\r  „Alkay\t\r  Animation“.\t\r  Projekt\t\r  je,\t\r  a\t\r  što\t\r  je\t\r  vrlo\t\r  važno,\t\r  \ndobio\t\r  i\t\r  sredstva\t\r  Državnog\t\r  fonda\t\r  za\t\r  kinematografiju\t\r  Češke\t\r  Republike\t\r  u\t\r  iznosu\t\r  od\t\r  530.000\t\r  eura\t\r  \n(3.970.100,00\t\r  kuna).\t\r  \n„Kristalni\t\r  otmičari“\t\r  su\t\r  znanstvenofantastični\t\r  akcijski\t\r  film\t\r  koji\t\r  u\t\r  sebi\t\r  sadrži\t\r  sve\t\r  značajke\t\r  žanra,\t\r  \nvodi\t\r  nas\t\r  vrlo\t\r  sigurno\t\r  od\t\r  početka\t\r  do\t\r  kraja,\t\r  dok\t\r  kroz\t\r  klasično\t\r  gradivne\t\r  naracijske\t\r  elemente\t\r  stvara\t\r  \nnapetost\t\r  koja\t\r  bez\t\r  ikakvih\t\r  problema\t\r  drži\t\r  pažnju\t\r  gledatelja.\t\r  \t\r  \nRadnja\t\r  filma\t\r  se\t\r  odvija\t\r  na\t\r  novootkrivenom\t\r  planetu\t\r  koju\t\r  su\t\r  kolonizirali\t\r  ljudi,\t\r  pritom\t\r  ne\t\r  znajući\t\r  da\t\r  \nu\t\r  podzemlju\t\r  žive\t\r  prastanovnici\t\r  tog\t\r  svijeta\t\r  –\t\r  Gorgoni.\t\r  Ljudi\t\r  su\t\r  svojom\t\r  neobazrivošću\t\r  i\t\r  pohlepom\t\r  \npojedinaca,\t\r  svemirskom\t\r  tvrtkom\t\r  za\t\r  zbrinjavanje\t\r  otpada,\t\r  narušili\t\r  njihov\t\r  dotadašnji\t\r  život\t\r  koji\t\r  se\t\r  \nodvija\t\r  u\t\r  podzemlju\t\r  otkad\t\r  ih\t\r  je\t\r  snašla\t\r  kataklizma\t\r  i\t\r  kad\t\r  su\t\r  se\t\r  povukli\t\r  u\t\r  dubine\t\r  zemlje.\t\r  Obazrivi\t\r  i\t\r  \nspiritualni\t\r  četveronožno\t\r  dvoruki\t\r  Gorgoni\t\r  suočeni\t\r  su\t\r  s\t\r  prijetnjom\t\r  –\t\r  dvoglavom\t\r  zmijom\t\r  –\t\r  \nsimbolički\t\r  produktom\t\r  ljudskog\t\r  nemara.\t\r  \t\r  \nKako\t\r  i\t\r  priliči\t\r  filmu\t\r  za\t\r  djecu,\t\r  odnosno\t\r  obiteljskom\t\r  filmu,\t\r  „Kristalni\t\r  otmičari“\t\r  uz\t\r  pomno\t\r  smišljenu\t\r  \nnapetost\t\r  koja\t\r  uz\t\r  to\t\r  emotivno\t\r  angažira\t\r  gledatelja,\t\r  na\t\r  koncu,\t\r  kako\t\r  se\t\r  od\t\r  filma\t\r  i\t\r  očekuje,\t\r  završava\t\r  \nsretno.\t\r  \n„Kristalni\t\r  otmičari“\t\r  nakon\t\r  dugo\t\r  vremena\t\r  imaju\t\r  prilike\t\r  ojačati\t\r  hrvatsku\t\r  kinematografiju\t\r  jednim\t\r  \nod\t\r  svojih\t\r  najjačih\t\r  aduta,\t\r  a\t\r  to\t\r  je\t\r  animacija.\t\r  Ovaj\t\r  put\t\r  i\t\r  u\t\r  dugometražnom\t\r  obliku.\t\r  \n\t\r  \numjetnički\t\r  savjetnik\t\r  za\t\r  animirani\t\r  film:\t\r  \nBožidar\t\r  Trkulja\t\r  \n\t\r  \n\t\r  \n\t\r  \t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPRSERTV_2022_WEB_2rok_12IX2022.pdf","filename_decoded":"RPRSERTV_2022_WEB_2rok_12IX2022.pdf","sha256":"71a340ca6ae5b25bdcda04248d895ee59678efe85c1663b5f91e02cb92124ab5","bytes":116494,"page_count":1,"extracted_at":"2026-05-17T10:24:12Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPRSERTV_2022_WEB_2rok_12IX2022.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\nODOBRENO EUR\n1\nDrvo i Pčela\nReci RCLE d.o.o.\nDenis Valentić\nDenis Valentić\n45.000,00\n5.972,53\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\nODOBRENO EUR\n2\nSezona\nEclectica d.o.o. \nIvan Grgur\nIvan Grgur\n40.000,00\n5.308,91\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\nODOBRENO EUR\n3\nZnatiželjna Ana\nWolfgang i Dolly d.o.o.\nAleksandar Arsovski, \nVeno Mušinović, Vida \nZelić, Ninoslav Mrvelj, \nMarija Androić, Matej \nSudarić\nVeno Mušinović, Filip \nHeraković, Borna Zidarić, \nAleksandar Arsovski\n50.000,00\n6.636,14\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\nODOBRENO EUR\n4\nMrtvi kut\nKinematograf d.o.o.\nAndrej Korovljev, \nMarijana Veljović\nAndrej Korovljev\n60.000,00\n7.963,37\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\nODOBRENO EUR\n5\nLijepe naše\nAmbasada Studio d.o.o.\nNataša Dangubić, Zrinka \nŠamija\nJakov Nola\n50.000,00\n6.636,14\n6\nRoberta, saberi se\nWolfgang i Dolly d.o.o.\nLana Kosovac, Amanda \nPrenkaj\nLana Kosovac\n50.000,00\n6.636,14\n295.000,00\n39.153,23\ntelevizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su namijenjena prvenstveno televizijskom prikazivanju\ntelevizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta\nUKUPNO RAZVOJ PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE RAZVOJA SCENARIJA I \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ PROJEKATA SERIJSKIH \nTELEVIZIJSKIH DJELA u 2022. - 2. ROK - 12.9.2022.\nanimirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute\ndokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta\nkreativni televizijski format namijenjen djeci i mladima čije ukupno trajanje serije nije kraće od 25 minuta i koji su namijenjeni \nprvenstveno televizijskom prikazivanju\n5. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 14. prosinca 2022.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"RPRSERTV_2022_WEB_2rok_12IX2022","year":2022,"rok":"2. rok","natjecaj_date":"2022-09-12","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 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se"}],"section_total_text":"295.000,00","section_total":295000.0}],"totals":{"ukupno_text":null,"ukupno":295065.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":295000.0,"ukupno_match":false,"row_count":6,"awarded_count":6,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":6}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web_recenzija_4_rok_2021.pdf","filename_decoded":"web_recenzija_4_rok_2021.pdf","sha256":"71b8196dcf638c43b09c5001a6dc053e60974e5099f2bec6ab4754316bf4dd71","bytes":131130,"page_count":2,"extracted_at":"2026-05-17T12:01:20Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web_recenzija_4_rok_2021.pdf"},"raw_text":"1) DISTRIBUCIJA dugometražnog igranog filma „BAKSUZNO BUBANJE ILI BEZUMNI PORNIĆ” - \n25.000,00 kn  \nKarijera školske učiteljice Emi ugrožena je kada u javnost procuri njezina privatna snimka seksa s \nmužem. Prisiljena suočiti se s bijesnim roditeljima koji traže da bude otpuštena, Emi se s njima \nsukobljava oko pitanja morala. Sukob prerasta u raspravu koja razotkriva licemjerstvo, predrasude i \ndiskriminaciju duboko usađene u naše društvo. \nBaksuzno bubanje ili bezumni pornić je satira koja će prvenstveno biti zanimljiva ljubiteljima art filma \ni ozbiljnijoj kino publici – tom segmentu publike će činjenice da se film okitio Zlatnim medvjedom za \nnajbolji film na Međunarodnom filmskom festivalu u Berlinu te da je film rumunjski kandidat za \nnagradu Oscar pružiti dodatnu motivaciju za gledanjem filma. \n \n2) DISTRIBUCIJA dugometražnog dokumentarnog filma „KUĆA MALE ZVIJEZDE” - 22.000,00 kn  \nDokumentarni film koji je režirala žena o moćnom putovanju kroz sve životne prepreke u kojem glavni \nlik tumači žena u hidžabu koja pokušavajući osvojiti triatlon dolazi do unutarnje slobode i svog pravog \nidentiteta. \nKuća male zvijezde je  feel-good naslov koji mogao polučiti interes domaće publike zbog simpatične i \nzanimljive priče. Trčanje je popularan hobi u Hrvatskoj koje još dobiva na popularnosti te bi ta \npoveznica mogla omogućiti filmu da se probije do šire publike od one koja inače prati dokumentarni \nfilm.   \n \n3) DISTRIBUCIJA dugometražnog igranog filma „PLAVI CVIJET” - 50.000,00 kn  \nSredovječna Mirjana službenica je u zagrebačkoj tvornici konca. Na dan proslave 20. obljetnice rada, \nMirjanini susreti i razgovori s bližnjima osvjetljavaju dijelove njezina života: onaj iza nje, onaj koji vodi \ni onaj koji joj tek predstoji. Plavi cvijet film je o ženi, majci i kćeri, film koji budi emotivne asocijacije i \nnuka nas da dobro promotrimo sami sebe. \nOvaj lijep i zanimljiv film kroz priču o protagonistici obrađuje vrlo aktualnu temu nedostatka kvalitetne \nkomunikacije u današnje doba, a dobar scenarij i glumačke izvedbe dodatni su aduti filma Plavi cvijet \nkoje će ozbiljnija publika cijeniti.   \n \n4) DISTRIBUCIJA dugometražnog igranog filma „POSLIJE ZIME” - 20.000,00 kn  \nEmotivni triptih o prijateljstvu grupe ljudi u svojim kasnim dvadesetim, porijeklom iz malog \ncrnogorskog grada poslom i studijama rasuti po ostacima Jugoslavije. Oni pričaju priču o tri različite \nvrste prijateljstva -žensko-ženskom, muško-muškom i muško-ženskom. Tokom jedne godine, od \nproljeća do zime, uviđaju da im mladost završava, a nefokusirani životi skoro sami od sebe kreću \ndrugim putem. S dolaskom zime, već su drugačiji. Poslije zime, svatko od njih mora izgraditi novi svijet \nza sebe. \nPoslije zime je crnogorski kandidat za nagradu Oscar, a teme koje film obrađuje - prijateljstvo, ljubav i \ntraženje sebe su univerzalne priče u kojoj se može pronaći domaća ciljana publika ovog filma, a glavni \nglumci, Momčilo Otašević i Petar Burić poznata su lica dijelu domaće publike. \n\n\f\n \n5) DISTRIBUCIJA dugometražnog dokumentarnog filma „VEĆE OD TRAUME” - 31.000,00 kn  \nFilm prati intiman proces osnaživanja četiri žene iz Vukovara i okolice, koje su bile zatočene, sustavno \nzlostavljanje i silovane od strane okupacijske vojske. Njihova unutarnja promjena odražava se na njihov \nživot i odnose i one počinju rasti a život ih počinje održavati. \nVeće od traume je film koji jednu bolnu i tešku temu obrađuje na vješt i osjećajan način, izbjegavajući \nsenzacionalizam. Bitno je da poruke koje ovaj film nosi: komunikacija, zacjeljivanje i pomaganje da se \nžrtve okrenu prema budućnosti, budu prisutne u javnom dijalogu. Uz sve izazove u redovnoj kino \ndistribuciji, prilika za film su organizirane projekcije kao podloga za diskurs i u edukativne svrhe, kao i \nprigodne projekcije povodom obilježavanja obljetnica događaja iz Domovinskog rata te on, uz pažljivu \npripremu, ima priliku izaći iz okvira uobičajenih okvira distribucije dokumentarnog filma. \n \n6) DISTRIBUCIJA dugometražnog igranog filma „ZBORNICA” - 60.000,00 kn  \nSuočena s ograničenjima školskog sistema i okružena obeshrabrenim učiteljima, nova i entuzijastična \nosnovnoškolska pedagoginja Anamarija započinje vlastitu borbu s problematičnim profesorom \npovijesti, nesvjesna da upravo takvim postupanjem polako postaje sve sličnija svojim kolegama u \nzbornici. \nFilm Zbornica bavi se temom koja je vrlo aktualna – školstvom. Iako je riječ o drami, film je dinamičan \ni zanimljiv i vjerujem da može računati na pozitivnu usmenu predaju, pogotovo među radnicima u \nprosvjeti, koji će vjerojatno u filmu prepoznati elemente iz svoje svakodnevnice. No, problemi u \nškolstvu koje film obrađuje zapravo su ogledalo društva, a tema borbe pojedinca i sustava nije \nograničena samo na školstvo, tako da film može biti relevantan i dijelu publike koji nema veze s \nprosvjetom. \n \n \n \n \n \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":2021,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"2.ROK_OSVRT NA ROK_WEB.pdf","filename_decoded":"2.ROK_OSVRT NA ROK_WEB.pdf","sha256":"71e1288b70c81a89792eaeee00bee3e2c098cfe623f218ede86ad93889fa9848","bytes":132799,"page_count":4,"extracted_at":"2026-05-17T12:01:20Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2.ROK_OSVRT%20NA%20ROK_WEB.pdf"},"raw_text":"Obrazloženje umjetničke savjetnice o odlukama o donošenju liste prioriteta i raspodjeli sredstava \nprema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini, u \nkategoriji poticanja filmskih koprodukcija s manjinskim hrvatskim udjelom  \n(drugi rok: 23.7.2020.) \nMiljenka Čogelja, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim udjelom \n• Na drugi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini \nprijavljeno je 30 projekta, a razmatrano je 29 projekta. Jedan projekt nije razmatran radi \nnepotpune dokumentacije.  \n• Prema grupi audiovizualnih djela u kojoj se prijavljuje projekt prijavljeno je ŠESNAEST \ndugometražnih igranih filmova, TRI debitantska dugometražna igrana filma, ŠEST \ndugometražnih dokumentarnih filmova (od čega jedan u postprodukcijskoj fazi), TRI animirana \nfilma, DVA kratkometražna igrana filma.  \n• I to produkcijskih kuća s većinskim udjelom u financiranju iz ukupno DVANAEST zemalja \nSrbija, Slovenija, Sjeverna Makedonija, Italija, Rumunjska, Češka, Crna Gora, Bosna i \nHercegovina, Nizozemska, Njemačka, Cipar, Kanada  \n•    Kriteriji za predlaganje projekata za sufinanciranje temelje se na cjelovitosti i dorađenosti \nprojekata u kreativnom smislu, ocjeni financijske izvedivosti te predstavljenog distribucijskog \npotencijala  projekta te doprinosu u broju hrvatskog dijela ekipe filma. Uz ocjenu svih kreativnih i \nprodukcijskih potencijala pojedinačnog projekta, kriterij predlaganja uključuje i odnos \nreciprociteta sa zemljama s većinskim udjelom u financiranju prijavljenih projekata. I na kraju, \nkriterij su svakako i aktualne financijske mogućnosti Hrvatskog audiovizualnog centra za \nfinanciranje projekata.  \nNa listu filmova predloženih za sufinanciranje proizvodnje uvršteno je sedam projekata:  \n1. \nanimirani film Zec iz limenog šešira (Srbija)  \nodobreno 150.000 kn \n2. \ndugometražni dokumentarni film Jedna umiruća zvijezda (Srbija) \nodobreno185.000 kn \n3. \ndebitantski dugometražni igrani film Prelazak (Nizozemska)  \nodobreno 750.000 kn  \n4. \ndugometražni igrani film Najsretniji čovjek na svijetu (Sjeverna Makedonija) \nodobreno 700.000 kn, \n5. \ndugometražni igrani film Kapa (Slovenija)  \nodobreno 560.000 kn  \n6. \ndugometražni igrani film Živi i zdravi (Crna Gora)  \nodobreno 520.000 kuna \n7. \ndugometražni igrani film Južni vjetar 2 (Srbija)  \nodobreno 490.000 kn \nUkupno: 3.355.000,00 kuna. \n\n\f\n1. Animirani film Zec iz limenog šešira (Srbija) s odobrenim sredstvima u iznosu od 150.000 kn \nRedatelj kratkog animiranog filma Zec iz limenog šešira novosađanin Ivan Bereš animator je s \niskustvom u proizvodnji animiranih serija i video igara u ulozi animatora, glavnog animatora, \nredatelja i producenta, a scenarij za film potpisuje s Ivanom Kneževićem montažerom, piscem i \nproducentom iz Novog Sada. Priča filma bazirana je na saznanju kako su se najviši časnici iz \nnajužeg Hitlerovog kruga često konzultirali s astrolozima. Čak je i Hitler imao kao osobnog \nsavjetnika - astrologa i stručnjaka za Nostradamusova proročanstva. Beroša je to inspiriralo da \npriču svog animiranog filma bazira na likovima iz najužeg Fuhrerovog kruga i suludim potezima \nkoje su poduzimali na osnovu praznovjerja, kao i impaktom tih odluka na društvo i ljude na \nzaraćenim stranama. Koristeći povijesno točne podatke vezane uz ljude, događaje i mjesta, Bereš \npredstavlja praznovjerje kao polugu donošenja vlasti s namjerom da tu polugu stavi u korelaciju sa \nsuvremenim metodama utjecaja na mase.. Vizualno, likovno, narativno, kao i načinom \npripovijedanja, projekt je zamišljen kao cjelovito, provokativno, duhovito umjetničko djelo.  \nHrvatski koproducent je Jadranska animacija producenata Chintis Lundgren i Draška Ivezića koji \nsu se sa svojim projektima predstavili na festivalima poput Sundancea, TIFF-a, Annecyja, \nAnimafesta Zagreb… \n2. \nDugometražni dokumentarni film Jedna umiruća zvijezda (Srbija) s odobrenim sredstvima \nu iznosu od 185.000 kn  \nScenarist filma Dimitrije Vojnov, scenarist i filmski kritičar te redateljica Tea Lukač autori su \ndokumentarnog filma koji se bavi znanstveno fantastičnim filmovima proizvedenima u bivšoj \nJugoslaviji. Film je sastavljen gotovo isključivo od filmske arhive devet filmova proizvedenih u \nspomenutom razdoblju, stavljenih u relaciju s arhivom koja se bavi aktualnostima vremena u kojem \nje određeni film nastao. Iako nisu u primarnom fokusu, film takođe istražuje vezu između službene \nkulture i pop kulture, a važno je i to što je film svojevrstan pothvat sistematizacije žanra. \nFinancijska struktura filma zamišljena je kao kompleksna koprodukcija u kojoj sudjeluju Srbija (Mali \nBudo), Slovenija, Hrvatska (Nukleus Film), Bugarska i Finska. Koprodukcijske tvrtke, neke su od \nnajjačih produkcija koje se bave proizvodnjom dokumentarnih filmova u Europi, a film je u razvoju \npodržao i fond MEDIA. \n3. \ndebitantski dugometražni igrani film Prelazak (Nizozemska) s odobrenim sredstvima u \niznosu od 750.000 kn\nNizozemska redateljica Jacqueline van Vugt iza sebe ima niz nagrađivanih, angažiranih, \ndokumentarnih filmova, a Prelazak joj je debitantski igrani film koji radi u suradnji s iskusnom \nnizozemskom produkcijom Revolver Amsterdam koja proizvodi i koproducira igrane i \ndokumentarne filmove te hibridne medijske projekte namijene međunarodnoj publici. Njihovi \nprojekti prikazivani su na Sundanceu, Berlinaleu, Sheffield festivalu dokumentarnih filmova itd. \nHrvatski koproducent je Jaako dobra produkcija. \nRadnja filma, u kojem redateljica isprepliće tri glavne priče, odvija se tijekom prelaska trajektom \nizmeđu Maroka i Španjolske. Priča počinje u luci u Maroku pred polazak trajekta, a završava u \nŠpanjolskoj nakon što trajekt pristane. Pratimo tri narativne linije: nizozemsku obitelj s dvoje djece \nusred žestoke bračne krize, kapetana broda, njegovu ženu i kćer u zadnjem stadiju trudnoće, koje \nse u tajnosti prevoze trajektom do španjolske obale kako bi kćer rodila u Španjolskoj i tako ne bi \nosramotila obitelj te dva službenika španjolske obalne straže na rubu očaja zbog životnih okolnosti \nu kojma žive i rade. Riječ je o zahtjevno zamišljenom, emotivno napetom scenariju, iza kojeg \nevidentno stoji dugačak i naporan rad i pripreme, promišljanje i entuzijazam. \n\n\f\n4. \ndugometražni igrani film Najsretniji čovjek na svijetu (Sjeverna Makedonija) s odobrenim \nsredstvima u iznosu od 700.000 kn. \nScenarij za film Najsretniji čovjek na svijetu potpisuju scenaristica Elma Tataragić i redateljica \nTeona Strugar Mitevska. Najsretniji čovjek na svijetu bavi se naslijeđem rata, traumama koje su \nostale dio života ljudi koji naizgled žive sasvim normalne, tipične, stabilne živote. Asja je \nčetrdesetogodišnja neudana žena koja živi u Sarajevu i osjeća da joj otkucava biološki sat. Provodi \njednu subotu na organiziranom događanju za upoznavanje parova. Upoznaje Zorana, \nčetrdesettrogodišnjeg bankara. Protagonisti ove priče pokušavaju smiriti svoju traumu/bol i naći \nneki novi odnos i život u kojem će traume iz prošlosti ostati zaboravljene u prošlosti.  \nPosljednji film Teone Strugar Mitevske (hrvatska manjinska koprodukcija - Spiritus movens - u kojoj \nje glavni producent također Sisters and Brother Mitevski) Bog postoji, njeno ime je Petrunija,  2019. \ngodine je premijerno prikazan u službenoj konkurenciji Berlinskog filmskog festivala gdje je osvojio \ndvije nagrade - Nagradu ekumenskog žirija i Nagradu njemačkog filmskog udruženja. Nakon toga \nfilm je distribuiran u više od 30 zemalja i prikazan na oko 100 festivala osvojivši samo dosad preko \n30 nagrada. Film je osvojio i Nagradu LUX Europskog parlamenta u 2019. Hrvatski koproducent \nfilma Najsretniji čovjek na svijetu je Terminal 3.  \n5. Dugometražni igrani film Kapa (Slovenija) s odobrenim sredstvima u iznosu od 560.000 kn  \nPriča o dječaku Eriku i djevojčici Mini višeslojna je božićna avantura dječaka koji odrasta u domu \nza nezbrinutu djecu i djevojčice koja odrasta kao jedino dijete u imućnoj obitelji kojoj je naizgled \njedini zadatak da joj ispuni sve želje. Međutim, kako priča napreduje otkrivamo da u Mininoj obitelji \nnije sve kako se čini na prvi pogled. Iako Mina u materijalnom smislu ima sve, žudi za pažnjom i \ndruštvom. Erik se također osjeća istinski sam. U domu je žrtva maltretiranja nekoliko vršnjaka, \nintrovertiran je i najveću sklonost osjeća prema knjigama. Mina i Erik žive naizgled dva jako \nrazličita života, ali u osnovi biju iste bitke. Oboje se osjećaju usamljeno, napušteno i jedina stvar za \nkojom istinski čeznu je roditeljska pažnja i ljubav. S time da Mina to naizgled i ima, dok Erik, čiji su \nroditelji alkoholičari na rubu egzistencije, potpuno nesposobni da se brinu o djetetu, o tome samo \nsanja.  \nGlavni producent Senca studio i hrvatski manjinski koproducent Studio dim dvije su produkcijske \nkuće s iskustvom zajedničkog rada (4 igrana filma), od kojih je zadnji uspješni dječji film Moj dida je \npao s Marsa, Studija Dim. Redatelj Slobodan Maksimović, među ostalim, iza sebe ima \ndugometražni igrani film za mlade (Nika), koji je nagrađen na Motovun film festivalu kao Najbolji \nfilm za mlade. \n6. \nDugometražni igrani film Živi i zdravi (Crna Gora) s odobrenim sredstvima u iznosu od \n520.000 kuna \nŽivi i zdravi britka je, temperamentna, inteligena mediteranska komedija, autora koji pokazuje da \njako dobro poznaje ljudsku prirodu generalno i, možda još i bolje, tradiciju i prirodu ljudi i sredine iz \nkoje potječe i u koju smješta svoju priču. \nMladenka Dragana, u ovoj komediji apsurda s elemetima drame, dva dana prije vjenčanja \nobjavljuje da se u stvari ne želi udati. Rodbina je na putu prema mjestu svadbe, hrana je naručena, \n\n\f\nmatičar spreman, sva sila dinamita pripremljena… Niz običaja koji tradicionalno prate crnogorsku \nsvadbu zapliće se u sve apsurdnije situacije koje kulminiraju potpunim kaosom. \nKoprodukcijski partneri na ovom projektu Kinorama i Sense Productions već su surađivali na \nnekoliko projekata, zajednički razvijaju seriju Područje bez signala i upravo su u snimanju \ndugometražnog igranog filma u režiji Radivoja Andrića, Ljeto kada sam naučila letjeti iz čega je \njasno da je riječ o tvrtkama s izgrađenim partnerskim odnosom i velikim poslovnim povjerenjem. \nKoprodukcijska struktura je kompleksna i složena kao koprodukcija između Crne Gore, Srbije i \nČeške te Hrvatske i Sjeverne Makedonije uz potporu fonda MEDIA. \n7. Dugometražni igrani film Južni vjetar 2 (Srbija) s odobrenim sredstvima u iznosu od 490.000 kn \nAkcijski trileri Južni vjetar (1 i 2) projekt je srpskog redatelja Miloša Avramovića, koji je iskustvo \nrada na filmu stekao radeći kao prvi asistent redatelja za brojne igrane filmove, televizijske serije, \nreklame… 2007. godine osnovao je produkciju Režim i nastavio raditi kao redatelj i izvršni \nproducent u drugim srpskim produkcijama, dok nije smatrao da je stekao potrebno iskustvo i \nznanje za svoj prvi dugi igrani film Južni vjetar s kojim je ukupno u kinima imao gotovo milijun \ngledatelja. Redatelj je u međuvremenu snimio seriju Južni vjetar od 16 epizoda, s kojom, prema \npriloženim podacima, također pobija TV rekorde gledanosti.  \nJužni Vjetar 2 nastavak je priče o beogradskom kriminalcu Petru Marašu koji u drugom dijelu \nkoristi sve prednosti statusa “vođe srpskog podzemlja” stečenog u prvom dijelu. Nastavljajući s \nposlovima vezanim za transport južnoameričkih narkotika, Maraš, usprkos negodovanju \n“nadređenih”, ipak želi proširiti svoj posao i vratiti se u okvire zakona ulažući ilegalno stečen novac \nu legalne poslove. No po zadatku u Istočnoj Srbiji zateknu ga vijesti koji će promijeniti njegove \nplanove. \nScenarij nastavka Južni vjetar 2 - Ubrzanje vješto je ispričana priča o srpskom kriminalnom \npodzemlju, dramaturški korektno postavljena, uzbudljiva i sugestivna, napisana u okvirima žanra, \nsa uvjerljivim likovima koji su se već dokazali pred publikom. Financijski plan je postavljen kao \nkoprodukcija između Srbije, Hrvatske i Bugarske.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":null,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_me_unarodna_web_rezultati_rok_12_05_2017.pdf","filename_decoded":"JP_me_unarodna_web_rezultati_rok_12_05_2017.pdf","sha256":"71ee8b55a898b19deb06639e4630975a48a9a422678523db7baa1f7a234d624e","bytes":412246,"page_count":2,"extracted_at":"2026-05-17T10:23:42Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_me%C4%91unarodna_web_rezultati_rok_12_05_2017.pdf"},"raw_text":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2017. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 12. svibnja 2017. \nPREDLAGATELJ\nVRSTA PROGRAMA\nNAZIV PROGRAMA\nODOBRENA POTPORA (kn)\n1\nAkademija dramske umjetnosti\nProgrami gostovanja hrvatskih autora/ - ica, \nproducenata/ -ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje studenata i predstavljanje kratkometražnih dokumentarnih \nfilmova 'After Party', red. V. Zahtile i 'Kika', red. M. Zgrabljić na \nmeđunarodnom festivalu kratkometražnih filmova SEECS; Istanbul, \nTurska; 24. do 28. travnja 2017.\n2.100,00 kn\n2\nAntitalent d.o.o.\nProgrami stručnog usavršavanja. \nSudjelovanje redatelja i scenarista s projektom dugometražnog igranog \nfilma 'Črna mati zemla', red. R. Bičeka na 3 sesije međunarodne \nscenarističke radionice ScriptLab; Vilnius, Litva; 20.-26.03.'17.; Brignogan, \nFrancuska; 24.06.-01.07.'17; Torino, Italija; studeni 2017.\n20.470,00 kn\n3\nAntitalent d.o.o.\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata.\nSudjelovanje producenta i scenarista s projektom 'A Heron Flies North' na \nmeđunarodnoj scenarističkoj radionici Sources2Script Development \nWorkshop; 30.ožujka do 07. travnja 2017.\n15.000,00 kn\n4\nAntitalent d.o.o.\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata.\nSudjelovanje producenta s projektom igranog televizijskog djela 'Lovac na \nvještice' na međunarodnoj producentskoj radionici Trans Atlantic \nPartners; Berlin, Njemačka; 20. do 25. lipnja 2017.; Halifax, Kanada; 11. \ndo 18. rujna 2017.\n20.000,00 kn\n5\nBorna Armanini\nProgrami gostovanja hrvatskih autora/ - ica, \nproducenata/ -ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog igranog filma \n'Proljećem probuđen', red. B. Armaninija u programu Best Short Comedy \nmeđunarodnog filmskog festivala u Nici, Francuska; 17. do 21. svibnja \n2017.\n2.500,00 kn\n6\nFilip Peruzović\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata.\nSudjelovanje redatelja s projektom igranog filma 'Drugdje', red. F. \nPeruzovića na 4. sesije međunarodne radionica za razvoj projekta \nEKRAN+; Varšava, Poljska; 06.-09.03.'17; 20.-28.04.'17; 23.-25.06.'17; \nprosinac 2017.\n8.179,00 kn\n7\nHrvatski filmski savez\nOstali programi.\nSudjelovanje hrvatske delegacije na 47. međunarodnom festivalu filmova \nza djecu i mlade Giffoni Experience; Giffoni Valle Piana, Italija; 14. do 22. \nsrpnja 2017.\n10.000,00 kn\n8\nHrvatski filmski savez\nProgrami gostovanja hrvatskih autora/ - ica, \nproducenata/ -ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje redatelja i predstavljanje kratkometražnog dokumentarnog \nfilma 'Oni samo dolaze i odlaze', red. B. Poljaka u službenoj konkurenciji \n63. međunarodnog festivala kratkometražnih filmova u Oberhausenu, \nNjemačka; 14. do 17. svibnja 2017. \n2.541,00 kn\n9\nJadranska animacija/ Adriatic \nAnimation\nPitching, koprodukcijski forumi i programi za razvoj \nprojekata.\nSudjelovanje producenta i troje autora i predstavljanje projekta 'Vaccum', \nred. D. Golenje, L. Benića i S. Ćapin na međunarodnom koprodukcijskom \nmarketu Višegrad Animation Forum; Trebon, Češka; 01. do 04. svibnja \n2017.\n4.100,00 kn\n10\nKarlo Pavičić-Ravlić\nProgrami stručnog usavršavanja. \nSudjelovanje animatora Karla Pavičića-Ravlića na programu 'Stav i stil u \n2D/3D animaciji' međunarodne radionice Anomalia; Litomys, Republika \nČeška; 31. srpnja do 11. kolovoza 2017.\n6.000,00 kn\n11\nKazališna grupa \"Scena\"\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti.\nOrganizacija manifestacije 'Dani hrvatskog filma Orašje'; BiH; 02. do 10. \nrujna 2017.\n30.000,00 kn\n12\nKrupni kadar d.o.o.\nProgrami gostovanja hrvatskih autora/ - ica, \nproducenata/ -ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma \n'Planemo', red. V. Popovića u službenoj konkurenciji 29. međunarodnog \nfilmskog festivala u Dresdenu, Njemačka; 06. do 09. travnja 2017.\n1.397,00 kn\n13\nMultimedijalni institut\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti.\nSudjelovanje Petra Milata kao predavača  u suradnji sa Centrom za \nproširenu poetiku; Montreal, Kanada i New York, SAD; 28. rujna do 08. \nlistopada 2017.\n5.000,00 kn\n14\nRecircle d.o.o.\nPitching, koprodukcijski forumi i programi za razvoj \nprojekata. Međunarodni filmski sajmovi.\nSudjelovanje članova autorskog tima s projektom animirane TV serije \n'Mišo i Robin' u natjecateljskoj kategoriji serije za predškolsku dob u \nsklopu 21. međunarodnog festivala animiranih filmova Cartoons on the \nbay; Torino, Italija; 06. do 08. travnja 2017.\n4.140,00 kn\n15\nRecircle d.o.o.\nPitching, koprodukcijski forumi i programi za razvoj \nprojekata. Međunarodni filmski sajmovi.\nSudjelovanje producentice i predstavljanje projekta 'Mali Tko Tko' na \nmeđunarodnom koprodukcijskom forumu Cartoon Connection;Jeju \nIsland; Južna Koreja; 19. do 21. travnja 2017.\n3.500,00 kn\n\n\f\n16\nSanja Kovačević\nProgrami stručnog usavršavanja.\nSudjelovanje Sanje Kovačević na dvije sesije radionice European TV \nDrama Series Lab 2015 Erich Pommer Instituta; Berlin, Njemačka; 09. do \n14. svibnja te 30. listopada do 05. studenog 2017.\n4.400,00 kn\n17\nSekvenca d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje producentice  s projektom igranog televizijskog djela \n'Pingvini' na prvoj sesiji  'Kreativni aspekti: izgradnja identiteta' \nmeđunarodne radionice MAIA; Lecce, Italija; 03. do 07. travnja 2017.\n5.000,00 kn\n18\nU svom filmu d.o.o.\nPitching, koprodukcijski forumi i programi za razvoj \nprojekata. \nSudjelovanje redatelja i scenaristice s projektom dugometražnog igranog \nfilma 'Rent a tata' na 3 sesije međunarodne producentske radionice \nEAVE; Luksemburg; 02.-09.03.'17; Lodz, Poljska; 19.-29.06.'17; \nKopenhagen, Danska; 23.-30.10.'17\n25.000,00 kn\n19\nUdruga za audiovizualno stvaralaštvo \nArtizana\nProgrami predstavljanja i promocije filmova.\nPredstavljanje dugometražnog dokumentarnog filma 'Sve je bio dobar \nsan', red. B. Ištvančića na glavnom programu 23. međunarodnog festivala \nmediteranskog filma Tetouan, Maroko; 25. ožujka do 01. travnja 2017.\n2.500,00 kn\n20\nUdruga za audiovizualno stvaralaštvo \nArtizana\nProgrami predstavljanja i promocije filmova.\nPredstavljanje dugometražnog dokumentarnog filma 'Sve je bio dobar \nsan', red. B. Ištvančića na glavnom programu međunarodnog festivala \nEthnocineca; Beč, Austrija; 04. do 10. svibnja 2017.\n2.500,00 kn\n21\nUdruga za promicanje kulture i \numjetnosti JA BIH\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti.\nOrganizacija manifestacije 'JA BIH…5 dana Zagreba u Sarajevu 2016.'; \nSarajevo; BiH; 15. do 19. svibnja 2017.\n15.000,00 kn\n22\nUdruga za filmsko i scensko stvaralaštvo \n\"ODJEL ZA VIZIJE PRODUKCIJA\"\nPitching, koprodukcijski forumi i programi za razvoj \nprojekata. \nSudjelovanje redatelja i producenta s projektom dugometražnog \ndokumentarnog filma 'Krunica od maslinove koštice', red. O. Palinkaš, I. \nPerića na međunarodnom koprodukcijskom forumu Doc Lab Poland; \nKrakow, Poljska; 31. svibnja do 01. lipnja 2017.\n1.925,00 kn\n23\nVladimir Kanić\nProgrami predstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog animirano-\neksperimentalnog filma 'Only lovers leave to die', red. V. Kanića na \nmeđunarodnom festivalu animiranog filma U Melbourneu, Australija; 18. \ndo 25. lipnja 2017. \n8.817,00 kn\n24\nZrinko Ogresta\nProgrami gostovanja hrvatskih autora/ - ica, \nproducenata/ -ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. \nSudjelovanje Zrinka Ogreste kao predavača na međunarodnom festivalu \nfilmova srednje i istočne Europe Al Este De Lima; Peru; 07. do 18. lipnja \n2017.\n7.367,00 kn\nUKUPNO:\n207.436,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\nNova ves 18  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 085  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JP_me_unarodna_web_rezultati_rok_12_05_2017","year":2016,"rok":null,"natjecaj_date":"2017-05-12","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PREDLAGATELJ","VRSTA PROGRAMA","NAZIV PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje studenata i predstavljanje kratkometražnih dokumentarnih filmova 'After Party', red. V. Zahtile i 'Kika', red. M. Zgrabljić na međunarodnom festivalu kratkometražnih filmova SEECS; Istanbul, Turska; 24. do 28. travnja 2017.","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.100,00 kn","approved_amount":2100.0,"currency":"HRK","extras":{"col_1":"1","NAZIV PROGRAMA":"Sudjelovanje studenata i predstavljanje kratkometražnih dokumentarnih filmova 'After Party', red. V. Zahtile i 'Kika', red. M. 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Bičeka na 3 sesije međunarodne scenarističke radionice ScriptLab; Vilnius, Litva; 20.-26.03.'17.; Brignogan, Francuska; 24.06.-01.07.'17; Torino, Italija; studeni 2017.","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.470,00 kn","approved_amount":20470.0,"currency":"HRK","extras":{"col_1":"2","NAZIV PROGRAMA":"Sudjelovanje redatelja i scenarista s projektom dugometražnog igranog filma 'Črna mati zemla', red. R. Bičeka na 3 sesije međunarodne scenarističke radionice ScriptLab; Vilnius, Litva; 20.-26.03.'17.; Brignogan, Francuska; 24.06.-01.07.'17; Torino, Italija; studeni 2017.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent d.o.o.","row_id":"71ee8b55:s0:e9561cf2c8d0","curation":{"changes":[{"field":"project_title","from":"Programi stručnog usavršavanja.","to":"Sudjelovanje redatelja i scenarista s projektom dugometražnog igranog filma 'Črna mati zemla', red. R. Bičeka na 3 sesije međunarodne scenarističke radionice ScriptLab; Vilnius, Litva; 20.-26.03.'17.; Brignogan, Francuska; 24.06.-01.07.'17; Torino, Italija; studeni 2017.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_a1c871b24a74","project_family_title":"Sudjelovanje redatelja i scenarista s projektom dugometražnog igranog filma 'Črna mati zemla', red. 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 pandemije\t\r  COVID-­‐19\t\r  na\t\r  gospodarstvo,\t\r  2.\t\r  sjednica\t\r  Hrvatskog\t\r  audiovizualnog\t\r  vijeća\t\r  u\t\r  trećem\t\r  sazivu,\t\r  27.11.2020.\n","warnings":[],"document":{"program_type":"covid","natjecaj_title":"Odluka o dodatnoj potpori 27112020","year":2020,"rok":null,"natjecaj_date":"2020-11-27","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":"Odluka o dodatnoj potpori za proizvodnju debitantskih dugometražnih igranih filmova i dugometražnih igranih filmova čija je nemogućnost završetka proizvodnje posljedica učinka pandemije COVID-‐19 na gospodarstvo, 2. sjednica Hrvatskog audiovizualnog vijeća u trećem sazivu, 27.11.2020.","section_key":"odluka_o_dodatnoj_potpori_za_proizvodnju_debitantskih_dugome","columns":["NAZIV FILMA","REDATELJ/ICA","PRODUCENT","DODATNA SREDSTVA -‐ ODOBRENO"],"rows":[{"row_number":null,"project_title":"Božji gnjev","applicant":"Eurofilm 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ROK - 10.9.2025.\nanimirani film - trajanje nije kraće od 5 minuta\nUKUPNO\n23. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 12. prosinca 2025.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2025. - 2. 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DOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac  \nKATEGORIJA: \nPOTICANJE \nPROIZVODNJE \nFILMOVA \n- \nKRATKOMETRAŽNI \nDOKUMENTARNI FILM – 14. rujna 2023.  \nOPĆI OSVRT  \n \nNa javni poziv u kategoriji proizvodnje kratkometražnog dokumentarnog filma u 2. \nroku 2023. godine prijavljeno je sveukupno 10 projekata. Od toga su 3 projekta \nprijavljena u fazi postprodukcije. Dva projekta nisu razmatrana.   \nVeći dio prijavljenih projekata prezentira autorsku jakost i jasnoću u pristupu ili \ndokumentiraju zbilje šire društvene relevantnosti. Veći dio projekata se istaknulo te \nprijavom ukazalo na spremnost za ulazak u fazu produkcije.   \nOdobreno je ukupno 8 projekata za sufinanciranje u ovoj kategoriji, pri čemu 6 \nprojekata ulazi u produkciju, a 2 projekta su u postprodukciji.   \nNavedeni filmovi su podržani ukupnim iznosom od 169.000,00 eura. Odobreni \nprojekti iskaču društvenom relevantnošću, originalnošću u pristupu temi i dobro \npripremljenim produkcijskim paketom.    \n \n1. AD BESTIAS  Lucija Brkić (redateljica i scenaristica) / Igor Jelinović (producent)  / \nUdruga Blank (produkcija) –21.000,00 eur  \n \nAutorica predlaže film o suvremenim rekonstrukcijama gladijatorskih borbi, koje se \nkao redoviti dio turističke ponude održavaju u pulskoj Areni. Film razmatra fenomen \nturizma koji izniče razne oblike opstanka. \n \n2. EUROP@  Miran Miošić (redatelj, scenarist i producent) / Fikcija d.o.o. \n(produkcija)36.000,00 eur  \n \nZreo filmski autor Miran Miošić ovim filmom debitira kao redatelj u kategoriji \nkratkog dokumentarnog filma. Preuzimajući volan Ubera i vozeći ulicama LA-a, autor \nulazi u razgovore sa svojim putnicima i bilježi razmišljanja Amerikanaca o Europi. \nJedno vozilo tako postaje ogledalo različitih slojeva i stanja američkog društva i u \nširem smislu njegovog odnosa sa «starim kontinentom».  \n \n \n3. MEDO U ŠPAROGAMA  Ivan Grgur (redatelj i scenarist) / Vinko Brešan  \n(producent) / Ustanova Zagreb film  (produkcija)21.500,00 eur  \n \nKroz zanimljivu i simpatičnu priču, autor odmotava klupko začudnosti okruženja i \ndruštva kojim se je ili nije prošetao «Medo u šparogama».  \nFilm istražuje mutne granice između istine i laži u doba društvenih mreža.  \n \n \n4. NIŠTA ME U ŽIVOTU NIJE PRIPREMILO NA TO Istvan Filakovity  (redatelj i \nscenarist) \n/ \nLidija \nIvanda \n(producentica) \n/ \nArs \nSeptima \nd.o.o.  \n(produkcija)18.000,00 eur  \n \n\n\f\nFilm se temelji na svjedočanstvima ljudi koji imaju iskustvo življenja na ulici. Intencija \nfilma je stjecanje potpunijeg razumijevanja beskućništva te okolnosti koje dovode do \ntog statusa. Film ukazuje na društvenu marginalizaciju i demistificira pojam \nbeskućništva.  \n \n \n5. REALITY  Elvis Lenić  (redatelj i scenarist) / Dijana Cetina Mlađenović (producent) \n/ Kinematograf d.o.o.  (produkcija)24.000,00 eur  \n \nKratkim dokumentarnim filmom “Reality” autor ulazi u realnosti godišnje trodnevne \nokupacije istarskog gradića Svetvinčenta od strane turista gladnih zabave i objava na \ndruštvenim mrežama, bez kojih putovanja gube svoj smisao. Nakon odlaska turista \ngradić se po brzom postupku rješava nereda i vraća u realnost tiše svakodnevice.  \n \n \n6. RED PLOVIDBE Damir Markovina (redatelj i scenarist) / Vinko Brešan  \n(producent) / Ustanova Zagreb film   (produkcija)27.000,00 eur  \n \nKroz sedamnaest minuta kratkog igranog filma autor želi osvijetliti i reproducirati \npozornicu trajekta koji vožnjom od sedamnaest minuta povezuje otok Korčulu s \nkopnom. Dokumentirajući cjelogodišnji puls ritma broda autor je za gledatelja \notvorio prostor promatranja zanimljivih zakonitosti društva koje živi u prostoru \nsusreta i međusobne ovisnosti tradicije i modernizma. \n \n \n7. HRVATSKI RATNI RADIO VUKOVAR Biljana Čakić (redateljica i scenaristica) / \nBranko Ištvančić  (producent) / Udruga za audiovizualno stvaralaštvo Artizana \n(produkcija)9.000,00 eur  \n \nKao što sam naslov sugerira - Hrvatski ratni radio Vukovar – film je o vukovarskoj \nradio stanici za vrijeme okruženja 1991. godine. Istovremeno to je film o grupi ljudi \nkoji nisu željeli odustati od jednog grada i njegovih stanovnika suočenih s prijetnjom \nuništenja.  \nFilm je u postprodukciji. \n \n \n8. TEREN Filip Peruzović  (redatelj, scenarist i producent) / Umjetnička organizacija \nPlafon (produkcija)12.500,00 eur  \n \n \nFilmom «Teren» redatelj prati skupinu pirotehničara u hodu po terenu koji obrađuju. \nHodajući po rubu, uklanjaju zaostale, no ne nužno i zadnje  fragmente rata. \nFilm je u postprodukciji.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2023,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPRTV_2025_2rok_9IX2025_WEB.pdf","filename_decoded":"RPRTV_2025_2rok_9IX2025_WEB.pdf","sha256":"74bf49420f25085b07c0166f3d180a1a5db35485a7158cc16bbc763100ebbb62","bytes":120529,"page_count":1,"extracted_at":"2026-05-17T10:24:13Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPRTV_2025_2rok_9IX2025_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO (€)\n1\nAllons enfants\nMDM VIZIJA d.o.o. \nMiljenko Bukovčan, Maja \nPeterlić\nMiljenko Bukovčan\n5.500,00\n2\nBabilonska Kula\nRetrovizor produkcija \nj.d.o.o.\nIgor Filipović\nIgor Filipović\n5.500,00\n3\nPlanski\nKOMPOT \nEna Katarina Haler\nNikola Kuprešanin\n5.500,00\n4\nSttjepan Radić - mit o \nčovjeku\nPeglanje Snova d.o.o. \nSenad Zemunović\nLukša Benić\n5.500,00\n5\nTrending\nREPRODUKCIJA j.d.o.o.\nSara Grgurić\nSara Grgurić\n5.500,00\n27.500,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO (€)\n1\nCrvotočina\nAntitalent d.o.o.\nDavor Žmegač\nAldo Tardozzi\nDavor Žmegač: \n\"Crvotočina\"\n10.000,00\n2\nIspod sunca zlatnoga\nNukleus Film d.o.o. \nNikola Kuprešanin\nDanis Tanović\n10.000,00\n3\nNestajanje\nPeglanje Snova d.o.o.\nArsen Oremović\nArsen Oremović\n8.000,00\n4\nRumpus\nCastor Multimedia d.o.o.\nDubravka Turić\nDubravka Turić\n8.000,00\n5\nS.N.A.P.\nBorvel film d.o.o. \nEdi Erceg\nNimai Kolega\n10.000,00\n6\nSedam grešnika\nFADE IN\nLuka Vucić, Sonja Babić\nLuka Vucić\n8.000,00\n7\nSumnjive okolnosti\nAntitalent d.o.o.\nDaria Stilin\nSergio Mimica Gezzan\n10.000,00\n64.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO (€)\n1\nDom za stare i \npremoćne sveta Dimfna\nUdruga Blank\nMarino Habulan\nMarino Habulan\n8.000,00\n2\nUvijek drugi\nMARK-prom d.o.o.\nHrvoje Matasović\nHrvoje Matasović\n10.000,00\n18.000,00\n109.500,00\nUKUPNO\nUKUPNO RAZVOJ PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA\ntelevizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2025. - 2. ROK - 9.9.2025.\ndokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta\ntelevizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su namijenjena prvenstveno \ntelevizijskom prikazivanju\nUKUPNO\nUKUPNO\n22. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 11. prosinca 2025.\n","warnings":["section0_row_numbers_not_sorted"],"document":{"program_type":"tv_djela","natjecaj_title":"RPRTV_2025_2rok_9IX2025_WEB","year":2025,"rok":"2. rok","natjecaj_date":"2025-09-09","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"razvoj_projekata","to":"tv_djela","reason":"filename/title keyword: tv djela","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 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km\nDOP produkcija\nAnđelo Jurkas\nAnđelo Jurkas\n10.000,00\n2\nHomo ludens - virtuoz \nslobode\nWolfgang i Dolly d.o.o.\nInes Pletikos\nInes Pletikos\n15.000,00\n3\nSnađi se, druže\nBond Squad j.d.o.o. \nBiljana Čakić\nBiljana Čakić\n15.000,00\n4\nSmrt jednog vlaka\nMetar60\nSilvestar Kolbas\nSilvestar Kolbas\n15.000,00\n5\nŠUTNJA - zločin u \nTrusini\nDiphylleia j.d.o.o.\nStipo Majić, Marko \nHrenović\nStipo Majić\n7.000,00\n6\nTATA NA TAVANU\nHulahop d.o.o.\nDana Budisavljević\nDana Budisavljević\n20.000,00\nUKUPNO\n82.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ \nPROJEKATA u 2024. - 1. 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zločin u Trusini"},{"row_number":6,"project_title":"TATA NA TAVANU","applicant":"Hulahop d.o.o.","production_company":"Hulahop d.o.o.","director":"Dana Budisavljević","writer":"Dana Budisavljević","original_author":null,"category":"Dokumentarni","approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"EUR","extras":{"SCENARIST/-ICA":"Dana Budisavljević","REDATELJ":"Dana Budisavljević","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_doc_single_signal","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","people_backfill_v1":{"changes":[{"field":"director","from":null,"to":"Dana Budisavljević","source":"title_propagation:director","confidence":"high"}],"updated_at":"2026-05-18T15:27:33Z","method":"machine:people_backfill_v1"},"creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"75917daf_rpr_2024_1rok_13iii2024_dug_dok_web_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Row 6 cleanly maps to Dana Budisavljević in both columns, but director is left null because current_director is already populated."},"entity":"Hulahop d.o.o.","row_id":"75917daf:s0:a87ad60b64e5","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_53bb78e843d9","project_family_title":"Tata na tavanu"}],"section_total_text":"82.000,00","section_total":82000.0}],"totals":{"ukupno_text":null,"ukupno":82000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":82000.0,"ukupno_match":true,"row_count":6,"awarded_count":6,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":6}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Manjinske%20koprodukcije%20-%20obrazlozenje%20(rok%2018.11.).pdf","filename_decoded":"Manjinske%20koprodukcije%20-%20obrazlozenje%20(rok%2018.11.).pdf","sha256":"75c9651f4218f925b3574034660dee65f7ee1ce32e4f89a143f8539e78b41482","bytes":190915,"page_count":4,"extracted_at":"2026-05-16T14:12:38Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Manjinske%20koprodukcije%20-%20obrazlozenje%20%28rok%2018.11.%29.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po odlukama o donošenju liste prioriteta i raspodjeli sredstava prema \nJavnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2019. godini, u kategoriji poticanja \nfilmskih koprodukcija s manjinskim hrvatskim udjelom (drugi rok: 18. studenoga 2019.). \n \ndoc. dr. sc. Boško Picula, umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom \n \nNa Javni poziv prijavljen je ukupno 41 projekt. Pritom je za tri projekta utvrđeno da ne zadovoljavaju \nuvjete javnog poziva. Stoga je u konačnici razmatrano 38 projekata. Od toga su četiri (4) animirana filma, \nosam (8) debitantskih dugometražnih igranih filmova, sedam (7) dugometražnih dokumentarnih filmova (od \n60 minuta trajanja), sedamnaest (17) dugometražnih igranih filmova, te dva (2) kratkometražna igrana filma. \nMeđu navedenim su projektima tri prijavljena u postprodukcijskoj fazi. Kriteriji predlaganja projekta za \nsufinanciranje temelje se na: cjelovitosti predloženih radova, redateljskom konceptu, scenarističkoj \ndorađenosti, doprinosu i broju hrvatskog dijela kreativne, tehničke i produkcijsko-organizacijske ekipe filma, \nrealizaciji projekta u Hrvatskoj, festivalskim potencijalima u Hrvatskoj i inozemstvu, elaboriranosti izvedbe \nsamog projekata i aktualnim financijskim mogućnostima.  \n \nNa listu filmova za sufinanciranje proizvodnje uvršteno je 12 projekata:  \n \n1. \nanimirani film Ljubav u doba ekonomije bazirane na ugljenu (Poljska) 200.000 kn  \n2. \nanimirani film Mađioničar (Rumunjska) 200.000 kn  \n3. \ndebitantski dugometražni igrani film Spas (Ukrajina) 570.000 kn  \n4. \ndebitantski dugometražni igrani film Ekskurzija (Bosna i Hercegovina) 350.000 kn  \n5. \ndebitantski dugometražni igrani film (u postprodukciji) Jahači (Slovenija) 250.000 kn  \n6. \ndugometražni igrani film Antiques (Gruzija) 700.000 kn  \n7. \ndugometražni igrani film Pored nas (Srbija) 325.000 kn  \n8. \ndugometražni igrani film Mjesečari (Rumunjska) 650.000 kn   \n9. \ndugometražni dokumentarni film Kadiš za Lotiku (Srbija) 275.000 kn  \n10. \ndugometražni dokumentarni film KIX – 10 godina nestašluka (Mađarska) 125.000 kn  \n11. \ndugometražni dokumentarni film Bosanski vitez (Bosna i Hercegovina) 80.000 kn  \n12. \nkratkometražni igrani film Sami (Srbija) 175.000 kn  \n \nUkupni iznos sredstava jest 3.900.000,00 kuna. \n \nOSVRT: \n \nNa drugi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2019. godini u kategoriji \npoticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (18. studenoga 2019.) prijavljeni su \nprojekti u skupinama animiranog filma, debitantskoga dugometražnog igranog filma, dugometražnoga \nigranog filma, dugometražnoga dokumentarnog filma (od 60 minuta trajanja) i kratkometražnoga igranog \nfilma. Uvjerljivo je najveći broj prijava stigao iz Srbije (dvanaest). Slijede projekti prijavljeni iz Slovenije \n(sedam), zatim iz Bosne i Hercegovine (četiri), Rumunjske i Sjeverne Makedonije (po tri) te iz Bugarske i \nItalije (po dva). Po jedan je razmatrani projekt prijavljen iz Poljske, Latvije, Ukrajine, Crne Gore, Češke \nRepublike, Gruzije, Mađarske i s Cipra. U usporedbi s prvim rokom u 2019. godini nisu prijavljeni projekti \neksperimentalnih filmova te kratkometražnih dokumentarnih filmova, a i dalje je riječ o veoma raznolikim \nprojektima glede filmskih rodova, žanrova, tema i autorskih koncepata te udjela u angažmanima hrvatskog \ndijela ekipa i realizacije projekata u Hrvatskoj. Od 38 razmatranih projekata tri je u trenutku prijave bilo u \npostprodukcijskoj fazi, dok su razmatrane projekte prijavile trideset i tri hrvatske produkcijske kuće.       \n      \n \nANIMIRANI FILM  \n \nAnimirani film Ljubav u doba ekonomije bazirane na ugljenu (Poljska) novi je projekt poljskog redatelja \ni scenarista Tomasza Siwińskog. Diplomiravši na Akademiji likovnih umjetnosti u Krakowu, Siwiński je već \ntijekom studija realizirao zapažene animirane filmove da bi mu rad Plava soba bio prikazan u Tjednu kritike \nna međunarodnom filmskom festivalu u Cannesu osvojivši i niz nagrada na mnogobrojnim festivalima. \nNadahnut socijalnim i ekonomskim prilikama u 1950.-ima i 1960.-ima, njegov je novi rad i likovno i \nsadržajno sugestivan spoj strastvene ljubavne priče i ikonografije socijalističke proizvodnje u rodnoj \nPoljskoj, a središnji lik usred zimom okovanog rudnika očajnički traži posljednju priliku za ljubav... Film u \n\n\f\npredviđenom trajanju od 12 minuta s hrvatske strane producira Jadranska animacija (Adriatic Animation) iza \nkoje je više međunarodnih uspjeha (Manivald, Toomas ispod doline divljih vukova).  \n \nAnimirani film Mađioničar (Rumunjska) novi je projekt nagrađivanoga rumunjskog književnika Bogdana \nMuresanua koji se osim književnošću sve uspješnije bavi i filmskom umjetnošću. Tomu je najbolja potvrda \nnjegov kratkometražni igrani film Pismo Djedu Mrazu koji je na aktualnoj dodjeli Europskih filmskih \nnagrada osvojio priznanje za najbolji kratkometražni rad. Među više filmova koje trenutačno priprema \nMađioničar je redateljev animirani prvijenac, ponovno nadahnut rumunjskom prošlošću, ali ovaj put \ngodinama uoči Prvog svjetskog rata kada naslovni iluzionist u luci Sulini svjedoči puštanju u rad prve \nelektrane što je ne samo epohalni iskorak u tehnološkom smislu nego i dramatična promjena u mađioničarevu \ndoživljaju vlastitog poziva... Elegantne likovnosti i gorko-slatkog prosedea o kontrastu unutarnjih i vanjskih \npokretača, film slojevito progovara o višedimenzionalnosti svakog napretka. Hrvatski je koproducent Minya \nfilm i animacija koji trenutačno razvija više animiranih projekata. \n \nDEBITANTSKI DUGOMETRAŽNI IGRANI FILM  \n \nDebitantski dugometražni igrani film Spas (Ukrajina) rad je mladoga ukrajinskoga redatelja i scenarista \nMaksyma Nakonechnyija koji nakon studija režije u Kijevu i nekoliko veoma dobro ocijenjenih \nkratkometražnih igranih filmova (Invisible, New Year with Family) uz koscenaristicu Irynu Tsilyk potpisuje \ntekst ovog spoja obiteljske i ratne drame. Film, naime, govori o vojnikinji puštenoj iz ratnog zarobljeništva \nkoja se vraća svojoj obitelji, ali njezin život u potpunosti promijeni odluka da zadrži dijete koje je dobila sa \nsvojim silovateljem... Premda kontekstualizirana konkretnim ratnim sukobom, ovo je univerzalno razumljiva \npriča snažnih slika, motiva i likova koja svjedoči o darovitosti svoga autora pružajući prigodu za uspjeli \ndugometražni igrani prvijenac. Hrvatski je koproducent kuća 4 Film iza koje je više međunarodno \nproduciranih filmova (Ti mene nosiš, Neke druge priče).  \n \nDebitantski dugometražni igrani film Ekskurzija (Bosna i Hercegovina) rad je jedne od najperspektivnijih \nmlađih bosansko-hercegovačkih redateljica Une Gunjak, koja je studirala u Italiji i Velikoj Britaniji, a \nsvjetski uspjeh postigla svojim kratkometražnim igranim filmom Kokoška. Smješten u doba ratne opsade \nSarajeva, film je premijerno prikazan na Tjednu kritike u Cannesu, a osvojio je niz priznanja među ostalim i \nEuropsku filmsku nagradu. Redateljičin dugometražni igrani prvijenac odmiče se od ratne tematike, ali ne i \nod \nbosansko-hercegovačkoga \nsocijalnog \nmiljea \nopisujući \nzbivanja \nvezana \nuz \nnekoliko \npetnaestogodišnjakinja koje sve odreda nakon školske ekskurzije zatrudne... Veoma dojmljiv prikaz \nnetipičnog događaja i reakcija okoline, film je britka analiza predrasuda i sredine koja perpetuira vlastita \nograničenja. Hrvatski je koproducent tvrtka Nukleus film koja je koproducirala i redateljičin film Kokošku, \nte brojne druge nagrađivane projekte (Rafael, Chris the Swiss).  \n \nDebitantski dugometražni igrani film (u postprodukciji) Jahači (Slovenija) rad je mladog redatelja iz \nSlovenije Dominika Menceja. S višegodišnjim iskustvom grafičkog dizajnera i diplomom redatelja, Dominik \nMencej se dosad okušao u radu na kratkometražnim filmovima igranog i dokumentarnog roda zavrijedivši \nviše priznanja (Prespana pomlad, Smeti) da bi s kolegom iz Srbije Borisom Grgurovićem napisao scenarij \nza svoj prvi dugometražni igrani film Jahači. Veoma osoban, film je na granici stvarnih zbivanja i njihove \nrefleksije u samim likovima koje predvode dva najbolja prijatelja iz jednoga malog mjesta u Sloveniji. Željni \ndrukčije svakodnevice u odnosu na postojeću, njih dvojica na motociklima odluče krenuti prema Međugorju \nkao arhetipskom simbolu ukazanja, ne samo u religijskom smislu. Hrvatski je koproducent tvrtka Antitalent \nd.o.o. iza koje je rad na filmovima Vis-A-Vis i Goran Nevija Marasovića, Oko za oko Antonete Alamat \nKusijanović i – Posljednji bunar Filipa Filkovića.   \n       \nDUGOMETRAŽNI IGRANI FILM  \n \nDugometražni igrani film Antiques (Gruzija) novi je rad nagrađivane gruzijske redateljice Rusudan Glurjidze \nkoja je već svojim prvijencem Kuća drugih koji je, među ostalim, koproducirao i hrvatski partner, ostvarila \nzapažen uspjeh na svjetskim festivalima. U odnosu na njegovu oporu priču o ljudima koji nakon građanskog \nrata useljavaju u domove poraženih, novi redateljičin film je humorna drama koja rat u njezinoj domovini \nima kao pozadinski kontekst. Središnji su likovi mlada žena koja u Sankt Peterburgu nastoji doći do stana i \numirovljenik koji će joj zbog vlastitih obiteljskih neprilika izaći ususret, a oboje ih povezuje antikni namještaj \nkao simbol prošlosti i trajnih vrijednosti... Izvrsno napisan i profiliran, scenarij nudi novu prigodu za autoričin \n\n\f\nkolaž osobnih i kolektivnih drama, ovaj put uz dozu reskog humora. Hrvatski je koproducent Avantura iza \nkoje je rad na nekoliko kratkometražnih naslova (Naslijeđe, Više ne znam tko smo mi). \n \nDugometražni igrani film Pored nas (Srbija) nastavak je filma Pored mene kojim je redatelj i scenarist Stevan \nFilipović potvrdio da je jedan od najdarovitijih srbijanskih filmaša svog naraštaja. Etabliravši se filmovima \nŠejtanov ratnik i Šišanje, Filipović je u filmu Pored mene nagrađenom i na Pulskom filmskom festivalu \nanalizirao dinamiku unutar skupine srednjoškolaca izoliranih u svojoj školi. Nastavak priče likove iz prvog \ndijela opisuje nekoliko godina kasnije kada se kao sudionici nađu na početku reality šoua, ali njihovo \nokupljanje krene u posve neočekivanom smjeru... Primarno namijenjen mlađim gledateljima, film spaja \nelemente drame, trilera i komedije sustavno generirajući napetost od samog početka. Hrvatski je koproducent \nfilma  Jaako dobra produkcija j.d.o.o. čija je sestrinska tvrtka Nukleus film koproducirala više međunarodno \nnagrađivanih projekata (Kokoška, Posljednja ambulantna kola Sofije) te projekte (Rafael, Chris the Swiss).  \n \nDugometražni igrani film Mjesečari (Rumunjska) novi je rad jednoga od međunarodno najzapaženijih \nrumunjskih sineasta Radua Judea koji je od svog dugometražnog igranog prvijenca Najsretnija djevojka na \nsvijetu do recentnog ostvarenja Ne zanima me ako u povijesti ostanemo zapisani kao barbari osvojio niz \npriznanja, među ostalim i berlinskoga Srebrnog medvjeda za režiju filma Aferim! Nadahnut mislima \nnjemačkog filozofa Waltera Benjamina, redatelj ponovno minuciozno raščlanjuje međuljudske odnose i \nnjihov socijalni kontekst kroz trodjelno strukturiranu priču o profesorici kojoj je snimka seksa sa suprugom \ndospjela u javnost. Vrsno eksperimentirajući naracijom i slikom, od kubističkih motiva do forme sitcoma, \nRadu Jude osmišljava svoj najavangardniji film do sada. Hrvatski je koproducent renomirana kuća Kinorama \nd.o.o. iza koje je, uz uspješno producirane hrvatske filmove (Zvizdan, Ne gledaj mi u pijat, serijal o Koku), \nniz nagrađivanih koprodukcija (Teret, Ničije dijete, Bit ćemo prvaci svijeta) te ime aktualne dobitnice \nEurimagesove nagrade Ankice Jurić-Tilić.  \n \n \nDUGOMETRAŽNI DOKUMENTARNI FILM  \n \nDugometražni dokumentarni film Kadiš za Lotiku (Srbija) novi je projekt nagrađivane hrvatske redateljice, \nscenaristice i producentice Irene Škorić iza koje je niz kratkometražnih i dugometražnih igranih i \ndokumentarnih filmova pri čemu od dokumentaraca treba istaknuti radove Neželjena baština i Dragi \nLastane! Ovaj put u suradnji s inozemnim partnerima redateljica realizira biografski dokumentarno-igrani \nfilm o Lotiki Cilermajer, židovki podrijetlom iz Poljske, koja je u Višegradu nadahnula nobelovca Ivu \nAndrića za jedan od likova u klasiku Na Drini ćuprija. Rafinirani prikaz odnosa središnje junakinje i velikog \nknjiževnika te sredine koja ih je u konkretnom povijesnom trenutku spojila, film na nov način govori o \nAndrićevu stvaralaštvu i njegovoj muzi. Konscenaristica je filma Jelena Đurović Orešković kojoj je Lotika \nCilermajer prabaka. Hrvatski je koproducent Artizana film iza kojeg su, osim redateljičinih dokumenatarca, \nfilmovi Most na kraju svijeta i Sve je bio dobar san.  \n \nDugometražni dokumentarni film KIX – 10 godina nestašluka (Mađarska) projekt je mladih mađarskih \nredatelja i scenarista Bálinta Révésza i Dávida Mikulána koji se ovim radom predstavljaju kroz sinergiju \nsvojih dosadašnjih umjetničkih preokupacija. Bálint Révész diplomirao je u Brightonu, a osim režijom \n(Granny Project) bavi se i produkcijom. Dávid Mikulán diplomirao je u Budimpešti, a osobito ga zanima \nnačin na koji javni prostor utječe na društvo i njegove članove s margina. Središnji je protagonist mladi Sanyi \niz siromašne obitelji kojega film prati od njegove osme godine do praga punoljetnosti slažući prikaz \nnetipičnog pojedinca čiji su položaj u specifičnom socijalnom miljeu i osobitost buntovničkog karaktera \nodređujući za sve ono što mu se događa, poglavito u izazivanju tragičnog događaja koji je dobio nacionalnu \ndimenziju. Hrvatski je koproducent tvrtka Eclectica d.o.o. koja je proizvela dva festivalski zapažena \nkratkometražna filma (Crveno, Doskok), također nastala u koprodukciji s inozemnim partnerima.  \n \nDugometražni dokumentarni film Bosanski vitez (Bosna i Hercegovina) novi je rad bosansko-hercegovačkog \nfilmskog i kazališnog redatelja Tarika Hodžića koji je dosad režirao više dokumentarnih i kratkih igranih \nfilmova među kojima se ističe nagrađivani dokumentarac Scream for me Sarajevo. Nadahnut istinitom \nživotnom pričom sunarodnjaka Seada Delića, redatelj sustavno i slojevito opisuje životni put ovoga ratnog \nstradalnika iz Srebrenice koji je poslijeratnu afirmaciju, ali i osobnu snagu pronašao u proučavanju povijesne \ngrađe svoje domovine svjedočeći o konstruktivnosti kao o najboljem načinu prevladavanja destrukcije... \n\n\f\nHrvatski je koproducent Kinematograf d.o.o. iza kojega je niz projekata (Pragovi, Još jednom) među kojima \nsu i međunarodno zapaženi (Trešnje).  \n \nKRATKOMETRAŽNI IGRANI FILM \n \nKratkometražni igrani film Sami (Srbija) debitantski je igrani projekt montažera Stefana Orlandića \nStojanovskog čije dosadašnje filmsko stvaralaštvo, nakon uspješnog studija filmske i televizijske montaže \nza koji je nagrađen kao najbolji student generacije, uključuje režiju dokumentarnih filmova (Mentalitet, \nFrancuski žurnal) te montažerski rad na dugometražnim igranim filmovima (Stvar srca, Jesen stiže dunjo \nmoja). Autor ekranizira istoimenu kratku priču Pavla Zelića koji je u projektu, uz redatelja, preuzeo i \nkoscenaristički posao. Produkcijski ambiciozno zamišljen, film je efektan distopijski prikaz bliske \nbudućnosti u kojoj je većina životinja nestala te zoološke vrtove nastanjuju njihove robotske replike. \nNaslovno je biće posljednji živi čimpanza koji je u jednom takvom zoološkom vrtu osobita atrakcija, no ne \nbez posljedica za sebe i okolinu... Hrvatski je koproducent tvrtka Kinoteka d.o.o. iza koje su dugometražni \nigrani kinohit ZG 80 te kratkometražni igrani (Ivo, Brija) i animirani radovi (Lovac i kralj, Tišina mora).  \n \n \n\t\r  \n\t\r  \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2019,"rok":"2. rok","referenced_projects":["Ljubav u doba ekonomije bazirane na ugljenu","Mađioničar","Spas","Ekskurzija","Jahači","Antiques","Pored nas","Mjesečari","Kadiš za Lotiku","KIX – 10 godina nestašluka","Bosanski vitez","Sami"],"summary":"Obrazloženje umjetničkog savjetnika doc. dr. sc. Boška Picule za 2. rok 2019. (18. studenoga 2019.) za filmske koprodukcije s manjinskim hrvatskim udjelom: od 41 prijavljenog (38 razmatranih) projekata predloženo je 12 u ukupnom iznosu od 3.900.000,00 kuna.","project_links":[{"source_title":"Ljubav u doba ekonomije bazirane na ugljenu","family_id":"pf_df801de5621d","family_title":"Ljubav u doba ekonomije bazirane na ugljenu","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Mađioničar","family_id":"pf_25911abb3218","family_title":"Mađioničar","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Spas","family_id":"pf_85cb34b933a4","family_title":"Spas","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Ekskurzija","family_id":"pf_17a722d83432","family_title":"Ekskurzija","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Jahači","family_id":"pf_4f035f51b3d8","family_title":"Jahači","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Antiques","family_id":"pf_c88d16bbf19a","family_title":"Antiques","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Pored 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poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih \ni animiranih filmova u 2025. godini - potkategorija: RAZVOJ SCENARIJA - 1. rok, 12.3.2025. \n(dugometražni igrani film) \n \n- umjetnički savjetnici za dugometražni igrani film – Sandra Antolić, Ira Cecić i Branko Schmidt \n \nOvaj rok obilježio je rekordan broj prijavljenih projekata – 126! \nNa žalost kvantitetu nije slijedila i kvaliteta.  Za potporu predlažemo 11 tekstova (jedan je \nvraćen s razvoja projekata) što je manje od 10% predloženih projekata. Pooštrili smo kriterije i \neliminirali sve one koji nisu na zadovoljavajućoj umjetničkoj i zanatskoj razini te ne daju jasnu \nsliku budućeg scenarija. \n \nTematski su tekstovi raznovrsni. Prednjače sadržaji o odrastanju, odnosima unutar obitelji, \ndječji i sportski te problemi migranata i stranih radnika. Žanrovski gledano treba istaknuti velik \nbroj komedija što pokazuje potrebu autora da se odmaknu od „bajnog“ okruženja u kojem \nživimo. \n \nPrijavljen je i prvi tekst pisan umjetnom inteligencijom. Za očekivati je da će takvih „radova“ u \nbudućnosti biti sve više. Potrebno je da se HAVC u novom pravilniku jasno odredi prema \ntekstovima nastalim na taj način.  \n \n \nPREDLAŽEMO: \nZLATNI RUDNIK \nscenarij: Vlatka Vorkapić, Nenad Obrenović \nredateljica: Vlatka Vorkapić \n7.000 EUR \n \nKomedija o univerzalnoj ljudskoj potrazi za „zlatnim rudnikom“, metaforom naizgled \njednostavnih rješenja egzistencijalnih problema. Tako će u zemlji penzionera, u potresu \nopustošenom centru Zagreba svatko na svoj način tražiti „zlatni rudnik“; neki iskorištavajući \njeftinu uvezenu radnu snagu, neki odajući se malverzacija zbog tuđe mirovine. No na kraju će \nipak opstati nada da je jedino pravo zlato u ljubavi. \n \nVlatka Vorkapić već se dokazala kao autorica komedija koje na svima razumljiv i humoran način \nproblematizira društvene fenomene kroz kontrast sveopćeg i pojedinačnog, uvriježenog i \navangardnog, prvoloptaškog i skrivenog. I u projektu \"Zlatna vrata\" prepoznali smo kvalitete \nnjezine poetike te njezinih promišljanja filma u istovremeno britkoj i pitkoj priči. \n \n \n \n \n \n \n \n\n\f\nMOJ DOM \nscenarij: Lana Barić \n7.000 EUR \n \nTridesetpetogodišnja knjižničarka Olga živi sama u neboderu na Prisavlju. Iako nije osobito \nusamljena, propituje svoj status i redovno odlazi na psihoterapiju. Kada nakon iscrpljujućeg \nspoja zaključi kako sparivanje možda i nije njezina šalica čaja, niz neobičnih okolnosti i događaja \ndovest će je u središte obiteljskog života kojem se nije nadala. \n \nU materijalima kojima Lana Barić prezentira svoj scenarij nalazimo originalan komičko-\ngroteskni potencijal u kojem autorica na iznimno inventivan način naglašava društveni apsurd \nistovremeno pričajući intimnu (pa i generacijsku) priču žena nalik liku knjižničarke Olge. \n \n \nTROJICA U TRNJU \nscenarij: Marija Androić \nprodukcija: Wolfgang&Dolly d.o.o. \n7.000 EUR \n \n1980-te, novoizgrađeno zagrebačko naselje Dugave. Dječaci Braco, Hrvoje i Tut (12, 11, 10) \nljetne praznike provode u napuštenoj baraci. Odlazeći nahraniti bakine psa i mačku u Trnje, \nHrvoje iznenada nestane pa Braco i Tut krenu u potragu. Premda uvijek nekoliko koraka iza \nHrvoja, dječaci naslućuju da je njihov prijatelj upleten u nešto veće nego što su na prvu \npretpostavljali te da ih navodi prema razrješenju misterija. Tragovi će im ukazati da je \nsvjedočio pljački banke u bakinoj ulici iste večeri kad je nestao. U baraci gdje je sakriven plijen \ndječaci se ponovno susreću s Hrvojem, no pljačkaši ih zarobe. Na kraju ih spasi milicija te se \notkriva kako je Hrvoje uz pomoć prijateljice Bibe smislio klopku za kriminalce. \n \nAdaptacija istoimenog romana Pavla Pavličića, radnja kojega se događa osamdestih godina \nprošloga stoljeća donosi decentno-nostalgičnu notu spram djetinjstva drugačijeg kova od ovih \ndanašnje djece pričajući avanturističku priču koja u prvi plan stavlja neprolazne vrijednosti \ndječjih prijateljstava. \n \n \nIDEMO! \nScenarij: Leona Tara Joyce Wright \n7.000 EUR \n \nAutorica Leona Tara Joyce Wright smješta ovu energičnu priču o odrastanju u trenutak kad se \nživot — baš kao matura — čini i krajem i početkom. Četiri maturantice, frustrirane lošim \nrezultatima državne mature i neutaživom željom za slobodom, pobjegnu od kuće. Starim \nautom kreću na put od Zadra do Rima. Svaka postaja (pustolovni putopisac, zaboravljeno \ndalmatinsko selo, garažni rock-bend, rimska periferija) ogoljuje njihove slabosti i snove, pa se \nputovanje pretvara u duhovitu, ali i emotivno nabrijanu potragu za vlastitim identitetom, \nlojalnošću i prijateljstvom. \n \n\n\f\nU predanim materijalima osjeća se svježa i sigurna autorska ruka koja uvjerljivo postavlja \nglavne lukove, precizno tempira obrate i piše prirodne, žive dijaloge koji nose humor i napetost \nbez previše suvišnih rečenica. Projekt već ima čvrstu strukturu i toplu, publici pristupačnu \nenergiju pa zaslužuje daljnju podršku. \n \n \nKRIST VOSKRESE \nScenarij: Ivan Čuić \n7.000 EUR \n \nAutor Ivan Čuić gradi komediju situacije s dubokim obiteljskim dramskim slojem oko \ntradicionalnog uskrsnog ručka u predgrađu Zagreba. Ilija prvi put dovodi partnericu Ivu pred \nmajku Ljilju, čvrstu čuvaricu običaja i obiteljskih tajni. Blagoslov jela, dolazak svećenika i \nkomične igre „tko će razbiti prvo jaje“ samo su kulise iza kojih tinjaju nerazriješene traume, \ngeneracijski konflikti i poslijeratne sjene. U jednom se danu sudaraju smijeh, srdžba i prošlost, \ndok obitelj traži novi, iskreniji poredak. \n \nMaterijali kojima Čuić prezentira projekt nude jasan emotivni luk i prirodno podignutu \nnapetost. Autorov osjećaj za mizanscenu, komički ritam i suptilnu društvenu kritiku pokazuje \nda projekt može izrasti u topao, a provokativan scenarij. \n \n \nSELEKCIJA \nScenarij: Nađa Petrović, Anica Tomić, Filip Grujić, Katarina Mitrović \nRedatelj: Bruno Anković \nProducent: Antitalent d.o.o. \n7.000 EUR \n \nU žanrovski susret sportske drame i psihološkog trilera autori stavljaju dvanaestogodišnjeg Bornu, \ndječaka s nogometnim darom i teškim teretom roditeljskih ambicija. Borna trenira u elitnom \nkampu, priprema se za veliki nacionalni turnir i istodobno pokušava odgonetnuti je li njegova \nželja da „uspije“ uopće njegova. Utakmice, treninzi, kućne svađe i prva dječačka prijateljstva \nnižu se poput poluvremena u kojem se rezultat stalno mijenja, a publika ostaje bez daha do \nposljednjeg zvižduka. \n \nPriča glatko prelazi od terena do obiteljskog stola noseći dvostruku napetost – sportsku i \nemotivnu. Precizan ritam, uvjerljivi detalji i već izgrađen čvrst kostur sugeriraju da bi daljnji \nrazvoj scenarija mogao donijeti referentni film o odrastanju pod profesionalnim (i obiteljskim) \npritiskom.  \n \n \nČANČARA \nScenarij: Veno Mušinović \n7.000 EUR \n \nČančara je akcijska komedija puna iznenadnih obrata. Dva brata uvučena u bandu krijumčara \nprisiljeni su šleperom prevesti 350 ugroženih kornjača, čančara. Nakon niza peripetija, bez \n\n\f\nobzira što time ugrožavaju vlastite živote, oni će se pobrinuti da mala nevina stvorenja budu \npuštena na slobodu, u prirodu. \n \nOdlična karakterizacija likova, duhoviti i tečni dijalozi jasno ocrtavaju smjer u kojem će autor \nrazvijati projekt. \n \n \nDANI SU BEZ BROJA \nScenarij: Romina Tonković \n7.000 EUR \n \nOvaj Javni poziv HAVCA zanimljiv je i po tome što je troje glumaca napisalo izvrsne tekstove. \nMeđu njima je i Romina Tonković. \n \nNeuspješni glazbeni producent Frane nađe se u neočekivanoj situaciji. Nakon iznenadne \nbratove smrti mora brinuti o tri maloljetne nećakinje. Kako je cijeli život proveo „bez brige i \npameti“ to mu pada iznimno teško. Konflikti su neizbježni. Osim s djevojčicama, vodi bitku i s \nvlastitim slabostima koje je ranije gurao pod tepih. Kroz glazbu, zabavu i niz komičnih situacija \nprojekt istražuje teme obitelji te dovodi do samorealizacije glavnog junaka na privatnom i \nposlovnom planu. \n \n \nTVORNICA HRVATA \nScenarist: Nebojša Lujanović \nRedatelj: Istvan Filakovity \nProducent: Ars Septima d.o.o. \n7.000 EUR \n \nJako je malo tekstova koji se bave periodom neposredno nakon rata 1991. To je bilo vrijeme \nkada su se jedni besramno bogatili, a drugi živjeli na rubu egzistencije. Trošile su se zadnje \ndevize iz posrnulih banaka i zadnje plaće iz tvornica koje su redom propadale.  \n \nU takvo okruženje autor je iz Bosne u Zagreb doveo samohranu majku s ostarjelim ocem i dvoje \ndjece. Da bi preživjeli, zajedno sa susjedom koja radi u policiji, krivotvori dokumente za \nizbjeglice iz BiH. Iako je za očekivati tmurnu priču, kroz niz komičnih situacija autor uspješno \noslikava pomalo zaboravljeno vrijeme beznađa devedesetih godina prošlog stoljeća. \n \n \nZMAJ \nScenarij: Ivona Juka \nRedateljica: Ivona Juka \n7.000 EUR \n \nTrajna je potreba za kvalitetnim i originalnim scenarijima s temama iz Domovinskog rata. Bilo \nje nekoliko projekata na ovogodišnjem natječaju za produkciju ali, na žalost, jako slabih. Stoga \nje ovaj tekst pravo osvježenje. \n \n\n\f\nLjubavna priča dvoje liječnika koji u organizaciji Doktora bez granica dolaze u ratom zahvaćenu \nistočnu Slavoniju iznimno je potentna. Zbivanja na bojišnici razdvoje glavne junake. Paralelno \nih prateći prolazimo kroz užasne scene koje samo rat može donijeti. No, njihova ljubav i \nodanost plemenitom zvanju kojim se bave daje im snagu da kroz sve prođu i OPROSTE.  \n \n \nZAGREBAČKE PRIČE vol.4 (vraćen iz razvoja projekata) \nScenariji: Jakov Nola, Andrej Korovljev, Luka Galešić, Martina Marasović, Ivan Srakić, Sara \nGrgurić, Andrija Mardešić, Josip Lukić, Marijana Veljović \nRedatelji: Jakov Nola, Andrej Korovljev, Luka Galešić, Martina Marasović, Ivan Srakić, Sara \nGrgurić, Andrija Mardešić, Josip Lukić \nProducent: Propeler Film d.o.o. \n7.000 EUR \n \nČetvrto poglavlje dugogodišnje franšize okuplja osam kratkih filmova (12–15 min) koje \nmotivski povezuje trenutak nakon svega – onaj trenutak kad shvatimo da se više ne možemo \nvratiti na staro, nego moramo krenuti dalje. Likovi stoje na crti koja se pojavila nakon potresa, \npandemije, političkih zbivanja, migracija i tehnoloških skokova pokušavaju odlučiti tko će biti \n„nakon svega“. Time se nadilazi sama geografija Zagreba i grad se pretvara u prizmu kroz koju \nse lome univerzalna pitanja: poštenje (Crven, zelen, plavi), suočavanje s bolešću (Male smrti), \ngubitak zaštitnika (Sluga), erozija tvrdih stavova (Pedeset centi), dječji pogled na smrt (Pomast), \npotraga za osjećajem u otuđenom svijetu (Između), melankolija izgubljenog doma (Odjednom \nme obuzela neka neopisiva tuga) i distopijski strah od sutra (Bit će skoro propast svijeta). \nMozaik osobnih priča oslikava grad Zagreb i društvo koje se – baš kao njegovi protagonisti – \nuporno diže nakon svakog udara. \n \nPredani materijali sadrže svježe glasove i jasne vizualne premise, ali variraju u razini završne \nobrade. Razvojna potpora omogućit će usklađivanje ritma i tona, jačanje zajedničke niti „nakon \nsvega“ i zadržavanje kvalitete kojom je serijal već osvojio publiku. Time se želi i podržati \nkontinuitet platforme koja godinama otvara prostor novim autorima. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2017_1_rok_10IV2017_WEB_DUG_IGR.pdf","filename_decoded":"RSC_2017_1_rok_10IV2017_WEB_DUG_IGR.pdf","sha256":"77075a0c919af7e5dd1b34d06586b59539a17a3c96e8a39462eacff85d597a9f","bytes":34207,"page_count":1,"extracted_at":"2026-05-17T10:24:23Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2017_1_rok_10IV2017_WEB_DUG_IGR.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nREDATELJ\nPRODUCENT\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nBobo\nTin Žanić\nTin Žanić\n30.000,00\n2\nČovjek kojem Bog nije \ndao suze\nDamir Čučić, Midhat \nAjanović - Ajan\nDamir Čučić\nKompilacija 4 romana \nMidhata Ajanovića - Ajana: \nJalijaš,                  \nPortret nacrtan ugljem i \nkišom, Time Laps i        \nSaljevanje strave\n30.000,00\n3\nNajgori ljudi na svijetu\nNikolina Bogdanović\n30.000,00\n4\nPutnici\nČejen Černić\nČejen Černić\nKinorama d.o.o. / Ankica \nJurić Tilić\n30.000,00\n5\nRent a tata\nAldo Tardozzi\nAldo Tardozzi\n30.000,00\n6\nTajnice ili Kako odabrati \ntelefaks uređaj\nSilva Ćapin\nSilva Ćapin\nEclectica d.o.o. / Ivan \nKelava\n30.000,00\n7\nUljez\nZoran Lazić\n30.000,00\nUKUPNO\n210.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2017. - 1. 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KN\n1\nJETZT\nKreativni sindikat\nKatrin Novaković\nKatrin Novaković\n70.000,00\nUKUPNO\n70.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ PROJEKATA u 2022. - 1. ROK - 14.3.2022.\nanimirani film - trajanje nije kraće od 24 minute\n44. sjednica Hrvatskog audiovizualnog vijeća u 3. sazivu, 15. lipnja 2022.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2022. - 1. ROK - 14.3.2022.","year":2022,"rok":"1. rok","natjecaj_date":"2022-03-14","decision_date":"2022-06-15","decision_body":"AV vijeće","currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"animirani film - trajanje nije kraće od 24 minute","section_key":"animirani","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"JETZT","applicant":"Kreativni sindikat","production_company":"Kreativni sindikat","director":"Katrin Novaković","writer":"Katrin Novaković","original_author":null,"category":"Animirani","approved_amount_text":"70.000,00","approved_amount":70000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kreativni sindikat","row_id":"78d79a4b:s0:0b1820ac973f","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_f455a18d9b2f","project_family_title":"Jetzt"}],"section_total_text":"UKUPNO 70.000,00","section_total":70000.0}],"totals":{"ukupno_text":"UKUPNO 70.000,00","ukupno":70000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":70000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_ADU%20preraspodjela%20sredstava_09092020_DR.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_ADU%20preraspodjela%20sredstava_09092020_DR.pdf","sha256":"78dda78583057a295f04b7432cef5d9ecb7fc2afb481f568574327e30c70314a","bytes":194951,"page_count":2,"extracted_at":"2026-05-16T13:53:42Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKLASA: 111-006-001 \nURBROJ: 3801-2020 \nU Zagrebu, 09. rujna 2020. \n \n \nTemeljem članka 10. Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: Zakon), te \nSporazuma između Hrvatskog audiovizualnog centra i Akademije dramske umjetnosti o suradnji na \nzavršnim studentskim projektima Hrvatsko audiovizualno vijeće je u 2. sazivu na 32. sjednici održanoj 09. \nrujna 2020. godine donijelo: \n \nO  D  L  U  K  U \no preraspodjeli dijela sredstava za završne radove MA studija za studente Bojana Radanovića, Jakova \nNolu i Marka Jukića sa 38.000,00 kuna na 55.000,00 kuna po projektu. \n \n \n1. Usvaja se prijedlog o preraspodjeli dijela sredstava za završne radove MA studija na završnim \ngodinama studija Filmske i TV režije Akademije dramske umjetnosti, Trg Republike Hrvatske 5, \nZagreb, (dalje u tekstu: ADU), za studente Bojana Radanovića, Jakova Nolu i Marka Jukića sa \n38.000,00 kuna na 55.000,00 kuna po projektu, odnosno povećanje sredstava za iznos od 51.000,00 \nkuna (pedesetjednetisućekuna). \n \n2. Ovlašćuje se ravnatelj Hrvatskog audiovizualnog centra na zaključivanje ugovora s korisnicima \nsredstava sukladno čl. 10. Zakona. \n \n3. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4. Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici Hrvatskog \naudiovizualnog centra: www.havc.hr. \n \n \nObrazloženje \n \nDana 25. siječnja 2013. godine sklopljen je između Hrvatskog audiovizualnog centra i ADU-a Sporazum o \nsuradnji KLASA:111-009-001, URBROJ: 222-2013) (dalje u tekstu: Sporazum) na završnim studentskim \nprojektima i prijedloga financiranja studenata. \nAkademija dramske umjetnosti je dana 23. srpnja 2020. g. (KLASA: 111-005; URBROJ: 3234-2020) uputila \nHrvatskom audiovizualnom centru zamolbu za preraspodjelu dijela sredstava za završne radove MA studija \nna završnim godinama studija Filmske i TV režije Akademije dramske umjetnosti, za studente Bojana \nRadanovića, Jakova Nolu i Marka Jukića sa 38.000,00 kuna na 55.000,00 kuna po projektu, odnosno \npovećanje sredstava u iznosu od 51.000,00 kuna. \nBudžet se znatno povećao za studente Bojana Radanovića, Jakova Nolu i Marka Jukića uslijed pomicanja \nrokova snimanja, manjih promjena na scenariju te primjene epidemioloških mjera, a tri projekta ostalih \nstudenata se neće realizirati, jer su studenti uslijed epidemije COVID 19 morali odustati od snimanja filmova \nodobrenih od strane HAVC-a.    \n \nNa 32. sjednici Hrvatskog audiovizualnog vijeća u 2. sazivu održanoj 09. rujna 2020. godine jednoglasno je s \n\n\f\n \n \n \n \ndvanaest (12) glasova \"za\"  prihvaćen prijedlog iz točke 1. Izreke Odluke.  \n \nSukladno čl. 34. Zakona, ravnatelj Hrvatskog audiovizualnog centra izvršava odluke o raspodjeli sredstava \nna temelju čl. 10. Zakona. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), Hrvatski audiovizualni centar \nće ovu Odluku objaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjednik \nHrvatskog audiovizualnog vijeća \n \n     Antonio Nuić, v.r. \n \n \n \nDostaviti: \n- \nADU, Trg Republike Hrvatske 5, Zagreb \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"komplementarne","year":2020,"rok":null,"referenced_projects":["Završni rad MA studija - Bojan Radanović","Završni rad MA studija - Jakov Nola","Završni rad MA studija - Marko Jukić"],"summary":"Hrvatsko audiovizualno vijeće na 32. sjednici 2. saziva odobrilo je preraspodjelu sredstava za završne radove MA studija Filmske i TV režije ADU za studente Bojana Radanovića, Jakova Nolu i Marka Jukića sa 38.000,00 kuna na 55.000,00 kuna po projektu (ukupno povećanje 51.000,00 kuna).","project_links":[{"source_title":"Završni rad MA studija - Bojan Radanović","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Završni rad MA studija - Jakov Nola","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Završni rad MA studija - Marko Jukić","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web animirani proizvodnja 2 rok 2023.pdf","filename_decoded":"web animirani proizvodnja 2 rok 2023.pdf","sha256":"78f662aedebd2c645c40fad861fdc00a85bf05ad4feda8ef629c2fd4cd4566f1","bytes":71194,"page_count":3,"extracted_at":"2026-05-17T12:01:47Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20animirani%20proizvodnja%202%20rok%202023.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje \nproizvodnje filmova, 2. rok 2023.  \n \nkategorija: poticanje proizvodnje animiranog filma  \nrok: 14.9.2023.  \numjetnička savjetnica: Ana Horvat  \n \n \nNa javni poziv u ovom roku pristiglo je petnaest (15) projekata.  \nOd toga su ovaj put pristigla čak tri filma dugog ili srednjeg metra. Jedan film, međutim, nije \nrazmatran zbog nepotpune dokumentacije. \nOd dvanaest (12) ostalih, kratkometražnih, polovica su namijenjeni djeci.  Ženske autorice stoje iza \nšest projekata, a muških autora je osam. Samo četiri projekta su debitantska. \n \nNa ovom roku opet imamo raznolike pristupe pričanju priče i animaciji, od granično \neksperimentalnih tehnika, igre s predmetima kao gradivnim elementima lutaka, lutka-animacije, do \nklasične 2D i 3D animacije, raznih likovnih senzibiliteta i stilova. \nIzdvojila bih još da čak tri projekta, iako različita po načinu animacije, obrađuju istu, aktualnu \ntematiku – promišljaju temu odvojenosti od prirode i ljudske destrukcije svijeta oko sebe, i biljaka i \nživotinja, koja u konačnici naravno šteti i samim ljudima, jer smo neraskidivi dio prirode. Autori \npriželjkuju osvještavanje i akciju. \n \nZa financiranje je predloženo i odobreno šest (6) projekata, od koji su dva za djecu, a jedan, \ndebitantski, je srednjeg metra. Ukupni iznos financiranja je 328.000,00 eura. \n \n \n1. \nnaziv projekta: Nevjerojatni puh \nprodukcija: Umjetnička organizacija Perolaka - Underfeather \nscenarij i režija: Thomas Johnson Volda \niznos financiranja:  87.000,00  €  \n \nAutor je do sada ostvario vrlo kvalitetne i uspješne filmove u suradnji s partnericom Ivanom \nBošnjak Volda. Njegov kompleksan, zahtjevan solo projekt poput prirodoslovnog filma prati život \npuha, koji ima svoj brlog u duplji drveta, unutar napuštene tvornice. On je posljednji sisavac na \nZemlji. U postapokaliptičnom okolišu koji propada zatrpan smećem, puh groteskno poprima ljudske \nnavike i običaje, te kako se udaljava od svoje prirode, ogledalo je naše dekadencije i izobličenja \ndruštva. Film završava pojavom misterioznih AI entiteta, koji s gađenjem promatraju ostatke \nminorne ljudske civilizacije. Projekt će biti realiziran u tehnici lutka animacije, uz dodatak 3D \nanimacije. \n \n2. \nnaziv projekta: Stakleni zidovi \nprodukcija: Kreativni sindikat \nscenarij i režija: Igor Grubić \niznos financiranja:  44.000,00 €  \n \nIgor Grubić ostaje dosljedan svojim aktivističkim temama i angažiranom stavu.  \nOvaj projekt se bavi temom dehumanizacije, istražujući temu prava životinja.  \nBaza je intervju sa čovjekom koji je radio u klaonici, što je doživio kao užasno, teško i mučno \niskustvo. Projekt nije tek ilustracija svjedočanstva intervjuiranog, već stremi izražavanju emocije - \ndoživljaja užasa povezanih s okrutnom, nehumanom realnošću industrije mesa.  \n\n\f\nAutor želi probuditi svijest i savjest u gledateljima.  \nFilm kombinira različite, likovno bogate tehnike: polu-apstraktnu, grafički bogatu 2D animaciju, \ngrebanje filmske trake, dokumentarne snimke životinja. Na ostvarenju filma radit će naš eminentni \nautor i animator, Marko Meštrović. \n \n \n3. \nnaziv projekta: Ovum \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Andrej Rehak \niznos financiranja:  29.000,00 € \n \nJednostavan i kompaktan projekt koji se metaforički bavi arhetipskom temom ciklusa (u smislu \nciklusa rađanja i umiranja, ciklusa godišnjih doba, izmjena dana i noći, itd.). Priča počinje od \nprikaza kruga (ovuma – jajeta), u kojem se pojavljuje mala klica. Razvija se u čovječuljka koji se \nkreće krugom, proždire zrak oko sebe kao Pac-Man, postupno raste i ispunjava krug toliko potpuno, \nda se stapa s njim, nestajući. Krug izgleda ponovno prazan, te se pojavljuje - nova klica.  \nDuhovito i likovno zanimljivo, autor se ovim radom nastavlja na svoj prethodni film, Paradigma. \nFilm će biti ostvaren u kombinaciji 3D i 2D animacije. \n \n \n4. \nnaziv projekta: Puhalica \nprodukcija: Igubuka d.o.o. \nscenarij i režija: Ivana Guljašević Kuman \niznos financiranja:  27.000,00 €  \n \nOvaj film za najmlađe prati put pahuljice/sjemenke maslačka, koja nošena vjetrom, vodom pa i \nraznim prijevoznim sredstvima, proputuje cijeli svijet, dotakne svemir, zaroni u mora. Na kraju se \nvraća na livadu djetinjstva, gdje nježno usne uz ostalu braću i sestre pahuljke, da bi postali novi \nmaslačci sljedeće godine.  \nKroz ovu priču djeca uče o putovanjima i upoznavanju svijeta na dinamičan, zabavan i duhovit \nnačin, uz simpatičnu pahuljicu osebujnog karaktera.  \nDizajn i likovnost su kvalitetni i primjereni djeci, a film će biti izveden koristeći digitalnu 2D \nanimaciju i kolaž. \n \n \n5. \nnaziv projekta: Izgubljeno – nađeno \nprodukcija: Luma film  \nscenarij: Anja Pletikosa \nrežija: Morana Dolenc \niznos financiranja: 41.000,00 €  \n \nZanimljiv film za nešto stariju djecu, koji spaja iskustvo redateljice iz kazališta lutaka, primijenjeno \novdje na tehniku stop-animacije. Likovi nisu klasične lutke, već su razigrano, kolažno sastavljeni od \nraznih svakodnevnih predmeta. Tim kreativnim medijem ispričana je priča o Dječaku Timiju, kojem \nu dućanu Izgubljeno-nađeno lik Profesora pomaže raspetljati njegov problem, svađu s prijateljem \nSrećkom. Zajednički nalaze rješenje za pomirenje.  \nFilm bi trebao razvijati dječju maštu, ali i pomoći djeci u osvještavanju problematike međuljudskih \nodnosa, s naglaskom na razumijevanju i pronalaženju rješenja.  \n \n\n\f\n \n6. \nnaziv projekta: Jetzt \nprodukcija:  Pipser d.o.o. \nscenarij i režija: Katrin Novaković \niznos financiranja: 100.000,00  €   \n \nAutorica je pripremila kompleksan animirano-dokumentarni projekt, u kojem priča o svom \npokojnom djedu i njegovom nesalomljivom duhu. \nKao vojnik u Drugom svjetskom ratu izgubio je lijevu šaku, no to ga nije spriječilo da se nastavi \naktivno baviti planinarenjem, a uz to, izgradio je bogat kreativni život u kojem je pisao, putovao, \nsnimao filmove, te se čak, kao i njegova unuka, bavio lutka animacijom.  \nAutorica odmata priču djedovog života kroz razgovore s bakom, te kroz to upoznajemo i nju. U \npričanju priče uz stop animaciju koristi i djedove video i audio snimke, dnevnike, kućicu za lutke i \nlutke, obiteljske artefakte i fotografije.  \nFilm govori o specifičnom povijesnom trenutku, nadvladavanju životnih zapreka, o ljubavi prema \nljepoti prirode i o ljudskoj kreativnosti. Svojom afirmativnošću služi i kao dobrodošla ravnoteža \nteškim temama drugih filmova na ovom roku. \n \n \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2023,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_sporazum%20_Grad%20Rijeka_14102020_ad.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_sporazum%20_Grad%20Rijeka_14102020_ad.pdf","sha256":"793356fccf1ac16746e7ee76f15ecec847a73dda8995e33d8f99a55f7ee7ead1","bytes":193397,"page_count":1,"extracted_at":"2026-05-16T14:10:17Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKLASA: 111-006-001 \nURBROJ: 4923-2020 \nU Zagrebu, 14. listopada 2020. \n \nTemeljem članka 10. Zakona o audiovizualnim djelatnostima (NN 61/18), Hrvatsko audiovizualno vijeće je u \n2. sazivu na 34. sjednici održanoj 14. listopada 2020. godine donijelo: \n \nO  D  L  U  K  U \no sufinanciranju proizvodnje filmova temeljem Sporazuma o suradnji s Gradom Rijekom od 16. travnja \n2009. godine \n \n1. Određuje se sufinanciranje proizvodnje za četiri projekta: Hortikultura, kratkometražni igrani film, \nEclectica d.o.o.; Život, Atlantik Slobodana Velikića, srednjemetražni dokumentarni film, Filmerija \nd.o.o.-a; Riječki orao, kratkometražni dokumentarni film, Pulsar Produkcija d.o.o.-a i Novo vrijeme, \nkratkometražni igrani film, Udruga Spirit, a prema prijedlogu Grada Rijeke, Odjela gradske uprave za \nkulturu, u ukupnom iznosu od 178.000,00 kuna. \n \n2. Ovlašćuje se ravnatelj Hrvatskog audiovizualnog centra na zaključivanje ugovora s korisnicima \nsredstava sve sukladno čl. 10. Zakona. \n \n3. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4. Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \nObrazloženje \n \nSlijedom dopisa Grada Rijeke, Odjela gradske uprave za kulturu od 25. rujna 2020. godine (KLASA:610-\n01/20-01/41; URBROJ: 2170/01-06-00-20-2) na 34. sjednici Hrvatskog audiovizualnog vijeća u 2. sazivu  \nodržanoj 14. listopada 2020. godine usvojena je Odluka iz toč. 1. izreke Odluke, u ukupnom iznosu od \n178.000,00 (stosedamdesetosamtisućakuna). \n \nSukladno čl. 34. Zakona o audiovizualnim djelatnostima, ravnatelj Hrvatskog audiovizualnog centra izvršava \nodluke o raspodjeli sredstava na temelju čl. 10. Zakona. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku objaviti \nna svojoj mrežnoj stranici: www.havc.hr. \n \nPredsjednik \nHrvatskog audiovizualnog vijeća \n \n     Antonio Nuić, v.r. \n \n \nDostaviti: \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"komplementarne","year":2020,"rok":null,"referenced_projects":["Hortikultura","Život, Atlantik Slobodana Velikića","Riječki orao","Novo vrijeme"],"summary":"Odluka AV Vijeća na 34. sjednici od 14. listopada 2020. o sufinanciranju proizvodnje četiriju projekata temeljem Sporazuma o suradnji s Gradom Rijekom u ukupnom iznosu od 178.000,00 kuna.","project_links":[{"source_title":"Hortikultura","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Život, Atlantik Slobodana Velikića","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Riječki orao","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Novo vrijeme","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI koprodukcije 2018 2 rok.pdf","filename_decoded":"REZULTATI koprodukcije 2018 2 rok.pdf","sha256":"79672909f90f2f7379766e4523477b885f3c1d2fdeef590345acb8b9b64deb8a","bytes":34553,"page_count":1,"extracted_at":"2026-05-17T10:22:52Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI%20koprodukcije%202018%202%20rok.pdf"},"raw_text":"NAZIV  FILMA\nREDATELJ/ICA\nHRVATSKI  \nPRODUCENT\nODOBRENO\n1\nToomas  pod  dolinom  \ndivljih  vukova\nChintis  Lundgren  (Christin  \nPeets)\nJadranska  animacija  /  \nAdriatic  Animation\n200.000,00\n2\nMoje  jezero\nGjergj  Xhuvani\nCorvus  film  d.o.o.\n525.000,00\n3\nTigrovi\nRonnie  Sandahl\nKinorama  d.o.o.\n650.000,00\n4\nBorderline  Kupa\nTiha  Gudac\nKinoteka  d.o.o.\n150.000,00\n5\nSestre  \nZdenko  Jurilj\nOlimp  produkcija  d.o.o.\n100.000,00\n6\nRaj\nMitja  Ličen,  Sonja  \nProsenc\nWolfgang  i  Dolly  d.o.o.\n100.000,00\n1.725.000,00\nJavni  poziv  za  poticanje  audiovizualnih  djelatnosti  i  stvaralaštva  -­  kategorija:  POTICANJE  \nFILMSKIH  KOPRODUKCIJA  S  MANJINSKIM  HRVATSKIM  UDJELOM  u  2018.  -­  2.  ROK  -­                      \n26.4.2018.    96.  sjednica  Hrvatskog  audiovizualnog  vijeća,  13.  srpnja  2018.\nanimirani  film\n-­  film  u  postprodukcijskoj  fazi\nUKUPNO\ndugometražni  dokumentarni  film  \ndugometražni  igrani  film\nkratkometražni  dokumentarni  film  \nkratkometražni  igrani  film\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"REZULTATI koprodukcije 2018 2 rok","year":2018,"rok":"2. rok","natjecaj_date":"2018-04-26","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"Javni p oziv z a p oticanje a udiovizualnih d jelatnosti i s tvaralaštva - k ategorija: P OTICANJE FILMSKIH K OPRODUKCIJA S M ANJINSKIM H RVATSKIM U DJELOM u 2 018. - 2 . 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ROK - \nDUGOMETRAŽNI DOKUMENTARNI\n1\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\n1\nPleme\nTomislav Luetić\nTomislav Luetić\n35,000.00\n2\nŽene minorne \nspekulacije\nNicole Hewitt\nStudio Pangolin/ Ana \nHušman\nNicole Hewitt\n35,000.00\nUKUPNO\n70,000.00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2015. - 2. 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stvaralaštva - kategorija: \npoticanje \nrazvoja \nscenarija \ni \nrazvoja \nprojekata \ndugometražnih \nigranih, \ndugometražnih dokumentarnih i animiranih filmova, 1. rok 2021. \n \nKategorija: Poticanje razvoja scenarija i razvoja projekata – \ndugometražni igrani film \n \nRok: 11. ožujka 2021. \nUmjetnički savjetnici: Pavlica Bajsić Brazzoduro, Danilo Šerbedžija i Zdenka Gold \n \nNa Javni poziv za poticanje razvoja scenarija dugometražnog igranog filma u 2021. \ngodini na prvom roku prijavilo se ukupno 118 projekta. I ovaj je Javni poziv po broju \nprijava rekordan. Jedan projekt nije zadovoljio uvjete Javnog poziva te ga nismo \nrazmatrali. \nKao što je uobičajeno za našu kinematografiju, u prijavama nadmoćno prevladavaju \ndrame, ali nailazimo sve češće na komedije, trilere i žanrovske te i poneki dječji film. \nPrimjećujemo porast projekata kojima je glavna protagonistica jak ženski lik, kao i \nporast glumica-scenaristica. \nŽelimo naglasiti da se kao neko pravilo ponavlja i na ovom roku: najveći broj autorica \nprisutan je kod prijavljivanja projekata na razvoj scenarija, a kako se penjemo prema \nrealizaciji tako se taj broj smanjuje. \nOdlučili smo poduprijeti za potporu sveukupno trinaest projekata za razvoj scenarija \nte smo dodatno jedan projekt koji je bio prijavljen za proizvodnju preporučili na razvoj \nscenarija. Sveukupno preporučujemo četrnaest filmova za razvoj scenarija što je i \nodobreno. \n \nFilmovi prijavljeni za razvoj scenarija \n \nPogana \nScenarij: Andrija Mardešić, Ivana Roščić \nRežija: David Kapac  \n30.000,00 kn \n \n\"Pogana\" je veoma poetična priča koja progovara o teškoj poziciji neprihvaćenih i \n\"drugačijih\" žena s početka prošlog stoljeća. Priča je to o ženi s brda, dogovorno \nudanoj na otok (prodana od oca), koja se bori za svoju poziciju s novom obitelji i s \nokolinom koja je ne prihvaća.   \nTreatment odiše magičnim realizmom pomješanim s gotovo dokumentaristički točnim \nopisima običaja i ljudi iz tog vremena.  \n \nPrelazak \nScenarij: Dino Pešut \n30.000,00 kn \n \n\n\f\n \nPred sam kraj svijeta, Dejan završava psihijatrijsko liječenje nakon neuspješnog \npokušaja samoubojstva. Ostaje mu jedan dan da pokuša raspetljati komplicirane \nobiteljske, prijateljske i ljubavne odnose.  \nIako je Dino Pešut poznatiji kao dramatičar i romanopisac, on tranziciju u filmsko \nizlaganje prolazi bez većih problema. Rezultat je vrlo zreo scenarij za film apokalipse, \nistovremeno bizaran i nježan, specifične autorske poetike. \n \nZlatna Lika \nScenarij: Filip Filković \nRežija: Filip Filković \n30.000,00 kn \n \nRadi se o gotovo nepostojećem žanru kod nas, westernu. Smješten u Liku, priča govori \no dvoje ljudi u potrazi za otetom članicom obitelji. Klasičan western zaplet, a moglo bi \nse reći i rasplet.  \nLikovi su odlično zamišljeni, vrlo ih lako vizualiziramo, potpuno odgovaraju žanru, a \nopet imaju i nešto izvorno, naše, iz njih se osjeća \"miris\" Like s početka prošlog \nstoljeća. \n \nNoćni valovi \nScenarij: Filip Heraković \nRežija: Filip Heraković \nProducent: Wolfgang i Dolly / Tamara Babun \n30.000,00 kn \n \nPriča je to o Danijelu, mladom momku iz kontinentalne hrvatske provincije, koji je \ndošao na more voziti Uber kroz sezonu. Jedne noći, zbog bolje financijske ponude, on \notkaže vožnju danskoj turistkinji Sari.  Ona nakon toga nestaje. Danijela privuče njena \ntajanstvena sudbina te prolazi kroz razne faze suočavanja s osjećajem krivnje. \n \nFarma \nScenarij: Irena Bosnić, Rade Dragojević \nProducent:  \n30.000,00 kn \n \nAutori nas uvode u jednu iznimno aktualnu temu stranih radnika koji dolaze na \nprivremeni rad u Hrvatsku.  Radi se o sadržajno iznimno bogatoj priči koja vrvi vrlo \nrazličitim likovima. Autori su uspjeli nekoliko vrlo različitih priča i mnogo naoko \nnespojivih likova vrlo spretno i zanimljivo zapakirati u jednu napetu cjelinu. \n \nI ja imam nekoga u Norveškoj \nScenarij: Ivan Livaković, Aleksandra Osman \nRežija: Ivan Livaković \n30.000,00 kn \n \n“I ja imam nekog u Norveškoj” je tragikomedija smještena u svijet hrvatske i svjetske \nmigracije kroz pet medjusobno povezanih priča.  \n\n\f\n \nOvaj pomalo začudni treatment smo odabrali zbog načina na koji progovara o temi \nmigracija, te ga smatramo vrijednim pokušajem obuhvaćanja aktualnog problema \nraseljavanja.  \n \nPrebllizu suncu \nScenarij: Ivan Turković-Krnjak \n30.000,00 kn \n \nOvo je priča o mladom sezonskom radniku iz Slavonije koji na otoku Pagu, upoznavši \ntroje bogatih trendy Britanaca, poželi biti jedan od njih.  Već u ovoj fazi treatmenta \nvidi se kako autor promišljeno vodi strukturu budućeg scenarija, vodeći cijelo vrijeme \nračuna i o emocionalnoj napetosti kod gledatelja.  \nOvo bi mogao biti na prvu ruku pitak film za gledanje, a koji zapravo ostavlja knedlu u \ngrlu. Radi se također o scenaristu koji je definitivno u usponu, koji na svaki natječaj \ndonosi odlično raspisane priče tako potrebne hrvatskom filmu i redateljima. \n \nFolka \nScenarij: Ivan Veljača \n30.000,00 kn \n \nFolka je jedna topla ali i strašna, kvartovska priča s početka ’90-ih, scenarij koji se čita \nu jednom dahu. \nAutor je potpuno uspio u svojoj namjeri koju je najavnio u autorskom konceptu: \n“Preko priče o petorici prijatelja 90tih, namjera mi je bila otvoriti pitanja prijateljstva, \npotrebe za pripadanjem, osjećaja nepripadanja, međuvršnjačkog nasilja i pitanja \nnetrpeljivosti po nacionalnoj osnovi.”  \n \nČistači \nScenarij: Koraljka Meštrović \nRežija: Koraljka Meštrović  \n30.000,00 kn \n \nMIRTA (45) čisti po kućama. Obožava svoj posao, najbolja je u njemu i ne smatra ga \nzanimanjem, nego pozivom. Opsjednuta je čistoćom. Kroz film ona postaje i serijska \nubojica i ekološka borkinja. \nNeobičan je način kojim autorica ispisuje film o Zagrebu. Iako u žanru horror komedije \ns vrlo bizarnim elementima, ona ustvari progovara o neuralgičnim točkama \nzagrebačkog urbaniteta silovanog od strane gradske uprave.   \n \nJadran kakav je nekad bio \nScenarij: Marko Šantić \n30.000,00 kn \n \nSamohrana majka Ksenija prihvaća sezonski posao animir dame te laže svojim \nsinovima da ide raditi kao sobarica u hotelu na moru.  \n\n\f\n \nPriča puna preokreta, smiješnih i tužnih situacija, pogrešaka i lijepih gesti koje zapravo \nčine ljudske živote. Atmosfera scenarija ponekad nas podsjeća na kultni film “Neki to \nvole vruće”.  \n \nŠpaher \nScenarij: Mladen Burić \nRežija: Mladen Burić \n30.000,00 kn \n \nŠPAHER je zamišljen kao film ceste koji prati jednodnevno putovanje dvojice braće, \nMarka i Matije, kao i Markovog  sina Luke. Nakon smrti njihovog oca, oni se pokušavaju \nriješiti starog špahera ne bi li ispraznili staru kuću i pripremili je za prodaju.  \nOvo je filmska priča koja nas je svojom toplinom oborila s nogu. Izrasla je iz našeg \npodneblja, autohtona, nepretenciozna, smiješna i gorka, nježna. Iznad svega, film \nkakvog trebamo i kojeg bi i publika i kritika mogla voljeti.   \n \n \nZagrebopolis \nScenarij: Silvio Mirošničenko \n30.000,00 kn \n \nTreatment Zagrebopolis, autora Silvija Mirošničenka, veoma je interesantna SF priča, \nsmještena u Hrvatskoj u dalekoj budućnosti. Drama je to s crnohumornim satiričnim \nmomentima koji dolaze iz situacije, atmosfere, scenografije, više nego iz dijaloga što \nje veoma pohvalno.  \nDok se Ivan Goran Vitez satirički osvrnuo na našu prošlost, Mirošničenko, poput Ličine, \ngovori o našoj mogućoj budućnosti te postaje i svojevrsna opomena nama samima. \n \n \nPlašitelji \nScenarij: Vivien Karlović \n30.000,00 kn \n \nNakon završenog fakulteta, Filip se zapošljava kao plašitelj ptica u ribnjaku s ciljem \nočuvanja riba. Uslijed neočekivanih okolnosti i promjene vlasti u ribnjaku, njegov \nposao postepeno napreduje pa postaje prvo brojač ptica te na kraju sokolar kojem je \nposao tjerati ptice. Iste one koje je prvo tjerao, pa čuvao... \nScenarij \"Plašitelji\" interesantan je, pomalo bajkovit i alegorijski uradak koji \natmosferom pomalo podsjeća na francuski hit film Amelie. \n \nFilm prijavljen za proizvodnju \n \nGlave u vrećama \nScenarij: Mario Kovač \nRežija: Mario Kovač \nProducent: Izvan fokusa \n30.000,00 kn \n\n\f\n \n \nRadi se o jednom od najoriginalnijih i najinteresantnijih djela koje smo imali priliku \nčitati. Riječ je o ekranizaciji \"izgubljenog\" scenarija Josipa Seissela, poznatog arhitekta \nurbanista i slikara te člana legendarne grupe Traveleri koja je djelovala prije sto godina \nu Zagrebu.  Scenarij je vjerojatno najstariji napisani filmski scenarij na ovom području. \nS obzirom na izričajnu povezanost Travelera sa Schmrtz teatrom čija je bio pokretačka \nsnaga, ne čudi zainteresiranost Marija Kovača za ovaj projekt. \nOvaj projekt je bio prijavljen na Proizvodnju, no preporučamo nastavak rada na \nscenariju. Radi se o do sada neviđenom filmskom pokušaju kod nas i stoga smatramo \nda ovaj projekt treba podržati i pratiti. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2021,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"TV razvoj 2024 rok 1 obrazlozenje_WEB.pdf","filename_decoded":"TV razvoj 2024 rok 1 obrazlozenje_WEB.pdf","sha256":"7a71bf5872035600e7966ca15d54fcc04b4e26ba73937d4f0cee99a9f00e8f58","bytes":257179,"page_count":15,"extracted_at":"2026-05-17T12:02:00Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/TV%20razvoj%202024%20rok%201%20obrazlozenje_WEB.pdf"},"raw_text":"1 \n \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA \nSERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2024. - 1. ROK - \n12.3.2024. \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA \nSERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2024. - 1. ROK - \n12.3.2024. \n \n \n \nNa Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA SERIJSKIH \nTELEVIZIJSKIH DJELA u prvom roku 2024.g.ukupno je prijavljeno \nrekordnih 115 projekata (usporedbe radi, na posljednja četiri natječaja \nbilo je prijavljeno redom: 80, 71, 66 i 82 projekta), od toga 64 u \npotkategoriji Razvoj scenarija, a 51 u potkategoriji Razvoj projekata. \nJedan se projekt nije razmatrao jer nije zadovoljio uvjete javnog poziva. \n \nVelika tematska i žanrovska raznolikost te prilično visoka kvalitativna \nrazina (kako u idejno-sadržajnom, tako i produkcijskom smislu pripreme \nsamih projekata) većine prijavljenih radova odlično se poklopila s \nnajvećim raspoloživim budžetom dosad u ovoj kategoriji javnih poziva, pa \nje u konačnici i rezultirala najvećim dosadašnjim brojem projekata \npredloženih za financiranje. \n \nU potkategoriji razvoja scenarija TV djela predloženo je i odobreno 18 \nprojekata u ukupnom iznosu od 73.000 eura, dok je u potkategoriji \nrazvoja projekata TV djela predloženo i odobreno 15 projekata u \nukupnom iznosu od 118.000 eura. Ukupni zajednički iznos za obje \npotkategorije je 191.000 eura.  \n \n \n \n                                                                     Ivan-Vanja Runjić \n \n                                                                    \n \n \n                                                                     umjetnički savjetnik za \n                                                                     razvoj televizijskih djela \n \n \n\n\f\n2 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA \nSERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2024. - 1. ROK - \n12.3.2024. \n \n \n \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije \nkraće od 24 minute \n \n \n1.1 \nBIJELI JELEN \n \nAnimirana serija, 12 epizoda po 6 min. \nProducenti: Jaka produkcija  \nScenaristica: Lucija Bužančić (prema bajci Vladimira Nazora) \nRedateljica: Lucija Bužančić \n6.000 EUR \n \nAnimirana ekranizacija klasične bajke Vladimira Nazora zamišljena je \nponešto drukčije od svog predloška, ali smisleno i s razlogom. Iako je i \npredložak kombinacija više narativa koje se spajaju u jednu bajku, \nautorica ide korak dalje pa je ovdje svaka od zamišljenih 12 epizoda \nposvećena jednom liku da bi se sve to na kraju uvezalo i kliknulo. Pomalo \npastelni vizuali naslućuju da bi ovaj projekt mogao ciljati na ipak nešto \nstariju publiku od one najmlađe. Autorica je uvažila sugestije prethodnog \numjetičkog savjetnika, koji je također pozitivno ocjenio ovaj projekt, pa \nga stoga predlažemo za potporu.    \n \n \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije \nkraće od 20 minuta \n \n \n2.1. APETITLIH \n \nDokumentarna serija, 6 epizoda po 26 min. \nProducent: Izvan fokusa  \nScenarist: Goran Ribarić \nRedatelj: Goran Ribarić  \n6.000 EUR \n \nImamo li mi kao nacija fetiš na hranu, ili ga samo imaju autori koji se \njavljaju na ovaj Javni poziv manje je važno. Važnije je reći da je žustra \nkonkurencija u pod-potkategoriji „foodie docutainmenta“ iznjedrila čak dva \nprojekta koje predlažemo za potporu. Ovdje se radi o putopisnom serijalu \n\n\f\n3 \n \no austrougarskoj kuhinji koju voditelji otkrivaju putujući vlakom. Znamo \nkakva je situacija sa željeznicom u našim krajevima, no u ostatku bivšeg \nCarstva je ipak značajno bolja (o hrani da i ne govorimo), pa se ovdje \nnadamo zabavnom i poučnom serijalu.   \n \n \n2.2. DIVLJA HRVATSKA \n \nDokumentarna serija, 4 epizode po 52 min. \nProducent: Antitalent  \nScenarist: Filip FIlković \nRedatelj: Filip Filković  \n6.000 EUR \n \nMožda bi netko neupućen na bazi samog naslova mogao pomisliti da se \novdje radi o nečem drugom, no ipak je riječ o hrvatskim divljim \nživotinjama (vuk, ris, bjeloglavi sup, dupin) i njihovoj sve ugroženijoj \negzistenciji. Serijal je iznimno ambiciozno zamišljen, upravo kako njegovi \nugroženi protagonisti i zaslužuju, a autorska motivacija i dosad realizirani \nprojekti scenarista i redatelja Filipa Filkovića („Lovac na bilje“, „Dulum \nzemlje“) nas uvjeravaju da se radi o ambiciji s pokrićem.  \n \n \n2.3. HRANA 2.0 \n \nDokumentarna serija, 5 epizoda po 50 min. \nProducent: Hrvatski centar za istraživačko novinarstvo i slobodu medija  \nScenarist: Saša Paparella, Dario Juričan \nRedatelj: Dario Juričan \n10.000 eura \n \nDa, hrana, ali ne bilo koja ni bilo kakva. Hidroponika, aeroponika, \nakvaponika, 3D printana hrana i još štošta drugo (od čega sjeme uzgojeno \nu stanu na 14. katu nebodera djeluje najmanje neprivlačno), dovode nas \nna dosad nepoznat teren foodie SF-a. U prezentaciji svog projekta autori \nsu vrlo uvjerljivi u svojim tvrdnjama da je ta nutricionistička distopija već \ntu. U svakom slučaju radi se o projektu ogromnog potencijala, koji bi se \nbez problema uklopio i u programsku ponudu komercijalnih televizija i \nstreaming servisa.    \n \n2.4. MALENA MJESTA SRCA MOGA \n \nDokumentarna serija, 8 epizoda po 26 min.      \nProducent: Wolfgang & Dolly  \nScenaristica: Ines Pletikos \nRedateljica: Ines Pletikos  \n8.000 eura \n \n\n\f\n4 \n \nPriča o ljudima i njihovim gradovima. Ovako prezentirana ideja projekta \nvjerojatno ne bi imala velike šanse na nekom 30 seconds pitching forumu. \nNo, srećom, kad mu se posveti koja minuta više, odmah postaje jasno da \nse radi o potencijalno šarmantnom, lirskom serijalu koje na vrlo precizan a \nležeran način povezuje svoje protagoniste (između ostalih i Nikola Bašić, \nTisja Klaković Braić, Dubravko Mataković, Damir Urban...) sa malim \nmjestima srca njihova (i našeg).   \n \n \n2.5. MALNAR \n \nDokumentarna serija, 2 epizode nepoznatog trajanja      \nProducent: Behemoth  \nScenarist: Ivan Živković \nRedatelj: Ivan Živković \n6.000 eura \n \nJedanaest godina od smrti Željka Malnara sasvim je dovoljna „povijesna \ndistanca“ za ozbiljan dokumetarni osvrt na njegov lik i djelo. Obilje \nsnimljenog materijala koje je ostalo iza njega (ne samo iz Malnarove \nlegendarne i notorne „Noćne more“, nego i s njegovih brojnih putovanja) \nte nekoliko upućenih sugovornika insajdera daju naslutiti projekt \napsolutno dostajan svog osebujnog, razbarušenog naslovnog brenda.  \n \n \n2.6. NOVA LICA RADA \n \nDokumentarna serija, 7 epizoda po 26 min.      \nProducent: Umjetnička organizacija Plafon  \nScenarist: Filip Peruzović \nRedatelj: Filip Peruzović \n8.000 eura \n \nViđamo ih svaki dan, u svako doba, po suncu i kiši, donose nam hranu, \ngrade nam zgrade, prevoze nas po gradu. Da, radi se o novoj hrvatskoj \nradničkoj klasi, ali ovo nije priča samo o našim Nepalcima, Filipincima i \nostalim došljacima s drugog kraja planete. Ima tu naime, i radnika treće \ndobi, tih (ne sasvim dobrovoljnih?) povratnika na tržište rada, ali i svima \nomiljenih profesionalaca 21. stoljeća – influencera. Vrlo dobro promišljen i \nzamišljen projekt, pa ne sumnjamo da će se u tom pravcu kretati i dalje.     \n \n2.7. POBJEDNICI  \n \nDokumentarna serija, 8 epizoda po 26 min.      \nProducent: Kinoteka  \nScenaristice: Bojana Burnać, Ida Prester \nRedateljica: Bojana Burnać  \n8.000 eura \n\n\f\n5 \n \n \nPlemenitih, inspirativnih priča o društvenim autsajderima nikad dosta. \nIako nismo sigurni koliko bi se i autorice i junaci ovog projekta složili s \novako grubom kvalifikacijom. Ne radi se dakle ni o kakvim autsajderima, \nveć o ljudima koji su pobjedili strahovito loše karte koje im je život \npodijelio. Slijepi bubnjar, svjetski putnik u invalidskim kolicima, slikar koji \nslika ustima, samo su neki od pobjednika iz naslova. Pametno, poučno i \npotrebno. \n \n \n2.8. RIMSKA BOJIŠTA U ILIRIKU  \n \nDokumentarna serija, 4 epizode po 50 min. (planirane tri sezone)    \nProducent: Livada produkcija  \nScenarist: Feđa Milivojević, Antonio Nuić \nRedatelj: Antonio Nuić \n10.000 eura \n \nSam naziv projekta govori nam gotovo sve što trebamo znati, no ipak \ntreba spomenuti da tvorci projekta namjeravaju antičke bitke iz naslova \nrekonstruirati 3D grafikom (naravno, uz ostale poznate dokumentarističke \nalate), da je suscenarist docent na katedri za povijest riječkog filozofskog \nfakulteta, a sugovornici ozbiljna domaća i strana znanstvena elita, te da je \nprojekt idejno i produkcijski postavljen uz vrlo precizan i prikladan omjer \nambicioznog znanstvenog pristupa i vizualne živahnosti.      \n \n \n2.9. SPORTSKA NACIJA \n \nDokumentarna serija, 6 epizoda po 26 min.      \nProducenti: Woodz production \nScenaristi: Adrijana Prugovečki, Jakov Nola \nRedatelj: Jakov Nola \n6.000 eura \n \nSportska nacija, naravno, notorno opće mjesto hrvatskog nacionalnog \nidentiteta. No, ovdje se ipak ne radi o našoj slavnoj zaluđenosti \nnogometom (i rukometom u siječnju kad su evropske i svjetske smotre), \ndodana vrijednost ovdje su entuzijasti druge fele. Divlje lige, fanatici \nameričkih sportova, malo drugačije navijačke skupine i slični neočekivani \nfenomeni tema su ovog serijala. Šteta da „Sportsku naciju“ ne možemo \ngledati već ovih dana u pauzama između utakmica na Evropskom  \nnogometnom prvenstvu, no za dvije godine je Svjetsko, a to je već \ndostižno...   \n \n2.10.   SVJETLA POZORNICE \n \nDokumentarna serija, 7 epizoda po 52 min.      \n\n\f\n6 \n \nProducent: Castor multimedia \nScenaristi: Matea Milić, Dubravko Merlić  \nRedateljica: Lana Kosovac \n10.000 eura \n \nSvojevrsni nastavak uspješnog serijala iste autorsko-producentske \nradionice „Moderna vremena“, ambiciozno zahvaća 70 godina hrvatske \npopularne kulture (od 1950. do 2020.), no uz redovne dokumentarističke \nalate (sugovornike i arhivske snimke) priču planira začiniti pomalo \nneočekivanim momentom studijskog TV showa. Sve skupa djeluje dosta \nuzbudljivo, dio potrebnog opsežnog istraživanja po arhivama je očito \nobavljen, no veliki posao je i dalje pred ovim timom.  \n \n \n2.11.  TANZANIJA – ODJECI VREMENA  \n \nDokumentarna serija, 2 epizode po 45 min.     \nProducent: Binocular teatar  \nScenarist: Borna Armanini \nRedatelj: Borna Armanini \n6.000 eura \n \nPutopis s drugog kraja svijeta, ali ne baš običan. Nikako običan, zapravo. \nNaime, autor se između ostalog, nakon opsežnog lutanja i proučavanja \nove prirodnim ljepotama prebogate zemlje, namjerava (oprostite na \nspoileru!) popeti na sam Kilimanjaro, 5.895 metara visok najviši vrh \nAfrike, naravno uz pomoć i u društvu profesionalnog penjača. Neobičan \nspoj dokumentarizma i avanturizma.   \n \n \n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće \nod 25 minuta i koja je namijenjeno prvenstveno televizijskom \nprikazivanju \n \n \n3.1. ANANASI, REKLAMA I NEKOLIKO GRAMA \n \nDramska serija, 5 epizoda po 50 min. \nProducenti: Inja Korać / Kobra koke (Cobra Chicks) \nScenarist: Nevio Marasović \nRedatelj: Nevio Marasović  \n8.000 eura \n \nNoir je uvijek i svuda oko nas, bilo skandinavski, bilo balkanski, bilo neki \ntreći, no „Ananasi, reklama i nekoliko grama“ su sasvim nešto drugo – \nnešto što bi ovom prilikom (uvjetno) mogli nazvati mediteranskim anti-\nnoire-om. Klasična gorko-slatka ali prilično šarmantno postavljena \nbuddy/buddy dramedija o dva nespojiva lika, jednom marketinškom \n\n\f\n7 \n \nveteranu i drugom, mlađahnom režiseru koji se nađu na propalom setu \njedne reklame u Portugalu, s hrpom osobnih problema i minimumom \nčvrste valute. Kažu da prilika čini lopova, a ovdje ta prilika dva inače \nbenigna tipa pretvara u nevoljke i ne baš najspretnije krijumčare droge \nkoji se kroz divote Mediterana kakav je danas pokušavaju probiti do \nMediterana kakav je bio nekad...    \n \n \n3.2. CIGANIN, ALI NAJLJEPŠI \n \nDramska serija, 8 epizoda po 52 min. \nProducenti: Danijel Pek / Antitalent \nScenaristica: Maja Pek – Brunjes (prema romanu „Ciganin, ali najljepši“  \n                    Kristiana Novaka) \nRedatelj: Marko Škop  \n10.000 eura \n \n„Ciganin, ali najljepši“ iznimno je čitani, hvaljeni i nagrađivani roman \nKristiana Novaka koji je doživio jednako hvaljeno i gledano uprizorenje u \nzagrebačkom HNK. Što može poći po zlu? Odavno znamo da ziceri i \nsigurne oklade itekako znaju iznevjeriti, no ovdje nema straha. Priloženi \nmaterijali bjelodano pokazuju da se ova priča o nemogućoj ljubavi mladog \nRoma i 15 godina starije Hrvatice obogaćena žestokim krimi zapletom, a s \nmnoštvom likova (i što pogotovo veseli – dva jaka ženska lika u centru \nzbivanja) razvija u pravom smjeru.  \n \n \n \n4) Televizijsko humoristično djelo, čije trajanje po epizodi nije \nkraće od 20 minuta \n \n \n4.1. MALI SOHO \n \nHumoristična serija, 12 epizoda po 26 min. \nProducenti: Hrvoje Osvadić / Petnaesta umjetnost  \nScenaristica: Jasna Nanut (prema motivima kolumni i romana Željka  \n                   Špoljara o Pavlu Svircu, „Književnoj groupie“) \nRedateljica: Jasna Nanut \n10.000 eura \n \n \nNa žalost jedina humoristična serija predložena za potporu u ovoj \npotkategoriji, izabrana između tek nekoliko prijavljenih humorističnih \nprojekata. Ipak, jedna, ali vrijedna, jer radi se o legendarnom Pavlu \nSvircu, a.k.a. Književnoj groupie i njegovoj notornoj urbanoj luzerštini \nkoja je uvijek na tankom rubu između propasti i potpune, nepovratne \npropasti. Na osnovu predočenog, čini se da je scenaristica i redateljica \n\n\f\n8 \n \nJasna Nanut vrlo precizno pogodila pravu nijansu Svirčeve tragikomične \n(ne)egzistencije, a jedina dobronamjerna (i naravno nimalo obavezujuća) \nsugestija je da se projekt ipak vrati imenu originalnog brenda.     \n \n   \n \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA \nSERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2024. - 1. ROK - \n12.3.2024. \n \n \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije \nkraće od 24 minute \n \n \n1.1. ZLICE S ULICE  \n \nAnimirana serija, 8 epizoda po 11 min. \nProducent: –  \nScenaristice: Ivana Šerić, Sara Škrlec   \nRedateljice: Ivana Šerić, Sara Škrlec    \n3.500 EUR \n \nDvije iznimno mlade autorice (rođene 2003. i 2004. g.!), ali s ubrzano \nrastućim CV-ima, stoje iza ovog simpatičnog i maštovitog, ali prilično \nartikulirano zamišljenog animiranog serijala o dvije antijunakinje iz \nnaslova koje iz malog Zlograda dolaze u veliki Zlagreb činiti zlodjela, ili \nkako kažu autorice „...u potrazi za gorim životom“. Sinopis i treatment \npršte od ideja, prvi vizuali također su interesantni, a zlo ovih Zlica je \nnaravno sasvim benigno. Uglavnom, sve skupa vrlo, vrlo obećavajuće.  \n \n \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije    \nkraće od 20 minuta \n \n \n2.1. KRALJICE U SJENI MOĆNIH VLADARA  \n \nDokumentarna a serija, 4 epizoda po 26 min. \nProducent: –  \nScenaristi: Ivica Radoš   \nRedatelj: –    \n3.500 EUR \n \n\n\f\n9 \n \nStara je priča da iza svakog uspješnog muškarca stoji žena, no kad iza \ntebe stoji primjerice Barbara Celjska, Jelena Bribirska ili Katarina \nKotromanić, samo nebo ti je granica. Zanimljivo zamišljen povijesni \nserijal, zasad planiran u samo četiri polusatne epizode, no bogata ženska \n„paralelna“ povijest ovih prostora sasvim sigurno bi ga mogla pretvoriti u \nprojekt od više epizoda ili čak sezona.    \n \n2.2. OSLOBODITE SE PARAZITA  \n \nDokumentarna serija, 3 epizode po 26 min. \nProducent: Zoom \nScenaristi: Željko Sarić  \nRedatelj: Željko Sarić  \n3.500 EUR \n \nZanimljiv dokumentarni serijal o neetičnom, ili bolje manipulativno \nprevarantskom oglašavanju, kakvog je prepuno domaće medijsko tržište. \nAutor planira dobro zagrebati ispod površine, a za voditelja predlaže \npouzdanog (za ovaj projekt vrlo vjerojatno idealnog) Miljenka Cvitkovića \nMinju. Sve u svemu, radi se o naizgled malom, ali itekako potentnom i \npotencijalno bitnom projektu u domaćem televerzumu.  \n \n \n2.3. OTPISANI  \n \nDokumentarna serija, 5 epizoda po 52 min. \nProducent: Filmska udruga Šuma \nScenaristi: Vedran Šuvar, Ivan Mlinarić  \nRedatelj: Vedran Šuvar  \n3.500 EUR \n \nOtpisani iz naslova su momci koji su pod vodstvom megakarizmatičnog, \nneprežaljenog Bijelog šala konačno nakon 24 godine suše u Zagreb \ndonijeli titulu nogometnog prvaka bivše države. Na žalost, dosta sudionika \ni svjedoka je pokojno, no još uvijek ih ima jako puno među nama, a lista \npotencijalnih sugovornika koju autori predlažu je impozantna. Nadamo se \nda će i s video arhivom biti sreće, a jedina sugestija će biti i diskretna \nmodifikacija naziva projekta (iz očitih razloga) u „Otpisani '82.“, kako i \nsami autori zovu svoj projekt na nekoliko mjesta u predočenim \ndokumentima.   \n \n2.4. OVDJE I SADA  \n \nDokumentarna serija, 8 epizoda po 24 min. \nProducent: –  \nScenaristica: Jasna Žmak   \nRedatelj: –   \n4.000 EUR \n\n\f\n10 \n \n \nDokumentarni serijal o delikatnom pitanju psihičkog zdravlja u širem \nsmislu, a u užem o psihoterapijskim tehnikama i tretmanima. Osim što je \nizvanredna profesorica dramaturgije na Akademiji dramske umjetnosti, \nautorica Jasna Žmak je i certificirana psihoterapeutkinja. Rekli bismo \ndakle, prava osoba na pravom mjestu u pravom trenutku, ili kao što sam \nnaslov ovog vrlo obećavajućeg projekta kaže – Ovdje i sada. \n \n \n2.5. SAMO NEBO JE GRANICA  \n \nDokumentarna serija, 6 epizoda po 26 min. \nProducent: Peglanje snova  \nScenaristica: Ana Kanjera   \nRedatelj: –   \n3.500 EUR \n \nZnamo odavno da Hrvatska rapidno stari, danas imamo skoro dvostruko \nviše ljudi starijih od 65 godina nego prije tri destljeća. No, ovo nije neka \nturobna demografska tužbalica kakve dosta često slušamo u posljednje \nvrijeme, već dokumentarni serijal o građanima treće dobi koji su i dalje \npuni života, želja i ambicija. Učenje, rad, rad na sebi, umjetničko \nizražavanje neke su od tema ovog obećavajućeg dokumentarnog serijala.   \n \n \n2.6. UMJETNOST ŽIVOTA  \n \nDokumentarna serija, 6 epizoda po 26 min. \nProducent: DOP produkcija  \nScenarist: Anđelo Jurkas   \nRedatelj: Anđelo Jurkas   \n3.500 EUR \n \nJoš jedan u nizu društveno visoko osviještenih i odgovornih projekata \nkojih u ovom roku Javnog poziva nikako ne manjka. Dapače, ovaj projekt \nvrlo je tematski sličan projektu „Pobjednici“ iz potkategorije Razvoja \nprojekata TV djela, no ponešto se ipak razliku u pristupu. I ovdje se radi o \nljudima koji unatoč teškim dijagnozama od života pokušavaju uzeti \nmaksimum (npr. pjevački zbor osoba operiranih glasnica). Autor se ovom i \nsrodnim temama očito vrlo posvećeno bavi već duže vrijeme pa je vrlo \nizgledno da će biti uspješan i u sljedećim fazama projekta.   \n \n \n2.7. VAN KONTROLE  \n \nDokumentarna serija, 5 epizoda po 26 min. \nProducent: –   \nScenaristica: Lana Bobić   \n\n\f\n11 \n \nRedatelj: Matija Kralj Štefanić   \n3.500 EUR \n \nTeška, ali na žalost u današnjem društvu neizbježna tema rodno \nuvjetovanog nasilja ovdje je vrlo temeljito obrađena po fazama od početka \nnasilja do institucionalne reakcije, a s pogledom na širu društvenu sliku i \nkontekst. Autoričino dugogodišnje iskustvo na području koje ovaj \nambiciozni dokumentarni serijal obrađuje garantira još jedan iznimno \ndruštveno relevantan projekt.  \n \n  \n \n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće \nod 25 minuta i koje je namijenjeno prvenstveno \ntelevizijskom prikazivanju \n \n \n3.1. CRVENA VODA \n \nDramska serija, 6 epizoda po 52 min. \nProducent: Antitalent \nScenaristi: Ljubica Luković, Jurica Pavičić (prema istoimenom romanu  \n                Jurice Pavičića)  \nRedatelj: – \n5.000 EUR \n \nSlučaj vrlo sličan ranije navedenom „Ciganinu, ali najljepšem“ – također \nse radi o iznimno čitanom, hvaljenom, prevođenom i (međunarodno) \nnagrađivanom romanu uspješno uprizorenom u splitskom HNK. U \ntransferu u format TV serije autoru romana ruku će dati mlada \nbeogradska dramaturginja Ljubica Luković („Leto kad sam naučila da \nletim“) pa očekujemo iznimno uspješnu seriju o epskoj, višedesetljetnoj \npotrazi za nestalom 17-godišnjakinjom u jednom malom dalmatinskom \nmistu 1990., a sve u mračnoj sjeni domaće tranzicije i njenih \n(anti)junaka.  \n \n \n3.2. IVA DO MJESECA I NATRAG \n \nDramska serija, 6 epizoda po 30 min. \nProducent: –   \nScenarist: Roman Simić (prema vlastitom istoimenom romanu) \nRedatelj: –  \n4.000 EUR \n \nTinejdžerica sa dva mlađa brata i pomalo otuđenim ocem umjesto na \nmoru završi u Lici u potrazi na blagom i obiteljskim tajnama. Vrlo \nšarmantno i moderno postavljena teen serija koju autor planira napisati \n\n\f\n12 \n \nprema vlastitom romanu. Priča ipak cilja i malo šire od svoje očigledne \nciljne skupine, pa se s pravom možemo nadati uzbudjivom sadržaju za \ntinejdžere, ali i one koji s njima dijele ekrane i gledaju iz prikrajka.   \n \n \n \n3.3. MOTOVUNSKA ŠUMA \n \nDramska serija, 5 epizoda po 45-50 min. \nProducent: –  \nScenaristica: Ines Mrenica Mutevelić \nRedatelj: –  \n4.000 EUR \n \nVeć samo čitanje opsežnog, bogatog treatmenta-sinopsisa o tajanstvenom \npovratniku, koji se vraća u Motovun nakon 30 godina u društvu \npsihoterapeutkinje u potrazi za tajnama svog porijekla predstavlja iznimno \nnapeto, holivudskim leksikom rečeno edge-of-your-seat iskustvo. Treba \njoš reći da padne dosta glava, da ima i potencijala za horor momente, da \nje iznimno zamršeno, i da se, najslađe od svega – događa u vrijeme \nkorone. Ne očekujemo triler, nego trilerčinu.  \n \n \n3.4. MUZEJ PREKINUTIH VEZA \n \nDramska serija, 6 epizoda po 30 min. \nProducent:  \nScenaristica: Olinka Vištica \nRedatelj:  \n4.000 EUR \n \nSvjetsko, a domaće – to je naš poznati, međunarodno izvezeni Muzej \nprekinutih veza, čija se suosnivačica sada odlučila ispričati priču o \nnastanku muzeja. No, ne radi se tu nikako o suhoj muzeološkoj \nhistoriografiji, već prije od jednoj osobnoj povijesti, žanrovski možda \ndramediji, možda čak i rom-comu, priči od dvoje ljudi čija je \nčetverogodišnja veza došla do svog prirodnog kraja, a pomoć dolazi iz \nnajneočekivanijeg mogućeg smjera.   \n \n \n3.5. RUKE OD KAMENA \n \nDramska serija, 10 epizoda po 60 min. \nProducent: Umjetnička organizacija Vjetrokaz \nScenarist: Tomislav Domović \nRedatelj: –   \n6.000 EUR \n \n\n\f\n13 \n \nPreklani se navršilo 60 godina od smrti, a lani 140 godina od rođenja \nsvjetski priznatog domaćeg genija pored čijih djela svakodnevno ne \nprolazimo samo mi, obični zagrebački smrtnici, već i oni u Chicagu, \nWashingtonu, Splitu, Beogradu, Bratislavi, Bukureštu, Baton Rouge-u i \ngdje sve ne. Da, radi se naravno o Ivanu Meštroviću. Prikladno ambiciozno \nzamišljena i ozbiljno promišljena serija o životu velikog hrvatskog \numjetnika visoko je na listi prioriteta pa se nadamo da će i ova potpora \npomoći da projekt stane na noge.         \n \n \n3.6. TRI SESTRE \n \nDramska serija, 6 epizoda po 50 min. \nProducent:  \nScenaristi: Sara Hribar, Marko Šantić  \nRedatelji: Sara Hribar, Marko Šantić  \n5.000 EUR \n \nInicijalna ideja o tri prilično međusobno različite medicinske sestre koje \npukom slučajnošću postanu svjedokinje „nezgode“ jednog ministra \npreraste u nešto puno veće, u dramaturškom, ali i tematsko-socijalnom \nsmislu. Nema tu baš nešto Čehova (što nije mana, dapače), ali ima puno \naktualnog domaćeg trenutka. Snažni, ali marginalizirani ženski likovi, \nvječita hrvatska dvojba – otići ili ostati i naravno, neizbježna politika. Vrlo \nambiciozno.  \n \n \n \n4) Televizijsko humoristično djelo čije trajanje po epizodi nije \nkraće od 20 minuta  \n \n \n4.1. DOM ZA STARE I PREMOĆNE SVETA DIMFNA  \n \nHumoristična serija, 7 epizoda po 40 min. \nProducent: Udruga Blank \nScenarist: Marino Habulan  \nRedatelj: Marino Habulan  \n4.000 EUR \n \nJedan dom umirovljenika negdje na rubu ili u blizini metropole, grupa \n(blago rečeno) osebujnih štićenika i ravnatelj doma, velečasni koji je \nzakockao hrpu love, pa je dom pred zatvaranjem. Sveta Dimfna je inače \nzaštitnica onih koje pritišću psihičke tegobe, ali onih koji su tu da takvima \npomognu, psihijatara i terapeuta. Pastoralna atmosfera, pomalo češki \nhumor i velika autorova simpatija za svoje likove mogli bi izroditi pristojnu \nkomediju. \n \n\n\f\n14 \n \n \n \n4.2. IZUZETNO DRAMATIČNA DRAMA  \n \nHumoristična serija, 8 epizoda nepoznatog trajanja \nProducent: –  \nScenarist: Matej Sudarić  \nRedatelj: –   \n4.000 EUR \n \nAko je komedija najteži žanr (a jest), kako bi onda stajala meta-\nkomedija? Iako naslov najavljuje dramatičnu dramu, ovo će prije biti \ndramatična meta-dramedija. Radi se o nekoliko kazališnih likova koji \nosjećaju da s njima nešto ne štima, a onda shvate da je to zato što su \nupravo to – likovi u nečijoj predstavi. Neobična ideja, neobično razrađena, \nali s prave strane bizarnog, pa definitivno zaslužuje šansu.  \n \n \n4.3. MIRAKULISTI  \n \nHumoristična serija, 12 epizoda po 25 min. \nProducent: Antitalent \nScenarist: Rene Gallo  \nRedatelj: Rene Gallo  \n5.000 EUR \n \nBog nema vremena (tko danas ima vremena pobogu), pa su tu dvoje \n„božjih poslanika“ Mara i Tomo,  da ispunjavaju neke manje bitne molitve \n(npr. da ekipa jednog lika pobjedi u piciginu). Mjesto radnje je naravno \nSplit, stvar je dobro postavljena, likovi zanimljivo ocrtani, kao i njihovi \nbudući međuodnosi, a humor potencijalno blag i podigran. Sad još jedino \npreostaje napisati scenarij dostojan potencijala ove simpatične ideje, ali \nnema straha, dat će Bog...   \n \n \n \n5) Kreativni televizijski format namijenjen djeci i mladima čije \nukupno trajanje serije nije kraće od 25 minuta i koji je \nnamijenjen prvenstveno televizijskom prikazivanju   \n \n5.1. POGLED IZ DVORIŠTA  \nKreativni format za djecu, 6 epizoda po 25 min. \nProducent: –  \nScenaristice: Dora Delbianco, Ida Tomić  \nRedatelj: –   \n3.500 EUR \n\n\f\n15 \n \n \nZapravo kombinacija kreativnog formata za djecu i dramske serije s \nanimacijom, svojevrsna parafraza slavnog Hitchovog „Prozora u dvorište“. \nRadoznala, bistra i maštovita osmogodišnjakinja Eva s nogom u gipsu uz \npomoć odanog frenda i voljene bake riješava razne misterije, u svakoj \nepizodi po jednu novu. Pomalo starinski, ali na najbolji mogući način i \nnimalo potcjenjivački prema ciljanoj publici, svakako ima potencijala.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2024,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2012 Me_unarodna suradnja_ 15 05 2012.pdf","filename_decoded":"2012 Me_unarodna suradnja_ 15 05 2012.pdf","sha256":"7ad53cea29d045ed236c1834454ef8a72da5608c325b7c9c94a70ee68dee3411","bytes":187234,"page_count":2,"extracted_at":"2026-05-17T10:23:28Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2012%20Me%C4%91unarodna%20suradnja%2C%2015%2005%202012.pdf"},"raw_text":"REZULTATI JAVNOG POZIVA ZA KOMPLEMENTARNE DJELATNOSTI - PROGRAMI MEĐUNARODNE SURADNJE, ROK 15. svibnja 2012.\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA \n(kn)\n1 Aning usluge d.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata; \nSudjelovanje redatelja i scenarista Matije Radeljaka na AdaptLabu \n2012., radionici koja se odvija u tri sesije u periodu od svibnja do \nstudenog 2012. u Torinu (Italija).\n10,000.00\n2 Aning usluge d.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata; \nSudjelovanje producenta i redatelja Matije Radeljaka na EAVE Film \nFinance Forumu, od 19. do 22. travnja 2012. u Luxemburgu (LUX).\n2,801.00\n3 Artizana film d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika; Programi izrade \npromidžbenih materijala i prijavljivanje u službenu \nkonkurenciju festivala; Programi predstavljanja i \npromocije filmova\nSudjelovanje redateljice Irene Škorić i predstavljanje  dugometražnog \nigranog filma \"7seX7\" u službenoj konkurenciji festivala Fest od 1. do 8. \nkolovoza 2012. u Portugalu i na ostalim festivalima koji se odvijaju u \nperiodu od lipnja do kolovoza 2012.: Short Circuit 01.-14. kolovoza \n2012. u Sofiji (Bugarska), Heceg Novi Film Festival 30. srpnja - 05. \nkolovoza 2012. u Herceg Novom (Crna Gora).\n20,625.00\n4 Barbara Vekarić\nProgrami stručnog usavršavanja\nSudjelovanje redateljice Barbare Vekarić na radionicama u sklopu \nENGAGE-a, od 18. do 22. travnja 2012. u Dublinu (Irska), od 17. do 21. \nlipnja 2012. u Edinburghu (Škotska), od 23. do 28. rujna 2012. u \nHelsinkiju (Finska) i Tallinnu (Estonija)\n6,875.00\n5 Bonobostudio d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika; Programi \npredstavljanja i promocije filmova\nSudjelovanje producentice Vanje Andrijević na Međunarodnom \nfestivalu animiranog filma u Annecyju i predstavljanje kratkometražnog \nanimiranog filma \"Otac\" koji se nalazi u službenoj konkurenciji \nFestivala, od 4. do 9. lipnja 2012. u Annecyju (Francuska).\n9,877.86\n6 Branka Benčić\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti (razmjena \nhrvatskih i stranih pojedinaca i institucija)\nSudjelovanje Branke Benčić u IMPAKT Utrecht / Visiting Curator \nProgram (kustoska rezidencija, selekcija radova za Impakt festival, \npreporuke i prijedlozi hrvatske audiovizualne produkcije za program \nPanorama), od 11. do 22. lipnja 2012. u Utrechtu (Nizozemska). \n3,425.00\n7 Dalija Dozet\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika \nSudjelovanje filma \"Utorak\" i Dalije Dozet na Festivalu studentskog \nfilma Beograd, od 15. do 18. ožujka 2012. u Beogradu (Srbija). \n300.00\n8 Fade in d.o.o.\nProgrami stručnog usavršavanja; Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata\nSudjelovanje redatelja Hrvoja Mabića i producentice Ive Tkalec s \ndokumentarnim projektom u razvoju \"Nježni Troublemaker\" na Ex \nOriente radionici koja će se održati u tri dijela, od 18. do 23. lipnja \n2012., od 24. do 30. listopada 2012., od 4. do 10. ožujka 2013. u \nČeškoj. \n14,644.00\n9 Filmsko-kreativni studio \nVANIMA\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika; Programi stručnog \nusavršavanja \nSudjelovanje Sandre Malenice i Hrvoja Seleca, organizatora VAFI - \nmeđunarodnog festivala animiranog filma djece i mladih Varaždin na \n14. International Animation Festival Hiroshima, od 23. do 27. kolovoza \n2012. u Hiroshimi (Japan).\n8,042.00\n10 GFR FILM-VIDEO\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika\nSudjelovanje dva predstavnika, Zvonimira Karakatića i Sandre Kovač, i \npromocija Hrvatskog festivala jednominutnih filmova na \nmeđunarodnom festivalu UNICA koji se održava od 25. kolovoza do 2. \nrujna u Russeu (Bugarska).\n8,290.00\n11 Hrvatski državni arhiv - \nHrvatska kinoteka\nOstali programi\nSudjelovanje pročelnice Hrvatske kinoteke Carmen Lhotke na radionici \nza ravnatelje Kinoteka, od 27. do 29. svibnja u Skopju (Makedonija).\n2,840.00\n12 Hrvatski filmski savez\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti (razmjena \nhrvatskih i stranih pojedinaca i institucija)\nSudjelovanje Željka Baloga na sastanku Komiteta UNICA-e, od 31. \nsvibnja do 3. lipnja 2012. u Beču (Austrija).\n1,773.00\n13 Hrvatski filmski savez\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika; Programi \nmeđunarodne kulturalne razmjene iz područja \naudiovizualnih djelatnosti (razmjena hrvatskih i \nstranih pojedinaca i institucija)\nSudjelovanje Željka Baloga i tri autora na sastanku Komiteta i \nSkupštine UNICA-e i na filmskom festivalu UNICA koji se održavaju od \n23. kolovoza do 2. rujna u Ruseu (Bugarska) \n24,000.00\n14 Irena Krčelić\nProgrami stručnog usavršavanja\nSudjelovanje scenaristice Irene Krčelić na Transmedia Next London \n2012: The Art, Craft and Business of Storytelling in the Digital Age u \nsvrhu razvoja projekta \"Moj dida je vanzemaljac\", od 14. do 16. svibnja \nu Londonu (UK).\n2,511.00\n15 Isa Živanović\nProgrami stručnog usavršavanja\nSudjelovanje producentice Ise Živanović na radionici MAIA Workshops, \nCreative Aspects I, od 16. do 20. travnja 2012. u Krakowu (Poljska),\n5,400.00\n16 Ivan Mirko Senjanović\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika\nSudjelovanje autora Ivana Mirka Senjanovića na Međunarodnom \nfestivalu animiranog filma u Annecyu u svrhu predstavljanja i promocije \nsvog filma \"Meso\" koji se nalazi u službenoj konkurenciji Festivala, od \n4. do 9. lipnja 2012. u Annecyju (Francuska).\n3,000.00\n17 Kino klub Karlovac\nOstali programi\nSudjelovanje predstavnica karlovačkih festivala -  Filmska revija \nmladeži i Four River Film Festival - Ksenije Sanković i Marije Ratković \nna Međunarodnom festivalu srednjoškolskog filma u Norveškoj: The \nNordic Youth Film Festival, od 7. do 17. lipnja 2012. u Tromsou \n(Norveška).\n5,754.00\n18 Kinoklub Karlovac\nOstali programi\nSudjelovanje predstavnica Kino kluba Karlovac, Nine Čorak i Svjetlane \nVišnić na Međunarodnom festivalu srednjoškolskog filma u Irskoj - \nFresh Film Festivalu, od 28. do 31. ožujka 2012. u Limericku (Irska).\n6,884.00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA \n(kn)\n19 Kinoteka d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producenta Ljube Zdjelarevića na programu stručnog \nusavršavanja EAVE namijenjenog  za producente, a koji se odvija u tri \nsesije tijekom 2012. godine: od 12. do 19. ožujka 2012. u Luxemburgu \n(LUX), od 13. do 20. lipnja 2012. u Opatiji (HRV), od 5. do 12. prosinca \n2012. u Amsterdamu (NIZ). \n22,828.00\n20 Natalija Župan Lucić\nProgrami stručnog usavršavanja\nSudjelovanje Natalije Župan Lucić s projektom u razvoju \"Obiteljsko \nstablo\" na Transmedia Next London 2012: The Art, Craft and Business \nof Storytelling in the Digital Age, od 14. do 16. svibnja 2012. u Londonu \n(UK).\n1,581.00\n21 Nerma Mehadžić\nProgrami stručnog usavršavanja\nSudjelovanje producentice Nerme Mehadžić na programu stručnog \nusavršavanja (audiovisual management) MEGA Plus pri Media \nBusiness School koji se održava od 1. lipnja do 7. rujna 2012. u Ronda, \nŠpanjolska.\n44,750.00\n22 Nukleus film d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika; Programi izrade \npromidžbenih materijala i prijavljivanje u službenu \nkonkurenciju festivala; Programi predstavljanja i \npromocije filmova; Programi međunarodne \nkulturalne razmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i stranih pojedinaca \ni institucija); Pitching, koprodukcijski forumi i \nprogrami za razvoj projekata; Međunarodni filmski \nsajmovi; Potpora producentima/-icama i autorima/-\nicama za predstavljanje filmova\nSudjelovanje producenta Siniše Jurčića na filmskom festivalu u \nCannesu u programu \"Tjedan kritike\" s dugometražnim dokumentarnim \nfilmom \"Posljednja ambulantna kola Sofije\" te sudjelovanje u programu \nProducers on the Move u organizaciji European Film Promotion-a, od \n17. do 26. svibnja u Cannesu (Francuska). \n56,125.00\n23 RESTART \nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika\nSudjelovanje Olivera Sertića - programskog urednika Dokukina Croatia, \nurednika Restart labela te selektora dokumentarnog programa tri \nfestivala u Hrvatskoj - na međunarodnim festivalima dokumentarnog \nfilma HOT DOCS (Toronto, Kanada), DOC/FEST (Sheffield, UK), \nDOKUFEST (Prizren, Kosovo).\n22,270.00\n24 RESTART \nProgrami stručnog usavršavanja \nSudjelovanje Inje Korać, voditeljice projekta DOKUKINO Croatia, na \nradionici CICAE za profesionalce koji rade u art kinima, a koja se \nodržava od 27. kolovoza do 2. rujna 2012., tijekom Međunarodnog \nfilmskog festivala u Veneciji, Italija.\n11,380.00\n25 Sekvenca d.o.o.\nProgrami stručnog usavršavanja; Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata\nSudjelovanje redatelja Jure Pavlovića s projektom u razvoju \"Samo \nzatvori oči\" na MAIA Workshops - Creative Aspects, od 16. do 20. \ntravnja 2012. u Krakowu (Poljska).\n5,400.00\n26 Studio dim d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje scenaristice i producentice projekta u razvoju \"Moj dida je \nvanzemaljac\" - Irene Krčelić i Đine Jakir na The Pixel Lab: The Cross-\nMedia Workshop 2012, od 1. do 7. srpnja 2012. u Potsdamu i od 15. do \n18. listopada 2012. u Londonu.\n27,487.50\n27 Studio dim d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producentice Đine Jakir na simpoziju za filmske \nprofesionalnce na temu digitalne produkcije na filmu i televiziji Insight \nOut /HFF Academy 2012, od 19. do 23. ožujka 2012. u Potsdamu \n(Njemačka):\n1,888.48\n28 Ustanova Zagreb Film\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika\nSudjelovanje predstavnika Ustanove Zagreb Film (Vinko Brešan, Željka \nUdovičić Pleština, Sanja Borčić Toth, Simon Bogojević Narath) i \nredatelja Nikole Radovića na Međunarodnom festivalu animiranog filma \nAnnecy u svrhu predstavljanja i promocije filmova \"Meso\" i \"Tansecho\" \nkoji se nalaze u službenoj konkurenciji Festivala, u lipnju 2012. u \nAnnecyju (Francuska).\n12,641.65\n29 VEDIS d.o.o.\nProgrami predstavljanja i promocije filmova; \nOstali programi\nRetrospektiva filmova Dušana Vukotića i spomenar izložba \"Genije koji \nje film živio 24 sata dnevno\" na Međunarodnom festivalu animiranog \nfilma Banja Luka, od 23. do 28. listopada 2012. \n14,280.00\n30 Veljko Popović\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika\nSudjelovanje autora Veljka Popovića na Međunarodnom festivalu \nanimiranog filma u Annecyu u svrhu predstavljanja i promocije svog \nfilma \"Otac\" koji se nalazi u službenoj konkurenciji Festivala, od 4. do \n9. lipnja 2012. u Annecyju (Francuska).\n2,895.00\n31 Verica Kordić\nProgrami stručnog usavršavanja\nSudjelovanje studentice animacije Verice Kordić u programu Anomalia, \n3D Character Animation koji se održava od 23. srpnja do 7. rujna 2012. \nu Lytomišlu (Češka).\n12,745.92\n32 Istra Film\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika; \nSudjelovanje predstavnika Istra Film na uručivanju nagrade filmu \n\"Janko Polić Kamov ili vitez crne psovke\" na 8. međunarodnom \nfestivalu ARTS&FILM od 14. do 16. lipnja 2012. u Telču (Češka) i \nsudjelovanje na Međunarodnom festivalu TV kuća IFOLT od 12. do 17. \nlipnja 2012. u Košicama (Slovačka). \n2,000.00\n33 3D2D Animatori\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika; Programi izrade \npromidžbenih materijala i prijavljivanje u službenu \nkonkurenciju festivala; Programi predstavljanja i \npromocije filmova \nSudjelovanje autora Gorana Stojnića na Međunarodnom festivalu \nanimiranog filma u Annecyu u svrhu predstavljanja i promocije svog \nfilma \"Mačka\" koji se nalazi u službenoj konkurenciji Festivala, od 4. do \n9. lipnja 2012. u Annecyju (Francuska).\n9,800.00\nUKUPNO HRK:\n385,114.41\nHRVATSKI AUDIOVIZUALNI CENTAR, ODJEL ZA PROMOCIJU I PLASMAN\nNapomena:\nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"2012 Me_unarodna suradnja_ 15 05 2012","year":2012,"rok":null,"natjecaj_date":"2012-05-15","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","OPIS PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Pitching, koprodukcijski forumi i programi za razvoj projekata;","applicant":"Aning usluge d.o.o.","production_company":"Aning usluge d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10,000.00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"1","OPIS PROGRAMA":"Sudjelovanje redatelja i scenarista Matije Radeljaka na AdaptLabu 2012., radionici koja se odvija u tri sesije u periodu od svibnja do studenog 2012. u Torinu (Italija).","approved_amount_original":10.0,"approved_amount_text_original":"10,00","amount_repaired_at":"2026-05-17T12:54:59Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"us_std","amount_repair_confidence":"high","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Aning usluge d.o.o.","row_id":"7ad53cea:s0:e73549906a61","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_1df3de8cd7a1","project_family_title":"Pitching, koprodukcijski forumi i programi za razvoj projekata"},{"row_number":2,"project_title":"Pitching, koprodukcijski forumi i programi za razvoj projekata;","applicant":"Aning usluge d.o.o.","production_company":"Aning usluge d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10,000.00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"2","OPIS PROGRAMA":"Sudjelovanje producenta i redatelja Matije Radeljaka na EAVE Film Finance Forumu, od 19. do 22. travnja 2012. u Luxemburgu (LUX).","approved_amount_original":2.8,"approved_amount_text_original":"2,80","amount_repaired_at":"2026-05-17T12:54:59Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"us_std","amount_repair_confidence":"high","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Aning usluge d.o.o.","row_id":"7ad53cea:s0:3c2874aa62a4","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_1df3de8cd7a1","project_family_title":"Pitching, koprodukcijski forumi i programi za razvoj projekata"},{"row_number":3,"project_title":"Programi gostovanja hrvatskih autora/-ica, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika; 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Programi predstavljanja i promocije filmova."},{"row_number":6,"project_title":"Programi međunarodne kulturalne razmjene iz područja audiovizualnih djelatnosti (razmjena hrvatskih i stranih pojedinaca i institucija)","applicant":"Branka Benčić","production_company":"Branka Benčić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"US-in-Croatian (comma=thousands, dot=decimal)","approved_amount":3425.0,"currency":"HRK","extras":{"col_1":"6","OPIS PROGRAMA":"Sudjelovanje Branke Benčić u IMPAKT Utrecht / Visiting Curator Program (kustoska rezidencija, selekcija radova za Impakt festival, preporuke i prijedlozi hrvatske audiovizualne produkcije za program Panorama), od 11. do 22. lipnja 2012. u Utrechtu (Nizozemska).","approved_amount_original":3.42,"approved_amount_text_original":"3,42","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"Row 6 (Branka Benčić) raw '3,425.00'. 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International Animation Festival Hiroshima, od 23. do 27. kolovoza 2012. u Hiroshimi (Japan).","approved_amount_original":8.04,"approved_amount_text_original":"8,04","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"Row 9 (Filmsko-kreativni studio VANIMA) raw '8,042.00'. Current 8.04 misparses comma as decimal. 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debitantskog dugometražnog igranog filma u 2023. godini \n– 2. rok, 14.9.2023.  \n \n- umjetnički savjetnici za dugometražni igrani film - Višnja Pen;ć, Juraj Lero;ć, Dean Šoša  \n- financijski savjetnik - Čedomir Kolar \n \nNa drugi natječajni rok za po2canje proizvodnje dugometražnog igranog filma u 2023. godini \nprijavilo se ukupno 29 projekata; 22 dugometražna igrana filma već iskusnijih autora i 7 \ndebitantskih dugometražnih igranih filmova.  Jedan projekt nije razmatran jer nije zadovoljio \nuvjete javnog poziva. \n \nPrijavljeni filmovi tematski i formalno pokrivaju širok raspon, među2m većinu bi se prije \nmoglo sves2 pod fes2valske art drame nego pod filmove namijenjene širokoj publici.  \nIpak, kvalitetom su odskočili upravo ovi drugi, te se nadamo da će s projektom biografskog \nfilma o Draženu Petroviću Nešto jače od mene te projek2ma u pretprodukciji odobrenima na \nprošlom roku javnog poziva (Hajka, Svadba) tvori2 korpus filmova koji će poče2 vraća2 \npubliku hrvatskom filmu.  \n \nHrabri činjenica da se radi o filmovima autora i producenata koji su već jednom dokazali da \nsvojim projek2ma mogu pos2ći veliku gledanost. Predloženi i odobreni za sufinanciranje su: \nCrni Labud (H. Hribar/Terminal 3), Drugi Dnevnik Pauline P. (N. Hitrec/Jaka produkcija d.o.o.) \ni ZG 90 (E. Galić/I. Filakovity/Missart UO).  \nUz navedene filmove koji bi mogli bi2 izuzetno zanimljivi hrvatskoj kino publici, predložena su \ni odobrena dva filma koji imaju i međunarodni fes2valski potencijal: nokturalna drama \nintrigantne strukture: Petlja (A. Nuić/Propeler Film d.o.o.) i debitantski film Muzara (M. \nSikavica/Pipser d.o.o.) koji se ambijentom i likovima naslanja na autorov kratki film Zvir, \npremijerno prikazan u  Cannesu 2016.  \nVeseli i činjenica da su dva filma ambijen2rana u Dalma2nsku zagoru što predstavlja \ndobrodošao odmor od uobičajeno polaritetno postavljenog filmskog krajolika kojim \nposljednjih godina dominiraju primorske ili urbane gradske sredine. \n \ndebitantski i dugometražni igrani filmovi- ukupni iznos financiranja: 3.935.000,00 eura \n \n \nDEBITANTSKI DUGOMETRAŽNI IGRANI FILM \n \nMUZARA \nScenarij: Marija Šimoković Sikavica i Miroslav Sikavica \nRežija: Miroslav Sikavica \nProdukcija: Pipser d.o.o. \n660.000,00 eura \n \nDramaturšku jezgru Muzare čini okupljanje mnogobrojne vlaške obitelji Đidara, rodbine i \nnajbližih prijatelja nakon smr2 pater familiasa. Iza pokojnika ostaje udovica Perka, dvije udane \nkćeri, sin 2nejdžer i odmetnuta kći te ušteđevina. Dolazak lijesa u kuću neposredno prije \nsprovoda – kako bi se obitelj nasamo opros2la od pokojnika – moćan je lajtmo2v njihovog \n\n\f\nokupljanja 2jekom kojeg udovica slučajno otkriva da je iz ormara u njenoj sobi nestala \nušteđevina. Bilo tko od prisutnih članova obitelji i rodbine postaje potencijalni krivac. \nRiječ je o izvrsnom scenariju koji uvjerljivo i sigurno barata velikim brojem likova koje \nujedinjuje dramsko sada i ovdje majstorski odabrane središnje situacije. Lik neprilagođenog \nsina 2nejdžera Nike omogućuje auten2čnu emo2vnu dimenziju cjeline jer on kao dijete - \nmladić jedini ima još neocrtanu budućnost u kojoj čuči zaliha nade i vjere u neku drugačiju \nvrstu društvenos2 koja se ovim filmom implicitno želi prizva2 kroz kri2ku postojećih modela i \nobrazaca. \nProjekt je i međunarodno prepoznat u vidu programa i potpora namijenjenih razvoju, a ima i \npridružene koproducente. \n  \n \nDUGOMETRAŽNI IGRANI FILMOVI \n \nCRNI LABUD \nScenarij: Hrvoje Hribar \nRežija: Hrvoje Hribar \nProdukcija: Terminal 3 \n950.000,00 eura \n \nCrni Labud je komedija, povremeno 'crna' no većim dijelom pitka, zaigrana i vesela.  \nAutor je opisuje kao vlaški vestern. I bez toga, vidljiva je velika srodnost ovog predloška s \nprethodnim uspješnim filmom i kino hitom Hrvoja Hribara Što je muškarac bez brkova.   \nSredišnji su likovi Crnog Labuda gradski bankar Janko Labud i vlaška županica Anica Kralj. \nLabud je mladi i prevrtljivi bankar koji s2že u vlašku poslovnicu moćne središnje banke, nakon \nšto je njegov prethodnik počinio samoubojstvo. Ondje se za2če u središtu mutnih poslova iza \nkojih stoji konzorcij čija je igračica na terenu ambiciozna županica Anica Kralj. \n  \nScenarij je izrazito filmičan. U njemu se istodobno ogleda vrhunsko Hribarovo poznavanje \nfilmskog jezika i umjetnos2, ali i jednako suvereno vladanje svijetom marke2nga i promidžbe.  \nNovi film Hrvoja Hribara nosi u sebi dva potencijala koji se rijetko susretnu u istome filmu. Crni \nLabud mogao bi2 posta2 i kino hit i antologijsko umjetničko ostvarenje.   \n \n \nPETLJA \nScenarij: Antonio Nuić \nRežija: Antonio Nuić \nProdukcija: Propeler Film d.o.o. \n525.000,00 eura \n \nPetlja je film o Franji, čovjeku izgubljenom u prostoru i vremenu, kojem se u četrdese2ma \ndogodio  nesretan niz:  kriza srednjih godina je rezul2rala rastavom braka, a ubrzo nakon \nrastave umire mu najbolji prijatelj. Sve je dodatno podcrtano nikad adresiranim alkoholizmom, \npa je Franjo napus2o realitet i živi u petlji, u noćnom lutanju pus2m ulicama u svijetu negdje \nna tankoj granici stvarnog i imaginarnog, željenog i proživljenog. \nRiječ je o visoko promišljenoj i ar2kuliranoj filmskoj cjelini impresivne nokturalne atmosfere \nkoja zavodi aluzijama na klasične filmske prostore i mo2ve stvarajući jedinstvenu smjesu \n\n\f\nstvarnog i zamišljenog kojom se uvjerljivo oblikuje s2lizirani svijet moguć samo na filmu, a čiji \nsu stanovnici sa svojim žudnjama i strahovima posvema poput nas. Dramaturška struktura \ncjeline duboko je promišljena, intrigantna i dojmljiva, a istovremeno nara2vno funkcionalna s \natrak2vnom završnicom u kojoj se na vizualno promišljen način reflek2raju teme \negzistencijalne krize i suočavanja sa smrtnošću. \n \n \nDRUGI DNEVNIK PAULINE P. \nScenarij: Ivan Turković-Krnjak, prema romanu Sanje Polak \nRežija: Neven Hitrec \nProdukcija: Jaka produkcija d.o.o. \n900.000,00 eura \n \nDrugi dnevnik Pauline P. nastavak je uspjelog i vrlo gledanog dječjeg filma Dnevnik Pauline P.  \nU ovome trenutku film Dnevnik Pauline P. u kinima je gledalo više od 86 000 gledatelja, što \nga čini najgledanijim hrvatskim filmom od 2014. godine do danas. Osim toga, film je \nzapaženo prikazan na nizu fes2vala i ostvaruje odličnu gledanost na 'Nenlixu', dopirući na toj \nplanormi do one publike kojoj hrvatski film i nije nužno čest odabir.   \n \nBrz 'izlazak' nastavka filma na HAVC-ov javni poziv za proizvodnju dugometražnih igranih \nfilmova mo2viran je posve razumno. Dječji glumci brzo odrastaju. Za potrebe nastavka (i svih \neventualnih idućih nastavaka)  ključno je to da glumci ne budu puno stariji od dobi likova koje \nigraju.  \n \nDrugi dnevnik Pauline P. potpisuje ista autorska i produkcijska ekipa kao i prvi Dnevnik, osim \nšto je ovaj put Ivan Turković-Krnjak jedini autor scenarija. Imajući u vidu općenitu uspjelost \ndječjih filmskih franšiza koje započnu gledanim prvijencima, za prognozira2 jest i to da će \nDrugi dnevnik Pauline P. u kina privući publiku. Osobito stoga jer bi nastavak popularnog \nfilma u kina mogao doći brzinom koja je karakteris2čnija za zapadne kinematografije negoli \nnašu.   \nMo2v suočenja glavne junakinje s činjenicom da je njezinoj omiljenoj baki dijagnos2cirana \nAlzheimerova bolest autorima služi za uslojavanje dječjega svijeta i njegovo obogaćivanje \n'odraslom' tema2kom, pri čemu se djeca nenametljivo senzibiliziraju i educiraju o jednom \nvrlo ozbiljnom društvenom problemu.   \n \n \nZG90 \nScenarij: Robert Cukina i Ivo Balenović \nRežija: Eduard Galić i Istvan Filakovity \nProdukcija: Umjetnička organizacija Missart \n900.000,00 eura \n \nFilm ZG90 humorna je drama o skupini navijača Dinama dobro nam pozna2h iz ranijih filmova \nMetastaze (r:  Branko Schmidt, 2009. godina) i ZG80 (r: Igor Šeregi, 2016. godina).  \nRadnja ZG90 odvija se uoči i za vrijeme glasovite utakmice između Dinama i Crvene Zvezde, \nneodigrane 13. svibnja 1990. godine. \n\n\f\nScenarij filma napisan je profesionalno i zanimljivo. Najveći razlog postojanja ovoga filma leži \nu njegovom velikom potencijalu u kinodvoranama. Film Igora Šeregija ZG80 u kinima je \nprivukao više od 65 000 gledatelja. Osim toga, uspjeh filma ZG80 nastavlja se i dalje na \nnelinearnim kanalima na kojima dopire do mlađih gledatelja koji hrvatske filmove inače uopće \nne gledaju u kinima. Na taj je način stvorena pretpostavka da ovaj nastavak sage o navijačima \nu kinima bude još uspješniji.  \nZajedno s potencijalnim dječjim kino hitom Drugi dnevnik Pauline P., biografskim filmom o \nDraženu Petroviću Nešto jače od mene, komedijama Hajka i osobito Svadba, ZG90 bi mogao \npridonije2  trendu kon2nuiranog porasta gledanos2 našeg filma u kinima.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2023,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Razvoj projekta - dokumentarni film _6.11._.pdf","filename_decoded":"Razvoj projekta - dokumentarni film _6.11._.pdf","sha256":"7b9c661ae9bf98156efde0f5fec739de534dd0bfaaf0762b59609b5bcf67a83d","bytes":34058,"page_count":1,"extracted_at":"2026-05-17T10:24:19Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Razvoj%20projekta%20-%20dokumentarni%20film%20%286.11.%29.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO kn\n1\nBili smo u odredu \nnaoružanih brodova\nUdruga za \naudiovizualno \nstvaralaštvo Artizana\nNikša Kušelj\nBranko Ištvančić\n140.000,00\n2\nDanas kada sutra \nkrećeš u školu \n(novi radni naziv \"A \nšta sad, a šta tad?)\nAnti-Apsurd d.o.o. \nBoris Mitić\nBoris Mitić\nAlternativni naziv: A \nšta sad, a šta tad?\n140.000,00\n3\nPravilo zlatnog sata\nCentar za kulturne \ndjelatnosti\nTomica Bajsić\nIvona Juka\n80.000,00\n4\nTišina pustinje - \nWelcome to El Shit\nKOMPOT\nIvan Ramljak\nIvan Ramljak\n140.000,00\nUKUPNO\n500.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata \ndugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2019. - 2. ROK - \n6.11.2019.\ndugometražni dokumentarni film\n22.  sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 10. ožujka 2020.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Razvoj projekta - dokumentarni film _6.11._","year":2019,"rok":"2. rok","natjecaj_date":"2019-11-06","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"22. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 10. ožujka 2020.","section_key":"22_sjednica_hrvatskog_audiovizualnog_vijeca_u_2_sazivu_10_oz","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO kn"],"rows":[{"row_number":1,"project_title":"Bili smo u odredu naoružanih brodova","applicant":"Udruga za audiovizualno stvaralaštvo Artizana","production_company":"Udruga za audiovizualno stvaralaštvo 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DISTRIBUCIJA dugometražnog igranog filma „BOŽJI GNJEV” - 10.200,00 € \n \nIlija je vojnik HVO-a negdje u Srednjoj Bosni krajem 1993.godine. Jedno jutro nakon rutinske akcije \npostavljanja mina saznaje da je njegov mlađi brat Goran poginuo zajedno s osmoricom drugih vojnika \ndaleko iza neprijateljskih linija. Preko prijatelja iz tajne službe doznaje da ta misija nije bila službena, već \nsu Goran i ostali u nju otišli kao plaćenici. Ilija polako otkriva mrežu ilegalnih radnji u koje nije upletena \nsamo vojska, već i visoko rangirani dužnosnici. \n \nKristijan Milić etablirao se kao redatelj ratnih filmova, a s „Brojem 55” zadobio veliko povjerenje \nbraniteljske populacije koja će, zasigurno, činiti i dovoljan dio primarne publike „Božjeg gnjeva”. \n \n \n2.  DISTRIBUCIJA dugometražnog igranog filma „DOBRA DJECA” - 8.300,00 € \n \nNakon majčine smrti, sredovječni brat i sestra koji se godinama nisu vidjeli provode tri dana sređujući \nobiteljsku kuću, kao i svoj disfunkcionalni odnos. Pritom se polako počinju ponašati kao djeca... \n \n„Dobra djeca” najugodnije su iznenađenje ovogodišnje domaće produkcije i uz malo sreće mogao bi se \nprometnuti u 'arthouse' hit. \n \n \n3.  DISTRIBUCIJA dugometražnog dokumentarnog filma „FIUME O MORTE” - 5.000,00 € \n \nPoezija, kokain, dinamit, puške, nogomet, avioni, pokućstvo koje leti kroz prozor, koncerti, zatvori, \nsunčanje, tisuće vojnika, milijuni metaka, beskonačni govori i čak jedan čudnovati kljunaš… sve su to \nsastavni dijelovi jedne od najbizarnijih okupacija u povijesti čovječanstva. Građani Rijeke sada su dobili \npriliku, 100 godina nakon tog događaja, preuzeti povijest u svoje ruke i kroz film ispričati svoju verziju \ndogađaja. \n \nFilm koji će zbog specifične lokalne tematike, uz strastvene poklonike dokumentaristike, svoju publiku, \nponajprije, tražiti na kvarnerskom području. \n \n \n4.  DISTRIBUCIJA dugometražnog igranog filma „FRKA” - 13.500,00 €  \n \nNika je konobarica koja očajnički želi financijski pomoći svojim roditeljima te upadne u dugove kod \nlokalnog dilera Petra i time dovede sebe i nekoliko prijatelja u opasnost. \n \n„Frka” je naslov solidnog komercijalnog potencijala koji treba poslužiti popularizaciji domaćeg igranog filma \nmeđu 'Generacijom Z'. \n \n \n \n \n\n\f\n5.  DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „GODINA UDOVICE” - \n2.700,00 € \n \nNakon što se njezinom mužu zdravlje naglo uruši s fatalnim ishodom, Petra zapne u začaranom krugu \nbirokracije. U borbi za nov život unatoč nepovoljnoj sudbini, može se osloniti jedino sama na sebe. \n \nČeški igrani film u potpunosti je iščezao s redovnog kino repertoara: punih šest godina niti jedan nije \nprikazan u našim kinima. Manjinska koprodukcija „Godina udovice” je prilika da se to promijeni. \n \n \n6.  DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „KAD SVANE DAN” - \n3.400,00 € \n \nTinejdžer Didi želi rasplesti svoj ljubavni trokut: reći će Klari da se zaljubio u Unu, studenticu umjetnosti. No \nputem gubi život u prometnoj nesreći. \n \nIslandska kinematografija praktički svake godine izbaci jedan naslov kojima uspijeva, podjednako, zadobiti \npažnju festivalskih selektora, pozitivne ocjene kritike te toplu recepciju publike. Među njima je i hvaljena \ndrama „Kad svane dan” koja je svjetsku premijeru imala na ovogodišnjem izdanju canneskog filmskog \nfestivala u programu „Izvjestan pogled”. \n \n \n7.  DISTRIBUCIJA dugometražnog dokumentarnog filma, manjinske koprodukcije „KIX” - 2.000,00 € \n \n“KIX” je 12-godišnja filmska odiseja koja prati Sanyijevu transformaciju od buntovna dječaka s ulice \ngrada Budimpešte do razočarane mlade odrasle osobe. \n \nManjinska koprodukcija „KIX” spada u grupu dokumentarnih filmova čiji potencijal je na donjoj granici \nopravdanosti redovnog prikazivanja čemu treba pridodati i podatak da je svjetsku premijeru imao u ožujku \nna CPH:DOX-u te da je na ovogodišnjem ZagrebDoxu nagrađen „Velikim pečatom u regionalnoj \nkonkurenciji”. \n \n \n8.  DISTRIBUCIJA dugometražnog dokumentarnog filma „LIJEPI I DRAGI LJUDI” - 4.000,00 € \n \nFotograf iz malog mjesta ima veliku ideju: na prijelazu milenija fotografirati najviše ljudi, kako bi ostavio \ntrag o suvremenicima, – i tako je zaživio projekt „Milenijske fotografije”. \n \nIduće godine navršava se 25 godina od začetka projekta „Milenijske fotografije” što će zasigurno pomoći u \nosiguravanju 'bukinga' te privlačenju i širenju publike, dakako, u onim mjestima koja su zabilježena u \ndokumentarcu. \n \n \n \n \n\n\f\n9.  DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „OBITELJSKA TERAPIJA” - \n4.000,00 € \n \nObitelj slovenskih novobogataša živi u staklenoj kući i oko sebe širi energiju ravnodušne superiornosti. \nNjihov život služi kao satirična pozadina za duhovitu obradu premise Pasolinijevog filma TEOREMA: mladi \nstranac useljava se u dom jedne obitelji, narušava obiteljsku dinamiku i razotkriva njihove disfunkcionalne \nodnose i kaos koji se kriju ispod površine... \n \n„Obiteljska terapija” je na nedavno održanom „Festivalu Slovenskega Filma” pomela konkurenciju osvojivši \nčak 7 nagrada „Vesna” uključujući onu za najbolji film. 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112.000,00","ukupno":112000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":112000.0,"ukupno_match":true,"row_count":27,"awarded_count":27,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":27}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje animirani razvoj projekta_prvi rok_2024_WEB_1_.pdf","filename_decoded":"Obrazlozenje animirani razvoj projekta_prvi rok_2024_WEB_1_.pdf","sha256":"7d698f8efb33d59ad22047bfd2166cc91e79c87bb93c3e006b3a6268388c4e2a","bytes":124640,"page_count":4,"extracted_at":"2026-05-17T12:02:02Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje%20animirani%20razvoj%20projekta_prvi%20rok_2024_WEB%281%29.pdf"},"raw_text":"1 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i projekata dugometražnih igrani, dugometražnih \ndokumentarnih i  animiranih filmova, 1. rok 2024. \nkategorija: razvoj projekta, animirani film \nrok: 13.3.2024. \numjetnička savjetnica: Jelena Oroz \n \nNa javni poziv u ovom roku pristiglo je devet (9) projekata. \nDva (2) su filma namijenjena djeci.  \nNeke od tema propitkuju ili se osvrću na međuljudske odnose; prijateljstvo, ljubav, \nobiteljske odnose, a neke propitkuju utjecaj čovjeka i tehnologije na svijet u kojem \nživimo. \nDrago mi je da ne nedostaje humora, čak i u težim temama. \nŠto se tehnika tiče, pokriveno je gotovo sve, od 2D digitalne animacije, kolaža do \nstop animacije i lutka filma. \nZa financiranje je predloženo je i odobreno šest (6) projekata, od kojih je jedan \nprimjeren nešto starijoj djeci. Ukupni iznos financiranja je 30.000,00 €. \n \n1.  \nnaziv projekta: Magično mišljenje \nprodukcija: Bonobostudio \nscenarij i režija: Sunčana Brkulj \niznos financiranja: 5.000,00 € \ntrajanje: 12’ \ntehnika: ručno rađen kolaž i kombinirana tehnika \nMagično mišljenje je kratki animirani film o apsurdu i neizvjesnosti života na planetu \nkoji se mijenja uslijed globalnog zatopljenja.  \nSunčana Brkulj jedna je od najzanimljivijih autorica na sceni hrvatskog animiranog \nfilma.  \nNjezini filmovi su rađeni uglavnom kombinacijom 2D digitalne animacije i stop \nanimacije, dok za ovaj film koristi ručno rađen kolaž i kombiniranu tehniku.   \nKoristi odbačene materijale poput pamuka, šljokica, papira, tkanine itd.  \nOno što bih naglasila jest da su neobični likovi i svijet koji Sunčana kreira, animirani \ntako da djeluju vrlo uvjerljivo; Sunčana se koristi i raznim principima animacije što \ndoprinosi uvjerljivosti pokreta njenih likova.  \n \n \n\n\f\n2 \n \n2. \nnaziv projekta: Scherzo \nprodukcija: Jaka Produkcija \nscenarij i režija: Dorotea Radušić \niznos financiranja: 5.000,00 € \ntrajanje: 8’ \ntehnika: 2D kolažna i crtana animacija \nAnimirani film Scherzo okuplja skupinu ljudi koji propitkuju smisao života, a odgovore \npokušavaju pronaći u religiji i alkoholu. \nScenarij za film sastoji se od 6 balada Miroslava Krleže koje su spojene u jednu \npriču. Film je zamišljen kao hommage Baladama Petrice Kerempuha i sinteza je svih \nmotiva koji se provlače kroz balade u jednu narativnu cjelinu.  \nFilm će se izvesti  kombinacijom  2D kolažne i crtane animacije, a vizual je inspiriran \nnaivnom umjetnosti. Redateljica želi tradicionalne motive tretirati na suvremeniji \nnačin te  namjerava surađivati sa likovnim umjetnicima mlađe generacije.  \nAutorica naglašava važnost glazbe i zvuka za atmosferu filmu. Zbog specifičnog \nzvuka koji spaja tradicionalno i suvremeno želja joj je surađivati sa bendom Cinkuši.  \n \n3.  \nnaziv projekta: Ptičje oko \nprodukcija: Adriatic Animation/ Jadranska animacija \nscenarij i režija: Lucija Mrzljak \niznos financiranja: 5.000,00 € \ntrajanje: 10’ \ntehnika: 2D (frame by frame) animacija \nNakon mnogo godina žena se vraća kući u kojoj je odrasla, na udaljenom \nmediteranskom otoku. Sa sobom nosi veliki mistični kofer. Susreti s različitim \nlikovima na otoku  pretvaraju se u metaforičko putovanje kroz sjećanja, ali se otkriva \ni neugodna  obiteljska povijest.  \nTehnika filma je rukom crtana 2D animacija (frame by frame). Lucijini poetični vizuali \nsavršeno se uklapaju u priču. \nS prethodnim filmom Eeva, Lucija je ostvarila mnoge uspjehe; svjetska premijera na \nBerlinaleu 2023.,osvojila je brojne nagrade diljem svijeta i bila u užem izboru za \nOscar Academy Awards.   \n4.   \nnaziv projekta: Sjeme \nprodukcija: 3D2D Animatori \nscenarij i režija: Antonia Begušić \niznos financiranja: 5000,00 € \ntrajanje: 15’ \ntehnika: stop animacija i piksilacija sa elementima igranog filma \n\n\f\n3 \n \nDjevojčica Maja želi zakopati igračku u zemlju nadajući se da će izrasti nove igračke. \nU tome ju uvijek iznova sprječava Odrasla Ruka.  \nOvaj hibridni film pun zanimljivih i pametnih vizualnih metafora, bez da direktno \nproziva i traži krivce ipak poziva na razmišljanje. Jesmo li i mi kao Ruka iz filma koja \ndjevojčici ne dopušta igru, činimo li veću štetu djeci ‘’čuvajući’’ ih od opasnosti tako \nda im nudimo ekran i kakvom sadržaju ih izlažemo? Ova tema otvara razne \npotencijalne debate jer svaka priča ima dvije strane, ali činjenica je da djeca kao \nnajranjivija skupina društva trpe, nama još do kraja nepoznate, posljedice današnjeg \nnačina života. \nNaravno, tehnološki napredak nije nužno samo negativan, ako ga koristimo kako \ntreba, što sugerira i kraj filma. \n \n5. \nnaziv projekta: Vampir Vlado \nprodukcija: Točka kulture \nscenarij: Luka Ranogajec \nrežija: Luka Ranogajec, Vedran Štefan \niznos financiranja: 5.000,00 € \ntrajanje: 11’ \ntehnika: 2D digitalna, crtana animacija \nDebeljuškasti, olinjali vampir Vlado von Gulaš i njegov vjerni sluga Rugor, pri \nobičnom odlasku u ljekarnu upadaju u razne uzbudljive i komične avanture.  \nVampir Vlado duhovit je kratki animirani film koji može biti distribuiran samostalno  \nkao kratki film ili može funkcionirati kao pilot epizoda potencijalnog serijala. \nFilm je namijenjen uzrastu od jedanaest godina nadalje, ali osobno smatram da ga \nmogu gledati i mlađe generacije. \nVizual je inspiriran crtićima s Cartoon Networka, 90-ih godina prošlog stoljeća; \nPowerpuff Girls, Cow and Chicken, Dexter’s Laboratory, Two Stupid Dogs itd., svaki \nod likova iz spomenutih crtića ima neku uvrnutu i neobičnu osobinu osobinu zbog \nkoje su jedinstveni. Vampir Vlado također okuplja jedinstvenu i neobičnu ekipu; ideja \nredatelja je prikazati da suživot s različitima od nas može biti prednost, a ne \nprepreka. \n \n6.  \nnaziv projekta: Po mjeri \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Božidar Trkulja  \niznos financiranja: 5.000,00 € \ntrajanje: 12’ \ntehnika: lutka film \n \nFilm „Po mjeri“ je autobiografska priča o unuku i djedu koji zajedno provode vrijeme \nu djedovoj  krojačkoj radnji. \n\n\f\n4 \n \nDjedu krojaču po pomoć dolaze razni likovi, od prevelikih do premalih i svi traže \nodijelo po mjeri. Jednog dana, na vrata pokuca i Smrt. \nLutke odnosno likovi u Trkuljinim filmovima animirani su tako da izgledaju vrlo \nuvjerljivo, malim finesama u animaciji Trkulja posvećuje veliku pažnju, a na isti način \ntretira i scenografiju.  \nS obzirom da su likovi različitih proporcija, svaki ima neku svoju posebnost, mislim \nda će ih biti jako zanimljivo gledati ‘’oživljene’’ u filmu. \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2024,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_30012015_NFTS.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_30012015_NFTS.pdf","sha256":"7d74cb64d5b8d59d7450b3475720216b12d51461dca8bb0732465dd1ff0ab58e","bytes":289726,"page_count":1,"extracted_at":"2026-05-16T13:54:44Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 692-2015 \nU Zagrebu, 30. siječnja 2015. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11, dalje u tekstu: Zakon) \nHrvatsko audiovizualno vijeće je na prijedlog ravnatelja na 57. sjednici održanoj 30. siječnja 2015. godine \ndonijelo: \n \nO  D  L  U  K  U \no suradnji s  National Film and Television School \n \n1.) Prihvaća se suradnja s National Film and Television School, Station Road, Buckinghamshire, HP9 \n1LG, United Kingdom (dalje u tekstu: NFTS). \n \n2.) Ovlašćuje se ravnatelj Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) na zaključivanje ugovora s NFTS. \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \n  \n \n \n \n \nObrazloženje \n \nRavnatelj HAVC-a izvijestio je Hrvatsko audiovizualno vijeće o  prijedlogu g. Nicka Powella sadržan u \nmolbi za suradnju s kojom se obratio HAVC-u. Pojasnio je da je g. Nick Powell dekan National Film and \nTelevision School koji se pismeno HAVC-u obratio s prijedlogom za suradnju. Napomenuo je da je NFTS \npar godina za redom proglašena za najbolju filmsku školu ma svijetu i da je sklona hrvatskim filmašima.  \n \nHrvatsko audiovizualno vijeće je na 57. sjednici, održanoj 30. siječnja 2015. godine, većinom glasova \nusvojilo molbu kao što je navedeno u ad.1  ove Odluke. \n \nTemeljem čl.12. Zakona ravnatelj HAVC-a zaključit će ugovor s NFTS kao što je navedeno u točki 2. izreke \nOdluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \nVera Robić-Škarica, v.r. \n \nDostaviti: \n \n -   pismohrana, ovdje \n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","year":2015,"rok":null,"referenced_projects":[],"summary":"AV vijeće na 57. sjednici od 30. siječnja 2015. prihvaća suradnju s National Film and Television School (NFTS) iz Ujedinjenog Kraljevstva, na prijedlog dekana g. 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poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2024. godini \nSpecijalizirani javni poziv za poticanje razvoja scenarija i razvoja projekata \ndugometražnih igranih i dugometražnih animiranih filmova namijenjenih djeci i \nmladima \npotkategorija: razvoj scenarija, dugometražni igrani filmovi \nrok: 11.9.2024. \n- \numjetnič ki savjetniči: Juraj Lerotič , Vis nja Pentič , Dean Š os a \n \nNa prvom specijaliziranom javnom pozivu za poticanje razvoja scenarija i razvoja \nprojekata dugometražnih igranih i dugometražnih animiranih filmova namijenjenih djeci \ni mladima – u potkategoriji razvoja scenarija dugometražnih igranih filmova - prijavljeno \nje dvadeset (20) projekata.  \nKao i u kategoriji razvoja projekata, sčenarije dječjih filmova i filmova za mlade \nkarakterizira raznolikost. Podjednako je filmova utemeljeno na dječjim romanima i onih \nčije su priče originalne.  Priče obrađuju širok raspon tema i motiva, ostajući uglavnom u \nokvirima 'feelgood' atmosfere, no neki projekti ne bježe od ozbiljnijih pa i tragičnijih \nmotiva i tonova.  \nVećina projekata čilja na širu dječju i obiteljsku publiku, no ima i onih koji su od početka \n'autorskije' končipirani i čija će čiljana publika biti ponajprije ona festivalska.  \nZa razliku od kategorije razvoja projekata dječjih filmova, u ovoj kategoriji, pored filmova \nkoji se prijavljuju ponovno, ima i nekoliko onih koji apliciraju na javni poziv prvi put.  \nPredlažemo potporu razvoja pet (5) projekata u ukupnom iznosu od 30.000,00 eura. \nČetiri su predložena projekta filmovi za dječu, snažnog kino potenčijala – tri prema \nhvaljenim i nagrađivanim romanima za dječu i mlade, a jedan prema originalnoj ideji.  \nJedan projekt je film o mladima koji bi, zahvaljujući intrigantnom končeptu i uglednom \nautoru, mogao imati zavidan umjetnički i festivalski doseg.  \nIzuzetno je važno ustrajati na objavljivanju ovakvih spečijaliziranih poziva, kako bi se na \nnjih u budućnosti počeli prijavljivati sčenaristi i redatelji kojima dječa i mladi nisu u \nprvom planu autorskih interesa.   \n \nDORINA ŠKOLA ŠTEDNJE \nScenarij: Natko Jurdana \n6.000,00 eura \n \nDora je devetogodišnja, pomalo razmažena djevojčiča koja više ne dobiva sve što poželi. \nRoditelji su u dugovima, a očekuju i rođenje Dorinog mlađeg brače. Dora na poklon dobiva \nZvečka, elektroničku kasiču prasiču koja uči dječu štednji. No, Zvečko ima grešku u kodu \nte počinje manipulirati i nagovarati Doru na krađe. Kada igra ode predaleko Dora odluči \npriznati sve roditeljima. Zajedničkim snagama pobjeđuju Zvečka, a Dora shvati kako je \nljubav važnija od novča. \n\n\f\nDorina škola štednje vješto je osmišljena priča o, kako sam autor Natko Jurdana piše, \n'…odrastanju u sjeni tehnologije i potrošačkog mentaliteta koji djetinjstvo čine nepotrebno \nstresnim'.  \nJurdana je autor izvorne, maštovite priče koja se odlikuje zanimljivim zapletom, \nuvjerljivim karakterima, dojmljivom atmosferom, no najviše od svega osvaja čitatelje \nintrigantnim likom pohlepne kasice prasice. Treatment je napisan napeto i zabavno, no u \npozadini razigrane dječje priče kriju se ozbiljna promišljanja o temeljnim životnim \nvrijednostima.  \nUobičajeni život dječjih priča počinje u romanima, ponekad se nastavljajući u filmovima. \nDorina škola štednje je projekt koji bi vrijedilo istovremeno razvijati  i u formi filma i u \nformi romana.   \n \nHOĆU BITI POSEBNA \nScenarij i režija: Marija Georgiev  \nProdukcija: Peglanje Snova d.o.o. \n6.000,00 eura \n \n„U središtu ove tinejdžerske priče o odrastanju i traženju vlastitog identiteta i \nzaljubljivanjima našla se KLAUDIJA (14), djevojka koja sanja o tome da postane glumiča i \nfotografkinja. Kao i ostale djevojke njezine dobi, ona stalno čezne za nečim novim, od \nmajiče do fotoaparata, želi imati vitko tijelo, bujnu kosu i superpamćenje. Klaudija \nnajradije vrijeme provodi s najboljom prijateljicom SLATKICOM (14), za koju misli da je \nčarobno biće iz bajke koje će riješiti sve probleme.“ \n \nAdaptačija istoimenog romana književniče Šanje Pilić koju potpisuje nagrađivana \ndramaturginja i redateljica Marija Georgiev vješto nas vodi  u kompleksan emotivni svijet \nmladih djevojaka na pragu puberteta. Odnos dviju tinejdžeriča sjajno je prikazan, a priča \nima i dobrodošlu klasnu dimenziju što nije čest slučaj u dječjem filmu. Dramaturški priča \nzapravo ima oblik unutarnjeg putovanja jer glavna protagonistica kroz niz izvanjskih \nperipetija putuje prema odredištu na kojem će prihvatiti sebe i otkriti vlastitu unutarnju \nsnagu. Upravo će tu dimenziju priče biti moguće dodatno potenčirati i istražiti njen \nfeministički potenčijal u budućem radu na ovom projektu čime će se dodatno naglasiti \nnjegova emančipatorna priroda u kompleksnom vremenu društvenih mreža i diktata \nsamopromočije koji mladima sve više krade pravo na pogreške, mane i slabosti. \n \n \nLJETO NA JEZERU ČIČU \nScenarij: Romana Rožić, Jasminka Tihi-Stepanić \nRežija: Romana Rožić \nProdukcija: Metar60 / Mirta Puhlovski \n6.000,00  eura \n \nSpletom okolnosti, Lucija je prisiljena ljetne praznike provesti u tek izgrađenoj, \nnedovršenoj kući na jezeru Čiču pokraj Velike Gorice, brinući se o mlađem bratu Janku i \n\n\f\nosebujnoj baki Višnji. Umjesto sparnog velegrada ili turističke vreve obale, kontekst \nodvijanja radnje ovog ljetnog filma čini gotovo postapokaliptični pejzaž oko šljunčare na \njezeru Čiču. Lucija, unatoč trudu, sve teže nadgleda Janka, koji upoznaje zagonetnu \ndjevojčicu Hanu. Tragični događaj koji će proizaći iz tog nevinog poznanstva promijenit \nće svima živote. \n \nRoman Ljeto na Jezeru Čiču, osim što je dobio sve važnije nagrade za romane za djecu i \nmlade, doživio je i svoje treće izdanje, što najbolje svjedoči o njegovoj kvaliteti i \npopularnosti. Autorice scenarija, Romana Rožić i Jasminka Tihi – Stepanić, slijede \natmosferu romana te ne izbjegavaju kompleksne i teške emocije, ne nastojeći olakšati \ndjeci gledanje (budućeg) filma pojednostavljenim sretnim završecima fabularnih linija. \nUmjesto toga, pružaju im priliku da se suoče s kompleksnošću života, što nažalost \nuključuje i nepojmljivo teške situacije. \n \n \nRING \nScenarist i redatelj: Tomislav Šoban \n6.000,00 eura \n \n„Josip Kečević Keč je mladi amaterski boksač koji se najbolje snalazi u ringu. Šavjesno \ntrenira sa svojim trenerom Igorom. Trenira dva puta dnevno jer se priprema za turnir – \nprvenstvo Hrvatske u kategoriji do 71 kg. Igor mu je trener više godina te mu je uz \nboksačka znanja usadio i životne savjete. Mladi Keč još živi s majkom u skučenom stanu. \nTrenutno u bespariči Keč pored djevojke Megi zaključuje da nema smisla raditi poslove \nkoji donose sporu zaradu.“ \n \nVješto uobličena priča o mladom amaterskom boksaču koju autorski potpisuje \nnagrađivani redatelj Tomislav Šoban koji se u svojim kratkometražnim radovima već bio \nuspješno fokusirao na kompleksne psihološke portrete dječjih protagonista. U ovom \nprojektu kao središnju metaforu unutarnjih bitki svog protagonista koristi boks pa \nprostor ringa postaje svojevrsno mjesto okršaja sa samim sobom u bitči da se prihvati i \nnadraste vlastite slabosti i zadatosti. Moćnim vizualnim pripovijedanjem autor postepeno \nuvodi sve više nijansiranog slikanja protagonistovih unutarnjih previranja te majstorski \nbarata kompleksnim ambivalentnim sadržajima upisanim u ranjivost mladosti i želju da \nse nadraste vlastito podrijetlo, kako u materijalnom tako i u duhovnom smislu. \nIntrigantnim istraživanjem graniča koje je protagonist spreman prijeći na putu prema \nboljem sutra ovaj projekt pruža mogućnost za radikalno istraživanje neizbježnog sukoba \nosobne moći i društvenih normi. \n \n \nSVE O EVI I JOŠ VIŠE O BRUNI \nScenarij: Nevenka Lončar \n6.000,00 eura \n \nFilm prati obitelj Brodar, čija se svakodnevica stubokom mijenja kad najmlađa članica, \nnježna i sanjarska Eva, iznenada nestane bez traga. Nezadovoljna inertnošću sustava i \n\n\f\nzbunjenošću roditelja, buntovna starija kći Bruna odlučno preuzima inicijativu u potrazi \nza sestrom. Pokušavajući svladati ovaj dramatični događaj, svi članovi obitelji suočavaju \nse sa svojim slabostima i tajnama, a Bruna se pritom sasvim neočekivano zaljubljuje. \nNevenka Lončar, višestruko nagrađivana književnica za djecu i mlade, razvija ovaj \nscenarij prema vlastitom romanu Sve o Evi. Uz višeslojnu priču o obiteljskim odnosima i \nodrastanju, scenarij uspijeva prikazati i složene živote roditelja, približavajući mladim \ngledateljima svakodnevicu s kojom se njihove majke i očevi suočavaju. 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Antonio Britvar\nSudjelovanje Antonija Britvara na manifestacijama International \nYouth Media Summit i Zanzibar International Film Festival u \nTanzaniji\n818,20 €\n3\nKinoklub Karlovac\nSudjelovanje na manifestaciji International Youth Media Summit u \nZanzibaru, Tanzanija\n1.006,75 €\n4\nMultimedijalna umjetnička organizacija \nBacači Sjenki\nSudjelovanje redatelja i producenta Borisa Bakala na radioničkoj \nrezidenciji Conscious Filmmaking Residential LAB u Sitgesu, \nŠpanjolska\n1.490,00 €\n5\nUdruga za razvoj kulture TOČKA \nKULTURE\nSudjelovanje dokumentarnog filma \"Grandpa Guru\" na Sarajevo \nFilm Festivalu\n979,05 €\n6\nLea Vidaković\nSudjelovanje animiranog filma \"Obiteljski portret\" u glavnom \nnatjecateljskom programu Odense International Film Festivala, \nDanska\n173,04 €\n7\nAntitalent d.o.o.\nSudjelovanje filma \"Blok 5\" na Locarno Film Festivalu u Švicarskoj\n2.274,08 €\n8\nIvan Salaj\nSudjelovanje na Tbilisi International Archival Film Festivalu u Gruziji\n521,64 €\n9\nSve gore i gore, vl. Jelena Duh\nRegionalna premijera filma \"Bol\" u službenoj konkurenciji Sarajevo \nFilm Festivala\n200,34 €\n10\nEclectica d.o.o.\nProjekcija filma \"Proslava\" na Sarajevo Film Festivalu\n1.668,52 €\n11\nAntitalent d.o.o.\nSudjelovanje filma \"Čovjek koji nije mogao šutjeti\", igrane serije \n\"Gora\" te manjinskih koprodukcija \"Blok 5\" i \"Bez lica\" na Sarajevo \nFilm Festivalu\n1.122,24 €\n12\nPipser d.o.o.\nSudjelovanje Miljenke Čogelje na panelu konferencijskog programa \nCineLink Talks (CineLink Industry Days) u sklopu 30. Sarajevo Film \nFestivala\n321,34 €\n13\nRestart\nSudjelovanje projekta Cordon na MakeCoProDox Forumu, Skopje, \nSjeverna Makedonija\n413,16 €\n14\nSara Grgurić\nSudjelovanje u programu Talents Sarajevo, u sklopu Sarajevo Film \nFestivala\n155,34 €\n15\nRestart\nSvjetska premijera filma \"Pod sretnom zvijezdom\" Petera Kerekesa \nu konkurenciji 81-og Venice International Film Festivala\n3.200,00 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2024. - PROGRAMI MEĐUNARODNE \nSURADNJE - ROK 12.9.2024., 1. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 25.10.2024. \n\n\f\n16\nAntitalent d.o.o.\nSudjelovanje filma \"Čovjek koji nije mogao šutjeti\" na Toronto \nInternational Film Festivalu u Kanadi\n821,60 €\n17\nPaola Grbić\nSudjelovanje na radionici Classic Skills, Modern Tales: The Len \nSimon Animation Experience u Litomyšlu, Češka\n880,00 €\n18\nČetiri film d.o.o.\nSudjelovanje Pauline Križić na radionici RE-ACT EAVE On Demand \no strateškom planiranju, u Beogradu\n525,00 €\n19\nUdruga za razvoj kulture TOČKA \nKULTURE\nSudjelovanje Vida Begića i Sanjina Hasanefendića, redatelja i \nproducenta dokumentarnog filma \"Kuće na pijesku\" na manifestaciji \nAl Jazeera Documentary Industry Days u Sarajevu\n1.117,42 €\n20\nDobar film\nSudjelovanje projekta TV-serije \"Poštovani kukci i druge jezive \npriče\" u programu TorinoFilmLab - SeriesLab u Belgiji, Španjolskoj i \nItaliji - 2. sesija\n941,14 €\n21\nPučko otvoreno učilište Slatina\nSudjelovanje na konferenciji mreže Europa Cinemas u Vilniusu, \nLitva\n620,00 €\n22\nWolfgang i Dolly d.o.o.\nSudjelovanje redatelja Filipa Filkovića i producentice Tamare Babun \nZovko na industrijskom sajmu Al Jazeera Documentary Industry \nDays u Sarajevu\n411,34 €\n23\nWolfgang i Dolly d.o.o.\nSudjelovanje Marcelle Zanki i Matije Drnikovića na koprodukcijskom \nsajmu Al Jazeera Documentary Industry Days u Sarajevu, u sekciji \nBalkan Stars Pitch\n437,34 €\n24\nUdruga za razvoj kulture TOČKA \nKULTURE\nSudjelovanje dokumentarnog filma \"Grandpa Guru\" na festivalu \nglazbenog dokumentarnog filma Dok'n'Ritam u Beogradu\n303,12 €\n25\nAntitalent d.o.o.\nSudjelovanje producentice Katarine Prpić na radionici RE-ACT \nEAVE On Demand o strateškom planiranju, u Beogradu od 16. do \n20.9.2024. godine\n631,00 €\n26\nEclectica d.o.o.\nSudjelovanje producentice Tine Tišljar na RE-ACT EAVE radionici o \npoduzetničkom strateškom planiranju\n409,16 €\n27\nFactum\nZagrebDox - gostovanje na IDFA-i (International Documentary Film \nFestivalu Amsterdam)\n884,62 €\n28\nLucija Mrzljak\nEmile Awards 2024 - European Animation Awards\n536,33 €\n29\nPropeler Film d.o.o.\nEuropska premijera filma ''Nakon ljeta'' u službenoj konkurenciji \nVaršava Film Festival\n3.456,90 €\n30\nJaka produkcija d.o.o.\nSudjelovanje producenta Jure Bušića na Producers Linku u Varšavi \n366,95 €\n31\nSavez scenarista i pisaca izvedbenih \ndjela\nGodišnja skupština FSE i Svjetska konferencija scenarista\n1.070,46 €\n32\nUdruga Blank\nSudjelovanje redatelja Marka Bičanića i producentice Žane Jukić s \ndugometražnim igranim filmom \"Rezervacije\" na radionici PITCH-IT\n689,24 €\n33\n25 FPS, Udruga za audio-vizualna \nistraživanja\nPredstavljanje Festivala 25 FPS na festivalu Archivio Aperto u \nBologni\n606,57 €\n\n\f\n34\nHrvatski filmski savez - HFS\nSudjelovanje voditeljice Arhiva Hrvatskog filmskog saveza na \nMeđunarodnom marketu klasičnog filma (Marché International du \nFilm Classique) u Lyonu\n969,59 €\n35\nNukleus Film d.o.o.\nSudjelovanje producenta Siniše Juričića na međunarodnom \nfilmskom festivalu i marketu u Rimu s projektom Zašto je ovdje sve \ntako zeleno? (prijašnji naslov Mama) u sekciji C EU Soon\n1.240,50 €\n36\nNukleus Film d.o.o.\nSudjelovanje montažera Vladimira Gojuna i producenta Siniše \nJuričića na filmskom festivalu Black Night u Tallinnu, Estonija u \nglavnoj konkurenciji s filmom \"Empire of the Rabbits\"\n1.122,00 €\n37\nUmjetnička organizacija T25\nTFL Next Workshop - TV serija Seventin\n1.360,00 €\n38\nJadranska animacija\nSudjelovanje projekta \"Ptičje oko\" na manifestaciji CEE Animation \nForum 2024. u Plzeňu, Češka\n464,32 €\n39\nJadranska animacija\nSudjelovanje projekta \"Saima\" na manifestaciji CEE Animation \nForum 2024. u Plzeňu, Češka\n661,63 €\n40\nFactum\nZagrebDox - gostovanje na 36. Trieste Film Festivalu\n404,00 €\n41\nPipser d.o.o.\nSudjelovanje redatelja i producentice serijala Sve je lako kad si mlad \nna radionici Ex Oriente Film Workshop\n778,06 €\n42\nPipser d.o.o.\nSudjelovanje producentice Miljenke Čogelje na ACE Producers \ngodišnjem programu obrazovanja\n5.500,00 €\n43\nLucija Perić\nSudjelovanje producentice Lucije Perić na pitching forumu Baltic \nPitching Forum u Vilniusu, Litvi\n836,59 €\n44\nRestart\nSudjelovanje redatelja i producentice filma 'Kontraadmiral' u \nprogramu BDC Discoveries u Sofiji - 2. session\n1.134,94 €\n45\nRestart\nSudjelovanje redatelja i producenta filma Zemlja koju udišemo na \nDokLeipzig Co-Pro Marketu\n1.095,31 €\n46\nPipser d.o.o.\nSudjelovanje producentice Miljenke Čogelje i redatelja Filipa \nPeruzovića s projektom 'Sumnjivo područje' na France-Balkan Co-\nproduction radionici\n1.190,54 €\n47\nATL MEDIA, vl. Maja Gros\nSudjelovanje Maje Gros na Baltic Pitching Forumu s projektom \nSamo jedna stvar\n836,59 €\n46.795,96 €\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"WEB av JP MEDJ 2024._4. rok.xls","year":2024,"rok":null,"natjecaj_date":"2024-09-12","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA (€)"],"rows":[{"row_number":1,"project_title":"Predstavljanje filma \"Vitić pleše\" u programu Food & Footage, u organizaciji instituta Z/KU (Zentrum für Kunst und Urbanistik) u Berlinu","applicant":"Multimedijalna umjetnicka organizacija Bacaci sjenki","production_company":"Multimedijalna umjetnicka organizacija Bacaci sjenki","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"150,00 €","approved_amount":150.0,"currency":"EUR","extras":{"col_1":"1","entity_original_production_company":"Multimedijalna umjetnička organizacija Bacači Sjenki","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Multimedijalna umjetnicka organizacija Bacaci sjenki","row_id":"7e88141f:s0:0fd2b60d7a37","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_9b7a87c1d26a","project_family_title":"Predstavljanje filma \"Vitić pleše\" u programu Food & Footage, u organizaciji instituta Z/KU (Zentrum für Kunst und Urbanistik) u Berlinu"},{"row_number":2,"project_title":"Sudjelovanje Antonija Britvara na manifestacijama International Youth Media Summit i Zanzibar International Film Festival u Tanzaniji","applicant":"MULTIMEDIAN, vl. 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\n2\nImmunauts\nKristian Macanga\nMACANGA GAMES j.d.o.o.\n10.042,00 €\n                       \n3\nPUTNA GROZNICA (TRAVEL FEVER)\nStaša Čelan\nFocus Media d.o.o.\n8.000,00 €\n                         \n4\nDominance - Ancient Elders\nHrvoje Horvatek\nIron Ward j.d.o.o.\n12.000,00 €\n                       \n5\nObala\n Mirko Fabris\nKRAV, informatički obrt, vl. Mirko \nFabris, Zagreb, Tuškanova 22\n12.000,00 €\n                       \n6\nHollow Bequest\nDominik Cvetkovski\nANIQ d.o.o.\n8.000,00 €\n                         \n7\nMINTOJI WORLD\nLivio Rajh\nCustoys Lab d.o.o.\n10.042,00 €\n                       \n8\nCloak and Boffer\nSven Nemet\nSTUDIO SPEKTAR, d.o.o.\n10.000,00 €\n                       \n9\nDvanaest Dimenzija Diskursa\nAndrej Kovačević\n\"MEDIAPARK\" obrt za audio i video \nusluge i trgovinu, vl. Dražen \nKovačević, Zaprešić, Mihovila \nKrušlina 15\n8.000,00 €\n                         \n10\nCrna Kraljica\nJosip Vincetić\nDowntown Game Studio j.d.o.o.\n8.000,00 €\n                         \n11\nStray Hearts\nSenad Čauš\nGameHugger, obrt za računalne i \ndruge usluge, vl. Senad Čauš, Ulica \nFerdinanda Budickog 8\n8.000,00 €\n                         \n12\nOpera Means Work\nAleksandar Gavrilović\nGamechuck d.o.o.\n12.000,00 €\n                       \n13\nLook Around\nRobert Sajko\nRoom C Games d.o.o.\n12.000,00 €\n                       \n14\nJancer\nMislav Majdandžić\nEksperimental Games\n6.000,00 €\n                         \n15\nCircuit Master\nMarko Otašević\nTuring Studio d.o.o.\n12.000,00 €\n                       \n16\nIt Takes a Tribe\nBlaž Rebernjak\nBAD COG d.o.o.\n8.000,00 €\n                         \n17\nWAY\nRea Budić\nTiny Meow studio j.d.o.o.\n10.000,00 €\n                       \n18\nZagonetka hotela Knopp\nTamara Josić\nSlikovnica, vl. 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Od ukupnog broja prijavljenih, u razmatranje je ušlo njih 41, dok dva nisu ušla u \nrazmatranje, budući da nisu zadovoljila uvjete Javnog poziva. \nPromatrano s obzirom na vrstu filma, najviše prijavljenih dolazi iz kategorije dugometražnog igranog \nfilma, ukupno 29 (17 dugometražnih igranih filmova i 12 debitantskih dugometražnih igranih filmova). Za \ndugometražnim igranim filmovima slijede dugometražni dokumentarni filmovi sa sedam prijava te \nkratkometražni igrani filmovi zastupljeni sa sedam prijava. Od ukupnog broja prijava, sedam filmova je \nprijavljeno u fazi postprodukcije – jedan debitantski dugometražni igrani, dva dugometražna igrana, tri \ndugometražna dokumentarna te jedan kratki igrani film, pri čemu jedan od tri dugometražna \ndokumentarna nije ušao u razmatranje. \nVrsta audiovizualnog djela \nBroj prijavljenih \ndebitantski dugometražni igrani film \n12 \ndugometražni dokumentarni film (od 60 minuta) \n7 \ndugometražni igrani film \n17 \nkratkometražni igrani film \n7 \nGrand Total \n43 \n \nPromatrano s aspekta države iz koje dolazi glavni producent, najviše je prijavljenih iz Republike Srbije \n(16), za kojom slijede Slovenija (9) i Bosna i Hercegovina (5), dok su sve ostale države zastupljene s 1-2 \nprijave. Na ovom su roku prijavljeni projekti iz 13 država, jednako kao i na zadnjem roku prošle godine.  \nDržava \nBroj prijavljenih \nBiH \n5 \nČeška \n1 \nCipar \n1 \nCrna Gora \n2 \nGrčka \n2 \nItalija \n1 \nNjemačka \n1 \nPoljska \n1 \nRumunjska \n2 \nS.Makedonija \n1 \nSlovenija \n9 \nSrbija \n16 \nTurska \n1 \nGrand Total \n43 \n \n \n \n\n\f\n \nKriteriji za predlaganje projekata za sufinanciranje temelje se na: \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i redateljski \nkoncept; \n2. Ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala projekta, s obzirom na \nprodukcijski paket i producentov plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje \nprojekata.  \n \nFilmovi predloženi i odobreni za sufinanciranje proizvodnje: \n1. Dugometražni igrani film U sjeni rogova (Srbija), hrvatski producent Kinorama d.o.o., 80.000,00 EUR; \n2. Dugometražni igrani film  Pješčana kronika (Srbija), hrvatski producent Interfilm d.o.o., 60.000,00 EUR; \n3. Dugometražni dokumentarni film A šta sad, a šta tad? (Srbija), hrvatski producent Anti-apsurd d.o.o.,  \n55.000,00 EUR; \n4. Debitantski dugometražni igrani film Dobra djevojka (Slovenija), hrvatski producent Izazov 365 d.o.o., \n80.000,00 EUR; \n5. Kratkometražni igrani film Kismet (Slovenija), hrvatski producent Nukleus film d.o.o., 25.000,00 EUR \nUkupni iznos sredstava 300.000,00 EUR \n \n1) Dugometražni igrani film U sjeni rogova, Srbija  \nAutor scenarija dugometražnog igranog coming of age filma U sjeni rogova (Srbija) je Ognjen Glavonić, \nkoji će ga i režirati. Svakako je važno spomenuti da je Ognjen Glavonić jedan od značajnijih autora \nmlađih generacija na ovim prostorima, a o čemu svjedoče i uspjesi njegovih prethodnih radova (Teret – \nCannes, Cottbus;, Dubina dva – Berlinale). \nU svom novome filmu U sjeni rogova autor progovara o odrastanju, međuljudskim odnosima i svemu \nonom što skrivaju naizgled ljupke male sredine. U priči pratimo maturanta Vuka i njegov odnos s \nnajboljim prijateljem Igorom. Njih su dvojica iz seoca u Banatu, te nastoje sa svojim black metal bendom \nsnimiti album. Scenarij je izvanredno napisan i prepun je uvjerljivih dijaloga te konkretnih opisa scena, \nkoji odaju dojam da se Glavonić istinski posvetio ovom projektu, što je dodatno uočljivo i u režijskoj \neksplikaciji u kojoj navodi da mu je glavna motivacija bilo njegovo vlastito odrastanje. Tema kojom se \nautor bavi je relevantna za hrvatsku audiovizualnu umjetnost u kontekstu odrastanja u malim \nsredinama, što je na neki način univerzalno te propitivanja pozicije supkultura u društvu. Planirano \nsudjelovanje hrvatskih autora i filmskih djelatnika u projektu je kvalitetno izbalansirano. \nRežijska koncepcija je iznimno dobro napisana i, kao što sam već spomenuo, upućuje na autorovo \nduboko poznavanje teme, što, dakako, ne čudi, budući da on progovara o vlastitom iskustvu. Glavonić je \ni detaljno razradio čitavu atmosferu filma te načine na koje će postići kontrast između mladih death \n\n\f\nmetalaca, koji, praveći se opaki i zli, po mnogočemu iskaču iz naizgled idilične sredine banatskog sela, \nkoje skriva mračne tajne iz prošlosti. Imajući u vidu prethodne Glavonićeve radove bez imalo sumnje \nmožemo zaključiti da će i ovdje biti riječ o iznimno zanimljivom i uspješnom projektu. \n \n2) Dugometražni igrani film  Pješčana kronika, Srbija \nScenarij za žanrovski dugometražni igrani film (povijesni triler s elementima fantastike) Pješčana kronika \n(Srbija) je napisao Pavle Zelić. Zelić je 2013. objavio i istoimeni roman koji ja doživio nekoliko reizdanja. \nStevan se sa sinom Lazarom doseli u naselje izgrađeno netom nakon Drugog svjetskog rata. Kao što to \nobično biva kod preseljenja, ondje ih dočekuju novi susjedi, starosjedioci u zgradi. Međutim, zgrada krije \nbrojne tajne. Scenarij je kvalitetno i zanimljivo napisan te nas do samog kraja drži u neizvjesnosti. Likovi \nsu jasno razrađeni. Ono što je kod ovog filma važno istaknuti je da čvrsto vjerujem kako u regiji kronično \nnedostaju kvalitetni filmovi ovakvog tipa i žanra. Isto tako važno je spomenuti da je planirani udio \nhrvatskih autora velik. \nPješčanu kroniku će režirati Petar Ristovski, koji je do sada režirao brojne uspješne (i ne manje bitno - \ngledane) serije i filmove, kao što su, primjerice, serija i film Kralj Petar i Bilo jednom u Srbiji. Sama \nkoncepcija je jasno i konzistentno napisana, počevši od motivacije Ristovskog da snimi ovakav film pa \nsve do promišljanja na koji način da dočara atmosferu pojedinog povijesnog perioda u kojem se film \nodvija. Sve navedeno predstavlja zanimljiv i autentičan te promišljen „vizual“ filma. Važno je napomenuti \nda je cjelokupni autorski paket iznimno promišljen i postavljen u čvrstu cjelinu spremnu za realizaciju. \n \n3) Dugometražni dokumentarni film A šta sad, a šta tad?, Srbija  \nScenarij za dugometražni dokumentarni film A šta sad, a šta tad? (Srbija) potpisuje Boris Mitić, autor \nčitavog niza uspješnih dokumentarnih projekata, poput Pretty Dyane, Doviđenja kako ste? i Slatko od \nništa. Mitićevi filmovi su prikazani na više od 250 festivala, nagrađivani 25 puta i emitirani na 30 \nmeđunarodnih televizija. Isto tako ne treba zanemariti činjenicu da je svaki Borisov film potpuno novo \naudiovizualno iskustvo koje nerijetko pomiče granice dokumentarizma, ali i same forme pripovijedanja. \nOva priča predstavlja svojevrsnu odu kreativnom roditeljstvu, a pratimo je kroz likove Feđe, Ksjuše, \nNastje i majke, odnosno, Mitićeve obitelji. Kako sam Mitić navodi, ovdje će se raditi o njegovom \nnastojanju da zabilježi djelić njihova odrastanja u vremenu, uz konstantno propitivanje načela različitih \nvrsta suvremenog roditeljstva. Što se tiče cjelokupne dokumentacije projekta, smatram važnim istaknuti \nda su svi dokumenti kvalitetno i iscrpno napisani, čime, između ostalog,  daje naslutiti da će ovo biti \njedan iznimno zanimljiv projekt, koji će postaviti brojna pitanja vezana uz roditeljstvo. Iz svega \nnavedenog lako je zaključiti da je autor postavio čvrste temelje za upuštanje u proces produkcije te da je \nspreman za skoru realizaciju filma. Napomenuo bih da je cjelokupna kreativna i produkcijska \ndokumentacija na iznimno visokom nivou te sa sigurnošću odskače od velike većine pristiglih prijava. \nGovoreći o roditeljstvu, progovaramo o jednoj univerzalnoj temi, koja je prisutna u apsolutno svakom \nkutku zemlje. Slično je i s pristupima roditeljstvu, međutim, oni se razlikuju od kulture do kulture. U \nzapadnoj kulturi, čiji smo i sami dio, oni na neki način podsjećaju na odlazak u supermarket u kojem se \n\n\f\nnalazimo suočeni s prevelikom mogućnošću izbora pa se tako možemo odlučiti za „helikoptersko“, \n„tigrasto“, „free-range“ ili „zmijasto“ roditeljstvo, u nadi da će baš taj tip roditeljstva omogućiti našoj \ndjeci da ostvare svoje potencijale. Mitić je odabrao put kreativnog roditeljstva, a ovim filmom želi djelić \nsvog roditeljskog iskustva podijeliti sa svijetom. Uz nadasve univerzalnu temu roditeljstva i odrastanja \nvažno je napomenuti da je planiran angažman velikog broja autora i filmskih djelatnika iz Hrvatske te da \nje sama priča filma smještena u Zagreb gdje će se film gotovo u potpunosti i realizirati. \nRedateljska koncepcija je jasno i precizno napisana te je u njoj istaknuta redateljeva motivacija da snimi \novakav film. Ujedno, ona pokriva sve bitne komponente režijskog pristupa, na temelju čega možemo \nzaključiti da će ovo biti još jedan u nizu Mitićevih uspješnih projekata. Što se tiče motivacije, kako on sam \nkaže, svi želimo ostaviti neki trag, međutim, danas ostavljamo previše tragova pa bi želio ostaviti jedan, \nali vrijedan. Mitić je pažljivo promislio o svemu što čini projekt te o sinergiji elemenata potrebnih da \nrealizira cjelinu. Iz priložene redateljske koncepcije jasno je da je autor proveo ekstenzivan „istraživački“ \nrad te da je proces razvoja projekta temeljito i majstorski proveden. Kao i u svojim prethodnim \nfilmovima vidljivo je da autor traga za novim konceptima i koristi podosta neuobičajen pristup \npripovijedanja (za dokumentarni film). Također, autor će u dokumentarni film uvesti i specijalne efekte, \nkoji će, kako on ističe, biti iskorišteni kao suštinski element narativa, a ne kako bi se popunile rupe u \ndramaturgiji.  \n \n4) Debitantski dugometražni igrani film Dobra djevojka, Slovenija  \nScenarij za debitantski coming of age dugometražni igrani film Dobra djevojka (Slovenija) supotpisuju \nUrška Djukić i Marina Gumzi. Inače, dosadašnji radovi Urške Djukić ostvarili su zapažene uspjehe na \nmeđunarodnim filmskim festivalima. Svakako je važno istaknuti da je Urška Djukić nagrađena nagradom \nEuropske filmske akademije za najbolji kratki film 2022. godine (Granny's sexual life). Djukić i Gumzi, iz \nperspektive tinejdžerice Lucije, u ovoj priči propituju odrastanje u religioznoj sredini te buđenje \nseksualnih nagona.  \nSam scenarij je zanimljivo i kvalitetno napisan, a njegovo propitivanje odrastanja u kontekstu \nkonzervativne sredine ga čini aktualnim, kako u Sloveniji tako i u Hrvatskoj te daleko izvan granica naše \nregije.   \nRežiju ovog projekta će preuzeti Urška Djukić, iznimno talentirana mlada slovenska autorica. Sama \nrežijska koncepcija je konkretno i uvjerljivo napisana te pokriva sve elemente od osobne motivacije, \npreko rada s glumcima do scenografije. S obzirom na cjelovitu i promišljenu kreativnu dokumentaciju \npopraćenu iznimno kvalitetnom produkcijskom podrškom vjerujem da je film Dobra djevojka jedan od \nkvalitetnijih debitantskih naslova koji nas čekaju u skoroj budućnosti. \n \n \n \n\n\f\n5) Kratkometražni igrani film Kismet, Slovenija \nScenarij za kratki igrani film Kismet (Slovenija) napisala je Iza Strehar, slovenska scenaristica mlađe \ngeneracije. Redatelj filma je Žiga Virc koji je uz Izu vrlo temeljito i predano pristupio kreativnoj obradi \nove, naoko, „egzotične“ teme. \nStrehar nam kroz ovaj scenarij prikazuje kratki isječak života Romkinja u momentu kada one prolaze kroz \nobred prijelaza, konkretnije, vjenčanje. U priči pratimo odnos dviju sestara, starije Bogdane i mlađe \nMilene, pri čemu se Bogdana udaje. S druge strane, Milena voli školu i želi se školovati. Osim njih tu su i \nmajka i baka, koje ocrtavaju svojevrsnu suprotnost između starije, izrazito tradicionalne generacije, koju \npredstavlja baka te mlađe generacije, čiji su se stavovi znatno ublažili, utjelovljene u liku majke. Tu su i \nprijateljice, koje prate Bogdanu kroz prijelaz.  \nRedateljska koncepcija koju Virc nudi je kvalitetna i dobro razrađena. Što se tiče samih glumaca, radio bi \ns naturščicima na što autentičnijim lokacijama te naglašava elemente dokumentarizma u procesu. Ono \nčega je svjestan jest da se ovdje radi o drugoj kulturi i glumcima koji se ne bave profesionalno glumom \npa ističe da će predpripreme zapravo najdulje trajati, budući da će trebati organizirati i radionice glume \nte provesti dulje vremena u radu s budućim glumcima. Važno je napomenuti da je snimanje filma \nplanirano u Hrvatskoj te je planirano sudjelovanje hrvatskih autora i djelatnika razmjerno veliko.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2023,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"HAVC 2017. - 3. rok _odluka_.pdf","filename_decoded":"HAVC 2017. - 3. rok _odluka_.pdf","sha256":"818178c92af25f5382acd1f00dea92664e197d39641ca06815cd3ae3c746cbc4","bytes":117179,"page_count":6,"extracted_at":"2026-05-17T12:01:21Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/HAVC%202017.%20-%203.%20rok%20%28odluka%29.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po rezultatima Javnog poziva \nza poticanje audiovizualnih djelatnosti i stvaralaštva u 2017. \ngodini u kategoriji poticanja proizvodnje audiovizualnih djela \nfilmskih koprodukcija s manjinskim hrvatskim udjelom (rok 17. \nsrpnja 2017.). \n \n\t\r  \nMarko Njegić, umjetnički savjetnik za filmske koprodukcije s \nmanjinskim hrvatskim udjelom: \n \nNa trećem roku 2017. predložio sam sedam projekata za \nsufinanciranje od njih 21 koliko ih se (ispravno) prijavilo na \nJavni poziv u kategoriji filmskih koprodukcija s manjinskim \nhrvatskim udjelom. To su, redom, jedan animirani, četiri \ndugometražna igrana, jedan dugometražni dokumentarni i jedan \nkratkometražni dokumentarni film. Veći budžet za ovaj rok \nrezultirao je i većim brojem predloženih projekata, dakle čak \ntrećinom. Treba reći da je i ovaj rok, kao i tri prethodna, \nimao dosta zanimljivijih projekata, no izbor je pao na sedam \nnajpotentnijih koji su prednjačili po kvaliteti. Svaki od ovih \nsedam projekata imao je vješto napisan scenarij i približno \njasnu viziju budućeg filma na papiru i(li) u slici. Konačnoj \nodluci su kumovali njihovi potencijali u kinima ili na \nfestivalima, određeni značaj unutar hrvatske i regionalne \nkinematografije, ako ne i šire, ugled autora i koproducen(a)ta \nte predstavništvo hrvatskih glumaca/filmskih delatnika.  \n \nANIMIRANI FILM \nSINKRONICITET (100.000) \nIdeja i redateljska koncepcija animiranog filma \n“Sinkronicitet“ na papiru se doima kao nešto što bi se moglo \nizroditi u umu nekog “pixarovca“ koji je gledao “Proljeće, \nljeto, jesen, zima... i proljeće“ Kima Ki-duka. Tijekom četiri \ngodišnja doba prati se životni ciklus/mehanizam stanovnika \n\n\f\nmaloga sela, istodobno mehaničkih i živih bića, povezanih \nsistemom zupčanika preciznog švicarskog sata, među kojima \nstrši mladić s pokvarenim kotačićem kao pojedinac drukčiji od \ndrugih. Prema priloženom materijalu, točnom poput švicarskog \nsata, dobra ideja na papiru mogla bi poprimiti jednako dobru i \nprilično unikatnu animiranu viziju. Knjiga snimanja je \npoticajna i daje detaljni uvid kako bi crtić trebao izgledati, \na listanje stranica “story boarda“ navodi da se u glavi \nmomentalno zavrte pokretne slike budućeg animiranog filma, \nprema zamišljenim kadrovima “steampunk“ vizualnosti.  \n \n \nDUGOMETRAŽNI IGRANI FILM \nMARE (800.000)  \nReprezentacija hrvatskih glumaca igrat će glavne i sporedne \nuloge u najnovijem filmu Andree Štake koji će se u cijelosti \nsnimati u Konavlima - Marija Škaričić, Goran Navojec, Goran \nBogdan, Tihana Lazović i Nikša Butijer. No, to nije jedini \nzalog i razlog za sufinanciranje “Mare“, filma o mladoj \nobiteljskoj ženi koja živi pored aerodroma, čeznutljivo gleda \nza zrakoplovima što polijeću iz zračne luke, a u njezin život \nnenadano sleti novi muškarac i promijeni joj svakodnevicu. Ovo \nje najbolje prezentiran projekt na ovom natječaju, možda i \nzato što ga Štaka već dugo i pedantno priprema. Sudeći po \nprezentaciji i kvalitetno napisanom scenariju, “Mare“ bi mogla \nbiti snažna drama po mjeri američkog redatelja Johna \nCassavetesa, ali ispričana i režirana iz ženske perspektive, k \ntome u vizualnom stilu današnjih europskih festivalskih art \nfilmova čiju estetiku mogu postići angažirani snimatelji Jana \nPlećaš (“Ne gledaj mi u pijat“) i Erol Zubčević (“Epizoda u \nživotu berača željeza“), podjednako odražavajući unutarnja i \nvanjska stanja višeslojnih likova. Scenarij je prožet odličnom \nprofilacijom likova i snažnom simbolikom. Dostupni “moodboard“ \nsjajno evocira ugođaj “Mare“, posebno slika aviona u \n\n\f\nsimboličnu letu tik poviše junakinje, možda i najimpresivniji \n(budući) kadar u novijem hrvatskom filmu uopće.  \n \nNEBESA (500.000) \nNajveći redateljski hitmejker iz regije Srđan Dragojević je s \n“Paradom“ ušao na velika vrata u svijet manjinskih \nkoprodukcija i realizirao najveći regionalni megahit \nposljednjih godina koji se dobacio i do europske \nkinodistribucije. Nešto slično Dragojević tipuje napraviti sa \nsvojim posljednjim projektom “Nebesa“. Opet su tu hrvatski \nglumci (Ksenija Marinković, Bojan Navojec, Goran Navojec, \nDejan Aćimović) zajedno s poznatim licima iz Srbije (Nikola \nKojo, Srđan Todorović, Nebojša Glogovac, braća Trifunović, \nMiloš Timotijević…) i regije (Miloš Samolov), kao i \npopulistička priča prijemčiva širem regionalnom, pa i \neuropskom auditoriju, a ovaj put osovljena oko djelovanja \nfenomena srednjovjekovnog čuda na moderno društvo u \ntranziciji. Priča je razlomljena na tri narativna tijeka i \nodvija se 1993., 2001. i 2018., gdje pratimo likove koji od \nBoga dobiju aureol, imaju direktnu vezu sa svecima i njihova \numjetnost, kao dar s nebesa, postaje “hranjiva“ da \npromatračima utoljava glad. Vrlo bizarno, ali i veoma potentno \nza isprepletanje fantazije i društvene satire, narodske \ntragikomedije i festivalskog arta, lokalnog i globalnog, \notprilike na tragu nedavnog belgijskog filma “Potpuno novi \nzavjet“, a u skladu s Dragojevićevim prijašnjim kinohitovima.  \n \nNE ZABORAVI DISATI (400.000) \nJedan od rijetkih projekata koji je na ovom roku priložio \nvideo da bi preciznije dočarao vizualni identitet budućeg \nfilma. To se pokazalo kao veliki plus za “Ne zaboravi disati“, \niako je scenarij ionako već imao vrlo dobro postavljene likove \ni situaciju, dvojicu bliske braće tenisača u trenutku kad se \nstariji, 18-godišnjak, zaljubi u jednu ljepoticu, što mijenja \n\n\f\nživot mlađem, 15-godišnjaku. U tom scenariju bilo je vidljivo \nkako Martin Turk delikatno prilazi najosjetljivijem razdoblju \nživota, onom formativnom tinejdžerskom kad se mladi ljudi \nnaglo upoznavaju s dotad nepoznatim emocijama i životom samim, \nsvijetom koji ide naprijed s njima ili bez njih, te od \nprevelike količine uzbuđenja zaboravljaju disati. Priloženi \nvideoklipovi vizualiziraju atmosferu, rad s glumcima i paletu \nboja, sugerirajući kako bi “Ne zaboravi disati“ mogao biti \nregionalni odgovor na izvrsne filmove o odrastanju kao što su \n“Povratak“, “Mean Creek“ i “Mud“, Turkove glavne uzore.  \n \nŠAVOVI (400.000) \nNajnovija verzija scenarija za film “Šavovi“ Miroslava Terzića \n(“Ustanička ulica“), u kojem bi sporedne uloge trebali imati \nKsenija Marinković, Katarina Bistrović Darvaš i Goran Bogdan, \ndoživjela je veliku promjenu nabolje u odnosu na prethodne. \nScenarij o majci koja doznaje da joj je dijete rođeno prije 17 \ngodina živo, a ne mrtvo kako su je uvjeravali, bio je \npostavljen kao obiteljska drama, imao dosta praznih hodova, \nznao se šlepati od scene do scene i varirati u karakterizaciji \nlikova i njihovim suodnosima. Sada scene puno jasnije teku, \nlikovi su profiliraniji prema van i unutra, sve djeluje \nispoliranije i komprimiranije, ali na način da se nije \nkompromitirala vizija filma lako zamislivog u rumunjskoj \nkinematografiji, niti da od te “zbijenosti“ puca po šavovima. \nŠtoviše, konkretnijom implementacijom žanra trilera u \nobiteljsku dramu, prethodno nazočnog samo po rubovima filma, \npriča je prodisala punim plućima i dobila finalni zamah da \npotencijalne gledatelje emotivno raspukne po šavovima.  \n \n \nDUGOMETRAŽNI DOKUMENTARNI FILM \nDOSJE LABUDOVIĆ (160.000)  \n\n\f\nStevan Labudović, Titov osobni kamerman, nasnimao se svega \nprilikom putovanja s jugoslavenskim predsjednikom, uz naglasak \nna Pokret nesvrstanih. Zanimljiv lik za dokumentarni film i \npravo je čudo da ga nitko dosad nije već doveo pred objektiv. \nMožda i zato što je redateljima prigovarao da im leća kamere \nnije čista, onako kako to radi Mili Turajlić na kraju \n“teasera“ za “Dosje Labudović“. Redateljica je, skladno \n“teaseru“, ali i ambiciozno izloženom tekstualno-slikovnom \n“treatmentu“, napravila temeljit “research“ i preliminarne \n(snimateljske) pripreme, te dobro upoznala protagonista svog \nfilma koji će je za ruku voditi kroz povijest kao što ona vodi \nčitatelja, vjerujemo i budućeg gledatelja, kroz zamisli i \nplanove realizacije dokumentarca. Film tipuje pomiriti \npovijesno i privatno, dosad neviđene arhivske snimke globalne \npovijesti (najupečatljivije u “teaseru“) i Labudovićeve osobne \nopservacije na tu povijest, u međuvremenu zaboravljenu i \nnestalu (ujedinjeni Treći svijet). Zamjetan je potencijal \nsuodnosa dvaju promatrača, redateljice i snimatelja, tj. \nstvaranja novih doku-slika naspram već stvorenim slikama.  \n \n \nKRATKOMETRAŽNI DOKUMENTARNI  \nDUHANSKI PUTOVI (90.000)  \nPonajbolji hrvatski direktor fotografije, snimatelj, kamerman \nMirko Pivčević debitira kao redatelj s ovim kratkometražnim \ndokumentarno-igranim filmom koji namjerava kronicirati nešto \nšto dosad na ovim prostorima kinematografski nije bilo \nkronicirano - krijumčarenje duhana na području BiH i Hrvatske. \nDjelatnost se razvila dolaskom Austrougarske u Bosnu, a bila \nnajrazvijenija tijekom Prvog svjetskog rata. Scenarij ima \npotencijala kao dokumentarna rekonstrukcija jednog duhanskog \nputa koja će naizgled povezivati nepovezano. S jedne strane, \nformu poetskog dokumentarca i minimalistički filmski jezik, a \n\n\f\ns druge mitološke razmjere prirode (planinska područja) kojom \nsu se protezali duhanski putovi i demistifikaciju mita, \nodnosno njegovo svođenje na ljudsko(st). Pivčević i njegov \nscenarist Josip Mlakić inače ponaosob, u slici i verbalnoj \nekspresiji, često uspješno operiraju upravo između tih \nsuprotnih polova. “Duhanski putovi“ je logičan nastavak \nnjihovog puta kojeg sada prolaze zajedno.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2017,"rok":"3. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati AV JP MED 2021_4_rok.pdf","filename_decoded":"rezultati AV JP MED 2021_4_rok.pdf","sha256":"81f963989e61a5ab9edcbc4af277a64cae59d9e5cb01e2e0317b9b236163e74d","bytes":45754,"page_count":2,"extracted_at":"2026-05-17T10:23:46Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20AV%20JP%20MED%202021_4_rok.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA \nPOTPORA\n1\nKinorama d.o.o.\nSudjelovanje filma \"Zbornica\" u programu Crystal Globe \nCompetition, u sklopu Karlovy Vary International Film \nFestivala\n35.400,00\n2\nAkademija dramske \numjetnosti\nSudjelovanje studenata Akademije dramske umjetnosti na \nfestivalu 20. DokuFest - International Documentary and \nShort Film Festival, Prizren, Kosovo s filmom \"Trafika\"\n3.980,00\n3\nKarlo Žganec\nPredstavljanje filma ''Kazneni udarac'' redatelja Roka \nBičeka na Sarajevo Film Festivalu 2021.\n2.684,00\n4\nRestart\nSvjetska premijera i predstavljanje kratkog dokumentarnog \nfilma \"Bosanski Brodvej\" redateljice Jasmine Beširević u \nnatjecateljskom programu 27. Sarajevo Film Festivala\n5.286,00\n5\nAntitalent d.o.o.\nPredstavljanje filma \"Murina\" redateljice Antonete A. \nKusijanović na Sarajevo Film Festivalu\n8.000,00\n6\nHulahop d.o.o.\nPredstavljanje filma \"Vuk Europske Unije\" na manifestaciji \nAstra Film Lab 2021 u Rumunjskoj\n8.496,00\n7\nRestart\nSudjelovanje Dine Pokrajac na 78. Filmskom festivalu u \nVeneciji, kao članica žirija FIPRESCI\n2.484,00\n8\nFantastično dobra \ninstitucija - Fade In\nRegionalna premijera filma \"Tvornice radnicima\" na \nSarajevo Film Festivalu\n7.622,00\n9\nHrvatski filmski savez - \nHFS\nSudjelovanje na manifestaciji TheNextFilmFestival u \nOdenseu, Danska\n6.804,00\n10\nMetar60\nSudjelovanje projekta \"Djeca mog brata\" u programu \nNebulae, u sklopu međunarodnog festivala Doclisboa\n3.718,00\n11\nUmjetnička \norganizacija Kadromat\nSudjelovanje filma \"Motel\" u programu Nebulae, u sklopu \nmeđunarodnog festivala Doclisboa\n6.398,00\n12\nHulahop d.o.o.\nPredstavljanje projekta \"Vuk Europske Unije\" u programu \nNebulae, u sklopu međunarodnog festivala Doclisboa\n5.230,00\n13\nMarko Mrvoš\nSudjelovanje na radionici Beldocs Academy 2021 u \nBeogradu\n1.500,00\n14\nRestart\nSudjelovanje projekta \"Budi realan traži nemoguće\" u \nprogramu Nebulae, u sklopu međunarodnog festivala \nDoclisboa\n3.514,00\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2021. - \nPROGRAMI MEĐUNARODNE SURADNJE - ROK 13.9.2021., 24. sjednica Hrvatskog audiovizualnog vijeća, 25. \nlistopada 2021.                       \n\n\f\n15\nMINYA FILM I \nANIMACIJA j.d.o.o.\nSudjelovanje na manifestaciji Cinekid for Professionals \n2021 u Amsterdamu\n1.542,00\n16\nLEWA productions \nj.d.o.o.\nSudjelovanje projekta \"Ljudi u mojoj kući\" u programu \nNebulae, u sklopu međunarodnog festivala Doclisboa\n2.936,00\n17\nPropeler Film d.o.o.\nSudjelovanje Lane Matić na radionici ACE Producers u \nNorveškoj, Nizozemskoj i Poljskoj \n23.970,00\n18\nRestart\nPredstavljanje projekta \"Cordon\" u programu Nebulae, u \nsklopu međunarodnog festivala Doclisboa\n4.140,00\n19\nVelimir Grgić\nPredstavljanje i projekcija filma \"Riječki orao\" na \nmanifestaciji \"Lavorerai per abbellire la mia casa\" u Italiji\n2.000,00\n20\nIvana Škrabalo\nSudjelovanje redateljice Ivane Škrabalo na Linz \nInternational Short Film Festivalu u Austriji\n1.600,00\n21\nCentar za kulturne \ndjelatnosti\nSudjelovanje dokumentarnog filma \"Biti u rodu s Johnom \nMalkovichem\" u programu Nebulae, u sklopu \nmeđunarodnog festivala Doclisboa\n3.645,00\n22\nNatko Stipaničev\nSudjelovanje filma \"Arka\" na Linz International Short Film \nFestivalu\n3.466,00\n23\nUdruga Bacači sjenki\nSudjelovanje Bacača Sjenki na radionici \"Le Cinéma, cent \nans de jeunesse\" u Parizu\n3.094,00\n24\nWolfgang i Dolly d.o.o.\nSudjelovanje Renate Lučić i Tamare Babun u programu \nNebulae, u sklopu međunarodnog festivala Doclisboa\n4.123,00\n25\nHrvatski državni arhiv\nSvjetska premijera i promocija digitalno restauriranog filma \n\"H-8…\" u programu \"Venice Classics\" Filmskog festivala u \nVeneciji 2021. godine\n12.000,00\n26\nNukleus Film d.o.o.\nSudjelovanje producenta Siniše Juričića na San Sebastián \nInternational Film Festivalu (SSIFF)\n5.230,00\n27\nNukleus Film d.o.o.\nSudjelovanje producenta Siniše Juričića na filmskom sajmu \nMercato Internazionale dell'Audiovisivo (MIA)\n1.500,00\n28\nFactum\nPredstavljanje filma \"Underground Top Lista\" u programu \nNebulae, u sklopu međunarodnog festivala Doclisboa\n4.020,00\n29\nJaka produkcija d.o.o.\nSudjelovanje projekta \"Kako su lutke spasile televiziju\" na \nforumu Kids Kino Industry u Varšavi\n2.393,00\n30\nReci RCLE d.o.o.\nPredstavljanje projekata animacijskog studija Reci RCLE na \nforumu audiovizualnih sadržaja MIPCOM 2021 u Cannesu\n10.816,00\n187.591,00\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati AV JP MED 2021_4_rok","year":2021,"rok":null,"natjecaj_date":"2021-09-13","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA"],"rows":[{"row_number":1,"project_title":"Sudjelovanje filma \"Zbornica\" u programu Crystal Globe Competition, u sklopu Karlovy Vary International Film Festivala","applicant":"Kinorama d.o.o.","production_company":"Kinorama d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"35.400,00","approved_amount":35400.0,"currency":"HRK","extras":{"col_1":"1","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kinorama d.o.o.","row_id":"81f96398:s0:f822f833da86","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_31984e932168","project_family_title":"Sudjelovanje filma \"Zbornica\" u programu Crystal Globe Competition, u sklopu Karlovy Vary International Film Festivala"},{"row_number":2,"project_title":"Sudjelovanje studenata Akademije dramske umjetnosti na festivalu 20. 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Sarajevo Film Festivala","applicant":"Restart","production_company":"Restart","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.286,00","approved_amount":5286.0,"currency":"HRK","extras":{"col_1":"4","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Restart","row_id":"81f96398:s0:aef930359a3a","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_fd61eb3754f6","project_family_title":"Svjetska premijera i predstavljanje kratkog dokumentarnog filma \"Bosanski Brodvej\" redateljice Jasmine Beširević u natjecateljskom programu 27. Sarajevo Film Festivala"},{"row_number":5,"project_title":"Predstavljanje filma \"Murina\" redateljice Antonete A. 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DISTRIBUCIJA dugometražnog igranog filma „BUMBAROVO LJETO“ – 22.000,00 eura \n \nDjeci s otočića Trs ljeto je beskrajno monotono dok ne stigne Karlo, gradski “šminker” bujne mašte. \nNjegov teleskop zabilježi tajanstveni bljesak na noćnom nebu, pa povede ekipu – na čelu s \nljubomornim Bumbarom – u noćnu potragu. Kod napuštenog svjetionika otkrivaju Chikua, \npreplašenog dječaka iz Afrike, i shvate da “meteorit” nije kamen s neba već krijumčarska nesreća na \nmoru. Dok ih progoni Čovjek u crnom, djeca sklanjaju Chikua i planiraju razotkriti mrežu trgovaca \nljudima. \nOdluka da redovna kino distribucija započne u drugoj polovici srpnja svakako je hvalevrijedna, jer je \nljetno razdoblje na komercijalnom planu vrlo zahvalno za određene tipove filmova, uključujući dječji, \nkojem pripada „Bumbarovo ljeto“. U prvih mjesec i pol dana prikazivanja film je privukao nešto više \nod 30 tisuća gledatelja, što je svakako respektabilan rezultat, a za očekivati je da će organizirane \nškolske projekcije, navedene u prijavnoj dokumentaciji, dati 'drugi vjetar' gledanosti filma. \n \n \n2. DISTRIBUCIJA dugometražnog igranog filma „JUŽINA“ – 10.000,00 eura \n \nCrnohumorna komedija o osveti, sukobima i ljudskoj apsurdnosti, smještena unutar oronule splitske \nstambene zgrade u kojoj južina doslovno i simbolično raspiruje napetosti. \nOdluka da se krene u kina odmah nakon premijere na Pulskom filmskom festivalu bila je odvažna, jer \nhrvatski autori i producenti načelno nisu skloni distribuirati svoja djela u ljetnom razdoblju, no u \nslučaju „Južine“ pokazala se vrlo dobrom, jer je film na putu da konačna gledanost bude vrlo blizu \nprijaviteljevoj procjeni od 17.000 gledatelja. Prijavna dokumentacija vrlo je kvalitetno raspisana i \nrazrađena – pogotovo plan razvoja publike i marketinška strategija. Media plan adekvatno je \nprilagođen realnosti nevelikog marketinškog proračuna. \n \n \n3. DISTRIBUCIJA dugometražnog dokumentarnog filma „LEKCIJE MOG TATE“ – 3.000,00 eura \n \nOvaj dokumentarac nastao je nakon što je redateljica Dalija Dozet nakon smrti svoga oca pronašla \nvideo snimke koje je on opsesivno desetljećima snimao, bilježeći svijet oko sebe, no tim se video \nzapisima naknadno nikad nije vraćao. Riječ je o kćerinom filmskom i osobnom istraživanju oca i onoga \nšto je ostavio iza sebe. \nFilm je osvojio Veliki pečat u Regionalnoj konkurenciji ovogodišnjeg ZagrebDoxa, a prikazan je i na \nSarajevo Film Festivalu, u natjecateljskom programu dokumentarnog filma. S takvim festivalskim \npedigreom, film načelno ima potencijal za privlačenje publike u kinima sklonim arthouse programu, \nte se postizanje procijenjene ukupne gledanosti može ocijeniti dostižnim. \n \n \n\n\f\n4. DISTRIBUCIJA dugometražnog dokumentarnog filma „NAĆI ĆU TE“ – 3.000,00 eura \n \nU svome dugometražnom prvijencu, redateljica Justina Talov prikazuje potragu za svojim ocem kojeg \nje nakratko upoznala tek u kasnijim tinejdžerskim godina. Dok pokušava popuniti prazninu koju je \nnjen otac ostavio iza sebe, neriješeni obiteljski problemi izlaze na površinu, a ona saznaje da je \ntrudna. \nPrijavna dokumentacija adekvatno je razrađena u kontekstu trezveno procijenjenog potencijala filma. \nSve aktivnosti adekvatno su tempirane. Činjenica da je otac redateljice svojedobno bio član rock-\ngrupe Parni valjak mogla bi dodatno povećati zanimanje medija za praćenje ovog filma, što bi trebalo \npridonijeti ostvarenju zadanog cilja gledanosti. \n \n \n5. DISTRIBUCIJA dugometražnog igranog filma „NISAM TAKVA“ – 9.000,00 eura \n \nMlada djevojka useljava u nasljeđeni stan gdje zatiče ilegalnog stanara s kojim započinje ljubavnu \nvezu. Međutim, uskoro otkriva njegovu mračnu stranu, te se suočava s problemom za koji se nada da \nga može riješiti. \nNa temelju solidnog plana distribucije i marketinškog plana, ova psihološka triler-drama ima \npotencijal ostvarenja procijenjene gledanosti u okvirima gornjeg prosjeka rezultata hrvatskih igranih \nfilmova u kinima. \n \n \n6. DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „PAVILJON“ – 7.000,00 eura \n \nNakon što su godinama trpili zlostavljanje od strane zaposlenika, velik broj štićenika staračkog doma \n'Paviljon' odlučuje se doslovno na oružani ustanak. Preuzimaju kontrolu nad 'Paviljonom', upravu i \nmedicinsko osoblje uzimaju za taoce te ulaze u sukob sa snagama reda. \nCrna komedija krenut će u redovnu distribuciju u hrvatskim kinima mjesec dana nakon svjetske \npremijere na Sarajevo Film Festivalu, gdje je prikazana kao film otvaranja. Na temelju planiranih \nmarketinških aktivnosti navedenih u prijavnoj dokumentaciji može se procijeniti da film ima \npotencijal za ostvarenje dobre gledanosti. \n \n \n7. DISTRIBUCIJA dugometražnog dokumentarnog filma „SOKOL - NEZAUSTAVLJIV KAO SUDBINA“ – \n8.000,00 eura \n \n\n\f\nFilmski portret Velimira Đereka-Sokola, koji je 1991. godine iz razmjerne sigurnosti Zagreba otišao na \nnajteže ratište – u Vukovar. Galić u filmu istražuje motiv ultimativne žrtve za domovinu i postavlja \nključna pitanja: postoji li ideal za koji se isplati umrijeti i što ta žrtva znači danas? \nNa temelju vrlo zapaženog rezultata prethodnog (igranog) filma redatelja Eduarda Galića, 'Šesti \nautobus', legitimno je očekivati da bi autorovo novo ostvarenje obzirom na spoj teme i termina \npočetka prikazivanja u kinima - tempiran je uz Dan sjećanja na žrtve Domovinskog rata i i Dan \nsjećanja na žrtvu Vukovara i Škabrnje - moglo postići iznadprosječnu gledanost za standarde \nhrvatskog filma. \n \n8. DISTRIBUCIJA dugometražnog dokumentarnog filma „TREĆI SVIJET“ – 7.000,00 eura \n \nFilm o grupi Haustor, jednoj od najspecifičnijih i najutjecajnijih glazbenih pojava hrvatske i ex-Yu \nglazbene scene 80-ih godina prošlog stoljeća, u fokusu ima dvije autorske osobnosti koje su stvorile \nbend: Darka Rundeka i Srđana Sachera. \nMarketinški plan sadrži nekoliko dobrih ideja, plan medijskih aktivnosti vrlo je temeljit a plan \ndistribucije realan te se može očekivati da će ovaj film izazvati interes solidnog kruga publike te \nostvariti ciljanu gledanost. \n \n \n9. DISTRIBUCIJA dugometražnog dokumentarnog filma „VLAHO BUKOVAC - ZAGREBAČKI DANI“ – \n2.000,00 eura \nKrajem 19. stoljeća Zagreb se, unatoč rigidnoj vlasti bana Khuena Hedervaryja, razvija u kulturnu \nmetropolu. Godine 1893. dolazi slikar Vlaho Bukovac, čiji boravak i djelovanje značajno oblikuju \nzagrebačku umjetničku scenu. Osniva Društvo hrvatskih umjetnika, pokreće 'Zagrebačku šarenu školu' \ni slika djela s nacionalnom tematikom. Film 'Vlaho Bukovac: Zagrebački dani. prikazuje razvojni odnos \nBukovca i Zagreba nakon Velikog potresa. \nUz adekvatnu provedbu plana distribucije, u kojem je naglasak stavljen na prikazivanje u galerijama i \nmuzejskim prostorima, može se očekivati da će film privući ciljanu publiku  - redovne posjetitelje \ngalerijskih prostora i ljubitelje umjetnosti, te studente studente likovnih akademija, povijesti \numjetnosti i povijesti. \n \n \n10. DISTRIBUCIJA dugometražnog dokumentarnog filma „VUDE, TI SI POBIJEDIO“ – 4.000,00 eura \n \nPriča o usponu i padu Dušana Vukotića, jedinog dobitnika Oscar iz bivše Jugoslavije. Kroz sjećanja \nnjegove supruge, prijatelja i kolega prodiremo u animirani i ljudski svijet vizionara koji stvara \numjetnost u zemlji koja se polako raspadala. \n\n\f\nUz odgovarajuću provedbu planiranih marketinških i medijskih aktivnosti ostvariti film o velikanu \nZagrebačke škole animiranog filma trebao bi ostvariti rezultate gledanosti koji će opravdati njegov \nplasman u kina. \n \n \n11. DISTRIBUCIJA dugometražnog dokumentarnog filma „ZAUSTAVI ME AKO MOŽEŠ“ – 4.000,00 eura \n \nDokumentarni film o Dinu Sinovčiću, hrvatskom paraplivaču i košarkašu u kolicima, koji je rođen s \nartrogripozom, no unatoč pesimističnim prognozama stigao je do vrhunskih sportskih uspjeha, koji \nuključuje europsko zlata na 100 m leđno te medalje na Paraolimpijskim igrama u Tokiju. Film \nprikazuje izazove koje Dino i njegova okolina svladavaju u njegovu sportskom i osobnom razvoju. \nCiljani segmenti publike precizno su definirani, marketinški plan adekvatno je razrađen, plan \ndistribucije djeluje izvedivo, te se može procijeniti da bi film mogao ostvariti korektnu gledanost u \nkinima. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":2025,"rok":"3. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje dokumentarni_ispravljeno.pdf","filename_decoded":"web obrazlozenje dokumentarni_ispravljeno.pdf","sha256":"8260dbb5360f5ce526ec988f43bbd616d170fbb6ca3201418dc2fa876ca7868a","bytes":58982,"page_count":4,"extracted_at":"2026-05-17T12:01:51Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20dokumentarni_ispravljeno.pdf"},"raw_text":"1\t\r  \n\t\r  \n\t\r  \nNa\t\r  Javni\t\r  poziv\t\r  u\t\r  kategoriji\t\r  razvoja\t\r  scenarija,\t\r  razvoja\t\r  projekata\t\r  i\t\r  kategoriji\t\r  poticanja\t\r  proizvodnje\t\r  za\t\r  dokumentarni\t\r  \ndugometražni\t\r  i\t\r  kratkometražni\t\r  film\t\r  na\t\r  1.\t\r  roku\t\r  2018.\t\r  godine\t\r  prijavljeno\t\r  je\t\r  sveukupno\t\r  78\t\r  projekata.\t\r  \t\r  \nPrijave\t\r  su\t\r  stigle\t\r  od\t\r  45\t\r  produkcijskih\t\r  kuća,\t\r  62\t\r  redatelja/ica\t\r  i\t\r  84\t\r  scenarista/ica.\t\r  \nPristigli\t\r  projekti\t\r  žanrovski\t\r  \t\r  i\t\r  podžanrovski\t\r  su\t\r  raznoliki.\t\r  Najzastupljeniji\t\r  žanr\t\r  na\t\r  ovom\t\r  roku\t\r  je\t\r  biografski\t\r  dokumentarni\t\r  \nfilm.\t\r  U\t\r  tom\t\r  žanru,\t\r  nažalost,\t\r  najzastupljeniji\t\r  su,\t\r  prema\t\r  redateljskim\t\r  koncepcijama,\t\r  dokumentarni\t\r  filmovi\t\r  televizijskog,\t\r  \nzanatskog,\t\r  a\t\r  manje\t\r  kreativnog\t\r  karaktera.\t\r  Apeliram\t\r  da\t\r  se\t\r  HRT-­‐u\t\r  skrene\t\r  pozornost\t\r  kako\t\r  bi\t\r  neke\t\r  od\t\r  tih\t\r  projekata\t\r  \ntrebala\t\r  producirati\t\r  kao\t\r  npr.\t\r  filmove\t\r  o\t\r  \t\r  Zoranu\t\r  Tadiću,\t\r  Željku\t\r  Senečiću,\t\r  Borivoju\t\r  Dovnikoviću,\t\r  Janku\t\r  Bobetku..\t\r  Nakon\t\r  \nnjih\t\r  slijede\t\r  projekti\t\r  socijalne,\t\r  ratne\t\r  i\t\r  povijesne\t\r  tematike.\t\r  Također,\t\r  prijavljen\t\r  je\t\r  veliki\t\r  broj\t\r  dokumentarnih\t\r  filmova\t\r  s\t\r  \nglazbenim\t\r  i\t\r  sportskim\t\r  temama\t\r  te\t\r  svega\t\r  nekoliko\t\r  poetskih\t\r  dokumentarnih\t\r  filmova\t\r  od\t\r  kojih\t\r  \t\r  se,\t\r  kao\t\r  pravi\t\r  punokrvni\t\r  \npoetski\t\r  dokumentarni\t\r  film,\t\r  izdvaja\t\r  samo\t\r  jedan.\t\r  Dvije\t\r  stvari\t\r  bih\t\r  istaknula\t\r  kao\t\r  karakteristične\t\r  za\t\r  ovaj\t\r  rok.\t\r  Veliki\t\r  broj\t\r  \nprojekata\t\r  čija\t\r  bi\t\r  adresa\t\r  trebala\t\r  biti\t\r  televizija\t\r  te\t\r  velik\t\r  broj\t\r  iznimno\t\r  kvalitetnih,\t\r  kad\t\r  govorimo\t\r  o\t\r  rodu\t\r  dokumentarnog\t\r  \nfilma,\t\r  hibridnih\t\r  dokumentarnih\t\r  filmova\t\r  raznih\t\r  kombinacija:\t\r  dokumentarno-­‐animiranih,\t\r  dokumentarno-­‐igranih\t\r  te\t\r  \nmanji\t\r  broj\t\r  dokumentarno-­‐\t\r  eksperimentalih\t\r  filmova.\t\r  \t\r  \t\r  \nUkupni\t\r  budžet\t\r  svim\t\r  projekata\t\r  iznosi\t\r  33.947.923,11\t\r  kn,\t\r  sredstva\t\r  koja\t\r  su\t\r  zatražena\t\r  iznose\t\r  20.616.555,55kn,\t\r  a\t\r  \nraspoloživa\t\r  sredstva\t\r  za\t\r  sufinaciranje\t\r  \t\r  iznose\t\r  tek\t\r  12,01%\t\r  navedene\t\r  cifre,\t\r  tj.\t\r  točnije\t\r  2.505.000,00\t\r  kn\t\r  \t\r  \nZbog\t\r  velikog\t\r  broja\t\r  fimova\t\r  i\t\r  ograničenog\t\r  budžeta\t\r  koji\t\r  je\t\r  bio\t\r  na\t\r  raspolaganju,\t\r  na\t\r  ovom\t\r  roku,\t\r  za\t\r  sufinanciranje\t\r  \t\r  se\t\r  \nizdvojilo\t\r  12\t\r  projekata.\t\r  \t\r  Izdvojeni\t\r  su\t\r  po\t\r  kvaliteti\t\r  redateljskih\t\r  koncepcija,\t\r  zanimljivosti\t\r  teme,\t\r  temeljito\t\r  provedenom\t\r  \nistraživanju,\t\r  cjelovitim\t\r  treatmentima\t\r  ili\t\r  scenarijima,\t\r  a\t\r  u\t\r  nekim\t\r  slučajevima\t\r  i\t\r  odličnim\t\r  trailerima.\t\r  Tih\t\r  12\t\r  projekata\t\r  \ndolazi\t\r  iz\t\r  11\t\r  produkcijskih\t\r  kuća,\t\r  scenarij\t\r  potpisuje\t\r  14\t\r  osoba\t\r  (5\t\r  scenaristica,\t\r  9\t\r  scenarista),\t\r  režiju\t\r  potpisuje\t\r  11\t\r  osoba\t\r  (3\t\r  \nredateljice,\t\r  8\t\r  redatelja),\t\r  produkciju\t\r  potpisuje\t\r  12\t\r  osoba\t\r  (5\t\r  producentica,\t\r  7\t\r  producenata).\t\r  Važnim\t\r  mi\t\r  se\t\r  čini\t\r  istaknuti\t\r  \nkako\t\r  se\t\r  prijavilo\t\r  još\t\r  bar\t\r  toliko\t\r  sjajnih\t\r  projekata\t\r  koji\t\r  na\t\r  ovom\t\r  natječaju\t\r  nisu\t\r  podržani\t\r  isključivo\t\r  zbog\t\r  financijskih\t\r  \nrazloga,\t\r  nadam\t\r  se\t\r  će\t\r  i\t\r  za\t\r  njih\t\r  doći\t\r  vrijeme\t\r  na\t\r  nekom\t\r  od\t\r  budućih\t\r  natječaja.\t\r  \n\t\r  \nRAZVOJ\t\r  SCENARIJA\t\r  DUGOMETRAŽNOG\t\r  DOKUMENTARNOG\t\r  FILMA:\t\r  \n1.\t\r  SUTRA\t\r  ĆU\t\r  BITI,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Anđelo\t\r  Jurkas,\t\r  DOP\t\r  produkcija\t\r  obrt\t\r  \nPriča\t\r  o\t\r  štićenicima\t\r  odgojnog\t\r  doma\t\r  „Mali\t\r  Lošinj“,\t\r  njihovim\t\r  životima,\t\r  kaznenim\t\r  djelima,\t\r  razlozima\t\r  počinjenja,\t\r  \nobiteljskim\t\r  neprilikama\t\r  i\t\r  situacijama\t\r  zbog\t\r  kojih\t\r  su\t\r  skrenuli\t\r  ili\t\r  bili\t\r  skrenuti\t\r  s\t\r  puta\t\r  sigurnog\t\r  djetinjstva.\t\r  Predana\t\r  je\t\r  vrlo\t\r  \niscrpna\t\r  pisana\t\r  i\t\r  video\t\r  dokumentacija.\t\r  Istraživanje\t\r  je\t\r  obavljeno\t\r  kvalitetno,\t\r  ali\t\r  u\t\r  samom\t\r  treatmentu\t\r  osjeti\t\r  se\t\r  upravo\t\r  \nzasićenost\t\r  tog\t\r  iscrpnog\t\r  istraživanja.\t\r  Osim\t\r  nefokusirano\t\r  napisanog\t\r  treatmenta\t\r  plan\t\r  financiranja\t\r  također\t\r  nije\t\r  uvjerljiv,\t\r  \na\t\r  s\t\r  obzirom\t\r  na\t\r  to\t\r  da\t\r  je\t\r  tema\t\r  vrlo\t\r  važna\t\r  za\t\r  društvo\t\r  u\t\r  cjelini\t\r  i\t\r  da\t\r  su\t\r  priče\t\r  štićenika\t\r  iznimno\t\r  zanimljive\t\r  i\t\r  bolne,\t\r  odlučila\t\r  \nsam\t\r  ovaj\t\r  projekt\t\r  spustiti\t\r  sa\t\r  poticanje\t\r  proizvodnje\t\r  na\t\r  razvoj\t\r  scenarija.\t\r  \n2.\t\r  GRADOVI,\t\r  SELA,\t\r  DVORCI,\t\r  scenaristica\t\r  Irena\t\r  Lukšić,\t\r  adaptacija,\t\r  scenaristica\t\r  je\t\r  i\t\r  autorica\t\r  predloška\t\r  \n\t\r  „Gradovi,\t\r  sela,\t\r  dvorci“\t\r  nastao\t\r  je\t\r  na\t\r  temelju\t\r  istoimene\t\r  knjige\t\r  Irene\t\r  Lukšić\t\r  koja\t\r  je\t\r  2013.\t\r  dobila\t\r  Kiklopa.\t\r  Osnovna\t\r  ideja\t\r  \nsastoji\t\r  se\t\r  u\t\r  želji\t\r  da\t\r  se\t\r  predstave\t\r  gradovi,\t\r  domaći\t\r  i\t\r  strani,\t\r  kroz\t\r  njihove\t\r  odraze\t\r  u\t\r  književnim\t\r  djelima.\t\r  Svaki\t\r  grad/mjesto\t\r  \nbila\t\r  bi\t\r  zasebna\t\r  cjelina\t\r  u\t\r  koju\t\r  bi\t\r  uvodili\t\r  standardni\t\r  dokumentarni\t\r  prizori\t\r  karakteristični\t\r  za\t\r  mjesto.\t\r  Nakon\t\r  nekoliko\t\r  \nrečenica\t\r  upoznavanja\t\r  s\t\r  mjestom\t\r  slijedilo\t\r  bi\t\r  povezivanje\t\r  s\t\r  književnim\t\r  djelom\t\r  koje\t\r  ga\t\r  odražava,\t\r  najčešće\t\r  s\t\r  \nmikrolokacijom\t\r  važnom\t\r  za\t\r  radnju\t\r  romana.\t\r  Od\t\r  svih\t\r  prijavljenih\t\r  projekata\t\r  koji\t\r  se\t\r  bave\t\r  kulturom\t\r  kroz\t\r  dokumentarni\t\r  \nfilm\t\r  ovaj\t\r  je\t\r  iskočio\t\r  svojom\t\r  originalnom\t\r  idejom.\t\r  \t\r  Također,\t\r  jedini\t\r  je\t\r  iznašao\t\r  zanimljivu\t\r  vizuru\t\r  kako\t\r  književnost\t\r  pretočiti\t\r  \nu\t\r  audiovizualni\t\r  medij.\t\r  \n\n\f\n2\t\r  \n\t\r  \n\t\r  \n3.\t\r  OBALNO\t\r  ŠETALIŠTE,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Silvio\t\r  Mirošničenko,\t\r  Četiri\t\r  film\t\r  d.o.o.\t\r  \nFilm\t\r  prikazuje\t\r  neposredne\t\r  ljudske\t\r  odnose\t\r  osoba\t\r  koje\t\r  su\t\r  vezane\t\r  za\t\r  šetalište\t\r  Franza\t\r  Josefa\t\r  I,\t\r  koje\t\r  se\t\r  proteže\t\r  od\t\r  \nVoloskog\t\r  do\t\r  Lovrana.\t\r  Prikazuje\t\r  osobe\t\r  koje\t\r  stanuju\t\r  u\t\r  vilama\t\r  i\t\r  rade\t\r  u\t\r  javnim\t\r  objektima,\t\r  kao\t\r  i\t\r  neobične\t\r  radnje\t\r  \ndomaćina\t\r  i\t\r  turista\t\r  po\t\r  samom\t\r  šetalištu,\t\r  različitim\t\r  plažama\t\r  i\t\r  brodovima.\t\r  Magičan\t\r  prikaz\t\r  jednog\t\r  mjesta,\t\r  zanimljivih\t\r  \nosoba\t\r  i\t\r  karaktera\t\r  koji\t\r  se\t\r  skladno\t\r  prožimaju\t\r  bez\t\r  puno\t\r  suvišnih\t\r  riječi.\t\r  Jasno\t\r  redateljski\t\r  koncipiran\t\r  film\t\r  koji\t\r  će\t\r  zasigurno\t\r  \nnenametljivom\t\r  kamerom,\t\r  prema\t\r  principu\t\r  manje\t\r  je\t\r  više,\t\r  dobiti\t\r  jako\t\r  puno\t\r  od\t\r  svojih\t\r  protagonista\t\r  otkrivajući\t\r  \nistovremeno\t\r  i\t\r  lice\t\r  i\t\r  naličje\t\r  svog\t\r  glavnog\t\r  lika\t\r  tj.\t\r  obalnog\t\r  šetališta.\t\r  \n\t\r  \nRAZVOJ\t\r  PROJEKATA\t\r  DUGOMETRAŽNOG\t\r  DOKUMENTARNOG\t\r  FILMA:\t\r  \n1.\t\r  PLASTIČNI\t\r  DISKOVI\t\r  I\t\r  KOTAČI\t\r  OD\t\r  ČELIKA,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Franko\t\r  Dujmić\t\r  (debitant),\t\r  Wolfgang\t\r  &\t\r  Dolly,\t\r  \nproducentica\t\r  Tamara\t\r  Babun\t\r  \nFranko,\t\r  autor\t\r  filma,\t\r  \t\r  strastveni\t\r  je\t\r  sakupljač\t\r  ploča\t\r  od\t\r  svoje\t\r  17-­‐e.\t\r  U\t\r  potrazi\t\r  je\t\r  za\t\r  singlicom\t\r  “Ulica\t\r  jorgovana”,\t\r  točnije\t\r  \nnjezinom\t\r  B\t\r  stranom\t\r  na\t\r  kojoj\t\r  je\t\r  pjesma\t\r  “Zlatokosa”,\t\r  favorit\t\r  većine\t\r  naših\t\r  DJ-­‐eva\t\r  zbog\t\r  čega\t\r  je\t\r  ovu\t\r  singlicu\t\r  u\t\r  očuvanom\t\r  \nstanju\t\r  gotovo\t\r  nemoguće\t\r  naći.\t\r  Osim\t\r  vinila\t\r  Franko\t\r  je\t\r  i\t\r  u\t\r  potrazi\t\r  za\t\r  svojim\t\r  glazbenim\t\r  bićem\t\r  koje\t\r  je\t\r  davno\t\r  napustio,\t\r  a\t\r  \nizgleda\t\r  da\t\r  ga\t\r  to\t\r  napuštanje\t\r  ne\t\r  čini\t\r  baš\t\r  sretnim.\t\r  Moglo\t\r  bi\t\r  se\t\r  reći\t\r  da\t\r  je\t\r  Franko\t\r  i\t\r  u\t\r  potrazi\t\r  za\t\r  ispunjenijim\t\r  i\t\r  sretnijim\t\r  \nFrankom.\t\r  Hoće\t\r  li\t\r  pronaći\t\r  sretnijeg\t\r  ili\t\r  frustriranijeg\t\r  sebe,\t\r  ostaje\t\r  nam\t\r  vidjeti\t\r  u\t\r  filmu.\t\r  Autorskom\t\r  koncepcijom\t\r  autor\t\r  \ndokazuje\t\r  kreativan\t\r  pristup\t\r  temi.\t\r  Osim\t\r  umjetnički\t\r  promišljenog\t\r  pristupa\t\r  temi\t\r  koncepcija\t\r  odiše\t\r  potpunom\t\r  iskrenošću\t\r  i\t\r  \nšarmom.\t\r  Potvrda\t\r  zamišljene\t\r  koncepcije\t\r  maštovito\t\r  je\t\r  provedena\t\r  i\t\r  kroz\t\r  trailer\t\r  projekta.\t\r  U\t\r  svim\t\r  segmentima\t\r  \nprofesionalna,\t\r  kvalitetna\t\r  i\t\r  zanimljivo\t\r  pripremljena\t\r  dokumentacija.\t\r  \t\r  \n2.\t\r  FIUME\t\r  O\t\r  MORTE!,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Igor\t\r  Bezinović,\t\r  Restart,\t\r  producent\t\r  Tibor\t\r  Keser,\t\r  Vanja\t\r  Jambrović\t\r  \nSlavni\t\r  talijanski\t\r  pjesnik\t\r  D'Annunzio,\t\r  u\t\r  pratnji\t\r  nekoliko\t\r  tisuća\t\r  talijanskih\t\r  vojnika,\t\r  \t\r  osvojio\t\r  je\t\r  grad\t\r  Rijeku\t\r  1919.\t\r  godine\t\r  \nproglasivši\t\r  je\t\r  vlastitom\t\r  mikronacijom.\t\r  Uslijedilo\t\r  je\t\r  kratko\t\r  razdoblje\t\r  u\t\r  kojem\t\r  je\t\r  Rijeka\t\r  postala\t\r  možda\t\r  i\t\r  najvažnije\t\r  \nsvjetsko\t\r  utočište\t\r  umjetnika\t\r  i\t\r  slobodnih\t\r  mislilaca.\t\r  Mnogo\t\r  je\t\r  avantura\t\r  i\t\r  ekscentričnih\t\r  likova\t\r  vezano\t\r  uz\t\r  te\t\r  turbulentne\t\r  \nriječke\t\r  godine.\t\r  Život\t\r  u\t\r  Rijeci\t\r  tog\t\r  vremena\t\r  gotovo\t\r  je\t\r  nalikovao\t\r  trajnom\t\r  umjetničkom\t\r  performansu.\t\r  Umjetnička\t\r  \nvrijednost\t\r  ovog\t\r  projekta\t\r  proizlazi\t\r  iz\t\r  zanimljivo\t\r  promišljenog,\t\r  razigranog,\t\r  a\t\r  opet\t\r  nasmrt\t\r  ozbiljnog\t\r  pristupa\t\r  temi.\t\r  \n„Fiume\t\r  o\t\r  morte!“\t\r  \t\r  stilski\t\r  je\t\r  zamišljen\t\r  kao\t\r  eklektični\t\r  kolažni\t\r  film\t\r  koji\t\r  se\t\r  sastoji\t\r  od\t\r  različitih\t\r  filmskih\t\r  pristupa.\t\r  Iscrpna\t\r  \ndokumentacija,\t\r  kako\t\r  autorska\t\r  tako\t\r  i\t\r  producentska,\t\r  stavlja\t\r  ovaj\t\r  projekt\t\r  na\t\r  sam\t\r  vrh\t\r  odlično\t\r  prezentiranih\t\r  projekata.\t\r  \nSvojom\t\r  temom,\t\r  pristupu\t\r  istoj,\t\r  prezentacijom,\t\r  motivacijom\t\r  autora\t\r  i\t\r  produkcijskom\t\r  osmišljenošću\t\r  film\t\r  je\t\r  na\t\r  ovom\t\r  \nnatječaju\t\r  iskočio\t\r  kao\t\r  projekt\t\r  koji\t\r  se\t\r  ne\t\r  bi\t\r  smio\t\r  propustiti.\t\r  \n3.\t\r  GENI\t\r  MOJE\t\r  DJECE,\t\r  scenaristica\t\r  i\t\r  redatlejica\t\r  Vladimira\t\r  Spindler,\t\r  Ustanova\t\r  Zagreb\t\r  film,\t\r  producent\t\r  Vinko\t\r  Brešan\t\r  \n\t\r  „Geni\t\r  moje\t\r  djece“\t\r  je\t\r  film\t\r  o\t\r  generacijskom\t\r  nizu\t\r  žena\t\r  koje\t\r  jesu\t\r  i\t\r  koje\t\r  dan\t\r  danas\t\r  ponavljaju\t\r  slične\t\r  obrasce\t\r  života\t\r  svojih\t\r  \npretkinja.\t\r  Koliko\t\r  je\t\r  to\t\r  uvjetovano\t\r  genima,\t\r  a\t\r  koliko\t\r  je\t\r  to\t\r  neki\t\r  model\t\r  ponašanja\t\r  koji\t\r  gledamo,\t\r  slušamo\t\r  o\t\r  njemu\t\r  te\t\r  ga\t\r  \t\r  \nnesvjesno\t\r  ponavljamo\t\r  iz\t\r  generacije\t\r  u\t\r  generaciju.\t\r  Kreativan\t\r  pristup\t\r  nije\t\r  upitan\t\r  u\t\r  ovoj\t\r  temi.\t\r  Poznata\t\r  nam\t\r  je\t\r  iznimno\t\r  \nzanimljiva\t\r  sposobnost\t\r  autorice\t\r  da\t\r  iskreno\t\r  i\t\r  emotivno\t\r  „priča“\t\r  kamerom.\t\r  Ipak,\t\r  kako\t\r  se\t\r  treatment\t\r  projekta\t\r  bliži\t\r  kraju\t\r  \nsve\t\r  više\t\r  se\t\r  ima\t\r  osjećaj\t\r  da\t\r  autorica\t\r  gubi\t\r  dramaturšku\t\r  nit\t\r  i\t\r  ponavlja\t\r  informacije\t\r  koje\t\r  smo\t\r  već\t\r  pročitali.\t\r  Projekt\t\r  spuštam\t\r  \nna\t\r  razinu\t\r  razvoja\t\r  projekta\t\r  kako\t\r  bi\t\r  se\t\r  dodijeljenim\t\r  sredstvima\t\r  izbrusio\t\r  scenarij\t\r  te\t\r  pronašao\t\r  slovenski\t\r  koproducent.\t\r  \t\r  \n\t\r  \n\n\f\n3\t\r  \n\t\r  \nPOTICANJE\t\r  PROIZVODNJE\t\r  DUGOMETRAŽNIH\t\r  DOKUMENTARNIH\t\r  FILMOVA:\t\r  \n1.\t\r  JUČER,\t\r  DANAS,\t\r  SUTRA,\t\r  redatelj\t\r  Dario\t\r  Juričan,\t\r  scenarist\t\r  Dario\t\r  Juričan\t\r  i\t\r  Saša\t\r  Paparella,\t\r  produkcija\t\r  HRCIN,\t\r  Dario\t\r  \nJuričan\t\r  i\t\r  Saša\t\r  Paparella\t\r  \t\r  \nFilm\t\r  se\t\r  bavi\t\r  poviješću\t\r  grada\t\r  Zagreba\t\r  i\t\r  njegovim\t\r  izdvojenim\t\r  protagonistima\t\r  od\t\r  osamdesetih\t\r  godina\t\r  20.\t\r  stoljeća\t\r  do\t\r  \ndanas.\t\r  Centralna\t\r  figura\t\r  je\t\r  gradonačelnik\t\r  s\t\r  14-­‐godišnjom\t\r  vladavinom\t\r  Milan\t\r  Bandić,\t\r  njegov\t\r  uspon,\t\r  svakodnevica\t\r  \nvladanja\t\r  gradom\t\r  s\t\r  puno\t\r  kontakata,\t\r  rekonstrukcija\t\r  odnosa\t\r  sa\t\r  svim\t\r  protagonistima\t\r  te\t\r  afere.\t\r  Odlično\t\r  osmišljena\t\r  \nkoncepcija\t\r  kojom\t\r  će\t\r  autor\t\r  uspjeti\t\r  zaći\t\r  u\t\r  sve\t\r  pore\t\r  svoje\t\r  teme.\t\r  Kroz\t\r  igrane\t\r  dijelove\t\r  dobivamo\t\r  rekonstrukciju\t\r  događaja\t\r  \nkoji\t\r  se\t\r  temelje\t\r  na\t\r  stvarnim\t\r  stenogramima.Ton\t\r  filma\t\r  je\t\r  usprkos\t\r  teškoj\t\r  materiji\t\r  vedar,\t\r  introspektivan,\t\r  duhovit,\t\r  \nmjestimice\t\r  ironičan,\t\r  a\t\r  prevladavat\t\r  će\t\r  detaljni\t\r  činjenični\t\r  opisi.\t\r  Osim\t\r  neupitnog\t\r  televizijskog\t\r  potencijala,\t\r  vjerujem\t\r  da\t\r  \nbi\t\r  autor\t\r  mogao\t\r  napraviti\t\r  novi\t\r  dokumentarni\t\r  kino\t\r  hit.\t\r  \n2.\t\r  VEĆE\t\r  OD\t\r  TRAUME,\t\r  redateljica\t\r  Vedrana\t\r  Pribačić,\t\r  scenaristice\t\r  Vedrana\t\r  Pribačić\t\r  i\t\r  Mirta\t\r  Puhlovski,\t\r  Slavica\t\r  film\t\r  d.o.o.,\t\r  \nMirta\t\r  Puhlovski\t\r  (dobio\t\r  razvoj\t\r  projekta)\t\r  \nUz\t\r  financijsku\t\r  pomoć\t\r  malobrojnih\t\r  institucija,\t\r  grupa\t\r  žena\t\r  koje\t\r  su\t\r  služile\t\r  kao\t\r  seksualno\t\r  roblje\t\r  neprijateljskim\t\r  \nvojnicima,\t\r  23\t\r  godine\t\r  nakon\t\r  rata\t\r  za\t\r  neovisnost\t\r  Hrvatske\t\r  prolazi\t\r  nekonvencionalne\t\r  tretmane\t\r  koji\t\r  im\t\r  vraćaju\t\r  \nsamopouzdanje\t\r  i\t\r  radost.\t\r  Nazvale\t\r  su\t\r  se\t\r  grupa\t\r  Fenix.\t\r  Tijekom\t\r  dvogodišnjeg\t\r  programa,\t\r  film\t\r  prati\t\r  stanja\t\r  i\t\r  doživljaje\t\r  8\t\r  od\t\r  \ntisuću,\t\r  silovanih\t\r  žena\t\r  u\t\r  ratu,\t\r  koje\t\r  kroz\t\r  slojevit\t\r  proces\t\r  osnaživanja\t\r  vlasitih\t\r  resursa\t\r  iznose\t\r  priče\t\r  svojih\t\r  života.\t\r  Izrazito\t\r  \ndobro\t\r  osmišljeno\t\r  pričanje\t\r  teške,\t\r  gotovo\t\r  neuhvatljive\t\r  teme\t\r  kroz\t\r  kombinaciju\t\r  dokumentarno-­‐\t\r  animiranog\t\r  pristupa.\t\r  \nPraćenje\t\r  terapije\t\r  direct\t\r  cinema\t\r  stilom\t\r  također\t\r  garantira\t\r  iznimno\t\r  zanimljiv\t\r  materijal.\t\r  Kako\t\r  se\t\r  progovara\t\r  o\t\r  temi\t\r  o\t\r  kojoj\t\r  \nse\t\r  voli\t\r  šutjeti,\t\r  te\t\r  se\t\r  hvataju\t\r  trenuci\t\r  intimističnih\t\r  psiholoških\t\r  terapija\t\r  vjerujem\t\r  da\t\r  će\t\r  autorici\t\r  poći\t\r  za\t\r  rukom,\t\r  \nnenametljivom\t\r  kamerom\t\r  koju\t\r  je\t\r  pokazala\t\r  u\t\r  radnom\t\r  materijalu,\t\r  dobiti\t\r  odličnu\t\r  priču.\t\r  Zavidna\t\r  razina\t\r  razrađenosti\t\r  \nprojekta.\t\r  Projekt\t\r  stvarno\t\r  iscrpno\t\r  prezentiran,\t\r  temeljit\t\r  i\t\r  profesionalan\t\r  u\t\r  svakom\t\r  svom\t\r  segmentu.\t\r  Iznimno\t\r  važna\t\r  tema\t\r  \no\t\r  kojoj\t\r  se\t\r  mora\t\r  progovoriti\t\r  da\t\r  bi\t\r  se\t\r  krenulo\t\r  u\t\r  iscjeljenje\t\r  ne\t\r  samo\t\r  protagonistica\t\r  filma\t\r  već\t\r  i\t\r  cijelog\t\r  društva.\t\r  \t\r  \n3.\t\r  VELEBIT,\t\r  redatelj\t\r  i\t\r  scenarist\t\r  Neven\t\r  Hitrec,\t\r  Zagrebačka\t\r  filmska\t\r  radionica\t\r  d.o.o.,\t\r  Neven\t\r  Hitrec\t\r  (dobio\t\r  razvoj\t\r  \nprojekta)\t\r  \nNakana\t\r  je\t\r  autora\t\r  napraviti\t\r  originalno\t\r  audio-­‐vizualno\t\r  djelo\t\r  koje\t\r  će\t\r  preplitanjem\t\r  intimnog\t\r  i\t\r  monumentalnog,\t\r  poetskog\t\r  \ni\t\r  epskog,\t\r  gledatelju\t\r  pružiti\t\r  gotovo\t\r  metafizičko\t\r  osjetilno\t\r  iskustvo\t\r  planine\t\r  Velebit–biljaka,\t\r  životinja\t\r  i\t\r  ljudi\t\r  na\t\r  njoj.\t\r  Ovo\t\r  \nnije\t\r  film\t\r  samo\t\r  o\t\r  jednoj\t\r  posebnoj\t\r  planini,\t\r  nego\t\r  istovremeno\t\r  i\t\r  film\t\r  o\t\r  svim\t\r  iznimnim\t\r  prostorima\t\r  koji\t\r  nas\t\r  mijenjaju\t\r  dok\t\r  \nbivamo\t\r  u\t\r  njima,\t\r  o\t\r  prostorima\t\r  iskonske,\t\r  mitske\t\r  energije.\t\r  \nIznimno\t\r  \t\r  kvalitetno\t\r  pripremljen\t\r  projekt.\t\r  Trailer\t\r  potpuno\t\r  dočarava\t\r  film\t\r  kojeg\t\r  autor\t\r  opisuje\t\r  u\t\r  sinopsisu\t\r  i\t\r  redateljskom\t\r  \nkonceptu.\t\r  Također\t\r  se\t\r  zaključuje\t\r  da\t\r  autor\t\r  jako\t\r  dobro\t\r  poznaje\t\r  planinu\t\r  koju\t\r  snima\t\r  te\t\r  sve\t\r  njezine\t\r  ljepote,\t\r  ali\t\r  i\t\r  jeze.\t\r  I\t\r  \nsam\t\r  autor\t\r  priznaje\t\r  da\t\r  autorskoj\t\r  ekipi\t\r  filma\t\r  Velebit\t\r  nije\t\r  samo\t\r  još\t\r  jedna\t\r  planina\t\r  već\t\r  životna\t\r  opsesija.\t\r  Jedini\t\r  punokrvni\t\r  \npoetično\t\r  dokumentarni\t\r  film\t\r  na\t\r  ovom\t\r  roku.\t\r  \t\r  Žanr\t\r  na\t\r  kojem\t\r  se\t\r  uvijek\t\r  hoda\t\r  na\t\r  tankoj\t\r  oštrici\t\r  noža,\t\r  ali\t\r  s\t\r  trailerom\t\r  autor\t\r  \nnam\t\r  dokazuje\t\r  da\t\r  je\t\r  itekako\t\r  sposoban\t\r  na\t\r  toj\t\r  oštrici\t\r  noža\t\r  ne\t\r  samo\t\r  hodati\t\r  nego\t\r  i\t\r  plesati.\t\r  \n4.\t\r  ELIKSIR,\t\r  redateljica\t\r  i\t\r  scenaristica\t\r  Vlatka\t\r  Vorkapić,\t\r  Fade\t\r  in\t\r  d.o.o.,\t\r  Morana\t\r  Komljenović\t\r  (dobio\t\r  razvoj\t\r  projekta)\t\r  \n\t\r  „Eliksir“,\t\r  dokumentarna\t\r  bajka\t\r  s\t\r  elementima\t\r  filma\t\r  strave\t\r  i\t\r  užasa,\t\r  film\t\r  je\t\r  o\t\r  današnjoj\t\r  \"narcističkoj\t\r  kulturi\"\t\r  \ntematiziranoj\t\r  kroz\t\r  prizmu\t\r  vječne\t\r  ljudske\t\r  želje\t\r  i\t\r  potrage\t\r  za\t\r  mladošću\t\r  i\t\r  ljepotom.\t\r  Film\t\r  ima\t\r  podnaslov\t\r  dokumentarna\t\r  \nbajka\t\r  iz\t\r  dva\t\r  dramaturška\t\r  razloga.\t\r  Prvi\t\r  je\t\r  razlog\t\r  sama\t\r  tema.\t\r  Naime,\t\r  potraga\t\r  za\t\r  čudesnom\t\r  metodom\t\r  ili\t\r  sredstvom\t\r  koje\t\r  \nće\t\r  nas\t\r  uljepšati\t\r  i\t\r  spasiti\t\r  od\t\r  starenja\t\r  uistinu\t\r  unosi\t\r  bajkovite\t\r  elemente\t\r  u\t\r  ovu\t\r  naraciju.\t\r  Drugi\t\r  je\t\r  razlog\t\r  dramaturška\t\r  \nstruktura\t\r  filma\t\r  koja\t\r  polazi\t\r  od\t\r  teorije\t\r  bajke\t\r  Vladimira\t\r  Proppa.\t\r  Sve\t\r  strukturalne\t\r  elemente\t\r  koje\t\r  postoje\t\r  u\t\r  bajci\t\r  \nprimjenjujemo\t\r  i\t\r  u\t\r  ovom\t\r  filmu\t\r  pri\t\r  čemu\t\r  se\t\r  potraga,\t\r  putovanje,\t\r  tajanstvena\t\r  šuma,\t\r  ognjena\t\r  rijeka\t\r  i\t\r  zmajevi,\t\r  čarobna\t\r  \n\n\f\n4\t\r  \n\t\r  \ncarstva\t\r  i\t\r  čarobna\t\r  sredstva,\t\r  šumski\t\r  učitelji,\t\r  pomoćnici,\t\r  vještice\t\r  i\t\r  kolibe\t\r  zamjenjuju\t\r  s\t\r  dijetama,\t\r  vježbanjem\t\r  u\t\r  \nteretanama,\t\r  kozmetičkim\t\r  salonima\t\r  i\t\r  ordinacijama\t\r  estetske\t\r  kirurgije,\t\r  prodavačicama\t\r  u\t\r  parfumerijama,\t\r  osobnim\t\r  \ntrenerima\t\r  i\t\r  kozmetičarkama,\t\r  reklamnim\t\r  stručnjacima\t\r  i\t\r  proizvođačima\t\r  krema,\t\r  wellnessima\t\r  i\t\r  seansama.\t\r  Ali,\t\r  u\t\r  osnovi\t\r  \nje\t\r  to\t\r  ista\t\r  struktura\t\r  potrage\t\r  u\t\r  kojoj\t\r  junak\t\r  uz\t\r  pomoć\t\r  pomagača\t\r  pokušava\t\r  postići\t\r  svoj\t\r  cilj.\t\r  Koncept\t\r  se\t\r  temelji\t\r  na\t\r  \neksperimentiranju\t\r  i\t\r  poigravanju\t\r  s\t\r  režijskim\t\r  postupcima.\t\r  Kroz\t\r  ovakav\t\r  koncept\t\r  te\t\r  iznimno\t\r  zanimljivo\t\r  napravljen\t\r  trailer\t\r  \nautorica\t\r  nas\t\r  uvjerava\t\r  u\t\r  kreativnu\t\r  promišljenost\t\r  projekta.\t\r  Odlično\t\r  prezentiran\t\r  i\t\r  pripremljen\t\r  projekt.\t\r  \t\r  \n\t\r  \nPOTICANJE\t\r  PROIZVODNJE\t\r  KRATKOMETRAŽNIH\t\r  DOKUMENTARNIH\t\r  FILMOVA:\t\r  \n1.\t\r  JEDNA\t\r  OD\t\r  NAS,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Đuro\t\r  Gavran,\t\r  Pipser\t\r  d.o.o.,\t\r  Đuro\t\r  Gavran\t\r  \nPetnaest\t\r  godina\t\r  nakon\t\r  mature\t\r  razredni\t\r  kolege\t\r  okupljaju\t\r  se\t\r  kako\t\r  bi\t\r  proslavili\t\r  obljetnicu.\t\r  Film\t\r  prati\t\r  atmosferu\t\r  tijekom\t\r  \nvečere.\t\r  Prisjećaju\t\r  se\t\r  školskih\t\r  zgoda\t\r  i\t\r  nezgoda,\t\r  ali\t\r  i\t\r  kolega\t\r  koji\t\r  nisu\t\r  došli\t\r  na\t\r  obljetnicu.\t\r  Netko\t\r  nije\t\r  došao\t\r  iz\t\r  privatnih,\t\r  \ndrugi\t\r  iz\t\r  poslovnih\t\r  razloga.\t\r  Jedna\t\r  kolegica\t\r  poslala\t\r  je\t\r  šokantnu\t\r  životnu\t\r  ispovijest.\t\r  Otac\t\r  ju\t\r  je\t\r  silovao\t\r  cijeli\t\r  život,\t\r  sve\t\r  dok\t\r  \nse\t\r  fizički\t\r  nije\t\r  maknula\t\r  iz\t\r  obitelji.\t\r  Film\t\r  prati\t\r  skupinu\t\r  ljudi\t\r  koji\t\r  pokušavaju\t\r  pronaći\t\r  put\t\r  da\t\r  o\t\r  spoznaji\t\r  koja\t\r  ih\t\r  je\t\r  šokirala\t\r  \nprogovore.\t\r  Također,\t\r  film\t\r  prati\t\r  suđenje\t\r  zlostavljaču\t\r  jer\t\r  je\t\r  žrtva\t\r  tj.\t\r  kćer\t\r  podignula\t\r  optužnicu\t\r  protiv\t\r  oca.\t\r  Strašna\t\r  tema\t\r  \nkojoj\t\r  je\t\r  samo\t\r  naizgled\t\r  pristupljeno\t\r  ovlaš,\t\r  reklo\t\r  bi\t\r  se\t\r  prejednostavno,\t\r  no\t\r  već\t\r  nakon\t\r  \t\r  prvih\t\r  rečenica\t\r  ili\t\r  nekoliko\t\r  prvih\t\r  \nkadrova\t\r  trailera,\t\r  jasno\t\r  je\t\r  da\t\r  baš\t\r  uz\t\r  ovakav\t\r  originalan\t\r  pristup\t\r  autor\t\r  raskrinkava\t\r  stravičnost\t\r  osobne\t\r  priče,\t\r  ali\t\r  i\t\r  društva\t\r  \nu\t\r  kojem\t\r  živimo.\t\r  \t\r  Projekt\t\r  je\t\r  iznimno\t\r  dobro\t\r  pripremljen,\t\r  jasno\t\r  prezentiran\t\r  kroz\t\r  pisane\t\r  i\t\r  video\t\r  materijale.\t\r  Iznimno\t\r  \nvažna\t\r  tema\t\r  o\t\r  kojoj\t\r  treba\t\r  progovoriti,\t\r  a\t\r  ako\t\r  se\t\r  o\t\r  njoj\t\r  progovara\t\r  na\t\r  način\t\r  kako\t\r  je\t\r  to\t\r  zamislio\t\r  autor,\t\r  ovo\t\r  postaje\t\r  projekt\t\r  \nkoji\t\r  se\t\r  ne\t\r  propušta!\t\r  \n2.\t\r  MANJA,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Ante\t\r  Zlatko\t\r  Stolica,\t\r  Restart,\t\r  Tibor\t\r  Keser,\t\r  Vanja\t\r  Jambrović\t\r  \nAutor\t\r  se\t\r  prisjeća\t\r  Manje,\t\r  žene\t\r  s\t\r  kojom\t\r  su\t\r  u\t\r  njegovom\t\r  mjestu\t\r  odrasli\t\r  plašili\t\r  djecu.\t\r  Kroz\t\r  oči\t\r  djeteta,\t\r  Manja\t\r  je\t\r  bila\t\r  \nstravičan\t\r  lik\t\r  iz\t\r  bajke,\t\r  \t\r  kroz\t\r  saznanja\t\r  sada\t\r  odrasle\t\r  osobe,\t\r  autor\t\r  saznaje\t\r  da\t\r  je\t\r  Manja\t\r  stvaran\t\r  lik,\t\r  gluhonijema\t\r  žena\t\r  iz\t\r  \nsusjedstva\t\r  koju\t\r  je\t\r  sredina\t\r  radi\t\r  hendikepa\t\r  odbacila.\t\r  Poetski\t\r  horor-­‐dokumentarac\t\r  o\t\r  diskriminaciji\t\r  ispričan\t\r  iz\t\r  \nperspektive\t\r  progonitelja\t\r  koji\t\r  je\t\r  ujedno\t\r  i\t\r  autor\t\r  filma.\t\r  Film\t\r  počinje\t\r  kao\t\r  film\t\r  strave\t\r  u\t\r  kojem\t\r  se\t\r  autor\t\r  obračunava\t\r  s\t\r  \nvlastitim\t\r  demonima\t\r  iz\t\r  djetinjstva,\t\r  da\t\r  bi\t\r  se\t\r  u\t\r  drugom\t\r  dijelu\t\r  prebacio\t\r  u\t\r  socijalnu\t\r  priču\t\r  o\t\r  diskriminaciji,\t\r  netoleranciji.\t\r  \nTaj\t\r  obrat\t\r  praćen\t\r  je\t\r  još\t\r  jednim\t\r  obratom\t\r  –\t\r  u\t\r  prvom\t\r  dijelu\t\r  autor\t\r  je\t\r  žrtva,\t\r  a\t\r  njegov\t\r  demon\t\r  agresor,\t\r  dok\t\r  u\t\r  drugom\t\r  dijelu\t\r  \nspoznajemo\t\r  da\t\r  je\t\r  situacija\t\r  upravo\t\r  suprotna.\t\r  Izrazito\t\r  zanimljiv\t\r  koncept\t\r  ovom\t\r  filmu\t\r  daje\t\r  priliku\t\r  da\t\r  se\t\r  nakiti\t\r  žanrovskim\t\r  \ni\t\r  podžanrovskim\t\r  karakteristikama.\t\r  Kroz\t\r  trailer\t\r  je\t\r  razvidno\t\r  da\t\r  drugi\t\r  dio\t\r  filma\t\r  neće\t\r  zaostajati\t\r  u\t\r  atmosferi\t\r  jeze\t\r  od\t\r  prvog\t\r  \ndijela\t\r  koji\t\r  se\t\r  gradi\t\r  upravo\t\r  oko\t\r  tog\t\r  osjećaja.\t\r  Iznimno\t\r  pregledno,\t\r  profesionalno\t\r  prezentiran\t\r  projekt,\t\r  s\t\r  jasnim\t\r  \nkonceptom\t\r  u\t\r  svim\t\r  svojim\t\r  segmentima.\t\r  Osim\t\r  zavidno\t\r  dobro\t\r  pisane\t\r  građe\t\r  projekt\t\r  ima\t\r  jedan\t\r  od\t\r  zanimljivijih\t\r  trailera,\t\r  \ngleda\t\r  se\t\r  napeto,\t\r  a\t\r  osim\t\r  straha\t\r  pobuđuje\t\r  i\t\r  emociju\t\r  empatije.\t\r  Svojom\t\r  originalnošću\t\r  i\t\r  kreativnošću\t\r  ovaj\t\r  projekt\t\r  otvara\t\r  \nmnoga\t\r  pitanja\t\r  o\t\r  netoleranciji\t\r  društva\t\r  prema\t\r  ljudima\t\r  s\t\r  henidikepom.\t\r  \t\r  \n\t\r  \nKatarina\t\r  Zrinka\t\r  Matijević,\t\r  umjetnička\t\r  savjetnica\t\r  za\t\r  dokumentarni\t\r  film\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje- komplementarne 2025_1. rok.pdf","filename_decoded":"web obrazlozenje- komplementarne 2025_1. rok.pdf","sha256":"8283b39fc4c3e21de528e1a7ac0c9054d97ceab945eecaa6cd5dab143f6af258","bytes":117279,"page_count":8,"extracted_at":"2026-05-17T12:01:32Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje-%20komplementarne%202025_1.%20rok.pdf"},"raw_text":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2025. \nGODINI – 1. rok_ Obrazloženje umjetničkih savjetnica za komplementarne djelatnosti \n \nU prvom roku Javnog poziva za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2025. godini \nzaprimljeno je 365 prijava u kategorijama:  \n- \ndjelatnosti razvijanja audiovizualne kulture, \n- \nfilmski festivali i druge audiovizualne manifestacije, \n- \nizdavaštvo u području audiovizualnih djelatnosti, \n- \nprogrami audiovizualnih udruga i organizacija, \n- \nprogrami promocije i prodaje hrvatskih audiovizualnih djela, \n- \nprogrami stručnog usavršavanja i/ili edukacije, \n- \nproučavanje i kritičko vrednovanje audiovizualnih djelatnosti, \n- \nzaštita audiovizualne baštine uključujući kinotečnu djelatnost.  \nPrijave na Javni poziv za komplementarne djelatnosti za 2025. godinu podnose se u dva roka \ngodišnje. Prvi rok, do 9. rujna 2024., odnosio se na projekte u svim kategorijama koji se održavaju u \n2025. godini, a drugi rok, raspisan do 14. siječnja 2025., odnosi se isključivo na one projekte iz \nkategorije programa filmskih festivala i drugih audiovizualnih manifestacija koji se održavaju u \ndrugoj polovici 2025. godine, a nisu se prijavili na prvi rok javnog poziva. \n \nUmjetničke savjetnice za komplementarne djelatnosti, Martina Globočnik, Katarina Ivče Farnell i Sanja \nŠamanović, za financijsku podršku na prvom roku predložile su 312 programa u ukupnom iznosu od \n 1.957.150,00 € što je Hrvatsko audiovizualno vijeće na 6. sjednici održanoj 30.12.2024. usvojilo. \n \nNa 1. roku pristiglo je 365 prijava što je povećanje u odnosu na lani kad su bile podnesene 342 prijave. \nPovećan broj prijava u odnosu na ovaj prvi  rok 2025.   govori o  određenom povećanju broja programa i i \nprijavitelja koji su se 2024. odazvali  na drugi rok javnog poziva. Kako su ove godine za komplementarne \ndjelatnosti sredstva za sufinanciranje za 2025. godinu viša od lanjskih  predlažemo povećanje iznosa za \nsufinanciranje izabranih projekata.   \n \nU postupku procjenjivanja vodile smo se otprije utvrđenim kriterijima, navedenima u točki VIII. Javnog \npoziva za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2025. godini:   \n- \nkvaliteta, izvedivost i održivost programa (od sadržajne do produkcijske razine),  \n\n\f\n- \nprogrami koji imaju konkretne, realne i strateške planove u umjetničkom, organizacijskom i \nfinancijskom smislu,  \n- \nznačaj programa za relevantan kontekst (ovisno o programu, od lokalne zajednice, preko \nnacionalnog značaja do međunarodne prepoznatljivosti i važnosti za audiovizualni sektor),  \n- \nkontinuitet programa odnosno njegova dugoročna usmjerenost, dostupnost projekta, vidljivost i \nkomunikacija sa profesionalcima i javnosti,  \n- \nkvaliteta prijave, kvaliteta i iskustvo projektnog tima u pojedinoj programskoj komplementarnoj \ndjelatnosti za koju se prijavljuje (stabilni i dostatni izvori prihoda za kontinuirano obavljanje \naktivnosti tijekom razdoblja ostvarivanja projekta, stručne kompetencije i kvalifikacije potrebne \nza provođenje predložene aktivnosti),  \n- \nprethodna izdanja programa (ako nije prvo izdanje),  \n- \nispunjavanje prethodnih ugovornih obveza s Centrom,  \n- \nodjek programa i komunikacija s javnosti (prije, za vrijeme i nakon održavanja programa),  \n- \nte povezivanje i suradnja. \n \n \nDjelatnosti razvijanja audiovizualne kulture \n \nU kategoriji Djelatnosti razvijanja audiovizualne kulture prijavljeno je  198 programa.  Od ukupno \nrazmatranih 198 programa, za sufinanciranje predloženo je i odobreno 166 programa u iznosu od \n685.800,00 €.  \n U razmatranju i analizi pristiglih prijava možemo govoriti o programima kina koja prikazuju hrvatske i \nsvjetske naslove, o radioničarskim programima namijenjenim najčešće djeci i mladima iz područja \ndokumentarnog, animiranog i rjeđe igranog filma kao i radionice analize filmskih sadržaja iz područja \nfilmske pismenosti.   \nKod procjene prijedloga radioničarskih programa vodile smo se sljedećim pokazateljima: kvalitetom \nprograma radionica, stručnošću predavača, brojem polaznika i brojem finaliziranih radova na filmskim \nradionicama, planiranim rezultatima kao i dostupnim pokazateljima rezultata dosadašnjeg rada \nprijavitelja. Procjenjivale smo i imaju li prijavitelji koji su predložili više programa edukacije kapacitete i \nresurse za realizaciju većine prijavljenih aktivnosti. Uvažavao se i lokalitet provedbe kao i procjena \nizvedivosti osmišljenih aktivnosti u vremenskim okvirima i s obzirom na predznanja polaznika kojima su \nedukacije namijenjene. Ponekad je bila riječ o vrlo sličnim programima istog prijavitelja ili sličnim \n\n\f\n„konkurentskim“  programima različitih prijavitelja među kojima je odlučeno podržati one programe koji \nsu se činili provedljivijima ili čije su aktivnosti u raspisu  bolje elaborirane. Među programima treba \nistaknuti raznovrsnost ponude usavršavanja polaznika kroz praktičan rad udruga poput Restarta i Blanka \niz Zagreba, ali i kino klubova (od Karlovca, Siska, Splita, Zagreba), kao i ustrajnost u diverzifikaciji i \nsloženosti radionica, primjerice Filmaktiva iz Rijeke ili Filmsko-kreativnog studija Vanima u Varaždinu.  \nNezaobilazan doprinos šarolikosti ponude imaju i prijavitelji koje rade  na inkluzivnosti ranjivih skupina \n(poput osoba s invaliditetom, starijih sugrađana, tražitelja azila, Roma, djece iz depriviranih sredina).  \nDobro razrađeni i uhodani programi kvalitetnih filmskih škola  (primjerice,  udruga Restart, Blank ili \nKinokluba Zagreb)  nerijetko iz godine u godinu stvaraju nove mlade autore i zanimljive  autorske uratke \nkoji imaju svoj distribucijski i festivalski potencijal. \nOsim specijaliziranih filmskih radionica  razmatrali su se i programi edukacije u području filmske \npismenosti. Riječ je o desetak prijavitelja. Među najznačajnijim su Hrvatski filmski savez koji sustavno radi \nna filmskom opismenjavanju, kao i  udruge Djeca susreću umjetnost i Bacači sjenki. U ovome području \nvidljiv je trend povećanja broja i raznovrsnosti filmskih naslova svih rodova koje se želi ponuditi publici, \notvaranje prostora suvremenom hrvatskom filmu, kao i sve većeg interesa uključivanja obrazovnih \ninstitucija odnosno nastavnog osoblja u korištenju filmskih naslova u radu s djecom i mladima. Godišnje \nse u programe filmske pismenosti uključuju deseci tisuća učenika. Stoga možemo zaključiti kako ovaj trend \nstvara novu publiku dovodeći nerijetko hrvatske i europske naslove mladim gledateljima. Kroz suradnju \nkinoprikazivača i platformi (portala) s obrazovnim ustanovama filmovi postaju nastavno sredstvo u \nosnovnim i srednjim školama po cijeloj Hrvatskoj.  \nKinoprikazivačka djelatnost je treće područje kategorije Djelatnosti razvijanja audiovizualne kulture.  \nKinoprikazivačka djelatnost koju na ovom javnom pozivu predstavlja četrdesetak prijavitelja s po jednim \nili s više projekata govori o prisutnosti kino programa u velikim i manjim sredinama diljem zemlje. Riječ je \no mikro kinima koja domaćim i europskim naslovima doprinose lokalnoj kulturnoj ponudi, kao i o velikim \nkinima s raznovrsnim programima (poput kinoprikazivačkih programa Festivala mediteranskog filma, \nzagrebačke Kinoteke, splitskih Zlatnih vrata, riječkog Art-kina i drugih koji imaju na godišnjim razinama \nrespektabilan  broj posjetitelja).  \nNaravno, prijavljeni kino-programi na ovaj javni poziv razlikuju se po trajanju programa, izboru naslova, \nzastupljenosti hrvatskog i europskog filma, broju projekcija, odnosno trajanju nekomercijalnog programa \nu odnosu na komercijalni, broju posjetitelja kao i iskustvu ponuditelja sadržaja. Vođeni tim kriterijima, \npredložen je i odobren raspon u iznosima za njihovo sufinanciranje.  \n \n\n\f\n \n \nFilmski festivali i druge audiovizualne manifestacije   \n \nU kategoriji Filmski fes5vali i druge audiovizualne manifestacije priseglo je 36 prijava. Uzimajući u obzir \nkvalitetu programa, nacionalni, regionalni i lokalni značaj, rodovsku i programsku raznolikost, \nsufinanciranje je predloženo i odobreno u ukupnom iznosu od 631.150,00 eura za ukupno 31 predloženi \nprogram.  \nU ovoj kategoriji najviše su podržani fesevali koji imaju ključnu ulogu u promociji domaće filmske \numjetnose, a istovremeno pridonose jačanju prepoznatljivose Hrvatske na europskoj i svjetskoj kulturnoj \ni audiovizualnoj sceni. \nMeđu programima se izdvaja Animafest s natjecateljskim i popratnim programima, radionicama, \nizložbama, dislociranim projekcijama, gostovanjima, naglaskom na umrežavanju i opsežnim programima \nza djecu; Zagreb Film Feseval, koji u svom bogatog natjecateljskom i popratnom filmskom programu, \nuključuje dječji i program za nove domaće autore, a fokus stavlja na stvaranje nove i angažirane publike; \nZagrebDox koji kroz kvalitetan i invenevni program, naglasak stavlja na geografsku i kulturnu raznolikost i \nudio hrvatskih dokumentaraca u svim programima fesevala. Ovoj grupi fesevala pridodaje se i Feseval \nmediteranskog filma Split koji je svojim bogaem filmskim programom i cjelogodišnjim akevnosema \nprerastao u jednu od najposjećenijih manifestacija na Jadranu.  \nPrepoznata je i potreba za poecanjem drugih inovaevnih i društveno značajnih fesevala kao što su 25 FPS, \nSubversive Film Feseval, Feseval prava djece, Vox Feminae i Filmske mutacije, kao i fesevala u manjim \ngradovima, koji svojom kvalitetom i konenuitetom predstavljaju važan društveni segment za lokalnu \nzajednicu, obogaćujući kulturnu ponudu u manjim mjesema. U toj skupini iseču se Liburnia Film Feseval \nu Opaeji, Feseval jednominutnih filmova u Požegi, Star Film Fest u Sisku i Cinehill u Gorskom kotaru.  \nPredloženo je i odobreno sufinanciranje većeg broja manifestacija u manjim sredinama, čime će se \ndodatno obogaee kulturni život i korisnicima omogućie uvid u recentno filmsko stvaralaštvo, čime se \npoeče razvoj regionalne kreaevne scene. \nPredlagatelji često, osim organizacije fesevala, prijavljuju i pojedinačne dodatne programe koji su ujedno \ni sastavni dio fesevalskog programa. Pri dodjeli sredstava također smo uzeli u obzir ukupni iznos dodijeljen \npojedinim organizacijama za akevnose povezane s fesevalom. \n \n \n\n\f\n \n \nIzdavaštvo u području audiovizualnih djelatnosti   \n \nOd 29 prijava pristiglih na ovaj javni poziv predložena je i odobrena potpora za 24 programa u iznosu od \n78.350,00 eura pri čemu možemo razlikovati tiskana i elektronska izdanja. Među tiskanim izdanjima \nizdvajamo kontinuitet Hrvatskog filmskog saveza u formi ljetopisa i dva nova naslova (Toni Juričić: \nKarneval, eksces i zazor: Groteska u hrvatskoj i (post)jugoslavenskoj kinematografiji; Vanja Kulaš: Novi \nsocijalni realizam. Primjeri suvremenog francuskog i belgijskog filma) i udruge Bijeli val (Biblioteka \nSinestetika: Chantal Akerman - Moja majka se smije). Riječ je o djelima za koje vjerujemo da će obogatiti \nstručno promišljanje filmske teorije. S druge strane, elektronička izdanja možemo podijeliti na uže \nspecijalizirana, pa kad je riječ o dokumentarnom filmu govorimo o Dokumentarni.net Dokumetra, Zoni \nfilma Hrvatskog društva filmskih kritičara odnosno o Filmovi.hr umjetničke organizacije Metropolis, \nodnosno o analizama, intervjuima i najavama koje izlaze u sklopu kulturnih portala (primjerice, takav je \nKinemaskop Kurziva-platforme za pitanje kulture, medija i društva). Postoji tendencija da se elektronička \ntekstovna izdanja kombiniraju s podkastima (primjerice, Dokumetar je pokrenuo podkast Dokunet Video) \nšto otvara novi, za aktualni trenutak razumljiv, aspekt promišljanja pristupa publici. \nProcjene iznosa predloženih i odobrenih potpora ovise o kontinuitetu izlaženja tekstova (periodično, kroz \ncijelu godinu, na dnevnoj bazi), njihovom broju (u rasponu od 12 do 50-ak, do onih pisanih dnevno), kao i \no složenosti pristupa temi.  \n \nProgrami audiovizualnih udruga i organizacija \n \nU kategoriji Programa audiovizualnih udruga i organizacija prijavljena su 33 programa dok ih je za \nfinanciranje predloženo i odobreno 30 u ukupnom iznosu 271.500,00 eura.   \nNajviši dio potpora dodijelio se strukovnim udrugama, primarno Hrvatskom društvu filmskih djelatnika te \nzatim Hrvatskoj udruzi producenata, Društvu hrvatskih filmskih autora i producenata, Hrvatskoj udruzi \nfilmskih snimatelja, Hrvatskom društvu filmskih kritičara, Savezu scenarista i pisaca izvedbenih djela i \nHrvatskom društvu nezavisnih producenata.  \nHrvatska mreža neovisnih kinoprikazivača je ponovno predložena za sufinanciranje značajnim iznosom \nkako bi nastavila podržavati rad 75 kina iz 64 mjesta, pogotovo kroz inovativne programske cjeline kao što \nsu Škola za kino i  Kino doktor. \n\n\f\nPodrška kinoklubovima i udrugama koje se bave neprofesijskim filmskim radionicama i obrazovnim \naktivnostima i dalje se nastavlja. Osim već etabliranih programa većih udruga kao što su Hrvatski filmski \nsavez, Udruga Blank, Kino klub Split, Kinoklub Zagreb, Autorski studio – fotografija, film, video, podržavaju \nse i manje lokalne udruge koje igraju ključnu ulogu u razvoju audiovizualne kulture u svojim zajednicama. \nDio udruga je vrlo uspješno osiguralo i druge izvore institucionalnog financiranja, primarno zbog potpore \nlokalne zajednice u kojoj djeluju, te je iz tog razloga fokus bio usmjeren na jačanje potpore udrugama u \ngradovima i županijama koje nemaju taj vid potpore.  \n \nProgrami promocije i prodaje hrvatskih audiovizualnih djela \n \nU kategoriji Programi promocije i prodaje hrvatskih audiovizualnih djela razmatralo se 8 projekata, a za \nsufinanciranje predloženo je i odobreno njih 5 u iznosu od 21.800,00 eura.   \nStreaming plakorme postale su ključan alat za distribuciju filmova, značajno doprinoseći promociji \nhrvatskog filma i autora, kako na domaćem, tako i na međunarodnom tržištu. U ovoj kategoriji posebno \nse iseču dvije plakorme koje u potpunose prate taj cilj. Plakorma croa5an.film Zagreb Film Fesevala, koja \ns više od 300 naslova i planiranim tehničkim poboljšanjima značajno povećava dostupnost hrvatskih \nfilmova domaćoj i međunarodnoj publici, te plakorma KMOD Fesevala mediteranskog filma Split, koja je \nveć postojeći broj naslova u svom katalogu, proširila preuzimanjem Kino Europa Online kataloga te \nomogućila inkluziju gledatelja s invaliditetom. Nastavljeno je i sufinanciranje nekih već postojećih \nprograma, a dodano je i sufinanciranje jednog novog programa – web plakorme Kinoholik.hr, koja \ncentralizira sve filmske događaje izvan korporaevne kinematografije pružajući servisne informacije o \nnezavisnim i umjetničkim filmovima u Zagrebu.   \n \nProgrami stručnog usavršavanja i/ili edukacije   \n \nU kategoriji Programi stručnog usavršavanja i/ili edukacije prijavljeno je 37 programa, a za potporu je \npredloženo i odobreno njih 32 u iznosu od 171.950,00 eura. Najveća potpora i ove godine odobrena je za \nŠkolu medijske kulture Dr. Ante Peterlić koja će i u 2025. biti održana na više lokacija (u Karlovcu, Puli i \nOsijeku). Predaže se  nastavak sufinanciranja kvalitetnih edukacija od kojih se trajanjem, brojem polaznika \ni predavačima ističu Restart Laboratorij u 2025. godini, HFS-ova Scenaristička radionica Palunko 2025., te \nCinEd 2025 – program filmske edukacije za nastavnike udruge Bacači sjenki i rezidencijalni program Kino \nkluba Split Mind the Image/Pazi na sliku.  \n\n\f\nPredloženo je da Industry programi u sklopu filmskih festivala i u 2025.  budu podržani s najvišim iznosima \n(ZagrebDox Pro 2025. i Industrija 23. Zagreb Film Festivala koji su konzistentni u kvaliteti predavača i \nradionica). Za potporu se predlažu i programi industrija drugih festivala kao što su Animafest PRO 2025., \nFilmski market Split Festivala mediteranskog filma Split, 11. Europski žanrovski forum Udruge Rudolf i \nKampus Cinehill 2025. \nPredložena je i odobrena potpora za edukacije u područjima koje su prijavitelji detektirali kao deficitarna. \nDakle,   za radionice Hrvatske udruge filmskih snimatelja za zanimanje šarfer i za operatere kamere o \npokretnoj kameri te za udrugu 25 FPS za edukaciju digitalnih i analognih kinooperatera i tehničara u  \nvještinama  proizvodnje interdisciplinarnih radova.  \n \nProučavanje i kritičko vrednovanje audiovizualnih djelatnosti   \n \nU kategoriji Proučavanje i kri5čko vrednovanje audiovizualnih djelatnos5 od 15 prijavljenih programa za \nsufinanciranje je  predloženo i odobreno svih 15 u ukupnom iznosu od 42.550,00 eura. \nU ovoj kategoriji iseče se nekoliko programa. Vizualni kolegij Mulemedijalnog insetuta, koji promiče \nalternaevnu filmsku produkciju i kroz interdisciplinarne diskusije otvara nova područja vizualne kulture i \n12. međunarodni simpozij o suvremenoj animaciji Animafest Scanner XII Hulahopa d.o.o. koji nudi \nznanstveni pristup u  teorijskom proučavanju animacije. U ovoj kategoriji svojom kvalitetom i \nkonenuitetom iseče se i nekoliko Restartovih projekata koji, kroz edukaciju, masterclassove i \nspecijalizirane projekte poput Hall of Fame i Upoznaj autora i Doku-razgovori, omogućuju publici i \nprofesionalcima uvid u rad ključnih dokumentarista te izravnu interakciju s autorima. \n \n \nZaštita audiovizualne baštine uključujući kinotečnu djelatnost \n \nU ovoj kategoriji razmatrano je 9 programa te je svih 9 programa podržano. Ukupan iznos predloženih i \nodobrenih potpora iznosi 54.050,00 eura. Kao i u prošlom razdoblju i ove godine se ističu programi \nHrvatskog filmskog saveza Filmski i video arhiv HFS-a u 2025. godini i Ustanove Zagreb film Restauracija i \ndigitalizacija filmova Ustanove Zagreb film 2025. koji su podržani najvišim iznosima. HFS dodatno \nprijavljuje i program Digitalizacije i restauracije kratkih eksperimentalnih filmova iz arhiva HFS-a za izložbu \nGEFF-a u zagrebačkom MSU-u u 2025. godini. Dio prijavitelja nastavlja s programima zaštite i digitalizacije \nfilmske i ostale građe, te se posebno ističu Kinoklub Zagreb i Kino klub Split koji nastavljaju s radom \n\n\f\nočuvanja i prezentiranja svoje povijesti. Ove godine su i dvije producentske kuće, Factum  i FADE IN, \nprijavile programe digitalizacije svojih filmova koje žele učiniti dostupnima javnosti. Factum planira krenuti \ns digitalizacijom filmova koji su još na filmskim trakama te ih objaviti na online platformi, dok FADE IN želi \nsvoje filmove digitalizirati i učiniti dostupnima svima zainteresiranima za socijalno-osjetljive teme, s \nposebnim naglaskom na udruge, istraživače i odgojno-obrazovne ustanove.   \n \nZAKLJUČAK \n \nNa ovom javnom pozivu predloženo je i odobreno za sufinanciranje 312 od 365 prijavljenih programa u \niznosu od 1.957.150,00 eura od traženih, otprilike, 5.5 milijuna eura. Iako je riječ o povećaju raspoloživih \nsredstava, treba imati u vidu da su mnogi programi predloženi za sufinanciranje i dalje na rubu financijske \nodrživosti, zbijeni u (pre)kratko vremensko razdoblje i/ili opterećeni prevelikim brojem aktivnosti  te stoga  \nposljedično otežano provedivi.  \nS obzirom na broj prijavljenih programa, najizdašnija je potpora kategoriji Filmskih festivala i drugih \naudiovizualnih manifestacija (31 predloženi festival) dok je najkompleksnija kategorija Djelatnosti \nrazvijanja audiovizualne kulture (166 predloženih programa). S obzirom na povećanje sredstava u odnosu \nna 2024., naš prijedlog ide u smjeru povećanja iznosa potpora, naročito u kategoriji djelatnosti razvijanja \naudiovizualne kulture jer je riječ o dinamičnom polju povezivanja filmova s publikom, stvaranju nove \npublike, poduci, naročito djece i mladih, filmskom stvaralaštvu gdje smo posebnu pažnju posvetile \nzastupljenosti hrvatskih naslova. \nNaravno, kao  i svake godine, u svim kategorijama prepoznae su prioritetni programi za koje su predložene \nodgovarajuće potpore. Posebno su istaknue oni od iznimne ili visoke vrijednose za očuvanje i razvoj \naudiovizualnog stvaralaštva u Hrvatskoj, kao i programi nacionalne, regionalne ili lokalne važnose.   \nUz očuvanje kvalitete i raznolikose audiovizualnog stvaralaštva, konenuirani rast broja prijava potvrđuje \npotrebu za daljnjim jačanjem podrške, osobito onim programima koji osiguravaju pristup filmskoj \numjetnose i edukaciji u zajednicama koje su nedovoljno bile u fokusu. \n \nUmjetničke savjetnice za komplementarne djelatnosti: \nMartina Globočnik \nKatarina Ivče Farnell  \nSanja Šamanović \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"eksperimentalni 27032015.pdf","filename_decoded":"eksperimentalni 27032015.pdf","sha256":"82997dbbc1c2bde8e53d23e9e6f6ebc80deb9ad98772065245d9d24a4bd6aa22","bytes":114042,"page_count":1,"extracted_at":"2026-05-17T10:24:02Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/eksperimentalni%2027032015.pdf"},"raw_text":"NASLOV\nREDATELJ\nPRODUCENT\nODOBRENO\n1\nVrtovi\nTomislav Šoban\nKinoklub Zagreb\n200.000,00\n2\nSve bih \nostavio ovdje \nIvan Faktor\nHrvatski filmski savez\n70.000,00\n270.000,00\neksperimentalni film\nSVEUKUPNO\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE PROIZVODNJE AUDIOVIZUALNIH DJELA u 2015. - 1. ROK - 27.3.2015.\n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"eksperimentalni 27032015","year":2015,"rok":"1. rok","natjecaj_date":"2015-03-27","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"eksperimentalni film","section_key":"eksperimentalni_film","columns":["NASLOV","REDATELJ","PRODUCENT","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Vrtovi","applicant":"Kinoklub Zagreb","production_company":"Kinoklub Zagreb","director":"Tomislav Šoban","writer":null,"original_author":null,"category":"Eksperimentalni","approved_amount_text":"200.000,00","approved_amount":200000.0,"currency":"HRK","extras":{"col_1":"1","REDATELJ":"Tomislav Šoban","repair_v1":{"changes":[{"field":"category","from":null,"to":"Eksperimentalni","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"82997dbb_eksperimentalni_27032015_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 1 and title Vrtovi align cleanly with the REDATELJ column entry Tomislav Šoban."},"entity":"Kinoklub Zagreb","row_id":"82997dbb:s0:233aa5c54716","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_76415fd2b1c8","project_family_title":"Vrtovi"},{"row_number":2,"project_title":"Sve bih ostavio ovdje","applicant":"Hrvatski filmski savez","production_company":"Hrvatski filmski savez","director":"Ivan Faktor","writer":null,"original_author":null,"category":"Eksperimentalni","approved_amount_text":"70.000,00","approved_amount":70000.0,"currency":"HRK","extras":{"col_1":"2","REDATELJ":"Ivan Faktor","repair_v1":{"changes":[{"field":"category","from":null,"to":"Eksperimentalni","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","people_backfill_v1":{"changes":[{"field":"director","from":null,"to":"Ivan Faktor","source":"raw_chunk:director","confidence":"medium"}],"updated_at":"2026-05-18T15:25:14Z","method":"machine:people_backfill_v1"}},"entity":"Hrvatski filmski savez","row_id":"82997dbb:s0:13eece9b9db6","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_f93486504e72","project_family_title":"Sve bih ostavio ovdje"}],"section_total_text":"270.000,00","section_total":270000.0}],"totals":{"ukupno_text":null,"ukupno":270000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":270000.0,"ukupno_match":true,"row_count":2,"awarded_count":2,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":2}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_umjetn.%20savjetnik%20dugometrazni_27032015.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_umjetn.%20savjetnik%20dugometrazni_27032015.pdf","sha256":"82a9cb3cb55d6267e51eec1d2316b3825861a03267619df7b4b7367bce520a3c","bytes":367254,"page_count":2,"extracted_at":"2026-05-16T14:11:26Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 1352-2015 \nU Zagrebu, 27. ožujka 2015. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) Hrvatsko audiovizualno \nvijeće, na prijedlog ravnatelja, na 59. sjednici održanoj 27. ožujka 2015.  godine donijelo je: \n \nO  D  L  U  K  U  \no imenovanju umjetničkog savjetnika za \ndugometražni igrani film za Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. \ngodini  \n \n \n1.) Dean Šoša, Janka Rakuše 4, Zagreb (dalje u tekstu: Dean Šoša) imenuju se za umjetničkog savjetnika za \ndugometražni igrani film za Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. godini. \n \n2.) Mandat imenovanom umjetničkom savjetniku iz točke 1. ove Odluke traje do donošenja odluke \nHrvatskog audiovizualnog vijeća o raspodjeli sredstava prema javnom pozivu za koji je isti imenovan, sve \nsukladno čl. 16. Zakona o audiovizualnim djelatnostima (NN 76/07, NN 90/11). \n \n3.) Ova Odluka stupa na snagu danom donošenja. \n \n4.) Ova odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a na: www.havc.hr \n \n \nObrazloženje \n \nTemeljem čl. 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) ravnatelj Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: HAVC) predložio je Hrvatskom \naudiovizualnom vijeću, donošenje Odluke o imenovanju g. Deana Šoše za umjetničkog savjetnika za \ndugometražni igrani film za Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. godini.  \n \nSvoju odluku te kompetencije imenovanoga ravnatelj HAVC-a detaljno je obrazložio. \n \nNa 59. sjednici Hrvatskog audiovizualnog vijeća, održanoj 27. ožujka 2015. godine, je usvojen prijedlog za \nimenovanje novog umjetničkog savjetnika iz točke 1. izreke Odluke. \n  \n \nSlijedom navedenog, odlučeno je kao u izreci Odluke. \n \nTemeljem čl. 10 Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \n \n \n\n\f\n \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v.r. \n \nDostaviti: \n- \nDean Šoša, Janka Rakuše 4, Zagreb  \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"proizvodnja","year":2015,"rok":null,"referenced_projects":[],"summary":"Odluka AV Vijeća na 59. sjednici od 27. ožujka 2015. o imenovanju Deana Šoše za umjetničkog savjetnika za dugometražni igrani film za Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. godini.","project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"final_RSC TV SERIJSKA 2015.pdf","filename_decoded":"final_RSC TV SERIJSKA 2015.pdf","sha256":"82b95b135a4dd93d5753587aff75c23f7544f5c7a12fab113daad73b942423ad","bytes":115597,"page_count":2,"extracted_at":"2026-05-17T10:24:11Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/final_RSC%20TV%20SERIJSKA%202015.pdf"},"raw_text":"RAZVOJ\t\r  TV\t\r  SCENARIJA\t\r  2015.\n-­‐\t\r  SERIJSKA\t\r  TV\t\r  DJELA\n1\nR.br.\nNASLOV\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\t\r  KN\n1\nEDO MEDO\nVelimir Grgić, Edin Osmić\n35,000.00\n2\nSupić Slavko\nSiniša Bahun\n35,000.00\nUKUPNO\n70,000.00\nR.br.\nNASLOV\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\t\r  KN\n1\nCCA DOKUMENTARAC\nDavorin Šišmanović\nKaja Šišmanović\n35,000.00\n2\nHrvatska - Njenih prvih \ndvadesetak\nSilvija Bushill\nFade In d.o.o. / Morana \nKomljenović\nHrvoje Mabić\n35,000.00\n3\nIstarske štorije\nInes Pletikos, Andrej \nKorovljev, Sanda Letonja-\nMarjanović, Ivana-Nataša \nTurković, Marko \nZdravković-Kunac, \nKatarina Radetić\nPulska filmska tvornica / \nMarko Zdravković-Kunac\nInes Pletikos, Andrej \nKorovljev, Sanda Letonja-\nMarjanović, Ivana-Nataša \nTurković, Marko \nZdravković-Kunac, \nKatarina Radetić\n35,000.00\n4\nJugoton- tvornica pop \nkulture\nSilvio Mirošničenko\nVedis d.o.o. / Veljko Krulčić\nSilvio Mirošničenko\n35,000.00\n5\nSmeće i ja\nVlatka Vorkapić\nVlatka Vorkapić\n35,000.00\n6\nSuperžene\nDamir Terešak\nMaxima film d.o.o. / Damir \nTerešak \nDamir Terešak\n35,000.00\n7\nTrudna sam\nVišnja Skorin\n3D2D Animatori d.o.o. / \nLado Skorin\nVišnja Skorin\n35,000.00\n8\nU potrazi za prostorom\nKonan Ognjen Sedić\n35,000.00\n9\nUtopija strasti\nVelimir Grgić\nDario Lonjak\n35,000.00\nUKUPNO\n315,000.00\nPRODUCENT\nPRODUCENT\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: RAZVOJ SCENARIJA \npojedinačnih i serijskih televizijskih djela - podkategorija: SERIJSKA TELEVIZIJSKA DJELA u 2015. - ROK \nPRIJAVE - 22.1.2016.\n71. sjednica Hrvatskog audiovizualnog vijeća 30. kolovoza 2016.\nanimirano televizijsko djelo\ndokumentarno televizijsko djelo\n\n\f\nRAZVOJ\t\r  TV\t\r  SCENARIJA\t\r  2015.\n-­‐\t\r  SERIJSKA\t\r  TV\t\r  DJELA\n2\nR.br.\nNASLOV\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\t\r  KN\n1\nBeskrajni rat - \nfantastične ratne priče\nKrešimir Mišak\n35,000.00\n2\nDiploma za smrt 2\nŽivorad Tomić, dr. sc. \nZoran Bručić\nZoran Bručić: 25 godina \nposlije, diploma za smrt\n35,000.00\n3\nJasenovac\nBranko Šömen\n35,000.00\n4\nLovac na vještice\nWiktor Piatkowski, Maja \nPek\nAntitalent d.o.o. / Danijel \nPek\n35,000.00\n5\nPriče iz davnine\nDora Delbianco\nIvana Brlić Mažuranić: \nPriče iz davnineBiografija \nIvane Brlić Mažuranić\n35,000.00\n6\nPriče iz davnine\nFilip Filković, Zdenko Bašić Antitalent d.o.o. / Danijel \nPek\nZdenko Bašić\nIvana Brlić Mažuranić\n35,000.00\n7\nTrag čovjeka\nDario Vince\nRing produkcija d.o.o. / \nDario Vince\n35,000.00\nUKUPNO\n245,000.00\nUKUPNO\t\r  RAZVOJ\t\r  \nSCENARIJA\t\r  SERIJSKA\t\r  TV\t\r  \nDJELA\n630,000.00\nigrano televizijsko djelo\nPRODUCENT\n","warnings":["section0_row_numbers_not_sorted"],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"final_RSC TV SERIJSKA 2015","year":2015,"rok":null,"natjecaj_date":"2016-01-22","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"71. sjednica Hrvatskog audiovizualnog vijeća 30. kolovoza 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Radić i glavne glumice Lane \nVatsel s kratkim filmom \"Emil\" na SHOTS Film Festivalu u \nSloveniji\n2.406,00\n319,33\n2\nMate Ugrin\nSudjelovanje redatelja Mate Ugrina na manifestaciji CineLink Co-\nProduction Market u Sarajevu\n3.513,00\n466,26\n3\nNino Kovačić\nSudjelovanje na programu stručnog usavršavanja Developing \nYour Film Festival 2022 u Edinburghu, Velika Britanija\n4.000,00\n530,89\n4\nKinorama d.o.o.\nSudjelovanje filma \"Illyricvm\" u BH Film Programu, u sklopu \nSarajevo Film Festivala\n9.547,00\n1.267,10\n5\nUmjetnička \norganizacija \nParadoks\nSudjelovanje kratkog igranog filma \"Banija\" na Sarajevo Film \nFestivalu\n6.000,00\n796,34\n6\nKinoklub Karlovac\nSudjelovanje na 28. Sarajevo Film Festivalu i CineLink danima \nfilmske industrije\n982,00\n130,33\n7\nRestart\nSvjetska premijera i predstavljanje kratkog dokumentarnog filma \n\"Babajanja\" redatelja Ante Zlatka Stolice u natjecateljskom \nprogramu Sarajevo Film Festivala\n2.000,00\n265,45\n8\nMarko Dješka\nSudjelovanje filma \"Sve te senzacije u mom trbuhu\" na festivalu \nHiroshima Animation Season u Japanu\n11.658,00\n1.547,28\n9\nKinoklub Karlovac\nSudjelovanje u programu Fluid Frames (Filmdays at VBU / Reel \nExchange) u Švedskoj i Irskoj\n5.662,00\n751,48\n10\nRestart\nSudjelovanje Manuela Inackera na radionici Tuea Steena \nMüllera, u sklopu manifestacije MakeDox u Skoplju\n5.590,00\n741,92\n11\nTerminal 3\nSudjelovanje s projektom \"Hrvojka Horvat\" na Europskom \nžanrovskom forumu\n20.200,00\n2.681,00\n12\nČetiri film d.o.o.\nSudjelovanje producentice Anite Juka u programu Venice \nProduction Bridge, u sklopu filmskog festivala u Veneciji\n7.000,00\n929,06\n13\nKinoklub Karlovac\nSudjelovanje na The Next Film Festivalu u Danskoj\n7.677,00\n1.018,91\n14\nDinaridi film d.o.o.\nSvjetska premijera filma \"Jeste li vidjeli ovu ženu\" na filmskom \nfestivalu u Veneciji\n25.850,00\n3.430,88\n15\nTerminal 3\nSvjetska premijera filma \"Najsretniji čovjek na svijetu\" na 79. \nMeđunarodnom filmskom festivalu u Veneciji\n16.000,00\n2.123,56\n16\nVuk Jevremović\nSudjelovanje filma \"11\" na Ottawa International Animation \nFestivalu u Kanadi\n4.583,00\n608,27\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2022. - \nPROGRAMI MEĐUNARODNE SURADNJE - ROK 13.9.2022., 2. sjednica Hrvatskog audiovizualnog vijeća \n3.11.2022.\n\n\f\n17\nKlub za \nekspedicionizam i \nkulturu\nSudjelovanje filma \"Ljubav oko svijeta\" na Cork International \nFilm Festivalu u Irskoj\n4.374,00\n580,53\n18\nMaxima film d.o.o.\nSvjetska premijera filma \"Garbura\" na San Sebastián \nInternational Film Festivalu u Španjolskoj\n70.000,00\n9.290,60\n19\nDora Slakoper\nSudjelovanje filma \"A Soft Hiss of This World\" u sekciji Green \nYears, u sklopu festivala Doclisboa u Portugalu\n4.511,00\n598,71\n20\nCentar za kulturne \ndjelatnosti\nSudjelovanje projekta \"Biti u rodu s Johnom Malkovichem\" na \nfestivalu Visioni dal Mondo u Milanu\n9.100,00\n1.207,78\n21\nFADE IN\nSudjelovanje filma \"Tvornice radnicima\" na Tirana International \nFilm Festivalu u Albaniji\n3.239,00\n429,89\n22\nFantastično dobra \ninstitucija - Fade In \nd.o.o.\nSudjelovanje producentice Sabine Krešić na manifestaciji \nJumpgate, u sklopu festivala Doclisboa u Portugalu\n4.697,00\n623,40\n23\nReci RCLE d.o.o.\nPredstavljanje projekta animirane serije \"Shadow's World\" na \nmanifestaciji Cartoon Forum 2022 u Toulouseu, Francuska\n18.000,00\n2.389,01\n24\nPetnaesta \numjetnost d.o.o.\nSudjelovanje filma \"Sedmo nebo\" na manifestaciji Connecting \nCottbus 2022 u Njemačkoj\n5.921,00\n785,85\n25\nWolfgang i Dolly \nd.o.o.\nSvjetska premijera filma \"Pelikan\" u natjecateljskom programu \nTallinn Black Nights Film Festivala u Estoniji\n70.000,00\n9.290,60\n26\nWolfgang i Dolly \nd.o.o.\nSudjelovanje Aleksandra Arsovskog na programu stručnog \nusavršavanja SOFA – School of Film Advancement u Poljskoj \n(prva radionica)\n4.143,00\n549,87\n27\nRestart\nSudjelovanje redateljice Anite Čeko i producenta Olivera Sertića \ns filmom \"Daleko je Kandahar\" u programu Nebulae, u sklopu \nfestivala Doclisboa u Portugalu\n9.391,00\n1.246,40\n28\nPropeler Film \nd.o.o.\nSvjetska premijera filma \"Čovjek bez krivnje\" na Tallinn Black \nNights Film Festivalu u Estoniji\n10.154,00\n1.347,67\n346.198,00 kn 45.948,37 EUR\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati JP ME_ 2022 - 4. rok.xls - Compatibility Mode","year":2022,"rok":null,"natjecaj_date":"2022-09-13","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA (kn)","ODOBRENA POTPORA (€)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje redateljice Nede H. 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ROK (15.5.2011.)\nPODNOSITELJ\nPROGRAM\nFESTIVAL / RADIONICA\nODOBRENO\n1\nAkademija \ndramske \numjetnosti\nMeđunarodni filmski \nsajmovi: potpora \nproducentima za \npredstavljanje filmova / \nPitching  koprodukcijski \nforumi i programi za \nrazvoj projekta\nSudjelovanje producenta Ivana Kelave, \nstudenta Akademije dramske umjetnosti na \nindustry dijelu 46. međunarodnog filmskog \nfestivala u Karlovym Varyma s projektom u \nrazvoju \"Omnibus projekt\", koprodukciji 5 \nfilmskih škola iz Zagreba, Jeruzalema, \nLondona, Koelna i Praga\n4.544,00\n2\nAning usluge \nd.o.o.\nProgrami stručnog \nusavršavanja\nSudjelovanje četiri člana ekipe (autora \nprojekta, redatelja i dva producenta) s \nprojektom \"Anđeoska koža\" na European \nPitching Forumu Storydoc na Krfu, Grčka \n11. - 15. srpnja (1.radionica) i u Ateni, \nGrčka, 26. - 30. studenog (2.radionica).\n10.640,00   \n3\nDA Film\nProgrami stručnog \nusavršavanja\nSudjelovanje producentice Tatjane \nAćimović na EURODOC Transregionalnoj \nradionici, Marija Bistrica (Hrvatska) od 4. do \n11. lipnja 2011. s dokumentarnim projekom \nu razvoju \"Shorter Route\"\n2.100,00   \n4\nDamir Očko\nOstali programi\nSamostalna izložba autora Damira Očka u \nKunsthalle Dusseldorf (Dusseldorf, \nNjemačka), početkom rujna 2011. godine \nsa predstavljanjem autorovog filma \"The \nMoon Shall Never Take My Voice\" iz 2010. \ngodine\n5.527,00   \n5\nDarko Tomičić\nProgrami stručnog \nusavršavanja\nSudjelovanje autora Darka Tomičića na \nljetnom seminaru 3D animacije Anomalia \n(program Autodesk Maya) u Litomsylu \n(Češka) od 11. srpnja do 16. rujna 2011. \n15.904,00   \n\n\f\n6\nFade IN d.o.o.\nProgrami stručnog \nusavršavanja\nSudjelovanje producentice Ive Taklec na \nEURODOC Transregionalnoj radionici, \nMarija Bistrica (Hrvatska) od 4. do 11. lipnja \n2011. sa dokumentarnim projekom u \nrazvoju \"Bolesno\" \n2.100,00   \n7\nFilm-protufilm\nProgrami gostovanja \nhrvatskih autora na \nmeđunarodnim filmskim \nfestivalima\nPredstavljanje i priprema programa petih  \nFilmskih mutacija:Festivala nevidljivog \nfilma 2011. u Beču od 22. do 29. lipnja \n2011. (rad na zborniku, istraživanje filmskih \nmaterijala i predstavljanje programa u \nAustrijskom filmskom muzeju) i Parizu od \n6. do 16. srpnja 2011. (sudjelovanje na \nsimpoziju Art Theatre Guilda i rad na \nprogramu Filmskih mutacija  u Francuskoj \nkinoteci)\n10.000,00   \n8\nFoto kino video \nklub Zaprešić\nProgrami gostovanja \nhrvatskih autora na \nmeđunarodnim filmskim \nfestivalima\nSudjelovanje članova FKVK-a Zaprešić i \nCTK-a Zaprešić (osnovnoškolska sekcija) \nte SŠ Ban Josip Jelačić u programu West-\nOstliches Film Festivala u Berlinu od 1. do \n3. travnja 2011. s filmovima \"Drvo\", \"1000 \nždralova\", \"Klik\", \"Mito i korupcija\", \"Pauza\" \ni \"Dokumentarni film o animiranom filmu\"\n8.324,00   \nPODNOSITELJ\nPROGRAM\nFESTIVAL / RADIONICA\nODOBRENO\n9\nGFR film-video\nProgrami gostovanja \nizbornika festivala na \nmeđunarodnim filmskim \nfestivalima\nSudjelovanje dva predstavnika Festivala \njednominutnih filmova Požega i članova \nudruge GFR na UNICA filmskom festivalu u \nLuxemburgu od 18. do 28. kolovoza 2011. \nkao organizatora programa jednominutnih \nfilmova (World Minute Movie Cup) te u \nsvrhu promocije Festivala jednominutnih \nfilmova Požega \n7.000,00 \n10 Hrvatski filmski \nsavez\nProgrami stručnog \nusavršavanja\nSudjelovanje Marije Ratković, voditeljice \nodjela za produkciju HFS-a, na Cartoon \nMaster Digital radionici u Malagi \n(Španjolska) od 3. do 5. svibnja 2011.\n2.208,00\n\n\f\n11 Hrvatski filmski \nsavez\nProgrami gostovanja \nhrvatskih autora na \nmeđunarodnim filmskim \nfestivalima\nSudjelovanje Željka Baloga, člana \nKongresa i Skupštine UNICA-e u radu \nKongresa i Skupštine od 18. do 28. \nkolovoza 2011. u Luxemburgu, \nsudjelovanje Sonje Tarokić kao članice \nžirija na 73. filmskom festivalu UNICA te 2 \nautora čiji se filmovi predstavljaju na \nfestivalu.\n30.000,00   \n12 Hrvatski filmski \nsavez\nProgrami gostovanja \nhrvatskih autora na \nmeđunarodnim filmskim \nfestivalima\nSudjelovanje autora Ivana Faktora sa \nfilmom \"Pustara\"  na festivalu \nDocumentaMadrid koji se održava od 6. do \n15. svibnja 2011. u Madridu, Španjolska\n2.611,00\n13 Hulahop d.o.o.\nProgrami stručnog \nusavršavanja\nSudjelovanje producentice Miljenke Čogelje \nna EURODOC Transregionalnoj radionici, \nMarija Bistrica (Hrvatska) od 4. do 11. lipnja \n2011. sa dokumentarnim projekom u \nrazvoju \"Dianina lista\" \n2.100,00   \n14 Imitator d.o.o.\nProgram predstavljanja i \npromocije filmova na \nmeđunarodnim filmskim \nfestivalima\nSudjelovanje redatelja Nevia Marasovića i \nproducenta/prodajnog agenta Alena \nBahorića na 14. međunarodnom filmskom \nfestivalu u Shanghaiu, Kina u programu \nPanorama; Predstavljanje filma na 7. \nFantaspoa Film Festivalu u Sao Paolu, \nBrazil od 1. do 17. srpnja 2011.\n44.306,00   \n15 KINOTEKA d.o.o.\nPitching,   koprodukcijski \nforumi i programi za \nrazvoj projekta\nSudjelovanje producenata na Work-in-\nProgressu, industry dijelu Karlovy Vary Film \nFestivala s dugometražnim igranim filmom \n\"Fleke\", redatelja Alda Tardozzija u srpnju \n2011. u Karlovy Vary, Češka \n4.837,00\n16 Marko Škobalj\nProgrami stručnog \nusavršavanja\nSudjelovanje autora/producenta Marka \nŠkobalja na radionici The Cross-Media \nWorkshop / The Pixel Lab 2011 u \nPotsdamu, Njemačka, od 26. lipnja do 2. \nsrpnja, 2011. \n7.546,00\n\n\f\n17 MP - Filmska \nprodukcija d.o.o.\nProgrami gostovanja \nhrvatskih autora na \nmeđunarodnim filmskim \nfestivalima, program \nizrade promidžbenih \nmaterijala i \npredstavljanje filmova\nSudjelovanje hrvatske autorske ekipe i \npredstavljanje filma \"Soba 304\" na 46. \nmeđunarodnom filmskom festivalu u \nKarlovym Varyma, 1. - 9. srpnja 2011. koji \nse nalazi u službenoj konkurenciji Festivala\n87.415,00\n18 Nukleus film d.o.o.\nPitching, koprodukcijski \nforumi i programi za \nrazvoj projekata\nSudjelovanje producentice Jane Šivak na \nEURODOC Transregionalnoj radionici, \nMarija Bistrica (Hrvatska) do 4. do 11. lipnja \n2011. s projektom \"Bebe na vole\"\n2.100,00   \nPODNOSITELJ\nPROGRAM\nFESTIVAL / RADIONICA\nODOBRENO\n19 Pegaz Auctoritas \nd.o.o. \nProgrami stručnog \nusavršavanja\nOdržavanje regionalne autorskopravne \nradionice na vodećim filmskim festivalima u \nHrvatskoj, Srbiji i BiH (Pula FF / Starigrad \nPaklenica FF / Festival autorskog filma, \nBeograd / Sarajevo FF, BiH,CineLink - \nDubrovnik/Slano)\n2.500,00   \n20 Renata Poljak\nProgram predstavljanja i \npromocije filmova na \nmeđunarodnim filmskim \nfestivalima\nSudjelovanje umjetnice Renate Poljak na \nmeđunarodnoj audiovizualnoj izložbi Shift \nand Flow  u New Yorku (SAD) od 9.9.2011. \ndo 4.10.2011. sa filmom \"Great \nExpectations\"\n6.000,00   \n21 Restart\nProgrami stručnog \nusavršavanja\nSudjelovanje Damiana Nenadića i Olivera \nSertića na radionici Baklan Documentary \nCentra u Istanbulu (3. - 7.6.2011), Turska i \nPrizrenu, Kosovo (27. - 31-7.2011.) sa \nprojektom u razvoju \"Tihi let\" u produkciji \nRestart-a\n9.820,00\n22 Restart\nProgrami stručnog \nusavršavanja\nSudjelovanje producenta Oliver Sertića na \nEURODOC Transregionalnoj radionici, \nMarija Bistrica (Hrvatska) do 4. do 11. lipnja \n2011. s projektom \"Tihi let\"\n2.100,00\n\n\f\n23 Udruga FACTUM\nMeđunarodni filmski \nfestivali i AV \nmanifestacije: programi \ngostovanja hrvatskih \nautora, producenata, \nizbornika filmskih \nfestivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje Nenada Puhovskog na \nokruglom stolu FestMED-a u okviru 22. \nmeđunarodnog festivala dokumentarnog \nfilma FIDMarseille, 6. - 11. srpnja 201'1. u \nMarseillu, Francuska.\n2.864,00\n24 Udruga UKUS\nProgrami gostovanja \nhrvatskih autora na \nmeđunarodnim filmskim \nfestivalima, program \nizrade promidžbenih \nmaterijala i \npredstavljanje filmova\nSudjelovanje autora i predstavljanje filma \n\"Marijine\" na 46. međunarodnom filmskom \nfestivalu u Karlovym Varyma, 1. - 9. srpnja \n2011. koji se nalazi u natjecateljskom \nprogramu Festivala East of the West \n12.800,00\n25 Ustanova Zagreb \nfilm\nMeđunarodni filmskim \nsajmovi: sudjelovanje \nna filmskim sajmovima i \nfilmskim festivalima\nSudjelovanje Sanje Borčić, koordinatorice \nmeđunarodne suradnje Zagreb filma i \nSimona Bogojevića Naratha na \nMeđunarodnom festivalu animiranog filma \nu Annecyu i na popratnom filmskome \nsajmu MIFA, 7. - 11. lipnja 2011. u Annecy, \nFrancuska. \n5.564,00\n26 Ustanova Zagreb \nfilm\nProgram stručnog \nusavršavanja\nSudjelovanje Sanje Borčić, koordinatorice \nmeđunarodne suradnje, na radionici za \nmarketing i distribuciju filmova u Rondi \n(Malaga), Španjolska 5. - 9. srpnja 2011., u \norganizaciji Media Business School\n9.594,00\nUKUPNO:\n300.504,00   \n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"rezultati-medjunarodna-suradnja-rok-15-05-2011-tablica","year":2011,"rok":"2. rok","natjecaj_date":"2011-05-15","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna 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NOSITELJ KATEGORIJA PRIJEDLOG NASLOV FILMA REDATELJ/ICA PRODUCENT DISTRIBUTER PRIJAVE FILMA SUFINACIRANJA dugometražni 1 Alka film Divljaci Dario Lonjak Alka film Alka film 95000,00 igrani film dugometražni dokumentarni film 2 Restart Žica Tiha Gudac Kinoteka (HR) Restart 18000,00 (manjinska koprodukcija) dugometražni 3 Hulahop Nosila je rubac črleni Goran Dukić Švenk Hulahop 135000,00 igrani film"],"rows":[{"row_number":1,"project_title":"Divljaci","applicant":"Alka film d.o.o.","production_company":"Alka film d.o.o.","director":"Dario Lonjak","writer":null,"original_author":null,"category":"dugometražni igrani film","approved_amount":95000.0,"approved_amount_text":"95000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z","entity_original_production_company":"Alka film","entity_canonicalized_at":"2026-05-18T14:41:26Z","entity_original_applicant":"Alka film"},"entity":"Alka film 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(HR)","row_id":"83e758bb:s0:3e2b270df045","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_a14af65fdb1b","project_family_title":"Žica"},{"row_number":3,"project_title":"Nosila je rubac črleni","applicant":"Švenk d.o.o.","production_company":"Švenk d.o.o.","director":"Goran Dukić","writer":null,"original_author":null,"category":"dugometražni igrani film","approved_amount":135000.0,"approved_amount_text":"135000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_production_company":"Švenk","entity_original_applicant":"Hulahop","entity_unified_at":"2026-05-18T14:41:27Z","entity_canonicalized_at":"2026-05-18T14:41:26Z"},"entity":"Švenk d.o.o.","row_id":"83e758bb:s0:b7b40d05f702","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_a1c32644a226","project_family_title":"Nosila je rubac črleni"},{"row_number":4,"project_title":"Tvornice radnicima","applicant":"Fantastično dobra institucija - Fade In d.o.o.","production_company":"Fantastično dobra institucija - Fade In d.o.o.","director":"Srđan Kovačević","writer":null,"original_author":null,"category":"dugometražni dokumentarni film","approved_amount":27000.0,"approved_amount_text":"27000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z","entity_original_production_company":"Fantastično dobra institucija - Fade In","entity_canonicalized_at":"2026-05-18T14:41:26Z","entity_original_applicant":"Fantastično dobra institucija - Fade In"},"entity":"Fantastično dobra institucija - Fade In d.o.o.","row_id":"83e758bb:s0:f13a317e0b6e","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_77aabc44f607","project_family_title":"Tvornice radnicima"},{"row_number":5,"project_title":"Baci se na pod","applicant":"Spiritus Movens d.o.o.","production_company":"Spiritus Movens d.o.o.","director":"Nina Violić","writer":null,"original_author":null,"category":"dugometražni igrani film","approved_amount":85000.0,"approved_amount_text":"85000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_production_company":"Spiritus Movens","entity_original_applicant":"Umjetnička organizacija Zagreb Film Festival","entity_unified_at":"2026-05-18T14:41:27Z","entity_canonicalized_at":"2026-05-18T14:41:26Z"},"entity":"Spiritus Movens d.o.o.","row_id":"83e758bb:s0:dfe40929d269","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_ce1c1d642e8e","project_family_title":"Baci se na pod"},{"row_number":6,"project_title":"Nije loše biti čovjek","applicant":"Terminal 3","production_company":"Terminal 3","director":"Dušan Kovačević","writer":null,"original_author":null,"category":"dugometražni igrani film (manjinska koprodukcija)","approved_amount":35000.0,"approved_amount_text":"35000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:38:47Z","entity_original_production_company":"Terminal 3","entity_original_applicant":"MCF","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Terminal 3","row_id":"83e758bb:s0:47a89f559be1","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_fb4f0db40141","project_family_title":"Nije loše biti čovjek"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":null,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":395000.0,"ukupno_match":null,"row_count":6,"awarded_count":6,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":6}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"ANIMIRANI WEB.pdf","filename_decoded":"ANIMIRANI WEB.pdf","sha256":"83f7b34bebca99f4e76b5ca316c496b6e5d31aa275f07480826111073030276c","bytes":32225,"page_count":2,"extracted_at":"2026-05-17T12:01:35Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/ANIMIRANI%20WEB.pdf"},"raw_text":"JAVNI\t\r  POZIV\t\r  ZA\t\r  POTICANJE\t\r  AUDIOVIZUALNIH\t\r  DJELATNOSTI\t\r  I\t\r  STVARALAS3TVA\t\r  U\t\r  \n2018.\t\r  GODINI\t\r  \nPetra\t\r  Zlonoga,\t\r  umjetnička\t\r  savjetnica\t\r  za\t\r  animirani\t\r  film\t\r  \n\t\r  \nKategorija:\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  \nRok:\t\r  21.\t\r  studenog\t\r  2018.\t\r  \nNa\t\r  drugi\t\r  natječajni\t\r  rok\t\r  javnog\t\r  poziva\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  \nu\t\r  2018.\t\r  godini\t\r  javilo\t\r  se\t\r  sveukupno\t\r  19\t\r  projekata,\t\r  od\t\r  kojih\t\r  4\t\r  nisu\t\r  razmatrana.\t\r  \nPrijavljeni\t\r  projekti\t\r  se\t\r  bave\t\r  širokim\t\r  spektrom\t\r  tema.\t\r  No\t\r  primjetno\t\r  je\t\r  da\t\r  \nprevladavaju\t\r  filmovi\t\r  koji\t\r  su\t\r  orijentirani\t\r  manje\t\r  na\t\r  složene\t\r  narativne\t\r  radnje,\t\r  a\t\r  više\t\r  \nna\t\r  proučavanje\t\r  međuljudskih\t\r  odnosa\t\r  i\t\r  psiholoških\t\r  stanja\t\r  likova.\t\r  Prevladavajuća\t\r  \ntendencija\t\r  ovog\t\r  natječajnog\t\r  roka\t\r  svakako\t\r  je\t\r  fokus\t\r  na\t\r  pojedinca;\t\r  kakav\t\r  je\t\r  njegov\t\r  \nunutrašnji\t\r  svijet\t\r  i\t\r  na\t\r  koji\t\r  način\t\r  on\t\r  (ne)komunicira\t\r  s\t\r  vanjskim.\t\r  \t\r  \nVelika\t\r  većina\t\r  projekta\t\r  se\t\r  bavi\t\r  prikazom\t\r  suvremenog\t\r  života,\t\r  jedan\t\r  film\t\r  je\t\r  \nzamišljen\t\r  kao\t\r  povijesni\t\r  prikaz\t\r  te\t\r  jedan\t\r  kao\t\r  prikaz\t\r  distopijske\t\r  budućnosti.\t\r  \nTakođer\t\r  primjetan\t\r  je\t\r  pad\t\r  u\t\r  broju\t\r  filmova\t\r  za\t\r  djecu,\t\r  samo\t\r  dva\t\r  prijavljena\t\r  projekta\t\r  \nsu\t\r  filmovi\t\r  za\t\r  dječji\t\r  uzrast.\t\r  C3etiri\t\r  projekta\t\r  sveukupno\t\r  filmovi\t\r  su\t\r  koji\t\r  bi\t\r  bili\t\r  \nprimjereni\t\r  svim\t\r  dobnim\t\r  skupinama.\t\r  \n\t\r  \nS3to\t\r  se\t\r  tiče\t\r  tehnika\t\r  animacije,\t\r  najviše\t\r  je\t\r  zastupljena\t\r  2D\t\r  digitalna\t\r  animacija.\t\r  \t\r  \nOd\t\r  ostalih\t\r  tehnika\t\r  nekoliko\t\r  projekata\t\r  se\t\r  prijavilo\t\r  sa\t\r  filmovima\t\r  u\t\r  tehnici\t\r  3D\t\r  \nanimacije\t\r  i\t\r  kombiniranih\t\r  tehnika,\t\r  a\t\r  samo\t\r  jedna\t\r  prijava\t\r  je\t\r  zamišljena\t\r  kao\t\r  lutka-­‐‑\nfilm.\t\r  \nPrijavljeni\t\r  autori\t\r  su\t\r  dobno\t\r  i\t\r  iskustveno\t\r  širokog\t\r  raspona,\t\r  no\t\r  ono\t\r  što\t\r  je\t\r  svakako\t\r  \nzanimljivost\t\r  ovog\t\r  natječajnog\t\r  roka\t\r  jest\t\r  da\t\r  je\t\r  osjetno\t\r  veći\t\r  broj\t\r  prijava\t\r  debitanata,\t\r  \nčak\t\r  njih\t\r  šest,\t\r  od\t\r  kojih\t\r  su\t\r  tri\t\r  predložena\t\r  za\t\r  potporu.\t\r  \n\t\r  \nJedan\t\r  od\t\r  debitantskih\t\r  projekata\t\r  je\t\r  film\t\r  MARTIJEV\t\r  OTOK\t\r  \t\r  mlade\t\r  i\t\r  vrlo\t\r  \nperspektivne\t\r  animatorice\t\r  Mie\t\r  Murat.\t\r  Radi\t\r  se\t\r  o\t\r  toploj,\t\r  gorko-­‐‑slatkoj\t\r  priči\t\r  o\t\r  \nteškim\t\r  životnim\t\r  trenucima\t\r  gubitaka\t\r  najbližih\t\r  nam\t\r  ljudi.\t\r  Zanimljivo\t\r  stiliziranih\t\r  \nlikova\t\r  i\t\r  pozadina,\t\r  projekt\t\r  obećava\t\r  animirani\t\r  film\t\r  iznimne\t\r  kvalitete\t\r  i\t\r  jake\t\r  \nkonkuretnosti\t\r  na\t\r  festivalima\t\r  animiranog\t\r  filma,\t\r  između\t\r  ostalog\t\r  i\t\r  zato\t\r  što\t\r  je\t\r  \ntematikom\t\r  i\t\r  vizualom\t\r  primjeren\t\r  svim\t\r  dobnim\t\r  skupinama.\t\r  \n\t\r  \nTakođer\t\r  vizualno\t\r  dojmljiv,\t\r  debitantski\t\r  je\t\r  film\t\r  mlade\t\r  autorice\t\r  Hane\t\r  Tintor\t\r  pod\t\r  \nnazivom\t\r  MORE\t\r  MISLI.\t\r  Narativ\t\r  filma\t\r  je\t\r  usko\t\r  povezan\t\r  sa\t\r  vizualom\t\r  budući\t\r  da\t\r  se\t\r  \nradi\t\r  o\t\r  svojevrsnom\t\r  filmu\t\r  \"toka\t\r  misli\"\t\r  glavne\t\r  protagonistice.\t\r  Jednostavna\t\r  premisa\t\r  \novog\t\r  filma\t\r  i\t\r  dojmljivi\t\r  kadrovi\t\r  koji\t\r  se\t\r  pretapaju\t\r  jedan\t\r  u\t\r  drugi\t\r  otvaraju\t\r  mogućnost\t\r  \nrazličitih\t\r  asocijacija\t\r  i\t\r  interpretacija\t\r  što\t\r  ga\t\r  čini\t\r  iznimno\t\r  poetičnim\t\r  i\t\r  potencijalno\t\r  \nvrlo\t\r  upečatljivim\t\r  filmom.\t\r  \n\t\r  \n\t\r  \n\n\f\n\t\r  \nTreći\t\r  debitantski\t\r  film\t\r  je\t\r  režijski\t\r  prvijenac\t\r  Mirele\t\r  Ivanković\t\r  Bielen\t\r  koja\t\r  je\t\r  u\t\r  \nsuradnji\t\r  sa\t\r  Marijom\t\r  Udovičić\t\r  pripremila\t\r  2D\t\r  digitalno\t\r  animirani\t\r  film\t\r  \nSNJEGULJICA\t\r  I\t\r  SEDAM\t\r  STUPNJEVA\t\r  ODRASTANJA.\t\r  Glavna\t\r  protagonistica\t\r  ove\t\r  \nverzije,\t\r  kao\t\r  i\t\r  ona\t\r  iz\t\r  bajke\t\r  na\t\r  koju\t\r  se\t\r  naslov\t\r  i\t\r  motivi\t\r  referiraju,\t\r  također\t\r  prolazi\t\r  \nkroz\t\r  niz\t\r  nedaća.\t\r  \t\r  Likovno\t\r  raskošni\t\r  i\t\r  poetični\t\r  vizuali\t\r  koji\t\r  se\t\r  pretapaju\t\r  jedan\t\r  u\t\r  \ndrugi\t\r  stvaraju\t\r  gotovo\t\r  snoliki\t\r  doživljaj\t\r  filma\t\r  koji\t\r  govori\t\r  o\t\r  odgovornosti\t\r  prema\t\r  \nvlastitoj\t\r  prirodi\t\r  i\t\r  nutrini.\t\r  \t\r  \nDva\t\r  projekta\t\r  predložena\t\r  za\t\r  financiranje\t\r  koriste\t\r  kombinirane\t\r  tehnike\t\r  animacije.\t\r  \t\r  \nJedan\t\r  od\t\r  njih\t\r  je\t\r  treći\t\r  profesionalni\t\r  film\t\r  autorice\t\r  Dee\t\r  Jagić\t\r  pod\t\r  nazivom\t\r  SJENE.\t\r  \t\r  \nOvaj\t\r  vrlo\t\r  poetičan\t\r  film\t\r  koristi\t\r  2D\t\r  digitalnu\t\r  u\t\r  suradnji\t\r  sa\t\r  stop\t\r  animacijom\t\r  kako\t\r  bi\t\r  \npokazao\t\r  intrigantan\t\r  svijet\t\r  mlade\t\r  protagonistice,\t\r  sakupljačice\t\r  neobičnih\t\r  \nsjemenki,\t\r  i\t\r  njezine\t\r  pomagačice\t\r  lisice.\t\r  Jaki\t\r  simbolički\t\r  prikazi\t\r  elemenata\t\r  iz\t\r  prirode\t\r  \ni\t\r  likovno\t\r  zanimljivi\t\r  vizuali\t\r  uvlače\t\r  nas\t\r  u\t\r  jedan\t\r  nadrealističan\t\r  i\t\r  začudan\t\r  svijet.\t\r  \t\r  \n\t\r  \nKorištenje\t\r  tehnika\t\r  više\t\r  animacijskih\t\r  tehnika\t\r  karakterizira\t\r  i\t\r  film\t\r  ULOGA\t\r  \nrenomiranog\t\r  autora\t\r  Darka\t\r  Bakliže.\t\r  Digitalnom\t\r  animacijom,\t\r  piksilacijom\t\r  i\t\r  stop-­‐‑\nanimacijom\t\r  on\t\r  istražuje\t\r  (unutrašnji)\t\r  svijet\t\r  jedne\t\r  glumice\t\r  te\t\r  njezine\t\r  osobne\t\r  \nunutrašnje\t\r  borbe\t\r  dok\t\r  se\t\r  priprema\t\r  za\t\r  ulogu.\t\r  Tko\t\r  je\t\r  ona\t\r  a\t\r  tko\t\r  je\t\r  njena\t\r  dvojnica\t\r  \nodnosno\t\r  uloga,\t\r  \t\r  postaje\t\r  sve\t\r  teže\t\r  razaznati...\t\r  \nIznimno\t\r  duhovit\t\r  i\t\r  zaigran,\t\r  film\t\r  IZLET\t\r  već\t\r  afirmirane\t\r  redateljice\t\r  i\t\r  animatorice\t\r  \nsrednje\t\r  generacije,\t\r  Ane\t\r  Horvat,\t\r  prikazuje\t\r  jednodnevno\t\r  putovanje\t\r  mladog\t\r  para\t\r  \nkoje\t\r  se\t\r  otelo\t\r  kontroli.\t\r  Kroz\t\r  niz\t\r  komičnih\t\r  scena\t\r  na\t\r  površinu\t\r  ipak\t\r  proviruju\t\r  neka\t\r  \nuniverzalna\t\r  pitanja:\t\r  kako\t\r  prihvatiti\t\r  drugu\t\r  osobu\t\r  uza\t\r  sve\t\r  njene\t\r  mane\t\r  i\t\r  hireve?\t\r  Do\t\r  \nkoje\t\r  granice\t\r  inzistirati\t\r  na\t\r  vlastitoj\t\r  volji\t\r  nauštrb\t\r  tuđe?\t\r  \nFilm\t\r  koji\t\r  kroz\t\r  karikaturu\t\r  i\t\r  geg\t\r  govori\t\r  o\t\r  složenoj\t\r  ljudskoj\t\r  prirodi\t\r  na\t\r  jednostavan\t\r  i\t\r  \nneposredan\t\r  način.\t\r  \t\r  \n\t\r  \nO\t\r  ljudskoj\t\r  prirodi\t\r  i\t\r  o\t\r  njezinoj\t\r  stvarnoj\t\r  nutrini\t\r  u\t\r  kontrastu\t\r  sa\t\r  vanjskim\t\r  svijetom\t\r  \nprogovara\t\r  i\t\r  film\t\r  TEŽNJA\t\r  autora\t\r  Krešimira\t\r  Pernaka.\t\r  Ovaj\t\r  3D\t\r  animirani\t\r  film\t\r  prati\t\r  \nglavnog\t\r  lika\t\r  koji\t\r  tapka\t\r  kroz\t\r  svoje\t\r  osobno\t\r  nezadovoljstvo\t\r  u\t\r  potrazi\t\r  za\t\r  \nispunjenjem.\t\r  Paralelno\t\r  sa\t\r  njime,\t\r  kroz\t\r  nekoliko\t\r  sporednih\t\r  likova\t\r  i\t\r  situacija\t\r  u\t\r  \nkojima\t\r  se\t\r  nalaze,\t\r  dobivamo\t\r  uvid\t\r  u\t\r  društvo\t\r  unutar\t\r  kojeg\t\r  glavni\t\r  lik\t\r  egzistira.\t\r  \t\r  \nIzuzetno\t\r  zanimljiva\t\r  likovnost\t\r  te\t\r  vrlo\t\r  precizna\t\r  i\t\r  jasna\t\r  režija\t\r  obećavaju\t\r  da\t\r  će\t\r  ovaj\t\r  \nfilm\t\r  biti\t\r  potencijalno\t\r  kvalitetno\t\r  realiziran\t\r  i\t\r  dobro\t\r  prihvaćen\t\r  rad\t\r  od\t\r  strane\t\r  \nfestivalske,\t\r  ali\t\r  i\t\r  šire\t\r  publike.\t\r  \n\t\r  \nSveukupna\t\r  predložena\t\r  potpora\t\r  je\t\r  1.805.000,00\t\r  kn\t\r  za\t\r  7\t\r  projekata.\t\r  \t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSCTV_RPRTV_1.rok_11III2025_web.pdf","filename_decoded":"Obrazlozenje_RSCTV_RPRTV_1.rok_11III2025_web.pdf","sha256":"840b984de136e4f0d99dfc78efde89297b3ac65196b21a5b468890fcbd4c8efe","bytes":337597,"page_count":18,"extracted_at":"2026-05-17T12:01:58Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSCTV_RPRTV_1.rok_11III2025_web.pdf"},"raw_text":"1 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA \nSERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2025. - 1. ROK - \n11.3.2025. \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA \nSERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2025. - 1. ROK - \n11.3.2025. \n \n \nNa Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA SERIJSKIH \nTELEVIZIJSKIH DJELA u prvom roku 2025.g. ukupno je prijavljeno 94  \nprojekta, od toga rekordnih 68 u potkategoriji Razvoj scenarija, te ovaj \nput nešto skromnijih 26 u potkategoriji Razvoj projekata. Dva prijavljena \nprojekta nisu zadovoljila uvjete javnog poziva i nisu razmatrana za \npotporu. \n \nDojma sam da je, kao i na prethodna dva roka u mom mandatu, \nkvantiteta iznijela i kvalitetu, a tematsko-žanrovsko bogatstvo okusa, \nmirisa i boja zamjetno je i na ovom roku. Ovom prilikom bih izdvojio \nzaista bogatu i raznovrsnu ponudu igranih projekata (čak i onih koji su \nostali „ispod crte“), te diskretni povratak humorističnih serija (pet \npodržanih projekata u potkategoriji Razvoja scenarija). Visoka razina \nprodukcijske, tehničke i idejne pripreme projekata postala je gotovo pa \nstandard i vjerojatno ju više i ne treba posebno isticati.  \n \nS obzirom na količinu prijavljenih projekata u potkategorijama, ali i širu \nkvalitativnu sliku, ovaj put je vaga prevagnula na stranu potkategorije \nRazvoja scenarija, i to i količinski i financijski. U potkategoriji Razvoja \nscenarija TV djela predloženo je i odobreno tako 27 projekata u \nukupnom iznosu od 112 000 eura, dok je u potkategoriji Razvoja \nprojekata TV djela predloženo i odobreno 12 projekata u ukupnom \niznosu od 89.500 eura. Ukupni zajednički iznos za obje potkategorije \nje 201 500 eura.  \n \n \n                                                                     Ivan-Vanja Runjić \n \n                                                                    \n \n \n                                                                     umjetnički savjetnik za \n                                                                     razvoj televizijskih djela \n\n\f\n2 \n \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA \nSERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2025. - 1. ROK - \n11.3.2025. \n \n \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije \nkraće od 24 minute \n \n \n1.1 \nCRNA KRALJICA \n \nAnimirana serija, 7 epizoda po 6-8 min. \nProducent: Mag  \nScenaristi: Tihoni Brčić, Mirjana Novak Perjanec  \nRedatelj: Tihoni Brčić    \n-6.000 EUR \n \nAnimirani serijal koji donosi moderno čitanje legende o Barbari Celjskoj / \nCrnoj kraljici, uspješno je prošao prvu stepenicu razvoja na prošlom roku \njavnog poziva i spreman je za slijedeću. Da podsjetimo – radi se o \nstarohrvatskim i staroslavenskim mitovima i legendama sa značajnim \nmodernim twistom, a taj moderni twist je između ostaloga glavna \njunakinja, mlada Amerikanka iz Hollywooda, koja dolazi u Hrvatsku \nistraživati spomenike za potencijalnu Netflixovu seriju.  \n \n \n1.2. VREMENASTE PRIČE \n \nAnimirana serija, 6 epizoda po 10-15 min. \nProducent: Peglanje snova \nScenaristi: Luka Rukavina, Rona Žulj \nRedatelj: Luka Rukavina \n- 6.000 EUR \n \nAnimirani serijal prema nizu slikovnica poznatog TV meteorologa Zorana \nVakule preklani je dobio potporu na javnom pozivu za razvoj scenarija TV \ndjela, lani bio vrlo blizu potpore za razvoj projekta, a sada je i taj korak \nuspješno obavljen. U materijalima inače vrlo opsežne prijave i dalje nema \nvizuala ali ima naznake da bi u realizaciji ovog edukativno-zabavng \nformata za djecu o klimi i vremenskim prilikama, suncu, mjesecu, \noblacima itd. sudjelovao i Nik Titanik koji je vrlo nadahnuto oslikao \nslikovnice, pa razloga za optimizam itekako ima.    \n \n \n \n\n\f\n3 \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije \nkraće od 20 minuta \n \n \n2.1. ČUVARI PODMORJA \n \nDokumentarna serija, 6 epizoda po 45 min. \nProducent: Budem produkcija \nScenaristica: Marija Ćoso                       \nRedatelj: Adrian Jaklin  \n- 6.000 EUR \n \nDa se ovog konkretnog umjetničkog savjetnika pita, dokumentarnih \nserijala koji istražuju olupine s dna Jadrana, a sve uz pomoć podvodnih \narheologa i svega što pruža današnja tehnika nikad dosta. Na ovaj rok su \nse prijavila dva vrlo slična podmorska projekta, oba vrlo pomno i \nprofesionalno promišljena i pripremljena, a „Čuvari podmorja“ ovaj put je \nprošao za pola pramca.   \n \n \n2.2. MAJSTORI OBJEKTIVA  \n \nDokumentarna serija, 10 epizoda po 26 min.      \nProducent: Izvan fokusa \nScenarist: Filip Filković  \nRedatelj: Filip Flković \n- 6.000 eura \n \n„Dokumentarni serijal o majstorima hrvatske fotografije“ – tako ovaj \nprojekt predstavljaju autori i producent i tu možda i ne treba ništa \nposebno dodati. Eventualno da se radi o 10 polusatnih portreta imena u \nrasponu od doajena poput Toše Dapca, preko naših suvremenika (Stanko \nAbadžić, Damir Fabijanić, Vlado Martek...) do mlađih autora u naponu \nsnage (Mara Bratoš, Ana Opalić...). Ako stvar uspije, majstora na čekanju \nima, hvala bogu za nekoliko sezona...      \n \n \n2.3. ODJECI HRVATSKE (JEZIČNO PUTOVANJE) \n \nDokumentarna serija, 6 epizoda po 52 min. \nProducent: More Magnets \nScenarist: Filip Filković \nRedatelj: Filip Filković \n- 6.000 eura \n \nPutopisno-lingvistički dokumentarni serijal o jezičnoj raznovrsnosti \nHrvatske, od Buzeta preko Međimurja do Lastova i Slavonije. Autor je \nuvažio sugestije umjetničkog savjetnika s prošlog roka i projekt je sad \n\n\f\n4 \n \nspreman za potporu. Doduše tih sugestija nije ni bilo (radi se naime o \nblago ironičnoj prepisci autora i umjetničkog savjetnika koja na žalost sad \nzavršava, bar što se tiče ovog projekta), jer „Odjeci“ su bili podjednako \nspremni i prošli put, ali su prednost dobili neki drugi projekti, između \nostalog i ovog autora. \n \n \n2.4. PUTNICE \n \nDokumentarna serija, 3 epizoda po 26 min. \nProducent: Umjetnička organizacija Put \nScenarist: Goran Markoš \nRedatelj: Goran Markoš    \n- 5.500 EUR \n \nJoš jedan projekt koji je ekspresno i uspješno prošao prvu fazu razvoja \nscenarija i već je na slijedećem koraku. Dokumentarni serijal o tri žene \nkoje se bave onim što se nekad davno zvalo „muškim zanimanjima“ – \nvozačici kamiona, strojovotkinji i časnici na trajektu. Ima tu naravno i \nputopisnih elemenata kao i privatnog momenta, a sve skupa djeluje dosta \nobećavajuće.                 . \n \n \n2.5. VRIJEME IZNAD NAS \n \nDokumentarna serija, 6 epizoda po 26 min.      \nProducent: Izvan fokusa \nScenarist: Goran Ribarić  \nRedatelj: Goran Ribarić \n- 6.000 eura \n \nSvibanj je mnogima omiljeni mjesec u godini, ne samo meni koji sam \nrođen u njemu, no ove godine je bio nezapamćeno nepredvidljiv – u \njednom danu proživjeli bi i po tri godišnja doba (sve osim prave zime, jer \nnje više nema ni zimi). Eto nas onda dakle i kod vrlo aktualnog \ndokumentarnog serijala radnog naziva „Vrijeme iznad nas“ koji se bavi \natmosferskim pojavama i meteorološkim fenomenima kod nas. Kako je \nkrenulo s klimom, i tu će biti „robe“ za nekoliko sezona...   \n \n \n \n \n \n \n \n \n \n \n\n\f\n5 \n \n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće \nod 25 minuta i koja je namijenjeno prvenstveno televizijskom \nprikazivanju \n \n \n3.1. AKASHA \n \nDramska serija, 10 epizoda po 50 min. \nProducent: 4 Film \nScenaristica: Goranka Krpan Branica \nRedatelj: Miroslav Terzić \n- 10.000 eura \n \nProjekt koji se nekad zvao „Bezumlje“ već je na posljednja dva roka bio \npozitivno ocijenjen, ali je na žalost ostao ispod crte. Citiram iz prošlih \nrecenzija, ali ovaj put uz preporuku za potporu - radi se o špijunskom \ntrileru s elementima SF-a, smještenom u 1969. godinu i vrijeme spuštanja \nna mjesec i nešto kasnijeg dolaska američkog predsjednika Nixona u \nJugoslaviju. Povjesni kontekst i atmosfera, Rusi, Amerikanci, UDBA... sve \nje tu. Ovako ambiciozno zamišljen domaći sadržaj odavno nije viđen u \nnašem televerzumu, a ovom prilikom mu želimo da nađe svoj put i do \nkrajnjeg odredišta – TV auditorija.   \n  \n \n3.2. BLAGO \n \nDramska serija, 4 epizoda po 50 min. \nProducent: Udruga Artizana \nScenaristi: Marko Hrenović, Stipo Majić \nRedatelj: Branko Ištvančić \n- 8.000 eura \n \nČetverodjelna serija o životu i herojskoj smrti vukovarske legende Blage \nZadre. Projekt pod nazivom „Ono kad nemaš dovoljno igrača“ scenaristice \nSlavice Šnur i redatelja Kristijana Milića o braniteljima s Trpinjske ceste i \nBlagi Zadri dobio je 2021. potporu na HAVC-ovom javnom pozivu za \nrazvoj projekata serijskih TV djela (a koliko znam još nije u fazi \nprodukcije..?), no to nipošto ne smatram preprekom da se i ovaj projekt \npokuša razviti. Dapače, neka oni koji bi dogodine o 35. godišnjici \nvukovarske tragedije u svom programu htjeli imati jaku priču iz \nDomovinskog rata, imaju veći i bolji izbor. Sam projekt „Blago“ solidno je \nprodukcijski postavljen, sadržajno je također vrlo korektan, no još mu \nuvijek nedostaje malo suptilnosti i nijansiranja, a ova faza razvoja je \nidealna da i to sjedne na svoje mjesto.   \n \n \n \n \n\n\f\n6 \n \n3.3. BUNKER \n \nDramska serija, 6 epizoda po 50 min. \nProducent: Jaka produkcija \nScenaristi: Marko Šantić, Goran Vojnović, Ivica Đikić \nRedatelj: Marko Šantić \n- 10.000 eura \n \n„Bunker“ je vrlo neobičan, rekao bi i hrabar, a svakako sjajno zamišljen \nprojekt. Radi se o psihoterapeutkinji, nekad davno i poznatoj glumici, \npovratnici u Hrvatsku nakon desetljeća izbivanja koja otvara fensi \nsanatorij u Gorskom kotaru. Tamo su joj gosti/klijenti/pacijenti mnogi iz \nnjene prošlosti, a neki od njih naravno imaju veze i s njenim ne baš \nnajsretnijim odlaskom iz Hrvatske. Za ovaj (možda bi ga mogli odrediti \nkao) mrvicu pomaknuti psihološko-politički triler snimljen je i zanimljiv, \nintrigantan čeverominutni teaser s potencijalnim glavnim glumcima \nSnežanom Bogdanović i Zlatkom Burićem. Sve skupa, vrlo, vrlo \nobećavajuće...     \n \n \n3.4. CRVENA VODA \n \nDramska serija, 6 epizoda po 52 min. \nProducent: Antitalent \nScenaristi: Ljubica Luković, Jurica Pavičić (prema vlastitom istoimenom  \n                romanu)   \nRedateljica: Antonela Alamat Kusijanović \n- 10.000 EUR \n \n„Crvena voda“ je prije točno godinu dana dobila potporu na javnom pozivu \nza razvoj scenarija, a sada je spremna i za slijedeći korak. Ono što je \nnovo a treba spomenuti, je i pridruživanje redateljica Antonele Alamat \nKusijanović autorsko-produkcijskom timu. Kao što znamo, radi se o \nnagrađivanom i prevođenom, u splitskom HNK uspješno uprizorenom \nromanu Jurice Pavičića o solidno zapletenoj višedesetljetnoj potrazi za \nnestalom 17-godišnjakinjom u jednom malom dalmatinskom mistu 1990., \nuz bogatu popratnu sliku okrutne domaće tranzicije i njenih žrtava.  \n  \n \n3.5. UBOJSTVO NA FOTOGRAFIJI  \n \nDramska serija, 5 epizoda po 45 min. \nProducent: 4 Film  \nScenaristica: Ines Mrenica Mutevelić \nRedateljica: Ivona Juka \n- 10.000 eura \n \n\n\f\n7 \n \nJoš jedan punokrvni, fino zapleteni suvremeni krimić duboko uronjen u \nnašu bolnu prošlost, također je prošao proces razvoja scenarija i sada ide \nna viši stupanj (razvoja). Radi se o privatnoj detektivki koju naoko \nbanalan slučaj praćenja supruge jednog ljubomornog muža uroni do \nkoljena u ratno-poratnu intrigu punu obrata i krvi, a sve to od Vukovara \ndo Visa i natrag. Ovakvih priča nikad dosta, nije da smo ih se baš i \nnagledali na našem jeziku, a ova je posebno efektna i puna potencijala. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n8 \n \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA \nSERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2025. - 2. ROK - \n11.3.2024. \n \n \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije \nkraće od 24 minute \n \n \n1.1. LEZIJE U AKCIJI   \n \nAnimirana serija, 8 epizoda po 20 min. \nProducent: –  \nScenarist: Filip Jurjević   \nRedatelj: –  \n- 4.000 EUR \n \n„Lezije u akciji“ prilično su neobičan projekt. Radi se o animiranoj seriji \nkoja prati zbivanja u mozgu jednog momka koji ima simptome multiple \nskleroze, odnosno lezije iz naslova i njihove međusobne borbe u njegovom \nmozgu. Prva asocijacija iskusnijem gledatelju je legendarni francuski „La \nVie“ („Moje tijelo – život“ ili „Bilo jednom ljudsko tijelo“ kod nas), no autor \nse referira na puno aktualnije Pixarove klasike „Soul“ i „Inside Out“, samo \nmračnije i psihodeličnije (!). Živi bili pa vidjeli...  \n  \n \n1.2. RAŠLJAR \n \nAnimirana serija, 10 epizoda po 10 min. \nProducent: –  \nScenaristica: Vivien Karlović \nRedatelj: –    \n- 3.500 EUR \n \nJoš jedan zanimljiv animirani projekt, također neobičan i pomalo \nneočekivan. Nikola Tesla izumi vremenski stroj (u obliku običnih rašlji iz \nnaslova) i krene put svog Smiljana, no kako prototip nije usavršen, \ndospije u današnju Hrvatsku. Navedeno nije ni pola zapleta, ima tu i \nestrade i kriminala, ali i povjesti i mitologije, a sve skupa djeluje jako \nrazigrano i obećavajuće.  \n \n \n \n \n \n\n\f\n9 \n \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije    \nkraće od 20 minuta \n \n \n2.1. 5.0: ŠKOLA 21. STOLJEĆA \n \nDokumentarna serija, 6 epizoda po 26 min. \nProducent: DOP produkcija \nScenarist: Anđelo Jurkas  \nRedatelj: Anđelo Jurkas     \n- 3.500 EUR \n \nIako sam i dalje dojma da bi ovaj projekt vjerojatno bolje funkcionirao kao \njednodjelni, feature dokumentarac nego kao serijal od 6 epizoda, ipak sam \nga odlučio podržati. Naime, tema hrvatskog školstva bila je aktualna lani \nkad sam se prvi put susreo s ovim projektom, aktualna je naravno i \ndanas, a bit će, bojim se i za 20 godina, samo je pitanje na koji način. \nAutor se već dosta dugo bavi ovom i srodnim temama i to je vidljivo iz \nprojektnog materijala – od imperativa prosjeka 5.0 preko državne mature \ni kurikuluma do vršnjačkog nasilja u školama i na internetu.Dobar dio \nistraživanja je već odrađen, a sad je vrijeme za slijedeću stepenicu \nrazvoja.    \n \n \n2.2. ABANDONED CROATIA  \n \nDokumentarna serija, 6 epizoda po 26 min. \nProducent: – Woodz production  \nScenarist: Danijel Prugovečki \nRedatelj: –  \n- 3.500 EUR \n \nNapuštene tvornice, napuštene kuće i cijela sela, nedovršene građevine \n(poput bolnice u Blatu koja je nekidan gorjela), čak i nekadašnji hotelski \ngiganti i odmarališta po obali – tema za ovakav dokumentarni serijal ima \nna žalost i previše. Bez obzira što smo gledali neke srodne dokumentarce, \novakve projekte treba uvijek podržati, a ovaj se zasad razvija u dobrom \npravcu.  \n \n \n2.3. CHECKPOINT \n \nDokumentarna serija, 5 epizoda po 25 min. \nProducent: –  \nScenarist: Filip Zadro \nRedatelj: Filip Zadro \n- 3.500 EUR \n\n\f\n10 \n \n \nProjekt je bio prijavljen na dva prethodna roka javnog poziva i oba puta je \nbio blizu potpore. Autor je u međuvremenu uvažio neke sugestije poput \nsmanjenja broja epizoda i evo ga sada na listi prijedloga za potporu. Radi \nse o procesu nastajanja dvije videoigre u dva različita zagrebačka studija.  \nIndustrija igara je velika priča u svijetu, a čini se da i kod nas raste, pa je \n„Checkpoint“ projekt na pravom mjestu u pravo vrijeme. \n \n \n2.4. KALAFATI \n \nDokumentarna serija, 5 epizoda po 52 min. \nProducent: – \nScenarist: Tomislav Kalousek  \nRedatelj: –   \n- 4.000 EUR \n \nSerijal o starom zanatu izrade drvenih brodova i o tome kako ljudi i danas \nunatoč dostupnosti i praktičnosti plastičnih ili aluminijskih i inih brodova, i \ndalje biraju drvene barke. Ima tu zanata, ali ima i romantike, a mora i \nsvega što ima veze s njim, naravno, nikad dosta. U svakom slučaju \nobećavajuće. \n \n \n2.5. MENOPAUZA   \n \nDokumentarna serija, 4 epizode po 52 minute  \nProducent: Pipser \nScenaristica: Miljenka Čogelja \nRedatelji: Sunčana Ana Veldić, Đuro Gavran      \n- 3.500 EUR \n \nTa teška i delikatna riječ na M koja se rijetko i nerado spominje, a zapravo \nje prirodna poput rođenja, života i smrti. Autorica (i producentica) je vrlo \nhrabro odlučila svoja osobna iskustva s perimenopauzom predočiti u \nserijal koji se bavi medicinskim, društveno obiteljskim, čak i kulturno \npovijesnim aspektima menopauze. Stvar kompliciranijom (ili možda \njednostavnijom..?) čini i to što je redatelj prve, autobiografske epizode \nserijala njen suprug.   \n  \n \n2.6. MIKROSVIJET OKUSA: FERMENTACIJA \n \nDokumentarna serija, 6 epizoda po 26 min. \nProducent: Woodz produkcija \nScenaristice: Čejen Černić Čanak, Sendy Osmičević   \nRedateljica: Čejen Černić Čanak   \n- 3.500 EUR \n\n\f\n11 \n \n \nStari načini očuvanja i skladištenja hrane – fermentacija, vraćaju se na \nvelika vrata. Tako kaže autorica projekta, a ovaj savjetnik o tome ima \nminimalna saznanja i nema joj razloga ne vjerovati, pogotovo jer je \nprojekt vrlo studiozno pripremljen u suradnji sa magistricom urbanog \nšumarstva i potencijalnom voditeljicom serijala, Sendy Osmičević. Kad već \nna ovom roku nemamo projekata o kuhanju (a na pretprošlom ih je, hvala \nbogu bilo i previše), nije loša ni fermentacija... \n \n \n2.7. PLANSKI  \n \nDokumentarna serija, 6 epizoda po 52 min. \nProducent: –  \nScenaristica: Ena Katarina Haler \nRedatelj: –     \n- 4.000 EUR \n \nSerijal „Planski“ bliski je srodnik gore spomenutog projekta „Abandoned \nCroatia“, i kao što sam napisao tamo, napisat ću i tu – odnos našeg \ndruštva prema jednom dijelu materijalne baštine je takav da svakoga tko \nse hoće time baviti (ili bolje – dizati prašinu) u bilo kojem mediju treba \npodržati. Ovdje se konkretno radi o ostacima industrijske arhitekture i \nplanskog urbanizma iz razdoblja socijalizma, a autorica je projekt jako \ndobro pripremila, između ostalog i u svom dosadašnjem novinarskom \nradu, priloženi su skenovi brojnih njenih članaka na ovu temu.  \n \n \n2.8. RAD I ODMOR \n \nDokumentarna serija, 6 epizoda po 26 min. \nProducent: –  \nScenaristica: Ivana Karačonji Rupčić   \nRedatelj: –     \n- 3.500 EUR \n \n...i kad smo već u tim temama, zašto ne trilogija? Naime, i „Rad i odmor“ \nse bavi sličnim stvarima kao i „Planski“ i „Abandoned Croatia“, ovaj put se \nradi o vezi industrije i radničkih naselja u Hrvatskoj. Važno je reći da su \nteme srodne (nikako iste), ali da je i autorski pristup međusobno različit i \nda svaki od projekata ima neki svoj osobni glas. To bi na ovom roku \njavnog poziva bilo to što se tiče ovih tema, barem u potkategoriji \ndokumenataraca, za dramske projekte već ne mogu garantirati...  \n \n \n \n\n\f\n12 \n \n2.9. SILENZIO \n \nDokumentarna serija, 6 epizoda po 20 min. \nProducent: Kinematograf \nScenaristica: Martina Uzelac  \nRedatelj: Igor Dropuljić     \n- 3.500 EUR \n \n„Silenzio“ se bavi ostavštinom talijanske vladavine u našim krajevima, ali \nne materijalnom baštinom kao nekoliko gore spomenutih projekata, već \niskustvima živih svjedoka fašističke strahovlade na istočnoj obali \njadranskog mora. Naravno, bit će tu i arhive i stručnog komentara i \nvodstva, a temu na žalost čine aktualnom i revizionistički vjetrovi koji su \nopet zapuhali s Apenina zadnjih godina.  \n \n \n2.10. SKVOTEVER \n \nDokumentarna serija, 10 epizoda po 30 min. \nProducent: Woodz produkcija \nScenarist: Toni Jelenić   \nRedatelj: Toni Jelenić \n- 4.000 EUR \n \n„Skvotever“ je serijal o skvotovima, i ne samo hrvatskim. Autor je očito \njako dobro upućen u tematiku pa između ostalih planira prikazati i \nskvotove u Parizu, Barceloni i Amsterdamu (ukupno njih deset). Ima i kod \nnas onih koji misle da je skvot mjesto u kojem se mladež s čudnim \nfirzurama i odjećom drogira i sluša neku nepodnošljivu glazbu, a takvi će \nnaučiti da su skvotovi i mjesta kulture i umjetnosti, i centri političkog i \nekološkog aktivizma i štošta još. \n \n \n2.11. TRENDING \n \nDokumentarna serija, 8 epizoda po 26 min. \nProducent: –  \nScenaristica: Sara Grgurić   \nRedateljica: Sara Grgurić    \n- 4.000 EUR \n \nJoš jedan iznimno aktualan serijal, „Trending“ govori o online kulturi i \nnekulturi, ali svemu onome čemu se čude gore spomenuti koji ne razumiju \nšto je skvot – npr. fenomenima cancel kulture, hashtag aktivizma, body \npositivity pokreta i slično. Mladoj autorici (r. 1998.) nije samo njena dob \npreporuka za ovaj projekt, puno više je pomoglo poznavanje materije i \ndobra priprema.    \n \n\n\f\n13 \n \n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće \nod 25 minuta i koje je namijenjeno prvenstveno \ntelevizijskom prikazivanju \n \n \n3.1.  BILO JEDNOM U HRVATSKOJ  \n \nDramska serija, 6 epizoda po 50 min. \nProducent: – \nScenarist: Mladen Stanić  \nRedatelj: – \n- 4.500 EUR  \n \nProjekt „Bilo jednom u Hrvatskoj“ ocijenio sam pozitivno na prošlom roku \njavnog poziva, no nisam ga predložio za potporu između ostaloga i zbog \nmoje sumnje u trenutnu snagu i moć narko triler podžanra na našem \ntržištu. No, žanorvske nedoumice na stranu, ovdje se radi o zanimljivom \ncrnohumornom trileru elaboriranog zapleta i prepoznatljivog splitskog \nšmeka (da ne kažem šušura) o 35-godišnjem gastarbajteru koji se vraća u \nrodni Split istražiti samoubojstvo brata koje bi moglo imati veze sa narko \nmiljeom. Autor se u međuvremenu potrudio napisati i prvu ruku scenarija \npilota, pa ga u njegovim nastojanjima ovom prilikom podupiremo. \n \n \n3.2. CRVOTOČINA \n \nDramska serija, 6 epizoda nepoznatog trajanja  \nProducent: –  \nScenarist: Davor Žmegač \nRedatelj: – \n- 4.500 EUR \n \nUbojstvo gradonačelničkog kandidata kojem je u ruci ostavljena \nfotografija Ante Pavelića pokretač je radnje u ovom iznimno zanimljivom \nkrimiću Davora Žmegača, redateljskog veterana ali spisateljskog \ndebitanta, radi se naime o adaptaciji njegovog preklanjskog istoimenog \nromana. Ono što je meni bilo posebno srcu drago, a prilično sam siguran \nda u tom osjećaju neću biti usamljen, jest da je glavni zaplet smješten u \nfilmsko-filmofilski milje. Ubijeni je naime bio poznati režiser, većina \nčlanova njegova dugogodišnjeg kružoka koji sada dolaze pod povećalo iz \nfilmskih je krugova, a filmske reference su brojne i česte. No, interesantan \nje i istražitelj i njegova osobna priča. Uglavnom, jedan od najzanimljivijih \nprojekata na ovom roku javnog poziva!   \n \n \n  \n \n \n\n\f\n14 \n \n3.3. HORVACKI BAČKA 1901-1939 \n \nDramska serija, 3 epizode po 50 min. \nProducent: Udruga Artizana \nScenarist: Dražen Prćić  \nRedatelj: Branko Ištvančić \n- 4.000 EUR \n \nMartin Horvacki osnivač je jednog od najstarijih nogometnih klubova na \novom području (autori tvrde i najstarijeg), NK Bačka. Njegova priča \niznimno je zanimljiva kao i čitav taj milje bačkih Hrvata te razdoblje u \nkojem su se na relativno malom teritoriju u samo nekoliko desetljeća \nizmjenile tri države. Nogomet je, naravno bio i ostao konstanta. Treba \nspomenuti da je jedan od sinova Martina Horvackog bio prvi poslijeratni \ngradonačelnik Subotice, a praunuk autor scenarija ovog zanimljivog \nprojekta. \n \n \n3.4. DOBRO JE, MIRNO JE, SIGURNO JE \n \nDramska serija, 8 epizoda po 26 minuta \nProducent: –  \nScenaristi: Espi Tomičić, Sara Grgurić \nRedatelj: Sara Grgurić \n- 4.500 EUR \n \nVrijeme će pokazati da li je fenomen „Srama“ pokrenuo lavinu priča o \nmilenijalcima i gen-z-jevcima, no svakako bi bilo jako dobro da se vrlo \nbrzo pojavi još neki igrani sadržaj s protagonistima i ciljanom publikom iz \ngeneracija rođenih poslije Domovinskog rata. „Mirno je..“ je svakako \nlegitiman i validan kandidat, s ipak nešto starijim junacima od onih u \n„Sramu“. Osam mladih likova, jedna konfuzna noć, neočekivani incident \nkrađe automobila, društvene mreže.. Što može poći po zlu..?      \n \n \n3.5. PALUBE \n \nDramska serija, 5 epizoda po 50 min. \nProducent: –  \nScenarist: Davor Špišić (po vlastitom romanu „Košer“)   \nRedatelj: – \n- 4.500 EUR \n \nJoš jedan slučaj na ovom roku javnog poziva gdje se autor romana \nuhvatio adaptacije svoje knjige, ovaj put uz izmijenjeni naslov. Priča \npočinje negdje u Jugoslaviji 1989. (možda npr. u Slavoniji), u obitelji \numirovljenog podoficira JNA i prikazuje slijedećih nekoliko turbulentnih \n\n\f\n15 \n \ngodina njegove male obitelji, ali i šire zajednice. Zgodna storija o \nnezgodnim identitetima u nezgodna vremena.    \n \n \n3.6. RIVIJERA \n \nDramska serija, 6-8 epizoda po 50 min. \nProducent: Antitalent \nScenaristica: Tena Štivičić   \nRedatelj: –  \n- 5.000 EUR \n \nPremijerni izlet naše, a svjetske dramatičarke Tene Štivičić u domaći TV \nsvijet smješten je na Brijune. Tamo dolazi nova ravnateljica nacionalnog \nparka sa specijalnim zadatkom da višedesetljetna brijunska priča što prije \npropadne i otvori put stranom investitoru. No, pitat će se nešto i Titove \ngazele i muflone, kao i osoblje među kojima ima i onih koji su još i samom \nMaršalu točili kavu. Vrlo obećavajuće.  \n \n \n3.7. SMRT NA RECEPT  \n \nDramska serija, 8 epizoda po 45 min. \nProducent: – \nScenaristica: Lina Michl   \nRedatelj: – \n- 5.000 EUR \n \n \nNa ovom javnom pozivu rame uz rame apliciraju 70-godišnji veterani, \nliterarne zvijezde, ali i klinci tek proizašli iz školskog sustava, a jedna od \nnajljepših karakteristika posla savjetnika je kad te ovi zadnji zaskoče \nnečim novim, svježim, originalnim... Lina Michl ima 26 godina, zavidno \npristojan CV, ali najvažnije od svega, ima jednu od tih svježih priča koja \nčitatelja zaokupi već na sinopsisu. Umirovljena 75-godišnja dubrovačka \nfarmaceutkinja sazna da umire, pa odluči prije kraja napraviti još malo \nštete, tj. osvetiti se mnogima koji su se tokom godina gadno zamjerili njoj \ni njenima. Potencijalno jako zgodna crna komedija.    \n \n \n3.8. SUMNJIVE OKOLNOSTI \n \nDramska serija, 6 epizoda po 47 min. \nProducent: Antitalent  \nScenaristica: Daria Stilin    \nRedatelj: –  \n- 4.500 EUR \n \n\n\f\n16 \n \nKrimić s twistom, i to kakvim! Prije osam godina u okolici Dubrovnika \nnestala je 8-godišnja kćer bogatog arapskog biznismena iz Velike \nBritanije. Do tijela će u današnje doba policiju odvesti petogodišnji lokalni \ndječak koji tvrdi da je reinkarnacija nestale curice. Priča spretno miksa \nlokalni kolorit sa anglosaksonskim žanrovskim postulatima (inspektorica je \nEngleskinja), pa ima i koprodukcijskog potencijala.   \n \n \n3.9. TRILJSKI MISTERIJ \n \nDramska serija, 6 epizoda po 40 min. \nProducent: –  \nScenaristica: Leona Tara Joyce Wright   \nRedatelj: –   \n- 4.500 EUR \n \nŠto vrijedi za gore opisani projekt „Smrt na recept“ i njenu mladu \nautoricu, vrijedi i za „Triljski misterij“ i također 26-godišnju Leonu Taru \nJoyce Wright. Iznenađujuće artikulirano zapleten krimić o nestanku jedne \ntinejdžerice u Trilju raspetljava se 15 godina kasnije. Taj će teret istrage \npasti na danas 28-godišnju najbolju prijateljicu nestale, i samu \nprogonjenu prošlošću. Zanimljivi likovi, zanimljiv milje i priča s \npotencijalom. \n \n \n \n \n4) Televizijsko humoristično djelo čije trajanje po epizodi nije \nkraće od 20 minuta  \n \n4.1. POSLJEDNJI KRALJ TELEVIZIJE  \n \nDramska serija, 12 epizoda po 40 min. \nProducent: –  \nScenaristica: Ines Mrenica Mutevelić   \nRedatelj: – \n- 5.000 EUR \n \nGlavni razlog zašto „Posljednji kralj televizije“ nisam predložio za potporu \nna prethodnom roku je taj da sam predložio druga dva projekta iste \nautorice. Na ovom roku nemamo tu zapreku, autoričin drugi projekt je u \npotkategoriji razvoja projekata TV djela. Kozmetičke promjene koje sam \npredložio, a ticale su se imena same serije i prezimena glavnog lika i \nnjegove dinastije, autorica je uvažila i to sve sad izgleda još bolje nego \nzadnji put. Drama prepuna spletki s elementima satire iz TV miljea, \nodnosno obitelji vlasnika najgledanije TV postaje u državi – vrijeme će \npokazati radi li se tu o hrvatskom „Succession-u“, novim „Glembayevima“ \nili pak nečemu sasvim trećem, svom i originalnom.   \n\n\f\n17 \n \n \n \n \n4.2. BEČKA ŠKOLA \n \nDramska serija, 12 epizoda po 26 min. \nProducent: –   \nScenaristi: Stjepan Perić, Danijel Kušan   \nRedatelj: Danijel Kušan \n- 5.000 EUR \n \nImamo Jugonostalgičare i one druge nostalgičare, dok smo za K-und-K-\nnostalgičare mislili da su ipak odavno izumrli. Ali ne! Jedan takav je \nravnatelj škole u malom zagorskom mjestu koji od ministra glavom i \nbradom dobije zadatak reformirati svoju školu po skandinavskom modelu \nkao pilot projekt za ostatak hrvatskog školstva. No, čovjek je neizliječivi \nhabsburgofil pa svoju školu pretvori u austrougarsko učilište. Jesmo li \nspomenuli da sve snimaju kamere jedne dox ekipe što priči daje \nsuvremenu, mockumentary aromu. Komedija s hit potencijalom, ali već u \novoj fazi miljama iznad populističkih komedija kakve su nam obilato \nservirane zadnjih desetak godina.  \n \n \n4.3. LJUBAV PO SVETOJ LUCIJI \n \nDramska serija, 6 epizoda po 30 min. \nProducent: –   \nScenarist: Marko Mihalinec  \nRedatelj: – \n- 4.000 EUR \n \nNastavno na prethodni projekt – ako dakle s komedijom na domaćem \nterenu posljednjih desetljeća ne stojimo baš najbolje, s rom-com-om smo \ntek u problemu. Evo jednog zgodnog pokušaja oživljavanja žanra koji je \nozbiljno posrnuo i na svom holivudskom izvorištu. 30-godišnjoj \nSamoborki, inače menađerici obiteljskog kamenoklesarstva, tarot gatara \nna nekom sajmu za 50 eura prorekne naočitog Nepalca, prorekne i život \njoj naopačke preokrene.  \n \n \n \n4.4. OVO NIJE JOŠ JEDNA SAPUNICA \n \nDramska serija, 8 epizoda po 30 min. \nProducent: –   \nScenarist: Filip Sertić  \nRedatelj: –  \n- 4.500 EUR \n\n\f\n18 \n \n \n„Ovo nije još jedna sapunica“ na prethodna je dva roka bila pozitivno \nocijenjena i blizu potpore, a sad je konačno došlo njenih pet minuta, da ne \nkažem 170 epizoda. Šalu na stranu, radi se o mokumentariju sa seta \nsapunice, sajmu taština koji autor sscenarija, i sam glumac, očito dobro \npoznaje. S obzirom da na domaćim ekranima trenutno imamo tri \nsapunice, tajming za „ONJJS“ ne može biti bolji. \n \n4.5. SEKS I SELO \n \nDramska serija, 12 epizoda po 24 min. \nProducent: –   \nScenaristi: Ivan Turković Krnjak (prema istoimenim kolumnama Mande-  \n                Turčinov Ježine)    \nRedatelj: –  \n- 4.500 EUR \n \nJoš jedan od projekata koji su na prethodnim rokovima javnog poziva bili \nblizu potpore. Radi se o četiri junakinje različite životne dobi i različitih \nproblema u malom otočkom mjestu (Murteru). U moru dalmatinskih \nženskih priča koje gledamo zadnjih godina, ono što izdvaja „Seks i selo“ \nod ostalih je prije svega humorni pristup (patrijarhat je naravno uvijek tu, \nali može ga se „tući“ i zafrkancijom, ne samo čemerom kako to nerijetko \nvoli hrvatski film) i činjenica da se zaista radi o gospođi koja je pisala \nkolumne o otočkom životu za lokalni list. Te kolumne i naratorica u prvom \nlicu jedina su poveznica sa slavnim njujorškim prethodnikom, jer ovdje se \nipak radi o stvarnim, živim ženama, a ne o stereotipima i likovima iz \nbajke. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"non_financing","source":{"filename":"likemeback%20pb%20def%20-%20ENG.pdf","filename_decoded":"likemeback%20pb%20def%20-%20ENG.pdf","sha256":"8422a8096fc1b4cafe421d037e5879055123bd304b6d40e7cd6f93a6a27e220a","bytes":1127901,"page_count":5,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. 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autorice Sare \nJurinčić na internacionalnom filmskom festivalu u Tangieru\n366,80\n5\nWolfgang i Dolly d.o.o.\nSudjelovanje producenta Matije Drnikovića na Ji.hlava New Visions Market s \ndokumentarnim projektom Zanki \n409,49\n6\nUdruga Blank\nSudjelovanje redateljice Paule Skelin na Ji.hlava International Documentary Film \nFestival\n399,87\n7\nUdruga Blank\nSudjelovanje redatelja Marka Bičanića s dugometražnim igranim filmom \n\"Rezervacije\" na radionici PITCH-IT (modul 2)\n274,14\n8\nUdruga Blank\nSudjelovanje redatelja Petra Vukičevića na Smotri hrvatskog filma u Beogradu - \nPitching forum Make it happen - s kratkometražnim igranim filmom Krš\n94,00\n9\nUdruga Blank\nSudjelovanje redatelja Igora Jelinovića na MedFilm festivalu u Rimu - MedIndustry - \nWork in progress\n553,74\n10\nWolfgang i Dolly d.o.o.\nSudjelovanje redatelja Franka Dujmića i snimatelja Frane Pamića na svjetskoj \npremijeri filma Funk YU na IndieCork festivalu u Irskoj\n1.867,57\n11\nWolfgang i Dolly d.o.o.\nSudjelovanje autorske ekipe filma „Godina prođe, dan nikako“ na svjetskoj primjeri na \nDokLeipzig 2024\n1.731,57\n12\nDina Uglešić\nInternational Screen Institute’s Sustainability Management Course\n487,64\n13\nDina Uglešić\nRotterdam Lab 2025\n265,58\n14\nAkademija dramske umjetnosti\nSudjelovanje Jana Krevatina i Maka Tepšića na CINEMED 2024.\n359,84\n15\nSve gore i gore, vl. Jelena Duh\nSvjetska premjera filma Proplakat će kiša redatelja Damira Čučića na IFFR-u\n864,46\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI, 10. sjednica Hrvatskog audiovizualnog \nvijeća,  14. ožujka 2025. godine \n\n\f\n16\nEclectica d.o.o.\nSudjelovanje producentice Tine Tišljar na programu stručnog usavršavanja EAVE \nProducers Workshop\n7.000,00\n17\nEclectica d.o.o.\nSudjelovanje dugometražnog igranog filma “Povijest bolesti” na radionici Midpoint \nFeature Launch 2025\n4.561,10\n18\nKobra Koke Zagreb / Cobra Chicks \nZagreb\nSudjelovanje Inje Korać na Erich Pommer - European Co-Production Legal and \nFinancial Aspects radionici\n245,00\n19\nPetnaesta umjetnost d.o.o.\nPITCH IT sudjelovanje redatelja i producenta filma \"Rezervacije\"\n2.643,68\n20\nDinaridi film d.o.o.\nSvjetska premijera filma Otapanje vladara na 54. Međunarodnom filmskom festivalu \nu Rotterdamu\n1.673,32\n21\nSplit Screen, vl. Marcella Jelić\nSudjelovanje na Sajmu dokumentarnog filma Medimed, Sitges, Španjolska\n153,13\n22\nPavao Marinković\nGostovanje filma \"Bosanski lonac\" na Matera Film Festivalu\n169,00\n23\nDobar film\nSudjelovanje projekta TV serije \"Poštovani kukci i druge jezive priče\" u programu \nTorinoFilmLab - SeriesLab 3. sesija - pitching u Torinu\n732,40\n24\nDOH d.o.o.\nObraz - svjetska premijera\n330,00\n25\nDOH d.o.o.\nObraz - internacionalna premijera na Cairo International Film Festivalu\n683,96\n26\nKOMPOT\nSudjelovanje kratkometražnog dokumentarnog projekta \"KOZE!\" na DOK Short n' \nSweet pitchingu na DOK Leipzigu\n926,34\n27\nAntitalent d.o.o.\nSudjelovanje producenta Danijela Peka i scenarista Renea Galla na MIDPOINT \nSeries Lauch 2024  - treća sesija\n1.866,94\n28\nAntitalent d.o.o.\nSudjelovanje producentice Katarine Prpić i redateljice Vanje Juranić s projektom \n\"Mama, tata i ja\" na France-Balkan Coproduction radionici\n2.012,00\n29\nPetra Belc Krnjaić\nGostujuća predavanja u Katalonskoj kinoteci i na Sveučilištu Basel\n487,08\n30\nKarla Budišćak\nSudjelovanje snimateljice Karle Budišćak na radionici Frame Within a Frame u \nsklopu Tallinn Black Nights Film Festivala\n399,18\n31\nSplit Screen, vl. Marcella Jelić\nSudjelovanje na Međunarodnom festivalu dokumentarnog filma u IDFA u \nAmsterdamu, Nizozemska \n295,56\n32\nNikki Beverly Bohm\nSudjelovanje na Sitges FanPitch Industry Labu s projektom Lički Vukodlak\n874,60\n33\nAna Bilankov\nSudjelovanje na filmskim festivalima u Berlinu 2024 i Londonu 2025\n520,57\n34\nDinaridi film d.o.o.\nSvjetska premijera filma Dobra djeca na festivalu u Varšavi\n5.500,00\n35\nJaka produkcija d.o.o.\nSudjelovanje na koprodukcijskom forumu Producers LINK u sklopu Cinekida u \nAmsterdamu\n359,62\n36\nJaka produkcija d.o.o.\nTV Beats Co-financing market u sklopu POFF Black Nights festival u Tallinnu\n445,44\n\n\f\n37\nTeatar Stella d.o.o.\n7. Festival hrvatskog filma u Beogradu\n6.000,00\n38\nPipser d.o.o.\nSudjelovanje redatelja Đure Gavrana u programu The Sustainability Management \nCourse u Beču\n967,49\n39\nRestart\nSudjelovanje dugometražnog dokumentarnog projekta \"Budi realan, traži nemoguće\" u \nprogramu Ex Oriente Film - druga sesija u Njemačkoj (DOK Leipzig)\n1.040,29\n40\nRestart\nSudjelovanje filma \"Kontraadmiral\" u programu BDC Discoveries u Leipzigu - 3. \nsesija\n795,45\n41\nStudio Corvus d.o.o.\nSudjelovanje producenta na regionalnoj i europskoj premijeri filma \"Luna Park\" na \nThessaloniki International Film Festivalu\n335,00\n42\nPipser d.o.o.\nSudjelovanje Marije Ćurić na radionici RE-ACT / EURODOC On Demand u \nUdinama, Italija\n384,97\n43\nRestart\nSudjelovanje Dine Pokrajac u programu Doc's Kingdom – međunarodnom seminaru \no dokumentarnom filmu, u Odemiri, Portugal\n760,75\n44\nGFR film-video\nSudjelovanje Željka Baloga u žiriju 18. međunarodnog filmskog festivala Grand Off u \nVaršavi\n327,87\n45\nStudio Corvus d.o.o.\nSudjelovanje producenta na svjetskoj premijeri filma \"Luna Park\" na manifestaciji \nInternational Film Festival of India u Goi\n951,68\n46\nFestival mediteranskog filma Split\nSudjelovanje predstavnika Kina Mediteran na konferenciji Europa Cinemas u Vilniusu, \nLitva\n808,95\n47\nSunčana Brkulj\nSudjelovanje autorice Sunčane Brkulj i filma \"Leptir\" na međunarodnom festivalu \nanimacije London Short Film Festival\n264,91\n48\nHulahop d.o.o.\nSudjelovanje Dalije Dozet i Dane Budisavljević na manifestaciji Last Stop Trieste s \nfilmom \"Lekcije mog tate\"\n736,00\n49\n365 films d.o.o.\nSudjelovanje ekipe filma \"DJ Ahmet\" na svjetskoj premijeri na Sundance Film \nFestivalu\n3.825,28\n50\nRestart\nSudjelovanje kratkometražnog filma \"Zatvaranje\" u programu European Short Pitch \n2025.\n490,00\n51\nNukleus Film d.o.o.\nSudjelovanje redateljice Une Gunjak i producenta Siniše Juričića s projektom \"How \nMelissa Blew a Fuse\" na filmskom festivalu u Rotterdamu, u industrijskom programu \nCineMart\n1.080,00\n52\nSunčana Brkulj\nSudjelovanje autorice Sunčane Brkulj i filma \"Leptir\" na međunarodnom festivalu \nanimacije Tokyo Anime Award Festival\n1.077,12\n53\nSekvenca d.o.o.\nSudjelovanje Jure Pavlovića u programu Streamers Ecosystem | VoD Inspirational \nLab, u sklopu koprodukcijskog foruma When East Meets West u Trstu\n325,50\n54\nPipser d.o.o.\nSudjelovanje producentice Miljenke Čogelje na 3. sesiji radionice ACE Producers u \nItaliji i Hrvatskoj\n262,85\n55\nPipser d.o.o.\nSudjelovanje redatelja i producentice serijala \"Sport narodu\" na 3. sesiji radionice Ex \nOriente Film\n784,16\n\n\f\n56\nUdruga građana Spirit\nPredstavljanje filmskog serijala \"Agent o1o\" na manifestacijama u Kosovu, Srbiji i \nCrnoj Gori\n1.052,40\n57\nUdruga za audiovizualno stvaralaštvo \nArtizana\nCiklus hrvatskog filma u Vojvodini 2025.\n3.473,00\n58\nATL MEDIA, vl. 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\n1 \n \n \n Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ PROJEKATA DUGOMETRAŽNIH DOKUMENTARNIH FILMOVA u 2022. \n- 1. ROK - 14.3.2022.  \n \nUMJETNIČKA SAVJETNICA: Tiha Gudac \nOPĆI OSVRT  \nNa javni poziv u kategoriji poticanja razvoja projekta dugometražnog dokumentarnog filma na prvom roku prijavljeno \nje sveukupno 14 projekata. Svi projekti su razmatrani. Također razmatrani su i  projekti prijavljeni u kategoriju \nprodukcije dugometražnog igranog filma, za koje je procijenjeno da je kategorija razvoja projekta prikladnija za \nnastavak pripreme budućih filmova.  \nVećina pristiglih projekata autorska su istraživanja segemenata društva i kolektivne prošlosti kroz pojedince, fenomene \ni društvene pokrete. Dio projekata pokazuje slabost u jasnoći  i nerazrađenost autorskog pristupa. S druge strane više \nprojekata temama koje obrađuju pristupa s autorskom pripravnošću i zrelošću dostatnom za stjecanje povjerenja u \nodrživost nastavaka razvoja projekta. Zbog budžetskih ograničenosti za sufinanciranje su predloženi projekti kojima je \nnastavak razvoja  u odnosu na operativan plan razvoja nužan u ovom trenutku.  \nHrvatskom audiovizualnom vijeću je predloženo ukupno 8 projekata za sufinanciranje u ovoj kategoriji, a među \npredloženim, 2 projekta su prebačena iz kategorije proizvodnje. U kategoriji razvoja projekta predloženo je \nfinanciranje u ukupnom iznosu od 665 000 kn, što je Hrvatsko audiovizualno vijeće odobrilo. \nSmatram da će potpora razvoja dolje navedenih filmskih projekta doprinjeti stvaranju jakih kreativnih i društveno \nrelevantnih filmskih djela te omogućiti njihovu prisutnost na europskoj dokumentarističkoj sceni već prije početka \nsnimanja te da će na taj način biti osiguran bolji plasman budućih filmova.  \n1. Lica koja svijetle u mraku, Tomislav Jelinčić  (redatelj i scenarist) / Danijel Pek (producent) / Antitalent d.o.o.  \n(produkcija) 90.000 kn  \nNaizgled nespojive likove veže zajednički problem: posljedice izloženosti ekranima. Svi u filmu imaju svoje ciljeve: Tin \nželi pobijediti ovisnost na Odjelu za odvikavanje od interneta. Domagoj suočen sa samoubojstvom sina zbog videoigre \npokušava mu ispuniti obećanje i doplivati do 50 otoka. Psihologinja Tajana radi istraživanja o korištenju mobitela \nučenicima kako bi završila svoj znanstveni rad. Neuropsihijatar Manfred Spitzer šokira svijet kojem želi ukazati na \npogubnost izlaganja ekranima. \n2. Iz druge ruke,  Bojan Mrđenović  (redatelj i scenarist) / Sabina Krešić (producentica) / Fantastično dobra institucija \n– Fade In (produkcija) 90.000 kn  \nMozaična filmska struktura preko objekta građevinske cigle, film ulazi u ćelije izgradnje i opstojnosti društva u kojem \nžive njegovi protagonisti. Film prati pet likova u njihovim osobnim egzistencijalnim borbama -  snažni individualni \nkarakteri, ali istovremeno i predstavnici različitih društvenih pozicija: umjetnica, poduzetnik, trgovac, radnik, seljak. \n\n\f\n \n2 \n \nSvaki od likova živi u vlastitom svijetu koji je izoliran od svjetova ostalih likova. Ipak, nizanjem priča u filmu se rastvara \nkoloplet ekonomskih i egzistencijalnih odnosa koji ove naizgled nepovezane likove čini dijelom neraskidive cjeline.  \n3. Kintsugi Bania, Matija Holjevac, Marko Dugonjić  (redatelji),   Marko Dugonjić (scenarist) / Matija Holjevac \n(producent) / Kino Klub Sisak  (produkcija)  65.000 kn \nMetodom japanskog lijepljenja razbijenih posuda – Kintsugi,  ovo je film o ispunjavanju pukotina  društva nastalih \nnakon potresa, ispričan glasom onih koji su ga preživjeli za one koji još žive njegovu realnost.  Dokumentarni film \nKintsugi Bania prati događaje na Banovini nakon razornih potresa krajem prosinca 2020. Priča prati šest ljudskih \nsudbina vezanih uz direktne posljedice samih potresa kroz tri poglavlja: potres, proces popravka i povratak. Snimajući \nod samog trenutka prvog razornog podrhtavanja, grupa mladih filmaša kamerom prati vlastito okruženje – za mnoge \nponovo daleku Baniju i zajedno s protagonistima pokušava naći put – kući.  \n4. radni naslov – Ljubav u procesu,  Anđela Rostuhar i Davor Rostuhar  (redatelji) / Anđela Rostuhar (scenaristica) / \nKlub za ekspedicionizam i kulturu (produkcija) 80.000 kn  \nNakon filmskog istraživanja Ljubavi oko svijeta,  bračni i autorski par vraća se temi suživota parova koje spaja ljubav. \nLjubav u procesu, ulazi u prostor koji nastaje nakon prvih zanesenih poljubaca  prateći šest parova na području \nHrvatske, BiH i Srbije kroz period od dvije godine. Iako su naizgled nespojivi, sve parove veže to da su u dugogodišnjem \nodnosu i da prolaze kroz izazov koji dovodi u pitanje njihovu želju za nastavkom veze u kojoj se trenutno nalaze. \nTomislav, Teo, Maja, Alen, Karlo, Sandra, Majda, Ivor, Ognjen, Ana, Irena i Filip vode nas kroz emotivan proces \nsuočavanja, prihvaćanja i navigiranja kroz izazovne situacije koje su ih snašle na životnom putovanju. \n5. Edi, Pavle Kocanjer (scenarist i redatelj) / Filip Filković (producent) /  More – Magnets d.o.o. (produkcija) 80.000 \nkn  \nZanimljivim autorskim pristupom i ustrajnošću na putu stvaranja filma, redatelj već deset godina snima Edija. Sve je \npočelo snimajući kratke igrane filmove s tada 10-godišnjakom u glavnoj ulozi, a nastavilo se procesom u kojem autor \nodrasta zajedno sa svojim protagonistom, te snimajući  njega upoznaje samog sebe.  Zajedničke godine snimanja, i \nlagano nestajanje zida koji odvaja prostor koji dijeli onog ispred i iza kamere. Film promatranja i zajedničkog  \npolaganog rasta.  \n6. Gnjurac, Marčela Zanki (scenaristica i redateljica) / Tamara Babun (producent) / Wolfgang i Dolly d.o.o. \n(produkcija)  90.000 kn  \nAutorica filma vraća se na otok svoje obitelji razviti do kraja odnos sa svojim ocem koji je život posvetio morskim \ndubinama. Slikajući filmom portret svog oca, autorica pokušava pronaći odgovor je li potrebno otići toliko daleko (i \nduboko) od civilizacije da bismo živjeli punim plućima, ili možemo naučiti udahnuti i na kopnu.  \n7. Mirotvorac, Ivan Ramljak  (redatelj) /  Dragutin Hedl, Hrvoje Zovko, Ivan Ramljak (scenaristi), Nenad Puhovski  \n(producent) / Factum (produkcija)  90.000 kn  \nPriča o posljednjih nekoliko mjeseci života Josipa Reihl Kira, načelnika policije Osječko-baranjske policijske uprave, u \nproljeće i ljeto 1991, u osvit krvavog hrvatsko-srpskog rata koga je Kir svim silama pokušao spriječiti, ispričana je kroz \nizjave desetak svjedoka vremena i arhivski materijal iz tog doba. \n\n\f\n \n3 \n \n8. Vapšuvarivari – potraga za beatom splitske muzike,  Rino Barbir (redatelj) / Šimun Šitum ( scenarist), Rea Rajčić \n(producentica) /Eclectica d.o.o. (produkcija)  80.000 kn  \nFilm se na originalan, moderan i šarmantan način bavi fenomenom splitske glazbene scene i nevjerojatne muzikalnosti, \nglazbenih uspjeha i sveprisutnosti glazbe u Splitu. Obrađujemo i pratimo glazbene događaje koji su obilježili prošlost \ngrada pod Marjanom, ne odvajajući glazbu od konteksta cijelog grada koji bi, bez glazbene podloge kojom je prožet, \nbio gotovo neprepoznatljiv. Lokalna glazbena baština, krucijalan je dio identiteta jednog od najopjevanijih gradova na \nsvijetu - Splita.  \n \n \n \n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA DUGOMETRAŽNIH DOKUMENTARNIH FILMOVA u 2022. - 1. 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razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - podkategorija:  \nRAZVOJ SCENARIJA u 2021. - 2. ROK - 14.9.2021. \n \nDUGOMETRAŽNI IGRANI FILM \n \nUmjetnički savjetnici: Pavlica Bajsić Brazzoduro, Danilo Šerbedžija i Zdenka Gold \n \nNa Javni poziv za poticanje razvoja scenarija dugometražnog igranog filma u 2021. \ngodini na drugom roku prijavilo se ukupno 95 projekta. Dva projekta nisu zadovoljila \nuvjete Javnog poziva te ih nismo razmatrali. \nI na ovom roku se nastavljaju trendovi s prethodnih rokova: Kao što je uobičajeno za \nnašu kinematografiju, u prijavama nadmoćno prevladavaju drame, ali nailazimo sve \nčešće na komedije, trilere i žanrovske te vrlo rijetko i na poneki dječji film, ponovno \nprimjećujemo porast projekata u kojima je glavna protagonistica jak ženski lik. \nŽelimo naglasiti da se kao neko pravilo ponavlja i na ovom roku: najveći broj autorica \nprisutan je kod prijavljivanja projekata na razvoj scenarija, a kako se penjemo prema \nrealizaciji tako se taj broj smanjuje. \nOdlučili smo predložiti za potporu sveukupno dvanaest projekata za razvoj scenarija.  \n \n \n \nFilmovi prijavljeni za razvoj scenarija \n \n2 X 15 minuta \nScenarij: Alan Katić \nRežija: -  \nProducent: - \n30.000,00 kn \n \nScenarij 2x15 minuta, autora A. Katića interesantna je priča o jednoj generaciji, \nviđena u dužem vremenskom periodu tj. od  Svjetskog nogometnog prvenstva 1998. \ndo ovog nedavnog 2018. godine. Dva najveća uspjeha Hrvatske reprezentacije \npovezana su s odrastanjem grupice prijatelja. Scenarij prati njihove životne priče, \nljubavne i poslovne probleme. Najkvalitetniji dio ovog scenarija su likovi sami. Autor \nih je veoma kvalitetno opisao, lako ih je vizualizirati i bez problema se emotivno \nvežemo za njih. Nadamo se da će ova potpora pomoći autoru da još malo razradi \nfabulu te ispiše kvalitetan scenarij koji bi mogao biti potencijalni kvalitetan predložak \nza ekranizaciju. Hrvatska nema obilje generacijskih filmova te bi ovaj projekt mogao \nbiti pravo osvježenje. \n\n\f\n \n2 \n \nMagličasto plava \nScenarij: Dora Baras \nRežija: Dora Baras \nProducent: - \n30.000,00 kn \n \nTreatment Magličasto plava autorice Dore Baras svojevrsna je \"coming of age\" (ranih \nsrednjih godina!) urbana drami čija je tema unutrašnje putovanje u kojem se \npreslaguju identiteti i redefiniraju vrijednosti, a kojim glavni lik uplovljava u doba \nzrelosti. Filip je otac blizanaca koji je zadnje dvije godine proveo na roditeljskom \ndopustu i nedavno se vratio na svoj profesorski posao. Njegova supruga Hana \nzarađuje više od njega, pa je logično da se ona vratila ranije na posao kako bi mogli \nšto bolje skrbiti o obitelji. Što se događa sa životom nakon što u njega uđu djeca, što \nse događa sa životnim partnerima koji su do tada živjeli u skladu i fokusirani samo na \nsebe? Baras nam nudi jedan od mogućih odgovora na ta pitanja, i to danas, u \nsuvremenom urbanom Zagrebu kod srednje, pomalo hipsterske, generacije. Njen \nodgovor je pomalo poetski, podosta platonski, vrlo potentan kao filmska priča.  \nVjerujemo da će potpora pomoći autorici da napiše kvalitetan scenarij koji će jednog \ndana privući šaroliku publika u kina te da će imati i jak festivalski potencijal. \n \n \nMora \nScenarij: Ivan Srakić \nRežija: - \nProducent: - \n30.000,00 kn \n \nTreatment Mora autora Ivana Srakića vrlo je napeta i iznimno surova horror priča \nsmještena u slavonsko selo za vrijeme jedne zime. Izuzetno je jake i vrlo specifične \nfilmske atmosfere, nosi u sebi jednu veliku težinu, grubost i bol. Godine u kojima se \nova priča odvija zaista su potpuno nebitne jer ona može biti smještena u bilo koje \ndoba. A jednako tako, ustvari, i u bilo koju zemlju, u neku njenu zabit. Pohvaljujemo \novu univerzalnost koja će sigurno pridonijeti i dobrom razumijevanju filma na \nstranim teritorijima. \nOva priča o obitelji, točnije pater familiasu Mariu Steviću kojeg, kao i njegovog \npokojnog brata, zavedu magične čari Gabrijele. Film završava pogubno za cijelu \nobitelj, a Gabrijela vrlo vjerojatno kreće u pohod na sljedeću žrtvu. \nTreatment je odlično napisan, vrlo je lako vizualizirati sve scene i događaje u filmu. \nLikovi su motivirani i vrlo dobro postavljeni.  \nSigurni smo da će potpora pomoći autoru da iz ovog potentnog predloška napiše \nkvalitetan scenarij koji će ekraniziran biti prava poslastica ljubiteljima art house \n\n\f\n \n3 \n \nfilma. \n \n \nDobro je dok umiremo po redu \nScenarij: Ivor Martinić  \nRežija: -  \nProducent: - \n30.000,00 kn \n \nDobro je dok umiremo po redu, autora Ivora Martinića, projekt je nastao po \nistoimenoj drami postavljenoj u ZKM-u 2019. godine. Priča prati mladog Paola, \nnjegov posljednji dan u rodnom gradu, opraštanje s prijateljima, obitelji i kvartom te \nodlazak iz jedne mladenačke sigurnosti u nepoznato. Kao i mnogi drugi mladi ljudi, \nPaolo odlazi iz Hrvatske. Radi se o veoma kvalitetnom predlošku koji se bavi \naktualnim i bitnim temama za naše društvo. Ovaj projekt nam je već na više natječaja \nbio veoma blizu prolasku te nam je drago da smo konačno  u mogućnosti na našem \nposljednjem roku poduprijeti Ivora Martinića kako bi što kvalitetnije razvio filmski \nscenarij. Pohvaljujemo odmak od kazališne drame uvođenjem glavnog lika te \nprebacivanja fokusa na jednu izgubljenu i zbunjenu generaciju koja svoju budućnost \nne vidi u Hrvatskoj. Ova priča ima potencijal postati prava mala posveta upravo toj \ngeneraciji koja danas hoda ulicama Berlina i drugih europskih gradova, umorna od \npokušavanja da se realizira u domovini. \n \n \nBilo jednom u Splitu \nScenarij: Mladen Stanić \nRežija: Mladen Stanić \nProducent: - \n30.000,00 kn \n \nBilo jednom u Splitu, autora Mladena Stanića, gorka je i gotovo dokumentaristička \npriča o nesretnim ljudskim sudbinama. Iako je riječ o stanju u društvu, o gradu Splitu \nkoji već godinama bori bitku s nerješivim problemom nasilja i korupcije, autor veoma \nkvalitetno umotava temu u jednu žanrovsku napetu kriminalističku priču. Radi se o \npredlošku koji nema heroja. Nema pozitivnog lika za koji se možemo uhvatiti, a opet \nsvi likovi su dovoljno slojeviti da probude određenu empatiju potrebnu za kvalitetno \npraćenje priče. Pohvaljujemo autorov rad na projektu te prihvaćanje naših sugestija s \nranijeg natječaja. Smatramo da Mladen Stanić, nakon kvalitetnih i nagrađivanih \nkratkih igranih filmova, zaslužuje pripremati scenarij za dugometražni igrani film. \nTema je ovo koju autor veoma dobro poznaje te smo sigurni da će se razviti u \nkvalitetan filmski scenarij. \n\n\f\n \n4 \n \nGordanov tečaj samoobmane \nScenarij: Natko Jurdana \nRežija: -  \nProducent: - \n30.000,00 kn \n \nŽelimo pohvaliti predan i dugotrajan rad autora na treatmentu i prihvaćanje naših \nsugestija. Danas je pred nama jedna uravnotežena, primamljiva i zanimljiva filmska \npriča. Gordan, čovjek u srednjim (najboljim) godinama boluje od paničnih napadaja, \ndepresije i možda još poneke bolesti suvremenog života koje su se demonstrirale \nnakon što je dobio otkaz u vrijeme žestoke recesije. Živi u stanu od roditelja i od \nnjhove finacijske pomoći jer nije u stanju raditi. Njegov “posloženi” život potpuno se \nporemeti kada mu roditelji najave da žele prodati stan u kojem on živi te kada se u \nstan do njegovog doseli Vita sa sinom Matijasom, prepuna problema koje vuče iz \npropalog braka.  Nedugo nakon njihovog kratkog i burnog upoznavanja filmska priča \nnas vodi na putovanje kroz punokrvni film ceste u kojem će se Gordan suočiti sa svim \nsvojim strahovima, bolestima, i potajnim nadanjima. Film završava svojevrsnim \nhappy endom s vrlo intrigantnom porukom. \nVjerujemo da će potpora pomoći autoru da uspješno prenese sav potencijal ovog \nfestivalskog crowd-pleasera koji podiže svijest o važnosti mentalnog zdravlja iz \ntreatmenta u scenarij. \n \n \nSofija \nScenarij: Ivan Jovanović, Marčela Zanki \nRežija: Marčela Zanki \nProducent: Antitalent \n30.000,00 kn \n \n“Sofija“ je priča o borbi transrodne osobe za fer tretman u hrvatsko-srpskom društvu \ni njen/njegov odnos s majkom koji je opterećen teškom izbjegličkom sudbinom i \nratnim dešavanjima na prostoru bivše Jugoslavije (Hrvatske) devedesetih godina \nprošlog stoljeća.  \nOvaj projekt progovara o cijelom nizu vrlo bitnih tema, od manipulacije medija, \npreko odnosa majke i djeteta, povratnicima, ali osnovna tema – transrodne osobe – \ndržimo da je iznimno važna i iznimno slabo zastupljena u domaćoj kinematografiji te \nda je vrlo bitno progovoriti o njoj, kako zbog senzibiliziranja javnosti na transrodne \nosobe tako i zbog jačanja te manjinske skupine. Također ton u kojem će ova priča biti \nispričana, kao glazbena drama sa komičnim elementima, držimo da je vrlo potentan, \nkako za festivale tako i za kino publiku. \n\n\f\n \n5 \n \nZahvaljujemo autorima što su prihvatili naše sugestije i proveli ih kroz treatmente te \npredano radili na poboljšanju ove filmske priče. Vjerujemo da će uz produkcijsku \nkuću Antitalent koja je stala uz ovaj projekt i financijsku potporu koju predlažemo, \nrazvoj scenarija napredovati u pravom smjeru. \n \n \nPovratak \nScenarij: Josip Mlakić \nRežija: Branko Schmidt \nProducent: Eurofilm \n30.000,00 kn \n \nScenarij „Povratak“, autora Josipa Mlakića te redatelja Branka Schmidta priča je o \npukovniku  HVO-a koji se nakon odslužene zatvorske kazne u Haagu vraća prvo u \nZagreb pa zatim, „incognito“ i u BiH. Napisana prva ruka već na visokom nivou. \nGlavni lik veoma je dobro ispisan, slojevit, pomalo i antički tragičan. Oduševljava \nminimalizam priče koja ostavlja veliki prostor čitaocu/gledaocu da razvija svoj odnos \ns glavnim likom te propitkuje njegove ljudske kvalitete. „Povratak“ je logičan \nnastavak poslijeratne tematike koju je redatelj Schmidt načeo u svojem prethodnom \nnagrađivanom filmu „A bili smo vam dobri“. Smatramo da će autorski dvojac \nMlakić/Schmidt dobro iskoristiti financijsku potporu te još kvalitetnije razviti ovaj \nscenarij te ga pripremiti za daljnji razvoj i konačnu ekranizaciju teme koja je itekako \nbitna za naše društvo. \n \n \n55 kvadrata \nScenarij: Ivana Vuković \nRežija: Ivana Marinić Kragić \nProducent: Udruga Marinis Media \n30.000,00 kn \n \n“55 kvadrata” autorice Ivane Vuković vrlo je uspješno adaptirani dramski tekst u \nfilmski treatment. Radio se o  socijalnoj  drami s humornim elementima koja  je \ntemeljena na aktualnom i velikom problemu stambenog pitanja koje posebno \npogađa mlade stanovnika grada Splita, pripadnike generacije druge polovine \ndvadesetih i ranih tridesetih godina.  \nOva priča, iako se odvija u skučenom prostoru stana od 55 m2 na devetom katu \njedne splitske zgrade u kojem se najednom našlo čak 6 likova, odiše vrlo dobrim \nritmom i ne djeluje nimalo “klaustrofobično” na čitatelja. Dapače, iz niza situacija \nproizlaze organske humoristične scene, ali jednako tako i one vrlo ozbiljne, gotovo pa \negzistencijalističke prirode za Lenu. \n\n\f\n \n6 \n \nU svojoj strukturi film je podijeljen na četiri dijela koja prate vanjska događanja u \nSplitu na koja naši protagonisti ne mogu utjecati, poput turističke sezone, zagađene \npitke vode, požara i smrada s odlagališta otpada, a koji itekako utječu na događanja \nunutar samog stana kao i unutar samih likova. Jako dobro je to sve prožeto kroz \ntreatment. \nU svojoj koncepciji autorica je doista detaljno pojasnila razvojni put projekta i mi smo \nga  spremni podržati.  \n \n \nPjesničko veče \nScenarij: Anja Matković \nRežija: -  \nProducent: - \n30.000,00 kn \n \nTreatment „Pjesničko veče“  (uz priložene scene) prijedlog je za urnebesni film koji \nkao podlogu zapravo ima puno dublju poruku o zlostavljanju grupe nad pojedincem, \nkonzumiranju tuđeg „duha“, o licemjerstvu realnog sektora naspram nerealnih \nsektora ali i obrnuto. Dakle, ne samo da se radi o vrlo gledljivom filmu, nego se radi o \nkombinaciji društveno itekako relevantne teme zapakirane u vrlo privlačnu formu za \ngledanje. \nUrnebesnost je autorica postigla zamjenom tipičnih uloga, umjesto žene koja se \nnađe sama u muškom društvu, postavila je na njeno mjesto alfa mužjaka i pjesnika, \nMarka Tomaša. Čopor sredovječnih žena u sudaru s jednim alfa mužjakom i \npjesnikom rezultirat će nizom nevjerojatno bizarnih i razularenih situacija. \nStrukturalno uredno podijeljeno na tri čina, potpuno različite atmosfere i napetosti, \ntreatment zadržava dobar ritam od početka do kraja. \nKad se već treatment čita istovremeno smijući se i mršteći čelo, to obećava odličan \nscenarij i daje velike šanse za budući film. \n \n \nŽena koja nije postojala \nScenarij: Filip Mojzeš \nRežija: Filip Mojzeš \nProducent: - \n30.000,00 kn \n \nUbojstvo stanarke u dvorištu zagrebačkog donjogradskog bloka dovodi inspektora \nDavora Kalema u bezizlaznu situaciju. Naime, prema svjedočenjima susjeda nitko \nništa vidio, no čini se da svi nešto kriju. Prateći tijek policijske istrage usporedno sa \nsvakodnevicom stanara zgrade, film secira moralne preokupacije zagrebačke \n\n\f\n \n7 \n \nmalograđanštine nastojeći istovremeno proniknuti u prirodu fenomena „efekta \npromatrača“. \nRadi se  o treatmentu koji je bio razvijan u sklopu scenarističkog programa Branko \nBauer s mentoricom Jelenom Paljan. Kroz prijavljeni treatment pratimo napetu  \npotragu inspektora Kalema za počiniteljem ubojstva u jednoj donjogradskoj zgradi u \nkojoj “nitko ništa nije vidio ali se čini da ipak nešto znaju”. Atmosfera filma djeluje \ngotovo kao u krimićima Agathe Christie, s tim da autor, osim detektivske portage, \ntematizira i mikro zajednicu sustanara i njihov odnos prema fenomenu obiteljskog \nnasilja. Iako autor u značajnoj mjeri prati žanrovska obilježja, zanimljiva je njegova \nodluka o samom završetku filma. \n \n \nSitni lopov \nScenarij: Mate Ugrin \nRežija: Mate Ugrin \nProducent: - \n30.000,00 kn \n \n‘Sitni lopov’ je dugometražni igrani film koji prati svakodnevicu Ria, mladog dečka \nkoji životari na području Istre. Radnja filma se odvija ljeti, tijekom turističke sezone, i \nprati dinamiku odnosa između Ria, njegove obitelji i sezonskih radnika jednog \nresorta. Tematski okvir filma bavi se klasnim kontekstom glavnih junaka i čitave \nregije koja živi od turističke djelatnosti. Intenzivnom urbanističkom i ekonomskom \nrazvoju Istre kontrapunktiram razvoj života nekoliko osoba koje nastoje egzistirati \nunutar tih društvenoekonomskih okvira. \nOvaj treatment pratimo već nekoliko rokova, kao i njegov razvoj kroz suradnje s \nvrsnim mentorima, te kroz reakcije na naše recenzije . \n‘Sitni lopov’ je već na prošlom natječajnom roku zadovoljio kriterije za prolaz, ali \nzbog uskog financijskog okvira ga tada nismo mogli podržati. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2021,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"admin","source":{"filename":"WEB%20-%20OBJAVA%20-%20SRPANJ%202024..pdf","filename_decoded":"WEB%20-%20OBJAVA%20-%20SRPANJ%202024..pdf","sha256":"8663e213fd31440a545edf52977a07af43b1da882c583c32a0776820e3be4e35","bytes":321892,"page_count":5,"extracted_at":"2026-05-16T16:45:19Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. 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Marcella Jelić\nSudjelovanje Marcelle Jelić na filmskom festivalu Sheffield \nDocFest, Velika Britanija \n296,00 €\n9\nKinorama d.o.o.\nSudjelovanje filma Sram u programu Critic's Week na Cannes \nFilm Festivalu  \n4.283,00 €\n10\nDobar film\nSudjelovanje igrane serije \"Poštovani kukci i druge jezive \npriče\" na stručnom programu Mediteranskog filmskog instituta \n(MFI) u Grčkoj\n2.000,00 €\n11\nMate Ugrin\nSudjelovanje redatelja Mate Ugrina na scenarističkim \nkonzultacijama Torino Script Laba u Cannesu\n600,00 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2023. - PROGRAMI \nMEĐUNARODNE SURADNJE - ROK 13.7.2023.,  20. sjednica Hrvatskog audiovizualnog vijeća, 12. rujna 2023.\n\n\f\n12\nMINYA FILM I ANIMACIJA \nj.d.o.o.\nSudjelovanje na međunarodnom sajmu animiranog filma \nMarché international du film d'animation (MIFA) u sklopu \nfestivala u Annecyju\n700,00 €\n13\nDarian Bakliža\nSudjelovanje na međunarodnom festivalu animiranog filma u \nAnnecyju\n149,00 €\n14\nCentar za dramsku umjetnost - \nCDU\nSudjelovanje na fiilmskom festivalu FIDMarseille u Francuskoj\n600,00 €\n15\nDinaridi film d.o.o.\nSudjelovanje producentice Tene Gojić na radionici EAVE \nProducers Workshop 2023 u Austriji (druga sesija)\n1.800,00 €\n16\nLittle Red Dot\nSudjelovanje projekta SANDBAG DAM na Torino Film Lab - \nGreen Film Lab Warsaw radionici\n1.000,00 €\n17\nRestart\nSvjetska premijera kratkog dokumentarnog filma \"Valerija\" na \nfestivalu Sheffield DocFest u Velikoj Britaniji\n1.300,00 €\n18\nIvor Glavaš\nSudjelovanje u programu Flaherty Film Seminar u Torontu, \nKanada\n698,00 €\n19\nUdruga Djeca susreću \numjetnost\nSudjelovanje udruge Djeca susreću umjetnost u programu \nWorkshop Warehouse u Bologni, Italija\n350,00 €\n20\nZajednica udruga Centar \nnezavisne kulture\nSudjelovanje Andreja Frica na programu stručnog \nusavršavanja Bologna Audience Development & Innovation \nLab 2023 (24.-28.06.)\n270,00 €\n21\nHulahop d.o.o.\nSudjelovanje projekta Vuk Europske unije na DOK Preview \nTrainingu u sklopu DOK Leipziga 2023.\n1.000,00 €\n22\nIvana Bošnjak\nSudjelovanje na festivalu animiranog filma Anibar i \npredstavljanje animiranog filma “Sjeti se kako sam jahala \nbijelog konja”\n285,00 €\n23\nThomas Johnson Volda\nSudjelovanje na festivalu animiranog filma Anibar i \npredstavljanje animiranog filma “Sjeti se kako sam jahala \nbijelog konja”\n285,00 €\n24\nMatija Drniković\nSudjelovanje Matije Drnikovića na programu Producers LINK u \nVaršavi i Amsterdamu \n620,00 €\n25\nTESLOPOLIS d.o.o.\nSudjelovanje na manifestaciji Dani Nikole Tesle u Beogradu i \nSremskoj Mitrovici\n274,00 €\n26\nLea Vidaković\nSudjelovanje filma \"Obiteljski portret\" na festivalu Animist \nTallinn 2023, u Estoniji\n206,00 €\n27\nAleksandar Arsovski\nSudjelovanje Aleksandra Arsovskog s filmom \"Ja sam \npolicajac\" na radionici za razvoj scenarija \"Galičnik Scrip Lab\", \nSjeverna Makedonija\n112,00 €\n28\nWolfgang i Dolly d.o.o.\nSudjelovanje ekipe serije \"Izgubljeni trag\" na Sarajevo Film \nFestivalu, program CineLink Drama\n2.500,00 €\n\n\f\n29\nWolfgang i Dolly d.o.o.\nSvjetska premijera filma \"Tijelo\" redateljice Petre Seliškar na \nSarajevo Film Festivalu\n1.500,00 €\n30\nNukleus Film d.o.o.\nSudjelovanje filma \"Ekskurzija\" na filmskom festivalu u \nLocarnu\n1.856,00 €\n31\nKreativni sindikat\nSudjelovanje animatorice Martine Meštrović na Animaphix \nfestivalu u Palermu\n513,00 €\n32\nHrvatski filmski savez - HFS\nSudjelovanje hrvatske delegacije na festivalu Giffoni \nExperience 2023. u Italiji\n460,00 €\n33\nPlavi film d.o.o.\n5. Smotra hrvatskog filma u Beogradu\n3.000,00 €\n34\nNina Bačun\nOdržavanje radionice i predavanja \"(Re)approaching Cinematic \nSpace as an Archive\" i projekcija filma \"Bonding Humanity \n(Perhaps Manifesto)\" na Holon Institute of Technology u \nHolonu, Izrael\n507,00 €\n35\nMetar60\nGostovanje filma Veće od traume i autorica filma na PriMed \nfilm festivalu u Marseilleu, Francuska \n1.000,00 €\n36\nTelefilm d.o.o.\nSudjelovanje filma Bosanski lonac na Sarajevo Film Festivalu\n3.390,00 €\n37\nLea Vidaković\nSudjelovanje filma \"Obiteljski portret\" na World Festival of \nAnimated Film u Varni, Bugarska\n191,00 €\n38\nRestart\nSudjelovanje redateljice, producenta i glavnih protagonista \nfilma \"Snajka: Dnevnik očekivanja\" na festivalu DokuFest u \nPrizrenu, Kosovo - svjetska premijera\n1.027,00 €\n39\nMultimedijalna umjetnička \norganizacija Bacači Sjenki\nSudjelovanje edukativnih filmskih programa Bacača sjenki na \nfilmskom festivalu Taifas u Temišvaru, Rumunjska\n1.100,00 €\n40\nRestart\nSudjelovanje redateljice i producenta filma \"Snajka: Dnevnik \nočekivanja\" na festivalu MakeDox u Skoplju\n500,00 €\n41\nKreativni sindikat\nSudjelovanje animatorice Martine Meštrović na Ottawa \nInternational Animation Festivalu u Kanadi\n1.100,00 €\n53.075,00 €\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2023. - 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rok_2024.pdf","sha256":"8773826dc57cc8f0d56c5d5b59b2c5a8ee01e47d2f2a8ad91715c023bd95a610","bytes":65388,"page_count":3,"extracted_at":"2026-05-17T12:01:53Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20obrazlozenje%20proizvodnja%20kratki%20dokumentarni%202.%20rok_2024.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 2. \nROK, 2024. DOKUMENTARNI FILM, UMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER  \nKATEGORIJA: \nPOTICANJE \nPROIZVODNJE \nFILMOVA \n- \nKRATKOMETRAŽNI \nDOKUMENTARNI FILM – 12. rujna 2024.  \nOPĆI OSVRT  \n \nNa javni poziv u kategoriji proizvodnje kratkometražnog dokumentarnog filma u 2. \nroku 2024. godine prijavljeno je sveukupno 19 projekata od kojih se 4 projekta nisu \nrazmatrala.   \n \nZa razliku od prošlog poziva, na ovom se pozivu prijavio nešto veći broj projekata, \nkoji su u jednoj mjeri svoj projekt prijavili ponovno, prihvaćajući preporuke \numjetničkog savjetnika. Dojam je da se u dokumentarnoj formi također \njednakopravno razvija interes za kraći metar, unatoč težim distributivnim \nmogućnostima. No neki od ovih projekata doista ne bi izdržali dužu formu. Pa su \ntime autori donosili odgovorne odluke, i u slučajevima onih koji su odobreni se ta \nodluka isplatila. Kada je u pitanju tematika, mora se priznati kako su teme u ovom \npozivu doista bile društveno relevantne i raznovrsne sa širokim spektrom recentnih \ntema.    \n \nPredloženo je i odobreno ukupno 5 projekata za sufinanciranje u ovoj kategoriji. \nNavedeni filmovi su podržani s ukupnim iznosom od 121.000,00 eura. Projekti koji su \nodabrani, i temom, svojim autorskim pristupom, relevantnim produkcijskim okvirom, \ni strategijom distribucije i promocije istakli su se naspram ostalih 14 prijavljenih \nprojekata na ovom pozivu.  \n \n1. AL' NEMOJ NIKOM REĆ Silvija Bumbak (redateljica i scenaristica) / Tatjana \nAćimović (producent)  / HFS (produkcija) – 29.000,00 eur  \n \nAutorica Silvija Bumbak ovaj projekt prijavljuje po drugi put, i u svom projektu donosi \nvidljiv napredak u novoj verziji predanog koncepta. Sinopsis je vrlo precizan s vrlo \ndostatnim informacijama što je tema njenog filma. Autorska odluka da kroz samo tri \npriče protagonistica ispriča priču o kontinuiranom zlostavljanju žena od strane \nstarijih muškaraca na poziciji moći, dobra je odluka koja daje priliku snažnim i \nemotivnim svjedočanstvima koja se ne gube u većem broju sličnih priča. Pritom \nprožeto eksperimentalnim pristupom, koji obogaćuje i čini još potresnijim \nsvjedočanstva koja gledamo. Predani video i vizualni materijali (moodboard) govore \no iznimno jakom konceptu projekta, visokih estetskih i vizualnih kriterija. Naspram \nprošle prijave, puno jasnije ekspliciran koncept, i svrhovito je pročišćen.   \n \n2. BRAĆA PO ORUŽJU  Goran Maršalek (redatelj) / Tanja Belobrajdić (scenaristica) / \nDražen Hrženjak (producent) / Udruga veterana, vojnika i domoljuba (produkcija) - \n40.000,00 eur  \n \nIznimno bitna tema kada je u pitanju Domovinski rat, o kojoj se ne govori prečesto u \njavnosti – sudjelovanje pripadnika srpske nacionalne manjine u obrani Hrvatske. O \ntome što je prije 30 godina značilo biti Srbin, hrvatski branitelj srpske nacionalnosti u \n\n\f\novom projektu progovara se na vrlo snažan i autentičan, ali i dramaturški (u svom \nprijedlogu) snažan način.  Scenarij je vrlo uredno postavljen u čvrstu narativnu \nstrukturu, kojeg čitajući i uspoređujući s redateljskom eksplikacijom daje naslutiti da \nscenaristica Tanja Belobrajdić i redatelj projekta Goran Maršalek znaju kako zajedno \niznijeti ovaj projekt. Sama tema mogla bi biti suhoparna, no ovaj autorski dvojac uz \nto što nudi snažnu temu, nudi i vrlo dinamično pričanu priču. Scenaristica uspijeva uz \nsve to i u smislu informacija dati nam uvid u temu koja je dugo vremena bila \nsvojevrsna tabu tema. Iako se prema o njoj i scenaristica i autor ne ponašaju na taj \nnačin, već ju tretiraju samo kao temu koju je odavno trebalo ispričati.   \n \n3. FUCK THE ARMY  MARKO PEKIĆ (redatelj, scenarist i producent) / Radar d.o.o. \n(produkcija) - 10.000,00 eur  \n \nDokumentarni film o najmlađem poginulom branitelju na karlovačkom području, \nIgoru Tonkliju. Igor je, osjećajući nadolazeće prijetnje svom gradu i državi na svoju \nmaturalnu zabavu  s prijateljima došao u majici FUCK THE ARMY, kao protest protiv \ntadašnje JNA, nakon čega ga se pokušalo mobilizirati upravo u tu vojsku. On sam \nbježi pred pozivom, prijavljuje se u ZNG. U ratu pogiba, pola godine nakon maturalne \nzabave. Njegova majica i uniforma u kojoj pogiba, jedna pored druge izložene su u \nMuzeju domovinskog rata u Karlovcu. Konceptualno, autor svoj projekt dramaturški \nzamišlja vrlo kompleksno. Igrajući se s sjećanjima, arhivom i sadašnjicom. Pritom \narhiva postaje i jednim od temelja treatmenta, koju doduše još kompleksnije ima \nistražiti, i definitivno odlučiti u kojem će ju omjeru koristiti u filmu. No već sada, \ntema iz Domovinskog rata, predočena je neobičnim konceptom koji je u ovako teškoj \ntematici itekako lijepo vidjeti.  \n \n4. NA GROBLJE SE NE IDE HARMONIKOM Renata Lučić (redateljica i scenaristica) / \nTamara Babun Zovko (producentica)  / Wolfgang & Dolly d.o.o. (produkcija) – \n30.000,00 eur  \n \nIznimno sjetna priča autorice Renate Lučić o njenom protagonistu Josipu Blaževiću - \nJosi, koji pred zalaz svog života, u svojoj samoći nakon 20 godina odlazi na grob \npokojne supruge davno otišle u Austriju na sezonsku berbu jagoda, sa koje se u svoj \ndom nije nikada vratila. Radi se o prelijepo osmišljenom, nostalgičnom, emotivnom \nprojektu, koji je na taj način autorica i eksplicirala. Treatment projekta ukazuje na \nvrlo smislen koncept, u kojem je razvidno da autorica vrlo dobro zna što radi, i kako \nće iznijeti svoju priču. Također vidi se njeno povjerenje u svog protagonista, koje je \nobostrano kada je u pitanju pogled protagonista prema autorici. Autorica u svojoj \njednostavnosti koncepta, donosi vrlo kompleksnu priču, društveno relevantnu pa čak \ni društveno kritičnu.  \n \n5. Snovi od papira Boris Miljković (redatelj i scenarist) / Magdalena Obradović-\nVodopija (producent)  / Castropola d.o.o. (produkcija) – 12.000,00 eur  \n \nIako se na prvi mah čini kako se radi o obljetničarskom dokumentarnom filmu, dakle \npredvidive forme, autor Boris Miljković nudi posve neočekivan koncept filma koji bi \ntrebao obilježiti 30 godina postojanja manifestacije SA(N)JAM KNJIGE u Puli. Nudeći \n\n\f\nkoncept svojevrsnog sna, kojeg na neki način u potrazi za pričom o ovom festivalu \njuri, postaje istovremeno i potraga ili istraga o festivalu. Vrlo efektna, u određenim \ntrenucima i uzbudljiva, što se od ovog žanra ne bi na prvu očekivalo. U tom smislu \nnudi vrlo kompleksno zamišljen scenarij kojem treatment samo dodano ukazuje na \nrečenu kompleksnost autorskog pristupa. I time od očekivanog obljetničkog filma \nstvara uzbudljivo putovanje kroz spomenuti san, želju za uspjehom ove manifestacije \n– već 30 godina.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2024,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RPR_IGRANI_2rok_2021_WEB.pdf","filename_decoded":"Obrazlozenje_RPR_IGRANI_2rok_2021_WEB.pdf","sha256":"878a710b78978a3295ae90a346c2257bac2f47cf3abfe6499c88d7ceb89deced","bytes":78884,"page_count":4,"extracted_at":"2026-05-17T12:02:10Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RPR_IGRANI_2rok_2021_WEB.pdf"},"raw_text":" \n1 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - podkategorija:  \nRAZVOJ PROJEKATA u 2021. - 2. ROK -14.9.2021. \n \nDUGOMETRAŽNI IGRANI FILM \n \nUmjetnički savjetnici: Pavlica Bajsić Brazzoduro, Danilo Šerbedžija i Zdenka Gold \n \nNa Javni poziv za poticanje razvoja projekata dugometražnog igranog filma u 2021. \ngodini na drugom roku prijavilo se ukupno 15 projekata.  \nI na ovom Javnom pozivu, kao i kod Javnog poziva za proizvodnju, prijavljeni su \nvelikom većinom projekti koji su nam poznati, bilo sa prethodnih rokova ili Javnih \npoziva za razvoj scenarija. I u ovoj kategoriji imali smo priliku čitati dva sasvim nova \nprojekta. \nKao i do sada, možemo istaknuti vrlo visoku razinu pripremljenosti projekata u ovoj \nkategoriji i na žalost, konstantnu financijsku limitiranost koja nas prati od samog \npočetka mandata u svim kategorijama Javnih poziva. \nOdlučili smo poduprijeti sveukupno pet filmova za razvoj projekta. Ovaj puta \npokušali smo podržati razvoje sa što većim iznosima, ili barem, što bližim onim \ntraženim. \n \nFolka \nScenarij: Ivan Veljača \nRežija: Ivan Veljača \nProducent: Antitalent / Danijel Pek \n120.000,00 kn \n \nScenarij “Folka” debitanta Ivana Veljače, koji je itekako etabliran u filmskoj industriji \nkao jedan od vodećih scenografa, čita se u jednom dahu, sve situacije i likovi su \ndobro motivirani i utemeljeni, djeluju realno i filmično, dijalozi su također na mjestu. \n“Folka” nam iznosi priču o petorici maloljetnih prijatelja koja se odvija se u 90-im \ngodinama prošlog stoljeća u poznatom zagrebačkom kvartu, a kroz nju otvara pitanja \nprijateljstva, potrebe za pripadanjem, osjećaja nepripadanja, međuvršnjačkog nasilja \ni pitanja netrpeljivosti po nacionalnoj osnovi. Film je to o ratu, ali u onom djelu \nzemlje koji nije izravno pogođen ratnim zbivanjima i akcijama, vrlo realno nam \npokazujući posljedice koje takva stanja u državi ostavljaju na sve svoje stanovnike, \nbez obzira na dob i udaljenost od prve fronte. \nSigurni smo da će ovaj popularno nazvani “coming of age” film privući u kina vrlo \nširoki dijapazon publike, s naglaskom na mlade, starije osnovnoškolce i mlađe \nsrednjoškolce.   \n\n\f\n \n2 \n \nProducent je visoko motiviran za realizacijom razvoja, a kasnije i proizvodnje filma, s \nredateljem Veljačom, debitantom, a s kojim je višestruko surađivao na nizu drugih \nprojekata u ulozi scenografa. Produkcijski paket je detaljan, realan i izvediv.   \nPredlažemo da se razvoj projekta podrži sa 120.000,00 kn. \n \n \nOgledalo za slavuja \nScenarij: Karla Lulić \nRežija: Karla Lulić \nProducent: Dobar film / Karla Lulić \n140.000,00 kn \n \nDora je mlada lokalna frizerka i profesionalna narikača, u svom poslu najbolja u selu i \nregiji. 'Kad ona cvili, ima da i mrtvi plaču', govorili bi seljani. Jednoga dana, zakasni na \nsprovod i plače na krivom grobu. Dora gubi reputaciju, selo ju odbaci a njen posao \npotpuno zamre. Dora se mora ponovno dokazati pred selom, ili suočiti s porazom te \npronaći svoju svrhu i život u selu. \n \n“Ogledalo za slavuja” je priča koju pratimo iz faze razvoja scenarija. Možemo s \nveseljem konstatirati kako se od prvotnog treatmenta, preko verzije scenarija koju \nsmo imali prilike čitati za kolaudaciju razvoja scenarija, “Ogledalo za slavuja” zaista \nrazvio u vrlo potentan i kvalitetan scenarij. Autorica je u suradnji s nama  vrlo \nprecizno dijagnosticirala mjesta na kojima je još imala prostora za poboljšanja te je \nna njima tijekom našeg mandata i radila. Također, scenarij je razvijan i u sklopu MFI \nradionice s mentoricom Christinom Lazaridi. \nŠto se tiče same teme, izdvajamo osvrt autorice: “Ovo je tema koja je danas \nrelevantnija više nego ikada za čovječanstvo koje prolazi kroz jednu tako ozbiljnu \nglobalnu situaciju, jer priznali mi ili ne, u našoj svijesti (i podsvijesti) će pandemija \npromijeniti značenje mnogih ideja i vrijednosti, te na filmska i ostala umjetnička djela \nviše nećemo gledati na isti način – neke priče i ideje jednostavno nakon pandemije, \niako prije zanimljive, više neće biti relevantne. “ \nRedateljska koncepcija je izuzetno kvalitetno ispisana. Vidi se visoka motiviranost, \ndosadašnji posvećeni rad na projektu u cjelini, ozbiljnost i odlučnost u autoričinom \npristupu. Redateljska koncepcija nam je u potpunosti dočarala kako će ovaj film \nizgledati, kao i njegovu zvučnu sliku,  mirise i okuse. \nAutorica je i producentica projekta, što je u ovom posebnom slučaju vrlo prikladno i \npozdravljamo takvu odluku, a cijeli je produkcijski paket vrlo detaljno prezentiran.  \nPredlažemo da se razvoj projekta podrži sa 140.000,00 kn. \n \n \n \n\n\f\n \n3 \n \nHamlet u selu Mrduša Donja \nScenarij: Željka Udovičić Pleština \nRežija: Vinko Brešan \nProducent: Inter film / Ivan Maloča \n120.000,00 kn \n \nHamlet u selu Mrduša Donja, autora Vinka Brešana i scenaristice Željke Udovičić \nPleština, napisan je prema istoimenom dramskom predlošku Ive Brešana. Iako već \npostoji Papićeva ekranizacija ovog djela, ova verzija veoma odskače od drame i \nprijašnje ekranizacije. Naravno, radnja je ostala ista, poruka je ista ali autorski tim je \nveoma hrabro otišao korak dalje, ubacivši domovinski rat, te poslijedice istog na naše \ndruštvo. Brešan, uz pomoć Udovičić Pleštine, kao i u svojim ranijim radovima, kritički \nprogovara o dešavanjima i situaciji u Hrvatskoj  kroz nekoliko decenija. Iako je sam \noriginal uvijek aktualan i bezvremenski, svojom intervencijom, autori su uspjeli još \npojačati aktualnost i kritiku društva. Njihovim riječima: „Jer promjena sistema ne \ngarantira i promjenu mentaliteta. Stoga je ovo priča o nama, ona nam pokazuje da su \nBukare i danas jednako tako na vlasti, da je sve prepuno poltrona Mačaka, kukavica \nPulje, a da je pobuna pojedinca idealistički čin osuđen i od ovog društva na propast.“ \nSmatramo da se radi o veoma zahtjevnom projektu koji traži opširnu pripremu. \nJednom završen, ovaj film vidimo kao potencijalni veliki kino hit što nam je veoma \npotrebno. \nDugogodišnja suradnja redatelja i producenta nastavlja se i na ovom projektu te ju \nželimo poduprijeti. Produkcijski paket uredno je predstavljen. \nPredlažemo da se razvoj projekta podrži sa 120.000,00 kn. \n \n \nZadnja klapa \nScenarij: Zoran Margetić \nRežija: Zoran Margetić \nProducent: Telefilm / Stanislav Babić \n120.000,00 kn \n \nZadnja Klapa autora Zorana Margetića napeti je triler, film talačke krize, žanr koji \nitekako fali u domaćoj kinematografiji. Zaštitar, omotan u eksploziv, prijeti da će dići \nu zrak filmski studio i ekipu punu zvijezda koje je zatočio tijekom božićne proslave \nzadnje klape. Margetić, kroz napetu žanrovsku priču zapravo progovara i o \nproblemima u našem društvu što ovom scenariju daje na kvaliteti i raznovrsnosti. Ne \nradi se tek o pukom napetom trileru nego se kroz priču razvijaju i prave male drame \nostalih karaktera koji odlično oslikavaju hrvatsku današnjicu. Bitan element priče je i \ndomovinski rat te lažni heroji i kriminalci koji su zauzeli mjesto pravim herojima \ndomovinskog rata. Priča je ovo o onima koji su se u poslijeratno vrijeme snašli i o \n\n\f\n \n4 \n \nonima koji su ostavljeni na milost i nemilost samima sebi. Autor je priložio visoko \nkvalitetnu redateljsku koncepciju po kojoj se može jasno zamisliti budući uradak. \nSmatramo da se radi o veoma zahtjevnom projektu koji zaslužuje potporu za razvoj \nprojekta te koji sadrži sve elemente da postane kino hit. \nProducent je pokazao izrazito visoku motiviranost za razvojem i realizacijom ovog \nprojekta, a produkcijski paket je vrlo korektan. \nPredlažemo da se razvoj projekta podrži sa 120.000,00 kn. \n \n \nPushback \nScenarij: Bojan Radanović \nRežija: Bojan Radanović \nProducent: Udruga Marinis Media / Ivana Marinić-Kragić \n120.000,00 kn \n \nDaria je odvjetnica koja odlučuje zastupati izbjegličku obitelj iz Afganistana, čija je 6-\ngodišnja kći, greškom hrvatske policije, poginula u naletu vlaka na granici između \nHrvatske i Srbije. Ona svojim radom na konkretnom slučaju, sukobom s policijom, \nugrožava kolotečinu i sklad vlastite obitelji. Ovaj scenarij nadahnut je istinitom \npričom o stradavanju afganistanke djevojčice te okolnostima koje su se događale \nnakon tog nesretnog slučaja. \nOvaj projekt bitan je zbog aktualnosti teme kojom se scenarij bavi i to pristupajući joj \nkroz kompleksnu dramaturšku strukturu u kojoj se spaja više narativnih linija. \nParalelno pratimo borbu Darije i sistema te rješavanje privatnih neriješenih \nobiteljskih problema, a sve smješteno u, za film atraktivnu, zimsku atmosferu \nSlavonije.  \nKroz scenarij je odlično prikazana borba protiv dobro uhodanog koruptivnog sistema, \na čitajući redateljsku koncepciju vidi se da je autor detaljno upućen u problematiku \nkojom se bavi te joj ni u jednom času ne pristupa površno. Iza ovog projekta očito \nstoji veliki rad i angažiranost svih uključenih. \n“Pushback” je također projekt koji smo razvijali kroz svoj mandat te smo u svakom \ntrenutku osjećali spremnost autora na suradnju.  Naše su recenzije uvijek urodile \nkonkretnim rezultatima u idućoj prijavi - što inače nije uvijek slučaj. Još na prošlom \nroku je, što se nas tiče, scenarij zadovoljio kriterije razvoja projekta ali nije bilo \nfinancijskog prostora da ga odobrimo te nam je sada izuzetno stalo da mu \nomogućimo uvijete za  terenski rad, probna snimanja i dodatni producentsko-\nscenarističko-redateljski napredak. \nProducentica nam je izložila ambiciozan plan razvoja projekta kroz vrlo dobro \npripremljenu dokumentaciju. \nPredlažemo da se razvoj projekta podrži sa 120.000,00 kn. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2021,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje%20-%20animirani%20film%20(6.11.).pdf","filename_decoded":"Obrazlozenje%20-%20animirani%20film%20(6.11.).pdf","sha256":"8792b03634027b959452b77c56a72654ec994fc16c5ec0e383e130cb8422c568","bytes":127287,"page_count":2,"extracted_at":"2026-05-16T14:16:37Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje%20-%20animirani%20film%20%286.11.%29.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih \nigranih, dugometražnih dokumentarnih i animiranih filmova, 2. rok 2019. \n \nANIMIRANI FILM \n \nKategorija: poticanje razvoja scenarija i razvoja projekata \nPodkategorija: razvoj scenarija - animirani film  \nRok: 2. rok, 6. studenog 2019. \n \nNa drugi  natjec ajni rok javnog poziva za poticanje razvoja scenarija u 2019. \ngodini prijavljeno je i razmatrano s est (6) projekata.  \nTri (3) su projekta predloz ena za potporu.  \n \nČOVJEK KOJI JE POŽELIO UBITI ADAMA I EVU, scenarista Tihomira Mraovića  \nzanimljiv je projekt u nastajanju koji se bavi premisom s to bi se dogodilo kada bi \nse bilo moguc e vratiti u \"metapovijest\" i intervenirati u odnos Adama i Eve.  \nScenarij u nastajanju, na duhovit i zabavan nac in, nudi jedan novi pogled na \n(ne)predvidljivu ljudsku prirodu.  \n \nScenarij SLIKAM TI SLIKU, autorice Lane Sabljarić potencijalno je vrlo \nz ivopisan film u kojem se glavni protagonist djec ak Luka vrac a svojem stvarnom \nz ivotnom pozivu, likovnoj umjetnosti, kroz intervencije njegovog prijatelja - kista \nArta. Namijenjen djeci, ali zasigurno zanimljiv i odrasloj publici, ovaj projekt bi \nmogao zaz ivjeti kao inspirativna pric a o slijeđenju svojih stvarnih z elja. \n \nRenomirani hrvatski autor Veljko Popović, u tandemu sa prokus anim \nscenaristom Pedrom Riverom, priprema ambiciozan scenarij pod nazivom \nSNOVOZEMLJE. Pric a prati nekolicinu djece koja putem lucidnog sanjanja otkriva \njednu sasvim novu zemlju za koju se u prvi tren c ini da je idealan bijeg od \nnjihovih svakodnevnih problema. Ubrzo Snovozemlje poc inje pokazivati svoju \nmrac nu stranu s to protagoniste natjera da se suoc e sa nizom izazova.  \nRazrađen i domis ljat, ovaj iznimno obec avajuc i projekt mogao bi biti vrlo dobro \nizveden, ali i od publike prihvac en dugometraz ni animirani film. \n \nSveukupna predloz ena potpora je  75.000,00 kn za 3 projekta.  \n \n \n \n \n \n\n\f\n \nKategorija: poticanje razvoja scenarija i razvoja projekata \nPodkategorija: razvoj projekata - animirani film  \nRok: 2. rok, 6. studenog 2019. \n \nNa drugi natjec ajni rok javnog poziva za poticanje razvoja projekata u 2019. \ngodini prijavljena su c etiri (4) projekta od kojih je jedan (1) predloz en za \npotporu.  Zanimljivost natjec aja jest da sva tri predloz ena projekta razmatraju \nanimaciju u suvremenim oblicima produkcije kao s to su VR i AR te također kroz \nplasman na interaktivnim online platformama. \n \nBESMRTNIK \nPredloz eni projekt, \"Besmrtnik\", autora Renata Grgic a i Kristijana Petrovic a, \nupravo je jedan takav cross-medijski projekt  koji ima ambiciju postati prvi \nhrvatski motion-capture dugometraz ni film. Planirano je i da se razvija i u vidu \nVR-a, a autorima je namjera spojiti \"hrvatsku filmsku i industriju igara\".  \n\"Besmrtnik\" je pric a o bogovima klasic ne grc ke mitologije koji su utjelovljeni u \nsuvremenom kontekstu. Osnovna premisa je \"s to bi se dogodilo da su grc ki \nbogovi z ivi danas - kako bi se uklopili i kako bi izgledali njihovi odnosi te da li bi \nmogli opstati kao bogovi?\". \nProjekt se stilom i radnjom oslanja na duh vesterna sa elementima horrora i \nakcijskih fantastic kih filmova, a pric a se odvija u danas njem SAD-u. \nSveukupna predloz ena potpora je 100.000,00 kn za 1 projekt.  \n \nPetra Zlonoga, umjetnic ka savjetnica za animirani film \n \n \n  \n  \n","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2019,"rok":"2. rok","referenced_projects":["ČOVJEK KOJI JE POŽELIO UBITI ADAMA I EVU","SLIKAM TI SLIKU","SNOVOZEMLJE","BESMRTNIK"],"summary":"Obrazloženje umjetničke savjetnice Petre Zlonoge za 2. rok 2019. u kategoriji razvoja scenarija i razvoja projekata animiranog filma: za razvoj scenarija predložena su 3 projekta (75.000,00 kn): 'Čovjek koji je poželio ubiti Adama i Evu', 'Slikam ti sliku' i 'Snovozemlje'; za razvoj projekata predložen je projekt 'Besmrtnik' (100.000,00 kn).","project_links":[{"source_title":"ČOVJEK KOJI JE POŽELIO UBITI ADAMA I EVU","family_id":"pf_c416c225ba0d","family_title":"Čovjek koji je poželio ubiti Adama i Evu","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"SLIKAM TI SLIKU","family_id":"pf_e89f5ea492a4","family_title":"Slikam ti sliku","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"SNOVOZEMLJE","family_id":"pf_1f3413aae5a9","family_title":"Snovozemlje","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"BESMRTNIK","family_id":"pf_807d1ba62943","family_title":"Besmrtnik","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.0","doc_type":"admin","source":{"filename":"SIJECANJ%202024%20isplate.pdf","filename_decoded":"SIJECANJ%202024%20isplate.pdf","sha256":"87e43bd3a8f20a35a64c9ad925f9cc4815acc4d2933ddcf112de9e09bc4c7bf8","bytes":487983,"page_count":6,"extracted_at":"2026-05-16T16:45:28Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":["reclassified_from_results_table_to_admin"]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2017_1_rok_10IV2017_WEB_DUG_DOK.pdf","filename_decoded":"RSC_2017_1_rok_10IV2017_WEB_DUG_DOK.pdf","sha256":"883f72ee60feada53b495917989540bbbedfac89e102e4033fe4de673a879cc5","bytes":32113,"page_count":1,"extracted_at":"2026-05-17T10:24:23Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2017_1_rok_10IV2017_WEB_DUG_DOK.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nREDATELJ\nPRODUCENT\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nĆaća se vrača\nMarina Rajčić \nEclectica d.o.o. \n25.000,00\n2\nDon Marko\nMorana Mitić\nFilmaparat d.o.o. \n25.000,00\n3\nNebojša \nSiniša Glogoški\nSiniša Glogoški\n25.000,00\n4\nSaljski kum\nTiha Gudac\nTiha Gudac\n25.000,00\nUKUPNO\n100.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2017. - 1. ROK - 10.4.2017.\ndugometražni dokumentarni film\n88. sjednica Hrvatskog audiovizualnog vijeća, 13. studenoga 2017.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2017_1_rok_10IV2017_WEB_DUG_DOK","year":2017,"rok":"1. rok","natjecaj_date":"2017-04-10","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"88. sjednica Hrvatskog audiovizualnog vijeća, 13. studenoga 2017.","section_key":"88_sjednica_hrvatskog_audiovizualnog_vijeca_13_studenoga_201","columns":["R.br.","NASLOV","SCENARIST/-ICA","REDATELJ","PRODUCENT","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Ćaća se vrača","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":null,"writer":"Marina 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rok 2023.pdf","filename_decoded":"web kratki igrani 2 rok 2023.pdf","sha256":"8895e038eaa4423b57d92ce71c9e7afe3293c181be1ab6f44422111f231757a3","bytes":64116,"page_count":2,"extracted_at":"2026-05-17T12:01:49Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20kratki%20igrani%202%20rok%202023.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po rezultatima Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva – kategorija proizvodnje kratkometražnog igranog filma na drugom roku \nu 2023. godini – rok 14. rujna 2023. \nUmjetnički savjetnik za kratkometražni igrani film – Mario Kozina \nNa drugi natječajni rok za poticanje proizvodnje kratkometražnih igranih filmova stiglo je dvadeset \npet (25) prijava: među njima jedan (1) projekt naknadno je povučen na zahtjev prijavitelja te nije \nuzet u razmatranje. Među razmatranim projektima devet (9) projekata bilo je prijavljeno na neki od \nprethodnih javnih poziva, a sedam (7) prijavljenih projekata potpisuju ili supotpisuju autorice.  \nPrilikom odabira prijedloga za sufinanciranje vodio sam računa o dorađenosti scenarija, uvjerljivosti \nredateljske koncepcije i motivacije te stupnju pripremljenosti i izvedivosti samoga projekta. Izdvojeni \nprojekti razlikuju se u izboru teme i pristupa, a dio ih efektno napušta realistički pristup kako bi \noslikali unutarnje svjetove svojih likova i nerijetko toksično okruženje u kojem žive ili sazrijevaju. \nVjerujem da bi predloženi i odobreni projekti mogli značajno doprinijeti raznolikosti domaće \nkratkometražne produkcije i daljnjem profesionalnom razvoju njihovih autorica i autora, a neki od \nnjih potencijalno su zanimljivi za međunarodni plasman. Među odabranim projektima dva (2) su bila \nprijavljena na neki od prethodnih rokova ovog javnog poziva, a dva (2) potpisuju debitanti u ovoj \nkategoriji, tj. autori_ce koji_e dosad nisu režirali kratkometražni igrani film u profesionalnoj \nprodukciji. \nZa sufinanciranje proizvodnje kratkometražnog filma predloženo je i i odobreno pet projekata, u \nukupnom iznosu od 217.200 eura. Riječ je o sljedećim projektima:  \n \nDobro je sve, režija: Rino Barbir, scenarij: Rino Barbir, Šimun Šitum, produkcija: Udruga Blank, iznos: \n52.000,00 eura \nPriča o muškarcima koji su tek zakoračili u tridesete, gdje se suočavaju s odgovornošću dugoročnih \nveza, roditeljstvom i upravljanjem nekretninama, dok je sjećanje na slobodu ne tako davnog \ndječaštva i dalje vrlo živo. Riječ je o dojmljivoj studiji muških nesigurnosti, na čijoj se pozadini \noslikavaju vedute grada izmijenjenog turizmom. Scenarij je pisan autentičnim dijalozima, vješto \nkombinira dokumentaristički naturalizam i emocionalni realizam, s nekoliko neočekivano dirljivih \ntrenutaka kojima se efektno poentira tema. Rino Barbir potpisuje režiju dva uspješna \nkratkometražna filma (Zof, 2022, Druker, 2019), a Dobro je sve predstavlja originalan doprinos \nkorpusu recentnih i rado gledanih naslova „splitske škole“. \n \nNa drugom svijetu, režija i scenarij: Tamara Babun, produkcija: Wolfgang & Dolly d.o.o., iznos: \n50.000,00 eura  \nGradska djevojka odlazi u udaljeno selo, kako bi pronašla dosad nepoznatog polubrata svog \npartnera. Pravi razlog njezina putovanja saznaje se tek na kraju, dok se veći dio priče bavi njezinim \npostepenim prepuštanjem načinu života koji joj je donedavno bio stran. Tamara Babun dosad se \nistaknula kao producentica niza dokumentarnih filmova, režirala je i nekoliko epizoda dokumentarne \nTV serije AH!, a njezin debi u kratkom metru krase strpljenje i suptilnost u karakterizaciji likova i \nrazvoju priče te optimizam na kakav rijetko nailazimo među filmovima koji ciljaju (i) na \nmeđunarodne festivale. \n \n\n\f\n   \nPriroda i poezija, režija i scenarij: Jasna Safić, produkcija: Udruga Blank, iznos: 44.000,00 eura \nŽena odlazi na izlet u prirodu sa svojim malim nećakom, pri čemu će jedna omaška u razgovoru biti \ndovoljna da baci novo svjetlo na ono što znamo o njihovu odnosu. Riječ je o efektnoj dramskoj \nminijaturi o ljudima koji pokušavaju izaći iz vlastite zone komfora, pri čemu će most za prelaženje \ngeneracijskih, iskustvenih i ostalih razlika izgraditi na polisemiji poezije. Jasna Safić potpisuje \nnekoliko kratkometražnih filmova, a Priroda i poezija nastavak je istraživanja estetike slow cinema u \ndomaćem ključu, koja svojom nenametljivom poetizacijom i dobro odmjerenom distancom u \nsjećanje priziva Kelly Reichardt.  \n \n2000, režija: Renata Lučić, scenarij: Renata Lučić, Nikolina Rafaj, produkcija: More-Magnets d.o.o., \niznos: 41.000,00 eura \nU noći na ulasku u novi milenij nedužna će dječja igra za vrijeme obiteljske novogodišnje zabave \nkulminirati katastrofom, izdajom i nasiljem. Redateljica i scenaristica Renata Lučić vjerno \nrekonstruira atmosferu razdoblja radnje, a blagdanskom ambijentu efektno suprotstavlja priču o \nodrastanju unutar toksičnog obiteljskog okruženja. Priče o odrastanju zahvalne su za plasman na \nmeđunarodne festivale, a prednost ovoga projekta proizlazi iz njegova suprotstavljanja nostalgije i \nrealnosti. \n \nApollon klub, režija i scenarij: Krunoslav Trninić, produkcija: ATL Media, iznos: 30.200,00 eura \nSkupina gimnazijalaca okuplja se svake subote u ekskluzivnom društvu, no neki od njih teško \npodnose ideale muškosti koje si međusobno nameću, što dovodi do tragedije. Riječ je o formalno \nzaigranom filmu o stigmatizaciji dodira, mentalnom zdravlju i emocionalnim ožiljcima koje na \ndječacima ostavlja odrastanje u represivnom okruženju, a čija je fabula podijeljena u nekoliko \nvremenskih segmenata te između vanjske i unutrašnje stvarnosti likova. Krunoslav Trninić friški je \ndiplomac Škole umjetnosti Tisch na Sveučilištu u New Yorku, Apollon klub njegov je prvi igrani film \nrežiran u profesionalnim uvjetima, a nama se predstavlja kao talentirani autor zainteresiran za \naktualne i relevantne teme, koje bi mogle biti zanimljive i međunarodnoj publici. \n  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2023,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_me_unarodna_rezultati_rok_30_10_2017.pdf","filename_decoded":"JP_me_unarodna_rezultati_rok_30_10_2017.pdf","sha256":"88c3c4eb3ec61cbc6d22f9100b8cae1e8a7a638ff92cc31c6a4ccfe80ba8e5c6","bytes":411685,"page_count":2,"extracted_at":"2026-05-17T10:23:40Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_me%C4%91unarodna_rezultati_rok_30_10_2017.pdf"},"raw_text":"PREDLAGATELJ\nVRSTA PROGRAMA\nNAZIV PROGRAMA\nODOBRENA POTPORA (kn)\n1\nAkademija dramske umjetnosti\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje studenata Marina L. Jankovića, Tajane Bakota, Nikice Zdunić i Viktora \nZahtila  i predstavljanje filmova na programu International Film Students Meeting \nu sklopu 65. međunarodnog festivala San Sebastian, Španjolska; 25. do 30. rujna \n2017.\n3.940,00 kn\n2\nAnti-Apsurd d.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje članova autorskog tima na regionalnoj premijeri dugometražnog \ndokumentarnog filma 'Slatko od ništa', red. B. Mitića u natjecateljskom programu \n23. međunarodnog festivala u Sarajevu, BiH; 16. do 18. kolovoza 2017.\n1.252,00 kn\n3\nAnti-Apsurd d.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje redatelja i predstavljanje dugometražnog dokumentarnog filma \n'Slatko od ništa', red. B. Mitića na 30. međunarodnom filmskom festivalu u \nAmsterdamu (IDFA Masters); Nizozemska; 15. do 25. studenog 2017.\n6.000,00 kn\n4\nAntoneta Alamat Kusijanović\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'U \nplavetnilo', red. A. A. Kusijanović u službenom programu 14. međunarodnog \nfilmskog festivala u Reykjaviku, Island; 28. rujna do 08. listopada 2017.\n1.040,00 kn\n5\nAntoneta Alamat Kusijanović\nProgrami stručnog usavršavanja\nSudjelovanje Antonete A. Kusijanović s projektom 'Murina' na 3 sesije programa za \nrazvoj projekata 7. međunarodnom film Labu Sam Spiegel; Jerusalem, Israel; 03.-\n10.12.'17, 20.-25.03.'18, 05.-09.07.'18. \n7.500,00 kn\n6\nArtizana film d.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje redatelja i producentice i predstavljanje dugometražnog \ndokumentarnog filma 'Sve je bio dobar san', red. B. Ištvančića na 3. \nmeđunarodnom filmskom festivalu PerSo; Perugia, Italija; 28. rujna 2017. \n3.000,00 kn\n7\nArtizana film d.o.o.\nOstali programi\nPredstavljanje dugometražnog dokumentarnog filma 'Neželjena baština', red. I. \nŠkorić u Europskom parlamentu u Bruxellesu, Belgija; 16. studenog 2017.\n4.500,00 kn\n8\nBorna Armanini\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redatelja i predstavljanje kratkometražnog igranog filma 'Proljećem \nprobuđen', red. B. Armaninija na međunarodnom filmskom festivalu World of \nCinema; Berlin, Njemačka; 04. do 08. listopada 2017.\n1.330,00 kn\n9\nEverything Works d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje stručnog suradnika Ivana Mihalića na Locarno Industry Academy \nInternational u sklopu 58. međunarodnog filmskog festivala Thessaloniki; Solun, \nGrčka; 06. do 11. studenog 2017.\n2.235,00 kn\n10\nFactum\nProgrami stručnog usavršavanja\nSudjelovanje voditeljice plasmana na međunarodnoj radionici Digital Distribution \nu organizaciji Erich Pommer Instituta; Berlin, Njemačka; 15. do 19. studenog 2017.\n1.875,00 kn\n11\nFestival mediteranskog filma Split\nProgrami stručnog usavršavanja\nSudjelovanje programske koordinatorice na međunarodnoj radionici EAVE \nMarketing; Luksemburg; 15. do 19. studenog 2017.\n5.000,00 kn\n12\nHrvatski filmski savez - HFS\nOstali programi\nSudjelovanje hrvatske delegacije na međunarodnom filmskom festivalu \nTheNextFilmFestival; Odense, Danska; 29. kolovoza do 04. rujna 2017.\n1.959,00 kn\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2017. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 30. listopada 2017. \n\n\f\n13\nIrena Jukić Pranjić\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje redateljice i predstavljanje kratkometražnog animiranog filma 'Gamer \nGirl', red. I. J. Pranjić na natjecateljskom programu međunarodnog filmskog \nfestivala Timishort; Timisoara, Rumunjska; 13. do 15. listopada 2017.\n2.234,00 kn\n14\nIrena Jukić Pranjić\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje redateljice i predstavljanje kratkometražnog animiranog filma 'Gamer \nGirl', red. I. J. Pranjić na natjecateljskom programu međunarodnog filmskog \nfestivala Magma; Acireale, Sicilija; 23. do 26. studenog 2017.\n2.049,00 kn\n15\nJadranska animacija / Adriatic \nAnimation\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje producenta i predstavljanje kratkometražnog animiranog filma \n'Manivald', red. C. Lundgren u službenoj selekciji međunarodnog New Chitose \nAirport International Animation festivala; Saporo, Japan; 02. do 05. studenog \n2017. \n5.319,00 kn\n16\nKinoklub Karlovac \nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje 2 učenice i predstavljanje filmova u kategoriji mladeži na Abasha First \nInternational Children and Youth Film Festival; Abasha, Gruzija; 06. do 09. rujna \n2017.\n8.400,00 kn\n17\nMotovun film festival U.O.\nProgrami predstavljanja i promocije \nfilmova\nPredstavljanje audiovizualnog projekta 'Tuvalu', red. V. Helmera uz pratnju i \nautorsku interpretaciju hrvatskih glazbenika u HULLU; UK; 08. do 11. studenog \n2017.\n4.365,00 kn\n18\nPetra Balekić\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje redateljice i predstavljanje kratkometražnog animiranog filma \n'Stranac u mojoj glavi', red. P. Balekić na programu Short Film Competition 4 \nmeđunarodnog festivala animiranog filma Primanima;  Jerša, Mađarska; 18. do 21. \nlistopada 2017.\n222,00 kn\n19\nPetra Balekić\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje redateljice i predstavljanje kratkometražnog animiranog filma \n'Stranac u mojoj glavi', red. P. Balekić na programu Anima međunarodnog festivala \nanimiranog filma Etiuda&Anima; Krakow, Poljska; 21. do 26. studenog 2017.\n1.671,00 kn\n20\nStvaralačka mreža Zebra\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje troje članova autorskog tima i predstavljanje dugometražnog igrano \neksperimentalnog filma 'Transmania' na međunarodnom filmskom festivalu \nRaindance; London, UK; 22. do 29. rujna 2017.\n4.046,00 kn\n21\nTelefilm d.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje redatelja i predstavljanje dugometražnog igranog filma 'Ministarstvo \nljubavi', red. P. Marinkovića na natjecateljskom programu 15. međunarodnog \nfilmskog festivala u Tirani, Albanija; 03. do 11. studenog 2017.\n1.765,00 kn\n22\nUdruga za audiovizualno \nstvaralaštvo Artizana\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje redatelja i producentice i predstavljanje dokumentarnog filma \n'Škverski kipar' te kratkometražnog igranog filma 'No Man's Land', red. B. \nIštvančića u selekciji međunarodnog filmskog festivala Seven Hills; Komlo, \nMađarska; 22. i 23. rujna 2017.\n1.280,00 kn\n23\nUdruga za promicanje kulture i \numjetnosti JA BIH\nProgrami predstavljanja i promocije \nfilmova\nOrganizacija manifestacije 'JA BIH…5 dana Zagreba u Sarajevu 2018.'; Sarajevo; \nBiH; 18. do 22. lipnja 2018.\n15.000,00 kn\nUKUPNO:\n85.982,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\nNova ves 18  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 085  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JP_me_unarodna_rezultati_rok_30_10_2017","year":2018,"rok":null,"natjecaj_date":"2017-09-30","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PREDLAGATELJ","VRSTA PROGRAMA","NAZIV PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje studenata Marina L. Jankovića, Tajane Bakota, Nikice Zdunić i Viktora Zahtila i predstavljanje filmova na programu International Film Students Meeting u sklopu 65. međunarodnog festivala San Sebastian, Španjolska; 25. do 30. rujna 2017.","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.940,00 kn","approved_amount":3940.0,"currency":"HRK","extras":{"col_1":"1","NAZIV PROGRAMA":"Sudjelovanje studenata Marina L. Jankovića, Tajane Bakota, Nikice Zdunić i Viktora Zahtila i predstavljanje filmova na programu International Film Students Meeting u sklopu 65. međunarodnog festivala San Sebastian, Španjolska; 25. do 30. rujna 2017.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"88c3c4eb:s0:4f884608369a","curation":{"changes":[{"field":"project_title","from":"Programi predstavljanja i promocije filmova","to":"Sudjelovanje studenata Marina L. Jankovića, Tajane Bakota, Nikice Zdunić i Viktora Zahtila i predstavljanje filmova na programu International Film Students Meeting u sklopu 65. međunarodnog festivala San Sebastian, Španjolska; 25. do 30. rujna 2017.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_7e1cc25695a2","project_family_title":"Sudjelovanje studenata Marina L. Jankovića, Tajane Bakota, Nikice Zdunić i Viktora Zahtila i predstavljanje filmova na programu International Film Students Meeting u sklopu 65. međunarodnog festivala San Sebastian, Španjolska; 25. do 30. rujna 2017."},{"row_number":2,"project_title":"Sudjelovanje članova autorskog tima na regionalnoj premijeri dugometražnog dokumentarnog filma 'Slatko od ništa', red. B. Mitića u natjecateljskom programu 23. međunarodnog festivala u Sarajevu, BiH; 16. do 18. kolovoza 2017.","applicant":"Anti-Apsurd d.o.o.","production_company":"Anti-Apsurd d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.252,00 kn","approved_amount":1252.0,"currency":"HRK","extras":{"col_1":"2","NAZIV PROGRAMA":"Sudjelovanje članova autorskog tima na regionalnoj premijeri dugometražnog dokumentarnog filma 'Slatko od ništa', red. B. Mitića u natjecateljskom programu 23. međunarodnog festivala u Sarajevu, BiH; 16. do 18. kolovoza 2017.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Anti-Apsurd d.o.o.","row_id":"88c3c4eb:s0:99bf87fb01f6","curation":{"changes":[{"field":"project_title","from":"Programi gostovanja hrvatskih autora/- ica, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika","to":"Sudjelovanje članova autorskog tima na regionalnoj premijeri dugometražnog dokumentarnog filma 'Slatko od ništa', red. B. Mitića u natjecateljskom programu 23. međunarodnog festivala u Sarajevu, BiH; 16. do 18. kolovoza 2017.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_9c0d6cea8101","project_family_title":"Sudjelovanje članova autorskog tima na regionalnoj premijeri dugometražnog dokumentarnog filma 'Slatko od ništa', red. B. Mitića u natjecateljskom programu 23. međunarodnog festivala u Sarajevu, BiH; 16. do 18. kolovoza 2017."},{"row_number":3,"project_title":"Sudjelovanje redatelja i predstavljanje dugometražnog dokumentarnog filma 'Slatko od ništa', red. B. Mitića na 30. međunarodnom filmskom festivalu u Amsterdamu (IDFA Masters); Nizozemska; 15. do 25. studenog 2017.","applicant":"Anti-Apsurd d.o.o.","production_company":"Anti-Apsurd d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"6.000,00 kn","approved_amount":6000.0,"currency":"HRK","extras":{"col_1":"3","NAZIV PROGRAMA":"Sudjelovanje redatelja i predstavljanje dugometražnog dokumentarnog filma 'Slatko od ništa', red. B. Mitića na 30. međunarodnom filmskom festivalu u Amsterdamu (IDFA Masters); Nizozemska; 15. do 25. studenog 2017.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Anti-Apsurd d.o.o.","row_id":"88c3c4eb:s0:05253231d88b","curation":{"changes":[{"field":"project_title","from":"Programi gostovanja hrvatskih autora/- ica, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika","to":"Sudjelovanje redatelja i predstavljanje dugometražnog dokumentarnog filma 'Slatko od ništa', red. B. Mitića na 30. međunarodnom filmskom festivalu u Amsterdamu (IDFA Masters); Nizozemska; 15. do 25. studenog 2017.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_f7e71430e8e4","project_family_title":"Sudjelovanje redatelja i predstavljanje dugometražnog dokumentarnog filma 'Slatko od ništa', red. B. Mitića na 30. međunarodnom filmskom festivalu u Amsterdamu (IDFA Masters); Nizozemska; 15. do 25. studenog 2017."},{"row_number":4,"project_title":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'U plavetnilo', red. A. A. Kusijanović u službenom programu 14. međunarodnog filmskog festivala u Reykjaviku, Island; 28. rujna do 08. listopada 2017.","applicant":"Antoneta Alamat Kusijanović","production_company":"Antoneta Alamat Kusijanović","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.040,00 kn","approved_amount":1040.0,"currency":"HRK","extras":{"col_1":"4","NAZIV PROGRAMA":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'U plavetnilo', red. A. A. Kusijanović u službenom programu 14. međunarodnog filmskog festivala u Reykjaviku, Island; 28. rujna do 08. listopada 2017.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antoneta Alamat Kusijanović","row_id":"88c3c4eb:s0:0457278be766","curation":{"changes":[{"field":"project_title","from":"Programi predstavljanja i promocije filmova","to":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'U plavetnilo', red. A. A. Kusijanović u službenom programu 14. međunarodnog filmskog festivala u Reykjaviku, Island; 28. rujna do 08. listopada 2017.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_29a27772a9cf","project_family_title":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'U plavetnilo', red. A. A. 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Žabčić","repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_inline_header_context","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"8b035ba1_rezultati_jp_pr_film_2024_1_rok_animirani_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 6 follows the same stable numeric order linking creator, producer, and approved amount."},"entity":"Ustanova Zagreb film","row_id":"8b035ba1:s0:c64d7fc306a4","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_ce818c6b7b70","project_family_title":"Gladno srce"},{"row_number":7,"project_title":"Čovjek-stablo","applicant":"Ustanova Zagreb film","production_company":"Ustanova Zagreb film","director":"Slobodan Tomić","writer":null,"original_author":null,"category":"Animirani","approved_amount_text":"45.000,00 €","approved_amount":45000.0,"currency":"EUR","extras":{"col_1":"7","REDATELJ/ICA":"Slobodan Tomić","repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_inline_header_context","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"8b035ba1_rezultati_jp_pr_film_2024_1_rok_animirani_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 7 is the final aligned entry in the numbered creator-producer-amount block."},"entity":"Ustanova Zagreb film","row_id":"8b035ba1:s0:a7ae92fc9b33","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_fe97b1fbc44a","project_family_title":"Čovjek-stablo"}],"section_total_text":"305.000,00 €","section_total":305000.0}],"totals":{"ukupno_text":null,"ukupno":305000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":305000.0,"ukupno_match":true,"row_count":7,"awarded_count":7,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":7}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2 BEZ UDRUGA REZULTATI KOMPLEMENTARNE 2018 .pdf","filename_decoded":"2 BEZ UDRUGA REZULTATI KOMPLEMENTARNE 2018 .pdf","sha256":"8b0cec02e76a7c1102c14ff12a117bcf37d804c28a303f2d96750c1503ec2e68","bytes":104329,"page_count":8,"extracted_at":"2026-05-17T10:22:56Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2%20BEZ%20UDRUGA%20REZULTATI%20KOMPLEMENTARNE%202018%20.pdf"},"raw_text":"Page\t\r  1\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\nAlternator,  udruga  za  promicanje  \nstvaralaštva  i  jednakih  mogućnosti\nFestival  prava  djece  2018.  -­  Prilagodba  \nfilmova  za  osobe  s  oštećenjem  sluha  i  vida\n15.000,00        \n2\nAlternator,  udruga  za  promicanje  \nstvaralaštva  i  jednakih  mogućnosti\nInkluzivne  projekcije  i  panel  rasprave\n25.000,00        \n3\nApoteka  -­  Prostor  za  suvremenu  \numjetnost\nCinemaniac  -­  Misliti  film  2018:  The  Museum  \nof  Found  Footage  (Muzej  pronađenog  filma)\n15.000,00        \nGodišnji  program  Art-­kina  za  2018.  godinu  i\nProgram  Art-­kina  za  djecu  i  mlade  za  2018.\n5\nASIFA  Hrvatske\nASIFA-­ine  Večeri  animacije  2018.\n7.000,00        \n6\nAutonomni  kulturni  centar\nFilmski  studio  Medika\n20.000,00        \n7\nAutorski  studio-­fotografija,  film,  video\nProgram  specijalističkih  radionica  „Ono  k'o  \nZoran  Tadić“\n10.000,00        \nFilm  za  vrtiće  i  osnovne  škole;;  \nKino  za  mlade  i\nRedovna  -­  godišnja  kinotečna  djelatnost  \nCentra  za  kulturu  Čakovec\n9\nCentar  za  kulturu  i  film  Augusta  Cesarca Redovna  filmska  djelatnost  Centra  za  kulturu  i  \nfilm  Augusta  Cesarca\n25.000,00        \n10\nCentar  za  kulturu  i  cjeloživotno  \nobrazovanje  Zlatna  vrata\n2018.  Filmski  programi  Centra  za  kulturu  i  \ncjeloživotno  obrazovanje  Zlatna  vrata  u  Splitu\n110.000,00        \n11\nCentar  za  kulturu  Trešnjevka\nFilmska  i  video  radionica  \"Snimi  svoj  film  -­  \npostani  Hitchcock\"\n5.000,00        \n12\nDobar  film\nDobar  film  za  dobar  grad\n5.000,00        \n13\nDom  kulture  Kristalna  kocka  vedrine\nFilmofilija  III\n5.000,00        \n14\nDom  mladih\nEdukativne  radionice  audiovizualnog  \nstvaralaštva  za  učenike/učenice  i  \nmentore/mentorice  iz  OŠ  Grada  Rijeke  i  \nriječkog  prstena  \"Video-­filmska  svaštarnica\"\n7.000,00        \n15\nDruštvo  za  komuniciranje  ambijenta  \n\"PUT\"  Labin\nPOP-­UP  FILM  2018.\n5.000,00        \n16\nEdukacijsko-­kreativna  udruga  Vita\nDuboko  prirodno  II.\n5.000,00        \n17\nFantastično  dobra  institucija  -­  Fade  In\nEdukativni  program  \"U  Fokusu:  izgradnja  lika  \nu  dokumentarnom  filmu\"  2018\n30.000,00        \nKino  Mediteran;;  \nmali  meDITEran  -­  školske  projekcije  i  \nradionice  i\nKino  Mediteran  -­  istraživanje  i  dokumentiranje  \npovijesti  kinoprikazivaštva  u  Dalmaciji\n19\nFilmska  udruga  Motion\n4.  Motion  filmska  radionica  \n7.000,00        \n14.  ljetne  filmske  radionice  i\nVar-­T-­eks  vol.  3\n21\nFoliot  -­  Centar  za  djecu  i  mlade  Matulji\nLanterna  magica\n5.000,00        \n22\nFoto  kino  video  klub  Zaprešić\nZimska  i  ljetna  filmska  radionica  2018.\n20.000,00        \n23\nFoto-­kino  klub  Baranja  film\n10.  Mikro-­škola  medijske  kulture  -­  2018.\n2.500,00        \n24\nFoto-­kino  klub  Baranja  film\nDOKfilm  '18.  -­  (12.)  Revija  dokumentarnog  \nfilma\n5.000,00        \n25\nFoto-­kino  klub  Baranja  film\nFilmski  programi  u  Mikro-­kinu  -­  2018.\n15.000,00        \n26\nGFR  film-­video\nArt  kino\n18.000,00        \n27\nGOKUL  -­  Građanska  organizacija  za  \nkulturu\nGreen  Room  Cinema  2018.\n15.000,00        \nJavni  poziv  za  dodjelu  sredstava  za  poticanje  komplementarnih  djelatnosti  u  2018.  \ngodini  -­  popis  odobrenih  projekata\ndjelatnosti  razvijanja  audiovizualne  kulture\n360.000,00        \n23.000,00        \n25.000,00        \n91.\t\r  sjednica\t\r  Hrvatskog\t\r  audiovizualnog\t\r  vijeća,\t\r  12.\t\r  veljače\t\r  2018.\n65.000,00\nArt-­kino\n4\nCentar  za  kulturu  Čakovec\n8\nFestival  mediteranskog  filma  Split\n18\nFilmsko-­kreativni  studio  Vanima\n20\n\n\f\nPage\t\r  2\n28\nHrvatska  udruga  filmskih  snimatelja\nSnimateljska  filmska  estetika  -­  retrospektiva  \nfilmova  Branka  Blažine\n10.000,00        \n29\nHrvatski  filmski  savez  -­  HFS\nDvanaesti  susret  Dječje  filmsko  i  \nvideostvaralaštvo  u  funkciji  javnoga  zdravstva  \ni  osmi  Dječji  filmski  kamp\n10.000,00        \n30\nHrvatski  filmski  savez  -­  HFS\nFilmske  radionice  u  Kraljevici  za  djecu  i  \nmladež\n20.000,00        \n31\nHrvatski  filmski  savez  -­  HFS\nFilmski  programi  u  kinu  Tuškanac    u  2018.  \ngodini\n360.000,00        \n32\nHrvatski  filmski  savez  -­  HFS\nKratki  utorak  -­  filmski  program  autorskog  i  \numjetničkog  filma  i  videa\n50.000,00        \n33\nHrvatski  filmski  savez  -­  HFS\nMladi  mladima  -­  poticanje  razvoja  filmskih  \ndružina  u  novim  sredinama\n5.000,00        \n34\nHrvatski  filmski  savez  -­  HFS\nObrazovni  programi  u  kinu  Tuškanac  za  \ndjecu  i  mlade\n10.000,00        \n35\nHrvatski  filmski  savez  -­  HFS\nSenzorne  projekcije  u  kinu  Tuškanac,  Zagreb  \ni  kinu  Gaj,  Varaždin\n10.000,00        \n36\nIzvan  fokusa  -­  Udruga  za  medijsko  \nstvaralaštvo  i  kulturne  aktivnosti  \nAttachment:  film  kao  prilog\n10.000,00        \n37\nIzvan  fokusa  -­  Udruga  za  medijsko  \nstvaralaštvo  i  kulturne  aktivnosti  \nRadionica  snimanja  DSLR  fotoaparatom\n5.000,00        \n38\nJavna  ustanova  Pula  film  festival\nFUŠ  -­  Film  u  školi\n20.000,00        \n39\nJavna  ustanova  u  kulturi  Kinematografi  \nDubrovnik\nProgram  rada  art  dvorana  Visia  i  Slavica  u  \n2018.  \n25.000,00        \n40\nKino  klub  \"  Paluba  7  \"\nRadionica  izrade  scenarija  jednominutnog  \nfilma\n2.000,00        \n41\nKino  klub  Sisak\nPlanet  film\n12.000,00        \n42\nKinoklub  Karlovac\nFilmski  Uskrs  i  Vaskrs  2018.\n10.000,00        \n43\nKinoklub  Karlovac\nRiječno  kino  2018.\n5.000,00        \n44\nKinoklub  Karlovac\nSpecijalizirani  program  radionica  ekranizacije  \nslikovnice“Tamo  negdje  ispod  vode”\n15.000,00        \n45\nKinoklub  Zagreb\nRadionice  Kinokluba  Zagreb  u  2018.  \n80.000,00        \n46\nKolektiv  za  razvoj,  istraživanje  i  \npropitivanje  queer  kulture  -­  \nqueerANarchive\nČudna  mlada  Hrvatska  \n6.000,00        \n47\nKulturni  klub\nArt-­kino  Grič\n10.000,00        \n48\nKulturni  klub\nArt-­kino  Metropolis\n20.000,00        \n49\nKulturno  informativni  centar\nGrad  i  film:  filmski  krajolici  i  urbane  vizure  \n7.000,00        \n50\nKulturno  informativni  centar\nNjezin  film  -­  smijeh  Meduze  \n5.000,00        \n51\nMotovun  film  festival  U.O.\nLjudi  s  kamerom  21.  stoljeća\n10.000,00        \n52\nMultimedijalni  centar  Studio  kreativnih  \nideja  Gunja  -­  MMC  SKIG\n9.Ljetna  škola  filma  Gunja  i  Edukacija  članova\n33.000,00        \n53\nMuzej  suvremene  umjetnosti\nKino  umjetnika      serija  projekcija  i  razgovora\n10.000,00        \n54\nOne  Take  Film  Festival\nProjekcije  filmova  i  izložba  Mark  Lee  Ping  \nBing\n5.000,00        \n55\nOne  Take  Film  Festival\nRadionice  scenarija  i  snimanja  filmova  u  \njednom  kadru\n5.000,00        \n56\nOtompotom\nAnimation  Shots  2018\n10.000,00        \n57\nOtompotom\nAnimirani  Šibenik  2018\n15.000,00        \n58\nOtompotom\nMikrokino\n10.000,00        \n59\nOtompotom\nPlanktoon\n7.000,00        \n60\nPari  Pikule\n#europeanfilmchallenge\n10.000,00        \n61\nPari  Pikule\nSecret  Arts  Cinema\n30.000,00        \n62\nPlatforma  za  unapređenje  kulture  -­  \nPUNKT\n  Video  radionice  Grad  na  drugi  pogled  \n15.000,00        \n63\nPučko  otvoreno  učilište  -­  Universita  \npopolare  aperta  Vodnjan  -­  Dignano  \nArt  kino  \"Cineast\"\n10.000,00        \n64\nPučko  otvoreno  učilište  \"Đuro  Arnold\"  \nIvanec\nMovie(ng)  55+\n5.000,00        \n65\nPučko  otvoreno  učilište  Daruvar\nKinoprikazivačka  djelatnost  kina  \"30.  svibnja\"  \nDaruvar  -­  permanentno  prikazivanje  filmova  i  \nrevija  hrvatskog,  europskog  i  internacionalnog  \nkino-­repertoara  u  2018.\n40.000,00        \n\n\f\nPage\t\r  3\n66\nPučko  otvoreno  učilište  Koprivnica\nPopularizacija  europskog  i  neameričkog  filma  \n5.000,00        \n67\nPučko  otvoreno  učilište  Kutina\nKultkino\n5.000,00        \n68\nPučko  otvoreno  učilište  Labin\nEdukativne  filmske  radionice  za  djecu  i  mlade  \nu  Kinu  Labin\n5.000,00        \nKino  Samobor  -­  program  kina  za  2018.godinu  \ni\nKino  Samobor  -­  Škola  u  kinu\n70\nPučko  otvoreno  učilište  Samobor\nKino  Samobor  -­  Reci  NE  šundu\n5.000,00        \n71\nPučko  otvoreno  učilište  Slatina\nEuropa  u  Slatini\n5.000,00        \n72\nPučko  otvoreno  učilište  Varaždin\nProgram  kina  Gaj\n40.000,00        \n73\nPulska  filmska  tvornica\n14.  Škola  filma\n15.000,00        \n74\nPulska  filmska  tvornica\n8.  Škola  animiranog  filma  -­  Pula\n5.000,00        \n75\nPulska  filmska  tvornica\nArt  kino  Pistola\n7.000,00        \n76\nPulska  filmska  tvornica\nMedionauti\n15.000,00        \n77\nRadar  d.o.o.\nFilm  za  van\n3.000,00        \n79\nRestart\nDemokracija  za  početnike  u  2018.\n3.500,00        \n79\nRestart\nDokukino  program  u  2018.\n70.000,00        \n80\nRestart\nFilmska  početnica  u  2018.  godini  -­  \npredškolski  i  osnovnoškolski  program\n15.000,00        \n81\nRestart\nFilmsko  popodne  -­  arhivi  i  sjećanja\n5.000,00        \n82\nRestart\nŠkola  dokumentarnog  filma  u  2018.  godini\n55.000,00        \n83\nRestart\nVR  Leksikon  -­  360  stupnjeva  u  životu  \ntinejdžera\n10.000,00        \n84\nStvaralačka  mreža  Zebra\nInterface  2018\n25.000,00        \n85\nSveučilište  u  Zagrebu  -­  Studentski  \ncentar  u  Zagrebu\nFilmski  laboratorij  Klubvizija  SC:  Program  u    \n2018.  godini\n45.000,00        \n86\nSveučilište  u  Zagrebu  -­  Studentski  \ncentar  u  Zagrebu\nKratke  slike  vol.  4\n30.000,00        \n87\nSveučilište  u  Zagrebu  -­  Studentski  \ncentar  u  Zagrebu\nRadionica  filma  za  studente\n5.000,00        \n88\nSveučilište  u  Zagrebu  -­  Studentski  \ncentar  u  Zagrebu\nFilmske  (pri)povijesti  –  dijalozi  o  povijesti  i  \nbudućnosti  filma  #2\n10.000,00        \n89\nŠkola  animiranog  filma  Čakovec\n25.  Internacionalna  filmska  radionica  (25.  IFR)\n15.000,00        \n90\nŠkola  filma  Šipan\n15  jubilarna  Ljetna  škola  filma  Šipan\n15.000,00        \n91\nTeatar  to  go,  U.O.\nGodišnji  program  Filmska  RUNDA  2018.\n10.000,00        \n92\nTvornica  Umjetnosti  -­  TUM\nIzrazi  se  filmom\n10.000,00        \n93\nUdruga  Bacači  sjenki\nFrooom  -­  inovativno  medijsko,  filmsko  i  \ninformatičko  opismenjavanje  djece  i  mladih\n50.000,00        \nFilmska  škola  i\nFilmske  radionice\n95\nUdruga  Djeca  susreću  umjetnost\nPutujući  Sedmi  kontinent  -­program  filma  za  \ndjecu  i  mlade  u  suradnji  s  nezavisnim  \ndigitaliziranim  kinoprikazivačima  i  Mrežom  \nkinoprikazivača\n50.000,00        \n96\nUdruga  Djeca  susreću  umjetnost\nSedmi  kontinent  -­  radionice  optičkih  igračaka  \nza  najmlađe  \n10.000,00        \n97\nUdruga  Djeca  susreću  umjetnost\nSedmi  kontinent  u  bolnicama  -­  kvalitetan  \ndječji  film  i  filmske  kreativne  radionice  te  \nposebni  gosti  filmaši  za  djecu  u  bolnicama  \n25.000,00        \n98\nUdruga  Domino\nQueer  MoMenti  2018.  \n35.000,00        \n99\nUdruga  Filmaktiv\nFilm  svima  2018.\n7.000,00        \n100\nUdruga  Filmaktiv\nOtoci2018\n15.000,00        \n101\nUdruga  Filmaktiv\nPrimijenjeni  video  2018\n7.000,00        \n102\nUdruga  Globe  Media\nDYXY  na  filmu  5\n7.000,00        \n103\nUdruga  Kinookus\nOkusi  drugačije  kino\n5.000,00        \n104\nUdruga  Lanterna  Magica\nFilmska  radionica  za  mlade_PSFF  2018\n5.000,00        \n105\nUdruga  Liburnia  film  festival\nGledamo  dokumentarce,  pravimo  \ndokumentarce!  -­  edukacijski  program  Liburnia  \nFilm  Festivala  2018.\n15.000,00        \n45.000,00        \n50.000,00        \nPučko  otvoreno  učilište  Samobor\n69\nUdruga  Blank\n94\n\n\f\nPage\t\r  4\n106\nUdruga  ljubitelja  filma  Rare  Vinkovci\nEDIT  -­  Edukacija  i  trening  2018\n15.000,00        \n107\nUdruga  Skribonauti\nKino  Sloboda  \n7.000,00        \n108\nUdruga  Što,  kako  i  za  koga  /  WHW\nTako  se  kalio  čelik  \n25.000,00        \n109\nUdruga  Veliki  mali  čovjek\nFilmska  radionica  na  15.  festivalu  Sedam  \ndana  stvaranja\n5.000,00        \n110\nUdruga  za  audiovizualno  stvaralaštvo  \nArtizana\nDIGITAL  GENERATION  -­  radionica  \ndokumentarnog  filma  i  novih  tehnologija\n10.000,00        \n111\nUdruga  za  filmsko  i  scensko  \nstvaralaštvo  \"ODJEL  ZA  VIZIJE  \nPRODUKCIJA\"\nMultimedijalna  izložba  Hommage  to  Stasenko\n12.000,00        \n112\nUdruga  za  kulturu  i  sport  Pozitivna  sila\nCirkuska  srijeda  \n5.000,00        \n113\nUdruga  za  promicanje  kulture  Dokuart  \n11.  Mali  DOKUart  -­  DOKUradionica  i  \nnacionalni  natječaj  za  najbolji  dokumentarac  \nosnovnoškolaca\n40.000,00        \n114\nUdruga  za  promicanje  kulture  Dokuart  \nFilmodrom  Udruge  DOKUart\n7.000,00        \n115\nUdruga  za  promicanje  kvalitetnog  \nobrazovanja  mladih  s  invaliditetom  \nZamisli\n„Slušam,  dakle  vidim  -­  film“\n12.000,00        \nStudio  animacije  i\nGodišnji  program  filmskih  radionica\n117\nUdruženje  za  razvoj  kulture  URK\nNove  filmske  večeri  u  Močvari\n25.000,00        \n118\nUmjetnička  organizacija  Film-­protufilm\nSerije  za  invizibilno  kino:  Manifesti  sociološke  \numjetnosti  -­  Fred  Forest\n20.000,00        \n119\nUmjetnička  organizacija  Zagreb  Film  \nFestival\nFil(m)harmonija:  Projekcije  kultnih  nijemih  \nfilmova  uz  glazbenu  pratnju  orkestra  \nZagrebačke  filharmonije\n10.000,00        \nFilmski  programi  kina  Europa  -­  suvremeni  \nnezavisni  film  i\nKino  Bibijada  -­  cjelogodišnji  filmski  program  \nza  djecu\n121\nVariete\nKULTIVATOR  /  Kulturna  obnova  uz  kultni  film\n5.000,00        \n122\nVideo  klub  Mursa\nRadionica  stop-­trik  animacije  See/Touch/Try  \n–  Ljeto  2018.\n5.000,00        \n123\nZajednica  tehničke  kulture  Grada  \nSlavonskog  Broda\nDruga  radionica  animiranog  filma  posvećenog  \nmanifestaciji  Svijet  bajki  Ivane  Brlić-­Mažuranić  \n7.000,00        \n3.051.000,00  \nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\n25  FPS,  Udruga  za  audio-­vizualna  \nistraživanja\nČetrnaesti  Festival  25  FPS\n250.000,00        \n2\nAlternator,  udruga  za  promicanje  \nstvaralaštva  i  jednakih  mogućnosti\nFestival  prava  djece  2018.\n40.000,00        \n3\nASIFA  Hrvatske\nMeđunarodni  dan  animacije  2018.\n15.000,00        \n4\nASTER  Kulturno  društvo  -­  Dubrovnik\nTišina  molim!\n10.000,00        \n5\nAutorski  studio-­fotografija,  film,  video\n14.  Revija  hrvatskog  filma  kratke  forme  \"240  \nsekundi  hrvatskog  filma\"\n5.000,00        \n9.  AFF  Avvantura  film  festival  i\n9.  AMF  Avvantura  Matchmaking  Forum  (Pula)\n7\nCentar  za  kulturu  Čakovec\n6.  Međunarodna  revija  filmova  za  djecu\n12.000,00        \n8\nCentar  za  kulturu  Čakovec\nObilježavanje  svjetskog  dana  animacije\n2.000,00        \n9\nCentar  za  kulturu  Trešnjevka\n12.  PSSST!  Festival  nijemog  filma\n10.000,00        \n10\nCentar  za  kulturu  Trešnjevka\n27.  Dani  hrvatskog  filma\n190.000,00        \n11\nDalmatia  Film  Festival\nDalmatia  film  festival\n20.000,00        \n12.Vukovar  Film  Festival  -­  festival  \npodunavskih  zemalja  i\nEdukativni  programi  12.Vukovar  Film  Festivala\nfilmski  festivali  i  druge  audiovizualne  manifestacije\n20.000,00        \n290.000,00        \n300.000,00        \n60.000,00        \nUdruga  za  promicanje  medijske  kulture  \nLuža\n116\nUmjetnička  organizacija  Zagreb  Film  \nFestival\n120\nAvantura  d.o.o.\n6\nUKUPNO\nDiscovery  d.o.o.\n12\n\n\f\nPage\t\r  5\n13\nDreaMaker  Productions  d.o.o.\nMeđunarodni  festival  filmske  glazbe  i  zvuka  -­  \nISFMF\n10.000,00        \n14\nEkološko  kulturna  scena  EKS  Hrvatska  \nKostajnica\n11.  SEFF  -­  Smaragdni  eco  film  festival\n32.000,00        \n15\nEtnografski  muzej  Istre  -­  Museo  \netnografico  dell'  Istria\n10.  ETNOFILm  međunarodni  festival  \netnografskog  filma\n35.000,00        \n16\nFactum\n14.  ZagrebDox  međunarodni  festival  \ndokumentarnog  filma\n450.000,00        \n17\nFestival  mediteranskog  filma  Split\n11.  Festival  mediteranskog  filma  Split\n180.000,00        \n18\nFestival  suvremenog  židovskog  filma  \nZagreb\n12.  Festival  tolerancije  -­  JFF  Zagreb\n100.000,00        \n19\nFilmaparat  d.o.o.\n12.  Pašmanske  filmske  večeri\n12.000,00        \n20\nFilmsko-­kreativni  studio  Vanima\n9.  VAFI  &  1.  RAFI  -­  internacionalni  festival  \nanimiranog  filma  djece  i  mladih  \nVaraždin/Rijeka\n45.000,00        \n21\nFoto-­kino  klub  Baranja  film\n(8.)  12.  Vukovar  film  festival  u  Belom  \nManastiru  '18.\n10.000,00        \n22\nGFR  film-­video\n26.  Hrvatski  festival  jednominutnih  filmova\n75.000,00        \n23\nGFR  film-­video\nPožeški  filmski  tjedan  2018.\n10.000,00        \n24\nGOKUL  -­  Građanska  organizacija  za  \nkulturu\n16.  Tabor  Film  Festival\n70.000,00        \n25\nGOKUL  -­  Građanska  organizacija  za  \nkulturu\n7.  KIKI  -­  festival  dječjeg  filma\n10.000,00        \n26\nHrvatski  filmski  savez  -­  HFS\n23.  Filmska  revija  mladeži  &  11.  Four  River  \nFilm  Festival\n100.000,00        \n27\nHrvatski  filmski  savez  -­  HFS\n50.  Revija  hrvatskog  filmskog  stvaralaštva\n90.000,00        \n28\nHrvatski  filmski  savez  -­  HFS\n56.  Revija  hrvatskog  filmskog  stvaralaštva  \ndjece\n70.000,00        \n29\nHrvatsko  arapsko  društvo  prijateljstva  \n3.Festival  arapskog  filma  u  Zagrebu\n5.000,00        \n30\nHulahop  d.o.o.\n28.  svjetski  festival  animiranog  filma  -­  \nANIMAFEST  Zagreb  2018.\n900.000,00        \n31\nJavna  ustanova  Pula  film  festival\n4.  Pulica  u  kaputu\n15.000,00        \n32\nJavna  ustanova  u  kulturi  Kinematografi  \nDubrovnik\nDUff  -­  Mediteranski  festival  djece  i  mladih  /  7.  \nizdanje  \n15.000,00        \n33\nKino  klub  Sisak\nStar  film  fest\n20.000,00        \n34\nKinoklub  Karlovac\nFilmski  EU  tjedan  2018.\n5.000,00        \n35\nKolektiv  za  razvoj,  istraživanje  i  \npropitivanje  queer  kulture  -­  \nqueerANarchive\nqFEST  -­  filmske  projekcije\n7.000,00        \n36\nKulturni  klub\nRevija  europskog  filma\n5.000,00        \n37\nKulturno  informativni  centar\n3.  Arteria  -­  Tjedan  filma  o  umjetnicima  \n5.000,00        \n38\nLot  dvadesetiosam  studio  d.o.o.\n8.  Fantastic  Zagreb  film  festival\n40.000,00        \n39\nMeđunarodni  festival  novog  filma\nSplitski  filmski  festival  /  Međunarodni  festival  \nnovog  filma\n250.000,00        \n40\nMotovun  film  festival  U.O.\nMotovun  Film  Festival  2018\n500.000,00        \n41\nMultimedijalni  institut\nHuman  Rights  Film  Festival\n170.000,00        \n42\nMuzej  hrvatskih  arheoloških  spomenika  \nSplit\n5.  međunarodni  festival  arheološkog  filma  \n(MFAF)\n15.000,00        \n43\nNoć  hrvatskog  filma  i  novih  medija,  U.O.\nNoć  hrvatskog  filma  i  novih  medija  2018.\n15.000,00        \n44\nOne  Take  Film  Festival\nOne  Take  Film  Festival  -­  organizacija  festivala\n85.000,00        \n45\nOtompotom\nSupertoon  -­  Međunarodni  Festival  Animacije\n60.000,00        \n46\nProstor  rodne  i  medijske  kulture  K-­zona\nFilmski  program  Vox  Feminae  Festivala  2018\n40.000,00        \n47\nPučko  otvoreno  učilište  Sveti  Ivan  Zelina\nDiversions  International  Short  Film  Festival\n15.000,00        \n48\nREA  -­  udruga  za  suvremene  umjetničke  \ni  arhitektonske  produkcije\nNeki  drugi  film  /  Films  Like  no  Others  \n15.000,00        \n49\nRestart\nDokukino  KIC  Matineja  za  umirovljenike  i  \nprogram  55+  u  2018.\n5.000,00        \n\n\f\nPage\t\r  6\n50\nUdruga  Bijeli  val\n11.Subversive  Film  Festival:  Divlji  u  srcu:  \nSloboda  i  poetska  pravda\n130.000,00        \n51\nUdruga  Crtani  romani  šou\n21.  CRŠ  -­  Zagreb  Comic  Con  -­  Filmski  \nprogram\n5.000,00        \n52\nUdruga  Đakovački  rezovi\nManifestacija  Đakovački  rezovi\n25.000,00        \n53\nUdruga  Filmaktiv\nKino  šinobus\n2.000,00        \n54\nUdruga  Filmaktiv\nMeđunarodni  studentski  filmski  festival  -­  \nSTIFF  2018\n15.000,00        \n55\nUdruga  Globe  Media\nBrač  Film  Festival  2018\n25.000,00        \n56\nUdruga  građana  Spirit\nUhvati  film\n15.000,00        \n57\nUdruga  Kinookus\nKinookus  Food  Film  Festival\n37.000,00        \n58\nUdruga  Lanterna  Magica\n8.  Postira  Seaside  Film  Festival  -­  \nmeđunarodni  festival  kratkometražnog  filma\n18.000,00        \n59\nUdruga  Liburnia  film  festival\n16.  Liburnia  Film  Festival\n60.000,00        \n60\nUdruga  ljubitelja  filma  Rare  Vinkovci\n12.Festival  dokumentarnog  rock  filma  DORF\n40.000,00        \n61\nUdruga  za  promicanje  kulture  Dokuart  \n13.  DOKUart    Dani  dokumentarnog  filma\n80.000,00        \n62\nUmjetnička  organizacija  Film-­protufilm\nFilmske  mutacije:  Dvanaesti  festival  \nnevidljivog  filma  -­  FLUSSER  FILM\n80.000,00        \n63\nUmjetnička  organizacija  Zagreb  Film  \nFestival\n16.  Zagreb  film  festival\n450.000,00        \n64\nUmjetnička  organizacija  Zagreb  Film  \nFestival\n3.  KinoKino  -­  Međunarodni  filmski  festival  za  \ndjecu\n20.000,00        \n65\nVerbum  d.o.o.\nFilmski  program  manifestacije  Dani  \nkršćanske  kulture  2018.\n7.000,00        \n66\nVideo  klub  Mursa\n16.  Gastro  film  fest\n8.000,00        \n5.417.000,00  \nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\nArs  Septima  d.o.o.\nHrvatski  imaginarni  film,  knjiga  četvrta,  \nZvonimir  Berković\n5.000,00        \n2\nArs  Septima  d.o.o.\nHrvatski  imaginarni  film,  knjiga  peta,  \nTanhofer/Šimatović\n5.000,00        \n3\nArs  Septima  d.o.o.\nHrvatski  imaginarni  film,  knjiga  treća,  \nVatroslav  MIMICA\n5.000,00        \n4\nHangar  7  d.o.o.\nFilmski  žanrovski  klasici  -­  I.  kolo\n5.000,00        \n5\nHangar  7  d.o.o.\nInverzija,  portal  za  znanstvenu  fantastiku,  \nfantastičnu  književnost  i  film\n5.000,00        \n6\nHrvatski  filmski  savez  -­  HFS\nHrvatski  filmski  ljetopis  \n95.000,00        \n7\nHrvatski  filmski  savez  -­  HFS\nIlija  Barišić,  Filmski  diskurs  u  videoigrama  -­  \nModalitet  vizualnog  izlaganja  novih  medija  \n(radni  naslov)\n10.000,00        \n8\nHrvatski  filmski  savez  -­  HFS\nPiši  žanrovski  –  Scenaristička  teorija  i  praksa  \nfilmskih  žanrova\n10.000,00        \n9\nHrvatski  filmski  savez  -­  HFS\nZAPIS,  Bilten  Hrvatskog  filmskog  saveza  \n5.000,00        \n10\nKulturni  klub\nFilmovi.hr\n12.000,00        \n11\nKulturno  informativni  centar\nDavid  Lynch  -­  izdavanje  hrvatskog  prijevoda  \nknjige  Justusa  Nielanda\n5.000,00        \n12\nKurziv  -­  Platforma  za  pitanja  kulture,  \nmedija  i  društva\nKinemaskop\n30.000,00        \n13\nNovi  Gordogan,  Udruga  za  kulturu\nNenad  Polimac:  Život  u  filmu,  1:  Domaći  \nkritičarski  uzori,  hrvatski  klasici  i  novo  doba\n10.000,00        \n14\nProstor  rodne  i  medijske  kulture  K-­zona\nRodno  osviještena  filmska  kritika\n15.000,00        \n15\nPulska  filmska  tvornica\nMonografija  Kino  kluba  \"Jelen\"  -­  Pula\n15.000,00        \n16\nScarabeus  libris  -­  Udruga  za  promicanje  \nkulture  i  umjetnosti\nIzdavanje  knjige  'Film  ili  čovjek  iz  mašte  -­  \nantropološki  esej',  autor  Edgar  Morin  \n7.000,00        \n17\nSlobodni  filozofski,  Udruga\nSlijepe  pjege\n5.000,00        \n18\nUdruga  Bijeli  val\nBiblioteka  Sinestetika:  Marguerite  Duras,  \nJean-­Luc  Godard:  DIJALOZI\n7.000,00        \n19\nUdruga  Dokumetar\nDokumentarni.net\n17.000,00        \nobjavljivanje  književnih  radova  u  području  audiovizualnih  djelatnosti\nUKUPNO\n\n\f\nPage\t\r  7\n20\nUdruga  Dušan  Vukotić\nPavao  Štalter  -­  Aleksandar  Marks:  \"Mrav  \ndobrog  srca\"\n10.000,00        \n21\nUdruga  Filmonaut\nFilmonaut,  filmološko-­filmofilski  časopis\n65.000,00        \n22\nUdruga  Metamedij\nTko  gleda  zlo  ne  misli  –  filmska  internet  \nstranica\n4.000,00        \n23\nUdruga  Vizkultura\nKratki,  animirani  i  eksperimentalni  film  u  \nmedijima  2018.\n10.000,00        \n24\nUdruga  za  interdisciplinarna  i  \ninterkulturalna  istraživanja\nŽene  dolaze  (radni  naslov)\n10.000,00        \n367.000,00  \nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\nBonobostudio  d.o.o.\nDistribucija  i  promocija  filmova  2018.\n40.000,00        \n2\nRestart\nKineDok  2018.\n40.000,00        \n3\nUstanova  Zagreb  film\nFestivalska  distribucija    2018\n30.000,00        \n110.000,00  \nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\nASIFA  Hrvatske\nAnidox  Zagreb\n40.000,00        \n2\nDruštvo  hrvatskih  filmskih  redatelja\nScenaristički  program  \"Branko  Bauer\"  2018.\n20.000,00        \n3\nFactum\nZagrebDox  Pro  2018.\n80.000,00        \n4\nFoto-­kino  klub  Ivanovec\nStručno  usavršavanje  mladih  članova  FKK  \nIvanovec\n3.000,00        \n5\nHrvatski  filmski  savez  -­  HFS\n20.  Škola  medijske  kulture  Dr.  Ante  Peterlić\n240.000,00        \n6\nHrvatski  filmski  savez  -­  HFS\nScenaristička  platforma  Palunko,  16.  sezona\n50.000,00        \n7\nKino  klub  Split\nEdukativni  program  Kino  kluba  Split  2018\n60.000,00        \n8\nKinoklub  Karlovac\nRadionica  eksperimentalnog  filma  za  \nprofesore\n10.000,00        \n9\nLot  dvadesetiosam  studio  d.o.o.\n4.  Europski  žanrovski  forum\n30.000,00        \n10\nMotovun  film  festival  U.O.\nKampus  Motovun\n10.000,00        \n11\nPulska  filmska  tvornica\nProduction  In  2018\n12.000,00        \n12\nRestart\nRestart  Laboratorij  u  2018.  godini  \n60.000,00        \n13\nUdruga  Djeca  susreću  umjetnost\nStručno  usavršavanje  Sedmi  kontinent  \n10.000,00        \n14\nUdruga  Manda  -­  film  i  riječ\nMedijski  izazovi  -­  Škola  za  profesore\n5.000,00        \n15\nUdruga  Metonimija\nScenaristički  masterclass  s  Razvanom  \nRadulescuom\n5.000,00        \n16\nUmjetnička  organizacija  Zagreb  Film  \nFestival\nIndustrija  16.  Zagreb  Film  Festivala\n60.000,00        \n17\nUstanova  Zagreb  film\n9.  međunarodna  radionica  animiranog  filma  \n25.000,00        \n18\nZajednica  tehničke  kulture  Grada  \nSlavonskog  Broda\nSudjelovanje  na  Školi  medijske  kulture  „Dr.  \nAnte  Peterlić\"  \n3.000,00        \n723.000,00  \nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\nHrvatski  filmski  savez  -­  HFS\nWeb  -­  arhiv  Hrvatskog  filmskog  saveza  u  \nokviru  projekta  Connect  Archives\n12.000,00        \n2\nHulahop  d.o.o.\nMeđunarodni  znanstveni  skup  o  animiranom  \nfilmu  Animafest  Scanner  V\n12.000,00        \n3\nMavena  -­  36  njenih  čuda\nVideodrom\n10.000,00        \n4\nMultimedijalni  institut\nVizualni  kolegij\n40.000,00        \n5\nRestart\nHall  of  Fame  u  2018.\n5.000,00        \n6\nRestart\nMasterclass  -­  svjetski  dokumentaristi  u  \nHrvatskoj  u  2018.  godini  \n40.000,00        \nprogrami  stručnog  usavršavanja\nproučavanje  i  kritičko  vrednovanje  audiovizualnih  djelatnosti\nprogrami  promocije  i  prodaje  hrvatskih  audiovizualnih  djela\nUKUPNO\nUKUPNO\nUKUPNO\n\n\f\nPage\t\r  8\n7\nRestart\nRazmišljaj  filmom  u  2018.  godini\n17.000,00        \n8\nRestart\nDokukino  KIC  razgovori  s  autorima  u  2018.\n15.000,00        \n9\nSveučilište  u  Zagrebu  -­  Studentski  \ncentar  u  Zagrebu\nPrezreni  žanr,  prošireni  žanr\n15.000,00        \n166.000,00  \nNaziv  predlagatelja\nNaziv  programa\nOdobrena  sredstva\n1\nHrvatski  filmski  savez  -­  HFS\nFilmski  i  video  arhiv  Hrvatskog  filmskog  \nsaveza  u  2018.  godini  \n175.000,00        \n2\nKino  klub  Split\nDigitalizacija  i  restauracija  filma  Ivana  \nMartinca  \"Kuća  na  pijesku\"\n100.000,00        \n3\nUstanova  Zagreb  film\nRestauracija  i  digitalizacija  filmova  2018.\n60.000,00        \n335.000,00  \nBROJ  ODOBRENIH  PROGRAMA\nODOBRENA  \nSREDSTVA\n123\n3.051.000,00\n66\n5.417.000,00\n24\n367.000,00\n3\n110.000,00\n18\n723.000,00\n9\n166.000,00\n3\n335.000,00\n246\n10.169.000,00\nSVEUKUPNO\nobjavljivanje  književnih  radova  u  području  \naudiovizualnih  djelatnosti\nprogrami  promocije  i  prodaje  hrvatskih  \naudiovizualnih  djela\nprogrami  stručnog  usavršavanja\nproučavanje  i  kritičko  vrednovanje  \naudiovizualnih  djelatnosti\nzaštita  audiovizualne  baštine  uključujući  \nkinotečnu  djelatnost\nfilmski  festivali  i  druge  audiovizualne  \nmanifestacije\nPROGRAMSKA  DJELATNOST\ndjelatnosti  razvijanja  audiovizualne  kulture\nzaštita  audiovizualne  baštine  uključujući  kinotečnu  djelatnost\nUKUPNO\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"2 BEZ UDRUGA REZULTATI KOMPLEMENTARNE 2018 ","year":2018,"rok":null,"natjecaj_date":"2018-02-12","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:05:49Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"djelatnosti r azvijanja a udiovizualne k ulture","section_key":"djelatnosti_r_azvijanja_a_udiovizualne_k_ulture","columns":["Naziv p redlagatelja","Naziv p rograma","Odobrena s redstva"],"rows":[{"row_number":1,"project_title":"Festival prava djece 2018. - Prilagodba filmova za osobe s oštećenjem sluha i vida","applicant":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"1","Naziv p rograma":"Festival p rava d jece 2 018. - P rilagodba filmova z a o sobe s o štećenjem s luha i v ida","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:86b2d97632da","curation":{"changes":[{"field":"applicant","from":null,"to":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","to":"Festival p rava d jece 2 018. - P rilagodba filmova z a o sobe s o štećenjem s luha i v ida","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Festival p rava d jece 2 018. - P rilagodba filmova z a o sobe s o štećenjem s luha i v ida","to":"Festival prava djece 2018. - Prilagodba filmova za osobe s oštećenjem sluha i vida","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","to":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Festival prava djece 2018. - Prilagodba filmova za osobe s oštećenjem sluha i vida","to":"Festival p rava d jece 2 018. - P rilagodba filmova z a o sobe s o štećenjem s luha i v ida","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 1 verified in source. OCR-spacing corrected: 'u druga z a p romicanje' to 'udruga za promicanje'. Amount 15,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_d1199056d59c","project_family_title":"Festival prava djece 2018. - Prilagodba filmova za osobe s oštećenjem sluha i vida"},{"row_number":2,"project_title":"Inkluzivne projekcije i panel rasprave","applicant":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"col_1":"2","Naziv p rograma":"Inkluzivne p rojekcije i p anel r asprave","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:9f4db0ab5eb0","curation":{"changes":[{"field":"applicant","from":null,"to":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","to":"Inkluzivne p rojekcije i p anel r asprave","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Inkluzivne p rojekcije i p anel r asprave","to":"Inkluzivne projekcije i panel rasprave","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","to":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Inkluzivne projekcije i panel rasprave","to":"Inkluzivne p rojekcije i p anel r asprave","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 2 verified. OCR spacing: 'p rojekcije' to 'projekcije', 'p anel r asprave' to 'panel rasprave'. Amount 25,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Same entity (Alternator), identical title concept across 2018–2019, consistent category and program type.","candidate_id":"fc_1ddae2d87b84"}},"funding_status":"awarded","project_family_id":"pf_b7f0d7d4d524","project_family_title":"Inkluzivne projekcije i panel rasprave"},{"row_number":3,"project_title":"Cinemaniac - Misliti film 2018: The Museum of Found Footage (Muzej pronađenog filma)","applicant":"Apoteka - Prostor za suvremenu umjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"3","Naziv p rograma":"Cinemaniac - M isliti f ilm 2 018: T he M useum of F ound F ootage ( Muzej p ronađenog f ilma)","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:a7d48056da65","curation":{"changes":[{"field":"applicant","from":null,"to":"Apoteka - P rostor z a s uvremenu umjetnost","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Apoteka - P rostor z a s uvremenu umjetnost","to":"Cinemaniac - M isliti f ilm 2 018: T he M useum of F ound F ootage ( Muzej p ronađenog f ilma)","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Cinemaniac - M isliti f ilm 2 018: T he M useum of F ound F ootage ( Muzej p ronađenog f ilma)","to":"Cinemaniac - Misliti film 2018: The Museum of Found Footage (Muzej pronađenog filma)","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Apoteka - P rostor z a s uvremenu umjetnost","to":"Apoteka - Prostor za suvremenu umjetnost","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Cinemaniac - Misliti film 2018: The Museum of Found Footage (Muzej pronađenog filma)","to":"Cinemaniac - M isliti f ilm 2 018: T he M useum of F ound F ootage ( Muzej p ronađenog f ilma)","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 3 verified. OCR corrections: 'P rostor z a' to 'Prostor za', 'M isliti f ilm' to 'Misliti film'. Amount 15,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_ec30f48e1241","project_family_title":"Cinemaniac - Misliti film 2018: The Museum of Found Footage (Muzej pronađenog filma)"},{"row_number":4,"project_title":"Godišnji program Art-kina za 2018. godinu i Program Art-kina za djecu i mlade za 2018.","applicant":"Art-kino","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"360.000,00","approved_amount":360000.0,"currency":"HRK","extras":{"col_1":"4","Naziv p rograma":"Godišnji p rogram A rt-kina z a 2 018. g odinu i Program A rt-kina z a d jecu i m lade z a 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:93795fcab5d3","curation":{"changes":[{"field":"applicant","from":null,"to":"Art-kino","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Art-kino","to":"Godišnji p rogram A rt-kina z a 2 018. g odinu i Program A rt-kina z a d jecu i m lade z a 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Godišnji p rogram A rt-kina z a 2 018. g odinu i Program A rt-kina z a d jecu i m lade z a 2 018.","to":"Godišnji program Art-kina za 2018. godinu i Program Art-kina za djecu i mlade za 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Godišnji program Art-kina za 2018. godinu i Program Art-kina za djecu i mlade za 2018.","to":"Godišnji p rogram A rt-kina z a 2 018. g odinu i Program A rt-kina z a d jecu i m lade z a 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 4 verified. OCR fixes: 'g odinu' to 'godinu', 'd jecu' to 'djecu', 'm lade' to 'mlade'. Amount 360,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_ea945c78f3cd","project_family_title":"Godišnji program Art-kina za 2018. godinu i Program Art-kina za djecu i mlade za 2018."},{"row_number":5,"project_title":"ASIFA-ine V ečeri a nimacije 2 018.","applicant":"ASIFA H rvatske","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"col_1":"5","Naziv p rograma":"ASIFA-ine V ečeri a nimacije 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:8550494bfa97","curation":{"changes":[{"field":"applicant","from":null,"to":"ASIFA H rvatske","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"ASIFA H rvatske","to":"ASIFA-ine V ečeri a nimacije 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_56843b0e03f2","project_family_title":"ASIFA-ine V ečeri a nimacije 2 018."},{"row_number":6,"project_title":"Filmski s tudio M edika","applicant":"Autonomni k ulturni c entar","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"6","Naziv p rograma":"Filmski s tudio M edika","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:1f1670f6473e","curation":{"changes":[{"field":"applicant","from":null,"to":"Autonomni k ulturni c entar","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Autonomni k ulturni c entar","to":"Filmski s tudio M edika","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_cf97a4a76a47","project_family_title":"Filmski s tudio M edika"},{"row_number":7,"project_title":"Program specijalističkih radionica Ono k'o Zoran Tadić","applicant":"Autorski studio-fotografija, film, video","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"7","Naziv p rograma":"Program s pecijalističkih r adionica „ Ono k 'o Zoran T adić“","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:6af27e8cb62f","curation":{"changes":[{"field":"applicant","from":null,"to":"Autorski s tudio-fotografija, f ilm, v ideo","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Autorski s tudio-fotografija, f ilm, v ideo","to":"Program s pecijalističkih r adionica „ Ono k 'o Zoran T adić“","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Program s pecijalističkih r adionica „ Ono k 'o Zoran T adić“","to":"Program specijalističkih radionica Ono k'o Zoran Tadić","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Autorski s tudio-fotografija, f ilm, v ideo","to":"Autorski studio-fotografija, film, video","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Program specijalističkih radionica Ono k'o Zoran Tadić","to":"Program s pecijalističkih r adionica „ Ono k 'o Zoran T adić“","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 7 verified. OCR spacing: 's tudio' to 'studio', 'f ilm' to 'film', 'v ideo' to 'video', 'r adionica' to 'radionica'. Amount 10,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Three entries (2017, 2018, 2021) with same entity (Autorski studio-fotografija, film, video) and identical program name. Consistent distinctive wording.","candidate_id":"fc_78fd28947ed7"}},"funding_status":"awarded","project_family_id":"pf_3b439f4d15fe","project_family_title":"Program specijalističkih radionica \"Ono k'o Zoran Tadić\""},{"row_number":8,"project_title":"Film za vrtiće i osnovne škole; Kino za mlade i Redovna - godišnja kinotečna djelatnost Centra za kulturu Čakovec","applicant":"Centar za kulturu Čakovec","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"23.000,00","approved_amount":23000.0,"currency":"HRK","extras":{"col_1":"8","Naziv p rograma":"Film z a v rtiće i o snovne š kole; ; Kino z a m lade i Redovna - g odišnja k inotečna d jelatnost Centra z a k ulturu Č akovec","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:cfbdc81c597a","curation":{"changes":[{"field":"applicant","from":null,"to":"Centar z a k ulturu Č akovec","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Centar z a k ulturu Č akovec","to":"Film z a v rtiće i o snovne š kole; ; Kino z a m lade i Redovna - g odišnja k inotečna d jelatnost Centra z a k ulturu Č akovec","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Film z a v rtiće i o snovne š kole; ; Kino z a m lade i Redovna - g odišnja k inotečna d jelatnost Centra z a k ulturu Č akovec","to":"Film za vrtiće i osnovne škole; Kino za mlade i Redovna - godišnja kinotečna djelatnost Centra za kulturu Čakovec","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Centar z a k ulturu Č akovec","to":"Centar za kulturu Čakovec","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Film za vrtiće i osnovne škole; Kino za mlade i Redovna - godišnja kinotečna djelatnost Centra za kulturu Čakovec","to":"Film z a v rtiće i o snovne š kole; ; Kino z a m lade i Redovna - g odišnja k inotečna d jelatnost Centra z a k ulturu Č akovec","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 8 verified. OCR spacing throughout applicant and title. Amount 23,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_7de2930ce757","project_family_title":"Film za vrtiće i osnovne škole, Kino za mlade i Redovna - godišnja kinotečna djelatnost Centra za kulturu Čakovec"},{"row_number":9,"project_title":"Redovna filmska djelatnost Centra za kulturu i film Augusta Cesarca","applicant":"Centar za kulturu i film Augusta Cesarca","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"col_1":"9","Naziv p rograma":"Redovna f ilmska d jelatnost C entra z a k ulturu i film A ugusta C esarca","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:babecc8e4842","curation":{"changes":[{"field":"applicant","from":null,"to":"Centar z a k ulturu i f ilm A ugusta C esarca","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Centar z a k ulturu i f ilm A ugusta C esarca","to":"Redovna f ilmska d jelatnost C entra z a k ulturu i film A ugusta C esarca","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Redovna f ilmska d jelatnost C entra z a k ulturu i film A ugusta C esarca","to":"Redovna filmska djelatnost Centra za kulturu i film Augusta Cesarca","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Centar z a k ulturu i f ilm A ugusta C esarca","to":"Centar za kulturu i film Augusta Cesarca","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Redovna filmska djelatnost Centra za kulturu i film Augusta Cesarca","to":"Redovna f ilmska d jelatnost C entra z a k ulturu i film A ugusta C esarca","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 9 verified. OCR corrections: 'f ilmska' to 'filmska', 'd jelatnost' to 'djelatnost', 'z a' to 'za'. Amount 25,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_299cc500c1d7","project_family_title":"Redovna filmska djelatnost Centra za kulturu i film Augusta Cesarca"},{"row_number":10,"project_title":"2018. Filmski programi Centra za kulturu i cjeloživotno obrazovanje Zlatna vrata u Splitu","applicant":"Centar za kulturu i cjeloživotno obrazovanje Zlatna vrata","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"110.000,00","approved_amount":110000.0,"currency":"HRK","extras":{"col_1":"10","Naziv p rograma":"2018. F ilmski p rogrami C entra z a k ulturu i cjeloživotno o brazovanje Z latna v rata u S plitu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:f6f74b585032","curation":{"changes":[{"field":"applicant","from":null,"to":"Centar z a k ulturu i c jeloživotno obrazovanje Z latna v rata","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Centar z a k ulturu i c jeloživotno obrazovanje Z latna v rata","to":"2018. F ilmski p rogrami C entra z a k ulturu i cjeloživotno o brazovanje Z latna v rata u S plitu","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"2018. F ilmski p rogrami C entra z a k ulturu i cjeloživotno o brazovanje Z latna v rata u S plitu","to":"2018. Filmski programi Centra za kulturu i cjeloživotno obrazovanje Zlatna vrata u Splitu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Centar z a k ulturu i c jeloživotno obrazovanje Z latna v rata","to":"Centar za kulturu i cjeloživotno obrazovanje Zlatna vrata","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"2018. Filmski programi Centra za kulturu i cjeloživotno obrazovanje Zlatna vrata u Splitu","to":"2018. F ilmski p rogrami C entra z a k ulturu i cjeloživotno o brazovanje Z latna v rata u S plitu","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 10 verified. OCR spacing: 'F ilmski' to 'Filmski', 'p rogrami' to 'programi', 'z a' to 'za', 'v rata' to 'vrata', 'S plitu' to 'Splitu'. Amount 110,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_803a7f4de9f2","project_family_title":"2018. Filmski programi Centra za kulturu i cjeloživotno obrazovanje Zlatna vrata u Splitu"},{"row_number":11,"project_title":"Filmska i video radionica Snimi svoj film - postani Hitchcock","applicant":"Centar za kulturu Trešnjevka","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"11","Naziv p rograma":"Filmska i v ideo r adionica \" Snimi s voj f ilm - postani H itchcock\"","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:8ef81ff23c82","curation":{"changes":[{"field":"applicant","from":null,"to":"Centar z a k ulturu T rešnjevka","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Centar z a k ulturu T rešnjevka","to":"Filmska i v ideo r adionica \" Snimi s voj f ilm - postani H itchcock\"","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Filmska i v ideo r adionica \" Snimi s voj f ilm - postani H itchcock\"","to":"Filmska i video radionica Snimi svoj film - postani Hitchcock","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Centar z a k ulturu T rešnjevka","to":"Centar za kulturu Trešnjevka","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Filmska i video radionica Snimi svoj film - postani Hitchcock","to":"Filmska i v ideo r adionica \" Snimi s voj f ilm - postani H itchcock\"","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 11 verified. OCR fixes: 'v ideo' to 'video', 'r adionica' to 'radionica', 'T resnjevka' to 'Tresnjevka'. Amount 5,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_e32c50118a94","project_family_title":"Filmska i video radionica Snimi svoj film - postani Hitchcock"},{"row_number":12,"project_title":"Dobar film za dobar grad","applicant":"Dobar film","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"12","Naziv p rograma":"Dobar f ilm z a d obar g rad","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:d1150d002ab7","curation":{"changes":[{"field":"applicant","from":null,"to":"Dobar f ilm","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Dobar f ilm","to":"Dobar f ilm z a d obar g rad","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Dobar f ilm z a d obar g rad","to":"Dobar film za dobar grad","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Dobar f ilm","to":"Dobar film","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Dobar film za dobar grad","to":"Dobar f ilm z a d obar g rad","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 12 verified. OCR spacing: 'f ilm' to 'film', 'd obar' to 'dobar', 'g rad' to 'grad'. Amount 5,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_9ea70a1b4acd","project_family_title":"Dobar film za dobar grad"},{"row_number":13,"project_title":"Filmofilija I II","applicant":"Dom k ulture K ristalna k ocka v edrine","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"13","Naziv p rograma":"Filmofilija I II","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:5884111f9a80","curation":{"changes":[{"field":"applicant","from":null,"to":"Dom k ulture K ristalna k ocka v edrine","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Dom k ulture K ristalna k ocka v edrine","to":"Filmofilija I II","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_9e5cb589db6d","project_family_title":"Filmofilija I II"},{"row_number":14,"project_title":"Edukativne radionice audiovizualnog stvaralaštva za učenike/učenice i mentore/mentorice iz OŠ Grada Rijeke i rijeckkog prstena Video-filmska svaštarnica","applicant":"Dom mladih","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"col_1":"14","Naziv p rograma":"Edukativne r adionice a udiovizualnog stvaralaštva z a u čenike/učenice i mentore/mentorice i z O Š G rada R ijeke i riječkog p rstena \" Video-filmska s vaštarnica\"","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:b0694af8191c","curation":{"changes":[{"field":"applicant","from":null,"to":"Dom m ladih","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Dom m ladih","to":"Edukativne r adionice a udiovizualnog stvaralaštva z a u čenike/učenice i mentore/mentorice i z O Š G rada R ijeke i riječkog p rstena \" Video-filmska s vaštarnica\"","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Edukativne r adionice a udiovizualnog stvaralaštva z a u čenike/učenice i mentore/mentorice i z O Š G rada R ijeke i riječkog p rstena \" Video-filmska s vaštarnica\"","to":"Edukativne radionice audiovizualnog stvaralaštva za učenike/učenice i mentore/mentorice iz OŠ Grada Rijeke i rijeckkog prstena Video-filmska svaštarnica","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Dom m ladih","to":"Dom mladih","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Edukativne radionice audiovizualnog stvaralaštva za učenike/učenice i mentore/mentorice iz OŠ Grada Rijeke i rijeckkog prstena Video-filmska svaštarnica","to":"Edukativne r adionice a udiovizualnog stvaralaštva z a u čenike/učenice i mentore/mentorice i z O Š G rada R ijeke i riječkog p rstena \" Video-filmska s vaštarnica\"","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 14 verified. Extensive OCR spacing corrections throughout. Amount 7,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_3f3030628360","project_family_title":"Edukativne radionice audiovizualnog stvaralaštva za učenike/učenice i mentore/mentorice iz OŠ Grada Rijeke i rijeckkog prstena Video-filmska svaštarnica"},{"row_number":15,"project_title":"POP-UP F ILM 2 018.","applicant":"Društvo z a k omuniciranje a mbijenta \"PUT\" L abin","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"15","Naziv p rograma":"POP-UP F ILM 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:c28e11083c87","curation":{"changes":[{"field":"applicant","from":null,"to":"Društvo z a k omuniciranje a mbijenta \"PUT\" L abin","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Društvo z a k omuniciranje a mbijenta \"PUT\" L abin","to":"POP-UP F ILM 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_2055023950f7","project_family_title":"POP-UP F ILM 2 018."},{"row_number":16,"project_title":"Duboko p rirodno I I.","applicant":"Edukacijsko-kreativna u druga V ita","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"16","Naziv p rograma":"Duboko p rirodno I I.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:0dbb56e88d91","curation":{"changes":[{"field":"applicant","from":null,"to":"Edukacijsko-kreativna u druga V ita","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Edukacijsko-kreativna u druga V ita","to":"Duboko p rirodno I I.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_8199424f803d","project_family_title":"Duboko p rirodno I I."},{"row_number":17,"project_title":"Edukativni program U Fokusu: izgradnja lika u dokumentarnom filmu 2018","applicant":"Fantasticzno dobra institucija - Fade In","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"col_1":"17","Naziv p rograma":"Edukativni p rogram \" U F okusu: i zgradnja l ika u d okumentarnom f ilmu\" 2 018","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:0703097bbc27","curation":{"changes":[{"field":"applicant","from":null,"to":"Fantastično d obra i nstitucija - F ade I n","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Fantastično d obra i nstitucija - F ade I n","to":"Edukativni p rogram \" U F okusu: i zgradnja l ika u d okumentarnom f ilmu\" 2 018","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Edukativni p rogram \" U F okusu: i zgradnja l ika u d okumentarnom f ilmu\" 2 018","to":"Edukativni program U Fokusu: izgradnja lika u dokumentarnom filmu 2018","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Fantastično d obra i nstitucija - F ade I n","to":"Fantasticzno dobra institucija - Fade In","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Edukativni program U Fokusu: izgradnja lika u dokumentarnom filmu 2018","to":"Edukativni p rogram \" U F okusu: i zgradnja l ika u d okumentarnom f ilmu\" 2 018","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 17 verified. OCR fixes: 'd obra i nstitucija' to 'dobra institucija', 'p rogram' to 'program', 'F okusu' to 'Fokusu'. Amount 30,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent entity (Fantastično dobra institucija - Fade In), identical program concept across 2015–2019, same category.","candidate_id":"fc_269635f51b3e"}},"funding_status":"awarded","project_family_id":"pf_d2960ecaeb37","project_family_title":"Edukativni program U Fokusu: izgradnja lika u dokumentarnom filmu"},{"row_number":18,"project_title":"Kino Mediteran; mali meDITEran - školske projekcije i radionice i Kino Mediteran - istraživanje i dokumentiranje povijest kinoprikazivastava u Dalmaciji","applicant":"Festival mediteranskog filma Split","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"65.000,00","approved_amount":65000.0,"currency":"HRK","extras":{"col_1":"18","Naziv p rograma":"Kino M editeran; ; mali m eDITEran - š kolske p rojekcije i radionice i Kino M editeran - i straživanje i d okumentiranje povijesti k inoprikazivaštva u D almaciji","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:bceec4f2d1a1","curation":{"changes":[{"field":"applicant","from":null,"to":"Festival m editeranskog f ilma S plit","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Festival m editeranskog f ilma S plit","to":"Kino M editeran; ; mali m eDITEran - š kolske p rojekcije i radionice i Kino M editeran - i straživanje i d okumentiranje povijesti k inoprikazivaštva u D almaciji","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Kino M editeran; ; mali m eDITEran - š kolske p rojekcije i radionice i Kino M editeran - i straživanje i d okumentiranje povijesti k inoprikazivaštva u D almaciji","to":"Kino Mediteran; mali meDITEran - školske projekcije i radionice i Kino Mediteran - istraživanje i dokumentiranje povijest kinoprikazivastava u Dalmaciji","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Festival m editeranskog f ilma S plit","to":"Festival mediteranskog filma Split","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Kino Mediteran; mali meDITEran - školske projekcije i radionice i Kino Mediteran - istraživanje i dokumentiranje povijest kinoprikazivastava u Dalmaciji","to":"Kino M editeran; ; mali m eDITEran - š kolske p rojekcije i radionice i Kino M editeran - i straživanje i d okumentiranje povijesti k inoprikazivaštva u D almaciji","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 18 verified. OCR spacing: 'm editeranskog' to 'mediteranskog', 'f ilma' to 'filma', 'š kolske' to 'skolske'. Amount 65,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_ba9d13e4c094","project_family_title":"Kino Mediteran; mali meDITEran - školske projekcije i radionice i Kino Mediteran - istraživanje i dokumentiranje povijest kinoprikazivastava u Dalmaciji"},{"row_number":19,"project_title":"4. Motion filmska radionica","applicant":"Filmska udruga Motion","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"col_1":"19","Naziv p rograma":"4. M otion f ilmska r adionica","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:3ebd05868ac5","curation":{"changes":[{"field":"applicant","from":null,"to":"Filmska u druga M otion","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Filmska u druga M otion","to":"4. M otion f ilmska r adionica","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"4. M otion f ilmska r adionica","to":"4. Motion filmska radionica","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Filmska u druga M otion","to":"Filmska udruga Motion","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"4. Motion filmska radionica","to":"4. M otion f ilmska r adionica","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 19 verified. OCR corrections: 'u druga' to 'udruga', 'f ilmska' to 'filmska', 'r adionica' to 'radionica'. Amount 7,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered workshop editions (4th, 5th) from Motion/Filmska udruga Motion across 2018-2019.","candidate_id":"fc_14422878e927"}},"funding_status":"awarded","project_family_id":"pf_fa2046a3e0fc","project_family_title":"Motion filmska radionica"},{"row_number":20,"project_title":"14. ljetne filmske radionice i Var-T-eks vol. 3","applicant":"Filmsko-kreativni studio Vanima","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"col_1":"20","Naziv p rograma":"14. l jetne f ilmske r adionice i Var-T-eks v ol. 3","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:802037e815a5","curation":{"changes":[{"field":"applicant","from":null,"to":"Filmsko-kreativni s tudio V anima","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Filmsko-kreativni s tudio V anima","to":"14. l jetne f ilmske r adionice i Var-T-eks v ol. 3","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"14. l jetne f ilmske r adionice i Var-T-eks v ol. 3","to":"14. ljetne filmske radionice i Var-T-eks vol. 3","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Filmsko-kreativni s tudio V anima","to":"Filmsko-kreativni studio Vanima","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"14. ljetne filmske radionice i Var-T-eks vol. 3","to":"14. l jetne f ilmske r adionice i Var-T-eks v ol. 3","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 20 verified. OCR spacing: 'l jetne' to 'ljetne', 'f ilmske' to 'filmske', 'r adionice' to 'radionice'. Amount 25,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_dca41852c220","project_family_title":"14. ljetne filmske radionice i Var-T-eks vol. 3"},{"row_number":21,"project_title":"Lanterna m agica","applicant":"Foliot - C entar z a d jecu i m lade M atulji","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"21","Naziv p rograma":"Lanterna m agica","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:374679815d50","curation":{"changes":[{"field":"applicant","from":null,"to":"Foliot - C entar z a d jecu i m lade M atulji","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Foliot - C entar z a d jecu i m lade M atulji","to":"Lanterna m agica","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_0576139c4b0d","project_family_title":"Lanterna m agica"},{"row_number":22,"project_title":"Zimska i ljetna filmska radionica 2018.","applicant":"Foto kino video klub Zaprešić","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"22","Naziv p rograma":"Zimska i l jetna f ilmska r adionica 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:7951825a4033","curation":{"changes":[{"field":"applicant","from":null,"to":"Foto k ino v ideo k lub Z aprešić","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Foto k ino v ideo k lub Z aprešić","to":"Zimska i l jetna f ilmska r adionica 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Zimska i l jetna f ilmska r adionica 2 018.","to":"Zimska i ljetna filmska radionica 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Foto k ino v ideo k lub Z aprešić","to":"Foto kino video klub Zaprešić","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Zimska i ljetna filmska radionica 2018.","to":"Zimska i l jetna f ilmska r adionica 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 22 verified. OCR fixes: 'k ino' to 'kino', 'v ideo' to 'video', 'k lub' to 'klub', 'Z apresic' to 'Zapresic'. Amount 20,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_f1299cde3ba4","project_family_title":"Zimska i ljetna filmska radionica 2018."},{"row_number":23,"project_title":"10. Mikro-škola medijske kulture - 2018.","applicant":"Foto-kino klub Baranja film","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.500,00","approved_amount":2500.0,"currency":"HRK","extras":{"col_1":"23","Naziv p rograma":"10. M ikro-škola m edijske k ulture - 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:6eda22d50f54","curation":{"changes":[{"field":"applicant","from":null,"to":"Foto-kino k lub B aranja f ilm","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Foto-kino k lub B aranja f ilm","to":"10. M ikro-škola m edijske k ulture - 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"10. M ikro-škola m edijske k ulture - 2 018.","to":"10. Mikro-škola medijske kulture - 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Foto-kino k lub B aranja f ilm","to":"Foto-kino klub Baranja film","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"10. Mikro-škola medijske kulture - 2018.","to":"10. M ikro-škola m edijske k ulture - 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 23 verified. OCR spacing: 'M ikro' to 'Mikro', 'š kola' to 'skola', 'm edijske' to 'medijske'. Amount 2,500.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Strong continuity from 2013-2026 (5th-18th edition) with consistent organizer (Foto-kino klub Baranja film) and clear edition numbering.","candidate_id":"fc_8c1b03e8716c"}},"funding_status":"awarded","project_family_id":"pf_950653477ccd","project_family_title":"Mikro-škola medijske kulture"},{"row_number":24,"project_title":"DOKfilm '18. - (12.) Revija dokumentarnog filma","applicant":"Foto-kino klub Baranja film","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"24","Naziv p rograma":"DOKfilm ' 18. - ( 12.) R evija d okumentarnog filma","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:5411cd9592b5","curation":{"changes":[{"field":"applicant","from":null,"to":"Foto-kino k lub B aranja f ilm","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Foto-kino k lub B aranja f ilm","to":"DOKfilm ' 18. - ( 12.) R evija d okumentarnog filma","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"DOKfilm ' 18. - ( 12.) R evija d okumentarnog filma","to":"DOKfilm '18. - (12.) Revija dokumentarnog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Foto-kino k lub B aranja f ilm","to":"Foto-kino klub Baranja film","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"DOKfilm '18. - (12.) Revija dokumentarnog filma","to":"DOKfilm ' 18. - ( 12.) R evija d okumentarnog filma","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 24 verified. OCR corrections: 'd okumentarnog' to 'dokumentarnog', 'f ilma' to 'filma'. Amount 5,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_c89ddfd0689a","project_family_title":"DOKfilm '18. - (12.) Revija dokumentarnog filma"},{"row_number":25,"project_title":"Filmski programi u Mikro-kinu - 2018.","applicant":"Foto-kino klub Baranja film","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"25","Naziv p rograma":"Filmski p rogrami u M ikro-kinu - 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s0:01c21c610807","curation":{"changes":[{"field":"applicant","from":null,"to":"Foto-kino k lub B aranja f ilm","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Foto-kino k lub B aranja f ilm","to":"Filmski p rogrami u M ikro-kinu - 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Filmski p rogrami u M ikro-kinu - 2 018.","to":"Filmski programi u Mikro-kinu - 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Foto-kino k lub B aranja f ilm","to":"Foto-kino klub Baranja film","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Filmski programi u Mikro-kinu - 2018.","to":"Filmski p rogrami u M ikro-kinu - 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 25 verified. OCR spacing: 'F ilmski' to 'Filmski', 'p rogrami' to 'programi', 'M ikro' to 'Mikro'. 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Amount 20,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_82380e98dad5","project_family_title":"Filmske radionice u Kraljevici za djecu i mladež"},{"row_number":31,"project_title":"Filmski programi u kinu Tuškanac u 2018. godini","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"360.000,00","approved_amount":360000.0,"currency":"HRK","extras":{"28":"31","Hrvatska u druga f ilmskih s nimatelja":"Hrvatski f ilmski s avez - H FS","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:623f861bc25c","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmski p rogrami u k inu T uškanac u 2 018. godini","to":"Filmski programi u kinu Tuškanac u 2018. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 31 verified. OCR spacing: 'F ilmski' to 'Filmski', 'p rogrami' to 'programi', 'k inu' to 'kinu', 'T uškanac' to 'Tuskanac'. Amount 360,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_42f57fd6ac01","project_family_title":"Filmski programi u kinu Tuškanac u 2018. godini"},{"row_number":32,"project_title":"Kratki utorak - filmski program autorskog i umjetničkog filma i videa","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"28":"32","Hrvatska u druga f ilmskih s nimatelja":"Hrvatski f ilmski s avez - H FS","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:87ef917f1a2b","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Kratki u torak - f ilmski p rogram a utorskog i umjetničkog f ilma i v idea","to":"Kratki utorak - filmski program autorskog i umjetničkog filma i videa","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 32 verified. OCR fixes: 'u torak' to 'utorak', 'f ilmski' to 'filmski', 'p rogram' to 'program', 'a utorskog' to 'autorskog'. Amount 50,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_48e1605fb412","project_family_title":"Kratki utorak - filmski program autorskog i umjetničkog filma i videa"},{"row_number":33,"project_title":"Mladi mladima - poticanje razvoja filmskih družina u novim sredinama","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"28":"33","Hrvatska u druga f ilmskih s nimatelja":"Hrvatski f ilmski s avez - H FS","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:8748bf0aef04","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Mladi m ladima - p oticanje r azvoja f ilmskih družina u n ovim s redinama","to":"Mladi mladima - poticanje razvoja filmskih družina u novim sredinama","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 33 verified. OCR spacing: 'm ladima' to 'mladima', 'p oticanje' to 'poticanje', 'r azvoja' to 'razvoja', 'f ilmskih' to 'filmskih'. Amount 5,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent initiative name across 2018-2026. Same distinctive goal (fostering film groups in new communities), recurring annual implementation.","candidate_id":"fc_d99833f034e3"}},"funding_status":"awarded","project_family_id":"pf_46bf03dba2cd","project_family_title":"Mladi mladima - poticanje razvoja filmskih družina u novim sredinama"},{"row_number":34,"project_title":"Obrazovni programi u kinu Tuškanac za djecu i mlade","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"28":"34","Hrvatska u druga f ilmskih s nimatelja":"Hrvatski f ilmski s avez - H FS","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:297e2f547d82","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Obrazovni p rogrami u k inu T uškanac z a djecu i m lade","to":"Obrazovni programi u kinu Tuškanac za djecu i mlade","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 34 verified. OCR corrections: 'O brazovni' to 'Obrazovni', 'p rogrami' to 'programi', 'k inu' to 'kinu', 'T uskanac' to 'Tuskanac'. Amount 10,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_09ddf0b7ff8d","project_family_title":"Obrazovni programi u kinu Tuškanac za djecu i mlade"},{"row_number":35,"project_title":"Senzorne projekcije u kinu Tuškanac, Zagreb i kinu Gaj, Varaždin","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"28":"35","Hrvatska u druga f ilmskih s nimatelja":"Hrvatski f ilmski s avez - H FS","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:adb0e3ff4f72","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Senzorne p rojekcije u k inu T uškanac, Z agreb i k inu G aj, V araždin","to":"Senzorne projekcije u kinu Tuškanac, Zagreb i kinu Gaj, Varaždin","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 35 verified. OCR spacing: 'S enzorne' to 'Senzorne', 'p rojekcije' to 'projekcije', 'k inu' to 'kinu', 'T uskanac' to 'Tuskanac', 'V arazdin' to 'Varazdin'. Amount 10,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_9bbfd9bed8fd","project_family_title":"Senzorne projekcije u kinu Tuškanac, Zagreb i kinu Gaj, Varaždin"},{"row_number":36,"project_title":"Attachment: film kao prilog","applicant":"Izvan fokusa - Udruga za medijsko stvaralaštvo i kulturne aktivnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"28":"36","Hrvatska u druga f ilmskih s nimatelja":"Izvan f okusa - U druga z a m edijsko stvaralaštvo i k ulturne a ktivnosti","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:e1cdfe9d8f55","curation":{"changes":[{"field":"applicant","from":null,"to":"Izvan f okusa - U druga z a m edijsko stvaralaštvo i k ulturne a ktivnosti","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Attachment: f ilm k ao p rilog","to":"Attachment: film kao prilog","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Izvan f okusa - U druga z a m edijsko stvaralaštvo i k ulturne a ktivnosti","to":"Izvan fokusa - Udruga za medijsko stvaralaštvo i kulturne aktivnosti","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 36 verified. OCR corrections: 'f okusa' to 'fokusa', 'U druga' to 'Udruga', 'z a' to 'za', 'm edijsko' to 'medijsko', 's tvaralastvo' to 'stvaralastvo'. Amount 10,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Four entries spanning 2017–2020 with identical distinctive title, same entity (Izvan fokusa), consistent program. Single recurring program.","candidate_id":"fc_ae4871768407"}},"funding_status":"awarded","project_family_id":"pf_692ce2104cba","project_family_title":"Attachment: film kao prilog"},{"row_number":37,"project_title":"Radionica snimanja DSLR fotoaparatom","applicant":"Izvan fokusa - Udruga za medijsko stvaralaštvo i kulturne aktivnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"28":"37","Hrvatska u druga f ilmskih s nimatelja":"Izvan f okusa - U druga z a m edijsko stvaralaštvo i k ulturne a ktivnosti","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:2c27424f880a","curation":{"changes":[{"field":"applicant","from":null,"to":"Izvan f okusa - U druga z a m edijsko stvaralaštvo i k ulturne a ktivnosti","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Radionica s nimanja D SLR f otoaparatom","to":"Radionica snimanja DSLR fotoaparatom","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Izvan f okusa - U druga z a m edijsko stvaralaštvo i k ulturne a ktivnosti","to":"Izvan fokusa - Udruga za medijsko stvaralaštvo i kulturne aktivnosti","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 37 verified. OCR spacing: 's nimanja' to 'snimanja'. Amount 5,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_af3922494ac2","project_family_title":"Radionica snimanja DSLR fotoaparatom"},{"row_number":38,"project_title":"FUŠ - Film u školi","applicant":"Javna ustanova Pula film festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"28":"38","Hrvatska u druga f ilmskih s nimatelja":"Javna u stanova P ula f ilm f estival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:e7f237f28e33","curation":{"changes":[{"field":"applicant","from":null,"to":"Javna u stanova P ula f ilm f estival","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"FUŠ - F ilm u š koli","to":"FUŠ - Film u školi","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Javna u stanova P ula f ilm f estival","to":"Javna ustanova Pula film festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Entry 38 verified. OCR corrections: 'u stanova' to 'ustanova', 'f ilm' to 'film', 'f estival' to 'festival', 's koli' to 'skoli'. Amount 20,000.00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_2fc86fef2c0a","project_family_title":"FUŠ - Film u školi"},{"row_number":39,"project_title":"Program rada art dvorana Visia i Slavica u 2018.","applicant":"Javna ustanova u kulturi Kinematografi Dubrovnik","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"28":"39","Hrvatska u druga f ilmskih s nimatelja":"Javna u stanova u k ulturi K inematografi Dubrovnik","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:dfe2bef1d70a","curation":{"changes":[{"field":"applicant","from":null,"to":"Javna u stanova u k ulturi K inematografi Dubrovnik","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Program r ada a rt d vorana V isia i S lavica u 2018.","to":"Program rada art dvorana Visia i Slavica u 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Javna u stanova u k ulturi K inematografi Dubrovnik","to":"Javna ustanova u kulturi Kinematografi Dubrovnik","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source document row 39: applicant and amount confirmed. OCR spaces removed from 'u stanova'→'ustanova', 'k ulturi'→'kulturi', 'K inematografi'→'Kinematografi', 'r ada'→'rada', 'a rt'→'art', 'd vorana'→'dvorana', 'V isia'→'Visia', 'S lavica'→'Slavica'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_f71fe13aa85e","project_family_title":"Program rada art dvorana Visia i Slavica u 2018."},{"row_number":40,"project_title":"Radionica i zrade s cenarija j ednominutnog filma","applicant":"Kino k lub \" P aluba 7 \"","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.000,00","approved_amount":2000.0,"currency":"HRK","extras":{"28":"40","Hrvatska u druga f ilmskih s nimatelja":"Kino k lub \" P aluba 7 \"","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:335d82a6bb42","curation":{"changes":[{"field":"applicant","from":null,"to":"Kino k lub \" P aluba 7 \"","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_4ebbc6d150ab","project_family_title":"Radionica i zrade s cenarija j ednominutnog filma"},{"row_number":41,"project_title":"Planet f ilm","applicant":"Kino k lub S isak","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.000,00","approved_amount":12000.0,"currency":"HRK","extras":{"28":"41","Hrvatska u druga f ilmskih s nimatelja":"Kino k lub S isak","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:f39eeecde571","curation":{"changes":[{"field":"applicant","from":null,"to":"Kino k lub S isak","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_109ceed748e2","project_family_title":"Planet f ilm"},{"row_number":42,"project_title":"Filmski U skrs i V askrs 2 018.","applicant":"Kinoklub K arlovac","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"28":"42","Hrvatska u druga f ilmskih s nimatelja":"Kinoklub K arlovac","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:b86a7e04e5e3","curation":{"changes":[{"field":"applicant","from":null,"to":"Kinoklub K arlovac","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_66992b90752d","project_family_title":"Filmski U skrs i V askrs 2 018."},{"row_number":43,"project_title":"Riječno k ino 2 018.","applicant":"Kinoklub K arlovac","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"28":"43","Hrvatska u druga f ilmskih s nimatelja":"Kinoklub K arlovac","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:edbeaa1b64c3","curation":{"changes":[{"field":"applicant","from":null,"to":"Kinoklub K arlovac","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_786bbf1bbe44","project_family_title":"Riječno k ino 2 018."},{"row_number":44,"project_title":"Specijalizirani program radionica ekranizacije slikovnice \"Tamo negdje ispod vode\"","applicant":"Kinoklub Karlovac","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"28":"44","Hrvatska u druga f ilmskih s nimatelja":"Kinoklub K arlovac","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:96eacc73213c","curation":{"changes":[{"field":"applicant","from":null,"to":"Kinoklub K arlovac","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Specijalizirani p rogram r adionica e kranizacije slikovnice“Tamo n egdje i spod v ode”","to":"Specijalizirani program radionica ekranizacije slikovnice \"Tamo negdje ispod vode\"","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kinoklub K arlovac","to":"Kinoklub Karlovac","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 44: applicant and amount confirmed. OCR spaces removed from 'K arlovac'→'Karlovac', 'p rogram'→'program', 'r adionica'→'radionica', 'e kranizacije'→'ekranizacije', 'n egdje'→'negdje', 'v ode'→'vode'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_e75102e59ce6","project_family_title":"Specijalizirani program radionica ekranizacije slikovnice \"Tamo negdje ispod vode\""},{"row_number":45,"project_title":"Radionice K inokluba Z agreb u 2 018.","applicant":"Kinoklub Z agreb","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"80.000,00","approved_amount":80000.0,"currency":"HRK","extras":{"28":"45","Hrvatska u druga f ilmskih s nimatelja":"Kinoklub Z agreb","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:77e769dd4a90","curation":{"changes":[{"field":"applicant","from":null,"to":"Kinoklub Z agreb","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_0ddf24783890","project_family_title":"Radionice K inokluba Z agreb u 2 018."},{"row_number":46,"project_title":"Čudna mlada Hrvatska","applicant":"Kolektiv za razvoj, istraživanje i propitivanje queer kulture - queerANarchive","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"6.000,00","approved_amount":6000.0,"currency":"HRK","extras":{"28":"46","Hrvatska u druga f ilmskih s nimatelja":"Kolektiv z a r azvoj, i straživanje i propitivanje q ueer k ulture - queerANarchive","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:3cda39e17336","curation":{"changes":[{"field":"applicant","from":null,"to":"Kolektiv z a r azvoj, i straživanje i propitivanje q ueer k ulture - queerANarchive","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Čudna m lada H rvatska","to":"Čudna mlada Hrvatska","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kolektiv z a r azvoj, i straživanje i propitivanje q ueer k ulture - queerANarchive","to":"Kolektiv za razvoj, istraživanje i propitivanje queer kulture - queerANarchive","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 46: applicant and amount confirmed. OCR spaces removed from 'z a'→'za', 'r azvoj'→'razvoj', 'i straživanje'→'istraživanje', 'p ropitivanje'→'propitivanje', 'q ueer'→'queer', 'Č udna'→'Čudna', 'm lada'→'mlada'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_dca23d0d305b","project_family_title":"Čudna mlada Hrvatska"},{"row_number":47,"project_title":"Art-kino G rič","applicant":"Kulturni k lub","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"28":"47","Hrvatska u druga f ilmskih s nimatelja":"Kulturni k lub","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:eada77fb4c09","curation":{"changes":[{"field":"applicant","from":null,"to":"Kulturni k lub","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_dbad28117bbd","project_family_title":"Art-kino G rič"},{"row_number":48,"project_title":"Art-kino M etropolis","applicant":"Kulturni k lub","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"28":"48","Hrvatska u druga f ilmskih s nimatelja":"Kulturni k lub","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:1947ded58f2c","curation":{"changes":[{"field":"applicant","from":null,"to":"Kulturni k lub","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_6c4a0bd7f6c5","project_family_title":"Art-kino M etropolis"},{"row_number":49,"project_title":"Grad i film: filmski krajolici i urbane vizure","applicant":"Kulturno informativni centar","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"28":"49","Hrvatska u druga f ilmskih s nimatelja":"Kulturno i nformativni c entar","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:66f90c4cc215","curation":{"changes":[{"field":"applicant","from":null,"to":"Kulturno i nformativni c entar","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Grad i f ilm: f ilmski k rajolici i u rbane v izure","to":"Grad i film: filmski krajolici i urbane vizure","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kulturno i nformativni c entar","to":"Kulturno informativni centar","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 49: applicant and amount confirmed. OCR spaces removed from 'i nformativni'→'informativni', 'i film'→'i film', 'f ilmski'→'filmski', 'k rajolici'→'krajolici', 'u rbane'→'urbane', 'v izure'→'vizure'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_5513c4cdadae","project_family_title":"Grad i film: filmski krajolici i urbane vizure"},{"row_number":50,"project_title":"Njezin film - smijeh Meduze","applicant":"Kulturno informativni centar","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"28":"50","Hrvatska u druga f ilmskih s nimatelja":"Kulturno i nformativni c entar","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:1adc46831487","curation":{"changes":[{"field":"applicant","from":null,"to":"Kulturno i nformativni c entar","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Njezin f ilm - s mijeh M eduze","to":"Njezin film - smijeh Meduze","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kulturno i nformativni c entar","to":"Kulturno informativni centar","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 50: applicant and amount confirmed. OCR spaces removed from 'i nformativni'→'informativni', 'f ilm'→'film', 's mijeh'→'smijeh'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_4b9acb330a00","project_family_title":"Njezin film - smijeh Meduze"},{"row_number":51,"project_title":"Ljudi s k amerom 2 1. s toljeća","applicant":"Motovun f ilm f estival U .O.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"28":"51","Hrvatska u druga f ilmskih s nimatelja":"Motovun f ilm f estival U .O.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:8e9952d1cb2c","curation":{"changes":[{"field":"applicant","from":null,"to":"Motovun f ilm f estival U .O.","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_5bb81d6fced0","project_family_title":"Ljudi s k amerom 2 1. s toljeća"},{"row_number":52,"project_title":"9. Ljetna škola filma Gunja i Edukacija članova","applicant":"Multimedijalni centar Studio kreativnih ideja Gunja - MMC SKIG","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"33.000,00","approved_amount":33000.0,"currency":"HRK","extras":{"28":"52","Hrvatska u druga f ilmskih s nimatelja":"Multimedijalni c entar S tudio k reativnih ideja G unja - M MC S KIG","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:9561afa0afb7","curation":{"changes":[{"field":"applicant","from":null,"to":"Multimedijalni c entar S tudio k reativnih ideja G unja - M MC S KIG","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"9.Ljetna š kola f ilma G unja i E dukacija č lanova","to":"9. 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OCR spaces removed from 'c entar'→'centar', 'S tudio'→'Studio', 'k reativnih'→'kreativnih', 'i deja'→'ideja', 'G unja'→'Gunja', 'L jetna'→'Ljetna', 'š kola'→'škola', 'f ilma'→'filma', 'E dukacija'→'Edukacija', 'č lanova'→'članova'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent entity (MMC SKIG), numbered editions (8th–12th) across 2017–2021, identical program concept.","candidate_id":"fc_285210b0ef83"}},"funding_status":"awarded","project_family_id":"pf_ce125e85dc2f","project_family_title":"Ljetna škola filma Gunja i edukacija članova"},{"row_number":53,"project_title":"Kino umjetnika serija projekcija i razgovora","applicant":"Muzej suvremene umjetnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"28":"53","Hrvatska u druga f ilmskih s nimatelja":"Muzej s uvremene u mjetnosti","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:33e481ccff65","curation":{"changes":[{"field":"applicant","from":null,"to":"Muzej s uvremene u mjetnosti","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Kino u mjetnika s erija p rojekcija i r azgovora","to":"Kino umjetnika serija projekcija i razgovora","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Muzej s uvremene u mjetnosti","to":"Muzej suvremene umjetnosti","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 53: applicant and amount confirmed. OCR spaces removed from 's uvremene'→'suvremene', 'u mjetnosti'→'umjetnosti', 'u mjetnika'→'umjetnika', 's erija'→'serija', 'p rojekcija'→'projekcija', 'r azgovora'→'razgovora'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_f019af44557f","project_family_title":"Kino umjetnika serija projekcija i razgovora"},{"row_number":54,"project_title":"Projekcije filmova i izložba Mark Lee Ping Bing","applicant":"One Take Film Festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"28":"54","Hrvatska u druga f ilmskih s nimatelja":"One T ake F ilm F estival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:a36c12791c73","curation":{"changes":[{"field":"applicant","from":null,"to":"One T ake F ilm F estival","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Projekcije f ilmova i i zložba M ark L ee P ing Bing","to":"Projekcije filmova i izložba Mark Lee Ping Bing","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"One T ake F ilm F estival","to":"One Take Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 54: applicant and amount confirmed. OCR spaces removed from 'T ake'→'Take', 'F ilm'→'Film', 'F estival'→'Festival', 'P rojekcije'→'Projekcije', 'f ilmova'→'filmova', 'i zložba'→'izložba', 'L ee'→'Lee', 'P ing'→'Ping'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_8f5e20174ca3","project_family_title":"Projekcije filmova i izložba Mark Lee Ping Bing"},{"row_number":55,"project_title":"Radionice scenarija i snimanja filmova u jednom kadru","applicant":"One Take Film Festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"28":"55","Hrvatska u druga f ilmskih s nimatelja":"One T ake F ilm F estival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:9ea12d256f9a","curation":{"changes":[{"field":"applicant","from":null,"to":"One T ake F ilm F estival","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Radionice s cenarija i s nimanja f ilmova u jednom k adru","to":"Radionice scenarija i snimanja filmova u jednom kadru","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"One T ake F ilm F estival","to":"One Take Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 55: applicant and amount confirmed. OCR spaces removed from 'R adionice'→'Radionice', 's cenarija'→'scenarija', 's nimanja'→'snimanja', 'f ilmova'→'filmova', 'k adru'→'kadru'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_4b4c6f426135","project_family_title":"Radionice scenarija i snimanja filmova u jednom kadru"},{"row_number":56,"project_title":"Animation S hots 2 018","applicant":"Otompotom","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"28":"56","Hrvatska u druga f ilmskih s nimatelja":"Otompotom","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:ff7897d0b905","curation":{"changes":[{"field":"applicant","from":null,"to":"Otompotom","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_42577276b755","project_family_title":"Animation S hots 2 018"},{"row_number":57,"project_title":"Animirani Š ibenik 2 018","applicant":"Otompotom","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"28":"57","Hrvatska u druga f ilmskih s nimatelja":"Otompotom","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:c74655ac8a52","curation":{"changes":[{"field":"applicant","from":null,"to":"Otompotom","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_ee01b1478683","project_family_title":"Animirani Š ibenik 2 018"},{"row_number":58,"project_title":"Mikrokino","applicant":"Otompotom","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"28":"58","Hrvatska u druga f ilmskih s nimatelja":"Otompotom","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:17f455695a7c","curation":{"changes":[{"field":"applicant","from":null,"to":"Otompotom","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_ad16c633baec","project_family_title":"Mikrokino"},{"row_number":59,"project_title":"Planktoon","applicant":"Otompotom","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"28":"59","Hrvatska u druga f ilmskih s nimatelja":"Otompotom","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:6682100caeec","curation":{"changes":[{"field":"applicant","from":null,"to":"Otompotom","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_557f0f19f0fd","project_family_title":"Planktoon"},{"row_number":60,"project_title":"#europeanfilmchallenge","applicant":"Pari P ikule","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"28":"60","Hrvatska u druga f ilmskih s nimatelja":"Pari P ikule","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:5aeea53b2308","curation":{"changes":[{"field":"applicant","from":null,"to":"Pari P ikule","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_5e4bd09b4e81","project_family_title":"#europeanfilmchallenge"},{"row_number":61,"project_title":"Secret A rts C inema","applicant":"Pari P ikule","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"28":"61","Hrvatska u druga f ilmskih s nimatelja":"Pari P ikule","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:af15a724da80","curation":{"changes":[{"field":"applicant","from":null,"to":"Pari P ikule","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_6f2c45345533","project_family_title":"Secret A rts C inema"},{"row_number":62,"project_title":"Video radionice Grad na drugi pogled","applicant":"Platforma za unapređenje kulture - 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OCR spaces removed from 'z a'→'za', 'u napređenje'→'unapređenje', 'k ulture'→'kulture', 'V ideo'→'Video', 'r adionice'→'radionice', 'd rugi'→'drugi', 'p ogled'→'pogled'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_bf10ff09c268","project_family_title":"Video radionice Grad na drugi pogled"},{"row_number":63,"project_title":"Art k ino \" Cineast\"","applicant":"Pučko o tvoreno u čilište - U niversita popolare a perta V odnjan - D ignano","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"28":"63","Hrvatska u druga f ilmskih s nimatelja":"Pučko o tvoreno u čilište - U niversita popolare a perta V odnjan - D ignano","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:a81d1ee7c0d0","curation":{"changes":[{"field":"applicant","from":null,"to":"Pučko o tvoreno u čilište - U niversita popolare a perta V odnjan - D ignano","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_3669e080e83e","project_family_title":"Art k ino \" Cineast\""},{"row_number":64,"project_title":"Movie(ng) 5 5+","applicant":"Pučko o tvoreno u čilište \" Đuro A rnold\" Ivanec","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"28":"64","Hrvatska u druga f ilmskih s nimatelja":"Pučko o tvoreno u čilište \" Đuro A rnold\" Ivanec","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:aa0a905c5d03","curation":{"changes":[{"field":"applicant","from":null,"to":"Pučko o tvoreno u čilište \" Đuro A rnold\" Ivanec","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_b67425998f6d","project_family_title":"Movie(ng) 5 5+"},{"row_number":65,"project_title":"Kinoprikazivačka djelatnost kina \"30. svibnja\" Daruvar - permanentno prikazivanje filmova i revija hrvatskog, europskog i internacionalnog kino-repertoara u 2018.","applicant":"Pučko otvoreno učilište Daruvar","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"28":"65","Hrvatska u druga f ilmskih s nimatelja":"Pučko o tvoreno u čilište D aruvar","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s1:e4fea9025990","curation":{"changes":[{"field":"applicant","from":null,"to":"Pučko o tvoreno u čilište D aruvar","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Kinoprikazivačka d jelatnost k ina \" 30. s vibnja\" Daruvar - p ermanentno p rikazivanje f ilmova i revija h rvatskog, e uropskog i i nternacionalnog kino-repertoara u 2 018.","to":"Kinoprikazivačka djelatnost kina \"30. svibnja\" Daruvar - permanentno prikazivanje filmova i revija hrvatskog, europskog i internacionalnog kino-repertoara u 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pučko o tvoreno u čilište D aruvar","to":"Pučko otvoreno učilište Daruvar","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 65: applicant and amount confirmed. OCR spaces removed from 'o tvoreno'→'otvoreno', 'u čilište'→'učilište', 'D aruvar'→'Daruvar', 'K inoprikazivačka'→'Kinoprikazivačka', 'd jelatnost'→'djelatnost', 'k ina'→'kina', 's vibnja'→'svibnja', 'p ermanentno'→'permanentno', 'p rikazivanje'→'prikazivanje', 'f ilmova'→'filmova', 'r evija'→'revija', 'h rvatskog'→'hrvatskog', 'e uropskog'→'europskog', 'i nternacionalnog'→'internacionalnog', 'k ino'→'kino'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Four consecutive years (2017–2020) with identical descriptive title. Same organizer (Pučko otvoreno učilište Daruvar). 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Škola filma","applicant":"Pulska filmska tvornica","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"72":"73","Pučko o tvoreno u čilište V araždin":"Pulska f ilmska t vornica","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:1ca9ade04e1e","curation":{"changes":[{"field":"applicant","from":null,"to":"Pulska f ilmska t vornica","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"14. Š kola f ilma","to":"14. Škola filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pulska f ilmska t vornica","to":"Pulska filmska tvornica","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 73: applicant and amount confirmed. OCR spaces removed from 'f ilmska'→'filmska', 't vornica'→'tvornica', 'Š kola'→'Škola', 'f ilma'→'filma'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (13-22) by Pulska filmska tvornica spanning 2017-2026. Clear recurring annual school program with consistent identity.","candidate_id":"fc_e11315390051"}},"funding_status":"awarded","project_family_id":"pf_945f5fab1e32","project_family_title":"Škola filma"},{"row_number":74,"project_title":"8. 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OCR spaces removed from 'F ilmska'→'Filmska', 'p očetnica'→'početnica', 'g odini'→'godini', 'p redškolski'→'predškolski', 'o snovnoškolski'→'osnovnoškolski', 'p rogram'→'program'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent entity (Restart), identical program description across 2017–2021, same category and program type.","candidate_id":"fc_22c1afe7527f"}},"funding_status":"awarded","project_family_id":"pf_03f96fec79b8","project_family_title":"Filmska početnica - predškolski i osnovnoškolski program"},{"row_number":81,"project_title":"Filmsko p opodne - a rhivi i s jećanja","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"72":"81","Pučko o tvoreno u čilište V araždin":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:4091a8fa2c0b","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_27251794c5fe","project_family_title":"Filmsko p opodne - a rhivi i s jećanja"},{"row_number":82,"project_title":"Škola dokumentarnog filma u 2018. godini","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"55.000,00","approved_amount":55000.0,"currency":"HRK","extras":{"72":"82","Pučko o tvoreno u čilište V araždin":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:6898fd29de40","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Škola d okumentarnog f ilma u 2 018. g odini","to":"Škola dokumentarnog filma u 2018. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 82: applicant and amount confirmed. OCR spaces removed from 'Š kola'→'Škola', 'd okumentarnog'→'dokumentarnog', 'f ilma'→'filma', 'g odini'→'godini'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Nine entries spanning 2014-2024 with consistent entity (Restart for most), identical program naming, and clear annual recurrence. Distinctive wording remains stable.","candidate_id":"fc_70e3a605bb0e"}},"funding_status":"awarded","project_family_id":"pf_144c87ee087d","project_family_title":"Škola dokumentarnog filma"},{"row_number":83,"project_title":"VR Leksikon - 360 stupnjeva u životu tinejdžera","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"72":"83","Pučko o tvoreno u čilište V araždin":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:1937ba33a5b7","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"VR L eksikon - 3 60 s tupnjeva u ž ivotu tinejdžera","to":"VR Leksikon - 360 stupnjeva u životu tinejdžera","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 83: applicant and amount confirmed. OCR spaces removed from 'L eksikon'→'Leksikon', 's tupnjeva'→'stupnjeva', 'ž ivotu'→'životu'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_90216f26889f","project_family_title":"VR Leksikon - 360 stupnjeva u životu tinejdžera"},{"row_number":84,"project_title":"Interface 2 018","applicant":"Stvaralačka m reža Z ebra","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"72":"84","Pučko o tvoreno u čilište V araždin":"Stvaralačka m reža Z ebra","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:111304717dee","curation":{"changes":[{"field":"applicant","from":null,"to":"Stvaralačka m reža Z ebra","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_645a5fc40196","project_family_title":"Interface 2 018"},{"row_number":85,"project_title":"Filmski laboratorij Klubvizija SC: Program u 2018. godini","applicant":"Sveučilište u Zagrebu - Studentski centar u Zagrebu","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"45.000,00","approved_amount":45000.0,"currency":"HRK","extras":{"72":"85","Pučko o tvoreno u čilište V araždin":"Sveučilište u Z agrebu - S tudentski centar u Z agrebu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:8786a558f720","curation":{"changes":[{"field":"applicant","from":null,"to":"Sveučilište u Z agrebu - S tudentski centar u Z agrebu","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmski l aboratorij K lubvizija S C: P rogram u 2018. godini","to":"Filmski laboratorij Klubvizija SC: Program u 2018. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Sveučilište u Z agrebu - S tudentski centar u Z agrebu","to":"Sveučilište u Zagrebu - Studentski centar u Zagrebu","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 85: applicant and amount confirmed. OCR spaces removed from 'Z agrebu'→'Zagrebu', 'S tudentski'→'Studentski', 'c entar'→'centar', 'F ilmski'→'Filmski', 'l aboratorij'→'laboratorij', 'K lubvizija'→'Klubvizija', 'P rogram'→'Program', 'g odini'→'godini'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Annual program by Sveučilište u Zagrebu - Studentski centar across 2017-2018 with identical title template.","candidate_id":"fc_e6a1ef81ae34"}},"funding_status":"awarded","project_family_id":"pf_8e21adc10e33","project_family_title":"Filmski laboratorij Klubvizija SC: Program"},{"row_number":86,"project_title":"Kratke s like v ol. 4","applicant":"Sveučilište u Z agrebu - S tudentski centar u Z agrebu","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"72":"86","Pučko o tvoreno u čilište V araždin":"Sveučilište u Z agrebu - S tudentski centar u Z agrebu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:9db16ea0a7da","curation":{"changes":[{"field":"applicant","from":null,"to":"Sveučilište u Z agrebu - S tudentski centar u Z agrebu","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_55d33bfd38ce","project_family_title":"Kratke s like v ol. 4"},{"row_number":87,"project_title":"Radionica f ilma z a s tudente","applicant":"Sveučilište u Z agrebu - S tudentski centar u Z agrebu","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"72":"87","Pučko o tvoreno u čilište V araždin":"Sveučilište u Z agrebu - S tudentski centar u Z agrebu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:4e4667162016","curation":{"changes":[{"field":"applicant","from":null,"to":"Sveučilište u Z agrebu - S tudentski centar u Z agrebu","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_817231c67974","project_family_title":"Radionica f ilma z a s tudente"},{"row_number":88,"project_title":"Filmske (pri)povijesti – dijalozi o povijest i budućnosti filma #2","applicant":"Sveučilište u Zagrebu - Studentski centar u Zagrebu","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"72":"88","Pučko o tvoreno u čilište V araždin":"Sveučilište u Z agrebu - S tudentski centar u Z agrebu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:116a9c11766f","curation":{"changes":[{"field":"applicant","from":null,"to":"Sveučilište u Z agrebu - S tudentski centar u Z agrebu","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmske ( pri)povijesti – d ijalozi o p ovijesti i budućnosti f ilma # 2","to":"Filmske (pri)povijesti – dijalozi o povijest i budućnosti filma #2","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Sveučilište u Z agrebu - S tudentski centar u Z agrebu","to":"Sveučilište u Zagrebu - Studentski centar u Zagrebu","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 88: applicant and amount confirmed. OCR spaces removed from 'Z agrebu'→'Zagrebu', 'S tudentski'→'Studentski', 'c entar'→'centar', 'F ilmske'→'Filmske', 'd ijalozi'→'dijalozi', 'p ovijesti'→'povijest', 'b udućnosti'→'budućnosti', 'f ilma'→'filma'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_b636c02a6b1f","project_family_title":"Filmske (pri)povijesti – dijalozi o povijest i budućnosti filma #2"},{"row_number":89,"project_title":"25. Internacionalna filmska radionica (25. IFR)","applicant":"Škola animiranog filma Čakovec","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"72":"89","Pučko o tvoreno u čilište V araždin":"Škola a nimiranog f ilma Č akovec","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:f1a20ec8a753","curation":{"changes":[{"field":"applicant","from":null,"to":"Škola a nimiranog f ilma Č akovec","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"25. I nternacionalna f ilmska r adionica ( 25. I FR)","to":"25. Internacionalna filmska radionica (25. IFR)","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Škola a nimiranog f ilma Č akovec","to":"Škola animiranog filma Čakovec","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 89: applicant and amount confirmed. OCR spaces removed from 'a nimiranog'→'animiranog', 'f ilma'→'filma', 'Č akovec'→'Čakovec', 'I nternacionalna'→'Internacionalna', 'f ilmska'→'filmska', 'r adionica'→'radionica'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_342a6f8804bf","project_family_title":"25. Internacionalna filmska radionica (25. IFR)"},{"row_number":90,"project_title":"15 jubilarna Ljetna škola filma Šipan","applicant":"Škola filma Šipan","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"72":"90","Pučko o tvoreno u čilište V araždin":"Škola f ilma Š ipan","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:de42f6c1fa47","curation":{"changes":[{"field":"applicant","from":null,"to":"Škola f ilma Š ipan","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"15 j ubilarna L jetna š kola f ilma Š ipan","to":"15 jubilarna Ljetna škola filma Šipan","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Škola f ilma Š ipan","to":"Škola filma Šipan","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 90: applicant and amount confirmed. OCR spaces removed from 'f ilma'→'filma', 'Š ipan'→'Šipan', 'j ubilarna'→'jubilarna', 'L jetna'→'Ljetna', 'š kola'→'škola'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent distinctive title and organizing entity (Škola filma Šipan). Clear edition numbering (15th, 20th) across years indicates a coherent recurring annual school.","candidate_id":"fc_3e44cfa572a4"}},"funding_status":"awarded","project_family_id":"pf_0a82a4b6cefd","project_family_title":"Jubilarna Ljetna škola filma Šipan"},{"row_number":91,"project_title":"Godišnji program Filmska RUNDA 2018.","applicant":"Teatar to go, U.O.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"72":"91","Pučko o tvoreno u čilište V araždin":"Teatar t o g o, U .O.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:77eb78ceac77","curation":{"changes":[{"field":"applicant","from":null,"to":"Teatar t o g o, U .O.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Godišnji p rogram F ilmska R UNDA 2 018.","to":"Godišnji program Filmska RUNDA 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Teatar t o g o, U .O.","to":"Teatar to go, U.O.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 91: applicant and amount confirmed. OCR spaces removed from 't o'→'to', 'p rogram'→'program', 'F ilmska'→'Filmska'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent entity (Teatar to go, U.O.), identical title pattern across 2017–2020, same category and program type.","candidate_id":"fc_2b7254f07993"}},"funding_status":"awarded","project_family_id":"pf_dac72f417091","project_family_title":"Godišnji program Filmska RUNDA"},{"row_number":92,"project_title":"Izrazi s e f ilmom","applicant":"Tvornica U mjetnosti - T UM","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"72":"92","Pučko o tvoreno u čilište V araždin":"Tvornica U mjetnosti - T UM","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:cb28cb40ca03","curation":{"changes":[{"field":"applicant","from":null,"to":"Tvornica U mjetnosti - T UM","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_ac783d9d2db7","project_family_title":"Izrazi s e f ilmom"},{"row_number":93,"project_title":"Frooom - inovativno medijsko, filmsko i informatičko opismenjavanje djece i mladih","applicant":"Udruga Bacači sjenki","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"72":"93","Pučko o tvoreno u čilište V araždin":"Udruga B acači s jenki","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:9bbde66808fc","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga B acači s jenki","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Frooom - i novativno m edijsko, f ilmsko i informatičko o pismenjavanje d jece i m ladih","to":"Frooom - inovativno medijsko, filmsko i informatičko opismenjavanje djece i mladih","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga B acači s jenki","to":"Udruga Bacači sjenki","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 93: applicant and amount confirmed. OCR spaces removed from 'B acači'→'Bacači', 's jenki'→'sjenki', 'i novativno'→'inovativno', 'm edijsko'→'medijsko', 'f ilmsko'→'filmsko', 'i informatičko'→'i informatičko', 'o pismenjavanje'→'opismenjavanje', 'd jece'→'djece', 'm ladih'→'mladih'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_9c0d19f50670","project_family_title":"Frooom - inovativno medijsko, filmsko i informatičko opismenjavanje djece i mladih"},{"row_number":94,"project_title":"Filmska škola i Filmske radionice","applicant":"Udruga Blank","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"72":"94","Pučko o tvoreno u čilište V araždin":"Udruga B lank","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:fe9cba67976f","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga B lank","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmska š kola i Filmske r adionice","to":"Filmska škola i Filmske radionice","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga B lank","to":"Udruga Blank","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 94: applicant and amount confirmed. OCR spaces removed from 'B lank'→'Blank', 'F ilmska'→'Filmska', 'š kola'→'škola', 'F ilmske'→'Filmske', 'r adionice'→'radionice'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_6aadea4d7623","project_family_title":"Filmska škola i Filmske radionice"},{"row_number":95,"project_title":"Putujući Sedmi kontinent - program filma za djecu i mlade u suradnji s nezavisnim digitaliziranim kinoprikazivačima i Mrežom kinoprikazivača","applicant":"Udruga Djeca susreću umjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"72":"95","Pučko o tvoreno u čilište V araždin":"Udruga D jeca s usreću u mjetnost","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:a507625bded9","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga D jeca s usreću u mjetnost","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Putujući S edmi k ontinent - p rogram f ilma z a djecu i m lade u s uradnji s n ezavisnim digitaliziranim k inoprikazivačima i M režom kinoprikazivača","to":"Putujući Sedmi kontinent - program filma za djecu i mlade u suradnji s nezavisnim digitaliziranim kinoprikazivačima i Mrežom kinoprikazivača","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga D jeca s usreću u mjetnost","to":"Udruga Djeca susreću umjetnost","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 95: applicant and amount confirmed. OCR spaces removed from 'D jeca'→'Djeca', 's usreću'→'susreću', 'u mjetnost'→'umjetnost', 'P utujući'→'Putujući', 'S edmi'→'Sedmi', 'k ontinent'→'kontinent', 'p rogram'→'program', 'f ilma'→'filma', 'd jecu'→'djecu', 'm lade'→'mlade', 's uradnji'→'suradnji', 'n ezavisnim'→'nezavisnim', 'd igitaliziranim'→'digitaliziranim', 'k inoprikazivačima'→'kinoprikazivačima', 'M režom'→'Mrežom', 'k inoprikazivača'→'kinoprikazivača'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_7ef982563288","project_family_title":"Putujući Sedmi kontinent - program filma za djecu i mlade u suradnji s nezavisnim digitaliziranim kinoprikazivačima i Mrežom kinoprikazivača"},{"row_number":96,"project_title":"Sedmi kontinent - radionice optičkih igračaka za najmlađe","applicant":"Udruga Djeca susreću umjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"72":"96","Pučko o tvoreno u čilište V araždin":"Udruga D jeca s usreću u mjetnost","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:97c0f85c2cfa","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga D jeca s usreću u mjetnost","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sedmi k ontinent - r adionice o ptičkih i gračaka za n ajmlađe","to":"Sedmi kontinent - radionice optičkih igračaka za najmlađe","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga D jeca s usreću u mjetnost","to":"Udruga Djeca susreću umjetnost","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 96: applicant and amount confirmed. OCR spaces removed from 'D jeca'→'Djeca', 's usreću'→'susreću', 'u mjetnost'→'umjetnost', 'S edmi'→'Sedmi', 'k ontinent'→'kontinent', 'r adionice'→'radionice', 'o ptičkih'→'optičkih', 'i gračaka'→'igračaka', 'n ajmlađe'→'najmlađe'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_1ecc9a8deb37","project_family_title":"Sedmi kontinent - radionice optičkih igračaka za najmlađe"},{"row_number":97,"project_title":"Sedmi kontinent u bolnicama - kvalitetan dječji film i filmske kreativne radionice te posebni gosti filmaši za djecu u bolnicama","applicant":"Udruga Djeca susreću umjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"72":"97","Pučko o tvoreno u čilište V araždin":"Udruga D jeca s usreću u mjetnost","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:8cbba9d132de","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga D jeca s usreću u mjetnost","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sedmi k ontinent u b olnicama - k valitetan dječji f ilm i f ilmske k reativne r adionice t e posebni g osti f ilmaši z a d jecu u b olnicama","to":"Sedmi kontinent u bolnicama - kvalitetan dječji film i filmske kreativne radionice te posebni gosti filmaši za djecu u bolnicama","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga D jeca s usreću u mjetnost","to":"Udruga Djeca susreću umjetnost","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 97: applicant and amount confirmed. OCR spaces removed from 'D jeca'→'Djeca', 's usreću'→'susreću', 'u mjetnost'→'umjetnost', 'S edmi'→'Sedmi', 'k ontinent'→'kontinent', 'b olnicama'→'bolnicama', 'k valitetan'→'kvalitetan', 'd ječji'→'dječji', 'f ilm'→'film', 'f ilmske'→'filmske', 'k reativne'→'kreativne', 'r adionice'→'radionice', 't e'→'te', 'f ilmaši'→'filmaši', 'd jecu'→'djecu'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_5ba8023176d5","project_family_title":"Sedmi kontinent u bolnicama - kvalitetan dječji film i filmske kreativne radionice te posebni gosti filmaši za djecu u bolnicama"},{"row_number":98,"project_title":"Queer M oMenti 2 018.","applicant":"Udruga D omino","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"35.000,00","approved_amount":35000.0,"currency":"HRK","extras":{"72":"98","Pučko o tvoreno u čilište V araždin":"Udruga D 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OCR spaces removed from 'L anterna'→'Lanterna', 'M agica'→'Magica', 'F ilmska'→'Filmska', 'r adionica'→'radionica', 'm lade'→'mlade'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent distinctive title across 2018–2019, same organizer (Udruga Lanterna Magica), consistent cultural development category.","candidate_id":"fc_f33dbd80bc05"}},"funding_status":"awarded","project_family_id":"pf_5cf3775f6133","project_family_title":"Filmska radionica za mlade PSFF"},{"row_number":105,"project_title":"Gledamo dokumentarce, pravimo dokumentarce! - edukacijski program Liburnia Film Festivala 2018.","applicant":"Udruga Liburnia film festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"72":"105","Pučko o tvoreno u čilište V araždin":"Udruga L iburnia f ilm f estival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s2:174e8f598839","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga L iburnia f ilm f estival","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Gledamo d okumentarce, p ravimo dokumentarce! - e dukacijski p rogram L iburnia Film F estivala 2 018.","to":"Gledamo dokumentarce, pravimo dokumentarce! - edukacijski program Liburnia Film Festivala 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga L iburnia f ilm f estival","to":"Udruga Liburnia film festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 105: applicant and amount confirmed. 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Vukovar Film Festival - festival podunavskih zemalja i Edukativni programi 12. Vukovar Film Festivala","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Discovery d .o.o.","to":"Discovery d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"12. Vukovar Film Festival - festival podunavskih zemalja i Edukativni programi 12. Vukovar Film Festivala","to":"12.Vukovar F ilm F estival - f estival podunavskih z emalja i Edukativni p rogrami 1 2.Vukovar F ilm F estivala","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Multiple OCR corrections applied: spacing in 'F ilm' → 'Film', 'f estival' → 'festival', character split 'z emalja' → 'zemalja', spacing 'p rogrami' → 'programi', split digits '1 2' → '12', applicant spacing 'Discovery d .o.o.' → 'Discovery d.o.o.'. 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Festival mediteranskog filma Split","applicant":"Festival mediteranskog filma Split","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"180.000,00","approved_amount":180000.0,"currency":"HRK","extras":{"13":"17","DreaMaker P roductions d .o.o.":"Festival m editeranskog f ilma S plit","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:beda2f4fece8","curation":{"changes":[{"field":"applicant","from":null,"to":"Festival m editeranskog f ilma S plit","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"11. F estival m editeranskog f ilma S plit","to":"11. 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Festival tolerancije - JFF Zagreb","applicant":"Festival suvremenog židovskog filma Zagreb","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"100.000,00","approved_amount":100000.0,"currency":"HRK","extras":{"13":"18","DreaMaker P roductions d .o.o.":"Festival s uvremenog ž idovskog f ilma Zagreb","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:7747456fefde","curation":{"changes":[{"field":"applicant","from":null,"to":"Festival s uvremenog ž idovskog f ilma Zagreb","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"12. F estival t olerancije - J FF Z agreb","to":"12. 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Pašmanske filmske večeri","applicant":"Filmaparat d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.000,00","approved_amount":12000.0,"currency":"HRK","extras":{"13":"19","DreaMaker P roductions d .o.o.":"Filmaparat d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:6390fe49ed69","curation":{"changes":[{"field":"applicant","from":null,"to":"Filmaparat d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"12. P ašmanske f ilmske v ečeri","to":"12. 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OCR spacing: 'k lub'→'klub', 'f ilm', 'f est'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_9205325be076","project_family_title":"Star Film Fest"},{"row_number":34,"project_title":"Filmski E U t jedan 2 018.","applicant":"Kinoklub K arlovac","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"13":"34","DreaMaker P roductions d .o.o.":"Kinoklub K arlovac","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:a7b4e91039ca","curation":{"changes":[{"field":"applicant","from":null,"to":"Kinoklub K arlovac","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_dc07fa61a355","project_family_title":"Filmski E U t jedan 2 018."},{"row_number":35,"project_title":"qFEST - filmske projekcije","applicant":"Kolektiv za razvoj, istraživanje i propitivanje queer kulture - queerANarchive","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"13":"35","DreaMaker P roductions d .o.o.":"Kolektiv z a r azvoj, i straživanje i propitivanje q ueer k ulture - queerANarchive","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:abbd5b5b345d","curation":{"changes":[{"field":"applicant","from":null,"to":"Kolektiv z a r azvoj, i straživanje i propitivanje q ueer k ulture - queerANarchive","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"qFEST - f ilmske p rojekcije","to":"qFEST - filmske projekcije","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kolektiv z a r azvoj, i straživanje i propitivanje q ueer k ulture - queerANarchive","to":"Kolektiv za razvoj, istraživanje i propitivanje queer kulture - queerANarchive","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 35 verifies applicant, title, and amount. OCR spacing: 'z a'→'za', 'r azvoj'→'razvoj', 'q ueer'→'queer', 'f ilmske', 'p rojekcije'→'projekcije'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Four entries (2018-2019, 2023-2024) with consistent entity (queerANarchive), same category, and distinctive festival name. qFEST/qFest naming variant is minor.","candidate_id":"fc_72fe3bdba90b"}},"funding_status":"awarded","project_family_id":"pf_24bc19807824","project_family_title":"qFest - Filmske projekcije"},{"row_number":36,"project_title":"Revija europskog filma","applicant":"Kulturni klub","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"13":"36","DreaMaker P roductions d .o.o.":"Kulturni k lub","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:3a2ac7f0091d","curation":{"changes":[{"field":"applicant","from":null,"to":"Kulturni k lub","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Revija e uropskog f ilma","to":"Revija europskog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kulturni k lub","to":"Kulturni klub","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 36 verifies applicant, title, and amount. OCR spacing: 'k lub'→'klub', 'e uropskog'→'europskog', 'f ilma'→'filma'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_4d7005848afc","project_family_title":"Revija europskog filma"},{"row_number":37,"project_title":"3. Arteria - Tjedan filma o umjetnicima","applicant":"Kulturno informativni centar","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"13":"37","DreaMaker P roductions d .o.o.":"Kulturno i nformativni c entar","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:8e4a20082aef","curation":{"changes":[{"field":"applicant","from":null,"to":"Kulturno i nformativni c entar","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"3. A rteria - T jedan f ilma o u mjetnicima","to":"3. 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Distinct from other Zagreb film festivals per instructions.","candidate_id":"fc_1a8b8b6801b1"}},"funding_status":"awarded","project_family_id":"pf_9f0580789878","project_family_title":"Fantastic Zagreb Film Festival"},{"row_number":39,"project_title":"Splitski filmski festival / Međunarodni festival novog filma","applicant":"Međunarodni festival novog filma","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"250.000,00","approved_amount":250000.0,"currency":"HRK","extras":{"13":"39","DreaMaker P roductions d .o.o.":"Međunarodni f estival n ovog f ilma","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:40909df6b6be","curation":{"changes":[{"field":"applicant","from":null,"to":"Međunarodni f estival n ovog f ilma","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Splitski f ilmski f estival / M eđunarodni f estival novog f ilma","to":"Splitski filmski festival / Međunarodni festival novog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Međunarodni f estival n ovog f ilma","to":"Međunarodni festival novog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 39 verifies applicant, title, and amount. OCR spacing: 'f estival'→'festival', 'n ovog'→'novog', 'f ilma'→'filma'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_bfd9a133c518","project_family_title":"Splitski filmski festival / Međunarodni festival novog filma"},{"row_number":40,"project_title":"Motovun Film Festival 2018","applicant":"Motovun film festival U.O.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"500.000,00","approved_amount":500000.0,"currency":"HRK","extras":{"13":"40","DreaMaker P roductions d .o.o.":"Motovun f ilm f estival U .O.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:d73aab2776be","curation":{"changes":[{"field":"applicant","from":null,"to":"Motovun f ilm f estival U .O.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Motovun F ilm F estival 2 018","to":"Motovun Film Festival 2018","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Motovun f ilm f estival U .O.","to":"Motovun film festival U.O.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 40 verifies applicant, title, and amount. OCR spacing: 'f ilm'→'film', 'f estival'→'festival', 'F ilm'→'Film', 'F estival'→'Festival', '2 018'→'2018'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Entries 2009–2025 with numbered editions (11–15 visible), consistent distinctive title despite minor entity name variations, consistent festival category across all years","candidate_id":"fc_0512cbae7481"}},"funding_status":"awarded","project_family_id":"pf_7fdc8da94bc4","project_family_title":"Motovun Film Festival"},{"row_number":41,"project_title":"Human Rights Film Festival","applicant":"Multimedijalni institut","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"170.000,00","approved_amount":170000.0,"currency":"HRK","extras":{"13":"41","DreaMaker P roductions d .o.o.":"Multimedijalni i nstitut","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:b57ba1bc08f8","curation":{"changes":[{"field":"applicant","from":null,"to":"Multimedijalni i nstitut","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Human R ights F ilm F estival","to":"Human Rights Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Multimedijalni i nstitut","to":"Multimedijalni institut","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 41 verifies applicant, title, and amount. OCR spacing: 'i nstitut'→'institut', 'R ights'→'Rights', 'F ilm'→'Film', 'F estival'→'Festival'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_1a972265eb2f","project_family_title":"Human Rights Film Festival"},{"row_number":42,"project_title":"5. međunarodni festival arheološkog filma (MFAF)","applicant":"Muzej hrvatskih arheoloških spomenika Split","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"13":"42","DreaMaker P roductions d .o.o.":"Muzej h rvatskih a rheoloških s pomenika Split","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:03173dafc8fa","curation":{"changes":[{"field":"applicant","from":null,"to":"Muzej h rvatskih a rheoloških s pomenika Split","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"5. m eđunarodni f estival a rheološkog f ilma (MFAF)","to":"5. međunarodni festival arheološkog filma (MFAF)","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Muzej h rvatskih a rheoloških s pomenika Split","to":"Muzej hrvatskih arheoloških spomenika Split","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 42 verifies applicant, title, and amount. OCR spacing: 'h rvatskih'→'hrvatskih', 'a rheoloških'→'arheološkog', 's pomenika'→'spomenika', 'm eđunarodni'→'međunarodni', 'a rheološkog'→'arheološkog', 'f ilma'→'filma'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Seven entries with consistent distinctive naming (MFAF), numbered editions (3–9), same organizer (Muzej hrvatskih arheoloških spomenika Split), spanning 2014–2026. Clear recurring festival.","candidate_id":"fc_9d4fba23d3cc"}},"funding_status":"awarded","project_family_id":"pf_9aa44cda1a44","project_family_title":"Međunarodni festival arheološkog filma"},{"row_number":43,"project_title":"Noć hrvatskog filma i novih medija 2018.","applicant":"Noć hrvatskog filma i novih medija, U.O.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"13":"43","DreaMaker P roductions d .o.o.":"Noć h rvatskog f ilma i n ovih m edija, U .O.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:422f0b1168c4","curation":{"changes":[{"field":"applicant","from":null,"to":"Noć h rvatskog f ilma i n ovih m edija, U .O.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Noć h rvatskog f ilma i n ovih m edija 2 018.","to":"Noć hrvatskog filma i novih medija 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Noć h rvatskog f ilma i n ovih m edija, U .O.","to":"Noć hrvatskog filma i novih medija, U.O.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 43 verifies applicant, title, and amount. OCR spacing: 'h rvatskog'→'hrvatskog', 'n ovih'→'novih', 'm edija'→'medija', '2 018'→'2018'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Identical title across 5 entries (2016–2020), same organizer (Noć hrvatskog filma i novih medija, U.O.), same category. 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OCR spacing: 'T ake'→'Take', 'F ilm'→'Film', 'F estival'→'Festival', 'o rganizacija'→'organizacija', 'f estivala'→'festivala'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_bfbbc6d52653","project_family_title":"One Take Film Festival - organizacija festivala"},{"row_number":45,"project_title":"Supertoon - Međunarodni Festival Animacije","applicant":"Otompotom","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"60.000,00","approved_amount":60000.0,"currency":"HRK","extras":{"13":"45","DreaMaker P roductions d .o.o.":"Otompotom","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:31ed5ddd46a3","curation":{"changes":[{"field":"applicant","from":null,"to":"Otompotom","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Supertoon - M eđunarodni F estival A nimacije","to":"Supertoon - Međunarodni Festival Animacije","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 45 verifies applicant, title, and amount. OCR spacing: 'M eđunarodni'→'Međunarodni', 'F estival'→'Festival', 'A nimacije'→'Animacije'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_179f9a05411a","project_family_title":"Supertoon - Međunarodni festival animacije"},{"row_number":46,"project_title":"Filmski program Vox Feminae Festivala 2018","applicant":"Prostor rodne i medijske kulture K-zona","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"13":"46","DreaMaker P roductions d .o.o.":"Prostor r odne i m edijske k ulture K -zona","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:492876f15d00","curation":{"changes":[{"field":"applicant","from":null,"to":"Prostor r odne i m edijske k ulture K -zona","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmski p rogram V ox F eminae F estivala 2 018","to":"Filmski program Vox Feminae Festivala 2018","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Prostor r odne i m edijske k ulture K -zona","to":"Prostor rodne i medijske kulture K-zona","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 46 verifies applicant, title, and amount. OCR spacing: 'r odne'→'rodne', 'm edijske'→'medijske', 'K -zona'→'K-zona', 'p rogram'→'program', 'F eminae'→'Feminae', 'F estivala'→'Festivala', '2 018'→'2018'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Two entries with identical distinctive title structure, same entity (Prostor rodne i medijske kulture K-zona), consistent program. Single recurring program component.","candidate_id":"fc_b09c47312b1a"}},"funding_status":"awarded","project_family_id":"pf_d1d1d3b2f1cc","project_family_title":"Filmski program Vox Feminae Festivala"},{"row_number":47,"project_title":"Diversions International Short Film Festival","applicant":"Pučko otvoreno učilište Sveti Ivan Zelina","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"13":"47","DreaMaker P roductions d .o.o.":"Pučko o tvoreno u čilište S veti I van Z elina","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:1544de4f6eac","curation":{"changes":[{"field":"applicant","from":null,"to":"Pučko o tvoreno u čilište S veti I van Z elina","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Diversions I nternational S hort F ilm F estival","to":"Diversions International Short Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pučko o tvoreno u čilište S veti I van Z elina","to":"Pučko otvoreno učilište Sveti Ivan Zelina","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 47 verifies applicant, title, and amount. OCR spacing: 'o tvoreno'→'otvoreno', 'u čilište'→'učilište', 'S veti'→'Sveti', 'I van'→'Ivan', 'Z elina'→'Zelina', 'I nternational'→'International', 'F ilm'→'Film', 'F estival'→'Festival'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (7th-9th) by same entity (Pučko otvoreno učilište Sveti Ivan Zelina) across 5 entries (2018-2022). 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OCR spacing: 'u druga'→'udruga', 'z a'→'za', 's uvremene'→'suvremene', 'u mjetničke'→'umjetničke', 'a rhitektonske'→'arhitektonske', 'd rugi'→'drugi', 'f ilm'→'film', 'F ilms'→'Films'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_27481a4260cb","project_family_title":"Neki drugi film / Films Like no Others"},{"row_number":49,"project_title":"Dokukino K IC M atineja z a u mirovljenike i program 5 5+ u 2 018.","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"13":"49","DreaMaker P roductions d .o.o.":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s5:9f78b13802ad","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_951843d2c50d","project_family_title":"Dokukino K IC M atineja z a u mirovljenike i program 5 5+ u 2 018."}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["51","Udruga C rtani r omani š ou","21. 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OCR spacing: 'Đ akovački'→'Đakovački', 'r ezovi'→'rezovi'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_3c144dc0c098","project_family_title":"Manifestacija Đakovački rezovi"},{"row_number":53,"project_title":"Kino š inobus","applicant":"Udruga F ilmaktiv","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.000,00","approved_amount":2000.0,"currency":"HRK","extras":{"51":"53","Udruga C rtani r omani š ou":"Udruga F ilmaktiv","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s6:c9ba5fd9b684","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga F ilmaktiv","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_f7533273a9cc","project_family_title":"Kino š inobus"},{"row_number":54,"project_title":"Međunarodni studentski filmski festival - STIFF 2018","applicant":"Udruga Filmaktiv","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"51":"54","Udruga C rtani r omani š ou":"Udruga F ilmaktiv","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s6:81ee82759745","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga F ilmaktiv","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Međunarodni s tudentski f ilmski f estival - STIFF 2 018","to":"Međunarodni studentski filmski festival - STIFF 2018","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga F ilmaktiv","to":"Udruga Filmaktiv","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 54 verifies applicant, title, and amount. OCR spacing: 'F ilmaktiv'→'Filmaktiv', 's tudentski'→'studentski', 'f ilmski'→'filmski', 'f estival'→'festival', '2 018'→'2018'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent distinctive festival name and organizing entity (Udruga Filmaktiv) across years 2015-2026. 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OCR spacing: 'G lobe'→'Globe', 'F ilm'→'Film', 'F estival'→'Festival', '2 018'→'2018'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (6–12) plus unnumbered entries across 2016–2026, same organizer (Udruga Globe Media), same category. 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OCR spacing: 'K inookus'→'Kinookus', 'F ood'→'Food', 'F ilm'→'Film', 'F estival'→'Festival'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_803b8a67dc5f","project_family_title":"Kinookus Food Film Festival"},{"row_number":58,"project_title":"8. Postira Seaside Film Festival - međunarodni festival kratkometražnog filma","applicant":"Udruga Lanterna Magica","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"18.000,00","approved_amount":18000.0,"currency":"HRK","extras":{"51":"58","Udruga C rtani r omani š ou":"Udruga L anterna M agica","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s6:351033974ab4","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga L anterna M agica","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"8. 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OCR spacing: 'L anterna'→'Lanterna', 'M agica'→'Magica', 'P ostira'→'Postira', 'S easide'→'Seaside', 'F ilm'→'Film', 'F estival'→'Festival', 'm eđunarodni'→'međunarodni', 'f estival'→'festival', 'k ratkometražnog'→'kratkometražnog', 'f ilma'→'filma'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent entity (Udruga Lanterna Magica), numbered festival editions (7th–14th) spanning 2014–2024, distinctive festival name.","candidate_id":"fc_2644eb2b028a"}},"funding_status":"awarded","project_family_id":"pf_02c68cbc2679","project_family_title":"Postira Seaside Film Festival"},{"row_number":59,"project_title":"16. Liburnia Film Festival","applicant":"Udruga Liburnia film festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"60.000,00","approved_amount":60000.0,"currency":"HRK","extras":{"51":"59","Udruga C rtani r omani š ou":"Udruga L iburnia f ilm f estival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s6:78b4c25fd2d3","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga L iburnia f ilm f estival","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"16. L iburnia F ilm F estival","to":"16. Liburnia Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga L iburnia f ilm f estival","to":"Udruga Liburnia film festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 59 verifies applicant, title, and amount. OCR spacing: 'L iburnia'→'Liburnia', 'f ilm'→'film', 'f estival'→'festival', 'L iburnia'→'Liburnia', 'F ilm'→'Film', 'F estival'→'Festival'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Sequential edition numbers (9th–24th) spanning 2010–2026, consistent distinctive name despite minor entity variations, consistent festival category.","candidate_id":"fc_ee72880b1175"}},"funding_status":"awarded","project_family_id":"pf_02303e1a0480","project_family_title":"Liburnia Film Festival"},{"row_number":60,"project_title":"12. Festival dokumentarnog rock filma DORF","applicant":"Udruga ljubitelja filma Rare Vinkovci","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"51":"60","Udruga C rtani r omani š ou":"Udruga l jubitelja f ilma R are V inkovci","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s6:2de059c6a9cd","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga l jubitelja f ilma R are V inkovci","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"12.Festival d okumentarnog r ock f ilma D ORF","to":"12. Festival dokumentarnog rock filma DORF","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga l jubitelja f ilma R are V inkovci","to":"Udruga ljubitelja filma Rare Vinkovci","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 60 verifies applicant, title, and amount. OCR spacing: 'l jubitelja'→'ljubitelja', 'f ilma'→'filma', 'R are'→'Rare', 'V inkovci'→'Vinkovci', 'd okumentarnog'→'dokumentarnog'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Sequential edition numbers (9th–18th) across years 2010–2024, consistent organizer (Udruga ljubitelja filma Rare/Rare Vinkovci), consistent category and program type throughout.","candidate_id":"fc_e7e90a6a31bb"}},"funding_status":"awarded","project_family_id":"pf_ce2f1779d084","project_family_title":"Festival dokumentarnog rock filma DORF"},{"row_number":61,"project_title":"13. DOKUart Dani dokumentarnog filma","applicant":"Udruga za promicanje kulture Dokuart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"80.000,00","approved_amount":80000.0,"currency":"HRK","extras":{"51":"61","Udruga C rtani r omani š ou":"Udruga z a p romicanje k ulture D okuart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s6:43b2562f206f","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga z a p romicanje k ulture D okuart","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"13. D OKUart D ani d okumentarnog f ilma","to":"13. DOKUart Dani dokumentarnog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga z a p romicanje k ulture D okuart","to":"Udruga za promicanje kulture Dokuart","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 61 verifies applicant, title, and amount. OCR spacing: 'z a'→'za', 'p romicanje'→'promicanje', 'D OKUart'→'DOKUart', 'D ani'→'Dani', 'd okumentarnog'→'dokumentarnog', 'f ilma'→'filma'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Clear edition numbering (4th–13th), consistent organizer (Udruga za promicanje kulture Dokuart), and distinctive wording across 10 years (2009–2018).","candidate_id":"fc_7b9e10c084ff"}},"funding_status":"awarded","project_family_id":"pf_f262a9bccc45","project_family_title":"DOKUart - Dani dokumentarnog filma"},{"row_number":62,"project_title":"Filmske mutacije: Dvanaesti festival nevidljivog filma - FLUSSER FILM","applicant":"Umjetnička organizacija Film-protufilm","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"80.000,00","approved_amount":80000.0,"currency":"HRK","extras":{"51":"62","Udruga C rtani r omani š ou":"Umjetnička o rganizacija F ilm-protufilm","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s6:7b69f0190d66","curation":{"changes":[{"field":"applicant","from":null,"to":"Umjetnička o rganizacija F ilm-protufilm","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmske m utacije: D vanaesti f estival nevidljivog f ilma - F LUSSER F ILM","to":"Filmske mutacije: Dvanaesti festival nevidljivog filma - FLUSSER FILM","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Umjetnička o rganizacija F ilm-protufilm","to":"Umjetnička organizacija Film-protufilm","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 62 verifies applicant, title, and amount. OCR spacing: 'o rganizacija'→'organizacija', 'm utacije'→'mutacije', 'D vanaesti'→'Dvanaesti', 'f estival'→'festival', 'F LUSSER'→'FLUSSER'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_c9e02dbcafac","project_family_title":"Filmske mutacije: Dvanaesti festival nevidljivog filma - FLUSSER FILM"},{"row_number":63,"project_title":"16. Zagreb film festival","applicant":"Umjetnička organizacija Zagreb Film Festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"450.000,00","approved_amount":450000.0,"currency":"HRK","extras":{"51":"63","Udruga C rtani r omani š ou":"Umjetnička o rganizacija Z agreb F ilm Festival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s6:a408e709e507","curation":{"changes":[{"field":"applicant","from":null,"to":"Umjetnička o rganizacija Z agreb F ilm Festival","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"16. Z agreb f ilm f estival","to":"16. Zagreb film festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Umjetnička o rganizacija Z agreb F ilm Festival","to":"Umjetnička organizacija Zagreb Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 63 verifies applicant, title, and amount. OCR spacing: 'o rganizacija'→'organizacija', 'Z agreb'→'Zagreb', 'f ilm'→'film', 'f estival'→'festival'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Sequential editions spanning 2009-2025 (7th-23rd edition) with consistent organizer (Umjetnička organizacija Zagreb Film Festival) and film festival categorization.","candidate_id":"fc_85a13eb9a7df"}},"funding_status":"awarded","project_family_id":"pf_6a61fad3d332","project_family_title":"Zagreb Film Festival"},{"row_number":64,"project_title":"3. KinoKino - Međunarodni filmski festival za djecu","applicant":"Umjetnička organizacija Zagreb Film Festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"51":"64","Udruga C rtani r omani š ou":"Umjetnička o rganizacija Z agreb F ilm Festival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s6:3d7795a8ef08","curation":{"changes":[{"field":"applicant","from":null,"to":"Umjetnička o rganizacija Z agreb F ilm Festival","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"3. K inoKino - M eđunarodni f ilmski f estival z a djecu","to":"3. KinoKino - Međunarodni filmski festival za djecu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Umjetnička o rganizacija Z agreb F ilm Festival","to":"Umjetnička organizacija Zagreb Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source row 64 verifies applicant, title, and amount. OCR spacing: 'o rganizacija'→'organizacija', 'Z agreb'→'Zagreb', 'K inoKino'→'KinoKino', 'M eđunarodni'→'Međunarodni', 'f ilmski'→'filmski', 'f estival'→'festival', 'z a'→'za'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered festival editions (3rd-6th) by same entity (Umjetnička organizacija Zagreb Film Festival) across 5 entries (2017-2021). Clear annual series.","candidate_id":"fc_bc71405256f4"}},"funding_status":"awarded","project_family_id":"pf_a6b5eb8a065a","project_family_title":"KinoKino - Međunarodni filmski festival za djecu"},{"row_number":65,"project_title":"Filmski program manifestacije Dani kršćanske kulture 2018.","applicant":"Verbum d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"51":"65","Udruga C rtani r omani š ou":"Verbum d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s6:ab33ccf43bd3","curation":{"changes":[{"field":"applicant","from":null,"to":"Verbum d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmski p rogram m anifestacije D ani kršćanske k ulture 2 018.","to":"Filmski program manifestacije Dani kršćanske kulture 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Verbum d .o.o.","to":"Verbum d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source text row 65 lists applicant 'Verbum d.o.o.' with amount '7.000,00' HRK and program title. OCR spacing errors in applicant name ('d .o.o.') corrected. Amount and title match source document.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent distinctive compound title and Verbum d.o.o. entity across 2017-2020 editions.","candidate_id":"fc_12fc51639e92"}},"funding_status":"awarded","project_family_id":"pf_c68576e9b2ca","project_family_title":"Filmski program manifestacije Dani kršćanske kulture"},{"row_number":66,"project_title":"16. Gastro film fest","applicant":"Video klub Mursa","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"8.000,00","approved_amount":8000.0,"currency":"HRK","extras":{"51":"66","Udruga C rtani r omani š ou":"Video k lub M ursa","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s6:3a118d81fae1","curation":{"changes":[{"field":"applicant","from":null,"to":"Video k lub M ursa","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"16. G astro f ilm f est","to":"16. Gastro film fest","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Video k lub M ursa","to":"Video klub Mursa","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source text row 66 lists applicant 'Video klub Mursa' with amount '8.000,00' HRK. OCR spacing errors corrected ('k lub' → 'klub', 'M ursa' → 'Mursa'). Title and amount supported by source.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Edition 10–23 (2012–2025), clear annual festival with consistent distinctive title, organized by Video klub Mursa (with minor entity variations), category consistently 'filmski festivali i druge audiovizualne manifestacije'","candidate_id":"fc_033467c0b021"}},"funding_status":"awarded","project_family_id":"pf_c3a821a3510e","project_family_title":"Gastro Film Fest"}],"section_total_text":"5.417.000,00","section_total":5417000.0},{"section_label":"objavljivanje k njiževnih r adova u p odručju a udiovizualnih d jelatnosti","section_key":"objavljivanje_k_njizevnih_r_adova_u_p_odrucju_a_udiovizualni","columns":["Naziv p redlagatelja","Naziv p rograma","Odobrena s redstva"],"rows":[{"row_number":1,"project_title":"Hrvatski imaginarni film, knjiga četvrta, Zvonimir Berković","applicant":"Ars Septima d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"1","Naziv p rograma":"Hrvatski i maginarni f ilm, k njiga č etvrta, Zvonimir B erković","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:55b2ca3291b3","curation":{"changes":[{"field":"applicant","from":null,"to":"Ars S eptima d .o.o.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Ars S eptima d .o.o.","to":"Hrvatski i maginarni f ilm, k njiga č etvrta, Zvonimir B erković","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Hrvatski i maginarni f ilm, k njiga č etvrta, Zvonimir B erković","to":"Hrvatski imaginarni film, knjiga četvrta, Zvonimir Berković","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Ars S eptima d .o.o.","to":"Ars Septima d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Hrvatski imaginarni film, knjiga četvrta, Zvonimir Berković","to":"Hrvatski i maginarni f ilm, k njiga č etvrta, Zvonimir B erković","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 7, row 1. Source text supports amount 5.000,00 HRK. OCR spacing corrected in applicant ('S eptima' → 'Septima', 'd .o.o.' → 'd.o.o.') and title ('i maginarni' → 'imaginarni', 'č etvrta' → 'četvrta', 'B erković' → 'Berković').","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_bececb6d5b58","project_family_title":"Hrvatski imaginarni film, knjiga četvrta, Zvonimir Berković"},{"row_number":2,"project_title":"Hrvatski imaginarni film, knjiga peta, Tanhofer/Šimatović","applicant":"Ars Septima d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"2","Naziv p rograma":"Hrvatski i maginarni f ilm, k njiga p eta, Tanhofer/Šimatović","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:71e02a84963a","curation":{"changes":[{"field":"applicant","from":null,"to":"Ars S eptima d .o.o.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Ars S eptima d .o.o.","to":"Hrvatski i maginarni f ilm, k njiga p eta, Tanhofer/Šimatović","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Hrvatski i maginarni f ilm, k njiga p eta, Tanhofer/Šimatović","to":"Hrvatski imaginarni film, knjiga peta, Tanhofer/Šimatović","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Ars S eptima d .o.o.","to":"Ars Septima d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Hrvatski imaginarni film, knjiga peta, Tanhofer/Šimatović","to":"Hrvatski i maginarni f ilm, k njiga p eta, Tanhofer/Šimatović","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 7, row 2. Amount 5.000,00 HRK confirmed. OCR corrections: 'p eta' → 'peta', 'S /Š imatović' spacing normalized.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_6092649d01f7","project_family_title":"Hrvatski imaginarni film, knjiga peta, Tanhofer/Šimatović"},{"row_number":3,"project_title":"Hrvatski imaginarni film, knjiga treća, Vatroslav Mimica","applicant":"Ars Septima d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"3","Naziv p rograma":"Hrvatski i maginarni f ilm, k njiga t reća, Vatroslav M IMICA","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:e9484e796c5e","curation":{"changes":[{"field":"applicant","from":null,"to":"Ars S eptima d .o.o.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Ars S eptima d .o.o.","to":"Hrvatski i maginarni f ilm, k njiga t reća, Vatroslav M IMICA","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Hrvatski i maginarni f ilm, k njiga t reća, Vatroslav M IMICA","to":"Hrvatski imaginarni film, knjiga treća, Vatroslav Mimica","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Ars S eptima d .o.o.","to":"Ars Septima d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Hrvatski imaginarni film, knjiga treća, Vatroslav Mimica","to":"Hrvatski i maginarni f ilm, k njiga t reća, Vatroslav M IMICA","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 7, row 3. Amount 5.000,00 HRK. OCR spacing: 't reća' → 'treća', 'M IMICA' → 'Mimica' (standardized capitalization).","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_374a90a721a5","project_family_title":"Hrvatski imaginarni film, knjiga treća, Vatroslav Mimica"},{"row_number":4,"project_title":"Filmski ž anrovski k lasici - I . k olo","applicant":"Hangar 7 d .o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"4","Naziv p rograma":"Filmski ž anrovski k lasici - I . k olo","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:e52c73f01cba","curation":{"changes":[{"field":"applicant","from":null,"to":"Hangar 7 d .o.o.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hangar 7 d .o.o.","to":"Filmski ž anrovski k lasici - I . k olo","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_4fee76bdc21c","project_family_title":"Filmski ž anrovski k lasici - I . k olo"},{"row_number":5,"project_title":"Inverzija, portal za znanstvenu fantastiku, fantastičnu književnost i film","applicant":"Hangar 7 d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"5","Naziv p rograma":"Inverzija, p ortal z a z nanstvenu f antastiku, fantastičnu k njiževnost i f ilm","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:327695865a90","curation":{"changes":[{"field":"applicant","from":null,"to":"Hangar 7 d .o.o.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hangar 7 d .o.o.","to":"Inverzija, p ortal z a z nanstvenu f antastiku, fantastičnu k njiževnost i f ilm","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Inverzija, p ortal z a z nanstvenu f antastiku, fantastičnu k njiževnost i f ilm","to":"Inverzija, portal za znanstvenu fantastiku, fantastičnu književnost i film","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hangar 7 d .o.o.","to":"Hangar 7 d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Inverzija, portal za znanstvenu fantastiku, fantastičnu književnost i film","to":"Inverzija, p ortal z a z nanstvenu f antastiku, fantastičnu k njiževnost i f ilm","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 7, row 5. Amount 5.000,00 HRK supported. OCR corrections: 'd .o.o.' → 'd.o.o.', 'p ortal' → 'portal', 'z a' → 'za', 'z nanstvenu' → 'znanstvenu', 'f antastiku' → 'fantastiku', 'f ilm' → 'film'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_69d41e30e038","project_family_title":"Inverzija, portal za znanstvenu fantastiku, fantastičnu književnost i film"},{"row_number":6,"project_title":"Hrvatski filmski ljetopis","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"95.000,00","approved_amount":95000.0,"currency":"HRK","extras":{"col_1":"6","Naziv p rograma":"Hrvatski f ilmski l jetopis","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:f3d2dfaabe35","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski f ilmski l jetopis","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Hrvatski f ilmski l jetopis","to":"Hrvatski filmski ljetopis","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Hrvatski filmski ljetopis","to":"Hrvatski f ilmski l jetopis","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 7, row 6. Amount 95.000,00 HRK. OCR spacing: 'f ilmski' → 'filmski', 's avez' → 'savez', 'l jetopis' → 'ljetopis'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_9d1a7e7b5c37","project_family_title":"Hrvatski filmski ljetopis"},{"row_number":7,"project_title":"Ilija Barišić, Filmski diskurs u videoigrama - Modalitet vizualnog izlaganja novih medija (radni naslov)","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"7","Naziv p rograma":"Ilija B arišić, F ilmski d iskurs u v ideoigrama - Modalitet v izualnog i zlaganja n ovih m edija (radni n aslov)","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:0e326bb7b42d","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatski f ilmski s avez - H FS","to":"Ilija B arišić, F ilmski d iskurs u v ideoigrama - Modalitet v izualnog i zlaganja n ovih m edija (radni n aslov)","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Ilija B arišić, F ilmski d iskurs u v ideoigrama - Modalitet v izualnog i zlaganja n ovih m edija (radni n aslov)","to":"Ilija Barišić, Filmski diskurs u videoigrama - Modalitet vizualnog izlaganja novih medija (radni naslov)","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Ilija Barišić, Filmski diskurs u videoigrama - Modalitet vizualnog izlaganja novih medija (radni naslov)","to":"Ilija B arišić, F ilmski d iskurs u v ideoigrama - Modalitet v izualnog i zlaganja n ovih m edija (radni n aslov)","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 7, row 7. Amount 10.000,00 HRK. OCR spacing corrections throughout: 'f ilmski' → 'filmski', 'd iskurs' → 'diskurs', 'v ideoigrama' → 'videoigrama', 'v izualnog' → 'vizualnog', 'i zlaganja' → 'izlaganja', 'n ovih' → 'novih', 'm edija' → 'medija'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_e007ecbf7c4a","project_family_title":"Ilija Barišić, Filmski diskurs u videoigrama - Modalitet vizualnog izlaganja novih medija (radni naslov)"},{"row_number":8,"project_title":"Piši žanrovski – Scenaristička teorija i praksa filmskih žanrova","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"8","Naziv p rograma":"Piši ž anrovski – S cenaristička t eorija i p raksa filmskih ž anrova","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:8cb8aac81aa4","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatski f ilmski s avez - H FS","to":"Piši ž anrovski – S cenaristička t eorija i p raksa filmskih ž anrova","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Piši ž anrovski – S cenaristička t eorija i p raksa filmskih ž anrova","to":"Piši žanrovski – Scenaristička teorija i praksa filmskih žanrova","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Piši žanrovski – Scenaristička teorija i praksa filmskih žanrova","to":"Piši ž anrovski – S cenaristička t eorija i p raksa filmskih ž anrova","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 7, row 8. Amount 10.000,00 HRK. OCR spacing: 'ž anrovski' → 'žanrovski', 'S cenaristička' → 'Scenaristička', 't eorija' → 'teorija', 'p raksa' → 'praksa', 'f ilmskih' → 'filmskih', 'ž anrova' → 'žanrova'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_5c5edd9bd7d4","project_family_title":"Piši žanrovski – Scenaristička teorija i praksa filmskih žanrova"},{"row_number":9,"project_title":"ZAPIS, Bilten Hrvatskog filmskog saveza","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"9","Naziv p rograma":"ZAPIS, B ilten H rvatskog f ilmskog s aveza","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:39f788753a83","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatski f ilmski s avez - H FS","to":"ZAPIS, B ilten H rvatskog f ilmskog s aveza","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"ZAPIS, B ilten H rvatskog f ilmskog s aveza","to":"ZAPIS, Bilten Hrvatskog filmskog saveza","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"ZAPIS, Bilten Hrvatskog filmskog saveza","to":"ZAPIS, B ilten H rvatskog f ilmskog s aveza","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 7, row 9. Amount 5.000,00 HRK. OCR spacing: 'B ilten' → 'Bilten', 'H rvatskog' → 'Hrvatskog', 'f ilmskog' → 'filmskog', 's aveza' → 'saveza'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_c0ccd8c51ab8","project_family_title":"Zapis, bilten Hrvatskog filmskog saveza"},{"row_number":10,"project_title":"Filmovi.hr","applicant":"Kulturni k lub","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.000,00","approved_amount":12000.0,"currency":"HRK","extras":{"col_1":"10","Naziv p rograma":"Filmovi.hr","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:337018172114","curation":{"changes":[{"field":"applicant","from":null,"to":"Kulturni k lub","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Kulturni k lub","to":"Filmovi.hr","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_3f4394c420a9","project_family_title":"Filmovi.hr"},{"row_number":11,"project_title":"David Lynch - izdavanje hrvatskog prijevoda knjige Justusa Nielanda","applicant":"Kulturno informativni centar","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"11","Naziv p rograma":"David L ynch - i zdavanje h rvatskog p rijevoda knjige J ustusa N ielanda","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:b892f7784c78","curation":{"changes":[{"field":"applicant","from":null,"to":"Kulturno i nformativni c entar","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Kulturno i nformativni c entar","to":"David L ynch - i zdavanje h rvatskog p rijevoda knjige J ustusa N ielanda","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"David L ynch - i zdavanje h rvatskog p rijevoda knjige J ustusa N ielanda","to":"David Lynch - izdavanje hrvatskog prijevoda knjige Justusa Nielanda","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kulturno i nformativni c entar","to":"Kulturno informativni centar","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"David Lynch - izdavanje hrvatskog prijevoda knjige Justusa Nielanda","to":"David L ynch - i zdavanje h rvatskog p rijevoda knjige J ustusa N ielanda","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 7, row 11. Amount 5.000,00 HRK. OCR spacing: 'i nformativni' → 'informativni', 'i zdavanje' → 'izdavanje', 'h rvatskog' → 'hrvatskog', 'p rijevoda' → 'prijevoda', 'J ustusa' → 'Justusa', 'N ielanda' → 'Nielanda'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_17cff689532c","project_family_title":"David Lynch - izdavanje hrvatskog prijevoda knjige Justusa Nielanda"},{"row_number":12,"project_title":"Kinemaskop","applicant":"Kurziv - P latforma z a p itanja k ulture, medija i d ruštva","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"col_1":"12","Naziv p rograma":"Kinemaskop","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:7a179edb872b","curation":{"changes":[{"field":"applicant","from":null,"to":"Kurziv - P latforma z a p itanja k ulture, medija i d ruštva","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Kurziv - P latforma z a p itanja k ulture, medija i d ruštva","to":"Kinemaskop","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_28fd3fa000c7","project_family_title":"Kinemaskop"},{"row_number":13,"project_title":"Nenad Polimac: Život u filmu, 1: Domaći kritičarski uzori, hrvatski klasici i novo doba","applicant":"Novi Gordogan, Udruga za kulturu","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"13","Naziv p rograma":"Nenad P olimac: Ž ivot u f ilmu, 1 : D omaći kritičarski u zori, h rvatski k lasici i n ovo d oba","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:a0e8d897aa52","curation":{"changes":[{"field":"applicant","from":null,"to":"Novi G ordogan, U druga z a k ulturu","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Novi G ordogan, U druga z a k ulturu","to":"Nenad P olimac: Ž ivot u f ilmu, 1 : D omaći kritičarski u zori, h rvatski k lasici i n ovo d oba","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Nenad P olimac: Ž ivot u f ilmu, 1 : D omaći kritičarski u zori, h rvatski k lasici i n ovo d oba","to":"Nenad Polimac: Život u filmu, 1: Domaći kritičarski uzori, hrvatski klasici i novo doba","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Novi G ordogan, U druga z a k ulturu","to":"Novi Gordogan, Udruga za kulturu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Nenad Polimac: Život u filmu, 1: Domaći kritičarski uzori, hrvatski klasici i novo doba","to":"Nenad P olimac: Ž ivot u f ilmu, 1 : D omaći kritičarski u zori, h rvatski k lasici i n ovo d oba","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 7, row 13. Amount 10.000,00 HRK. OCR spacing: 'G ordogan' → 'Gordogan', 'U druga' → 'Udruga', 'z a' → 'za', 'Ž ivot' → 'Život', 'f ilmu' → 'filmu', 'D omaći' → 'Domaći', 'u zori' → 'uzori', 'k lasici' → 'klasici', 'd oba' → 'doba'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_bb129df2890f","project_family_title":"Nenad Polimac: Život u filmu, 1: Domaći kritičarski uzori, hrvatski klasici i novo doba"},{"row_number":14,"project_title":"Rodno o sviještena f ilmska k ritika","applicant":"Prostor r odne i m edijske k ulture K -zona","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"14","Naziv p rograma":"Rodno o sviještena f ilmska k ritika","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:c57873486c15","curation":{"changes":[{"field":"applicant","from":null,"to":"Prostor r odne i m edijske k ulture K -zona","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Prostor r odne i m edijske k ulture K -zona","to":"Rodno o sviještena f ilmska k ritika","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_d4b1c756a627","project_family_title":"Rodno o sviještena f ilmska k ritika"},{"row_number":15,"project_title":"Monografija K ino k luba \" Jelen\" - P ula","applicant":"Pulska f ilmska t vornica","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"15","Naziv p rograma":"Monografija K ino k luba \" Jelen\" - P ula","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:806f4de974e1","curation":{"changes":[{"field":"applicant","from":null,"to":"Pulska f ilmska t vornica","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Pulska f ilmska t vornica","to":"Monografija K ino k luba \" Jelen\" - P ula","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_b5e957d54add","project_family_title":"Monografija K ino k luba \" Jelen\" - P ula"},{"row_number":16,"project_title":"Izdavanje knjige 'Film ili čovjek iz mašte - antropološki esej', autor Edgar Morin","applicant":"Scarabeus libris - Udruga za promicanje kulture i umjetnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"col_1":"16","Naziv p rograma":"Izdavanje k njige ' Film i li č ovjek i z m ašte - antropološki e sej', a utor E dgar M orin","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:5c3aa575e09c","curation":{"changes":[{"field":"applicant","from":null,"to":"Scarabeus l ibris - U druga z a p romicanje kulture i u mjetnosti","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Scarabeus l ibris - U druga z a p romicanje kulture i u mjetnosti","to":"Izdavanje k njige ' Film i li č ovjek i z m ašte - antropološki e sej', a utor E dgar M orin","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Izdavanje k njige ' Film i li č ovjek i z m ašte - antropološki e sej', a utor E dgar M orin","to":"Izdavanje knjige 'Film ili čovjek iz mašte - antropološki esej', autor Edgar Morin","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Scarabeus l ibris - U druga z a p romicanje kulture i u mjetnosti","to":"Scarabeus libris - Udruga za promicanje kulture i umjetnosti","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Izdavanje knjige 'Film ili čovjek iz mašte - antropološki esej', autor Edgar Morin","to":"Izdavanje k njige ' Film i li č ovjek i z m ašte - antropološki e sej', a utor E dgar M orin","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 7, row 16. Amount 7.000,00 HRK. OCR spacing: 'l ibris' → 'libris', 'U druga' → 'Udruga', 'p romicanje' → 'promicanje', 'i zdavanje' → 'izdavanje', 'č ovjek' → 'čovjek', 'z m ašte' → 'iz mašte', 'E dgar' → 'Edgar', 'M orin' → 'Morin'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_8c1bd1e5a9b6","project_family_title":"Izdavanje knjige 'Film ili čovjek iz mašte - antropološki esej', autor Edgar Morin"},{"row_number":17,"project_title":"Slijepe p jege","applicant":"Slobodni f ilozofski, U druga","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"17","Naziv p rograma":"Slijepe p jege","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:ae4cfd91825f","curation":{"changes":[{"field":"applicant","from":null,"to":"Slobodni f ilozofski, U druga","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Slobodni f ilozofski, U druga","to":"Slijepe p jege","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_37b35f5ad37f","project_family_title":"Slijepe p jege"},{"row_number":18,"project_title":"Biblioteka Sinestetika: Marguerite Duras, Jean-Luc Godard: DIJALOZI","applicant":"Udruga Bijeli val","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"col_1":"18","Naziv p rograma":"Biblioteka S inestetika: M arguerite D uras, Jean-Luc G odard: D IJALOZI","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:69971c428dfa","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga B ijeli v al","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Udruga B ijeli v al","to":"Biblioteka S inestetika: M arguerite D uras, Jean-Luc G odard: D IJALOZI","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Biblioteka S inestetika: M arguerite D uras, Jean-Luc G odard: D IJALOZI","to":"Biblioteka Sinestetika: Marguerite Duras, Jean-Luc Godard: DIJALOZI","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga B ijeli v al","to":"Udruga Bijeli val","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Biblioteka Sinestetika: Marguerite Duras, Jean-Luc Godard: DIJALOZI","to":"Biblioteka S inestetika: M arguerite D uras, Jean-Luc G odard: D IJALOZI","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 7, row 18. Amount 7.000,00 HRK. OCR spacing: 'B ijeli' → 'Bijeli', 'S inestetika' → 'Sinestetika', 'M arguerite' → 'Marguerite', 'G odard' → 'Godard'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_d1657f3d31ad","project_family_title":"Biblioteka Sinestetika: Marguerite Duras, Jean-Luc Godard: DIJALOZI"},{"row_number":19,"project_title":"Dokumentarni.net","applicant":"Udruga D okumetar","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"17.000,00","approved_amount":17000.0,"currency":"HRK","extras":{"col_1":"19","Naziv p rograma":"Dokumentarni.net","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s7:55dcb874311b","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga D okumetar","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Udruga D okumetar","to":"Dokumentarni.net","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_d60e195675d8","project_family_title":"Dokumentarni.net"}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["21","Udruga F ilmonaut","Filmonaut, f ilmološko-filmofilski č asopis","65.000,00"],"rows":[{"row_number":22,"project_title":"Tko gleda zlo ne misli – filmska internet stranica","applicant":"Udruga Metamedij","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.000,00","approved_amount":4000.0,"currency":"HRK","extras":{"21":"22","Udruga F ilmonaut":"Udruga M etamedij","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s8:b51e82788d7b","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga M etamedij","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Tko g leda z lo n e m isli – f ilmska i nternet stranica","to":"Tko gleda zlo ne misli – filmska internet stranica","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga M etamedij","to":"Udruga Metamedij","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 8, row 22. Amount 4.000,00 HRK. OCR spacing: 'M etamedij' → 'Metamedij', 'z lo' → 'zlo', 'n e' → 'ne', 'm isli' → 'misli', 'f ilmska' → 'filmska', 'i nternet' → 'internet'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_375ff0fa741e","project_family_title":"Tko gleda zlo ne misli – filmska internet stranica"},{"row_number":23,"project_title":"Kratki, animirani i eksperimentalni film u medijima 2018.","applicant":"Udruga Vizkultura","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"21":"23","Udruga F ilmonaut":"Udruga V izkultura","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s8:fb1b7232fc7f","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga V izkultura","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Kratki, a nimirani i e ksperimentalni f ilm u medijima 2 018.","to":"Kratki, animirani i eksperimentalni film u medijima 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga V izkultura","to":"Udruga Vizkultura","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 8, row 23. Amount 10.000,00 HRK. OCR spacing: 'V izkultura' → 'Vizkultura', 'a nimirani' → 'animirani', 'e ksperimentalni' → 'eksperimentalni', 'f ilm' → 'film', 'm edijima' → 'medijima'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Three editions (2017–2024) with identical or near-identical titles. Organized by Udruga Vizkultura. Recurring program with stable branding.","candidate_id":"fc_651abf14d610"}},"funding_status":"awarded","project_family_id":"pf_060f98cee283","project_family_title":"Kratki, animirani i eksperimentalni film u medijima"},{"row_number":24,"project_title":"Žene dolaze (radni naslov)","applicant":"Udruga za interdisciplinarna i interkulturalna istraživanja","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"21":"24","Udruga F ilmonaut":"Udruga z a i nterdisciplinarna i interkulturalna i straživanja","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s8:aac2b1cdef16","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga z a i nterdisciplinarna i interkulturalna i straživanja","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Žene d olaze ( radni n aslov)","to":"Žene dolaze (radni naslov)","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga z a i nterdisciplinarna i interkulturalna i straživanja","to":"Udruga za interdisciplinarna i interkulturalna istraživanja","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 8, row 24. Amount 10.000,00 HRK. OCR spacing: 'i nterdisciplinarna' → 'interdisciplinarna', 'i nterkulturalna' → 'interkulturalna', 'i straživanja' → 'istraživanja', 'd olaze' → 'dolaze'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_8c00ee72f018","project_family_title":"Žene dolaze (radni naslov)"}],"section_total_text":"367.000,00","section_total":367000.0},{"section_label":"programi p romocije i p rodaje h rvatskih a udiovizualnih d jela","section_key":"programi_p_romocije_i_p_rodaje_h_rvatskih_a_udiovizualnih_d_","columns":["Naziv p redlagatelja","Naziv p rograma","Odobrena s redstva"],"rows":[{"row_number":1,"project_title":"Distribucija i promocija filmova 2018.","applicant":"Bonobostudio d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"col_1":"1","Naziv p rograma":"Distribucija i p romocija f ilmova 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s9:963450b9e7bf","curation":{"changes":[{"field":"applicant","from":null,"to":"Bonobostudio d .o.o.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Bonobostudio d .o.o.","to":"Distribucija i p romocija f ilmova 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Distribucija i p romocija f ilmova 2 018.","to":"Distribucija i promocija filmova 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Bonobostudio d .o.o.","to":"Bonobostudio d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Distribucija i promocija filmova 2018.","to":"Distribucija i p romocija f ilmova 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 9, row 1. Amount 40.000,00 HRK. OCR spacing: 'd .o.o.' → 'd.o.o.', 'p romocija' → 'promocija', 'f ilmova' → 'filmova'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Five consecutive years (2015–2019) with consistent format. Same organizer (Bonobostudio d.o.o.), category, and program. Clear recurring annual activity.","candidate_id":"fc_64565b462d7e"}},"funding_status":"awarded","project_family_id":"pf_f22d8d600d24","project_family_title":"Distribucija i promocija filmova"},{"row_number":2,"project_title":"KineDok 2 018.","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"col_1":"2","Naziv p rograma":"KineDok 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s9:f7f70ef524c8","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Restart","to":"KineDok 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_44be1064412c","project_family_title":"KineDok 2 018."},{"row_number":3,"project_title":"Festivalska d istribucija 2 018","applicant":"Ustanova Z agreb f ilm","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"col_1":"3","Naziv p rograma":"Festivalska d istribucija 2 018","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s9:b58a52d057b6","curation":{"changes":[{"field":"applicant","from":null,"to":"Ustanova Z agreb f ilm","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Ustanova Z agreb f ilm","to":"Festivalska d istribucija 2 018","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_be56835fefa6","project_family_title":"Festivalska d istribucija 2 018"}],"section_total_text":"110.000,00","section_total":110000.0},{"section_label":"programi s tručnog u savršavanja","section_key":"programi_s_trucnog_u_savrsavanja","columns":["Naziv p redlagatelja","Naziv p rograma","Odobrena s redstva"],"rows":[{"row_number":1,"project_title":"Anidox Z agreb","applicant":"ASIFA H rvatske","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"col_1":"1","Naziv p rograma":"Anidox Z agreb","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:c3bf6c39d70a","curation":{"changes":[{"field":"applicant","from":null,"to":"ASIFA H rvatske","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"ASIFA H rvatske","to":"Anidox Z agreb","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_0a1988677bca","project_family_title":"Anidox Z agreb"},{"row_number":2,"project_title":"Scenaristički program \"Branko Bauer\" 2018.","applicant":"Društvo hrvatskih filmskih redatelja","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"2","Naziv p rograma":"Scenaristički p rogram \" Branko B auer\" 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:ca4917e562fb","curation":{"changes":[{"field":"applicant","from":null,"to":"Društvo h rvatskih f ilmskih r edatelja","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Društvo h rvatskih f ilmskih r edatelja","to":"Scenaristički p rogram \" Branko B auer\" 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Scenaristički p rogram \" Branko B auer\" 2 018.","to":"Scenaristički program \"Branko Bauer\" 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Društvo h rvatskih f ilmskih r edatelja","to":"Društvo hrvatskih filmskih redatelja","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Scenaristički program \"Branko Bauer\" 2018.","to":"Scenaristički p rogram \" Branko B auer\" 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 10, row 2. Amount 20.000,00 HRK. OCR spacing: 'h rvatskih' → 'hrvatskih', 'f ilmskih' → 'filmskih', 'r edatelja' → 'redatelja', 'p rogram' → 'program', 'B auer' → 'Bauer'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Fourteen editions spanning 2010–2019 with consistent title format and naming. Always organized by Društvo hrvatskih filmskih redatelja. Clear recurring annual screenwriting program.","candidate_id":"fc_64da2cb7df20"}},"funding_status":"awarded","project_family_id":"pf_07d0114ab815","project_family_title":"Scenaristički program \"Branko Bauer\""},{"row_number":3,"project_title":"ZagrebDox P ro 2 018.","applicant":"Factum","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"80.000,00","approved_amount":80000.0,"currency":"HRK","extras":{"col_1":"3","Naziv p rograma":"ZagrebDox P ro 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:82c990321ccf","curation":{"changes":[{"field":"applicant","from":null,"to":"Factum","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Factum","to":"ZagrebDox P ro 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_b4b8dc15131b","project_family_title":"ZagrebDox P ro 2 018."},{"row_number":4,"project_title":"Stručno usavršavanje mladih članova FKK Ivanovec","applicant":"Foto-kino klub Ivanovec","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.000,00","approved_amount":3000.0,"currency":"HRK","extras":{"col_1":"4","Naziv p rograma":"Stručno u savršavanje m ladih č lanova F KK Ivanovec","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:0f49df139885","curation":{"changes":[{"field":"applicant","from":null,"to":"Foto-kino k lub I vanovec","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Foto-kino k lub I vanovec","to":"Stručno u savršavanje m ladih č lanova F KK Ivanovec","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Stručno u savršavanje m ladih č lanova F KK Ivanovec","to":"Stručno usavršavanje mladih članova FKK Ivanovec","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Foto-kino k lub I vanovec","to":"Foto-kino klub Ivanovec","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Stručno usavršavanje mladih članova FKK Ivanovec","to":"Stručno u savršavanje m ladih č lanova F KK Ivanovec","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 10, row 4. Amount 3.000,00 HRK. OCR spacing: 'k lub' → 'klub', 'I vanovec' → 'Ivanovec', 'u savršavanje' → 'usavršavanje', 'm ladih' → 'mladih', 'č lanova' → 'članova'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_28541a290403","project_family_title":"Stručno usavršavanje mladih članova FKK Ivanovec"},{"row_number":5,"project_title":"20. Škola medijske kulture Dr. Ante Peterlić","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"240.000,00","approved_amount":240000.0,"currency":"HRK","extras":{"col_1":"5","Naziv p rograma":"20. Š kola m edijske k ulture D r. A nte P eterlić","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:b5cd74dd7897","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatski f ilmski s avez - H FS","to":"20. Š kola m edijske k ulture D r. A nte P eterlić","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"20. Š kola m edijske k ulture D r. A nte P eterlić","to":"20. Škola medijske kulture Dr. Ante Peterlić","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"20. Škola medijske kulture Dr. Ante Peterlić","to":"20. Š kola m edijske k ulture D r. A nte P eterlić","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 10, row 5. Amount 240.000,00 HRK. OCR spacing: 'Š kola' → 'Škola', 'm edijske' → 'medijske', 'k ulture' → 'kulture', 'A nte' → 'Ante', 'P eterlić' → 'Peterlić'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Clear edition numbering (11th–28th), consistent entity (Hrvatski filmski savez), and distinctive wording with person honorific across 17 years (2009–2026).","candidate_id":"fc_82f647cb3d99"}},"funding_status":"awarded","project_family_id":"pf_c78a5c188d5b","project_family_title":"Škola medijske kulture Dr. Ante Peterlić"},{"row_number":6,"project_title":"Scenaristička platforma Palunko, 16. sezona","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"col_1":"6","Naziv p rograma":"Scenaristička p latforma P alunko, 1 6. s ezona","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:7e9a49a9875f","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatski f ilmski s avez - H FS","to":"Scenaristička p latforma P alunko, 1 6. s ezona","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Scenaristička p latforma P alunko, 1 6. s ezona","to":"Scenaristička platforma Palunko, 16. sezona","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Scenaristička platforma Palunko, 16. sezona","to":"Scenaristička p latforma P alunko, 1 6. s ezona","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 10, row 6. Amount 50.000,00 HRK. OCR spacing: 'p latforma' → 'platforma', 'P alunko' → 'Palunko', 's ezona' → 'sezona'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_3bf8437b4184","project_family_title":"Scenaristička platforma Palunko, 16. sezona"},{"row_number":7,"project_title":"Edukativni p rogram K ino k luba S plit 2 018","applicant":"Kino k lub S plit","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"60.000,00","approved_amount":60000.0,"currency":"HRK","extras":{"col_1":"7","Naziv p rograma":"Edukativni p rogram K ino k luba S plit 2 018","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:d67bd0272143","curation":{"changes":[{"field":"applicant","from":null,"to":"Kino k lub S plit","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Kino k lub S plit","to":"Edukativni p rogram K ino k luba S plit 2 018","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_d4f8464e0f14","project_family_title":"Edukativni p rogram K ino k luba S plit 2 018"},{"row_number":8,"project_title":"Radionica eksperimentalnog filma za profesore","applicant":"Kinoklub Karlovac","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"8","Naziv p rograma":"Radionica e ksperimentalnog f ilma z a profesore","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:9e6b4cfba3f6","curation":{"changes":[{"field":"applicant","from":null,"to":"Kinoklub K arlovac","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Kinoklub K arlovac","to":"Radionica e ksperimentalnog f ilma z a profesore","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Radionica e ksperimentalnog f ilma z a profesore","to":"Radionica eksperimentalnog filma za profesore","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kinoklub K arlovac","to":"Kinoklub Karlovac","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Radionica eksperimentalnog filma za profesore","to":"Radionica e ksperimentalnog f ilma z a profesore","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 10, row 8. Amount 10.000,00 HRK. OCR spacing: 'e ksperimentalnog' → 'eksperimentalnog', 'f ilma' → 'filma', 'z a' → 'za', 'p rofesore' → 'profesore'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_144aebefca60","project_family_title":"Radionica eksperimentalnog filma za profesore"},{"row_number":9,"project_title":"4. Europski žanrovski forum","applicant":"Lot dvadesetiosam studio d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"col_1":"9","Naziv p rograma":"4. E uropski ž anrovski f orum","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:c962e9c74612","curation":{"changes":[{"field":"applicant","from":null,"to":"Lot d vadesetiosam s tudio d .o.o.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Lot d vadesetiosam s tudio d .o.o.","to":"4. E uropski ž anrovski f orum","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"4. E uropski ž anrovski f orum","to":"4. Europski žanrovski forum","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Lot d vadesetiosam s tudio d .o.o.","to":"Lot dvadesetiosam studio d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"4. Europski žanrovski forum","to":"4. E uropski ž anrovski f orum","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 10, row 9. Amount 30.000,00 HRK. OCR spacing: 'd vadesetiosam' normalized, 's tudio' → 'studio', 'd .o.o.' → 'd.o.o.', 'E uropski' → 'Europski', 'ž anrovski' → 'žanrovski'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (3rd through 12th) showing clear progression across years 2017-2026. Consistent distinctive name despite varying organizers.","candidate_id":"fc_ff6d6a0d2e9d"}},"funding_status":"awarded","project_family_id":"pf_07c2d83a88a8","project_family_title":"Europski žanrovski forum"},{"row_number":10,"project_title":"Kampus M otovun","applicant":"Motovun f ilm f estival U .O.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"10","Naziv p rograma":"Kampus M otovun","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:7f8284c58639","curation":{"changes":[{"field":"applicant","from":null,"to":"Motovun f ilm f estival U .O.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Motovun f ilm f estival U .O.","to":"Kampus M otovun","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_4bcb7be4edc3","project_family_title":"Kampus M otovun"},{"row_number":11,"project_title":"Production I n 2 018","applicant":"Pulska f ilmska t vornica","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.000,00","approved_amount":12000.0,"currency":"HRK","extras":{"col_1":"11","Naziv p rograma":"Production I n 2 018","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:472ba7a5a851","curation":{"changes":[{"field":"applicant","from":null,"to":"Pulska f ilmska t vornica","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Pulska f ilmska t vornica","to":"Production I n 2 018","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_e56bc2bde6f7","project_family_title":"Production I n 2 018"},{"row_number":12,"project_title":"Restart Laboratorij u 2018. godini","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"60.000,00","approved_amount":60000.0,"currency":"HRK","extras":{"col_1":"12","Naziv p rograma":"Restart L aboratorij u 2 018. g odini","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:834945a470d2","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Restart","to":"Restart L aboratorij u 2 018. g odini","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Restart L aboratorij u 2 018. g odini","to":"Restart Laboratorij u 2018. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Restart Laboratorij u 2018. godini","to":"Restart L aboratorij u 2 018. g odini","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 10, row 12. Amount 60.000,00 HRK. OCR spacing: 'L aboratorij' → 'Laboratorij', 'u 2 018' → 'u 2018.', 'g odini' → 'godini'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Ten editions spanning 2014–2026 with consistent format 'Restart Laboratorij u [YEAR]. godini'. Organized by Restart, consistent program category. Clear recurring training/workshop series.","candidate_id":"fc_62c3791ceb24"}},"funding_status":"awarded","project_family_id":"pf_a6d5c2e6c03c","project_family_title":"Restart Laboratorij"},{"row_number":13,"project_title":"Stručno u savršavanje S edmi k ontinent","applicant":"Udruga D jeca s usreću u mjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"13","Naziv p rograma":"Stručno u savršavanje S edmi k ontinent","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:fe692d9c5355","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga D jeca s usreću u mjetnost","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Udruga D jeca s usreću u mjetnost","to":"Stručno u savršavanje S edmi k ontinent","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_e93cc0aa6958","project_family_title":"Stručno u savršavanje S edmi k ontinent"},{"row_number":14,"project_title":"Medijski izazovi - Škola za profesore","applicant":"Udruga Manda - film i riječ","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"14","Naziv p rograma":"Medijski i zazovi - Š kola z a p rofesore","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:783b99074883","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga M anda - f ilm i r iječ","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Udruga M anda - f ilm i r iječ","to":"Medijski i zazovi - Š kola z a p rofesore","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Medijski i zazovi - Š kola z a p rofesore","to":"Medijski izazovi - Škola za profesore","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga M anda - f ilm i r iječ","to":"Udruga Manda - film i riječ","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Medijski izazovi - Škola za profesore","to":"Medijski i zazovi - Š kola z a p rofesore","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 10, row 14. Amount 5.000,00 HRK. OCR spacing: 'M anda' → 'Manda', 'i zazovi' → 'izazovi', 'Š kola' → 'Škola', 'z a' → 'za', 'p rofesore' → 'profesore'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_0945f803b0f2","project_family_title":"Medijski izazovi - Škola za profesore"},{"row_number":15,"project_title":"Scenaristički masterclass s Razvanom Radulescuom","applicant":"Udruga Metonimija","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"15","Naziv p rograma":"Scenaristički m asterclass s R azvanom Radulescuom","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:738f1a84cb03","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga M etonimija","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Udruga M etonimija","to":"Scenaristički m asterclass s R azvanom Radulescuom","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Scenaristički m asterclass s R azvanom Radulescuom","to":"Scenaristički masterclass s Razvanom Radulescuom","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga M etonimija","to":"Udruga Metonimija","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Scenaristički masterclass s Razvanom Radulescuom","to":"Scenaristički m asterclass s R azvanom Radulescuom","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 10, row 15. Amount 5.000,00 HRK. OCR spacing: 'M etonimija' → 'Metonimija', 'm asterclass' → 'masterclass', 'R azvanom' → 'Razvanom', 'R adulescuom' → 'Radulescuom'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_ee942adc173e","project_family_title":"Scenaristički masterclass s Razvanom Radulescuom"},{"row_number":16,"project_title":"Industrija 16. Zagreb Film Festivala","applicant":"Umjetnička organizacija Zagreb Film Festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"60.000,00","approved_amount":60000.0,"currency":"HRK","extras":{"col_1":"16","Naziv p rograma":"Industrija 1 6. Z agreb F ilm F estivala","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:54544c275bac","curation":{"changes":[{"field":"applicant","from":null,"to":"Umjetnička o rganizacija Z agreb F ilm Festival","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Umjetnička o rganizacija Z agreb F ilm Festival","to":"Industrija 1 6. Z agreb F ilm F estivala","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Industrija 1 6. Z agreb F ilm F estivala","to":"Industrija 16. Zagreb Film Festivala","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Umjetnička o rganizacija Z agreb F ilm Festival","to":"Umjetnička organizacija Zagreb Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Industrija 16. Zagreb Film Festivala","to":"Industrija 1 6. Z agreb F ilm F estivala","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 10, row 16. Amount 60.000,00 HRK. OCR spacing: 'o rganizacija' → 'organizacija', 'Z agreb' → 'Zagreb', 'F ilm' → 'Film', 'F estivala' → 'Festivala', '1 6' → '16.'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"source-family-override","confidence":"high","reason":"Pure annual Industrija editions use both prefix and suffix title order; they are distinct from the main Zagreb Film Festival, FMFS Industrija, Industrija 1.0, and combined TSFM programs.","override_id":"zff-industrija"}},"funding_status":"awarded","project_family_id":"pf_036bff88cc35","project_family_title":"Industrija Zagreb Film Festivala"},{"row_number":17,"project_title":"9. međunarodna radionica animiranog filma","applicant":"Ustanova Zagreb film","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"col_1":"17","Naziv p rograma":"9. m eđunarodna r adionica a nimiranog f ilma","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:fd03396a5917","curation":{"changes":[{"field":"applicant","from":null,"to":"Ustanova Z agreb f ilm","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Ustanova Z agreb f ilm","to":"9. m eđunarodna r adionica a nimiranog f ilma","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"9. m eđunarodna r adionica a nimiranog f ilma","to":"9. međunarodna radionica animiranog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Ustanova Z agreb f ilm","to":"Ustanova Zagreb film","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"9. međunarodna radionica animiranog filma","to":"9. m eđunarodna r adionica a nimiranog f ilma","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 10, row 17. Amount 25.000,00 HRK. OCR spacing: 'm eđunarodna' → 'međunarodna', 'r adionica' → 'radionica', 'a nimiranog' → 'animiranog', 'f ilma' → 'filma'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Ten numbered editions (9th–17th) across 2018–2026, with consistent organizer (Ustanova Zagreb film/Supertoon). Clear numbered recurring international workshop.","candidate_id":"fc_64132e0c76b1"}},"funding_status":"awarded","project_family_id":"pf_1c356339be18","project_family_title":"Međunarodna radionica animiranog filma"},{"row_number":18,"project_title":"Sudjelovanje na Školi medijske kulture „Dr. Ante Peterlić\"","applicant":"Zajednica tehničke kulture Grada Slavonskog Broda","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.000,00","approved_amount":3000.0,"currency":"HRK","extras":{"col_1":"18","Naziv p rograma":"Sudjelovanje n a Š koli m edijske k ulture „ Dr. Ante P eterlić\"","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s10:eb23a6529f54","curation":{"changes":[{"field":"applicant","from":null,"to":"Zajednica t ehničke k ulture G rada Slavonskog B roda","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Zajednica t ehničke k ulture G rada Slavonskog B roda","to":"Sudjelovanje n a Š koli m edijske k ulture „ Dr. Ante P eterlić\"","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Sudjelovanje n a Š koli m edijske k ulture „ Dr. Ante P eterlić\"","to":"Sudjelovanje na Školi medijske kulture „Dr. Ante Peterlić\"","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Zajednica t ehničke k ulture G rada Slavonskog B roda","to":"Zajednica tehničke kulture Grada Slavonskog Broda","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Sudjelovanje na Školi medijske kulture „Dr. Ante Peterlić\"","to":"Sudjelovanje n a Š koli m edijske k ulture „ Dr. Ante P eterlić\"","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Section 10, row 18. Amount 3.000,00 HRK. OCR spacing: 't ehničke' → 'tehničke', 'k ulture' → 'kulture', 'G rada' → 'Grada', 'Š koli' → 'Školi', 'm edijske' → 'medijske', 'k ulture' → 'kulture', 'A nte' → 'Ante', 'P eterlić' → 'Peterlić', 'n a' → 'na'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_44fdd90a7d5e","project_family_title":"Sudjelovanje na Školi medijske kulture „Dr. Ante Peterlić\""}],"section_total_text":"723.000,00","section_total":723000.0},{"section_label":"proučavanje i k ritičko v rednovanje a udiovizualnih d jelatnosti","section_key":"proucavanje_i_k_riticko_v_rednovanje_a_udiovizualnih_d_jelat","columns":["Naziv p redlagatelja","Naziv p rograma","Odobrena s redstva"],"rows":[{"row_number":1,"project_title":"Web-arhiv Hrvatskog filmskog saveza u okviru projekta Connect Archives","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.000,00","approved_amount":12000.0,"currency":"HRK","extras":{"col_1":"1","Naziv p rograma":"Web - a rhiv H rvatskog f ilmskog s aveza u okviru p rojekta C onnect A rchives","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s11:1af389c30d3b","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatski f ilmski s avez - H FS","to":"Web - a rhiv H rvatskog f ilmskog s aveza u okviru p rojekta C onnect A rchives","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Web - a rhiv H rvatskog f ilmskog s aveza u okviru p rojekta C onnect A rchives","to":"Web-arhiv Hrvatskog filmskog saveza u okviru projekta Connect Archives","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Web-arhiv Hrvatskog filmskog saveza u okviru projekta Connect Archives","to":"Web - a rhiv H rvatskog f ilmskog s aveza u okviru p rojekta C onnect A rchives","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Listed in source table section 11 (proučavanje i kritičko vrednovanje audiovizualnih djelatnosti) with explicit amount 12.000,00 HRK. OCR spacing errors within words require correction: 'f ilmski'→'filmski', 's avez'→'savez', 'a rhiv'→'arhiv', 'p rojekta'→'projekta', 'C onnect'→'Connect', 'A rchives'→'Archives'. Entry supported as awarded.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_f17d35299f11","project_family_title":"Web-arhiv Hrvatskog filmskog saveza u okviru projekta Connect Archives"},{"row_number":2,"project_title":"Međunarodni z nanstveni s kup o a nimiranom filmu A nimafest S canner V","applicant":"Hulahop d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.000,00","approved_amount":12000.0,"currency":"HRK","extras":{"col_1":"2","Naziv p rograma":"Međunarodni z nanstveni s kup o a nimiranom filmu A nimafest S canner V","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s11:c1b809b6aa3d","curation":{"changes":[{"field":"applicant","from":null,"to":"Hulahop d.o.o.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hulahop d.o.o.","to":"Međunarodni z nanstveni s kup o a nimiranom filmu A nimafest S canner V","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_f564e9aa9871","project_family_title":"Međunarodni z nanstveni s kup o a nimiranom filmu A nimafest S canner V"},{"row_number":3,"project_title":"Videodrom","applicant":"Mavena - 3 6 n jenih č uda","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"3","Naziv p rograma":"Videodrom","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s11:29f7f4485e6b","curation":{"changes":[{"field":"applicant","from":null,"to":"Mavena - 3 6 n jenih č uda","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Mavena - 3 6 n jenih č uda","to":"Videodrom","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_648f91fce3fc","project_family_title":"Videodrom"},{"row_number":4,"project_title":"Vizualni k olegij","applicant":"Multimedijalni i nstitut","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"col_1":"4","Naziv p rograma":"Vizualni k olegij","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s11:bf53bed44a8d","curation":{"changes":[{"field":"applicant","from":null,"to":"Multimedijalni i nstitut","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Multimedijalni i nstitut","to":"Vizualni k olegij","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_5476ea1cf37e","project_family_title":"Vizualni k olegij"},{"row_number":5,"project_title":"Hall o f F ame u 2 018.","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"5","Naziv p rograma":"Hall o f F ame u 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s11:e076d1f135ba","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Restart","to":"Hall o f F ame u 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_dfc174f2ab90","project_family_title":"Hall o f F ame u 2 018."},{"row_number":6,"project_title":"Masterclass - svjetski dokumentaristi u Hrvatskoj u 2018. godini","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"col_1":"6","Naziv p rograma":"Masterclass - s vjetski d okumentaristi u Hrvatskoj u 2 018. g odini","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s11:c9ccdd6dd302","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Restart","to":"Masterclass - s vjetski d okumentaristi u Hrvatskoj u 2 018. g odini","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Masterclass - s vjetski d okumentaristi u Hrvatskoj u 2 018. g odini","to":"Masterclass - svjetski dokumentaristi u Hrvatskoj u 2018. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Masterclass - svjetski dokumentaristi u Hrvatskoj u 2018. godini","to":"Masterclass - s vjetski d okumentaristi u Hrvatskoj u 2 018. g odini","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Listed in source table section 11 as row 6 with explicit amount 40.000,00 HRK. OCR spacing: 's vjetski'→'svjetski', 'd okumentaristi'→'dokumentaristi', '2 018'→'2018', 'g odini'→'godini'. Clearly awarded entry in source.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_201562aa83ae","project_family_title":"Masterclass - svjetski dokumentaristi u Hrvatskoj u 2018. godini"}],"section_total_text":null,"section_total":null},{"section_label":"zaštita a udiovizualne b aštine u ključujući k inotečnu d jelatnost","section_key":"zastita_a_udiovizualne_b_astine_u_kljucujuci_k_inotecnu_d_je","columns":["Naziv p redlagatelja","Naziv p rograma","Odobrena s redstva"],"rows":[{"row_number":1,"project_title":"Filmski i video arhiv Hrvatskog filmskog saveza u 2018. godini","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"175.000,00","approved_amount":175000.0,"currency":"HRK","extras":{"col_1":"1","Naziv p rograma":"Filmski i v ideo a rhiv H rvatskog f ilmskog saveza u 2 018. g odini","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s12:88afa785e16c","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatski f ilmski s avez - H FS","to":"Filmski i v ideo a rhiv H rvatskog f ilmskog saveza u 2 018. g odini","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Filmski i v ideo a rhiv H rvatskog f ilmskog saveza u 2 018. g odini","to":"Filmski i video arhiv Hrvatskog filmskog saveza u 2018. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Filmski i video arhiv Hrvatskog filmskog saveza u 2018. godini","to":"Filmski i v ideo a rhiv H rvatskog f ilmskog saveza u 2 018. g odini","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Listed in source table section 12 (zaštita audiovizualne baštine uključujući kinotečnu djelatnost) with explicit amount 175.000,00 HRK. OCR corrections: 'v ideo'→'video', 'a rhiv'→'arhiv', '2 018'→'2018', 'g odini'→'godini'. Legitimate awarded archive project.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Entries 2018–2026, identical distinctive wording, same organizing entity 'Hrvatski filmski savez', consistent archival category across all years","candidate_id":"fc_0fe26a71f98c"}},"funding_status":"awarded","project_family_id":"pf_92fb82de0784","project_family_title":"Filmski i video arhiv Hrvatskog filmskog saveza"},{"row_number":2,"project_title":"Digitalizacija i restauracija filma Ivana Martinca \"Kuća na pijesku\"","applicant":"Kino klub Split","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"100.000,00","approved_amount":100000.0,"currency":"HRK","extras":{"col_1":"2","Naziv p rograma":"Digitalizacija i r estauracija f ilma I vana Martinca \" Kuća n a p ijesku\"","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s12:88eda956802f","curation":{"changes":[{"field":"applicant","from":null,"to":"Kino k lub S plit","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Kino k lub S plit","to":"Digitalizacija i r estauracija f ilma I vana Martinca \" Kuća n a p ijesku\"","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Digitalizacija i r estauracija f ilma I vana Martinca \" Kuća n a p ijesku\"","to":"Digitalizacija i restauracija filma Ivana Martinca \"Kuća na pijesku\"","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kino k lub S plit","to":"Kino klub Split","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Digitalizacija i restauracija filma Ivana Martinca \"Kuća na pijesku\"","to":"Digitalizacija i r estauracija f ilma I vana Martinca \" Kuća n a p ijesku\"","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Listed in source table section 12 with explicit amount 100.000,00 HRK. OCR spacing: 'k lub'→'klub', 'S plit'→'Split', 'r estauracija'→'restauracija', 'I vana'→'Ivana', 'M artinca'→'Martinca', 'n a'→'na', 'p ijesku'→'pijesku'. Clear heritage protection award.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_260351d082ea","project_family_title":"Digitalizacija i restauracija filma Ivana Martinca \"Kuća na pijesku\""},{"row_number":3,"project_title":"Restauracija i digitalizacija filmova 2018.","applicant":"Ustanova Zagreb film","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"60.000,00","approved_amount":60000.0,"currency":"HRK","extras":{"col_1":"3","Naziv p rograma":"Restauracija i d igitalizacija f ilmova 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8b0cec02:s12:37b4c4e55fd5","curation":{"changes":[{"field":"applicant","from":null,"to":"Ustanova Z agreb f ilm","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Ustanova Z agreb f ilm","to":"Restauracija i d igitalizacija f ilmova 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Restauracija i d igitalizacija f ilmova 2 018.","to":"Restauracija i digitalizacija filmova 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Ustanova Z agreb f ilm","to":"Ustanova Zagreb film","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Restauracija i digitalizacija filmova 2018.","to":"Restauracija i d igitalizacija f ilmova 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Listed in source table section 12 with explicit amount 60.000,00 HRK. OCR corrections: 'Z agreb'→'Zagreb', 'f ilm'→'film', 'd igitalizacija'→'digitalizacija', '2 018'→'2018'. Supported heritage protection award entry.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Same entity (Ustanova Zagreb film), identical title across 2017-2018. Consistent archival conservation project.","candidate_id":"fc_d5da6dbe0ec2"}},"funding_status":"awarded","project_family_id":"pf_015811c77be1","project_family_title":"Restauracija i digitalizacija filmova"}],"section_total_text":"335.000,00","section_total":335000.0},{"section_label":null,"section_key":null,"columns":["PROGRAMSKA D JELATNOST","BROJ O DOBRENIH P ROGRAMA","ODOBRENA SREDSTVA"],"rows":[],"section_total_text":"10.169.000,00","section_total":10169000.0}],"totals":{"ukupno_text":null,"ukupno":19936000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":10169000.0,"ukupno_match":false,"row_count":246,"awarded_count":246,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":246}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"UDRUGE Komplementarne_obrazlo_enje_2018.pdf","filename_decoded":"UDRUGE Komplementarne_obrazlo_enje_2018.pdf","sha256":"8b2dff72ec264d4b145c4c3192b4ec886cbcf15cb4877b280ad05817dc75f67c","bytes":27057,"page_count":1,"extracted_at":"2026-05-17T12:01:31Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/UDRUGE%20Komplementarne_obrazlo%C5%BEenje_2018.pdf"},"raw_text":" \n \n1\nJavni\t\r  poziv\t\r  za\t\r  dodjelu\t\r  sredstava\t\r  za\t\r  poticanje\t\r  komplementarnih\t\r  djelatnosti\t\r  u\t\r  2018.\t\r  \ngodini \nObrazloženje\t\r  umjetničkih\t\r  savjetnika\t\r  za\t\r  komplementarne\t\r  djelatnosti\t\r  \n \n•   U\t\r   kategoriji\t\r   Programi\t\r   audiovizualnih\t\r   udruga\t\r   i\t\r   organizacija\t\r   umjetnički\t\r   su\t\r  \nsavjetnici\t\r  i\t\r  opet\t\r  prepoznali\t\r  važnost\t\r  kontinuiranog\t\r  djelovanja\t\r  strukovnih\t\r  udruga\t\r  \nu\t\r  području\t\r  filma,\t\r  kao\t\r  i\t\r  neprofesijskih\t\r  filmskih\t\r  i\t\r  videoudruga\t\r  te\t\r  njihove\t\r  krovne\t\r  \norganizacije,\t\r  Hrvatskoga\t\r  filmskog\t\r  saveza.\t\r  Kontinuitet\t\r  kvalitete\t\r  rada\t\r  tih\t\r  udruga\t\r  i\t\r  \norganizacija\t\r   smatramo\t\r   važnim\t\r   aspektom\t\r   razvoja\t\r   cjelokupnog\t\r   audiovizualnog\t\r  \nsektora,\t\r  ali\t\r  i\t\r  važnim\t\r  doprinosom\t\r  stručnom\t\r  razvoju\t\r  filmskih\t\r  radnika\t\r  i\t\r  radnica,\t\r  kao\t\r  \ni\t\r  širenju\t\r  znanja\t\r  izvan\t\r  užih\t\r  strukovnih\t\r  krugova.\t\r   \n\t\r  \nUmjetnički\t\r  savjetnici\t\r  za\t\r  komplementarne\t\r  djelatnosti \n\t\r  \nMario\t\r  Kikaš \nJaka\t\r  Primorac \nTomislav\t\r  Šakić \n\t\r  \n13. 3. 2018. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2018,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"animirani obrazlozenje proizvodnja 1 rok_2021.pdf","filename_decoded":"animirani obrazlozenje proizvodnja 1 rok_2021.pdf","sha256":"8b57d94954262d4988d1e0b505c9bf6f7e3e725686858b9e1ed98d0a08ce6855","bytes":98213,"page_count":4,"extracted_at":"2026-05-17T12:01:35Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/animirani%20obrazlozenje%20proizvodnja%201%20rok_2021.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje proizvodnje filmova, 1. rok 2021. \n \nKategorija: poticanje proizvodnje animiranog filma  \nRok: 15. ožujka 2021. \nUmjetnički savjetnik: Božidar Trkulja  \n \nNa prvi natječajni rok Javnog poziva za poticanje proizvodnje animiranog filma u 2021. godini \nprijavljeno je i razmatrano sveukupno osamnaest (18) projekata, od čega sedamnaest (17) \nkratkometražnih i jedan (1) dugometražni projekt.  \nOd 18 projekata  za sufinanciranje je predloženo i odobreno šest (6) kratkometražnih filmova. \nRiječ je o zaokruženim, čistim i jasnim filmovima koji će svoj put osim na svjetskim filmskim \nfestivalima lako pronaći i na ostalim audiovizualnim platformama.  \nKao i na nekoliko prethodnih natječaja ponovno je prijavljen veliki broj debitantskih projekata, \nnjih deset (10), a za sufinanciranje su predložena i odobrena tri (3) debitantska filma.  \nNa natječaj je prijavljeno šest (6) filmova za djecu, a za sufinanciranje su predložena i odobrena  \ndva (2) filma. Jedan je nadahnut slikovnicom, dok je u drugom slučaju riječ o biografskom filmu. \nŠto se tehnika tiče, najveći je broj prijava, odnosno filmova zamišljen da se izvede u 2D tehnici, i \nkombiniranoj tehnici, dok je nešto manje lutka filmova i 3D animacije. Za sufinanciranje su \npredložena  i odobrena tri (3) 2D filma, jedan (1) film u kombiniranoj tehnici, te dva (2) filma u \ntehnici stop animacije.  \nSveukupna potpora  za proizvodnju kratkometražnih animiranih filmova je 1.820.000,00 kn za \nšest (6) projekata. \n \nUkupno: 1.820.000 kuna \n \n \n \n \n \n\n\f\nObrazloženja: \n1. naziv projekta: DJEČAK \nprodukcija: Umjetnička organizacija PET RUSA \nscenarij i režija: Frano Petruša \ntrajanje/ tehnika/ publika: 18 min / 2D animacija/ djeca i odrasli  \n450.000,00 kn \nIza jednostavnog naslova filma „Dječak“ krije se biografski film o jednoj od najvećih i najsjajnijih \nzvijezdi hrvatskog sporta, košarkaškoj ikoni, legendi i uzoru – Draženu Petroviću. Film se \ndokumentaristički i anegdotalno oslanja na Draženovo djetinjstvo i njegovu upornost, volju i \nstrast prema košarci, ali isto tako stigne donijeti i uprisutniti njegove kasnije dane uspjeha i \nsumnje...i ponovnog uspjeha. Iako debitant, Frano Petruša je postavio, ritmom i osjećajima \nnabijenu priču popraćenu sjajnim vizualom - crtačkim stilom koji izražajnošću i dinamikom, \nosobito unutar eksplozivnih sportskih prizora s lakoćom oživljava i osvjetljava jednu istinski \nvrijednu i nadahnjujuću životnu priču.    \n \n2. naziv projekta: DNEVNIK SNIVANJA  \nprodukcija: Umjetnička organizacija ANIMA \nscenarij i režija: Irena Jukić-Pranjić  \ntrajanje/ tehnika / publika: 10 min/ kombinirane tehnike/ odrasli  \n360.000,00 kn \n„Dnevnik snivanja“ zamišljen je kao poetični umjetnički esej o snovima i paralelnim svjetovima \niz ugla pripovjedačice koja dnevnik vodi.  Umjesto klasične animacije koja podrazumijeva \nuglavnom statične pozadine i animaciju rezerviranu za kretnju protagonista, „Dnevnik snivanja“ \nje ponudio i stalne transformacije i metamorfoze pozadina i likova, a sam filmski predložak \nučinio dodatno uzbudljivim naglašavajući nadrealnost i mističnost prirode snova. Redateljica i \nscenaristica Irena Jukić-Pranjić postavila je projekt na tragu svojih dosadašnjih uspješnih \nostvarenja, ali još raskošnije, bogatije i snovitije.   \n \n \n \n \n\n\f\n3. naziv projekta: CRNI DIM SLUTNJE \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Damir Šuša \ntrajanje/ tehnika / publika: 7 min / lutka film/ odrasli  \n340.000,00 kn \nIako je riječ o debitantu koji svoje autorsko polazište pronalazi i temelji na scenografiji i \nlutkama,  projekt je scenaristički i redateljski čvrsto postavljen i ima sve potrebne kvalitete za \nuspješan lutka-film, počevši od same priče, pa sve do konačne vizualizacije i predviđeno-\nprispodobljive animacije. Riječ je o satiričnom prikazu uspjeha i neuspjeha, odnosno \npreokrenutom zrcalu koje nam na jednostavan i prijemčiv način postavlja pitanja: Što možemo? \nŠto želimo? Jesmo li sigurni? Jesmo li sposobni?... i imamo li možda sreće... \n \n4. naziv projekta: GLAZBENE ČARAPICE \nprodukcija: Kreativni sindikat \nscenarij i režija: Ana Horvat \ntrajanje/ tehnika / publika: 8 min/ 2D animacija/ djeca \n260.000,00 kn \nKratki animirani film u tehnici kolažne 2D animacije \"Glazbene čarapice\" je adaptacija istoimene \nslikovnice spisateljice Nine Vađić i ilustratorice Ane Kadoić. Film u svojoj osnovi nosi i veliku \nmogućnost kasnije prilagodbe u edukativni serijal za djecu. Redateljica Ana Horvat slikovnicu je \nscenaristički pretočila u djeci i učiteljima pristupačno i poticajno filmsko djelo.  \nFilm s klasičnim, ali karakterno lijepo zaokruženim i ocrtanim likovima šumskih junaka donosi i \nporuku koliko je važno prepoznati pravi talent pojedinca i kako je važno da učitelj ne gleda svoje \nučenike kroz opća očekivanja, već da uloži trud prepoznati svačiji jedinstveni potencijal.  \n \n5. naziv projekta: PUTOVANJE \nprodukcija: Luma film d.o.o. \nscenarij i režija: Mirela Ivanković Bielen \ntrajanje/ tehnika / publika: 5:30 min / 2D animacija/ odrasli i djeca \n250.000,00 kn  \n\n\f\nFilm „Putovanje“ je animacijski i vizualno uzbudljiva priča ispripovijedana u dahu jedne mirne \nnoći koja se pretvara u uzbudljivi galop kroz pustinju polako vodeći prema dubljem spiritualnom \ndoživljaju u kojem se suprotstavljaju sloboda i uvjetovanost.  \nČetiri deve koje predstavljaju četiri osnovna elementa na svom mističnom i frenetičnom \nputovanju pronalaze svoj smisao u jedinstvenom tkanju života koji se jasno iskazuje i razlučuje u \nanimiranim ornamentiranim teksturama unutar samih nositelja prvotnih elemenata. Osim \nvedre i naoko pitke priče koja se odvija na površini, film donosi i dublji  smisao oslonjen na \nsugestivnu i ambijentu prilagođenu glazbu koja bi gledatelja s lakoćom trebala povesti na \nnjegovo vlastito putovanje. \n \n \n6. naziv projekta: LEPTIR \nprodukcija: Jadranska animacija/ Adriatic animation \nscenarij i režija: Sunčana Brkulj \ntrajanje/ tehnika / publika: 5 min / stop animacija / odrasli i djeca  \n160.000,00 kn \n \n„Leptir“ je lijepa i pobudljiva priča koja otvara, razigrava, uspostavlja i zaokružuje jedan životni \nciklus jednog osobitog, a opet lako prepoznatljivog svijeta, kojeg možemo proživjeti i unutar \njednoga dana i unutar jednoga života. Pritom s lakoćom uspostavlja napetost unutar kratke \nforme i uspostavlja i raspetljava simpatičnu filmsku petlju sa svim elementima koji od početka \ndo kraja mogu s lakoćom držati pažnju gledatelja. Iako je autorica debitantica, film je čvrsto \npostavljen, a nastavlja se i nadograđuje na njenu dosad zanimljivu i festivalski poželjnu estetiku. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2021,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPRTVSER_2024_1ROK_12III2024_WEB.pdf","filename_decoded":"RPRTVSER_2024_1ROK_12III2024_WEB.pdf","sha256":"8bd6c8978b46b33c9f8328c6ffb5e095707ef217cdc771db7b8d400ec1c024bf","bytes":146089,"page_count":1,"extracted_at":"2026-05-17T10:24:14Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPRTVSER_2024_1ROK_12III2024_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO  (€)\n1\nBijeli jelen\nJaka produkcija d.o.o. \nLucija Bužančić\nLucija Bužančić\nVladimir Nazor \"Bijeli \njelen\"\n6.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO  (€)\n2\nApetitlih\nIzvan fokusa d.o.o.\nGoran Ribarić\nGoran Ribarić\n6.000,00\n3\nDivlja Hrvatska\nAntitalent d.o.o.\nFilip Filković\nFilip Filković\n6.000,00\n4\nHrana 2.0 \nHrvatski centar za \nistraživačko novinarstvo i \nslobodu medija\nSaša Paparella, Dario \nJuričan\nDario Juričan\n10.000,00\n5\nMalena mjesta srca \nmoga\nWolfgang i Dolly d.o.o. \nInes Pletikos\nInes Pletikos\n8.000,00\n6\nMALNAR\nBehemoth d.o.o.\nIvan Živković\nIvan Živković\n6.000,00\n7\nNova lica rada\nUmjetnička organizacija \nPlafon\nFilip Peruzović\nFilip Peruzović\n8.000,00\n8\nPobjednici\nKinoteka d.o.o.\nBojana Burnać, Ida \nPrester\nBojana Burnać\n8.000,00\n9\nRimska bojišta u Iliriku\nLivada produkcija d.o.o.\nAntonio Nuić, Feđa \nMilivojević\nAntonio Nuić\n10.000,00\n10\nSportska nacija\nWoodz production d.o.o.\nJakov Nola, Adrijana \nPrugovečki\nJakov Nola\n6.000,00\n11\nSvjetla pozornice\nCastor Multimedia d.o.o.\nDubravko Merlić, Matea \nMilić\nLana Kosovac\n10.000,00\n12\nTanzanija -odjeci \nvremena\nBinocular teatar\nBorna Armanini\nBorna Armanini\n6.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO  (€)\n13\nAnanasi, reklama i \nnekoliko grama\nKobra Koke Zagreb\nNevio Marasović\nNevio Marasović\n8.000,00\n14\nCiganin ali najljepši\nAntitalent d.o.o.\nMaja Pek-Brünjes\nMarko Škop\nKristian Novak \"Ciganin, \nali najljepši\"\n10.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO  (€)\n15\nMali soho\nPetnaesta umjetnost \nd.o.o. \nJasna Nanut\nJasna Nanut\nŽeljko Špoljar / Kolumne -\nPavle Svirac \n10.000,00\n118.000,00\nUKUPNO RAZVOJ PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA\ntelevizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2024. - 1. 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\n \nKLASA: 111-006-001 \nURBROJ: 3255-2020 \nU Zagrebu, 15. srpnja 2020. \n \nTemeljem članka 36. Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: Zakon), te sukladno \nPravilniku o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 10/20, dalje u tekstu: Pravilnik), Hrvatsko audiovizualno vijeće u 2. sazivu, \nna prijedlog Umjetničkog vijeća, na 30. sjednici održanoj 15. srpnja 2020. godine donijelo je: \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za poticanje komplementarnih djelatnosti u 2020. – programi međunarodne suradnje – \nROK 21. travnja 2020. \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za poticanje komplementarnih djelatnosti u 2020. godini utvrđuje se lista prioriteta i donosi \nodluka o raspodjeli sredstava za poticanje komplementarnih djelatnosti u 2020. – programi \nmeđunarodne suradnje – ROK 21. travnja 2020, u ukupnom iznosu od 185.637,90 kuna \n(stoosamdesetpettisućaišestotridesetsedamkunaidevedesetlipa) prema tablici priloženoj ovoj \nOdluci koja čini njezin sastavni dio. \n \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku predviđenom \nPravilnikom. \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \nObrazloženje \n \nTemeljem čl. 36. st. 1. Zakona i sukladno odredbama Pravilnika u 2020. godini raspisan je Javni poziv HAVC-\na za poticanje komplementarnih djelatnosti u 2020. g. - programi međunarodne suradnje – ROK 21. travnja \n2020. g. (dalje u tekstu: Javni poziv). \n \nNa Javni poziv, rok 21. travnja 2020. g. ukupno je prijavljen 21 projekt, tri projekta su povukla prijavu.  \n \nNa 81. sjednici Umjetničkog vijeća, održanoj u srijedu, 08. srpnja 2020. putem video linka Zoom aplikacije, s \npočetkom u 10 sati te nastavkom sjednice putem elektroničke komunikacije umjetničkih savjetnika koji su \nbili u sazivu Umjetničkog vijeća na 80. sjednici Umjetničkog vijeća radi usvajanja zapisnika 80. sjednice \nUmjetničkog vijeća, do ponedjeljka,  13. srpnja 2020. godine, umjetnički savjetnici za komplementarne \ndjelatnosti, gđa Mirna Belina, g. Slaven Zečević i g. Dušan Gačić predložili su listu prioriteta koju je \nUmjetničko vijeće usvojilo i proslijedilo na razmatranje Hrvatskom audiovizualnom vijeću.  \n\n\f\n \n \n \n \n \nNa 30. sjednici Hrvatskog audiovizualnog vijeća, održanoj 15. srpnja 2020. g. s osam (8) glasova “za” i \njednim (1) “protiv” je prihvaćena lista prioriteta iz točke 1. izreke ove Odluke.  \n  \nTemeljem čl. 34. Zakona ravnatelj HAVC-a izvršava odluke o raspodjeli sredstava na temelju Nacionalnog \nprograma zaključivanjem ugovora s korisnicima sredstava.  \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku objaviti \nna svojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjednik po ovlasti \nHrvatskog audiovizualnog vijeća \n \n                                                                                              Lado Skorin v.r. \n \nPrilog: tablice s rezultatima \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n\n\f\nPODNOSITELJ\nPROGRAM\nODOBRENA\t\r  POTPORA\n1\nVjekoslav\t\r  Živković\nSudjelovanje\t\r  na\t\r  forumu\t\r  Kidscreen\t\r  Summit\t\r  2020\t\r  \nu\t\r  Miamiju,\t\r  SAD\n14.000,00\t\r  HRK\n2\nUdruga\t\r  Bacači\t\r  sjenki\nSudjelovanje\t\r  na\t\r  generalnoj\t\r  skupštini\t\r  ECFA-­‐e\t\r  \n(European\t\r  Children’s\t\r  Film\t\r  Association)\t\r  u\t\r  Berlinu\n1.078,56\t\r  HRK\n3\nMarija\t\r  Ratković\t\r  Vidaković\nPredstavljanje\t\r  filma\t\r  \"IKEA\t\r  for\t\r  YU\"\t\r  na\t\r  Festivalu\t\r  \ndokumentarnog\t\r  filma\t\r  DOK\t\r  u\t\r  Beogradu\n1.424,00\t\r  HRK\n4\nDinka\t\r  Radonić\nPredstavljanje\t\r  filma\t\r  \"IKEA\t\r  for\t\r  YU\"\t\r  na\t\r  Festivalu\t\r  \ndokumentarnog\t\r  filma\t\r  DOK\t\r  u\t\r  Beogradu\n2.587,00\t\r  HRK\n5\nMotion\nPredstavljanje\t\r  filma\t\r  \"Aleksi\"\t\r  na\t\r  Pendance\t\r  Film\t\r  \nFestivalu\t\r  u\t\r  Torontu\n6.005,25\t\r  HRK\n6\nKinoklub\t\r  Karlovac\nSudjelovanje\t\r  na\t\r  međunarodnoj\t\r  filmskoj\t\r  radionici\t\r  \nFilmdays\t\r  at\t\r  VBU\t\r  u\t\r  Ludviki,\t\r  Švedska\n2.540,79\t\r  HRK\n7\nAntitalent\t\r  d.o.o.\nSudjelovanje\t\r  ekipe\t\r  filma\t\r  \"Veliki\t\r  medvjed\"\t\r  na\t\r  \nrazvojnoj\t\r  radionici\t\r  Ekran+\t\r  u\t\r  Varšavi\n20.000,00\t\r  HRK\n8\nDinaridi\t\r  film\t\r  d.o.o.\nSvjetska\t\r  premijera\t\r  filma\t\r  \"Mare\"\t\r  na\t\r  Berlinaleu\t\r  \n2020.\n30.000,00\t\r  HRK\n9\nHrvatska\t\r  udruga\t\r  \nproducenata\nSudjelovanje\t\r  članice\t\r  Izvršnog\t\r  odbora\t\r  FIAPF-­‐a\t\r  i\t\r  \npredstavnice\t\r  za\t\r  međunarodne\t\r  odnose\t\r  Hrvatske\t\r  \nudruge\t\r  producenata\t\r  Tamare\t\r  Babun\t\r  na\t\r  Godišnjoj\t\r  \nskupštini\t\r  i\t\r  sastancima\t\r  radnih\t\r  skupina\n3.635,00\t\r  HRK\n10\nAntitalent\t\r  d.o.o.\nSudjelovanje\t\r  producentice\t\r  Katarine\t\r  Prpić\t\r  na\t\r  \nradionici\t\r  EAVE\t\r  Producers\t\r  Workshop\t\r  2020\t\r  u\t\r  \nLuksemburgu,\t\r  Irskoj\t\r  i\t\r  Hrvatskoj\n39.000,00\t\r  HRK\n11\nBorna\t\r  Armanini\nSudjelovanje\t\r  na\t\r  London\t\r  Screenwriters’\t\r  Festivalu\n7.190,00\t\r  HRK\n12\nTanja\t\r  Vujasinović\nPredstavljanje\t\r  filma\t\r  \"Mačka\t\r  je\t\r  uvijek\t\r  ženska\"\t\r  na\t\r  \nVI.\t\r  Short\t\r  Movie\t\r  Club\t\r  Film\t\r  Festivalu\t\r  u\t\r  Minsku\n2.677,30\t\r  HRK\nJAVNI\t\r  POZIV\t\r  ZA\t\r  DODJELU\t\r  SREDSTAVA\t\r  ZA\t\r  POTICANJE\t\r  KOMPLEMENTARNIH\t\r  DJELATNOSTI\t\r  U\t\r  2020.\t\r  -­‐\t\r  \nPROGRAMI\t\r  MEĐUNARODNE\t\r  SURADNJE\t\r  -­‐\t\r  ROK\t\r  21.4.2020.,\t\r  30.\t\r  sjednica\t\r  Hrvatskog\t\r  audiovizualnog\t\r  vijeća\t\r  \n15.7.2020.\n\n\f\n13\nJelena\t\r  Paljan\nSudjelovanje\t\r  u\t\r  programu\t\r  Torino\t\r  Film\t\r  Lab,\t\r  \nradionica\t\r  ScriptLab\t\r  -­‐\t\r  Story\t\r  Editing\t\r  2020\t\r  u\t\r  \nUkrajini,\t\r  Finskoj\t\r  i\t\r  Italiji\n10.000,00\t\r  HRK\n14\nMarijana\t\r  Anna\t\r  Martelock\nSudjelovanje\t\r  na\t\r  radionici\t\r  Midpoint\t\r  TV\t\r  Launch\t\r  \n2020\t\r  u\t\r  Ukrajini,\t\r  Češkoj\t\r  i\t\r  Estoniji\n20.000,00\t\r  HRK\n15\nMetar60\nSudjelovanja\t\r  scenaristice\t\r  i\t\r  redateljice\t\r  Vedrane\t\r  \nPribačić,\t\r  producentice\t\r  i\t\r  scenaristice\t\r  Mirte\t\r  \nPuhlovski,\t\r  i\t\r  montažerke\t\r  Marte\t\r  Broz\t\r  na\t\r  Docu\t\r  \nRough\t\r  Cut\t\r  Boutique\t\r  -­‐\t\r  work\t\r  in\t\r  progress\t\r  radionici\t\r  \nsa\t\r  projektom\t\r  dokumentarnog\t\r  filma\t\r  \"Veće\t\r  od\t\r  \ntraume\"\n6.500,00\t\r  HRK\n16\nNoć\t\r  hrvatskog\t\r  filma\t\r  i\t\r  \nnovih\t\r  medija,\t\r  U.O.\nNoć\t\r  hrvatskog\t\r  filma\t\r  i\t\r  novih\t\r  medija\t\r  u\t\r  Bosni\t\r  i\t\r  \nHercegovini,\t\r  Rumunjskoj\t\r  i\t\r  Madžarskoj\n19.000,00\t\r  HRK\n185.637,90\t\r  HRK\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2020. - 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\nEUROPE-MEDIA\nIZRAČUN MEDIA \nMATCHINGA\n1.\nNukleus film\nThe Long Way Down\nmanjinska koprodukcija\n4.066,00 €\n3.862,70 €\n2.\nKinorama d.o.o.\nVariola\nigrana serija\n30.495,00 €\n28.970,00 €\n3.\nEclectica\nOstavi vrata otvorena\ndugometražni igrani film\n45.207,50 €\n5.694,12 €\n4.\nKadromat\nSitni lopovi\ndugometražni igrani film\n30.000,00 €\n4.746,10 €\n5.\nPoster\nMali Klaus, veliki Klaus i \nKlaudija\ndugometražni animirani \nfilm\n10.133,00 €\n10.972,00 €\nUKUPNO:\n54.244,92 €\nJavni poziv za podnošenjem zahtjeva za MEDIA MATCHING potporu - rok 12.1.2024, \n32. sjednica Hrvatskog audiovizualnog vijeća - 14.3.2024.\n","warnings":[],"document":{"program_type":"media_matching","natjecaj_title":"Javni poziv za podnošenjem zahtjeva za MEDIA MATCHING potporu - rok 12.1.2024, 32. sjednica Hrvatskog audiovizualnog vijeća - 14.3.2024.","year":2024,"rok":"2. rok","natjecaj_date":"2024-01-12","decision_date":"2024-03-14","decision_body":"AV vijeće","currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["r.br.","PODNOSITELJ","PROJEKT","VRSTA","DAVANJE CREATIVE EUROPE-MEDIA","IZRAČUN MEDIA MATCHINGA"],"rows":[{"row_number":1,"project_title":"The Long Way Down","applicant":"Nukleus Film d.o.o.","production_company":"Nukleus Film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.862,70 €","approved_amount":3862.7,"currency":"EUR","extras":{"DAVANJE CREATIVE EUROPE-MEDIA":"4.066,00 €","repair_v1":{"changes":[{"field":"category","from":"manjinska koprodukcija","to":"Ostalo","reason":"category_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Nukleus film","entity_canonicalized_at":"2026-05-18T14:41:26Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Nukleus Film d.o.o.","row_id":"8c9b8218:s0:bbf0bfc0eb95","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_718cb5bcd77e","project_family_title":"The Long Way Down"},{"row_number":2,"project_title":"Variola","applicant":"Kinorama d.o.o.","production_company":"Kinorama d.o.o.","director":null,"writer":null,"original_author":null,"category":"Serija","approved_amount_text":"28.970,00 €","approved_amount":28970.0,"currency":"EUR","extras":{"DAVANJE CREATIVE EUROPE-MEDIA":"30.495,00 €","repair_v1":{"changes":[{"field":"category","from":"igrana 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lopovi","applicant":"Kadromat","production_company":"Kadromat","director":null,"writer":null,"original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"4.746,10 €","approved_amount":4746.1,"currency":"EUR","extras":{"DAVANJE CREATIVE EUROPE-MEDIA":"30.000,00 €","repair_v1":{"changes":[{"field":"category","from":"dugometražni igrani film","to":"Dugometražni","reason":"category_from_existing_row_value","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kadromat","row_id":"8c9b8218:s0:507963d92f41","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_9c2cb6f68f5d","project_family_title":"Sitni lopovi"},{"row_number":5,"project_title":"Mali Klaus, veliki Klaus i Klaudija","applicant":"Poster","production_company":"Poster","director":null,"writer":null,"original_author":null,"category":"Animirani","approved_amount_text":"10.972,00 €","approved_amount":10972.0,"currency":"EUR","extras":{"DAVANJE CREATIVE EUROPE-MEDIA":"10.133,00 €","repair_v1":{"changes":[{"field":"category","from":"dugometražni animirani film","to":"Animirani","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Poster","row_id":"8c9b8218:s0:64b6a922b477","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_bdd08cfc7a45","project_family_title":"Mali Klaus, veliki Klaus i Klaudija"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":"UKUPNO: 54.244,92 €","ukupno":54244.92,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":54244.92,"ukupno_match":true,"row_count":5,"awarded_count":5,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":5}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Medjunarodna%20suradnja%20-%20rezultati%20(rok%2014.1.2020.).pdf","filename_decoded":"Medjunarodna%20suradnja%20-%20rezultati%20(rok%2014.1.2020.).pdf","sha256":"8cbe484df404312c3159398fd2475d435c62c08e52cdc6f272fdefeb6938e7bc","bytes":50520,"page_count":3,"extracted_at":"2026-05-16T16:45:14Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Medjunarodna%20suradnja%20-%20rezultati%20%28rok%2014.1.2020.%29.pdf"},"raw_text":"1\nPODNOSITELJ\nPROGRAM\nODOBRENA  \nSREDSTVA\n1\nČetiri  film  d.o.o.\nGostovanje  producentice  Anite  Juke  na  sajmu  Asian  \nProject  Market  2019.  u  Busanu,  Republika  Koreja\n8.000,00  HRK\n2\nDobar  film\nSudjelovanje  scenaristice  Karle  Lulić  u  programu  za  razvoj  \nprojekata  LIM  -­  Less  is  More  2019  u  Plounéour-­Brignogan-­\nPlagesu,  Francuska\n4.007,03  HRK\n3\nDobar  film\nPredstavljanje  dugometražnog  projekta  \"Ogledalo  za  \nSlavuja\"  redateljice  Karle  Lulić  na  European  Genre  \nForumu,  u  sklopu  Black  Nights  Film  Festivala  u  Tallinnu,  \nEstonija\n2.511,26  HRK\n4\nDobar  film\nPredstavljanje  dugometražnog  projekta  \"Izlaz  za  nuždu\"  \nudruge  Dobar  film  na  MIA  Film  Co-­Production  Marketu  \n2019.  u  Rimu\n939,13  HRK\n5\nČetiri  film  d.o.o.\nSudjelovanje  Laure  Sinovčić  s  projektom  \"Surogat  majka\"  \nna  forumu  Lisbon  Docs  2019  u  Portugalu\n10.000,00  HRK\n6\nAkademija  dramske  \numjetnosti\nGostovanje  Sunčice  Ane  Veldić  s  filmom  \"White  Trash\"  na  \nfestivalu  DOK  Leipzig  2019  u  Njemačkoj\n1.733,08  HRK\n7\nGFR  film-­video\nSudjelovanje  Željka  Baloga  u  žiriju  13.  Međunarodnog  \nfilmskog  festivala  Grand  OFF  u  Varšavi\n1.820,00  HRK\n8\nRestart\nMeđunarodna  premijera  i  predstavljanje  eksperimentalnog  \ndokumentarnog  filma  \"Mezostajun\"  redatelja  Ivana  \nRamljaka  u  programu  festivala  DOK  Leipzig  2019  u  \nNjemačkoj\n1.917,37  HRK\n9\nRestart\nPredstavljanje  eksperimentalnog  dokumentarnog  filma  \n\"Strujanja\"  redateljice  Katerine  Dude  u  sklopu  Jihlava  \nInternational  Documentary  Film  Festivala  u  Češkoj  \nRepublici\n1.842,25  HRK\n10\nSlađana-­Marija  Lučić\nSudjelovanje  autorice  filma  \"Kuća  Male  Zvijezde\"  na  \nWindsor  International  Film  Festivalu  2019  u  Kanadi\n5.146,00  HRK\n11\nFilip  Peruzović\nGostovanje  redatelja  Filipa  Peruzovića  s  filmom  \"Predmeti  \nkoji  tonu\"  na  Brest  European  Short  Film  Festivalu  u  \nFrancuskoj\n1.920,00  HRK\nJAVNI  POZIV  ZA  DODJELU  SREDSTAVA  ZA  POTICANJE  KOMPLEMENTARNIH  DJELATNOSTI  U  2020.  -­  \nPROGRAMI  MEĐUNARODNE  SURADNJE  -­  ROK  14.1.2020.,  22.  sjednica  Hrvatskog  audiovizualnog  vijeća  \n10.3.2020.\n\n\f\n2\n12\nRestart\nSvjetska  premijera  i  predstavljanje  dugometražnog  \ndokumentarnog  filma  \"Govori  da  bih  te  video\"  redateljice  \nMarije  Stojnić  u  natjecateljskom  programu  festivala  IDFA  \n2019  u  Nizozemskoj\n2.919,00  HRK\n13\nRestart\nSudjelovanje  Petre  Babić  i  Nike  Bobić  na  programu  \nIndustry  Session:  Europe’s  VOD  platforms  strike  back\n3.461,00  HRK\n14\nUstanova  Zagreb  film\nSudjelovanje  Sanje  Borčić  u  programu  CEE  Animation  \nWorkshop  2019/2020  u  Sloveniji,  Estoniji  i  Češkoj  \nRepublici\n11.000,00  HRK\n15\nNukleus  Film  d.o.o.\nSudjelovanje  Siniše  Juričića  na  radionici  APostLab  u  \nBukureštu,  Rumunjska\n1.397,94  HRK\n16\nNarrativium  design  d.o.o.\nPredstavljanje  projekta  \"Besmrtnik\"  na  manifestaciji  \nCartoon  360  u  Lilleu,  Francuska\n6.000,00  HRK\n17\nMia  Bučević\nSudjelovanje  na  radionici  CEE  Animation  +  RE-­ACT  \nWorkshop  u  Ljubljani\n842,00  HRK\n18\nDinaridi  film  d.o.o.\nSudjelovanje  producentice  Tene  Gojić  na  radionici  \nRotterdam  Lab  u  Nizozemskoj\n1.446,36  HRK\n19\nIva  Kraljević\nPredstavljanje  filma  \"Mačka  je  uvijek  žensko\"  na  13.  \nVilnius  International  Short  Film  Festivalu  u  Litvi\n1.802,07  HRK\n20\nEclectica  d.o.o.\nSudjelovanje  producentice  Ree  Rajčić  na  radionici  \nRotterdam  Lab  u  Nizozemskoj\n1.784,84  HRK\n21\nEclectica  d.o.o.\nSudjelovanje  redateljice  Ree  Rajčić  i  producentice  Tine  \nTišljar  na  koprodukcijskom  forumu  Euro  Connection  2020  \nu  sklopu  sajma  kratkometražnog  filma  u  Clermont-­\nFerrandu\n3.606,58  HRK\n22\nEclectica  d.o.o.\nSudjelovanje  redateljice  Silve  Ćapin  i  producentice  Ree  \nRajčić  na  svjetskoj  premijeri  filma  \"Njemački  inat\"  na  \nTrieste  Film  Festivalu  u  Italiji\n1.985,60  HRK\n23\nRestart\nKino-­distribucija  filma  \"Srbenka\"  u  Njemačkoj  \n50.000,00  HRK\n24\nTESLOPOLIS  d.o.o.\nSudjelovanje  na  konferenciji  o  Nikoli  Tesli  u  SAD-­u\n9.000,00  HRK\n25\nUdruga  Bacači  sjenki\nPredstavljanje  filmske  škole  Frooom!  i  njezinih  filmova  u  \nnatjecateljskom  programu  International  Children's  Film  \nFestivala  u  Bangladešu\n6.081,34  HRK\n26\nMartina  Meštrović\nPredstavljanje  filma  \"Mačka  je  uvijek  žensko\"  na  13.  \nVilnius  International  Short  Film  Festivalu  u  Litvi\n1.802,07  HRK\n27\nUmjetnička  organizacija  \nZagreb  Film  Festival\nSudjelovanje  na  European  VoD  Meetings  -­  Croatian.film\n8.419,64  HRK\n\n\f\n3\n28\nDruštvo  hrvatskih  \naudiovizualnih  prevoditelja\nMeđunarodne  aktivnosti  DHAP-­a  u  prvoj  polovici  2020.\n9.000,00  HRK\n29\nUmjetnička  akademija  u  \nSplitu\nIzložba  programa  \"Umjetnost  za  život\"  u  galeriji  Exhibition  \nLaboratory  na  Umjetničkoj  akademiji  u  Helsinkiju\n11.792,00  HRK\n30\nCAMERON  -­  obrt  za  film  i  \nvideo\nSmotra  hrvatskog  filma  u  Beogradu\n15.000,00  HRK\n31\nIvana  Bošnjak\nPredstavljanje  filma  \"Udahnut  život\"  na  Clermont-­Ferrand  \nInternational  Short  Film  Festivalu  u  Francuskoj\n1.998,32  HRK\n32\nThomas  Johnson\nPredstavljanje  filma  \"Udahnut  život\"  na  Clermont-­Ferrand  \nInternational  Short  Film  Festivalu  u  Francuskoj\n1.998,32  HRK\n33\nNukleus  Film  d.o.o.\nSudjelovanje  producenta  Siniše  Juričića  u  programu  When  \nEast  Meets  West  u  Trstu,  Italija\n533,00  HRK\n34\nNukleus  Film  d.o.o.\nSudjelovanje  producenta  Siniše  Juričića  na  International  \nFilm  Festivalu  Rotterdam  u  Nizozemskoj\n4.500,00  HRK\n35\nKinoklub  Zagreb\nAn  Introduction  to  The  Cinematic  Experiment  Statement:  \nprojekcije  i  predavanje  Zorka  Sirotića  u  The  Film-­Makers’  \nCooperative-­u  u  New  Yorku\n6.000,00  HRK\n36\nUdruga  za  audiovizualno  \nstvaralaštvo  Artizana\nCiklus  hrvatskog  filma  u  Vojvodini\n17.000,00  HRK\n37\nPropeler  Film  d.o.o.\nSvjetska  premijera  filma  Otac  na  Berlinaleu\n21.279,52  HRK\n38\nStudio  dim  d.o.o.\nGlavonja  -­  sudjelovanje  na  M:brane  pitching  forumu\n5.618,00  HRK\n39\nUdruga  za  promicanje  \nkulture  i  umjetnosti  JA  BIH\nFestival  Ja  bih...  5  dana  Zagreba  u  Sarajevu  /  Banja  Luci  /  \nTuzli  /  Mostaru  2020.\n20.000,00  HRK\n266.103,72  HRK\nUKUPNO  \n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"Medjunarodna suradnja - rezultati (rok 14.1.2020.)","year":2019,"rok":null,"natjecaj_date":"2020-01-14","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[{"field":"document.program_type","from":"razvoj_projekata","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"JAVNI P OZIV Z A D ODJELU S REDSTAVA Z A P OTICANJE K OMPLEMENTARNIH D JELATNOSTI U 2 020. - PROGRAMI M EĐUNARODNE S URADNJE - R OK 1 4.1.2020., 2 2. s jednica H rvatskog a udiovizualnog v ijeća 10.3.2020.","section_key":"javni_p_oziv_z_a_d_odjelu_s_redstava_z_a_p_oticanje_k_omplem","columns":["PODNOSITELJ","PROGRAM","ODOBRENA SREDSTVA"],"rows":[{"row_number":1,"project_title":"Gostovanje producentice Anite Juke na sajmu Asian Project Market 2019. u Busanu, Republika Koreja","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"8.000,00 HRK","approved_amount":8000.0,"currency":"HRK","extras":{"col_1":"1","entity_original_production_company":"Četiri f ilm d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"8cbe484d:s0:756fa03663f1","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry. Applicant, positive amount (8000 HRK), and project title verified against source row 1. OCR spacing corrected in title.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Gostovanje p roducentice A nite J uke n a s ajmu A sian Project M arket 2 019. u B usanu, R epublika K oreja","to":"Gostovanje producentice Anite Juke na sajmu Asian Project Market 2019. u Busanu, Republika Koreja","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_3dc3cf6bac25","project_family_title":"Gostovanje producentice Anite Juke na sajmu Asian Project Market 2019. u Busanu, Republika Koreja"},{"row_number":2,"project_title":"Sudjelovanje scenaristice Karle Lulić u programu za razvoj projekata LIM - Less is More 2019 u Plounéour-Brignogan-Plagesu, Francuska","applicant":"Dobar film","production_company":"Dobar film","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.007,03 HRK","approved_amount":4007.03,"currency":"HRK","extras":{"col_1":"2","entity_original_production_company":"Dobar f ilm","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Dobar film","row_id":"8cbe484d:s0:01728ed51937","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 2. Positive amount 4007.03 HRK. OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje s cenaristice K arle L ulić u p rogramu z a r azvoj projekata L IM - L ess i s M ore 2 019 u P lounéour-B rignogan- Plagesu, F rancuska","to":"Sudjelovanje scenaristice Karle Lulić u programu za razvoj projekata LIM - Less is More 2019 u Plounéour-Brignogan-Plagesu, Francuska","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_882ddf5bc0b1","project_family_title":"Sudjelovanje scenaristice Karle Lulić u programu za razvoj projekata LIM - Less is More 2019 u Plounéour-Brignogan-Plagesu, Francuska"},{"row_number":3,"project_title":"Predstavljanje dugometražnog projekta \"Ogledalo za Slavuja\" redateljice Karle Lulić na European Genre Forumu, u sklopu Black Nights Film Festivala u Tallinnu, Estonija","applicant":"Dobar film","production_company":"Dobar film","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.511,26 HRK","approved_amount":2511.26,"currency":"HRK","extras":{"col_1":"3","entity_original_production_company":"Dobar f ilm","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Dobar film","row_id":"8cbe484d:s0:17d9f33ebc5f","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 3. Amount 2511.26 HRK verified. OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Predstavljanje d ugometražnog p rojekta \" Ogledalo z a Slavuja\" r edateljice K arle L ulić n a E uropean G enre Forumu, u s klopu B lack N ights F ilm F estivala u T allinnu, Estonija","to":"Predstavljanje dugometražnog projekta \"Ogledalo za Slavuja\" redateljice Karle Lulić na European Genre Forumu, u sklopu Black Nights Film Festivala u Tallinnu, Estonija","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_1d1d873e4b5b","project_family_title":"Predstavljanje dugometražnog projekta \"Ogledalo za Slavuja\" redateljice Karle Lulić na European Genre Forumu, u sklopu Black Nights Film Festivala u Tallinnu, Estonija"},{"row_number":4,"project_title":"Predstavljanje dugometražnog projekta \"Izlaz za nuždu\" udruge Dobar film na MIA Film Co-Production Marketu 2019. u Rimu","applicant":"Dobar film","production_company":"Dobar film","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"939,13 HRK","approved_amount":939.13,"currency":"HRK","extras":{"col_1":"4","entity_original_production_company":"Dobar f ilm","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Dobar film","row_id":"8cbe484d:s0:420faf2aa125","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 4. Amount 939.13 HRK. OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Predstavljanje d ugometražnog p rojekta \" Izlaz z a n uždu\" udruge D obar f ilm n a M IA F ilm C o-Production M arketu 2019. u R imu","to":"Predstavljanje dugometražnog projekta \"Izlaz za nuždu\" udruge Dobar film na MIA Film Co-Production Marketu 2019. u Rimu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_f8f72687580a","project_family_title":"Predstavljanje dugometražnog projekta \"Izlaz za nuždu\" udruge Dobar film na MIA Film Co-Production Marketu 2019. u Rimu"},{"row_number":5,"project_title":"Sudjelovanje Laure Sinovčić s projektom \"Surogat majka\" na forumu Lisbon Docs 2019 u Portugalu","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00 HRK","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"5","entity_original_production_company":"Četiri f ilm d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"8cbe484d:s0:8941b95ce075","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 5. Amount 10000.00 HRK. Title verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje L aure S inovčić s p rojektom \" Surogat m ajka\" na f orumu L isbon D ocs 2 019 u P ortugalu","to":"Sudjelovanje Laure Sinovčić s projektom \"Surogat majka\" na forumu Lisbon Docs 2019 u Portugalu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_f19a287a5b60","project_family_title":"Sudjelovanje Laure Sinovčić s projektom \"Surogat majka\" na forumu Lisbon Docs 2019 u Portugalu"},{"row_number":6,"project_title":"Gostovanje Sunčice Ane Veldić s filmom \"White Trash\" na festivalu DOK Leipzig 2019 u Njemačkoj","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.733,08 HRK","approved_amount":1733.08,"currency":"HRK","extras":{"col_1":"6","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"8cbe484d:s0:bce70de6e271","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 6. Amount 1733.08 HRK. OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Gostovanje S unčice A ne V eldić s f ilmom \" White T rash\" n a festivalu D OK L eipzig 2 019 u N jemačkoj","to":"Gostovanje Sunčice Ane Veldić s filmom \"White Trash\" na festivalu DOK Leipzig 2019 u Njemačkoj","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_ef28892729da","project_family_title":"Gostovanje Sunčice Ane Veldić s filmom \"White Trash\" na festivalu DOK Leipzig 2019 u Njemačkoj"},{"row_number":7,"project_title":"Sudjelovanje Željka Baloga u žiriju 13. Međunarodnog filmskog festivala Grand OFF u Varšavi","applicant":"GFR film-video","production_company":"GFR film-video","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.820,00 HRK","approved_amount":1820.0,"currency":"HRK","extras":{"col_1":"7","entity_original_production_company":"GFR f ilm-v ideo","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"GFR film-video","row_id":"8cbe484d:s0:8e960c62a3fc","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 7. Amount 1820.00 HRK. OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje Ž eljka B aloga u ž iriju 1 3. M eđunarodnog filmskog f estivala G rand O FF u V aršavi","to":"Sudjelovanje Željka Baloga u žiriju 13. 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OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Međunarodna p remijera i p redstavljanje e ksperimentalnog dokumentarnog f ilma \" Mezostajun\" r edatelja I vana Ramljaka u p rogramu f estivala D OK L eipzig 2 019 u Njemačkoj","to":"Međunarodna premijera i predstavljanje eksperimentalnog dokumentarnog filma \"Mezostajun\" redatelja Ivana Ramljaka u programu festivala DOK Leipzig 2019 u Njemačkoj","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_e66ff4a0e9d6","project_family_title":"Međunarodna premijera i predstavljanje eksperimentalnog dokumentarnog filma \"Mezostajun\" redatelja Ivana Ramljaka u programu festivala DOK Leipzig 2019 u Njemačkoj"},{"row_number":9,"project_title":"Predstavljanje eksperimentalnog dokumentarnog filma \"Strujanja\" redateljice Katerine Dude u sklopu Jihlava International Documentary Film Festivala u Češkoj Republici","applicant":"Restart","production_company":"Restart","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.842,25 HRK","approved_amount":1842.25,"currency":"HRK","extras":{"col_1":"9","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Restart","row_id":"8cbe484d:s0:e1cbc6efe65e","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 9. Amount 1842.25 HRK. OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Predstavljanje e ksperimentalnog d okumentarnog f ilma \"Strujanja\" r edateljice K aterine D ude u s klopu J ihlava International D ocumentary F ilm F estivala u Č eškoj Republici","to":"Predstavljanje eksperimentalnog dokumentarnog filma \"Strujanja\" redateljice Katerine Dude u sklopu Jihlava International Documentary Film Festivala u Češkoj Republici","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_2ac8a3b24a5d","project_family_title":"Predstavljanje eksperimentalnog dokumentarnog filma \"Strujanja\" redateljice Katerine Dude u sklopu Jihlava International Documentary Film Festivala u Češkoj Republici"},{"row_number":10,"project_title":"Sudjelovanje autorice filma \"Kuća Male Zvijezde\" na Windsor International Film Festivalu 2019 u Kanadi","applicant":"Slađana-Marija L učić","production_company":"Slađana-Marija L učić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.146,00 HRK","approved_amount":5146.0,"currency":"HRK","extras":{"col_1":"10","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Slađana-Marija L učić","row_id":"8cbe484d:s0:9ca4d543e066","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 10. Amount 5146.00 HRK. OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje a utorice f ilma \" Kuća M ale Z vijezde\" n a Windsor I nternational F ilm F estivalu 2 019 u K anadi","to":"Sudjelovanje autorice filma \"Kuća Male Zvijezde\" na Windsor International Film Festivalu 2019 u Kanadi","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_5f8bf5c1b161","project_family_title":"Sudjelovanje autorice filma \"Kuća Male Zvijezde\" na Windsor International Film Festivalu 2019 u Kanadi"},{"row_number":11,"project_title":"Gostovanje redatelja Filipa Peruzovića s filmom \"Predmeti koji tonu\" na Brest European Short Film Festivalu u Francuskoj","applicant":"Filip Peruzović","production_company":"Filip Peruzović","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.920,00 HRK","approved_amount":1920.0,"currency":"HRK","extras":{"col_1":"11","entity_original_production_company":"Filip P eruzović","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Filip Peruzović","row_id":"8cbe484d:s0:998382d40794","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 11. Amount 1920.00 HRK. OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Gostovanje r edatelja F ilipa P eruzovića s f ilmom \" Predmeti koji t onu\" n a B rest E uropean S hort F ilm F estivalu u Francuskoj","to":"Gostovanje redatelja Filipa Peruzovića s filmom \"Predmeti koji tonu\" na Brest European Short Film Festivalu u Francuskoj","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_e22e1e85654b","project_family_title":"Gostovanje redatelja Filipa Peruzovića s filmom \"Predmeti koji tonu\" na Brest European Short Film Festivalu u Francuskoj"}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["12","Restart","Svjetska p remijera i p redstavljanje d ugometražnog dokumentarnog f ilma \" Govori d a b ih t e v ideo\" r edateljice Marije S tojnić u n atjecateljskom p rogramu f estivala I DFA 2019 u N izozemskoj","2.919,00 HRK"],"rows":[{"row_number":13,"project_title":"Sudjelovanje Petre Babić i Nike Bobić na programu Industry Session: Europe's VOD platforms strike back","applicant":"Restart","production_company":"Restart","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.461,00 HRK","approved_amount":3461.0,"currency":"HRK","extras":{"12":"13","Restart":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:fa972f950e40","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 13. Applicant null in extraction; restored as 'Restart' from source. Amount 3461.00 HRK verified. Flattened table structure: applicant field extracted from row number context.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje P etre B abić i N ike B obić n a p rogramu Industry S ession: E urope’s V OD p latforms s trike b ack","to":"Sudjelovanje Petre Babić i Nike Bobić na programu Industry Session: Europe's VOD platforms strike back","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Restart","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Restart","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_1d6fc358f0e6","project_family_title":"Sudjelovanje Petre Babić i Nike Bobić na programu Industry Session: Europe's VOD platforms strike back"},{"row_number":14,"project_title":"Sudjelovanje Sanje Borčić u programu CEE Animation Workshop 2019/2020 u Sloveniji, Estoniji i Češkoj Republici","applicant":"Ustanova Zagreb film","production_company":"Ustanova Zagreb film","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"11.000,00 HRK","approved_amount":11000.0,"currency":"HRK","extras":{"12":"14","Restart":"Ustanova Z agreb f ilm","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:e7935624186c","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 14. Applicant null in extraction; restored as 'Ustanova Zagreb film' from source. Amount 11000.00 HRK. Flattened table structure repair.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje S anje B orčić u p rogramu C EE A nimation Workshop 2 019/2020 u S loveniji, E stoniji i Č eškoj Republici","to":"Sudjelovanje Sanje Borčić u programu CEE Animation Workshop 2019/2020 u Sloveniji, Estoniji i Češkoj Republici","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Ustanova Zagreb film","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Ustanova Zagreb film","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_fbf0b91893ca","project_family_title":"Sudjelovanje Sanje Borčić u programu CEE Animation Workshop 2019/2020 u Sloveniji, Estoniji i Češkoj Republici"},{"row_number":15,"project_title":"Sudjelovanje Siniše Juričića na radionici APostLab u Bukureštu, Rumunjska","applicant":"Nukleus Film d.o.o.","production_company":"Nukleus Film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.397,94 HRK","approved_amount":1397.94,"currency":"HRK","extras":{"12":"15","Restart":"Nukleus Film d.o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:29b66477f170","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 15. Applicant null; restored as 'Nukleus Film d.o.o.' from source. Amount 1397.94 HRK verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje S iniše J uričića n a r adionici A PostLab u Bukureštu, R umunjska","to":"Sudjelovanje Siniše Juričića na radionici APostLab u Bukureštu, Rumunjska","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Nukleus Film d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Nukleus Film d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_d7dca7d048b8","project_family_title":"Sudjelovanje Siniše Juričića na radionici APostLab u Bukureštu, Rumunjska"},{"row_number":16,"project_title":"Predstavljanje projekta \"Besmrtnik\" na manifestaciji Cartoon 360 u Lilleu, Francuska","applicant":"Narrativium design d.o.o.","production_company":"Narrativium design d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"6.000,00 HRK","approved_amount":6000.0,"currency":"HRK","extras":{"12":"16","Restart":"Narrativium d esign d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:044b6c2f6854","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 16. Applicant null; restored as 'Narrativium design d.o.o.' from source. Amount 6000.00 HRK verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Predstavljanje p rojekta \" Besmrtnik\" n a m anifestaciji Cartoon 3 60 u L illeu, F rancuska","to":"Predstavljanje projekta \"Besmrtnik\" na manifestaciji Cartoon 360 u Lilleu, Francuska","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Narrativium design d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Narrativium design d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_66a1a031e742","project_family_title":"Predstavljanje projekta \"Besmrtnik\" na manifestaciji Cartoon 360 u Lilleu, Francuska"},{"row_number":17,"project_title":"Sudjelovanje na radionici CEE Animation + RE-ACT Workshop u Ljubljani","applicant":"Mia Bučević","production_company":"Mia Bučević","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"842,00 HRK","approved_amount":842.0,"currency":"HRK","extras":{"12":"17","Restart":"Mia B učević","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:5d17b1bbcd5d","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 17. Applicant null; restored as 'Mia Bučević' from source. Amount 842.00 HRK verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje n a r adionici C EE A nimation + R E-A CT Workshop u L jubljani","to":"Sudjelovanje na radionici CEE Animation + RE-ACT Workshop u Ljubljani","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Mia Bučević","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Mia Bučević","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_7098fdef33a5","project_family_title":"Sudjelovanje na radionici CEE Animation + RE-ACT Workshop u Ljubljani"},{"row_number":18,"project_title":"Sudjelovanje producentice Tene Gojić na radionici Rotterdam Lab u Nizozemskoj","applicant":"Dinaridi film d.o.o.","production_company":"Dinaridi film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.446,36 HRK","approved_amount":1446.36,"currency":"HRK","extras":{"12":"18","Restart":"Dinaridi f ilm d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:70d0ea7a3d5a","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 18. Applicant null; restored as 'Dinaridi film d.o.o.' from source. Amount 1446.36 HRK verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje p roducentice T ene G ojić n a r adionici Rotterdam L ab u N izozemskoj","to":"Sudjelovanje producentice Tene Gojić na radionici Rotterdam Lab u Nizozemskoj","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Dinaridi film d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Dinaridi film d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_7f85ff56e831","project_family_title":"Sudjelovanje producentice Tene Gojić na radionici Rotterdam Lab u Nizozemskoj"},{"row_number":19,"project_title":"Predstavljanje filma \"Mačka je uvijek žensko\" na 13. Vilnius International Short Film Festivalu u Litvi","applicant":"Iva Kraljević","production_company":"Iva Kraljević","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.802,07 HRK","approved_amount":1802.07,"currency":"HRK","extras":{"12":"19","Restart":"Iva K raljević","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:f1a6cb515693","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 19. Applicant null; restored as 'Iva Kraljević' from source. Amount 1802.07 HRK verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Predstavljanje f ilma \" Mačka j e u vijek ž ensko\" n a 1 3. Vilnius I nternational S hort F ilm F estivalu u L itvi","to":"Predstavljanje filma \"Mačka je uvijek žensko\" na 13. Vilnius International Short Film Festivalu u Litvi","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Iva Kraljević","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Iva Kraljević","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_73dd3ace48db","project_family_title":"Predstavljanje filma \"Mačka je uvijek žensko\" na 13. Vilnius International Short Film Festivalu u Litvi"},{"row_number":20,"project_title":"Sudjelovanje producentice Ree Rajčić na radionici Rotterdam Lab u Nizozemskoj","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.784,84 HRK","approved_amount":1784.84,"currency":"HRK","extras":{"12":"20","Restart":"Eclectica d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:dc84754871dc","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 20. Applicant null; restored as 'Eclectica d.o.o.' from source. Amount 1784.84 HRK verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje p roducentice R ee R ajčić n a r adionici Rotterdam L ab u N izozemskoj","to":"Sudjelovanje producentice Ree Rajčić na radionici Rotterdam Lab u Nizozemskoj","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Eclectica d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Eclectica d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_f1655b8643a9","project_family_title":"Sudjelovanje producentice Ree Rajčić na radionici Rotterdam Lab u Nizozemskoj"},{"row_number":21,"project_title":"Sudjelovanje redateljice Ree Rajčić i producentice Tine Tišljar na koprodukcijskom forumu Euro Connection 2020 u sklopu sajma kratkometražnog filma u Clermont-Ferrandu","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.606,58 HRK","approved_amount":3606.58,"currency":"HRK","extras":{"12":"21","Restart":"Eclectica d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:b1b7f1a5c872","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 21. Applicant null; restored as 'Eclectica d.o.o.' from source. Amount 3606.58 HRK verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje r edateljice R ee R ajčić i p roducentice T ine Tišljar n a k oprodukcijskom f orumu E uro C onnection 2 020 u s klopu s ajma k ratkometražnog f ilma u C lermont- Ferrandu","to":"Sudjelovanje redateljice Ree Rajčić i producentice Tine Tišljar na koprodukcijskom forumu Euro Connection 2020 u sklopu sajma kratkometražnog filma u Clermont-Ferrandu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Eclectica d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Eclectica d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_cd8fd6653fae","project_family_title":"Sudjelovanje redateljice Ree Rajčić i producentice Tine Tišljar na koprodukcijskom forumu Euro Connection 2020 u sklopu sajma kratkometražnog filma u Clermont-Ferrandu"},{"row_number":22,"project_title":"Sudjelovanje redateljice Silve Ćapin i producentice Ree Rajčić na svjetskoj premijeri filma \"Njemački inat\" na Trieste Film Festivalu u Italiji","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.985,60 HRK","approved_amount":1985.6,"currency":"HRK","extras":{"12":"22","Restart":"Eclectica d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:9993a86106c7","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 22. Applicant null; restored as 'Eclectica d.o.o.' from source. Amount 1985.60 HRK verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje r edateljice S ilve Ć apin i p roducentice R ee Rajčić n a s vjetskoj p remijeri f ilma \" Njemački i nat\" n a Trieste F ilm F estivalu u I taliji","to":"Sudjelovanje redateljice Silve Ćapin i producentice Ree Rajčić na svjetskoj premijeri filma \"Njemački inat\" na Trieste Film Festivalu u Italiji","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Eclectica d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Eclectica d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_a432803c3bf1","project_family_title":"Sudjelovanje redateljice Silve Ćapin i producentice Ree Rajčić na svjetskoj premijeri filma \"Njemački inat\" na Trieste Film Festivalu u Italiji"},{"row_number":23,"project_title":"Kino-distribucija filma \"Srbenka\" u Njemačkoj","applicant":"Restart","production_company":"Restart","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00 HRK","approved_amount":50000.0,"currency":"HRK","extras":{"12":"23","Restart":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:8e02a0af4f9c","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 23. Applicant null; restored as 'Restart' from source. Large amount (50000.00 HRK) for film distribution. Verified against source.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Kino-distribucija f ilma \" Srbenka\" u N jemačkoj","to":"Kino-distribucija filma \"Srbenka\" u Njemačkoj","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Restart","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Restart","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_2e68b9f518ab","project_family_title":"Kino-distribucija filma \"Srbenka\" u Njemačkoj"},{"row_number":24,"project_title":"Sudjelovanje na konferenciji o Nikoli Tesli u SAD-u","applicant":"TESLOPOLIS d.o.o.","production_company":"TESLOPOLIS d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"9.000,00 HRK","approved_amount":9000.0,"currency":"HRK","extras":{"12":"24","Restart":"TESLOPOLIS d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:3ce8e642e0d7","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 24. Applicant null; restored as 'TESLOPOLIS d.o.o.' from source. Amount 9000.00 HRK. Short title is legitimate for conference participation.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje n a k onferenciji o N ikoli T esli u S AD-u","to":"Sudjelovanje na konferenciji o Nikoli Tesli u SAD-u","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"TESLOPOLIS d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"TESLOPOLIS d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_115e159c153b","project_family_title":"Sudjelovanje na konferenciji o Nikoli Tesli u SAD-u"},{"row_number":25,"project_title":"Predstavljanje filmske škole Frooom! i njezinih filmova u natjecateljskom programu International Children's Film Festivala u Bangladešu","applicant":"Udruga Bacači sjenki","production_company":"Udruga Bacački sjenki","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"6.081,34 HRK","approved_amount":6081.34,"currency":"HRK","extras":{"12":"25","Restart":"Udruga Bacači sjenki","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:baffd75686bd","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 25. Applicant null; restored as 'Udruga Bacači sjenki' from source. Amount 6081.34 HRK verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Predstavljanje f ilmske š kole F rooom! i n jezinih f ilmova u natjecateljskom p rogramu I nternational C hildren's F ilm Festivala u B angladešu","to":"Predstavljanje filmske škole Frooom! i njezinih filmova u natjecateljskom programu International Children's Film Festivala u Bangladešu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Udruga Bacači sjenki","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Udruga Bacački sjenki","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_aca1cdfed916","project_family_title":"Predstavljanje filmske škole Frooom! i njezinih filmova u natjecateljskom programu International Children's Film Festivala u Bangladešu"},{"row_number":26,"project_title":"Predstavljanje filma \"Mačka je uvijek žensko\" na 13. Vilnius International Short Film Festivalu u Litvi","applicant":"Martina Meštrović","production_company":"Martina Meštrović","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.802,07 HRK","approved_amount":1802.07,"currency":"HRK","extras":{"12":"26","Restart":"Martina M eštrović","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:972ad9b7cb0f","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 26. Applicant null; restored as 'Martina Meštrović' from source. Amount 1802.07 HRK. Note: Identical title and amount to row 19 (Iva Kraljević) suggesting multiple persons presenting same film.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Predstavljanje f ilma \" Mačka j e u vijek ž ensko\" n a 1 3. Vilnius I nternational S hort F ilm F estivalu u L itvi","to":"Predstavljanje filma \"Mačka je uvijek žensko\" na 13. Vilnius International Short Film Festivalu u Litvi","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Martina Meštrović","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Martina Meštrović","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_73dd3ace48db","project_family_title":"Predstavljanje filma \"Mačka je uvijek žensko\" na 13. Vilnius International Short Film Festivalu u Litvi"},{"row_number":27,"project_title":"Sudjelovanje na European VoD Meetings - Croatian.film","applicant":"Umjetnička organizacija Zagreb Film Festival","production_company":"Umjetnička organizacija Zagreb Film Festival","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"8.419,64 HRK","approved_amount":8419.64,"currency":"HRK","extras":{"12":"27","Restart":"Umjetnička o rganizacija Zagreb F ilm F estival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s1:b0f56c4ee2d0","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 27. Applicant null; restored as 'Umjetnička organizacija Zagreb Film Festival' from source. Amount 8419.64 HRK verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje n a E uropean V oD M eetings - C roatian.film","to":"Sudjelovanje na European VoD Meetings - Croatian.film","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Umjetnička organizacija Zagreb Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Umjetnička organizacija Zagreb Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_efc9e6ee5e03","project_family_title":"Sudjelovanje na European VoD Meetings - Croatian.film"}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["28","Društvo h rvatskih audiovizualnih p revoditelja","Međunarodne a ktivnosti D HAP-a u p rvoj p olovici 2 020.","9.000,00 HRK"],"rows":[{"row_number":29,"project_title":"Izložba programa \"Umjetnost za život\" u galeriji Exhibition Laboratory na Umjetničkoj akademiji u Helsinkiju","applicant":"Umjetnička akademija u Splitu","production_company":"Umjetnička akademija u Splitu","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"11.792,00 HRK","approved_amount":11792.0,"currency":"HRK","extras":{"28":"29","Društvo h rvatskih audiovizualnih p revoditelja":"Umjetnička a kademija u Splitu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s2:e3283fa8f0bf","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 29. Applicant null in extraction; extras mapping shows correct applicant 'Umjetnička akademija u Splitu'. Amount 11792.00 HRK. Row 28 context (Društvo hrvatskih audiovizualnih prevoditelja) correctly identified as separate entry.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Izložba p rograma \" Umjetnost z a ž ivot\" u g aleriji E xhibition Laboratory n a U mjetničkoj a kademiji u H elsinkiju","to":"Izložba programa \"Umjetnost za život\" u galeriji Exhibition Laboratory na Umjetničkoj akademiji u Helsinkiju","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Umjetnička akademija u Splitu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Umjetnička akademija u Splitu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_ef939a28de3e","project_family_title":"Izložba programa \"Umjetnost za život\" u galeriji Exhibition Laboratory na Umjetničkoj akademiji u Helsinkiju"},{"row_number":30,"project_title":"Smotra hrvatskog filma u Beogradu","applicant":"CAMERON - obrt za film i video","production_company":"CAMERON - obrt za film i video","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00 HRK","approved_amount":15000.0,"currency":"HRK","extras":{"28":"30","Društvo h rvatskih audiovizualnih p revoditelja":"CAMERON - o brt z a f ilm i video","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s2:45c9394bce0f","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 30. Applicant null; restored as 'CAMERON - obrt za film i video' from source. Amount 15000.00 HRK verified. Short title appropriate for film festival event.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Smotra h rvatskog f ilma u B eogradu","to":"Smotra hrvatskog filma u Beogradu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"CAMERON - obrt za film i video","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"CAMERON - obrt za film i video","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_43632247a2f5","project_family_title":"Smotra hrvatskog filma u Beogradu"},{"row_number":31,"project_title":"Predstavljanje filma \"Udahnut život\" na Clermont-Ferrand International Short Film Festivalu u Francuskoj","applicant":"Ivana Bošnjak","production_company":"Ivana Bošnjak","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.998,32 HRK","approved_amount":1998.32,"currency":"HRK","extras":{"28":"31","Društvo h rvatskih audiovizualnih p revoditelja":"Ivana B ošnjak","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s2:4d91846d6d14","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 31. Applicant null; restored as 'Ivana Bošnjak' from source. Amount 1998.32 HRK verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Predstavljanje f ilma \" Udahnut ž ivot\" n a C lermont-F errand International S hort F ilm F estivalu u F rancuskoj","to":"Predstavljanje filma \"Udahnut život\" na Clermont-Ferrand International Short Film Festivalu u Francuskoj","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Ivana Bošnjak","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Ivana Bošnjak","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_bfe239394461","project_family_title":"Predstavljanje filma \"Udahnut život\" na Clermont-Ferrand International Short Film Festivalu u Francuskoj"},{"row_number":32,"project_title":"Predstavljanje filma \"Udahnut život\" na Clermont-Ferrand International Short Film Festivalu u Francuskoj","applicant":"Thomas Johnson","production_company":"Thomas Johnson","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.998,32 HRK","approved_amount":1998.32,"currency":"HRK","extras":{"28":"32","Društvo h rvatskih audiovizualnih p revoditelja":"Thomas J ohnson","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s2:9972b5ac9a6e","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Valid awarded entry, source row 32. Applicant null; restored as 'Thomas Johnson' from source. Amount 1998.32 HRK. Note: Same film and amount as row 31 (Ivana Bošnjak), indicating co-presentation or separate awards for same film.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Predstavljanje f ilma \" Udahnut ž ivot\" n a C lermont-F errand International S hort F ilm F estivalu u F rancuskoj","to":"Predstavljanje filma \"Udahnut život\" na Clermont-Ferrand International Short Film Festivalu u Francuskoj","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Thomas Johnson","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Thomas Johnson","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_bfe239394461","project_family_title":"Predstavljanje filma \"Udahnut život\" na Clermont-Ferrand International Short Film Festivalu u Francuskoj"},{"row_number":33,"project_title":"Sudjelovanje producenta Siniše Juričića u programu When East Meets West u Trstu, Italija","applicant":"Nukleus Film d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"533,00 HRK","approved_amount":533.0,"currency":"HRK","extras":{"28":"33","Društvo h rvatskih audiovizualnih p revoditelja":"Nukleus Film d.o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s2:f40d64177c47","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 33 in source table: Nukleus Film d.o.o. | award title | 533,00 HRK. Current title has OCR-inserted spaces ('p roducenta S iniše J uričića u p rogramu W hen East M eets W est u T rstu, I talija') that require removal without paraphrasing.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje p roducenta S iniše J uričića u p rogramu W hen East M eets W est u T rstu, I talija","to":"Sudjelovanje producenta Siniše Juričića u programu When East Meets West u Trstu, Italija","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Nukleus Film d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_1e5693364312","project_family_title":"Sudjelovanje producenta Siniše Juričića u programu When East Meets West u Trstu, Italija"},{"row_number":34,"project_title":"Sudjelovanje producenta Siniše Juričića na International Film Festivalu Rotterdam u Nizozemskoj","applicant":"Nukleus Film d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.500,00 HRK","approved_amount":4500.0,"currency":"HRK","extras":{"28":"34","Društvo h rvatskih audiovizualnih p revoditelja":"Nukleus Film d.o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s2:93c91b13633b","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 34 in source table: Nukleus Film d.o.o. | award title | 4.500,00 HRK. Title has OCR spacing ('n a I nternational Film F estivalu R otterdam u N izozemskoj') requiring correction.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje p roducenta S iniše J uričića n a I nternational Film F estivalu R otterdam u N izozemskoj","to":"Sudjelovanje producenta Siniše Juričića na International Film Festivalu Rotterdam u Nizozemskoj","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Nukleus Film d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_a52ba958b6a3","project_family_title":"Sudjelovanje producenta Siniše Juričića na International Film Festivalu Rotterdam u Nizozemskoj"},{"row_number":35,"project_title":"An Introduction to The Cinematic Experiment Statement: projekcije i predavanje Zorka Sirotića u The Film-Makers' Cooperative-u u New Yorku","applicant":"Kinoklub Zagreb","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"6.000,00 HRK","approved_amount":6000.0,"currency":"HRK","extras":{"28":"35","Društvo h rvatskih audiovizualnih p revoditelja":"Kinoklub Zagreb","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s2:5cc8516e6b3a","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 35 in source table: Kinoklub Zagreb | award title | 6.000,00 HRK. Title has OCR spacing ('I ntroduction t o T he C inematic E xperiment S tatement', 'p redavanje Z orka S irotića', 'F ilm-Makers' Cooperative-u u N ew Y orku') requiring removal.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"An I ntroduction t o T he C inematic E xperiment S tatement: projekcije i p redavanje Z orka S irotića u T he F ilm-Makers’ Cooperative-u u N ew Y orku","to":"An Introduction to The Cinematic Experiment Statement: projekcije i predavanje Zorka Sirotića u The Film-Makers' Cooperative-u u New Yorku","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Kinoklub Zagreb","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_555e8db3a375","project_family_title":"An Introduction to The Cinematic Experiment Statement: projekcije i predavanje Zorka Sirotića u The Film-Makers' Cooperative-u u New Yorku"},{"row_number":36,"project_title":"Ciklus hrvatskog filma u Vojvodini","applicant":"Udruga za audiovizualno stvaralaštvo Artizana","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"17.000,00 HRK","approved_amount":17000.0,"currency":"HRK","extras":{"28":"36","Društvo h rvatskih audiovizualnih p revoditelja":"Udruga z a a udiovizualno stvaralaštvo A rtizana","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s2:da27671d7487","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 36 in source table: Udruga za audiovizualno stvaralaštvo Artizana | award title | 17.000,00 HRK. Title has OCR spacing ('h rvatskog f ilma u V ojvodini') requiring correction.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Ciklus h rvatskog f ilma u V ojvodini","to":"Ciklus hrvatskog filma u Vojvodini","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Udruga za audiovizualno stvaralaštvo Artizana","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent project name and organizer (Udruga za audiovizualno stvaralaštvo Artizana) across 7 rows spanning 2019-2026. Clear recurring program with stable identity.","candidate_id":"fc_dddbb4283b7c"}},"project_family_id":"pf_83427b5ffa39","project_family_title":"Ciklus hrvatskog filma u Vojvodini"},{"row_number":37,"project_title":"Svjetska premijera filma Otac na Berlinaleu","applicant":"Propeler Film d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"21.279,52 HRK","approved_amount":21279.52,"currency":"HRK","extras":{"28":"37","Društvo h rvatskih audiovizualnih p revoditelja":"Propeler F ilm d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s2:2cfdcf93557c","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 37 in source table: Propeler Film d.o.o. | award title | 21.279,52 HRK. Title has OCR spacing ('p remijera f ilma O tac n a B erlinaleu') requiring removal.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Svjetska p remijera f ilma O tac n a B erlinaleu","to":"Svjetska premijera filma Otac na Berlinaleu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Propeler Film d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_63a518698dc4","project_family_title":"Svjetska premijera filma Otac na Berlinaleu"},{"row_number":38,"project_title":"Glavonja - sudjelovanje na M:brane pitching forumu","applicant":"Studio dim d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.618,00 HRK","approved_amount":5618.0,"currency":"HRK","extras":{"28":"38","Društvo h rvatskih audiovizualnih p revoditelja":"Studio d im d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s2:37d063dbf00e","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 38 in source table: Studio dim d.o.o. | award title | 5.618,00 HRK. Title has OCR spacing ('s udjelovanje n a M :brane p itching f orumu') requiring correction.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Glavonja - s udjelovanje n a M :brane p itching f orumu","to":"Glavonja - sudjelovanje na M:brane pitching forumu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Studio dim d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_12078eef1e4c","project_family_title":"Glavonja - sudjelovanje na M:brane pitching forumu"},{"row_number":39,"project_title":"Festival Ja bih... 5 dana Zagreba u Sarajevu / Banja Luci / Tuzli / Mostaru 2020.","applicant":"Udruga za promicanje kulture i umjetnosti JA BIH","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00 HRK","approved_amount":20000.0,"currency":"HRK","extras":{"28":"39","Društvo h rvatskih audiovizualnih p revoditelja":"Udruga z a p romicanje kulture i u mjetnosti J A B IH","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"8cbe484d:s2:a379faa86913","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 39 in source table: Udruga za promicanje kulture i umjetnosti JA BIH | award title | 20.000,00 HRK. Title has OCR spacing ('J a b ih... 5 d ana Z agreba u S arajevu / B anja L uci', 'M ostaru 2 020') requiring removal.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Festival J a b ih... 5 d ana Z agreba u S arajevu / B anja L uci / Tuzli / M ostaru 2 020.","to":"Festival Ja bih... 5 dana Zagreba u Sarajevu / Banja Luci / Tuzli / Mostaru 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Udruga za promicanje kulture i umjetnosti JA BIH","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_230b915a1d54","project_family_title":"Festival Ja bih... 5 dana Zagreba u Sarajevu / Banja Luci / Tuzli / Mostaru 2020."}],"section_total_text":"266.103,72 HRK","section_total":266103.72}],"totals":{"ukupno_text":null,"ukupno":254184.72,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":254184.72,"ukupno_match":true,"row_count":37,"awarded_count":37,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":37}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati medunarodna 2 rok 2020.pdf","filename_decoded":"rezultati medunarodna 2 rok 2020.pdf","sha256":"8d038cda49342aa95968141cdb69bb0aa23a23ea3aa583476df6696388201698","bytes":45190,"page_count":2,"extracted_at":"2026-05-17T10:23:50Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20medunarodna%202%20rok%202020.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA\t\r  POTPORA\n1\nVjekoslav\t\r  Živković\nSudjelovanje\t\r  na\t\r  forumu\t\r  Kidscreen\t\r  Summit\t\r  2020\t\r  \nu\t\r  Miamiju,\t\r  SAD\n14.000,00\t\r  HRK\n2\nUdruga\t\r  Bacači\t\r  sjenki\nSudjelovanje\t\r  na\t\r  generalnoj\t\r  skupštini\t\r  ECFA-­‐e\t\r  \n(European\t\r  Children’s\t\r  Film\t\r  Association)\t\r  u\t\r  Berlinu\n1.078,56\t\r  HRK\n3\nMarija\t\r  Ratković\t\r  Vidaković\nPredstavljanje\t\r  filma\t\r  \"IKEA\t\r  for\t\r  YU\"\t\r  na\t\r  Festivalu\t\r  \ndokumentarnog\t\r  filma\t\r  DOK\t\r  u\t\r  Beogradu\n1.424,00\t\r  HRK\n4\nDinka\t\r  Radonić\nPredstavljanje\t\r  filma\t\r  \"IKEA\t\r  for\t\r  YU\"\t\r  na\t\r  Festivalu\t\r  \ndokumentarnog\t\r  filma\t\r  DOK\t\r  u\t\r  Beogradu\n2.587,00\t\r  HRK\n5\nMotion\nPredstavljanje\t\r  filma\t\r  \"Aleksi\"\t\r  na\t\r  Pendance\t\r  Film\t\r  \nFestivalu\t\r  u\t\r  Torontu\n6.005,25\t\r  HRK\n6\nKinoklub\t\r  Karlovac\nSudjelovanje\t\r  na\t\r  međunarodnoj\t\r  filmskoj\t\r  radionici\t\r  \nFilmdays\t\r  at\t\r  VBU\t\r  u\t\r  Ludviki,\t\r  Švedska\n2.540,79\t\r  HRK\n7\nAntitalent\t\r  d.o.o.\nSudjelovanje\t\r  ekipe\t\r  filma\t\r  \"Veliki\t\r  medvjed\"\t\r  na\t\r  \nrazvojnoj\t\r  radionici\t\r  Ekran+\t\r  u\t\r  Varšavi\n20.000,00\t\r  HRK\n8\nDinaridi\t\r  film\t\r  d.o.o.\nSvjetska\t\r  premijera\t\r  filma\t\r  \"Mare\"\t\r  na\t\r  Berlinaleu\t\r  \n2020.\n30.000,00\t\r  HRK\n9\nHrvatska\t\r  udruga\t\r  \nproducenata\nSudjelovanje\t\r  članice\t\r  Izvršnog\t\r  odbora\t\r  FIAPF-­‐a\t\r  i\t\r  \npredstavnice\t\r  za\t\r  međunarodne\t\r  odnose\t\r  Hrvatske\t\r  \nudruge\t\r  producenata\t\r  Tamare\t\r  Babun\t\r  na\t\r  Godišnjoj\t\r  \nskupštini\t\r  i\t\r  sastancima\t\r  radnih\t\r  skupina\n3.635,00\t\r  HRK\n10\nAntitalent\t\r  d.o.o.\nSudjelovanje\t\r  producentice\t\r  Katarine\t\r  Prpić\t\r  na\t\r  \nradionici\t\r  EAVE\t\r  Producers\t\r  Workshop\t\r  2020\t\r  u\t\r  \nLuksemburgu,\t\r  Irskoj\t\r  i\t\r  Hrvatskoj\n39.000,00\t\r  HRK\n11\nBorna\t\r  Armanini\nSudjelovanje\t\r  na\t\r  London\t\r  Screenwriters’\t\r  Festivalu\n7.190,00\t\r  HRK\n12\nTanja\t\r  Vujasinović\nPredstavljanje\t\r  filma\t\r  \"Mačka\t\r  je\t\r  uvijek\t\r  ženska\"\t\r  na\t\r  \nVI.\t\r  Short\t\r  Movie\t\r  Club\t\r  Film\t\r  Festivalu\t\r  u\t\r  Minsku\n2.677,30\t\r  HRK\nJAVNI\t\r  POZIV\t\r  ZA\t\r  DODJELU\t\r  SREDSTAVA\t\r  ZA\t\r  POTICANJE\t\r  KOMPLEMENTARNIH\t\r  DJELATNOSTI\t\r  U\t\r  2020.\t\r  -­‐\t\r  \nPROGRAMI\t\r  MEĐUNARODNE\t\r  SURADNJE\t\r  -­‐\t\r  ROK\t\r  21.4.2020.,\t\r  30.\t\r  sjednica\t\r  Hrvatskog\t\r  audiovizualnog\t\r  vijeća\t\r  \n15.7.2020.\n\n\f\n13\nJelena\t\r  Paljan\nSudjelovanje\t\r  u\t\r  programu\t\r  Torino\t\r  Film\t\r  Lab,\t\r  \nradionica\t\r  ScriptLab\t\r  -­‐\t\r  Story\t\r  Editing\t\r  2020\t\r  u\t\r  \nUkrajini,\t\r  Finskoj\t\r  i\t\r  Italiji\n10.000,00\t\r  HRK\n14\nMarijana\t\r  Anna\t\r  Martelock\nSudjelovanje\t\r  na\t\r  radionici\t\r  Midpoint\t\r  TV\t\r  Launch\t\r  \n2020\t\r  u\t\r  Ukrajini,\t\r  Češkoj\t\r  i\t\r  Estoniji\n20.000,00\t\r  HRK\n15\nMetar60\nSudjelovanja\t\r  scenaristice\t\r  i\t\r  redateljice\t\r  Vedrane\t\r  \nPribačić,\t\r  producentice\t\r  i\t\r  scenaristice\t\r  Mirte\t\r  \nPuhlovski,\t\r  i\t\r  montažerke\t\r  Marte\t\r  Broz\t\r  na\t\r  Docu\t\r  \nRough\t\r  Cut\t\r  Boutique\t\r  -­‐\t\r  work\t\r  in\t\r  progress\t\r  radionici\t\r  \nsa\t\r  projektom\t\r  dokumentarnog\t\r  filma\t\r  \"Veće\t\r  od\t\r  \ntraume\"\n6.500,00\t\r  HRK\n16\nNoć\t\r  hrvatskog\t\r  filma\t\r  i\t\r  \nnovih\t\r  medija,\t\r  U.O.\nNoć\t\r  hrvatskog\t\r  filma\t\r  i\t\r  novih\t\r  medija\t\r  u\t\r  Bosni\t\r  i\t\r  \nHercegovini,\t\r  Rumunjskoj\t\r  i\t\r  Madžarskoj\n19.000,00\t\r  HRK\n185.637,90\t\r  HRK\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati medunarodna 2 rok 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GODINI \nu drugom roku do 14. siječnja 2025. \nisključivo za one projekte iz kategorije programa filmskih festivala i drugih audiovizualnih \nmanifestacija koji se održavaju u drugoj polovici 2025. godine, a nisu se prijavili na prvi rok \njavnog poziva. \n \nObrazloženje umjetničkih savjetnica za komplementarne djelatnosti \n \nNa 2. rok Javnog poziva za dodjelu sredstava za poticanje komplementarne djelatnosti u \n2025. godini pristiglo je 68 prijava. 16 pristiglih prijava nije razmatrano jer po datumu \nodržavanja ili po programskim kategorijama ne pripadaju u 2. rok javnog poziva budući da \nnije riječ o filmskim festivalima i drugim audiovizualnim manifestacijama.  \nOd 52 razmatrane prijave, umjetničke savjetnice za komplementarne djelatnosti, Martina \nGlobočnik, Sanja Šamanović i Katarina Ivče Farnell predložile su za financijsku podršku 46 \nprograma u ukupnom iznosu od 322.850,00 eura što je Hrvatsko audiovizualno vijeće \nusvojilo na 12. sjednici održanoj 16.4.2025. \n \nU postupku procjenjivanja savjetnice su se vodile otprije utvrđenim kriterijima: \n– kvaliteta, izvedivost i održivost programa (od sadržajne do produkcijske razine) \n– programi koji imaju konkretne, realne i strateške planove u umjetničkom, organizacijskom \ni financijskom smislu \n– značaj programa za relevantan kontekst (ovisno o programu, od lokalne zajednice, preko \nnacionalnog značaja do međunarodne prepoznatljivosti i važnosti za audiovizualni sektor) \n– kontinuitet programa odnosno njegova dugoročna usmjerenost, dostupnost projekta, \nvidljivost i komunikacija s profesionalcima i javnosti, \n\n\f\n– kvaliteta prijave, kvaliteta i iskustvo projektnog tima u pojedinoj programskoj \nkomplementarnoj djelatnosti za koju se prijavljuje (stabilni i dostatni izvori prihoda za \nkontinuirano obavljanje aktivnosti tijekom razdoblja ostvarivanja projekta, stručne \nkompetencije i kvalifikacije potrebne za provođenje predložene aktivnosti) \n– prethodna izdanja programa (ako nije prvo izdanje) \n– ispunjavanje prethodnih ugovornih obveza s Centrom \n– odjek programa i komunikacija s javnosti (prije, za vrijeme i nakon održavanja programa) \n– te povezivanje i suradnja. \n \nKako je na prvom roku Javnog poziva za komplementarne djelatnosti bio podržan 31 festival \ns iznosom od 631.150,00 eura među kojima i oni veliki (primjerice, 35. Svjetski festival \nanimiranog filma - Animafest Zagreb 2025., 23. Zagreb film festival, 21. Zagreb Dox-\nmeđunarodni festival dokumentarnog filma, Cinehill - međunarodni filmski festival, 18. \nFestival mediteranskog filma Split) i manji (primjerice, 16. VAFI & RAFI - internacionalni \nfestival animiranog filma djece i mladih, 15. Fantastic Zagreb Film Festival), na ovom roku \npristigao je manji broj prijava.  \nZa gotovo sve programe, ovisno o profilu festivala, predloženim aktivnostima, lokacijama \nprovođenja programa, predloženo je i odobreno povećanje iznosa u odnosu na 2024. \ngodinu. Među predloženima i odobrenima nalaze se srednji i manji festivali kao što su: \nHuman Rights Film Festival, 19. Vukovar Film Festival, Festival tolerancije Zadar, 34. Dani \nhrvatskog filma, Timpetill – Young4Film te 11. Brač Film Festival. Također, na popisu se \nnalaze i specijalizirani festivali kao što su 18. Smaragdni eco film festival – SEFF, 14. Kiki - \nmeđunarodni festival dječjeg filma, 10. Filmska RUNDA, Unseen 9: Uspostavljanje veze, 15. \nPostira Seaside Film Festival kao i revije Hrvatskog filmskog saveza: 30. Filmska revija \nmladeži i 18. Four River Film Festival, 63. Revija hrvatskog filmskog stvaralaštva djece, te 57. \nRevija hrvatskog filmskog stvaralaštva,. \n\n\f\nMeđu predloženim i odobrenim programima za sufinanciranje ima određen broj malih, \nrevijalnih događanja ograničenog inteziteta i trajanja i skromnog broja naslova koji se \nodržavaju od Međimurja, Slavonije, Baranje pa do Dalmacije i Istre. Predloženi su i odobreni   \nza sufinanciranje jer držimo da imaju kulturno-društvenu vrijednost koja utječe na kvalitetu \nživota u zajednicama u kojima se provode. \nNa ovom Javnom pozivu je bilo prijavljeno i nekoliko novijih festivala čiji razvoj pratimo od \n2024. godine poput Croatian International Film Festivala (CIFF) koji se drugu godinu održava \nu Šibeniku te onih koji promjenom koncepta ulaze u rebrendiranje dugogodišnjih festivala \n(kao što je to Tabor New Frame Film). I jedni i drugi zaslužuju dodatnu pažnju i prostor za \nvalorizaciju. \nUmjetničke savjetnice za komplementarne djelatnosti \nMartina Globočnik \nSanja Šamanović \nKatarina Ivče Farnell \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_RPR_animirani_WEB.pdf","filename_decoded":"Obrazlozenje_RSC_RPR_animirani_WEB.pdf","sha256":"8d16f9d1580c06bb674dc3a1acb735e89c9437879ed79a940101a99f6e85e318","bytes":123604,"page_count":2,"extracted_at":"2026-05-17T12:02:14Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_RPR_animirani_WEB.pdf"},"raw_text":" \n \n1\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - potkategorija: RAZVOJ \nSCENARIJA i  RAZVOJ PROJEKATA u 2020. - 2. ROK - 14.9.2020. \n \nANIMIRANI FILM - Umjetnički savjetnik: Božidar Trkulja \n \nNa javni poziv u kategoriji poticanja razvoja scenarija i projekata na 2. rok 2020. godine, \npodneseno je deset (10) prijava, sedam (7) u potkategoriji razvoja scenarija, te tri (3) u \npotkategoriji razvoja projekata.  \nProjekti prijavljeni u potkategoriji razvoja projekta pokazali su se vrijednim pažnje, kako svojom \npočetnom idejom tako i pretvorbom u scenarij, te potencijalom dobro konstruiranih i vješto \nvođenih priča.  Od tri (3) prijavljena projekta, za sufinanciranje su predložena i odobrena sva tri \n(3) projekta. Projekti su zamišljeni kao dugometražni animirani filmovi. \nProjekti prijavljeni u potkategoriji razvoja scenarija razmatrani su pomno, ali na 2. roku 2020. \nnije odabran niti jedan. Većina projekata nije dosegnula dalje od kratke priče, prečesto \ntemeljene na jednostavnoj doskočici, a da bi dosegnule filmsko trajanje od minimalno 24 \nminute, odnosno da bi u konačnici mogla držati potrebnu pažnju i napetost, pa tako i \nuspostaviti dobru i jasnu komunikaciju s publikom u svom svojem potrebnom trajanju.  \nSveukupna potpora u kategoriji razvoja scenarija i projekata iznosi 300.000,00 kn za tri (3) \nprojekta u potkategoriji razvoja projekata. \n \nObrazloženja: \n \nnaziv projekta: SVI OPERATERI SU TRENUTNO ZAUZETI \nscenarij: Dalibor Barić \nproducent: Kaos d.o.o. \nodobreno: 100.000,00 kn \n„Svi operateri su trenutno zauzeti“ zamišljeni su kao dugometražni animirani film. Priča je vješto \nispripovijedana, a kako je predočeno u već napravljenoj knjizi snimanja, i vrlo vješto filmski oblikovana. \nVizual je prilagođen kako bi se priča uspostavila kao film koji se sugestivno poigrava s gledateljevom \npažnjom, ali je isto tako od početka do kraja drži u neizvjesnosti. Film postavlja relevantna pitanja o \nljudskoj prirodi, uvjerenjima, emocijama, identitetu i sjećanju, balansirajući na rubovima akcijskog trilera \ni psihološke drame. \n\n\f\n \n \n2\nnaziv projekta: SLIKAM TI SLIKU \nscenarij: Lana Sabljarić, Matija Pisačić \nproducent: Luma film d.o.o. \nodobreno: 100.000,00 kn \n \nRiječ je o odlično zamišljenoj priči i isto tako odlično napisanom scenariju. Priča je poticajna i  dirljiva, a \nscenarij je dramaturški i dijaloški vođen vrlo vješto. Od početka do kraja održava napetost i ritam, te \npritom pažljivo razvija, kako glavne, tako i brojne sporedne likove i njihove kompleksne odnose kroz \nduhovite situacije i dijaloge. \nSvi likovi, od talentiranog dječaka - budućeg slikara, njegove sestre s kojom živi u domu za nezbrinutu \ndjecu, školskih kolega, profesorice likovnog odgoja, ravnatelja škole, pa sve do „živih“ kistova, uljanih i \nakrilnih boja, olovaka, gumica i ljepila, živopisni su, osobiti, prepoznatljivi i zaokruženi karakteri.  \nTema filma je suvremena, univerzalna i relevantna ne samo za hrvatsku ili europsku audiovizualnu \numjetnost, nego može biti lako čitljiva i prijemčiva, unutar najširih svjetskih okvira, te isto tako otvorena \nprema najširoj publici \n \nnaziv projekta: 2MOROW \nscenarij: Kristijan Dulić \nproducent: Umjetnička organizacija ANIMA \nodobreno: 100.000,00 kn \n \n„2Morow“ je uobličen u scenaristički potentni predložak koji u sebi ima potencijala postati uzbudljiv \nfuturističko-distopijski film. Akcijska detektivska drama spretno je implementirana u halucinogeni cyber \nsvijet snova, hackiranja i umjetne inteligencije. Tema je relevantna i suvremena, ne samo za hrvatsku \naudiovizualnu umjetnost, nego se lako uspostavlja na svjetskoj razini - u globalni svijet, globalnu svijest i \nneizvjesnu, ali vrlo moguću budućnost. \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Razvoj%20scenarija%20-%20dokumentarni%20film%20(6.11.).pdf","filename_decoded":"Razvoj%20scenarija%20-%20dokumentarni%20film%20(6.11.).pdf","sha256":"8d4d4df9fe5951c62fb6c26d3635537fcc50655cbe9b19da32f2ea6c99c0f418","bytes":35416,"page_count":1,"extracted_at":"2026-05-16T15:36:55Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Razvoj%20scenarija%20-%20dokumentarni%20film%20%286.11.%29.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO kn\n1\nBrdo\nMonika Herceg\nMonika Herceg\n prema zbirci  \nPočetne koordinate \n(SKUD 2018.)\n25.000,00\n2\nCordon\nAnton Mezulić\nRestart \nAnton Mezulić\n25.000,00\n3\nDodati život danima\nZoran Cipek\nStudio dim d.o.o.\n25.000,00\n4\nDOMA\nMario Papić\nMario Papić\n25.000,00\n5\nEnigma Maurović\nVeljko Krulčić\nVedis d.o.o. \n25.000,00\n6\nHakeri rata\nTomislav Brdjanović\n25.000,00\n7\nKoga briga\nMaša Drndić\nUdruga Filmaktiv \n25.000,00\n8\nObećana zemlja\nRenata Poljak\nREA - udruga za \nsuvremene \numjetničke i \narhitektonske \nprodukcije \nRenata Poljak\n25.000,00\n9\nŠtrajk\nIvana Biočina\n25.000,00\n10\nU potrazi za Đukom\nDorotea Vučić, \nBerislav Cimerman\nAnkh Media \nDorotea Vučić\n25.000,00\nUKUPNO\n250.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata \ndugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ SCENARIJA u 2019. - 2. ROK - \n6.11.2019.\ndugometražni dokumentarni film\n22.  sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 10. ožujka 2020.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ SCENARIJA u 2019. - 2. 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€\n2\nNezahvalna bića\nOlmo Omerzu\nKinorama d.o.o.\n600.000,00 kn\n79.633,69 €\n3\nMama\nNikola Ležaić\nNukleus Film d.o.o.\n480.000,00 kn\n63.706,95 €\n4\nBrod Budućnost\nJovan Arsenić\nTerminal 3\n500.000,00 kn\n66.361,40 €\n5\nIskupljenje\nSonja Prosenc\nWolfgang i Dolly d.o.o.\n450.000,00 kn\n59.725,26 €\n6\nPoslije kraja svijeta\nSrđan Šarenac\nMetar60\n160.000,00 kn\n21.235,65 €\n2.605.000,00 kn\n345.742,92 €\nUKUPNO\ndugometražni igrani filmovi\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE FILMSKIH KOPRODUKCIJA S MANJINSKIM HRVATSKIM UDJELOM u \n2022. - 3. 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obogaćenje hrvatskoga filma \n- \nSmatrali su da uvođenje većeg broja novih imena može značajno vitalizirati i \ndinamizirati hrvatsku filmsku produkciju i doprinijeti njezinoj većoj raznovrsnosti, \nnjezinom obnovljenom i podmlađenom izgledu, većoj kompetitivnosti i većoj \nkonkurentnosti unutar hrvatske kinematografije i u njezinom odnosu prema \nkinematografijama u okruženju, kao i u svijetu. \n- \nSmatrali su da na duži rok treba uvesti više novih autorica i autora na hrvatsku filmsku \nscenu zbog osiguranja kontinuiteta njezinog razvitka i njezine raznovrsnije i \nkvalitetnije budućnosti  \n \n \nSjepan Čuić \nDrago Lukić \nKrsto Papić \n-umjetnički savjetnici za igrani fiml \n \n                        \n \n \n \n \n\n\f\n \n \n \n \n \n \n \n \n \n \nDUGOMETRAŽNI  IGRANI  FILMOVI \n \nNAZIV FILMA  \nREDATELJ  \nPRODUCENT \nODOBRENO \nMAJKA \nASFALTA \nDalibor \nMatanić \nKinorama \n3.600.000,00 \nKOTLOVINA \nTomislav \nRadić \nKorugva  \n3.000.000,00 \nVISOKA \nMODNA \nNAPETOST 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FELICIA"}],"section_total_text":"1.250.000,00","section_total":1250000.0}],"totals":{"ukupno_text":null,"ukupno":27850000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":27850000.0,"ukupno_match":true,"row_count":17,"awarded_count":17,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":17}},{"schema_version":"1.0","doc_type":"image_only","source":{"filename":"Natje%C4%8Daj-%20HAVC%20specijalist%20DKE-%20Ured%20MEDIA%20Hrvatske.pdf","filename_decoded":"Natje%C4%8Daj-%20HAVC%20specijalist%20DKE-%20Ured%20MEDIA%20Hrvatske.pdf","sha256":"8e951f537725e55db7168a0a3406cf0eba2e537618f7860c8533e38272b82800","bytes":700398,"page_count":2,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB Obrazlozenje_RPR_IGRANI_1rok_14III2022.pdf","filename_decoded":"WEB Obrazlozenje_RPR_IGRANI_1rok_14III2022.pdf","sha256":"8e9748bfcaf48101954481944a64a99ebe9618323a68b292f4190130c957510b","bytes":174759,"page_count":3,"extracted_at":"2026-05-17T12:02:18Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20Obrazlozenje_RPR_IGRANI_1rok_14III2022.pdf"},"raw_text":" \n1 \n \nObrazloženje umjetničkih savjetnika po rezultatima Javnog poziva za poticanje \naudiovizualnih djelatnosti i stvaralaštva -  razvoj projekata dugometražnih igranih \nfilmova na prvom roku u 2022. godini – rok 14. ožujka 2022.  \nUmjetnički savjetnici za dugometražni igrani film – Zvonimir Jurić, Ivor Martinić, Ana \nŠtulina  \nNa Javni poziv za poticanje razvoja projekata dugometražnog igranog filma u 2022. godini na \nprvom roku prijavilo se ukupno dvadeset i jedan (21) projekt. Jedan (1) projekt nismo \nrazmatrali jer ne zadovoljava uvjete Pravilnika.  \nIstaknuli bi vrlo visoku razinu produkcijske i autorske pripremljenosti u ovoj kategoriji. Uz \nraznolike teme koje okupiraju autore i autorice, prevladavaju filmovi koji u središtu radnje \nimaju ženski lik. Isto tako, tematiziraju se brojne suvremene teme kao što su iseljavanje, ali i \nrazličiti problemi karakteristični za niže socijalne slojeve. Gotovo 80 posto prijavljenih \nprojekata su u potpunosti autorski; scenarij i režiju potpisuje ista osoba.  \nIako su gotovo svi projekti bili dobro pripremljeni podržali smo one za koje smo smatrali da \nsu tematski najzanimljiviji. Riječ je o projektima sa jasno artikuliranom željom za filmskim \npripovijedanjem, te odlično pripremljenim režijskim i produkcijskim eksplikacijama. Tako \nsmo odlučili poduprijeti sveukupno tri filma za razvoj projekta u ukupnom iznosu od \n400.000,00 kuna. Riječ je o sljedećim projektima:  \nIZABRANI PROJEKTI \nBOŽICE \nScenarij: Dora Šustić \nRežija: Dora Šustić \nProdukcija: Antitalent d.o.o.  \n120.000,00 kn \n \nScenarij Božice donosi snažnu i dirljivu priču o ispodprosječno intelektualno sposobnoj \nBožici  koja radi kao spremačica u psihijatrijskoj bolnici na malom hrvatskom otoku, a pod \nbudnim okom svoje autoritarne tete. U jednom trenutku sprijatelji se s ovisnicom na \nodvikavanju Megi, koja joj u potpunosti preokrene život, te je potakne da istraži svoju \nseksualnost i zavoli sebe. Božičino pravo na izbor propituje se od strane zajednice i \ndruštvenih institucija.  \nTema filma je društveno važna, izlazi van granica lokalnog i komunicira na globalnoj razini. \nSvi likovi pisani su s empatijom, na uvjerljivom dijalektu koji diktira prostor Sjeverne \nDalmacije, te se lako identificiramo s njima. Posebno je uvjerljivo napisan lik same Božice, \nkoja svojom čistom naivnošću emotivno nosi film.   \n \nRedateljska koncepcija je precizna, razrađena do najsitnijih detalja. Provedeno je temeljito \nistraživanje svijeta psihijatrije, pacijenata, kao i vjerskih praksi kao pomoći pri liječe enju \novisnika. Slijedom toga, scenarij je uspio uvjerljivo predoči iti univerzum unutar kojeg se \nodvija priča a.  \n \nSeksualno i duhovno buđenje jedne žene postaje lakmus papir za licemjerje i okrutnost \ndruštva u kojem živimo. \n\n\f\n \n2 \n \nPrijašnji radovi redateljice Dore Šustić, kao i odličan popratni produkcijski paket uvjerio nas \nje da je moguće da iznesu ovako zahtjevan projekt. \n \nSTRAH \nScenarij: Nina Violić \nRežija: Nina Violić \nProdukcija: Terminal 3 \n140.000,00 kn \n \nU središtu scenarija Strah je Saša, sredovječna kustosica riječkog muzeja sa učestalim \npaničnim napadima izazvanim kaotičnom privatnom situacijom. Na nagovor prijateljice \nodlazi na višednevni duhovni retreat u Gorski kotar gdje se u novom društvu i okruženju \nprirode pokušava osloboditi svojih strahova. Saša se ne snalazi i spletom okolnosti se tijekom \nnoći izgubi u šumi. Ovdje započinje njena potencijalno opasna avantura, odvodi je u \nnepoznato i suočava s realnim strahom. \n \nScenarij je potentan, odličnog ritma, uvjerljive karakterizacije likova, te nepredvidljivog i \nuzbudljivog tijeka naracije koji fluidno mijenja žanrove (od komedije, trilera i horora, do \nžanra psihološke i obiteljske drame). \nRedateljska koncepcija je zanimljiva, vjerno dočarava izgled budućeg filma. Autorica je \niskrena, duhovita i autentična, ovim filmom nastavlja istraživati ljudske traume, intenzivne i \nneugodne osjećaje. Također, ostavlja otvorenim prostore filmskog djela na kojima još želi \nraditi i ne priklanja se lakim rješenjima. \nProducentica je izložila detaljnu, vrlo kvalitetnu strategiju razvoja projekta i njegovog \nplasmana kroz međunarodnu suradnju s talijanskim i slovenskim partnerima.                 \n \n \n \n \nMUZARA \nScenarij: Miroslav Sikavica, Marija Šimoković Sikavica \nRežija: Miroslav Sikavica \nProdukcija: Pipser d.o.o. \n140.000,00 kn \n \nFurioznog, frenetičnog ritma, smješten u prostor Dalmatinske zagore, ovaj scenarij, izuzetno \nbogat situacijama i likovima, meandrira na raskrižju obiteljske drame i apsurdne komedije. \nU pitanju je ansambl priča sa dvadesetak likova - članova obitelji i susjeda - okupljenih u \nkući povodom nadolazeće sahrane oca, obiteljskog despota. Nestankom novca, obiteljske \nušteđevine, koju je netko od prisutnih ukrao, otvara se Pandorina kutija međuljudskih odnosa \ni plete gusto tkanje nesuglasica, tajni i laži, koje izbivši na površinu, stvaraju među \nprisutnima neprijateljsku atmosferu punu apsurda i ironičnog humora, u situaciji kada su \nzajedništvo i dignitet, zbog povoda oko kojeg su se okupili – sahrane oca – nasušno potrebni. \n \nSjajno napisana satirična komedija karaktera, u kojoj gotovo iz svakog retka možemo iščitati \n“hrvatsko stanje svijesti”. Neobična situacija jedne prosječne hrvatske šire obitelji daje nam, \nu podtekstu, socijalno-društveni prikaz stanja Hrvatske zadnjih 30-ak godina - ratnu traumu, \ntradiciju, patrijarhat, malograđanštinu duboko ukorijenjenu u tkivo gotovo svake obitelji. \n\n\f\n \n3 \n \nIako u formi who done it - “krimića”, autor zapravo ne prati “zločin” ni njegovog počinitelja, \nnego se bavi onim što ga i doista zanima; prikazom široke, raznovrsne lepeze ljudskih \nslabosti smještenih u konkretnom univerzumu dalmatinskog zaleđa. \nVrlo dosljedan razgovorno-dijaloški scenarij pisan na dijalektu, sa likovima koji su \nuvjerljivi, životni, temperamentni, često smiješni. Gledatelji će se, sasvim sigurno, moći \nprepoznati u nekom od njih ili nekog sebi bliskog. \n \nAutora poznajemo po njegovom dosadašnjem uspješnom dokumentarnom radu te kratkom \nigranom filmu Zvir čiji je Muzara svojevrsni nastavak. Prelazak na dugu igranu formu je \nočekivan, a nakon čitanja natječajnog materijala, možemo reći, i zaslužen. \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2022,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_10072014_molba_Jaka_produkcija.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_10072014_molba_Jaka_produkcija.pdf","sha256":"8ee23515d54591c57c788c3d0bce85d436b697c540b37ac23582bc7a1cccbbd7","bytes":312638,"page_count":2,"extracted_at":"2026-05-16T14:10:50Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 2899-2014 \nU Zagrebu, 10. srpnja 2014. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12),  Hrvatsko audiovizualno vijeće je na prijedlog ravnatelja na 49. sjednici održanoj 10. srpnja \n2014.  godine donijelo: \n \nO  D  L  U  K  U \no odbijanju molbe producenta Jaka produkcija d.o.o. \n \n1.) Odbija se molba producenta Jaka produkcija d.o.o., Josipa Pupačića 19, Zagreb (dalje u tekstu: Jaka \nprodukcija d.o.o.) za promjenu redatelja kratkometražnog igranog filma „Neboder“.  \n2.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n3.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: HAVC): www.havc.hr. \n \n  \n \n \n \n \nObrazloženje \n \nProducent Jaka produkcija d.o.o. uputio je HAVC-u dana 22. Svibnja 2014. godine Molbu za promjenu \nredatelja kratkometražnog igranog filma „Neboder“, Klasa: 222-206-261, Urbroj: 2252-2014 (dalje u tekstu: \nMolba). \n \nNa prijedlog ravnatelja, Hrvatsko audiovizualno vijeće raspravljalo je o Molbi  na 47. sjednici održanoj 3. \nlipnja 2014.godine, te je odlučeno da je za odlučivanje o predmetnoj Molbi važna prisutnost g. Zrinka \nOgreste na sjednici Hrvatskog audiovizualnog vijeća  i očitovanje istog, s obzirom da je g. Zrinko Ogresta, u \nfunkciji umjetničkog savjetnika, predložio kratkometražni igrani film „Neboder“ za  listu prioriteta i \nraspodjelu sredstava. \n \nNa 49. sjednici Hrvatskog audiovizualnog vijeća održanoj 10. srpnja 2014.godini prisustvovao je između \nostalih i g. Zrinko Ogresta koji je predložio Hrvatskom audiovizualnom vijeću da se Molba odbije s obzirom \nda je osoba redatelja od iznimne važnosti prilikom donošenja prijedloga liste prioriteta i raspodjele sredstava. \n \nHrvatsko audiovizualno vijeće je većinom glasova donijelo odluku o odbijanju Molbe kao što je navedeno u \nad.1  ove Odluke. \n \nSukladno čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), Hrvatski audiovizualni centar će ovu \nOdluku objaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \n \n \n\n\f\n \n \n \n \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v.r. \n \nDostaviti: \n \n -  Jaka produkcija d.o.o., Josipa Pupačića 19, Zagreb \n   -  pismohrana, ovdje \n \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","year":2014,"rok":null,"referenced_projects":["Neboder"],"summary":"Odluka AV Vijeća na 49. sjednici od 10. srpnja 2014. o odbijanju molbe producenta Jaka produkcija d.o.o. za promjenu redatelja kratkometražnog igranog filma „Neboder“.","project_links":[{"source_title":"Neboder","family_id":"pf_579c31b3f877","family_title":"Neboder","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenja TV 2019 i TV 2020 1 rok_WEB_001.pdf","filename_decoded":"Obrazlozenja TV 2019 i TV 2020 1 rok_WEB_001.pdf","sha256":"8f017a3900d03ae361c6a1a70a43eff211c6d1a6ad98f5610be3078b6836dbda","bytes":265870,"page_count":11,"extracted_at":"2026-05-17T12:01:57Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenja%20TV%202019%20i%20TV%202020%201%20rok_WEB_001.pdf"},"raw_text":"1 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: RAZVOJ SCENARIJA I PROJEKATA pojedinačnih i serijskih \ntelevizijskih djela 2019. \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA PROJEKATA SERIJSKIH \nTELEVIZIJSKIH DJELA 2020., 1. rok, 2. travnja 2020. \n \n \n \n \n \nNa javni poziv za 2019. godinu prijavljen je 101 rad, od čega 68 u kategoriji razvoja \nscenarija, te 33 u kategoriji razvoja projekta. Za dodjelu sredstava izabrano je 18 radova, \nod čega 14 u kategoriji razvoja scenarija i 4 u kategoriji razvoja projekta.  \n \nNa javni poziv za 2020. godinu prijavljeno je 50 radova u kategoriji razvoja projekta, od \nčega je za dodjelu sredstava izabrano 5 projekata. \n \nPresjek prijavljenih radova ukazuje na trend sve veće žanrovske artikuliranosti i \nraznovrsnosti projekata, ali i na njihovu prosječno sve višu profesionalnu razinu.  \nOvaj izbor predstavlja, između ostaloga, osviještenu težnju da se toj raznovrsnosti pruži \ndodatni poticaj. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nSaša Runjić, \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \numjetnički savjetnik HAVC-a \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nza razvoj televizijskih djela  \n \n \n \n \nu Zagrebu, 10. kolovoza 2020. \n \n \n \n \n\n\f\n2 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: RAZVOJ SCENARIJA I PROJEKATA pojedinačnih i serijskih \ntelevizijskih djela 2019. \n \n \nPODKATEGORIJA: POJEDINAČNA TELEVIZIJSKA DJELA \n \n \n \n \n1.Igrano televizijsko djelo \n \n \n \n \n1.1.  \n \nBožićna priča \n(90 min.)  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenarist: Ante Marin \n \n \nTopla obiteljska priča o emotivno rasutoj obitelji djevojčice Ane koja u predbožićno vrijeme \ndovodi kući gluhonijemog starca, beskućnika Anđela. \nDvostruko kodirana narativna linija  vješto se kreće unutar klišea (u pozitivnom smislu) tzv. \nbožićnog filma i obećava televizijski film visoke razine i čvrste žanrovske opredijeljenosti.   \n \n \n \n \n1.2  \n \nPosljednji tango u Đevrskama (75 min.)  \n \n \n \n \n \n \n \nscenaristi: Irena Bosnić, Rade Dragojević \n \n \n \n \n \n \n \n \n \nSjetna komedija o očevoj ljubimici koja se prijavljuje na izbor za Miss ljeta u Đevrskama, \nselu u šibenskom zaleđu. Peripetije ne nedostaje, galerija likova je živopisna i autentična; \nautori uspijevaju rekonstruirati dirljivi svijet provincijskog glamura i ljudskih sudbina \nzatočenih unutar njega, melankoličnim ugođajem jednak istoimenoj pjesmi Arsena Dedića \nprema kojoj je projekt nastao. Realizacija projekta vrlo moguća.  \n \n \n \n \n \n\n\f\n3 \n \nPODKATEGORIJA: SERIJSKA TELEVIZIJSKA DJELA \n \n \n2. Animirano televizijsko djelo \n \n2.3  \n \nŽivot s Lolom \n(12x2 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristica i redateljica: Hana Tintor \n \n \n \nprodukcija: Jadranska animacija / Draško Ivezić \n \nDjelomično autobiografska priča o adolescentici koja se osamostaljuje i počinje živjeti \nsama s psom Lolom. Likovna prezentacija projekta je vanserijska i obećava animirano \ndjelo visoke kvalitete.  \n  \n \n \n3. Dokumentarno televizijsko djelo \n \n \n \n3.4  \n \nVjera Biller-umjetnica u zenitu oluje  \n(3x30 min.) \n \n \n \n \n \n \n \n \nscenarist: Mirko Ćurić  \n \nDokumentarna serija o tragičnoj sudbini Vjere Biller, avangardne umjetnice iz Đakova koja \nje skončala u nacističkom programu eutanazije kao Židovka s dijagnozom psihičke bolesti. \nBiller je surađivala s Der Sturmom, odnosno izlagala s njemačkim ekspresionistima, pa se \nmože reći da je bila jedna od prvih žena s ovih prostora (a i uopće) ravnopravnih članica \neuropske umjetničke scene tridesetih godina 20.stoljeća. Vrijedan projekt s visokim \npotencijalom realizacije na javnoj televiziji. \n \n \n \n \n \n \n \n3.5  \n \nJadranski vjetrovi  \n(8x26 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristi: Silva Ćapin i Lukša Benić \n \n \n \nprodukcija: Eclectica d.o.o / Tomislav Stojanović \n \nDokumenarni serijal koristi vjetrove Jadrana kao čvrsti okvir priče o životu i običajima ljudi \nu Dalmaciji i Hrvatskom primorju. Priča je potencijalno vrlo slojevita, odnosi se na povijest, \nobičaje, književnost, gospodarstvo, način života, legende; opisuje kako su i u kojoj mjeri \nvjetrovi uvjetovali i oblikovali život na Jadranu, uključujući mentalitet ljudi vezan za \nraspoloženje sukladno pojedinom vjetru.  \n \n \n3.6  \n \nOne- žene prve polovice 20. stoljeća  (4x50 min.) \n \n \n \n \n \n \n \n \nscenaristice: Ivana Karačonji Rupčić, Katarina Horvat \n \n \n \nČetverodjelni serijal o životima žena koje su uspješno krčile put ženskoj emancipaciji u \nbrojnim profesijama. Biografije Kornelije Sertić, prve diplomantice Medicinskog fakluteta u \nZagrebu, kao i glumica Božene Kralj i Mile Dimitrijević, ili velike pjesnikinje Vesne Parun- \nsvjedoče o nepojmljivim preprekama koje su ženama stajale na putu životne i \nprofesionalne afirmacije u hrvatskom društvu na prijelazu iz 19. u 20. stoljeće.  \n \n \n\n\f\n4 \n \n3.7  \n \nRođenje države-nepoznato  \n(6x50 min.) \n \n \n \n \n \n \n \n \n \n \nscenarist: Jure Pavlović \n \nTema  serijala su najveće kontroverze iz vremena nastanka suvremene Hrvatske, od \nubojstava čelnika HOS-a, obavještajne i paraobavještajne pozadine glasina o uzrocima \npada Vukovara, o djelovanju pripadnika nekadašnje UDBE u strukturama nove vlasti itd.  \nVrijednost koncepta leži u autorovoj iskazanoj želji da navedene teme istraži, suprotstavi \ndostupne izvore i, pogotovo, još žive sudionike a bez želje da formira konačan stav o njima, \nili ga autorskim postupcima sugerira.  \n \n \n4. Igrano televizijsko djelo \n \n \n \n \n4.8  \n \nBanija \n(10x55 min.)  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristica: Vlatka Vorkapić  \n \n \n \n \n \n \n \n \n \n \n \nKriminalistička dramska serija smještena na Baniju, zapuštenu i osiromašenu hrvatsku \nprovinciju u kojoj se miješaju predrasude, zavist, zlo, korupcija, kriminal sitni i krupni, a \nsvakodnevnu nepravdu začinja opće beznađe. U središtu priče je policijska inspektorica \noko čijeg se profesionalnog i privatnog života razvija čitav niz narativnih linija i likova. \nProjekt ima značajan koprodukcijski potencijal, kao i mogućnost internacionalnog \nplasmana. \n \n \n \n4.9  \n \nCiganin, ali najljepši \n \n(6x52 min.) \n \n \n \n \n \n \n \n \n \n \n \n \nscenarist: Mario Kozina \n \n \n \nprodukcija: Antitalent d.o.o. / Danijel Pek \n \nNastao prema motivima nagrađivanog i vrlo čitanog romana Kristijana Novaka,  tv serijal  \nse odmiče od predloška, i to prema nešto čvršćoj žanrovskoj strukturi “whodunit” krimića, \nne propuštajući pritom emulirati bogati i slojeviti svijet Novakovog mračnog, maglovitog \nMeđimurja i, poglavito, mučnih odnosa izmedju romske zajednice i “bijele” većine.  \nProjekt bi, prema svemu sudeći, trebao imati visoki koprodukcijski potencijal i širi spektar \nmogućih naručitelja.  \n \n \n \n4.10 \n \nGladne kosti  \n \n \n(6x50 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristi: Goran Kulenović, Zoran Ferić \n \nKriminalistička serija s dvostrukom narativnom linijom, o piscu krimića koji tražeći \ninspiraciju nailazi na stvarni zločin u kojeg biva upetljan. Suprotstavljen mu je opori \nkarakter tvrdog, grubog, ostarjelog policajca, životnog i emotivnog gubitnika tipičnog za \nhard boiled krimiće. Razvojnu liniju osnovne priče začinjenu galerijom živopisnih karaktera \ni s puno suspensa prati karakterna mijena dva glavna lika, koji se, polazeći s udaljenih \ngotovo suprotstavljenih pozicija polako približavaju i poprimaju karakteristike svog \nantipoda.  \n \n\n\f\n5 \n \n \n4.11 \n \nNevina u ludnici \n(8x55 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristica: Sanja Kovačević \n \nSerija o životu Marije Jurić Zagorke, jedne od glavnih ikona ženske emancipacije u Hrvata,   \nozbiljno je i detaljno pripremljen projekt. u kojem se vrlo minuciozno evociraju detalji iz \nživota ove neobične velike i važne pojave hrvatske kulturne povijesti. Potencijalno, radi se \no seriji s višestruko važnim umjetničkim, ali i obrazovnim i javnim značajem. \n \n \n4.12 \n \nTišina  \n(4x52 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenarist: Ivan Salaj \n \nDramski serijal čiji su likovi trajno obilježeni ratnim zbivanjima u Vukovaru postavljen je s \njasnom idejom o tri međusobno isprepletene stilske i dramske cjeline koje na simboličnoj \nravni, kako navodi autor, emaniraju tri stanja duše. Radi se o vrlo životnoj, dramski \nutemeljenoj i vrlo emotivnoj priči o ratu i njegovim trajnim posljedicama na ljude koji su ga \ndoživjeli u svoj njegovoj stravičnoj raskoši. \n \n \n \n \n \n\n\f\n6 \n \n4. Igrano televizijsko djelo - projekti prebačeni iz razvoja projekta u razvoj scenarija \n \n \n4.13 \n \nOperacija Gusar  \n(7x52 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristica: Ivona Juka \n \n \n \nprodukcija: Četiri Film d.o.o. / Anita Juka \n \nPredloženi ratni spektakl o operaciji Maslenica, jednom od ključnih događaja Domovinskog \nrata inicijalno je važan i potreban, a potencijalno uzbudljiv i komercijalno atraktivan projekt. \nMedjutim, priložena dokumentacija pokazuje kako je projekt zapravo u fazi razvoja \nscenarija, pa ga u tu kategoriju i smještano.  \n \n \n4.14 \n \nSjene u mraku  (8x50 min.) \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nscenaristi: Dubravko Merlić, Anita Čeko, Ivana Vuković \n \n \n \nprodukcija: Castor Multimedia d.o.o. / Dubravko Merlić \n \nTmurni psihološki triler o seriji surovih, međusobno povezanih ubojstava, smješten u \nOsijek i okolicu, dramski je serijal jasno razrađene redateljske koncepcije. Prva epizoda je \nobećavajuća, dijalozi životni i funkcionalni, dramska radnja tečna i jasna, a ukupan dojam \nprojekta visoko profesionalan.  \n \n \n \n \n \n\n\f\n7 \n \nKATEGORIJA:   \nRAZVOJ PROJEKATA POJEDINAČNIH I SERIJSKIH TELEVIZIJSKIH DJELA u 2019. \n \n \n5. Dokumentarno televizijsko djelo \n \n5.15 \n \nElvis s Balkana  \n(3x52 min) \n \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Behemot d.o.o. / Ivan Živković \n \n \n \nscenarist: Ivan Živković \n \nTema projekta su život i djelo Miše Kovača. Priloženi materijal sugerira da autor ima \nnamjeru ne samo ispričati priču o njegovoj  estradnoj karijeri, nego dublje zasjeći u \nfenomen i osvijetliti sav nesporan ikonički potencijal čovjeka čija je pojava postala \nneizostavnim dijelom identitetske matrice suvremene Dalmacije, na način koji još nije niti \nadekvatno proučen niti pravilno valoriziran.  \n \n \n \n \n5.16 \n \nTko je Irina Alexander? \n(4x52 min) \n \n \n \n \n \n \n \n \n \n \n \nArtizana film d.o.o. \n \n \n \nscenaristice: Irena Lukšić, Irena Škorić \n \n \n \nredateljica: Irena Škorić  \n \n \n \n \n \n \n \n \n \n \nDetaljno elaboriran monografski dokumentarni serijal o Irini Aleksander, slabo poznatoj, ali \nvrlo važnoj osobi društvene i kulturne scene Rusije a potom i Hrvatske s početka 20. \nstoljeća, koja se družila s pripadnicima ruske i hrvatske društvene i umjetničke elite, u \nrasponu od Staljina do Krleže. Autorice projekt definiraju kao krimi doku-dramu, gotovo s \nelementima suspensa.   \n \n \n \n \n6. Igrano televizijsko djelo \n \n \n \n6.17 \n \nDiploma za smrt \n(12x50 min.)  \n \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Inter film d.o.o. / Ivan Maloča \n \n \n \nscenaristi: Živorad Tomić, dr.sc. Zoran Bručić \n \n \n \nredatelj: Živorad Tomić \n \n \nKriminalistički serijal sequel je istoimenog filma iz sredine 90-tih. Autori razvijaju priču na \nizgubljenim iluzijama glavnog junaka koji je u međuvremenu uronio u sredovječnost, a biva \nprotiv svoje volje uvučen natrag u svijet kriminala. Projekt je daleko odmakao u razvoju i \nima veliki potencijal realizacije, pronalaženja stranih koproducenata, i, konačno, plasmana \nna svjetsko tržište. \n \n \n \n \n\n\f\n8 \n \n6.18 \n \nBlokada  \n \n \n(6x50 min) \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Telefilm d.o.o. / Stanislav Babić \n \n \n \nscenarist: Pavao Marinković \n \n \n \nredatelji: Pavao Marinković, Dražen Žarković, Robert Orhel \n \n \nTV serija inspirirana istinitim događajima vezanim za otok Vis početkom Domovinskog rata \ni blokadu otoka koju provodi odlazeća JRM, sastavljen je od zaokruženih epizoda krhko \npovezanih  jedinstvenim mjestom i vremenom. Ratni okvir za priču nije korišten  kao plošni \nideologem o dobru i zlu, nego kao polazište za analizu ljudskih karaktera u teškom \nvremenu. \n \n \n \n \n\n\f\n9 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA PROJEKATA SERIJSKIH \nTELEVIZIJSKIH DJELA 2020., 1. rok, 2. travnja 2020. \n \n \n \n1. Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n \n \n1.1  \nSamo za taj osjećaj \n(6x52 min) \n \n \n \n \n \n \n \n \n \n \n  \n \n \nprodukcija: Inter Film d.o.o. / Ivan Maloča \n \n \nscenarist i redatelj: Arsen Oremović \n \nDokumentarni serijal o najvećim albumima hrvatske pop i rock glazbe u kojemu se u \nsvakoj epizodi autori tri (stilski bliska) albuma vraćaju na “mjesto zločina”, u studio i, uz \nevociranje vremena i načina nastanka pojednih pjesama, uživo, na instrumentima \nilustriraju minuli kreativni proces.  \n \n \n2. Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n \n \n2.2  \nLovac na vještice  \n(6x52 min) \n \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Antitalent d.o.o. / Danijel Pek \n \n \nscenaristica: Maja Pek Bruenjes \n \n \nredateljica: Antoneta Alamat Kusijanović \n \n \nLovac na vještice je kriminalistička povijesna serija s elementima nadrealnog, smještena u \nterezijansko doba i prostor tadašnje Habsburške monarhije, čiji je tematski okvir jedan od \nnajstrašnijih običaja/praksi iz relativno nedavne povijesti – lov na vještice.  \nProjekt je u ideji nastao kao višenacionalna koprodukcija, a potencijalni interes za \nplasmanom projekta postoji u nekoliko srednjoeuropskih država koje dijele isto povijesno \nsjećanje i u kojima se, radnja serije i odvija.  \n \n \n2.3  \nU ringu \n \n \n \n \n(12x52 min)  \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Plavi Film d.o.o. / Zoran Sertić \n \n \nscenaristica: Dorotea Vučić \n \n \nredatelj:Mladen Dizdar \n \n \nDramska serija tematski smještena u surovi svijet profesionalnih borbi, priča je o dvojici \nmladića i jednoj djevojci, pripadnicima socijalno depriviranih obitelji s periferije grada i \nživota, te izazovima i dilemama s kojima se susreću penjući se na profesionalnoj i \ndruštvenoj ljestvici. Potencijal plasmana serije prema najširoj gledateljskoj populaciji koji je, \nzbog njezinog bogatog i slojevitog bildungs zapleta, sasvim izvjestan, čini ovaj projekt ne \nsamo iznimno komercijalnim nego i društveno relevantnim. \n \n \n\n\f\n10 \n \n \n2.4  \nZlatarovo zlato  \n \n(6x50 min) \n \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Kabinet d.o.o. / Suzana Pandek \n \n \nscenaristi: Suzana Pandek, Aldo Tardozzi \n \n \nredatelj: Aldo Tardozzi \n \n \nEkranizacija jednog od najpoznatijih i najomiljenijih romana ukupne hrvatske književnosti. \nPriloženi materijal svjedoči kako je kreativni i produkcijski tim ovom velikom izazovu prišao \nbrižno i s poštovanjem, ali istovremeno i s osviještenim, konceptom razvoja projekta \nkompatibilnog s modernim senzibilitetom televizijske serije. Potencijal realizacije projekta \nje, unatoč zahtjevnoj i skupoj produkciji, vrlo velik.  \n \n \n \n \n\n\f\n11 \n \n3. Televizijsko humoristično djelo čije trajanje po epizodi nije kraće od 20 minuta \n \n \n3.5  \nCarstvo ladovine \n \n(8x26 min) \n \n \n \n \n \n \n \n \n \n \n \n \n \nprodukcija: Eclectica d.o.o. / Tomislav Stojanović \n \n \nscenarist: Šimun Šitum \n \n \nredatelj: Marko Jukić \n \nHumoristična serija o trojici mladih splitskih spadala čijih je nekoliko epizoda već \nrealizirano, projekt je koji ima veliki potencijal. \nNaime, redateljsko-scenaristička ekipa, uspjela je pronaći autentičan dijaloški okvir za \ntipičnu situacijsku komediju uronjenu u živopisnu stvarnost suvremenog Splita, grada \nkojeg su tako talentirano već opjevali pripadnici lokalne glazbene scene i koji jednostavno \nvapi za svojom novom autentičnom humorističnom serijom.  \n \n  \n \n \n \n------------------------------------------------------------ \n \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2020,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB_Obrazlozenje_Videoigre_2023..pdf","filename_decoded":"WEB_Obrazlozenje_Videoigre_2023..pdf","sha256":"8f6774417ee48b79137bddce15840f66c17dfb7e8ebdd3bfe23570b7a46b3dcf","bytes":251187,"page_count":10,"extracted_at":"2026-05-17T12:01:57Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB_Obrazlozenje_Videoigre_2023..pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2023. godini, \nkategorija: POTICANJE RAZVOJA I PROIZVODNJE VIDEOIGARA \nROK: 5.10.2023. \n \nUmjetnički savjetnik: Hrvoje Mitić \n \nNa javni poziv za poticanje razvoja projekata i proizvodnje videoigara u 2023. godini u \npotkategoriji razvoja projekta prijavljeno je 55 projekata od strane 55 prijavitelja (što \npredstavlja rast od 77% u odnosu na 2022. godinu), dok se na potkategoriju proizvodnje \nprijavilo 17 projekata od strane 16 prijavitelja (rast od 30% u odnosu na 2022. godinu). Nije \nbilo projekata prijavljenih na obje potkategorije (što nije u skladu s duhom potkategorija s \nobzirom da projekti ne mogu istovremeno biti u obje faze realizacije), no dva projekta u \npotkategoriji razvoja nisu razmatrana zbog nepotpune dokumentacije. \nBudžet svih prijavljenih projekata u potkategoriji razvoja projekta iznosi nešto više od €1.95 \nmilijuna Eura s traženim sufinanciranjem HAVC-a u iznosu od €1.2 milijuna Eura (9.14 \nmilijuna kuna, rast od 127.5% u odnosu na 2022.), dok budžet svih prijavljenih projekata u \npotkategoriji proizvodnje videoigara iznosi nešto više od €2.32 milijuna Eura s traženim \nsufinanciranjem HAVC-a u iznosu od €656.503 Eura (4.95 milijuna kuna, rast 15% u odnosu \nna 2022.). \nS obzirom da se radi o trećem javnom pozivu za poticanje razvoja i proizvodnje videoigara, \nnije iznenađujuće da određeni udio prijavljenih projekata ima problema sa kvalitetom \nkoncepata i prijavljene dokumentacije, no otprilike 50% prijava je vrlo kvalitetno, kreativno i \nzrelo, sa kvalitetno dokumentiranim opsegom projekta, adekvatno granuliranim operativnim \nplanom, dostatnim iskustvom projektnog tima ili troškovnom utemeljenosti. \nPrimjećuje se i sve širi broj prijavljenih žanrova te korištenje i razvoj novih tehnologija, kao i \nbolja regionalna rasprostranjenost prijavljenih projekata u odnosu na prijašnje godine, ali \nmožda najugodnije iznenađenje je sve veći broj žena u razvojnim timovima kao i nekolicina \ntimova vođenih ženama što ima vrlo pozitivan efekt na raznolikost i kvalitetu prijavljenih i \nodobrenih projekata. \nOpisano stanje prijava za rezultat ima da je za sufinanciranje proizvodnje predloženo i \nodobreno 6 projekata, dok je za sufinanciranje razvoja, a shodno povećanju raspoloživog \nbudžeta u odnosu na zadnji javni poziv, predloženo i odobreno čak 18 projekata. \n \n \n\n\f\nCIRCUIT MASTER (Razvoj projekta) \nGlavni autor: Marko Otašević \nPrijavitelj: Turing Studio d.o.o. \n12.000,00 EUR  \n \nCircuit Master je simulator spajanja strujnih krugova koji kombinira zabavu i učenje. Igra je \ninspirirana STEM obrazovanjem i kombinira polja znanosti, tehnologije, inženjerstva i \nmatematike, te će igračima pomoći da nauče o elektrotehnici, matematici i fizici na zabavan i \nlak način. Circuit Master se razlikuje od drugih simulatora jer nije prikazan hladno i tehnički, \nveć na topao i osoban način uz izraženu narativnu komponentu. Igrači će uživati u lijepom \nvizualnom stilu i ugodnoj glazbi koja stvara efekt opuštanja i pomaže kod učenja.  \nPostoji i vrlo stvaran potencijal da obrazovne ustanove implementiraju igru u svoj kurikulum. \n \n \n \nCLOAK AND BOFFER (Razvoj projekta) \nGlavni autor: Sven Nemet \nPrijavitelj: Studio Spektar d.o.o. \n10.000,00 EUR  \n \nCloak and Boffer je 2D akcijska avantura o grupi ljudi na Live Action Role Play (LARP) \ndogađaju pod nazivom „The Dragon's Meadow“, gdje glume likove u fantastičnom svijetu \nprepunom akcije koji sami stvaraju dok istražuju tanke granice između stvarnosti i fantazije u \nizrazito društvenom i multikulturalnom ozračju. LARP, koncept igranja igara u stvarnom \nsvijetu, svojevrsno improvizacijsko kazalište s elementima igre, glume i psiho-drame, je \nrijetka tema audio-vizualnih dijela. Koncept igre vrlo simpatičan, original, humorističan i \nzaigran, te je kvalitetno, jasno i profesionalno prikazan. Vizualni stil je već u ovoj ranoj fazi \nvrlo privlačan i dobro definiran. Igra ima izraženu narativno-akcijsku komponentu, ali je \ngotovo u potpunosti nenasilna jer se likovi u borbama ne ozljeđuju zbog korištenja oružja \nnapravljenih od lateksa ili spužve (boffer).  \n \n \n \nCRNA KRALJICA (Razvoj projekta) \nGlavni autor: Josip Vincetić \nPrijavitelj: Downtown Game Studio j.d.o.o. \n8.000,00 EUR \n \nCrna Kraljica je akcijska avantura inspirirana legendama o kraljici Barbari Celjskoj i djelom \nAugusta Šenoe Zmijska Kraljica. Kroz igru, igrač prolazi kroz svijet pun motiva iz Šenoinih \npriča, ali i legendi s hrvatskog povijesnog prostora, svijet naseljen magičnim bićima poput \nzmajeva, divova i vještica. Zanimljiva kombinacija mehanika i suvremen vizualni stil te \nkorištenje domaćih kulturnih motiva projekt čini suvremenim i relevantnim za domaću \naudiovizualnu umjetnost.  \n \n \n \n \n\n\f\nDOMINANCE – ANCIENT ELDER (Razvoj projekta) \nGlavni autor: Hrvoje Horvatek \nPrijavitelj: Iron Ward d.o.o. \n12.000,00 EUR  \n \nDominance – Ancient Elders je kombinacija strategije u stvarnom vremenu (RTS žanr) i \nstrategije na poteze (turn-based). Igrač preuzima ulogu drevnog starješine koji, probuđen \nnakon tisućljetnog sna, otkriva zemlju kontroliranu drevnom magijom i podijeljenu sukobima i \nželjom za moći. Strateški upravljajući svojim utjecajem i sveprisutnošću, igrač pokušava \nzavladati bezvremenskim svijetom u kojem se ciklusi istraživanja svijeta i razvoja moćnih \nstvorenja, upravljanja naseljima i resursima, ratovanja i razvoja mitskih vojski, diplomacije i \nnadmudrivanja, te stvaranja novih svjetova stalno ponavljaju nakon sto je prethodni ciklus \nzavršen.  \n \nAncient Elders je originalan i ambiciozan projekt u tzv. 4X žanru (explore, expand, exploit, \nand exterminate). Koncept igre i svijeta u kojem se radnja odvija su vrlo jedinstveni i \ninovativni te izokreću uobičajene žanrovske paradigme, a razvojni tim je vrlo iskusan sa \ndobro pripremljenom dokumentacijom. \n \n \n \nDVANAEST DIMENZIJA DISKURSA (Razvoj projekta) \nGlavni autor: Andrej Kovačević \nPrijavitelj: Mediapark obrt za audio i video usluge i trgovinu, vl. Dražen Kovačević \n8.000,00 EUR  \n \nDvanaest Dimenzija Diskursa je filozofski simulator hodanja (eng. Walking simulator) koji \nkroz svojih dvanaest razina igrača uranja u dvanaest modernih filozofskih tema poput: \nsimulacije, identiteta, politike, morala, bioetike i ekologije. Igra svoju poruku igraču prenosi \npolako, kroz različite audio zapise koje igrač pronalazi u razinama igre kako bi mu se \nostavilo dovoljno slobodnog prostora za vlastitu interpretaciju u kojoj obrađuje podatke koje \nje vizualno i auditivno percipirao. Igra napušta klasičnu strukturu zapreke i nagrade u svrhu \nkritike modernih tendencija dizajna igara kao ovisničke aktivnosti i/ili eskapizma, i igraču \npristupa kao zrelom biću s naprednim kognitivnim sposobnostima koji će kompleksne teme \nistražiti u svojem ritmu. \n \n \nHOLLOW BEQUEST (Razvoj projekta) \nGlavni autor: Dominik Cvetkovski \nPrijavitelj: ANIQ d.o.o. \n8.000,00 EUR \n \nHollow Bequest je narativna interaktivna Point&Click avantura koja se razvija linearno, ali se \ngrana i oblikuje prema odlukama igrača. U ovoj detektivskoj Noir igri svaka odluka i svaki \nodabir igrača utječu na tijek radnje, otključavaju različite završetke priče i tajne nijanse \nmisterije prilikom svakog ponovnog igranja. Igrači će se naći u ulozi detektiva u svijetu \nkasnih 1920-ih i biti će suočeni s kompleksnim zagonetkama i enigmatskim nadnaravnim \ndogađajima koje moraju razotkriti. \n\n\f\nIMMUNAUTS (Razvoj projekta) \nGlavni autor: Kristian Macanga \nPrijavitelj: Macanga Games j.d.o.o. \n10.042,00 EUR  \n \nImmunauti – Svijet Iznutra (Immunauts) je sci-fi akcijska avantura postavljena u blisku \nbudućnost u kojoj su tehnološka dostignuća stvorila nevjerojatne nove mogućnosti za \nmedicinu - ali i opasnosti koje prijete svijetu. Priča se vrti oko \"nanoziranja\", revolucionarne, \nali opasne medicinske tehnike koja može smanjiti cijeli medicinski brod na veličinu jedne \nstanice, omogućavajući liječnicima da uđu u tijelo svojih pacijenata i izliječe ih iznutra - \nboreći se i uništavajući nepoželjne bakterije, viruse i maligne stanice. Kroz svoju \nzaigranost, šarene likove i duhovite interakcije projekt na neopterećen i zabavan način vodi \nigrače kroz edukaciju, avanturu i napredak u igri. \n \n \n \nJANCER (Razvoj projekta) \nGlavni autor: Mislav Majdandžić \nPrijavitelj: Eksperimental Games \n6.000,00 EUR  \n \nJancer je ritmička glazbeno-platformska igra atraktivih 2D pixel-art vizuala i jednostavnog \nkoncepta u kojem se svijet pomiče i mijenja u ritmu pjesme koja svira. Igrači upravljaju \nsimpatičnim pustolovnim mačkom zvanim Jancer koji je u potrazi za legendarnim jastukom \nza spavanje čija udobnost je neusporediva s bilo kojom drugom površinom, te za čarobnom \nvrećicom najfinije mačje hrane koja se nikada neće isprazniti. Ovaj simpatičan projekt \nveselog vizualnog stila unosi inovaciju u uobičajene mehanike i to ga čini vrlo suvremenim i \nrelevantnim za domaću audiovizualnu umjetnost. \n \n \n \nLOOK AROUND (Razvoj projekta) \nGlavni autor: Robert Sajko \nPrijavitelj: Room C Games d.o.o. \n12.000,00 EUR  \n \nLook Around je video igra istraživanja i rješavanja prostornih zagonetki (eng. third person \npuzzler) za dva igrača s lokalnim (dijeljeni zaslon, eng. splitscreen) i mrežnim načinom \nigranja. Igrači koriste dva različita lika: psa i mačku, tako da svaki igrač upravlja jednim \nlikom, a oba lika posjeduju različite i komplementarne sposobnosti te moraju surađivati kao \ntim kako bi uspješno riješili zagonetke. Igranje je podijeljeno u niz linearnih razina, a svaka je \nsamostalni skup zagonetki. Look Around je prekrasan koncept iskusnog razvojnog tima sa \nizrazito kvalitetnim vizualnim stilom, igra prikladna za sve dobne skupine i igranje sa \nprijateljima i obitelji. \n \n \n \n \n\n\f\nMINTOJI WORLD (Razvoj projekta) \nGlavni autor: Livio Rajh \nPrijavitelj: Custoys Lab d.o.o. \n10.042,00 EUR  \n \nMintoji World je vesela akcijsko-platformska igra u šarenom svijetu Mintoji likova – izvrsno \nrealiziranim svojevrsnim verzijama emotikona koji preodijevanjem poprimaju nove i različite \nkarakteristike u okolišu i razinama u kojima se odvija igra. Igra je podijeljena na razine \nbazirane na stvarnim fazama života: npr. rano djetinjstvo, školovanje, fakultet, rana karijera, \nroditeljstvo, itd. u kombinaciji i kontrastu sa fiktivnim i fantastičnim elementima prikladnijim za \nsvijet baziran na igračkama i emotikonima: Kaiju čudovišta, sirene, duhovi, zombiji, \nsuperheroji, itd. Radi se o izrazito simpatičnom, zabavnom i kvalitetnom konceptu sjajnog \nvizualnog stila već u ovoj ranoj fazi razvoja. \n \n \n \nOBALA (Razvoj projekta) \nGlavni autor: Mirko Fabris \nPrijavitelj: KRAV, informatički obrt, vl. Mirko Fabris \n12.000,00 EUR  \n \nObala je mirna i vedra igra gradnje gradova u kojoj igrači stvaraju naselja duž niza otoka \ninspiriranih hrvatskom obalom početkom 16. stoljeća, te, povezivanjem brodskih ruta, \npomažu svom malom arhipelagu da napreduje i raste. Cilj je stvoriti sporu i opuštajuću \nsimulaciju života na hrvatskim otocima u kojoj igrači grade mala šarmantna sela i gradove \nduž obale i upravljaju njihovim svakodnevnim aktivnostima kao što su ribolov i trgovina.  \nCilj Obale nije rekreirati povijesne trenutke, već iskoristiti povijesno okruženje kao pozadinu, \nprikazati razvoj obalnih mjesta i gradova i oponašati izazove njihove svakodnevice. Razine \nigre se uglavnom temelje na stvarnim postojećim lokacijama, ali igrač će imati mogućnost \nkreiranja alternativne povijesti dok odluči graditi i optimizirati svoja naselja na bilo koji način. \n \n \n \nOPERA MEANS WORK (Razvoj projekta) \nGlavni autor: Aleksandar Gavrilović \nPrijavitelj: Gamechuck d.o.o. \n12.000,00 EUR  \n \nOpera Means Work je narativna menadžerska igra vođenja operne kuće u kojoj igrači \nstvaraju i uvježbavaju opere, njeguju odnose sa glumcima i članovima ekipe, kreiraju scene, \nrekvizite i kostime, upravljaju budžetima, održavaju premijere i pomažu svom malom timu da \nnapreduje i raste. Priča prati Richarda Wagnera koji vodi opernu kuću iz 19. stoljeća koju je \nsam izgradio (Bayreuth Festival Theatre) i koristi je za izvođenje svojih vrlo kreativnih i vrlo \nskupih opera. Projekt je originalan, edukativan, duhovit i vrlo zanimljivo koncipiran - na \ninovativan način spaja dva naoko nespojiva svijeta opere i videoigara. \n \n \n \n\n\f\nPOMPEII: THE LAGACY (Razvoj projekta) \nGlavni autor: Željko Kos \nPrijavitelj: Intercorona d.o.o. \n12.000,00 EUR \n \nPompeii: The Legacy je povijesna igra izgradnje grada (eng. City builder) u kojoj je glavni cilj \ngraditi, stvarati i upravljati gradom Pompeii. Igrač osim gradnje grada mora savladavati \nrazne zadatke koje mu zadaju savjetnici, suradnici i rimski car, te je također naglašena \ntrgovina i upravljanje trgovačkom flotom sa brojnim mediteranskim gradovima među kojima \nsu Pula, Salona i Narona. Razvojni tim koristi tehniku fotogrametrije (eng. photogrametry) \nprilikom kreiranja objekata za igru, te, zbog vjerodostojnosti korisničkog iskustva, planiraju \nskenirati razne objekte u hrvatskim gradovima bogatim rimskom ostavštinom. \n \n \n \nTRAVEL FEVER (Razvoj projekta - DEBITANT) \nGlavni autor: Staša Čelan \nPrijavitelj: Focus Media d.o.o. \n8.000,00 EUR  \n \nTravel Fever (Putna Groznica) je humoristična interaktivna 2D puzzle avantura u trećem licu, \ns fokusom na savladavanju zadataka u određenom vremenskom roku, bazirana na \nplaniranju godišnjeg odmora i neočekivanim preprekama koje iskaču pred putnike na \nnjihovim putovanjima kroz Hrvatsku. U biti je to interaktivna grafička novela podijeljena na \netape putovanja, ispunjena simpatičnim likovima koji se bore sa svim poznatim frustracijama \nkoje nas prožimaju kad krećemo na put. Igrač tijekom igranja upoznaje povijest i \nznamenitosti hrvatskih regija, dok se istovremeno zabavlja i uči kako se kulturnim \nponašanjem postiže više negoli agresivnim pristupom problemu. \n \n \n \nSTRAY HEARTS (Razvoj projekta) \nGlavni autor: Senad Čauš \nPrijavitelj: GameHugger, obrt za računalne i druge usluge, vl. Senad Čauš \n8.000,00 EUR \n \nStray Hearts je narativna igra koja istražuje međuljudske odnose kroz opuštajuću mehaniku \nšetanja s psima. U igri pratimo glavnog lika koji se doseljava u stari centar Zagreba, a njegov \nizvor prihoda je šetanje pasa i obavljanje manjih zadataka za susjede. S vremenom bolje \nupoznaje svoje susjede, njihove probleme i životne priče. Koncept je vrlo dobro osmišljen \nimajući u vidu trenutno stanje tržišta igara (žanr opuštajućih igara, eng. Wholesome games), \nmoderne trendove, te tehničku izvodivost. Tema je jedinstvena, a vizualni koncepti su jako \nkvalitetni i atraktivni već u ovoj ranoj fazi planiranja. \n \n \n \n \n \n\n\f\nWAY (Razvoj projekta) \nGlavni autor: Rea Budić \nPrijavitelj: Tiny Meow Studio j.d.o.o. \n10.000,00 EUR  \n \nWay je opuštajuća, proceduralno generirana igra sa kartama (eng. deckbuilder, wholesome) \nkoja povezivanjem više žanrova stvara originalno, ugodno i zabavno iskustvo igranja. Igrač \npreuzima ulogu poštara s glavnim ciljem da raznosi poštu i pakete na otoku na kojem se \ntrenutno nalazi, te brodom putuje između otoka i mjesta na obali. Kao i prijašnji radovi \npredlagatelja, igra Way se odvija u Dalmaciji, a izazovi i likovi s kojima se igrač susreće su \ntipični za naša dalmatinska mjesta i gradove. \n \n \n \nIT TAKES A TRIBE (Razvoj projekta) \nGlavni autor: Blaž Rebernjak \nPrijavitelj: Bad Cog d.o.o. \n8.000,00 EUR  \n \nIt Takes a Tribe je inovativna strateška igra koja naglašava kreativnost igračevog izbora kroz \nrazvoj ideja, tradicija i kulturoloških elemenata njihovog plemena u proceduralno \ngeneriranom svijetu. Igra je smještena u mitološki kontekst, na razini tehnologije pračovjeka, \nodnosno lovačko-sakupljačkog društva. U svojoj srži, igra je bogata simulacija ekosustava i \npozicije ranog čovjeka u tom ekosustavu. Igračev cilj je pomoći nomadskom plemenu prvih \nljudi da prežive u opasnom svijetu i ispričaju svoju priču koja se prilagođava situacijama kroz \nkoje pleme prolazi i odlukama koje igrač donosi. \n \n \n \nZAGONETKA HOTELA KNOPP (Razvoj projekta) \nGlavni autor: Tamara Josić \nPrijavitelj: Slikovnica, vl. Tamara Josić \n8.000,00 EUR  \n \nZagonetka hotela Knopp je opuštajuća zagonetna 3D avantura inspirirana znamenitim \nlokacijama grada Novske, povijesnim događajima i djelovanjem znamenite obitelji Knopp \nkoja je utjecala na razvoj društva i kulture Novljana. Protagonistica igre je studentica Larisa \nkoja dolazi u Novsku istražiti napušteni misteriozni hotel Knopp iz 19. stoljeća o kojem se \nšire neobične priče. Kroz simpatičnu i pomalo nadnaravnu priču, Larisa rješava zagonetke \nhotela, pronalazi predmete koje može fotografirati, kombinirati i bilježiti njihova svojstva, s \nciljem rješavanja misterije i vraćanja života u napušteni hotel. \n \n \n \n \n \n \n \n\n\f\nALL LIVING THINGS (Proizvodnja) \nGlavni autor: Filip Ugrin  \nPrijavitelj: MOXO, vl. Filip Ugrin \n17.500,00 EUR \n \nAll Living Things je pomalo eksperimentalna puzzle igra iznimno originalnog i atraktivnog \nvizualnog stila i tematike koja prati poeziju nepostojećeg alkemičara iz 17-og stoljeća koji \npokušava otkriti kamen mudraca. Igra se referira na stvarne povijesne kriptične dokumente u \nkojima su alkemičari skrivali svoje procese u slikama i poeziji, te je inspirirana vizualnim \nutjecajem radova Hieronymus Boscha, Augsburškom knjigom čuda i povijesnim hermetičnim \nknjigama poput Splendor Solis-a. \n \nRješavanjem 12 kompleksnih zagonetki, igrač vitalizira knjigu te otkriva tajnoviti magnum \nopus alkemičara kroz digitalne skulpture koje su animirane vrlo jedinstvenom stop-motion \ntehnikom. U procesu razvoja projekta kreirana su nova tehnološka rješenja i Blender plugin \nkoji omogućuje 3D stop-motion tehniku animacije uz korištenje VR tehnologija, te shader koji \nemulira efekt gline ili plastelina. Ovaj jedinstveni projekt je dobitnik prošlogodišnjih potpora \nza razvoj videoigara HAVC-a  te sada prelazi u fazu proizvodnje.  \n \n \n \nBULLETS & BRAINS (Proizvodnja) \nGlavni autor: Zoran Domuzin \nPrijavitelj: Ajvar Studio d.o.o. \n10.000,00 EUR  \n \nBullets & Brains je zabavna arkadna akcijska igra iz ptičje perspektive smještena u post-\napokaliptični svijet preplavljen hordama zombija u kojoj je cilj igrača smanjiti novonastali \nkaos kombiniranjem korištenja različitih likova s različitim sposobnostima i vrstama oružja. \nVizualni stil igre inspiriran je tradicionalnim animiranim filmovima i stripovima uz jarke boje, \noštre prijelaze i duboke crne rubove. Iako je konceptualno jednostavna, igra pokazuje \nzavidnu razinu kvalitete produkcije, količine sadržaja, te modova i opcija igranja, i donosi \ndovoljnu količinu inovacija u žanr da se može smatrati suvremenim i relevantnim za domaću \naudiovizualnu umjetnost. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\nCAVE HIKERS (Proizvodnja) \nGlavni autor: Zvonimir Barać \nPrijavitelj: Porcupine Parkour j.d.o.o. \n10.000,00 EUR \n \nCave Hikers je opuštajuća i duhovita 2D interaktivna mockumentary igra s relativno \njednostavnim puzzle izazovima i mnoštvom animiranih interaktivnih elemenata. Igra je \nprezentirana u stilu prirodoslovnog dokumentarca, dok likovi komuniciraju kroz animaciju, \nsirove crteže i zbunjeno vikanje. Igrač vodi skupinu glavnih likova, odakle kreću na \nuzbudljivu avanturu izgradnje katapulta i popunjavanja papirologije kako bi se lansirali dalje \nu nepoznate dijelove njihovih špiljskih svjetova. Ovaj humorističan i vrlo originalan projekt je \ndobitnik prošlogodišnjih potpora za razvoj videoigara HAVC-a  te sada prelazi u fazu \nproizvodnje. \n \n \n \nSHELLERS.IO (Proizvodnja) \nGlavni autor: Karlo Eldić \nPrijavitelj: Fearem d.o.o. \n10.000,00 EUR  \n \nShellers.io je tzv. arena shooter (pucačina u areni) iz prvog lica za više igrača smještena u \nsvijet gdje se čovječanstvo, sada osiromašeno i u ruševinama, natječe i nalazi tračak nade u \nsportu koji je kreirao sam AI, te predstavlja viziju distopijske budućnosti gdje je društvo \nčvrsto pod kontrolom napredne umjetne inteligencije. Igra spaja intenzitet klasičnih Western \ndvoboja s futurističkim, visokotehnološkim okruženjem, nudeći jedinstveno, adrenalinom \nispunjeno iskustvo kratkih intenzivnih mečeva u kojem svaka greška znači eliminaciju. \n \nShellers.io je primarno free-to-play igra, osmišljena za web platformu (browser), koja koristi \nniz inovativnih tehnologija za mrežno igranje koje će omogućiti igračima da uživaju u igri bez \nobaveznih troškova i kao takva je izrazito inovativna i jedinstvena, sa velikim E-Sport \npotencijalom. Kroz web platformu, Shellers.io omogućuje igračima da lako pristupe igri s bilo \nkojeg mjesta i računala što ju čini izrazito pristupačnom širokom rasponu igrača, smanjujući \nbarijere korištenja.  \n \n \n \nTHE BOOK OF GRANDO (Proizvodnja) \nGlavni autor: Marko Tominić \nPrijavitelj: Red Martyr Entertainment d.o.o. \n17.500,00 EUR  \n \nThe Book of Grando je dark fantasy role-playing (RPG) igra smještena u povijesno točnu \nIstru s kraja 17. stoljeća. S dinamičnom borbom temeljenoj na fizici i kinematici te \nmehanikama igre inspiriranim folklorom, ova narativna igra usredotočuje svoju radnju na \nmisterioznu legendu o prvom zabilježenom vampiru u povijesti - Juri Grando iz Kringe. \nOvaj ambiciozan i iznimno kvalitetno pripremljen projekt je dobitnik prošlogodišnjih potpora \nza razvoj videoigara HAVC-a te sada prelazi u fazu proizvodnje. \n\n\f\nTHE DUNKERS (Proizvodnja) \nGlavni autor: Frano Petruša \nPrijavitelj: Umjetnička organizacija PET RUSA \n10.000,00 EUR  \n \nThe Dunkers je zabavna i edukativna arkadna košarkaška igra za jednog ili vise igrača, \natraktivnog stripovskog vizualnog stila i upečatljivog pristupa animiranju dinamičnih pokreta \nkošarkaških poteza koja poziva korisnike, prvenstveno djecu, da u ruke uzmu pravu loptu i \nnaučene poteze sami pokušaju na košarkaškom igralištu. Uz jednostavne savjete i trikove, \ndjeca mogu pokušati pravilno pucati, driblati, fintirati ili skakati. Igra također sadrži i narativni \nstory mod u kojem igrači prate razvoj i proboj jednog dječaka do njegovog košarkaškog sna. \nProjekt je dobitnik potpora za razvoj videoigara 2021 kod HAVC-a te sada prelazi u fazu \nproizvodnje. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"videoigre","year":2023,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati dugi igrani_ dokumentarni_ animirani PROIZVODNJA 2 ROK 2022.pdf","filename_decoded":"rezultati dugi igrani_ dokumentarni_ animirani PROIZVODNJA 2 ROK 2022.pdf","sha256":"8f69aa2dcfdbeeb11b553a90a36ccf07be89acfd98fc26d5eb1fef43b8360e92","bytes":52169,"page_count":2,"extracted_at":"2026-05-17T10:24:07Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20dugi%20igrani%2C%20dokumentarni%2C%20animirani%20PROIZVODNJA%202%20ROK%202022.pdf"},"raw_text":"NASLOV\nPRODUCENT\nODOBRENA SREDSTVA (kn)\nODOBRENA SREDSTVA (€)\n1\nVedran Štefan\nTetrabot d.o.o.\n400.000,00 kn\n53.089,12 €\n2\nDea Jagić\nKreativni sindikat\n340.000,00 kn\n45.125,75 €\n3\nPavao Stanojević\nJaka produkcija d.o.o.\n330.000,00 kn\n43.798,53 €\n4\nLuka Vucić\nKinoteka d.o.o.\n350.000,00 kn\n46.452,98 €\n5\nTomislav Gregl\nMaxima film d.o.o.\n220.000,00 kn\n29.199,02 €\n6\nDinko Kumanović\nUstanova Zagreb film\n200.000,00 kn\n26.544,56 €\n1.840.000,00 kn\n244.209,97 €\n1\nJudita Gamulin\nEclectica d.o.o.\n3.600.000,00 kn\n477.802,11 €\n2\nLana Barić\nPropeler Film d.o.o.\n3.900.000,00 kn\n517.618,95 €\n3\nLaura Pascu\nUdruga Blank\n270.000,00 kn\n35.835,16 €\n7.770.000,00 kn\n1.031.256,22 €\n1\nMarina Andree Škop, \nVanda Raýmanová\nPomPom Film d.o.o.\n4.300.000,00 kn\n570.708,08 €\n2\nNevio Marasović\nŠlager film d.o.o.\n230.000,00 kn\n30.526,25 €\n4.530.000,00 kn\n601.234,32 €\n1\nArsen Oremović\nInter film d.o.o.\n385.000,00 kn\n51.098,28 €\n2\nDaniel Pavlić\nUdruga za audiovizualno \nstvaralaštvo Artizana\n400.000,00 kn\n53.089,12 €\n3\nGoran Dević\nPetnaesta umjetnost d.o.o.\n330.000,00 kn\n43.798,53 €\n1.115.000,00 kn\n147.985,93 €\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE PROIZVODNJE FILMOVA u 2022. - 2. ROK - 15.9.2022., 6. sjednica Hrvatskog \naudiovizualnog vijeća 15.12.2022.\nanimirani filmovi\nOstavi vrata \notvorena\nEva nakon pada\nSvijet smeća\nMajuškove \npustolovine\nBez efekta\ndebitantski dugometražni igrani filmovi\nUKUPNO ANIMIRANI FILMOVI\nSrcolom\nREDATELJ/ICA\nMotorizirana žablja \nbrigada\nU iščekivanju\ndugometražni igrani filmovi\nfilm u postprodukcijskoj fazi\nMeđu nama\nGlavonja\nfilm u postprodukcijskoj fazi\nUKUPNO DEBITANTSKI DUGOMETRAŽNI IGRANI FILMOVI\nŠlager\nUKUPNO DUGOMETRAŽNI IGRANI FILMOVI\ndugometražni dokumentarni filmovi\nTreći svijet\nPrašina u vitrini\nPaviljon 6 \nUKUPNO DUGOMETRAŽNI DOKUMENTARNI FILMOVI\n\n\f\n1\nJozo Schmuch\nAntitalent d.o.o.\n100.000,00 kn\n13.272,28 €\n2\nNikola Strašek\nFactum\n180.000,00 kn\n23.890,11 €\n3\nMonika Herceg\nFantastično dobra institucija \n- Fade In d.o.o.\n110.000,00 kn\n14.599,51 €\n4\nNeda Hana Radić\nMetar60\n170.000,00 kn\n22.562,88 €\n5\nPaula Skelin\nUdruga Blank\n125.000,00 kn\n16.590,35 €\n6\nSunčica Ana Veldić\nUstanova Zagreb film\n150.000,00 kn\n19.908,42 €\n7\nAnte Zlatko Stolica, \nDora Slakoper\nUstanova Zagreb film\n150.000,00 kn\n19.908,42 €\n985.000,00 kn\n130.731,97 €\nkratkometražni dokumentarni filmovi\nIzlet\nHeroin, kruh i \nrudnici sumpora\nUKUPNO KRATKOMETRAŽNI DOKUMENTARNI FILMOVI\nJoso\nMoj prapradjed \nArnošt Grund\nPoluotok\nMoj stan Držislav\nZalagaonica\n","warnings":["section0_row_numbers_not_sorted"],"document":{"program_type":"proizvodnja","natjecaj_title":"rezultati dugi igrani_ dokumentarni_ animirani PROIZVODNJA 2 ROK 2022","year":2022,"rok":"2. rok","natjecaj_date":"2022-09-15","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","REDATELJ/ICA","PRODUCENT","ODOBRENA SREDSTVA (kn)","ODOBRENA SREDSTVA 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Dea Jagić despite mildly scrambled title ordering."},"entity":"Kreativni sindikat","row_id":"8f69aa2d:s0:8cf8aae45d3c","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_6378b275f8f8","project_family_title":"U iščekivanju"},{"row_number":3,"project_title":"Svijet smeća","applicant":"Jaka produkcija d.o.o.","production_company":"Jaka produkcija d.o.o.","director":"Pavao Stanojević","writer":null,"original_author":null,"category":"Animirani","approved_amount_text":"43.798,53 €","approved_amount":43798.53,"currency":"EUR","extras":{"col_1":"3","REDATELJ/ICA":"Pavao Stanojević","ODOBRENA SREDSTVA (€)":"43.798,53 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smeća"},{"row_number":4,"project_title":"Srcolom","applicant":"Kinoteka d.o.o.","production_company":"Kinoteka d.o.o.","director":"Luka Vucić","writer":null,"original_author":null,"category":"Animirani","approved_amount_text":"46.452,98 €","approved_amount":46452.98,"currency":"EUR","extras":{"col_1":"4","REDATELJ/ICA":"Luka Vucić","ODOBRENA SREDSTVA (€)":"46.452,98 €","repair_v1":{"changes":[{"field":"approved_amount","from":350000.0,"to":46452.98,"reason":"kn_text_with_eur_column_in_extras","confidence":"high"},{"field":"approved_amount","from":46452.98,"to":6165.37,"reason":"kn_text_with_eur_currency_convert_hrk_to_eur","confidence":"medium"},{"field":"approved_amount_text","from":"350.000,00 kn","to":"6.165,37 €","reason":"align_amount_text_with_converted_eur_value","confidence":"medium"},{"field":"approved_amount","from":6165.37,"to":46452.98,"reason":"authoritative_extras_odobrena_sredstva_eur","confidence":"high"},{"field":"approved_amount_text","from":"6.165,37 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umjetnosti\nProgrami stručnog usavršavanja.\nSudjelovanje studenata na međunarodnoj konferenciji o scenskoj \nrasvjeti 'Showlight 2017.'; Firenca, Italija; 19. do 24. svibnja 2017.\n3.800,00 kn\n2\nAkademija dramske umjetnosti\nProgrami stručnog usavršavanja.\nSudjelovanje studenata na 13. međunarodnom festivalu \nstudentskih filmova FEST - New Directors/New Films; Espinho, \nPortugal; 19. do 26. lipnja 2017.\n3.000,00 kn\n3\nAntitalent d.o.o.\nPitching, koprodukcijski forumi i programi \nza razvoj projekta. Međunarodni filmski \nsajmovi.\nSudjelovanje redatelja i producenta s projektom kratkometražnog \nfilma 'Posljednji bunar', red. F. Filkovića na  koprodukcijskom \npostprodukcijskom sajmu C3PM u okviru 12. međunarodnog \nfestivala kratkometražnog filma Paris Courts Devant; Pariz, \nFrancuska; 29. studenog do 06. prosinca 2016.\n2.668,00 kn\n4\nFantastično dobra institucija - \nFade In\nPitching, koprodukcijski forumi i programi \nza razvoj projekta. Međunarodni filmski \nsajmovi.\nSudjelovanje producentice na međunarodnoj filmskoj platformi \nEast Doc; Prag, Češka; 07. do 13. ožujka 2017.\n2.600,00 kn\n5\nFilmska udruga Motion\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje autorskog tima i predstavljanje kratkometražnog \nigranog filma 'U Plavetnilo', red. A. A. Kusijanović u službenom \nprogramu 67. međunarodnog filmskog festivala u Berlinu, \nNjemačka; 09. do 19. veljače 2017.\n28.600,00 kn\n6\n Hrvatski filmski savez\nOstali programi.\nSudjelovanje autorica i članice organizacijskog tima Revije i Four \nRiver FF na 16. međunarodnom filmskom festivalu djece i mladeži \nCamera Zizanio; Pygros, Grčka; 03. do 10. prosinca 2016.\n5.400,00 kn\n7\nKatarina Zrinka Matijević\nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redateljice i predstavljanje dugometražnog igranog \nfilma 'Trampolin', red. K. Z. Matijević u konkurenciji 35. \nmeđunarodnog filmskog festivala Urugvaj; Montevideo, Urugvaj; \n06. do 15. travnja 2017.\n10.000,00 kn\n8\nKinematograf d.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje članova autorskog tima i predstavljanje \nkratkometražnog igranog filma 'Trešnje', red. D. Turić na programu \nDirectors' Fortnight  70. međunarodnog filmskog festivala u \nCannesu, Francuska; 23. do 29. svibnja 2017.\n45.480,00 kn\n9\nKrupni kadar\n Pitching, koprodukcijski forumi i \nprogrami za razvoj projekta.\nSudjelovanje redatelja i producenta s projektom kratkometražnog \nanimiranog filma 'Biciklisti', red. V. Popovića na međunarodnom \nkoprodukcijskom marketu Euro Connection u sklopu Clermont-\nFerrand Short Film Marketa; Clermont-Ferrand, Francuska; 05. do \n09. veljače 2017.\n5.500,00 kn\n10\nNukleus Film d.o.o.\n Pitching, koprodukcijski forumi i \nprogrami za razvoj projekta.\nSudjelovanje producenta i redateljice i predstavljanje \ndugometražnog igranog filma 'ALFA', red. U. Gunjak na \nmeđunarodnom filmskom festivalu u Trstu i pitching forumu \nWhen East Meets West; Italija, Trst; 22. do 24. siječnja 2017.\n1.000,00 kn\n11\nPavao Marinković\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redatelja i predstavljanje dugometražnog igranog \nfilma 'Ministarstvo ljubavi', red. P. Marinkovića u službenom \nprogramu 50. međunarodnog filmskog festivala u Houstonu, \nTexas, SAD; 21. do 30. travnja 2017.\n3.900,00 kn\n12\nPavao Marinković\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redatelja i predstavljanje dugometražnog igranog \nfilma 'Ministarstvo ljubavi', red. P. Marinkovića u službenom \nprogramu 26. međunarodnog filmskog festivala u Minneapolisu, \nSAD; 13. do 29. travnja 2017.\n3.900,00 kn\n13\nREA - udruga za suvremene \numjetničke i arhitektonske \nprodukcije\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redateljice i predstavljanje kratkometražnog \neksperimentalnog filma 'Partenza', red. R. Poljak u ICI -  \nIndependent Curators International; New York, SAD; 22. do 30. \ntravnja 2017.\n7.650,00 kn\n14\nRestart\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje članova autorskog tima  i predstavljanje \ndugometražnog dokumentarnog filma 'Moj život bez zraka', red. B. \nBurnać u službenoj konkurenciji međunarodnog filmskog festivala \nHot Docs; Toronto, Kanada; 29. travnja do 05. svibnja 2017.\n38.000,00 kn\n15\nStudio Pangolin\nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje članova autorskog tima i predstavljanje \ndugometražnog igrano-dokumentarnog filma 'Kratki izlet', red. I. \nBezinovića u programu 'Bright Future' 46. međunarodnog filmskog \nfestivala u Rotterdamu, Nizozemska; 25. siječnja do 05. veljače \n2017.\n17.960,00 kn\n16\nUdruga za audiovizualno \nstvaralaštvo Artizana\nProgrami predstavljanja i promocije \nfilmova.\nOrganizacija programa pod nazivom 'Ciklus hrvatskog filma u \nVojvodini'; Subotica, Tavankut; 01. svibnja do 31. prosinca 2017.\n13.200,00 kn\nUKUPNO:\n192.658,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2017. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 17. veljače 2017. \nNova ves 18  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 085  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JP_medjunarodna_rezultati_rok_17_02_2017","year":2017,"rok":null,"natjecaj_date":"2017-05-24","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PREDLAGATELJ","VRSTA PROGRAMA","NAZIV PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje studenata na međunarodnoj konferenciji o scenskoj rasvjeti 'Showlight 2017.'; Firenca, Italija; 19. do 24. svibnja 2017.","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.800,00 kn","approved_amount":3800.0,"currency":"HRK","extras":{"col_1":"1","NAZIV PROGRAMA":"Sudjelovanje studenata na međunarodnoj konferenciji o scenskoj rasvjeti 'Showlight 2017.'; Firenca, Italija; 19. do 24. svibnja 2017.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"90515bd1:s0:41da4ebf89c6","curation":{"changes":[{"field":"project_title","from":"Programi stručnog usavršavanja.","to":"Sudjelovanje studenata na međunarodnoj konferenciji o scenskoj rasvjeti 'Showlight 2017.'; Firenca, Italija; 19. do 24. svibnja 2017.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_30b1689f3eb5","project_family_title":"Sudjelovanje studenata na međunarodnoj konferenciji o scenskoj rasvjeti 'Showlight 2017.'; Firenca, Italija; 19. do 24. svibnja 2017."},{"row_number":2,"project_title":"Sudjelovanje studenata na 13. međunarodnom festivalu studentskih filmova FEST - New Directors/New Films; Espinho, Portugal; 19. do 26. lipnja 2017.","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.000,00 kn","approved_amount":3000.0,"currency":"HRK","extras":{"col_1":"2","NAZIV PROGRAMA":"Sudjelovanje studenata na 13. međunarodnom festivalu studentskih filmova FEST - New Directors/New Films; Espinho, Portugal; 19. do 26. lipnja 2017.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"90515bd1:s0:d8effaa488cb","curation":{"changes":[{"field":"project_title","from":"Programi stručnog usavršavanja.","to":"Sudjelovanje studenata na 13. međunarodnom festivalu studentskih filmova FEST - New Directors/New Films; Espinho, Portugal; 19. do 26. lipnja 2017.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_31af2025f10d","project_family_title":"Sudjelovanje studenata na 13. međunarodnom festivalu studentskih filmova FEST - New Directors/New Films; Espinho, Portugal; 19. do 26. lipnja 2017."},{"row_number":3,"project_title":"Sudjelovanje redatelja i producenta s projektom kratkometražnog filma 'Posljednji bunar', red. 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Filkovića na koprodukcijskom postprodukcijskom sajmu C3PM u okviru 12. međunarodnog festivala kratkometražnog filma Paris Courts Devant; Pariz, Francuska; 29. studenog do 06. prosinca 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_12aba1ec94cb","project_family_title":"Sudjelovanje redatelja i producenta s projektom kratkometražnog filma 'Posljednji bunar', red. F. 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Category corrected.","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Nukleus Film d.o.o.","row_id":"90762bc2:s0:9a2d2b239df8","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e5561b8822ab","project_family_title":"Okupirano kino"},{"row_number":null,"project_title":"U slučaju rata","applicant":"Hulahop d.o.o.","production_company":"Hulahop d.o.o.","director":"Jan Gebert","writer":null,"original_author":null,"category":"Dugometražni dokumentarni film","approved_amount_text":"180.000,00 kn","approved_amount":180000.0,"currency":"HRK","extras":{"col_1":"U slučaju rata","REDATELJ/ICA":"Jan Gebert","col_5":"Hulahop d.o.o.","col_8":"Pink Productions s.r.o. (Češka)","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_inline_header_context","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"parity_original_project_title":"U slučaju rata - Jan Gebert - Hulahop d.o.o. - Pink Productions s.r.o. (Češka)","parity_original_applicant":null,"parity_original_production_company":null,"parity_original_director":null,"parity_original_category":"Dokumentarni","parity_action":"fix","parity_reasoning":"Concatenated fields; split. Category corrected.","parity_validated_at":"2026-05-18T08:38:47Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Hulahop d.o.o.","row_id":"90762bc2:s0:f372e6c073b6","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_1fcce6731b7a","project_family_title":"U slučaju rata"}],"section_total_text":"1.280.000,00 kn","section_total":1280000.0}],"totals":{"ukupno_text":null,"ukupno":1280000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":1280000.0,"ukupno_match":true,"row_count":5,"awarded_count":5,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":5}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"proizvodnja animirani obrazlozenje _rok 4.11._.pdf","filename_decoded":"proizvodnja animirani obrazlozenje _rok 4.11._.pdf","sha256":"90ea6df57ecfc808893764586a99f51c2451ddb2739b0b253bd729a1ec018800","bytes":31624,"page_count":2,"extracted_at":"2026-05-17T12:01:45Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/proizvodnja%20animirani%20obrazlozenje%20%28rok%204.11.%29.pdf"},"raw_text":"JAVNI\t\r  POZIV\t\r  ZA\t\r  POTICANJE\t\r  AUDIOVIZUALNIH\t\r  DJELATNOSTI\t\r  I\t\r  STVARALAS3TVA\t\r  U\t\r  \n2019.\t\r  GODINI\t\r  \n\t\r  \nKategorija:\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  \nRok:\t\r  4.\t\r  studenog\t\r  2019.\t\r  \n\t\r  \nNa\t\r  drugi\t\r  natječajni\t\r  rok\t\r  Javnog\t\r  poziva\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  \nu\t\r  2019.\t\r  godini\t\r  prijavljeno\t\r  je\t\r  i\t\r  razmatrano\t\r  sveukupno\t\r  šesnaest\t\r  (16)\t\r  projekata.\t\r  \t\r  \nPonovno\t\r  je\t\r  u\t\r  pitanju\t\r  veliki\t\r  broj\t\r  debitantskih\t\r  prijava,\t\r  njih\t\r  čak\t\r  devet\t\r  (9),\t\r  što\t\r  je\t\r  \nindikativan\t\r  podatak\t\r  s\t\r  obzirom\t\r  na\t\r  očit\t\r  porast\t\r  u\t\r  kvaliteti\t\r  animiranog\t\r  filma\t\r  u\t\r  \nHrvatskoj\t\r  i\t\r  vidnoj\t\r  zainteresiranosti\t\r  mlađih\t\r  generacija\t\r  (i\t\r  profesionalaca\t\r  iz\t\r  srodnih\t\r  \npodručja)\t\r  da\t\r  sudjeluju\t\r  u\t\r  aktualnoj\t\r  autorskoj\t\r  i\t\r  animatorskoj\t\r  sceni.\t\r  \nNešto\t\r  je\t\r  manji\t\r  broj\t\r  prijava\t\r  za\t\r  dječje\t\r  filmove\t\r  od\t\r  kojih\t\r  su\t\r  dvije\t\r  adaptacije\t\r  već\t\r  \npostojećih\t\r  slikovnica.\t\r  Uz\t\r  nekoliko\t\r  primjera\t\r  lutka-­‐‑filma\t\r  i\t\r  3D\t\r  animacije,\t\r  što\t\r  se\t\r  tiče\t\r  \nprijavljenih\t\r  tehnika\t\r  i\t\r  dalje\t\r  prevladava\t\r  2D\t\r  digitalna\t\r  animacija\t\r  koja\t\r  se\t\r  očito\t\r  \npokazuje\t\r  kao\t\r  najbolja\t\r  zamjena\t\r  za\t\r  sada\t\r  već\t\r  gotovo\t\r  nestalu\t\r  klasičnu\t\r  rukom\t\r  crtanu\t\r  \nanimaciju.\t\r  Od\t\r  \"starijih\"\t\r  tehnika,\t\r  na\t\r  ovom\t\r  natječajnom\t\r  roku\t\r  pojavljuje\t\r  se\t\r  također\t\r  \nveć\t\r  zanemarena,\t\r  poprilično\t\r  zahtjevna\t\r  tehnika\t\r  animiranja\t\r  ulja\t\r  na\t\r  staklu.\t\r  \n\t\r  \nSpecifičnost\t\r  natječajnog\t\r  roka\t\r  nalazi\t\r  se\t\r  u\t\r  velikom\t\r  broju\t\r  ponovno\t\r  prijavljenih\t\r  \nprojekata,\t\r  koji\t\r  su\t\r  svi\t\r  uvelike\t\r  bili\t\r  iznimno\t\r  dorađeniji\t\r  i\t\r  na\t\r  različite\t\r  načine\t\r  \nkvalitativno\t\r  unaprijeđeni.\t\r  Ovo\t\r  je\t\r  indikacija\t\r  da\t\r  natječajni\t\r  rokovi\t\r  sa\t\r  zanimljivim\t\r  i\t\r  \n\"jakim\"\t\r  projektima\t\r  postaju\t\r  pravilo\t\r  te\t\r  da\t\r  je\t\r  scena\t\r  animiranog\t\r  filma\t\r  u\t\r  Hrvatskoj\t\r  u\t\r  \nrastu\t\r  i\t\r  zavidnom\t\r  razvoju.\t\r  \n\t\r  \nOd\t\r  predloženih\t\r  projekata\t\r  jedan\t\r  je\t\r  stop\t\r  animirani\t\r  lutka-­‐‑\t\r  film,\t\r  novi\t\r  projekt\t\r  već\t\r  \ndokazanog\t\r  kreativnog\t\r  dvojca\t\r  Ivane\t\r  Bošnjak\t\r  i\t\r  Thomasa\t\r  Johnsona,\t\r  pod\t\r  nazivom\t\r  \nAPATIJA.\t\r  Sveopće\t\r  raširenom\t\r  pojavom\t\r  iz\t\r  naslova\t\r  bave\t\r  se\t\r  kroz\t\r  priču\t\r  o\t\r  mladoj\t\r  \nkonobarici\t\r  i\t\r  gostima\t\r  kafića\t\r  u\t\r  kojem\t\r  radi,\t\r  a\t\r  koja\t\r  kroz\t\r  niz\t\r  unutrašnjih\t\r  i\t\r  vanjskih\t\r  \nborbi\t\r  nađe\t\r  način\t\r  da\t\r  iz\t\r  takvog\t\r  učmalog\t\r  i\t\r  teškog\t\r  stanja\t\r  izađe.\t\r  \t\r  \n\t\r  \nJoš\t\r  jedan\t\r  animatorski\t\r  \"međunarodni\"\t\r  tandem\t\r  priprema\t\r  novi\t\r  projekt,\t\r  kratki\t\r  2D\t\r  \nanimirani\t\r  film\t\r  pod\t\r  nazivom\t\r  EVA.\t\r  Lucija\t\r  Mrzljak\t\r  i\t\r  Morten\t\r  Tšinakov,\t\r  nakon\t\r  vrlo\t\r  \nuspješnog\t\r  prvijenca\t\r  osmislili\t\r  su\t\r  film\t\r  o\t\r  mladoj\t\r  ženi\t\r  koja\t\r  upravo\t\r  ostaje\t\r  udovica.\t\r  \nNadrealan\t\r  i\t\r  pomalo\t\r  začudni\t\r  pristup\t\r  koji\t\r  su\t\r  imali\t\r  u\t\r  svojem\t\r  prvom\t\r  radu,\t\r  \nnastavljaju\t\r  i\t\r  u\t\r  ovom\t\r  novom,\t\r  apsurdom\t\r  i\t\r  tragikomikom\t\r  nabijenom\t\r  projektu.\t\r  \n\t\r  \nSvoj\t\r  drugi\t\r  profesionalni\t\r  film\t\r  priprema\t\r  i\t\r  mlada\t\r  autorica\t\r  Lucija\t\r  Bužančić.\t\r  IZ\t\r  \nGETA\t\r  film\t\r  je\t\r  iznimne\t\r  likovnosti\t\r  koji\t\r  kroz\t\r  vrlo\t\r  vještu\t\r  režiju\t\r  pokazuje\t\r  \nsvakodnevicu\t\r  jednog\t\r  dalmatinskog\t\r  grada\t\r  kojeg\t\r  polako\t\r  preuzimaju\t\r  biljke.\t\r  Priča\t\r  je\t\r  \nto\t\r  o\t\r  gentrifikaciji\t\r  i\t\r  o\t\r  rastućem\t\r  problemu\t\r  masovnog\t\r  turizma\t\r  ispričana\t\r  na\t\r  \njednostavan,\t\r  ali\t\r  dojmljiv\t\r  i\t\r  komičan\t\r  način.\t\r  \n\t\r  \n\t\r  \n\n\f\n\t\r  \nTakođer\t\r  likovno\t\r  upečatljiv,\t\r  film\t\r  je\t\r  autora\t\r  Branka\t\r  Farca,\t\r  pod\t\r  nazivom\t\r  \nPSYCHOGRAPHIC.\t\r  Glavnog\t\r  protagonista,\t\r  slikara\t\r  i\t\r  njegov\t\r  odnos\t\r  s\t\r  kćeri,\t\r  \nupoznajemo\t\r  kroz\t\r  bogat\t\r  svijet\t\r  njegovih\t\r  slika.\t\r  Dinamičan\t\r  i\t\r  začudan,\t\r  ovaj\t\r  film\t\r  na\t\r  \nprekrasan\t\r  način\t\r  koristi\t\r  mogućnosti\t\r  animacije\t\r  da\t\r  bi\t\r  dočarao\t\r  stvarnost\t\r  jednog\t\r  \numjetnika\t\r  i\t\r  njegove\t\r  unutarnje\t\r  borbe.\t\r  \t\r  \nIzrazito\t\r  neobičan\t\r  projekt\t\r  FAČUK,\t\r  autorice\t\r  Maide\t\r  Srabović,\t\r  pravo\t\r  je\t\r  iznenađenje\t\r  \nnatječajnog\t\r  roka,\t\r  tim\t\r  više\t\r  što\t\r  se\t\r  radi\t\r  o\t\r  debitantskoj\t\r  prijavi.\t\r  Iako\t\r  je\t\r  i\t\r  više\t\r  nego\t\r  \ntragična,\t\r  ova\t\r  priča\t\r  o\t\r  podravskom\t\r  selu\t\r  u\t\r  kojem\t\r  se\t\r  rađaju\t\r  \"fačuki\",\t\r  odnosno\t\r  \nnezakonita\t\r  djeca,\t\r  koje\t\r  seoski\t\r  velečasni\t\r  potom\t\r  utapa\t\r  u\t\r  rijeci,\t\r  sadrži\t\r  u\t\r  sebi\t\r  vrlo\t\r  \ninspirativnu\t\r  poruku\t\r  o\t\r  vjeri\t\r  u\t\r  čovjeka\t\r  i\t\r  u\t\r  njegove\t\r  stvarne\t\r  vrijednosti.\t\r  \t\r  Opskuran\t\r  \nvizual\t\r  koji\t\r  proizlazi\t\r  iz\t\r  djela\t\r  naivnog\t\r  slikara\t\r  Mije\t\r  Kovačića,\t\r  a\t\r  čime\t\r  film\t\r  dobiva\t\r  i\t\r  \njednu\t\r  \"autohtonu\"\t\r  hrvatsku\t\r  notu,\t\r  dodaje\t\r  na\t\r  originalnosti\t\r  i\t\r  upečatljivosti\t\r  \ncjelokupnog\t\r  filma.\t\r  \n\t\r  \nMeđu\t\r  predloženima\t\r  je\t\r  i\t\r  jedan\t\r  izrazito\t\r  topao\t\r  film\t\r  za\t\r  najmlađu\t\r  publiku\t\r  pod\t\r  \nnazivom\t\r  TONKA\t\r  ĆE\t\r  SUTRA,\t\r  također\t\r  debitantice\t\r  Morane\t\r  Dolenc.\t\r  Iako\t\r  je\t\r  \nnamijenjen\t\r  djeci,\t\r  u\t\r  njemu\t\r  će\t\r  se\t\r  i\t\r  odrasli\t\r  lako\t\r  prepoznati,\t\r  budući\t\r  da\t\r  je\t\r  glavni\t\r  lik\t\r  \ndjevojčica\t\r  koja\t\r  stalno\t\r  svoje\t\r  obaveze\t\r  ostavlja\t\r  za\t\r  sutra.\t\r  Kako\t\r  će\t\r  se\t\r  te\t\r  loše\t\r  navike\t\r  \nriješiti,\t\r  pokazat\t\r  će\t\r  joj\t\r  baka\t\r  i\t\r  djed.\t\r  Tonka\t\r  će,\t\r  kao\t\r  i\t\r  najmlađi\t\r  gledatelji,\t\r  biti\t\r  \nzabavljena,\t\r  a\t\r  pri\t\r  tome\t\r  i\t\r  naučiti\t\r  vještinu\t\r  za\t\r  cijeli\t\r  život.\t\r  \t\r  \n\t\r  \nSveukupna\t\r  potpora\t\r  je\t\r  1.835.000,00\t\r  kn\t\r  za\t\r  6\t\r  projekata.\t\r  \t\r  \nUmjetnička\t\r  savjetnica\t\r  za\t\r  animirani\t\r  film\t\r  \nPetra\t\r  Zlonoga\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"WEB%202023%20_3%20KD%20sazetak%20KRATKI%20DOKU.pdf","filename_decoded":"WEB%202023%20_3%20KD%20sazetak%20KRATKI%20DOKU.pdf","sha256":"913ec8a65016d5fed1609c5f577c3175273ddf383d92c51d0c261e415e845df9","bytes":49740,"page_count":1,"extracted_at":"2026-05-16T15:36:57Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%202023%20_3%20KD%20sazetak%20KRATKI%20DOKU.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. \nROK, 2023. DOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac  \nKATEGORIJA: \nPOTICANJE \nPROIZVODNJE \nFILMOVA \n- \nKRATKOMETRAŽNI \nDOKUMENTARNI FILM – 15. ožujka 2023.  \nOPĆI OSVRT  \n \nNa javni poziv u kategoriji proizvodnje kratkometražnog dokumentarnog filma u 1. \nroku 2023. godine prijavljeno je sveukupno 9 projekata. Od toga niti jedan projekt \nnije prijavljen u fazi postprodukcije. Od 9 projekata, osam je razmatrano, jedan je \npovukao prijavu, a neki su ponovili prijavu s ili bez unapređenja koncepta.  \nVeći dio prijavljenih projekata ne prezentira autorsku jakost i jasnoću u pristupu ili \nprojektom pak nije prikazana spremnost produkcije i autora za ulazak fazu \nproizvodnje. Neki su se projekti ipak istaknuli kao jasni, inovativni i društveno \nrelevantni filmovi u nastajanju.  \nOdobrena su ukupno 2 projekta za sufinanciranje u ovoj kategoriji u ukupnom \niznosu od 35.000,00 eura. Odobreni projekti iskaču društvenom relevantnošću, \noriginalnošću u pristupu temi i dobro pripremljenim produkcijskim paketom.    \n \n1. NEVIDLJIVI  Mario Papić (redatelj i scenarist) / Maja Tondini (producentica)  /  \nRenko d.o.o. (produkcija) –17.000,00 eur  \n \nFilm se temelji na izravnim svjedočanstvima ljudi koji imaju iskustvo življenja na ulici \nkao beskućnici. Intencija filma je stjecanje potpunijeg razumijevanja iskustva života u \nstatusu beskućnika. Film ukazuje na društvenu marginalizaciju beskućnika te njihov \nstatus i probleme te skreće pažnju na velik broj ljudi koji žive u siromaštvu uz \nprijetnju opasnosti da postanu beskućnici.  \n \n2. U SEDMOM NEBU  Jelena Ratko  (redateljica i scenaristica) / Igor Jelinović \n(producent) / Udruga Blank  (produkcija)18.000,00 eur  \n \nRedateljica predstavljajući film «U sedmom nebu»  u centar dramaturgije stavlja \nsvoju baku Maricu, koja supruga Janoša upoznaje krajem pedesetih godina u \nZagrebu. Kao bračni par, većinu svoga vijeka provode u Čabru, gdje zajedno žive, \nrade i stare. Danas više ništa nije isto kao prije – samo napuštene tvornice i prazna \nsela. Marica se prisjeća dana u kojima je čabarski kraj “živio”, zajedničkih početaka u \nZagrebu, pritom fotografije govore u ime njezina supruga.  \n \n \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. ROK, 2023. DOKUMENTARNI FILM - KATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - KRATKOMETRAŽNI DOKUMENTARNI FILM – 15. ožujka 2023.","year":2023,"rok":"1. rok","natjecaj_date":"2023-03-15","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"POTICANJE PROIZVODNJE FILMOVA - KRATKOMETRAŽNI DOKUMENTARNI FILM","section_key":"kratkometrazni_dokumentarni","columns":["NASLOV","REDATELJ/SCENARIST","PRODUCENT","PRODUKCIJA","ODOBRENO"],"rows":[{"row_number":1,"project_title":"NEVIDLJIVI","applicant":"Renko d.o.o.","production_company":"Renko d.o.o.","director":"Mario Papić","writer":"Mario Papić","original_author":null,"category":"Kratki dok.","approved_amount_text":"17.000,00 eur","approved_amount":17000.0,"currency":"EUR","extras":{"PRODUCENT":"Maja Tondini","repair_v1":{"changes":[{"field":"category","from":null,"to":"Kratki dok.","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Renko d.o.o.","row_id":"913ec8a6:s0:66f2b0eb3bf7","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_32e1ad53df0d","project_family_title":"NEVIDLJIVI"},{"row_number":2,"project_title":"U SEDMOM NEBU","applicant":"Udruga Blank","production_company":"Udruga Blank","director":"Jelena Ratko","writer":"Jelena Ratko","original_author":null,"category":"Kratki dok.","approved_amount_text":"18.000,00 eur","approved_amount":18000.0,"currency":"EUR","extras":{"PRODUCENT":"Igor Jelinović","repair_v1":{"changes":[{"field":"category","from":null,"to":"Kratki dok.","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga Blank","row_id":"913ec8a6:s0:c93cc9b4a0b4","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_82b9f0d5addd","project_family_title":"U SEDMOM NEBU"}],"section_total_text":"ukupnom iznosu od 35.000,00 eura","section_total":35000.0}],"totals":{"ukupno_text":"ukupnom iznosu od 35.000,00 eura","ukupno":35000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":35000.0,"ukupno_match":true,"row_count":2,"awarded_count":2,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":2}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_ANIMIRANI_1.rok_12III2025.pdf","filename_decoded":"Obrazlozenje_RSC_ANIMIRANI_1.rok_12III2025.pdf","sha256":"9176a0312c2ca1f87bc81e50805da0717be5b5085957dbe3234bc953984293f5","bytes":111301,"page_count":1,"extracted_at":"2026-05-17T12:02:11Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_ANIMIRANI_1.rok_12III2025.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i projekata dugometražnih igrani, dugometražnih \ndokumentarnih i  animiranih filmova, 1. rok 2025. \npodkategorija: razvoj scenarija, animirani film \nrok: 12.3.2025. \numjetnička savjetnica: Jelena Oroz \n \nNa javni poziv u ovom roku pristigla su četiri (4) projekta. \nSvi projekti su namijenjeni prvenstveno djeci i mladima, a najbolje bi se opisali kao \nobiteljski filmovi. \nZa financiranje je predložen jedan projekt. \nUkupni iznos financiranja je 5.000,00 €. \n \n1.  \nnaziv projekta: Kora i začarani izvor \nscenarij: Franka Blažić \niznos financiranja: 5.000,00 € \ntrajanje: dugometražni animirani film \n \nKora i začarani izvor priča je temeljena na istoimenom romanu za djecu i mlade koji \nizlazi tokom ove godine. \nPriča je to o znatiželjnoj djevojčici, koja jedne večeri iz sigurnosti obiteljskog doma, \nprateći krijesnicu, odlazi u šumu te se izgubi. U šumi susreće razna bića iz goranske \nmitologije i kreće u avanturu života, gdje se upoznaje sa tajnama šume u kojoj živi, a \nna kraju je oslobađa od zlih sila. Neki od likova koje Kora susreće su vilenjaci, \npatuljci, bukavci, pancikul, drijade, vile…Cijela priča je prepuna motiva, situacija i \nlikova koji su savršeni za format animiranog filma. \n \n \n \n \n \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"admin","source":{"filename":"CV_Jelena%20Androi%C4%87.pdf","filename_decoded":"CV_Jelena%20Androi%C4%87.pdf","sha256":"918a816c7be6737467ee94d6d3098d0ba379fb73f97c8df4a24115463fcb12ea","bytes":182355,"page_count":1,"extracted_at":"2026-05-16T13:38:08Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. 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d.o.o.","row_id":"9213e9b5:s0:edf3cd90cb60","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_a835124c5abc","project_family_title":"Klarina igra"}],"section_total_text":"525,00","section_total":525.0}],"totals":{"ukupno_text":null,"ukupno":525.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":525000.0,"ukupno_match":false,"row_count":15,"awarded_count":15,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":15}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web kratkometrazni obrazlozenje.pdf","filename_decoded":"web kratkometrazni obrazlozenje.pdf","sha256":"924dbd22f293b0303dcc50323d0517c778fe776366e088887cfd801c22ab9c59","bytes":68839,"page_count":2,"extracted_at":"2026-05-17T12:01:50Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20kratkometrazni%20obrazlozenje.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po rezultatima Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva – kategorija proizvodnje kratkometražnog igranog filma na prvom roku u \n2022. godini – rok 15. ožujka 2022. \nUmjetnički savjetnik za kratkometražni igrani film – Mario Kozina \nNa prvi natječajni rok za poticanje proizvodnje kratkometražnih igranih filmova stiglo je četrdeset i \ndevet (49) prijava, od čega jedanaest (11) potpisuju autorice, a trideset osam (38) potpisuju autori. \nJedan (1) projekt nije zadovoljio formalne uvjete natječaja te se njegova prijava nije razmatrala, a \njedan (1) projekt je film u fazi postprodukcije. Petnaest (15) projekata već je bilo prijavljeno na neki \nod prethodnih javnih poziva, a trideset četiri (34) projekta prvi put su prijavljeni na javni poziv u ovoj \nkategoriji. \nPrilikom odabira prijedloga za sufinanciranje vodio sam računa o dorađenosti scenarija, uvjerljivosti \nredateljske koncepcije te stupnju pripremljenosti i izvedivosti samoga projekta. \n Projekti koji su predloženi i odobreni za sufinanciranje bave se temama kao što su odnos prema \nroditeljima, tradiciji, smrti, seksualnom i rodnom identitetu itd., a pristupaju im na kreativan i svjež \nnačin. Vjerujem da bi odobreni projekti mogli značajno doprinijeti korpusu domaće kratkometražne \nprodukcije i kinematografije te daljnjem profesionalnom razvoju njihovih autorica i autora. \nZa sufinanciranje proizvodnje kratkometražnog filma predložena su i odobrena tri projekta, u \nukupnom iznosu od 1.040.000,00 kuna. Riječ je o sljedećim projektima: \n \n• \nPrema vjetru, režija: Tomislav Šoban, scenarij: Marin Lisjak, Tomislav Šoban, produkcija: \nIzvan fokusa d.o.o., iznos: 390.000,00 kuna \nTomisav Šoban nagrađivani je autor eksperimentalnih i igranih filmova, a njegovi radovi obilježeni su \ninovativnim postupcima u području režije, dramaturgije i vizualnog oblikovanja. Njegov novi projekt \nPrema vjetru govori o sinu koji se suočava sa zdravstvenim stanjem svoga oca, vremešnog ribara koji \nveć godinama živi gotovo samotničkim životom na otoku unutar dubrovačkog arhipelaga. Scenarij, \nnastao u suradnji s dramaturgom Marinom Lisjakom, izvrsno koristi navedeni odnos, kao i likovna \nobilježja same lokacije, kako bi vizualnim jezikom dočarao psihološko stanje protagonista, a pritom \npružio sugestivnu meditaciju o prihvaćanju smrti kao sastavnog dijela života. \n  \n• \nSola, režija i scenarij: Lana Barić, produkcija: Focus media d.o.o., iznos: 370.000,00 kuna \nPriča o ženi koja pri dolasku na očev sprovod susreće ljubav iz mladosti predstavlja osnovu zapleta \nscenarija za film Sola, koji će u rukama scenaristice i redateljice Lane Barić dobiti neočekivani obrat. \nRiječ je o drugom režijskom projektu ove talentirane glumice i scenaristice, čiji umjetnički angažman \npostepeno izrasta u prepoznatljiv autorski opus izgrađen na pitanjima ženske autonomije u \nrepresivnom i konzervativnom društvu. Precizno napisan scenarij, jasna režijska koncepcija i \npouzdani cast vrline su ovoga projekta, koji ima i potencijala za međunarodni festivalski plasman.   \n  \n \n \n\n\f\n• \nRuska plava, režija i scenarij: Martina Marasović, produkcija: Umjetnička organizacija \nParadoks, iznos: 280.000,00 kuna \nŽenska žudnja i njezina proturječja u fokusu su filma Ruska plava, prvog profesionalnog filma \nMartine Marasović, talentirane redateljice koja je u sklopu studija režije na zagrebačkoj Akademiji \ndramske umjetnosti već potpisala nekoliko iznimno zanimljivih radova. Scenarij njezina filma sastoji \nse od niza dijaloških situacija, duhovitih kriški iz svakodnevnog života, koje će protagonistici poslužiti \nza suočavanje s vlastitim fiksacijama. Nekonvencionalna dramaturška struktura, živopisni dijalozi i \nneobično promišljanje glavnoga lika samo su neke od vrlina ovoga scenarija, koji najavljuje autoricu \nzarazne energije i originalnog rukopisa. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje dokumentarni web.pdf","filename_decoded":"obrazlozenje dokumentarni web.pdf","sha256":"9288278749ff17db5b4b7713d516f6dc0332a4d3d49ea6e8ede900af3c607534","bytes":28374,"page_count":2,"extracted_at":"2026-05-17T12:01:38Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20dokumentarni%20web.pdf"},"raw_text":"Na\t\r  drugi\t\r  rok\t\r  javnog\t\r  poziva\t\r  Havca\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  dokumentarnih\t\r  filmova\t\r  autori\t\r  i\t\r  producenti\t\r  \nprijavili\t\r  su\t\r  skoro\t\r  dvostruko\t\r  veći\t\r  broj\t\r  filmova\t\r  nego\t\r  što\t\r  je\t\r  bio\t\r  slučaj\t\r  na\t\r  prvom\t\r  roku.\t\r  36\t\r  dugometražnih\t\r  i\t\r  \n26\t\r  kratkometražnih\t\r  dokumentarnih\t\r  filmova.\t\r  U\t\r  tom\t\r  velikom\t\r  broju\t\r  filmova\t\r  i\t\r  ograničenom\t\r  budžetu\t\r  koji\t\r  \nje\t\r  bio\t\r  na\t\r  raspolaganju,\t\r  a\t\r  po\t\r  kvaliteti\t\r  svojih\t\r  redateljskih\t\r  koncepcija,\t\r  zanimljivosti\t\r  scenarija,\t\r  temeljito\t\r  \nprovedenom\t\r  istraživanju\t\r  i\t\r  u\t\r  nekim\t\r  slučajevima\t\r  sugestivnim\t\r  trailerima\t\r  za\t\r  sufinanciranje\t\r  su\t\r  se\t\r  izdvojili\t\r  \nsljedeći\t\r  projekti:\t\r  \nDUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILMOVI:\t\r  \n„VILIM“\t\r  Mire\t\r  Brankovića\t\r  film\t\r  je\t\r  o\t\r  branitelju\t\r  Vilimu\t\r  Karloviću\t\r  koji\t\r  je\t\r  preživio\t\r  pad\t\r  Vukovara,\t\r  odlazak\t\r  na\t\r  \nOvčaru\t\r  i\t\r  mučenje\t\r  u\t\r  zatvoru\t\r  u\t\r  Sremskoj\t\r  Mitrovici.\t\r  Ova\t\r  košmarna\t\r  priča\t\r  puna\t\r  \t\r  nepredvidivih\t\r  obrata,\t\r  \nnadrealnih\t\r  i\t\r  bizarnih\t\r  situacija\t\r  govori\t\r  i\t\r  o\t\r  snazi\t\r  vjere,\t\r  pronalasku\t\r  sebe\t\r  u\t\r  neljudskom\t\r  vremenu\t\r  i\t\r  \nneljudskim\t\r  uvjetima.\t\r  \n„TVORNICE\t\r  RADNICIMA\t\r  ?“\t\r  Srđana\t\r  Kovačevića\t\r  prati\t\r  borbu\t\r  za\t\r  opstanak\t\r  \t\r  tvornice\t\r  „Itas“\t\r  u\t\r  zagorskom\t\r  \nIvancu\t\r  koju\t\r  su\t\r  2005.\t\r  fizički\t\r  preuzeli\t\r  radnici\t\r  i\t\r  sami\t\r  nastavili\t\r  proizvodnju.\t\r  \t\r  Je\t\r  li\t\r  ideja\t\r  samoupravnog\t\r  \nsocijalizma\t\r  još\t\r  živ?\t\r  kako\t\r  preživljava\t\r  na\t\r  otvorenom\t\r  tržištu\t\r  i\t\r  je\t\r  li\t\r  se\t\r  naši\t\r  ljudi\t\r  mogu\t\r  ujediniti\t\r  oko\t\r  \nnečega?\t\r  Tvornica\t\r  je\t\r  na\t\r  prekretnici,\t\r  problemi\t\r  su\t\r  sve\t\r  veći,\t\r  radnici\t\r  \t\r  nezadovoljni\t\r  malim\t\r  plaćama.\t\r  Kako\t\r  i\t\r  \nkamo\t\r  \t\r  naprijed?\t\r  \t\r  \n\t\r  „STARAC\t\r  I\t\r  RODA“\t\r  –\t\r  Tomislav\t\r  Jelinčića\t\r  i\t\r  Alana\t\r  Stankovića\t\r  film\t\r  je\t\r  o\t\r  Stjepanu,\t\r  umirovljenom\t\r  školskom\t\r  \ndomaru,\t\r  čovjeku\t\r  kojeg\t\r  možda\t\r  nikad\t\r  ne\t\r  bismo\t\r  primijetili\t\r  da\t\r  u\t\r  njegov\t\r  život\t\r  nisu\t\r  došle\t\r  dvije\t\r  posebne\t\r  \nrode:\t\r  Malena\t\r  i\t\r  Klepetan.\t\r  \t\r  \t\r  Ovo\t\r  je\t\r  film\t\r  o\t\r  samoći,\t\r  ljudskoj\t\r  i\t\r  životinjskoj\t\r  i\t\r  čudnom\t\r  putu\t\r  kako\t\r  su\t\r  se\t\r  \nispreplele\t\r  i\t\r  nadopunile.\t\r  \n„DOĐI,\t\r  MORAM\t\r  TI\t\r  NEŠTO\t\r  POKAZATI“\t\r  \t\r  Karle\t\r  Crnčević,\t\r  dobio\t\r  je\t\r  poticaj\t\r  za\t\r  razvoj\t\r  projekta.\t\r  \t\r  Amazonke,\t\r  \nbračke\t\r  vištice,\t\r  grupa\t\r  je\t\r  žena\t\r  \t\r  koje\t\r  su\t\r  odlučile\t\r  \t\r  živjeti\t\r  u\t\r  samoodrživom\t\r  selu\t\r  na\t\r  otoku\t\r  Braču.\t\r  Kroz\t\r  \nmijene\t\r  prirode\t\r  i\t\r  godišnjih\t\r  doba\t\r  pratimo\t\r  njihove\t\r  napore\t\r  da\t\r  opstanu\t\r  na\t\r  zemlji,\t\r  u\t\r  divljini,\t\r  oslonjene\t\r  \nsamo\t\r  jedna\t\r  na\t\r  drugu,\t\r  u\t\r  dobru\t\r  i\t\r  zlu.\t\r  \n\t\r  \nKRATKOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILMOVI\t\r  \n„HORROR\t\r  VACUI“\t\r  \t\r  –doslovno:\t\r  strah\t\r  od\t\r  praznog\t\r  prostora\t\r  ili\t\r  strah\t\r  pred\t\r  prazninom.\t\r  \nBoris\t\r  Poljak\t\r  uhvatio\t\r  se\t\r  zanimljivog\t\r  i\t\r  izazovnog\t\r  kreativnog\t\r  zalogaja\t\r  u\t\r  kojem,\t\r  u\t\r  svom\t\r  prepoznatljivom\t\r  \n„teleskopskom“\t\r  vizualnom\t\r  stilu,\t\r  kombinacijom\t\r  dugih\t\r  začudnih\t\r  kadrova\t\r  raznolikih\t\r  motiva\t\r  gledatelju\t\r  \nsnažno\t\r  sugerira\t\r  svoj\t\r  osjećaj\t\r  današnjice\t\r  i\t\r  nesnalaženja\t\r  u\t\r  svijetu\t\r  koji\t\r  nas\t\r  okružuje.\t\r  Kreativna\t\r  posveta\t\r  \negzistencijalnom\t\r  strahu.\t\r  \n„IVANOVA\t\r  IGRA“\t\r  –\t\r  Tomislav\t\r  Žaja \t\r  \n“Ivanova\t\r  igra”\t\r  je\t\r  film\t\r  o\t\r  bivšem\t\r  nogometašu\t\r  Ivanu\t\r  Gudelju,\t\r  koji\t\r  je\t\r  obolio\t\r  od\t\r  najtežeg\t\r  oblika\t\r  hepatitisa\t\r  \nB.\t\r  \t\r  Nekada\t\r  kapetan\t\r  Hajduka\t\r  i\t\r  reprezentativac,\t\r  danas\t\r  rastrgan\t\r  između\t\r  posla\t\r  instruktora\t\r  HNS-­‐a\t\r  za\t\r  \ndjecu\t\r  u\t\r  Dalmaciji,\t\r  menadžerskog\t\r  vođenja\t\r  kazališne\t\r  grupe,\t\r  te,\t\r  nakon\t\r  smrti\t\r  supruge,\t\r  brige\t\r  za\t\r  dvije\t\r  \nkćeri\t\r  .\t\r  Sa\t\r  istom\t\r  srčanošću\t\r  kao\t\r  prije\t\r  na\t\r  nogometnom\t\r  terenu\t\r  sada\t\r  se\t\r  mora\t\r  boriti\t\r  sa\t\r  životnom\t\r  \nsvakodnevicom.\t\r  Ovaj\t\r  film\t\r  intimistički\t\r  ga\t\r  prati\t\r  na\t\r  tom\t\r  putu.\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\n„OSIJEK\t\r  –\t\r  KOPENHAGEN,\t\r  GRAD\t\r  TRAŽI\t\r  UBOJICU“\t\r  \nU\t\r  proljeće\t\r  1992.\t\r  iz\t\r  ratnog\t\r  Osijeka\t\r  Ivan\t\r  Faktor,\t\r  multimedijalni\t\r  umjetnik\t\r  i\t\r  Vlatko,\t\r  bolničar\t\r  i\t\r  \nhrvatski\t\r  dragovoljac\t\r  zajedno\t\r  s\t\r  još\t\r  četvero\t\r  suputnika\t\r  u\t\r  preuređenom\t\r  kombiju\t\r  kreću\t\r  u\t\r  \nKopenhagen\t\r  kako\t\r  bi\t\r  gostovali\t\r  na\t\r  najvažnijoj\t\r  nezavisnoj\t\r  TV\t\r  stanici\t\r  u\t\r  Danskoj,\t\r  STOP\t\r  TV,\t\r  u\t\r  \nemisiji\t\r  posvećenoj\t\r  ratu\t\r  u\t\r  Hrvatskoj.\t\r  Privremeno\t\r  izvučen\t\r  iz\t\r  ratnog\t\r  Osijeka\t\r  Faktor\t\r  snima\t\r  cijeli\t\r  \nput,\t\r  svoje\t\r  suputnike,\t\r  gostovanje,\t\r  razgovore\t\r  o\t\r  umjetnosti\t\r  i\t\r  ratu,\t\r  prijatelje\t\r  koje\t\r  posjećuju,\t\r  \nsusret\t\r  sa\t\r  ženom\t\r  i\t\r  sinom,\t\r  povratak.\t\r  \t\r  Faktorov\t\r  video\t\r  dnevnik\t\r  oslikava\t\r  jedno\t\r  vrijeme,\t\r  njegov\t\r  \nodnos\t\r  prema\t\r  ratu,\t\r  prijateljima,\t\r  umjetnosti,\t\r  obitelji,\t\r  životu.\t\r  Istovremeno\t\r  to\t\r  je\t\r  i\t\r  slika\t\r  cijele\t\r  \njedne\t\r  generacije\t\r  i\t\r  načina\t\r  na\t\r  koji\t\r  smo\t\r  svi\t\r  zajedno\t\r  preživjeli.\t\r  \n\t\r  \n„ULAZAK\t\r  VLAKA\t\r  U\t\r  STANICU\t\r  –\t\r  ZAGREB\t\r  2017.“\t\r  –\t\r  Zvonimira\t\r  Rumboldta,\t\r  \t\r  svojevrsna\t\r  je\t\r  reminiscencija\t\r  \nna\t\r  glasoviti\t\r  film\t\r  braće\t\r  Lumiere\t\r  s\t\r  tom\t\r  razlikom\t\r  što\t\r  je\t\r  zagrebačka\t\r  varijanta\t\r  baš\t\r  takva,\t\r  domaća\t\r  i\t\r  \ntragikomična.\t\r  \n„IZLAZAK\t\r  RADNIKA\t\r  IZ\t\r  TVORNICE\t\r  –ZAGREB\t\r  2017,“\t\r  \t\r  \nSa\t\r  prethodnim\t\r  filmom\t\r  tvori\t\r  prirodnu\t\r  cjelinu.\t\r  Riječ\t\r  je\t\r  i\t\r  opet\t\r  o\t\r  asocijativnom\t\r  koketiranju\t\r  sa\t\r  filmom\t\r  \nbraće\t\r  Lumiere,\t\r  ali\t\r  u\t\r  hrvatskoj\t\r  privatizacijsko-­‐depresivno-­‐humornoj\t\r  varijanti.\t\r  \n\t\r  \nNeven\t\r  Hitrec,\t\r  umjetnički\t\r  savjetnik\t\r  za\t\r  dokumentarni\t\r  film\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje_manjinske_25052016.pdf","filename_decoded":"obrazlozenje_manjinske_25052016.pdf","sha256":"9289e1a9fcb23eefad804672fadc81e0a36fad2ed3097eda7d8ce2f3162f736a","bytes":376356,"page_count":2,"extracted_at":"2026-05-17T12:01:23Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje_manjinske_25052016.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničke savjetnice po rezultatima Javnog poziva za poticanje \naudiovizualnih djelatnosti i stvaralaštva u 2016. godini u kategoriji poticanja \nproizvodnje audiovizualnih djela filmskih koprodukcija s manijnskim hrvatskim \nudjelom  (rok 25. svibnja 2016. godine). \n \nSanja Ravlić, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim \nudjelom: \n \nNa ovom roku odlučivanja od ukupno 25 prijavljenih projekata u svim kategorijama  (od kojih \nčetiri nisu zadovoljili kriterije) na Javni poziv u kategoriji filmskih koprodukcija s manjinskim \nhrvatskim udjelom, za sufinanciranje sam predložila dva debitantska dugometražna igrana \nfilma, jedan kratkometražni animirani film i dva dugometražna dokumentarna filma.  \n \nGlavni kriterij kojim sam se vodila pri odabiru predloženih filmova/projekata bila je kvaliteta \nponuđenih scenarija, potom sveukupna uspješnost autora/autorica, ali i producenta i \nkoproducenata filma. Potom kriterij zastupljenosti hrvatskih filmskih djelatnika (bilo da se \nradi o umjetničkim ili tehničkim zanimanjima) u samoj proizvodnji filma. Naposlijetku,  \nprodukcijski kriteriji konzistentnosti koprodukcijske strukture u smislu već potvrđenih ili \nmogućih dodatnih izvora financiranja  te potencijala cirkulacije filma u kinima ili na \nmeđunarodnim filmskim festivalima.  \n \nDebitantski dugometražni film Teret  srbijanskog redatelja Ognjena Glavonića, koprodukcija \nizmeđu Srbije, Francuske i Hrvatske  je logičan, «fikcijski» nastavak teme koju je autor na vrlo \nupečatljiv način obradio u svom, kako ga sam naziva, eksperimentalno- dokumentarnom film \nDubina 2 koji je svoju premijeru imao na ovogodišnjem Berlinskom filmskom festivalu, u \nsekciji «Forum». Inspiriran stvarnim događajima koji su se dogodili tijekom NATO-vog \nbombardiranja Srbije, film prati poslovno, fizičko putovanje glavnog lika , ali i njegovo \nputovanje kroz samog sebe, svoje strahove, brige i sumnje, odnosno po riječima autora: \n«putovanje kroz tamu jednog društva u specifičnom trenutku njegovog raspadanja. Teret iz \nnaslova  je i fizički, stvaran ali i metaforički.  \n \nŽaba, dugometražni igrani prvijenac bosanskohercegovačkog filmskog i kazališnog redatelja \nElmira Jukića, ekranizacija je istoimenog kazališnog komada hrvatskog pisca Dubravka \nMihanovića koji s velikim uspjehom igra već duži niz godina u sarajevskom Kamernom teatru \n55.  Film je to o PTSP-u kao stanju duha.  \n \nKratkometražni animirani film Koyaa – leteća knjiga treći je u seriji kratkih animiranih \nfilmova koje za ciljanu publiku, djecu u dobnoj skupini od 3-5 godina potpisuje slovenski \nautor Kolja Saksida zajedno s koscenaristom Markom Bratušem.  Kroz tehniku lutkarske \nstop animacije svojstvenoj ovom animiranom serijalu, u Koyinim pričama predmeti iz \nsvakodnevnog života oživljavaju i neobično se ponašaju, a junak uvijek pronalazi maštovito \nrješenje  nastalog problema.  \n\n\f\n \n \n \n \n \nDugometražni dokumentarni film Okupirano kino autorice Senke Domanović, koprodukcija \nizmeđu Srbije i Hrvatske, prati kroz razdoblje od preko godinu dana događaje nakon spontane \ngrađanske okupacije privatiziranog beogradskog kina Zvezda, o kojoj je pisao i ugledni The \nNew York Times, te preispituje granice građanskog aktivizma i pokušava odgovoriti na \npitanje: zašto je danas kino Zvezda prazno? \n \nU slučaju rata novi je dugometražni dokumentarni film češkog novinara i dokumentarista \nJana Geberta koji prati kontroverznog glavnog junaka, mladog Slovaka Petera Švrčeka, naoko \n«normalnog»  poslušnog sina iz građanske obitelji, uzornog studenta, čiji se pravi život odvija \nnegdje drugdje – na čelu paravojske «Slovenski branci» («Branitelji Slovačke») s kojom \nprovodi sve svoje slobodno vrijeme u slovačkim planinama, gdje u okrilju šume gradi svoju \nvlasititu dječju diktaturu, u kojoj se jasno oslikava patologija svijeta odraslih.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2023_1rok_14III2023_DOKUMENTARNI_WEB.pdf","filename_decoded":"RPR_2023_1rok_14III2023_DOKUMENTARNI_WEB.pdf","sha256":"92d07892547eb8cbd3357d740d54a8b7cfbba6dc5692ba724c1a941fdeb3c9ca","bytes":107531,"page_count":1,"extracted_at":"2026-05-17T10:24:21Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2023_1rok_14III2023_DOKUMENTARNI_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO (€)\n1\nBezbroj poljubaca\nUdruga Marinis Media\nAlessio Bozzer\nAlessio Bozzer, Ivana \nMarinić Kragić\n15.000,00\n2\nNije na prodaju\nFactum\nMarina Aničić Spremo\nMarina Aničić Spremo\n15.000,00\n3\nOlimbi Hoxhaj\nMore-Magnets d.o.o.\nKarlo Mlinar\nKarlo Mlinar\n15.000,00\n4\nBol\nSve gore i gore, vl. \nJelena Duh\nIvan Faktor\nIvan Faktor\n16.000,00\nUKUPNO\n61.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ PROJEKATA u 2023. - 1. ROK - 14.3.2023.\ndugometražni dokumentarni film - trajanje nije kraće od 60 minuta\n17. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 15. lipnja 2023.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"RPR_2023_1rok_14III2023_DOKUMENTARNI_WEB","year":2023,"rok":"1. rok","natjecaj_date":"2023-03-14","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"17. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 15. lipnja 2023.","section_key":"17_sjednica_hrvatskog_audiovizualnog_vijeca_u_4_sazivu_15_li","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO (€)"],"rows":[{"row_number":1,"project_title":"Bezbroj poljubaca","applicant":"Udruga Marinis Media","production_company":"Udruga Marinis Media","director":"Alessio Bozzer, Ivana Marinić 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 d.o.o.\nSudjelovanje  -­  Annecy  International  Animated  Film  \nFestival  and  Market  (MIFA)  pod  okriljem  Media  Umbrella  \n2.537,00\n7\nJaka  produkcija  d.o.o.\nSudjelovanje  redatelja  i  producenta  projekta  \"Velebit  \"  na  \nRe-­act  workshopu  u  Trstu\n2.000,00\n8\nKinoteka  d.o.o.\nFEST  -­  Pitching  forum  2018.  (sudjelovanje  scenarista  i  \nproducenta  Ljube  Zdjelarevića  sa  projektom  “Dječak  iz  \nbitumena“)\n4.034,00\n9\nČetiri  film  d.o.o.\nSudjelovanje  koordinatorice  produkcije  Laure  Sinovčić  na  \nRE-­ACT  radionici  2018.\n1.000,00\n10\nKarla  Lulić\nSudjelovanje  scenaristice  i  redateljice  Karle  Lulić  na  \nprogramu  za  razvoj  projekata  Mediterranean  Film  Institute  \nScript  2  Film  u  Grčkoj\n7.500,00\n11\nRecircle  d.o.o.\nDenis  Alenti  i  Vjekoslav  Zivkovic  na  Screen  Leaders  \nradionici  za  razvoja  poduzetnistva  u  AV  industriji\n10.000,00\n12\nDamir  Čučić\nSudjelovanje  redatelja  i  predstavljanje  filma  Ljetnikovac  na  \nFID  Marseille\n5.470,00\n13\nSekvenca  d.o.o.\nSudjelovanje  filma  Mater  -­  Karlovy  Vary:  Work  in  Progress\n5.000,00\n14\nPipser  d.o.o.\nROUGH  CUT  BOUTIQUE  -­  Jedna  od  nas\n5.500,00\n15\nAntitalent  d.o.o.\nSudjelovanje  koproducenta  filma  Murina,  Danijela  Peka  sa  \nscenaristicom  i  redateljicom  Antonetom  Kusijanović  na  3.  \nsesiji  radionice  Sam  Spiegel  International  Film  Lab  -­  \nclosing  event\n2.740,00\n16\nMultimedijalni  institut\nPromocija  knjige  \"Tomislav  Gotovac  -­  Life  as  Film  \nExperiment\"  u  New  Yorku  i  Montrealu\n10.000,00\n17\nHrvatski  filmski  savez  -­  HFS\nSudjelovanje  Dominika  Račkog  na  Prodigy  Campu  u  \nSeattleu\n9.088,00\nJAVNI  POZIV  ZA  DODJELU  SREDSTAVA  ZA  POTICANJE  KOMPLEMENTARNIH  DJELATNOSTI  U  2018.  -­  \nPROGRAMI  MEĐUNARODNE  SURADNJE  -­  ROK  30.8.2018.                                                                                          \n1.  sjednica  Hrvatskog  audiovizualnog  vijeća    9.11.2018.\n\n\f\n18\nHrvatski  filmski  savez  -­  HFS\nSudjelovanje  hrvatske  delegacije  na  festivalu  Giffoni  \nExperience  u  Italiji\n11.302,00\n19\nFilmski  kolektiv  j.d.o.o.\nCjelovečernji  igrani  film  \"DOM\"  na  Filmskom  festivalu  u  \nTaormini\n9.300,00\n20\nValentina  Cindrić\nAnomalia  Character  Design  Lab  2018\n1.800,00\n21\nKinoklub  Karlovac\nSudjelovanje  na  International  Youth  Media  Summit-­u  \n5.000,00\n22\nRestart\nSudjelovanje  ekipe  filma    DANI  LUDILA  na  LOCARNO  \nFILM  FESTIVALU\n12.600,00\n23\nAntitalent  d.o.o.\nSudjelovanje  hrvatskih  ekipa  filmova  \"Lajkaj  i  ti  mene\"  i  \n\"Kao  da  je  moj  sin\"  Gorana  Markovića,  Tihane  Lazović,  \nDuške  Nešić  Dražić,  Katarine  Prpić  i  Danijela  Peka  na  \nFilmskom  festivalu  u  Locarnu  \n11.000,00\n24\nEverything  Works  d.o.o.\nSudjelovanje  ekipe  i  predstavljanje  kratkom.  igranog  filma  \n“Malo  se  sjećam  tog  dana”  u  režiji  Leona  Lučeva  u  \nslužbenoj  konkurenciji  71.  Locarno  Festivala\n7.858,00\n25\nKrupni  kadar  d.o.o.\nGostovanje  redatelja  i  producenta  na  Ottawa  international  \nanimation  film  festivalu\n10.000,00\n26\nMarko  Dješka\nAnibar  -­  internacionalni  festival  animiranog  filma  -­  \nsudjelovanje  na  panelu\n966,00\n27\nVladimir  Kanić\nSudjelovanje  redatelja  sa  filmom  \"Only  lovers  leave  to  die\"  \nna  17.  Međunarodnom  festivalu  animiranog  filma  u  \nHirošimi\n9.500,00\n28\nIvana  Škrabalo\nSudjelovanje  scenaristice  i  redateljice  Ivane  Škrabalo  na  \n2.  i  3.  sesiji  radionice  EKRAN+\n4.600,00\n29\nKinoklub  Karlovac\nSudjelovanje  na  TheNextFilmFestivalu  u  Danskoj  \n2.900,00\n30\nUdruga  Ukus\nBESKRAJNI  REP  u  natjecateljskom  programu  15.  Seville  \nEuropean  Film  Festivala\n2.950,00\n31\nMetar60\nSudjelovanje  Nede  Radić,  redateljice  kratkog  filma  Emil  na  \nDrama  Pitching  lab  koprodukcijskom  workshopu\n1.880,00\n32\nRestart\nPredstavljanje  filma  DOM  BORACA  redatelja  Ivana  \nRamljaka  u  konkurenciji  Open  City  Film  Festivala  u  \nLondonu  -­  engleska  premijera\n1.938,00\n33\nAkademija  dramske  \numjetnosti\nGostovanje  Josipa  Lukića  (film  Majči)  na  festivalu  \nCinemed  u  Montpellieru\n2.982,00\n34\nCorvus  film  d.o.o.\nSudjelovanje  na  radionici  eQuinoxe  Europe  -­  projekt  Let  \nna  sjever\n1.483,00\n35\nJadranska  animacija  /  \nAdriatic  Animation\nSudjelovanje  na  The  Animation  Conference\n4.272,00\n36\nJadranska  animacija  /  \nAdriatic  Animation\nSudjelovanje  Marka  Dješka  na  Worldbuilding  course\n1.114,00\n37\nČetiri  film  d.o.o.\nSudjelovanje  producentice  Anite  Juka  i  redateljice  Ivona  \nJuka  na  International  Financing  Forumu,  FIN  Partnersu  i  \nIndependent  Filmmaker  Projectu  \n20.000,00\n38\nFilmaparat  d.o.o.\nSudjelovanje  producentice  Morane  Mitić  na  radionici  Re-­\nAct  \"Marketing  &  Distribution\"\n1.000,00\n\n\f\n39\nRestart\nSudjelovanje  filma  \"SRBENKA\"  na  FESTIVALU  IDFA  u  \nAmsterdamu\n3.300,00\n40\nRestart\nSudjelovanje  filma  \"SRBENKA\"  na  FESTIVALU  DOK  \nLEIPZIG\n4.500,00\n41\nSlavica  film  d.o.o.\nSudjelovanje  producentice  i  scenaristice  Mirte  Puhlovski  i  \nredateljice  Vedrane  Pribačić  na  master  class-­u  Strukturnih  \nfilmskih  konstelacija\n2.496,00\n224.719,00\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"REZULTATI- MEDJUNARODNA 3 ROK 2018","year":2018,"rok":null,"natjecaj_date":"2018-08-30","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"JAVNI P OZIV Z A D ODJELU S REDSTAVA Z A P OTICANJE K OMPLEMENTARNIH D JELATNOSTI U 2 018. - PROGRAMI M EĐUNARODNE S URADNJE - R OK 3 0.8.2018. 1. s jednica H rvatskog a udiovizualnog v ijeća 9 .11.2018.","section_key":"javni_p_oziv_z_a_d_odjelu_s_redstava_z_a_p_oticanje_k_omplem","columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA K N"],"rows":[{"row_number":1,"project_title":"Sudjelovanje dugog i granog filma \"KOKE\" IGORA JELINOVIĆA NA \"FIRST FILMS FIRST\" RADIONICI","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"8.125,00","approved_amount":8125.0,"currency":"HRK","extras":{"col_1":"1","entity_original_production_company":"Eclectica d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Eclectica d.o.o.","row_id":"9331d62b:s0:7b86f7675b65","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 1: 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Balekić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.690,00","approved_amount":2690.0,"currency":"HRK","extras":{"col_1":"2","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Petra B alekić","row_id":"9331d62b:s0:ff0bd2ea5cad","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 2: OCR spacing errors corrected (r edateljice→redateljice, p redstavljanje→predstavljanje, S tranac→Stranac, g lavi→glavi, F estivalu→Festivalu, a nimiranog→animiranog)","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje r edateljice i p redstavljanje f ilma S tranac u mojoj g lavi na F estivalu a nimiranog f ilma A nnecy","to":"Sudjelovanje redateljice i predstavljanje filma Stranac u mojoj glavi na Festivalu animiranog filma 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IFF Karlovy Vary","applicant":"Udruga Ukus","production_company":"Udruga Ukus","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.294,00","approved_amount":10294.0,"currency":"HRK","extras":{"col_1":"3","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga Ukus","row_id":"9331d62b:s0:592a3c3ec90f","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 3: OCR spacing errors corrected (p remijera→premijera, B ESKRAJNOG→BESKRAJNOG, R EPA→REPA, I FF→IFF)","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Međunarodna p remijera B ESKRAJNOG R EPA n a 5 3. I FF Karlovy V ary","to":"Međunarodna premijera BESKRAJNOG REPA na 53. 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d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"11.000,00","approved_amount":11000.0,"currency":"HRK","extras":{"18":"23","Hrvatski f ilmski s avez - H FS":"Antitalent d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:bba31591875b","curation":{"changes":[{"field":"applicant","from":null,"to":"Antitalent d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje h rvatskih e kipa f ilmova \" Lajkaj i t i m ene\" i \"Kao d a j e m oj s in\" G orana M arkovića, T ihane L azović, Duške N ešić D ražić, K atarine P rpić i D anijela P eka n a Filmskom f estivalu u L ocarnu","to":"Sudjelovanje hrvatskih ekipa filmova \"Lajkaj i ti mene\" i \"Kao da je moj sin\" Gorana Markovića, Tihane Lazović, Duške Nešić Dražić, Katarine Prpić i Danijela Peka na Filmskom festivalu u Locarnu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Antitalent d .o.o.","to":"Antitalent d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Antitalent d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 23: h rvatskih→hrvatskih, e kipa→ekipa, f ilmova→filmova, i t i→i ti, M arkovića→Markovića, T ihane→Tihane, L azović→Lazović, D uške→Duške, N ešić→Nešić, D ražić→Dražić, K atarine→Katarine, P rpić→Prpić, D anijela→Danijela, P eka→Peka, F ilmskom→Filmskom, f estivalu→festivalu, L ocarnu→Locarnu","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_c3c80f5f50ff","project_family_title":"Sudjelovanje hrvatskih ekipa filmova \"Lajkaj i ti mene\" i \"Kao da je moj sin\" Gorana Markovića, Tihane Lazović, Duške Nešić Dražić, Katarine Prpić i Danijela Peka na Filmskom festivalu u Locarnu"},{"row_number":24,"project_title":"Sudjelovanje ekipe i predstavljanje kratkom. i granog filma \"Malo se sjećam tog dana\" u režiji Leona Lučeva u službenoj konkurenciji 71. Locarno Festivala","applicant":"Everything Works d.o.o.","production_company":"Everything Works d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.858,00","approved_amount":7858.0,"currency":"HRK","extras":{"18":"24","Hrvatski f ilmski s avez - H FS":"Everything W orks d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:2f2203618736","curation":{"changes":[{"field":"applicant","from":null,"to":"Everything W orks d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje e kipe i p redstavljanje k ratkom. i granog f ilma “Malo s e s jećam t og d ana” u r ežiji L eona L učeva u službenoj k onkurenciji 7 1. L ocarno F estivala","to":"Sudjelovanje ekipe i predstavljanje kratkom. i granog filma \"Malo se sjećam tog dana\" u režiji Leona Lučeva u službenoj konkurenciji 71. Locarno Festivala","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Everything W orks d .o.o.","to":"Everything Works d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Everything Works d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 24: e kipe→ekipe, p redstavljanje→predstavljanje, k ratkom→kratkom, i granog→i granog, f ilma→filma, s e→se, s jećam→sjećam, L eona→Leona, L učeva→Lučeva, s lužbenoj→službenoj, k onkurenciji→konkurenciji, L ocarno→Locarno, F estivala→Festivala","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_29c5b41fd818","project_family_title":"Sudjelovanje ekipe i predstavljanje kratkom. i granog filma \"Malo se sjećam tog dana\" u režiji Leona Lučeva u službenoj konkurenciji 71. Locarno Festivala"},{"row_number":25,"project_title":"Gostovanje redatelja i producenta na Ottawa international animation film festivalu","applicant":"Krupni kadar d.o.o.","production_company":"Krupni kadar d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"18":"25","Hrvatski f ilmski s avez - H FS":"Krupni kadar d.o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:d1a409d8bd91","curation":{"changes":[{"field":"applicant","from":null,"to":"Krupni kadar d.o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Gostovanje r edatelja i p roducenta n a O ttawa i nternational animation f ilm f estivalu","to":"Gostovanje redatelja i producenta na Ottawa international animation film festivalu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Krupni kadar d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 25: r edatelja→redatelja, p roducenta→producenta, O ttawa→Ottawa","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_01ba2ff514ae","project_family_title":"Gostovanje redatelja i producenta na Ottawa international animation film festivalu"},{"row_number":26,"project_title":"Anibar - internacionalni festival animiranog filma - sudjelovanje na panelu","applicant":"Marko Dješka","production_company":"Marko Dješka","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"9.500,00","approved_amount":966.0,"currency":"HRK","extras":{"18":"26","Hrvatski f ilmski s avez - H FS":"Marko D ješka","approved_amount_original":966.0,"approved_amount_text_original":"966,00","amount_repaired_at":"2026-05-17T12:55:00Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"croatian_std","amount_repair_confidence":"high","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:6c301247c605","curation":{"changes":[{"field":"applicant","from":null,"to":"Marko D ješka","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Anibar - i nternacionalni f estival a nimiranog f ilma - sudjelovanje n a p anelu","to":"Anibar - internacionalni festival animiranog filma - sudjelovanje na panelu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Marko D ješka","to":"Marko Dješka","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Marko Dješka","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"approved_amount","from":9500.0,"to":966.0,"reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 26: applicant and title confirmed; CRITICAL: candidate_rows shows 9.500,00 but raw_text clearly shows 966,00 - corrected to 966,00; i nternacionalni→internacionalni, a nimiranog→animiranog, f ilma→filma, s udjelovanje→sudjelovanje, n a→na, p anelu→panelu","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_b10cae1d33c8","project_family_title":"Anibar - internacionalni festival animiranog filma - sudjelovanje na panelu"},{"row_number":27,"project_title":"Sudjelovanje redatelja sa filmom \"Only lovers leave to die\" na 17. Međunarodnom festivalu animiranog filma u Hirošimi","applicant":"Vladimir Kanić","production_company":"Vladimir Kanić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"9.500,00","approved_amount":9500.0,"currency":"HRK","extras":{"18":"27","Hrvatski f ilmski s avez - H FS":"Vladimir K anić","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:8a3f0f27745f","curation":{"changes":[{"field":"applicant","from":null,"to":"Vladimir K anić","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje r edatelja s a f ilmom \" Only l overs l eave t o d ie\" na 1 7. M eđunarodnom f estivalu a nimiranog f ilma u Hirošimi","to":"Sudjelovanje redatelja sa filmom \"Only lovers leave to die\" na 17. Međunarodnom festivalu animiranog filma u Hirošimi","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Vladimir K anić","to":"Vladimir Kanić","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Vladimir Kanić","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 27: r edatelja→redatelja, s a→sa, f ilmom→filmom, l overs→lovers, M eđunarodnom→Međunarodnom, f estivalu→festivalu, a nimiranog→animiranog, f ilma→filma","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_c3e20a975d2b","project_family_title":"Sudjelovanje redatelja sa filmom \"Only lovers leave to die\" na 17. Međunarodnom festivalu animiranog filma u Hirošimi"},{"row_number":28,"project_title":"Sudjelovanje scenaristice i redateljice Ivane Škrabalo na 2. i 3. sesiji radionice EKRAN+","applicant":"Ivana Škrabalo","production_company":"Ivana Škrabalo","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.600,00","approved_amount":4600.0,"currency":"HRK","extras":{"18":"28","Hrvatski f ilmski s avez - H FS":"Ivana Š krabalo","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:dbcf1ced8857","curation":{"changes":[{"field":"applicant","from":null,"to":"Ivana Š krabalo","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje s cenaristice i r edateljice I vane Š krabalo n a 2. i 3 . s esiji r adionice E KRAN+","to":"Sudjelovanje scenaristice i redateljice Ivane Škrabalo na 2. i 3. sesiji radionice EKRAN+","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Ivana Š krabalo","to":"Ivana Škrabalo","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Ivana Škrabalo","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 28: s cenaristice→scenaristice, r edateljice→redateljice, I vane→Ivane, Š krabalo→Škrabalo, s esiji→sesiji, r adionice→radionice","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_3ef95c45c983","project_family_title":"Sudjelovanje scenaristice i redateljice Ivane Škrabalo na 2. i 3. sesiji radionice EKRAN+"},{"row_number":29,"project_title":"Sudjelovanje na TheNextFilmFestivalu u Danskoj","applicant":"Kinoklub Karlovac","production_company":"Kinoklub Karlovac","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.900,00","approved_amount":2900.0,"currency":"HRK","extras":{"18":"29","Hrvatski f ilmski s avez - H FS":"Kinoklub Karlovac","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:3de4b90edae7","curation":{"changes":[{"field":"applicant","from":null,"to":"Kinoklub Karlovac","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje n a T heNextFilmFestivalu u D anskoj","to":"Sudjelovanje na TheNextFilmFestivalu u Danskoj","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Kinoklub Karlovac","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 29: n a→na, D anskoj→Danskoj","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_dbbd006f17b0","project_family_title":"Sudjelovanje na TheNextFilmFestivalu u Danskoj"},{"row_number":30,"project_title":"BESKRAJNI REP u natjecateljskom programu 15. Seville European Film Festivala","applicant":"Udruga Ukus","production_company":"Udruga Ukus","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.950,00","approved_amount":2950.0,"currency":"HRK","extras":{"18":"30","Hrvatski f ilmski s avez - H FS":"Udruga Ukus","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:ebd224d363d7","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga Ukus","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"BESKRAJNI R EP u n atjecateljskom p rogramu 1 5. S eville European F ilm F estivala","to":"BESKRAJNI REP u natjecateljskom programu 15. Seville European Film Festivala","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Udruga Ukus","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 30: B ESKRAJNI→BESKRAJNI, R EP→REP, u natjecateljskom→u natjecateljskom, p rogramu→programu, S eville→Seville, F ilm→Film, F estivala→Festivala","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_d85ad71cc6d5","project_family_title":"BESKRAJNI REP u natjecateljskom programu 15. Seville European Film Festivala"},{"row_number":31,"project_title":"Sudjelovanje Nede Radić, redateljice kratkog filma Emil na Drama Pitching lab koprodukcijskom workshopu","applicant":"Metar60","production_company":"Metar60","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.880,00","approved_amount":1880.0,"currency":"HRK","extras":{"18":"31","Hrvatski f ilmski s avez - H FS":"Metar60","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:e124b5921bcb","curation":{"changes":[{"field":"applicant","from":null,"to":"Metar60","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje N ede R adić, r edateljice k ratkog f ilma E mil n a Drama P itching l ab k oprodukcijskom w orkshopu","to":"Sudjelovanje Nede Radić, redateljice kratkog filma Emil na Drama Pitching lab koprodukcijskom workshopu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Metar60","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 31: N ede→Nede, R adić→Radić, r edateljice→redateljice, k ratkog→kratkog, f ilma→filma, D rama→Drama, P itching→Pitching, k oprodukcijskom→koprodukcijskim, w orkshopu→workshopu","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_66534fcca383","project_family_title":"Sudjelovanje Nede Radić, redateljice kratkog filma Emil na Drama Pitching lab koprodukcijskom workshopu"},{"row_number":32,"project_title":"Predstavljanje filma DOM BORACA redatelja Ivana Ramljaka u konkurenciji Open City Film Festivala u Londonu - engleska premijera","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.938,00","approved_amount":1938.0,"currency":"HRK","extras":{"18":"32","Hrvatski f ilmski s avez - H FS":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:3eb4ee82be43","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Predstavljanje f ilma D OM B ORACA r edatelja I vana Ramljaka u k onkurenciji O pen C ity F ilm F estivala u Londonu - e ngleska p remijera","to":"Predstavljanje filma DOM BORACA redatelja Ivana Ramljaka u konkurenciji Open City Film Festivala u Londonu - engleska premijera","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 32 in source table: applicant Restart, project title (with OCR spacing), amount 1.938,00 HRK. Title needs OCR space corrections (f ilm→film, I vana→Ivana, k onkurenciji→konkurenciji, O pen→Open, C ity→City, F ilm→Film, F estivala→Festivala, L ondonu→Londonu, e ngleska→engleska, p remijera→premijera).","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_aa70eeab7d64","project_family_title":"Predstavljanje filma DOM BORACA redatelja Ivana Ramljaka u konkurenciji Open City Film Festivala u Londonu - engleska premijera"},{"row_number":33,"project_title":"Gostovanje Josipa Lukića (film Majči) na festivalu Cinemed u Montpellieru","applicant":"Akademija dramske umjetnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.982,00","approved_amount":2982.0,"currency":"HRK","extras":{"18":"33","Hrvatski f ilmski s avez - H FS":"Akademija dramske umjetnosti","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:71bbf2c78150","curation":{"changes":[{"field":"applicant","from":null,"to":"Akademija dramske umjetnosti","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Gostovanje J osipa L ukića ( film M ajči) n a f estivalu Cinemed u M ontpellieru","to":"Gostovanje Josipa Lukića (film Majči) na festivalu Cinemed u Montpellieru","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 33 in source table: applicant Akademija dramske umjetnosti, project title with OCR spacing, amount 2.982,00 HRK. Title needs corrections (J osipa→Josipa, L ukića→Lukića, M ajči→Majči, f estivalu→festivalu, C inemed→Cinemed, M ontpellieru→Montpellieru).","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_68d97b0bf93d","project_family_title":"Gostovanje Josipa Lukića (film Majči) na festivalu Cinemed u Montpellieru"},{"row_number":34,"project_title":"Sudjelovanje na radionici eQuinoxe Europe - projekt Let na sjever","applicant":"Corvus film d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.483,00","approved_amount":1483.0,"currency":"HRK","extras":{"18":"34","Hrvatski f ilmski s avez - H FS":"Corvus f ilm d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:53abc94cba2f","curation":{"changes":[{"field":"applicant","from":null,"to":"Corvus f ilm d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje n a r adionici e Quinoxe E urope - p rojekt L et na s jever","to":"Sudjelovanje na radionici eQuinoxe Europe - projekt Let na sjever","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Corvus f ilm d .o.o.","to":"Corvus film d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 34 in source table: applicant Corvus film d.o.o., project title with OCR spacing, amount 1.483,00 HRK. Title needs corrections (r adionici→radionici, e Quinoxe→eQuinoxe, E urope→Europe, p rojekt→projekt, s jever→sjever).","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_2d54f804c6c6","project_family_title":"Sudjelovanje na radionici eQuinoxe Europe - projekt Let na sjever"},{"row_number":35,"project_title":"Sudjelovanje na The Animation Conference","applicant":"Jadranska animacija / Adriatic Animation","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.272,00","approved_amount":4272.0,"currency":"HRK","extras":{"18":"35","Hrvatski f ilmski s avez - H FS":"Jadranska animacija / Adriatic A nimation","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:518daf50d3db","curation":{"changes":[{"field":"applicant","from":null,"to":"Jadranska animacija / Adriatic A nimation","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje n a T he A nimation C onference","to":"Sudjelovanje na The Animation Conference","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Jadranska animacija / Adriatic A nimation","to":"Jadranska animacija / Adriatic Animation","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 35 in source table: applicant Jadranska animacija / Adriatic Animation, project title with OCR spacing, amount 4.272,00 HRK. Title needs corrections (T he→The, A nimation→Animation, C onference→Conference).","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_19fbbab5d382","project_family_title":"Sudjelovanje na The Animation Conference"},{"row_number":36,"project_title":"Sudjelovanje Marka Dješka na Worldbuilding course","applicant":"Jadranska animacija / Adriatic Animation","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.114,00","approved_amount":1114.0,"currency":"HRK","extras":{"18":"36","Hrvatski f ilmski s avez - H FS":"Jadranska animacija / Adriatic A nimation","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:82e7a8494b06","curation":{"changes":[{"field":"applicant","from":null,"to":"Jadranska animacija / Adriatic A nimation","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje M arka D ješka n a W orldbuilding c ourse","to":"Sudjelovanje Marka Dješka na Worldbuilding course","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Jadranska animacija / Adriatic A nimation","to":"Jadranska animacija / Adriatic Animation","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 36 in source table: applicant Jadranska animacija / Adriatic Animation, project title with OCR spacing, amount 1.114,00 HRK. Title needs corrections (M arka→Marka, D ješka→Dješka, W orldbuilding→Worldbuilding, c ourse→course).","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_1f9ea9c46429","project_family_title":"Sudjelovanje Marka Dješka na Worldbuilding course"},{"row_number":37,"project_title":"Sudjelovanje producentice Anite Juka i redateljice Ivona Juka na International Financing Forumu, FIN Partnersu i Independent Filmmaker Projectu","applicant":"Četiri film d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"18":"37","Hrvatski f ilmski s avez - H FS":"Četiri f ilm d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:7da418efef2d","curation":{"changes":[{"field":"applicant","from":null,"to":"Četiri f ilm d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje p roducentice A nite J uka i r edateljice I vona Juka n a I nternational F inancing F orumu, F IN P artnersu i Independent F ilmmaker P rojectu","to":"Sudjelovanje producentice Anite Juka i redateljice Ivona Juka na International Financing Forumu, FIN Partnersu i Independent Filmmaker Projectu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Četiri f ilm d .o.o.","to":"Četiri film d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 37 in source table: applicant Četiri film d.o.o., project title with OCR spacing, amount 20.000,00 HRK. Title needs corrections (p roducentice→producentice, A nite→Anite, J uka→Juka, r edateljice→redateljice, I vona→Ivona, J uka→Juka, I nternational→International, F inancing→Financing, F orumu→Forumu, P artnersu→Partnersu, I ndependent→Independent, F ilmmaker→Filmmaker, P rojectu→Projectu).","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_e787774df82b","project_family_title":"Sudjelovanje producentice Anite Juka i redateljice Ivona Juka na International Financing Forumu, FIN Partnersu i Independent Filmmaker Projectu"},{"row_number":38,"project_title":"Sudjelovanje producentice Morane Mitić na radionici Re-Act \"Marketing & Distribution\"","applicant":"Filmaparat d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.000,00","approved_amount":1000.0,"currency":"HRK","extras":{"18":"38","Hrvatski f ilmski s avez - H FS":"Filmaparat d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s1:bed4c9e0a6ee","curation":{"changes":[{"field":"applicant","from":null,"to":"Filmaparat d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje p roducentice M orane M itić n a r adionici R e- Act \" Marketing & D istribution\"","to":"Sudjelovanje producentice Morane Mitić na radionici Re-Act \"Marketing & Distribution\"","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Filmaparat d .o.o.","to":"Filmaparat d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 38 in source table: applicant Filmaparat d.o.o., project title with OCR spacing, amount 1.000,00 HRK. Title needs corrections (p roducentice→producentice, M orane→Morane, M itić→Mitić, r adionici→radionici, A ct→Act, M arketing→Marketing, D istribution→Distribution).","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_92dda4b64bf4","project_family_title":"Sudjelovanje producentice Morane Mitić na radionici Re-Act \"Marketing & Distribution\""}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["39","Restart","Sudjelovanje f ilma \" SRBENKA\" n a F ESTIVALU I DFA u Amsterdamu","3.300,00"],"rows":[{"row_number":40,"project_title":"Restart","applicant":null,"production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.500,00","approved_amount":4500.0,"currency":"HRK","extras":{"39":"40","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s2:0cd1890898c6","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_0009ff1f790b","project_family_title":"Restart"},{"row_number":41,"project_title":"Slavica f ilm d .o.o.","applicant":null,"production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.496,00","approved_amount":2496.0,"currency":"HRK","extras":{"39":"41","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"9331d62b:s2:4c067f6be3cd","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_76b36d856409","project_family_title":"Slavica f ilm d .o.o."}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":434836.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":210117.0,"ukupno_match":false,"row_count":39,"awarded_count":39,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":39}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSCTV_RPRTV_2023_2rok_WEB.pdf","filename_decoded":"Obrazlozenje_RSCTV_RPRTV_2023_2rok_WEB.pdf","sha256":"93d53daa4773bb20331247397ed35029b403464323405d9c0bcdbe3a5fa3ecf6","bytes":234873,"page_count":10,"extracted_at":"2026-05-17T12:01:59Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSCTV_RPRTV_2023_2rok_WEB.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2023. - 2. ROK - 12.9.2023. \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2023. - 2. ROK - 12.9.2023. \n \n \n \nNa Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE RAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA ukupno je prijavljeno \n82 projekta, od toga 32 u podkategoriji Razvoj projekata, a 50 u podkategoriji Razvoj scenarija. Za \nčetiri projekta nositelji prijave su obrti koji prema izmjenama javnog poziva nemaju pravo prijave na \nnatječaj za razvoj projekata serijskih televizijskih djela pa stoga nisu ni razmatrani. \nVelik broj prijavljenih projekata rezultirao je i vrlo kvalitetnom ponudom projekata, osobito \nkad je riječ o dokumentarnim i dramskim serijalima, dok je uočljivo slabija konkurencija bila među \nanimiranim i humorističkim projektima. Može se zamijetiti i sve veći broj projekata koji ciljaju na šire \ntržište od hrvatskoga, a s time dolazi i sve bolje poznavanje i uklapanje u suvremene produkcijske \ntrendove, osobito se to može primijetiti u dramskim djelima, ali donekle i u ponudi dokumentarnih i \nfaktual programa. Vjerujem da će rezultat toga biti i sve veći broj projekata koji će na kraju i biti \nkvalitetno realizirani i komercijalno uspješni. \nSveukupni iznos predložen i odobren za financiranje: 134 401 eura. \n \n \nIgor Tomljanović \n \nUmjetnički savjetnik za razvoj scenarija  \ni projekata televizijskih djela \n \n \n \n \n \n\n\f\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2023. - 2. ROK - 12.9.2023. \n \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute \n \n1.1 Slova šume \nAnimirana serija, 30x5’ \nProducenti: Jaka produkcija d.o.o. / Jure Bušić \nScenaristice: Beatrica Kurbel, Rona Žulj \nRedateljica: Dea Jagić \nIznos potpore: 8 500 EUR \nAnimirani serijal za djecu u dobi od 5 do 7 godina u trideset epizoda pripovijeda o dogodovštinama \nčetvero šumskih životinja (medvjedice, vjeverice, vuka i lisice) koje sprijateljuje zajednički pothvat – \nželja da nauče sva slova abecede. Šarmantan projekt prvenstveno edukativnog usmjerenja – cilj mu \nje pomoći djeci naučiti abecedu – no istovremeno ima i zabavnu ulogu. Odlikuju ga duhoviti i \nmoderni sinopsisi, živopisni i simpatični glavni likovi te originalna i atraktivna animacija. \n \n1.2 Pustolovine galeba Marka \nAnimirana serija, 10x6’ \nProducenti: Wolfgang i Dolly d.o.o. / Tamara Babun \nScenaristica: Nikolina Bogdanović \nRedatelj: Luka Rukavina \nIznos potpore: 8 500 EUR \n \nAnimirani serijal za djecu zamišljen je kao adaptacija serije istoimenih slikovnica autorice Martine \nMarkov. Namijenjen djeci nižih razreda osnovne škole, serijal je koncipiran tako da svaka \nslikovnica/epizoda opisuje posjet naslovnog junaka jednom hrvatskom nacionalnom parku, kako \nonima na moru tako i onima u unutrašnjosti. Tom prilikom upoznaje lokalne stanovnike koji mu \npomažu da bolje upozna i doživi prirodu, biljke i životinje koje tu obitavaju. Na taj način serija osim \nzabave djeci pruža i edukaciju te ih osvještava o važnosti zaštite prirode i stanovnika našega planeta.  \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n2.1. Plovopis – Južni pučinski otoci \nDokumentarna serija, 4x52’ \nProducenti: Castor Multimedia d.o.o. / Dubravko Merlić \nScenarist: Dubravko Merlić \nRedatelj: Tomislav Šoban \nIznos potpore: 7 000 EUR \nDokumentarni putopisni serijal kojem je cilj upoznati nas s najudaljenijim, najslabije poznatim i \ngotovo posve nenastanjenim otocima jadranskog arhipelaga – riječ je o južnim pučinskim otocima \n\n\f\nSvetac, Brusnik, Biševo, Jabuka, Sušac i Palagruža. Klasično osmišljeni putopis konceptualno je \nrazigran upotrebom animacije kojoj je cilj da gledateljima približi povijesne podatke i vizuale za koje, \nnaravno, ne postoji arhivski materijal, kao i da vizualizira mitove koji su bili vezani uz ove otoke i ovu \nkulturu.  \nKomercijalno potentan te kulturološki vrijedan dokumentarni format koji ima potencijal i za plasman \nna međunarodno tržište. \n \n2.2. Oblačno \nDokumentarna serija, 4x50’ \nProducenti: FADE IN / Vlatka Vorkapić \nScenaristica:  Vlatka Vorkapić \nRedateljica: Vlatka Vorkapić \nIznos potpore: 7 000 EUR \nNastavak je uspješno realizirane dokumentarne serije „Vjetrovito“ iste autorice i producentske kuće. \nDok se prva sezona bavila fenomenom vjetra, ova sezona proučava pojavu oblaka iz različitih \nperspektiva, znanstvene, odnosno meteorološke, kroz prizmu klimatskih promjena, kroz neraskidiv \nodnos ljudi i prirode, ali i značenjem oblaka u mitologiji, religiji i narodnim vjerovanjima te prikazima \noblaka u umjetnosti. \nRiječ je o autorskom opservacijskom dokumentarcu s elementima znanstveno popularnog, \nedukativnog i sportskog dokumentarnog serijala. Vrlo kreativan autorski pristup prenio se i na drugu \nsezonu koja slijedi već definirana stilska obilježja, kao i već korištene narativne strategije, a rezultat \nje kreativan, autorski snažan, no istovremeno i komercijalno potentan televizijski projekt. \n \n2.3. Razgovori s prijateljima – 2. sezona \nDokumentarna serija, 6x26’ \nProducenti: Kreativna audiovizualna asocijacija - KAVA / Dinko Rupčić \nScenaristica:  Ivana Karačonji Rupčić \nRedateljica: Ivana Karačonji Rupčić \nIznos potpore: 7 000 EUR \nDruga sezona dobro ocijenjenog dokumentarnog serijala o osobama s invaliditetom. Kroz nove priče \nu drugoj sezoni također vodi slijepa novinarka Gordana Glibo, a serija zanimljivo isprepliće specifične \nteme s kojima se susreću osobe s invaliditetom s općim društvenim temama kao što je položaj \nnacionalnih manjina koje uz to imaju i invaliditet, roditeljstvo osoba s invaliditetom, status \numirovljenih osoba s invaliditetom i slično. Dokazano kvalitetan format izraženog javnog interesa. \n \n2.4. Dokumentarna serija radnog naslova Policijske priče \nDokumentarna serija, 10x26’ \nProducenti: Trigon d.o.o. / Jadranka Cicvarić Šiftar \nScenaristi: Predrag Šiftar, Hrvoje Mabić \nRedatelji: Hrvoje Mabić, Jadranka Cicvarić Šiftar \nIznos potpore: 6 401 EUR \n\n\f\nDokumentarni serijal koji u deset epizoda predstavlja deset policajaca te deset zanimljivih i napetih \nslučajeva koji su ostavili značajan trag u karijeri i emocijama protagonista. Riječ je o zanimljivom i \nmodernom konceptu koji se dijelom oslanja na iskustva u produkciji serijala „CSI Hrvatska“, a s druge \nstrane referira se na brzorastući trend true crime dokumentaraca koji su preplavili dokumentarne \ntelevizijske kanale i streaming platforme.  \nSpajajući elemente opservacijskog, tzv. pravog dokumentarca, kojim će gledatelja upoznati s \nprotagonistom/icom svake epizode, i klasičnog televizijskog dokumentarca koji kombinira intervjue, \nnaratora u offu i re-enactment sekvence, kojima se rekonstruiraju slučajevi, autori stvaraju originalan \nkoncept s velikim komercijalnim potencijalom. \n \n2.5. Što ćemo s Alfom? \nDokumentarna serija, 5x50’ \nProducenti: Zelena zraka / Nevenka Sablić \nScenaristice: Nevenka Sablić, Marija Šimoković Sikavica \nRedatelji: Miroslav Sikavica, Saša Ban \nIznos potpore: 7 000 EUR \nOriginalni dokumentarni koncept ima za cilj istražiti što razlikuje, a što povezuje šest živućih \ngeneracija (Tiha generacija, Baby boomeri, X generacija, Milenijalci, Generacija Z, Generacija Alfa) i \nto prvenstveno iz perspektive žena o čijem doživljaju svijeta kroz povijest znamo malo ili nimalo. \nKvalitetno osmišljen i formatiran projekt u kojem će predstavnice svih generacija potaknuti dijalog o \npet velikih tema, odnosno pet osnovnih ljudskih potreba: bazične (hrana, kuća, odjeća), potreba za \nsigurnošću (osobna sigurnost, zaposlenje i novac, zdravlje), potreba za pripadanjem (obitelj, \nprijateljstvo, ljubav i seks), samoostvarenje (poštovanje i društveni status, samopouzdanje, snaga), \nsmisao i svrha (ono više od života – vjera, ideologija i politika, budućnost). \n \n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n3.1. Oblak čvoraka \nDramska serija, 6x45’ \nProducenti: Dobar film / Karla Lulić \nScenaristice: Karla Lulić, Jelena Mađarić \nRedateljica: Karla Lulić \nIznos potpore: 9 000 EUR \nEkranizacija romana Ivane Šojat „Oblak čvoraka“ i „Zmajevi koji ne lete“ u formatu televizijske serije \nza mlade drama je o odrastanju šestero tinejdžera koja se razvija kroz dinamiku njihovih međusobnih \nodnosa, ali i kroz odnose s roditeljima i drugim predstavnicima svijeta odraslih.  \nRiječ je o originalnoj priči i formatu kakav već duže vremena nismo imali prilike gledati na \ntelevizijskim ekranima: serija za mlade koja može zainteresirati i njihove roditelje, serija koja adresira \nživotne i iznimno važne probleme mladih kao što su vršnjačko nasilje ili ovisnost mladih, a koji se kao \nmotiv rijetko pojavljuju u suvremenoj domaćoj televizijskoj produkciji. Vrlo dobri scenariji prve četiri \n\n\f\nepizode svjedoče o vještom ispreplitanju edukativnog i zabavnog sloja pripovijedanja što rezultira \nautentičnim projektom visoke javne vrijednosti. \n \n3.2. U ime svih nas \nDramska serija, 5x52’ \nProducenti: Drugi plan d.o.o. / Miodrag Sila \nScenarist: Saša Podgorelec \nRedatelji: Mladen Dizdar \nIznos potpore: 9 000 EUR \n \nOriginalna i autentična dramska krimi serija zamišljena kao triptih sastavljen od tri sezone, odlikuje \nse originalnim konceptom žanrovske fluidnosti na način da originalni whodoneit krimić kroz tri \nsezone mijenja žanrovske forme, prva sezona svojevrsni je Balkan Noir, bazično triler, druga sezona \nkombinira triler i psihološku dramu u ratnom okruženju, dok je treća i završna sezona kombinacija \ntehno trilera i filma ceste. Posebno je dojmljiv set-up prve sezone, smješten u socijalističko skijalište \nDivičbare u Srbiji, koji vremenski koincidira s boravkom predsjednika bivše države u ljubljanskoj \nbolnici 1980. godine.  \nUbojstvo bosanske djevojke za koje su osumnjičeni jedan Hrvat, jedan Srbin i jedan Rom, može se \ndoživjeti i kao simbolički nagovještaj raspada Jugoslavije, no osnovna narativna linija koja se bavi \nrješavanjem misterija ubojstva, dovoljno je dramaturški snažna da ne ovisi o interpretaciji priče tek \nna simboličkoj, odnosno političkoj razini. \n \n3.3. Crna kapelica \nDramska serija, 10x52’ \nProducenti: Plavi film d.o.o. / Zoran Sertić \nScenarist: Robert Međurečan \nRedatelj: Kristijan Milić \nIznos potpore: 9 000 EUR \n \nKriminalistička serija smještena u izmišljeni gradić na sjeveru Hrvatske započinje ritualnim ubojstvom \nlokalnog poduzetnika i političkog moćnika sumnjive prošlosti koje policijski tandem istražitelja vodi u \nprošlost i još uvijek nezaboravljeno ubojstvo djevojčice koje je skrivio upravo ubijeni muškarac. Uz \nto, mjesto ubojstva, nedaleko crne kapelice, priziva mistične i morbidne legende koje se povezuje s \nkapelicom što izaziva strah kod mještana. \nNastao pod utjecajem nordic-noira, ali i serija kao što su „True Detective“ ili „Mare of Easttown“, \nautor Međurečan intrigantnu priču na zanimljiv način uklapa u domaće prilike u kojima se isprepliću \npolitika, kriminal, korupcija i arhaično praznovjerje te tvore vrlo specifičan i živopisan svijet djela. \n \n3.4. Knjiga \nDramska serija, 10x52’ \nProducenti: Umjetnička organizacija Missart / Matija Prskalo \n\n\f\nScenaristica: Goranka Krpan Branica \nRedatelj: Miroslav Terzić \nIznos potpore: 9 000 EUR \n \nKriminalistička dramska serija u središtu koje je potraga za skupocjenom knjigom nestalom tijekom \nrata u Bosni i Hercegovini 1993. godine. U današnjem vremenu jedna neobična smrt, jedan policijski \ninspektor s traumatičnim iskustvom iz ratnog Sarajeva i bolesni vatikanski istražitelj ključni su dijelovi \nmozaika iznimno složene priče koju povezuje tajna iz prošlosti. \nPrve tri epizode scenarija koji nastaje prema vlastitom romanu scenaristice odlikuje intrigantan \nzaplet koji odiše misterioznošću, dojam začudnosti zbivanja, dinamični slijed scena i naznake \nnapetosti u sljedećim epizodama što obećava uzbudljivu i, za domaće produkcijske prilike, čvrsto \nžanrovski utemeljenu seriju velikog komercijalnog potencijala. \n \n \n4) Televizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta \n \n4.1. Poštovani kukci i druge jezive priče \nHumoristička serija, 8x26’ \nProducenti: Dobar film / Karla Lulić \nScenaristica: Karla Lulić \nRedateljica: Karla Lulić \nIznos potpore: 8 500 EUR \nMračne egzistencijalističke teme, kafkijanski ugođaj tjeskobe i bizarnosti te osjećaj bespomoćnosti, \nkao i ostvarene metafore iz naslova čine zanimljivo tkivo priča nagrađivane knjige Maše Kolanović \n„Poštovani kukci i druge jezive priče“, a vrlo dobro napisan scenarij prve epizode („Lutka iz \nČernobila“) pokazuje kako je autorica pronašla stilski ključ kojim pomiruje realistički prosede sa \nsnažnim stilizacijskim postupcima te vješto spaja realizam, grotesku, gotički horor i crni humor u \njedinstvenu cjelinu. \nAutorski autentičan i umjetnički potentan projekt, no iznimno stilski kompleksan i stoga zahtjevan za \nrealizaciju. Ipak, scenarij prve epizode te sinopsisi još pet epizoda navode na zaključak da je autorica \nna dobrom putu da dobro prihvaćen književni predložak preoblikuje u odgovarajući filmski materijal \nbez većih „gubitaka“, a lako zamislivo i s određenom dodanom vrijednošću. \n \n \n \n \n \n \n\n\f\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2023. - 2. ROK - 12.9.2023. \n \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute \n \n1.1. Gizzo i Gezzu \nAnimirana serija, 6x6’ \nScenaristi: Sonja Babić, Luka Vucić \nIznos potpore: 3 200 EUR \nAnimirani serijal namijenjen najmlađem uzrastu s dvojicom malih izvanzemaljaca u naslovnim \nulogama. Autori koriste sraz izvanzemaljaca s našom civilizacijom da bi postavili neka jednostavna ali \ntemeljna pitanja. Scenaristička razrada u obliku treatmenta donosi dobro osmišljene kratke priče u \nkojima se dvojica glavnih junaka suočavaju s neobičnim i ponekad stresnim događajima, kao što su \nlavež pasa, hrkanje prilikom spavanja ljudskih bića, glasni ljudski smijeh te traže odgovore na pitanja \nu vezi s tim, a odgovori su prezentirani na različite, djeci zabavne načine, od pjesmica i igrokaza pa \nsve do šarenih infografika. \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n \n2.1. Filmopolis \nDokumentarna serija, 6x26’ \nScenarist: Aleksandar Arsovski \nRedatelj: Aleksandar Arsovski \nIznos potpore: 3 200 EUR \nDokumentarni televizijski serijal ima intenciju predstaviti neke od najpoznatijih i najuspješnijih \nhrvatskih igranih filmova kroz specifičnu dokumentarnu formu, svojevrsni produženi making of koji \nima istovremeno i zabavnu i edukativnu funkciju. Projekt sadrži šest 26-minutnih epizoda s vrlo \ndobrim izborom filmova koji bi se u njemu obradili (Sonja i bik, Koko i duhovi, Murina, Svećenikova \ndjeca, Dnevnik Diane Budisavljević, Armin), a namjera mu je popularizirati hrvatski film i pružiti \nzainteresiranoj publici mogućnost da ga bolje upozna, kao i da sazna nešto više o tome na koji način \nzapravo nastaje film.  \n \n2.2. Odjeci Hrvatske: Jezično putovanje \nDokumentarna serija, 10x52’ \nScenarist: Filip Filković \nRedatelj: Filip Filković  \nIznos potpore: 3 200 EUR \nDokumentarni serijal u deset jednosatnih epizoda ima namjeru predstaviti bogatstvo hrvatskih \nnarječja u formi putopisno-etnološkog formata. Svaka epizoda odvija se u drugom prostoru (Buzet, \nLastovo, Samobor, Međimurje, Slavonija…) koji uvodi nova mjesta i govornike originalnih narječja, ali \n\n\f\ni njihovih danas već osuvremenjenih formi.  Tragajući za autentičnim govornicima i sredinama u \nkojima žive pojedini dijalekti, serijal na inventivan način kreira originalan, živopisan i edukativan \nformat - atraktivan i autentičan televizijski putopis namijenjen vrlo širokoj gledateljskoj skupini. \n \n2.3. Preživjeti s tatom \nDokumentarna serija, 12x26’ \nScenarist: Hrvoje Mabić \nRedatelja: Hrvoje Mabić \nIznos potpore: 3 200 EUR \nOriginalan avanturističko-pustolovni dokumentarni format u središtu kojega je odnos oca i kćeri \nkoji zajedno proživljavaju i preživljavaju nekoliko dana u prirodi. Otac je Anton Rudan, autor i \nvoditelj uspješnih faktual formata „Šumski kuhar“ i „Lovac na bilje“, a u ovom projektu \npartnerica bi mu bila njegova 15-godišnja kćer Uma. Zajednički odlazak u prirodu pred oboje \npostavlja brojne izazove, pred Antonom, inače iskusnom u snalaženju u prirodi, sada je zadatak \nbrige te odgovornosti ne samo za sebe već i za najmlađu kćer, dok za Umu odlazak u prirodu \nznači odustajanje od stvari koje su joj važne u svakodnevnom životu, od mobitela, društvenih \nmreža, streaminga i komunikacije s prijateljima. Istovremeno, zajednička avantura za oboje je \nprilika da rade na svojem odnosu. Na taj način ovaj format paralelno vodi nekoliko slojeva \npripovijedanja, suočavanje s prirodom i učenje preživljavanja u njoj istovremeno postaje i prilika \nza suočavanje roditelja i djeteta za kakvo u svakodnevnom životu nema dovoljno vremena. \n \n2.4. Solidarnost \nDokumentarna serija, 12x40’ \nScenaristica: Sandra Antolić \nRedateljica: Sandra Antolić \nIznos potpore: 3 200 EUR \nDokumentarni putopisni format koncipiran kao pješačko putovanje autorice i njezinog psa od \nZagreba do Gdanjska. Putovanje je osmišljeno kao vrlo osobno, intimno zaranjanje u samu sebe, \nali istovremeno otvara mogućnost i za šire društveno i političko dijagnosticiranje stanja u kojemu \nse nalazi Europa preplavljena „milijunima izbjeglica koji već skoro desetljeće prehodavaju \nEuropu“. Riječ je o posve originalnom formatu koji pomiruje autentičnu, intimnu priču s \nangažiranom putopisnom formom. Kako su putopisni formati s twistom, žanrovski hibridni, na \nneki način pomaknuti, autentični, osobni i neočekivani iznimno zahvalni i traženi na tržištu \ntelevizijskih dokumentarnih programa, ovaj projekt na atraktivan način odgovara na takve \npotrebe broadcastera te pruža priliku za realizaciju posve originalnog i kvalitetnog programa. \n \n \n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n3.1. Platneni grad \nDramska serija, 8x60’ \n\n\f\nScenaristica: Daria Stilin \nIznos potpore: 5 000 EUR \nPovijesna dramska serija inspirirana stvarnim događajima u izbjegličkom logoru El Shatt u kojemu su \ntijekom Drugog svjetskog rata spas pronašle brojne izbjeglice iz bivše Jugoslavije i drugih zemalja. \nGlavna junakinja je 17-godišnja djevojka Sofija koja dolazi u izbjeglički logor s roditeljima i mlađom \nsestrom krijući od njih da je trudna; njezin momak ostao je u partizanima, dok je mladić za kojega je \nzaručena, ali ga ne voli, s njima u logoru. Priča serije oslanja se na desetak slojevito koncipiranih \nlikova te je dramaturški razvedena kroz niz zanimljivih paralelnih pripovjedačkih linija i odnosa \nizmeđu likova od polaska prema El Shattu pa sve do kraja rata. \nPriča o logoru El Shatt je ne samo iznimno važna povijesna činjenica, već i neobično izazovna i \npotentna tema te dramaturški okvir koji omogućava građenje zanimljivih malih i velikih, intimnih i \njavnih narativa te postavljanje legitimnih moralnih, svjetonazorskih i ideoloških pitanja, što autorica i \nvrlo dobro iskorištava. Dramaturški zanimljivo postavljen te vješto raspisan kroz sinopsise i \ntreatmente, projekt predstavlja izuzetan umjetnički i komercijalni potencijal koji na poseban način \nrezonira s današnjim vremenom te stoga zaslužuje nastavak razvoja i šansu za realizaciju. \n \n3.2. Mula \nDramska serija, 6x55’ \nProducenti: Greta Creative Network / David Lušičić \nScenarist: David Lušičić \nRedatelj: David Lušičić \nIznos potpore: 4 000 EUR \nMini serija u šest jednosatnih epizoda pripovijeda dramatičnu priču o hrvatskom pomorcu koji \npristaje prenositi pošiljke droge za organizirane međunarodne kriminalne skupine kako bi vratio dug \nkamatarima koji prijete njemu i njegovoj obitelji. Prvi lako odrađeni posao vodi ga i u sljedeće, a \nnakon smrti jednog pomorca ulozi se povećavaju. Ova istinita priča već je ekranizirana u \ndokumentarnom filmu „Mlungu – Bijeli kralj“. Odluka autora da priču preformatira i u dramsku seriju \nposve je razumljiva i logična budući da je riječ o zaista jedinstvenoj i nadasve dramatičnoj priči kakve \nnisu česte na našim prostorima.  \nPotentan dramski projekt iza kojega stoji autor koji vrlo dobro poznaje materiju te predlaže \nsveobuhvatno razrađen autorski koncept koji predstavlja kvalitetan temelj za daljnju scenarističku \nrazradu. \n \n3.3. Barakuda \nDramska serija, 6x50’ \nScenaristica: Iva Ilakovac \nIznos potpore: 4 000 EUR \nAkcijska krimi serija s elementima komedije smještena je na otok Vis na koji dolazi \nniskopozicionirani IT stručnjak američke agencije NSA kako bi upravljao sustavom Barakuda. Iako \nga ne smije koristiti u privatne svrhe, kad iz mjesta nestane desetogodišnji dječak, glavni junak se \nodluči poslužiti sustavom kako bi ga uz pomoć dječakovog pametnog sata pronašao, a to ga \ndovodi u sukob s talijanskim krijumčarima droge. \n\n\f\nRiječ je o konceptu koji klasični holivudski žanrovski film uvjerljivo i kompetentno implementira u \nnašu sredinu. Set-up priče izložen kroz sinopsis i treatment prve epizode vrlo je maštovit i \ndramski potentan, baš kao i glavni lik, stoga pruža nemali potencijal za razvoj fabule i likova, te \natraktivnu i napetu akcijsku seriju. U kontekstu domaće AV produkcije, kao i u kontekstu ovoga \nnatječaja rijedak pokušaj kreiranja „čistog“ domaćeg žanrovskog proizvoda bez stilizacijskih \nautorskih intervencija, što projektu daje i određeni komercijalni potencijal.  \n \n \n3.4. Treći put \nDramska serija, 6x60’ \nScenaristica: Sanja Kovačević \nIznos potpore: 5 500 EUR \nEfektna dramatizacija jednog od najvažnijih događaja u novijoj povijesti ovih prostora - raskol \nizmeđu Jugoslavije i Sovjetskog saveza 1948. godine. Iza atraktivnog taglinea „Jedini čovjek koji \nje Staljinu rekao NE i preživio“ krije se zanimljiva i bogata priča u kojoj se dramatični politički \ndogađaji isprepliću s osobnima. Dok donosi teške odluke koje mogu ugroziti državu, ali i vlastiti \nživot, raskida s bivšim prijateljima i suborcima, a brojne suradnike šalje na Goli otok, Tito prolazi i \nkroz brojna privatna previranja, kompleksne odnose s djecom, ali i rađanje ljubavi s budućom \nsuprugom Jovankom.  \nModerno koncipirana serija spaja elemente povijesnog filma, političkog trilera i obiteljske \nmelodrame u kojoj se Josipa Broza prikazuje izvan uobičajenih svjetonazorskih i političkih \nopreka, te ga lišava slojeva mita i prikazuje kao čovjeka s vrlinama, ali i manama, nesigurnostima \ni strahovima, kao „čovjeka koji je spreman činiti i dobro i zlo“. \nRiječ je o iznimno kompleksnom, povijesno i dramski intrigantnom projektu koji je koncipiran s \npunom sviješću o suvremenoj televizijskoj produkciji i zakonu ponude i potražnje. Domaća \ndramska produkcija, kako filmska tako i televizijska, nedovoljno koristi bogatstvo tema i motiva iz \nvlastite historiografije, stoga sam uvjeren da projekt posjeduje golem komercijalni potencijal i na \nmeđunarodnom tržištu. \n \n3.5. Izgubljeni trag \nDramska serija, 6x45’ \nProducenti: Wolfgang i Dolly d.o.o. / Tamara Babun \nScenaristice: Nikolina Bogdanović, Maja Sviben \nRedatelj: Filip Heraković \nIznos potpore: 4 000 EUR \nKriminalistička dramska serija započinje motivom izgubljene djevojčice pronađene u parku, bez \nidentiteta, a istraga o njezinom podrijetlu i načinu na koji se zatekla u gradskom parku raspliće \nmnogo kompleksniju priču o trgovanju ljudima i sprezi politike i kriminala. Iako dijelom \ninspirirana skandinavskim krimi serijama koje na tematskom planu karakterizira uranjanje u \nsocijalni kontekst i sučeljavanje sa zahtjevnim društvenim temama, riječ je o originalno \nkoncipiranom projektu koji ne bježi od hrvatske društvene stvarnosti i vješto povezuje širok \nspektar motiva. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2023,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RPR_ANIMIRANI_1.rok_12III2025.pdf","filename_decoded":"Obrazlozenje_RPR_ANIMIRANI_1.rok_12III2025.pdf","sha256":"93ef74918b7788a0733cf366589506840cc1a469d1cae192ee04e6dd35d781bb","bytes":144894,"page_count":3,"extracted_at":"2026-05-17T12:02:08Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RPR_ANIMIRANI_1.rok_12III2025.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i projekata dugometražnih igrani, dugometražnih \ndokumentarnih i  animiranih filmova, 1. rok 2025. \nkategorija: razvoj projekta, animirani film \nrok: 12.3.2025. \numjetnička savjetnica: Jelena Oroz \n \nNa javni poziv u ovom roku pristiglo je dvanaest (12) projekata od kojih su dva \ndugometražna. \nČetiri (4) su filma namijenjena djeci, preostalih osam (8) namijenjeno je nešto starijoj \npublici.  \nZa financiranje je predloženo šest (6) projekata. \nIako sam se odlučila podržati razvoj pretežito dječjih filmova, oni se u potpunosti \nrazlikuju, a rekla bih i da su na ovom roku dominirali zbog zanimljivih priča, likova i \nlikovnosti i vjerujem da bi se mogli realizirati u kvalitetne filmove za mlađu publiku, u \nnadi, da će neki od njih biti prikazani u obrazovnim ustanovama i tako potaknuti \nkvalitetne dijaloge između odgajatelja/učitelja/nastavnika i djece. \nUkupni iznos financiranja je 45.000,00 €  \n \n1.  \nnaziv projekta: Frula \nprodukcija: Kreativni sindikat \nscenarij i režija: Marko Meštrović \niznos financiranja: 5.000,00 € \ntrajanje: 9’ \n \nNastavno na dosadašnji rad  Marka Meštrovića, koji medij animiranog filma koristi za \neksperiment, istraživanje, propitivanje percepcije i svojevrsnu igru, autor ovaj put razvija film \nu kojem osim slike, važnu ulogu ima zvuk. Kako isti zvuk, odnosno šum, glas i glazba,  \npodržava tri različite priče?  \nKroz uporne repeticije, pištavi, apstraktnosti zvuk postaje krik ptice, škripa vlaka u stanici, \nzov lovca, sadržaj zvuka iz slušalica putnika i tako u nedogled. \n \n \n \n\n\f\n2. \nnaziv projekta: Lu i zeleni planet \nprodukcija: Kreativni sindikat \nscenarij i režija: Dea Jagić \niznos financiranja: 5.000,00 € \ntrajanje: 8’ \ntehnika: kombinacija 2D animacije i stop animacija s kolažnim elementima \nLu i zeleni planet prvi je dječji film autorice Dee Jagić. Autorica kreira mali svijet \nsmješten negdje u svemiru. Glavni likovi su Mjesec, zvijezde i usamljena djevojčica \nLu koja uz pomoć male ptičice i sjemena koje joj donosi, stvara prekrasnu zelenu \noazu punu života. \nFilm će biti kombinacija kolaža, stop animacije i digitalnog crteža. \n \n3. \nnaziv projekta: Mi smo prijateljice - tako i treba  \nprodukcija: Wolfgang i Dolly d.o.o. \nscenarij: Nataša Ozmec \nrežija: Ana Salopek \niznos financiranja: 5.000,00 € \ntrajanje: 7’ \ntehnika: kombinacija 2D digitalne i klasične animacije \n \nDebitantski film Nataše Ozmec i Ane Salopek nastao je prema istoimenoj \nnagrađivanoj slikovnici čije su i same autorice, ali prilagođen formatu i mediju \nanimiranog filma.  \nGlavni likovi su dvije prijateljice i njihov odnos koji raste i mijenja se zajedno s njima.  \nSmatram da je tema bitna i poučna za djecu školskog uzrasta iako se svi možemo \npronaći u toj priči. \n \n4. \nnaziv projekta: Žabe traže kralja \nprodukcija: Lux film \nscenarij i režija: Goran Ribarić \niznos financiranja: 5.000,00 € \ntrajanje: 9’ \ntehnika: 2D animacija \n \nŽabe su poželjele imati vođu i želja im se ostvarila, njihov vođa postaje okrutna roda. \nOva duhovita i zabavna, a opet promišljena priča, adaptacija je basne Ivane Brlić \nMažuranić, Žabe traže kralja.  \n\n\f\nFilm se planira izvesti tehnikom 2D digitalne animacije, ali crtane i kolorirane tako da \npodsjeća na tradicionalnu animaciju, koristit će se akvarelne boje koje filmu daju \ntopao i organski izgled.  \n \n5. \nnaziv projekta: Zašto imaš tako velike oči \nprodukcija: Diedra d.o.o. \nscenarij: Rona Žulj, Dino Krpan \nrežija: Dino Krpan \niznos financiranja: 20.000,00 € \ntrajanje: dugometražni animirani film, 90’ \ntehnika: 3D animacija \n \nZašto imaš tako velike oči, obiteljski film, novi je projekt producenta, redatelja i \nanimatora Dine Krpana koji je stekao veliko iskustvo u radu na animiranom filmu \nCvrčak i Mravica. \nTema ovog filma je aktualna, a naročito bliska današnjoj generaciji djece i mladih. \nDotiče se i (najčešće neopravdane) popularnosti influencera, njihovog dvostrukog \nživota i toga kakav utjecaj imaju na djecu.  \nTako je i glavni lik filma, djevojčica Maja koja dolazi na mali otok svome djedu, \novisna o digitalnim uređajima i sadržajima, ali i opčinjena znanstvenicom \ninfluencericom i poznatim bogatim filantropom i dobročiniteljem,  koji nisu tako \npozitivni likovi kako se čine. \nKroz uzbudljive i neizvjesne avanture, Maja otkriva da je puno bitniji stvaran svijet i \ninterakcija s ljudima koji su nam bliski. \nFilm se planira realizirati tehnikom 3D animacije. \n \n6.  \nnaziv projekta: Fantastični život kolosa \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Ivan Gregov \niznos financiranja: 5.000,00 € \ntrajanje:8’ \ntehnika: 2D animacija i kolaž \nPremisa ovog filma je sljedeća - ako bi nacije bila tjelesna bića, kako bi izgledala i \nšto bi činila? Kao pojedinac čovjek je, generalno, usmjeravan da čini dobro, no nacije \nsu kroz povijest, a i današnjicu, činile i čine okrutne stvari drugim nacijama.  \nLikovi u filmu svojevrsni su divovi, kreirani od mnoštva građevina i pejzaža.  \nTi divovi su u konstantnom međusobnom sukobu prikazanom kroz razne situacije. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje_animirani_picula 30112016.pdf","filename_decoded":"obrazlozenje_animirani_picula 30112016.pdf","sha256":"944ac0ab481b48cc3a0bc817e14108eb217627692cc4c80c26df7ffccd05dd51","bytes":583777,"page_count":2,"extracted_at":"2026-05-17T12:01:42Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje_animirani_picula%2030112016.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničkog savjetnika po odlukama o donošenju liste prioriteta i raspodjeli sredstava \nprema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2016. godini, u \nkategoriji poticanja proizvodnje audiovizualnih djela za animirani film (drugi rok: 30. studenoga \n2016.). \n \nBoško Picula, umjetnički savjetnik za animirani film: \n \nNa Javni poziv prijavilo se 19 animiranih filmova. Kriteriji predlaganja projekta za sufinanciranje temelje \nse na cjelovitosti predloženih radova, vizualno originalnom konceptu, scenarističkoj dorađenosti, \nfestivalskim potencijalima u Hrvatskoj i inozemstvu, elaboriranosti izvedbe samih projekata te na \nfinancijskim mogućnostima.  \n \nNa listu filmova predloženih za sufinanciranje proizvodnje uvršteno je pet kratkometražnih projekata, \nukupnog trajanja animacije od 58 minuta i 20 sekunda. Ukupni pak iznos predloženih sredstava jest \n1.247.100,00 kuna. \n \n \nI drugi rok za poticanje proizvodnje animiranih filmova u 2016. godini pokazuje da su se predlagatelji \npredstavili većim brojem kvalitetnih projekta, njihovom ujednačenošću te tematsko-stilskom \nraznolikošću, posebice kada je riječ o tehnikama animacije i autorskoj viziji. Ponovno treba istaknuti \nvelik broj produkcijskih kuća koje su se prijavile na Natječaj, na drugom roku njih trinaest. U cjelini se \npredloženi projekti razlikuju svojim autorskim, koncepcijskim i izvedbenim karakteristikama te je u \nkonačnici odlučivao spoj umjetničke dorađenosti samih projekata te mogućnosti njihove realizacije. \nProjekti predloženi za sufinanciranje i na ovom roku uključuju filmove različitih tehnika animacije, \nautore više naraštaja pri čemu su opet dva predložena projekta radovi debitanata u kategoriji u kojoj se \nprijavljuju te različiti u svom likovnom prosedeu, temama kojima se bave i – publikom kojoj se prvotno \nobraćaju.  \n \nNenad Janković debitant je u kategoriji u kojoj prijavljuje ovaj projekt, a njegovo umjetničko \nstvaralaštvo uključuje dugogodišnji rad likovnog umjetnika i spisatelja. Upravo je ta sinergija likovne \numjetnosti i književnosti, konkretno poezije, osnovica njegova projekta kao originalne vizualizacije \npoznate pjesme Albatros Charlesa Baudelairea koju je na hrvatski jezik preveo Jure Kaštelan. Riječ je o \nekspresivnoj – i likovno i narativno – interpretaciji izvorne pjesme, posebice u kontekstu autorove \nodluke da se kao tehnikama koristi uljem na papiru, ugljenom i olovkom. Debitantskim se projektom \npredstavlja i redateljski dvojac Igor Bezinović, autor niza nagrađivanih kratkometražnih filmova te \ndugometražnog dokumentarnog filma Blokada i Ivana Pipal, vizualna umjetnica na području ilustracije, \nanimacije, stripa, instalacije i videa. Njihov je zajednički projekt animirano-dokumentarni hibridni rad \nMikrokazeta – jedna suvišna detektivska priča, spoj kolaža, stop-animacije i crteža na papiru radnjom \nsmješten na otoku Lošinju o potrazi središnjeg junaka, kroz prikaz njegova tijeka svijesti, za istinom \nvezanom uz pronađenu mikrokazetu. Projekt kratkometražnog animiranog filma Crvena jabučica \n\n\f\n \n \n \n \nzamišljen je kao prilagodba istoimene slikovnice autorice Nine Vađić i ilustratorice Ane Kadoić. Riječ je \no prvoj hrvatskoj slikovnici na temu posvojenja djece, a redateljica Ana Horvat kroz kombiniranu cut-\nout animaciju predstavlja koncept rada s domišljatim vizualnim rješenjima te narativnim postupkom iz \nperspektive središnje junakinje. Višestruko nagrađivani autor eksperimentalnih filmova Vladislav \nKnežević u projektu B sides kroz postupak modeliranja vizualno i narativno na iznimno sugestivan način \nistražuje prostore praznine koji negdje iza sebe skrivaju prostore prepunoga, potrošnje i komunikacije \npri čemu se mjesto, ovisno o trenutku, pretvara u – nemjesto. Napokon, projekt Šuma Striborova \nprilagodba je jednog od najpoznatijih djela hrvatske književnice Ivane Brlić-Mažuranić kroz \nprepoznatljivu autorsku viziju jednog od najuspješnijih redatelja Zagrebačke škole crtanog filma Milana \nBlažekovića. Autorovo ime i efektan pristup predlošku jamče da će projekt s lakoćom komunicirati s \nciljnom publikom, poglavito s djecom koja se susreću s prozom Ivane Brlić-Mažuranić.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2014 Razvoj scenarija DOKUMENTARNI_ rok 25 04 2014.pdf","filename_decoded":"2014 Razvoj scenarija DOKUMENTARNI_ rok 25 04 2014.pdf","sha256":"945dc173d2b11072a4aa73d785c62af30ce42a2cbeb49b3e3d82057ed450101c","bytes":64194,"page_count":1,"extracted_at":"2026-05-17T10:24:17Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2014%20Razvoj%20scenarija%20DOKUMENTARNI%2C%20rok%2025%2004%202014.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nODOBRENO\n1\nBrane\nInes Jokoš\n35,000.00\n2\nDvije škole pod jednim \nkrovom\nSrđan Šarenac\nSrđan Šarenac\n35,000.00\n3\nGeni moje djece\nVladimira Spindler\n35,000.00\n4\nHrvatski dom\nHrvoje Mabić\nHrvoje Mabić\n35,000.00\n5\nIznad sedamdesete\nDomagoj Matizović \nRistić\n35,000.00\n6\nJabuka\nMatija Radeljak\nAning usluge d.o.o. / \nAndrea Radeljak\nMatija Radeljak\n35,000.00\n7\nJožin svijet\nMladen Burić\nMladen Burić\n35,000.00\n8\nOdbjegli Twingo: Malo \nEurope, i kulture, u 40 \ndana\nMatija Radeljak\nAning usluge d.o.o. / \nAndrea Radeljak\nMatija Radeljak\n35,000.00\n9\nPovratak u sutra\nDorotea Vučić\nU SVOM FILMU d.o.o. / \nBarbara Jukopila\nDorotea Vučić\n35,000.00\n10\nRode\nTomislav Jelinčić\nAntitalent produkcija \nd.o.o. / Maja Pek\nTomislav Jelinčić\n35,000.00\n11\nRosemary\nZoran Krema\nOkodoko/ Zoran Krema\nZoran Krema\n35,000.00\n12\nSlatko od ništa\nBoris Mitić\nBoris Mitić\n35,000.00\n13\nSurogat majka\nSilvio Mirošničenko\nSilvio Mirošničenko\n35,000.00\n455,000.00\nUKUPNO\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ \nSCENARIJA u 2014. - 1. 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propisane tekstom Javnog poziva. Stoga je u konačnici \nrazmatrano 9 projekata. Kriteriji predlaganja projekta za sufinanciranje temelje \nse na cjelovitosti predloženih radova, vizualno originalnom konceptu, \nscenarističkoj dorađenosti, festivalskim potencijalima u Hrvatskoj i inozemstvu, \nelaboriranosti izvedbe samih projekata te na financijskim mogućnostima. \nNa listu filmova predloženih za sufinanciranje proizvodnje uvrštena su četiri \nkratkometražna projekata, ukupnoga predviđenog trajanja animacije od 26 \nminuta i 30 sekunda. Ukupni iznos predloženih sredstava jest 1.095.000,00 \nkuna.\nPrvi rok za poticanje proizvodnje animiranih filmova u 2017. godini nastavlja \ntrend s rokova u protekloj godini koje je odlikovao veći broj veoma kvalitetnih \nprojekta, njihova ujednačenost u zaokruženosti redateljskih koncepcija, kao i \ntematsko-stilska raznolikost od tehnika animacije preko scenarističkih pristupa \ndo autorskih vizija. No, u odnosu na rokove u 2016., prvi rok u ovoj godini nije \nprivukao velik broj produkcijskih kuća koje su se prijavile na Natječaj jer su tek \ntri producentske kuće ponudile projekte koji su zadovoljili uvjete Natječaja. U \nkonačnici predloženi se projekti koji ispunjavaju sve zadane kriterije za \nsufinanciranje ističu kakvoćom razrade i argumentirane realizacije te se pritom \nrazlikuju autorskim, koncepcijskim i izvedbenim karakteristikama što je \npreduvjet što raznolikije produkcije suvremenoga hrvatskog animiranog filma. I \nostali projekti koji na ovom Natječaju nisu predloženi za sufinanciranje \nzaslužuju visoke ocjene, ali je u konačnici morao odlučivati optimalan spoj \numjetničke dorađenosti, autorske profiliranosti, kao i mogućnosti njihove \nrealizacije i potencijala glede adresatne publike i festivalskih nastupa. Projekti \npredloženi za sufinanciranje i na prvom roku u 2017. uključuju filmove različitih \ntehnika animacije i autore više naraštaja pri čemu je jedan predloženi projekt rad \ndebitanata u kategoriji u kojoj se prijavljuju te su poprilično različiti u likovnom \nprosedeu, temama kojima se bave i publikom kojoj se ciljano obraćaju. \nNapokon, veći dio filmova tematizira socijalno veoma važne i aktualne sadržaje. \n\n\f\nMeđu četiri predložena projekta je Onona redatelja i scenarista Marka Dješke, \nnagrađivanog autora animiranih filmova čiji je recentni rad Grad duhova osvojio \nnagradu Oktavijan na Danima hrvatskog filma. Njegov je projekt sadržajno i \nvizualno slojevit rad, tematski inovativan u kontekstu hrvatske kinematografije, \na protagonistica mu je transrodna osoba iz Hrvatske koja je promijenila muški \nrodni identitet u ženski govoreći o svim fazama svoje tranzicije te o položaju u \nužoj i široj okolini. Film kombinira animirani i dokumentarni materijal (anidox), \na temelji se na 2D animaciji (slikano na papirima i digitalno obrađeno) pri čemu \nsu scene konstruirane vizualima čija je autorica grafička umjetnica Tea Jurišić.\nSvevremenom temom ljudske egzistencije u kontekstu društva i tehnike bavi se \nEutanazija, novi rad doajena hrvatskoga animiranog filma i Zagrebačke škole \ncrtanog filma Joška Marušića. Jedan od najnagrađivanijih redatelja animiranog \nfilma u Hrvatskoj, vraća se svom prepoznatljivom vizualnom prosedeu u \ncrtanofilmskoj priči o terminalnom bolesniku koji nakon liječničke odluke o \neutanaziji i dalje nastavi živjeti jer računalo odbija oglasiti – smrt. Autorov stil i \nlikovnost, socijalno intonirani komentar te vješto isprepleteni humor, ironija, \npoziv na raspravu te spoj logike i groteske vodeće su odlike ovog projekta.\nProjekt Paralelno jutro novi je rad nagrađivanog redatelja i scenarista Danijela \nŽeželja, filmskog i grafičkog umjetnika te autora stripa i ilustracija. Također, \nprepoznatljiv u svom likovnom izričaju, autor je u ovom projektu nadahnut \ntekstovima i svjedočanstvima portugalskog novinara Pedra Rosa Mendesa \nnastalima u godinama njegova rada i boravka u Zapadnoj Africi. Protagonist je \npriče dječak iz Sierra Leonea koji se nakon svjedočanstava u domovini desetak \ngodina kasnije budi u jednom zapadnoeuropskom gradu. Istodobno socijalno \nosjetljiv i vizualno rafiniran, projekt se realizira zahtjevnom i atraktivnom \ntehnikom slikanja akrilik bojama na platnu velikog formata pri čemu se \nfotografira svaka promjena u slikanju kao u redteljevu radu Fibonaccijev kruh.\nNa poslijetku, među predloženim je projektima i jedan debitantski rad kada je \nposrijedi kratkometražni animirani film. To je Mali orkestar za veliku glazbu \nkoji predlaže Irena Škorić, dosad nagrađivana autorica niza igranih i \ndokumentarnih naslova. Film se prvotno obraća mlađoj publici, ali temom \nodgovara na aktualno pitanje migracijske krize koja je nedavno zahvatila Europu \nzbog rata u Siriji i drugih bliskoistočnih ratnih žarišta. Glavni je junak dječak \nizbjeglica s Bliskog istoka koji nakon prvotnog odbacivanja okoline pomoću \nglazbe testira vrijednosti multikulturalnosti, snošljivosti i jednakosti ljudi. 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Savjetnici za komplementarne djelatnosti \nu sastavu: Boris Poljak, Dragan Rubeša i Emina Višnić, razmotrili su sve prijave koje su stigle u roku, \na one izvan roka nisu razmatrane. Savjetnici su za financiranje preporučili 207 projekata i programa \nu ukupnom iznosu od 12.280.626,00 kuna, s napomenom da su dio prijava koje su vezane za isti \nprogram sagledavali kao jednu prijavu. Osim toga, za ukupno 23 prijave savjetnici su zaključili da ne \npripadaju u programsko područje komplementarnih djelatnosti ili nisu bili ispunjeni uvjeti javnog \npoziva.  \nBaš kao i prošlogodišnji natječaj iz 2012. godine, i ovogodišnji je natječaj pokazao značajan porast u \nbroju ispravnih prijava kojih je 23% više u odnosnu na prethodnu godinu (327 prijava spram \nprošlogodišnjih 266). Ova činjenica potvrđuje trend povećanja broja programa i inicijativa, budući \nje i prošle godine zabilježen rast broja prijava od 32%. Rast broja prijava je i ove godine različito \nraspoređen po područjima, a najviše se ističu kategorije djelatnosti razvijanja audiovizualne kulture \n(23 više) i filmski festivali i druge audiovizualne manifestacije (23 više). Ukupno povećanje broja \nprijava rezultiralo je porastom broja predloženih programa za financiranje, i to za 31 % u odnosu \nna broj predloženih programa prošle godine (207 spram prošlogodišnjih 158). \n \nIz samih podatka očito je da su različite aktivnosti na području komplementarnih djelatnosti vrlo \nrazvijene i brojne. Pri procjenjivanju prijava savjetnici su se vodili različitim kriterijima, i to zasebno \nu svakoj od kategorija natječaja. Pri tom je u svim kategorijama vrednovano sljedeće: \n1. kvaliteta samog programa (od sadržajne do produkcijske razine, pri čemu su se izbjegavali \nprogrami temeljeni na sadržajima koji se mogu okarakterizirati kao uglavnom komercijalni \nili pak programi koji nisu predstavili jasan koncept filmskog programa, što se prije svega \nodnosi na festivale i prikazivačku djelatnost); značaj programa za relevantan kontekst \n(ovisno o programu, od lokalne zajednice, preko nacionalnog značaja do međunarodne \nprepoznatosti); \n2. kontinuitet programa odnosno njegova dugoročna usmjerenost (jednokratna događanja \npodržana su samo iznimno, i to s relativno malim iznosima). \nOsim toga, savjetnici su i u ovom sastavu nastojali pratiti dosadašnju praksu financiranja \nprograma, s tim da su u nekim programima prepoznali bitnu kvalitetu i razvitak te su tako za njih, u \nokviru mogućnosti, povećana sredstva. Istovremeno, ostavljen je i prostor za nove vrijedne \ninicijative, osobito one koje donose kvalitetne i kontinuirane sadržaje u sredinama u kojima su \nfilmski programi podzastupljeni. Također, savjetnici su nastojali, u okviru mogućnosti, podržati \nprograme kinodvorana koje su ušle u proces digitalizacije. Valja naglasiti i kako se pri procjenjivanju \nprograma poseban naglasak stavljao i na regionalnu rasprostranjenost. Osim toga, savjetnici su \nnastojali razlučiti programe koje ne pripadaju u područje komplementarnih djelatnosti, pri čemu se \nnajčešće radi o programima koji temeljno pripadaju u područje vizualne umjetnosti i područje \n\n\f\nnovih medijskih kultura (područja koja se financiraju putem natječaja Ministarstva kulture) te \nprograme koji po svojim karakteristikama pripadaju u domenu audiovizualne proizvodnje. \nUvažavajući navedene kriterije, u svim kategorijama utvrđeni su prioritetni programi kojima su \ndodijeljene i najviše potpore. Radi se o programima iznimnog ili bitnog nacionalnog značaja, koje \nmožemo smatrati temeljnim za očuvanje i razvoj audiovizualnog stvaralaštva u Hrvatskoj, odnosno \no programima koji imaju bitan regionalni ili lokalni značaj ili pak onima koji su važni za razvoj \npojedinih djelatnosti ili žanrova: \n• U kategoriji Zaštita audiovizualne baštine uključujući kinotečnu djelatnost većina sredstava \ndodijeljena je Hrvatskoj kinoteci za program zaštite i restauracije audiovizualnog gradiva (s \nnapomenom da je dodijeljena potpora višestruko manja od zatražene). \n• U kategoriji Proučavanje i kritičko vrednovanje audiovizualnih djelatnosti kao i do sada \nodređivani su manji iznosi potpora, a kao najznačajniji programi prepoznati su: Europska \nkonferencija filmskog stvaralaštva mladih u organizaciji Kinokluba Karlovac, zatim Vizualni \nkolegij Multimedijalnog instituta te program razgovora s redateljima u Dokukinu kojeg \nprovodi Restart. \n• U kategoriji Izdavaštvo u području audiovizualnih djelatnosti tradicionalno je najveća \npodrška dodijeljena za filmološki časopis Hrvatski filmski ljetopis. Kao drugi prioritetni \nčasopis prepoznat je Filmonaut Udruge Blank, a kao posebno vrijedno DVD izdavaštvo \nprepoznata je kolekcija dokumentarnih filmova Udruge Factum koji će u ovoj godini izdati \nDVD Zorana Tadića.  \n• U kategoriji Programi stručnog usavršavanja kao posebno značajan podržan je već \ntradicionalno uspješan program edukacije nastavnika Škola medijske kulture „Dr. Ante \nPeterlić“ Hrvatskog filmskog saveza. Kao bitan edukacijski program namijenjen mladim \nautorima prepoznat je Restart laboratorij, a kao nova inicijativa posebno je podržan \nprogram Ex Oriente + Refineri Film Workshop koji provodi Udruga Ukus u suradnji s \nčuvenim Institutom Dokumentarnog filma iz Praga (podržan od strane Programa MEDIA). U \novoj kategoriji posebna je pažnja posvećena i profesionalnim obrazovnim programima, koji \nsu prepoznati od strane Programa MEDIA Europske unije te koji bitno doprinose i \nmeđunarodnoj promociji hrvatskog filma: hrvatski projekt ZagrebDox Pro 2013 Udruge \nFactum te radionice MAIA i radionica Kako napraviti bolji festival koje će se održavati u \nHrvatskoj tijekom 2013. godine. \n• U kategoriji Programi audiovizualnih udruga i organizacija kao posebno važna i programski \nkvalitetna prepoznata je redovita godišnja djelatnost Hrvatskog društva filmskih djelatnika \nkao krovne organizacije filmskih profesionalaca. Bitna je potpora dana i organizacijama \npojedinih profesija koje su ponudile kvalitetan i dobro osmišljen godišnji program: Društvo \nhrvatskih filmskih redatelja i Hrvatska udruga producenata. \n• U kategoriji Filmski festivali i druge audiovizualne manifestacije s najviše sredstava \npodržani su nacionalni festivali koji su međunarodno priznati i važni na lokalnoj razini. To \nsu: ANIMAFEST Zagreb (dugometražno izdanje), ZagrebDox, Motovun Film Festival i Zagreb \nFilm Festival. Također su podržani i festivali koji su prepoznati po svojoj izvrsnosti u \npromociji određenih žanrova i/ili su bitni iz perspektive regionalne raznolikosti. To su 25 \nFPS, Vukovar Film Festival i Splitski filmski festival. Sveukupno je u kategoriji Filmskih \nfestivala i drugih audiovizualnih manifestacija odobreno sufinanciranje 56 projekata. \n \nU kategoriji Djelatnosti razvijanja audiovizualne kulture savjetnici su se suočili s posebno teškim \nzadatkom procjene velikog broja programa koji su iznimno bitni za razvoj audiovizualnog \nstvaralaštva u Hrvatskoj, jer se radi o kontinuiranim kvalitetnim programima koji, poput festivala, \n\n\f\ndonose programe koji bi inače publici bili nedostupni. Pri tom je posebna pažnja posvećena art-\nkinima u većim urbanim središtima, a kojima su određene različite potpore s obzirom na kvalitetu \nponuđenoga programa, njegov kontinuitet i koncepcijsku opravdanost: Filmski program u kinu \nTuškanac (Zagreb), Filmski program Art-kina Croatia (Rijeka), Kino Europa (Zagreb), Kino Urania \n(Osijek), Kinoteka Zlatna vrata (Split) te program Dokukina koji se realizira u više zagrebačkih kino \ndvorana.  \nU kategoriji Programi promocije i prodaje hrvatskih audiovizualnih djela bila su predložena samo tri \nprograma, od kojih je samo jedan po širini zahvata, sustavnosti i dosadašnjim uspjesima odgovorio \nkriterijima. Radi se o godišnjem programu distribucije, promocije i prodaje kratkih filmova \nBonobostudia.  \n \nTijekom rada na procjenjivanju ovogodišnjih prijava, kao i u sagledavanju cjeline natječaja, njegovih \nkategorija i raznolikosti prijavljenih programa, savjetnici za komplementarne djelatnosti naišli su na \nnekoliko otvorenih pitanja. Savjetnici su izdvojili nekoliko ključnih pitanja za koje smatraju da se \nmogu riješiti ili za čije se rješavanje može započeti proces tijekom 2013. godine. Neka od njih mogu \nse riješiti u okviru tijela Hrvatskog audiovizualnog centra, dok je za druga pitanja potrebno \nuspostaviti aktivnu suradnju između Centra i drugih dionika (prije svega Ministarstva kulture te \njedinica lokalne i regionalne uprave). Radi se o sljedećim otvorenim pitanjima: \n \n• Pitanje održivosti filmskih festivala i kontinuiranih prikazivačkih programa  \nKao i prošle godine, iz različitih prijava može se ustanoviti čitav niz problema u održivosti \nfilmskih festivala i kontinuiranih prikazivačkih programa. Primjećeno je kako je podrška takvim \nprogramima od sponzora i donatora iz privatnog profitnog sektora bitno smanjena. Isto tako, u \nmnogim slučajevima lokalna i regionalna uprava ne daje odgovarajuću podršku, uključivši \nfinancijsko praćenje, iako se uglavnom radi o programima koji su upravo bitni za ostvarivanje \njavnih potreba u kulturi tih lokalnih sredina. Istovremeno, iako su mnogi hrvatski programi \nostvarili potpore iz programa Europske unije, valja naglasiti da se tu radi o sredstvima \nspecifičnih aktivnosti koji su vezani uz tzv. europsku dodanu vrijednost (međunarodne suradnje, \nrazmjene, distribucije i sl.), ali iz kojih se ne mogu osigurati sredstva za stabilno i održivo \nosnovno programsko financiranje. Stoga je i dalje nužno kvalitetno financiranje iz javnih, \nproračunskih sredstava. Na nacionalnoj razini HAVC osigurava to financiranje u okviru svojih \nmogućnosti. Međutim, bez adekvatne podrške lokalne uprave ti programi nisu dugoročno \nodrživi. Pri tom u obzir valja uzeti vrlo pozitivan trend širenja prikazivačke djelatnosti i \nrevitalizacija kino dvorana s nekomercijalnim, umjetnički vrijednim programom. U mnogim se \ngradovima u posljednje vrijeme uspostavljaju takvi programi (Čakovec, Varaždin, Daruvar, \nKarlovac, Osijek, i drugi), a koji se oslanjaju na već uhodane dobre prakse kao što su one \nriječkog Art-kina ili zagrebačkog Tuškanca. Za ta kina, kao i za ona koja već duže vrijeme djeluju, \npotrebno je u što skorijem roku dovršiti proces digitalizacije (kako bi se velika programska \nsredstva koja su festivali i kina morali ulagati u najam digitalne opreme usmjerila na druge \nsegmente), poticati održive i dugoročne modele njihova umrežavanja, suradnje i razmijene \nprograma te uspostaviti suradnju između HAVC-a i lokalnih i regionalnih uprava kako bi se \nbarem za prioritetne programe osigurala adekvatna i pravovremena podrška. \nIstovremeno, primijećen je i dalje snažan trend festivalizacije. Iako savjetnici smatraju da su \nfestivali iznimno bitni za promociju audiovizualne djelatnosti i za razvoj filmske publike, \nzaključili su da je u pojedinim sredinama (osobito u Zagrebu) došlo do inflacije prijava koje \npredlažu nove festivale, pa čak i s vrlo sličnim koncepcijskim okvirom koji već niz godina \nprovode drugi, i to vrlo uspješni festivali. Stoga su savjetnici odlučili ne odobriti financijsku \npotporu za takve programe, budući da oni ne mogu pripadati u prioritete na nacionalnoj razini. \n\n\f\nUkoliko određene lokalne uprave smatraju da su ti festivali i manifestacije bitne za kulturnu \nponudu gradova kojima upravljaju, savjetnici smatraju da ih upravo i lokalne uprave trebaju \nfinancirati.  \n \n• Pitanje Hrvatske kinoteke \nPo pitanju Hrvatske kinoteke možemo samo ponoviti zaključke prethodnih savjetnika za \nkomplementarne djelatnosti: \"Iz godine u godinu unutar rada savjetnika postavlja se pitanje \nstatusa Hrvatske kinoteke koji je velik korisnik budžeta za komplementarne djelatnosti, ali čije \nsufinanciranje programa restauracije filmova ne pomaže temeljitom rješavanju organizacijskog \nproblema ove ustanove od iznimnog značaja za hrvatsku kulturu. Smatramo da je vrijeme za \ntemeljito mijenjanje odnosa Ministarstva kulture prema osnovnoj djelatnosti ove institucije, a \nto je čuvanje hrvatske filmske baštine, i to tako što će osnovni financijski izvor te djelatnosti biti \nosigurana kao zasebna stavka u okviru državnog proračuna za zaštitu kulturnih dobara. Drugo \npitanje vezano uz Kinoteku je njezin položaj unutar postojećeg sustava Hrvatskog državnog \narhiva. Smatramo da bi trebalo ispitati mogućnost odvajanja Kinoteke iz sustava Hrvatskog \ndržavnog arhiva čime bi se mogli stvoriti drugačiji uvjeti za djelovanje ove institucije. Vjerujemo \nda sadašnji status Kinoteke ne zadovoljava potrebe audiovizualne zajednice tako da smatramo \nkako je potrebno pokušati jasnije odrediti status ove institucije unutar našeg društva, čemu bi \nHAVC mogao doprinijeti, pokretanjem stručne i političke rasprave.\" Ovome možemo jedino \ndodati da se ovo pitanje može riješiti ne samo kroz suradnju HAVC-a i Ministarstva kulture, \nnego da je za njegovo rješavanje potrebna snažnija inicijativa iz same Kinoteke. \n \n• Pitanje financiranja cross-medijskih projekata \nRadi se o relativno novom tipu umjetničke produkcije koji je već dovoljno ustaljen i može bitno \ndoprinijeti strateškim ciljevima razvoja audiovizualne djelatnosti te je stoga potrebno unutar \nnacionalnog sustava iznaći način za njihovu podršku, bilo kroz zaseban natječaj bilo unutar \nHAVC-ovih natječaja za audiovizualnu proizvodnju.  \n \n• Pitanje unaprjeđenja odredbi natječaja \nSavjetnici smatraju da se javni natječaj za komplementarne djelatnosti provodi na vrlo \nkvalitetan način te da može služiti i kao odgledni primjer za druge sustave financiranja u kulturi. \nNo, zbog jasnoće i kvalitetnijeg procesa procjene prijava potrebno je čitav proces u nekoliko \nelemenata unaprijediti te uvesti određena poboljšanja. Ta bi se poboljšanja odnosila na: \ntermine raspisivanja natječaja i objave rezultata, donošenje smjernica koje bi jasnije definirale \nuvjete prijava, standardizaciju obrasca za prijave i potrebnu dokumentaciju. \n \nZagreb,  8. ožujka 2013. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2013,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI KRATKI IGRANI_ EKSPERIMENTALNI.pdf","filename_decoded":"REZULTATI KRATKI IGRANI_ EKSPERIMENTALNI.pdf","sha256":"9558631bcd02b7b56951d548b99c288876decf0436d28502d9979d3a315dfbd8","bytes":36671,"page_count":1,"extracted_at":"2026-05-17T10:24:07Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI%20KRATKI%20IGRANI%2C%20EKSPERIMENTALNI.pdf"},"raw_text":"NASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENA  \nSREDSTVA\n1\nZof\nRino  Barbir\nKino  klub  Split\n200.000,00\n2\nIgre  milosti\nMário  Macedo\nPlan  9  produkcija  d.o.o.\n280.000,00\n3\nOsma  zapovijed\nDario  Lonjak\nPulsar  produkcija  j.d.o.o.\n130.000,00\n4\nKatran\nMarko  Jukić\nSekvenca  d.o.o.\n250.000,00\n5\nKako  je  došlo  do  šore\nAndrea  Slaviček\nUdruga  Blank\n300.000,00\n6\nŠkafetin\nPaško  Vukasović\nUdruga  za  medijsko  \nstvaralaštvo  i  kulturne  \naktivnosti  Media  Punkt\n200.000,00\n7\n9ta  seansa  (9th  session)\nMislav  Muretić\nTeatrum,  UO.\n40.000,00\n1.400.000,00\n1\nSvemirski  Leševi,  Suluda  \nPriča\nTin  Žanić\nDinaridi  film  d.o.o.\n160.000,00\n2\nWolfgang  Gring\nDavid  Lušičić,  \nSven  Klobučar\nStvaralačka  mreža  Zebra\n160.000,00\n3\nZakrivljeno  \ngledište/iskrivljeni  pogled\nVida  Guzmić\nStudio  Pangolin\n130.000,00\n4\nProzor\nDamir  Radić\nUdruga  Blank\n130.000,00\n5\nValovi\nKlara  Dujmović\nUdruga  Blank\n90.000,00\n6\nAER\nTonči  Bakotin\nUdruga  Sensoria\n90.000,00\n760.000,00\nUKUPNO  EKSPERIMENTALNI  FILMOVI\nkratkometražni  igrani  film  u  postprodukcijskoj  fazi\nJavni  poziv  za  poticanje  audiovizualnih  djelatnosti  i  stvaralaštva  -­  kategorija:  POTICANJE  \nPROIZVODNJE  FILMOVA  u  2020.  -­  2.  ROK  -­  15.9.2020.,    6.  sjednica  Hrvatskog  audiovizualnog  vijeća  \n15.12.2020.\nkratkometražni  igrani  filmovi\neksperimentalni  filmovi\nUKUPNO  KRATKOMETRAŽNI  IGRANI  FILMOVI\n","warnings":["section0_row_numbers_not_sorted"],"document":{"program_type":"proizvodnja","natjecaj_title":"REZULTATI KRATKI IGRANI_ EKSPERIMENTALNI","year":2020,"rok":"2. rok","natjecaj_date":"2020-09-15","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"Javni p oziv z a p oticanje a udiovizualnih d jelatnosti i s tvaralaštva - k ategorija: P OTICANJE PROIZVODNJE F ILMOVA u 2 020. - 2 . 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IGR_WEB.pdf","sha256":"95648811ec735a710b8c7d2a7b3a1385ddc81b15af5852a786921b64f551c291","bytes":214703,"page_count":3,"extracted_at":"2026-05-17T12:02:01Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/HAVC%20razvoj%20projekata%201.%20rok%202018%20obrazlozenje%20IGR_WEB.pdf"},"raw_text":"REZULTATI JAVNOG POZIVA HAVC-a ZA RAZVOJ PROJEKATA – DUGOMETRAŽNI IGRANI FILM  \n1. ROK – 2018.  \n \n \nNa 1. rok razvoja projekata u 2018. u kategoriji dugometražnih igranih filmova prijavilo se 9 \nprojekata.  \n \nOd tih 9 projekata, pet ih se razvijalo unutar HAVC-ovog sustava te su autori ranije dobili \npoticaj za razvoj scenarija, dok su četiri projekta bili direktno prijavljeni u kategoriju razvoja \nprojekta. Mišljenja smo da je samo jedan zavrijedio potporu za razvoj projekta dok su ostali \nprebačeni iz proizvodnje u razvoj projekta. Radi se o projektu «Pula» redatelja Andreja \nKorovljeva i produkcijske kuće «Kinematograf».  \n \nPreostali projekti, koji su prošli kategoriju razvoja scenarija, ili su predali scenarije u jako ranoj \nfazi, ili dramski materijal nisu uspjeli dovoljno kvalitetno obraditi. \n \nOsim projekta «Pula» izdvojio se projekt Dalibora Barića «Svi operateri su trenutno zauzeti» \nte smo ga premjestili u kategoriju razvoja scenarija.  \n \nDebitantskom projektu «Pula» dodali smo još 4 projekta prebačena iz proizvodnje tako da za \nrazvoj projekta predlažemo ukupno njih pet.  \nTo su: «Božji gnjev» Kristijana Milića i produkcijske kuće «Eurofilm», zatim dva projekta \nprodukcijske kuće «Interfilm» - «Brdo» Brune Gamulina i «Bumbarov let» Antonija Nuića te \nprojekt «Četvrti kralj» redatelja Zvonimira Jurića i produkcijske kuće «Kinorama».  \n \nČak sedam projekata koji su na prijašnjim rokovima bili kolaudirani na razvoju scenarija, \ndirektno su se nakon kolaudacije prijavili na natječaj za proizvodnju u 2018. godini, te \nnepotrebno preskočili, po mišljenju oba savjetnika ovu izuzetno bitnu stepenicu koja im može \nomogućiti temeljitiju i kvalitetniju pripremu. Želimo da kategorija razvoja scenarija postane \nšto kompetitivnija te tako ozbiljno doprinese kvaliteti budućih filmova.   \n \nBOŽJI GNJEV \nredatelj: Kristijan Milić  \nprodukcija: Eurofilm (120.000 kn) \n \nEkranizacija hvaljenog romana Josipa Mlakića s kojim je redatelj već \nsurađivao u svoja dva prethodna film „Živi i mrtvi“ i „Mrtve ribe“. \nPrednost je ovog projekta što je u pitanju film detekcije s primjesama \nfilm noira, žanr koji je prijemčiv publici, s radnjom koja se kloni \npredvidljivih situacija i obrata. Glavni junak je ratni veteran koji pokušava \nrazriješiti zagonetnu smrt devetorice hrvatskih vojnika u Bosni. Jedan od \npoginulih je junakov brat, što je njegov motiv da ne odustane od istrage.  \nPremda su se filmovi u regiji često bavili temom rata u Bosni i \nHercegovini, ovaj joj prilazi iz znatno drukčije perspektive. Projekt je već \ndobio potporu Fondacije za kinematografiju Sarajevo.  \n\n\f\nBRDO   \nredatelj: Bruno Gamulin: \nprodukcija: Interfilm (120.000 kn) \n \nJoš jedna ekranizacija, također zapaženog romana autora Ivice Prtenjače. \nJunak srednjih godina pretrpio je bračni brodolom, dobio otkaz na poslu, \npa napušta grad i odlazi na otok gdje se zapošljava kao „požarni“. U \nkarauli na vrhu brda pazi da ne dođe do plamene katastrofe. Iako mu \nmještani proriču da psihički neće izdržati samoću, ono malo ljudi i \nživotinja s kojima je u dodiru osigurat će mu poprilično uzbuđenja. Vrlo \ndotjeran scenarij jamči zanimljiv pa i napet film, kojem je neophodan \nosebujan vizualni prosede. Znajući redateljevu reputaciju, to ne bi smjelo \ndoći u pitanje. \n \nBUMBAROV LET  \nredatelj: Antonio Nuić \nprodukcija: Inter film (120.000 kn) \n \nFilmovi za djecu pokazali su se kao siguran jamac za privlačenje publike, \npa je to veliki adut ovog projekta, čiji su scenaristi Marko Hrenović i Ivan \nTurković Krnjak adaptirali roman Maje Gluščević „Tajanstveni \nsvjetionik“. Protagonisti su klinci s dalmatinskog otoka koji su se suočili \nsa zagonetkom u svojoj sredini. Scenarij je vrlo dobro napisan sa \nzanimljivim karakterizacijama likova, a novina je aktualna politička \nkomponenta zbog koje bi film mogao imati uspjeha i na međunarodnim \ndječjim festivalima. Redatelj Nuićeve reputacije jamči da se priči neće \npristupiti snishodljivo i da će cjelina biti kako fabulativno tako i glumački \nuvjerljiva. \n \nČETVRTI KRALJ \nredatelj Zvonimir Jurić \nprodukcija: Kinorama (120.000 kn) \n \nNaslov metaforično oslikava glavnog junaka, odvjetnika koji se nevoljko \nvratio na rodni otok, kako bi posredovao u otkupljivanju zemlje za stranu \nkompaniju, spremnu da u tamošnjoj uvali izgradi turistički kompleks. Je \nli on zbilja biblijski dobrotvor ili nešto drugo? Projekt se odlikuje \nintrigantno profiliranim likovima, funkcionira čak i kao triler, a u \neventualnim doradama dobrodošla \nbi bila \nizvjesna tematska \nzaoštravanja. Mogao bi to biti važan film s međunarodnim odjekom. \n\n\f\nRedatelj Jurić već je surađivao s koscenaristom Juricom Pavičićem na \nHRT-ovoj mini-seriji „Patrola na cesti“.  \n \n \nPULA  \nredatelj: Andrej Korovljev  \nprodukcija: Kinematograf (100.000 kn) \n \nScenarij Ivana Turkovića Krnjaka, slobodna prerada istoimene knjige \nVladimira Stojsavljevića, vraća se u razdoblje sredine devedesetih kada \nsu pulski hoteli bili napučeni bosanskim izbjeglicama. U središtu je, što je \nneobično, ljubavni odnos pulske tinejdžerice i 20 godina starijeg \nbosanskog prognanika, koji se počinje raspadati jer on taji ključna \nzbivanja koja su mu se dogodila u ratu. Projekt izdvajamo jer obećava \nfilm posebne atmosfere i nekonvencionalnih likova.  \n \n \n \nPavo Marinković i Nenad Polimac \numjetnički savjetnici za dugometražni igrani film \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2018,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2012 Koprodukcije_ DUGI_ ANIM_ 20 06 2012.pdf","filename_decoded":"2012 Koprodukcije_ DUGI_ ANIM_ 20 06 2012.pdf","sha256":"95ab4efff5f75b82c4745a2a7d3216929eda6d726c7902ca833ab4fac5171ff2","bytes":37815,"page_count":1,"extracted_at":"2026-05-17T10:22:50Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2012%20Koprodukcije%2C%20DUGI%2C%20ANIM%2C%2020%2006%202012.pdf"},"raw_text":"NAZIV\t\r  FILMA\nREDATELJ/ICA\nHRVATSKI\t\r  PRODUCENT/\t\r  \t\r  \t\r  \t\r  \r  \r  \r  \nGLAVNI\t\r  PRODUCENT\nODOBRENO\n1.\nSUDILIŠTE\nStephan\t\r  Komandarev\nPropeler\t\r  film\t\r  d.o.o./\t\r  Argo\t\r  \nFilm\t\r  ltd.\t\r  (Bugarska)\n900.000,00\n2.\nOSLOBOĐENJE\t\r  \nSKOPJA\nRade\t\r  Šerbedžija,\t\r  \t\r  \nDanilo\t\r  Šerbedžija\nLijeni\t\r  film\t\r  d.o.o.\t\r  /\t\r  Partysans\t\r  \n(Makedonija)\n900.000,00\n1.\nKOYAA\t\r  -­‐\t\r  CVIJET\nKolja\t\r  Saksida\nBold\t\r  studio\t\r  d.o.o./\t\r  Zavod\t\r  \nZVVIKS\t\r  (Slovenija)\n116.935,33\n1.916.935,33\nKOPRODUKCIJE\t\r  S\t\r  MANJINSKIM\t\r  HRVATSKIM\t\r  UDJELOM-­‐\t\r  rok\t\r  20.\t\r  6.\t\r  2012.\nKOPRODUKCIJE\t\r  S\t\r  MANJINSKIM\t\r  HRVATSKIM\t\r  UDJELOM-­‐\t\r  rok\t\r  20.\t\r  6.\t\r  2012.\nDUGOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\nANIMIRANI\t\r  FILM\nUKUPNO\n","warnings":["section0_row_numbers_not_sorted"],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"2012 Koprodukcije_ DUGI_ ANIM_ 20 06 2012","year":2012,"rok":null,"natjecaj_date":"2012-06-20","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"KOPRODUKCIJE S MANJINSKIM HRVATSKIM UDJELOM-‐ rok 20. 6. 2012.","section_key":"koprodukcije_s_manjinskim_hrvatskim_udjelom_rok_20_6_2012","columns":["NAZIV FILMA","REDATELJ/ICA","HRVATSKI PRODUCENT/ GLAVNI PRODUCENT","ODOBRENO"],"rows":[{"row_number":1,"project_title":"SUDILIŠTE","applicant":"Propeler Film d.o.o.","production_company":"Propeler Film d.o.o.","director":"Stephan Komandarev","writer":null,"original_author":null,"category":"Dugometražni igrani film · koprod.","approved_amount_text":"900.000,00","approved_amount":900000.0,"currency":"HRK","extras":{"col_1":"1.","REDATELJ/ICA":"Stephan Komandarev","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometr. · koprod.","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometr. · koprod.","to":"Dugometražni igrani film · koprod.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Propeler film d.o.o./ Argo Film ltd. 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trajanje nije kraće od 70 minuta\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ \nPROJEKATA u 2025. - 1. 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\ndugometražni film.  \nTakođer, prijavljen je znatno manji broj debitantskih projekata, njih tri (3), a za sufinanciranje je \nodobren jedan (1) debitantski film.  \nNa natječaj su prijavljena dva (2) filma za djecu, a za sufinanciranje je odobren jedan (1) film.  \nŠto se tehnika tiče, najveći je broj prijava, odnosno filmova zamišljen da se izvede u 2D tehnici, i \nkombiniranim animacijskim tehnikama.  Za sufinanciranje su odobrena dva (2) 2D filma, jedan \n(1) stop-animacijski lutka-film, te dva (2) filma koji kombiniraju tehnike.  \nSveukupna odobrena potpora  za proizvodnju četiri kratkometražna i jednog dugometražnog \nanimiranog filma iznosi 3.520.000,00 kn. \n \n \n \n \n \n \n \n\n\f\nObrazloženja: \n \n1. naziv projekta: SVI OPERATERI SU TRENUTNO ZAUZETI \nprodukcija: Kaos d.o.o. \nscenarij i režija: Dalibor Barić \ntehnika/ publika: Hibridni film: 3D animacija, rotoskopija, kolaž - igrani film/ odrasli  \n2.200.000,00 kn \nDugometražni film „Svi operateri su trenutno zauzeti“ postavljen je kao hibridna forma koja \nkombinira nekoliko animacijskih tehnika oslanjajući se pritom jednim svojim dijelom na igrani i \neksperimentalni film, te su tako u financiranju projekta dijelom svog budžeta sudjelovale i \nkategorije kratkometražnog igranog i eksperimentalnog filma.  \nPriča u potpunosti podržava trajanje dugog metra, a svojom čvrstom narativnom strukturom i \nvješto oblikovanim i vođenim dijalozima, unatoč tome što se prostor i vrijeme, kao i stanja \nsvijesti brojnih upečatljivih sporednih, kao i samog glavnoga lika često pretapaju i naočigled \npreoblikuju, u potpunosti može zaokupiti pažnju gledatelja stvarajući napetu i atmosferičnu \nfilmsku storiju.  \nFuturistički svijet scenarista i redatelja Dalibor Barića u kojem glavni junak, i sam scenarist, \npokušava proniknuti u misterij svojevrsnog utočišta i filmskog studija u koji je pozvan, odnosno \nfilma koji sam sebe snima, zahvalna je i poticajna „kulisa“ unutar koje se izmjenjuje cijela lepeza \nljudskih  emocija. Nastavljajući se na svoj prethodni uspješni rad, odnosno dograđujući ga i \nprilagođavajući priči, Barić uz mnoštvo obrata, postavljanja zamki i rasvjetljavanja tajni, stvara \nozračje zaokruženoga i napetog akcijskog-psihološkog trilera.  \n \n2. naziv projekta: KRVAVI SABOR KRIŽEVAČKI  \nprodukcija: Jaka produkcija d.o.o. \nscenarij / režija: Siniša Bahun/Martin Babić \ntehnika / publika: stop-animacijski lutka film/ viša osnovnoškolska dob - odrasli  \n510.000,00 kn \n„Krvavi sabor križevački“ je zamišljen za izvedbu u tehnici lutkarske stop-animacije, a temeljen \nje na događaju iz hrvatske povijesti (27.02.1397.) kada je hrvatsko-ugarski kralj Žigmund \nLuksemburški pobio oporbeno hrvatsko plemstvo u pokušaju da učvrsti svoju vlast u Hrvatskoj.   \n\n\f\nKoristeći se dostupnim povijesnim izvorima, scenarist Siniša Bahun i redatelj Martin Babić, \nvješto su rekonstruirali ne samo nemili događaj, već i vrijeme u kojem se zbio, dajući širi \nkontekst jednoj epohi, smisleno pritom pridajući svu potrebnu pažnju arhitekturi, običajima i \nnavadama, kao i načinu odijevanja i općenito življenja tadašnjeg plemstva i puka. Odmjereni i \nsvrhoviti dijalozi dodatno podcrtavaju i ocrtavaju društveno-socijalne i političke okolnosti, a sam \nfilm se uspostavlja kao poticajno i edukativno audiovizualno štivo. Tehnika u kojoj je autor \ndosad uspješno ostvarivao svoje filmove, a kako je predloženo i predočeno u projektnoj \ndokumentaciji, dodatno će doprinijeti punini i ozračju filma. \n \n3. naziv projekta: EKLEKTIČNA EKLIPSA \nprodukcija: Kreativni sindikat \nscenarij i režija: Marko Meštrović \ntehnika / publika: 2D animacija – stop-animacija/ odrasli  \n290.000,00 kn \n„Eklektična eklipsa“ film je koji će biti ostvaren u kombinaciji digitalne 2D animacije \npotpomognute tehnikom stop-animacije unutar čega se uspostavlja i ispostavlja iznimno dobro \nrazrađeni koncept poimanja vremena kojeg smo i sami dionici. Ne samo vremena koje nas \ntrenutačno oblikuje i propituje naša uvjerenja i stavove, nego vremena kojeg svojom voljom \npretpostavljamo i ostvarujemo kao pojedinci i kao društvo u cjelini.  \nS jedne strane meditativan, a s druge strane pobuđujuće poticajan i čvrsto postavljen, predložak \nzavrjeđuje osobitu pažnju, jer animacijski postupci kao i sam redateljski koncept u ovom slučaju \nnisu samo zbivanja koja prate linearni protok vremena na platnu-ekranu nego se u najboljem \nsmislu ostvaruju kroz cikličnost i evoluciju koju smo još jednom pronašli i snašli u neprigodnoj \nprigodi novopoglednog vrednovanja i prihvaćanja. Riječ je o jasnom, čistom i izrazito tečnom \nanimiranom filmu.  \n \n4. naziv projekta: ALEPH \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Slobodan Tomić \ntehnika / publika: 2D animacija/ odrasli \n260.000,00 kn \n \n\n\f\nFilm „Aleph“ postavljen je kao vizualno snažan projekt nadahnut Borgesovim „Alephom“. \nAnimacijski pun i metamorfozičan, iako u svom pripovjednom temelju zahtjevan, s lakoćom i na \nnajbolji način gledatelja prenosi u svijet pun sumnje, straha, proživljavanja kratkotrajnosti i \nkrhkosti ljudskog životnoga vijeka, ali na kraju i pomirenja s osnovnim načelima  vrednovanja \nosobne, ali istovremeno kolektivne svijesti i podsvijesti. Autor Slobodan Tomić u filmu \nuspostavlja i ostvaruje osobiti ugođaj svrhovite nelagodnosti postižući pobudljivu vizualno-\npripovjednu dinamiku, te na taj način interpretira jedno iznimno zahtjevno, ali isto tako i \nutjecajno štivo. \n \n5. naziv projekta: JEDRENJAK NA KRAJU ULICE \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Lucia Aimara Borjas \ntehnika / publika: 2D animacija/ djeca \n260.000,00 kn  \n„Jedrenjak na kraju ulice“ je animirani film namijenjen djeci, a temeljen je na slikovnici \nspisateljice Tamare Bakran i ilustratorice Vendi Vernić. Riječ je o lijepoj, maštovitoj i poticajnoj \npriči o djevojčici Inji i njenom susretu sa znamenitim putnikom Marcom Polom koji joj poklanja \nneobičan dar. Vizual koji je predložen i temeljen na originalnim ilustracijama na najbolji je način \nutkan i oblikovan u priču-scenarij koju dograđuje i dodatno razigrava. U konačnici, cjelina je \niznimno zahvalna za adaptaciju u kratki animirani film namijenjen djeci. \n \n \nUKUPNI ODOBRENI IZNOS: \n3.520.000,00 kn \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2021,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2014 Komplementarne djelatnosti.pdf","filename_decoded":"2014 Komplementarne djelatnosti.pdf","sha256":"95ef70a9d5695d88c6d976e820026daf8517c9a331b4971b0e7babff379a5371","bytes":289732,"page_count":7,"extracted_at":"2026-05-17T10:23:03Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2014%20Komplementarne%20djelatnosti.pdf"},"raw_text":"KORISNIK\nPROGRAM\nODOBRENO\nGodišnji filmski program\nMedijateka\nŠkola u kinu\n2\nAutorski studio-fotografija, film, \nvideo\nRadionica animiranog filma za djecu- mala \nzagrebačka animacija (z-animacija)\n10.000,00 kn\n3\nCentar za kulturu Čakovec\nDisperzija hrvatskih filmskih festivala\n10.000,00 kn\n4\nCentar za kulturu Čakovec\nObilježavanje svjetskog dana animacije\n1.600,00 kn\nArt film\nProgram filmske klasike\nŠkolska kinoteka\nKinoteka Zlatna vrata\n6\nCentar za kulturu Trešnjevka\nFilmska i video radionica SNIMI SVOJ FILM-\nPOSTANI HITCHCOCK\n7.000,00 kn\n7\nCentar za rad i promociju \nmedijske kulture Lukas\nRadionice animiranog, igranog i dokumentarnog \nfilma\n7.000,00 kn\n8\nFantastično dobra institucija- \nFade in, udruga\nFade In- edukativni programi\n45.000,00 kn\n9\nFilmsko-kreativni studio VANIMA\n10. ljetne filmske radionice\n10.000,00 kn\n10\nFilmsko-kreativni studio VANIMA\nKino Galerija\n40.000,00 kn\n11\nFoto kino video klub Zaprešić\nZimska i ljetna filmska radionica djece i mladeži\n25.000,00 kn\n12\nFoto-kino klub Baranja film- Beli \nManastir\n6. mikro - škola medijske kulture -2014.\n2.500,00 kn\n13\nFoto-kino klub Baranja film- Beli \nManastir\nFilmski programi u mikro-kinu 2014. godine\n15.000,00 kn\n14\nGfr film-video\nArt kino\n20.000,00 kn\n15\nGfr film-video\nPožeški filmski tjedan\n15.000,00 kn\n16\nGokul- građanska organizacija za \nkulturu\nGreen Room Cinema 2014.\n20.000,00 kn\n17\nHKZ-Hrvatsko slovo d.o.o.\nFilmske tribine Hrvatsko slovo uživo\n5.000,00 kn\n18\nHrvatska udruga filmskih \nsnimatelja\nPula 1970-1980, retrospektiva nagrađenih \nfilmova za snimateljski rad\n20.000,00 kn\n19\nHrvatski filmski savez\n21.internacionalna radionica animiranog filma\n15.000,00 kn\n20\nHrvatski filmski savez\nFilmske i videoradionice za djecu i mlade u \nKraljevici\n25.000,00 kn\nFilmski programi u kinu Tuškanac\nKratki utorak\nFilmska umjetnost za srednju školu u kinu \nTuškanac\n22\nHrvatski filmski savez\nLjetne filmske radionice u kinu Tuškanac-izvan \nokvira\n7.000,00 kn\n23\nHrvatski filmski savez\nPeta radionica animiranog filma u Dubrovniku\n10.000,00 kn\n24\nHrvatski filmski savez\nVideoradionice za djecu i mladež u Poreču\n10.000,00 kn\n25\nHrvatsko narodno kazalište u \nŠibeniku\nFilmski program 54. međunarodnog dječjeg \nfestivala -Šibenik\n20.000,00 kn\n26\nJavna ustanova u kulturi Hrvatski \ndom Vukovar\nPetak u Ružički\n25.000,00 kn\n27\nKinematografi Osijek d.d.\n100+1 godina kina Urania\n120.000,00 kn\n28\nKino klub Split\nFilmska škola\n9.000,00 kn\n29\nKino klub Split\nFilmske projekcije\n8.000,00 kn\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2014. \nGODINI - POPIS ODOBRENIH PROJEKATA                                                     \nDjelatnosti razvijanja audiovizualne kulture\n1\n5\n21\nCentar za kulturu i doživotno \nobrazovanje Zlatna vrata\n100.000,00 kn\n400.000,00 kn\n350.000,00 kn\nART KINO - javna ustanova u \nkulturi\nHrvatski filmski savez\n\n\f\n30\nKino klub Split\nPočetničke radionice\n15.000,00 kn\n31\nKino klub Split\nSpecijalizirane radionice\n15.000,00 kn\n32\nKinoklub Karlovac\nFilmski Uskrs i Vaskrs\n5.000,00 kn\n33\nKinoklub Karlovac\nGostovanja profesionalaca u Kinoklubu Karlovac\n10.000,00 kn\n34\nKinoklub Karlovac\nRadionica zvuka i filmske glazbe\n5.000,00 kn\n35\nKinoklub Karlovac\nSpecijalizirana radionica dokumentarnog filma\n15.000,00 kn\n36\nKinoklub Zagreb\nRadionice Kinokluba Zagreb\n80.000,00 kn\n37\nKulturni klub\nArt kino Metropolis\n30.000,00 kn\n38\nKulturno prosvjetno društvo Sloga \nPakrac\n7 provincijskih dana u europskoj bajki\n5.000,00 kn\n39\nKulturno prosvjetno društvo Sloga \nPakrac\nCinema rencontres\n5.000,00 kn\n40\nMala performerska scena\nCirkuska srijeda\n10.000,00 kn\n41\nMuzej suvremene umjetnosti\nKino umjetnika\n12.000,00 kn\n42\nOtompotom\nAnimirani Šibenik\n15.000,00 kn\n43\nPučko otvoreno učilište Daruvar\nKinoprikazivačka djelatnost kina \"30.svibnja\" \nDaruvar -permanentno prikazivanje filmova i \nrevija hrvatskog, europskog i internacionalnog \nkino repertoara\n40.000,00 kn\n44\nPučko otvoreno učilište Samobor\nProgram kina Samobor za 2014. godinu\n40.000,00 kn\n45\nPulska filmska tvornica \n10. ljetna radionica izrade filma Pulska filmska \ntvornica 2014.\n20.000,00 kn\n46\nPulska filmska tvornica \nRadionica filmske medijske kulture u \nosnovnoškolskoj nastavi\n10.000,00 kn\n47\nPulska filmska tvornica \nŠkola animiranog filma\n20.000,00 kn\n48\nRestart\nFilmska početnica u 2014. godini\n20.000,00 kn\n49\nRestart\nProgram Dokukina za 2014. godinu\n100.000,00 kn\n50\nRestart\nŠkola dokumentarnog filma u 2014. godini\n55.000,00 kn\n51\nStvaralačka mreža Zebra\nInterface\n25.000,00 kn\n52\nSveučilište u Zagrebu, Studentski \ncentar\nFilmski program MM centra\n25.000,00 kn\n53\nSveučilište u Zagrebu, Studentski \ncentar\nKlubvizija SC-program edukativnih radionica, \nprojekcija i predavanja u 2014.\n60.000,00 kn\n54\nŠkola filma Šipan\nLjetna škola filma Šipan 2014\n15.000,00 kn\nPutujući sedmi kontinent-program filma za \ndjecu i mlade i 7 nezavisnih digitaliziranih \nkinoprikazivača\nFilmski program SEDMI KONTINENT- program \nfilmske pismenosti za djecu i mlade\n56\nUdruga Djeca susreću umjetnost\nRadionice optičkih igračaka u programu SEDMI \nKONTINENT\n10.000,00 kn\n57\nUdruga Djeca susreću umjetnost\nSedmi kontinent u bolnici-kvalitetan dječji film i \nkreativne radionice te posebni gosti filmaši za \ndjecu u bolnicama\n15.000,00 kn\n58\nUdruga Akulturacija\nOpuzenska filmska škola\n15.000,00 kn\n59\nUdruga Bacači sjenki \nFROOOM-program filmskog i interdisciplinarnog \nobrazovanja\n40.000,00 kn\n60\nUdruga Blank\nFilmske radionice \n40.000,00 kn\n61\nUdruga Delta\nGledamo dokumentarce, pravimo \ndokumentarce\n15.000,00 kn\n62\nUdruga Domino\nQueer momenti\n40.000,00 kn\n63\nUdruga Globe Media\nDyxy na filmu-filmske radionice za djecu s \ndisleksijom\n7.000,00 kn\n64\nUdruga Kinookus\nOkusi drugačije kino\n7.000,00 kn\n65\nUdruga ljubitelja filma RARE\nEDIT - edukacija i trening\n20.000,00 kn\n55\n40.000,00 kn\nUdruga Djeca susreću umjetnost\n\n\f\n66\nUdruga Multimedijalni centar \nLuka - Udruga MMC LUKA\nCinemaniac 2014- Misliti film, research in \nprogress\n15.000,00 kn\n67\nUdruga Što, kako i za koga / WHW \nEstetika otpora\n25.000,00 kn\n68\nUdruga za audiovizualno \nstvaralaštvo Artizana\nDigital generation - radionica dokumentarnog \nfilma i novih tehnologija, Kino klub Sisak, SEFF i \nFibula Sisak 2014.\n10.000,00 kn\n69\nUdruga za promicanje kulture \nDokuart\n7. Mali Dokuart - DOKUradionica s nacionalnim \nnatječajem za najbolji dokumentarac \nosnovnoškolaca\n30.000,00 kn\n70\nUdruga za promicanje kvalitetnog \nobrazovanja mladih s \ninvaliditetom ZAMISLI\nSlušam, dakle vidim\n25.000,00 kn\n71\nUdruga za promicanje medijske \nkulture Luža\nOd scenarija do filma\n10.000,00 kn\n72\nUdruženje za razvoj kulture URK\nNove filmske večeri u Močvari (15 godina)\n20.000,00 kn\n73\nUmjetnička organizacija FILM-\nPROTUFILM\nSerije za invizibilno kino\n20.000,00 kn\n74\nUmjetnička organizacija Rikšafilm\nRadionica audiovizualne pismenosti za učenike \nO.Š. istočnih prigradskih naselja\n8.000,00 kn\nKino Europa-redovni programi nezavisnog filma\nDječji filmski programi kina Europa\n2.686.100,00 kn\nKORISNIK\nPROGRAM\nODOBRENO\n1\n25 FPS, Udruga za audio-vizualna \nistraživanja\nFestival 25 FPS, deseto izdanje\n250.000,00 kn\n2\nAlternator, udruga za promicanje \nstvaralaštva i jednakih mogućnosti\nFestival o pravima djece\n35.000,00 kn\n3\nAvvantura d.o.o.\nAvvantura festival FilmForumZadar\n70.000,00 kn\n4\nCentar za kulturu Čakovec\nMeđunarodna revija filmova za djecu\n6.000,00 kn\n5\nCentar za kulturu Trešnjevka\n8.PSSSST! Festival nijemog filma\n10.000,00 kn\n6\nD.C. Puffer- obrt za sport i \nrekreaciju\nFestival podvodnog filma Bijeli lav\n15.000,00 kn\n8. Vukovar film festival-festival podunavskih \nzemalja\nEdukativne radionice 8. Vukovar Film Festivala -\nfestivala podunavskih zemalja\n8\nDom kulture Kristalna kocka \nvedrine\nSisački ekološki filmski festival SEFF\n30.000,00 kn\n9\nEtnografski muzej Istre\n6.ETNOFILM festival etnografskog filma\n50.000,00 kn\n10\nFactum\n10. ZagrebDox-međunarodni festival \ndokumentarnog filma\n450.000,00 kn\n11\nFestival mediteranskog filma Split\n7. festival mediteranskog filma Split 2014.\n140.000,00 kn\n12\nFilmsko-kreativni studio VANIMA\n5.VAFI-internacionalni festival animiranog filma \ndjece i mladih Varaždin\n40.000,00 kn\n13\nFoto-kino klub Baranja film Beli \nManastir\nRevija filmova podunavskih zemalja 2014.-\nUsusret 8.Vukovar film festivalu\n10.000,00 kn\n14\nGokul- građanska organizacija za \nkulturu\n12. Tabor film festival -međunarodni festival \nkratkometražnog filma\n75.000,00 kn\n15\nHrvatski filmski savez\n19. filmska revija mladeži & 7. Four River Film \nFestival\n100.000,00 kn\n16\nHrvatski filmski savez\n22. hrvatski festival jednominutnih filmova \n80.000,00 kn\n17\nHrvatski filmski savez\n46. revija hrvatskog filmskog stvaralaštva\n80.000,00 kn\nUKUPNO:\nFilmski festivali i druge audiovizualne manifestacije\n75\n7\n250.000,00 kn\nDiscovery d.o.o.\n270.000,00 kn\nUmjetnička organizacija Zagreb \nfilm festival\n\n\f\n18\nHrvatski filmski savez\n52. revija hrvatskog filmskog stvaralaštva djece\n70.000,00 kn\n19\nHulahop d.o.o. za filmsku \nprodukciju i usluge\nSvjetski festival animiranog filma - Animafest \nZagreb 2014/ kratkometražno izdanje\n900.000,00 kn\n20\nIstra film\n5. festival Trsat-festival hrvatskog katoličkog \nfilma 2014.\n5.000,00 kn\n21\nKinematografi Osijek d.d.\nIV Modern Silence Film Festival\n25.000,00 kn\n22\nKino klub Sisak\nSky Film Fest\n10.000,00 kn\n23\nKulturni klub\nDani europskog filma\n20.000,00 kn\n24\nLot 28 studio d.o.o.\nFantastic Zagreb Film Festival\n40.000,00 kn\n25\nMeđunarodni festival novog filma \nSplitski filmski festival (Split film festival) \n/Međunarodni festival novog filma\n250.000,00 kn\n26\nMotovun film festival\nMotovun film festival 2014.\n500.000,00 kn\n27\nMultimedijalni institut \nHuman Rights Film Festival\n150.000,00 kn\n28\nMuzej hrvatskih arheoloških \nspomenika Split\n3. međunarodni festival arheološkog filma \n(MFAF)\n10.000,00 kn\n29\nOne Take Film Festival\nOne Take Film Festival\n75.000,00 kn\n30\nOtompotom\nSupertoon međunarodni festival animacije\n50.000,00 kn\n31\nProstor rodne i medijske kulture K-\nzona\nFilmska Vox Feminae VI\n40.000,00 kn\n32\nPučko otvoreno učilište Poreč\n4. Poreč Dox, međunarodni festival \ndokumentarnog filma\n10.000,00 kn\n33\nREA- udruga za suvremene \numjetničke produkcije i \narhitektonske produkcije\nVideo dani /Lovely days\n10.000,00 kn\n5.SPFF 2014.-Starigrad Paklenica Film Festival- \nmeđunarodni festival glazbenog \ndokumentarnog filma\n5.SPFF 2014.-Industry Club\n35\nUdruga A.na.nas\nDani sportskog filma\n25.000,00 kn\n36\nUdruga Akulturacija\n4. Opuzen Film Festival\n60.000,00 kn\n37\nUdruga Bijeli val\n7. Subversive film festival: na europskom tlu\n130.000,00 kn\n38\nUdruga Delta\n12. Liburnia film festival\n65.000,00 kn\n39\nUdruga Đakovački rezovi\nManifestacija Đakovački rezovi\n40.000,00 kn\n40\nUdruga FAR\n13. revija amaterskog filma\n40.000,00 kn\n41\nUdruga Festival suvremenog \nžidovskog filma Zagreb\nFestival tolerancije - Festival židovskog filma \n(Zagreb, Rijeka, Sarajevo)\n100.000,00 kn\n42\nUdruga građana Spirit \nUhvati film fest\n10.000,00 kn\n43\nUdruga Kinookus\nKinookus Food Film Festival\n30.000,00 kn\n44\nUdruga Lanterna Magica\nPostira Seaside Film Festival-međunarodni \nfestival kratkometražnog filma\n15.000,00 kn\n45\nUdruga ljubitelja filma RARE\nFestival dokumentarnog rock filma DORF 2014\n40.000,00 kn\n46\nUdruga pašmanske mladeži Dica\n8. Pašmanske filmske večeri\n10.000,00 kn\n47\nUdruga SB film\nFestival Novih 2014\n15.000,00 kn\n48\nUdruga Super Supetar\nSupetar Super Film Festival\n40.000,00 kn\n49\nUdruga Trash\nTrash Film Festival\n15.000,00 kn\n50\nUdruga Ukus\nRevolucija - festival kreativne kinematografije\n20.000,00 kn\n51\nUdruga za promicanje književnosti \ni audiovizualne umjetnosti \nPredstava\nNoir festival 2014.\n15.000,00 kn\n52\nUdruga za promicanje kulture \nDokuart\n9.DOKUart - Dani dokumentarnog filma\n70.000,00 kn\n53\nUmjetnička organizacija FILM-\nPROTUFILM\nFilmske mutacije: festival nevidljivog filma \n80.000,00 kn\n54\nUmjetnička organizacija Zagreb \nfilm festival\n12. Zagreb film festival\n450.000,00 kn\n34\n50.000,00 kn\nStarigrad Paklenica Film Festival, \nudruga\n\n\f\n55\nUstanova Kinematografi \nDubrovnik\nDUFF- treći filmski festival djece i mladeži \nzemalja Mediterana\n10.000,00 kn\n56\nVideo klub Mursa \n12. Gastro film fest\n10.000,00 kn\n5.196.000,00 kn\nKORISNIK\nPROGRAM\nODOBRENO\n1\nCentar za kulturu Čakovec\nKnjiga \"Stoljeće filma u Čakovcu 1913.-2013.\"\n15.000,00 kn\n2\nDiscovery d.o.o.\nDVD izdanja Vukovar film festivala 2010-2013\n10.000,00 kn\n3\nFactum\nBranko Lentić-DVD izdanje u sklopu kolekcije \ndokumentarnih filmova predsjednika žirija \nZagrebDoxa\n45.000,00 kn\n4\nFantastično dobra institucija Fade \nIn-udruga\nIzdavanje knjige Martina Globočnik - Tko tu \nkoga gleda?\n15.000,00 kn\n5\nFilmski katalog j.d.o.o.\nPazi, snima se!\n10.000,00 kn\n6\nHrvatski filmski savez\nHrvatski filmski ljetopis\n100.000,00 kn\n7\nHrvatski filmski savez\nPetar Krelja: Oči Mildred Pierce: ogledi iz kino \nnostalgije\n15.000,00 kn\n8\nHrvatski filmski savez\nZapis-bilten Hrvatskog filmskog saveza\n15.000,00 kn\n9\nKino klub Split\nFanzin\n5.000,00 kn\n10\nKulturni klub\nFilmovi.hr\n20.000,00 kn\n11\nKurziv - Platforma za pitanja \nkulture, medija i društva \nKinemaskop\n20.000,00 kn\n12\nMeandar media d.o.o.\nPovijest novijeg animiranog filma u Hrvatskoj\n30.000,00 kn\n13\nProstor rodne i medijske kulture K-\nzona\nRodno osviještena filmska kritika\n10.000,00 kn\n14\nRestart\nRestart label - izdavaštvo i distribucija hrvatskih \ndokumentaraca u regiji\n15.000,00 kn\n15\nUdruga Blank\nFilmonaut\n60.000,00 kn\n16\nUdruga Metamedij\nTko gleda zlo ne misli-filmska internetska \nstranica\n10.000,00 kn\n17\nVedis d.o.o.\nIzdavanje knjige Mate Relje \"Profesija kao \nživotni izbor\"\n15.000,00 kn\n18\nVedis d.o.o.\nIzdavanje knjige Nedeljka Dragića \"Vučko ili \npraktični udžbenik animacije\"\n20.000,00 kn\n19\nVedis d.o.o.\nIzdavanje knjige \"Priča o zlatnoj ribici....i druge \nfilmske karikature Dušana Vukotića\"\n15.000,00 kn\n445.000,00 kn\nKORISNIK\nPROGRAM\nODOBRENO\n1\n25 FPS, Udruga za audio-vizualna \nistraživanja\nProgrami Udruge 25 FPS u 2014.\n40.000,00 kn\n2\nAutonomni kulturni centar - \nAttack\nNezavisni filmski studio Medika\n45.000,00 kn\n3\nDruštvo hrvatskih filmskih \nredatelja\nRedovita djelatnost Društva hrvatskih filmskih \nredatelja u 2014.\n135.000,00 kn\n4\nFilmska autorska grupa Enthusia \nPlanck\nFilmske radionice i djelatnosti grupe\n30.000,00 kn\n5\nFilmsko-kreativni studio VANIMA\nProgram rada za 2014. godinu\n30.000,00 kn\n6\nFoto film video amateri Luke\nProgram rada FFVAL-a za 2014.\n10.000,00 kn\n7\nFoto kino video klub Zaprešić\nRedovita programska djelatnost 2014.\n25.000,00 kn\nRedovita djelatnost\nGodišnja snimateljska nagrada Hrvatske udruge \nfilmskih snimatelja\nUKUPNO:\nHrvatska udruga filmskih \nsnimatelja\n80.000,00 kn\nIzdavaštvo u području audiovizualnih djelatnosti\nUKUPNO:\nProgrami audiovizualnih udruga i organizacija\n8\n\n\f\n9\nHrvatska udruga producenata\nRad na unaprijeđenju audiovizualne djelatnosti \nu 2014. godini\n100.000,00 kn\n10\nHrvatski filmski savez \nKoordinacijske i poticajne funkcije Hrvatskog \nfilmskog saveza\n100.000,00 kn\n11\nHrvatsko društvo filmskih \ndjelatnika\nRedovna djelatnost HDFD\n325.000,00 kn\n12\nHrvatsko društvo filmskih kritičara Program djelatnosti Hrvatskog društva filmskih \nkritičara u 2014. godini\n70.000,00 kn\n13\nHrvatsko kaskadersko društvo \nProgram treniranja Hrvatskog kaskaderskog \ndruštva za 2014. godinu\n40.000,00 kn\n14\nKinoklub Karlovac\nRedovna djelatnost Kinokluba Karlovac za 2014.\n30.000,00 kn\n15\nMultimedijalni centar Studio \nkreativnih ideja Gunja-MMC SKIG\nEdukacija članova, 5. ljetna škola filma Gunja i \nfilmske večeri\n25.000,00 kn\n16\nPulska filmska tvornica\nKlub Pulske filmske tvornice\n30.000,00 kn\n17\nStvaralačka mreža ZEBRA\nGRETA ArtSpace\n20.000,00 kn\nRedovita programska djelatnost Blanka\nFilmska produkcija kratkometražnih filmova\n19\nUdruga filmaktiv\nFilmaktiv edukacija 2014.\n50.000,00 kn\n1.245.000,00 kn\nKORISNIK\nPROGRAM\nODOBRENO\n1\nBonobostudio d.o.o.\nDistribucija, promocija i prodaja filmova 2014.\n35.000,00 kn\n2\nUstanova Zagreb film\nFilmska distribucija kratkih animiranih i \neksperimentalnih filmova\n30.000,00 kn\n65.000,00 kn\nKORISNIK\nPROGRAM\nODOBRENO\n1\nAning usluge d.o.o.\nCroatia goes cross media\n20.000,00 kn\n2\nDruštvo hrvatskih filmskih \nredatelja\nScenaristički program Branko Bauer 2014\n20.000,00 kn\n3\nDruštvo za znanstvenu fantastiku \nSFera\nSferina scenaristička radionica\n12.000,00 kn\n4\nFactum\nZagrebDox Pro\n70.000,00 kn\n5\nHrvatski filmski savez\n16. škola medijske kulture Dr. Ante Peterlić\n230.000,00 kn\n6\nHrvatski filmski savez\nScenaristički projekt Palunko\n40.000,00 kn\n7\nMaks Cavitas d.o.o.\nProgram Media Make up School\n15.000,00 kn\n8\nMoje čarobne misli d.o.o.\nKorčula Krosmedija - DECro2014\n50.000,00 kn\n9\nMotovun film festival\nKako napraviti bolji festival\n40.000,00 kn\n10\nRestart\nRestart laboratorij u 2014. godini\n60.000,00 kn\n11\nRiva film d.o.o.\nDubrovnik Film Meetings \n70.000,00 kn\n12\nUdruga UKUS\nREFINERI - platforma za razvoj i potporu AV \nstvaralaštva\n60.000,00 kn\n13\nUmjetnička organizacija Zagreb \nfilm festival\nZFF Industrija\n50.000,00 kn\n14\nUstanova Zagreb film\n5. međunarodna radionica animiranog filma u \nRabu\n25.000,00 kn\n15\nUstanova Zagreb film\nani.dox:lab\n40.000,00 kn\n802.000,00 kn\nUKUPNO:\n18\nUKUPNO:\nProgrami promocije i prodaje hrvatskih audiovizualnih  djela\nUKUPNO:\nProgrami stručnog usavršavanja filmskih profesionalaca\n60.000,00 kn\nUdruga Blank\n\n\f\nKORISNIK\nPROGRAM\nODOBRENO\n1\nMutimedijalni institut \nVizualni kolegij\n40.000,00 kn\n2\nRestart\nHall of fame: vodič kroz povijest \ndokumentarnog filma 2014.\n20.000,00 kn\n3\nRestart\nMasterclass- svjetski dokumentaristi u Zagrebu \nu 2014. godini\n40.000,00 kn\n4\nRestart\nRazgovori s autorima u Dokukinu\n25.000,00 kn\n5\nUdruga Dušan Vukotić\nIstraživanje/proučavanje (i izrada) osobne i \nkumulativne bibliografije Dušana Vukotića\n10.000,00 kn\n135.000,00 kn\nKORISNIK\nPROGRAM\nODOBRENO\n1\nFactum\nFactum kinoteka\n35.000,00 kn\n2\nHrvatski filmski savez\nFilmski i  video arhiv Hrvatskog filmskog saveza\n180.000,00 kn\n3\nHrvatsko društvo filmskih \ndjelatnika\nDigitalizacija arhivskog gradiva Društva filmskih \nradnika Hrvatske 1950-1990\n25.000,00 kn\n240.000,00 kn\nODOBRENA SREDSTVA\n2.686.100,00\n5.196.000,00\n445.000,00\n1.245.000,00\n65.000,00\n802.000,00\n135.000,00\n240.000,00\n10.814.100,00\nProučavanje i kritičko vrednovanje audiovizualnih djelatnosti\nUKUPNO:\nZaštita audiovizualne baštine uključujući kinotečnu djelatnost\nUKUPNO:\nprogrami promocije i prodaje hrvatskih \naudiovizualnih  djela\nUKUPNO\nSVEUKUPNO\nizdavaštvo u području audiovizualnih \ndjelatnosti\nprogrami stručnog usavršavanja\nprogrami audiovizualnih udruga i \norganizacija\nfilmski festivali i druge audiovizualne \nmanifestacije\ndjelatnosti razvijanja audiovizualne \nkulture\nKATEGORIJA\nzaštita audivizualne baštine uključujući \nkinotečnu djelatnost\nproučavanje i kritičko vrednovanje \naudiovizualnih  djelatnosti\n","warnings":["section2_row_numbers_not_sorted","section4_row_numbers_not_sorted","section5_row_numbers_not_sorted","section6_row_numbers_not_sorted"],"document":{"program_type":"komplementarne","natjecaj_title":"2014 Komplementarne djelatnosti","year":2014,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:05:49Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"Djelatnosti razvijanja audiovizualne kulture","section_key":"djelatnosti_razvijanja_audiovizualne_kulture","columns":["KORISNIK","PROGRAM","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Godišnji filmski program Medijateka Škola u kinu","applicant":"ART KINO - 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Boško Picula \numjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom  \n \nNa prvi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2026. \ngodini prijavljeno je ukupno 55 projekata. Od ovoga ukupnog broja prijavljenih, jedan \nprojekt nije razmatran jer nije zadovoljio uvjete Javnog poziva, a jedan je povučen te su \nu konačnici razmatrana 53 projekta.  \n \nOd razmatranih projekata, s obzirom na filmski rod i vrstu, najviše prijavljenih dolazi iz \nkategorije dugometražnoga igranog filma, njih 27, dok je razmatrano 9 debitantskih \ndugometražnih igranih filmova. Četiri su dugometražna igrana filma (od toga jedan \ndebitantski), prijavljena u fazi postprodukcije. Nakon dugometražnih igranih filmova prema \nbroju prijava slijede dugometražni dokumentarni filmovi s ukupno 8 prijava (jedan u \npostprodukciji), zatim kratkometražni igrani filmovi sa 6 prijava (jedan u postprodukciji), i \nkratkometražni animirani filmovi s 3 prijave. Nisu prijavljeni projekti ni kratkometražnih \ndokumentarnih, ni eksperimentalnih filmova:  \n \nROD I VRSTA FILMA \nBROJ \nRAZMATRANIH \nPRIJAVA \n \nDugometražni igrani filmovi \n27  \nDebitantski dugometražni igrani filmovi \n9 \nKratkometražni igrani filmovi \n6 \nDugometražni dokumentarni filmovi \n8 \nKratkometražni dokumentarni filmovi \n0 \nDugometražni animirani filmovi \n0 \nKratkometražni animirani filmovi \n3 \nEksperimentalni filmovi \n0 \nUKUPNO \n53 \n \n \nOd prijavljenih i razmatranih projekata, s obzirom na zemlju iz koje dolazi glavni producent, \nodnosno produkcijska kuća s većinskim udjelom u financiranju, riječ je o 14 zemalja s dva \nkontinenta (Europa, Sjeverna Amerika). Najveći broj prijava stigao je iz Slovenije (10) i Srbije \n(10), zatim iz Crne Gore (6) i Turske (6), te iz Sjeverne Makedonije (4).  \n \nZEMLJA VEĆINSKOG \nPRODUCENTA \nBROJ PRIJAVA \n \nSlovenija \n10 \nSrbija \n10 \nCrna Gora \n6 \nTurska \n6 \nSjeverna Makedonija \n4 \n\n\f\nBosna i Hercegovina \n3 \nGrčka \n3 \nRumunjska \n3 \nBugarska \n2 \nLitva \n2 \nAlbanija \n1 \nKosovo \n1 \nNjemačka \n1 \nSjedinjene Američke Države \n1 \nUKUPNO \n53 \n \nKriteriji za predlaganje i odobravanje projekata za sufinanciranje temelje se na: \n  \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i \nredateljski koncept;  \n2. Ocjeni financijske izvedivosti te predstavljenoga distribucijskog potencijala projekta, s \nobzirom na produkcijski paket te plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za \nfinanciranje projekata.  \n \nFilmovi predloženi i odobreni za sufinanciranje s prijedlozima iznosa, s ukupnim iznosom \nsufinanciranja od 457.000 EUR: \n \n1.) Kratkometražni animirani film Balegar (Slovenija, glavni producent: Finta – Zavod za \nsodobne umetnosti), hrvatska produkcijska kuća Jadranska animacija, 25.000,00 \nEUR \n2.) Dugometražni debitantski igrani film Pogled na more (Slovenija, glavni producent: \nVertigo, zavod za kulturne dejavnosti), hrvatska produkcijska kuća Eclectica, \n60.000,00 EUR \n3.) Dugometražni dokumentarni film Death Caffé (Bugarska, glavni producent: Portokal \nLtd.), hrvatska produkcijska kuća Restart, 38.000,00 EUR \n4.) Dugometražni igrani film Društvo za kremiranje (Turska, glavni producent: Mahmut \nFazil Coşkun – MFC Film), hrvatska produkcijska kuća Kinorama d.o.o., 80.000,00 \nEUR  \n5.) Dugometražni igrani film u postprodukcijskoj fazi Ljubavna soba (Srbija, glavni \nproducent: Banda d.o.o.), hrvatska produkcijska kuća 365 films d.o.o., 40.000,00 EUR \n6.) Dugometražni igrani film Ljudi na Mjesecu (Bosna i Hercegovina, glavni producent: \nBlackLAB d.o.o.), hrvatska produkcijska kuća Propeler Film d.o.o., 60.000,00 EUR \n7.) Dugometražni igrani film Ne slažem se! (Sjeverna Makedonija, glavni producent: \nFocus Pocus Films), hrvatska produkcijska kuća Četiri film d.o.o., 64.000,00 EUR \n8.) Dugometražni igrani film Snješko (Sjeverna Makedonija, glavni producent: Dream \nFactory Macedonia), hrvatska produkcijska kuća Sekvenca d.o.o., 60.000,00 EUR \n9.) Kratkometražni igrani film Gdje ratovi završavaju (Slovenija, glavni producent: \nCvinger film, zavod za kulturne dejavnosti), hrvatska produkcijska kuća Woodz \nproduction d.o.o., 18.000,00 EUR \n10.) \nKratkometražni igrani film Južina (Crna Gora, glavni producent: Ponton \nd.o.o.), hrvatska produkcijska kuća Metar60, 12.000,00 EUR \n \n \n\n\f\nOBRAZLOŽENJA \n \n1) Kratkometražni animirani film Balegar (Slovenija, glavni producent: Finta – Zavod za \nsodobne umetnosti), hrvatska produkcijska kuća Jadranska animacija, 25.000,00 \nEUR \n \nKratkometražni animirani film naslova Balegar, režira Anka Kočevar, a zemlja je glavnog \nproducenta Slovenija. Istaknuvši se kao ilustratorica i animatorica na zapaženim projektima \nmatične kinematografije (Steakhouse, Tri ptičice), autorica kao diplomirana slikarica ovim \nprojektom debitira kao redateljica animiranog filma. Sama navodi da motivi priče potječu od \nnjemačkog sakupljača narodnih bajki iz 19. stoljeća Franza Xavera von Schönwertha pri čemu \nje u ovoj interpretaciji princ zamijenjen – dječakom. Naime, u pitanju je suvremena priča o \ntinejdžeru Janu koji vlastito nezadovoljstvo manifestira ubijanjem kamenom daždevnjaka. U \nfantastičnom obratu dječaka zbog okrutnosti zaskoče čudesna šumska bića i pretvaraju ga u \nkukca balegara koji iz te pozicije mora pronaći način preživljavanja… Kafkijanski intonirana \npriča, ali s moralnom oštricom prema počinitelju nedjela, u biti je reska analiza empatije koja \nkroz uvjerljivo dočaran središnji lik i njegovu preobrazbu postiže sinergiju zapleta i njegove \nlikovne razrade. Autorica koristi analogne tehnike crtane animacije uz jasno pripovijedanje i \nnamjeru istraživanja mogućnosti slikanja na staklu te crtanja suhim pastelima… Jadranska \nanimacija etablirana je produkcijska kuća u domaćim i koprodukcijskim projektima redovito \nostvarujući međunarodne uspjehe (Eeva, Obiteljski portret, Borisova pekarnica).  \n \n \n2) Dugometražni debitantski igrani film Pogled na more (Slovenija, glavni producent: \nVertigo, zavod za kulturne dejavnosti), hrvatska produkcijska kuća Eclectica d.o.o., \n60.000,00 EUR \n \nDebitantski dugometražni igrani film naslova Pogled na more režira Katarina Morano, a zemlja \nje glavnog producenta Slovenija. Autorica više zapaženih kratkih filmova, redateljica je \nzavrijedila i nominaciju za studentskog Oscara za film Kam. Jedan dramatičan događaj iz \nstvarnog života, smrt dojenčeta ostavljenoga u očevu automobilu, a o kojem je doznala u \nvijestima, potaknuo je autoricu na razmišljanje o premorenosti roditelja stiješnjenih \nsvakodnevnim obvezama. Ovdje je ta premorenost razložena kroz sugestivno vođenu priču o \n35-godišnjoj trudnici Lili koja živi sa svojom kćerkom Dorom, partnerom Gregom i psom, \nobitavajući u malom stanu te radeći posao hotelske recepcionarke. Kada Greg, vozač autobusa, \nzavrši u bolnici, taj će se dan Lili u stanu s minijaturnim 'pogledom na more' pretvoriti u \nsudbinski. Autorica svoj rad opisuje kao 'film žurbe', ali ne one vanjske, nego one unutarnje, \njedne mlade majke i njezine obitelji kako uopće preživjeti. Ozračje je intimno, perspektiva \npripovijedanja osobna, a uvjerljivi su i odnosi među likovima u verbalnoj i neverbalnoj \nkomunikaciji. Iako je scenarij temeljen na dijaloškim dionicama, u filmu se počesto i bez \ndijaloga odvijaju svakodnevne stvari važne za radnju, dok izražajna sredstva nastoje izgraditi \nautentičnu atmosferu sredine u kojoj je život zbog (pre)cijenjenosti nekretnina sveden na \nživotarenje… Eclectica d.o.o. je produkcijska i postprodukcijska kuća koja se bavi \nproizvodnjom kratkometražnih i dugometražnih filmova te televizijskih formata. Među \nrecentnim uspjesima kuće jesu dugometražni igrani filmovi Proslava nagrađen Velikom \nZlatnom arenom te Stric, kao i ovogodišnji rad Svadba koji se samo u hrvatskim kinima \npribližio brojci od 800.000 gledatelja postavši najgledanijim hrvatskim kinofilmom od 1991.  \n \n \n\n\f\n3) Dugometražni dokumentarni film Death Caffé (Bugarska, glavni producent: Portokal \nLtd.), hrvatska produkcijska kuća Restart, 38.000,00 EUR \n \nDugometražni dokumentarni film naslova Death Café, režira Mariana Sabeva, a zemlja je \nglavnog producenta Bugarska. Školovana u domovini i SAD-u, autorica iza sebe ima \nvišegodišnje iskustvo rada na filmskim i televizijskim produkcijama, poglavito kao scenaristica \npoput angažmana na dugometražnom dokumentarnom filmu Nema mjesta za tebe u našem \ngradu iz 2022. u režiji Nikolaja Stefanova. Ovim projektom Mariana Sabeva sama debitira kao \nredateljica cjelovečernjeg dokumentarca odlučivši se za spoj esejističkog pristupa i osobne \npriče. U veoma kvalitetno razrađenom scenariju s naglašeno odgovornom i kreativnom \npristupu temi i protagonistima, autorica polazi od vlastitog gubitka oca koji je iznenada \npreminuo na početku njezina studija u Kaliforniji. Distanca koju su međusobno imali uskoro \nse pretvorila u autoričinu ljudsku i umjetničku potrebu suočavanja sa smrću čemu joj je, nakon \npovratka u Bugarsku, ključno pomoglo priključivanje naslovnom programu u kojem sudionici \nna skupnim seansama verbaliziraju svoj odnos prema gubicima bliskih ljudi. Iako je početni i \nobuhvatni lik priče, autorica je cijelo vrijeme u pozadini, dok su u središtu ostali sudionici ovog \nprograma u Sofiji kojima redateljica pristupa uz minucioznu profilaciju na temelju njihovih \nrazličitih životnih situacija, karakternih osobina i očekivanja od budućnosti… Produkcijska \nkuća Restart kao hrvatski partner u projektu, jedna je od najagilnijih i najuspješnijih domaćih \nkuća posljednjih godina kada su posrijedi dokumentarni i srodni projekti u Hrvatskoj te \nkoprodukcijski u Europi o čemu svjedoči aktualni uspjeh višestruko nagrađenog filma Fiume \no Morte! te ostali recentni radovi (Između revolucija, Muzej revolucije, Srbenka).  \n \n \n4) Dugometražni igrani film Društvo za kremiranje (Turska, glavni producent: Mahmut \nFazil Coşkun – MFC Film), hrvatska produkcijska kuća Kinorama d.o.o., 80.000,00 \nEUR  \n \nDugometražni igrani film naslova Društvo za kremiranje, žanrovski crnohumorna povijesna \ndrama, režira Mahmut Fazil Coşkun, a zemlja je glavnog producenta Turska. Započevši \nredateljsku karijeru kao dokumentarist, autor od 2009. režira dugometražne igrane filmove pri \nčemu mu je posljednji Objava iz 2018. osvojio posebnu nagradu ocjenjivačkog suda u \nprogramu Horizonti na Festivalu filmske umjetnosti u Veneciji. Upravo je njime, a u kojem je \nradnja smještena u 1960.-e godine u Turskoj, započeo planiranu trilogiju o modernizaciji \nturskog društva od početka 20. stoljeća nadalje. Središnji dio te trilogije jest ovaj projekt čiji \nscenarij uz redatelja potpisuju Hakan Bıçakci i Sinan Yusufoğlu. Nadahnuta stvarnim \npovijesnim događajima, veoma vješto ispričana priča u rasteru nekoliko žanrova (drama, triler, \ncrna komedija), portretira ambicioznu arhitekticu Refiku Kartal koja se nakon studija u \nNjemačkoj vraća u Istanbul koji je kao i cijela novouspostavljena Turska Republika zahvaćen \npromjenama. Među njima je i zakon iz 1931. kojim je dozvoljeno kremirati pokojnike što \nRefiku i suradnike potakne na osnutak društva za kremiranje te otvaranje suvremenog \nkrematorija. Međutim, taj će čin dovesti ne samo do nerazumijevanja i dalje konzervativne \nokoline, nego i do Refikinih očajničkih poteza kako bi opravdala svoj projekt. Prema autoru \npriča miješa žanrove s naglaskom na film noir, a vizualizacija je kao posveta i njemačkom \nekspresionizmu. Glumački pak autor teži stoičkim, „bezizražajnim“ izvedbama… \nProdukcijska kuća Kinorama d.o.o. kao hrvatski partner u projektu, renomirano je ime u \neuropskim koprodukcijskim okvirima niz godina čiji su recentni radovi također postigli \nmeđunarodnu festivalsku vidljivost (Zečji nasip, Ne očekuj previše od kraja svijeta, \nDomaćinstvo za početnike).  \n \n\n\f\n \n5) Dugometražni igrani film Ljubavna soba (Srbija, glavni producent: Banda d.o.o.), \nhrvatska produkcijska kuća 365 films d.o.o., 40.000,00 EUR \n \nDugometražni igrani film u postprodukciji naslova Ljubavna soba, žanrovski socijalna drama \ns elementima komedije, režira Mladen Đorđević, a zemlja je glavnog producenta Srbija. Poznat \npo cjelovečernjim igranim filmovima Život i smrt pornobande i Radnička klasa ide u pakao, \nautor se u novom projektu bavi temom ljubavi u suvremenom svijetu, i to u specifičnom \nkontekstu zatvora u kojem jedna prostorija služi zatvorenicima za vođenje ljubavi. Karakterno \ni interakcijama kompleksna priča sročena u koherentan i zaokružen scenarij predstavlja \nnekolicinu likova koje predvodi mlada prostitutka Ranđija željna istinske romantične veze koja \njoj je neostvariva izvan kaznionice, a prate je parovi koji s različitih strana slobode i neslobode \ntakođer teže vlastitom ispunjenju. Scenarij je dramaturški dosljedan, intrigantne teme, a \nnjegova je gotovo naturalistička vizualizacija realizirana u optimalno pogođenom omjeru \nsocijalno intonirane priče, crnog humora u kontrastu s osjećajem nelagode te estetike koja se \ntemelji na sirovosti slike i likova. Pritom redatelj izvrsno koristi prostor koji fundamentalno \nodređuje radnju i ozračje priče. Ostvarena redateljska koncepcija je jasna, usmjerena na glumce \ni njihove interpretacije likova te specifično ozračje zatvora. Gluma je realistična, sažeta i \nuvjerljiva, upravo onakva kakvu je navijestio redatelj, kako bi se istaknula psihološka \ndimenzija zapleta… Produkcijskoj kući 365 Films d.o.o. cilj je razvoj novih talenata i \nosnaživanje koprodukcijskih veza u Europi i svijetu, pri čemu kao recentne međunarodne \nuspjehe treba istaknuti slovenski film Dobre djevojke s nominacijom za Europsku filmsku \nnagradu te makedonski film DJ Ahmet nagrađen na Sundance Film Festivalu.  \n \n6) Dugometražni igrani film Ljudi na Mjesecu (Bosna i Hercegovina, glavni producent: \nBlackLAB d.o.o.), hrvatska produkcijska kuća Propeler Film d.o.o., 60.000,00 EUR \n \nDugometražni igrani film naslova Ljudi na Mjesecu, žanrovski poratna drama, režira Pjer \nŽalica, a zemlja je glavnog producenta Bosna i Hercegovina. Etabliravši se još tijekom rata u \nBosni i Hercegovini kao autor zapaženih radova pri čemu je kao jedan od redatelja \ndugometražnog dokumentarnog filma MGM Sarajevo: Čovjek, Bog, Monstrum nagrađen \nEuropskom filmskom nagradom, Pjer Žalica posljednjih tridesetak godina snima slojevite \ndrame smještene u uglavnom poratni milje svoje domovine čiji stanovnici neprestance \nproživljavaju traume tražeći način kako ih prevladati (Gori vatra, Kod amidže Idriza). Ovaj \npristup redatelj razvija i u svom novom projektu pri čemu je riječ o ekranizaciji hvaljenog \nromana Šušanj bosansko-hercegovačkog književnika Almina Kaplana koji je uz redatelja \nkoautor scenarija. Njihova suradnja na tekstu temeljena na izvornu književnom djelu rezultirala \nje istodobno snažnom i suptilnom pričom koja funkcionira na više razina. Na prvoj je to efektno \nprikazani kontekst povratka ljudi u svoje domove nakon samog rata, i to u simbolima zahvalnoj \nDubravskoj visoravni u Hercegovini; na drugoj se razvija perspektiva pripovijedanja iz kuta \nglavne junakinje Mirsade koja je u isto vrijeme i lik zapleta, i mogućega dugoročnog raspleta; \ntreća je razina ona međuljudska u kojoj različiti odnosi – romantični, obiteljski i politički – \ngeneriraju sukobe. Naime, Mirsada, udovica poginulog borca, čija je jedina kuća u selu \nobnovljena postat će točka okupljanja suseljana, ali i sukoba dvojice muškaraca, u nju \nzaljubljenom Esku i Džudžanu koji poraće koristi za vlastiti politički uspon… Produkcijska \nkuća Propeler Film d.o.o. kao hrvatski partner u projektu, u domaćem je i međunarodnom \nkontekstu potvrđen akter s nizom recentnih uspješno pripremljenih i ostvarenih radova (Nakon \nljeta, Otac, Bosonogi car, Mali) što je potkrijepljeno opsežnom dokumentacijom u prijavi te \npotvrđenim i planiranim izvorima financiranja u ovoj fazi pretprodukcije.  \n \n\n\f\n \n7) Dugometražni igrani film Ne slažem se! (Sjeverna Makedonija, glavni producent: \nFocus Pocus Films), hrvatska produkcijska kuća Četiri film d.o.o., 64.000,00 EUR \n \nDugometražni igrani film naslova Ne slažem se!, žanrovski crnohumorna drama, režira \nKristijan Risteski, a zemlja je glavnog producenta Sjeverna Makedonija. Uz zapažene \nkratkometražne igrane filmove i TV serije, makedonski redatelj Kristijan Risteski \nmeđunarodnu je pozornost privukao svojim nagrađivanim dugometražnim igranim prvijencem \nSnjeguljica umire na kraju iz 2022. Ustrajavajući na sinergiji galerije različitih likova i \nvizualnih simbola koji prate njihovu profilaciju i međusobne odnose, redatelj i ujedno scenarist \nisti pristup primjenjuje i u novom projektu čiji je središnji lik neurodivergentni \ndvadesetogodišnjak Marko. Specifične percepcije svijeta oko sebe zbog prirode \nneurorazličitosti, ostavši bez roditelja Marko živi u siromašnoj četvrti uz skrb svog djeda Vasila \nte punu podršku okoline. Njegov je životni oslonac štap koji doživljava kao automobil, a sve \nse promijeni kada dobije na lutriji što će mu omogućiti skupo liječenje, ali i dovesti do \ntraumatičnoga razotkrivanja obiteljske tajne sa svim posljedicama… Odlučivši se za rijetko \nkorišten lik u igranim filmovima, redatelj vješto strukturira priču bogatu različitim karakterima \ns pažljivo povučenim dramskim lukom koji u pravilnim razmacima dinamizira radnju. Nikad \nne prelazeći rub moguće stvarnosti, tekst je istodobno uronjen u svijet deprivilegiranih ljudi, i \nu mogući svijet njihova izlaska iz životnih teškoća. Prvotna je namjera autora oblikovati \npripovijedanje koje će publici omogućiti da se čvrsto identificira s protagonistima, poglavito \nMarkom pri čemu je ciljani osjećaj empatija, a ne sažaljenje… Produkcijska kuća Četiri film \nd.o.o. kao hrvatski partner u projektu, jedna je od najuspješnijih hrvatskih kuća u posljednje \nvrijeme kada su posrijedi koprodukcije o čemu svjedoče recentni naslovi i njihovi strukovni \nuspjesi na uglednim festivalima (Bazen beskraja, Dani suše, Vizija leptira, Biti u rodu s \nJohnom Malkovichem), kao i kontinuirani rad u domaćoj kinematografiji.  \n \n \n8) Dugometražni igrani film Snješko (Sjeverna Makedonija, glavni producent: Dream \nFactory Macedonia), hrvatska produkcijska kuća Sekvenca d.o.o., 60.000,00 EUR \n \nDugometražni igrani film naslova Snješko, žanrovski drama za mlade, režiraju Stojan Vujičić \ni Dena Vujičić, a zemlja je glavnog producenta Sjeverna Makedonija. Nakon svoga hvaljenog \ncjelovečernjeg igranog prvijenca Stela u kojem su mu u središtu bili traumatični aspekti \nodrastanja, Stojan Vujičić se i u svom novom filmu bavi svijetom mladih, i to, prema vlastitom \npriznanju, nadahnut svakodnevicom svoje kćeri tinejđerice. Scenarij je djelo samog redatelja \nte njegovih kolega Ognena Antova i Aleksandra Rusjakova, a središnja mu je junakinja \npetnaestogodišnja Lili, briljantna matematičarka koja živi na Sunčanom otoku sanjareći da prvi \nput u životu vidi snijeg. Neshvaćena od okoline, djevojka ima podršku u vršnjaku Alexu koji \nje zaljubljen u nju. Kada Alex u jednoj tučnjavi ostane bez pamćenja, a Lili krene na \nmatematičko natjecanje na Grenland, njihovi će životi dobiti posve novu putanju u kojoj \nodredište znači ljubav. Topla, iskrena i maštovita priča koja spaja stvarno i izmaštano, vješto \nje napisana i prilagođena adresatnoj publici, odnosno vršnjacima glavnih junaka. Likovi i \nnjihovi međuodnosi su prilagođeni svojevrsnoj tinejđerskoj bajci kako sam autor žanrovski \nodređuje svoj film, dok sama završnica zaziva što emotivniji i dinamičniji rasplet. Navodeći \nprizmu magičnog realizma, autor je koncipirao jasnu viziju realizacije filma s odgovarajućim \nsetom filmskih izražajnih sredstava, te je i stil naracije poetičan i atmosferičan, s izbalansiranim \nizmjenama stvarnog i unutarnjeg svijeta… Produkcijska kuća Sekvenca d.o.o. kao hrvatski \npartner u projektu, ostvarila je više u zemlji i inozemstvu nagrađenih radova (Lada Kamenski, \n\n\f\nMater, Sirin) među kojima je kratkometražni igrani film Piknik ovjenčan Europskom filmskom \nnagradom.  \n \n \n9) Kratkometražni igrani film Gdje ratovi završavaju (Slovenija, glavni producent: \nCvinger film, zavod za kulturne dejavnosti), hrvatska produkcijska kuća Woodz \nproduction d.o.o., 18.000,00 EUR \n \nKratkometražni igrani film naslova Gdje ratovi završavaju, režira Rok Biček, a zemlja je \nglavnog producenta Slovenija. Etabliran i svojim kratkometražnim filmovima (Dan u Veneciji, \nLov na patke), i cjelovečernjim ostvarenjima (Razredni neprijatelj, Obitelj), slovenski redatelj \ni scenarist Rok Biček vraća se kratkoj formi i u ovom projektu koji tematski korespondira s \ntrenutačno najtežim oružanim sukobom u svijetu. Osovivši svoju priču oko nekolicine likova \nu zamišljenoj situaciji koja zrcali stvarne strahote i apsurde rata u Ukrajini nakon ruske vojne \ninvazije na zemlju 2022., autor prema motivima kratke priče Krvava rijeka Branka Belana, \nstvara karusel odnosa u kojem se zapleću i raspleću sudbine različitih protagonista. To su \nsjevernokorejski bolničar koji pokušava spasiti ruskog vojnika, zatim ukrajinski vojnik koji \nočajnički traži pomoć za svoju trudnu suprugu, te majka ukrajinskog vojnika. Njihova će \ninterakcija u kratkom vremenu dovesti do svega što život u ratnim uvjetima predstavlja ili može \npredstavljati. Veoma vješto ispričan i zaokružen u svojoj kontekstualizaciji i pitanja humanosti \nu najtežim uvjetima, i rata kao permanentne negacije ljudskosti, redateljev je tekst aktualan, \nslojevit, konotativan i višedimenzionalan… Produkcijska kuća Woodz production d.o.o. kao \nhrvatski partner u projektu, djeluje od 2022., a trenutačno u fazi razvoja i produkcije već ima \nviše projekata različitih rodova i vrsta.  \n \n10) Kratkometražni igrani film Južina (Crna Gora, glavni producent: Ponton d.o.o.), \nhrvatska produkcijska kuća Metar60, 12.000,00 EUR \n \nKratkometražni igrani film naslova Južina, režira Mateja Raičković, a zemlja je glavnog \nproducenta Crna Gora. Nakon prvoga profesionalnog kratkometražnog dokumentarnog filma \nLavanda koji je, među ostalim, prikazan i na Sarajevskom filmskom festivalu, mlada \ncrnogorska redateljica Mateja Raičković koja je diplomirala filmsku i TV režiju na Cetinju, a \nmagistrirala u Budimpešti, predstavlja projekt kratkometražnoga igranog filma u čijem su \nsredištu međusobni odnosi dva para, ali i njihov međusobni utjecaj. Suptilno oslonjena o \nfilmove hongkonškog sineasta Wonga Kar-waija, autorica portretira mladi bračni par u krizi \nHanu i Marka koji na putu prema moru te pokušaju prevladavanja problema utočište pronađu \nu domu starijega bračnog para Soje i Đorđa. Marko pritom otkriva da Hana ima zrakoplovnu \nkartu za planirani odlazak, a Hana doznaje bolnu tajnu svojih domaćina… Zgusnute radnje \nkroz višestruki odnos decentno profiliranih likova, redateljica je u scenariju kolege Vuka \nDraganića dobila čvrstu podlogu za realizaciju svoje redateljske vizije filmske priče o \nrazlozima ostanka ili odlaska supružnika u krizi… Djelujući od 2006. Metar60 profilirala se \nkao hrvatska produkcijska kuća koja proizvodi umjetničke kratke igrane filmove, TV filmove \nte dokumentarce, dok u isto vrijeme pažnju poklanja projektima vezanima uz kazališnu i \ndramsku umjetnost. Od recentnih uspjeha treba istaknuti Veliku Zlatnu arenu te druga priznanja \nza dugometražni dokumentarni film Veće od traume te dokumentarnu TV seriju Lovac, \nsakupljač.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2026,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati JP MEDJ 2024. - 2. rok.xls - Compatibility Mode.pdf","filename_decoded":"rezultati JP MEDJ 2024. - 2. rok.xls - Compatibility Mode.pdf","sha256":"9688e8c700e55096a89e8605025bf4048ea100c45f1dcdb2a8187e8015beb0bb","bytes":59680,"page_count":4,"extracted_at":"2026-05-17T10:23:48Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20JP%20MEDJ%202024.%20-%202.%20rok.xls%20%20-%20%20Compatibility%20Mode.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA POTPORA\n(€)\n1\nDigital Cinema Environment d.o.o.\nSudjelovanje redatelja Joze Schmucha i producentice \nAne Vidović na radionici MIDPOINT Shorts u Trstu \n(druga sesija)\n233,15 €\n2\nPipser d.o.o.\nSudjelovanje redateljice Katrin Novaković i \nproducentice Miljenke Čogelje na međunarodnom \nmarketu kratkog filma Clermont-Ferrand u sklopu \nMeđunarodnog festivala kratkog filma Clermont-\nFerrand\n1.368,44 €\n3\nHulahop d.o.o.\nPredstavljanje hrvatske animacije i Animation Festival \nNetwork na Clermont-Ferrand Short Film Marketu\n800,95 €\n4\nDigital Cinema Environment d.o.o.\nSudjelovanje redateljice Sare Grgurić na radionici \nEXPERIMENTAL & PERSONAL FILMMAKING pod \nvodstvom Rouzbeh Rashidija\n1.443,77 €\n5\nMultimedijalna umjetnička organizacija \nBacači Sjenki\nPredstavljanje CinEd hrvatske kolekcije na generalnoj \nsjednici ECFA mreže i na Berlinaleu\n301,19 €\n6\nEclectica d.o.o.\nBerlinale Talents - sudjelovanje producentice Ree \nRajčić i redatelja Davida Kapca na Talents project \nmarketu s projektom Pogana\n1.695,40 €\n7\nWolfgang i Dolly d.o.o.\nSudjelovanje producentice Tamare Babun na \nEuropean Short Pitch Coproduction Forum 2024\n545,01 €\n8\nKinematograf d.o.o.\nSudjelovanje Dijane Cetina Mlađenović sa projektom \ndugometražnog igranog filma OMARA na radionici \nSolace23-Script Circle u Berlinu\n1.089,16 €\n9\nLea Vidaković\nSudjelovanje animiranog filma \"Obiteljski portret\" u \nnatjecatejskom programu na festivalu Anima Brussels\n121,10 €\n10\nSara Jurinčić\nPredstavljanje filma \"Valerija\" autorice Sare Jurinčić na \nmeđunarodnom filmskom festivalu Go Short u \nNijmegenu\n292,84 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2024. - PROGRAMI \nMEĐUNARODNE SURADNJE - ROK 11.4.2024., 36. SJEDNICA HRVATSKOG AUDIOVIZUALNOG  VIJEĆA 13. LIPNJA 2024.\n\n\f\n11\nSara Jurinčić\nPredstavljanje projekta \"Brazda\" autorice Sare Jurinčić \nna međunarodnom dokumentarnom filmskom festivalu \nCPH:DOX u Kopenhagenu\n302,55 €\n12\nKreativni sindikat\nSudjelovanje animatorice Martine Meštrović i \nanimatora Marka Meštrovića na 54. izdanju \nMeđunarodnog festivala kratkometražnog filma u \nTampereu \n800,88 €\n13\nWolfgang i Dolly d.o.o.\nSudjelovanje producenta Aleksandra Arsovskog na \ntelevizijskog MEDIA PLAY marketu u  Bugarskoj\n584,40 €\n14\nAna Horvat\nGostovanje redateljice Ane Horvat na festivalu Monstra\n393,00 €\n15\nRastika, vl. Sabina Krešić\nSudjelovanje producentice na Midpoint Feature \nLaunch Workshop\n2.370,00 €\n16\nMEHANA, vl. Bojan Radanović\nMidpoint Feature Launch 2024 - PUSHBACK\n1.317,47 €\n17\nSunčana Brkulj\nSudjelovanje autorice Sunčane Brkulj i filma \"Leptir\" na \nmeđunarodnom festivalu animacije GoShort Nijmegen\n315,10 €\n18\nAntitalent d.o.o.\nSudjelovanje Danijel Pek (producent) i Rene Gallo \n(scenarist) na MIDPOINT Series Lauch 2024 (1. \nradionica - PRAG , Češka 10. - 17.03.2024. godine)\n1.488,70 €\n19\nCentar za kulturu i cjeloživotno \nobrazovanje Zlatna vrata\nSudjelovanje u žiriju programa Directors' Fortnight u \nCannesu- Europa Cinemas Label\n883,53 €\n20\nThomas Johnson Volda\nSudjelovanje animiranog filma \"Sjeti se kako sam \njahala bijelog konja\" na festivalu Zoom – Zbliżenia u \nmjestu Jelenia Góra, Poljska\n236,75 €\n21\nMultimedijalna umjetnička organizacija \nBacači Sjenki\nFilm \"Vitić pleše\" na 16. Budimpeštanskom festivalu \narhitekture\n168,78 €\n22\nJaka produkcija d.o.o.\nSudjelovanje producenta na forumu M:brane 2024 u \nMalmöu, Švedska\n600,00 €\n23\nBinocular teatar\nDodjela nagrada na Međunarodnom filmskom festivalu \nu Nici\n758,76 €\n24\nNikola Kuprešanin\nSudjelovanje u programu MIDPOINT Feature Launch \n2024 - Script Consultancy Training u Češkoj - druga, \ntreća i četvrta sesija\n1.750,00 €\n\n\f\n25\nKOMPOT\nGrčka premijera i predstavljanje dugometražnog \ndokumentarnog filma \"El Shatt – nacrt za utopiju\" na \nThessaloniki International Documentary Festivalu\n564,73 €\n26\nFestival mediteranskog filma Split\nSudjelovanje u programu Sofia Audience Development \nand Innovation Lab, u sklopu Sofia Film Festivala u \nBugarskoj\n630,00 €\n27\nAna Bilankov\nBritanska i berlinska premijera filma \"Dohvatiti sunce: \nEl Shatt\" na manifestacijama Glasgow Short Film \nFestival i Achtung Berlin Filmfestival\n371,42 €\n28\nPetnaesta umjetnost d.o.o.\nSvjetska premijera filma \"Paviljon 6\" na festivalu \nSheffield DocFest u Velikoj Britaniji\n5.263,20 €\n29\nRestart\nSudjelovanje dugometražnog igrano-dokumentarnog \nfilma \"Fiume o morte!\" na sajmu East Doc Market u \nPragu\n672,09 €\n30\nRecircle Studio d.o.o.\nPredstavljanje projekta \"Lu i Bu\" na forumu Animation \nProduction Days u Stuttgartu, Njemačka\n1.467,96 €\n31\nSplit Screen, vl. Marcella Jelić\nSudjelovanje na međunarodnom festivalu \ndokumentarnog filma Visions du Réel u Nyonu, \nŠvicarska\n150,00 €\n32\nLucija Perić\nSudjelovanje producentice Lucije Perić u programu \nNew Producers Room, u sklopu filmskog festivala u \nCannesu\n2.086,97 €\n33\nWolfgang i Dolly d.o.o.\nSudjelovanje producentice Tamare Babun na EAVE+ \nradionici u Luksembourg 2024.\n653,83 €\n34\nUdruga za audiovizualno stvaralaštvo \nArtizana\nCiklus hrvatskog filma u Vojvodini\n2.550,00 €\n35\nAna Buljan\nSudjelovanje filma \"Sve što nije pustinja ne postoji\" na \nmanifestaciji Fisura: International Festival of \nExperimental Film and Video u Meksiku\n1.625,01 €\n36\nSve gore i gore, vl. Jelena Duh\nSudjelovanje filma \"Bol\" na manifestaciji International \nShort Film Festival Oberhausen u Njemačkoj\n363,20 €\n37\nUdruga za razvoj kulture TOČKA \nKULTURE\nSudjelovanje Sanjina Hasanefendića i Vida Begića, \nproducenta i redatelja dokumentarnog filma \"Kuće na \npijesku\" na sajmu DOK.forum, u sklopu manifestacije \nInternational Documentary Film Festival München\n1.495,49 €\n\n\f\n38\nČetiri film d.o.o.\nSudjelovanje producentice Anite Juka i glumice Lene \nJuka Štambuk na manifestaciji Canadian Screen \nAwards u Torontu\n4.598,55 €\n39\nKinoklub Karlovac\nSudjelovanje hrvatske delegacije na konferenciji Youth \nCinema Network u Rostocku, Njemačka\n1.152,27 €\n40\nUdruga za razvoj kulture TOČKA \nKULTURE\nSudjelovanje dokumentarnog filma \"Grandpa Guru\" na \nSeattle International Film Festivalu (SIFF) u \nSjedinjenim Američkim Državama\n4.780,10 €\n41\nNoć hrvatskog filma i novih medija, U.O.\nNoć hrvatskog filma i novih medija u Austriji, \nNjemačkoj, Bosni i Hercegovini i Mađarskoj\n4.000,00 €\n42\nUmjetnička organizacija Metropolis\nDani hrvatskog filma \"Ivo Gregurević\" u Orašju, Bosna i \nHercegovina\n4.300,00 €\n43\nMotovun Film Festival\nPredstavljanje Cinehill Motovun Film Festivala na \nMidnight Sun Film Festivalu u mjestu Sodankylä, Finska\n1.355,00 €\n44\nKOMPOT\nSudjelovanje producenta Tibora Kesera u programu \nProducers on the Move, u sklopu filmskog festivala u \nCannesu\n1.876,95 €\n59.817,70 €\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati JP MEDJ 2024. - 2. rok.xls - Compatibility Mode","year":2024,"rok":null,"natjecaj_date":"2024-04-11","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA (€)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje redatelja Joze Schmucha i producentice Ane Vidović na radionici MIDPOINT Shorts u Trstu 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_22122015_Nukleus.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_22122015_Nukleus.pdf","sha256":"972c5e06bf20928e70a12ac1f94936b1e968900d71c8e2fe2992619140e48aac","bytes":313138,"page_count":2,"extracted_at":"2026-05-16T14:10:50Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-003 \nUrbroj:  4803-2015 \nU Zagrebu, 22. prosinca 2015. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11, dalje u tekstu: Zakon), te \nsukladno Pravilniku o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14, dalje u tekstu: Pravilnik),  Hrvatsko audiovizualno vijeće na 66. \nsjednici održanoj 22. prosinca 2015. godine donijelo je: \n \nO  D  L  U  K  U \n \n1.) Nukleus film d.o.o., Dalmatinska 8, Zagreb, OIB [OIB uklonjen] (dalje u tekstu: Producent) kao \nhrvatski manjinski koproducent dokumentarnog kratkometražnog filma „15 minuta“, scenarij i režija \nGeorge Larsen, Kasper Vedsmand (dalje u tekstu: Film) ima rok do sljedeće sjednice Hrvatskog \naudiovizualnog vijeća izvršiti zaostale financijske obaveze prema danskom koproducentu i \npredati završno izvješće Hrvatskom audiovizualnom centru, Nova Ves 18, Zagreb (dalje u \ntekstu: HAVC), a ukoliko ne izvrši navedeno morat će vratiti HAVC-u dobivena sredstva. \n \n2.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n3.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \nObrazloženje \n \nRavnatelj HAVC-a je izvijestio Hrvatsko audiovizualno vijeće o poduzetim radnjama HAVC-a  vezano za \nneuredno izvršavanje ugovorom preuzetih obaveza Nukleus filma d.o.o., hrvatskog manjinskog \nkoproducenta dokumentarnog filma „15 minuta“. Sukladno Odluci Hrvatskog audiovizualnog vijeća od 30. \nstudenog 2015. godine Klasa: 111-006-001, Urbroj:  3710-2015 (dalje u tekstu: Odluka) zatraženo je od \nProducenta očitovanje i ispunjenje ugovorom preuzetih obaveza. \n \nTemeljem članka 14. Zakona  i sukladno odredbama Pravilnika Hrvatsko audiovizualno vijeće je na 66. \nsjednici održanoj 22. prosinca 2015. godine donijelo odluku ad. 1. ove Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku \nobjaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \n \n \n \n \n \n\n\f\n \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić –Škarica, v.r. \n \n \n \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2015,"rok":null,"referenced_projects":["15 minuta"],"summary":"Odluka AV Vijeća na 66. sjednici od 22. prosinca 2015. kojom se Nukleus filmu d.o.o., hrvatskom manjinskom koproducentu dokumentarnog kratkometražnog filma „15 minuta“, određuje rok da izvrši zaostale financijske obaveze prema danskom koproducentu i preda završno izvješće HAVC-u, inače mora vratiti dobivena sredstva.","project_links":[{"source_title":"15 minuta","family_id":"pf_f9f6f2190222","family_title":"15 minuta","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web MK 1 ROK 2021 rezultati.pdf","filename_decoded":"web MK 1 ROK 2021 rezultati.pdf","sha256":"980366dd60724f25eefae343e0309f1816d6299eddc432b1b6407f1119cbad95","bytes":33429,"page_count":1,"extracted_at":"2026-05-17T10:22:53Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20MK%201%20ROK%202021%20rezultati.pdf"},"raw_text":"NAZIV  FILMA\nREDATELJ/ICA\nHRVATSKI  PRODUCENT\nODOBRENA  \nSREDSTVA\n1\nPrava  Pepeljuga\nSara  Božanić\nMINYA  FILM  I  ANIMACIJA  j.d.o.o.\n100.000,00\n2\nSirin\nSenad  Šahmanović\nSekvenca  d.o.o.\n450.000,00\n3\nKajmak\nMilčo  Mančevski\nJaako  dobra  produkcija  j.d.o.o.\n650.000,00\n4\nPukotina  u  ledu\nMaja  Miloš\nPropeler  Film  d.o.o.\n650.000,00\n5\nTaj  zvuk  u  visini  \nSrđan  Keča\nRestart\n250.000,00\n2.100.000,00\ndugometražni  igrani  film\nanimirani    film  u  postprodukcijskoj  fazi\nUKUPNO\nJavni  poziv  za  poticanje  audiovizualnih  djelatnosti  i  stvaralaštva  -­  kategorija:  POTICANJE  FILMSKIH  \nKOPRODUKCIJA  S  MANJINSKIM  HRVATSKIM  UDJELOM  u  2021.  -­  1.  ROK  -­  20.1.2021.,  12.  sjednica  \nHrvatskog  audiovizualnog  vijeća,  19.3.2021.\ndebitantski  dugometražni  igrani  film\ndugometražni  dokumentarni  film  \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"web MK 1 ROK 2021 rezultati","year":2021,"rok":"1. rok","natjecaj_date":"2021-01-20","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"Javni p oziv z a p oticanje a udiovizualnih d jelatnosti i s tvaralaštva - k ategorija: P OTICANJE F ILMSKIH KOPRODUKCIJA S M ANJINSKIM H RVATSKIM U DJELOM u 2 021. - 1 . 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FILMA\nREDATELJ/ICA\nPRODUCENT\nDISTRIBUTER\nDODIJELJENE \nSREDSTVA (€)\n1\nJučer d.o.o.\nSunce mamino\ndugometražni igrani film - \nmanjinska koprodukcija\nKosta Đorđević\nJučer d.o.o.\nJučer d.o.o.\n3.500,00\n2\nUdruga za razvoj \nkulture TOČKA \nKULTURE\nGrandpa Guru\ndugometražni \ndokumentarni film\nSilvio Mirošničenko\nUdruga za razvoj \nkulture TOČKA \nKULTURE\nUdruga za razvoj \nkulture TOČKA \nKULTURE\n3.500,00\n3\nJučer d.o.o.\nPamtim samo sretne dane\ndugometražni igrani film\nNevio Marasović\nJučer d.o.o.\nJučer d.o.o.\n6.600,00\n4\nUmjetnička \norganizacija Zagreb \nFilm Festival\nEkskurzija\ndugometražni igrani film - \nmanjinska koprodukcija\nUna Gunjak\nUmjetnička \norganizacija Zagreb \nFilm Festival\nUmjetnička \norganizacija Zagreb \nFilm Festival\n3.500,00\n5\nKinorama d.o.o.\nSram / Lost Country - \ndistribucija\ndugometražni igrani film - \nmanjinska koprodukcija\nVladimir Perišić\nKinorama d.o.o.\nUmjetnička \norganizacija Zagreb \nFilm Festival\n3.500,00\n6\nČetiri film d.o.o.\nM\ndugometražni igrani film - \nmanjinska koprodukcija\nVardan Tozija\nČetiri film d.o.o.\nČetiri film d.o.o.\n2.000,00\n22.600,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nDISTRIBUCIJE FILMOVA u 2024. - 1. ROK - 31.1.2024. - 32. sjednica  Hrvatskog audiovizualnog  \nvijeća, 14. ožujka 2024. \nTrg Josipa Jurja Strossmayera 4  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 080  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"distribucija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE DISTRIBUCIJE FILMOVA u 2024. - 1. 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Ipak valja reći kako je \nsam format kratkog metra očigledno sve interesantniji autorima, te kako su teme od \nprojekta do projekta bile raznovrsne i društveno relevantne.  \nPredložena su i odobrena 3 projekta za sufinanciranje u ovoj kategoriji. Navedeni \nfilmovi su podržani ukupnim iznosom od 110.000,00 eura. Projekti koji su odabrani, \nsvojom temom, ali i načinom na koji su joj autori pristupili, te produkcijskim okvirom \nkoji je za njega zamišljen odskočili su naspram ostalih projekata. \n \n1. BI'ĆE ŽENSKO Anita Čeko (redateljica i scenaristica) / Oliver Sertić (producent)  / \nRestart (produkcija) – 35.000,00 eur  \n \nAutorica Anita Čeko donosi vrlo zanimljivu tročinku, u koju nas uvodi prvim činom \nrazgovora sa svojom bakom o tome što je to majčinstvo, u okruženju njenog rodnog \ndoma u Bosni. Drugi dio u Zagrebu koji donosi iskustvo trudnoće i poroda, \nnadograđeno je efektnom stop animacijom kako ju predlaže autorica. Treći u nekom \npovratku dokumentarnom stilu daje lijepi završni kontrapunkt pitanjima koje je \nautorica imala na samom početku ovog projekta.  \n \n2. KRUŠKU POD NJUŠKU  Vlatka Vorkapić (redateljica, scenaristica) / Fade in \n(produkcija) - 35.000,00 eur  \n \nU eri sve manjeg povjerenja medijima, fake newsa, deep fakea, optužbi da svojim \notkrivanjem korupcije zapravo crtaju metu na političarima (primjer reakcije na \natentat na slovačkog premijera), projekt kako ga autorica Vlatka Vorkapić predstavlja \niznimno je važan projekt. Način kako ga opisuje budi nadu kako se radi o dinamičnom \ni uzbudljivom projektu, koji će vrlo lako komunicirati s gledateljima, svojevrsna kako \nju naziva - opservacijska doku-tragikomedija.  \n \n3. TIHA MISA  Karla Jelić (redateljica i scenaristica) / Vinko Brešan  (producent) / \nUstanova Zagreb film  (produkcija) - 40.000,00 eur  \n \nOno što fascinira u ovom prijedlogu jest vrlo zrela analiza društva, koje posredno \novim filmom opisuje, u kojem umjetnica Arijana Lekić Fridrih svake prve subote \nputuje u drugi grad i za vrijeme molitve izvodi feministički performans „Tiha misa“. \nKarla Jelić svojim pristupom i iskrenošću odaje autorstvo zrele vrste, vjerujući da o se \novoj temi ne smije šutjeti.  \n","warnings":[],"document":{"program_type":"proizvodnja","year":2024,"rok":"1. rok","referenced_projects":["BI'ĆE ŽENSKO","KRUŠKU POD NJUŠKU","TIHA MISA"],"summary":"Obrazloženje umjetničkog savjetnika Roberta Tomića Zubera za 1. rok 2024. u kategoriji proizvodnje kratkometražnog dokumentarnog filma: od 13 prijavljenih projekata predložena su 3 za sufinanciranje u ukupnom iznosu od 110.000,00 eura ('Bi'će žensko', 'Krušku pod njušku', 'Tiha misa').","project_links":[{"source_title":"BI'ĆE ŽENSKO","family_id":"pf_866f231ff3e1","family_title":"Bi' će žensko","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"KRUŠKU POD NJUŠKU","family_id":"pf_e0273602a5bd","family_title":"Krušku pod njušku","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"TIHA MISA","family_id":"pf_e46fbc73a4f5","family_title":"Tiha misa","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje deb i dugi igrani 2 rok 2024.pdf","filename_decoded":"web obrazlozenje deb i dugi igrani 2 rok 2024.pdf","sha256":"998f78b226fb5ff0e6df18364c685d8f9670dc35b5052be60e97803a9334d6e8","bytes":80318,"page_count":4,"extracted_at":"2026-05-17T12:01:50Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20deb%20i%20dugi%20igrani%202%20rok%202024.pdf"},"raw_text":"Javni poziv za  poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija proizvodnje \ndugometražnog igranog filma i debitantskog dugometražnog igranog filma u 2024. godini – \n2. rok, 12.9.2024. \nUmjetnički savjetnici za dugometražni igrani film: Juraj Lerotić, Višnja Pentić, Dean Šoša \nFinancijski savjetnik: Čedomir Kolar \nNa drugi natječajni rok za poticanje proizvodnje  dugometražnog igranog filma u 2024. godini \nprijavljena su ukupno 33 projekta: 25 dugometražnih igranih filmova i 8 debitantskih \ndugometražnih igranih filmova. 2 projekta nisu razmatrana jer nisu zadovoljila uvjete javnog \npoziva.  \nU odnosu na prvi rok javnog poziva, prijavljeno je 7 projekata više.  \nOd osam filmova u debitantskoj kategoriji tek su dva bila prijavljena prvi put.  \nPri donošenju prijedloga odluka, uz kvalitetu projekata i cjelokupne natječajne \ndokumentacije vodili smo računa i o procjeni izvedivosti projekata te smo uz konzultacije s \nfinancijskim savjetnikom Čedomirom Kolarom ovakav prijedlog donijeli uzimajući u obzir \nzahtjevnost projekata, trenutnu situaciju vezanu uz izazove zatvaranja financijskih \nkonstrukcija filmova kako na nacionalnoj tako i na međunarodnoj razini, vodeći računa o \ntroškovnicima filmova, planovima financiranja i financijskim zahtjevima u odnosu na sredstva \nHrvatskog audiovizualnog centra, pritom želeći izabranim projektima dati što veću \nmogućnost realizacije u narednom periodu. Stoga smo projekte i podržali u zatraženom \niznosu. \nU kategoriji debitantskih dugometražnih igranih filmova nije predložen niti jedan projekt dok \nsu se u kategoriji dugometražnih filmova, istaknula tri  projekta. Dva su nastala prema \noriginalnim scenarijima – 'Birdie', redateljice Jasne Nanut, prema scenariju Jasne Nanut i \nAnje Matković, i 'Štriga', redatelja Kristijana Milića, prema scenariju Ive Ilakovac. Treći film – \n'Listanje kupusa'-  redatelja Branka Schmidta, adaptacija je istoimenog hvaljenog i \nnagrađivanog romana Igora Beleša, čiju filmsku prilagodbu scenaristički potpisuju  Vivien \nKarlović i sam Branko Schmidt.  \nTematski je najaktualniji projekt 'Birdie', film o ženama koje se sastaju i vijećaju hoće li \nreagirati na učestala seksualna zlostavljanja moćnika u poslu kojim se bave. Prema riječima \nautorice, 'Birdie' je 'inspiriran istinitim događajima' i 'bavi se psihičkim posljedicama \nzlostavljanja, željom da se ono zaustavi i cijenom oslobađanja od traume'. Ovaj iznimno \naktualan film ima značajan festivalski potencijal, a upravo zbog aktualnosti teme mogao bi \nostvariti i  vrlo solidnu gledanost u kinima.  \n'Štriga' Kristijana Milića, prema izuzetno zanimljivom scenariju debitantice Ive Ilakovac, \ninovativan je i pomalo neobičan spoj više žanrova - ponajprije horora i otočke komedije - koji \n\n\f\nkarakteriziraju topli likovi i sjajno opisani  ambijenti, te bi ovaj film, pored umjetničkog \nmogao imati i solidan komercijalni potencijal.  \n'Listanje kupusa', redateljskog veterana Branka Schmidta, u prvi plan stavlja dječje likove, \nprisiljene brzo odrastati u okolnostima ratnoga Vukovara 1991. godiine, no nije riječ o \ndječjem filmu  već ratnom ostvarenju čiji su glavni likovi djeca. Film je koncipiran klasično \nnarativno i njegova su prirodna adresa kina, pa tek onda filmski festivali.  \n \nBIRDIE \nScenarij: Jasna Nanut i Anja Matković \nRežija: Jasna Nanut \nProdukcija: Petnaesta umjetnost d.o.o. \n885.000,00 eura \n„Potaknute njegovim lažnim predstavljanjem u duhu moralne vertikale i velikog zaštitnika \nžena, te društvenim i poslovnim ugledom koji uživa, moći kojom raspolaže i sudbinama na \nkoje utječe, pet žena okupljaju se u tajnosti kako bi podijelile iskustva uzrokovana nasilnikom \niz njihove zajednice i odlučile hoće li ga prokazati, pritom riskirajući vlastiti ugled, karijeru i \negzistenciju.“ \nRiječ je o izrazito aktualnom i angažiranom projektu koji govori o donedavno prešućivanom, \npraktički tabuiziranom problemu širokog spektra zlostavljanja žena u njihovom radnom \nokruženju. Činjenično je poznato da su žene u ogromnoj mjeri psihički i tjelesno zlostavljane \nod svojih nadređenih te da su slabije plaćene za istu vrstu rada od muških kolega te da na tu \nsituaciju često pristaju bez značajnijih pokušaja borbe za svoja prava. Također, broj žena na \npozicijama moći, odnosno na upravljačkim mjestima značajno je manji što potvrđuje duboku \nusađenost patrijarhalnih vrijednosti u suvremeno, navodno liberalno društvo. Sve ove teme \nodvažno adresira novi autorski projekt redateljice Jasne Nanut, a kojoj se kao koscenaristica \npridružila glumica Anja Matković koja je prethodno potpisala scenarij za film Nakon ljeta \n(2024.) oskarovca Danisa Tanovića. Dvije autorice reagirale su projektom Birdie na aktualna \ndogađanja na institucionalnoj kulturnoj sceni koju kontinuirano potresaju slučajevi u kojima \nmuškarci trguju svojim položajem i utjecajem tražeći od žena s kojima poslovno surađuju \nneku vrstu seksualnog podčinjavanja i usluge, od one zvanične, preko simboličke pa sve do \none agresivno opipljive.  Njihova priča o okupljanju pet žena koje žele razotkriti nasilnika \nsvojevrsni je poziv u boj i snažno dizanje glasa koje na duhovit, kompleksan i nijansiran način \nistražuje razloge ženske šutnje kao i emancipacijski potencijal ženskog drugarstva i \nsolidarnosti kao najučinkovitijeg oružja kojim se možemo suprotstaviti podrazumijevanim \npozicijama moći i kontrole.  \n\n\f\n \nLISTANJE KUPUSA \nScenarij: Branko Schmidt, Vivien Karlović \nRežija: Branko Schmidt \nProdukcija: Telefilm d.o.o. \n1.050.000,00 eura \n„Borovo, proljeće 1991., iz škole počinju nestajati djeca. Petorka zvana „An grupa“ kreće u \npotragu za nestalim učenicima međutim, uskoro nestaju dva člana „An grupe“. Preostali \nsaznaju da se nalaze u gradiću uz Dunav u Vojvodini pa odluče čamcem krenuti do njih. Dok \nsu oni u Srbiji, u Vukovaru i Borovu kreće rat. Dječaci ubrzo više nisu sigurni ni preko Dunava. \nDvojica od njih su Hrvati i oni ne mogu ostati u Srbiji, a vratiti se mogu samo preko rijeke \nkojom plutaju mrtva tijela.“ \nAdaptacija istoimenog hvaljenog autobiografskog romana Igora Beleša psihološka je ratna \ndrama s mahom dječjim protagonistima koji dolaze iz disfunkcionalnih obitelji smještena u \nVukovar 1991. godine. Autor književnog predloška surađivao je i na scenariju u kojem se \nautentično prikazanom perspektivom jedanaestogodišnjaka pripovijeda o jednom \nnesvakidašnjem djetinjstvu koje je uništio užas ratnog sukoba. Priča želi dati moćan prikaz \npatnje, tuge i besmisla što ih sa sobom donosi nasilje i gubitak onog što je u doba odrastanja \nnajvažnije – igra, prijateljstvo i pustolovine, a konačni ishod gubitka dječje nevinosti bit će \nsuočavanje s apstraktnošću ideja zbog kojih se ratovi navodno vode. U samom središtu ovog \nantiratnog projekta nalazi se vrijednost prijatelja kao svojevrsne istinske obitelji jer za mlade \nprotagoniste koji dolaze iz nesretnih, osiromašenih i disfunkcionalnih obitelji njihova An \nskupina predstavlja sigurno mjesto, svojevrsnu izabranu obitelj u kojoj mogu graditi na \npovjerenju i međusobnom podržavanju svim svojim razlikama unatoč. U tom smislu ono što \nu Listanju kupusa posebno intrigira iz današnje perspektive jest činjenica kako pet mladih \nprijatelja nisu ni svjesna da su različitih nacionalnosti: Nikolina, Zoran i Bojan su Hrvati, a \nGoran i Dragan Srbi čime se podcrtava konstruiranost budućih mehanizama podjele po \nnacionalnoj osnovi koji neizbježno vode u destrukciju, nasilje i traumu.  \n \nŠTRIGA \nScenarij: Iva Ilakovac \nRežija: Kristijan Milić \nProdukcija: Woodz production d.o.o. \n1.000.000,00 eura \n \n\n\f\nNovopridošla otočka poštarica Kristina (35) među malobrojnim mještanima nalazi srodnu \ndušu u neobično vitalnoj stogodišnjoj starici Rozaliji. Nakon niza neobičnih događaja, njihovo \nprijateljstvo dovodi u pitanje sumnja da je Rozalija zapravo štriga – biće koje danju ima \nljudsku vanjštinu, a noću se pretvara u čudovište ili poprima obličje životinje koje poželi. \nTamo gdje bi po žanrovskim konvencijama počeo egzorcizam, u duhovitom i originalnom \nscenariju Ive Ilakovac započinje prijateljstvo i samospoznaja. \nU hrvatskoj kinematografiji nema mnogo žanrovskih filmova, a još manje filmova \nstrave. Štriga na sjajan način spaja elemente jeze, komedije i drame, a galerija ekscentričnih \notočkih likova priziva atmosferu filmova Martina McDonagha poput Tri plakata izvan \ngrada i Duhovi otoka. Rozalijinu i Kristininu različitost, usamljenost i izopćenost iz zajednice \nlako je čitati kao usamljenost svake manjine, pa film Štriga nudi i mogućnost složenijih \ntumačenja začudnog svijeta koji prikazuje. \nPromišljeno odabrana glumačka podjela te detaljno razrađena redateljska koncepcija \nnajavljuju da će novi film Kristijana Milića biti intrigantan dodatak njegovu prepoznatljivom \nopusu.  \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2024,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati%20ME%C4%90UNARODNA%203%20ROK%202020.pdf","filename_decoded":"rezultati%20ME%C4%90UNARODNA%203%20ROK%202020.pdf","sha256":"999f9db37374e74bf27f18525d6b85830c39b996edbd0b89f5bb3d7eaed16ea7","bytes":39756,"page_count":1,"extracted_at":"2026-05-16T15:30:55Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20ME%C4%90UNARODNA%203%20ROK%202020.pdf"},"raw_text":"1\nPODNOSITELJ\nPROGRAM\nODOBRENA  \nSREDSTVA\n1\nWolfgang  i  Dolly  d.o.o.\nSudjelovanje  Une  Radić  i  Tamare  Babun  na  \nradionici  Sources  2  -­  izdanje  2020.\n10.640,00  kn  \n                                        \n2\nWolfgang  i  Dolly  d.o.o.\nSudjelovanje  Renate  Lučić  i  Wolfgang  i  Dolly  \nd.o.o.  na  radionici  Ex  Oriente  Film  2020  u  Češkoj\n25.325,45  kn  \n                                        \n3\nWolfgang  i  Dolly  d.o.o.\nSudjelovanje  Tamare  Babun  u  programu  Less  Is  \nMore  2020  -­  Development  Angels  u  Litvi\n4.965,00  kn  \n                                            \n4\nAntitalent  d.o.o.\nSudjelovanje  scenaristice  i  producentice  projekta  \n\"Maličke\"  (\"Afterparty\")  na  radionici  Midpoint  TV  \nLaunch  2020\n18.162,00  kn  \n                                        \n5\nČetiri  film  d.o.o.\nSudjelovanje  producentice  Anite  Juke  i  redateljice  \nIvone  Juke  na  radionici  Torino  Film  Lab  NEXT\n7.560,00  kn  \n                                            \n6\nKazimir  -­  Udruga  za  promicanje  \nkulture,  umjetnosti  i  audiovizualnog  \nstvaralaštva\nSudjelovanje  Ivana  Perića  na  radionici  Emerging  \nProducers  u  Češkoj  i  Njemačkoj\n14.518,00  kn  \n                                        \n7\nDobar  film\nRazvoj  scenarija  dugometražnog  filma  \"Ogledalo  \nza  Slavuja\"  na  Mediteranskom  filmskom  institutu  -­  \nMFI  u  Grčkoj\n9.437,50  kn  \n                                            \n8\nJaka  produkcija  d.o.o.\nSudjelovanje  scenaristice  i  redateljice  Sare  Hribar  \ns  dugometražnim  igranim  filmom  \"Kako  su  lutke  \nspasile  televiziju\"  na  programu  Cinekid  Script  LAB  \n2020-­2021.\n45.000,00  kn  \n                                        \n9\nWolfgang  i  Dolly  d.o.o.\nSudjelovanje  redatelja  Filipa  Herakovića  s  \nprojektom  \"Noćni  valovi\"  na  programu  First  Films  \nFirst  u  Sjevernoj  Makedoniji,  Srbiji  i  Bugarskoj  \n(radionice  2,  3  i  4)\n5.112,00  kn  \n                                            \n10\nRestart\nSudjelovanje  Dine  Pokrajac  u  programu  stručnog  \nusavršavanja  Art  Cinema  =  Action  +  Management  \n2020.  u  Veneciji\n8.694,20  kn  \n                                            \n11\nWolfgang  i  Dolly  d.o.o.\nSudjelovanje  Tamare  Babun  i  Matije  Drnikovića  u  \nprogramu  Screen  Leaders  2020.\n8.014,56  kn  \n                                            \n12\nRestart\nSudjelovanje  redatelja  Antona  Mezulića  i  \nproducentice  Suzane  Erbežnik  s  filmom  \"Cordon\"  \nna  radionici  BDC  Discoveries  2020  \n11.125,50  kn  \n                                        \n                168.554,21  kn  \nJAVNI  POZIV  ZA  DODJELU  SREDSTAVA  ZA  POTICANJE  KOMPLEMENTARNIH  DJELATNOSTI  U  2020.  -­  \nPROGRAMI  MEĐUNARODNE  SURADNJE  -­  ROK  7.7.2020.,  32.  sjednica  Hrvatskog  audovizualnog  vijeća  \n9.  rujna  2020.\nSVEUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2020. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 7.7.2020., 32. sjednica Hrvatskog audovizualnog vijeća 9. rujna 2020.","year":2020,"rok":"3. rok","natjecaj_date":"2020-07-07","decision_date":"2020-09-09","decision_body":"AV vijeće","currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"medjunarodna_suradnja","to":"komplementarne","reason":"filename/title keyword: komplementarne","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA SREDSTVA"],"rows":[{"row_number":1,"project_title":"Sudjelovanje Une Radić i Tamare Babun na radionici Sources 2 - izdanje 2020.","applicant":"Wolfgang i Dolly d.o.o.","production_company":"Wolfgang i Dolly d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.640,00 kn","approved_amount":10640.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Wolfgang i Dolly d.o.o.","row_id":"999f9db3:s0:490117f6e8b2","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_be19984691fd","project_family_title":"Sudjelovanje Une Radić i Tamare Babun na radionici Sources 2 - izdanje 2020."},{"row_number":2,"project_title":"Sudjelovanje Renate Lučić i Wolfgang i Dolly d.o.o. na radionici Ex Oriente Film 2020 u Češkoj","applicant":"Wolfgang i Dolly d.o.o.","production_company":"Wolfgang i Dolly d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.325,45 kn","approved_amount":25325.45,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Wolfgang i Dolly d.o.o.","row_id":"999f9db3:s0:940c819463c3","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_9e46f123688f","project_family_title":"Sudjelovanje Renate Lučić i Wolfgang i Dolly d.o.o. na radionici Ex Oriente Film 2020 u Češkoj"},{"row_number":3,"project_title":"Sudjelovanje Tamare Babun u programu Less Is More 2020 - Development Angels u Litvi","applicant":"Wolfgang i Dolly d.o.o.","production_company":"Wolfgang i Dolly d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.965,00 kn","approved_amount":4965.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Wolfgang i Dolly d.o.o.","row_id":"999f9db3:s0:e60c3f038e6d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_bacbdde377a5","project_family_title":"Sudjelovanje Tamare Babun u programu Less Is More 2020 - Development Angels u Litvi"},{"row_number":4,"project_title":"Sudjelovanje scenaristice i producentice projekta \"Maličke\" (\"Afterparty\") na radionici Midpoint TV Launch 2020","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"18.162,00 kn","approved_amount":18162.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent d.o.o.","row_id":"999f9db3:s0:e7c564b4257d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_83d4cee916df","project_family_title":"Sudjelovanje scenaristice i producentice projekta \"Maličke\" (\"Afterparty\") na radionici Midpoint TV Launch 2020"},{"row_number":5,"project_title":"Sudjelovanje producentice Anite Juke i redateljice Ivone Juke na radionici Torino Film Lab NEXT","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.560,00 kn","approved_amount":7560.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"999f9db3:s0:e14c09c2a614","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_82982ab377b2","project_family_title":"Sudjelovanje producentice Anite Juke i redateljice Ivone Juke na radionici Torino Film Lab NEXT"},{"row_number":6,"project_title":"Sudjelovanje Ivana Perića na radionici Emerging Producers u Češkoj i Njemačkoj","applicant":"Kazimir - Udruga za promicanje kulture, umjetnosti i audiovizualnog stvaralaštva","production_company":"Kazimir - Udruga za promicanje kulture, umjetnosti i audiovizualnog stvaralaštva","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"14.518,00 kn","approved_amount":14518.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kazimir - Udruga za promicanje kulture, umjetnosti i audiovizualnog stvaralaštva","row_id":"999f9db3:s0:b56b25d9cbc9","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_67e6a3e74f7e","project_family_title":"Sudjelovanje Ivana Perića na radionici Emerging Producers u Češkoj i Njemačkoj"},{"row_number":7,"project_title":"Razvoj scenarija dugometražnog filma \"Ogledalo za Slavuja\" na Mediteranskom filmskom institutu - MFI u Grčkoj","applicant":"Dobar film","production_company":"Dobar film","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"9.437,50 kn","approved_amount":9437.5,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Dobar film","row_id":"999f9db3:s0:9a26822568d4","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_f28588da450f","project_family_title":"Razvoj scenarija dugometražnog filma \"Ogledalo za Slavuja\" na Mediteranskom filmskom institutu - MFI u Grčkoj"},{"row_number":8,"project_title":"Sudjelovanje scenaristice i redateljice Sare Hribar s dugometražnim igranim filmom \"Kako su lutke spasile televiziju\" na programu Cinekid Script LAB 2020-2021.","applicant":"Jaka produkcija d.o.o.","production_company":"Jaka produkcija d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"45.000,00 kn","approved_amount":45000.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Jaka produkcija d.o.o.","row_id":"999f9db3:s0:ce7d1a9f230b","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_d9b4a86271bc","project_family_title":"Sudjelovanje scenaristice i redateljice Sare Hribar s dugometražnim igranim filmom \"Kako su lutke spasile televiziju\" na programu Cinekid Script LAB 2020-2021."},{"row_number":9,"project_title":"Sudjelovanje redatelja Filipa Herakovića s projektom \"Noćni valovi\" na programu First Films First u Sjevernoj Makedoniji, Srbiji i Bugarskoj (radionice 2, 3 i 4)","applicant":"Wolfgang i Dolly d.o.o.","production_company":"Wolfgang i Dolly d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.112,00 kn","approved_amount":5112.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Wolfgang i Dolly 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umjetničke savjetnice o odlukama o donošenju liste prioriteta i raspodjeli sredstava \nprema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2024. godini, u kategoriji \npoticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (prvi rok: 15.01.2024.)  \n \n \nZdenka Gold, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim udjelom  \n \n \nNa prvi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2024. godini prijavljeno \nje 57 projekata. Od ukupnog broja prijavljenih, jedan projekt nije razmatran jer nije zadovoljio uvjete \nJavnog poziva, a jedna je prijava povučena.  \n \n \nI ovo obrazloženje ću započeti s malo statistike i brojeva. Usporedimo li broj prijava s prethodnog roka \nJavnog poziva s aktualnim rokom Javnog poziva, dolazimo do gotovo istog ukupnog broja prijavljenih \nprojekata koji su se razmatrali, zadržali smo rekordne brojke dosegnute prošle godine. Sudeći po svim \nprošlogodišnjim rokovima Javnog poziva gdje smo uočili rast u broju prijava u odnosu na 2022. godinu \nod čak 57% , možemo reći da se  stanje prijava stabiliziralo na aktualnom Javnom pozivu.  \n \n \nOd projekata koji se razmatraju, obzirom na vrstu filma, najviše prijavljenih dolazi iz kategorije \ndugometražnog igranog filma, ukupno 35 (od toga 12 debitantskih dugometražnih igranih filmova, od \nkojih su 2 u fazi postprodukcije i 23 dugometražna igrana filma, od kojih su 3 u fazi postprodukcije). Za \ndugometražnim igranim filmovima slijede dugometražni dokumentarni filmovi, s 13 ukupnih prijava (od \ntoga 4 debitantska dugometražna dokumentarna filma i 5 dugometražnih dokumentarnih filmova koji su \nu fazi postprodukcije). Zatim se po broju prijava ističu kratkometražni igrani filmovi s ukupno 5 prijava \n(od kojih 2 debitantska). Nakon njih dolazimo do kratkometražnih animiranih filmova kojih je ukupno 3, \na nije zaprimljena niti jedna prijava za dugometražni animirani film. I naposljetku dolazimo do roda \nkratkometražnog dokumentarnog filma, od kojih je zaprimljena 1 prijava.  \n \nVRSTA FILMA \nBROJ PRIJAVA \nDugometražni igrani \n35 \nKratkometražni igrani \n5 \nDugometražni dokumentarni \n13 \nKratkometražni dokumentarni \n1 \nDugometražni animirani \n0 \nKratkometražni animirani \n3 \nUKUPNO \n57 \n \n \nOd projekata koji se razmatraju, obzirom na zemlju iz koje dolazi glavni producent, odnosno \nprodukcijska kuća s većinskim udjelom u financiranju, brojevi nam svjedoče o rekordnoj raznolikosti, \njednakoj kao i na prethodnom roku Javnog poziva, ali s drugačijim zemljama: većinski producenti iz čak \n19 zemalja planiraju u svojim planovima financiranja učešće Hrvatske. Tradicionalno, najveći broj prijava, \ngotovo 70% od ukupnog broja, stigao je s područja s kojima dijelimo jezičnu sličnost – Srbija, Slovenija, \nBosna i Hercegovina, Crna Gora i Sjeverna Makedonija.  \n \n\n\f\nZEMLJA VEĆINSKOG PRODUCENTA \nBROJ PRIJAVA \nSrbija \n18 \nSlovenija \n9 \nBosna i Hercegovina \n4 \nCrna Gora \n4 \nSjeverna Makedonija \n4 \nBugarska \n2 \nLitva \n1 \nČeška \n2 \nNizozemska \n2 \nNjemačka \n1 \nPoljska \n1 \nSlovačka \n1 \nTurska \n2 \nŠvedska \n1 \nGruzija \n1 \nŠpanjolska \n1 \nRumunjska \n1 \nUK \n1 \nKosovo \n1 \nUKUPNO \n57 \n \n \nKriteriji za predlaganje projekata za sufinanciranje temelje se na:  \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i redateljski \nkoncept;  \n2. Ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala projekta, s obzirom na \nprodukcijski paket i producentov plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje \nprojekata.  \n \n \nFilmovi predloženi i odobreni za sufinanciranje, s ukupnim iznosom sufinanciranja 404.100,00 EUR: \n \n1.) Dugometražni igrani film Bijelo se pere na devedeset (Slovenija), hrvatska produkcijska kuća \nKinorama d.o.o., 66.000,00 EUR \n2.) Dugometražni igrani film Tajna Zmajeve družine (Srbija), hrvatska produkcijska kuća Maxima \nfilm d.o.o., 80.000,00 EUR \n3.) Dugometražni igrani film Sobe (Crna Gora), hrvatska produkcijska kuća Eclectica d.o.o., \n80.000,00 EUR \n4.) Kratkometražni igrani film Rađanje (Sjeverna Makedonija), hrvatska produkcijska kuća Woodz \nproduction d.o.o., 17.000,00 EUR \n5.) Dugometražni dokumentarni film (debitantski) Očevina: Spomenik slobodi (Sjeverna \nMakedonija), hrvatska produkcijska kuća Restart, 43.000,00 EUR \n6.) Dugometražni dokumentarni film (debitantski) Nemoj da se vraćaš / Na kotačima zaboravljenih \nsnova (Srbija), hrvatska produkcijska kuća Peglanje Snova d.o.o., 35.000,00 EUR \n \n\n\f\n7.) Dugometražni dokumentarni film (debitantski, u postprodukciji) Zalazak (Srbija), hrvatska \nprodukcijska kuća Umjetnička organizacija Zagreb Film Festival, 18.000,00 EUR \n8.) Kratkometražni animirani film Iza devet stabala – Jabuka razdora (Slovenija), hrvatska \nprodukcijska kuća Jaka produkcija d.o.o., 25.100,00 EUR \n9.) Kratkometražni animirani film Oči sramote / Eyes of Shame (Litva), hrvatska produkcijska kuća \nMinya film i animacija j.d.o.o., 40.000,00 EUR \n \nOBRAZLOŽENJA \n \n1.) Dugometražni igrani film Bijelo se pere na devedeset (Slovenija), hrvatska produkcijska kuća \nKinorama d.o.o.,  66.000,00 EUR \n \nPriča je preuzeta iz istoimenog autobiografskog romana autorice Bronje Žakelj koji je preveden \nna više jezika, a u Sloveniji je bestseller. Autori scenarija su redatelj Marko Naberšnik i sama \nautorica romana i vrlo su uspješno uspjeli prenijeti ovu slojevitu i duboku priču u filmski scenarij. \nLikovi su „od krvi i mesa“, a Bronja kao glavni lik je zaista fantastično napisana te ju s iznimnim \nzanimanjem i empatijom pratimo kroz gotovo njen cijeli životni put koji je obojen bolešću, \ngubicima najdražih, ali i velikim prijateljstvima, bakinom podrškom, borbama i snagom. Ovaj će \nfilm zasigurno poslužiti i kao inspiracija gledateljima koji se nađu u teškim životnim situacijama, \npoput suočavanja sa bolešću, gubitka članova obitelji… Film nudi intimnu dramu koja dotiče \nsrce, dok istovremeno nudi i uvid u političke promjene raspada Jugoslavije. Plan promocije je \nizuzetno detaljan i opširan, zaista iznimno osmišljen. Što se distribucije tiče, sigurna sam da ovaj \nfilm može jednako biti festivalska uspješnica kao i hit u kinima, na TV-u i VoD platformama.  \n \n \n2.) Dugometražni igrani film Tajna Zmajeve družine (Srbija), hrvatska produkcijska kuća Maxima \nfilm d.o.o., 80.000,00 EUR \n \nTajna Zmajeve družine je izvanredna filmska avantura koja donosi napetu priču o dječjoj ekipi \n(Munja, Ana i Luka) koja se upušta u potragu za misterioznim predmetom neprocjenjive \nvrijednosti – Orden viteškog reda Zmaja. Potragu osmišljava i organizira stari antikvar Sveta, koji \nuz djecu u nju uključuje i svoje najbliže rođake Antoniju i Lazara koji nisu uvijek blagonakloni \nprema djeci, dapače. Kroz dinamične likove i uzbudljivu radnju, film istražuje važne životne \nvrijednosti poput hrabrosti, poštenja i prijateljstva. Redateljska vizija Vanje Hovana doprinosi \nautentičnom doživljaju filma, dok suptilna upotreba novih tehnologija održava ravnotežu između \ntradicije i suvremenosti. Tajna Zmajeve družine pruža ne samo zabavno filmsko iskustvo, već i \nduboke životne spoznaje koje će ostati s gledateljima dugo nakon što se svjetla ugase.  \nS dječjim smo filmovima u deficitu te svakako želim poduprijeti Tajnu Zmajeve družine i na taj \nnačin potaknuti i druge fondove da sudjeluju u ovom avanturističkom obiteljskom filmu. \n \n \n3.) Dugometražni igrani film Sobe (Crna Gora), hrvatska produkcijska kuća Eclectica d.o.o.,  \n80.000,00 EUR \n \nIlija Đurović je majstorski ispričao duboko potresnu priču o Kolji, mladiću koji se suočava s \nizazovima života nakon izlaska iz zatvora. Kroz njegovu priču i priče njegovih prijatelja, autor \nistražuje teme odrastanja u teškim uvjetima, droge, nesređenih obitelji te kompleksnosti \nprihvaćanja vlastite seksualnosti u surovom okruženju. Scenarij je izvanredno strukturiran, s \n\n\f\njasno postavljenim motivima i zanimljivom dinamikom likova. Likovi su duboko slojeviti, a \ndijalozi odražavaju autentičnost jezika mladeži u Podgorici, dodajući emocionalnu dubinu priči. \nRedatelj Pavle Simonović uspješno je prenio viziju autentičnosti i sirove ljepote priče, stvarajući \natmosferu koja će gledatelje snažno emotivno povezati s likovima. Projekt Sobe obećava ne \nsamo festivalski uspjeh, već i široku distribuciju, nudeći svjež i provokativan pristup suvremenim \nurbanim pričama koje nedostaju u filmskoj industriji. \n \n \n4.) Kratkometražni animirani film Rađanje (Sjeverna Makedonija), hrvatska produkcijska kuća \nWoodz production d.o.o., 17.000,00 EUR \n \nRađanje donosi dubok i iskren pogled na majčinstvo, fokusirajući se na 39-godišnju Moniku, od \nporoda do prvih dana s bebom. Scenarij pokazuje vrlo dobru vještinu pričanja priče, a \ndramaturška dosljednost je jasna s obzirom na to da film prati ključne trenutke u Monikinom \nputovanju u prvim koracima majčinstva. Uvjerljivost likova i dijaloga dodatno poboljšava \nautentičnost filma, a suvremenost teme čini ga relevantnim za širu publiku, posebno za žene \nkoje prolaze kroz slična iskustva ili se pripremaju za majčinstvo. Inovativnost scenarističkog \npristupa ogleda se u neočekivanom preokretu na kraju filma, što je ključno za održavanje \ninteresa u okvirima kratkog formata. Rađanje je dojmljiv film koji ima potencijal privući pažnju i \npovezati se s gledateljima na emotivnoj razini. Osim toga, činjenica da su glavni članovi filmske \nekipe same majke dodatno pojačava autentičnost i snagu filma. \n \n \n5.) Dugometražni dokumentarni film (debitantski) Očevina: Spomenik slobodi (Sjeverna \nMakedonija), hrvatska produkcijska kuća Restart, 43.000,00 EUR \n \nOčevina: Spomenik slobodi je dokumentarni film autorice Elene Čemerske koji ističe bitnu priču \no borbi za očuvanje kulturne baštine kroz revitalizaciju kapitalnog djela njenog oca Gligora \nČemerskog, Spomenika slobode. Film se ističe po emotivnom aspektu priče, povezanom s \nosobnim iskustvima autorice, te donosi suvremenu perspektivu o borbi za slobodu i očuvanje \nidentiteta na Balkanu. Istraživački rad uključuje pregled političke situacije, dok redateljska \nkoncepcija ističe motivaciju redateljice i kreativan pristup temi. Kvalitetno napisan treatment i \nupotreba arhivskog materijala pridonose vjerodostojnosti priče, čineći film relevantnim za \nnacionalnu i globalnu publiku. \n \n \n6.) Dugometražni dokumentarni film (debitantski) Nemoj da se vraćaš / Na kotačima \nzaboravljenih snova (Srbija), hrvatska produkcijska kuća Peglanje Snova d.o.o., 35.000,00 EUR \n \nDokumentarni film Nemoj da se vraćaš / Na kotačima zaboravljenih snova ističe se kvalitetnim \ntreatmentom te snimljenim i montiranim materijalom. Tema vozača kamiona u Americi kao \n\"profesija posljednje šanse\" pruža iscrpan i kreativan pristup, dodatno obogaćen prikazom \nraznolikih likova poput inženjera, likovnog umjetnika i glumice. Film kombinira psihološke, \nfilozofske i socijalne aspekte, stvarajući emotivno i refleksivno filmsko iskustvo. Tema migracija i \nekonomske nejednakosti je prepoznatljiva i relevantna, posebno za hrvatsku publiku, dok \npoetski pristup dodaje emotivnu dubinu i potiče gledatelje na duboko promišljanje. Redateljska \nkoncepcija pruža jasnu viziju, motivaciju i kvalitetno istraživanje, čineći film uvjerljivim i \ninovativnim. \n\n\f\n \n \n7.) Dugometražni dokumentarni film (debitantski, u postprodukciji) Zalazak (Srbija), hrvatska \nprodukcijska kuća Umjetnička organizacija Zagreb Film Festival, 18.000,00 EUR \n \nZalazak je kontemplativni art house dokumentarac koji prikazuje jedan dan u Institutu Dr. Simo \nMilošević u Igalu, Crna Gora, prateći djelatnike i korisnike lječilišta. Ritam dana u institutu \nisprepliće se s ritmom izlaska i zalaska sunca te kretanjem mora, nudeći gledatelju prostor za \npromišljanje o prolaznosti života i želji za poboljšanjem zdravlja. Istraživanje za film provedeno je \ndetaljno, a treatment je kvalitetno napisan, obećavajući zanimljiv konačni proizvod. Redateljska \nkoncepcija sugerira uspješno prikazivanje protoka vremena u lječilištu, s očekivanjem da će \ndokumentarac privući publiku na nacionalnoj, regionalnoj i globalnoj razini. \nOvaj film je debitantsko djelo afirmiranog direktora fotografije Miloša Jaćimovića te ga posebno \nkrasi njegov vizualni izričaj.  \n \n \n8.) Kratkometražni animirani film Iza devet stabala – Jabuka razdora (Slovenija), hrvatska \nprodukcijska kuća Jaka produkcija d.o.o., 25.100,00 EUR \n \nU animiranom filmu Iza devet stabala – Jabuka razdora za djecu uzrasta 3-6 godina, pratimo \nježa, zeca i vjevericu kako rješavaju situaciju oko pronađene jabuke. Medvjedica im savjetuje da \npotraže pomoć kod mudre sove, što izaziva smiješne i zabavne situacije, a na kraju, kao i svaka \nbasna, donosi pouku. Likovi su simpatični i odlikuju se dječjim promišljanjem, što djeci \nomogućuje neposredno prepoznavanje i razumijevanje. Vizualni predlošci su detaljni i dobro \nrazrađeni, a redateljska koncepcija autora Timona Ledera je vrlo detaljna i kvalitetno izložena. \nPlan producenta o promociji i distribuciji je detaljan, ambiciozan i provediv, uključujući \nfestivalsku distribuciju, TV distribuciju i VoD. \n \n \n9.) Kratkometražni animirani film Oči sramote / Eyes of Shame (Litva), hrvatska produkcijska kuća \nMinya film i animacija j.d.o.o., 40.000,00 EUR \n \nAnimirani interaktivni film virtualne stvarnosti Oči sramote / Eyes of Shame istražuje temu \nteenagera koji se suočavaju s psihičkim problemima, fokusirajući se na Bezoku, koja se bori s \nanoreksijom u ustanovi za problematične mlade. Film duboko prožima Bezokina sjećanja na \ntraumatično djetinjstvo s majkom koja je počinila samoubojstvo. Tema je surova, ali nužna za \nsenzibilizaciju javnosti, iako se može činiti pretjerano surovom ili nerealnom. Vizualni elementi \nsu izuzetno detaljni i bogati, dok redateljska koncepcija donosi inspiraciju i motivaciju za pomoć \nmladima u fragilnoj fazi formiranja ličnosti. 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poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2017. godini, u kategoriji poticanja razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i \nanimiranih filmova (2. rok: 10. srpnja 2017.). \n \nBoško Picula, umjetnički savjetnik za animirani film: \n \nNa Javni poziv u drugom roku u potkategoriji razvoja scenarija prijavljena su \ndva rada kao i u potkategoriji razvoja projekata pri čemu je jedan projekt \npovučen iz procedure te nije razmatran. U konačnici su na roku razmatrana tri \nprojekata. Kriteriji predlaganja projekta za financiranje razvoja scenarija \ntemelje se razrađenosti sinopsisa i treatmenta, originalnosti priče, narativne \nzaokruženosti te izvedivosti realizacije scenarija. Što se tiče kriterija predlaganja \nfinanciranja razvoja projekata, oni se temelje na redateljskoj i scenarističkoj \nkoncepciji animiranog filma, produkcijskoj cjelovitosti predloženog koncepta, \nfinancijskoj održivosti, festivalskim potencijalima u Hrvatskoj i svijetu te na \nelaboriranosti izvedbe samih projekata.     \n \nZa financiranje razvoja projekata predložen je jedan projekt u iznosu od \n100.000 kuna, a za financiranje razvoja scenarija jedan projekt u  iznosu od \n25.000 kuna. Ukupan iznos predloženih sredstava jest 125.000,00 kuna. \n \n \nNa drugi javni poziv za razvoj scenarija i projekata u 2017.-oj stigao je još manji \nbroj prijava u odnosu na prvi rok, ali su u pitanju tematski i koncepcijski \nrazrađeni projekti s visokim potencijalom realizacije. Za financiranje je \npredložen projekt Gusarice čija je redateljica i scenaristica Dorotea Vučić, a \nposrijedi je povijesna priča smještena u 16. stoljeće o stanovnicima Komiže na \notoku Visu. Zaplet prati žene na otoku koje se nakon odlaska muškaraca u \nribolov suočavaju s dolaskom – gusara. Uspio spoj povijesne i pustolovne \nkontekstualizacije događaja likovno je i narativno razrađen, a ima i festivalski i \nkinopotencijal. Glede scenarija, predlaže se projekt Romul 2.0 autorice Ivane \nDragičević-Veličković, 25-minuta sugestivna znanstveno-fantastična politička \npriča o dječaku s Bliskog istoka koji je 2025. poharao nuklearni sukob Izraela i \nIrana, a sam dječak s tisućama izbjeglica spas nalazi na obalama – Save. \nScenarij i razradom i mogućnostima realizacije predstavlja osmišljen rad.     \n \n","warnings":[],"document":{"program_type":"razvoj_projekata","year":2017,"rok":"2. rok","referenced_projects":["Gusarice","Romul 2.0"],"summary":"Obrazloženje umjetničkog savjetnika za animirani film Boška Picule po odlukama za 2. rok 2017. (razvoj scenarija i razvoj projekata animiranih filmova): predloženo je financiranje projekta 'Gusarice' (100.000 kn) i scenarija 'Romul 2.0' (25.000 kn), ukupno 125.000,00 kuna.","project_links":[{"source_title":"Gusarice","family_id":"pf_e1e06954173a","family_title":"Gusarice","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Romul 2.0","family_id":"pf_8a136cc55e79","family_title":"Romul 2.0","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"odluka%20vijeca_manjinske_kopr.pdf","filename_decoded":"odluka%20vijeca_manjinske_kopr.pdf","sha256":"9b3ab16be8c992b5cb011f3116c3df46ea5b6b6f0eab8af839fd42fe95649c37","bytes":584264,"page_count":3,"extracted_at":"2026-05-16T14:10:30Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 4287-2014 \nU Zagrebu, 10. listopada 2014. \n \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12),  Hrvatsko audiovizualno vijeće, na prijedlog Umjetničkog vijeća, na 52. sjednici održanoj 10. \nlistopada 2014. godine donijelo je: \n \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za dodjelu sredstava za poticanje audiovizualnih djelatnosti \ni stvaralaštva u 2014. godini u kategoriji -poticanje filmskih koprodukcija s manjinskim  \nhrvatskih udjelom-rok 18. srpnja 2014.godine, \n u svim grupama audiovizualnih djela \n \n \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za poticanje audiovizualnih djelatnosti i stvaralaštva za 2014.godini u kategoriji-poticanje \nfilmskih koprodukcija s manjinskim hrvatskim udjelom, rok 18. srpnja 2014.godine utvrđuje se lista \nprioriteta i donosi odluka o raspodjeli sredstava u sljedećim grupama audiovizualnih djela prema \ntablicama priloženim ovoj Odluci koje čine njezin sastavni dio: \n1. Dugometražni igrani film u ukupnom iznosu od 590.000,00 kn.  \n                    (petstodevedesettisućakuna), tablica u Prilogu 1 ovoj Odluci; \n2. Debitantski dugometražni igrani film u ukupnom iznosu od 400.000,00 kn. \n                    (četiristottisućakuna), tablica u Prilogu 2 ovoj Odluci. \n3. Kratkometražni dokumentarni film u ukupnom iznosu od 250.000,00 kn. \n                    (dvjestopedesettisućakuna), tablica u Prilogu 3 ovoj Odluci. \n \n   3.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku predviđenom \nPravilnikom o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 118/12). \n \n  4.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n5.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 118/12) u 2014. godini raspisan je Javni poziv HAVC-a za poticanje \n\n\f\naudiovizualnih djelatnosti i stvaralaštva  u kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskih \nudjelom, rok 18. srpnja 2014.godine u svim grupama audiovizualnih djela. \n Na Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2014.godini u kategoriji-poticanje \nfilmskih koprodukcija s manjinskim hrvatskim udjelom, rok 18. srpnja 2014.godine: \n1.\nu grupi dugometražnih igranih filmova ukupno je prijavljeno 7 projekta i svi su imali uredne prijave.\n2.\nu grupi debitantskih dugometražnih igranih filmova ukupno je prijavljeno 5 projekta i svi su imali\nuredne prijave.\n3.\nu grupi dugometražnih dokumentarnih filmova ukupno je prijavljeno 2 projekta i svi su imali uredne\nprijave.\n4.\nu grupi animiranih filmova ukupno je prijavljen 1 projekt koji je imao urednu prijavu.\nNa 34. sjednici Umjetničkog vijeća umjetnička savjetnica za manjinske koprodukcije gđa Sanja Ravlić \npredložila je da se projektima prijavljenima na Javni poziv za poticanje audiovizualnih djelatnosti i \nstvaralaštva u 2014.godini u kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskih udjelom, rok \n18. srpnja 2014.godine u gore navedenim grupama dodjele sredstva kako je izloženo u točki 1. ove Odluke.\nNa 52. sjednici Hrvatskog audiovizualnog vijeća održanoj 10. listopada 2014.godine prihvaćena je lista \nprioriteta iz točke 1.1. izreke Odluke, lista prioriteta iz točke 1.2. izreke Odluke, prijedlog liste prioriteta iz \ntočke 1.3. izreke Odluke. \nTemeljem čl.12. Zakona o audiovizualnim djelatnostima, ravnatelj HAVC-a izvršava odluke o raspodjeli \nsredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima sredstava.  \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \nVera Robić-Škarica, v.r.\nPrilog: tablice s rezultatima \nDostaviti: \n- \npismohrana, ovdje \n\n\f\nNAZIV FILMA\nREDATELJ/ICA\nHRVATSKI \nPRODUCENT\nODOBRENO\n1\nRosa\nDenijal Hasanović\nFocus Media \nd.o.o.\n400.000,00\n2\nDječaci iz ulice \nMarksa i \nEngelsa\nNikola Vukčević\nDOH d.o.o.\n140.000,00\n3\nBit ćemo prvaci \nsvijeta\nDarko Bajić\nKinorama d.o.o.\n450.000,00\n4\n15 minuta\nGeorge Larsen, \nKasper Vedsmand\nNukleus Film \nd.o.o.\n250.000,00\n1.240.000,00\nSVEUKUPNO\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE FILMSKIH KOPRODUKCIJA S MANJINSKIM \nHRVATSKIM UDJELOM u 2014. - 3. ROK - 18.7.2014.\ndebitantski dugometražni igrani film\ndugometražni igrani film\nkratkometražni dokumentarni film\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2014,"rok":"3. rok","referenced_projects":["Rosa","Dječaci iz ulice Marksa i Engelsa","Bit ćemo prvaci svijeta","15 minuta"],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 10. listopada 2014. o raspodjeli sredstava za poticanje filmskih koprodukcija s manjinskim hrvatskim udjelom (3. rok, 18.7.2014.), prema priloženoj tablici ukupno 1.240.000,00 kuna za debitantski igrani, dugometražne igrane i kratkometražni dokumentarni film.","project_links":[{"source_title":"Rosa","family_id":"pf_4002995e5f12","family_title":"Rosa","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Dječaci iz ulice Marksa i Engelsa","family_id":"pf_6105117c7870","family_title":"Dječaci iz ulice Marksa i Engelsa","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Bit ćemo prvaci svijeta","family_id":"pf_78d3af89a7ff","family_title":"Bit ćemo prvaci svijeta","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"15 minuta","family_id":"pf_f9f6f2190222","family_title":"15 minuta","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Skra_ene recenzije - rok 28.7.2022.pdf","filename_decoded":"Skra_ene recenzije - rok 28.7.2022.pdf","sha256":"9b86634a9e93ea63ccef0d6de25d871fccc8bf154a7828c99ecb36948ea3a234","bytes":153057,"page_count":3,"extracted_at":"2026-05-17T12:01:19Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Skra%C4%87ene%20recenzije%20-%20rok%2028.7.2022.pdf"},"raw_text":"1) DISTRIBUCIJA dugometražnog animiranog filma „Cvrčak i mrvica” – 180.000 kn  \nU novom viđenju basne ispričane od strane Ezopa i La Fontainea, Ket je cvrčak koji svira gitaru sa svojim \nbandom, zabavljajući bezbrižne kukce u okolici. Nedaleko živi mravlja princeza Antoneta, u mravinjaku \ngdje je cijeni samo disciplina i rad, dok je glazba zabranjena. Kad se slučajno sretnu, među njima se \nrađa bliskost. Shvativši da cvrčci ne mogu preživjeti zimu, Antoneta ih želi spasiti, ali bezuspješno. No \nkad ju otme pokvareni mrav Anteodor, cvrčci predvođeni Ketom priskaču joj u pomoć. \nFilm ima iznimno velik komercijalni potencijal – riječ je o prvom hrvatskom 3D animiranom filmu i \nprvom domaćem animiranom filmu koji kreće u kino distribuciju nakon dugo vremena. Pozitivne teme \nkoje film komunicira čine ga i kvalitetnim alatom za edukativne svrhe za publiku mlađeg uzrasta. \nKomunikacija i promocija filma dobro su planirane, korištenje originalnih songova u promociji pomoći \nće filmu da proširi dohvat. Promotivni plan za razvoj publike dobro je koncipiran i planirano korištenje \nu edukativne svrhe iz tehničke i edukativne strane osigurat će mu da dođe do ciljne publike i produžiti \nmu distribucijski život. \n \n2) DISTRIBUCIJA dugometražnog igranog filma „Garbura” – 70.000 kn  \nAntonio i Nikola nerazdvojni su prijatelji koji žive jedan preko puta drugog, a dijele ljubav prema \npirotehnici i mobitelima. Obitelji su im godinama u zavadi radi naoko lako rješivog problema: vode koja \nse slijeva iz gornje kuće ka donjoj. Prijateljstvo dva dječaka na pragu puberteta naći će se na kušnji \ntijekom božićnih blagdana kada se među obiteljima otkrivaju mnogo opasnije tajne od vode koja teče \nizmeđu njihovih kuća. \nIako je riječ o drami, činjenice da svjetsku premijeru ima na Međunarodnom filmskom festivalu u San \nSebastianu, da su protagonisti filma tinejdžeri s kojima se i mlađa publika može poistovjetiti, a \nistovremeno priča priču o odnosima unutar i između obitelji koja će biti zanimljiva ozbiljnijoj publici, \nelementi su filma kojima može privući interes medija i publike. Pozicioniranje filma, ciljna publika,  kao \ni elementi koje je potrebno naglasiti kako bi film postigao što veći uspjeh su kvalitetno promišljeni. \nPlan za razvoj publike ispravno prepoznaje priliku za dosezanje veće gledanosti u obliku organiziranih \nškolskih projekcija za više razrede osnovne škole, kao i korištenje društvenih mreža. \n \n3) DISTRIBUCIJA dugometražnog igranog filma „Kapa” – 45.000 kn  \nErik, čiji je nadimak Kapa, zbog problematičnih roditelja živi u Dječjem domu. Njegova je jedina želja \nda za ovaj Božić može otići kući k svojim roditeljima. Međutim, provodi ga s nepoznatom imućnom \nobitelji i djevojčicom Lucijom koja za Božić želi sestricu i psića. Usred Badnje noći, Erik i Lucija pomisle \nda su u doma vidjeli Djeda Božićnjaka, no to je ustvari maskirani lopov. Puna nade, djeca se skriju u \nnjegov auto, nesvjesni da je upravo započela njihova nevjerojatna pustolovina. \nOvaj simpatični film ima solidan komercijalni potencijal pojačan činjenicom da je sinkroniziran na \nhrvatski jezik. Božićna priča čini ga prigodnim odabirom za najmlađu publiku u planiranom periodu \ndistribucije, a edukativna crta omogućit će mu dugotrajan distribucijski život. Marketinški plan \nkvalitetno je i pomno razrađen i dobro identificira ciljne skupine kojima će se komunicirati film te \nnačine na koje doprijeti do njih. Plan je dobro osmišljen - metodički priručnik odličan je alat da se \nmlađim uzrastima, osim zabavne, omogući i edukativna komponenta kroz igru i počne njegovati \nfilmska pismenost. \n4) DISTRIBUCIJA dugometražnog igranog filma „Ljeto kada sam naučila letjeti” – 55.000 kn  \n\n\f\nPred dvanaestogodišnjom Sofijom je naizgled najdosadnije ljetovanje ikada – ljetovanje s dvije bake. \nJedna je njena baka, s kojom dolazi iz Beograda, a druga je bakina sestra s Hvara koju Sofija nikada \nnije upoznala – obiteljske su se veze pokidale i treba ih obnoviti. Iako Sofiji prijeti ljetovanje bez \nwirelessa u društvu dvije starice, idiličan jadranski otok, prvi poljubac, pomirenje obitelji, ali i \nsuočavanje s tugom pretvorit će ga u neprocjenjivo i nezaboravno iskustvo. Sofija odrasta. \nFilm ima značajan komercijalni potencijal – iako je prije svega riječ o dječjem filmu, on istovremeno \nfunkcionira na više razina tako da u njemu može uživati i odrasla publika. Riječ je o koprodukciji s \nmanjinskim hrvatskim udjelom, ali lokacija radnje, likovi i priča u potpunosti funkcioniraju i kao domaći \nfilm. Marketinški plan je kvalitetno pripremljen. Media plan je detaljan i dobro isplaniran.  Dobro su \nrazrađeni pristupi dosega primarne i sekundarne ciljne skupine – pohvalna je izrada zasebnih \nmaterijala za svaku ciljnu skupinu. Organizacija školskih predstava produžit će distribucijski život filma, \nšto je osobito važno jer je ovo primjer naslova putem kojeg se mogu stvarati nove generacije ljubitelja \nfilma. \n \n5) DISTRIBUCIJA dugometražnog dokumentarnog filma „Muzej revolucije” – 15.000 kn  \nPrije pola stoljeća, arhitekt Vjenceslav Richter predložio je odvažnu viziju za muzej koji bi “čuvao istinu \no nama”. U ostacima ovog napuštenog utopijskog projekta nastaje prijateljstvo između sedmogodišnje \ndjevojčice i jedne starice. Kada grad započne brisanje svih tragova Muzeja revolucije, iz života \ndjevojčice nestaju bezazlene igre i priče uz vatru. \nFilm ima ograničen komercijalni potencijal, ali svakako ima svoju publiku među ljubiteljima \ndokumentarnog filma, arhitekture i društveno angažiranih filmova. Promotivne aktivnosti su \nkvalitetno pripremljene, medijski plasman je zaokružen i širok, uzevši u obzir financijske mogućnosti.  \nDistribucija je dobro isplanirana i izvediva, planirane projekcije u galerijskim i muzejskim prostorima \nte udrugama Roma i projekcije za beskućnike dobrodošla su i logična nadogradnja redovne distribucije \nfilma \n \n6) DISTRIBUCIJA dugometražnog igranog filma „Nešto slatko” – 10.000 kn  \nOrganizatorici konferencije za marketing karijera visi o koncu, kad njen glavni adut, marketinški guru \niz Makedonije, zakasni na avion. Da spriječi katastrofu, zamjeni ga lokalnim slastičarem, koji mu je u \ndlaku sličan. \nFilm ima ograničen komercijalni potencijal, osim žanra nema drugih aduta kojima bi se mogao \nnametnuti domaćoj publici. Plan pametno identificira stand-up komičare iz regije koji su nastupili u \nfilmu kao alat koji mogu koristiti za promociju filma. Budući da film još nema definiran datum \notvaranja, a na domicilnom tržištu planiran je za distribuciju u 2023. preporuka je da se distribucija u \nHrvatskoj tempira nakon distribucije u Sloveniji. Iako je riječ o različitim tržištima, eventualni uspjeh \nkao i lekcije naučene na domicilnom tržištu, mogli bi se iskoristiti za pripremu kampanje. \n \n \n \n7) DISTRIBUCIJA dugometražnog dokumentarnog filma „Novo kino Buje” – 23.500 kn  \n\n\f\nOvo je priča o maloj zajednici koja živi u Bujama, u Istri. Godina je 1950., dramatični trenutak za \neuropsku povijest. Te godine, u Bujama se otvara kino. U narednom periodu, kino će postati simbolično \nmjesto ponovnog rođenja i maštanja o boljoj budućnosti gdje zajednica govori istim jezikom – jezikom \nemocija i međusobnog razumijevanja. \nFilm ima ograničen potencijal, kako komercijalno tako i geografski, no u mjestima gdje će postojati \ninteres za film za očekivati je da će taj interes biti velik zbog činjenice da je riječ o „domaćoj“ priči. \nGeografska ograničenost je i prednost iz perspektive da se onda promotivna kampanja može preciznije \nusmjeriti prema mjestima gdje može polučiti najveći uspjeh. Marketinški i media plan su kvalitetno \npripremljeni precizno se fokusirajući na lokacije i dijelove demografije gdje se može očekivati interes \nza film. Pohvalna je organizacija projekcija u sredinama gdje nema digitaliziranog kina, ali postoji \nmultifunkcionalna dvorana, a organizacija školskih projekcija predstavlja pametnu nadogradnju \nredovnim projekcijama \n \n8) DISTRIBUCIJA dugometražnog igranog filma „Punim plućima” – 50.000 kn  \nOlegova iznenadna smrt dovodi do ponovnog okupljanja davno raspale grupe prijatelja. Unatoč \nmeđusobnim zamjeranjima i tajnama iz prošlosti, noć karmina postaje noć zabave i sjećanja na neka \nbolja vremena. \nFilm ima ograničen komercijalni potencijal, no atraktivna glumačka postava i kvalitetne izvedbe, \nčinjenica da je redatelj etablirano ime u glazbenoj industriji te zanimljiv soundtrack predstavljat će \nmamac za dio publike. Film je točno pozicioniran i naglasak na glazbu dobar je način komunikacije \nfilma. Ispravno je prepoznat potencijal projekcija u klubovima zbog izražene glazbene komponente \nfilma. \n \n9) DISTRIBUCIJA dugometražnog igranog filma „Stric” – 80.000 kn  \nJugoslavija, kasne 1980-e. Obitelj dočekuje svog voljenog strica koji se iz Njemačke vraća kući za \nblagdane. Okupljena obitelj uživa u Božićnom ručku. Radosno druženje iznenada prekida zvonjava \npametnog telefona. Ubrzo postaje jasno da nisu 1980-e, a čini se da nije ni vrijeme Božića. Osim \nsvečane purice, nožem se može rezati i napetost. \nFilm može privući i ljubitelje kvalitetnog filma (koji bi mogli biti zaintrigirani dosadašnjim kritikama, \nkao i nagradom koju je film osvojio na festivalu u Karlovim Varima), a istovremeno i ljubitelje trilera i \nhorora (kao žanra koji u skorije vrijeme posljednjih 5 godina postiže značajne rezultate u domaćim \nkinima). Uz pažljivu pripremu i pozicioniranje, aura kontroverze oko filma može privući i mlađi segment \npublike koji nije česti posjetitelj domaćeg filma. 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REVIJA AMATERSKOG FILMA \n40.000,00 \nSVEUČILIŠTE U ZAGREBU, \nSTUDENTSKI CENTAR U ZAGREBU \n19. DANI HRVATSKOG FILMA \n160.000,00 \nMultimedijalni institut \nFESTIVAL FILMA O LJUDSKIM \nPRAVIMA ZAGREB [HRFF] \n100.000,00 \nKaret produkcija \nFESTIVAL MEDITERANSKOG FILMA \nSPLIT (FMFS) \n90.000,00 \nMEĐUNARODNI FESTIVAL NOVOG \nFILMA I VIDEA \nSPLIT FILM FESTIVAL / \nMEĐUNARODNI FESTIVAL NOVOG \nFILMA \n300.000,00 \nJavna ustanova Pula Film Festival \n57. festival igranog filma u Puli \n1.500.000,00 \nUdruga Bijeli val \nSUBVERSIVE FILM FESTIVAL \n90.000,00 \nASIFA HRVATSKE - HRVATSKI \nOGRANAK ASIFA-E, \nMEĐUNARODNE ASOCIJACIJE \nANIMIRANOG FILMA \nDAN HRVATSKE ANIMACIJE U \nPOVODU SVJETSKOG DANA \nANIMIRANOG FILMA \n3.000,00 \nGOKUL - Građanska organizacija \nza kulturu \nTabor Film Festival \n40.000,00 \nLIBERTAS UDRUGA GRAĐANA \nLIBERTAS FILM FESTIVAL \n40.000,00 \nFACTUM \n6. ZagrebDox - međunarodni festival \ndokumentarnog filma \n250.000,00 \nMotovun-Film festival d.o.o. \n12. Motovun Film Festival \n450.000,00 \n\n\f\nFESTIVAL SUVREMENOG \nŽIDOVSKOG FILMA ZAGREB \n(UDRUGA) \nFESTIVAL ŽIDOVSKOG FILMA \nZAGREB / JEWISH FILM FESTIVAL \nZAGREB \n30.000,00 \nDom kulture kristalna kocka \nvedrine \n3. Sisački ekološki filmski festival \n10.000,00 \nDiscovery \nVukovar film festival \n180.000,00 \nNarodno sveučilište Dubrava, \nZagreb \nZagrebački festival dječjeg filma \n15.000,00 \nVanima \nVAFI - internacionalni festival \nanimiranog filma djece i mladih \nVaraždin \n15.000,00 \nIncognito produkcija d.o.o. \nStarigrad Paklenica Film Festival \n35.000,00 \nUdruga Delta \nLiburnia film festival \n15.000,00 \nKinoklub Zagreb \nOne take film festival \n40.000,00 \nAsifa \nFestival hrvatskog animiranog filma \n20.000,00 \nDomino \nQueer  Zagreb Film Festival \n40.000,00 \nUDRUGA LJUBITELJA FILMA \n'RARE' \nFESTIVAL DOKUMENTARNOG ROCK \nFILMA DORF 2010 \n35.000,00 \nDOM KULTURE 'KRISTALNA \nKOCKA VEDRINE' \n5. REVIJA DOKUMENTARNOG FILMA \n'FIBULA' \n10.000,00 \nETNOGRAFSKI MUZEJ ISTRE \nETNOFILm2 FESTIVAL \nETNOGRAFSKOG FILMA \n20.000,00 \nUDRUGA ZA PROMICANJE KUlture \nDOKUart \n5. DOKUart DANI \nDOKUMENTARNOG FILMA \n25.000,00 \n25 FPS, UDRUGA ZA AUDIO-\nVIZUALNA ISTRAŽIVANJA \n6. 25 FPS INTERNACIONALNI \nFESTIVAL EKSPERIMENTALNOG \nFILMA I VIDEA \n100.000,00 \nUMJETNIČKA ORGANIZACIJA \nZAGREB FILM FESTIVAL \n8. ZAGREB FILM FESTIVAL \n250.000,00 \nHULAHOP d.o.o. ZA FILMSKU \nPRODUKCIJU I USLUGE U KULTURI \nSVJETSKI FESTIVAL ANIMIRANOG \nFILMA - ANIMAFEST ZAGREB \n1.000.000,00 \nUdruga Trash \nTrash film festival 5 \n10.000,00 \nUKUPNO: \n5.308.000,00 \n \n \n \n \n \n \n\n\f\n \nDJELATNOSTI  RAZVIJANJA  AUDIOVIZUALNE   KULTURE \nKORISNIK \nPROGRAM \nODOBRENO \nHRVATSKI FILMSKI SAVEZ \nFilmski programi u kinu Tuškanac \n300.000,00 \nHRVATSKI FILMSKI SAVEZ \nFilmski program autorskog \numjetničkog filma i videa u kinu \nTuškanac \n20.000,00 \nKino klub Split \nFilmska škola \n10.000,00 \nSVEUČILIŠTE U ZAGREBU, \nSTUDENTSKI CENTAR U \nZAGREBU \nPROGRAM MM centra \n20.000,00 \nHRVATSKI FILMSKI SAVEZ \n17. internacionalna radionica \nanimiranog filma \n10.000,00 \nHRVATSKI FILMSKI SAVEZ \nVideo radionice za djecu i mladež \n15.000,00 \nHRVATSKI FILMSKI SAVEZ \nMedijska kultura, filmsko i \nvideostvaralaštvo u osnovnim i \nsrednjim školama \n30.000,00 \nPUČKO OTVORENO UČILIŠTE U \nSPLITU \nProgram filmske klasike \n30.000,00 \nGrad Rijeka \nProgram Art kina Croatia \n100.000,00 \nMEĐUNARODNI DJEČJI FESTIVAL \nMeđunarodni dječji festival, \nŠibenik, Hrvatska; Filmske \nradionice \n20.000,00 \nŠKOLA FILMA ŠIPAN \nLjetna škola filma Šipan 2010. \n10.000,00 \nHKZ - HRVATSKO SLOVO d.o.o. \nFilmske tribine Hrvatsko slovo \nuživo, predavanja, revije \n10.000,00 \nRESTART \nRESTART LABORATORIJ \n30.000,00 \nRESTART \nŠKOLA DOKUMENTARNOG FILMA \n20.000,00 \nHRVATSKI FILMSKI SAVEZ \nKoordinacijske i poticajne funkcije \nSaveza \n20.000,00 \nHRVATSKI FILMSKI SAVEZ \nBaza podataka - film.hr \n15.000,00 \nPEGAZ AUCTORITAS d.o.o. \nAUTORSKOPRAVNE RADIONICE \nZA FILMSKE AUTORE I FILMSKE \nPRODUCENTE \n10.000,00 \n3D2D animatori \nLog in - edukativne filmske \nradionice za srednjoškolce \n12.000,00 \nSavez društava Naša djeca \nHrvatske \nStvaramo bajke - integracija \ninovativne informatičke \ntehnologije u aktivnosti s djecom \nu Društvima Naša djeca \n10.000,00 \n\n\f\nKlub Ciste Velike \nMala vizualna povijest Ciste \nVelike \n10.000,00 \nZagrebački plesni ansambl \n11. festival plesa i neverbalnog \nkazališta-audivizualna \nprogramacija festivala \n20.000,00 \nCentar za kulturu i informiranje \ndr. Franjo Tuđman \nSvi u kino \n10.000,00 \nNarodno sveučilište Dubrava \nFilmske radionice \n20.000,00 \nMuzej moderne i suvremene \numjetnosti \nRetrospektivna izložba -Dan Oki \n7.000,00 \nPulska filmska tvornica \nŠAF- škola animiranog filma \n3.500,00 \nPulska filmska tvornica \nRadionice filmske medijske \nkulture u osnovnoškolskoj nastavi \n10.000,00 \nPulska filmska tvornica \nRadionica izrade dokumentarnog \nfilma Pulska filmska tvornica \n10.000,00 \nAgrest 3d \nVideo radionica Slava Raškaj \n15.000,00 \nZadar film \nZadarska kinoteka \n15.000,00 \nOtvorena medijska grupacija \nUpoznajmo se - radionice \ndokumentarnog filma u Vukovaru \n15.000,00 \nAutonomni kulturni centar \nAttack! Zagreb \nNezavisni filmski studio Medika \n15.000,00 \nRestart \nMasterclass-svjetski \ndokumentaristi u Zagrebu \n20.000,00 \nMultimedijalni centar Studio \nkretivnih ideja Gunja _MMC \nSKIG \nIzrada promidžbenog materijala i \nedukacija članova \n15.000,00 \nPučko otvoreno učilište u Splitu \nArt program \n15.000,00 \nSTUDIO NEZAVISNE PRODUKCIJE \nZAGORSKA FILMSKA RADIONICA \n(HUŠNJAKOVO FILM RADIONICA) \n10.000,00 \nFOTO - KINO KLUB 'BARANJA - \nFILM' \nFILMSKI PROGRAMI U MIKRO - \nKINU 2010. \n15.000,00 \nGRF FILM - VIDEO \nPROGRAMI ART KINA \n10.000,00 \nUDRUGA ZA PROMICANJE \nKULTURE DOKUart \nDOKUart FILMSKI PROGRAM \n2010. \n15.000,00 \n25 FPS, UDRUGA ZA AUDIO-\nVIZUALNA ISTRAŽIVANJA \nEDUKACIJSKA RADIONICA ZA \nPROJEKCIONISTE \n20.000,00 \nUMJETNIČKA ORGANIZACIJA \nZAGREB FILM FESTIVAL \nKINO EUROPA - PROGRAMI U \n2010. \n100.000,00 \nHULAHOP d. o. o. ZA FILMSKU \nPRODUKCIJU I USLUGE U \nKULTURI \nRADIONICE ANIMIRANOG FILMA \nZA DJECU \n10.000,00 \n\n\f\nPUČKO OTVORENO UČILIŠTE \nVARAŽDIN \nCIKLUSI FILMSKE KLASIKE \n15.000,00 \nHIPERMEDIA \nHIPER Cine \n5.000,00 \nBLANK \nFILMSKE RADIONICE U \nPREDGRAĐU \n20.000,00 \nRESTART \nPROGRAM DOKUKINA ZA 2010. \nGODINU \n100.000,00 \nCentar za pokret \nXontakt godišnja manifestacija \nplesnog filma i videa \n10.000,00 \nUdruga ZAG \nZG LUMENI- djeca s posebnim \npotrebama \n10.000,00 \nUKUPNO: \n1.232.500,00 \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\nPROUČAVANJE I KRITIČKO VREDNOVANJE AUDIOVIZUALNIH DJELATNOSTI \nKORISNIK \nPROGRAM \nODOBRENO \nRestart \nRazgovori s filmskim autorima u \nDokukinu Croatia \n10.000,00 \nFilm-protufilm \nFilm-misao: Deleuze- abecedarij \n12.000,00 \nUdruga multimedijalni centar \nLuka \nCinemaniac \n10.000,00 \nInstutut za nove medije i \nelektroničku demokraciju \nMedijski utorak \n7.500,00 \nKulturni klub \nFilmovi \n20.000,00 \nUKUPNO: \n59.500,00 \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\nIZDAVAŠTVO U  PODRUČJU  AUDIOVIZUALNIH  DJELATNOSTI \nKORISNIK \nPROGRAM \nODOBRENO \nHRVATSKI FILMSKI SAVEZ \nHrvatski filmski ljetopis \n40.000,00 \nHRVATSKI FILMSKI SAVEZ \nKlupski katalozi \n15.000,00 \nHRVATSKI FILMSKI SAVEZ \nZapis - bilten Hrvatskog filmskog \nsaveza \n30.000,00 \nHRVATSKI FILMSKI SAVEZ \nNedjeljko Dragić, Zagreb 2002. \n15.000,00 \nHRVATSKI FILMSKI SAVEZ \nRanko Munitić, Martinac \n10.000,00 \nFACTUM \nDVD - predsjednici žirija \n50.000,00 \nHRVATSKI FILMSKI SAVEZ \nDVD izdanja- Lov na jelene, Fadil \nHadžić, filmovi Mihovila Pansinija i \nalternativni filmovi Miroslava \nMikuljana \n50.000,00 \nPozitiv film \nIzdavanje knjige: Janko Heidl: Radić \n20.000,00 \nPozitiv film \nIzdavanje knjige: Irena Paulus: \nKubrick \n10.000,00 \nLibertas produkcija \nMonografija Veljko Bulajić \n15.000,00 \nStudio Dim \nObjavljivanje DVD izdanja filma \nSevdah \n20.000,00 \nHULAHOP d. o. o. 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kategorija: poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih \ndokumentarnih i animiranih filmova - podkategorija: RAZVOJ SCENARIJA dugometražnih \nigranih filmova u 2022. - 1. ROK - 14.3.2022. \nDUGOMETRAŽNI IGRANI FILM \nUmjetnički savjetnici: Zvonimir Jurić, Ivor Martinić i Ana Štulina \nNa Javni poziv za poticanje razvoja scenarija dugometražnog igranog filma u 2022. godini na \nprvom roku prijavilo se ukupno 116 projekta. Četiri (4) projekta nisu zadovoljila uvjete \nJavnog poziva te ih nismo razmatrali. Od toga je jedan (1) bio pogrešno prijavljen u \nkategoriju razvoja scenarija dugometražnih igranih filmova. \nZnačajan broj prijavljenih iz godine u godinu jasno svjedoči kako je ova kategorija iznimno \npropulzivna. Gotovo da je nemoguće utvrditi koji žanr prevladava, budući su prijave \nžanrovski raznolike, kao i faze razvoja. Gotovo 30 posto prijavljenih već u ovoj fazi prilažu \nprve verzije scenarija. Najčešće se prijavljuju redatelji sa autorskim projektima, potom \nhrvatski dramski i prozni pisci, studenti filmskih akademija završnih godina, te na kraju – \npisci scenaristi kojima je scenaristika prioritetno zanimanje. Ovaj natječaj je ključan upravo \nza ove posljednje, te se baš na ovom natječaju može pratiti razvoj i trendove hrvatske \nscenaristike. Također, primjećuje se gotovo potpun izostanak dječjih filmova, pa postoji \nopasnost da taj žanr ubrzo nestane, što mislimo da bi bila šteta za hrvatsku kinematografiju \nu cjelini.  \nZaključno, predloženo je i odobreno sveukupno dvadeset projekata za razvoj scenarija. \nFilmovi predloženi i odobreni za razvoj scenarija  \nDvaput \nScenarij: Aldo Tardozzi  \nRežija: -  \nProducent: -  \n30.000,00 kn \n \nRiječ je o ljubavnoj priči Alena i Darije, dvoje zagrebačkih tridesetogodišnjaka, koji godinu \ndana nakon raskida pokušavaju obnoviti vezu učeći na vlastitim pogreškama. \nNarativna struktura filma je koncipirana tako da neprekidno preskače iz sadašnjosti u \nflashbackove prošle veze,  uspoređujući ih i dovodeći u pitanje mogućnost ostvarenja \nistinske ljubavi. U pitanju je zanimljiva dramaturška struktura u kojoj nova veza teče \nkronološki, a staru pratimo unatraške – od najburnijeg trenutka prekida pa sve do samog \nzačetka, no to je urađeno vrlo precizno i dosljedno, te potencijalni gledatelj ni u jednom \ntrenutku nije zbunjen. Suvremena ljubavna priča ispričana je emotivno sa prepoznatljivim \nlikovima i  društvenim okruženjem zagrebačke urbane srednje klase. \n \n \n \n\n\f\n \nSMRT U IMOTSKOM \nScenarij: Ana Vilenica, Slobodan Karajlović \nRežija: -  \nProducent: -  \n30.000,00 kn \n \nRiječ je o romantičnoj komediji. Student završne godine psihologije, štreber Pero mamuran \nse budi u svom studentskom stanu pokraj prekrasne djevojke Sanje. Uzbuđen što je uspio \nbiti sa takvom ljepoticom, ne primjećuje kako ga ona samo iskorištava, te prihvaća njezin \npoziv da zajedno odu (sa autom njegovog prijatelja, dakako), na vikend na dalmatinski otok. \nZa njega započinje romantična avantura života, koja se prekida kada Sanja dobije poziv \nobitelji kako joj umire baka i kako mora što prije doći u Imotski. Duhoviti likovi, dobro \nvođena radnja, apsurdne situacije uspješno vode film u žanrovski zanimljiv prostor između \nromantične komedije i komedije mentaliteta.  \n \n \nLUNA NA DVA PLANETA \nScenarij: Andrea Slaviček \nRežija: Andrea Slaviček \nProducent: -  \n30.000,00 kn \n \nLuna je fotografkinja u srednjim dvadesetima, koja nakon završenog studija pokušava \npronaći posao u istom neimenovanom gradu u kojem je i studirala, u inozemstvu. Luna je u \nstalnoj borbi za egzistenciju, a privatni život joj sve češće okupira kolega sa posla Max. Max \nje jedini na pragu “uspjeha” po pitanju karijere. Lunin odnos sa Maxom izvlači iz nje cijeli \nspektar emocija, od zavisti, ljubavi pa do mržnje. Polazeći od Lunine karakteristike kao \nsanjara, filmski scenarij isprepliće realno i nadrealno. Otkiva se svijet fantaziranja, ulazimo u \nunutrašnja Lunina stanja. Autorica u autorskoj koncepciji zapisuje: \"Zanimljivo je kako ljudi \ntako malo dotiču temu svojih misli, kojih u danu imamo otprilike 6. 200, te koliko su te misli u \nnekom prošlom ili budućem vremenu, u negativnim stvarima, sanjarenjima, i rijetko kada su \nprizemljene u sadašnjosti.\" Rastvaranje upravo unutrašnjih svjetova najveća je vrijednost \novog projekta. \n \nBlago nama \nScenarij: Anita Morina \nRežija: -  \nProducent: - \n30.000,00 kn \nPriča o obitelji koja se prije devet godina iz provincije Has na Kosovu preselila u Petrinju kako \nbi započeli bolji život. Obitelj čine dvoje djece, tinejdžerica Lina i njezin šestogodišnji brat, te \notac Met i majka Ljuljeta. Svi zajedno žive  u skromnom stanu iznad vlastite pekarnice. Kroz \nsvakodnevnu borbu za egzistenciju, roditelji žrtvuju mnogo želeći djeci pružiti obrazovanje i \nsigurnost. Riječ je o uvjerljivoj imigrantskoj priči kakvu nismo imali prilike gledati, koja je na \nnas ostavila iznimno emotivan i snažan dojam. Strah od gubitka identiteta, pitanje \n\n\f\nispravnosti života, što žrtvovati pri integraciji u novo društvo… pitanja su koja su ključna u \nrazlaganju teme imigracije. \n \nMade in Croatia \nScenarij: Ante Marin \nRežija: -  \nProducent: Wolfgang i Dolly d.o.o. / Tamara Babun \n30.000,00 kn \nNakon smrti oca, Ante se zajedno sa svojom kćerkom Viki zbog financijskih problema \nuseljava u staru seosku kuću. Ubrzo u podrumu otkrivaju zalihu ukradenog aluminija od \nkojeg pokušavaju zaraditi dovoljno novca za odlazak i početak boljeg života. No, kada im se \npruži prilika da dovrše djedov plan - da zaposle djedove radnike koji su mu bili poput obitelji \ni zapapre čovjeku odgovornom za djedove nedaće - dožupanu Mati, bacaju se na ostvarenje \ndjedovih želja.  Riječ je o tragikomediji iz dalmatinske Zagore, s temom sramotne hrvatske \nprivatizacije. Priča je vrlo uvjerljivo ispričana, potpuno autentična. Problem privatizacije nije \nčesto portretiran u hrvatskoj kinematografiji i ova priča omogućava da se o toj temi govori \nkritički, a kroz smijeh. \n \nZvat ću te David \nScenarij: Espi Tomičić \nRežija: Neda Hana Radić \nProducent: - \n30.000,00 kn \nFilm prati transrodnog dječaka Davida koji živi s bakom Katarinom i agresivnim bratom \nSebastijanom u tijesnoj garsonijeri u Zagrebu. Majka ih je napustila, a otac je umro dok su \nbili mali. Krug nasilja pokušava nadzirati Centar za socijalnu skrb, no brojne socijalne radnice \ndjeca omalovažavaju i vrijeđaju. Sve dok se jedan dan na vratima ne pojavi nova socijalna \nradnica, pripravnica Ivana. Ona uspijeva odškrinuti vrata nade za Davida. Uzbudljiva \nsocijalna drama koja u središtu ima lik transrodnog dječaka govori o potrazi za identitetom, \ntvrdim sustavom socijalne zaštite, ali prije svega važnosti pojedinca u sustavu te nadom kako \nse stvari ipak mogu mijenjati.  Dobro postavljeni likovi, uvjerljiv razvoj radnje, te važnost \nodnosa Ivane i Davida kojeg Ivana ohrabruje da izrazi svoj rod čine ovaj projekt važnim i \ninovativnim u korpusu hrvatske kinematografije. \n \n \n \n \n \n \n \n\n\f\nCrni Labud \nScenarij: Hrvoje Hribar \nRežija: Hrvoje Hribar \nProducent: - \n30.000,00 kn \n \nNakon što se šef provincijske poslovnice središnje banke u neimenovanom gradu u zaleđu \nhrvatske obale objesi, u grad dolazi Janko Boris Labud kao zamjena. Janko pokušava \npohvatati organizaciju i strukturu lokalne zajednice i ubrzo se i sam upleće u kriminalne \nradnje. Urnebesno napisani likovi inspirirani Gogoljem, pogotovo njegovom komedijom \nRevizor, našli su dobre predstavnike u mentalitetu hrvatske provincije i u priči o financijskim \nprevarama i pohlepi. Sam autor ovaj projekt opisuje kao „psihokomediju nadahnutu \nGogoljem“ i treatment čitan u tom „kodu“ obećava potencijalno iznimno uspješnu komediju. \n \nNije za nju \nScenarij: Martina Marasović \nRežija: Martina Marasović \nProducent: - \n30.000,00 kn \nPriča je ovo o mladoj, zaposlenoj ženi, rastrzanoj između onoga kojeg voli i onog s kim je u \nvezi, sklonoj alkoholu i ekscesnom ponašanju, s kroničnim interesom za politiku, gladnoj \ntrenutaka u životu koji nadilaze uobičajenu svakodnevicu obiteljskih, poslovnih i emotivnih \nodnosa. Pripovjedački vrlo sugestivno vođena radnja i psihološki dojmljivi portreti kako gl. \njunakinje tako i ostalih likova, garancija su, vjerujemo, da bi ovaj treatment mogao izrasti i u \njednako tako odličan scenarij. \n \nTako blizu \nScenarij: Marin Lisjak \nRežija: - \nProducent: - \n30.000,00 kn \nNino je sredovječni taksist koji je prije više godina bio akterom situacije koja je \nuzrokovala, nesretnim spletom okolnosti, smrt njegove kćerke Mare. Uslijed toga brak se \nraspao, Nino se odselio iz grada i živi zapravo samo zato da bi se kažnjavao. Nekoliko godina \nkasnije, zbog pogreba svoje majke, vraća se u grad, u traumatično mjesto svoje obiteljske \ntragedije. Ova dramski bogata situacija zalog je vjerujemo i daljnjeg uspješnog razvijanja \npriče u slojevit prikaz međuljudskih odnosa nad kojima se, poput sjene, nadvija strašni \ndogađaj iz prošlosti. \n \nChororo \nScenarij: Katarina Pejović \nRežija: - \nProducent: - \n30.000, 00 kn \nTijekom posvajanja od strane španjolskog para, Marko, romski dječak, i Marta \n\n\f\nprevoditeljica, sklapaju snažno i blisko savezništvo. Markovo odvajanje od hraniteljske \nobitelji duboka je trauma na koju reagira bijesom i otporom. Marta je jedina koja ga \nrazumije i nastoji mu ublažiti patnju. Neposredno pred odlazak Marka u Španjolsku, Marta \ndonosi odluku koja će za nju imati drastične posljedice, ali će Marku dati barem malo snage \nza novi početak. \nUvjerljivo kreiran spoj gotovo dokumentarnog prikaza socijalnog konteksta u kojem je \nradnja smještena kao i fikcijske ravni u kojoj pratimo odnos Marte, Marka i ostalih likova, \nčini ovaj treatment, koji se bavi važnom društvenom temom kojoj se pristupilo s mnogo \nempatije, vrlo dojmljivim ostvarenjem.  \n \nJesmo li to bili mi \nScenarij: Luiza Bouharaoua \nRežija: - \nProducent: - \n30.000, 00 kn \nNelinearno, fragmentarno ispripovijedana priča o troje junaka, Luciji, Dadi, Danijelu, \nnjihovom odrastanju u doba raspada Jugoslavije kao i sazrijevanju u vremenu nakon. \nNesiguran, krhak zrcalni odnos prošlosti i sadašnjosti glavnih junaka, našao je svoj \nprimjereni izraz u nelinearnoj formi koja je na uvjerljiv način, prelazeći različite vremenske \nravni, uspjela odgovoriti na pitanje koje je postavljeno i u samom nazivu djela. Odgovor je \nsve samo ne jednoznačan. Ne možemo znati jesmo li to to bili mi. \nU pitanju je dojmljiva priča, puna životnih detalja, s kompleksno profiliranim likovima \nuronjenima u stvarnost koju dobro poznajemo, upečatljivoga kraja. \n \nProzor preko puta \nScenarij: Katarina Zrinka Matijević \nRežija: Katarina Zrinka Matijević \nProducent : Wolfgang i Dolly d.o.o. \n30.000,00 kn \nInspirirana istinitim događajima ova priča tematizira borbu hrabre zviždačice, bankarske \nmenadžerice Sanje Mehinović koja se usudila suprotstaviti sistemu i razotkriti bankarsku \nprevaru. U uzbudljivom i dinamičnom nizanju situacija i obrata - kako na poslovnom tako i \nobiteljskom planu - pratimo osobu koja se, stavivši na kocku vlastitu karijeru i udobnost, \nupustila u bolno usamljenu donkihotovsku borbu s vjetrenjačama korporativnog svijeta. \n \nPrije, Poslije \nScenarij: Jasna Žmak \nRežija: - \nProducent: - \n30.000,00 kn \nIvona i Fran su prijatelji, a nekada prije bili su par. Ona je prekinula s djevojkom, on se \nvratio u Zagreb nakon doktorata. Jedne pijane večeri on će otići predaleko u nastojanju da je \nponovo osvoji. Njoj će trebati vremena da skupi hrabrosti da ga prijavi, ali će to na kraju \nipak učiniti. Njemu će trebati vremena da si prizna da njegova strana priče nije jedina koja \npostoji. Fran negira ono što se dogodilo, no vremenom shvati težinu svog postupka. \nOpredijelivši se za gotovo dvočinsku strukturu s dva fokalizatora radnje, prvo kroz lik \nIvone, a zatim kroz lik Frana, autorica je uspjela vrlo uvjerljivo prikazati nijanse i \n\n\f\nkompleksnost posljedica događaja koji je obilježio kako Ivonu, tako i Frana. \n \nMiss \nScenarij: Jelena Grgić \nRežija: - \nProducent: Sekvenca d.o.o \n30.000,00 kn \nZa vrijeme opsade Sarajeva, organizira se natjecanje za Miss ljepote. U mozaičkom nizanju \nsituacija, u okruženju u kojem nedostaju osnovni uvjeti za preživljavanje, s iskušenjima koja \nsu doslovno pitanja života i smrti, približavajući se datumu održavanja samog natjecanja, \npratimo naizmjenično duhovite, tužne, gorko-slatke prizore iz života mlade gl.junakinje \nInele, jedne od sudionica izbora za Miss, a koji će na samom kraju, za vrijeme održavanja \nnatjecanja i dramatično kulminirati. \n \nAna \nScenarij: Renata Lučić \nRežija: Renata Lučić \nProducent: More-Magnets d.o.o. \n30.000,00 kn \nAna je maloljetna lezbijka iz Rijeke, koju roditelji zbog njezine seksualne orijentacije zatvore \nu psihijatrijsku bolnicu, gdje je osoblje pet godina liječi kao da je ovisnica o heroinu. Terapija \nostavlja na djevojci tragove u vidu duboke traume. \nOva istinita priča, s važnom društvenom temom, uobličena u egzistencijalnu dramu \nmozaične strukture, nezastupljena je u domaćoj kinematografiji. Treatment je potresan i \nočekujemo vrlo kvalitetan scenarij. \n \nPremisa oceana \nScenarij: Tea Matanović \nRežija: - \nProducent: - \n30.000,00 kn \nAugust, profesor emeritus, simpatični grintavac treće životne dobi svojim drskim \nponašanjem izazove sveučilišni skandal. Primoran od strane uprave fakulteta, on uzima \npauzu na poslu i upušta se u avanturu koja će mu promijeniti životne okolnosti, postupke i \nodnose. Vrlo šarmantan i lepršav scenoslijed sa uvjerljivim i dobro motiviranim antijunakom \nspreman je za detaljnije kreiranje odnosa među likovima i raspisivanje duhovitog dijaloga. \n \nEpilog \nScenarij: Igor Jelinović \nRežija: Igor Jelinović \nProducent: Udruga Blank \n30.000,00 kn \nNepretenciozna i duhovita urbana priča o kraju jedne mladenačke ljubavi prikazana kroz \nslučajan susret bivšeg para jednog ljetnog zagrebačkog dana. Precizno portretiravši svoje \nlikove, s istančanim osjećajem za ritam i detalje, autor zrelo i poetično promatra muško - \nženske odnose. Treatment nam obećava svjež i uvjerljiv scenarij. \n \n\n\f\nPrekomanda \nScenarij: Ivana Marinić Kragić \nRežija: - \nProducent: Udruga Marinis Media \n30.000,00 kn \nPriča inspirirana stvarnim događajem trostrukog ubojstva unutar narko miljea u Splitu, \npotvrđuje koliko je taj slučaj još uvijek važna i aktuelna tema sa različitim socijalnim \nreperkusijama. Autorica je provela iscrpno istraživanje. U svom treatmentu nelinearno prati \nživotni put nesretnog mladića, počinitelja trostrukog ubojstva, smještajući ga u \nvjerodostojan društveno-socijalni kontekst. Mozaična struktura izvrsno gradi slojevitu \nosobnost i psihozu antijunaka. Priča je vjerno prikazana, potresna, emotivna, sa snažnim \nglavnim likom. Lokalitet i govor su autentični. Nadamo se uspješnom razvoju scenarija. \n \nTajna mačje šape \nScenarij: Hrvoje Kovačević \nRežija: - \nProducent: Wolfgang i Dolly d.o.o. \n30.000,00 kn \nRadi se o adaptaciji istoimenog romana, zanimljive, kompleksne radnje i šarolikih portreta \nlikova. Scenarij je zamišljen kao središnji dio trilogije dječjeg avanturističkog filma s \nelementima misterije i horrora. Nakon što je uspješno riješio Tajnu ribljeg oka, dječak \nDomagoj Kovačić doživljava novu pustolovinu. U njegov razred dolazi djevojčica čiji je otac \nnestao u nerazjašnjenim okolnostima. Za njim su u snijegu ostali samo tragovi velikih mačjih \nšapa. \nOsim kvalitetom, izdvajamo ovaj projekt i time što se obraća najmlađima. Dječji film prilično \nje nezastupljen i osjeća se potreba za istim. Ova trilogija ima potencijalno veliki komercijalni \nuspjeh. \n \nNedosuđeni Faul \nScenarij: Zoran Stojkovski \nRežija: Zoran Stojkovski \nProducent: - \n30.000,00 kn \nMaja je mlada rukometašica u drugoligaškom klubu iz Siska. Njezina velika želja je napustiti \nproblematičnu obitelj i odseliti u veći grad. Ona je vrijedna, ambiciozna i apsolutno \nposvećena klubu smatrajući to svojim putem prema boljem životu. U jednom trenutku stvari \nće izmaknuti kontroli, prijeći će se granice autoriteta i integriteta što će dovesti Maju u neku \nvrstu klopke. \nScenarij linearne strukture, sa uvjerljivom pričom i likovima te sjajnim scenama tjeskobe i \natmosferom malog napuštenog grada već u ovoj fazi smatramo vrlo kvalitetnim i \npodržavamo njegov daljnji razvoj. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2022,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_19102015-suradnja%20s%20CPHLAB.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_19102015-suradnja%20s%20CPHLAB.pdf","sha256":"9c76af6c924ff6d32674fd8acbc75c2bb00ef87cc84459434d089646a36be0d0","bytes":291658,"page_count":1,"extracted_at":"2026-05-16T13:54:25Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 3605-2014 \nU Zagrebu, 19. listopada 2014. \n \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), Hrvatsko audiovizualno \nvijeće je na 64. sjednici održanoj 19. listopada 2015. godine donijelo: \n \nO  D  L  U  K  U \no sufinanciranju programa CPH:DOX-a \n \n1.) Određuje se sufinanciranje programa CPH:LAB u suradnji s Međunarodnim festivalom \ndokumentarnog filma CPH:DOX International Documentary Film Festival, Tagensvej 85F,2200 \nCopenhagen, N Denmark (dalje u tekstu: CPH:DOX) u iznosu od 10.000,00 eura (desettisućaeura) u \nprotuvrijednosti u kunama na dan plaćanja. \n \n2.) Ovlašćuje se ravnatelj Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) na zaključivanje ugovora s CPH:DOX-om. \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \nObrazloženje \n \nNastavno na dugogodišnju uspješnu suradnju između HAVC-a i Danish Film Institutea,Gothersgade 55, \n1123 Copenhagn K, Danmark na 64. sjednici Hrvatskog audiovizualnog vijeća održanoj 19. listopada 2015. \ngodine usvojena je odluka iz toč. 1. izreke ove Odluke. \n \nTemeljem čl.12. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), ravnatelj HAVC-a zaključit će \nugovor s CPH:DOX-om kao što je navedeno u točki 2. izreke Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku \nobjaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić –Škarica, v.r. \n \nDostaviti: \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","year":2015,"rok":null,"referenced_projects":["CPH:LAB"],"summary":"AV vijeće na 64. sjednici od 19. listopada 2015. odobrava sufinanciranje programa CPH:LAB u iznosu od 10.000,00 eura u protuvrijednosti u kunama, u suradnji s Međunarodnim festivalom dokumentarnog filma CPH:DOX u Kopenhagenu.","project_links":[{"source_title":"CPH:LAB","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"PROIZVODNJA 2025 -1. ROK-deb i dugi igrani_ animirani_ kratki i dugi dokumentarni.pdf","filename_decoded":"PROIZVODNJA 2025 -1. 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ROK - 13.3.2025., 14. sjednica Hrvatskog audiovizualnog \nvijeća 12. lipnja 2025.\ndebitantski dugometražni igrani filmovi\ndugometražni igrani filmovi \nUKUPNO DEBITANTSKI DUGOMETRAŽNI IGRANI FILMOVI\ndugometražni dokumentarni filmovi u postprodukcijskoj fazi\nUKUPNO DUGOMETRAŽNI DOKUMENTARNI FILMOVI\nUKUPNO DUGOMETRAŽNI IGRANI FILMOVI\nanimirani filmovi\nUKUPNO ANIMIRANI FILMOVI\ndugometražni dokumentarni filmovi \n\n\f\n1\nNa Pegazu kroz gelere\nDamir Janeček\nUmjetnička organizacija Vjetrokaz\n40.000,00 €\n2\nKoze!\nTonći Gaćina\nKOMPOT\n20.000,00 €\n3\nNOŽarije\nIvan Mokrović\nFormat XYZ d.o.o.\n10.000,00 €\n70.000,00\nUKUPNO KRATKOMETRAŽNI DOKUMENTARNI FILMOVI\nkratkometražni dokumentarni filmovi \nkratkometražni dokumentarni filmovi u postprodukcijskoj fazi\n","warnings":["section0_row_numbers_not_sorted"],"document":{"program_type":"proizvodnja","natjecaj_title":"PROIZVODNJA 2025 -1. 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Jan Juračić","row_id":"9d17f1f3:s0:87b73d2fee48","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_4cd8d347d77d","project_family_title":"Active Measures"},{"row_number":17,"project_title":"Hearts of The Mountain","applicant":"Naria d.o.o.","production_company":"Naria d.o.o.","director":"Jakov Dužević","writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00 €","approved_amount":10000.0,"currency":"EUR","extras":{"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Naria d.o.o.","row_id":"9d17f1f3:s0:0b8aef5f6fe8","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_68055d2be24c","project_family_title":"Hearts of The Mountain"},{"row_number":18,"project_title":"Temporium","applicant":"Crane 51, obrt za računalne usluge","production_company":"Crane 51, obrt za računalne usluge","director":"Vedran Vivoda","writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00 €","approved_amount":10000.0,"currency":"EUR","extras":{"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Crane 51, obrt za računalne usluge","row_id":"9d17f1f3:s0:073004ad6dc1","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_4d8b24d74155","project_family_title":"Temporium"}],"section_total_text":"UKUPNO 200.000,00 €","section_total":200000.0}],"totals":{"ukupno_text":"UKUPNO 200.000,00 €","ukupno":200000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":200000.0,"ukupno_match":true,"row_count":18,"awarded_count":18,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":18}},{"schema_version":"1.0","doc_type":"image_only","source":{"filename":"Natje%C4%8Daj%20-%20zamjenik%20ravnatelja.pdf","filename_decoded":"Natje%C4%8Daj%20-%20zamjenik%20ravnatelja.pdf","sha256":"9d44d201f7591c3a6306b85f23f295e212ec6817d5e6e0a4382a209a126ff107","bytes":203501,"page_count":4,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"DOKUMENTARNI WEB.pdf","filename_decoded":"DOKUMENTARNI WEB.pdf","sha256":"9d83f0fd0793e4e4c7b7bb51908287f11e2487e168336f012d1c6fecb64703d9","bytes":49992,"page_count":2,"extracted_at":"2026-05-17T12:01:36Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/DOKUMENTARNI%20WEB.pdf"},"raw_text":"1\t\r  \n\t\r  \nNa\t\r  javni\t\r  poziv\t\r  u\t\r  kategoriji\t\r  proizvodnje\t\r  dokumentarnog\t\r  filma\t\r  na\t\r  2.\t\r  roku\t\r  \t\r  (21.11.)\t\r  prijavljeno\t\r  je\t\r  sveukupno\t\r  42\t\r  \nprojekta.\t\r  \t\r  \n\t\r  \n26\t\r  projekata\t\r  –\t\r  DUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\t\r  \t\r  \n\t\r  \nPrijave\t\r  su\t\r  stigle\t\r  od\t\r  19\t\r  produkcijskih\t\r  kuća,\t\r  22\t\r  redatelja,\t\r  6\t\r  redateljica\t\r  te\t\r  23\t\r  scenarista\t\r  i\t\r  6\t\r  scenaristica.\t\r  Jedan\t\r  \nprojekt\t\r  nije\t\r  zadovoljio\t\r  uvjete.\t\r  \n\t\r  \n16\t\r  projekata\t\r  –\t\r  KRATKOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\t\r  \t\r  \n\t\r  \nPrijave\t\r  su\t\r  stigle\t\r  od\t\r  13\t\r  produkcijskih\t\r  kuća,\t\r  10\t\r  redatelja,\t\r  5\t\r  redateljica\t\r  te\t\r  10\t\r  scenarista\t\r  i\t\r  5\t\r  scenaristica.\t\r  Dva\t\r  \nprojekta\t\r  su\t\r  povučena\t\r  jer\t\r  su\t\r  istovremeno\t\r  bila\t\r  prijavljena\t\r  u\t\r  kategoriju\t\r  eksperimentalnog\t\r  filma.\t\r  \t\r  \n\t\r  \nNa\t\r  2.\t\r  rok\t\r  proizvodnje\t\r  prijavilo\t\r  se\t\r  za\t\r  produkciju,\t\r  ali\t\r  i\t\r  u\t\r  fazi\t\r  postprodukcije\t\r  veliki\t\r  broj\t\r  kvalitetnih\t\r  projekata.\t\r  \t\r  \nIpak,\t\r  po\t\r  kreativnom\t\r  pristupu\t\r  i\t\r  pripremljenosti\t\r  materijala\t\r  brojnošću\t\r  su\t\r  se\t\r  izdvojili\t\r  filmovi\t\r  koji\t\r  se\t\r  bave\t\r  \nsuvremenim\t\r  temama.\t\r  Izabrano\t\r  je\t\r  10\t\r  projekata\t\r  (7\t\r  dugometražnih\t\r  od\t\r  kojih\t\r  su\t\r  tri\t\r  u\t\r  postprodukcijskoj\t\r  fazi\t\r  i\t\r  3\t\r  \nkratkometražna\t\r  dokumentarna\t\r  filma).\t\r  \t\r  Projekti\t\r  dolaze\t\r  iz\t\r  8\t\r  produkcijskih\t\r  kuća,\t\r  a\t\r  potpusuju\t\r  ih\t\r  2\t\r  redateljice\t\r  i\t\r  8\t\r  \nredatelja.\t\r  \nPOTICANJE\t\r  PROIZVODNJE\t\r  DUGOMETRAŽNIH\t\r  DOKUMENTARNIH\t\r  FILMOVA:\t\r  \n1.\t\r  ROBOVI,\t\r  scenarist\t\r  Marjan\t\r  Alčevski,\t\r  redatelj\t\r  Robert\t\r  Tomić\t\r  Zuber,\t\r  Jaako\t\r  dobra\t\r  produkcija\t\r  j.d.o.o.\t\r  \nIntirgantna,\t\r  napeta\t\r  priča\t\r  o\t\r  tome\t\r  kako\t\r  su\t\r  Europske\t\r  banke\t\r  prevarile\t\r  građane\t\r  Hrvatske\t\r  i\t\r  susjednih\t\r  zemalja\t\r  \nstavivši\t\r  na\t\r  tržište\t\r  kredite\t\r  u\t\r  švicarskim\t\r  francima.\t\r  Kroz\t\r  niz\t\r  primjera\t\r  i\t\r  na\t\r  niz\t\r  relevantnih\t\r  mjesta\t\r  od\t\r  Zagreba\t\r  do\t\r  \nBrisela\t\r  glavni\t\r  protagonist\t\r  Robert\t\r  Zuber\t\r  traži\t\r  odgovor\t\r  na\t\r  pitanje\t\r  kako\t\r  se\t\r  mogla\t\r  dogoditi\t\r  takva\t\r  pljačka\t\r  gotovo\t\r  \ncijele\t\r  Istočne\t\r  Europe.\t\r  Ponekad\t\r  duhovit,\t\r  ponekad\t\r  iznimno\t\r  ozbiljno\t\r  uporan\t\r  Zuber\t\r  plete\t\r  mrežu\t\r  oko\t\r  banaka\t\r  \npričajući\t\r  priču\t\r  kroz\t\r  svoju\t\r  osobnu\t\r  vizuru,\t\r  ali\t\r  i\t\r  vizure\t\r  odvjetnika,\t\r  bankara,\t\r  sudaca\t\r  te\t\r  ostalih\t\r  dužnika.\t\r  \t\r  U\t\r  vrijeme\t\r  \nkada\t\r  se\t\r  u\t\r  Europi\t\r  osnažuju\t\r  etične\t\r  banke,\t\r  a\t\r  moral\t\r  poznatog\t\r  nam\t\r  bankarstvo\t\r  biva\t\r  sve\t\r  više\t\r  propitivan\t\r  i\t\r  \nraskrinkavan\t\r  ovaj\t\r  film\t\r  mogao\t\r  bi\t\r  biti\t\r  pravi\t\r  hit.\t\r  \t\r  \n\t\r  \n2.\t\r  NAŠA\t\r  DJECA,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Silvestar\t\r  Kolbas,\t\r  Factum\t\r  \nOvo\t\r  je\t\r  priča\t\r  o\t\r  Kolbasima.\t\r  Roditelji\t\r  i\t\r  troje\t\r  djece\t\r  pred\t\r  kamerom\t\r  koju\t\r  doživljavaju\t\r  sve\t\r  nametljivijom.\t\r  Što\t\r  je\t\r  \nkamera\t\r  „upornija“\t\r  to\t\r  protagonisti\t\r  donose\t\r  sve\t\r  iskreniju\t\r  priču\t\r  i\t\r  propitivanje\t\r  da\t\r  li\t\r  svoje\t\r  živote\t\r  žive\t\r  u\t\r  \ndisfunkcionalnoj\t\r  obitelji.\t\r  Autor\t\r  se\t\r  pita\t\r  je\t\r  li\t\r  uopće\t\r  moguće\t\r  napraviti\t\r  homogenu\t\r  obitelj\t\r  i\t\r  jesu\t\r  li\t\r  on\t\r  i\t\r  njegova\t\r  \nsupruga\t\r  Nataša\t\r  previše\t\r  htjeli\t\r  i\t\r  prebrzo\t\r  išli?\t\r  Jesu\t\r  li\t\r  umišljeni\t\r  ili\t\r  tek\t\r  nepromišljeni?\t\r  \t\r  Novi\t\r  projekt\t\r  Silvestra\t\r  \nKolbasa\t\r  svojim\t\r  trailerom\t\r  toliko\t\r  mami\t\r  na\t\r  gledanje\t\r  da\t\r  doslovno\t\r  sam\t\r  trailer\t\r  imate\t\r  potrebu\t\r  pogledati\t\r  odmah\t\r  par\t\r  \nputa.\t\r  Iskren,\t\r  duhovit\t\r  pristup\t\r  temi\t\r  i\t\r  likovima\t\r  obećaje\t\r  još\t\r  jednu\t\r  dokumentarnu\t\r  poslasticu\t\r  Silvestra\t\r  Kolbasa.\t\r  \n\t\r  \n3.\t\r  HRVATSKOG\t\r  NARODNOG\t\r  PREPORODA\t\r  10,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Goran\t\r  Dević,\t\r  Petnaesta\t\r  umjetnost\t\r  d.o.o.\t\r  \nFilm\t\r  prati\t\r  stanare\t\r  jedne\t\r  zgrade\t\r  u\t\r  sisačkom\t\r  industirjskom\t\r  predgrađu\t\r  Željezara\t\r  tijekom\t\r  perioda\t\r  u\t\r  kojem\t\r  na\t\r  \nbočnoj\t\r  strani\t\r  zgrade\t\r  nastaje\t\r  veliki\t\r  murla\t\r  hrvatske\t\r  street\t\r  art\t\r  umjetnice.\t\r  Sve\t\r  političke\t\r  mjene\t\r  koje\t\r  je\t\r  doživio\t\r  \nprostor\t\r  ocrtavaju\t\r  se\t\r  na\t\r  stanarima\t\r  same\t\r  zgrade.\t\r  Već\t\r  u\t\r  samom\t\r  traileru\t\r  ostajemo\t\r  zatečeni\t\r  s\t\r  koliko\t\r  mržnje\t\r  neki\t\r  \nsustanari\t\r  ne\t\r  žele\t\r  uopće\t\r  dozvoliti\t\r  „šaranje“\t\r  po\t\r  njihovoj\t\r  imovini\t\r  dok\t\r  drugi\t\r  za\t\r  umjetnicu\t\r  pripremaju\t\r  obroke\t\r  ili\t\r  ju\t\r  \npak\t\r  poklanjaju\t\r  svojim\t\r  umjetničkim\t\r  radovima.\t\r  Malo\t\r  po\t\r  malo,\t\r  stvaranje\t\r  murala,\t\r  kojeg\t\r  redatelj\t\r  filma\t\r  želi\t\r  \nprikrivati\t\r  do\t\r  samoga\t\r  kraja\t\r  filma,\t\r  raskrinkava\t\r  cijelu\t\r  stambenu\t\r  zajendicu.\t\r  \t\r  \n\t\r  \n4.\t\r  KNJIŽEVNA\t\r  GROUPIE,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Nikica\t\r  Marović,\t\r  Factum\t\r  \nKnjiževa\t\r  groupie\t\r  priča\t\r  je\t\r  o\t\r  nagrađivanom\t\r  književniku\t\r  i\t\r  kolumnistu\t\r  Željku\t\r  Špoljaru\t\r  (43)\t\r  i\t\r  njegovom\t\r  poznatom\t\r  \nalter-­‐‑egu\t\r  Pavlu\t\r  Svircu\t\r  rođenom\t\r  u\t\r  Đakovu\t\r  1986-­‐‑e.\t\r  Narativna\t\r  linija\t\r  prati\t\r  Željkov\t\r  odnos\t\r  prema\t\r  alter-­‐‑egu,\t\r  koji\t\r  \nnastaje\t\r  iz\t\r  potrebe\t\r  za\t\r  liječenjem\t\r  depresije\t\r  i\t\r  nestabilne\t\r  situacije\t\r  u\t\r  izdavaštvu.\t\r  Usporedno\t\r  film\t\r  prati\t\r  njegovu\t\r  \nsuprugu\t\r  Maju\t\r  Hrgović\t\r  i\t\r  njegov\t\r  odnos\t\r  prema\t\r  njoj\t\r  koja\t\r  od\t\r  nedavno\t\r  radi\t\r  u\t\r  Splitu\t\r  kao\t\r  vozačica\t\r  taksija,\t\r  nakon\t\r  \nostavke\t\r  u\t\r  Ministarstvu\t\r  kulture.\t\r  Iako\t\r  debitant,\t\r  redatlje\t\r  je\t\r  već\t\r  u\t\r  radnom\t\r  materijalu\t\r  pokazao\t\r  kako\t\r  s\t\r  lakoćom\t\r  \nkamerom\t\r  prati\t\r  iskrenost,\t\r  cinizam\t\r  i\t\r  duhovitost\t\r  glavnog\t\r  lika.\t\r  Ništa\t\r  manje\t\r  zanimljiva\t\r  nije\t\r  ni\t\r  žena\t\r  glavnog\t\r  lika\t\r  \nkoja\t\r  svojim\t\r  realnim\t\r  stavovima\t\r  čini\t\r  sidro\t\r  priče.\t\r  \t\r  \n\t\r  \nFilmovi\t\r  prijavljeni\t\r  u\t\r  postprodukcijskoj\t\r  fazi:\t\r  \n\t\r  \n\n\f\n2\t\r  \n\t\r  \n5.\t\r  U\t\r  MOM\t\r  SVIJETU,\t\r  GDJE\t\r  MI\t\r  JE\t\r  LIJEPO,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Slađana\t\r  Lučić,\t\r  Wolfgang\t\r  i\t\r  Dolly\t\r  \nU\t\r  Filmu\t\r  U\t\r  mom\t\r  svijetu\t\r  gdje,\t\r  mi\t\r  je\t\r  lijepo\t\r  \t\r  junakinja\t\r  se\t\r  uhvatila\t\r  u\t\r  koštac\t\r  sa\t\r  svojim\t\r  fizičkim\t\r  granicama\t\r  i\t\r  \npredrasudama,\t\r  ali\t\r  i\t\r  predrasudama\t\r  svih\t\r  oko\t\r  nje\t\r  pa\t\r  razbija\t\r  jednu\t\r  po\t\r  jednu\t\r  dok\t\r  ne\t\r  postane\t\r  prva\t\r  pokrivena\t\r  ženi\t\r  u\t\r  \nEuropi\t\r  koja\t\r  sudjeluje\t\r  u\t\r  IronManu.\t\r  U\t\r  ovom\t\r  projektu\t\r  emocije\t\r  vas\t\r  obuzimaju\t\r  već\t\r  pri\t\r  čitanju\t\r  kratkog\t\r  sinopsisa,\t\r  a\t\r  \nna\t\r  radni\t\r  materijal\t\r  koji\t\r  je\t\r  poslan\t\r  doživljava\t\r  se\t\r  prava\t\r  katarza.\t\r  \t\r  I\t\r  kao\t\r  što\t\r  priča\t\r  kaže,\t\r  glavnoj\t\r  junakinji\t\r  filma\t\r  \nNudžejmi\t\r  iz\t\r  života\t\r  stalno\t\r  izmiče\t\r  ono\t\r  slatko,\t\r  izmiče\t\r  kad\t\r  kao\t\r  djevojčica\t\r  ostaje\t\r  bez\t\r  oca\t\r  te\t\r  izbjegličkim\t\r  putevima\t\r  iz\t\r  \nBosne\t\r  dolazi\t\r  u\t\r  Hrvatsku,\t\r  izmiče\t\r  joj\t\r  kada\t\r  joj\t\r  očuh\t\r  završava\t\r  u\t\r  zatvoru\t\r  na\t\r  sedam\t\r  godina\t\r  pod\t\r  sumnjom\t\r  za\t\r  \nterorizam,\t\r  izmiče\t\r  joj\t\r  u\t\r  prvom\t\r  braku\t\r  koji\t\r  brzo\t\r  okončava,\t\r  izmiče\t\r  joj\t\r  tokom\t\r  treniranja\t\r  i\t\r  prvih\t\r  pokušaja\t\r  \ndovršavanja\t\r  triatlona...\t\r  \t\r  ali\t\r  na\t\r  kraju\t\r  ono\t\r  slatko\t\r  Nudžejma\t\r  ipak\t\r  okusi.\t\r  Kako,\t\r  kad,\t\r  i\t\r  što\t\r  je\t\r  to\t\r  slatko....\t\r  vidjet\t\r  ćete\t\r  u\t\r  \nfilmu.\t\r  \t\r  \n\t\r  \n6.\t\r  GLAVU\t\r  DOLE,\t\r  RUKE\t\r  NA\t\r  LEĐA,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  \t\r  Stipo\t\r  Majić,\t\r  Amico\t\r  Studio\t\r  d.o.o.\t\r  \nFilm\t\r  obrađuje\t\r  događanja\t\r  u\t\r  Vukovaru\t\r  za\t\r  vrijeme\t\r  Domovinskog\t\r  rata:\t\r  pad\t\r  grada,\t\r  predaju\t\r  te\t\r  odvođenje\t\r  hrvatskih\t\r  \nbranitelja\t\r  u\t\r  logore,\t\r  boravak\t\r  u\t\r  loguru\t\r  i\t\r  suđenje\t\r  sve\t\r  do\t\r  razmjene.\t\r  Putem\t\r  iskaza\t\r  branitelja\t\r  pratimo\t\r  u\t\r  igranom\t\r  \nobliku\t\r  zadnje\t\r  dane\t\r  borbe,\t\r  zarobljavanja\t\r  i\t\r  život\t\r  u\t\r  logoru.\t\r  \t\r  Film\t\r  je\t\r  kombinacija\t\r  emotivnih\t\r  svjedočanstava\t\r  \nsnimljenih\t\r  u\t\r  polublizim\t\r  ili\t\r  krupnim\t\r  planovima\t\r  na\t\r  lokacijama\t\r  koje\t\r  podsjećaju\t\r  na\t\r  ratna\t\r  razaranja\t\r  ili\t\r  logore,\t\r  zatim\t\r  \narhivskog\t\r  materijala\t\r  i\t\r  igranih\t\r  scena.\t\r  Hermetične\t\r  dramaturgije,\t\r  mračne\t\r  atmosfere\t\r  sve\t\r  u\t\r  filmu\t\r  u\t\r  službi\t\r  je\t\r  \nstrahota\t\r  kroz\t\r  koje\t\r  su\t\r  prošli\t\r  vukovarski\t\r  branitelji.\t\r  Film\t\r  nema\t\r  veliki\t\r  festivalski\t\r  potencijal,\t\r  ali\t\r  bi\t\r  trebao\t\r  biti\t\r  \niznimno\t\r  zanimljiv\t\r  televizijama.\t\r  \n\t\r  \n7.\t\r  TI\t\r  KOJA\t\r  IMAŠ\t\r  NEVINIJE\t\r  RUKE,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Branko\t\r  Pejnović,\t\r  Društvo\t\r  prijatelja\t\r  prirodnih\t\r  ljepota\t\r  \nSlunja\t\r  i\t\r  Rastoka\t\r  \nFilm\t\r  o\t\r  Vesni\t\r  Parun\t\r  s\t\r  Vesnom\t\r  Parun\t\r  pred\t\r  kamerom\t\r  i\t\r  s\t\r  Vesna\t\r  koja\t\r  u\t\r  offu\t\r  recitira\t\r  svoje\t\r  stihove.\t\r  Da\t\r  je\t\r  samo\t\r  to,\t\r  \nbilo\t\r  bi\t\r  dovoljno\t\r  za\t\r  financijsku\t\r  podršku.\t\r  Osim\t\r  jedne\t\r  od\t\r  najboljih\t\r  pjesnikinja\t\r  ovih\t\r  prostora\t\r  u\t\r  filmu\t\r  se\t\r  pojavljuje\t\r  \nniz\t\r  njezinih\t\r  kolega,\t\r  književnih\t\r  kritičara,\t\r  prijatelja...\t\r  koji\t\r  svjedoče\t\r  o\t\r  geniju\t\r  Vesne\t\r  Parun.\t\r  Prošlo\t\r  je\t\r  skoro\t\r  devet\t\r  \ngodina\t\r  od\t\r  smrti\t\r  Vesne\t\r  Parun.\t\r  \t\r  Čini\t\r  se\t\r  kao\t\r  da\t\r  je\t\r  prošlo\t\r  90\t\r  godina.\t\r  Najveća\t\r  \t\r  i\t\r  najprevođenija\t\r  hrvatska\t\r  pjesnikinja\t\r  \nnezasluženo\t\r  je\t\r  zaboravljena,\t\r  evo\t\r  nam\t\r  prilike\t\r  da\t\r  ispravimo\t\r  grešku\t\r  i\t\r  Vesnu\t\r  otmemo\t\r  zaboravu.\t\r  \n\t\r  \nPOTICANJE\t\r  PROIZVODNJE\t\r  KRATKOMETRAŽNIH\t\r  DOKUMENTARNIH\t\r  FILMOVA:\t\r  \n1.\t\r  BRANE,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Ines\t\r  Jokoš,\t\r  Kreativni\t\r  sindikat\t\r  \nBrane\t\r  je\t\r  poetski\t\r  dokumentarni\t\r  film\t\r  o\t\r  tridesetdevetogodišnjem\t\r  filmofilu\t\r  Branimiru.\t\r  Bavljenje\t\r  filmom\t\r  Branimiru\t\r  \nje\t\r  osobna,\t\r  unutarnja\t\r  potreba\t\r  koja\t\r  nije\t\r  nesala\t\r  niti\t\r  s\t\r  njegovim\t\r  gubitkom\t\r  vida\t\r  s\t\r  18\t\r  godina.\t\r  Taj,\t\r  već\t\r  21\t\r  godinu,\t\r  \t\r  \nslijepi\t\r  čovjek\t\r  piše\t\r  filmske\t\r  recenzije,\t\r  a\t\r  sad\t\r  se\t\r  odvažio\t\r  uzeti\t\r  kameru\t\r  u\t\r  ruke\t\r  i\t\r  napraviti\t\r  svoj\t\r  filmski\t\r  zapis.\t\r  \nJedinstvena\t\r  priča\t\r  obećaje\t\r  kreativni\t\r  pristup\t\r  čiji\t\r  bi\t\r  ishod\t\r  mogao\t\r  biti\t\r  vizalno\t\r  poseban\t\r  kretivan\t\r  dokumentarni\t\r  film.\t\r  \t\r  \n\t\r  \n2.\t\r  HASSANOVI\t\r  RATOVI,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Robert\t\r  Bubalo,\t\r  Olimp\t\r  produkcija\t\r  d.o.o\t\r  \nPriča\t\r  prati\t\r  čovjeka\t\r  koji\t\r  je\t\r  od\t\r  teroriste\t\r  u\t\r  mladim\t\r  danima\t\r  postao\t\r  nagrađivani\t\r  hrvatski\t\r  novinar.\t\r  Hassan\t\r  Haidar\t\r  \nDiab,\t\r  dobitnik\t\r  nagrade\t\r  za\t\r  najboljeg\t\r  hrvatskog\t\r  novinara\t\r  u\t\r  pisanim\t\r  medijima\t\r  2016.,\t\r  odlazi\t\r  u\t\r  rodni\t\r  Beirut\t\r  i\t\r  vraća\t\r  \nse\t\r  u\t\r  prošlost,\t\r  u\t\r  vrijeme\t\r  kada\t\r  je\t\r  sudjelovao\t\r  u\t\r  Libanonskom\t\r  ratu.\t\r  Ključni\t\r  trenutak\t\r  u\t\r  njegovu\t\r  životu\t\r  je\t\r  pogibija\t\r  \nDalal\t\r  al-­‐‑Magrabi\t\r  u\t\r  koju\t\r  je\t\r  bio\t\r  zaljubljen.\t\r  Ona\t\r  je\t\r  izvela\t\r  teroristički\t\r  napad\t\r  u\t\r  Izraelu\t\r  i\t\r  u\t\r  smrt\t\r  povukla\t\r  17\t\r  civila.\t\r  \nHassan\t\r  shvaća\t\r  da\t\r  to\t\r  nije\t\r  njegov\t\r  put,\t\r  odlazi\t\r  u\t\r  Hrvatsku\t\r  u\t\r  kojoj\t\r  započinje\t\r  novi\t\r  život\t\r  i\t\r  potpuno\t\r  se\t\r  distancira\t\r  od\t\r  \nradikalizma.\t\r  U\t\r  Hrvatskoj\t\r  Hassan\t\r  postaje\t\r  novinar\t\r  sa\t\r  svjetskom\t\r  popularnošću\t\r  obzirom\t\r  da\t\r  je\t\r  dobio\t\r  ekskluzivan\t\r  \nintervju\t\r  Sirijskog\t\r  predsjednika\t\r  Bashar\t\r  al-­‐‑Assada.\t\r  Hassan\t\r  je\t\r  iskren,\t\r  beskompromisan,\t\r  tvrdoglav\t\r  u\t\r  svakom\t\r  \nslučaju\t\r  autentičan\t\r  karakter,\t\r  a\t\r  priča\t\r  potentna\t\r  i\t\r  zasigurno\t\r  će\t\r  biti\t\r  zanimljiva\t\r  kako\t\r  festivalima\t\r  tako\t\r  i\t\r  televizijama.\t\r  \n\t\r  \n3.\t\r  HRVATSKA\t\r  ZASTAVA,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Filip\t\r  Filković,\t\r  Kreativni\t\r  sindikat\t\r  \nDokumentarni\t\r  film\t\r  o\t\r  povijesti\t\r  hrvatske\t\r  zastave\t\r  i\t\r  grba\t\r  Republike\t\r  Hrvatske.\t\r  Film\t\r  obrađuje\t\r  temu\t\r  aktualizacije\t\r  \nmoderne\t\r  zastave\t\r  te\t\r  kakav\t\r  utjecaj\t\r  ima\t\r  njezin\t\r  dizaj\t\r  na\t\r  građane\t\r  Republike\t\r  Hrvatske.\t\r  Da\t\r  li\t\r  je\t\r  se\t\r  stidimo\t\r  ili\t\r  se\t\r  \nnjome\t\r  dičimo?\t\r  U\t\r  filmu\t\r  utjecajni\t\r  hrvatski\t\r  dizajneri\t\r  daju\t\r  svoje\t\r  mišljenje\t\r  i\t\r  viziju\t\r  te\t\r  predstavljaju\t\r  alternativna\t\r  \ndizajnerska\t\r  riješenja.\t\r  No\t\r  film\t\r  tu\t\r  ne\t\r  staje,\t\r  nakon\t\r  izlaganja\t\r  dizajnerski\t\r  riješenja\t\r  preko\t\r  web\t\r  stanice\t\r  u\t\r  diskusiju\t\r  o\t\r  \nredizajnu\t\r  zastave\t\r  moći\t\r  će\t\r  se\t\r  uključiti\t\r  cijela\t\r  nacija.\t\r  Film\t\r  ima\t\r  blago\t\r  humorističan,\t\r  laganiji,\t\r  pitkiji,\t\r  ali\t\r  ne\t\r  posprdan\t\r  \nni\t\r  ciničan\t\r  način\t\r  pripovijedanja\t\r  priče.\t\r  Redatelj\t\r  ima\t\r  razrađen\t\r  vizualan\t\r  pristup\t\r  temi\t\r  pogotovo\t\r  u\t\r  dijelu\t\r  kada\t\r  se\t\r  \npredstavljaju\t\r  razna\t\r  dizajnerska\t\r  riješenja.\t\r  \t\r  Ako\t\r  kroz\t\r  propitivanje\t\r  dizajna\t\r  zastave\t\r  redatelj\t\r  uspije\t\r  oslikati\t\r  \nmentalitet\t\r  ljudi\t\r  s\t\r  ovih\t\r  prostora\t\r  dobit\t\r  ćemo\t\r  pravi\t\r  mali\t\r  kreativni\t\r  dokumentarni\t\r  bonbon.\t\r  \n\t\r  \nKatarina\t\r  Zrinka\t\r  Matijević,\t\r  umjetnička\t\r  savjetnica\t\r  za\t\r  dokumentarni\t\r  film\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2017_3rok_10X2017_WEB_ANIMIRANI.pdf","filename_decoded":"RSC_2017_3rok_10X2017_WEB_ANIMIRANI.pdf","sha256":"9e235191bfea29e000f72e9989a250115a0a688a557b830e7adb97aca3601fc4","bytes":31647,"page_count":1,"extracted_at":"2026-05-17T10:24:23Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2017_3rok_10X2017_WEB_ANIMIRANI.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nIgra bogova\nBožidar Trkulja\nUstanova Zagreb film\nBožidar Trkulja\n25.000,00\n2\nKonradova prodavaonica \nptica\nNena Lončar\n25.000,00\nUKUPNO\n50.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2017. - 3. 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Row total (2,318,000 kn) verified against source sum.","reviewed_reasons":["embedded_amount_in_title","flattened_table_row"],"changes":[{"field":"project_title","from":"8 - Sveti Ljudi - David Lovrić - Jadranska animacija / Adriatic Animation - 365.000,00 kn","to":"Sveti Ljudi","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Jadranska animacija / Adriatic Animation","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Jadranska animacija / Adriatic Animation","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_27e466e3c970","project_family_title":"Sveti Ljudi"}],"section_total_text":"2.318.000,00 kn","section_total":2318000.0}],"totals":{"ukupno_text":null,"ukupno":2318000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":2318000.0,"ukupno_match":true,"row_count":8,"awarded_count":8,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":8}},{"schema_version":"1.0","doc_type":"other","source":{"filename":"2013%20Razvoj%20projekata%20AV%20djela%20DOKU%20TRAVANJ.pdf","filename_decoded":"2013%20Razvoj%20projekata%20AV%20djela%20DOKU%20TRAVANJ.pdf","sha256":"9e6bc7e09ecaeece14a8ce75d5780b317e48fcf8a610fac31d31fb8ba7653194","bytes":22857,"page_count":1,"extracted_at":"2026-05-16T13:38:08Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2013%20Razvoj%20projekata%20AV%20djela%20DOKU%20TRAVANJ.pdf"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web AV_JP KOMPL 2024. - 1. rok copy.xls - Compatibility Mode.pdf","filename_decoded":"web AV_JP KOMPL 2024. - 1. rok copy.xls - Compatibility Mode.pdf","sha256":"9e6c9027a0b2c35bf21680ff7b9d311a1cfee169eb6811c86dd0f31b109fd1a2","bytes":151125,"page_count":20,"extracted_at":"2026-05-17T10:23:22Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20AV_JP%20KOMPL%202024.%20-%201.%20rok%20copy.xls%20%20-%20%20Compatibility%20Mode.pdf"},"raw_text":"Naziv programa\nOdobrena sredstva\n(€)\n1\nGodišnji radionički program za djecu i mlade\n1.400,00 €\n2\nKino Raša 2024\n1.200,00 €\n3\nDodatna iz Filma\n2.100,00 €\n4\nGodišnji program Art-kina za 2024. godinu\n46.000,00 €\n5\nProgram Art-kina na festivalu Tobogan 2024. \n2.200,00 €\n6\nŠkola u kinu za 2024.\n5.400,00 €\n7\nVečeri animacije 2024\n2.400,00 €\n8\nProgram Filmskog studija Medika za 2024.\n3.200,00 €\n9\nLego radionica – od kockica do animiranog \nfilma\n2.200,00 €\n10\nRadionice \"Ono k'o… Zoran Tadić\" 2024. \ngodine\n1.100,00 €\n11\nRazvoj kino programa u Kinu Toplice\n2.350,00 €\n12\nKino u Kostreni 2024\n2.350,00 €\nArt-kino\nAutonomni kulturni centar\nAutorski studio - fotografija, \nfilm, video\nArsiana d.o.o.\nJavni poziv za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2024. godini, 1. rok \nBreg, vl. Mija Pavliša\ndjelatnosti razvijanja audiovizualne kulture\nArt-kino\nArt-kino\nASIFA Hrvatske\n29. sjednica Hrvatskog audiovizualnog vijeća, 28.12.2023.\nNaziv predlagatelja\nAkademski filmski klub\nArt-kino\nCentar kulture Kostrena\nAutorski studio - fotografija, \nfilm, video\n\n\f\n13\nRedovna filmska djelatnost\n4.800,00 €\n14\nProgram Kinoteke 2024.\n15.000,00 €\n15\nKino Kinoteka i Ljetna pozornica Tuškanac - \nredovna audiovizualna djelatnost u 2024. \n11.000,00 €\n16\nKino u Grubišnom Polju\n1.700,00 €\n17\nKreativne radionice udruge Centar Lukas\n700,00 €\n18\nMala škola filma\n1.500,00 €\n19\nKino-Point\n1.600,00 €\n20\nEdukativna radionica audiovizualnog \nstvaralaštva za učenike i mentore iz OŠ \nGrada Rijeke i riječkog prstena \"Video-filmska \nsvaštarnica\"\n1.600,00 €\n21\nCoachmil\n4.000,00 €\n22\nKino Mediteran\n16.000,00 €\n23\nKrenimo od 0!\n5.000,00 €\n24\nNezavisni na Bačvicama!\n3.000,00 €\n25\nKino Istra 2024\n5.200,00 €\n26\nFilmske radionice za djecu i mlade u Šibeniku\n2.700,00 €\n27\n20. Ljetne filmske radionice\n1.800,00 €\n28\nRadionica filmske kritike 2024.\n1.000,00 €\n29\nVaraždinska tvornica eksperimentalnog filma \nvol. 8\n1.500,00 €\nCentar za kulturu i film Augusta \nCesarca\nCentar za kulturu Čakovec\nCentar za kulturu i cjeloživotno \nobrazovanje Zlatna vrata\nDom mladih\nFilmska autorska grupa \n\"Enthusia Blanck\"\nDom kulture Kristalna kocka \nvedrine\nFADE IN\nCentar za kulturu i informiranje \nDr. Franjo Tuđman\nFestival mediteranskog filma \nSplit\nFestival mediteranskog filma \nSplit\nFestival mediteranskog filma \nSplit\nCentar za razvoj i promociju \nmedijske kulture Lukas\nDalmatia Film Festival\nFilmski centar mladih Šibenik\nFilmsko-kreativni studio Vanima\nFilmsko-kreativni studio Vanima\nFilmsko-kreativni studio Vanima\n\n\f\n30\nZimske i ljetne filmske radionice djece i \nmladeži 2024.\n2.100,00 €\n31\n16. Mikro-škola medijske kulture, 2024.\n400,00 €\n32\nDOKfilm '24. (18.) - revija dokumentarnog \nfilma\n800,00 €\n33\nFilmski programi u Mikro-kinu, 2024.\n2.350,00 €\n34\nFilmska radionica u OŠ Frana Galovića: \nIzgradnja medijske pismenosti i kreativnog \nrazmišljanja kroz film\n1.800,00 €\n35\nArt kino Požega 2024.\n2.500,00 €\n36\nGreen Room Cinema 2024.\n3.000,00 €\n37\n16. Filmske radionice za djecu i mlade\n4.300,00 €\n38\nDigitalna filmska naSTAVa 2024.\n2.800,00 €\n39\nObrazovni programi u kinu Tuškanac za \ndjecu i mlade - Filmska naSTAVa 2024.\n3.000,00 €\n40\nFilmski programi kina Tuškanac 2024.\n58.000,00 €\n41\nKratki utorak 2024.\n5.500,00 €\n42\nMladi mladima - poticanje razvoja filmskih \ndružina u novim sredinama 2024.\n2.000,00 €\n43\nSenzorne projekcije 2024.\n3.500,00 €\n44\nCircolo Classic\n1.000,00 €\n45\nFilm u školi\n2.300,00 €\n46\nFilmovi za sva vremena\n1.000,00 €\n47\nKino u kvartu\n1.200,00 €\nHrvatski filmski savez - HFS\nFoto kino video klub Zaprešić\nFoto-kino klub Baranja film\nFoto-kino klub Baranja film\nFoto-kino klub Baranja film\nGenerator Multidisciplinarnih \nKoprodukcija (GMK)\nGFR film-video\nGOKUL - Građanska \norganizacija za kulturu\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nJavna ustanova Pula film festival\nJavna ustanova Pula film festival\nJavna ustanova Pula film festival\nJavna ustanova Pula film festival\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\n\n\f\n48\nKino15+\n1.400,00 €\n49\nMatineje za umirovljenike\n700,00 €\n50\nRazigrano Kino / Playing Cinema\n1.200,00 €\n51\nKino bez granica \n3.000,00 €\n52\nVisia/Slavica 2024.\n4.800,00 €\n53\nKinoprikazivačka djelatnost Tvrđave kulture \nŠibenik (Art kino Arsen, Bubamarac, Ljetno \nkino Barone, Đita ljetnog kina)\n5.000,00 €\n54\n365/7\n4.400,00 €\n55\nKorak do filma\n2.000,00 €\n56\nPlanet film\n2.000,00 €\n57\nStar Gardens\n1.000,00 €\n58\nSkriveni Grad \n2.000,00 €\n59\nFilmski Uskrs i Vaskrs 2024.\n1.500,00 €\n60\nRiječno kino 2024.\n3.000,00 €\n61\nRadionice Kinokluba Zagreb u 2024. godini\n11.500,00 €\n62\nPrvo specijalizirano VR kino - program\n2.350,00 €\n63\nqRadionice 2024.\n2.200,00 €\n64\nKino za sve - posebni cjelogodišnji program \nKMC-a u 2024.\n4.800,00 €\nJavna ustanova Pula film festival\nJavna ustanova Pula film festival\nJavna ustanova Pula film festival\nJavna ustanova u kulturi \nKinematografi Dubrovnik\nJavna ustanova u kulturi \nKinematografi Dubrovnik\nJavna ustanova u kulturi \nTvrđava kulture Šibenik\nKino klub Sisak\nKino klub Sisak\nKino klub Sisak\nKino klub Sisak\nKino klub Split\nKinoklub Karlovac\nKinoklub Karlovac\nKinoklub Zagreb\nKlub za ekspedicionizam i \nkulturu\nKolektiv za razvoj, istraživanje i \npropitivanje queer kulture - \nqueerANarchive\nKulturni i multimedijski centar \nBjelovar\n\n\f\n65\nKino4us\n3.000,00 €\n66\nKino Trešnja (Kino na placu, Kino na pruzi, \nKino Mladost)\n1.800,00 €\n67\nAnimafin u zajednici\n1.000,00 €\n68\nŠkola animacije\n2.300,00 €\n69\n15. Ljetna škola filma Gunja ,,Josip Krunić''\n5.000,00 €\n70\nKino na rubu\n1.100,00 €\n71\nMikrokino\n2.350,00 €\n72\nPlanktoon 2024.\n2.000,00 €\n73\nKino28 2024.\n1.000,00 €\n74\nFilmska škola \"Žene s videokamerama\"\n2.400,00 €\n75\nArt kino \"Cineast\"\n1.700,00 €\n76\nGodišnji program za 2024. - Posebni programi\n2.350,00 €\n77\nGodišnja kinoprikazivačka djelatnost kina \n\"30. svibnja\" Daruvar - permanentno \nprikazivanje filmova i revija hrvatskog, \neuropskog i internacionalnog kino-repertoara \nu 2023. godini\n4.200,00 €\n78\nPopularizacija europskog i neameričkog filma \nte filmske pismenosti\n3.500,00 €\n79\n101 godina kinematografije u Krapini\n2.600,00 €\n80\nFilmske srijede u Kino Moslavini\n1.500,00 €\n81\nProgram za škole i kino - ŠIK\n2.000,00 €\nLuma film, vl. Marija Udovičić\nLuma film, vl. Marija Udovičić\nKulturno prosvjetno društvo \n\"Sloga\" Pakrac\nLokalna baza za osvježavanje \nkulture - BLOK\nMultimedijalni centar Studio \nkreativnih ideja Gunja - MMC \nSKIG\nMuzej suvremene umjetnosti\nOtompotom\nOtompotom\nPozitivan ritam d.o.o.\nProstor rodne i medijske kulture \nK-zona\nPučko otvoreno učilište - \nUniversita popolare aperta \nVodnjan - Dignano\nPučko otvoreno učilište \"Đuro \nArnold\" Ivanec\nPučko otvoreno učilište Daruvar\nPučko otvoreno učilište \nKoprivnica\nPučko otvoreno učilište Krapina\nPučko otvoreno učilište Kutina\nPučko otvoreno učilište Kutina\n\n\f\n82\nKinoprikazivačka djelatnost POUMAR-a - \nKina Nova Gradiška za 2024. godinu\n2.350,00 €\n83\nOslobođeni film: filmske pustolovine za djecu \ni mlade\n1.300,00 €\n84\nKino za sve\n2.350,00 €\n85\nKinoklub Poreč\n800,00 €\n86\nGodišnji program Kina Samobor 2024.\n6.200,00 €\n87\nMoje malo kino vol. 3\n2.500,00 €\n88\n104 godine kinematografije u Slatini\n2.000,00 €\n89\nKino u gostima\n2.200,00 €\n90\nLjetno kino\n1.300,00 €\n91\nGodišnji filmski program kina Gaj 2024.\n7.000,00 €\n92\nCjelogodišnji program Kina Gorica za 2024. \ngodinu\n3.000,00 €\n93\n Filmsko-edukativni klub mladih FeKaeM\n1.500,00 €\n94\n14. Škola animiranog filma\n2.400,00 €\n95\n20. Škola filma\n3.000,00 €\n96\nAutor u gostima\n1.000,00 €\n97\nProduction In 2024\n2.400,00 €\n98\nSite Specific Cinema\n2.000,00 €\n99\nKino.hr - kinoprikazivačka djelatnost dijela \nmreže\n7.000,00 €\nPučko otvoreno učilište Matija \nAntun Relković\nPučko otvoreno učilište Matija \nAntun Relković\nPučko otvoreno učilište Novska\nPučko otvoreno učilište Poreč\nPučko otvoreno učilište Samobor\nPučko otvoreno učilište Samobor\nPučko otvoreno učilište Slatina\nPučko otvoreno učilište u Pazinu\nPučko otvoreno učilište u Pazinu\nPučko otvoreno učilište Varaždin\nPučko otvoreno učilište Velika \nGorica\nPulska filmska tvornica\nPulska filmska tvornica\nPulska filmska tvornica\nPulska filmska tvornica\nPulska filmska tvornica\nPulska filmska tvornica\nRadar d.o.o.\n\n\f\n100\nDemokracija za početnike u 2024. godini\n1.000,00 €\n101\nDokukino program u 2024. godini\n10.500,00 €\n102\nDoku-matineje za umirovljenike - arhivi i \nsjećanja \n1.200,00 €\n103\nFilmska početnica u 2024. godini\n2.500,00 €\n104\nKineDok 2024.\n5.500,00 €\n105\nŠkola dokumentarnog filma u 2024. godini\n8.500,00 €\n106\nFilmski klub Vrti svoj film - u svim osnovnim \nšklama u HR\n5.500,00 €\n107\nAnimation Shots 2024.\n2.800,00 €\n108\nAnimirani Šibenik 2024.\n1.800,00 €\n109\nFilmski program Studentskog centra\n3.300,00 €\n110\n30. Internacionalna filmska radionica (30. IFR)\n2.700,00 €\n111\n21. Ljetna škola filma Šipan 2024.\n3.500,00 €\n112\nIzrazi se filmom\n2.300,00 €\n113\nFROOOM! 2024 – cjelogodišnji program AV \nopismenjavanja djece i mladih\n8.500,00 €\n114\nSamo nebo nam je granica - filmsko \nopismenjavanje korisnika 54+ u 2024\n1.500,00 €\n115\nBlank_senior\n1.250,00 €\n116\nFilmska škola\n3.000,00 €\n117\nFilmske radionice\n6.400,00 €\nRestart\nRestart\nRestart\nRestart\nRestart\nRestart\nSedmi kontinent produkcija \nd.o.o.\nSUPERTOON\nSUPERTOON\nSveučilište u Zagrebu - \nStudentski centar u Zagrebu\nŠkola animiranog filma Čakovec\nŠkola filma Šipan\nTvornica Umjetnosti - TUM\nUdruga Bacači sjenki\nUdruga Bacači sjenki\nUdruga Blank\nUdruga Blank\nUdruga Blank\n\n\f\n118\nAnimacijski lab Sedmi kontinent\n4.000,00 €\n119\nFILM-o-GRAM  2024.  FILMsko – obrazovni \nproGRAM za srednjoškolce grada Zadra\n1.500,00 €\n120\nPutujući Sedmi kontinent u suradnji s \nnezavisnim kinoprikazivačima i online \nplatformama\n7.300,00 €\n121\nSedmi kontinent u bolnicama 2024. \n4.000,00 €\n122\nFilm svima 2024.\n2.000,00 €\n123\nFilm svima svugdje 2024.\n950,00 €\n124\nNova škola dokumentarnog filma 2.0\n2.500,00 €\n125\nOtoci 2024\n1.500,00 €\n126\nPrimijenjeni video 2024\n800,00 €\n127\n11. Dyxy na filmu\n1.600,00 €\n128\nRadi-OSI-onice\n1.600,00 €\n129\nProgram rada Jedine solucije, udruge za \naudiovizualnu umjetnost (2024.)\n1.400,00 €\n130\nŠkola igranog filma 2024.\n2.200,00 €\n131\nFilmska radionica za mlade PSFF-a 2024.\n800,00 €\n132\nGledamo dokumentarce, pravimo \ndokumentarce! - edukacijski program 22. LFF-\na\n2.400,00 €\n133\nLiburnia uplovljava 2024\n1.500,00 €\n134\nSlučajno kino 2024\n1.000,00 €\n135\nEDIT: Kin-o-zvuk\n1.000,00 €\nUdruga Djeca susreću umjetnost\nUdruga Djeca susreću umjetnost\nUdruga Djeca susreću umjetnost\nUdruga Djeca susreću umjetnost\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Globe Media\nUdruga građana Spirit\nUdruga Kaooosss\nUdruga Lanterna Magica\nUdruga Liburnia film festival\nUdruga Jedina solucija\nUdruga Liburnia film festival\nUdruga ljubitelja filma Rare \nVinkovci\nUdruga Liburnia film festival\n\n\f\nRadionica animiranog filma \"Mali grad Ivanić-\nGrad\" 2024. i\nRadionica igranog filma \"Mali grad Ivanić-\nGrad\" 2024.\nFilmske radionice na festivalu dječjeg \nstvaralaštva \"Mali grad Lisina\", \"Mali grad \nFaros\" i \"Mali grad Jolha\" 2024 i\nRadionice animiranog filma na festivalima \ndječjeg stvaralaštva \"Mali grad Lisina\", \"Mali \ngrad Faros\" i \"Mali grad Jolha\" 2024\n138\nFilmski izazovi - Škola za profesore i učenike\n1.500,00 €\n139\nEkologije skrbi: novi savezi\n4.000,00 €\n140\nDigital Generation filmska radionica\n1.700,00 €\n141\nRadionica glazbenog dokumentarnog filma \nDoc'n'Rhythm\n1.300,00 €\n142\nProgram edukacije u području audiovizualnog \nstvaralaštva na primjeru kratkog \ndokumentarnog filma \n1.600,00 €\n143\nDOKUart EDU 2024. - predavanja i posebne \nprojekcije za osnovnoškolce i srednjoškolce\n1.500,00 €\n144\nDOKUart EDU 2024. - radionica za \ndokumentarni film\n2.800,00 €\n145\n16. Festival prava djece 2024. - prilagodbe \nfilmova za gluhe i slijepe osobe\n3.000,00 €\n146\nRazgovor počinje filmom 2024.\n3.100,00 €\n147\nRocument u VIB-u\n2.000,00 €\n148\nDovedimo kulturu k nama 2024\n1.300,00 €\n149\nTimski rad oko kamere - filmska radionica za \ndjecu i mlade\n1.000,00 €\n150\nFilmske večeri u Močvari \n4.000,00 €\n2.500,00 €\n137\n136\nUdruga ZAG\nUdruga Što, kako i za koga / \nWHW\nUdruga za promicanje kulture \nDokuart\nUdruga Manda - film i riječ\nUdruga za promicanje \naudiovizualnog stvaralaštva \nDonat\nUdruga za promicanje \nstvaralaštva i jednakih \nmogućnosti Alternator\nUdruženje za razvoj kulture - \nURK\n2.000,00 €\nUdruga za promicanje kulture \nDokuart\nUdruga za audiovizualno \nstvaralaštvo Artizana\nUdruga Mali grad\nUdruga Mali grad Faros\nUdruga za promicanje \nstvaralaštva i jednakih \nmogućnosti Alternator\nUdruga za razvoj kulture TOČKA \nKULTURE\nUdruga za audiovizualno \nstvaralaštvo Artizana\nUdruga za ruralni turizam Đola\n\n\f\n151\nSerije za invizibilno kino: Irena Vrkljan ili \npokušaji negacije\n3.400,00 €\n152\nKlubvizija: program u 2024. godini\n2.500,00 €\n153\nKino Metropolis\n4.000,00 €\n154\nBesplatne filmske projekcije u Društvenom \ndomu Klinča Sela\n1.000,00 €\n155\nBesplatne audiovizualne radionice za djecu i \nmlade (sela Zagrebačke županije - Klinča \nSela) - uključuje polaznike s posebnim \npotrebama\n1.100,00 €\n156\nKinoKino - Filmski program za djecu\n5.600,00 €\n157\nMala škola crtanog filma\n1.500,00 €\n158\nProgram obilježavanja 50 godina Video kluba \nMursa - projekcije i razgovori s autorima\n1.800,00 €\n159\nRadionica stop-trik animacije See/Touch/Try \n– 2024.\n1.000,00 €\n160\nRadionica stop-trik animacije See/Touch/Try \n– Darda 2024.\n1.200,00 €\n161\nOsma radionica animiranog filma posvećenog \nmanifestaciji Svijet bajki Ivane Brlić-Mažuranić \n1.600,00 €\n162\nKino Zona Zadar\n4.000,00 €\n562.300,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nDvadeseti Festival 25 FPS\n39.000,00 €\n2\n12. Revija filmova za djecu\n1.700,00 €\nUmjetnička organizacija Zagreb \nFilm Festival\nUmjetnička organizacija \nMetropolis\nZajednica udruga Centar \nnezavisne kulture\nVideo klub Mursa\nUKUPNO\nfilmski festivali i druge audiovizualne manifestacije\nVideo klub Mursa\nVideo klub Mursa\nZajednica tehničke kulture \nGrada Slavonskog Broda\nUmjetnička organizacija Film-\nprotufilm\nUmjetnička organizacija \nKlubvizija\nNaziv predlagatelja\n25 FPS, Udruga za audio-\nvizualna istraživanja\nCentar za kulturu Čakovec\nUstanova Zagreb film\nUmjetnička organizacija Rikšafilm\nUmjetnička organizacija Rikšafilm\n\n\f\n3\n19. Revija dokumentarnog filma Fibula\n1.000,00 €\n20. ZagrebDox - Međunarodni festival \ndokumentarnog filma i\nDva desetljeća ZagrebDox-a\n5\n17. Festival mediteranskog filma Split\n35.000,00 €\n6\n15. VAFI & RAFI - internacionalni festival \nanimiranog filma djece i mladih\n8.600,00 €\n7\n32. hrvatski festival jednominutnih filmova i \n2. put oko svijeta u minuti\n8.600,00 €\n8\nPožeški filmski tjedan 2024.\n2.400,00 €\n9\n34. Svjetski festival animiranog filma - \nAnimafest Zagreb 2024\n125.000,00 €\n10\n9. Pulica u kaputu\n1.700,00 €\n11\nStar Film Fest\n5.300,00 €\n12\nFilmski EU tjedan 2024.\n700,00 €\n13\nFUSE - Film Under Severe Experiment 2024.\n2.200,00 €\n14\nStop Motion Scena 2024.\n750,00 €\n15\nqFest 2024. (filmske projekcije)\n1.300,00 €\n16\nČeški filmski tjedan\n1.200,00 €\n17\nDalmatia film festival\n4.000,00 €\n18\nVox Feminae Festival 2024.\n6.300,00 €\n19\nRevija recentnog hrvatskog filma\n1.500,00 €\nJavna ustanova Pula film festival\n4\nKolektiv za razvoj, istraživanje i \npropitivanje queer kulture - \nqueerANarchive\nKulturno prosvjetno društvo \n\"Sloga\" Pakrac\n82.000,00 €\nKinoklub Karlovac\nGFR film-video\nHulahop d.o.o.\nProstor rodne i medijske kulture \nK-zona\nMoonstone Production d.o.o.\nDom kulture Kristalna kocka \nvedrine\nGFR film-video\nFestival mediteranskog filma \nSplit\nFilmsko-kreativni studio Vanima\nPučko otvoreno učilište Matija \nAntun Relković\nFactum\nKino klub Sisak\nKinoklub Karlovac\nKinoklub Karlovac\n\n\f\n20\n17. Subversive Film Festival: Živjeti bez \nkapitalizma\n22.000,00 €\n21\n11. Međunarodni studentski filmski festival - \nSTIFF\n4.800,00 €\n22\nFilmski karavan\n2.200,00 €\n23\nUhvati film fest\n3.500,00 €\n24\n14. Postira Seaside Film Festival - \nmeđunarodni festival kratkometražnog filma \n2024.\n3.200,00 €\n25\n22. Liburnia Film Festival\n12.000,00 €\n26\nAPOX Film Festival 2024\n2.000,00 €\n27\nFilmodrom - Ljetno kino Udruge DOKUart \n2024.\n1.700,00 €\n28\n16. Festival prava djece 2024. \n8.500,00 €\n29\nProces 24\n1.200,00 €\n30\nFilmske mutacije: festival nevidljivog filma \nXVIII - Točka Omega: Agregatna stanja \nfilmskih slika\n13.000,00 €\n31\n22. Zagreb Film Festival\n93.000,00 €\n32\n22. Gastro Film Fest\n1.400,00 €\n33\nCiklus filmova Michaela Hanekea u Kino Zoni \nZadar i Kinu Velebit Koprivnica\n1.000,00 €\n497.750,00 €\nNaziv programa\nOdobrena sredstva\n(€)\nizdavaštvo u području audiovizualnih djelatnosti\nNaziv predlagatelja\nUdruga Filmaktiv\nUdruga građana Spirit\nUdruga Liburnia film festival\nUdruga Bijeli val\nUdruga za promicanje \nstvaralaštva i jednakih \nmogućnosti Alternator\nUdruga građana Spirit\nUdruga Lanterna Magica\nUdruga Relive\nUdruga za promicanje kulture \nDokuart\nUmjetnička organizacija Zagreb \nFilm Festival\nUmjetnička akademija u Splitu\nUKUPNO\nVideo klub Mursa\nZajednica udruga Centar \nnezavisne kulture\nUmjetnička organizacija Film-\nprotufilm\n\n\f\n1\nMonografija „Ta divna splitska noć“\n2.350,00 €\n2\n\"Manivald\" i \"Morana\", knjige snimanja \nsuvremenih hrvatskih animiranih filmova\n2.500,00 €\n3\nOd A do V - drugi dio\n900,00 €\n4\nInverzija.net, web publikacija za žanrovski \nfilm, znanstvenu fantastiku i fantastičnu \nknjiževnost\n1.000,00 €\n5\nHrvatski filmski ljetopis\n15.000,00 €\n6\nHrvoje Turković: Eksperimentalni film u \nHrvatskoj. Pojam, konteksti, povijesni \npregledi, portreti (radni naslov)\n2.800,00 €\n7\nJanica Tomić: Žive slike/Levande bilder. \nPrilozi povijesti švedskoga filma\n2.500,00 €\n8\nMrežna stranica ZonaFilma.com\n3.500,00 €\n9\nWeb-stranica Kinofilm.hr\n3.500,00 €\n10\nKinemaskop\n4.500,00 €\n11\nRodno osviještena filmska kritika\n2.700,00 €\n12\nOd optičkih igračaka do Hollywooda: Utjecaj \nNikole Tesle na razvoj filmske industrije\n2.100,00 €\n13\nBiblioteka Sinestetika: Owen Hatherley  \nChaplin-mašina: slapstick, fordizam, i \nkomunistička avangarda\n1.750,00 €\nDokumentarni.net i\nDokunet Video\n15\nFilmska glazba Ozrena Depola\n4.200,00 €\n16\nSlijepe pjege\n1.750,00 €\n17\nKratki, animirani i eksperimentalni film u \nmedijima \n3.500,00 €\n14\nHrvatsko društvo filmskih \nkritičara\nFilmsko-kreativni studio Vanima\nASIFA Hrvatske\nHrvatski filmski savez - HFS\nAlka film d.o.o.\nTESLOPOLIS d.o.o.\nUdruga Bijeli val\nKurziv - Platforma za pitanja \nkulture, medija i društva\nUdruga Dokumetar\nProstor rodne i medijske kulture \nK-zona\nHangar 7 d.o.o.\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nKinofilm d.o.o.\nUdruga Vizkultura\nUdruga Slobodni filozofski\nUdruga Jučer, danas, sutra - \nplatforma za audiovizualna \nistraživanja\n5.200,00 €\n\n\f\n18\nFeminističko čitanje popularne kulture vol. 5.0\n2.200,00 €\n19\nWeb izdavaštvo putem portala Kinoljubac\n1.000,00 €\n20\nFilmovi.hr\n3.300,00 €\n21\nKnjiga \"Filmska kritika i novinarski žanrovi\"\n2.000,00 €\n68.250,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nProgrami Udruge 25 FPS u 2024. godini\n6.000,00 €\n2\nRadionica animiranog filma za djecu – Mala \nzagrebačka animacija (Z – animacija)\n5.200,00 €\n3\nRedovne djelatnosti DHAP-a u 2024. godini\n2.100,00 €\n4\nDjelatnosti Društva hrvatskih filmskih \nmontažera u 2024. godini\n5.000,00 €\n5\nProgram redovite djelatnosti DHFR-a za 2024. \ngodinu\n18.000,00 €\n6\nRedovita djelatnost u 2024. godini\n2.000,00 €\n7\nProgram rada u 2024. godini\n4.500,00 €\n8\nProgram rada FFVAL-a za 2024. godinu - \nFoto film video amateri Luke (FFVAL)\n2.200,00 €\n9\nRedovita programska djelatnost 2024.\n4.300,00 €\n10\nFilmska edukacija mladih 2024.\n2.800,00 €\nDruštvo hrvatskih audiovizualnih \nprevoditelja\nDruštvo hrvatskih filmskih \nmontažera\nDruštvo hrvatskih filmskih \nredatelja\nFilmski centar mladih Šibenik\nFoto kino video klub Zaprešić\nGFR film-video\nUdruga za feminizam i kulturu \nMuf\nUdruga za promicanje filmske \nkulture, filma i televizijskih serija \nKinoljubac\nUmjetnička organizacija \nMetropolis\nUmjetnička organizacija \nMetropolis\nNaziv predlagatelja\nFoto film video amateri Luke\nFilmsko-kreativni studio Vanima\nAutorski studio - fotografija, \nfilm, video\nprogrami audiovizualnih udruga i organizacija\nUKUPNO\n25 FPS, Udruga za audio-\nvizualna istraživanja\n\n\f\n11\nProgrami i projekti Kino mreže u 2024. godini\n17.000,00 €\nProfesije u sektoru kamere- Profesija kolorist i\nRedovna djelatnost Hrvatske udruge filmskih \nsnimatelja\n13\nProgram redovne djelatnosti Hrvatske udruge \nproducenata za 2024. godinu\n19.000,00 €\n14\nKoordinacijske i poticajne funkcije HFS-a \n2024.\n14.000,00 €\n15\nRedovna djelatnost Hrvatskog društva \nfilmskih djelatnika\n47.000,00 €\n16\nProgram redovne djelatnosti Hrvatskog \ndruštva filmskih kritičara\n13.000,00 €\n17\nProgram redovnih aktivnosti HDNP-a za \n2024. godinu\n6.000,00 €\n18\nRedovni program Hrvatskog kaskaderskog \ndruštva 2024.\n5.000,00 €\n19\nGodišnji program Kino kluba Sisak\n2.500,00 €\n20\nEdukativni program i produkcija Kino kluba \nSplit u 2024. godini\n11.500,00 €\n21\nRedovna djelatnost Kinokluba Karlovac u \n2024. godini\n7.000,00 €\n22\nRedovite aktivnosti Kinokluba Zagreb u 2024. \ngodini\n4.800,00 €\n23\nRedovan rad udruge MMC SKIG i edukacija \nčlanova\n1.900,00 €\n24\nRedovna djelatnost SPID-a u 2024. godini\n9.800,00 €\n25\nMisli i stvaraj filmski! - Redovna djelatnost \nŠAF-a u 2024. g.\n3.000,00 €\n26\nProgram redovne audiovizualne djelatnosti i \nfilmske produkcije udruge Bacači Sjenki u \n2024\n3.000,00 €\nFilmska proizvodnja kratkih filmova mladih \nneafirmiranih autora i\nRedovita programska djelatnost udruge Blank \nu 2024.\n12\n27\n16.600,00 €\nHrvatska udruga filmskih \nsnimatelja\nUdruga Bacači sjenki\nKino klub Sisak\nHrvatska udruga producenata\nHrvatska mreža neovisnih \nkinoprikazivača\n11.500,00 €\nUdruga Blank\nHrvatsko kaskadersko društvo - \nHKD\nKino klub Split\nHrvatsko društvo nezavisnih \nproducenata\nMultimedijalni centar Studio \nkreativnih ideja Gunja - MMC \nSKIG\nSavez scenarista i pisaca \nizvedbenih djela\nKinoklub Karlovac\nKinoklub Zagreb\nŠkola animiranog filma Čakovec\nHrvatski filmski savez - HFS\nHrvatsko društvo filmskih \ndjelatnika\nHrvatsko društvo filmskih \nkritičara\n\n\f\n28\nProgram AV udruge Djeca susreću umjetnost \nza djecu i mlade - Filmski program Sedmi \nkontinent  za 2024. godinu\n3.000,00 €\n247.700,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nKino Mediteran od doma: ponuda i promocija \nhrvatskih filmova\n4.000,00 €\n2\nIzdavaštvo i distribucija hrvatskih \ndokumentarnih filmova u regiji u 2024. godini\n3.300,00 €\n3\nInternetska platforma croatian.film - središnje \nmjesto hrvatske kinematografije online\n7.500,00 €\n4\nFestivalska distribucija recentnih filmskih \nnaslova animiranih, eksperimentalnih, igranih \ni dokumentarnih filmova (2022, 2023, 2024) u \n2024. godini  \n3.500,00 €\n18.300,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nPraktikum: edukacija za deficitarna \nzanimanja u audiovizualnim djelatnostima\n2.500,00 €\n2\nScenaristički program \"Branko Bauer\" za \n2024. godinu\n2.800,00 €\n3\nZagrebDox Pro 2024.\n14.500,00 €\n4\nFilmski market Split (Industrija 1.0)\n4.000,00 €\nFestival mediteranskog filma \nSplit\n25 FPS, Udruga za audio-\nvizualna istraživanja\nDruštvo hrvatskih filmskih \nredatelja\nNaziv predlagatelja\nprogrami promocije i prodaje hrvatskih audiovizualnih djela\nUKUPNO\nFestival mediteranskog filma \nSplit\nUstanova Zagreb film\nUdruga Djeca susreću umjetnost\nUmjetnička organizacija Zagreb \nFilm Festival\nFactum\nNaziv predlagatelja\nUKUPNO\nRestart\nprogrami stručnog usavršavanja i/ili edukacije\n\n\f\n5\nRadionica (workshop) za operatere kamere\n5.000,00 €\n6\n26. Škola medijske kulture \"Dr. Ante Peterlić\"\n37.000,00 €\n7\nPalunko 2024.\n5.800,00 €\n8\nMasterClass: Krupni kadar\n1.500,00 €\n9\nTV Burza 2024\n4.000,00 €\n10\nAnimafest PRO 2024\n6.000,00 €\n11\nMala škola medijske kulture 7\n2.500,00 €\n12\nMind the Image / Pazi na sliku\n4.000,00 €\n13\nRadionica za odgojno-obrazovne djelatnike - \nnamjenski/promotivan film\n1.800,00 €\n14\nFilmska čitanka 2024: Krajolici zvuka\n2.000,00 €\n15\nPitching Forum Vox Feminae Festivala\n2.000,00 €\n16\nInkubator Pulske filmske tvornice\n1.800,00 €\n17\nRestart Laboratorij u 2024. godini \n8.000,00 €\n18\nScenaristički program Zora Dirnbach 2024.\n2.400,00 €\n19\nMasterclass filmske kritike i analize – \nprogram usavršavanja za nastavnike \n2.000,00 €\n20\nCinEd promocija hrvatskih filmova i program \nstručne filmske edukacije 2024\n5.200,00 €\n21\nLFF Rough Cut 2024\n3.200,00 €\n22\n7. Split Script, 2024.\n3.500,00 €\nHrvatski filmski savez - HFS\nKino klub Split\nKino klub Split\nKinoklub Karlovac\nHrvatsko društvo filmskih \ndjelatnika\nHrvatsko društvo nezavisnih \nproducenata\nHulahop d.o.o.\nSavez scenarista i pisaca \nizvedbenih djela\nSedmi kontinent produkcija \nd.o.o.\nHrvatski filmski savez - HFS\nHrvatska udruga filmskih \nsnimatelja\nUdruga Metonimija\nKinoklub Zagreb\nProstor rodne i medijske kulture \nK-zona\nPulska filmska tvornica\nRestart\nUdruga Liburnia film festival\nUdruga Bacači sjenki\n\n\f\n23\n10. Europski žanrovski forum / 10th \nEuropean Genre Forum - Screenwriting & \nDirecting Lab\n4.000,00 €\n24\nIndustrija 22. Zagreb Film Festivala\n16.000,00 €\n25\nClifford de Spenser: \"English Voice & Speech \nfor Actors\" - masterclass engleskog (RP) \nizgovora za profesionalne glumce\n1.000,00 €\n26\n15. međunarodna radionica animiranog filma \n2024\n3.500,00 €\n27\nOd 5 do 25 (minuta) - radionica scenarija \nkratkog dokumentarnog filma\n2.000,00 €\n148.000,00 €\nNaziv programa\nOdobrena sredstva\n(€)\n1\nSimpozij: Analogni film u digitalnom dobu\n1.700,00 €\n2\nMisliti film: Cinemaniac 2024\n2.800,00 €\n3\nAutoteorija kao angažirana umjetnička praksa \nv.2\n1.800,00 €\n4\nFilmsko-diskurzivni program Hrvatskog \ndruštva filmskih kritičara \n2.500,00 €\n5\n11. 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 \n\t\r  \nJAVNI\t\r  POZIV\t\r  ZA\t\r  POTICANJE\t\r  AUDIOVIZUALNIH\t\r  DJELATNOSTI\t\r  I\t\r  STVARALAŠTVA\t\r  U\t\r  2019.\t\r  \n\t\r  \nKategorija:\t\r  poticanje\t\r  razvoja\t\r  scenarija\t\r  i\t\r  razvoja\t\r  projekata\t\r  \n\t\r  \n1.\t\r  rok,\t\r  19.\t\r  lipnja\t\r  2019.\t\r  \n\t\r  \n1.   U\t\r  kategoriji\t\r  razvoja\t\r  projekta\t\r  bilo\t\r  je\t\r  četrnaest\t\r  projekata\t\r  od\t\r  kojih\t\r  smo\t\r  odabrali\t\r  njih\t\r  šest,\t\r  a\t\r  još\t\r  \njedan\t\r  projekt\t\r  bio\t\r  je\t\r  prijavljen\t\r  u\t\r  kategoriji\t\r  poticanja\t\r  proizvodnje,\t\r  ali\t\r  smo\t\r  ga\t\r  vratili\t\r  stepenicu\t\r  \nniže\t\r  kako\t\r  bi\t\r  se\t\r  uradile\t\r  još\t\r  neke\t\r  scenarističke\t\r  promjene.\t\r  \n\t\r  \n2.   U\t\r  kategoriji\t\r  razvoja\t\r  scenarija\t\r  bilo\t\r  je\t\r  šezdeset\t\r  i\t\r  sedam\t\r  projekata,\t\r  a\t\r  odabrali\t\r  smo\t\r  njih\t\r  \njedanaest.\t\r  Još\t\r  jedan\t\r  projekt\t\r  koji\t\r  je\t\r  izabran\t\r  u\t\r  ovoj\t\r  kategoriji,\t\r  konkurirao\t\r  je\t\r  za\t\r  produkciju,\t\r  ali\t\r  \nsmo\t\r  smatrali\t\r  da\t\r  treba\t\r  scenarističku\t\r  doradu,\t\r  pa\t\r  smo\t\r  ga\t\r  uključili\t\r  u\t\r  razvoj\t\r  scenarija.\t\r  Među\t\r  \nprojektima\t\r  koji\t\r  nisu\t\r  dobili\t\r  potporu\t\r  ima\t\r  još\t\r  dosta\t\r  projekata\t\r  sa\t\r  zanimljivom\t\r  temom,\t\r  ali\t\r  čiji\t\r  \nautori\t\r  se\t\r  nisu\t\r  potrudili\t\r  oko\t\r  razrade\t\r  treatmenta.\t\r  \n\t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n1.   Obrazloženje\t\r  razvoja\t\r  projekata\t\r  \n\t\r  \nBog\t\r  neće\t\r  pomoći\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \nScenarij\t\r  –\t\r  Hana\t\r  Jušić\t\r  \nRežija\t\r  –\t\r  Hana\t\r  Jušić\t\r  \nProdukcija\t\r  -­‐\t\r  Kinorama\t\r  \nČileanka\t\r  Teresa\t\r  \t\r  početkom\t\r  prošlog\t\r  stoljeća\t\r  dolazi\t\r  u\t\r  seosku\t\r  zabit\t\r  podno\t\r  Dinare\t\r  noseći\t\r  kosti\t\r  \nod\t\r  muža\t\r  u\t\r  vreći,\t\r  tražeći\t\r  njegovu\t\r  hrvatsku\t\r  obitelj.\t\r  Pronalazi\t\r  muževljevu\t\r  sestru\t\r  i\t\r  braću\t\r  i\t\r  počne\t\r  \nse\t\r  aklimatizirati\t\r  i\t\r  snalaziti\t\r  u\t\r  selu\t\r  i\t\r  u\t\r  porodici.\t\r  Teresa\t\r  govori\t\r  španjolski\t\r  i\t\r  nitko\t\r  ju\t\r  ne\t\r  razumije,\t\r  \nali\t\r  se\t\r  ipak\t\r  nekako\t\r  snalaze.\t\r  \t\r  Ona\t\r  je\t\r  radišna\t\r  i\t\r  pametna\t\r  i\t\r  počne\t\r  se\t\r  uklapati\t\r  u\t\r  obitelj.\t\r  \t\r  \nScenarij\t\r  Bog\t\r  neće\t\r  pomoći\t\r  prepun\t\r  je\t\r  zanimljivih\t\r  i\t\r  tajnovitih\t\r  likova\t\r  koji\t\r  su\t\r  psihološki\t\r  vrlo\t\r  bogati.\t\r  \nCentralni\t\r  ženski\t\r  lik\t\r  pomno\t\r  je\t\r  urađen.\t\r  Kako\t\r  se\t\r  postupno\t\r  otkriva\t\r  naša\t\r  pažnja\t\r  i\t\r  interes\t\r  potpuno\t\r  su\t\r  \nzaokupljeni.\t\r  Zanimljivost\t\r  osnovne\t\r  linije\t\r  –\t\r  kako\t\r  će\t\r  se\t\r  žena\t\r  koja\t\r  ne\t\r  govori\t\r  jezik,\t\r  koja\t\r  očito\t\r  ima\t\r  i\t\r  neku\t\r  \nneugodnu\t\r  tajnu,\t\r  uspjeti\t\r  povezati\t\r  sa\t\r  zajednicom\t\r  koja\t\r  joj\t\r  je\t\r  strana,\t\r  prisutna\t\r  je\t\r  u\t\r  cijelom\t\r  scenariju.\t\r  \nDogađanja\t\r  u\t\r  maloj\t\r  izoliranoj\t\r  zajednici\t\r  gdje\t\r  su\t\r  još\t\r  prisutni\t\r  ostaci\t\r  poganskih\t\r  običaja,\t\r  gdje\t\r  je\t\r  održana\t\r  \ngotovo\t\r  plemenska\t\r  hijerarhija,\t\r  gdje\t\r  je\t\r  ubojstvo\t\r  stvar\t\r  internih\t\r  zakona\t\r  zajednice,\t\r  psihološki\t\r  odnosi\t\r  i\t\r  \nnjihova\t\r  složenost\t\r  napravljeni\t\r  su\t\r  tako\t\r  da\t\r  su\t\r  nam\t\r  prepoznatljivi\t\r  i\t\r  bliski.\t\r  \t\r  \n\n\f\n2\t\r  \n\t\r  \nZanimljivost\t\r  ovog\t\r  filma\t\r  je\t\r  i\t\r  u\t\r  tome\t\r  što\t\r  u\t\r  njemu\t\r  nalazimo\t\r  obilježja\t\r  različitih\t\r  žanrova\t\r  koje\t\r  objedinjavaju\t\r  \npsihološki\t\r  zahtjevni\t\r  odnosi.\t\r  Tajanstvena\t\r  atmosfera,\t\r  odnos\t\r  glavnog\t\r  ženskog\t\r  i\t\r  muškog\t\r  lika\t\r  podsjeća\t\r  na\t\r  \nmelodramu.\t\r  Ikonografija\t\r  i\t\r  neki\t\r  motivi\t\r  podsjećaju\t\r  na\t\r  vestern,\t\r  a\t\r  pojedine\t\r  scene\t\r  srodne\t\r  su\t\r  horor\t\r  \nfilmovima.\t\r  Iako\t\r  u\t\r  filmu\t\r  nema\t\r  fantastike\t\r  film\t\r  je\t\r  blizak\t\r  i\t\r  filmovima\t\r  fantastike,\t\r  odnosno\t\r  filmovima\t\r  koji\t\r  \nse\t\r  u\t\r  posljednje\t\r  vrijeme\t\r  nazivaju\t\r  mističnim\t\r  filmovima.\t\r  U\t\r  svakom\t\r  slučaju\t\r  ti\t\r  svi\t\r  elementi\t\r  uklopili\t\r  su\t\r  se\t\r  i\t\r  \ndjeluju\t\r  cjelovito.\t\r  \nPrateći\t\r  dosadašnje\t\r  filmove\t\r  Hane\t\r  Jušić\t\r  koji\t\r  su\t\r  imali\t\r  uspjehe\t\r  na\t\r  međunarodnim\t\r  festivalima,\t\r  a\t\r  i\t\r  kod\t\r  \nkritike\t\r  i\t\r  \t\r  publike,\t\r  mislimo\t\r  da\t\r  će\t\r  ovaj\t\r  film,\t\r  koji\t\r  se\t\r  čini\t\r  netipičnim\t\r  za\t\r  našu\t\r  kinematografiju,\t\r  biti\t\r  nova\t\r  \nzanimljivost\t\r  naše\t\r  kinematografije.\t\r  \t\r  \t\r  \t\r  \nCrna\t\r  vreća\t\r  \nScenarij\t\r  –\t\r  Živorad\t\r  Tomić\t\r  (prema\t\r  romanu\t\r  Vesne\t\r  Ćuro-­‐Tomić)\t\r  \nRežija\t\r  –\t\r  Živorad\t\r  Tomić\t\r  \nProdukcija\t\r  –\t\r  Inter\t\r  film\t\r  d.o.o.\t\r  \n\t\r  \nJedne\t\r  večeri\t\r  spisateljica\t\r  Bruna\t\r  šećući\t\r  parkom\t\r  pronalazi\t\r  crnu\t\r  vreću\t\r  prepunu\t\r  novaca.\t\r  Tu\t\r  je\t\r  istu\t\r  \nvreću\t\r  malo\t\r  ranije\t\r  iz\t\r  jurećeg\t\r  vozila\t\r  izbacio\t\r  sitni\t\r  kriminalac\t\r  Brus\t\r  u\t\r  strahu\t\r  od\t\r  policijske\t\r  kontrole.\t\r  \nNjegov\t\r  puno\t\r  ozbiljniji\t\r  brat\t\r  Lovac\t\r  pokušava\t\r  naći\t\r  izgubljenu\t\r  vreću,\t\r  jer\t\r  novac\t\r  u\t\r  stvari\t\r  pripada\t\r  \nnjihovom\t\r  šefu\t\r  Deliću.\t\r  Bruna\t\r  vrlo\t\r  oprezno\t\r  počne\t\r  koristiti\t\r  novac,\t\r  pomažući\t\r  sebi,\t\r  ali\t\r  i\t\r  drugima\t\r  \nkoji\t\r  su\t\r  se\t\r  našli\t\r  u\t\r  teškim\t\r  financijskim\t\r  situacijama.\t\r  \t\r  \nCrnu\t\r  vreću\t\r  sam\t\r  autor\t\r  predstavlja\t\r  kao\t\r  kriminalističku\t\r  bajku\t\r  za\t\r  odrasle\t\r  i\t\r  to\t\r  je\t\r  možda\t\r  i\t\r  najbolji\t\r  opis\t\r  ovog\t\r  \nfilma.\t\r  Svi\t\r  su\t\r  likovi\t\r  malo\t\r  predobri\t\r  da\t\r  bi\t\r  bili\t\r  istiniti,\t\r  ali\t\r  sve\t\r  njih\t\r  more\t\r  vrlo\t\r  nam\t\r  dobro\t\r  poznati\t\r  problemi:\t\r  \nod\t\r  smrtno\t\r  bolesnih\t\r  roditelja\t\r  preko\t\r  nezaposlenosti\t\r  do\t\r  neisplativih\t\r  kredita\t\r  u\t\r  švicarskim\t\r  francima.\t\r  Film\t\r  \nnam\t\r  postavlja\t\r  i\t\r  jedno\t\r  vrlo\t\r  zanimljivo\t\r  moralno\t\r  pitanje:\t\r  što\t\r  bismo\t\r  mi\t\r  učinili\t\r  da\t\r  nađemo\t\r  sumnjivo\t\r  \nogromnu\t\r  količinu\t\r  deviza\t\r  u\t\r  odbačenoj\t\r  vreći.\t\r  Bismo\t\r  li\t\r  to\t\r  prijavili\t\r  vlastima\t\r  ili\t\r  bismo\t\r  barem\t\r  dio\t\r  zadržali\t\r  \nza\t\r  sebe\t\r  i\t\r  za\t\r  svoje\t\r  prijatelje.\t\r  \nKako\t\r  je\t\r  u\t\r  hrvatskoj\t\r  kinematografiji\t\r  u\t\r  posljednje\t\r  vrijeme\t\r  vrlo\t\r  malo\t\r  kriminalističkih\t\r  filmova\t\r  skloni\t\r  smo\t\r  \npovjerovati\t\r  da\t\r  bi\t\r  ovaj\t\r  film\t\r  mogao\t\r  popraviti\t\r  krvnu\t\r  sliku\t\r  hrvatskom\t\r  žanrovskom\t\r  filmu.\t\r  S\t\r  druge\t\r  strane\t\r  \novaj\t\r  film\t\r  bi\t\r  značio\t\r  i\t\r  povratak\t\r  Živorada\t\r  Tomića\t\r  u\t\r  redateljsku\t\r  stolicu\t\r  nakon\t\r  više\t\r  od\t\r  trideset\t\r  godina.\t\r  \nFilm\t\r  bi\t\r  u\t\r  svakom\t\r  slučaju\t\r  mogao\t\r  jako\t\r  dobro\t\r  proći\t\r  u\t\r  kinima.\t\r  \n\t\r  \n\t\r  \n\n\f\n3\t\r  \n\t\r  \nDnevnik\t\r  Pauline\t\r  P.\t\r  \n\t\r  \t\r  \t\r  \t\r  \t\r  Scenarij\t\r  -­‐\t\r  Dora\t\r  Delbianco\t\r  \nRežija\t\r  -­‐\t\r  Neven\t\r  Hitrec\t\r  \n\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  Produkcija\t\r  –\t\r  Jaka\t\r  produkcija\t\r  d.o.o.\t\r  \n\t\r  \nPaulina\t\r  je\t\r  devetogodišnja\t\r  djevojčica\t\r  koja\t\r  upravo\t\r  kreće\t\r  u\t\r  treći\t\r  razred.\t\r  U\t\r  njezinom\t\r  razredu\t\r  \npojavljuje\t\r  se\t\r  nova\t\r  učenica\t\r  i\t\r  novi\t\r  učitelj.\t\r  Paulina\t\r  je\t\r  navikla\t\r  da\t\r  je\t\r  popularna\t\r  pa\t\r  pojavljivanje\t\r  \nnove\t\r  zanimljive\t\r  učenice\t\r  ugrožava\t\r  njenu\t\r  popularnost.\t\r  Učitelj\t\r  je\t\r  nekonvencionalan\t\r  i\t\r  želi\t\r  da\t\r  \ndjeca\t\r  nauče\t\r  puno\t\r  stvari\t\r  koje\t\r  nisu\t\r  u\t\r  školskom\t\r  programu.\t\r  Paulinini\t\r  roditelji\t\r  se\t\r  međusobno\t\r  \nsvađaju\t\r  i\t\r  rastava\t\r  im\t\r  se\t\r  čini\t\r  jedinim\t\r  rješenjem.\t\r  Paulina\t\r  je\t\r  poduzetna\t\r  i\t\r  zajedno\t\r  sa\t\r  svojom\t\r  \nnovom\t\r  prijateljicom,\t\r  bivšom\t\r  rivalkom,\t\r  pokušava\t\r  riješiti\t\r  loš\t\r  odnos\t\r  između\t\r  roditelja.\t\r  \t\r  \nOvo\t\r  je\t\r  film\t\r  o\t\r  šarmantnoj\t\r  djevojčici\t\r  Paulini\t\r  koja\t\r  kreće\t\r  u\t\r  treći\t\r  razred\t\r  osnovne\t\r  škole.\t\r  Film\t\r  je\t\r  strukturiran\t\r  \nmozaično,\t\r  sa\t\r  živim\t\r  situacijama\t\r  i\t\r  štosnim\t\r  dijalogom.\t\r  Paulinina\t\r  razmišljanja\t\r  također\t\r  su\t\r  ponekad\t\r  \nvizualizirana\t\r  i\t\r  služe\t\r  kako\t\r  bi\t\r  pridonijela\t\r  komičnom\t\r  efektu\t\r  ili\t\r  poentirala\t\r  situaciju.\t\r  \t\r  U\t\r  strukturi\t\r  cijelog\t\r  \nfilma\t\r  pojavljuju\t\r  se\t\r  i\t\r  komentatori,\t\r  ljudi\t\r  u\t\r  stvarnim\t\r  situacijama\t\r  koji\t\r  kao\t\r  grčki\t\r  kor\t\r  komentiraju\t\r  Paulinu\t\r  i\t\r  \ndogađanja\t\r  oko\t\r  nje.\t\r  U\t\r  strukturi\t\r  filma\t\r  ti\t\r  komentari\t\r  služe\t\r  kako\t\r  bi\t\r  se\t\r  razdvojile\t\r  \t\r  cjeline\t\r  u\t\r  filmu\t\r  i\t\r  kako\t\r  bi\t\r  \ndali\t\r  dodatni\t\r  humorni\t\r  ton.\t\r  \t\r  \n\t\r  \nKoke\t\r  \nScenarij\t\r  –\t\r  Igor\t\r  Jelinović\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \nRežija\t\r  –\t\r  Igor\t\r  Jelinović\t\r  \nProdukcija\t\r  –\t\r  Eclectica\t\r  d.o.o.\t\r  \n\t\r  \nPratimo\t\r  odnos\t\r  dvije\t\r  sredovječne\t\r  sestre\t\r  Anite\t\r  i\t\r  Alin.\t\r  Anita\t\r  je\t\r  dobrostojeća,\t\r  uspješni\t\r  \nadvokat,\t\r  koja\t\r  njeguje\t\r  njihovu\t\r  zajedničku\t\r  majku\t\r  bolesnu\t\r  od\t\r  Parkinsonove\t\r  bolesti.\t\r  \nAnita\t\r  živi\t\r  sa\t\r  kćeri\t\r  i\t\r  mužem\t\r  koji\t\r  oboje\t\r  rade\t\r  u\t\r  njenom\t\r  advokatskom\t\r  uredu.\t\r  Njena\t\r  \nsestra\t\r  Alin\t\r  je\t\r  u\t\r  financijski\t\r  lošoj\t\r  situaciji,\t\r  njen\t\r  sin\t\r  Ivan\t\r  nema\t\r  posao,\t\r  a\t\r  cura\t\r  mu\t\r  je\t\r  u\t\r  \ndrugom\t\r  stanju.\t\r  \t\r  \nCentralna\t\r  tema\t\r  ovog\t\r  filma\t\r  je\t\r  odnos\t\r  dviju\t\r  sestri.\t\r  Gotovo\t\r  dvije\t\r  trećine\t\r  filma\t\r  Anita,\t\r  starija\t\r  sestra,\t\r  se\t\r  \nodlučuje\t\r  kako\t\r  da\t\r  obavijesti\t\r  sestru\t\r  da\t\r  je\t\r  porodičnu\t\r  kuću\t\r  na\t\r  Hvaru\t\r  dobila\t\r  ona.\t\r  Bez\t\r  obzira\t\r  što\t\r  sama\t\r  \nsebe\t\r  uvjerava\t\r  da\t\r  je\t\r  to\t\r  pravedno,\t\r  jer\t\r  ona\t\r  je\t\r  ta\t\r  koja\t\r  se\t\r  brine\t\r  za\t\r  bolesnu\t\r  majku,\t\r  ipak\t\r  se\t\r  ne\t\r  može\t\r  \nosloboditi\t\r  grižnje\t\r  savjesti\t\r  pa\t\r  odgađa\t\r  suočenje\t\r  sa\t\r  sestrom.\t\r  Što\t\r  je\t\r  sve\t\r  u\t\r  stanju\t\r  učiniti\t\r  kako\t\r  bi\t\r  primirila\t\r  \n\n\f\n4\t\r  \n\t\r  \nsavjest\t\r  bit\t\r  će\t\r  fabulativna\t\r  linija\t\r  u\t\r  većem\t\r  dijelu\t\r  filma.\t\r  I\t\r  ostali\t\r  likovi\t\r  u\t\r  filmu\t\r  su\t\r  vrlo\t\r  domišljeni,\t\r  ponekad\t\r  s\t\r  \ndozom\t\r  humora,\t\r  tako\t\r  da\t\r  vrlo\t\r  uvjerljivo\t\r  otjelovljuju\t\r  suvremenu\t\r  porodicu.\t\r  \nSituacija\t\r  prevare\t\r  oko\t\r  nasljedstva,\t\r  koju\t\r  je\t\r  redatelj\t\r  odabrao\t\r  za\t\r  centralnu\t\r  \t\r  je\t\r  česta\t\r  i\t\r  prepoznatljiva\t\r  \nsituacija\t\r  iz\t\r  svakodnevice.\t\r  Prizore\t\r  koje\t\r  izabire\t\r  vrlo\t\r  su\t\r  prepoznatljivi\t\r  i\t\r  realistični,\t\r  ali\t\r  fino\t\r  ocrtavaju\t\r  \nnijanse\t\r  karaktera\t\r  i\t\r  odnosa\t\r  unutar\t\r  porodice.\t\r  Čini\t\r  nam\t\r  se\t\r  \t\r  da\t\r  je\t\r  cilj\t\r  ovog\t\r  projekta\t\r  postići\t\r  gotovo\t\r  \ndokumentarističku\t\r  realističnost,\t\r  a\t\r  da\t\r  pri\t\r  tome\t\r  bude\t\r  postignuto\t\r  suptilno\t\r  zaokruživanje\t\r  karaktera\t\r  i\t\r  \nnjihovih\t\r  odnosa.\t\r  Gledajući\t\r  scenu\t\r  kupovanja\t\r  odjela,\t\r  koju\t\r  je\t\r  redatelj\t\r  ogledno\t\r  snimio\t\r  vjerujemo\t\r  da\t\r  će\t\r  \nto\t\r  biti\t\r  i\t\r  postignuto.\t\r  \nIgor\t\r  Jelinović\t\r  je\t\r  do\t\r  sada\t\r  napravio\t\r  nekoliko\t\r  kratkih\t\r  igranih\t\r  filmova\t\r  koji\t\r  su\t\r  po\t\r  umjetničkom\t\r  \nsvjetonazoru\t\r  vrlo\t\r  slični\t\r  ovom\t\r  predloženom\t\r  \t\r  filmu.\t\r  Filmovi\t\r  su\t\r  bili\t\r  dobro\t\r  prihvaćeni\t\r  na\t\r  festivalima\t\r  i\t\r  od\t\r  \nkritike\t\r  tako\t\r  da\t\r  će\t\r  ovaj\t\r  film\t\r  biti\t\r  logičan\t\r  nastavak\t\r  njegovog\t\r  rada.\t\r  \t\r  \n\t\r  \nOmara\t\r  \nScenarij\t\r  –\t\r  Dijana\t\r  Mlađenović\t\r  \nRežija\t\r  –\t\r  Dijana\t\r  Mlađenović\t\r  \nProdukcija\t\r  –\t\r  Kinematograf\t\r  d.o.o.\t\r  \n\t\r  \nInspektorica\t\r  Nagy\t\r  pokazuje\t\r  Vladi\t\r  snimku\t\r  nadzorne\t\r  kamere\t\r  na\t\r  kojoj\t\r  se\t\r  on\t\r  pozdravlja\t\r  \nsa\t\r  svojom\t\r  suprugom\t\r  Dinkom\t\r  prije\t\r  odlaska\t\r  na\t\r  posao.\t\r  To\t\r  je\t\r  ujedno\t\r  i\t\r  posljednji\t\r  put\t\r  da\t\r  \nje\t\r  on\t\r  vidio\t\r  Dinku\t\r  koja\t\r  je\t\r  potom\t\r  netragom\t\r  nestala.\t\r  Dinka\t\r  je\t\r  bila\t\r  odvjetnica\t\r  \nspecijalizirana\t\r  za\t\r  rad\t\r  s\t\r  izbjeglicama,\t\r  pa\t\r  je\t\r  njen\t\r  nestanak\t\r  samim\t\r  time\t\r  i\t\r  sumnjiviji.\t\r  \t\r  \nOmara\t\r  je\t\r  naizgled\t\r  klasični\t\r  kriminalistički\t\r  film\t\r  detekcije.\t\r  Autorica\t\r  vješto\t\r  koristi\t\r  zadanu\t\r  žanrovsku\t\r  \nstrukturu,\t\r  iako\t\r  je\t\r  u\t\r  stvari\t\r  zanima\t\r  ispričati\t\r  priču\t\r  o\t\r  emancipaciji\t\r  i\t\r  želji\t\r  za\t\r  slobodom\t\r  od\t\r  postojećih\t\r  \ndruštvenih\t\r  i\t\r  rodnih\t\r  normi.\t\r  Autorica\t\r  tvrdi\t\r  da\t\r  ne\t\r  želi\t\r  raditi\t\r  klasični\t\r  žanrovski\t\r  film,\t\r  ali\t\r  budući\t\r  da\t\r  se\t\r  \nmudro\t\r  koristi\t\r  svim\t\r  sredstvima\t\r  žanra\t\r  kako\t\r  bi\t\r  postigla\t\r  cilj\t\r  film\t\r  se\t\r  može\t\r  sa\t\r  zanimanjem\t\r  pratiti\t\r  na\t\r  više\t\r  \nrazina,\t\r  pa\t\r  će\t\r  na\t\r  svoje\t\r  doći\t\r  i\t\r  ljubitelji\t\r  žanra,\t\r  kao\t\r  i\t\r  oni\t\r  koji\t\r  vole\t\r  proučavati\t\r  dublje\t\r  slojeve\t\r  i\t\r  iščitavati\t\r  \nsimbole.\t\r  Omara\t\r  je\t\r  film\t\r  u\t\r  kojem\t\r  nije\t\r  sve\t\r  posve\t\r  jasno\t\r  objašnjeno,\t\r  ali\t\r  je\t\r  sve\t\r  na\t\r  kraju\t\r  prilično\t\r  jasno.\t\r  \nFilm\t\r  će\t\r  sigurno\t\r  imati\t\r  veće\t\r  šanse\t\r  na\t\r  festivalima,\t\r  ali\t\r  nije\t\r  isključeno\t\r  da\t\r  bi\t\r  mogao\t\r  zaintrigirati\t\r  i\t\r  kino\t\r  \npubliku.\t\r  \n\t\r  \n\t\r  \n\n\f\n5\t\r  \n\t\r  \nPučina\t\r  od\t\r  svile\t\r  \nScenarij\t\r  –\t\r  Zdravko\t\r  Mustać\t\r  \nRežija\t\r  -­‐\t\r  Zdravko\t\r  Mustać\t\r  \nProdukcija\t\r  –\t\r  Stvaralačka\t\r  mreža\t\r  Zebra\t\r  \n\t\r  \nNa\t\r  zabačenom\t\r  jadranskom\t\r  otoku\t\r  upoznajemo\t\r  smetlara\t\r  Miru\t\r  koji\t\r  ima\t\r  problema\t\r  s\t\r  \nglavoboljom,\t\r  u\t\r  lošem\t\r  je\t\r  odnosu\t\r  s\t\r  majkom,\t\r  a\t\r  krije\t\r  i\t\r  jednu\t\r  veliku\t\r  tajnu.\t\r  \t\r  \nPučina\t\r  od\t\r  svile\t\r  je\t\r  još\t\r  jedan\t\r  u\t\r  nizu\t\r  hrvatskih\t\r  filmova\t\r  smještenih\t\r  na\t\r  zabačeni\t\r  otok,\t\r  no\t\r  za\t\r  razliku\t\r  od\t\r  \nostalih\t\r  ovaj\t\r  film\t\r  ne\t\r  nudi\t\r  okružje\t\r  otoka\t\r  zbog\t\r  atraktivnosti\t\r  lokacije,\t\r  već\t\r  upravo\t\r  suprotno.\t\r  Otok\t\r  ovdje\t\r  \nsimbolizira\t\r  zatvorenost\t\r  i\t\r  bezizlaznost,\t\r  a\t\r  glavni\t\r  likovi\t\r  kao\t\r  da\t\r  su\t\r  osuđeni\t\r  na\t\r  život\t\r  na\t\r  njemu\t\r  zbog\t\r  vlastite\t\r  \nograničenosti.\t\r  \nAutor\t\r  svakako\t\r  želi\t\r  snimiti\t\r  umjetnički\t\r  film,\t\r  ali\t\r  se\t\r  na\t\r  zanimljiv\t\r  način\t\r  poigrava\t\r  i\t\r  žanrovskim\t\r  elementima,\t\r  \ntako\t\r  da\t\r  ovaj\t\r  scenarij\t\r  nudi\t\r  svojevrstan\t\r  spoj\t\r  filmova\t\r  „Kaja,\t\r  ubit\t\r  ću\t\r  te!“\t\r  koji\t\r  se\t\r  također\t\r  bavi\t\r  \nporemećenim\t\r  odnosima\t\r  u\t\r  maloj\t\r  zabitoj\t\r  sredini\t\r  i\t\r  „Get\t\r  Carter“\t\r  u\t\r  kojem\t\r  opasan\t\r  gangster\t\r  dolazi\t\r  osvetiti\t\r  \npokojnog\t\r  brata.\t\r  \nZdravko\t\r  Mustać\t\r  je\t\r  autor\t\r  nebrojenih\t\r  nagrađivanih\t\r  dokumentarnih\t\r  i\t\r  eksperimentalnih\t\r  filmova,\t\r  a\t\r  u\t\r  \nzadnjih\t\r  nekoliko\t\r  godina\t\r  se\t\r  uspješno\t\r  uhvatio\t\r  u\t\r  koštac\t\r  i\t\r  s\t\r  dugometražnim\t\r  igranim\t\r  filmovima.\t\r  Njegovi\t\r  \neksperimentalni\t\r  filmovi\t\r  su\t\r  često\t\r  imali\t\r  strukturu\t\r  igranog\t\r  filma\t\r  i\t\r  bilo\t\r  je\t\r  pitanje\t\r  vremena\t\r  kad\t\r  će\t\r  klasična\t\r  \nigrana\t\r  forma\t\r  polako\t\r  nadjačati\t\r  eksperimentalnu.\t\r  Ovim\t\r  scenarijem\t\r  kao\t\r  da\t\r  je\t\r  ta\t\r  tendencija\t\r  posve\t\r  \nostvarena.\t\r  \nSvadba\t\r  \nScenarij\t\r  –\t\r  Igor\t\r  Šeregi\t\r  \nRežija\t\r  –\t\r  Igor\t\r  Šeregi\t\r  \nProdukcija\t\r  –\t\r  Eclectica\t\r  d.o.o.\t\r  \n\t\r  \nPoznati\t\r  hrvatski\t\r  poduzetnik\t\r  Miljenko\t\r  na\t\r  svoj\t\r  pedeseti\t\r  rođendan\t\r  saznaje\t\r  dvije\t\r  šokantne\t\r  \nčinjenice.\t\r  Prvo\t\r  saznaje\t\r  da\t\r  je\t\r  bankrotirao,\t\r  a\t\r  potom\t\r  da\t\r  mu\t\r  je\t\r  kćer\t\r  Ana\t\r  koja\t\r  studira\t\r  u\t\r  Londonu\t\r  \ntrudna\t\r  sa\t\r  sinom\t\r  srpskog\t\r  premijera.\t\r  Svadba\t\r  se\t\r  treba\t\r  održati\t\r  u\t\r  Dalmaciji\t\r  na\t\r  tajnoj\t\r  lokaciji,\t\r  no\t\r  \nkad\t\r  se\t\r  obitelji\t\r  međusobno\t\r  upoznaju\t\r  i\t\r  spoje\t\r  nastaje\t\r  totalni\t\r  kaos.\t\r  \nIgor\t\r  Šeregi,\t\r  autor\t\r  dugometražnog\t\r  filma\t\r  „ZG80“\t\r  i\t\r  kratkog\t\r  „Poklon\t\r  predsjednika\t\r  Nixona“,\t\r  poznat\t\r  je\t\r  po\t\r  \nkomedijama\t\r  u\t\r  kojima\t\r  se\t\r  gotovo\t\r  obvezatno\t\r  provlače\t\r  i\t\r  vješto\t\r  ismijavaju\t\r  odnosi\t\r  Hrvata\t\r  i\t\r  Srba.\t\r  S\t\r  \n\n\f\n6\t\r  \n\t\r  \nobzirom\t\r  da\t\r  se\t\r  i\t\r  Svadba\t\r  bavi\t\r  istim\t\r  tim\t\r  ponekad\t\r  tragičnim,\t\r  a\t\r  ponekad\t\r  urnebesno\t\r  smiješnim\t\r  odnosima\t\r  \nuopće\t\r  ne\t\r  sumnjamo\t\r  da\t\r  će\t\r  autor\t\r  dati\t\r  svoj\t\r  maksimum\t\r  s\t\r  obzirom\t\r  da\t\r  igra\t\r  na\t\r  vlastitom\t\r  terenu.\t\r  \nKako\t\r  je\t\r  komedija\t\r  dokazano\t\r  najgledaniji\t\r  žanr\t\r  u\t\r  hrvatskom\t\r  filmu\t\r  držimo\t\r  \t\r  da\t\r  ovaj\t\r  film\t\r  ima\t\r  potencijal\t\r  za\t\r  \nvrhunske\t\r  rezultate\t\r  posjećenosti\t\r  u\t\r  kinima\t\r  diljem\t\r  Hrvatske\t\r  (pa\t\r  i\t\r  šire),\t\r  kao\t\r  i\t\r  za\t\r  sekundarnu\t\r  gledanost\t\r  na\t\r  \nsvim\t\r  ostalim\t\r  potencijalnim\t\r  medijima.\t\r  \n2.   Obrazloženje\t\r  razvoja\t\r  scenarija\t\r  \n\t\r  \nD&M\t\r  \nScenarij\t\r  –\t\r  Josip\t\r  Mlakić\t\r  \n\t\r  \nMarko\t\r  Petrić\t\r  zvan\t\r  Dim\t\r  vlasnik\t\r  je\t\r  prodavaonice\t\r  duhanskih\t\r  proizvoda\t\r  „D&M“\t\r  pred\t\r  \nzatvaranjem,\t\r  no\t\r  kad\t\r  njegova\t\r  kćer\t\r  izreklamira\t\r  dućan\t\r  preko\t\r  medija\t\r  „D&M“\t\r  ubrzo\t\r  postaje\t\r  \nprilično\t\r  popularan\t\r  i\t\r  u\t\r  \t\r  prodavaonicu\t\r  počinju\t\r  svraćati\t\r  raznorazni\t\r  osebujni\t\r  likovi\t\r  iz\t\r  različitih\t\r  \ndruštvenih\t\r  slojeva,\t\r  a\t\r  sve\t\r  ih\t\r  povezuje\t\r  strast\t\r  prema\t\r  pušenju.\t\r  \nRadnja\t\r  D&Ma\t\r  je\t\r  manje\t\r  bitna\t\r  od\t\r  međuljudskih\t\r  odnosa\t\r  koji\t\r  su\t\r  stvarni\t\r  autorov\t\r  interes,\t\r  a\t\r  velika\t\r  \nprednost\t\r  je\t\r  smještanje\t\r  njihovih\t\r  priča\t\r  u\t\r  vrlo\t\r  zanimljiv\t\r  kontekst\t\r  „male\t\r  pušačke\t\r  zajednice“.\t\r  Ovaj\t\r  \nscenarij\t\r  naizgled\t\r  glorificira\t\r  pušenje,\t\r  ali\t\r  u\t\r  stvari\t\r  je\t\r  poanta\t\r  u\t\r  tome\t\r  da\t\r  kad\t\r  se\t\r  neka\t\r  grupa\t\r  ljudi\t\r  iz\t\r  bilo\t\r  \nkojeg\t\r  razloga\t\r  počinje\t\r  osjećati\t\r  marginaliziranom,\t\r  u\t\r  ovom\t\r  slučaju\t\r  je\t\r  to\t\r  strast\t\r  prema\t\r  duhanu,\t\r  među\t\r  \nnjima\t\r  se\t\r  počne\t\r  stvarati\t\r  neka\t\r  poprilično\t\r  čvrsta\t\r  veza\t\r  i\t\r  solidarnost\t\r  bez\t\r  obzira\t\r  na\t\r  društveni\t\r  sloj,\t\r  \nnarodnost,\t\r  vjeru\t\r  ili\t\r  seksualnu\t\r  orijentaciju.\t\r  Zanimljivo\t\r  je\t\r  kako\t\r  si\t\r  oni\t\r  u\t\r  jednom\t\r  trenutku\t\r  počnu\t\r  vrlo\t\r  \nkonkretno\t\r  i\t\r  aktivno\t\r  pomagati,\t\r  jer\t\r  se\t\r  osjećaju\t\r  pripadnicima\t\r  neke\t\r  gotovo\t\r  romantične\t\r  ideologije\t\r  koja\t\r  u\t\r  \nnekim\t\r  trenucima\t\r  nadilazi\t\r  sve\t\r  druge\t\r  postojeće\t\r  ideologije.\t\r  \n\t\r  \nDobar\t\r  život\t\r  \nScenarij\t\r  –\t\r  Jelena\t\r  Paljan\t\r  \n\t\r  \nAnđela\t\r  je\t\r  iz\t\r  Slavonije\t\r  i\t\r  u\t\r  sezoni\t\r  dolazi\t\r  raditi\t\r  u\t\r  malo\t\r  mjesto\t\r  na\t\r  jadranskom\t\r  otoku.\t\r  Radi\t\r  u\t\r  \nlokalnoj\t\r  pizzeriji\t\r  gdje\t\r  upozna\t\r  Davida,\t\r  Danca\t\r  čiji\t\r  roditelji\t\r  na\t\r  otoku\t\r  imaju\t\r  veliku\t\r  kuću.\t\r  Davidu\t\r  se\t\r  \nsviđa\t\r  Anđela\t\r  pa\t\r  želi\t\r  da\t\r  mu\t\r  ona\t\r  bude\t\r  djevojka.\t\r  Ona\t\r  je\t\r  nesigurna,\t\r  ali\t\r  pristane\t\r  na\t\r  vezu\t\r  s\t\r  njim.\t\r  \nFascinira\t\r  ju\t\r  drugačiji\t\r  svijet,\t\r  bogatstva\t\r  i\t\r  ugode\t\r  u\t\r  kojem\t\r  živi\t\r  David\t\r  i\t\r  njegova\t\r  obitelj.\t\r  \t\r  \n\n\f\n7\t\r  \n\t\r  \nOvo\t\r  je\t\r  priča\t\r  o\t\r  djevojci\t\r  kojoj\t\r  se\t\r  otvara\t\r  mogućnost\t\r  da\t\r  živi\t\r  dobar\t\r  život,\t\r  da\t\r  ima\t\r  ugodnu\t\r  kuću,\t\r  siguran\t\r  \nposao,\t\r  dobrog\t\r  dečka\t\r  i\t\r  perspektivu\t\r  bolju\t\r  od\t\r  dosadašnje,\t\r  ali\t\r  ona\t\r  ne\t\r  osjeća\t\r  da\t\r  pripada\t\r  okruženju\t\r  koje\t\r  \njoj\t\r  to\t\r  može\t\r  pružiti.\t\r  Ovaj\t\r  film\t\r  suptilno\t\r  se\t\r  bavi\t\r  preispitivanjem\t\r  što\t\r  je\t\r  to\t\r  dobar\t\r  život.\t\r  Je\t\r  li\t\r  Davidova\t\r  \nmama\t\r  koja\t\r  je\t\r  zbog\t\r  siromaštva\t\r  na\t\r  otoku\t\r  otišla\t\r  u\t\r  Dansku\t\r  zaista\t\r  dobila\t\r  bolji\t\r  život?\t\r  Da\t\r  li\t\r  je\t\r  trenutak\t\r  \nbliskosti\t\r  s\t\r  nekim\t\r  nepripadnim\t\r  tom\t\r  boljem\t\r  životu\t\r  dovoljno\t\r  važan\t\r  da\t\r  se\t\r  zanemari\t\r  sve\t\r  ono\t\r  što\t\r  pruža\t\r  \ndobar\t\r  život\t\r  u\t\r  sigurnosti\t\r  i\t\r  blagostanju?\t\r  Tema\t\r  ovog\t\r  filma\t\r  je\t\r  zanimljiva\t\r  ne\t\r  samo\t\r  zbog\t\r  zanimljive\t\r  intimne\t\r  \npriče\t\r  već\t\r  i\t\r  zbog\t\r  svoje\t\r  društvene\t\r  aktualnosti.\t\r  \t\r  \t\r  \t\r  \nGlasnije\t\r  \nScenarij\t\r  –\t\r  Velibor\t\r  Jelčić\t\r  \n\t\r  \nBranka,\t\r  Srpkinja\t\r  iz\t\r  Bosne\t\r  i\t\r  Hercegovine,\t\r  iz\t\r  dijela\t\r  gdje\t\r  su\t\r  Srbi\t\r  u\t\r  manjini,\t\r  dolazi\t\r  u\t\r  Zagreb\t\r  kao\t\r  \nekonomska\t\r  emigrantkinja.\t\r  Dolazi\t\r  kod\t\r  prijatelja\t\r  koji\t\r  ju\t\r  entuzijastički\t\r  primaju\t\r  u\t\r  svoj\t\r  stan\t\r  želeći\t\r  \njoj\t\r  pomoći\t\r  da\t\r  se\t\r  snađe\t\r  i\t\r  pronađe\t\r  posao.\t\r  Kako\t\r  se\t\r  neizvjesnost\t\r  oko\t\r  nalaženja\t\r  posla\t\r  produžuje,\t\r  \npočetna\t\r  atmosfera\t\r  dobrodošlice\t\r  se\t\r  mijenja.\t\r  Ukućani\t\r  saznaju\t\r  i\t\r  primjećuju\t\r  stvari\t\r  koje\t\r  na\t\r  \nBranku\t\r  bacaju\t\r  drugačije\t\r  svijetlo.\t\r  Odnosi\t\r  u\t\r  kući\t\r  se\t\r  narušavaju.\t\r  \nOvaj\t\r  scenarij\t\r  tematski\t\r  je\t\r  vrlo\t\r  blizak\t\r  predmetu\t\r  interesa\t\r  ostalih\t\r  Jelčićevih\t\r  scenarija.\t\r  Radi\t\r  se\t\r  o\t\r  suptilnim\t\r  \nmeđuljudskim\t\r  odnosima\t\r  u\t\r  kojima\t\r  se\t\r  uvijek\t\r  prepoznaje\t\r  i\t\r  aktualna\t\r  društvena\t\r  zbilja.\t\r  Kako\t\r  su\t\r  prijašnji\t\r  \nJelčićevi\t\r  filmovi\t\r  imali\t\r  uspjeh\t\r  na\t\r  festivalima\t\r  i\t\r  kod\t\r  zahtjevnije\t\r  publike\t\r  mislimo\t\r  da\t\r  je\t\r  ova\t\r  priča\t\r  dobar\t\r  \npotencijal\t\r  za,\t\r  jednog\t\r  dana,\t\r  mogući\t\r  ulaz\t\r  na\t\r  neki\t\r  od\t\r  vodećih\t\r  europskih\t\r  festivala.\t\r  \t\r  \t\r  \nHrvojka\t\r  Horvat\t\r  i\t\r  vrtlog\t\r  totalne\t\r  perspektive\t\r  \nScenarij\t\r  –\t\r  Predrag\t\r  Ličina\t\r  \n\t\r  \nSredinom\t\r  21.\t\r  stoljeća\t\r  našim\t\r  planetom\t\r  vladaju\t\r  vanzemaljci.\t\r  Vlasta\t\r  Popić\t\r  je\t\r  prije\t\r  rata\t\r  radila\t\r  \nkao\t\r  profesorica\t\r  povijesti,\t\r  a\t\r  sad\t\r  radi\t\r  u\t\r  rudniku.\t\r  Njezina\t\r  sestra\t\r  Biserka\t\r  je\t\r  bivša\t\r  predsjednica\t\r  i\t\r  \nupravo\t\r  je\t\r  ona\t\r  objavila\t\r  rat\t\r  vanzemaljcima\t\r  desetak\t\r  godina\t\r  ranije.\t\r  \t\r  \nHrvojka\t\r  Horvat\t\r  i\t\r  vrtlog\t\r  totalne\t\r  perspektive\t\r  nadovezuje\t\r  se\t\r  na\t\r  prvi\t\r  autorov\t\r  film\t\r  Posljednji\t\r  Srbin\t\r  u\t\r  \nHrvatskoj\t\r  u\t\r  kojem\t\r  je\t\r  Hrvojka\t\r  filmski\t\r  lik\t\r  čije\t\r  avanture\t\r  prate\t\r  protagonisti\t\r  tog\t\r  filma,\t\r  dok\t\r  smo\t\r  mi\t\r  kao\t\r  \ngledatelji\t\r  pratili\t\r  doživljaje\t\r  glumice\t\r  Franke\t\r  Anić\t\r  koja\t\r  taj\t\r  lik\t\r  utjelovljuje.\t\r  Baš\t\r  poput\t\r  svog\t\r  dugometražnog\t\r  \nprvijenca\t\r  autor\t\r  se\t\r  na\t\r  jedan\t\r  izuzetno\t\r  duhovit\t\r  šali\t\r  na\t\r  račun\t\r  postojećih\t\r  SF\t\r  obrazaca,\t\r  a\t\r  ovdje\t\r  se\t\r  \nkonkretno\t\r  pita\t\r  bi\t\r  li\t\r  putovanje\t\r  u\t\r  prošlost\t\r  bilo\t\r  stvarno\t\r  toliko\t\r  praktično\t\r  koliko\t\r  se\t\r  na\t\r  prvi\t\r  pogled\t\r  čini.\t\r  \nRiječ\t\r  je\t\r  o\t\r  komediji\t\r  koja\t\r  je\t\r  već\t\r  na\t\r  samo\t\r  čitanje\t\r  urnebesno\t\r  smiješna,\t\r  pa\t\r  mislimo\t\r  bi\t\r  mogla\t\r  jako\t\r  dobro\t\r  \nproći\t\r  u\t\r  kinima.\t\r  \n\n\f\n8\t\r  \n\t\r  \nOstavi\t\r  vrata\t\r  otvorena\t\r  \nScenarij\t\r  –\t\r  Judita\t\r  Gamulin\t\r  \nPriča\t\r  prati\t\r  nekoliko\t\r  obitelji\t\r  koji\t\r  su\t\r  došli\t\r  u\t\r  IKEA-­‐u\t\r  kupovati\t\r  namještaj.\t\r  Likovi\t\r  koje\t\r  pratimo\t\r  su\t\r  \nljudi\t\r  iz\t\r  različitih\t\r  dobnih\t\r  skupina,\t\r  ali\t\r  svima\t\r  je\t\r  zajedničko\t\r  da\t\r  su\t\r  nezadovoljni\t\r  svojim\t\r  životom\t\r  i\t\r  da\t\r  \nsu\t\r  im\t\r  odnosi\t\r  unutar\t\r  obitelji\t\r  napeti.\t\r  Kod\t\r  nekih\t\r  su\t\r  u\t\r  pitanju\t\r  uzdrmani\t\r  partnerski\t\r  odnosi,\t\r  a\t\r  kod\t\r  \ndrugih\t\r  su\t\r  to\t\r  neriješeni\t\r  odnosi\t\r  između\t\r  roditelja\t\r  i\t\r  djece.\t\r  Kako\t\r  prolaze\t\r  kroz\t\r  izložbene\t\r  prostore\t\r  \nIKEA-­‐e,\t\r  napeti\t\r  odnosi\t\r  i\t\r  tenzije\t\r  između\t\r  likova\t\r  eskaliraju.\t\r  \t\r  \nRedateljica\t\r  i\t\r  scenaristica\t\r  je\t\r  smjestila\t\r  događanje\t\r  cijelog\t\r  filma\t\r  u\t\r  IKEA-­‐u\t\r  sugerirajući\t\r  tako\t\r  da\t\r  \t\r  njeni\t\r  \njunaci\t\r  preuređujući\t\r  svoj\t\r  dom\t\r  žele\t\r  preurediti\t\r  i\t\r  svoje\t\r  živote\t\r  naivno\t\r  vjerujući\t\r  da\t\r  će\t\r  se\t\r  to\t\r  zaista\t\r  dogoditi.\t\r  \nMlada\t\r  redateljica\t\r  Judita\t\r  Gamulin\t\r  već\t\r  je\t\r  u\t\r  svojim\t\r  kratkim\t\r  filmovima\t\r  pokazala\t\r  da\t\r  ju\t\r  zanimaju\t\r  suptilni\t\r  i\t\r  \nčesto\t\r  oku\t\r  skriveni\t\r  međuljudski\t\r  odnosi\t\r  i\t\r  to\t\r  osobito\t\r  unutar\t\r  obitelji.\t\r  Uspješno\t\r  se\t\r  time\t\r  bavila\t\r  u\t\r  kratkim\t\r  \nigranim\t\r  filmovima:\t\r  Daddy\t\r  Issues,\t\r  \t\r  Cvijeće\t\r  i\t\r  Marica.\t\r  Unatoč\t\r  tome\t\r  što\t\r  je\t\r  tek\t\r  nedavno\t\r  završila\t\r  studij\t\r  \nrežije\t\r  na\t\r  Akademiji\t\r  dramskih\t\r  umjetnosti,\t\r  vrlo\t\r  je\t\r  zrela\t\r  i\t\r  vješta\t\r  redateljica\t\r  i\t\r  spremna\t\r  za\t\r  dugometražni\t\r  \nigrani\t\r  film.\t\r  \t\r  \n\t\r  \nPantovčak\t\r  jedan,\t\r  drugi\t\r  ulaz,\t\r  treći\t\r  kat\t\r  \nScenarij\t\r  –\t\r  Sara\t\r  Hribar\t\r  \nNa\t\r  adresi\t\r  Pantovčak\t\r  broj\t\r  1\t\r  umire\t\r  žena\t\r  koja\t\r  je\t\r  posljednjih\t\r  osam\t\r  godina\t\r  ležala\t\r  u\t\r  krevetu.\t\r  \nNjena\t\r  unuka\t\r  već\t\r  nekoliko\t\r  godina\t\r  ne\t\r  živi\t\r  na\t\r  toj\t\r  adresi,\t\r  ali\t\r  ju\t\r  rastreseni\t\r  djed,\t\r  koji\t\r  ne\t\r  zna\t\r  što\t\r  da\t\r  \npoduzme\t\r  s\t\r  umirućom\t\r  bakom,\t\r  zove\t\r  u\t\r  pomoć.\t\r  Unuka,\t\r  nakon\t\r  nekoliko\t\r  godina\t\r  odsutnosti,\t\r  \nponovo\t\r  odlazi\t\r  u\t\r  kuću\t\r  gdje\t\r  je\t\r  provela\t\r  većinu\t\r  svog\t\r  života.\t\r  Shvativši\t\r  da\t\r  baka\t\r  umire,\t\r  unuka\t\r  \npoziva\t\r  i\t\r  ostale\t\r  članove\t\r  porodice\t\r  koji\t\r  su\t\r  nekada\t\r  živjeli\t\r  zajedno.\t\r  Raštrkani\t\r  po\t\r  raznim\t\r  stanovima\t\r  \ni\t\r  drugim\t\r  životima,\t\r  ovi\t\r  nekadašnji\t\r  članovi\t\r  iste\t\r  porodice\t\r  moraju\t\r  se\t\r  suočiti\t\r  sa\t\r  smrću\t\r  osobe\t\r  koja\t\r  \nih\t\r  je\t\r  povezivala,\t\r  a\t\r  i\t\r  sa\t\r  nekadašnjim\t\r  sukobima\t\r  i\t\r  tenzijama\t\r  koji\t\r  su\t\r  ih\t\r  razdvojili.\t\r  \nOvo\t\r  je\t\r  komorni\t\r  film\t\r  koji\t\r  se\t\r  cijeli\t\r  događa\t\r  u\t\r  jednoj\t\r  noći\t\r  na\t\r  sam\t\r  Badnjak.\t\r  Ono\t\r  što\t\r  zanima\t\r  scenaristicu\t\r  i\t\r  \nredateljicu\t\r  jesu\t\r  međuljudski\t\r  odnosi\t\r  koji\t\r  su\t\r  doveli\t\r  do\t\r  toga\t\r  da\t\r  se\t\r  porodica\t\r  raspadne\t\r  i\t\r  ljudi\t\r  otuđe.\t\r  \nSudeći\t\r  po\t\r  prethodnim\t\r  redateljičinim\t\r  filmovima\t\r  sklonost\t\r  ka\t\r  finom\t\r  nijansiranju\t\r  međuljudskih\t\r  odnosa\t\r  \ntema\t\r  je\t\r  koja\t\r  ju\t\r  najviše\t\r  zanima.\t\r  \t\r  \n\t\r  \n\t\r  \n\n\f\n9\t\r  \n\t\r  \nPočinje\t\r  bitka\t\r  \nScenarij\t\r  –\t\r  Dejan\t\r  Šorak\t\r  \n\t\r  \nKad\t\r  odbor\t\r  Europske\t\r  Unije\t\r  za\t\r  poticanje\t\r  nematerijalne\t\r  kulturne\t\r  baštine\t\r  odobri\t\r  značajna\t\r  \nsredstva\t\r  za\t\r  obilježavanje\t\r  500.\t\r  obljetnice\t\r  fiktivne\t\r  Žuberačke\t\r  bune\t\r  u\t\r  selima\t\r  Žuberak\t\r  i\t\r  Črni\t\r  Lug\t\r  \nnastaje\t\r  prava\t\r  pomutnja.\t\r  Gradonačelnici\t\r  odluče\t\r  proslaviti\t\r  godišnjicu\t\r  rekonstrukcijom\t\r  jedne\t\r  \nod\t\r  najžešćih\t\r  bitaka,\t\r  a\t\r  u\t\r  kojoj\t\r  su\t\r  sudjelovali\t\r  preci\t\r  naših\t\r  današnjih\t\r  protagonista.\t\r  Čak\t\r  odluče\t\r  \npozvati\t\r  poznatog\t\r  holivudskog\t\r  kaskaderskog\t\r  koordinatora\t\r  Krištofa\t\r  da\t\r  ih\t\r  obuči\t\r  vještinama\t\r  \nmačevanja\t\r  i\t\r  srednjovjekovne\t\r  borbe.\t\r  \t\r  \nPočinje\t\r  bitka\t\r  je\t\r  komedija\t\r  koja\t\r  se\t\r  bazira\t\r  na\t\r  tipično\t\r  hrvatskim\t\r  zamjerkama\t\r  iz\t\r  prošlosti,\t\r  s\t\r  time\t\r  da\t\r  se\t\r  \novdje\t\r  ne\t\r  prepucavaju\t\r  ekstremno\t\r  desni\t\r  ili\t\r  lijevi,\t\r  već\t\r  potomci\t\r  plemenitaša\t\r  i\t\r  kmetova\t\r  koji\t\r  „pamte“\t\r  što\t\r  \nje\t\r  bilo\t\r  nekad\t\r  \t\r  i\t\r  žele\t\r  osvetu\t\r  zbog\t\r  minulih\t\r  događaja.\t\r  Naši\t\r  protagonisti\t\r  žive\t\r  moderne\t\r  živote,\t\r  ali\t\r  ih\t\r  i\t\r  dan\t\r  \ndanas\t\r  razdvajaju\t\r  klasne\t\r  razlike\t\r  iz\t\r  prošlosti.\t\r  Film\t\r  na\t\r  simboličan,\t\r  a\t\r  ujedno\t\r  duhovit\t\r  način\t\r  pokazuje\t\r  kako\t\r  \nnam\t\r  nema\t\r  pomoći\t\r  ako\t\r  jednom\t\r  za\t\r  svagda\t\r  ne\t\r  pokopamo\t\r  duhove\t\r  prošlosti.\t\r  Svaka\t\r  komedija\t\r  je\t\r  dobro\t\r  \ndošla\t\r  u\t\r  hrvatskim\t\r  kinima,\t\r  pa\t\r  vjerujemo\t\r  da\t\r  i\t\r  ova\t\r  ima\t\r  svoju\t\r  šansu\t\r  pred\t\r  širom\t\r  publikom.\t\r  \t\r  \n\t\r  \nProlazno\t\r  mjesto\t\r  \n\t\r  \t\r  \t\r  \t\r  \t\r  Scenarij\t\r  -­‐\t\r  Davor\t\r  Žmegač\t\r  \nIzbjeglice\t\r  Samir\t\r  i\t\r  Ahmed\t\r  ilegalno\t\r  prelaze\t\r  granicu\t\r  vozeći\t\r  se\t\r  u\t\r  kombiju\t\r  bez\t\r  prozora.\t\r  Kad\t\r  na\t\r  \nkombiju\t\r  koji\t\r  želi\t\r  zaustaviti\t\r  policija\t\r  pukne\t\r  guma,\t\r  Samir\t\r  i\t\r  Ahmed\t\r  bježe\t\r  u\t\r  šumu.\t\r  U\t\r  obližnjem\t\r  \nselu\t\r  mladi\t\r  bračni\t\r  par,\t\r  Matija\t\r  i\t\r  Brigita\t\r  slave\t\r  odlazak\t\r  na\t\r  rad\t\r  u\t\r  Irsku.\t\r  \t\r  \nScenarij\t\r  za\t\r  film\t\r  Prolazno\t\r  mjesto\t\r  govorit\t\r  će\t\r  o\t\r  ljudima\t\r  koji\t\r  žele\t\r  promijeniti\t\r  svoju\t\r  neperspektivnu\t\r  \nsvakodnevnicu.\t\r  Bez\t\r  obzira\t\r  što\t\r  u\t\r  scenariju\t\r  diferenciramo\t\r  dvije\t\r  vrste\t\r  emigranata,\t\r  jedni\t\r  su\t\r  oni\t\r  koji\t\r  \nnašim\t\r  teritorijem\t\r  samo\t\r  prolaze,\t\r  a\t\r  drugi\t\r  su\t\r  naši\t\r  sugrađani\t\r  koji\t\r  žele\t\r  otići\t\r  na\t\r  neko\t\r  perspektivnije\t\r  \nmjesto,\t\r  ovaj\t\r  scenarij\t\r  sugerira\t\r  da\t\r  suštinske\t\r  razlike\t\r  između\t\r  njih\t\r  nema.\t\r  Kako\t\r  se\t\r  film\t\r  (scenarij)\t\r  bavi\t\r  \nemigrantima\t\r  na\t\r  nestereotipan\t\r  način\t\r  te\t\r  govori\t\r  o\t\r  našoj\t\r  svakodnevnici\t\r  u\t\r  kojoj\t\r  ljudi\t\r  nerijetko\t\r  odlučuju\t\r  \notići\t\r  kao\t\r  ekonomski\t\r  emigranti\t\r  u\t\r  zemlje\t\r  koje\t\r  im\t\r  pružaju\t\r  više\t\r  perspektive,\t\r  mislimo\t\r  da\t\r  je\t\r  vrijedno\t\r  \npoduprijeti\t\r  ovaj\t\r  projekt.\t\r  \n\t\r  \n\t\r  \n\n\f\n10\t\r  \n\t\r  \n\t\r  \nVeliki\t\r  medvjed\t\r  \nScenarij\t\r  –\t\r  Filip\t\r  Filković\t\r  \n\t\r  \nDavid\t\r  i\t\r  Rok\t\r  su\t\r  braća\t\r  koja\t\r  nisu\t\r  u\t\r  bliskim\t\r  odnosima.\t\r  Rok\t\r  je\t\r  u\t\r  djetinjstvu,\t\r  prije\t\r  dvadeset\t\r  \ngodina,\t\r  skrivio\t\r  bratovu\t\r  sljepoću\t\r  pa\t\r  je\t\r  osjećaj\t\r  krivnje\t\r  djelomično\t\r  uzrokovao\t\r  da\t\r  se\t\r  \nnikada\t\r  nisu\t\r  zbližili.\t\r  Želeći\t\r  se\t\r  zbližiti\t\r  s\t\r  bratom\t\r  Rok\t\r  mu\t\r  predloži\t\r  da\t\r  ga\t\r  povede\t\r  na\t\r  \nplaninarenje.\t\r  David\t\r  razumijevajući\t\r  Rokovu\t\r  želju\t\r  za\t\r  zbližavanjem\t\r  pristane.\t\r  Rok\t\r  \npoznaje\t\r  planine,\t\r  ali\t\r  odluči\t\r  izabrati\t\r  rutu\t\r  kojom\t\r  do\t\r  sada\t\r  nije\t\r  išao.\t\r  \t\r  \nOvaj\t\r  film\t\r  trebao\t\r  bi\t\r  biti\t\r  u\t\r  jednakoj\t\r  mjeri\t\r  akcijsko\t\r  avanturistički,\t\r  ali\t\r  i\t\r  film\t\r  o\t\r  psihološkim\t\r  odnosima\t\r  \ndvojice\t\r  braće.\t\r  Sa\t\r  zanimanjem\t\r  pratimo\t\r  i\t\r  jedan\t\r  i\t\r  drugi\t\r  aspekt\t\r  ovog\t\r  filma.\t\r  Budući\t\r  da\t\r  scenarist\t\r  već\t\r  duže\t\r  \nvrijeme\t\r  radi\t\r  na\t\r  pripremama\t\r  za\t\r  scenarij\t\r  uspio\t\r  je\t\r  kontaktirati\t\r  stručne\t\r  ljude\t\r  i\t\r  istražiti\t\r  područje\t\r  koje\t\r  mu\t\r  \nje\t\r  iznimno\t\r  važno\t\r  za\t\r  uvjerljivost\t\r  filma,\t\r  a\t\r  to\t\r  je\t\r  ponašanje\t\r  i\t\r  snalaženje\t\r  slijepih\t\r  ljudi\t\r  u\t\r  situacijama\t\r  koje\t\r  su\t\r  \nsrodne\t\r  njegovoj\t\r  filmskoj\t\r  situaciji.\t\r  Budući\t\r  da\t\r  hrvatska\t\r  kinematografija\t\r  rijetko\t\r  ima\t\r  akcijski\t\r  film,\t\r  a\t\r  kako\t\r  \nse\t\r  ovdje\t\r  radi\t\r  o\t\r  akcijskom\t\r  filmu\t\r  sa\t\r  slijepom\t\r  osobom\t\r  u\t\r  glavnoj\t\r  ulozi,\t\r  čini\t\r  nam\t\r  se\t\r  da\t\r  bi\t\r  to\t\r  mogao\t\r  biti\t\r  \nzanimljiv\t\r  i\t\r  neobičan\t\r  film.\t\r  \nVražda\t\r  \nScenarij\t\r  –\t\r  Nikola\t\r  Kuprešanin\t\r  \nPartizanski\t\r  komesar\t\r  Ivan\t\r  (Hrvat)\t\r  dobiva\t\r  zadatak\t\r  da\t\r  ratnog\t\r  druga\t\r  Petra\t\r  (Srbina)\t\r  provede\t\r  \nneprijateljskim\t\r  teritorijem\t\r  do\t\r  sela\t\r  gdje\t\r  potonjeg\t\r  očekuje\t\r  strijeljanje\t\r  zbog\t\r  zločina\t\r  nad\t\r  \nhrvatskim\t\r  civilima.\t\r  Petar\t\r  ne\t\r  zna\t\r  za\t\r  presudu,\t\r  ali\t\r  sluti\t\r  da\t\r  nešto\t\r  nije\t\r  u\t\r  redu\t\r  pa\t\r  njihovo\t\r  putovanje\t\r  \npostaje\t\r  noćna\t\r  mora\t\r  prepuna\t\r  nepovjerenja\t\r  i\t\r  paranoje.\t\r  \nOno\t\r  što\t\r  ovaj\t\r  scenarij\t\r  razlikuje\t\r  od\t\r  prethodno\t\r  snimljenih\t\r  partizanskih\t\r  filmova\t\r  u\t\r  prošloj\t\r  državi\t\r  je\t\r  \npomanjkanje\t\r  crno-­‐bijele\t\r  podjele\t\r  kako\t\r  među\t\r  zaraćenim\t\r  stranama\t\r  tako\t\r  i\t\r  među\t\r  likovima.\t\r  Naši\t\r  \nprotagonisti\t\r  su\t\r  od\t\r  krvi\t\r  i\t\r  mesa,\t\r  sudjeluju\t\r  u\t\r  opakim\t\r  bitkama,\t\r  pa\t\r  čak\t\r  počine\t\r  i\t\r  ratne\t\r  zločine,\t\r  a\t\r  takvo\t\r  što\t\r  \nje\t\r  u\t\r  klasičnim\t\r  partizanskim\t\r  filmovima\t\r  mogla\t\r  počiniti\t\r  samo\t\r  protivnička\t\r  strana,\t\r  tako\t\r  da\t\r  se\t\r  ovaj\t\r  film\t\r  \nnaslanja\t\r  na\t\r  tradiciju\t\r  partizanskih\t\r  filmova,\t\r  ali\t\r  i\t\r  na\t\r  američku\t\r  tradiciju\t\r  revizionističkog\t\r  vesterna.\t\r  Osim\t\r  \ntoga\t\r  Vražda\t\r  nam\t\r  priča\t\r  zanimljivu\t\r  priču\t\r  o\t\r  dvojici\t\r  prijatelja\t\r  koji\t\r  odlaze\t\r  na\t\r  posljednji\t\r  zajednički\t\r  zadatak,\t\r  \nali\t\r  osjećaju\t\r  da\t\r  će\t\r  se\t\r  uskoro\t\r  naći\t\r  na\t\r  različitim\t\r  stranama\t\r  nišana.\t\r  \n\t\r  \n\n\f\n11\t\r  \n\t\r  \nZajednica\t\r  \nScenarij\t\r  –\t\r  Ivan\t\r  Pavličić\t\r  \nMartin\t\r  je\t\r  profesor\t\r  biologije\t\r  koji\t\r  drži\t\r  predavanja\t\r  o\t\r  svijetu\t\r  insekata\t\r  i\t\r  kako\t\r  oni\t\r  funkcioniraju\t\r  u\t\r  \nzajednici.\t\r  Jedan\t\r  dan\t\r  on\t\r  odlazi\t\r  na\t\r  selo\t\r  kod\t\r  Jure\t\r  kupiti\t\r  pčele\t\r  koje\t\r  su\t\r  predmet\t\r  njegovog\t\r  \npredavanja.\t\r  Kako\t\r  je\t\r  Martin\t\r  liberal,\t\r  a\t\r  Jure\t\r  je\t\r  ratni\t\r  veteran\t\r  desničarskih\t\r  i\t\r  konzervativnih\t\r  \nstavova\t\r  njih\t\r  dvojica\t\r  se\t\r  gotovo\t\r  posvađaju.\t\r  Svađu\t\r  prekida\t\r  nagli\t\r  dolazak\t\r  mlade\t\r  trudne\t\r  žene\t\r  \nprekrivene\t\r  krvlju.\t\r  \t\r  \nZajednica\t\r  je\t\r  jedan\t\r  netipičan\t\r  film\t\r  s\t\r  tematikom\t\r  izbjeglica.\t\r  Iako\t\r  bi\t\r  se\t\r  moglo\t\r  reći\t\r  da\t\r  autor\t\r  opasno\t\r  pleše\t\r  \npo\t\r  rubu\t\r  krajnje\t\r  političke\t\r  nekorektnosti,\t\r  motivi\t\r  naših\t\r  glavnih\t\r  protagonista\t\r  su\t\r  posve\t\r  čisti\t\r  i\t\r  opravdani.\t\r  \nOni\t\r  štite\t\r  mladu\t\r  trudnicu\t\r  kojoj\t\r  opasnost\t\r  prijeti\t\r  od\t\r  pripadnika\t\r  vlastite\t\r  nacije\t\r  iz\t\r  ne\t\r  posve\t\r  razjašnjenih\t\r  \nrazloga.\t\r  Upravo\t\r  ta\t\r  kontroverznost\t\r  čini\t\r  Zajednicu\t\r  još\t\r  zanimljivijom.\t\r  Ljubitelji\t\r  Sama\t\r  Peckinpaha\t\r  i\t\r  \nnjegovog\t\r  filma\t\r  „Psi\t\r  od\t\r  slame“\t\r  doći\t\r  će\t\r  na\t\r  svoje\t\r  gledajući\t\r  ovaj\t\r  film\t\r  koji\t\r  bi\t\r  se\t\r  mogao\t\r  pretvoriti\t\r  u\t\r  pravi\t\r  \nmali\t\r  kino\t\r  hit.\t\r  \n\t\r  \nŽene,\t\r  luđaci\t\r  i\t\r  malo\t\r  dobrih\t\r  pedera\t\r  \nScenarij\t\r  –\t\r  Ivan\t\r  Salaj\t\r  (prema\t\r  romanu\t\r  Roberta\t\r  Roklicera)\t\r  \nRobert\t\r  je\t\r  pisac,\t\r  novinar\t\r  i\t\r  alkoholičar\t\r  koji\t\r  nam\t\r  u\t\r  off-­‐u\t\r  priča\t\r  priču\t\r  o\t\r  tri\t\r  dana\t\r  koja\t\r  su\t\r  mu\t\r  \npromijenila\t\r  život.\t\r  Film\t\r  je\t\r  to\t\r  koji\t\r  se\t\r  teško\t\r  može\t\r  opisati\t\r  u\t\r  nekoliko\t\r  rečenica,\t\r  ali\t\r  se\t\r  \nnjegovom\t\r  protagonistu\t\r  u\t\r  tri\t\r  dana\t\r  dogodi\t\r  više\t\r  nego\t\r  nekim\t\r  ljudima\t\r  u\t\r  desetak\t\r  godina.\t\r  \nOvo\t\r  je\t\r  drugi\t\r  dugometražni\t\r  film\t\r  Ivana\t\r  Salaja\t\r  čiji\t\r  je\t\r  prvijenac\t\r  publika\t\r  odlično\t\r  prihvatila.\t\r  Ovaj\t\r  put\t\r  se\t\r  \nSalaj\t\r  odlučio\t\r  za\t\r  scenarij\t\r  prema\t\r  romanu\t\r  tragično\t\r  preminulog\t\r  književnika,\t\r  novinara\t\r  i\t\r  glumca\t\r  Roberta\t\r  \nRoklicera\t\r  čije\t\r  apsurdne\t\r  autobiografske\t\r  i\t\r  poluautobiografske\t\r  priče\t\r  zabavljaju\t\r  čitatelje\t\r  zadnjih\t\r  \ndvanaestak\t\r  godina.\t\r  Film\t\r  je\t\r  prvenstveno\t\r  namijenjen\t\r  zahtjevnijoj\t\r  publici,\t\r  ali\t\r  zahvaljujući\t\r  suludom\t\r  \nhumoru\t\r  mogao\t\r  bi\t\r  se\t\r  vrlo\t\r  lako\t\r  svidjeti\t\r  i\t\r  širem\t\r  gledateljstvu.\t\r  \nUmjetnički\t\r  savjetnici\t\r  za\t\r  dugometražni\t\r  igrani\t\r  film\t\r  \nSnježana\t\r  Tribuson\t\r  i\t\r  Kristijan\t\r  Milić\t\r  \n\t\r  \n","warnings":[],"document":{"program_type":"razvoj_projekata","year":2019,"rok":"1. rok","referenced_projects":["Bog neće pomoći","Crna vreća","Dnevnik Pauline P.","Koke","Omara","Pučina od svile","Svadba","D&M","Dobar život","Glasnije","Hrvojka Horvat i vrtlog totalne perspektive","Ostavi vrata otvorena","Pantovčak jedan, drugi ulaz, treći kat","Počinje bitka","Prolazno mjesto","Veliki medvjed","Vražda","Zajednica","Žene, luđaci i malo dobrih pedera"],"summary":"Obrazloženje umjetničkih savjetnika za 1. rok Javnog poziva 2019. u kategorijama razvoja projekata i razvoja scenarija dugometražnog igranog filma. Od 14 prijavljenih projekata odabrano je 6 u razvoju projekata i 11 (od 67) u razvoju scenarija.","project_links":[{"source_title":"Bog neće pomoći","family_id":"pf_59f6a173d2bd","family_title":"Bog neće pomoći","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Crna vreća","family_id":"pf_caf6fa6bfe14","family_title":"Crna vreća","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Dnevnik Pauline P.","family_id":"pf_a1b8395f4553","family_title":"Dnevnik Pauline P.","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Koke","family_id":"pf_4dbfd9d3bcb7","family_title":"Koke","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Omara","family_id":"pf_a20c618d9655","family_title":"Omara","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Pučina od svile","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Svadba","family_id":"pf_ac43126474d8","family_title":"Svadba","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"D&M","family_id":"pf_582f419fe572","family_title":"D&M","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Dobar život","family_id":"pf_b486b5ea7b98","family_title":"Dobar život","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Glasnije","family_id":"pf_0798009a4950","family_title":"Glasnije","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Hrvojka Horvat i vrtlog totalne perspektive","family_id":"pf_e9821c44b6ea","family_title":"Hrvojka Horvat i vrtlog totalne perspektive","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Ostavi vrata otvorena","family_id":"pf_f9ba9128df24","family_title":"Ostavi vrata otvorena","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Pantovčak jedan, drugi ulaz, treći kat","family_id":"pf_f8d71cb70914","family_title":"Pantovčak jedan, drugi ulaz, treći kat","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Počinje bitka","family_id":"pf_03117fea5f70","family_title":"Počinje bitka","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Prolazno mjesto","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Veliki medvjed","family_id":"pf_5ac8fe5bd51f","family_title":"Veliki Medvjed","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Vražda","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Zajednica","family_id":"pf_26cb72c55218","family_title":"Zajednica","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Žene, luđaci i malo dobrih pedera","family_id":"pf_22cc88e399ee","family_title":"Žene, luđaci i malo dobrih pedera","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"21_1_2022_rezultati JAVNI POZIV COVID.pdf","filename_decoded":"21_1_2022_rezultati JAVNI POZIV 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COVID","year":2022,"rok":null,"natjecaj_date":"2022-01-21","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","REDATELJ","PRODUCENT","ODOBRENO"],"rows":[{"row_number":null,"project_title":"BISCHOFSHOFEN/ novi naslov SLATKA SIMONA, dugometražni igrani film","applicant":"Inter film d.o.o.","production_company":"Inter film d.o.o.","director":"Igor Mirković","writer":null,"original_author":null,"category":null,"approved_amount_text":"350.000,00 HRK","approved_amount":350000.0,"currency":"HRK","extras":{"REDATELJ":"Igor Mirković","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"9eb57918_21_1_2022_rezultati_javni_poziv_covid_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Project title matches the only listed entry and the REDATELJ column clearly assigns Igor Mirković to it."},"entity":"Inter film d.o.o.","row_id":"9eb57918:s0:e416a7677e09","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_4a3e028864e5","project_family_title":"BISCHOFSHOFEN/ novi naslov SLATKA SIMONA, dugometražni igrani film"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":350000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":350000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB Obrazlozenje_RSC_RPR_ANIMIRANI_1rok_14III2022.pdf","filename_decoded":"WEB Obrazlozenje_RSC_RPR_ANIMIRANI_1rok_14III2022.pdf","sha256":"9ed60617d2039b52fd34565b8d287cb8a9fc43a821451dd7f55384e7e79cf9d8","bytes":66120,"page_count":2,"extracted_at":"2026-05-17T12:02:19Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20Obrazlozenje_RSC_RPR_ANIMIRANI_1rok_14III2022.pdf"},"raw_text":" \n1 \n \nHrvatski audiovizualni centar \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva -  kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova, 1. rok 2022. \n \nKategorija: poticanje razvoja scenarija i razvoja projekata - animirani film \nRok: 14.3.2022. \nUmjetnička savjetnica: Ana Horvat \n \n \nNa javni poziv u kategoriji poticanja razvoja scenarija i projekata, na 1. rok u 2022. godini \nprijavljeno je tri (3) projekta u potkategoriji razvoja projekta, te četiri (4) projekta u potkategoriji \nrazvoja scenarija. \n \nZa financiranje su predloženi i odobreni po jedan projekt u svakoj od kategorija. \n \nSvi projekti su pažljivo i temeljito pripremljeni, ali nemaju uvijek potencijal za kvalitetnu priču, ili  \ndovoljno sadržaja da ispune natječajem predviđeno trajanje filma. \n \nUkupna potpora u kategoriji  razvoja scenarija i razvoja projekata je 95.000,00 kn \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n \n2 \n \nPotkategorija: razvoj projekta – animirani film \n \n \nnaziv projekta:  JETZT \nprodukcija: Kreativni sindikat \nscenarij: Katrin Novaković \nrežija: Katrin Novaković \nanimirano-dokumentarni film \n70.000,00 kn \n \nKompleksna, topla priča o životu autoričinog djeda, koji se kao i ona bavio stop-animacijom, što \nona nije ni znala do relativno nedavno.  \nAutorica pripovijeda o njegovim iskustvima i hobijima, a kroz to o ljubavi za život i prirodu.  \nProjekt je vrlo sistematično pripremljen. Koristi arhivske fotografije i filmske snimke svog djeda \n(kao autora) i razgovore s bakom, te ih povezuje sa svojim animacijama predmeta vezanih za baku i \ndjeda. \nUspijeva sklopiti skladnu cjelinu od kompleksnih materijala i stvara jedinstven film koji nam \nprenosi duhovitu, zanimljivu i dirljivu priču o jedinstvenom čovjeku. Na inovativan način pristupa \nobiteljskoj, osobnoj temi i postiže duboku, univerzalnu poruku. \n \n \n \nPotkategorija: razvoj scenarija – animirani film \n \nnaziv projekta:  GREGOR \nscenarij: Višna Mamić \n25.000,00 kn \n \nAutorica stvara zanimljiv, šašav svijet žohara Gregora koji želi biti prijatelj s ljudima. Gregor \nupoznaje Franza Kafku te uspijeva uspostaviti komunikaciju između njihovih različitih svjetova.  \nOva crno-humorna priča je pisana s lakoćom, zabavna je i zanimljiva. \nLikovi su kompleksni i uvjerljivi te nas njihovi kvalitetno razrađeni odnosi nose kroz priču, čineći \novo prije svega komedijom karaktera, s elementima tragedije.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2022,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI MANJINSKE 2 ROK 2021.pdf","filename_decoded":"REZULTATI MANJINSKE 2 ROK 2021.pdf","sha256":"9f37f7ce10df18a3b2c082c02954cececd556c37a3cf0509c71c368a21e904ff","bytes":36931,"page_count":1,"extracted_at":"2026-05-17T10:22:52Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI%20MANJINSKE%202%20ROK%202021.pdf"},"raw_text":"NAZIV FILMA\nREDATELJ/ICA\nHRVATSKI PRODUCENT\nODOBRENA \nSREDSTVA\n1\nLenin pas\nElena Walf\nMINYA FILM I ANIMACIJA j.d.o.o.\n250.000,00\n2\nMetamorfoze\nDušan Zorić, Matija Gluščević\nDinaridi film d.o.o.\n250.000,00\n3\nDomaćinstvo za početnike\nGoran Stolevski\nKinorama d.o.o.\n550.000,00\n4\nŠterkijada\nIgor Šterk\nŠvenk d.o.o.\n550.000,00\n5\nPod sretnom zvijezdom \nPeter Kerekes\nRestart\n250.000,00\n1.850.000,00\nUKUPNO \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE FILMSKIH \nKOPRODUKCIJA S MANJINSKIM HRVATSKIM UDJELOM u 2021. - 2. ROK - 14.4.2021., 17. sjednica Hrvatskog \naudiovizualnog vijeća 14.6.2021.\nanimirani film\ndebitantski dugometražni igrani film \ndugometražni dokumentarni film\ndugometražni igrani filmovi\nu postprodukcijskoj fazi\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"REZULTATI MANJINSKE 2 ROK 2021","year":2021,"rok":"2. rok","natjecaj_date":"2021-04-14","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NAZIV FILMA","REDATELJ/ICA","HRVATSKI PRODUCENT","ODOBRENA SREDSTVA"],"rows":[{"row_number":1,"project_title":"Lenin pas","applicant":"MINYA FILM I ANIMACIJA j.d.o.o.","production_company":"MINYA FILM I ANIMACIJA j.d.o.o.","director":"Elena 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Boško Picula \numjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom  \n \nNa četvrti rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2025. \ngodini prijavljeno je ukupno 68 projekta. Od ovoga ukupnog broja prijavljenih, sedam \nprojekata nije razmatrano jer nisu zadovoljili uvjete Javnog poziva, te je u konačnici \nrazmatran 61 projekt.  \n \nOd razmatranih projekata, s obzirom na filmski rod i vrstu, najviše prijavljenih dolazi iz \nkategorije dugometražnoga igranog filma, ukupno 37 (od toga 11 debitantskih dugometražnih \nigranih filmova). Četiri su dugometražna igrana filma (od toga jedan debitantski), prijavljena \nu fazi postprodukcije. Nakon dugometražnih igranih filmova prema broju prijava slijede \ndugometražni dokumentarni filmovi s ukupno 10 prijava (tri u postprodukciji), zatim \nkratkometražni igrani filmovi sa 6 prijava (jedan u postprodukciji), i kratkometražni animirani \nfilmovi s također 6 prijava. Glede roda eksperimentalnog filma, zaprimljene su i razmatrane 2 \nprijave, jedna u postprodukcijskoj fazi:  \n \nVRSTA FILMA \nBROJ PRIJAVA \n \nDugometražni igrani i debitantski \ndugometražni igrani filmovi \n37 (11) \nKratkometražni igrani filmovi \n6 \nDugometražni dokumentarni filmovi \n10 \nKratkometražni dokumentarni filmovi \n0 \nDugometražni animirani filmovi \n0 \nKratkometražni animirani filmovi \n6 \nEksperimentalni filmovi \n2 \nUKUPNO \n61 \n \n \nOd prijavljenih i razmatranih projekata, s obzirom na zemlju iz koje dolazi glavni producent, \nodnosno produkcijska kuća s većinskim udjelom u financiranju, riječ je o 16 zemalja s dva \nkontinenta (Europa, Sjeverna Amerika). Najveći broj prijava stigao je iz Slovenije (12), Srbije \n(11), Crne Gore (9), Bosne i Hercegovine (6) te Rumunjske (4). \n \nZEMLJA VEĆINSKOG \nPRODUCENTA \nBROJ PRIJAVA \n \nSlovenija \n12 \nSrbija \n11 \nCrna Gora \n9 \nBosna i Hercegovina \n6 \nRumunjska \n4 \nBugarska \n3 \nLitva \n3 \n\n\f\nSjeverna Makedonija \n3 \nTurska \n3 \nCipar \n1 \nEstonija \n1 \nFrancuska \n1 \nItalija \n1 \nMalta \n1 \nPoljska \n1 \nSjedinjene Američke Države \n1 \nUKUPNO \n61 \n \n \nKriteriji za predlaganje projekata za sufinanciranje temelje se na: \n  \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i \nredateljski koncept;  \n2. Ocjeni financijske izvedivosti te predstavljenoga distribucijskog potencijala projekta, s \nobzirom na produkcijski paket te plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za \nfinanciranje projekata.  \n \n \nFilmovi odobreni za sufinanciranje, s ukupnim iznosom sufinanciranja od 325.000 EUR: \n \n1.) Dugometražni igrani film Hotel Boka (Crna Gora), hrvatska produkcijska kuća \nUmjetnička organizacija Mitropa, 62.000,00 EUR  \n2.) Dugometražni igrani film King Wray (Rumunjska), hrvatska produkcijska kuća \nUdruga Marinis Media, 43.000,00 EUR \n3.) Debitantski dugometražni igrani film Kad ponovo umrem (Bosna i Hercegovina), \nhrvatska produkcijska kuća DA Film d.o.o., 47.500,00 EUR \n4.) Debitantski dugometražni igrani film Kuća (Srbija), hrvatska produkcijska kuća Četiri \nfilm d.o.o., 35.500,00 EUR \n5.) Debitantski dugometražni igrani film Lešinari (Slovenija), hrvatska produkcijska kuća \nSekvenca d.o.o., 43.000,00 EUR \n6.) Dugometražni dokumentarni film Ponovno rođena (Srbija), hrvatska produkcijska \nkuća Turbing d.o.o., 19.000,00 EUR \n7.) Dugometražni dokumentarni film Retrospektiva (Litva), hrvatska produkcijska kuća \nPipser d.o.o., 37.500,00 EUR \n8.) Kratkometražni animirani film Stakleni slonovi (Litva), hrvatska produkcijska kuća \nUmjetnička organizacija Pulpa, 22.500,00 EUR \n9.) Eksperimentalni film Ožigosani (Slovenija), hrvatska produkcijska kuća Švenk d.o.o., \n15.000,00 EUR \n \n \n \n \n \n \n \n\n\f\nOBRAZLOŽENJA \n \n \n1.) Dugometražni igrani film Hotel Boka (Crna Gora), hrvatska produkcijska kuća \nUmjetnička organizacija Mitropa, 62.000,00 EUR \n \nDugometražni igrani film naslova Hotel Boka režira Marija Perović, a zemlja je glavnog \nproducenta Crna Gora. Uz redateljicu i Maju Todorović, koscenarist je hrvatski sineast Pavo \nMarinković. Oslonjen o kazališnu dramu Stevana Koprivice, film je intimistička drama o \nživotu Ane, stanovnice Boke Kotorske, čiji su glazbeni dar i prelijepi glas istodobno i \nblagoslov, i prokletstvo u desetljećima stalnih osobnih i društvenih promjena, od otvaranja \nnaslovnog hotela 1913. kada je Ana bila djevojčica, do njegova rušenja u kontekstu \nkatastrofalnog potresa na tom dijelu jadranske obale 1979. Priča je napisana veoma vješto i \nnadahnuto poput sage ili bildungsromana s naglaskom na isprepletenost središnje junakinje i \nsredine u kojoj se međusobno mijenjaju. S jedne strane konkretna osoba umjetničkih \nmogućnosti, a s druge hotel, reprezentativno djelo tadašnje arhitekture zapravo postaju dva \nravnopravna lika filma, jedan individualni, a drugi simbolički u istom rasteru dramatičnih \npromjena i iskušenja. Dramski je luk čvrst, kao i protagonisti, te je riječ o projektu koji može \nimati važnu identitetsku ulogu ne samo u kontekstu crnogorske kulture, nego i šire na dodiru \nSredozemlja i Srednje Europe… Produkcijska kuća Umjetnička organizacija Mitropa kao \nhrvatski partner u projektu, proteklih je godina ostvarila više zapaženih projekata različitih \nfilmskih rodova i vrsta (Krava, Gradovi u kojima nisam bio, Naslijeđe, Prosvjetljenje, Tišina \nmora), među kojima je i redateljičin film Grudi.  \n \n  \n2.) Dugometražni igrani film King Wray (Rumunjska), hrvatska produkcijska kuća \nUdruga Marinis Media, 43.000,00 EUR \n \nDebitantski dugometražni igrano-animirani film u postprodukciji naslova King Wray režiraju \nAnton Groves i Damian Groves, a zemlja je glavnog producenta Rumunjska. Hibridni igrano-\nanimirani film govori o kultnom, maskiranom glazbeniku Ikeu koji se proslavio pod naslovnim \numjetničkim imenom, ali je zbog zdravstvenog stanja morao prekinuti karijeru. Godinama \nkasnije njegov identitet, na nagovor oca i vlasnice diskografske kuće, preuzima sin Leon koji \nse ubrzo i sam proslavlja hineći da je King Wray. Međutim, nove životne uloge te Ikeova \novisnost, dovest će do dramatičnih ishoda. Nadahnuti vlastitim odrastanjem te posvećenosti \nglazbi, redatelji i ujedno braća, grade uistinu originalan sadržajno-vizualni svijet na dodiru \nfilmske i glazbene umjetnosti te estetike stripa, u kojem se zapravo govori o složenim odnosima \nroditelja i djece, osobito kada prvi prakticiraju strogost i krutost. Efektno ekranizirana sukladno \npredlošku, priča je u priloženom, gotovo dvosatnom materijalu koherentna te istodobno \ndetaljna, s fokusom na likove i njihove motive. Vizualno dočarana uz sugestivan likovni i \nkonceptualni slog, iza imaginarnog svijeta predstavlja onaj realistični i opipljivi što u ovakvom \nspoju djeluje veoma filmično, poticajno i relevantno… Produkcijska kuća Udruga Marinis \nMedia kao hrvatski partner u projektu u svom je igranom programu realizirala filmove Reži i \nSunce mamino te Jedini izlaz, a u dokumentarnom Nun of Your Business i Novi južni Zagreb.  \n \n \n \n \n \n\n\f\n3.) Debitantski dugometražni igrani film Kad ponovo umrem (Bosna i Hercegovina), \nhrvatska produkcijska kuća DA Film d.o.o., 47.500,00 EUR \n \nDebitantski dugometražni igrani film naslova Kad ponovo umrem, žanrovski spoj drame i \ntrilera, režira Nemanja Savanović, a zemlja je glavnog producenta Bosna i Hercegovina. S \nvišegodišnjim iskustvom rada u filmskoj i kazališnoj umjetnosti, autor prema vlastitom \nscenariju te nadahnut vlastitim iskustvima u sredini u kojoj je odrastao i socijalizirao se, kao i \ntrilogijom Pusher danskog redatelja Nicolasa Windinga Refna, autentično uspostavlja dramski \nluk o pojedincu kojega se može ocijeniti gubitnikom tranzicije na prostoru ratom i korupcijom \nizmučene Bosne i Hercegovine, i to u oba svoja entiteta i tri konstitutivna naroda. Glavni je lik \ntaksist Milan koji u svojim četrdesetima nikako ne uspijeva pronaći ni egzistencijalnu \nstabilnost, ni stabilnost vezanu uz traume iz prošlog rata. Kada mu zbog duga zaprijete \nkamatari, spretni poduzetnik Tiho predložit će mu posao prijevoza određenog tereta između \nSrbije i Bosne i Hercegovine što će Milana dovesti u novu, u mnogo čemu dvojbenu situaciju. \nIako priča nije autobiografska, kako ističe autor, u njoj je spretno i uvjerljivo uneseno niz \nneposredno percipiranih zbivanja, a likovi su živi i autentični pri čemu je cijeli kontekst \npovezan i sa sličnim hrvatskim iskustvima… Produkcijska kuća DA FILM kao hrvatski partner \nu projektu, ostvarila je niz nagrađivanih igranih i dokumentarnih projekata (Je li jasno, \nprijatelju?, Moram spavat' anđele, Kralj, Anka). \n \n \n4.) Debitantski dugometražni igrani film Kuća (Srbija), hrvatska produkcijska kuća Četiri \nfilm d.o.o., 35.500,00 EUR \n \nDebitantski dugometražni igrani film u postprodukciji naslova Kuća režirala je Tanja \nBrzaković, a zemlja je glavnog producenta Srbija. Posvetivši se u dosadašnjoj karijeri \ndokumentarnim i kratkometražnim radovima (Prizori iz života džukca, Volja Božja), autorica \nse u svom cjelovečernjem igranom prvijencu, kako sama ističe, posvećuje priči o oproštaju i \nopraštanju, priči o istinama i lažima koje nas formiraju, odnosno  priči o odrastanju i kako biti \nodrastao. Spojivši žanr obiteljske drame sa suptilnom analizom suvremenog društva u kojem \nprofitom vođene investicije nepovratno mijenjaju i zemlju i ljude, autorica portretira \numirovljenog arhitekta koji je godinama živio u Njemačkoj, a koji se nakon preboljenoga \nsrčanog udara vraća u domovinu pri čemu o njemu skrb preuzima kći. Kako će ipak morati \notići u dom za umirovljenike, prethodno treba prodati zemlju u rodnom selu te na put odlazi s \nunukom koji pak ima Aspergerov sindrom. Na tragu zahvalnih motiva o iskupljenju i \nsuprotstavljanju prodaji rodne grude investitorima, redateljica gradi koherentnu, višeslojnu \ndramu s fokusom na svoje dobro profilirane protagoniste i njihove međuodnose koristeći \ndokumentaristički prosede i posvetu prirodi… Produkcijska kuća Četiri film d.o.o. kao hrvatski \npartner u projektu, jedna je od najuspješnijih hrvatskih kuća kada su posrijedi koprodukcije o \nčemu svjedoče recentni festivalski naslovi i njihovi strukovni uspjesi (Bazen beskraja, Dani \nsuše, Vizija leptira), kao i kontinuirani rad u domaćoj kinematografiji.  \n \n \n5.) Debitantski dugometražni igrani film Lešinari (Slovenija), hrvatska produkcijska kuća \nSekvenca d.o.o., 43.000,00 EUR \n \nDebitantski dugometražni igrani film naslova Lešinari režira Vida Breže, a zemlja je glavnog \nproducenta \nSlovenija. \nNadahnuvši \nse \nklasičnim \nromanom \nGospodar \nmuha \nte \nnovohollywoodskim klasicima poput filmova Psi od slame i Oslobođenje, autorica, inače \nglumica i koreografkinja koja je režirala dva zapažena kratka filma (Sapper Smith, A Matter of \n\n\f\nMinutes) kroz ovaj projekt realizira psihološki triler s elementima akcije. Riječ je o skupini \nodvjetnika koje njihov šef šalje na teambuilding u izoliranu planinsku kolibu sumnjajući da je \nupravo netko od njih otuđio ogroman iznos novca. Upućeni jedni na druge, bez dodira s \nvanjskim svijetom te podozrivi prema domaćinima, oni će se veoma brzo preobraziti iz ljudi \nnaviklih na luksuz suvremenog života u svojevrsne predcivilizacijske lešinare okrenute \nisključivo prema preživljavanju. Atraktivna kompilacija prepoznatljivih filmskih motiva, ovdje \nje zaživjela u originalnom spoju čvrste priče, generiranja napetosti i autentične lokacije pri \nčemu je posrijedi svojevrsna hiperbola o međuljudskim odnosima u kriznoj situaciji… \nProdukcijska kuća Sekvenca d.o.o. kao hrvatski partner u projektu, ostvarila je više u zemlji i \ninozemstvu nagrađenih radova (Lada Kamenski, Mater, Sirin) među kojima je kratkometražni \nigrani film Piknik ovjenčan Europskom filmskom nagradom.  \n \n \n6.) Dugometražni dokumentarni film Ponovno rođena (Srbija), hrvatska produkcijska \nkuća Turbing d.o.o., 19.000,00 EUR \n \nDugometražni dokumentarni film u postprodukciji naslova Ponovno rođena, zajednički \nrežiraju Marija Ratković Vidaković i Narcisa Darijević Marković, a zemlja je glavnog \nproducenta Srbija. Marija Ratković Vidaković, hrvatska producentica te filmska autorica i \nedukatorica koja živi i radi u Švedskoj realizirala je zapaženi dugometražni dokumentarni \nprvijenac IKEA for YU, dok Narcisa Darijević Marković, redovita profesorica na beogradskom \nFakultetu dramskih umjetnosti, još od studentskih dana realizira međunarodno priznate naslove \n(Mađija). Prema vlastitom scenariju temeljenom na iscrpnom istraživanju, a koji je razrađeno \ni dosljedno uobličen u sugestivnu pripovjedačku cjelinu, autorice portretiraju 84-godišnju \nnjemačku državljanku Bärbel iza koje je jedinstvena životna priča. Naime, Bärbel je rođena \n1944. u vihoru Drugoga svjetskog rata od majke Njemice i oca ratnog zarobljenika iz Srbije. \nObitelj razdvojena nakon završetka rata, dobit će prigodu tek u kontekstu rušenja Berlinskog \nzida za ponovni susret kćeri i oca. Uvijek intrigantna i emotivna, priča o spajanju vremenom i \nprostorom razdvojenih obitelji u filmu je dobila sugestivnu konkretizaciju promišljena \nsadržajnog i vizualnog pristupa. Film je u tom smislu istančana vizualizacija otkrivanja \nobiteljskih korijena protagonistice te njezinih osobnih osjećaja i promišljanja o životu i sudbini. \n \n7.) Dugometražni dokumentarni film Retrospektiva (Litva), hrvatska produkcijska kuća \nPipser d.o.o., 37.500,00 EUR \n \nDugometražni dokumentarni film u postprodukciji naslova Retrospektiva, prema vlastitom \nscenariju režira Gabrielė Urbonaitė, a zemlja je glavnog producenta Litva. Predstavivši se ove \ngodine na 59. međunarodnom filmskom festivalu u Karlovym Varyma debitantskim \ndugometražnim igranim filmom Renovacija, autorica iza koje je više kratkometražnih \ndokumentarnih i igranih radova (Solastalgia, Back) posljednje tri godine priprema ovaj projekt \nkoji je prvotno zamislila kao film o svojim roditeljima, cijenjenim litavskim multimedijskim \numjetnicima Nomedi i Gediminasu Urbonasu. No, prikupljajući materijal za film, projekt je \nkasnije osmislila kroz dvije sukladne perspektive: prvu koja retrospektivno prikazuje \nstvaralaštvo njezine majke i oca pri čemu film počinje pripremama za jednu od njihovih \nnajvećih izložbi, i drugu koja se fokusira na nju samu, njezino odrastanje i socijaliziranje u \nobitelji međunarodno priznatih umjetnika. Ova paralelna narativna struktura s jedne strane \notkriva obiteljski život iza prestižnih galerijskih prostora i priznanja, a s druge predstavlja \nintimno putovanje same autorice kroz desetljećima stvaran međuprostor potrebe za \nroditeljskom pažnjom i vlastitoga umjetničkog oblikovanja… Produkcijska kuća Pipser d.o.o. \nkao hrvatski partner u projektu, etablirala se u ovom desetljeću međunarodnim uspjehom \n\n\f\ndugometražnoga igranog filma Sigurno mjesto koji je, među ostalim, osvojio Srce Sarajeva te \nzavrijedio nominaciju za Europsku filmsku nagradu. Iza kuće je i realizacija dokumentarne \nserije Dobra ekonomija te dokumentarca Jedna od nas.  \n \n \n8.) Kratkometražni animirani film Stakleni slonovi (Litva), hrvatska produkcijska kuća \nUmjetnička organizacija Pulpa, 22.500,00 EUR \n \nKratkometražni animirani film naslova Stakleni slonovi, zajednički režiraju Dominyka \nAdomaitytė i Vykintas Labanauskas, a zemlja je glavnog producenta Litva. Nakon što su \nprethodno, također u suradnji, ostvarili kratkometražni animirani film Bakine palačinke, \nredatelji i ujedno scenaristi u svom novom projektu govore o jednoj od najosjetljivijih tema \nkada je u pitanju odrastanje. To je prihvaćanje smrti bliske osobe, a na to ih je potaknulo, kako \nsami navode, ono što su i sami doživjeli. Njihova je glavna junakinja šestogodišnja Laura iz \nčijeg je kuta film i ispričan. Djevojčicu muči događaj razbijanja bakine figurice staklenog slona \nšto ona poveže s njezinim odlaskom. Vješto spojen stvarni i izmaštani dio naracije koherentno \nprogovara iz dječje perspektive generirajući sugestivan tijek radnje koja se odvija bez riječi, ali \nuz jako puno emocija. S obzirom na tehniku lutkarske animacije, autori naglašavaju da su \nupravo oživljene lutke idealne za priču o odnosu živoga i neživoga pri čemu je film prvotno \nnamijenjen osnovnoškolcima… Produkcijska kuća Umjetnička organizacija Pulpa kao hrvatski \npartner u projektu, posvećena je animiranim, eksperimentalnim i namjenskim filmovima, a \ntrenutačno radi na projektima Nedovršena i Otvaranje.  \n \n \n9.) Eksperimentalni film Ožigosani (Slovenija), hrvatska produkcijska kuća Švenk d.o.o., \n15.000,00 EUR \n \nDugometražni eksperimentalni film u postprodukciji naslova Ožigosani, zajednički su režirali \nSašo Podgoršek i Iztok Kovač, a zemlja je glavnog producenta Slovenija. Profesionalno se \nbaveći filmskom režijom od početka 1990.-ih, slovenski filmaš Sašo Podgoršek autor je niza \nglazbenih spotova te plesnih, dokumentarnih i dugometražnih igranih ostvarenja koja su mu \npriskrbila i priznanja (Slatki snovi, Razdružene države Amerike), dok je njegov sunarodnjak \nIztok Kovač međunarodno priznati koreograf, edukator i izvođač u području suvremenog plesa. \nNjihova zajednička suradnja realizirana u ovom projektu nadahnuta je esejem Suvišni čovjek \nbugarsko-njemačkog književnika Ilije Trojanowa o razornoj sili kapitalizma koji se sustavno \nodriče i čovjeka i čovječnosti u ime profita. Njihov je plesno-eksperimentalni film ekstenzija \nkazališne predstave Suvišni za čiji su koncept zaslužni upravo Iztok Kovač i En–Knap Group. \nLiterarni predložak i predstave i filma tematizira ljudsko dostojanstvo u neoliberalnom \nkapitalizmu čije međunarodne elite tvrde da je prenaseljenost najveći problem čovječanstva. \nČvrste mizanscene i veoma elegantnoga snimateljskog rada, film je ekranizirana predstava koji \nje u ovakvoj vizualizaciji središnjoj temi donio nove dimenzije i aspekte… Produkcijska kuća \nŠvenk d.o.o. kao hrvatski partner u projektu, proteklih se godina istaknula realizacijom \ndugometražnih igranih filmova Nosila je rubac črleni i Pamtim samo sretne dane, te kratkoga \nigranog filma Egon i rupa.  \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2025,"rok":"4. rok","referenced_projects":["Hotel Boka","King Wray","Kad ponovo umrem","Kuća","Lešinari","Ponovno rođena","Retrospektiva","Stakleni slonovi","Ožigosani"],"summary":"Obrazloženje umjetničkog savjetnika dr. sc. Boška Picule za 4. rok 2025. (15. listopada 2025.) Javnog poziva u kategoriji manjinskih koprodukcija – od 68 prijava razmatran je 61 projekt, a za sufinanciranje je odobreno 9 projekata u ukupnom iznosu od 325.000 EUR.","project_links":[{"source_title":"Hotel Boka","family_id":"pf_a83f3e7bd6bf","family_title":"Hotel Boka","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"King Wray","family_id":"pf_eca8bb9991f6","family_title":"King Wray","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Kad ponovo umrem","family_id":"pf_e5d2adda3f85","family_title":"Kad ponovo umrem","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Kuća","family_id":"pf_51601f38510a","family_title":"Kuća","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Lešinari","family_id":"pf_cce3554aad5c","family_title":"Lešinari","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Ponovno rođena","family_id":"pf_351c67a04fa7","family_title":"Ponovno rođena","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Retrospektiva","family_id":"pf_e7a2ad81dc9a","family_title":"Retrospektiva","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Stakleni slonovi","family_id":"pf_685d4dbdf9a3","family_title":"Stakleni slonovi","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Ožigosani","family_id":"pf_8c73167d3e0b","family_title":"Ožigosani","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati manjinske koprodukcije 1rok2015.pdf","filename_decoded":"rezultati manjinske koprodukcije 1rok2015.pdf","sha256":"9f9e6b971a7f8255ec1f05cc62317020f91f2ab3cc490b3ac1f9e75f6c6cc51f","bytes":62981,"page_count":1,"extracted_at":"2026-05-17T10:22:53Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20manjinske%20koprodukcije%201rok2015.pdf"},"raw_text":"NAZIV FILMA\nREDATELJ/ICA\nHRVATSKI \nPRODUCENT\nODOBRENO\n1\nCrveno\nToma Waszarow\nEclectica d.o.o.\n100.000,00\n2\nCargo, Lost & \nFound\nBiljana Tutorov\nFactum\n200.000,00\n300.000,00\nSVEUKUPNO\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE FILMSKIH KOPRODUKCIJA S MANJINSKIM HRVATSKIM UDJELOM \nu 2015. - 1. 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Torino Film Lab - NEXT\n1.700,00 €\n2\nFilmaparat d.o.o.\nSudjelovanje dokumentarnog filma \"Tovareća \nmužika\" na međunarodnom festivalu \nEthnografilm u Parizu\n462,00 €\n3\n25 FPS, Udruga za audio-\nvizualna istraživanja\nSudjelovanje Ejle Kovačević na Oberhausen \nSeminaru\n550,00 €\n4\nReci RCLE d.o.o.\nPredstavljanje projekta \"Shadow's world\" na \nforumu Animation Production Days, Stuttgart, \nNjemačka\n2.000,00 €\n5\nIvana Bošnjak\nSudjelovanje na festivalu animiranog filma u \nAnnecy-u i predstavljanje animiranog filma \n“Sjeti se kako sam jahala bijelog konja”\n393,00 €\n6\nEclectica d.o.o.\nSudjelovanje producentice Marte Mećava na \nprogramu New Producer's Room u sklopu \nCannes Court Metrage\n1.753,00 €\n7\nLana Barić\nSudjelovanje na radionici LIM / Less Is More \n2023 u mjestu Plounéour-Brignogan-Plages, \nFrancuska (druga sesija)\n212,00 €\n8\nThomas Johnson Volda\nSudjelovanje na festivalu animiranog filma u \nAnnecy-u i predstavljanje animiranog filma \n“Sjeti se kako sam jahala bijelog konja”\n533,00 €\n9\nAna Šiškov\nSudjelovanje filma \"Nije pristojno plesat po \ngrobu\" na IndieLisboa - International Film \nFestivalu u Portugalu\n528,00 €\n10\nUdruga ljubitelja filma Rare \nVinkovci\nSudjelovanje na WOMEX festivalu u \nŠpanjolskoj\n793,00 €\n11\nNukleus Film d.o.o.\nSudjelovanje na ACE Leadership programu\n2.300,00 €\n12\nNoć hrvatskog filma i novih \nmedija, U.O.\nNoć hrvatskog filma i novih medija u Italiji, \nRumunjskoj, Bosni i Hercegovini i Madžarskoj\n3.750,00 €\n13\nUdruga za audiovizualno \nstvaralaštvo Artizana\nCiklus hrvatskog filma u Vojvodini\n2.500,00 €\n14\nWolfgang i Dolly d.o.o.\nSudjelovanje producenta Matije Drnikovića na \nmanifestaciji East Silver Market u Pragu s \nprojektima \"Godina prođe, dan nikako\" i \"Funk \nYu\"\n356,00 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2023. - \nPROGRAMI MEĐUNARODNE SURADNJE - ROK 13.4.2023., 16. sjednica Hrvatskog audiovizualnog \nvijeća 14.6.2023.\n\n\f\n15\nDinaridi film d.o.o.\nSudjelovanje producentice Tene Gojić na \nradionici EAVE Producers Workshop 2023 u \nLuksemburgu (prva sesija)\n3.500,00 €\n16\nPipser d.o.o.\nSudjelovanje ekipe filma \"Muzara\" na \nkoproducijskom forumu When East Meets \nWest 2023 u Trstu\n732,00 €\n17\nPipser d.o.o.\nSudjelovanje filma \"Sigurno mjesto\" na \nmanifestaciji International Film Festival \nRotterdam\n1.500,00 €\n18\nWolfgang i Dolly d.o.o.\nSudjelovanje Dalije Dozet i Tamare Babun na \nmeđunarodnom sajmu za kratkometražne \nfilmove European Short Pitch u Rennesu, \nFrancuska\n1.200,00 €\n19\nRestart\nSudjelovanje hrvatske ekipe filma na premijeri \nkoprodukcije \"Između revolucija\" na \nBerlinaleu, 17.2. – 26.2.2023.\n2.500,00 €\n20\nSplit Screen, vl. Marcella \nJelić\nSudjelovanje na CPH:DOX - Copenhagen \nInternational Documentary Film Festivalu u \nDanskoj\n291,00 €\n21\nSunčana Brkulj\nSudjelovanje Sunčane Brkulj i filma \"Stinky u \nMračnoj šumi\" na manifestaciji Stuttgart \nInternational Festival of Animated Film u \nNjemačkoj\n197,00 €\n22\nLana Barić\nSudjelovanje na radionici LIM / Less Is More \n2023 u mjestu Plounéour-Brignogan-Plages, \nFrancuska (prva sesija)\n1.000,00 €\n23\nJuraj Lerotić\nSudjelovanje debitantskog dugometražnog \nigranog filma redatelja Jurja Lerotića na \nfestivalu New Directors/New Films u New \nYorku, SAD\n1.310,00 €\n24\nMartina Marasović\nSudjelovanje na GO SHORT - Međunarodnom \nfestivalu kratkometražnog filma u Nijmegenu, \nNizozemska\n339,00 €\n25\nIvana Bošnjak\nSudjelovanje na Landshut Short Film Festivalu \nu Njemačkoj i predstavljanje animiranog filma \n\"Sjeti se kako sam jahala bijelog konja\"\n76,00 €\n26\nThomas Johnson Volda\nSudjelovanje na Landshut Short Film Festivalu \nu Njemačkoj i predstavljanje animiranog filma \n\"Sjeti se kako sam jahala bijelog konja\"\n76,00 €\n27\nMarina Andree Škop\nSudjelovanje na manifestaciji M:brane Forum \n2023 u Malmöu, Švedska\n476,00 €\n28\nStudio Corvus d.o.o.\nSudjelovanje projekta \"Nisam takva\" na \nmanifestaciji Meeting Point Vilnius 2023 u Litvi\n396,00 €\n29\nKarla Crnčević\nSudjelovanje na susretu filmskih kustosa i \nstvaratelja Cine Cauce, u mjestu Jarandilla de \nla Vera, Španjolska\n276,00 €\n30\nPetnaesta umjetnost d.o.o.\nSudjelovanje na radionici Docu Rough Cut \nBoutique u Bugarskoj, Rumunjskoj i Bosni i \nHercegovini (druga i treća sesija)\n2.500,00 €\n\n\f\n31\nPipser d.o.o.\nSudjelovanje filma \"Sigurno mjesto\" na \nfestivalu New Directors/New Films u New \nYorku, SAD\n400,00 €\n32\nKinoklub Karlovac\nSudjelovanje hrvatske delegacije na festivalu \nSchweizer Jugendfilmtage u Zürichu, \nŠvicarska\n724,00 €\n35.323,00 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Stožer civilne zaštite Republike Hrvatske donio je Odluku o nužnim epidemiološkim mjerama kojima se ograničavaju okupljanja i uvode druge nužne epidemiološke mjere i preporuke radi sprečavanja prijenosa bolesti COVID-19 putem okupljanja, iste su stupile na snagu 28. studenoga, a određuju se u trajanju do 21. prosinca 2020. godine. Stoga su projektu uslijed promjenjenih okolnosti vezanih uz provođenje mjera, na ovoj sjednici odobrena dodatna sredstva za provođenje mjera u iznosu 250.000,00.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","entity_original_production_company":"Telefilm","entity_canonicalized_at":"2026-05-18T14:41:26Z"},"entity":"Telefilm d.o.o.","row_id":"a30a2d19:s0:23c02ff60fbf","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_1eeb446b94a5","project_family_title":"DŽOKER, dugometražni igrani film"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":null,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":250000.0,"ukupno_match":null,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"3 rok 2019 medjunarodna REZULTATI 10072019.pdf","filename_decoded":"3 rok 2019 medjunarodna REZULTATI 10072019.pdf","sha256":"a31d93032bb546ed55595a5104924eeeb0009bbc6c4a3bf1449af960ad621c1e","bytes":40670,"page_count":2,"extracted_at":"2026-05-17T10:23:33Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/3%20rok%202019%20medjunarodna%20REZULTATI%2010072019.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENO\n1\nEclectica  d.o.o.\nSudjelovanje  dugometražnog  igranog  filma  \"Ostavi  vrata  \notvorena\"  na  radionici  First  Films  First  2019\n13.409,00\n2\nČetiri  film  d.o.o.\nSudjelovanje  producentice  Anite  Juke  na  platformi  \nProducers  on  the  Move  2019.\n10.000,00\n3\nKrupni  kadar  d.o.o.\nPredstavljanje  VR  filma  u  produkciji  \"Dislokacije\"  na  \nfilmskom  festivalu  Annecy  2019\n7.000,00\n4\nAna  Kadoić\nPredstavljanje  filma  \"Bijela  vrana\"  na  Festival  du  film  \nd'animation  de  Savigny\n1.622,00\n5\nWolfgang  i  Dolly  d.o.o.\nSudjelovanje  scenarista  Ante  Marina  na  radionici  EAVE  \nProducers  Workshop  2019  u  Novom  Sadu,  Srbija\n15.000,00\n6\nMetar60\nSudjelovanje  redateljice  filma  \"Veće  od  traume\"  Vedrane  \nPribačić  na  FEST  –  New  Directors  |  New  Films  Pitching  \nforumu  2019\n2.600,00\n7\nLucija  Mrzljak\nPredstavljanje  filma  \"Demonstracija  briljantnosti  u  četiri  \nčina\"  u  međunarodnoj  konkurenciji  festivala  Annecy  2019\n3.123,00\n8\nDubravka  Turić\nSudjelovanje  scenaristice  i  redateljice  Dubravke  Turić  s  \ndugometražnim  projektom  \"Nosorog\"  na  Torino  Film  Labu  -­  \nScriptLab  2019  /  Radionica  br.  2\n1.493,00\n9\nDaniel  Šuljić\nGostovanje  u  natjecateljskom  programu  Perspectives  na  \nmeđunarodnom  festivalu  Annecy  2019  s  filmom  \"Ispod  \nkojeg  li  su  kamena  samo  ispuzali\"\n2.700,00\n10\nKinoklub  Zagreb\nGostovanje  Kinokluba  Zagreb  na  Encounters  Film  Festivalu  \nu  Bristolu  i  sudjelovanje  na  generalnoj  skupštini  NISI  MASA-­\ne\n2.666,52\n11\nMultimedijalna  \numjetnička  organizacija  \nBacači  Sjenki\nFrooom!  putuje  na  24.  Internacionalni  filmski  festival  za  \ndjecu  i  mladu  publiku,  Chemnitz,  Njemačka\n1.867,00\n12\nFantastično  dobra  \ninstitucija  -­  Fade  In\nSudjelovanje  na  Cinekid  Script  LAB  2019-­2020  s  projektom  \n\"Jump  Out\"\n20.000,00\n13\nHrvatski  filmski  savez  -­  \nHFS\nSudjelovanje  hrvatske  delegacije  na  festivalu  Giffoni  \nExperience  u  Italiji\n15.729,00\n14\nLuka  Tokić\nStručno  usavršavanje  montažera  Luke  Tokića  na  radionici  \nUP.GRADE  u  organizaciji  Deutsche  Film-­  und  \nFernsehakademie  Berlin\n5.000,00\n15\nKarlo  Žganec\nPredstavljanje  filma  \"Nitko  nije  savršen\"  na  Figari  Film  Fest  \n2019  u  Olbiji,  Italija\n2.027,96\nJAVNI  POZIV  ZA  DODJELU  SREDSTAVA  ZA  POTICANJE  KOMPLEMENTARNIH  DJELATNOSTI  U  \n2019.                                                                                                                                                                                                                                                                                                                              \n-­  PROGRAMI  MEĐUNARODNE  SURADNJE  -­  ROK  10.7.2019.,                                                                                                                                   \n16.  sjednica  Hrvatskog  audiovizualnog  vijeća  9.10.2019.\n\n\f\n16\nVedis  d.o.o.\nRetrospektiva  i  izložba  Nedeljka  Dragića  na  17.  \nMeđunarodnom  Salonu  stripa  u  Beogradu\n10.000,00\n17\nCAMERON  -­  obrt  za  film  i  \nvideo\nSmotra  hrvatskog  filma  u  Beogradu\n12.000,00\n18\nDobar  film\nSudjelovanje  autorice  Karle  Lulić  na  European  Genre  \nForumu  s  dugometražnim  projektom  \"Ogledalo  za  Slavuja\"\n4.450,00\n19\nPropeler  film  d.o.o.\nSvjetska  premijera  filma  Bosonogi  car  na  Toronto  film  \nfestivalu  \n23.800,00\n154.487,48\nUKUPNO\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"3 rok 2019 medjunarodna REZULTATI 10072019","year":2019,"rok":null,"natjecaj_date":"2019-07-10","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"JAVNI P OZIV Z A D ODJELU S REDSTAVA Z A P OTICANJE K OMPLEMENTARNIH D JELATNOSTI U 2019. - P ROGRAMI M EĐUNARODNE S URADNJE - R OK 1 0.7.2019., 16. s jednica H rvatskog a udiovizualnog v ijeća 9 .10.2019.","section_key":"javni_p_oziv_z_a_d_odjelu_s_redstava_z_a_p_oticanje_k_omplem","columns":["PODNOSITELJ","PROGRAM","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Sudjelovanje dugometražnog igranog filma \"Ostavi vrata otvorena\" na radionici First Films First 2019","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"13.409,00","approved_amount":13409.0,"currency":"HRK","extras":{"col_1":"1","entity_original_production_company":"Eclectica d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Eclectica d.o.o.","row_id":"a31d9303:s0:e40b8a2e5744","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 1 in source table: Eclectica d.o.o. awarded HRK 13,409.00. Title and amount verified in raw_text. OCR inserted spaces within words require correction.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje d ugometražnog i granog f ilma \" Ostavi v rata otvorena\" n a r adionici F irst F ilms F irst 2 019","to":"Sudjelovanje dugometražnog igranog filma \"Ostavi vrata otvorena\" na radionici First Films First 2019","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_0845a0c80049","project_family_title":"Sudjelovanje dugometražnog igranog filma \"Ostavi vrata otvorena\" na radionici First Films First 2019"},{"row_number":2,"project_title":"Sudjelovanje producentice Anite Juke na platformi Producers on the Move 2019","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"2","entity_original_production_company":"Četiri f ilm d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"a31d9303:s0:940e6376f3d0","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 2 in source table: Četiri film d.o.o. awarded HRK 10,000.00. Title and amount verified in raw_text. OCR spacing artifacts within words need repair.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje p roducentice A nite J uke n a p latformi Producers o n t he M ove 2 019.","to":"Sudjelovanje producentice Anite Juke na platformi Producers on the Move 2019","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_6d20a2c8db16","project_family_title":"Sudjelovanje producentice Anite Juke na platformi Producers on the Move 2019"},{"row_number":3,"project_title":"Predstavljanje VR filma u produkciji \"Dislokacije\" na filmskom festivalu Annecy 2019","applicant":"Krupni kadar d.o.o.","production_company":"Krupni kadar d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"col_1":"3","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Krupni kadar d.o.o.","row_id":"a31d9303:s0:2c02ccd378de","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 3 in source table: Krupni kadar d.o.o. awarded HRK 7,000.00 for VR film presentation at Annecy 2019. OCR spacing corrections needed.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Predstavljanje V R f ilma u p rodukciji \" Dislokacije\" n a filmskom f estivalu A nnecy 2 019","to":"Predstavljanje VR filma u produkciji \"Dislokacije\" na filmskom festivalu Annecy 2019","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_690ecc8bf36b","project_family_title":"Predstavljanje VR filma u produkciji \"Dislokacije\" na filmskom festivalu Annecy 2019"},{"row_number":4,"project_title":"Predstavljanje filma \"Bijela vrana\" na Festival du film d'animation de Savigny","applicant":"Ana Kadoić","production_company":"Ana Kadoić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.622,00","approved_amount":1622.0,"currency":"HRK","extras":{"col_1":"4","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Ana Kadoić","row_id":"a31d9303:s0:f05bdaace3f2","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 4 in source table: Ana Kadoić awarded HRK 1,622.00 for film presentation. Title and amount in raw_text. OCR spacing repairs required.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Predstavljanje f ilma \" Bijela v rana\" n a F estival d u f ilm d'animation d e S avigny","to":"Predstavljanje filma \"Bijela vrana\" na Festival du film d'animation de Savigny","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_c7cc00b56050","project_family_title":"Predstavljanje filma \"Bijela vrana\" na Festival du film d'animation de Savigny"},{"row_number":5,"project_title":"Sudjelovanje scenarista Ante Marina na radionici EAVE Producers Workshop 2019 u Novom Sadu, Srbija","applicant":"Wolfgang i Dolly d.o.o.","production_company":"Wolfgang i Dolly d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"5","entity_original_production_company":"Wolfgang i D olly d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Wolfgang i Dolly d.o.o.","row_id":"a31d9303:s0:115793cf1afd","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 5 in source table: Wolfgang i Dolly d.o.o. awarded HRK 15,000.00. 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Title and amount in raw_text. 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Title and amount verified. 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ROK - \n17.6.2019.        \n-obrazloženje \nSnježana Tribuson i Kristijan Milić, umjetnički savjetnici za debitantski dugometražni \nigrani film i dugometražni igrani film \n \nNa Javni poziv za poticanje proizvodnje u 2019. godini na prvom roku prijavilo se ukupno 26 \nprojekata. Od toga je bilo osam debitantskih projekata (jedan u postprodukcijskoj fazi) te 18 \ndugometražnih igranih filmova od kojih je jedan također prijavljen u postprodukcijskoj fazi.  \nOdlučili smo  poduprijeti sveukupno devet filmova, od kojih su četiri debitantska.  \n \nSvi debitantski filmovi koji su dobili potporu već su prošli faze razvoja scenarija i razvoja \nprojekta, a njihovi autori pokazali su svoje kompetencije radeći kratke ili srednjometražne \nfilmove.  \nMeđu pet filmova već afirmiranih autora koji su izabrani za proizvodnju, obratili smo pažnju \nda među sufinanciranim filmovima budu i oni namijenjeni širokoj filmskoj publici i oni koji \nsu opredijeljeni za zahtjevniju publiku i festivale. U kategoriji debitantskih filmova također \nsmo izabrali dva filma koja bi trebala biti interesantna široj publici.  \n Četiri filma u fazi proizvodnje  prijavile su žene redateljice, a dvije su dobile potporu. \nMeđu filmovima koji nisu dobili potporu bila su u razmatranju još tri za koje mislimo da bi bilo \ndobro da uz neke izmjene konkuriraju na sljedećem natječaju. \n \nDEBITANTSKI DUGOMETRAŽNI IGRANI FILMOVI \nDivljaci \nScenarij – Velimir Grgić, Ivo Balenović, Dario Lonjak \nRežija – Dario Lonjak \nProdukcija: Alka film d.o.o. \nOdobreno: 3.200.000,00 kn  \n\n\f\n2\t\r  \n\t\r  \nUsred sveopće euforije oko Svjetskog nogometnog prvenstva u Rusiji 2018. godine ratni \nveteran i bivši robijaš Zolja, neuspješni \"sitni poduzetnik\" Jasmin te pripadnik romske \nmanjine Mali opljačkaju kladionicu kako bi skupili novac za odlazak na finale.  \nFilm Divljaci je odlična kombinacija akcije i komedije smještena u uvijek zanimljivi polu-\nsvijet. Likovi nisu crno-bijeli, nema tu nikog posve dobrog i posve lošeg, svi imaju svoja \nvjerovanja i svoje želje, ali su ta vjerovanja i želje naravno u međusobnom konfliktu. Kako \nizmeđu likova tako i sa stvarnim svijetom kojeg svi likovi na neki način ignoriraju. \nKako je film već u fazi snimanja znamo iz prve ruke da se redatelj posebno potrudio likove \noživjeti kvalitetnim glumcima. Pažljivim odabirom glumaca postigao je učinak uvjerljivosti \nsvakog lika koja je u ovakvom filmu bitna, jer dobar dio prihvaćanja njihovih suludih \npostupaka leži upravo u njihovim osebujnim karakterima. \nDario Lonjak je talentiran i sposoban redatelj koji je svoje zanatsko umijeće dokazao s \nnekoliko kratkih filmova i glazbenih spotova. Njegov filmski svijet oduvijek je okrenut \nžanrovskom filmu, što je u hrvatskoj kinematografiji rijetko i mislimo da je pravo vrijeme da \nmu se omogući snimanje prvijenca. Film svakako ima velike šanse za dobru gledanost u \nkinima, ali isto tako mislimo da ni veliki dio kritike neće ostati ravnodušan, što filmu daje i \nsolidne šanse na festivalima, pogotovo ako se producent odluči za festivale žanrovske \norijentacije. \nGlava velike ribe \nScenarij - Arsen Oremović (prema romanu Ognjena Sviličića) \nRežija - Arsen Oremović \nProdukcija: Izazov 365 d.o.o. \nOdobreno: 3.200.000,00 kn  \nIvica, poznatiji kao Traktor, je ratni veteran. Živi u zapuštenoj obiteljskoj kući i zadovoljan je \nmonotonim i repetitivnim preživljavanjem. Promjenu donosi dolazak naizgled zabrinutog \nbrata Andrije i njegove supruge Vesne. Andrija ga nagovara da prodaju obiteljsku kuću i \nnovac ulože u isplativi posao, a dok se plan ne realizira Traktor će živjeti u njihovom stanu u \nZagrebu. Naravno, ništa se ne odigra po Andrijinom planu, a odnosi među njima se dodatno \nzakompliciraju. \nGlava velike ribe je drama o ljudima koji na različite načine pokušavaju naći svoj mir. Za \njednog je to monotona svakodnevnica, za drugog ulaganje u potencijalno isplative poslove.  \n\n\f\n3\t\r  \n\t\r  \nFilm govori o malim ljudima koji ne traže puno od života, ali stjecajem okolnosti ne dobiju ni \nono malo što priželjkuju. Mogli bismo zaključiti da je to film o klasičnim gubitnicima. Likovi \nsu uvjerljivi i lako se s njima poistovjetiti kao i s njihovim stremljenjima i željama koje nisu \nzahtjevne, ali su i takve njima teško dostupne. Priča filma je jednostavna i svakodnevna, ali \natmosfera je ta koja film diže na višu razinu. \nPoznavajući dosadašnji rad redatelja mislimo da je svakako zaslužio šansu za realizaciju \nsvojeg prvog dugometražnog projekta. Ako uspije vjerno prenijeti atmosferu koja je u ovom \nfilmu najbitnija, film će svako zaslužiti svoje prisustvo na festivalima diljem Europe, pa i \nsvijeta. \nSedmo nebo \nScenarij - Jasna Nanut \nRežija – Jasna Nanut \nProdukcija – Petnaesta umjetnost d.o.o. \nOdobreno: 2.700.000,00 kn \nTamara i Nino su u ljubavničkoj vezi. Odlaze u Njemačku gdje žele nekoliko dana provesti \nposvećujući se jedno drugome, praveći se kako Nino nije oženjen.  \nRedateljica je svoj projekt odredila kao urbanu crnohumornu dramu u čijem je središtu žena \nkoja se suočava sa svojom nevidljivošću u trenutku kada želi da joj se javno prizna pravo na \ntugu za svojim mrtvim ljubavnikom. Gubitak ljubavnika, odnosno gubitak bliskog čovjeka je \ndogađaj koji je Tamari osvijestio prioritete i važnosti u životu.  \nFilm je fabulativno dobro postavljen i vođen, a intrigantan i neočekivan obrat u sredini filma \nusmjerava film na sasvim drugi predmet interesa i dramaturški je vrlo hrabar, a u slučaju ovog \nfilma djelotvoran.  \nSumirajući rad Jasne Nanut do sada, njezine kratke filmove, Tanja i Igra malog tigra, za koje \nje dobila nagradu Oktavijan i radove na Akademiji dramske umjetnosti te njen scenaristički rad \nmislimo da je spremna krenuti u produkciju dugog igranog filma. \nStric \nScenarij - Andrija Mardešić, David Kapac \nRežija - Andrija Mardešić, David Kapac \nProdukcija: Eclectica d.o.o. \nOdobreno: 2.700.000,00 kn \n\n\f\n4\t\r  \n\t\r  \nMajka, Otac i Sin dočekuju Strica koji se za Badnjak vraća iz Njemačke s poklonima. Doba je \nto Jugoslavije, VHS-a, najvjerojatnije sredina 80-tih. Svi su razgaljeni susretom, ali se ujedno \nponašaju pomalo čudno.  \nStric je film koji bismo mogli svrstati u razne žanrove, ali možda bi ga najtočnije bilo \nokarakterizirati kao psihološki triler s elementima horora, obiteljske drame pa čak i komedije. \nFilm ne odgovara na sva pitanja nego ostavlja dovoljno prostora vlastitoj interpretaciji \ngledatelja, što je vrlo pozitivan autorski pristup. Zanimljivost ideje predloška leži već i u tome \nšto se takav film još nije snimio na našim prostorima. Likovi u filmu su interesantni i \nintrigantni. \nFilm se vrlo suptilno poigrava postojećim jugonostalgičarskim i anti-jugonostalgičarskim \nstereotipima, ali vrlo vješto zaobilazi klasičnu simpatično-komičnu situaciju kojom se često i \nolako opisuju ta vremena. \nMislimo da ovaj film, ima podjednake šanse i kod šire publike, kao i kod filmske kritike.  S \nobzirom na bizarnost radnje film bi mogao jednako dobro proći na žanrovskim kao i na art \nfestivalima. \n \nDUGOMETRAŽNI IGRANI FILMOVI \nČetvrti kralj \n Scenarij - Jurica Pavičić, Zvonimir Jurić \nRežija - Zvonimir Jurić \nProdukcija – Kinorama d.o.o. \nOdobreno: 4.000.000,00 kn \nPravnik, muškarac srednjih godina, Gorki Šain dolazi na otok, na kojem je i sam nekada živio, \nkako bi kupovao zemljišta za britansku tvrtku nekretnina koja na otoku želi sagraditi turistički \nkompleks. Obavljajući taj posao Gorki će se zapetljati u interesne sukobe mještana na otoku, u \nprošlost vlastite obitelji, u vlastite strahove i sumnje što će ga na kraju dovesti do toga da \nposumnja u smisao i svrhu svoje uloge u tom poslu. \nČetvrti kralj je film koji se bavi prvenstveno osobnošću glavnog junaka i njegovim prerastanjem \n(transformacijom) iz poslovnog čovjeka koji će se koristiti svim sredstvima kako bi uspješno \n\n\f\n5\t\r  \n\t\r  \nobavio posao i izvukao korist za sebe i svog poslodavca, do čovjeka koji ima etičke dvojbe i \nčak odustaje od onoga u što je na početku ulagao svu energiju.  \nNa suptilan način ovaj film govori i o odnosima u maloj neperspektivnoj i zatvorenoj otočkoj \nsredini u kojoj se u liku Gorkog Šaina odjednom, možda, pojavljuje izlaz ili dobra prilika za \ndrugačiji život. \nPoznajući pomni, meditativno promatrački stilski pristup likovima i situacijama Zvonimira \nJurića, koji je u duhu suvremenih samosvjesnih visokoumjetničkih filmova, čini nam se da bi \nfilm bio vrijedan prilog tom filmskom opredjeljenju. Ali i da bi film mogao biti dobar kandidat \nza plasmane na A festivale. U prilog tome govori i to da su ostali filmovi Zvonimira Jurića \nsličnih preokupacija, koji su po atmosferi i predmetu interesa srodni ovome filmu, također bili \npozivani na mnoge festivale.  \nČrna mati zemla \nScenarij - Rok Biček, Kristian Novak \nRežija – Rok Biček  \nProdukcija – Antitalent d.o.o. \nOdobreno: 4.000.000,00 kn \nMatija Dolenčec je sedmogodišnjak koji ostaje bez oca. Ne zna se nositi sa smrću pa krivi sebe \nza gubitak oca. Iznimno je senzibilan i maštovit dječak, kojega njegovi vršnjaci baš i ne \nprihvaćaju. Teško se nosi sa svojim osjećajima i košmarima koji ga, hranjeni bakinim \nosebujnim pričama, potpuno obuzimaju. U nedostatku pravih prijatelja pojavljuju se Hešto i \nPujto, imaginarni prijatelji, demoni Matijine podsvijesti koji ga vode u sve izoliranije i \nbezizglednije situacije.  \nScenarij je izuzetno dojmljiv. Napravljen je prema istoimenom romanu Kristiana Novaka koji \nje 2017. g. u Hrvatskoj tiskan u tri izdanja i postao bestseler. Roman je dobio tri ugledne \nknjiževne nagrade (T- portal, K.Š. Gjalski i Fran Galović) i vrlo brzo je adaptiran u dramski \ntekst te je predstava postavljena u ZKMu ubrzo postala hit. \nRadnja filma smještena je u Međimurje, neposredno prije Domovinskog rata. Osobna drama \nosjetljivog djeteta smještena je u vrijeme političkih i socijalnih tenzija, u vrijeme polarizacija u \ndruštvu, u sredinu u kojoj se ima vrlo malo razumijevanja za drugačije i u kojoj se teško \nprepoznaju pojave kao što je pedofilija ili zlostavljanje. Cijeli film ima mučnu i nelagodnu \natmosferu u kojoj se glavni junak do te mjere izgubi da zaboravi i potisne cijeli taj period života. \n\n\f\n6\t\r  \n\t\r  \nRedatelj Rok Biček je u svojim dosadašnjim filmovima pokazao da zna dočarati atmosferu \nsrodnu atmosferi ovog filma. Pokazao je da ga interesira srodna tematika i da je uspješan u radu \ns djecom, naturščicima i ljudima s posebnim potrebama. Filmovi su mu bili uspješni na \nmeđunarodnim festivalima, a iscrpan pripremni rad na ovom filmu pokazuje da bi i ovaj film, \nkao i roman i predstava, mogao biti vrlo uspješan. \t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n \nEscort \nScenarij - Lukas Nola \nRežija – Lukas Nola \nProdukcija: Kinorama d.o.o. \nOdobreno: 4.000.000,00 kn \nMiro je uspješan i sretno oženjen producent reklama. Nakon poslovne večere napije se sa \nsvojim nedavno upoznatim partnerima Dadom i Berakom, te odluči prespavati u hotelu. Tamo \nmu na vrata iznenada dolazi profinjena i prelijepa mlada prostitutka Maja. \nEscort je moderan spoj crnohumorne drame i kriminalističkog trilera u kojem se ništa ne \nodigra onako kako bismo mi tijekom gledanja filma to mogli pretpostaviti. Moglo bi se reći \nda nas autor uredno navodi na logične zaključke i predviđanja, a onda ishod zaokrene u \nsasvim drugom, ali opet prilično uvjerljivom pravcu. Čak bi se moglo reći da sve poznate \nžanrovske elemente pretvara u njihove realnije inačice, ali to čini na jedan vrlo vješt i zabavan \nnačin, te se kao \"gledatelji\" ne osjećamo prevarenima u cijeloj toj igri mačke i miša. \nLikovi u filmu čine pravu lepezu dobro nam znanih građana i malograđana. Nitko nije ni \npretjerano simpatičan ni potpuno antipatičan, svi igraju svoju igru, ali na kraju se nitko od njih \nne promijeni unatoč okolnostima i prilikama koje to itekako obećavaju. \nLukas Nola je majstor režije, a njegovi filmovi uvijek koketiraju između žanra i čistog arta. \nKako su njegov treći film \"Nebo, sateliti...\" njegovi kolege proglasili najboljim filmom od \nnezavisnosti, skromnog smo mišljenja da bi njegov novi uradak mogao imati uspjeha u \nkinima, a mogao bi zainteresirati i brojne festivalske izbornike. \nSveta obitelj \nScenarij – Vlatka Vorkapić i Slavica Šnur \nRežija – Vlatka Vorkapić \nProdukcija – Inter film d.o.o. \n\n\f\n7\t\r  \n\t\r  \nOdobreno: 4.000.000,00 kn \nPriča je smještena u šezdesete godine prošlog stoljeća. Bogati slavonski gazda Marko i njegova \nžena Ana imaju sina Ivu koji je postao pristali ženik. \nFilm Sveta obitelj je film o ljudskoj želji da se vlastiti život drugima prikaže sretnijim, ljepšim, \nskladnijim i boljim no što u stvarnosti jest. Film je o želji da se održi privid blagostanja i sreće \nbez obzira koja je cijena za to, da se sakrije porodično „prljavo rublje“ od tuđih očiju. Ta želja \nje dio naše tradicije i može se vidjeti i u suvremenim brakovima u kojima, osobito žene, ne žele \npriznati da su zlostavljane ili se pak ne žele rastati da djeca ne bi nosila stigmu rastavljenih \nroditelja. Žene se boje sramote, jer im je svijest o tome što je sve sramota i sramotno, osobito u \nbraku, tradicionalnim odgojem nametnuta.   \nVlatka Vorkapić napravila je prije deset godina film Sonja i Bik  i postigla tim filmom izniman \nuspjeh u kinima (gotovo 100 000 gledatelja). Vrlo aktivno i uspješno bavi se i dokumentarnim \nfilmom, a jedan dio njenog dokumentarnog opusa su i filmovi etnografske tematike. Budući da \nje za ovaj film vrlo važno poznavanje tradicijskih običaja Slavonije to iskustvo će joj sigurno \nbiti dragocjeno. Kako je tema ovog filma zanimljiva, a priča razgranata i bogata ovaj film \nmogao bi biti interesantan i publici i filmskim festivalima. \nŠalša \nScenarij - Zoran Lazić \nRežija - Dražen Žarković \nProdukcija – Izazov 365 d.o.o. \nOdobreno: 4.000.000,00 kn \nMladić Vatroslav Vranić dostavljač je u pizzeriji. Ima problema na poslu, jer ne dobiva plaću i \nne slaže se s gazdom, pa na molbu prijatelja odlazi na otok Malu Glavu kod prijateljevog rođaka \nkako bi tamo pomogao brati paradajze koje rođak uzgaja na velikoj plantaži.  \nRiječ  je o komediji, čvrsto vezanoj uz dalmatinsko podneblje koja se vješto poigrava sa \nstereotipima vezanim uz to područje varirajući ih i ogoljujući u mnogobrojnim duhovitim \nsituacijama i dijalozima. Zanimljivo je što se negdje od druge trećine filma u naoko „čistoj“ \nkomediji pojavljuju i elementi horora te film postaje horor komedija koja i dalje koristi \nduhovitosti koje su vezane uz podneblje i uz karaktere tipične za dalmatinski mentalitet.  \n\n\f\n8\t\r  \n\t\r  \nU scenariju se vidi i namjera da film bude kritičan prema nekim suvremenim društvenim \npojavama, rastućem konzervativizmu, vjerskoj isključivosti, korupciji, netrpeljivosti prema \nmanjinama, pa je satira jedan od dodatnih vrijednih elemenata filma.  \nFilm obiluje tipskim likovima, ali svi imaju obilježja i osobine koje ih čine zanimljivima i \nzapamtljivima. Glavni lik Vatroslav je lik pravednog, poštenog, empatičnog mladića koji je \nšarmantan i duhovit te koji se dobro snalazi u situacijama koje  često izgledaju po njega \nnepovoljno. Lagano sklapa poznanstva, ali često upada u po njega nepovoljne situacije iz kojih \nje prisiljen braniti se i izvlačiti, što često čini duhovitim replikama. Gledatelju će biti lako vezati \nse uz takav lik, što nam se čini dobrim preduvjetom za  gledanost filma. To što je film komedija \nsa zaista uspjelim duhovitim situacijama i dobrim dijalozima obojanim dalmatinskim \ndijalektom isto bi trebalo doprinijeti gledanosti. Scene u završnici filma su istovremeno \nduhovite i neugodne (strašne) kao što i očekujemo u horor filmovima, tako da  bi i one trebale \nbiti privlačne jednom dijelu filmske publike koja je sklona takvim filmovima. Satirični ton koji \nće film imati prema nekim društvenim pojavama koje su se ukorijenile u svakodnevicu  također \nbi trebao doprinijeti interesu publike.  \nBudući da smatramo da je ovaj projekt kvalitetan i da ima velike šanse da dobro prođe u kinima \npodržavamo ga za proizvodnju. \n","warnings":[],"document":{"program_type":"proizvodnja","year":2019,"rok":"1. rok","referenced_projects":["Divljaci","Glava velike ribe","Sedmo nebo","Stric","Četvrti kralj","Črna mati zemla","Escort","Sveta obitelj","Šalša"],"summary":"Obrazloženje umjetničkih savjetnika Snježane Tribuson i Kristijana Milića za 1. rok 2019. (17.6.2019.) Javnog poziva za poticanje proizvodnje dugometražnih igranih filmova – od 26 prijava odobrena je potpora za 9 filmova (4 debitantska i 5 dugometražnih igranih).","project_links":[{"source_title":"Divljaci","family_id":"pf_941325ab934c","family_title":"Divljaci","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Glava velike ribe","family_id":"pf_f400fee79e50","family_title":"Glava velike ribe","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Sedmo nebo","family_id":"pf_98185d4cd145","family_title":"Sedmo nebo","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Stric","family_id":"pf_cf18d9b7b149","family_title":"Stric","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Četvrti kralj","family_id":"pf_36da54f6a74f","family_title":"Četvrti kralj","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Črna mati zemla","family_id":"pf_6acac7882e53","family_title":"Črna mati zemla","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Escort","family_id":"pf_ff5d31ac85c0","family_title":"Escort","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Sveta obitelj","family_id":"pf_3ec756a42e57","family_title":"Sveta obitelj","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Šalša","family_id":"pf_8f3da80ffa2b","family_title":"Šalša","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati kratkometraz_ni igrani 2. rok 2025..pdf","filename_decoded":"rezultati kratkometraz_ni igrani 2. rok 2025..pdf","sha256":"a3e0c7cfd33550ae011dccc49572b1fd1b8138ec17a9f8b4d4c5fb7194243ab4","bytes":42713,"page_count":1,"extracted_at":"2026-05-17T10:24:07Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url_missing":true},"raw_text":"NASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENA SREDSTVA (€)\n1\nIskra\nJudita Gamulin\nEclectica d.o.o.\n80.000,00 €\n2\nOSVETA\nDinko Voloder\nFilmska autorska grupa \"Enthusia \nBlanck\"\n75.000,00 €\n3\nPasji dani\nMarin Lisjak\nWolfgang i Dolly d.o.o.\n70.000,00 €\n4\n KAKO JE, TAKO JE\nLuka Galešić\nKobra Koke Zagreb / Cobra Chicks \nZagreb\n10.000,00 €\n235.000,00 €\nUKUPNO KRATKOMETRAŽNI IGRANI FILMOVI\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nPROIZVODNJE FILMOVA u 2025. - 2. 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ROK - 9.3.2023.\nanimirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute\ndokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta\nkreativni televizijski format namijenjen djeci i mladima čije ukupno trajanje serije nije kraće od 25 minuta i koji su namijenjeni \nprvenstveno televizijskom prikazivanju\ntelevizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su namijenjena prvenstveno televizijskom \nprikazivanju\ntelevizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta\nAUTOR IZVORNOG PREDLOŠKA\nMartina Markov,(2019) Martina Markov: Marko u \nTelašćici(2019) Martina Markov: Marko na Vranskom \njezeru(2019) Martina Markov: Marko na Krki(2020) \nMartina Markov: Marko na Biokovu(2020) Martina \nMarkov: Marko na Mljetu(2020) Martina Markov: Marko \nna Lastovskom otočju(2021) Martina Markov: Marko u \nPaklenici(2021) Martina Markov: Marko na Sjevernom \nVelebitu(2021) Martina Markov: Marko na Učki(2021) \nMartina Markov: Marko na Uške(2021) Martina Markov: \nMarko na Brijunima\nAUTOR IZVORNOG PREDLOŠKA\nAUTOR IZVORNOG PREDLOŠKA\nŽeljko Špoljar, kolumne pod pseudonimom \nKnjiževna Groupie\nAUTOR IZVORNOG PREDLOŠKA\nZoran Vakula \"Vremenaste priče\", serija \nslikovnica\nAUTOR IZVORNOG PREDLOŠKA\nBoris Rašeta i Goran Gavranović \"10 dana \nu travnju: Uspon i pad NDH\"\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2025. - 2. ROK - 10.9.2025.","year":2025,"rok":"2. rok","natjecaj_date":"2025-09-10","decision_date":"2025-12-12","decision_body":"AV vijeće","currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"dugometražni igrani film - trajanje nije kraće od 70 minuta","section_key":"dugometrazni_igrani","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","ODOBRENO (€)"],"rows":[{"row_number":1,"project_title":"Boj pod Sigetom","applicant":"Filmosaurus Rex d.o.o.","production_company":"Filmosaurus Rex d.o.o.","director":"Arsen Anton Ostojić","writer":"Arsen Anton Ostojić, Božidar Smiljanić","original_author":null,"category":"Dugometražni igrani 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Petrović","original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"23.500,00","approved_amount":23500.0,"currency":"EUR","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent d.o.o.","row_id":"a44e8f1a:s0:8caa0d5b4a1e","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_27ff4011e1c3","project_family_title":"Selekcija"}],"section_total_text":"UKUPNO 123.500,00","section_total":123500.0}],"totals":{"ukupno_text":"UKUPNO 123.500,00","ukupno":123500.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":123500.0,"ukupno_match":true,"row_count":5,"awarded_count":5,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":5}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"Odluka%20AV_-%20Posljednji%20tango%20u%20%C4%90evrskama_09092020_DR.pdf","filename_decoded":"Odluka%20AV_-%20Posljednji%20tango%20u%20%C4%90evrskama_09092020_DR.pdf","sha256":"a4c10b46cadaee6d1705f59e9e8fb83e0cc6c458d75e9c7ba124e1366b680a9b","bytes":198299,"page_count":2,"extracted_at":"2026-05-16T14:11:54Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKLASA: 111-006-001 \nURBROJ: 3779-2020 \nU Zagrebu, 09. rujna 2020. \n \n \nTemeljem članka 36., stavak 1. Zakona o audiovizualnim djelatnostima („Narodne novine“, broj 61/18, dalje \nu tekstu: Zakon o audiovizualnim djelatnostima), sukladno članku 11., stavak 3. Pravilnika o postupku, \nkriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(„Narodne novine“, broj 10/20), te sukladno Odluci Hrvatskog audiovizualnog vijeća o pojedinačnom \nglasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u \n2019. godini – kategorija: poticanje razvoja scenarija i razvoja projekata televizijskih djela, rok prijave \n20.01.2020.g. KLASA: 111-006-001, URBROJ: 3776-2020, od dana 09. rujna 2020., Hrvatsko audiovizualno \nvijeće u 2. sazivu je na 32. sjednici održanoj 09. rujna 2020.  godine donijelo: \n \nO  D  L  U  K  U \n \no odobravanju sredstva državne potpore pojedinačnom igranom televizijskom djelu “Posljedni \ntango u Đevrskama”, scenaristice Irene Bosnić, Rade Dragojević \n \n \n1. Sukladno članku 11., stavak 3. Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog \nprograma promicanja audiovizualnog stvaralaštva („Narodne novine“, broj 10/20), Hrvatsko \naudiovizualno vijeće je na 32. sjednici održanoj 09. rujna 2020. godine donijelo Odluku o \npojedinačnom glasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2019. godini – kategorija: poticanje razvoja scenarija i razvoja projekata \ntelevizijskih djela, rok prijave 20.01.2020.g., KLASA: 111-006-001, URBROJ: 3776-2020 temeljem koje \ndonosi Odluku o odobravanju sredstva državne potpore pojedinačnom igranog televizijskom djelu \n“Posljedni tango u Đevrskama”, scenaristica Irene Bosnić i Rade Dragojevića, u ukupnom iznosu od \n25.000,00 kuna (dvadesetpettisućakuna). \n \n2. \nOva Odluka je konačna i stupa na snagu danom donošenja. \n \n3. \nOva Odluka bit će objavljena u zakonom propisanom roku na mrežnoj stranici Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb, (dalje u tekstu: HAVC): www.havc.hr. \n \n  \n \n \n \n \n             \nObrazloženje \n \nTemeljem članka 36., stavak 1., alineja 3. Zakona o audiovizualnim djelatnostima i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog \nstvaralaštva („Narodne novine“, broj 144/14) u 2019. godini raspisan je Javni poziv za poticanje \naudiovizualnih djelatnosti i stvaralaštva u kategoriji poticanje razvoja scenarija i razvoja projekata \ntelevizijskih djela, rok prijave 20.01.2020.g. \n \n\n\f\n \n \n \n \nNa 82. sjednici Umjetničkog vijeća održanoj 02. rujna 2020. godine, umjetnički savjetnik za televizijska djela \ng. Saša Runjić, predložio je listu prioriteta prema projektima prijavljenima na Javni poziv za poticanje \naudiovizualnih djelatnosti i stvaralaštva u kategoriji poticanje razvoja scenarija i razvoja projekata \ntelevizijskih djela, rok prijave 20.01.2020.g. \n \nOdredbom članka 11., stavak 3. Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog \nprograma promicanja audiovizualnog stvaralaštva („Narodne novine“, broj 10/20), koji je stupio na snagu 1. \nveljače 2020. g., dana je Hrvatskom audiovizualnom vijeću mogućnost glasovanja o listi prioriteta \nobjedinjeno ili pojedinačno, a odluka o načinu glasovanja donosi se prije glasovanja o svakoj od lista \npredloženih od strane umjetničkog savjetnika. \n \nHrvatsko audiovizualno vijeće je na 32. sjednici održanoj 09. rujna 2020. godine donijelo Odluku o \npojedinačnom glasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih djelatnosti i \nstvaralaštva u 2019. godini – kategorija: poticanje razvoja scenarija i razvoja projekata televizijskih djela, rok \nprijave 20.01.2020. g. KLASA: 111-006-001, URBROJ: 3776-2020. \n \nSlijedom navedenog, temeljem članka 36., stavak 1. Zakona o audiovizualnim djelatnostima,  sukladno \nčlanku 11., stavak 3. Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva te sukladno Odluci Hrvatskog audiovizualnog vijeća o pojedinačnom \nglasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u \n2019. godini – kategorija: poticanje razvoja scenarija i razvoja projekata televizijskih djela, rok prijave \n20.01.2020.g., KLASA: 111-006-001, URBROJ: 3776-2020 od dana 09. rujna 2020., Hrvatsko audiovizualno \nvijeće u 2. sazivu je jednoglasno s dvanaest (12) glasova “za donijelo odluku iz točke 1. izreke ove Odluke. \n \nTemeljem čl. 34. Zakona o audiovizualnim djelatnostima ravnatelj HAVC-a izvršava odluke o raspodjeli \nsredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima sredstava.  \n \nTemeljem članka 10. Zakona o pravu na pristup informacijama („Narodne novine“, broj 25/13 i 85/15), \nHAVC će ovu Odluku objaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \n \n \n         Predsjednik  \nHrvatskog audiovizualnog vijeća \n \n \n                         _____________________________ \n \n                                            Antonio Nuić, v.r. \n \n \nDostaviti: \n   \n -  pismohrana, ovdje \n","warnings":[],"document":{"program_type":"tv_djela","year":2020,"rok":null,"referenced_projects":["Posljedni tango u Đevrskama"],"summary":"Odluka AV Vijeća u 2. sazivu na 32. sjednici od 9. rujna 2020. o odobravanju sredstava državne potpore pojedinačnom igranom televizijskom djelu „Posljedni tango u Đevrskama“ scenarista Irene Bosnić i Rade Dragojevića u ukupnom iznosu od 25.000,00 kuna.","project_links":[{"source_title":"Posljedni tango u Đevrskama","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"preba_eno u razvoj projekta dokumentarni .pdf","filename_decoded":"preba_eno u razvoj projekta dokumentarni .pdf","sha256":"a4f2903079028cf8b7aaf0579c4f24a25f5c92055d80e8034ea2a6831ba768e4","bytes":38681,"page_count":1,"extracted_at":"2026-05-17T10:24:03Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url_missing":true},"raw_text":"NASLOV\nREDATELJ/ICA\nSCENARIST/ICA\nPRODUCENT\nODOBRENO\n1\nDođi,  moram  ti  nešto  pokazati\nKarla  Crnčević\nKarla  Crnčević\nUstanova  Zagreb  film\n100.000,00\nPrebačeno  u  kategoriju  poticanja  razvoja  scenarija  i  razvoja  projekata,   podkategorija  RAZVOJ  \nPROJEKTA,    sukladno  članku  7.  Pravilnika  o  postupku,  kriterijima  i  rokovima  za  provedbu  nacionalnog  \nprograma  promicanja  audiovizualnog  stvaralaštva,    93.  sjednica  Hrvatskog  audiovizualnog  vijeća  29.  ožujka  \n2018.                                                                                                                                                                             \ndugometražni\t\r  dokumentarni\t\r  film\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"preba_eno u razvoj projekta dokumentarni ","year":2018,"rok":null,"natjecaj_date":"2018-03-29","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"Prebačeno u k ategoriju p oticanja r azvoja s cenarija i r azvoja p rojekata, podkategorija R AZVOJ PROJEKTA, sukladno č lanku 7 . P ravilnika o p ostupku, k riterijima i r okovima z a p rovedbu n acionalnog programa p romicanja a udiovizualnog s tvaralaštva, 9 3. s jednica H rvatskog a udiovizualnog v ijeća 2 9. o žujka 2018.","section_key":"prebaceno_u_k_ategoriju_p_oticanja_r_azvoja_s_cenarija_i_r_a","columns":["NASLOV","REDATELJ/ICA","SCENARIST/ICA","PRODUCENT","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Dođi, moram ti nešto pokazati","applicant":"Ustanova Zagreb film","production_company":"Ustanova Zagreb film","director":"Karla Crnčević","writer":"Karla Crnčević","original_author":null,"category":"Dokumentarni","approved_amount_text":"100.000,00","approved_amount":100000.0,"currency":"HRK","extras":{"col_1":"1","REDATELJ/ICA":"Karla C rnčević","SCENARIST/ICA":"Karla C rnčević","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_doc_single_signal","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Ustanova Z agreb f ilm","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"a4f29030_preba_eno_u_razvoj_projekta_dokumentarni_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 1 and the project title align with a single table row where both REDATELJ/ICA and SCENARIST/ICA list Karla Crnčević.","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"a4f29030_preba_eno_u_razvoj_projekta_dokumentarni_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Row number 1 and the project title align with a single table row where both REDATELJ/ICA and SCENARIST/ICA list Karla Crnčević."},"entity":"Ustanova Zagreb film","source_url_missing":true,"row_id":"a4f29030:s0:fd7eb3361aaa","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw source text clearly shows title 'Dođi, moram ti nešto pokazati' and amount '100.000,00' HRK. 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Savjetnici Umjetničkog vijeća za komplementarne djelatnosti \nu sastavu: Nenad Polimac, Boris Poljak i Marina Škrabalo, odlučili su dio prijava koje su vezane za \nisti program sagledavati kao jednu prijavu čime se broj prijava smanjio na 272 prijava koje su uzete u \nrazmatranje prijedloga za poticanje komplementarnih djelatnosti odnosno 266 prijave ako iz ove \nstatistike izdvojimo šest prijava koje ne spadaju u programe komplementarnih djelatnosti. Od te 266 \nprijave koje su uzete u razmatranje, savjetnici su izdvojili 158 prijava kao nositelje poticajnih i \nvrijednih programa koji će bilo na državnoj ili lokalnoj razini omogućiti kontinuitet prisutnosti \naudiovizualnog segmenta djelovanja, uz ukupnu financijsku potporu HAVC-a u predloženom iznosu \nod  11.749.610,00 kuna.  \n \nUspoređujući sa prošlogodišnjim natječajem iz 2011. godine, ovogodišnji je natječaj pokazao značajan \nporast u broju ispravnih prijava kojih je skoro za trećinu (32%) više u odnosu na prethodnu godinu   \n(njih 266 spram 202) što je i promjena u trendu budući da je prošle godine došlo do umjerenog \nsmanjenja broja prijava. Ove je pak godine došlo do značajnog porasta broja prijava i to naročito u \nkategorijama djelatnosti razvijanja audiovizualne kulture (40 više),  filmskim festivalima i drugim \naudiovizualnim manifestacijama (11 više) i izdavaštvu (15 više).  Ukupno povećanje broja prijava \nrezultiralo je i u porastu broja predloženih programa za financiranje, no ne za trećinu, već za petinu \n(22%) u odnosu na broj predloženih programa prošle godine (158 spram 130).  \n \nU godini koju ćemo upamtiti kao godinu štednje i odricanja, ukupne okolnosti vezane uz financiranje \nkomplementarnih djelatnosti na nacionalnoj razini dovode HAVC u izuzetno osjetljivu situaciju. \nOve okolnosti daju se sažeti u jednostavnu sliku: lokalne zajednice  i sredstva gradskih proračuna \nmasovno se povlače iz sudjelovanja u projektima audiovizualne kulture, ostavljajući festivale i druge \nprograme filmske kulture bez elementarne potpore. Slično se događa i sa politikom sponzorstva \nvelikih hrvatskih kompanija, u godini štednje napuštaju hrvatske filmske festivale i druge projekte. U \ntim okolnostima HAVC mora odabrati: hoće li preuzeti odgovornost za obustavljanje čitavog niza \nprojekata, ili će  nadoknaditi realni minimum troškova nužan za opstanak  ionako krhke mreže mjera \nkoje podupiru audiovizualnu kulturu i promociju neholivudskog filma u našoj zemlji.  \nHAVC mora birati: napustiti načelo obrane kulturne raznolikosti ili odustati od smanjivanja proračuna.  \nU konačnici, predlažemo vijećima HAVC-a povećanje od 13% ukupnog predloženog iznosa za \nfinanciranje komplementarnih djelatnosti u 2012. godini.  Prethodne godine proračun je iznosio \n10.365.920,00 kn, dok je ove godine predloženi ukupni iznos 11.749.610,00 kuna. Pritom je važno \n\n\f\n \n2\nnapomenuti da predložena visina financiranja predviđa i smanjenje prosječne visine potpore za 7%. \nProšle godine, potpora je prosječno iznosila  79 737,85 kn dok ove godine, prema prijedlogu \nsavjetnika iznosi 74 364,62 kn.  Najveća povećanja izdataka odnose se na filmske festivale, i to na \novogodišnje kratkometražno i pritom jubilarno izdanje Animafesta, međunarodno najrelevantnijeg \nfilmskog festivala. Kratkometražno izdanje se održava svake dvije godine, te tim slijedom ove godine  \nzahtijeva dodatnih pola milijuna kuna u odnosu na prošlogodišnji odobreni iznos. U skladu sa \nzaključcima Hrvatskog audiovizualnog vijeća savjetnici su u ovogodišnjem prijedlogu financiranja \nfestivala  pokušali ujednačiti razine financiranja filmskih festivala vodeći se osnovnom, zasad još \nradnom kategorizacijom njihove programske opsežnosti i procijenjenom nacionalnom odnosno \nregionalnom značaju. Pritom je bilo važno voditi računa o negativnom trendu sufinanciranja od strane \nlokalnih vlasti i sponzorskih sredstava uslijed nastavka ekonomske krize.  \n \nU razmatranju prijedloga za raspodjelu sredstava u cilju poticanja komplementarnih djelatnosti, \numjetnički su savjetnici pored temeljnih pretpostavki kvalitete i izvedivosti predloženih projekata, \nposebnu pozornost usmjerili projektima koje možemo razvrstati prema sljedećim kriterijima:  \n \n1. programi i projekti od nacionalnog značaja  koji su usmjereni na veću povezanost i prisutnost \nHrvatske u kontekstu primarno europskih, ali i svjetskih audiovizualnih događanja, osiguravaju \nkontinuitet razvitka audiovizualne kulture i amaterskog stvaralaštva, sustavno dokumentiraju, \nkonzerviraju, kritički vrednuju hrvatsko audiovizualno stvaralaštvo te omogućuju stručno usavršavanje \ni organizirano djelovanje na razini niza audiovizualnih profesija. Većina ovih zadaća uvelike ovisi o \nodrživosti, kvaliteti i inventivnosti djelovanja središnjih institucija hrvatske kinematografije posebice \nHrvatske kinoteke, Hrvatskog filmskog saveza te nacionalnih strukovnih udruženja. \n \n2. programi i projekti od lokalnog značaja koji u svojim matičnim sredinama imaju ulogu poticanja i \nrazvijanja audiovizualne kulture, stvarajući manje filmske i kulturne centre, koji unutar svojih \nkulturoloških posebnosti omogućuju uspostavu sustavnog bavljenja filmom čime se pridonosi \ndecentralizaciji audiovizualne djelatnosti u Hrvatskoj. Dodatna je pažnja u tom pogledu posvećena \nprojektima razvoja audiovizualne kulture usmjerenima  na djecu i mlade te na programe u manjim \nsredinama i izvan regionalnih središta. Namjera obuhvaćanja što većeg broja lokalnih sredina, očituje \nse u podatku da se 158 predloženih programa održava u 36 različitih gradova i općina iz 17 različitih \nžupanija te da u samo u tri od 39 lokalnih sredina u kojima su prijavljeni programi nije odobren niti \njedan prijavljen program. Iako Zagreb prednjači prema broju odobrenih programa (74 od 158 ili 47%), \nto je uvelike uslijed činjenice da većina nacionalnih institucija, strukovnih udruga i izdavača ima \nsjedište u Zagrebu, dok se prilikom razmatranja lokalnih audiovizualnih manifestacija i edukativnih \naktivnosti uvelike vodilo računa o regionalnoj i lokalnoj zastupljenosti. To je vidljivo i po prosječnom \nudjelu odobrenih u odnosu na broj prijavljenih programa koji za one koji će se odviti u gradu Zagrebu \niznosi 57%, dok za sve one izvan Zagreba iznosi 59%.  \n \n\n\f\n \n3\n3. projekti koji iziskuju nastavak financijske potpore,  primarno misleći na  prethodno već pokrenute \nprograme, koji su svojom kvalitetom, sustavnošću i javnim značajem ostvarili uvjete za daljnju \npotporu od strane Hrvatskog audiovizualnog centra  te čiji učinci uvelike zavise o njihovoj redovitosti \ni dugoročnosti.  \n \n4.projekti koji do sada nisu financirani, a pridonose daljnjem razvijanju posebnosti i raznovrsnosti, \npodjednako estetskoj i etičkoj, u javnoj ponudi audiovizualnih sadržaja.  Bez otvorenosti novim \nprogramima iz različitih lokalnih sredina, nije moguće ostvariti razvojnu funkcija HAVC-a u području \nkomplementarnih audiovizualnih djelatnosti. Stoga se u 2012. godini predlaže financiranje 41 \nprograma i njihovih  provoditelja koji prošle godine nisu dobili potporu HAVC-a što iznosi 26% svih \npredloženih programa za financiranje.  \n \nPotreba za jasnijim planom djelovanja unutar javnog poziva za komplementarne djelatnosti nije \nzaobišla ni ovogodišnji sastav savjetnika, a svojim smo odlukama nastojali biti otvoreni prema onim \nprogramima koji pokazuju usmjerenost prema dugoročnoj aktivnosti, smatrajući da jedino kontinuitet \npredloženih programa može stvoriti pretpostavku za poticaj audiovizualnog djelovanja, te tako u \ndobroj namjeri odgovoriti na zahtjeve društva. Nadamo se da smo svojim djelovanjem dodatno \npojačali pretpostavke za kontinuitet predloženih programa koji će biti prihvatljiv i budućim \nsavjetnicima. \n \nTijekom rada na sagledavanju ovogodišnjih prijava na Javni poziv za komplementarne djelatnosti, \nsavjetnicima Umjetničkog vijeća za komplementarne djelatnosti nametnulo se više formalnih upita ili \nmogućih poteškoća u djelovanju, a što je rezultiralo otvorenim pitanjima koje smatramo da zahtijevaju \nodgovore, ali i moguće rješavanje u okviru djelatnih tijela Hrvatskog audiovizualnog centra.   \n \nOd otvorenih pitanja, smatramo da  dva moramo posebno istaknuti pred tijelima Centra; \n \n1. Pitanje održivosti filmskih festivala i kontinuiranih programa  \nOvogodišnje prijave za sufinanciranje filmskih festivala opetovano su istaknule problem s kojim se \nsuočavaju organizatori ovakvih manifestacija u ostvarivanju budžeta za svoje programe. Kao jasan \nodraz ekonomske situacije, sponzorsko sufinanciranje festivala je sve manje zastupljeno u budžetima \ntakvih manifestacija, a financiranje iz većine lokalnih javnih proračuna značajno se smanjuje i vrlo je \nneizvjesno,  tako da se organizatori nužno okreću onim izvorima koji su im još uvijek otvoreni za \nsuradnju,  među kojima je od presudnog značaja HAVC.  \n \nPrepoznajući važnost takvih manifestacija za korisnike u Hrvatskoj koji često kroz festivale upoznaju \none filmske rodove i filmsko stvaralaštvo koji nisu dio njihove filmske svakodnevice, savjetnici su \nprepoznali da takav vid audiovizualnog djelovanja mora biti sastavni dio ponude u Hrvatskoj. U tom \nkontekstu se kod sufinanciranja filmskih festivala ili sličnih manifestacija nametnula činjenica da takvi \n\n\f\n \n4\nprogrami unutar budžeta za komplementarne djelatnosti čine trećinu ukupnog iznosa, čime se značajno \nsmanjuje budžet za potrebe osnovne edukacije, stručnog usavršavanja ili recimo izdavaštva. U svrhu \nveće ravnomjernosti financiranja različitih programa, savjetnici su se  trudili  jasnije odrediti koji su \nfestivali od posebnog značaja za Hrvatsku te sukladno tome uspostaviti za korisnike veću jasnoću u \nsufinanciranju takvih manifestacija. Detaljan prijedlog kategorizacije festivala bit će predstavljen \ntijelima odlučivanja HAVC-a na raspravu i usvajanje. \n \n2. Pitanje Hrvatske kinoteke \nIz godine u godinu se  unutar rada savjetnika postavlja pitanje statusa Hrvatske kinoteke koji je velik \nkorisnik budžeta za komplementarne djelatnosti, ali čije sufinanciranje programa restauracije filmova \nne pomaže temeljitom rješavanju organizacijskog problema ove ustanove od iznimnog značaja za \nhrvatsku kulturu. Smatramo da je vrijeme za temeljito mijenjanje odnosa Ministarstva kulture prema \nosnovnoj djelatnosti ove institucije, a to je čuvanje hrvatske filmske baštine, i to tako što će osnovni \nfinancijski izvor te djelatnosti biti osigurana kao zasebna stavka  u okviru državnog proračuna za \nzaštitu kulturnih dobara. Drugo pitanje vezano uz Kinoteku je njezin položaj unutar postojećeg \nsustava Hrvatskog državnog arhiva. Smatramo da bi trebalo ispitati mogućnost odvajanja Kinoteke iz \nsustava Hrvatskog državnog arhiva čime bi se mogli stvoriti drugačiji uvjeti za djelovanje ove \ninstitucije. Vjerujemo da sadašnji status Kinoteke ne zadovoljava potrebe audiovizualne zajednice tako \nda smatramo kako je potrebno  pokušati jasnije odrediti status ove institucije unutar našeg društva, \nčemu bi HAVC mogao doprinijeti, pokretanjem stručne  i političke rasprave. \n \nU okviru ostalih programa ovogodišnji je poziv potvrdio potrebu javnog edukativnog djelovanja u \naudiovizualnom polju s ciljem što većeg uključivanja  djece i mladeži u programe koji su usmjereni \nprema tom djelu naših korisnika. Sustavni audiovizualni odgoj djece i mladeži ne pridonosi samo \nrazvijanju novih sposobnosti kod ciljane skupine već ih uklapa u širi kontekst europskog i svjetskog \nobrazovanja u kojem svi oblici audiovizualnih medija imaju veliku ulogu u njihovoj pripremi za \nbuduće djelovanje unutar zajednice. 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muzike","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":"Rino Barbir","writer":"Šimun Šitum","original_author":null,"category":"Dokumentarni","approved_amount_text":"80.000,00","approved_amount":80000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Šimun Šitum","REDATELJ":"Rino Barbir","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_doc_single_signal","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","people_backfill_v1":{"changes":[{"field":"director","from":null,"to":"Rino Barbir","source":"title_propagation:director","confidence":"high"},{"field":"writer","from":null,"to":"Šimun Šitum","source":"title_propagation:writer","confidence":"high"}],"updated_at":"2026-05-18T15:25:14Z","method":"machine:people_backfill_v1"}},"entity":"Eclectica d.o.o.","row_id":"a6e0b162:s0:f389ab6eb038","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_805cc2b38f37","project_family_title":"Vapšuvarivari - Potraga za beatom splitske muzike"}],"section_total_text":"665.000,00","section_total":665000.0}],"totals":{"ukupno_text":null,"ukupno":665000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":665000.0,"ukupno_match":true,"row_count":8,"awarded_count":8,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":8}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"HAVC - 1. i 2. rok 2017. odluka.pdf","filename_decoded":"HAVC - 1. i 2. rok 2017. odluka.pdf","sha256":"a728951c17e53425d402488490a002173dbd13d6d194a4c8289d38602fbb5c37","bytes":111994,"page_count":4,"extracted_at":"2026-05-17T12:01:21Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/HAVC%20-%201.%20i%202.%20rok%202017.%20odluka.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po rezultatima Javnog poziva \nza poticanje audiovizualnih djelatnosti i stvaralaštva u 2017. \ngodini u kategoriji poticanja proizvodnje audiovizualnih djela \nfilmskih koprodukcija s manijnskim hrvatskim udjelom (rok 23. \nveljače i 27. travnja 2017.). \n \n\t\r  \nMarko Njegić, umjetnički savjetnik za filmske koprodukcije s \nmanjinskim hrvatskim udjelom: \n \nDva filma na prvom roku 2017., dugometražni i kratkometražni,  \nte jedan cjelovečernjak na drugom izdvojio sam za \nsufinanciranje od njih ukupno 15, odnosno 21 čije su prijave \nmogle biti uzete u razmatranje za Javni poziv u kategoriji \nfilmskih koprodukcija s manjinskim hrvatskim udjelom. Skromna \nbrojka predloženih filmova uvjetovana je financijskom \nsituacijom za potporu, slično prethodnom roku (studeni 2016.). \nPohvalno je da je na oba roka, također kao i na prijašnjem \nroku, prijavljeno više zanimljivih scenarija, no suzio sam \nodabir na kreativno i komercijalno najpotentnije. Nit vodilja \npri odluci kretala se opet između kakvoće napisanog scenarija, \nprecizne redateljske vizije, reputacije autora i \n(ko)producenata, zastupljenosti hrvatskih filmskih djelatnika, \nvažnosti projekta za hrvatsku kinematografiju pa i kulturu i \ndruštvo, odnosno njegove relevantnosti za buduće (strane) \nfestivale ili tekući (regionalni) kinorepertoar. Predložena \ntri filma najviše udovoljavaju rečenim kriterijima.  \n \n1. rok  \nDIAS (predloženi iznos 350.000) \nAkcijski film ne postoji u hrvatskoj kinematografiji, stoga je \nmogućnost koprodukcije na jednom takvom projektu kao što je \n“Dias“ Jonathana Englisha idealna prilika da damo obol žanru. \nEnglish se dokazao kao akcijski redatelj snimivši brutalni \n\n\f\nsrednjovjekovni povijesni spektakl “Templar“. Brutalnosti, \nprema scenariju, neće nedostajati ni u “Diasu“ koji bi se \nnajlakše mogao opisati kao grčka “Elitna postrojba“ na \nmotociklima. Dias je policijska jedinica motorista osnovana da \nsmanji rastuću stopu kriminala u jeku tamošnje ekonomske \nkrize. Dakle, “Dias“ ima društveno-politički podtekst koji ga \nrazlikuje od prosječnog hollywoodskog žanrovskog ostvarenja, \nkao i sklonost pojačanom akcijskom realizmu, bez otklona od \nstvarnosti, uključujući i to da se snima na grčkom, a ne \nengleskom jeziku. “Dias“ djeluje kao siloviti akcijski film iz \nzbilje. Opisi akcije su iznimno sočni i plastični, izvrsno \nvizualiziraju sve akcijske scene jurnjava i puškaranja pred \nširom otvorenim očima. Dok čitamo scenarij postajemo suvozači \nDiasa i jurimo ulicama Atene s motoristima. Jedna od vizualnih \nreferencija je “Pobješnjeli Max“ i silovitost njegove \nkaskaderske akcije osjeća u kadrovima potjera dostupnima u \n“teaseru“, jednako kao kinetika dramatičnog akcijskog \ndokumentarizma u stilu “Elitne postrojbe“ i “Jason Bourne“ \nfilmova Paula Greengrassa. Ovo je film s najvećim potencijalom \nod svih prijavljenih, bilo festivalskim i komercijalnim. \nAkcijska drama koja može istovremeno imati dug festivalski \nživot i privući publiku u kina kad se nađe u distribuciji. \n \nPIVAC (predloženi iznos 30.000) \nNapisan prema priči Tanje Mravak, scenarij za kratki film \n“Pivac“ imponira čvrstinom u konstrukciji priče, \nkarakterizaciji likova i sposobnosti da neprimjetno šeta iz \njednog žanra u drugi. Počinje kao triler, iako to nije, potom \nse pretvara u film detekcije da bi u konačnici (p)ostao drama. \nTijekom jednog dana pratimo domaćicu Milicu iz hercegovačkog \nsela koja odluči prijaviti supruga za fizičko zlostavljanje \nnakon što je to godinama šutke trpjela, a kap koja je prelila \nčašu bilo je njegovo najnovije batinanje obezglavljenim, \npoluočerupanim pijetlom. Interesantno je zamišljeno \n\n\f\nkomponiranje kadrova, sa širenjem i sužavanjem planova. Lice \nMilice se u početku ne vidi, da bi se kadriranje s vremenom \npočelo mijenjati kako priča odmiče i žena postupno ušla fokus. \nZanimljivo je da se radnja odvija baš na 8. Mart, međunarodni \nDan žena. To je samo jedna u nizu metafora, počevši od \nsimbolike pivca i vrata (vlastite kuće, policijske postaje) \nkoja Milica zatvara (tradicionalna sredina patrijarhalnog \ndruštva) i otvara (konačno zauzimanje za prava žena). \n \n2. rok  \nBOG BUDI S NAMA (predloženi iznos 500.000) \nFilmovi velikana Slobodana Šijana, kanonizirani u analima \nregionalne pa i europske kinematografije, bili su prožeti \nkinotečnom filmofilijom i znali imati metafilmski kontekst. \nSjetimo se, recimo, pionira nove umjetnosti, filma, u \n“Maratoncima“, odnosno scena filma u filmu, uključujući \nprizore “Ekstaze“ s Hedy Lamarr. Nijemi film je u \n“Maratoncima“ doživio prelazak na ton film. Šijanov novi \nprojekt “Budi Bog s nama“, s potencijalom još jednog budućeg \nkultnog klasika u njegovom opusu, vraća film unatrag, u lude \ndvadesete, vrijeme dok filmovi još nisu pričali, kako bi \nispričao priču o filmskom pioniru Bošku Tokinu. Tokin je bio \nfilmofil, filmski novinar koji je izdavao prvi filmski časopis \n“Film“ u Zagrebu i režiser prvog avangardnog (i nedovršenog) \nfilma s ovih prostora “Kačaci u topčideru“. Na papiru “Budi \nBog s nama“ djeluje kao Šijanov odgovor na “Ponoć u Parizu“ \nWoodyja Allena, s time da prilikom teleportacije u dvadesete \nsusrećemo velike ovdašnje face poput Ive Andrića i Tina \nUjevića. Rukopis je ispisan prepoznatljivim “šijanovskim“ \n(crnim) humorom u oslikavanju društvenog i političkog, tj. \nnjihovom isprepletanju s filmskom magijom, a osvaja od prvih \nrečenica i posvete Georgesu Meliesu. Meliesu i nijemim \nfilmovima Šijan podiže spomenik i usput kao da progovara nešto \ni o sadašnjem vremenu s ove i one strane velikog ekrana u \n\n\f\nscenariju koji djeluje kao sublimacija njegova autorstva, \nmaratonsko trčanje (i zatvaranje) počasnog kruga.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2017,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Tablica_JP_Medjunarodna_Rezultati_rok 14 11 2014.pdf","filename_decoded":"Tablica_JP_Medjunarodna_Rezultati_rok 14 11 2014.pdf","sha256":"a74b1a0fbd78a6eb3f3b2823bb7d563790a25ecbdc6085760ce85f2e91f625c2","bytes":225898,"page_count":4,"extracted_at":"2026-05-17T10:23:54Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Tablica_JP_Medjunarodna_Rezultati_rok%2014%2011%202014.pdf"},"raw_text":"REZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2014. - PROGRAMI MEĐUNARODNE SURADNJE\nROK 14. studenog 2014.\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA (kn)\n1\nAkademija dramske \numjetnosti\nProgrami stručnog usavršavanja.\nSudjelovanje nastavnika na simpoziju School \nof Sound; London, Velika Britanija; 08. do 11. \ntravnja 2015.\n5.000,00\n2\nAkademija dramske \numjetnosti\nProgrami stručnog usavršavanja.\nOrganizacija međunarodne radionice Film \nEditing Masterclass V; Ponešice, Češka; 03. \ndo 08. studenog 2014.\n9.500,00\n3\nČetiri film d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje redateljice i producentice s \nprojektom dugometražnog igranog filma 'Moj \nprivatni ratni zločinac', red. I. Juka na \nradionici za 'International Screenwriters \nWorkshop & Master Class'; München, \nNjemačka;08. do 17. studenog 2014.\n9.400,00\n4\nFactum\nOstali programi.\nSudjelovanje producentice na IDFA Forumu u \nsklopu međunarodnog festivala \ndokumentarnog filma IDFA; Amsterdam, \nNizozemska; 22. do 28. studenog 2014.\n7.380,00\n5\nFactum\nProgrami stručnog usavršavanja.\nSudjelovanje voditeljice plasmana na. \nmeđunarodnoj radionici Erich Pommer \nInstituta - Osnovni pravni okviri: Strategije \ndigitalne distribucije;  Berlin, Njemačka; 03. \ndo 07. prosinca 2014.\n4.800,00\n6\nGOKUL - Građanska \norganizacija za \nkulturu\nProgrami predstavljanja i promocije fillmova.\nSudjelovanje jednog predstavnika i \npredstavljanje kratkometražnih filmova Tabor \nfilm festivala na međunarodnom festivalu \nkratkometražnih i studentskih filmova \nSleepwalkers; Tallin, Estonia; 18. do 22. \nstudenog 2014.\n3.200,00\n7\nGral Film d.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekta.\nSudjelovanje producenta/ redatelja i s \nprojektom 'Dobar dan i doviđenja', red. T. \nŽaje na pitching formu za dugometražne \nigrane filmove LisbonDocs u sklopu \nmeđunarodnog festivala dokumentarnog \nfilma DocLisboa; Lisabon, Portugal; 13. do \n18. listopada 2014.\n6.300,00\n8\nFilip Peruzović\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje redatelja i predstavljanje \nkratkometražnog igranog filma 'Kava s \ndžemom', red. F. Peruzovića u sklopu 34. \nmeđunarodnog festivala kratkometražnih \nfilmova 'VGIK'; Moskva, Rusija; 16. do 23. \nstudenog 2014.\n2.864,00\n9\nHrvatski filmski savez Ostali programi.\nSudjelovanje Željka Baloga na sastanku \nKomiteta UNICA-e; Stuttgart, Njemačka; 06. \ndo 09. studenog 2014.\n3.746,00\n10\nHrvatski filmski savez Programi stručnog usavršavanja.\nSudjelovanje voditeljice Revijskog programa  \nna međunarodnom seminaru na temu filmske \nedukacije 'Film Literacy: a More Powerful \nAgenda for Europe' u sklopu 58. \nmeđunarodnog festivala BFI London Film \nFestival; London, Engleska; 16.10.2014.\n4.835,00\n11\nHrvatski filmski savez Ostali programi.\nSudjelovanje troje djece na međunarodnom \nfestivalu filmova za djecu Universal Kids Film \nFestival; Istanbul, Turska; 27. do 31. \nlistopada 2014.\n5.460,00\n\n\f\nROK 14. studenog 2014.\n12\nHrvatski filmski savez Ostali programi.\nSudjelovanje i predstavljanje hrvatske \ndelegacije na međunarodnom festivalu \nfilmova za djecu i mlade Giffoni Experience; \nSkopje, Makedonija; 08. do 13. listopada \n2014.\n4.500,00\n13\nIvana Pipal\nPitching, koprodukcijski forumi i programi za \nrazvoj projekta.\nSudjelovanje Ivane Pipal i predstavljanje \nprojekta 'Mikrokazeta', red. I. Bezinovića na \npitching forumu u sklopu međunarodnog \nfestivala dokumentarnog filma CPH:DOX; \nKopenhagen, Danska;11. studenog 2014.\n1.985,00\n14\nKazališna grupa \n'Scena'\nProgram predstavljanja i promocije filmova.\nOrganizacija manifestacije 'Dani hrvatskog \nfilma u Orašju', Orašje, BiH, od 07. do 14. \nrujna 2014.\n28.548,00\n15\nKinoklub Karlovac\nOstali programi.\nSudjelovanje člana Kinokluba Karlovac na \nmeđunarodnom festivalu filmova za djecu \nUniversal Kids Film Festival; Istanbul, Turska; \n27. do 31. listopada 2014.\n1.795,00\n16\nKinoklub Karlovac\nOstali programi.\nSudjelovanje predstavnika Four River Film \nFestivala na međunarodnom festivalu REC \nJugendmedien Festival; Berlin, Njemačka; \n03. do 06. prosinca 2014.\n1.900,00\n17\nKinoklub Zagreb\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje redatelja i predstavljanje \neksperimentalnog projekta 'Sudnji dan', red. \nZ. Sirotića na Inspiration Forumu u sklopu 18. \nmeđunarodnog festivala dokumentarnog \nfilma Jihlava International Documentary Film \nFestival; Jihlava, Češka; 25. do 28. listopada \n2014.\n1.500,00\n18\nMaxima film d.o.o.\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje redateljice i predstavljanje \ndugometražnog igranog filma 'Zagreb \nCappuccino', red. V.Sviličić na 38. \nmeđunarodnom filmskom festivalu u \nGöteborgu, Švedska; 23. siječnja do 02. \nveljače 2014.\n6.000,00\n19\nMorana Mitić\nProgrami stručnog usavršavanja.\nSudjelovanje Morane Mitić na simpoziju \nBeyond iz područja stereoskopskog 3D filma \nu sklopu međunarodnog festivala Future \nDesign; Karlsruhe, Njemačka; 09. do 12. \nlistopada 2014.\n4.200,00\n20\nNukleus Film d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje producenta na međunarodnoj \nradionici EAVE+; Luxembourg; 17. do \n21.09.2014.\n2.133,00\n21\nNukleus Film d.o.o.\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje producenta i redateljice i \npredstavljanje kratkometražnog igranog filma \n'Kokoška', red. U. Gunjakna dodjeli Europske \nfilmske nagrade; Riga, Latvija; 13. prosinca \n2014.\n25.000,00\n22\nREA udruga\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje redateljice i predstavljanje filma \n'Slobodu treba tražiti po svaku cijenu, po \ncijenu života', red. R. Poljak u sklopu izložbe \nProphetia Apperance of the Real u Fondacio \nJoan Miro; Barcelona, Španjolska; 09. do 14. \nožujka 2015.\n2.972,00\n\n\f\nROK 14. studenog 2014.\n23\nSekvenca d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje producenta na trećem modulu \nmeđunarodne radionice MAIA: Marketing i \ndistribucija; Lodz, Poljska; 29. 09. do 03. \n10.2014.\n6.164,00\n24\nSpiritus movens \nd.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje producentice na međunarodnoj \nradionici filmskog marketinga EAVE; \nLuxembourg; 19. do 23. studenog 2014. i \nmeđunarodnoj radionici Erich Pommer \nInstituta - Osnovni pravni okviri: Strategije \ndigitalne distribucije;  Berlin, Njemačka; 03. \ndo 07. prosinca 2014.\n5.250,00\n25\nStudio dim d.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekta.\nSudjelovanje producentice i redateljice i \npredstavljanje projekta 'Pričaj mi, pričam ti'; \nred. M. A. Škop na međunarodnom pitching \nforumu Cartoon Forum; Toulouse, Francuska; \n23. do 26. rujna 2014.\n7.960,00\n26\nStudio dim d.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekta.\nSudjelovanje producentice i redateljice i \npredstavljanje projekta 'Pričaj mi, pričam ti'; \nred. M. A. Škop na međunarodnom \nkoprodukcijskom sajmu Junior Cinekid u \nsklopu međunarodnog filmskog festivala za \ndjecu i mlade Cinekid; Amsterdam, \nNizozemska; 16. do 18. listopada 2014.\n3.820,00\n27\nTea Stražičić\nPitching, koprodukcijski forumi i programi za \nrazvoj projekta. Programi stručnog \nusavršavanja.\nSudjelovanje animatorice T. Stražičić s \nprojektom animiranog serijala (WEB comic) \n'Schwestern Sisters'  na edukacijskom \nprogramu Animation Sans Frontiers koji se \nodržava u 4 sesije, od listopada 2014. do \nožujka 2015. na europskim školama \nanimacije -Filmakademie Baden - \nWurttemberg u Ludwigsburgu, Njemačka \n(27.10.-07.11.2014.), MOME u Budimpešti, \nMađarska (01. - 12.12.2014.,The Animation \nWorkshop u Viborgu, Danska (19.- \n30.01.2015.), Gobelins u Parizu, Francuska \n(09. - 20.03.2015.) \n6.100,00\n28\nTibor Keser\nPitching, koprodukcijski forumi i programi za \nrazvoj projekta. Programi stručnog \nusavršavanja.\nSudjelovanje Tibora Kesera i predstavljanje \nprojekta 'Just a Small Detour' na \nmeđunarodnoj radionici 4CC - 4 Corners of \nCulture; Bukurešt, Rumunjska, 25. do 28. \nlistopada 2014.\n3.000,00\n29\nTibor Keser\nPitching, koprodukcijski forumi i programi za \nrazvoj projekta. Programi stručnog \nusavršavanja.\nSudjelovanje Tibora Kesera na tri sesije \nmeđunarodne radionice Adapting for Cinema; \nTorino, Italija; 24. do 27. studenog 2014.; \nLondon, VB; 23. do 25.veljače 2015.; \nBudimpešta, Mađarska; 27. do 30. travnja \n2015.\n3.800,00\n30\nUdruga Avvantura\nOstali programi.\nSudjelovanje Sergeja Stanojkovkog na 7. \nTorino FilmLab Meetingu u sklopu 32. \nmeđunarodnog filmskog festivala u Torinu, \nItalija; 23. do 27. studeni 2014.\n2.600,00\n31\nUdruga 'Djeca \nsusreću umjetnost'\nProgrami stručnog usavršavanja.\nSudjelovanje voditeljice filmskog programa \nSedmi kontinent na međunarodnom seminaru \nna temu filmske edukacije 'Film Literacy: a \nMore Powerful Agenda for Europe' u sklopu \n58. međunarodnog festivala BFI London Film \nFestival; London, Engleska; 16.10.2014.\n4.050,00\n32\nUdruga Dobar film\nProgrami stručnog usavršavanja.\nSudjelovanje producentice i predstavljanje \nprojekta 'Ogledalo za slavuja' na \nmeđunarodnoj radionici za razvoj projekta \nEAVE - European producers workshop on \ndemand; Makedonija; 15. do 18. studenog \n2014.\n2.800,00\n\n\f\nROK 14. studenog 2014.\n33\nVedis d.o.o.\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje redatelja i producenta i \npredstavljanje dugometražnog \ndokumentarnog filma 'Bordo - vječna \nstripovska mladost', red. 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i kvalitetnih projekata, no \nzbog limitiranog budžeta odlučila sam se za projekte koji su se najviše isticali: \nkonceptualno, sadržajno i likovno. \nVodila sam se činjenicom da su neki od autora čije filmove predlažem ostvarili \nzavidan uspjeh sa svojim prethodnim filmovima i tako pozicionirali hrvatsku scenu \nanimiranog filma vrlo visoko i u rangu sa trenutno najuspješnijim filmovima u svijetu \nanimiranog filma. \nTakođer vjerujem da će projekti nakon realizacije imati bogat festivalski život kada \nkrenu u distribuciju i tako uspješno nastaviti promovirati hrvatski animirani film u \nsvijetu. \nTematski, većina projekata  osvrće se na trenutnu situaciju u svijetu, ali i \nnepredvidivu budućnost - borba za prevlašću, ugroženi ekosustav, pravo djeteta na \nigru, samo su neke od tema. \nProjekti se razlikuju i u tehnikama, autori koriste 2D i 3D animaciju, stop animaciju, \ncutout i piksilaciju. \n \nUkupni iznos financiranja je  393.000,00 €   \n \n \n \n \n \n \n \n\n\f\n1.  \nnaziv projekta: Ekoskapade \nprodukcija: Bonobostudio d.o.o. \nscenarij i režija: Sunčana Brkulj \niznos financiranja: 83.000,00 €  \ntrajanje: 10’ \ntehnika: stop animacija i 2D animacija \n \nAutorica se kao i u prethodnom, festivalski vrlo uspješnom filmu Leptir, nastavlja \nbaviti uzročno posljedičnim vezama, a ovaj put prikazuje utjecaj klimatske krize na tri \nmala ekosustava, s apsurdnim promjenama.  \nEkoskapade  kratki je film o neizvjesnosti života na planetu koji se mijenja uslijed \nglobalnog zatopljenja.  \nFilm karakterizira jedinstven i specifičan vizualni izričaj. Autorica koristi odbačene \nmaterijale poput ostataka tkanine, papira, kartona, pamuka, šljokica… \nAutorica koristi duge scene, a kompozicijski, kadrovi izgledaju poput slika čiji su \nelementi animirani.  \n \n2.   \nnaziv projekta: Ptičje oko \nprodukcija: Jadranska animacija \nscenarij i režija: Lucija Mrzljak \niznos financiranja: 90.000,00 €  \ntrajanje: 12’ \ntehnika: 2D digitalna animacija \n \nLucija Mrzljak autorica je prepoznatljivog stila, likovno i konceptualno. Poetska \nlikovnost, inovativne narativne strukture, motivi sjećanja u kombinaciji s blagom \nnelagodom, nenametljiv i bizaran humor, čine filmove autorice vrijednim i svjetski \nprepoznatim ostvarenjima današnje hrvatske animacije. \nU ovom filmu, inspiriranom osobnim iskustvima autorice, pratimo mladu ženu Noru \nkoja se vraća u kuću svog djetinjstva na osamljenom mediteranskom otoku. Nora \nnosi tajanstveni kofer nepoznatog sadržaja, a uskoro postaje jasno da i njena obitelj \nkrije mračnu tajnu. Ptičje oko zadire u teme potisnutih želja, obiteljskih tajni i \nnemogućnosti istinskog razumijevanja među ljudima, a atmosfera, simboli i ritam \nimaju važnu ulogu u prenošenju emocija. \nVizualno, film zadržava prepoznatljiv stil autorice, karakterističan crtački stil s \nbogatim teksturama, minucioznim detaljima i pastelnom paletom boja.  \n \n\n\f\n3. \nnaziv projekta: Scherzo \nprodukcija: Jaka produkcija d.o.o. \nscenarij i režija: Dorotea Radušić \niznos financiranja:  55.000,00 €  \ntrajanje: 10’ \ntehnika: ulje na platnu, cutout \nScherzo je debitantski animirani film Dorotee Radušić čiji je scenarij temeljen na šest \nKrležinih balada – Scherzo, Bogečka, Baba cmizdri pod galgami, Sectio anatomica, \nKrava na orehu i Mizerere tebi, Jeruzalem – koje su povezane u jedinstvenu priču. \nFilm prati skupinu izgubljenih likova u potrazi za smislom života, koji utočište traže u \nreligiji i alkoholu. \nAutorica film zamišlja kao hommage Baladama Petrice Kerempuha, oslonjen \nprvenstveno na atmosferu, koju grade zvuk i glazba. Autorica namjerava surađivati s \nhrvatskim bendom Cinkuši, čiji spoj tradicije i suvremenog zvuka najbolje odgovara \nKrležinoj poetici. \nZa vizualni identitet filma zaslužan je  Bartol Galović, koji tehnikom ulja na platnu \nstvara likove i pozadine, kasnije digitalno animirane. Njegov stil, blizak naivnoj \numjetnosti, savršeno odgovara grotesknim i simboličnim elementima Krležinih \ntekstova. \n \n4.  \nnaziv projekta: Sjeme \nprodukcija: 3D2D Animatori d.o.o. \nscenarij i režija: Antonija Begušić \niznos financiranja: 75.000,00 €   \ntrajanje: 10’ \ntehnika: lutka stop motion, 3D animirani, igran \nSjeme je kratki hibridni film koji koristeći tehniku stop animacije i elemente igranog \nfilma progovara o društvenim obrascima koje odrasli prenose djeci, svjesno ili \nnesvjesno. U središtu priče je djevojčica Maja koja želi zakopati igračku kako bi iz \nnje izrasle nove – jednostavna dječja igra pretvara se u borbu protiv nametnutih  \npravila koje simbolizira Odrasla Ruka. \nFilm koristi simboliku i kontraste pa je tako svaki lik simbol nečega: Majina vojnička \nuniforma predstavlja strukturu putem koje nas se podučava, Ana predstavlja \nhumanističku stranu društva, ona je suprotnost Odrasloj Ruci koja kontrolira i ne \nprihvaća ništa izvan ustaljenih okvira. \nSnimanje se odvija na Ćićariji, povijesnom prostoru antifašističkog otpora, što filmu \ndaje dodatnu težinu – kroz simboliku se odaje počast djeci i mladima koja su ondje \nstradala.  \n\n\f\n5.  \nnaziv projekta: Pravo na samoodređenje \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Simon Bogojević Narath \niznos financiranja: 45.000,00 €     \ntrajanje: 6’ \ntehnika: 2D, 3D, kolaž \nRenomirani autor, Simon Bogojević Narath, zadnji je animirani film napravio prije \ngotovo 15 godina i zato me izrazito veseli njegov novi animirani film, Pravo na \nsamoodređenje koji prikazuje jednu hipotetsku situaciju u kojoj se svaki stanovnik \nzemlje vodi načelom „Prava na samoodređenje“.  \nFilm koristi suptilan humor i geg, a film će biti izveden tehnikom reducirane 2D \nanimacije čiji efekt ima uporište u zagrebačkoj školi animacije s kraja 50ih godina \nprošloga stoljeća. \nSva animacija će biti izvedena digitalno. U nekim dijelovima bit će korištena 3D \nanimacija u smislu manipulacije elementima (planovima) po dubini mizanscena.  \nPojedini dijelovi scenografija i pozadina realizirani su klasičnim kolažem. \n \n6.  \nnaziv projekta: Inter Arma \nprodukcija: Drybrush Studio d.o.o. \nscenarij i režija: Darko Bakliža \niznos financiranja: 45.000,00 €     \ntrajanje: 9’ \ntehnika: 2D, filmski zapis, piksilacija \n \nStariji gospodin, slikar (Zlatko Kauzlarič Atać), sjedi unutar slikarskog ateljea pred \nogromnom bijelom površinom. Iako pokušava crtati, posustaje sve dok se ne pojavi \nMuza koja oživljava slikareve crteže i slike u ateljeu što ga vraća u period kada je \nstvarao s lakoćom. Slikar osjeća da sam postaje dio svoje slike, ali povremeno iz \nmračnog  kazališnog partera promatra samoga sebe. \nAutor će nam tako prikazati i svoje iskustvo stvaranja, ali i problem koji dijeli većina \numjetnika, odsustvo Muze. \nTehnikom piksilacije bit će prikazani slikar i Muza, a autor će Atačeve crteže, radeći \nna velikim formatima, oživjeti tehnikom 2D animacije. \nS obzirom na neupitnu kvalitetu likovnosti crteža koje će autor kreirati, vjerujem da \nće Inter Arma biti film u kojem će uživati ljubitelji tradicionalne, ali i suvremene \numjetnosti.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"admin","source":{"filename":"WEB%20OBJAVA%20-%20LIPANJ%202025..pdf","filename_decoded":"WEB%20OBJAVA%20-%20LIPANJ%202025..pdf","sha256":"a7cf3acebe589501850531949eaef84d97fbb6166d291ca249945ca76fe37225","bytes":399707,"page_count":5,"extracted_at":"2026-05-16T16:45:21Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. 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Zoran \nŠangut ™Branili smo \ndomovinu: pripadnici \nnacionalnih manjina u \nDomovinskom ratu\"\n35.000,00\n6\nPutopisi Istriana Jonesa\nMladen Blažević\n30.000,00\n7\nRealizirane utopije – \nkuharica budućnosti\nIrena Bosnić, Rade \nDragojević\n35.000,00\n8\nUstavni sud\nSaša Paparella\nHrvatski centar za \nistraživačko novinarstvo i \nslobodu medija - HRCIN\n40.000,00\nUKUPNO\n280.000,00\ndokumentarno televizijsko djelo\n\n\f\n3\nRAZVOJ SCENARIJA TV 2017.\n- SERIJSKA TV DJELA\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nDjevojka od bronce\nIrena Krčelić, Mihaela \nMarija Perković\nRing produkcija d.o.o.\n35.000,00\n2\nOtok\nIgor Šeregi\nIgor Šeregi\n35.000,00\n3\nPodručje bez signala\nHana Jušić\nKinorama d.o.o.\nDalibor Matanić\n40.000,00\n4\nTito Dorčić\nMarina Šur-Puhlovski\nMetar 60\nMilivoj Puhlovski\n35.000,00\n5\nVražji prolaz\nMaja Pek\n35.000,00\n6\nZIME ili što se dogodilo s \nbršljanom\nTena Štivičić\nInter film d.o.o. 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Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 144/14),  Hrvatsko audiovizualno vijeće, na prijedlog Umjetničkog vijeća, na  63. sjednici održanoj 6. \nsrpnja 2015. godine donijelo je: \n \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za komplementarne djelatnosti u 2015.godini-sukladno  \nčl. 59 Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14) \n \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za komplementarne djelatnosti u 2015. godini donosi se odluka o raspodjeli sredstava u \nukupnom iznosu od 15.000,00 kn (petnaesttisućakuna), prema tablici priloženoj ovoj Odluci koja \nčini njezin sastavni dio. \n \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnikom sredstava iz točke 1. ove \nOdluke u roku predviđenom Pravilnikom o postupku, kriterijima i rokovima za provedbu \nNacionalnog programa promicanja audiovizualnog stvaralaštva (NN 144/14).  \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a na: \nwww.havc.hr. \n \n \nObrazloženje \n \n \nTemeljem čl. 23. st.1. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14), u 2015. godini raspisan je Javni poziv HAVC-a za \nkomplementarne djelatnosti. \n \nNa Javni poziv sukladno čl. 59 Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog \nprograma promicanja audiovizualnog stvaralaštva (NN 144/14)  ukupno je prijavljen 1 (jedan) projekt.  \n \nNa 43. sjednici Umjetničkog vijeća, održanoj 2. srpnja 2015. godine umjetnički savjetnik za komplementarne \ndjelatnosti g. Slaven Zečević predložio je financiranje navedenog projekta, prijedlog koji je Umjetničko \nvijeće usvojilo i proslijedilo na razmatranje Hrvatskom audiovizualnom vijeću.  \n\n\f\n \n \n \n \n \nNa 63. sjednici Hrvatskog audiovizualnog vijeća održanoj 6. srpnja 2015.godine prihvaćeno je financiranje \nprijave iz točke 1. izreke Odluke. \n  \n \nTemeljem čl.12. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), ravnatelj HAVC-a izvršava \nodluke o raspodjeli sredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima \nsredstava.  \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić –Škarica, v.r. \n \n \n \n \n \nPrilog: tablica s rezultatima \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobreno\n1\nHrvatski filmski savez\nGostovanje Paola Cherchija Usaija i Alloy Orchestra u \nZagrebu i Rijeci\n15.000,00\n                                                                KOMPLEMENTARNE DJELATNOSTI U 2015. GODINI                                                              \nPrijava sukladno članku 59. Pravilnika o postupku, kriterijima i rokovima za provedbu nacionalnog programa \npromicanja audiovizualnog stvaralaštva (NN 144/14) \n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"Javni poziv za komplementarne djelatnosti u 2015. godini - sukladno čl. 59 Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva (NN 144/14)","year":2015,"rok":null,"natjecaj_date":null,"decision_date":"2015-07-06","decision_body":"AV vijeće","currency":"HRK","currency_inferred":false},"sections":[{"section_label":"KOMPLEMENTARNE DJELATNOSTI U 2015. GODINI - Prijava sukladno članku 59. Pravilnika","section_key":"komplementarne_djelatnosti_2015_clanak_59","columns":["R.br.","Naziv predlagatelja","Naziv programa","Odobreno"],"rows":[{"row_number":1,"project_title":"Gostovanje Paola Cherchija Usaija i Alloy Orchestra u Zagrebu i Rijeci","applicant":"Hrvatski filmski savez","production_company":"Hrvatski filmski savez","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Hrvatski filmski savez","source_url_missing":true,"row_id":"a816850b:s0:bb3b6fa822bc","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_3689561c5812","project_family_title":"Gostovanje Paola Cherchija Usaija i Alloy Orchestra u Zagrebu i Rijeci"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":"15.000,00 kn (petnaesttisućakuna)","ukupno":15000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":15000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_SPECRPR_Igrani_WEB.pdf","filename_decoded":"Obrazlozenje_SPECRPR_Igrani_WEB.pdf","sha256":"a89ea6b59b8a8254ef03614c60ab8c2088feac30e23745ad1beb6754a575310b","bytes":176049,"page_count":2,"extracted_at":"2026-05-16T14:09:36Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_SPECRPR_Igrani_WEB.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2024. godini \nSpecijalizirani javni poziv za poticanje razvoja scenarija i razvoja projekata \ndugometražnih igranih i dugometražnih animiranih filmova namijenjenih djeci i \nmladima \npotkategorija: razvoj projekta, dugometražni igrani filmovi \nrok: 11.9.2024. \n- \numjetnič ki savjetniči: Juraj Lerotič , Vis nja Pentič , Dean Š os a \n \nNa prvom specijaliziranom javnom pozivu za poticanje razvoja scenarija i razvoja \nprojekata dugometražnih igranih i dugometražnih animiranih filmova namijenjenih djeci \ni mladima – u potkategoriji razvoja projekta dugometražnih igranih filmova - prijavljeno \nje šest (6) projekata.  \nŠvih šest projekata ranije je bilo prijavljivano na javne pozive HAVC-a u raznim \nkategorijama, a tri  su ranije dobila potporu za razvoj scenarija.  \nOd šest prijavljenih projekata, dva se temelje na originalnim pričama dok su četiri \nekranizačije popularnih dječjih romana i romana za mlade, sa popisa lektire.  \nPriče filmova pokrivaju širok raspon tema poput  odnosa dječe i roditelja, bullyinga, \nkriminala i ovisnosti djece i mladih o računalima.  Autori nastoje razumjeti dječu, \nproniknuti u njihove svjetove i njihova razmišljanja, no čini se kako većina autora \nponajprije poznaje dječu od prije nekoliko generačija, dočim im najnovija dječa ipak \npomalo izmiču iz fokusa.  \nPredlažemo potporu razvoja dva (2) projekta u ukupnom iznosu od 40.000,00 eura. \nOba projekta ekranizačije su popularnih romana sa popisa dječje lektire. Njihovi su \nscenariji razvijani sredstvima HAVC-a. U odnosu na ostale projekte ističu se dorađenošću \npriča i karaktera.  \n \nMAMA JE KRIVA ZA SVE \nScenarij: Luka Mavretić, Valentina Mavretić \nRežija: Goran Ribarić  \nProdukcija: Lux film d.o.o. \n20.000,00 eura \n \nJedanaestogodišnji Berislav Kohn, zvan Konj, roditeljskom greškom dolazi u školu i onda \nkada nastave nema. U nedjelju. Tu, međutim, njegovim nevoljama nije kraj. Berislav će u \nnastavku biti svjedok pljačke multimedijalne dvorane, u koju je nedavno stigao super \nmoćni kompjuter Arči. Pljačkaši, dvojac Brada i Ožiljak, u strahu da ih ne oda, otimaju \nBerislava i zatvaraju ga u neboder na petnaestom katu. Film izuzetno efektno iskorištava \nrazdoblje 90-ih godina, kada se radnja zbiva, kako bi propitao vrijeme u kojem živi \ndanašnja najmlađa publika. \n \nZanimljivo je da Berislavov nestanak, umjesto policije, rješavaju njegove prijateljice, \njednojajčane blizanke, vikend detektivke Stela i Mirela te tako priču o otmici pretvaraju u \npriču o pomaganju u nevolji i vršnjačkoj podršci. Scenarij tandema Mavretić nastaje po \n\n\f\nPongrašićevu romanu, nagrađenom priznanjem Grigor Vitez, i čitav se odvija na dan \nBerislavljeve otmice te vješto kombinira dramatično i komično. Scenarističkoj ekipi \npridruženi redatelj Goran Ribarić, priložio je  promišljenu, preciznu i fotografijama \noprimjerenu redateljsku koncepciju.  \n \n \nTAJNA RIBLJEG OKA \nScenarij: Hrvoje Kovačević \nRežija: Goran Kulenović \nProdukcija: Wolfgang i Dolly d.o.o. \n20.000,00 eura \n \n„Domagoj Kovačić desetogodišnjak je na glasu po svojoj maštovitosti u krugu svoje \nobitelji, školi, a i šire. Švima je simpatičan, ali ljudi obično ne vjeruju većini onoga što \nizgovori. Upravo će se on naći u središtu velike pustolovine zbog slike u vlasništvu \nnjegove bake za koju je Domagoj uvjeren da ju je naslikao Vincent van Gogh. »  \n \nRiječ je o adaptačiji istoimenog lektirnog naslova koju sčenaristički potpisuje sam pisač \nHrvoje Kovačević, dok je kao redatelj i suradnik na sčenariju potpisan iskusni Goran \nKulenović. Tajna ribljeg oka vješto je napisana kriminalistička priča s dječakom u ulozi \ndetektiva koja nekim svojim postavkama podsjeća na Kušanov klasik Koko u Parizu. I \novdje se sve vrti oko jedne slike slavnog autora, dok svojevrsni Pariz u malom utjelovljuje \ncentar Zagreba, prečiznije Cvjetni trg na kojem susrećemo niz osebujnih likova. Radnja je \nizložena dinamično, s nizom šarmantnih preokreta i dodatnih pod zapleta poput onog s \nprotagonistovom simpatijom, djevojčičom Jagodom. Domagoj je veliki sanjar, sklon \nizmišljanju i zamišljanju raznoraznih priča, koje omogućuju da se u film integriraju \nuzbudljivi dijelovi na graniči stvarnog i zamišljenog kako je nedavno učinjeno i u hitu  \nDnevnik Pauline P.  \n \n \n","warnings":[],"document":{"program_type":"razvoj_projekata","year":2024,"rok":null,"referenced_projects":["MAMA JE KRIVA ZA SVE","TAJNA RIBLJEG OKA"],"summary":"Specijalizirani javni poziv za razvoj projekata dugometražnih igranih filmova namijenjenih djeci i mladima (rok 11.9.2024.): od šest prijavljenih projekata podržana su dva u ukupnom iznosu od 40.000,00 eura.","project_links":[{"source_title":"MAMA JE KRIVA ZA SVE","family_id":"pf_a2644380664e","family_title":"Mama je kriva za sve","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"TAJNA RIBLJEG OKA","family_id":"pf_6d7432c15170","family_title":"Tajna ribljeg oka","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_IGRANI_2025_2rok_10IX2025_WEB.pdf","filename_decoded":"Obrazlozenje_RSC_IGRANI_2025_2rok_10IX2025_WEB.pdf","sha256":"a8b086e91fb4e4b511c3d3c7b3453aaaba691ef3b20b2070088e239ecd8bf7c9","bytes":160315,"page_count":2,"extracted_at":"2026-05-17T12:02:13Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_IGRANI_2025_2rok_10IX2025_WEB.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i \nanimiranih filmova - potkategorija:  RAZVOJ SCENARIJA u 2025. - dugometražni igrani film - \n2. rok, 10.9. 2025.  \n \n- umjetnički savjetnici za dugometražni igrani film - Ira Cecić, Branko Schmidt, Sandra Antolić \n \nNa ovaj rok pristiglo je 98 vrlo tematski i žanrovski raznorodnih prijava koje je nemoguće podvesti pod \nzajednički nazivnik, osim jednoga; većinu potpisuju neafirmirani autori. Budući jednu prijavu nismo \nrazmatrali zbog iznenadne autorove smrti, ostao nam je korpus od 97 te smo, temeljem priloženih \nmaterijala, za financiranje odabrali 4 prijave (oko 4%) za koje vjerujemo da nose kinematografski \npotencijal. \n \nTim prijavama dodali smo i dvije s Razvoja projekta dugometražnog igranog filma. \n \nDANA 20.SRPNJA OKO 9 SATI UDALJIO SE IZ KUĆE U RAŠTANIMA U NEPOZNATOM \nPRAVCU   \nScenarij: Luka Galešić \nRedatelj: Filip Zadro \n7.000,00 EUR \n \nPriča izvrsne atmosfere, dobro ocrtanih karaktera i neočekivanog obrata. Radi se o poljoprivredniku \nAndri, pedesetogodišnjaku koji s dvadeset godina mlađom suprugom živi na izoliranom imanju podno \nVelebita. Andro trpi njezinu agresiju i otvoreno zlostavljanje, a kad mu u kuću dovede i mladića, prekipi \nmu. \n \nBIJES \nScenarij: Martina Marasović \nRežija: Martina Marasović \n7.000,00 EUR \n \nU vremenu rastućeg desnog radikalizma potrebna je priča koja će prvenstveno mlađim osobama \npokazati pravo lice ustaškog režima i NDH. Bijes ima tu tendenciju, a ujedno je i zanimljive strukture, \ndobre karakterizacije i tečnih dijaloga. Radnja je smještena u Zagreb, 1941. godine. Glavni lik je \njedanaestogodišnja Maša koja ustašama, misleći da su pozitivci, denuncira inače nasilnoga oca te ovaj \nzavrši u zatvoru. Tu se Maši otvore oči te je stane razarati grižnja savjesti.  \n \nSVADBA 2 \nScenarij: Igor Šeregi \nRežija: Igor Šeregi \nProdukcija: Eclectica d.o.o. / Tina Tišljar \n7.000,00 EUR \n \nNastavak komedije Svadba koja se kroz priču o hrvatskoj i srpskoj obitelji spojenima trudnoćom \nhrvatske kćeri i srpskoga sina na duhovit način bavi uvijek zategnutim srpsko-hrvatskim odnosima, \ndogađa se tri godine poslije rođenja unuka. Hrvatski djed Miljenko Lončarić od zakona je pobjegao u \nHercegovinu gdje živi od puničina novca, a Vuk Dimitrijević kojeg smo upoznali kao srpskog ministra \n\n\f\nvanjskih poslova, na političkom je dnu osnovao novu stranku. Obojica su u škripcu i jedino se kroz \nnovu svadbu mogu dokopati izlaza.  \n \nJUSTINA JE STISNULA GAS \nScenarij: Anita Čeko \n7.000,00 EUR \n \nPsihološka drama Justina je stisnula gas započinje na dječjem rođendanu kad animatorica Justina/Vila \nudari dječaka koji je šaputao perverzije djevojčici. Uvjerena u ispravnost svog postupka Justina želi \nkontaktirati njegove roditelje, no tome se protive njezini kolege; Šefica, Klaun i Bubamara pa se izvrsno \nodabranoj centralnoj temi seksualiziranog nasilja među djecom pridružuju i teme nesigurnih radnih \nuvjeta i šutnje oko nasilja među djecom. Scenarij nastaje kao adaptacija autoričina dramskog predloška \nnagrađenog trećom nagradom za dramsko djelo “Marin Držić” te nagradnim prijevodom na natječaju \nportala drama.hr \n \nMAJA JE LAGALA \nScenarij: Čejen Černić Čanak \nRežija: Čejen Černić Čanak \nProdukcija: Kinorama d.o.o. / Ankica Jurić Tilić \n7.000,00 EUR \n \nPriča Maja je lagala bavi se redateljicom dokumentarnog filma koja istražuje mogućnost \ndokumentiranja svakodnevice i traga za odgovorom na pitanje što je u filmskom dokumentarizmu \nrealno, a što inscenacija. Tema korelira s danas izuzetno aktualnim problemima nadgledanja i istinitosti. \nOvaj scenarij čitali smo na Razvoju projekta, ali smatramo da bi ga trebalo unaprijediti te smo ga \nodlučili podržati na Razvoja scenarija. \n \nOTAC, MAJKA I NJIHOVA DJECA \nScenarij: Ivor Martinić \nRežija: Antoneta Alamat Kusijanović \nProdukcija: Eclectica d.o.o. / Tomislav Stojanović \n7.000,00 EUR \n \nNuklearni udar iza kojeg će preživjeti samo oni s mjestom u atomskom skloništa polazišna je točka \npriče Otac, majka i njihova djeca smještene na otok s malim atomskim skloništem, jedinim spasom za \nbrata i sestru ukoliko se svojih mjesta u njemu odreknu upravo njihovi roditelji. Scenarij je adaptacija \ndramskog teksta Ivora Martinića i počiva na čvrstoj konstrukciji koja koristi zgusnuto vrijeme i prostor \nte samo četiri glavna lika. Sve to pruža dobar okvir za napetu psihološku dramu. Projekt je prijavljen u \nkategoriji Razvoja projekata, ali smo ga zbog problema s baratanjem filmskim vremenom odlučili \npodržati u kategoriji Razvoja scenarija.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2023_1rok_14III2023_ANIMIRANI_WEB.pdf","filename_decoded":"RSC_2023_1rok_14III2023_ANIMIRANI_WEB.pdf","sha256":"a8cb406a08bcd91233b7f89a2f256b5fd400c10a5cd1c7000694b69279f6ef82","bytes":101658,"page_count":1,"extracted_at":"2026-05-17T10:24:25Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2023_1rok_14III2023_ANIMIRANI_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nODOBRENO (€)\n1\nGrad na zrnu soli\nNevenka Lončar\n3.375,00\n2\nMarta i sedam strahova\nIvana Vuković\n3.375,00\n6.750,00\n17. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 15. lipnja 2023.\nUKUPNO\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ SCENARIJA u 2023. - 1. ROK - 14.3.2023.\nanimirani film - trajanje nije kraće od 24 minute\nAUTOR IZVORNOG \nPREDLOŠKA\nIvana Vuković \"Marta i sedam \nstrahova\"\nNevenka Lončar \"Grad na zrnu \nsoli\"\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2023_1rok_14III2023_ANIMIRANI_WEB","year":2023,"rok":"1. rok","natjecaj_date":"2023-03-14","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"17. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 15. lipnja 2023.","section_key":"17_sjednica_hrvatskog_audiovizualnog_vijeca_u_4_sazivu_15_li","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO (€)"],"rows":[{"row_number":1,"project_title":"Grad na zrnu soli","applicant":null,"production_company":null,"director":null,"writer":"Nevenka 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DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „DOMAĆINSTVO ZA POČETNIKE” - \n4.000,00 € \n \nDita nikada nije htjela biti majka, ali okolnosti je primoraju da nakon smrti partnerice skrbi za njezine dvije \nkćeri, malenu neposlušnu Miju i buntovnu tinejdžericu Vanesu. Pred Ditom su dva izazova - izgraditi s njima \nodnos, ali i stupiti u lažni brak ako želi sačuvati skrbništvo pred patrijarhalnim zakonom. \n \nGlobalna prava (izuzev istočne Europe) su, za treći film cijenjenog makedonskog redatelja Gorana \nStolevskog, uoči svjetske premijere na prošlogodišnjoj „Mostri”, akvizirana od strane Focus Features-a, \nnezavisnog odjela holivudskog studija Universal, koji distribuira birane strane 'niche' naslove u SAD-u i \ninozemstvu. To mu daje dodatni kredibilitet za redovno prikazivanje na našem tržištu. \n \n \n2.  DISTRIBUCIJA dugometražnog dokumentarnog filma „NAŠA DJECA” - 2.700,00 € \n \nAutobiografski dokumentarac redatelja Silvestra Kolbasa, „Naša djeca”, tematizira roditeljstvo, odgoj i, \nnadasve, kompleksne odnose unutar jedne disfunkcionalne obitelji. \n \n„Naša djeca” svoj je distribucijski život započeo prikazivanjem na nedavno završenom, jubilarnom, 20. \nizdanju ZagrebDoxa. Komercijalni potencijal nije velik, no za afirmaciju njegovih umjetničkih vrijednosti, \nvažan je nastavak kulturne eksploatacije filma koju valja podržati. \n \n \n3.  DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „NE OČEKUJ PREVIŠE OD KRAJA \nSVIJETA” - 3.000,00 € \n \nZa prezaposlenu, potplaćenu i izmorenu 'multitaskericu' Angelu dani nemaju kraja: ona, praktički \nistovremeno, 'taksira' ulicama Bukurešta, dogovara i snima castinge za razne naručitelje te kreira i \nobjavljuje video sadržaje na svom, sve popularnijem, TikTok kanalu. Kada velika drvno-prerađivačka \nkompanija iz Austrije, za potrebe produkcije 'testimoniala' o zaštiti na radu, odluči za protagonista \nangažirati bivšeg zaposlenika Mariana, iako je isti protiv njih već pokrenuo sudski spor zbog zadobivenih \nozljeda na poslu, stvari na setu polako izmiču kontroli... \n \nJedan od najbolje ocijenjenih ostvarenja ove godine, prikazan je na čak dva filmska festivala „A” kategorije \n(Locarno Film Festival 2023., TIFF 2023.). Naslovu s takvom reputacijom neophodno je omogućiti redovnu \nkinodistribuciju u zemlji. \n \n \n4.  DISTRIBUCIJA dugometražnog igranog filma „NEŠTO JAČE OD MENE – PRIČA O DRAŽENU PETROVIĆU” - \n30.000,00 €  \n \nBiografsko sportska drama o košarkaškom velikanu Draženu Petroviću bavi se njegovim životom od prvih \nkoraka na košarkaškom terenu sve do tragične pogibije. \n \nU godini u kojoj se obilježava šezdeset godina od njegovog rođenja, „Nešto jače od mene – priča o Draženu \nPetroviću”, biti će jedan od najgledanijih filmova godine. \n \n \n\n\f\n5.  DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „Radnička klasa ide u pakao” - \n3.000,00 € \n \nNakon, namjerno izazvanog, tragičnog tvorničkog požara u provinciji na jugu Srbije, grupa radnika \ngodinama vodi parnicu s vlasnicima iste. Devastirani gubitkom svojih najmilijih i frustrirani sumnjivom \nprivatizacijom tvornice, pokreću prosvjede, ali bez uspjeha. Obeshrabreni cijelom situacijom te postupanjem \nsuda, utjehu i odgovore potraže u natprirodnom... \n \n„Radnička klasa ide u pakao” svoju svjetsku premijeru imao je prošlog rujna u programu „Midnight \nMadness” međunarodnog filmskog festivala u Torontu. Riječ je o naslovu kojeg se može okarakterizirati kao \n'vrlo zahtjevno gledanje', i u tom smislu – on je za najprobraniju kino publiku. \n \n \n6.  DISTRIBUCIJA dugometražnog igranog filma „ŠALŠA” - 13.000,00 € \n \nVatroslav je vječni student koji radi kao dostavljač u kvartovskoj pečenjari. Kada mu se, spletom nesretnih \nokolnosti, ukaže prilika za boljom zaradom, odlazi kod babe svoga kolege u berbu rajčica na otok Mala \nGlava, na kojem je JNA nekoć provodila znanstvene eksperimente. Pri spravljanu šalše, baba dodaje, brižno \nčuvani, tajanstveni napitak njezinog pokojnog muža, koji na ljude ima neočekivane efekte... \n \n„Šalša” se bavi privlačnim temama i nudi dovoljno zabave što bi u kina trebalo privući solidan broj \nposjetitelja. \n \n \n7. DISTRIBUCIJA dugometražnog dokumentarnog filma, manjinske koprodukcije „VILINSKI VRT” - 2.400,00 € \n \nU predgrađu Budimpešte, krije se koliba okružena ruševinama i otpadom, u kojoj već četiri godine zajedno \nstanuje dvoje otpadnika, Fanni (19), transseksualka koju je obitelj izbacila na ulicu i Laci (60), usamljeni \nbeskućnik koji ju je prihvatio bez predrasuda. \n \nUkupan broj gledatelja ovisiti će o odazivu LGBTIQ+ zajednice. Za to je prijavitelj osmislio prikladan \nmarketinški i distribucijski plan. \n \n \n8.  DISTRIBUCIJA dugometražnog igranog filma „ŽENA S GUMENIM RUKAVICAMA” - 4.000,00 € \n \nMirna (Areta Ćurković), spremačica je u jednoj osnovnoj školi koja, zajedno sa većinom zaposlenika, na \ninicijativu sindikata, stupa u štrajk kako bi se izborili za veća primanja. 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audiovizualnih djelatnosti i \nstvaralaštva u 2014. godini, u kategoriji poticanja proizvodnje audiovizualnih djela \n(kratkometražni igrani film i animirani film – rok 26. rujna 2014.)  \n \nIgor Prassel, umjetnički savjetnik za animirani film: \nNa natječaj poticanje proizvodnje audiovizualnih djela – animirani film prijavilo se 12 \nkratkometražnih projekata i jedan projekt dugometražnog animiranog filma. Kriteriji \npredlaganja projekata za financiranje kojima sam se vodio su u prvom redu međunarodni \nprikazivački potencijal, originalni vizualni stil i univerzalno razumljiva priča.  \n \nNa listu filmova predloženih za financiranje uvrstio sam šest kratkometražnih projekata \n(ukupna minutaža animacije: 40'30''). Ukupni iznos predloženih sredstava je 1,179.900 kuna.  \n \nSa zadovoljstvom primjećujem da ima sve više kvalitetnih projekata za najmlađu dob (MEDO \nTRAPAVKO Tomislava Gregla, SMIJULJICA Ivane Guljašević, PLAVO NEBO debitantice, svjetski \npriznate ilustratorice Andree Petrlik Huseinović), dva su projekta za odrasle koje potpisuju \nmeđunarodno uspješni autori (CRVENKAPICA REDUX Danijela Žeželja i DOGAĐAJI ZA \nZABORAVITI Marka Tadića) te odličan projekt za širu publiku, RAZGOVOR mlade autorice Ane \nHorvat (drugi profesionalni film).  \n \n \nJuraj Lerotić, umjetnički savjetnik za kratkometražni igrani film: \nBudući da se radi o rezultatima drugog natječaja iz 2014. godine, na broj sufinanciranih \nprojekata utjecala su i smanjena raspoloživa sredstva. Na natječaj je prijavljeno 25 projekata \nod kojih su 4 već snimljena.  \n \nDva projekta posebno su se istaknula scenarijem i redateljskom koncepcijom:  \n \nProjekt POVRATAK Jasne Nanut, u produkciji Kinematografa, o tridesetogodišnjoj djevojci koja \nse silom prilika vraća u roditeljski dom podržan je s 320.000 Kn. Radi se o naoko maloj, \nCarverovskoj priči koja osim što donosi zanimljiv portret osobe koja se mora suočiti s \nvlastitim životnim neuspjesima, puno govori i o Hrvatskoj danas. \n \nS 250.000 kn podržan je već snimljeni  film PIKNIK Jure Pavlovića i scenaristice Džejne Avdić u \nprodukciji Sekvence d.o.o. Film prati teenagera koji za posjet ocu u zatvoru ima svega \ndvadeset minuta. Bez baroknih režijskih rješenja, film nam uspijeva približiti kompleksan \nodnos pun potisnutih emocija. Ova izvrsna filmska minijatura imat će ove godine premijeru na \nBerlin film festivalu u sekciji Generation. \n \n\n\f\n \n \n \n \nKroz natječaje u 2014. godini sufinancirano je ukupno 6 kratkih filmova, od čega tri \ndebitantska. Svi projekti dobili su iznos novca približan zatraženom. Nadam se da će im to \nomogućiti da sa što manje kompromisa projekte uspješno  i završe. \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2014,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_razvoj_scenarija_DUG_IGR_WEB_2014_03 DUG IGR.pdf","filename_decoded":"JP_razvoj_scenarija_DUG_IGR_WEB_2014_03 DUG IGR.pdf","sha256":"a9e4c6b4c6176c6e30e3fd9d8cce7c9e17b9fa6852812829a0cd811845d4ce5e","bytes":69154,"page_count":2,"extracted_at":"2026-05-17T10:24:19Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_razvoj_scenarija_DUG_IGR_WEB_2014_03%20DUG%20IGR.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO\n1\nBFF\nZrinka Denić Mati\n35,000.00\n2\nČaroban šešir\nSnježana Babić Višnjić\nSnježana Babić Višnjić\n35,000.00\n3\nČudna jada\nAnita Čeko\n35,000.00\n4\nIzgubljeni\nVivien Karlović\n35,000.00\n5\nJimmy L.\nPavao Marinković\n35,000.00\n6\nKako ubiti\nIvan Šarić\n35,000.00\n7\nLevijatan\nAnte Marin\n35,000.00\n8\nLivada\nJasna Sinković Andres\nJasna Sinković Andres \n\"Livada\"\n35,000.00\n9\nMorina\nMihaela Marija Perković\n35,000.00\n10\nNebo ne može čekati\nMelita Devčić\nJuliene Eden Bušić\n35,000.00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ SCENARIJA u 2014. - 3. 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Misliti Film 2016: Forum \n(novi narativi)\n15.000,00\n2\nArtepublika d.o.o. \nArt - kino Cineast Vodnjan - Dignano\n7.000,00\n3\nART-KINO\nGodišnji program Art-kina za 2016. \ngodinu i Škola u kinu 2016.\n350.000,00\n4\nBalkanski Kulturni Krug\nThe 5C Project Cine-Caravan: \nCulture_City_Cinema\n20.000,00\n5\nCentar za kulturu Čakovec\nDisperzije hrvatskih filmskih festivala i \ndruge audiovizualne manifestacije \n2016.\n10.000,00\n6\nCentar za kulturu Čakovec\nKino za mlade\n5.000,00\n7\nCentar za kulturu i cjeloživotno \nobrazovanje Zlatna vrata\nArt program 2016. i                  \nProgram filmske klasike (baština) \n2016.\n90.000,00\n8\nCentar za kulturu Trešnjevka\nFilmska i video radionica Snimi svoj \nfilm - postani Hitchcock\n7.000,00\n9\nDom kulture Kristalna kocka vedrine\nFilmofilija\n7.000,00\n10\nDruštvo Naša djeca Matulji\nFilmski klub\n7.000,00\n11\nEdukacijsko-kreativna udruga Vita\nUdahnuti dušu\n5.000,00\n12\nFade In - Udruga\nU fokusu - Izgradnja lika u \ndokumentarnom filmu\n30.000,00\n13\nFestival mediteranskog filma Split\nKino Mediteran\n50.000,00\n14\nFestival mediteranskog filma Split\nMoje spli'sko kino\n30.000,00\n15\nFilmska udruga Motion\nFilmska radionica Dubrovnik\n5.000,00\n16\nFilmsko-kreativni studio Vanima\n12. ljetne filmske radionice\n10.000,00\n17\nFilmsko-kreativni studio Vanima\nKino Galerija - program rada u 2016. \ngodini\n40.000,00\n18\nFilmsko-kreativni studio Vanima\nVar-T-eks\n10.000,00\n19\nFoto kino video klub Zaprešić\nZimska i ljetna filmska radionica 2016\n20.000,00\n20\nFoto-kino klub Baranja film\n8. mikro-škola medijske kulture - \n2016.\n2.500,00\n21\nFoto-kino klub Baranja film\nFilmski programi u mikro kinu - 2016.\n15.000,00\n22\nGFR film-video\nArt kino\n20.000,00\nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2016. godini - popis \nodobrenih projekata\ndjelatnosti razvijanja audiovizualne kulture\n67. sjednica Hrvatskog audiovizualnog vijeća, 31. ožujka 2016.\n\n\f\n23\nGOKUL - Građanska organizacija za \nkulturu\nGreen Room Cinema 2016.\n15.000,00\n24\nHKZ - Hrvatsko slovo d.o.o.\nFilmske tribine Hrvatsko slovo uživo\n5.000,00\n25\nHrvatska udruga filmskih snimatelja\nFilmska estetika 80–ih\n20.000,00\n26\nHrvatski filmski savez\nDeseti susret Dječje filmsko \nstvaralaštvo i videostvaralaštvo u \nfunkciji javnog zdravstva i šesti Dječji \nfilmski kamp\n10.000,00\n27\nHrvatski filmski savez\nFilmske radionice za djecu i mlade u \nkinu Tuškanac \n10.000,00\n28\nHrvatski filmski savez\nFilmski programi u kinu Tuškanac i \nFilmski programi za djecu u kinu \nTuškanac: Pametno kino\n360.000,00\n29\nHrvatski filmski savez\nKratki utorak - filmski program \nautorskog i umjetničkog filma i videa\n50.000,00\n30\nHrvatski filmski savez\nNastava filmske umjetnosti u kinu \nTuškanac\n5.000,00\n31\nHrvatski filmski savez\nSenzorne projekcije u kinu Tuškanac\n5.000,00\n32\nHrvatski filmski savez\nVideoradionice za djecu i mladež - Od \nideje do realizacije\n28.000,00\n33\nIzvan fokusa - Udruga za medijsko \nstvaralaštvo i kulturne aktivnosti \nRadionica snimanja DSLR aparatom\n3.000,00\n34\nJavna ustanova Pula film festival\nFuš - film u školi\n20.000,00\n35 Javna ustanova u kulturi Kinematografi \nDubrovnik\nRedovni program art dvorana Visia / \nSlavica \n20.000,00\n36\nKinematografi Osijek d.d.\nUrania 104 godine - redoviti program \n2016. \n100.000,00\n37\nKino klub Sisak\nPlanet film\n10.000,00\n38\nKino klub Split\nFilmska škola Kino kluba Split 2016\n12.000,00\n39\nKino klub Split\nKinolab 16 \n5.000,00\n40\nKino klub Split\nOsnovne radionice Kino kluba Split \n2016\n15.000,00\n41\nKino klub Split\nProgram projekcija 2016\n8.000,00\n42\nKino klub Split\nSpecijalizirane radionice Kino kluba \nSplit 2016\n10.000,00\n43\nKinoklub Karlovac\nFilmski Uskrs i Vaskrs 2016.\n5.000,00\n44\nKinoklub Karlovac\nSpecijalizirana radionica \ndokumentarnog filma\n15.000,00\n45\nKinoklub Zagreb\nRadionice Kinokluba Zagreb\n80.000,00\n46\nKulturni klub\nArt kino Grič\n20.000,00\n47\nKulturni klub\nArt kino Metropolis\n15.000,00\n48\nKulturno prosvjetno društvo \"Sloga\" \nPakrac\nMoje kino\n20.000,00\n\n\f\n49\nMultidisciplinarni autorski projekti i \nakcije - MAPA\nOtočnost - ljudi okruženi morem\n6.000,00\n50 Multimedijalni centar Studio kreativnih \nideja Gunja - MMC SKIG\n7.ljetna škola filma Gunja i edukacija \nčlanova \n35.000,00\n51\nOne Take Film Festival\nRadionice snimanja filmova u jednom \nkadru\n3.000,00\n52\nOtompotom\nAnimirani Šibenik 2016\n15.000,00\n53\nOtompotom\nMikrokino\n10.000,00\n54\nPari Pikule\nSecret Cinema Art\n30.000,00\n55\nPlatforma za unapređenje kulture - \nPUNKT\nGrad na drugi pogled - video radionice\n10.000,00\n56\nProstor rodne i medijske kulture K-\nzona\nRod i Film: Vox Feminae filmska škola\n16.000,00\n57\nPučko otvoreno učilište Daruvar\nKinoprikazivačka djelatnost kina \"30. \nsvibnja\" Daruvar - permanentno \nprikazivanje filmova i revija hrvatskog, \neuropskog i internacionalnog kino-\nrepertoara\n40.000,00\n58\nPučko otvoreno učilište Koprivnica\nPopularizacija europskog i \nneameričkog filma\n10.000,00\n59\nPučko otvoreno učilište Samobor\nKino Samobor - Program kina za \n2016.godinu\n40.000,00\n60\nPučko otvoreno učilište Sveti Ivan \nZelina\nKratki na brzinu - Škola kratkog filma \n2016.\n6.000,00\n61\nPučko otvoreno učilište u Pazinu\nLjetno kino Pazin - Film je in\n6.000,00\n62\nPučko otvoreno učilište Velika Gorica\nCjelokupni godišnji program\n20.000,00\n63\nPulska filmska tvornica\n12. Škola filma\n20.000,00\n64\nPulska filmska tvornica\n6. Škola animiranog filma-Pula\n15.000,00\n65\nPulska filmska tvornica\nMedionauti - radionice medijske \npismenosti za djecu 2016.\n15.000,00\n66\nRestart\nDokukino program za 2016.\n70.000,00\n67\nRestart\nFilmska početnica - program za \npredškolsku i osnovnoškolsku dob\n15.000,00\n68\nRestart\nŠkola dokumentarnog filma u 2016. \ngodini\n55.000,00\n69\nStudio Pangolin\nEdukacijska video i filmska radionica \nGrrrl power\n7.500,00\n70\nStvaralačka mreža Zebra\nInterface 2016\n25.000,00\n71\nSveučilište u Zagrebu - Studentski \ncentar u Zagrebu\nKlubvizija SC – Cjelogodišnji program u \n2016. godini\n45.000,00\n72\nSveučilište u Zagrebu - Studentski \ncentar u Zagrebu\nKratke slike vol. 2 - filmski program \nMM centra u 2016.\n30.000,00\n73\nŠkola animiranog filma Čakovec\n23. internacionalna filmska radionica \n(23. IFR)\n15.000,00\n74\nŠkola filma Šipan\nLjetna škola filma Šipan 2016\n15.000,00\n\n\f\n75\nUdruga Bacači sjenki\nFROOOM 2016 \n45.000,00\n76\nUdruga Blank\nFilmske radionice\n40.000,00\n77\nUdruga Djeca susreću umjetnost\nPutujući Sedmi kontinent - program \nfilma za djecu i mlade u suradnji s \nnezavisnim digitaliziranim \nkinoprikazivačima i Mrežom \nkinoprikazivača\n50.000,00\n78\nUdruga Djeca susreću umjetnost\nSedmi kontinent - radionice optičkih \nigračaka\n10.000,00\n79\nUdruga Djeca susreću umjetnost\nSedmi kontinent u bolnicama - \nkvalitetan dječji film i filmske \nkreativne radionice te posebni gosti \nfilmaši za djecu u bolnicama \n25.000,00\n80\nUdruga Domino\nQueer MoMenti\n35.000,00\n81 Udruga Festival suvremenog židovskog \nfilma Zagreb\nFID Festivala tolerancije (film i \ndiskusija Festivala tolerancije )\n10.000,00\n82\nUdruga Filmaktiv\nOtoci 2016.\n15.000,00\n83\nUdruga Filmaktiv\nPrimijenjeni video 2016.\n10.000,00\n84\nUdruga Globe Media\nDYXY NA FILMU 3 - Filmske radionice \nza djecu s disleksijom\n7.000,00\n85\nUdruga Liburnia film festival\nGledamo dokumentarce, pravimo \ndokumentarce - Edukacijski program \nLiburnia film festivala\n15.000,00\n86\nUdruga ljubitelja filma Rare\nEDIT - Edukacija i trening 2016\n15.000,00\n87\nUdruga Mali grad Faros\nRadionica animiranog filma na \nfestivalu dječjeg stvaralaštva \"Mali \ngrad Faros\";  Radionica animiranog \nfilma na festivalu dječjeg stvaralaštva \n\"Mali grad Jolha\"; Radionica igranog \nfilma na festivalu dječjeg stvaralaštva \n\"Mali grad Faros\"; Radionica igranog \nfilma na festivalu dječjeg stvaralaštva \n\"Mali grad Jolha\"\n15.000,00\n88\nUdruga Skribonauti\nKino Sloboda - Projekt poticanja \naudiovizualnog stvaralaštva i kulture u \nzatvorima \n7.000,00\n89\nUdruga Što, kako i za koga /WHW\nRadikalna otvorenost, serija filmskih i \nvideo programa iz zbirke Kontakt u \nizboru međunarodnih filmskih kustosa \ni kritičara\n25.000,00\n90\nUdruga za audiovizualno stvaralaštvo \nArtizana\nRadionica Digital Generation\n10.000,00\n91\nUdruga za promicanje kulture Dokuart \n9. Mali DOKUart - DOKUradionica s \nnacionalnim natječajem za najbolji \ndokumentarac\n35.000,00\n92 Udruga za promicanje medijske kulture \nLuža\nGodišnji program filmskih radionica\n10.000,00\n\n\f\n93 Udruga za promicanje medijske kulture \nLuža\nStudio animacije\n10.000,00\n94\nUdruženje za razvoj kulture URK\nNove filmske večeri u Močvari\n25.000,00\n95\nUmjetnička organizacija FILM-\nPROTUFILM\nSerije za invizibilno kino: 12 x 12\n15.000,00\n96\nUmjetnička organizacija Zagreb Film \nFestival\nFilmski programi kina Europa - \nsuvremeni nezavisni film i  Kino \nBibijada - filmski programi za djecu i \nmlade kina Europa\n290.000,00\n97\nUstanova Opuzen film festival\nOpuzenska Filmska Škola 2016.\n20.000,00\n2.935.000,00\nUKUPNO:\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\n25 FPS, Udruga za audio-vizualna \nistraživanja\nDvanaesti Festival 25 FPS\n250.000,00\n2\nASIFA Hrvatske\nObilježavanje Međunarodnog dana \nanimiranog filma 2016. godine\n15.000,00\n3\nAutorski studio-fotografija, film, video\n12. revija jednominutnog filma i filma \nkratke forme \"60 sekundi hrvatskog \nfilma\"\n5.000,00\n4\nAvantura d.o.o.\n7. Avvantura Film Festival Zadar & \nFilmforumzadar Matchmaking\n80.000,00\n5\nCentar za kulturu Čakovec\n4. međunarodna revija filmova za \ndjecu i mlade\n6.000,00\n6\nCentar za kulturu Čakovec\nObilježavanje svjetskog dana \nanimacije 2016.\n1.600,00\n7\nCentar za kulturu Trešnjevka\n10. PSSST! festival nijemog filma\n10.000,00\n8\nDiscovery d.o.o.\n10.Vukovar Film Festival - Festival \npodunavskih zemalja i Edukativne \nradionice - 10. Vukovar Film Festival\n275.000,00\n9\nEkološko kulturna scena EKS\n9. SEFF - Smaragdni eco film festival\n30.000,00\n10\nEtnografski muzej Istre\n8. ETNOFILm festival\n50.000,00\n11\nFactum\n12. ZagrebDox međunarodni festival \ndokumentarnog filma\n450.000,00\n12\nFestival mediteranskog filma Split\n9. Festival mediteranskog filma Split \n2016. \n180.000,00\n13\nFilmaparat d.o.o.\n10. Pašmanske filmske večeri\n10.000,00\n14\nFilmsko-kreativni studio Vanima\n7. VAFI - internacionalni festival \nanimiranog filma djece i mladih \nVaraždin\n45.000,00\n15\nFoto-kino klub Baranja film\n(6.) Revija filmova 10. Vukovar film \nfestivala u Belom Manastiru (2016.)\n10.000,00\n16\nGFR film-video\n24. hrvatski festival jednominutnih \nfilmova\n75.000,00\n17\nGFR film-video\nPožeški filmski tjedan\n10.000,00\n18\nGOKUL - Građanska organizacija za \nkulturu\n14. Tabor Film Festival\n60.000,00\n19\nHrvatski filmski savez\n21. Filmska revija mladeži & 9. Four \nRiver Film Festival\n100.000,00\n20\nHrvatski filmski savez\n48. Revija hrvatskog filmskog \nstvaralaštva \n80.000,00\n21\nHrvatski filmski savez\n54. Revija hrvatskog filmskog \nstvaralaštva djece\n70.000,00\nfilmski festivali i druge audiovizualne manifestacije\n\n\f\n22\nHulahop d.o.o.\nSvjetski festival animiranog filma - \nAnimafest Zagreb 2016\n900.000,00\n23\nIstra film\n7. festival hrvatskih katoličkih filmova \nTrsat 2016.\n5.000,00\n24 Javna ustanova u kulturi Kinematografi \nDubrovnik\nDUFF - Mediteranski filmski festival \ndjece i mladih / 5. izdanje \n10.000,00\n25\nKino klub Sisak\nStar film fest\n10.000,00\n26\nKinoklub Karlovac\nFilmski EU tjedan 2016.\n5.000,00\n27\nKinoklub Karlovac\nKarlovačko riječno kino\n5.000,00\n28\nKulturni klub\nRevija europskog filma\n10.000,00\n29\nLot dvadesetiosam studio d.o.o.\n6. Fantastic Zagreb film festival\n40.000,00\n30\nMeđunarodni festival novog filma\n21. Splitski filmski festival / \nMeđunarodni festival novog filma\n250.000,00\n31\nMotovun film festival U.O.\nMotovun Film Festival 2016\n500.000,00\n32\nMultimedijalni institut\nHuman Rights Film Festival\n150.000,00\n33\nMuzej grada Šibenika\nMihovil gleda filmove\n10.000,00\n34\nMuzej hrvatskih arheoloških \nspomenika Split\n4. međunarodni festival arheološkog \nfilma (MFAF)\n15.000,00\n35\nNoć hrvatskog filma i novih medija, \nU.O.\nNoć hrvatskog filma i novih medija \n2016.\n18.000,00\n36\nOne Take Film Festival\nOne Take Film Festival  - organizacija \nfestivala\n85.000,00\n37\nOtompotom\nSUPERTOON Međunarodni festival \nanimacije\n50.000,00\n38\nProstor rodne i medijske kulture K-\nzona\nFilmski program Vox Feminae \nFestivala 2016\n40.000,00\n39\nPučko otvoreno učilište Poreč\n6. POREČDOX, Međunarodni Festival \nDokumentarnog Filma\n10.000,00\n40\nPučko otvoreno učilište Sveti Ivan \nZelina\nKratki na brzinu, 3. Revija hrvatskih \nkratkih filmova 2016.\n10.000,00\n41 REA - udruga za suvremene umjetničke \nprodukcije i arhitektonske produkcije\nDani video umjetnosti / Lovely Days \n2016.\n15.000,00\n42\nRonilačka Mreža j.d.o.o.\nMeđunarodni festival podvodnog \nfilma i fotografije  \"Bijeli lav 7\" \n15.000,00\n43\nSpiritus movens d.o.o.\n25. Dani hrvatskog filma\n250.000,00\n44\nUdruga Bijeli val\n9.Subversive Film Festival: Politike \nprijateljstva: Priče koje dolaze \nizdaleka/imaginarno kao politika \ndruštvene revolucije\n130.000,00\n45\nUdruga Dokuma\n3. DokuMA Film Festival\n20.000,00\n46\nUdruga Đakovački rezovi\nManifestacija Đakovački rezovi\n30.000,00\n47 Udruga Festival suvremenog židovskog \nfilma Zagreb\n10. Festival tolerancije - JFF Zagreb\n100.000,00\n48\nUdruga Filmaktiv\nMeđunarodni studentski filmski \nfestival - STIFF 2016.\n10.000,00\n49\nUdruga Globe Media\nBrač Film Festival 2016\n20.000,00\n50\nUdruga građana Spirit\nUhvati film\n10.000,00\n\n\f\n51\nUdruga Lanterna Magica\nPostira Seaside Film Festival 2016 - \nmeđunarodni festival \nkratkometražnog filma i Filmska \nradionica za mlade otočane - PSFF \n2016\n18.000,00\n52\nUdruga Liburnia film festival\n14. Liburnia Film Festival\n60.000,00\n53\nUdruga ljubitelja filma Rare\n10. festival dokumentarnog rock filma \n- DORF\n40.000,00\n54\nUdruga SB Film\nFestival Novih 2016\n15.000,00\n55\nUdruga za promicanje kulture Dokuart \n11. DOKUart Dani dokumentarnog \nfilma\n80.000,00\n56\nUmjetnička organizacija FILM-\nPROTUFILM\nFilmske mutacije: Deseti festival \nnevidljivog filma - Utopistike \nsuvremenika\n90.000,00\n57\nUmjetnička organizacija Zagreb Film \nFestival\n14. Zagreb film festival\n450.000,00\n58\nUstanova Opuzen film festival\n6. Opuzen Film Festival\n60.000,00\n59\nVideo klub Mursa\n14. Gastro film fest\n7.500,00\n5.356.100,00\nUKUPNO:\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\nCeKaPe Centar za kreativno pisanje\nObjavljivanje knjige Sanje Kovačević, \nKvalitetne TV serije\n15.000,00\n2\nDisput d.o.o.\nIzdavanje knjige Tomislava Šakića \n\"Modernizam u hrvatskom igranom \nfilmu\"\n15.000,00\n3\nHrvatski filmski savez\nDVD-izdanje: Tomislav Gotovac: \nStrukturalna tetralogija (radni naslov)\n10.000,00\n4\nHrvatski filmski savez\nHrvatski filmski ljetopis \n100.000,00\n5\nHrvatski filmski savez\nJurica Pavičić: Klasici hrvatskog filma \njugoslavenskog razdoblja (radni \nnaslov)\n10.000,00\n6\nHrvatski filmski savez\nKrunoslav Lučić: Filmski stil: Teorijski \npristup i stilistika hrvatskoga igranog \nfilma (radni naslov)\n10.000,00\n7\nHrvatski filmski savez\nMidhat Ajanović: Digitalna lutka:  \nEstetika, žanrovske konvencije i \nhibridnost u digitalnoj animaciji \n15.000,00\n8\nHrvatski filmski savez\nMonografski zbornik Krsto Papić (ur. \nTomislav Šakić, Diana Nenadić)\n20.000,00\n9\nHrvatski filmski savez\nOd V do A: od Varaždina do animacije \nu 30 godina (monografski katalog, ur. \nSandra Malenica)\n10.000,00\n10\nHrvatski filmski savez\nPansini (monografska knjižica, ur. D. \nNenadić)\n8.000,00\n11\nHrvatski filmski savez\nZapis, bilten Hrvatskog filmskog \nsaveza\n7.500,00\n12\nHrvatsko društvo filmskih kritičara\nDamir Radić: Milenijsko kino: Film na \npočetku 21. stoljeća\n10.000,00\n13\nKulturni klub\nFilmovi.hr\n10.000,00\n14\nKurziv - Platforma za pitanja kulture, \nmedija i društva\nKinemaskop\n23.000,00\n15\nProstor rodne i medijske kulture K-\nzona\nRodno osviještena filmska kritika\n15.000,00\n16\nTetar Rugantino\nIvica Vidović - monografija\n20.000,00\n17\nUdruga Dokumetar\nDokumentarni.net\n15.000,00\n18\nUdruga Dušan Vukotić\nIzdavanje knjige Veliki miting, 65 \ngodina kasnije\n15.000,00\n19\nUdruga Filmonaut\nFilmonaut, filmski časopis\n50.000,00\n20\nUdruga Metamedij\nTko gleda zlo ne misli – filmska \ninternet stranica\n7.000,00\nobjavljivanje književnih radova u području audiovizualnih djelatnosti\n\n\f\n21\nUdruga za feminizam i kulturu Muf\nFeminističko čitanje popularne \naudiovizualne kulture\n14.000,00\n22\nUdruga za promicanje filmske kulture i \nfilmskog izdavaštva - Film i dobro\nFilmski web portal Nemilosrdni gadovi\n12.000,00\n23\nVedis d.o.o.\nIzdavanje knjige Licem u lice Mladena \nHanzlovskog\n10.000,00\n421.500,00\nUKUPNO:\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\n25 FPS, Udruga za audio-vizualna \nistraživanja\nProgrami Udruge 25 FPS u 2016. \n40.000,00\n3\nDruštvo hrvatskih filmskih redatelja\nProgram redovite djelatnosti DHFR u \n2016. godini\n130.000,00\n4\nFilmska autorska grupa \"Enthusia \nPlanck\" \nFilmske radionice i djelatnosti grupe \n2016\n30.000,00\n5\nFilmsko-kreativni studio Vanima\nProgram rada za 2016. godinu\n30.000,00\n6\nFoto film video amateri Luke\nProgram rada FFVAL-a za 2016. \ngodinu\n10.000,00\n7\nFoto kino video klub Zaprešić\nRedovita programska djelatnost 2016.\n20.000,00\n8\nGFR film-video\nFilmska edukacija mladih\n5.000,00\n9\nHrvatska mreža neovisnih \nkinoprikazivača\nKino mreža - Programi u 2016. godini\n150.000,00\n10\nHrvatska udruga filmskih snimatelja\nRedovna djelatnost Hrvatske Udruge \nFilmskih Snimatelja\n80.000,00\n11\nHrvatska udruga producenata\nHrvatska udruga producenata - rad na \nunaprijeđenju audiovizualne \ndjelatnosti u 2016. godini\n90.000,00\n12\nHrvatski filmski savez\nRedovna djelatnosti Hrvatskog \nfilmskog saveza - koordinacijske i \npoticajne funkcije  \n110.000,00\n13\nHrvatsko društvo filmskih djelatnika\nRedovna djelatnost Hrvatskog društva \nfilmskih djelatnika\n325.000,00\n14\nHrvatsko društvo filmskih kritičara\nProgram redovne djelatnosti \nHrvatskog društva filmskih kritičara u \n2016. godini \n80.000,00\n15\nHrvatsko kaskadersko društvo\nProgram Hrvatskog Kaskaderskog \nDruštva za 2016. godinu\n50.000,00\n16\nIzvan fokusa - Udruga za medijsko \nstvaralaštvo i kulturne aktivnosti \nRedovna djelatnost udruge Izvan \nfokusa u 2016. godini\n20.000,00\n17\nKinoklub Karlovac\nRedovna djelatnost Kinokluba \nKarlovac u 2016. godini\n35.000,00\n18\nKinoklub Zagreb\nRedovite aktivnosti Kinokluba Zagreb\n15.000,00\n19\nPulska filmska tvornica\nKlub Pulske filmske tvornice 2016.\n30.000,00\n20\nSavez scenarista i pisaca izvedbenih \ndjela\nRedovna djelatnost SPID-a u 2016. \ngodini\n35.000,00\n21\nStvaralačka mreža Zebra\nGRETA ArtSpace\n20.000,00\nprogrami audiovizualnih udruga i organizacija\n35.000,00\nFilmske radionice i tečajevi u 2016. i \nRadionica animiranog filma za djecu - \nmala zagrebačka animacija (Z-\nanimacija)\nAutorski studio-fotografija, film, video\n2\n\n\f\n22\nUdruga Blank\nProizvodnja filmova i Redovita \nprogramska djelatnost udruge Blank \n2016.\n80.000,00\n23\nUdruga Globe Media\nGLOBE MEDIA - redovna djelatnost za \n2016.\n5.000,00\n1.425.000,00\nUKUPNO:\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\nBonobostudio d.o.o.\nDistribucija i promocija filmova 2016.\n40.000,00\n2\nEverything Works d.o.o.\nPlasman, distribucija, promocija i \nprodaja filmova na domaće i \nmeđunarodno filmsko tržište u 2016.\n40.000,00\n3\nRestart\nKineDok 2016. - nezavisna \nprikazivačka platforma za \ndokumentarni film\n40.000,00\n4\nUstanova Zagreb film\nFestivalska distribucija u 2016. godini\n30.000,00\n150.000,00\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\nDruštvo hrvatskih filmskih redatelja\nScenaristički program \"Branko Bauer\" \n2016.\n20.000,00\n2\nFactum\nZagrebDox PRO 2016.\n70.000,00\n3\nHrvatski filmski savez\n18. Škola medijske kulture Dr. Ante \nPeterlić\n240.000,00\n4\nHrvatski filmski savez\nScenaristička platforma Palunko, 14. \nsezona\n45.000,00\n5\nHulahop d.o.o.\nEx Oriente Film: Split 2016\n70.000,00\n6\nJadranska animacija / Adriatic \nAnimation\nAnidox Adriatic\n40.000,00\n7\nKinoklub Karlovac\nRadionica igranog filma za profesore\n10.000,00\n8\nMoje Čarobne Misli d.o.o.\nDECro01 - 2. Pelješac Youth Media \nEducation Center \n25.000,00\n9\nMoje Čarobne Misli d.o.o.\nDECro01 - 3. Korčula Cross Media LAB \n& Konferencija \n50.000,00\n10\nMotovun film festival U.O.\nKako napraviti bolji festival 2016\n20.000,00\n11\nOtompotom\nZootropski vrt\n15.000,00\n12\nRestart\nRestart Laboratorij u 2016. godini\n60.000,00\n13\nSveučilište u Zagrebu - Studentski \ncentar u Zagrebu\nRadionica za kinooperatere\n7.000,00\n14\nUmjetnička organizacija Zagreb Film \nFestival\n14. Zagreb Film Festival - Industrija\n60.000,00\n15\nUstanova Zagreb film\n\tRAB - radionica animiranog filma  \n2016\n25.000,00\n757.000,00\nprogrami promocije i prodaje hrvatskih audiovizualnih djela\nprogrami stručnog usavršavanja\nUKUPNO:\nUKUPNO:\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\nHrvatski filmski savez\nRegionalna konferencija o pravima \ndjece u okviru medijske pismenosti\n25.000,00\n2\nHrvatsko društvo filmskih kritičara\nPsihijatrija i film - filmska tribina \n4.000,00\n3\nHulahop d.o.o.\nMeđunarodni znanstveni skup o \nanimiranom filmu Animafest Scanner \n2016\n10.000,00\n4\nKino klub Split\nMasterclasses Kino klub Split - Lordan \nZafranović i Želimir Žilnik \n10.000,00\n5\nMultimedijalni institut\nVizualni kolegij\n40.000,00\n6\nOne Take Film Festival\nRewind + play\n5.000,00\n7\nRestart\nHall of Fame: Vodič kroz povijest \ndokumentarnog filma 2016.\n15.000,00\n8\nRestart\nMasterclass program - svjetski \ndokumentaristi u Hrvatskoj u 2016. \ngodini  \n40.000,00\n9\nRestart\nRazgovori s autorima u Dokukinu u \n2016.\n25.000,00\n174.000,00\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\nHrvatski filmski savez\nFilmski i video arhiv Hrvatskog \nfilmskog saveza\n200.000,00\n2\nHrvatski filmski savez\nProgram kopiranja i restauracije \nkratkih filmova i videoradova Ivana \nLadislava Galete iz arhiva Hrvatskog \nfilmskog saveza\n150.000,00\n3\nUstanova Zagreb film\nRestauracija filmova\n60.000,00\n410.000,00\nUKUPNO:\nproučavanje i kritičko vrednovanje audiovizualnih djelatnosti\nzaštita audiovizualne baštine uključujući kinotečnu djelatnost\nUKUPNO:\n\n\f\nBroj predloženih programa\nOdobrena \nsredstva\n97\n2.935.000,00\n59\n5.356.100,00\n23\n421.500,00\n23\n1.425.000,00\n4\n150.000,00\n15\n757.000,00\n9\n174.000,00\n3\n410.000,00\n233\n11.628.600,00\nUKUPNO\nprogrami audiovizualnih udruga i \norganizacija\nprogrami promocije i prodaje hrvatskih \naudiovizualnih djela\nprogrami stručnog usavršavanja\nproučavanje i kritičko vrednovanje \naudiovizualnih djelatnosti\nzaštita audiovizualne baštine uključujući \nkinotečnu djelatnost\nProgramska djelatnost\ndjelatnosti razvijanja audiovizualne kulture\nfilmski festivali i druge audiovizualne \nmanifestacije\nobjavljivanje književnih radova u području \naudiovizualnih djelatnosti\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"dokumentarni film","year":2016,"rok":null,"natjecaj_date":"2016-03-31","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[{"field":"document.program_type","from":"proizvodnja","to":"komplementarne","reason":"filename/title keyword: komplementarne","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"djelatnosti razvijanja audiovizualne kulture","section_key":"djelatnosti_razvijanja_audiovizualne_kulture","columns":["Naziv predlagatelja","Naziv programa","Odobrena sredstva"],"rows":[{"row_number":1,"project_title":"Cinemaniac / Misliti Film 2016: Forum (novi narativi)","applicant":"Apoteka - Prostor za suvremenu umjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"1","Naziv programa":"Cinemaniac / Misliti Film 2016: Forum (novi narativi)","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:d0ef73142c13","curation":{"changes":[{"field":"applicant","from":null,"to":"Apoteka - Prostor za suvremenu umjetnost","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Apoteka - Prostor za suvremenu umjetnost","to":"Cinemaniac / Misliti Film 2016: Forum (novi 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Škola u kinu 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_7ec2ab8130ae","project_family_title":"Godišnji program Art-kina za 2016. godinu i Škola u kinu 2016."},{"row_number":4,"project_title":"The 5C Project Cine-Caravan: Culture City Cinema _ _","applicant":"Balkanski Kulturni Krug","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"4","Naziv programa":"The 5C Project Cine-Caravan: Culture City Cinema _ _","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:da63b8622e26","curation":{"changes":[{"field":"applicant","from":null,"to":"Balkanski Kulturni Krug","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Balkanski 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Full applicant name and title parsed from legacy_raw_content; awarded in kulturni program.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"Otočnost - ljudi okruženi morem","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Multidisciplinarni autorski projekti i akcije - MAPA","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"funding_status":"awarded","project_family_id":"pf_4c69ae65d8a1","project_family_title":"Otočnost - ljudi okruženi morem"},{"row_number":75,"project_title":"FROOOM 2016","applicant":"Udruga Bacački sjenki","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":45000.0,"approved_amount_text":"45.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:4cb75fd48bfb","curation":{"legacy_raw_content":"Udruga Bacači sjenki FROOOM 2016","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 75, 'djelatnosti razvijanja audiovizualne kulture'. Numeric/creative title (FROOOM) is legitimate; applicant and title extracted.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"FROOOM 2016","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Udruga Bacački sjenki","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"funding_status":"awarded","project_family_id":"pf_43d00c30311f","project_family_title":"FROOOM 2016"},{"row_number":76,"project_title":"Filmske radionice","applicant":"Udruga Blank","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":40000.0,"approved_amount_text":"40.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:dbef6f89ab47","curation":{"legacy_raw_content":"Udruga Blank Filmske radionice","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 76. Short title (Filmske radionice) is legitimate; applicant and project extracted from legacy_raw_content.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"Filmske radionice","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Udruga Blank","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"funding_status":"awarded","project_family_id":"pf_6f721e5cbca6","project_family_title":"Filmske radionice"},{"row_number":77,"project_title":"Putujući Sedmi kontinent - program filma za djecu i mlade u suradnji s nezavisnim digitaliziranim kinoprikazivačima i Mrežom kinoprikazivača","applicant":"Udruga Djeca susreću umjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":50000.0,"approved_amount_text":"50.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:fec215aada53","curation":{"legacy_raw_content":"Udruga Djeca susreću umjetnost Putujući Sedmi kontinent - program filma za djecu i mlade u suradnji s nezavisnim digitaliziranim kinoprikazivačima i Mrežom kinoprikazivača","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 77. Full descriptive title supported by source; applicant and program title parsed.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"Putujući Sedmi kontinent - program filma za djecu i mlade u suradnji s nezavisnim digitaliziranim kinoprikazivačima i Mrežom kinoprikazivača","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Udruga Djeca susreću umjetnost","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"funding_status":"awarded","project_family_id":"pf_7ef982563288","project_family_title":"Putujući Sedmi kontinent - program filma za djecu i mlade u suradnji s nezavisnim digitaliziranim kinoprikazivačima i Mrežom kinoprikazivača"},{"row_number":93,"project_title":"Studio animacije","applicant":"Udruga za promicanje medijske kulture Luža","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":10000.0,"approved_amount_text":"10.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:945929ddc8bf","curation":{"legacy_raw_content":"Udruga za promicanje medijske kulture Luža Studio animacije","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 93. Applicant and short project title extracted from legacy_raw_content; award confirmed.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"Studio animacije","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Udruga za promicanje medijske kulture Luža","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"funding_status":"awarded","project_family_id":"pf_b134f99f4a88","project_family_title":"Studio animacije"},{"row_number":94,"project_title":"Nove filmske večeri u Močvari","applicant":"Udruženje za razvoj kulture URK","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":25000.0,"approved_amount_text":"25.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:a9a1f3d33b53","curation":{"legacy_raw_content":"Udruženje za razvoj kulture URK Nove filmske večeri u Močvari","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 94. Applicant name and project title parsed from concatenated legacy_raw_content.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"Nove filmske večeri u Močvari","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Udruženje za razvoj kulture URK","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"funding_status":"awarded","project_family_id":"pf_d92d24afad50","project_family_title":"Nove filmske večeri u Močvari"},{"row_number":95,"project_title":"Serije za invizibilno kino: 12 x 12","applicant":"Umjetnička organizacija FILM-PROTUFILM","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":15000.0,"approved_amount_text":"15.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:ceff761f5e04","curation":{"legacy_raw_content":"Umjetnička organizacija FILM- PROTUFILM Serije za invizibilno kino: 12 x 12","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 95. Corrected OCR spacing in applicant name (FILM-PROTUFILM, not FILM- PROTUFILM). Title and applicant extracted.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"Serije za invizibilno kino: 12 x 12","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Umjetnička organizacija FILM-PROTUFILM","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"funding_status":"awarded","project_family_id":"pf_36eea43ae6f6","project_family_title":"Serije za invizibilno kino: 12 x 12"},{"row_number":96,"project_title":"Filmski programi kina Europa - suvremeni nezavisni film i Kino Bibijada - filmski programi za djecu i mlade kina Europa","applicant":"Umjetnička organizacija Zagreb Film Festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne kulture","approved_amount":290000.0,"approved_amount_text":"290.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:302dda59698a","curation":{"legacy_raw_content":"Umjetnička organizacija Zagreb Film Festival Filmski programi kina Europa - suvremeni nezavisni film i  Kino Bibijada - filmski programi za djecu i mlade kina Europa","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 96, high-value award. Full descriptive title and applicant name parsed from legacy_raw_content.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"Filmski programi kina Europa - suvremeni nezavisni film i Kino Bibijada - filmski programi za djecu i mlade kina Europa","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Umjetnička organizacija Zagreb Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"funding_status":"awarded","project_family_id":"pf_f78e3c11390d","project_family_title":"Filmski programi kina Europa - suvremeni nezavisni film i Kino Bibijada - filmski programi za djecu i mlade kina Europa"},{"row_number":22,"project_title":"Svjetski festival animiranog filma - Animafest Zagreb 2016","applicant":"Hulahop d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":"filmski festivali i druge audiovizualne manifestacije","approved_amount":900000.0,"approved_amount_text":"900.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:bc38488d9fe7","curation":{"legacy_raw_content":"Hulahop d.o.o. Svjetski festival animiranog filma - Animafest Zagreb 2016","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table, 'filmski festivali' section, largest award. Major festival funding; applicant and title extracted.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"Svjetski festival animiranog filma - Animafest Zagreb 2016","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Hulahop d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (29-36) by Hulahop d.o.o. spanning 2010-2026. Flagship recurring festival with consistent name and organizer across 14 rows.","candidate_id":"fc_e1684903fd31"}},"funding_status":"awarded","project_family_id":"pf_e8c67f0ce97b","project_family_title":"Svjetski festival animiranog filma - Animafest Zagreb"},{"row_number":51,"project_title":"Postira Seaside Film Festival 2016 - međunarodni festival kratkometražnog filma i Filmska radionica za mlade otočane - PSFF 2016","applicant":"Udruga Lanterna Magica","production_company":null,"director":null,"writer":null,"original_author":null,"category":"filmski festivali i druge audiovizualne manifestacije","approved_amount":18000.0,"approved_amount_text":"18.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:58d5ce0e769f","curation":{"legacy_raw_content":"Udruga Lanterna Magica Postira Seaside Film Festival 2016 - međunarodni festival kratkometražnog filma i Filmska radionica za mlade otočane - PSFF 2016","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source 'filmski festivali' section. Full festival title with dual components; applicant parsed from legacy_raw_content.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"Postira Seaside Film Festival 2016 - međunarodni festival kratkometražnog filma i Filmska radionica za mlade otočane - PSFF 2016","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Udruga Lanterna Magica","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"funding_status":"awarded","project_family_id":"pf_d7218a25fffa","project_family_title":"Postira Seaside Film Festival 2016 - međunarodni festival kratkometražnog filma i Filmska radionica za mlade otočane - PSFF 2016"},{"row_number":52,"project_title":"14. Liburnia Film Festival","applicant":"Udruga Liburnia film festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":"filmski festivali i druge audiovizualne manifestacije","approved_amount":60000.0,"approved_amount_text":"60.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:085638f72aad","curation":{"legacy_raw_content":"Udruga Liburnia film festival 14. Liburnia Film Festival","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source 'filmski festivali' section. Numeric festival edition (14.) in title is standard; applicant and title extracted.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"14. Liburnia Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Udruga Liburnia film festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"family":{"method":"claude-haiku","confidence":"high","reason":"Sequential edition numbers (9th–24th) spanning 2010–2026, consistent distinctive name despite minor entity variations, consistent festival category.","candidate_id":"fc_ee72880b1175"}},"funding_status":"awarded","project_family_id":"pf_02303e1a0480","project_family_title":"Liburnia Film Festival"},{"row_number":53,"project_title":"10. festival dokumentarnog rock filma - DORF","applicant":"Udruga ljubitelja filma Rare","production_company":null,"director":null,"writer":null,"original_author":null,"category":"filmski festivali i druge audiovizualne manifestacije","approved_amount":40000.0,"approved_amount_text":"40.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:789b69fb5e63","curation":{"legacy_raw_content":"Udruga ljubitelja filma Rare 10. festival dokumentarnog rock filma - DORF","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source 'filmski festivali' section. Numeric edition title and abbreviation (DORF) are standard festival elements.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"10. festival dokumentarnog rock filma - DORF","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Udruga ljubitelja filma Rare","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"family":{"method":"claude-haiku","confidence":"high","reason":"Sequential edition numbers (9th–18th) across years 2010–2024, consistent organizer (Udruga ljubitelja filma Rare/Rare Vinkovci), consistent category and program type throughout.","candidate_id":"fc_e7e90a6a31bb"}},"funding_status":"awarded","project_family_id":"pf_ce2f1779d084","project_family_title":"Festival dokumentarnog rock filma DORF"},{"row_number":54,"project_title":"Festival Novih 2016","applicant":"Udruga SB Film Festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":"filmski festivali i druge audiovizualne manifestacije","approved_amount":15000.0,"approved_amount_text":"15.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:fdd7053bec5f","curation":{"legacy_raw_content":"Udruga SB Film Festival Novih 2016","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source 'filmski festivali' section, row 54. Short/creative title with year; applicant and title parsed.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"Festival Novih 2016","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Udruga SB Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"family":{"method":"claude-haiku","confidence":"high","reason":"Same distinctive name across 2013-2017 editions with consistent organizer (Udruga SB Film variants) indicating recurring annual festival.","candidate_id":"fc_8c44517698f5"}},"funding_status":"awarded","project_family_id":"pf_eb7e2083dcfc","project_family_title":"Festival Novih"},{"row_number":55,"project_title":"11. DOKUart Dani dokumentarnog filma","applicant":"Udruga za promicanje kulture Dokuart","production_company":null,"director":null,"writer":null,"original_author":null,"category":"filmski festivali i druge audiovizualne manifestacije","approved_amount":80000.0,"approved_amount_text":"80.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T08:47:42Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"aa040000:s0:2207f97993ab","curation":{"legacy_raw_content":"Udruga za promicanje kulture Dokuart 11. DOKUart Dani dokumentarnog filma","version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source 'filmski festivali' section. Numeric edition (11.) with branded title (DOKUart); applicant and title extracted.","reviewed_reasons":["legacy_raw_content_needs_mapping","missing_title","unresolved_status"],"changes":[{"field":"project_title","from":null,"to":"11. 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GODINI   \nKategorija: poticanje proizvodnje eksperimentalnog filma - drugi rok 2021.   \nRenata Poljak, umjetnička savjetnica za eksperimentalni film  \n \nNa drugi rok 2021. godine, za proizvodnju eksperimentalnog filma prispjelo je 12 projekata \nod kojih se jedan nije razmatrao jer nije zadovoljio formalne uvjete.  \nOcjenjivala sam kvalitetu predloženog projekta, priloženog trailera ili drugog vizualnog \nmaterijala te redateljski koncept i izvedivost kao i relevantnost budućeg filma u hrvatskom i \ninternacionalnom kontekstu. \n \nA od 11 kratkih eksperimentalnih filmova prijavljenih na ovaj rok izabrano je njih 5 koji su \niskočili svojom vizualnom i zbiljnom relevantnošću, kvalitetom i inovativnosti filmskog \npristupa. Time je za sufinanciranje eksperimentalnih filmova odabrano pet filmskih naslova u \nukupnom iznosu od 740.000 kuna.  \n \n \nLAKU NOĆ \nredateljica: Petra Mrša  \nproducent: Igor Grubić / Kreativni sindikat  \n \nPetra Mrša nastavlja svoje istraživanje u kojim se bavi temom video igara. Film ‘Laku noć’ \nzavršni je dio te trilogije, a naslov je dobio prema događaju sa snimanja prijašnjeg, drugog \nnastavka ‘Health 90’. \n \nPetra Mrša kreativno je jako zanimljiva autorica, vizualno vrlo educirana i inovativna, a filmu i \nnovim radovima općenito, pristupa vrlo sistematično i iz različitih ulaza. Petra je diplomirala \nfotografiju na zagrebačkoj Akademiji dramske umjetnosti, sociologiju na Filozofskom \nfakultetu i psihologiju na Hrvatskim studijima u Zagrebu, a za ovaj projekt priložena je i \npisana potvrda o suradnji sa psihijatrijskom bolnicom Sv. Ivan u Zagrebu. \n \nAutorica prilazi istraživanju teme u teorijskom, fizičkom, informatičkom i emotivnom smislu te \nkoristi različite filmske postupke kako bi se naglasila isprepletenost digitalne naracije i \nfizičkog doživljaja, kao i kompleksnost i neodvojivost ovih dvaju procesa. Završni akcent se \nstavlja na montažu koja će se odvijati u suradnji s nagrađivanom montažerkom i umjetnicom \nHrvoslavom Brkušić te u suradnji s programerima. \n   \nTIŠINA \nredatelji: Toni Meštrović  \nproducent: Igor Grubić / Kreativni sindikat \n \nFilm Tišina bavi se situacijom nakon 2019. u riječkom brodogradilištu 3. Maj kad su utihnuli \nsvi strojevi u odsustvu radnika i radnih procesa.Taj trenutak tišine iz 2019. godine polazišna \nje točka za prikaz jednog prostora i vremena u filmu Tonija Meštrovića. Autor se već bavio \ntom temom u suradnji s Nadijom Mustapić kada producira multikanalnu video-zvučnu \ninstalaciju \"Minuta šutnje\" 2013. godine. U prijavi iz svakog retka izbija jasna motivacija \nprema ovom frustrirajućem i duboko nepravednom događaju, ali uz promišljen i vrlo suptilan \nfilmski pristup. U filmu se puno polaže na snažni vizualni impakt koje slike napuštenog \nbrodogradilišta mogu u nama izazvati (u suprotnosti s flashbackovima), a autor naglašava \nkako vizualna manipulacija slike treba ostati na razini neprimjetnog, dok oblikovanje zvučne \nslike također treba biti suptilno, s naglaskom na nekonvencionalne metode snimanja s \n\n\f\nrazličitim vrstama mikrofona, hidrofona i akcelerometra. Želja mu je da produkcija slike bude \nu Ultra HD rezoluciji, a zvuk u surround-u. \n \n \nFENOMENA \nredatelj: Vladimir Zrnić   \nproducent: Udruga Metonimija \n \nEksperimentalni film Fenomena je film atmosfere, osjećaja, unutarnjeg svijeta gledatelja, \npromjene i prolaznosti. Fenomena je film bez dijaloga i naracije, zasniva se na vizualnosti i \nmeditativnom prikazivanju svijeta i prirode, u ovom slučaju kroz prizmu odnosa mora i neba. \nAutor je već poznat po takvom specifičnom pristupu filmskoj slici i naraciji te vrlo uspješan u \ntoj kategoriji eksperimentalnog filma. \n \n \nEL SHATT \nredateljica: Ana Bilankov  \nproducent: Igor Grubić / Kreativni sindikat \n \nEl Shatt bavi se najvećim izbjegličkim kampom tijekom Drugog svjetskog rata, a vizuali se \ntemelje na hrvatskom i međunarodnom arhivu kao i na britanskim propagandnim filmovima. \nU filmu se isprepliću novi snimljeni materijali koji uključuju i performativne izvedbe na licu \nmjesta, djelomično i u tehnici animiranih fotografskih kolaža. Film je i osobne naravi jer je \nautoričin otac zajedno sa svojom obitelji proveo u El Shatt-u prve godine svog života.  \nFilm je pokušaj rekonstrukcije sjećanja jedne priče/povijesti o migraciji na Mediteranu iz \nsuvremene umjetničke perspektive. \n  \n \nVLASTA NAD TIJELOM  \nredatelji: Denis Golenja \nproducent: Vedran Šuvar / Filmska udruga Šuma \n \nFilm kao polazišnu točku ima rad umjetnice Vlaste Delimar s kojom je režiser imao priliku \nsurađivati u više navrata.  \nKako njen umjetnički rad u svom centru ima vlastito fizičko tijelo te je umjetnica u svojim  \nperformansima u više navrata pozvala publiku da boja, dira i obilježi tijelo - sada u virtualnom \nsvijetu će tzv. virtualna javnost moći raditi intervencije na 3D modelu Vlastinog tijela od čega \nće se napraviti film.  U filmu se radi animacija 3D modela Vlastinog tijela te se Vlasti na \nsvojevrstan način oduzima vlast nad tijelom.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2021,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP za kinodistribuciju_predlozeno_4rok2020_za_web.pdf","filename_decoded":"JP za kinodistribuciju_predlozeno_4rok2020_za_web.pdf","sha256":"aa5cdb9fd83755dccec86d56284f14a45bc9bed4f292069b28ab8ed3193271f7","bytes":234540,"page_count":1,"extracted_at":"2026-05-17T10:22:48Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP%20za%20kinodistribuciju_predlozeno_4rok2020_za_web.pdf"},"raw_text":" \nNOSITELJ \nPRIJAVE\nNASLOV FILMA\nKATEGORIJA \nFILMA\nREDATELJ/ICA\nPRODUCENT\nDISTRIBUTER\nODOBRENA SREDSTVA\n1\nKlub za \nekspedicionizam \ni kulturu\nLjubav oko svijeta\ndugometražni \ndokumentarni film\nDavor Rostuhar\nKlub za \nekspedicionizam i \nkulturu\nKlub za \nekspedicionizam i \nkulturu\n25.000,00\n2\nRestart\nStarac i roda: Priča o \nMalenoj i Klepetanu\ndugometražni \ndokumentarni film\nTomislav Jelinčić\nAntitalent\nRestart\n42.000,00\n67.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti  i stvaralaštva u 2020. godini - poticanje \nkinodistribucije filmova\n4.ROK - 15.12.2020., 11. SJEDNICA HRVATSKOG AUDIOVIZUALNOG VIJEĆA u 3. sazivu, 4. ožujka \n2020.\nUKUPNO\n","warnings":[],"document":{"program_type":"distribucija","natjecaj_title":"JP za kinodistribuciju_predlozeno_4rok2020_za_web","year":2020,"rok":"4. rok","natjecaj_date":"2020-12-15","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":null,"section_key":null,"columns":["Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini - poticanje kinodistribucije filmova 4.ROK - 15.12.2020., 11. SJEDNICA HRVATSKOG AUDIOVIZUALNOG VIJEĆA u 3. sazivu, 4. ožujka 2020. NOSITELJ KATEGORIJA NASLOV FILMA REDATELJ/ICA PRODUCENT DISTRIBUTER ODOBRENA SREDSTVA PRIJAVE FILMA Klub za Klub za Klub za dugometražni 1 ekspedicionizam Ljubav oko svijeta Davor Rostuhar ekspedicionizam i ekspedicionizam i 25.000,00 dokumentarni film i kulturu kulturu kulturu Starac i roda: Priča o dugometražni 2 Restart Tomislav Jelinčić Antitalent Restart 42.000,00 Malenoj i Klepetanu dokumentarni film"],"rows":[],"section_total_text":"67.000,00","section_total":67000.0}],"totals":{"ukupno_text":null,"ukupno":25000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":null,"ukupno_match":null,"row_count":0,"awarded_count":0,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":0}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2017_WEB_DUG_DOK_2rok_10VII2017_novo.pdf","filename_decoded":"RPR_2017_WEB_DUG_DOK_2rok_10VII2017_novo.pdf","sha256":"aa852006f5eda2b0218d7e51f86e5cfaadffed08f5d05333590a409c9fbd22ea","bytes":15607,"page_count":1,"extracted_at":"2026-05-16T15:28:09Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2017_WEB_DUG_DOK_2rok_10VII2017_novo.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nSurogat majka\nČetiri film d.o.o. \nSilvio Mirošničenko\nSilvio Mirošničenko\n90.000,00\n2\nVeće od traume\nSlavica film d.o.o.\nVedrana Pribačić\nVedrana Pribačić\n100.000,00\nUKUPNO\n190.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ PROJEKATA u 2017. - 2. ROK - 10.7.2017.\ndugometražni dokumentarni film\n88. sjednica Hrvatskog audiovizualnog vijeća, 13. studenoga 2017.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2017. - 2. ROK - 10.7.2017.","year":2017,"rok":"2. rok","natjecaj_date":"2017-07-10","decision_date":"2017-11-13","decision_body":"AV vijeće","currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"dugometražni dokumentarni film","section_key":"dugometrazni_dokumentarni","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Surogat majka","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":"Silvio Mirošničenko","writer":"Silvio Mirošničenko","original_author":null,"category":"Dokumentarni","approved_amount_text":"90.000,00","approved_amount":90000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"aa852006:s0:4608150b0ea6","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_4b04b7d699c8","project_family_title":"Surogat majka"},{"row_number":2,"project_title":"Veće od traume","applicant":"Slavica film d.o.o.","production_company":"Slavica film d.o.o.","director":"Vedrana Pribačić","writer":"Vedrana Pribačić","original_author":null,"category":"Dokumentarni","approved_amount_text":"100.000,00","approved_amount":100000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Slavica film d.o.o.","row_id":"aa852006:s0:fd3f8db358ff","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_c892fef535aa","project_family_title":"Veće od traume"}],"section_total_text":"UKUPNO 190.000,00","section_total":190000.0}],"totals":{"ukupno_text":"UKUPNO 190.000,00","ukupno":190000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":190000.0,"ukupno_match":true,"row_count":2,"awarded_count":2,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":2}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSCTV_2017_POJED_WEB.pdf","filename_decoded":"RSCTV_2017_POJED_WEB.pdf","sha256":"aa89689a9c416f4a04922007fc03baef375c42273e87c1d9109955465420cff6","bytes":35741,"page_count":1,"extracted_at":"2026-05-17T10:24:14Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSCTV_2017_POJED_WEB.pdf"},"raw_text":"1\nRAZVOJ SCENARIJA TV 2017.\n- POJEDINAČNA TV DJELA\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nIstarske Štorije 2\nElvis Lenić, Danilo Lola Ilić, \nDragana Sapanjoš, Sanda \nLetonja-Marjanović\nPulska filmska tvornica \nElvis Lenić, Danilo Lola \nIlić, Dragana Sapanjoš, \nSanda Letonja-Marjanović\n25.000,00\nUKUPNO\n25.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: RAZVOJ SCENARIJA \npojedinačnih i serijskih televizijskih djela - podkategorija: POJEDINAČNA TELEVIZIJSKA DJELA u 2017. - \nROK PRIJAVE - 18.1.2018.\ndokumentarno televizijsko djelo\n1. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 9. studenoga 2018.\n","warnings":[],"document":{"program_type":"tv_djela","natjecaj_title":"RSCTV_2017_POJED_WEB","year":2017,"rok":null,"natjecaj_date":"2018-01-18","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"razvoj_scenarija","to":"tv_djela","reason":"filename/title keyword: tv djela","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"1. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 9. studenoga 2018.","section_key":"1_sjednica_hrvatskog_audiovizualnog_vijeca_u_2_sazivu_9_stud","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Istarske Štorije 2","applicant":"Pulska filmska tvornica","production_company":"Pulska filmska tvornica","director":"- POJEDINAČNA TV DJELA","writer":"Elvis Lenić, Danilo Lola Ilić, Dragana Sapanjoš, Sanda Letonja-Marjanović","original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Elvis Lenić, Danilo Lola Ilić, Dragana Sapanjoš, Sanda Letonja-Marjanović","REDATELJ":"Elvis Lenić, Danilo Lola Ilić, Dragana Sapanjoš, Sanda Letonja-Marjanović","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","people_backfill_v1":{"changes":[{"field":"director","from":null,"to":"- POJEDINAČNA TV DJELA","source":"raw_chunk:director","confidence":"medium"}],"updated_at":"2026-05-18T15:25:14Z","method":"machine:people_backfill_v1"},"creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"aa89689a_rsctv_2017_pojed_web_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Row number and title match exactly, and scenarist/redatelj cells align clearly while the original-author cell is empty."},"entity":"Pulska filmska tvornica","row_id":"aa89689a:s0:c603f35ba446","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_977baa73a5ce","project_family_title":"Istarske Štorije 2"}],"section_total_text":"25.000,00","section_total":25000.0}],"totals":{"ukupno_text":null,"ukupno":25000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":25000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"4 obrazloz_enje _ MIKROPRORAC_UNSKI 2022.pdf","filename_decoded":"4 obrazloz_enje _ MIKROPRORAC_UNSKI 2022.pdf","sha256":"aab696aa5fca21d929b16c248a96a0e17fcbd3289388dd4986b4320fcd05c269","bytes":63233,"page_count":1,"extracted_at":"2026-05-17T12:01:55Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/4%20obrazloz%CC%8Cenje%20_%20MIKROPRORAC%CC%8CUNSKI%202022.pdf"},"raw_text":"MIKROPRORAČUNSKI DUGOMETRAŽNI IGRANI FILMOVI \n \nObrazloženje umjetničkih savjetnika po rezultatima Javnog poziva za poticanje \naudiovizualnih djelatnosti i stvaralaštva - proizvodnja mikroproračunskih \ndugometražnih igranih filmova u 2022. godini – rok 20. listopada 2022. \n \nUmjetnički savjetnici za dugometražni igrani film – Zvonimir Jurić, Ivor Martinić, Ana \nŠtulina \nNa Javni poziv za poticanje proizvodnje mikroproračunskih dugometražnih igranih filmova u \n2022. godini prijavilo se ukupno dvanaest (12) projekata. Riječ je o tematski različitim \nfilmovima koji se najčešće bave intimnim ljudskim pričama; odnosima između ljubavnika ili \nproblemima u obitelji. Naišli smo na scenarije inovativne filmske strukture, često \neksperimentalnog pristupa, a gdje scenaristi i redatelji na zanimljiv način ispisuju najčešće \nintimne priče koje se mogu snimiti u produkcijski manje zahtjevnim uvjetima. Predložen je i \nodobren jedan naslov. \nJužina \n \nScenarij: Ante Marin \nRežija: Ante Marin \nProdukcija: Umjetnička organizacija Missart \n1.200.000,00 kuna/ 159.267,37 eura \nCrna komedija o životima različitih ljudi unutar zidova četverokatne zgrade u Splitu. Njihove \nsudbine isprepliću se dok putujemo od prvog do zadnjeg kata. Film je mozaične strukture te \nparalelno prati više različitih likova, od bivšega nogometaša kojem se u stan na prvom katu \nvraća sin Toma, koji je suspendiran na poslu i treba mu vremena da se malo snađe, do \nsuvremene obitelji Marije i Dume koji jedva izlaze na kraj sa svojom djecom. Duhovit \nscenarij uvjerljivih likova, odlične strukture koji prikazuje obične, tzv. „male“ ljude i njihove \nprobleme, na jedan iznimno svjež i lucidan način u najboljoj maniri splitske humoristične \ntradicije. \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2022,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"JP_kinodistribucija_3 ROK_15_10_web recenzije.pdf","filename_decoded":"JP_kinodistribucija_3 ROK_15_10_web recenzije.pdf","sha256":"ab241c0dc6404a87578327b709488e97586a25f2971f3ac2820c414f2be1072b","bytes":178075,"page_count":1,"extracted_at":"2026-05-17T12:01:18Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_kinodistribucija_3%20ROK_15_10_web%20recenzije.pdf"},"raw_text":" \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini - poticanje kinodistribucije \nfilmova - 3. rok - 15.10.2020. \n \n \nNa 3. rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini - poticanje \nkinodistribucije filmova 15.10.2020. prijavljeno je 4 projekata, jedna prijava je povučena, razmatrana su 3 \nprojekta. \n \nKriteriji za određivanje potpora za sufinanciranje kinodistribucije filma obuhvaćaju analizu prijavljene \nprocjene komercijalnog potencijala filma, analizu plana distribucije i  marketinškog plana te kvalitetu prijave. \n \n \nNa listu programa odobrenih za sufinanciranje uvrštene su 3 prijave za kinodistribuciju filmova : \n \n1. KINODISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „OTAC” - 50 000 kn \n \nKada mu zbog siromaštva socijalna služba odluči oduzeti djecu smatrajući da nema adekvatne uvjete \nodgajati ih, a supruga doživi psihički slom, Nikola odluči uzeti stvari u svoje ruke. Napušta svoje malo selo na \njugu Srbije i odlazi pješice u Beograd kako bi stao na kraj korupciji i povratio pravo na odgajanje vlastite \ndjece. Putem susreće svekolike tipove ljudi, te doživljava preobražaj iz marginalca i gubitnika u junaka našeg \ndoba.   \n \n„Otac” je bez sumnje jedan je od dragulja ovogodišnje regionalne produkcije. Riječ je o naslovu koji je \nobavezno filmsko „štivo” za sve fimofile, redovitije posjetitelje kino-dvorana te ponešto zahtjevniju kino-\npubliku. \n \n \n2. KINODISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „NE ZABORAVI DISATI” - 40 000 \nkn \n \nSve se mijenja u životu 15-godišnjeg Klemena u trenutku kada se njegov voljeni brat Peter (18) zaljubi u \nprelijepu Sonju (18). Ne zaboravi disati je atmosferična i intimna drama o odrastanju, krhkosti tinejdžerskog \ndoba, ljubomori, erotici i neizbježnom procesu prihvaćanja činjenice da se svijet mijenja, a život ide dalje.   \n \nTinejdžerska drama „Ne zaboravi disati” ovogodišnji je dobitnik „Vesne”, najprestižnije slovenske filmske \nnagrade, u kategoriji najboljeg igranog cjelovečernjeg filma. Broj nenacionalnih europskih filmova u 2019. \ngodini u hrvatskim kinima bilježi pad od gotovo 40% u odnosu na prethodnu  2018. godinu. U svjetlu tih \nčinjenica, preporuka je da se predmetnom filmu dodijele sredstva poticaja za kino-distribuciju. \n \n \n3. KINODISTRIBUCIJA dugometražnog animirano-eksperimentalno-igranog filma „SLUČAJNA RASKOŠ \nPROZIRNOG VODENOG REBUSA” \n- 40 000 kn \n \nMartin je čovjek koji je vjerovao u smisao, a sada ga s jednakom strašću pokreće besmisao...   \n \nRadi se o tek trećem hrvatskom animiranom dugometražnom naslovu u posljednjih deset godina (prvi još \nod 2012.g.). Činjenica da je Barićev film, između više od 3,000 prijavljenih naslova, izabran za natjecateljski \nprogram ovogodišnjeg Annecy-ja, daju mu dodatan podstrek za kino-distribuciju. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":null,"rok":"3. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati pro videoigre_rok_2022.pdf","filename_decoded":"rezultati pro videoigre_rok_2022.pdf","sha256":"ab97e616a1d4fda6069709c17cf746242a1adf74c9f7d2aad87d282be2005aa8","bytes":36355,"page_count":2,"extracted_at":"2026-05-17T10:24:09Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20pro%20videoigre_rok_2022.pdf"},"raw_text":"NAZIV\nGLAVNI AUTOR\nPRODUCENT\nODOBRENA SREDSTVA \n(kn)\nODOBRENA SREDSTVA (€)\n1\nCloudsea\nMihael Dumančić\nYeti Ate My Breakfast, vl. 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\nproizvodnje audiovizualnih djela (filmske koprodukcije s manjinskim hrvatskim \nudjelom – rok 10. srpnja 2015.). \n \nSaša Vojković, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim \nudjelom:  \n \nNa ovom sam roku odlučivanja od 18 prijavljenih projekata (od kojih su 14 zadovoljili \nkriterije) u kategoriji filmskih koprodukcija s manjinskim hrvatskim udjelom, za \nsufinanciranje predložila jedan dugometražni igrani, jedan dugometražni dokumentarni, \njedan kratkometražni animirani i jedan kratkometražni igrani film.  \n \nPrvenstveni kriteriji kojima sam se vodila pri odabiru predloženih filmova bila je kvaliteta \nponuđenih scenarija. Drugi kriterij koji sam koristila prilikom odabira predloženih projekata \nbila je zastupljenost hrvatskih autora i djelatnika u samoj proizvodnji filma te to snima li se \nfilm barem djelomično u Hrvatskoj. Treći kriterij bila je sveukupna  uspješnost \nautora/autorica.  \n \nDugometražni igrani film Balada o Pišonji i Žugi  u režiji Jasmina Durakovića film je ‘za \npubliku’ rađen po motivima pjesama Zabranjenog pušenja. Očekuje se da će biti gledan u \ncijeloj regiji. Riječ je o tragikomediji koja govori o nostalgiji i odrastanju u jednom drugačijem \ni nestalom vremenu. Osim kreativnih i tehničkih djelatnika planiraju se angažirati hrvatski \nglumci - Ivo Gregurević, Goran Navojec i Ana Vilenica. \n \nDugometražni dokumentarni film Djevojke koje sanjaju more redataljice Katie Bernardi \ndjelomično se odvija u Hrvatskoj na otoku Ugljanu. Riječ je o dvanaest 80-godišnjih ‘djevojaka’ \niz zabačenog talijanskog planinskog sela koje odluče prvi put u životu otići na more i to u \nHrvatsku. \n \nKratkometražni animirani film Stari Jazavac potpisuje redateljica Špela Čadež, s hrvatskim \nkoproducentom  Bonobostudiom. Prema dosadašnjim uspjesima redateljice može se zaključiti \nda će film doživjeti nadprosječnu međunarodnu distribuciju. Autorica je za svoj zadnji \nanimirani film Boles dobila više od 50 međunarodnih nagrada na svjetskim festivalima \nanimacije. Preko priče o životinji film govori o alkoholizmu i usamljenosti. Likovni izgled filma \nje na vrlo visokom nivou, a reference hrvatskog producenta su vrlo jake.  \n \nSretno, Orlo kratkometražni je igrani film slovenske autorice Sare Kem, također nagrađivane \nposebno za diplomski film Maks. Poznat je njen talent za scenarij i osjetljivost prema dječjim \ntemama. Film govori o dječaku Orlu koji želi spasiti obitelj tako što ukrade bebu – brata svog \nprijatelja.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2015,"rok":"3. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI koprodukcije 2017 4 rok.pdf","filename_decoded":"REZULTATI koprodukcije 2017 4 rok.pdf","sha256":"ac631a35e69eca49b5ef46fbaa12f592a9603e8affe11be77fd118a62fb4b90d","bytes":36267,"page_count":1,"extracted_at":"2026-05-17T10:22:52Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI%20koprodukcije%202017%204%20rok.pdf"},"raw_text":"NAZIV  FILMA\nREDATELJ/ICA\nHRVATSKI  PRODUCENT\nODOBRENO\n1\nBosonogi  car\nPeter  Brosens,  Jessica  \nWoodworth\nPropeler  Film  d.o.o.\n750.000,00\n2\nBudimo  iskreni\nMetod  Pevec\nInter  film  d.o.o.\n750.000,00\n3\nSin\nInes  Tanović\nSpiritus  movens  d.o.o.\n525.000,00\n2.025.000,00\nUKUPNO\ndugometražni  igrani  film\nJavni  poziv  za  poticanje  audiovizualnih  djelatnosti  i  stvaralaštva  -­  kategorija:  POTICANJE  FILMSKIH  \nKOPRODUKCIJA  S  MANJINSKIM  HRVATSKIM  UDJELOM  u  2017.  -­  4.  ROK  -­  26.10.2017.\n91.\t\r  sjednica\t\r  Hrvatskog\t\r  audiovizualnog\t\r  vijeća\t\r  12.\t\r  veljače\t\r  2018.\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"REZULTATI koprodukcije 2017 4 rok","year":2017,"rok":"4. rok","natjecaj_date":"2017-10-26","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"Javni p oziv z a p oticanje a udiovizualnih d jelatnosti i s tvaralaštva - k ategorija: P OTICANJE F ILMSKIH KOPRODUKCIJA S M ANJINSKIM H RVATSKIM U DJELOM u 2 017. - 4 . R OK - 2 6.10.2017.","section_key":"javni_p_oziv_z_a_p_oticanje_a_udiovizualnih_d_jelatnosti_i_s","columns":["NAZIV F ILMA","REDATELJ/ICA","HRVATSKI P RODUCENT","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Bosonogi car","applicant":null,"production_company":null,"director":"Peter Brosens, Jessica Woodworth","writer":null,"original_author":null,"category":"Dugometražni igrani film · koprod.","approved_amount_text":"750.000,00","approved_amount":750000.0,"currency":"HRK","extras":{"col_1":"1","REDATELJ/ICA":"Peter B rosens, J essica Woodworth","HRVATSKI P RODUCENT":"Propeler F ilm d .o.o.","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometr. · koprod.","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometr. · koprod.","to":"Dugometražni igrani film · 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KINODISTRIBUCIJA dugometražnog dokumentarnog filma „NUN OF YOUR BUSINESS” - 25.000,00 kn \n \n \nDvije časne sestre upoznale su se u samostanu i zaljubile. Pratimo njihovu priču od zaređenja, u potrazi za \nduhovnijim i boljim životom, pa do odluke o napuštanju samostana.  \n \n„Nun of your business” se po svojem komercijalnom potencijalu može svrstati u „zlatnu sredinu” hrvatskih \ndokumetaraca koji su se prethodnih godina pojavljivali na redovnom kino-repertoaru. \n \n \n2.  KINODISTRIBUCIJA dugometražnog dokumentarnog filma „OD TOGA DANA (UH!)” - 25.000,00 kn \n \nNajbolnija su stradavanja djece. Dijete svakom roditelju daje gotovo nadljudsku snagu. S gubitkom djeteta \nta snaga zauvijek nestaje. Od toga dana, roditelji te djece nisu više isti. Tko su ta djeca i o čemu su maštala? \n \nU godini u kojoj se obilježava 30. obljetnica od početka Domovinskog rata, dokumentarni film „Od toga \ndana (Uh!)” bi svojom tematikom trebao izazvati veći interes domaće publike nego inače. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":2021,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2022_1rok_14III2022_ANIMIRANI_WEB.pdf","filename_decoded":"RSC_2022_1rok_14III2022_ANIMIRANI_WEB.pdf","sha256":"acf67d11d1dd2138a2c5a7a62ed47164813c4cbc73cd4ba01dca7512cd52e1cd","bytes":90386,"page_count":1,"extracted_at":"2026-05-17T10:24:25Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2022_1rok_14III2022_ANIMIRANI_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nGregor\nVišna Mamić\n25.000,00\nUKUPNO\n25.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ SCENARIJA u 2022. - 1. ROK - 14.3.2022.\nanimirani film - trajanje nije kraće od 24 minute\n44. sjednica Hrvatskog audiovizualnog vijeća u 3. sazivu, 15. lipnja 2022.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2022_1rok_14III2022_ANIMIRANI_WEB","year":2022,"rok":"1. rok","natjecaj_date":"2022-03-14","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"44. sjednica Hrvatskog audiovizualnog vijeća u 3. sazivu, 15. lipnja 2022.","section_key":"44_sjednica_hrvatskog_audiovizualnog_vijeca_u_3_sazivu_15_li","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Gregor","applicant":null,"production_company":null,"director":null,"writer":"Višna Mamić","original_author":null,"category":"Animirani","approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Višna Mamić","repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_doc_single_signal","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:54:59Z","creator_backfill_writer_source":"acf67d11_rsc_2022_1rok_14iii2022_animirani_web_pdf.json","creator_backfill_writer_confidence":"low","creator_backfill_writer_reasoning":"Row number and title match clearly, but only the scenarist value is visible while redatelj and izvorni predložak cells are not reliably populated."},"entity":null,"row_id":"acf67d11:s0:3773fce15905","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_7bb61286cec7","project_family_title":"Gregor"}],"section_total_text":"25.000,00","section_total":25000.0}],"totals":{"ukupno_text":null,"ukupno":25000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":25000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI JP MEDJ 2022 - 3. rok.xls.pdf","filename_decoded":"REZULTATI JP MEDJ 2022 - 3. rok.xls.pdf","sha256":"ad24443def754594e65babf2da205cd191baf770e105ce9e47e66095e5ba65c5","bytes":44235,"page_count":2,"extracted_at":"2026-05-17T10:23:47Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI%20JP%20MEDJ%202022%20-%203.%20rok.xls.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA \nPOTPORA KN\nODOBRENA \nPOTPORA EUR\n1\nMarko Bičanić\nSudjelovanje na South East European Film \nFestivalu u Los Angelesu\n5.571,00 kn\n739,40 €\n2\nČetiri film d.o.o.\nSudjelovanje na radionici TorinoFilmLab Next \nTV SERIES 2022 s projektom \"Označene\"\n12.850,00 kn\n1.705,49 €\n3\nEclectica d.o.o.\nSudjelovanje redateljice Judite Gamulin i \nproducentice Ree Rajčić na industrijskom \ndijelu filmskog festivala u Cannesu\n9.300,00 kn\n1.234,32 €\n4\nPetra Belc Krnjaić\nSudjelovanje na znanstvenoj manifestaciji The \nFourth Conference in Balkan Studies: \nConnected Balkans u Marseillesu\n1.232,00 kn\n163,51 €\n5\nEclectica d.o.o.\nSudjelovanje redateljice Silve Ćapin i \nproducentice Ree Rajčić na 4. modulu \nradionice First Films First u Bugarskoj (Sofia \nMeetings)\n4.500,00 kn\n597,25 €\n6\nZorko Sirotić\nRetrospektiva kratkih filmova Zorka Sirotića u \nNew Yorku, povodom obilježavanja 60. \nobljetnice The New American Cinema Group\n2.850,00 kn\n378,26 €\n7\nEclectica d.o.o.\nSudjelovanje filma \"Stric\" na Karlovy Vary \nInternational Film Festivalu\n51.000,00 kn\n6.768,86 €\n8\nAntitalent d.o.o.\nSudjelovanje redatelja Vanje Vascarca i \nproducenta Stjepana Hundića na \nkoprodukcijskom sajmu Sofia Meetings u \nBugarskoj, s projektom \"BLOK62\"\n2.200,00 kn\n291,99 €\n9\nDavor Sanvincenti\nSudjelovanje redatelja i predstavljanje filma \n\"Mjesta koja ćemo disati\" na 21. DokuFest Film \nFestivalu u Prizrenu, Kosovo\n4.256,00 kn\n564,87 €\n10\nNika Petković\nSudjelovanje u programu stručnog \nusavršavanja CICAE Arthouse Cinema \nTraining u Veneciji\n8.644,00 kn\n1.147,26 €\n11\nPetnaesta umjetnost \nd.o.o.\nSudjelovanje producenta i redatelja filma \n\"Hrvatskog narodnog preporoda\" na 21. \nDokuFest Film Festivalu u Prizrenu, Kosovo\n3.322,00 kn\n440,91 €\n12\nPetnaesta umjetnost \nd.o.o.\nSudjelovanje filma \"Što da se radi?\" u \nprogramu Docu Talents from the East, u sklopu \nSarajevo Film Festivala\n2.864,00 kn\n380,12 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2022. - PROGRAMI \nMEĐUNARODNE SURADNJE - ROK 14.7.2022., 46. sjednica Hrvatskog audiovizualnog vijeća 15.9.2022.\n\n\f\n13\nNukleus Film d.o.o.\nSudjelovanje na radionici ACE Animation \nSpecial u Irskoj\n15.000,00 kn\n1.990,84 €\n14\nKino klub Split\nSudjelovanje na manifestaciji International \nShort Film Festival Oberhausen\n1.626,00 kn\n215,81 €\n15\nRestart\nSudjelovanje Dine Pokrajac na radionici \nBologna Audience Development & Innovation \nLab 2022, u sklopu festivala Il Cinema \nRitrovato\n4.000,00 kn\n530,89 €\n16\nPetra Mađarić\nSudjelovanje na radionici Art Department \nMasterclass u Vilniusu, Litva\n8.000,00 kn\n1.061,78 €\n17\nNukleus Film d.o.o.\nSudjelovanje projekta \"Mama\" na radionici \nCineLink Workshop u Sarajevu (27.6. – 2.7.)\n1.287,00 kn\n170,81 €\n18\nHrvatski filmski savez \n- HFS\nSudjelovanje hrvatske delegacije na festivalu \nGiffoni Experience u Italiji\n11.589,00 kn\n1.538,12 €\n19\nSanja Kovačević\nSudjelovanje u programu stručnog \nusavršavanja European Showrunner \nProgramme u Kölnu, Njemačka\n7.785,00 kn\n1.033,25 €\n20\nFilip Prah\nSudjelovanje na Sarajevo Film Festivalu s \nfilmom \"Nema zime za komarce\"\n1.500,00 kn\n199,08 €\n21\nIrena Jukić Pranjić\nSudjelovanje na Tenerife Shorts - La Laguna \nInternational Short Film Festivalu, 9. - 12. lipnja \n2022.\n2.938,00 kn\n389,94 €\n22\nLucija Perić\nSudjelovanje producentice studentskog filma \n\"Nema zime za komarce\" na Sarajevo Film \nFestivalu\n1.500,00 kn\n199,08 €\n23\nRestart\nSudjelovanje projekta u postprodukciji \"Snajka \ntraži sreću\" na radionici Docu Rough Cut \nBoutique 2022 - druga sesija u Budimpešti\n4.000,00 kn\n530,89 €\n24\nPipser d.o.o.\nSudjelovanje filma \"Sigurno mjesto\" na \nLocarno Film Festivalu u Švicarskoj\n53.000,00 kn\n7.034,31 €\n25\nPipser d.o.o.\nSudjelovanje filma \"Sigurno mjesto\" na \nSarajevo Film Festivalu\n20.000,00 kn\n2.654,46 €\n26\nLuma film, vl. Marija \nUdovičić\nSudjelovanje na programu Producers LINK u \nPoljskoj i Nizozemskoj\n5.547,00 kn\n736,21 €\n27\nMetar60\nEuropska premijera filma \"Veće od traume\" na \nSarajevo Film Festivalu - promocija i \nsudjelovanje filmske ekipe\n7.000,00 kn\n929,06 €\n253.361,00 kn\n33.626,78 €\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"REZULTATI JP MEDJ 2022 - 3. rok.xls","year":2022,"rok":null,"natjecaj_date":"2022-07-14","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:05:08Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA KN","ODOBRENA POTPORA EUR"],"rows":[{"row_number":1,"project_title":"Sudjelovanje na South East European Film Festivalu u Los Angelesu","applicant":"Marko Bičanić","production_company":"Marko 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Sedam zahtjeva za sufinanciranjem nije zadovoljilo formalne \nuvjete natječaja, među njima jedna postprodukcija. Od 28 projekata koji su se u konačnici razmatrali 23 \nfilma su ili nominalno drame ili su različite podvrste igranofilmske drame.  \n \nKao umjetnički savjetnik povodio sam se za tim da lista prioriteta bude strogo profesionalna i kompetentna, \nneovisna te da stoji iznad ikakvih privatnih želja te osobnih umjetničkih preferencija i ukusa. Pri \nvrednovanju najviše pozornosti poklonio sam dramskoj vrijednosti i kompaktnosti scenarija, uvjerljivosti \nlikova te promišljenosti i originalnosti redateljske vizije. No, pri utvrđivanju liste prioriteta, vodio sam, \ntakođer, računa i o cjelokupnom opusu redatelja/ice, trajanju filma, budžetu i visini financijskog zahtjeva, \nkao i o procjeni da će autori/ce biti sposobni/e umjetnički i operativno uspješno realizirati prijavljene \nprojekte. \n \nViše projekata pokazuje potencijal i kvalitetu, ali, s obzirom na, za ovaj natječajni rok, vrlo sužena \nraspoloživa sredstva za proizvodnju, za sufinanciranje proizvodnje predlažem tek dva projekta i to projekte \ndviju autorica, kojima dosad HAVC nije sufinancirao proizvodnju audiovizualnih djela. \n \nPrvi film koji predlažem za sufinanciranje je projekt Janje, predlagatelja projekta produkcijske kuće Spiritus \nMovens, producentice Zdenke Gold te scenaristice i redateljice Nine Violić, efektnu 15-minutnu \nminimalističku dramu, koja se bavi, riječima autorice, «nesvjesnim fašizmom», psihičkim maltretiranjem \nnemoćna muškarca zavezanih ruku i nogu, neishranjena stranca crne boje kože, od strane dviju radoznalih i \nnesvjesnih 12-godišnjih djevojčica, koje opsesivno koriste društvene mreže i pametni telefon, a kojima je \nsituacijska agresija vid prostodušne zabave, čin dokazivanja pred starijim dječakom i inicijacija u svijet \nadolescencije. Nemogućnost rasuđivanja stvarnog od online svijeta, potreba za socijalnim statusom u \ndruštvu i pripadanjem grupi, popuštanje pritisku vršnjaka te, ono najvažnije, nedostatak empatije, osjećaja \nza druge, drukčije i slabije, skida s djece koprenu nevinosti, pokazujući ih iz nasilna ugla i u bezosjećajnom \nsvjetlu. Dramaturški obrat, «iznenađenje», na kraju filma (do)nosi novi uvid, tjerajući gledatelje na \npreispitivanje: maloljetne zlostavljačice ne samo da ne dolaze iz disfunkcionalnih obitelji, nego su, štoviše, \nodlične učenice. U funkciji priče je realistički izražajni postupak, koji oponaša fotografski izgled iPhone-ove \nkamere (saturirane boje, pojačani kontrasti, širokokutni objektiv) i favorizira kadar–scenu, izrezom uže \nvizure, kameru iz ruke koja «prati» protagonist(ic)e te izbjegava popratnu, neprizornu glazbu. Jedina scena \nkoju redateljica montažno raskadrirava i retorički ističe je centralna scena iživljavanja nad nijemim \ntuđincem u stanu kroz opsesivno naslikavanje selfieja putem mobitela, koji djecu lišava sposobnosti \nmoralnog rasuđivanja i svijesti. S obzirom na operativno–produkcijske potrebe za realizaciju projekta te \nzahtjevnost rada s djecom i naturščicima, predlažem financijska sredstva u iznosu od 270.000,00 kn. \n \nDrugi projekt koji predlažem za sufinanciranje proizvodnje je film Sedra, scenaristice i redateljice Judite \nGamulin (čiji je posljednji uradak, kratkometražni igrani film Cvijeće, nastao 2015. u produkciji ADU, bio \n\n\f\n \n \n \n \nnominiran za studentskog Oscara), predlagatelja projekta producentske kuće Eclectica, producenta Ivana \nKelave, dijaloški škrtu priču o otuđenom, mladom bračnom paru tijekom ljetna izleta na otok na kojem, \noboružani mnogobrojnim rekvizitima za plažu, traže mjesto gdje bi s dvoje djece proveli obiteljski dan. Jako \nsunce i sparina, razdražljivost djece, nakratko nestanak sina i panična potraga za njim te međusobne tenzije \npartnere dovode do eskalacije. Suprugova nekomunikacija i pasivnost, a potom njegovo distanciranje od \nobitelji i flert protagonisticu guraju od početna oduševljenja zbog dolaska na idiličan otok u psihičku \nklonulost i osjećaj izdanosti te je odvode u nekontroliran, agresivan ispad spram kćeri, a potom i do \nsuicidalna, autodestruktivna čina. Autorica film redateljski zamišlja kao stilizirani realizam, u širokom \nformatu filmske slike, s laganom desaturacijom boja, u širim planovima i uravnoteženim pratećim \nsteadycam vožnjama, po visokom suncu i oštrim sjenama, u mediteranskom pejzažu i vegetaciji. Pojedine \ndramske momente redateljica bi redateljski dodatno istaknula i stilizirala koristeći zum objektiv, \nminimalističku drone glazbu te naglašavajući pojedine otočne šumove kako bi dočarala i pojačala unutarnje \nstanje protagonista. S obzirom na nešto poveći broj scena u scenariju te da je zamišljeno da se radnja filma \nodvija na otoku Lokrumu kraj Dubrovnika, predlažem financijska sredstva u iznosu od 330.000,00 kn. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"regulation","source":{"filename":"20-12-2024-Godi%C5%A1nji%20program%20rada%20i%20razvoja%20Centra%20za%202025.pdf","filename_decoded":"20-12-2024-Godi%C5%A1nji%20program%20rada%20i%20razvoja%20Centra%20za%202025.pdf","sha256":"ae2366bd0e1af97f88e3c4a87ee201bba32dfa0b2c64298e6b281182110ed341","bytes":176148,"page_count":5,"extracted_at":"2026-05-16T13:38:08Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_31032016_15min_nukleus.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_31032016_15min_nukleus.pdf","sha256":"ae5f41338a165655493c7c23d8c860e176e5dd98c160d46a4c88f6ac4c57cb77","bytes":405095,"page_count":6,"extracted_at":"2026-05-16T14:13:52Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n1 \n \nKlasa: 111-003 \nUrbroj:  1513-2016 \nU Zagrebu, 6. travnja 2016. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11, dalje u tekstu: Zakon), te \nsukladno Pravilniku o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14, dalje u tekstu: Pravilnik), Hrvatsko audiovizualno vijeće na 67. \nsjednici održanoj 31. ožujka 2016.godine donijelo je: \n \n \nO  D  L  U  K  U \n \n \n1.) Utvrđuje se da je Nukleus film d.o.o., Dalmatinska 8, Zagreb, OIB [OIB uklonjen] (dalje u tekstu: \nProducent) kao hrvatski manjinski koproducent dokumentarnog kratkometražnog filma „15 minuta“, \nscenarij i režija George Larsen, Kasper Vedsmand (dalje u tekstu: Film) neuredno ispunio odnosno \nnije ispunio ugovorom preuzete obveze po Ugovoru o sufinanciranju proizvodnje filmskih \nkoprodukcija s manjinskim udjelom 881-01-14/14, Klasa: 222-231-003-014, Urbroj: 4349-2014 od \n30. listopada 2014. godine, zaključenog između Hrvatskog audiovizualnog centra, Nova Ves 18, \nZagreb (dalje u tekstu: HAVC ili Centar) i Producenta (dalje u tekstu: Ugovor o sufinanciranju). \n \n2.) Sukladno odredbama Pravilnika i Ugovora o sufinanciranju nalaže se Producentu povrat svih \nuplaćenih sredstava u ukupnom iznosu od 200.000,00 kn (slovima: dvjestotisuća kuna) zajedno sa \npripadajućom zakonskom zateznom kamatom, tekućom od dana uplate. \n \n3.) Nalaže se Producentu da sa svih kopija Filma ukloni logo Hrvatskog audiovizualnog centra. \n \n4.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n5.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \nObrazloženje \n \nDana 30. listopada 2014. godine zaključen je Ugovor o sufinanciranju proizvodnje filmskih koprodukcija s \nmanjinskim hrvatskim udjelom (81-01-14/14) između Hrvatskog audiovizualnog centra, Nova Ves 18, \nZagreb (dalje u tekstu: HAVC) i Nukleus film d.o.o., Dalmatinska 8, Zagreb (dalje u tekstu: Producent) \nvezano za proizvodnju Filma (dalje u tekstu: Ugovor o sufinanciranju). Temeljem Ugovora o sufinanciranju \nProducentu je isplaćena državna potpora u ukupnom iznosu od 200.000,00 kn (slovima: dvjestotisuća kuna) i \nto: \n- \n27. studenog 2014. godine - 150.000,00 kn (slovima: stopedesettisuća kuna), \n- \n09. siječnja 2015. godine -  50.000,00 kn (slovima: pedesettisuća kuna). \n \n\n\f\n \n \n2 \n \nPostupanjem Producenta utvrđene su slijedeće povrede Ugovora o sufinanciranju: \n \n1. Scenarij Filma je bitno izmijenjen u odnosu na onaj scenarij na temelju kojeg je AV vijeće na \nprijedlog umjetničke savjetnice donijelo odluku o sufinanciranju Filma - Stručno tijelo kojeg je AV \nvijeće imenovalo u svrhu utvrđivanja otklona od scenarija navelo je da su to razlike koje bitno utječu \nna sadržajnu i doživljajnu dimenziju Filma te je navedenim postupanjem Producenta povrijeđena \nodredba iz čl. 7. st. 2. Ugovora o sufinanciranju prema kojoj se o svakoj izmjeni u Filmu koja bitno \nmijenja smisao odobrenog Filma mora obavijestiti HAVC, u protivnom HAVC može odbiti \nkolaudaciju i raskinuti ugovor sa svim posljedicama raskida. Ispričavanje Producenta da nije znao za \nizmjene nisu uvjerljiva, što je naglasilo i stručno tijelo Hrvatskog audiovizualnog vijeća u usmenom \ndijelu svojeg izvješća danog na 65. sjednici Hrvatskog audiovizualnog vijeća, a s druge strane nisu \npravno relevantna. Producent je preuzeo obvezu izrade Filma prema scenariju koji je odobren te je \ndužan tu obvezu ispuniti. Nadalje, prema čl. 10. st. 1. Zakona o obveznim odnosima sudionik u \nobveznom odnosu dužan je u ispunjavanju svoje obveze postupati s pažnjom koja se u pravnom \nprometu zahtijeva u odgovarajućoj vrsti obveznih odnosa, a prema st. 2. istoga članka sudionik koji \nispunjava obveze iz svoje profesionalne djelatnosti dužan je postupati s povećanom pažnjom, prema \npravilima struke i običajima (pažnja dobrog stručnjaka). U konkretnom slučaju Producent, koji \nobavlja svoju profesionalnu djelatnost snimanja Filmova za koju je i registriran, dužan je primijeniti \nne samo pažnju dobrog gospodarstvenika već viši, povećani stupanj pažnje dobrog stručnjaka. U \nizvršavanju njegovih obveza na njega se ne primjenjuju samo odredbe Zakona o obveznim odnosima \ni drugih zakona već i pravila struke koju obavlja te običaja koji se primjenjuju u obavljanju takve \ndjelatnosti. Prema svemu tome, Producent je bio dužan znati kako Film izgleda i koje su izmjene u \nscenariju izvršene te utjecati da se Film snimi prema scenariju kojeg je HAVC odobrio za \nsufinanciranje. \n \n2. Nije pravodobno zatražena kolaudacija Filma - Producent nije na vrijeme zatražio kolaudaciju Filma \nšto je prema čl. 7. stavku 1. Ugovora o sufinanciranju bio dužan učiniti najkasnije 30 dana nakon \nzavršetka Filma. Smisao kolaudacije je, sukladno čl. 16. st. 2. alineji 3. Zakona, u kolaudiranju i \nrecenziranju djela po završetku obrade audiovizualnog djela. U čl. 22. Pravilnika također su uređene \nodredbe o obaveznoj kolaudaciji završenog djela koja se može obaviti već u fazi dovršene montaže. \nAko umjetnički savjetnici u postupku kolaudacije utvrde da su tijekom snimanja filma učinjene \npromjene o kojima nisu bili obaviješteni, a koje su bitno izmijenile smisao odobrenog filma, imaju \npravo odbiti kolaudaciju, a HAVC može raskinuti ugovor i pokrenuti postupak za povrat do tada \nisplaćenih sredstava. Isto je uređeno i u čl. 7. st. 2. Ugovora o sufinanciranju. Slijedom svih ovih \nodredaba o kolaudaciji iz Ugovora o sufinanciranju, Zakona i Pravilnika jasno je da se audiovizualno \ndjelo koje se financira iz sredstava HAVC-a ne smije javno prikazati na bilo koji način prije \nkolaudacije jer je jedan od temeljnih razloga kolaudacije utvrđenje je li završeno audiovizualno djelo \nbitno odstupa od smisla odobrenog audiovizualnog djela. Producent je tek dana 15. listopada 2015. \ngodine kratkim dopisom zatražio kolaudaciju Filma. Film je, prije nego što je zatražen postupak \nkolaudacije 15. listopada 2015. godine, bio javno prikazan na Sarajevo film festivalu dana 16. \nkolovoza 2015. godine i ujedno prodan i emitiran (javno prikazan/objavljen)  na programu RTS \n(Srbija) dana 24. kolovoza 2015. godine. Nesporno je da Producent nije zatražio kolaudaciju Filma \nsukladno odredbama Pravilnika odnosno najkasnije 30 dana nakon njegovog završetka. \n \n3. Javno prikazivanje neodobrenog tj. nekolaudiranog Filma - Film je u nekolaudiranoj verziji koja \nbitno odstupa od odobrenog scenarija prikazan na Sarajevo film festivalu te istodobno prodan i za \npar dana prikazan i na RT Srbiji. \n\n\f\n \n \n3 \n \n4. Nenamjensko trošenje sredstava HAVC-a - Prema čl. 4. st. 1. Ugovora o sufinanciranju Producent je \ndužan sredstva koja mu je odobrio i uplatio HAVC koristiti isključivo za proizvodnju ugovorenog \nFilma i redovito voditi poseban specificirani troškovnik utrošenih sredstava, koji je dužan u svako \ndoba predočiti na zahtjev HAVC-a. Financijski izvještaj o utrošenim sredstvima kojeg je Producent \ndostavio HAVC-u dana 15. listopada 2015. godine nepotpun je i nepodoban za razmatranje te ne \nsadrži vjerodostojne dokaze o namjenskom korištenju sredstava HAVC-a. Producent je dana 29. \nožujka 2016. godine uputio HAVC-u Dopis Klasa: 111-002, Urbroj: 1124-2016 u kojem konstatira \nda su „obustavili sve daljnje korake, uključujući finalizaciju financijskog izvještaja kao i izradu \nfinalne kopije filma“ time priznajući da ni u daljnjem roku za ispunjenje nije ispunio Ugovorom o \nsufinanciranju preuzete obveze. \n \nNaime, prema čl. 4. st. 1. Ugovora o sufinanciranju Producent je dužan sredstva koja mu je odobrio i uplatio \nHAVC koristiti isključivo za proizvodnju ugovorenog Filma i redovito voditi poseban specificirani \ntroškovnik utrošenih sredstava, koji je dužan u svako doba predočiti na zahtjev HAVC-a.  \nPrema čl. 4 st. 4. Ugovora o sufinanciranju, ako Producent ne izvršava preuzete ugovorne obveze, Centar će \nrazmjerno neizvršenim obvezama i poslovima umanjiti iznos sredstava, odnosno zatražiti povrat sredstava. \nPrema čl. 4. st. 5. u slučaju davanja neistinitih podataka od strane Producenta, Centar ima pravo jednostrano \nraskinuti Ugovor i zatražiti povrat do tada isplaćenih sredstava uz pripadajuću zateznu kamatu. Prema čl. 4. \nst. 6.,  neovisno o razlozima raskida Ugovora o sufinanciranu predviđenih tim Ugovorom ili Zakonom, \nCentar u svakom slučaju zadržava i pravo na naknadu štete sukladno Zakonu o obveznim odnosima.  \nPrema čl. 6. st. 1. Ugovora o sufinanciranju bitnim elementima tog Ugovora smatraju se Producent i \nodobreni iznos sredstava.  \nPrema čl. 7. st. 1. Ugovora o sufinanciranju Producent je obavezan zatražiti kolaudaciju Filma najkasnije 30 \ndana nakon završetka Filma. Prema čl.7. st. 2. kolaudacija se može obaviti na prijedlog Producenta ili na \nzahtjev Centra. Ako umjetnički savjetnici u postupku kolaudacije utvrde da su tijekom snimanja Filma \nučinjene promjene o kojima nisu bili obaviješteni a koje su bitno izmijenile smisao odobrenog Filma imaju \npravo odbiti kolaudaciju a Centar može raskinuti Ugovor i pokrenuti postupak za povrat do tada isplaćenih \nsredstava uz kamatu. \nPrema čl. 8. st. 2. Ugovora o sufinanciranju Producent je dužan bez odlaganja obavijestiti Centar i o \npromjeni svih bitnih okolnosti koje se odnose na realizaciju Filma.  \nPrema čl. 9. st. 1. Ugovora o sufinanciranju Producent je dužan svoje odnose s trećim osobama u realizaciji \nFilma urediti u skladu s važećim konvencijama, zakonima i Pravilnikom, vodeći računa o obvezama koje \nima prema Ugovoru o sufinanciranju s HAVC-om. Prema čl. 9. st. 3. odgovoran je za izbor trećih osoba koje \nsudjeluju u realizaciji Filma (koproducenata, sufinancijera, umjetničkih i tehničkih suradnika i sl.) sukladno \nzakonskim odredbama Zakona o obveznim odnosima (odgovornost za izbor).    \n \nDana 15. listopada 2015. godine, Producent je uputio HAVC-u Molbu Klasa: 222-231-003-014, Urbroj: \n3507-2015  (dalje u tekstu: Molba) kojom je zatražena kolaudacija Filma i dostavljen je DVD i financijski \nizvještaj za Film. \n \nNesporno je utvrđeno da je Film bez prethodne kolaudacije i bez obavijesti nadležnim tijelima HAVC-a bio \njavno prikazan na Sarajevo film festivalu dana 16. kolovoza 2015. godine i ujedno prodan i emitiran (javno \nprikazan/objavljen)  na programu RTS (Srbija) dana 24. kolovoza 2015. godine. \n\n\f\n \n \n4 \n \nNa 64. sjednici Hrvatskog audiovizualnog vijeća održanoj 21. listopada 2015. godine vijeće je raspravljalo o \nsituaciji vezanoj uz Film. U raspravi su članovi Hrvatskog audiovizualnog vijeća istaknuli da Film u svojoj \nkonačnoj verziji značajno odstupa od scenarija koji je odobren za financiranje. Utvrdili su da za vrijeme \nproizvodnje Filma Producent ni itko drugi tko je sudjelovao u proizvodnji Filma ni na koji način nije bio u \nkontaktu s HAVC-om, što je inače uobičajeno, te da Film nije predan na kolaudaciju kao što je to trebao biti \nprema Ugovoru o sufinanciranju. Ravnatelj HAVC-a je članovima Hrvatskog audiovizualnog vijeća prenio \nstajalište danskog veleposlanika u RH da je hrvatski Producent kao hrvatska strana bio angažiran da bi Film \nbio prihvatljiv i hrvatskoj publici. Ravnatelj HAVC-a je zaključio da hrvatski Producent tu mogućnost očito \nnije iskoristio. Na poticaj pravne službe HAVC-a članovi Hrvatskog audiovizualnog vijeća raspravljali o \ntome su da li da se odmah raskine Ugovor o sufinanciranju i zatraži povrat sredstava od Producenta te su to \nstavili u kontekst činjenice da je u konkretnom slučaju riječ o manjinskoj koprodukciji te da situacija s \nmanjinskim koprodukcijama nije jednostavna. Zaključeno je da je potrebno utvrditi što se i kako točno \ndogodilo. S tim ciljem Hrvatsko audiovizualno vijeće je jednoglasno odlučilo da će se formirati radno tijelo u \nsastavu I. Maloča, Z. Ogresta, Ž. Sarić i S. Ravlić koje će pregledati Film i svu popratnu dokumentaciju te \ndonijeti odluku odgovara li završna verzija Filma projektu kako ga je za sufinanciranje odobrilo Hrvatsko \naudiovizualno vijeće. \n \nHrvatsko audiovizualno vijeće jednoglasno je s jedanaest (11) glasova “za” donijelo odluku o formiranju \nradnoga tijela u sastavu g. Ivan Maloča, g. Zrinko Ogresta, g. Željko Sarić i gđa Sanja Ravlić koje će \npogledati dokumentarni film “15 minuta” i svu popratnu dokumentaciju te donijeti odluku da li završna \nverzija filma odgovara projektu kako ga je odobrilo AV vijeće. \n \nRadno tijelo donijelo je, dana 28. listopada 2015. godine, Izvješće o Filmu Klasa: 111-018, Urbroj. 3619-\n2015 u kojem se u bitnome navodi sljedeće: Film je prikazan na Sarajevo film festivalu bez kolaudacije. \nUsporedbom snimljenog Filma sa scenarijem odobrenim za snimanje utvrđene su razlike koje utječu na \nnjegovu sadržajnu i doživljajnu dimenziju. Kao primjer istaknuli su da se u scenariju ne navodi da će jedan \nod protagonista biti srpski general Mile Novaković, osuđen kao ratni zločinac od hrvatskog suda, te da su \nsadržaj njegovih izjava i kontekst njihova prikazivanja u Filmu izravno utjecali na sadržajnu i doživljajnu \ndimenziju Filma. Preporučili su da se utvrde daljnje činjenice: Zašto Film nije kolaudiran i povučen sa SFF? \nZašto se neki ključni protagonisti pojavljuju u Filmu mimo scenarija koji je u postupku odobravanja \nsufinanciranja priložen HAVC-u te je li Producent obaviješten o tim promjenama? Je li Producent bio \nobaviješten o korištenju telopa u Filmu koji se također ne spominju u scenariju priloženom HAVC-u u \npostupku odobravanja sufinanciranja? \n \nNa 65. sjednici Hrvatskog audiovizualnog vijeća održanoj 1. studenog 2015. godine članovi radnog tijela \nusmeno su izložili svoje gore navedeno pisano Izvješće. Stručne službe HAVC-a upozorile su da su \nostvarene sve pretpostavke za raskid Ugovora o sufinanciranju između HAVC-a i Producenta te za \npodnošenje zahtjeva za povrat sredstava koje je HAVC već uplatio Producentu prije no što je Film protivno \nUgovoru o sufinanciranju prikazan na Sarajevo film festivalu te emitiran na RT Srbija. Članovi Hrvatskog \naudiovizualnog vijeća o tome su raspravljali i odlučili da je potrebno saznati od Producenta odgovore na \npitanja koja je u svojem izvješću postavilo radno tijelo jer je potrebno saslušati i drugu stranu. U tome smislu \nzatražili su od Producenta odgovore na pitanja navedena u Izvješću radnog tijela. \n \nHrvatsko audiovizualno vijeće jednoglasno je s osam (8) glasova „za“ i jednim (1) „suzdržan“ (gđa \nVukinovac Gelo, budući da nije prisustvovala raspravi) donijelo odluku da se hrvatski koproducent \ndokumentarnog filma „15 minuta“  Nukleus film d.o.o. pozove na pismeno očitovanje odnosno da odgovori \nna sljedeća pitanja radnog tijela: \n\n\f\n \n \n5 \n \n 1. \nZašto film nije kolaudiran na vrijeme odnosno sukladno odredbama Pravilnika odnosno nije povučen \nsa sarajevskog festivala s obzirom da nije bio prethodno kolaudiran od strane HAVC-a? \n 2. \nZbog čega se neki ključni protagonisti pojavljuju u filmu, a ne navode u predloženom treatmentu, \nodnosno da li je Nukleus film d.o.o. kao manjinski hrvatski producent bio obaviješten da će se učiniti \npromjena? \n 3. \nTijekom  filma pojavljuju se pisani telopi koji iznose informacije važne za okolnosti događaja koji \nfilm problematizira, a koji se također ne navode u treatmentu; da li je Nukleus film d.o.o. kao \nmanjinski hrvatski producent bio upoznat sa sadržajem navedenih telopa? \n \nHAVC je Producentu uputio dopis 26. studenog 2015. godine Klasa: 111-002, Urbroj: 4047-2015 u kojem ga \nse upozorava na njegove višestruke povrede Ugovora o sufinanciranju, poziva ga se da odgovori na gore \nnavedena pitanja koja je postavilo Hrvatsko audiovizualno vijeće te ga se poziva na dostavu potpunog \nFinancijskog izvještaja o Filmu u skladu s Ugovorom o sufinanciranju i drugim relevantnim propisima, sve u \nsmislu dostavljanja vjerodostojnih dokaza o namjenskom korištenju sredstava HAVC-a. \n \nU svome odgovoru na dopis HAVC-a od 26. studenog 2015. godine Producent dopisom od 1. prosinca 2015. \ngodine Klasa: 111-002, Urbroj: 4366-2015 u bitnome navodi da nije znao za izmjene te da nije imao dobru \nsuradnju s danskim producentom time priznajući neuredno ispunjenje ugovorom preuzetih obveza. Nadalje, \nProducent nije do dana donošenja predmetne odluke otklonio neuredno ispunjenje Ugovorom o \nsufinanciranju preuzetih obveza. \n \nNa 66. sjednici Hrvatskog audiovizualnog vijeća održanoj 23. prosinca 2015. godine ravnatelj je podsjetio \nčlanove vijeća na kronologiju događaja vezanih uz Film te neuredno izvršavanje obveza Producenta prema \nHAVC-u i danskom koproducentu te je izvijestio vijeće o svojem postupanju nastavno na upute i odluke \nvijeća sa 65. sjednice Hrvatskog audiovizualnog vijeća održane 1. studenog 2015. godine.  \n \nHrvatsko audiovizualno vijeće jednoglasno je sa sedam (7) glasova „za“  donijelo odluku da Nukleus film \nd.o.o., hrvatski manjinski koproducent dokumentarnog filma „15 minuta“ ima rok do sljedeće sjednice \nHrvatskog audiovizualnog vijeća izvršiti zaostale financijske obaveze prema danskom koproducentu i predati \nzavršno izvješće HAVC-u, a ukoliko ne izvrši navedeno morat će vratiti HAVC-u dobivena sredstva. \n \nProducent je HAVC-u 4. siječnja 2016. godine dostavio Dopis Klasa: 111-002, Urbroj: 84-2016 odvjetnika \nBorisa Jukića kojim se, očigledno na zahtjev Producenta, očituje o svom viđenju Filma ne navodeći ništa o \npravnim problemima vezanim uz Film. \n \nProducent je dana 29. ožujka 2016. godine uputio HAVC-u Dopis Klasa: 111-002, Urbroj: 1124-2016 u \nkojem konstatira da su „obustavili sve daljnje korake, uključujući finalizaciju financijskog izvještaja kao i \nizradu finalne kopije filma“ time priznajući da ni u daljnjem roku za ispunjenje nije ispunio Ugovorom o \nsufinanciranju preuzete obveze. \n \nNa 67. sjednici Hrvatskog audiovizualnog vijeća održanoj 30. ožujka 2016. godine predsjedavajuća vijeća  \nobavijestila je vijeće da su dobili mišljenje Upravnog odbora HAVC-a o činjeničnim i pravnim pitanjima \nvezano uz dokumentarni film „15 minuta“, a o kojem moraju raspravljati. Vijeće je obaviješteno da HAVC \nod Producenta do dana održavanja sjednice nije dobio uredni financijski izvještaj i tražene dokaze o \nnamjenskom trošenju sredstava te da je 29. ožujka 2016. godine HAVC dobio dopis u kojem Producent \nnavodi da su obustavili finalizaciju financijskog izvješća. Članovima vijeća su pročitane preporuke \nUpravnog odbora HAVC-a.  \n\n\f\n \n \n6 \n \n \nUtvrđene su gore citirane povrede Ugovora o sufinanciranju na strani Producenta. \nSlijedom svega navedenoga Hrvatsko audiovizualno vijeće jednoglasno je sa devet (9) glasova „za“ utvrdilo \nneuredno ispunjenje odnosno neispunjenje ugovorom preuzetih obveza, po Ugovoru o sufinanciranju \nproizvodnje filmskih koprodukcija s manjinskim udjelom 881-01-14/14, Klasa: 222-231-003-014, Urbroj: \n4349-2014 od 30. listopada 2014. godine, zaključen između producenta Nukleus film d.o.o. i Hrvatskog \naudiovizualnog centra. \n \nHrvatsko audiovizualno vijeće jednoglasno je sa devet (9) glasova „za“ donijelo odluku da se sukladno \nodredbama Pravilnika i citiranog ugovora producentu Nukleus film d.o.o. naloži povrat svih uplaćenih \nsredstava u ukupnom iznosu od 200.000,00 kn (slovima: dvjestotisuća kuna) zajedno sa pripadajućom \nzakonskom zateznom kamatom, tekućom od dana uplate.  \n \nHrvatsko audiovizualno vijeće jednoglasno je sa devet (9) glasova „za“ donijelo odluku da se producentu \nNukleus film d.o.o. naloži da sa svih kopija filma ukloni logo Hrvatskog audiovizualnog centra. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku \nobjaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić –Škarica, v.r. \n \n \n \n \n \nDostaviti: \n- \npismohrana, ovdje \n- \nNukleus film d.o.o., Dalmatinska 8, Zagreb \n \n \n \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2016,"rok":null,"referenced_projects":["15 minuta"],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 31. ožujka 2016. kojom se utvrđuje neuredno ispunjenje obveza producenta Nukleus film d.o.o. za dokumentarni kratkometražni film '15 minuta' (manjinska koprodukcija) te se nalaže povrat svih uplaćenih sredstava u ukupnom iznosu od 200.000,00 kuna sa zateznim kamatama i uklanjanje HAVC logotipa.","project_links":[{"source_title":"15 minuta","family_id":"pf_f9f6f2190222","family_title":"15 minuta","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati medjunarodna 1 rok 2021.pdf","filename_decoded":"rezultati medjunarodna 1 rok 2021.pdf","sha256":"ae739a9a66177cca7f06cd3563e27123bb12e46b96b28613bfdff2d170f449b3","bytes":34680,"page_count":1,"extracted_at":"2026-05-17T10:23:45Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20%20medjunarodna%201%20rok%202021.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENO\n1\nKata  Gugić\nPredstavljanje  filma  \"Cockpera\"  na  manifestaciji  \nFestival  of  Animation  Berlin\n1.673,71\n2\nStudio  u  šumi  d.o.o.\nPrimanje  nagrade  za  namjenski  animirani  film  na  \nART&TUR  Viseu  2020  -­  International  Tourism  \nFilm  Festivalu  u  Portugalu\n4.000,00\n3\nMatija  Drniković\nSudjelovanje  producenta  Matije  Drnikovića  na  \nprogramu  stručnog  usavršavanja  EAVE  \nMarketing  Workshop  2020.\n3.159,63\n4\nRestart\nSudjelovanje  redatelja  Antona  Mezulića  i  \nproducentice  Suzane  Erbežnik  s  filmom  \"Cordon\"  \nna  radionici  BDC  Discoveries  2020\n7.560,00\n5\nWolfgang  i  Dolly  \nd.o.o.\nSudjelovanje  Franka  Dujmića  i  Matije  Drnikovića  \nna  radionici  CEE  Animation  Workshop  2021.\n23.018,00\n6\nEclectica  d.o.o.\nSudjelovanje  dugometražnog  igranog  filma  \n\"Ostavi  vrata  otvorena\"  na  radionici  Midpoint  \nFeature  Launch  2021\n30.652,00\n7\nLEWA  productions  \nj.d.o.o.\nSudjelovanje  producentice  Magdalene  Petrović  u  \nprogramu  EAVE  Producers  Workshop  2021\n48.000,00\n118.063,34\nJAVNI  POZIV  ZA  DODJELU  SREDSTAVA  ZA  POTICANJE  KOMPLEMENTARNIH  DJELATNOSTI  U  \n2021.  -­  PROGRAMI  MEĐUNARODNE  SURADNJE  -­  ROK  12.1.2021.,  11.  sjednica  Hrvatskog  \naudiovizualnog  vijeća,  4.3.2021.\nUKUPNO\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"rezultati medjunarodna 1 rok 2021","year":2020,"rok":null,"natjecaj_date":"2021-01-12","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"JAVNI P OZIV Z A D ODJELU S REDSTAVA Z A P OTICANJE K OMPLEMENTARNIH D JELATNOSTI U 2021. - P ROGRAMI M EĐUNARODNE S URADNJE - R OK 1 2.1.2021., 1 1. s jednica H rvatskog audiovizualnog v ijeća, 4 .3.2021.","section_key":"javni_p_oziv_z_a_d_odjelu_s_redstava_z_a_p_oticanje_k_omplem","columns":["PODNOSITELJ","PROGRAM","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Predstavljanje filma \"Cockpera\" na manifestaciji Festival of Animation Berlin","applicant":"Kata Gugić","production_company":"Kata Gugić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.673,71","approved_amount":1673.71,"currency":"HRK","extras":{"col_1":"1","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kata G ugić","row_id":"ae739a9a:s0:18ab194c7c07","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 1: applicant, amount, and title all match. OCR spacing errors in title (f ilma, n a, o f, A nimation, B erlin) corrected by source text context.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Predstavljanje f ilma \" Cockpera\" n a m anifestaciji Festival o f A nimation B erlin","to":"Predstavljanje filma \"Cockpera\" na manifestaciji Festival of Animation Berlin","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kata G ugić","to":"Kata Gugić","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":"Kata G ugić","to":"Kata Gugić","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_8fdb5eae3d21","project_family_title":"Predstavljanje filma \"Cockpera\" na manifestaciji Festival of Animation Berlin"},{"row_number":2,"project_title":"Primanje nagrade za namjenski animirani film na ART&TUR Viseu 2020 - International Tourism Film Festivalu u Portugalu","applicant":"Studio u šumi d.o.o.","production_company":"Studio u šumi d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.000,00","approved_amount":4000.0,"currency":"HRK","extras":{"col_1":"2","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Studio u š umi d .o.o.","row_id":"ae739a9a:s0:5a973df00452","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 2: applicant and amount verified. Title has OCR spacing errors (n agrade, z a, n amjenski, a nimirani, f ilm, n a, V iseu, 2 020, I nternational, T ourism, F estivalu, u P ortugalu) corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Primanje n agrade z a n amjenski a nimirani f ilm n a ART&TUR V iseu 2 020 - I nternational T ourism Film F estivalu u P ortugalu","to":"Primanje nagrade za namjenski animirani film na ART&TUR Viseu 2020 - International Tourism Film Festivalu u Portugalu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Studio u š umi d .o.o.","to":"Studio u šumi d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":"Studio u š umi d .o.o.","to":"Studio u šumi d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_b9a7443ea1f0","project_family_title":"Primanje nagrade za namjenski animirani film na ART&TUR Viseu 2020 - International Tourism Film Festivalu u Portugalu"},{"row_number":3,"project_title":"Sudjelovanje producenta Matije Drnikovića na programu stručnog usavršavanja EAVE Marketing Workshop 2020.","applicant":"Matija Drniković","production_company":"Matija Drniković","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.159,63","approved_amount":3159.63,"currency":"HRK","extras":{"col_1":"3","entity_original_production_company":"Matija D rniković","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Matija Drniković","row_id":"ae739a9a:s0:29697dc09a64","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 3: applicant and amount verified. Title spacing errors (p roducenta, M atije, D rnikovića, n a, s tručnog, u savršavanja, E AVE, W orkshop, 2 020) corrected by source.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje p roducenta M atije D rnikovića n a programu s tručnog u savršavanja E AVE Marketing W orkshop 2 020.","to":"Sudjelovanje producenta Matije Drnikovića na programu stručnog usavršavanja EAVE Marketing Workshop 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_2db777234f24","project_family_title":"Sudjelovanje producenta Matije Drnikovića na programu stručnog usavršavanja EAVE Marketing Workshop 2020."},{"row_number":4,"project_title":"Sudjelovanje redatelja Antona Mezulića i producentice Suzane Erbežnik s filmom \"Cordon\" na radionici BDC Discoveries 2020","applicant":"Restart","production_company":"Restart","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.560,00","approved_amount":7560.0,"currency":"HRK","extras":{"col_1":"4","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Restart","row_id":"ae739a9a:s0:b69429b8c050","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 4: applicant and amount verified. Title spacing errors (r edatelja, A ntona, M ezulića, S uzane, E rbežnik, f ilmom, r adionici, B DC, D iscoveries, 2 020) corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje r edatelja A ntona M ezulića i producentice S uzane E rbežnik s f ilmom \" Cordon\" na r adionici B DC D iscoveries 2 020","to":"Sudjelovanje redatelja Antona Mezulića i producentice Suzane Erbežnik s filmom \"Cordon\" na radionici BDC Discoveries 2020","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_37e8920d3449","project_family_title":"Sudjelovanje redatelja Antona Mezulića i producentice Suzane Erbežnik s filmom \"Cordon\" na radionici BDC Discoveries 2020"},{"row_number":5,"project_title":"Sudjelovanje Franka Dujmića i Matije Drnikovića na radionici CEE Animation Workshop 2021.","applicant":"Wolfgang i Dolly d.o.o.","production_company":"Wolfgang i Dolly d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"23.018,00","approved_amount":23018.0,"currency":"HRK","extras":{"col_1":"5","entity_original_production_company":"Wolfgang i D olly d.o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Wolfgang i Dolly d.o.o.","row_id":"ae739a9a:s0:1fd4cfd6e485","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 5: applicant and amount verified. Title spacing errors (F ranka, D ujmića, M atije, D rnikovića, r adionici, C EE, A nimation, W orkshop, 2 021) corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje F ranka D ujmića i M atije D rnikovića na r adionici C EE A nimation W orkshop 2 021.","to":"Sudjelovanje Franka Dujmića i Matije Drnikovića na radionici CEE Animation Workshop 2021.","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_0fba811d9574","project_family_title":"Sudjelovanje Franka Dujmića i Matije Drnikovića na radionici CEE Animation Workshop 2021."},{"row_number":6,"project_title":"Sudjelovanje dugometražnog igranog filma \"Ostavi vrata otvorena\" na radionici Midpoint Feature Launch 2021","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.652,00","approved_amount":30652.0,"currency":"HRK","extras":{"col_1":"6","entity_original_production_company":"Eclectica d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Eclectica d.o.o.","row_id":"ae739a9a:s0:641eae2f75bd","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 6: applicant and amount verified. Title spacing errors (d ugometražnog, f ilma, v rata, o tvorena, n a, r adionici, L aunch, 2 021) corrected. 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Title spacing errors (p roducentice, M agdalene, P etrović, E AVE, P roducers, W orkshop, 2 021) corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje p roducentice M agdalene P etrović u programu E AVE P roducers W orkshop 2 021","to":"Sudjelovanje producentice Magdalene Petrović u programu EAVE Producers Workshop 2021","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_664c0cdd46a2","project_family_title":"Sudjelovanje producentice Magdalene Petrović u programu EAVE Producers Workshop 2021"}],"section_total_text":"118.063,34","section_total":118063.34}],"totals":{"ukupno_text":null,"ukupno":118063.34,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":118063.34,"ukupno_match":true,"row_count":7,"awarded_count":7,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":7}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje_dugi igrani_eksperimentalni_20062016.pdf","filename_decoded":"obrazlozenje_dugi igrani_eksperimentalni_20062016.pdf","sha256":"ae7734750e34a49e0266cbdbca63151d80b15f285c5ceead581932871dcd0c2f","bytes":538235,"page_count":3,"extracted_at":"2026-05-17T12:01:43Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje_dugi%20igrani_eksperimentalni_20062016.pdf"},"raw_text":" \n \n \n \nObrazloženje umjetničkih savjetnika po rezultatima Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2016. godini u kategoriji poticanja proizvodnje audiovizualnih djela za \ndugometražni igrani film (rok 20. lipnja 2016.) i za eksperimentalni film (rok 20. lipnja 2016.). \n \nJelena Paljan i Dean Šoša, umjetnički savjetnici za dugometražni igrani film:  \n \nCjelina projekata pristiglih na ovaj rok javnog poziva za poticanje proizvodnje igranih filmova \nobećava i dalje svijetle dane hrvatskoj kinematografiji. Ne znamo jesmo li sretni ili tužni zbog \ntemeljnog obilježja ovog natječaja: vrijednih i zanimljivih projekata bilo je više negoli novca \npotrebnog za njihovo financiranje. To je i razlog zbog čega su samo tri projekta predložena za \npotporu za produkciju (uz jedan projekt u postprodukciji). No vjerujemo da će se visoko ocijenjeni \nprojekti prijaviti na novi rok koji je relativno brzo te da će do tada imati vremena za još neke \ndorade. Tri projekta kojima je HAVC odobrio potporu ne mogu biti različitija žanrovski, tematski, \nstilski, dramaturški, no svima je zajedničko da su njihove priče duboko usidrene u hrvatsku \nstvarnost, ali istovremeno toliko univerzalne, zanimljive i umjetnički beskompromisne, da se \nimamo razloga nadati velikoj gledanosti u kinima, ali i inozemnom odjeku. \n \nZbornica \nProteklih godina, redateljica i scenaristica Sonja Tarokić stekla je, antologijskim kratkim filmovima,  \ntitulu jedne od naših najvećih filmskih nada. Projekt Zbornica trebao bi označiti njezin uspješan \ntransfer u dugometražni igrani film. Priča o mladoj profesorici i njezinoj socijalizaciji u školsku \nsredinu izuzetno je složeno koncipirana. Redateljska koncepcija i prethodni autoričin opus \nsugeriraju ozbiljan, originalan i vizualno nadahnut film koji bi mogao imati dug i uspješan festivalski \nživot. To navještaju i  hvalospjevi koje je Zbornica već zaradila u fazi razvoja projekta.  \n \nDržava \nRedatelj Vinko Brešan i scenarist Mate Matišić odgovorni su za neke od najgledanijih filmova u \nkinima samostalne Hrvatske. Njihov najnoviji projekt Država bit će, nadamo se, najsmješnija \nkomedija snimljena u samostalnoj Hrvatskoj.  Scenarij filma pun je originalnih motiva i apsurdnih, \nnadrealnih prizora kojima se nemoguće prestati smijati. Priča je duboko naša, no likovi i situacije \ntoliko su univerzalne i neočekivane, da bi ovaj film mogao postati i naš najjači filmski izvozni \nproizvod u europskim i svjetskim kinima. Iako su njezino prirodno stanište kinematografi, zbog \ninovativnosti i apsurdnosti,  Država bi mogla odlično proći i na velikim stranim festivalima.   \n \nMali je naš \nScenarist i redatelj Antonio Nuić režirao je tri uspješna cjelovečernja igrana filma. Ipak, mnogim je \nfilmofilima od svih njegovih radova još uvijek najdraža sjajna 'navijačka' epizoda koju je režirao na \npočetku karijere, unutar omnibusa Seks, piće i krvoproliće. Film Mali je naš oživljava likove \nspomenute epizode. Godinama kasnije, oni su još zanimljivi. Dijalozi su iznimno životni, jednako \n\n\f\n \n \n \n \nkao i milje u kojem se radnja odvija. Film je negdje na pola puta između festivala i kina i mogao bi \nproći dobro na oba bojna polja hrvatske kinematografije.  \n \nAnka \nOsim ovih filmova, potpomognut je i jedan u fazi kasne postprodukcije. To je dječji film Anka \nredatelja Dejana Aćimovića.   \nS obzirom na tradiciju potpore HAVC-a gotovim djelima ili djelima u postprodukcijskoj fazi koja \nzadovoljavaju standarde profesionalne kinematografije i imaju određeni distributerski i kino \npotencijal, dana je potpora projektu Anka redatelja Dejana Aćimovića. U njegovu su realizaciju \nuložena ozbiljna sredstva. Riječ je o filmu snimljenom na lokacijama, s međunarodnom glumačkom \nekipom i za standarde hrvatske kinematografije opsežnih CGI efekata, koji ima  veliki kino \npotencijal i vrijedi ga podržati, osobito u okolnostima kada u bližoj budućnosti naša \nkinematografija priprema svega jedan dječji film. U svojim recenzijama umjetnički će povjerenici \npredložiti određene dorade u smjeru poboljšanja projekta, u onoj fazi u kojoj je takvo što još \nmoguće, s obzirom na stupanj dovršenosti filma.  \n \n \nMirna Belina, umjetnička savjetnica za eksperimentalni film: \n \nNa prvi Javni poziv za poticanje proizvodnje audiovizualnih djela 2016. godine u kategoriji \neksperimentalnog filma prijavljeno je jedanaest projekata, od čega je devet zadovoljilo formalne \nuvjete natječaja. Za sufinanciranje predlažem jedan projekt: film probne makete, probne fotke, \nprobni setovi i početne ideje za neka zbivanja u dnevnoj sobi autorice Ane Hušman (Studio \nPangolin) u iznosu od 190.000 kuna.    \n \nOsnovni je kriterij bio umjetnička kvaliteta projekta, zatim njegov međunarodni prikazivačko-\nizlagački potencijal i doprinos razvoju (filmske) umjetnosti u domaćem kontekstu. Voljela bih \nistaknuti i kreativnost u pristupu te razumijevanje suvremenih kretanja u području \neksperimentalnog filma. Trudila sam se prepoznati i motivaciju autora da istražuje i \neksperimentira, odnosno da “misli film”. Smatram da je u autorskom filmu to itekako bitna \ndimenzija.  \n \nTe je kriterije zadovoljio projekt Ane Hušman radnog naslova probne makete, probne fotke, probni \nsetovi i početne ideje za neka zbivanja u dnevnoj sobi, koji se sufinancira s iznosom od 190.000 \nkuna (Studio Pangolin). Radi se o zanimljivom projektu koji nastavlja autoričino preispitivanje općih \nmjesta naše kulture i svakodnevice, u ovom slučaju dnevne sobe kao nekada središnjeg mjesta \nobiteljske socijalizacije, relaksacije, dokolice. Posebna je vrijednost redateljskog pristupa što se \ntemom bavi usvajajući i analizirajući jezik televizijskog medija sapunica koji je, smatram, tek \ndotaknut u domaćem filmu (Tribuson) i teoriji (Grdešić). U autoričinu pristupu sapunice služe kao \nmodel za propitivanje općeg narativa svakodnevice (naših odnosa s ljudima i objektima) i \n\n\f\n \n \n \n \npovratno, načine reprezentacije svakodnevice u (televizijskom) mediju. Eksperiment se temelji na \nrekonstrukciji ili zamišljanju svakodnevnih priča, koje su potaknute susjedima, predmetima u \nprostoru ili zvukovima, te izgradnji raznih maketa dnevne sobe u kojima se one zbivaju. Pitanje na \nkoje se pritom odgovara jest što, kako i zašto nastanjuje našu dnevnu sobu. Smatram da film ima \ndobar prikazivački potencijal – i u festivalskom i galerijskom kontekstu.  \n \nZaključno, od razmatranih devet projekata koji su formalno zadovoljili uvjete natječaja pet filmova \npripada autoricama, a četiri autorima. Javio se jedan debitant. Dva projekta prijavljuju se drugi put, \na dva su prijavljena u postprodukcijskoj fazi.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje proizvodnja dugometraz_ni dokumentarni 2. rok 2025.pdf","filename_decoded":"web obrazlozenje proizvodnja dugometraz_ni dokumentarni 2. rok 2025.pdf","sha256":"ae9ef1972e549b78c7f41a3233ffce53a443d1831e5a6dabf7bd6dc7f6918814","bytes":81994,"page_count":3,"extracted_at":"2026-05-17T12:01:52Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20proizvodnja%20dugometraz%CC%8Cni%20dokumentarni%202.%20rok%202025.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 2. ROK, 2025. \nDOKUMENTARNI FILM, UMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER  \nKATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - DUGOMETRAŽNI DOKUMENTARNI FILM – 11. \nrujna 2025.  \n \nOPĆI OSVRT  \n \nNa javni poziv u kategoriji proizvodnje dugometražnog dokumentarnog filma u 2. roku 2025., \nprijavljeno je sveukupno 16  projekata.  Od njih 16, dva nisu razmatrana – jedan zbog nepotpune \ndokumentacije, drugi zbog premašenog broja prijava jednog autora.   \n \nU smislu onoga što je recentna dokumentaristika danas, valja reći pred kraj mandata ovog \numjetničkog savjetnika, kako se čini da polako na scenu ulazi nova generacija autora koja uz \nrenomirana imena stvara ravnopravni balans u smislu transgeneracijske tematike, koja donosi \nautorski interes i onih čije filmsko promišljanje do sada nismo vidjeli. Ovo ističem uzimajući u obzir \ncjelokupni zbir prijava na ovaj poziv, ne samo one koje predlažem da dobiju potporu HAVC-a. Od \ntih, jedan jest debitant u dugoj dokumentarnoj formi, no ono što može veseliti da i među onima \nkoji nisu odobreni ima vrlo dobrih prijedloga. Za razliku od nekih poziva, tijekom ovog mandata, \nono što također može veseliti jest činjenica da se smanjio broj ponovnih prijava odbijenih projekata \nu gotovo istoj verziji, bez ikakva napretka naspram onih prijava koje su dobile negativnu recenziju. \nNije da su posve nestali, ali se njihov broj znatno smanjio.  \n \nSama pak tematika prijavljenih projekta sve je različitija, od onih osobnih projekata u kojima je \nautor i protagonist, preko društveno relevantne tematike, do one iz Domovinskog rata. Vjerujem \nda će se taj trend nastaviti i u sljedećem razdoblju, što me osobno i kao autora veseli. U tom smislu \nHAVC kao institucija, pokazuje da je relevantna za ovu vrst prijave dokumentarnih projekata, i time \nnjeguje različitost dokumentarnog izričaja u vremenu kada dokumentarni naslovi poput onaj Igora \nBezinovića Fiume o morte!, doživljavaju velike uspjehe ne samo na nacionalnoj razini već i na \nmeđunarodnoj festivalskoj sceni. Velika je to stvar, uzimajući u obzir zapravo budžetne mogućnosti \novog Centra u kojem je jasno vidljiv trud da se proizvodnji dokumentarnog filma pomogne da bude \nodrživa, ali uz koji gajim nadu da će upravo uspjesi hrvatskog dokumentarnog filma, još više \nosvijestiti naklonost u financijskom smislu onih koji taj budžet ovome Centru dodjeljuju.  \n \nZaključno, odobreno je ukupno  6 projekata za sufinanciranje u ovoj kategoriji, u ukupnom iznosu \nod 311.000,00 eura. Svaki od odobrenih projekta različit je od onog drugog potvrđujući upravo \nspomenutu različitost u tematici hrvatskog dokumentarnog filma, ili pak u autorskom pristupu, \ndajući gledatelju, uvjeren sam, dokumentarni naslov utemeljen na društvenoj relevantnosti i s \njasnom vizijom kreativnosti autora, te njegove umjetničke vrijednosti. \n \n \n \n \n \n \n\n\f\n1. BEZBROJ  POLJUBACA – Alessio Bozzer, Ivana Marinić Kragić (redatelji/scenaristi) / Ivana \nMarinić Kragić (producentica) / Udruga Marinis Media (produkcija) - 65.000,00 eur  \n \nKoredatelji, ujedno i koscenaristi ovog projekta Alessio Bozzer i Ivana Marinić Kragić, već u svom \nsinopsisu nude zanimljivu, hrvatsko-italo ili italo-hrvatsku priču o glazbi, pjesmama koje se nisu \nobazirale na granice koje je postratna Europa dogovorno ocrtala. Nastala hladnoratovska zavjesa, \nkoja se politički nametnula između Italije i tadašnje Jugoslavije, a današnje Hrvatske, glazbeno je \nbila porozna. Ovaj projekt govori upravo o tom razdoblju, između pedesetih i sedamdesetih godina \nprošlog stoljeća, kada su pjesme Nille Pizzi, Pina Donaggia, Domenica Modugna, Rite Pavone, Gine \nPaolija ili pak Sergia Endriga otpjevane na festivalu talijanske glazbe Sanremo, potom putem \nradijskih valova, ili pak gramofonskih ploča u kratko vrijeme došli do publike s ove strane Jadrana. \nPutem izvedbi verzija koje su otpjevali izvođači poput Ive Robića, Arsena Dedića, Gabi Novak, \nTereze Kesovije ili Radojke Šverko... Pjesma 24.000 baci, Adriana Celentana postala je i svojevrsna \nhimna jedne generacije. „La musica camina da sola – Glazba hoda sama“ – izjava je jednog \nsugovornika u ovom filmu, talijanskog glazbenika Pina Donaggia, koja jasno ocrtava o čemu ovaj \nfilm govori. \n \n2. IZ PEPELA LIPIKA– Tena Perišin, Janet Harris (redateljice) Janet Harris (scenaristica) / Ana Krce \n(producentica) / Manevar d.o.o. (produkcija) - 60.000,00 eur  \n \nIznimno je potresna i dramatična priča o sirotištu u Lipiku, stradalom u ratu koje je trudom \nbritanskog pukovnika Marka Cooka obnovljeno, nakon njegove kampanje da se sirotište spasi. U \nsvemu tome sudjeluje i tetka protagonista filma Daniela Topića, Marija Topić. Njena smrt, motor \nje Danielove želje da uz pomoć kolege Petra Cvirna napiše scenarij za dramsku seriju inspiriranu \nnjenim životom. Ono što autorice ovog projekta, Tena Perišin i Janet Harris nude (obje iskusne \nautorice, s iznimnim dokumentarističkim radom na dvije javne televizije – HRT i BBC), i više je nego \nli samo obično svjedočanstvo. \n \n \n3. IZA OTVORENIH VRATA – Nikola Kuprešanin (redatelj/scenarist),  Ena Rahelić (producentica) \n/ Festival mediteranskog filma Split (produkcija) -  60.000,00 eur  \n \nPitanje osobne „psihološke higijene“, na prvu kada se ta tema spominje, biva nerijetko tretirana \nriječima poput – pa daj, to je tako passé, zar ne?! Jer o toj temi se govori u javnom prostoru, nije li \ntako? I to više nije tabu tema ovog društva? No, je li baš tome tako? Čitajući nekoliko verzija ovog \nprojekta, autora Nikola Kuprešanina, u njegovih nekoliko razvojnih faza kroz ovaj mandat, \nsvjesnost da je ova tema još uvijek tabu u našem društvu ipak je sve veća. Nikola u okruženju dviju \nžena terapeutkinja, svoje supruge i one koju je odabrao da joj se povjerava, dokaz je da i naizgled \nalfa muškarac može imati slabosti i da zbog toga nije manje vrijedan. Sama činjenica da ovaj \nostvareni autor, riskira (osobno i profesionalno) govoreći o tome pred kamerama, jedan je od onih \ndokumentarističkih momenata kojima se nadate u nekom dokumentarnom projektu osobne \nprirode. \n \n \n\n\f\n4. PREDRAG LUCIĆ: HOMO LUDENS S NAŠEG ŠTEKATA – Ines Pletikos, Kruno Petrinović \n(redateljica/scenaristi) / Tamara Babun Zovko, Matija Drniković  (producenti) / Wolfgang i Dolly \nd.o.o. (produkcija) - 61.000,00 eur  \n \nPričati priču o Predragu Luciću iznimno je veliki izazov. Bilo da se radi o pisanoj priči ili novinarskoj. \nKada se pak radi o filmskoj priči, stvari postaju još kompliciranije. Autorica Ines Pletikos svjesna \nulazi u taj rizik, i kroz nekoliko prijava s tim izazovom nosi se ustrajno. U ovoj prijavi njenom \nautorskom timu pridružuje se koscenarist, Kruno Petrinović s kojim je koscenaristički autorica već \nsurađivala na svojim prošlim projektima i čini se da je uvođenje ove vrste dodatnog scenarističkog \nokulara u njen projekt, dobra autorska odluka. I čini se da su autori uspjeli pred čitatelja iznijeti tu \nvrstu pomaknutosti opusa njihova protagonista, čiju su biografiju odlučili ispričati. S dojmom da će \ntakvo što u konačnici uspjeti i pred filmskom publikom učiniti. \n \n \n5. SEDMI KOLAP – David Lušičić (redatelj/scenarist/producent) / Greta Creative Network \n(produkcija) – 45.000,00 eur  \n \nPrvi put se susrećem s ovim projektom autora Davida Lušičića, koji je do sada uspješno prošao faze \nrazvoja pred prijašnjim umjetničkim savjetnicima. Ono što sam prije čitanja njegova projekta imao, \njest dojam o njegovom dosadašnjem filmskom opusu koji je i više nego li dovoljan da se stvori stav \nkako se radi o vrlo ozbiljnom autoru koji u ovom projektu donosi temu koja nudi spoj od onog \nnačelnog, etnografskog do fenomenološkog, društveno relevantnog sadržaja koji na vrlo plastičan \nnačin oslikava ne samo život jednog otoka, kroz jedan ples, već cijelog jednog društva. Moreška \nkao simbol, ali i predložak dramaturške strukture (sedam plesnih figura kolapa – sedam poglavlja \nfilma) zapravo funkcionira izvrsno. Uz to, iznijeti problematiku koja se tiče lokalne politike, \nideoloških ili interesnih razlika, temu sukoba oko građevinskih projekata koji bi mogli uzrokovati \nrušenja kulturne baštine na tom otoku, zvuči kao svojevrsni društveno-politički triler. Kojem se \nunaprijed radujem. \n \n \n6. SOKOL - NEZAUSTAVLJIV KAO SUDBINA – Eduard Galić (redatelj / scenarist) / Dominik Galić  \n(producent) / Umjetnička organizacija MissArt (produkcija) – 20.000,00 eur  \n \nU vrijeme dok ponovno prolazim napisanu recenziju za ovaj dokumentarni film, Sokol, autora \nEduarda Galića, brojka gledatelja koji su pogledali ovaj dokumentarac polako se bliži onoj od 20-ak \ntisuća. Prema službenim podacima u prvom vikendu pogledalo ga je 6.884 gledatelja, što ga čini \ndokumentarnim filmom s najboljim otvaranjem distribucije u Hrvatskoj. Svoju prijavu HAVC-u \nautor i produkcijska kuća pred premijeru utemeljeno koncipiraju kao postprodukcijsku prijavu za \nkoju postoji i više nego li dovoljno razloga da se odobri. Govoreći o jednom od junaka Domovinskog \nrata, za kojeg do ovog filma veliki broj hrvatskih građana nije znao, Velimiru Đereku-Sokolu sve \nono što njegova obitelj, suborci, okolina govore pred Galićevom kamerom upućuje na priču jednog \nodlučnog mladog čovjeka da pomogne gradu u kojem nije rođen i njegovim stanovnicima, iako je \nnjegov rodni grad na drugom kraju zemlje. Iz svoje sigurnosti, krenuo je ka nesigurnosti. U kojoj je \nna kraju izgubio život. 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sredstava prema Javnom pozivu za poticanje \naudiovizualnih djelatnosti i stvaralaštva u 2017. godini, u kategoriji \npoticanja razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova (3. rok: 10. listopada \n2017.).\nBoško Picula, umjetnički savjetnik za animirani film:\nNa Javni poziv u trećem roku u potkategoriji razvoja scenarija prijavljena \nsu četiri rada, dok u potkategoriji razvoja projekata nije prijavljen nijedan \nprojekt. U konačnici su na roku razmatrane četiri prijave, isključivo \nscenarija. Kriteriji predlaganja projekta za financiranje razvoja scenarija \ntemelje se razrađenosti sinopsisa i treatmenta, originalnosti priče, \nnarativne zaokruženosti te izvedivosti realizacije scenarija.    \nZa financiranje razvoja scenarija predložena su dva projekta po 25.000 \nkuna. Ukupan iznos predloženih sredstava jest 50.000,00 kuna.\nNa treći javni poziv za razvoj scenarija i projekata u 2017.-oj stigao je isti \nbroj prijava kao i na drugom roku, ali se sve četiri prijave odnose na \npotkategoriju razvoja scenarija, dok u potkategoriji razvoja projekata nije \nbilo prijava što je presedan u kontekstu posljednje dvije godine. Za \nfinanciranje je predložen scenarij Igra bogova autora Božidara Trkulje \nkoji je naveden kao scenarist i redatelj planiranog filma. Riječ je o \nstudiozno pripremljenom tekstu koji se temom, likovima i amimacijskom \ntehnikom nastavlja, zapravo proširuje autorov recentni kratkometražni \nanimirani film Posljednji izazov. I dok je u njemu tehnikom stop-animacije \nuspješno dočarao nadmetanje skupine središnjih likova u žanru \nfantastike, scenarij planiranoga dugometražnog animiranog filma u \ntrajanju od 70 minuta razvija kontekst priče kroz skupinu bogova koja \nradi vlastite razonode na Zemlju spušta neprocjenjivi gral kao predmet \nžudnje lovaca na njega. Iako reinterpretira poznate motive ovog žanra, \nscenarij na iznimno duhovit i maštovit način, uz efektnu profilaciju likova i \nkaskadno vođenu radnju te u sinergiji s izabranom animacijskom \ntehnikom postavlja temelje za prvi hrvatski dugometražni animirani film \nrealiziran stop-animacijom. Za financiranje se predlaže i scenarij \nKonradova prodavaonica ptica koji je zamišljen za realizaciju \npolusatnog filma namijenjenog prvotno dječjoj publici. Autorica mu je \nnagrađivana književnica za djecu i mlade Nena Lončar koja je u tekstu \nna originalan način progovorila o slobodi kao jednoj od najvećih \n\n\f\nvrijednosti te o ljudskoj brizi za druga bića. Središnji je lik naslovni dječak \nkoji živeći s bakom na selu odmalena obožava ptice, ali je nakon njezine \nsmrti prisiljen na posve drukčiji način života u gradu ne odustajući od \nsvojih snova. Metaforičan, zapletom i karakterima čvrst te u konačnici \nizvediv u predloženom trajanju, scenarij pruža dovoljno elemenata za \npotporu u ovoj fazi rada na filmu.\n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2017,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"proizvodnja web dokumentarni obrazlozenje 17062019.pdf","filename_decoded":"proizvodnja web dokumentarni obrazlozenje 17062019.pdf","sha256":"afbb48aca0aa9ed1fd15964e49e382b6bc89ec79bf9a4f52954b882f2d74f76c","bytes":59118,"page_count":3,"extracted_at":"2026-05-17T12:01:46Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/proizvodnja%20web%20dokumentarni%20obrazlozenje%2017062019.pdf"},"raw_text":"1\t\r  \n\t\r  \n\t\r  Katarina\t\r  Zrinka\t\r  Matijević,\t\r  umjetnička\t\r  savjetnica\t\r  za\t\r  dokumentarni\t\r  film\t\r  \nNa\t\r  javni\t\r  poziv\t\r  u\t\r  kategoriji\t\r  proizvodnje\t\r  dokumentarnog\t\r  filma\t\r  na\t\r  1.\t\r  roku\t\r  \t\r  (17.06.2019.)\t\r  prijavljeno\t\r  je\t\r  sveukupno\t\r  \n43\t\r  projekta.\t\r  \t\r  \n\t\r  \n26\t\r  projekata\t\r  –\t\r  DUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\t\r  \t\r  \n\t\r  \nPrijave\t\r  su\t\r  stigle\t\r  iz\t\r  21\t\r  produkcijske\t\r  kuće,\t\r  a\t\r  potpisuju\t\r  ih\t\r  16\t\r  autora\t\r  i\t\r  15\t\r  autorica.\t\r  Razmatrali\t\r  su\t\r  se\t\r  svi\t\r  projekti.\t\r  \n\t\r  \n17\t\r  projekata\t\r  –\t\r  KRATKOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\t\r  \t\r  \n\t\r  \nPrijave\t\r  su\t\r  stigle\t\r  iz\t\r  15\t\r  produkcijskih\t\r  kuća,\t\r  a\t\r  potpisuje\t\r  ih\t\r  13\t\r  autora\t\r  i\t\r  6\t\r  autorica.\t\r  \nRazmatrali\t\r  su\t\r  se\t\r  svi\t\r  projekti.\t\r  \t\r  \n\t\r  \nNa\t\r  1.\t\r  rok\t\r  proizvodnje\t\r  prijavilo\t\r  se\t\r  za\t\r  produkciju,\t\r  ali\t\r  i\t\r  u\t\r  fazi\t\r  postprodukcije\t\r  veliki\t\r  broj\t\r  kvalitetnih\t\r  projekata.\t\r  \t\r  Za\t\r  \nrazliku\t\r  od\t\r  prijašnjih\t\r  rokova,\t\r  na\t\r  ovaj\t\r  rok\t\r  pristigao\t\r  je\t\r  veliki\t\r  broj\t\r  visokobudžetnih\t\r  dugometražnih\t\r  dokumentarnih\t\r  \nfilmova.\t\r  Trend\t\r  visokobudžetnih\t\r  kvalitetnih\t\r  dokumentarnih\t\r  filmova\t\r  očito\t\r  raste\t\r  te\t\r  je\t\r  za\t\r  očekivati\t\r  da\t\r  se\t\r  HAVC\t\r  \ntome\t\r  prilagodi.\t\r  \t\r  Za\t\r  sufinanciranje\t\r  predlaže\t\r  se\t\r  sve\t\r  skupa\t\r  15\t\r  projekata:\t\r  9\t\r  dugometražnih\t\r  od\t\r  kojih\t\r  je\t\r  jedan\t\r  u\t\r  \npostprodukcijskoj\t\r  fazi,\t\r  te\t\r  6\t\r  kratkometražnih\t\r  dokumentarnih\t\r  filmova\t\r  od\t\r  kojih\t\r  su\t\r  2\t\r  u\t\r  postprodukcijskoj\t\r  fazi.\t\r  \nProjekti\t\r  dolaze\t\r  iz\t\r  14\t\r  produkcijskih\t\r  kuća,\t\r  a\t\r  potpisuje\t\r  ih\t\r  7\t\r  autorica\t\r  i\t\r  8\t\r  autora.\t\r  Tematski\t\r  i\t\r  kreativno\t\r  potpuno\t\r  su\t\r  \nrazličiti.\t\r  Od\t\r  povijesnih\t\r  koji\t\r  su\t\r  vezani\t\r  za\t\r  različita\t\r  razdoblja,\t\r  preko\t\r  glazbenih\t\r  do\t\r  eseističkih\t\r  i\t\r  konceptualnih\t\r  \ndokumentarnih\t\r  filmova.\t\r  Tri\t\r  su\t\r  projekta\t\r  \t\r  hibridne\t\r  vrste,\t\r  jedan\t\r  dokumentarno\t\r  animirani,\t\r  te\t\r  dva\t\r  dokumentarno\t\r  \nigrano\t\r  eksperimentalna.\t\r  \t\r  \nPOTICANJE\t\r  PROIZVODNJE\t\r  DUGOMETRAŽNIH\t\r  DOKUMENTARNIH\t\r  FILMOVA:\t\r  \n1.\t\r  ALICE,\t\r  scenaristica\t\r  Tatjana\t\r  Božić,\t\r  \t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Zhanna\t\r  Agalakova,\t\r  Lewa\t\r  productions\t\r  j.d.o.o.\t\r  \nOvo\t\r  je\t\r  projekt\t\r  koji\t\r  osvaja\t\r  svojim\t\r  trailerom\t\r  u\t\r  kojem\t\r  se\t\r  na\t\r  dirljiv,\t\r  iskren,\t\r  poetičan,\t\r  topao,\t\r  ali\t\r  i\t\r  ciničan,\t\r  mučan\t\r  \nnačin\t\r  propituje\t\r  odnos\t\r  majke\t\r  i\t\r  kćeri.\t\r  \t\r  Autorica\t\r  filma,\t\r  Zhanna,\t\r  ruska\t\r  je\t\r  novinarka\t\r  sa\t\r  USA\t\r  adresom.\t\r  Zhanna\t\r  osjeća\t\r  \nda\t\r  gubi\t\r  vezu\t\r  sa\t\r  svojom\t\r  zapadnjački\t\r  orijentiranom\t\r  kćeri\t\r  te\t\r  ju\t\r  odlučuje\t\r  povesti\t\r  na\t\r  putovanje\t\r  po\t\r  Rusiji,\t\r  u\t\r  potrazi\t\r  \nza\t\r  zajedničkim\t\r  korijenima.\t\r  Kćer\t\r  ima\t\r  otpor\t\r  sudjelovati\t\r  jer\t\r  u\t\r  svemu\t\r  tome\t\r  vidi\t\r  samo\t\r  još\t\r  jednu\t\r  porciju\t\r  majčine\t\r  \npropagande.\t\r  Način\t\r  na\t\r  koji\t\r  autorica\t\r  propituje\t\r  tu\t\r  univerzalnu\t\r  temu\t\r  –\t\r  majčinstvo,\t\r  toliko\t\r  je\t\r  dobro\t\r  napravljeno\t\r  da\t\r  \nbi\t\r  bilo\t\r  šteta\t\r  ne\t\r  podržati\t\r  projekt\t\r  koji\t\r  osim\t\r  koscenaristice\t\r  ima\t\r  i\t\r  hrvatsku\t\r  producenticu.\t\r  \t\r  \nodobreno:\t\r  400.000,00\t\r  kn\t\r  \n\t\r  \n2.\t\r  FIUME\t\r  O\t\r  MORTE,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Igor\t\r  Bezinović,\t\r  Restart\t\r  \nDokumentarno-­‐‑igrani\t\r  autorski\t\r  prikaz\t\r  kronologije\t\r  D’Annunzijevog\t\r  osvajanja\t\r  Rijeke\t\r  1919.\t\r  godine.\t\r  Fiktivni\t\r  \nNarator\t\r  priča\t\r  svoje\t\r  osobno\t\r  svjedočanstvo\t\r  o\t\r  tom\t\r  povijesnom\t\r  događaju.\t\r  Eklektični\t\r  vizualni\t\r  pristup\t\r  u\t\r  kojem\t\r  se\t\r  \nrekonstrukcijama\t\r  scena,\t\r  glumljenim\t\r  scenama\t\r  od\t\r  strane\t\r  današnjih\t\r  Riječana\t\r  te\t\r  arhivima\t\r  (snimkama\t\r  i\t\r  \nfotografijama)\t\r  u\t\r  javnom\t\r  prostoru\t\r  i\t\r  kolektivnom\t\r  pamćenju\t\r  građana\t\r  želi\t\r  oživiti\t\r  razdoblje\t\r  u\t\r  kojima\t\r  je\t\r  njihov\t\r  \nmultikulturni\t\r  provincijski\t\r  grad\t\r  doživio\t\r  neočekivanu\t\r  i\t\r  burnu\t\r  transformaciju.\t\r  Projekt\t\r  je\t\r  podržan\t\r  i\t\r  na\t\r  razvoju\t\r  \nscenarija\t\r  i\t\r  na\t\r  razvoju\t\r  projekata\t\r  pri\t\r  HAVCu.\t\r  \nodobreno:\t\r  800.000,00\t\r  kn\t\r  \n\t\r  \n3.\t\r  IZGUBLJENA\t\r  KOLONIJA,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Edi\t\r  Mužina,\t\r  Stvaralačka\t\r  mreža\t\r  Zebra\t\r  \nOvaj\t\r  film\t\r  donosi\t\r  etnografsko\t\r  povijesno\t\r  zanimljivu\t\r  priču\t\r  o\t\r  mogućoj\t\r  sudbini\t\r  dubrovačke\t\r  karake\t\r  koja\t\r  je\t\r  \npočetkom\t\r  šesnaestog\t\r  stoljeća\t\r  otplovila\t\r  prema\t\r  Americi\t\r  i\t\r  nikada\t\r  se\t\r  nije\t\r  vratila.\t\r  \t\r  Pedeset\t\r  godina\t\r  nakon\t\r  tog\t\r  \ndogađaja,\t\r  točnije\t\r  1584.\t\r  engleski\t\r  kolonisti\t\r  stupaju\t\r  na\t\r  američko\t\r  tlo.\t\r  Tu\t\r  susreću\t\r  domoroce\t\r  čudnog\t\r  izgleda,\t\r  plave\t\r  \nkose\t\r  i\t\r  očiju.\t\r  Nitko\t\r  do\t\r  danas\t\r  ne\t\r  zna\t\r  njihovo\t\r  podrijetlo.\t\r  Zovu\t\r  se\t\r  Croatani,\t\r  a\t\r  koriste\t\r  i\t\r  puno\t\r  riječi\t\r  koje\t\r  su\t\r  slične\t\r  \nnašim\t\r  riječima.\t\r  Projekt\t\r  je\t\r  do\t\r  sada\t\r  podržan\t\r  i\t\r  na\t\r  razvoju\t\r  scenarija\t\r  i\t\r  na\t\r  razvoju\t\r  projekata\t\r  pri\t\r  HAVCu.\t\r  \nodobreno:\t\r  500.000,00\t\r  \t\r  kn\t\r  \t\r  \n\t\r  \n4.\t\r  LAŽLJIVI\t\r  TEPIH,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Željka\t\r  Sukova,\t\r  Udruga\t\r  Ukus\t\r  \nKroz\t\r  dokufikcijsku\t\r  komediju\t\r  autorica\t\r  želi\t\r  zabilježiti\t\r  odrastanje\t\r  nekoliko\t\r  djece\t\r  na\t\r  izoliranom\t\r  i\t\r  od\t\r  stvarnosti\t\r  \nudaljenom\t\r  otoku.\t\r  Lažljivi\t\r  tepih\t\r  također\t\r  reflektira\t\r  prirodu\t\r  vjere\t\r  i\t\r  mistifikacije\t\r  te\t\r  njene\t\r  utjecaje\t\r  na\t\r  život\t\r  u\t\r  maloj\t\r  \nsredini.\t\r  Projekt\t\r  je\t\r  inspiriran\t\r  autentičnim\t\r  mjestom;\t\r  selom\t\r  Beli,\t\r  smještenim\t\r  unutar\t\r  guste\t\r  bajkovite\t\r  hrastove\t\r  \n\n\f\n2\t\r  \n\t\r  \nšume\t\r  Tramuntane\t\r  na\t\r  otoku\t\r  Cresu,\t\r  lokalnim\t\r  stanovništvom\t\r  i\t\r  njihovim\t\r  životnim\t\r  ritmom,\t\r  običajima,\t\r  legendama\t\r  i\t\r  \ntradicijom.\t\r  \t\r  \t\r  Ovo\t\r  je\t\r  projekt\t\r  koji\t\r  se\t\r  pod\t\r  okriljem\t\r  HAVCa,\t\r  Programa\t\r  kreativna\t\r  Europa\t\r  i\t\r  Kulture\t\r  Nove\t\r  razvija\t\r  od\t\r  \n2014.\t\r  godine.\t\r  Autentičan,\t\r  poetičan,\t\r  kreativno\t\r  specifičan\t\r  trailer\t\r  i\t\r  zanimljiv\t\r  scenarij\t\r  obećavaju\t\r  festivalski\t\r  hit.\t\r  \nProjekt\t\r  je\t\r  podržan\t\r  i\t\r  na\t\r  razvoju\t\r  scenarija\t\r  i\t\r  na\t\r  razvoju\t\r  projekata\t\r  pri\t\r  HAVCu.\t\r  \nodobreno:\t\r  350.000,00\t\r  kn\t\r  \n\t\r  \n5.\t\r  OBALNO\t\r  ŠETALIŠTE,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Silvio\t\r  Mirošničenko,\t\r  Četiri\t\r  film\t\r  d.o.o.\t\r  \nOpservacijsko\t\r  -­‐‑\t\r  poetski\t\r  prikaz\t\r  neposrednih\t\r  ljudskih\t\r  odnosa\t\r  osoba\t\r  koje\t\r  su\t\r  vezane\t\r  za\t\r  šetalište\t\r  Franza\t\r  Josefa\t\r  I\t\r  \nkoje\t\r  se\t\r  proteže\t\r  od\t\r  Voloskog\t\r  do\t\r  Lovrana.\t\r  Magičan\t\r  prikaz\t\r  mora,\t\r  ljudi\t\r  i\t\r  građevina\t\r  koji\t\r  se\t\r  skladno\t\r  prožimaju\t\r  bez\t\r  \npuno\t\r  suvišnih\t\r  riječi.\t\r  \t\r  Scenarij\t\r  za\t\r  film\t\r  razvijen\t\r  je\t\r  pri\t\r  HAVCu.\t\r  \nodobreno:\t\r  300.000,00\t\r  kn\t\r  \n\t\r  \n6.\t\r  OTKRIVAJUĆI\t\r  GEU,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Ivan\t\r  Perić,\t\r  Udruga\t\r  za\t\r  filmsko\t\r  i\t\r  scensko\t\r  stvaralaštvo\t\r  Odjel\t\r  za\t\r  \nvizije\t\r  produkcija\t\r  \nAutor\t\r  filma\t\r  prati\t\r  svoju\t\r  djevojku\t\r  Mariju\t\r  dok\t\r  ona\t\r  „prati“\t\r  životni\t\r  put\t\r  svoje\t\r  pratete\t\r  isključivo\t\r  preko\t\r  ostavštine\t\r  koja\t\r  \nje\t\r  zatvorena\t\r  u\t\r  četiri\t\r  zida.\t\r  Prateta\t\r  je\t\r  pokojna\t\r  fotografkinja\t\r  Gee\t\r  Radić\t\r  Koening,\t\r  a\t\r  četiri\t\r  zida\t\r  njezina\t\r  stana\t\r  nalaze\t\r  \nse\t\r  u\t\r  New\t\r  Yorku\t\r  na\t\r  Manhattanu\t\r  u\t\r  zgradi\t\r  Westbeth\t\r  unutar\t\r  koje\t\r  su\t\r  znanstvenici\t\r  stvorili\t\r  brojne\t\r  izume\t\r  koji\t\r  su\t\r  \noblikovali\t\r  današnji\t\r  svijet.\t\r  U\t\r  njoj\t\r  su\t\r  nakon\t\r  1970.\t\r  živjeli\t\r  i\t\r  djelovali\t\r  neki\t\r  od\t\r  najvećih\t\r  umjetnika\t\r  našeg\t\r  vremena,\t\r  \nmeđu\t\r  kojima\t\r  je\t\r  bila\t\r  i\t\r  Gea.\t\r  Marija\t\r  tako\t\r  dolazi\t\r  u\t\r  zgradu\t\r  kako\t\r  bi\t\r  sakupila\t\r  preostale\t\r  stvari\t\r  iz\t\r  stana\t\r  i\t\r  otvorila\t\r  \nzaboravljene\t\r  prostorije\t\r  i\t\r  ladice\t\r  kako\t\r  Geinog\t\r  života\t\r  tako\t\r  i\t\r  Westbetha.\t\r  Film\t\r  bi\t\r  trebao\t\r  kuluminirati\t\r  izložbom\t\r  koju\t\r  \nMarija\t\r  misli\t\r  napraviti\t\r  nakon\t\r  povratka\t\r  svih\t\r  Geinih\t\r  stvari\t\r  u\t\r  Hrvatsku.\t\r  \nodobreno:\t\r  320.000,00\t\r  kn\t\r  \n\t\r  \n7.\t\r  PLASTIČNI\t\r  DISKOVI\t\r  I\t\r  KOTAČI\t\r  OD\t\r  ČELIKA,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Franko\t\r  Dujmić,\t\r  Wolfgang\t\r  i\t\r  Dolly\t\r  d.o.o.\t\r  \nFranko\t\r  želi\t\r  snimiti\t\r  film\t\r  o\t\r  jugoslavenskom\t\r  funku\t\r  i\t\r  opsesiji\t\r  pločama\t\r  jer\t\r  je\t\r  i\t\r  sam\t\r  strastveni\t\r  sakupljač\t\r  ploča\t\r  od\t\r  \nsvoje\t\r  17-­‐‑e.\t\r  U\t\r  potrazi\t\r  je\t\r  za\t\r  singlicom\t\r  “Ulica\t\r  jorgovana”,\t\r  točnije\t\r  njezinom\t\r  B\t\r  stranom\t\r  na\t\r  kojoj\t\r  je\t\r  pjesma\t\r  \n“Zlatokosa”,\t\r  favorit\t\r  većine\t\r  naših\t\r  DJ-­‐‑eva\t\r  zbog\t\r  čega\t\r  je\t\r  ovu\t\r  singlicu\t\r  u\t\r  očuvanom\t\r  stanju\t\r  gotovo\t\r  nemoguće\t\r  naći.\t\r  \nUvjeren\t\r  je\t\r  da\t\r  bez\t\r  te\t\r  ploče,\t\r  nema\t\r  ni\t\r  filma,\t\r  budući\t\r  da\t\r  je\t\r  ona\t\r  toliko\t\r  muzikološki\t\r  i\t\r  kolekcionarski\t\r  važna.\t\r  U\t\r  potrazi\t\r  \nza\t\r  tom\t\r  singlicom\t\r  Franko\t\r  će\t\r  obići\t\r  sajmove\t\r  u\t\r  nekoliko\t\r  gradova\t\r  i\t\r  država,\t\r  upoznati\t\r  brojne\t\r  DJ-­‐‑eve\t\r  i\t\r  ljubitelje\t\r  vinila,\t\r  \nsaznati\t\r  zašto\t\r  je\t\r  vinil\t\r  danas\t\r  toliko\t\r  popularan.\t\r  Osim\t\r  vinila\t\r  Franko\t\r  je\t\r  i\t\r  u\t\r  potrazi\t\r  za\t\r  svojim\t\r  glazbenim\t\r  bićem\t\r  koje\t\r  je\t\r  \ndavno\t\r  napustio,\t\r  a\t\r  izgleda\t\r  da\t\r  ga\t\r  to\t\r  napuštanje\t\r  ne\t\r  čini\t\r  baš\t\r  sretnim.\t\r  Moglo\t\r  bi\t\r  se\t\r  reći\t\r  da\t\r  je\t\r  Franko\t\r  i\t\r  u\t\r  potrazi\t\r  za\t\r  \nispunjenijim\t\r  i\t\r  sretnijim\t\r  Frankom.\t\r  Projekt\t\r  je\t\r  podržan\t\r  i\t\r  na\t\r  razvoju\t\r  scenarija\t\r  i\t\r  na\t\r  razvoju\t\r  projekata\t\r  pri\t\r  HAVCu.\t\r  \nodobreno:\t\r  450.000,00\t\r  kn\t\r  \n\t\r  \n8.\t\r  ZADNJI\t\r  GEMIŠT,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Ana\t\r  Sabolić,\t\r  Focus\t\r  media\t\r  d.o.o.\t\r  \n«Zadnji\t\r  Gemišt»\t\r  je\t\r  putovanje\t\r  kroz\t\r  godine,\t\r  članove\t\r  obitelji\t\r  te\t\r  uspone\t\r  i\t\r  padove\t\r  Zagorskih\t\r  vinograda.\t\r  4\t\r  godine\t\r  \nnakon\t\r  smrti\t\r  oca\t\r  od\t\r  posljedica\t\r  alkoholizma,\t\r  autorica\t\r  se\t\r  vraća\t\r  u\t\r  hrvatsko\t\r  selo\t\r  kako\t\r  bi\t\r  dokumentirala\t\r  lokalne\t\r  \nvinarske\t\r  navike\t\r  u\t\r  regiji\t\r  Zagorje\t\r  gdje\t\r  iza\t\r  prirodne\t\r  ljepote\t\r  vreba\t\r  ružnoća\t\r  alkoholizma.\t\r  Na\t\r  tom\t\r  putu\t\r  ulazi\t\r  u\t\r  \nteritorij\t\r  lokalnih\t\r  ljudi\t\r  koji,\t\r  privučeni\t\r  obiteljskim\t\r  nasljeđem,\t\r  slave\t\r  vino\t\r  i\t\r  tradiciju.\t\r  \t\r  \nodobreno:\t\r  100.000,00\t\r  kn\t\r  \n\t\r  \nPostprodukcijska\t\r  faza:\t\r  \n\t\r  \n9.\t\r  DUBICA,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Marina\t\r  Aničić\t\r  Spremo,\t\r  Factum\t\r  \nHrvatska\t\r  Dubica\t\r  je\t\r  mjesto\t\r  na\t\r  hrvatsko-­‐‑bosanskoj\t\r  granici\t\r  nedaleko\t\r  Zagreba.\t\r  Film\t\r  je\t\r  opservacijski\t\r  portret\t\r  mjesta\t\r  \nkoji\t\r  je\t\r  ispresjecan\t\r  nizom\t\r  intervjua\t\r  s\t\r  lokalnim\t\r  stanovništvom.\t\r  Između\t\r  svih\t\r  protagonista\t\r  ističe\t\r  se\t\r  Nikica\t\r  Jukić,\t\r  \nhrvatski\t\r  branitelj\t\r  koje\t\r  je\t\r  u\t\r  rat\t\r  otišao\t\r  sa\t\r  17,\t\r  a\t\r  umirovljen\t\r  je\t\r  sa\t\r  22\t\r  godine\t\r  kao\t\r  ratni\t\r  vojni\t\r  invalid.\t\r  Nikica\t\r  živi\t\r  sa\t\r  \nnevjenčanom\t\r  suprugom\t\r  Svjetlanom,\t\r  Srpkinjom\t\r  po\t\r  nacionalnosti\t\r  koja\t\r  kao\t\r  i\t\r  ostali\t\r  stanovnici\t\r  Dubice\t\r  progovara\t\r  o\t\r  \nljubavi,\t\r  mržnji,\t\r  nacionalizmu,\t\r  međunacionalnom\t\r  suživotu\t\r  te\t\r  o\t\r  temama\t\r  kao\t\r  što\t\r  su\t\r  granice\t\r  Europske\t\r  unije\t\r  i\t\r  \ndolazak\t\r  migranata.\t\r  \t\r  \nodobreno:\t\r  120.000,00\t\r  kn\t\r  \n\t\r  \nPOTICANJE\t\r  PROIZVODNJE\t\r  KRATKOMETRAŽNIH\t\r  DOKUMENTARNIH\t\r  FILMOVA:\t\r  \n1.\t\r  1001\t\r  NOĆ,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Rea\t\r  Rajčić,\t\r  Eclectica\t\r  d.o.o.\t\r  \nNa\t\r  prvu\t\r  ruku\t\r  čini\t\r  se\t\r  ovo\t\r  mala\t\r  priča\t\r  o\t\r  dvije\t\r  starice,\t\r  pri\t\r  čemu\t\r  je\t\r  jedna\t\r  starica\t\r  autoričina\t\r  teta,\t\r  no\t\r  čitajući\t\r  \nprojektnu\t\r  dokumentaciju\t\r  ulazimo\t\r  sve\t\r  dublje\t\r  u\t\r  svijet\t\r  usamljenih\t\r  starica\t\r  koji\t\r  vrvi\t\r  duhovitošću\t\r  obzirom\t\r  da\t\r  je\t\r  \n\n\f\n3\t\r  \n\t\r  \ncentralni\t\r  dio\t\r  priče\t\r  njihova\t\r  predana\t\r  gledanost\t\r  i\t\r  komentiranje\t\r  turskih\t\r  telenovela.\t\r  1001\t\r  noć\t\r  je\t\r  priča\t\r  o\t\r  EMI\t\r  (85)\t\r  i\t\r  \nMAJI\t\r  (80),\t\r  koje\t\r  zadnjih\t\r  pet\t\r  godina\t\r  zajedno\t\r  provode\t\r  svaku\t\r  večer\t\r  u\t\r  Eminom\t\r  stanu\t\r  na\t\r  splitskim\t\r  Gripama\t\r  \nstvarajući\t\r  jedan\t\r  mikrokozmos\t\r  prijateljstva\t\r  \t\r  koje\t\r  je\t\r  počelo\t\r  kad\t\r  je\t\r  sve\t\r  drugo\t\r  završilo.\t\r  Pikantna\t\r  dokumentarna\t\r  \ntopla\t\r  ljudska\t\r  komedija\t\r  koja\t\r  između\t\r  kadrova\t\r  u\t\r  biti\t\r  progovara\t\r  o\t\r  usamljenosti,\t\r  ali\t\r  i\t\r  vitalnosti\t\r  duha\t\r  u\t\r  trećoj\t\r  dobi.\t\r  \nodobreno:\t\r  180.000,00\t\r  kn\t\r  \n\t\r  \n2.\t\r  PS\t\r  (POSLJEDNJI\t\r  SRAKANJEŽ),\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Alen\t\r  Šuk,\t\r  Udruga\t\r  Ukus\t\r  \nOvo\t\r  je\t\r  priča\t\r  o\t\r  jednom\t\r  otoku\t\r  površine\t\r  svega\t\r  1km2\t\r  prepričana\t\r  kroz\t\r  vizuru\t\r  jednog\t\r  čovjeka\t\r  –\t\r  mjesnog\t\r  zvonara\t\r  \nSilvana.\t\r  Gospodin\t\r  Silvano\t\r  plaha\t\r  je\t\r  osoba\t\r  i\t\r  živi\t\r  na\t\r  osebujan\t\r  način\t\r  na\t\r  osebujnom\t\r  mjestu.\t\r  Naime\t\r  Vele\t\r  Srakane\t\r  ima\t\r  \nstjenovite\t\r  i\t\r  niske\t\r  obale\t\r  bez\t\r  sigurnog\t\r  zaklona.\t\r  Redovna\t\r  brodska\t\r  linija,\t\r  jedina\t\r  veza\t\r  s\t\r  otokom,\t\r  pristaje\t\r  samo\t\r  ako\t\r  \nse\t\r  to\t\r  unaprijed\t\r  zatraži\t\r  od\t\r  posade\t\r  i\t\r  to\t\r  isključivo\t\r  za\t\r  lijepog\t\r  vremena\t\r  budući\t\r  da\t\r  je\t\r  pristanište\t\r  potpuno\t\r  \nnezaklonjeno\t\r  i\t\r  nesigurno.\t\r  Najčešće\t\r  se\t\r  u\t\r  takvim\t\r  slučajevima\t\r  brod\t\r  samo\t\r  približi\t\r  molu\t\r  i\t\r  putnici\t\r  iskaču\t\r  i\t\r  uskaču\t\r  u\t\r  \nnjega.\t\r  Lokalno\t\r  stanovništvo\t\r  svoje\t\r  brodice\t\r  nakon\t\r  svake\t\r  plovidbe\t\r  izvlači\t\r  na\t\r  obalu.\t\r  U\t\r  taj\t\r  svijet\t\r  ulazimo\t\r  kroz\t\r  \nopservacijski\t\r  dokumentarni\t\r  portret\t\r  koji\t\r  stremi\t\r  intimističkoj,\t\r  impresionističkoj\t\r  poemi.\t\r  Tišina,\t\r  samoća,\t\r  \nminimum\t\r  govora.\t\r  Silvanova\t\r  je\t\r  brzina\t\r  izuzetno\t\r  spora,\t\r  a\t\r  njegovi\t\r  dani\t\r  nemaju\t\r  velikih\t\r  radnji\t\r  i\t\r  zapleta.\t\r  Film\t\r  \nodražava\t\r  upravo\t\r  takav\t\r  stav;\t\r  stanje\t\r  otoka\t\r  na\t\r  kojem\t\r  je\t\r  sve\t\r  nestalo.\t\r  \nodobreno:\t\r  100.000,00\t\r  kn\t\r  \n\t\r  \n3.\t\r  RECI\t\r  MI\t\r  TKO\t\r  JE\t\r  UNUTRA,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Dražen\t\r  Šivak,\t\r  Metar\t\r  60\t\r  \nOvo\t\r  je\t\r  film\t\r  o\t\r  svemu\t\r  oko\t\r  meditacije,\t\r  te\t\r  o\t\r  meditaciji\t\r  samoj.\t\r  Točnije\t\r  o\t\r  Satori\t\r  meditaciji.\t\r  Iako\t\r  se\t\r  čini\t\r  filmski\t\r  \nneuhvatljiva,\t\r  autor\t\r  filma\t\r  koji\t\r  ima\t\r  dugogodišnje\t\r  iskustvo\t\r  u\t\r  meditativna\t\r  povlačenja\t\r  pronašao\t\r  je\t\r  način.\t\r  Biti\t\r  s\t\r  \nkamerom\t\r  na\t\r  mjestu\t\r  meditacije\t\r  gdje\t\r  protagonisti\t\r  ne\t\r  razgovaraju,\t\r  i\t\r  u\t\r  prvi\t\r  mah\t\r  se\t\r  čini\t\r  da\t\r  samo\t\r  bivaju,\t\r  ali\t\r  se\t\r  \nitekako\t\r  unutar\t\r  sebe\t\r  rastvaraju,\t\r  mijenjaju\t\r  i\t\r  spoznavaju\t\r  što\t\r  će\t\r  biti\t\r  vidljivo\t\r  na\t\r  njihovim\t\r  tijelima\t\r  i\t\r  licima.\t\r  Dakle,\t\r  u\t\r  \nfilmu\t\r  pratimo\t\r  par\t\r  sudionika\t\r  meditacije\t\r  prije,\t\r  za\t\r  vrijeme\t\r  i\t\r  nakon\t\r  sedmodnevnog\t\r  povlačenja\t\r  ne\t\r  bi\t\r  li\t\r  kroz\t\r  \ncjelodnevnu\t\r  šutnju\t\r  i\t\r  poniranje\t\r  u\t\r  sebe\t\r  pronašli\t\r  svoje\t\r  „originalno\t\r  lice“.\t\r  \t\r  Pratimo\t\r  i\t\r  njihove\t\r  iskusne\t\r  voditelje\t\r  Ganga\t\r  \n(72)\t\r  i\t\r  Avikal\t\r  (68)\t\r  i\t\r  to\t\r  kroz\t\r  meditativna\t\r  povlačenja\t\r  u\t\r  Hrvatskoj,\t\r  Italiji\t\r  i\t\r  Grčkoj.\t\r  Iako\t\r  je\t\r  kamera\t\r  na\t\r  ovakvim\t\r  \nmjestima\t\r  nepoželjna,\t\r  autor\t\r  ima\t\r  dozvolu\t\r  za\t\r  snimanje.\t\r  \t\r  \nodobreno:\t\r  200.000,00\t\r  kn\t\r  \n\t\r  \n4.\t\r  SJENE\t\r  NA\t\r  RIJECI\t\r  REDUX,\t\r  scenarist\t\r  i\t\r  redatelj\t\r  Ljubo\t\r  Josip\t\r  Lasić,\t\r  Manevar\t\r  d.o.o.\t\r  \n2001.\t\r  godine\t\r  redatelj\t\r  Ljubo\t\r  Lasić\t\r  napravio\t\r  je\t\r  dokumentarni\t\r  film\t\r  Sjene\t\r  na\t\r  rijeci.\t\r  U\t\r  filmu\t\r  je\t\r  pratio\t\r  petoricu\t\r  \nslavonskih\t\r  branitelja\t\r  oboljelih\t\r  od\t\r  PTSP-­‐‑a.\t\r  Ideja\t\r  dokumentarnog\t\r  filma\t\r  Sjene\t\r  na\t\r  rijeci\t\r  -­‐‑\t\r  Redux\t\r  je\t\r  da\t\r  danas\t\r  sa\t\r  18\t\r  \ngodina\t\r  odmaka\t\r  od\t\r  filma\t\r  Sjene\t\r  na\t\r  rijeci\t\r  te\t\r  30\t\r  godina\t\r  nakon\t\r  proživljenog\t\r  traumatičnog\t\r  iskustva\t\r  rata,\t\r  koristeći\t\r  \narhivske\t\r  materijale\t\r  iz\t\r  starog\t\r  filma\t\r  i\t\r  prateći\t\r  svakodnevni\t\r  život\t\r  aktera\t\r  vidimo\t\r  kako\t\r  izgleda\t\r  život\t\r  tih\t\r  istih\t\r  \nbranitelja\t\r  kojih\t\r  je\t\r  na\t\r  žalost\t\r  danas\t\r  četvorica.\t\r  Njihove\t\r  priče\t\r  su\t\r  potresne\t\r  i\t\r  mračne,\t\r  iskrenost\t\r  kojom\t\r  opisuju\t\r  kako\t\r  \nbolest\t\r  razara\t\r  kako\t\r  njih\t\r  tako\t\r  i\t\r  njihovu\t\r  okolinu\t\r  je\t\r  bolna.\t\r  Autor\t\r  ima\t\r  vrlo\t\r  jasan\t\r  koncept\t\r  ispreplitanja\t\r  intervjua\t\r  \nprotagonista\t\r  u\t\r  krupnim\t\r  planovima,\t\r  arhivskog\t\r  materijala\t\r  te\t\r  poetičnih\t\r  kadrova\t\r  sa\t\r  lokacija\t\r  na\t\r  kojima\t\r  su\t\r  \nprotagonisti\t\r  proživjeli\t\r  najgore\t\r  trenutke\t\r  života.\t\r  \nodobreno:\t\r  119.000,00\t\r  kn\t\r  \n\t\r  \nPostprodukcijska\t\r  faza:\t\r  \n\t\r  \n5.\t\r  DOKTORICE,\t\r  PEM\t\r  V'GROBEKA,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Nikolina\t\r  Barić,\t\r  Nikolina\t\r  Barić\t\r  j.d.o.o.\t\r  \nZagorje,\t\r  Hrvatska.\t\r  Mala\t\r  izolirana\t\r  regija\t\r  na\t\r  granici\t\r  sa\t\r  Slovenijom.\t\r  I\t\r  mala\t\r  ordinacija\t\r  doktorice\t\r  obiteljske\t\r  \nmedicine.\t\r  Redateljica\t\r  prati\t\r  majku\t\r  liječnicu\t\r  koja\t\r  se\t\r  bori\t\r  sa\t\r  žilavim\t\r  pacijentima,\t\r  sa\t\r  raspadajućim\t\r  zdravstvenim\t\r  \nsustavom\t\r  i\t\r  sa\t\r  samom\t\r  sobom,\t\r  i\t\r  to\t\r  sve\t\r  dok\t\r  se\t\r  nalazi\t\r  pred\t\r  neizvjesnim\t\r  krajem\t\r  svoga\t\r  radnog\t\r  vijeka\t\r  koji\t\r  se\t\r  zbog\t\r  \nnedostatka\t\r  doktora\t\r  u\t\r  Hrvatskoj\t\r  iznova\t\r  produžuje.\t\r  Film\t\r  je\t\r  režiran\t\r  cinema\t\r  verite\t\r  stilom.\t\r  \nodobreno:\t\r  110.000,00\t\r  kn\t\r  \n\t\r  \n6.\t\r  UŽARSKA\t\r  RADIONICA\t\r  IVANA\t\r  DELIMARA,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Vlasta\t\r  Delimar,\t\r  Udruga\t\r  Domino\t\r  \nFilm\t\r  Užarska\t\r  radionica\t\r  Ivana\t\r  Delimara\t\r  bavi\t\r  se\t\r  procesom\t\r  zakapanja\t\r  radionice\t\r  oca\t\r  Vlaste\t\r  Delimar\t\r  na\t\r  imanju\t\r  u\t\r  \nŠtaglincu\t\r  pokraj\t\r  Koprivnice,\t\r  kultnom\t\r  mjestu\t\r  Vlastinog\t\r  umjetničkog\t\r  festivala.\t\r  Film\t\r  naglašava\t\r  sirovost\t\r  rušenja\t\r  i\t\r  \nzakapanja\t\r  kuće\t\r  u\t\r  odnosu\t\r  na\t\r  privatnu\t\r  i\t\r  javnu\t\r  simboliku\t\r  mjesta\t\r  te\t\r  ideju\t\r  novog\t\r  početka\t\r  kroz\t\r  destrukciju\t\r  kao\t\r  \nkreativan,\t\r  estetski\t\r  i\t\r  stvaralački\t\r  čin.\t\r  \t\r  Konceptualno\t\r  opservacijski\t\r  dokumentarni\t\r  film.\t\r  \nodobreno:\t\r  26.000,00\t\r  kn\t\r  \t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2019__1rok_19VI2019_WEB_ANIMIRANI.pdf","filename_decoded":"RPR_2019__1rok_19VI2019_WEB_ANIMIRANI.pdf","sha256":"afe1674893500f6b999325a64dd2014bd2a7f78170c39bf8eabd98da9e4ce364","bytes":36843,"page_count":1,"extracted_at":"2026-05-16T15:28:42Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2019__1rok_19VI2019_WEB_ANIMIRANI.pdf"},"raw_text":"1\nRAZVOJ PROJEKATA 2019.\n- 1.rok 19VI2019\nANIMIRANI\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nHello Isabel\nJaako dobra produkcija \nj.d.o.o. / Siniša Juričić\nMarjan Alčevski\n100.000,00\n2\nIgra bogova\nUstanova Zagreb film / \nVinko Brešan\nBožidar Trkulja\nBožidar Trkulja\n100.000,00\n3\nKonradova prodavaonica \nptica\nKreativna kuća / Marijan \nLončar\nNena Lončar\nMarijan Lončar, Nena \nLončar\n100.000,00\nUKUPNO\n300.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ PROJEKATA u 2019. - 1. ROK - 19.6.2019.\nanimirani film\n16. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 9. listopada 2019.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2019. - 1. ROK - 19.6.2019.","year":2019,"rok":"1. rok","natjecaj_date":"2019-06-19","decision_date":"2019-10-09","decision_body":"AV vijeće","currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"animirani film","section_key":"animirani","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Hello Isabel","applicant":"Jaako dobra produkcija j.d.o.o.","production_company":"Jaako dobra produkcija j.d.o.o.","director":"AUTOR IZVORNOG","writer":"Marjan Alčevski","original_author":null,"category":"Animirani","approved_amount_text":"100.000,00","approved_amount":100000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Jaako dobra produkcija j.d.o.o. / Siniša Juričić","entity_owner":"Siniša Juričić","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","people_backfill_v1":{"changes":[{"field":"director","from":null,"to":"AUTOR IZVORNOG","source":"raw_chunk:director","confidence":"medium"}],"updated_at":"2026-05-18T15:25:14Z","method":"machine:people_backfill_v1"}},"entity":"Jaako dobra produkcija j.d.o.o.","row_id":"afe16748:s0:68bbb195ba89","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_ded5b84e0651","project_family_title":"Hello Isabel"},{"row_number":2,"project_title":"Igra bogova","applicant":"Ustanova Zagreb film","production_company":"Ustanova Zagreb film","director":"Božidar Trkulja","writer":"Božidar Trkulja","original_author":null,"category":"Animirani","approved_amount_text":"100.000,00","approved_amount":100000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Ustanova Zagreb film / Vinko Brešan","entity_owner":"Vinko Brešan","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Ustanova Zagreb film","row_id":"afe16748:s0:7b95d6d69b1f","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_dbf1cfdf6010","project_family_title":"Igra bogova"},{"row_number":3,"project_title":"Konradova prodavaonica ptica","applicant":"Kreativna kuća / Marijan Lončar","production_company":"Kreativna kuća / Marijan Lončar","director":"Marijan Lončar, Nena Lončar","writer":"Nena Lončar","original_author":null,"category":"Animirani","approved_amount_text":"100.000,00","approved_amount":100000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kreativna kuća / Marijan Lončar","row_id":"afe16748:s0:2d92ce15712d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_6c9b2225ed2a","project_family_title":"Konradova prodavaonica ptica"}],"section_total_text":"UKUPNO 300.000,00","section_total":300000.0}],"totals":{"ukupno_text":"UKUPNO 300.000,00","ukupno":300000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":300000.0,"ukupno_match":true,"row_count":3,"awarded_count":3,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":3}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2014 Proizvodnja AV djela KRATKI IGR_ DOKU_ EKSP_ rok 28 03 2014.pdf","filename_decoded":"2014 Proizvodnja AV djela KRATKI IGR_ DOKU_ EKSP_ rok 28 03 2014.pdf","sha256":"afe54f85f208219a2e4dfcb5570502cb086927d493b3db9e335b53806470c68b","bytes":304890,"page_count":2,"extracted_at":"2026-05-17T10:24:00Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2014%20Proizvodnja%20AV%20djela%20KRATKI%20IGR%2C%20DOKU%2C%20EKSP%2C%20rok%2028%2003%202014.pdf"},"raw_text":"NASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nBoškarica\nIvana Hrelja\nPulska filmska tvornica\n240.000,00\n2\nDani ludila\nDamian Nenadić\nRestart\n190.000,00\n3\nGazda\nDario Juričan\nUdruga Blank\n320.000,00\n4\nIskrica\nŽeljko Sarić\nProjekt 6 Studio d.o.o.\n200.000,00\n5\nLiga \ndžentlemena\nSilvio Mirošničenko\nHrvatski filmski savez \n120.000,00\n6\nOpsesija Vanka\nBranko Ivanda\nArs Septima d.o.o.\n400.000,00\n7\nPiratska riba\nBoris Veličan\nLumen\n300.000,00\n8\nSlučaj Dragice \nIvankić\nDijana Bolanča Paulić\nFantastično dobra \ninstitucija - FADE IN d.o.o.\n300.000,00\n9\nTreći\nArsen Oremović\nInter film d.o.o.\n350.000,00\n2.420.000,00\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nKino otok\nIvan Ramljak\nRestart\n200.000,00\n2\nKisik, dušik\nDamir Čučić\nGate film, obrt za usluge\n200.000,00\n3\nLila\nIgor Bogdanović\nFantastično dobra \ninstitucija - FADE IN d.o.o.\n82.000,00\n4\nOni samo \ndolaze i odlaze\nBoris Poljak\nHrvatski filmski savez \n250.000,00\n5\nRijeka koja \nodbija teći\nDenis Lepur\nKadar 22, obrt za snimanje, \ndizajn i usluge\n200.000,00\n6\nŽivjeti, jedriti\nLana Šarić\nJaka produkcija d.o.o.\n180.000,00\n1.112.000,00\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nPoruka\nNika Radić\nKreativni sindikat\n60.000,00\n2\nSkoro ništa\nAna Hušman\nStudio Pangolin\n80.000,00\n3\nPeriferija\nLeona Kadijević\nLuma film d.o.o.\n80.000,00\n4\nTestfilm #1\nGideon Kiers\nBonobostudio d.o.o.\n100.000,00\n5\nGubilište\nMatija Debeljuh\nKinematograf d.o.o.\n110.000,00\n6\nNovi južni \nZagreb\nDarko Fritz\nFilmska udruga Motion\n170.000,00\n600.000,00\nEKSPERIMENTALNI 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":["reclassified_from_results_table_to_admin"]},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_19102015_raspisivanje%20poziva_komplementarne.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_19102015_raspisivanje%20poziva_komplementarne.pdf","sha256":"b01a5960a30734b018abad111464665b01f462c2baa8b9a2ace59fc9b243a72d","bytes":288469,"page_count":1,"extracted_at":"2026-05-16T13:54:34Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 3602-2015 \nU Zagrebu, 19. listopada 2015. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) (dalje u tekstu: Zakon), te \nsukladno Pravilniku o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14) (dalje u tekstu: Pravilnik),  Hrvatsko audiovizualno vijeće, na 64. \nsjednici održanoj 19. listopada 2015. godine donijelo je: \n \n     O  D  L  U  K  U \no raspisivanju Javnog poziva za poticanje komplementarnih djelatnosti za 2016. godinu. \n \n \n1.) Raspisuje se Javni poziv za poticanje komplementarnih djelatnosti za 2016. godinu. \n \n2.) Ovlašćuje se ravnatelj Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) na raspisivanje Javnog poziva u roku predviđenom Pravilnikom. \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona i sukladno odredbama Pravilnika, Hrvatsko audiovizualno vijeće raspisuje \nJavni poziv za poticanje komplementarnih djelatnosti za 2016. godinu. \n \nSlijedom navedenog na 64. sjednici Hrvatskog audiovizualnog vijeća održanoj 19. listopada 2015.godine \nodlučeno je kao u točki 1. izreke ove Odluke. \n \nTemeljem čl. 12 Zakona, a u svezi odredaba iz čl. 14. istog Zakona odlučeno je kao u točki 2. izreke ove \nOdluke.  \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku \nobjaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v.r. \n \nDostaviti: \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"komplementarne","year":2016,"rok":null,"referenced_projects":[],"summary":"AV vijeće na 64. sjednici od 19. listopada 2015. donosi odluku o raspisivanju Javnog poziva za poticanje komplementarnih djelatnosti za 2016. godinu i ovlašćuje ravnatelja HAVC-a na raspisivanje poziva u roku predviđenom Pravilnikom.","project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB Obrazlo_enje manjinske koprodukcije 3 rok 2018 .pdf","filename_decoded":"WEB Obrazlo_enje manjinske koprodukcije 3 rok 2018 .pdf","sha256":"b0b05a3968089b8300a262d5726ca2b12e28a8226e90f3f1ab3cf6544ad8cbd2","bytes":156231,"page_count":3,"extracted_at":"2026-05-17T12:01:28Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20Obrazlo%C5%BEenje%20manjinske%20koprodukcije%203%20rok%202018%20.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po odlukama o donošenju liste prioriteta i raspodjeli sredstava prema \nJavnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2018. godini, u kategoriji poticanja \nfilmskih koprodukcija s manjinskim hrvatskim udjelom (treći rok: 17. srpnja 2018.). \n \ndoc. dr. sc. Boško Picula, umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom \n \nNa Javni poziv prijavljena su ukupno 33 projekata pri čemu je za dva projekta utvrđeno da ne \nzadovoljavaju uvjete javnog poziva te im prijave nisu niti razmatrane. Stoga je u konačnici razmatran 31 \nprojekt. Od toga je šest debitantskih dugometražnih igranih filmova, četrnaest dugometražnih igranih \nfilmova, zatim četiri dugometražna dokumentarna filma (od 60 minuta), tri animirana filma te četiri \nkratkometražna igrana filma. Dva su projekta prijavljena u postprodukcijskoj fazi. Kriteriji predlaganja \nprojekta za sufinanciranje temelje se na: cjelovitosti predloženih radova, redateljskom konceptu, \nscenarističkoj dorađenosti, doprinosu i broju hrvatskog dijela kreativne, tehničke i produkcijsko-\norganizacijske ekipe filma, realizaciji projekta u Hrvatskoj, festivalskim potencijalima u Hrvatskoj i \ninozemstvu, elaboriranosti izvedbe samog projekata i aktualnim financijskim mogućnostima.  \n \nNa listu filmova predloženih za sufinanciranje proizvodnje uvršteno je sedam projekata:  \n \n1. \ndugometražni igrani film M (Makedonija) s predloženim sredstvima u iznosu od 500.000 \nkn  \n2. \ndugometražni igrani film Korporacija (Slovenija) s predloženim sredstvima u iznosu od \n625.000 kn  \n3. \ndugometražni igrani film Gym (Bosna i Hercegovina) s predloženim sredstvima u iznosu \nod 300.000 kn  \n4. \ndugometražni igrani film Mačji krik (Srbija) s predloženim sredstvima u iznosu od 450.000 \nkn  \n5. \ndugometražni igrani film Grudi (Crna Gora) s predloženim sredstvima u iznosu od 150.000 \nkn  \n6. \ndugometražni dokumentarni film Priče iz zatvorske ćelije (Mađarska) s predloženim \nsredstvima u iznosu od 150.000 kn  \n7. \nkratkometražni animirani film Prirodni odabir (Bosna i Hercegovina) s predloženim \nsredstvima u iznosu od 75.000 kn  \n \nUkupni iznos predloženih sredstava jest 2.250.000,00 kuna. \n \nOSVRT: \n \nNa treći rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2018. godini u kategoriji \npoticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (17. srpnja 2018.) prijavljeni su projekti u \nvećini skupina (animirani film, debitantski dugometražni igrani film, dugometražni dokumentarni film (od \n60 minuta), dugometražni igrani film i kratkometražni igrani film), i to produkcijskih kuća s većinskim \nudjelom u financiranju razmatranih projekata iz, ove godine rekordnih, trinaest zemalja. Najveći je broj \nprijava stigao iz Srbije (osam) i Slovenije (šest) te iz Bosne i Hercegovine (pet), zatim tri iz Makedonije te \npo jedan iz Švedske, Mađarske, Crne Gore, Gruzije, Danske, Češke, Belgije, Italije i SAD-a. Kao i na \nprethodna dva roka u 2018. riječ je o veoma raznolikim projektima glede svojih filmskih rodova, žanrova, \ntema, autorskih koncepata i planiranih proračunskih sredstava te angažmana hrvatskog dijela ekipe i – \nrealizacije projekata u samoj Hrvatskoj. Od 31 razmatranog projekata dva su u trenutku prijave bili u \npostprodukcijskoj fazi, dok je razmatrane projekte prijavilo ukupno 20 hrvatskih produkcijskih kuća.            \n \nPREDLOŽENI PROJEKTI: \n \nM (Makedonija) je projekt makedonskog redatelja i scenarista Vardana Tozije koji je nakon niza \nkratkometražnih radova (Čovjek s čudnom navikom da me udara kišobranom po glavi, Zviždač u omnibusu \nSkopje Remix) na dugometražnom igranom filmu uspješno debitirao dramom Amok, prikazanom na \nmnogobrojnim međunarodnim festivalima uključujući i ovogodišnji Pulski filmski festival. U svom je \nprvijencu pokazao izvrsno znanje rada s mladim glumcima te ne čudi da su mu interpreti mlađeg naraštaja i \nu središtu ovog projekta. To je, prema redateljskom konceptu i scenariju, atmosferični spoj znanstveno-\nfantastične drame i drame o odrastanju o dječaku Marku kojega usred šume odgaja pretjerano zaštitnički i \n\n\f\nemotivno nedostupan otac krijući mu istinu o svijetu koji ih okružuje. Podsjetivši na recentne hvaljene radove \no distopičnoj budućnosti Zvijeri južnih divljina i Cesta, autor gradi vlastiti čvrsti svijet imaginacije i \nkonotacija. Hrvatski je koproducent kuća 4 Film iza koje je više međunarodno produciranih filmova (Ti mene \nnosiš, Neke druge priče). Hrvatski je doprinos projektu glavna odrasla muška uloga, zatim montažerski, \nskladateljski i dizajnerski rad, te postprodukcija zvuka.       \n \nKorporacija (Slovenija) je projekt slovenskog redatelja Mateja Nahtigala koji, kao i u svom prethodnom \nfilmu Psi bezvremenosti, surađuje sa scenaristom i romanopiscem Zoranom Benčičem. Kako sam redatelj \nističe, film je žanrovski spoj kriminalističke drame, trilera i priča o zavjerama, a ozračjem se naslanja na film \nnoir. Pritom je moguće uspostaviti narativnu i vizualnu poveznicu s novohollywoodskim filmskim klasicima \niz 1970.-ih (Svi predsjednikovi ljudi, Francuska veza, Taksist) te s opusom redatelja Sidneyja Lumeta. \nSmještena u fiktivni europski grad priča prati policijskog inspektora i njegova šefa koji se obojica upletu u \nmrežu interesa moćne korporacije koja u gradu planira izgraditi golemo stambeno naselje doslovce gazeći \nsve pred sobom. Hrvatski mu je koproducent Jaako dobra produkcija j.d.o.o. čija je sestrinska tvrtka Nukleus \nfilm koproducirala više međunarodno zapaženih i nagrađivanih projekata (Kokoška, Posljednja ambulantna \nkola Sofije). Prema priloženoj dokumentaciji doprinos hrvatskog dijela filmske ekipe, uz koprodukciju, \nodnosi se na angažman hrvatske glumice za glavnu žensku ulogu, više sporednih uloga te na scenografski \nrad. Film se dijelom snima i u Hrvatskoj.    \n \nGym (Bosna i Hercegovina) je projekt bosansko-hercegovačkog redatelja i scenarista Srđana Vuletića koji je \nrežirao nekoliko zapaženih dugometražnih igranih filmova (Ljeto u Zlatnoj dolini, Teško je biti fin), a kao \nscenarist, među ostalim, napisao tekst za kratkometražni igrani film 10 minuta u režiji Ahmeda Imamovića, \nnagrađen Europskom filmskom nagradom. U novom radu spaja univerzalne dvojbe i lokalnu društvenu \nsredinu u priči o dvojici najboljih prijatelja iz jedne tvrtke za dostavu hrane koja se zbog lošeg poslovanja \nnađe pred propašću. Mozaik elemenata humorne i kriminalističke drame, film je de facto ispitivanje granica \nloših ljudskih odluka, poglavito u kontekstu pojedinaca, manjine i većine te konformizma kao načina \nponašanja. Hrvatski je partner u realizaciji filma Kinorama d.o.o. iza koje je niz domaćih (Zvizdan, serijal o \nKoku) i međunarodnih uspjeha (Ničije dijete, Bit ćemo prvaci svijeta), dok se hrvatski doprinos realizaciji \nfilma uz dvije sporedne uloge, odnosi na skladateljski rad, osmišljavanje specijalnih efekata te rasvjetu.      \n  \nMačji krik (Srbija) je novi projekt Gorana Paskaljevića, jednog od najvažnijih srbijanskih redatelja s nizom \nmeđunarodnih uspjeha čiji su dugometražni igrani filmovi tijekom proteklih desetljeća uvrštavani u glavne \nnatjecateljske programe najvećih svjetskih festivala u Cannesu (Poseban tretman), Berlinu (Čuvar plaže u \nzimskom periodu, Pas koji je voleo vozove) i Veneciji (Kako je Harry postao drvo). Nagrađivan u domovini \ni svijetu, Paskaljević se u novom radu predstavlja oporom socijalnom dramom nadahnutom stvarnim \ndogađajima te ljudima koji su kroz njih prošli. Glavni je lik umirovljeni tvornički radnik čija kći rađa \ndjevojčicu s genetskom malformacijom poznatom kao mačji plač (cri du chat). Roditelji odbacuju dijete, a \ndjed kreće u neizvjesnu bitku dobivanja skrbi nad bolesnom unučicom znajući da su mu protivnici cijeli \nsustav i provincijska malograđanština, a jedini saveznici vlastita ljudskost i rijetka humanost u okolini. \nPričom iznimno snažna, a vizualnim konceptom sumračna, nova je Paskaljevićeva drama istodobno i priča o \nkonkretnim ljudima, i portret tranzicijskog društva koje nikako ne uspijeva generirati nove vrijednosti. \nHrvatski je koproducent Maxima film s dugogodišnjim iskustvom rada u Hrvatskoj (Takva su pravila, Armin) \ni s inozemnim partnerima (Kad svane dan Gorana Paskaljevića). Doprinos hrvatskoga umjetničkog i \ntehničkog osoblja sastoji se u jednoj od glavnih uloga, dvije sporedne uloge te u radu maskera.       \n  \nGrudi (Crna Gora) je projekt crnogorske redateljice i scenaristice Marije Perović, autorice igranih (Gledaj \nme) i dokumentarnih filmova (Neka beskrajna sloboda) te televizijskih emisija. Podjednako angažirana i u \nfilmskoj publicistici, autorica u suradnji s koscenaristicom i književnicom Vladislavom Vojnović predstavlja \nspoj generacijske drame i tragikomedije o tri prijateljice u srednjim godinama koje poveže proslava mature i \nrazličiti problemi s prsima. Usto, njih tri dolaze iz različitih dijelova bivše Jugoslavije, tako da im se \nokupljanje pretvori u sjećanje na uistinu izgubljeno vrijeme i mogućnosti, dok im na nesvakidašnji način \npokušava pomoći zajednički školski prijatelj. Gorko-slatka priča veoma je dobra studija karaktera i vremena \nte prilika za upečatljive glumačke izvedbe. Film je u fazi postprodukcije, a hrvatski je partner Umjetnička \norganizacija Mitropa iza koje je više projekata različitih filmskih rodova i vrsta (Prosvjetljienje, Okupacija \n27. slika, Terasa, Tišina mora). Hrvatski su doprinosi filmu  jedna od glavnih ženskih uloga, sporedna ženska \nuloga, fotografija, zvuk, glazba te vizuali.     \n \n\n\f\nPriče iz zatvorske ćelije (Mađarska) je projekt mladoga mađarskog redatelja i scenarista Ábela Viskyja \nkojemu je ovo nakon nekoliko uspješnih kratkometražnih filmova igranog (Romanian Sunrise) i \ndokumentarnog roda (Zsolt and Kriszta), dugometražni dokumentarni prvijenac. Zamišljen kao \ndokumentarac s fiktivnim elementima, film govori o odnosu očeva koji se trenutačno nalaze na odsluženju \nzatvorske kazne i – njihove djece kod kuće. Poveznica su im bajke koje im očevi pišu kako bi kroz izmašatane \nsituacije uspostavili prisniji odnos. Intrigantnih životnih situacija, film na efektan način propituje slobodu, \nzajedništvo i obiteljsku povezanost. Hrvatski je koproducent Fade In (Odgođena revolucija, Bolesno, Kak' \nje doma?), a doprinos hrvatskog partnera realizaciji filma sastoji se u glazbi, kolorkorekciji i oblikovanju \nzvuka.    \n \nPrirodni odabir (Bosna i Hercegovina) je projekt mlade bosansko-hercegovačke redateljice i animatorice \nAlete Rajič (Jorgovan). Veoma zreloga redateljskog koncepta te stiliziranog i elegantnog crteža likova i \npozadine, projekt je kratkometražni animirani film koji zapravo funkcionira kao basna. Glavna je junakinja \npolužena-polusrna koja radi kao izložbeni trofej u prirodoslovnom muzeju. Živeći u rutini i – neslobodi, dobit \nće nenadanu prigodu u potpunosti promijeniti svoju svakodnevicu. Hrvatski je koproducent Zagreb film, \njedna od najuglednijih hrvatskih i europskih kuća kada je posrijedi animirani film, uključujući i nagradu \nOscar za film Surogat Dušana Vukotića. Hrvatski će partner osigurati faziranje, koloriranje crteža te tonski i \nskladateljski angažman.     \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2018,"rok":"3. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2021_2rok_14092021_DUG_IGR_WEB.pdf","filename_decoded":"RPR_2021_2rok_14092021_DUG_IGR_WEB.pdf","sha256":"b0c010a811c4d4fa71cf3c099025f69422dd35103cdc8b376e96ff97564cfab9","bytes":106012,"page_count":1,"extracted_at":"2026-05-16T13:55:24Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2021_2rok_14092021_DUG_IGR_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO kn\n1\nFolka\nAntitalent d.o.o.\nIvan Veljača\nIvan Veljača\n120.000,00\n2\nHamlet u selu Mrduša \nDonja\nInter film d.o.o.\nŽeljka Udovičić Pleština\nVinko Brešan\nIvo Brešan \"Predstava \nHamleta u selu Mrduša \nDonja\"\n120.000,00\n3\nOgledalo za slavuja\nDobar film\nKarla Lulić\nKarla Lulić\n140.000,00\n4\nPushback\nUdruga Marinis Media\nBojan Radanović\nBojan Radanović\n120.000,00\n5\nZadnja klapa\nTelefilm d.o.o.\nZoran Margetić\nZoran Margetić\n120.000,00\nUKUPNO\n620.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ PROJEKATA u 2021. - 2. ROK - 14.9.2021.\ndugometražni igrani film - trajanje nije kraće od 70 minuta\n32. sjednica Hrvatskog audiovizualnog vijeća u 3. sazivu, 29. prosinca 2021.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2021. - 2. ROK - 14.9.2021.","year":2021,"rok":"2. rok","natjecaj_date":"2021-09-14","decision_date":"2021-12-29","decision_body":"AV vijeće","currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"dugometražni igrani film - trajanje nije kraće od 70 minuta","section_key":"dugometrazni_igrani","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO kn"],"rows":[{"row_number":1,"project_title":"Folka","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":"Ivan Veljača","writer":"Ivan Veljača","original_author":null,"category":"Dugometražni igrani 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selu Mrduša Donja\"","category":"Dugometražni igrani film","approved_amount_text":"120.000,00","approved_amount":120000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Inter film d.o.o.","row_id":"b0c010a8:s0:8e96956847ea","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_5812a89c39c2","project_family_title":"Hamlet u selu Mrduša Donja"},{"row_number":3,"project_title":"Ogledalo za slavuja","applicant":"Dobar film","production_company":"Dobar film","director":"Karla Lulić","writer":"Karla Lulić","original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"140.000,00","approved_amount":140000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Dobar film","row_id":"b0c010a8:s0:6c6d522b1ae2","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_9d774c92c13c","project_family_title":"Ogledalo za slavuja"},{"row_number":4,"project_title":"Pushback","applicant":"Udruga Marinis Media","production_company":"Udruga Marinis Media","director":"Bojan Radanović","writer":"Bojan Radanović","original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"120.000,00","approved_amount":120000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga Marinis Media","row_id":"b0c010a8:s0:3c0212266ac0","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_9097b4be7b5a","project_family_title":"Pushback"},{"row_number":5,"project_title":"Zadnja klapa","applicant":"Telefilm d.o.o.","production_company":"Telefilm d.o.o.","director":"Zoran Margetić","writer":"Zoran Margetić","original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"120.000,00","approved_amount":120000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Telefilm d.o.o.","row_id":"b0c010a8:s0:e2b4f5cf20a3","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_6c77386f88f6","project_family_title":"Zadnja klapa"}],"section_total_text":"UKUPNO 620.000,00","section_total":620000.0}],"totals":{"ukupno_text":"UKUPNO 620.000,00","ukupno":620000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":620000.0,"ukupno_match":true,"row_count":5,"awarded_count":5,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":5}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje animirani razvoj scenarija_prvi rok_2024_WEB.pdf","filename_decoded":"Obrazlozenje animirani razvoj scenarija_prvi rok_2024_WEB.pdf","sha256":"b12319ecce819785601329c6f2bd070b3e94aed6dcbb1fe014dcb902b5aea6a3","bytes":97718,"page_count":2,"extracted_at":"2026-05-17T12:02:03Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje%20animirani%20razvoj%20scenarija_prvi%20rok_2024_WEB.pdf"},"raw_text":"1 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i projekata dugometražnih igrani, dugometražnih \ndokumentarnih i  animiranih filmova, 1. rok 2024. \nkategorija: razvoj scenarija, animirani film \nrok: 13.3.2024. \numjetnička savjetnica: Jelena Oroz \n \n \nNa javni poziv u ovom roku pristiglo je šest (6) projekata. \nOd toga samo jedan nije namijenjen djeci. \nDva su filma srednjeg metra, dva su dugometražna, a preostala dva nemaju točno \nnavedeno trajanje. \nTakođer, dvije su priče adaptacija književnog djela, a jedna je inspirirana stvarnim \ndogađajem. \n \nZa financiranje su predložena i odobrena dva (2)  projekta. Ukupni iznos financiranja \nje 10.000,00 €. \n \n1.  \nnaziv projekta: Magarčić Mate \nprodukcija: Arsen Anton Ostojić \nscenarij i režija: Arsen Anton Ostojić \niznos financiranja: 5.000,00 € \ntrajanje: dugometražni animirani film \ntehnika: 3D animacija \nMagarčić Mate priča je o malenom magarcu s Brača koji je usprkos preprekama i \nneodobravanju svoje okoline, uspio dokazati da njegov put ne mora biti kakvim su ga \ndrugi zamislili i da kao mali magarac može puno više od onog što mu je \npredodređeno. \nKada spasi dvoje djece od utapanja, mještani podižu spomenik u čast na njegovo \nherojsko djelo. \n \n \n \n \n \n\n\f\n2 \n \n2. \nnaziv projekta: Krila \nprodukcija:- \nscenarij: Maja Pavić \niznos financiranja: 5.000,00 € \ntrajanje: dugometražni animirani film \nTopla obiteljska priča inspirirana stvarnim akterima, ljubavna priča dvije rode, \nKlepetana i Malene. \nFilm prati Malenu otkako je bila mala roda, ranjena od strane čovjeka, ali i spašena \nzaslugom dobroćudnog seljaka koji se o njoj brine. \nAutorica opisuje susret Malene i Klepetana, koji usprkos raznim preprekama \nuspijevaju  ostati zajedno. Kroz film upoznajemo i razne druge likove, susrećemo se \ns neizvjesnim zapletima.  \nOno što je snaga ovog filma  jest što je ta priča zbilja stvarna, nesvakidašnja, utješna \ni  predivna. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2024,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_WEB_2016_2rok_DUG_DOK_11072016.pdf","filename_decoded":"RSC_WEB_2016_2rok_DUG_DOK_11072016.pdf","sha256":"b134241837b6f3b119991cfb2a705844619b6f5869430ae6fa3d0c507f7e8401","bytes":92878,"page_count":1,"extracted_at":"2026-05-17T10:24:26Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_WEB_2016_2rok_DUG_DOK_11072016.pdf"},"raw_text":"RAZVOJ\t\r  SCENARIJA\t\r  2016.\n-­‐\t\r  2.\t\r  ROK\nDUGOMETRAŽNI\t\r  DOKUMENTARNI\n1\nR.br.\nNASLOV\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nDrugi film u susjedstvu\nVida Guzmić\nStudio Pangolin\nVida Guzmić\n35,000.00\n2\nRadnice\nIvana Biočina\n35,000.00\n3\nŠkola hodanja 2\nDrago Kekanović, Jelena \nNovaković\nJelena Novaković\n35,000.00\n4\nUrbani film\nDavor Kanjir\n35,000.00\n5\nŽena je anđeo čuvar, \nako, nota bene, nije vrag.\nIrena Bosnić, Rade \nDragojević\n35,000.00\n6\nŽene.hr\nKatarina Zrinka Matijević\nKatarina Zrinka Matijević\n35,000.00\nUKUPNO\n210,000.00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija \ni razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2016. - 2. ROK - 11.7.2016.\ndugometražni dokumentarni film\nPRODUCENT\n75. sjednica Hrvatskog audiovizualnog vijeća, 28. listopada 2016.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_WEB_2016_2rok_DUG_DOK_11072016","year":2016,"rok":"2. rok","natjecaj_date":"2016-07-11","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"75. sjednica Hrvatskog audiovizualnog vijeća, 28. listopada 2016.","section_key":"75_sjednica_hrvatskog_audiovizualnog_vijeca_28_listopada_201","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Drugi film u susjedstvu","applicant":"Studio Pangolin","production_company":"Studio Pangolin","director":"Vida Guzmić","writer":"Vida 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umjetničke savjetnice o odlukama o donošenju liste prioriteta i raspodjeli \nsredstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2024. \ngodini, u kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (treći rok: \n15.07.2024.)  \n \nZdenka Gold, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim udjelom  \n \nNa treći rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2024. godini \nprijavljeno je 46 projekata. Od ukupnog broja prijavljenih, čak šest projekata nije razmatrano \njer nisu zadovoljili uvjete Javnog poziva.  \n \nOd prijavljenih projekata, obzirom na vrstu filma, najviše prijavljenih dolazi iz kategorije \ndugometražnog igranog filma, ukupno 34 (od toga 9 debitantskih dugometražnih igranih \nfilmova). 2 dugometražna igrana filma (od toga 1 debitantski), su u fazi postprodukcije. Za \ndugometražnim igranim filmovima slijede dugometražni dokumentarni i kratkometražni \nanimirani filmovi, svaki sa po 4 ukupne prijave (od toga su čak 3 dugometražna dokumentarna \nfilma u fazi postprodukcije). Zatim se po broju prijava ističu kratkometražni igrani filmovi s \nukupno 3 prijave. Nakon njih dolazimo do roda kratkometražnog dokumentarnog filma, od kojih \nje zaprimljena 1 prijava.  \n \nVRSTA FILMA \nBROJ \nPRIJAVA \nDebitantski dugometražni igrani i \ndugometražni igrani \n34 \nKratkometražni igrani \n3 \nDugometražni dokumentarni \n4 \nKratkometražni dokumentarni \n1 \nDugometražni animirani \n0 \nKratkometražni animirani \n4 \nUKUPNO \n46 \n \n \nOd prijavljenih projekata, obzirom na zemlju iz koje dolazi glavni producent, odnosno \nprodukcijska kuća s većinskim udjelom u financiranju, brojevi nam ponovno svjedoče o velikoj \nraznolikosti, vrlo sličnoj kao i na prethodnim Javnim pozivima: većinski producenti iz 17 zemalja \nplaniraju u svojim planovima financiranja učešće Hrvatske. Tradicionalno, najveći broj prijava, \n70% od ukupnog broja, stigao je s područja s kojima dijelimo jezičnu sličnost – Srbija, Slovenija, \nBosna i Hercegovina, Crna Gora i Sjeverna Makedonija.  \n \nZEMLJA VEĆINSKOG PRODUCENTA \nBROJ \nPRIJAVA \nSrbija \n15 \nSlovenija \n7 \n\n\f\nCrna Gora \n5 \nBosna i Hercegovina \n3 \nSjeverna Makedonija \n2 \nItalija  \n2 \nČeška \n2 \nBugarska \n1 \nRumunjska  \n1 \nPoljska \n1 \nSlovačka \n1 \nTurska \n1 \nNorveška \n1 \nGrčka \n1 \nŠpanjolska \n1 \nUkrajina \n1 \nUK \n1 \nUKUPNO \n46 \n \n \nKriteriji za predlaganje projekata za sufinanciranje temelje se na:  \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i \nredateljski koncept;  \n2. Ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala projekta, s \nobzirom na produkcijski paket i producentov plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje \nprojekata.  \n \n \nFilmovi predloženi i odobreni za sufinanciranje, s ukupnim iznosom sufinanciranja 312.000 \nEUR: \n \n1.) Dugometražni igrani film Narodna drama (Srbija), hrvatska produkcijska kuća Kinorama, \n90.000,00 EUR \n2.) Dugometražni igrani film Put kući (Doigravanje) (Bosna i Hercegovina), hrvatska \nprodukcijska kuća Hulahop, 89.000,00 EUR \n3.) Dugometražni igrani film Lavina (Turska), hrvatska produkcijska kuća Filmosaurus Rex, \n60.000,00 EUR \n4.) Dugometražni dokumentarni film Yugo ide u Ameriku (Srbija), hrvatska produkcijska \nkuća Restart, 26.000,00 EUR - film u fazi postprodukcije \n5.) Kratkometražni igrani film U podne puška (Crna Gora), hrvatska produkcijska kuća \nKinoteka, 19.000,00 EUR \n6.) Kratkometražni animirani film Noras Ark (Norveška), hrvatska produkcijska kuća Damm \nit, 28.000,00 EUR \n \n\n\f\n \nOBRAZLOŽENJA \n \n1. Dugometražni igrani film Narodna drama (Srbija), hrvatska produkcijska kuća Kinorama, \n90.000,00 EUR \n \nScenarij za film Narodna drama redateljice Mirjane Karanović i scenarista Bojana \nVuletića, adaptiran prema dramskom tekstu Olge Dimitrijević, pokazuje visoku razinu \nkvalitete. Priča o Ankinoj transformaciji od pokorne djevojke do hrabre žene koja \npreuzima kontrolu nad svojim životom prikazana je jasno i uvjerljivo, s dobrom \ndramaturškom dosljednošću i realnim likovima. Ankin razvoj i unutarnje borbe su \nprikazani s dubinom i kompleksnošću, dok su dijalozi prirodni i autentični. \nScenarij je izrazito suvremen i relevantan, obrađujući univerzalne teme osobne slobode i \nidentiteta koje su značajne za hrvatsku i svjetsku audiovizualnu umjetnost. Prikazivanje \nAnkinog bijega iz tradicionalnih okvira i suočavanje s izazovima u velikom gradu kao i sa \nsamom sobom, donosi filmu dodatnu relevantnost. Inovativan pristup u razvoju likova i \nnjihovim međusobnim interakcijama doprinosi originalnosti i svježini filma. Scenarij nudi \nsnažan temelj za emotivno i intelektualno angažiran filmski projekt koji će biti, vjerujem, \njednako uspješan na filmskim festivalima kao i kod kino publike. \n \n2. Dugometražni igrani film Put kući (Doigravanje) (Bosna i Hercegovina), hrvatska \nprodukcijska kuća Hulahop, 89.000,00 EUR \n \nScenarij za film Put kući (Doigravanje), koji supotpisuju redateljica Ines Tanović i \nkoscenarist Adnan Lugonić, pokazuje visoku kvalitetu u nekoliko ključnih aspekata. Priča \no Đuli, izbjeglici koja se suočava s traumama prošlosti dok se vraća u svoj rodni grad, \nispričana je vješto i jasno. Radnja je dobro strukturirana, a likovi su slojeviti i uvjerljivi, s \nprirodnim dijalozima koji dodaju vjerodostojnost cijeloj priči. \nScenarij je dramaturški dosljedan i tematski relevantan, baveći se suvremenim pitanjima \nratnih trauma i emocionalnih posljedica, osobnih sloboda i suočavanja s prošlošću što ga \nčini značajnim za hrvatsku i svjetsku audiovizualnu umjetnost. Prikaz Đulinog povratka u \nrodni grad i suočavanje s posljedicama prošlosti donosi originalan i emotivan pristup \ntemi, pružajući snažno i angažirano iskustvo. \nInovativan je u svom pristupu, nudeći originalnu perspektivu na temu suočavanja s \nposljedicama rata i unutarnjeg nemira. \nFilm nudi duboko emotivno iskustvo i značajnu umjetničku vrijednost, istovremeno \nistražujući kompleksne unutarnje borbe glavne junakinje, a ta će kombinacija sigurno \nzaintrigirati selektore filmskih festivala, kao i publiku koja prati festivalske uspješnice. \n \n3. Dugometražni igrani film Lavina (Turska), hrvatska produkcijska kuća Filmosaurus Rex, \n60.000,00 EUR \n \nScenarij za film autora Erdema Tepegöza uspješno stvara magični svijet malog sela koji \nfascinira i iznenađuje. Priča, temeljena na kazališnom komadu Tuncera Cücenoğlua, \n\n\f\njednostavna je u naraciji, ali složena u značenjima i metaforama. Dramaturška \ndosljednost održava napetost i relevantnost priče, dok autentični likovi i moćni dijalozi \ndoprinose uvjerljivosti. Posebno je zanimljiv prikaz seljana koji žive u stalnom strahu od \nlavine te pokušavaju živjeti u savršenoj tišini kako ne bi pokrenuli lavinu, što dodaje sloj \ndramatičnosti i napetosti. U takvom okruženju, radnja se usredotočuje na trudnu ženu \nčija prisutnost izaziva kršenje strogo kontroliranih pravila, što dodatno naglašava temu \ndruštvenih normi i osobne borbe. Iako priča koristi fantastične elemente, bavi se \nsuvremenim i relevantnim temama, što je čini značajnom za hrvatsku i globalnu \naudiovizualnu umjetnost. Scenaristički pristup pokazuje inovativnost kroz stvaranje \njedinstvenog svijeta i emocionalne priče koja uspješno rezonira s publikom. Ovaj film bit \nće prava poslastica za filmske festivale.  \n \n4. Dugometražni dokumentarni film Yugo ide u Ameriku (Srbija), hrvatska produkcijska \nkuća Restart, 26.000,00 EUR - film u fazi postprodukcije \n \nTreatment i rough cut filma Yugo ide u Ameriku redatelja Filipa Grujića i Alekse \nBorkovića donose nostalgičnu i emotivnu priču o Filipovom putovanju kroz Ameriku u \nlegendarnom “Jugiću”, simbolu njegovog djetinjstva i bivše Jugoslavije. Priča je \npodijeljena na tri razine: Filipovo osobno putovanje, Yugo kao simbol s vlastitim \"drugim \nživotom\" te povijesni kontekst kroz intervjue s ključnim osobama povezanim s Yugom u \nAmerici. Arhivski materijali, vojsoverska naracija i dokumentaristički pristup pridonose \nautentičnosti filma. Treatment vješto kombinira osobno i kolektivno sjećanje, dok rough \ncut pokazuje potencijal za daljnji razvoj naracije i likova, uz zanimljivu i originalnu temu. \nOvaj film ima vrlo snažan festivalski potencijal, kao i potencijal privlačenja publike u kina \ni pred male ekrane. \n \n5. Kratkometražni igrani film U podne puška (Crna Gora), hrvatska produkcijska kuća \nKinoteka, 19.000,00 EUR \n \nScenarij filma U podne puška, redatelja i scenariste Andra Martinovića, adaptirana je \npriča Tijane Rakočević \"Svrbjeli me prsti\". Donosi snažnu poruku o opasnostima \nposjedovanja oružja, posebno u prisutnosti djece. Film uspješno održava napetost, \nsuptilno prikazujući mogući tragičan ishod bez eksplicitnog nasilja, što doprinosi \ndojmljivosti. Likovi roditelja su dobro razvijeni, dok djeca djeluju prirodno i bezbrižno, \nčime se pojačava emocionalna angažiranost gledatelja. Tema je relevantna jer naglašava \nprisutnost oružja u domovima i potencijalne opasnosti. Film je inovativan u pristupu, \noslanjajući se na sugestivnost umjesto eksplicitnosti, što ostavlja snažan dojam i potiče \nna razmišljanje. Film posjeduje snažan festivalski potencijal, a istovremeno pruža pregršt \nmogućnosti za posebne projekcije, kao i visoku gledanost na TV i VOD platformama.  \n \n6. Kratkometražni animirani film Noras Ark (Norveška), hrvatska produkcijska kuća Damm \nit, 28.000,00 EUR \n \n\n\f\nFilm \"Noras Ark\" redatelja Endrea Lunda Eriksena i Isaka Gjertsena donosi dirljivu priču o \ndesetogodišnjoj Nori koja, unatoč očevom protivljenju, pokreće spasilačku akciju za \ninsekte tijekom poplave izazvane klimatskim promjenama. Kroz animaciju digital cut-out \ntehnike, film prikazuje složen odnos između oca i kćeri, istovremeno se baveći važnom \ntemom klimatskih promjena. Nora je inspirativan lik čija odlučnost i empatija donose \nhumor i toplinu, dok je cijela priča prožeta razrađenim dijalozima i snažnom ekološkom \nporukom, čineći film relevantnim za suvremenu publiku. \nFilm ima izrazit festivalski potencijal što dokazuje i prodajni agent filma New Europe Film \nSales koji je rano prepoznao potencijal ovog filma. Također, svojom temom omogućava \nposebne projekcije namijenjene djeci kao i dobru eksploataciju preko TV i VOD \nplatformi.  \n \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2024,"rok":"3. rok","referenced_projects":["Narodna drama","Put kući (Doigravanje)","Lavina","Yugo ide u Ameriku","U podne puška","Noras Ark"],"summary":"Obrazloženje umjetničke savjetnice Zdenke Gold za 3. rok 2024. (15.07.2024.) za filmske koprodukcije s manjinskim hrvatskim udjelom: od 46 prijavljenih projekata predloženo je i odobreno 6 u ukupnom iznosu od 312.000 EUR.","project_links":[{"source_title":"Narodna drama","family_id":"pf_3fdd3254797b","family_title":"Narodna drama","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Put kući (Doigravanje)","family_id":"pf_b4f6450025bc","family_title":"PUT KUĆI (Doigravanje)","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Lavina","family_id":"pf_613e5bc7e271","family_title":"Lavina","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Yugo ide u Ameriku","family_id":"pf_7bd5c518761a","family_title":"Yugo ide u Ameriku","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"U podne puška","family_id":"pf_0e67724bf51d","family_title":"U podne puška","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Noras Ark","family_id":"pf_3b806f6c5d3f","family_title":"Noras Ark","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.0","doc_type":"image_only","source":{"filename":"Natje%C4%8Daj%20za%20voditelja%20ustrojstvene%20jedinice%201%20i%20vi%C5%A1i%20savjetnik%201.pdf","filename_decoded":"Natje%C4%8Daj%20za%20voditelja%20ustrojstvene%20jedinice%201%20i%20vi%C5%A1i%20savjetnik%201.pdf","sha256":"b1763b28c4f500a457ac9e960a7531c498bbbab4d1cc10231146e2fd9f9edd59","bytes":221103,"page_count":4,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje _ igrani film 16.4. RS RP.pdf","filename_decoded":"Obrazlozenje _ igrani film 16.4. RS RP.pdf","sha256":"b1891afd8636fb7a9e42a4fd2e760fc54e9b681710236c14ba791e674595d496","bytes":104769,"page_count":11,"extracted_at":"2026-05-17T12:02:03Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje%20%E2%80%93%20igrani%20film%2016.4.%20RS%20RP.pdf"},"raw_text":"\t\r  \r  \n1\t\r  \nJavni\t\r  poziv\t\r  za\t\r  poticanje\t\r  audiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  -­‐\t\r  kategorija:\t\r  \npoticanje\t\r  razvoja\t\r  scenarija\t\r  i\t\r  razvoja\t\r  projekata\t\r  dugometražnih\t\r  igranih,\t\r  \ndugometražnih\t\r  dokumentarnih\t\r  i\t\r  animiranih\t\r  filmova\t\r  -­‐\t\r  podkategorija:\t\r  \t\r  \nRAZVOJ\t\r  PROJEKATA\t\r  u\t\r  2020.\t\r  -­‐\t\r  1.\t\r  ROK\t\r  -­‐\t\r  6.4.2020.\t\r  \n\t\r  \nDUGOMETRAŽNI\t\r  IGRANI\t\r  FILM\t\r  \n\t\r  \nUmjetnički\t\r  savjetnici:\t\r  Pavlica\t\r  Bajsić\t\r  Brazzoduro,\t\r  Danilo\t\r  Šerbedžija\t\r  i\t\r  Zdenka\t\r  Gold\t\r  \n\t\r  \nNa\t\r  Javni\t\r  poziv\t\r  za\t\r  poticanje\t\r  razvoja\t\r  projekata\t\r  dugometražnog\t\r  igranog\t\r  filma\t\r  u\t\r  2020.\t\r  \ngodini\t\r  na\t\r  prvom\t\r  roku\t\r  prijavilo\t\r  se\t\r  ukupno\t\r  15\t\r  projekata.\t\r  Jedan\t\r  projekt\t\r  je\t\r  povučen\t\r  s\t\r  \nJavnog\t\r  poziva\t\r  te\t\r  ga\t\r  nismo\t\r  razmatrali.\t\r  \nOdlučili\t\r  smo\t\r  poduprijeti\t\r  sveukupno\t\r  četiri\t\r  filma\t\r  za\t\r  razvoj\t\r  projekta\t\r  te\t\r  smo\t\r  dodatna\t\r  \nčetiri\t\r  filma\t\r  koji\t\r  su\t\r  bili\t\r  prijavljeni\t\r  za\t\r  proizvodnju\t\r  preporučili\t\r  na\t\r  razvoj\t\r  projekta.\t\r  \nSveukupno\t\r  smo\t\r  odabrali\t\r  osam\t\r  filmova\t\r  za\t\r  razvoj\t\r  projekta.\t\r  \n\t\r  \n\t\r  \nFilmovi\t\r  prijavljeni\t\r  za\t\r  proizvodnju\t\r  \n\t\r  \nJimmy\t\r  L\t\r  \nScenarij:\t\r  Pavao\t\r  Marinković\t\r  \nRežija:\t\r  Pavao\t\r  Marinković\t\r  \nProducent:\t\r  Telefilm\t\r  \n140.000,00\t\r  kn\t\r  \n\t\r  \nScenarist\t\r  i\t\r  redatelj\t\r  Pavao\t\r  Marinković\t\r  je\t\r  senzacionalnu,\t\r  a\t\r  nepoznatu\t\r  povijesnu\t\r  priču\t\r  o\t\r  \ntamnoputom\t\r  boksaču\t\r  u\t\r  Zagrebu\t\r  u\t\r  vrijeme\t\r  Drugog\t\r  svjetskog\t\r  rata\t\r  pretočio\t\r  u\t\r  filmski\t\r  \nscenarij\t\r  koji,\t\r  osim\t\r  domaćeg\t\r  kino\t\r  hita,\t\r  zasigurno\t\r  ima\t\r  potencijal\t\r  u\t\r  međunarodnoj\t\r  kino\t\r  \ni\t\r  festivalskog\t\r  distribuciji.\t\r  \n\t\r  \nJIMMY\t\r  L\t\r  je\t\r  povijesna\t\r  romantična\t\r  drama\t\r  koja,\t\r  iako\t\r  je\t\r  smještena\t\r  u\t\r  vrijeme\t\r  \nneposredno\t\r  prije\t\r  i\t\r  za\t\r  vrijeme\t\r  Drugog\t\r  svjetskog\t\r  rata,\t\r  u\t\r  sebi\t\r  problematizira\t\r  nekoliko\t\r  \nvrlo\t\r  jakih\t\r  i\t\r  aktualnih\t\r  tema\t\r  današnjice.\t\r  Bez\t\r  obzira\t\r  što\t\r  živimo\t\r  vrijeme\t\r  80\t\r  godina\t\r  nakon\t\r  \nzbivanja\t\r  o\t\r  kojima\t\r  govori\t\r  ovaj\t\r  film,\t\r  mi\t\r  smo\t\r  i\t\r  dalje\t\r  svjedoci\t\r  rasne\t\r  neravnopravnosti.\t\r  \nTakođer\t\r  ovaj\t\r  film\t\r  u\t\r  sebi\t\r  nosi\t\r  i\t\r  univerzalni\t\r  mefistovski\t\r  motiv,\t\r  konkretno\t\r  \nproblematizira\t\r  mogućnost\t\r  osobnog\t\r  izbora\t\r  i\t\r  odgovornosti\t\r  u\t\r  određenim\t\r  povijesnim\t\r  \nokolnostima\t\r  i\t\r  njihov\t\r  utjecaj\t\r  na\t\r  karakter\t\r  i\t\r  sudbinu\t\r  svojih\t\r  junaka.\t\r  Zato\t\r  je\t\r  JIMMY\t\r  L\t\r  \npravi\t\r  spoj\t\r  lokalne\t\r  i\t\r  univerzalne\t\r  teme,\t\r  kakav\t\r  imamo\t\r  prilike\t\r  rijetko\t\r  vidjeti\t\r  u\t\r  našoj\t\r  \nkinematografiji\t\r  i\t\r  kojeg\t\r  treba\t\r  snažno\t\r  podržati\t\r  na\t\r  razvojnom\t\r  putu\t\r  do\t\r  filma.\t\r  \t\r  \n\t\r  \nCigla\t\r  \n(adaptacija\t\r  kazališne\t\r  drame\t\r  Cigla\t\r  Filipa\t\r  Šovagovića)\t\r  \t\r  \t\r  \t\r  \nScenarij:\t\r  Filip\t\r  Šovagović\t\r  \nRežija:\t\r  Filip\t\r  Šovagović\t\r  \nProducent:\t\r  Zona\t\r  Sova\t\r  \n100.000,00\t\r  kn\t\r  \n\n\f\n\t\r  \r  \n2\t\r  \n\t\r  \n\"Cigla\"\t\r  govori\t\r  o\t\r  nekonvencionalnoj\t\r  obitelji\t\r  Ciglenečki\t\r  za\t\r  vrijeme\t\r  i\t\r  neposredno\t\r  nakon\t\r  \nrata\t\r  u\t\r  Hrvatskoj.\t\r  Scenarij\t\r  napisan\t\r  po\t\r  istoimenoj\t\r  nagrađivanoj\t\r  drami,\t\r  te\t\r  kazališnoj\t\r  \npredstavi\t\r  i\t\r  svjetski\t\r  uspješnoj\t\r  radiodrami.\t\r  Na\t\r  efektan\t\r  i\t\r  duhovit\t\r  način\t\r  autor\t\r  kroz\t\r  svoje\t\r  \nlikove\t\r  progovara\t\r  o\t\r  općem\t\r  stanju\t\r  u\t\r  društvu\t\r  devedesetih\t\r  godina\t\r  prošlog\t\r  stoljeća.\t\r  \nScenarij\t\r  je\t\r  podijeljen\t\r  na\t\r  sekvence\t\r  koje\t\r  autor\t\r  planira\t\r  odrađivati\t\r  po\t\r  principu\t\r  kadar\t\r  -­‐\t\r  \nsekvenca.\t\r  Šovagović\t\r  u\t\r  svojoj\t\r  interesantno\t\r  napisanoj\t\r  redateljskoj\t\r  koncepciji\t\r  opisuje\t\r  \nnačin\t\r  snimanja\t\r  te\t\r  vrlo\t\r  precizno\t\r  dočarava\t\r  veoma\t\r  zahtjevne\t\r  pokrete\t\r  kamere.\t\r  \t\r  \nSmatramo\t\r  ovaj\t\r  originalan\t\r  projekt\t\r  važnim\t\r  za\t\r  raznolikost\t\r  hrvatske\t\r  AV\t\r  industrije.\t\r  Ovaj\t\r  \nfilm\t\r  ima\t\r  festivalsku\t\r  perspektivu,\t\r  a\t\r  mogao\t\r  bi\t\r  imati\t\r  i\t\r  dobru\t\r  kino\t\r  gledanost\t\r  s\t\r  obzirom\t\r  \nna\t\r  popularnost\t\r  originalnog\t\r  predloška.\t\r  \n\t\r  \n\t\r  \nPočinje\t\r  bitka\t\r  \nScenarij:\t\r  Dejan\t\r  Šorak\t\r  \nRežija:\t\r  Dejan\t\r  Šorak\t\r  \nProducent:\t\r  Inter\t\r  film\t\r  \n120.000,00\t\r  kn\t\r  \n\t\r  \nScenarij\t\r  “POČINJE\t\r  BITKA!”\t\r  sadržava\t\r  u\t\r  sebi\t\r  vrlo\t\r  obećavajuću\t\r  priču\t\r  obilježavanja\t\r  500.\t\r  \ngodišnjice\t\r  Žumberačke\t\r  bitke.\t\r  Lokalna\t\r  zajednica\t\r  dobila\t\r  je\t\r  od\t\r  EU\t\r  fonda\t\r  novac\t\r  za\t\r  \nobilježavanje\t\r  godišnjice\t\r  spomenute\t\r  bitke.\t\r  Zajednica,\t\r  vrlo\t\r  jasno\t\r  \nklasno\t\r  podijeljena,\t\r  kreće\t\r  u\t\r  organiziranje\t\r  obljetnice…\t\r  \nRedateljska\t\r  koncepcija\t\r  je\t\r  kvalitetno\t\r  napisana\t\r  i\t\r  pregledna,\t\r  te\t\r  je\t\r  jasno\t\r  opisan\t\r  svaki\t\r  \nstupanj\t\r  produkcije.\t\r  \nKao\t\r  što\t\r  to\t\r  i\t\r  sam\t\r  autor\t\r  kaže:\t\r  \"POČINJE\t\r  BITKA!”\t\r  je\t\r  komedija\t\r  u\t\r  kojoj\t\r  se\t\r  na\t\r  zabavan,\t\r  a\t\r  \nujedino\t\r  opor\t\r  način,\t\r  zrcali\t\r  naše\t\r  vrijeme\t\r  i\t\r  hrvatsko\t\r  društvo\"\t\r  i\t\r  kao\t\r  takva\t\r  je\t\r  potencijalni\t\r  \nkino\t\r  hit.\t\r  \t\r  \n\t\r  \n\t\r  \nHeroj\t\r  ulice\t\r  \nScenarij:\t\r  Igor\t\r  Filipović\t\r  \nRežija:\t\r  Igor\t\r  Filipović\t\r  \nProducent:\t\r  Menorah\t\r  film\t\r  \n140.000,00\t\r  kn\t\r  \n\t\r  \nHEROJ\t\r  ULICE\t\r  scenarista\t\r  i\t\r  redatelja\t\r  Igora\t\r  Filipovića,\t\r  produkcijske\t\r  kuće\t\r  Menorah\t\r  prati\t\r  \nratna\t\r  zbivanja\t\r  kroz\t\r  koja\t\r  prolazi\t\r  grupa\t\r  hrvatskih\t\r  branitelja\t\r  pripadnika\t\r  izviđačke\t\r  \npostrojbe\t\r  te\t\r  njihovo\t\r  snalaženje\t\r  odnosno\t\r  nesnalaženje\t\r  u\t\r  \"civilnom\"\t\r  životu,\t\r  van\t\r  \nratišta.\t\r  \nOvaj\t\r  scenarij\t\r  je\t\r  ugodno\t\r  osvježenje\t\r  kad\t\r  govorimo\t\r  o\t\r  filmovima\t\r  i\t\r  scenarijima\t\r  o\t\r  \ndomovinskom\t\r  ratu.\t\r  On\t\r  je\t\r  vrlo\t\r  realističan,\t\r  likovi\t\r  su\t\r  od\t\r  krvi\t\r  i\t\r  mesa,\t\r  vjeruje\t\r  im\t\r  se,\t\r  nose\t\r  \nsa\t\r  sobom\t\r  i\t\r  dobro\t\r  i\t\r  zlo,\t\r  nisu\t\r  bogom\t\r  dani\t\r  heroji\t\r  neupitnog\t\r  karaktera\t\r  nego\t\r  ljudi\t\r  koji\t\r  i\t\r  \ngriješe,\t\r  a\t\r  ujedno\t\r  su\t\r  i\t\r  istinski\t\r  heroji.\t\r  Priča\t\r  je\t\r  to\t\r  o\t\r  jednoj\t\r  generaciji\t\r  koja\t\r  je\t\r  iznijela\t\r  \nDomovinski\t\r  rat\t\r  te\t\r  o\t\r  poslijedicama\t\r  ratnih\t\r  stradanja.\t\r  \nKvalitetna\t\r  redateljska\t\r  koncepcija\t\r  daje\t\r  sigurnost\t\r  u\t\r  redatelja\t\r  te\t\r  jasno\t\r  dočarava\t\r  \n\n\f\n\t\r  \r  \n3\t\r  \nredateljeve\t\r  želje\t\r  i\t\r  viziju.\t\r  U\t\r  njoj\t\r  redatelj\t\r  iznosi\t\r  karakterizaciju\t\r  likova,\t\r  vizualizaciju\t\r  te\t\r  u\t\r  \ndetalje\t\r  opisuje\t\r  proces\t\r  predprodukcije,\t\r  od\t\r  traženja\t\r  lokacija\t\r  do\t\r  rada\t\r  s\t\r  glumcima\t\r  što\t\r  je,\t\r  \ns\t\r  obzirom\t\r  na\t\r  ratnu\t\r  tematiku,\t\r  itekako\t\r  važno\t\r  u\t\r  ovom\t\r  projektu.\t\r  \nOvaj\t\r  film\t\r  mogao\t\r  bi\t\r  imati\t\r  dobru\t\r  gledanost\t\r  s\t\r  obzirom\t\r  na\t\r  ratnu\t\r  tematiku,\t\r  čak\t\r  i\t\r  van\t\r  \ngranica\t\r  Hrvatske\t\r  jer\t\r  govori\t\r  o\t\r  univerzalnim\t\r  problemima\t\r  ljudi\t\r  u\t\r  ratu\t\r  i\t\r  nakon\t\r  njega.\t\r  \n\t\r  \n\t\r  \nFilmovi\t\r  prijavljeni\t\r  za\t\r  razvoj\t\r  projekta\t\r  \n \nBirdie\t\r  \nScenarij:\t\r  Jasna\t\r  Nanut\t\r  \nRežija:\t\r  Jasna\t\r  Nanut\t\r  \nProducent:\t\r  Petnaesta\t\r  umjetnost\t\r  \n100.000,00\t\r  kn\t\r  \n\t\r  \nBirdie\t\r  je,\t\r  kako\t\r  sama\t\r  autorica\t\r  kaže:\t\r  \"gorko-­‐slatka\t\r  priča\t\r  o\t\r  neostvarenoj\t\r  ljubavi\t\r  u\t\r  \nkorporativnom\t\r  europskom\t\r  okruženju,\t\r  ujedino\t\r  priča\t\r  o\t\r  nezahvalnom\t\r  položaju\t\r  mladog\t\r  \nčovjeka\t\r  s\t\r  naših\t\r  prostora\t\r  u\t\r  nemilosrdnoj\t\r  tuđini\t\r  gdje\t\r  često\t\r  ostajemo\t\r  samo\t\r  i\t\r  isključivo\t\r  \nstranci,\t\r  kao\t\r  i\t\r  priča\t\r  o\t\r  položaju\t\r  nezaštićene\t\r  žene\t\r  u\t\r  svijetu\t\r  kojim\t\r  vladaju\t\r  muškarci.\"\t\r  \nNa\t\r  ovom\t\r  scenariju\t\r  vidljiv\t\r  je\t\r  dug\t\r  i\t\r  opsežan\t\r  rad\t\r  autorice\t\r  na\t\r  scenarističkim\t\r  radionicama\t\r  \nDHFR-­‐a\t\r  te\t\r  Less\t\r  is\t\r  More\t\r  (mentor:\t\r  Razvan\t\r  Radulescu!).\t\r  Redateljska\t\r  koncepcija\t\r  je\t\r  \nizuzetno\t\r  kvalitetna,\t\r  opširna\t\r  te\t\r  omogućuje\t\r  detaljan\t\r  uvid\t\r  u\t\r  redateljičine\t\r  nakane\t\r  te\t\r  \nvizualizaciju\t\r  ovog\t\r  scenarija.\t\r  \t\r  \nOvaj\t\r  projekt\t\r  treba\t\r  podržati\t\r  jer\t\r  ima\t\r  veliki\t\r  festivalski\t\r  potencijal,\t\r  a\t\r  ne\t\r  treba\t\r  unaprijed\t\r  \nniti\t\r  odustati\t\r  od\t\r  gledanosti\t\r  u\t\r  kinima\t\r  jer\t\r  ima\t\r  veoma\t\r  intrigantnu\t\r  temu\t\r  koja\t\r  može\t\r  \nzainteresirati\t\r  gledatelje\t\r  željne\t\r  pametnog\t\r  i\t\r  duhovitog\t\r  filma.\t\r  \n \n\t\r  \nGlavonja\t\r  \nScenarij:\t\r  Juraj\t\r  Rayman\t\r  \nRežija:\t\r  Marina\t\r  Andree\t\r  Škop,\t\r  Vanda\t\r  Raymanova\t\r  \nProducent:\t\r  Studio\t\r  dim\t\r  \n120.000,00\t\r  kn\t\r  \n\t\r  \nDesetogodišnja\t\r  djevojčica\t\r  Alisa\t\r  se\t\r  osjeća\t\r  zapostavljenom\t\r  jer\t\r  njeni\t\r  roditelji\t\r  svu\t\r  svoju\t\r  \npažnju\t\r  posvećuju\t\r  njenom,\t\r  tri\t\r  godine\t\r  starijem,\t\r  autističnom\t\r  bratu\t\r  Glavonji\t\r  koji\t\r  živi\t\r  u\t\r  \nsvom\t\r  unutarnjem\t\r  svijetu\t\r  i\t\r  ni\t\r  s\t\r  kim\t\r  ne\t\r  komunicira.\t\r  \nGLAVONJA\t\r  je\t\r  potencijalni\t\r  dječji\t\r  kino\t\r  hit\t\r  s\t\r  djevojčicom\t\r  kao\t\r  glavnom\t\r  junakinjom.\t\r  \nTakođer,\t\r  on\t\r  je\t\r  spoj\t\r  retro\t\r  detektivskog\t\r  filma\t\r  kušanovskog\t\r  stila,\t\r  ali\t\r  koji\t\r  u\t\r  isto\t\r  vrijeme\t\r  \nozbiljno\t\r  progovara\t\r  o\t\r  bolnoj\t\r  točki\t\r  svakog\t\r  društva\t\r  kao\t\r  i\t\r  najuže\t\r  zajednice:\t\r  kako\t\r  se\t\r  \nunutar\t\r  i\t\r  van\t\r  obitelji\t\r  nositi\t\r  s\t\r  poremećajem\t\r  iz\t\r  autističnog\t\r  spektra.\t\r  \nFilm\t\r  koji\t\r  će,\t\r  vjerujemo,\t\r  s\t\r  jedne\t\r  strane\t\r  emotivno\t\r  osnažiti\t\r  gledatelje\t\r  koji\t\r  sami\t\r  prolaze\t\r  \nslično\t\r  iskustvo,\t\r  a\t\r  s\t\r  druge\t\r  strane,\t\r  u\t\r  široj\t\r  perspektivi,\t\r  ukazati\t\r  na\t\r  socijalni\t\r  problem\t\r  koji\t\r  \nje\t\r  samo\t\r  deklarativno\t\r  prisutan\t\r  u\t\r  javnom\t\r  diskursu.\t\r  Jer,\t\r  kao\t\r  što\t\r  znamo,\t\r  svako\t\r  društvo\t\r  \nje\t\r  jako\t\r  u\t\r  onoj\t\r  mjeri\t\r  u\t\r  kojoj\t\r  je\t\r  u\t\r  stanju\t\r  brinuti\t\r  se\t\r  i\t\r  razumijeti\t\r  svog\t\r  najranjivijeg\t\r  člana.\t\r  \t\r  \n\t\r  \n\n\f\n\t\r  \r  \n4\t\r  \nČvrsto\t\r  autorsko\t\r  partnerstvo\t\r  sa\t\r  slovačkim\t\r  kolegama\t\r  jamči\t\r  olakšanu\t\r  koprodukciju\t\r  i\t\r  \ndistribuciju\t\r  ovog\t\r  budućeg\t\r  dječjeg\t\r  kino\t\r  hita.\t\r  Studio\t\r  dim\t\r  se\t\r  na\t\r  prethodnom\t\r  projektu\t\r  \nza\t\r  djecu\t\r  \t\r  („Moj\t\r  dida\t\r  je\t\r  pao\t\r  s\t\r  Marsa“)\t\r  dokazao\t\r  kao\t\r  uspješan\t\r  u\t\r  međunarodnoj\t\r  \nkoprodukcijskoj\t\r  strategiji\t\r  i\t\r  realizaciji.\t\r  \n\t\r  \n\t\r  \nOstavi\t\r  vrata\t\r  otvorena\t\r  \nScenarij:\t\r  Judita\t\r  Gamulin\t\r  \nRežija:\t\r  Judita\t\r  Gamulin\t\r  \nProducent:\t\r  Eclectica\t\r  \n100.000,00\t\r  kn\t\r  \n\t\r  \nČetiri\t\r  različite\t\r  obitelji\t\r  dolaze\t\r  u\t\r  IKEA\t\r  trgovinu\t\r  –\t\r  stariji\t\r  bračni\t\r  par,\t\r  mlađi\t\r  par\t\r  s\t\r  \nroditeljima,\t\r  bračni\t\r  par\t\r  s\t\r  djecom,\t\r  zaposlenik\t\r  s\t\r  ocem.\t\r  Specifično\t\r  okruženje\t\r  povećava\t\r  \nobiteljske\t\r  napetosti.\t\r  Jedan\t\r  događaj\t\r  prekida\t\r  sve\t\r  svađe.\t\r  \t\r  \nRadnja\t\r  ovog\t\r  filma\t\r  u\t\r  potpunosti\t\r  je\t\r  smještena\t\r  u\t\r  jedinstven\t\r  i\t\r  svima\t\r  nam\t\r  poznati\t\r  \nprostor\t\r  trgovine\t\r  IKEA.\t\r  Upravo\t\r  ta\t\r  činjenica\t\r  može\t\r  biti\t\r  velika\t\r  prednost\t\r  i\t\r  pobuditi\t\r  \ninteres\t\r  za\t\r  filmom\t\r  kod\t\r  potencijalne\t\r  publike,\t\r  jer\t\r  je\t\r  prepoznavanje\t\r  i\t\r  identifikacija\t\r  sa\t\r  \nlikovima\t\r  i\t\r  situacijama\t\r  u\t\r  tom\t\r  prostoru\t\r  vrlo\t\r  prirodna,\t\r  no\t\r  ona\t\r  ujedno\t\r  može\t\r  biti\t\r  i\t\r  velika\t\r  \nzamka.\t\r  U\t\r  redateljskoj\t\r  koncepciji,\t\r  koja\t\r  je\t\r  iscrpna\t\r  i\t\r  kvalitetno\t\r  je\t\r  napisana,\t\r  vidi\t\r  se\t\r  da\t\r  \nredateljica\t\r  zna\t\r  točno\t\r  što\t\r  želi\t\r  da\t\r  gledatelji\t\r  dožive.\t\r  \t\r  \nRedateljica\t\r  i\t\r  produkcijska\t\r  kuća\t\r  surađuju\t\r  na\t\r  kratkim\t\r  filmovima\t\r  i\t\r  veseli\t\r  nas\t\r  što\t\r  \nmožemo\t\r  poduprijeti\t\r  daljnji\t\r  razvoj\t\r  ove\t\r  vrlo\t\r  kreativne\t\r  i\t\r  uspješne\t\r  suradnje\t\r  kroz\t\r  \nredateljičin\t\r  dugometražni\t\r  prvijenac.\t\r  \n\t\r  \nŽENE.HR\t\r  \nScenarij:\t\r  Katarina\t\r  Zrinka\t\r  Matijević\t\r  \t\r  \nRežija:\t\r  Katarina\t\r  Zrinka\t\r  Matijević\t\r  \nProducent:\t\r  Wolfgang\t\r  i\t\r  Dolly\t\r  \n140.000,00\t\r  kn\t\r  \n\t\r  \nTri\t\r  žene\t\r  iz\t\r  hrvatske\t\r  povijesti,\t\r  političarka\t\r  i\t\r  ratnica,\t\r  carica\t\r  Jelena\t\r  Zrinski,\t\r  književnica\t\r  \nIvana\t\r  Brlić\t\r  Mažuranić\t\r  i\t\r  slikarica\t\r  Nasta\t\r  Rojc\t\r  zapele\t\r  su\t\r  u\t\r  svijetu\t\r  između\t\r  živih\t\r  i\t\r  mrtvih.\t\r  \nPovod\t\r  njihova\t\r  nalaženja\t\r  u\t\r  međusvijetu\t\r  jest\t\r  želja\t\r  da\t\r  nam\t\r  se\t\r  obrate\t\r  i\t\r  podsjete\t\r  nas\t\r  \nkako\t\r  su\t\r  usprkos\t\r  svim\t\r  nedaćama\t\r  bile\t\r  snažne,\t\r  nježne,\t\r  slobodoumne,\t\r  moćne,\t\r  \ntalentirane\t\r  i\t\r  mudre,\t\r  bile\t\r  su\t\r  žene\t\r  ispred\t\r  svog\t\r  vremena,\t\r  neshvaćene\t\r  i\t\r  za\t\r  života\t\r  \nzaboravljene,\t\r  ostavljene\t\r  na\t\r  milost\t\r  i\t\r  nemilost\t\r  sudbini.\t\r  \n\t\r  \nOvim\t\r  projektom\t\r  Katarina\t\r  Zrinka\t\r  Matijević\t\r  vraća\t\r  žene\t\r  u\t\r  fokus\t\r  filmske\t\r  produkcije\t\r  i\t\r  \nnastavlja\t\r  istraživati\t\r  mogućnosti\t\r  filmskog\t\r  jezika\t\r  u\t\r  isprepletenoj\t\r  dramaturgiji\t\r  \noslobođenoj\t\r  strogog\t\r  shvaćanja\t\r  jedinstva\t\r  mjesta,\t\r  vremena\t\r  i\t\r  radnje.\t\r  To\t\r  istraživanje\t\r  je\t\r  \nveć\t\r  započela\t\r  u\t\r  „Trampolinu“,\t\r  njenom\t\r  debitantskom\t\r  ostvarenju,\t\r  ali\t\r  u\t\r  projektu\t\r  \nŽENE.HR\t\r  ono\t\r  počiva\t\r  na\t\r  još\t\r  hrabrijim\t\r  premisama\t\r  i\t\r  znatno\t\r  većim\t\r  ulaskom\t\r  likovnosti\t\r  u\t\r  \nnjen\t\r  filmski\t\r  svijet.\t\r  \t\r  \n\t\r  \n\t\r  \n\n\f\n\t\r  \r  \n1\t\r  \nJavni\t\r  poziv\t\r  za\t\r  poticanje\t\r  audiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  -­‐\t\r  kategorija:\t\r  \npoticanje\t\r  razvoja\t\r  scenarija\t\r  i\t\r  razvoja\t\r  projekata\t\r  dugometražnih\t\r  igranih,\t\r  \ndugometražnih\t\r  dokumentarnih\t\r  i\t\r  animiranih\t\r  filmova\t\r  -­‐\t\r  podkategorija:\t\r  \t\r  \nRAZVOJ\t\r  SCENARIJA\t\r  u\t\r  2020.\t\r  -­‐\t\r  1.\t\r  ROK\t\r  -­‐\t\r  6.4.2020.\t\r  \n\t\r  \nDUGOMETRAŽNI\t\r  IGRANI\t\r  FILM\t\r  \n\t\r  \nUmjetnički\t\r  savjetnici:\t\r  Pavlica\t\r  Bajsić\t\r  Brazzoduro,\t\r  Danilo\t\r  Šerbedžija\t\r  i\t\r  Zdenka\t\r  Gold\t\r  \n\t\r  \nNa\t\r  Javni\t\r  poziv\t\r  za\t\r  poticanje\t\r  razvoja\t\r  scenarija\t\r  dugometražnog\t\r  igranog\t\r  filma\t\r  u\t\r  2020.\t\r  \ngodini\t\r  na\t\r  prvom\t\r  roku\t\r  prijavilo\t\r  se\t\r  ukupno\t\r  94\t\r  projekta.\t\r  Dva\t\r  projekta\t\r  nisu\t\r  zadovoljila\t\r  \nuvjete\t\r  Javnog\t\r  poziva\t\r  te\t\r  ih\t\r  nismo\t\r  razmatrali.\t\r  \nOdlučili\t\r  smo\t\r  poduprijeti\t\r  sveukupno\t\r  devetnaest\t\r  projekata\t\r  za\t\r  razvoj\t\r  scenarija\t\r  te\t\r  smo\t\r  \ndodatno\t\r  jedan\t\r  projekt\t\r  koji\t\r  je\t\r  bio\t\r  prijavljen\t\r  za\t\r  razvoj\t\r  projekta\t\r  preporučili\t\r  za\t\r  razvoj\t\r  \nscenarija.\t\r  Sveukupno\t\r  preporučujemo\t\r  dvadeset\t\r  filmova\t\r  za\t\r  razvoj\t\r  scenarija.\t\r  \n\t\r  \n\t\r  \nFilm\t\r  prijavljeni\t\r  za\t\r  razvoj\t\r  projekta\t\r  \n\t\r  \nKako\t\r  su\t\r  lutke\t\r  spasile\t\r  televiziju\t\r  \nScenarij:\t\r  Sara\t\r  Hribar\t\r  \nRežija:\t\r  Sara\t\r  Hribar\t\r  \t\r  \nProducent:\t\r  Jaka\t\r  produkcija\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nPostavši\t\r  novim\t\r  ravnateljem,\t\r  jedna\t\r  od\t\r  prvih\t\r  odluka\t\r  koju\t\r  Bezmilostić\t\r  donosi\t\r  jest\t\r  ona\t\r  \nda\t\r  se\t\r  maksimalno\t\r  uozbilji\t\r  program\t\r  za\t\r  djecu.\t\r  \nKAKO\t\r  SU\t\r  LUTKE\t\r  SPASILE\t\r  TELEVIZIJU\t\r  obećava\t\r  pomalo\t\r  retro\t\r  dječji\t\r  lutkarsko-­‐igrani\t\r  film\t\r  \nkojeg\t\r  ćemo\t\r  svi\t\r  voljeti\t\r  zbog\t\r  svoje\t\r  topline,\t\r  humora\t\r  i\t\r  naivnosti.\t\r  \t\r  Osim\t\r  što\t\r  je\t\r  zabavan,\t\r  \non\t\r  je\t\r  i\t\r  važan\t\r  jer\t\r  govori\t\r  o\t\r  svijetu\t\r  koji,\t\r  stegnut\t\r  okrutnim\t\r  medijskim\t\r  politikama,\t\r  pred\t\r  \nnašim\t\r  očima\t\r  pomalo\t\r  iščezava:\t\r  o\t\r  vremenu\t\r  relevantnih\t\r  televizijskih\t\r  (pa\t\r  i\t\r  radijskih)\t\r  \nredakcija\t\r  koje\t\r  su\t\r  proizvodile\t\r  bogat\t\r  svedostupni\t\r  umjetnički\t\r  program\t\r  za\t\r  djecu\t\r  i\t\r  mlade,\t\r  \nutječući\t\r  tako\t\r  na\t\r  obrazovanje\t\r  i\t\r  razvoj\t\r  najmanjih\t\r  članova\t\r  društva.\t\r  \t\r  \nProjekt\t\r  ima\t\r  za\t\r  scenaristicu\t\r  i\t\r  redateljicu\t\r  Saru\t\r  Hribar\t\r  koja\t\r  je\t\r  i\t\r  sama\t\r  puno\t\r  surađivala\t\r  na\t\r  \nteleviziji\t\r  te\t\r  dobro\t\r  poznaje\t\r  svijet\t\r  o\t\r  kojem\t\r  piše,\t\r  a\t\r  po\t\r  svojoj\t\r  temi\t\r  morao\t\r  bi\t\r  imati\t\r  HRT\t\r  \nkao\t\r  prirodnog\t\r  partnera\t\r  u\t\r  koprodukciji.\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\n\t\r  \r  \n2\t\r  \nFilmovi\t\r  prijavljeni\t\r  za\t\r  razvoj\t\r  scenarija\t\r  \n\t\r  \nKrvavi\t\r  mjesec\t\r  \nScenarij:\t\r  Koraljka\t\r  Meštrović,\t\r  Dora\t\r  Šustić\t\r  \nRežija:\t\r  Koraljka\t\r  Meštrović,\t\r  Dora\t\r  Šustić\t\r  \t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nEva,\t\r  bivša\t\r  balerina,\t\r  pritisnuta\t\r  besparicom\t\r  iznajmi\t\r  sobu\t\r  mladoj\t\r  Romkinji\t\r  Saneli\t\r  i\t\r  \nnjezinoj\t\r  osmogodišnjoj\t\r  kćeri\t\r  Nensi.\t\r  Dvije\t\r  po\t\r  svemu\t\r  različite\t\r  žene,\t\r  prisiljene\t\r  na\t\r  \nsuživot,\t\r  počinju\t\r  duboko\t\r  utjecati\t\r  jedna\t\r  na\t\r  drugu\t\r  i\t\r  duboko\t\r  upoznavati\t\r  same\t\r  sebe.\t\r  \n\t\r  \nKako\t\r  se\t\r  radi\t\r  o\t\r  kompleksnoj\t\r  priči\t\r  koja\t\r  otvara\t\r  nekoliko\t\r  bolnih\t\r  tematskih\t\r  pravaca\t\r  koje\t\r  \nsamo\t\r  u\t\r  širokom\t\r  luku\t\r  možemo\t\r  svrstati\t\r  pod\t\r  „priču\t\r  o\t\r  toleranciji“,\t\r  želimo\t\r  podržati\t\r  \ndaljnji\t\r  rad\t\r  na\t\r  scenariju\t\r  tandema\t\r  Koraljka\t\r  Meštrović\t\r  –\t\r  Dora\t\r  Šustić.\t\r  \n\t\r  \n\t\r  \nBambina\t\r  \nScenarij:\t\r  Ana\t\r  Tonković\t\r  Dolenčić\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nU\t\r  splitskom\t\r  škveru\t\r  80-­‐ih\t\r  godina\t\r  20.\t\r  st.\t\r  gradi\t\r  se\t\r  tanker.\t\r  Malverzacije\t\r  u\t\r  upravi\t\r  i\t\r  \nkorupcija\t\r  u\t\r  političkom\t\r  vrhu\t\r  povezuju\t\r  ideološki\t\r  i\t\r  generacijski\t\r  podijeljene\t\r  likove\t\r  u\t\r  \nzajedničku\t\r  borbu\t\r  protiv\t\r  gospodarskog\t\r  kriminala.\t\r  I\t\r  sve\t\r  to\t\r  uz\t\r  puno\t\r  glazbe.\t\r  \n\t\r  \nIskreno\t\r  smo\t\r  oduševljeni\t\r  ovim\t\r  projektom\t\r  i\t\r  vjerujemo\t\r  u\t\r  njegov\t\r  uspjeh\t\r  u\t\r  hrvatskim\t\r  \nkinima\t\r  i\t\r  šire.\t\r  Autorica\t\r  Ana\t\r  Tonković\t\r  Dolenčić,\t\r  iskusna\t\r  je\t\r  i\t\r  vrlo\t\r  uspješna\t\r  kazališna\t\r  \ndramaturginja\t\r  i\t\r  autorica,\t\r  a\t\r  u\t\r  ovom\t\r  filmu\t\r  sastavlja\t\r  hibridni\t\r  žanr\t\r  mjuzikla\t\r  i\t\r  filma\t\r  \nsocijalne\t\r  tematike,\t\r  te\t\r  za\t\r  njega\t\r  pronalazi\t\r  kako\t\r  sama\t\r  kaže\t\r  „\t\r  čvrste\t\r  pionirske,\t\r  \numjetničke,\t\r  emotivne\t\r  i\t\r  komercijalne\t\r  argumente“\t\r  u\t\r  koje\t\r  nas\t\r  je\t\r  sasvim\t\r  uvjerila.\t\r  \nHrvatska\t\r  kinematografija\t\r  još\t\r  nije\t\r  snimila\t\r  mjuzikl\t\r  u\t\r  kojemu\t\r  je\t\r  glazba\t\r  integrirana\t\r  u\t\r  \nradnju\t\r  i\t\r  ravnopravan\t\r  element\t\r  naracije.\t\r  Visoku\t\r  komercijalnost\t\r  projekta\t\r  jamči\t\r  i\t\r  to\t\r  da\t\r  \nse\t\r  filmska\t\r  priča\t\r  gradi\t\r  kroz\t\r  hitove\t\r  Nene\t\r  Belana\t\r  iz\t\r  vremena\t\r  grupe\t\r  Đavoli.\t\r  \n\t\r  \n\t\r  \nMagic\t\r  evening\t\r  \nScenarij:\t\r  Anica\t\r  Tomić,\t\r  Jelena\t\r  Solarić\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nPrateći\t\r  jednu\t\r  večer\t\r  u\t\r  životu\t\r  dva\t\r  para\t\r  scenaristice\t\r  se\t\r  bave\t\r  životima\t\r  srednjeg\t\r  sloja\t\r  koji\t\r  \ngotovo\t\r  više\t\r  uopće\t\r  ne\t\r  postoji,\t\r  te\t\r  pokušavaju\t\r  razotkriti\t\r  koji\t\r  su\t\r  njegovi\t\r  strahovi,\t\r  \nfrustracije,\t\r  neispunjeni\t\r  snovi,\t\r  što\t\r  razara\t\r  njegove\t\r  svakodnevne\t\r  rutine\t\r  i\t\r  što\t\r  ga\t\r  \nponovno\t\r  vraća\t\r  u\t\r  sigurnost\t\r  zavodljive\t\r  lakoće\t\r  postojanja.\t\r  \n\t\r  \nAutorice\t\r  Jelena\t\r  Solarić\t\r  i\t\r  Anica\t\r  Tomić\t\r  su\t\r  poznati\t\r  kazališni\t\r  redateljsko-­‐dramaturški\t\r  \ntandem,\t\r  koji\t\r  istoimenu\t\r  predstavu\t\r  prevodi\t\r  u\t\r  jezik\t\r  filma.\t\r  Uvjereni\t\r  smo\t\r  da\t\r  bi\t\r  kroz\t\r  neko\t\r  \nkraće\t\r  vrijeme\t\r  mogli\t\r  imati\t\r  scenarij\t\r  spreman\t\r  za\t\r  najavljenu\t\r  kategoriju\t\r  mikrobudžeta.\t\r  \n\n\f\n\t\r  \r  \n3\t\r  \n\t\r  \n\t\r  \nPrije\t\r  ljeta\t\r  \nScenarij:\t\r  Anja\t\r  Matković\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nVanbračna\t\r  kći\t\r  nedavno\t\r  preminulog\t\r  kapetana,\t\r  prvi\t\r  put\t\r  posjećuje\t\r  njegov\t\r  rodni\t\r  otok\t\r  i\t\r  \nzapočinje\t\r  aferu\t\r  s\t\r  oženjenim\t\r  britanskim\t\r  piscem\t\r  kojeg\t\r  trese\t\r  i\t\r  stvaralačka\t\r  kriza\t\r  i\t\r  kriza\t\r  \nsrednjih\t\r  godina.\t\r  \t\r  \nŽelimo\t\r  podržati\t\r  ovu\t\r  priču\t\r  o\t\r  nemogućoj\t\r  ljubavi\t\r  uokvirenu\t\r  u\t\r  ruho\t\r  komedije\t\r  jer\t\r  na\t\r  \nneobičan\t\r  način\t\r  zrači\t\r  optimizmom\t\r  iako\t\r  progovara\t\r  o\t\r  vrlo\t\r  ozbiljnim\t\r  temama\t\r  i\t\r  \nsituacijama,\t\r  u\t\r  kojima\t\r  će\t\r  se\t\r  gledatelji\t\r  vrlo\t\r  lako\t\r  identificirati\t\r  sa\t\r  filmskim\t\r  likovima,\t\r  \npoput\t\r  renoviranja\t\r  stare\t\r  kuće\t\r  i\t\r  svog\t\r  veselja\t\r  sa\t\r  majstorima\t\r  koje\t\r  ono\t\r  donosi,\t\r  te\t\r  uzgoj\t\r  \nneobičnih\t\r  prirodnih\t\r  kultura.\t\r  Vjerujemo\t\r  u\t\r  vrlo\t\r  dobar\t\r  kino\t\r  potencijal\t\r  ovog\t\r  scenarija.\t\r  \n\t\r  \n\t\r  \nPod\t\r  zimskim\t\r  suncem\t\r  \nScenarij:\t\r  Ante\t\r  Marin\t\r  \nProducent:\t\r  Wolfgang\t\r  i\t\r  Dolly\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nDvije\t\r  dvadesetogodišnje\t\r  sestre,\t\r  rade\t\r  u\t\r  obiteljskoj\t\r  trafici\t\r  u\t\r  centru\t\r  Zagreba.\t\r  Jedna\t\r  je\t\r  \npovučenija,\t\r  orijentirana\t\r  poslu\t\r  i\t\r  vođenju\t\r  trafike.\t\r  Druga\t\r  je\t\r  puno\t\r  društvenija,\t\r  živahnija\t\r  i\t\r  \nenergičnija.\t\r  Studira,\t\r  piše\t\r  poeziju\t\r  i\t\r  dio\t\r  je\t\r  zagrebačkih\t\r  društvenih\t\r  krugova.\t\r  \t\r  Kad\t\r  \ndodamo\t\r  da\t\r  radnja\t\r  počinje\t\r  u\t\r  proljeće\t\r  1941.,\t\r  a\t\r  da\t\r  se\t\r  sestre\t\r  zovu\t\r  Zdenka\t\r  i\t\r  Rajka\t\r  \nBaković\t\r  –\t\r  jasno\t\r  je\t\r  da\t\r  se\t\r  radi\t\r  o\t\r  filmu\t\r  koji\t\r  tematizira\t\r  građansku\t\r  hrabrost\t\r  i\t\r  to\t\r  iz\t\r  ženske,\t\r  \nmladenačke\t\r  pozicije.\t\r  \nPOD\t\r  ZIMSKIM\t\r  SUNCEM\t\r  je\t\r  povijesni\t\r  film\t\r  kakav\t\r  je\t\r  već\t\r  davno\t\r  trebao\t\r  biti\t\r  snimljen\t\r  i\t\r  \nusuglašeni\t\r  smo\t\r  da\t\r  autoru\t\r  Anti\t\r  Marinu,\t\r  povjesničaru\t\r  po\t\r  struci\t\r  koji\t\r  trenutno\t\r  završava\t\r  \nMA\t\r  iz\t\r  filmske\t\r  dramaturgije\t\r  treba\t\r  omogućiti\t\r  vrijeme\t\r  potrebno\t\r  za\t\r  istraživanje\t\r  \npovijesnih\t\r  arhiva\t\r  i\t\r  pisanje\t\r  scenarija.\t\r  \t\r  \t\r  \n\t\r  \n\t\r  \nPush-­‐back\t\r  \nScenarij:\t\r  Bojan\t\r  Radanović\t\r  \nRežija:\t\r  Bojan\t\r  Radanović\t\r  \t\r  \nProducent:\t\r  Udruga\t\r  Blank\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nDaria\t\r  je\t\r  odvjetnica\t\r  koja\t\r  odlučuje\t\r  zastupati\t\r  izbjegličku\t\r  obitelj\t\r  iz\t\r  Afganistana,\t\r  čija\t\r  je\t\r  6-­‐\ngodišnja\t\r  kći,\t\r  greškom\t\r  hrvatske\t\r  policije,\t\r  poginula\t\r  u\t\r  naletu\t\r  vlaka\t\r  na\t\r  granici\t\r  između\t\r  \nHrvatske\t\r  i\t\r  Srbije.\t\r  Ona\t\r  svojim\t\r  radom\t\r  na\t\r  konkretnom\t\r  slučaju,\t\r  sukobom\t\r  s\t\r  policijom,\t\r  \nugrožava\t\r  kolotečinu\t\r  i\t\r  sklad\t\r  vlastite\t\r  obitelji.\t\r  \t\r  \nPozdravljamo\t\r  aktualnost\t\r  teme\t\r  kojom\t\r  se\t\r  ovaj\t\r  scenarij\t\r  bavi,\t\r  kao\t\r  i\t\r  njenom\t\r  \nkompleksnom\t\r  pristupu\t\r  u\t\r  kojem\t\r  se\t\r  spaja\t\r  više\t\r  narativnih\t\r  linija.\t\r  Nadamo\t\r  se\t\r  da\t\r  će\t\r  ova\t\r  \n\n\f\n\t\r  \r  \n4\t\r  \npodrška\t\r  omogućiti\t\r  finalizaciju\t\r  scenarija\t\r  nalik\t\r  autentičnoj\t\r  hrvatskoj\t\r  verziji\t\r  Erin\t\r  \nBrockovich.\t\r  \n\t\r  \n\t\r  \nSuton\t\r  \nScenarij:\t\r  Dalibor\t\r  Matanić\t\r  \nRežija:\t\r  Dalibor\t\r  Matanić\t\r  \t\r  \nProducent:\t\r  Kinorama\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nNakon\t\r  Zvizdana\t\r  i\t\r  Zore,\t\r  u\t\r  završnom\t\r  dijelu\t\r  svoje\t\r  trilogije\t\r  Sunca,\t\r  scenariju\t\r  \"Suton\",\t\r  \nMatanić\t\r  progovara\t\r  o\t\r  \"pomračenju\t\r  ljudske\t\r  humanosti\".\t\r  Kroz\t\r  tri\t\r  priče\t\r  jednakog\t\r  \nzapleta,\t\r  u\t\r  tri\t\r  vremenska\t\r  perioda,\t\r  masa\t\r  vrši\t\r  teror\t\r  nad\t\r  manjinom.\t\r  \t\r  \nJedini\t\r  čisti,\t\r  hrabri\t\r  i\t\r  neokaljani\t\r  u\t\r  cijeloj\t\r  ovoj\t\r  priči\t\r  su\t\r  psi.\t\r  \t\r  \n\t\r  \nIako\t\r  na\t\r  prvi\t\r  pogled\t\r  najapstraktniji\t\r  dio\t\r  trilogije,\t\r  Matanićev\t\r  novi\t\r  projekt\t\r  je\t\r  itekako\t\r  \naktualan\t\r  u\t\r  današnje\t\r  vrijeme\t\r  kada\t\r  nove\t\r  netrpeljivosti,\t\r  ekstremizmi\t\r  i\t\r  sukobi\t\r  na\t\r  svim\t\r  \nrazinama,\t\r  kako\t\r  kod\t\r  nas\t\r  tako\t\r  i\t\r  na\t\r  cijeloj\t\r  zemaljskoj\t\r  kugli,\t\r  prijete\t\r  ljudskom\t\r  rodu.\t\r  \n\t\r  \n\t\r  \nBomba\t\r  otkucava\t\r  \nScenarij:\t\r  Ivan\t\r  Mokrović\t\r  \nRežija:\t\r  Ivan\t\r  Mokrović\t\r  \t\r  \nProducent:\t\r  Antitalent\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nKontroverzni\t\r  odvjetnik\t\r  Marotti,\t\r  koji\t\r  brani\t\r  ubojicu\t\r  trojice\t\r  mladih\t\r  narko\t\r  dilera,\t\r  sjeda\t\r  u\t\r  \nsvoj\t\r  auto\t\r  na\t\r  parkiralištu,\t\r  da\t\r  bi\t\r  za\t\r  par\t\r  trenutaka\t\r  shvatio\t\r  kako\t\r  mu\t\r  je\t\r  u\t\r  auto\t\r  \npostavljena\t\r  tempirana\t\r  bomba.\t\r  \t\r  \nNapeti\t\r  psihoški\t\r  thriller\t\r  smješten\t\r  situacijski\t\r  u\t\r  klaustrofobičnu\t\r  „kutiju\t\r  šibica“,\t\r  odnosno\t\r  \nauto,\t\r  ima\t\r  potencijal\t\r  odličnog\t\r  žanrovskog\t\r  filma.\t\r  Tematiziranje\t\r  „uzimanja\t\r  pravde\t\r  u\t\r  \nsvoje\t\r  ruke“\t\r  ide\t\r  ukorak\t\r  s\t\r  čudnim\t\r  vremenom\t\r  u\t\r  kojem\t\r  živimo.\t\r  \t\r  \n\t\r  \n\t\r  \nDobri\t\r  duh\t\r  Borongaja\t\r  (i\t\r  sjeverne\t\r  Peščenice)\t\r  \nScenarij:\t\r  Ivan\t\r  Turković-­‐Krnjak\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nBoško\t\r  je\t\r  kvartovski\t\r  poštar\t\r  koji\t\r  voli\t\r  svakoga\t\r  i\t\r  svatko\t\r  voli\t\r  njega.\t\r  \t\r  \nS\t\r  jedne\t\r  strane,\t\r  obična\t\r  kvartovska\t\r  priča\t\r  o\t\r  malim\t\r  ljudima,\t\r  njihovim\t\r  tugama\t\r  i\t\r  \nradostima,\t\r  čežnjama\t\r  i\t\r  slabostima.\t\r  \t\r  \nVjerujemo\t\r  da\t\r  hrvatski\t\r  film\t\r  s\t\r  ovakvim\t\r  piscem\t\r  kao\t\r  što\t\r  je\t\r  Ivan\t\r  Turković-­‐Krnjak\t\r  uopće\t\r  \nnema\t\r  lošu\t\r  budućnost.\t\r  Taj\t\r  vješt\t\r  filmski\t\r  pisac\t\r  i\t\r  u\t\r  ovom,\t\r  pomalo\t\r  češkom\t\r  filmu\t\r  o\t\r  „malim\t\r  \nljudima“\t\r  s\t\r  puno\t\r  duše\t\r  i\t\r  humora,\t\r  impresionira\t\r  svojom\t\r  autorskom\t\r  zrelošću.\t\r  Zbog\t\r  toga,\t\r  \na\t\r  i\t\r  zbog\t\r  činjenice\t\r  da\t\r  bi\t\r  priča\t\r  o\t\r  poštaru\t\r  Bošku\t\r  mogla\t\r  u\t\r  dobroj\t\r  mjeri\t\r  napuniti\t\r  kina,\t\r  \npredlažemo\t\r  ga\t\r  za\t\r  podršku\t\r  koja\t\r  će\t\r  mu\t\r  omogućiti\t\r  pisanje\t\r  ovog\t\r  scenarija.\t\r  \n\n\f\n\t\r  \r  \n5\t\r  \n\t\r  \n\t\r  \nDrugi\t\r  krug\t\r  \nScenarij:\t\r  Josip\t\r  Lukić\t\r  \nRežija:\t\r  Josip\t\r  Lukić\t\r  \t\r  \nProducent:\t\r  Udruga\t\r  Blank\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nJakov\t\r  je\t\r  spreman\t\r  na\t\r  sve\t\r  da\t\r  spasi\t\r  svoju\t\r  majku\t\r  od\t\r  hospitalizacije\t\r  na\t\r  splitskoj\t\r  \npsihijatriji.\t\r  \t\r  \nFilm\t\r  sa\t\r  snažnim\t\r  dramskim\t\r  potencijalom\t\r  i\t\r  relevantnom\t\r  temom\t\r  pshičkog\t\r  oboljenja,\t\r  o\t\r  \nodnosu\t\r  okoline\t\r  prema\t\r  oboljelima,\t\r  te\t\r  sramu\t\r  i\t\r  boli\t\r  zbog\t\r  prisilne\t\r  hospitalizacije.\t\r  Želimo\t\r  \niz\t\r  sveg\t\r  srca\t\r  podržati\t\r  raspisivanje\t\r  scenarija\t\r  prema\t\r  priloženom\t\r  treatmentu\t\r  i\t\r  ponosni\t\r  \nsmo\t\r  da\t\r  ovaj\t\r  projekt\t\r  zapravo\t\r  ide\t\r  ukorak\t\r  s\t\r  inicijativom\t\r  destigmatizacije\t\r  psihičkih\t\r  \noboljenja\t\r  koja\t\r  je\t\r  krenula\t\r  upravo\t\r  iz\t\r  filmskih\t\r  i\t\r  kazališnih\t\r  krugova\t\r  (BOLI\t\r  ME).\t\r  \n\t\r  \n\t\r  \nMračna\t\r  Zora\t\r  \nScenarij:\t\r  Nikica\t\r  Zdunić\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nMlada\t\r  \t\r  i\t\r  buntovna\t\r  djevojka\t\r  Zora,\t\r  kći\t\r  uglednog\t\r  mjesnog\t\r  mesara,\t\r  saznaje\t\r  da\t\r  je\t\r  trudna\t\r  \nte\t\r  nakon\t\r  neuspjelog\t\r  pokušaja\t\r  abortusa\t\r  prividno\t\r  prihvaća\t\r  ulogu\t\r  koju\t\r  joj\t\r  je\t\r  \npatrijarhalno\t\r  društvo\t\r  odredilo.\t\r  \nOvaj\t\r  originalan\t\r  pristup\t\r  uvijek\t\r  aktualnoj\t\r  priči\t\r  o\t\r  položaju\t\r  žene\t\r  u\t\r  društvu\t\r  zaslužuje\t\r  \ndobiti\t\r  potporu\t\r  za\t\r  razvoj\t\r  scenarija.\t\r  Pomalo\t\r  bajkovit\t\r  i\t\r  alegorijski,\t\r  ali\t\r  dovoljno\t\r  aktualan\t\r  \nte\t\r  jasne\t\r  naracije\t\r  ovaj\t\r  scenarij\t\r  mogao\t\r  bi\t\r  biti\t\r  pravo\t\r  osvježenje\t\r  te\t\r  u\t\r  sebi\t\r  nosi\t\r  potencijal\t\r  \nfestivalske\t\r  uspješnice.\t\r  \n\t\r  \n\t\r  \nStrah\t\r  \nScenarij:\t\r  Nina\t\r  Violić\t\r  \nRežija:\t\r  Nina\t\r  Violić\t\r  \t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nStrah\t\r  je\t\r  scenarij\t\r  o\t\r  ženi\t\r  srednjih\t\r  godina\t\r  koja\t\r  nakon\t\r  napada\t\r  panike\t\r  odlazi\t\r  na\t\r  radionicu\t\r  \nmeditacije\t\r  ne\t\r  bi\t\r  li\t\r  se\t\r  rješila\t\r  svojih\t\r  strahova.\t\r  Mađutim\t\r  za\t\r  pobjediti\t\r  svoj\t\r  strah\t\r  mora\t\r  se\t\r  \nsuočiti\t\r  s\t\r  problemom\t\r  u\t\r  vlastitoj\t\r  kući.\t\r  Vrlo\t\r  interesantan\t\r  projekt,\t\r  \"djelomično\t\r  road\t\r  \nmovie\"\t\r  a\t\r  djelomično\t\r  studija\t\r  ženske\t\r  osobe,\t\r  koji\t\r  govori\t\r  o\t\r  ljudskim\t\r  strahovima.\t\r  \n\t\r  \n\t\r  \nNa\t\r  rijeci\t\r  \nScenarij:\t\r  Zrinko\t\r  Ogresta,\t\r  Živorad\t\r  Tomić\t\r  \nRežija:\t\r  Zrinko\t\r  Ogresta\t\r  \nProducent:\t\r  Inter\t\r  film\t\r  \n30.000,00\t\r  kn\t\r  \n\n\f\n\t\r  \r  \n6\t\r  \n\t\r  \nUgledni,\t\r  razvedeni\t\r  kirurg\t\r  srednjih\t\r  godina\t\r  zabrinut\t\r  je\t\r  za\t\r  sina\t\r  te\t\r  nakon\t\r  što\t\r  doznaje\t\r  da\t\r  \nima\t\r  manjih\t\r  problema\t\r  sa\t\r  zakonom\t\r  upliće\t\r  se\t\r  u\t\r  njegov\t\r  život.\t\r  \nOva\t\r  uvijek\t\r  aktualna\t\r  priča\t\r  odnosa\t\r  s\t\r  roditeljima\t\r  i\t\r  trenutno\t\r  svjetski\t\r  aktualne\t\r  azilantske\t\r  \nkrize,\t\r  te\t\r  iskusan\t\r  autorski\t\r  tim\t\r  Ogresta/Tomić\t\r  garantira\t\r  interesantan\t\r  i\t\r  kvalitetan\t\r  \nscenarij.\t\r  \n\t\r  \nNema\t\r  malih\t\r  superheroja\t\r  \nScenarij:\t\r  Anđelo\t\r  Jurkas\t\r  \nRežija:\t\r  Anđelo\t\r  Jurkas\t\r  \nProducent:\t\r  DOP\t\r  produkcija\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nDinamična,\t\r  stripovska,\t\r  feelgood\t\r  zafrkancija\t\r  o\t\r  ispravljanju\t\r  svijeta\t\r  odraslih\t\r  iz\t\r  \nperspektive\t\r  četiri\t\r  kvartovska\t\r  prijatelja\t\r  klinca.\t\r  \nImajući\t\r  uvid\t\r  u\t\r  dosadašnji\t\r  autorov\t\r  rad\t\r  s\t\r  djecom\t\r  i\t\r  mladima,\t\r  kojeg\t\r  krasi\t\r  maštovitost,\t\r  \nnekonvencionalnost,\t\r  pristupačnost\t\r  i\t\r  originalnost,\t\r  s\t\r  veseljem\t\r  potičemo\t\r  razvoj\t\r  ovog\t\r  \nscenarija\t\r  za\t\r  dječji\t\r  film\t\r  u\t\r  kojem\t\r  možemo\t\r  naslutiti\t\r  upravo\t\r  slične\t\r  kvalitete.\t\r  \t\r  \n\t\r  \n\t\r  \nOgledalo\t\r  za\t\r  slavuja\t\r  \nScenarij:\t\r  Karla\t\r  Lulić\t\r  \nRežija:\t\r  Karla\t\r  Lulić\t\r  \nProducent:\t\r  Dobar\t\r  film\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nDora\t\r  (33)\t\r  je\t\r  profesionalna\t\r  narikača,\t\r  u\t\r  svom\t\r  poslu\t\r  najbolja\t\r  u\t\r  selu\t\r  i\t\r  regiji.\t\r  'Kad\t\r  ona\t\r  \ncvili,\t\r  ima\t\r  da\t\r  i\t\r  mrtvi\t\r  plaču',\t\r  govorili\t\r  bi\t\r  seljani.\t\r  \t\r  \n\t\r  \nOGLEDALO\t\r  ZA\t\r  SLAVUJA\t\r  sa\t\r  svojom\t\r  „pomaknutom“\t\r  radnjom\t\r  predstavljenom\t\r  na\t\r  \ncrnohumorni\t\r  način\t\r  i\t\r  ozbiljnom\t\r  razvojnom\t\r  strategijom\t\r  navedenoj\t\r  u\t\r  dokumentaciji\t\r  –\t\r  \nnaslućuje\t\r  mogući\t\r  budući\t\r  festivalski\t\r  i\t\r  kino\t\r  hit.\t\r  \t\r  \n\t\r  \nSin\t\r  \nScenarij:\t\r  Biljana\t\r  Čakić\t\r  \nRežija:\t\r  Biljana\t\r  Čakić\t\r  \nProducent:\t\r  Telefilm\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nKad\t\r  Ivan\t\r  dođe\t\r  na\t\r  Božićni\t\r  ručak\t\r  kod\t\r  prijateljice\t\r  Maje\t\r  i\t\r  njenog\t\r  oca\t\r  Dimitrija,\t\r  između\t\r  \ndva\t\r  muškaraca\t\r  se\t\r  dogodi\t\r  pravi\t\r  \"klik\".\t\r  No,\t\r  već\t\r  ujutro\t\r  na\t\r  vidjelo\t\r  izlaze\t\r  strašne\t\r  istine\t\r  o\t\r  \nDimitriju,\t\r  domovinskom\t\r  ratu\t\r  i\t\r  ranama\t\r  koje\t\r  su\t\r  ostale\t\r  za\t\r  njim.\t\r  \n\t\r  \nPoznavajući\t\r  dokumentarni\t\r  i\t\r  igrani\t\r  opus\t\r  Biljane\t\r  Čakić,\t\r  te\t\r  poštujući\t\r  teme\t\r  koje\t\r  se\t\r  kroz\t\r  \nnjega\t\r  provlače,\t\r  želimo\t\r  podržati\t\r  raspisivanje\t\r  ovog\t\r  scenarija\t\r  koji\t\r  rastvarajući\t\r  tešku\t\r  \n\n\f\n\t\r  \r  \n7\t\r  \ntraumu\t\r  nosi\t\r  snažni\t\r  dramski\t\r  potencijal.\t\r  Takvi\t\r  filmovi,\t\r  koliko\t\r  god\t\r  bili\t\r  teški,\t\r  mogu\t\r  na\t\r  \ndruštvo\t\r  i\t\r  njegove\t\r  rane\t\r  djelovati\t\r  zacijeljujuće.\t\r  \t\r  \n\t\r  \t\r  \n\t\r  \nProlog,\t\r  Texas\t\r  \nScenarij:\t\r  Hani\t\r  Domazet\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nMlada\t\r  trudna\t\r  djevojka\t\r  odlazi\t\r  sa\t\r  svojim\t\r  psom\t\r  kod\t\r  bake\t\r  na\t\r  selo\t\r  pokraj\t\r  Livna\t\r  kako\t\r  bi\t\r  \npobacila,\t\r  ali\t\r  to\t\r  neće\t\r  biti\t\r  tako\t\r  lako\t\r  u\t\r  selu\t\r  u\t\r  kojem\t\r  se\t\r  25\t\r  godina\t\r  nije\t\r  rodilo\t\r  dijete.\t\r  \t\r  \n\t\r  \nVrlo\t\r  interesantna\t\r  ideja,\t\r  kvalitetno\t\r  pripremljena,\t\r  opširnog\t\r  treatmenta\t\r  obogaćenog\t\r  \nfotografijama\t\r  s\t\r  čvrsto\t\r  i\t\r  kvalitetno\t\r  osmišljenim\t\r  karakterima.\t\r  \n\t\r  \n\t\r  \nStane\t\r  \nScenarij:\t\r  Antoneta\t\r  Alamat\t\r  Kusijanović\t\r  \nRežija:\t\r  Antoneta\t\r  Alamat\t\r  Kusijanović\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nStane\t\r  je\t\r  ginekologinja,\t\r  majka\t\r  dva\t\r  sina\t\r  koja,\t\r  skupa\t\r  s\t\r  mužem\t\r  i\t\r  ocem,\t\r  radi\t\r  u\t\r  privatnoj\t\r  \nklinici\t\r  u\t\r  Dubrovniku\t\r  čiji\t\r  su\t\r  i\t\r  vlasnici.\t\r  \t\r  \nTema\t\r  filma\t\r  je\t\r  žena\t\r  u\t\r  okovima\t\r  ostataka\t\r  patrijarhalnog\t\r  društva,\t\r  zato\t\r  je\t\r  ovaj\t\r  film\t\r  bitan\t\r  \ni\t\r  aktualan.\t\r  Paradoksalno,\t\r  Stane\t\r  je\t\r  obrazovana\t\r  i\t\r  poslovno\t\r  ostvarena\t\r  žena,\t\r  ali\t\r  i\t\r  dalje\t\r  u\t\r  \nneravnopravnom\t\r  položaju\t\r  unutar\t\r  vlastite\t\r  obitelji.\t\r  Vjerujemo\t\r  da\t\r  bi\t\r  scenarij\t\r  mogao\t\r  \nponuditi\t\r  kvalitetnu\t\r  analizu\t\r  psihičkog\t\r  zlostavljanja\t\r  žena\t\r  i\t\r  to\t\r  van\t\r  klišea,\t\r  odnosno\t\r  \nunutar\t\r  jedne\t\r  dobrostojeće,\t\r  obrazovane\t\r  obitelji,\t\r  te\t\r  zato\t\r  želimo\t\r  podržati\t\r  njegovo\t\r  \nraspisivanje.\t\r  \n\t\r  \n\t\r  \nPlovidba\t\r  \nScenarij:\t\r  Ljubo-­‐Josip\t\r  Lasić\t\r  \n30.000,00\t\r  kn\t\r  \n\t\r  \nNakon\t\r  16\t\r  godina\t\r  Lovri\t\r  se\t\r  javlja\t\r  otuđeni\t\r  otac\t\r  Toni,\t\r  pomorac.\t\r  \nNa\t\r  zajedničkom\t\r  putovanju\t\r  brodom,\t\r  Toni\t\r  se\t\r  suočava\t\r  sa\t\r  smrtnošću,\t\r  a\t\r  Lovro\t\r  s\t\r  ocem.\t\r  \t\r  \nPrema\t\r  priloženom\t\r  treatmentu,\t\r  kojeg\t\r  možemo\t\r  podvući\t\r  pod\t\r  filmove\t\r  „trip\t\r  bounding“\t\r  \ntematike,\t\r  želimo\t\r  ovaj\t\r  projekt\t\r  i\t\r  autora\t\r  podržati\t\r  u\t\r  pisanju\t\r  scenarija\t\r  koji\t\r  bi\t\r  ga\t\r  mogao\t\r  \nodvesti\t\r  do\t\r  realizacije\t\r  dugometražnog\t\r  prvijenca.\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_promjena%20scenarista%20Zovko_Hedl_27112020.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_promjena%20scenarista%20Zovko_Hedl_27112020.pdf","sha256":"b19e8c2dbed4dcc56146407fe09be904f5679a7fc143ecedb6a043f5f68e6f82","bytes":187948,"page_count":1,"extracted_at":"2026-05-16T14:09:49Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKLASA: 111-006-001 \nURBROJ: 5640-2020 \nU Zagrebu, 27. studenog 2020. \n \nTemeljem članka 36. Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: Zakon) te čl. 12. st. \nst. 6. Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 10/20) Hrvatsko audiovizualno vijeće u 3. sazivu na 2. sjednici održanoj 27. \nstudenog 2020. godine donijelo je: \n \nO  D  L  U  K  U \no usvajanju zamolbe scenarista Hrvoja Zovka  \n \n \n1. Usvaja se zamolba scenarista Hrvoja Zovka, Zagreb, Nikole Gorjanskog 3, za promjenom nositelja \nprojekta razvoja scenarija za „Dokumentarni film o Josipu Reihl-Kiru – Mirotvorac“ sa scenarista \nHrvoja Zovka na scenarista Dragu Hedla, Osijek, Strossmayerova 188. \n \n2. Ovlašćuje se ravnatelj Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: HAVC) \nna sklapanje ugovora s Dragom Hedlom radi provedbe ove Odluke. \n \n3. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4. Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \n \nObrazloženje \n \nDana 13. studenoga 2020. scenarist g. Hrvoje Zovko, uputio je zamolbu HAVC-u, KLASA: 222-281-001-013; \nURBROJ: 5422-2020 (dalje u tekstu: Zamolba), za promjenom nositelja projekta razvoja scenarija za \n„Dokumentarni film o Josipu Reihl-Kiru – Mirotvorac“ sa scenarista Hrvoja Zovka na scenarista Dragu Hedla. \n \nHrvatsko audiovizualno vijeće u 3. sazivu na 2. sjednici je jednoglasno s jedanaest (11) glasova \"za\" usvojilo \nZamolbu kao što je navedeno u ad. 1. ove Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku objaviti \nna svojoj mrežnoj stranici: www.havc.hr. \nPredsjednik \nHrvatskog audiovizualnog vijeća \n \n     Lado Skorin, v.r. \n \nDostaviti: \n- \nHrvoje Zovko, Nikole Gorjanskog 3, Zagreb \n- \nDrago Hedl, Strossmayerova 188, Osijek \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2020,"rok":null,"referenced_projects":["Dokumentarni film o Josipu Reihl-Kiru – Mirotvorac"],"summary":"Odluka AV Vijeća u 3. sazivu na 2. sjednici od 27. studenoga 2020. o usvajanju zamolbe scenarista Hrvoja Zovka za promjenom nositelja projekta razvoja scenarija „Dokumentarni film o Josipu Reihl-Kiru – Mirotvorac“ sa scenarista Hrvoja Zovka na scenarista Dragu Hedla.","project_links":[{"source_title":"Dokumentarni film o Josipu Reihl-Kiru – Mirotvorac","family_id":"pf_5e71996908f8","family_title":"Dokumentarni film o Josipu Reihl-Kiru - Mirotvorac","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB%20obrazlozenje_PROIZVODNJA_anim_1.rok2023.pdf","filename_decoded":"WEB%20obrazlozenje_PROIZVODNJA_anim_1.rok2023.pdf","sha256":"b1f284fa1b32c99f970a159994dff318c7b3197c358b5fa675a0a21239d22349","bytes":80353,"page_count":3,"extracted_at":"2026-05-16T13:54:14Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20obrazlozenje_PROIZVODNJA_anim_1.rok2023.pdf"},"raw_text":" \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva -  kategorija: poticanje \nproizvodnje filmova, 1. rok 2023. \nKategorija: poticanje proizvodnje animiranog filma \nRok: 15.3.2023. \nUmjetnička savjetnica: Ana Horvat \n \nNa ovaj rok prijavljeno je sedamnaest projekata za proizvodnju animiranog filma.  \nJedan nije razmatran zbog nepotpune dokumentacije. Pet filmova je namijenjeno dječjoj publici, a \nšest je debitanata.   \nFilmovi su tematski i stilski jako raznoliki, ima puno eksperimentiranja s tehnikama, iako se većina \nodlučuje za 2D animaciju. Autori su različite generacije, i sa različitim prethodnim iskustvima. \nVeseli životnost scene, ali i otežava izbor.  \n \nOd šest filmova predloženih i odobrenih za financiranje, tri su debitantska, a jedan od debitantskih \nje i za djecu.  \n \nUkupan iznos sufinanciranja na ovom roku iznosi 258.600,00 €. \n \nProjekti koji su predloženi i odobreni za financiranje u ovom roku: \n \n1. \nnaziv projekta:  Meta v2.0 \nprodukcija: Prime Render d.o.o. \nscenarij: Veljko Popović \nrežija: Veljko Popović, Milivoj Popović, Božo Balov \niznos financiranja: 88.000,00 € \n \nVeljko Popović ovaj put film režira sa Milivojem Popovićem i Božom Balovim. Meta v2.0 je \nprojekt koji suvremenim medijem razrađuje suvremenu tematiku. Likovi i scena će biti konstruirani \nu 3D tehnici uz pomoć VR tehnologije, a donose svježu, uzbudljivu likovnost.  \nLikovi ovog svijeta (bliske) budućnosti provode slobodno vrijeme u metaverseu, tražeći uzbuđenje i \nodmak od dosadne stvarnosti u virtualnoj, gdje je moguće iskusiti nemoguće. Glavni lik u \nsamotnom lutanju metaverse-om započinje živu komunikaciju i ljubavnu vezu sa AI-osobom. Sve \nto će ugroziti nadolazeća solarna oluja. Projekt se dotiče teme komunikacije između ljudi i AI-a, \nkrhkosti svih svjetova, te propituje pravu prirodu stvarnosti. \n \n \n2. \nnaziv projekta:  Adaptacija 2.0 \nprodukcija:  Ustanova Zagreb film \nscenarij i režija: Darko Bakliža \niznos financiranja: 18.200,00 € \n \nOvaj projekt je razigrana kombinacija 2D animacije i piksilacije autorovih ruku, što ga čini likovno \ni animacijski jako zanimljivim. Na duhovit i tečan način, manipulirajući slikovnim materijalima iz \npovijesti umjetnosti i povijesti, autor propituje tematiku važnosti odijela i važnosti golotinje, uz \ndodatnu prepirku s umjetnom inteligencijom, koja se ne snalazi u tome što je tu što.  Našim drevnim \nprecima glavna preokupacija je bila lov i prokreacija - da li se nešto promijenilo s korištenjem \nodjeće i što sve može biti odjeća? Da li se povijesnim ličnostima mijenja značenje (značaj?) ako su \nna slici goli ili ne... Odnosno, koliko nas određuje sve ono što zovemo kulturom, i koliko je to u biti \nrelativno u odnosu na iskonsku prirodu ljudske životinje?  \n\n\f\n \n \n3. \nnaziv projekta:  Mala osebujnost \nprodukcija: Jadranska animacija \nscenarij i režija: Marko Dješka \niznos financiranja: 45.500,00 € \n \nAutoru su važne humane teme, od prava na život svih bića, do prava na samoekspresiju životnih \nodabira. Ovaj projekt je baziran na iskustvima stvarnih ljudi, a bavi se temom fetiša, ili recimo,  \nalternativnih izražavanja seksualnosti. Upoznajemo iskustva četiri osobe s različitim fetišima \n(vorefilia, fetiš stopala, BDSM, chastity). Kroz njihove intervjue, autor nam približava inače \nskriveni svijet seksualnih maštarija, koji ima bogati život u tajnovitim zakutcima interneta.  \nZanimljivo je da je nekima od njih pisanje priča ili crtanje u stvari važan dio izražavanja \nseksualnosti. Mašta im daje širinu i slobodu koju ne bi imali u stvarnosti. \nProjekt je intiman, iskren, a obrada duhovita i likovno bogata. Film za vizual koristi samo 2D \nanimaciju. Autorica dizajna likova i pozadina će biti Jelena Oroz (redateljica, animatorica, \nilustratorica). \n \n4. \nnaziv projekta:  Noć cvate \nprodukcija: Bonobostudio d.o.o. \nscenarij i režija: Kata Gugić \niznos financiranja:  45.500,00 € \n \nMlada autorica uspješnog diplomskog filma Cockpera je razradila maštoviti i likovno bogati projekt. \nFilm prati rast nadrealnog cvijeća pod okriljem noći, koje obavija grad kao okvir za magične, \nsnovite i košmarne događaje koje kao da stvara svojim opojnim, psihodeličnim mirisom. Zgrade se \nmiču, ljubavnici se sastaju i provode strastvenu noć, trkač vijuga kroz pomične ulice, animatoričina \nsvijest se isprepliće s animacijskim ciklusima na kojima radi, insomničar se rastapa od umora, \npijano društvo se ljulja kroz noć.  \nLikovnost slobodnih zapletenih linija i mnoštva tekstura skladno nadopunjava motive i temu filma. \nAutorica osobito inventivno i duhovito koristi animacijske tehnike u svrhu prikaza nadrealnih \nsituacija.    \n \n \n5. \nnaziv projekta: Savršeni dar \nprodukcija: Filmska udruga Šuma \nscenarij i režija: Kristina Penava \niznos financiranja:  35.000,00 € \n \nAutorica je također debitantica. Ovaj projekt za film za djecu je adaptacija njene istoimene \nslikovnice. Djevojčicu Točkicu roditelji umjesto pažnjom obasipaju poklonima. Jedan od poklona je \ni papagaj s kojim Točkica gradi prijateljstvo. Kada Točkica shvati da papagaj pati za svojom \ndžunglom, daruje mu slobodu. \nOvaj projekt nosi poruku o važnosti prijateljstva, kako nas oblikuje, odgaja i čini boljim ljudima u \nmaterijalistički usmjerenom svijetu. Autorica stvara uvjerljive likove s kojima je lako suosjećati, \npriča je maštovita i topla, a likovnost slikarske tehnike jarkih boja kvalitetna je i jedinstvena. Film \nće biti ostvaren u tehnici digitalne 2D animacije.  \n \n \n\n\f\n6. \nNaziv projekta: Oko trnja nema zvijezda \nprodukcija: Minya film i animacija j.d.o.o \nscenarij i režija: Luna Strmotić i Antonia Klarić / Luna Strmotić i Antonia Klarić \niznos financiranja: 26.400,00 € \n \nOvaj debitantski projekt mladih autorica vjerno prati stil Zagrebačke škole, kao i suvremena \nkretanja. Simpatičan, sladak dizajn je okvir za sasvim brutalnu, tragičnu priču o ljudskoj prirodi i o \nautodestruktivnom prilagođavanju svojoj okolini. U ovom svijetu grad je okružen ogromnim trnjem, \nkoje, kako raste, predstavlja konstantnu prijetnju kućama, cestama i ljudima.  \nGlavni lik, kao i svi oko njega, strpljivo i mirno se probija kroz dan, trudeći se održati red i privid \nnormalnosti do krajnjeg apsurda. \n \n \n \n \n \n \n \n \n \n \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","year":2023,"rok":"1. rok","referenced_projects":["Meta v2.0","Adaptacija 2.0","Mala osebujnost","Noć cvate","Savršeni dar","Oko trnja nema zvijezda"],"summary":"Obrazloženje umjetničke savjetnice Ane Horvat za 1. rok 2023. proizvodnje animiranog filma; od sedamnaest prijavljenih projekata odobreno je šest u ukupnom iznosu 258.600,00 €.","project_links":[{"source_title":"Meta v2.0","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Adaptacija 2.0","family_id":"pf_45b4c533f445","family_title":"Adaptacija 2.0","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Mala osebujnost","family_id":"pf_1078bd57f585","family_title":"Mala osebujnost","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Noć cvate","family_id":"pf_c410cd201ae1","family_title":"Noć cvate","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Savršeni dar","family_id":"pf_23aaecb93732","family_title":"Savršeni dar","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Oko trnja nema zvijezda","family_id":"pf_208f88e0688c","family_title":"Oko trnja nema zvijezda","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web Komplementarne 2025. - 2. rok.pdf","filename_decoded":"web Komplementarne 2025. - 2. rok.pdf","sha256":"b23db5a7e130f682209d54430fcc083c71888e3f9372d8996f0ae3dab6af0b31","bytes":51509,"page_count":3,"extracted_at":"2026-05-17T10:23:23Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Komplementarne%202025.%20-%202.%20rok.pdf"},"raw_text":"Naziv programa\nOdobrena sredstva\n(€)\n1\n4. Cherry Pop Film Festival\n3.000,00 €\n2\nMeđunarodni dan animacije 2025\n4.000,00 €\n3\nKlein film festival\n2.700,00 €\n4\nUnseen 9: Uspostavljanje veze\n2.900,00 €\n5\nDrugi filmski festival Ivo Šubić\n1.000,00 €\n6\n19. PSSST! Festival nijemog filma\n3.500,00 €\n7\n19. Vukovar Film Festival\n43.000,00 €\n8\n13. International Sound & Film Music Festival\n2.300,00 €\n9\n18. Smaragdni eco film festival SEFF\n7.700,00 €\n10\nFestival tolerancije Zadar\n16.000,00 €\n11\nMjesec hrvatskog filma u Mikro-kinu\n1.800,00 €\n12\nREF - Revija europskog filma '25.\n1.800,00 €\n13\nCroatian International Film Festival - CIFF\n5.000,00 €\n14\n14. Kiki - međunarodni festival dječjeg filma\n5.000,00 €\n15\nInterface - Festival video umjetnosti i program novih \nmedija\n3.000,00 €\n16\n30. Filmska revija mladeži i 18. Four River Film Festival\n17.500,00 €\n17\n57. Revija hrvatskog filmskog stvaralaštva\n11.500,00 €\nCentar za kulturu Trešnjevka\nEkološko kulturna scena EKS Hrvatska \nKostajnica\nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2025. godini - \npopis odobrenih projekata, 2. rok; 12. sjednica Hrvatskog audiovizualnog vijeća, 16. travnja \n2025.\nfilmski festivali i druge audiovizualne manifestacije\nCentar za dramsku umjetnost - CDU\nCentar za kulturu \"Rudar\"\nNaziv predlagatelja\nAkademski filmski klub\nASIFA Hrvatske\nBara Film\nDesign Studio D\nDreaMaker Productions d.o.o.\nFestival suvremenog židovskog filma \nZagreb\nFoto-kino klub Baranja film\nFoto-kino klub Baranja film\nGalileo Films d.o.o.\nGOKUL - Građanska organizacija za \nkulturu\nGreta Creative Network\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\n\n\f\n18\n63. Revija hrvatskog filmskog stvaralaštva djece\n13.500,00 €\n19\n9. History Film Festival\n4.200,00 €\n20\nDUff 2025. - 14. izdanje međunarodnog filmskog \nfestivala djece i mladih\n5.000,00 €\n21\n34. Dani hrvatskog filma\n26.000,00 €\n22\nAnimafin 2025.\n1.800,00 €\n23\nDunjine noći - međunarodni festival video poezije, Split \n2025.\n1.500,00 €\n24\n30. Splitski filmski festival\n22.000,00 €\n25\nMARS 2025. Festival\n1.600,00 €\n26\nTimpetill – Young4Film\n11.500,00 €\n27\n16. Filmska revija ''Novo kino Osmijeh''\n4.200,00 €\n28\nHuman Rights Film Festival\n28.000,00 €\n29\nTabor New Frame Film\n10.000,00 €\n30\n7. DA2 - Zagreb Design, Art & Architecture Film \nFestival\n5.800,00 €\n31\n3. Playbox Shorts Film Festival\n1.400,00 €\n32\nShpeena Dox 2025. - 10 godina\n1.300,00 €\n33\n15. Porečdox, međunarodni festival dokumentarnog \nfilma\n3.200,00 €\n34\nFestival Amaterskog Filma - FAF\n750,00 €\n35\nKino Palke 6 \n1.000,00 €\n36\n10. Filmska RUNDA\n5.000,00 €\n37\n11. Brač Film Festival\n8.000,00 €\n38\nUhvati film fest\n4.000,00 €\n39\n15. Postira Seaside Film Festival\n3.800,00 €\n40\n20. Trash Film Festival\n3.200,00 €\n41\n20. DOKUart međunarodni festival dokumentarnog filma\n14.500,00 €\nLuma film, vl. Marija Udovičić\nMavena - 36 njenih čuda\nIstra film\nJavna ustanova u kulturi Kinematografi \nDubrovnik\nKino Edison, multimedijski centar za \nkulturno-turističke sadržaje\nHrvatski filmski savez - HFS\nMeđunarodni festival novog filma\nMljetski Avanturistički Robinzonski \nSavez - MARS\nMotovun Film Festival\nMultimedijalni centar Studio kreativnih \nideja Gunja - MMC SKIG\nMultimedijalni institut\nPučko otvoreno učilište Labin\nPučko otvoreno učilište Poreč\nOBNOMIKA d.o.o.\nPari Pikule\nPlaybox Production – udruga za \npromicanje filmske i video umjetnosti\nUdruga Globe Media\nUdruga građana Spirit\nUdruga Lanterna Magica\nSavez studenata Fakulteta \nelektrotehnike i računarstva (SS FER)\nSinjski kulturni urbani pokret - SKUP\nTeatar to go, U.O.\nUdruga Trash\nUdruga za promicanje kulture Dokuart\n\n\f\n42\nRevija UMAS 2025\n1.400,00 €\n43\n9. Filmski festival glumca\n3.000,00 €\n44\n2. Vrboska Boutique Film Festival \n1.500,00 €\n45\nFestival kratkog metra Novigrad 2025\n3.000,00 €\n46\nHitchcock Nights 2025.\n1.000,00 €\n322.850,00 €\nUKUPNO\nUmjetnička organizacija KADAR\nUPKA Error\nZajednica udruga Centar nezavisne \nkulture\nUmjetnička akademija u Splitu\nUmjetnička organizacija \"Asser Savus\"\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"web Komplementarne 2025. - 2. rok","year":2025,"rok":"2. rok","natjecaj_date":"2025-04-16","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":"filmski festivali i druge audiovizualne manifestacije","section_key":"filmski_festivali_i_druge_audiovizualne_manifestacije","columns":["Naziv predlagatelja","Naziv programa","Odobrena sredstva (€)"],"rows":[{"row_number":1,"project_title":"4. 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":["reclassified_from_results_table_to_non_financing:havc_own_accounting_statement"]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje dugi igrani web.pdf","filename_decoded":"obrazlozenje dugi igrani web.pdf","sha256":"b35028a8a4c0810e53ce118f522504487a26e50054ff919ffb198214257adbd8","bytes":200750,"page_count":3,"extracted_at":"2026-05-17T12:01:39Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20dugi%20igrani%20web.pdf"},"raw_text":"REZULTATI JAVNOG POZIVA HAVC-A ZA PROIZVODNJU DUGOMETRAŽNIH IGRANIH FILMOVA \nU 2017. GODINI – 2. ROK \nJelena Paljan i Pavo Marinković, umjetnički savjetnici \n \nNa 2. rok Javnog poziva za proizvodnju dugometražnih igranih filmova u 2017. godini \nprijavilo se ukupno četrdeset i pet (45) projekata, od toga osamnaest (18) u kategoriji \ndebitantskih igranih filmova i četiri (4) u postprodukcijskoj fazi. Tri (3) projekta nisu \nrazmatrana jer ne zadovoljavaju uvjete javnog poziva. \nUmjetnički savjetnici za financiranje su predložili pet projekata, među kojima su tri \ndebitantska. Četiri projekta koja se predlažu za financiranje prethodno su dobila sredstva za \nrazvoj projekta, a jedan za razvoj scenarija. Taj podatak jasno govori da su projekti koji su \nprošli razvojne stepenice dorađeniji i spremniji za produkciju, kako u autorskom, tako i u \nfinancijskom smislu. Stoga je preporuka producentima da prijavljuju projekte prema fazama \nrazvoja te tako sebi, autorima, ali i savjetnicima olakšaju posao.  \nU još uvijek dosta skučenim financijskim gabaritima cjelokupnu logiku dodjele sredstava na \novom roku odredila su dva sjajna debitantska projekta, Juraja Lerotića i Josipa Žuvana. U \nfinancijskoj situaciji, koja je i dalje ispod razine onih iz 2013., 2014., ili 2015. godine, ostalo je \njoš prostora za projekt Igora Mirkovića te za još dva, uvjetno rečeno, nestandardna projekta. \nRiječ je o dokumentarno-igranom projektu Gorana Devića i igrano-animiranom projektu Nine \nViolić.  \nOd četiri filma prijavljena u kategoriji postprodukcije za financiranje nije predložen niti jedan, \nšto je također posljedica relativno nepovoljne financijske situacije. Naime, na ovom je roku u \nkategoriji proizvodnje bilo više kvalitetnih projekata no što je financijskih sredstava; u takvim \nokolnostima činilo se ispravno podržati više projekata koje tek treba snimiti, nego onih koji \nsu već snimljeni.   \n \n \nGARBURA (3.000.000) \nScenarist i redatelj Josip Žuvan u produkciji Maxima filma donosi priču o dvije kuće u \nbespravno izgrađenom dalmatinskom predgrađu i tri generacije obitelji koje u njima žive. \nAutor zrelo prikazuje složene obiteljske i susjedske odnose, usput vješto gradeći napetost \nkoja kulminira eksplozijom, doslovnom i metaforičkom. Svojom estetikom Garbura priziva \nnajbolje radove talijanske neorealističke škole transponirane na našu, istočnu obalu Jadrana \nte može postati sjajan debitantski film, zanimljiv festivalskoj, ali i zahtjevnijoj kino publici.  \n \n \nKUĆNA PRAŠINA (1.100.000) \nKućna prašina prikazuje zadnjih pola sata jedne obitelji prije njezina konačna raspada, i to \nkroz tri perspektive: prve dvije prikazuju nemoć žene i muškarca da izmaknu vlastitoj, \nuskogrudnoj istini, dok dječju odražava animirana maštarija koja predstavlja radikalni iskorak \niz tako ograničenog doživljaja svijeta. Nakon dva kratka filma glumica Nina Violić debitira \nhibridnom studijom o raspadu braka, čiju formalnu strogost, kao i ozbiljnost pojedinačne \n«istine», podrivaju elementi iz svijeta mašte, ali i vanjskog svijeta. Producent je tvrtka \nSpiritus movens. \n \n \n\n\f\n \nSIGURNO MJESTO (2.900.000) \nSigurno mjesto Juraja Lerotića, u produkciji Propeler filma, bavi se iznenadnim duševnim \noboljenjem koje na drastičan način prekida kontinuitet života oboljelog, ali i njegove obitelji. \nScenarij nas suočava s neuhvatljivošću poremećaja koji se na filmu često romantizira te \nuznemirujućoj nemoći pacijenta, obitelji, ali i čitavog zdravstvenog sustava pred razornom \nsnagom duševne bolesti. Poput fenomena kojim se bavi, Sigurno mjesto scenarij je razorne \nsnage, velikog festivalskog potencijala, koji bi u budućnosti mogao ostaviti trag ne samo u \nhrvatskoj, nego i europskoj kinematografiji. \n \n \nBISCHOFSHOFEN (3.900.000) \nScenarist i redatelj Igor Mirković u produkciji Inter filma donosi neobičnu humornu dramu o \nodnosu honorarnog zaposlenika seks-chata iz Zagreba i njegovom korisniku iz austrijskog \nBischofshofena. Nemoćni da se othrvaju vlastitim slabostima i nepovoljnim životnim \nokolnostima, dvojica muškaraca postupno razvijaju odnos koji se temelji na laži, ali u kojem \nsu emotivni ulozi iskreni. Bischofshofen je scenarij realistične radnje i racionalno motiviranih \npostupaka likova koji se u dobrom dijelu odigrava u izmaštanom svijetu stvorenom u \nvirtualnom prostoru opskurnog seks-chata.  \n \n \nŠTO DA SE RADI (900.000) \nŠto da se radi autora Gorana Devića, u produkciji Petnaeste umjetnosti, prati vođu \nsindikalista tvornice Janko Gredelj, čija se borba za opće dobro sudara s njegovom taštinom, \nkrivim procjenama i odlukama. No štogod učinio, glavni junak ne može spriječiti neumitnu \npropast tvornice čija je sudbina odlučena na mnogo višim razinama. Ovaj dokumentarno \nigrani film paradigmatska je priča hrvatske, ali i ostalih istočno-europskih tranzicija, koju \nautor nadilazi utopističkom završnicom i tako, barem u fikciji, uspijeva izigrati nemilosrdni \nkapitalistički sustav.  \n \n \n \nNa 2. rok Javnog poziva prijavljeno je i više projekata koji još nisu zreli za proizvodnju, ali su \ndovoljno zanimljivi i produkcijski razrađeni da im se odobre sredstva u kategoriji razvoja \nscenarija ili razvoja projekta.  \n \n \nRAZVOJ PROJEKTA: \n \nBRIJUNSKA PRIČA (140.000) \nScenarij Arsena Antona Ostojića u produkciji Gripfilma prati nekad perspektivnog \nkomunističkog rukovodioca koji se povratkom na Brijune suočava s raspadom obitelji, \nprolaznosti života i upropaštenim životnim prilikama. Ova drama visokog koprodukcijskog \npotencijala ima perspektivu ponoviti prethodne uspjehe autora.  \n \n \n \n\n\f\n \nMURINA (120.000) \nTalentirana mlada autorica Antoneta Alamat Kusijanović u Murini prikazuje odrastanje \ntinejdžerke iz dubrovačke srednje klase tijekom poslovno-obiteljskog izleta koji se pretvara u \nmanipulativnu igru dokazivanja moći. Iza projekta stoji produkcijska kuća Spiritus movens, \nscenarij je primljen na više prestižnih međunarodnih radionica i u budućnosti bi mogao \npostati festivalski hit.  \n \n \nPO TAMBURI (120.000) \nTamburaški sastav «Aveti ravnice» lažno je optužen za krađu zlatnog kulena, glavne nagrade \nvelikog tamburaškog natjecanja. «Aveti» trebaju sačuvati živu glavu i dokazati nevinost u \nbespućima slavonske ravnice. Komedija koju potpisuju Mario Marko Krce i Stanislav Tomić, u \nprodukciji tvrtke Kaos, najduhovitiji je scenarij natječaja kojem razvoj projekta može pomoći \nza kvalitetniju produkcijsku pripremu. \n \n \nVANKA (140.000) \nUgledni redateljski veteran Mladen Juran već se godinama bavi biografijom našeg poznatog \nslikara Maksimilijana Vanke. U projekt, iza kojeg stoji umjetnička organizacija Adriatic-art-\nmedia-film, uložena je velika autorova energija, ali da bi ova biografska drama na pravi način \nzaživjela, potrebna su joj sredstva za razvoj.  \n \n \n \nRAZVOJ SCENARIJA:  \n \nPUČINA OD SVILE (30.000) \nPučina od svile autora Zdravka Mustaća okrutna je otočka drama u najboljoj tradiciji splitske \nškole neprofesionalnog filma koja bi, nakon scenarističke dorade, mogla postati snažan i \npotresan mediteranski film.  \n \n \nTRAGOVI (30.000) \nScenarij koji potpisuju nagrađivana autorica kratkih filmova Dubravka Turić i renomirani \nilustrator, strip-autor i autor animiranih filmova Danijel Žeželj hermetična je priča festivalskih \nambicija o preispitivanju sredovječne intelektualke nakon smrti oca.  \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web%20obrazlo%C5%BEenje%20eksperimentalni.pdf","filename_decoded":"web%20obrazlo%C5%BEenje%20eksperimentalni.pdf","sha256":"b3da1f64f4a385c6b19c2f11189dcff4a90212de6939d52f2565e24d3d87aa25","bytes":55160,"page_count":2,"extracted_at":"2026-05-16T14:11:37Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlo%C5%BEenje%20eksperimentalni.pdf"},"raw_text":"Obrazloženje umjetničke savjetnice za eksperimentalni film \nAna Hušman \n \nNa prvi rok Javnog poziva za poticanje proizvodnje audiovizualnih djela u kategoriji \neksperimentalnog filma u 2018. godini pristiglo je sveukupno dvanaest prijava (od toga jedan \nprojekt u fazi postprodukcije) od kojih jedan nije ušao u razmatranje jer nije dostavljena \npotpuna dokumentacija. \nOd jedanaest prijavljenih filmova za sufinanciranje predlažem četiri međunarodno već \nprepoznata autora/ice. Riječ je o projektima: \"Mjesta koja ćemo disati\" Davora Sanvincentija \n(Petikat - umjetnička radionica), \"Slučajni raskoš prozirnog vodenog rebusa\" Dalibora Barića \n(Kaos d.o.o.), \"Kravata\" Željke Sukove (Udruga Ukus) i \"Toranj\" Silvestra Kolbasa \n(Samostalna djelatnost Silvestar Kolbas). \n \nU odabiru projekata vodila sam se s nekoliko varijabli:  \n- da su projekti usmjereni prema istraživanju kako teme tako medija i formata \n- da imaju svoje polazište i relevantnost u suvremenoj svakodnevici \n- da su raspisani na načni da se iz samog projektnog prijedloga mogu isčitati smjernice \nistraživanja i eksperimentiranja filma \n \n \n\"Mjesta koja ćemo disati\" autora Davora Sanvincentija u produkciji Petikat - umjetničke \nradionice novi je projekt autora koji je za svoj prethodni film \"Skoro ništa: i dalje noć \nnagrađen na relevantnim hrvatskim festivalima: Nagrada kritike, 25 FPS Festival 2017., \nNagrada Oktavijan za najbolji eksperimentalni film, Dani hrvatskog filma 2018. te posebno \npriznanje Tabor Film Festival 2018., a osim domaćoj publici predstavljen i prepoznat i na \ninternacionalno relevantnim filmskim festivalima, International Film Festival Roterdam, Ann \nArbor Film Festival.. \nNovi film bavi se susretom filma, prirode i procesa koji se događaju kada filmsku traku \ndovodimo u odnose s procesima koji se svakodnevno odvijaju pod našim nogama. \nUzemljen i u trenutku Davor Sanvincenti u ovom vizualnom eseju ulazi u prostor vremena \nmisleći film kroz najmanju moguću jedinicu sličice, analognu i digitalnu fotografiju, nađeni \nmaterijal koji dekonstruira, analizira i nanovo gradi propitujući aktualne teme samoodrživosti, \nekologije, budućnosti planete Zemlje, odgovornosti življenja i odgovornosti prema vlastitom \nživotu. Snimljenim slikama pejzaža Lastova i Pantelerije u kombinaciji s prerađenim found \nfootage materijalima vodi nas kroz intenzivno osobno filmsko iskustvo. \n \n \nŽeljka Sukova, debitantica u kategoriji eksperimentalnog filma, ali iza sebe s vrlo uspješnim \ndokufikcijskim filmom \"Marijine\" iz 2011. predlaže film  \"Kravata\" u produkciji Udruge \nUkus. Kravata problematizira pitanje sjećanja, prepisivanja, memorija i memorabilija, \nupisivanjem i brisanjem događaja u prostore industrijskog pejzaža. Koristeći se postupcima \nkolažiranja oduzimanja i dodavanja, industrijskim pejzažima Rijeke, duhovitim opaskama, \ndjelića narativa iz vlastitih sjećanja autorica stvara fiktivni nadrealistički narativ kroz koji \npripovjeda. \n \n \n\"Slučajni raskoš prozirnog vodenog rebusa\", Dalibora Barića autora već niza uspješnih \neksperimentalnih i animiranih filmova prikazanih širom svijeta i također nagrađenim nizom \nnagrada nastavlja se na interes prema poetikama nadrealizma referirajući se na radove iz polja \nfilma, ali i slikarstva. Prepoznatljivom estetikom kombinirajući 2D i animaciju propitujući \n\n\f\nfilmske realitete i mogućnosti pripovijedanja kroz fragmente, atmosfere, asocijativne narative \nkoji katkada podsjećaju na atmosferu kriminalističkog slučaja Godarovog Alphavillea kroz \n\"Slučajni raskoš prozirnog vodenog rebusa\" vodi nas detektiv Martin. \n \n \nSilvestar Kolbas, snimatelj, redatelj i fotograf nastavlja kontinuitet svog rada filmom \"Toranj\" \nkoji reflektira aktualna pitanja o hrvatskoj svakodnevici kroz jednu vrlo strukturalističku \nopservaciju Ciboninog tornja na čijem se krovu još uvijek nalazi znak Agrokora. Promatrajući \ni opservirajući nenasilnim okom kamere autor postavlja relevantna pitanja o aktualnim \nprocesima u državi u kojoj živimo. \n \n \nMali broj prijava u kategoriji eksperimentalnog filma upućuje na manjak edukacije unutar \nvisokoškolskog sustava usmjerenog isključivo prema eksperimentalnom filmu.  \nOsim Akademija na kojima ne postoji odsjek ili smjer koji bi isključivo njegovao \neksperimentalni film, jedino mjesto koje preostaje su Kino klubovi koji donekle uspijevaju \notvoriti prostor za mlade autore/ice i takav način razmišljanja, no uz sav trud nedovoljno. \nEdukaciji u području eksperimentalnog filma trebali bi posvetiti posebnu pažnju kako bi se \nnadovezala na dugogodišnju tradiciju, promišljanje, zanimljivih, relevantnih i plodnih \ndomaćih autorica i autora te stvorila novu generaciju mladih ljudi koji se bave fimom, misle \nfilmom i eksperimentriaju filmom. \n \n \n\t\r  \n","warnings":[],"document":{"program_type":"proizvodnja","year":2018,"rok":"1. rok","referenced_projects":["Mjesta koja ćemo disati","Slučajni raskoš prozirnog vodenog rebusa","Kravata","Toranj"],"summary":"Obrazloženje umjetničke savjetnice Ane Hušman za 1. rok 2018. za proizvodnju eksperimentalnog filma: od 12 prijava (11 razmatranih) predložena su četiri projekta međunarodno prepoznatih autora.","project_links":[{"source_title":"Mjesta koja ćemo disati","family_id":"pf_8bdc0c2309fc","family_title":"Mjesta koja ćemo disati","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Slučajni raskoš prozirnog vodenog rebusa","family_id":"pf_bde9c5567cc6","family_title":"Slučajni raskoš prozirnog vodenog rebusa","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Kravata","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Toranj","family_id":"pf_0aedd06e89df","family_title":"Toranj","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_DISTRIBUCIJA_2026_1_ROK_REZULTATI_WEB.pdf","filename_decoded":"JP_DISTRIBUCIJA_2026_1_ROK_REZULTATI_WEB.pdf","sha256":"b3e23d784aed797b7bdd351ee1b5744201ce25dc24daf7d3cd88f02f7fff359c","bytes":205026,"page_count":1,"extracted_at":"2026-05-17T10:22:48Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_DISTRIBUCIJA_2026_1_ROK_REZULTATI_WEB.pdf"},"raw_text":"NOSITELJ \nPRIJAVE\nNASLOV FILMA\nKATEGORIJA \nFILMA\nREDATELJ\nPRODUCENT\nDISTRIBUTER\nDODIJELJENA \nSREDSTVA\n1\nFestival \nmediteranskog \nfilma j.d.o.o.\nKoke\ndugometražni igrani \nfilm\nIgor Jelinović\nEclectica d.o.o.\nFestival \nmediteranskog filma \nj.d.o.o.\n12.000,00\n2\nFestival \nmediteranskog \nfilma j.d.o.o.\nYugo Florida\ndugometražni igrani \nfilm -  manjinska \nkoprodukcija\nVladimir Tagić\nEclectica d.o.o.\nFestival \nmediteranskog filma \nj.d.o.o.\n3.500,00\n3\nČetiri film d.o.o.\nBiti u rodu s \nJohnom \nMalkovichem\ndugometražni \ndokumentarni film\nLuka Mavretić\nČetiri film d.o.o.\nČetiri film d.o.o.\n4.500,00\n4\nFantastično dobra \ninstitucija - Fade In \nd.o.o.\nOno što treba činiti \ndugometražni \ndokumentarni film\nSrđan Kovačević\nFantastično \ndobra institucija - \nFade In d.o.o.\nFantastično dobra \ninstitucija - Fade In \nd.o.o.\n4.000,00\n5\nWolfgang i Dolly \nd.o.o.\nNa drugoj strani \nljeta\ndugometražni igrani \nfilm - manjinska \nkoprodukcija\nVojtěch Strakatý\nWolfgang i Dolly \nd.o.o.\nWolfgang i Dolly \nd.o.o.\n3.000,00\n6\nMCF d.o.o.\nBijelo se pere na \ndevedeset\ndugometražni igrani \nfilm -  manjinska \nkoprodukcija\nMarko Naberšnik\nKinorama d.o.o.\nMCF d.o.o.\n5.500,00\n7\nHulahop d.o.o.\nVučja gozba\ndugometražni \ndokumentarni film\nJadran Boban\nHulahop d.o.o.\nHulahop d.o.o.\n3.000,00\n35.500,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE DISTRIBUCIJE FILMOVA u 2026. - 1. ROK - 30.1.2026. - 29. sjednica \nHrvatskog audiovizualnog vijeća, 13. ožujka 2026.\nTrg Josipa Jurja Strossmayera 4  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 080  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"distribucija","natjecaj_title":"JP_DISTRIBUCIJA_2026_1_ROK_REZULTATI_WEB","year":2026,"rok":"1. rok","natjecaj_date":"2026-01-30","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":true,"repair_v1":{"changes":[{"field":"document.program_type","from":"manjinske_koprodukcije","to":"distribucija","reason":"filename/title keyword: distribucija","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NOSITELJ PRIJAVE","NASLOV FILMA","KATEGORIJA FILMA","REDATELJ","PRODUCENT","DISTRIBUTER","DODIJELJENA SREDSTVA"],"rows":[{"row_number":1,"project_title":"Koke","applicant":"Festival 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Subtotal of section (26.000 + 110.000 = 136.000,00) confirms 26.000.","repair_v1":{"changes":[{"field":"project_title","from":"Udruga D omino","to":"Užarska r adionica Ivana D elimara","reason":"project_title_from_col_2_when_title_looks_like_org","confidence":"high"},{"field":"applicant","from":null,"to":"Udruga D omino","reason":"backfill_applicant_from_original_project_title","confidence":"high"},{"field":"category","from":null,"to":"Kratkometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Kratkometražni","to":"Kratkometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":"Udruga D omino","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"b42db056_rezultati_2019_1_rok_proizvodnja_1706_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Within the same numbered block, row 6 aligns to U�arska radionica Ivana Delimara with REDATELJ/ICA Vlasta Delimar."},"entity":"Udruga Domino","row_id":"b42db056:s1:df1530ea2f83","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source text row 6 (kratkometražni igrani film section) lists award: 'Užarska radionica Ivana Delimara' by Vlasta Delimar, applicant Udruga Domino, 26.000,00. OCR-inserted spaces throughout ('r adionica', 'D elimara', 'D elimar', 'D omino') must be removed.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Užarska r adionica Ivana D elimara","to":"Užarska radionica Ivana Delimara","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_38c353b7c9e4","project_family_title":"Užarska radionica Ivana Delimara"},{"row_number":1,"project_title":"Aqualia","applicant":"Ustanova Zagreb film","production_company":"Ustanova Zagreb film","director":"Vladislav Knežević","writer":null,"original_author":null,"category":"Kratkometražni igrani film","approved_amount_text":"300.000,00","approved_amount":300000.0,"currency":"HRK","extras":{"col_2":"Aqualia","col_3":"Vladislav K nežević","599.000,00":"300.000,00","approved_amount_original":1.0,"approved_amount_text_original":"1","amount_repaired_at":"2026-05-17T12:55:00Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"croatian_std","amount_repair_confidence":"high","repair_v1":{"changes":[{"field":"project_title","from":"Ustanova Z agreb f ilm","to":"Aqualia","reason":"project_title_from_col_2_when_title_looks_like_org","confidence":"high"},{"field":"applicant","from":null,"to":"Ustanova Z agreb f ilm","reason":"backfill_applicant_from_original_project_title","confidence":"high"},{"field":"category","from":null,"to":"Kratkometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Kratkometražni","to":"Kratkometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":"Ustanova Z agreb f ilm","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z","people_backfill_v1":{"changes":[{"field":"director","from":null,"to":"Vladislav Knežević","source":"raw_chunk:director","confidence":"medium"}],"updated_at":"2026-05-18T15:25:14Z","method":"machine:people_backfill_v1"}},"entity":"Ustanova Zagreb film","row_id":"b42db056:s1:57dccb19ac09","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_688011b867bc","project_family_title":"Aqualia"},{"row_number":2,"project_title":"Među n ama","applicant":"Luma film d.o.o.","production_company":"Luma film d.o.o.","director":"Petra Balekic","writer":null,"original_author":null,"category":"Kratkometražni igrani film","approved_amount_text":"350.000,00","approved_amount":350000.0,"currency":"HRK","extras":{"col_2":"Među n ama","col_3":"Petra B alekić","599.000,00":"350.000,00","approved_amount_original":2.0,"approved_amount_text_original":"2","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"Project is 'Među nama' (Petra Balekić / Luma film d.o.o.) row 2 in animirani film section, amount 350.000,00 in raw_text. Parser captured only '2' (likely from preceding row number). Section subtotal (300+350+370+330+470 = 1.820.000,00) confirms 350.000.","repair_v1":{"changes":[{"field":"project_title","from":"Luma f ilm d .o.o.","to":"Među n ama","reason":"project_title_from_col_2_when_title_looks_like_org","confidence":"high"},{"field":"applicant","from":null,"to":"Luma f ilm d .o.o.","reason":"backfill_applicant_from_original_project_title","confidence":"high"},{"field":"category","from":null,"to":"Kratkometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Kratkometražni","to":"Kratkometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":"Luma f ilm d 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film","production_company":"Ustanova Zagreb film","director":"Danijel �e�elj","writer":null,"original_author":null,"category":"Kratkometražni igrani film","approved_amount_text":"300.000,00","approved_amount":300000.0,"currency":"HRK","extras":{"col_2":"Sakupljač","col_3":"Danijel Ž eželj","599.000,00":"330.000,00","approved_amount_original":4.0,"approved_amount_text_original":"4","amount_repaired_at":"2026-05-17T12:55:00Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"croatian_std","amount_repair_confidence":"high","repair_v1":{"changes":[{"field":"project_title","from":"Ustanova Z agreb f ilm","to":"Sakupljač","reason":"project_title_from_col_2_when_title_looks_like_org","confidence":"high"},{"field":"applicant","from":null,"to":"Ustanova Z agreb f 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film","row_id":"b42db056:s1:38e7b5e403b1","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e75a5ee907e6","project_family_title":"Sakupljač"},{"row_number":5,"project_title":"Sfera","applicant":"Kinorama d.o.o.","production_company":"Kinorama d.o.o.","director":"Manuel �umberac","writer":null,"original_author":null,"category":"Kratkometražni igrani film","approved_amount_text":"4.000.000,00","approved_amount":4000000.0,"currency":"HRK","extras":{"col_2":"Sfera","col_3":"Manuel Š umberac","599.000,00":"470.000,00","approved_amount_original":5.0,"approved_amount_text_original":"5","amount_repaired_at":"2026-05-17T12:55:00Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"croatian_std","amount_repair_confidence":"medium","repair_v1":{"changes":[{"field":"project_title","from":"Kinorama d 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Mi�imakov","writer":null,"original_author":null,"category":"Kratkometražni igrani film","approved_amount_text":"90.000,00","approved_amount":90000.0,"currency":"HRK","extras":{"col_2":"Dečki koji baš i nisu","col_3":"Marko G utić M ižimakov","599.000,00":"90.000,00","approved_amount_original":1.0,"approved_amount_text_original":"1","amount_repaired_at":"2026-05-17T12:55:00Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"croatian_std","amount_repair_confidence":"high","repair_v1":{"changes":[{"field":"category","from":null,"to":"Kratkometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Kratkometražni","to":"Kratkometražni igrani 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Row has flattened table structure: applicant was null (must restore), project_title incorrectly contained organization name (must move to col_2 value). OCR spaces in organization ('z a r azvoj', 'q ueer') require correction.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Kolektiv z a r azvoj, istraživanje i propitivanje q ueer kulture - queerANarchive","to":"Dečki koji baš i nisu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":null,"to":"Kolektiv za razvoj, istraživanje i propitivanje queer kulture - queerANarchive","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Kolektiv za razvoj, istraživanje i propitivanje queer kulture - queerANarchive","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_ff4fe7b9bb41","project_family_title":"Dečki koji baš i nisu"},{"row_number":2,"project_title":"Terminal 3","applicant":null,"production_company":null,"director":"Jelena Blagovic Pavicic, Branko Linta","writer":null,"original_author":null,"category":"Kratkometražni igrani film","approved_amount_text":"90.000,00","approved_amount":90000.0,"currency":"HRK","extras":{"col_2":"Famozno - S vaki j e umjetnik z a s ebe, s vi zajedno n ikad","col_3":"Jelena B lagović P avičić, Branko L inta","599.000,00":"90.000,00","approved_amount_original":2.0,"approved_amount_text_original":"2","amount_repaired_at":"2026-05-17T12:55:00Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"croatian_std","amount_repair_confidence":"high","repair_v1":{"changes":[{"field":"category","from":null,"to":"Kratkometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Kratkometražni","to":"Kratkometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"b42db056_rezultati_2019_1_rok_proizvodnja_1706_pdf.json","creator_backfill_director_confidence":"medium","creator_backfill_director_reasoning":"The parsed title is shifted, but row number 2 in this block aligns to the Famozno entry with both listed directors."},"entity":null,"row_id":"b42db056:s1:7cb08c58b594","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_20a53a34f03a","project_family_title":"Terminal 3"},{"row_number":3,"project_title":"Jesen, zima, proljeće i ljeto","applicant":"Udruga Blank","production_company":"Udruga Blank","director":"Tamara Bilankov","writer":null,"original_author":null,"category":"Kratkometražni igrani film","approved_amount_text":"90.000,00","approved_amount":90000.0,"currency":"HRK","extras":{"col_2":"Jesen, z ima, p roljeće i l jeto","col_3":"Tamara B ilankov","599.000,00":"90.000,00","approved_amount_original":3.0,"approved_amount_text_original":"3","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"Project is 'Jesen, zima, proljeće i ljeto' (Tamara Bilankov / Udruga Blank) row 3 in kratkometražni dokumentarni film section, amount 90.000,00 in raw_text. Parser captured only the row number '3'. Section subtotal (90+90+90+200+150+150+90 = 860.000,00) confirms 90.000.","repair_v1":{"changes":[{"field":"project_title","from":"Udruga B lank","to":"Jesen, z ima, p roljeće i l jeto","reason":"project_title_from_col_2_when_title_looks_like_org","confidence":"high"},{"field":"applicant","from":null,"to":"Udruga B lank","reason":"backfill_applicant_from_original_project_title","confidence":"high"},{"field":"category","from":null,"to":"Kratkometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Kratkometražni","to":"Kratkometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":"Udruga B lank","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"b42db056_rezultati_2019_1_rok_proizvodnja_1706_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number and title match clearly, and the REDATELJ/ICA value is Tamara Bilankov."},"entity":"Udruga Blank","row_id":"b42db056:s1:deff4e74a50c","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source text row 3 (kratkometražni igrani film section) confirms award: 'Jesen, zima, proljeće i ljeto' by Tamara Bilankov, applicant Udruga Blank, 90.000,00. OCR spacing errors in title ('z ima', 'p roljeće', 'l jeto'), director ('B ilankov'), and organization ('B lank') must be corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Jesen, z ima, p roljeće i l jeto","to":"Jesen, zima, proljeće i ljeto","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_8e29a2fc7253","project_family_title":"Jesen, zima, proljeće i ljeto"},{"row_number":4,"project_title":"Umjetnička o rganizacija Mitropa","applicant":null,"production_company":null,"director":"Ivan Faktor","writer":null,"original_author":null,"category":"Kratkometražni igrani film","approved_amount_text":"200.000,00","approved_amount":200000.0,"currency":"HRK","extras":{"col_2":"Kako b i S tan Brakhage gledao Fritza L anga","col_3":"Ivan F 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Vjerujem da bi odobreni projekti mogli doprinijeti \nraznolikosti domaće kratkometražne produkcije te daljnjem profesionalnom razvoju autora. \n \nMeđu odabranim projektima dva (2) su bila prijavljena na neki od prethodnih javnih poziva, a \njedan je prijavljen u fazi postprodukcije. \n \nZa sufinanciranje proizvodnje kratkometražnog igranog filma predloženo je i odobreno šest \nprojekata u ukupnom iznosu od 320.000,00 eura.  \nProjekti su sljedeći: \n \nHrabri dečki, režija: Ivan Veljača, scenarij: Ivan Veljača, produkcija: Antitalent d.o.o. \niznos: 43.000,00 eura \nPriča smještena u ratni milje zagrebačkog stana priča je o odrastanju osmogodišnjeg dječaka \nčija obitelj dobiva vijest da mu je otac poginuo. Efektno i nepretenciozno autor kontrastira \nunutarnji svijet dječje igre i vanjski svijet neugodne svakodnevice vješto se poigravajući \nzvukom i dječjom perspektivom te uspijeva spojiti dva svijeta u priči gdje će dječakovo \nprihvaćanje situacije postati svojevrsna utjeha ostatku obitelji. Toplina odnosa među \nlikovima, neugode i šutnje funkcionalno su upotrijebljeni. \n \n \nKućni pornić, režija: Rajko Grlić, scenarij: Rajko Grlić, produkcija: Antitalent d.o.o. \niznos: 47.000,00 eura \nU ovom projekt naš renomirani redatelj, pisac i scenarist vraća se potpunoj jednostavnosti i \nkompaktnosti donoseći kritiku društva u jednom kadru. Autor efektno, obraćajući pažnju na \nzvukovnu komponentu, kontrastira ljubavnu igru dvoje ljubavnika paralelnom životu koji se \nodvija na ulici. Svojevrsnim dokumentarizmom i jednostavnošću koncepta postiže se \nefektnost, vjerodostojnost i aktualnost teme kojom se bavi. \n \n \nMurva, režija: Leon Lučev, scenarij: Olja Runjić i Emina Omerović, produkcija: Udruga \nBlank \niznos: 67.000,00 eura \nOvaj originalan scenarij izrazito bogatih i specifičnih slika i zvukova uspijeva u svojoj \nkompaktnosti oslikati život na cesti malog dalmatinskog mjesta, zadrtost ljudi te prihvaćanje \nobitelji. U felinijevskoj dalmatinskoj priči specifične estetike autorice tematiziraju ugroženost \nosjetljive biljke u surovosti mediteranskog mentaliteta - univerzalnost i svevremenost \nDrugačijeg uronjenog u nagrizajuću klimu površnosti, strasti i „normalnosti” koja ostavlja \nposljedice na manjem i slabijem. \n\n\f\nTTMD, režija: Ivan Sikavica, scenarij: Ivan Sikavica, produkcija: Kobra Koke Zagreb \niznos: 65.000,00 eura \nNovi projekt etabliranog autora kratkometražnih filmova tematizira trenutne društvene \nsklonosti traženja žrtve u ozračju političke korektnosti. Mladi suradnik u školi stavljen je pred \noptuženičku klupu dijela nastavnog osoblja i optužen za neprimjereno ponašanje prema \nučenici. Potpuno dobroćudan lik postaje negativac u očima nadređenih te njegovim nedužnim \npostupcima s krivim interpretacijama autor uspješno zapliće priču te uspijeva postići dojam \ngrude koja se zakotrljala i više ju se ne može zaustaviti. U ovoj drami autor vješto postiže \natmosferu trilera s izrazito organskim i uvjerljivo raspisanim dijalozima. \n \n \nVanculeti, režija: Dražen Krešić, scenarij: Ivana Babić-Bošković, produkcija: Woodz \nProduction d.o.o. \niznos: 70.000,00 eura \nSimpatična gorko-humorna priča o dvije stare bake u južnoj Dalmaciji koje kao jedine \nstanovnice napuštenog sela žive u međusobnom nadmetanju i animozitetu bez komunikacije. \nVanculeti iz naslova označava marame, dio vrgoračke narodne nošnje, koju stare bake nose \nna glavama i nikad se u javnosti ne pojavljuju bez njih. One su dio uniforme nekih prošlih \nvremena, zaboravljenih, punih krivnje te u glavama ovih starih baka očito međusobno \nneoprostive. Vrlo efektan, komoran scenarij s asketskim atmosferama opustjelog kraja, \nispričan bez i jedne replike uspijeva predočiti toplinu odnosa, zaboravljene sukobe i konačni \noprost dvije glavne junakinje. \n \n \nVeliki val, režija: Filip Peruzović, scenarij: Filip Peruzović, produkcija: Umjetnička \norganizacija Plafon \niznos: 28.000,00 eura \nSrednjemetražni projekt našeg mladog autora prijavljuje se u fazi postprodukcije. Ponovo u \nkomornom ansamblu i priči autor preispituje odnos i dinamiku ljubavnog para pozicionirajući \npriču u jednu večer koja može postati presudna za nastavak veze. Likovi preispituju svoj \nodnos, ogoljuju se, životni su te doživljavaju neku bar privremenu katarzu, do jutra.  \nPostavljajući gledatelja u maksimalnu ulogu promatrača gdje je potpuno involviran u priču \nautor nas pokušava staviti u situaciju i obrazložiti postavku -  Nitko zapravo ne zna što se \ndogađa između dvoje ljudi u njihovoj intimi.  \nAutor se uglavnom koristi kadar sekvencama koncentirirajući se više na reakcije nego na \nglumačku akciju, fine i decentne, dobro tajmirane dinamike. Vjerujem da će se \nsufinanciranjem u fazi postprodukcije precizna autorova vizija do kraja pretočiti u još jedan \nuspješan projekt. \n \n \n \n \n \n \nNina Velnić - umjetnička savjetnica za kratkometražni igrani film \n \n \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_me_unarodna_rezultati_13_11_2015_web.pdf","filename_decoded":"JP_me_unarodna_rezultati_13_11_2015_web.pdf","sha256":"b4621e273ff3a4c2e8a25df97f605a75f34064a7c62718e1e78318cbb2dcf6a9","bytes":412519,"page_count":2,"extracted_at":"2026-05-17T10:23:36Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_me%C4%91unarodna_rezultati_13_11_2015_web.pdf"},"raw_text":"PREDLAGATELJ\nVRSTA PROGRAMA\nNAZIV PROGRAMA\nODOBRENA POTPORA \n(kn)\n1\nAkademija Dramske \nUmjetnosti\nProgrami stručnog usavršavanja.\nSudjelovanje 2 profesora i 5 studenata na međunarodnoj radionici European Editing \nMasterclass VI; Banska Štiavnica, Slovačka; 11. do 17. listopada 2015\n9.300,00 kn\n2\nAntitalent d.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata. \nSudjelovanje Katarine Janković i predstavljanje dugometražnog igranog projekta 'Goran', \nred. N. Marasovića na programu Agora Works in progress u sklopu međunarodnog filmskog \nfestivala Thessaloniki;  Solun, Grčka; 12. studeni 2015.\n970,00 kn\n3\nArtizana d.o.o.\nProgrami predstavljanja i promocije filmova.\nSudjelovanje Ive Cikojević i predstavljanje dugometražnog igranog filma 'Most na kraju \nsvijeta', red. B. Ištvančića u programu najboljeg televizijskog igranog filma međunarodnog  \nEuropean Broadcasting Festival; Berlin, Njemačka; 17. do 24. listopada 2015.\n2.122,00 kn\n4\nČetiri film d.o.o.\nProgrami predstavljanja i promocije filmova.\nSudjelovanje članova autorskog tima i predstavljanje dugometražnog igranog filma 'Ti mene \nnosiš', red. I. Juka na 46. međunarodnom filmskom festivalu Indije, Goa; 20. do 30. \nstudenog 2015.\n15.440,00 kn\n5\nDaniel Šuljić\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma 'Stakleni čovjek', \nred. D. Šuljića na natjecateljskom programu festivala animiranog filma KROK; Rusija; 20. do \n27. rujna 2015.\n2.938,00 kn\n6\nDraško Ivezić\nProgrami predstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma 'Ljubav i \nprijevozna sredstva', red. D. Ivezića na  3. međunarodnom festivalu animiranih i studentskih \nfilmova i dječjeg stvaralaštva Primanima; Budimpešta, Mađarska; 20. do 24. listopada 2015. \n1.930,00 kn\n7\nDraško Ivezić\nProgrami predstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma 'Ljubav i \nprijevozna sredstva', red. D. Ivezića na 22. međunarodnom festivalu kratkometražnih i \nanimiranih filmova Encounters, Bristol, UK; 15. do 19. rujna 2015.\n3.256,00 kn\n8\nFoto kino video klub \nZaprešić\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje 2 autora i voditelja i predstavljanje animiranih filmova 'Ulov' i 'Vanzemaljci' na \n15. međunarodnom filmskom festivalu djece i mladeži Camera Zizanio; Pygros, Grčka; 28. \nstudenog do 05. prosinca 2015.\n6.260,00 kn\n9\nGFR film-video\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje Željka Baloga kao člana žirija međunarodnog filmskog festivala GRAND OFF; \nVaršava, Poljska; 03. do 06. prosinca 2015.\n1.741,00 kn\n10\nHrvatski filmski savez\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje Lea Vitasovića i Kristine Dorić i predstavljanje kratkometražnog igranog filma \n'Govorna pošta', red. L. Vitasovića te obrazovnog programa HFS-a u sklopu Balkan Film \nFood Festivala; Podgradec, Albanija; 16. do 19. rujna 2015.\n2.000,00 kn\n11\nHrvatski filmski savez\nOstali programi\nSudjelovanje hrvatske delegacije na međunarodnom festivalu filmova za djecu i mlade \nGiffoni Macedonia; Skopje; 07. do 13. listopada 2015.\n5.472,00 kn\n12\nHrvatski filmski savez\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje Diane Nenadić i predstavljanje programa hrvatskog eksperimentalnog filma i \nvidea na 10. festivalu Pravo ljudski u Sarajevu, BiH; 11. do 16. studenog 2015.\n1.417,00 kn\n13\nHrvatski filmski savez\nOstali programi\nSudjelovanje hrvatske delegacije na međunarodnom festivalu filmova za djecu i mlade \nGiffoni Gruzija; Tbilisi; 16. do 19. listopada 2015.\n8.000,00 kn\n14\nInter film d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova.\nSudjelovanje autorskog tima i predstavljanje dugometražnog igranog filma 'S one strane' \nred. Z. Ogreste u sklopu programa službene selekcije - Panorama 66. međunarodnog \nfestivala u Berlinu, Njemačka; 11. do 21. veljače 2016.\n250.000,00 kn\n15\nJadranska animacija\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje Tee Stražičić na međunarodnom festivalu animiranog filma KLIK! I \npredstavljanje projekta 'The Embla - Okky Luck' Amsterdamu, Nizozemska; 27. listopada do \n01. studenog 2015.\n1.448,00 kn\n16\nJadranska animacija\nProgrami predstavljanja i promocije filmova.\nSudjelovanje producenta i redatelja i predstavljanje kratkometražnog animiranog filma \n'Život s Hermanom H. Rottom', red. C.Lundgren na međunarodnom festivalu animiranog \nfilma Animated dreams; Tallinn, Estonija; 18. do 22. studenog 2015. \n1.611,00 kn\n17\nKinematograf d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje redatelja i predstavljanje kratkometražnog dokumentarnog filma 'Daleki \nsusreti', red. V. Žlendera u službenoj konkurenicji 8. Jahorina film festivala; Palama, BiH; 26. \ndo 29. kolovoza 2015.\n1.506,00 kn\n18\nKinoklub Karlovac\nOstali programi\nSudjelovanje 2 predstavnica na 4. godišnjoj konferenciji Youth Cinema Network u sklopu 3. \nmeđunarodnog filmskog festivala Kratka forma; Gornji Milanovac, Srbija; 24. do 27. rujna \n2015.\n625,00 kn\n19\nKinoklub Karlovac\nOstali programi\nSudjelovanje predstavnice na međunarodnom festivalu za filmove mladih REC u Berlinu, \nNjemačka; 30. rujna do 04. listopada 2015.\n2.233,00 kn\n20\nKinoklub Karlovac\nOstali programi\nSudjelovanje 2 predstavnica na 13. međunarodnom festivalu mladih Up-and-Coming; \nHannover, Njemačka; 19. do 22. studenog 2015.\n1.933,00 kn\n21\nMarija Škrlec\nProgrami stručnog usavršavanja.\nSudjelovanje Marije Škrlec na međunarodnoj radionici filmske kritike Nisimazine u sklopu 6. \nmeđunarodnog filmskog festivala u Tallinnu, Estonija; 19. do 26. studenog 2015.\n2.243,00 kn\n22\nMorana Mitić\nProgrami stručnog usavršavanja.\nSudjelovanje Morane Mitić na međunarodnoj radionici European Co-production: Legal and \nFinancial Aspects Erich Pommer Instituta; Berlin, Njemačka; 14. do 18. listopada 2015.\n2.943,00 kn\n23\nPropeler Film d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova.\nSudjelovanje autorske ekipe i predstavljanje dugometražnog igranog filma 'Život je truba' , \nred. A. Nuića na programu Special Screenings u sklopu 31. Varšava Film Festivala; Poljska; \n09. do 18. listopada 2015.\n11.500,00 kn\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2015. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 13.11.2015. \n\n\f\n24\nSlavica film d.o.o.\nPitching, kopodukcijski forumi i programi za \nrazvoj projekta.\nSudjelovanje redateljice i predstavljanje filma 'Maćeha', red. N. Radić na pitching forumu \nFilmer Forge te predstavljanje filma 'Zvjerka', red. D. O. Pusić na međunarodnom festivalu \nIn the Palace; Sofija, Bugarska; 09. do 12. prosinca 2015.\n2.435,00 kn\n25\nSpiritus movens d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje Lee Mileta na 6. međunarodnoj radionici za post-produkcijsku fazu razvoja \nprojekata EP2C; Luxemburg; 19. do 23. listopada 2015.\n3.400,00 kn\n26\nSpiritus movens d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova.\nSudjelovanje redateljice i jednog člana autorskog tima i predstavljanje kratkometržnog \nigranog filma 'Belladonna', red. D. Turić u konkurenciji kratkometražnih filmova \nmeđunarodnog filmskog festivala Sundance; Park City, Utah; 31. siječnja 2016.\n42.100,00 kn\n27\nSpiritus movens d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova.\nSudjelovanje redateljice i jednog člana autorskog tima i predstavljanje kratkometržnog \nigranog filma 'Belladonna', red. D. Turić na programu kratkometražnih filmova Short: As \nLong As It Takes u sklopu 45. međunarodnog filmskog festivala u Rotterdamu, Nizozemska; \n27. siječnja do 07. veljače 2016.\n22.797,00 kn\n28\nTiha K. Gudac\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova.\nSudjelovanje redateljice i predstavljanje dugometražnog dokumentarnog filma 'Goli', red. T. \nK. Gudac na međunarodnom festivalu Eastern Neighbours; Den Haag, Nizozemska; 05. do \n08. studenog 2015.\n2.000,00 kn\n29\nTina Hajon\nProgrami stručnog usavršavanja.\nSudjelovanje Tine Hajon na međunarodnoj producentskoj radionici EAVE Marketing \nWorkshop; Luxemburg; 18. do 22. studenog 2015.\n5.000,00 kn\nUKUPNO:\n414.620,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\nNova ves 18  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 085  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JP_me_unarodna_rezultati_13_11_2015_web","year":2015,"rok":null,"natjecaj_date":"2015-11-13","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PREDLAGATELJ","VRSTA PROGRAMA","NAZIV PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje 2 profesora i 5 studenata na međunarodnoj radionici European Editing Masterclass VI; Banska Štiavnica, Slovačka; 11. do 17. listopada 2015","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"9.300,00 kn","approved_amount":9300.0,"currency":"HRK","extras":{"col_1":"1","NAZIV PROGRAMA":"Sudjelovanje 2 profesora i 5 studenata na međunarodnoj radionici European Editing Masterclass VI; Banska Štiavnica, Slovačka; 11. do 17. listopada 2015","entity_original_production_company":"Akademija Dramske Umjetnosti","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"b4621e27:s0:6f69ed3ed684","curation":{"changes":[{"field":"project_title","from":"Programi stručnog usavršavanja.","to":"Sudjelovanje 2 profesora i 5 studenata na međunarodnoj radionici European Editing Masterclass VI; Banska Štiavnica, Slovačka; 11. do 17. listopada 2015","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_e68b6e5feee8","project_family_title":"Sudjelovanje 2 profesora i 5 studenata na međunarodnoj radionici European Editing Masterclass VI; Banska Štiavnica, Slovačka; 11. do 17. listopada 2015"},{"row_number":2,"project_title":"Sudjelovanje Katarine Janković i predstavljanje dugometražnog igranog projekta 'Goran', red. N. Marasovića na programu Agora Works in progress u sklopu međunarodnog filmskog festivala Thessaloniki; Solun, Grčka; 12. studeni 2015.","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"970,00 kn","approved_amount":970.0,"currency":"HRK","extras":{"col_1":"2","NAZIV PROGRAMA":"Sudjelovanje Katarine Janković i predstavljanje dugometražnog igranog projekta 'Goran', red. N. Marasovića na programu Agora Works in progress u sklopu međunarodnog filmskog festivala Thessaloniki; Solun, Grčka; 12. studeni 2015.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent d.o.o.","row_id":"b4621e27:s0:50df55e69307","curation":{"changes":[{"field":"project_title","from":"Pitching, koprodukcijski forumi i programi za razvoj projekata.","to":"Sudjelovanje Katarine Janković i predstavljanje dugometražnog igranog projekta 'Goran', red. N. Marasovića na programu Agora Works in progress u sklopu međunarodnog filmskog festivala Thessaloniki; Solun, Grčka; 12. studeni 2015.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_888ae4902732","project_family_title":"Sudjelovanje Katarine Janković i predstavljanje dugometražnog igranog projekta 'Goran', red. N. Marasovića na programu Agora Works in progress u sklopu međunarodnog filmskog festivala Thessaloniki; Solun, Grčka; 12. studeni 2015."},{"row_number":3,"project_title":"Sudjelovanje Ive Cikojević i predstavljanje dugometražnog igranog filma 'Most na kraju svijeta', red. B. Ištvančića u programu najboljeg televizijskog igranog filma međunarodnog European Broadcasting Festival; Berlin, Njemačka; 17. do 24. listopada 2015.","applicant":"Artizana d.o.o.","production_company":"Artizana d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.122,00 kn","approved_amount":2122.0,"currency":"HRK","extras":{"col_1":"3","NAZIV PROGRAMA":"Sudjelovanje Ive Cikojević i predstavljanje dugometražnog igranog filma 'Most na kraju svijeta', red. B. Ištvančića u programu najboljeg televizijskog igranog filma međunarodnog European Broadcasting Festival; Berlin, Njemačka; 17. do 24. listopada 2015.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Artizana d.o.o.","row_id":"b4621e27:s0:45274556e4ce","curation":{"changes":[{"field":"project_title","from":"Programi predstavljanja i promocije filmova.","to":"Sudjelovanje Ive Cikojević i predstavljanje dugometražnog igranog filma 'Most na kraju svijeta', red. B. Ištvančića u programu najboljeg televizijskog igranog filma međunarodnog European Broadcasting Festival; Berlin, Njemačka; 17. do 24. listopada 2015.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_1904144dd117","project_family_title":"Sudjelovanje Ive Cikojević i predstavljanje dugometražnog igranog filma 'Most na kraju svijeta', red. B. Ištvančića u programu najboljeg televizijskog igranog filma međunarodnog European Broadcasting Festival; Berlin, Njemačka; 17. do 24. listopada 2015."},{"row_number":4,"project_title":"Sudjelovanje članova autorskog tima i predstavljanje dugometražnog igranog filma 'Ti mene nosiš', red. I. Juka na 46. međunarodnom filmskom festivalu Indije, Goa; 20. do 30. studenog 2015.","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.440,00 kn","approved_amount":15440.0,"currency":"HRK","extras":{"col_1":"4","NAZIV PROGRAMA":"Sudjelovanje članova autorskog tima i predstavljanje dugometražnog igranog filma 'Ti mene nosiš', red. I. Juka na 46. međunarodnom filmskom festivalu Indije, Goa; 20. do 30. studenog 2015.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"b4621e27:s0:6675f0be7b9a","curation":{"changes":[{"field":"project_title","from":"Programi predstavljanja i promocije filmova.","to":"Sudjelovanje članova autorskog tima i predstavljanje dugometražnog igranog filma 'Ti mene nosiš', red. I. Juka na 46. međunarodnom filmskom festivalu Indije, Goa; 20. do 30. studenog 2015.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_74e8f2f7dc93","project_family_title":"Sudjelovanje članova autorskog tima i predstavljanje dugometražnog igranog filma 'Ti mene nosiš', red. I. Juka na 46. međunarodnom filmskom festivalu Indije, Goa; 20. do 30. studenog 2015."},{"row_number":5,"project_title":"Sudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma 'Stakleni čovjek', red. D. Šuljića na natjecateljskom programu festivala animiranog filma KROK; Rusija; 20. do 27. rujna 2015.","applicant":"Daniel Šuljić","production_company":"Daniel Šuljić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.938,00 kn","approved_amount":2938.0,"currency":"HRK","extras":{"col_1":"5","NAZIV PROGRAMA":"Sudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma 'Stakleni čovjek', red. D. 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ROK - 14.9.2020. \n \nDUGOEMTRAŽNI DOKUMENTARNI FILM – Umjetnička savjetnica: Morana Ikić Komljenović \n \nNa javni poziv u 2. roku prijavljeno je sveukupno 62 projekta. U kategoriji proizvodnje, za sufinanciranje \nje prijavljeno 11 dugometražnih filmova, od kojih 1 u kategoriji za sufinanciranje u fazi postprodukcije \nte 12 kratkometražnih filmova, od kojih 2 u kategoriji za sufinanciranje u fazi postprodukcije.  \nIz kategorije proizvodnje dugometražnog dokumentarnog filma nije se razmatrao 1 projekt jer nije \nzadovoljavao formalne uvjete natječaja. Iz kategorije kratkometražnog dokumentarnog filma nisu se \nrazmatrala 3 projekta jer nisu zadovoljila propisane formalne uvjete natječaja.  \nU kategoriji razvoja scenarija pristiglo je 29 projekata, od kojih se nije razmatrao 1 projekt. U kategoriju \nrazvoja projekta pristiglo je 10 projekata. \nProjekti pristigli na ovaj poziv ukazuju da autori i autorice i dalje usmjeravaju svoj fokus na \npreispitivanje, reinterpretaciju i razumijevanje nedavne povijesti, ali i sagledavanja posljedica nekih \ndogađaja bliske prošlosti. Projekti često obrađuju teme Domovinskog rata i to kroz razne prizme i \nraznolike forme.  \nIsto tako, tema interesa su migracije i posljedice migracija europskog stanovništva. U tom smislu, priče \nnisu strukturirane zagovarački i aktivistički, već duboko intimno i refleksivno na stanje koje je \nsveprisutno i aktualno.  \nBiografski film je, također, prisutan u velikoj mjeri, ali s obzirom na projekte pristigle na prošlom roku \npredloženi projekti donose snažne autorske i umjetnički artikulirane interpretacije osoba ili skupina \nljudi. Fokus ovog interesa većinom se usmjerava na prepoznatljiva lica iz glazbenog svijeta i svijeta \nlikovne umjetnosti ili arhitekture. Neki su projekti i autobiografski, a neki snažno autorefleksivni. \nProjekti koji bi se mogli definirati kao televizijski dokumentarni filmovi su prisutni u manjoj mjeri i to \nme posebno veseli.  \nU kategoriji razvoja scenarija pristigli su istraživački dokumentarni projekti, kreativni portreti, filmovi \neseji, intimni opservacijski projekti i nekoliko zanimljivih projekata koji zagovaraju određenu ideju i \nvrijednost, a sve kroz umjetničku obradu fenomena ili društvenog procesa.  Posebna vrijednost u ovoj \nkategoriji prijava jest dobna i iskustvena raznolikost prijavitelja. Ohrabrujuće je vidjeti taj pluralizam. \nKategorija razvoja projekata obiluje pripremljenim i produkcijski dobro pozicioniranim projektima. \nNeki od njih su ostvarili i potporu potprograma MEDIA Kreativne Europe. Neki od njih već imaju dobro \nrazrađena koprodukcijska i kreativna partnerstva. U ovoj kategoriji projekata nije dominirala niti jedna \ntema i međusobno su iznimno raznoliki. Predlažu se teme vezane uz prošlost, obradu nekih \nuniverzalnih motiva iz umjetnosti i dizajna, biografske kreativne obrade, ali i obrade zanimljivih \ndruštvenih fenomena, od ekologije, do socijalne psihologije. \n\n\f\n \n \n2 \nPozdravljam nastojanja producenata i autora da svoje projekte postupno izgrađuju i stvaraju \npreduvjete za kvalitetan i što bolji proces produkcije. Primjećujem i porast svijesti o važnosti ulaganja \nu međunarodne koprodukcije i porast tendencije oslanjanja i na strane izvore financiranja, ali i \nsudjelovanja u raznim programima usavršavanja projekata u ovoj fazi razvoja.  \nU kategoriji proizvodnje kratkih dokumentarnih filmova većinom su autori i autorice mlađe generacije \nte oni s nešto manje iskustva. U toj kategoriji pronalazimo obrade neposredne okoline autora i \nautorica, njihove intimne poglede na svoje uže ili šire obitelji, okolinu ili procese koji su im poznati. \nNalazimo i nekoliko projekata koji se u trajanju približavaju dugom metru, a oni većinom obrađuju neke \npovijesne događaje. Osim toga, u ovoj je kategoriji najviše izrazito umjetničkih filmova koji su hibridni \nu svojoj formi i graniče s eksperimentalnim filmom ili umjetničkim videom. Ovaj iskorak iz «klasične» \nforme govori o prisutnosti novog pogleda na značaj i prirodu dokumentarnog izričaja.  \nU kategoriji proizvodnje dugometražnih dokumentarnih filmova pronalazimo nekoliko biografskih \nprojekata, ali dominiraju autobiografski. Čini se da su se autori i autorice, u ovom izazovnom trenutku \nu vremenu, okrenuli dokumentarističkoj obradi segmenata vlastitih života. Smatram taj proces \nlegitimnim i važnim jer on obogaćuje umjetničko stvaralaštvo za još jednu dimenziju. Od ostalih, \ndominantne su teme migracija, domaćeg stanovništva u strane zemlje, u Europu. \nPozitivnim ocjenjujem to da producenti i producentice posvećuju više pažnje detaljnoj razradi \nstrategija distribucije i promocije. Uočavam da većina njih zaista promišlja, već u fazi razvoja, kako \npostaviti svoj projekt da bi ostvarili što veću vidljivost i što bolje produkcijske uvjete.   \n \nODABRANI PROJEKTI: \n \nRAZVOJ SCENARIJA DUGOMETRAŽNOG DOKUMENTARNOG FILMA: \n \n1. «E, SAD ĆU TI ISPRIČATI JEDAN WESTERN...», scenarist Goran Dević \nPredloženi projekt nudi filmsku rekonstrukciju događaja iz lipnja 1994. godine. Lokacija priče jest \npodručje rijeke Kupe i to u vrijeme ratnih zbivanja tj. u vrijeme trajanja okupacije Petrinje. Glavni likovi \nte rekonstrukcije su bivši milicajac Milorad i hrvatski vojnik koji ga je naumio zarobiti. Ova dva vojnika \nsu se, u to rano jutro, gledali preko nišana, a onda je uslijedila «opća pucnjava» tijekom koje, srećom, \nnitko nije stradao. S odmakom od 26 godina, Milorad želi upoznati hrvatskog vojnika s kojim se gledao \npreko nišana te mu ispeći janje. Upravo u čast činjenice da su obojica preživjeli.  \n \n2. MINISTRANTI, scenarist Andrej Korovljev \nAutor se fokusira na nesvakidašnju priču koja spaja punk i vjeru. Naime, u središtu njegova interesa je \nnovi glazbeni projekt koji su pokrenuli bivši pripadnici punk pokreta koji su sad aktivni praktični vjernici. \nSvoj su projekt nazvali «Ministranti». Njihova je namjera slati poruke mira i evanđelja, a sve to kroz \npunk glazbu. Jedinstvenost ovog projekta leži u činjenici da je redatelj ostvario ekskluzivan pristup \n\n\f\n \n \n3 \nsudionicima ovog glazbenog projekta pa će biti u mogućnosti pratiti glazbeno-poslanički projekt u \nnastajanju tj. njegovu «genezu». Kroz kontekst suživota punka i kršćanstva, autor oslikava odnos \nreligije i društva. \n \n3. DRUGAČIJE, scenaristica Ariana Lekić-Fridrih \nProjekt koji se predlaže donosi zanimljivu priču odnosa majke i trinaestogodišnje kćeri, a kroz prizmu \nnjihova dijagnosticiranog Aspergerova sindroma. Glavna protagonistkinja predložene priče jest žena u \nsrednjim godinama koja je o svojoj dijagnozi saznala tek nakon što je postala majka. Njena kći, također, \nima istu dijagnozu. Autorica je odlučila pratiti njihov život i svakodnevicu, ali i iscrtati mehanizme i \nrituale koji im pomažu u održanju mira, suočavanju sa izazovima u komunikaciji i interakciji \n(međusobno, ali i sa vanjskim svijetom).  \n \n4. LJEVICA DESNICA CENTRALNO, scenarist Arsen Oremović \nOva filmska priča o odnosu dva autorska giganta bivšeg glazbenog sastava HAUSTOR (Darka Rundeka i \nSrđana Sachera), smještena je u kontekst izdavanja koncertne snimke koja je stara čak dvadeset i pet \ngodina. Predloženi projekt ne posjeduje elemente biografskog i prikazivačkog filma, već on nosi snažna \nobilježja autorske interpretacije procesa kreativnosti, izazova kreativnih suradnji, borbe ega i želje za \nstvaranjem. Projekt nudi zanimljiv pogled na povijest hrvatske rock glazbe.  \n \n5. IZ DRUGE RUKE, scenarist Bojan Mrđenović \nPredloženi projekt u fokusu ima jedan motiv – pečenu ciglu. Autor se odlučio za zanimljiv i kreativan \npristup obradi tako univerzalnog motiva koji on transponira u motiv međusobne povezanosti i \nzajedništva među ljudima. Motiv cigle, u predloženoj autorskoj koncepciji, spaja svjetove i intimne \nživote ljudi različitih provenijencija i iz različitih dijelova Hrvatske. Motiv cigle za autora je i motiv doma. \nProtagonisti nose snažne priče, koje je autor znalački prenio u svoj pisani koncept, a cjelina koju one \ntvore čini iznimno emotivan i snažan koncept koji komunicira univerzalno i jasno.  \n \n6. ČEKANJE, scenarist Goran Markoš \nAutor predlaže koncept za razvoj scenarija poetsko-filozofskog dokumentarnog filma u kojemu \ntematizira proces čekanja (ili stanje čekanja) kao jedne od temeljnih sastavnica ljudskog života. Autor \nkoristi motiv koji je surovo prisutan u našoj svakodnevici potpuno plastično i doslovno, ali i na razini \nideje, osjećaja ili duhovnog stanja. Svijet je (pa tako i naši životi) stavljen «na čekanje» i smatramo ovaj \nprojekt, u tom smislu, suvremenim i univerzalno jasnim. \n \n \n\n\f\n \n \n4 \n7. DEČKO, scenaristi Ivo Kuzmanić i Stanko Ferić \nOvaj antropološki dokumentarni film donosi neobičnu ratnu priču koja je vođena dominantnim likom \nbivšeg hrvatskog vojnika nadimka «Dečko». Osim jedinstvenog i živopisnog današnjeg života glavnog \nprotagonista, film obrađuje ratnu anegdotu koju on dijeli sa svojim suborcima. S vremenskim \nodmakom od 26 godina, suborci maštaju o tome da pronađu vojnike (nekadašnje neprijatelje) te da se \nsa njima susretnu i u miru. Ova filmska priča donosi jedan zanimljiv i univerzalno miroljubiv pogled na \nokolnosti rata i ratovanje, ali i bivanja u miru s posljedicama tog ratovanja. \n \n8. EDI, scenarist Pavle Kocanjer \nProjekt koji se predlaže za razvoj scenarija je dokumentarni  film odrastanja (“coming of age” film). U \nnjegovu fokusu je odrastanje u doba digitalne komunikacije i interneta, ali i mora digitalnih platformi \nna koje mladi distribuiraju vlastiti video sadržaj (YouTube, Tik Tok i sl.). Ovu temu scenarist obrađuje \nkroz prizmu desetogodišnjeg dječaka iz Karlovca koji entuzijastično koristi te platforme, a kroz njih \nautor prati njegovo odrastanje, razvoj i formiranje njegovih interesa. Autor dječaka prati nekoliko \ngodina. Najzanimljiviji element predloženog  koncepta jest činjenica da je autor aktivni sudionik života \nglavnog protagonista.  \n \n9. GDJE JE NESTAO NHP?, scenarist Petar Varat, PENX Media \nProjekt koji se predlaže za razvoj scenarija donosi prikaz autorske skupine pod nazivom NHP (Novo \nHrvatsko Podzemlje). Skupina je bila aktivna u devedesetima i okupljala se oko strip stvaralaštva i \nizdavaštva, ali njihovo djelovanje bilo je i snažno društveno utemeljeno kroz niz akcija i performansa. \nPriču o kolektivu donose sami članovi koji isprepliću mitove i legende o «izgubljenoj generaciji» \nhrvatskog stripa. \n \n10. TVOJ PRIJATELJ SATAN, scenarist Stjepko Galović \nSatan Panonski ikona je punk i alternativnog pokreta te je ostavio neupitan trag na umjetničko \nstvaranje u nas, ali i regiji. «Tvoj prijatelj Satan» donosi priču o tom kontroverznom i osebujnom \numjetniku i to kroz prizmu njegovih posebnosti tj. različitosti od društva u kojemu je djelovao i živio. \nAutor predlaže koncept koji pokušava izgraditi stvarnu osobu «iza mita». Uz biografske detalje, on \nzadire i u društveni kontekst te zastupa tezu određenog «suučesništva» zatvorene i osuđujuće okoline \nu ishodu života glavnog protagonista.  \n \n \n \n \n\n\f\n \n \n5 \n \nRAZVOJ PROJEKATA DUGOMETRAŽNOG DOKUMENTARNOG FILMA: \n \n1. VUKOVARSKI OSMERAC, scenaristica, redateljica i producentica Irena Škorić, Artizana d.o.o. \nProjekt koji se predlaže za sufinanciranje faze razvoja donosi priču o posljedicama rata, a započinje u \npredratnom Vukovaru. Najbolja veslačka ekipa u Jugoslaviji, vukovarski veslački osmerac, kvalificirao \nse 1987. godine za sudjelovanje na Svjetskom prvenstvu u Njemačkoj. Posada je bila različitih \nnacionalnosti. Samo par godina nakon, jedan član osmerca je ubijen na Ovčari, dok se drugi priključio \nsrpskoj paravojnoj formaciji - «Belim orlovima». Redateljica, osim rekonstrukcije i reinterpretacije \nprošlih događaja, priča priču o budućnosti i namjeri preživjelih da zaveslaju na Dunavu.   \n \n2. GRANDPA GURU, scenaristi Silvio Mirošničenko i Sanjin Hasanefendić, redatelj Silvio \nMirošničenko, producentica Anita Juka, Četiri film d.o.o. \nProjekt koji se predlaže govori o umjetniku i glazbeniku Srđanu Gini Jevđeviću (starijim generacijama \npoznatim kao frontalno lice glazbenog projekta  «Gino Banana», a mlađima kao prepoznatljivo lice \nsastava «Kultur Shock»). Film prati njegovo duhovno putovanje i potragu za identitetom, ishodištem i \nmjestom pripadanja. Od predratnog Sarajeva, ratnog Sarajeva, američkog izbjeglištva i života u \nSeattleu, preko globalnog glazbenog uspjeha, do povratka kući, u Sarajevo. Iako je predloženi projekt, \npo svojoj prirodi, biografski i portretni film, u temelju njegove sadržajne strukture stoji bitna tema \ntraume i izlaska iz traume. \n \n3. NA MORSKOME PLAVOM ŽALU, scenaristica i redateljica Vlatka Vorkapić, producentica Sabina \nKrešić, Fade In d.o.o. \nPredloženi projekt u fokusu ima važnu društvenu i ekološku temu, a to je komodifikacija javnog dobra. \nAutorica, sa osobnog stajališta i iz konteksta vlastitog iskustva, istražuje što je to «javno dobro», kako \nga koristimo i kako ga zlorabimo,  propituje administrativne okvire u kojima se krećemo te što \npoduzimamo da bismo stanje promijenili u korist ljudi i kvalitete njihova života, a ne kapitala. U \npozadini konceptualno-administrativnog sraza, stoji još i bitnije pitanje narušavanja ekosustava (mora \ni podmorja), a sve u svrhu ostvarivanja profita i društvenog statusa. \n \n4. K67, scenarist i redatelj Filip Filković, producentica Renata Lučić, More-Magnets d.o.o. \nAutor je odlučio ispričati priču o prepoznatljivom kiosku naziva «K67» slovenskog arhitekta i dizajnera \nSaše Mächtiga. K67 je prepoznatljiv i pogodan je za raznoliku izmjenu oblika (tako da je njegova \nprimjena izrazito široka – od prodavaonica hrane, uzgajanja pčela, prodaja parking-karata, cvjećarnice \ni slično. Upravo zbog ove odlike je ovaj dizajnersko-arhitektonski motiv imao veliki utjecaj na urbane \nkrajolike u čitavom bivšem Istočnom bloku, ali i u Japanu i Novom Zelandu. Ovaj se kiosk pojavljuje i u \nfilmovima (npr. 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ROK - 11.9.2024.\nanimirani film - trajanje nije kraće od 24 minute\n5. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 13. prosinca 2024.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2rok_11IX2024_ANIMIRANI_WEB","year":2024,"rok":"2. rok","natjecaj_date":"2024-09-11","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"razvoj_projekata","to":"razvoj_scenarija","reason":"filename/title keyword: razvoj scenarija","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"5. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 13. prosinca 2024.","section_key":"5_sjednica_hrvatskog_audiovizualnog_vijeca_u_5_sazivu_13_pro","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","ODOBRENO €"],"rows":[{"row_number":1,"project_title":"Jelica","applicant":"Udruga 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LISTOPAD.pdf","sha256":"b4e4dffe288746a1c8956d9079c95a013f60178c1c81310e5a7e8490b0b14519","bytes":87436,"page_count":1,"extracted_at":"2026-05-17T10:24:17Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2013%20Razvoj%20projekata%20AV%20djela%20LISTOPAD.pdf"},"raw_text":"RAZVOJ PROJEKATA 2013 - DUGOMETRAŽNI IGRANI FILM - 3. ROK - 18.10.2013.\nR. br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nODOBRENO\n1\nBARON GAUTSCH\nPropeler film d.o.o./ Twin Star Film\nMichael Havas\n150,000.00\n2\nMILLES\nAlka film d.o.o./ Jozo Patljak\nDarko Šuvak\nDarko Šuvak\n150,000.00\n3\nNE GLEDAJ MI U PIJAT\nKinorama d.o.o./ Ankica Jurić Tilić\nHana Jušić\nHana Jušić\n110,000.00\n4\nMINISTARSTVO LJUBAVI\nTelefilm d.o.o./ Stanko Babić\nPavo Marinković\nPavo Marinković\n110,000.00\nUKUPNO 520,000.00\nRAZVOJ PROJEKATA 2013 - DUGOMETRAŽNI DOKUMENTARNI FILM - 3. ROK - 18.10.2013.\nR. br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nODOBRENO\n1\nDA NAM ŽIVI, ŽIVI RAD\nFade In d.o.o./ Morana Komljenović\nNikolina Hrga\nNikolina Hrga\n100,000.00\n2\nPETAR I PAVLE\nMP filmska produkcija d.o.o./ Igor A. Nola\nSilvio Jesenković i Steen \nRamsgaard\nSilvio Jesenković\n100,000.00\n3\nPIGMALIONOV EFEKT\nInterfilm d.o.o./ Ivan Maloča\nInes Pletikos, Kruno \nPetrinović i Matko \nStanković\nInes Pletikos\n100,000.00\n4\nPJESMA IZA ZIDA\nFactum/ Nenad Puhovski\nTomislav Fiket\nTomislav Fiket\n100,000.00\n5\nPOSLJEDNJI ZATOČENIK AUSCHWITZ\nUmjetnička organizacija Menorah film/ Igor Prižmić i \nBranko Lustig\nOleg Mandić i Fran Juraj \nPrižmić\nBranko Lustig\n150,000.00\n6\nROBOVI\nNukleus film d.o.o./ Siniša Juričić\nMarjan Alčevski\nRobert Zuber\n100,000.00\n7\nTRI BRATA\nInterfilm d.o.o./ Ivan Maloča\nJadranka Cicvarić Šiftar i \nSenad Zemunović\nMario Kovač\n100,000.00\n8\nZEN MAJSTOR JE REKAO...\nRestart/ Vanja Jambrović\nBisera Fabrio i Anamari \nŠegota\nNebojša Slijepčević 100,000.00\nUKUPNO 850,000.00\nRAZVOJ PROJEKATA 2013 - ANIMIRANI FILM - 3. 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ROK - 15.9.2021. \n \nUmjetnički savjetnici: Pavlica Bajsić Brazzoduro, Danilo Šerbedžija i Zdenka Gold \nFinancijski savjetnik: Ljubo Zdjelarević \n \nNa Javni poziv za poticanje proizvodnje u 2021. godini na drugom roku prijavilo se \nukupno 29 projekta, od čega sedam debitantskih te dvadesetdva dugometražna \nigrana filma, od kojih su dva filmovi u postprodukcijskoj fazi. Razmatrali smo sve \nprojekte. \nOd svih prijavljenih projekata samo su dva projekta sasvim nova, odnosno nisu bili \nprijavljivani na Javne pozive za razvoj ili već ranije na Javni poziv za proizvodnju - tako \nda veliku većinu projekata dobro poznajemo i družimo se s njima kroz naš cjelokupni \ndvogodišnji mandat. Puno je tu raznovrsnih i zanimljivih tema, dobrih scenarija, puno \nje tu i dobro produkcijski pripremljenih filmova, prominentnih  autora, glumaca, \nprodukcijskih timovi koji stoje iza njih, ali na našu veliku žalost, jako je malo novaca. \nSredstva s kojima smo raspolagali na ovom Javnom pozivu iznimno su ograničena te \nsu nas dovela u vrlo neugodnu, nezgodnu i tešku situaciju gdje nismo mogli predložiti \nfinanciranje ni približnog broja projekata koji to zaslužuju. \nNažalost okolnosti pandemije Covid-19 nam također nisu išle na ruku pa zbog \nbolesti na ovom zadnjem roku svog mandata nismo uspjeli održati konzultacije s \nprijaviteljima projekta. \nUz sva navedena ograničenja, odlučili smo poduprijeti sveukupno tri filma, od kojih \nje jedan u postprodukcijskoj fazi. \n \nDugometražni igrani film \n \nPrije ljeta \nScenarij: Anja Matković i Nikola Kuprešanin \nRežija: Danis Tanović \nProducent: Propeler film \n4.800.000,00 kn \nMlada Zagrepčanka, vanbračna kći imućnog Bračanina, prvi put posjeti otok i \nzapočne aferu s oženjenim britanskim piscem kojeg tresu sredovječna i stvaralačka \n\n\f\n \n2 \n \nkriza. Morska avantura prerasta u zabranjenu ljubav koja se prelama na čvrstim \nživotnim pozicijama, tragikomičnoj renovaciji kuće i stadu napušenih krava. \nS ovim projektom smo upoznati od početka našeg rada kao umjetničkih savjetnika i \ndetaljno se razvijao kroz sve stepenice HAVC-ove podrške. Autori su reagirali na \nopaske iznesene u recenzijama i u svakom trenutku smo osjećali njihovu spremnost \nna suradnju. Valja napomenuti da je ovo primarno projekt glumice Anje Matković, \nčiji osobiti scenaristički razvoj pratimo i kroz ostale projekte. U međuvremenu je \n“Prije ljeta” dobio koscenarističku podršku Nikole Kuprešanina, producentsku \nPropeler filma i redateljsku Danisa Tanovića. \nNačin na koji autori kombiniraju lepršavost i dramu je vrlo primamljiv, vodi prema \nfilmu kojeg bi i najšira publika u Hrvatskoj, regiji, pa i šire, zaista mogla voljeti. Iako \nna prvi pogled sadržaj filma djeluje kao romantična komedija smještena u \nmediteransku scenografiju, autori se s tim žanrom poigravaju na svjež i ironičan \nnačin, a glavna junakinja je pisana znatno dublje nego što bi to sam žanr nalagao.   \nTakođer imamo u vidu da je scenarij pogodan za razne koprodukcijske modele koji bi \nmu mogli omogućiti dodatna financiranja i vidljivost. Propeler film je s njim ušao i u \nACE program stručnog usavršavanja kroz koji bi mogao osnažiti međunarodnu \nvidljivost i plasman filma.  \nZaključno: Matković i Kuprešanin su napisali vrlo zavodljiv scenarij, koji istovremeno \npršti humorom i nježnošću, uvjerljivo ukorijenjen u jadransko podneblje u kojem se \nradnja i zbiva, s likovima od krvi i mesa i sigurno vođenom strukturom. Uz redateljsku \nruku renomiranog Danisa Tanovića i iskusnog producenta Propeler filma, zaista \nduboko vjerujemo u uspjeh projekta „Prije ljeta” i stoga mu jednoglasno želimo \notvoriti vrata proizvodnje sa financijskom potporom u iznosu od 4.800.000,00 kn. \n \nŽene, luđaci i malo dobrih pedera \nScenarij: Ivan Salaj \nRežija: Ivan Salaj \nProducent: Plavi mjesec \n4.000.000,00 kn \n„Žene, luđaci i malo dobrih pedera“, redatelja i scenarista Ivana Salaja, visoko je \nkvalitetan projekt. To je priča o pokojnom Robertu Rokliceru, piscu, ratniku i boemu. \n\n\f\n \n3 \n \nKroz priču o četiri dana iz Robertovog raskalašenog života, autor veoma kvalitetno \nsecira stanje u našem društvu. Priča je to koja u sebi nosi miris Barflya B. Schroedera \ni Novinara Fadila Hađića. Već u startu, izazovnog naslova, autor najavljuje o kakvom \nscenariju je riječ. Iako obiluje mučnim i realističnim scenama, Salaj uspješno pleše na \nrubu te ne prelazi granicu dobrog ukusa miješajući potencijalno šokantne scene s \nhumorom. Roklicerov karakter je odlično napisan, vodi nas kroz priču i čitatelj \n(gledatelj) se, unatoč svim njegovim manama i pogreškama, uspijeva vezati uz njega. \nPrateći karakteri su također kvalitetno napisani te, iako se zapravo radi o „one man \nshow“ priči, obogaćuju scenarij svojom pojavom. \nOvaj projekt pratimo od početka našeg mandata te želimo pohvaliti autorov rad na \nscenariju i unaprijeđivanje istog.  \nSmatramo da ovaj naslov može postati i potencijalni kino hit. Iako se ne radi o \nkomediji,  ima u sebi  dosta elemenata koji obećavaju pristojnu kino posjećenost. \nNakon Osmog Povjerenika, Ivan Salaj pred sobom ima potpuno drugačiji izazov. \nJednu mučnu, ali i ljudsku priču. Nasuprot bajkovitosti prošlog filma, Salaj ulazi u \ndukumentarističku realnost,  dionizijski svijet našeg „Bukowskog“, kroz čiji lik kritički \nprogovara o današnjem društvu. \nScenarij „Žene, luđaci i malo dobrih pedera“ kao i autorsko-produkcijski tim, bili su \nspremni za prolazak i na prethodnom roku te smo odlučili da nema smisla više \npuštati da ovako visokokvalitetan i provokativan scenarij čeka. Ovo je biografski film \nosebujne atmosfere i provokativnog sadržaja za koji vjerujemo, kao i sam autor i \nproducent, da će privući razne generacije u hrvatska kina, a predviđamo mu i bogat \nfestivalski život te ga podržavamo s iznosom od 4.000.000,00 kn. \n \n4:2 \nScenarij: Anđelo Jurkas \nRežija: Anđelo Jurkas \nProducent: DOP produkcija \n200.000,00 kn \n \nDok je cijela nacija u euforiji zbog finala Svjetskog prvenstva u nogometu u jednom \nautu odvija se privatna drama dvoje ljudi, osuđenih jedno na drugo, skučeni na \n\n\f\n \n4 \n \nmjestu vozača i suvozača, kreću na svoje putovanje i borbu za ljubav. U realnom \nvremenu prijenosa „najveće“ nogometne utakmice u povijesti, dvoje ljudi u tišini \nkreće na put koji polako otkriva njihovu tajnu. Anđelo Jurkas u svom novom filmu \npokazuje zrelost i iskustvo stečeno na prijašnjim radovima izvršenim u vlastitoj \nprodukciji. Jurkas je razvio svoj stil i autorski potpis. Veoma kvalitetno barata \nfilmskim jezikom te je vidljiv kvalitetan rad s glumcima. Bojana Gregorić Vejzović i Ivo \nKrešić vrlo su upečatljivi u svojim ulogama, a kvalitetne role su odradili i drugi glumci \nu manjim ulogama poput Igora Gala, Leone Paraminski i Jelene Perčin Otašević. Radi \nse sigurno o autorovom najkvalitetnijem filmu do sada. Budući da se radi o već \nsnimljenom projektu, smatramo da je potrebno podržati autorov zahtjev za \nfinancijskom potporom kako bi završio postprodukcijske zahvate koji su mu ostali. \nFilm „4:2“ prvi je dugometražni igrani film autora Anđela Jurkasa i DOP produkcije \nkoji ostvaruje podršku HAVC-a za proizvodnju, konkretno postprodukciju, jer ga \nsmatramo kvalitetnim filmskim uratkom te filmom koji će lako doprijeti do širokog \nspektra publike. Također, željeli smo ovom podrškom Jurkasu i njegovoj ekipi odati \nsvojevrsno priznanje na dugotrajnom upornom radu u uvjetima nezavisne filmske \nprodukcije. Film „4:2“ smo odlučili podržati s iznosom od 200.000,00 kn za \npostprodukciju. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2021,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati rp videoigre_rok_2022.pdf","filename_decoded":"rezultati rp videoigre_rok_2022.pdf","sha256":"b5936639986d785d1b53ef0d3a85ba800ef018fe7267a9daa8e9151f3049b08f","bytes":38410,"page_count":1,"extracted_at":"2026-05-17T10:24:09Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20rp%20videoigre_rok_2022.pdf"},"raw_text":"NAZIV\nGLAVNI AUTOR\nPRODUCENT\nODOBRENA SREDSTVA \n(kn)\nODOBRENA SREDSTVA (€)\n1\nMOGUTH RUN - RUNNER \nGAME BASED ON AN OLD \nCROATIAN FOLK TALE\nZdenko Bašić\nWhite Cube d.o.o.\n90.000,00 kn\n11.945,05 €\n2\nThe Book of Mi: Istria\nMarko Tominić\nRed Martyr Entertainment d.o.o.\n170.000,00 kn\n22.562,88 €\n3\nCave Hikers\nZvonimir Barać\nPORCUPINE PARKOUR j.d.o.o.\n70.000,00 kn\n9.290,60 €\n4\nGhost Painter\nSven Nemet\nSTUDIO SPEKTAR, d.o.o.\n105.000,00 kn\n13.935,89 €\n5\nOdraz\nMladen Bošnjak\nMisfit Village 2.0, vl. Mladen Bošnjak\n90.000,00 kn\n11.945,05 €\n6\nAll Living Things\nFilip Ugrin\nMOXO, vl. Filip Ugrin\n70.000,00 kn\n9.290,60 €\n7\nDream Glitcher\nMarko Banjac\nCOMPACT WORLDS, vl. Vjekoslav \nBrkić\n35.000,00 kn\n4.645,30 €\n8\nCartographers\nLovro Gašparac\nGrey matter j.d.o.o.\n140.000,00 kn\n18.581,19 €\n9\nČa je život vengo fantažija \nMartin Babić\nJaka produkcija d.o.o.\n55.000,00 kn\n7.299,75 €\n10\nShooting Range and Ice \nCream\nBoris Vuković\nPulsar produkcija j.d.o.o.\n70.000,00 kn\n9.290,60 €\n895.000,00 kn\n118.786,91 €\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE RAZVOJA I PROIZVODNJE VIDEOIGARA - \npodkategorija: RAZVOJ PROJEKATA VIDEOIGARA u 2022. - ROK PRIJAVE - 5.10.2022., 9. sjednica Hrvatskog sudiovizualnog vijeća \n2.2.2023.\nUKUPNO\n","warnings":[],"document":{"program_type":"videoigre","natjecaj_title":"rezultati rp videoigre_rok_2022","year":2022,"rok":null,"natjecaj_date":"2022-10-05","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"razvoj_projekata","to":"videoigre","reason":"filename/title keyword: videoigre","confidence":"high"}],"updated_at":"2026-05-17T19:06:56Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NAZIV","GLAVNI AUTOR","PRODUCENT","ODOBRENA SREDSTVA (kn)","ODOBRENA SREDSTVA (€)"],"rows":[{"row_number":1,"project_title":"MOGUTH RUN - 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Potom kriterij zastupljenosti hrvatskih filmskih djelatnika (bilo da se \nradi o umjetničkim ili tehničkim zanimanjima) u samoj proizvodnji filma. I na kraju, ali ne \nnevažno,  produkcijski kriteriji konzistentnosti koprodukcijske strukture u smislu već \npotvrđenih ili mogućih dodatnih izvora financiranja  te potencijala cirkulacije filma u kinima \nili na međunarodnim filmskim festivalima.  \n \nKratkometražni animirani film Manivald estonske redateljice Chintis Lundgren, autorice \nzapaženog i nagrađivanog animiranog kratkometražnog filma Život s Hermannom H. Rottom \n(koji je nastao u koprodukciji Estonije, Hrvatske i Danske), nastavak je njene autorske i \nproducentske suradnje s koscenaristom Draškom Ivezićem i njegovom produkcijskom \nkućom Adriatic Animation, ovaj put na sličnoj, «poučnoj» priči o međuljudskim, obiteljskim i \nljubavnim odnosima između antropomorfnih životinjskih glavnih likova, ovaj put \nnamijenjenoj malo «zrelijoj» publici.  \n \nDugometražni dokumentarni film Slatko od ništa  Borisa Mitića, srbijanskog redatelja sa već \ndesetogodišnjim boravkom u Zagrebu, projekt je koji je nastajao dugi niz godina. Ova \ndokumentarna parabola, koju ovaj načitani  i duhoviti autor naziva «utješnim \ndokumentarcem», zapravo je prema autorovim riječima «pokušaj stvaranja originalne, \ninspirativne i pristupačne kritike suvremenog društva s aspekta Ničega, osnovnom idejom: \n«Što bi nam Ništa reklo kada bi nam se po prvi put obratilo, i kako uopće dokumentarnim \nfilmskim jezikom dočarati to Ništa. Ideja Ničega kao naratora nastaje na tragu prosedea \nfiktivnog naratora koji je autor već  koristio u svom prethodnom, nagrađivanom \ndokumentarcu Doviđenja, kako ste?.  \nDok se u offu čuje samo glas naratora, film oslikavaju desetine direktora fotografije \nnajrazličitijih geografskih, estetskih i biografskih profila. U impozantnom popisu snimatelja i \nautora koji je autor Boris Mitić uključio u ovaj nesvakidašnji projekt/radnu platformu \nimpozantan je broj hrvatskih autora/snimatelja/filmaša među kojima su i Boris Poljak i \n\n\f\n \n \n \n \nSilvestar Kolbas.  «Ništa» će kao narator, za međunarodnu verziju filma, utjeloviti ikona pop \nglazbe Iggy Pop, dok glazbu za film potpisuje britanski kabaretski trio Tiger Lillies. Film su \ndosad otkupile, između ostalih, televizije u Francuskoj, Njemačkoj, Švicarskoj, Švedskoj, \nFinskoj, Nizozemskoj i Španjolskoj. \n \nKratkometražni igrani film Deer Boy poljske redateljice Katarzyne Gondek, diplomantice \nWajda Film School iz Varšave (čiji je kratkometražni dokumentarni film The Statue bio \nprikazan na ovogodišnjem Sundance Film Festivalu), projekt je koji upečatljivim spojem \nvizuala i zvuka kombinira žanrove horora i bajke, uz elemente apsurdnog humora. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2013 Komplementarne djelatnosti_ DODATAK.pdf","filename_decoded":"2013 Komplementarne djelatnosti_ DODATAK.pdf","sha256":"b60ece1f8874afba000c42d2128f3477c9d581f7cf697f7d9760b9e5e286e38f","bytes":37340,"page_count":1,"extracted_at":"2026-05-17T10:23:01Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2013%20Komplementarne%20djelatnosti%2C%20DODATAK.pdf"},"raw_text":"Korisnik\nProgram\nOdobreno\n1\nUdruga\t\r  za\t\r  promicanje\t\r  indijske\t\r  kulture\t\r  \nbaštine\t\r  Lotos\n5.\t\r  Dani\t\r  indijske\t\r  kulture-­‐\t\r  100\t\r  godina\t\r  \nindijskog\t\r  filma\n15.000,00\n2\nUmjetnička\t\r  organizacija\t\r  Zagreb\t\r  film\t\r  festival\nMulti\t\r  Platform\t\r  Business\t\r  School\n50.000,00\n3\nUdruga\t\r  KSUM,\t\r  Klub\t\r  studenata\t\r  Umjetničke\t\r  \nakademije,Osijek\nBaranja\t\r  Animation\t\r  Festival\t\r  BAF\n10.000,00\nKOMPLEMENTARNE\t\r  DJELATNOSTI\t\r  U\t\r  2013.\t\r  GODINI\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \nPrijava\t\r  programa\t\r  sukladno\t\r  članku\t\r  59.\t\r  Pravilnika\t\r  o\t\r  postupku,\t\r  kriterijima\t\r  i\t\r  rokovima\t\r  za\t\r  \nprovedbu\t\r  nacionalnog\t\r  programa\t\r  promicanja\t\r  audiovizualnog\t\r  stvaralaštva\t\r  (NN\t\r  118/12)\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"2013 Komplementarne djelatnosti_ DODATAK","year":2013,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":"KOMPLEMENTARNE DJELATNOSTI U 2013. GODINI Prijava programa sukladno članku 59. Pravilnika o postupku, kriterijima i rokovima za provedbu nacionalnog programa promicanja audiovizualnog stvaralaštva (NN 118/12)","section_key":"komplementarne_djelatnosti_u_2013_godini_prijava_programa_su","columns":["Korisnik","Program","Odobreno"],"rows":[{"row_number":1,"project_title":"5. Dani indijske kulture-‐ 100 godina indijskog filma","applicant":"Udruga za promicanje indijske kulture baštine Lotos","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"1","Korisnik":"Udruga za promicanje indijske kulture baštine Lotos","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"b60ece1f:s0:bff5408d14bd","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga za promicanje indijske kulture baštine Lotos","reason":"recover_applicant_from_named_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_2b32be1871c9","project_family_title":"5. Dani indijske kulture-‐ 100 godina indijskog filma"},{"row_number":2,"project_title":"Multi Platform Business School","applicant":"Umjetnička organizacija Zagreb film festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"col_1":"2","Korisnik":"Umjetnička organizacija Zagreb film festival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"b60ece1f:s0:8b36762e6608","curation":{"changes":[{"field":"applicant","from":null,"to":"Umjetnička organizacija Zagreb film festival","reason":"recover_applicant_from_named_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_950aa8ffab04","project_family_title":"Multi Platform Business School"},{"row_number":3,"project_title":"Baranja Animation Festival BAF","applicant":"Udruga KSUM, Klub studenata Umjetničke akademije,Osijek","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"3","Korisnik":"Udruga KSUM, Klub studenata Umjetničke akademije,Osijek","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"b60ece1f:s0:6f1fe05ba235","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga KSUM, Klub studenata Umjetničke akademije,Osijek","reason":"recover_applicant_from_named_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_d94e28097a8c","project_family_title":"Baranja Animation Festival BAF"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":75000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":75000.0,"ukupno_match":true,"row_count":3,"awarded_count":3,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":3}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_medjunarodna_rezultati_rok_16052016.pdf","filename_decoded":"JP_medjunarodna_rezultati_rok_16052016.pdf","sha256":"b676cd7a6c1a852f4b1a05b56948cba188483db86654cf953f4fe34287f8d2f9","bytes":424156,"page_count":3,"extracted_at":"2026-05-17T10:23:35Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_medjunarodna_rezultati_rok_16052016.pdf"},"raw_text":"PREDLAGATELJ\nVRSTA PROGRAMA\nNAZIV PROGRAMA\nODOBRENA POTPORA (kn)\n1\nAkademija dramske \numjetnosti\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje producenta i predstavljanje dokumentarnog \nfilma 'Turizam', red. T. Gaćine na međunarodnoj \nkonkurenciji filmova srednjeg metra međunarodnog \nfestivala Visions du Réel; Nyon, Švicarska; 16. do 23. \ntravnja 2016.\n3.164,00 kn\n2\nAkademija dramske \numjetnosti\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. \nSudjelovanje redateljica i predstavljanje kratkometražnih \nfilmova 'Šake', red. J. Nanut i 'Sanja', red. N. Zdunić na \nnatjecateljskom programu studentskih filmova u sklopu \nmeđunarodnog festivala SEECS; Istanbul, Turska; 26. do \n28. travnja 2016.\n3.734,00 kn\n3\nAkademija dramske \numjetnosti\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. \nSudjelovanje redateljice i predstavljanje kratkometražnog \nigranog filma 'Cvijeće', red. J. Gamulin na međunarodnoj \nkonkurenciji u sklopu 33. međunarodnog festivala \nkratkometražnih filmova u Busanu, Južna Koreja; 20. do \n27. travnja 2016.\n5.000,00 kn\n4\nAntitalent d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje producenta i redatelja s projektom \ndugometražnog igranog filma 'Blok 62', red. V. Vaščarca na \nmeđunarodnoj scenarističkoj radionici žanrovskih filmova \nGarage 2016.; 30.03.-03.04.'16; Bruxelles, Belgija; 29.06.-\n01.07.'16; Torino, Italija; prosinac 2016; Courmayeur, \nItalija\n7.000,00 kn\n5\nBruno Razum\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog \nanimiranog filma 'Tajni laboratorij Nikole Tesle' , red. B. \nRazuma na 18. međunarodnom festivalu kratkometražnog \nfilma i animacije MECAL u Barceloni, Španjolska; 11. do 14. \nožujka 2016. \n2.482,00 kn\n6\nCorvus film d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje producenta s projektom 'Jogurt sindrom', \nred. G. Rukavina na 3 sesije međunarodne radionice za \nrazvoj projekta MAIA; Rumunjska; 11.-15.04.'16; Poljska \n20.-24.06.'16; Italija. 03.-07.10.'16 \n5.200,00 kn\n7\nDobar film\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje redateljice i predstavljanje dugometražnog \nprojekta 'Burgeis', red. K. Lulić u Paviljonu scenarista na \nmeđunarodnom filmskom festivalu u Cannes u organizaciji \nKuće scenarista; Cannes, Francuska; 12. do 20. svibnja \n2016.\n2.322,00 kn\n8\nFade In - \nFantastično dobra \ninstitucija\nProgrami stručnog usavršavanja.\nSudjelovanje Morane Komljenović na međunarodnoj \nradionici 'Clearing Rights for Film and Television' u \norganizaciji Erich Pommer Instituta; Berlin, Njemačka; 13. \ndo 17. travnja 2016.\n3.150,00 kn\n9\nFilmaparat d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje producentice Morane Mitić na jednoj sesiji \nmeđunarodne radionice za producente MAIA - 'Kreativni \naspekti'; Snagov, Rumunjska; 10. do 16. travnja 2016.\n5.385,00 kn\n10\nFilmska udruga \nMotion\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i producentice i predstavljanje \nkratkometražnog eksperimentalnog filma 'Novi Južni \nZagreb'; red. D. Fritza na međunarodnoj konkurenciji 62. \nmeđunarodnog filmskog festivala kratkometražnih filmova \nu Oberhausenu; Njemačka; 06. do 10. svibnja 2016.\n2.323,00 kn\n11\nFoto kino video klub \nZaprešić\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika.\nSudjelovanje troje autora i dva voditelja te predstavljanje \nfilmova 'Očekivanja vs. Stvarnost', 'Ja san rojen da mi (ne) \nbude lipo', 'Misija' i 'Navis' na 44. međunarodnom festivalu \nkratkometražnih filmova Festival of Nations; Lenzing, \nAustrija; 13. do 19. svibnja 2016.\n2.155,00 kn\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2016. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 16. svibnja 2016.\nStranica 1\n\n\f\n12\nGoran Zaborac\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje dugometražnog \ndokumentarnog filma 'R evolucija', red. M. Mataija, G. \nZaborca na međunarodnom festivalu 6. Freethought Film \nFestival, Orlando, Florida; 13. do 15. svibnja 2016.\n2.000,00 kn\n13\nHrvatski filmski \nsavez\nOstali programi\nSudjelovanje četvero osnovnoškolaca i filmskog pedagoga \nna 3. međunarodnom festivalu za djecu i mladež Plasencia \nEncorto; Španjolska; 14. do 17. travnja 2016.\n4.000,00 kn\n14\nIvan Kelava\nProgrami stručnog usavršavanja.\nSudjelovanje Ivana Kelave na drugoj sesiji edukacijskog \nprograma Creative Business For Entrepeneurs And \nExecutives britanske filmske akademije National Film and \nTelevision School; London, UK; 01. rujna do 02. prosinca \n2016.\n20.000,00 kn\n15\nJadranska \nanimacija/ Adriatic \nAnimation\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika.\nSudjelovanje producenta i predstavljanje kratkometražnog \nanimiranog filma 'Život s Hermanom H. Rottom', red. C. \nLundgren na međunarodnom festivalu animiranog filma \nHAFF; Utreccht, Nizozemska; 16. do 20. ožujka 2016.\n1.317,00 kn\n16\nJadranska \nanimacija/ Adriatic \nAnimation\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje autora s projektom 'Sveti ljudi', D. Lovrić  i \nanimiranom serijom 'Piracy of Princess Priceless' na \nVišegrad Animation Forumu; Trebon, Češka; 02. do 08. \nsvibnja 2016.\n2.579,00 kn\n17\nJure Bušić\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje producenta s dugometražnim igranim \nprojektom 'Zatvoreno za javnost', red. V. Sviličić na \nmeđunarodnoj radionici za razvoj scenarija RE-ACT; Izola, \nSlovenija; 01. do 05. lipnja 2016.\n500,00 kn\n18\nKazališna grupa \n\"Scena\"\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti.\nOrganizacija manifestacije 'Dani hrvatskog filma Orašje'; \nBih; 05. do 13. rujna 2016.\n30.000,00 kn\n19\nKinorama\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje članova filmske ekipe i predstavljanje \ndugometražnog igranog filma 'Ne gledaj mi u pijat', red. H. \nJušić na 13. programu Venice Days 69. međunarodnog \nfilmskog festivala u Veneciji, Italija; 31. kolovoza do 10. \nrujna 2016.\n100.000,00 kn\n20\nKrupni kadar d.o.o.\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i producenta i predstavljanje \nkratkometražnog animiranog filma 'Planemo', red. \nV.Popovića na međunarodnoj konkurenciji u sklopu 40. \nmeđunarodnog festivala animiranog filma u Annecyju, \nFrancuska; 13. do 18. lipnja 2016\n6.500,00 kn\n21\nMarko Dješka\nProgrami stručnog usavršavanja.\nSudjelovanje Marka Dješke na međunarodnoj scenarističoj \nradionici za animatore u organizaciji škole La Poudriere; \nBourg-les-Valence, Francuska; 17. travnja do 09. srpnja \n2016.\n7.756,00 kn\n22\nMatija Drniković\nProgrami stručnog usavršavanja.\nSudjelovanje producenta Matije Drnikovića na jednoj sesiji \nmeđunarodne radionice za producente MAIA - 'Kreativni \naspekti'; Bukurešt, Rumunjska; 10. do 16. travnja 2016.\n5.029,00 kn\n23\nMatija Pisačić\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog \nanimiranog filma 'Čoban', red. M. Pisačića na \nmeđunarodnoj konkurenciji u sklopu Tokyo Anime Award \nFestivala; Tokyo, Japan; 18. do 21. ožujka 2016.\n3.330,00 kn\n24\nMirta Mataija\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redateljice i predstavljanje dugometražnog \ndokumentarnog filma 'R evolucija', red. M. Mataija, G. \nZaborca na međunarodnom festivalu 6. Freethought Film \nFestival, Orlando, Florida; 13. do 15. svibnja 2016.\n2.000,00 kn\n25\nMoje čarobne misli \nd.o.o.\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje producentice i predstavljanje krosmedijskog \nprojekta (dugometražni animirani 3D film i video igra) \n'Before you wake/ Discover tesla's Secret Invention', red. \nB. Brkića na sajmu CARTOON 360 u Barceloni, Španjolska; \n30. svibnja do 02. lipnja 2016.\n1.980,00 kn\nStranica 2\n\n\f\n26\nMoje čarobne misli \nd.o.o.\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata. \nMeđunarodni filmski sajmovi.\nSudjelovanje producentice i predstavljanje krosmedijskog \nprojekta 'Before you wake/ Discover tesla's Secret \nInvention', red. B. Brkića na sajmu MIFA PITCH u sklopu 40. \nmeđunarodnog festivala animiranog filma u Annecyju, \nFrancuska; 13. do 18. lipnja 2016.\n4.000,00 kn\n27\nOzren Marod\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje Ozrena Maroda s projektom 'Adriatic Inc.' na \nmeđunrodnoj scenarističkoj radionici MIDPOINT TV; \nPilsen, Češka; 15. do 21. travnja 2016.\n2.631,00 kn\n28\nRestart\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redateljice i predstavljanje kratkometražnog \ndokumentarnog filma 'Ana Trg', red. J. Novaković na \nmeđunarodnom festivalu dokumentarnog filma AmDocs; \nPalm Springsu, California; 30. ožujka do 04. travnja 2016.\n4.830,00 kn\n29\nRestart\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje autorskog tima i predstavljanje \nkratkometražnog igranog filma 'Po čovika', red. K. Kumrić \nna natjecateljskom programu 41. međunarodnog filmskog \nfestivala u Torontu, , Kanada; 08. do 18. rujna 2016.\n45.000,00 kn\n30\nSlavica film d.o.o.\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje producentice i predstavljanje \nkratkometražnog igranog filma 'Zvjerka', red. D. O. Pusić \nna međunarodnim fesivalima kratkometražnih filmova; \nFilmfest Dresden, Njemačka; 12. do 17. travnja 2016. i \nVienna Independent Shorts; Beč, Austrija; 25. do 31. \nsvibnja 2016.\n865,00 kn\n31\nSveučilište u \nZagrebu - \nStudentski centar u \nZagrebu\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika.\nSudjelovanje Branke Valjin i predstavljanje filmskog \nprograma Klubvizije SC na službenom programu \nmeđunarodnog susreta filmskih laboratorija 'Bains \nArgentiques'; Nantes, Francuska; 04. do 10. srpnja 2016.\n2.666,00 kn\n32\nTomislav Šoban\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog \neksperimentalnog filma 'Kraj', red. T. Šobana na \nmeđunarodnoj konkurenciji u sklopu 62. međunarodnog \nfestivala kratkometražnog filma u Oberhausenu, \nNjemačka; 06. do 09. svibnja 2016.\n1.259,00 kn\n33\nToma Zidić\nProgrami stručnog usavršavanja.\nSudjelovanje Tome Zidića na 6. međunarodnom \nmasterclassu dokumentarnog filma 'Interdoc 2016.' u \nPožegi, Srbija; 20. do 27. kolovoza 2016.\n3.000,00 kn\n34\nTonći Gaćina\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje srednjemetražnog \ndokumentarnog filma 'Turizam', red. T. Gaćine na \nmeđunarodnoj konkurenciji u sklopu 37. međunarodnog \nfestivala dokumentarnog filma Visions du Réel; Nyon, \nŠvicarska; 15. do 23. travnja 2016.\n2.081,71 kn\n35\nVanja Miljak\nProgrami stručnog usavršavanja.\nSudjelovanje Vanje Miljak s projektom 'Adriatic Inc.' na \nmeđunarodnoj scenarističkoj radionici MIDPOINT TV; \nPilsen, Češka; 15. do 21. travnja 2016.\n2.631,00 kn\n36\nVanja Sviličić\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata. \nSudjelovanje scenaristice/redateljice s projektom \ndugometražnog igranog filma 'Zatvoreno za javnost', red. \nV. Sviličić na međunarodnoj scenarističkoj radionici RE-\nACT; Izola, Slovenija; 01. do 05. lipnja 2016.\n500,00 kn\n37\nVeljko Bulajić\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. \nSudjelovanje redatelja povodom dodijele nagrade South \nEast European Film Festivala ' SEE Film Legend' i \npredstavljanje dugometražnog igranog filma 'Čovjek koga \ntreba ubiti', red. V. Bulajića; Pariz, Francuska; 31. svibnja \ndo 03. lipnja 2016.\n6.234,00 kn\nUKUPNO:\n304.603,71 kn\nHRVATSKI AUDIOVIZUALNI CENTAR, ODJEL ZA PROMOCIJU I PLASMAN\nNapomena: PRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\nNova ves 18  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 085  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\nStranica 3\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JP_medjunarodna_rezultati_rok_16052016","year":2016,"rok":null,"natjecaj_date":"2016-04-23","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PREDLAGATELJ","VRSTA PROGRAMA","NAZIV PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje producenta i predstavljanje dokumentarnog filma 'Turizam', red. T. Gaćine na međunarodnoj konkurenciji filmova srednjeg metra međunarodnog festivala Visions du Réel; Nyon, Švicarska; 16. do 23. travnja 2016.","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.164,00 kn","approved_amount":3164.0,"currency":"HRK","extras":{"col_1":"1","NAZIV PROGRAMA":"Sudjelovanje producenta i predstavljanje dokumentarnog filma 'Turizam', red. T. Gaćine na međunarodnoj konkurenciji filmova srednjeg metra međunarodnog festivala Visions du Réel; Nyon, Švicarska; 16. do 23. travnja 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"b676cd7a:s0:8da646b089cd","curation":{"changes":[{"field":"project_title","from":"Programi gostovanja hrvatskih autora/ -ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. Programi predstavljanja i promocije filmova.","to":"Sudjelovanje producenta i predstavljanje dokumentarnog filma 'Turizam', red. T. Gaćine na međunarodnoj konkurenciji filmova srednjeg metra međunarodnog festivala Visions du Réel; Nyon, Švicarska; 16. do 23. travnja 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_4aa49d5566c8","project_family_title":"Sudjelovanje producenta i predstavljanje dokumentarnog filma 'Turizam', red. T. Gaćine na međunarodnoj konkurenciji filmova srednjeg metra međunarodnog festivala Visions du Réel; Nyon, Švicarska; 16. do 23. travnja 2016."},{"row_number":2,"project_title":"Sudjelovanje redateljica i predstavljanje kratkometražnih filmova 'Šake', red. J. Nanut i 'Sanja', red. N. Zdunić na natjecateljskom programu studentskih filmova u sklopu međunarodnog festivala SEECS; Istanbul, Turska; 26. do 28. travnja 2016.","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.734,00 kn","approved_amount":3734.0,"currency":"HRK","extras":{"col_1":"2","NAZIV PROGRAMA":"Sudjelovanje redateljica i predstavljanje kratkometražnih filmova 'Šake', red. J. Nanut i 'Sanja', red. N. Zdunić na natjecateljskom programu studentskih filmova u sklopu međunarodnog festivala SEECS; Istanbul, Turska; 26. do 28. travnja 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"b676cd7a:s0:34fc6bb9b48d","curation":{"changes":[{"field":"project_title","from":"Programi gostovanja hrvatskih autora/ -ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika.","to":"Sudjelovanje redateljica i predstavljanje kratkometražnih filmova 'Šake', red. J. Nanut i 'Sanja', red. N. Zdunić na natjecateljskom programu studentskih filmova u sklopu međunarodnog festivala SEECS; Istanbul, Turska; 26. do 28. travnja 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_7155c533962d","project_family_title":"Sudjelovanje redateljica i predstavljanje kratkometražnih filmova 'Šake', red. J. Nanut i 'Sanja', red. N. Zdunić na natjecateljskom programu studentskih filmova u sklopu međunarodnog festivala SEECS; Istanbul, Turska; 26. do 28. travnja 2016."},{"row_number":3,"project_title":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'Cvijeće', red. J. Gamulin na međunarodnoj konkurenciji u sklopu 33. međunarodnog festivala kratkometražnih filmova u Busanu, Južna Koreja; 20. do 27. travnja 2016.","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00 kn","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"3","NAZIV PROGRAMA":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'Cvijeće', red. J. Gamulin na međunarodnoj konkurenciji u sklopu 33. međunarodnog festivala kratkometražnih filmova u Busanu, Južna Koreja; 20. do 27. travnja 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"b676cd7a:s0:c0492a684c49","curation":{"changes":[{"field":"project_title","from":"Programi gostovanja hrvatskih autora/ -ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika.","to":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'Cvijeće', red. J. Gamulin na međunarodnoj konkurenciji u sklopu 33. međunarodnog festivala kratkometražnih filmova u Busanu, Južna Koreja; 20. do 27. travnja 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_ae569067e866","project_family_title":"Sudjelovanje redateljice i predstavljanje kratkometražnog igranog filma 'Cvijeće', red. J. Gamulin na međunarodnoj konkurenciji u sklopu 33. međunarodnog festivala kratkometražnih filmova u Busanu, Južna Koreja; 20. do 27. travnja 2016."},{"row_number":4,"project_title":"Sudjelovanje producenta i redatelja s projektom dugometražnog igranog filma 'Blok 62', red. V. Vaščarca na međunarodnoj scenarističkoj radionici žanrovskih filmova Garage 2016.; 30.03.-03.04.'16; Bruxelles, Belgija; 29.06.- 01.07.'16; Torino, Italija; prosinac 2016; Courmayeur, Italija","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00 kn","approved_amount":7000.0,"currency":"HRK","extras":{"col_1":"4","NAZIV PROGRAMA":"Sudjelovanje producenta i redatelja s projektom dugometražnog igranog filma 'Blok 62', red. V. Vaščarca na međunarodnoj scenarističkoj radionici žanrovskih filmova Garage 2016.; 30.03.-03.04.'16; Bruxelles, Belgija; 29.06.- 01.07.'16; Torino, Italija; prosinac 2016; Courmayeur, Italija","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent d.o.o.","row_id":"b676cd7a:s0:169e8ea70409","curation":{"changes":[{"field":"project_title","from":"Programi stručnog usavršavanja.","to":"Sudjelovanje producenta i redatelja s projektom dugometražnog igranog filma 'Blok 62', red. V. Vaščarca na međunarodnoj scenarističkoj radionici žanrovskih filmova Garage 2016.; 30.03.-03.04.'16; Bruxelles, Belgija; 29.06.- 01.07.'16; Torino, Italija; prosinac 2016; Courmayeur, Italija","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_c019b59a9544","project_family_title":"Sudjelovanje producenta i redatelja s projektom dugometražnog igranog filma 'Blok 62', red. V. Vaščarca na međunarodnoj scenarističkoj radionici žanrovskih filmova Garage 2016.; 30.03.-03.04.'16; Bruxelles, Belgija; 29.06.- 01.07.'16; Torino, Italija; prosinac 2016; Courmayeur, Italija"},{"row_number":5,"project_title":"Sudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma 'Tajni laboratorij Nikole Tesle' , red. B. Razuma na 18. međunarodnom festivalu kratkometražnog filma i animacije MECAL u Barceloni, Španjolska; 11. do 14. ožujka 2016.","applicant":"Bruno Razum","production_company":"Bruno Razum","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.482,00 kn","approved_amount":2482.0,"currency":"HRK","extras":{"col_1":"5","NAZIV PROGRAMA":"Sudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma 'Tajni laboratorij Nikole Tesle' , red. B. Razuma na 18. međunarodnom festivalu kratkometražnog filma i animacije MECAL u Barceloni, Španjolska; 11. do 14. ožujka 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Bruno Razum","row_id":"b676cd7a:s0:750faa6489de","curation":{"changes":[{"field":"project_title","from":"Programi gostovanja hrvatskih autora/ -ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. Programi predstavljanja i promocije filmova.","to":"Sudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma 'Tajni laboratorij Nikole Tesle' , red. B. Razuma na 18. međunarodnom festivalu kratkometražnog filma i animacije MECAL u Barceloni, Španjolska; 11. do 14. ožujka 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_0ed898bde853","project_family_title":"Sudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma 'Tajni laboratorij Nikole Tesle' , red. B. Razuma na 18. međunarodnom festivalu kratkometražnog filma i animacije MECAL u Barceloni, Španjolska; 11. do 14. ožujka 2016."},{"row_number":6,"project_title":"Sudjelovanje producenta s projektom 'Jogurt sindrom', red. G. Rukavina na 3 sesije međunarodne radionice za razvoj projekta MAIA; Rumunjska; 11.-15.04.'16; Poljska 20.-24.06.'16; Italija. 03.-07.10.'16","applicant":"Corvus film d.o.o.","production_company":"Corvus film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.200,00 kn","approved_amount":5200.0,"currency":"HRK","extras":{"col_1":"6","NAZIV PROGRAMA":"Sudjelovanje producenta s projektom 'Jogurt sindrom', red. G. Rukavina na 3 sesije međunarodne radionice za razvoj projekta MAIA; Rumunjska; 11.-15.04.'16; Poljska 20.-24.06.'16; Italija. 03.-07.10.'16","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Corvus film d.o.o.","row_id":"b676cd7a:s0:af3c6bf9cffe","curation":{"changes":[{"field":"project_title","from":"Programi stručnog usavršavanja.","to":"Sudjelovanje producenta s projektom 'Jogurt sindrom', red. G. Rukavina na 3 sesije međunarodne radionice za razvoj projekta MAIA; Rumunjska; 11.-15.04.'16; Poljska 20.-24.06.'16; Italija. 03.-07.10.'16","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_6fb7be6fe5c1","project_family_title":"Sudjelovanje producenta s projektom 'Jogurt sindrom', red. G. Rukavina na 3 sesije međunarodne radionice za razvoj projekta MAIA; Rumunjska; 11.-15.04.'16; Poljska 20.-24.06.'16; Italija. 03.-07.10.'16"},{"row_number":7,"project_title":"Sudjelovanje redateljice i predstavljanje dugometražnog projekta 'Burgeis', red. K. 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ROK - \n9.9.2025. \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA \nSERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2025. - 2. ROK - \n9.9.2025. \n \nNa Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA SERIJSKIH \nTELEVIZIJSKIH DJELA na drugom roku 2025.g. ukupno je prijavljeno 109  \nprojekta, od toga (ponovo!) rekordnih 77 u potkategoriji Razvoj \nscenarija, te 32 u potkategoriji Razvoj projekata. Svi prijavljeni projekti \nzadovoljili su uvjete javnog poziva i razmatrani su za potporu. \nKao i na sva tri prethodna roka u mom mandatu, ponovo sam se \nsuočio s velikim brojem zanimljvih ideja, priča i projekata, gotovo u \npravilu visoko profesionalno pripremljenih za natječaj. Također treba reći \nda je uz pohvalnu kvalitativnu razinu projekata, i dalje primjetna prilična \nžanrovska i tematska raznovrsnost. Uz to, zašto ne spomenuti i široki \nraspon kandidata tj. autora koji su prijavili projekte, kako dobni, \ngeografski (autori iz regije) tako i „žanrovski“ – naime primjetna je pojava \nautora koji ne dolaze nužno iz AV svijeta – dramatičara, književnika, čak i \npjesnika...   \nKao i na prethodnim rokovima, popriličan broj zanimljivih projekata \nsilom prilika ostao je „ispod crte“ – svima njima želim da nastave razvijati \nsvoje projekte i prijavljivati ih na na prestojeće rokove Javnog poziva te \nkonačni uspjeh na njima.  \nNa ovom roku su u potkategoriji Razvoja projekata prevagnuli igrani \nprojekti, a u potkategoriji Razvoja scenarija dokumentarni. Ponovo nam \nprimjetno „fali“ humorističnih projekata, pogotovo stoga što se čini da su \nnam trenutno kao publici ali i kao društvu dosta potrebni, no ipak, među \novih tek nekoliko koje predlažem za potporu, ima i poneki zaista \nobećavajući.  \nU potkategoriji Razvoja scenarija TV djela predlažem 24 projekta u \nukupnom iznosu od 90.500 eura, dok u potkategoriji Razvoja projekata \nTV djela predlažem 14 projekata u ukupnom iznosu od 109.500 eura. \nUkupni zajednički iznos za obje potkategorije je 200.000 eura.  \n \nIvan-Vanja Runjić, umjetnički savjetnik za razvoj televizijskih djela \n                                                           \n \n\n\f\n2 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA \nSERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2025. - 2. ROK - \n9.9.2025. \n \n \n \n1) Dokumentarno televizijsko djelo čije trajanje po epizodi nije \nkraće od 20 minuta \n \n \n1.1. ALLONS ENFANTS \n \nDokumentarna serija, 3 epizode po 26 min. \nProducent: MDM VIZIJA d.o.o. \nScenaristi: Miljenko Bukovčan & Maja Peterlić                       \nRedatelj: Miljenko Bukovčan  \n  5.500 eura \n \nDokumentarni serijal koji je uspješno prošao prvu stepenicu razvoja \nscenarija, spreman je na slijedeći korak. Radi se o povijesti francuskog \n„prisustva“ na našim prostorima, preciznije nemaloj materijalnoj ali i \nzamjetnoj nematerijalnoj ostavštini kratke Napoleonove vladavine u našim \nkrajevima. Bilingvalni pristup s dva voditelja, hrvatskim i francuskim, \nupućeni sugovornici i generalno vrlo ozbiljan pristup čine ovaj projekt \niznimno obećavajućim.  \n \n \n1.2. BABILONSKA KULA  \n \nDokumentarna serija, 4 epizoda po 45 min.      \nProducent: Retrovizor produkcija j.d.o.o. \nScenarist: Igor Filipović  \nRedatelj: Igor Filipović \n  5.500 eura \n \n„Babilonska kula“ se najkraće rečeno, bavi jezikom i komunikacijom u \ndoba A.I.-a. Iako priča počinje Kulom iz naslova, pristup je moderan i \nskoro pa eksperimentalan – petero ozbiljnih lingvista i poliglota postavlja \npredstavu „Romeo i Julija“ na pet različitih jezika istovremeno uz vodstvo \nkazališnog režisera a bez prevoditeljske pomoći. Jedan od onih projekata \nkoji mogu otići u više različitih smjerova, no to se ovdje čini više vrlinom \nnego manom.  \n \n \n \n \n\n\f\n3 \n \n1.3. PLANSKI \n \nDokumentarna serija, 6 epizoda po 52 min. \nProducent: Kompot \nScenaristica: Ena Katarina Haler \nRedatelj: Nikola Kuprešanin \n  5.500 eura \n \nJoš jedan dox serijal koji je uspješno prošao prvi stadij razvoja i ide dalje. \nSerija se bavi ostacima industrijske arhitekture i planskog urbanizma iz \nrazdoblja socijalizma, ali uz jedan ponešto drukčiji pristup nego u \nsrodnim, već viđenim projektima. Autorica se u svom novinarskom radu \ndosta bavila ovim temama pa dobro poznaje materiju, a staro stavlja u \nkontekst novoga, odnosno propituje moguću revitalizaciju stare ahitekture \ni urbanističkih riješenja u doba aktualne stambene nesigurnosti. \n \n \n1.4. STJEPAN RADIĆ – MIT O ČOVJEKU \n \nDokumentarna serija, 3 epizoda po 26 min. \nProducent: Peglanje snova d.o.o. \nScenarist: Senad Zemunović \nRedatelj: Lukša Benić \n  5.500 eura \n \nTreba li kod projekata poput ovog čije „ime je njihov program“ reći išta \nviše od samog naslova? Zapravo i treba. Naime, osobe tako krupnog \npovijesnog formata poput Stjepana Radića definitivno traže novo „čitanje“ \nsvog lika i djela barem svakih desetak godina, a pogotovo će biti \nzanimljivo Radića vidjeti očima 2025-e i aktualnog hrvatskog trenutka. \nOvog umjetničkog savjetnika bi primjerice posebno zanimalo ne samo \nzašto kod nas (a i šire) odavno već nema takvih političkih teškaša kakav \nje bio Radić, nego i zašto možda više nisu ni mogući..?  \n \n1.5. TRENDING  \n \nDokumentarna serija, 8 epizoda po 26 min.      \nProducent: Reprodukcija d.o.o. \nScenaristica: Sara Grgurić \nRedateljica: Sara Grgurić \n  5.500 eura \n \nTreći dokumentarni serijal koji je ekspresno prošao prvi stupanj razvoja i \nputuje dalje. Aktualan i pravovremen, „Trending“ raščlanjuje online \nkulturu i nekulturu, moderne viralne fenomene poput cancel kulture, \nhashtag aktivizma i svijeta meme-ova. U doba kad su online svi od 7 do \n77 (a vjerojatno i mlađi i stariji), ovaj projekt ima najširu moguću \npotencijalnu publiku. \n\n\f\n4 \n \n \n2) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće \nod 25 minuta i koja je namijenjeno prvenstveno televizijskom \nprikazivanju \n \n \n2.1. CRVOTOČINA \n \nDramska serija, 6 epizoda po 45 min. \nProducent: Antitalent d.o.o. \nScenarist: Davor Žmegač prema vlastitom istoimenom romanu \nRedatelj: Aldo Tardozzi \n  10.000 eura \n \nNa ovom roku Javnog poziva svih devet podržanih igranih projekata \nuspješno su prošli prvi stupanj razvoja i spremni su na slijedeći korak. \nJedan od najbolje ocjenjenih projekata na prošlom roku i na ovom je roku \nmeđu highlight-ima. U centru priče je ubojstvo gradonačelničkog \nkandidata, ujedno i poznatog režisera, a istraga se vrti po filmaško-\nfilmofilskim krugovima, ali ide i u prošlost, bivšu državu pa sve do II \nsvjetskog rata. „Crvotočina“ ima potencijala na više razina – kao fino \nzapleteni politički triler, kao prikaz specifičnog (nama bliskog) umjetničkog \nmiljea, zatim kao životno-obiteljska priča istražitelja ali i kao šira \ndruštvena kronika. \n \n2.2. ISPOD SUNCA ZLATNOGA \n \nDramska serija, 8 epizoda po 52 min. \nProducent: Nukleus film d.o.o. \nScenarist: Nikola Kuprešanin \nRedatelj: Danis Tanović \n  10.000 eura \n \nZlatno sunce a ispod njega svakojake gadarije. Prije svega ubojstvo sina \njednog lokalnog tajkuna, a onda i sav popratni (splitski, ali ne nužno i ne \nsamo splitski) šušur – korupcija, međunarodni kriminal, neefikasni državni \naparat i još štošta. Ako izuzmemo poneku sapunicu, čini se da Velo misto \nveć neko vrijeme nismo gledali kao mjesto radnje na malim ekranima (za \nrazliku od kino platana gdje ga ipak ima dosta), a pogotovo ne u nečemu \novako obećavajućem. \n \n2.3. NESTAJANJE \n \nDramska serija, 5 epizoda po 52 min. \nProducent: Peglanje snova d.o.o. \nScenarist: Arsen Oremović \nRedatelj: Arsen Oremović \n  8.000 eura \n\n\f\n5 \n \n \nTri nacionalna parka u tri države, šest osoba nestalih u samo jednom \ndanu. Parkovi su Krka, Triglav i Una, dijeli ih tek par stotina kilometara, \nno nestanci su prilično međusobno slični. Slijedi dinamični i nepredvidljivi \npolitičko-ekološki triler koji se vrlo brzo proširi izvan granica „regije“. \nZanimljivo i prilično aktualno.  \n \n \n2.4. RUMPUS \n \nDramska serija, 4 epizode po 50 min. \nProducent: Castor Multimedia d.o.o. \nScenaristica: Dubravka Turić  \nRedateljica: Dubravka Turić \n  8.000 eura \n \nOd devet podržanih projekata u ovoj potkategoriji, kao što rekoh, svi \nuspješno nastavljaju put iz prve stepenice potpore – razvoja scenarija. \nMeđu njima je jedino „Rumpus“ podržan od prethodnog umjetničkog \nsavjetnika (ostalih osam projekata su podržani u mandatu ovog \nsavjetnika), što bi moglo značiti da je višestruko prepoznat kao relevantan \ni obećavajući Radi se o sumnjivoj smrti srednjoškolca u oronulom \nindustrijskom gradiću tik uz močvaru što odmah izazove masovno \nspominjanje mitskog čudovišta iz naslova. Stariji tinejdžeri važan su dio \nistrage i priče, pa serija uz dodatak nešto lokalnog kolorita i humora \nmožda može krenuti u smjeru nekog potencijalnog domaćeg „Stranger \nThingsa“. \n \n \n2.5. S.N.A.P.  \n \nDramska serija, 10 epizoda po 45 min. \nProducent: Borvel film d.o.o. \nScenaristi: Edi Erceg & Nimai Kolega \nRedatelj: Nimai Kolega \n  10.000 eura \n \nAko je prethodni projekt rubno doticao tinejdžerski svijet, „S.N.A.P.“ je u \npotpunosti okrenut navedenoj populaciji i spreman je proći kroz vrata koja \nje širom otvorio „Sram“, i to u vremenu kad smo se već pomirili s \nmogućnošću da mlade ljude televizija možda uopće i ne zanima. \nSnalažljivi maturant  izbačen je iz privatne gimnazije pa ga otac upisuje u \n„najgoru školu u gradu“, gdje momentalno nađe ekipu i uđe u razne šeme \ni kombinacije. Projekt je u međuvremenu promjenio producenta, no puno \nvažnije je da je snimljen zanimljiv jednosatni pilot pa je ova serija „za \nmlade koju pišu mladi“ na pravom putu realizacije svog nemalog \npotencijala.  \n \n\n\f\n6 \n \n \n2.6. SEDAM GREŠNIKA \n \nDramska serija, 7 epizoda po 30 min. \nProducent: Fade In  \nScenaristi: Sonja Babić & Luka Vucić  \nRedatelj: Luka Vucić \n  8.000 eura \n \nSedam smrtnih grijeha u sedam epizoda, svaka za sebe i sa svojim \nlikovima i događajima, a opet sve u istom mjestu (naravno na obali) i \nmeđusobno povezano. U dugom razvoju ovog projekta kojem i sam \nsvjedočim od prvog roka svog mandata (a serija je bila prijavljivana na \nJavni poziv i prije toga), čitava priča je jako napredovala, a sada je i s \nnapisanim pilotom krenula u jednom pomalo satirčkom smjeru što je \nzapravo sasvim logično i apsolutno dobrodošlo.  \n \n \n2.7. SUMNJIVE OKOLNOSTI  \n \nDramska serija, 6 epizoda po 52 min. \nProducent: Antitalent d.o.o. \nScenaristica: Daria Stilin \nRedatelj: Sergio Mimica Gezzan \n  10.000 eura \n \nJedan od projekata koji se razvija velikom brzinom što i nije neko \niznenađenje kad znamo da su stvari solidno postavljene od samog \npočetka. Projektu se od prošlog roka pridružio redatelj Sergio Mimica \nGezzan koji desetljećima gradi karijeru u Hollywoodu, a ima i poprilično \niskustvo na serijama. Radi se o klasičnom krimiću s modernim twistom – \n„cold case“ ubojstvo 8-godišnje kćeri arapskog biznismena u okolici \nDubrovnika, do čijeg tijela policiju nakon osam godina dovede lokalni \npetogodišnjak koji tvrdi da je reinkarnacija ubijene (!).      \n \n \n3) Televizijsko humoristično djelo, čije trajanje po epizodi nije \nkraće od 20 minuta \n \n \n3.1. DOM ZA STARE I SVEMOĆNE sv.DIMFNA  \n \nHumoristična serija, 7 epizoda po 40 min. \nProducent: Udruga Blank \nScenarist: Marino Habulan \nRedatelj: Marino Habulan \n  8.000 eura \n \n\n\f\n7 \n \nSv.Dimfna je zaštitnica ljudi pritisnutih psihičkim problemima, ali i onih \nkoji brinu o njima. No, u domu umirovljenika iz naslova, negdje u okolici \nZagreba, stvari izmaknu kontroli kad svećenik ravnatelj doma zakocka \nlovu svoje institucije i dovede ju pred zatvaranje, što, naravno neće proći \nbaš najbolje kod njegove pastve tj. štićenika doma, starih i naoko \nnemoćnih ali osebujnih i nepredvidljivih. Potencijalno vrlo zgodna \npopulistička komedija u najboljem smislu riječi.  \n \n \n3.2. UVIJEK DRUGI  \n \nDramska humoristična serija, 12 epizoda po 50 min. \nProducent: MARK-prom d.o.o. \nScenarist: Hrvoje Matasović \nRedatelj: Hrvoje Matasović \n  10.000 eura \n \nU svijetu u kojem svi varaju sve na svakom koraku, grupa atletičara iz \nšest evropskih država koji su se umorili od vječnog drugog mjesta pa \nkrenu u očajničku avanturu varanja i dopinga i ne čini se najgorom \nekipom na svijetu. Stvari se dodatno zapliću kad im se dogodi uspjeh, što \nnaravno povlači za sobom slavu i medije, ali i masu peripetija i posljedica. \nIgrani projekti koji tematiziraju sport nisu rijetkost na ovom natječaju, \nnajčešće se radi o nogometu (čak dva projekta na ovom roku), ponekad to \nbude košarka ili rukomet (jedan na ovom roku), no atletika je rijetka, a \npogotovo ako je smještena u humorni kontekst kao ovdje.   \n \n \n \n \n \n\n\f\n8 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA \nSERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2025. - 2. ROK - \n9.9.2025. \n \n \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije \nkraće od 24 minute \n \n \n1.1. HISTRIĆI: DINO AVANTURE   \n \nAnimirana serija, 12 epizoda po 5 min. \nProducent: Triaxial d.o.o. \nScenaristica: Monika Rakuljić \nRedateljica: Monika Rakuljić \n  3.500 eura \n \nSerijal za djecu smješten u Istru prije 130 milijuna godina sa dva mlada \ndinosaura (od kojih je jedan autohtoni istarski Histriasaurus) koji kroz \nrazne dogodovštine proučavaju svijet oko sebe. Rani vizuali su zanimljivi, \na sve skupa je jako zgodno zamišljeno i potencijalno vrlo zabavno i \nedukativno.  \n \n \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije    \nkraće od 20 minuta \n \n \n2.1. BITNO O GLUPOM \n \nDokumentarna serija, 6 epizoda po 30 min. \nProducent: Udruga Blank  \nScenarist: Tin Mihaljević  \nRedatelj: –     \n  3.500 eura \n \nU hrpi predvidljivih i generičkih projekata kakvih ni na jednom roku \nJavnog poziva ne manjka (iako i među takvima ima solidnih, dapače...), \novaj se odmah ističe svojim naslovom. A iza naslova se nalaze zanimljive \nstorije o „skrivenim misterijama“ koje se kriju iza naoko banalnog i \ntrivijalnog te naravno puno „ozbiljnije“ teme poput urbanizma, ekologije i \nsveprisutnog marketinga, industrijskog i političkog.    \n \n \n \n\n\f\n9 \n \n2.2. BRAČKI KAMPANILIZMI  \n \nDokumentarna serija, 6 epizoda po 26 min. \nProducent: –  \nScenarist: Luka Mihačić \nRedatelj: –  \n  3.500 eura \n \nKampanilizam je posebna, vrlo uska podvrsta lokal-patriotizma, no ovdje \nje riječ o „dvostrukoj konotaciji“ (da se poslužimo tom nesretnom \nsintagmom), naime serijal priča priču o Braču kroz njegove kampanele tj. \nzvonike. Kampanilist ne priznaje i ne zanima ga svijet koji se ne vidi s \nnjegovog kampanela, no ovdje će se za bitno širi doseg i pogled uz autora \npobrinuti voditelj Ivica Lazaneo, stand up komičar i rođeni Postiranin, a \nplanirani su i animirani segmenti.   \n \n \n2.3. EUROPA: KORIJENI I IDEJE \n \nDokumentarna serija, 6 epizoda po 52 min. \nProducent: –  \nScenarist: Arsen Oremović \nRedatelj: Arsen Oremović \n  3.500 eura \n \nProjekt o povijesti Evrope je već na prošlom roku bio jako blizu potpore, \nautor je u međuvremenu uvažio neke sugestije, koje su se prvenstveno \nticale dodatnog kontekstualiziranja vezanog uz aktualni evropski trenutak, \nponovo turbulentan i izazovan, te njegovo povezivanje s prebogatom \npoviješću Starog kontinenta. Ne treba sada tu vaditi onu staru – „povijest \nje učiteljica života“, no treba se zapitati zašto uopće učimo povijest kad se \nčini da iz nje zapravo ništa ne naučimo..? \n \n \n2.4. GENERACIJSKI JAZ \n \nDokumentarna serija, 6 epizoda po 30-45 min. \nProducent: – \nScenaristica: Renata Lučić \nRedateljica: Renata Lučić \n  3.500 eura \n \nGeneracijske razlike i netrpeljivosti postoje vjerojatno od pamtivijeka, no \nčini se da se nikada nije više pričalo o raznim generacijama kao takvim, \nponajprije o milenijalcima i generaciji Z, a onda i nama nešto starijima iz \ngeneracije X i baby boomer-ima. Stariji naravno, ne razumiju mlađe, \nmladi su pak u kontstantnoj pobuni prema starijima, a svi zajedno \nprovode više vremena pred raznim ekranima nego zajedno da bi uopće \n\n\f\n10 \n \nmogli doći u sukob. Ovaj serijal ambiciozno planira zagrebati ispod \npovršine te notorne generacijske „(ne)solidarnosti“.    \n \n \n2.5. HAPPINESS   \n \nDokumentarna serija, 6 epizode po 50 minute  \nProducent: –  \nScenarist: Luka Udjbinac \nRedatelj: – \n  3.500 eura \n \nO sreći kao takvoj najčešće govore pop pjesme, a folk pjesme o sreći i \nnešto više nesreći, dok ovaj putopisno-sociološki dokumentarni serijal \nnamjerava saznati kako sreću doživljavaju ljudi na raznim stranama \nsvijeta – od Južne Amerike do Indije, od Meksika do Balkana. Doživljaj \nsreće je naravno individualna stvar, no bit će da ima nešto i u kulturi i \ntradiciji, a „Happiness“ ambiciozno planira napraviti krug oko svijeta u \npotrazi za odgovorima.    \n \n \n2.6. HRVATSKI KRALJEVI: NOVA IGRA  \n \nDokumentarna serija, 3 epizode po 50 min. \nProducent: HRCIN – Hrvatski centar za istraživačko novinarstvo i slobodu \nmedija \nScenarist: Saša Paparella    \nRedatelj: –    \n  3.500 eura \n \nHrvatski kraljevi nije povijesna saga o plavoj krvi već tvrdi politički dox o \naktualnim vladarima ove zemlje, tajkunima, veletrgovcima, \nveleposjednicima i menadžerima, pritom vrlo konkretan i precizan, \nimenom i prezimenom – od Vujnovca do Roglića, od Martine Dalić do \nEmila Tedesch-og. S obzirom da se očito ne radi o hagiografijama svetaca, \nvolio bih vidjeti onoga tko bi ovo uvrstio u svoj program, bilo na Javnoj \nteleviziji, bilo na privatnima. Možda se netko na kakvoj eksteritorijalnoj \nstream platformi na kraju ipak odvaži..?   \n \n \n2.7. KREŠINE VRPCE \n \nDokumentarna serija, 3 epizode po 26 min. \nProducent: Kinoteka  \nScenarist: Ljubo Zdjelarević \nRedatelj: Ljubo Zdjelarević \n  3.500 eura \n \n\n\f\n11 \n \nPodatak da je pokojni velikan Krešo Čosić ostavio veću količinu audio \nkazeta na koje je godinama snimao svoje opservacije i poglede na sport, \npolitiku i vjeru, poprilično me zatekao. Spektakularna karijera jednog od \nnajvećih košarkaša i sportaša uopće na ovim prostorima, te prilično \nzanimljiva izvansportska putanja, a sve to naglo prekinuto u 47. godini \nživota 1995. u Baltimore-u. Kombinacija Čosićeve naracije (autor je \npriložio kratak video isječak s Čosićevim voiceover-om), video arhive od \nZadra preko Amerike do Moskve i olimpijskog zlata pa Zagreba i natrag do \nAmerike... te zanimljivi sugovornici i suvremenici, čine ovaj projekt jednim \nod najinteresantnijih na ovom roku Javnog poziva s potencijalom daleko \nizvan granica Hrvatske.    \n \n \n2.8. NAJ OTOK \n \nDokumentarna serija, 4 epizode po 40 min. \nProducent: –  \nScenarist: Ivan Jurić \nRedatelj: Ivan Jurić   \n  3.500 eura \n \nS nekih 1500 stanovnika na manje od pola kvadratnog kilometra prije pola \nstoljeća je vjerojatno bio nagušće naseljeni otok na svijetu (a ni s \ndanašnjih 200-tinjak nije zanemariv), no je li najmanji, najniži ili možda \njoš koji naj naj, saznat ćemo od geodeta i mnogih drugih sugovornika u \novoj priči o višestoljetnoj povijesti i sadašnjosti otoka Krapnja, otoka koji \nsvake godine početkom kolovoza, na feštu Gospe od Anđela, primi 30-ak \nputa više ljudi nego inače i kažu, skoro se potopi.   \n \n \n2.9. NOĆU SANJAM ZAGREB  \n \nDokumentarna serija, 10 epizoda po 45 min. \nProducent: Format XYZ d.o.o. \nScenarist: Karlo Arbanas  \nRedatelj: Karlo Arbanas \n  4.000 eura \n \nProjekt koji je bio zanimljiv još na prošlom roku Javnog poziva, ali je \nspletom okolnosti ostao ispod crte, bavi se, riječima autora „skrivenom \npoviješću Zagreba“, napuštenim tunelima i skloništima, zatrpanim \npotocima, zaboravljenim grobljima, mlinovima, željezničkim kolosjecima \nitd. U recenziji projekta tada sam napisao slijedeće (a pri tome stojim i \nsada): „bez obzira što smo zadnjih godina vidjeli dosta priča o \nzanemarenoj hrvatskoj materijalnoj baštini (pogotovo onoj zidanoj), a i \nveliki broj sličnih i srodnih projekata podržan je na posljednja tri roka \novog javnog poziva, smatram da „Noću sanjam Zagreb“ ima potencijala, \njedino nisam siguran ima li ga baš za 10 epizoda? No, vjerujmo autoru, jer \n\n\f\n12 \n \ndobar dio istraživanja je već odrađen, a evidentan je i njegov (autorov) \ninteres i posvećenost projektu.“  \n \n \n2.10.  PODZEMNI GRAD \n \nDokumentarna serija, 3 epizode po 50 min. \nProducent: Greta Creative Network \nScenarist: David Lušičić   \nRedatelj: David Lušičić \n  3.500 eura \n \nJoš jedna priča o skrivenom i podzemnom kao i prethodna..? Ne baš, \novdje se radi o bogatoj i dramatičnoj povijesti istarskog grada Labina, \nkroz povijest rudarstva, Labinske republike i II svjetskog rata do Labin Art \nExpressa i današnjih dana. Kroz priču nas vodi narator Leon Lučev, i sam \nosobno i umjetnički povezan s Labinom, a projekt je već sad na iznimno \nvisokoj razini istraživanja i pripreme. \n \n \n2.11.  PUT MASLINE \n \nDokumentarna serija, 8 epizoda po 52 min. \nProducent: –  \nScenarist: Lukša Benić \nRedatelj: Lukša Benić \n  4.000 eura \n \nUkratko – masline, maslinarstvo i maslinovo ulje. Malo šire – povijest i \nsadašnjost maslinarstva u osam mediteranskih zemalja (uključujući \nnaravno „ususal suspects“ poput Hrvatske, Grčke ili Španjolske, ali i \niznenađujuće destinacije a la Tunis ili Maroko) u putopisno-gurmansko-\npovijesnom serijalu kroz koji nas vodi kvizaš Dean Kotiga. Projekt s \npotencijalom za koprodukciju. \n \n \n2.12. TAKSISTI \n \nDokumentarna serija, 5 epizoda po 26 min. \nProducent: –  \nScenarist: Goran Markoš \nRedatelj: –   \n  3.500 eura \n \nSerijal „Taksisti“ na neki se način nadovezuje na projekt „Putnice“ istoga \nautora, Gorana Markoša, koji je na prethodna dva roka Javnog poziva \nuspješno prošao oba stadija razvoja. Dok se u „Putnicama“ radilo o tri \nzanimljive žene sa, starinski rečeno „muškim profesijama“, ovdje imamo \n\n\f\n13 \n \njednu taksisticu i četriri taksista (od kojih je jedan Filipinac), iz Zagreba, \nPule, Osijeka i Splita. Naravno da se ne radi o „običnim“ taksistima, već o \nljudima izražene individualnosti i perceptivnosti što stvari čini značajno \nzanimljivima.    \n \n \n2.13. TRAG NOVCA \n \nDokumentarna serija, 5 epizoda nepoznatog trajanja  \nProducent: –  \nScenarist: Ivica Radoš \nRedatelj: –   \n  3.500 eura \n \nSerijal o povijesti novca u Hrvatskoj, od prvih grčkih kolonija na Jadranu i \nRimljana pa sve do maraka, dinara, kune i eura. U doba kada države \nizglasavaju zakone o zaštiti fizičke valute, tj. gotovine (kao Slovenija \nnekidan), a neke druge negiraju efekte inflacije (kao naša) nije se loše \nprisjetiti povijesti ljudske ljubavi prema kešu.   \n \n \n2.14. TREĆI PUT \n \nDokumentarna serija, 3 epizode po 50 min. \nProducent: Greta Creative Network \nScenarist: David Lušičić \nRedatelj: David Lušičić \n  3.500 eura \n \nDa je Pokret nesvrstanih do današnjih dana sačuvao svoju snagu iz \nformativnih godina i onu koju je imao naredna dva desetljeća, bi li se \nuopće moglo dogoditi Arapsko proljeće, rat i razaranje Sirije i sve prije, \nposlije i oko toga..? Odgovor, naravno, nećemo nikada saznati, no nije se \nloše prisjetiti nečega što (nam) je ne tako davno bilo iznimno važno. \n„Treći put“ se bavi idealma i očekivanjima, ali i konfliktima, \nkontradikcijama i zabludama Pokreta, uz važnu ulogu broda Galeb te \nnaraciju glumca Frane Maškovića.   \n \n \n2.15. TRI LICA OTPORA \n \nDokumentarna serija, 3 epizode po 50 min. \nProducent: HRCIN – Hrvatski centar za istraživačko novinarstvo i slobodu \nmedija \nScenaristica: Želja Laslavić \nRedatelj: –   \n  3.500 eura \n \n\n\f\n14 \n \nPostoje razne vrste otpora, a ovaj se potencijalno zanimljivi serijal \nfokusira na tri vrste društvenog aktivizma (i otpora) kod nas – ekološki, \npolitički i umjetnički. Stvari su zanimljivo postavljene, tematski jasno \nrazrađene, a lista potencijalnih sugovornika šarolika i reprezentativna. \nTreba li uopće reći da je sama tema otpora i društvenog aktivizma kod nas \naktualnija nego ikad..? \n \n \n2.16.  ZA SVIJET MIRA: UNIVERZIJADA '87. \n \nDokumentarna serija, 4 epizode po 50 min. \nProducent: –  \nScenaristi: Ivica Radoš & Tomislav Branđolica \nRedatelj: –   \n  3.500 eura \n \nAko ovaj serijal uspije u svom razvoju i doživi konačnu realizaciju, što mu \nod srca želim, taman bi ga mogli vidjeti na malim ekranima uoči 40-\ngodišnjice Univerzijade, iznimno bitnog događaja u novijoj povijesti \nZagreba. Naime, ako se samog sporta i rezultata malo tko više sjeća, \nobjekte tada izgrađene ne samo da svi pamte nego ih i dan danas \nsvakodnevno „konzumiraju“ (Jarun, Šalata, Cibona..). Izuzetno je bio \nzanimljiv i politički kontekst i pozadina Univerzijade, kao i „kulturna \nnadgradnja“, a ovaj serijal obećava sve to fino uvezati, pa ga u tim \nnastojanjima rado podupiremo.  \n \n \n \n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće \nod 25 minuta i koje je namijenjeno prvenstveno \ntelevizijskom prikazivanju \n \n \n3.1.  DUGI OTOK \n \nDramska serija, 4 epizode po 40 min. \nProducent: – \nScenaristica: Ines Mrenica Mutevelić \nRedatelj: – \n  4.000 eura \n \n„Dugi otok“ je klasični Poirot-ovski whodunnit, autorice koja je u mom \nmandatu umjetničkog savjetnika već imala dva jaka, efektna \nkrimića/trilera („Motovunska šuma“ i „Ubojstvo na fotografiji“), pa se \nnadam da ćemo bar jedan od njih uskoro negdje gledati, pogotovo s \nobzirom na globalni trend velikog povrtaka murder mystery podžanra. \nOvdje se radi o klasičnom set up-u ponešto prilagođenom lokalnom \nkoloritu – bogata vlasnica hotela poziva svoje stare školske kolege u vilu \n\n\f\n15 \n \nna otoku gdje se razmotavaju tajne (i ubojstva) iz prošlosti, a ima \nnaravno i žrtava u sadašnjosti. Nadam se također da će se u daljnjem \nrazvoju iskristalizirati neki „atraktivniji“ naslov serije, no zasad „Dugi \notok“ ide dalje... \n \n \n3.2. GDJE JE STELLA? \n \nDramska serija, 6 epizoda po 50 min. \nProducent: –  \nScenaristica: Leila Elhoweris \nRedatelj: – \n  4.500 eura \n \nPriču o nestanku mlade glumačke zvijezde iz naslova pratimo u dva \nvremenska toka i tri linije radnje – Stellin život i uspon prije nestanka, te \nživot njenih bližnjih nakon toga kao i samu istragu koju vodi jedna iskusna \nistražiteljica. Elaboriran i zanimljiv zaplet kao i dobro motivirani likovi \nsasvim su dobra polazišna točka za Stellu i tajnu njena nestanka.    \n \n \n3.3. LEGIONARI \n \nDramska serija, 6 epizoda po 45 min. \nProducent: –  \nScenarist: Ivica Ivanišević prema vlastitom romanu „Sutra je novi ručak“ \nRedatelj: –  \n  4.500 eura \n \nTri ritaulna ubojstva u Splitu u proljeće 2019. spaja legionarska poveznica \n– orden legije časti, uniforma Crne legije i oklop rimskog legionara imale \nsu žrtve na sebi u trenutku smrti. Ubojstva istražuju lokalni istražitelj Nalis \nna glasu kao jako sposoban i jako težak tip, te mlada pridošlica iz \nmetropole Nina. S obzirom da je Nalis poznati „bonkulović“, dobar dio \nradnje se odvija po splitskim konobama i tavernama, a to nije jedina \nneobičnost ove priče. Ivica Ivanišević uskoro objavljuje i novi roman s \nNalisom i Ninom „Nešto na žlicu“ (jasna aluzija na „spizu“ kao i kod \nprethodnika, predloška za „Legionare“ – romana „Sutra je novi ručak“), pa \nse možda za vedrih dana kad bura raščisti pogled, već vide daleki obrisi \nfranšize..?   \n  \n3.4. NOĆNI ČUVAR \n \nDramska serija, 7 epizoda po 50 minuta \nProducent: –  \nScenaristica: Maja Stojić \nRedateljica: Maja Stojić \n  4.500 eura \n\n\f\n16 \n \n \nDokonom noćnom čuvaru napuštene tvornice glavna je zanimacija \nprisluškivanje policijskog kanala, dok mu se policajci iz obližnje zgrade \nrugaju. I kako to često biva u pričama o luzerima i autsajderima, \nismijavali su krivog portira, jer ovaj je i verzirani ponavatelj i kolekcionar \nkrimića i to će mu znanje biti pri ruci kad se nađe usred istrage jednog \nubojstva i potrage za nestalim sinom, sitnim dilerom s kojim nije u \nnajboljim odnosima. Zamišljeno kao mračna priča, i u sadržaju i u dizajnu, \n„Noćni čuvar“ definitivno ima potencijala.  \n \n \n \n4) Televizijsko humoristično djelo čije trajanje po epizodi nije \nkraće od 20 minuta  \n \n \n4.1. LJUBAV JE SLANA \n \nHumoristična serija, 6 epizoda po 25 min. \nProducent: –   \nScenarist: Karlo Vorih    \nRedatelj: Karlo Vorih \n  4.000 eura \n \nHollywood je prepun priča o djeci zvijezdama koje nikada nisu postali \nodrasle zvijezde, pa sad negdje konobare i sanjare o staroj slavi. Jednu \nsličnu priču donosi i „Ljubav je slana“ – radi se o 27-godišnjaku koji je \nimao veliki hit prije puberteta i sada, 15 godina kasnije pokušava veliki \npovratak. Nasuprot pravih mračnjaka kakve često nose biografije \ngorespomenutih child star-ova, vrlina ove serije je u potencijalnom \nhumorističnom tonu priče i vedroj i ležernoj atmosferi.  \n \n \n4.2. NAŠI DEČKI \n \nDramska humoristična serija, 10 epizoda po 30 min. \nProducent: –   \nScenarist: Dino Pešut \nRedatelj: – \n  4.500 eura \n \nLjubav između obiteljski i/ili klasno suprotstavljenih ljubavnika starija je \nvaljda i od „Romea i Julije“, a mali, zgodni twist-ić koji donose „Naši \ndečki“ je da se radi o gej paru, dvojici 35-godišnjaka od kojih je jedan \numjetnik iz radničke obitelji a drugi liječnik iz liječničke obitelji. Naravno \nda sad već imamo dosta i filmova i serija u kojima su već manje ili veće \nuloge imali homoseksualni likovi, ali ne pamtim ni jednu seriju koja je \nimala gej romansu u centru zbivanja (pogotovo ne humosrističnu). No, \n\n\f\n17 \n \n„Naše dečke“ predlažem za potporu iz prostog i pomalo banalnog razloga \nšto se radi o jako zanimljivoj i pametno postavljenoj priči, dobro \nrazrađenoj i solidno pripremljenoj.    \n  \n \n4.3. RODA DIKO \n \nHumoristična serija, 6 epizoda po 22-25 min. \nProducent: –   \nScenaristica: Vivien Karlović \nRedatelj: –  \n  4.000 eura \n \nAbecedno posljednji projekt koji predlažem za potporu na ovom roku \nJavnog poziva (i u svom mandatu umjetničkog savjetnika) igrom slučaja \nispao je i jedan od najzanimljivijih i najpotentnijih na ovom, a možda i na \nsva četiri roka mog mandata. Mnogi od nas, a pogotovo nas koji imamo \nneke veze s Dalmacijom i općenito jugom, imaju rođake ili bar susjede \nkoji su druga ili treća generacija iseljenika u Ameriku (ili pak Australiju ili \nJužnu Ameriku) i vječno se dive toj njihovoj čarobnoj lingvističkoj mišanci. \nOvdje se konkretno radi o mladom režiseru koji za vrijeme rata ode u \nAmeriku u misiju prikupljanja novaca za obranu od brojne tamošnje \nhrvatske dijaspore, a usput planira i snimiti poneki kadar. Tamo se odmah \npoveže s najbogatijim Hrvatom u Americi i s njim zajedno istražuje jedno \nubojstvo dok obilaze kontinent i živopisne hrvatske „enklave“. Jako dobro \npostavljeno, duhovito i smiješno već na bazi sinopsisa i vrlo, vrlo \nobećavajuće... \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"odluka%20vijeca_kompl_medj.pdf","filename_decoded":"odluka%20vijeca_kompl_medj.pdf","sha256":"b69506b4996ab40ce22ee9f714d18f02bb03c5339c4b83f3adf9873c237afd56","bytes":624558,"page_count":4,"extracted_at":"2026-05-16T14:13:23Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj:4290 -2014 \nU Zagrebu, 10. listopada 2014. \n \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 115/10),  Hrvatsko audiovizualno vijeće, na prijedlog Umjetničkog vijeća, na 52. sjednici održanoj 10. \nlistopada 2014.  godine donijelo je: \n \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za komplementarne djelatnosti- \nprogrami međunarodne suradnje, rok 22. kolovoza 2014.godine. \n \n \n \n \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za komplementarne djelatnosti - programi međunarodne suradnje, rok 22. kolovoza \n2014.godine utvrđuje se lista prioriteta i donosi odluka o raspodjeli sredstava u ukupnom iznosu od \n304.786,00 kn  \n(tristočetiritisućesedamstoosamdesetšestkuna) prema tablici priloženoj ovoj Odluci koja čini njezin \nsastavni dio. \n \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku \npredviđenom Pravilnikom o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva (NN 118/12). \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 118/12), raspisan je Javni poziv HAVC-a za komplementarne djelatnosti-\nprogrami međunarodne suradnje, rok 22. kolovoza 2014.godine.  \n \n\n\f\nNa Javni poziv ukupno je prijavljeno 34 projekata, od čega je 33 imalo uredne prijave, a 1 nije razmatran \nzbog nepotpune i/ili nepravovremene prijave.  \nNa 34. sjednici Umjetničkog vijeća umjetnički savjetnik za komplementarne djelatnosti g. Dragan Rubeša \npredložio je listu prioriteta koju je Umjetničko vijeće usvojilo i proslijedilo na razmatranje Hrvatskom \naudiovizualnom vijeću.  \nNa 52. sjednici Hrvatskog audiovizualnog vijeća održanoj 10. listopada 2014.godine prihvaćena je lista \nprioriteta iz točke 1. izreke Odluke. \nTemeljem čl.12. Zakona o audiovizualnim djelatnostima, ravnatelj HAVC-a izvršava odluke o raspodjeli \nsredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima sredstava.  \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC centar će ovu Odluku \nobjaviti na svojoj mrežnoj stranici: www.havc.hr. \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \nVera Robić-Škarica, v.r.\nPrilog: tablice s rezultatima \nDostaviti: \n- \npismohrana, ovdje \n\n\f\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2014. - PROGRAMI MEĐUNARODNE SURADNJE\nROK 22. kolovoza 2014.\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA (kn)\n1\nAntitalent produkcija d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producentice na dvije sesije programa \nSerial Eyes u sklopu Deutsche Film u \nFernsehakademie Berlin; Berlin, Njemačka; 15. rujna \ndo 19. prosinca 2014. i od 05. siječnja do 15. svibnja \n2015.\n25.000,00 kn\n2\nArtizana film d.o.o.\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redatelja i producentice i predstavljanje \ndugometražnog igranog filma 'Most na kraju svijeta', \nred. B. Ištvančića u sklopu programa Fokus na \nsvjetski film 38. festivala svjetskog filma u Montrealu, \nKanada; 21. kolovoza do 01. rujna 2014. \n10.000,00 kn\n3\nDamir Čučić\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redatelja i predstavljanje \ndugometražnog dokumentarnog filma 'MITCH-\ndnevnik jednog shizofreničara', red. D. Čučića u \nsklopu međunarodne konkurencije FID Marseillesa; \nMarseilles, Francuska; 02. do 05. srpnja 2014.\n3.533,00 kn\n4\nFactum\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i \nprogrami razvoja projekta.\nSudjelovanje redateljice i montažerke s projektom \n'Iza lica zrcala', red. K. Z. Matijević Veličan na \nstručnoj radionici Docu Rough Cut Boutiqe u sklopu \n20. Sarajevo film festivala; Sarajevo, BiH; 18. do 22. \nkolovoza 2014.\n2.500,00 kn\n5\nFactum\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje autora, producenta i izvršne \nproducentice i predstavljanje filmova 'Ljubavna \nodiseja', red. T.Božić, 'Goli', red. T.Gudac i 'Djeca \ntranzicije', red. M.Vukšića u sklopu 20. Sarajevo Film \nFestivala; Sarajevo, BiH; 19. do 24. kolovoza 2014.\n25.000,00 kn\n6\nFactum\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redateljice i producenta i predstavljanje \ndugometražnog dokumentarnog filma 'Goli', red. \nT.Gudac na programu Balkan Dox u sklopu 13. \nmeđunarodnog festivala dokumentarnog i \nkratkometražnog filma DokuFest; Prizren, Kosovo; \n16. do 24. kolovoza 2014. \n10.000,00 kn\n7\nFestival mediteranskog filma \nSplit\nProgrami stručnog usavršavanja\nSudjelovanje direktora festivala s projektom 'Kino \nMediteran' na radionici za voditelje art kina 'Art \nCinema = Action + Management' u sklopu 11. \nmeđunarodnog filmskom festivala u Veneciji, Italija; \n27. kolovoza do 02. rujna 2014.\n7.211,00 kn\n8\nHrvatski filmski savez\nProgrami stručnog usavršavanja\nSudjelovanje redateljice dokumentarnog filma 'U \npotrazi za izgubljenom državom', red. M.R.Vidaković \nna drugoj sesiji 'Pravna i financijska pitanja' MAIA \nradionice; Halle, Njemačka; 23. do 28. lipnja 2014.\n7.500,00 kn\n9\nHrvatski filmski savez\nOstali programi\nSudjelovanje troje predstavnika Four River Film \nFestivala u sklopu 16. međunarodnog festivala Seoul \nInternational Youth Film Festival; Seoul, Južna \nKoreja; 21. do 28. kolovoza 2014.\n15.000,00 kn\n10\nHrvatski filmski savez\nOstali programi\nSudjelovanje voditeljice Revijskog programa na 44. \nmeđunarodnom festivalu Giffoni Experience; Giffoni, \nItalija; 18. do 27. srpnja 2014.\n10.000,00 kn\n11\nHrvatski filmski savez\nOstali programi\nSudjelovanje Željka Baloga na sastanku Komiteta i \nSkupštine UNICA-e te troje autora  i predstavljanje \nhrvatske filmske reprezentacije na 76. filmskom \nfestivalu UNICA; Pies'tany, Slovačka; 23. do 31. \nkolovoza 2014.\n12.000,00 kn\n12\nIgor Bezinović\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. \nSudjelovanje Igora Bezinovića na 12. \nmeđunarodnom festivalu MonFilmFest; \nCasalborgoneo, Italija; 23. do 30. kolovoza 2014.\n3.874,00 kn\n13\nJasmina Kallay\nProgrami stručnog usavršavanja\nSudjelovanje Jasmine Kallay na dvije sesije radionice \nEuropean TV Drama Series Lab 2014 Erich Pommer \nInstituta; Berlin, Njemačka; 01. do 06. srpnja 2014. i \n17. do 23. studeni 2014.\n12.000,00 kn\n\n\f\n14\nJura Troje\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. \nSudjelovanje J. Troje na međunarodnom festivalu \ndječjeg filma u Istanbulu, Turska; 27. do 31. listopada \n2014.\n1.546,00 kn\n15\nKinematograf d.o.o.\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova\nSudjelovanje redateljice i predstavljanje \nkratkometražnog igranog filma 'Pragovi', red. D. \nMlađenović u sklopu programa službene konkurencije \n13. međunarodnog festivala dokumentarnog i kratkog \nfilma DokuFest; Prizren, Kosovo; 16. do 24. kolovoza \n2014.\n3.100,00 kn\n16\nMaxima film d.o.o.\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova\nSudjelovanje dva člana autorske ekipe \ndugometražnog igranog filma 'Takva su pravila', red. \nO. Sviličića na programu Orrizonti Competition u \nsklopu 71. međunarodnog festivala u Veneciji, Italija; \n27. kolovoza do 06. rujna 2014. \n60.000,00 kn\n17\nMaydi Film & Video d.o.o.\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova\nSudjelovanje producentice i redatelja i predstavljanje \ndugometražnog igranog filma 'Šegrt Hlapić', red. S. \nPetranovića u službenoj konkurenicji 37. \nmeđunarodnog festivala dječjeg filma Lucas; \nFrankfurt, Njemačka; 22. do 28. rujna 2014.\n9.019,00 kn\n18\nMoje čarobne misli d.o.o.\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redateljice i predstavljanje filma \n'Mehaničke figure_Inspririani Teslom' u sklopu izložbe \n'Nikola Tesla: suyo es el futuro'; Madrid, Španjolska; \n05. studenog 2014. do 01. veljače 2015.\n6.000,00 kn\n19\nNukleus\nPotpora producentima/ -icama i \nautorima/ -icama za predstavljanje \nfilmova. Programi predstavljanja i \npromocije filmova.\nSudjelovanje redateljice i predstavljanje \nkratkometražnog igranog filma 'Kokoška', red. U. \nGunjak na 22. međunarodnom filmskom festivalu \nCurtas Vila do Conde; Portugal; 05. do 13. srpnja \n2014.\n892,00 kn\n20\nProdukcija Živa d.o.o.\nProgrami izrade promidžbenih \nmaterijala i prijavljivanje u službenu \nkonkurenciju festivala. Programi \npredstavljanja i promocije filmova.\nSudjelovanje članova autorske ekipe i predstavljanje \ndugometražnog igranog filma 'Otok ljubavi', red. J. \nŽbanić na programu Piazza Grande u sklopu 67. \nmeđunarodnog filmskog festivala u Locarnu, \nŠvicarska; 06. do 16. kolovoza 2014.\n46.000,00 kn\n21\nUdruga za audiovizualno \nstvaralaštvo Artizana\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redateljice i predstavljanje \nkratkometražnog igranog filma 'I LOVE YU', red. I. \nŠkorić na programu One Title Selection u sklopu \nmeđunarodnog festivala Sapporo International Short \nFilm Festival and Market; Sapporo, Japan, od 08. do \n13. listopada 2014.\n7.500,00 kn\n22\nUdruga Blank\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i producenta i predstavljanje \nkratkometražnog igranog filma 'Vrag u gospođici \nJones', red. J. Lukića na službenoj konkurenciji 29. \nmeđunarodnog festivala kratkometražnog filma u \nBrestu, Francuska; 11. do 16. studenog 2014. \n9.000,00 kn\n23\nUdruga Dušan Vukotić\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti. Ostali programi.\nOrganizacija izložbe 'Svijet mašte Dušana Vukotića \nVuda' u suradnji s Udruženjem 'Cetinje', pod \npokroviteljstvom Jugoslavenske Kinoteke Beograd; \nBeograd, Srbija, 24. lipnja 2014.\n3.800,00 kn\n24\nUdruga ljubitelja filma Rare\nProgrami gostovanja hrvatskih \nautora/ -ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje troje autora filmova i direktora festivala i \npredstavljanje projekta DORF na festivalu europskog \nfilma Cinedays ; Skopje, Makedonija; 13. do 22. \nstudenog 2014.\n10.000,00 kn\n25\nSveučilište u Zagrebu, \nStudentski centar\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti. \nSudjelovanje članova Klubvizije SC-a i predstavljanje \nprogramskih aktivnosti u sklopu projekta 9-LABS u \nFilmswerkplaatsu; Rotterdam, Nizozemska; prosinac \n2014.\n2.031,00 kn\n26\nŽeljka Ferenčić\nProgrami stručnog usavršavanja\nSudjelovanje Željke Ferenčić na radionici CICAE, na \ntemu 'Art Cinema = Action + Managment'; Venecija, \nItalija; 26. kolovoza do 01. rujna 2014.\n2.280,00 kn\nUKUPNO:\n304.786,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR, ODJEL ZA PROMOCIJU I PLASMAN\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","year":2014,"rok":null,"referenced_projects":["Most na kraju svijeta","MITCH-dnevnik jednog shizofreničara","Iza lica zrcala","Ljubavna odiseja","Goli","Djeca tranzicije","Kino Mediteran","U potrazi za izgubljenom državom","Pragovi","Takva su pravila","Šegrt Hlapić","Mehaničke figure_Inspririani Teslom","Kokoška","Otok ljubavi","I LOVE YU","Vrag u gospođici Jones","Svijet mašte Dušana Vukotića Vuda","DORF","9-LABS"],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 10. listopada 2014. o raspodjeli sredstava za komplementarne djelatnosti - programe međunarodne suradnje (rok 22.8.2014.) u ukupnom iznosu od 304.786,00 kuna za 26 odobrenih programa.","project_links":[{"source_title":"Most na kraju svijeta","family_id":"pf_6ae6292d0c3d","family_title":"MOST NA KRAJU SVIJETA","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"MITCH-dnevnik jednog shizofreničara","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Iza lica zrcala","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Ljubavna odiseja","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Goli","family_id":"pf_c51a1f74cca1","family_title":"GOLI","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Djeca tranzicije","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Kino Mediteran","family_id":"pf_f585de7825b5","family_title":"Kino Mediteran","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"U potrazi za izgubljenom državom","family_id":"pf_4074cb666317","family_title":"U potrazi za izgubljenom državom","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Pragovi","family_id":"pf_6b34270339b5","family_title":"Pragovi","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Takva su pravila","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Šegrt Hlapić","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Mehaničke figure_Inspririani Teslom","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Kokoška","family_id":"pf_6f6b1bf3f1c6","family_title":"Kokoška","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Otok ljubavi","family_id":"pf_352bcb26cb16","family_title":"Otok ljubavi","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"I LOVE YU","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Vrag u gospođici Jones","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Svijet mašte Dušana Vukotića Vuda","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"DORF","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"9-LABS","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"dugi igrani obrazlozenje 30032017.pdf","filename_decoded":"dugi igrani obrazlozenje 30032017.pdf","sha256":"b6bd586b63037e1cc61213a4e0af80dba3a52ed1292e780f3e0c9c6f21d62322","bytes":28838,"page_count":2,"extracted_at":"2026-05-17T12:01:36Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/dugi%20igrani%20obrazlozenje%2030032017.pdf"},"raw_text":"POTICANJE\t\r  PROIZVODNJE\t\r  -­‐\t\r  DUGOMETRAŽNI\t\r  IGRANI\t\r  FILM,\t\r  ROK\t\r  30.\t\r  OŽUJKA\t\r  2017.\t\r  GODINE\t\r  \n\t\r  \nNa\t\r  Javnom\t\r  pozivu\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  u\t\r  2017.\t\r  godini\t\r  –\t\r  1.\t\r  rok\t\r  razmatrano\t\r  je\t\r  32\t\r  projekta,\t\r  \nmeđu\t\r  kojima\t\r  je\t\r  5\t\r  snimljenih\t\r  filmova.\t\r  I\t\r  dalje\t\r  razmjerno\t\r  nepovoljna\t\r  financijska\t\r  situacija\t\r  razlog\t\r  \nje\t\r  što\t\r  je\t\r  odobren\t\r  mali\t\r  broj\t\r  projekata:\t\r  tri\t\r  u\t\r  kategoriji\t\r  produkcije\t\r  i\t\r  tri\t\r  u\t\r  kategoriji\t\r  \npostprodukcije.\t\r  Među\t\r  nekoliko\t\r  podjednako\t\r  zanimljivih\t\r  i\t\r  kvalitetnih\t\r  projekata\t\r  u\t\r  konačnom\t\r  \nizboru\t\r  prevagu\t\r  su\t\r  odnijeli\t\r  oni\t\r  koje\t\r  potpisuju\t\r  potvrđena\t\r  redateljska\t\r  imena:\t\r  Branko\t\r  Schmidt\t\r  s\t\r  \nprojektom\t\r  Džoker\t\r  u\t\r  produkciji\t\r  Telefilma,\t\r  Ivan-­‐Goran\t\r  Vitez\t\r  s\t\r  projektom\t\r  Dopunska\t\r  nastava\t\r  u\t\r  \nprodukciji\t\r  Interfilma\t\r  te\t\r  Ivona\t\r  Juka\t\r  s\t\r  projektom\t\r  Moj\t\r  privatni\t\r  ratni\t\r  zločinac\t\r  u\t\r  produkciji\t\r  Četiri\t\r  \nfilma.\t\r  \t\r  \nScenarij\t\r  Džoker,\t\r  koji\t\r  potpisuju\t\r  Sandra\t\r  Antolić\t\r  i\t\r  Josip\t\r  Mlakić,\t\r  predstavlja\t\r  logičan\t\r  nastavak\t\r  \nautorskih\t\r  preokupacija\t\r  Branka\t\r  Schmidta.\t\r  Radnja\t\r  je\t\r  smještena\t\r  u\t\r  današnje\t\r  vrijeme,\t\r  među\t\r  \npopulaciju\t\r  bivših\t\r  branitelja,\t\r  a\t\r  njegova\t\r  osnovna\t\r  tema\t\r  su\t\r  nečista\t\r  savjest\t\r  i\t\r  iskupljenje\t\r  kao\t\r  \nneminovni\t\r  motivi\t\r  ratničke\t\r  autorefleksije.\t\r  Iako\t\r  izrazito\t\r  dramske\t\r  intonacije,\t\r  scenarij\t\r  ima\t\r  \npozitivan\t\r  katarzični\t\r  kraj\t\r  te\t\r  se\t\r  može\t\r  očekivati\t\r  dobar\t\r  prolaz\t\r  kod\t\r  široke\t\r  publike,\t\r  ali\t\r  i\t\r  na\t\r  \nfestivalima.\t\r  \t\r  \nDopunska\t\r  nastava\t\r  scenarista\t\r  i\t\r  redatelja\t\r  Ivana-­‐Gorana\t\r  Viteza\t\r  izuzetno\t\r  je\t\r  zanimljivo\t\r  \npostavljen\t\r  scenarij\t\r  o\t\r  talačkoj\t\r  krizi\t\r  u\t\r  osnovnoj\t\r  školi.\t\r  Zanimanje\t\r  za\t\r  žanrovski\t\r  film\t\r  autor\t\r  je\t\r  \nvješto\t\r  nadogradio\t\r  snažnim\t\r  socijalnim\t\r  i\t\r  političkim\t\r  podtekstom,\t\r  referirajući\t\r  se\t\r  na\t\r  brojne\t\r  \nprobleme\t\r  hrvatske\t\r  svakodnevnice.\t\r  Riječ\t\r  je\t\r  o\t\r  dosad\t\r  najambicioznijem\t\r  scenariju\t\r  autora,\t\r  \nreskog\t\r  i\t\r  katkad\t\r  apsurdnog\t\r  humora\t\r  te\t\r  iznimno\t\r  napetom\t\r  i\t\r  dinamičnom,\t\r  što\t\r  nije\t\r  čest\t\r  slučaj\t\r  u\t\r  \nhrvatskom\t\r  filmu.\t\r  \t\r  \nMoj\t\r  privatni\t\r  ratni\t\r  zločinac,\t\r  koji\t\r  Ivona\t\r  Juka\t\r  potpisuje\t\r  kao\t\r  scenaristica\t\r  i\t\r  redateljica,\t\r  poput\t\r  \nnjenog\t\r  prethodnog\t\r  filma\t\r  odlukuje\t\r  široki\t\r  obuhvat\t\r  tema\t\r  i\t\r  motiva\t\r  te\t\r  složeni\t\r  odnosi\t\r  brojnih\t\r  \nlikova.\t\r  Ovaj\t\r  put\t\r  autorica\t\r  kroz\t\r  dvije\t\r  narativne\t\r  linije,\t\r  koje\t\r  prikazuju\t\r  nekoliko\t\r  epizoda\t\r  ratne\t\r  \nsvakodnevnice\t\r  na\t\r  dubrovačkom\t\r  području\t\r  te\t\r  lokalnu\t\r  feštu\t\r  koja\t\r  se\t\r  zbiva\t\r  25\t\r  godina\t\r  kasnije,\t\r  \nuokviruje\t\r  i\t\r  povezuje\t\r  motivom\t\r  osvete,\t\r  moćne\t\r  i\t\r  krajnje\t\r  neobične.\t\r  Ovo\t\r  je\t\r  ujedno\t\r  produkcijski\t\r  \nnajzahtjevniji\t\r  projekt,\t\r  pa\t\r  su\t\r  mu\t\r  dodijeljena\t\r  i\t\r  najviša\t\r  sredstva.\t\r  \t\r  \n\t\r  \nKad\t\r  je\t\r  riječ\t\r  o\t\r  filmovima\t\r  u\t\r  fazi\t\r  postprodukcije\t\r  neminovno\t\r  se\t\r  dolazi\t\r  u\t\r  procijep\t\r  između\t\r  želje\t\r  da\t\r  \nse\t\r  podupre\t\r  nezavisna\t\r  produkcija,\t\r  pomogne\t\r  svemu\t\r  što\t\r  prekoračuje\t\r  prag\t\r  profesionalne\t\r  \nfilmske\t\r  proizvodnje,\t\r  ohrabre\t\r  autori\t\r  i\t\r  producenti\t\r  na\t\r  rizične\t\r  niskobudžetne\t\r  pothvate\t\r  i\t\r  \nrealnosti\t\r  koja\t\r  je\t\r  nepovoljna.\t\r  Novaca\t\r  za\t\r  filmove\t\r  u\t\r  fazi\t\r  postprodukcije\t\r  sve\t\r  je\t\r  manje,\t\r  a\t\r  njihov\t\r  \nbroj,\t\r  možda\t\r  i\t\r  zbog\t\r  benevolentnosti\t\r  sustava\t\r  u\t\r  nekim\t\r  financijski\t\r  izdašnijim\t\r  godinama,\t\r  sve\t\r  je\t\r  \nveći.\t\r  Od\t\r  pet\t\r  prijavljenih\t\r  projekata\t\r  u\t\r  mogućnosti\t\r  smo\t\r  bili\t\r  poduprijeti\t\r  samo\t\r  tri\t\r  -­‐\t\r  ona\t\r  koji\t\r  su\t\r  \nposve\t\r  blizu\t\r  završetku\t\r  i\t\r  tek\t\r  čekaju\t\r  svoje\t\r  prvo\t\r  javno\t\r  prikazivanje.\t\r  \t\r  \nFilm\t\r  Dom\t\r  Darija\t\r  Pleića\t\r  prati\t\r  jedan\t\r  dan\t\r  mladog\t\r  bračnog\t\r  para\t\r  s\t\r  djetetom,\t\r  a\t\r  to\t\r  je\t\r  dan\t\r  njihove\t\r  \ndeložacije\t\r  iz\t\r  uredno\t\r  kupljenog\t\r  stana.\t\r  Osim\t\r  što\t\r  progovara\t\r  o\t\r  nemoći\t\r  pojedinca\t\r  pred\t\r  \nkriminalom\t\r  građevinske\t\r  mafije\t\r  i\t\r  korumpiranim\t\r  sustavom\t\r  koji\t\r  ne\t\r  pruža\t\r  zaštitu,\t\r  ovaj\t\r  film\t\r  u\t\r  \nprvom\t\r  redu\t\r  govori\t\r  o\t\r  mogućnosti\t\r  opstanka\t\r  ljubavi\t\r  u\t\r  kriznoj\t\r  situaciji.\t\r  Glavne\t\r  vrline\t\r  su\t\r  \nminuciozni\t\r  redateljevi\t\r  postupci\t\r  u\t\r  skučenim\t\r  mizanscenskim\t\r  uvjetima,\t\r  kao\t\r  i\t\r  glumačka\t\r  igra\t\r  \nJudite\t\r  Franković\t\r  u\t\r  ulozi\t\r  protagonistice.\t\r  \t\r  \n\t\r  \n\n\f\nFilm\t\r  Na\t\r  zapadu\t\r  Sare\t\r  Hribar\t\r  i\t\r  Marka\t\r  Šantića\t\r  isprepliće\t\r  sudbine\t\r  hrvatskih\t\r  glumica\t\r  i\t\r  tekstilnih\t\r  \nradnica\t\r  souočenih\t\r  s\t\r  gubitkom\t\r  radnog\t\r  mjesta,\t\r  odnosno\t\r  uloga.\t\r  U\t\r  takvim\t\r  okolnostima\t\r  često\t\r  se\t\r  \niz\t\r  vida\t\r  gubi\t\r  “glavni\t\r  krivac”,\t\r  a\t\r  narušava\t\r  ljudska\t\r  i\t\r  profesionalna\t\r  solidarnost.\t\r  Tri\t\r  glumice\t\r  natječu\t\r  \nse\t\r  za\t\r  glavnu\t\r  ulogu\t\r  u\t\r  filmu\t\r  koji\t\r  govori\t\r  o\t\r  radnicama\t\r  “Kamenskog”,\t\r  unoseći\t\r  u\t\r  improvizacije\t\r  sve\t\r  \nviše\t\r  detalja\t\r  iz\t\r  stvarnog\t\r  života.\t\r  Osim\t\r  što\t\r  počiva\t\r  na\t\r  vrlo\t\r  zanimljivom\t\r  konceptu,\t\r  film\t\r  donosi\t\r  \nsjajne\t\r  izvedbe\t\r  Ksenije\t\r  Marinković,\t\r  Nataše\t\r  Dorčić\t\r  i\t\r  Doris\t\r  Šarić\t\r  Kukuljice.\t\r  \t\r  \nZa\t\r  ona\t\r  dobra\t\r  stara\t\r  vremena\t\r  film\t\r  je\t\r  doajena\t\r  televizijske\t\r  režije\t\r  Eduarda\t\r  Galića\t\r  i\t\r  govori\t\r  o\t\r  \nčetvorici\t\r  prijatelja,\t\r  vječnih\t\r  i\t\r  završenih\t\r  studenata,\t\r  koji\t\r  se\t\r  neuspješno\t\r  pripremaju\t\r  za\t\r  prave\t\r  \nživotne\t\r  izazove.\t\r  U\t\r  tom\t\r  kontekstu\t\r  na\t\r  kušnji\t\r  je\t\r  prijateljstvo\t\r  dvojice\t\r  najboljih\t\r  prijatelja\t\r  –\t\r  jednog\t\r  \nkoji\t\r  se\t\r  za\t\r  svoje\t\r  mjesto\t\r  u\t\r  svijetu\t\r  pokušava\t\r  izboriti\t\r  časno,\t\r  i\t\r  drugog\t\r  koji\t\r  zbog\t\r  osjećaja\t\r  \nbesperspektivnosti\t\r  povređuje\t\r  one\t\r  do\t\r  kojih\t\r  mu\t\r  je\t\r  najviše\t\r  stalo.\t\r  Ovaj\t\r  film\t\r  velike\t\r  glumačke\t\r  \nekipe\t\r  i\t\r  brojnih\t\r  lokacija\t\r  produkcijski\t\r  je\t\r  najzahtjevniji,\t\r  obraća\t\r  se\t\r  širokoj\t\r  publici\t\r  te\t\r  promovira\t\r  \nzanimljive\t\r  mlade\t\r  glumce\t\r  poput\t\r  Marka\t\r  Petrića,\t\r  Karla\t\r  Mrkšu,\t\r  Elizabetu\t\r  Brodić\t\r  i\t\r  Vini\t\r  Jurčić.\t\r  \t\r  \n\t\r  \nJelena\t\r  Paljan\t\r  i\t\r  Pavao\t\r  Marinković,\t\r  umjetnički\t\r  savjetnici\t\r  za\t\r  dugometražni\t\r  igrani\t\r  film\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web Obrazlozenje po Javnom pozivu za komplementarne djelatnosti u 2023_drugi rok.pdf","filename_decoded":"web Obrazlozenje po Javnom pozivu za komplementarne djelatnosti u 2023_drugi rok.pdf","sha256":"b729d65d9cf12c712814b86169a5c0f1aec7c70f2eaadf961ab0d0553ee426bc","bytes":26994,"page_count":2,"extracted_at":"2026-05-17T12:01:32Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje%20po%20Javnom%20pozivu%20za%20komplementarne%20djelatnosti%20u%202023_drugi%20rok.pdf"},"raw_text":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH \nDJELATNOSTI U 2023. GODINI \nu drugom roku do 12. siječnja 2023.  \nisključivo za one projekte iz kategorije programa filmskih festivala i drugih \naudiovizualnih manifestacija koji se održavaju u drugoj polovici 2023. godine, a \nnisu se prijavili na prvi rok javnog poziva \n \n \nObrazloženje umjetničkih savjetnika za komplementarne djelatnosti \n \n \nPrijave na Javni poziv za dodjelu sredstava za poticanje komplementarne djelatnosti \nu 2023. godini podnose se u dva roka. Prvi rok, do 8. rujna 2022., odnosio se na \nprojekte u svim kategorijama koji se održavaju u 2023. godini, a drugi rok, predmet \novog natječaja, bio je raspisan do 12. siječnja 2023. i odnosi se isključivo na one \nprojekte u kategoriji programa filmskih festivala i drugih audiovizualnih manifestacija \nkoji se održavaju u drugoj polovici 2023. godine, a nisu se prijavili na prvi rok javnog \npoziva. U drugom roku zaprimljeno je 60 prijava.  \n \nSavjetnici za komplementarne djelatnosti, Davorka Begović, Carmen Lhotka i \nTomislav Šakić, za financijsku podršku na drugom roku predložili su 39 programa u \nukupnom iznosu od  360.050,00 eura (2.712.796,73 kn) što je Hrvatsko \naudiovizualno vijeće usvojilo na 14. sjednici održanoj 27.4.2023.  \n \nU postupku procjenjivanja vodili smo se otprije utvrđenim kriterijima, navedenima u \ntočki VIII Javnog poziva za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2023. godini:  \n \n– kvaliteta, izvedivost i održivost programa (od sadržajne do produkcijske razine) \n– programi koji imaju konkretne, realne i strateške planove u umjetničkom, \norganizacijskom i financijskom smislu \n– značaj programa za relevantan kontekst (ovisno o programu, od lokalne zajednice, \npreko nacionalnog značaja do međunarodne prepoznatljivosti i važnosti za \naudiovizualni sektor) \n– kontinuitet programa odnosno njegova dugoročna usmjerenost, dostupnost \nprojekta, vidljivost i komunikacija sa profesionalcima i javnosti, \n– kvaliteta prijave, kvaliteta i iskustvo projektnog tima u pojedinoj programskoj \nkomplementarnoj djelatnosti za koju se prijavljuje (stabilni i dostatni izvori prihoda za \nkontinuirano obavljanje aktivnosti tijekom razdoblja ostvarivanja projekta, stručne \nkompetencije i kvalifikacije potrebne za provođenje predložene aktivnosti) \n– prethodna izdanja programa (ako nije prvo izdanje) \n– ispunjavanje prethodnih ugovornih obveza sa Centrom \n– odjek programa i komunikacija s javnosti (prije, za vrijeme i nakon održavanja \nprograma) \n– te povezivanje i suradnja. \n \nMeđu 39 programa predloženih i odobrenih za potporu na ovome, drugom roku u \nkategoriji festivala i drugih audiovizualnih manifestacija važnošću i iznosom \npredložene potpore prednjače 21. Zagreb Film Festival i Cinehill – Motovun Film \nFestival 2023, a slijede ih Human Rights Film Festival, 28. Splitski filmski festival, 17. \n\n\f\nFestival tolerancije – JFF Zagreb, 13. One Take Film Festival i 21. Tabor Film \nFestival. Treba dakako istaknuti i tri tradicionalne godišnje revije neprofesijskoga \nfilma u produkciji Hrvatskoga filmskog saveza: 61. Reviju hrvatskog filmskog \nstvaralaštva djece, 55. Reviju hrvatskog filmskog stvaralaštva i 28. Filmsku reviju \nmladeži i 16. Four River Film Festival. Uz niz manjih festivala i filmskih revija, \nredovite se potpore predlažu i odobrene su za specijalizirane festivale kao što su \nDOKUart – međunarodni festival profesionalnog dokumentarnog filma, Fantastic \nZagreb Film Festival, Smaragdni eco film festival SEFF, History Film Festival, \nFestival dokumentarnog rock filma DORF u ili PSSST! Festival nijemog filma, uz \nmnoge druge manje manifestacije revijskog i festivalskog profila.  \n \n \n \n \numjetnički savjetnici za komplementarne djelatnosti \nDavorka Begović \nCarmen Lhotka \nTomislav Šakić \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2023,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati%20JP%20PR%20FILM%202024-1.%20rok%20-%20DOKUMENTARNI.pdf","filename_decoded":"rezultati%20JP%20PR%20FILM%202024-1.%20rok%20-%20DOKUMENTARNI.pdf","sha256":"b72f7d189493da4ff7c18fe1fe478a98525967d3588474e4323cfd6e07fe4eba","bytes":34363,"page_count":1,"extracted_at":"2026-05-16T15:30:19Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20JP%20PR%20FILM%202024-1.%20rok%20-%20DOKUMENTARNI.pdf"},"raw_text":"PRODUCENT\nODOBRENA \nSREDSTVA (€)\n1\nMarina Aničić Spremo\nFactum\n45.000,00 €\n2\nDavor Žmegač\nUdruga Filmaktiv\n48.000,00 €\n3\nManuel Inacker\nRestart\n83.000,00 €\n17\nSilvio Mirošničenko\nBond Squad j.d.o.o.\n15.000,00 €\n191.000,00 €\n1\nAnita Čeko\nRestart\n35.000,00 €\n2\nVlatka Vorkapić\nFADE IN\n35.000,00 €\n3\nKarla Jelić\nUstanova Zagreb film\n40.000,00 €\n110.000,00 €\n301.000,00 €\nPrijemni ispit\nNije na prodaju\nREDATELJ/ICA\nkratkometražni dokumentarni filmovi\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE PROIZVODNJE FILMOVA \nu 2024. - 1. ROK - 14.3.2024., 36. sjednica Hratskog audiovizualnog vijeća vijeća 13. lipnja 2024.\ndugometražni dokumentarni filmovi\ndugometražni dokumentarni film u postprodukcijskoj fazi\nUKUPNO DUGOMETRAŽNI DOKUMENTARNI FILMOVI\nNASLOV\nZemlja koju (u)dišemo\nČuvari duše grada\nBi' će žensko\nUKUPNO KRATKOMETRAŽNI I DUGOMETRAŽNI DOKUMENTARNI FILMOVI\nKrušku pod njušku\nUKUPNO KRATKOMETRAŽNI DOKUMENTARNI FILMOVI\nTiha misa\n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE PROIZVODNJE FILMOVA u 2024. - 1. ROK - 14.3.2024., 36. sjednica Hratskog audiovizualnog vijeća vijeća 13. lipnja 2024.","year":2024,"rok":"1. rok","natjecaj_date":"2024-03-14","decision_date":"2024-06-13","decision_body":"AV vijeće","currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"dugometražni dokumentarni filmovi","section_key":"dugometrazni_dokumentarni","columns":["NASLOV","REDATELJ/ICA","PRODUCENT","ODOBRENA SREDSTVA (€)"],"rows":[{"row_number":1,"project_title":"Nije na prodaju","applicant":"Factum","production_company":"Factum","director":"Marina Aničić Spremo","writer":null,"original_author":null,"category":"Dokumentarni","approved_amount_text":"45.000,00 €","approved_amount":45000.0,"currency":"EUR","extras":{"repair_v1":{"changes":[{"field":"category","from":"dugometražni dokumentarni 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film","to":"Dokumentarni","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","people_backfill_v1":{"changes":[{"field":"writer","from":null,"to":"Manuel Inacker","source":"title_propagation:writer","confidence":"high"}],"updated_at":"2026-05-18T15:25:14Z","method":"machine:people_backfill_v1"}},"entity":"Restart","row_id":"b72f7d18:s0:471db9df3b67","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_28d851c0928d","project_family_title":"Zemlja koju (u)dišemo"}],"section_total_text":null,"section_total":null},{"section_label":"dugometražni dokumentarni film u postprodukcijskoj fazi","section_key":"dugometrazni_dokumentarni_postprodukcija","columns":["NASLOV","REDATELJ/ICA","PRODUCENT","ODOBRENA SREDSTVA (€)"],"rows":[{"row_number":17,"project_title":"Čuvari duše 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I. Škorić, na 34. Cinemedu -\nMeđunarodnom festivalu mediteranskog filma u \nMontpellieru, Francuska (26.10.-3.11.2012), 6. \nmeđunarodnom festivalu dokumentarnog i \nkratkometražnog filma ”Prvi kadar 2012“ u Sarajevu, BIH \n(29.-31.10.2012.) i 20. ALTER-NATIVE međunarodnom \nfestivalu kratkometražnog filma u Targu-Muresu, \nRumunjska, (8.-11.11.2012.)\n7,500.00\n7\nCentar za nove inicijative Programi predstavljanja i promocije \nfilmova\nOrganizacija manifestacije \"Hrvatski film u Beču\" 15. \nprosinca 2012. i \"Hrvatski film u Gradišću\" 16. prosinca \n2012. u Beču i Velikom Borištofu, Austrija.\n10,000.00\n8\nCorvus film d.o.o.\nProgrami gostovanja hrvatskih autora-\n/ica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgrami predstavljanja i promocije \nfilmova; Pitching, koprodukcijski forumi \ni programi za razvoj projekata\nSudjelovanje producenta s dugometražnim igranim filmom \n\"Djeca jeseni\", red. G. Rukavine, na 8. regionalnom \nfilmskom marketu CentEast u Varšavi, Poljska, i u Moskvi, \nRusija, od 14. do 21. listopada 2012.\n10,000.00\n9\nFactum\nProgrami stručnog usavršavanja\nSudjelovanje izvršne producentice u edukacijskom \nprogramu \"Ključni pravni okviri:  koprodukcija u Europi - \nPravni i financijski aspekti\" na Erich Pommer institutu u \nBerlinu, Njemačka, od 24. do 28. listopada 2012. \n3,712.45\n10\nFactum\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje redatelja kao člana žirija i predstavljanje \ndugometražnog dokumentarnog filma Ratni reporter, red. \nS. Kolbasa, na Prix Europa - European Broadcasting \nfestivalu u Berlinu, Njemačka, od 20. do 27. listopada 2012.\n2,761.00\n11\nHrvatski filmski savez\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje predstavnika Four River Film Festivala i troje \nmladih filmaša na manifestaciji Media Literacy Award od 6. \ndo 9. studenog 2012. u Beču, Austrija.\n2,505.00\n12\nHrvatski filmski savez\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija); Ostali programi\nSudjelovanje HFS-a kao partnera u projektu pokretanja \nregionalnog online portala za istočnoeuropski film \nMOVEAST.EU s prevođenjem knjige Postjugoslavenski \nfilm: stil i ideologija, autora Jurice Pavičića, na engleski \njezik u svrhu internetskog objavljivanja.\n18,000.00\n13\nIvan Ladislav Galeta\nProgrami gostovanja hrvatskih autora-\n/ica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje autora i predstavljanje  eksperimentalnog \nfilma \"Deep End Art\", autora. I. L. Galete, na K3 \nmeđunarodnom festivalu kratkometražnog filma u Villachu, \nAustrija, od 22. do 25. studenog 2012.\n290.70\n14\nIsa Živanović\nProgrami stručnog usavršavanja\nSudjelovanje producentice Ise Živanović na trećoj sesiji \nMAIA radionica - Marketing i distribucija - od 12. do 16. \nstudenog 2012. u La Speziji, Italija.\n4,500.00\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2012.       \nPROGRAMI MEĐUNARODNE SURADNJE - ROK 15.11.2012.            \n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA (kn)\n15\nKabinet d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producentice Tihe Gudac u edukacijskom \nprogramu \"Ključni pravni okviri:  koprodukcija u Europi - \nPravni i financijski aspekti\" na Erich Pommer institutu u \nBerlinu, Njemačka, od 24. do 28. listopada 2012. \n3,750.00\n16\nKadar 22\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redatelja i predstavljanje kratkometražnog \nigranog filma \"Zima\", red. D. Lepur, M. Stanić, na 22. \nfestivalu istočnoeuropskog filma u Cottbusu, Njemačka, od \n6. do 11. studenog 2012. \n6,500.00\n17\nKinoklub Karlovac\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje predstavnika Four River Film Festivala i troje \nmladih filmaša na 14. međunarodnom festivalu medijskih \nprojekata za mlade YOUKI u Welsu, Austrija, od 20. do 24. \nstudenog 2012. \n2,685.00\n18\nLucija Mrzljak\nProgrami stručnog usavršavanja\nSudjelovanje animatorice Lucije Mrzljak na edukacijskom \nprogramu Animation Sans Frontiers koji se održava u 4 \nsesije od listopada 2012. do ožujka 2013. na europskim \nškolama animacije - od 15. do 26. listopada 2012. na \nFilmakademie Baden - Wurttemberg u Ludwigsburgu, \nNjemačka, od 26. studenog do 7. prosinca 2012. na MOME \nu Budimpešti, Mađarska, od 28. siječnja do 8. veljače 2013. \nna The Animation Workshop u Viborugu, Danska i od 11. \ndo 22. ožujka 2013. na Gobelinsu u Parizu, Francuska.\n5,958.87\n19\nMarko Dješka\nProgrami stručnog usavršavanja\nSudjelovanje animatora Marka Dješke na edukacijskom \nprogramu Animation Sans Frontiers koji se održava u 4 \nsesije od listopada 2012. do ožujka 2013. na europskim \nškolama animacije - od 15. do 26. listopada 2012. na \nFilmakademie Baden - Wurttemberg u Ludwigsburgu, \nNjemačka, od 26. studenog do 7. prosinca 2012. na MOME \nu Budimpešti, Mađarska, od 28. siječnja do 8. veljače 2013. \nna The Animation Workshop u Viborugu, Danska i od 11. \ndo 22. ožujka 2013. na Gobelinsu u Parizu, Francuska.\n6,040.00\n20\nNatko Stipaničev\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje redatelja i predstavljanje filma \"Dragi Keno\", \nred. N. Stipaničeva, na 7. međunarodnom festivalu \nanimiranog filma Anim'Est u Bukureštu, Rumunjska, od 5. \ndo 14. listopada 2012.\n2,537.40\n21\nNukleus film d.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgrami predstavljanja i promocije \nfilmova; Programi stručnog \nusavršavanja; Pitching, koprodukcijski \nforumi i programi za razvoj projekata; \nPotpora producentima/-icama i \nautorima-icama za predstavljanje \nfilmova\nSudjelovanje koproducenta i predstavljanje dugometražnog \ndokumentarnog filma \"Posljednja ambulantna kola Sofije\", \nred. I. Meteva, na 55. međunarodnom festivalu \ndokumentarnog i animiranog filma DOK Leipzig od 29. \nlistopada do 4. studenog 2012. te sudjelovanje \nkoproducenta s projektom \"Houston, We Have A Problem, \nred. Ž. Virca, na pitching forumu Documentary Campus \nMasterschool od 27. do 28. listopada 2012. u Leipzigu, \nNjemačka.\n7,200.00\n22\nOzana film d.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgram izrade promidžbenih \nmaterijala i prijavljivanje u službenu \nkonkurenciju festivala; Programi \npredstavljanja i promocije filmova\nSudjelovanje redatelja i predstavljanje dugometražnog \nigranog filma \"Cvjetni trg\", red. K. Papića, na 36. \nmeđunarodnom filmskom festivalu u Montrealu, Kanada, \nod 23. kolovoza do 3. rujna 2012.\n12,500.00\n23\nPropeler Film d.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgrami predstavljanja i promocije \nfilmova \nSudjelovanje koproducenta i glavnog glumca te \npredstavljanje dugometražnog igranog filma \"Krugovi\", red. \nS. Golubovića,\" na Sundance Film Festivalu 2013, od 17. \ndo 27. siječnja 2013. u Park Cityju, S.A.D.\n41,000.00\n24\nRestart\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgram izrade promidžbenih \nmaterijala i prijavljivanje u službenu \nkonkurenciju festivala; Potpora \nproducentima/-icama i autorima/-icama \nza predstavljanje filmova\nSudjelovanje producenta i redatelja te predstavljanje \ndugometražnog dokumentarnog filma \"Blokada\", red. I. \nBezinovića na na 16. međunarodnom festivalu \ndokumentarnog filma u Jihlavi, Češka (23.-28.10.2012.), \n55. međunarodnom festivalu dokumentarnog i animiranog \nfilma u Leipzigu, Njemačka (29.10.-04.11.2012.), filmskom \nfestivalu Slobodna zona u Beogradu, Srbija (02.-\n07.11.2012.), filmskom festivalu Verzio u Budimpešti, \nMađarska (06.-11.11.2012.) te u sklopu događanja Balkan \nFlorence Express u Firenci, Italija (26.-29.11.2012.) te \nsudjelovanje producentice i predstavljanje kratkometražnog \ndokumentarnog filma \"Muški film\", red. N. Slijepčevića na \n16. međunarodnom festivalu dokumentarnog filma u \nJihlavi, Češka (23.-28.10.2012.) i filmskom festivalu \nSlobodna zona u Beogradu, Srbija (02.-07.11.2012.).\n28,320.00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA (kn)\n25\nSamostalna umjetnička \ndjelatnost Radislav \nJovanov\nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redatelja i predstavljanje kratkometražnog \nigranog filma \"Na kvadrat\", red. R. Jovanova, na 2. \nfestivalu kratkometražnog filma Aesthetica u Yorku, \nUjedinjeno Kraljevstvo, od 8. do 11. studenog 2012. \n3,058.41\n26\nSekvenca d.o.o.\nProgrami stručnog usavršavanja; \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje redatelja s projektom kratkometražnog \ndokumentarnog filma \"Od 7 do 23\", red. J. Pavlovića,  na \ndrugoj sesiji MAIA radionica - Pravni i financijski aspekti - \nod 24. do 28. rujna 2012. u Sabaudiji, Italija.\n5,144.00\n27\nSekvenca d.o.o.\nProgrami stručnog usavršavanja; \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje redatelja s projektom u razvoju \"Samo zatvori \noči\", red. J. Pavlovića, na trećoj sesiji MAIA radionica - \nMarketing i distribucija -  od 12. do 16. studenog 2012. u La \nSpeziji, Italija.\n6,552.00\n28\nSekvenca d.o.o.\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje producenta i predstavljanje kratkometražnog \nigranog filma \"Kišobran\", red. J. Pavlovića, na 10. \nmediteranskom festivalu kratkometražnog filma u Tangieru, \nMaroko, od 01. do 06. listopada 2012.\n1,676.86\n29\nStudio dim d.o.o.\nProgrami gostovanja hrvatskih autora/-\nica,producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgram izrade promidžbenih \nmaterijala i prijavljivanje u službenu \nkonkurenciju festivala\nSudjelovanje redatelja i glavne glumice te predstavljanje \ndugometražnog igranog filma \"Noćni brodovi\", red. I. \nMirkovića, na filmskom festivalu Cockatoo Island u \nSydneyju, Australija (24.-28.10.2012) i predstavljanje filma \nna 18. međunarodnom filmskom festivalu u Kolkati, Indija \n(10.-17.11.2012).\n24,486.52\n30\nUdruga Ukus\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redateljice i producenta te predstavljanje \ndugometražnog dokumentarnog filma \"Zimsko čudo\", red. \nG. Becka i Ž. Sukove, na 10. međunarodnom festivalu \ndokumentarnog filma CPH:DOX u Kopenhagenu, Danska, \nod 1. do 11. studenog 2012.\n26,586.60\n31\nUdruga za promicanje \nkulture i umjetnosti JA \nBIH\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija)\nOrganizacija manifestacije \"JA BIH... 5 dana Zagreba u \nSarajevu 2013\" od 3. do 7. lipnja 2013. u Sarajevu, BIH.\n20,000.00\n32\nUdruga Kazimir\nProgrami gostovanja hrvatskih autora/-\nica, producenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgrami predstavljanja i promocije \nfilmova \nSudjelovanje redatelja Dana Okija i organizacija \nretrospektive njegovih filmova u Film Studiju te \npredstavljanje redatelja u sklopu Open Video Projectsa u \nRimu, Italija od 24. do 27. siječnja 2013.\n10,000.00\nUKUPNO:\n305,904.11\nHRVATSKI AUDIOVIZUALNI CENTAR, ODJEL ZA PROMOCIJU I PLASMAN\nNapomena:\nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"REZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2012. PROGRAMI MEĐUNARODNE SURADNJE - ROK 15.11.2012.","year":2012,"rok":null,"natjecaj_date":"2012-11-15","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"medjunarodna_suradnja","to":"komplementarne","reason":"filename/title keyword: komplementarne","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","OPIS PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Gostovanje izbornika festivala 25 FPS na 42. međunarodnom filmskom festivalu u Rotterdamu, Nizozemska, od 23. siječnja do 3. veljače 2013.","applicant":"25 FPS, Udruga za audio-vizualna istraživanja","production_company":"25 FPS, Udruga za audio-vizualna istraživanja","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2,410.00","approved_amount":2410.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi gostovanja hrvatskih autora/-ica, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":"25 FPS, Udruga za audiovizualna istraživanja","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"25 FPS, Udruga za audio-vizualna istraživanja","row_id":"b807562a:s0:646bb5700890","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_9ef1963c617d","project_family_title":"Gostovanje izbornika festivala 25 FPS na 42. međunarodnom filmskom festivalu u Rotterdamu, Nizozemska, od 23. siječnja do 3. veljače 2013."},{"row_number":2,"project_title":"Studijsko putovanje studenata 1. godine preddiplomskog studija Snimanja s ciljem jednodnevnog posjeta Akademiji dramskih umjetnosti u Beogradu (FDU), Srbija, u travnju 2013.","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2,250.00","approved_amount":2250.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi stručnog usavršavanja","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"b807562a:s0:effd3a8698f1","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_1cf21d14e3bc","project_family_title":"Studijsko putovanje studenata 1. godine preddiplomskog studija Snimanja s ciljem jednodnevnog posjeta Akademiji dramskih umjetnosti u Beogradu (FDU), Srbija, u travnju 2013."},{"row_number":3,"project_title":"Sudjelovanje profesora Odsjeka montaže - usmjerenja Oblikovanje zvuka u programu stručnog usavršavanja za nastavnike „School of Sound“ u Londonu, UK, u travnju 2013.","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15,000.00","approved_amount":15000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi stručnog usavršavanja","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"b807562a:s0:d433da129a73","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_058568a90ef7","project_family_title":"Sudjelovanje profesora Odsjeka montaže - usmjerenja Oblikovanje zvuka u programu stručnog usavršavanja za nastavnike „School of Sound“ u Londonu, UK, u travnju 2013."},{"row_number":4,"project_title":"Sudjelovanje producentice Vande Volić na edukacijskom programu IDFACADEMY od 15. do 18. studenog 2012., u sklopu 25. međunarodnog festivala dokumentarnog filma u Amsterdamu (IDFA), Nizozemska.","applicant":"Aning usluge d.o.o.","production_company":"Aning usluge d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3,600.00","approved_amount":3600.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi stručnog usavršavanja; 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Papića, na 36. međunarodnom filmskom festivalu u Montrealu, Kanada, od 23. kolovoza do 3. rujna 2012.","applicant":"Ozana film d.o.o.","production_company":"Ozana film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12,500.00","approved_amount":12500.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi gostovanja; Program izrade promidžbenih materijala; Programi predstavljanja","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Ozana film d.o.o.","row_id":"b807562a:s0:50af07715d2c","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_637e3204628f","project_family_title":"Sudjelovanje redatelja i predstavljanje dugometražnog igranog filma \"Cvjetni trg\", red. K. Papića, na 36. međunarodnom filmskom festivalu u Montrealu, Kanada, od 23. kolovoza do 3. rujna 2012."},{"row_number":23,"project_title":"Sudjelovanje koproducenta i glavnog glumca te predstavljanje dugometražnog igranog filma \"Krugovi\", red. S. Golubovića, na Sundance Film Festivalu 2013, od 17. do 27. siječnja 2013. u Park Cityju, S.A.D.","applicant":"Propeler Film d.o.o.","production_company":"Propeler Film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"41,000.00","approved_amount":41000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi gostovanja; Programi predstavljanja","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Propeler Film d.o.o.","row_id":"b807562a:s0:2eb0193ba8d5","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_f9e5300ad9fc","project_family_title":"Sudjelovanje koproducenta i glavnog glumca te predstavljanje dugometražnog igranog filma \"Krugovi\", red. S. Golubovića, na Sundance Film Festivalu 2013, od 17. do 27. siječnja 2013. u Park Cityju, S.A.D."},{"row_number":24,"project_title":"Sudjelovanje producenta i redatelja te predstavljanje dugometražnog dokumentarnog filma \"Blokada\", red. I. Bezinovića, na 16. međunarodnom festivalu dokumentarnog filma u Jihlavi, Češka, 55. DOK Leipzig, Slobodna zona Beograd, Verzio Budimpešta, Balkan Florence Express te \"Muški film\", red. N. Slijepčevića.","applicant":"Restart","production_company":"Restart","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"28,320.00","approved_amount":28320.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi gostovanja; Program izrade promidžbenih materijala; Potpora producentima","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Restart","row_id":"b807562a:s0:30199b352912","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e784939d6be9","project_family_title":"Sudjelovanje producenta i redatelja te predstavljanje dugometražnog dokumentarnog filma \"Blokada\", red. I. Bezinovića, na 16. međunarodnom festivalu dokumentarnog filma u Jihlavi, Češka, 55. DOK Leipzig, Slobodna zona Beograd, Verzio Budimpešta, Balkan Florence Express te \"Muški film\", red. N. Slijepčevića."},{"row_number":25,"project_title":"Sudjelovanje redatelja i predstavljanje kratkometražnog igranog filma \"Na kvadrat\", red. R. Jovanova, na 2. festivalu kratkometražnog filma Aesthetica u Yorku, Ujedinjeno Kraljevstvo, od 8. do 11. studenog 2012.","applicant":"Samostalna umjetnička djelatnost Radislav Jovanov","production_company":"Samostalna umjetnička djelatnost Radislav Jovanov","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3,058.41","approved_amount":3058.41,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi predstavljanja i promocije filmova","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Samostalna umjetnička djelatnost Radislav Jovanov","row_id":"b807562a:s0:838c051a7649","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_85f4e8215f52","project_family_title":"Sudjelovanje redatelja i predstavljanje kratkometražnog igranog filma \"Na kvadrat\", red. R. Jovanova, na 2. festivalu kratkometražnog filma Aesthetica u Yorku, Ujedinjeno Kraljevstvo, od 8. do 11. studenog 2012."},{"row_number":26,"project_title":"Sudjelovanje redatelja s projektom kratkometražnog dokumentarnog filma \"Od 7 do 23\", red. J. Pavlovića, na drugoj sesiji MAIA radionica - Pravni i financijski aspekti - od 24. do 28. rujna 2012. u Sabaudiji, Italija.","applicant":"Sekvenca d.o.o.","production_company":"Sekvenca d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5,144.00","approved_amount":5144.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi stručnog usavršavanja; Pitching","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Sekvenca d.o.o.","row_id":"b807562a:s0:cce279186b04","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_272f450d1b50","project_family_title":"Sudjelovanje redatelja s projektom kratkometražnog dokumentarnog filma \"Od 7 do 23\", red. J. Pavlovića, na drugoj sesiji MAIA radionica - Pravni i financijski aspekti - od 24. do 28. rujna 2012. u Sabaudiji, Italija."},{"row_number":27,"project_title":"Sudjelovanje redatelja s projektom u razvoju \"Samo zatvori oči\", red. J. Pavlovića, na trećoj sesiji MAIA radionica - Marketing i distribucija - od 12. do 16. studenog 2012. u La Speziji, Italija.","applicant":"Sekvenca d.o.o.","production_company":"Sekvenca d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"6,552.00","approved_amount":6552.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi stručnog usavršavanja; Pitching","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Sekvenca d.o.o.","row_id":"b807562a:s0:92bab59f51b9","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_c911700b155f","project_family_title":"Sudjelovanje redatelja s projektom u razvoju \"Samo zatvori oči\", red. J. Pavlovića, na trećoj sesiji MAIA radionica - Marketing i distribucija - od 12. do 16. studenog 2012. u La Speziji, Italija."},{"row_number":28,"project_title":"Sudjelovanje producenta i predstavljanje kratkometražnog igranog filma \"Kišobran\", red. J. Pavlovića, na 10. mediteranskom festivalu kratkometražnog filma u Tangieru, Maroko, od 01. do 06. listopada 2012.","applicant":"Sekvenca d.o.o.","production_company":"Sekvenca d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1,676.86","approved_amount":1676.86,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi gostovanja","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Sekvenca d.o.o.","row_id":"b807562a:s0:9081ffd24bbd","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_b9a897817de2","project_family_title":"Sudjelovanje producenta i predstavljanje kratkometražnog igranog filma \"Kišobran\", red. J. Pavlovića, na 10. mediteranskom festivalu kratkometražnog filma u Tangieru, Maroko, od 01. do 06. listopada 2012."},{"row_number":29,"project_title":"Sudjelovanje redatelja i glavne glumice te predstavljanje dugometražnog igranog filma \"Noćni brodovi\", red. I. Mirkovića, na filmskom festivalu Cockatoo Island u Sydneyju, Australija (24.-28.10.2012) i predstavljanje filma na 18. međunarodnom filmskom festivalu u Kolkati, Indija (10.-17.11.2012).","applicant":"Studio dim d.o.o.","production_company":"Studio dim d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"24,486.52","approved_amount":24486.52,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi gostovanja; Program izrade promidžbenih materijala","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Studio dim d.o.o.","row_id":"b807562a:s0:f6f28606e9af","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_99cabfe464d6","project_family_title":"Sudjelovanje redatelja i glavne glumice te predstavljanje dugometražnog igranog filma \"Noćni brodovi\", red. I. Mirkovića, na filmskom festivalu Cockatoo Island u Sydneyju, Australija (24.-28.10.2012) i predstavljanje filma na 18. međunarodnom filmskom festivalu u Kolkati, Indija (10.-17.11.2012)."},{"row_number":30,"project_title":"Sudjelovanje redateljice i producenta te predstavljanje dugometražnog dokumentarnog filma \"Zimsko čudo\", red. G. Becka i Ž. Sukove, na 10. međunarodnom festivalu dokumentarnog filma CPH:DOX u Kopenhagenu, Danska, od 1. do 11. studenog 2012.","applicant":"Udruga Ukus","production_company":"Udruga Ukus","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"26,586.60","approved_amount":26586.6,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi gostovanja; Programi predstavljanja","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga Ukus","row_id":"b807562a:s0:c421c7d2e875","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_840e740bd93f","project_family_title":"Sudjelovanje redateljice i producenta te predstavljanje dugometražnog dokumentarnog filma \"Zimsko čudo\", red. G. Becka i Ž. Sukove, na 10. međunarodnom festivalu dokumentarnog filma CPH:DOX u Kopenhagenu, Danska, od 1. do 11. studenog 2012."},{"row_number":31,"project_title":"Organizacija manifestacije \"JA BIH... 5 dana Zagreba u Sarajevu 2013\" od 3. do 7. lipnja 2013. u Sarajevu, BIH.","applicant":"Udruga za promicanje kulture i umjetnosti JA BIH","production_company":"Udruga za promicanje kulture i umjetnosti JA BIH","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20,000.00","approved_amount":20000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"Programi gostovanja; Programi međunarodne kulturalne razmjene","to":"Ostalo","reason":"category_non_target_default_ostalo","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga za promicanje kulture i umjetnosti JA 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305,904.11","ukupno":305904.11,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":305904.11,"ukupno_match":true,"row_count":32,"awarded_count":32,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":32}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2012 Razvoj scenarija AV djela.pdf","filename_decoded":"2012 Razvoj scenarija AV djela.pdf","sha256":"b81283bf387c11c462083f3ca46f724623cdc984759fb1c51700c2ecf4f1f773","bytes":39091,"page_count":1,"extracted_at":"2026-05-17T10:24:16Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2012%20Razvoj%20scenarija%20AV%20djela.pdf"},"raw_text":"R.\t\r  br.\nNASLOV\nSCENARIST/-­‐ICA\nREDATELJ\nAUTOR\t\r  IZVORNOG\t\r  PREDLOŠKA\nODOBRENO\n1\nBRIJUNSKA\t\r  PRIČA\nArsen\t\r  Anton\t\r  Ostojić\nArsen\t\r  Anton\t\r  Ostojić\n35,000.00\n2\nCIGLA\nFilip\t\r  Šovagović\n35,000.00\n3\nČETIRI\t\r  DANA\t\r  NA\t\r  MORU\nIvana\t\r  Škrabalo\nIvana\t\r  Škrabalo\n35,000.00\n4\nGARBURA\nJosip\t\r  Žuvan\nJosip\t\r  Žuvan\n35,000.00\n5\nILLYRICVM\nSimon\t\r  Bogojević\t\r  Narath Simon\t\r  Bogojević\t\r  Narath\n35,000.00\n6\nNE\t\r  GLEDAJ\t\r  MI\t\r  U\t\r  PIJAT\nHana\t\r  Jušić\nHana\t\r  Jušić\n35,000.00\n7\nOTOK\nMarko\t\r  Škobalj\t\r  i\t\r  Ivan\t\r  Ramljak\n35,000.00\n8\nSJEVEROZAPADNI\t\r  VJETAR\nZdenko\t\r  Bašić\nZdenko\t\r  Bašić\n35,000.00\n9\nSVETA\t\r  OBITELJ\nSlavica\t\r  Šnur\t\r  i\t\r  Vlatka\t\r  Vorkapić\nVlatka\t\r  Vorkapić\n35,000.00\n10\nŠUM\t\r  U\t\r  TRAVI\t\r  OKO\t\r  NJENOG\t\r  GROBA\nBranko\t\r  Ivanda\nBranko\t\r  Ivanda\nIvan\t\r  Aralica\t\r  \"Sunce\"\n35,000.00\n11\nZBORNICA\nSonja\t\r  Tarokić\nSonja\t\r  Tarokić\n35,000.00\n12\nTIKI\t\r  TRAŽI\t\r  NEZNANCA\nDavor\t\r  Žmegač\nDavor\t\r  Žmegač\n\"Tiki\t\r  traži\t\r  neznanca\",\t\r  Milivoj\t\r 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ROK - 20.6.2016. \n  \nNASLOV \nREDATELJICA \nPRODUCENT \nODOBRENO \neksperimentalni film \n1 \nProbne makete, \nprobne fotke, \nprobni setovi i \npočetne ideje za \nneka zbivanja u \ndnevnoj sobi \nAna Hušman \nStudio Pangolin 190.000,00 kn \nUKUPNO EKSPERIMENTALNI FILM 190.000,00 kn \n \n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"Rezultati eksperimentalni -1. rok 2016","year":2016,"rok":"1. rok","natjecaj_date":"2016-06-20","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","REDATELJICA","PRODUCENT","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Probne makete, probne fotke, probni setovi i početne ideje za neka zbivanja u dnevnoj sobi","applicant":"Studio Pangolin","production_company":"Studio Pangolin","director":"Ana Hu�man","writer":null,"original_author":null,"category":"Eksperimentalni","approved_amount_text":"190.000,00 kn","approved_amount":190000.0,"currency":"HRK","extras":{"col_1":"1","REDATELJICA":"Ana Hušman","repair_v1":{"changes":[{"field":"category","from":null,"to":"Eksperimentalni","reason":"category_from_inline_header_context","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"b82bf0c3_rezultati_eksperimentalni_1_rok_2016_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 1 and project title match, and the REDATELJICA column cleanly maps to Ana Hu�man while no writer or source-author columns are present."},"entity":"Studio Pangolin","row_id":"b82bf0c3:s0:e326a3a7a681","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e73a85c91b4c","project_family_title":"Probne makete, probne fotke, probni setovi i početne ideje za neka zbivanja u dnevnoj sobi"}],"section_total_text":"190.000,00 kn","section_total":190000.0}],"totals":{"ukupno_text":null,"ukupno":190000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":190000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_umjetn.%20savj.%20kratki_30012015.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_umjetn.%20savj.%20kratki_30012015.pdf","sha256":"b8a6640ab508b2d2e439fc953fbb24b1b2cae95c53b96c684aa55587f81c0110","bytes":368662,"page_count":2,"extracted_at":"2026-05-16T13:54:32Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 688-2015 \nU Zagrebu, 30. siječnja 2015. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) Hrvatsko audiovizualno \nvijeće na prijedlog ravnatelja, na 57. sjednici održanoj 30. siječnja 2015.  godine donijelo je: \n \nO  D  L  U  K  U \nimenovanju umjetničkog savjetnika za \nkratkometražni igrani film za Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. \ngodini  \n \n1.) G. Juraj Lerotić,Bisačka 3, Zagreb (dalje u tekstu: Juraj Lerotić) imenuje se za umjetničkog savjetnika za \nkratkometražni igrani film za Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. \ngodini. \n \n2.) Mandat imenovanom umjetničkom savjetniku iz točke 1 ove Odluke traje do donošenja odluke Hrvatskog \naudiovizualnog vijeća o raspodjeli sredstava prema javnom pozivu za koji je isti imenovan, sve sukladno čl. \n16. Zakona o audiovizualnim djelatnostima (NN 76/07, NN 90/11). \n \n3.) Ova Odluka stupa na snagu danom donošenja. \n \n4.) Ova odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a na: www.havc.hr \n \nObrazloženje \n \nTemeljem čl. 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) ravnatelj Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: HAVC) predložio je Hrvatskom \naudiovizualnom vijeću, donošenje Odluke o imenovanju g. Jurja Lerotića za umjetničkog savjetnika za \nkratkometražni igrani film za Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. \ngodini. \n \nSvoju odluku te kompetencije imenovanoga ravnatelj HAVC-a detaljno je obrazložio. \n \nNa 57. sjednici Hrvatskog audiovizualnog vijeća, održanoj 30. siječnja 2015. godine, usvojen je prijedlog za \nimenovanje novog umjetničkog savjetnika iz točke 1. izreke Odluke. \n  \n \nSlijedom navedenog, odlučeno je kao u izreci Odluke. \n \nTemeljem čl. 10 Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica v.r. \n\n\f\n \n \n \n \n \nDostaviti: \n- \nJuraj Lerotić,Bisačka 3, Zagreb  \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"proizvodnja","year":2015,"rok":null,"referenced_projects":[],"summary":"Hrvatsko audiovizualno vijeće na 57. sjednici od 30. siječnja 2015. imenovalo je Jurja Lerotića umjetničkim savjetnikom za kratkometražni igrani film za Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. godini.","project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_JP2025_videoigre_Final.pdf","filename_decoded":"Obrazlozenje_JP2025_videoigre_Final.pdf","sha256":"b9537fab735f0fa3121729342e145e6beab1a5e1a4f10a91f5a33cc2f5123e11","bytes":248833,"page_count":11,"extracted_at":"2026-05-17T12:01:56Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_JP2025_videoigre_Final.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2025. godini, \nkategorija: POTICANJE RAZVOJA I PROIZVODNJE VIDEOIGARA ROK: 9.10.2025.  \n \nUmjetnički savjetnik: Juraj Hrvoje Krašković \n \nNa Javni poziv za poticanje razvoja projekata i proizvodnje videoigara u 2025. godini pristiglo \nje ukupno 97 prijava. U potkategoriji razvoja projekata prijavljeno je 70 projekata od strane 63 \nprijavitelja, što predstavlja povećanje od gotovo 10% u odnosu na prethodnu godinu. U \npotkategoriji proizvodnje videoigara pristiglo je 27 projekata od strane 27 prijavitelja, što je \nrast od približno 35% u odnosu na 2024. godinu. \nOvi podaci potvrđuju kontinuirani rast domaće industrije videoigara, kao i sve veći broj timova \nkoji aktivno razvijaju projekte prema profesionalnim standardima industrije. Hvalevrijedna \ninicijativa HAVCa za sufinanciranje projekata videoigara tako je svake godine sve bitnija kako \nbi se povećale šanse za uspjehom što većeg broja domaćih razvojnih timova te na taj način \nomogućila da njihov kreativni rad predstavlja Hrvatsku na globalnom tržištu. Smatramo kako \nvideoigre kao glavni interaktivni audiovizualni medij 21. stoljeća značajno doprinose razvoju \nsuvremenog AV stvaralaštva kroz inovativne narativne forme, interdisciplinarnu suradnju \nrazličitih umjetničkih disciplina, tematsku relevantnost te međunarodnu vidljivost domaćih \nautora. Njihova produkcija i distribucija potiču razvoj novih estetskih i tehnoloških praksi \nunutar šireg audiovizualnog sektora. \nU evaluaciju su uključene sve prijave, osim jedne koja nije ispunila formalne uvjete zbog \nnepotpune dokumentacije. \nUkupan budžet prijavljenih projekata u potkategoriji razvoja iznosi gotovo 2,9 milijuna eura, \nod čega je od HAVC-a zatraženo oko 1,5 milijuna eura, što predstavlja osjetno povećanje u \nodnosu na 2024., kada su ukupni budžeti iznosili oko 1,94 milijuna eura. Budžeti u potkategoriji \nproizvodnje iznosili su nešto više od 3,2 milijuna eura, uz zatraženo sufinanciranje od 1 \nmilijuna eura, što je na razini prošlogodišnjeg poziva. \nVećina ovogodišnjih prijava pokazala je značajan kvalitativni iskorak, kako u strukturi i kvaliteti \ndokumentacije, tako i u razradi projektnih koncepata. Vidljiv je napredak u realističnom \npostavljanju opsega i planiranja u fazi razvoja, kao i snažniji autorski i umjetnički pristup \nprojektima u obje potkategorije. Izrazito nas vesele hrabri i inovativni žanrovski, mehanički i \nvizualni iskoraci! \nPozitivno se pokazala i praksa digitalnih radionica za prijavitelje, koja se nastavlja i ove godine \nte rezultira osjetno kvalitetnijom i potpunijom dokumentacijom. S tim na umu ipak, određeni \nprojekti i dalje pokazuju nedovoljnu razradu dokumentacije i koncepcije te zaostaju za \n\n\f\nukupnim prosjekom, no očekuje se da će višegodišnje sudjelovanje industrije kroz ovaj javni \npoziv dodatno ujednačiti razinu kvalitete. \nŽanrovska raznolikost bila je izuzetno široka, a posebno ističemo multidisciplinarne pristupe, \nosobito u segmentu povezivanja filmskog te ostalih interaktivnih medija i novih tehnologija s \nvideoigrama, što je trend koji i na međunarodnoj sceni donosi iznimne rezultate kako \numjetnički tako i komercijalno. \nPosebno veseli činjenica da je udio ženskih nositeljica prijava i ove je godine značajan te \npotvrđuje raznolikost i inkluzivnost domaće scene, što dodatno doprinosi kulturnoj vrijednosti \novog medija. \nProširen ukupni budžet od 424,967 eura što je povećanje u iznosu od 124.967 eura, u odnosu \nna prethodni javni poziv, omogućio je da se za sufinanciranje proizvodnje predloži 5 projekata, \na za sufinanciranje razvoja njih 10. Smatramo da će još veći budžet osigurati daljnji rast \nkvalitete prijava u sljedećim godinama te omogućiti podršku većem broju projekata koji \nispunjavaju sve uvjete i kriterije, što je u ovoj godini bio slučaj kod većine od ukupno 96 \nevaluiranih prijava. \n \nODRABRANI PROJEKTI \n \nCOOKBOT (Razvoj projekta) \nGlavni autor: Lovro Fučkar \nVESTIGIAL FORMS, vl. Lovro Fučkar \n15.840€ \n \nCOOKBOT je narativna i atmosferična egzistencijalna igra kuhanja smještena u dubokom \nsvemiru, u kojoj igrač preuzima ulogu robotskog kuhara i kroz prvo lice priprema jela za posadu \nizvodeći recepte i slušajući njihove razgovore. Cilj COOKBOTA je dati igraču koherentno i sažeto \nnarativno iskustvo, koristeći interaktivan medij videoigre i igračeva lika kao emocionalni avatar \nza igrača. Kroz priču, igrača ćemo navesti da preispita blisku budućnost; dinamiku ljudi, robota \ni nečeg trećeg, susreta svijesti u kontekstu prostor-vremena, susret različitih oblika svijesti, te \nultimativno traganje za savršenim strancem. Dok su ciljevi igre da ona bude zabavna, a tako i \nangažirajuća, njezin glavni cilj je da bude ispunjavajuća  te da se nakon 3-4h njezina trajanja \nigrač vrati u stvarni svijet mudriji i empatičniji. Kulturološki, vrlo interesantan i suvremen \nkoncept koji se na zanimljiv način i potencijalno vrlo zabavnu igrivost osvrće na jako bitne teme \nkod mladih ljudi danas. Projekt nosi i snažan autorski pečat pa iako se radi o debitantskoj \nprijavi, to se u kvaliteti koncepcije i generalnoj kvaliteti dokumentacije ne bi nikad moglo reći.  \n\n\f\nMurder Book: The Art of Interrogation (Razvoj projekta) \nGlavni autor: Kristian Macanga \nMACANGA GAMES d.o.o. \n23.595€ \nMurder Book je FMV (full-motion video) narativno-detektivska puzzle videoigra u kojoj igrač \npreuzima ulogu kriminalističkog ispitivača. Tijekom kratkih videozapisa ispitivanja igrač u \nstvarnom vremenu prati tijek misli detektiva – njegove hipoteze, sumnje i procjene – te na \ntemelju njih bira iduću ispitivačku tehniku – od izgradnje povjerenja i isticanja proturječnosti \ndo moralno upitnih tehnika kao što su lažno predstavljanje dokaza i prijetnje. Cilj je igre \nprepoznati proturječnosti u ispitivanju te izgraditi uvjerljiv slučaj za ili protiv osumnjičenika. \nMurder Book je ambiciozan projekt koji pomiče granice medija i žanra, što ga uz suradnju koju \npotiče između sektora videoigara i filmske umjetnosti, čini iznimno vrijednim za hrvatsku \naudiovizualnu scenu. Igra kombinira puzzle mehanike i interaktivnu naraciju s elementima \npsihološkog ispitivanja, te se fokusira i na edukativni aspekt, jer igrači usvajaju stvarne \ndetektivske tehnike i psihološke procese ispitivanja osumnjičenih. Igra se isto tako naslanja na \nveć ustanovljen val domaćih kriminalističkih serija poput “Počivali u Miru” i “Novine”. Kroz \nsuradnju s lokalnim glumcima i stručnjacima, projekt također promiče hrvatsku kulturu i talent \nna globalnoj razini. Osim toga, tematsko istraživanje zločina i pravde odražava univerzalne \ndruštvene vrijednosti, dok se istovremeno uklapa u europsku tradiciju kriminalističkih drama. \nTakođer, izvedba glumaca uključivat će elemente vezane za mehaniku igre, poput specifičnog \ngovora tijela, tona glasa i ostalih faktora koji bi mogli upućivati na istinitost iskaza. Predložena \nje impresivna glumačka postava – Rade Šerbedžija, Asim Ugljen i Kiki Ugrina. \n \nMoth Mini AMCE (Radni Naziv) (Razvoj projekta) \nGlavni autor: Andrej Kovačević \nMIYAGI, vl. Andrej Kovačević \n26.000€ \nMoth Mining ACME (radni naziv) novi je projekt vrlo aktivnog autora Andreja Kovačevića, koji \npokušava istopiti barijere između konvencije i kritike. Radi se o psihološkom hororu \npreživljavanja u svemiru u kojemu je igrač u ulozi “svemirskog rudara” koji se u sklopu svojeg \nradnog mjesta spušta u nepregledno dubok krater. Rude koje se nalaze u krateru igraču koriste \nkao resursi za unapređenje njegovog svemirskog odijela i alata kako bi se lakše kretao kraterom \nte u njemu provodio više vremena bez potrebe za povratak u stanicu. Osim ruda, u krateru lik \nnailazi na različite paranormalne pojave koje mu stvaraju sve veći psihološki, ali i ludološki \npritisak na svaki sljedeći “uron”. Igra je iz autorske perspektive kritika modernih tendencija \ndizajna videoigara koje od igrača zahtijevaju sve veći ulog vremena i tzv. “grind”. Cilj igre je \n\n\f\nsubverzivno izokretati ovo očekivanje, stavljajući ciljeve igrača i lika u konflikte “grindanja” te \nvremenom graditi tenzije između igrača, lika, kratera i umjetne inteligencije. Kako vrijeme u \nigri teče, igrač će sve teže moći prepoznati da li je cilj nastaviti “grind” ili time pogoduje gubitku \n“sebe”, te će biti suočen odlukama o liku, krateru i umjetnoj inteligenciji i kome od njih \nvjerovati. Kao i ostale odabrane igre, autori napominju kako ju planiraju razviti i proizvesti \nisključivo putem rada domaćih autora. Također, u igru planiraju integrirati elemente Hrvatskog \nsvemirskog programa i hrvatske kulture. \n \nKambalina (Razvoj projekta) \nGlavni autor: Mirko Fabris \nKRAV, informatički obrt \n15.000€ \nKambalina je apstraktni dungeon crawler u kojem je vrijeme glavni resurs. Igrač upravlja \nskupinom likova s ciljem da u zadanom vremenu pobijedi glavnog neprijatelja na kraju \ntamnice. Kambalina donosi svježinu u žanr dungeon crawlera kroz apstraktni pristup i \ninovativan dizajn. Izuzetno interesantan koncept koji minimalističkim dizajnom ostavlja \nprostor za doživljaj jedinstvenog igračkog iskustva s vrlo dubokim igračkim sistemima koji u \nigraču bude konstantan interes za ponovnim igranjem. Projekt Kambalina doprinosi \nsuvremenom audiovizualnom i kulturnom stvaralaštvu kroz radikalno reducirani, apstraktni \npristup vizualnom izrazu i interaktivnom narativu. Oslanjanjem isključivo na korisničko sučelje \n(UI) kao primarni i jedini vizualni sloj, projekt svjesno napušta dominantne reprezentacijske \nmodele prostora, likova i svijeta, te istražuje granice audiovizualnog jezika videoigara. \n \nSlapstick Theatre  (Razvoj projekta) \nGlavni autor: Vladimir Bogdanić \nKONTRAST, obrt za računalne usluge \n41.600€ \nSlapstick Theatre stavlja igrača u ulogu upravitelja i redatelja kazališta. Prije nego što se \nzavjesa podigne, bira rekvizite i priprema scenu. No jednom kad svjetla zasjaju, sve postaje \nigra improvizacije: publika reagira na svaku šalu, nezgodu i trik, a igrač kroz niz mini-igara \naktivira rekvizite, prilagođava izvedbu i pokušava održati aplauz publike do samog kraja. Što bi \nbilo da je Hamlet komedija puna smotanog padanja predmeta sa stropa? Ili pak da je Labuđe \njezero možda lutkarska predstava puna eksplozija i spački? Slijed cijele izvedbe je na igraču i \nsvaka sekunda je bitna. Pucanj topa u toranj Zlatokose da ju sruši i izazove vrištanje od smijeha \nu publici, Hamleta lupi boksačka rukavica na opruzi i lansira ga van pozornice, sve to je moguće, \nali pritom treba paziti što publika želi. Slapstick Theatre je interaktivna ljubavna priča prema \n\n\f\numjetnosti, humoru i improvizaciji, gdje se svaka večer pretvara u jedinstven i nepredvidiv \nspektakl. Relativno minimalistička mehanička rješenja sjajno su raspisana i vrlo je jasno da \npostoji ogroman prostor za razvoj jedne vrlo jedinstvene igre prepune šašavih i pamtljivih \ntrenutaka. Projekt se bavi suvremenim temama u svijetu kulture i umjetnosti te na jedan vrlo \nzabavan i upečatljiv način prenosi svoju priču i vrlo važne poruke. Također, projekt ostvaruje \nsnažan kulturološki doprinos kroz inovativno povezivanje kazališne umjetnosti, slapstick \nkomedije i interaktivnog audiovizualnog medija videoigara. Igra reinterpretira klasične \nkazališne forme i kanonska djela kroz humor, improvizaciju i aktivno sudjelovanje publike, čime \npropituje i osvježava ustaljene percepcije visoke kulture i njezine pristupačnosti suvremenoj \npublici. Dosadašnje iskustvo razvojnog tima iza ove prijave daje nam naslutiti da do ćemo puni \npotencijal i ambiciju ovog projekta tek vidjeti nakon faze razvoja. \n \nWHITEOUT (Razvoj projekta) \nGlavni autor: Josip Vincetić \nDowntown Game Studio j.d.o.o. \n15.000€ \nWHITEOUT je single-player igra iz perspektive prvog lica, usredotočena na preživljavanje i \nupravljanje vozilom u ekstremnim uvjetima. Igrači preuzimaju ulogu usamljenog inženjera \nstacioniranog na Antarktici, čiji je zadatak putovati kroz zaleđenu pustoš kako bi stigao do \nudaljene baze koja je misteriozno utihnula, prekinuvši svu komunikaciju sa stožerom. Iako je \nglavni cilj otkriti što se dogodilo u toj udaljenoj stanici, pravi izazov leži u samom putovanju -- \nodržavanju vozila, upravljanju ograničenim resursima i osiguravanju vlastitog preživljavanja \nunatoč neumoljivoj hladnoći i izolaciji. Priča istražuje teme kozmičkog horora, gdje se stvarnost \nsve više urušava što se igrač više približava udaljenoj postaji, iskrivljujući percepciju i stvarajući \nuznemirujuće, neobjašnjive pojave. Ugođaj, atmosfera igre te glazba snažno su inspirirani \nfilmom Johna Carpenteria “The Thing”, prenoseći osjećaj izolacije, paranoje i jeze. Projekt \nWHITEOUT doprinosi suvremenom audiovizualnom stvaralaštvu kroz snažno autorski \nutemeljeno istraživanje atmosfere, izolacije i psihološkog horora unutar interaktivnog medija \nvideoigara. Kulturološki, projekt se oslanja na tradiciju znanstveno-fantastičnog i kozmičkog \nhorora, time gradi iskustvo koje je primarno vođeno ugođajem, zvukom i percepcijom, čime \nse jasno pozicionira unutar šireg konteksta audiovizualne umjetnosti. Projekt je na razini \nkoncepta fantastično razrađen i vizija je vrlo jasno prezentirana. Visoka razina ambicije, ali i \nvrlo pedantno razrađen koncepcijski dokument s jasno definiranom strukturom i vizijom za \ndaljnji razvoj.  \n \n \n \n\n\f\nByte-Sized Roomies (Razvoj projekta) \nGlavni autor: Mihael Diklić \nCripple-A Games \n20.800€ \nByte-Sized Roomie je slatka i opuštajuća simulacija umiljatog virtualnog ljubimca koji živi u \nekranu igrača, a on ga sam kreira te mu potom dekorira prostor koristeći bodove koje zarađuje \nbrinući se o njemu i provodeći vrijeme s njim u kutu ekrana, u svojoj virtualnoj svakodnevici. \nIgra stoji na razmeđi suvremenih \"cozy\" i \"idle\" trendova te duge tradicije \"desktop petova\" i \n\"tamagotchi-like pet simulatora\". Autoreferencijalnim elementima igra tematizira računalnu \ntehnologiju, internet i ljubimce kao \"metapetove\" koji su svjesni svog postojanja u tehnologiji, \nživeći na našoj radnoj površini poput malih desktop-cimera. Cilj igre je unijeti umirujuću \nprisutnost dražesnog bića u monotonu i stresnu svakodnevicu naših ekrana, koja nam često \nne pruža dovoljno vremena i kapaciteta za kompleksnije i dulje igre. Igrivost iako naizgled \njednostava i pasivna sačinjavaj vrlo jasno povezan set sistema i mehanika koje će nadamo se \nstvoriti doista unikatno igračko iskustvo. Projekt Byte-Sized Roomie doprinosi suvremenom \naudiovizualnom i kulturnom stvaralaštvu kroz nježnu, ali promišljenu refleksiju odnosa između \nčovjeka, tehnologije i svakodnevnog digitalnog prostora. Smještanjem virtualnog ljubimca \nizravno na radnu površinu računala, projekt pretvara inače utilitarni digitalni prostor u mjesto \nemocionalne interakcije, brige i prisnosti, čime propituje kako suvremeni korisnici doživljavaju \ntehnologiju u svom svakodnevnom životu. Idle i cozy igre, u vrijeme kad je sve prekomjerno \nubrzano, donose nešto u čemu mnogi traže svoj prostor za opuštanje. \n \nThe Climb Within (Razvoj projekta) \nGlavni autor: Ana Škaro \nIndecisive Raccoon \n15.800€ \nThe Climb Within je igra zagonetki, istraživanja i avanture, smještena u nepoznatu imaginarnu \nplaninu donekle inspiriranu Bjelolasicom i Velebitom. Igrač igra kao planinar Marko, koji dolazi \nu podnožje planine s ciljem da se popne do vrha, putem koji mu je davno opisao njegov otac. \nMeđutim, opisani put je izgubljen. Cilj je pronaći put, odnosno označiti ga planinarskim \nmarkacijama i time ga oživiti, kako bi ga i neki budući planinari mogli slijediti. Koncept ostavlja \nneograničen prostor za vizualni, narativni, auditivni spektakl koji se uz jednostavne ali smislene \nmehanike može pretvoriti u vrlo uspješan umjetnički ali i komercijalno jako proizvod. \nMinimalističan dizajn kombinira rješavanje zagonetki, interakciju sa predivno zamišljenim \nsvijetom inspiriranim hrvatskim planinama, ali i ostavlja prostor za ugodno tj \"cozy\" \npromišljanje i meditativno iskustvo.  Projekt The Climb Within ostvaruje značajan kulturološki \n\n\f\ndoprinos kroz poetsku i meditativnu reinterpretaciju planinarskog iskustva unutar \ninteraktivnog audiovizualnog medija videoigara. Inspiracijom hrvatskim planinskim \nkrajolicima poput Bjelolasice i Velebita, projekt doprinosi vidljivosti i afirmaciji lokalnog \nprirodnog i kulturnog identiteta, prenoseći specifične prostorne, atmosferične i simboličke \nvrijednosti tih prostora u suvremeni digitalni kontekst. \n \nLjetopir (Razvoj projekta) \nGlavni autor: Vanja Čulek \nSIVA, obrt za digitalnu umjetnost \n24.100€ \n“ Ljetopir “ je avanturističko-strateška igra lovice sa kućnim duhovima, odnosno vilama – \nstanovnicima Malog Svijeta koji se nalaze svuda oko nas. Igra nas vodi kroz malo primorsko \nmjesto, i kroz razgovor sa stanovnicima mjesta u kojem boravimo čujemo o lokalnim pričama, \nmitovima i legendama koji se na kraju pokazuju i ne toliko nestvarnima. Upoznajemo potpuno \nnovi i maštoviti svijet ispunjen malim, na prvu nevidljivim stvorenjima čiji je jedini cilj zabaviti \nse. Tako se i mi upuštamo u tu igru te kroz međusobnu interakciju ostvarujemo nova \npoznanstva i prijateljstva, te upoznajemo Mali Svijet oko nas. Koncept je jezgrovit te vješto \niskorištenim mehanikama kretanja stvara sistem za igranje igre “Lovice” i dodaje komponentu \ndualnosti svijeta, priča priču o relativno normalnom životu u ovom podneblju i nosi specifičan \nnostalgični prizvuk koji bi mogao pogoditi baš najdublje emocije. Projekt Ljetopir ostvaruje \nsnažan kulturološki doprinos kroz reinterpretaciju lokalnih mitova, legendi i usmene predaje \nprimorskog podneblja.  \n \nRed Solstice Tactics (Razvoj projekta) \nGlavni autor: Hrvoje Horvatek \nIron Ward j.d.o.o. \n25.000€ \nRed Solstice Tactics je inovativna taktička igra u kojoj igrač upravlja trojicom vojnika kroz niz \nizazovnih misija. Igra kombinira real-time akciju s osjećajem turn-based taktike – brzina igre \nprilagođava se odlukama igrača, čime se naglašava planiranje i strategija. Misije su ručno \ndizajnirane, ali s promjenjivim sadržajem, pa svako igranje donosi novo iskustvo. Projekt Red \nSolstice Tactics doprinosi suvremenom audiovizualnom stvaralaštvu kroz daljnji razvoj i \nreinterpretaciju jedne od međunarodno najprepoznatljivijih domaćih intelektualnih vlasništva \nu svijetu videoigara. Nastavljajući graditi postojeći svijet i identitet serijala Red Solstice, projekt \npotvrđuje kontinuitet i održivost domaće autorske produkcije unutar globalno relevantnog \n\n\f\nžanra taktičkih videoigara. Ručno dizajnirane misije s promjenjivim sadržajem omogućuju spoj \nigračeve kontrole i sistemske varijabilnosti, čime se potiče ponovljivost i dugotrajni angažman \nigrača. Takav pristup odražava suvremene dizajnerske prakse i dodatno učvršćuje poziciju Red \nSolstice serijala kao kulturno relevantnog i međunarodno prepoznatljivog domaćeg projekta. \n \nOdraz (Proizvodnja projekta) \nGlavni autor: Mladen Bošnjak \nMisfit Village 3.0 d.o.o. \n60.000€ \nOdraz je puzzle avantura iz prvog lica u kojoj igrač rješava zagonetke okretanjem paralelnih \nstvarnosti koje se reflektiraju jedna u drugoj, a smještena je u nadrealan svijet koji je inspiriran \nslavenskom mitologijom. Svijet je podijeljen na sekcije od kojih je većina prvotno zaključana. \nRješavanjem zagonetki u jednoj sekciji i dobivanjem novih moći igrač otključava druge sekcije. \nIgrač je u ulozi slavenskog boga Velesa, jedinog božanstva slavenskog panteona koji ima \nmogućnost putovanja kroz materijalni i duhovni svijet, te manipuliranjem okoliša i objekata \nkoji putuju kroz obje stvarnosti nastoji otkriti vlastiti identitet i mjesto u svijetu u kojem se \nnalazi. Inspiracija slavenskom mitologijom doprinosi vidljivosti i aktualizaciji zajedničke \nkulturne baštine, koja je rijetko zastupljena u suvremenim digitalnim medijima. Projekt time \notvara prostor za afirmaciju regionalnog kulturnog identiteta kroz suvremeni, globalno \nrazumljiv audiovizualni jezik. Kroz nadrealan svijet, zagonetke i postupno otkrivanje vlastitog \nidentiteta, Odraz tematizira egzistencijalnu krizu i potragu za smislom u modernom društvu, \nkoristeći specifičnosti interaktivnog medija kako bi igrač osobno sudjelovao u tom procesu. \nAmbiciozan koncept, već prepoznat kroz potporu HAVC-a u fazi razvoja, ukazuje na potencijal \nprojekta da doprinese razvoju umjetnički relevantnih, narativno slojevitih videoigara unutar \nsuvremenog AV stvaralaštva. \n \nFrom Basement with Love  (Proizvodnja projekta) \nGlavni autor: Bruno Bakula \nBIG SMALL GAMES d. o. o. \n16.555€ \n„From Basement with Love“ je 2D, „puzzle“ avantura koja se bavi temom špijunaže i \ndešifriranja zaštićene komunikacije. Igra je vremenski smještena u period Hladnog rata. \nProtagonist iste je ruski kriptograf koji sa svojom partnericom želi prebjeći iz Sovjetskog Saveza \nu Sjedinjene Američke Države (SAD). Agenti Američke obavještajne agencije im to i obećavaju \nali zauzvrat traže povjerljive sovjetske informacije, koje će im dati određenu prednost nad \n\n\f\nSovjetima u hladnoratovskoj utrci. Bez direktnog pristupa osjetljivim informacijama, \nprotagonist ima zadatak presresti i dešifrirati zaštićenu komunikaciju Sovjeta koristeći \nspecijaliziranu elektroničku opremu. Oko ove propozicije je i osmišljena cijela igra a svaka \nradnja dešifriranja predstavlja logičku zagonetku koju protagonist treba riješiti. Igra pruža štih \ntajnovitosti i neizvjesnosti s obzirom na osjetljivost same situacije odnosno visokog rizika od \notkrivanja. U projektnu dokumentaciju vidno uloženo dosta truda i puno promišljanja, pa su \nsamim time cilj, tematika, igračevo iskustvo i umjetnički dojam fenomenalno prikazani. Jedan \nod ciljeva ovog projekta jest popularizirati svijest o računalnoj sigurnosti i važnosti iste pri \nkorištenju digitalnih tehnologija. Jedan od ciljeva ovog projekta jest popularizirati svijest o \nračunalnoj sigurnosti i važnosti iste pri korištenju digitalnih tehnologija. \n \nDarkstar (Proizvodnja projekta) \nGlavni autor: Filip Ugrin \nMOXO, vl. Filip Ugrin \n43.200€ \nDarkstar je dungeon crawler RPG izvučen iz kalupa ''Wizadry'' serijala te ranih Bethseda igri \npoput ''Arena'' i ''Daggerfall''. Inspiriran sa pulp stripovima 80-ih i časopisom ''Heavy Metal'', \nigra nas stavlja na pustinjski planet ''Sator'' koji je progonjen čudovištima, sukobima za resurse \ni mističnim crnim tornjevima. Zadatak našeg igrača je otkriti izvor ovih tornjeva te spriječiti \npotpuni kolaps planete. Igra nudi poprilično inovativan pogled na vrlo poznati i prošireni žanr \ns izraženim autorskim rukopisom i vrlo distinktivnim vizualnim stilom te kako autor sam kaže \nfokusom na likovnost. Mehanički i sistemski igra nudi duboko i strateško iskustvo. Roguelike i \nRPG žanrovi su prožeti sa dubokim sistemima koji su u međusobnoj svezi, no ti sistemi su uvijek \nsakriveni ispod spektakla igranja. Autori ovdje žele otvoriti mašinu i prikazati njenu utrobu te \niskoristiti njihove varijable za grafičko pripovijedanje. Darkstar, vjerujemo, ostvaruje značajan \nkulturološki doprinos kroz autorsku reinterpretaciju klasičnih zapadnih RPG i dungeon crawler \ntradicija, oslanjajući se na vizualni i estetski jezik koji sam autor pozicionira kao jedan od \nglavnih elemenata igre. Također, još jedan projekt koji je dobio podršku HAVCa i u fazi Razvoja. \n \nAnchor (Proizvodnja projekta) \nGlavni autor: Karlo Eldić \nFEAREM d.o.o. \n26.452€ \nAnchor je igra otvorenog svijeta za više igrača, gdje je radnja gotovo u potpunosti smještena \npod vodom. Kako bi osigurala opstanak ljudske vrste nakon mogućeg događaja masovnog \n\n\f\nizumiranja, korporacija Anchor razvila je genetski modificiranu rasu podvodnih ljudi i \npripremila područje nastanjeno genetskih modificiranim biljkama i resursa, nazvano “The \nAnchor” - za njihovo naseljavanje. Nakon nuklearne katastrofe koja je izbrisala svijet koji \npoznajemo, projekt “Anchor” se automatski aktivirao. Igrači ulaze u ulogu podvodnih ljudi i \nmoraju izgraditi novu civilizaciju u anarhičnom podvodnom svijetu kroz istraživanje, \nprikupljanje resursa, izradu alata i ostalih predmeta, te gradnju podvodnih baza, braneći se od \nopasnosti koje se nalaze u dubinama i drugih igrača koji nastoje ukrasti njihove resurse. Projekt \nkoji u ovaj JP donosi punokrvno iskustvo za više igrača, a ostvaruje značajan kulturološki \ndoprinos kroz ambiciozno korištenje znanstveno-fantastičnog okvira za promišljanje \nbudućnosti \nčovječanstva, \nodnosa \nprema \nokolišu \ni \nkolektivnog \npreživljavanja \nu \npostapokaliptičnom svijetu. Smještanjem gotovo cjelokupnog iskustva u podvodni prostor, \nprojekt uvodi rijetko istraženu perspektivu unutar audiovizualnog medija videoigara te gradi \nsnažan, distinktivan svijet koji se oslanja na spekulativnu ekologiju i biotehnologiju. Kao naslov \nsnažno orijentiran na višekorisničko iskustvo, Anchor dodatno doprinosi kulturološkoj \nvrijednosti kroz oblikovanje kolektivnih, emergentnih narativa koji proizlaze iz odnosa među \nigračima. Time projekt afirmira videoigre kao društveni audiovizualni medij sposoban za \nstvaranje zajedničkih iskustava i spontanih priča unutar jasno definiranog autorskog svijeta. \nAmbiciozan projekt koji je po svojem javnom objavljivanju ostvario vrlo snažan odaziv publike \ni vjerujemo da bi uspješno lansiranje moglo dodatno učvrstiti poziciju domaće industrije kao \nmalog ali izrazito snažnog igrača na svjetskoj sceni.  \n \nHeat: Pedal to the Metal (Proizvodnja projekta) \nGlavni autor: Joško Mikuličić \nMIPMAP d.o.o. \n55.000€ \nHeat: Pedal to the Metal je digitalna adaptacija fenomenalne društvene igre utrkivanja \nsmještena u 1960-te godine u kojoj se igrači utrkuju upravljajući klasičnim trkaćim \nautomobilima prošlog stoljeća. Ključ uspjeha nije samo brzina već i pažljivo upravljanje \ntoplinom motora (Heat). Igra kombinira strateško planiranje kroz korištenje kartica brzine i \nstresa, napeto natjecanje u svakom zavoju i nostalgičnu atmosferu zlatnog doba utrka. Riječ je \no naslovu iznimne razine popularnosti na globalnoj razini i prepoznatljivosti među fizičkim \ndruštvenim igrama stoga nam digitalna verzija budi veliki interes. Joško i njegov tim rade veliki \niskorak s radom na licenci najvišeg mogućeg ranga u svijetu društvenih igara te se posebno \netabliraju u ovom segmentu razvoja videoigara, digitalne reinterpretacije. Dodali bismo još da, \nkao globalno prepoznatljiva licenca, Heat: Pedal to the Metal ima i važnu kulturnu vrijednost \nu kontekstu profesionalizacije i internacionalizacije domaće industrije videoigara. Rad na \nlicenci najvišeg ranga potvrđuje sposobnost domaćih autora da ravnopravno sudjeluju u \n\n\f\nglobalnom kulturnom i tržišnom ekosustavu, te dodatno etablira lokalnu produkciju u \nspecifičnom segmentu adaptacija društvenih igara u digitalni oblik. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"videoigre","year":2025,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"2014%20Komplementarne%20djelatnosti,%20OBRAZLO%C5%BDENJE.pdf","filename_decoded":"2014%20Komplementarne%20djelatnosti,%20OBRAZLO%C5%BDENJE.pdf","sha256":"b998dfbc557eb9f9cb1f2ba148afd75d0d145c008abaeefb9d1e9fd33ff4b8c3","bytes":442001,"page_count":5,"extracted_at":"2026-05-16T14:13:37Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2014%20Komplementarne%20djelatnosti%2C%20OBRAZLO%C5%BDENJE.pdf"},"raw_text":" \n \nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2014. \ngodini \nObrazloženje umjetničkih savjetnika za komplementarne djelatnosti \n \nNa Javni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2014. godini \npristiglo je ukupno 326 prijava. Savjetnici za komplementarne djelatnosti u sastavu: Emina Višnić, \nSlaven Zečević i Dragan Rubeša razmotrili su sve prijave koje su stigle u roku. Savjetnici su \npreporučili za financiranje 194 projekta i programa u ukupnom iznosu od 10.814.100,00 kuna, s \ntim da su dio prijava koje su vezane za isti program sagledavali kao jednu prijavu. Osim toga, za \nukupno osam prijava savjetnici su zaključili da ne pripadaju u programsko područje \nkomplementarnih djelatnosti, dok je jedna prijava povučena iz procedure na zahtjev predlagatelja.  \n \nPri procjenjivanju prijava savjetnici su se vodili nizom različitih kriterija, i to zasebno u svakoj od \nkategorija natječaja. Pri tom je u svim kategorijama vrednovano sljedeće: \n1. kvaliteta samog programa (od sadržajne do produkcijske razine, pri čemu su se izbjegavali \nprogrami temeljeni na sadržajima koji se mogu okarakterizirati kao uglavnom komercijalni \nili pak programi koji nisu predstavili jasan koncept filmskog programa, što se prije svega \nodnosi na festivale i prikazivačku djelatnost);  \n2. značaj programa za relevantan kontekst (ovisno o programu, od lokalne zajednice, preko \nnacionalnog značaja do međunarodne prepoznatosti); \n3. kontinuitet programa odnosno njegova dugoročna usmjerenost (jednokratna događanja \npodržana su samo iznimno, i to s relativno malim iznosima). \nOsim toga, savjetnici su i u ovom sastavu nastojali pratiti dosadašnju praksu financiranja \nprograma, s tim da su u nekim programima prepoznali bitnu kvalitetu i razvitak te je tako za njih, u \nokviru mogućnosti, predloženo povećanje sredstava. Istovremeno, ostavljen je i prostor za nove \nvrijedne inicijative, osobito one koje donose kvalitetne i kontinuirane sadržaje u sredinama u \nkojima su filmski programi podzastupljeni, i/ili u onim slučajevima kada se radi o zanimljivim novim \nformatima i podzastupljenom filmskom sadržaju. Valja naglasiti i kako se pri procjenjivanju \nprograma poseban naglasak stavljao i na regionalnu rasprostranjenost. Osim toga, savjetnici su \nnastojali razlučiti programe koje ne pripadaju u područje komplementarnih djelatnosti, pri čemu se \nnajčešće radi o programima koji temeljno pripadaju u područje vizualne umjetnosti i područje \nnovih medijskih kultura (područja koja se financiraju putem natječaja Ministarstva kulture), te \nprograme koji po svojim karakteristikama pripadaju u domenu audiovizualne proizvodnje. \nUvažavajući navedene kriterije, u svim kategorijama utvrđeni su prioritetni programi za koje su \npredložene i najviše potpore. Radi se o programima iznimnog ili bitnog nacionalnog značaja, koje \nmožemo smatrati temeljnim za očuvanje i razvoj audiovizualnog stvaralaštva u Hrvatskoj, odnosno \no programima koji imaju bitan regionalni ili lokalni značaj, ili pak onima koji su važni za razvoj \npojedinih djelatnosti ili žanrova: \n U kategoriji Zaštita audiovizualne baštine uključujući kinotečnu djelatnosti kao posebno \nvažan program koji dobiva kontinuiranu podršku ističe se  Filmski i video arhiv Hrvatskog \nfilmskog saveza. Otvara se pitanje kritičke revalorizacije filmske baštine, odnosno pitanje \npostavljanja jasnih stručnih kriterija pomoću kojih bi se odredilo koji su materijali \n\n\f\nnajvredniji te ih je stoga potrebno očuvati. \n U kategoriji Proučavanje i kritičko vrednovanje audiovizualnih djelatnosti kao i do sada \nodređivani su manji iznosi potpora, a kao najznačajniji programi prepoznati su: Vizualni \nkolegij Multimedijalnog instituta te Masterclass program razgovora sa svjetskim \ndokumentaristima koji provodi Restart. \n U kategoriji Izdavaštvo u području audiovizualnih djelatnosti tradicionalno je najveća \npodrška dodijeljena za filmološki časopis Hrvatski filmski ljetopis. Kao drugi prioritetni \nčasopis prepoznat je Filmonaut Udruge Blank, a prepoznato je i DVD izdanje Branko Lentić \nu sklopu kolekcije dokumentarnih filmova u izdanju Factuma te Povijest novijeg animiranog \nfilma u Hrvatskoj u izdanju Meandar media d.o.o. Također smatramo da kod internetskog \nizdavaštva treba strogo financirati portale koji na kvalitetan način predstavljaju, valoriziraju \ni kontekstualiziraju AV djelatnost, a ne web stranice pojedinih organizacija ili projekata. \n U kategoriji Programi stručnog usavršavanja filmskih profesionalaca i ove godine je \npodržan program edukacije nastavnika, voditelja klubova i samostalnih autora Škola \nmedijske kulture Dr. Ante Peterlić Hrvatskog filmskog saveza te kontinuirani program \nRestart Laboratorij. Posebna je pažnja posvećena i profesionalnim obrazovnim \nprogramima, koji su prepoznati od strane Programa MEDIA Europske unije te koji bitno \ndoprinose i međunarodnoj promociji hrvatskog filma, poput  projekta ZagrebDox Pro 2014 \nUdruge Factum. Kao novi program koji se specifično bavi cross-medijskim projektima ističe \nse Korčula Krosmedija – DECro2014.  \n U kategoriji Programi audiovizualnih udruga i organizacija kao posebno važna i programski \nkvalitetna prepoznata je redovita godišnja djelatnost Hrvatskog društva filmskih djelatnika \nkao krovne organizacije filmskih profesionalaca. Bitna je potpora dana i organizacijama \npojedinih profesija koje su ponudile kvalitetan i dobro osmišljen godišnji program: Društvo \nhrvatskih filmskih redatelja i Hrvatska udruga producenata te program Koordinacijske i \npoticajne funkcije Hrvatskog filmskog saveza. Povećana je potpora za one organizacije koje \nsu predložile bitno kvalitetnije i razvijenije programe s obzirom na prethodnu godinu \n(Hrvatska udruga filmskih snimatelja, Hrvatsko društvo filmskih kritičara) te one koje u \nsvom godišnjem djelovanju objedinjuju niz obrazovnih, prikazivačkih i produkcijskih \ndjelatnosti (Nezavisni filmski studio Medika, Filmaktiv edukacija 2014). \n U kategoriji Filmski festivali i druge audiovizualne manifestacije savjetnici su se našli pred \njednim od većih izazova. Naime, radi se o djelatnosti koja iz godine u godinu raste, i po \nbroju programa i po razvoju pojedinih festivala. Kao najznačajniji nacionalni festivali, koji su \ni međunarodno priznati i dalje su podržani: ANIMAFEST Zagreb (kratkometražno izdanje), \nZagrebDox, Motovun Film Festival i Zagreb Film Festival. Podržani su i festivali koji su \nprepoznati po svojoj izvrsnosti u promociji određenih žanrova i/ili su bitni iz perspektive \nregionalne raznolikosti. To su 25FPS, Vukovar Film Festival i Splitski filmski festival. U \nmanjim iznosima od prethodno navedenih, financirani su i drugi značajni festivali što zbog \nnjihova manjeg obima, što zbog vezanosti filmskog programa uz neke druge sadržaje ili \nsvrhe. Poput Festivala mediteranskog filma Split, Human Rights Film Festivala, Festivala \ntolerancije - Festival židovskog filma Zagreb, te Four River Film Festivala. \nOstali programi mogu se okarakterizirati kao uglavnom lokalno orijentirani festivali od kojih \nsu neki relativno novijeg datuma. Među njima prepoznat je poseban napredak u samom \nprogramiranju i koncepciji festivala. \nU kategoriji Djelatnosti razvijanja audiovizualne kulture posebna pažnja posvećena je art-\nkinima u većim urbanim središtima, a kojima su određene različite potpore s obzirom na \n\n\f\nkvalitetu ponuđenoga programa, njegov kontinuitet i koncepcijsku opravdanost: Filmski \nprogram u kinu Tuškanac (Zagreb), Filmski program Art-kina Croatia (Rijeka), Kino Europa \n(Zagreb), Kino Urania (Osijek), Kinoteka Zlatna vrata (Split) te program Dokukina koji se \nrealizira zagrebačkom kinu 'Grič'. Vidljivo je da su se neki od tih prostora snažno profilirali i \nnadamo se da će se oni i dalje razvijati nakon digitalizacije. Osim toga, kao važni su \nprepoznati redovni prikazivački programi u manjim gradovima (Varaždin, Daruvar, \nSamobor) te kontinuirani obrazovni programi i radionice Fade-ina, Kinokluba Zagreb, \nRestarta, Studentskog centra u Zagrebu te Udruge Blank. Od različitih ponuđenih \nprikazivačkih programa za djecu, osobito se ističe program filma za djecu i mlade i 7 \nnezavisnih digitaliziranih kinoprikazivača Udruge Djeca susreću umjetnost, a kao inovativan \nprogram i onaj Udruge Bacači sjenki pod nazivom FROOOM-program filmskog i \ninterdisciplinarnog obrazovanja. \n U kategoriji Programi promocije i prodaje hrvatskih audiovizualnih djela prihvatili smo dva \nprograma. Radi se o godišnjem programu distribucije, promocije i prodaje kratkih filmova \nBonobostudia, te Festivalskoj distribuciji kratkih animiranih i eksperimentalnih filmova \nUstanove Zagreb Film. \n \nTijekom rada na procjenjivanju ovogodišnjih prijava, kao i u sagledavanju cjeline natječaja, njegovih \nkategorija i raznolikosti prijavljenih programa, savjetnici za komplementarne djelatnosti naišli su na \nnekoliko otvorenih pitanja i izazova, od kojih se neka već više godina za redom ponovno pojavljuju. \nSavjetnici su izdvojili nekoliko ključnih pitanja za koje smatraju da se mogu riješiti ili za čije se \nrješavanje može započeti proces tijekom 2014. godine. Neka od njih mogu se riješiti u okviru tijela \nHrvatskog audiovizualnog centra, dok je za druga pitanja potrebno uspostaviti aktivnu suradnju \nizmeđu Centra i drugih sudionika (prije svega Ministarstva kulture te jedinica lokalne i regionalne \nuprave). Radi se o sljedećim otvorenim pitanjima: \n \n1. Pitanje održivosti filmskih festivala i kontinuiranih prikazivačkih programa  \nKao i prošle godine, i ove se godine iz različitih prijava može ustanoviti čitav niz  problema u \nodrživosti filmskih festivala i kontinuiranih prikazivačkih programa. Primijećeno je kako je podrška \ntakvim programima od sponzora i donatora iz privatnog profitnog sektora bitno smanjena. Isto \ntako, u mnogim slučajevima lokalna i regionalna uprava ne daje odgovarajuću podršku, uključivši \nfinancijsko praćenje, iako se uglavnom radi o programima koji su upravo bitni za ostvarivanje javnih \npotreba u kulturi tih lokalnih sredina. Istovremeno, iako su mnogi hrvatski programi ostvarili \npotpore iz programa Europske unije, valja naglasiti da se tu radi o sredstvima specifičnih aktivnosti \nkoji su vezani uz tzv. europsku dodanu vrijednost (međunarodne suradnje, razmjene, distribucije i \nsl.), ali iz kojih se ne mogu osigurati sredstva za stabilno i održivo osnovno programsko financiranje. \nStoga je i dalje nužno kvalitetno financiranje iz javnih, proračunskih sredstava. Na nacionalnoj razini \nHAVC osigurava to financiranje u okviru svojih mogućnosti i prema prioritetima koji su definirani i \npozicijom HAVC-a kao središnje nacionalne audiovizualne institucije. Međutim, bez adekvatne \npodrške lokalne uprave ti programi nisu dugoročno održivi. Pri tom u obzir valja uzeti vrlo pozitivan \ntrend širenja prikazivačke djelatnosti i revitalizacija kino dvorana s nekomercijalnim, umjetnički \nvrijednim programom. U mnogim se gradovima u posljednje vrijeme uspostavljaju takvi programi \n(Čakovec, Varaždin, Daruvar, Karlovac, Osijek, i drugi), a koji se oslanjaju na već uhodane dobre \nprakse kao što su one riječkog Art-kina ili zagrebačkog Tuškanca. Za ta kina treba poticati održive i \ndugoročne modele njihova umrežavanja, suradnje i razmijene programa te uspostaviti suradnju \nizmeđu HAVC-a i lokalnih i regionalnih uprava kako bi se barem za prioritetne programe osigurala \nadekvatna i pravovremena podrška. \n\n\f\n \n2. Pitanje Hrvatske kinoteke \nPo pitanju Hrvatske kinoteke možemo samo ponoviti zaključke prethodnih savjetnika za \nkomplementarne djelatnosti: \"Iz godine u godinu se unutar rada savjetnika postavlja pitanje \nstatusa Hrvatske kinoteke koji je velik korisnik budžeta za komplementarne djelatnosti, ali čije \nsufinanciranje programa restauracije filmova ne pomaže temeljitom rješavanju organizacijskog \nproblema ove ustanove od iznimnog značaja za hrvatsku kulturu. Smatramo da je vrijeme za \ntemeljito mijenjanje odnosa Ministarstva kulture prema osnovnoj djelatnosti ove institucije, a to je \nčuvanje hrvatske filmske baštine, i to tako što će osnovni financijski izvor te djelatnosti biti \nosigurana kao zasebna stavka u okviru državnog proračuna za zaštitu kulturnih dobara. Drugo \npitanje vezano uz Kinoteku je njezin položaj unutar postojećeg sustava Hrvatskog državnog arhiva. \nSmatramo da bi trebalo ispitati mogućnost odvajanja Kinoteke iz sustava Hrvatskog državnog \narhiva čime bi se mogli stvoriti drugačiji uvjeti za djelovanje ove institucije. Vjerujemo da sadašnji \nstatus Kinoteke ne zadovoljava potrebe audiovizualne zajednice tako da smatramo kako je \npotrebno pokušati jasnije odrediti status ove institucije unutar našeg društva,čemu bi HAVC mogao \ndoprinijeti, pokretanjem stručne i političke rasprave.\" Ovome možemo jedino dodati da se ovo \npitanje može riješiti ne samo kroz suradnju HAVC-a i Ministarstva kulture, nego da je za njegovo \nrješavanje potrebna snažnija inicijativa iz same Kinoteke.   \nTakođer, Hrvatsko audiovizualno vijeće je na 39. sjednici održanoj 6. rujna 2013. na zamolbu \nHrvatskog državnog arhiva-Hrvatske kinoteke donijelo odluku o produženju roka realizacije za \nprogram Zaštita i restauracija audiovizualnog gradiva u 2013. godini te dok se navedeni program ne \nrealizira nismo u mogućnosti predložiti daljnje sufinanciranje. Programi Hrvatskog državnog arhiva-\nHrvatske kinoteke razmatrat će se nakon realizacije programa iz 2013. godine. \n  \n3.  Pitanje unaprjeđenja odredbi natječaja \nSavjetnici smatraju da se javni natječaj za komplementarne djelatnosti provodi na vrlo kvalitetan \nnačin te da može služiti i kao ogledni primjer za druge sustave financiranja u kulturi. No, zbog \njasnoće i kvalitetnijeg procesa procjene prijava, potrebno je čitav proces u nekoliko elemenata \nunaprijediti te uvesti određena ograničenja: \n Ranije raspisivanje godišnjeg natječaja, na način da se rezultati objavljuju najkasnije do \nkraja prethodne godine, kako bi se za programe koji se odvijaju u prvom dijelu godine na \nvrijeme mogla transferirati sredstva. \n Pri analizi prijava i njihovoj evaluaciji savjetnici su primijetili neujednačenost u strukturi i \nobimu opisa programa. S jedne strane neke su prijave izrazito šture te je iz njih teško, a \nponekad i nemoguće dati relevantnu ocjenu programa. S druge strane, neki su opisi \nprograma iznimno opterećeni nepotrebnim podacima i nepreglednim količinama teksta, što \ntakođer otežava kvalitetnu evaluaciju, osobito ako se uzme u obzir velik broj pristiglih \nprijava i relativno kratko vrijeme u kojem se one moraju analizirati. Kako bi savjetnici mogli \nšto objektivnije procjenjivati pristigle prijave, potrebno je standardizirati obrazac za opise \nprojekata u kojem bi se odredili ključni elementi opisa za svaku od natječajnih kategorija te \nkojim bi se ograničio prostor prezentacije. Uz to, savjetnici smatraju da je važno ostaviti i \nmogućnost za dostavljanje i dodatnih materijala.  \n Potrebno je zaustaviti tendenciju prijavljivanja nekoliko segmenata jednog programa kroz \nviše prijava, a prije svega u kategoriji festivala i manifestacija te kod kontinuiranih \nprikazivačkih djelatnosti. Stoga savjetnici predlažu da se u samom tekstu natječaja ograniči \nbroj prijava na način da se propiše da se ukupni programi festivala (dakle sve aktivnosti koje \n\n\f\nse provode za vrijeme jednog festivala, od filmskog programa do radionica i drugih pratećih \naktivnosti) prijavljuju u cjelini, odnosno putem jedne prijave. Kao iznimku od tog pravila \ntreba postaviti one situacije kada se radi o programskim jedinicama / aktivnostima (npr. \nedukacijske) koje su sufinancirane iz sredstava EU te za koje je potrebno osigurati \nlokalno/nacionalno financiranje. Predlaže se da se na isti način ograniči i prijavljivanje \nkontinuiranih prikazivačkih programa, odnosno da se svi programi koje provodi jedna \norganizacija dostave kao cjelina, u okviru jedne prijave. Treće slično ograničenje odnosi se \nna programe koji su definirani kao partnerski projekti više organizacije iz Hrvatske. Takve \nprojekte bi trebao prijaviti samo jedan od partnera (nositelj), kao jedinstvenu cjelinu u \nokviru jedne prijave. \n \n \n \nZagreb, 17. siječnja 2014. \n \nUmjetnički savjetnici \nEmina Višnić \nSlaven Zečević \nDragan Rubeša \n","warnings":[],"document":{"program_type":"komplementarne","year":2014,"rok":null,"referenced_projects":["Filmski i video arhiv Hrvatskog filmskog saveza","Vizualni kolegij","Masterclass program razgovora sa svjetskim dokumentaristima","Hrvatski filmski ljetopis","Filmonaut","Branko Lentić","Povijest novijeg animiranog filma u Hrvatskoj","Škola medijske kulture Dr. Ante Peterlić","Restart Laboratorij","ZagrebDox Pro 2014","Korčula Krosmedija – DECro2014","ANIMAFEST Zagreb","ZagrebDox","Motovun Film Festival","Zagreb Film Festival","25FPS","Vukovar Film Festival","Splitski filmski festival","Festival mediteranskog filma Split","Human Rights Film Festival","Festival tolerancije - Festival židovskog filma Zagreb","Four River Film Festival","FROOOM-program filmskog i interdisciplinarnog obrazovanja"],"summary":"Obrazloženje umjetničkih savjetnika Emine Višnić, Slavena Zečevića i Dragana Rubeše za javni poziv 2014. za poticanje komplementarnih djelatnosti: od 326 prijava preporučeno je 194 projekta i programa za financiranje u ukupnom iznosu od 10.814.100,00 kuna.","project_links":[{"source_title":"Filmski i video arhiv Hrvatskog filmskog saveza","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Vizualni kolegij","family_id":"pf_4ebdeb7bcb08","family_title":"Vizualni kolegij","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Masterclass program razgovora sa svjetskim dokumentaristima","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Hrvatski filmski ljetopis","family_id":"pf_9d1a7e7b5c37","family_title":"Hrvatski filmski ljetopis","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Filmonaut","family_id":"pf_a428ea598ad7","family_title":"Filmonaut","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Branko Lentić","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Povijest novijeg animiranog filma u Hrvatskoj","family_id":"pf_611ca8cba5ef","family_title":"Povijest novijeg animiranog filma u Hrvatskoj","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Škola medijske kulture Dr. Ante Peterlić","family_id":"pf_c78a5c188d5b","family_title":"Škola medijske kulture Dr. Ante Peterlić","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Restart Laboratorij","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"ZagrebDox Pro 2014","family_id":"pf_f917077c7c33","family_title":"ZagrebDox Pro","match_status":"awarded","method":"series_base","confidence":"high"},{"source_title":"Korčula Krosmedija – DECro2014","family_id":"pf_55a5388b6db5","family_title":"Korčula Krosmedija - 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 i\t\r  digitalizacija\t\r  filmova\t\r  \nZagrebačke\t\r  škole\t\r  crtanog\t\r  filma\n55.000,00\n2.750.000,00\nKORISNIK\nPROGRAM\nODOBRENO\n1\nHrvatski\t\r  filmski\t\r  savez\nListanje\t\r  Pansinija\n10.000,00\n2\nKinoklub\t\r  Karlovac\nEuropska\t\r  konferencija\t\r  filmskog\t\r  stvaralaštva\t\r  \nmladih\n35.000,00\n3\nKulturni\t\r  klub\nFilmovi.hr\n20.000,00\n4\nKulturno\t\r  informativni\t\r  centar\nKIC\t\r  Art\t\r  kino:\t\r  Kino\t\r  s\t\r  idejom\t\r  -­‐\t\r  ciklusi\t\r  filmskih\t\r  \ntribina\t\r  u\t\r  KIC-­‐u\n7.000,00\n5\nKurziv\t\r  -­‐\t\r  Platforma\t\r  za\t\r  pitanja\t\r  kulture,\t\r  \nmedija\t\r  i\t\r  društva\nFilmoskop\n15.000,00\n6\nMultimedijalni\t\r  institut\nVizualni\t\r  kolegij\n30.000,00\n7\nMuzej\t\r  suvremene\t\r  umjetnosti\nKino\t\r  umjetnika\t\r  2013.\n10.000,00\n8\nRestart\nRazgovor\t\r  s\t\r  redateljima\t\r  u\t\r  Dokukinu\n30.000,00\n9\nRestart\nHall\t\r  of\t\r  Fame\t\r  -­‐\t\r  vodič\t\r  kroz\t\r  povijest\t\r  \ndokumentarnog\t\r  filma\n20.000,00\n10\nUdruga\t\r  Kinofon\nSto\t\r  godina\t\r  filma\t\r  u\t\r  Osijeku\n10.000,00\n11\nUdruga\t\r  Što,\t\r  kako\t\r  i\t\r  za\t\r  koga\t\r  /WHW\t\r  \nProgram\t\r  filmskih\t\r  i\t\r  video\t\r  projekcija\t\r  'Estetike\t\r  \notpora'\n20.000,00\n207.000,00\nUKUPNO\nZaštita\t\r  audiovizualne\t\r  baštine\t\r  uključujući\t\r  kinotečnu\t\r  djelatnost\nUKUPN0\nProučavanje\t\r  i\t\r  kritičko\t\r  vrednovanje\t\r  audiovizualnih\t\r  \t\r  djelatnosti\nJAVNI\t\r  POZIV\t\r  ZA\t\r  DODJELU\t\r  SREDSTAVA\t\r  ZA\t\r  POTICANJE\t\r  KOMPLEMENTARNIH\t\r  DJELATNOSTI\t\r  U\t\r  2013.\t\r  \nGODINI\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \n-­‐\t\r  ODOBRENI\t\r  PROGRAMI\n\n\f\nKORISNIK\nPROGRAM\nODOBRENO\n1\nDiscovery\t\r  d.o.o\nDVD\t\r  izdanja\t\r  Vukovar\t\r  Film\t\r  Festival\t\r  2010\t\r  -­‐\t\r  \n2012\t\r  \n10.000,00\n2\nHrvatska\t\r  udruga\t\r  filmskih\t\r  snimatelja\nIzdavanje\t\r  knjige:\t\r  Snimatelji\t\r  u\t\r  hrvatskoj\t\r  \nkinematografiji\n35.000,00\n3\nHrvatski\t\r  filmski\t\r  savez\nDVD\t\r  izdanja\t\r  HFS-­‐a\n35.000,00\n4\nHrvatski\t\r  filmski\t\r  savez\nGEFF\t\r  1-­‐5:\t\r  Dokumenti\n20.000,00\n5\nHrvatski\t\r  filmski\t\r  savez\nHrvatski\t\r  filmski\t\r  ljetopis\n100.000,00\n6\nHrvatski\t\r  filmski\t\r  savez\nZapis,\t\r  bilten\t\r  Hrvatskog\t\r  filmskog\t\r  saveza\n20.000,00\n7\nHrvatski\t\r  filmski\t\r  savez\nIzdavanje\t\r  monografije\t\r  Nikola\t\r  Tanhofer\t\r  -­‐\t\r  \nDiana\t\r  Nenadić\t\r  (ur.)\n30.000,00\n8\nHrvatski\t\r  filmski\t\r  savez\nIzdavanje\t\r  knjige\t\r  -­‐Bruno\t\r  Kragić\t\r  -­‐\t\r  Poetike\t\r  \nklasičnog\t\r  filma\n20.000,00\n9\nHrvatski\t\r  filmski\t\r  savez\nIzdavanje\t\r  knjige\t\r  -­‐\t\r  Dragan\t\r  Jurak\t\r  -­‐\t\r  Ideološka\t\r  \nčitanka\t\r  suvremenog\t\r  filma\n10.000,00\n10\nKino\t\r  klub\t\r  Split\nFanzin\n8.000,00\n11\nPetikat,\t\r  umjetnička\t\r  radionica\nIzdavanje\t\r  publikacije\t\r  Tajni\t\r  agent\t\r  Gan\t\r  Flint\n8.500,00\n12\nRestart\nRestart\t\r  label\t\r  -­‐\t\r  izdavaštvo\t\r  i\t\r  distribucija\t\r  \nhrvatskih\t\r  dokumentaraca\n10.000,00\n13\nUdruga\t\r  Blank\nFilmonaut\n50.000,00\n14\nUdruga\t\r  Factum\nIzdavanje\t\r  DVD-­‐a\t\r  \t\r  Zoran\t\r  Tadić\t\r  -­‐\t\r  u\t\r  sklopu\t\r  \nkolekcije\t\r  dokumentarnih\t\r  filmova\t\r  \npredsjednika\t\r  žirija\t\r  ZagrebDoxa\n60.000,00\n15 Udruga\t\r  za\t\r  promicanje\t\r  kulture\t\r  Dokuart\nBesplatni\t\r  obrazovni\t\r  DVD\t\r  Mali\t\r  Dokuart\t\r  2013.\t\r  \nza\t\r  sat\t\r  medijske\t\r  kulture\t\r  u\t\r  osnovnim\t\r  školama\t\r  \nHrvatske\n20.000,00\n16 Udruga\t\r  za\t\r  umjetnost\t\r  i\t\r  kulturu\t\r  \"parNas\" Izdavanje\t\r  knjige\t\r  -­‐\t\r  Dejan\t\r  Durić\t\r  -­‐\t\r  Filmske\t\r  skice\n10.000,00\n17\nVedis\t\r  d.o.o.\nIzdavanje\t\r  multimedijalnog\t\r  DVD-­‐a:\t\r  Posvećeno\t\r  \nJoji\t\r  Remenaru\n20.000,00\n18\nVedis\t\r  d.o.o.\nIzdavanje\t\r  knjige\t\r  -­‐\t\r  Od\t\r  \"Trećeg\t\r  čovjeka\"\t\r  do\t\r  \n\"Ronda\"\t\r  i\t\r  natrag\n26.000,00\n19\nVedis\t\r  d.o.o.\nDVD\t\r  izdanje\t\r  dugometražnog\t\r  dokumentarca\t\r  \n\"Pula\t\r  povjerljivo\"\t\r  sa\t\r  specijalnim\t\r  dodacima\t\r  \n10.000,00\n20\nVedis\t\r  d.o.o.\nIzdavanje\t\r  knjige-­‐\t\r  Marko\t\r  Njegić-­‐\t\r  Filmoteka\n10.000,00\n512.500,00\nIzdavaštvo\t\r  u\t\r  području\t\r  audiovizualnih\t\r  djelatnosti\nUKUPN0\n\n\f\nKORISNIK\nPROGRAM\nODOBRENO\n1\nAkademija\t\r  dramske\t\r  umjetnosti\nRadionica\t\r  Snimanje\t\r  RED\t\r  Scarlet\t\r  X\t\r  vs.\t\r  D-­‐SLR\n2.000,00\n2\nAkademija\t\r  dramske\t\r  umjetnosti\nPostprodukcija\t\r  zvuka\t\r  u\t\r  Zagrebu\n2.926,00\n3\nAkademija\t\r  dramske\t\r  umjetnosti\nRadionica\t\r  -­‐\t\r  Montaža\t\r  glazbe\n4.000,00\n4\nAning\t\r  usluge\t\r  d.o.o.\nCroatia\t\r  goes\t\r  Cross-­‐media\n10.000,00\n5\nAvvantura\t\r  d.o.o.\nDocumentary\t\r  Campus\t\r  Industry\t\r  Event\t\r  i\t\r  \nMasterschool\n20.000,00\n6\nDruštvo\t\r  hrvatskih\t\r  filmskih\t\r  redatelja\nScenaristički\t\r  program\t\r  Branko\t\r  Bauer\t\r  2013.\n15.000,00\n7\nHrvatska\t\r  udruga\t\r  za\t\r  otvorene\t\r  sustave\t\r  i\t\r  \nInternet\t\r  -­‐\t\r  Hr\t\r  Open\t\r  \nTOSMI\t\r  2013\n15.000,00\n8\nHrvatski\t\r  filmski\t\r  savez\nScenaristički\t\r  projekt\t\r  Palunko\n40.000,00\n9\nHrvatski\t\r  filmski\t\r  savez\n15.\t\r  škola\t\r  medijske\t\r  kulture\t\r  Dr.\t\r  Ante\t\r  Peterlić\n250.000,00\n10\nHulahop\t\r  d.o.o.\nRadionica\t\r  animiranog\t\r  filma\t\r  \t\r  Ulje\t\r  na\t\r  staklu\n10.000,00\n11\nMotovun\t\r  film\t\r  festival\nKako\t\r  napraviti\t\r  bolji\t\r  festival\n60.000,00\n12\nRestart\nRestart\t\r  laboratorij\n50.000,00\n13\nUdruga\t\r  Akulturacija\nOpuzenska\t\r  filmska\t\r  škola\n15.000,00\n14\nUdruga\t\r  Factum\nZagrebDox\t\r  Pro\t\r  2013.\n70.000,00\n15\nUdruga\t\r  Kinookus\nMAIA\t\r  radionice\n50.000,00\n16\nUdruga\t\r  Ukus\nEx\t\r  Oriente\t\r  +\t\r  REFINERI\t\r  Film\t\r  Workshop\n60.000,00\n17\nUstanova\t\r  Zagreb\t\r  film\nAnimirani\t\r  dokumentarni\t\r  laboratorij\t\r  -­‐\t\r  \nani.dox:lab\n40.000,00\n18\nUstanova\t\r  Zagreb\t\r  film\nRAB\t\r  -­‐\t\r  međunarodna\t\r  radionica\t\r  animiranog\t\r  \nfilma\n25.000,00\n738.926,00\nKORISNIK\nPROGRAM\nODOBRENO\n1\n25\t\r  FPS,\t\r  udruga\t\r  za\t\r  audio-­‐vizualna\t\r  \nistraživanja\nProgrami\t\r  Udruge\t\r  25\t\r  FPS\t\r  u\t\r  2013.\t\r  godini\n30.000,00\n2\nAutonomni\t\r  kulturni\t\r  centar\t\r  Attack\nProgram\t\r  nezavisnog\t\r  filmskog\t\r  studija\t\r  Medika\n20.000,00\n3\nDruštvo\t\r  hrvatskih\t\r  filmskih\t\r  redatelja\nRedovita\t\r  djelatnost\t\r  u\t\r  2013.\n135.000,00\n4\nFilmska\t\r  autorska\t\r  grupa\t\r  Enthusia\t\r  Planck\nProgram\t\r  FAGEP-­‐a\t\r  za\t\r  2013.\t\r  godinu\n30.000,00\n5\nFilmsko-­‐kreativni\t\r  studio\t\r  VANIMA\nProgram\t\r  rada\t\r  za\t\r  2013.\t\r  godinu\n30.000,00\n6\nFoto\t\r  kino\t\r  video\t\r  klub\t\r  Zaprešić\nRedovita\t\r  programska\t\r  djelatnost\t\r  2013\n20.000,00\n7\nHrvatska\t\r  udruga\t\r  filmskih\t\r  snimatelja\nRedovita\t\r  djelatnost\t\r  Hrvatske\t\r  udruge\t\r  filmskih\t\r  \nsnimatelja\n50.000,00\n8\nHrvatska\t\r  udruga\t\r  producenata\nRad\t\r  na\t\r  unaprjeđenju\t\r  audiovizualne\t\r  \ndjelatnosti\n100.000,00\n9\nHrvatski\t\r  filmski\t\r  savez\nKoordinacijske\t\r  i\t\r  poticajne\t\r  funkcije\t\r  Hrvatskog\t\r  \nfilmskog\t\r  saveza\n100.000,00\n10\nHrvatsko\t\r  društvo\t\r  filmskih\t\r  djelatnika\nRedovita\t\r  djelatnost\t\r  Hrvatskog\t\r  društva\t\r  \nfilmskih\t\r  djelatnika\n325.000,00\n11\nHrvatsko\t\r  društvo\t\r  filmskih\t\r  kritičara\nRedovita\t\r  djelatnost\t\r  Hrvatskog\t\r  društva\t\r  \nfilmskih\t\r  kritičara\n50.000,00\n12\nHrvatsko\t\r  kaskadersko\t\r  društvo\nProgram\t\r  treniranja\t\r  Hrvatskog\t\r  kaskaderskog\t\r  \ndruštva\t\r  za\t\r  2013.\t\r  godinu\n30.000,00\n13\nKino\t\r  klub\t\r  Vukovar\nEdukacija\t\r  \n25.000,00\n14\nKinoklub\t\r  Karlovac\nRedovita\t\r  djelatnost\t\r  Kinokluba\t\r  Karlovac\t\r  2013.\n30.000,00\n15 Multimedijalni\t\r  centar\t\r  Studio\t\r  Kreativnih\t\r  \nideja\t\r  Gunja-­‐\t\r  MMC\t\r  SKIG\nProgram\t\r  rada\t\r  za\t\r  2013.\t\r  godinu\t\r  MMC\t\r  SKIG\n35.000,00\n16\nPulska\t\r  filmska\t\r  tvornica\nFilmski\t\r  klub\t\r  Pulske\t\r  filmske\t\r  tvornice\n20.000,00\n17\nStvaralačka\t\r  mreža\t\r  Zebra\nGRETA\t\r  ArtSpace\n20.000,00\n18\nUdruga\t\r  Blank\nRedovita\t\r  programska\t\r  djelatnost\t\r  Blanka\n35.000,00\n19\nUdruga\t\r  Filmaktiv\nFilmaktiv\t\r  edukacija\t\r  2013.\n20.000,00\n1.105.000,00\nUKUPNO\nProgrami\t\r  stručnog\t\r  usavršavanja\nUKUPNO\nProgrami\t\r  audiovizualnih\t\r  udruga\t\r  i\t\r  organizacija\n\n\f\nKORISNIK\nPROGRAM\nODOBRENO\n1\n25\t\r  FPS,\t\r  udruga\t\r  za\t\r  audio-­‐vizualna\t\r  \nistraživanja\nInternacionalni\t\r  festival\t\r  eksperimentalnog\t\r  \nfilma\t\r  i\t\r  videa\t\r  -­‐\t\r  9.\t\r  25\t\r  FPS\n225.000,00\n2\nAkademija\t\r  dramske\t\r  umjetnosti\n10.\t\r  F.R.K.A.\t\r  -­‐\t\r  Filmska\t\r  revija\t\r  Akademije\t\r  \ndramske\t\r  umjetnosti\n5.000,00\n3\nAvvantura\t\r  d.o.o.\nAvvantura\t\r  Festival\t\r  -­‐\t\r  FilmForumZadar\n60.000,00\n4\nCentar\t\r  za\t\r  kulturu\t\r  Čakovec\nObilježavanje\t\r  Svjetskog\t\r  dana\t\r  animacije\t\r  i\t\r  \nSvjetskog\t\r  dana\t\r  audiovizualne\t\r  baštine\n2.700,00\n5\nCentar\t\r  za\t\r  kulturu\t\r  Trešnjevka\n7.\t\r  \t\r  PSSST!\t\r  Festival\t\r  nijemog\t\r  filma\n10.000,00\n6\nCentar\t\r  za\t\r  mirovne\t\r  studije\nFestival\t\r  filma\t\r  izgradnje\t\r  mira\n10.000,00\n7\nCentar\t\r  za\t\r  pokret\nProgram\t\r  XONTAKT\t\r  DFV\t\r  2013\n15.000,00\n8\nDiscovery\t\r  d.o.o.\n7.\t\r  Vukovar\t\r  Film\t\r  Festival\t\r  -­‐\t\r  Festival\t\r  \nPodunavskih\t\r  Zemalja\t\r  \t\r  \t\r  i\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \r  \nEdukativne\t\r  radionice\t\r  \n225.000,00\n9\nDom\t\r  kulture\t\r  Kristalna\t\r  kocka\t\r  vedrine\t\r  \nSisak\nSisački\t\r  ekološki\t\r  filmski\t\r  festival\t\r  -­‐\t\r  SEFF\n30.000,00\n10\nDrugo\t\r  more\nMTN\t\r  -­‐\t\r  Praktične\t\r  utopije\t\r  -­‐\t\r  socijalističko\t\r  \nnaslijeđe\n20.000,00\n11\nEtnografski\t\r  muzej\t\r  Istre\n5.\t\r  ETNOFILM\t\r  -­‐\t\r  festival\t\r  etnografskog\t\r  filma\n50.000,00\n12\nFestival\t\r  mediteranskog\t\r  filma\t\r  Split\n6.\t\r  festival\t\r  mediteranskog\t\r  filma\t\r  Split\n140.000,00\n13\nFilmsko-­‐kreativni\t\r  studio\t\r  VANIMA\n4.\t\r  VAFI\t\r  -­‐\t\r  internacionalni\t\r  festival\t\r  animiranog\t\r  \nfilma\t\r  djece\t\r  i\t\r  mladih\t\r  Varaždin\n25.000,00\n14\nFoto-­‐kino\t\r  klub\t\r  Baranja-­‐film\t\r  Beli\t\r  \nManastir\nRevija\t\r  filmova\t\r  podunavskih\t\r  zemalja\t\r  -­‐\t\r  2013.\n10.000,00\n15\nGrađanska\t\r  organizacija\t\r  za\t\r  kulturu\t\r  -­‐\t\r  \nGOKUL\nTabor\t\r  Film\t\r  Festival\t\r  2013.\n70.000,00\n16\nHrvatski\t\r  filmski\t\r  savez\n51.\t\r  revija\t\r  hrvatskog\t\r  filmskog\t\r  i\t\r  \nvideostvaralaštva\t\r  djece\n60.000,00\n17\nHrvatski\t\r  filmski\t\r  savez\n18.\t\r  filmska\t\r  revija\t\r  mladezi\t\r  i\t\r  6.\t\r  Four\t\r  River\t\r  Film\t\r  \nFestival\n90.000,00\n18\nHrvatski\t\r  filmski\t\r  savez\n21.\t\r  festival\t\r  jednominutnih\t\r  filmova\n80.000,00\n19\nHrvatski\t\r  filmski\t\r  savez\n45.\t\r  revija\t\r  hrvatskog\t\r  filmskog\t\r  i\t\r  video\t\r  \nstvaralaštva\n70.000,00\n20\nHulahop\t\r  d.o.o.\nSvjetski\t\r  festival\t\r  animiranog\t\r  filma\t\r  –\t\r  \nANIMAFEST\t\r  Zagreb\t\r  (dugometražno\t\r  izdanje)\n400.000,00\n21\nKinematografi\t\r  Osijek\t\r  d.d.\n3.\t\r  Modern\t\r  Silence\t\r  Film\t\r  Festival\n25.000,00\n22\nKulturni\t\r  klub\nDani\t\r  europskog\t\r  filma\n20.000,00\n23\nLot\t\r  dvadesetiosam\t\r  studio\t\r  d.o.o.\nFantastic\t\r  Zagreb\t\r  Film\t\r  Festival\n40.000,00\n24\nMeđunarodni\t\r  festival\t\r  novog\t\r  filma\n18.\t\r  Splitski\t\r  filmski\t\r  festival\n250.000,00\n25\nMultimedijalni\t\r  institut\nHuman\t\r  Rights\t\r  Film\t\r  Festival\n120.000,00\n26\nObrt\t\r  za\t\r  sport\t\r  i\t\r  rekreaciju\t\r  Puffer\nMeđunarodni\t\r  festival\t\r  podvodnog\t\r  filma\t\r  Bijeli\t\r  \nlav\n15.000,00\n27\nOne\t\r  Take\t\r  Film\t\r  Festival\n\t\r  One\t\r  Take\t\r  Film\t\r  Festival\t\r  -­‐\t\r  predfestivalska\t\r  \ngodina\n30.000,00\n28\nOtompotom\nSupertoon\t\r  -­‐\t\r  međunarodni\t\r  festival\t\r  animacije\n40.000,00\n29 Prostor\t\r  rodne\t\r  i\t\r  medijske\t\r  kulture\t\r  K-­‐zona\nFilmska\t\r  Vox\t\r  Feminae\t\r  V\n40.000,00\n30\nStarigrad\t\r  Paklenica\t\r  Film\t\r  Festival\n4.\t\r  SPFF\t\r  2013.\t\r  -­‐\t\r  Starigrad\t\r  Paklenica\t\r  Film\t\r  \nFestival\t\r  -­‐\t\r  međunarodni\t\r  festival\t\r  glazbenog\t\r  \ndokumentarnog\t\r  filma\n40.000,00\n31\nStudentski\t\r  centar\t\r  u\t\r  Zagrebu\n22.\t\r  Dani\t\r  hrvatskog\t\r  filma\n140.000,00\n32\nUdruga\t\r  Akulturacija\n3.\t\r  Opuzen\t\r  Film\t\r  Festival\n40.000,00\n33\nUdruga\t\r  Alternator\nFestival\t\r  o\t\r  pravima\t\r  djece\n35.000,00\n34\nUdruga\t\r  Bijeli\t\r  val\n6.\t\r  Subversive\t\r  Film\t\r  Festival:\t\r  Utopija\t\r  \ndemokracije\n140.000,00\n35\nUdruga\t\r  Đakovački\t\r  rezovi\nĐakovački\t\r  rezovi\n40.000,00\n36\nUdruga\t\r  Delta\n11.\t\r  Liburnia\t\r  Film\t\r  Festival\n40.000,00\nFilmski\t\r  festivali\t\r  i\t\r  druge\t\r  audiovizualne\t\r  manifestacije\n\n\f\n37\nUdruga\t\r  Factum\n9.\t\r  ZagrebDox\t\r  -­‐\t\r  međunarodni\t\r  festival\t\r  \ndokumentarnog\t\r  filma\n450.000,00\n38\nUdruga\t\r  FAR\n12.\t\r  revija\t\r  amaterskog\t\r  filma\n40.000,00\n39 Udruga\t\r  Festival\t\r  suvremenog\t\r  židovskog\t\r  \nfilma\t\r  Zagreb\nFestival\t\r  tolerancije\t\r  -­‐\t\r  7.\t\r  Festival\t\r  židovskog\t\r  \nfilma\t\r  Zagreb;\t\r  Festival\t\r  tolerancije\t\r  \nRijeka/Sarajevo\n90.000,00\n40\nUdruga\t\r  građana\t\r  Spirit\nFilmski\t\r  festival\t\r  Uhvati\t\r  film\n10.000,00\n41\nUdruga\t\r  Kinofon\nIV.\t\r  Pučiške\t\r  filmske\t\r  večeri\n10.000,00\n42\nUdruga\t\r  Kinookus\nKinookus\t\r  Food\t\r  Film\t\r  Festival\n20.000,00\n43\nUdruga\t\r  ljubitelja\t\r  filma\t\r  Rare\nDORF\t\r  2013\t\r  -­‐\t\r  festival\t\r  dokumentarnog\t\r  rock\t\r  \nfilma\n40.000,00\n44\nUdruga\t\r  pašmanske\t\r  mladeži\t\r  Dica\n7.\t\r  Pašmanske\t\r  filmske\t\r  večeri\n10.000,00\n45\nUdruga\t\r  Super\t\r  Supetar\nSupetar\t\r  Super\t\r  Film\t\r  Festival\t\r  2013\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \ni\t\r  \t\r  Radionice\t\r  dokumentarnog\t\r  filma\n50.000,00\n46\nUdruga\t\r  Trash\nTrash\t\r  Film\t\r  Festival\t\r  -­‐\t\r  međunarodni\t\r  festival\t\r  \nniskobudžetnih\t\r  filmova\n10.000,00\n47\nUdruga\t\r  Unikat\nMeđunarodni\t\r  festival\t\r  kratkog\t\r  filma\t\r  Postira\t\r  \nSeaside\t\r  Festival\n10.000,00\n48\nUdruga\t\r  za\t\r  promicanje\t\r  filmske\t\r  i\t\r  \nglazbene\t\r  kulture\t\r  SB\t\r  Film\nFestival\t\r  Novih\t\r  2013\n10.000,00\n49 Udruga\t\r  za\t\r  promicanje\t\r  kulture\t\r  Dokuart\n8.Dokuart-­‐Dani\t\r  dokumentarnog\t\r  filma\n70.000,00\n50 Umjetnička\t\r  organizacija\t\r  Film-­‐protufilm\nFilmske\t\r  mutacije:\t\r  sedmi\t\r  festival\t\r  nevidljivog\t\r  \nfilma\n60.000,00\n51 Umjetnička\t\r  organizacija\t\r  Motovun\t\r  Film\t\r  \nFestival\nMotovun\t\r  Film\t\r  Festival\n450.000,00\n52\nUmjetnička\t\r  organizacija\t\r  Serafini\n6.\t\r  Zagrebi!\t\r  festival\n20.000,00\n53\nUmjetnička\t\r  organizacija\t\r  Zagreb\t\r  Film\t\r  \nFestival\n\t\r  11.\t\r  Zagreb\t\r  Film\t\r  Festival\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \n450.000,00\n54\nUstanova\t\r  Kinematografi\t\r  Dubrovnik\nDUFF\t\r  -­‐\t\r  Filmski\t\r  festival\t\r  djece\t\r  i\t\r  mladeži\t\r  zemalja\t\r  \nMediterana\n10.000,00\n55\nVideo\t\r  klub\t\r  Mursa\n11.\t\r  Gastro\t\r  film\t\r  fest\n10.000,00\n56\nZagrebački\t\r  plesni\t\r  ansambl\n14.\t\r  Festival\t\r  plesa\t\r  i\t\r  neverbalnog\t\r  kazališta\t\r  \nSvetvinčenat-­‐\t\r  audiovizualni\t\r  dio\t\r  programa\n20.000,00\n4.492.700,00\nUKUPNO\n\n\f\nKORISNIK\nPROGRAM\nODOBRENO\n1\n3D2D\t\r  Animatori\t\r  d.o.o.\nLOG\t\r  IN\t\r  -­‐\t\r  edukativne\t\r  filmske\t\r  radionice\t\r  za\t\r  \nmlade\n15.000,00\n2\nCentar\t\r  za\t\r  kulturne\t\r  djelatnosti\nRastimo\t\r  zajedno\t\r  -­‐\t\r  4RAZ\n10.000,00\n3\nCentar\t\r  za\t\r  kulturu\t\r  Čakovec\nDisperzija\t\r  hrvatskih\t\r  filmskih\t\r  festivala\n10.000,00\n4\nCentar\t\r  za\t\r  kulturu\t\r  Čakovec\nPremijere\t\r  nacionalne\t\r  kinematografije\t\r  na\t\r  \ntribini\t\r  Čakovec\t\r  četvrtkom\n5.000,00\n5\nCentar\t\r  za\t\r  pokret\nRedoviti\t\r  program\t\r  plesnog\t\r  filma\t\r  i\t\r  videa\t\r  2013\n5.000,00\n6\nDomino\nQueer\t\r  Momenti\n40.000,00\n7\nDruštvo\t\r  Naša\t\r  djeca\nFilmski\t\r  tečaj\t\r  za\t\r  filmoljupce\n10.000,00\n8\nFade\t\r  In\t\r  \nFade\t\r  In\t\r  edukativni\t\r  programi\n40.000,00\n9\nFilmsko-­‐kreativni\t\r  studio\t\r  VANIMA\nKino\t\r  Galerija\t\r  2013.\n40.000,00\n10\nFoto\t\r  Film\t\r  Video\t\r  Amateri\t\r  Luke\nRadionica\t\r  igranog\t\r  filma\n5.000,00\n11\nFoto\t\r  kino\t\r  video\t\r  klub\t\r  Zaprešić\nZimske\t\r  i\t\r  ljetne\t\r  radionice\n25.000,00\n12\nFoto-­‐kino\t\r  klub\t\r  Baranja-­‐film\t\r  Beli\t\r  \nManastir\n5.\t\r  mikro-­‐škola\t\r  medijske\t\r  kulture\t\r  -­‐\t\r  2013.\n2.500,00\n13\nFoto-­‐kino\t\r  klub\t\r  Baranja-­‐film\t\r  Beli\t\r  \nManastir\nFilmski\t\r  programi\t\r  u\t\r  mikro-­‐kinu\t\r  -­‐2013.\n15.000,00\n14\nFoto-­‐kino\t\r  klub\t\r  Ivanovec\nOčuvanje\t\r  i\t\r  promicanje\t\r  kulturne\t\r  baštine\t\r  \nmeđimurskoga\t\r  kraja\n5.000,00\n15\nGrad\t\r  Rijeka\t\r  -­‐\t\r  Odjel\t\r  za\t\r  kulturu\nObrazovni\t\r  program\t\r  za\t\r  djecu\t\r  i\t\r  mlade\n20.000,00\n16\nGrad\t\r  Rijeka\t\r  -­‐\t\r  Odjel\t\r  za\t\r  kulturu\n\t\r  \t\r  Filmski\t\r  program\t\r  Art-­‐kina\t\r  Croatia\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \ni\t\r  Atlantski\t\r  filmski\t\r  pravci\n300.000,00\n17\nGrađanska\t\r  organizacija\t\r  za\t\r  kulturu\t\r  -­‐\t\r  \nGOKUL\nGreen\t\r  Room\t\r  Cinema\t\r  2013.\n15.000,00\n18\nGFR\t\r  film-­‐video\nProgrami\t\r  Art\t\r  kina\n15.000,00\n19\nGFR\t\r  film-­‐video\nMinuta\t\r  u\t\r  vašem\t\r  gradu\n12.000,00\n20\nHKZ\t\r  -­‐\t\r  Hrvatsko\t\r  slovo\t\r  \nFilmske\t\r  tribine\t\r  Hrvatsko\t\r  slovo\t\r  uživo\n5.000,00\n21\nHrvatska\t\r  udruga\t\r  filmskih\t\r  snimatelja\nPula\t\r  1960\t\r  -­‐\t\r  1970\t\r  retrospektiva\t\r  \n20.000,00\n22\nHrvatski\t\r  filmski\t\r  savez\nMedijska\t\r  kultura,\t\r  filmsko\t\r  i\t\r  videostvaralaštvo\t\r  \nu\t\r  osnovnim\t\r  i\t\r  srednjim\t\r  školama\t\r  \n25.000,00\n23\nHrvatski\t\r  filmski\t\r  savez\nFilmske\t\r  i\t\r  video\t\r  radionice\t\r  za\t\r  djecu\t\r  i\t\r  mlade\t\r  u\t\r  \nKraljevici\n25.000,00\n24\nHrvatski\t\r  filmski\t\r  savez\nČetvrta\t\r  radionica\t\r  animiranog\t\r  filma\t\r  u\t\r  \nDubrovniku\n5.000,00\n25\nHrvatski\t\r  filmski\t\r  savez\nVideo\t\r  radionice\t\r  za\t\r  djecu\t\r  i\t\r  mlade\t\r  u\t\r  Poreču\n10.000,00\n26\nHrvatski\t\r  filmski\t\r  savez\n20.\t\r  internacionalna\t\r  radionica\t\r  animiranog\t\r  \nfilma\n15.000,00\n27\nHrvatski\t\r  filmski\t\r  savez\nFilmski\t\r  programi\t\r  u\t\r  kinu\t\r  Tuškanac\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \ni\t\r  Kratki\t\r  utorak\t\r  -­‐\t\r  filmski\t\r  program\t\r  autorskog\t\r  \numjetničkog\t\r  filma\t\r  i\t\r  videa\n400.000,00\n28\nJavna\t\r  ustanova\t\r  Pula\t\r  Film\t\r  Festival\nFUŠ\t\r  -­‐\t\r  Film\t\r  u\t\r  školi\n20.000,00\n29\nJavna\t\r  ustanova\t\r  u\t\r  kulturi\t\r  Hrvatski\t\r  dom\t\r  \nVukovar\nPetak\t\r  u\t\r  Ružički\n20.000,00\n30\nKinematografi\t\r  Osijek\t\r  d.d.\n100\t\r  godina\t\r  kina\t\r  Urania\t\r  \n120.000,00\n31\nKino\t\r  klub\t\r  Split\nSpecijalizirane\t\r  radionice\n15.000,00\n32\nKino\t\r  klub\t\r  Split\nFilmska\t\r  škola\n10.000,00\n33\nKino\t\r  klub\t\r  Split\nOsnovne\t\r  radionice\n10.000,00\n34\nKino\t\r  klub\t\r  Split\nProgram\t\r  projekcija\t\r  \n8.000,00\n35\nKino\t\r  klub\t\r  Vukovar\nOdrži\t\r  ritam\n10.000,00\nDjelatnosti\t\r  razvijanja\t\r  audiovizualne\t\r  kulture\n\n\f\n36\nKinoklub\t\r  Karlovac\nRedoviti\t\r  program\t\r  kina\t\r  Edison\n10.000,00\n37\nKinoklub\t\r  Karlovac\nTečaj\t\r  filmske\t\r  umjetnosti\t\r  Kinokluba\t\r  Karlovac\n5.000,00\n38\nKinoklub\t\r  Karlovac\nFilmske\t\r  radionice\t\r  u\t\r  osnovnim\t\r  školama\n10.000,00\n39\nKinoklub\t\r  Karlovac\nRadionica\t\r  animiranog\t\r  filma\t\r  KK\t\r  Karlovac\n5.000,00\n40\nKinoklub\t\r  Zagreb\nFilmska\t\r  i\t\r  video\t\r  produkcija\t\r  KKZ\n40.000,00\n41\nKinoklub\t\r  Zagreb\nNapredne\t\r  klupske\t\r  radionice\n40.000,00\n42\nKinoklub\t\r  Zagreb\nRadionica\t\r  scenarija,\t\r  režije,\t\r  kamere,\t\r  rasvjete\t\r  i\t\r  \nmontaže\n20.000,00\n43\nKulturni\t\r  klub\nArt\t\r  kino\t\r  Metropolis\n40.000,00\n44\nMavena\t\r  -­‐\t\r  36\t\r  njezinih\t\r  čuda\nNovomedijska\t\r  galerija\n15.000,00\n45\nMoje\t\r  čarobne\t\r  misli\t\r  d.o.o.\nOnkolog\t\r  i\t\r  Ja\t\r  -­‐\t\r  krosmedijski\t\r  projekt\n20.000,00\n46 Multimedijalna\t\r  umjetnička\t\r  organizacija\t\r  \nBacači\t\r  sjenki\nFROOOM!\t\r  2013\n25.000,00\n47\nProdukcija\t\r  Živa\t\r  \nKino\t\r  u\t\r  gostima\t\r  /\t\r  Škola\t\r  igre\t\r  filma\n10.000,00\n48\nPučko\t\r  otvoreno\t\r  učilište\t\r  Daruvar\nKinoprikazivačka\t\r  djelatnost\t\r  kina\t\r  \"30.svibnja\"\t\r  \nDaruvar-­‐permanentno\t\r  prikazivanje\t\r  filmova\t\r  i\t\r  \nrevija\t\r  hrvatskog,\t\r  europskog\t\r  i\t\r  \ninternacionalnog\t\r  kino-­‐repertoara\n40.000,00\n49\nPučko\t\r  otvoreno\t\r  učilište\t\r  u\t\r  Splitu\nProgram\t\r  filmske\t\r  klasike\n60.000,00\n50\nPučko\t\r  otvoreno\t\r  učilište\t\r  u\t\r  Splitu\nArt\t\r  film\n40.000,00\n51\nPulska\t\r  filmska\t\r  tvornica\nNapredna\t\r  škola\t\r  animiranog\t\r  filma\n20.000,00\n52\nPulska\t\r  filmska\t\r  tvornica\n9.\t\r  radionica\t\r  izrade\t\r  filma\t\r  Pulska\t\r  filmska\t\r  \ntvornica\n20.000,00\n53\nPulska\t\r  filmska\t\r  tvornica\nRadionica\t\r  filmske\t\r  medijske\t\r  kulture\t\r  u\t\r  \nosnovnoškolskoj\t\r  nastavi\t\r  \n10.000,00\n54\nRestart\nŠkola\t\r  dokumentarnog\t\r  filma\n40.000,00\n55\nRestart\nDokukino\t\r  program\t\r  2013.\n100.000,00\n56\nRestart\nMasterclass\t\r  -­‐\t\r  svjetski\t\r  dokumentaristi\t\r  u\t\r  \nZagrebu\n30.000,00\n57\nŠkola\t\r  filma\t\r  Šipan\nDeseta\t\r  jubilarna\t\r  -­‐\t\r  Ljetna\t\r  škola\t\r  filma\t\r  Šipan\t\r  \n2013\n15.000,00\n58\nStudentski\t\r  centar\t\r  u\t\r  Zagrebu\nKlubvizija\t\r  SC\n50.000,00\n59\nStudentski\t\r  centar\t\r  u\t\r  Zagrebu\nProgram\t\r  MM\t\r  centra\t\r  2013.\n20.000,00\n60\nStvaralačka\t\r  mreža\t\r  ZEBRA\nInterface\t\r  012\n30.000,00\n61\nTabopromocija\t\r  d.o.o.\nEuro\t\r  -­‐\t\r  Apolo\n10.000,00\n62\nUdruga\t\r  Blank\nFilmske\t\r  radionice\n30.000,00\n63\nUdruga\t\r  Blank\nFilmska\t\r  produkcija\t\r  kratkometražnih\t\r  filmova\n15.000,00\n64\nUdruga\t\r  Delta\nGledamo\t\r  dokumentarce,\t\r  pravimo\t\r  \ndokumentarce!\n10.000,00\n65\nUdruga\t\r  Lauba\nMjesto\t\r  za\t\r  VideoArt\n10.000,00\n66\nUdruga\t\r  ljubitelja\t\r  filma\t\r  Rare\nEDIT\t\r  -­‐\t\r  Edukacija\t\r  i\t\r  Trening\t\r  2013\n20.000,00\n67\nUdruga\t\r  Multimedijalni\t\r  centar\t\r  Luka\t\r  \nCinemaniac\t\r  2013.-­‐\t\r  misliti\t\r  film\n15.000,00\n68\nUdruga\t\r  za\t\r  audiovizualno\t\r  stvaralaštvo\t\r  \nArtizana\nDIGITAL\t\r  GENERATION\t\r  radionica\t\r  \ndokumentarnog\t\r  filma\n10.000,00\n69 Udruga\t\r  za\t\r  promicanje\t\r  kulture\t\r  Dokuart\nDokuart\t\r  filmski\t\r  program\n30.000,00\n70 Udruga\t\r  za\t\r  promicanje\t\r  kulture\t\r  Dokuart\n6.\t\r  Mali\t\r  Dokuart\t\r  -­‐\t\r  radionica\t\r  s\t\r  nacionalnim\t\r  \nnatječajem\t\r  za\t\r  najbolji\t\r  dokumentarac\t\r  \nosnovoškolaca\n30.000,00\n71 Udruga\t\r  za\t\r  promicanje\t\r  medijske\t\r  kulture\t\r  \nLuža\nStudio\t\r  animacije\n5.000,00\n72 Udruga\t\r  za\t\r  promicanje\t\r  medijske\t\r  kulture\t\r  \nLuža\nFilmski\t\r  susreti\t\r  srijedom\n20.000,00\n73\nUdruženje\t\r  za\t\r  razvoj\t\r  kulture\t\r  URK\nNove\t\r  filmske\t\r  večeri\t\r  u\t\r  Močvari\n10.000,00\n74\nUmjetnička\t\r  organizacija\t\r  Rikšafilm\nFilmska\t\r  radionica:\t\r  Audiovizualna\t\r  pismenost\t\r  \n(filmska\t\r  vizualna\t\r  priča)\n7.000,00\n75\nUmjetnička\t\r  organizacija\t\r  Zagreb\t\r  Film\t\r  \nFestival\n\t\r  Kino\t\r  Europa\t\r  -­‐\t\r  programi\t\r  u\t\r  2013.\t\r  godini\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \ni\t\r  Dječji\t\r  filmski\t\r  programi\t\r  kina\t\r  Europa\n200.000,00\n2.444.500,00\nUKUPNO\n\n\f\nKORISNIK\nPROGRAM\nODOBRENO\n1\nBonobostudio\t\r  d.o.o.\nDistribucija,\t\r  promocija\t\r  i\t\r  prodaja\t\r  filmova\t\r  2013.\n30.000,00\n30.000,00\nBROJ\t\r  ODOBRENIH\t\r  PROGRAMA\nODOBRENA\t\r  \nSREDSTVA\n7\n2.750.000,00\n11\n207.000,00\n20\n512.500,00\n18\n738.926,00\n19\n1.105.000,00\n56\n4.492.700,00\n75\n2.444.500,00\n1\n30.000,00\n207\n12.280.626,00\nUKUPNO\nKATEGORIJA\nzaštita\t\r  audivizualne\t\r  baštine\t\r  uključujući\t\r  \nkinotečnu\t\r  djelatnost\nproučavanje\t\r  i\t\r  kritičko\t\r  vrednovanje\t\r  \naudiovizualnih\t\r  \t\r  djelatnosti\nizdavaštvo\t\r  u\t\r  području\t\r  audiovizualnih\t\r  \ndjelatnosti\nprogrami\t\r  stručnog\t\r  usavršavanja\nprogrami\t\r  audiovizualnih\t\r  udruga\t\r  i\t\r  \norganizacija\nfilmski\t\r  festivali\t\r  i\t\r  druge\t\r  audiovizualne\t\r  \nmanifestacije\ndjelatnosti\t\r  razvijanja\t\r  audiovizualne\t\r  kulture\nprogrami\t\r  promocije\t\r  i\t\r  prodaje\t\r  hrvatskih\t\r  \naudiovizualnih\t\r  \t\r  djela\nProgrami\t\r  promocije\t\r  i\t\r  prodaje\t\r  hrvatskih\t\r  audiovizualnih\t\r  \t\r  djela\nUKUPNO\nSVEUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"2013 Komplementarne djelatnosti","year":2013,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[{"field":"document.program_type","from":"distribucija","to":"komplementarne","reason":"filename/title keyword: komplementarne","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"Zaštita audiovizualne baštine uključujući kinotečnu djelatnost","section_key":"zastita_audiovizualne_bastine_ukljucujuci_kinotecnu_djelatno","columns":["KORISNIK","PROGRAM","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Fade In -- Arhiva narodu","applicant":"Fade In d.o.o.","production_company":"Fade In d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"35.000,00","approved_amount":35000.0,"currency":"HRK","extras":{"col_1":"1","KORISNIK":"Fade In","parity_original_project_title":"Fade In -‐ Arhiva narodu","parity_original_applicant":null,"parity_original_row_number":null,"parity_action":"fix","parity_reasoning":"Fill missing applicant and/or row_number from PDF raw_text; normalize U+2010 soft-hyphen mojibake in title.","parity_validated_at":"2026-05-18T13:47:30Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z","entity_canonicalized_at":"2026-05-18T14:41:26Z","entity_original_applicant":"Fade In"},"entity":"Fade In d.o.o.","row_id":"ba6bdf7f:s0:f885d0801d02","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_3659cafe8c6f","project_family_title":"Fade In -- Arhiva narodu"},{"row_number":2,"project_title":"Zaštita i restauracija audiovizualnog gradiva u 2013. g odini","applicant":"Hrvatski državni arhiv - Hrvatska kinoteka","production_company":"Hrvatski državni arhiv - Hrvatska kinoteka","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.400.000,00","approved_amount":2400000.0,"currency":"HRK","extras":{"col_1":"2","KORISNIK":"Hrvatski državni arhiv -‐ Hrvatska kinoteka","parity_original_applicant":null,"parity_original_row_number":null,"parity_action":"fix","parity_reasoning":"Fill missing applicant and/or row_number from PDF raw_text; normalize U+2010 soft-hyphen mojibake in title.","parity_validated_at":"2026-05-18T13:47:30Z","entity_original_applicant":"Hrvatski drzavni arhiv - Hrvatska kinoteka","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Hrvatski državni arhiv - Hrvatska 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PROGRAMI MEĐUNARODNE SURADNJE, ROK 15.08.2011.\nPODNOSITELJ\nKORISNIK\nPROGRAM\nFESTIVAL / RADIONICA\nODOBRENA \nPOTPORA\n1\nAkademija dramske \numjetnosti\nEnes Midžić dekan / \nIvan Kelava, student \nprodukcije\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje studenta produkcije Akademije \ndramske umjetnosti Ivana Kelave na industry \nplatformi 17. međunarodnog filmskog festivala u \nSarajevu, BIH u srpnju 2011. s projektom u razvoju \nradnog naziva \"Hives / Košnice\", koprodukciji pet \nfilmskih škola iz Zagreba, Jeruzalema, Londona, \nKoelna i Praga. \n3,293.00\n2\nBlank, udruga\nDario Juričan, \npredsjednik\nProgram gostovanja hrvatskog \nautora na međunarodnom \nfilmskom festivalu\nSudjelovanje redatelja Darija Juričana i \npredstavljanje njegovog kratkometražnog igranog \nfilma \"Imaš li neku priču?\" na 64. međunarodnom \nfilmskom festivalu u Locarnu, Švicarska od 3. do \n13. kolovoza 2011.\n10,158.00\n3\nHrvatski filmski savez\nVera Robić-Škarica\nMeđunarodni filmski festivali i \naudiovizualne manifestiacije: \nProgram gostovanja hrvatskih \nfilmskih stručnjaka i djelatnika\nSudjelovanje Ede Lukaman i Vanje Hraste, dvoje \nstručnjaka za hrvatski animirani film, u San \nFranciscu, SAD-u od 27. siječnja do 12. veljače \n2012., gdje ce održati radionicu stop-animacije za \nmlade u Meridian Gallery i u Smith Rafael Theater, \nprikazati program ŠAF-ovih filmova u Exploratorium \nmuzeju za umjetnosti i znanost, gostovati na \nCalifornia Film Institute predstavljanjem Zagrebačke \nškole crtanog filma, predavati na Odsjeku Medijskih \numjetnosti na Sveučilištu San Francisco i u \nHrvatskom kulturnom centru u San Francisu.\n20,000.00\n4\nKinematograf d.o.o.\nDijana Mlađenović, \ndirektorica\nProgrami gostovanja hrvatskih \nizbornika filmskih festivala na \nmeđunarodnim filmskim \nfestivalima  i međunarodnim \nfilmskim sajmovima\nStručno usavršavanje producentice Dijane \nMlađenović na Cartoon Masters Finance programu \nu Viborgu, Danska od 28. do 30. lipnja 2011. \n4,141.00\n5\nKinorama d.o.o.\nAnkica Jurić Tilić, \nproducentica\nProgram predstavljanja i \npromocije filma na \nmeđunarodnom filmskom \nfestivalu\nSudjelovanje i predstavljanje dugometražnog \nigranog filma \"Koko i duhovi\" redatelja Daniela \nKušana u svrhu sudjelovanja i predstavljanja filma \nna Chicago Int. Children's Film Festivalu od 6. do \n20. listopada 2011. i na Int. Film Festival for \nChildren u Jerevanu, Armenija u listopadu 2011.\n190,000.00\n6\nKinoteka d.o.o.\nLjubo Zdjelarević, \ndirektor\nProgram gostovanja hrvatskog \nautora na međunarodnom \nfilmskom festivalu\nSudjelovanje ekipe filma i predstavljanje \ndugometražnog igranog filma \"Fleke\"  redatelja Alda \nTardozzija u natjecateljskom programu 17. \nmeđunarodnog filmskog festivala u Sarajevu, BIH \nod 22. do 30. srpnja 2011.\n37,969.00\n7\nNukleus film d.o.o.\nSiniša Juričić, \nproducent\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje producenta Siniše Juričića i redatelja \nIliana Mileva na Docu Rough Cut Boutique s \ndokumentarnim projektom u razvoju \"Sofia's Last \nAmbulance\" koji se održava u sklopu 17. \nmeđunarodnog filmskog festivala u Sarajevu, BIH \nod 24. do 28. srpnja 2011. \n4,093.00\n8\nNukleus film d.o.o.\nSiniša Juričić, \nproducent\nProgram stručnog usavršavanja\nSudjelovanje Tomislava Sutlara, studenta 3. godine \nodsjeka snimanja na Akademiji dramske umjetnosti \nu Zagrebu, na masterclass radionici Budapest \nCinematography Masterclass 2011 (BCM) u \nBudimpešti, Mađarska od 28. kolovoza do 11. rujna \n2011.\n11,330.00\n9\nSpiritus movens d.o.o.\nZdenka Gold, \ndirektorica\nProgram stručnog usavršavanja\nSudjelovanje producentice Zdenke Gold na \nradionici za postprodukciju European Post \nProduction Connection (EP2C) u Varšavi, Poljska \nod 4. do 9. listopada 2011. s projektom \"Obrana i \nzaštita\" redatelja Bobe Jelčića\n3,530.00\n10 Studio dim d.o.o.\nMarina Andree \nŠkop, direktorica\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje Studija dim na Work-in-Progress u \nsklopu industry platforme međunarodnog filmskog \nfestivala u Karlovy Vary, Češka od 1. do 9. srpnja \n2011. predstavljanjem dugometražnog igranog filma \nu fazi postprodukcije \"Noćni brodovi\" redatelja Igora \nMirkovića \n5,053.00\n11 Udruga Ukus\nŽeljka Sukova, \npredsjednica\nProgram predstavljanja i \npromocije filma na \nmeđunarodnom filmskom \nfestivalu; Pitching, koprodukcijski \nforumi za razvoj projekata\nSudjelovanje autorske ekipe i predstavljanje filma \n\"Marijine\" na međunarodnim filmskim festivalima u \nGoteborgu (Švedska), na CPH:DOX u \nKopenhagenu (Danska), u Kolkati (Indija) te \nSudjelovanje u programu DOX:LAB te na \nCPH:FORUM s novim docu-fiction projektom u \nrazvoju \"Kraj svjetla\".\n58,608.00\n12 Vladimir Kanić\nVladimir Kanić\nProgram stručnog usavršavanja; \nProgram međunarodne kulturalne \nrazmjene iz područja \naudiovizualnih djelatnosti\nSudjelovanje redatelja i snimatelja Vladimira Kanića \nna međunarodnoj filmskoj radionici Kinokabaret u \nMontrealu, Kanada u listopadu 2011. \n6,055.00\nUKUPNO:\n354,230.00 \n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"REZULTATI JAVNOG POZIVA KOMPLEMENTARNE DJELATNOSTI - PROGRAMI MEĐUNARODNE SURADNJE, ROK 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Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12),  Hrvatsko audiovizualno vijeće, na prijedlog ravnatelja, na 50. sjednici održanoj 5. rujna 2014.  \ngodine donijelo je: \n \nO  D  L  U  K  U \no usvajanju molbe zadruge Praksa i udruge Jadranska Animacija  \n \n1.) Usvaja se molba udruge Jadranska Animacija, Vergerijeva 3, Pula, (dalje u tekstu: udruga Jadranska \nAnimacija) i zadruge Praksa, Stankovićeva 1, Pula,  (dalje u tekstu: zadruga Praksa) za promjenom \nmanjinskog koproducenta na projektu „Herman H. Rott“ odobrenog za dodjelu sredstava u kategoriji \nmanjinska koprodukcija u 2014. godini  s koproducenta udruge Jadranska Animacija na \nkoproducenta zadrugu Praksa.  \n2.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n3.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: HAVC): www.havc.hr. \n \n  \n \n \n \n \nObrazloženje \n \nDana 21. kolovoza 2014. godine zadruga Praksa i udruga Jadranska Animacija uputile su molbu HAVC-u \nKlasa: 222-231-002-015, Urbroj: 3145-2014. (dalje u tekstu: Molba) kojom je zatražena promjena \nkoproducenta  na projektu „Herman H. Rott“, kojem je odobrena dodjela sredstava u kategoriji manjinske \nkoprodukcije u 2014. godini, većinskog producenta Chintis Lungreni Animatsioonistuudio  s koproducenta \nudruge Jadranska Animacija na koproducenta zadrugu Praksa. \n \nHrvatsko audiovizualno vijeće je na 50. sjednici većinom glasova donijelo odluku o usvajanju molbe kao što \nje navedeno u ad.1 ove Odluke. \n \nSukladno čl. 10. 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ROK, 2023. \nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac  \nKATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - DUGOMETRAŽNI DOKUMENTARNI FILM – \n15.  ožujka 2023.  \nOPĆI OSVRT  \n \nNa javni poziv u kategoriji proizvodnje dugometražnog dokumentarnog filma na 1. roku 2023. \ngodine prijavljeno je sveukupno 17 projekata.  Od 17 prijavljenih projekata 1 nije razmatran jer \nnije zadovoljavao uvjete natječaja.   Značajan broj pristiglih projekata već je iskoristio potporu u \nfazi razvoja scenarija ili razvoja projekta i to je vidljivo u kvaliteti dijela pripremljenih \nprodukcijskih paketa. Dio projekata ranije je prijavljivan u kategoriji proizvodnje te su sada \nponovili prijavu.  \nAutorski principi su raznoliki uz dominaciju istraživačkih, opservacijskih, poluautobiografskih  i   \nedukativnih  pristupa. Teme koje autori i autorice postavljaju u fokus su većinom vezane uz očito \njoš uvijek nedovoljno obrađivane teme posljedica Domovinskog rata i tranzicije, no autori \ntakođer nude zanimljive i društveno relevantne uvide u teme općeljudskog značaja te u teme s \npodručja dizajna i umjetnosti.  \nDio projekata je ponovio prijavu za proizvodnju, većina njih bez značajne promjene u odnosu na \nranije prijave, no neki su projekte unaprijedili do razine koja im je osigurala financiranje.  \nPrijavljeno je i nekoliko projekata koji su rezultat temeljitog i dugotrajnog istraživanja teme, no \nnekima istovremeno nedostaje dramaturška kompleksnost, autorska inovativnost ili uvjerljivost.  \nPredloženo je i odobreno ukupno 7 projekata za sufinanciranje u ovoj kategoriji u ukupnom \niznosu od 322.000,00 eur. Odobreni projekti iskaču svojim kreativnim potencijalom, nadahnutim \npristupom obradi teme, ali i relevantni su u društvenom i umjetničkom kontekstu. Kvalitetno \nobavljenim istraživanjem se stječe povjerenje u mogućnost završetka produkcije.  \n \n1.MIROTVORAC Ivan Ramljak ( redatelj i scenarist) / Dragutin Heidl / Hrvoje Zovko (scenaristi), \nNenad Puhovski (producent) / Factum (produkcija)-  64.000,00 eur  \n \nPriča o posljednjih nekoliko mjeseci života Josipa Reihl Kira, načelnika policije Osječko-baranjske \npolicijske uprave, u proljeće i ljeto 1991., u osvit krvavog hrvatsko-srpskog rata koji je Kir svim \nsilama pokušao spriječiti, ispričana je kroz izjave desetak svjedoka vremena i arhivske materijale \niz tog doba.  \n \n2.PARTIZANKE Renata Poljak (redateljica) / Marjan Alčevski (scenarist) /  Dijana Cetina \nMlađenović  (producent) / Kinematograf d.o.o. (produkcija) -48.000,00 eur  \n \nFilm je formiran oko tri glavne priče sa svjedočanstvima partizanki. Film traga za skrivenim \nženskim principima, formama i značenjima u pričama koje znamo, koje mislimo da znamo i koje \ntek trebamo saznati. Dramaturgija je predstavljena kroz narativno i vizualno hibridnu formu. \nAutorica ovim filmom debitira kao redateljica dugometražnog dokumentarnog formata.  \n \n \n\n\f\n3.  K67 Filip Filković  (redatelj i scenarist) / Renta Lučić (producentica) /  More – Magnets d.o.o \n(produkcija)46.000,00 eur \n \nDokumentarni film 'K67' prati putovanje slovenskog arhitekta i dizajnera Saše Mächtiga, dok \nzaranja u povijest i značaj svog kultnog dizajna, kioska K67. Kroz Sašinu osobnu perspektivu, film \nistražuje utjecaj kioska na društvo, njegov jedinstveni dizajn i trenutni porast popularnosti diljem \nEurope. Kroz Sašine oči, gledatelji će steći dublje razumijevanje kulturnog značaja kioska i kako \non odražava Sašin vlastiti pogled na svijet i filozofiju dizajna.  \n \n4. JABLAN Tanja Brzaković i Jelena Bosanac (redateljice i scenaristice) /   Vanja Jambrović \n(producentica) /  Restart (produkcija)48.000,00 eur  \n \nFilm govori o gostioni “Jablan”, koja je postojala 80-ih godina 20. stoljeća i nalazila se u malom \nselu Jugovo Polje u Hrvatskoj. Navodno se u “Jablanu” dogodila prva pucnjava između Srba i \nHrvata, koja je slutila rat u Hrvatskoj i završila “Jablanove dane”. Mjesto veselja, zajedništva i \nglazbe, s ratom u Hrvatskoj, postaje bojno polje. Film u kojem priča o jednoj gostioni postaje \nmetafora za sudbinu čitavog društva i raspada jedne države i sistema.  \n \n5. KONTRAADMIRAL Mladen Ivanović (redatelj i scenarist) /  Oliver Sertić (producent) / Restart \n(produkcija)58.000,00 eur  \n \nNerazriješeno ubojstvo Krste Đurovića, crnogorskog kontraadmirala JNA koji je odbio napasti \nDubrovnik u ratu 1991. godine, otvara priču o nedostižnoj pravdi na Balkanu 21. stoljeća i otkriva \nkako društvo tretira moralne odluke kada čast prevlada nad herojstvom. Ovim istraživačkim \nfilmom autor debitira u kategoriji dugometražnog dokumentarca.  \n \n6. VUKOVARSKI OSMERAC  Irena Škorić  (scenaristica, redateljica, producentica) / Artizana film \nd.o.o.  (produkcija) –40.000,00 eur \n \nFilm o zlatnoj generaciji Veslačkog kluba «Vukovar», te njegovom posljednjem prijeratnom \nosmercu iz posade 1987. godine. Prateći zajedničku predratnu povijest i naknadne sudbine  \nosmerca film daje uvid u kompleksne posljedice rata. Film je zamišljen kao rašomonska \nrekonstrukcija sjećanja.  \n \n7.BUKOVAC  Željko Rogošić (redatelj i scenarist) /  Tamara Babun (producentica) / Wolfgang i \nDolly d.o.o. (produkcija)18.000,00 eur   \n \nEdukativni biografski film o životu i stvaralaštvu Vlahe Bukovca. 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film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:54:59Z","creator_backfill_director_source":"bbf07de7_4_rezultati_av_mikroprorac_unski_2022_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 1 and title Južina align with a single clear REDATELJ entry Ante Marin, while writer and original-author columns are absent."},"entity":"Umjetnička organizacija Missart","source_url_missing":true,"row_id":"bbf07de7:s0:ce7d6f103784","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_cfbae582cf7c","project_family_title":"Južina"}],"section_total_text":"1.200.000,00 kn","section_total":1200000.0}],"totals":{"ukupno_text":null,"ukupno":1200000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":159267.37,"ukupno_match":false,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web animirani RS_RP.pdf","filename_decoded":"web animirani RS_RP.pdf","sha256":"bbfd7f040d23c2f2287a0bf47073f265bcb17c40a35ed556bd244813e5f955e8","bytes":30219,"page_count":2,"extracted_at":"2026-05-17T12:02:17Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20animirani%20RS_RP.pdf"},"raw_text":"Javni\t\r  poziv\t\r  za\t\r  poticanje\t\r  audiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  -­‐\t\r  kategorija:\t\r  poticanje\t\r  razvoja\t\r  \nscenarija\t\r  i\t\r  razvoja\t\r  projekata\t\r  dugometražnih\t\r  igranih,\t\r  dugometražnih\t\r  dokumentarnih\t\r  i\t\r  \nanimiranih\t\r  filmova,\t\r  1.\t\r  rok\t\r  2020.\t\r  \n\t\r  \nKategorija:\t\r  poticanje\t\r  razvoja\t\r  scenarija\t\r  i\t\r  razvoja\t\r  projekata\t\r  –\t\r  animirani\t\r  film\t\r  \nRok:\t\r  1.\t\r  rok,\t\r  6.\t\r  travnja\t\r  2020.\t\r  \nNa\t\r  javni\t\r  poziv\t\r  u\t\r  kategoriji\t\r  poticanja\t\r  razvoja\t\r  scenarija\t\r  i\t\r  projekata\t\r  na\t\r  1.\t\r  rok\t\r  2020.\t\r  godine,\t\r  \npodneseno\t\r  je\t\r  12\t\r  prijava,\t\r  osam\t\r  (8)\t\r  u\t\r  potkategoriji\t\r  razvoja\t\r  scenarija,\t\r  te\t\r  četiri\t\r  (4)\t\r  u\t\r  potkategoriji\t\r  \nrazvoja\t\r  projekata,\t\r  od\t\r  čega\t\r  jedan\t\r  (1)\t\r  projekt\t\r  nije\t\r  razmatran\t\r  unutar\t\r  prijavljene\t\r  potkategorije\t\r  \nrazvoja\t\r  projekata.\t\r  \t\r  \nProjekti\t\r  prijavljeni\t\r  u\t\r  potkategoriji\t\r  razvoja\t\r  scenarija\t\r  pokazali\t\r  su\t\r  se\t\r  vrijednim\t\r  pažnje,\t\r  kako\t\r  \nsvojom\t\r  početnom\t\r  idejom\t\r  tako\t\r  i\t\r  potencijalom\t\r  koji\t\r  u\t\r  sebi\t\r  nose,\t\r  a\t\r  \t\r  opet\t\r  su\t\r  ponudili\t\r  dovoljno\t\r  kako\t\r  \nbi\t\r  se\t\r  stekla\t\r  šira\t\r  slika\t\r  u\t\r  kojoj\t\r  se\t\r  vidi\t\r  i\t\r  boja\t\r  i\t\r  ton,\t\r  ali\t\r  i\t\r  smjer\t\r  u\t\r  kojem\t\r  će\t\r  se\t\r  film\t\r  oblikovati.\t\r  Dok\t\r  se\t\r  \nneki\t\r  oslanjaju\t\r  na\t\r  dokumentarizam\t\r  i\t\r  jednu\t\r  osobnu,\t\r  ali\t\r  uzbudljivu\t\r  povijest,\t\r  što\t\r  je\t\r  ponudio\t\r  \nscenarij\t\r  filma\t\r  „Jetzt“\t\r  Katrin\t\r  Novaković,\t\r  drugi\t\r  su\t\r  se\t\r  odlučili\t\r  za\t\r  profinjen\t\r  i\t\r  poetičan\t\r  pristup\t\r  što\t\r  \ndonosi\t\r  scenarij\t\r  „Nedovršena“\t\r  Petre\t\r  Zlonoge,\t\r  ili\t\r  pak,\t\r  za\t\r  duhovita,\t\r  ali\t\r  promišljena\t\r  razmatranja\t\r  i\t\r  \nviđenja\t\r  pojedinca\t\r  u\t\r  društvu\t\r  i\t\r  odnosa\t\r  pojedinca\t\r  prema\t\r  sebi\t\r  samom\t\r  što\t\r  su\t\r  donijeli\t\r  scenariji\t\r  \nfilmova\t\r  „Odgovor\t\r  na\t\r  sva\t\r  pitanja“\t\r  Vlatke\t\r  Vorkapić\t\r  i\t\r  „Srcolom“\t\r  Luke\t\r  Vucića\t\r  i\t\r  Sonje\t\r  Babić.\t\r  \t\r  \nProjekti\t\r  pristigli\t\r  u\t\r  potkategoriji\t\r  razvoja\t\r  projekata\t\r  razmatrani\t\r  su\t\r  pomno,\t\r  ali\t\r  na\t\r  1.\t\r  roku\t\r  2020.\t\r  \nnije\t\r  odabran\t\r  niti\t\r  jedan.\t\r  \t\r  \nSveukupna\t\r  potpora\t\r  u\t\r  potkategoriji\t\r  razvoja\t\r  scenarija\t\r  iznosi\t\r  100.000,00\t\r  kn\t\r  za\t\r  četiri\t\r  (4)\t\r  projekta.\t\r  \n\t\r  \nPotkategorija:\t\r  razvoj\t\r  scenarija\t\r  -­‐\t\r  animirani\t\r  film\t\r  \nRok:\t\r  1.\t\r  rok,\t\r  6.\t\r  travnja\t\r  2020.\t\r  \n\t\r  \n1.\t\r  naziv\t\r  projekta\t\r  :\t\r  JETZT\t\r  \nscenarij:\t\r  Katrin\t\r  Novaković\t\r  \n25.000,00\t\r  kn\t\r  \nPedantno\t\r  i\t\r  dobro\t\r  pripremljeni\t\r  projekt\t\r  „Jetzt“\t\r  je\t\r  zamišljen\t\r  kao\t\r  srednjemetražni\t\r  animirano-­‐\ndokumentarni\t\r  film\t\r  koji\t\r  se\t\r  služi\t\r  osobnom\t\r  poviješću,\t\r  ali\t\r  opet\t\r  dovoljno\t\r  otvorenom\t\r  i\t\r  uzbudljivom\t\r  \nza\t\r  sve\t\r  gledatelje.\t\r  Unuka\t\r  –\t\r  autorica\t\r  –\t\r  stop\t\r  animatorica\t\r  istražuje\t\r  povijest\t\r  svojeg\t\r  djeda\t\r  filmaša,\t\r  \nfotografa,\t\r  slikara,\t\r  pjesnika,\t\r  planinara,\t\r  putopisca...\t\r  za\t\r  kojeg\t\r  se\t\r  ispostavilo\t\r  da\t\r  je\t\r  i\t\r  sam\t\r  u\t\r  svojoj\t\r  \npotrebi\t\r  za\t\r  pronalaženje\t\r  najboljeg\t\r  umjetničkog\t\r  izričaja\t\r  posegnuo\t\r  i\t\r  za\t\r  stop\t\r  animacijom.\t\r  Autorica\t\r  \n\n\f\nće\t\r  se\t\r  koristiti\t\r  pronađenim\t\r  materijalima\t\r  i\t\r  uklopiti\t\r  ih\t\r  u\t\r  priču\t\r  o\t\r  jednom\t\r  životu\t\r  uronjenom\t\r  u\t\r  \nstvaralaštvo.\t\r  \t\r  \t\r  \t\r  \n\t\r  \n2.\t\r  naziv\t\r  projekta:\t\r  NEDOVRŠENA\t\r  \nscenarij:\t\r  Petra\t\r  Zlonoga\t\r  \t\r  \n25.000\t\r  kn\t\r  \n„Nedovršena“\t\r  je\t\r  srednjemetražni\t\r  animirani\t\r  projekt\t\r  koji\t\r  se\t\r  oslanja\t\r  na\t\r  poeziju\t\r  kao\t\r  pokretački\t\r  \nmoment,\t\r  poticajnu\t\r  i\t\r  dirljivu\t\r  pjesmu\t\r  u\t\r  pet\t\r  činova\t\r  koja\t\r  na\t\r  lijep\t\r  i\t\r  nježan\t\r  način\t\r  otkriva,\t\r  potiče\t\r  i\t\r  \nzaokružuje\t\r  jedan\t\r  životni\t\r  ciklus\t\r  ženskoga\t\r  bića,\t\r  odnosno\t\r  ženskoga\t\r  principa.\t\r  Autorica\t\r  pjesme,\t\r  a\t\r  \nujedno\t\r  i\t\r  autorica\t\r  projekta,\t\r  sličnim\t\r  je\t\r  senzibilitetom\t\r  i\t\r  estetikama\t\r  ostvarila\t\r  i\t\r  svoje\t\r  dosadašnje\t\r  \nuspješne\t\r  filmove,\t\r  a\t\r  „Nedovršena“\t\r  je\t\r  projekt\t\r  koji\t\r  će\t\r  se\t\r  zasigurno\t\r  razviti\t\r  u\t\r  punovrijedni\t\r  poetični\t\r  \nfilm.\t\r  \t\r  \n\t\r  \n3.\t\r  naziv\t\r  projekta:\t\r  ODGOVOR\t\r  NA\t\r  SVA\t\r  PITANJA\t\r  \nscenarij:\t\r  Vlatka\t\r  Vorkapić\t\r  \n25.000\t\r  kn\t\r  \n„Odgovor\t\r  na\t\r  sva\t\r  pitanja“\t\r  je\t\r  film\t\r  srednjeg\t\r  metra,\t\r  oslanja\t\r  se\t\r  na\t\r  humor,\t\r  a\t\r  priča\t\r  o\t\r  fanatičnoj\t\r  \nljubiteljici\t\r  kvizova\t\r  koja\t\r  je\t\r  zaljubljena\t\r  u\t\r  televizijskog\t\r  voditelja\t\r  ima\t\r  potencijala\t\r  pretvoriti\t\r  se\t\r  u\t\r  \nduhoviti\t\r  film\t\r  pun\t\r  komičnih\t\r  situacija,\t\r  kako\t\r  onih\t\r  verbalnih\t\r  tako\t\r  i\t\r  neverbalnih.\t\r  Ipak\t\r  iznutra\t\r  to\t\r  je\t\r  \nduboka\t\r  priča\t\r  o\t\r  otuđenosti\t\r  i\t\r  potrazi\t\r  za\t\r  identitetom\t\r  i\t\r  ljubavi.\t\r  \t\r  \n\t\r  \n4.\t\r  naziv\t\r  projekta:\t\r  SRCOLOM\t\r  \t\r  \nscenarij:\t\r  Luka\t\r  Vucić,\t\r  Sonja\t\r  Babić\t\r  \t\r  \n25.000\t\r  kn\t\r  \n„Srcolom“\t\r  je\t\r  zamišljen\t\r  kao\t\r  duhovita,\t\r  vizualno\t\r  lijepo\t\r  i\t\r  prikladno\t\r  stilizirana\t\r  priča\t\r  o\t\r  čovjeku,\t\r  \nnesretnom\t\r  Brki\t\r  i\t\r  njegovom\t\r  najboljem\t\r  prijatelju,\t\r  cimeru,\t\r  savjetniku\t\r  i\t\r  životnom\t\r  suputniku\t\r  –\t\r  srcu.\t\r  \nBrkino\t\r  srce\t\r  je\t\r  slomljeno,\t\r  ali\t\r  ono\t\r  njegovo\t\r  veliko\t\r  i\t\r  simpatično,\t\r  djetinje\t\r  razigrano\t\r  srce\t\r  koje\t\r  vidimo\t\r  \npokušava\t\r  ga\t\r  utješiti\t\r  i\t\r  potaknuti\t\r  da\t\r  zaboravi\t\r  tugu\t\r  i\t\r  da\t\r  nastavi\t\r  živjeti\t\r  svoj\t\r  život.\t\r  Projekt\t\r  ima\t\r  \npotencijala\t\r  postati\t\r  duhoviti\t\r  i\t\r  topao\t\r  film\t\r  namijenjen\t\r  najširoj\t\r  publici.\t\r  \n\t\r  \nUKUPNI\t\r  IZNOS:\t\r  \t\r  100.000,00\t\r  kn\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2022_1rok_14III2022_DUG_IGR_WEB.pdf","filename_decoded":"RPR_2022_1rok_14III2022_DUG_IGR_WEB.pdf","sha256":"bc03e2a55d6a377aab920a04b98557f3870196b1dce20a24f9e129d2e6cc02a1","bytes":101380,"page_count":1,"extracted_at":"2026-05-16T13:55:25Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2022_1rok_14III2022_DUG_IGR_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nBožice\nAntitalent d.o.o. \nDora Šustić\nDora Šustić\n120.000,00\n2\nMUZARA - Milk Cow \nPipser d.o.o.\nMiroslav Sikavica, Marija \nŠimoković Sikavica\nMiroslav Sikavica\n140.000,00\n3\nStrah\nTerminal 3\nNina Violić\nNina Violić\n140.000,00\nUKUPNO\n400.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ PROJEKATA u 2022. - 1. ROK - 14.3.2022.\ndugometražni igrani film - trajanje nije kraće od 70 minuta\n44. sjednica Hrvatskog audiovizualnog vijeća u 3. sazivu, 15. lipnja 2022.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2022. - 1. 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ROK - 14.3.2023.\ndugometražni igrani film - trajanje nije kraće od 70 minuta\n17. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 15. lipnja 2023.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2023. - 1. 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ROK, 2024. \nDOKUMENTARNI FILM, UMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER  \nKATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - DUGOMETRAŽNI DOKUMENTARNI FILM – \n12. rujna 2024.  \n \nOPĆI OSVRT  \n \nNa javni poziv u kategoriji proizvodnje dugometražnog dokumentarnog filma u 2. roku prijavljen \nje sveukupno 21 projekt.  Od njih 21, jedan nije razmatran.  \n \n Za razliku od prošlog poziva, čak 11 nije koristilo nikakvu prethodnu potporu HAVC-a. Kod onih \nkoji su koristili mogućnosti potpore prethodnih faza prijava, vidljivo je da su im iste pomogle u \ndaljnjem razvoju. Doduše nekima više, nekima manje. Jer od njih osam samo su njih četiri u ovom \npozivu dobili preporuku potpore HAVC-a. Stoga ponovno možemo zaključiti kako nemali broj \nprojekata ni na ovom pozivu nije kvalitetno iskoristio prethodne faze razvoja. Čak štoviše i u \novom roku primjetno je prijavljivanje projekata pojedinih autora na gotovo identičan način kao i \nna prethodnom roku. Stoga sam kao umjetnički savjetnik uzeo slobodu da ovoga puta to \notvoreno pojedinim autorima naglasim, i preporučim da ukoliko imaju namjeru identične \nprojekte prijavljivati neizmijenjene u odnosu na ovaj rok, da ih jednostavno ne prijavljuju. Barem \ndok sam ja u poziciji umjetničkog savjetnika. Nažalost ta činjenica stagniranja projekta, \ndoprinijela je odbijanju jednog broja prijavljenih projekata.    \n \nRaznolikost tematike predloženih projekata nažalost ni ovoga puta nije prevelika. I dalje se može \nprimijetiti kronični izostanak tema iz svakodnevnice koja nas okružuje, sa svojevrsnim autorskim \neskapizmom od današnjice. Kao da autori imaju što reći samo kad je u pitanju prošlost u jednoj \nmjeri. No ono što daje pravo za određeni optimizam jesu teme koje se bave današnjicom. U \nnjima ima i humora, cinizma, i svojevrsne poetičnosti  koja govori da i današnjica itekako može \nbiti prostor za kreativni dokumentarac aktualne tematike. U smislu produkcijskog promišljanja \nprojekata, veseli činjenica da se sve više producenata odlučuje na ozbiljan produkcijski paket koji \nprijavljuju na pozive HAVC-a. Ono što veseli jest da pojedini projekti, njihovi autori i produkcije \nnaginju prema kompleksnijim projektima i prijavama. U kojima možemo pročitati zavidni \nprodukcijski paket koji nude.  \n \nZaključno je predloženo i odobreno ukupno 6 projekata za sufinanciranje u ovoj kategoriji, u \nukupnom iznosu od 380.000,00 eura. Svaki od odobrenih projekta u sebi nosi posebnost svoje \ntematike, utemeljenost u društvenoj relevantnosti, s jasnom vizijom autorske kreativnosti i \numjetničke vrijednosti njihova projekta, koja upućuje na konkretnost u realizaciji samog projekta \nkoji je prijavljen.  \n \n \n \n \n \n \n\n\f\n \n1. 69 km Anđelo Jurkas (redatelj/scenarist) / Anđelo Jurkas / DOP (produkcija) - 30.000,00 eur  \n \nProjekt je prošao fazu razvoja projekta, i u predanoj dokumentaciji vidljivo je kako je autor \nposlušao savjete umjetničkog savjetnika, u smislu konciznosti strukture njegova projekta. Radi se \no vrlo slojevitom i konkretno postavljenom scenariju, po tematskim cjelinama, koje funkcioniraju \nkao poglavlja koja gledatelju pomažu u praćenju osnovne priče. Tako pratimo dvostruku borbu, ili \ndvojbu protagonista Marka, onu fizičke pripreme za utrku, samu utrku u kojoj doživljava uspjeh, i \nhumanitarnu notu akcije u kojoj cilj prikupljanja sredstva u iznosu od 120.000 eura s prikupljenih \n„samo“ 20.000 eura nije ispunjen. Autoru ova činjenica nije trenutak filma bez happy enda, već \nmotiv daljnjeg praćenja protagonista u razmišljanjima o razlozima za taj neuspjeh. Čime film vodi \ndo odluke protagonista da ne odustane, s otvorenim krajem koji ukazuje da Marko ima namjeru \nnastaviti prikupiti ciljana sredstva.  \n \n2. IDENTITET Slađana-Marija Lučić (redateljica/scenaristica),  Tamara Babun (producentica) / \nWolfgang & Dolly  d.o.o. (produkcija) -  70.000,00 eur  \n \nVeć sam sinopsis donosi prije svega potresnu, potom i intrigantnu temu, kroz troje protagonista \ndanas odraslih mladih ljudi, djece rođenih kao plod silovanja njihovih majki. O ovoj tabu temi \nsvakog društva, pa tako i onih post-YU država referira se prije svega na rat i poraće, no \nkomunicira i sa mirnodopskim vremenom, jer nažalost žrtava silovanja ima i u miru. Kao i rođene \ndjece nakon takva zločina nad ženama.  Glas te djece, čini mi se do sada nismo čuli u našoj \nkinematografiji. Predani treatment nastavlja načeti koncept užasa i nade u sinopsisu. Vrlo \nuvjerljiva struktura, koja već sada intrigira i ima istovremeno i potrebu za autoričinom toplinom \nnaspram njenih protagonistima. Naime autorica Slađana-Marija Lučić, kao da ima potrebu \nsubmisivno naglasiti kako je svjesna povjerenja koje su joj dali njeni protagonisti da ispriča \nnjihovu priču, ali kroz njih i priču mnogih drugih.  \n \n3. KROZ PROCES 10-6-93 Marina Petković Liker (redateljica / scenaristica) / Tiha Gudac, Marina \nPetković Liker  (producentica) / Četveroruka (produkcija) - 80.000,00 eur  \n \nIako debitantica, autorica ovog projekta Marina Petković Liker donosi nam iznimno kompleksan \nprojekt, s vrlo jasnom vizijom kako ovu tešku temu oživotvoriti u dokumentarnom filmu. \nTragedija iz ’93 – pogibija osmero djece od granate ispaljene s pozicija Armije BiH prema dijelu \nViteza u kojem tada žive Hrvati, jedna je od onih priča u kojoj teško možete išta reći, osim slušati. \nI čini se da upravo to najbolje radi autorica. I donosi strašnu, zaboravljenu priču.  \n \n4. NOVI ŽIVOT Goran Dević (redatelj / scenarist) / Hrvoje Osvadić  (producent) / Petnaesta \numjetnost d.o.o. (produkcija) – 80.000,00 eur  \n \nVeć iskusni autor Goran Dević vraća se svojoj temi, čini se nepresušnoj, gradu Sisku. Ovoga puta \nputem jedne zgrade donosi na prvi mah čini se tri priče, ali uspješno stopljene u jedan film za koji \nje Dević imao sreće da mu se praktički dogodio pred njegovom kamerom. No valja imati i \nautorsku svjesnost kako - takvu priliku pametno iskoristiti što autor upravo i čini krenuvši u film, \n\n\f\nu kojem prati azilante, kurdske izbjeglice iz ratom pogođene Sirije, koji useljavaju u zgradu u \nSisku. Sedmeročlanu obitelj, dvoje roditelja i petoro djece dočekuju u dobroj vjeri domicilni \nsusjedi, mahom nekadašnji radnici Željezare Sisak, pretežito bošnjačke nacionalnosti u \nnekadašnjoj modernističkoj stambenoj zgradi sa 160 stanova, ponosu socijalističke politike kojom \nsu se nekada stvarali novi standardi života radničke klase, kako ističe autor.  \n \n5. SMRT JEDNOG VLAKA Silvestar Kolbas (redatelj / scenarist) / Mirta Puhlovski  (producent) / \nMetar60 (produkcija) – 80.000,00 eur  \n \nOvim projektom vraćamo se u godine kada je grad Samobor imao svoju pružnu vezu sa \nZagrebom. I mogla bi to biti samo prometno infrastrukturna priča da ju ne radi ovaj autor \nSilvestar Kolbas. Nakon uspješne razvojne prijave, u ovaj svoj prijedlog dodatno konkretizira, \npojačava ju i s probnim video materijalima iz kojih je vidljivo koliko je tzv. Samoborček i dan \ndanas toliko godina nakon ukidanja, ostao u kolektivnoj memoriji jedne zajednice. Višeslojan je to \nkoncept, u kojem ukinut vlak postaje svojevrsni portal u neko drugo vrijeme.  \n \n  \n6. STRUJA U KAMENU Marko Stanić (redatelj) / Mario Piragić (scenarist) / Kadar 22 (produkcija) \n– 40.000,00 eur  \n \nProjekt koji donosi biografiju kipara Pere Jelisića, kolažnog dramaturškog pristupa. U svojem \ntreatmentu izbjegava klasični narativni pristup, što biografskom filmu daje određenu posebnost \nnaspram filmova ovakvog žanra. Radi se o kiparu, kojeg šira javnost manje zna, autor projekta \nMarko Stanić uz potporu scenarista Marija Piragića tvrdi da u domovini nije priznat, dok je izvan \nHrvatske cijenjen. Jedan je ovo od argumenata kojima autor utemeljeno elaborira zašto ovaj \nprotagonist zaslužuje biografski film. I u toj elaboraciji ostaje relevantan. I protom nudi dovoljno \nrazloga zašto bi se njegov projekt podržao.   \n \n \n \n \n \n \n \n  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2024,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2018_2rok_ANIMIRANI_WEB.pdf","filename_decoded":"RPR_2018_2rok_ANIMIRANI_WEB.pdf","sha256":"bd53e704923c556912770db8815aa5910aa8471f417f7f13c1daf7603a2751ab","bytes":34693,"page_count":1,"extracted_at":"2026-05-16T15:28:19Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2018_2rok_ANIMIRANI_WEB.pdf"},"raw_text":"1\nRAZVOJ PROJEKATA 2018.\n- 2. rok \nANIMIRANI\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nDječak\nUmjetnička organizacija \nPet rusa\nFrano Petruša\nFrano Petruša\nFrano Petruša\n100.000,00\nUKUPNO\n100.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ PROJEKATA u 2018. - 2. 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Vrijedi \nnotirati da ni ovaj put nije nedostajalo potentnih projekata, \nno u skladu s dozvoljenim proračunom predložio sam njih tri. \nSva tri projekta su iz kategorije dugometražnog igranog filma, \na odabrani su temeljem potencijala koji imaju na stranim \nfestivalima i/li u (europskoj, regionalnoj) kinodistribuciji, \ndakle da podižu koprodukcijski ugled hrvatske kinematografije, \na da istovremeno zadovoljavaju kakvoćom scenarija i izloženom \nvizijom budućeg filma. Jedan od njih je, uzgred, već dobio \npotporu Eurimagesa, ostala dva imaju dobre šanse za to. \n \nDUGOMETRAŽNI IGRANI FILM \nBOSONOGI CAR (750.000) \n“Bosonogi car“ je bio najzvučniji od svih predloženih \nprojekata na ovom roku. Posrijedi je svojevrsni nastavak \nfestivalskog hita kojeg također potpisuje isti redateljski duo \nPeter Brosens-Jessica Woodworth. Taj hit, “Kralj belgijanaca“, \nbio je zapažen na Venecija Film Festivalu 2016., a imao je \nnominaciju i za Europsku filmsku nagradu, popularni Europski \nOscar, u kategoriji najbolje komedije. U sličnom žanru operira \ni nastavak koji je oslobođen forme lažnog dokumentarca i humor \nne vozi žanrom filma ceste. No, humor je, prema scenariju, još \nuvijek u sličnom tonu, apsurdan i satiričan, ponajprije u \n\n\f\npolitičkom smislu. Repriza uspjeha “Kralja Belgijanaca“ je \nmoguća s obzirom da autori nanovo nišane na premijeru u \nVeneciji 2019., dok za uloge tipuju na neka od \nnajrenomiranijih europskih glumačkih imena. U prilog potpori \nide i činjenica da bi se radnja jedne ovako velike i prestižne \neuropske (ko)produkcije odvijala na “bivšem Titovom otočju“, \nodnosno planirano je snimanje na Brijunima. \n \nBUDIMO ISKRENI (750.000)  \nCrnohumorne trilerske drame sa snažnom sociokritičkom notom \njedna su od konstanti (nezavisne) američke kinematografije, no \nna ovim prostorima jedva da postoje, premda društvo post-\ntranzicije sa sumnjivim tajkunima i njihovim još sumnjivijim \nposlovima nudi materijala za takve filmove. Prepoznao je to \nMetod Pevec u filmu “Budimo iskreni“ i složio naizgled \npotentan složenac drame i trilera s nijansama crnog humora \nkoje u krvavom finalu postaju i crvene. Žanrovi se neprimjetno \nmiješaju, ulaze i izlaze jedan iz drugoga. Likovi su solidno \nrazvijeni, filmski i ljudski, osobito protagonist koji se \nznade zagledati i pravo u kameru, kako ne bismo zaboravili da \nje “Budimo iskreni“ ipak film. Opisani ambijent je, pak, \nfilmičan i stvaran, u njemu se zna zrcaliti i hrvatski \nsvagdan. Da ovo ipak nije ponajprije samo slovenska priča koja \nće najviše rezonirati na domaćem tlu, tek onda u regiji ili \nšire, potvrđuje friški podatak kako je fond Eurimages odobrio \nPevecovu projektu sredstva za sufinanciranje u iznosu od \ndvjesto tisuća eura, tj. angažman najveće slovenske zvijezde \nKatarine Čas (Scorseseov “Vuk s Wall Streeta“, “Danny Collins“ \ns Alom Pacinom) kao predvodnice glumačke ekipe. \n \nSIN (525.000) \nNaslov dugometražnog prvijenca Ines Tanović “Naša svakodnevna \npriča“ najavio je primarni interes ove redateljice i \nscenaristice. Tanović se zanima za “našu svakodnevnu priču“ i \n\n\f\nu drugijencu “Sin“ u kojem su sporedne uloge namijenjene \nhrvatskim glumcima, a od hrvatske ekipe navodi se i skladatelj \nglazbe. “Naša svakodnevna priča“ je dobila potporu Eurimagesa. \nNije isključeno da je dobije i scenaristički zreliji “Sin“. \nKao i “Naša svakodnevna priča“, “Sin“ se odvija u Sarajevu, \nali bi se mogao odvijati i bilo gdje u regiji, ako ne i \nEuropi. Ovo je univerzalna priča o potrazi za identitetom \njednog (auto)destruktivnog mladića. Sarajevo kao mjesto radnje \ndaje ekstra kontekst njegovu bijesu, no scenarij, rekosmo, \nnjeguje univerzalnost i njegova nova, deveta verzija izbacila \nje dijelove koji su bili suviše lokalni, pa i uopće suvišni za \novu priču. Nova verzija je dosta kompaktnija i “čišća“ u \nkarakterizaciji i motivaciji glavnog lika, ali i pobočnih koji \nsu sada obojani s više nijansi sive, a nelinearna dramaturška \nstruktura pogoduje podizanju psiholoških tenzija i kreće od \nprijašnjeg kraja prema početku. 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Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: Zakon) te čl. 12. st. \nst. 6. Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 10/20) Hrvatsko audiovizualno vijeće u 3. sazivu na 12. sjednici održanoj \n19. ožujka 2021. godine donijelo je: \n \nO  D  L  U  K  U \no usvajanju zamolbe producenta Jaako dobra produkcija j.d.o.o.-a za promjenom nositelja projekta, u \nkategoriji poticanje filmskih koprodukcija s manjinskim hrvatskim udjelom za projekt „Prelazak“, s \nproducenta Jaako dobra produkcija j.d.o.o.-a na producenta Nukleus film d.o.o. \n \n1. Usvaja se zamolba producenta Jaako dobra produkcija j.d.o.o.-a za promjenom nositelja projekta \n„Prelazak“, u kategoriji poticanje filmskih koprodukcija s manjinskim hrvatskim udjelom, s \nproducenta Jaako dobra produkcija j.d.o.o.-a na producenta Nukleus film d.o.o. \n \n2. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n3. Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \n \nObrazloženje \n \nProducent Jaako dobra produkcija j.d.o.o. uputila je molbu Hrvatskom audiovizualnom centru od 16. ožujka \n2021. g. (KLASA: 222-279-002-021; URBROJ: 1420-2021), kojom je zatražena promjena nositelja projekta \n„Prelazak“, u kategoriji poticanje filmskih koprodukcija s manjinskim hrvatskim udjelom, s producenta Jaako \ndobra produkcija j.d.o.o.-a na producenta Nukleus film d.o.o. \n \n \nHrvatsko audiovizualno vijeće u 3. sazivu na 12. sjednici je s dvanaest (12) glasova \"za\", jednim (1) „protiv“ \ndva (2) „suzdržan“ usvojilo Zamolbu kao što je navedeno u ad. 1. ove Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), Hrvatski audiovizualni centar \nće ovu Odluku objaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjednik \nHrvatskog audiovizualnog vijeća \n \n     Lado Skorin, v.r. \n \n \n\n\f\n \n \n \n \n \n \nDostaviti: \n- \nJaako dobra produkcija j.d.o.o., Medulićeva 6, Zagreb \n- \nNukleus film d.o.o., Dalmatinska 8, Zagreb \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2021,"rok":null,"referenced_projects":["Prelazak"],"summary":"Hrvatsko audiovizualno vijeće na 12. sjednici 3. saziva usvojilo je zamolbu za promjenu nositelja projekta „Prelazak“ u kategoriji manjinskih hrvatskih koprodukcija s producenta Jaako dobra produkcija j.d.o.o. na producenta Nukleus film d.o.o.","project_links":[{"source_title":"Prelazak","family_id":"pf_b37c8a38991a","family_title":"Prelazak","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"WEB%20REZULTATI%20AV%20MANJINSKE%202023.%20-%201.%20ROK.pdf","filename_decoded":"WEB%20REZULTATI%20AV%20MANJINSKE%202023.%20-%201.%20ROK.pdf","sha256":"bfcdef42e54e1ea356b5a375a36509aaaccc9b0d58edbe5732aabe5d3d95649e","bytes":33465,"page_count":1,"extracted_at":"2026-05-16T15:36:58Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20REZULTATI%20AV%20MANJINSKE%202023.%20-%201.%20ROK.pdf"},"raw_text":"REDATELJ/ICA\nHRVATSKI PRODUCENT\nODOBRENA \nSREDSTVA (€) \n1\nDobra djevojka\nIzazov 365 d.o.o.\n80.000,00 €\n2\nPješčana kronika\nInter film d.o.o.\n60.000,00 €\n3\nU sjeni rogova\nKinorama d.o.o.\n80.000,00 €\n4\nA šta sad, a šta tad?\nAnti-Apsurd d.o.o.\n55.000,00 €\n5\nKismet\nNukleus Film d.o.o.\n25.000,00 €\n300.000,00 €\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE FILMSKIH \nKOPRODUKCIJA S MANJINSKIM HRVATSKIM UDJELOM u 2023. - 1. ROK - 11.1.2023., 11. sjednica \nHrvatskog audiovizualnog vijeća, 10.3.2023.\ndebitantski dugometražni igrani filmovi\ndugometražni igrani filmovi \nNAZIV FILMA\nUrška Djukić\nSVEUKUPNO\nBoris Mitić\ndugometražni dokumentarni filmovi  (od 60 minuta)\nPetar Ristovski\nOgnjen Glavonić\nkratkometražni igrani filmovi\nŽiga Virc\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE FILMSKIH KOPRODUKCIJA S MANJINSKIM HRVATSKIM UDJELOM u 2023. - 1. 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1.rok.pdf","filename_decoded":"web Obrazlozenje razvoj scenarija dugi igrani 2024 1.rok.pdf","sha256":"c01ecf42ff7256a71b1981fb6806c22ddbe1303980b138be9b4a115c95b09681","bytes":144661,"page_count":7,"extracted_at":"2026-05-17T12:02:18Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje%20razvoj%20scenarija%20dugi%20igrani%202024%201.rok.pdf"},"raw_text":" \nJavni poziv za po*canje audiovizualnih djelatnos* i stvaralaštva - kategorija: po*canje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i \nanimiranih filmova - potkategorija: \nRAZVOJ SCENARIJA u 2024. - 1. ROK - 13.3.2024. \nDUGOMETRAŽNI IGRANI FILM \n- umjetnički savjetnici za dugometražni igrani film - Višnja Pen*ć, Dean Šoša, Juraj Lero*ć \n \n \nSve dulja tradicija raspisivanja javnih poziva za po4canje razvoja scenarija rezul4ra iz godine u \ngodinu sve zanimljivijim i sve raznovrsnijim projek4ma. Na ovom roku bilo je prijavljeno \nosamdeset i sedam (87) projekata od čega smo razmatrali njih osamdeset i šest (86) -  jedan \nprojekt nije imao važeću dokumentaciju. Za potporu je predloženo i odobreno ukupno trinaest \n(13) projekata:  jedanaest (11) prijavljenih u ovoj kategoriji, jedan (1) prijavljen u kategoriji \nproizvodnje filmova i jedan (1) prijavljen u kategoriji razvoja projekta.  \n \nOdobreni projek4 obiluju iznimno zanimljivim temama, mo4vima, karakterima i atmosferama. \nBrojni treatmen4 u prvi plan stavljaju komunikaciju s kino publikom, a od žanrova dominiraju \nkomedije i filmovi strave. Vrijedi istaknu4 i nekoliko vrlo zanimljivih distopijskih filmova čije se \nradnje odvijaju u bliskoj budućnos4, a koji također svi odišu humorom.  \n \nSve su češći i biografski filmovi o slavnim osobama koji, nažalost, uglavnom ne uspijevaju \nnapravi4 presudan korak kako bi zanimljivi živo4 osoba koje portre4raju bili intrigantni i iz \nfilmskih razloga.   \n \nNažalost, jedini deficitaran žanr na ovome roku bio je žanr dječjega filma, no vjerujemo kako će  \nspecijalizirani javni poziv ispravi4 i tu 'anomaliju'.  \n \nDio zanimljivih scenarija već ima planirane redatelje, no mnogo je i onih kod kojih je ime redatelja \nu ovoj fazi nepoznato. Valjalo bi poradi4 na kvalitetnijoj komunikaciji među filmašima kako se ne \nbi dogodilo da neki vrijedni i zanimljivi projek4 okončaju život prije iduće stepenice razvoja \nprojekta.  \n \n \nO ljudima i psima \nScenarij i režija: Ivan Salaj \n \nPedesetogodišnjem slikaru Niki, lovci ubijaju psa. On iz osvete pali vozni park lovačkog društva i \nnjihovih gos4ju iz Italije, čime pokreće spiralu nasilja u malom istarskom gradiću, koja dovodi do \ntragičnog kraja svih uključenih. I njegovi pomagači i njegovi neprijatelji prikazani su kroz odnos \nprema psima, nijemim promatračima ljudske kvarnos4. \n \nNakon dugogodišnje pauze, autor kultnoga filma 'Vidimo se' Ivan Salaj oživio je redateljsku \nkarijeru uspješnom kino komedijom 'Osmi povjerenik'. Po završetku trećega filma - 'Žene, luđaci \n\n\f\ni malo dobrih pedera', Salaj kreće razvija4 scenarij novoga projekta 'O ljudima i psima'. Treatment \noriginalno i vrlo uzbudljivo sučeljava ljubitelje i mrzitelje živo4nja u priči koja, poput najuspjelijih \nžanrovskih filmova, u podtekstu vješto oslikava društvo u kojem živimo, osobito inova4vno \nprikazujući korupcijsku umreženost poli4čkih i lovačkih struktura. Projekt podjednako gravi4ra i \nkinima i fes4valima.  \n \n \nOdbačeni \nScenarij: Luka Ranogajec \nProducent: Udruga za razvoj kulture TOČKA KULTURE \n \nNakon što zagrebački skinhead Danijel od napadača spasi imigran4cu iz Južnog Sudana Amal,  \nnjihovi se živo4 počinju ispreplita4. Danijel počinje sumnja4 u svoju ideologiju, a Amal u njemu \nvidi čovjeka kojeg vrijedi spasi4. Unatoč svim preprekama i šokantnim situacijama događa im se \nljubav... \n \nFilm 'Odbačeni' ljubavna je priča o neobičnoj vezi zagrebačkog skindheada i imigran4ce iz Južnog \nSudana. Mladi scenarist Luka Ranogajec ispravno zaključuje kako 'u našoj kinematografiji tema \nodnosa lokalnog stanovništva i imigranata još nije obrađena iz kuta gledišta mladih', računajući \nna to da će se mlađa publika uspješno iden4ficira4 s njegovim likovima, 4m prije jer im se obraća \n'komunikacijskim sredstvima koja oni razumiju'. Žanrovski, ovaj film asocira na britanske feelgood \ndrame koje putem pitkih i svima razumljivih priča uspješno komuniciraju plemenite ideje, \ndopirući do šireg kruga gledatelja.  \n \n \nMrtve boje \nScenarij: Mile Božićević  \n \nU bliskoj budućnos4, Biometrijski Europski Digitalni Iden4tet (BEDI) temelj je digitalne \ndemokracije EU koji uzorne građane nagrađuje bodovima za korištenje u svakodnevnom životu. \nLela, stručnjakinja za BEDI, vraća se u rodni Tounj u Hrvatsku da pomogne svojoj konzerva4vnoj, \ntehnofobnoj, kolek4vno istrauma4ziranoj obitelji pri integraciji u sustav. Njen povratak obilježen \nje hladnim, no in4mnim odnosom s rigidnim ocem koji će joj pomoći da otkrije cijenu svog \nnaizgled utopijskog života.  \n \n'Mrtve boje' je distopijski film radnje smještene u vrlo blisku budućnost. Treatment vješto, \nnenametljivo i duhovito sučeljava visoku briselsku poli4ku i svakodnevicu života u hrvatskoj \nprovinciji, donoseći životne situacije, dopadljive likove i simpa4čno tre4ran mo4v čipiranja.  \nKvaliteta budućeg scenarija, a vjerujemo i filma, ovisit će o tome koliko je snažno autor  spreman \nusmjeri4 projekt u pravcu komedije. Ukoliko u tome uspije, film će ima4 značajan kino potencijal, \npoglavito kod one publike koja inače ne hrli gleda4 hrvatske igrane filmove. \n \n \n \n\n\f\nLice tajne \nScenarij i režija: Dijana Ce*na Mlađenović \nProducent: Kinematograf d.o.o. \n \nKasne su 1970-te. Nova Robna kuća mjesto je kupovine, druženja i prosperiteta. Njen kolek4v \nskladan je i ustrojen na temeljima samoupravljanja. Kada jednog dana izbije seks skandal čiji su \nakteri uvaženi djelatnici Robne kuće, događaj je to koji će ozbiljno uzdrma4 njegove glavne \naktere, kompletan kolek4v, ali i cijeli grad. U toj oluji, ustroj kolek4vnih i individualnih vrijednos4, \nsloboda, povjerenja i ciljeva morat će se redefinira4. Ili neće, ako se kazni onu koja je \nnajslobodnija.  \n \nTreatment za dramu 'Lice tajne' istodobno je društvena kronika jednoga vremena i prostora, \nobiteljska sudska drama te - u svom najzanimljivijem aspektu - intrigantna priča o nesputanoj \nseksualnos4. Potonja je priča toliko neobična da se čini kako bi mogla bi4 nadahnuta stvarnim \nzbivanjima. Snažnije strukturiranje filma upravo oko te priče bit će impera4v u nastavku razvoja \novoga djela, kako bi budući film otključao svoj nesumnjivi fes4valski potencijal.   \n \n \nOdisejeva zemlja \nScenarij: Josip Mlakić \nRežija: Kris;jan Milić \nProducent: Alka film d.o.o. \n \nRadnja filma odvija se u periodu od 1940. do 1953., za vrijeme Drugog svjetskog rata i u poraću, na širokom \nprostoru od Bosanske Posavine, Zagreba pa do ratnog Staljingrada. Glavni junak je dvadesetogodišnji Pejo, \nkoji je odmah na početku rata, nakon što se oženio, mobiliziran u kraljevsku, a zaJm u ustašku vojsku. \nNakon njegove pogibije, krajem rata, glavni junak postaje njegova žena Janja. 'Odisejeva zemlja' je zapravo \nfilm o jednom mikroprostoru, situiran u jedno iznimno traumaJčno vrijeme. \n'Odisejeva zemlja', scenarista Josipa Mlakića, ambiciozno je osmišljen projekt ratne drame čija se radnja \nodvija na širokom prostornom potezu od Bosanske Posavine do Staljingrada i traje skoro petnaestak \ngodina. Velika povijesna zbivanja prikazana su kroz priče o tzv. malim ljudima kojima je jedini cilj \npreživljavanje. \nScenarij filma, originalno prijavljenog na javni poziv u kategoriji razvoja projekta,  obiluje zanimljivim \nzbivanjima, moJvima i karakterima, no sadrži još prostora za doradu na svakom od ovih planova. \nFilm predviđa neke scene koje produkcijskom zahtjevnošću odudaraju od standarda hrvatske \nkinematografije, no predloženi producent filma ranije je dokazao da u skromnim okvirima umije \nproduciraJ filmove koji izgledaju skuplje no što su koštali (‘Jozef’).   \n \n \n \n \n \n\n\f\n \n \nRezervacije \nScenarij i režija: Marko Bičanić \nProducent: Udruga Blank \n \nNakon naglog prekida s djevojkom, Petar odlazi s najbližim prijateljem, Kris4anom, na već plaćeno \nljetovanje za parove. Umjesto da se opuste na jadranskoj obali, sus4gnu ih frustracije u \nturis4čkom mjestašcu koje ih svakim korakom podsjeća na probleme od kojih su htjeli pobjeći. \nKao sol na ranu, iznenadno im se pridruži treći gost. \nIzvrsno strukturirana gorko-slatka priča o odrastanju, odnosno suočavanju sa kompleksnim \nzahtjevima zrelos4 ispričana kroz duhovitu buddy-buddy situaciju dvaju mladića koji bijeg od \nsuočavanja s problemima traže na zajedničkom ljetovanju. Ono će naravno poći krivo i umjesto \nrazonode i zaborava suoči4 ih s vlas44m manama i sablas4ma od kojih se ne mogu tek tako lako \nskloni4 u ljetni hlad.  Dvojica glavnih likova na efektan način međusobno zrcale slijepe točke \nkaraktera onog drugog, a dehumanizirano okruženje turis4čke sezone služi kao dodatna injekcija \nnjihovim tjeskobama podcrtavajući bezizlaznost situacije u kojoj se nalaze. Priča je ispričana s \nosjećajem za psihološke detalje i dobrodošlom dozom humora, a u konačnici nudi empa4jom i \nsimpa4jom prožeto razrješenje za svog glavnog (an4)junaka čija je ljetna dogodovš4na tek prva \npostaja na putu k zrelos4 i odgovornos4. \n \nSumnjivo područje \nScenarij: Filip Peruzović i Ivan Turković Krnjak \nRežija: Filip Peruzović \nProducent: Pipser d.o.o. \n \nProljeće je 2026. i bliži se turis4čka sezona – krajnje vrijeme da se proglasi kraj razminiranja \nHrvatske. Negdje u Lici, blizu Plitvičkih jezera, dok rani turis4 uživaju u ljepotama Hrvatske, odred \npirotehničara odrađuje jedan od posljednjih terena. Neki se raduju završetku razminiranja, dok su \ndrugi žalosni zbog kraja jednog načina života. Ali, nije još gotovo – treba preživje4. A oluja se bliži, \ni napetost raste... \nTreatment donosi uvjerljivo vizualiziranu i osmišljenu atmosferu konkretne prijetnje  minskog \npolja koja se pretvara u vrstu metafizičkog beznađa što priči daje aktualnu dimenziju i snažnu \nrezonantnost. Cjelina u kojoj su likovi pirotehničara prikazani kao melankolijom obuze4 heroji na \nrubu društva intrigantno je oblikovana u ključu sporog filma u kojem detalji i pogledi govore \numjesto izgovorenih riječi, a emocije se prelijevaju i nastanjuju ne samo likove, već i prostor u \nkojem se nalaze, a koji postaje zrcalo njihovoj unutrašnjos4. Projekt 'Sumnjivo područje' na jednoj \nje razini i film duhova jer su pirotehničari nakon godina obavljanja iznimno psihički zahtjevnog \nposla koji od društva nije dovoljno cijenjen emocionalno postali poput sablas4 proganjanih \n\n\f\nidejom o nekom drugačijem, smislenijem životu. Prostor njihova djelovanja stalno je obilježen \nprošlim i budućim potencijalnim smr4ma njima znanih i neznanih ljudi koje poput utvara \nproganjaju filmom prikazan svijet te njegovim protagonis4ma onemogućuju da ostvare sretnu \nsadašnjost te da zamisle i požele neku bolju budućnost. \n \nTemelji \nScenarij: Srđan Kovačević \nRežija: Srđan Kovačević \n \nTrosobni stan na drugom katu zgrade u Splitu gleda prema jugu. U njemu živi mala obitelj, jedna \nmajka, jedna djevojčica od trinaest godina i jedan dječak star če4ri godine. Ratno je vrijeme i taj \nstan večeras će posta4 ra4šte. Ratovat će se oko stana, oko komadića naše države. Vojnici dolaze \npred zgradu s kalašnjikovima u rukama, bombama i noževima. Djeca su već u krevetu kad začuju \ndug i isprekidan zvon na vra4ma. Taj ton je rez u vremenu i ništa nakon ove noći za njih neće bi4 \nisto. \nIzuzetno moćna situacija vojnog upada u civilni stan u kojem živi majka s djecom nudi op4malno \ndramaturško polazište za građenje budućeg scenarija koji će se bavi4 jednim od najmračnijih \nrealnih aspekata ratnog stanja. Jedinstvo vremena i mjesta radnje omogućuje ostvarivanje \nklasičnih dramaturških postavki u smislu sukoba i gradnje napetos4. Važnost je ove priče u njenoj \nduboko ak4vis4čkoj dimenziji koja pokazuje dehumanizirajuću prirodu ideoloških i, posljedično, \nmaterijalno mo4viranih sukoba. Priča će najjače rezonira4 ako se uspješno izbjegne plakatno \nprikazivanje protagonista kao pozi4vaca ili nega4vaca jer portre4rani provoditelji nasilja djeluju u \nime nekog sistema, konteksta i u njemu nastalih vrijednos4 kojima se ovakvi događaji moraju \nopravda4 i uklopi4 u službene nara4ve ili iz njih izbrisa4. Kao metafilmski okvir moguće je uključi4 \ndokumentaciju o stvarnim događajima ovog 4pa čime će se dodatno naglasi4 društvena važnost \ni povijesna pozadina predstavljene priče. \n \nListanje kupusa \nScenarij: Branko Schmidt i Vivien Karlović \nRežija: Branko Schmidt \nProducent: Telefilm d.o.o. \n \nBorovo, proljeće 1991., iz škole počinju nestaja4 djeca. Petorka zvana „An grupa“ kreće u potragu \nza nestalim učenicima, među4m, uskoro nestaju dva člana „An grupe“. Preostali saznaju da se \nnalaze u gradiću uz Dunav u Vojvodini pa odluče čamcem krenu4 do njih. Dok su oni u Srbiji, u \nVukovaru i Borovu kreće rat. Dječaci ubrzo više nisu sigurni ni preko Dunava. Dvojica od njih su \nHrva4 i oni ne mogu osta4 u Srbiji, a vra44 se mogu samo preko rijeke kojom plutaju mrtva 4jela. \n\n\f\nAdaptacija istoimenog hvaljenog romana Igora Beleša objavljenog u svibnju 2023. godine \npsihološka je ratna drama s dječjim protagonis4ma koji redom dolaze iz disfunkcionalnih obitelji. \nU Belešovom romanu auten4čno se ostvarenim glasom jedanaestogodišnjaka, koji u prvom licu \npripovijeda o svom dje4njstvu koje je uniš4o vihor, moćno pokazuje patnja, tuga i užas što ih sa \nsobom donosi nasilje i gubitak onog što je u doba odrastanja najvažnije – igra, prijateljstvo i \npustolovine. Prijateljstvo je tu na prvom mjestu, jer za mlade protagoniste koji dolaze iz nesretnih \nobitelji njihova „An skupina“ predstavlja sigurno mjesto, svojevrsnu izabranu obitelj koju mogu \ngradi4 na povjerenju i međusobnom podržavanju. Ovaj projekt ima priliku ostvari4 demokra4čnu, \npolifonu filmsku strukturu u kojoj će se ču4 različi4 glasovi, objedini4 različite vizure i tako \nprokaza4 ul4ma4vni besmisao rata te naglasi4 njegova usidrenos4 u ekonomsku i povijesnu \nrealnost kao i pogubno prelamanje na mikro teritoriju osobnih sudbina pojedinaca.  \n \nAjka \nScenarij i režija: Ante Storić \nProducent: Suteren film \n \nHipersenzibilnog Andriju nakon iznenadne smrti bake nema tko čuvati pa roditelji kao \n“bejbisitericu” zapošljavaju najpovoljniju opciju - darkericu i bivšu ovisnicu Ajku. Film, \nstrukturiran kao triptih, kroz duži period prati razvoj ovog neobičnog prijateljstva te nam, obilato \nkoristeći crni humor, dočarava odrastanje dvoje senzibilnih čudaka u sredini koja ne tolerira \nrazličitost. \n \nKritika je Storićev kratki film ‘Priča o Trogiru’ opisala kao kombinaciju Todda Solondza i Nannija \nMorettija, što bi se moglo ustvrditi i za scenarij ‘Ajka’. Autor s puno razumijevanja i topline  prati \nsvoje likove, ali ih istovremeno ne štedi ne propuštajući prikazati i ono istinito, makar to bilo \ngrezo, groteskno i bizarno. Likovi ovisnika srazmjerno su česti u filmovima o adolescenciji, ali \nrijetko kada su prikazani tako višeslojno i pamtljivo kao Ajka. Osim što vrvi zanimljivim \nkarakterima  i duhovitim i apsurdnim situacijama, film donosi pogled na Dalmaciju izbjegavajući \nrazgledničke stereotipe i dajući nam pomalo nesvakidašnju, ali sigurno autentičnu sliku toga \npodneblja. \n  \n  \n \n \nBOLJE \nScenarij: Zoran Lazić \n \nRadnja filma odvija se u nekoj paralelnoj, budućoj Hrvatskoj, po kojoj kruže robo - taksiji, dok \njavnost nestrpljivo iščekuje porinuće Kronoporta, prvog komercijalnog vremeplova. Film prati \nskupinu prvih vremenskih turista koji odlaze na izlet u odmaralište na obroncima \nPapuka,  sredinom osamdesetih.  \n \nKako bi izbjegli moguće utjecaje na sadašnjost, zabranjeno im je dolaziti u kontakt s lokalnim \nstanovništvom, \nno \noni \nće \nto \npravilo \nnaravno \nprekršiti \nprvom \nprilikom. \n\n\f\nAutor treatmenta Zoran Lazić opisuje ‘Bolje’ kao satiričnu priču u žanrovskom ključu horora i \nspekulativne fikcije koja odgovara na pitanje kako bi izgledao susret umjetne inteligencije i \nprirodne gluposti. Apsurdne dramske situacije i začudni, pomaknuti karakteri podsjećaju nas na \nvještinu autora da spaja nespojive svjetove i likove te se nadamo da će film steći kultni status kao \ni autorova serija Zakon.  \nOsim što nas film ‘Bolje’ na izrazito duhovit način konfrontira s mogućom, autentičnom \nhrvatskom distopijom, autor pokušava odgovoriti i na vječno pitanje je li nekada bilo bolje - i \nako nije, hoće li ikada biti? \n \nNOĆ KRALJA ARTHURA \nScenarij: Andrija Mardešić i Šimun Šitum \nRežija: Andrija Mardešić \nProducent: Eclectica d.o.o. \n \n’Noć kralja Arthura’ je dekonstrukcija mediteranskih malomišćanskih komedija s elementima \ncrnog humora, groteske i satire o mladoj ženi koja se  vraća po oduzetu kćer u rodno dalmatinsko \nmjesto, uništeno i zagušeno turizmom. Njen dolazak će unijeti metež i promjene u živote njenih \nbližnjih, mještana, ali i u grupu prijatelja koji pokušavaju lokalnu legendu da je kralj Arthur \npokopan upravo u njihovom mjestu unovčiti i pretvoriti u turističku atrakciju. \n \nSplitski autorski duo Mardešić / Šitum zanima  prikazati svijet koji jako dobro poznaju – malo \nmjesto koje  kapitulira pod masovnim turizmom te njihove stanovnike, marginalce i gubitnike koji \nse osim u vlastitim životima pokušavaju snaći i u novonastaloj tržišnoj utakmici. Radnja počinje \nzimi, a dosiže vrhunac u špici sezone -  u feragostu kada bi se spomenuta „Noć kralja Arthura“ \ntrebala održati, dajući nam tako zanimljivu cjelogodišnju sliku sredine koju većinom poznajemo \niz ljetnih mjeseci.  \nKratki filmovi Mardešića i Šituma na istinit, a istovremeno silno zabavan način prikazuju Dalmaciju \nte se nadamo da će im to poći za rukom i u scenariju ovog dugometražnog igranog filma. \n \nHIDRA \nScenarij: Hana Japundžić \n \nTridesetogodišnja Petra ima kontradiktorne potrebe, istovremeno se ne može oprostiti s \nadolescencijom, tulumima i općenito neodgovornim načinom života, a s druge strane žudi postati \nmajkom. Film prati njeno zadnje ljeto pred majčinstvo, ljeto koje je za Petru kao mitska Hidra \nbeskrajno i neuništivo i  tijekom kojeg se raskalašeno pokušava oprostiti od mladenaštva.   \n \nFilm vješto posredstvom lika Petre, njenih kolega i prijatelja portretira generaciju umornu od \nprekarnog rada, podstanarstva i neizvjesnosti i donosi nam mlade ljude koji se besperspektivnosti \niz očaja suprotstavljaju zabavom, neumjerenošću, i potiskivanjem. Film osvaja vitalnošću i \nhumorom kojim pršti unatoč neprestanim egzistencijalnim previranjima kroz koja glavna \njunakinja na svom otočkom road tripu prolazi te nam daje iskren i neuljepšan prikaz generacije Y \nkoja do krajnjih granica odgađa, a i biva prisiljena odgoditi \"sređivanje\" života. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2024,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_me_unarodna_rezultati_rok_19022016.pdf","filename_decoded":"JP_me_unarodna_rezultati_rok_19022016.pdf","sha256":"c050edaa6571d8b9e4a7a5374345d8c143aea7c13850913cd577f54574bd7a4e","bytes":452641,"page_count":2,"extracted_at":"2026-05-17T10:23:39Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_me%C4%91unarodna_rezultati_rok_19022016.pdf"},"raw_text":"PREDLAGATELJ\nVRSTA PROGRAMA\nNAZIV PROGRAMA\nODOBRENA POTPORA \n(kn)\n1\nAntitalent d.o.o.\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje članova autorskog tima s projektom \ndugometražnog igranog filma 'Blok 62', red. V. \nVascarac na 4 sesije europskog programa edukacije za \nkreativnu predprodukciju dugometražnih filmova \nEKRAN+ ; 28.02. do 03.03.'16; 17.04. do 27.04.'16, 19. \ndo 29.06.'16, prosinac 2016.; Varšava, Poljska\n8.400,00 kn\n2\nBojan Kanjera\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za \nrazvoj projekata.\nSudjelovanje producenta Bojana Kanjere s projektima \n'Jazzls', red. L. Rukavine i 'Lost Dream Team', red. J. \nPavlovića na 3 sesije međunarodnog programa \nedukacije za razvoj projekta EuroDoc; Gdyna, Poljska; \n28.02. do 05.03.'16; Budimpešta, Mađarska; 29.05. do \n04.06.'16; Beč, Austrija; 02. do 18.10.'16\n10.000,00 kn\n3\nBranka Benčić\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje Branke Benčić na festivalskom forumu \nCurators Meeting u sklopu 62. međunarodnog \nfestivala u Oberhausenu; Njemačka; 05. do 10. svibnja \n2016.\n2.630,00 kn\n4\nČetiri film d.o.o.\nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje producentice i redateljice i predstavljanje \ndugometražnog igranog filma 'Ti mene nosiš', red. I. \nJuka u natjecateljskom programu 31. međunarodnog \nfestivala u Santa Barbari, SAD; 03. do 13. veljače 2016.\n20.000,00 kn\n5\nČetiri film d.o.o.\nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje članova  autorskog tima i predstavljanje \ndugometražnog igranog filma 'Ti mene nosiš', red. I. \nJuka u natjecateljskom programu 44. međunarodnog \nfestivala u Beogradu, Srbija; 26. veljače do 06. ožujka \n2016.\n4.000,00 kn\n6\nDado Ćosić\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje Dade Ćosića i predstavljanje \nkratkometražnog igranog filma 'Šake', red. J. Nanut na \n28. međunarodnom filmskom festivalu Premiers Plans; \nAngers, Francuska; 28. siječnja 2016.\n2.343,00 kn\n7\nDobar film\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje redateljice s projektima kratkometražnog \nigranog filma 'U ime Jagode, Čokolade i Duha Svetoga', \nred. K. Lulić i dugometražnog igranog filma 'Burgeis', \nred. K. Lulić na pitching programu From short to long u \norganizaciji Kuće scenarista u sklopu međunarodnog \nfestivala kratkometražnog filma u Clermont - \nFerrandu, 08. do 10. veljače 2016.\n1.217,00 kn\n8\nDobar film\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje scenaristice s projektom \nkratkometražnog filma 'Mačka' na međunarodnom \nprogramu za razvoj scenarija Pitch Please! U sklopu \nmeđunarodnog filmskog festivala u Luxembourgu; 26. \ndo 29. veljače 2016.\n1.099,00 kn\n9\nHrvatski filmski savez\nOstali programi.\nSudjelovanje 2 učenica  na 15. europskom susretu \naudiovizualnog stvaralaštva mladih Camera Zizanio; \nPygros, Grčka; 28. studenog do 05. prosinca 2015.\n4.194,00 kn\n10\nHrvatsko kaskadersko \ndruštvo\nProgrami stručnog usavršavanja.\nSudjelovanje članova HKD-a na međunarodnoj \nkaskaderskoj radionici Precision Driving Courses for \nEuropan Stunt Professionals; Arklow, Irska; 06. do 11. \nsrpnja 2016.\n10.000,00 kn\n11\nJure Pavlović\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redatelja i predstavljanje \nkratkometražnog igranog filma 'Piknik' red. J. Pavlovića \nna međunarodnoj konkurenciji u sklopu 38. \nmeđunarodnog festivala kratkometražnog filma u \nClermont - Ferrandu, Francuska; 05. do 13. veljače \n2016.\n4.016,00 kn\n12\nKinoklub Karlovac\nOstali programi.\nSudjelovanje 2 članica Kinokluba na sastanku YCN i 20. \nmeđunarodnom filmskom festivalu u Zaragozi, \nŠpanjolska; 26. do 29. studenog 2015.\n2.824,00 kn\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2016. - PROGRAMI \nMEĐUNARODNE SURADNJE - ROK 19.02.2016. \n\n\f\n13\nKrupni kadar d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje redatelja i predstavljanje \nkratkometražnog animiranog filma 'Planemo',red. V. \nPopovića u međunarodnoj selekciji 19. Holland \nAnimation Film Festivala; Utrecht, Nizozemska; 16. do \n21. ožujka 2016.\n1.945,00 kn\n14\nMarko Rojnić\nOstali programi.\nSudjelovanje Marka Rojnića na međunarodnoj \nkonferenciji A hundred years of film theory. \nMünsterberg and beyond: Concepts, applications, \nperspectives i održavanje izlaganja Establishing new \nviewpoint of the scene: \"Editing\" shot and cut \ndefinitions na sveučilištu u Leipzigu, Njemačka; 29. \nlipnja do 02. srpnja 2016.\n3.100,00 kn\n15\nMarko Rojnić\nOstali programi.\nSudjelovanje Marka Rojnića na međunarodnoj \nkonferenciji Music and the Moving Image te izlaganje  \nrada pod nazivom' Paradoks \"nečujnosti\" filmske \nglazbe: Gluhoća zbog nepažnje, subliminalna \npercepcija i pomoćna svijest'; New York, SAD; 27. do \n29. svibnja 2016 te na međunarodnoj \ninterdisciplinarnoj konferenciji u organizaciji The \nSociety of Cognitive Studies of the Moving Image te \nizlaganje rada 'From viewpoint to point of view: \nStrategies of attribution'; New York, SAD; 01. do 04. \nlipnja 2016.\n8.025,00 kn\n16\nMultimedijalni institut\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti. \nSudjelovanje Petra Milata i održavanje seminara i \npredavanja u suradnji s kanadskim Centrom za \nproširenu poetiku sveučilišta Concordia, Montreal i \nameričkog sveučilišta Stanford; San Francisco, SAD; \nMontreal, Kanada, 10. svibnja do 04. lipnja 2016.\n5.000,00 kn\n17\nPropeler film d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje autorskog tima i predstavljanje \nkratkometražnog igranog filma 'Zvir', red. M. Sikavice \nna programu Director's Fortnight 69. međunarodnog \nfilmskog festivala u Cannesu, Francuska; 11. do 22. \nsvibnja 2016.\n35.000,00 kn\n18\nRestart\nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje redatelja i predstavljanje dokumentarnog \nfilma 'Sve, još uvijek, u orbiti', red. D. Komljena i J. \nLattimera na 3. međunarodnom festivalu \ndokumentarnog filma Art of the Real; New York, SAD; \n08. do 21. travnja 2016. \n4.000,00 kn\n19\nRestart\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje producenata i predstavljanje projekta \nkratkometražnog igranog filma 'Po' čovika', red. K. \nKumrić na europskom koprodukcijskom \npostprodukcijskom sajmu za kratkometražne filmove \nC3PM u sklopu 11. međunarodnog festivala Paris \nCourts Devant Ile de France; Pariz, Francuska; 20. \nprosinca 2015.\n3.250,00 kn\n20\nSpiritus movens d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ -ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije \nfilmova.\nSudjelovanje autorskog tima i predstavljanje \ndugometražnog igranog filma 'Sieranevada', red. C. \nPuiuja u službenoj konkurenciji 69. međunarodnog \nfilmskog festivala u Cannesu, Francuska; 11. do 22. \nsvibnja 2016.\n23.500,00 kn\n21\nUdruga za \naudiovizualno \nstvaralaštvo Artizana\nProgrami predstavljanja i promocije \nfilmova.\nOrganizacija programa pod nazivom 'Ciklus hrvatskog \nfilma u Vojvodini'; Subotica, Sombor, Tavankut od 01. \nsvibnja 2016. do 31. prosinca 2016. \n30.000,00 kn\n22\nUdruga za promicanje \nkulture i umjetnosti JA \nBIH\nOstali programi.\nOrganizacija manifestacije 'JA BIH…5 dana Zagreba u \nSarajevu 2016.'; Sarajevo; BiH; 30. svibnja do 03. lipnja \n2015.\n15.000,00 kn\nUKUPNO:\n199.543,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\nNova ves 18  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 085  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JP_me_unarodna_rezultati_rok_19022016","year":2016,"rok":null,"natjecaj_date":"2016-02-19","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"REZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2016. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 19.02.2016.","section_key":"rezultati_javnog_poziva_za_dodjelu_sredstava_za_poticanje_ko","columns":["PREDLAGATELJ","VRSTA PROGRAMA","NAZIV PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje članova autorskog tima s projektom dugometražnog igranog filma 'Blok 62', red. V. Vascarac na 4 sesije europskog programa edukacije za kreativnu predprodukciju dugometražnih filmova EKRAN+ ; 28.02. do 03.03.'16; 17.04. do 27.04.'16, 19. do 29.06.'16, prosinac 2016.; Varšava, Poljska","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"8.400,00 kn","approved_amount":8400.0,"currency":"HRK","extras":{"col_1":"1","NAZIV PROGRAMA":"Sudjelovanje članova autorskog tima s projektom dugometražnog igranog filma 'Blok 62', red. V. Vascarac na 4 sesije europskog programa edukacije za kreativnu predprodukciju dugometražnih filmova EKRAN+ ; 28.02. do 03.03.'16; 17.04. do 27.04.'16, 19. do 29.06.'16, prosinac 2016.; Varšava, Poljska","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent d.o.o.","row_id":"c050edaa:s0:54a2c7faeeba","curation":{"changes":[{"field":"project_title","from":"Pitching, koprodukcijski forumi i programi za razvoj projekata.","to":"Sudjelovanje članova autorskog tima s projektom dugometražnog igranog filma 'Blok 62', red. V. Vascarac na 4 sesije europskog programa edukacije za kreativnu predprodukciju dugometražnih filmova EKRAN+ ; 28.02. do 03.03.'16; 17.04. do 27.04.'16, 19. do 29.06.'16, prosinac 2016.; Varšava, Poljska","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_d7d8e2ac791d","project_family_title":"Sudjelovanje članova autorskog tima s projektom dugometražnog igranog filma 'Blok 62', red. V. Vascarac na 4 sesije europskog programa edukacije za kreativnu predprodukciju dugometražnih filmova EKRAN+ ; 28.02. do 03.03.'16; 17.04. do 27.04.'16, 19. do 29.06.'16, prosinac 2016.; Varšava, Poljska"},{"row_number":2,"project_title":"Sudjelovanje producenta Bojana Kanjere s projektima 'Jazzls', red. L. Rukavine i 'Lost Dream Team', red. J. Pavlovića na 3 sesije međunarodnog programa edukacije za razvoj projekta EuroDoc; Gdyna, Poljska; 28.02. do 05.03.'16; Budimpešta, Mađarska; 29.05. do 04.06.'16; Beč, Austrija; 02. do 18.10.'16","applicant":"Bojan Kanjera","production_company":"Bojan Kanjera","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00 kn","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"2","NAZIV PROGRAMA":"Sudjelovanje producenta Bojana Kanjere s projektima 'Jazzls', red. L. Rukavine i 'Lost Dream Team', red. J. Pavlovića na 3 sesije međunarodnog programa edukacije za razvoj projekta EuroDoc; Gdyna, Poljska; 28.02. do 05.03.'16; Budimpešta, Mađarska; 29.05. do 04.06.'16; Beč, Austrija; 02. do 18.10.'16","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Bojan Kanjera","row_id":"c050edaa:s0:5a755e6e78a5","curation":{"changes":[{"field":"project_title","from":"Programi stručnog usavršavanja. Pitching, koprodukcijski forumi i programi za razvoj projekata.","to":"Sudjelovanje producenta Bojana Kanjere s projektima 'Jazzls', red. L. Rukavine i 'Lost Dream Team', red. J. Pavlovića na 3 sesije međunarodnog programa edukacije za razvoj projekta EuroDoc; Gdyna, Poljska; 28.02. do 05.03.'16; Budimpešta, Mađarska; 29.05. do 04.06.'16; Beč, Austrija; 02. do 18.10.'16","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_fdb798bb401b","project_family_title":"Sudjelovanje producenta Bojana Kanjere s projektima 'Jazzls', red. L. Rukavine i 'Lost Dream Team', red. J. Pavlovića na 3 sesije međunarodnog programa edukacije za razvoj projekta EuroDoc; Gdyna, Poljska; 28.02. do 05.03.'16; Budimpešta, Mađarska; 29.05. do 04.06.'16; Beč, Austrija; 02. do 18.10.'16"},{"row_number":3,"project_title":"Sudjelovanje Branke Benčić na festivalskom forumu Curators Meeting u sklopu 62. međunarodnog festivala u Oberhausenu; Njemačka; 05. do 10. svibnja 2016.","applicant":"Branka Benčić","production_company":"Branka Benčić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.630,00 kn","approved_amount":2630.0,"currency":"HRK","extras":{"col_1":"3","NAZIV PROGRAMA":"Sudjelovanje Branke Benčić na festivalskom forumu Curators Meeting u sklopu 62. međunarodnog festivala u Oberhausenu; Njemačka; 05. do 10. svibnja 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Branka Benčić","row_id":"c050edaa:s0:0ec3fa5f8406","curation":{"changes":[{"field":"project_title","from":"Programi gostovanja hrvatskih autora/ - ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika.","to":"Sudjelovanje Branke Benčić na festivalskom forumu Curators Meeting u sklopu 62. međunarodnog festivala u Oberhausenu; Njemačka; 05. do 10. svibnja 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_ab234b4f64dd","project_family_title":"Sudjelovanje Branke Benčić na festivalskom forumu Curators Meeting u sklopu 62. međunarodnog festivala u Oberhausenu; Njemačka; 05. do 10. svibnja 2016."},{"row_number":4,"project_title":"Sudjelovanje producentice i redateljice i predstavljanje dugometražnog igranog filma 'Ti mene nosiš', red. I. Juka u natjecateljskom programu 31. međunarodnog festivala u Santa Barbari, SAD; 03. do 13. veljače 2016.","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00 kn","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"4","NAZIV PROGRAMA":"Sudjelovanje producentice i redateljice i predstavljanje dugometražnog igranog filma 'Ti mene nosiš', red. I. Juka u natjecateljskom programu 31. međunarodnog festivala u Santa Barbari, SAD; 03. do 13. veljače 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"c050edaa:s0:583665676007","curation":{"changes":[{"field":"project_title","from":"Programi predstavljanja i promocije filmova.","to":"Sudjelovanje producentice i redateljice i predstavljanje dugometražnog igranog filma 'Ti mene nosiš', red. I. Juka u natjecateljskom programu 31. međunarodnog festivala u Santa Barbari, SAD; 03. do 13. veljače 2016.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_8490d7d69b0e","project_family_title":"Sudjelovanje producentice i redateljice i predstavljanje dugometražnog igranog filma 'Ti mene nosiš', red. I. Juka u natjecateljskom programu 31. međunarodnog festivala u Santa Barbari, SAD; 03. do 13. veljače 2016."},{"row_number":5,"project_title":"Sudjelovanje članova autorskog tima i predstavljanje dugometražnog igranog filma 'Ti mene nosiš', red. I. Juka u natjecateljskom programu 44. međunarodnog festivala u Beogradu, Srbija; 26. veljače do 06. ožujka 2016.","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.000,00 kn","approved_amount":4000.0,"currency":"HRK","extras":{"col_1":"5","NAZIV PROGRAMA":"Sudjelovanje članova autorskog tima i predstavljanje dugometražnog igranog filma 'Ti mene nosiš', red. I. Juka u natjecateljskom programu 44. međunarodnog festivala u Beogradu, Srbija; 26. veljače do 06. ožujka 2016.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"c050edaa:s0:1dbfb899de76","curation":{"changes":[{"field":"project_title","from":"Programi predstavljanja i promocije filmova.","to":"Sudjelovanje članova autorskog tima i predstavljanje dugometražnog igranog filma 'Ti mene nosiš', red. I. 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Programi predstavljanja i promocije filmova."},{"row_number":21,"project_title":"Programi predstavljanja i promocije filmova.","applicant":null,"production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00 kn","approved_amount":30000.0,"currency":"HRK","extras":{"15":"21","Marko Rojnić":"Udruga za audiovizualno stvaralaštvo Artizana","Sudjelovanje Marka Rojnića na međunarodnoj konferenciji Music and the Moving Image te izlaganje rada pod nazivom' Paradoks \"nečujnosti\" filmske glazbe: Gluhoća zbog nepažnje, subliminalna percepcija i pomoćna svijest'; New York, SAD; 27. do 29. svibnja 2016 te na međunarodnoj interdisciplinarnoj konferenciji u organizaciji The Society of Cognitive Studies of the Moving Image te izlaganje rada 'From viewpoint to point of view: Strategies of attribution'; New York, SAD; 01. do 04. lipnja 2016.":"Organizacija programa pod nazivom 'Ciklus hrvatskog filma u Vojvodini'; Subotica, Sombor, Tavankut od 01. svibnja 2016. do 31. prosinca 2016.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"c050edaa:s1:4df86224287c","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_606a90066648","project_family_title":"Programi predstavljanja i promocije filmova"}],"section_total_text":"199.543,00 kn","section_total":199543.0}],"totals":{"ukupno_text":null,"ukupno":186473.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":171473.0,"ukupno_match":false,"row_count":18,"awarded_count":18,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":18}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web Obrazlozenje umjetnicke savjetnice za eksperimentalni film_2024_2.rok.pdf","filename_decoded":"web Obrazlozenje umjetnicke savjetnice za eksperimentalni film_2024_2.rok.pdf","sha256":"c099ebf4d4bf4d7ceee97b91e9d12fa889637129c5c4d0bb6b1c6c94fc40e372","bytes":114703,"page_count":3,"extracted_at":"2026-05-17T12:01:53Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje%20umjetnicke%20savjetnice%20za%20eksperimentalni%20film_2024_2.rok.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija proizvodnje \neksperimentalnog filma u 2024. godini – 2.rok, 12.9.2024. - obrazloženje umjetničke \nsavjetnice za eksperimentalni film  \n \nSunčica Fradelić, umjetnička savjetnica za eksperimentalni film \n \n \nNa drugi rok Javnog poziva za poticanje proizvodnje audiovizualnih djela u kategoriji \neksperimentalnog filma u 2024. godini pristiglo je ukupno četrnaest prijava. Sve prijave su \nzadovoljile formalne uvjete i ušle u razmatranje. Od četrnaest projekata, četiri su već prethodno \nprijavljivana na javni poziv, tri u kategoriji eksperimentalnog filma i jedan u kategoriji \ndugometražnog dokumentarnog filma.  \n \nZastupljene su raznolike teme, od kojih se ističu preispitivanje društvenih pozicija i \nuloga, tehnička i tehnološka istraživanja, futurističke, znanstveno-fantastične, distopične vizure, \nautorefleksivnost i formalistički eksperimenti.  \n \nPri odlučivanju sam se, kao i do sada, vodila jasnoćom prijavnice, dobro predočenom i \nuvjerljivom \nredateljskom \nkoncepcijom, \nkvalitetom \npripreme \nprojekta, \nelaboriranom \nmetodologijom, razinom promišljenosti i vrstom eksperimentiranja s medijem, sposobnošću \npovezivanja forme i sadržaja u filmsku cjelinu, utemeljenošću priloženih referenci spram \nrelevantnih elemenata projekta, izvedivošću projekta – operativnog plana i procjenom \ntroškovnika, te procjenom relevantnosti samog projekta u kontekstu suvremene audiovizualne \nprodukcije.  \n \nZa sufinanciranje je predloženo i odobreno sedam filmova. Riječ je o projektima: Dream \nOn/Dream Off Dalibora Barića (KAOS d.o.o.) u iznosu od 36.000,00 eura; Suhi vrt Karle \nCrnčević (Centar za dramsku umjetnost – CDU) u iznosu od 27.800,00 eura; Beskrajni inventar \nGiuseppea Chicoa i Barbare Matijević (25 FPS, udruga za audio-vizualna istraživanja) u iznosu \nod 30.000,00 eura; Lunar Bele Bračko-Milešević (Udruga Blank) u iznoosu od 35.000,00 eura; \nJagodina soba Nine Kurtele (Umjetnička organizacija Jagoda) u iznosu od 30.000,00 eura, \nprojektni prijedlog Ane Bilankov Leptirov zagrljaj (Greta Creative Network) u iznosu od \n35.000,00 eura i Ukazivačice Vide Guzmić (Studio Pangolin) u iznosu od 35.000,00 eura. \n \n \nU projektnom prijedlogu za film Dream On/Dream Off  Dalibor Barić bavi se idejom \nsužene stvarnosti i proširenih snova. Film je zamišljen kao dugometražni hibrid različitih \nžanrova antologije, znanstvene fantastike, drame, mjuzikla i trilera, a za izvedbene tehnike \nplanirani su animacija, računalno generirana slika, motion capture, live action, found footage i \numjetna inteligencija. Radnja se zbiva u imaginarnom svijetu Neurolita u kojem je čovječanstvo \nu potpunosti integrirano s naprednim tehnologijama umjetne inteligencije. U pretpostavljenoj \nbudućnosti sinergija čovjeka i stroja vodi ka radikalnom tehnološkom razvoju i društvenom \nprogresu, snovi postaju roba, a identiteti eksperiment unutar dograđenih osobnosti. Glavni lik \nPola u nizu putovanja kroz svoje snove suočava se s nejasnim granicama sna i jave. \nProblematiziraju se egzistencijalna pitanja o naravi svijeta, svijeta kao simulakruma, sposobnost \nfunkcioniranja u kompleksnim okruženjima i sposobnost suočavanja i procesuiranja stvarnosti. \n\n\f\nVizualni pristup je detaljno osmišljen i prikazan i obiluje  slikama bogate fantazije. Kao dio \nprojektnog prijedloga priložen je soundtrack filma u odmakloj fazi razvoja kroz koji je moguće \npratiti i dramaturšku strukturu filma. Zreo, promišljen i autentičan autorski rukopis te izvrsna \nrazrađenost i zaokruženost svih elemenata filma garantiraju uspješan projekt.   \n \nKonceptualno i izvedbeno potentan projektni prijedlog filma Suhi vrt redateljice Karle \nCrnčević bazira se na razmjeni šest pisama  autorice koja živi u Zagrebu s prijateljicom Jenn, \ndizajnericom koja živi u Beirutu. Kroz pisma njih dvije razmjenjuju i osušene biljke, po jednu u \nsvakom pismu. Biljke određuju temu pisma reflektirajući se na svakodnevnicu u kojoj njihove \nkarakteristike dobivaju šire značenje. Razgovarajući o biljkama one istovremeno otkrivaju druge \nintimne i samozatajne poglede i emocije, ali i društvene slojeve, krećući od pojedinačnog, \nkonkretnog prema općem i apstraktnijem poimanju svijeta koji svi zajedno nastanjujemo. U \nizvedbi jasan, u eksperimentalnom postupku zaokružen, metodologija rada zasniva se na \nkombiniranju zvuka čitanja teksta pisama, tišine i atmosferskih zvukova, osobnih herbarija koji \npostaju filmske slike kroz skeniranja i fotografiranja, stvaranja herbarija na filmskim trakama \n(slike bez kamere); cijanotipije, te kolažiranja stranica dnevnih novina, arhivskih snimki i 35mm \nfotografija iz privatnih arhiva kao fragmenata stvarnosti. Promišljen, jednostavno i kvalitetno \nnapisan, dobro pripremljen, ovaj projekt ima sve preduvjete za uspjeh. \n \nGiuseppe Chico i Barbara Matijević predlažu realizaciju filma Beskrajni inventar. Film \nispituje granice stvarnog i virtualnog i zamišljeno je da koristi custom-made tehnologiju \nsnimanja pokreta (motion capture), motor za razvoj 3D video igara, web streaming i živu \nizvedbu. Radnja se zasniva na razgovoru između avatara Sanjačice i francuskog psihoanalitičara, \nredatelja i digitalnog teoretičara Michaela Store, a odvija se u 3D animaciji skladišta koje sadrži \n„sve predmete ikad stvorene“. U razgovoru se dotiču tjelesnog iskustva u virtualnom okruženju, \nodnosima podsvjesnog i virtualnog prostora i važnosti igranja s vlastitom slikom. Projekt je \nizrazito dobro prezentiran i uključuje detaljno opisane postupke izvedbe i reference. Projekt je \npotentan, zaigran, tehnološki relevantan i dotiče se suvremenih pitanja. Proces izvedbe jednako \nje zanimljiv kao i planirani rezultat, a uključuje nekoliko faza montaže – prilikom izvedbe i u \npostprodukciji. \n \nPrijedlog filma Lunar debitantice Bele Bračko-Milešević unapređena je verzija \nprethodne prijave istoimenog projekta i bavi se idejom ljudske potrebe za prostornom \nekspanzijom, komodifikacijom, inspiriranom stvarnim događajima prenošenja pepela pokojnika \nna Mjesec u kapsulama. U predloženom filmu pokojnik Shoemaker, odnosno njegov duh, šeta \nMjesecom i kroz njegov subjektivni kadar svjedočimo različitim audiovizualnim senzacijama: \ninvaziji novih kapsula koje ovom p(r)obuđenom duhu unose nemir. Subjektivni kadar glavnog \nlika služi i kao dramaturško sredstvo čija je namjera pojačati emotivna stanja. U novoj razradi \nprojekta, autorica dodatno obrazlaže svoju motivaciju, detaljnije opisuje postupke koje planira \nkoristiti. U pripremu prijave uložena je velika količina truda, suradnici su pažljivo odabrani, \nreference razumljive i korespondiraju s postupcima na formalnoj razini. Autorica naglašava \nkompleksnu izradu makete Mjeseca i načina snimanja kao jedan od osnovnih eksperimentalnih \ntretmana filmskog prostora i filmske slike. Precizno se navode i tehnički uvjeti, oprema i \nmetodologija rada kroz sve faze produkcije. Zvučna slika je detaljno razrađena i pojašnjena. Iako \nje tema prostorne ekspanzije ozbiljna i relevantna, sama radnja je ludičkog, zaigranog karaktera \nšto projektu daje notu humora. \n\n\f\nProjektni prijedlog umjetnice Nine Kurtele Jagodina soba višeslojna je priča u formi \nvideo eseja o prostoru ateljea u kojem je stvarala Jagoda Kaloper, a koji danas služi autorici kao \nradni, ali i društveni prostor. Kurtela gradi dijalog s umjetničkim djelovanjem i opusom Jagode \nKaloper, s fokusom na njene konceptualne, likovne i audiovizualne radove, istovremeno \nuspostavljajući međugeneracijsku vezu kroz koju preispituje položaj žene-umjetnice u društvu i \ngranice fizičkog i imaginarnog prostora. Vizualni sadržaj filma podijeljen je na tri dijela: stop \nanimaciju arhivskih materijala; digitalno generirane materijale uz input snimaka tragova u \nprostoru ateljea – mikro snimaka prašine, otisaka na zidovima, refleksija prašine u ogledalima, \nfound footage materijala pronađenih u prostoru ateljea, te koreografskih gesti izvedenih unutar \nreplike prostora ateljea. Metodologija i pristup svakoj od tri cjeline detaljno su razrađeni i \npripremljeni za produkciju uz uvjerljive vizualne reference. Uz relevantnu temu, razrađenu \npripremu i pažljivo odabran tim suradnika s bogatim iskustvom, projekt ima sve preduvjete za \nkvalitetnu realizaciju. \n \nAna Bilankov bavi se temama migracija i međuprostora, kako osobnih, tako i kolektivnih \nte na tom tragu njen novi projekt Leptirov zagrljaj tematizira znanstvena istraživanja o \nendemskim i migratornim vrstama leptira na otoku Šolti, koji, u potrazi za hladnijim krajevima, \ndolijeću s područja sjeverne Afrike i Bliskog istoka. Migracije leptira postaju polazišna točka za \nmapiranje geopolitičkog prostora i društvenih zbivanja ilustriranih različitim asocijativnim \nslikama. Projekt je nastavak prethodnog filma Dohvatiti sunce: El Shatt koji je obrađivao \npovijesno i osobno sjećanje i zaborav u kontekstu suvremenih društveno-političkih zbivanja. Za \nstilski pristup autorica predlaže vizualno poetično komponiranje slika, a kao uzore navodi \nDeborah Stratman, Chantal Akerman, Jamesa Benninga… ističući interes za apstraktne filmske \nstrukture i vertikalnu naraciju. Postupci i metodologija su razrađeni i dobro opisani, a predviđa se \nnastavak suradnje sa snimateljem Borisom Poljakom. Priprema prijedloga uz treatment, \nuključuje planirani scenoslijed,  detaljne vizualne materijale, reference, montažne postupke i \nzvučnu sliku.    \n \nVida Guzmić predlaže filmski esej Ukazivačice u kojem tematski obrađuje prostore \nukazanja s fokusom na Međugorje. Uz Međugorje, obrađuje prostore Bosne i Hercegovine, \nHrvatske, Austrije, Francuske, a služit će se i arhivskim materijalima iz 80-ih. Nastoji \ndekonstruirati postojeće narative proizišle iz geopolitičkih promjena i tradicionalnih običaja te ih \nponovno uspostaviti kroz medijsku analizu i teoriju feminističkih tendencija u ruralnom i \nreligijskom kontekstu. Guzmić tijekom protekle dvije godine umjetničkog istraživanja prikuplja \nbrojne materijale koje planira koristiti u svom radu – uz karakteristične arhivske materijale, tu je \ni sitna plastika:  od masovno proizvedenih figurica Gospe do autentičnih, ručno izrađenih \nobjekata pagansko kršćanske kulture, ali i predmeta koje su koristile zemljoradnice poput alata \nza obradu zemlje, te predmeta vezanih uz žensko reproduktivno zdravlje. Postupci su razrađeni  \nkroz kolažne animacije, montažu postojećih materijala i eksperimentiranje s digitalnim i \nanalognim tehnikama. Zvuk se sastoji od naracije, dopune slici i pjevanja tradicionalnih erotskih \npjesama u suradnji s Barbarom Majnarić. Kvalitetan tim suradnika i suradnica  također ulijeva \npovjerenje da će projekt rezultirati vrijednim ostvarenjem.   \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2024,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2013 Proizvodnja_ 2. rok.pdf","filename_decoded":"2013 Proizvodnja_ 2. rok.pdf","sha256":"c0b3cf68d62072f7a8c3b71700b7b790d52678e279f238fa3e27fb195cbfc818","bytes":124943,"page_count":3,"extracted_at":"2026-05-17T10:23:59Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2013%20Proizvodnja%2C%202.%20rok.pdf"},"raw_text":"BR.\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nBura\nNeven Petričić\n3D2D Animatori \nd.o.o.\n203,000.00 kn\n2\nCharon\nAlen Vuković\n3D2D Animatori \nd.o.o.\n270,000.00 kn\n3\nPosljednji izazov\nBožidar Trkulja\nUstanova Zagreb \nfilm\n420,000.00 kn\n4\nUmjetnik iz tamnice\nDavor Međurečan\nKreativni sindikat\n197,000.00 kn\n1,090,000.00\nBR.\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nDM2013 razgovara s DM2077\nDalibor Martinis\nOmnimedia d.o.o.\n180,000.00 kn\n2\nMachinae novae\nDarko Vidačković\nKinoklub Zagreb\n70,000.00 kn\n3\nTu, tamo\nAlexander Stewart\nBonobostudio \nd.o.o.\n100,000.00 kn\n4\nSpomenik\nIgor Grubić\nKreativni sindikat\n110,000.00 kn\n5\nDvanaest\nHelena Schultheis \nEdgeler\nFrame d.o.o.\n60,000.00 kn\n6\nSitna ptica\nDane Komljen\nRestart\n40,000.00 kn\n7\nDisplacement\nLiliana Resnick\nU.O. Rikšafilm\n40,000.00 kn\n600,000.00 kn\nBR.\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nBelladonna\nDubravka Turić\nSpiritus Movens \nd.o.o.\n250,000.00 kn\n2\nOn\nFilip Mojzeš\nDA Film d.o.o.\n300,000.00 kn\n3\nMliječni zub\nSaša Ban\nPetnaesta \numjetnost d.o.o.\n280,000.00 kn\n4\nNa 1\nMatija Kluković\nStart-up d.o.o.\n280,000.00 kn\n1,110,000.00\nBR.\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nJosipa\nJadranka Cicvarić \nŠiftar / Senad \nZemunović\nInterfilm d.o.o.\n150,000.00 kn\n2\nIz mraka\nNebojša Slijepčević Restart\n150,000.00 kn\n3\nBijeli gradovi\nDomagoj Matizović Kinematograf d.o.o.\n100,000.00 kn\nJAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I \nSTVARALAŠTVA U 2013. GODINI                                     \nKategorija poticanja proizvodnje audiovizualnih djela                  \n2. rok odlučivanja\nKRATKOMETRAŽNI DOKUMENTARNI FILMOVI\nANIMIRANI FILMOVI\nUKUPNO\nEKSPERIMENTALNI FILMOVI\nSNIMLJENI FILMOVI\nKRATKOMETRAŽNI IGRANI FILMOVI\nUKUPNO\nUKUPNO\n\n\f\n4\nSvemirski Ikar\nŽeljko Sarić\nProjekt 6 studio \nd.o.o.\n100,000.00 kn\n5\nRobert\nPetar Krelja\nHrvatski filmski \nsavez\n120,000.00 kn\n6\nAida's Crossover\nLiliana Resnick\nU. O. 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\n \n \n \nKLASA: 111-006-001 \nURBROJ: 3804-2020 \nU Zagrebu, 09. rujna 2020. \n \nTemeljem članka 36. Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: Zakon), Hrvatsko \naudiovizualno vijeće, na prijedlog Ravnatelja, u 2. sazivu na 32. sjednici održanoj 09. rujna 2020. godine \ndonijelo je: \n \nO  D  L  U  K  U \no usvajanju zamolbe za promjenom nositelja projekta za dugometražni igrani film “Glavonja”, redateljice \nMarine Andree Škop i Vande Raymanove sa producenta Studio dim d.o.o.-a na producenta PomPom Film \nd.o.o.  \n \n \n1. Usvaja se zamolba za promjenom nositelja projekta za dugometražni igrani film “Glavonja”, \nredateljice Marine Andree Škop i Vande Raymanove s producenta Studio dim d.o.o.-a na \nproducenta PomPom Film d.o.o.  \n \n2. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n3. Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici Hrvatskog \naudiovizualnog centra: www.havc.hr. \n \n \nObrazloženje \n \nProducent Studio dim d.o.o. uputio je molbu Hrvatskom audiovizualnom centru od 20. srpnja 2020. g. \n(KLASA: 222-280-001-029; URBROJ: 3165-2020), kojom je zatraženo da se ugovor za dugometražni igrani \nfilm „Glavonja“ zaključi između Hrvatskog audiovizualnog centra i producenta PomPom Film d.o.o.-a, a ne \nizmeđu Studio dim d.o.o.-a i Hrvatskog audiovizualnog centra. \n \nHrvatsko audiovizualno vijeće u 2. sazivu na 32. sjednici je jednoglasno s dvanaest (12) glasova \"za\" usvojilo \nZamolbu kao što je navedeno u ad.1  ove Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), Hrvatski audiovizualni centar \nće ovu Odluku objaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjednik Hrvatskog audiovizualnog vijeća \n \n     Antonio Nuić, v.r. \n \nDostaviti: \n- \nPomPom Film d.o.o., Ivana Kukuljevića 5, Zagreb \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"proizvodnja","year":2020,"rok":null,"referenced_projects":["Glavonja"],"summary":"Odluka AV Vijeća na 32. sjednici od 9. rujna 2020. o usvajanju zamolbe za promjenom nositelja projekta dugometražnog igranog filma „Glavonja“ redateljica Marine Andree Škop i Vande Raymanove s producenta Studio dim d.o.o. na producenta PomPom Film d.o.o.","project_links":[{"source_title":"Glavonja","family_id":"pf_3f85776d83b4","family_title":"Glavonja","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_WEB_DUG_DOK_2016_3rok_17102016.pdf","filename_decoded":"RSC_WEB_DUG_DOK_2016_3rok_17102016.pdf","sha256":"c1691bcfa153fe77a61821c1b586148a1395c40193aebc10344ab49ea41f5ba7","bytes":33394,"page_count":1,"extracted_at":"2026-05-17T10:24:27Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_WEB_DUG_DOK_2016_3rok_17102016.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nDom i rod, heroji i \nizdajnici\nTomislav Domović\nUdruga za promicanje \numjetnosti i kulture \"Ars \nspiritus\"\n30.000,00\n2\nDrakula iz Kringe\nGoran Šikić\n30.000,00\n3\nJugoslavenska narodna \narmija - autobiografija\nIvan Ramljak\nKreativni sindikat\nIvan Ramljak\n30.000,00\n4\nMajka revolucija\nDamir Čučić\nDamir Čučić\n30.000,00\n5\nPotez TIGR-a\nIrena Bosnić, Rade \nDragojević\n30.000,00\nUKUPNO\n150.000,00\nPRODUCENT\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2016. - 3. 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Od prijavljenih projekata jedan je prijavljen u fazi postprodukcije.  \nMeđu prijavljenim projektima dvanaest (12) je već bilo prijavljeno na neki od prethodnih \njavnih poziva, te petnaest (15) projekata potpisuju autori debitanti.  \n \nNa ovaj rok brojčano i kvalitativno prijavljen je manji broj scenarija. Predloženi projekti \nistaknuli su se zaokruženim i originalnim scenarijima koji u svojim redateljskim razradama \npružaju jasnu redateljsku viziju. Vjerujem da bi predloženi projekti mogli doprinijeti \nraznolikosti domaće kratkometražne produkcije te daljnjem profesionalnom razvoju autora. \n \nMeđu odabranim projektima dva (2) su bila prijavljena na neki od prethodnih javnih poziva i \nradovi su debitanata, a jedan je prijavljen u fazi postprodukcije. \n \nZa sufinanciranje proizvodnje kratkometražnog igranog filma odobrena su 4 projekta u \nukupnom iznosu od 235.000,00 eura.  \nProjekti su sljedeći: \n \nIskra, režija: Judita Gamulin, scenarij: Judita Gamulin, produkcija: Eclectica d.o.o. \niznos: 80.000,00 eura \nU priči smještenoj na set visokobudžetne reklame autorica se bavi ženskim identitetom; \ndjevojčice Iskre, gladne pažnje i priznanja i pozadinski njene majke koju je društvo već \nmodificiralo. Scenaristica se bavi settingom koji poznaje te preko detalja vrlo koncizno vodi \npažnju gledatelja istovremeno uspijevajući postići kompleksnu dinamiku emocija i odnosa \nkod likova. Konačna dekonstrukcija i prelazak u hibrid dokumentarno-igranog režijski su \npostupci kojima se bavi. \n \nOsveta, režija: Dinko Voloder, scenarij: Ivica Đikić, produkcija: Filmska autorska grupa \n„Enthusia Blanck” \niznos: 75.000,00 eura \nNaš poznati pisac Ivica Đikić kroz perspektivu slomljenog čovjeka progovara o besmislenosti \nrata, odgovornosti pojedinca u nenormalnim okolnostima. Priča je smještena u slavonsku \nravnicu 1991. godine kada slomljeni otac dobiva šansu za osvetu poginulog sina. Scenarij je \nkompaktan, zaokružen, čist, precizan i izrazito objektivan.  \nOvom bitnom i aktualnom temom u svjetskom i domaćem ozračju kada se ponovo relativizira \ni glorificira ratovanje i nasilje, autor pokušava ukazati na preuzimanje osobne odgovornosti. \n \nPasji dani, režija: Marin Lisjak, scenarij: Marin Lisjak, produkcija: Wolfgang i Dolly d.o.o. \niznos: 70.000,00 eura \nSedamnaestogodišnji Jan žegu zagrebačkog ljeta upražnjava na instrukcijama iz fizike. \nUvjerljivo napisan scenarij u kojem privlačnost mladog Jana prema instruktorici postaje \nopipljiva, a njegova želja za prihvaćanjem u dobi koja traži saveznika, priča je o odrastanju i \nbuđenju seksualnosti. U atmosferi žvake ljetne vrućine, praznine grada koja likovima daje \nbeskonačnu slobodu, autor efektno kontrastira strast koja ih zarobljuje. Lisjak u izbjegavanju \nikakve banalnosti stavlja gledatelja u Janove tenisice i postaje njegov najjači navijač. \n \n \n \n\n\f\nKako je, tako je, režija: Luka Galešić, scenarij: Luka Galešić, produkcija: Kobra Koke \nZagreb \niznos: 10.000,00 eura \nFilm izrazito produktivnog mladog autora prijavljen je u fazi postprodukcije. Priča je to o Ivi \nkoju suživot s majkom svakodnevno guši i izaziva napadaje panike. Kao i u svojim \nprethodnim radovima autor uspijeva u postizanju neugode, lagane mučnine, diskretnog \nhumora i bespomoćnosti junaka koja se prenosi i na gledatelja. Ponovo secira mikrokozmos \nobitelji, ovaj put majke i kćeri, dva ženska potpuno različita, ali međusobno ovisna lika.  \nOd napisanog teksta i odličnih karakterizacija do uvjerljivih i životnih interpretacija Lane \nBarić i mlade glumice u usponu Tee Ljubešić, Galešić uspijeva spojiti ljudske osobnosti da se \nsvatko od nas prepozna bar u jednom od njegovih likova. \nNenametljivom režijom, potencirajući okvir u koji stavlja glumice autor tematizira slobodu \npojedinca, znamo li što želimo od te slobode ili je lakše živjeti u statusu quo, kakav god on \nbio.  \n \nNina Velnić - umjetnička savjetnica za kratkometražni igrani film \n \n \n \n \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","year":2025,"rok":"2. rok","referenced_projects":["Iskra","Osveta","Pasji dani","Kako je, tako je"],"summary":"Obrazloženje umjetničke savjetnice Nine Velnić za 2. rok 2025. (11. rujna 2025.) za proizvodnju kratkometražnog igranog filma: od 32 prijave (29 razmatrano) odobrena su 4 projekta u ukupnom iznosu od 235.000,00 eura.","project_links":[{"source_title":"Iskra","family_id":"pf_495a00310357","family_title":"Iskra","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Osveta","family_id":"pf_bdc70e01d2b5","family_title":"OSVETA","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Pasji dani","family_id":"pf_ddd0659a402f","family_title":"Pasji dani","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Kako je, tako je","family_id":"pf_ac65cbb36f27","family_title":"KAKO JE, TAKO JE","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_osnivanje%20radne%20skupine%20za%20kategorizaciju%20av%20djela_14102020_ad.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_osnivanje%20radne%20skupine%20za%20kategorizaciju%20av%20djela_14102020_ad.pdf","sha256":"c1e2ff46cec83ccc8eb12245a089e6c57567d43976401593c277f76136a45339","bytes":185383,"page_count":1,"extracted_at":"2026-05-16T14:09:48Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKLASA: 111-006-001 \nURBROJ: 4921-2020 \nU Zagrebu, 14. listopada 2020. \n \nTemeljem članka 36. Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: Zakon), Hrvatsko \naudiovizualno vijeće, na prijedlog Ravnatelja, u 2. sazivu na 34. sjednici održanoj 14. listopada 2020. godine \ndonijelo je: \n \nO  D  L  U  K  U \no osnivanje radne skupine za kategorizaciju audiovizualnih djela \n \n \n1. Osniva se radna skupina za kategorizaciju audiovizualnih djela i to u sastavu: Ivana Vukinovac Gelo, \npredstavnica NOVA TV, Tonko Weissmann, predstavnik RTL-a, Predstavnik Hrvatske udruge \nproducenata, Predstavnik Klastera hrvatskih proizvođača videoigara, Predstavnik Strukovne \ngrupacije kinoprikazivača, Predstavnik Strukovne grupacije kinodistributera, Gđa Duvnjak te g. \nKurbaša – predstavnici HAVC-a. \n \n2. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n3. Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \n \nObrazloženje \n \nNa prijedlog ravnatelja na 34. sjednici Hrvatskog audiovizualnog vijeća u 2. sazivu pokrenuta je rasprava o \nosnivanju radne skupine za kategorizaciju audiovizualnih djela, a radi izrade prijedloga Pravilnika o \nkategorizaciji audiovizualnih djela. Na prijedlog ravnatelja i predsjednika Hrvatskog audiovizualnog vijeća \nosnovana je radna skupina za kategorizaciju audiovizualnih djela kako bi se sve zainteresirane strane mogle \nočitovati prilikom izrade prijedloga Pravilnika o kategorizaciji audiovizualnih djela.  \n \nOdlukom Hrvatskog audiovizualnog vijeća na 34. sjednici u 2. sazivu održanoj 14. listopada 2020. g. \nosnovana je radna skupina u sastavu kako stoji u Ad 1. ove Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku objaviti \nna svojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjednik \nHrvatskog audiovizualnog vijeća \n \n     Antonio Nuić, v.r. \n \nDostaviti: \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"other","year":2020,"rok":null,"referenced_projects":[],"summary":"Odluka AV Vijeća na 34. sjednici od 14. listopada 2020. o osnivanju radne skupine za kategorizaciju audiovizualnih djela radi izrade prijedloga Pravilnika o kategorizaciji audiovizualnih djela.","project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"odluka%20vijeca_dugi%20dok%20proizv.pdf","filename_decoded":"odluka%20vijeca_dugi%20dok%20proizv.pdf","sha256":"c22ef15f1d9ae285b3ffc8ae6c38d1d6b86871e3f44d03f7c7185fe71cd43582","bytes":642272,"page_count":4,"extracted_at":"2026-05-16T14:12:57Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 2860-2014 \nU Zagrebu, 3. srpnja 2014. \n \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 118/12),  Hrvatsko audiovizualno vijeće, na prijedlog Umjetničkog vijeća, je na 48. sjednici održanoj 3. \nsrpnja 2014.godine donijelo: \n \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2014.godini \nu  kategoriji -poticanje proizvodnje audiovizualnih djela-dugometražni dokumentarni filmovi \n \n \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za poticanje audiovizualnih djelatnosti i stvaralaštva u 2014.godini utvrđuje se lista \nprioriteta i donosi odluka o raspodjeli sredstava za poticanje audiovizualnih djelatnosti i stvaralaštva \nu kategoriji -poticanje proizvodnje audiovizualnih djela-dugometražni dokumentarni filmovi u \nukupnom iznosu od 2.420.000,00 kn (dvamilijunačetiristidvadesettisućekuna), prema tablici \npriloženoj ovoj Odluci koja čini njezin sastavni dio. \n \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku \npredviđenom Pravilnikom o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva (NN 118/12). \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 118/12)  u 2014. godini raspisan je Javni poziv HAVC-a za poticanje \naudiovizualnih djelatnosti i stvaralaštva u kategoriji -poticanje proizvodnje audiovizualnih djela-\ndugometražni dokumentarni filmovi. \n \nNa Javni poziv ukupno je prijavljeno 18 projekata i svi su imali uredne prijave. \n \n\n\f\n \n \n \n \nNa 31. sjednici Umjetničkog vijeća umjetnički savjetnik za dokumentarni film g. Tomislav Mršić predložio \nje listu prioriteta koju je Umjetničko vijeće usvojilo i proslijedilo na razmatranje Hrvatskom audiovizualnom \nvijeću.  \nNa 48. sjednici Hrvatskog audiovizualnog vijeća održanoj 3. srpnja 2014.godine jednoglasno je prihvaćena \nlista prioriteta iz točke 1. izreke Odluke.  \n \nSukladno čl.12. Zakona o audiovizualnim djelatnostima, ravnatelj HAVC-a izvršava odluke o raspodjeli \nsredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima sredstava.  \n \nSukladno čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić –Škarica, v.r. \n \n \n \n \n \nPrilog: tablice s rezultatima \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n\n\f\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nBoškarica\nIvana Hrelja\nPulska filmska tvornica\n240.000,00\n2\nDani ludila\nDamian Nenadić\nRestart\n190.000,00\n3\nGazda\nDario Juričan\nUdruga Blank\n320.000,00\n4\nIskrica\nŽeljko Sarić\nProjekt 6 Studio d.o.o.\n200.000,00\n5\nLiga \ndžentlemena\nSilvio Mirošničenko\nHrvatski filmski savez \n120.000,00\n6\nOpsesija Vanka\nBranko Ivanda\nArs Septima d.o.o.\n400.000,00\n7\nPiratska riba\nBoris Veličan\nLumen\n300.000,00\n8\nSlučaj Dragice \nIvankić\nDijana Bolanča Paulić\nFantastično dobra \ninstitucija - FADE IN d.o.o.\n300.000,00\n9\nTreći\nArsen Oremović\nInter film d.o.o.\n350.000,00\n2.420.000,00\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nKino otok\nIvan Ramljak\nRestart\n200.000,00\n2\nKisik, dušik\nDamir Čučić\nGate film, obrt za usluge\n200.000,00\n3\nLila\nIgor Bogdanović\nFantastično dobra \ninstitucija - FADE IN d.o.o.\n82.000,00\n4\nOni samo \ndolaze i odlaze\nBoris Poljak\nHrvatski filmski savez \n250.000,00\n5\nRijeka koja \nodbija teći\nDenis Lepur\nKadar 22, obrt za snimanje, \ndizajn i usluge\n200.000,00\n6\nŽivjeti, jedriti\nLana Šarić\nJaka produkcija d.o.o.\n180.000,00\n1.112.000,00\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nPoruka\nNika Radić\nKreativni sindikat\n60.000,00\n2\nSkoro ništa\nAna Hušman\nStudio Pangolin\n80.000,00\n3\nPeriferija\nLeona Kadijević\nLuma film d.o.o.\n80.000,00\n4\nTestfilm #1\nGideon Kiers\nBonobostudio d.o.o.\n100.000,00\n5\nGubilište\nMatija Debeljuh\nKinematograf d.o.o.\n110.000,00\n6\nNovi južni \nZagreb\nDarko Fritz\nFilmska udruga Motion\n170.000,00\n600.000,00\nEKSPERIMENTALNI FILM\nKRATKOMETRAŽNI DOKUMENTARNI FILM\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE PROIZVODNJE AUDIOVIZUALNIH DJELA u 2014. - 1. ROK\nDUGOMETRAŽNI DOKUMENTARNI FILM\nUKUPNO\nUKUPNO\nUKUPNO\n\n\f\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nGrimizno\nDijana Mlađenović\nKinematograf d.o.o.\n300.000,00\n2\nMarija\nJuraj Primorac\nInter film d.o.o.\n480.000,00\n3\nTo se sam tak \nkaže \nHana Veček\nPetnaesta umjetnost d.o.o. \n300.000,00\n4\nSnijeg u Splitu\nIgor Jelinović\nUdruga Blank\n60.000,00\n1.140.000,00\n2.420.000,00\n1.112.000,00\n600.000,00\n1.140.000,00\n5.272.000,00\nSVEUKUPNO\nUKUPNO\nDUGOMETRAŽNI DOKUMENTARNI FILMOVI\nKRATKOMETRAŽNI DOKUMENTARNI FILMOVI\nEKSPERIMENTALNI FILMOVI\nKRATKOMETRAŽNI IGRANI FILMOVI\nSNIMLJENI FILM\nKRATKOMETRAŽNI IGRANI FILM\n","warnings":[],"document":{"program_type":"proizvodnja","year":2014,"rok":"1. rok","referenced_projects":["Boškarica","Dani ludila","Gazda","Iskrica","Liga džentlemena","Opsesija Vanka","Piratska riba","Slučaj Dragice Ivankić","Treći","Kino otok","Kisik, dušik","Lila","Oni samo dolaze i odlaze","Rijeka koja odbija teći","Živjeti, jedriti","Poruka","Skoro ništa","Periferija","Testfilm #1","Gubilište","Novi južni Zagreb","Grimizno","Marija","To se sam tak kaže","Snijeg u Splitu"],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 3. srpnja 2014. o raspodjeli sredstava za poticanje proizvodnje dugometražnih dokumentarnih filmova (1. rok) u iznosu od 2.420.000,00 kuna, uz priložene tablice za kratkometražni dokumentarni, eksperimentalni i kratkometražni igrani film u sveukupnom iznosu od 5.272.000,00 kuna.","project_links":[{"source_title":"Boškarica","family_id":"pf_a85d4ea5bafa","family_title":"Boškarica","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Dani ludila","family_id":"pf_e5f9cbecfcc7","family_title":"Dani ludila","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Gazda","family_id":"pf_867950bcd74b","family_title":"Gazda","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Iskrica","family_id":"pf_00810416ad76","family_title":"Iskrica","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Liga džentlemena","family_id":"pf_b8370320861c","family_title":"Liga džentlemena","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Opsesija Vanka","family_id":"pf_18695e868e6a","family_title":"Opsesija Vanka","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Piratska riba","family_id":"pf_2f7a2b6c3d9c","family_title":"Piratska riba","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Slučaj Dragice Ivankić","family_id":"pf_1c11ff1d2216","family_title":"Slučaj Dragice Ivankić","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Treći","family_id":"pf_021dfc0d7630","family_title":"Treći","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Kino otok","family_id":"pf_db215a37033c","family_title":"Kino otok","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Kisik, dušik","family_id":"pf_375f7cbbe9df","family_title":"Kisik, dušik","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Lila","family_id":"pf_26ad9f74cf49","family_title":"Lila","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Oni samo dolaze i odlaze","family_id":"pf_a17680c380e6","family_title":"Oni samo dolaze i odlaze","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Rijeka koja odbija teći","family_id":"pf_12df795a84a1","family_title":"Rijeka koja odbija teći","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Živjeti, jedriti","family_id":"pf_604270b80f44","family_title":"Živjeti, jedriti","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Poruka","family_id":"pf_ec66d3416554","family_title":"Poruka","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Skoro ništa","family_id":"pf_95b6b88aa60c","family_title":"Skoro ništa","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Periferija","family_id":"pf_d5a6e857deeb","family_title":"Periferija","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Testfilm #1","family_id":"pf_c73ef294db93","family_title":"Testfilm #1","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Gubilište","family_id":"pf_011aa4bb50ea","family_title":"Gubilište","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Novi južni Zagreb","family_id":"pf_d1cb524d81b3","family_title":"Novi južni Zagreb","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Grimizno","family_id":"pf_3519b59c2609","family_title":"Grimizno","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Marija","family_id":"pf_65d6dc4973da","family_title":"Marija","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"To se sam tak kaže","family_id":"pf_ffbd9751d2cf","family_title":"To se sam tak kaže","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Snijeg u Splitu","family_id":"pf_0362db2372b7","family_title":"Snijeg u Splitu","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB kratki_03_2023_obrazlozenja.pdf","filename_decoded":"WEB kratki_03_2023_obrazlozenja.pdf","sha256":"c250b42f6b5768335207e28ee469ed9a5d7a9de635bd56fda62f948f57b65506","bytes":67322,"page_count":2,"extracted_at":"2026-05-17T12:01:50Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20kratki_03_2023_obrazlozenja.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po rezultatima Javnog poziva za poticanje audiovizualnih \ndjelatnosti i stvaralaštva – kategorija proizvodnje kratkometražnog igranog filma na prvom roku u \n2023. godini – rok 15. ožujka 2023. \nUmjetnički savjetnik za kratkometražni igrani film – Mario Kozina \nNa prvi natječajni rok za poticanje proizvodnje kratkometražnih igranih filmova stigle su trideset \ndvije (32) prijave: među njima jedan (1) projekt nije zadovoljio formalne uvjete natječaja te se \nnjegova prijava nije razmatrala, jedan (1) projekt naknadno je povučen s natječaja na zahtjev \nprijavitelja, a jedan (1) je projekt film u fazi postprodukcije. Osamnaest (18) projekata bilo je \nprijavljeno na neki od prethodnih javnih poziva, a sedam (7) prijavljenih projekata potpisuju ili \nsupotpisuju autorice. \nMeđu odabranim projektima tri (3) su bila prijavljena na neki od prethodnih rokova ovog javnog \npoziva. Prilikom odabira prijedloga za sufinanciranje vodio sam računa o dorađenosti scenarija, \nuvjerljivosti redateljske koncepcije i motivacije te stupnju pripremljenosti i izvedivosti samoga \nprojekta. Na ovome javnom pozivu u svim su navedenim aspektima odskakali projekti autora \ndebitanata, tj. redatelja koji još nisu imali priliku realizirati projekt u profesionalnoj produkciji, a \njedan od predloženih i odobrenih projekata potpisuje autorica sa zapaženim festivalskim uspjesima. \nPredloženi i odobreni projekti tematski i stilski dosta su različiti, a iz različitih perspektiva istražuju \nobiteljske i romantične odnose u različitim socijalnim kontekstima. Vjerujem da bi projekti mogli \nznačajno doprinijeti korpusu domaće kratkometražne produkcije, njezinoj međunarodnoj vidljivosti \nte posebice daljnjem profesionalnom razvoju njihovih autorica i autora. \nZa sufinanciranje proizvodnje kratkometražnog igranog filma predložena su i odobrena četiri \nprojekta, u ukupnom iznosu od 186.800,00 eura. \nRiječ je o sljedećim projektima:   \n• \nSveta nedjelja, režija i scenarij: Gorana Jovanović, produkcija: Cobra Chicks Zagreb, iznos: \n50.400,00 eura \nRiječ je o jednom od originalnijih projekata prijavljenih na ovaj javni poziv. Scenarij je adaptacija \npjesme dubrovačkog književnika Milana Milišića Sveta Nedjelja i drugi, a u skladu s logikom \npredloška i mišljen je neklasično: cjelovitost priče razbija se u niz fragmenata koji se postepeno slažu \nu prostorno-vremenski kompleksnu fresku jednog grada te duhovnog i mentalnog stanja njegovih \nstanovnika. Djelo je otvoreno za tumačenje, no konzistentno je na razini teme i postupka, a \ngledatelja angažira dijalogom slike, glazbe i voice overa, formalnom razigranošću, retro-atmosferom \nte dobrim omjerom ironije i razumijevanja prema likovima i „slobodnog vremena“ u kojem su zapeli. \nGorana Jovanović svojim se dosadašnjim radovima predstavila kao jedno od zanimljivijih autorskih \nimena iz regije, a radovi su joj konkurirali za Europsku filmsku nagradu te bili prikazivani na IDFA-i, u \nLocarnu, Sarajevu te mnogim drugim međunarodnim festivalima. S obzirom na autentičnost \nautorskog rukopisa i snagu vizije, nema sumnje da je pred nama neobično ostvarenje s velikim \nfestivalskim potencijalom. \n• \nPramenka, režija i scenarij: René Gallo, produkcija: Izazov 365 d.o.o., iznos: 46.400,00 eura \nMlada djevojka u potrazi za poslom dolazi na zapuštenu farmu, gdje se nehotice upleće u psihološku \nsadomazohističku igru s okorjelom Babom i njezinom unukom. Dijelom inspiriran nagrađivanim \nRitmom ludila Damiena Chazellea, debitant René Gallo doista i uspijeva uvjerljivo rekreirati dinamiku \nodnosa među likovima iz navedenog filma u sasvim drugačijem društvenom i kulturnom kontekstu. \nScenarij je vješto napisan i već od prve stranice hvata gledateljevu pozornost i drži je do velike \n\n\f\nzavršnice. Pohvalan je i redateljev odnos prema dočaravanju ruralnog ambijenta i likova, u kojem \nizbjegava karikiranje svojstveno sličnim filmovima, pri čemu vješto balansira između naturalizma \nsituacije i emocionalnog doživljaja mlade protagonistice. \n• \nDrugi zakon termodinamike, režija i scenarij: Jozo Schmuch, produkcija: Digital Cinema \nEnvironment d.o.o., iznos: 45.000,00 eura \nJozo Schmuch iza sebe ima nekoliko studentskih radova obilježenih elegantnom režijom i pažljivom \nizgradnjom priče, koju u ključnim trenucima suptilno izmješta u emocionalnu stvarnost likova. Isto \nvrijedi i za Drugi zakon termodinamike, njegov prvi profesionalni kratkometražni igrani film u kojem \ngovori o dva muškaraca koji svoju vezu taje od ostalih kolega iz arhitektonskog ureda u kojem su \nobojica zaposleni. Istražujući emocionalnu dinamiku likova autor izbjegava dramaturške klišeje u \nprikazu LGBT osoba u kinematografiji. Njihova seksualnost uzima se kao činjenica, a ne nešto što se \ntreba braniti, pravdati ili dokazivati. U istraživanju želja i mogućnosti, žudnje i stvarnosti svojih \nprotagonista Schmuch vješto balansira ironiju, humor i razumijevanje, pri čemu stvara priču koja je \nistovremeno i univerzalna i specifična. \n• \nKrš, režija i scenarij: Petar Vukičević, produkcija: Udruga Blank, iznos: 45.000,00 eura \nPriča o mladiću u kasnim dvadesetima koji odlazi k ocu u provinciju ne bi li zaliječio slomljeno srce, \npri čemu shvaća da je svome roditelju u nekim aspektima sličniji nego bi to htio priznati. Važnu ulogu \npritom će odigrati i lik bika Gare, tragičnog junaka lokalnih bikijada. Ovakve priče o ranjenoj muškosti \nna razini teme možda i nisu nepoznanica u kinematografiji, ali rijetko su kada napisane ovako vješto i \nkoncizno. Petar Vukičević  apsolvent je filmske i TV režije na zagrebačkoj Akademiji dramske \numjetnosti, iza sebe ima i dokumentarni film na sličnu temu, a u scenariju je demonstrirao \npoznavanje sredine, lokalnog idioma, ali i emocionalne konstelacije likova, što ovoj priči daje svježinu \ni autentičnost. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2023,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"10%2011%20JP%20COVID%20%20%20.pdf","filename_decoded":"10%2011%20JP%20COVID%20%20%20.pdf","sha256":"c3002327cc83988856001df280a81b59eb88591ab56590319b7112de4623ee23","bytes":31029,"page_count":1,"extracted_at":"2026-05-16T13:51:44Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/10%2011%20JP%20COVID%20%20%20.pdf"},"raw_text":"REDATELJ\nPRODUCENT\nODOBRENA 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Blank\nDario Juričan\nDario Juričan\n100.000,00\n2\nLjubavna priča\nČetiri film d.o.o.\nIvona Juka\nIvona Juka\n70.000,00\n3\nNovi život\nPetnaesta umjetnost \nd.o.o. \nGoran Dević\nGoran Dević\n70.000,00\n4\nZaustavi me ako možeš\nWolfgang i Dolly d.o.o.\nBruna Bajić\nBruna Bajić\n50.000,00\n5\nKontraadmiral\nRestart\nMladen Ivanović\nMladen Ivanović\n100.000,00\n6\nSvijet je moj\nUmjetnička organizacija \nMitropa\nSanja Šamanović\nSanja Šamanović\n50.000,00\n7\nTražeći Renatu\nInter film d.o.o.\nVišnja Starešina\nVišnja Starešina\n100.000,00\n8\nKozari\nRebel Vision d.o.o.\nNives Milješić\nNives Milješić\n50.000,00\nUKUPNO\n590.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ PROJEKATA u 2020. - 1. 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\n \n \n \nKlasa: 111-006-001 \nUrbroj: 1516-2016 \nU Zagrebu, 6. travnja 2016. \n \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11, dalje u tekstu: Zakon), te \nsukladno Pravilniku o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14, dalje u tekstu: Pravilnik),  Hrvatsko audiovizualno vijeće, na \nprijedlog Umjetničkog vijeća, na 67. sjednici održanoj 31. ožujka 2016. godine donijelo je: \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za komplementarne djelatnosti- \nprogrami međunarodne suradnje, rok 13. studenoga 2015.godine. \n \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za komplementarne djelatnosti - programi međunarodne suradnje, rok 13. studenoga 2015. \ngodine utvrđuje se lista prioriteta i donosi odluka o raspodjeli sredstava u ukupnom iznosu od \n414.620,00 kn (četiristočetrneasttisućašestodvadesetkuna) prema tablici priloženoj ovoj Odluci koja \nčini njezin sastavni dio. \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku \npredviđenom Pravilnikom o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva (NN 144/14). \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja.  \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14), raspisan je Javni poziv HAVC-a za komplementarne djelatnosti-\nprogrami međunarodne suradnje, rok 13. studenoga 2015.godine.  \n \nNa Javni poziv ukupno je prijavljeno 52 projekta od kojih 3 nisu razmatrana zbog nepotpune i/ili \nnepravodobne prijave.  \n \nNa 47. sjednici Umjetničkog vijeća održanoj 30. ožujka 2016. godine, umjetnički savjetnik za \nkomplementarne djelatnosti g. Boris Poljak predložio je listu prioriteta koju je Umjetničko vijeće usvojilo i \n\n\f\n \n \n \n \nproslijedilo na razmatranje Hrvatskom audiovizualnom vijeću.  \n \nNa 67. sjednici Hrvatskog audiovizualnog vijeća održanoj 31. ožujka 2016.godine prihvaćena je lista \nprioriteta iz točke 1. izreke Odluke. \n \nHrvatsko audiovizualno vijeće jednoglasno je odlučilo da se prijave Nuklues filma d.o.o., Dalmatinska 8, \nZagreb (dalje u tekstu: Nukleus film d.o.o.) neće razmatrati obzirom je Nukleus film d.o.o. u dosadašnjem \nradu povrijedio ugovorne obveze prema HAVC-u u realizaciji projekta sufinanciranog od HAVC-a, a koje \nobveze nisu ispunjene do trenutka podnošenja prijave.   \n \nTemeljem čl.12. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), ravnatelj HAVC-a izvršava \nodluke o raspodjeli sredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima \nsredstava.  \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku \nobjaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v.r. \n \n \n \n \n \nPrilog: tablice s rezultatima \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n\n\f\nPREDLAGATELJ\nVRSTA PROGRAMA\nNAZIV PROGRAMA\nODOBRENA POTPORA \n(kn)\n1\nAkademija Dramske \nUmjetnosti\nProgrami stručnog usavršavanja.\nSudjelovanje 2 profesora i 5 studenata na međunarodnoj radionici European Editing \nMasterclass VI; Banska Štiavnica, Slovačka; 11. do 17. listopada 2015\n9.300,00 kn\n2\nAntitalent d.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata. \nSudjelovanje Katarine Janković i predstavljanje dugometražnog igranog projekta 'Goran', \nred. N. Marasovića na programu Agora Works in progress u sklopu međunarodnog filmskog \nfestivala Thessaloniki;  Solun, Grčka; 12. studeni 2015.\n970,00 kn\n3\nArtizana d.o.o.\nProgrami predstavljanja i promocije filmova.\nSudjelovanje Ive Cikojević i predstavljanje dugometražnog igranog filma 'Most na kraju \nsvijeta', red. B. Ištvančića u programu najboljeg televizijskog igranog filma međunarodnog  \nEuropean Broadcasting Festival; Berlin, Njemačka; 17. do 24. listopada 2015.\n2.122,00 kn\n4\nČetiri film d.o.o.\nProgrami predstavljanja i promocije filmova.\nSudjelovanje članova autorskog tima i predstavljanje dugometražnog igranog filma 'Ti mene \nnosiš', red. I. Juka na 46. međunarodnom filmskom festivalu Indije, Goa; 20. do 30. \nstudenog 2015.\n15.440,00 kn\n5\nDaniel Šuljić\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma 'Stakleni čovjek', \nred. D. Šuljića na natjecateljskom programu festivala animiranog filma KROK; Rusija; 20. do \n27. rujna 2015.\n2.938,00 kn\n6\nDraško Ivezić\nProgrami predstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma 'Ljubav i \nprijevozna sredstva', red. D. Ivezića na  3. međunarodnom festivalu animiranih i studentskih \nfilmova i dječjeg stvaralaštva Primanima; Budimpešta, Mađarska; 20. do 24. listopada 2015. \n1.930,00 kn\n7\nDraško Ivezić\nProgrami predstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma 'Ljubav i \nprijevozna sredstva', red. D. Ivezića na 22. međunarodnom festivalu kratkometražnih i \nanimiranih filmova Encounters, Bristol, UK; 15. do 19. rujna 2015.\n3.256,00 kn\n8\nFoto kino video klub \nZaprešić\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje 2 autora i voditelja i predstavljanje animiranih filmova 'Ulov' i 'Vanzemaljci' na \n15. međunarodnom filmskom festivalu djece i mladeži Camera Zizanio; Pygros, Grčka; 28. \nstudenog do 05. prosinca 2015.\n6.260,00 kn\n9\nGFR film-video\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje Željka Baloga kao člana žirija međunarodnog filmskog festivala GRAND OFF; \nVaršava, Poljska; 03. do 06. prosinca 2015.\n1.741,00 kn\n10\nHrvatski filmski savez\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje Lea Vitasovića i Kristine Dorić i predstavljanje kratkometražnog igranog filma \n'Govorna pošta', red. L. Vitasovića te obrazovnog programa HFS-a u sklopu Balkan Film \nFood Festivala; Podgradec, Albanija; 16. do 19. rujna 2015.\n2.000,00 kn\n11\nHrvatski filmski savez\nOstali programi\nSudjelovanje hrvatske delegacije na međunarodnom festivalu filmova za djecu i mlade \nGiffoni Macedonia; Skopje; 07. do 13. listopada 2015.\n5.472,00 kn\n12\nHrvatski filmski savez\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje Diane Nenadić i predstavljanje programa hrvatskog eksperimentalnog filma i \nvidea na 10. festivalu Pravo ljudski u Sarajevu, BiH; 11. do 16. studenog 2015.\n1.417,00 kn\n13\nHrvatski filmski savez\nOstali programi\nSudjelovanje hrvatske delegacije na međunarodnom festivalu filmova za djecu i mlade \nGiffoni Gruzija; Tbilisi; 16. do 19. listopada 2015.\n8.000,00 kn\n14\nInter film d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova.\nSudjelovanje autorskog tima i predstavljanje dugometražnog igranog filma 'S one strane' \nred. Z. Ogreste u sklopu programa službene selekcije - Panorama 66. međunarodnog \nfestivala u Berlinu, Njemačka; 11. do 21. veljače 2016.\n250.000,00 kn\n15\nJadranska animacija\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje Tee Stražičić na međunarodnom festivalu animiranog filma KLIK! I \npredstavljanje projekta 'The Embla - Okky Luck' Amsterdamu, Nizozemska; 27. listopada do \n01. studenog 2015.\n1.448,00 kn\n16\nJadranska animacija\nProgrami predstavljanja i promocije filmova.\nSudjelovanje producenta i redatelja i predstavljanje kratkometražnog animiranog filma \n'Život s Hermanom H. Rottom', red. C.Lundgren na međunarodnom festivalu animiranog \nfilma Animated dreams; Tallinn, Estonija; 18. do 22. studenog 2015. \n1.611,00 kn\n17\nKinematograf d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika.\nSudjelovanje redatelja i predstavljanje kratkometražnog dokumentarnog filma 'Daleki \nsusreti', red. V. Žlendera u službenoj konkurenicji 8. Jahorina film festivala; Palama, BiH; 26. \ndo 29. kolovoza 2015.\n1.506,00 kn\n18\nKinoklub Karlovac\nOstali programi\nSudjelovanje 2 predstavnica na 4. godišnjoj konferenciji Youth Cinema Network u sklopu 3. \nmeđunarodnog filmskog festivala Kratka forma; Gornji Milanovac, Srbija; 24. do 27. rujna \n2015.\n625,00 kn\n19\nKinoklub Karlovac\nOstali programi\nSudjelovanje predstavnice na međunarodnom festivalu za filmove mladih REC u Berlinu, \nNjemačka; 30. rujna do 04. listopada 2015.\n2.233,00 kn\n20\nKinoklub Karlovac\nOstali programi\nSudjelovanje 2 predstavnica na 13. međunarodnom festivalu mladih Up-and-Coming; \nHannover, Njemačka; 19. do 22. studenog 2015.\n1.933,00 kn\n21\nMarija Škrlec\nProgrami stručnog usavršavanja.\nSudjelovanje Marije Škrlec na međunarodnoj radionici filmske kritike Nisimazine u sklopu 6. \nmeđunarodnog filmskog festivala u Tallinnu, Estonija; 19. do 26. studenog 2015.\n2.243,00 kn\n22\nMorana Mitić\nProgrami stručnog usavršavanja.\nSudjelovanje Morane Mitić na međunarodnoj radionici European Co-production: Legal and \nFinancial Aspects Erich Pommer Instituta; Berlin, Njemačka; 14. do 18. listopada 2015.\n2.943,00 kn\n23\nPropeler Film d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova.\nSudjelovanje autorske ekipe i predstavljanje dugometražnog igranog filma 'Život je truba' , \nred. A. Nuića na programu Special Screenings u sklopu 31. Varšava Film Festivala; Poljska; \n09. do 18. listopada 2015.\n11.500,00 kn\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2015. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 13.11.2015. \n\n\f\n24\nSlavica film d.o.o.\nPitching, kopodukcijski forumi i programi za \nrazvoj projekta.\nSudjelovanje redateljice i predstavljanje filma 'Maćeha', red. N. Radić na pitching forumu \nFilmer Forge te predstavljanje filma 'Zvjerka', red. D. O. Pusić na međunarodnom festivalu \nIn the Palace; Sofija, Bugarska; 09. do 12. prosinca 2015.\n2.435,00 kn\n25\nSpiritus movens d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje Lee Mileta na 6. međunarodnoj radionici za post-produkcijsku fazu razvoja \nprojekata EP2C; Luxemburg; 19. do 23. listopada 2015.\n3.400,00 kn\n26\nSpiritus movens d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova.\nSudjelovanje redateljice i jednog člana autorskog tima i predstavljanje kratkometržnog \nigranog filma 'Belladonna', red. D. Turić u konkurenciji kratkometražnih filmova \nmeđunarodnog filmskog festivala Sundance; Park City, Utah; 31. siječnja 2016.\n42.100,00 kn\n27\nSpiritus movens d.o.o.\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova.\nSudjelovanje redateljice i jednog člana autorskog tima i predstavljanje kratkometržnog \nigranog filma 'Belladonna', red. D. Turić na programu kratkometražnih filmova Short: As \nLong As It Takes u sklopu 45. međunarodnog filmskog festivala u Rotterdamu, Nizozemska; \n27. siječnja do 07. veljače 2016.\n22.797,00 kn\n28\nTiha K. Gudac\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika. \nProgrami predstavljanja i promocije filmova.\nSudjelovanje redateljice i predstavljanje dugometražnog dokumentarnog filma 'Goli', red. T. \nK. Gudac na međunarodnom festivalu Eastern Neighbours; Den Haag, Nizozemska; 05. do \n08. studenog 2015.\n2.000,00 kn\n29\nTina Hajon\nProgrami stručnog usavršavanja.\nSudjelovanje Tine Hajon na međunarodnoj producentskoj radionici EAVE Marketing \nWorkshop; Luxemburg; 18. do 22. studenog 2015.\n5.000,00 kn\nUKUPNO:\n414.620,00 kn\nHRVATSKI AUDIOVIZUALNI CENTAR\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\nNova ves 18  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 085  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","year":2015,"rok":null,"referenced_projects":["Goran","Most na kraju svijeta","Ti mene nosiš","Stakleni čovjek","Ljubav i prijevozna sredstva","Ulov","Vanzemaljci","Govorna pošta","S one strane","The Embla - Okky Luck","Život s Hermanom H. Rottom","Daleki susreti","Život je truba","Maćeha","Zvjerka","Belladonna","Goli"],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 31. ožujka 2016. o raspodjeli sredstava za komplementarne djelatnosti - programe međunarodne suradnje (rok 13.11.2015.) u ukupnom iznosu od 414.620,00 kuna za 29 odobrenih programa.","project_links":[{"source_title":"Goran","family_id":"pf_d489fddd6e43","family_title":"Goran","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Most na kraju svijeta","family_id":"pf_6ae6292d0c3d","family_title":"MOST NA KRAJU SVIJETA","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Ti mene nosiš","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Stakleni čovjek","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Ljubav i prijevozna sredstva","family_id":"pf_3ec6d9cd28b3","family_title":"Ljubav i prijevozna sredstva","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Ulov","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Vanzemaljci","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Govorna pošta","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"S one strane","family_id":"pf_d4402fa41194","family_title":"S one strane","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"The Embla - Okky Luck","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Život s Hermanom H. Rottom","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Daleki susreti","family_id":"pf_e301bd1ebd47","family_title":"Daleki susreti","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Život je truba","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Maćeha","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Zvjerka","family_id":"pf_6e5214c630db","family_title":"Zvjerka","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Belladonna","family_id":"pf_9d3535c7023f","family_title":"Belladonna","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Goli","family_id":"pf_c51a1f74cca1","family_title":"GOLI","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web Komplementarne_2021_obrazlozenje.pdf","filename_decoded":"web Komplementarne_2021_obrazlozenje.pdf","sha256":"c35eaf2b93c68cbb1eca6682a9b533029c3c6789dc9586792063a03f9e86d3f6","bytes":167017,"page_count":7,"extracted_at":"2026-05-17T12:01:31Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Komplementarne_2021_obrazlozenje.pdf"},"raw_text":" \n1\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE \nKOMPLEMENTARNIH DJELATNOSTI U 2021. GODINI – prvi rok \n \nObrazloženje umjetničkih savjetnica za komplementarne djelatnosti \n \nNa prvom roku Javnog poziva za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2021. godini pristiglo je 245 prijava u sljedećim kategorijama: djelatnosti \nrazvijanja audiovizualne kulture, filmski festivali i druge audiovizualne manifestacije, \nizdavaštvo u području audiovizualnih djelatnosti, programi audiovizualnih udruga i \norganizacija, programi promocije i prodaje hrvatskih audiovizualnih djela, programi \nstručnog usavršavanja i/ili edukacije, programi proučavanja i kritičkog vrednovanja \naudiovizualnih djelatnosti i programi zaštite audiovizualne baštine, uključujući kinotečnu \ndjelatnost.  \n \nSavjetnice za komplementarne djelatnosti, Mirna Belina, Ivana Ivišić i Vera Robić-\nŠkarica, za financijsku podršku preporučile su 179 programa u ukupnom iznosu od \n8.125.300 kuna, što je Hrvatsko audiovizualno vijeće odobrilo. \n \nNaglašavamo novinu u kategoriji komplementarnih djelatnosti. Naime, od ovoga roka \nJavni poziv za poticanje komplementarnih djelatnosti podijeljen je na dva dijela. Ovaj, \nprvi rok donosi rezultate u prosincu 2020. godine, a rezultati drugoga roka bit će poznati \notprilike u travnju 2021. godine za projekte koji se odvijaju u drugoj polovici sljedeće \ngodine. Željele bismo naglasiti i donošenje novih naputaka, odnosno smjernica za \nsastavljanje detaljnog opisa programa i troškovnika te malo izmijenjenu prijavnicu. To je \nu većini slučajeva donijelo znatno konciznije prijave.  \n \nU postupku procjenjivanja prijava vodile smo se nizom kriterija. Osnovni kriteriji bili su: \n- kvaliteta, izvedivost i održivost programa (od sadržajne do produkcijske razine) – \nza sufinanciranje su odobreni programi koji vode računa o vidljivosti i dostupnosti \nprojekta za profesionalce i javnost; programi koji zaokruženo i jasno komuniciraju svoje \nplanove u prijavi; programe koje izvršavaju iskusni, educirani timovi; programi koji \npodižu ljestvicu izvrsnosti u svome sektoru; programi koji pokazuju tendenciju prema \numrežavanju i lokalnom ili međunarodnom partnerstvu; \n- značaj programa za relevantan kontekst, dakle, ovisno o programu, od lokalne zajednice \npreko nacionalnog značaja do međunarodne prepoznatljivosti i važnosti za audiovizualni \nsektor;  \n- kontinuitet programa, odnosno njegova dugoročna usmjerenost, dostupnost projekta, \nvidljivost i komunikacija sa profesionalcima i javnosti; (strateška usmjerenost projekta \nna budućnost) – predloženi su višegodišnji programi koji opravdavaju nastavak \nfinanciranja kvalitetom, sustavnošću i javnom važnosti; jednokratna događanja \n\n\f\n \n2\npredložena su iznimno; kod projekata koji su prvi put predloženi za sufinanciranje \nsavjetnike je zanimala specifičnost projekta i doprinos raznovrsnosti audiovizualnih \nsadržaja lokalno, nacionalno i na međunarodnoj razini; \n- kvaliteta programa – konkretni, realni i strateški planovi u umjetničkom, \norganizacijskom i financijskom smislu; \n- kvaliteta prijave, kvaliteta i iskustvo projektnog tima u pojedinoj programskoj \nkomplementarnoj djelatnosti za koju se prijavljuje (stabilni i dostatni izvori prihoda za \nkontinuirano obavljanje aktivnosti tijekom razdoblja ostvarivanja projekta, stručne \nkompetencije i kvalifikacije potrebne za provođenje predložene aktivnosti); \n- prethodna izdanja programa (ako nije prvo izdanje); \n- ispunjavanje obaveza vezanih uz prethodno realizirane programe; \n- odjek programa i komunikacija s javnosti (prije, tijekom i nakon održavanja programa); \n- povezivanje i suradnja. \n \nSavjetnice su posebnu pozornost posvećivale projektima koji nude različite aspekte \naudiovizualne edukacije – posebice djece i mladih jer je to jedan od prioritetnih ciljeva \nnavedenih u Nacionalnom programu promicanja audiovizualnog stvaralaštva. \n \nŽelimo istaknuti da je broj prijavljenih programa vrlo visok – čak 245 na prvom roku (za \nilustraciju, prošle je godine na oba roka prijavljeno 428 prijava) – što dovodi u pitanje \nodrživost komplementarnih djelatnosti u okviru financijskih mogućnosti Hrvatskog \naudiovizualnog centra. Broj prijava svake godine raste, ukazujući na važnost povećanja \nbudžeta za komplementarne djelatnosti.  \n \nKao i svake godine, u svim kategorijama prepoznati su prioritetni programi za koje su \npredložene i najviše potpore. Riječ je o programima od iznimne ili visoke vrijednosti koje \nmožemo držati temeljnima za očuvanje i razvoj audiovizualnog stvaralaštva u Hrvatskoj, \nodnosno o programima velike regionalne ili lokalne važnosti ili pak onima koji su važni \nza razvoj pojedinih djelatnosti ili žanrova. Neke od njih navodimo u nastavku.  \n \nDjelatnosti razvijanja audiovizualne kulture \nOva se kategorija odnosi na kinoprikazivačku djelatnost, godišnje filmske programe, \nprograme nekomercijalnih kina, medijateke, radionice i edukacije za neprofesionalce \n(djecu, mlade, seniore/umirovljenike, osobe s invaliditetom…), različita umrežavanja i \nsuradnju između pojedinaca, institucija, klubova, udruženja, organizacija, udruga u \npodručju audiovizualnih djelatnosti, izložbe posvećene audiovizualnoj djelatnosti, \ndjelatnicima i profesionalcima, inkluzivne/senzorne projekcije... \nKategorija je donijela čak 128 prijava, dakle više od pola prijava na ovome roku, s time \nda treba uzeti u obzir da je dosta programa orijentirano na cijelu godinu pa su se stoga \nprijavljivali sada, a ne na sljedećem roku. Savjetnice su posebnu pažnju posvetile \n\n\f\n \n3\numjetničkim kinima u većim urbanim središtima kojima su predložene i odobrene \npotpore s obzirom na kvalitetu i važnost programa. Od programa možemo izdvojiti \nfilmske programe Kina Tuškanac, koje vodi Hrvatski filmski savez (Zagreb) i Art-kina \nCroatia (Rijeka). Od centara za kulturu i pučkih otvorenih učilišta izdvajamo redovite \nprikazivačke programe u Samoboru, Varaždinu, Daruvaru, Svetom Ivanu Zelini, \nDubrovniku itd. Posebno ističemo program Kina Urania Kinematografa Osijek pod \nnazivom Resonance Cinema, koji je dobio potporu Europske komisije pa smo stoga \npredložile praćenje tih sredstava. Izdvajamo i dva programa revitalizacije dijelova \nHrvatske koja nemaju kina poput programa Kino Mediteran, koji se održava tijekom \ngodine na dalmatinskim otocima (Festival mediteranskog filma Split) i novog programa \nKino Istra/Movies in Motion (Motovun Film Festival), koji također stiže sa sredstvima \nEuropske komisije, a uključuje partnerstvo s organizacijama iz Slovenije, Italije, \nHrvatske i Velike Britanije. U ovoj se kategoriji, kao i prethodnih godina, ističu \nkontinuirani obrazovni programi i radionice Kinokluba Zagreb te udruga Restart i Blank. \nOd programa za djecu i mlade naglašavamo važnost rada udruge Djeca susreću umjetnost \ni Bacača sjenki.  \n \nFilmski festivali i druge audiovizualne manifestacije  \nKategorija se odnosi na filmske festivale, audiovizualne manifestacije, smotre, revije, \ntjedne filmova, dane filmova, autorske i nacionalne cikluse, filmske večeri, retrospektive, \nrazna obilježavanja i obljetnice i sl.  \nNa ovome roku iznosi za sufinanciranje u ovoj kategoriji nisu najviša proračunska stavka \nu okviru komplementarnih djelatnosti, već je to kategorija Djelatnosti razvijanja AV \nkulture. Savjetnice su se držale dosadašnjih kategorizacija u ovome području pa su tako \nnajviši iznosi predloženi i odobreni festivalima međunarodnog ugleda poput Animafesta \nZagreb i ZagrebDoxa. Po iznosima ih slijedi Festival mediteranskog filma Split, a zatim \nDani hrvatskog filma, Subversive Film Festival, Festival tolerancije i Filmske mutacije. \nTakođer, napominjemo da festivali posebno prijavljuju profesionalne edukacijske \nprograme u kategoriji programa stručnog usavršavanja i edukacije te da nas na drugom \nroku očekuju prijave festivala i audiovizualnih manifestacija koji se održavaju u drugom \ndijelu godine. \n \nIzdavaštvo u području audiovizualnih djelatnosti \nKategorija se odnosi na DVD i Blu-ray izdanja, knjige i e-knjige: teorijska, povijesna, \npublicistička izdanja i radove iz područja audiovizualnih djelatnosti, publikacije koje se \nodnose na analizu audiovizualnog sektora, prijevode i objave filmološke literature, zbirke \nfilmoloških tekstova, monografije, časopise, biltene, zapise, online portale, izdanja i \npublikacije... \nNajviši iznos za potporu tradicionalno je dodijeljen filmološkom časopisu Hrvatski \nfilmski ljetopis, koji je prošle godine doživio stoto izdanje. Drugo mjesto po iznosu \n\n\f\n \n4\nzauzima monografija 50 godina Animafesta Zagreb (Hulahop d.o.o.). Od ostalih filmskih \ntiskanih izdanja tu je knjiga Hrvoja Turkovića Tipovi filmskog izlaganja (Hrvatski filmski \nsavez), Nedeljko Dragić: Vučko 2, knjiga snimanja za dva animirana filma (Vedis d.o.o.), \nKako se kalio čelik Igora Grubića (AM centar audiovizualne kulture i multimedije), \nMartin u oblacima (Hrvatski filmski savez), Oslobođena forma – Poetika \njugoslavenskoga eksperimentalnog filma 1960-ih i 1970-ih Petre Belc Krnjajić \n(Multimedijalni institut). Ostali programi u ovoj kategoriji odnose se na internetske \nportale i platforme: Kurziv, K-zona, Dokumetar itd. \n \nProgrami audiovizualnih udruga i organizacija  \nU ovoj se kategoriji nalazi sve što pripada u redovitu godišnju aktivnost audiovizualnih \nudruga i organizacija: članarine u organizacijama, organizacija sastanaka i tribina, \npretplate na stručnu literaturu, putni troškovi i troškovi smještaja prilikom odlazaka na \nstručne sastanke, redoviti programi, održavanje stručnog usavršavanja, tribina, stručnih \nskupova, umrežavanja, partnerstva, promocija, prezentacija, radionice, izrada propisa, \nizložbe, baze, web stranice... \nUmjetničke savjetnice prepoznale su važnost kontinuiranog djelovanja strukovnih udruga \npoput Hrvatskog društva filmskih djelatnika, Hrvatske udruga producenata, Društva \nhrvatskih filmskih redatelja, Hrvatskog društva filmskih kritičara, Hrvatske udruge \nfilmskih snimatelja i Saveza scenarista i pisaca izvedbenih djela. Ističe se, naravno, i rad \nHrvatskog filmskog saveza i Hrvatske mreže neovisnih kinoprikazivača te niza udruga \nčija redovita godišnja djelatnost podrazumijeva ponajprije edukativnu djelatnost, a to su \nudruge Blank, Kino klub Split, Kinoklub Karlovac, Pulska filmska tvornica, Filmsko-\nkreativni studio Vanima itd. Želimo naglasiti i dva dječja kluba koji imaju izuzetne \nrezultate i kontinuitet djelovanja, a to su ŠAF Čakovec i FKVK Zaprešić.  \n \nProgrami promocije i prodaje hrvatskih audiovizualnih djela  \nKategorija se odnosi na programe promocije i prodaje, web stranice i baze koje su \nnapravljene za potrebe promocije i prodaje audiovizualnih djela. \nZa nastavak sufinanciranja odobrena su tri programa: programi Kinedok i Izdavaštvo i \ndistribucija hrvatskih dokumentarnih filmova u regiji udruge Restart te program \ninternetske platforme za gledanje i promociju hrvatskog filma Croatian film (UO Zagreb \nFilm Festival) koja je posvećena hrvatskom filmu. Prvi put je odobreno financiranje \nSVoD platforme SVEVID (Svevid d.o.o.) koja u svom katalogu stavlja naglasak na \nhrvatske filmove svih vrsta, trajanja i žanrova. Iako je distribucija i promocija \naudiovizualnih djela putem online platformi postala nužnost, prednost je dana \nprogramima koji kroz svoje kataloge pokrivaju široki spektar naslova i predlažu jasan \nplan pristupa tržištu i ciljanoj publici.  \n \n \n\n\f\n \n5\nProgrami stručnog usavršavanja i/ili edukacije  \nKategorija se odnosi na događanja namijenjena audiovizualnim profesionalcima ili \nprofesorima – radionice, pitching forume, medijske škole, edukacijske platforme, \nseminare, simpozije i ostale oblike usavršavanja znanja iz audiovizualne umjetnosti i \npedagogije. \nZa sufinanciranje je predloženo i odobreno devet programa koji su kvalitetom prijave i \nopisom daljnjeg razvoja programa potvrdili važnost sufinanciranja. Radi se o programima \nza stručno usavršavanje filmskih profesionalaca iz područja scenaristike, dokumentarnog \nfilma i programa profesionalnih platformi koji se održavaju u sklopu domaćih filmskih \nfestivala (ZagrebDox PRO i Animafest PRO), bilo da je njihovo odvijanje planirano \nuživo ili online. Umjetničke savjetnice izdvajaju kao pozitivne primjere Restartov \nLaboratorij i scenarističke programe Palunko u organizaciji Hrvatskoga filmskog saveza i \nprogram Branko Bauer Društva hrvatskih filmskih redatelja. Potvrđuje se daljnje \nsufinanciranje pitching foruma Circle – Women Doc Accelerator (modul 2) u organizaciji \nSekvence d.o.o. i program industrije Festivala mediteranskog filma Split (Industrija 1.0), \nkoji su na prošlom javnom pozivu prvi put ostvarili potporu te nastavak sufinanciranja \nprograma Medijski izazovi – škola za profesore u organizaciji Udruge Manda – film i \nriječ. Prvi put je za potporu predložen i odobren program radionice prezentacije filmskih \nprojekata u organizaciji Umjetničke organizacija Pulpa.  \n \nProučavanje i kritičko vrednovanje audiovizualnih djelatnosti  \nKategorija se odnosi na projekcije s tribinama, tribine, znanstvene skupove, simpozije, \nokrugle stolove, konferencije, gostovanja profesionalaca i predavanja, druga \naudiovizualna događanja i programe u kojima je fokus istraživanje i proučavanje \naudiovizualnih djelatnosti… \nUz potporu redovitim programima poput Restartova Masterclassa i Vizualnog kolegija \nMultimedijalnog instituta ističe se i potpora udruzi Jučer, danas, sutra za izdavanje ploče \nZvuk hrvatskog filma: Glazba iz animiranog serijala Baltazar. Od ostalih programa \nizdvajamo Animafestov međunarodni skup Scanner i nekoliko Restartovih programa \nrazgovora i tribina.  \n \nZaštita audiovizualne baštine uključujući kinotečnu djelatnost \nKategorija se odnosi na programe zaštite audiovizualne građe uključujući izvorne \nslikovne i zvučne elemente, restauraciju, digitalizaciju audiovizualnih djela i popratnih \nmaterijala i gradiva, organiziranje i održavanje arhivskog gradiva, popisivanje i \nkatalogiziranje audiovizualnog gradiva... \nPredložena je i odobrena potpora za projekt filmskog i video arhiva HFS-a.  \nKao i prethodne godine, umjetničke savjetnice žele posebno naglasiti da su za godišnji \nplan zaštite i restauracije audiovizualnoga gradiva Hrvatskoga državnog arhiva – \nHrvatske kinoteke osigurana sredstva izvan programskih sredstava za komplementarne \n\n\f\n \n6\ndjelatnosti u iznosu od milijun kuna. \n \nZa kraj, umjetničke savjetnice žele pohvaliti djelovanje Hrvatskog audiovizualnog centra \nkoji je podijelio Javni poziv za komplementarne djelatnosti na dva roka kako bi izašao u \nsusret organizacijama koje se odvijaju u drugoj polovici godine. Također, savjetnice \npozdravljaju strukturnu izmjenu prijavnice i donošenje smjernica vezanih uz \ndokumentaciju koja se prijavljuje na javni poziv. Jasnija definicija bitnih elemenata \nprijave pomaže ne samo umjetničkim savjetnicima pri procjeni nego i predlagateljima \nprograma.  \n \nŽeljele bismo naglasiti nekoliko izazova s kojima smo se susretale i mi, ali i bivše kolege \nsavjetnici, a to je prije svega neodrživost budžeta komplementarnih djelatnosti s obzirom \nna rastući broj prijava na javni poziv. Uz neodrživost ovakvog budžeta, na koji svake \ngodine savjetnici u raznim sazivima upozoravaju, problem je i činjenica da lokalna \nzajednica ne sufinancira programe dovoljno ili ih uopće ne sufinancira te da je većini \nprograma Hrvatski audiovizualni centar jedini potencijalni izvor prihoda.  \n \nOno što je doprinijelo porastu broja prijava kroz godine je svakako digitalizacija kina, \nkoja su počela prijavljivati svoje programe, pojava inicijativa vezanih uz filmsku \npismenost i edukaciju, koje su pokušale odgovoriti na nesustavan pristup medijskoj i \nfilmskoj pismenosti u školstvu i pojačana potreba za edukacijom u sektoru, koja je \nutjecala na porast broja prijava koje se tiču edukacije u raznim područjima djelovanja. \nPoznata su četiri modela provođenja odgojnih programa vezanih uz medijsku pismenost i \nedukaciju: 1. uvođenje posebnog predmeta u obrazovni sustav, 2. medijska kultura kao \ndio postojećeg predmeta (obično materinskog jezika), 3. uključivanje u različite predmete \ni 4. provođenje radionica i tečajeva kao dio programa udruga ili kao slobodna aktivnost u \nškolama. U Hrvatskoj se uglavnom provodi model medijske pismenosti u okviru \npredmeta Hrvatskog jezika te djelomice model uključivanja u druge predmete i \nprovođenje radionica, što pak ovisi o interesima učitelja i entuzijazmu pojedinaca. I ovom \nprigodom, kao što su to činili naši prethodnici, naglašavamo nužnost veće suradnje \nizmeđu Ministarstava kulture, Ministarstva znanosti i obrazovanja i Hrvatskog \naudiovizualnog centra. Napominjemo i da su kvalitetu brojnih programa \nkomplementarnih djelatnosti prepoznali i na europskim fondovima na kojima dobivaju \nsredstva koja je u okviru sredstava kojima raspolažemo teško matchirati.  \n \n \nNo, naravno, najveći je problem savjetnica bio procijeniti održivost i izvedbu programa u \nnarednoj godini s obzirom na krizu izazvanu koronavirusom koja je itekako pogodila veći \ndio komplementarnih djelatnosti. Većina organizatora se iznimno dobro snašla; neki su \novogodišnji program izvršili u izvornom obliku, neki su kombinirali uživo i online \n\n\f\n \n7\nizdanje, a neki su morali izvršiti programe isključivo u online izdanju. Važno je \nnapomenuti da je komunikacija s Centrom bila pravovremena i da su se mjere poštovale. \n \nZa kraj, važno je – kao i svake godine – napomenuti važnost komplementarnih djelatnosti \ni ukazati na činjenicu da se programi održavaju po cijeloj Hrvatskoj, a nerijetko su i \njedina filmska manifestacija, događanje ili edukacija u pojedinim manjim mjestima te da \nkao takvi imaju posebnu vrijednost. Programi komplementarnih djelatnosti su, kao što im \ni naziv kaže, komplementarni, odnosno zajedno s audiovizualnim djelatnostima i \nfilmskim stvaralaštvom čine cjelinu i pripadaju u važne ciljeve navedene kao prioritetne u \nNacionalnom programu promicanja audiovizualnog stvaralaštva. Razvoj jednog dijela \nsektora u neposrednoj je vezi s drugim. Vrijednost ovoga sektora zbog svoje \nsveobuhvatne i disperzivne prirode možda nije na prvi pogled uočljiva i mjerljiva, ali ona \nse nalazi u stotini manjih i većih mjesta i gradova, u školama, kinoklubovima, manjim i \nvećim kinodvoranama, u brojnim edukacijama, izdanjima, kinoprojekcijama, među \ntisućama ljudi: djece, mladih, profesionalaca i filmskih entuzijasta. \n \n \nUmjetničke savjetnice za komplementarne djelatnosti \nMirna Belina, Ivana Ivišić, Vera Robić-Škarica \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2021,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_distribucija_2025_3_rok_WEB.pdf","filename_decoded":"JP_distribucija_2025_3_rok_WEB.pdf","sha256":"c3d8fb667af55f817628db50c246e28246201c08106c8a3e36276b520142e85f","bytes":207833,"page_count":1,"extracted_at":"2026-05-17T10:22:48Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_distribucija_2025_3_rok_WEB.pdf"},"raw_text":"NOSITELJ \nPRIJAVE\nNASLOV FILMA\nKATEGORIJA \nFILMA\nREDATELJ/ICA\nPRODUCENT\nDISTRIBUTER\nODOBRENA \nSREDSTVA\n1\nJUČER d.o.o.\nJužina\ndugometražni igrani \nfilm\nAnte Marin\nJUČER d.o.o.\nJUČER d.o.o.\n10.000,00\n2\nInter film d.o.o.\nBumbarovo ljeto\ndugometražni igrani \nfilm\nDaniel Kušan\nInter film d.o.o.\nDuplicato Media \nd.o.o.\n22.000,00\n3\nUmjetnička \norganizacija \nMissArt\nSokol - nezaustavljiv \nkao sudbina\ndugometražni \ndokumentarni film\nEduard Galić\nUmjetnička \norganizacija MissArt\nDuplicato Media \nd.o.o.\n8.000,00\n4\nStudio Corvus \nd.o.o.\nNisam takva\ndugometražni igrani \nfilm\nZvonimir Munivrana Studio Corvus d.o.o.\nDuplicato Media \nd.o.o.\n9.000,00\n5\nRestart\nTreći svijet\ndugometražni \ndokumentarni film\nArsen Oremović\nRestart\nRestart\n7.000,00\n6\nCine Planet d.o.o.\nPaviljon\ndugometražni igrani \nfilm - manjinska \nkoprodukcija\nDino Mustafić\nCine Planet d.o.o.\nBLITZ d.o.o.\n7.000,00\n7\nFactum\nNaći ću te \ndugometražni \ndokumentarni film\nJustina Matov\nFactum\nFactum\n3.000,00\n8\nHulahop d.o.o.\nLekcije mog tate\ndugometražni \ndokumentarni film\nDalija Dozet\nHulahop d.o.o.\nHulahop d.o.o.\n3.000,00\n9\nWolfgang i Dolly \nd.o.o.\nZaustavi me ako \nmožeš\ndugometražni \ndokumentarni film\nBruna Bajić\nWolfgang i Dolly \nd.o.o.\nWolfgang i Dolly \nd.o.o.\n4.000,00\n10\nWolfgang i Dolly \nd.o.o.\nVlaho Bukovac - \nzagrebački dani\ndugometražni \ndokumentarni film\nŽeljko Rogošić\nWolfgang i Dolly \nd.o.o.\nWolfgang i Dolly \nd.o.o.\n2.000,00\n11\nSekvenca d.o.o.\nVude, ti si pobijedio\ndugometražni igrani \nfilm\nSenad Šahmanović\nSekvenca d.o.o.\nSekvenca d.o.o.\n4.000,00\n79.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE DISTRIBUCIJE FILMOVA u 2025. - 3. 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Za sufinanciranje predlažem četiri \nprojekta, od kojih je jedan debitantski film.    \n \nProjekt Žene minorne spekulacije Nicole Hewitt (Studio Pangolin) promišlja značenje neolitskih \nfigurica žena na području Vučedolske kulture spajajući historiografiju, arheologiju, \ndokumentarizam, putopis i spekulativnu fikciju. Film propituje način formiranja (svake) pri-\npovijesti, a posebno je zanimljiv istraživački arheološki rad kojim se pokušava ustanoviti analiza \nfigurica iz aspekta marginalizirane ženske povijesti te motiv vremenske putnice (istraživačice iz \nbudućnosti) kao spekulativnog elementa propitkivanja oblikovanja diskurzivnih okvira. Riječ je o \nhibridnom 40-minutnom projektu koji se može nazvati psihodeličnim kolažnim istraživačkim \neksperimentom s elementima putopisne znanstvene fantastike.  \nHorizont Tanje Perišić (Deman) u produkciji Kreativnog sindikata (Igor Grubić) vizualni je \nfotografsko-filmski esej o radikalnoj prostornoj izoliranosti. Autorica suočava kolektivnu \nimaginaciju otoka kao mjesta eskapizma s idejom otoka kao prostora nepodnošljive tjeskobe \nsuočavanja sa samim sobom. Otok postaje topos vizualnog promišljanja odnosa vidljivog i \nnevidljivog, odnosno dinamike između krajolika i ljudske psihe, uz promišljanje aspekta protoka \nvremena.  \nFilm Damira Čučića Gradovi u kojima nisam bio (Umjetnička organizacija Mitropa, Sanja \nŠamanović) distopijsko je virtualno putovanje kroz zamišljene vizure gradova. Projekt se na neki \nnačin nadovezuje na autorove ranije apstraktne videoeksperimente koji se temelje na procesu \nrada i potrazi za greškama, puknućima, prekidima, iznenađenjima odnosno na provokaciji \nnepredvidivih rezultata videosnimki.  \nDebitantica Martina Zelenika umjetničkog imena Moon u svom projektu Mountain/Planina \n(Stvaralačka mreža Zebra, David Lušičić) iznosi vizualna promišljanja o univerzalnoj filozofiji Zemlje \n– Gaije. Osnovni je motiv personifikacija planine (Velebita) kroz ženski glas i lik autorice u tjelesnoj \nizvedbi. Film se realizira iz perspektive geofilozofije (ezoterije, novodobne duhovnosti Zemlje) i \nizražene ekološke svijesti o prirodi, očuvanju prirodnih dobara, održivog razvoja i empatiji.  \n \nU svojim odlukama vodila sam se međunarodnim prikazivačko-izlagačkim potencijalom projekta i \nnjegovim doprinosom razvoju (filmske) umjetnosti u domaćem kontekstu. Iznimno mi je bitno \nautorovo razumijevanje kretanja suvremenog eksperimentalnog filma te kontinuitet kvalitetnog \nrada i djelovanja u hrvatskom, odnosno međunarodnom umjetničkom kontekstu.  \n\n\f\n \n \n \n \n \nZaključno, od razmatranih petnaest projekata koji su formalno zadovoljili uvjete natječaja osam \nfilmova pripada autoricama, a šest autorima, uz jedan redateljski par. Javila se jedna debitantica. \nDva projekta prijavljuju se drugi put, a jedan je prijavljen u postprodukcijskoj fazi. \n \nMirna Belina, savjetnica za eksperimentalni film  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web KRATKI IGRANI Obrazlozenje umjetnicke savjetnice - 2. rok u 2024.pdf","filename_decoded":"web KRATKI IGRANI Obrazlozenje umjetnicke savjetnice - 2. rok u 2024.pdf","sha256":"c52ed227e93f4d4ea2dea0c813ae367e70cdd42425d1890bdfda4526f53ea928","bytes":77923,"page_count":2,"extracted_at":"2026-05-17T12:01:49Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20KRATKI%20IGRANI%20Obrazlozenje%20umjetnicke%20savjetnice%20-%202.%20rok%20u%202024.pdf"},"raw_text":"Obrazloženje umjetničke savjetnice po rezultatima Javnog poziva za poticanje \naudiovizualnih djelatnosti i stvaralaštva – kategorija proizvodnje kratkometražnog \nigranog filma na drugom roku u 2024. godini – rok 12. rujna 2024.  \n \nNa drugi natječajni rok za poticanje proizvodnje kratkometražnih igranih filmova stigle su \ntrideset i dvije (32) prijave od kojih dvije (2) nisu razmatrane jer nisu zadovoljile formalne \nuvjete natječaja. Među prijavljenim projektima sedamnaest (17) je već bilo prijavljeno na \nneki od prethodnih javnih poziva, te četrnaest (14) projekata potpisuju ili supotpisuju autori \ndebitanti. \n \nNa temelju prijavljenih projekata vidljiv je porast društveno angažiranih političkih tema, tema \ndječjih odrastanja, trauma gubitka roditelja, ali i konstantan broj prijava koji inspiraciju i \nkvalitetu crpe iz osobnih priča i iskustava autora/ica. \n \nNa ovaj natječaj prijavljen je veći broj kvalitetnih radova nego na prethodni, a predloženi i \nodobreni projekti izdvojeni su zbog kvalitetnog pričanja priča, originalnosti scenarija te \nduhovitosti i zrelosti kojom autori barataju svakodnevnim temama. Vjerujem da bi odabrani \nprojekti mogli doprinijeti raznolikosti domaće kratkometražne produkcije te daljnjem \nprofesionalnom razvoju mladih autorica i autora. \n \nMeđu odabranim projektima tri (3) su bila prijavljena na neki od prethodnih javnih poziva, te \nsu također tri (3) djelo debitanata u ovoj kategoriji. \n \nZa sufinanciranje proizvodnje kratkometražnog igranog filma predloženo je i odobreno sedam \nprojekta u ukupnom iznosu od 463.500,00 eura.  \nProjekti su sljedeći: \n \nHej ho memento mori, režija: Goran Ribarić, scenarij: Maja Ležaić, Goran Ribarić  \nprodukcija: Lux film d.o.o. \niznos: 70.000,00 eura \nScenarij potpisuje Maja Ležaić zajedno s debitantom u ovoj kategoiji Goranom Ribarićem. \nPriča je to o smrtnom slučaju koji se dogodi jedno jutro u dječjem vrtiću te tematizira \npercepciju i prihvaćanje smrti kod djece i odraslih. \nNelinearnim izlaganjem autori smisleno, u funkciji postizanja atmosfere i napetosti gledatelju \nkao i djeci u filmu otkrivaju što se zapravo desilo. Goran Ribarić ima iskustva rada s djecom \nu svojim prethodnim radovima i radionicama te smatram da je stoga ovaj produkcijski i \nrežijski zahtjevan projekt u pravim rukama da bude uspješno realiziran. \n \nMamasita, režija: Ana Šiškov, scenarij: Anđela Žužul, produkcija: Udruga Blank \niznos: 69.000,00 eura \n„Mamasita” je scenarij s izrazito snažnim ženskim likom mlade majke, koja nas svojom \nžestinom, surovošću i beskompromisnošću te pragmatičnim pristupom problemima, vodi kroz \npriču gdje će moment pucanja biti neizbježan. Autorica tematizira borbu za opstanak, mlado \nmajčinstvo i način preživljavanja kojem su prepuštene djevojke u današnje vrijeme kad im \njedino snalažljivost pomaže da ostanu na površini. Pozdravljam tematiku scenarija u zadnje \nvrijeme sve prisutniju u hrvatskom filmu, koja će vjerujem, u rukama talentirane debitantice \nbiti vješto pretočena u film koji će dobro komunicirati s mlađom publikom. \n \nMišo, režija: Ivana Škrabalo, scenarij: Ivana Škrabalo, produkcija: Dinaridi film d.o.o. \niznos: 60.000,00 eura \nOvaj simpatičan, kompaktan scenarij tematizira mačo zadrtost dalmatinskog kraja i to radi \nprecizno i nepretenciozno. Karakteri su uvjerljivi i životni, priča emotivna i decentna. U \njednostavnosti strukture i glavnom liku autorica se koncentrira na bitno te uspijeva poentirati \nželjene momente, podneblje i karaktere. Univerzalna priča o čovjeku zakržljalih emocija, \n\n\f\nMiši, koji pored narušenog odnosa s majkom jedinu zadovoljštinu nalazi u pjevanju \ndalmatinskih šlagera u osami vinograda. Tema filma je česta, ali i vječna. \n \nOvnovi, režija: Luka Galešić, scenarij: Luka Galešić, produkcija: Kobra Koke Zagreb \niznos: 60.500,00 eura \nUniverzalna tema zarobljenosti glavnog junaka koja se provlači kroz autorove ranije radove i \novdje je prisutna. U muškoj obitelji pratimo oca koji uz brigu za sinove tinejdžere trenutno \nživi s ocem Marijanom koji probleme rješava na specifičan način. Ovaj autentičan scenarij \nsvojom jednostavnošću iscrtava itekako kompleksne i sveprisutne odnose gotovo svake \nobitelji. Autor pokazuje izraziti senzibilitet i suosjećanje sa svojim likovima, prikazujući ih \nkao tvrdoglave, snažne, bespomoćne i plahe te vještim isprepletanjem dijaloga, paralelnih \nradnji i brzih replika cijelu priču drži na visokoj razini napetosti, izrazite životnosti i \nduhovitosti.  \n \nPunjetari, režija: Roko Sikavica, scenarij: Roko Sikavica, produkcija: Udruga Blank \niznos: 70.000,00 eura \nOvaj svjež, prštav i duhovit scenarij s izrazito životnim likovima potpisuje mladi glumac \ndebitant Roko Sikavica. Priča je to o tri prijatelja čiji odnosi postaju poljuljani na pragu \nzrelosti i prvih seksualnih odnosa. Ostvarivanje njihove na pladnju pružene maštarije u formi \ndvije Slovenke razbucat će dinamiku njihovih odnosa i preispitati društveno ukorijenjenu \npatrijarhalnost i njen smisao. Mladi autor ima puno potencijala u pisanju uspješnih komedija \nkaraktera. \n \nRasuti teret, režija: Šimun Šitum, scenarij: Šimun Šitum, produkcija: Udruga Blank \niznos: 60.000,00 eura \nScenarij renomiranog autora kratkih filmova koji se i ovaj put bavi podnebljem koje najbolje \npoznaje. Priča je to o Vedranu koji u bespućima splitskog polulegalnog parkinga pokušava \npronaći svoj auto. \nOva humorna drama vješto gradi ritam i atmosferu tematizirajući borbu pojedinca s vlastitom \nanksioznošću zarobljenog u apsurdnoj situaciji naizgled bez sretnog razrješenja. Na momente \nasocirajući na „Dan ludila”, ali s komičnim elementima smještenim u Split, autor uspijeva \npreko svakodnevne situacije progovoriti o problemu modernog čovjeka. \n \nVršenje dužnosti, režija: Hrvoje Mabić, scenarij: Hrvoje Mabić, produkcija: Ustanova \nZagreb film \niznos: 74.000,00 eura \n„Vršenje dužnosti” je društveno aktualna i angažirana priča o pushback-ovima koje vrši \npolicija na migrantskoj ruti, a dolazi iz pera našeg poznatog dokumentarista. Ovaj triler s \nakcijskim elementima kroz vizuru preispitivanja vlastite savjesti glavnog lika tematizira \nstupanj odgovornosti u hijerarhijskom sistemu policije i da li slušanje nadređenih oslobađa od \nodgovornosti onog najnižeg u lancu. Napeta i inspirativna priča koja zaslužuje realizaciju. \n \n \n \n \n \nNina Velnić - umjetnička savjetnica za kratkometražni igrani film \n \n \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2024,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"admin","source":{"filename":"WEB%20-%20OBJAVA%20-%20%20KOLOVOZ%202024.pdf","filename_decoded":"WEB%20-%20OBJAVA%20-%20%20KOLOVOZ%202024.pdf","sha256":"c599008eb2527fb8f9dae8f2216c932db8168a770abbb92b1913459d8a5a8a51","bytes":339255,"page_count":4,"extracted_at":"2026-05-16T15:44:56Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":["reclassified_from_results_table_to_admin"]},{"schema_version":"1.0","doc_type":"regulation","source":{"filename":"Pravilnik%20HDFD%20Goya.pdf","filename_decoded":"Pravilnik%20HDFD%20Goya.pdf","sha256":"c6f0048a72a4335fae49b7d1b550758027deb7fb2d4fad911738f9d0e957b5b3","bytes":168082,"page_count":6,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.0","doc_type":"non_financing","source":{"filename":"URTI_GPTV_PR_Nominees_2019_EN.pdf","filename_decoded":"URTI_GPTV_PR_Nominees_2019_EN.pdf","sha256":"c6f0439a13d6acd5fe671af9e663816ea5a69bd66f48d4a98d3812825c1c3c88","bytes":106699,"page_count":1,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB%20OBRAZLOZ%CC%8CENJE%20RAZVOJ%20PROJEKTA%20DUGI%20IGRANI%202.%20ROK%202023.pdf","filename_decoded":"WEB%20OBRAZLOZ%CC%8CENJE%20RAZVOJ%20PROJEKTA%20DUGI%20IGRANI%202.%20ROK%202023.pdf","sha256":"c738a6948b5afc45e4e9f49b632331683c49c87aca3c055260d67c88ea25a3df","bytes":80516,"page_count":3,"extracted_at":"2026-05-16T13:53:55Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20OBRAZLOZ%CC%8CENJE%20RAZVOJ%20PROJEKTA%20DUGI%20IGRANI%202.%20ROK%202023.pdf"},"raw_text":"Javni poziv za po*canje audiovizualnih djelatnos* i stvaralaštva - kategorija: po*canje razvoja scenarija \ni razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npotkategorija: RAZVOJ PROJEKATA u 2023. - 2. ROK - 29.9.2023. - dugometražni igrani filmovi \numjetnički savjetnici: Višnja Pen3ć, Juraj Lero3ć, Dean Šoša \n \nNa javni poziv za poticanje razvoja projekata dugometražnog igranog filma u 2023. godini, na drugom \nroku, prijavljeno je osamnaest (18) projekata i svi zadovoljavaju uvjete. Jedan je projekt prebačen iz faze \nrazvoja projekta u razvoj scenarija. \nOd tih osamnaest  projekata u kategoriji razvoja projekata odobrena su sveukupno četiri projekta - 'Tekton \n- Pas je za lanac', 'Bilo jednom u Splitu', 'Štriga' i projekt 'Bitka na Krbavskom polju', projekt prebačen iz \nkategorije proizvodnje filmova. \n \nČetiri projekta u fazi razvoja projekta odlučili smo podržati u ukupnom iznosu od 100.000 eura.  \n \nProjekti koje podupiremo nametnuli su se zaokruženošću scenarija i jasnoćom autorske koncepcije.   \n \nTri predložena i odobrena projekta žanrovski su filmovi - horor-komedije 'Štriga' i 'Bitka na Krbavskom \npolju', krimić 'Bilo jednom u Splitu', dok je 'Tekton - Pas je za lanac' projekt izrazito autorskog karaktera.  \n \nPosebice nas veseli činjenica da dva projekta potpisuju debitanti u dugometražnoj kategoriji, autor Tin \nŽanić ('Tekton - Pas je za lanac') i Mladen Stanić ('Bilo jednom u Splitu') koji su se prethodno istaknuli \nnagrađivanim kratkim igranim filmovima. 'Štrigu' potpisuje iskusni redatelj Kristijan Milić, dok je \nscenaristica filma Iva Ilakovac debitantica. Upravo scenarij filma 'Štriga' u prvi plan stavlja snažan ženski \nkarakter, koji je, poput ženskih karaktera u projektima odobrenim na prvom roku javnoga poziva, \noblikovan van ustaljenih reprezentacijskih obrazaca.  \n \nNa koncu, valja istaknuti da su tri predložena projekta prethodno dobila potporu za razvoj scenarija. \nPotonje svjedoči o kontinuitetu i važnosti javnih poziva za poticanje razvoja.  \n \nTEKTON – PAS JE ZA LANAC \nScenarij: Tin Žanić \nRežija: Tin Žanić \nProdukcija: Dinaridi film d.o.o. \n25.000,00 eura \n \nMladić Lan radi kao pomoćni radnik na stočarskoj farmi. Povučen je, a u očima drugih radnika i prilično \nčudan - jednog dana se, bez imalo razmišljanja, upu3 preko minskog polja kako bi spasio konja. Iste noći \nodlazi s farme, nakon što ima neobjašnjivu zlokobnu viziju. Nastavi putovanje zabačenim dijelovima \nHrvatske u starom Hyundaiju. \n\n\f\nScenarij donosi atmosferičnu, vizualno suges3vnu priču o mladom marginalcu uvlačeći nas u njegov \nunutarnji svijet i središnjom metaforom uzbudljivo predočena pomaknuta psihička stanja. Čitav se projekt \ntemama, mo3vima i postupcima organski nastavlja na dosadašnji redateljev rad u kratkometražnoj \nigranofilmskoj formi. Scenarij obiluje simbolima i moćnim vizualizacijama kompleksnih psihičkih stanja koja \nse prenose posredstvom slika, a manje kroz dijalog i radnju. Prilika je projekta 'Tekton – Pas je za lanac' da \nodvažno otvori temu marginaliziranih i da pritom ne koris3 već uvriježena mnijenja već da kroz nijansiran \nprikaz nekonvencionalnog ljubavnog odnosa obradi kompleksnu temu prava na bliskost među ranjivima i \nranjenima. \n \nBILO JEDNOM U SPLITU \nScenarij: Mladen Stanić \nRežija: Mladen Stanić \nProdukcija: Mohikanac d.o.o. \n25.000,00 eura \n \nDuje je mladi čovjek odgojen na margini društva s kojim se kao navijač često sukobljavao, a Jakov naizgled \nuzoran građanin s uobičajeno nesretnim životom. Njihove se sudbine isprepletu kada Duje i prijatelji \nodluče opljačka3 banku u kojoj Jakov radi kao zaš3tar. Među3m, pljačka se izjalovi i zakotrlja lavinu \nnesretnih okolnos3 koje pljačkaše i zaš3tara bace na put osvete, pohlepe i novca. \nEfektno postavljena klasična žanrovska priča o pljački banke koja pođe krivo smještena u plas3čno oslikanu \nperiferiju turis3čkog grada nudi snažan društveni komentar o korupciji i socijalnoj nepravdi. S jedne strane \ntu su mladići iz nižeg društvenog sloja koji se okreću kriminalu jer im je to jedina prilika da materijalno \nnapreduju, a s druge strane stoji an3junak Jakov koji u ranim četrdese3ma još uvijek nije uspio napravi3 \nništa od svog života. Kao i njima, njegove šanse za materijalno ili bilo kakvo drugo društveno napredovanje \nravne su nuli. Ovaj projekt zasigurno može privući publiku, posebno mlađu, jer likovi i razvoj radnje \nomogućuju iskričav crni humor kroz koji se posredno nudi kri3ka sistemskih socijalnih nepravdi. \n \nŠTRIGA \nScenarij: Iva Ilakovac \nRežija: Kristijan Milić \nProdukcija: Woodz production d.o.o.  \n25.000,00 eura \n \nNova otočka poštarica Kristina (35) među malobrojnim mještanima nalazi srodnu dušu u neobično vitalnoj \nRozaliji (100).  \nTamo gdje bi po žanrovskim konvencijama počeo egzorcizam, u duhovitom i originalnom scenariju Ive \nIlakovac počinje neobično prijateljstvo. U filmu se tako vješto izmjenjuje jeza, komedija i drama, a galerija \nzanimljivih ekscentričnih likova podsjeća na one iz filmova Martina McDonagha (Tri plakata izvan grada, \nDuhovi otoka).  \n\n\f\nRozalijinu i Kristininu drugačijost lako je čitati kao bilo koju drugu drugost (nacionalnu, vjersku, itd.), a \nnjihova usamljenost i izopćenost istovremeno je usamljenost svake manjine pa film Štriga nudi i \nmogućnost složenijih tumačenja začudnog svijeta koji prikazuje.  Autorski tim zasad čine producentica \nAdrijana Prugovečki i scenaristica Iva Ilakovac kojoj će ovo biti prvi dugometražni projekt nakon \npozamašnog iskustva u scenaristici televizijskih serija. Kristijan Milić potpisuje razrađenu redateljsku \nkoncepciju. \n \n \nBITKA NA KRBAVSKOM POLJU \nScenarij: Predrag Ličina \nRežija: Predrag Ličina \nProdukcija: Terminal 3  \n25.000,00 eura \n \nIzmeđu ličkog sela Jošana i gradića Udbine prostire se sedam kilometara dugačko Krbavsko polje. U \nnormalnim okolnostima potrebno je desetak minuta da se automobilom prijeđe polje, kako bi se došlo do \nUdbine. Međutim, ako vam se nasred polja pokvari automobil, bit će vam potrebno nešto više vremena. \n  \nKad vas u ovakvoj situaciji još napadnu i zombiji, pitanje je hoćete li ikada doći do ličkog gradića. Sve ovo \nzateklo je četveročlanu ekipu, zaposlenu u industriji marketinga, koja početkom ljeta putuje magistralnom \ncestom od Plitvica prema podnožju Dinare gdje će nastaviti snimanje televizijske reklame. \n \nFilm Predraga Ličine odvija se pretežno u automobilu i do ekstrema poštuje jedinstvo mjesta, vremena i \nradnje te zbog toga vezuje gledatelja za ekran velikom tenzijom. 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\nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2023. - 1. ROK - 14.3.2023. \nUmjetnička savjetnica: Tiha Gudac, dugometražni dokumentarni film \nNa javni poziv u kategoriji poticanja razvoja scenarija dugometražnog dokumentarnog filma u 1. roku 2023. \ngodine prijavljen je sveukupno 31 projekt, svi projekti su zadovoljavali uvjete natječaja i bili razmatrani.  \nDio pristiglih projekata prezentirani su na razini ideje, bez dodatne razrade, bez jasnog dramaturškog smjera te \nbez stvarnih likova i potvrde o tome da je pristup temi i likovima osiguran. Dio projekata zamišljeni su u obliku \nza koji je upitno je li žanrovski odgovaraju formi dokumentarnog filma, a dio je prikladniji za televizijsku \nproizvodnju jer ne posjeduju obilježja autorskog filma, to su izlagački i filmovi koji pate od opterećenosti \npodacima. \nIstovremeno među prijavama iznenađuje više projekata u naprednom stadiju razvoja, s kvalitetnim \nscenarističkim i vizualnim rješenjima te s priloženim pokaznim scenama i trailerima. Među projektima koji se \nističu kvalitetom autorskog pristupa odabir prijedloga za sufinanciranje stoga je djelomično bio ograničen \nokvirima budžeta s kojim se raspolaže u ovoj kategoriji.  \nPredlažem Hrvatskom audiovizualnom vijeću ukupno 9 projekata za sufinanciranje u ovoj kategoriji u ukupnom \niznosu od 33.300,00 eura. \n1. EJ, TATA - Đuro Gavran  (scenarist i redatelj) \n- 3.700,00 eura \nU odnose očeva i sinova autor ulazi ovim autobiografskim, obiteljskim filmom. Daleko od civilizacije, u \nnetaknutoj prirodi, tata (40) i sin (11) podižu šator. Ispred njih je vikend koji su predugo čekali. Vrijeme samo za \nnjih dvoje. Šuma, rijeka, luk i strijela i logorska vatra. Bez ikakvih obveza, vikend izdvojen iz mlinca zvanog - \nživot. Ovo vrijeme o kojem maštaju oboje otvara vrata u prirodu širih očinskih odnosa.  \n \n2. TATA NA TAVANU - Dana Budisavljević (redateljica i scenaristica), Olinka Vištica (producent), Hulahop \nd.o.o. (produkcija) \n- 3.700,00 eura \nDvije tisuće knjiga koje su se tijekom stotinu godina skupile u jednoj zagrebačkoj obitelji intelektualaca trebaju \notići iz stana kako bi se napravilo mjesta za mlađe naraštaje. Koja je vrijednost knjiga u digitalnom dobu, jesu li \njoš uvijek simbol znanja, tradicije i prestiža? Što učiniti sa stvarima zaostalim na tavanu? Koje priče i znanja \nstarija generacija treba prenijeti na mlađu?  \n \n3. SVIĐA MI SE TVOJA MINIJATURA - Ivor Radmilović Pavlek (scenarist)  \n- 3.700,00 eura \nDugometražni dokumentarni film ‘Sviđa mi se tvoja minijatura’ istražuje minijature kroz povijest, od drevnog \nEgipta do danas. Na ovom pomalo uvrnutom filmskom putovanja jedan don quijoteovski lik u sitnim figuricama \n(bez)uspješno pokušava pronaći potvrdu vlastite veličine. Ovo je štreberski film potrage za životnom \nispunjenošću, strasti i smislom.  \n \n \n\n\f\n \n \n \n 4. PONOVO ROĐENA - Marija Ratković Vidaković  (scenaristica i redateljica)  \n- 3.700,00 eura \nFilm se bavi ljudskim sudbinama, izgubljenim identitetima, političkim razdvajanjem istoka i zapada i njegovim \nponovnim spajanjem skoro pola stoljeća kasnije. Kroz priču Bärbel, danas 78-godišnjakinje, film raspliće \nobiteljsku tajnu koja je predugo ostala skrivena. \n \n5. KROZ PROCES 10-6-93 - Marina Petković Liker  (scenaristica i redateljica)  \n- 3.700,00 eura \nU četvrtak 10.6.1993. između obiteljskih kuća u Vitezu igrala su djeca,  igru je prekinula granata. Ovaj film je \npogled u život roditelja koji nakon 30 godina od pogibije djece nisu uspjeli proraditi traumu. Jedan od razloga je \nšto taj događaj nije nikada “priznat”, a tiče se postratne, društvene i političke stvarnosti koja više nije pitanje \nsamo intimne boli i gubitka već kolektivnog užasa i odgovornosti. Nisu je proradili “jer ih nitko ne razumije”, jer \noni koji nisu doživjeli tragedije, koje rat nije dotakao, ne mogu razumjeti one koje je rat slomio. \n \n6. OLIVER - Raul Brzić  (scenarist i redatelj)  \n- 3.700,00 eura \nKad nije nastupao ili stvarao glazbu Oliver je živio relativno skroman život u krugu obitelji i jako uskom krugu \nprijatelja. Kao strastveni ribolovac većinu svog slobodnog vremena provodio je sa svojim sinovima u ribolovu na \npučini. Ovaj film prikazuje Olivera iz perspektive sinova, kao oca, supruga, djeda i ribara koji je živio more, \nsunce i Dalmaciju. Film se temelji na ekskluzivno ustupljenoj  privatnoj arhivskoj građi obitelji Dragojević. \n \n7. LA LOTTA CONTINUA - Srđan Kovačević (scenarist i redatelj)  \n- 3.700,00 eura \nNakon procesa dokumentiranog u filmu «Tvornice radnicima» Itas nastavlja borbu pod vodstvom Dragutina \nVarge. Iako je stabilizirao financije, radnici odlaze jer je vlasnička struktura i dalje nedefinirana. Jedne noći hala \nP-2 je planula, začađivši cijelu tvornicu. Da bi spasio Itas od kolapsa, Varga  mora okrenuti koncept tvornice, \npronaći novi početak. Uz pomoć hrvatskih i slovenskih aktivista stvara potpuno novi model radničkog \nzadrugarstva. No, da li je to dovoljno da tvornica opstane? \n \n8. BANDA - Igor Jelinović (scenarist, redatelj i producent), Udruga Blank  (produkcija)  \n- 3.700,00 eura \nFilm opservacijski prati umirovljenike koji već duže zajedno pohađaju edukativne filmske radionice i programe. \nGrupa je stvorila zanimljivu dinamiku isprepletenu iskričavim odnosima koji nisu opterećeni filterima kakve \ndiktira mladost.  Sada ta šarena penzionerska grupa snima svoj prvi kratkometražni igrani film.  \n \n9. PINNA HOĆE ŽIVJETI - Tamara Babun  i Tomislav Bader (scenaristi), Tamara Babun (redateljica i \nproducentica),  Wolfgang i Dolly d.o.o. (produkcija)  \n- 3.700,00 eura \nFilm o putovanju i borbi jedne školjke uz pomoć ljudi. Ekipa biologa iz Aquariuma Pula putuje u Veneciju, gdje \nće talijanski kolege izroniti nekoliko periski. Selidbom ugroženih školjki u Pulu pokušat će provesti \nrazmnožavanje i povratak u njihovo prirodno stanište kako bi pomogli Pinni da se sama obnovi u Jadranu. Film \nprati biologinje koje putuju u Italiju, proces migracije i nastojanje da se Pinna očuva u suradnji znanstvenika \notkrivajući njihovu motivaciju, inspiraciju, strahove i nadanja. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2023,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web%20PROIZVODNJA%20KRATKI%20DOKUMENTARNI_1_ROK_2022.pdf","filename_decoded":"web%20PROIZVODNJA%20KRATKI%20DOKUMENTARNI_1_ROK_2022.pdf","sha256":"c8d369372c9e2ac69d491794a3e85005f21c03bb24a6dee668411aa8777f7d6e","bytes":54873,"page_count":2,"extracted_at":"2026-05-16T15:41:08Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20PROIZVODNJA%20KRATKI%20DOKUMENTARNI_1_ROK_2022.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. ROK, \n2022. DOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac  \nKATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - KRATKOMETRAŽNI DOKUMENTARNI \nFILM – 15. ožujka 2022.  \nOPĆI OSVRT  \nNa javni poziv u kategoriji proizvodnje kratkometražnog dokumentarnog filma u 1. roku \nprijavljeno je sveukupno 13 projekata. Od toga su dva projekta prijavljena u fazi \npostprodukcije. Od 13 projekta, svi su razmatrani. Manji broj pristiglih projekata već je \niskoristio potporu u fazi razvoja scenarija ili razvoja projekta i ranije su prijavljivani u \nkategoriji proizvodnje te u prijavu sada ponovili.  \nVeći dio prijavljenih projekata ne prezentira autorsku jakost i jasnoću u pristupu ili \nprojektom pak nije prikazana spremnost produkcije i autora za ulazak fazu proizvodnje. \nNekoliko projekata ipak se istaknulo kao jasni, inovativni i društveno relevantni filmovi u \nnastajanju.  \nPredložena su i odobrena 3 projekta za sufinanciranje u ovoj kategoriji u ukupnom iznosu od \n340.000 kn. Odobreni projekti iskaču društvenom relevantnošću, originalnošću u pristupu \ntemi i dobro pripremljenim produkcijskim paketom.    \n1. Lume cara ăj ăm njenčim - Svijet je preda mnom -   Kristina Leko, Matija Kralj - Štefanić \n(redatelji) / Kristina Leko (scenaristica) / Kristina Leko (producentica) Otvoreni likovni \npogon (produkcija) –110.000 kn   \nFilm koji dvojezičnim pristupom i inkluzijom protagonista, djece romske zajednice, u sam \nproces nastajanja filmskog djela te njegovog naknadnog života,  intenzivno doprinosi inkluziji \njedne od najranjivihih manjina u našem društvu. Svojim pristupom film pruža osnažujuć \nefekt za zajednicu te se ističe svojom društvenom relevantnošću.  U stilu making-offa, \ndokumentirajući filmsku radionicu za romske osmaše-ice u Međimurju, ovaj dvojezični film \nuranja u svijet djece koja priželjkuju daljnje školovanje i žele više: biti odvjetnik-ca, liječnik-\nca, učitelj-ica. Mobitelom skupljaju footage i statemente iz škole i romskog naselja te \ninsceniraju scene iz vlastite budućnosti, koje gledamo kao film u filmu. Komentari romskih \naktivista-ica kontekstualiziraju rezidencijalnu i obrazovnu segregaciju Roma u RH i predlažu \nkonkretna rješenja.  \n \n2. Rat bez rata -  Dario Lonjak  (redatelj), Velimir Grgić (scenarist) / Dario Lonjak \n(producent) / Pulsar produkcija j. d.o.o. -  130.000 kn  \n \nAkcijski dokumentarac o napetom ratnom sukobu bez upotrebe oružja. U vrijemenu buđenja \nnovih ratnih razaranja na tlu Europe, ovaj film rekonstrukcije povijesnih događanja,  \npostavlja pitanje – postoji li pametniji put?  Jedna od fascinantnijih priča iz Domovinskog rata \nbila je akcija mirnog oslobađanja vojarne Muzil u Puli, doslovno filmski “stand off” dvije \n\n\f\nstrane u samim začecima rata, s likovima i situacijama kao izašlim iz holivudskog spektakla - s \njedne strane smireni pregovarači hrvatskog kriznog stožera, s druge agresivna i bahata JNA \nkoja prijeti razaranjem Istre. “Rat bez rata” je uzbudljivi i napeti film o pregovorima, \nzavjerama, pokušajima atentata i kaosu ranih dana Domovinskog rata. Faktografska ratna \ndogađanja, autorskim pristupom uzdignuta su iznad pukog prepričavanja što otvara \npotencijal za filmsku priču ozbiljnog i relevantnog svjedočanstva o  važnosti izbora čovjeka \nzarobljenog u vihoru rata.  \n \n3. Duboki tonovi Igor Ilić  (redatelj i scenarist) / Vinko Brešan (producent) / Ustanova \nZagreb Film (produkcija)100.000 kn  \n \nPolu-autobiografski dokumentarac, jakog i inovativnog režijskog postupka samom autoru i \npreko njega gledatelju, nudi mogućnosti suočavanja s traumama gubitka doma povrh \nrasjeda.  Ovo je priča o zacjeljivanju psiholoških posljedica koje je na inženjera zvuka i \nglazbenika Božu Ilića, stanovnika Markuševca, izazvao zagrebački potres iz ožujka 2020. U \nintervalima između naknadnih podrhtavanja tla, sviranjem bas gitare i snimanjem zvukova \nkuće započinje nadvladavanje straha i mirenje sa činjenicom da je njegov cjeloživotni dom \nneupotrebljiv i slijedi mu rušenje.  Snimajući vlastitog oca, redatelj zajedno s glavnim \nprotagonistom, koristi medij zvuka za osluškivanje najsuptilnijih zvukova koje je u nama i \npukotinama naših domova ostavio potres.  \n \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. ROK, 2022. - KATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - KRATKOMETRAŽNI DOKUMENTARNI FILM – 15. ožujka 2022.","year":2022,"rok":"1. rok","natjecaj_date":"2022-03-15","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"kratkometražni dokumentarni film","section_key":"kratkometrazni_dokumentarni","columns":["NASLOV","SCENARIST","REDATELJ","PRODUCENT","PRODUKCIJA","IZNOS"],"rows":[{"row_number":1,"project_title":"Lume cara ăj ăm njenčim - Svijet je preda mnom","applicant":"Otvoreni likovni pogon","production_company":"Otvoreni likovni pogon","director":"Kristina Leko, Matija Kralj - Štefanić","writer":"Kristina Leko","original_author":null,"category":"Kratki dok.","approved_amount_text":"110.000 kn","approved_amount":110000.0,"currency":"HRK","extras":{"PRODUCENT":"Kristina Leko","repair_v1":{"changes":[{"field":"category","from":"kratkometražni dokumentarni film","to":"Kratki dok.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Otvoreni likovni pogon","row_id":"c8d36937:s0:7cdbb626c75b","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_dd26dccf91e8","project_family_title":"Lume cara ăj ăm njenčim - Svijet je preda mnom"},{"row_number":2,"project_title":"Rat bez rata","applicant":"Pulsar produkcija j.d.o.o.","production_company":"Pulsar produkcija j.d.o.o.","director":"Dario Lonjak","writer":"Velimir Grgić","original_author":null,"category":"Kratki dok.","approved_amount_text":"130.000 kn","approved_amount":130000.0,"currency":"HRK","extras":{"PRODUCENT":"Dario Lonjak","repair_v1":{"changes":[{"field":"category","from":"kratkometražni dokumentarni film","to":"Kratki dok.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Pulsar produkcija j.d.o.o.","row_id":"c8d36937:s0:4b0c314c0c0e","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_fc50ddfda6c8","project_family_title":"Rat bez rata"},{"row_number":3,"project_title":"Duboki tonovi","applicant":"Ustanova Zagreb film","production_company":"Ustanova Zagreb film","director":"Igor Ilić","writer":"Igor Ilić","original_author":null,"category":"Kratki dok.","approved_amount_text":"100.000 kn","approved_amount":100000.0,"currency":"HRK","extras":{"PRODUCENT":"Vinko Brešan","repair_v1":{"changes":[{"field":"category","from":"kratkometražni dokumentarni film","to":"Kratki dok.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Ustanova Zagreb Film","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Ustanova Zagreb film","row_id":"c8d36937:s0:0e0041cf4604","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_7dbd10b57ab7","project_family_title":"Duboki tonovi"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":"ukupno 340.000 kn","ukupno":340000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":340000.0,"ukupno_match":true,"row_count":3,"awarded_count":3,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":3}},{"schema_version":"1.0","doc_type":"non_financing","source":{"filename":"EKRAN%2B%202023%20call.pdf","filename_decoded":"EKRAN%2B%202023%20call.pdf","sha256":"c980e735a24db40ea514914933b44236868a891f46587e3bfbcce8cd19391732","bytes":8320251,"page_count":3,"extracted_at":"2026-05-16T13:38:08Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web%20Obrazloz%CC%8Cenje%20manjinske%204.%20rok%202024.pdf","filename_decoded":"web%20Obrazloz%CC%8Cenje%20manjinske%204.%20rok%202024.pdf","sha256":"c989c8b8bb98e91768c1b29479ca8bc6ab1da84c0b7de12b7998c46f5bbd538b","bytes":90948,"page_count":4,"extracted_at":"2026-05-16T14:13:23Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazloz%CC%8Cenje%20manjinske%204.%20rok%202024.pdf"},"raw_text":"Obrazloženje umjetničke savjetnice o odlukama o donošenju liste prioriteta i raspodjeli \nsredstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u \n2024. godini, u kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskim udjelom \n(četvrti rok: 15.10.2024.)  \n \nZdenka Gold, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim udjelom  \n \nNa treći rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2024. \ngodini prijavljeno je 49 projekata. Od ukupnog broja prijavljenih, četiri projekta nisu \nrazmatrana jer nisu zadovoljili uvjete Javnog poziva.  \n \nOd prijavljenih projekata, obzirom na vrstu filma, najviše prijavljenih dolazi iz kategorije \ndugometražnog igranog filma, ukupno 29 (od toga 11 debitantskih dugometražnih igranih \nfilmova). 2 dugometražna igrana filma (od toga 1 debitantski), su u fazi postprodukcije. Za \ndugometražnim igranim filmovima slijede dugometražni dokumentarni filmovi sa 8 prijava, \nzatim kratkometražni igrani filmovi s ukupno 6 prijava i kratkometražni animirani filmovi sa 5 \nprijava. Nakon njih dolazimo do roda kratkometražnog dokumentarnog filma, od kojih je \nzaprimljena 1 prijava.  \n \nVRSTA FILMA \nBROJ \nPRIJAVA \nDebitantski dugometražni igrani i \ndugometražni igrani \n29 \nKratkometražni igrani \n6 \nDugometražni dokumentarni \n8 \nKratkometražni dokumentarni \n1 \nDugometražni animirani \n0 \nKratkometražni animirani \n5 \nUKUPNO \n49 \n \n \nOd prijavljenih projekata, obzirom na zemlju iz koje dolazi glavni producent, odnosno \nprodukcijska kuća s većinskim udjelom u financiranju, brojevi nam ponovno svjedoče o \nvelikoj raznolikosti, vrlo sličnoj kao i na prethodnim Javnim pozivima: većinski producenti iz \nčak 19 zemalja planiraju u svojim planovima financiranja učešće Hrvatske. Najveći broj \nprijava, 60-ak % od ukupnog broja, stigao je s područja s kojima dijelimo jezičnu sličnost – \nSrbija, Slovenija, Bosna i Hercegovina, Crna Gora i Sjeverna Makedonija. Na ovom roku \nprimjećujem blagi porast broja prijava iz zemalja van regionalnog bloka. \n \nZEMLJA VEĆINSKOG PRODUCENTA \nBROJ \nPRIJAVA \nSrbija \n12 \nSlovenija \n6 \nCrna Gora \n6 \nBosna i Hercegovina \n3 \nČeška \n3 \nSjeverna Makedonija \n2 \n\n\f\nItalija  \n2 \nLitva \n2 \nNjemačka \n2 \nGrčka \n2 \nFrancuska \n1 \nBugarska \n1 \nRumunjska  \n1 \nŠvedska \n1 \nNorveška \n1 \nTurska \n1 \nMađarska \n1 \nUK \n1 \nKanada \n1 \nUKUPNO \n49 \n \n \nKriteriji za predlaganje projekata za sufinanciranje temelje se na:  \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i \nredateljski koncept;  \n2. Ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala projekta, s \nobzirom na produkcijski paket i producentov plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za \nfinanciranje projekata.  \n \n \nFilmovi predloženi i odobreni za sufinanciranje, s ukupnim iznosom sufinanciranja 306.000 \nEUR: \n \n1.) Dugometražni igrani film 8. mart (Srbija), hrvatska produkcijska kuća Petnaesta \numjetnost, 70.000,00 EUR \n2.) Dugometražni igrani film Rat s daždevnjacima (Češka), hrvatska produkcijska kuća \nWoodz production, 70.000,00 EUR \n3.) Dugometražni igrani film Tartuferije/Zadnji dani maestrala (Slovenija), hrvatska \nprodukcijska kuća Nukleus film, 70.000,00 EUR \n4.) Debitantski dugometražni igrani film Beba (Švedska), hrvatska produkcijska kuća \nAntitalent, 60.000,00 EUR \n5.) Kratkometražni igrani film Histerični napad smijeha (Srbija), hrvatska produkcijska \nkuća Dinaridi film, 17.000,00 EUR \n6.) Kratkometražni animirani film Ljudi s perajama (Slovenija), hrvatska produkcijska \nkuća Kinoteka, 19.000,00 EUR \n \n \nOBRAZLOŽENJA \n \n1.) Dugometražni igrani film 8. mart (Srbija), hrvatska produkcijska kuća Petnaesta \numjetnost, 70.000,00 EUR \n \n\n\f\nScenarij za film 8. mart autora Srđana Dragojevića, temeljen na pripovijetki Rumene \nBužarovske, odlikuje se vještim pripovijedanjem koje u potpunosti uvlači čitatelja u \npriču, prirodnim ritmom i snažnom narativnom strukturom. Priča se lako prati, a \nnjen emotivni naboj uspijeva istovremeno izazvati osmijeh i tugu, držeći pažnju od \npočetka do kraja. Kao tragikomedija, film uspješno balansira humor i dramu, \nstvarajući organski i uvjerljiv spoj koji iz situacija izvlači humorističnu i autentičnu \nnotu. Glavni lik Vesna, sveučilišna profesorica, majka, rastavljena žena i \nalkoholičarka, izuzetno je slojevita i pravi je simbol svih izazova s kojma se žene \ndanas suočavaju te je glas žene u suvremenom društvu. Dijalozi su prirodni i \nuvjerljivi, dodatno osnažujući osjećaj realnosti. Tema je izrazito aktualna i društveno \nrelevantna, posebno za žensku perspektivu, ne samo u Hrvatskoj nego i šire. Scenarij \ninovativno spaja klasične pripovjedačke elemente s modernim senzibilitetom. \nVjerujem da će ovaj film biti prava poslastica za kino publiku, ali i za festivalske \nselektore. \n \n2.) Dugometražni igrani film Rat s daždevnjacima (Češka), hrvatska produkcijska kuća \nWoodz production, 70.000,00 EUR \n \nScenarij za adaptaciju romana Rat sa Salamanderima redatelja i scenarista Aurela \nKlimta donosi snažnu i intrigantnu antiutopijsku priču koja vješto zadržava \napokaliptični ton izvornog materijala, istovremeno ga prilagođavajući suvremenim \ndruštvenim i ekološkim izazovima. Dramaturška dosljednost osigurava čvrst ritam i \nnapetost, a uvjerljivi likovi i precizno osmišljeni dijalozi dodatno pridonose \nvjerodostojnosti priče, posebno u znanstvenofantastičnom kontekstu. Tema \nekološke katastrofe univerzalno je relevantna, a njezina suvremenost i angažiranost \nčine ovaj projekt značajnim za hrvatsku audiovizualnu umjetnost. Inovativan spoj \nigranog i animiranog filma s raznolikim animacijskim tehnikama, kao i autentično \nsnimanje na lokacijama na hrvatskoj obali, donose vizualnu raznolikost i \noriginalnost, ističući ovaj film kao jedinstveno djelo u regionalnoj i globalnoj \nkinematografiji, koji će privući brojne gledatelje na festivalima, ali i pred velikim i \nmalim ekranima. \n \n3.) Dugometražni igrani film Tartuferije/Zadnji dani maestrala (Slovenija), hrvatska \nprodukcijska kuća Nukleus film, 70.000,00 EUR \n \nScenarij za film Tartuferije/Zadnji dani maestrala Igora i Irene Šterk, u režiji Igora \nŠterka, donosi osvježavajuću komediju s elementima magičnog realizma smještenu \nu istarsko selo 1980-ih, istražujući pohlepu, obmanu i opsesiju tartufima kroz priču \ndviju obitelji. Priča je vješto napisana, dinamična i prožeta suptilnim humorom koji \nprirodno balansira između komičnih i tragičnih elemenata. Likovi su autentični, \nnjihovi razvojni lukovi uvjerljivi, a generacijska sinergija unosi dodatnu dubinu. \nDramaturška dosljednost omogućuje jasnu narativnu nit unatoč bogatstvu radnje i \nslojevitosti likova. Autentičan prikaz istarskog sela i običaja, uz smještanje radnje u \nprošlost, čini film relevantnim i suvremenim za hrvatsku audiovizualnu umjetnost. \nInovativan spoj komedije i magičnog realizma stvara jedinstvenu atmosferu i svježe \niskustvo, naglašavajući složenost ljudske prirode i društvenih odnosa. Ovaj film bit \nće prava poslastica za gledatelje u kinima i na raznim drugim ekranima.  \n\n\f\n \n4.) Dugometražni igrani film Beba (Švedska), hrvatska produkcijska kuća Antitalent, \n60.000,00 EUR – debitantski film \n \nScenarij Beba Sophie Vuković donosi originalan i emotivan prikaz prijateljstva, \nljubavi i obitelji unutar queer zajednice, istražujući duboke osobne i društvene teme. \nPriča o Sarinom i Damirovom kompleksnom odnosu, njihovom putovanju u Hrvatsku \nte emotivnim obiteljskim scenama na otoku, vješto spaja autentičnost i \nemocionalnu dubinu. Dramaturška dosljednost i dinamični, višedimenzionalni likovi \ns uvjerljivim dijalozima drže pažnju i daju priči svježinu. Suvremenost teme queer \nidentiteta, obiteljskih očekivanja i samoprihvaćanja čini scenarij relevantnim i \nvažnim za hrvatsku i globalnu kinematografiju. Inovativan pristup kroz neočekivane \nzaplete i emocionalnu iskrenost stvara uravnotežen filmski doživljaj, \nčineći Bebu izuzetno vrijednim doprinosom audiovizualnoj umjetnosti. I ovaj će film, \nvjerujem, jednako privući festivalske selektore kao i kino gledatelje, ali i one \ngledatelje koji preferiraju konzumaciju filmova iz ugodnog naslonjača u svom domu. \n \n5.) Kratkometražni igrani film Histerični napad smijeha (Srbija), hrvatska produkcijska \nkuća Dinaridi film, 17.000,00 EUR \n \nHisterični napad smijeha obrađuje važnu temu osobne slobode i suočavanja s \nvlastitim tajnama, pružajući snažnu emotivnu i introspektivnu priču. Kroz lik hrabre i \nsamosvjesne Sneže, film potiče na razmišljanje o iskrenosti prema sebi i vlastitim \nunutarnjim sukobima. Scenarij je dinamičan, s dobro strukturiranom radnjom, \nbritkim dijalozima i inspirativnim likovima, dok redateljski dvojac Dušan Zorić i \nMatija Gluščević donosi suvremen i autorski pristup. Kako je film u fazi \npostprodukcije, mogu konstatirati da gluma Snježane Sinovčić Šiškov koja nosi \nglavnu ulogu, dodatno ističe kvalitetu filma. Film posjeduje snažan festivalski \npotencijal, a istovremeno obećava i visoku gledanost na TV i VOD platformama. \n \n6.) Kratkometražni animirani film Ljudi s perajama (Slovenija), hrvatska produkcijska \nkuća Kinoteka, 19.000,00 EUR \n \nLjudi s perajama redateljice Veronike Hozjan kroz tradicionalnu ručno crtanu \nanimaciju donosi snažnu priču o klimatskim promjenama i prilagodbi ljudi na \nekstremne uvjete, poput rasta razine vode. Film bez klasičnih dijaloga koristi vizualni \nizražaj i pomno osmišljen zvuk za stvaranje dojmljive atmosfere. Emocionalna težina \nlikova prikazana je kroz njihove reakcije i vizualne elemente, dok storyboard i \nvizualni predlošci osiguravaju koherentnost radnje. Suvremena i relevantna tema, uz \noriginalni pristup, čini ovo djelo snažnim doprinosom hrvatskoj audiovizualnoj \numjetnosti. \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2024,"rok":"4. rok","referenced_projects":["8. mart","Rat s daždevnjacima","Tartuferije/Zadnji dani maestrala","Beba","Histerični napad smijeha","Ljudi s perajama"],"summary":"Obrazloženje umjetničke savjetnice Zdenke Gold za 4. rok 2024. (15.10.2024.) za filmske koprodukcije s manjinskim hrvatskim udjelom: od 49 prijavljenih projekata predloženo i odobreno 6 u ukupnom iznosu od 306.000 EUR.","project_links":[{"source_title":"8. mart","family_id":"pf_af7a78cfbee5","family_title":"8. mart","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Rat s daždevnjacima","family_id":"pf_2935b21d8192","family_title":"Rat s daždevnjacima","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Tartuferije/Zadnji dani maestrala","family_id":"pf_1b7b0b392286","family_title":"Tartuferije / Zadnji dani maestrala","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Beba","family_id":"pf_35cd3f210ac1","family_title":"Beba","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Histerični napad smijeha","family_id":"pf_e0caed61fe16","family_title":"Histerični napad smijeha","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Ljudi s perajama","family_id":"pf_e01d28ba0bbc","family_title":"Ljudi s perajama","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"30_AV_RS_RP_%20dugometra%C5%BEnih%20dokumentarnih%20filmova,%201.%20rok%20-%2006.%20travnja%202020.%20g..pdf","filename_decoded":"30_AV_RS_RP_%20dugometra%C5%BEnih%20dokumentarnih%20filmova,%201.%20rok%20-%2006.%20travnja%202020.%20g..pdf","sha256":"ca0319ca319d355d9971547f6e9c524ad6bb32eb7ddc03ec82514b02808038e5","bytes":274086,"page_count":4,"extracted_at":"2026-05-16T15:37:58Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url_missing":true},"raw_text":" \n \n \n \nKLASA: 111-006-001 \nURBROJ: 3249-2020 \nU Zagrebu, 15. srpnja 2020. \n \nTemeljem članka 36. Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: Zakon), te sukladno \nPravilniku o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 10/20, dalje u tekstu: Pravilnik), Hrvatsko audiovizualno vijeće u 2. sazivu, \nna prijedlog Umjetničkog vijeća, na 30. sjednici održanoj 15. srpnja 2020. godine donijelo je: \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini - kategorija: poticanje \nrazvoja scenarija i projekata dugometražnih dokumentarnih filmova, 1. rok - 06. travnja 2020. g.  \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini utvrđuje se lista \nprioriteta i donosi odluka o raspodjeli sredstava za poticanje audiovizualnih djelatnosti i \nstvaralaštva u kategoriji - poticanje razvoja scenarija i projekata dugometražnih dokumentarnih \nfilmova, 1. rok 06. travnja 2020. godine u ukupnom iznosu od 815.000,00 kuna \n(osamstopetnaesttisućakuna) prema tablici priloženoj ovoj Odluci koja čini njezin sastavni dio. \n \n2.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku predviđenom \nPravilnikom. \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \nObrazloženje \n \nTemeljem čl. 36. st. 1. Zakona i sukladno odredbama Pravilnika u 2020. godini raspisan je Javni poziv HAVC-\na za poticanje audiovizualnih djelatnosti i stvaralaštva u kategoriji - poticanje razvoja scenarija i projekata \ndugometražnih dokumentarnih filmova, 1. rok - 06. travnja 2020. g. (dalje u tekstu: Javni poziv). \n  \nNa Javni poziv, rok 06. travnja 2020. g. ukupno je prijavljeno 45 projekata, od toga je 29 projekata u \nkategoriji razvoja scenarija dugometražnih dokumentarnih filmova. Jedan projekt nije zadovoljio uvjete \nJavnog poziva. U kategoriji razvoja projekata dugometražnih dokumentarnih filmova prijavljeno je 16 \nprojekata, također jedan projekt nije zadovoljio uvjete Javnog poziva. \n \nNa 81. sjednici Umjetničkog vijeća, održanoj u srijedu, 08. srpnja 2020. putem video linka Zoom aplikacije, s \npočetkom u 10 sati te nastavkom sjednice putem elektroničke komunikacije umjetničkih savjetnika koji su \nbili u sazivu Umjetničkog vijeća na 80. sjednici Umjetničkog vijeća radi usvajanja zapisnika 80. sjednice \n\n\f\n \n \n \n \nUmjetničkog vijeća, do ponedjeljka,  13. srpnja 2020. godine, umjetnička savjetnica za dugometražni i \nkratkometraži dokumetrani film gđa Morana Ikić Komljenović predložila je listu prioriteta koju je \nUmjetničko vijeće usvojilo i proslijedilo na razmatranje Hrvatskom audiovizualnom vijeću.  \n \nNa 30. sjednici Hrvatskog audiovizualnog vijeća, održanoj 15. srpnja 2020. g. s devet (9) glasova “za”, jednim \n(1) “protiv” je prihvaćena lista prioriteta iz točke 1. izreke ove Odluke.  \n  \nTemeljem čl. 34. Zakona ravnatelj HAVC-a izvršava odluke o raspodjeli sredstava na temelju Nacionalnog \nprograma zaključivanjem ugovora s korisnicima sredstava.  \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku objaviti \nna svojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjednik po ovlasti \nHrvatskog audiovizualnog vijeća \n \n                                                                                              Lado Skorin v.r. \n \nPrilog: tablice s rezultatima \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n\n\f\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nBESA: Zarobljenik \nslobode\nNikola Kuprešanin\n25.000,00\n2\nDokumentarni film o \nJosipu Reihl-Kiru - \nMirotvorac\nHrvoje Zovko, Drago Hedl\n25.000,00\n3\nJedini učenik\nSaša Ban, Nevenka \nSablić\nSaša Ban\n25.000,00\n4\nOd ništa, ništa\nMirela Sakoman\nMirela Sakoman\n25.000,00\n5\nPljuske koje život znače\nHani Domazet\nCastor Multimedia d.o.o. \nHani Domazet\n25.000,00\n6\nRoditeljstvo\nKatarina Zrinka Matijević\nKatarina Zrinka Matijević\n25.000,00\n7\nSedmi kolap\nDavid Lušičić\nStvaralačka mreža Zebra\nDavid Lušičić\n25.000,00\n8\nSirote\nVanja Jambrović\nRestart\nVanja Jambrović\n25.000,00\n9\nST 90\nDragan Đokić\nUdruga Blank\nDragan Đokić\n25.000,00\nUKUPNO\n225.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ SCENARIJA u 2020. - 1. ROK - 6.4.2020.\ndugometražni dokumentarni film\n30. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 15. srpnja 2020.\n\n\f\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nIsus Krist naš \nsvagdašnji\nUdruga Blank\nDario Juričan\nDario Juričan\n100.000,00\n2\nLjubavna priča\nČetiri film d.o.o.\nIvona Juka\nIvona Juka\n70.000,00\n3\nNovi život\nPetnaesta umjetnost \nd.o.o. \nGoran Dević\nGoran Dević\n70.000,00\n4\nZaustavi me ako možeš\nWolfgang i Dolly d.o.o.\nBruna Bajić\nBruna Bajić\n50.000,00\n5\nKontraadmiral\nRestart\nMladen Ivanović\nMladen Ivanović\n100.000,00\n6\nSvijet je moj\nUmjetnička organizacija \nMitropa\nSanja Šamanović\nSanja Šamanović\n50.000,00\n7\nTražeći Renatu\nInter film d.o.o.\nVišnja Starešina\nVišnja Starešina\n100.000,00\n8\nKozari\nRebel Vision d.o.o.\nNives Milješić\nNives Milješić\n50.000,00\nUKUPNO\n590.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ PROJEKATA u 2020. - 1. ROK - 6.4.2020.\ndugometražni dokumentarni film\n30. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 15. srpnja 2020.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - 1. ROK - 6.4.2020.","year":2020,"rok":"1. rok","natjecaj_date":"2020-04-06","decision_date":"2020-07-15","decision_body":"AV vijeće","currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"RAZVOJ SCENARIJA u 2020. - 1. 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 film\t\r  U.O.\n170.000,00\n3\nŽivot\t\r  od\t\r  milijun\t\r  dolara\nRobert\t\r  Tomić\t\r  Zuber\nNukleus\t\r  film\t\r  d.o.o.\n380.000,00\n4\nBetonska\t\r  ljubavnica\nBoris\t\r  Bakal\nUmjetnička\t\r  \norganizacija\t\r  Bacači\t\r  \nsjenki\n360.000,00\n5\nMoj\t\r  zanat\nMladen\t\r  Matičević\nHrvatski\t\r  filmski\t\r  savez\n330.000,00\n1.630.000,00\n6\nNaseljenici\t\r  -­‐\t\r  naši\t\r  novi\t\r  susjedi\t\r  s\t\r  \npuškama\nBarbara\t\r  Babačić\nUdruga\t\r  Filmaktiv\n54.500,00\n7\nKonvoj\t\r  Libertas\nAleksandar\t\r  Črček\nAleks\t\r  produkcija\t\r  \nd.o.o.\n150.000,00\n204.500,00\n1.834.500,00\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nGradonačelnik\t\r  Denis\nDario\t\r  Juričan\nUdruga\t\r  Blank\n200.000,00\n2\nTreba\t\r  vjerovati\t\r  muškarcima\nMorana\t\r  Komljenović\nFade\t\r  In\t\r  d.o.o.\n133.000,00\n333.000,00\n3\nU\t\r  braku\t\r  sa\t\r  Švicarcem\nArsen\t\r  Oremović\nInterfilm\t\r  d.o.o.\n298.000,00\n4\nSpomenko\nBruno\t\r  Lovrenčić\t\r 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 producentice  Tihane  Šmitran  s  multiplatformskim  TV  \nserijalom  \"MaNaBu\"  na  Women's  Startup  Labu  u  Menlo  Parku,  SAD\n4.000,00\n2\nAmulet  studio  d.o.o.\nSudjelovanje  animatorice  Paule  Konjušić  na  Cartoon  Springboard  2019  u  \nValenciji,  Španjolska\n1.645,24\n3\nAmulet  studio  d.o.o.\nSudjelovanje  producentice  Dalije  Alić  na  Cinekid  for  Professionals  2019  u  \nAmsterdamu  s  TV-­serijalom  \"&Black&White\"\n1.795,00\n4\nČetiri  film  d.o.o.\nSudjelovanje  producentice  Anite  Juke  na  Torino  Film  Lab  Extended:  Story  \nEditing  2019\n10.000,00\n5\nDobar  film\nPredstavljanje  i  pitching  kratkometražnog  projekta  \"Ostrižena\",  redateljice  \nKarle  Lulić  na  festivalu  IN  THE  PALACE  u  Varni,  Bugarska\n2.962,89\n6\nEclectica  d.o.o.\nSudjelovanje  producentice  Ree  Rajčić  na  8.  međunarodnoj  producentskoj  \nradionici  Emerging  producers  2020  u  sklopu  međunarodnog  filmskog  \nfestivala  Jihlava,  Češka\n10.000,00\n7\nHrvatski  filmski  savez  -­  \nHFS\nSudjelovanje  Renea  Rehaka  na  Prodigy  Campu  u  Seattleu\n7.763,00\n8\nHrvatski  filmski  savez  -­  \nHFS\nSudjelovanje  na  TheNextFilmFestivalu  u  Danskoj  \n4.622,00\n9\nInstitut  Tomislav  Gotovac\nFilmska  retrospektiva  Tomislava  Gotovca  u  Beču\n15.000,00\n10\nJaako  dobra  produkcija  \nj.d.o.o.\nSudjelovanje  na  radionici  EURODOC  2019  u  Novom  Sadu,  Srbija\n2.000,00\n11\nJadranska  animacija  /  \nAdriatic  Animation\nSudjelovanje  filma  \"Toomas  ispod  doline  divljih  vukova\"  u  službenoj  \nkonkurenciji  Toronto  International  Film  Festivala\n4.440,00\n12\nJadranska  animacija  /  \nAdriatic  Animation\nSudjelovanje  filma  \"Toomas  ispod  doline  divljih  vukova\"  u  službenoj  \nkonkurenciji  Ottawa  International  Animation  Festivala\n550,00\n13\nKazimir  -­  Udruga  za  \npromicanje  kulture,  \numjetnosti  i  \naudiovizualnog  \nstvaralaštva\nPredstavljanje  dokumentarnog  filma  \"Nulti  krajolik\"  na  filmskom  sajmu  \nIDFA  Docs  for  Sale  2019  u  Amsterdamu\n4.000,00\n14\nKinoklub  Karlovac\nSudjelovanje  na  25.  Sarajevo  Film  Festivalu  i  CineLink  Danima  filmske  \nindustrije\n1.310,00\nJAVNI  POZIV  ZA  DODJELU  SREDSTAVA  ZA  POTICANJE  KOMPLEMENTARNIH  DJELATNOSTI  U  2019.  -­  \nPROGRAMI  MEĐUNARODNE  SURADNJE  -­ROK  10.9.2019.                                                                                           \n17.  sjednica  Hrvatskog  audiovizualnog  vijeća  22.10.  2019.\n\n\f\n15\nMarija  Ratković  Vidaković\nBoravak  redateljice  i  producentice  Marije  Ratković  Vidaković  na  Kreti  u  \nokviru  predstavljanja  filma  IKEA  for  YU  na  International  Documentary  \nFestival  of  Ierapetra  &  Awards\n1.370,00\n16\nMarija  Ratković  Vidaković\nBoravak  redateljice  i  producentice    Marije  Ratković  Vidaković  u  Londonu  u  \nokviru  predstavljanja  filma  IKEA  for  YU  na  Southeast  European  Future  \nFestivalu\n379,00\n17\nMaxima  film  d.o.o.\nSvjetska  premijera  igranog  filma  \"Glas\"  na  Busan  International  Film  \nFestivalu  u  Južnoj  Koreji\n38.600,00\n18\nMINYA  FILM  I  ANIMACIJA  \nj.d.o.o.  za  usluge  \nPredstavljanje  projekta  \"Bobo  i  Čudesni\"  na  Warsaw  Kids  Film  Forum  \n2019\n3.788,00\n19\nMINYA  FILM  I  ANIMACIJA  \nj.d.o.o.  za  usluge  \nSudjelovanje  producentice  Miljane  Dragičević  na  radionici  EAVE  \nMarketing  Workshop  2019  u  Luksemburgu\n2.717,00\n20\nMINYA  FILM  I  ANIMACIJA  \nj.d.o.o.  za  usluge  \nSudjelovanje  producentice  Miljane  Dragičević  na  filmskom  sajmu  RIFFY  \n(Robot  International  Film  Fair  of  Yeongdeok)  u  Južnoj  Koreji\n5.731,00\n21\nMotion\nPremijera  filma  \"Svi  protiv  svih\"  na  22.  Festivalu  slovenskoga  filma  u  \nPortorožu\n1.862,28\n22\nMotion\nProjekcija  filma  \"Aleksi\"  na  Santa  Fe  Independent  Film  Festivalu\n5.000,00\n23\nMultimedijalna  umjetnička  \norganizacija  Bacači  \nSjenki\nSudjelovanje  Bacača  Sjenki  na  MEET  Film  Festivalu  u  Rimu\n3.385,00\n24\nNukleus  Film  d.o.o.\nSudjelovanje  producenta  Siniše  Juričića  na  San  Sebastian  International  \nFilm  Festivalu  2019.\n1.939,65\n25\nNukleus  Film  d.o.o.\nSudjelovanje  producenta  Siniše  Juričića  na  sajmu  Asian  Project  Market  \n2019.  u  Busanu,  Južna  Koreja\n8.000,00\n26\nPavao  Marinković\nSudjelovanje  na  majstorskoj  scenarističkoj  radionici  ScripTeast  u  Poljskoj,  \nNjemačkoj  i  Francuskoj\n6.042,20\n27\nPlatforma  za  unapređenje  \nkulture  -­  PUNKT\nProjekcije  Gn2p  filmova  u  Parizu\n2.660,00\n28\nSekvenca  d.o.o.\nMeđunarodna  premijera  dugometražnog  igranog  filma  \"Mater\"  na  Black  \nNights  Film  Festivalu  u  Tallinnu,  Estonija\n100.000,00\n29\nUna  Radić\nSudjelovanje  Une  Radić  na  međunarodnoj  radionici  Less  is  More  :  Pre  -­\nWriting\n3.229,97\n30\nNina  Violić\nKratki  igrani  film  Janje  na  63.BFI  London  Film  Festivalu\n2.657,00\n31\nVanja  Sremac\nKratki  igrani  film  Janje  na  63.BFI  London  Film  Festivalu\n2.657,00\n32\nMultimedijalni  institut\nGostovanje  na  Institutu  Mauricio  Kagel,  Petar  Milat\n5.000,00\n265.106,23\nUKUPNO\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2019. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 10.9.2019. 17. sjednica Hrvatskog audiovizualnog vijeća 22.10. 2019.","year":2019,"rok":"4. rok","natjecaj_date":"2019-09-10","decision_date":"2019-10-22","decision_body":"AV vijeće","currency":"HRK","currency_inferred":true},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA"],"rows":[{"row_number":1,"project_title":"Sudjelovanje producentice Tihane Šmitran s multiplatformskim TV serijalom \"MaNaBu\" na Women's Startup Labu u Menlo Parku, SAD","applicant":"Amulet studio d.o.o.","production_company":"Amulet studio 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ROK, 2025. \nDUGOMETRAŽNI DOKUMENTARNI FILM, UMJETNIČKA SAVJETNIK: ROBERT TOMIĆ ZUBER  \nKATEGORIJA: POTICANJE RAZVOJA SCENARIJA I RAZVOJA PROJEKATA DUGOMETRAŽNIH IGRANIH, \nDUGOMETRAŽNIH DOKUMENTARNIH I ANIMIRANIH FILMOVA – RAZVOJ PROJEKATA DUGOMETRAŽNIH \nDOKUMENTARNIH FILMOVA –  12. ožujka 2025.  \nOPĆI OSVRT  \nNa javni poziv u kategoriji poticanja razvoja projekta dugometražnog dokumentarnog filma na 1. roku 2025. \ngodine prijavljeno je više projekata nego li na prošlim pozivima – njih ukupno 18. Svi su pristigli projekti na \npoziv su razmatrani.  \n \nUz povećanje broja projekata u ovoj kategoriji razvoja projekata, moram istaknuti i znatno povećanje \nkvalitete samih filmova koje autori predlažu. Do te mjere da nas sve više očekuje pritisak i nerazmjer  \npovećanja kvalitete filmskih projekata, koji se prijavljuju na natječaj ovog Centra i financijskih mogućnosti  \nda ih se podupre. Ono što veseli je i raznovrsnost tema, kojoj se nadamo u idućim prijavama potpore \nproizvodnje. Također, ono što je značajno jest da u prijašnjoj fazi razvoja scenarija podržani projekti, \npokazuju spremnost za prijavu u ovoj kategoriji što govori o opravdanosti potpora razvoja u prijašnjim \nfazama jer svi predloženi projekti za potporu u ovoj kategoriji, koristili su potporu inicijalne faze razvoja \nscenarije ovog Centra.  \n \nU tom smislu predlažem sveukupno 6 projekata za sufinanciranje u ovoj kategorije na ovom pozivu, u \ncjelokupnom iznosu potpore od 115.000 eura.  \n \nOvaj iznos veći je od planiranog iznosa u kontekstu raspodjele potpora za cijelu godinu. I stvara pritisak \nsmanjenog preostalog budžeta za sljedeći poziv. No projekte o kojima u recenziji mogu napisati samo kako \nsu se kvalitetno razvili do ove faze, bilo je nemoguće tek tako odbiti u njihovom daljnjem razvoju prema \nbudućoj proizvodnji sjajnih dokumentarnih filmova. \n \n1. BRAZDA  Sara Jurinčić (redateljica i scenaristica) / Tomislav Stojanović (producent) / Eclectica \nd.o.o. (produkcija) - predloženi iznos potpore: 25.000,00 eura \n \nPonekad se dogodi da na pozivu poput ovog bude prijavljen projekt, zbog kojeg sva pitanja o smislu \nmandata umjetničkog savjetnika dobiju svoje odgovore. Jedan od takvih projekata je, barem u ovoj fazi, \nprojekt redateljice Sare Jurinčić, debitantice u dugoj formi, ali kada čitate njen projekt dojam debitantice \nposve izostaje. Priča o ženama koje žive sudbinu supruga ribara s otoka Ugljana, koji već generacijama \nodlaze ribariti na daleki otok Guam na drugi kraj planeta, već u svom loglineovskom iskazu daje dovoljnu \nzanimljivost. I svaki novi redak u ovom projektu, miče bilo kakvu mogućnost kreativnom razočarenju ovim \nprojektom. Jer, kada vas autorica svojom autorskom eksplikacijom, treatmentom, pa onda i scenarijem \nuvede u svijet žena koje su indirektno obilježile i njen život, shvatite koliko ljudske sudbine mogu skrivati \nteške, mukotrpne ali istovremeno i divne priče. Priče o snažnim osobama u ovom slučaju snažnim ženama, \nkoje kroz život koračaju, žive ga ma kako težak bio. Ne promatraju ga. Ono što posebno oduševljava, jest \nčinjenica da čitajući ovaj prijedlog kao muškarac, ne osjećam se nepozvanim uroniti u svijet koji autorica \n\n\f\nnudi promatraču. Strancu. Kojem su ona i njene protagonistice odlučile otvoriti svijet, duboko skriven iza \ntradicije. Godina. Desetljeća.  \n \n2. ČOVIK KOJI SE SMIJE: BALADA O TOMI BEBIĆU  Mladen Matičević (redatelj i scenarist) / Bojan \nKanjera (producent) / Peglanje Snova d.o.o (produkcija) - predloženi iznos potpore: 20.000,00 \neura \n \nOdlučiti se za biografski film o značajnom članu nekog društva, umjetnika, u ovom slučaju glazbenika koji i \ndanas toliko godina nakon njegove smrti intrigira, jedan je od većih autorskih izazova. Prije svega jer \nbiografski žanr sa sobom nosi neka svoja žanrovska ograničenja. Kada autor takva projekta, poput redatelja \nMladena Matičevića u svojoj biografskoj priči o splitskom glazbeniku Tomi Bebiću uspije svojim jakim \nkonceptom suprotstaviti se svojevrsnoj konvenciji žanra u koji ulazi, takav film dobiva na dodatnoj \nzanimljivosti. Projekt koji ovaj autor nudi donosi utemeljenu biografsku priču o Tomi Bebiću, s relevantnim \nsugovornicima, raznih profesija. Ali i njegovom djecom. No onda se autor odlučuje na korak više, oživljuje \nTomu Bebića. Postavlja ga kao svojevrsnog dramskog lika koji će nas voditi kroz film o njemu. Naratora. \nSveznajućeg. Jer on o svom životu valjda zna najviše. Matičević pritom uvođenje ove filmske konvencije ne \nradi na banalan način. Ne čini to kao svojevrsnu igrano filmsku rekonstrukciju u svrhu dokumentarne \nbiografije. Ne, on inzistira na Tomi Bebiću kao protagonistu, i to čini vrlo spretno, poetično, dajući neki \nonostrani ton ovom biografskom projektu.  \n \n3. IZA OTVORENIH VRATA Nikola Kuprešanin (redatelj i scenarist) / Ena Rahelić (producentica) / \nFestival mediteranskog filma Split (produkcija)  - predloženi iznos potpore: 10.000,00 eura  \nVeć u fazi razvoja scenarija, ovaj projekt činio se svježim i drugačijim kada je u pitanju tema psihoterapije u \nHrvatskoj, i eventualne stigme okoline zbog odlazaka na nju. No, kada se već iskusni scenarist Nikola \nKuprešanin odluči stati pred kameru, i sebe kao maskulinog Vlaja dovesti u poziciju da govori o psihoterapiji, \nstvari postaju i više nego li zanimljive. Pogotovo uzimajući u obzir da pred kamere staje i njegova supruga – \npsihoterapeutkinja, koja s njim kreće u odabir njemu odgovarajućeg psihoterapeuta (kasnije doznajemo \nzašto protagonist Nikola, naginje više ka odabiru psihoterapeutkinje). I tada se nađete u poziciji da čitate \nnapisani scenarij s blagim smiješkom. Jer upravo je to snaga ovog projekta, što o vrlo osobnoj, intimnoj i \nvažnoj, emotivnoj temi konzumirate priču koja kao da je pisana s lakoćom, i kao da će se zbog toga i gledati \ns istom lakoćom. U kojem ulazite u svojevrsni trougao između protagonista, njegove supruge i \npsihoterapeutice. Koji donosi svakojake dvojbe između onoga što njegova supruga psihoterapeutkinja \nsmatra da je za njega najbolje, i onoga što njegova psihoterapeutkinja doista ističe i ohrabruje u njemu - da \nsam donosi sudove što je za njega najbolje.  \n4. LA LA LABIN  Toni Juričić (koredatelj i scenarist) / Goran Načinović (koredatelj) / Bianca Dagostin \n(producentica)  / Umjetnička organizacija Lišera film (produkcija)  - predloženi iznos potpore: \n20.000,00 eura \n„La La Labin“ autora Tonija Juričića i Gorana Načinovića, već u fazi razvoja scenarija koju je uspješno prošao, \nukazao je na potencijal gotovo urnebesnog hibridnog metafilmskog dokumentarnog formata. Zvuči možda \npretenciozno nadnijeti mu toliko atributa, ali ovaj projekt čini se jednostavno da je sve navedeno. Isti donosi \npriču o (namjerno?) zametnutom, vjerojatno posljednjem turističkom promotivnom videu (mjuziklu) bivše \n\n\f\nJugoslavije, „Ovdje nema nesretnih turista“ srpskog redatelja Gorana Gajića. Snimljen u nepogodno vrijeme \n1990. u osvit rata daje jednu posve paralelnu, gotovo utopističku verziju turističke stvarnosti, koja je s ratom \nzakopana u arhivima Turističke zajednice Labin Rabac, i tadašnjeg kompleksa hotela Rabac d.d. Tri \ndesetljeća nakon rata, autor pronalazi zaboravljenu tonsku kopiju u skladištu Kina Labin. I odlučuje pokušati \nokupiti tadašnju ekipu filma, kako bi stvorili svojevrsnu novu verziju istog.  \n5. PRIČAMO PRIČU  Srđan Kovačević (redatelj i scenarist) / Tibor Keser (producent)  / Kompot \n(produkcija)  - predloženi iznos potpore: 20.000,00 eura \n \nTabu teme ponekad predugo u nekom društvu bivaju tabuom. Takva je i ona autora Srđana Kovačevića, koji \ndonosi priču dokumentarno igrane hibridne strukture. U njemu autor ima namjeru provesti društveni \neksperiment, inscenirajući ratno izbacivanje iz stana iz 90-tih godina, smještenu u današnje vrijeme. Kroz \njednu (za potrebe filma čini se imaginarnu, ali temeljene na stvarnim događajima) obitelj, majku s dvoje \ndjece u čiji stan u Splitu 1992. ulaze naoružani vojnici, kako bi ih deložirali. Jer su u tom trenu krive nacije. \nSrbi. Koji pripadaju narodu koji napada njihovu državu, pa je nacionalističkom logikom posve opravdano \noduzeti stan pripadnicima druge nacije. Ono što već u sinopsisu intrigira, jest pitanje koje postavlja autor u \nsvom dokumentarnom dijelu – bi li takvi događaji bili mogući danas, i bi li reakcija okoline bila ista – šutnja? \nI upravo ovim pitanjem igrani dio koji rekonstruira 1992., smješten u današnjicu stvara interes da se takav \nfilm pogleda. S autorovom nadom koju već u svojoj motivaciji naglašava, kako je uvjeren da takvo što danas \nne bi bilo moguće da se tek tako dogodi. A da pritom nitko na to ne reagira.  \n \n6. SVIH NAS NE BI BILO  Snježana Tribuson (redateljica i scenaristica) / Mirta Puhlovski (producent)  \n/ Metar60 (produkcija)  - predloženi iznos potpore: 20.000,00 eura \n \nAutorica Snježana Tribuson smjerno je iz faze razvoja scenarija, svoj projekt uspješno prijavila i u fazi razvoja \nprojekata. Zašto ovo spominjem? Zato što se radi o iskusnoj autorici, koja s iznimnim poštovanjem pristupa \novoj vrsti prijave svog projekta. Donoseći priču o obiteljskom događaju prije 150 godina, koje su se njeni \npreci sramili i skrivali ga, autorica dovodi u kontekst činjenice kako je upravo taj događaj omogućio da se \nona i 300 njenih rođaka rode. S druge pak strane, pričajući priču o svom pradjedu Juri koji je u jednom \ndomaćinstvu živio s dvije žene, priča i priču o današnjem društvu dakle 150 godina kasnije, kojem je ova \nvrsta odluke, svojevrsne bigamije neprihvatljiva. Iako su se razlozi za zapravo zajedničku odluku njenog \npradjeda i njegove supruge čine logičnim, ne mogavši s njom imati djece, ljubavnica postaje logičan izbor \nžene koja zapravo oboma rađa djecu. Ovaj film govori o tabuu i unutar autoričine obitelji, u kojoj njena \nmajka i njene sestre nisu nikada sa sljedećom generacijom pričali o tome kako je rođen njihov djed i njegova \nbraća i sestre. Koliko o prošlosti, ovaj projekt dakle govori i o sadašnjosti.  \n  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Rezultati kratki igrani 1. rok 2016.pdf","filename_decoded":"Rezultati kratki igrani 1. rok 2016.pdf","sha256":"cc5215dccc81b5d6aaef58d0ec040eac0ff99b17e73e8e0479370bc23397972b","bytes":92133,"page_count":1,"extracted_at":"2026-05-17T10:24:07Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Rezultati%20kratki%20igrani%201.%20rok%202016.pdf"},"raw_text":"NASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nTeško je \nstaviti točku\nLeon Lučev\nEverything Works d.o.o.\n300.000,00\n2\nKratki film s \novcom\nIvana Škrabalo\nLimen, obrt za usluge \naudiovizualne produkcije\n290.000,00\n3\nTina i Sendy\nHani Domazet\nSlavica film d.o.o.\n280.000,00\n870.000,00\n4\nMed i mliko\nMarko Jukić\nUdruga Blank\n40.000,00\n910.000,00\nkratkometražni igrani film\nFILMOVI U POSTPRODUKCIJSKOJ FAZI\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE PROIZVODNJE AUDIOVIZUALNIH DJELA u 2016. - 1. 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film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","people_backfill_v1":{"changes":[{"field":"director","from":null,"to":"Marko Jukić","source":"raw_chunk:director","confidence":"medium"}],"updated_at":"2026-05-18T15:25:14Z","method":"machine:people_backfill_v1"}},"entity":"Udruga Blank","row_id":"cc5215dc:s0:d2ccf884ac32","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_8f5f8ba05e02","project_family_title":"Med i mliko"}],"section_total_text":"910.000,00","section_total":910000.0}],"totals":{"ukupno_text":null,"ukupno":910000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":910000.0,"ukupno_match":true,"row_count":4,"awarded_count":4,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":4}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"poticanje_komplementarnih_djelatnosti_me_unarodna_suradnja_2010.pdf","filename_decoded":"poticanje_komplementarnih_djelatnosti_me_unarodna_suradnja_2010.pdf","sha256":"cce428cc779f6c464007370c25204c803a6b46485cbacf1d927564e1bc98a19a","bytes":114954,"page_count":3,"extracted_at":"2026-05-17T10:23:45Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/poticanje_komplementarnih_djelatnosti_me%C4%91unarodna_suradnja_2010.pdf"},"raw_text":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2010/2011.G - PROGRAMI MEĐUNARODNE SURADNJE\nPOZIV\nPREDLAGATELJ/KORISNIK\nPROGRAM\nODOBRENO \nKUNA\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\n25FPS Udruga\nPredstavljanje hrvatske animacije na 8. međunarodnom sajmu \nanimiranog filma MIFA, u sklopu 50. međ. Filmskog festivala u \nAnnecyu, Francuska, 7. - 12. 6. 2010.\n70,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\n25FPS Udruga\nPredstavljanje festivala 25FPS i hrvatske animacije u sklopu \nprezentacije \"Bez pauze, molim!\"u galeriji Platform3 u Munchenu, \nNjemačka\n882.25\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\n25FPS Udruga\nSudjelovanje predstavnica festivala 25FPS na 39. međunarodnom \nfilmskom festivalu u Rotterdamu, Nizozemska\n10,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\n25FPS Udruga\nSudjelovanje predstavnica festivala 25FPS na 32. međunarodnom \nfilmskom festivalu u Clermont-Ferrandu, Francuska\n7,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nADU - Akademija dramske umjetnosti\nOrganizacija programa \"Europski filmski tokovi\", Lodz, Poljska\n15,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nADU - Akademija dramske umjetnosti\nOrganizacija i održavanje radionice snimanja i dizajna zvuka u \nsuradnji s Fakultetom dramskih umetnosti u Beogradu, Srbija\n3,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nADU - Akademija dramske umjetnosti\nOrganizacija i održavanje radionice obrade zvuka u surround 5.1. \ndigitalnom zvučnom sustavu koja se održava u Rotterdamu, \nNizozemska\n3,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nALT F4 d.o.o. - Bulaja naklada\nSudjelovanje autorice Helene Bulaje sa projektom \"Mehaničke \nfigure\" na ciklusu radionica za pripremu dokumentarnih projekata \nexOriente u mjesecu ožujku, lipnju i listopadu, 2010.g.\n15,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nArtizana - Udruga za AV stvaralaštvo\nOrganizacija i predstavljanje programa «Novi hrvatski film» i \nodržavanje filmskih tribina u Subotici te drugim gradovima u \nVojvodini, Republika Srbija, 2010.g.\n20,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nASIFA - Hrvatski ogranak\nSudjelovanje na 50. međunarodnom festivalu animiranog filma u \nAnnecy-u,  7. – 12. lipnja 2010.g, Annecy, Francuska\n5,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nBonobostudio d.o.o.\nSudjelovanje producentice na međunarodnom filmskom sajmu \nkratkometražnog filma i na koprodukcijskom forumu \nEuroconnection u sklopu 32. međunarodnog filmskog festivala u \nClermont-Ferrandu, Francuska\n4,347.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nCentar za nove inicijative - Centar za ravnopravnost \nspolova\nHrvatski film u Beču 2010.g.\n10,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nDOMINO (Queer Zagreb)\nSudjelovanje predstavnika Queer festivala na tri međ. Filmska \nfestivala za potrebe selekcije filmova za program Queer Festivala\n15,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nFilm-protufilm Udruga\nProgram gostovanja i predstavljanja festivala \"Filmske mutacije - \nFestival nevidljivog filma\" te pripreme programa za 2010.g.\n15,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nGFR FILM-VIDEO\nPredstavljanje i promocija Hrvatskog festivala jednominutnih \nfilmova na svjetskom filmskom festivalu UNICA u Eisiedelnu, \nŠvicarska\n10,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nGOKUL - građanska organizacija za kulturu\nSudjelovanje predstavnika festivala Tabor Film Festival na 32. \nmeđunarodnom filmskom festivalu u Clermont-Ferrandu, \nFrancuska\n4,431.83\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nHrvatski državni arhiv - Hrvatska kinoteka\nMeđunarodna suradnja 2010 g. za programe od siječnja do lipnja \n2010.\n50,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nHrvatski filmski savez\nMeđunarodna suradnja 2010 g. \n40,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nKINOFON Udruga\nIstraživanje hrvatske filmske baštine u Bundes Film Archivu, \nBerlin, Njemačka u mjesecu lipnju, 2010.g.\n10,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nMetafizika d.o.o.\nOrganizacija i predstavljanje programa Incontri con il cinema \nCroato / Susreti s hrvatskim filmom u Rimu \n50,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nMitropa - Umjetnička organizacija\nOrganizacija programa «Tribute – Vedran Šamanović» i \nprikazivanje filma «Metastaze» redatelja Branka Schmidta u \nglavnom programu filmskog festivala New Waves, New Ways u \nPragu, Republika Češka.\n15,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nRestart, Udruga \nSudjelovanje producentice Vanje Jambrović u programu stručnog \nusavršavanja i razvoja projekta Eurodoc 2010 sa projektom u \nrazvoju \"Dogovoreni brakovi\" red. Nebojše Slješčevića\n32,000.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nRestart, Udruga \nSudjelovanje predstavnika Dokukina Croatia na konferenciji Kino \nclimates pri 39. međunarodnom filmskom festivalu u Rotterdamu, \nNizozemska\n6,100.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nŠAF - Škola animiranog filma Čakovec\nOdržavanje radionice animiranog filma \"Bez pauze, molim!\" te \npredstavljanja hrvatske animacije i popratnog programa u \nPlatform3 galeriji za suvremenu umjetnost u Munchenu, Njemačka\n5,800.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nStudio dim d.o.o.\nSudjelovanje i predstavljanje dokumentarnog filma \"Sevdah\" na \nMeđunarodnom filmskom festivalu u Goteborgu, Švedska\n6,250.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nStudio dim d.o.o.\nSudjelovanje i predstavljanje dugometražnog igranog filma «Noćni \nbrodovi» redatelja Igora Mirkovića na Rotterdam Labu u sklopu \nkoprodukcijskog sajma CineMart na Međunarodnom filmskom \nfestivalu u Rotterdamu, Nizozemska\n3,830.00\nJAVNI POZIV                          \nRezultati TRAVANJ 2010\nZagreb Film Festival, Umjetnička organizacija\nPredstavljanje Zagreb Film Festivala i Kina Europa na \nMeđunarodnim filmskim festivalima i sajmovima u \nBerlinu,Njemačka, u Rotterdamu, Nizozemska i u Cannesu, \nFrancuska, te Veneciji, Italija, u 2010.g.\n15,000.00\n\n\f\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2010/2011.G - PROGRAMI MEĐUNARODNE SURADNJE\nPOZIV\nPREDLAGATELJ/KORISNIK\nPROGRAM\nODOBRENO \nKUNA\nOTVORENI POZIV           \nRezultati SIJEČANJ 2010\nArs Septima, udruga\nSufinanciranje troškova promidžbe filma «Ničiji sin» redatelja \nArsena Antona Ostojića u programu filmova u razmatranju za \nnominacije nagrada Europske filmske akademije u 2009.g.\n9,011.00\nOTVORENI POZIV           \nRezultati SIJEČANJ 2010\nAlka Film d.o.o.\nPredstavljanje filma \"Ljubavni život domobrana\" na 14. \nmeđunaordnom filmskom festivalu u Kerali, Indija\n4,000.00\nOTVORENI POZIV           \nRezultati SIJEČANJ 2010\nZagreb film, Ustanova\nPredstavljanje kratkometražnog animiranog filma \"Na galeriji\" red. \nTomislava Gregla na Međunarodnom filmskom festivalu u \nGoeteborgu, Švedska, 29. siječnja - 8. veljače 2010. \n5,124.00\nOTVORENI POZIV           \nRezultati SIJEČANJ 2010\nIvan Ramljak, samostalni djelatnik \nPredstavljanje kratkometražnog igranog filma \"Oslobođenje u 26 \nslika\" red. I. Ramljaka i M. Škobalja u programu After Victory 39. \nmeđunarodnog filmskog festivala u Rotterdamu, nizozemska\n5,000.00\nOTVORENI POZIV           \nRezultati SIJEČANJ 2010\nProdukcija Živa d.o.o.\nPredstavljanje i promidžba dug. igranog filma \"Na putu\", red. J. \nŽbanić, u koprodukciji Žive, u službenoj konkurenciji 60. \nmeđunarodnog filmskog festivala u Berlinu \n100,000.00\nOTVORENI POZIV           \nRezultati SIJEČANJ 2010\nPropeler Film d.o.o.\nPredstavljanje kratkometražnog igranog filma \"Žuti mjesec\" red. Z. \nJurića u službenoj konkurenciji 60. međunarodnog filmskog \nfestivala u Berlinu\n120,000.00\nOTVORENI POZIV           \nRezultati TRAVANJ 2010\nBold studio d.o.o.\nPredstavljanje kratkometražnog igranog filma \"Moj put\" red. Veljka \nPopovića i S. Junakovića u službenoj konkurenciji međunarodnog \nfilmskog festivala u Aspenu, SAD\n16,049.66\nOTVORENI POZIV           \nRezultati TRAVANJ 2010\nDA film d.o.o. \nPredstavljanje kratkometražnog igranog filma \"Pola ure za baku\", \nred. Jure Pavlovića u službenoj konkurenciji međunarodnog East \nEnd filmskog festivala u Londonu, Velika Britanija \n6,500.00\nOTVORENI POZIV           \nRezultati TRAVANJ 2010\nMaster film d.o.o. \nPredstavljanje dug. igranog filma \"Vjerujem u anđele\" red. Nikše \nSviličića u službenoj konkurenciji međunarodnog filmskog festivala \nu Cairu, Egipat\n5,000.00\nOTVORENI POZIV           \nRezultati TRAVANJ 2010\nNukleus film d.o.o. \nPredstavljanje kratkometražnog igranog filma \"Otpadnici\" red. P. \nOreškovića u službenoj konkurenciji međunarodnog filmskog \nfestivala u Aubagne-u, Francuska\n2,593.50\nOTVORENI POZIV           \nRezultati TRAVANJ 2010\nNukleus film d.o.o. \nSudjelovanje producentice Jane Šivak na radionici EURODOC \nTransregional Workshop sa projektom u razvoju \"Takva igra\", red. \nRenata Giouliana, u Bohinju, Slovenija, od 1. -  6.2010.\n3,000.00\nOTVORENI POZIV           \nRezultati TRAVANJ 2010\nNukleus film d.o.o. \nSudjelovanje producenta na radionici dok.flma exOriente sa \nprojektom u razvoju \"Djangarchi\" red. Z. Kreme\n15,000.00\nOTVORENI POZIV           \nRezultati TRAVANJ 2010\nOtompotom, Udruga\nPredstavljanje dva kratkometražna animirana filma na međ. \nFilmskom festivalu The One Minute Belgian Open Festival u \nGentu, Belgija\n6,267.24\nOTVORENI POZIV           \nRezultati TRAVANJ 2010\nHulahop d.o.o.\nSudjelovanje producentice Dane Budisavljević na radionici \nTransregional Workshop / Eurodoc sa projektom u razvoju \"Family \nMeals\"\n3,660.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nALT F4 d.o.o. - Bulaja naklada\nPrestavljanje filma \"Mehaničke figure\" na festivalu stripa, likovne \numjetnosti i animacije - Festival Comicon, u Napulju, Italija, 30.4. - \n2.5. 2010.\n3,375.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nBold studio d.o.o.\nSudjelovanje ekipe filma «Moj put» redatelja Veljka Popovića i \nsvjetlana Junakovića i predstavljanje filma u službenom \nnatjecateljskom programu međunarodnog festivala animiranog \nfilma u Annecyu, Francuska, 7. - 12. lipnja. 2010.\n17,674.35\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nEurofilm d.o.o.\nPredstavljanje revije hrvatskih filmova u sklopu manifestacije \n\"Četvrti dani filma Mostar\" i održavanje filmskih radionica u \nmjesecu listopadu, 2010.g.\n30,000.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nHulahop d.o.o.\nSudjelovanje redateljice Dane Budisavljević i asistentice \nprodukcije Miljenke Čogelje na radionici dokumentarnog filma \nStory Doc s projektom «Danina lista» (radni naslov) na Krfu, \nGrčka, 5. – 7. srpnja 2010. \n11,922.70\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nKinorama d.o.o.\nSufinanciranje festivalske promcije filma \"Crnci\"; Sudjelovanje na \nmeđunarodnim filmskim festivalima od listopada 2009. do travnja \n2010. \n15,000.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nKinorama d.o.o.\nSufinanciranje festivalske promocije filma \"Tulum\" redatelja \nDalibora Matanića: Sudjelovanje na međunarodnim filmskim \nfestivalima od listopada, 2009. do ožujka, 2010.\n16,000.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nKreativni sindikat \nSudjelovanje Igora Grubića, producenta kratkometražnog \nanimiranog filma «Nespavanje ne ubija» i predstavljanje filma u \nslužbenom natjecateljskom programu međunarodnog festivala \nanimiranog filma u Annecyu, Francuska\n4,240.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nKultura Futura – udruga umjetnika novog doba\nSudjelovanje na New York Independent Film Festivalu s filmom \n«Astralis – institucija», redatelja Igora Neljaka, New York, SAD, 22. \n– 29. srpnja, 2010.g.\n7,000.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nMainframe – Zagreb d.o.o. \nSudjelovanje producenta Igora A. Nole i predstavljanje filma u \nprogramu «Producers under the Spotlight» u sklopu programa \nProducers Network na međunarodnom filmskom sajmu Marche du \nFilm u Cannesu, Francuska\n8,685.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nMainframe – Zagreb d.o.o. \nSudjelovanje i predstavljanje filma «Neka ostane među nama» \nredatelja Rajka Grlića u službenoj konkurenciji 45. međunarodnog \nfilmskog festivala Karlovy Vary, Češka, 2. – 10. srpnja 2010. \ngodine.\n107,000.00\n\n\f\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2010/2011.G - PROGRAMI MEĐUNARODNE SURADNJE\nPOZIV\nPREDLAGATELJ/KORISNIK\nPROGRAM\nODOBRENO \nKUNA\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nNukleus film d.o.o.\nSudjelovanje producentice projekta \"Puccini\" (talijansko-hrvatska \nkoprodukcija) na filmskom sajmu dokumentarnog filma HotDocs \nConference & Market u Torontu, Kanada, 1. - 7. svibnja 2010. \n7,833.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nOlimp produkcija d.o.o. \nSudjelovanje i predstavljanje filma «Ostavljeni» redatelja Adisa \nBakrača na 45. međunarodnog filmskog festivala Karlovy Vary, \nČeška, 2. – 10. srpnja 2010. godine. u programu «East of the \nWest»\n37,200.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nREA – udruga za suvremene umjetničke produkcije\nSudjelovanje Renate Poljak na ArtOmi internacionalnom \nrezidencijalnom programu za umjetnike i kustose, New York, SAD, \n27. lipnja - 19. srpnja 2010.g.\n10,000.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nRiblje oko d.o.o.\nSudjelovanje na 25. međunarodnom festivalu animiranog filma u \nHiroshimi s dugometražnim animiranim filmom «Duga» redatelja i \nproducenta Joška Marušića koji će se prikazati u službenom \nspecijalnom programu festivala, Hiroshima, Japan, 7. – 11. \nkolovoza 2010.g.\n12,184.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nZagreb Film Festival, Umjetnička organizacija\nSudjelovanje na radionici «Marketing i distribucija» u organizaciji \nMedia Business School u Rondi, Španjolska, 6. – 11. srpnja 2010.\n8,700.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nZagreb film, Ustanova\nSudjelovanje autora animiranih filmova \"Nespavanje ne ubija\" \nMarka Meštovića i \"Miramare\" Michaele Mueller na \nmeđunarodnom filmskom festivalu u Annecyu, Francuska, 7. - 12. \nlipnja 2010.\n3,852.00\nOTVORENI POZIV                \nRezultati LIPANJ 2010\nZagreb film, Ustanova\nIzrada 35mm kopije filma «Nespavanje ne ubija» redatelja Marka \nMeštrovića za potrebe prikazivanja u službenoj konkurenciji \nmeđunarodnog festivala animiranog filma u Annecyu, Francuska,    \n7. - 12. lipnja 2010. i na Animafestu u Zagrebu, lipanj 2010. \ngodine. \n33,000.00\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nMaster film d.o.o. \nSudjelovanje i predstavljanje dug. igranog filma \"Vjerujem u \nanđele\" Nikše Sviličića na međunarodnom filmskom festivalu \nFestroia u Setubalu, Portugal, 4. - 13. lipnja 2010.\n4,530.00\nOTVORENI POZIV                   \nRezultati RUJAN 2010\n4 film d.o.o.\nSudjelovanje redateljice Ivone Juke i producentice Anite Juke na \nMontreal World Film Festivalu u svrhu predstavljanja filma \"Neke \ndruge price\", u programu Focus on World Cinema. Montreal, \nKanada, 01. - 09. rujna 2010.\n17,790.00\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nALT F4 d.o.o. - Bulaja naklada\nSudjelovanje producentske i autorske ekipe projekta «Mice / The \nCat Time Stories» na Cartoon Forumu, 14. – 17. rujna 2010 u \nSopronu, Mađarska.  \n21,790.00\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nALT F4 d.o.o. - Bulaja naklada\nSudjelovanje i predstavljanje filma/multimedijskog projekta \n\"Mehaničke figure - inspirirani Teslom\" na radionicama \"The Pixel \nLab - Cross Media Film Workshop\", Cardiff, Velika Britanija, 1. - 4. \nsrpnja, 2010.\n3,000.00\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nEtnografski muzej Istre\nSudjelovanje jednog izbornika ETNOFILm festivala iz Rovinja na \n34. Mararet Mead Video & Film Festivalu u New Yorku, SAD, u \nsvrhu selekcije filmova za program ETNOFilm festivala, 11. - 14. \nstudeni  2011.g.\n5,900.00\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nHrvatski državni arhiv - Hrvatska kinoteka\nProgrami međunarodne suradnje 2010. godine za programe od \nlipnja do prosinca 2010.\n24,785.00\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nKapulica studio d.o.o. \nSudjelovanje producentice Anamarije Kapulice na radionici \nTransmedia Next u Londonu, 8. - 10. rujna 2010.\n3,931.62\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nKinorama d.o.o.\nSudjelovanje i predstavljanje filma \"Crnci\" na 12 međunarodnih \nfilmskih festivala od mjeseca svibnja do studenog, 2010.g.\n4,355.25\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nKinorama d.o.o.\nIzrada 35mm, Beta i DVD kopije filma \"Šuma Summarum\" Ivana \nGorana-Viteza, podnaslovljenih na engleski jezik, u svrhu \nplasmana i promidžbe na međunarodnim filmskim festivalima. \n60,595.68\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nMainframe – Zagreb d.o.o. \nSudjelovanje i predstavljanje dug. igranog filma \"Neka ostane \nmeđu nama\", red. Rajka Grlića na međunarodnim filmskim \nfestivalima u Haifi, Montrealu, Montpellieu i Mar del Plata; izrada \n35mm kopija sa francuskim podnaslovima i promidžbenih \nmaterijala na francuskom jeziku.\n80,595.55\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nMaster film d.o.o. \nSudjelovanje i predstavljanje dug. Igranog filma \"Vjerujem u \nanđele\" Nikše Sviličića na međunarodnom filmskom festivalu \n\"Andrey Tarkovsky\" u ivanovu, Rusija, 24. - 31. svibnja 2010. \n5,000.00\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nNukleus film d.o.o. \nSudjelovanje producenta na Thessaloniki Pitching Forum-u sa \nprojektom u razvoju \"Puccini\" red. Luce Gianfranchesca u Solunu, \nGračka, 17. - 21. ožujka, 2010.g.\n11,907.10\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nPropeler Film d.o.o.\nIzrada DVD kopija (2.000 kom) filma \"Kenjac\", red. Antonia Nuića \nza potrebe selekcije nomiranih 46 filmova za nagrade 23. \nEuropean Film Awards, Europske filmske akademije (EFA) \n21,250.00\nOTVORENI POZIV                   \nRezultati RUJAN 2010\nRestart, Udruga \nSudjelovanje redatelja Igora Bezinovića na četvrotjednoj filmskoj \nradionici NISI MASA - Istanbul Express,  20. rujna - 16. listopada, \n2010.\n5,183.00\nSVEUKUPNO KUNA\n1,347,125.73\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"poticanje_komplementarnih_djelatnosti_me_unarodna_suradnja_2010","year":2010,"rok":null,"natjecaj_date":"2010-06-12","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["project_title","applicant","approved_amount_text"],"rows":[{"row_number":null,"project_title":"Predstavljanje hrvatske animacije na 8. međunarodnom sajmu animiranog filma MIFA, u sklopu 50. međ. 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GODINI – drugi rok \n \nObrazloženje umjetničkih savjetnica za komplementarne djelatnosti \n \n \nNa Javni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2021. godini \n– drugi rok pristiglo je 212 prijava u sljedećim kategorijama: djelatnosti razvijanja \naudiovizualne kulture, filmski festivali i druge audiovizualne manifestacije, izdavaštvo u \npodručju audiovizualnih djelatnosti, programi audiovizualnih udruga i organizacija, programi \npromocije i prodaje hrvatskih audiovizualnih djela, programi stručnog usavršavanja i/ili \nedukacije, programi proučavanja i kritičkog vrednovanja audiovizualnih djelatnosti i programi \nzaštite audiovizualne baštine, uključujući kinotečnu djelatnost.  \n \nSavjetnice za komplementarne djelatnosti, Mirna Belina, Ivana Ivišić i Verica Robić-Škarica, \nza financijsku podršku predložile su  109 programa u iznosu od 4.089.700 kuna što je \nHrvatsko audiovizualno vijeće odobrilo.  \n \n \nU postupku procjenjivanja prijava vodile smo se nizom kriterija. Osnovni kriteriji bili su: \n \n- kvaliteta, izvedivost i održivost programa (od sadržajne do produkcijske razine) – za \nsufinanciranje su odobreni programi koji vode računa o vidljivosti i dostupnosti projekta za \nprofesionalce i javnost; programi koji zaokruženo i jasno komuniciraju svoje planove u \nprijavi; programi koje izvršavaju iskusni, educirani timovi; programi koji podižu ljestvicu \nizvrsnosti u svome sektoru; programi koji pokazuju tendenciju prema umrežavanju i lokalnom \nili međunarodnom partnerstvu; \n \n- značaj programa za relevantan kontekst, dakle, ovisno o programu, od lokalne zajednice \npreko nacionalnog značaja do međunarodne prepoznatljivosti i važnosti za audiovizualni \nsektor;  \n \n- kontinuitet programa, odnosno njegova dugoročna usmjerenost, dostupnost projekta, \nvidljivost i komunikacija sa profesionalcima i javnosti; (strateška usmjerenost projekta na \nbudućnost) – predloženi su višegodišnji programi koji opravdavaju nastavak financiranja \nkvalitetom, sustavnošću i javnom važnosti; jednokratna događanja predložena su iznimno; \nkod projekata koji su prvi put predloženi za sufinanciranje savjetnice je zanimala specifičnost \nprojekta i doprinos raznovrsnosti audiovizualnih sadržaja lokalno, nacionalno i na \nmeđunarodnoj razini; \n \n- kvaliteta programa – konkretni, realni i strateški planovi u umjetničkom, organizacijskom i \nfinancijskom smislu; \n \n- kvaliteta prijave, kvaliteta i iskustvo projektnog tima u pojedinoj programskoj \nkomplementarnoj djelatnosti za koju se prijavljuje (stabilni i dostatni izvori prihoda za \n\n\f\n \n2 \nkontinuirano obavljanje aktivnosti tijekom razdoblja ostvarivanja projekta, stručne \nkompetencije i kvalifikacije potrebne za provođenje predložene aktivnosti); \n \n- prethodna izdanja programa (ako nije prvo izdanje); \n \n- ispunjavanje obaveza vezanih uz prethodno realizirane programe; \n \n- odjek programa i komunikacija s javnosti (prije, tijekom i nakon održavanja programa); \n \n- povezivanje i suradnja. \n \n \nProgrami koje smo predložile za sufinanciranje i koji su odobreni su su programi koji \nzaokruženo i jasno komuniciraju svoje planove u prijavi, programi koje izvršavaju iskusni, \neducirani timovi, programi koji podižu ljestvicu izvrsnosti u svome sektoru i programi koji \npokazuju tendenciju prema umrežavanju od lokalne, nacionalne pa sve do međunarodne \naudiovizualne scene.  \n \n \nDjelatnost razvijanja audiovizualne kulture \nOva se kategorija odnosi na kinoprikazivačku djelatnost, godišnje filmske programe, \nprograme nekomercijalnih kina, medijateke, radionice i edukacije za neprofesionalce (djecu, \nmlade, seniore/umirovljenike, osobe s invaliditetom…), različita umrežavanja i suradnju \nizmeđu pojedinaca, institucija, klubova, udruženja, organizacija, udruga u području \naudiovizualnih djelatnosti, izložbe posvećene audiovizualnoj djelatnosti, djelatnicima i \nprofesionalcima, inkluzivne/senzorne projekcije... \n \nU ovoj kategoriji na drugom roku prijavljeni sadržaji su većim dijelom vezani uz radioničke i \nedukacijske programe koje provode udruge i organizacije, i to većim dijelom namijenjene \ndjeci i mladima (srednjoškolske ili studentske dobi). Za sufinanciranje su predložena i \nodobrena  34 programa u iznosu od 432.000 kuna i izdvajamo: 12. Ljetnu školu filma Gunja, \nfilmske radionice za djecu i mladež u Kraljevici HFS-a, 14. Mali DOKUart, filmsku radionicu \nDigital Generation, video radionice Grad na drugi pogled (PUNKT), program Art-kina za \nDječju kuću za 2021. godinu, Gledamo dokumentarce – pravimo dokumentarce (Udruga \nLiburnija film festival), radionice za dokumentarne filmove na Baniji (novi program HRCIN-\na), 18. (Puno)ljetnu školu filma Šipan, Radionice oko kuće (novi program u Klanjcu), filmske \nradionice Filmsko-kreativnog studia VANIMA, Aerial – školu kaskaderskog rigginga za \ndjecu i mlade (novi program), filmski laboratorij Klubvizija, edukativne radionice \naudiovizualnog stvaralaštva Doma mladih iz Rijeke itd.  \n \nU ovoj kategoriji izdvajamo i programe koji doprinose audiovizualnoj pismenosti i kulturi: \nkinoprikazivačku djelatnost Kuće umjetnosti Arsen Dedić (Šibenik, novi program), Nezavisni \nna Bačvicama, Cinemaniac XX – Misliti film, Kino-Point, Green Room Cinema 2021, \nFilmodrom – ljetno kino Udruge DOKUart, Riječno kino u Karlovcu i 100 godina \nkinematografije u Belom Manastiru (novi program).  \n \n \n \n\n\f\n \n3 \nFilmski festivali i druge audiovizualne manifestacije \n \nKategorija se odnosi na filmske festivale, audiovizualne manifestacije, smotre, revije, tjedne \nfilmova, dane filmova, autorske i nacionalne cikluse, filmske večeri, retrospektive, razna \nobilježavanja i obljetnice i sl.  \n \nOvo je kategorija za koju su na ovome roku odobrena najviša sredstva – 2.838.000 kuna, 36 \nprograma za sufinanciranje od prijavljenih 56, uglavnom festivali i manifestacije kojima se \nnastavlja financiranje. Kao i na prvom roku, savjetnice su se držale načela prepoznatljivosti \nsadržaja koje predlažu za financiranje na nivou lokalne i nacionalne, ali i regionalne i \nmeđunarodne zajednice. Neke od odobrenih projekta navodimo prema visini predloženih \nfinancijskih iznosa: Motovun Film Festival, 19. Zagreb Film Festival, Petnaesti Vukovar Film \nFestival, Festival 25 FPS, Human Rights Film Festival, Splitski filmski festival, 26. Filmska \nrevija mladeži i 14. Four River Film Festival, 16. DOKUart, 19. Tabor Film Festival, \nSupertoon – Međunarodni festival animacije i 11. Fantastic Zagreb Film Festival.  \n \nIzdavaštvo u području audiovizualnih djelatnosti \n \nKategorija se odnosi na DVD i Blu-ray izdanja, knjige i e-knjige: teorijska, povijesna, \npublicistička izdanja i radove iz područja audiovizualnih djelatnosti, publikacije koje se \nodnose na analizu audiovizualnog sektora, prijevode i objave filmološke literature, zbirke \nfilmoloških tekstova, monografije, časopise, biltene, zapise, online portale, izdanja i \npublikacije... \n \nOd 14 prijavljenih programa savjetnice su predložile 10 što je i odobreno. To su dva izdanja \nCentra za kulturu i cjeloživotno obrazovanje Zlatna vrata pod nazivom: 50 godina kinoteke – \nizabrani tekstovi i 50 godina kinoteke – Što je nama bila 1971.; prigodno izdanje Foto-kino \nkluba Baranja film pod nazivom 100 godina od prve projekcije; Hangar 7 d.o.o. s tri \nprograma: prijevodi Znanstvenofantastični film – između fantastike i realnog autorice \nChristine Cornea i 2001: Odiseja u svemiru autora Petera Kramera te Inverzija.net, web \nstranica posvećena SF-u; izdanje Hrvatskog filmskog saveza autorice Ane Đordić radnog \nnaslova Model filmske edukacije u srednjoj školi; Slijepe pjege (web portal) udruge Slobodni \nfilozofski; prijevod Laure Mulvey, Afterimages: On Cinema, Women and Changing Times u \nokviru Biblioteke Sinestetika Udruge Bijeli val; izdanje u nakladi Udruge Dušan Vukotić \nSurogat, 1961. – 2021. i program Udruge za feminizam i kulturu Muf naziva Feminističko \nčitanje popularne kulture vol. 3.0.  \n \n \nProgrami audiovizualnih udruga i organizacija \n \nU ovoj se kategoriji nalazi sve što pripada u redovitu godišnju aktivnost audiovizualnih \nudruga i organizacija: članarine u organizacijama, organizacija sastanaka i tribina, pretplate na \nstručnu literaturu, putni troškovi i troškovi smještaja prilikom odlazaka na stručne sastanke, \nredoviti programi, održavanje stručnog usavršavanja, tribina, stručnih skupova, umrežavanja, \npartnerstva, promocija, prezentacija, radionice, izrada propisa, izložbe, baze, web stranice... \n \nOd sedam prijavljenih programa predložena su i odobrena dva programa kojima su nositelji \nAutorski studio-fotografija, film, video i Hrvatsko društvo nezavisnih producenata.  \n \n \n\n\f\n \n4 \nProgrami promocije i prodaje hrvatskih audiovizualnih djela \n \nKategorija se odnosi na programe promocije i prodaje, web stranice i baze koje su napravljene \nza potrebe promocije i prodaje audiovizualnih djela. \n \nOd tri prijavljena projekta predložena su i odobrena dva: Kino Mediteran od doma – ponuda \nhrvatskih filmova (novi projekt Festivala mediteranskog filma) i Festivalska distribucija \nkratkih animiranih, eksperimentalnih i igranih filmova (Ustanova Zagreb film).  \n \n \nProgrami stručnog usavršavanja i/ili edukacije \n \nKategorija se odnosi na događanja namijenjena audiovizualnim profesionalcima ili \nprofesorima – radionice, pitching forume, medijske škole, edukacijske platforme, seminare, \nsimpozije i ostale oblike usavršavanja znanja iz audiovizualne umjetnosti i pedagogije. \n \nPrijavljena su 24 programa od kojih je za financiranje predloženo i odobreno 17 u iznosu od \n566.000 kuna. Od odobrenih izdvajamo: 23. Školu medijske kulture Dr. Ante Peterlić, \npotporu za program filmske edukacije i stručnog usavršavanja CinEd Udruge Bacači sjenki, \nIndustriju 19. Zagreb Film Festivala i 7. Europski žanrovski forum.  \n \nProučavanje i kritičko vrednovanje audiovizualnih djelatnosti \n \nKategorija se odnosi na projekcije s tribinama, tribine, znanstvene skupove, simpozije, \nokrugle stolove, konferencije, gostovanja profesionalaca i predavanja, druga audiovizualna \ndogađanja i programe u kojima je fokus istraživanje i proučavanje audiovizualnih \ndjelatnosti… \n \nOd jedanaest prijavljenih, pet je predloženo i odobreno za financiranje i izdvajamo sljedeće: \nKino na Trešnjevačkom placu 2021. – filmski program Ulica pretkinja i program Kino \nKatarina u Puli. \n \n \nZaštita audiovizualne baštine uključujući kinotečnu djelatnost \nKategorija se odnosi na programe zaštite audiovizualne građe uključujući izvorne slikovne i \nzvučne elemente, restauraciju, digitalizaciju audiovizualnih djela i popratnih materijala i \ngradiva, organiziranje i održavanje arhivskog gradiva, popisivanje i katalogiziranje \naudiovizualnog gradiva... \n \nOd prijavljenih sedam programa za potporu su predložena i odobrena restauracija i \ndigitalizacija filmova Ustanove Zagreb film, AV arhiv Tomislava Gotovca i medijski arhiv \nKino kluba Split.  \n \n \n \nSavjetnice ovim putem podsjećaju korisnike na smjernice i naputke Hrvatskog \naudiovizualnog centra za sastavljanje detaljnog opisa programa i detaljno specificiranog \ntroškovnika te ukazuju na važnost pridržavanja istih kod evaluacije prijava.  \n \n\n\f\n \n5 \nI ovom prilikom savjetnice žele ukazati na neodrživost budžeta komplementarnih djelatnosti s \nobzirom na rastući broj prijava na ovaj javni poziv i na kompleksnost raspodjele postojećeg \nbudžeta na dva roka za prijave. Nadalje, uz neodrživost ovakvog budžeta, a zbog čega je \nnemoguće financijskom potporom pratiti pozitivan razvoj određenih programa ili novim \nkvalitetno predstavljenim programima odobriti značajnija sredstva za strukturni razvoj, \nproblem je i činjenica da lokalna zajednica ne sufinancira programe dovoljno ili ih uopće ne \nsufinancira te da je većini programa Hrvatski audiovizualni centar jedini potencijalni izvor \nprihoda.  \n \nKao i u zaključku prošlog roka Javnog poziva, savjetnice nanovo ukazuju na važnost \nkomplementarnih djelatnosti te na činjenicu da se programi održavaju diljem cijele Hrvatske, \na nerijetko su i jedina filmska manifestacija, događanje ili edukacija u pojedinim manjim \nmjestima te da kao takvi imaju posebnu vrijednost. Vrijednost ovoga sektora zbog svoje \nsveobuhvatne i disperzivne prirode možda nije na prvi pogled uočljiva i mjerljiva, ali ona se \nnalazi u stotini manjih i većih mjesta i gradova, u školama, kinoklubovima, manjim i većim \nkinodvoranama, u brojnim edukacijama, izdanjima, kinoprojekcijama, među tisućama ljudi: \ndjece, mladih, profesionalaca i filmskih entuzijasta. \n \n \nUmjetničke savjetnice za komplementarne djelatnosti \nMirna Belina, Ivana Ivišić i Verica Robić-Škarica \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2021,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2022_2rok_14IX2022_WEB_DUG_DOK.pdf","filename_decoded":"RPR_2022_2rok_14IX2022_WEB_DUG_DOK.pdf","sha256":"ce279c3e23c12df90e7006657cb216eb9c7d28edd36d54a488dd1a61ca7d71e5","bytes":114423,"page_count":1,"extracted_at":"2026-05-17T10:24:21Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2022_2rok_14IX2022_WEB_DUG_DOK.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\nODOBRENO EUR\n1\n1000 km u kolicima\nBest Boy Produkcija, vl. \nLuka Čurčić\nLuka Čurčić\nLuka Čurčić\n85.000,00\n11.281,44\n2\nDALEKO JE \nKANDAHAR\nRestart\nAnita Čeko\nAnita Čeko\n85.000,00\n11.281,44\n3\nIrena\nHulahop d.o.o.\nJasmina Beširević, Anita \nČeko\nJasmina Beširević\n95.000,00\n12.608,67\n4\nKosinjska dolina\nPetnaesta umjetnost \nd.o.o.\nGoran Dević\nGoran Dević\n90.000,00\n11.945,05\n5\nSedmi kolap\nGreta Creative Network\nDavid Lušičić\nDavid Lušičić\n80.000,00\n10.617,82\n6\nST 90\nUdruga Blank\nDragan Đokić\nDragan Đokić\n80.000,00\n10.617,82\n515.000,00\n68.352,25\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja \nprojekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ \nPROJEKATA u 2022. - 2. ROK - 14.9.2022.\ndugometražni dokumentarni film - trajanje nije kraće od 60 minuta\nUKUPNO\n6. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 15. prosinca 2022.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"RPR_2022_2rok_14IX2022_WEB_DUG_DOK","year":2022,"rok":"2. rok","natjecaj_date":"2022-09-14","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"6. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 15. prosinca 2022.","section_key":"6_sjednica_hrvatskog_audiovizualnog_vijeca_u_4_sazivu_15_pro","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN","ODOBRENO EUR"],"rows":[{"row_number":1,"project_title":"1000 km u kolicima","applicant":"Best Boy Produkcija, vl. Luka Čurčić","production_company":"Best Boy Produkcija, vl. 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GODINI \nPrijava sukladno članku 59. Pravilnika o postupku, kriterijima i rokovima za provedbu \nnacionalnog programa promicanja audiovizualnog stvaralaštva (NN 118/12) \nNaziv predlagatelja \nNaziv programa \nOdobreno \nHrvatski filmski \nsavez \nRestauracija i digitalizacija avangardnih filmova iz arhiva \nHrvatskog filmskog saveza \n150.000,00 \n \n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"Komplementarne 2014 - izvan roka 4","year":2014,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":null,"section_key":null,"columns":["Naziv predlagatelja","Naziv programa","Odobreno"],"rows":[{"row_number":null,"project_title":"Restauracija i digitalizacija avangardnih filmova iz arhiva","applicant":"Hrvatski filmski","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"150.000,00","approved_amount":150000.0,"currency":"HRK","extras":{"Naziv programa":"Restauracija i digitalizacija avangardnih filmova iz arhiva","col_7":"150.000,00","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ce28e233:s0:9d3e5773fd09","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski filmski","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatski filmski","to":"Restauracija i digitalizacija avangardnih filmova iz arhiva","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_30755ad3b4e0","project_family_title":"Restauracija i digitalizacija avangardnih filmova iz arhiva"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":150000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":150000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2008 Proizvodnja_ KR IGR_ DOKU_ ALT_ ANIM.pdf","filename_decoded":"2008 Proizvodnja_ KR IGR_ DOKU_ ALT_ ANIM.pdf","sha256":"ce369d8672a9666d2386b40b8db2033dce763dcc1ddc57eefd2cb54b016f45b1","bytes":157383,"page_count":16,"extracted_at":"2026-05-17T10:23:59Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2008%20Proizvodnja%2C%20KR%20IGR%2C%20DOKU%2C%20ALT%2C%20ANIM.pdf"},"raw_text":" \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nJavni poziv za dodjelu sredstava za poticanje \naudiovizualnog stvaralaštva u 2008. godini \nKratkometražni igrani, dokumentarni, alternativni i animirani filmovi \n \n \n \n \n \n \n \n \n \nU Zagrebu, 9. listopada 2008. \n\n\f\n \n         \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nDokumentarni filmovi \nUmjetnička savjetnica: dr. Saša Vojković \n- obrazloženje \n- odobreni projekti \n \n\n\f\n \n \n \n \n \nObražloženje umjetničke savjetnice: \n \n \nPo pitanju forme i stila, pristigli prijedlozi u kategoriji dokumentarnog filma, očekivano su \nraznovrsni; ponuđeni su scenariji za društveno angažirane dokumentarce,  \nfilmske eseje,  putopisne i etnografske filmove, 'reportažne/novinarske' dokumentarce, \nnamjenske filmove (o kulturnoj baštini i prirodnim ljepotama), 'dramatizirane dokumentarce' \n(dokumentarno-igrane filmove), koprodukcije. Suštinska poveznica je sadašnji trenutak u \ntranzicijskoj, postkomunističkoj i postratnoj Hrvatskoj koja čeka ulazak u EU. Trenutak je to \nu kojem se dekonstruiraju stari sustavi dok se u isto vrijeme re-konstruiraju novi. Dio \npredloženih projekata zadire u tu stvarnost; postavljaju se pitanja, pokušavaju iznaći \nodgovori, kreirati nova sjećanja, informirati i senzibilizirati javnost, pomaknuti nametnute \ngranice, ponuditi nove perspektive. Ovdje je neminovno dvostruko kretanje - idemo naprijed, \nprema budućnosti no filmovi nam omogućavaju da kao rimski bog Janus u isto vrijeme \ngledamo unatrag, prema prošlosti.  \nU sadržajnom smislu indikativan primjer su svjedočanstva protagonista iz različitih \npovijesnih razdoblja koja se preklapaju u sadašnjem trenutku; suočeni smo s iskazima \nneustrašivih boraca iz Domovinskog rata, s pripadnicima antifašističkog ilegalnog pokreta iz \nZagreba uoči 2. svjetskog rata, ili žrtvom Informbiroa i revolucije koja je 'jela svoju djecu'. \nDa situacija bude još kompliciranija, Titovi poklonici koji i nakon raspada Jugoslavije i \nkomunističkog sustava posjećuju Kumrovec, suprotstavljeni su sljedbenicima struje koja \norganizira putovanja u Bleiburg i čiji najradikalniji pripadnici ne mogu bez ustaške \nikonografije. Nije jednostavno proraditi sva sjedočanstva, sjećanja, traume, a još je teže \npomiriti sve političke pozicije i opcije. Osim što imaju za cilj sačuvati vrijedna svjedočanstva \nod zaborava, predloženi dokumentarni filmovi u svojoj sveukupnosti dokaz su demokracije na \ndjelu ali i kontradiktornosti i konfliktnosti ovog tranzicijskog razdoblja. U prijedlozima koji \nsu ušli u najuži izbor pokreću se i pitanja nacionalnog, etničkog, vjerskog, seksualnog i \nrodnog identiteta kao i pitanja koja se odnose na geopolitičku domenu. Određeni projekti \ninvestirani su u pomicanje granica i prihvaćanje drugosti. Propituje se mogućnost  \n\n\f\n \n \n \n \nsuprotstavljanja nacionalizmu, homofobiji ili ksenofobiji što neminovno potvrđuje \ntradicionalnu ulogu dokumentarnog filma da nam približi ono nepoznato, daleko, \nnerazumljivo ili odbojno.  \nTreba naglasiti da konačni izbor filmova uključuje različite dokumentarističke forme; \ndok etnografski i putopisni filmovi otkrivaju nove krajeve, najuspješniji prijedlozi za filmske \n'eseje' koriste auto-etnografski pristup; pogled je usmjeren prema sebi, prema osobnoj \npovijesti, bez obzira da li je riječ o životnom optimizmu (koji je, na primjer, ključan u borbi s \nopakom bolesti), životnoj dobi, rodnom identitetu, profesiji ili političkom i intelektualnom \nangažmanu. Zanimljivo je povećanje pristiglih prijedloga za dokumentarno-igrane filmove i ti \nprijedlozi su zasebno razmatrani. Igrano-dokumentarni modus je sve popularniji; zanimanje \nza igru između istine i laži raste proporcionalno sa izmicanjem doživljaja 'prave stvarnosti'.  \n \n \n \ndr. Saša Vojković, umjetnička savjetnica za dokumentarni film, listopad 2008\n\n\f\n \n                                                     \n \n \n \n \n \n \n \n \n \nDOKUMENTARNI  FILMOVI \n \nNAZIV FILMA \nREDATELJ \nPRODUCENT ODOBRENO \nSTOLJEĆE \nFILMA U \nSPLITU \nBOGDAN \nŽIŽIĆ \nOBLUTAK \n120.000,00 \nSAJMIŠTE- \nDNO PAKLA \nEDUARD \nGALIĆ \nMISSART  \n115.000,00 \n68 \nNENAD \nPUHOVSKI \nFACTUM \n80.000,00 \nVAJT \nNIKOLA \nSTRAŠEK  \nFACTUM \n90.000,00 \nKAJINOV \nZNAK \nLJ. \nŠIŠMANOVIĆ I \nT. KOPSA \nMAXIMA \nFILM \n80.000,00 \nSAM PREKO \nOCEANA \nT. ŽAJA I D. \nŠVAIĆ  \nSTUDIO DIM \n60.000,00 \nNABIJ \nOLIVER \nSERTIĆ \nRESTART \n50.000,00 \nŽENA U \nOGLEDALU \nJAGODA \nKALOPER \nFACTUM \n75.000,00 \nDOGOVORENI \nBRAK \nNEBOJŠA \nSLIJEPČEVIĆ \nFADE IN \n70.000,00 \nSLIJEDEĆI  \nVELIMIR \nRODIĆ \nFADE IN \n75.000,00 \nNA POČETKU \nFILMA I NA \nKRAJU \nSVJETA \n \nEDI \nMUDRONJA \nZORA FILM \n110.000,00 \nGOLI OTOK \nDARKO \nBAVOLJAK \nART DE \nFACTO \n30.000,00 \nKLASA \nOPTIMIST \nLANA ŠARIĆ \nFACTUM \n90.000,00 \nDUHOVI \nZAGREBA \nJADRAN \nBOBAN \nBROJKA \nPRODUKCIJA \n70.000,00 \nPOSJET \nČOVJEČULJKA  \nBERNARDIN \nMODRIĆ \nISTRA FILM \n40.000,00 \n \nZOO TITO \nANTE KUŠTRE \nPROKURA \n50.000,00 \nRIJEČ KAO \nZLOČIN \nMIROSLAV \nMIKULJAN \nGRAL FILM \n90.000,00 \n\n\f\n \n \nMUČENIK IVO \nJAKOV SEDLAR \nUDRUGA \nANTE \nSTARČEVIĆ \n90.000,00 \n \n \n \nKAKO SMO UŠLI \nU EUROPU \nINES PLETIKOS \nRADNA \nKUĆA \n70.000,00 \nHIP HOP PRIČA IZ \nHRVATSKE \nIGOR KOLOVRAT \nKILOVAT \nSISTEM \n40.000,00 \nSRETNA ZEMLJA \nGORAN DEVIĆ \nPETNAESTA \nUMJETNOST \n80.000,00 \nOD ZRNA DO \nSLIKE \nBRANKO IŠTVANČIĆ \nOLIMP \nPRODUKCIJA \n60.000,00 \n20 DANA NA \nTIBETU \nSILVESTAR KOLBAS \nGAGIĆ I \nGOLD \n50.000,00 \nBABO \nLJ. LETINIĆ I I.ĐIKIĆ \nFACTUM \n75.000,00 \nPOD PRITISKOM \nIRENA ŠČURIĆ \nTOP MAG \n70.000,00 \nKARSNIK \nŽELJKO ZORICA \nSTUDIO \nARTLESS \n30.000,00 \nPINTER \nŽELJKO SENEČIĆ \nFOS FILM \n90.000,00 \nPISMO ĆAĆI \nDAMIR ČUČIĆ \nHRVATSKI \nFILMSKI \nSAVEZ \n80.000,00 \n \nKALEIDOSKOP \nIMTIME \nVLATKA VORKAPIĆ \nFADE IN \n120.000,00 \nDOKUMENTARNE \nKOPRODUKCIJE  \n \n \n \nSELO BEZ ŽENA \nSRĐAN ŠARENAC \nMAINFRAME \n40.000,00 \nSEVDAH \nMARINA ANDREE \nSTUDIO DIM \n30.000,00 \nPLATI I ŽENI \nGEORGIJEV ATANAS \nNUKLEUS \n50.000,00 \nBALKAN BEATS \nE. GRONENBORN \nFADE IN \n30.000,00 \nUKUPNO \n \n \n2.300.000,00 \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nKratkometražni igrani  \nUmjetnička savjetnica: dr. Saša Vojković \n-obražloženje  \n-odobreni projekti \n \n\n\f\n \n \n \n \n \n \nObrazloženje umjetničke savjetnice: \n \nOsnovni kriterij za izbor kratkometražnih filmova su prijedlozi sa zaokruženim pričama koji \nsu konceptualno jasni. Važan je u prvom redu sinopsis koji sažima fabulu na razumljiv i \nintrigantan način i uvodi nas u svijet filma – upoznaje nas s likovima, njihovim odnosima i \npreokupacijima. (U slučaju konkretnih projekata, dobro napisan sinopsis gotovo redovito je \nrezultirao u kvalitetnom scenariju.) Dodatni kriterij je uspješno razrađena režijska koncepcija \nkoja korespondira sa fikcijskim svijetom najavljenim u sinopsisu i elaboriranim u scenariju. \nBitna odlika scenarija koji su ušli u uži izbor je dobro postavljen odnos između sižea i fabule; \nkonkretno, riječ je o nizu uzročno-posljedičnih događaja koje je moguće ispričati u \npredviđenom trajanju. Ukoliko ovaj odnos nije izbalansiran priča ne može obuhvatiti sve \ndogađaje pa ostaje nerazumljiva, ili joj nedostaje događaja pa je razvučena i dosadna. Finalni \nkriterij je autorska pronicljivost, originalnost i kritičan duh. \n \n \ndr. Saša Vojković, umjetnička savjetnica za kratkometražni igrani film, listopad 2008\n\n\f\n \n \n \n \n \n \n \n \n \nKRATKI IGRANI FILMOVI \n \n \nNAZIV \nFILMA \nREDATELJ \nPRODUCENT ODOBRENO \nČVENK \nIVAN \nLIVAKOVIĆ \nMETAR 60 \n160.000,00 \nKUŠNJA \nMARKO \nŠANTIĆ \nKINORAMA \n140.000,00 \nSCENARIJ ZA \nOBIČAN \nŽIVOT \nIRENA \nŠKORIĆ \nOLIMP \nPRODUKCIJA \n110.000,00 \nUSTAJ MIRO \nBRZO BRZO \nPETAR \nOREŠKOVIĆ \nNUKLEUS \n120.000,00 \nSRETAN \nROĐENDAN \nMARIJA \nIVANA \nŠKRABALO \nKULT FILM \n100.000,00 \nSNAPSHOTS \nALDO \nTARDOZZI \nHRVATSKI \nFILMSKI \nSAVEZ \n80.000,00 \nU  MOJOJ \nGLAVI \nANĐEO \nDARIO \nJURIČAN \nBLANK \n90.000,00 \nNAPAD NA \nNARODNU \nBANKU U \nRIJECI \nMLADEN \nJURAN \nFORMULA \nFILM \n100.000,00 \nSHOPPING \nALEN \nDRLJEVIĆ \nKULT FILM \n30.000,00 \nVIDIMO SE U \nSARAJEVU \nVANJA \nSVILIČIĆ \nNUKLEUS \n50.000,00 \nUKUPNO \n \n \n980.000,00 \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nAlternativni/eksperimentalni filmovi \nUmjetnički savjetnik:  Dalibor Martinis  \n- obrazloženje \n-odobreni projekti \n \n\n\f\n \n \n \n \n \nObrazloženje umjetničkog savjetnika: \n \nDefinicija eksperimentalnog/alternativnog filma  ne postoji, ono što eventualno postoji je \nskup karakteristika preko kojih prepoznajemo neki film ili video kao \neksperimetalni/alternativni. Ipak, moje vlastite prosudbe oslanjaju se na nekoliko kriterija.  \n \nPrvo, eksperiment nije žanr već autorski postupak kojim se žele ispitati rubne značajke žanra, \nili još radikalnije, medija samog. Iz toga slijedi da ne postoje neke unaprijed utvrđene ili \nprepoznatljive formalne ili sadržajne karakteristike eksperimentalnog filma. Ako ih u nekom \nfilmu prepoznajemo onda znači da su u njemu korišteni pojedini elementi postupaka koji su \nnekad bili eksperimentalni. Danas je takve elemente moguće naći i u standardnim \nholivudskim filmovima, u glazbenim video spotovima i u tv reklamama (gdje služe kao \nmamac za mlađu publiku), to su najčešće trzava kamera iz ruke, snimanje u malom filmskom \nformatu (8mm ili 16mm) ili videu, ubrzavanje pokreta ili radnje preskakanjem frameova, \nkolorirani frame itd. \n \nDrugo, eksperiment mora biti onaj perfomativni faktor koji film čini intrigantnim, poticajnim \nili provokativnim, dakle, prvi autorski motiv da se snimi film. Kad kažem eksperiment mislim \nna inovativnost koja namjerno izlazi iz formalnih, žanrovskih, tematskih i tehničkih okvira \nmedija, mislim na autorska djelovanja koja istražuju prostor izvan, ispred ili iza, prije ili \nposlije filma. \n \nTreće, dolaskom novih medija, naročito videa ali i interaktivnih kompjuterskih medija i \ninterneta, pojam eksperimentalnog filma dodatno se proširio. Ono što eksperimentalnom \nfilmu/videu daje dodatnu specifičnost je i dualna priroda samih autora. Oni djeluju najčešće ili \nna granici filma i likovne umjetnosti ili u oba medija istovremeno i time šire prostore i jednog \ni drugog. Umjetnici u film unose spremnost na vlastito ogoljavanje i pokazivanje vlastite \nranjivosti, umjetničke medije poput performancea u kojima film/video služi za \ndokumentiranje izvedbe ili i sam postaje dio izvedbe, kao iskaz određenog umjetničkog \nkoncepta. Također, suvremena umjetnost proširila je prostor umjetničke prakse koja sad \nzalazi u kulturno, društveno, ideološko i ekonomsko tkivo svakodnevnog života. \n \nČetvrto, autor eksperimentalnog filma kao otvorene filmske forme koja se ne uklapa u \nžanrovske, distribucijske, komercijalne ili tv-programske okvire mora biti spreman na uvjete \nniskobuđetne produkcije. Alternativni film ne može očekivati mainstream uvjete. \nPerformativnost eksperimenta nije vezana za perfekciju i visoke produkcijske standarde. Oni, \npak, autori i producenti koji inzistiraju na visokim standardima produkcije moraju, smatramo, \nbiti u stanju namaknuti sredstva koja neće biti pokrivena iz ovog izvora. \n \n \nKroz te sam naočale nastojao isčitati sinopsise, ideje i scenarije koji su pristigli na \novogodišnji natječaj, ne očekujući, naravno, da se pristigli projekti doslovno uklapaju o gore \nspomenute kriterije. \n\n\f\n \n \n \n \n \n \nPostoji određen broj scenarija koji se, unatoč određenim vrijednostima ipak isuviše naslanjaju \nna postojeće okvire igranog žanra, manje više klasične naracije i karakterističnih oblika  \nprofesionalne produkcije koja se vezuje za standardni igrani film. Pod postojećim okvirima \nigranog žanra mislimo, na primjer, na korištenje snova ili ekstremnih psihičkih stanja likova \nkao razloga da se u datom trenutku skrene sa standardnih narativnih postupaka u one nalik na \neksperimentalne. Drugi, ne manje sretan brak narativnog igranog i eksperimentalnog filma je \nkombinacija „slobodne“ vizualne komponente koja služi kao metafora i poetska nadogradnja \ninače relativno standardnoj vokalnoj naraciji u off-u. \nU obrazloženju razloga za neuvrštenje takvih projekata katkada smo sugerirali da se, u prvoj \nsljedećoj prilici, njihovi autori prijave u kategoriji kratkog filma koji uključuje igrani i \ndokumentarni žanr. Naravno, između nekih izabranih i nekih neizabranih scenarija tanka je \ncrvena linija i u tim slučajevima moje diskreciono pravo odluke prerasta u moć koju bih radije \nda nemam. \n \nIzbor \nU mojem izboru našli su se, dakle, filmski i video scenariji/sinopsisi/koncepti u kojima se \neksperiment nadaje kao primarni razlog autorskog djelovanja, koji izlaze iz poznatih \nžanrovskih ili medijskih  okvira, koji bogatstvu ili perfekciji produkcije pretpostavljaju \nslobodnu kreativnost.  \nNeki od njih se bave poviješću određenog urbanog ili kulturnog prostora, a svoju strukturu \ngrade na opreci koja se u tom prostoru isčitava između prošlog i sadašnjeg vremena. Ovi \nfilmovi, kao i oni koji nastoje istražiti određene, nekad značajne umjetničke pojave i pokrete, \nu svojoj su namjeri dokumentarni ali tu dokumentarnost grade slobodnim i osobnim \npostupkom i izvan standarda dokumentarne faktografije. Nekoliko se filmova  po filmskom \njeziku nalazi na rubu animiranog žanra ali bi u toj kategoriji po nekim drugim formalnim \nznačajkama vjerojatno bili isuviše atipični dok smo ih mi isčitavali ponajprije kao \neksperiment.  Neki zreli i dokazani autori nastavljaju svoja prije započeta istraživanja i grade \nsvoju poetiku dosljedno i kontinuirano. Pojedini video radovi nastaju kao rezultat ili su tvorni \nelement umjetničkog performancea. Zanimljivo je da dva, tri projekta ispituju mogućnosti \nizražavanja unutar posve definiranog, objektiviziranog sustava nadzornih kamera, bilo da se \nradi u onim postojećim u stvarnim urbanim prostorima, bilo da se takav sustav postavlja u \nodređeni prostor kako bi se na taj način dokumentirala polivalentnost nekog zbivanja ili se \nkadar sastoji od više ekrana u kojima se prati ista radnja.  \nSve u svemu, uočavamo širok raspon interesa i postupaka,od kojih će neki sigurno rezultirati \nizuzetnim rezultatom. \nU pravilu, uzeli smo si slobodu procjene minimalnih troškova koji osiguravaju realizaciju \nprodukcije po ponuđenom scenariju ili sinopsisu i tako korigirali dostavljene troškovnike. \nTakođer, postavili smo gornji limit, sve u cilju osiguravanja podrške ukupnom broju od 15 \nizabranih  projekata. \n \nDalibor Martinis  \nUmjetnički savjetnik za alternativni film, lisptopad 2008. \n\n\f\n \n \n \n \n \n \n \n \n \nALTERNATIVNI FILMOVI   \n \n \nNAZIV FILMA \nREDATELJ \nPRODUCENT \nODOBRENO \n \nARHEO 29 \nVLADISLAV \nKNEŽEVIĆ \nKENGES \n130.000,00 \nCLASH \nBRANKO \nPAŠIĆ \nNUKLEUS \n80.000,00 \nIZVAN SEBE  \nVLADO \nZRNIĆ \nQUADRUM \n130.000,00 \nJAVNI LJUDI \nANTIONIO \nGABELIĆ \nPLAVA KRAVA \n130.000,00 \nKRIJESNICE \nVLASTA \nŽANIĆ \nPETIKAT \n100.000,00 \nMEKANI BRODOVI \nŽELJKO \nZORICA  \nSTUDIO ARTLESS \n110.000,00 \nNEVIDLJIVE \nGALERIJE \nŽELJKO \nKIPKE \nHRVATSKI \nFILMSKI SAVEZ \n85.000,00 \nNOGOMET \nANA \nHUŠMAN \nSTUDIO \nPANGOLIN \n170.000,00 \nOVIH POLA SATA \nBORIS \nGREINER \nPETIKAT \n100.000,00 \nPREDSTAVA \nSLOBODAN \nJOKIĆ \nSTUDIO FUGO \n170.000,00 \nPUSTARA \nIVAN \nFAKTOR \nHRVATSKI \nFILMSKI SAVEZ \n160.000,00 \nPUTNIK \nŽELJKO \nSARIĆ \nPROJECT 6 \nSTUDIO \n120.000,00 \nSTO LICA SAMOĆE \nVEDRAN \nMIHLETIĆ \nKULT FILM \n110.000,00 \nSUMMERTIME \nBORIS \nPOLJAK \nMILVA \n110.000,00 \nTRG 20. STOLJEĆE \nHRVOJE \nJUVANČIĆ \nUDRUGA ZA \nINTERDISCIPL. \nISTRAŽIVANJA \n85.000,00 \nUKUPNO \n \n \n1.790.000,00 \n \n \n \n \n \n \n \n \n\n\f\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nAnimirani filmovi \nUmjetnički savjetnik: Darko Bakliža \n-obrazloženje \n-odobreni projekti \n \n \n\n\f\n \n \n \n \n \n \n \nObrazloženje umjetničkog savjetnika \n \nNa ovogodišnji natječaj za sufinanciranje proizvodnje animiranog filma prijavljeno je ukupno \n40 projekata, tj. ukupno 350 minuta animacije.  \n13 projekata prijavio je Zagreb film, a nezavisni producenti: Kenges – 3 projekta, Kreativni \nsindikat – 3 projekta; In fine – 2 projekta, Alter – 2 projekta, Diat – 2 projekta, Otompotom- 2 \nprojekta. Po jedan projekt prijavili su sljedeći nezavisni producenti: HFS, Art film atelier. \nAutorska kuća, TAT, Tipex, Croatia film, Mitropa, Tri ruke, Diedra, Blank, Olimp \nprodukcija, Radna kuća, Kino klub Zagreb. \n \nElementi valorizacije bili su: reputacija autora (reference), renome producetna, kvaliteta \nscenarija, animacija/animacijska tehnika te likovnost (dizajn) filma. Također je jedan od \nbitnih elemenata valorizacija bio procijeniti da li ponuđeni projekt u sebi sadrži potencijal za \nsudjelovanje na svjetskim festivalima animiranog filma. Tako u razmatranje nisu ulazili \nprojekti studenata ili projekti čiji podnositelji nemaju ili reputaciju (likovnog) umjetnika ili \nfilmske (redateljske) reference ili značajnije animatorsko iskustvo.  \n \n \nDarko Bakliža, \nUmjetnički savjetnik za animirani film, listopad 2008. \n \n \n \n \n \n \n \n \n \n \n\n\f\n \nANIMIRANI FILMOVI \n \n \n \n \nNaziv filma \nRedatelj \nProducent \nOdobreno \nCVIJEĆE BITKE \nSIMON \nBOGOJEVIĆ \nNARATH \nKENGES \n500.000,00 \nMORNARI \nVJEKOSLAV \nŽIVKOVIĆ \nMITROPA \n300.000,00 \nUPITNIK \nMARKO \nMEŠTROVIĆ \nKREATIVNI \nSINDIKAT \n300.000,00 \n \nPOTRAGA \nIVANA \nGULJAŠEVIĆ \nKUMAN \nAUTORSKA \nKUĆA \n103.000,00 \nŠTAP I ŠEŠIR \nZORAN MUŽIĆ \nDIEDRA \n225.000,00 \nSTARICA I PAS \nVELJKO \nPOPOVIĆ \nKENGES \n300.000,00 \nGUJ PROTIV \nDOSADE \nFRANO \nPETRUŠA \nIN FINE \n173.000,00 \nKAVA JE GOTOVA \nKAJA ŠEGVIĆ \nŠARIĆ \nZAGREB FILM \n105.000,00 \nBRANKA \nKATJA I \nNIKOLA \nŠIMUNIĆ \nZAGREB FILM \n200.000,00 \nTAJNI \nLABORATORIJ \nNIKOLE TESLE \nTOMISLAV \nRUKAVINA I \nBRUNO \nRAZUM \nZAGREB FILM \n300.000,00 \nSTANJA \nDANIEL \nŠULJIĆ \nKREATIVNI \nSINDIKAT \n200.000,00 \nZEKO I POTOČIĆ \nMILAN \nBLAŽEKOVIĆ \nZAGREB FILM \n160.000,00 \nSAMOĆA \nMILAN TRENC \nHRVATSKI \nFILMSKI SAVEZ \n110.000,00 \nUKUPNO \n \n \n2.976.000,00 \n \n \n \n \n \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"2008 Proizvodnja_ KR IGR_ DOKU_ ALT_ ANIM","year":2008,"rok":null,"natjecaj_date":"2008-10-09","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[{"field":"document.program_type","from":"manjinske_koprodukcije","to":"proizvodnja","reason":"filename/title keyword: proizvodnja","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NAZIV FILMA","REDATELJ","PRODUCENT","ODOBRENO"],"rows":[{"row_number":null,"project_title":"STOLJEĆE FILMA U 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kn","section_total":23650000.0}],"totals":{"ukupno_text":null,"ukupno":23650000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":23650000.0,"ukupno_match":true,"row_count":8,"awarded_count":8,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":8}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_RPR_ANIMIRANI_2rok_2021_WEB.pdf","filename_decoded":"Obrazlozenje_RSC_RPR_ANIMIRANI_2rok_2021_WEB.pdf","sha256":"cedf409d2278a46fcde19626bdac69ef710de1354fd417ce9b761fff32597c20","bytes":102768,"page_count":1,"extracted_at":"2026-05-17T12:02:13Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_RPR_ANIMIRANI_2rok_2021_WEB.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i \nanimiranih filmova, 2. rok 2021. \n \nKategorija: Poticanje razvoja scenarija i razvoja projekata – animirani film \nRok: 14. rujna 2021. \nUmjetnički savjetnik: Božidar Trkulja \n \nNa javni poziv u kategoriji poticanja razvoja scenarija i projekata na 2. rok 2021. godine, \npodnesene su tri (3) prijave u potkategoriji razvoja scenarija, dok u potkategoriji razvoja \nprojekata nije prijavljen niti jedan projekt.  \nProjekti prijavljeni u potkategoriji razvoja scenarija razmatrani su pomno, ali na 2. roku 2021. \nnije odabran niti jedan projekt.  \nIako zanimljivi, projekti pokušavaju dosegnuti trajanje duže od 24 minute, ali u tome ne \nuspijevaju, jer predlagatelji ili nemaju jasnu viziju kako bi film uobličili i postavili mu potrebne \nokvire u kategoriji u kojoj se natječu, ili u konačnici predlošci ne odaju dojam da bi mogli držati \npotrebnu pažnju i uspostaviti jasnu komunikaciju s dječjom, odnosno odraslom publikom kojoj \nsu namijenjeni. Dakle, prije svega, riječ je o njihovom trajanju, te bi tako svoj prohod trebali \npotražiti u kratkometražnoj formi, uobličiti ih, prilagoditi i predložiti u kategoriji proizvodnje \nanimiranih filmova koja nužno pretpostavlja jasnu redateljsku koncepciju, vizuale i potrebnu \nknjigu snimanja. Na taj način bi i sami sebi razjasnili što zapravo žele napraviti, odnosno što bi \nfilm trebao polučiti. \nU kategoriji poticanja razvoja scenarija i razvoja projekata animiranoga filma nije predložen \nniti jedan projekt. \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2021,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2013 Me_unarodna suradnja_ 15 11 2013.pdf","filename_decoded":"2013 Me_unarodna suradnja_ 15 11 2013.pdf","sha256":"cefc722676353d104fb327e4516be412841b973ae3f07e3edaaf00a0dfff5deb","bytes":210310,"page_count":4,"extracted_at":"2026-05-17T10:23:31Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2013%20Me%C4%91unarodna%20suradnja%2C%2015%2011%202013.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA\n1\nAkademija dramske \numjetnosti\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika.\nSudjelovanje redateljice i montažera i \npredstavljanje kratkometražnog \ndokumentarnog filma 'Park ljubavi', red. Lane \nKosovac na natjecateljskom programu u \nsklopu 9. međunarodnog festivala \nstudentskih filmova Early Bird, 27. studenog - \n02. prosinca 2013., Sofija, Bugarska\n2.600,00\n2\nAkademija dramske \numjetnosti\nProgrami stručnog usavršavanja\nStručni posjet 1 profesora i 8 studenata 1. \ngodine Odsjeka BA Snimanja Akademiji \nscenskih umjetnosti u Sarajevu; usmjernje: \nKamera, ožujak/ travanj 2014., Sarajevo; BiH\n2.600,00\n3\nANTITALENT \nPRODUKCIJA d. o. o. Programi stručnog usavršavanja\nSudjelovanje producenta s dugometražnim \nigranim filmom 'Vis a Vis', red. N. Marasovića \nna radionici EAVE - modul Film Marketing \nWorkshop, 20. - 24. studenog 2013., \nLuksemburg\n9.900,00\n4\nBold studio\nProgrami stručnog usavršavanja\nSudjelovanje snimatelja Vedrana Rapo na \nsteadicam radionici 'Basic Camera Stabilizer \nSystem Workshop', 05. - 08.studenog 2013., \nEching, Njemačka\n9.000,00\n5\nEUROFILM d.o.o.\nProgrami gostovanja hrvatskih autora/- \nica, producenata/- ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika.\nOrganizacija projekta 7. dani filma Mostar, \nMostar, BiH, od 13. do 17. rujna 2013.\n15.000,00\n6\nFilmsko - kreativni \nstudio VANIMA\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. \nSudjelovanje dvoje predstavnika VANIMA - e \ni predstavljanje VANIMINIH filmova u sklopu \nmeđunarodnog festivala Kidz Flicks, 24. - 30. \nožujka 2014., Sydney, Australija\n15.000,00\n7\nFocus Media d. o. o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. \nSudjelovanje producentice i predstavljanje \nfilma 'TIR', red. A. Fasula u sklopu 8. \nmeđunarodnog filmskog festivala u Rimu, 08. \n- 17. studenog 2013., Rim, Italija\n3.600,00\n8\nHrvatski film d. o. o. \nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi predstavljanja i \npromocije filmova. \nOrganizacija projekta 'Fokus na hrvatski film' \nu sklopu međunarodnog festivala 30. Festival \nInternational di Film d' Amour de Mons, 14. - \n21. veljače 2014., Mons, Belgija\n30.000,00\n9\nHrvatski filmski savez Ostali programi\nSudjelovanje voditeljice Revijskih programa,  \ni dvoje djece na 9. svjetskom summitu medija \nza mlade - International Youth Media Summit, \n14. - 27. srpnja 2014., Losa Angeles, SAD\n20.000,00\n10\nHrvatski filmski savez Ostali programi\nSudjelovanje predstavnika HFS - a (Four \nRiver FF) u okviru Europske mreže mladih \n(Youth Cinema Network), 13. - 16. studeni \n2013., Berlin, Njemačka; 31. ožujka - 05. \ntravnja 2014., Limerick, Irska; kolovoz 2014., \nBeograd, Srbija\n5.000,00\n11\nHrvatski filmski savez Ostali programi\nSuradnja HFS-a i urednice naklade Diane \nNenadić s redakcijom regionalnog online \nportala Moveast.eu s prijevodom knjige \n'Postjugoslavenski film: stil i ideologija' Jurice \nPavičića 2/3, 2014.\n10.000,00\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2013. - \nPROGRAMI MEĐUNARODNE SURADNJE - ROK 15.11.2013. \n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA\n12\nIsa Živanović\nProgrami stručnog usavršavanja\nSudjelovanje producentice Ise Živanović na \nradionici Instituta 'Erich Pommer' - European \nCo -Production; osnovni pravni okviri 2013. - \nprogram o europskoj koprodukciji, 16. - \n20.listopada 2013., Gent, Belgija\n4.000,00\n13\nIstra Film - Rijeka\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. \nSudjelovanje redatelja i predstavljanje filmova \n'Ritam rock plemena', 'Smrt u Vulkanu' i \n'Bordo – vječna stripovska mladost' na \n17.međunarodnog festivala europskog i \nnezavisnog filma 'Euro - In festival', 06. - \n08.prosinca 2013., Novi Sad, Srbija\n2.000,00\n14\nKazališna grupa \n'Scena'\nProgrami predstavljanja i promocije \nfilmova.\nOrganizacija manifestacije 'Dani hrvatskog \nfilma u Orašju', Orašje, BiH, od 13. do 20. \nrujna 2013.\n30.000,00\n15\nKinematograf d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi predstavljanja i \npromocije filmova\nSudjelovanje redateljice i predstavljanje \nkratkometražnog igranog filma 'Pragovi', red. \nDijane Mlađenović  na programu službene \nkonkurencije 'European Shorts' u sklopu 40. \nmeđunarodnog festivala Film Fest Gent, 10. - \n19. listopada 2013., Gent, Belgija\n6.000,00\n16\nKinematograf d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi predstavljanja i \npromocije filmova\nSudjelovanje redateljice i predstavljanje \nkratkometražnog igranog filma 'Pragovi', red. \nDijane Mlađenović na službenoj konkurenciji \nkratkog igranog filma u sklopu 23. festivala \nistočnoeuropskog filma Cottbus, 05. - 10. \nstudenog 2013., Cottbus, Njemačka\n2.000,00\n17\nKinorama d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi predstavljanja i \npromocije filmova\nSudjelovanje redatelja i predstavljanje \nkratkometražnog igranog filma 'Teleport \nZovko', red. P. Ličine u sklopu \nnenatjecateljskog programa 35. \nmeđunarodnog festivala mediteranskog filma \nCINEMED, 25. listopada - 02. studenog \n2013., Montpellier, Francuska\n7.500,00\n18\nKinoklub Karlovac\nOstali programi\nSudjelovanje predstavnika Foru River \nFestivala i troje mladih filmaša na \nmeđunarodnom festivalu filmskog \nstvaralaštva mladeži  'Media Literacy Award' \n06. - 08. studenog 2013., Beč, Austrija\n2.500,00\n19\nKinoklub Karlovac\nOstali programi\nSudjelovanje troje predstavnika Kinokluba \nKarlovac i predstavljanje igranih filmova \n'Gledam dalje' i  'Dracula's Course', \ndokumentarnog filma 'Po kinu se grad \npoznaje' i eksperimentalnog filma 'Jedinica \nvremena' na natjecateljskom programu u \nsklopu međunarodnog festivala 16. Olympia \nInternational Film Festival for Children and \nYoung People te sudjelovanje na 13. \nEuropskom sastanku audiovizualnog \nstvaralaštva mladih 'Camera Zizanio', 30. \nstudenog - 07. prosinca 2013.; Pyrgos, Grčka\n7.000,00\n20\nMaks Cavitas\nProgrami stručnog usavršavanja\nSudjelovanje voditeljice na radionici za \naplikaciju i realistično bojanje filmske \nprotektike - 'Sodas prosthetic application \ncourse', 18. i 19. siječnja 2014., Copenhagen, \nDanska\n8.500,00\n21\nMarko Dješka\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekta\nSudjelovanje Marka Dješke na seminaru \n'Cartoon Finance' u sklopu Projekta 'Cartoon \nMedia', 26. - 28. studenog 2013., Belfast; \nIrska\n1.000,00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA\n22\nMarko Krmek\nProgrami stručnog usavršavanja\nSudjelovanje Marka Krmeka na radionici \n'EAVE Workshop - Film Marketing', 20. - 24. \nstudenog 2013., Luksemburg\n7.000,00\n23\nMia Bučević\nProgrami stručnog usavršavanja\nSudjelovanje Mie Bučević na radionici \neksperimentalnog filma 'NISI MASA - 2nd \nExperimental Film Workshop', 09. - \n15.prosinca 2013., Bukurešt, Rumunjska\n2.200,00\n24\nNina Kurtela\nOstali programi\nSudjelovanje Nine Kurtele i predstavljanje \neksperimentalnog filma 'Transformsnce' u \nsklopu samostalne izložbe  pod nazivom \n'Leftovers of Endurance' u galeriji HEREart, \nNew York, SAD, 02. ožujka - 16. travnja \n2014.\n7.500,00\n25\nNukleus film d. o. o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. \nSudjelovanje dvoje predstavnika i \npredstavljanje dugometražnog \ndokumentarnog filma 'Kismet', red. N. Marie \nPaschalidou na natjecateljskom programu u \nsklopu međunarodnog festivala \ndokumentarnog filma IDFA, 23. - 27. studeni \n2013., Amsterdam, Nizozemska\n6.770,00\n26\nNukleus film d. o. o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. \nSudjelovanje producenta i predstavljanje \ndugometražnog dokumentarnog filma \n'Posljednja ambulantana kola Sofije' red. \nI.Meteva na međunarodnom filmskom \nfestivalu Cinema Eye Honors, 05. - 14. \nsiječnja 2014., New York, SAD\n6.000,00\n27\nSekvenca d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi izrade \npromidžbenih materijala i prijavljivanja \nu službenu konkurenciju festivala. \nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redatelja i producenta i \npredstavljanje kratkometražnog igranog filma \n'Kišobran', red. Jure Pavlovića u sklopu u \nnatjecateljskom programu u sklopu  23. \nfestivala istočnoeuropskog filma Cottbus, 05. -\n10. studenog 2013., Cottbus, Njemačka\n8.000,00\n28\nSintoment, udruga za \nmultimedijalnu \numjetnost i afirmaciju \nkulture\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi predstavljanja i \npromocije filmova. \nSudjelovanje redateljice i predstavljanje \nkratkometražnog eksperimentalnog filma \n'Promjena', red. D. Protić u natjecateljskom \nprogramu međunarodnog festivala 23. Madrid \nInternational Cinema Week, 22. - 29. \nstudenog 2013., Madrid, Španjolska\n6.000,00\n29\nStjepan Milas\nProgrami stručnog usavršavanja\nSudjelovanje animatora Stjepana Milasa na \nedukacijskom programu 3D karakterne \nanimacije 'Viborg 3D Character animation \ncourse' u organizaciji Animation Workshopa \n24. veljače - 06. lipnja 2014., Viborg, Danska\n20.000,00\n30\nStudio dim d.o.o.\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekta\nSudjelovanje scenaristice s projektom \ndugometražnog igranog filma u razvoju 'Moj \ndida je vanzemaljac' na scenarističkoj \nradionici 'Equinoxe Europe', 18. - 24. listopad \n2013., Zurich, Švicarska\n6.000,00\n31\nStudio dim d.o.o.\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika.\nSudjelovanje redatelja i predstavljanje \nkratkometražnog igranog filma 'Balavica', red. \nI. Mirkovića u natjecateljskom programu \nkratkometražnog filma, u sklopu 35. \nmeđunarodnog  festivala mediteranskog filma \nCINEMED, 25. listopad - 02. studeni 2013., \nMontpellier, Francuska\n8.500,00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA\n32\nTelefim d. o. o.\nPotpora producentima/ - icama i \nautorima/- icama za predstavljanje \nfilmova\nSudjelovanje producenta na završnoj sjednici \n8. Radionice za razvoj scenarija Script East s \nprojektom 'Ministarstvo ljubavi', red. P. \nMarinkovića,  svibanj 2014., Cannes, \nFrancuska\n9.000,00\n33\nUdruga Artizana\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekta\nSudjelovanje producentice i scenaristice s \nprojektom dugometražnog igranog filma u \nrazvoju 'Izgubljeni' u razvojnom programu \n'BABYLON 2013 -14', 15. - 19. listopada \n2013., London, Velika Britanija\n9.000,00\n34\nR 44 usluge\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi izrade \npromidžbenih materijala i prijavljivanja \nu službenu konkurenciju festivala. \nProgrami predstavljanja i promocije \nfilmova\nSudjelovanje redateljice, producentice i \nsnimatelja i predstavljanje kratkometražnog \nigranog filma 'Tlo pod nogama', red. S. \nTarokić na programu Spectrum Shorts, u \nsklopu 43. međunarodnog festivala u \nRotterdamu, 22.siječnja - 02. veljače 2014., \nRotterdam, Nizozemska\n18.000,00\n35\nSvjetski savez mladih \nHrvatska\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika. Programi izrade \npromidžbenih materijala i prijavljivanja \nu službenu konkurenciju festivala. \nProgrami predstavljanja i promocije \nSudjelovanje hrvatske autorice Maje Šubarić \nMahmuljin i predstavljanje kratkog \ndokumentarnog filma 'Pri našem delu' u \nsklopu Manhattan International Film festivala, \n28.veljače - 02.ožujka 2014., New York, SAD\n5.000,00\n36\nUdruga RADDAR\nProgrami predstavljanja i promocije \nfilmova.\nOrganizacija projekta prikazivanja filmova \nhrvatskih suvremenih autora pod nazivom \n'The Best of the Rest' u suradnji s generalnim \nkonzulatom RH u Mississaugi, 01. - 04. \ntravnja 2014., Toronto, Kanada\n10.000,00\n37\nUdruga Ukus\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata.\nSudjelovanje redateljice i producenta i \npredstavljanje dugometražnog \ndokumentarnog filma 'Zimsko čudo (Winter \nMiracle)', red. Ž. Sukove i projekta 'Beskrajni \nrep (Endless Tail)', red. Ž. Sukove na \nInspiration forumu u sklopu 17. \nmeđunarodnog festivala dokumentarnog \nfilma u Jihlavi, 24. - 29. listopada 2013., \nJihlava, Češka\n5.000,00\n38\nUdruga za \npromicanje medijske \nkulture Luža\nProgrami gostovanja hrvatskih autora/ -\nica, producenata/ - ica, izbornika \nfilmskih festivala, filmskih stručnjaka i \ndjelatnika.\nSudjelovanje voditelja i 2  člana udruge Luža \nna međunarodnim festivalima djece i mladeži \nMICE Film Festival, Valencia, Španjolska, 21. \n- 23. veljače 2014. i TISFEST - Teen \nInternational Short festival, Istanbul, Turska, \n22. - 26. travnja 2014.\n6.000,00\nUKUPNO:\n333.170,00\nHRVATSKI AUDIOVIZUALNI CENTAR - ODJEL ZA PROMOCIJU I PLASMAN\nNapomena: PRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"2013 Me_unarodna suradnja_ 15 11 2013","year":2013,"rok":null,"natjecaj_date":"2013-11-15","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":"REZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2013. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 15.11.2013.","section_key":"rezultati_javnog_poziva_za_dodjelu_sredstava_za_poticanje_ko","columns":["PODNOSITELJ","PROGRAM","OPIS PROGRAMA","ODOBRENA POTPORA"],"rows":[{"row_number":1,"project_title":"Programi gostovanja hrvatskih autora/ - ica, producenata/ - ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika.","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.600,00","approved_amount":2600.0,"currency":"HRK","extras":{"col_1":"1","OPIS PROGRAMA":"Sudjelovanje redateljice i montažera i predstavljanje kratkometražnog dokumentarnog filma 'Park ljubavi', red. 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djelatnosti.pdf","sha256":"d1768791051d589f9f8a85340fd8192905aa76b121e8f8c1ac672fa0da88b5fa","bytes":78322,"page_count":5,"extracted_at":"2026-05-17T10:23:01Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2012%20Komplementarne%20djelatnosti.pdf"},"raw_text":"KORISNIK\nNAZIV\t\r  PROGRAMA\nODOBRENI\t\r  IZNOS\n1\nHrvatski\t\r  državni\t\r  arhiv\t\r  -­‐\t\r  Hrvatska\t\r  \nkinoteka\nZaštita\t\r  i\t\r  restauracija\t\r  audiovizualnog\t\r  gradiva\t\r  u\t\r  2012.\t\r  godini\n2,400,000.00\n2\nHrvatski\t\r  filmski\t\r  savez\nFilmski\t\r  i\t\r  video\t\r  arhiv\t\r  Hrvatskog\t\r  filmskog\t\r  saveza\n200,000.00\n3\nKino\t\r  klub\t\r  Split\nDigitalizacija\t\r  arhive\t\r  Kino\t\r  kluba\t\r  Split\t\r  -­‐\t\r  70-­‐te\t\r  i\t\r  80-­‐te\n40,000.00\n2,640,000.00\nKORISNIK\nNAZIV\t\r  PROGRAMA\nODOBRENI\t\r  IZNOS\n1\nMultimedijalni\t\r  institut\nVizualni\t\r  kolegij\n30,000.00\n2\nRestart\nRazgovori\t\r  s\t\r  autorima\t\r  u\t\r  Dokukinu\t\r  Croatia\n30,000.00\n3\nUdruga\t\r  KAZIMIR\nVideo\t\r  Vortex\n35,000.00\n95,000.00\nKORISNIK\nNAZIV\t\r  PROGRAMA\nODOBRENI\t\r  IZNOS\n1\n25\t\r  FPS,\t\r  udruga\t\r  za\t\r  audio-­‐vizualna\t\r  \nistraživanja\nPovijest\t\r  eksperimentalnog\t\r  filma\t\r  i\t\r  videa;\t\r  A.L.\t\r  Rees\n30,000.00\n2\nBlank\nFilmonaut\n50,000.00\n3\nDiscovery\t\r  d.o.o.\nFilmski\t\r  klasici\t\r  -­‐\t\r  DVD\t\r  izdanja\n10,000.00\n4\nGFR\t\r  FILM-­‐VIDEO\nDVD\t\r  -­‐\t\r  Crominute\t\r  -­‐\t\r  Top\t\r  100\n10,000.00\n5\nHrvatski\t\r  filmski\t\r  savez\nDVD\t\r  izdanja\t\r  HFS-­‐a\n50,000.00\n6\nHrvatski\t\r  filmski\t\r  savez\nEtami\t\r  Borjan:\t\r  Drugi\t\r  na\t\r  filmu:\t\r  etnografski\t\r  film\t\r  i\t\r  autohtono\t\r  \nfilmsko\t\r  stvaralaštvo\n15,000.00\n7\nHrvatski\t\r  filmski\t\r  savez\nHrvatski\t\r  filmski\t\r  ljetopis\n100,000.00\n8\nHrvatski\t\r  filmski\t\r  savez\nMidhat\t\r  Ajanović:\t\r  Nedeljko\t\r  Dragić\t\r  -­‐\t\r  Linija\t\r  kao\t\r  misao\n30,000.00\n9\nHrvatski\t\r  filmski\t\r  savez\nKlupski\t\r  katalozi\t\r  \n15,000.00\n10\nHrvatski\t\r  filmski\t\r  savez\nLeonida\t\r  Kovač:\t\r  U\t\r  presjecištu\t\r  ekrana,\t\r  objektiva\t\r  i\t\r  zrcala:\t\r  \nJagoda\t\r  Kaloper\n20,000.00\n11\nHrvatski\t\r  filmski\t\r  savez\nNicole\t\r  Hewitt\t\r  -­‐\t\r  In\t\r  Time\n20,000.00\n12\nHrvatski\t\r  filmski\t\r  savez\nZapis,\t\r  bilten\t\r  Hrvatskog\t\r  filmskog\t\r  saveza\n20,000.00\n13\nHulahop\t\r  d.o.o.\nDVD\t\r  Animafest\t\r  1972\t\r  -­‐\t\r  2012\n35,000.00\n14\nJavna\t\r  ustanova\t\r  Pula\t\r  film\t\r  festival\nLeksikon\t\r  Festivala\t\r  igranog\t\r  filma\t\r  u\t\r  Puli\n20,000.00\n15\nKino\t\r  klub\t\r  Split\nMonografija\t\r  o\t\r  djelovanju\t\r  Kino\t\r  kluba\t\r  Split\t\r  povodom\t\r  60\t\r  \ngodina\t\r  postojanja\n12,000.00\n16\nUdruga\t\r  za\t\r  audiovizualno\t\r  \nstvaralaštvo\t\r  ARTIZANA\n\t\r  Ivo\t\r  Štivičić:\t\r  Kuda\t\r  idu\t\r  divlje\t\r  svinje\n30,000.00\n17\nUdruga\t\r  za\t\r  promicanje\t\r  kulture\t\r  \nDOKUart\nBesplatni\t\r  obrazovni\t\r  DVD\t\r  Mali\t\r  DOKUart\t\r  za\t\r  sat\t\r  medijske\t\r  \nkulture\t\r  u\t\r  osnovnim\t\r  školama\t\r  Hrvatske\n20,000.00\n18\nVedis\nIzdavanje\t\r  multimedijalnog\t\r  projekta\t\r  GOOOL\t\r  Neugebauera-­‐\nDovnikovića\t\r  (DVD\t\r  -­‐\t\r  koji\t\r  uključuje\t\r  film,\t\r  \"specijalne\t\r  dodatke\"\t\r  i\t\r  \nstrip-­‐knjižicu\t\r  \"Velika\t\r  utakmica\")\n20,000.00\n19\nVedis\nTadej\n40,000.00\n20\nVedis\nUmjetnost\t\r  pokreta\t\r  Dušana\t\r  Vukotića\n30,000.00\n577,000.00\nJAVNI\t\r  POZIV\t\r  ZA\t\r  DODJELU\t\r  SREDSTAVA\t\r  ZA\t\r  POTICANJE\t\r  KOMPLEMENTARNIH\t\r  DJELATNOSTI\t\r  \nU\t\r  2012.\t\r  GODINI\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \n-­‐\t\r  ODOBRENI\t\r  PROGRAMI\nUKUPNO\nZAŠTITA\t\r  AUDIOVIZUALNE\t\r  BAŠTINE\t\r  UKLJUČUJUĆI\t\r  KINOTEČNU\t\r  DJELATNOST\t\r  \nUKUPNO\nPROUČAVANJE\t\r  I\t\r  KRITIČKO\t\r  VREDNOVANJE\t\r  AUDIOVIZUALNIH\t\r  DJELATNOSTI\nUKUPNO\nIZDAVAŠTVO\t\r  U\t\r  PODRUČJU\t\r  AUDIOVIZUALNIH\t\r  DJELATNOSTI\n\n\f\nKORISNIK\nNAZIV\t\r  PROGRAMA\nODOBRENI\t\r  IZNOS\n1\nAkademija\t\r  dramske\t\r  umjetnosti\nFilmske\t\r  akademije\t\r  u\t\r  Zagrebu\t\r  -­‐\t\r  radionica\t\r  mozaičnih\t\r  filmskih\t\r  \nformi\n35,000.00\n2\nDruštvo\t\r  hrvatskih\t\r  filmskih\t\r  \nredatelja\nScenaristički\t\r  program\t\r  \"Branko\t\r  Bauer\"\t\r  2012.\n15,000.00\n3\nFestival\t\r  suvremenog\t\r  židovskog\t\r  \nfilma\t\r  Zagreb\nMeđunarodna\t\r  filmska\t\r  radionica\t\r  -­‐\t\r  International\t\r  Talent\t\r  \nWorkshop\n30,000.00\n4\nHrvatski\t\r  filmski\t\r  savez\n14.\t\r  škola\t\r  medijske\t\r  kulture\t\r  Dr.\t\r  Ante\t\r  Peterlić\n250,000.00\n5\nHrvatski\t\r  filmski\t\r  savez\nScenaristički\t\r  projekt\t\r  Palunko\n40,000.00\n6\nJavna\t\r  ustanova\t\r  u\t\r  kulturi\t\r  Hrvatski\t\r  \ndom\t\r  Vukovar\nStručno\t\r  usavršavanje\t\r  djelatnika\t\r  Hrvatskog\t\r  doma\n3,090.00\n7\nKinoklub\t\r  Zagreb\nFilm\t\r  transfer\t\r  radionica\n15,000.00\n8\nMaks\t\r  Cavitas\t\r  d.o.o.\nMedia\t\r  Make\t\r  up\t\r  School\n35,000.00\n9\nMotovun\t\r  film\t\r  festival\nKako\t\r  napraviti\t\r  bolji\t\r  festival\n70,000.00\n10\nPegaz\t\r  Auctoritas\t\r  d.o.o.\nAutorskopravne\t\r  radionice\t\r  i\t\r  tribine\t\r  za\t\r  filmske\t\r  autore,\t\r  \nproducente\t\r  i\t\r  umjetnike\t\r  izvođače\n15,000.00\n11\nRestart\nRestart\t\r  laboratorij\n50,000.00\n12\nRiva\t\r  Film\t\r  d.o.o.\nDubrovnik\t\r  Film\t\r  Meeting\n100,000.00\n13\nUstanova\t\r  Zagreb\t\r  film\n3.\t\r  RAB\t\r  -­‐\t\r  radionica\t\r  animiranog\t\r  filma\n25,000.00\n683,090.00\nKORISNIK\nNAZIV\t\r  PROGRAMA\nODOBRENI\t\r  IZNOS\n1\n25\t\r  FPS,\t\r  udruga\t\r  za\t\r  audio-­‐vizualna\t\r  \nistraživanja\nProgrami\t\r  Udruge\t\r  25\t\r  FPS\t\r  u\t\r  2012.\n30,000.00\n2\nAutonomni\t\r  kulturni\t\r  centar\t\r  -­‐\t\r  \nAttack!\nProgram\t\r  nezavisnog\t\r  filmskog\t\r  studija\t\r  Medika\n15,000.00\n3\nBlank\nRedovita\t\r  programska\t\r  djelatnost\t\r  Blanka\n35,000.00\n4\nDruštvo\t\r  hrvatskih\t\r  filmskih\t\r  \nredatelja\nRedovita\t\r  djelatnost\t\r  Društva\t\r  hrvatskih\t\r  filmskih\t\r  redatelja\n135,000.00\n5\nFilmska\t\r  autorska\t\r  grupa\t\r  \"Enthusia\t\r  \nPlanck\"\nProgram\t\r  FAGEP-­‐a\t\r  za\t\r  2012.\t\r  godinu\n30,000.00\n6\nFilmsko-­‐kreativni\t\r  studio\t\r  VANIMA\nProgram\t\r  rada\t\r  za\t\r  2012.\t\r  godinu\n25,000.00\n7\nHrvatska\t\r  udruga\t\r  filmskih\t\r  \nsnimatelja\nRedovita\t\r  djelatnost\t\r  Hrvatske\t\r  udruge\t\r  filmskih\t\r  snimatelja\n50,000.00\n8\nHrvatska\t\r  udruga\t\r  producenata\nRad\t\r  na\t\r  unapređenju\t\r  audiovizualne\t\r  djelatnosti\n100,000.00\n9\nHrvatski\t\r  filmski\t\r  savez\nKoordinacijske\t\r  i\t\r  poticajne\t\r  funkcije\t\r  Hrvatskog\t\r  filmskog\t\r  saveza\n100,000.00\n10\nHrvatsko\t\r  društvo\t\r  filmskih\t\r  \ndjelatnika\nRedovita\t\r  djelatnost\t\r  Hrvatskog\t\r  društva\t\r  filmskih\t\r  djelatnika\n325,000.00\n11 Hrvatsko\t\r  društvo\t\r  filmskih\t\r  kritičara\nRedovita\t\r  djelatnost\t\r  Hrvatskog\t\r  društva\t\r  filmskih\t\r  kritičara\n70,000.00\n12\nHrvatsko\t\r  kaskadersko\t\r  društvo\nRedovni\t\r  program\t\r  -­‐\t\r  Program\t\r  treniranja\t\r  Hrvatskog\t\r  \nkaskaderskog\t\r  društva\n30,000.00\n13\nKino\t\r  klub\t\r  Vukovar\nEdukacija\t\r  i\t\r  Akcija!\n20,000.00\n14\nKinoklub\t\r  Karlovac\nRedovita\t\r  djelatnost\t\r  Kinokluba\t\r  Karlovac\t\r  2012.\n30,000.00\n15\nMultimedijalni\t\r  centar\t\r  Studio\t\r  \nkreativnih\t\r  ideja\t\r  Gunja\t\r  -­‐\t\r  MMC\t\r  SKIG\nProgram\t\r  rada\t\r  za\t\r  2012.\t\r  godinu\t\r  MMC\t\r  SKIG\n30,000.00\n16\nPulska\t\r  filmska\t\r  tvornica\nKlub\t\r  Pulske\t\r  filmske\t\r  tvornice\n20,000.00\n1,045,000.00\nPROGRAMI\t\r  STRUČNOG\t\r  USAVRŠAVANJA\t\r  \nUKUPNO\nPROGRAMI\t\r  AUDIOVIZUALNIH\t\r  UDRUGA\t\r  I\t\r  ORGANIZACIJA\t\r  \nUKUPNO\n\n\f\nKORISNIK\nNAZIV\t\r  PROGRAMA\nODOBRENI\t\r  IZNOS\n1\nHulahop\t\r  d.o.o.\nSvjetski\t\r  festival\t\r  animiranog\t\r  filma\t\r  -­‐\t\r  ANIMAFEST\t\r  Zagreb\t\r  \n900,000.00\n2\nUmjetnička\t\r  organizacija\t\r  Zagreb\t\r  \nfilm\t\r  festival\n10.\t\r  Zagreb\t\r  Film\t\r  Festival\n450,000.00\n3\nFACTUM\n\t\r  8.\t\r  ZagrebDox\t\r  -­‐\t\r  međunarodni\t\r  festival\t\r  dokumentarnog\t\r  filma\t\r  \t\r  \t\r  \r  \r  \ni\t\r  \t\r  ZagrebDox\t\r  Pro\t\r  2012\n450,000.00\n4\nMotovun\t\r  film\t\r  festival\n15.\t\r  Motovun\t\r  Film\t\r  Festival\n450,000.00\n5\nMeđunarodni\t\r  festival\t\r  novog\t\r  filma\nSplit\t\r  Film\t\r  Festival\t\r  /\t\r  Međunarodni\t\r  festival\t\r  novog\t\r  filma\n250,000.00\n6\n25\t\r  FPS,\t\r  udruga\t\r  za\t\r  audio-­‐vizualna\t\r  \nistraživanja\nInternacionalni\t\r  festival\t\r  eksperimentalnog\t\r  filma\t\r  i\t\r  videa\t\r  25\t\r  FPS\n225,000.00\n7\nDiscovery\t\r  d.o.o.\n6.\t\r  Vukovar\t\r  Film\t\r  Festival\t\r  -­‐\t\r  festival\t\r  podunavskih\t\r  zemalja\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \ni\t\r  Edukativne\t\r  radionice\n225,000.00\n8\nStudentski\t\r  centar\t\r  u\t\r  Zagrebu\n21.\t\r  Dani\t\r  hrvatskog\t\r  filma\n140,000.00\n9\nFestival\t\r  mediteranskog\t\r  filma\t\r  Split\n5.\t\r  festival\t\r  mediteranskog\t\r  filma\t\r  Split\n120,000.00\n10\nBijeli\t\r  val\n5.\t\r  Subversive\t\r  Film\t\r  Festival:Eurocinema\t\r  1950.-­‐2012.\n120,000.00\n11\nMultimedijalni\t\r  institut\nHuman\t\r  Rights\t\r  Film\t\r  Festival\n90,000.00\n12\nOne\t\r  Take\t\r  Film\t\r  Festival,\t\r  udruga\nOne\t\r  Take\t\r  Film\t\r  Festival\n90,000.00\n13\nHrvatski\t\r  filmski\t\r  savez\n17.\t\r  Filmska\t\r  revija\t\r  mladeži\t\r  i\t\r  5.\t\r  Four\t\r  River\t\r  Film\t\r  Festival\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \ni\t\r  Edukativni\t\r  program\t\r  u\t\r  okviru\t\r  17.\t\r  Filmske\t\r  revije\t\r  mladeži\t\r  i\t\r  5.\t\r  \nFour\t\r  River\t\r  Film\t\r  Festivala\n90,000.00\n14\nHrvatski\t\r  filmski\t\r  savez\n20.\t\r  hrvatski\t\r  festival\t\r  jednominutnih\t\r  filmova\n80,000.00\n15\nHrvatski\t\r  filmski\t\r  savez\n44.\t\r  revija\t\r  hrvatskog\t\r  filmskog\t\r  i\t\r  video\t\r  stvaralaštva\n80,000.00\n16\nAvvantura\t\r  d.o.o.\nFilmForumZadar\t\r  -­‐\t\r  Međunarodni\t\r  filmski\t\r  festival\t\r  \n60,000.00\n17\nUdruga\t\r  za\t\r  promicanje\t\r  kulture\t\r  \nDOKUart\n7.\t\r  DOKUart\t\r  -­‐\t\r  Dani\t\r  dokumentarnog\t\r  filma\n60,000.00\n18\nDomino\nQueer\t\r  MoMenti\t\r  i\t\r  Queer\t\r  Zagreb\t\r  Festival\n55,000.00\n19 Građanska\t\r  organizacija\t\r  za\t\r  kulturu\t\r  -­‐\r  \nGOKUL\nTabor\t\r  Film\t\r  Festival\t\r  2012.\n50,000.00\n20\nEtnografski\t\r  muzej\t\r  Istre\n4.\t\r  ETNOFILm\t\r  festival\t\r  etnografskog\t\r  filma\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \r  \ni\t\r  Radionica\t\r  vizualne\t\r  antropologije\t\r  i\t\r  montaže\t\r  filma\n50,000.00\n21\nUdruga\t\r  Super\t\r  Supetar\nSupetar\t\r  Super\t\r  Film\t\r  Festival\t\r  2012\t\r  \t\r  i\t\r  \t\r  Supetar\t\r  Super\t\r  Film\t\r  \nFestival\t\r  2012\t\r  -­‐\t\r  radionica\t\r  dokumentarnog\t\r  filma\n50,000.00\n22\nFILM-­‐PROTUFILM,\t\r  umjetnička\t\r  \norganizacija\nFilmske\t\r  mutacije:\t\r  šesti\t\r  festival\t\r  nevidljivog\t\r  filma\n45,000.00\n23\nLot\t\r  dvadesetiosam\t\r  studio\t\r  d.o.o.\nFantastic\t\r  Zagreb\t\r  film\t\r  festival\n40,000.00\n24\nUdruga\t\r  aKULTURAcija\nOpuzen\t\r  Film\t\r  Festival\n40,000.00\n25\nProstor\t\r  rodne\t\r  i\t\r  medijske\t\r  kulture\t\r  \n\"K-­‐zona\"\nFilmska\t\r  Vox\t\r  Feminae\t\r  \n40,000.00\n26\nStarigrad\t\r  Paklenica\t\r  Film\t\r  Festival\n3.\t\r  Starigrad\t\r  Paklenica\t\r  Film\t\r  Festival\t\r  -­‐\t\r  međunarodni\t\r  festival\t\r  \nglazbenog\t\r  dokumentarnog\t\r  filma\n40,000.00\n27\nUdruga\t\r  ljubitelja\t\r  filma\t\r  \"RARE\"\nFestival\t\r  dokumentarnog\t\r  rock\t\r  filma\t\r  DORF\n40,000.00\n28\nUdruga\t\r  Đakovački\t\r  rezovi\nĐakovački\t\r  rezovi\n40,000.00\n29\nHrvatski\t\r  filmski\t\r  savez\n50.\t\r  revija\t\r  hrvatskog\t\r  filmskog\t\r  i\t\r  video\t\r  stvaralaštva\t\r  djece\n40,000.00\n30\nUdruga\t\r  FAR\nRevija\t\r  amaterskog\t\r  filma\t\r  -­‐\t\r  RAF\n40,000.00\n31\nDom\t\r  kulture\t\r  Kristalna\t\r  kocka\t\r  \nvedrine\t\r  Sisak\nSisački\t\r  ekološki\t\r  filmski\t\r  festival\t\r  -­‐\t\r  SEFF\n35,000.00\n32 Umjetnička\t\r  organizacija\t\r  SERAFINI\nFilmski\t\r  program\t\r  5.\t\r  Zagrebi!\t\r  Festivala\n20,000.00\n33\nUdruga\t\r  ALTERNATOR\nFestival\t\r  o\t\r  pravima\t\r  djece\n25,000.00\n34\nUdruga\t\r  Delta\n10.\t\r  Liburnia\t\r  Film\t\r  festival\n25,000.00\n35 Filmsko-­‐kreativni\t\r  studio\t\r  VANIMA\n3.\t\r  VAFI\t\r  -­‐\t\r  internacionalni\t\r  festival\t\r  animiranog\t\r  filma\t\r  djece\t\r  i\t\r  \nmladih\t\r  Varaždin\n20,000.00\n36\nMuzej\t\r  hrvatskih\t\r  arheoloških\t\r  \nspomenika\t\r  Split\n2.\t\r  međunarodni\t\r  festival\t\r  arheološkog\t\r  filma\n20,000.00\n37\nObrt\t\r  za\t\r  spot\t\r  i\t\r  rekreaciju\t\r  \"Puffer\"\nMeđunarodni\t\r  festival\t\r  podvodnog\t\r  filma\t\r  \"Bijeli\t\r  lav\"\n15,000.00\n38\nCentar\t\r  za\t\r  kulturu\t\r  Trešnjevka\n6.\t\r  \t\r  PSSST!\t\r  Festival\t\r  nijemog\t\r  filma\n10,000.00\n39\nIstra\t\r  film\n3.\t\r  festival\t\r  hrvatskih\t\r  vjerskih\t\r  filmova\t\r  TRSAT\t\r  2012.\n10,000.00\n40\nUdruga\t\r  Kinookus\nKinookus\t\r  Food\t\r  Film\t\r  Festival\n10,000.00\n41\nUdruga\t\r  građana\t\r  Spirit\n\"Uhvati\t\r  sa\t\r  mnom\t\r  ovaj\t\r  dan!\"\n10,000.00\n42\nUdruga\t\r  pašmanske\t\r  mladeži\t\r  \n\"DICA\"\n6.\t\r  Pašmanske\t\r  filmske\t\r  večeri\n10,000.00\n43\nUdruga\t\r  KINOFON\nIII.\t\r  Pučiške\t\r  filmske\t\r  večeri\n10,000.00\n44\nVideo\t\r  klub\t\r  \"Mursa\"\n10.\t\r  Gastro\t\r  film\t\r  fest\n10,000.00\n4,680,000.00\nFILMSKI\t\r  FESTIVALI\t\r  I\t\r  DRUGE\t\r  AUDIOVIZUALNE\t\r  MANIFESTACIJE\t\r  \nUKUPNO\n\n\f\nKORISNIK\nNAZIV\t\r  PROGRAMA\nODOBRENI\t\r  IZNOS\n1\n3D2D\t\r  Animatori\t\r  d.o.o.\nLOG\t\r  IN\t\r  -­‐\t\r  Edukativne\t\r  filmske\t\r  radionice\t\r  za\t\r  mlade\n15,000.00\n2\nAutonomni\t\r  kulturni\t\r  centar\t\r  -­‐\t\r  \nAttack!\nNapredne\t\r  radionice\t\r  animacije\n10,000.00\n3\nBlank\nFilmske\t\r  radionice\t\r  u\t\r  predgrađu\n30,000.00\n4\nCentar\t\r  za\t\r  pokret\nXONTAKT\t\r  godišnja\t\r  manifestacija\t\r  plesnog\t\r  filma\t\r  i\t\r  videa\n15,000.00\n5\nFoto\t\r  -­‐\t\r  kino\t\r  klub\t\r  \"Baranja-­‐film\"\t\r  \nBeli\t\r  Manastir\nFilmovi\t\r  pod\t\r  šatorom\t\r  2012.\n6,000.00\n6\nFoto\t\r  -­‐\t\r  kino\t\r  klub\t\r  \"Baranja-­‐film\"\t\r  \nBeli\t\r  Manastir\nFilmski\t\r  programi\t\r  u\t\r  mikro-­‐kinu\t\r  2012.\n15,000.00\n7\nFoto\t\r  kino\t\r  video\t\r  klub\t\r  Zaprešić\nRadionice\n25,000.00\n8\nGFR\t\r  FILM-­‐VIDEO\nProgrami\t\r  ART\t\r  KINA\n15,000.00\n9\nGFR\t\r  FILM-­‐VIDEO\nMinuta\t\r  u\t\r  vašem\t\r  gradu\n10,000.00\n10\nGrad\t\r  Rijeka\t\r  -­‐\t\r  Odjel\t\r  za\t\r  kulturu\n\t\r  Filmski\t\r  program\t\r  Art-­‐kina\t\r  Croatia\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \ni\t\r  Medijateka\t\r  filmskog\t\r  kluba\n250,000.00\n11\nGrad\t\r  Rijeka\t\r  -­‐\t\r  Odjel\t\r  za\t\r  kulturu\nObrazovni\t\r  program\t\r  za\t\r  djecu\t\r  i\t\r  mlade\n20,000.00\n12 Građanska\t\r  organizacija\t\r  za\t\r  kulturu\t\r  -­‐\r  \nGOKUL\nGreen\t\r  Room\t\r  Cinema\t\r  2012\n14,000.00\n13\nHrvatsko\t\r  narodno\t\r  kazalište\t\r  u\t\r  \nŠibeniku\t\r  /\t\r  Međunarodni\t\r  dječji\t\r  \nfestival\nFilmski\t\r  program\t\r  na\t\r  52.\t\r  MDF-­‐u,\t\r  Šibenik\t\r  2012.\n30,000.00\n14\nHrvatski\t\r  filmski\t\r  savez\n19.\t\r  internacionalna\t\r  radionica\t\r  animiranog\t\r  filma\n15,000.00\n15\nHrvatski\t\r  filmski\t\r  savez\nFilmske\t\r  i\t\r  video\t\r  radionice\t\r  za\t\r  djecu\t\r  i\t\r  mladež\t\r  u\t\r  Kraljevici\n25,000.00\n16\nHrvatski\t\r  filmski\t\r  savez\n\t\r  Filmski\t\r  program\t\r  u\t\r  kinu\t\r  Tuškanac\t\r  i\t\r  \t\r  Kratki\t\r  utorak\t\r  (filmski\t\r  \nprogram\t\r  autorskog\t\r  umjetničkog\t\r  filma\t\r  i\t\r  videa)\n400,000.00\n17\nHrvatski\t\r  filmski\t\r  savez\nMedijska\t\r  kultura,\t\r  filmsko\t\r  i\t\r  video\t\r  stvaralaštvo\t\r  u\t\r  osnovnim\t\r  i\t\r  \nsrednjim\t\r  školama\n25,000.00\n18\nHrvatski\t\r  filmski\t\r  savez\nTreća\t\r  radionica\t\r  animiranog\t\r  filma\t\r  u\t\r  Dubrovniku\n10,000.00\n19\nHrvatski\t\r  institut\t\r  za\t\r  pokret\t\r  i\t\r  ples\nFilmski\t\r  ponedjeljak\t\r  -­‐\t\r  radionica\t\r  'Ples\t\r  i\t\r  kamera'\t\r  /\t\r  \nPostmodernizam\t\r  u\t\r  suvremenom\t\r  plesu\t\r  -­‐\t\r  29.\t\r  tjedan\t\r  \nsuvremenog\t\r  plesa\n15,000.00\n20\nHKZ\t\r  -­‐\t\r  Hrvatsko\t\r  slovo\t\r  d.o.o.\nFilmske\t\r  tribine\t\r  Hrvatsko\t\r  slovo\t\r  uživo\n10,000.00\n21\nJavna\t\r  ustanova\t\r  Pula\t\r  film\t\r  festival\nFUŠ\t\r  -­‐\t\r  Film\t\r  u\t\r  školi\n20,000.00\n22\nJavna\t\r  ustanova\t\r  u\t\r  kulturi\t\r  Hrvatski\t\r  \ndom\t\r  Vukovar\nPetak\t\r  u\t\r  Ružički\n20,000.00\n23\nKino\t\r  klub\t\r  Split\nFilmska\t\r  škola\n5,000.00\n24\nKino\t\r  klub\t\r  Split\nProgram\t\r  autorskih\t\r  večeri,\t\r  predavanja\t\r  i\t\r  autorskih\t\r  programa\t\r  \npovodom\t\r  60\t\r  godina\t\r  kluba\t\r  i\t\r  Proslava\t\r  rođendana\t\r  -­‐\t\r  60\t\r  godina\t\r  \nKino\t\r  kluba\t\r  Split\n20,000.00\n25\nKino\t\r  klub\t\r  Split\nSpecijalizirane\t\r  radionice\t\r  Kino\t\r  kluba\t\r  Split\n15,000.00\n26\nKino\t\r  klub\t\r  Split\nRedoviti\t\r  ciklus\t\r  edukativnih\t\r  filmskih\t\r  projekcija\t\r  petkom\n8,000.00\n27\nKinoklub\t\r  Karlovac\nAnimirani\t\r  film\t\r  na\t\r  treću\n7,520.00\n28\nKinoklub\t\r  Karlovac\nFilmski\t\r  tečaj\t\r  za\t\r  filmske\t\r  žutokljunce\t\r  \t\r  i\t\r  Godinu\t\r  dana\t\r  kroz\t\r  \nfilmski\t\r  scenarij\n10,000.00\n29\nKinoklub\t\r  Karlovac\nIgrajmo\t\r  se\t\r  filma\n10,000.00\n30\nKinoklub\t\r  Zagreb\nFilmska\t\r  i\t\r  video\t\r  produkcija\t\r  KKZ\n40,000.00\n31\nKinoklub\t\r  Zagreb\nRadionica\t\r  scenarija,\t\r  režije,\t\r  kamere,\t\r  rasvjete\t\r  i\t\r  montaže\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \ni\t\r  \t\r  Napredne\t\r  radionice\n60,000.00\n32\nKulturno\t\r  povijesna\t\r  udruga\t\r  \n\"Spalatos\"\nMuktokaz\t\r  ŽNJ\t\r  filmova\t\r  -­‐\t\r  (prikazivanje\t\r  filmova\t\r  u\t\r  splitskom\t\r  \ngradskom\t\r  kotaru\t\r  Žnjan)\n5,000.00\nDJELATNOSTI\t\r  \t\r  RAZVIJANJA\t\r  AUDIOVIZUALNE\t\r  KULTURE\t\r  \n\n\f\n33\nMAVENA\t\r  -­‐\t\r  36\t\r  njezinih\t\r  čuda\nNovomedijska\t\r  galerija\t\r  /New\t\r  Media\t\r  Gallery\n20,000.00\n34\nMultimedijalna\t\r  umjetnička\t\r  \norganizacija\t\r  Bacači\t\r  sjenki\nFROOOOOOM…!\n25,000.00\n35\nProstor\t\r  rodne\t\r  i\t\r  medijske\t\r  kulture\t\r  \n\"K-­‐zona\"\nVox\t\r  Feminae\t\r  ponosno\t\r  predstavlja\n20,000.00\n36\nPučko\t\r  otvoreno\t\r  učilište\t\r  Split\nArt\t\r  program\n40,000.00\n37\nPučko\t\r  otvoreno\t\r  učilište\t\r  Split\nProgram\t\r  filmske\t\r  klasike\n60,000.00\n38\nPulska\t\r  filmska\t\r  tvornica\n8.\t\r  radionica\t\r  izrade\t\r  filma\t\r  \"Pulska\t\r  filmska\t\r  tvornica\"\n20,000.00\n39\nPulska\t\r  filmska\t\r  tvornica\nNapredna\t\r  škola\t\r  animiranog\t\r  filma\n20,000.00\n40\nRestart\nMasterclass\t\r  -­‐\t\r  svjetski\t\r  dokumentaristi\t\r  u\t\r  Zagrebu\n30,000.00\n41\nRestart\nProgram\t\r  Dokukina\t\r  Croatia\t\r  2012.\n100,000.00\n42\nRestart\nŠkola\t\r  dokumentarnog\t\r  filma\n40,000.00\n43\nStudentski\t\r  centar\t\r  u\t\r  Zagrebu\nFilmski\t\r  program\t\r  MM\t\r  centra\n20,000.00\n44\nStudentski\t\r  centar\t\r  u\t\r  Zagrebu\nKlubvizija\t\r  SC\n50,000.00\n45\nStudio\t\r  Nezavisne\t\r  Produkcije\nZagorska\t\r  filmska\t\r  radionica\n5,000.00\n46\nStvaralačka\t\r  mreža\t\r  ZEBRA\nInterface\t\r  012\n30,000.00\n47\nŠkola\t\r  filma\t\r  Šipan\nLjetna\t\r  škola\t\r  filma\t\r  Šipan\t\r  2012\n10,000.00\n48\nUdruga\t\r  \"Mali\t\r  grad\t\r  Faros\"\nFilmska\t\r  radionica\t\r  u\t\r  sklopu\t\r  festivala\t\r  dječjeg\t\r  stvaralaštva\t\r  \"Mali\t\r  \ngrad\t\r  Faros\"\n5,000.00\n49\nUdruga\t\r  \"Mali\t\r  grad\t\r  Faros\"\nRadionica\t\r  animiranog\t\r  filma\t\r  u\t\r  sklopu\t\r  festivala\t\r  dječjeg\t\r  \nstvaralaštva\t\r  \"Mali\t\r  grad\t\r  Faros\"\n5,000.00\n50\nUdruga\t\r  aKULTURAcija\nFilm\t\r  kao\t\r  medij\t\r  za\t\r  podizanje\t\r  svijesti\t\r  o\t\r  ekološkim\t\r  problemima\t\r  \nu\t\r  lokalnoj\t\r  zajednici\n9,000.00\n51\nUdruga\t\r  Kinookus\nMasterclass\t\r  -­‐\t\r  Istraživanje\t\r  novih\t\r  producentskih\t\r  modela\n10,000.00\n52\nUdruga\t\r  ljubitelja\t\r  filma\t\r  \"RARE\"\nEDIT\t\r  -­‐\t\r  Edukacija\t\r  i\t\r  trening\n20,000.00\n53\nUdruga\t\r  Multimedijalni\t\r  centar\t\r  \nLuka\nCinemaniac\t\r  2012.\n15,000.00\n54\nUdruga\t\r  za\t\r  audiovizualno\t\r  \nstvaralaštvo\t\r  ARTIZANA\nDIGITAL\t\r  GENERATION\t\r  radionice\t\r  dokumentarnog\t\r  filma\t\r  Fibula\t\r  \ni\t\r  SEFF\t\r  Sisak\t\r  2012.\n10,000.00\n55\nUdruga\t\r  za\t\r  promicanje\t\r  kulture\t\r  \nDOKUart\n5.\t\r  mali\t\r  DOKUart\t\r  -­‐\t\r  radionica\t\r  s\t\r  nacionalnim\t\r  natječajem\t\r  za\t\r  \nnajbolji\t\r  dokumentarac\t\r  osnovnoškolaca\n30,000.00\n56\nUdruga\t\r  za\t\r  promicanje\t\r  kulture\t\r  \nDOKUart\nDOKUart\t\r  filmski\t\r  program\n30,000.00\n57\nUmjetnička\t\r  organizacija\t\r  Zagreb\t\r  \nfilm\t\r  festival\nKino\t\r  Europa\t\r  -­‐\t\r  Programi\t\r  u\t\r  2012.\t\r  i\t\r  \t\r  Dječji\t\r  filmski\t\r  program\t\r  kina\t\r  \nEuropa\n200,000.00\n58\nUdruga\t\r  za\t\r  poticanje\t\r  kvalitetnog\t\r  \nlikovnog\t\r  i\t\r  općenito\t\r  kulturnog\t\r  \nrazvoja\t\r  90\t\r  60\t\r  90\nMajke\t\r  i\t\r  kćeri\n10,000.00\n59\nZagrebački\t\r  plesni\t\r  ansambl\n13.\t\r  festival\t\r  plesa\t\r  i\t\r  neverbalnog\t\r  kazališta\t\r  Svetvinčenat\t\r  -­‐\t\r  \nfilmski\t\r  dio\t\r  programa\n20,000.00\n2,029,520.00\nIZNOS\nBROJ\t\r  ODOBRENIH\t\r  \nPROGRAMA\n2,640,000.00\n3\n95,000.00\n3\n577,000.00\n20\n683,090.00\n13\n1,045,000.00\n16\n4,680,000.00\n44\n2,029,520.00\n59\n11,749,610.00\n158\nprogrami\t\r  audiovizualnih\t\r  udruga\t\r  i\t\r  \norganizacija\nfilmski\t\r  festivali\t\r  i\t\r  druge\t\r  audiovizualne\t\r  \nmanifestacije\ndjelatnosti\t\r  razvijanja\t\r  audiovizualne\t\r  \nkulture\nUKUPNO\nKATEGORIJE\nzaštita\t\r  audiovizualne\t\r  baštine\t\r  \nuključujući\t\r  kinotečnu\t\r  djelatnost\nproučavanje\t\r  i\t\r  kritičko\t\r  vrednovanje\t\r  \naudiovizualnih\t\r  \t\r  djelatnosti\nizdavaštvo\t\r  u\t\r  području\t\r  audiovizualnih\t\r  \ndjelatnosti\nprogrami\t\r  stručnog\t\r  usavršavanja\nUKUPNO\n","warnings":["section0_row_numbers_not_sorted","section1_row_numbers_not_sorted"],"document":{"program_type":"komplementarne","natjecaj_title":"2012 Komplementarne djelatnosti","year":2012,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":"ZAŠTITA AUDIOVIZUALNE BAŠTINE UKLJUČUJUĆI KINOTEČNU DJELATNOST","section_key":"zastita_audiovizualne_bastine_ukljucujuci_kinotecnu_djelatno","columns":["KORISNIK","NAZIV PROGRAMA","ODOBRENI IZNOS"],"rows":[{"row_number":1,"project_title":"Zaštita i restauracija audiovizualnog gradiva u 2012. godini","applicant":"Hrvatski državni arhiv -‐ Hrvatska kinoteka","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2,400,000.00","approved_amount":2400000.0,"currency":"HRK","extras":{"col_1":"1","KORISNIK":"Hrvatski državni arhiv -‐ Hrvatska 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stvaralaštva u kategoriji poticanja proizvodnje \naudiovizualnih djela za dokumentarni film (rok 26. rujna 2014.) te u kategoriji \npoticanja razvoja scenarija i razvoja projekata dugometražnih dokumentarnih filmova \n(rok 17. listopada 2014.) \n \nTomislav Mršić, umjetnički savjetnik za dokumentarni film: \n \nNa ovaj rok, kroz sve četiri dokumentarne kategorije (poticanje proizvodnje dugometražnih i \nkratkometražnih filmova, te razvoj scenarija i projekata) pristiglo je rekordnih (barem za \nmandata ovog savjetnika) devedeset prijedloga. Ipak, nije riječ o nekoj vrsti hiperkreativnosti \njer se dobar dio prijavljenih projekata odnosi na projekte koji su već ranije prošli razvojne \nkategorije, ali i na ponovljene prijave koje do sada nisu predložene za sufinanciranje. \n \nŠto se tiče odobrenih projekata, vodio sam se, kao i do sada, idejom i željom da odobreni \nprojekti, osim kvalitete i inventivnosti, obuhvate i što veću tematsku i žanrovsku šarolikost. \nTo se posebno očitovalo u kategoriji za razvoj scenarija za koju je pristiglo, a uzročno-\nposljedično ili ne, i odobreno najviše prijedloga, što nadam se pruža nadu u dobru \ndokumentarnu budućnost. Ono što također ulijeva optimizam je da i među, za sad, \nneodobrenim projektima ima vrlo zanimljivih i potentnih projekata, koji zbog budžetskih \nograničenja na ovom roku nisu mogli biti podržani, ali vjerujem da bi mogli biti pozitivno \nvalorizirani na nekim od slijedećih rokova.   \n","warnings":[],"document":{"program_type":"proizvodnja","year":2014,"rok":null,"referenced_projects":[],"summary":"Obrazloženje umjetničkog savjetnika Tomislava Mršića o listi prioriteta i raspodjeli sredstava za dokumentarni film (rok 26.9.2014. za proizvodnju i 17.10.2014. za razvoj scenarija i projekata) - rekordnih 90 prijedloga, s naglaskom na tematskoj i žanrovskoj raznolikosti odobrenih projekata.","project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2012 Me_unarodna suradnja_ 15 02 2012.pdf","filename_decoded":"2012 Me_unarodna suradnja_ 15 02 2012.pdf","sha256":"d233e0726c435211b84dc900d20c4c98caea85094bcc5a7ade5ed6c028757378","bytes":187944,"page_count":2,"extracted_at":"2026-05-17T10:23:27Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2012%20Me%C4%91unarodna%20suradnja%2C%2015%2002%202012.pdf"},"raw_text":"REZULTATI JAVNOG POZIVA ZA KOMPLEMENTARNE DJELATNOSTI - PROGRAMI MEĐUNARODNE SURADNJE, ROK 15. veljače 2012.\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nPREDLOŽENA POTPORA \n(HRK)\n1\nAkademija dramske \numjetnosti\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija)\nSudjelovanje studenata i profesora Odsjeka montaže Akademije \ndramske umjetnosti na 3. međunarodnoj filmskoj radionici \n„Europski filmski tokovi“ koja će se održati na FAMU u Pragu, \nČeška u studenom 2012. godine \n30,000.00\n2\nAkademija dramske \numjetnosti\nProgram predstavljanja i promocije filmova\nSudjelovanje i predstavljanje kratkometražnog igranog filma \n\"Zimica\" redateljice Hane Jušić, a u produkciji Akademije dramske \numjetnosti, u službenoj konkurenciji 58. međunarodnog festivala \nkratkometražnih filmova u Oberhausenu, Njemačka od 26. travnja \ndo 1. svibnja 2012 (festival A kategorije)\n24,020.00\n3\nBarbara Vekarić\nProgrami stručnog usavršavanja\nSudjelovanje Barbare Vekarić, studentice režije na Akademiji \ndramske umjetnosti, na radionici Go Short Student Campusu u \nNijmegenu, Nizozemska, od 13. do 18. ožujka 2012.\n4,675.00\n4\nBranka Benčić\nProgrami gostovanja hrvatskih autora/-ca, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje Branke Benčić na 58. međunarodnom festivalu \nkratkometražnog filma u Oberhausenu gdje će sudjelovati na \nobilježavanju 50 godina manifesta Oberhausen Manifesto te \nraznim diskusijama o kustoskim praksama vezanim uz film, a koji \nće se održati u Oberhausenu, Njemačka, 28. travnja - 1. svibnja \n2012.\n1,813.00\n5\nFun da mental, udruga\nProgrami gostovanja hrvatskih autora/-ca, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgram izrade promiđbenih materijala i \nprijavljivanje u službenu konkurenciju \nfestivala\nSudjelovanje i promocija kratkometražnog igranog filma \"Uskršnja \njaja\" redatelja Slobodana Karajlovića u službenom programu 11. \nTribeca Film Festivala koji se održava u New Yorku, SAD, 18. - 29. \ntravnja 2012.\n21,893.00\n6\nHrvatski državni arhiv - \nHrvatska kinoteka\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija)\nSudjelovanje dva stručna djelatnika Hrvatske kinoteke na \n68.kongresu FIAF-a od 23. do 28. travnja 2012. u Pekingu, Kina; \nSudjelovanje pročelnice Hrvatske kinoteke i dva stručna djelatnika \nna Generalnoj skupštini ACE-a koji se odvija u sklopu Festivala \nnovootkrivenih i restauriranih filmova \"Il cinema ritrovato\" od 23. do \n30. lipnja 2012. u Bologni, Italija; Članstvo u međunarodnim \norganizacijama - Međunarodno udruženje filmskih arhiva (FIAF) i \nEuropsko udruženje filmskih arhiva (ACE).\n17,100.00\n7\nHrvatski državni arhiv - \nHrvatska kinoteka\nProgrami stručnog usavršavanja\nSudjelovanje djelatnice Hrvatske kinoteke Lucije Zore, filmske \narhivistice na 10. MAGIS Gorizia International Film Studies Spring \nSchool koja se održava od 20. do 29. ožujka 2012. u Udinama i \nGoriziji, Italija.\n2,128.00\n8\nHrvatski filmski savez\nProgram predstavljanja i promocije filmova\nSudjelovanje i predstavljanje kratkometražnog eksperimentalnog \nfilma \"Le Samourai\" redatelja Ivana Faktora, nastalog u produkciji \nHrvatskog filmskog saveza, u službenoj konkurenciji 58. \nmeđunarodnog festivala kratkometražnog filmova u Oberhausenu, \nNjemačka, od 26. travnja do 1. svibnja 2012 (festival A kategorije).\n8,000.00\n9\nHrvatski filmski savez\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija)\nProgram naziva \"Treća žena u pohodu Trećem čovjeku\" uključuje \nodržavanje svečane projekcije filma \"Treća žena\" redatelja Zorana \nTadića i otvaranje kutka Treće žene u Dritte Mann Museum, muzeju \nposvećenom filmu \"Treći čovjek\" Carola Reeda u svibnju 2012. u \nBeču, Austrija.\n10,000.00\n10 Hrvatsko kaskadersko \ndruštvo\nProgrami stručnog usavršavanja\nSudjelovanje tri člana Hrvatskog kaskaderskog društva na \nnaprednoj radionici “Advanced/FX Training” 2012. posvećenoj \nprvenstveno vožnji automobilom i specijalnim efektima, a održat će \nse od 20. do 27. svibnja 2012. u Santa Fe, New Mexico, SAD.\n25,000.00\n11 Hulahop d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producentice Miljenke Čogelje s dugometražnim \ndokumentarnim projektom u razvoju DIANINA LISTA na \ncjelogodišnjoj trodijelnoj radionici za profesionalno usavršavanje \nEuropean Producers Workshop (EAVE) koja će se održavati od 12. \ndo 19. ožujka u Luksemburgu, od 13. do 20. lipnja u Opatiji, \n(Hrvatska) i od 5. do 12. studenoga u Amsterdamu (Nizozemska).\n29,513.00\n12 Irena Jukić Pranjić\nProgrami gostovanja hrvatskih autora/-ca, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje i predstavljanje kratkometražnog animiranog filma \n\"Ornament duše\" redateljice Irene Jukić Pranjić u međunarodnoj \nkonkurenciji Festivala animiranog filma MONSTRA od 19. do 25. \nožujka 2012. u Lisabonu, Portugal.\n1,670.00\n13 Jewish Film Festival \nProgram međunarodne kulturne razmjene \niz područja audiovizualne kulture\nGostovanje predavača tijekom JFF festivala za dječji edukacijski \nprogram \"Edukacijska jutra\"\n8,506.00\n14 Kinoklub Zagreb\nProgrami gostovanja hrvatskih autora/-ca, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgram izrade promiđbenih materijala i \nprijavljivanje u službenu konkurenciju \nfestivala; Program predstavljanja i \npromocije filmova\nSudjelovanje i predstavljanje kratkometražnog igranog filma \n\"Komba\" redatelja Tina Žanića u službenoj konkurenciji 42. \nmeđunarodnog festivala kratkometražnog filma u Tempere, Finska, \nod 7. do 11. ožujka 2012.\n18,347.08\n15 Kinoklub Zagreb\nProgrami međunarodne kulturalne \nrazmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija)\nOrganizacija sastanka Generalne skupštine NISI MASE, europske \nmreže neprofesijskih filmskih udruga, u Zagrebu od 28. ožujka do \n1. travnja 2012.\n15,000.00\n16 Kinorama d.o.o.\nProgram predstavljanja i promocije filmova\nFestivalska promocija dugometražnog igranog filma \"Koko i duhovi\" \nredatelja Daniela Kušana na festivalima Međunarodnim festivalima \ndječjeg filma u Montrealu, Kanada u ožujku 2012. i u Lancasteru, \nVelika Britanija u veljači 2012.\n6,397.00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nPREDLOŽENA POTPORA \n(HRK)\n17 Kinorama d.o.o.\nProgram predstavljanja i promocije filmova\nFestivalska promocija dugometražnog igranog filma \"Ćaća\" \nredatelja Dalibora Matanića nameđunarodnim filmskim festivalima \nu Kerali, Goa i Pune (Indija) te na FIPA u Biarritzu (Francuska) u \nsiječnju 2012.\n38,099.86\n18 Kinorama d.o.o.\nProgrami predstavljanja i promocije filmova\nSudjelovanje i predstavljanje kratkometražnog animiranog filma \n\"Soba\" redateljice Ivane Jurić u međunarodnoj konkurenciji \nfestivala New Directors / New Films u New Yorku, SAD, od 21. \nožujka do 1. travnja 2012.\n24,963.52\n19 Maxima film d.o.o.\nPitching, koprodukcijski forumi i programi \nza razvoj projekata\nSudjelovanje redateljice i producenta s projektom u razvoju \n\"Zagreb Cappuccino\" redateljice Vanje Svličić na 9. Sofia Film \nMeetings u selekciji „Projects in Bank“ koji se održava u Sofiji, \nBugarska, od 15. do 18. ožujka 2012. \n4,492.00\n20 Natko Stipaničev\nProgrami gostovanja hrvatskih autora/-ca, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika\nSudjelovanje i predstavljanje kratkometražnog animiranog filma \n\"Dragi Keno\" redatelja Natka Stipaničeva u službenoj konkurenciji \n19. međunarodnog festivala animiranog filma u Stuttgartu, \nNjemačka, od 8. do 13. ožujka 2012.\n3,909.00\n21 Nukelus film d.o.o.\nPitching, koprodukcijski forumi i programi \nza razvoj projekata\nSudjelovanje producenta Siniše Juričića s dokumentarnim \nprojektom \"Mitch - dnevnik schizofreničnog pacijenta\" na pitching \nforumu When East Meets West u Trstu, Italija od 19. do 21. siječnja \n2012.\n5,900.00\n22 Spiritus Movens\nProgrami gostovanja hrvatskih autora/-ca, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgram izrade promiđbenih materijala i \nprijavljivanje u službenu konkurenciju \nfestivala; Pitching, koprodukcijski forumi i \nprogrami za razvoj projekata; Potpora \nproducentima/-icama i autorima/-icama za \npredstavljanje filomva\nSudjelovanje producentice Zdenke Gold na Međunarodnom \nfilmskom festivalu u Rotterdamu, Nizozemska, od 27. do 30. \nsiječnja 2012. i na koprodukcijskom pitching forumu Euro \nConnection s kratkometražnim igranim projektom \"Ljubljana \nZagreb\" koji se održava u sklopu filmskoga sajma kratkometražnog \nfilma u Clermont-Ferrandu, Francuska od 30. siječnja do 3. veljače \n2012.\n7,564.00\n23 Udruga Ukus\nProgrami gostovanja hrvatskih autora/-ca, \nproducenata/-ica, izbornika filmskih \nfestivala, filmskih stručnjaka i djelatnika; \nProgrami predstavljanja i promocije filmova; \nPotpora producentima/-icama i autorima/-\nicama za predstavljanje filomva\nSudjelovanje autora s dokumentarno-eksperimentalnim projektom \n\"Kraj svjetla\" na East European Forumu u Pragu, Češka od 5. do \n13. ožujka 2012., te predstavljanje filma \"Marijine\" na East Doc \nPlatformi koja se odvija tijekom EEF-a.\n13,505.00\n24 Udruga za audiovizualno \nstvaralaštvo Artizana\nProgram predstavljanja i promocije filmova\nOrganizacija programa pod nazivom „Ciklus hrvatskog filma u \nVojvodini“ koja će se održati u Vojnovini, Srbija tijekom 2012. \ngodine.\n25,000.00\n25 Ustanova Zagreb film\nProgram predstavljanja i promocije filmova; \nMeđunarodni filmski sajmovi\nProgram izrade promidžbenih materijala i prijavljivanja filmova \nZagreb filma u službenu konkurenciju međunarodnih filmskih \nfestivala tijekom 2012. godini\n60,000.00\nUKUPNO:\n407,495.46\nNapomena:\nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"2012 Me_unarodna suradnja_ 15 02 2012","year":2012,"rok":null,"natjecaj_date":"2012-02-15","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","OPIS PROGRAMA","PREDLOŽENA POTPORA (HRK)"],"rows":[{"row_number":1,"project_title":"Programi međunarodne kulturalne razmjene iz područja audiovizualnih djelatnosti (razmjena hrvatskih i stranih pojedinaca i institucija)","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"us_std","approved_amount":30000.0,"currency":"HRK","extras":{"col_1":"1","OPIS PROGRAMA":"Sudjelovanje studenata i profesora Odsjeka montaže Akademije dramske umjetnosti na 3. međunarodnoj filmskoj radionici „Europski filmski tokovi“ koja će se održati na FAMU u Pragu, Češka u studenom 2012. godine","approved_amount_original":30.0,"approved_amount_text_original":"30,00","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"Row 1 in raw_text shows '30,000.00' for Akademija dramske umjetnosti (FAMU Prag workshop). Pass A truncated thousands separator to '30,00'. Section sum 407,495.46 is exactly reproduced when using 30000.00.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"d233e072:s0:5e459578e2f2","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_6152ff364b27","project_family_title":"Programi međunarodne kulturalne razmjene iz područja audiovizualnih djelatnosti (razmjena hrvatskih i stranih pojedinaca i institucija)"},{"row_number":2,"project_title":"Program predstavljanja i promocije filmova","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"us_std","approved_amount":24020.0,"currency":"HRK","extras":{"col_1":"2","OPIS PROGRAMA":"Sudjelovanje i predstavljanje kratkometražnog igranog filma \"Zimica\" redateljice Hane Jušić, a u produkciji Akademije dramske umjetnosti, u službenoj konkurenciji 58. međunarodnog festivala kratkometražnih filmova u Oberhausenu, Njemačka od 26. travnja do 1. svibnja 2012 (festival A kategorije)","approved_amount_original":24.02,"approved_amount_text_original":"24,02","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"Row 2 in raw_text shows '24,020.00' for Akademija dramske umjetnosti (Zimica @ Oberhausen). Pass A captured '24,02'. Total-sum check matches with this value.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"d233e072:s0:88da40aaa4d7","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_103062ba7866","project_family_title":"Program predstavljanja i promocije filmova"},{"row_number":4,"project_title":"Programi gostovanja hrvatskih autora/-ca, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika","applicant":"Branka Benčić","production_company":"Branka Benčić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"us_std","approved_amount":1813.0,"currency":"HRK","extras":{"col_1":"4","OPIS PROGRAMA":"Sudjelovanje Branke Benčić na 58. međunarodnom festivalu kratkometražnog filma u Oberhausenu gdje će sudjelovati na obilježavanju 50 godina manifesta Oberhausen Manifesto te raznim diskusijama o kustoskim praksama vezanim uz film, a koji će se održati u Oberhausenu, Njemačka, 28. travnja - 1. svibnja 2012.","approved_amount_original":1.81,"approved_amount_text_original":"1,81","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"Row 4 in raw_text shows '1,813.00' for Branka Benčić (Oberhausen Manifesto). Pass A captured '1,81'. Total-sum check matches.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Branka Benčić","row_id":"d233e072:s0:61a3ce451b2d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e217a5c0c281","project_family_title":"Programi gostovanja hrvatskih autora/-ca, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika"},{"row_number":5,"project_title":"Programi gostovanja hrvatskih autora/-ca, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika; Program izrade promiđbenih materijala i prijavljivanje u službenu konkurenciju festivala","applicant":"Fun da Mental","production_company":"Fun da Mental","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"us_std","approved_amount":21893.0,"currency":"HRK","extras":{"col_1":"5","OPIS PROGRAMA":"Sudjelovanje i promocija kratkometražnog igranog filma \"Uskršnja jaja\" redatelja Slobodana Karajlovića u službenom programu 11. Tribeca Film Festivala koji se održava u New Yorku, SAD, 18. - 29. travnja 2012.","approved_amount_original":21.89,"approved_amount_text_original":"21,89","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"Row 5 in raw_text shows '21,893.00' for Fun da mental (Uskršnja jaja @ Tribeca). Pass A captured '21,89'. Total-sum check matches.","entity_original_production_company":"Fun da mental, udruga","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Fun da Mental","row_id":"d233e072:s0:fdfaa23c212b","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_1a934927b29f","project_family_title":"Programi gostovanja hrvatskih autora/-ca, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika; Program izrade promiđbenih materijala i prijavljivanje u službenu konkurenciju festivala"},{"row_number":6,"project_title":"Programi međunarodne kulturalne razmjene iz područja audiovizualnih djelatnosti (razmjena hrvatskih i stranih pojedinaca i institucija)","applicant":"Hrvatski državni arhiv - Hrvatska kinoteka","production_company":"Hrvatski državni arhiv - Hrvatska kinoteka","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"us_std","approved_amount":17100.0,"currency":"HRK","extras":{"col_1":"6","OPIS PROGRAMA":"Sudjelovanje dva stručna djelatnika Hrvatske kinoteke na 68.kongresu FIAF-a od 23. do 28. travnja 2012. u Pekingu, Kina; Sudjelovanje pročelnice Hrvatske kinoteke i dva stručna djelatnika na Generalnoj skupštini ACE-a koji se odvija u sklopu Festivala novootkrivenih i restauriranih filmova \"Il cinema ritrovato\" od 23. do 30. lipnja 2012. u Bologni, Italija; Članstvo u međunarodnim organizacijama - Međunarodno udruženje filmskih arhiva (FIAF) i Europsko udruženje filmskih arhiva (ACE).","approved_amount_original":17.1,"approved_amount_text_original":"17,10","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"Row 6 in raw_text shows '17,100.00' for Hrvatska kinoteka (FIAF Beijing + ACE Bologna). Pass A captured '17,10'. 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Total-sum check matches.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Natko Stipaničev","row_id":"d233e072:s1:3a29de9d5f12","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e217a5c0c281","project_family_title":"Programi gostovanja hrvatskih autora/-ca, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika"},{"row_number":21,"project_title":"Pitching, koprodukcijski forumi i programi za razvoj projekata","applicant":"Nukelus film d.o.o.","production_company":"Nukelus film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4,492.00","approved_amount":4492.0,"currency":"HRK","extras":{"col_1":"21","OPIS PROGRAMA":"Sudjelovanje producenta Siniše Juričića s dokumentarnim projektom \"Mitch - dnevnik schizofreničnog pacijenta\" na pitching forumu When East Meets West u Trstu, Italija od 19. do 21. siječnja 2012.","approved_amount_original":5.9,"approved_amount_text_original":"5,90","amount_repaired_at":"2026-05-17T12:55:01Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"us_std","amount_repair_confidence":"high","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Nukelus film d.o.o.","row_id":"d233e072:s1:5e17fa111fb7","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_1df3de8cd7a1","project_family_title":"Pitching, koprodukcijski forumi i programi za razvoj projekata"},{"row_number":22,"project_title":"Programi gostovanja hrvatskih autora/-ca, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika; Program izrade promiđbenih materijala i prijavljivanje u službenu konkurenciju festivala; Pitching, koprodukcijski forumi i programi za razvoj projekata; Potpora producentima/-icama i autorima/-icama za predstavljanje filomva","applicant":"Spiritus Movens d.o.o.","production_company":"Spiritus Movens d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"us_std","approved_amount":7564.0,"currency":"HRK","extras":{"col_1":"22","OPIS PROGRAMA":"Sudjelovanje producentice Zdenke Gold na Međunarodnom filmskom festivalu u Rotterdamu, Nizozemska, od 27. do 30. siječnja 2012. i na koprodukcijskom pitching forumu Euro Connection s kratkometražnim igranim projektom \"Ljubljana Zagreb\" koji se održava u sklopu filmskoga sajma kratkometražnog filma u Clermont-Ferrandu, Francuska od 30. siječnja do 3. veljače 2012.","approved_amount_original":7.56,"approved_amount_text_original":"7,56","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"Row 22 in raw_text shows '7,564.00' for Spiritus Movens (Zdenka Gold @ Rotterdam + Euro Connection Clermont-Ferrand). 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Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), Hrvatsko audiovizualno \nvijeće je na 51. sjednici održanoj 17. rujna 2014. godine donijelo: \n \nO  D  L  U  K  U \no dodjeli sredstava za promociju hrvatskom kandidatu za nominaciju za nagradu Oscar \n \n1.) Dodjeljuju se sredstava producentu Kabinet d.o.o., Blažekova 15, Zagreb (dalje u tekstu Kabinet \nd.o.o.) za promociju dugometražnog igranog filma „Kauboji“ redatelja Tomislava Mršića, hrvatskog \nkandidata za nominaciju za nagradu Oscar, u iznosu od 360.000,00 kn (tristošezdesettisućakuna). \n \n2.) Ovlašćuje se ravnatelj Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) na zaključivanje ugovora s producentom Kabinet d.o.o. \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \nObrazloženje \n \nDana 16. rujna 2014. godine Kabinet d.o.o, producent filma „Kauboji“ redatelja Tomislava Mršića (dalje u \ntekstu: film „Kauboji“), uputio je HAVC-u molbu Klasa: 777- 153-004, Urbroj:3235-2014 (u daljnjem \ntekstu: Molba) za dodjelu sredstava za promociju filma „Kauboji“ u kampanji za nominaciju za nagradu \nOscar.    \n \nNa 51. sjednici Hrvatskog audiovizualnog vijeća održanoj 17. rujna 2014.godine usvojena je odluka iz toč. 1. \nizreke ove Odluke. \n \nTemeljem čl.12. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), ravnatelj HAVC-a zaključit \nće ugovor s producentom Kabinet d.o.o. o dodjeli sredstava za promociju hrvatskog filma kandidata \nza nominaciju za nagradu Oscar. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13), HAVC će ovu Odluku objaviti na \nsvojoj mrežnoj stranici: www.havc.hr. \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \n Vera Robić –Škarica, v.r. \nDostaviti: \n- \nKabinet d.o.o., Blažekova 15, Zagreb \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"komplementarne","year":2014,"rok":null,"referenced_projects":["Kauboji"],"summary":"AV vijeće na 51. sjednici od 17. rujna 2014. dodjeljuje producentu Kabinet d.o.o. 360.000,00 kn za promociju dugometražnog igranog filma „Kauboji“ redatelja Tomislava Mršića, hrvatskog kandidata za nominaciju za nagradu Oscar.","project_links":[{"source_title":"Kauboji","family_id":"pf_951eb44ce080","family_title":"Kauboji","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2020_1rok_6IV2020_WEB_ANIMIRANI.pdf","filename_decoded":"RSC_2020_1rok_6IV2020_WEB_ANIMIRANI.pdf","sha256":"d37b504ba83e08f66c7dd5c1363f21c42f40fa7d30f3851cf46134e19b2d2765","bytes":38033,"page_count":1,"extracted_at":"2026-05-17T10:24:24Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2020_1rok_6IV2020_WEB_ANIMIRANI.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nJetzt \nKatrin Novaković\nKatrin Novaković\n25.000,00\n2\nNedovršena\nPetra Zlonoga\nPetra Zlonoga\n25.000,00\n3\nOdgovor na sva pitanja\nVlatka Vorkapić\nVlatka Vorkapić\n25.000,00\n4\nSrcolom\nLuka Vucić, Sonja Babić\n25.000,00\nUKUPNO\n100.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ SCENARIJA u 2020. - 1. ROK - 6.4.2020.\nanimirani film\n30. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 15. srpnja 2020.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2020_1rok_6IV2020_WEB_ANIMIRANI","year":2020,"rok":"1. rok","natjecaj_date":"2020-04-06","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"30. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 15. srpnja 2020.","section_key":"30_sjednica_hrvatskog_audiovizualnog_vijeca_u_2_sazivu_15_sr","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Jetzt","applicant":null,"production_company":null,"director":"Katrin Novaković","writer":"Katrin 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umjetničke savjetnice po rezultatima Javnog poziva za poticanje \naudiovizualnih djelatnosti i stvaralaštva – kategorija proizvodnje kratkometražnog \nigranog filma na prvom roku u 2024. godini – rok 14. ožujka 2024.  \n \nUmjetnička savjetnica za kratkometražni igrani film – Nina Velnić \n \nNa prvi natječajni rok za poticanje proizvodnje kratkometražnih igranih filmova stigle su \nčetrdeset i tri (43) prijave od kojih su sve razmatrane. Među prijavljenim projektima trinaest \n(13) je već bilo prijavljeno na neki od prethodnih javnih poziva, te sedamnaest (17) projekata \npotpisuju ili supotpisuju autori debitanti. \n \nPrilikom odabira projekata vodila sam računa o kvaliteti i dorađenosti scenarija, razrađenosti \nredateljske koncepcije i osobnoj motivaciji autora i autorica te o produkcijskoj izvedivosti \nsamih projekata.  \nSvi predloženi i odobreni projekti su tematski blisko povezani s ambijentom iz kojeg autori/ce \ndolaze. Dva projekta se bave odrastanjem te emocionalnim i seksualnim sazrijevanjem, dok \nse jedan projekt transgeneracijski bavi demencijom i familijarnom dinamikom među \nlikovima. Svi projekti imaju izraženu autorsku viziju te različite redateljske estetike. \nVjerujem da bi mogli doprinijeti raznolikosti domaće kratkometražne produkcije te daljnjem \nprofesionalnom razvoju mladih autorica i autora. \n \nMeđu odabranim projektima jedan (1) je bio prijavljen na jedan od prethodnih javnih poziva, \nte je jedan (1) djelo debitanta u ovoj kategoriji, dakle djelo autora koji dosad nije režirao \nkratkometražni igrani film u profesionalnoj produkciji. \n \nZa sufinanciranje proizvodnje kratkometražnog igranog filma predložena su i odobrena tri \nprojekta u ukupnom iznosu od 178.200,00 eura.  \nProjekti su sljedeći: \n \nBuše, režija: Dalija Dozet, scenarij: Dalija Dozet, produkcija: Wolfgang & Dolly d.o.o. \niznos: 70.000,00 eura \nOvaj vješto napisan scenarij je interesantno isprepletanje narodne tradicije baranjskih običaja \ndolaska proljeća sa spolnim sazrijevanjem dvaju mladih protagonista. Autorica se fokusira na \nneizrečeno, pogledi i pokreti govore sve što likovi tih godina nastoje iskazati. Taj \nminimalizam gesta i replika odlično kontrastira bogatstvu ambijenta i raskoši običaja. \nUniverzalna tema ženskog sazrijevanja i emancipacije efektno je uklopljena unutar \ntradicionalnih očekivanja i neočekivanog obrata na samom kraju.  \n \nNema mukte beštimji, režija: Andrija Tomić, scenarij: Andrija Tomić, koscenaristica Nina \nŠeparović, produkcija: Kino klub Split \niznos: 48.200,00 eura \nPriča o suživotu tri generacije muškaraca koji su žrtve trenutne životne situacije s kojom se \nsvaki od njih nastoji boriti kako zna i umije. Duhovito i vrlo živo autori donose obiteljsku \ndinamiku u odnosu djeda koji boluje od demencije, oca i sina. Vješto se isprepliće \ntematiziranje surovosti starosti, bolesti i bespomoćnosti s elementima humora i topline bez da \nse odlazi u patetiku. Autor propituje koliko nas obitelj i podneblje određuju, te možemo li od \ntoga pobjeći. \n \nPesniki, režija: Sara Grgurić, scenarij: Sara Grgurić, produkcija Pipser d.o.o.  \niznos: 60.000,00 eura \nRedateljica se kao i u svojem prethodnom nagrađivanom kratkometražnom filmu „U šumi“ \n(San Sebastian International Film Festival, ZFF) i ovom pričom vraća u njoj dobro poznati \nambijent Gorskog kotara. \nPriču gradi oko Željka koji provodi dan u goranskim zvončarima (Pesniki) sa svojim \nnajboljim prijateljem Zvonetom. Taj zadnji zvončarski pohod pretvara se u svojevrsnu \n\n\f\nmomačku večer i Željko uviđa da se odnos među prijateljima promijenio i da će ga nove \nobaveze kao budućeg oca neizbježno transformirati u zreliju osobu. 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ROK - 10.10.2017.  \n \n \n \nNa 3. rok u 2017. godini za sufinaciranje razvoja projekata i razvoja scenarija dokumentarnih filmova \npristiglo je sedam (7) prijava za razvoj projekta, te osamnaest (18) prijava za razvoj scenarija. \nPo  aktualnosti i zanimljivosti teme,  svježim i kreativnim scenarističkim, dramaturškim ili redateljskim \npristupom izdvojili su se sljedeći dokumentarni projekti: \n \n \nRAZVOJ PR0JEKATA: \n1. „Vuk Europske unije“ …. 100.000,00 kn \n \nscenarist Dragan Grozdanić, redatelj Jadran Boban, Hulahop produkcija \n \n \nDesetak kilometara udaljeni od bučnih i napučenih obalnih turističkih destinacija nalaze se društveno \ni socijalno izolirani krajevi Dalmatinske zagore. U njima sve je manje ljudi, posla i perspektive. Rijetki \nžitelji jedva spajaju kraj s krajem baveći se stočarstvom, žaleći za prošlim vremenima punim vreve \nseoskih poslova, mnoštva ljudi  i nepreglednih stada ovaca i koza. U takvu besperspektivnu \nsvakodnevicu ušetali su se vukovi i počeli napadati jedino blago tih ljudi, njihove ovce. Iz očaja, potrebe \nda se nekako objasni ta nova pošast, rodio se mit o vuku Europske unije, projektu moćnika iz Bruxellesa \ni moćnika iz Zagreba, koji helikopterima donose hranu vukovima, a možda i vukove same. \nIntrigantan siže koji iz neočekivane perspektive progovara o hrvatskim umirućim ruralnim krajevima, \npokušavajući zaći što dublje ne samo u vidljivu svakodnevicu nego i u stanje duha i uma. \n \nRAZVOJ SCENARIJA: \n1. „ KIPPLE“ , Ljiljana Šišmanović …… 25.000,00 kn \n \n„Kipple“ Ljiljane Šišmanović, kroz svakodnevni život i subjektivne opservacije redateljice govori \no fenomenu, sudbi, kletvi zvanoj „kipple“. Termin je izmislio spisatelj Philiph Dick, a riječ je o \nnepotrebnim stvarima koje više nemaju nikakvu funkciju niti vrijednost, o stvarima koje se \ngomilaju dok mi spavamo, sve više svjesni da nam se i  život  „kiplizira“. \n \n \n2. „ S ONE STRANE“, Zoran Marinović …… 25.000,00 kn \n \nZoran Marinović ratni je fotograf koji je prošao mnoga svjetska ratišta. Jedan je od nekolicine \nfotoreportera koji su ostali cijelo vrijeme trajanja borbi u gradu Alepu, u Siriji. 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Jedan projekt nije razmatran jer ne zadovoljava uvjete javnog \npoziva. \nOd projekata koji se razmatraju, \nprema grupi audiovizualnih djela u kojoj se prijavljuje projekt prijavljeno je:  \n12 dugometražnih igranih filmova od toga dva u postprodukciji \n \n6 debitantskih dugometražnih igranih filmova  \n \n6 dugometražnih dokumentarnih filmova \n \n2 kratkometražna dokumentarna filma \n \n3 kratkometražna igrana filma  \n \n4  kratkometražna animirana filma  \n \n• I to produkcijskih kuća s većinskim udjelom u financiranju iz ukupno 13 zemalja  \nSrbija (12), Slovenija (5), Sjeverna Makedonija (2), Crna Gora(4), Bosna i Hercegovina(2),Albanija (1), Gruzija(1), \nNjemačka(1), Turska(1), Australija (1), Rumunjska (1), Belgija (1), Italija (1)  \n• Kriteriji za predlaganje projekata za sufinanciranje temelje se na:  \ncjelovitosti i dorađenosti projekata u kreativnom smislu, ocjeni financijske izvedivosti te predstavljenog \ndistribucijskog potencijala projekta te aktualne financijske mogućnosti Hrvatskog audiovizualnog centra za \nfinanciranje projekata.  \nFilmovi odobreni za sufinanciranje proizvodnje:  \n \n1. debitantski dugometražni igrani film Oče naš  (Srbija) s odobrenim sredstvima u iznosu od 480.000 kn  \n2. debitantski dugometražni igrani film Muškarac kuće (Albanija) s odobrenim sredstvima u iznosu od  400.000 \nkn \n3. dugometražni igrani film Otapanje vladara (Crna Gora) s odobrenim sredstvima u iznosu od 430.000 kn \n4. dugometražni igrani film Promatranje  (Slovenija) s odobrenim sredstvima u iznosu od 570.000 kn \n5. dugometražni igrani film u postprodukciji Žal (Srbija) s odobrenim sredstvima u iznosu od 243.000 kn \n6. dugometražni dokumentarni film Između revolucija (Rumunjska) s odobrenim sredstvima u iznosu od \n220.000 kn \n\n\f\n7. animirani film Mačak na vratima (Slovenija) s odobrenim sredstvima u iznosu od 190.000 kn \n8. kratkometražni igrani film Kada padne mrak (Srbija) s odobrenim sredstvima u iznosu od 100.000 kn \nUkupni iznos odobrenih sredstava jest 2.633.000 kuna.  \n \n1. debitantski dugometražni igrani film Oče naš  (Srbija) s odobrenim sredstvima u iznosu od 480.000 \nkn  \nInspiracija za scenarij dugometražnog igranog filma „Oče naš“ koji potpisuju redatelj Goran Stanković \nte koscenaristi Ognjen Sviličić i Maja Pelević, brutalna je snimka premlaćivanja čovjeka lopatom koja \nje iscurila u medije i regionalnoj javnosti razotkrila događaje u jednom manastiru u kojem je grupa \nmladića bila na liječenju od ovisnosti o drogama. Goranu Stankoviću ovo je debitantski dugometražni \nigrani film, koredatelj je dramskih serija Jutro će promijeniti sve i Nečista krv, niza nagrađivanih \nkratkometražnih igranih filmova te dugometražnog dokumentarnog filma U mraku, premijerno \nprikazanog na međunarodnom festivalu dokumentarnog filma IDFA. U scenariju projekta Oče naš \nglavnina radnje smještena je u izolirani manastir u kojemu grupa bivših ovisnika o drogama živi \nasketski život u koji su silom ugrađeni red, rad, disciplina i redovna molitva, a hijerarhija i način \nživota postavljeni su od strane najvišeg autoriteta, surovog, manipulativnog patrijarha koji vodi \nkomunu. „Oče naš“ predstavlja režijski i produkcijski izazovan projekt, koji se prije svega bavi \nstvaranjem kulta koji parazitira na slabosti i nemoći te nasiljem kao polugom stvaranja moći. \nRiječ je o koprodukciji između Srbije, Italije i Hrvatske. Glavni producent je srpska produkcijska kuća \nThis and That, a hrvatski producent je tvrtka PomPom Film producentice Marine Andree Škop.  \n2. debitantski dugometražni igrani film Muškarac kuće (Albanija) s odobrenim sredstvima u iznosu \nod  400.000 kn \nDebitantski dugometražni igrani film  albanskog redatelja i scenarista Andamiona Murataja, \ndobitnika Srebrnog medvjeda za scenarij za film The Forgiveness of Blood (Krvna osveta u režiji \nJoshue Marstona) odvija se u malom albanskom selu u kojem pedesetogodišnja Fran, živi kao zakleta \ndjevica život muškarca u ženskom tijelu. Fran vozi autobus i vodi bitke s mještanima dokazujući \nsvima oko sebe da je više muškarac od drugih muškaraca. Kad nećakinja o kojoj skrbi nakon teške \nnesreće završi u bolnici, a nedugo zatim joj umre i otac, Fran počinje u sebi otkrivati majčinske \nosjećaje. Kako sve više odbacuje muškost i otkriva zatomljenu žensku stranu, život muškarca koji je \ngradila od mladosti, počinje se urušavati. Muškarac kuće je emotivna priča, slojevitih, uvjerljivih \nlikova o osobi koja se mora suočiti sa svojim rodnim identitetom koja se, iako smještena u lokalnu, \nalbansku sredinu, ne bavi egzotikom albanskog sela, niti egzotikom Franinog izbora, već dubinski i s \npuno empatije i suptilnosti propituje izbore i okolnosti s kojima se susreće transrodna osoba koja \npokušava prilagoditi svoj identitet, definiran okolnostima albanske kulturne tradicije, stvarnom \nživotu i vlastitim porivima.    \nProjekt je koprodukcija između Albanije, Italije, Hrvatske i Srbije s odobrenim sredstvima od \nEurimagesa. Glavni producent je albanska produkcija Lissus Media, a hrvatski koproducent Bojan \nKanjera i produkcija Peglanje snova.  \n \n\n\f\n3. dugometražni igrani film Otapanje vladara (Crna Gora) s odobrenim sredstvima u iznosu od \n430.000 kn \nU Otapanju vladara Ivan Salatić inspiriran crnogorskim vladarom Petrom Petrovićem Njegošem, \nstvara lik izmišljenog vladara Morlaka. Morlak je sklon umjetnosti, poeziji, inspirira se ljepotom \nživota, nježnim ružama, mirisom kiše u okolnostima brutalnog plemenskog crnogorskog društva \ndevetnaestog stoljeća u kojem dominiraju stalni ratovi s muslimanima, a brutalni napadi i odsijecanja \nglava suparnicima su najobičnija svakodnevica. Baveći se unutrašnjim svijetom svojih likova, \nemotivnim stanjima, strahovima i strastima ta daleka prošlost postaje razumljiva, bliska, uvjerljiva – \nljudi su isti, vremena se mijenjaju. Salatićev alternativni kut gledanja na povijest, ne zazire niti od \nempatije niti od humora, ali možda najvažnije, u društvima u kojima se povijest i suvremenost u \ntolikoj mjeri isprepliću, potiče na to da se zapitamo na čemu se temelje naša znanja o povijesnim \nlikovima, na čemu se temelji taj nacionalni identitet kojim smo kao društvo toliko opterećeni. \nProjekt je planiran kao koprodukcija između Crne Gore, Srbije, Italije i Hrvatske. Glavni producent je \ncrnogorski Meander film, hrvatski koproducent Dinaridi film, a producentica Tena Gojić. \n4. dugometražni igrani film Promatranje  (Slovenija) s odobrenim sredstvima u iznosu od 570.000 kn \nPromatranje je novi projekt iskusnog slovenskog redatelja Janeza Burgera, koji scenarij potpisuje \nzajedno sa scenaristom Srđanom Koljevićem.  Projekt se bavi otuđenjem i odsustvom empatije. \nMlada medicinska sestra pokušava otkriti zašto preko FB poruka prima misteriozni video brutalnog \npremlaćivanja dok ne postane jasno da je i ona dio priče. Notorna je činjenica da empatija ima sve \nmanji značaj, a otuđenost postaje najčešće korištena riječ u opisu međuljudskih odnosa današnjice. \nNo, pitanje koje ovaj scenarij prije svega otvara je koliko smo se međusobno udaljili i što nam se \ntreba dogoditi da tu udaljenost poželimo smanjiti. Riječ o žanrovskom scenariju baziranom na \nintrigantnom konceptu autora koji ne zazire od iskoraka u nepoznato.  \nProjekt je koprodukcija između Slovenije, Italije, Hrvatske  i Srbije. Glavni koproducent je slovenska \nprodukcija Staragara, a hrvatski koproducent Boris T. Matić i produkcija Propeler Film.  \n5. dugometražni igrani film u postprodukciji Žal (Srbija) s odobrenim sredstvima u iznosu od 243.000 \nkn \nŽal, treći dugometražni igrani film srpskog redatelja Koste Đorđevića, priča je o odrastanju, \ntinedžerskoj zaljubljenosti koja ne poznaje razum, spremna na sve pod utjecajem moćnog koktela \nhormona te obiteljska drama o odnosu između roditelja i djece kroz dvije generacije. Relja odrasta u \nobitelji rastavljenih roditelja, a njegov odnos s majkom prepun je nerazumijevanja. Tipičan za tu dob. \nOdnos njegove majke s Reljinom bakom bio je loš i nefunkcionalan do te mjere da majka ne želi \norganizirati pogreb za baku nakon bakine smrti. Glavni glumac Pavle Čemerikić (Agape r. Branko \nSchmidt, Šavovi, r. Miroslav Terzić, Ničije dijete, r. Vuk Ršumović…) iznimno je uvjerljiv u ulozi \nneurotičnog, zaljubljenog šesnaestogodišnjaka baš kao i Branka Katić u ulozi živčane, emotivno \nOtapanje vladara  drugi je dugometražni igrani film crnogorskog redatelja Ivana Salatića čiji je \ndugometražni igrani debitantski film Ti imaš noć premijerno prikazan u programu Settimana della \nCritica – Venice International Film Festivala.  \n\n\f\nisključene majke kojoj ispod površine kulja cijeli niz povreda koje joj ne dopuštaju emocije niti u \nmajčinskoj ulozi jer se boji nove povrede. \nGlavni producent filma je Kinematografska kuća iz Srbije, a hrvatski koproducent je udruga Marinis \nMedia i producentica Ivana Marinić Kragić.  \n6. Dugometražni dokumentarni film Između revolucija (Rumunjska) s odobrenim sredstvima u iznosu \nod 220.000 kn \nIzmeđu revolucija dugometražni je hibridni, igrano – dokumentarni projekt rumunjskog redatelja \nVlada Petrija (Where Are You Bucharest, premijerno prikazan na Međunarodnom filmskom festivalu u \nRotterdamu,  The Deer Passed in Front of Me, premijerno prikazan na Jihlava međunarodnom festivalu \ndokumentarnog filma).  \nRadnja je smještena u razdoblje između iranske i rumunjske revolucije, odnosno između 1979. i 1989. \ngodine i prati prepisku između Zahre i Marie, Iranke i Rumunjke, dvije prijateljice iz studentskih dana \nu Rumunjskoj. Kroz niz dirljivih, osobnih pisama dviju žena koje se međusobno podržavaju u teškim \nvremenima i dijele najteže trenutke, autor vjerno ocrtava turbulentna politička zbivanja u dvjema \nzemljama. Iako su Zahra i Maria fiktivni likovi prepiska je bazirana na stvarnim pismima koje su studenti \nrazmjenjivali sedamdesetih i osamdesetih godina. Kombinirajući službene i privatne arhivske snimke \nkoje vizualiziraju život Irana i Rumunjske toga doba s duboko emotivnim svijetom dviju žena kroz \nnjihova pisma, redatelj uspijeva predočiti projekt iznimne intimnosti i nostalgije, a istodobno prenijeti \natmosferu razdoblja dramatičnih povijesnih događanja u objema zemljama.  \nProjekt je koprodukcija između Rumunjske i Hrvatske. Glavni producent je Activ Docs Srl, a hrvatski \nudruga Restart, a producent Oliver Sertić.  \n7. animirani film Mačak na vratima (Slovenija) s odobrenim sredstvima u iznosu od 190.000 kn \nMačak na vratima (8') kratkometražni je animirani film slovenske autorice Ane Čigon, alegorija života \nu Europi, nespojivosti demokratskih ideala koje propagira i na kojima je nastala s konzervativnom i \nrepresivnom stvarnošću koju živi. Tri glavna mačja lika predstavljaju zajedno sa svojim travnjakom, \nnačinom na koji se kreću i odnose prema prostoru na kojem žive, ali i kako tretiraju svoje mačje \nsusjede i došljake, određeno geopolitičko područje Europe. Mačak na vratima duhovita je \npersonifikacija mačjeg svijeta koja se bavi teškim političkim temama u 2D kompjuterskoj kolažnoj \nanimaciji. Redateljica vješto koristi mačke kako bi dočarala odnose među zemljama Europe i politiku \npojedinih područja u odnosu prema migrantima.  \nGlavni producent je slovenska produkcija URGH!, hrvatski koproducent je Bonobostudio, a \nproducentica Vanja Andrijević.  \n8. kratkometražni igrani film Kada padne mrak (Srbija) s odobrenim sredstvima u iznosu od 100.000 \nkn \nKratkometražni igrani film srpske redateljice Dušice Novaković Kada padne mrak adaptacija je kratke \npriče autora Pavla Zelića Dum Dum temeljena na osobnim iskustvima autora. Dječak u dobi od 10 \ngodina brutalno je pretučen i takvoga ga ambulantnim kolima dovoze do bolnice gdje je u susretu s \nbahatim i nezainteresiranim bolničkim osobljem bačen u spiralu užasa u kojoj je samo pasivni \n\n\f\npromatrač. Ovisan o aparatima za održavanje života dječak balansira između ovog svijeta i \nonostranog, a jezive sjenke koje mu se noću uvlače u sobu donose još osjećaja jeze i tjeskobe. Ovaj \nzastrašujuće realan fantastični kratkometražni horor film kritika je društvu iz pozicije najslabijih i \nnajnezaštićenijih – djece.  \nGlavni producent filma je srpska produkcija Living Pictures d.o.o., a hrvatski koproducent Jure Bušić i \nJaka produkcija.  \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2021,"rok":"4. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2014 Komplementarne djelatnosti_ DODATAK.pdf","filename_decoded":"2014 Komplementarne djelatnosti_ DODATAK.pdf","sha256":"d67cbca98b883371daac78c1bb6278dd6741e4149b061a8b4e7092a81d9ac3d0","bytes":32350,"page_count":1,"extracted_at":"2026-05-17T10:23:01Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2014%20Komplementarne%20djelatnosti%2C%20DODATAK.pdf"},"raw_text":"PREDLAGATELJ\nPROGRAM\nODOBRENO\n1\nHrvatsko\t\r  kaskadersko\t\r  \ndruštvo\nDuty\t\r  of\t\r  Care\n50.000,00\n\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  KOMPLEMENTARNE\t\r  DJELATNOSTI\t\r  U\t\r  2014.\t\r  GODINI\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \nPrijava\t\r  sukladno\t\r  članku\t\r  59.\t\r  Pravilnika\t\r  o\t\r  postupku,\t\r  kriterijima\t\r  i\t\r  rokovima\t\r  za\t\r  provedbu\t\r  \nnacionalnog\t\r  programa\t\r  promicanja\t\r  audiovizualnog\t\r  stvaralaštva\t\r  (NN\t\r  118/12)\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"2014 Komplementarne djelatnosti_ DODATAK","year":2014,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":"KOMPLEMENTARNE DJELATNOSTI U 2014. GODINI Prijava sukladno članku 59. Pravilnika o postupku, kriterijima i rokovima za provedbu nacionalnog programa promicanja audiovizualnog stvaralaštva (NN 118/12)","section_key":"komplementarne_djelatnosti_u_2014_godini_prijava_sukladno_cl","columns":["PREDLAGATELJ","PROGRAM","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Duty of Care","applicant":"Hrvatsko kaskadersko društvo","production_company":"Hrvatsko kaskadersko društvo","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"col_1":"1","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Hrvatsko kaskadersko društvo","row_id":"d67cbca9:s0:39e5dc4d2bdb","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_83faf565440c","project_family_title":"Duty of Care"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":50000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":50000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2011%20Koprodukcije,%2020%2006%202011.pdf","filename_decoded":"2011%20Koprodukcije,%2020%2006%202011.pdf","sha256":"d6edaf80924ba3b2e41140a7271ffc2cd1e4377f73987617cb751c867c707968","bytes":28803,"page_count":1,"extracted_at":"2026-05-16T14:16:09Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2011%20Koprodukcije%2C%2020%2006%202011.pdf"},"raw_text":"REDATELJ/ICA\nSCENARIST/ICA\nHRVATSKI\t\r  PRODUCENT\nODOBRENO\nMatevž\t\r  Luzar\nMatevž\t\r  Luzar\nArs\t\r  Septima\n750.000,00\nKOPRODUKCIJE\t\r  S\t\r  MANJINSKIM\t\r  HRVATSKIM\t\r  UDJELOM-­‐\t\r  ROK\t\r  20.\t\r  6.\t\r  2011.\nDEBITANTSKI\t\r  DUGOMETRAŽNI\t\r  IGRANI\t\r  FILM\nIVAN\nNAZIV\t\r  FILMA\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"KOPRODUKCIJE S MANJINSKIM HRVATSKIM UDJELOM - ROK 20. 6. 2011.","year":2011,"rok":null,"natjecaj_date":"2011-06-20","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"DEBITANTSKI DUGOMETRAŽNI IGRANI FILM","section_key":"debitantski_dugometrazni_igrani","columns":["NAZIV FILMA","REDATELJ/ICA","SCENARIST/ICA","HRVATSKI PRODUCENT","ODOBRENO"],"rows":[{"row_number":null,"project_title":"IVAN","applicant":"Ars Septima, udruga","production_company":"Ars Septima, udruga","director":"Matevž Luzar","writer":"Matevž Luzar","original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"750.000,00","approved_amount":750000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Ars Septima","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Ars Septima, udruga","row_id":"d6edaf80:s0:3d575fb66f9b","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_3f99794ef442","project_family_title":"Ivan"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":null,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":750000.0,"ukupno_match":null,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_TV_2017_rok_18I2018_WEB.pdf","filename_decoded":"Obrazlozenje_TV_2017_rok_18I2018_WEB.pdf","sha256":"d70e15564c3b6fe0d28a3723629e6fb447de3ceba4c52c05e7480b271ceae237","bytes":328565,"page_count":6,"extracted_at":"2026-05-17T12:01:59Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_TV_2017_rok_18I2018_WEB.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: RAZVOJ \nSCENARIJA I PROJEKATA pojedinačnih i serijskih televizijskih djela u 2017. \n \nObrazloženje umjetničke savjetnice za razvoj televizijskih djela Sanje Kovačević \nOd ukupno 147 projekata prijavljeno online, 102 su prijavljena na razvoj scenarija i 45 na \nrazvoj projekata televizijskih djela. Od toga tri  projekta nisu razmatrana zbog izuzeća autora \npa je zaključno razmatrano 144 projekta. \nUkupna kvaliteta prijavljenih projekata je slaba, većina autora pokazuje nedostatak \nosnovnog TV serijalnog obrazovanja. Pritom je uočljiv trend preskakanja faze razvoja \nscenarija, kao i prijavljivanja djela koja pripadaju igranom kino-filmu u kategoriju \nPojedinačnih TV djela, odnosno TV filma. \nPo zanimljivosti i aktualnosti teme, svježini priče i likova, kreativnom dramaturškom \npristupu, razrađenosti forme, elaboriranosti i izvedivosti projekta te tržišnim potencijalima, \nizdvojili su se sljedeći projekti: \n \nPOTICANJE RAZVOJA SCENARIJA - POTKATEGORIJA SERIJSKA TV DJELA \nAnimirano TV djelo \n \nMISI MESI  \nScenaristice: Lucija Klarić, Nikolina Rafaj \n \nČarobnjačka pripravnica koja još nije svladala zanat kuhanja magičnih napitaka, Misi Mesi, \nsvaki problem svojih prijatelja koji treba riješiti najprije dodatno zapetlja. Serija podučava \ndjecu važnosti razumjevanja uzroka a ne simptoma problema, i raznim temama doprinosi \nrazvoju emotivnog odgoja najmlađih. \n \nDokumentarno TV djelo \n \nUSTAVNI SUD  \n \n \n \n \n \n \n \nScenarist: Saša Paparella \n \nPriča ispituje nesrazmjer između pravne uloge Ustavnog suda Republike Hrvatske i njegove \nprakse, te posljedice tog nesrazmjera po hrvatsko društvo. Kroz konkretne slučajeve, autor \nnepristrano prikazuje različita mišljenja kompetentnih ljudi o odlukama Ustavnog suda koje \nsu zaustavile procesuiranja ratnih zločina i privatizacijskog kriminala, i pridonosi kritičkom \npromišljanju naše aktualnosti. \nREALIZIRANE UTOPIJE – KUHARICA BUDUĆNOSTI  \n \n \n \nScenaristi: Irena Bosnić, Rade Dragojević \n \nKroz primjere iz prakse, serija opisuje realizirane „utopije“, poput zajamčenog temeljnog \ndohotka ili ekonomskih utopija koje koriste etičko bankarstvo i kriptovalutu te raznih drugih \nvrsta koncepata koji vraćaju vjeru u konkretno poboljšanje kvalitete života i konstruktivno \n\n\f\nnadilaženje trenutne zbilje. Serija donosi svježinu u obradi tema koje se mogu lako nizati u \nnove sezone. \n \n7 ŽENA \n \n \n \n \n \n \n \n \n \n \nScenaristice: Ana Kutleša, Ivana Hanaček \n \nSvaka priča nas vodi do jedne gradske skulpture skrivene od pogleda koje pikazuju žene ili su \nih načinile žene. Objašnjavajući povijesni kontekst nastanka i postavljanja skulpture, \ndruštvenu situaciju u tom razdoblju, te kako na čitanje skulpture utječe njena gradska \nmikrolokacija, serija nam omogućava da gradsku umjetnost gledamo sasvim novim očima. \n \nHRVATSKA KUNA U HRVATSKOM DŽEPU  \n \n \n \n \nScenaristica: Marina Klepo \n \nSerijal se bavi problemima vezanima uz nacionalnu valutu, od njezina uvođenja do njenog \nukidanja 2024., godine, vodeći nas kroz povijesne okolnosti uvođenja kune i dramatične \nperipetije u politici i društvu koje je pratilo financijsko sazrijevanje Hrvatske, s ciljem \nfinancijskog opismenjavanja najšire publike.  \n \nOZBILJNA GLAZBA ZA SVAKI DAN \n \n \n \n \n \n \nScenaristica: Snježana Tribuson \n \nSerija opisuje djela ozbiljne glazbe koja se koriste u svakodnevici, a da toga većina nije  \nsvjesna. S ciljem popularizacije ozbiljne glazbe, autorica ingeniozno obrađuje njezine \napstraktne vrijednosti i predstavlja kompozitore kroz humor i razigranu strukturu epizode. \n \nO NJIMA POJMA NEMATE \nScenarist: Krešimir Dujmović  \n \nLjudi koji pate od rijetkih bolesti svakodnevno se bore ostvariti normalan život i društvene \nkontakte, a pritom su drugim „nevidljivi“ jer su im često i bolesti takve. Serija govori o \nodnosu drugih prema protagonistima, kako se oni sami nose sa svojim osjećajima i kako \nuspijevaju održati optimističan pogled na ljude u stalnoj bici za vlastito dostojanstvo. \n \nPRIPADNICI NACIONALNIH I VJERSKIH MANJINA U DOMOVINSKOM RATU \n \nScenarist: Ivica Radoš  \n \nU Domovinskom ratu su se, uz Hrvate borili i pripadnici nacionalnih i vjerskih manjina, od \nkojih su neki postali ratne legende, utječući na ratne obrate i sudbinu zajednice. Zašto su se \nuključili u rat unatoč nerazumijevanju okoline i kako je izgledao njihov specifičan ratni put, \nsamo su neke od zanimljivih i inspirativnih priča ove emotivno angažirajuće serije. \n \nPUTOPISI ISTRIANA JONESA \nScenarij: Mladen Blažević \n \nEntuzijastički iskorak u poluprofesionalni projekt koji obrađuje prahistoriju i rimsko-ilirsko \nrazdoblje u Istri, osvježavajuć je doprinos TV dokumentarcu. Potraga istarskog Indiana \n\n\f\nJonesa za historijskim artefaktima razvija se kao niz priča o davnoj svakodnevici i društvenom \nživotu, uz mnoštvo zanimljivih arheoloških podataka, kroz duhovitu autoironiju voditelja. \n \nIgrano TV djelo \nPODRUČJE BEZ SIGNALA  \n \n \n \nScenaristi:  Hana Jušić, Milan F. Živković \n \nSerija je adaptacija romana Roberta Perišića koji opisuje kako su dva gradska žmukljera \nuspjela oživjeti ugašenu tvornicu u zabitom mjestu. Prikazujući propast hrvatske privrede i \neroziju solidarnosti, priča ironično komentira sadašnje stanje društva kroz spoj humornog i \ndramskog. Ova bi serija mogla biti domaći hit i izvozni proizvod. \n \nZIME ILI ŠTO SE DOGODILO S BRŠLJANOM  \n \n \nScenaristica:  Tena Štivičić  \n \nKroz prizmu obiteljskih odnosa, priča sagledava osobne i društvene drame likova iz četiri \ngeneracije (1918, 1945, 1990), od kojih svaka nosi svoju krivnju i traumu povijesnih \nokolnosti. Scenoslijed je napisan prema nagrađivanoj autoričinoj drami „Tri zime“ i dodatna \nrazrada bi mogla osigurati da serija postane biser domaće TV proizvodnje.  \n  \nDJEVOJKA OD BRONCE \n \n \n \n \n \n \n \n \nScenaristice: Irena krčelić, Mihaela Marija Perković \n \nOriginalan i kulturološki važan milje koncepta sugerira da bi serija mogla biti izvozni \nproizvod. Priča se odvija za vrijeme neolitika, kada je vučedolska kultura u cvatu tehnološkog \nnapretka obrade arseničke bronce, a u njezinoj se zajednici odigravaju neobično aktualni \nsukobi između progresivnih snaga i onih koje drže narod u zatucanosti. \nOTOK  \n \n \n \n \n \n \n \nScenarist: Igor Šeregi \n \nU ovoj komediji mentaliteta, autor ismijava stereotipe stanovnika hrvatskog sjevera i juga, \npostavljajući originalne likove u šarmantno bizarne situacije. Ukoliko se scenariji dobro \nrazviju, serija bi mogla biti iznenađenje na malim ekranima. \n \nTITO DORČIĆ \nScenaristi: Marina Šur-Puhlovski, Milivoj Puhlovski \n \nRaspisan prema romanu Vjenceslava Novaka iz 1906., ovaj koncept otkriva suvremenog TV \nantijunaka koji tijekom serije sve više moralno propada, te strukturu priče koja propituje \nuzroke korupcije, nepotizma i vladavine mediokracije, aktualnih danas kao i prije više od sto \ngodina. \n    \nVRAŽJI PROLAZ \n \n \n \n \n \n \n \n \n \nScenaristica: Maja Pek \nNapeta kriminalistička priča o starom i novom ubojstvu u ksenofobičnom mjestu gdje su svi \npotencijalni ubojice, pa čak i sam junak istražuje vlastitu upletenost u zločin. Psihološki triler \n\n\f\nkoji se bavi „vječnim“ problemima hrvatskog društva, od nacionalnog identiteta do \nkolektivne odgovornosti. \nKreativni format za djecu i mlade \nPIČVAJZ \n \n \n \n \n \n \n \n \n \nScenaristica: Nikolina Bogdanović \n \nMilica i Iva najbolje su prijateljice koje se, nakon diplome društvenih znanosti, nespremne \nbacaju u život i na tržište rada. Probleme koje na svom putu susreću rješavaju na razne \noriginalne, ali rijetko kad pametne načine. Radi se o domaćoj inačici humorističnih serija \npoput Girls, Broad City, SMILF, ispričanoj s duhovitom autoironijom, ali i snažnom vezom sa \nstvarnošću u kojoj mladi nemaju realne mogućnosti za prosperitetni život. \nPOTICANJE RAZVOJA SCENARIJA - POTKATEGORIJA POJEDINAČNA TV DJELA \nIgrano TV djelo \nNiti jedan projekt nije dobio potporu.  \nObjašnjenje: \nProjekti koji pripadaju TV filmu, djelu namijenjenom prvenstveno za televizijsko prikazivanje, \na njih je 7, kvalitativno nisu dostatni za poticanje razvoja scenarija, dok su projekti od kojih bi \nto neki mogli biti, a njih je 6, pripadaju dugometražnom ili kratkom igranom filmu, \nnamijenjenom prvenstveno kino distribuciji te bi se trebali prijaviti na odgovarajući Javni \npoziv.  \nDokumentarno TV djelo \nISTARSKE ŠTORIJE II \nScenaristi: Elvis Lenić, Danilo Lola Ilić, Dragana Sapanjoš, Sanda Letonja-Marjanović \n \nDrugi dio omnibusa koji čine četiri priče vezane za Istru. „Vrt leptira“ govori o jednom vrtu \nkao turističkoj senzaciji i dubiozama vezanima uz vezu vlasnika s lokalnom vlasti. „Perojski \npop“ opisuje autohton život crnogorske manjine koja je zadržala svoja etnička obilježja i \nnjihovom svećeniku humanistu. „Ombre della lucce“ govori o ženama koje rade tjesteninu \n„na crno“ i njihovom životu „u sjeni“. „Idem dokle stignem“ je optimistička priča o  Josipu \nBepu Nadeniću, 84-godišnjem umirovljeniku iz Pule koji trči maratone i još ne misli odustati. \n \nPOTICANJE RAZVOJA PROJEKATA TV DJELA - POTKATEGORIJA SERIJSKA TV DJELA \nAnimirano TV djelo \nLITTLE WHO WHO  \nProducent: Recircle \nScenarist: Simon Rolph \nRedatelj: Vjekoslav Živković \nTko Tko (Who Who) je znatiželjna sovica koja s prijateljima dočekuje putnike zanimljivih \nzanimanja i pritom rješava neki psihološki ili praktični problem svojih prijatelja. Slijedom \n\n\f\nsvoje uspješnice „Doživljaji Miše i Robina“, također za za predškolsku djecu, Recircle ima \nrealne prilike plasirati ovu seriju na svjetsko tržište. \n  \nSUPIĆ SLAVKO  \nProducent: Jaka Produkcija / Jure Bušić  \nScenarist: Siniša Bahun \nRedatelj: Kristijan Kaurić \n \nŠarmantna, duhovita i topla priča o malom bjeloglavom supu koji s roditeljima živi na Cresu i \nleteći okolo nailazi na razne, nepoznate mu, životinje preko kojih upoznaje razne fenomene \niz prirode, društva i povijesti, kao i njihovu vrstu. Nakon što je projekt dobio HAVC-ovu \npotporu za razvoj scenarija 2016., autor je sjajno raspisao scenarije, a producent solidno \nelaborirao projekt koji također ima inozemni potencijal. \nDokumentarno TV djelo \n \nJUGOTON, TVORNICA POP KULTURE \nProducent: Vedis d.o.o. / Veljko Krulčić \nScenarist i redatelj: Silvio Mirošničenko \n \nPovijest hrvatske glazbe i popularne, ali i dijela visoke, kulture, serija prikazuje kroz vizuru \nJugotona, najveće diskografske kuće u Hrvatskoj i bivšoj Jugoslaviji. Također i o tome kako su \nvelikani hrvatske pop glazbe i čelni ljudi Jugotona, navigirali kroz burne peripetije društveno-\npolitičkih reformi i situacija u tadašnjem društvu, od nastanka Jugotona 1947. godine do \nnjegova gašenja. Projekt bi mogao biti biser hrvatske glazbene i kulturalne baštine. \n  \nSMIJEH SLOBODE \nProducent: Kinematograf / Dijana Mlađenović \nScenaristi: Dijana Mlađenović, Boris Pavelić (prema Pavelićevoj knjizi „Smijeh Slobode“) \nRedatelj: Boris Pavelić \n \nSerija opisuje izdavanje najkontroverznijih novina u Hrvatskoj, Feral Tribunea, te dramatične \ndruštveno-političke okolnosti koje su ih okruživale, od njagova nastanka 1983., do gašenja  \n2008. godine. Prikazujući kontroverze koje su okruživale sadržaj novina i situaciju unutar njih, \nserija pokazuje otpor koje su pružale prema dvama političkim sustavima, socijalističkom i \ndemokratskom. Kroz pogled novinarske kao i njihovih neistomišljenika, priča govori o \npredanosti i hrabrosti novinarske profesije koja ima izuzetno važan društveni zadatak pa bi \nserija mogla biti značajan doprinos javnoj raspravi o slobodi govora i nezavisnih medija. \n \nNEMOJ MI TO GOVORITI \nProducent: Studio dim d.o.o. / Petar Milić \nScenaristica i redateljica: Silvana Menđušić \n \nSerija istražuje dinamiku obiteljskih odnosa, tako da okuplja članove obitelji koji su zbog \nekonomskog ili političkog razloga raselile kako bi proniknuli u obiteljsku tajnu. Članovi \nobitelji, od kojih barem jedan ne živi u Hrvatskoj, pokušavaju razumjeti poteze svojih \npredaka, oprostiti njihove odluke i shvatiti društvene okolnosti koje su ih na njih navele. \n\n\f\nDramatična i komična, ovaj projekt bi mogao postati rijedak dragulj po svojoj intimnističkoj \npoetici u rodu dokumentarne TV serije. \n \nIgrano TV djelo \n \nBEZDAN \nProducent: Jaako dobra produkcija / Siniša Juričić \nScenarist: Marjan Alčevski \nRedatelj: Petar Orešković \n \nU ovom kriminalističkom trileru, policijska istražiteljica i novinar istražuju slučaj ubojstva \nvezan uz dječju prostituciju domova za nezbrinutu djecu, otkrivajući ubojicu kakvog nitko ne \nočekuje, ali svi priželjkuju. Ova priča u kojoj su političari u sprezi s kriminalcima sadrži \noriginalan strukturalni obrat koji tematizira nemoć našeg pravnog sustava u kontekstu \nsveprožimajuće korupcije.   \n \nSVETA GORA \nProducent: Antitalent / Danijel Pek \nScenaristica:  Maja Pek \nRedatelj: Tomislav Rukavina \n \nU ovom dramsko-akcijskom proceduralu, pratimo životne drame i peripetije članova Gorske \nslužbe spašavanja i njihovih obitelji u malom mjestu Gorskog Kotara. Scenoslijed obiluje \nmotiviranim obratima, životnošću likova, atraktivnim miljeom i zanimljivim epizodičkim \ntemama, po čemu bi serija mogla biti domaća uspješnica, kao i izvozni proizvod.     \nKreativni format za djecu i mlade \nŠKOLJIĆI  \nProducent: Interfilm /Ivan Maloča \nScenarist: Tomislav Zagoda \nRedatelj: Ivan Miladinov \n \nLutkarska serija s puno humora i otkačenih likova odvija se na otoku Školjiću s kojega je \nstanovništvo iselilo pa se nekoliko morsko-antropomorfnih bića, Školjića, bori održati \nnastavu u osnovnoj školi sa samo četiri učenika. Spužvanac Toni i njegovi prijatelji moraju \nriješiti razne, pomalo bizarne, situacije, i to čine podučavajući mlade gledatelje raznim \nedukativnim sadržajima i zabavljajući ih muzičkim brojevima. Ukoliko se dobro razvije, serija \nbi mogla biti domaća inačica Sezame Streeta. \n \nPOTICANJE RAZVOJA TV PROJEKATA - POTKATEGORIJA POJEDINAČNA TV DJELA \nOd dva prijavljena projekta, oba u kategoriji Igranog TV djela (TV film), nijedan nije zadovoljio \nkvalitativne kriterije Javnog poziva u ovoj kategoriji. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2018,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2019__1rok_19VI2019_WEB_DUG_DOK.pdf","filename_decoded":"RSC_2019__1rok_19VI2019_WEB_DUG_DOK.pdf","sha256":"d74ec1ea284a0dcfc8599756f7e61d5b88d8fd8171869b0f4ae9c8642c95fdac","bytes":42155,"page_count":4,"extracted_at":"2026-05-17T10:24:24Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2019__1rok_19VI2019_WEB_DUG_DOK.pdf"},"raw_text":"1\nRAZVOJ SCENARIJA 2019.\n- 1. rok 19VI2019\nDUGOMETRAŽNI DOKUMENTARNI\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nDica Splita\nŠimun Šitum, Sandro \nBaraba\nEclectica d.o.o. \nŠimun Šitum\n25.000,00\n2\nDjeca moga brata\nMilivoj Puhlovski\nMetar60 \nMilivoj Puhlovski\n25.000,00\n3\nFrane Zanki\nMarcella Zanki\nEclectica d.o.o. \nMarcella Zanki\n25.000,00\n4\nGrofica\nAna Vilenica\nAna Vilenica\n25.000,00\n5\nMjerenje neba\nMarjan Alčevski\nNukleus Film d.o.o. \n25.000,00\n6\nOno što nas povezuje\nLana Šarić\n25.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2019. - 1. 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programa stručnog \nusavršavanja i programa audiovizualnih udruga i organizacija. \nDio prijava koje su vezane za isti program umjetnički su savjetnici sagledavali kao jednu \nprijavu, a za 4 prijave savjetnici su zaključili da ne pripadaju u programsko područje \nkomplementarnih djelatnosti.  \nNakon razmatranja prijava savjetnici za komplementarne djelatnosti u sastavu Jaka \nPrimorac, Mario Kikaš i Dragan Rubeša za financiranje preporučuju 239 programa u \nukupnom iznosu od  10.302.900,00 kuna. \nU postupku procjenjivanja i vrednovanja prijava savjetnici su se vodili nizom kriterija po \nnavedenim kategorijama, pri čemu je u svim kategorijama vrednovano sljedeće: \n- kvaliteta, izvedivost i održivost predloženog programa, pri čemu se posebno vodilo \nračuna o programima koji imaju konkretne, realne i strateške planove u umjetničkom, \norganizacijskom i financijskom smislu, o dostupnosti samog projekta, njegovoj vidljivosti i \nkomunikaciji s profesionalcima i javnosti, kvaliteti prijave, kvaliteti i iskustvu projektnog \ntima u pojedinoj programskoj komplementarnoj djelatnosti za koju se prijavljuju, o \nprethodnom izdanju programa (u slučaju da nije riječ o prvom izdanju), te o različitim \noblicima suradnje, umrežavanjima i partnerstvu   \n- važnost programa, od lokalne zajednice, preko nacionalne važnosti do međunarodne \nprepoznatosti \n- kontinuitet programa, odnosno njegova dugoročna usmjerenost (jednokratna \ndogađanja podržana su iznimno, i s relativno malim iznosima) primarno misleći na \nprethodno već pokrenute programe koji su svojom kvalitetom, sustavnošću i javnom \nvažnošću ostvarili uvjete za daljnju potporu od strane Hrvatskog audiovizualnog centra te \nsu svojom kvalitetom opravdali nastavak financiranja \n- projekti koji dosad nisu financirani a pridonose specifičnosti, komplementarnosti te \nestetskoj raznovrsnosti audiovizualnih sadržaja \n- projekti koji nude različite aspekte audiovizualne edukacije  \n\n\f\n- projekti koje na pojedinom javnom pozivu, sukladno trenutačnim potrebama \naudiovizualnog sektora, umjetnički savjetnici odrede kao prioritetnu aktivnost ili \naktivnosti koju bi trebalo pojačano potpomagati u narednom periodu  \n \nKao i prethodnih godina i ove je godine zabilježen rast broja prijava te pojava novih \nvrijednih inicijativa (s naglaskom na programe usmjerene na djecu i mlade, ali i na osobe \nsa posebnim potrebama), pri čemu smo prednost dali programima u sredinama u kojima \nsu filmski programi ili zapostavljeni ili praktično nepostojeći. Premda je pohvalan napor \ndijela korisnika za otvaranjem programa prema ranjivijim skupinama, mora se \nnapomenuti da takvim programima treba pristupiti vrlo oprezno te sa nužnom stručnom \npomoći pri izradi programa, te boljom povezanošću sa nadležnim ustanovama, što su \numjetnički savjetnici posebno vrednovali.  \nPrograme čiji je rast i razvoj primjetan u prethodnoj godini pokušali smo popratiti (makar \nsimboličnim) povećanjem sredstava u okviru financijskih mogućnosti. Kao i prethodnih \ngodina, na Poziv je prijavljen velik broj edukativnih programa vezanih uz školske \nprograme. Potrebno je istaknuti kako ove programe umjetnički savjetnici smatraju \niznimno važnima, no mišljenja je da se trebaju odvijati uz primarnu potporu resornog \nministarstva, kako zbog prepoznavanja važnosti audiovizualnog obrazovanja, tako i zbog \nHAVC-ova ograničenog budžeta. Slično kao i prethodnih godina umjetnički savjetnici \nnaglašavaju nužnost za boljim otvaranjem komunikacijskih kanala između nadležnog \nMinistarstva i HAVC-a oko ovih pitanja kako bi se postigao veći napredak u polju \naudiovizualnog obrazovanja te medijske pismenosti. \n \n \nKao i svake godine, u svim kategorijama utvrđeni su prioritetni programi za koje su \npredložene i najviše potpore. Riječ je o programima od iznimne ili visoke nacionalne \nvrijednosti, koje možemo smatrati temeljnim za očuvanje i razvoj audiovizualnog \nstvaralaštva u Hrvatskoj, odnosno o programima od velike regionalne ili lokalne važnosti, \nili pak onima koji su važni za razvoj pojedinih djelatnosti ili žanrova: \n U kategoriji Zaštita audiovizualne baštine uključujući kinotečnu djelatnost \npodrška je dodijeljena digitalizaciji arhiva Hrvatskog filmskog saveza s posebnim \nnaglaskom na filmsku ostavštinu izvedbenog umjetnika Toma Gotovca, kao i \nuspostavljanje internetske arhive filmova i knjižnih materijala HFS-a. Podršku je \ndobio i Zagreb film za restauraciju i digitalizaciju dokumentarnih filmova iz arhiva \nove ustanove. Napominjemo kako su za godišnji plan zaštite i restauracije \naudiovizualnog gradiva Hrvatskog državnog arhiva, osigurana zasebna sredstva \nvan programskih sredstava za komplementarne djelatnosti. Umjetnički savjetnici \ncijene napore da se digitalizira što veći dio hrvatske filmske baštine iz različitih \narhiva, ali i  što veću i lakšu dostupnost te građe nakon digitalizacije. \n\n\f\n U kategoriji Proučavanje i kritičko vrednovanje audiovizualnih djelatnosti, \numjetnički savjetnici izvrsnim ocjenjuju projekt Baze za lokalno osvježavanje \nkulture (BLOK) Stanovanje na filmu koji se prvi put prijavljuje u ovoj kategoriji. \nPohvaljuje se kontinuitet razvoja programa u ovoj kategoriji poput Vizualnog \nkolegija Multimedijalnog instituta te Restartov kritički i edukacijski program u \nsklopu kojeg izdvajamo novi projekt Razmišljaj filmom kao odličan primjer \nmeđusektorske suradnje između audiovizualnog, civilnog i obrazovnog sektora. \n U kategoriji Objavljivanje književnih radova u području audiovizualnih djelatnosti \ntradicionalno je najveća podrška dodijeljena filmološkom časopisu Hrvatski \nfilmski ljetopis, a prepoznata je i vrednovana visoka kvaliteta filmskog časopisa \nFilmonaut, te izdavačka djelatnost HFS-a gdje je pažnja posvećena kako klasicima \ntako i novijim autorima/icama. U području elektroničkih publikacija nastavilo se \nsa prethodnom praksom financiranja portala koji na kvalitetan način \npredstavljaju, valoriziraju i kontekstualiziraju AV djelatnost, bilo da se radi o \nspecijaliziranim filmskim portalima (od kojih bi istaknuli portal Filmovi.hr, te \nportale Nemilosrdni gadovi, Dokumentarni.net) ili o općim kulturnim portalima \nkoji unutar posebnih rubrika stavljaju naglasak na audiovizualne djelatnosti \n(npr.rubrika Kinemaskop unutar portala Kulturpunkt). \n U kategoriji Programi stručnog usavršavanja filmskih profesionalaca, nastavno na \nprethodne godine i kontinuiran razvoj, podržana je edukacije nastavnika/ica, \nvoditelja/ica klubova i samostalnih autora i autorica Škola medijske kulture Dr. \nAnte Peterlić Hrvatskog filmskog saveza. Umjetnički savjetnici kao pozitivne \nprimjere programa s kontinuiranim rastom i razvojem izdvajaju: nastavak \norganiziranja međunarodnih programa edukacije i umrežavanja poput Ex Oriente \nFilm, ZagrebDox Pro i Industrija Zagreb film festivala, zatim scenaristički \nprogrami u organizaciji Hrvatskog filmskog saveza (Palunko) i Društva hrvatskih \nfilmskih \nredatelja \n(Scenaristički \nprogram \n„Branko \nBauer“), \ndjelovanje \nkinoklubova (Karlovac i Split) te organizacije Restart na edukaciji o specifičnim \nznanjima u proizvodnji filma. \n Kategorija Filmskih festivala i drugih audiovizualnih manifestacija još uvijek je \nnajveća budžetska stavka unutar financiranja komplementarnih djelatnosti \n(5.213.400,00) te iz godine u godinu raste i po broju i po razvoju. Kao najvažniji \nnacionalni festivali značajnog međunarodnog ugleda i dalje su podržani \nAnimafest Zagreb, ZagrebDox, Motovun Film Festival i Zagreb Film Festival. \nNadalje su prepoznati po svojoj izvrsnosti i sljedeći festivali: 25fps, Vukovar Film \nFestival, Splitski filmski festival, Festival mediteranskog filma u Splitu, Human \nRights Film Festival, Festival tolerancije, te Four River Film Festival. Tu su i Dani \n\n\f\nhrvatskog filma s novim organizatorom (Centar za kulturu Trešnjevka), ali i neki \ndrugi važni festivali regionalnog i lokalnog značaja (Avvantura Festival, Tabor \nFilm Festival, Liburnia Film Festival koji je iz Ičića preseljen u Opatiju). Valja \nizdvojiti i festivale specifičnog formata i/ili sadržajnog odnosno koncepcijskog \nusmjerenja (Festival jednominutnih filmova u Požegi, One Take Film Festival, \nFilmske mutacije, Subversive Film Festival, Fantastic Film Festival, Trash Film \nFestival). Ostali programi mogu se okarakterizirati kao uglavnom lokalno \norijentirani festivali i manifestacije. \n U kategoriji Djelatnosti razvijanja audiovizualne kulture posebna pažnja \nposvećena je art-kinima u većim urbanim središtima, a kojima su određene \nrazličite potpore s obzirom na kvalitetu ponuđenoga programa, njegov \nkontinuitet i koncepcijsku opravdanost: Filmski program u kinu Tuškanac \n(Zagreb), Filmski program Art-kina Croatia (Rijeka), Kino Europa (Zagreb), Kino \nUrania (Osijek), te Kinoteka Zlatna vrata (Split). Kao važni prepoznati su i redovni \nprikazivački programi u manjim gradovima (Varaždin, Daruvar, Samobor, Velika \nGorica) te kontinuirani obrazovni programi i radionice Kinokluba Zagreb, \nKinokluba Karlovac, udruge Restart, udruge Blank, te posebice programi \nStudentskog centra u Zagrebu. Od različitih ponuđenih prikazivačkih programa \nza djecu i mlade, i dalje se ističu program filma za djecu i mlade i nezavisnih \ndigitaliziranih kinoprikazivača Udruge Djeca susreću umjetnost, program Udruge \nBacači sjenki pod nazivom FROOOM-program filmskog i interdisciplinarnog \nobrazovanja, ali i inovativni manji programi udruge Otompotom. Putujući projekt \nKina Mediteran koji je pokrenut prije dvije godine i dalje se pokazao uspješnim \nte je podržan i ove godine.  \n U kategoriji Programi promocije i prodaje hrvatskih audiovizualnih djela  za \nsufinanciranje smo predložili programe promocije i distribucije animiranih, \neksperimentalnih i dokumentarnih filmova (u kratkom metru) Bonobostudija, \nrad na promociji i plasmanu domaćih filmova koji provodi tvrtka Everything \nworks, distribuciju domaćih dokumentarnih naslova udruge Factum i udruge \nRestart, te dva zasebna programa distribucije (festivalska distribucija i program \nDoajeni Zagreb filma I) u organizaciji Ustanove Zagreb film.   \n \nPotrebno je istaknuti kako su se i ove godine prilikom rada na procjenjivanju prijava, te \nsagledavanja natječaja u cjelini umjetnički savjetnici susreli sa nekoliko otvorenih pitanja \ni izazova, kao što su pitanje održivosti filmskih festivala, pitanje Hrvatske kinoteke, \naudiovizualnog obrazovanja te pitanja financiranja audiovizualne djelatnosti u cjelini. \nNeka od navedenih pitanja mogu se riješiti u okviru tijela Hrvatskog audiovizualnog \ncentra, dok je za druga pitanja potrebno uspostaviti aktivnu suradnju između Centra i \n\n\f\ndrugih sudionika (prije svega Ministarstva kulture, Ministarstva znanosti, obrazovanja i \nsporta te jedinica lokalne i regionalne uprave).  \n \nKao i prethodnih godina, umjetnički savjetnici imaju potrebu još jednom ponoviti da je \npitanje unaprjeđenja i razrade smjernica natječaja ostalo otvorenim. Smatramo da se \nmoraju postaviti jasniji okviri i parametri koji će proizaći iz dosadašnjeg rada na procjeni \nprijava u ovoj kategoriji, kompleksnosti i specifičnosti audiovizualnog polja u Republici \nHrvatskoj te na osnovu dosadašnjih primjera dobre prakse u sličnim natječajima unutar \nsektora kulture. \n \nUmjetnički savjetnici za polje komplementarnih djelatnosti smatraju potrebnim istaknuti \nda je za infrastrukturu audiovizualnog sektora te njegov široki krug korisnika – onih \nsadašnjih, kao i onih i budućih – nužno osigurati i dalje razvijati dugoročan i stabilan \nsustav potpore kakav je nastao u sklopu Hrvatskog audiovizualnog centra kroz njegov \ndosadašnji rad. \n \nNAPOMENA \nU kategoriji Programi audiovizualnih udruga i organizacija odluke će se donijeti na \nnarednoj sjednici Hrvatskog audiovizualnog vijeća.  \n \n \n \n \nUmjetnički savjetnici za komplementarne djelatnosti \nJaka Primorac \nMario Kikaš \nDragan Rubeša \n \nZagreb, 5. svibnja 2017. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2rok_11IX2024_DUG_DOK_WEB.pdf","filename_decoded":"RSC_2rok_11IX2024_DUG_DOK_WEB.pdf","sha256":"d85eb80daba8387f5e8fd825e185c7518029aaa7cf7c7db30cff3ca465f906cb","bytes":114552,"page_count":1,"extracted_at":"2026-05-17T10:24:26Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2rok_11IX2024_DUG_DOK_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nODOBRENO €\n1\nBrodovi koji se odupiru \numjetnosti ili o gluposti\nVlatka Vorkapić\nVlatka Vorkapić\n5.000,00\n2\nDarwil\nTin Bačun\nTin Bačun\n5.000,00\n3\nFred, priča o ljubavi\nTomislav Domović\n5.000,00\n4\nGovedarica\nTiha Gudac\nAntitalent d.o.o.\nTiha Gudac\n5.000,00\n5\nIza otvorenih vrata\nNikola Kuprešanin\nNikola Kuprešanin\n5.000,00\n6\nNasljedstvo (radni \nnaslov); alternativni \nnaslov: \"I mačka se \nomaci\"\nVedrana Pribačić, Mirta \nPuhlovski\nMetar60\nVedrana Pribačić\n5.000,00\n7\nPraznovjerje slobode - \nMisterij Svetog Marina\nMorana Ikić Komljenović\nMorana Ikić Komljenović\n5.000,00\n8\nTako je govorio Korado \nZoran Krema\nUdruga Okodoko\nZoran Krema\n5.000,00\n9\nTBF - nastanak\nDamir Janeček\nDamir Janeček\n5.000,00\n10\nZajedno\nSilvio Jesenković, \nSnježana Tribuson\nMetar60\nSnježana Tribuson\n5.000,00\nUKUPNO\n50.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ \nSCENARIJA u 2024. - 2. 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umjetničkog savjetnika po odlukama o donošenju liste prioriteta i raspodjeli sredstava \nprema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2018. godini, u kategoriji \npoticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (drugi rok: 26. travnja 2018.). \n \ndoc. dr. sc. Boško Picula, umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom \n \nNa Javni poziv prijavljeno je 28 projekata pri čemu je jedan od projekata prijavljen i odobren za \nsufinanciranje na prvom roku, a dva su u međuvremenu povučena s Natječaja te je u konačnici \nrazmatrano 25 projekata. Od toga je jedan animirani film, četiri su debitantska dugometražna igrana \nfilma, zatim šest dugometražnih dokumentarnih filmova (od 60 minuta), deset dugometražnih igranih \nfilmova, po jedan su eksperimentalni i kratkometražni dokumentarni film, a dva kratkometražna igrana \nfilma. Kriteriji predlaganja projekta za sufinanciranje temelje se na: cjelovitosti predloženih radova, \nredateljskom konceptu, scenarističkoj dorađenosti, doprinosu i broju hrvatskog dijela kreativne, \ntehničke i produkcijsko-organizacijske ekipe filma, realizaciji projekta u Hrvatskoj, festivalskim \npotencijalima u Hrvatskoj i inozemstvu, elaboriranosti izvedbe samog projekata i aktualnim \nfinancijskim mogućnostima.  \n \nNa listu filmova predloženih za sufinanciranje proizvodnje uvršteno je šest projekata:  \n \n1. \nkratkometražni animirani film Toomas pod dolinom divljih vukova (Estonija) s predloženim \nsredstvima u iznosu od 200.000 kn  \n2. \ndugometražni dokumentarni film Borderline Kupa (Belgija) s predloženim sredstvima u iznosu \nod 150.000 kn  \n3. \ndugometražni igrani film Moje jezero (Albanija) s predloženim sredstvima u iznosu od 525.000 \nkn  \n4. \ndugometražni igrani film Tigrovi (Švedska) s predloženim sredstvima u iznosu od 650.000 kn  \n5. \nkratkometražni dokumentarni film Sestre (Bosna i Hercegovina) s predloženim sredstvima u \niznosu od 100.000 kn  \ni  \n6. \nkratkometražni igrani film Raj (Slovenija) s predloženim sredstvima u iznosu od 100.000 kn  \n \nUkupni iznos predloženih sredstava jest 1.725.000,00 kuna. \n \nOSVRT: \nNa drugi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2018. godini u \nkategoriji poticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (26. travnja 2018.) \nprijavljeni su projekti u svim skupinama (animirani film, debitantski dugometražni igrani film, \ndugometražni dokumentarni film (od 60 minuta), dugometražni igrani film, eksperimentalni film, \nkratkometražni dokumentarni film i kratkometražni igrani film), i to produkcijskih kuća s većinskim \nudjelom u financiranju razmatranih projekata iz deset zemalja pri čemu je najveći broj prijava stigao iz \nSrbije (sedam) i Slovenije (šest), zatim iz Bosne i Hercegovine (tri), po dva iz Švedske i Bugarske te po \njedan iz Albanije, Belgije, Estonije, Gruzije i SAD-a. Kao i na prethodnom roku u 2018. posrijedi su \nrazličiti projekti glede filmskih rodova, žanrova, tema, autorskih koncepata i planiranih proračunskih \nsredstava te angažmana hrvatskog dijela ekipe i – realizacije projekata u samoj Hrvatskoj. Od 25 \nrazmatranih projekata dva su u trenutku prijave bili u postprodukcijskoj fazi, dok je razmatrane projekte \nprijavila ukupno 21 hrvatska produkcijska kuća.            \n \nPREDLOŽENI PROJEKTI: \n \nToomas pod dolinom divljih vukova (Estonija) projekt je nagrađivane estonske redateljice i animatorice \nChintis Lundgren (Manivald) koja osim u domovini uspješnu karijeru gradi i u Hrvatskoj pri čemu je \nnjezin kratkometražni rad Život s Hermanom H. Rottom 2015. osvojio nagradu Oktavijan za najbolji \nanimirani film na Danima hrvatskog filma. U svom novom kratkometražnom filmu nastavljajući \nprepoznatljivu estetiku, duhovito iščitavanje suvremenog života i sarkastičan humor, autorica govori o \nnaslovnom vuku Toomasu koji upadne u niz apsurdnih situacija nakon što kao glava dobrostojeće \n\n\f\nobitelji izgubi posao jer se suprotstavi šefici koja ga zavodi... Film u predviđenom trajanju od 15 minuta \ns hrvatske strane producira Jadranska animacija (Adriatic Animation), koscenarist je hrvatski redatelj \nDraško Ivezić (Ljubav i prijevozna sredstva), a na projektu će, među ostalim, sudjelovati i skupina \nhrvatskih animatora.   \n         \nBorderline Kupa (Belgija) projekt je u belgijsko-hrvatskoj koprodukciji pri čemu je redateljica ovog \ndugometražnog dokumentarnog filma hrvatska autorica Tiha Gudac. Nakon svog cjelovečernjeg \nprvijenca Goli iz 2014. kojim je, među ostalim međunarodnim priznanjima, osvojila nagradu Srce \nSarajeva za najbolji dokumentarni film na Sarajevskom filmskom festivalu, Tiha Gudac ponovno spaja \nljudske sudbine i širi politički kontekst, ovaj put dokumentirajući problem postavljanja žilet-žice u \nkanjonu Kupe uslijed Europske migracijske krize koja je podijelila i dotad miran i međusobno upućen \nkraj. U realizaciji filma planirana je značajna zastupljenost hrvatske strane u umjetničkom i tehničkom \nosoblju, film se snima i na lokacijama u Hrvatskoj, a hrvatski je koproducent Kinoteka d.o.o. iza kojega \nje nagrađivani igrani film ZG80.     \n\t\r  \nMoje jezero (Albanija) projekt je novoga dugometražnog igranog filma albanskog redatelja i scenarista \nGjergja Xhuvanija čiji su dosadašnji kratkometražni i dugometražni radovi osvajali nagrade na \nprestižnim festivalima od Festivala u Cannesu (kratkometražni film Slogani) do Filmskog festivala \nSundance (dugometražni film Dragi neprijatelj). Novi mu je film također suptilan i snažan prikaz \nčovjekova (ne)snalaženja u dramatičnim okolnostima u kontrastu s ljepotom prirode koja ga okružuje. \nFilm s hrvatske strane produkcijski realizira Corvus film d.o.o.  \nHrvatska strana planira, među ostalim, osigurati mušku ulogu te značajni udio u umjetničkom i \ntehničkom sastavu ekipe. \n \nTigrovi (Švedska) su jedna od najambicioznijih aktualnih koprodukcija europskih kinematografija u \nkojoj su osim glavnog producenta iz Švedske okupljene produkcijske kuće iz Danske, Italije i Hrvatske. \nRiječ je o sportskoj drami koja se temelji na biografiji U sjeni San Sira Martina Bengtssona prateći \ndarovitog šesnaestogodišnjeg nogometaša čiji se životni san o odlasku u talijansku ligu uskoro pretvori \nu golo preživljavanje. Autor je filma jedan od najperspektivnijih mlađih švedskih redatelja i scenarista \nRonnie Sandahl koji je svojim dugometražnim igranim prvijencem Gubitnik iz 2014. osvojio više \npriznanja na svjetskim festivalima, a lani se predstavio i kao scenarist hvaljene sportske drame \nBorg/McEnroe sa Sverrirom Gudnasonom i Shijom LaBeoufom. Hrvatski je partner u realizaciji filma \nKinorama d.o.o. iza koje je niz domaćih (Zvizdan, serijal o Koku) i međunarodnih uspjeha (Ničije dijete, \nBit ćemo prvaci svijeta). Film će se snimati i na lokacijama u Hrvatskoj, uz sudjelovanje mnogobrojne \nekipe, hrvatskog umjetničkog i tehničkog osoblja. S obzirom na temu, elaboriranost projekta i angažman \nhrvatske strane, film ima visok umjetnički i komercijalni potencijal.     \n    \nSestre (Bosna i Hercegovina) su novi rad bosansko-hercegovačkog redatelja Zdenka Jurilja koji je \nprethodnim dokumentarnim filmom Dom, među ostalim, osvojio priznanje na Sarajevskom filmskom \nfestivalu. Posvećen dokumentarnom filmskom rodu u svojoj karijeri, autor u novom projektu \nrekonstruira jedan od najpoznatijih slučajeva preživljavanja u bivšoj Jugoslaviji kada su 1985. sestre \nŠima i Draženka Čuljak tijekom odlaska u Mostar na zimske praznike doživjele nesreću upavši u \nprovaliju te se više od tjedan dana borile za vlastite živote na iznimno niskim temperaturama. Film \nsadržajno i vizualno na veoma efektan način govori o ovom dramatičnom događaju i njegovim \nposljedicama, a u trenutku prijave na Natječaj nalazi se u postprodukcijskoj fazi. Film s hrvatske strane \nproducira Olimp produkcija d.o.o. (igrani film Živi i mrtvi) uz glavninu umjetničkog i tehničkog osoblja \niz Hrvatske.     \n \nRaj (Slovenija) kratkometražni je igrani film u zajedničkoj režiji slovenske redateljice Sonje Prosenc \nčiji se film Drvo iz 2014. natjecao na Filmskom festivalu u Karlovym Varyma i direktora fotografije \nMitje Ličena. Ozračjem snolika te vizualno dojmljiva priča na tragu francuskog novog vala prati \nljubavni par koji na odmoru pokušava udahnuti novu strast u svoju vezu, a na to će ga nadahnuti \nneočekivana okolnost. Film se planira snimiti na hrvatskim lokacijama. Hrvatski koproducent Wolfgang \ni Dolly d.o.o., među ostalim, planira osigurati žensku ulogu te značajni udio u umjetničkom i tehničkom \nsastavu ekipe.  \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2018,"rok":"2. rok","referenced_projects":["Toomas pod dolinom divljih vukova","Borderline Kupa","Moje jezero","Tigrovi","Sestre","Raj"],"summary":"Obrazloženje umjetničkog savjetnika doc. dr. sc. Boška Picule za 2. rok 2018. (26. travnja 2018.) za filmske koprodukcije s manjinskim hrvatskim udjelom: od 25 razmatranih projekata predloženo je šest u ukupnom iznosu od 1.725.000,00 kuna.","project_links":[{"source_title":"Toomas pod dolinom divljih vukova","family_id":"pf_f8a3cd25c739","family_title":"Toomas pod dolinom divljih vukova","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Borderline Kupa","family_id":"pf_73b5823b68ce","family_title":"Borderline Kupa","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Moje jezero","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Tigrovi","family_id":"pf_dcfb37d444d1","family_title":"Tigrovi","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Sestre","family_id":"pf_62976908d9c4","family_title":"Sestre","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Raj","family_id":"pf_389cfbbbcea6","family_title":"Raj","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web OBRAZLOZENJE KOMPLEMENTARNE_drugi rok 2024.pdf","filename_decoded":"web OBRAZLOZENJE KOMPLEMENTARNE_drugi rok 2024.pdf","sha256":"d8ba4974f18c9ff5aae4d22c551a635b1b7b61a06173305c3b659a8838f4d61b","bytes":68416,"page_count":3,"extracted_at":"2026-05-17T12:01:31Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20OBRAZLOZENJE%20KOMPLEMENTARNE_drugi%20rok%202024.pdf"},"raw_text":"1 \n \nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U \n2024. GODINI \n \nu drugom roku do 11. siječnja 2024.  \nisključivo za one projekte iz kategorije programa filmskih festivala i drugih audiovizualnih \nmanifestacija koji se održavaju u drugoj polovici 2024. godine, a nisu se prijavili na prvi rok \njavnog poziva. \n \n \n \n \nObrazloženje umjetničkih savjetnica za komplementarne djelatnosti \n \n \nPrijave na Javni poziv za dodjelu sredstava za poticanje komplementarne djelatnosti u 2024. \ngodini podnose se u dva roka. Drugi rok, predmet ovog natječaja, bio je raspisan do 11. \nsiječnja 2024. i odnosi se isključivo na one projekte u kategoriji programa filmskih festivala i \ndrugih audiovizualnih manifestacija koji se održavaju u drugoj polovici 2024. godine.  \n \nNa roku je zaprimljena  81 prijava od kojih savjetnice za komplementarne djelatnosti, \nMartina Globočnik, Sanja Šamanović i Katarina Ivče Farnell predlažu za financijsku podršku \n46 programa u ukupnom iznosu od  357.950,00 eura što je Hrvatsko audiovizualno vijeće \nusvojilo na 35. sjednici održanoj 25. travnja 2024. \n \nMeđu pristiglim prijavama 26 programa ne odgovara kategoriji programa filmskih festivala i \ndrugih audiovizualnih manifestacija.  Riječ je o cjelogodišnjim programima kina, programima \nfilmske pismenosti, programima razvoja publike, filmskim radionicama različitog profila te \nostalim programima koji ne spadaju u ovaj rok, stoga su ti programi isključeni iz daljnje \nvalorizacije. Ovako velik broj prijava koje ne odgovaraju propozicijama natječaja ukazuje da \nbi prijavitelji trebali pažljivije proučiti specifičnost javnog poziva. \nOd 55 prijavljenih programa koje su savjetnice razmatrale, 46 programa je predloženo i \nodobreno za sufinanciranje.  \nU postupku procjenjivanja savjetnice su se vodile otprije utvrđenim kriterijima: \n– kvaliteta, izvedivost i održivost programa (od sadržajne do produkcijske razine) \n– programi koji imaju konkretne, realne i strateške planove u umjetničkom, organizacijskom i \nfinancijskom smislu \n\n\f\n2 \n \n– značaj programa za relevantan kontekst (ovisno o programu, od lokalne zajednice, preko \nnacionalnog značaja do međunarodne prepoznatljivosti i važnosti za audiovizualni sektor) \n– kontinuitet programa odnosno njegova dugoročna usmjerenost, dostupnost projekta, \nvidljivost i komunikacija sa profesionalcima i javnosti, \n– kvaliteta prijave, kvaliteta i iskustvo projektnog tima u pojedinoj programskoj \nkomplementarnoj djelatnosti za koju se prijavljuje (stabilni i dostatni izvori prihoda za \nkontinuirano obavljanje aktivnosti tijekom razdoblja ostvarivanja projekta, stručne \nkompetencije i kvalifikacije potrebne za provođenje predložene aktivnosti) \n– prethodna izdanja programa (ako nije prvo izdanje) \n– ispunjavanje prethodnih ugovornih obveza s Centrom \n– odjek programa i komunikacija s javnosti (prije, za vrijeme i nakon održavanja programa) \n– te povezivanje i suradnja. \n \nProgramima nejasne financijske konstrukcije i slabije kvalitete ponuđenog sadržaja u \nusporedbi s drugim pristiglim projektima nije odobreno sufinanciranje.  Usprkos jasnim \nnaputcima, zamjetan broj prijavitelja priložio je nerazrađene troškovnike i dokumentaciju \nzbog koje je otežana procjena sadržaja programa te strateškog  promišljanja projekata i \npratećih troškova.  S druge strane, mnogi prijavljeni projekti svjedoče o ulaganju napora kako \nbi se održao kontinuitet održavanja filmskih događanja različitih profila i to usprkos brojnim \nizazovima s kojima se prijavitelji suočavaju.   \nMeđu predloženim i odobrenim programima za sufinanciranje važnošću i iznosom prednjače: \nCinehill - Motovun Film Festival 2024., Human Rights Film Festival, 18. Vukovar Film Festival, \n18. Festival tolerancije, 22. Tabor Film Festival, kao i 19. DOKUart - festival profesionalnog \ndokumentarnog filma, 33. Dani hrvatskog filma,  Supertoon - Međunarodni festival \nanimacije, 14. Fantastic Zagreb Film Festival.  \nNa listi predloženih i odobrenih programa nalaze se i drugi (specijalizirani) festivali:  17. \nSmaragdni eco film festival – SEFF, 13. Kiki - međunarodni festival dječjeg filma, Timpetill - \nYoung4Film, DUff 2024. – 13. izdanje međunarodnog festivala za djecu i mlade, kao i revije \nHrvatskog filmskog saveza: 29. Filmska revija mladeži i 17. Four River Film Festival te 62. \nRevija hrvatskog filmskog stvaralaštva djece i 56. Revija hrvatskog filmskog stvaralaštva.   \n \n\n\f\n3 \n \nMeđu programima predloženim i odobrenim za sufinanciranje nalaze se i brojni manji \nfestivali i revije koji ukazuju na razvedenost i raznolikost ponude kao što su: 10. Brač Film \nFestival, Klein Film Festival, 18. PSSST! Festival nijemog filma, 18. Festival dokumentarnog \nrock filma – DORF, 19. Trash Film Festival, Festival europskog filma, 14. Porečdox, \nmeđunarodni festival dokumentarnog filma, 9. Filmska RUNDA, Mjesec hrvatskog filma u \nMikro-kinu, REF - Revija europskog filma '24., Lovely Days 2024. i drugi. \nNa ovaj javni poziv odazvao se zamjetan broj novih prijavitelja koji manje ili više vješto žele \npovezati kulturnu ponudu s turističkom. Među pristiglim prijavama, predložena su i \nodobrena i četiri projekta koja se prvi put prijavljuju. Riječ je o dva festivala  i dvije \nmanifestacije. Savjetnice su ih podržale s uvjerenjem da će pridonijeti raznovrsnosti i \nkvaliteti ponude filmskih događanja u 2024. godini. \n \n \nUmjetničke savjetnice za komplementarne djelatnosti: \nMartina Globočnik \nSanja Šamanović \nKatarina Ivče Farnell \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2024,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2rok_11IX2024_ANIMIRANI_WEB.pdf","filename_decoded":"RPR_2rok_11IX2024_ANIMIRANI_WEB.pdf","sha256":"d8f7d1cfbe2331e00c742f54e7492fbda04247f07343656b2957d8b726eaa629","bytes":105180,"page_count":1,"extracted_at":"2026-05-16T14:22:20Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2rok_11IX2024_ANIMIRANI_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nODOBRENO  €\n1\nAlbedo\nKreativni sindikat\nAna Mušćet\nAna Mušćet\n5.000,00\n2\nBoje prijateljstva\nJaka produkcija d.o.o.\nLuka Vucić, Sonja Babić\nLuka Vucić\n5.000,00\n3\nKaleid\nFilmska udruga Šuma\nDavid Lovrić, Natko \nKlobučar\nDavid Lovrić, Natko \nKlobučar\n5.000,00\n4\nSaima\nJadranska animacija\nChintis Lundgren (Christin \nPeets), Draško Ivezić\nChintis Lundgren (Christin \nPeets), Draško Ivezić\n20.000,00\n35.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ \nanimirani film - trajanje nije kraće od 5 minuta\n5. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 13. prosinca 2024.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ","year":2024,"rok":"2. rok","natjecaj_date":"2024-09-11","decision_date":"2024-12-13","decision_body":"AV vijeće","currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"animirani film - trajanje nije kraće od 5 minuta","section_key":"animirani","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","ODOBRENO €"],"rows":[{"row_number":1,"project_title":"Albedo","applicant":"Kreativni sindikat","production_company":"Kreativni sindikat","director":"Ana Mušćet","writer":"Ana Mušćet","original_author":null,"category":"Animirani","approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"EUR","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kreativni sindikat","row_id":"d8f7d1cf:s0:e141faac844d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_c2e50136b95d","project_family_title":"Albedo"},{"row_number":2,"project_title":"Boje prijateljstva","applicant":"Jaka produkcija d.o.o.","production_company":"Jaka produkcija d.o.o.","director":"Luka Vucić","writer":"Luka Vucić, Sonja Babić","original_author":null,"category":"Animirani","approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"EUR","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Jaka produkcija d.o.o.","row_id":"d8f7d1cf:s0:8b480037cf3b","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_a58cbb36193e","project_family_title":"Boje prijateljstva"},{"row_number":3,"project_title":"Kaleid","applicant":"Filmska udruga Šuma","production_company":"Filmska udruga Šuma","director":"David Lovrić, Natko Klobučar","writer":"David Lovrić, Natko Klobučar","original_author":null,"category":"Animirani","approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"EUR","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Filmska udruga Šuma","row_id":"d8f7d1cf:s0:a56de4638e08","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_40f9df619d89","project_family_title":"Kaleid"},{"row_number":4,"project_title":"Saima","applicant":"Jadranska animacija","production_company":"Jadranska animacija","director":"Chintis Lundgren (Christin Peets), Draško Ivezić","writer":"Chintis Lundgren (Christin Peets), Draško Ivezić","original_author":null,"category":"Animirani","approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"EUR","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Jadranska animacija","row_id":"d8f7d1cf:s0:8ec0cb75ff47","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_aaa2ed0e76d2","project_family_title":"Saima"}],"section_total_text":"35.000,00","section_total":35000.0}],"totals":{"ukupno_text":"35.000,00","ukupno":35000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":35000.0,"ukupno_match":true,"row_count":4,"awarded_count":4,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":4}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web dokumentarni RS_RP.pdf","filename_decoded":"web dokumentarni RS_RP.pdf","sha256":"d97fe54bbeb01fb1917498a97d8caeff49b6787061ed6f29bcc1a5d3a517cba2","bytes":72122,"page_count":6,"extracted_at":"2026-05-17T12:02:17Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20dokumentarni%20RS_RP.pdf"},"raw_text":"JAVNI\t\r  POZIV\t\r  ZA\t\r  POTICANJE\t\r  AUDIOVIZUALNIH\t\r  DJELATNOSTI\t\r  I\t\r  STVARALAŠTVA\t\r  1.\t\r  ROK,\t\r  2020.\t\r  \nDOKUMENTARNI\t\r  FILM,\t\r  UMJETNIČKA\t\r  SAVJETNICA:\t\r  Morana\t\r  Ikić\t\r  Komljenović\t\r  \nKATEGORIJA:\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \t\r  RAZVOJ\t\r  SCENARIJA\t\r  I\t\r  RAZVOJ\t\r  PROJEKATA\t\r  DUGOMETRAŽNIH\t\r  DOKUMENTARNIH\t\r  \t\r  \nFILMOVA\t\r  –\t\r  rok\t\r  6.\t\r  travnja\t\r  2020.\t\r  \nNa\t\r  javni\t\r  poziv\t\r  u\t\r  1.\t\r  roku\t\r  prijavljeno\t\r  je\t\r  u\t\r  kategoriji\t\r  proizvodnje,\t\r  razvoja\t\r  scenarija\t\r  i\t\r  razvoja\t\r  projekata\t\r  \nsveukupno\t\r  85\t\r  projekata.\t\r  Jedan\t\r  je\t\r  projekt\t\r  diskvalificiran\t\r  pri\t\r  samoj\t\r  prijavi,\t\r  a\t\r  dva\t\r  naknadnim\t\r  uvidom\t\r  u\t\r  \ndokumentaciju.\t\r   Ukupno\t\r   je\t\r   razmatrano\t\r   82\t\r   projekta.\t\r   Dva\t\r   su\t\r   projekta\t\r   povukla\t\r   svoju\t\r   prijavu\t\r   tijekom\t\r  \nevaluacije.\t\r  \nU\t\r  kategoriji\t\r  razvoja\t\r  scenarija\t\r  pristiglo\t\r  je\t\r  29\t\r  projekata,\t\r  a\t\r  u\t\r  kategoriji\t\r  razvoja\t\r  projekta\t\r  16\t\r  projekata.\t\r  U\t\r  \nkategoriji\t\r   poticanja\t\r   proizvodnje\t\r   kratkometražnih\t\r   filmova\t\r   pristiglo\t\r   je\t\r   20,\t\r   a\t\r   u\t\r   kategoriji\t\r   proizvodnje\t\r  \ndugometražnih\t\r  filmova\t\r  isto\t\r  20\t\r  prijava.\t\r  Prijave\t\r  su\t\r  stigle\t\r  od\t\r  44\t\r  produkcijske\t\r  kuće.\t\r  \nProjekti\t\r  pristigli\t\r  na\t\r  ovaj\t\r  poziv\t\r  većinom\t\r  su\t\r  usmjereni\t\r  na\t\r  prikaz\t\r  povijesnih\t\r  zbivanja\t\r  (kroz\t\r  osobne\t\r  priče,\t\r  \nanalize,\t\r  ali\t\r  i\t\r  portrete).\t\r  Portreti\t\r  osoba\t\r  i\t\r  povijesni\t\r  prikazi\t\r  sportskih,\t\r  kulturnih\t\r  i\t\r  društvenih\t\r  grupa,\t\r  čini\t\r  mi\t\r  \nse,\t\r   zaokupljaju\t\r   pažnju\t\r   autora.\t\r   Biografski\t\r   filmovi\t\r   značajno\t\r   se\t\r   međusobno\t\r   razlikuju.\t\r   \t\r   Prevladavaju,\t\r  \nnažalost,\t\r  televizijski\t\r  portreti,\t\r  ali\t\r  prijavljeno\t\r  je\t\r  i\t\r  nekoliko\t\r  kreativnih\t\r  i\t\r  inovativnih\t\r  projekata.\t\r  Ne\t\r  mislim\t\r  \nda\t\r   su\t\r   koncepti\t\r   koji\t\r   se\t\r   oslanjaju\t\r   na\t\r   klasičnu\t\r   televizijsku\t\r   formu\t\r   manje\t\r   vrijedni,\t\r   ali\t\r   ih\t\r   suha\t\r   zanatska\t\r  \nkorektnost\t\r  i\t\r  nedostatak\t\r  autorskog\t\r  potpisa\t\r  udaljuju\t\r  od\t\r  fokusa\t\r  javnih\t\r  poziva\t\r  Hrvatskog\t\r  audiovizualnog\t\r  \ncentra,\t\r  a\t\r  to\t\r  je\t\r  potpora\t\r  umjetničkim\t\r  i\t\r  autorskim\t\r  filmovima.\t\r  Sve\t\r  ostalo\t\r  spada\t\r  u\t\r  kreativno\t\r  područje\t\r  koje\t\r  \nbi\t\r  trebala\t\r  podržati\t\r  javna\t\r  televizija.\t\r  \nU\t\r  kategoriji\t\r  razvoja\t\r  scenarija\t\r  tek\t\r  se\t\r  par\t\r  projekata\t\r  bavi\t\r  aktualnim\t\r  društvenim\t\r  temama.\t\r  Začuđujuće,\t\r  tek\t\r  \n1\t\r  aktualnom\t\r  epidemijom\t\r  COVID-­‐19\t\r  i\t\r  1\t\r  zagrebačkim\t\r  potresom.\t\r  Većina\t\r  pristiglih\t\r  projekata,\t\r  opet,\t\r  donosi\t\r  \nportrete\t\r  i\t\r  povijesne\t\r  prikaze\t\r  osoba\t\r  i\t\r  grupa\t\r  te\t\r  neke\t\r  značajne\t\r  povijesne\t\r  događaje.\t\r  Dosta\t\r  se\t\r  projekata\t\r  \nbavi\t\r  temom\t\r  roditeljstva,\t\r  obrazovanja\t\r  i\t\r  odgoja.\t\r  \t\r  \nU\t\r   kategoriji\t\r   razvoja\t\r   projekata\t\r   pristiglo\t\r   je\t\r   nekoliko\t\r   iznimno\t\r   kvalitetno\t\r   pripremljenih\t\r   koji\t\r   obrađuju\t\r  \naktualni\t\r   društveni\t\r   trenutak\t\r   u\t\r   Hrvatskoj\t\r   i\t\r   svijetu\t\r   te\t\r   zastupaju\t\r   važne,\t\r   podzastupljene,\t\r   društveno-­‐\naktualne\t\r  i\t\r  socijalne\t\r  teme,\t\r  a\t\r  sve\t\r  kroz\t\r  jasan\t\r  autorski\t\r  koncept.\t\r  Ti\t\r  su\t\r  projekti\t\r  duboko\t\r  promišljeni\t\r  i\t\r  već\t\r  sad\t\r  \nje\t\r  vidljiv\t\r  njihov\t\r  potencijal\t\r  za\t\r  uspješnu\t\r  nacionalnu,\t\r  ali\t\r  i\t\r  međunarodnu\t\r  distribuciju.\t\r  \t\r  \nU\t\r  kategoriji\t\r  poticanja\t\r  proizvodnje\t\r  dugometražnih\t\r  i\t\r  kratkometražnih\t\r  filmova\t\r  pristiglo\t\r  je\t\r  desetak\t\r  prijava\t\r  \nautora\t\r  i\t\r  autorica\t\r  koji\t\r  su\t\r  debitanti\t\r  u\t\r  kategoriji.\t\r  Nekima\t\r  od\t\r  njih\t\r  to\t\r  je\t\r  prvi\t\r  film\t\r  uopće.\t\r  Bez\t\r  obzira\t\r  na\t\r  manjak\t\r  \niskustva,\t\r  mogu\t\r  istaknuti,\t\r  većina\t\r  je\t\r  tih\t\r  projekata\t\r  svježa\t\r  i\t\r  promišljena\t\r  te\t\r  u\t\r  sebi\t\r  nosi\t\r  snažnu\t\r  autorsku\t\r  \nviziju.\t\r  Redateljske\t\r  koncepcije\t\r  su\t\r  razigrane,\t\r  a\t\r  dramaturgije\t\r  dobro\t\r  strukturirane\t\r  te\t\r  možemo\t\r  očekivati\t\r  \nkvalitetne\t\r  filmske\t\r  naslove.\t\r  Neki\t\r  od\t\r  pristiglih\t\r  filmova\t\r  u\t\r  ovoj\t\r  kategoriji\t\r  iznimno\t\r  kreativno\t\r  i\t\r  sinergijski\t\r  \nkoriste\t\r  igrano-­‐dokumentarne\t\r  elemente\t\r  u\t\r  alternaciji\t\r  s\t\r  animacijama,\t\r  kreativno\t\r  postavljaju\t\r  arhiv\t\r  kao\t\r  \nvažan\t\r   element\t\r   u\t\r   pričanju\t\r   filmske\t\r   priče\t\r   te\t\r   dodatno\t\r   obogaćuju\t\r   dojam\t\r   umjetničke\t\r   kompleksnosti\t\r   i\t\r  \nodvažnosti\t\r  u\t\r  obradi\t\r  teme.\t\r  \t\r  \nPozitivnim\t\r  ocjenjujem\t\r  trend\t\r  postupne\t\r  izgradnje\t\r  zdrave\t\r  strukture\t\r  za\t\r  proizvodnju\t\r  filma.\t\r  Pa\t\r  je\t\r  tako,\t\r  od\t\r  \nsvih\t\r  prijavljenih\t\r  projekata\t\r  za\t\r  poticanje\t\r  proizvodnje,\t\r  značajan\t\r  broj\t\r  ranije\t\r  ostvario\t\r  potpore\t\r  za\t\r  razvoj\t\r  \nprojekta\t\r  i/ili\t\r  scenarija.\t\r  Smatram\t\r  da\t\r  je\t\r  izuzetno\t\r  važno\t\r  ulagati\t\r  u\t\r  razvojne\t\r  faze\t\r  projekata,\t\r  promišljati\t\r  \n\n\f\nkreativne\t\r   aspekte\t\r   filma,\t\r   analizirati\t\r   produkcijsko\t\r   i\t\r   distributivno\t\r   okruženje,\t\r   ispitivati\t\r   i\t\r   modificirati\t\r  \nstrategije\t\r  te\t\r  ne\t\r  brzati\t\r  u\t\r  produkciju.\t\r  \n\t\r  \nODABRANI\t\r  PROJEKTI:\t\r  \nRAZVOJ\t\r  SCENARIJA\t\r  DUGOMETRAŽNOG\t\r  DOKUMENTARNOG\t\r  FILMA:\t\r  \n1.\t\r  BESA:\t\r  ZAROBLJENIK\t\r  SLOBODE,\t\r  scenarist\t\r  Nikola\t\r  Kuprešanin\t\r  \nScenaristička\t\r   koncepcija\t\r   predloženog\t\r   projekta\t\r   nadahnuta\t\r   je\t\r   životom\t\r   književnika\t\r   Jože\t\r   Horvata\t\r   i\t\r  \ntemeljena\t\r   na\t\r   njegovoj\t\r   knjizi\t\r   «Besa:\t\r   brodski\t\r   dnevnik»\t\r   te\t\r   16mm\t\r   filmovima\t\r   i\t\r   fotografijama\t\r   piščeve\t\r  \nudovice\t\r   Renate\t\r   Horvat,\t\r   snimljenih\t\r   tijekom\t\r   plovidbe\t\r   oko\t\r   svijeta\t\r   jedrilicom\t\r   Besa.\t\r   Te\t\r   su\t\r   snimke\t\r  \nekskluzivne\t\r  i\t\r  nikad\t\r  ranije\t\r  viđene.\t\r  Scenarist\t\r  Nikola\t\r  Kuprešanin\t\r  gajio\t\r  je\t\r  i\t\r  desetogodišnji\t\r  osobni\t\r  odnos\t\r  s\t\r  \nobitelji\t\r  Horvat\t\r  te\t\r  je\t\r  predloženi\t\r  treatment\t\r  kreativna\t\r  sinergija\t\r  ekskluzivnih\t\r  arhivskih\t\r  materijala,\t\r  osobnih\t\r  \nuvida\t\r  autora\t\r  i\t\r  književnih\t\r  ulomaka\t\r  Horvatove\t\r  «Bese».\t\r  Kreativni\t\r  potencijal\t\r  takvog\t\r  pristupa\t\r  je\t\r  velik,\t\r  a\t\r  \ntako\t\r  i\t\r  prostor\t\r  za\t\r  jasnije\t\r  autorsko\t\r  zauzimanje\t\r  za\t\r  interpretaciju\t\r  i\t\r  reinterpretaciju\t\r  već\t\r  poznatih\t\r  činjenica\t\r  \no\t\r  književnikovu\t\r  životu.\t\r  \n2\t\r  .\t\r  DOKUMENTARNI\t\r  FILM\t\r  O\t\r  JOSIPU\t\r  REIHL-­‐KIRU:\t\r  MIROTVORAC,\t\r  scenaristi:\t\r  Hrvoje\t\r  Zovko\t\r  i\t\r  Drago\t\r  Hedl\t\r  \nDokumentarnim\t\r  filmom\t\r  “Mirotvorac”\t\r  želi\t\r  se\t\r  opisati\t\r  lik\t\r  i\t\r  djelo\t\r  ubijenog\t\r  načelnika\t\r  Osječko-­‐baranjske\t\r  \npolicijske\t\r  uprave,\t\r  Josipa\t\r  Reihl-­‐Kira\t\r  te\t\r  rasvijetliti\t\r  okolnosti\t\r  koje\t\r  su\t\r  dovele\t\r  do\t\r  njegova\t\r  ubojstva.\t\r  U\t\r  filmu\t\r  \nse\t\r  želi\t\r  prikazati\t\r  i\t\r  izručenje\t\r  te\t\r  tijek\t\r  suđenja\t\r  njegovom\t\r  ubojici.\t\r  Predloženi\t\r  projekt\t\r  ima\t\r  izrazito\t\r  zanimljivu\t\r  \ni\t\r   važnu\t\r   temu.\t\r   Predlagatelji\t\r   i\t\r   njihova\t\r   dosadašnja\t\r   profesionalna\t\r   izvrsnost\t\r   jamče\t\r   visoku\t\r   ostvarivost\t\r   i\t\r  \nkvalitetu\t\r  projekta\t\r  u\t\r  istraživanju\t\r  i\t\r  sintezi\t\r  saznanja.\t\r  Oba\t\r  su\t\r  autora,\t\r  u\t\r  svom\t\r  novinarskom\t\r  radu,\t\r  otvarala\t\r  \nvažne\t\r  teme\t\r  i\t\r  nisu\t\r  se\t\r  pribojavali\t\r  zadirati\t\r  i\t\r  u\t\r  one\t\r  koje\t\r  izazivaju\t\r  velike\t\r  polemike\t\r  i\t\r  podjele\t\r  u\t\r  društvu.\t\r  \t\r  \n3.\t\r  JEDINI\t\r  UČENIK,\t\r  scenaristi:\t\r  Saša\t\r  Ban\t\r  i\t\r  Nevenka\t\r  Sablić\t\r  \nU\t\r  suvremeno\t\r  doba\t\r  globalne\t\r  epidemije\t\r  i\t\r  izolacije,\t\r  kada\t\r  su\t\r  škole\t\r  zatvorene,\t\r  isti\t\r  se\t\r  proces\t\r  odvija\t\r  u\t\r  gotovo\t\r  \nsvakom\t\r  domu.\t\r  Scenaristi\t\r  bi\t\r  kroz\t\r  razradu\t\r  scenarističkog\t\r  predloška,\t\r  željeli\t\r  saznati\t\r  više\t\r  o\t\r  tome\t\r  kako\t\r  \nškolovanje\t\r  izgleda\t\r  na\t\r  različitim\t\r  mjestima\t\r  i\t\r  u\t\r  različitim\t\r  kulturama\t\r  na\t\r  početku\t\r  novog\t\r  vremena.\t\r  Autorska\t\r  \ndokumentaristička\t\r  bilješka\t\r  ovog\t\r  iznimnog\t\r  vremena\t\r  je\t\r  relevantna\t\r  umjetnička\t\r  interpretacija\t\r  izazova\t\r  s\t\r  \nkojima\t\r   se\t\r   suočavamo.\t\r   I\t\r   prije\t\r   epidemije\t\r   COVID-­‐19\t\r   teme\t\r   obrazovanja,\t\r   kurikularna\t\r   reforma\t\r   i\t\r   izazovi\t\r  \nmodernizacije\t\r  hrvatskog\t\r  školskog\t\r  sustava,\t\r  bile\t\r  su\t\r  važne\t\r  za\t\r  hrvatsko\t\r  društvo.\t\r  Opservacijski\t\r  i\t\r  analitični\t\r  \npristup\t\r   temi,\t\r   kako\t\r   se\t\r   predlaže\t\r   u\t\r   podnesenom\t\r   konceptu,\t\r   u\t\r   sinergiji\t\r   je\t\r   s\t\r   intimističkim\t\r   uvidima\t\r  \nsvakodnevice\t\r  dvoje\t\r  autora\t\r  i\t\r  jamče\t\r  svjež\t\r  pristup\t\r  koji\t\r  alternira\t\r  analizu\t\r  i\t\r  autorsku\t\r  impresiju.\t\r  \t\r  \n4.\t\r  OD\t\r  NIŠTA,\t\r  NIŠTA,\t\r  scenaristica:\t\r  Mirela\t\r  Sakoman\t\r  \nPredloženi\t\r   projekt\t\r   smješten\t\r   je\t\r   u\t\r   Dubrovniku\t\r   i\t\r   okolici,\t\r   a\t\r   glavna\t\r   mu\t\r   je\t\r   okosnica\t\r   biografsko-­‐\ndokumentarni\t\r   portret\t\r   osobenjaka\t\r   Andre\t\r   Vidaka\t\r   koji\t\r   je,\t\r   između\t\r   ostalog,\t\r   vlastitim\t\r   rukama\t\r   obnovio\t\r  \ncrkvicu\t\r  Orsulu\t\r  iz\t\r  14.\t\r  stoljeća.\t\r  Natječajna\t\r  dokumentacija\t\r  iznimno\t\r  je\t\r  dobro\t\r  i\t\r  profesionalno\t\r  pripremljena.\t\r  \nOvo\t\r   je\t\r   jedan\t\r   od\t\r   rijetkih\t\r   prijedloga\t\r   koji,\t\r   već\t\r   u\t\r   ovoj\t\r   ranoj\t\r   fazi,\t\r   promišlja\t\r   distributivne\t\r   potencijale\t\r  \nprojekta.\t\r  Smatram\t\r  da\t\r  predloženi\t\r  projekt\t\r  vrlo\t\r  jasno\t\r  komunicira\t\r  poruku\t\r  važnosti\t\r  vlastite\t\r  odgovornosti\t\r  \nza\t\r  očuvanje\t\r  javnog\t\r  dobra\t\r  (bez\t\r  obzira\t\r  na\t\r  interes)\t\r  i\t\r  treba\t\r  ga\t\r  podržati.\t\r  \n\n\f\n\t\r  \n5.\t\r   PLJUSKE\t\r   KOJE\t\r   ŽIVOT\t\r   ZNAČE,\t\r   scenaristica\t\r   i\t\r   redateljica:\t\r   Hani\t\r   Domazet,\t\r   produkcija:\t\r   Castor\t\r  \nmultimedija\t\r  d.o.o.\t\r  \nJedan\t\r  od\t\r  najkreativnijih\t\r  koncepata\t\r  koji\t\r  su\t\r  pristigli\t\r  u\t\r  kategoriju\t\r  za\t\r  razvoj\t\r  scenarija.\t\r  Ovaj\t\r  filmski\t\r  hibrid\t\r  \nje\t\r  crnohumorni\t\r  dokumentarno-­‐igrani\t\r  mocumentary\t\r  u\t\r  kojem\t\r  pratimo\t\r  troje\t\r  glumaca\t\r  kojima\t\r  se\t\r  životi\t\r  \nisprepletu\t\r   na\t\r   audiciji\t\r   za\t\r   američku\t\r   visokobudžetnu\t\r   reklamu\t\r   za\t\r   tost.\t\r   Protagonisti\t\r   glume\t\r   sami\t\r   sebe,\t\r  \npravim\t\r  imenom\t\r  i\t\r  prezimenom,\t\r  ali\t\r  su\t\r  stavljeni\t\r  u\t\r  fikcionalne\t\r  situacije.\t\r  Tematski,\t\r  ovaj\t\r  je\t\r  projekt\t\r  značajan\t\r  \njer\t\r  iz\t\r  autentične\t\r  pozicije\t\r  glumaca,\t\r  progovara\t\r  o\t\r  prekarnom\t\r  radu,\t\r  o\t\r  njihovoj\t\r  egzistencijalnoj\t\r  nesigurnosti\t\r  \ni\t\r   o\t\r   deterioraciji\t\r   vrijednosti\t\r   školovanih\t\r   glumaca\t\r   na\t\r   tržištu\t\r   rada.\t\r   Tema\t\r   se\t\r   može\t\r   transponirati\t\r   na\t\r  \numjetnike/ce\t\r  općenito.\t\r  \t\r  \n6.\t\r  RODITELJSTVO,\t\r  scenaristica\t\r  i\t\r  redateljica:\t\r  Katarina\t\r  Zrinka\t\r  Matijević\t\r  \nRoditeljstvo\t\r  je\t\r  dokumentarni\t\r  film\t\r  koji\t\r  rasvjetljava\t\r  ljudsku\t\r  prirodu\t\r  roditeljstva,\t\r  daje\t\r  višeslojni\t\r  odgovor\t\r  \nna\t\r  pitanje\t\r  kakvi\t\r  smo\t\r  roditelji\t\r  te\t\r  što\t\r  je\t\r  u\t\r  biti\t\r  roditeljstvo.\t\r  Projekt\t\r  je\t\r  vrhunski\t\r  pripremljen\t\r  i\t\r  prezentiran.\t\r  \nSlobodna\t\r  sam\t\r  ocijeniti\t\r  da\t\r  ova\t\r  prijava,\t\r  po\t\r  svojoj\t\r  iznimnoj\t\r  kvaliteti\t\r  i\t\r  promišljenosti,\t\r  odskače\t\r  od\t\r  ostalih\t\r  \nunutar\t\r   kategorije\t\r   razvoja\t\r   scenarija.\t\r   Film\t\r   ima\t\r   3\t\r   paralelna\t\r   dramaturška\t\r   toka\t\r   koji\t\r   se\t\r   međusobno\t\r  \nisprepliću;\t\r  razgovori\t\r  s\t\r  majkama\t\r  i\t\r  očevima,\t\r  djeca\t\r  u\t\r  igri\t\r  roditelja\t\r  i\t\r  prikaz\t\r  roditeljstva\t\r  u\t\r  životinjskom\t\r  \nsvijetu.\t\r  Autorica\t\r  temi\t\r  roditeljstva\t\r  pristupa\t\r  iz\t\r  vlastite\t\r  roditeljske\t\r  pozicije.\t\r  Ona\t\r  je\t\r  potpuno\t\r  iskrena\t\r  u\t\r  \nsvojoj\t\r  motivaciji\t\r  i\t\r  djetinje\t\r  znatiželjna.\t\r  Ono\t\r  što\t\r  me\t\r  posebno\t\r  privuklo\t\r  ovoj\t\r  prijavi\t\r  jest\t\r  i\t\r  način\t\r  na\t\r  koji\t\r  \nautorica,\t\r  kroz\t\r  osobne\t\r  deliberacije\t\r  i\t\r  kroz\t\r  segmente\t\r  vlastitog\t\r  umjetničkog\t\r  stvaranja\t\r  (poezije),\t\r  s\t\r  lakoćom\t\r  \nvodi\t\r  kroz\t\r  građu.\t\r  \t\r  \n7.\t\r  SEDMI\t\r  KOLAP,\t\r  scenarist\t\r  i\t\r  redatelj:\t\r  David\t\r  Lušičić,\t\r  produkcija:\t\r  Stvaralačka\t\r  mreža\t\r  Zebra\t\r  \nOvaj\t\r   zanimljiv\t\r   prijedlog\t\r   za\t\r   razvoj\t\r   scenarija\t\r   smješta\t\r   aktualne\t\r   političke\t\r   dihotomije\t\r   suvremenog\t\r  \nhrvatskog\t\r   političkog\t\r   realiteta\t\r   u\t\r   neobičnu\t\r   metaforu\t\r   viteškog\t\r   plesa\t\r   tj.\t\r   tradicijskog\t\r   folklora\t\r   Korčule.\t\r  \nSedmi\t\r  kolap\t\r  je\t\r  finalna\t\r  figura\t\r  Moreške,\t\r  viteškog\t\r  plesa\t\r  koji\t\r  u\t\r  Korčuli\t\r  danas\t\r  izvode\t\r  dvije\t\r  suprotstavljene\t\r  \nekipe.\t\r   Jedni\t\r   su\t\r   oduvijek\t\r   bili\t\r   “lijevih”\t\r   odnosno\t\r   “crvenih”\t\r   a\t\r   drugi\t\r   “desnih”\t\r   tj.\t\r   “crnih”\t\r   političkih\t\r  \nsvjetonazora.\t\r   Zanimljivo\t\r   će\t\r   biti\t\r   vidjeti\t\r   na\t\r   koji\t\r   način\t\r   se\t\r   generacijski\t\r   prenose\t\r   vrijednosti\t\r   (autor\t\r   je\t\r  \nplanirao\t\r   uključiti\t\r   nekoliko\t\r   generacija\t\r   s\t\r   raznih\t\r   strana\t\r   u\t\r   svoju\t\r   paralelnu\t\r   opservaciju).\t\r   Na\t\r   vidjelo\t\r   će,\t\r  \nplanirano\t\r  je,\t\r  doći\t\r  i\t\r  25\t\r  godina\t\r  staro\t\r  rivalstvo\t\r  ove\t\r  dvije\t\r  strane\t\r  te\t\r  sve\t\r  posljedice\t\r  za\t\r  dinamiku\t\r  života\t\r  male\t\r  \nzajednice\t\r  koje\t\r  ono\t\r  u\t\r  sebi\t\r  nosi.\t\r  \n8.\t\r  SIROTE,\t\r  scenaristica\t\r  i\t\r  redateljica:\t\r  Vanja\t\r  Jambrović,\t\r  produkcija:\t\r  Restart\t\r  \nPredloženi\t\r   projekt\t\r   za\t\r   razvoj\t\r   scenarija\t\r   je\t\r   intimni\t\r   film\t\r   koji\t\r   na\t\r   iskren\t\r   i\t\r   neposredan\t\r   način\t\r   tematizira\t\r  \npostporođajnu\t\r   depresiju\t\r   i\t\r   anksioznost.\t\r   Film\t\r   u\t\r   «cinema\t\r   verite»\t\r   stilu\t\r   prati\t\r   glavnu\t\r   junakinju,\t\r   majku\t\r  \ntrogodišnjeg\t\r  dječaka.\t\r  Ona\t\r  i\t\r  njezin\t\r  muž\t\r  planiraju\t\r  još\t\r  jedno\t\r  dijete,\t\r  no\t\r  ona\t\r  je\t\r  razapeta\t\r  između\t\r  želje\t\r  za\t\r  još\t\r  \njednim\t\r  djetetom\t\r  i\t\r  straha\t\r  od\t\r  povratka\t\r  simptoma.\t\r  Autorica\t\r  temi\t\r  pristupa\t\r  i\t\r  kao\t\r  sudionica\t\r  procesa\t\r  te\t\r  u\t\r  \nfokus\t\r  postavlja\t\r  i\t\r  svoj\t\r  odnos\t\r  prema\t\r  glavnoj\t\r  protagonistkinji\t\r  s\t\r  kojom\t\r  se\t\r  može\t\r  povezati\t\r  i\t\r  zbog\t\r  vlastitog\t\r  \niskustva\t\r  kojeg\t\r  s\t\r  njom\t\r  dijeli.\t\r  Ta\t\r  jaka\t\r  motivacija\t\r  i\t\r  identifikacija\t\r  s\t\r  temom\t\r  neki\t\r  su\t\r  od\t\r  razloga\t\r  zašto\t\r  mislim\t\r  \nda\t\r  ovaj\t\r  projekt\t\r  može\t\r  biti\t\r  autentičan\t\r  i\t\r  kreativan\t\r  te\t\r  istraživački\t\r  značajan.\t\r  \t\r  \n\t\r  \n\t\r  \n\n\f\n9.\t\r  ST\t\r  90,\t\r  scenarist\t\r  i\t\r  redatelj:\t\r  Dragan\t\r  Đokić,\t\r  produkcija:\t\r  Udruga\t\r  Blank\t\r  \nFilm\t\r  o\t\r  splitskoj\t\r  alternativnoj\t\r  glazbenoj\t\r  sceni\t\r  ratnih\t\r  devedesetih.\t\r  Predloženi\t\r  projekt\t\r  naoko\t\r  je\t\r  punokrvni\t\r  \nglazbeni\t\r  dokumentarac,\t\r  ali\t\r  puno\t\r  više\t\r  od\t\r  toga,\t\r  on\t\r  u\t\r  sebi\t\r  nosi\t\r  presjek\t\r  jednog\t\r  vremena\t\r  i\t\r  pogleda\t\r  na\t\r  \nodrastanje\t\r  čitave\t\r  jedne\t\r  generacije\t\r  mladih\t\r  u\t\r  ratnim\t\r  devedesetima.\t\r  Kreativno\t\r  kolažno\t\r  zamišljen,\t\r  svojom\t\r  \nstrukturom\t\r  referira\t\r  i\t\r  na\t\r  (tada\t\r  popularne)\t\r  kolažne\t\r  fanzine,\t\r  plakate\t\r  i\t\r  estetiku\t\r  underground\t\r  alternativne\t\r  \nglazbe\t\r  tog\t\r  vremena.\t\r  Film\t\r  je\t\r  estetski\t\r  zamišljen\t\r  da\t\r  bude\t\r  kombinacija\t\r  filma,\t\r  videa\t\r  i\t\r  animacija.\t\r  Kako\t\r  autor\t\r  \nnavodi,\t\r  cilj\t\r  je\t\r  da\t\r  film\t\r  (dramaturški\t\r  i\t\r  estetski)\t\r  izazove\t\r  osjećaj\t\r  kod\t\r  gledatelja\t\r  da\t\r  je\t\r  prelistao\t\r  jedan\t\r  od\t\r  \nfanzina\t\r  devedesetih.\t\r  \n\t\r  \nRAZVOJ\t\r  PROJEKATA\t\r  DUGOMETRAŽNOG\t\r  DOKUMENTARNOG\t\r  FILMA:\t\r  \n1.\t\r  \t\r  KOZARI,\t\r  scenaristica\t\r  i\t\r  redateljica:\t\r  Nives\t\r  Milješić,\t\r  producent:\t\r  Hrvoje\t\r  Belanović,\t\r  produkcija:\t\r  Rebel\t\r  \nVision\t\r  d.o.o.\t\r  \nIntimna\t\r  motivacija\t\r  autorice\t\r  se\t\r  da\t\r  bavi\t\r  prikazom\t\r  svog\t\r  naselja\t\r  Kozari\t\r  Boka\t\r  je\t\r  ono\t\r  što\t\r  me\t\r  privuklo\t\r  ovom\t\r  \nprojektu.\t\r  Nakon\t\r  teškog\t\r  gubitka\t\r  u\t\r  obitelji\t\r  autorice,\t\r  stanovnici\t\r  Kozara\t\r  preuzimaju\t\r  (kao\t\r  zajednica),\t\r  ulogu\t\r  \nroditeljske\t\r  podrške\t\r  i\t\r  facilitiraju\t\r  njen\t\r  oporavak\t\r  i\t\r  osjećaj\t\r  pripadnosti.\t\r  Projekt\t\r  je\t\r  zamišljen\t\r  kreativno\t\r  i\t\r  \nizaziva\t\r  našu\t\r  percepciju\t\r  likovnosti\t\r  u\t\r  filmu.\t\r  Značajno\t\r  je\t\r  i\t\r  to\t\r  što\t\r  autorica\t\r  svoju\t\r  estetiku\t\r  (kao\t\r  fotografkinje\t\r  \ni\t\r  snimateljice,\t\r  što\t\r  je\t\r  njena\t\r  primarna\t\r  profesija)\t\r  tumači\t\r  kroz\t\r  iskustvo\t\r  koje\t\r  je\t\r  usvojila\t\r  odrastanjem\t\r  u\t\r  \nKozarima.\t\r   Zbog\t\r   potrebe\t\r   dodatnog\t\r   rada\t\r   na\t\r   projektu,\t\r   preusmjerila\t\r   sam\t\r   ovaj\t\r   projekt\t\r   iz\t\r   kategorije\t\r  \nproizvodnje\t\r  na\t\r  razvoj\t\r  projekta.\t\r  \n2.\t\r   ISUS\t\r   KRIST\t\r   NAŠ\t\r   SVAGDAŠNJI,\t\r   redatelj\t\r   i\t\r   scenarist:\t\r   Dario\t\r   Juričan,\t\r   producent:\t\r   Tibor\t\r   Keser,\t\r  \nprodukcija:\t\r  Udruga\t\r  Blank\t\r  \nPredloženi\t\r  projekt\t\r  dio\t\r  je\t\r  autorovog\t\r  poznatog\t\r  ciklusa\t\r  «Gazda».\t\r  Kao\t\r  i\t\r  ostali\t\r  projekti\t\r  iz\t\r  tog\t\r  ciklusa\t\r  (filmovi\t\r  \no\t\r  Todoriću,\t\r  Kutli\t\r  i\t\r  Milanu\t\r  Bandiću)\t\r  i\t\r  ovaj\t\r  je\t\r  projekt\t\r  temeljen\t\r  na\t\r  dubinskom\t\r  i\t\r  ambicioznom\t\r  istraživanju.\t\r  \nMeđutim,\t\r  ton\t\r  je\t\r  ovoga\t\r  puta\t\r  i\t\r  više\t\r  satiričan\t\r  jer\t\r  se\t\r  autor\t\r  ne\t\r  obraća\t\r  živoj\t\r  osobi\t\r  nego\t\r  instituciji\t\r  –\t\r  Crkvi.\t\r  \nSmatram\t\r  da\t\r  je\t\r  ovaj\t\r  projekt\t\r  relevantan\t\r  iz\t\r  nekoliko\t\r  razloga.\t\r  On\t\r  se\t\r  bavi\t\r  temom\t\r  koja\t\r  je\t\r  u\t\r  Hrvatskoj\t\r  (ali\t\r  i\t\r  \nu\t\r   svijetu)\t\r   uvijek\t\r   aktualna,\t\r   a\t\r   pogled\t\r   na\t\r   instituciju\t\r   Crkve\t\r   uvijek\t\r   je\t\r   živ\t\r   i\t\r   prijeporan.\t\r   Nadalje,\t\r   pristup\t\r  \nfilmskoj\t\r   obradi\t\r   ove\t\r   kompleksne\t\r   fenomenologije\t\r   je\t\r   esejistički,\t\r   ali\t\r   pritom\t\r   iznimno\t\r   ljudski\t\r   iskren\t\r   i\t\r  \nduhovit.\t\r  \n3.\t\r  LJUBAVNA\t\r  PRIČA,\t\r  scenarstica\t\r  i\t\r  redateljica:\t\r  Ivona\t\r  Juka,\t\r  producentica:\t\r  Anita\t\r  Juka,\t\r  produkcija:\t\r  Četiri\t\r  \nfilm\t\r  d.o.o.\t\r  \n«Ljubavna\t\r  priča»\t\r  je\t\r  dokumentarni\t\r  film\t\r  o\t\r  Mladenu\t\r  Kožiću\t\r  i\t\r  Ivi\t\r  Šegoti,\t\r  homoseksualnom\t\r  paru\t\r  koji\t\r  želi\t\r  \nposvojiti\t\r  ili\t\r  udomiti\t\r  dijete.\t\r  U\t\r  predloženom\t\r  konceptu,\t\r  autorica\t\r  se\t\r  igra\t\r  percepcijom\t\r  vremena\t\r  i\t\r  sjećanja.\t\r  \nKreativno\t\r  je\t\r  predvidjela\t\r  i\t\r  stil\t\r  koji\t\r  u\t\r  nekim\t\r  situacijama\t\r  koketira\t\r  s\t\r  jezikom\t\r  birokratske\t\r  dokumentacije\t\r  (s\t\r  \nobzirom\t\r   da\t\r   su\t\r   glavni\t\r   likovi\t\r   u\t\r   aktivnom\t\r   sporu\t\r   oko\t\r   odluke\t\r   Ustavnog\t\r   suda\t\r   i\t\r   protivljenja\t\r   centara\t\r   za\t\r  \nsocijalnu\t\r  skrb\t\r  da\t\r  po\t\r  toj\t\r  odluci\t\r  postupe).\t\r  Ova\t\r  je\t\r  tema\t\r  izuzetno\t\r  društveno\t\r  aktualna\t\r  i\t\r  napeta.\t\r  Tema\t\r  \nudomiteljstva,\t\r   obrađena\t\r   kroz\t\r   prizmu\t\r   udomitelja\t\r   homoseksualne\t\r   orijentacije,\t\r   relevantna\t\r   je\t\r   jer\t\r  \nprokazuje\t\r  licemjerje\t\r  suvremenog\t\r  demokratskog\t\r  društva,\t\r  ali\t\r  i\t\r  se\t\r  zalaže\t\r  za\t\r  kontinuirano\t\r  zagovaranje\t\r  i\t\r  \nobranu\t\r  ljudskih\t\r  prava.\t\r  \t\r  \n\t\r  \n\n\f\n4.\t\r  NOVI\t\r  ŽIVOT,\t\r  redatelj\t\r  i\t\r  scenarist:\t\r  Goran\t\r  Dević,\t\r  producent:\t\r  Hrvoje\t\r  Osvadić,\t\r  produkcija:\t\r  Petnaesta\t\r  \numjetnost\t\r  d.o.o.\t\r  \nSedmeročlana\t\r  obitelj\t\r  iz\t\r  Sirije,\t\r  nakon\t\r  boravka\t\r  u\t\r  prihvatnom\t\r  centru\t\r  za\t\r  izbjeglice\t\r  u\t\r  Kutini,\t\r  izlazi\t\r  iz\t\r  centra\t\r  \ni\t\r  odlazi\t\r  u\t\r  stan\t\r  koji\t\r  su\t\r  dobili\t\r  na\t\r  korištenje.\t\r  Autor\t\r  prati\t\r  obitelj\t\r  glazbenika\t\r  u\t\r  novi\t\r  život\t\r  i\t\r  integraciju\t\r  u\t\r  naše\t\r  \ndruštvo.\t\r  Zanimljiv\t\r  je\t\r  i\t\r  kontekst\t\r  predložene\t\r  priče.\t\r  Obitelj\t\r  iz\t\r  Sirije\t\r  s\t\r  nadom\t\r  gleda\t\r  u\t\r  Sisak,\t\r  grad\t\r  iz\t\r  kojeg\t\r  \npolako\t\r  odlaze\t\r  ljudi\t\r  i\t\r  gasi\t\r  se\t\r  industrija,\t\r  a\t\r  oni\t\r  se\t\r  u\t\r  njemu\t\r  pokušavaju\t\r  prilagoditi\t\r  na\t\r  novi\t\r  život.\t\r  Važan\t\r  \nelement\t\r  projekta\t\r  je\t\r  i\t\r  glazba\t\r  koju\t\r  stvara\t\r  ova\t\r  obitelj,\t\r  ali\t\r  i\t\r  ona\t\r  je\t\r  prirodna\t\r  i\t\r  događa\t\r  se\t\r  prizorno\t\r  te\t\r  će\t\r  film\t\r  \nzadržati\t\r  opservacijski\t\r  karakter\t\r  u\t\r  svim\t\r  segmentima.\t\r  \n5.\t\r  ZAUSTAVI\t\r  ME\t\r  AKO\t\r  MOŽEŠ,\t\r  scenaristica\t\r  i\t\r  redateljica:\t\r  Bruna\t\r  Bajić,\t\r  producentica:\t\r  Tamara\t\r  Babun,\t\r  \nprodukcija:\t\r  Wolfgang&Dolly\t\r  d.o.o.\t\r  \nPredloženi\t\r  projekt\t\r  emotivna\t\r  je\t\r  priča\t\r  o\t\r  hrabrosti\t\r  drugačijih\t\r  i\t\r  njihovoj\t\r  spremnosti\t\r  na\t\r  adaptaciju\t\r  u\t\r  teškim\t\r  \nokolnostima\t\r  (procesu\t\r  koji\t\r  je\t\r  za\t\r  mnoge\t\r  od\t\r  nas\t\r  izazovan\t\r  u\t\r  vremenu\t\r  u\t\r  kojem\t\r  živimo).\t\r  Ova\t\r  «oda\t\r  ljudskom\t\r  \nduhu»,\t\r  kroz\t\r  prikaz\t\r  svakodnevice\t\r  paraolimpijca,\t\r  opservacijski\t\r  pristup\t\r  alternira\t\r  s\t\r  poetičnim\t\r  prikazom\t\r  \nunutarnjeg\t\r  stanja\t\r  protagonista.\t\r  Smatram\t\r  da\t\r  je\t\r  predložena\t\r  tema\t\r  od\t\r  važnosti\t\r  za\t\r  hrvatsku\t\r  audiovizualnu\t\r  \numjetnost\t\r  jer\t\r  uvodi\t\r  gledatelje\t\r  u\t\r  skriveni\t\r  svijet\t\r  onih\t\r  koji\t\r  su\t\r  na\t\r  marginama\t\r  društva\t\r  i\t\r  kojima\t\r  društvo\t\r  često\t\r  \noduzima\t\r  moć.\t\r  Oni\t\r  su\t\r  vidljivi\t\r  u\t\r  televizijskim\t\r  prilozima\t\r  i\t\r  prigodnim\t\r  emisijama.\t\r  Ovaj\t\r  projekt\t\r  je\t\r  prilika\t\r  da,\t\r  \nkroz\t\r  umjetničku\t\r  interpretaciju,\t\r  upoznajemo\t\r  njihov\t\r  svijet.\t\r  \n6.\t\r   KONTRAADMIRAL,\t\r   redatelj\t\r   i\t\r   scenarist:\t\r   Mladen\t\r   Ivanović,\t\r   producent:\t\r   Oliver\t\r   Sertić,\t\r   produkcija:\t\r  \nRestart\t\r  \nTešku\t\r  temu\t\r  hrvatsko-­‐crnogorskog\t\r  sukoba\t\r  ovaj\t\r  projekt\t\r  obrađuje\t\r  kroz\t\r  sumnjivu\t\r  smrt\t\r  admirala\t\r  Đurovića\t\r  \nte\t\r   ju\t\r   transponira\t\r   u\t\r   univerzalnu\t\r   priču\t\r   o\t\r   nedostižnoj\t\r   pravdi,\t\r   ali\t\r   i\t\r   o\t\r   korumpiranosti\t\r   ljudskog\t\r   duha.\t\r  \nPredloženi\t\r  projekt\t\r  profesionalno\t\r  je\t\r  pripremljen\t\r  i\t\r  jasno\t\r  je\t\r  da\t\r  su\t\r  predlagatelji\t\r  iznimno\t\r  dobro\t\r  upoznati\t\r  s\t\r  \ntemom\t\r  koju\t\r  obrađuju.\t\r  Redatelj\t\r  je\t\r  debitant\t\r  u\t\r  ovoj\t\r  kategoriji,\t\r  ali\t\r  njegovo\t\r  promišljanje\t\r  kreativne\t\r  forme\t\r  \novog\t\r   filma\t\r   ne\t\r   zaostaje.\t\r   Preispitujući\t\r   stereotipe\t\r   o\t\r   herojstvu,\t\r   autor\t\r   se\t\r   bavi\t\r   i\t\r   važnom\t\r   temom\t\r   ratne\t\r  \npropagande.\t\r  Koristi\t\r  do\t\r  sad\t\r  nikad\t\r  viđene\t\r  arhivske\t\r  materijale.\t\r  Kroz\t\r  potragu\t\r  za\t\r  istinom,\t\r  autor\t\r  traga\t\r  i\t\r  za\t\r  \nostavštinom\t\r  rata.\t\r  Posebno\t\r  je\t\r  zanimljivo\t\r  pratiti\t\r  njegovu\t\r  interpretaciju\t\r  jer\t\r  je\t\r  pripadnik\t\r  mlade\t\r  generacije.\t\r  \nPredloženi\t\r  projekt\t\r  je\t\r  film-­‐esej\t\r  (utemeljen\t\r  na\t\r  dubinskom\t\r  istraživanju\t\r  i\t\r  analizi\t\r  povijesnog\t\r  događaja)\t\r  i\t\r  \nnadilazi\t\r  regionalni\t\r  kontekst\t\r  jer\t\r  u\t\r  fokusu\t\r  ima\t\r  univerzalnu\t\r  priču\t\r  o\t\r  časti\t\r  i\t\r  moralu\t\r  te\t\r  konceptu\t\r  etike\t\r  moći.\t\r  \n7.\t\r  SVIJET\t\r  JE\t\r  MOJ,\t\r  scenaristica,\t\r  redateljica\t\r  i\t\r  producentica:\t\r  Sanja\t\r  Šamanović,\t\r  produkcija:\t\r  Umjetnička\t\r  \norganizacija\t\r  Mitropa\t\r  \nAutorica\t\r  obrađuje\t\r  i\t\r  istražuje\t\r  3\t\r  priče\t\r  iza\t\r  prepoznatljivih\t\r  murala\t\r  u\t\r  urbanim\t\r  sredinama\t\r  Zagreba\t\r  (Frano\t\r  \nDespić\t\r  i\t\r  Filip\t\r  Ćurković)\t\r  i\t\r  Rijeke\t\r  (MC\t\r  Buffalo).\t\r  Predloženi\t\r  projekt\t\r  je\t\r  film-­‐esej\t\r  koji\t\r  kroz\t\r  primjere\t\r  nastanka\t\r  \ni\t\r  motivacija\t\r  za\t\r  ove\t\r  murale,\t\r  analizira\t\r  socio-­‐ekonomski\t\r  kontekst\t\r  suvremenog\t\r  kapitalističkog\t\r  društva\t\r  te\t\r  \npostavlja\t\r  pitanje\t\r  kolektivnog\t\r  društvenog\t\r  učenja\t\r  i\t\r  pouka\t\r  koje\t\r  kao\t\r  društvo\t\r  usvajamo\t\r  iz\t\r  života\t\r  i\t\r  smrti\t\r  \n«nepoznatih\t\r   mladića»\t\r   kojima\t\r   odajemo\t\r   počast.\t\r   Smatram\t\r   da\t\r   je\t\r   predloženi\t\r   projekt\t\r   suvremen\t\r   i\t\r  \nrelevantan\t\r  jer\t\r  on\t\r  istražuje\t\r  i\t\r  sintetizira\t\r  saznanja\t\r  o\t\r  diskontinuitetu\t\r  društvenih\t\r  vrijednosti,\t\r  prolaznosti\t\r  i\t\r  \nrelativizaciji\t\r   «herojstva»,\t\r   ali\t\r   i\t\r   upoznaje\t\r   nas\t\r   pobliže\t\r   sa\t\r   novim\t\r   generacijama\t\r   mladih\t\r   i\t\r   njihovim\t\r  \nrazmišljanjima.\t\r  \n\t\r  \n\n\f\n8.\t\r  TRAŽEĆI\t\r  RENATU,\t\r  scenaristica\t\r  i\t\r  redateljica:\t\r  Višnja\t\r  Starešina,\t\r  producent:\t\r  Ivan\t\r  Maloča,\t\r  produkcija:\t\r  \nInter\t\r  film\t\r  d.o.o.\t\r  \nNakon\t\r  što\t\r  je\t\r  majku,\t\r  zbog\t\r  demencije,\t\r  smjestio\t\r  u\t\r  dom\t\r  za\t\r  starije\t\r  osobe,\t\r  sin\t\r  počinje\t\r  pronalazi\t\r  album\t\r  sa\t\r  \nslikama\t\r  njemu\t\r  nepoznatih\t\r  ljudi\t\r  i\t\r  papirić\t\r  ispisan\t\r  majčinom\t\r  rukom.\t\r  On\t\r  uviđa\t\r  da\t\r  ona\t\r  nije\t\r  osoba\t\r  za\t\r  koju\t\r  \nse\t\r   predstavljala\t\r   i\t\r   kreće\t\r   u\t\r   potragu\t\r   za\t\r   njenim\t\r   identitetom\t\r   prije\t\r   dolaska\t\r   u\t\r   Izrael.\t\r   Predloženi\t\r   projekt\t\r  \niznimno\t\r   je\t\r   zanimljiv\t\r   i\t\r   u\t\r   sebi\t\r   nosi\t\r   elemente\t\r   punokrvnog\t\r   istraživačkog\t\r   dokumentarce\t\r   i\t\r   obiteljske\t\r  \npovijesne\t\r  drame.\t\r  Projekt\t\r  je\t\r  satkan\t\r  od\t\r  elemenata\t\r  misterije\t\r  (otkrivanje\t\r  tajnovitog\t\r  porijekla),\t\r  suočavanja\t\r  \ns\t\r   obiteljskim\t\r   traumama\t\r   (istraživanje\t\r   skrivene\t\r   istine)\t\r   i\t\r   elemenata\t\r   toplih\t\r   ljudskih\t\r   priča\t\r   u\t\r   motivu\t\r  \nherojstva\t\r  malih\t\r  ljudi\t\r  (spašavanje\t\r  života\t\r  u\t\r  strahotama\t\r  rata\t\r  i\t\r  holokausta).\t\r  Projekt\t\r  u\t\r  sebi\t\r  nosi\t\r  univerzalnu\t\r  \npriču\t\r  o\t\r  snazi\t\r  preživljavanja,\t\r  a\t\r  smješten\t\r  je\t\r  u\t\r  kontekst\t\r  holokausta\t\r  i\t\r  «olovnih\t\r  vremena»\t\r  hrvatske\t\r  NDH.\t\r  \t\r  \n\t\r  \n\t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"image_only","source":{"filename":"Statut%20HAVC-a_17122024.pdf","filename_decoded":"Statut%20HAVC-a_17122024.pdf","sha256":"d98d95d30929594ff6b3152f441b739452bd172cbde9b6d9291bb186404b6364","bytes":1112655,"page_count":19,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_%20Akademija%20likovnih%20umjetnosti_04122020_ad.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_%20Akademija%20likovnih%20umjetnosti_04122020_ad.pdf","sha256":"d9f7ea2855c946de4fde2b118a305a669a2d48d92b8411d4fc66a2d216ba3e54","bytes":193226,"page_count":2,"extracted_at":"2026-05-16T14:10:17Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKLASA: 111-006-001 \nURBROJ: 5722-2020 \nU Zagrebu, 04. prosinca 2020. \n \nTemeljem članka 36. stavak 1. i članka 10. Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: \nZakon o audiovizualnim djelatnostima) Hrvatsko audiovizualno vijeće u 3. sazivu na 3. sjednici održanoj \nputem Zoom aplikacije dana 04. prosinca 2020.g.  donijelo je: \n \nO  D  L  U  K  U \no rezerviranju sredstava u Godišnjem planu Hrvatskog audiovizualnog centra za 2021. godinu za posebne \nprograme u području audiovizualnih djelatnosti te sklapanju Sporazuma o suradnji s Akademijom \nlikovnih umjetnosti o sufinanciranju proizvodnje animiranih filmova Odsjeka za animirani film i nove \nmedije  \n \n \n1. Rezervirat će se sredstva u Godišnjem planu Hrvatskog audiovizualnog centra za 2021. godinu za \nposebne programe u području audiovizualnih djelatnosti u ukupnom iznosu od 200.000,00 kuna te \nće se sklopiti sporazum o suradnji s Akademijom likovnih umjetnosti za sufinanciranje proizvodnje \nanimiranih filmova Odsjeka za animirani film i nove medije. \n \n2. Ovlašćuje se ravnatelj Hrvatskog audiovizualnog centra na zaključivanje sporazuma o suradnji s \nAkademijom likovnih umjetnosti kao u ad.I. \n \n3. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4. Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici Centra: www.havc.hr. \n \n \n \nObrazloženje \n \nDana 2. prosinca 2020. godine Akademija likovnih umjetnosti, Zagreb, Ilica 85, uputila je dopis, KLASA: 111-\n002, URBROJ: 5696-2020 (dalje u tekstu: Dopis), Hrvatskom audiovizualnom centru kojim traži sklapanje \nsporazuma o suradnji s Akademijom likovnih umjetnosti u Zagrebu o sufinanciranju proizvodnje animiranih \nfilmova na Odsjeku za animirani film i nove medije na Akademiji likovnih umjetnosti. Hrvatsko audiovizualno \nvijeće na 3. sjednici, 3. saziv, održanoj putem Zoom aplikacije dana 04. prosinca  2020. g., jednoglasno je s \ntrinaest (13) glasova „za“ odlučilo o Dopisu kao u točki 1. izreke ove Odluke. \n \nSukladno čl. 34. Zakona o audiovizualnim djelatnostima, ravnatelj Hrvatskog audiovizualnog centra provodi \nodluke Hrvatskog audiovizualnog vijeća. \n \nTemeljem članka 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), Centar će ovu Odluku \nobjaviti na svojoj mrežnoj stranici: www.havc.hr. \n\n\f\n \n \n \n \n \n \n     Predsjednik Hrvatskog audiovizualnog vijeća \n \n  \n \n \n \n \n \n \n \n       Lado Skorin, v.r. \n \n \nDostaviti: \n- \nAkademija likovnih umjetnosti, Ilica 85, Zagreb, \n- \npismohrana, ovdje \n \n \n \n \n \n","warnings":[],"document":{"program_type":"komplementarne","year":2020,"rok":null,"referenced_projects":[],"summary":"Odluka AV Vijeća u 3. sazivu na 3. sjednici od 4. prosinca 2020. o rezerviranju 200.000,00 kuna u Godišnjem planu HAVC-a za 2021. te sklapanju Sporazuma o suradnji s Akademijom likovnih umjetnosti o sufinanciranju proizvodnje animiranih filmova Odsjeka za animirani film i nove medije.","project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_RPR_TV_2024_2rok_10IX2024_WEB.pdf","filename_decoded":"Obrazlozenje_RSC_RPR_TV_2024_2rok_10IX2024_WEB.pdf","sha256":"da74bd9e4b69a56250e3d72cbdcce9ba514b4ba50dd5add6b77e0e3995c0dc69","bytes":322197,"page_count":17,"extracted_at":"2026-05-17T12:01:58Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_RPR_TV_2024_2rok_10IX2024_WEB.pdf"},"raw_text":"1 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: \nPOTICANJE \nRAZVOJA \nSCENARIJA \nI \nPROJEKATA \nSERIJSKIH \nTELEVIZIJSKIH \nDJELA \n- \npotkategorija: \nRAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2024. - 2. ROK - \n10.9.2024. \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: \nPOTICANJE \nRAZVOJA \nSCENARIJA \nI \nPROJEKATA \nSERIJSKIH \nTELEVIZIJSKIH \nDJELA \n- \npotkategorija: \nRAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2024. - 2. ROK - \n10.9.2024. \n \n \n \nNa Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE RAZVOJA SCENARIJA I PROJEKATA SERIJSKIH \nTELEVIZIJSKIH DJELA u drugom roku 2024.g. ukupno je prijavljeno 90  \nprojekata (25 manje nego na rekordni prvi ovogodišnji rok, ali još uvijek \nznačajno više nego na prethodnim javnim pozivima), od toga 54 u \npotkategoriji Razvoj scenarija, a 36 u potkategoriji Razvoj projekata. Svi \nprijavljeni projekti zadovoljili su uvjete javnog poziva. \n \nI dalje imamo popriličnu tematsko-žanrovsku različitost, iako je na ovom \nroku primjetan pad broja projekata koji se na ovaj ili onaj način bave \nhranom (što ne smatram lošim, dapače, na prošlom roku je takvih projekata \nbilo sasvim dovoljno), te humorističnih igranih serija (što pak nikako ne \nsmatram sretnom okolnošću). No i sadržajna i produkcijska razina pripreme \nprojekata je i dalje vrlo visoka, pa mogu sa zadovoljstvom istaknuti da na \novom roku imamo i rekordan broj podržanih projekata, kao i rekordan \nbudžet za njih.   \n \nU potkategoriji razvoja scenarija TV djela predložen je 21 projekt u \nukupnom iznosu od 87.000 eura, dok je u potkategoriji razvoja \nprojekata TV djela predloženo 17 projekata u ukupnom iznosu od \n122.000 eura. Ukupni zajednički iznos za obje potkategorije je \n209.000 eura.  \n \n \n                                                                     Ivan-Vanja Runjić \n \n                                                                    \n \n \n                                                                     umjetnički savjetnik za \n                                                                     razvoj televizijskih djela \n \n \n\n\f\n2 \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: \nPOTICANJE \nRAZVOJA \nSCENARIJA \nI \nPROJEKATA \nSERIJSKIH \nTELEVIZIJSKIH \nDJELA \n- \npotkategorija: \nRAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2024. - 2. ROK - \n10.9.2024. \n \n \n \n1) Dokumentarno televizijsko djelo čije trajanje po epizodi nije \nkraće od 20 minuta \n \n \n1.1. COOKING CABARET \n \nDokumentarna serija, 5 epizoda po 26 min. \nProducent: DOH (Embrio production) \nScenaristica: Lidija Janjić-Vuković \nRedatelj: Mario Delić  \nPrijedlog potpore: 6.000 EUR \n \nKao što rekoh u uvodnom tekstu – projekti koji se bave hranom značajno \nsu se prorijedili, no još se uvijek nađe poneki, makar i hribridan poput \n„Cooking cabareta“. A ovaj kabaret je hibridan jer križa kuhanje sa \nprivlačnim lokacijama (u najavi doduše nema pjevanja, ali nikad se ne \nzna...), mahom turistički atraktivnim. Ako se zvijezde poklope, a autorsko-\npodukcijski tim bude na visini zadatka, ovo bi mogao biti projekt sa \npopriličnim komercijalnim potencijalom. \n  \n \n1.2. E, SPORTAŠI! \n \nDokumentarna serija, 5 epizoda po 26 min. \nProducent: Četiri film \nScenaristi: Valentina Mavretić, Luka Mavretić \nRedatelj: Luka Mavretić \nPrijedlog potpore: 6.000 eura \n \nAko nije hrana, onda je sport (čekamo projekt koji će kombinirati te dvije \nomiljene nacionalne strasti). No, ovdje se naravno radi o malo drugačijim \nsportovima (od kojih neki uopće i ne uključuju neku ozbiljnu fizičku \naktivnost, a hejteri će ih biti skloni diskvalificirati kao običan gaming) – e-\nsportovima. Svijet virtualnog je očito svijet budućnosti (iako neki od ovih \nsportova već danas imaju zadivljujuće masovnu sljedbu, čak i kod nas), pa \nje onda logično podržati projekt koji se bavi između ostaloga e-nogometom, \ne-utrkama i e-skautingom (što god ovo posljednje bilo).    \n \n \n \n\n\f\n3 \n \n1.3. LJUDI, PREDMETI I PROSTORI \n \nDokumentarna serija, 6 epizoda po 50 min.      \nProducent: Udruga Filmaktiv \nScenaristi: Maroje Mrduljaš, Ivana Borovnjak \nRedatelj: Vladislav Knežević  \nPrijedlog potpore: 6.000 eura \n \nDokumentarni serijal koji se, najkraće rečeno bavi urbanizmom, \ngrađevinama, namještajem i ljudima kojima je sve to namjenjeno (dakle \ntrima „stupovima“ iz naslova), a planira otići i koji korak dalje od slavnih \nsrodnika „Betonskih spavača“ (s kojima djeli suscenarista Maroja \nMrduljaša). Naime, ovdje je fokus više na sadašnjosti i budućnosti (dok su \nse „Spavači“ uglavnom bavili (boljom) prošlošću). Ako se neki delikatniji \naspekti projekta poklope i autori uhvate pravi kurs, „Ljudi, predmeti i \nprostori“ imaju potencijala za nekoliko sezona.   \n \n \n1.4. MRAVI \n \nDokumentarna serija, 4 epizode po 52 min.      \nProducent: Sekvenca \nScenarist: Jure Pavlović \nRedatelj: Srđan Kovačević \nPrijedlog potpore: 6.000 eura \n \nIznimno aktualan i društveno potreban projekt tematizira svjetske migracije \nkoje se ne događaju tamo negdje na drugom kraju Planete, već sada i ovdje, \npred našim očima. Nepalci, Filipinci, Indijci i drugi gostujući radnici odavno \nsu dio naše svakodnevice, a ovaj serijal planira ući malo detalnjije u živote, \nsnove i nade naših novih sugrađana.     \n \n \n1.5. NAJVEĆI ZLOČINI NAŠEG DOBA \n \nDokumentarna serija, 9 epizoda po 52 min.      \nProducent: Artizana film \nScenaristice: Rozina Kugli, Irena Škorić \nRedateljica: Irena Škorić \nPrijedlog potpore: 10.000 eura \n \nProjekt koji je već na prošlom roku bio jako blizu potpore, a u međuvremenu \nsu autorice uvažile sugestije umjetničkog savjetnika i evo ih sada pred \nnama. Baziran na memoarskoj knizi „Odvjetnik – svjedok vremena“, našeg \nslavnog odvjetnika Silvija Degena (i suscenaristice ovog serijala Rosie \nKugli), serijal je iznimno vjeran svom naslovu. Priče iz sudnice kakve može \nnapisati samo jedan scenarist – život, osim što se savršeno uklapaju u \nglobalni žanrovski true crime trend, donose i neke, današnjoj javnosti \n\n\f\n4 \n \nmanje poznate, a ondašnjoj nezaobilazne, notorne krimi slučajeve, ponekad \nstare i više od pola stoljeća. Ako autorsko-producentski tim uspije \nnadomjestiti problem nedostatka video arhive za starije slučajeve \n(ponegdje čak i manjak živih svjedoka!), ovaj projekt ima ogorman \nkomercijalni potencijal.     \n \n \n1.6. NEPOGODE \n \nDokumentarna serija, 4 epizode po 26 min.      \nProducent: Jaka produkcija \nScenarist: Marko Šantić \nRedatelj: Marko Šantić  \nPrijedlog potpore: 6.000 eura \n \nMoje ime je moj program, odnosno u ovom slučaju – sve je rečeno u \nnaslovu. Vremenskih nepogoda ima sve više i sve su češće, pa je vrijeme i \nza (još jedan) serijal o njima. Publici koja prati slične sadržaje na National \nGeographic-u ili Discovery-u, sasvim sigurno će biti zanimljiva lokalizacija \nove globalno prebitne teme, a kad kažemo lokalizacija, mislimo na čak i \nmalo širi regionalni doseg (BIH, Slovenija, Italija, Grčka...).  \n \n \n1.7. OSLOBODITE SE PARAZITA \n \nDokumentarna serija, 3 epizode po 26 min.     \nProducent: Zoom \nScenarist: Željko Sarić \nRedatelj: Željko Sarić \nPrijedlog potpore: 6.000 eura \n \nProjekt podržan na prethodnom roku u potkategoriji Razvoja scenarija \nserijskih TV djela uspješno je prošao prvu fazu razvoja i spreman je na \nslijedeće korake. Da podsjetimo – radi se o neetičnom, manipulativno- \nprevarantskom oglašavanju na domaćem medijskom tržištu. Štofa naravno \nima, na žalost svakim danom sve više, pa će biti i potencijala za drugu \nsezonu, prva je svakako neupitna.   \n \n \n1.8. PR(A)VA PRIČA \n \nDokumentarna serija, 10 epizoda po 26 min.      \nProducenti: Metar60 \nScenaristica: Vedrana Pribačić \nRedateljica: Vedrana Pribačić \nPrijedlog potpore: 6.000 eura \n \n\n\f\n5 \n \nDokumentarni serijal ponešto lakšeg, no nimalo trivijalnog sadržaja i \npristupa. Radi se o, da citiram autoricu, „pričama o „malim\" stvarima, \nizumima, društvenim pojavama ili bićima, koje su dio naše svakodnevice i \nnezaobilazni dijelovi popularne kulture“. Stvari su još jasnije kad se vide \nnaslovi pojedinih epizoda – „Prva žirafa u Evropi“, „Prva bijela vjenčanica“, \n„Prvi kućni ljubimac“ ili pak „Prvi umjetni nokat“ (!). Jako zgodno već i u \nnajavi, pa nema razloga ne vjerovati da će tako biti i u realizaciji. \n \n \n1.9.   SJENKE MRTVIH SELA \n \nDokumentarna serija, 5 epizoda po 52 min.      \nProducent: Bond squad \nScenarist: Danijel Pavlić  \nRedatelj: Branko Ištvančić \nPrijedlog potpore: 6.000 eura \n \nDok se mi uglavnom bavimo banalnim, kaže li se Banija ili Banovina, ovaj \nnekada životom bogat kraj prekrasne prirode, danas je sablasno pust i \nprazan. O demografskim problemima mnogih naših regija, kao i čitave \ndržave, zna se manje-više sve, no Banija je nakon potresa i spore obnove \nu iznimno teškoj situaciji. U nekad živopisna sela danas kroči eventualno \nnoga nekog zalutalog migranta, a starosjedioci su rijetki i često jako stari i \nbespomoćni. I ovaj projekt je na prošlom roku bio vrlo blizu potpore, sada \nje konačno na redu, a nadamo se da ima nade i za Baniju...   \n \n \n1.10.  ŠKOLA PUNA SREĆE \n \nDokumentarna serija, 7 epizode po 30 min.     \nProducent: FADE IN  \nScenarist: Luka Udjbinac \nRedateljica: Dalija Dozet \nPrijedlog potpore: 6.000 eura \n \nAko je demografija jedna od najbolnijih rak rana hrvatskog društva, većina \nroditelja današnjih školaraca će se složiti da ni školstvo nije daleko. No, ovaj \nserijal se fokusira na pozitivno – na pojedince koji ulažu ogroman trud da u \nsvojim sredinama naprave razliku. Konkretnije, radi se o nastavnicima \nosnovnih škola iz raznih djelova zemlje koji se kroz dopunske i/ili \nizvanškolske aktivnosti trude učenicima ponuditi ono što u današnjem \nsustavu školstva teško mogu dobiti. Treba se radovati da takvi ljudi uopće \npostoje, a treba se radovati i ovom serijalu.     \n \n \n \n \n \n\n\f\n6 \n \n2) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće \nod 25 minuta i koja je namijenjeno prvenstveno televizijskom \nprikazivanju \n \n \n2.1. 10 DANA U TRAVNJU \n \nDramska serija, 10 epizoda po 50 min. \nProducent: Maxima film \nScenarist: Emir Imamović Pirke \nRedatelj: Kristijan Milić \nPrijedlog potpore: 10.000 eura \n \nSvojevrsna „fikcionalizacija“ publicističkog djela novinara Borisa Rašete i \nGorana Gavranovića o uspostavi i prvim danima NDH, ispričana kroz osobnu \nsituaciju i borbu jednog zagrebačkog novinara. Teško se uopće sjetiti kad \nsmo posljednji put gledali neki domaći dramski sadržaj tematski i kronološki \nsmješten u II svjetski rat, a ovdje dramaturški pristup scenarista Emira \nImamovića i žanrovsko iskustvo redatelja Kristijana Milića itekako \nobećavaju uzbudljivu i napetu priču.    \n \n \n2.2. BUDDHA BAR \n \nDramska serija, 6 epizoda po 52 min. \nProducent: Antitalent \nScenaristica: Dora Šustić \nRedateljica: Dora Šustić \nPrijedlog potpore: 8.000 eura \n \n„Buddha bar“ je uvjetno rečeno, ženska priča (ako se takav pojam danas \nuopće može upotrijebiti), ali bogme žestoka. Dvije Riječanke, Zora i Nina, \niako različitih društvenih pozadina, nerazdvojene čitav svoj život. No, kada \nZora sazna da je Ninina 17-godišnja kćer Ela upetljana u lanac elitne \nprostitucije, ne može to reći Nini koja se oporavlja od raka, već se sama \nmora upustiti u ne baš jednostavnu i svakako opasnu misiju spašavanja. \nPriča djeluje zanimljivo i apsolutno je društveno aktualna, a obećava i \nozbiljnu dekonstrukciju macho mitova (koju autorica duhovito započinje već \nu svojoj redateljskoj eksplikaciji), čemu se iznimno veselimo. \n \n \n2.3. MITOMAN \n \nDramska serija, 6 epizoda po 52 min. \nProducent: Petnaesta umjetnost \nScenaristica: Nina Mitrović  \nRedatelj: Nevio Marasović \nPrijedlog potpore: 8.000 eura \n\n\f\n7 \n \n \nMitoman iz naslova jedan je od onih negativaca koje ćemo sasvim sigurno \nzavoljeti i navijati za njih dok će nam se istovremeno većina toga što rade \ngaditi. Radi se o 30-i-nešto-godišnjem najmlađem stečajnom upravitelju u \ndržavi, bahatom, našmrkanom i korumpiranom tipu (ali, naravno, nikako \nlišenom šarma), čiji se profesionalni i osobni pad događaju istovremeno. \nVeć i sam pomalo dvosmislen naslov, koji se može odnositi na epidemiju \npodmićivanja kojoj i ovih dana svjedočimo ali i na osobnu karakteristiku \nmnogih narcisoida, sasvim dovoljno obećava. \n \n \n2.4. MOTOVUNSKA ŠUMA \n \nDramska serija, 5 epizoda po 50 min. \nProducent: Četiri film \nScenaristica: Ines Mrenica Mutevelić \nRedateljica: Ivona Juka \nPrijedlog potpore: 8.000 eura \n \nJedan od najbolje ocjenjenih projekata na prethodnom roku Javnog poziva \nza razvoj scenarija serijskih TV djela prošao je uspješno i proces razvoja \nscenarija pa treba što prije krenuti na slijedeće stepenice razvoja. Radi se \no misterioznom povratniku u istarski zavičaj kojeg će potraga za tajnama \nvlastitog porijekla odvesti duboko u srce tame. Napet i promišljeno napisan \ntrilerski zaplet, povremeno i na rubu horora, svojevrsni „Ljubav i smrt u \ndoba korone“ (radnja se događa 2021., a važni su i flashback-ovi u rane \n'90-e) i na ovom je roku Javnog poziva u samom vrhu ponude.    \n \n \n2.5. OLOVNO SRCE \n \nDramska serija, 8 epizoda po 52 min. \nProducent: Ludens produkcija \nScenarist: Davor Špišić \nRedatelj: Tomislav Rukavina \nPrijedlog potpore: 8.000 eura \n \n„Olovno srce“ ekranizacija romana „Vošicki“ Marka Gregura, epska je priča \no češkom tiskaru Vinku Vošickom (1885-1957.) koji se u svojim 20-ima \ndoselio u Koprivnicu i tamo postao ugledni književni izdavač. No priča je to \ni o prvoj polovici 20. stoljeća (u koju je osim dva rata i četiri države stalo i \njoš dosta toga) u Koprivnici i čitavom tom djelu sjeverne Hrvatske, pomalo \nzapostavljenom u domaćpj kinematografiji i televerzumu. „Olovno srce“ je \nodlična prilika da se u tom smislu nadoknadi propušteno. \n \n \n \n \n\n\f\n8 \n \n \n2.6. SLATKI KUHAR \n \nDramska serija, 6 epizoda po 52 min. \nProducent: Sekcenca \nScenaristi: Jure Pavlović, Ivan Knežević \nRedatelj: Jure Pavlović \nPrijedlog potpore: 8.000 eura \n \n„Dramska serija od šest epizoda po 52 minute. Krimić s humornim \nelementima o uglednom kuharu i vlasniku vinoteke koji se upetlja u opasan \nnarko biznis baziran je na istinitom događaju. Slučaj je bio po medijima \nprije nekoliko godina, a jedan od autora osobno poznaje svog planiranog \nglavnog lika. Ideja o dobroćudnom debeljku, omiljenom šarmeru kao \nzadnjoj osobi za koju bi čovjek pomislio da se bavi švercom kokaina je \nsolidna, uostalom napisao ju je najbolji scenarist – život. Ostatak priče \nnadopisat će autori ovog projekta koji ipak, htio-ne-htio hoda po tankom \nrubu romantizacije nečeg krajnje odioznog, međunarodne trgovine drogom, \nisti rub po kojem su hodali (i s njega pali na krivu stranu) primjerice \n„Breaking Bad“ ili „Južni vetar“.“ Tekst u navodnicima citat je iz ljetošnje \nrecenzije projekta ovog umjetničkog savjetnika na prethodnom roku Javnog \npoziva. Autori u materijalima nove prijave jasno daju do znanja da su \nsvjesni potrebe jako preciznog nijansiranja stvari u ovako klizavoj priči, a \nneke važne korake po tom pitanju su već i poduzeli, pa ih ovom prilikom u \nnjihovim nastojanjima podržavamo.  \n \n \n \n3) Televizijsko humoristično djelo, čije trajanje po epizodi nije \nkraće od 20 minuta \n \n \n1.1. MIRAKULISTI \n \nHumoristična serija, 12 epizoda po 26 min. \nProducent: Antitalent \nScenarist: Rene Gallo \nRedatelji: Rene Gallo, Aldo Tardozzi  \nPrijedlog potpore: 8.000 eura \n \nKao i na prošlom roku Javnog poziva, na žalost jedina humoristična serija \npredložena za potporu u potkategoriji razvoja projekta, izabrana između tek \ndva prijavljena humoristična projekta. Bilo kako bilo, navedeno nema \nnikakve veze s „Mirakulistima“, dvoje božjih pomoćnika iz Splita zaduženih \nda ispunjavaju manje bitne molitve. „Mirakulisti“ su prošli prvu etapu \nrazvoja (potporu za razvoj scenarija dobilu su na prošlom roku) i zasluženo \nidu dalje.  \n \n\n\f\n9 \n \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: \nPOTICANJE \nRAZVOJA \nSCENARIJA \nI \nPROJEKATA \nSERIJSKIH \nTELEVIZIJSKIH \nDJELA \n- \npotkategorija: \nRAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2024. - 2. ROK - \n10.9.2024. \n \n \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije \nkraće od 24 minute \n \n \n1.1. CRNA KRALJICA  \n \nAnimirana serija, 7 epizoda po 6-8 min. \nProducent: Mag  \nScenaristi: Tihoni Brčić, Mirjana Novak Perjanec  \nRedatelj: Tihoni Brčić    \nPrijedlog potpore: 3.500 EUR \n \nAnimirani serijal donosi moderno čitanje legende o Barbari Celjskoj / Crnoj \nkraljici, ali i nekih drugih starohrvatskih i staroslavenskih mitova i legendi. \nKad kažemo moderno, mislimo na to da se ovdje isprepliće moderno i \narhaično, suvremeno i srednjevjekovno, ali i stvarno i izmaštano. U centru \npriče je mlada Amerikanka iz Hollywooda (!) koja dolazi u Hrvatsku \nistraživati spomenike za potencijalnu Netflixovu seriju, a mi ne bi imali ništa \nprotiv kad bi stvarnost pratila fikciju i u pogledu sudbine ovog projekta.  \n \n \n1.2. OTOČKA POSLA \n \nAnimirana serija, 12 epizoda nepoznatog trajanja (planirane tri sezone) \nProducent: –  \nScenaristica: Mihaela Erceg \nRedateljica: Mihaela Erceg    \nPrijedlog potpore: 3.500 EUR \n \nRadnja ovog animiranog serijala smještena je u sredinu prošlog stoljeća, na \nneimenovani domaći otok (baziran na Braču), a prikazuje otočki život očima \njedne mačke i jednog psa. Sve je zamišljeno nekako ležerno, pastoralno i \npomalo nostalgično. Inicijalna ideja je dakle vrlo zgodna, kao i priloženi rani \nvizuali, pa se nadamo da će ova potpora pomoći da priča stane na noge. \n \n \n \n \n \n\n\f\n10 \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije    \nkraće od 20 minuta \n \n \n2.1. ALLONS ENFANTS \n \nDokumentarna serija, 3 epizode po 26 min. \nProducent: MDM VIZIJA \nScenarist: Miljenko Bukovčan \nRedatelj: Miljenko Bukovčan    \nPrijedlog potpore: 3.500 EUR \n \nOd kratke Napoleonove vladavine u (većem dijelu) Hrvatske prošlo je više \nod 200 godina, ali tragovi su još itekako vidljivi, i ne samo zidani (mnogi od \nnas i ne znajući svakodnevno prolaze pored napoleonskih carina kod \npješačkog mosta na kraju Savske ulice). Trodjelni dokumentarac o \nnapoleonskom naslijeđu ozbiljno je zamišljen i pripremljen i svakako \nvrijedan pažnje i potpore. \n \n \n2.2. PUTNICE  \n \nDokumentarna serija, 3 epizoda po 26 min. \nProducent: –  \nScenarist: Goran Markoš \nRedatelj: Goran Markoš    \nPrijedlog potpore: 3.500 EUR \n \nPutnice iz naslova, preciznije njih tri, zapravo su sve samo ne putnice, jer \nradi se o vozačici kamiona, strojovotkinji i časnici na trajektu. Tri žene koje \nse dakle bave tzv. „muškim“ zanimanjima i probijaju granice. Serijal ih \nnamjerava sagledati iz svih uglova, pa i onog privatnog, pratiti ih na \nnjihovim putovanjima koja su gotovo redovno izvan granica države. \nKamioni, vlakovi i brodovi televizični su sami po sebi, ali upravljani ženskom \nrukom teško da se mogu kretati u krivom smjeru.  \n \n \n2.3. RAD I GRAD \n \nDokumentarna serija, 6 epizoda po 52 min. \nProducent: –  \nScenarist: Nikolina Bogdanović \nRedatelj: – \nPrijedlog potpore: 4.000 EUR \n \nDokumentarni serijal u širem se smislu bavi vezom između velikih \nindustrijskih pogona i gradova u kojima su se nalazili, a u užem konačnom \npropašću domaće industrije i tmurnom budućnošću pripadajućih mjesta i \n\n\f\n11 \n \ngradova. Zadnjih godina smo vidjeli nekoliko, ako ne baš sličnih, onda \nsvakako srodnih dokumentaraca, bilo serijskih bilo cjelovečernjih, no ovom \numjetničkom savjetniku to nimalo ne smeta i smatra da uvijek ima mjesta \nza još jedan, pogotovo što se ovdje planiraju tematizirati konkretna mjesta \ni konkretne tvornice (npr. Borovo ili Dalmatinka Sinj...).  \n \n \n2.4. TAJNE ŠUME \n \nDokumentarna serija, 6 epizoda po 26 min. \nProducent: Antitalent  \nScenarist: Tonći Gaćina  \nRedatelj: Tonći Gaćina    \nPrijedlog potpore: 3.500 EUR \n \nDokumentarni serijal o hrvatskim šumama, a uz očekivani prikaz šuma i \nživota i njima ima i dobrodošli „nepoznato o poznatome“ moment. Bez \nobzira koliko ovakvih serijala gledali (a dojma sam da domaći „šumski“ \ndokumentarac nismo odavno?), za ovakve projekte uvijek bi trebalo biti \nmjesta, pogotovo kad su ovako ozbiljno preipremljeni i razrađeni. \nNedvojbeno je da autori poznaju materiju (autor projekta Milan Majerović \nStilinović objavio je dvije knjige na srodnu temu), pa im svakako treba \npružiti potporu za daljnji razvoj serijala.                     \n \n \n2.5. TITOVA JUGOSLAVIJA  \n \nDokumentarna serija, 5 epizoda nepoznatog trajanja \nProducent: –  \nScenarist: Hrvoje Klasić \nRedatelj: –      \nPrijedlog potpore: 4.000 EUR \n \nNakon uspješnih serijala o ustašama (koji je dosta vremena proveo od \nzavršetka produkcije do početka emitiranja) i partizanima (za koje pak na \ndomaćem terenu nije bilo sluha pa ih je emitirala Al Jazeera), ugledni \npovjesničar Hrvoje Klasić priprema serijal o Titovoj Jugoslaviji. Nismo \nsigurni da će pet (jednostanih) epizoda biti dovoljno za temeljit uvid, ali \njesmo da je gotovo 35 godina od raspada sasvim dovoljna distanca za \nneostrašćeni, hladno znanstveni pogled na državu za kojom se i danas diže \nprašina.   \n  \n \n \n \n \n \n \n\n\f\n12 \n \n2.6. SVUGDJE POĐI, KUĆI DOĐI  \n \nDokumentarna serija, 4 epizode po 40-60 min. \nProducent: –  \nScenaristica: Dubravka Kurobasa  \nRedatelj: –     \nPrijedlog potpore: 3.500 EUR \n \nDokumentarni serijal koji se bavi migracijama, a ima „dvosmjeran“ pristup, \ndakle bavi se migracijama iz Hrvatske, ali i u Hrvatsku. Posljednjih godina \nje bilo nekoliko srodnih projekata (jedan je baš ljetos dana repriziran na \nHTV-u), no tema je i dalje goruća, dapače sad možda i više nego ikad (iako \nneki tvrde da upravo traje masovan povratak naših građana iz Irske..?), pa \nvjerujem da će apsolutno biti mjesta i za ovaj serijal, pogotovo stoga što \nautoricu motivira duboko osobni odnos prema temi, a razrada joj je ozbiljna \ni temeljita.  \n \n \n \n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće \nod 25 minuta i koje je namijenjeno prvenstveno televizijskom \nprikazivanju \n \n \n3.1. HAKERI RATA \n \nDramska serija, 6 epizoda po 52 min. \nProducent: – \nScenarist: Nikola Kuprešanin, Tomislav Brđanović  \nRedatelj: – \nPrijedlog potpore: 4.000 EUR \n \nIstinita priča koju su autori već dokumentarno uprizorili, a sada \nnamjeravaju razviti i igranu verziju. S pravom, jer priča o skupini mladih \nVukovaraca koji uz pomoć primitivnih tehničkih sredstava (između ostalih i \nlegendarnog Commodorea 64) u opkoljenom gradu uspostavljaju tajni \nkanal komunikacije koji će pomoći prenijeti svijetu istinu o ratu u Vukovaru, \nima holivudski šmek i zapravo je prava misterija kako to da ju netko već \ndosad nije pokušao snimiti? \n \n \n3.2. ISPOD SUNCA ZLATNOGA \n \nDramska serija, 8 epizoda po 52 min. \nProducent: –  \nScenarist: Nikola Kuprešanin   \nRedatelj: – \nPrijedlog potpore: 5.000 EUR \n\n\f\n13 \n \n \nDramska serija prati istragu ubojstva sina jednog splitskog tajkuna. Prilično \nzapetljana priča uključuje naravno aktualni hrvatski društveni moment, ali \ni štošta drugo, ponešto i neočekivano (npr. međunarodno poznatu bandu \nPink Panter). Projekt svakako ima potencijala, zaplet je postavljen vrlo \nambiciozno kao i čitav prateći kontekst, i već je na prošlom roku Javnog \npoziva bio vrlo blizu potpore. Autor je uvažio sugestije umjetničkog \nsavjetnika, između ostaloga i promjenio prethodni naziv projekta („Linč“), \npa se našao na listi za potpore na ovom roku.  \n \n \n3.3. KAD U VOJSKU POĐEM \n \nDramska serija, 5 epizoda po 45 min. \nProducent: –  \nScenaristica: Vivien Karlović  \nRedatelj: – \nPrijedlog potpore: 4.000 EUR \n \nNajbolji ratni filmovi često su zapravo duboko antiratni, a takva je i ova \npriča o trojici momaka na osluženju vojnog roka u JNA, (Hrvatu u Srbiji, \nSrbinu u Bosni i Bošnjaku u Hrvatskoj) čiji se putevi susretnu u košmaru \nbosanskog rata. Duboko osobne, depolitizirane priče o tri mala /mlada \nčovjeka u kaosu rata iako na prvu loptu djeluju pomalo već viđeno (ne \ndoduše kod nas), ipak imaju neki poseban šmek i twist koji ih definitivno \nkvalificira za potporu.  \n \n \n3.4. NESTAJANJE \n \nDramska serija, 6 epizoda nepoznatog trajanja \nProducent: –  \nScenarist: Arsen Oremović   \nRedatelj: – \nPrijedlog potpore: 4.000 EUR \n \nU jednom danu 13 osoba misteriozno nestane u tri različita nacionalna parka \nu Hrvatskoj, Sloveniji i BIH (Krka, Triglav i Sutjeska). Već sama ova \nrečenica bila bi dovoljna prosječnom gledatelju (a svakako i ovom \numjetničkom savjetniku) da klikne na svome streameru i baci pogled, a kad \nbi se ta rečenica dopunila i svijetom medija, politike i sumnjivim ekološkim \norganizacijama koji se vrlo brzo upliću u priču, stvar postaje još zanimljivija, \ndapače, sasvim dovoljno zanimljiva za potporu na ovom roku Javnog \npoziva. \n \n \n \n \n\n\f\n14 \n \n \n3.5. NIKA, ŠKOLSKA DETEKTIVKA \n \nDramska serija, 10 epizoda po 50 min. \nProducent: –  \nScenaristica: Iva Prolić   \nRedatelj: – \nPrijedlog potpore: 5.000 EUR \n \nDramska serija o mladoj i ambicioznoj naslovnoj policajki koja spletom \nokolnosti završi kao školska policajka u okviru pilot projekta. Tamo postaje \nsvojevrsni školski detektiv koji riješava razne slučajeve nasilja i bullyinga \n(fizičkog i cyber), ali i druge „misterije“. Nadamo se da je „Sram“ konačno \notključao dugogodišnju zatvorenost prema igranim teen sadržajima na \nnašim televizijama (a po svemu sudeći jest!), a zgodno zamišljena i \nrazrađena „Nika, školska detektivka“ bi mogla biti slijedeća. \n \n \n3.6. OVCE I NOVCE \n \nDramska serija, 12 epizoda po 30 min. \nProducent: –  \nScenarist: Velimir Grgić   \nRedatelj: – \nPrijedlog potpore: 5.000 EUR \n \nPriprosti otočki pastir iznenada postaje direktor ozbiljne domaće kozmetičke \nkompanije. Nije to neka reklama za hrvatski san, već stari, oprobani zaplet \nkoji svi dobro znamo – bogati otac u oporuci priznaje svog tajnog sina i \nostavlja mu dio svog imperija, a sve na šok i nevjericu svojih „pravih“ sinova \n(u ovom slučaju blizanaca). Klišei su inače opasan ekplozivni materijal – \nkad se njim rukuje neoprezno, sve može otići k vragu. No, kad im se pristupi \npromišljeno i dobro ih se upregne, stvari mogu ispasti jako dobro. Čini se \nda „Ovce i novce“ čvrsto idu u potonjem, ispravnom smjeru. \n \n \n3.7. PURPURNO NEBO '89. \n \nDramska serija, 12 epizoda po 50 min. \nProducent: Mehana \nScenarist: Bojan Radanović   \nRedatelj: Bojan Radanović \nPrijedlog potpore: 5.000 EUR \n \n \nDramska serija o odrastanju 12-godišnjaka u Novoj Gradiški 1989/90. \nNaravno, osim tog odrastanja, važan je i društveni moment, nadolazeće \npromjene i obiteljski kontekst junaka (i odrasli su likovi svakako važni). \n\n\f\n15 \n \nImamo tu mješavinu optimizma uslijed velikih društvenih promjena, dašak \nZapada koji se nezaustavljivo probio i do Nove Gradiške, ali i tmurne oblake \nbliske ratne budućnosti. Ne znamo koliko ova priča ima autobiografskih \nelemenata (a vrlo vjerojatno ima puno), no očita je autorova emocija za \nsvoje likove i njihove živote. Također, autor je uvažio sugestije umjetničkog \nsavjetnika oko generalnog tona i smjera serije, pa je projekt spreman za \npotporu. \n \n \n3.8. SEDAM GREŠNIKA \n \nDramska serija, 7 epizoda po 30 min. \nProducent: – \nScenaristi: Sonja Babić, Luka Vucić   \nRedatelj: – \nPrijedlog potpore: 4.000 EUR \n \nAntologijska dramska serija koja tematizira sedam smrtnih grijeha i u \nsvakoj epizodi oobrađuje jedan od njih, svaki put s drugim likovima (a sve \nu nekom neimenovanom mjestu na našoj obali). U startu odlična ideja \ntrebala je malo „kuhanja“ da dođe do sadašnje razine, a to je kuhanje \nuključivalo čvršće veze između likova u epizodama i jaču povezanost među \nepizodama. Takve su bile sugestije autorima prethodnih umjetničkih \nsavjetnika, uklučujući i trenutnog, a one su sada prilično dobro \nimplementirane u priču, pa je projekt spreman za potporu, ovaj put čak i s \nvisokim očekivanjima.  \n \n \n3.9. SEVENTIN \n \nDramska serija, 8 epizoda po 30 min. \nProducent: – \nScenaristi: Andrea Slaviček, Ivor Martinić   \nRedatelj: Andrea Slaviček \nPrijedlog potpore: 4.000 EUR \n \nDramska serija o šarmantnom i ambicioznom 26-godišnjem novinaru koji \nse za potrebe novinske priče ubaci među dostavljače hrane ne bi li razotkrio \neksploataciju, a u bicikliranju po gradu ga prate dvoje šarmantnih likova \n(Seventin iz naslova i Maestra), inače njegovih urođenih strahova (!), a \npojavljuje se i čitava galerija drugih likova/strahova (za koje nije do kraja \njasno jesu li stvarni ili izmaštani). Zanimljiva i originalna, a svakako i \nbizarna i apsurdistička osnovna postavka sa priličnim potencijalom (doduše \nza ponešto limitirani krug birane publike) za koju na prošlom roku Javnog \npoziva ovaj umjetnički savjetnik nije vidio ni teoretske šanse da ju iti jedna \nod domaćih televizija uzme čak i u razmatranje (pa niti eventualno neki \nstreamer, telekom itd..). I tu je onda došlo do malog obrata – naime, \numjetnički savjetnik je poslušao sugestije autora (možda je malo pomoglo \n\n\f\n16 \n \ni to što je projekt u međuvremenu prošao na radionicu Torino Film Lab \nSeries), zatomio svoje mainstream fiksacije i projekt uvrstio na listu za \npotporu. \n \n \n3.10. ŠTRIGUN \n \nDramska serija, 6 epizoda po 60 min. \nProducent: –  \nScenarist: Marko Mihalinec  \nRedatelj: –   \nPrijedlog potpore: 4.000 EUR \n \nPovjesni triler s nadnaravnim štihom, smješten u Istru XVII stoljeća priča \nje o prvom evropskom vampiru, inspirirana stvarnim događajima. Štrigun \nje inače prastari istrijanski naziv za vješticu, a autor je očito dubinski \nupoznat s tematikom i najveći dio (evidentno opsežnog) istraživanja za ovu \npriču već je iza njega. Da nam je holivudskih budžeta i poneki Tim Burton, \novo bi bio spektakl, no za početak, krenimo s potporom na ovom Javnom \npozivu jer svako putovanje započinje prvim korakom. \n \n \n3.11. UBOJSTVO NA FOTOGRAFIJI \n \nDramska serija, 5 epizoda po 45 min. \nProducent: – \nScenaristica: Ines Mrenica Mutevlić  \nRedatelj: – \nPrijedlog potpore: 4.000 EUR \n \nOvaj punokrvni krimić s pametno osmišljenim i napisanim zapletom, a radi \nse o privatnoj detektivki (ima li uopće kod nas privatnih detektiva, pogotovo \nžena?) koja dobije naoko rutinski zadatak praćenja i fotografiranja supruge \njednog bogataša pa se upetlja u napetu priču punu obrata i iznenađenja, \ngeografski raspoređenu od Visa do Vukovara, bila je jako blizu potpore na \nprošlom roku Javnog poziva. No, zbog strahovite „gužve na terenu“ \n(rekordnih 115 prijavljenih projekata u obje potkategorije!) a i želje da se \nautorici pomogne da se fokusira na svoj drugi projekt („Motovunska šuma“) \nza koji je na prošlom roku dobila potporu, „Ubojstvo na fotografiji“ je \nstavljeno na čekanje koje sada prestaje. \n \n \n \n \n \n \n \n\n\f\n17 \n \n4) Televizijsko humoristično djelo čije trajanje po epizodi nije \nkraće od 20 minuta  \n \n \n4.1. UVIJEK DRUGI \n \nDramska serija, 12 epizoda po 60 min. \nProducent: –   \nScenarist: Hrvoje Matasović   \nRedatelj: – \nPrijedlog potpore: 5.000 EUR \n \nZa neke srebrna medalja je kao i drvena, ništa osim zlata ne znači im \npreviše. Ovdje imamo šestero olimpijaca (Talijanka, Mađar, (Istočna) \nNjemica, Španjolac, Čeh i Hrvatica – zvuči kao početak nekog jako dugog i \nelaboriranog vica, ali je zapravo potencijal za strani koprodukcijski input) \nkoji se odluče na očajnički korak – doping. Slijedi priča koja ima elemente \ntrilera ali i crnog humora, medijskog ludila i svega što ide uz to. Autor 20-\nak godina surađuje s Hrvatskim olimpijskim odborom, pa svakako zna o \nčemu piše. Na kraju olimpijske godine, red je podržati i jedan olimpijski \nprojekt.  \n \n \n \n5) Kreativni televizijski format namijenjen djeci i mladima čije \nukupno trajanje serije nije kraće od 25 minuta i koji je \nnamijenjen prvenstveno televizijskom prikazivanju   \n \n \n5.1. S.N.A.P. \n \nKreativni format za djecu, 12 epizoda po 45 min. \nProducent: Woodz production \nScenarist: Edi Erceg \nRedatelj: – \nPrijedlog potpore: 5.000 EUR \n \nHumoristična teen serija o tatinom sinu, maturantu koji bude izbačen iz \nprivatne gimnazije pa ga otac upisuje u „najgoru školu u Zagrebu“. Momak \nje i inače vrlo snalažljiv, pravi mali biznismen koji uvijek ima neku \nkombinaciju i šemu, no u novoj školi naleti na sasvim drugačiju ekipu. Već \nsmo spominjali „Sram“ i njegov potencijalni groundbreaking efekt koji bi \ntrebao otvoriti vrata i drugim teen pričama, pogotovo onima koje bi pisali \nmladi za mlade (autor je 2002. godište). „S.N.A.P.“ je svoju zgodnu \ninicijalnu ideju na prošlom roku Javnog poziva prezentirao pomalo šturo i \nnedorađeno, a nova prijava je puno ozbiljnija i konkretnija (napisana je \njedna epizoda), uvažena je i sugestija o kraćem trajanju epizoda (iako bi \noptimalno bilo i još kraće – do 30-35 min), pa je onda došla i potpora.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2024,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2012 Razvoj projekata AV djela.pdf","filename_decoded":"2012 Razvoj projekata AV 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 Žbanić\nBruno\t\r  Anković\nIvana\t\r  Simić\t\r  Bodrožić\n110,000.00\n5\nSINDIKALIST\nPetnaesta\t\r  umjetnost\t\r  d.o.o./\t\r  \nHrvoje\t\r  Osvadić\nGoran\t\r  Dević\nGoran\t\r  Dević\n160,000.00\n6\nZG80\nKinoteka\t\r  d.o.o./\t\r  Ljubo\t\r  \nZdjelarević\nIvo\t\r  Balenović\t\r  i\t\r  Igor\t\r  \nŠeregi\nIgor\t\r  Šeregi\n100,000.00\n7\nUZBUNA\t\r  NA\t\r  ZELENOM\t\r  VRHU\nKinorama\t\r  d.o.o.\nHana\t\r  Jušić\nČejen\t\r  Černić\n70,000.00\n8\nVATRENO\t\r  KRŠTENJE\t\r  LJILJANA\t\r  VIDIĆA Interfilm\t\r  d.o.o.\nZoran\t\r  Lazić\nIvan\t\r  Goran\t\r  Vitez\n100,000.00\n850,500.00\nR.\t\r  br.\nNASLOV\nPRODUCENT\nSCENARIST/-­‐ICA\nREDATELJ\nODOBRENO\n1\nAPNEA\nRestart/\t\r  Iva\t\r  Tkalec\nBojana\t\r  Burnać\nBojana\t\r  Burnać\n120,000.00\n2\nDANI\t\r  LUDILA\nRestart/\t\r  Oliver\t\r  Sertić\nDamian\t\r  Nenadić\nDamian\t\r  Nenadić\n110,000.00\n3\nIZBOR\t\r  ZA\t\r  MISS\t\r  ZATVORA\nMP\t\r  filmska\t\r  produkcija/\t\r  \nMajda\t\r  Pilat,\t\r  Igor\t\r  Nola\nSrđan\t\r  Šarenac\nSrđan\t\r  Šarenac\n135,600.00\n4\nLIGA\t\r  DŽENTLMENA\nHFS/\t\r  Vera\t\r  Robić-­‐Škarica\nSilvio\t\r  Mirošničenko\nSilvio\t\r  Mirošničenko\n50,000.00\n5\nOPSESIJA\t\r  VANKA\nArs\t\r  septima\t\r  d.o.o./\t\r  Lidija\t\r  \nIvanda\nBranko\t\r  Ivanda\nBranko\t\r  Ivanda\n110,000.00\n6\nPIRATSKA\t\r  RIBA\nHULAHOP\t\r  d.o.o./\t\r  Dana\t\r  \nBudisavljević\nBoris\t\r  Veličan\nBoris\t\r  Veličan\n130,000.00\n7\nPROTUNAPAD\nMontažstroj\t\r  d.o.o./\t\r  Borut\t\r  \nŠeparović\nBorut\t\r  Šeparović\nBorut\t\r  Šeparović\n100,000.00\n8\nVITIĆ\t\r  PLEŠE\nBacači\t\r  sjenki/\t\r  Ivan\t\r  Kelava\nBoris\t\r  Bakal\nBoris\t\r  Bakal\n50,000.00\n9\nŽIVI\t\r  MRTVACI\nFactum/\t\r  Nenad\t\r  Puhovski\nJasna\t\r  Zastavniković\nJasna\t\r  Zastavniković\n120,000.00\n10\nELIKSIR\nFade\t\r  In\t\r  d.o.o.\nVlatka\t\r  Vorkapić\nVlatka\t\r  Vorkapić\n100,000.00\n11\nEMOTIVNO\t\r  PLEME\nPropeler\t\r  d.o.o.\nHana\t\r  Veček\nHana\t\r  Veček\n120,000.00\n12\nKUPA\nPetnaesta\t\r  umjetnost\t\r  d.o.o.\nGoran\t\r  Dević\nGoran\t\r  Dević\n160,000.00\n1,305,600.00\nR.\t\r  br.\nNASLOV\nPRODUCENT\nSCENARIST/-­‐ICA\nREDATELJ\nAUTOR\t\r  IZVORNOG\t\r  \nPREDLOŠKA\nODOBRENO\n1\nOBLAK\t\r  VILA\nMomentum\t\r  studio/\t\r  Kristijan\t\r  \nMršić\nVlatka\t\r  Vorkapić\nVlatka\t\r  Vorkapić\nVlatka\t\r  Vorkapić\n160,000.00\n160,000.00\nRAZVOJ\t\r  PROJEKATA\t\r  2012\t\r  -­‐\t\r  DUGOMETRAŽNI\t\r  IGRANI\t\r  FILM\nUKUPNO\nRAZVOJ\t\r  PROJEKATA\t\r  2012\t\r  -­‐\t\r  DUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILM\nUKUPNO\nRAZVOJ\t\r  PROJEKATA\t\r  2012\t\r  -­‐\t\r  ANIMIRANI\t\r  FILM\nUKUPNO\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"2012 Razvoj projekata AV 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VILA"}],"section_total_text":"160,00","section_total":160.0}],"totals":{"ukupno_text":null,"ukupno":2316.1,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":2316100.0,"ukupno_match":false,"row_count":21,"awarded_count":21,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:03Z","result_rows":21}},{"schema_version":"1.0","doc_type":"admin","source":{"filename":"Natjecaj_2023_gaming%20i%20financije.pdf","filename_decoded":"Natjecaj_2023_gaming%20i%20financije.pdf","sha256":"dade4efe1f793a84b5f8021448273656622b121768274ae43ae5cf2e0e64800c","bytes":150398,"page_count":4,"extracted_at":"2026-05-16T15:41:09Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":["reclassified_from_results_table_to_admin"]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"proizvodnja eksperimentalni obrazlozenje _rok 4.11._.pdf","filename_decoded":"proizvodnja eksperimentalni obrazlozenje _rok 4.11._.pdf","sha256":"db5e28eb2b283a59920a3a5772790ba5f49a0cfe025668b9fe70769c181eaabf","bytes":87403,"page_count":2,"extracted_at":"2026-05-17T12:01:46Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/proizvodnja%20eksperimentalni%20obrazlozenje%20%28rok%204.11.%29.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I \nSTVARALAŠTVA U 2019. GODINI \n \nKategorija: poticanje proizvodnje eksperimentalnog filma \nRok: 4. studenog 2019. \n \nAna Hušman, umjetnička savjetnica za eksperimentalni film \n \nNa drugi rok Javnog poziva za poticanje proizvodnje audiovizualnih djela u kategoriji \neksperimentalnog filma u 2019. godini pristiglo je sveukupno četrnaest prijava te su \nsve ušle u razmatranje. \nPri odlučivanju i razmatranju vodila sam se razrađenošću projekta, jasno \nobrazloženom redateljskom koncepcijom i postavljenim početnim pozicijama, \nmogućim smjerovima razrade materijala te izuzetno važnim i relevantnim smatram \nupornost, hrabrost i znatiželju autora i autorica da filmski medij ispituju, istražuju i \nopipavaju granice kako teme tako i medija kojim se koriste. \n  \nOd četrnaest prijavljenih filmova za sufinanciranje predlažem četiri filma, dva \nmeđunarodno već prepoznata autora i dva debitantska projekta. Riječ je o projektima: \n\"Električne vještice\" debitantice Maje Čule, (Kreativni sindikat), \" Non sequitur\" \ndebitanata Tina Dožića, Jasona Mulhausena (Kreativni sindikat), \"Fotokemika\" \nSilvestra Kolbasa (Samostalna djelatnost Silvestar Kolbas) i \"Izbjeljivanje\" Mate \nUgrina (Umjetnička organizacija Kadromat). \n  \nMoram reći  da mi je izuzetno drago da sam za vrijeme mandata vidjela toliko \ndebitantica i debitanata, pogotovo žena autorica u kategoriji eksperimentalnog filma \nte se nadam da će se ova malo zanemarena, a izuzetno važna grana filma ipak održati, \nda će joj se povećati važnost i financiranje te da će nanovo oživjeti. \n \n\"Non sequitur\",  projekt je dvojca debitanata Tina Dožića i  Jasona Mulhausena \nkojima se kao protagonistica pridružuje Afrikanka iz Nigerije Kikelomo Tope \nOlufeyimi. Miješajući različite medije, fotografiju, 16 mm film, tekst, snimke s \npametnih telefona, razmišljaju, razlažu i pišu razvijajući film sa izuzetnom lakoćom.  \nKao što se već i u svom prethodnom umjetničkom i istraživačkom radu bave i \nMulhausen i Dožić nastavljaju razvijati i ovaj rad unutar okvira istih tema: \nantropocena, geološke povijesti zemlje kroz pripovijedanje o oskudnim rudama koje \nse koriste za proizvodnju novih tehnologija čineći to iz aktivne uloge subjekta i \npasivne objekta radnje. Element koji istražuju filmom - Tantal je onaj koji u današnje \nvrijeme sliku čini mogućom. Tantal se dobiva preradom rude koltana, u čije procese \nprerade  dobivamo uvid kroz slike iz tvornice u Gostivaru u Makedoniji i tvornice u \nKigaliju, Ruanda. \n150.000,00 kn \n \n\"Električne vještice\" debitantice Maje Čule, također u produkciji Kreativnog \nsindikata film je o ženama, vješticama, marginaliziranima i stereotipima. \nPonešto drugačijeg i nesvakidašnjeg pristupa filmu pratimo dokumentarno- \neksperimentalno zbivanje kroz niz insceniranih snimljenih i nazad u film dovedenih \nmaterijala na koje nailazi glavna protagonistkinja. Uslojavanjem vremena i medijskih \nizraza pratimo priču o aktivističkoj ženskoj organizaciji \"Električne vještice\" iz 90-tih \n\n\f\nu Zagrebu vezanih na ZAMIR, čije su osnivačice bile Kathryn Turnipseed i Cecilia \nHansen, a aktivnih u području edukacije u godinama početaka interneta. Narativ \npripovijeda kroz prizmu istraživanja fiktivne protagonistkinje Nede koja priprema \nfoto izložbu o arheologiji interneta u Zagrebu razmišljajući i kroz medij i kroz narativ \nmogućnosti interneta, medija i interpretacije minulih događaja. \n120.000,00 kn \n \n\"Fotokemika\" Silvestra Kolbasa filmski je nastavak istraživanja o tvornici \nFotokemike u Samoboru. \nIstražujući minulo vrijeme i prostor te proizvode koji su nastajali u tvornici \nFotokemika, S.Kolbas kroz materijalnost fotografskih postupaka te rada s originalnim \nfoto materijalima proizvedenim u Fotokemici kombinira nastale greške zbog trošnosti \nmaterijala sklapajući jednostavne animacijske postupke u montaži. Radeći s tehnički \nneispravnim materijalima na kojima je vidljiv trag vremena govori o prolaznosti, \nprocesualnosti i raspadu proizvodnje i prodaje. U tonskom zapisu bivše zaposlenice i \nzaposlenika, glasovi su koji nas vode kroz minula zbivanja.  \n190.000,00 kn \n \n\"Izbjeljivanje\" - film mladog, a već vrlo uspješnog autora Mate Ugrina koji se \nokušao u dokumentarnom i kratkom igranom filmu, u ovom hibridnom projektu \ninscenira fikcijsku situaciju smještenu u postljudsko doba kroz prikaz iščekivanja \nsusreta tinejdžera i divljih svinja uz obale bazena jedine preostale pitke vode. \nBirajući za protagoniste filma naturščike iz generacije kojoj je ovaj svijet ostavljen \nokrznut i deficitaran, uništen i potrošen, dovodi ih u odnos sa životinjskom vrstom iz \ntog geografskog  područja. M. Ugrin govori o vremenu i stanju u kojem smo se našli \nljudskim nemarom i neodgovornošću.  \nKombinacijom igranih i dokumentarnih postupaka i metoda M. Ugrin postavlja \npitanje ljudske uloge u procesima koji se neminovno događaju te mogućnostima \npromjene i vlastite odgovornosti koja se može aplicirati kroz svakodnevno življenje. \n170.000,00 kn \n \nSveukupno: 630.000,00 kn \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"non_financing","source":{"filename":"28.%20sjednica%20javni%20pozivi%202024.pdf","filename_decoded":"28.%20sjednica%20javni%20pozivi%202024.pdf","sha256":"db7316b3c6aa4b491513105a0e2833a89ccd17b6e789be9c137002f51ae03e7c","bytes":127522,"page_count":1,"extracted_at":"2026-05-16T14:19:59Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":["reclassified_from_results_table_to_non_financing"]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"JP 2026_1 ROK_30_01_web recenzija.pdf","filename_decoded":"JP 2026_1 ROK_30_01_web recenzija.pdf","sha256":"db97bc0fdc5f6c4957685fe0b97ec23efcb7f714690de0a9c44748e423b66769","bytes":371445,"page_count":2,"extracted_at":"2026-05-17T12:01:16Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP%202026_1%20ROK_30_01_web%20recenzija.pdf"},"raw_text":"1. DISTRIBUCIJA dugometražnog igranog filma „KOKE“ – 12.000,00 € \nTonina je vlasnica računovodstvene tvrtke u kojoj zapošljava supruga i kćer; drži sve obiteljske konce u \nsvojim rukama te brine o dementnoj i nepokretnoj majci. Njezina mlađa sestra Tajana i njezina obitelj \nvode mnogo opušteniji i manje ambiciozan život. Sestre se sukobljavaju kada Tonina potajno otkupi \ndio obiteljske kuće na otoku, iako su se dogovorile da će je kupiti zajedno. \nRedovna kinodistribucija debitantskog dugometražnog filma redatelja Igora Jelinovića najavljena je za \npočetak ljeta. Na temelju prijavne dokumentacije, a uz odgovarajuću provedbu promotivnih \naktivnosti te plana distribucije, ciljani rezultat od 'minimalno 10.000 gledatelja' djeluje izvedivo. \n \n \n2. DISTRIBUCIJA dugometražnog dokumentarnog filma „BITI U RODU S JOHNOM MALKOVICHEM“ – \n4.500,00 € \nNakon što postane tata, Luka odluči poraditi na odnosu sa svojim ocem. Kako bi otkrili davno \nzakopane probleme, zajedno kreću u istraživanje obiteljskog mita o potencijalnom srodstvu s \nholivudskom legendom. U pratnji neočekivane mješavine sporednih likova poput starog farmera, \ndvojnika Johna Malkovicha, svećenika i voditelja podcasta, otac i sin prolaze sela, gradove i zemlje \npitajući se konstantno - je li bilo pametnije sve i dalje držati pod tepihom. \nNa temelju solidne prijavne dokumentacije, dugometražni prvijenac redatelja Luke Mavretića ima \npotencijal za ostvarenje korektnog rezultata u kontekstu gledanosti dokumentarnih filmova u \nhrvatskim kinima. \n \n \n3. DISTRIBUCIJA dugometražnog dokumentarnog filma „ONO ŠTO TREBA ČINITI“ – 4.000,00 € \nDanašnja Europa uvelike počiva na jeftinom radu migrantskih radnika, a sami radnici u potrazi za \nboljim životom najčešće pristaju na loše uvjete rada, prekovremene sate, spavanje u kontejnerima, \nucjene poslodavaca i poništavanje vlastitog dostojanstva. Laura Orel, Goran Lukić i Goran Zrnić i \nnjihovo Radničko savjetovalište jedina su adresa u Sloveniji gdje migrantski radnici mogu dobiti \npomoć u ostvarenju svojih prava. \nFilm redatelja Srđana Kovačevića na dojmljiv se način bavi itekako relevantnom temom prava radnika \nu našem vremenu te na temelju svojih kvaliteta zaslužuje svoje mjesto na kino repertoaru. \n \n \n4. DISTRIBUCIJA dugometražnog dokumentarnog filma „VUČJA GOZBA“ – 3.000,00 € \nDvadesetak minuta vožnje od turističkih odredišta na Jadranu stanovništvo je zaboravljeno. Ovce su \nključne za opstanak ljudi iz tog kraja, međutim, sve je više napada vukova na stada. Mještani se \nosjećaju ugroženo, a širi se priča da EU i Vlada potajno helikopterima dovode vukove kako bi ih \notjerali i napravili mjesta za nove industrije. Ana, veterinarka zadužena za procjenu štete od vukova, \npokušava ih razuvjeriti. \n\n\f\nDokumentarni film redatelja Jadrana Bobana djelo je nišnog potencijala gledanosti, ali uz \nodgovarajuću provedbu plana distribucije mogao bi naći krug zahvalne publike. \n \n \n5. DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „BIJELO SE PERE NA \nDEVEDESET“ – 5.500,00 € \nŽivot mlade Bronje, koja odrasta osamdesetih godina prošlog stoljeća, dramatično se mijenja kada joj \nmajka umre od raka. Nakon djetinjstva obilježenog tim gubitkom, Bronjin je život ponovno potresen \ntragičnim događajima, s kojima se ona suočava s nevjerojatnim optimizmom. \nSnimljen prema vrlo popularnoj knjizi koja je prevedena i na hrvatski, film 'Bijelo se pere na \ndevedeset' bio je veliki hit na matičnom slovenskom tržištu. S obzirom na planirani ljetni termin \nprikazivanja te na temelju kvalitetne prijave, pogotovo plana distribucije, film ima potencijala za \nostvarivanje iznadprosječne gledanosti u kontekstu rezultata slovenskih filmova u hrvatskim kinima. \n \n \n6. DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „NA DRUGOJ STRANI LJETA“ – \n3.000,00 € \nNajbolje prijateljice Bětka i Alma provode dosadno ljeto uz jezero s Bětkinom starijom sestrom Marie. \nTinejdžerice žele doživjeti nešto veliko, ali njihovi pokušaji ne uspijevaju sve dok ne otkriju tajanstveno \njezerce na otoku. \nU prijavnoj dokumentaciji kao cilj gledanosti zanimljivog filma za mlade češkog redatelja Vojtěcha \nStrakatýja navedena je brojka od 3.000 gledatelja, što se čini ambicioznim, ali uz dobru provedbu \nmarketinških i distribucijskih planova djeluje dostižno. \n \n7. DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „YUGO FLORIDA“ – 3.500,00 \n€ \nZoran je kronično umorni zaposlenik u noćnoj smjeni jednog reality showa. Dani mu prolaze bezlično i \nbez previše smisla, no situacija se preokreće kada dobije poziv od otuđenog oca kojemu je \ndijagnosticirana smrtonosna bolest. Odlučuje preuzeti brigu o ocu te mu pomoći kroz posljednje \ntjedne života. \nObzirom na tešku temu filma, odabir ljetnog termina kinodistribucije ne doima se idealnim, ali uz na \ntemelju kvalitetne prijavne dokumentacije dostizanje ciljane gledanosti od 4.000 gledatelja djeluje \nostvarivo. \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_22122015_raspisivanje%20poziva%20tv%20djela.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_22122015_raspisivanje%20poziva%20tv%20djela.pdf","sha256":"dbbcce5b762f8b244de7a4546eac07a510dc146f786d826e3d979dcef72c6daf","bytes":366736,"page_count":2,"extracted_at":"2026-05-16T14:10:51Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 4811-2015 \nU Zagrebu, 22. prosinca 2015. \n \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11, dalje u tekstu: Zakon), te \nsukladno Pravilniku o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14, dalje u tekstu: Pravilnik),  Hrvatsko audiovizualno vijeće, na 66. \nsjednici održanoj 22. prosinca 2015. godine donijelo je: \n \n \nO  D  L  U  K  U \no raspisivanju Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. \ngodini u kategoriji: poticanje razvoja scenarija i razvoj projekata televizijskih djela  \n \n \n \n1.) Raspisuje se Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. godini u \nkategoriji: poticanje razvoja scenarija i razvoj projekata televizijskih djela. \n \n2.) Ovlašćuje se ravnatelj Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) na raspisivanje Javnog poziva u roku predviđenom Pravilnikom o postupku, kriterijima i \nrokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva (NN 144/14). \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona i sukladno odredbama Pravilnika raspisat će se Javni poziv za poticanje \naudiovizualnih djelatnosti i stvaralaštva u 2015. godini u kategoriji: poticanje razvoja scenarija i \nrazvoj projekata televizijskih djela. \n \nNa 66. sjednici Hrvatskog audiovizualnog vijeća održanoj 22. prosinca 2015.godine odlučeno je kao u točki \n1. izreke Odluke. \n  \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC centar će ovu Odluku \nobjaviti na svojoj mrežnoj stranici: www.havc.hr. \n\n\f\n \n \n \n \n \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v.r. \n \n \n \nDostaviti: \n- \npismohrana, ovdje \n \n \n \n","warnings":[],"document":{"program_type":"tv_djela","year":2015,"rok":null,"referenced_projects":[],"summary":"Odluka AV Vijeća na 66. sjednici od 22. prosinca 2015. o raspisivanju Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. godini u kategoriji poticanje razvoja scenarija i razvoj projekata televizijskih djela.","project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Rezultati komplementarne 2017. - rok 20.10.2016 - bez udruga.pdf","filename_decoded":"Rezultati komplementarne 2017. - rok 20.10.2016 - bez udruga.pdf","sha256":"dbbf0e88999143e2fb292caf5aa4e2d08e7a5ba3f0fe5b6098753efa6f833225","bytes":359145,"page_count":10,"extracted_at":"2026-05-17T10:23:15Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Rezultati%20komplementarne%202017.%20-%20rok%2020.10.2016%20-%20bez%20udruga.pdf"},"raw_text":"Naziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\nAlternator, udruga za promicanje \nstvaralaštva i jednakih mogućnosti\nDebatne projekcije\n20.000,00\n2\nAlternator, udruga za promicanje \nstvaralaštva i jednakih mogućnosti\nFestival o pravima djece 2017. - Prilagodbe \nfilmova za slijepe i gluhe osobe\n15.000,00\n3\nApoteka - Prostor za suvremenu \numjetnost\nCinemaniac 2017: Video televizija anticipacija / i \nDesktop Cinema\n15.000,00\nGodišnji program Art-kina za 2017. godinu i \nŠkola u kinu za 2017.\n5\nAutonomni kulturni centar\nFilmski studio Medika\n20.000,00\n6\nAutorski studio-fotografija, film, \nvideo\nProgram specijalističkih radionica „Ono k'o Zoran \nTadić“\n10.000,00\nKino za mlade i\nRedovna - godišnja kinotečna djelatnost Centra \nza kulturu Čakovec\nCiklus 80-e\nFilmski klub: Odabrao umjesto Đele \nHadžiselimovića\nOstali filmski programi u Kinoteci 2017.\nProgram filmske klasike 2017.\nŠkolska kinoteka 2017.\nFilmska i video radionica Snimi svoj film - postani \nHitchcock\nU kinu je mrak!\n10\nDom kulture Kristalna kocka \nvedrine\nFilmofilija II\n7.000,00\n11\nDom mladih\nEdukativne radionice audiovizualnog stvaralaštva \nza učenike i mentore iz OŠ grada Rijeke i riječkog \nprstena \"Video- filmska svaštarnica\"\n7.000,00\n12\nDruštvo za komuniciranje \nambijenta \"PUT\" Labin\nPOP-UP FILM 2017.\n5.000,00\n13\nEdukacijsko-kreativna udruga Vita\nDuboko prirodno\n5.000,00\n14\nEkološko kulturna scena EKS \nHrvatska Kostajnica\nFilmske radionice i radionice medijske kulture\n5.000,00\n15\nEkran d.o.o.\n110 godina Kina Karaman\n20.000,00\n16\nFantastično dobra institucija - \nFade In\nEdukativni program \"U Fokusu: izgradnja lika u \ndokumentarnom filmu\"\n30.000,00\n17\nFestival mediteranskog filma Split\nKino Mediteran\n50.000,00\n18\nFestival mediteranskog filma Split\nMoje splitsko kino\n30.000,00\n19\nFestival suvremenog židovskog \nfilma Zagreb\nFilm i diskusija Festivala tolerancije\n10.000,00\nMotion radionica glazbenog spota\nMotion radionica postprodukcije\n81. sjednica Hrvatskog audiovizualnog vijeća, 5. svibnja 2017.\n7\nCentar za kulturu Čakovec\n9\nCentar za kulturu Trešnjevka\n7.000,00\nFilmska udruga Motion\nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2017. godini - popis \nodobrenih projekata\ndjelatnosti razvijanja audiovizualne kulture\n17.000,00\nCentar za kulturu i cjeloživotno \nobrazovanje Zlatna vrata\n8\n100.000,00\n360.000,00\n4\nART-KINO\n10.000,00\n20\n\n\f\n13. ljetne filmske radionice\nEDIT Comics Animacija\nRadionice animiranog filma za djecu s teškoćama \nu razvoju \nVar-T-eks vol. 2\n22\nFoto kino video klub Zaprešić\nZimska i ljetna filmska radionica 2017\n20.000,00\n23\nFoto-kino klub Baranja film\n9. Mikro-škola medijske kulture - 2017.\n2.500,00\n24\nFoto-kino klub Baranja film\nFilmski programi u Mikro-kinu 2017.\n15.000,00\n25\nGFR film-video\nArt kino\n18.000,00\n26\nGOKUL - Građanska organizacija \nza kulturu\nGreen Room Cinema 2017.\n15.000,00\n27\nHrvatska udruga filmskih \nsnimatelja\nSnimateljska filmska estetika - Oktavijan Miletić\n15.000,00\n28\nHrvatski filmski savez - HFS\n11. susret Dječje filmsko i videostvaralaštvo u \nfunkciji javnoga zdravstva i 7. Dječji filmski kamp\n10.000,00\n29\nHrvatski filmski savez - HFS\nFilmske radionice za djecu i mladež\n10.000,00\nFilmski programi u kinu Tuškanac i\nFilmski klub u maloj dvorani kina Tuškanac \n31\nHrvatski filmski savez - HFS\nKratki utorak _ filmski program autorskog i \numjetničkog filma i videa \n50.000,00\n32\nHrvatski filmski savez - HFS\nObrazovni programi u kinu Tuškanac za djecu i \nmlade\n5.000,00\n33\nHrvatski filmski savez - HFS\nSenzorne projekcije u kinu Tuškanac \n5.000,00\n34\nIzvan fokusa - Udruga za \nmedijsko stvaralaštvo i kulturne \naktivnosti \nRadionica snimanja DSLR fotoaparatom\n5.000,00\n35\nIzvan fokusa - Udruga za \nmedijsko stvaralaštvo i kulturne \naktivnosti \nAttachment: film kao prilog\n10.000,00\n36\nJavna ustanova Pula film festival\nFUŠ - Film u školi\n20.000,00\n37\nJavna ustanova u kulturi \nKinematografi Dubrovnik\nProgram rada art dvorana Visia i Slavica\n25.000,00\n38\nKulturno informativni centar\nGrad i film - urbani krajolici i filmske vizure \n7.000,00\n39\nKulturno informativni centar\nNjezin film - smijeh Meduze \n5.000,00\n40\nKinematografi Osijek d.d.\n100+5 godine kina Urania 2017.\n80.000,00\n41\nKino klub Sisak\nPlanet film\n10.000,00\n42\nKino Z udruga za audiovizualno \nstvaralaštvo\nKino Kabaret Adriatic\n5.000,00\n43\nKinoklub Karlovac\nFilmski Uskrs i Vaskrs 2017.\n10.000,00\n44\nKinoklub Karlovac\nRadionica stop animacije za osobe s invaliditetom\n10.000,00\n45\nKinoklub Karlovac\nRiječno kino 2017.\n5.000,00\n46\nKinoklub Karlovac\nSpecijalizirana radionica animiranog filma\n15.000,00\n47\nKinoklub Zagreb\nRadionice Kinokluba Zagreb\n80.000,00\n48\nKolektiv za razvoj, istraživanje i \npropitivanje queer kulture - \nqueerANarchive\nYoung Queer Europe - filmske radionice\n5.000,00\n49\nKreativna audiovizualna asocijacija\nRadionice filma i psihologije\n7.000,00\n50\nKulturni klub\nArt-kino Grič\n20.000,00\n51\nKulturni klub\nArt-kino Metropolis\n20.000,00\n52\nKulturno prosvjetno društvo \n\"Sloga\" Pakrac\nEuropski film je IN\n25.000,00\n53\nLaboratorij kulture - Felix\nFilmska škola - Sve o filmu od A do Ž\n3.000,00\n54\nMultimedijalni centar Studio \nkreativnih ideja Gunja - MMC SKIG\n8.ljetna škola filma Gunja i Edukacija članova\n40.000,00\n30\n25.000,00\n21\n360.000,00\nFilmsko-kreativni studio Vanima\nHrvatski filmski savez - HFS\n\n\f\n55\nMuzej suvremene umjetnosti\nKino umjetnika 2017\n10.000,00\n56\nOne Take Film Festival\nOne Take Film Festival - Radionice\n5.000,00\n57\nOtompotom\nAnimation Shots\n10.000,00\n58\nOtompotom\nAnimirani Šibenik 2017\n15.000,00\n59\nOtompotom\nMikrokino\n10.000,00\n60\nPlatforma za unapređenje kulture - \n PUNKT\nVideo radionice Grad na drugi pogled \n15.000,00\n61\nPučko otvoreno učilište - \nUniversita popolare aperta \nVodnjan - Dignano \nArt kino Cineast\n7.000,00\n62\nPučko otvoreno učilište Daruvar\nKinoprikazivačka djelatnost kina \"30. svibnja\" \nDaruvar - permanentno prikazivanje filmova i \nrevija hrvatskog, europskog i internacionalnog \nkino-repertoara u 2017.\n40.000,00\nKino Samobor - program kina za 2017.godinu i\nKino Samobor - Škola u kinu\n64\nPučko otvoreno učilište u Pazinu\nLjetno kino 2017.\n7.000,00\n65\nPučko otvoreno učilište Varaždin\nProgram kina Galerija \n40.000,00\n66\nPučko otvoreno učilište Velika \nGorica\nCjelokupni godišnji program\n20.000,00\n67\nPulska filmska tvornica\n13. Škola filma\n20.000,00\n68\nPulska filmska tvornica\nMedionauti\n15.000,00\n69\nRestart\nDemokracija za početnike\n7.000,00\n70\nRestart\nFilmska početnica u 2017. godini - predškolski i \nosnovnoškolski program\n15.000,00\n71\nRestart\nFilmsko popodne - arhivi i sjećanja\n10.000,00\n72\nRestart\nProgram Dokukina u 2017. godini\n70.000,00\n73\nRestart\nŠkola dokumentarnog filma u 2017. godini\n55.000,00\n74\nStvaralačka mreža Zebra\nInterface 2017\n25.000,00\n75\nSveučilište u Zagrebu - Studentski \ncentar u Zagrebu\nFilmske pri(povijesti)\n10.000,00\n76\nSveučilište u Zagrebu - Studentski \ncentar u Zagrebu\nFilmski laboratorij ''Klubvizija SC'': Program u  \n2017. godini\n45.000,00\n77\nSveučilište u Zagrebu - Studentski \ncentar u Zagrebu\nKratke slike vol. 3\n30.000,00\n78\nSveučilište u Zagrebu - Studentski \ncentar u Zagrebu\nUp - dokumentarni eksperiment\n7.000,00\n79\nŠkola animiranog filma Čakovec\n24. Internacionalna filmska radionica (24. IFR)\n15.000,00\n80\nŠkola filma Šipan\nLjetna Škola filma Šipan 2017\n15.000,00\n81\nTeatar to go, U.O.\nGodišnji program Filmska RUNDA\n10.000,00\n82\nUdruga Bacači sjenki\nFROOOM! - inovativni program filmskog i \nmedijskog opismenjavanja\n50.000,00\nFilmska škola i\nFilmske radionice\n84\nUdruga Djeca susreću umjetnost\n\"Sedmi kontinent - radionice optičkih igračaka za \nnajmlađe\"\n10.000,00\n85\nUdruga Djeca susreću umjetnost\n«Putujući Sedmi kontinent» program filma za \ndjecu i mlade u suradnji s nezavisnim \ndigitaliziranim kinoprikazivačima i Mrežom \nkinoprikazivača\n50.000,00\n86\nUdruga Djeca susreću umjetnost\n«Sedmi kontinent u bolnicama» kvalitetan dječji \nfilm i filmske kreativne radionice te posebni gosti \nfilmaši za djecu u bolnicama\n25.000,00\n87\nUdruga Domino\nQueer Momenti \n35.000,00\n88\nUdruga Filmaktiv\nFilm svima\n7.000,00\n89\nUdruga Filmaktiv\nOtoci 2017\n15.000,00\n90\nUdruga Filmaktiv\nPrimijenjeni video 2017\n10.000,00\nPučko otvoreno učilište Samobor\n63\n45.000,00\n45.000,00\n83\nUdruga Blank\n\n\f\n91\nUdruga Globe Media\nDYXY na filmu 4\n7.000,00\n92\nUdruga Kinookus\nOkusi drugačije kino\n5.000,00\n93\nUdruga Lanterna Magica\nFilmska radionica za mlade_PSFF 2017\n5.000,00\n94\nUdruga Liburnia film festival\nGledamo dokumentarce, pravimo dokumentarce!  \nedukacijski program Liburnia Film Festivala 2017.\n15.000,00\n95\nUdruga Liburnia film festival\nSlučajno kino\n5.000,00\n96\nUdruga ljubitelja filma Rare \nVinkovci\nEDIT - Edukacija i trening 2017\n15.000,00\nRadionica animiranog filma na festivalu dječjeg \nstvaralaštva \"Mali grad Faros\"\nRadionica animiranog filma na festivalu dječjeg \nstvaralaštva \"Mali grad Jolha\"\nRadionica igranog filma na festivalu dječjeg \nstvaralaštva \"Mali grad Faros\"\nRadionice animiranog filma na festivalu dječjeg \nstvaralaštva \"Mali grad Vallum\"\nRadionice igranog filma na festivalu dječjeg \nstvaralaštva \"Mali grad Jolha\"\nRadionice igranog filma na festivalu dječjeg \nstvaralaštva \"Mali grad Vallum\"\n98\nUdruga Što, kako i za koga /WHW\nŽivjeti svoj život, serija filmskih i video programa \n25.000,00\n99\nUdruga za audiovizualno \nstvaralaštvo Artizana\nDigital Generation filmska radionica\n10.000,00\n10. Mali DOKUart - DOKUradionica i nacionalni \nnatječaj za dokumentarce osnovaca i\n10. Mali DOKUart - snimateljska radionica\n101\nUdruga za promicanje kulture \nDokuart \nFilmodrom Udruge DOKUart\n7.000,00\n102\nUdruga za promicanje medijske \nkulture Luža\nGodišnji program filmskih radionica\n10.000,00\n103\nUdruga za promicanje medijske \nkulture Luža\nStudio animacije\n10.000,00\n104\nUdruženje za razvoj kulture URK\nNove filmske večeri u Močvari\n25.000,00\n105\nUmjetnička organizacija Film-\nprotufilm\nSerije za invizibilno kino: VELIKI POTLAČ\n20.000,00\n106\nUmjetnička organizacija Rikšafilm\nBesplatna filmska radionica: audiovizualna \npismenost za učenike osnovnih škola prigradskih \nnaselja\n5.000,00\nFilmski programi kina Europa - suvremeni \nnezavisni film i\nKino Bibijada - filmski programi za djecu i mlade\n108\nZajednica tehničke kulture Grada \nSlavonskog Broda\nRadionica animiranog filma posvećenog \nmanifestaciji Svijet bajki Ivane Brlić Mažuranić\n7.000,00\n3.036.500,00\nUmjetnička organizacija Zagreb \nFilm Festival\n107\n97\nUdruga Mali grad Faros\n290.000,00\nUdruga za promicanje kulture \nDokuart \n100\n40.000,00\n15.000,00\nSVEUKUPNO\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\n25 FPS, Udruga za audio-vizualna \nistraživanja\nTrinaesti Festival 25 FPS\n250.000,00\n2\nAkademija dramske umjetnosti\n12. F.R.K.A. - Filmska revija Akademije dramske \numjetnosti\n5.000,00\n3\nAlternator, udruga za promicanje \nstvaralaštva i jednakih mogućnosti\nFestival o pravima djece 2017.\n40.000,00\n4\nASIFA Hrvatske\nObilježavanje Međunarodnog dana animiranog \nfilma\n15.000,00\n5\nASTER Kulturno društvo - \nDubrovnik\nFilmska manifestacija: Tišina molim! Film i Grad \nse vole...\n7.000,00\n6\nAutorski studio-fotografija, film, \nvideo\n13. Revija hrvatskog filma kratke forme \"240 \nsekundi hrvatskog filma\"\n5.000,00\n7\nAvantura d.o.o.\n8. Avvantura Film Festival 2017 & Matchmaking \nForum\n80.000,00\n8\nCentar za kulturu Čakovec\nObilježavanje svjetskog dana animacije\n1.900,00\n9\nCentar za kulturu Čakovec\n5. Međunarodna revija filmova za djecu i mlade\n10.000,00\n10\nCentar za kulturu Trešnjevka\n11. PSSST Festival nijemog filma\n10.000,00\n11\nCentar za kulturu Trešnjevka\n26. Dani hrvatskog filma\n180.000,00\n11.Vukovar film festival - festival podunavskih \nzemalja i\nEdukativne radionice 11.Vukovar film festivala\n13\nEkološko kulturna scena EKS \nHrvatska Kostajnica\n10. SEFF - Smaragdni Eco Film Festival\n30.000,00\n14\nFactum\n13. ZagrebDox međunarodni festival \ndokumentarnog filma\n450.000,00\n15\nFestival mediteranskog filma Split\n10. Festival mediteranskog filma Split 2017. \n180.000,00\n16\nFestival suvremenog židovskog \nfilma Zagreb\n11. Festival tolerancije - JFF Zagreb\n100.000,00\n17\nFilmaparat d.o.o.\n11. Pašmanske filmske večeri\n10.000,00\n18\nFilmsko-kreativni studio Vanima\n8. VAFI - internacionalni festival animiranog filma \ndjece i mladih Varaždin\n45.000,00\n19\nFoto-kino klub Baranja film\n11. Vukovar film festival u Belom Manastiru - \n2017.\n10.000,00\n20\nGFR film-video\n25. Hrvatski festival jednominutnih filmova\n75.000,00\n21\nGFR film-video\nPožeški filmski tjedan 2017\n10.000,00\n22\nGOKUL - Građanska organizacija \nza kulturu\n15. Tabor Film Festival\n70.000,00\n6. KIKI - festival dječjeg filma i\nPismenosti 21. stoljeća – medijska i filmska \npismenost\n24\nHrvatski filmski savez - HFS\n22. Filmska revija mladeži i 10. Four River Film \nFestival \n100.000,00\n25\nHrvatski filmski savez - HFS\n49. Revija hrvatskog filmskog stvaralaštva \n80.000,00\n26\nHrvatski filmski savez - HFS\n55. Revija hrvatskog filmskog stvaralaštva djece \n70.000,00\n27\nHulahop d.o.o.\nSvjetski festival animiranog filma - Animafest \nZagreb 2017.\n900.000,00\n28\nIstra film\n8. festival Trsat - Festival hrvatskih katoličkih \nfilmova\n5.000,00\n29\nJavna ustanova u kulturi \nKinematografi Dubrovnik\nDUff - Mediteranski festival djece i mladih / 6. \nizdanje \n15.000,00\nStar Film Fest i\nRadionice u sklopu Star Film Festa\n10.000,00\n15.000,00\nGOKUL - Građanska organizacija \nza kulturu\nfilmski festivali i druge audiovizualne manifestacije\nKino klub Sisak\n30\n275.000,00\n23\nDiscovery d.o.o.\n12\n\n\f\n31\nKinoklub Karlovac\nFilmski EU tjedan 2017.\n5.000,00\n32\nKolektiv za razvoj, istraživanje i \npropitivanje queer kulture - \nqueerANarchive\nqueerFESTIVAL\n5.000,00\n33\nKulturni klub\nRevija europskog filma\n7.000,00\n34\nLot dvadesetiosam studio d.o.o.\n7. FANTASTIC ZAGREB FILM FESTIVAL\n40.000,00\n35\nMeđunarodni festival novog filma\n Splitski filmski festival / Split film festival\n250.000,00\n36\nMotovun film festival U.O.\nMotovun Film Festival 2017\n500.000,00\n37\nMultimedijalni institut\nHuman Rights Film Festival\n160.000,00\n38\nNoć hrvatskog filma i novih \nmedija, U.O.\nNoć hrvatskog filma i novih medija 2017.\n15.000,00\n39\nOne Take Film Festival\nOne Take Film Festival - predfestivalska godina\n20.000,00\n40\nOtompotom\nSUPERTOON Međunarodni Festival Animacije\n50.000,00\n41\nPučko otvoreno učilište Poreč\n7. POREČDOX, Međunarodni Festival \nDokumentarnog Filma\n10.000,00\n42\nREA - udruga za suvremene \numjetničke i arhitektonske \nprodukcije\nVideo Days/Lovley Days - Dani videa i \numjetničkog filma u Bolu, na Braču\n15.000,00\n43\nRestart\nDokukino Kic matineja za umirovljenike\n10.000,00\n44\nSkateboard klub August Šenoa\n7. Vladimir skate film festival\n5.000,00\n45\nUdruga Bijeli val\n10.Subversive Film Festival: Filmovi bez granica\n130.000,00\n46\nUdruga Dokuma\n4. DokuMA Film Festival\n20.000,00\n47\nUdruga Đakovački rezovi\nManifestacija Đakovački rezovi\n30.000,00\n48\nUdruga Filmaktiv\nMeđunarodni studentski filmski festival - STIFF \n2017\n15.000,00\n49\nUdruga Globe Media\nBrač Film Festival 2017\n25.000,00\n50\nUdruga građana Spirit\nUhvati film 2017\n15.000,00\n51\nUdruga Kinookus\nKinookus Food Film Festival\n35.000,00\n52\nUdruga Lanterna Magica\n7. Postira Seaside Film Festival - međunarodni \nfestival kratkometražnog filma\n18.000,00\n53\nUdruga Liburnia film festival\n15. Liburnia Film Festival\n60.000,00\n54\nUdruga ljubitelja filma Rare \nVinkovci\n11. festival dokumentarnog rock filma DORF 2017\n40.000,00\n55\nUdruga SB Film\nFestival Novih 2017\n15.000,00\n56\nUdruga Trash\n12. Trash Film Festival\n20.000,00\n57\nUdruga za promicanje kulture \nDokuart \n12. DOKUart Dani dokumentarnog filma\n80.000,00\n58\nUmjetnička organizacija Film-\nprotufilm\nFilmske mutacije: Jedanaesti festival nevidljivog \nfilma - Film bez refleksije\n90.000,00\n59\nUmjetnička organizacija Zagreb \nFilm Festival\n15. Zagreb film festival\n450.000,00\n60\nUmjetnička organizacija Zagreb \nFilm Festival\nKinoKino - Međunarodni filmski festival za djecu\n10.000,00\n61\nVerbum d.o.o.\nFilmski program manifestacije Dani kršćanske \nkulture 2017.\n7.000,00\n62\nVideo klub Mursa\n15. Gastro film fest\n7.500,00\n5.213.400,00\nSVEUKUPNO\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\nFilm i dobro - udruga za \npromicanje filmske kulture i \nfilmskog izdavaštva\nFilmski web portal Nemilosrdni gadovi\n15.000,00\n2\nHrvatski filmski savez - HFS\nDejan Varga, Oblikovanje identiteta u filmovima \nPedra Almodovara\n10.000,00\n3\nHrvatski filmski savez - HFS\nHrvatski filmski ljetopis \n100.000,00\n4\nHrvatski filmski savez - HFS\nIgor Jurilj, Recepcija kinematografije u karlovačkoj \npublicistici 1896-1920. (radni naslov)\n8.000,00\n5\nHrvatski filmski savez - HFS\nIZ KANONA ANTE PETERLIĆA: Ogledi o devet \nautora, studije o devet filmova\n10.000,00\n6\nHrvatski filmski savez - HFS\nSaša Vojković, Cirkularnost utjecaja u svjetskom \nfilmu: transkulturalna medijska pismenost (radni \nnaslov)\n10.000,00\n7\nHrvatski filmski savez - HFS\nSlobodan Šijan, Tomislav Gotovac: Life as a Film \nExperiment\n10.000,00\n8\nHrvatski filmski savez - HFS\nZAPIS, Bilten Hrvatskog filmskog saveza\n5.000,00\n9\nJavna ustanova Pula film festival\nPrijevod knjige povodom obilježavanja 10. \nobljetnice otvaranja Kina Valli\n7.000,00\n10\nKulturni klub\nFilmovi.hr\n15.000,00\n11\nKurziv - Platforma za pitanja \nkulture, medija i društva\nKinemaskop\n28.000,00\n12\nMultimedijalni institut\nAna Perajica - Fotografija kao dokaz\n10.000,00\n13\nMultimedijalni institut\nGoran Sergej Pristaš - Eksplodirani pogled\n10.000,00\n14\nProfil knjiga d.o.o.\nBranko Belan: zaboravljeni klasik\n7.000,00\n15\nStudio Pangolin\nOva žena se zove Jasna, skica za povijesni \nroman u filmskom obliku\n10.000,00\n16\nUdruga Dokumetar\nDokumentarni.net\n15.000,00\n17\nUdruga Dušan Vukotić\nAutorska slikovnica Dušana Vukotića i Pavla \nŠtaltera \"Posjet iz Svemira\"\n10.000,00\n18\nUdruga Filmofil\nFilmski portal\n5.000,00\n19\nUdruga Filmonaut\nFilmonaut, filmološko-filmofilski časopis\n65.000,00\n20\nUdruga Metamedij\nTko gleda zlo ne misli – filmska internet stranica\n6.000,00\n21\nUdruga Vizkultura\nKratki, animirani i eksperimentalni film u medijima\n10.000,00\n22\nUdruga za feminizam i kulturu Muf\nFeminističko čitanje audiovizualne kulture\n17.000,00\n23\nVedis d.o.o.\nStručna filmska knjiga MEMENTO dr Ante \nPeterlića\n10.000,00\n393.000,00\nobjavljivanje književnih radova u području audiovizualnih djelatnosti\nSVEUKUPNO\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\nBonobostudio d.o.o.\nDistribucija i promocija filmova 2017.\n40.000,00\n2\nEverything Works d.o.o.\nPlasman, prodaja, promocija i distribucija u \n2017.g.\n40.000,00\n3\nFactum\nFactum distribucija - redovna, online i novi \ndistribucijski kanali \n20.000,00\n4\nRestart\nKineDok 2017. - Nezavisna prikazivačka \nplatforma za dokumentarni film u zemljama \nIstočne i Srednje Europe\n40.000,00\n5\nUstanova Zagreb film\nDoajeni Zagreb filma I\n10.000,00\n6\nUstanova Zagreb film\nFestivalska distribucija u 2017 godini\n30.000,00\n180.000,00\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\nASIFA Hrvatske\nanidox:adriatic\n40.000,00\n2\nDruštvo hrvatskih filmskih redatelja\nScenaristički program \"Branko Bauer\" 2017.\n20.000,00\n3\nDruštvo za znanstvenu fantastiku \nSFera\nSFerina scenaristička radionica\n10.000,00\n4\nFactum\nZagrebDox Pro 2017.\n80.000,00\n5\nFilmska autorska grupa \"Enthusia \nPlanck\" \nRadionica kolor korekcije\n15.000,00\n6\nHrvatski filmski savez - HFS\n19. Škola medijske kulture Dr. Ante Peterlić\n240.000,00\n7\nHrvatski filmski savez - HFS\nScenaristička platforma Palunko, 15. sezona\n50.000,00\n8\nHulahop d.o.o.\nEx Oriente Split 2017.\n70.000,00\n9\nKino klub Split\nEdukativni program Kino kluba Split 2017 \n60.000,00\n10\nKinoklub Karlovac\nRadionica dokumentarnog filma za profesore\n10.000,00\n11\nLot dvadesetiosam studio d.o.o.\n3. EUROPSKI ŽANROVSKI FORUM\n10.000,00\n12\nMoje Čarobne Misli d.o.o.\nDECro01 - 3. Pelješac Youth Media Education \nCenter\n25.000,00\n13\nMoje Čarobne Misli d.o.o.\nDECro01 - 4. Korčula Cross Media LAB & \nKonferencija\n50.000,00\n14\nMotovun film festival U.O.\nKampus Motovun\n10.000,00\n15\nPulska filmska tvornica\nProduction In 2017.\n10.000,00\n16\nRestart\nRestart Laboratorij u 2017. godini \n60.000,00\n17\nSveučilište u Zagrebu - Studentski \ncentar u Zagrebu\nRadionica za kinooperatere #2\n7.000,00\n18\nUdruga Djeca susreću umjetnost\nSedmi kontinent: stručno usavršavanje \"Filmski \ndani za učitelje i nastavnike\"\n10.000,00\n19\nUdruga Dokuma\nDokuMA - CrossBorder 2017\n10.000,00\n20\nUdruga Manda - film i riječ\nMedijski izazovi - Škola za profesore\n5.000,00\n22\nUmjetnička organizacija Zagreb \nFilm Festival\nIndustrija 15. Zagreb Film Festivala \n60.000,00\n23\nUstanova Zagreb film\nRAB radionica animiranog filma 2017\n25.000,00\n24\nZajednica tehničke kulture Grada \nSlavonskog Broda\nSudjelovanje na Školi medijske kulture „Dr. Ante \nPeterlić \n3.000,00\n885.000,00\nprogrami stručnog usavršavanja\nSVEUKUPNO\nKako napisati profesionalni filmski scenarij (za \nodrasle od 18 godina na dalje) i Pisanje filmskog \nscenarija \nprogrami promocije i prodaje hrvatskih audiovizualnih djela\nSVEUKUPNO\nUmjetnička organizacija Rikšafilm\n21\n5.000,00\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\nCentar za kulturu i cjeloživotno \nobrazovanje Zlatna vrata\nFilmski klub: Druženje & dokumenti\n10.000,00\n2\nHulahop d.o.o.\nMeđunarodni znanstveni skup o animiranom filmu \nAnimafest Scanner IV\n10.000,00\n3\nKreativni sindikat\nVideoforum\n10.000,00\n4\nLokalna baza za osvježavanje \nkulture - BLOK\nStanovanje na filmu\n15.000,00\n5\nMultimedijalni institut\nVizualni kolegij\n40.000,00\n6\nRestart\nMasterclass - svjetski dokumentaristi u Hrvatskoj \nu 2017. godini \n40.000,00\n7\nRestart\nHall of Fame \n10.000,00\n8\nRestart\nRazgovori s autorima u Dokukinu \n20.000,00\n9\nRestart\nRazmišljaj filmom\n15.000,00\n10\nUdruga Jučer, danas, sutra - \nplatforma za audiovizualna \nistraživanja\nIstraživanje arhiva propagandnog i reklamnog \nfilma\n5.000,00\n175.000,00\nNaziv predlagatelja\nNaziv programa\nOdobrena \nsredstva\n1\nHrvatski filmski savez - HFS\nFilmski i video arhiv Hrvatskog filmskog saveza \n2017. godini\n200.000,00\n2\nHrvatski filmski savez - HFS\nProgram kopiranja i digitalne restauracije kratkih \nfilmova Tomislava Gotovca iz arhiva Hrvatskog \nfilmskog saveza\n100.000,00\n3\nHrvatski filmski savez - HFS\nProjekt online medijske arhive Hrvatskog filmskog \nsaveza\n50.000,00\n4\nSlobodne veze, Udruga za \nsuvremene umjetničke prakse\nSuvremenoumjetnički projekt s Donacijom \nDobrović 2017\n5.000,00\n5\nUdruga Jučer, danas, sutra - \nplatforma za audiovizualna \nistraživanja\nFilmska glazba Tomislava Simovića\n5.000,00\n6\nUstanova Zagreb film\nRestauracija i digitalizacija filmova 2017.\n60.000,00\n420.000,00\nSVEUKUPNO\nzaštita audiovizualne baštine uključujući kinotečnu djelatnost\nSVEUKUPNO\nproučavanje i kritičko vrednovanje audiovizualnih djelatnosti\n\n\f\nBROJ ODOBRENIH PROGRAMA\nODOBRENA \nSREDSTVA\n108\n3.036.500,00\n62\n5.213.400,00\n23\n393.000,00\n6\n180.000,00\n24\n885.000,00\n10\n175.000,00\n6\n420.000,00\n239\n10.302.900,00\nSVEUKUPNO\nPROGRAMSKA DJELATNOST\ndjelatnosti razvijanja audiovizualne \nkulture\nfilmski festivali i druge audiovizualne \nmanifestacije\nobjavljivanje književnih radova u \npodručju audiovizualnih djelatnosti\nprogrami stručnog usavršavanja\nproučavanje i kritičko vrednovanje \naudiovizualnih djelatnosti\nzaštita audiovizualne baštine \nuključujući kinotečnu djelatnost\nprogrami promocije i prodaje hrvatskih \naudiovizualnih djela\n","warnings":["section7_row_numbers_not_sorted","section8_row_numbers_not_sorted"],"document":{"program_type":"komplementarne","natjecaj_title":"Rezultati komplementarne 2017. - rok 20.10.2016 - bez udruga","year":2017,"rok":null,"natjecaj_date":"2017-05-05","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"djelatnosti razvijanja audiovizualne kulture","section_key":"djelatnosti_razvijanja_audiovizualne_kulture","columns":["Naziv predlagatelja","Naziv programa","Odobrena sredstva"],"rows":[{"row_number":1,"project_title":"Debatne projekcije","applicant":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"1","Naziv programa":"Debatne projekcije","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"dbbf0e88:s0:564e90f7cb63","curation":{"changes":[{"field":"applicant","from":null,"to":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","to":"Debatne projekcije","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_be3b56a2bdc8","project_family_title":"Debatne projekcije"},{"row_number":2,"project_title":"Festival o pravima djece 2017. - 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Ukupni iznos financiranja je 20.000,00 €. \n \n1.  \nnaziv projekta: Pipi i izgubljeno pleme \nprodukcija: Zelena Zraka \nscenarij i režija: Saša Ban \niznos financiranja: 20.000,00 € \ntrajanje: dugometražni animirani film \n \nPipi i izgubljeno pleme pustolovni je film namijenjen svim dobnim skupinama. U filmu \npratimo brata i sestru, Pavla i Noru, u potrazi za izgubljenom papigom Pipi. Radnja je \nsmještena u današnjicu, a događa se u prirodi, u okolici Mrežnice. Ono što ovaj \nprojekt čini zanimljivim jest autorova odluka da fantastični dijelovi u filmu budu \norganski dio prostora, na granici unutarnjeg doživljaja i vanjskog svijeta. Sve je \nrealistično, stvarno. Djeca su izgubljena, suočena sa strahom, osjećajem gladi, no \nzajedničkom suradnjom, prepušteni samima sebi, uspijevaju proći taj put i stići \ndoma, prljavi i izgrebani, ali s novim spoznajama o sebi i prirodi. Autor likove ne želi \nprikazati karikaturalno, a slično namjerava tretirati i životinje, bez antropomorfizacije.  \nIdeja za film kreće od vlastitog iskustva autora kao roditelja. Danas su djeca pod \nkonstantim roditeljskom povećalom. Ne puštamo ih da idu sami do škole, \ntrgovine,van s prijateljima, uplićemo se i rješavamo njihove međusobne konflikte. \nKoliko ih štitimo, toliko ih i ograničavamo. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPRSERTV_2024_2rok_10IX2024_WEB.pdf","filename_decoded":"RPRSERTV_2024_2rok_10IX2024_WEB.pdf","sha256":"dc6a1ea70c6abb643a22168e1a40af5e484033d7672549dfc7fb001c3f776d1f","bytes":150370,"page_count":1,"extracted_at":"2026-05-17T10:24:12Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPRSERTV_2024_2rok_10IX2024_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO €\n1\nCooking Cabaret\nDOH d.o.o.\nLidia Janjić Vuković\nMario Delić\n6.000,00\n2\nE, sportaši!\nČetiri film d.o.o.\nLuka Mavretić, Valentina \nMavretić\nLuka Mavretić\n6.000,00\n3\nLjudi, predmeti i \nprostori\nUdruga Filmaktiv\nMaroje Mrduljaš, Ivana \nBorovnjak\nVladislav Knežević\n6.000,00\n4\nMravi\nSekvenca d.o.o.\nJure Pavlović\nSrđan Kovačević\n6.000,00\n5\nNajveći zločini našeg \ndoba\nArtizana film d.o.o.\nRozina Kugli, Irena \nŠkorić\nIrena Škorić\nRosie Kugli \"Odvjetnik - \nsvjedok vremena\"\n10.000,00\n6\nNepogode\nJaka produkcija d.o.o.\nMarko Šantić\nMarko Šantić\n6.000,00\n7\nOslobodite se parazita\nZOOM d.o.o.\nŽeljko Sarić\nŽeljko Sarić\n6.000,00\n8\nPr(a)va priča\nMetar60\nVedrana Pribačić\nVedrana Pribačić\n6.000,00\n9\nSjenke mrtvih sela\nBond Squad j.d.o.o.\nDaniel Pavlić\nBranko Ištvančić\n6.000,00\n10\nŠkola puna sreće\nFADE IN\nLuka Udjbinac\nDalija Dozet\n6.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO €\n1\n10 DANA U TRAVNJU\nMaxima film d.o.o.\nEmir Imamović\nKristijan Milić\nBoris Rašeta i Goran \nGavranović \"10 danau \ntravnju: Uspon i pad \nNDH\"\n10.000,00\n2\nBUDDHA BAR\nAntitalent d.o.o.\nDora Šustić\nDora Šustić\n8.000,00\n3\nMitoman\nPetnaesta umjetnost \nd.o.o.\nNina Mitrović\nNevio Marasović\n8.000,00\n4\nMotovunska šuma\nČetiri film d.o.o.\nInes Mrenica Mutevelić\nIvona Juka\n8.000,00\n5\nOlovno srce\nLudens produkcija d.o.o.\nDavor Špišić\nTomislav Rukavina\nVošicki, autor romana \nMarko Gregur\n8.000,00\n6\nSlatki kuhar\nSekvenca d.o.o.\nJure Pavlović, Ivan \nKnežević\nJure Pavlović\n8.000,00\nR.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO €\n1\nMirakulisti\nAntitalent d.o.o.\nRené Gallo\nRené Gallo, Aldo \nTardozzi\n8.000,00\n122.000,00\nUKUPNO RAZVOJ PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2024. - 2. ROK - 10.9.2024.\ndokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta\ntelevizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su namijenjena prvenstveno \ntelevizijskom prikazivanju\ntelevizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta\n4. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 12. prosinca 2024.\n","warnings":["section0_row_numbers_not_sorted"],"document":{"program_type":"razvoj_projekata","natjecaj_title":"RPRSERTV_2024_2rok_10IX2024_WEB","year":2024,"rok":"2. rok","natjecaj_date":"2024-09-10","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 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programa\nOdobrena sredstva\n(kn)\nOdobrena sredstva\n(€)\n1\nGodišnji program Art-kina za 2023. \ngodinu\n330.000,00 kn\n43.798,53 €\n2\nGodišnji program filmskih radionica za \ndjecu\n15.000,00 kn\n1.990,84 €\n3\nMedijateka – Specijalna filmska \nknjižnica Art-kino 2023\n5.000,00 kn\n663,61 €\n4\nProgram Art-kina za Festival Tobogan \n2023.\n12.000,00 kn\n1.592,67 €\n5\nŠkola u kinu 2023.\n40.000,00 kn\n5.308,91 €\n6\nVečeri animacije 2023\n15.000,00 kn\n1.990,84 €\n7\nProgram Filmskog studija Medika za \n2023.\n20.000,00 kn\n2.654,46 €\nLego radionica – od kockica do \nanimiranog filma 2023. i\nRadionica animacije o nosačima medija \n(video i audio)\n9\nPovratak u Kino Toplice\n15.000,00 kn\n1.990,84 €\n10\nKino u Kostreni 2023\n15.000,00 kn\n1.990,84 €\n11\nBack to the Local Cinema / Moje malo \nkino\n40.000,00 kn\n5.308,91 €\n12\nKino za mlade\n5.000,00 kn\n663,61 €\n13\nGodišnji program kinoteke Zlatna vrata -\n2023.\n100.000,00 kn\n13.272,28 €\n14\nKino Kinoteka i Ljetna pozornica \nTuškanac: Redovna audiovizualna \ndjelatnost u 2023.\n75.000,00 kn\n9.954,21 €\n15\nKino u Grubišnom Polju\n12.000,00 kn\n1.592,67 €\n16\nGledaj, analiziraj, snimaj! - radimo film \ngledanjem\n7.500,00 kn\n995,42 €\n17\nKino-Point\n10.000,00 kn\n1.327,23 €\nCentar kulture Kostrena\nCentar za kulturu Čakovec\nCentar za kulturu Čakovec\n15.000,00 kn\n1.990,84 €\nCentar za kulturu i cjeloživotno \nobrazovanje Zlatna vrata\nCentar za kulturu i informiranje \nDr. Franjo Tuđman\nCentar za kulturu Trešnjevka\nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2023. godini, 1. \nrok - popis odobrenih projekata\ndjelatnosti razvijanja audiovizualne kulture\nNaziv predlagatelja\nArt-kino\nArt-kino\nASIFA Hrvatske\nAutonomni kulturni centar\nBreg, vl. Mija Pavliša\nCentar za kulturu i film Augusta \nCesarca\nArt-kino\nArt-kino\nDom kulture Kristalna kocka \nvedrine\n8\nArt-kino\n8. sjednica Hrvatskog audiovizualnog vijeća, 28.12.2022.\nAutorski studio - fotografija, film, \nvideo\n\n\f\n18\nEdukativna radionica audiovizualnog \nstvaralaštva za učenike i mentore iz \nOŠ Grada Rijeke i riječkog prstena \n\"Video-filmska svaštarnica\"\n10.000,00 kn\n1.327,23 €\n19\nLaboratorij izrade kazališnog videa \n2023.\n12.000,00 kn\n1.592,67 €\n20\n3. Open Air Cinema u Parku prirode \nŽumberak - Samoborsko gorje\n5.000,00 kn\n663,61 €\n21\nKino Mediteran\n100.000,00 kn\n13.272,28 €\n22\nNezavisni na Bačvicama!\n20.000,00 kn\n2.654,46 €\n23\nFilmske radionice za djecu i mlade u \nŠibeniku\n18.000,00 kn\n2.389,01 €\n24\n19. Ljetne filmske radionice\n12.000,00 kn\n1.592,67 €\n25\nVaraždinska tvornica eksperimentalnog \nfilma vol. 7\n10.000,00 kn\n1.327,23 €\n26\nZimske i ljetne filmske radionice djece i \nmladeži 2023.\n12.000,00 kn\n1.592,67 €\n27\n15. Mikro-škola medijske kulture, 2023.\n2.500,00 kn\n331,81 €\n28\nDOKfilm '23. - revija dokumentarnog \nfilma\n5.500,00 kn\n729,98 €\n29\nFilmski programi u Mikro-kinu 2023.\n15.000,00 kn\n1.990,84 €\n30\nArt kino Požega 2023.\n12.000,00 kn\n1.592,67 €\n31\n15. Filmske radionice za djecu i mlade\n30.000,00 kn\n3.981,68 €\n32\nFilmski programi kina Tuškanac 2023. \n400.000,00 kn\n53.089,12 €\n33\nKratki utorak 2023.\n40.000,00 kn\n5.308,91 €\n34\nMladi mladima - poticanje razvoja \nfilmskih družina u novim sredinama \n2023.\n12.000,00 kn\n1.592,67 €\nDigitalna filmska naSTAVa 2023. i\nObrazovni programi u kinu Tuškanac za \ndjecu i mlade - Filmska naSTAVa 2023. \n36\nRadionica kolor korekcije\n10.000,00 kn\n1.327,23 €\n37\nSenzorne projekcije 2023.\n25.000,00 kn\n3.318,07 €\n38\nFilmski BLOK\n10.000,00 kn\n1.327,23 €\n39\nInkluzivno kino\n25.000,00 kn\n3.318,07 €\n30.000,00 kn\n3.981,68 €\nDom mladih\nDrama Plus - Udruga za kulturu i \numjetnost\nHrvatski filmski savez - HFS\nFilmski centar mladih Šibenik\nFilmsko-kreativni studio Vanima\nFilmsko-kreativni studio Vanima\nFoto kino video klub Zaprešić\nFoto-kino klub Baranja film\nFoto-kino klub Baranja film\nFoto-kino klub Baranja film\nGFR film-video\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nEuropska udruga filmskih \nfestivala (EFFA)\nFestival mediteranskog filma Split\nFestival mediteranskog filma Split\nIstra film\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatsko udruženje \ninterdisciplinarnih umjetnika - \nHUiU\n35\nHrvatski filmski savez - HFS\n\n\f\n40\nCircolo classic\n7.500,00 kn\n995,42 €\n41\nFilmovi za sva vremena\n10.000,00 kn\n1.327,23 €\n42\nFUŠ - Film u školi\n15.000,00 kn\n1.990,84 €\n43\nKino u kvartu\n8.000,00 kn\n1.061,78 €\n44\nEdukacija bez granica\n7.500,00 kn\n995,42 €\n45\nVisia / Slavica 2023.\n35.000,00 kn\n4.645,30 €\n46\nKinoprikazivačka djelatnost Tvrđave \nkulture Šibenik 2023. (Art kino Arsen, \nTvrđava Barone)\n35.000,00 kn\n4.645,30 €\n47\n111 godina kina Urania\n80.000,00 kn\n10.617,82 €\n48\n365/7\n30.000,00 kn\n3.981,68 €\n49\nKorak do filma \n10.000,00 kn\n1.327,23 €\n50\nPlanet Film \n10.000,00 kn\n1.327,23 €\n51\nStar Gardens \n7.000,00 kn\n929,06 €\n52\nFilmski Uskrs i Vaskrs 2023.\n10.000,00 kn\n1.327,23 €\n53\nRiječno kino 2023.\n15.000,00 kn\n1.990,84 €\n54\nU kinu je ljepše!\n10.000,00 kn\n1.327,23 €\n55\nRadionice Kinokluba Zagreb u 2023. \ngodini\n80.000,00 kn\n10.617,82 €\n56\nFilmska škola za srednjoškolce i mlade\n15.000,00 kn\n1.990,84 €\n57\nqRadionice 2023. (audiovizualni \nprogrami)\n15.000,00 kn\n1.990,84 €\n58\nKino za sve - poseban cjelogodišnji \nprogram KMC-a u 2023. godinu\n30.000,00 kn\n3.981,68 €\n59\nFilmski programi Kina Europa u 2023. \ngodini\n75.000,00 kn\n9.954,21 €\n60\nKino je više od filma\n15.000,00 kn\n1.990,84 €\n61\nŠkola animacije\n15.000,00 kn\n1.990,84 €\n62\nTimpetill – Young4Film\n60.000,00 kn\n7.963,37 €\n63\n14. Ljetna škola filma Gunja\n30.000,00 kn\n3.981,68 €\nJavna ustanova u kulturi Tvrđava \nkulture Šibenik\nJavna ustanova Pula film festival\nJavna ustanova Pula film festival\nKinematografi Osijek d.d.\nKino klub Sisak\nKino klub Sisak\nKino klub Sisak\nJavna ustanova Pula film festival\nJavna ustanova Pula film festival\nJavna ustanova u kulturi \nKinematografi Dubrovnik\nJavna ustanova u kulturi \nKinematografi Dubrovnik\nKino klub Sisak\nKinoklub Karlovac\nKinoklub Karlovac\nKinoklub Karlovac\nKinoklub Zagreb\nKolektiv za razvoj, istraživanje i \npropitivanje queer kulture - \nqueerANarchive\nKinoklub Ogulin\nKulturni i multimedijski centar \nBjelovar\nKulturno informativni centar\nKulturno prosvjetno društvo \n\"Sloga\" Pakrac\nLuma film, vl. Marija Udovičić\nMotovun Film Festival\nMultimedijalni centar Studio \nkreativnih ideja Gunja - MMC \nSKIG\n\n\f\n64\nNikola Tanhofer: Zatamnjenje - \nodtamnjenje\n15.000,00 kn\n1.990,84 €\n65\nMikrokino\n15.000,00 kn\n1.990,84 €\n66\nPlanktoon 2023.\n12.000,00 kn\n1.592,67 €\n67\nFilmska škola \"Žene s videokamerama\"\n15.000,00 kn\n1.990,84 €\n68\nArt kino \"Cineast\"\n12.000,00 kn\n1.592,67 €\n69\nKino Buzet 2023.\n12.000,00 kn\n1.592,67 €\n70\nGodišnji program za 2023. - Posebni \nprogrami\n15.000,00 kn\n1.990,84 €\n71\nGodišnja kinoprikazivačka djelatnost \nkina \"30. svibnja\" Daruvar - \npermanentno prikazivanje filmova i \nrevija hrvatskog, europskog i \ninternacionalnog kino-repertoara u \n2023. godini\n30.000,00 kn\n3.981,68 €\n72\nPopularizacija europskog i neameričkog \nfilma i promocija medijske pismenosti u \n2023. godini\n20.000,00 kn\n2.654,46 €\n73\n100 godina kinematografije u Krapini \n18.000,00 kn\n2.389,01 €\n74\nProgram za škole i kino - ŠIK\n10.000,00 kn\n1.327,23 €\n75\nOslobođeni film: filmske pustolovine za \ndjecu i mlade\n8.000,00 kn\n1.061,78 €\n76\nKinoprikazivačka djelatnost POUMAR-a \n- Kina Nova Gradiška za 2023. godinu\n12.000,00 kn\n1.592,67 €\n77\nOslobođeni film: filmske pustolovine za \ndjecu i mlade\n8.000,00 kn\n1.061,78 €\n78\nKino za sve\n10.000,00 kn\n1.327,23 €\n79\nKultni ponedjeljak 2023.\n10.000,00 kn\n1.327,23 €\nKino Samobor - godišnji program  i\nKino Samobor - programi filmske \npismenosti\n103 godine kinematografije u Slatini i\nPraznici u kinu\n82\nLjetno kino Pazin\n7.000,00 kn\n929,06 €\n83\nGodišnji filmski program kina Gaj 2023.\n50.000,00 kn\n6.636,14 €\n84\nCjelogodišnji program Kina Gorica za \n2023. godinu\n20.000,00 kn\n2.654,46 €\n85\n13. Škola animiranog filma\n15.000,00 kn\n1.990,84 €\n55.000,00 kn\n7.299,75 €\n20.000,00 kn\n2.654,46 €\nPučko otvoreno učilište u Pazinu\nMuzej Prigorja\nOtompotom\nOtompotom\nProstor rodne i medijske kulture \nK-zona\nPučko otvoreno učilište - \nUniversita popolare aperta \nVodnjan - Dignano \nPučko otvoreno učilište \n\"Augustin Vivoda\" Buzet\nPučko otvoreno učilište \"Đuro \nArnold\" Ivanec\nPučko otvoreno učilište Daruvar\nPučko otvoreno učilište \nKoprivnica\nPučko otvoreno učilište Krapina\nPučko otvoreno učilište Kutina\n80\nPučko otvoreno učilište Labin\nPučko otvoreno učilište Samobor\nPulska filmska tvornica\nPučko otvoreno učilište Matija \nAntun Relković\nPučko otvoreno učilište Matija \nAntun Relković\nPučko otvoreno učilište Novska\nPučko otvoreno učilište Poreč\nPučko otvoreno učilište Varaždin\nPučko otvoreno učilište Velika \nGorica\n81\nPučko otvoreno učilište Slatina\n\n\f\n86\n19. Škola filma\n20.000,00 kn\n2.654,46 €\n87\nProduction In x 4 2023\n15.000,00 kn\n1.990,84 €\n88\nDemokracija za početnike u 2023. \ngodini \n10.000,00 kn\n1.327,23 €\n89\nDokukino program u 2023. godini\n70.000,00 kn\n9.290,60 €\n90\nDoku-matineje za umirovljenike - arhivi i \nsjećanja \n7.500,00 kn\n995,42 €\n91\nFilmska početnica u 2023. godini\n18.000,00 kn\n2.389,01 €\n92\nKineDok 2023.\n40.000,00 kn\n5.308,91 €\n93\nŠkola dokumentarnog filma u 2023. \ngodini\n60.000,00 kn\n7.963,37 €\n94\nPortal www.vrtisvoj.film - online baza \nfilmova za djecu i mlade dostupna cijelu \nškolsku godinu svim školama i u svim \ndijelovima Hrvatske za 2023. godinu\n40.000,00 kn\n5.308,91 €\n95\nGrrrl Power\n8.000,00 kn\n1.061,78 €\n96\nAnimation Shots 2023.\n20.000,00 kn\n2.654,46 €\n97\nAnimirani Šibenik 2023.\n10.000,00 kn\n1.327,23 €\n98\nAudiovizualni i eksperimentalni program \nMM Centra SC\n7.500,00 kn\n995,42 €\n99\n29. Internacionalna filmska radionica \n(29. IFR)\n18.000,00 kn\n2.389,01 €\n100\n20. Jubilarna Ljetna škola filma Šipan \n2023.\n25.000,00 kn\n3.318,07 €\n101\nFROOOM! 2023 – cjelogodišnji program \naudiovizualnog opismenjavanja djece i \nmladih\n60.000,00 kn\n7.963,37 €\n102\nBlank_senior\n7.500,00 kn\n995,42 €\n103\nFilmska škola\n20.000,00 kn\n2.654,46 €\n104\nFilmske radionice\n45.000,00 kn\n5.972,53 €\n105\nFILM-o-GRAM  2023: FILMsko – \nobrazovni proGRAM za srednjoškolce \ngrada Zadra \n7.500,00 kn\n995,42 €\n106\nAnimacijski lab Sedmi kontinent - \nprogram stop-animacije i radionica \noptičkih igračaka za vrtiće\n25.000,00 kn\n3.318,07 €\n107\nPutujući Sedmi kontinent u suradnji s \nnezavisnim kinoprikazivačima i online \nplatformama \n50.000,00 kn\n6.636,14 €\n108\nSedmi kontinent u bolnicama 2023. \n28.000,00 kn\n3.716,24 €\n109\nQueer MoMenti 2023.\n35.000,00 kn\n4.645,30 €\nRestart\nRestart\nPulska filmska tvornica\nRestart\nSEDMI KONTINENT \nPRODUKCIJA j.d.o.o.\nStudio Pangolin\nSUPERTOON\nSUPERTOON\nSveučilište u Zagrebu - \nStudentski centar u Zagrebu\nŠkola animiranog filma Čakovec\nŠkola filma Šipan\nUdruga Bacači sjenki\nUdruga Blank\nUdruga Blank\nUdruga Blank\nUdruga Djeca susreću umjetnost\nUdruga Djeca susreću umjetnost\nPulska filmska tvornica\nRestart\nRestart\nRestart\nUdruga Djeca susreću umjetnost\nUdruga Domino\nUdruga Djeca susreću umjetnost\n\n\f\n110\nDOKUart EDU 2023. - radionica za \ndokumentarni film\n18.000,00 kn\n2.389,01 €\n111\n3. Nova škola dokumentarnog filma\n15.000,00 kn\n1.990,84 €\n112\nFilm svima 2023.\n15.000,00 kn\n1.990,84 €\n113\nFilm svima svugdje 2023.\n7.000,00 kn\n929,06 €\n114\nFilo playlista dokumentarista - \nprojekcije hrvatskih dokumentarnih \nfilmova koje se propustili pogledati \n2023.\n7.000,00 kn\n929,06 €\n115\nOtoci 2023.\n10.000,00 kn\n1.327,23 €\n116\nPrimijenjeni video 2023.\n5.000,00 kn\n663,61 €\n117\nDyxy na filmu 10\n10.000,00 kn\n1.327,23 €\n118\nRadiOSIonice\n10.000,00 kn\n1.327,23 €\n119\nŠkola igranog filma 2023.\n15.000,00 kn\n1.990,84 €\n120\nFilmska radionica za mlade PSFF-a \n2023.\n5.000,00 kn\n663,61 €\n121\nGledamo dokumentarce, pravimo \ndokumentarce! - edukacijski program \n21. LFF-a\n15.000,00 kn\n1.990,84 €\n122\nLiburnia uplovljava 2023\n7.000,00 kn\n929,06 €\n123\nRadionica animiranog filma \"Mali grad \nAgram\"\n3.000,00 kn\n398,17 €\n124\nRadionica igranog filma \"Mali grad \nAgram\"\n3.000,00 kn\n398,17 €\n125\nRadionica animiranog filma \"Mali grad \nIvanić-Grad\"\n3.000,00 kn\n398,17 €\n126\nRadionica igranog filma \"Mali grad \nIvanić-Grad\"\n3.000,00 kn\n398,17 €\n127\n\"Umjetničke ekologije, strategije otpora \ni odrasta\"\n35.000,00 kn\n4.645,30 €\n128\nDigital Generation - filmska radionica\n12.000,00 kn\n1.592,67 €\n129\nProgram edukacije u području \naudiovizualnog stvaralaštva na primjeru \nkratkog dokumentarnog filma\n12.000,00 kn\n1.592,67 €\n130\nDOKUart EDU 2023. - posebne \nprojekcije za osnovne i srednje škole\n7.500,00 kn\n995,42 €\n131\n15. Festival prava djece 2023. - \nprilagodbe filmova za gluhe i slijepe \nosobe\n20.000,00 kn\n2.654,46 €\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Filmaktiv\nUdruga Globe Media\nUdruga građana Spirit\nUdruga Kaooosss\nUdruga Lanterna Magica\nUdruga Liburnia film festival\nUdruga Liburnia film festival\nUdruga Mali grad\nUdruga Mali grad\nUdruga Mali grad\nUdruga Mali grad\nUdruga Što, kako i za koga / \nWHW\nUdruga za audiovizualno \nstvaralaštvo Artizana\nUdruga za promicanje \naudiovizualnog stvaralaštva \nDonat\nUdruga za promicanje kulture \nDokuart\nUdruga za promicanje \nstvaralaštva i jednakih \nmogućnosti Alternator\nUdruga za promicanje kulture \nDokuart\n\n\f\n132\nRazgovor počinje filmom 2023. \n20.000,00 kn\n2.654,46 €\n133\nRocument u VIB-u\n12.000,00 kn\n1.592,67 €\n134\nRazličiti u svijetu filma - radionica za \ntinejdžere\n5.000,00 kn\n663,61 €\n135\nFilmske večeri u Močvari \n30.000,00 kn\n3.981,68 €\n136\nDovedimo kulturu k nama\n8.000,00 kn\n1.061,78 €\n137\nSerije za invizibilno kino: Preludij - \nšuplji ljudi\n25.000,00 kn\n3.318,07 €\n138\nKlubvizija: Otvoreni laboratorij\n15.000,00 kn\n1.990,84 €\n139\nKino Metropolis\n25.000,00 kn\n3.318,07 €\nBesplatna filmska radionica za djecu: \naudiovizualna pismenost i \nBesplatna filmska radionica za djecu: \naudiovizualna pismenost (uključuje \ndjecu s posebnim potrebama)\n141\nKinoKino - Filmski program za djecu\n40.000,00 kn\n5.308,91 €\n142\nMala škola crtanog filma\n8.000,00 kn\n1.061,78 €\n143\nRadionica stop-trik animacije \nSee/Touch/Try – 2023.\n5.000,00 kn\n663,61 €\n144\nRadionica stop-trik animacije \nSee/Touch/Try – Darda 2023.\n5.000,00 kn\n663,61 €\n145\nSedma radionica animiranog filma \nposvećenog manifestaciji Svijet bajki \nIvane Brlić-Mažuranić \n10.000,00 kn\n1.327,23 €\n146\nKino Zona Zadar\n25.000,00 kn\n3.318,07 €\n3.686.500,00 kn\n489.282,63 €\nNaziv programa\nOdobrena sredstva\n(kn)\nOdobrena sredstva\n(€)\n1\nDevetnaesti Festival 25 FPS\n280.000,00 kn\n37.162,39 €\n2\n2. Cherry Pop Film Festival\n10.000,00 kn\n1.327,23 €\n3\n11. Revija filmova za djecu\n12.000,00 kn\n1.592,67 €\n4\nŽenski odjel\n9.000,00 kn\n1.194,51 €\n5\n18. Revija dokumentarnog filma Fibula\n5.000,00 kn\n663,61 €\n7.500,00 kn\n995,42 €\nUdruga za promicanje \nstvaralaštva i jednakih \nmogućnosti Alternator\nUdruga za razvoj kulture TOČKA \nKULTURE\nUmjetnička organizacija Zagreb \nFilm Festival\nVideo klub Mursa\nUdruga ZAG\nUdruženje za razvoj kulture URK\nUmjetnička organizacija Film-\nprotufilm\nUmjetnička organizacija \nKlubvizija\nUmjetnička organizacija \nMetropolis\nAkademski filmski klub\n140\nVideo klub Mursa\nZajednica tehničke kulture Grada \nSlavonskog Broda\nZajednica udruga Centar \nnezavisne kulture\nDobar film\nDom kulture Kristalna kocka \nvedrine\nNaziv predlagatelja\nfilmski festivali i druge audiovizualne manifestacije\nCentar za kulturu Čakovec\n25 FPS, Udruga za audio-\nvizualna istraživanja\nUdruga za ruralni turizam Đola\nUstanova Zagreb film\nUmjetnička organizacija Rikšafilm\nUKUPNO\n\n\f\n6\n19. ZagrebDox - Međunarodni festival \ndokumentarnog filma\n550.000,00 kn\n72.997,54 €\n7\n16. Festival mediteranskog filma Split\n230.000,00 kn\n30.526,25 €\n8\n14. VAFI & RAFI - internacionalni \nfestival animiranog filma djece i mladih\n60.000,00 kn\n7.963,37 €\n9\n31. hrvatski festival jednominutnih \nfilmova i \"Put oko svijeta u minuti\"\n58.000,00 kn\n7.697,92 €\n10\nPožeški filmski tjedan 2023.\n10.000,00 kn\n1.327,23 €\n11\n33. Svjetski festival animiranog filma - \nAnimafest Zagreb 2023\n900.000,00 kn\n119.450,53 €\n12\n8. Pulica u kaputu\n12.000,00 kn\n1.592,67 €\n13\nFUSE - Film Under Severe Experiment \n2023.\n10.000,00 kn\n1.327,23 €\n14\nStop Motion Scena 2023.\n4.000,00 kn\n530,89 €\n15\nqFest 2023. (filmske projekcije)\n7.500,00 kn\n995,42 €\n16\nDalmatia film festival\n25.000,00 kn\n3.318,07 €\n17\nVox Feminae Festival 2023.\n45.000,00 kn\n5.972,53 €\n18\n32. Dani hrvatskog filma\n150.000,00 kn\n19.908,42 €\n19\n16. Subversive Film Festival – Od \ndistopije do utopije: sve je još uvijek \nmoguće\n150.000,00 kn\n19.908,42 €\n20\n10. Međunarodni studentski filmski \nfestival\n30.000,00 kn\n3.981,68 €\n21\nFilmski karavan\n15.000,00 kn\n1.990,84 €\n22\nUhvati Film Fest\n20.000,00 kn\n2.654,46 €\n23\n13. Postira Seaside Film Festival - \nmeđunarodni festival kratkometražnog \nfilma 2023.\n20.000,00 kn\n2.654,46 €\n24\n21. Liburnia Film Festival\n75.000,00 kn\n9.954,21 €\n25\nSlučajno kino 2023\n5.000,00 kn\n663,61 €\n26\nKinogibanja\n12.000,00 kn\n1.592,67 €\n27\n15. Festival prava djece 2023.\n60.000,00 kn\n7.963,37 €\nKolektiv za razvoj, istraživanje i \npropitivanje queer kulture - \nqueerANarchive\nMoonstone Production d.o.o.\nFactum\nFestival mediteranskog filma Split\nUdruga građana Spirit\nUdruga građana Spirit\nFilmsko-kreativni studio Vanima\nGFR film-video\nGFR film-video\nHulahop d.o.o.\nJavna ustanova Pula film festival\nKinoklub Karlovac\nKinoklub Karlovac\nUdruga Lanterna Magica\nUdruga Liburnia film festival\nUdruga Liburnia film festival\nUdruga Prostor plus\nUdruga za promicanje \nstvaralaštva i jednakih \nmogućnosti Alternator\nProstor rodne i medijske kulture \nK-zona\nSveučilište u Zagrebu - \nStudentski centar u Zagrebu\nUdruga Bijeli val\nUdruga Filmaktiv\n\n\f\n28\nFilmske mutacije: festival nevidljivog \nfilma XVII - Kino Brecht: kome pripada \npatos\n90.000,00 kn\n11.945,05 €\n29\n21. Gastro Film Fest\n8.000,00 kn\n1.061,78 €\n2.862.500,00 kn\n379.919,04 €\nNaziv programa\nOdobrena sredstva\n(kn)\nOdobrena sredstva\n(€)\n1\nIzdavaštvo Udruge 25 FPS: edicija \nKvadrati sekunde\n25.000,00 kn\n3.318,07 €\n2\nAndrás Bálint Kovács: Modernizam na \nfilmu - europski umjetnički film 1950.-\n1980.\n25.000,00 kn\n3.318,07 €\n3\nDiana Nenadić (ur.): Timon - 50 godina \nposlije\n5.000,00 kn\n663,61 €\n4\nHrvatski filmski ljetopis\n100.000,00 kn\n13.272,28 €\n5\nHrvoje Ivanković, Dubrovnik kao \nfilmska kulisa: Povijest snimanja igranih \nfilmova i serija u Dubrovniku i okolici \n(radni naslov)\n10.000,00 kn\n1.327,23 €\n6\nIrena Paulus: Audiovizija hrvatskoga \nfilma - primjeri suvremene prakse\n10.000,00 kn\n1.327,23 €\n7\nMrežna stranica ZonaFilma.com\n20.000,00 kn\n2.654,46 €\n8\nŽivjeti pokretne slike - umijeće bez \nbudućnosti\n10.000,00 kn\n1.327,23 €\n9\n70. Pulski filmski festival - monografija\n10.000,00 kn\n1.327,23 €\n10\nPublikacija knjige - Čuje se zasun! \nOtvoreno! - pregled razvoja šibenskog \nkinoprikazivaštva (radni naslov)\n7.500,00 kn\n995,42 €\n11\nKinemaskop\n30.000,00 kn\n3.981,68 €\n12\nRodno osviještena filmska kritika\n15.000,00 kn\n1.990,84 €\n13\nŽene minorne spekulacije / publikacija\n10.000,00 kn\n1.327,23 €\n14\nMonografija - 20 godina Ljetne škole \nfilma Šipan\n5.000,00 kn\n663,61 €\n15\nBiblioteka Sinestetika: Peter Wollen - \nSigns and Meaning in the Cinema\n10.000,00 kn\n1.327,23 €\n16\nFilmska glazba Mirka Krstičevića\n30.000,00 kn\n3.981,68 €\n17\nOnline izdanje priručnika za mlade - \nstop animacija i tips&tricks filmske \nkritike \n10.000,00 kn\n1.327,23 €\nizdavaštvo u području audiovizualnih djelatnosti\nNaziv predlagatelja\n25 FPS, Udruga za audio-\nvizualna istraživanja\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nUmjetnička organizacija Film-\nprotufilm\nVideo klub Mursa\nHrvatski filmski savez - HFS\nUKUPNO\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatsko društvo filmskih \nkritičara\nHrvatsko društvo filmskih \nkritičara\nJavna ustanova Pula film festival\nJavna ustanova u kulturi Tvrđava \nkulture Šibenik\nKurziv - Platforma za pitanja \nkulture, medija i društva\nProstor rodne i medijske kulture \nK-zona\nStudio Pangolin\nŠkola filma Šipan\nUdruga Bijeli val\nUdruga Djeca susreću umjetnost\nUdruga Jučer, danas, sutra - \nplatforma za audiovizualna \nistraživanja\n\n\f\n18\nDokumentarni.net\n22.000,00 kn\n2.919,90 €\n19\nFilmovi.hr\n15.000,00 kn\n1.990,84 €\n20\nHrvatski film u 21. stoljeću \n(monografija)\n10.000,00 kn\n1.327,23 €\n21\nNedeljko Dragić: \"Rudijev leksikon\" \n(knjiga snimanja)\n15.000,00 kn\n1.990,84 €\n394.500,00 kn\n52.359,15 €\nNaziv programa\nOdobrena sredstva\n(kn)\nOdobrena sredstva\n(€)\n1\nProgrami Udruge 25 FPS u 2023. godini\n40.000,00 kn\n5.308,91 €\n2\nRadionica animiranog filma za djecu – \nMala zagrebačka animacija \n(Z–animacija)\n35.000,00 kn\n4.645,30 €\n3\nKreativne radionice udruge Centar \nLukas\n5.000,00 kn\n663,61 €\n4\nRedovne djelatnosti DHAP-a u 2023. \ngodini\n7.500,00 kn\n995,42 €\n5\nDjelatnosti Društva hrvatskih filmskih \nmontažera u 2023. godini\n25.000,00 kn\n3.318,07 €\n6\nProgram redovite djelatnosti DHFR-a za \n2023. godinu\n130.000,00 kn\n17.253,97 €\n7\nRadionice i djelatnost udruge za 2023. \ngodinu\n5.000,00 kn\n663,61 €\n8\nRedovita djelatnost u 2023. godini\n7.500,00 kn\n995,42 €\n9\nProgram rada u 2023. godini\n30.000,00 kn\n3.981,68 €\n10\nProgram rada FFVAL-a za 2023. godinu \n- Foto film video amateri Luke\n15.000,00 kn\n1.990,84 €\n11\nRedovita programska djelatnost 2023.\n25.000,00 kn\n3.318,07 €\n12\nFilmska edukacija mladih 2023.\n15.000,00 kn\n1.990,84 €\n13\nProgrami i projekti Kino mreže u 2023. \ngodini\n100.000,00 kn\n13.272,28 €\nRedovna djelatnost Hrvatske Udruge \nFilmskih snimatelja i\nProfesije u sektoru kamere\n15\nProgram redovne djelatnosti Hrvatske \nudruge producenata za 2023. godinu\n125.000,00 kn\n16.590,35 €\nFilmski centar mladih Šibenik\nDruštvo hrvatskih filmskih \nredatelja\nFilmska autorska grupa \"Enthusia \nBlanck\"\nAutorski studio - fotografija, film, \nvideo\nprogrami audiovizualnih udruga i organizacija\nNaziv predlagatelja\nUdruga Dokumetar\nUmjetnička organizacija \nMetropolis\nUmjetnička organizacija \nMetropolis\nVedis d.o.o.\nHrvatska udruga producenata\n25 FPS, Udruga za audio-\nvizualna istraživanja\nFilmsko-kreativni studio Vanima\nFoto kino video klub Zaprešić\nGFR film-video\nHrvatska mreža neovisnih \nkinoprikazivača\nFoto film video amateri Luke\nHrvatska udruga filmskih \nsnimatelja\nDruštvo hrvatskih audiovizualnih \nprevoditelja\nDruštvo hrvatskih filmskih \nmontažera\nUKUPNO\n14\nCentar za razvoj i promociju \nmedijske kulture Lukas\n110.000,00 kn\n14.599,51 €\n\n\f\n16\nKoordinacijske i poticajne funkcije HFS-\na 2023.\n90.000,00 kn\n11.945,05 €\n17\nRedovna djelatnost Hrvatskog društva \nfilmskih djelatnika\n325.000,00 kn\n43.134,91 €\n18\nProgram redovne djelatnosti Hrvatskog \ndruštva filmskih kritičara\n90.000,00 kn\n11.945,05 €\n19\nProgram redovnih aktivnosti HDNP-a za \n2023. godinu\n35.000,00 kn\n4.645,30 €\n20\nEdukativni program i produkcija Kino \nkluba Split u 2023. godini\n75.000,00 kn\n9.954,21 €\n21\nRedovna djelatnost Kinokluba Karlovac \nu 2023. godini\n40.000,00 kn\n5.308,91 €\n22\nRedovite aktivnosti Kinokluba Zagreb u \n2023. godini\n35.000,00 kn\n4.645,30 €\n23\nRedovan rad udruge MMC SKIG i \nedukacija članova\n10.000,00 kn\n1.327,23 €\n24\nKlub Pulske filmske tvornice\n30.000,00 kn\n3.981,68 €\n25\nRedovna djelatnost SPID-a u 2023. \ngodini\n70.000,00 kn\n9.290,60 €\n26\nMisli i stvaraj filmski!\n20.000,00 kn\n2.654,46 €\n27\nProvedba audiovizualnih djelatnosti \nudruge Bacači sjenki 2023\n15.000,00 kn\n1.990,84 €\nRedovita programska djelatnost udruge \nBlank u 2023. i\nFilmska proizvodnja kratkih filmova \nmladih neafirmiranih autora\n29\nProgram audiovizualne udruge Djeca \nsusreću umjetnost - filmski program \nSedmi kontinent\n20.000,00 kn\n2.654,46 €\n30\nProgram rada Jedine solucije, udruge \nza audiovizualnu umjetnost (2023.)\n7.500,00 kn\n995,42 €\n1.617.500,00 kn\n214.679,14 €\nNaziv programa\nOdobrena sredstva\n(kn)\nOdobrena sredstva\n(€)\n1\nKino Mediteran od doma - promocija i \nponuda hrvatskih filmova\n25.000,00 kn\n3.318,07 €\n2\nDistribucija hrvatskih dokumentarnih \nfilmova u regiji u 2023. godini\n20.000,00 kn\n2.654,46 €\n3\nPortal croatian.film – Internetska \nplatforma za gledanje i promociju \nhrvatskog filma\n50.000,00 kn\n6.636,14 €\n4\nFestivalska distribucija 2023.\n22.000,00 kn\n2.919,90 €\n80.000,00 kn\n10.617,82 €\nHrvatski filmski savez - HFS\nHrvatsko društvo filmskih \ndjelatnika\nHrvatsko društvo filmskih \nkritičara\nHrvatsko društvo nezavisnih \nproducenata\nPulska filmska tvornica\nSavez scenarista i pisaca \nizvedbenih djela\nŠkola animiranog filma Čakovec\nUdruga Bacači sjenki\nKino klub Split\nKinoklub Karlovac\nUdruga Djeca susreću umjetnost\nKinoklub Zagreb\nMultimedijalni centar Studio \nkreativnih ideja Gunja - MMC \nSKIG\nUdruga Jedina solucija\nNaziv predlagatelja\nFestival mediteranskog filma Split\nUKUPNO\nRestart\nprogrami promocije i prodaje hrvatskih audiovizualnih djela\nUmjetnička organizacija Zagreb \nFilm Festival\nUstanova Zagreb film\nUdruga Blank\n28\n\n\f\n117.000,00 kn\n15.528,57 €\nNaziv programa\nOdobrena sredstva\n(kn)\nOdobrena sredstva\n(€)\n1\nRadionica: gluma pred kamerom\n8.000,00 kn\n1.061,78 €\n2\nScenaristički program \"Branko Bauer\" \nza 2023. godinu\n20.000,00 kn\n2.654,46 €\n3\nZagrebDox Pro 2023.\n100.000,00 kn\n13.272,28 €\n4\nFilmski market Split (Industrija 1.0)\n22.000,00 kn\n2.919,90 €\n5\n25. Škola medijske kulture \"Dr. Ante \nPeterlić\"\n250.000,00 kn\n33.180,70 €\n6\nScenaristička platforma Palunko, 21. \nsezona\n40.000,00 kn\n5.308,91 €\n7\nMasterclass: Krupni kadar\n10.000,00 kn\n1.327,23 €\n8\nTV Burza 2023\n20.000,00 kn\n2.654,46 €\n9\nAnimafest PRO 2023.\n30.000,00 kn\n3.981,68 €\n10\nMala škola medijske kulture 6\n15.000,00 kn\n1.990,84 €\n11\nMind the Image / Pazi na sliku\n25.000,00 kn\n3.318,07 €\n12\nRadionica za odgojno-obrazovne \ndjelatnike - glumačka radionica\n12.000,00 kn\n1.592,67 €\n13\nFilmska čitanka 2023. - Kadar kao \nsvijet\n12.000,00 kn\n1.592,67 €\n14\n«Distribute This! Green Edition / \nDistribuiraj to! Zeleno izdanje» O \npripremi, zelenoj produkciji, distribuciji i \npromociji dokumentarnog filma 2023.\n15.000,00 kn\n1.990,84 €\n15\nKampus Motovun 2023.\n20.000,00 kn\n2.654,46 €\n16\nPitching Forum Vox Feminae Festivala\n10.000,00 kn\n1.327,23 €\n17\nRestart Laboratorij u 2023. godini \n60.000,00 kn\n7.963,37 €\n18\nPonta Lopud 2023.\n60.000,00 kn\n7.963,37 €\n19\nScenaristički program Zora Dirnbach \n2023.\n15.000,00 kn\n1.990,84 €\n20\nFilmska kritika za učitelje – intenzivni \nonline ciklus s filmskom kritičarkom \nVišnjom Pentić Vukašinović\n10.000,00 kn\n1.327,23 €\n21\nProgram stručne filmske edukacije \nCinEd 2023\n35.000,00 kn\n4.645,30 €\nprogrami stručnog usavršavanja i/ili edukacije\nNaziv predlagatelja\nAkademski filmski klub\nHrvatsko društvo nezavisnih \nproducenata\nDruštvo hrvatskih filmskih \nredatelja\nFactum\nFestival mediteranskog filma Split\nUKUPNO\nHrvatski filmski savez - HFS\nHrvatski filmski savez - HFS\nHrvatsko društvo filmskih \ndjelatnika\nHulahop d.o.o.\nKino klub Split\nKino klub Split\nRestart\nRiva Film d.o.o.\nSavez scenarista i pisaca \nizvedbenih djela\nSEDMI KONTINENT \nPRODUKCIJA j.d.o.o.\nUdruga Bacači sjenki\nKinoklub Karlovac\nMotovun Film Festival\nProstor rodne i medijske kulture \nK-zona\nKinoklub Zagreb\nLittle Red Dot\n\n\f\n22\nLFF Rough Cut 2023.\n15.000,00 kn\n1.990,84 €\n23\nMedijski izazovi - Škola za profesore i \nučenike\n7.500,00 kn\n995,42 €\n24\n6. Split Script, 2023.\n15.000,00 kn\n1.990,84 €\n25\n9th European Genre Forum - \nScreenwriting & Directing Lab\n25.000,00 kn\n3.318,07 €\nIndustrija 21. Zagreb Film Festivala     \ni\nTSFM Word-Frame - radionica razvoja \nkratkog filma\n27\n14. Međunarodna radionica animiranog \nfilma\n20.000,00 kn\n2.654,46 €\n28\nOd 5 do 25 (minuta) - radionica \nscenarija kratkog dokumentarnog filma\n12.000,00 kn\n1.592,67 €\n1.003.500,00 kn\n133.187,34 €\nNaziv programa\nOdobrena sredstva\n(kn)\nOdobrena sredstva\n(€)\n1\nSimpozij: Analogni film u digitalnom \ndobu\n7.000,00 kn\n929,06 €\n2\nCinemaniac: Misliti film 2023.\n18.000,00 kn\n2.389,01 €\n3\nAutoteorija kao angažirana umjetnička \npraksa\n10.000,00 kn\n1.327,23 €\n4\n10. Međunarodni simpozij o suvremenoj \nanimaciji Animafest Scanner X\n25.000,00 kn\n3.318,07 €\n5\nKino na trešnjevačkom placu / Doba \ntrešanja 2023.\n8.000,00 kn\n1.061,78 €\n6\nVizualni kolegij\n40.000,00 kn\n5.308,91 €\n7\nFilm u muzeju - Kino umjetnika\n8.000,00 kn\n1.061,78 €\n8\n20 godina jednog kadra\n12.000,00 kn\n1.592,67 €\n9\nRazmišljaj filmom u 2023. godini\n20.000,00 kn\n2.654,46 €\n10\nHall of Fame u 2023. godini\n10.000,00 kn\n1.327,23 €\n11\nMasterclass program u 2023. godini \n30.000,00 kn\n3.981,68 €\n12\nUpoznaj autora i Doku-razgovori u \n2023. godini \n20.000,00 kn\n2.654,46 €\n13\nKino Katarina\n12.000,00 kn\n1.592,67 €\nOne Take Film Festival\nGenerator Multidisciplinarnih \nKoprodukcija (GMK)\nMuzej moderne i suvremene \numjetnosti\nRestart\nRestart\nUmjetnička organizacija Zagreb \nFilm Festival\nApoteka - Prostor za suvremenu \numjetnost\nUdruga Liburnia film festival\nUdruga Manda - film i riječ\nUKUPNO\nUdruga Metonimija\nHulahop d.o.o.\nLokalna baza za osvježavanje \nkulture - BLOK\nMultimedijalni institut\nRestart\nRestart\nNaziv predlagatelja\n25 FPS, Udruga za audio-\nvizualna istraživanja\nproučavanje i kritičko vrednovanje audiovizualnih djelatnosti\nSub pokret\nUstanova Zagreb film\nUstanova Zagreb film\n26\n15.926,74 €\n120.000,00 kn\nUdruga Rudolf\n\n\f\n14\nKinematografije otpora 2023. – Nika \nAutor: Kada bi šume mogle govoriti, \nosušile bi se od tuge \n12.000,00 kn\n1.592,67 €\n15\nDiskurzivni program 21. LFF-a (studija \nslučaja i tribina)\n5.000,00 kn\n663,61 €\n237.000,00 kn\n31.455,31 €\nNaziv programa\nOdobrena sredstva\n(kn)\nOdobrena sredstva\n(€)\n1\nFilmski i video arhiv Hrvatskog filmskog \nsaveza u 2023. godini\n120.000,00 kn\n15.926,74 €\n2\nProgram digitalizacije, restauracije i \nkopiranja filmova Mihovila Pansinija\n50.000,00 kn\n6.636,14 €\n3\nDigitalni medijski arhiv\n10.000,00 kn\n1.327,23 €\n4\nDigitalizacija i zaštita arhivskog gradiva \nKinokluba Zagreb\n30.000,00 kn\n3.981,68 €\n5\nDigitalna restauracija filmova Ljubiše \nGrlića\n120.000,00 kn\n15.926,74 €\n6\nRestauracija i digitalizacija filmova \nUstanove Zagreb film\n70.000,00 kn\n9.290,60 €\n400.000,00 kn\n53.089,12 €\nBROJ ODOBRENIH PROGRAMA\nODOBRENA SREDSTVA U \nKUNAMA\nODOBRENA SREDSTVA U EURIMA\n146\n3.686.500,00 kn\n489.282,63 €\n29\n2.862.500,00 kn\n379.919,04 €\n21\n394.500,00 kn\n52.359,15 €\n30\n1.617.500,00 kn\n214.679,14 €\n4\n117.000,00 kn\n15.528,57 €\n28\n1.003.500,00 kn\n133.187,34 €\n15\n237.000,00 kn\n31.455,31 €\n6\n400.000,00 kn\n53.089,12 €\n279\n10.318.500,00 kn\n1.369.500,30 €\nzaštita audiovizualne baštine \nuključujući kinotečnu \ndjelatnost\nUKUPNO\nzaštita audiovizualne baštine uključujući kinotečnu djelatnost\nKinoklub Zagreb\nUstanova Zagreb film\nKinoklub Zagreb\nHrvatski filmski savez - HFS\nKino klub Split\nprogrami stručnog \nusavršavanja i/ili edukacije\nproučavanje i kritičko \nvrednovanje audiovizualnih \ndjelatnosti\nUdruga Bijeli val\nizdavaštvo u području \naudiovizualnih djelatnosti\nprogrami audiovizualnih \nudruga i organizacija\nprogrami promocije i prodaje \nhrvatskih audiovizualnih djela\nUdruga Liburnia film festival\nUKUPNO\nUKUPNO\ndjelatnosti razvijanja \naudiovizualne kulture\nfilmski festivali i druge \naudiovizualne manifestacije\nPROGRAMSKA DJELATNOST\nNaziv predlagatelja\nHrvatski filmski savez - HFS\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati KOMPLEMENTARNE 2023. - 1. rok.xls  -  Compatibility Mode","year":2023,"rok":"1. rok","natjecaj_date":"2022-12-28","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"proizvodnja","to":"komplementarne","reason":"filename/title keyword: komplementarne","confidence":"high"}],"updated_at":"2026-05-17T19:06:56Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"djelatnosti razvijanja audiovizualne kulture","section_key":"djelatnosti_razvijanja_audiovizualne_kulture","columns":["Naziv predlagatelja","Naziv programa","Odobrena sredstva (kn)","Odobrena sredstva (€)"],"rows":[{"row_number":1,"project_title":"Godišnji program Art-kina za 2023. godinu","applicant":null,"production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne 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kulture","approved_amount":1990.84,"approved_amount_text":null,"currency":"EUR","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T13:47:30Z","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"dce64296:s0:ec73eb489e00","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_2ae7de7aad4b","project_family_title":"Godišnji program filmskih radionica za djecu"},{"row_number":3,"project_title":"Medijateka – Specijalna filmska knjižnica Art-kino 2023","applicant":null,"production_company":null,"director":null,"writer":null,"original_author":null,"category":"djelatnosti razvijanja audiovizualne 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Vukovar Film Festival - radionica - \nJednominutni film u jednom kadru\n5.000,00\n6\nDiscovery d.o.o.\n15. Vukovar Film Festival - radionica - \nOd ideje do realizacije\n10.000,00\n7\nDom kulture Kristalna kocka vedrine\nKino-Point\n10.000,00\n8\nDom mladih\nEdukativne radionice audiovizualnog \nstvaralaštva za učenike i mentore iz \nOŠ Grada Rijeke i riječkog prstena \n\"Video-filmska svaštarnica\"\n10.000,00\n9\nFestival mediteranskog filma Split\nNezavisni na Bačvicama!\n20.000,00\n10\nFilmsko-kreativni studio Vanima\n17. Ljetne filmske radionice\n10.000,00\n11\nFilmsko-kreativni studio Vanima\nVar-T-eks vol. 5\n10.000,00\n12\nFoto-kino klub Baranja film\n100 godina kinematografije u Belom \nManastiru\n10.000,00\n13\nGOKUL - Građanska organizacija za kulturu\nGreen Room Cinema 2021.\n18.000,00\n14\nHrvatski centar za istraživačko novinarstvo i \nslobodu medija - HRCIN\nRadionice za doku filmove na Baniji\n15.000,00\n15. sjednica Hrvatskog audiovizualnog vijeća 28. travnja 2021.\nJavni poziv za dodjelu sredstava za poticanje komplementarnih djelatnosti u \n2021. godini - 2.rok,  popis odobrenih projekata\ndjelatnosti razvijanja audiovizualne kulture\n\n\f\n15\nHrvatski filmski savez - HFS\nFilmske radionice za djecu i mladež u \nKraljevici\n20.000,00\n16\nHrvatsko kaskadersko društvo - HKD\nAerial - škola kaskaderskog rigginga za \ndjecu i mlade\n10.000,00\n17\nJavna ustanova u kulturi Tvrđava kulture \nŠibenik\nKinoprikazivačka djelatnost Kuće \numjetnosti Arsen\n30.000,00\n18\nKazimir - Udruga za promicanje kulture, \numjetnosti i audiovizualnog stvaralaštva\nSjećanje na Vatroslava Mimicu\n10.000,00\n19\nKinoklub Karlovac\nRiječno kino 2021.\n15.000,00\n20\nMultimedijalni centar Studio kreativnih ideja \nGunja - MMC SKIG\n12. Ljetna škola filma Gunja i edukacija \nčlanova\n25.000,00\n21\nPlatforma za unapređenje kulture - PUNKT\nVideo radionice Grad na drugi pogled\n15.000,00\n22\nPučko otvoreno učilište Poreč\nKultni ponedjeljak\n7.000,00\n23\nStvaralačka mreža Zebra\nInterface - Program novih medija\n10.000,00\n24\nŠkola filma Šipan\n18. (Puno)ljetna škola filma Šipan\n20.000,00\n25\nUdruga Filmaktiv\nOtoci 2021.\n7.000,00\n26\nUdruga Globe Media\nDyxy na filmu 8\n8.000,00\n27\nUdruga Kućni kolektiv\nRadionice oko Kuće\n10.000,00\n28\nUdruga Lanterna Magica\nFilmska radionica PSFF-a za mlade \n2021.\n5.000,00\n29\nUdruga Liburnia film festival\nGledamo dokumentarce - pravimo \ndokumentarce 2021\n15.000,00\n30\nUdruga Metonimija\nAnimirajmo zajedno\n6.000,00\n31\nUdruga za audiovizualno stvaralaštvo \nArtizana\nDigital Generation - filmska radionica\n12.000,00\n32\nUdruga za promicanje kulture Dokuart \n14. Mali DOKUart - DOKUradionica i \nnacionalni natječaj za najbolji \ndokumentarni film osnovnoškolaca\n18.000,00\n33\nUdruga za promicanje kulture Dokuart \nFilmodrom - ljetno kino Udruge DOKUart \n2021.\n10.000,00\n\n\f\n34\nUmjetnička organizacija Klubvizija\nFilmski laboratorij Klubvizija: program u \ndrugoj polovici 2021. godine\n15.000,00\n432.000,00\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\n25 FPS, Udruga za audio-vizualna \nistraživanja\nSedamnaesti Festival 25 FPS\n280.000,00\n2\nASIFA Hrvatske\nMeđunarodni dan animacije 2021\n15.000,00\n3\nCentar za kulturu Trešnjevka\n15. PSSST! Festival nijemog filma\n10.000,00\n4\nDiscovery d.o.o.\n15. Vukovar Film Festival - festival \npodunavskih zemalja\n310.000,00\n5\nDom kulture Kristalna kocka vedrine\nRevija dokumentarnog filma Fibula\n5.000,00\n6\nEkološko kulturna scena EKS Hrvatska \nKostajnica\n14. Smaragdni Eco Film Festival SEFF\n35.000,00\n7\nGFR film-video\nPožeški filmski tjedan 2021.\n10.000,00\n8\nGOKUL - Građanska organizacija za kulturu\n10. Kiki - međunarodni festival dječjeg \nfilma\n20.000,00\n9\nHrvatski filmski savez - HFS\n26. Filmska revija mladeži i 14. Four \nRiver Film Festival\n110.000,00\n10\nHrvatski filmski savez - HFS\n53. Revija hrvatskog filmskog \nstvaralaštva\n60.000,00\n11\nHrvatski filmski savez - HFS\n59. Revija hrvatskog filmskog \nstvaralaštva djece\n80.000,00\n5. History Film Festival             \ni\nInkluzivno kino\n13\nJavna ustanova u kulturi Kinematografi \nDubrovnik\nDUff 2021. – 10. izdanje međunarodnog \nfilmskog festivala za djecu i mlade\n20.000,00\n14\nKolektiv za razvoj, istraživanje i propitivanje \nqueer kulture - queerANarchive\nqFest\n7.000,00\n15\nMeđunarodni festival novog filma\nSplitski filmski festival\n140.000,00\n16\nMirage kreativni studio\nBetina Film Festival 2021.\n15.000,00\n17\nMotovun film festival U.O.\nMotovun Film Festival 2021\n520.000,00\n12\nfilmski festivali i druge audiovizualne manifestacije\nUKUPNO\n28.000,00\nIstra film\n\n\f\n18\nMultimedijalni institut\nHuman Rights Film Festival\n200.000,00\n19\nMuzej crvene povijesti\nBilo jednom u Hrvatskoj\n5.000,00\n20\nPari Pikule\nDA2 - Zagreb Design, Art & Architecture \nFilm Festival\n25.000,00\n21\nPučko otvoreno učilište Poreč\n11. Porečdox - međunarodni  festival \ndokumentarnog filma\n12.000,00\n22\nPučko otvoreno učilište Sveti Ivan Zelina\n8. Diversions International Short Film \nFestival\n22.000,00\n23\nRobot 22 d.o.o.\n11. Fantastic Zagreb Film Festival\n55.000,00\n24\nSUPERTOON\nSupertoon - Međunarodni festival \nanimacije\n65.000,00\n25\nTORO laboratorij j.d.o.o.\nRab Film Festival 2021 - RAFF Cinema\n35.000,00\n26\nUdruga Globe Media\n7. Brač Film Festival\n35.000,00\n27\nUdruga Kućni kolektiv\nKino pred Kućom\n10.000,00\n28\nUdruga Lanterna Magica\n11. Postira Seaside Film Festival - \nmeđunarodni festival kratkog filma\n15.000,00\n29\nUdruga ljubitelja filma Rare Vinkovci\n15. Festival dokumentarnog rock filma \nDORF 2021\n10.000,00\n30\nUdruga Trash\n16. Trash Film Festival\n10.000,00\n31\nUdruga za medijsko stvaralaštvo i kulturne \naktivnosti Media Punkt\n19. Tabor Film Festival\n70.000,00\n32\nUdruga za promicanje kulture Dokuart \n16. DOKUart - međunarodni festival \nprofesionalnog dokumentarnog filma\n80.000,00\n33\nUmjetnička organizacija \"Asser Savus\"\n5. Filmski festival glumca\n10.000,00\n34\nUmjetnička organizacija Zagreb Film Festival\n19. Zagreb Film Festival\n500.000,00\n35\nVia solis d.o.o.\nDani hrvatskog filma u Slavoniji\n9.000,00\n36\nVideo klub Mursa\n19. Gastro Film Fest\n5.000,00\n2.838.000,00\nUKUPNO\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\nCentar za kulturu i cjeloživotno obrazovanje \nZlatna vrata\n \"50 godina kinoteke - izabrani tekstovi\" \ni \"50 godina kinoteke - Što je nama bila \n1971.\"\n15.000,00\n2\nFoto-kino klub Baranja film\n100 godina od prve projekcije\n5.000,00\n3\nHangar 7 d.o.o.\nChristine Cornea: Znanstvenofantastični \nfilm - između fantastike i realnog\n15.000,00\n4\nHangar 7 d.o.o.\nFilmski žanrovski klasici - Peter \nKramer: 2001: Odiseja u svemiru\n10.000,00\n5\nHangar 7 d.o.o.\nInverzija.net, web publikacija za \nžanrovski film, znanstvenu fantastiku i \nfantastičnu književnost\n5.700,00\n6\nHrvatski filmski savez - HFS\nAna Đordić: Model filmske edukacije u \nsrednjoj školi (radni naslov)\n10.000,00\n7\nSlobodni filozofski, Udruga\nSlijepe pjege\n10.000,00\n8\nUdruga Bijeli val\nBiblioteka Sinestetika: Laura Mulvey - \nAfterimages: On Cinema, Women and \nChanging Times\n10.000,00\n9\nUdruga Dušan Vukotić\nSurogat, 1961. - 2021.\n10.000,00\n10\nUdruga za feminizam i kulturu Muf\nFeminističko čitanje popularne kulture \nvol. 3.0\n11.000,00\n101.700,00\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\nFilmske radionice i tečajevi 2021 i\nRadionica animiranog filma za djecu – \nMala animacija (Z-animacija) 2021.\n2\nHrvatsko društvo nezavisnih producenata\nProgram redovnih godišnjih aktivnosti \nHDNP-a\n15.000,00\n35.000,00\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\nFestival mediteranskog filma Split\nKino Mediteran od doma - ponuda \nhrvatskih filmova\n20.000,00\n2\nUstanova Zagreb film\nFestivalska distribucija kratkih \nanimiranih, eksperimentalnih i igranih \nfilmova \n10.000,00\n30.000,00\nUKUPNO\nUKUPNO\nprogrami audiovizualnih udruga i organizacija\nizdavaštvo u području audiovizualnih djelatnosti\n20.000,00\nprogrami promocije i prodaje hrvatskih audiovizualnih djela\n1\nAutorski studio-fotografija, film, video\nUKUPNO\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\nAkademija dramske umjetnosti\nRadionica hibridnog filma - Grožnjan\n15.000,00\n2\nDiscovery d.o.o.\n15. Vukovar Film Festival - radionica - \nDunavska scenaristička radionica\n6.000,00\n3\nHrvatski filmski savez - HFS\n23. Škola medijske kulture Dr. Ante \nPeterlić\n240.000,00\n4\nKino klub Split\nMala škola medijske kulture 4\n10.000,00\n5\nKinoklub Karlovac\nRadionica zvuka za profesore 2021.\n10.000,00\n6\nKinoklub Zagreb\nFilmska čitanka: početnica iz \numjetničkih filmskih praksi\n10.000,00\nEdukativna radionica na NEM Zagreb \ndogađaju; \nNatječaj u pisanju scenarija i\nPanel diskusija s temom vezanom za \nHRV audiovizualna djela\n8\nMotovun film festival U.O.\nKampus Motovun 2021\n15.000,00\n9\nSavez scenarista i pisaca izvedbenih djela\nScenaristički program Zora Dirnbach \n2021.\n20.000,00\n10\nTORO laboratorij j.d.o.o.\nRAFF Generation 2021\n10.000,00\n11\nUdruga Bacači sjenki\nPotpora za program filmske edukacije i \nstručnog usavršavanja CinEd\n50.000,00\n12\nUdruga Djeca susreću umjetnost\nProgrami usavršavanja online - webinari \nfilmske pismenosti Sedmog kontinenta\n10.000,00\n13\nUdruga Liburnia film festival\nŠnitaonica, rough cut dokumentarna \nradionica\n15.000,00\n14\nUdruga Metonimija\nSplit Script\n10.000,00\n15\nUdruga Rudolf\n7. Europski žanrovski forum (European \nGenre Forum 2021)\n25.000,00\n16\nUmjetnička organizacija Zagreb Film Festival\nIndustrija 19. Zagreb Film Festivala\n70.000,00\n17\nUstanova Zagreb film\n12. Međunarodna radionica animiranog \nfilma\n20.000,00\n566.000,00\nprogrami stručnog usavršavanja i/ili edukacije\n30.000,00\n7\nMediji Sve O d.o.o.\nUKUPNO\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\nKreativni sindikat\nVideoforum \n5.000,00\n2\nLokalna baza za osvježavanje kulture - \nBLOK\nKino na Trešnjevačkom placu 2021. – \nFilmski program \"Ulica pretkinja\"\n12.000,00\n3\nSub pokret\nKino Katarina\n12.000,00\n4\nUdruga Liburnia film festival\nDiskurzivni program 19. LFF-a (studija \nslučaja i tribina)\n5.000,00\n5\nUdruga za filmsko i scensko stvaralaštvo \n\"Odjel za vizije produkcija\"\nMala škola filmske kritike 2 \n3.000,00\n37.000,00\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\nInstitut Tomislav Gotovac\nAV arhiv Tomislava Gotovca\n10.000,00\n2\nKino klub Split\nMedijski arhiv\n10.000,00\n3\nUstanova Zagreb film\nRestauracija i digitalizacija filmova \nUstanove Zagreb film\n30.000,00\n50.000,00\nBROJ ODOBRENIH PROGRAMA\nODOBRENA SREDSTVA\n34\n432.000,00\n36\n2.838.000,00\n10\n101.700,00\n2\n35.000,00\n2\n30.000,00\n17\n566.000,00\n5\n37.000,00\n3\n50.000,00\n109\n4.089.700,00\nUKUPNO\nproučavanje i kritičko vrednovanje audiovizualnih djelatnosti\ndjelatnosti razvijanja audiovizualne kulture\nSVEUKUPNO\nzaštita audiovizualne baštine uključujući \nkinotečnu djelatnost\nproučavanje i kritičko vrednovanje audiovizualnih \ndjelatnosti\nprogrami stručnog usavršavanja i/ili edukacije\nprogrami promocije i prodaje hrvatskih \naudiovizualnih djela\nprogrami audiovizualnih udruga i organizacija\nizdavaštvo u području audiovizualnih djelatnosti\nfilmski festivali i druge audiovizualne \nmanifestacije\nzaštita audiovizualne baštine uključujući kinotečnu djelatnost\nPROGRAMSKA DJELATNOST\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati 2 rok 2021","year":2021,"rok":"2. rok","natjecaj_date":"2021-04-28","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"15. sjednica Hrvatskog audiovizualnog vijeća 28. travnja 2021.","section_key":"15_sjednica_hrvatskog_audiovizualnog_vijeca_28_travnja_2021","columns":["Naziv predlagatelja","Naziv programa","Odobrena sredstva"],"rows":[{"row_number":1,"project_title":"Cinemaniac XX - Misliti film","applicant":"Apoteka - Prostor za suvremenu umjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"1","Naziv programa":"Cinemaniac XX - Misliti film","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"dd029664:s0:b6c5a743d954","curation":{"changes":[{"field":"applicant","from":null,"to":"Apoteka - Prostor za suvremenu umjetnost","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Apoteka - Prostor za suvremenu umjetnost","to":"Cinemaniac XX - Misliti film","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_b15d05414438","project_family_title":"Cinemaniac XX - Misliti film"},{"row_number":2,"project_title":"Program Art-kina za Dječju kuću za 2021.","applicant":"Art-kino","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"2","Naziv programa":"Program Art-kina za Dječju kuću za 2021.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"dd029664:s0:46376e3c6f5d","curation":{"changes":[{"field":"applicant","from":null,"to":"Art-kino","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Art-kino","to":"Program Art-kina za Dječju kuću za 2021.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_17f2ebef6559","project_family_title":"Program Art-kina za Dječju kuću za 2021."},{"row_number":3,"project_title":"Program specijalističkih radionica \"Ono k'o Zoran Tadić\" 2021.","applicant":"Autorski studio-fotografija, film, video","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"3","Naziv programa":"Program specijalističkih radionica \"Ono k'o Zoran Tadić\" 2021.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"dd029664:s0:8cf8ff5c6fb8","curation":{"changes":[{"field":"applicant","from":null,"to":"Autorski studio-fotografija, film, video","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Autorski studio-fotografija, film, video","to":"Program specijalističkih radionica \"Ono k'o Zoran Tadić\" 2021.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high","family":{"method":"claude-haiku","confidence":"high","reason":"Three entries (2017, 2018, 2021) with same entity (Autorski studio-fotografija, film, video) and identical program name. 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ROK, 2024./ \nDUGOMETRAŽNI DOKUMENTARNI FILM  \nKATEGORIJA: POTICANJE RAZVOJA SCENARIJA I RAZVOJA PROJEKATA DUGOMETRAŽNIH IGRANIH, \nDUGOMETRAŽNIH DOKUMENTARNIH I ANIMIRANIH FILMOVA – RAZVOJ PROJEKATA DUGOMETRAŽNIH \nDOKUMENTARNIH FILMOVA –  ROK 13. ožujka 2024.  \nUMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER \nOPĆI OSVRT \n______________________________________________________________________________________ \nNa javni poziv u kategoriji poticanja razvoja projekta dugometražnog dokumentarnog filma na 1. roku \n2024. godine prijavljeno je sveukupno 17 projekata. Svi su projekti pristigli na poziv razmatrani.  \nAutori su pokrili široki raspon tema, od glazbenih, političkih, društveno relevantnih, fenomenoloških i \npovijesnih.  Prema dostupnim informacijama, nemali broj projekata ponovljene su prijave, za koje mi se \nčini da nisu postigli neki napredak na temelju savjeta prethodne savjetnice, pa su prijave gotovo identične \nkao i u prethodnim pozivima. Ipak, neki od ponovljenih prijava pokazuju napredak, i želju da njihovi \nprojekti dosegnu potrebnu kompleksnost.  \nU smislu predlaganja projekata, povodio sam se mjerilom povjerenja u mogućnost da se projekt iz ove \nprijavljene faze može nastaviti realizirati i na sljedećim fazama prijava, do finalne realizacije projekta.  \nTemeljem rečenoga predloženi je i odobreno 6 projekata za sufinanciranje u ovoj kategoriji na ovom \npozivu s iznosom potpore 82.000,00 eura. \nProjekti se ističu po svojoj sadržajnoj cjelovitosti, u smislu da ono što nude jesu prije svega u potpunosti \npromišljeni projekti, jakog autorskog i kreativnog pristupa, sa suvremenim i relevantnim temama, koji \nimaju tu vrstu kvalitete koja će im omogućiti festivalsku distribuciju, ne samo nacionalnu već i \nmeđunarodnu. Ovi projekti stoga ukazuju na trend potrebe i autora i producenta da promišljaju aktivno \nkako da njihovi projekti komuniciraju s publikom, za koju iste i snimaju.   \n \n \n \n \n \n \n \n\n\f\n1. TATA NA TAVANU  Dana Budisavljević (redateljica i scenaristica) / Olinka Vištica (producentica) / \nHulahop d.o.o. (produkcija) - 20.000,00 eur  \n \nJe li svačiji život vrijedan spomena? Kolektivna memorija društva vjerojatno negativno odgovara \nna ovo pitanje, činjenicom da kolektivno ne pamtimo živote, postignuća svakog pojedinca našeg ili \nnaših društava. No ipak, svatko od nas nada se kako je ostavio svoj trag. S nadom da ima nešto u \nonoj uzrečici da ćemo postojati do onoga trenutka dok se ima tko sjećati. Dana Budisavljević \nsvojim prijedlogom, predlažući film o jednoj osobi koja probire svoje memorabilije, a kroz njih svoj \nživot, što je u njima ili tom životu vrijedno a što ne, iako u tom projektu ponuđeni protagonist jest \nnjen otac, zapravo ne donosi priču kćeri o svom ocu, već priču pomalo o svima nama. Pojedincima \nčiji životi možda neće završiti u kolektivnoj memoriji, ali svoj trag ipak ostavljamo. \n \n2. SMRT JEDNOG VLAKA  Silvestar Kolbas (redatelj i scenarist) /  Mirta Puhlovski (producentica) /    \nMetar60 (produkcija) - 15.000,00 eur \n \nNavodeći činjenicu kako građani Samobora još uvijek vole vlak Samoborček, koji još od 1979. \ngodine ne vozi prema Zagrebu, već na samom početku autor Silvestar Kolbas nudi priču koja u sebi \nnosi svojevrsnu začudnost. Zanimljiva je i autorova usporedba životnog vijeka ovog vlaka s \nprosječnim životnim vijekom u Hrvatskoj, a time i autorska pomisao da se njegova sudbina može \npromatrati isto kao i neka ljudska. Iako autor vrlo temeljito iznosi točke svog interesa, kad je u \npitanju njegova tema, to ne čini nauštrb osnovne informacije o samoj prije svega filmskoj, a ne \nčinjeničnoj priči, te svojim pristupom teme koja bi trebala biti dio naše prošlosti, stvara temu \ndanašnjice, ali i moguće budućnosti.  \n \n3. Homo ludens – virtuoz slobode  Ines Pletikos (redateljica i scenaristica), / Tamara Babun \n(producentica)  / Wolfgang i Dolly d.o.o (produkcija)  - 15.000,00 eur \nAutorica Ines Pletikos nudi vrlo iscrpnu i argumentiranu redateljsku koncepciju filma, o životu \nPredraga Lucića, novinara, književnika, jednog od urednika lista Feral Tribune. U njoj doznajemo i \nosobnu motivaciju autorice, odnosno i osobni odnos koji je za života Predraga Lucića stvorila s \nnjim. I taj odnos donosi nam neke od njenih arhivskih snimaka, koji će zasigurno biti svojevrsni \nraritet. Film ceste intrigira, pogotovo ako je jasna namjera autorice da Predrag Lucić bude doista \ncentralni lik filma. Kojega više nema. Ali, autorica to ne shvaća kao prepreku već kao izazov u \nkojem jedna biografija postaje i simbol ili presjek jednog cijelog društva što ovaj projekt čini \niznimno uzbudljivim već u ovoj fazi.  \n \n4.   64 km  Anđelo Jurkas  (redatelji i scenarist) / Anđelo Jurkas (producent), DOP produkcija \n(produkcija) - 10.000,00 eur   \n \nVrlo direktno i emotivno ovaj projekt donosi nam prije svega motivaciju protagonista filma, \nglumca Marka Cindrića u njegovoj humanitarnoj namjeri, da trči za one kojima bi svojom akcijom \nmogao priskrbiti dodatna sredstva. Redatelj u ovom projektu nema potrebu nametati \nkomplicirani redateljski pristup, prepuštajući se očigledno protagonistu, njegovu izazovu i ljudima \noko njega koji ga u tom izazovu prate. Čini se da je u ovom projektu autor sebi namijenio \n\n\f\nnenametljivu poziciju, što je ispravna autorska odluka. Ono što se čini potrebnim, sistematičnost i \nkontinuitet i praćenja protagonista u ovom velikom izazovu za njega, autor je odlučio osigurati. U \ntoj kombinaciji suradnje i protagonista, koja izgleda dvosmjerna i sa željom da se iz nje izrodi \nkvalitetan dokumentarni film, daje temelj za dojam kako je predložena koncepcija ostvariva i \nrealna, s mogućnošću realizacije svojevrsnog filma o herojima oko nas.  \n5.   SNAĐI SE, DRUŽE  Biljana Čakić  (redateljica i scenaristica) /  Željka Benčić (producent) / Bond \nSquad j.d.o.o (produkcija) - 15.000,00 eur   \nImajući u vidu veliki uspjeh njenog prethodnog filma „Dečko kojem se žurilo“, čiji nastavak \nautorica Biljana Čakić predlaže ovim projektom, valja cijeniti hrabrost donošenja ovakve odluke. \nOkvir koji projekt donosi, ovako napisan autorici daje legitimitet da upravo ona propitkuje \nčinjenicu je li se vrijedilo za današnjicu boriti, tada kada su njen brat i mnogi drugi dali svoje \nživote. Sama postavka projekta je jednostavna, ali upravo zato i jasna i istovremeno već u trenu \nnjegova čitanja ima ozračje bolnog procesa. Koje nužno ne očekuje pozitivne odgovore na \npostavljeno pitanje projekta. \n6.   ŠUTNJA – ZLOČIN U TRUSINI  Stipo Majić (redatelj i koscenarist) /  Mia Majić (producent) / \nDiphylleia j.d.o.o (produkcija) - 7.000,00 eur   \nTeme suočavanja s prošlošću nerijetko su jedan od najzahtjevnijih dokumentarističkih autorskih \nizazova. Pritom, kada je tema poput zločina u selu Trusina kraj Konjica u BiH gotovo prikrivena \ngodinama koje su uslijedile nakon, onda je pozornost prema takvom projektu još bitnija. Autor \nStipo Majić u svome projektu, bez nepotrebnih viškova jasno najavljuje kako će svojim filmom \npokušati istražiti zločin koji se dogodio, koristeći svjedočanstva ljudi, žrtava i stručnjaka i pritom \npostavljajući pitanje: „Zašto 22 izgubljena života ne mogu zaslužiti djelić pijeteta onih, koji su kao \ndruštvo iza njih ostali?“ \n \n \n \n \n \n \n  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2024,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"Odluka%20AV_-%20Ciganin%20ali%20najljep%C5%A1i_09092020_DR.pdf","filename_decoded":"Odluka%20AV_-%20Ciganin%20ali%20najljep%C5%A1i_09092020_DR.pdf","sha256":"dd85cee08f8c4cd634afded44e89b50f2adc1260b4c6ac811fe0fa51bae03946","bytes":199532,"page_count":2,"extracted_at":"2026-05-16T14:11:54Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKLASA: 111-006-001 \nURBROJ: 3786-2020 \nU Zagrebu, 09. rujna 2020. \n \n \nTemeljem članka 36., stavak 1. Zakona o audiovizualnim djelatnostima („Narodne novine“, broj 61/18, dalje \nu tekstu: Zakon o audiovizualnim djelatnostima), sukladno članku 11., stavak 3. Pravilnika o postupku, \nkriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(„Narodne novine“, broj 10/20), te sukladno Odluci Hrvatskog audiovizualnog vijeća o pojedinačnom \nglasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u \n2019. godini – kategorija: poticanje razvoja scenarija i razvoja projekata televizijskih djela, rok prijave \n20.01.2020.g. KLASA: 111-006-001, URBROJ: 3776-2020, od dana 09. rujna 2020., Hrvatsko audiovizualno \nvijeće u 2. sazivu je na 32. sjednici održanoj 09. rujna 2020.  godine donijelo: \n \nO  D  L  U  K  U \n \no odobravanju sredstva državne potpore serijskom igranom televizijskom djelu “Ciganin, ali najljepši”, \nproducenta Antitalent d.o.o. \n \n1. Sukladno članku 11., stavak 3. Pravilnika o postupku, kriterijima i rokovima za provedbu \nNacionalnog programa promicanja audiovizualnog stvaralaštva („Narodne novine“, broj 10/20), \nHrvatsko audiovizualno vijeće je na 32. sjednici održanoj 09. rujna 2020. godine donijelo Odluku o \npojedinačnom glasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih \ndjelatnosti i stvaralaštva u 2019. godini – kategorija: poticanje razvoja scenarija i razvoja projekata \ntelevizijskih djela, rok prijave 20.01.2020.g., KLASA: 111-006-001, URBROJ: 3776-2020 temeljem \nkoje donosi Odluku o odobravanju sredstva državne potpore serijskom igranom televizijskom djelu \n“Ciganin, ali najljepši”, producenta Antitalent d.o.o., u ukupnom iznosu od 40.000,00 kuna \n(četrdesettisućakuna). \n \n2. Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n3. Ova Odluka bit će objavljena u zakonom propisanom roku na mrežnoj stranici Hrvatskog \naudiovizualnog centra, Nova Ves 18, Zagreb, (dalje u tekstu: HAVC): www.havc.hr. \n \n  \n \n \n \n \n             \nObrazloženje \n \nTemeljem članka 36., stavak 1., alineja 3. Zakona o audiovizualnim djelatnostima i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog \nstvaralaštva („Narodne novine“, broj 144/14) u 2019. godini raspisan je Javni poziv za poticanje \naudiovizualnih djelatnosti i stvaralaštva u kategoriji poticanje razvoja scenarija i razvoja projekata \ntelevizijskih djela, rok prijave 20.01.2020.g. \n \nNa 82. sjednici Umjetničkog vijeća održanoj 02. rujna 2020. godine, umjetnički savjetnik za televizijska djela \n\n\f\n \n \n \n \ng. Saša Runjić, predložio je listu prioriteta prema projektima prijavljenima na Javni poziv za poticanje \naudiovizualnih djelatnosti i stvaralaštva u kategoriji poticanje razvoja scenarija i razvoja projekata \ntelevizijskih djela, rok prijave 20.01.2020.g. \n \nOdredbom članka 11., stavak 3. Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog \nprograma promicanja audiovizualnog stvaralaštva („Narodne novine“, broj 10/20), koji je stupio na snagu 1. \nveljače 2020. g., dana je Hrvatskom audiovizualnom vijeću mogućnost glasovanja o listi prioriteta \nobjedinjeno ili pojedinačno, a odluka o načinu glasovanja donosi se prije glasovanja o svakoj od lista \npredloženih od strane umjetničkog savjetnika. \n \nHrvatsko audiovizualno vijeće je na 32. sjednici održanoj 09. rujna 2020. godine donijelo Odluku o \npojedinačnom glasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih djelatnosti i \nstvaralaštva u 2019. godini – kategorija: poticanje razvoja scenarija i razvoja projekata televizijskih djela, rok \nprijave 20.01.2020.g. KLASA: 111-006-001, URBROJ: 3776-2020. \n \nSlijedom navedenog, temeljem članka 36., stavak 1. Zakona o audiovizualnim djelatnostima,  sukladno \nčlanku 11., stavak 3. Pravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva te sukladno Odluci Hrvatskog audiovizualnog vijeća o pojedinačnom \nglasovanju o listi prioriteta prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u \n2019. godini – kategorija: poticanje razvoja scenarija i razvoja projekata televizijskih djela, rok prijave \n20.01.2020.g., KLASA: 111-006-001, URBROJ: 3776-2020 od dana 09. rujna 2020. Hrvatsko audiovizualno \nvijeće u 2. sazivu je s jedanaest (11) glasova “za“ i jednim (1) “suzdržan” donijelo odluku iz točke 1. izreke \nOdluke. \n \nTemeljem čl. 34. Zakona o audiovizualnim djelatnostima ravnatelj HAVC-a izvršava odluke o raspodjeli \nsredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima sredstava.  \n \nTemeljem članka 10. Zakona o pravu na pristup informacijama („Narodne novine“, broj 25/13 i 85/15), \nHAVC će ovu Odluku objaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \n \n \n         Predsjednik  \nHrvatskog audiovizualnog vijeća \n \n \n                         _____________________________ \n \n                                            Antonio Nuić, v.r. \n \n \nDostaviti: \n \n  \n -  pismohrana, ovdje \n","warnings":[],"document":{"program_type":"tv_djela","year":2020,"rok":null,"referenced_projects":["Ciganin, ali najljepši"],"summary":"Odluka AV Vijeća u 2. sazivu na 32. sjednici od 9. rujna 2020. o odobravanju sredstava državne potpore serijskom igranom televizijskom djelu „Ciganin, ali najljepši“ producenta Antitalent d.o.o. u ukupnom iznosu od 40.000,00 kuna.","project_links":[{"source_title":"Ciganin, ali najljepši","family_id":"pf_6215f95e4303","family_title":"Ciganin ali najljepši","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2025_2rok_10IX2025_DUG_IGR_WEB.pdf","filename_decoded":"RPR_2025_2rok_10IX2025_DUG_IGR_WEB.pdf","sha256":"ddd24afdcd727f0d7282065a0d9cd5ecb6947de99fc18ca6760755f0d38fa20a","bytes":110111,"page_count":1,"extracted_at":"2026-05-16T14:22:04Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2025_2rok_10IX2025_DUG_IGR_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nODOBRENO (€)\n1\nBoj pod Sigetom\nFilmosaurus Rex d.o.o. \nArsen Anton Ostojić, \nBožidar Smiljanić\nArsen Anton Ostojić\n25.000,00\n2\nDvaput\nWolfgang i Dolly d.o.o. \nAldo Tardozzi\nAldo Tardozzi\n25.000,00\n3\nO ljudima i psima\nPlavi mjesec d.o.o.\nIvan Salaj\nIvan Salaj\n25.000,00\n4\nPikolo\nWolfgang i Dolly d.o.o. \nFilip Heraković, Igor \nZenzerović\nFilip Heraković\n25.000,00\n5\nSelekcija\nAntitalent d.o.o.\nAnica Tomić, Nađa \nPetrović\nBruno Anković\n23.500,00\n123.500,00\nUKUPNO\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ \nPROJEKATA u 2025. - 2. ROK - 10.9.2025.\ndugometražni igrani film - trajanje nije kraće od 70 minuta\n23. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 12. prosinca 2025.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2025. - 2. ROK - 10.9.2025.","year":2025,"rok":"2. rok","natjecaj_date":"2025-09-10","decision_date":"2025-12-12","decision_body":"AV vijeće","currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"dugometražni igrani film - trajanje nije kraće od 70 minuta","section_key":"dugometrazni_igrani","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","ODOBRENO (€)"],"rows":[{"row_number":1,"project_title":"Boj pod Sigetom","applicant":"Filmosaurus Rex d.o.o.","production_company":"Filmosaurus Rex d.o.o.","director":"Arsen Anton Ostojić","writer":"Arsen Anton Ostojić, Božidar Smiljanić","original_author":null,"category":"Dugometražni igrani 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Zenzerović","original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"EUR","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Wolfgang i Dolly d.o.o.","row_id":"ddd24afd:s0:282b38defada","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_b937bab611aa","project_family_title":"Pikolo"},{"row_number":5,"project_title":"Selekcija","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":"Bruno Anković","writer":"Anica Tomić, Nađa Petrović","original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"23.500,00","approved_amount":23500.0,"currency":"EUR","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometražni","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani film","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antitalent d.o.o.","row_id":"ddd24afd:s0:8caa0d5b4a1e","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_27ff4011e1c3","project_family_title":"Selekcija"}],"section_total_text":"UKUPNO 123.500,00","section_total":123500.0}],"totals":{"ukupno_text":"UKUPNO 123.500,00","ukupno":123500.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":123500.0,"ukupno_match":true,"row_count":5,"awarded_count":5,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":5}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"WEB 1 rok 2019 MEDUNARODNA_SURADNJA copy.pdf","filename_decoded":"WEB 1 rok 2019 MEDUNARODNA_SURADNJA copy.pdf","sha256":"ddedef0080d4ba6b4f551be419bd9281e6ff3870128e2792bf4b1470b6fc2365","bytes":46757,"page_count":3,"extracted_at":"2026-05-17T10:23:54Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20%201%20rok%202019%20MEDUNARODNA_SURADNJA%20copy.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA  POTPORA\n1\nStudio  dim  d.o.o.\nAleksi  -­  gostovanje  u  Beogradu\n3.100,00\n2\nNukleus  Film  d.o.o.\nCEE  Animation  radionica\n8.916,00\n3\nInes  Atman\nGostovanje  na  festivalu  29th.  ISTANBUL  \nINTERNATIONAL  SHORT  FILM  FESTIVAL  \ns  filmom  Nitko  nije  savršen\n1.900,00\n4\nMoje  Čarobne  Misli  d.o.o.\n'TESLA  SCIENCE  FOUNDATION  -­  \nMEMORIAL  CONFERENCE  2019  “Tesla:  \nPast  Present  Future”\n4.500,00\n5\nCastor  Multimedia  d.o.o.\nSudjelovanje  redateljice  i  producenta  \nkratkometražnog  filma  ”Ništa  ja  tebi  ne  \ngovorim,  samo  kažem”  na  međunarodnoj  \nradionici  European  Short  Pitch  2019.  (Nisi  \nMasa)\n8.900,00\n6\nRestart\nGostovanje  Ivana  Ramljaka  s  filmom  \"Dom  \nboraca\"  na  festivalu  METAKINO\n2.200,00\n7\nKinoklub  Karlovac\nSudjelovanje  na  17.  Dhaka  International  \nFilm  Festivalu-­  konferencija  Women  in  \nCinema\n3.000,00\n8\nMarija  Ratković  Vidaković\nBoravak  redateljice  i  producentice    Marije  \nRatković  Vidaković  u  Bangladešu  u  okviru  \npredstavljanja  filma  IKEA  for  YU  na  Dhaka  \nInternational  Film  Festivalu,  te  na  \nkonferenciji  Women  in  Cinema  2019\n3.000,00\n9\nKinorama  d.o.o.\nTragovi  -­  sudjelovanje  D.  Turić  i  I.  Cecić  na  \nradionici  MIDPOINT\n30.000,00\n10\nMetar60\nSudjelovanje  autora  i  producenta  filma  Veće  \nod  traume  na  pitching  forumu  When  East  \nMeets  West  (selektirani  projekt)\n2.000,00\n11\nNeli  Ružić\nGostovanje  Neli  Ružić,  redateljice  \neksperimentalnog  kratkog  filma  Nigdina  na  \nSharjah  Film  Platform,  Sharjah  Art  \nFundation,  Sharjah,  UAE.  \n3.200,00\n12\nSpiritus  movens  d.o.o.\nGostovanje  hrvatske  ekipe  filma  Šavovi  na  \n69.  Berlinaleu\n14.000,00\n13\nSpiritus  movens  d.o.o.\nGostovanje  hrvatske  ekipe  filma  Bog  postoji  \nnjeno  ime  je  Petrunija  na  69.  Berlinaleu\n18.500,00\nJAVNI  POZIV  ZA  DODJELU  SREDSTAVA  ZA  POTICANJE  KOMPLEMENTARNIH  DJELATNOSTI  U  \n2019.  -­  PROGRAMI  MEĐUNARODNE  SURADNJE  -­  ROK  19.2.2019.,  11.  sjednica  Hrvatskog  \naudiovizualnog  vijeća  31.5.2019.  \n\n\f\n14\nKrupni  kadar  d.o.o.\nGostovanje  redatelja  i  producenta  na  \nClermont  Ferrand  festival  of  short  films\n4.500,00\n15\nManuela  Vladić-­Maštruko\nGostovanje  autora  na  Clermont-­Ferrand  \nInternational  Short  Film  Festivalu  2019\n4.500,00\n16\nDinaridi  film  d.o.o.\nSudjelovanje  producentice  i  redatelja  filma  \nBranka  na  pitching  forumu  Euro  Connection  \n3.500,00\n17\nUmjetnička  organizacija  \nParadoks\n  Sudjelovanje  producenta  Tibora  Kesera  na  \n69.  izdanju  međunarodnog  filmskog  festivala  \nu  Berlinu  -­  Berlinalea\n2.200,00\n18\nUdruga  Bijeli  val\nBerlinale  2019.  -­  gostovanje  i  sudjelovanje  \nDine  Pokrajac  u  žiriju  Berlinale  Forum  \n1.600,00\n19\nMotion\namerička  premijera  filma  ALEKSI  na  \nfilmskom  festivalu  South  by  Southwest\n12.000,00\n20\nDaniel  Pavlić\nSudjelovanje  na  12.  Ecozine  Film  Festivalu  -­  \nčlan  žirija  festivala\n2.500,00\n21\nKarla  Lulić\nGostovanje  redateljice  na  RIFF  -­  Festivalu  \nnezavisnog  filma  u  Rimu,  Italija,  s  filmom  U  \nime  Jagode,  Čokolade  i  Duha  Svetoga\n2.500,00\n22\nDruštvo  hrvatskih  \naudiovizualnih  \nprevoditelja\nMeđunarodna  suradnja  DHAP-­a\n6.700,00\n23\nHrvatski  filmski  savez  -­  \nHFS\nSudjelovanje  Ane  Đordić  na  BFI  Future  Film  \nFestivalu  u  Ujedinjenom  Kraljevstvu\n1.400,00\n24\nUdruga  za  audiovizualno  \nstvaralaštvo  Artizana\nCiklus  hrvatskog  filma  u  Vojvodini\n13.000,00\n25\nREA  -­  udruga  za  \nsuvremene  umjetničke  i  \narhitektonske  produkcije\npromocija  filma  Još  jedan  odlazak  na  \nProyector  festivalu,  Madrid\n3.500,00\n26\nDarko  Vidačković\nfilm  \"Samo  plivanje\"  na  Traverse  Video  \nfestivalu  u  Toulouseu\n2.300,00\n27\nPučko  otvoreno  učilište  \nSamobor\nČLAN  ŽIRIJA  EUROPA  CINEMAS  NA  51.  \nDIRECTORS'  FORTNIGHT  U  CANNESU  \n15.-­25.5.2019.\n4.500,00\n28\nUdruga  za  promicanje  \nkulture  i  umjetnosti  JA  \nBIH\nJa  BiH...5  dana  Zagreba  u  Sarajevu  2019.  /  \n10.  -­  15.06.  2019.\n15.000,00\n29\nWolfgang  i  Dolly  d.o.o.\nSUDJELOVANJE  PRODUCENTICE  \nTAMARE  BABUN  NA  EAVE  PRODUCERS  \nWORKSHOP  2019\n45.000,00\n30\nStudio  dim  d.o.o.\nMoj  dida  je  pao  s  Marsa  -­  gostovanje  na  \nKristiansand  International  Children's  Film  \nFestival\n6.000,00\n\n\f\n31\nEurofilm  d.o.o.\n13.  MOSTAR  FILM  FESTIVAL\n15.000,00\n32\nRestart\nProjekt  \"Fiume  o  morte!\"  na  radionici  EAVE  \nProducers  Workshop  2019\n30.000,00\n33\nIvan  Koroman\nNew  Arrivals:  Go  Short  Campus\n3.500,00\n34\nSekvenca  d.o.o.\nEAVE  PRODUCERS  WORKSHOP  2019  -­  \nsudjelovanje  projekta  Posljednja  \nreprezentacija  i  producenta  Bojana  Kanjere  \n45.000,00\n35\nPetnaesta  umjetnost  \nd.o.o.  \nPtičica  -­  Sudjelovanje  projekta  na  radionici  \nLESS  IS  MORE  2019\n18.500,00\n36\nIrena  Jukić  Pranjić\nProjekcija  i  predstavljanje  animiranog  filma  \nGAMER  GIRL  na  RENCONTRES  \nTRAVERSE  VIDEO,  TOULOUSE,  \nFRANCUSKA\n1.680,00\n37\nNoć  hrvatskog  filma  i  \nnovih  medija,  U.O.\nNoć  hrvatskog  filma  i  novih  medija  u  Srbiji,  \nBosni  i  Hercegovini,  Italiji  i  Madžarskoj  \n2019.\n20.000,00\n38 MINYA  FILM  I  ANIMACIJA  \nj.d.o.o.  za  usluge  \nThe  Financing  Forum  for  Kids  Content  2019\n1.500,00\n369.096,00\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"WEB 1 rok 2019 MEDUNARODNA_SURADNJA copy","year":2019,"rok":null,"natjecaj_date":"2019-02-19","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":"JAVNI P OZIV Z A D ODJELU S REDSTAVA Z A P OTICANJE K OMPLEMENTARNIH D JELATNOSTI U 2019. - P ROGRAMI M EĐUNARODNE S URADNJE - R OK 1 9.2.2019., 1 1. s jednica H rvatskog audiovizualnog v ijeća 3 1.5.2019.","section_key":"javni_p_oziv_z_a_d_odjelu_s_redstava_z_a_p_oticanje_k_omplem","columns":["PODNOSITELJ","PROGRAM","ODOBRENA P 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Funding status explicitly marked as awarded.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Aleksi - g ostovanje u B eogradu","to":"Aleksi - gostovanje u Beogradu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_461b525381ef","project_family_title":"Aleksi - gostovanje u Beogradu"},{"row_number":2,"project_title":"CEE A nimation r adionica","applicant":"Nukleus Film d.o.o.","production_company":"Nukleus Film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"8.916,00","approved_amount":8916.0,"currency":"HRK","extras":{"col_1":"2","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Nukleus Film d.o.o.","row_id":"ddedef00:s0:fb340e8d36b2","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_0df946309cac","project_family_title":"CEE A nimation r adionica"},{"row_number":3,"project_title":"Gostovanje na festivalu 29th. ISTANBUL INTERNATIONAL SHORT FILM FESTIVAL s filmom Nitko nije savršen","applicant":"Ines A tman","production_company":"Ines A tman","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.900,00","approved_amount":1900.0,"currency":"HRK","extras":{"col_1":"3","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Ines A tman","row_id":"ddedef00:s0:c52059712563","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 3: applicant, project title, and approved amount 1.900,00 HRK all present. Awarded.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Gostovanje n a f estivalu 2 9th. I STANBUL INTERNATIONAL S HORT F ILM F ESTIVAL s f ilmom N itko n ije s avršen","to":"Gostovanje na festivalu 29th. ISTANBUL INTERNATIONAL SHORT FILM FESTIVAL s filmom Nitko nije savršen","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_80695c0f2437","project_family_title":"Gostovanje na festivalu 29th. ISTANBUL INTERNATIONAL SHORT FILM FESTIVAL s filmom Nitko nije savršen"},{"row_number":4,"project_title":"'TESLA SCIENCE FOUNDATION - MEMORIAL CONFERENCE 2019 \"Tesla: Past Present Future\"'","applicant":"Moje čarobne misli d.o.o.","production_company":"Moje čarobne misli d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.500,00","approved_amount":4500.0,"currency":"HRK","extras":{"col_1":"4","entity_original_production_company":"Moje Č arobne M isli d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Moje čarobne misli d.o.o.","row_id":"ddedef00:s0:82375b328502","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 4: applicant, project title, and approved amount 4.500,00 HRK. Awarded.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"'TESLA S CIENCE F OUNDATION - MEMORIAL C ONFERENCE 2 019 “ Tesla: Past P resent F uture”","to":"'TESLA SCIENCE FOUNDATION - MEMORIAL CONFERENCE 2019 \"Tesla: Past Present Future\"'","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_7ce25e3eaaf3","project_family_title":"'TESLA SCIENCE FOUNDATION - MEMORIAL CONFERENCE 2019 \"Tesla: Past Present Future\"'"},{"row_number":5,"project_title":"Sudjelovanje redateljice i producenta kratkometražnog filma \"Ništa ja tebi ne govorim, samo kažem\" na međunarodnoj radionici European Short Pitch 2019. (Nisi Masa)","applicant":"Castor Multimedia d.o.o.","production_company":"Castor Multimedia d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"8.900,00","approved_amount":8900.0,"currency":"HRK","extras":{"col_1":"5","entity_original_production_company":"Castor M ultimedia d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Castor Multimedia d.o.o.","row_id":"ddedef00:s0:25e59d0931b7","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 5: applicant, project title, and approved amount 8.900,00 HRK. Awarded.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje r edateljice i p roducenta kratkometražnog f ilma ” Ništa j a t ebi n e govorim, s amo k ažem” n a m eđunarodnoj radionici E uropean S hort P itch 2 019. ( Nisi Masa)","to":"Sudjelovanje redateljice i producenta kratkometražnog filma \"Ništa ja tebi ne govorim, samo kažem\" na međunarodnoj radionici European Short Pitch 2019. (Nisi Masa)","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_1b3b2e233ed5","project_family_title":"Sudjelovanje redateljice i producenta kratkometražnog filma \"Ništa ja tebi ne govorim, samo kažem\" na međunarodnoj radionici European Short Pitch 2019. 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Awarded.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Gostovanje I vana R amljaka s f ilmom \" Dom boraca\" n a f estivalu M ETAKINO","to":"Gostovanje Ivana Ramljaka s filmom \"Dom boraca\" na festivalu METAKINO","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_6b946f4b8df3","project_family_title":"Gostovanje Ivana Ramljaka s filmom \"Dom boraca\" na festivalu METAKINO"},{"row_number":7,"project_title":"Sudjelovanje na 17. Dhaka International Film Festivalu- konferencija Women in Cinema","applicant":"Kinoklub Karlovac","production_company":"Kinoklub Karlovac","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.000,00","approved_amount":3000.0,"currency":"HRK","extras":{"col_1":"7","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kinoklub Karlovac","row_id":"ddedef00:s0:8ba4b9064010","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source table row 7: applicant, project title, and approved amount 3.000,00 HRK. Awarded.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje n a 1 7. D haka I nternational Film F estivalu- k onferencija W omen i n Cinema","to":"Sudjelovanje na 17. 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Vukovar film festival - radionica - \nJednominutni film u jednom kadru\n5.000,00\n13\nDiscovery d.o.o.\n16. Vukovar film festival - radionica - Od \nideje do realizacije\n10.000,00\n14\nDom kulture Kristalna kocka \nvedrine\nKino-Point\n10.000,00\n32. sjednica Hrvatskog audiovizualnog vijeća 29.12.2021.\nJavni poziv za dodjelu sredstava za poticanje komplementarnih \ndjelatnosti u 2022. godini - 1. rok - popis odobrenih projekata\ndjelatnosti razvijanja audiovizualne kulture\n35.000,00\nCentar za kulturu Čakovec\n8\n\n\f\n15\nDom mladih\nEdukativne radionice audiovizualnog \nstvaralaštva za učenike i mentore iz OŠ \nGrada Rijeke i riječkog prstena \"Video-\nfilmska svaštarnica\"\n10.000,00\n16\nFestival mediteranskog filma Split\nKino Magistrala / Coastline Cinema\n50.000,00\n17\nFestival mediteranskog filma Split\nKino Mediteran\n90.000,00\n18\nFestival mediteranskog filma Split\nNezavisni na Bačvicama\n20.000,00\n19\nFilmsko-kreativni studio Vanima\n18. Ljetne filmske radionice\n12.000,00\n20\nFilmsko-kreativni studio Vanima\nVaraždinska tvornica eksperimentalnog filma \nvol. 6\n10.000,00\n21\nFoto kino video klub Zaprešić\nZimske i ljetne filmske radionice djece i \nmladeži 2022.\n12.000,00\n22\nFoto-kino klub Baranja film\n14. Mikro-škola medijske kulture, 2022.\n2.500,00\n23\nFoto-kino klub Baranja film\nDOKfilm '22. - 16. Revija dokumentarnog \nfilma\n5.000,00\n24\nFoto-kino klub Baranja film\nFilmski programi u Mikro-kinu - 2022.\n15.000,00\n25\nGFR film-video\nArt kino Požega 2022.\n12.000,00\n26\nGOKUL - Građanska organizacija \nza kulturu\nGreen Room Cinema 2022.\n18.000,00\n27\nHrvatski centar za istraživačko \nnovinarstvo i slobodu medija - \nHRCIN\nRadionice za dokumentarne filmove \nistraživačkog novinarstva\n20.000,00\n28\nHrvatski filmski savez - HFS\n14. Filmske radionice za djecu i mlade \n20.000,00\n29\nHrvatski filmski savez - HFS\n16. susret dječjeg filmskog i \nvideostvaralaštva u funkciji javnoga \nzdravstva i 12. Dječji filmski kamp\n10.000,00\n30\nHrvatski filmski savez - HFS\nDigitalna filmska naSTAVa 2022.\n10.000,00\n31\nHrvatski filmski savez - HFS\nFilmski programi kina Tuškanac 2022. \n420.000,00\n32\nHrvatski filmski savez - HFS\nKratki utorak 2022.\n50.000,00\n\n\f\n33\nHrvatski filmski savez - HFS\nMladi mladima - poticanje razvoja filmskih \ndružina u novim sredinama\n12.000,00\n34\nHrvatski filmski savez - HFS\nObrazovni programi u kinu Tuškanac za \ndjecu i mlade 2022.\n15.000,00\n35\nHrvatski filmski savez - HFS\nSenzorne projekcije u kinu Tuškanac, \nZagreb; kinu Gaj, Varaždin; kinu Velebit, \nKoprivnica; i kinu Bjelovar\n20.000,00\n36\nJavna ustanova Pula film festival\nCircolo Classic\n5.000,00\n37\nJavna ustanova Pula film festival\nFilmovi za sva vremena\n10.000,00\n38\nJavna ustanova Pula film festival\nFUŠ - Film u školi\n15.000,00\n39\nJavna ustanova Pula film festival\nKino u kvartu\n5.000,00\n40\nJavna ustanova Pula film festival\nMatineja za umirovljenike\n5.000,00\n41\nJavna ustanova u kulturi \nKinematografi Dubrovnik\nVisia - Slavica 2022.\n30.000,00\n42\nKinematografi Osijek d.d.\n110 godina kina Urania\n40.000,00\n43\nKinematografi Osijek d.d.\nCINEvolution\n5.000,00\n44\nKino klub Sisak\nKorak do filma\n10.000,00\n45\nKinoklub Karlovac\nFilmski Uskrs i Vaskrs 2022.\n10.000,00\n46\nKinoklub Karlovac\nRiječno kino 2022.\n15.000,00\n47\nKinoklub Zagreb\nPlatforma za razvoj autorskog amaterskog \nfilma\n10.000,00\n48\nKinoklub Zagreb\nRadionice Kinokluba Zagreb u 2022. godini\n80.000,00\n49\nKolektiv za razvoj, istraživanje i \npropitivanje queer kulture - \nqueerANarchive\nqRadionice 2022.\n12.000,00\n50\nKulturni i multimedijski centar \nBjelovar\nKino za sve - poseban cjelogodišnji program \nKMC BJ za 2022.\n30.000,00\n\n\f\n51\nKulturno informativni centar\nArtkiinoKIC - Kino s pogledom\n10.000,00\n52\nLuma film d.o.o.\nŠkola animacije za djecu 2022.\n12.000,00\n53\nMotovun film festival U.O.\nKino Istra 2022.\n50.000,00\n54\nMuzej moderne i suvremene \numjetnosti\nFilm u muzeju\n5.000,00\n55\nMuzej suvremene umjetnosti\nKino na rubu\n7.500,00\n56\nOtompotom\nPlanktoon 2022.\n12.000,00\n57\nProstor rodne i medijske kulture \nK-zona\nFilmska škola \"Žene s videokamerama\"\n12.000,00\n58\nPučko otvoreno učilište - \nUniversita popolare aperta \nVodnjan - Dignano \nArt-kino \"Cineast\"\n10.000,00\n59\nPučko otvoreno učilište \"Augustin \nVivoda\" Buzet\nKino Buzet 2022.\n10.000,00\n60\nPučko otvoreno učilište \nKoprivnica\nPopularizacija europskog i neameričkog filma \ni promocija medijske pismenosti\n20.000,00\n61\nPučko otvoreno učilište Matija \nAntun Relković\nKinoprikazivačka djelatnost POUMAR-a za \n2022. godinu\n12.000,00\n62\nPučko otvoreno učilište Samobor\nKino Samobor - godišnji program\n55.000,00\n63\nPučko otvoreno učilište Slatina\n102 godina kinematografije u Slatini\n15.000,00\n64\nPučko otvoreno učilište Sveti \nIvan Zelina\nKino Zelina - Cjelogodišnji program razvoja \nfilmske kulture 2022.\n15.000,00\n65\nPučko otvoreno učilište Sveti \nIvan Zelina\nKino Zelina - Kratke crtice 2022.\n5.000,00\n66\nPučko otvoreno učilište Varaždin\nGodišnji filmski program kina Gaj 2022.\n45.000,00\n67\nPučko otvoreno učilište Velika \nGorica\nCjelogodišnji program Kina Gorica 2022.\n20.000,00\n68\nPulska filmska tvornica\n12. Škola animiranog filma\n15.000,00\n69\nPulska filmska tvornica\n18. Škola filma\n15.000,00\n\n\f\n70\nPulska filmska tvornica\nMetakino\n7.000,00\n71\nRestart\nDemokracija za početnike u 2022. godini \n10.000,00\n72\nRestart\nDokukino program u 2022. godini\n70.000,00\n73\nRestart\nDoku-matineje za umirovljenike i osobe 55+ \nu 2022. godini \n5.000,00\n74\nRestart\nFilmska početnica u 2022. godini\n18.000,00\n75\nRestart\nŠkola dokumentarnog filma u 2022. godini\n60.000,00\n76\nRestart\nKineDok 2022.\n40.000,00\n77\nSEDMI KONTINENT \nPRODUKCIJA j.d.o.o.\nwww.vrtisvoj.film - online baza filmova za \ndjecu i mlade dostupna cijelu školsku godinu \nsvim školama i u svim dijelovima Hrvatske \n35.000,00\n78\nSUPERTOON\nAnimation Shots 2022.\n20.000,00\n79\nSUPERTOON\nAnimirani Šibenik 2022.\n10.000,00\n80\nSveučilište u Zagrebu - \nStudentski centar u Zagrebu\nMedijski i srodni audiovizualni sadržaji u MM \ncentru Studentskog centra\n7.500,00\n81\nŠkola animiranog filma Čakovec\n28. Internacionalna filmska radionica (28. \nIFR)\n18.000,00\n82\nŠkola filma Šipan\n19. Ljetna škola filma Šipan 2022\n20.000,00\n83\nTeatar to go, U.O.\nFilmska RUNDA 2022.\n20.000,00\n84\nUdruga Bacači sjenki\nFROOOM! 2022 – cjelogodišnji program \naudiovizualnog opismenjavanja djece i \nmladih\n60.000,00\n85\nUdruga Bacači sjenki\nSamo nebo nam je granica 2022.\n10.000,00\n86\nUdruga Blank\nBlank_senior\n5.000,00\nFilmska škola i\nFilmske radionice\n65.000,00\nUdruga Blank\n87\n\n\f\n88\nUdruga Djeca susreću umjetnost\nAnimacijski lab Sedmi kontinent - program \nstop animacije i radinica optičkih igračaka za \nvrtiće\n25.000,00\n89\nUdruga Djeca susreću umjetnost\nPutujući Sedmi kontinent u suradnji s \nnezavisnim kinima i Mrežom kinoprikazivača\n50.000,00\n90\nUdruga Djeca susreću umjetnost\nSedmi kontinent u bolnicama \n25.000,00\n91\nUdruga Domino\nQueer MoMenti 2022.\n30.000,00\nFilm svima 2022.; \nFilm svima svugdje 2022. i\nUGIN Filmski vrt\n93\nUdruga Filmaktiv\nOtoci 2022.\n10.000,00\n94\nUdruga Filmaktiv\nFilo playlista dokumentarista -  projekcije \nhrvatskih dokumentarnih filmova koje se \npropustili pogledati\n7.000,00\n95\nUdruga Globe Media\nDyxy na filmu 9\n8.000,00\n96\nUdruga građana Spirit\nSlušajte filmove\n5.000,00\n97\nUdruga građana Spirit\nVideo RadiOSIonice\n7.000,00\n98\nUdruga Kućni kolektiv\nGodišnji programi u kinu Martin\n10.000,00\n99\nUdruga Kućni kolektiv\nRadionice oko Kuće 2022.\n10.000,00\n100\nUdruga Lanterna Magica\nFilmska radionica za mlade PSFF-a 2022.\n5.000,00\n101\nUdruga Liburnia film festival\nGledamo dokumentarce - pravimo \ndokumentarce 2022.\n12.000,00\n102\nUdruga Liburnia film festival\nLiburnia uplovljava 2022.\n7.000,00\nRadionica animiranog filma \"Mali grad Agram\" \ni \nRadionica igranog filma \"Mali grad Agram\"\nRadionica animiranog filma \"Mali grad Ivanić-\nGrad\" i\nRadionica igranog filma \"Mali grad Ivanić-\nGrad\"\n5.000,00\nUdruga Mali grad\n5.000,00\n15.000,00\nUdruga Filmaktiv\nUdruga Mali grad\n92\n103\n104\n\n\f\nFilmske radionice na festivalu dječjeg \nstvaralaštva \"Mali grad Lisina\", \"Mali grad \nFaros\", \"Mali grad Jolha\", \"Mali grad \nVerboscam\" i \"Mali grad Vallum\" i\nRadionice animiranog filma na festivalima \ndječjeg stvaralaštva \"Mali grad Lisina\", \"Mali \ngrad Faros\", \"Mali grad Jolha\", \"Mali grad \nVerboscam\" i \"Mali grad Vallum\"\n106\nUdruga Relive\nDječji filmski program\n5.000,00\n107\nUdruga Što, kako i za koga / \nWHW\nUmjetničke ekologije\n25.000,00\n108\nUdruga za audiovizualno \nstvaralaštvo Artizana\nDigital Generation - filmska radionica\n12.000,00\n109\nUdruga za promicanje kulture \nDokuart\nFilmodrom - ljetno kino Udruge DOKUart\n10.000,00\n110\nUdruga za promicanje \nstvaralaštva i jednakih \nmogućnosti Alternator\n14. Festival prava djece 2022. - prilagodbe \nfilmova za gluhe i slijepe osobe\n20.000,00\n111\nUdruga za promicanje \nstvaralaštva i jednakih \nmogućnosti Alternator\nRazgovor počinje filmom 2022. \n20.000,00\n112\nUdruga za razvoj kulture TOČKA \nKULTURE\nRocument u VIB-u\n12.000,00\n113\nUdruga ZAG\nReci \"to\" filmom - radionica za tinejdžere\n5.000,00\n114\nUdruženje za razvoj kulture URK\nFilmske večeri u Močvari\n30.000,00\n115\nUmjetnička organizacija Film-\nprotufilm\nSerije za invizibilno kino: Zapiranje zone\n20.000,00\nBesplatna filmska radionica za djecu koja \nuključuje i polaznike s posebnim potrebama i\nBesplatna filmska radionica za djecu: \naudiovizualna pismenost\nRadionica stop-trik animacije See/Touch/Try \n– 2022. i\nRadionica stop-trik animacije See/Touch/Try \n– Darda 2022.\n118\nZajednica tehničke kulture Grada \nSlavonskog Broda\nŠesta radionica animiranog filma \nposvećenog manifestaciji Svijet bajki Ivane \nBrlić-Mažuranić \n9.000,00\n119\nZajednica udruga Centar \nnezavisne kulture\nKino Zona Zadar\n25.000,00\n3.002.000,00\nUKUPNO\nVideo klub Mursa\n10.000,00\nUdruga Mali grad Faros\n7.500,00\nUmjetnička organizacija Rikšafilm\n7.500,00\n116\n117\n105\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\nAkademski filmski klub\nCherry Pop Film Festival\n10.000,00\n2\nCentar za kulturu Čakovec\n10. Revija filmova za djecu\n12.000,00\n3\nDom kulture Kristalna kocka \nvedrine\nRevija dokumentarnog filma Fibula\n5.000,00\n4\nFactum\n18. ZagrebDox - međunarodni festival \ndokumentarnog filma\n500.000,00\n5\nFestival mediteranskog filma Split\n15. Festival mediteranskog filma Split\n220.000,00\n6\nFestival suvremenog židovskog \nfilma Zagreb\n16. Festival tolerancije - JFF Zagreb\n100.000,00\n7\nFilmsko-kreativni studio Vanima\n13. VAFI & RAFI - internacionalni festival \nanimiranog filma djece i mladih\n60.000,00\n8\nGFR film-video\n30. Hrvatski festival jednominutnih filmova\n55.000,00\n9\nGFR film-video\nPožeški filmski tjedan 2022. \n10.000,00\n10\nHrvatski filmski savez - HFS\n31. Dani hrvatskog filma\n175.000,00\n11\nHrvatski filmski savez - HFS\nKinofonija 2022.\n10.000,00\n12\nHulahop d.o.o.\n32. Svjetski festival animiranog filma - \nAnimafest Zagreb 2022\n900.000,00\n13\nJavna ustanova Pula film festival\n7. Pulica u kaputu\n12.000,00\n14\nKino klub Sisak\nStar Film Fest\n30.000,00\n15\nKinoklub Karlovac\nFilmski EU tjedan 2022.\n5.000,00\n16\nKinoklub Karlovac\nFUSE - Film Under Severe Experiment 2022.\n7.500,00\n17\nKinoklub Karlovac\nStop Motion Scena 2022.\n3.500,00\n18\nMoonstone Production d.o.o.\nDalmatia Film Festival\n25.000,00\n19\nProstor rodne i medijske kulture \nK-zona\nVox Feminae Festival 2022\n45.000,00\nfilmski festivali i druge audiovizualne manifestacije\n\n\f\n20\nSabmarine\n20. Tabor Film Festival\n70.000,00\n21\nUdruga Bijeli val\n15. Subversive Film Festival: Mikro-fizike \nprotu-moći\n130.000,00\n22\nUdruga Filmaktiv\n9. Međunarodni studentski filmski festival - \nSTIFF\n25.000,00\n23\nUdruga građana Spirit\nUhvati film fest\n20.000,00\n24\nUdruga Lanterna Magica\n12. Postira Seaside Film Festival - \nmeđunarodni festival kratkometražnog filma\n15.000,00\n25\nUdruga Liburnia film festival\n20. Liburnia Film Festival\n70.000,00\n26\nUdruga za promicanje \nstvaralaštva i jednakih \nmogućnosti Alternator\n14. Festival prava djece 2022.\n50.000,00\n27\nUmjetnička organizacija Film-\nprotufilm\nFilmske mutacije: Festival nevidljivog filma \nXVI - Čuvaj se vučjeg intervala\n90.000,00\n28\nUmjetnička organizacija \nOsciloskop\nVector Hack Festival 2022.\n10.000,00\n2.665.000,00\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\nAutorski studio - fotografija, film, \nvideo\nMonografija \"Trideset godina Autorskog \nstudija - FFV\"\n20.000,00\n2\nDisput d.o.o.\nIzdavanje knjige \"Što je film?\" Andréa Bazina\n20.000,00\n3\nDOP produkcija\nFilm mater (Enfilmopedija Balkana)\n12.000,00\n4\nHangar 7 d.o.o.\nInverzija.net, web publikacija za žanrovski \nfilm, znanstvenu fantastiku i fantastičnu \nknjiževnost\n5.700,00\n5\nHrvatska udruga producenata\nMonografija – Dvadeset godina Hrvatske \nudruge producenata\n10.000,00\n6\nHrvatski filmski savez - HFS\nHrvatski filmski ljetopis\n100.000,00\n7\nHrvatski filmski savez - HFS\nPaul Schrader: Transcedentni stil na filmu - \nOzu, Bresson, Dreyer\n12.000,00\n8\nHrvatsko društvo filmskih \nkritičara\nMrežna stranica ZonaFilma.com\n20.000,00\n9\nKurziv - Platforma za pitanja \nkulture, medija i društva\nKinemaskop\n30.000,00\nUKUPNO\nizdavaštvo u području audiovizualnih djelatnosti\n\n\f\n10\nProstor rodne i medijske kulture \nK-zona\nRodno osviještena filmska kritika\n15.000,00\n11\nSlobodni filozofski, Udruga\nSlijepe pjege\n10.000,00\n12\nUdruga Bijeli val\nBiblioteka Sinestetika: Robert Bresson - \nBilješke o kinematografu\n10.000,00\n13\nUdruga Dokumetar\nDokumentarni.net\n20.000,00\n14\nUdruga za feminizam i kulturu \nMuf\nFeminističko čitanje popularne kulture vol. \n4.0\n11.000,00\n15\nUdruga za promicanje filma, \nfilmske kulture i televizijskih \nserija \"Filmofil\"\nFilmski portal Goodtalking\n5.000,00\n16\nVedis d.o.o.\nNedeljko Dragić: Vučko 3 (knjiga snimanja \nza dva animirana filma)\n20.000,00\n17\nVuković & Runjić\nDaniel Rafaelić: U sjeni piramida - drevni \nEgipat na filmu\n12.000,00\n332.700,00\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\n25 FPS, Udruga za audio-\nvizualna istraživanja\nProgrami Udruge 25 FPS u 2022. godini\n40.000,00\nFilmske radionice i tečajevi u 2022. godini  i\nRadionica animiranog filma za djecu – Mala \nzagrebačka animacija (Z–animacija)\n3\nCentar za rad i promociju \nmedijske kulture Lukas\nKreativne radionice udruge Centar Lukas\n5.000,00\n4\nDruštvo hrvatskih filmskih \nredatelja\nProgram redovite djelatnosti DHFR-a za \n2022. godinu\n130.000,00\n5\nFilmska autorska grupa \"Enthusia \nBlanck\"\nRadionice  i djelatnost udruge  za 2022. \ngodinu\n5.000,00\nRedovita djelatnost u 2022. i\nFilmske radionice za djecu i mlade u \nŠibeniku\n7\nFilmsko-kreativni studio Vanima\nProgram rada u 2022. godini\n30.000,00\n8\nFoto kino video klub Zaprešić\nRedovita programska djelatnost 2022.\n25.000,00\n9\nGFR film-video\nFilmska edukacija mladih 2022.\n15.000,00\nUKUPNO\nprogrami audiovizualnih udruga i organizacija\n35.000,00\nAutorski studio - fotografija, film, \nvideo\n25.000,00\nFilmski centar mladih Šibenik\n2\n6\n\n\f\n10\nHrvatska mreža neovisnih \nkinoprikazivača\nProgrami i projekti Kino mreže u 2022. godini\n100.000,00\n11\nHrvatska udruga producenata\nProgram redovne djelatnosti Hrvatske \nudruge producenata za 2022. godinu\n125.000,00\n12\nHrvatski filmski savez - HFS\nKoordinacijske i poticajne funkcije HFS-a \n2022.\n90.000,00\n13\nHrvatsko društvo filmskih \ndjelatnika\nRedovna djelatnost Hrvatskog Društva \nfilmskih djelatnika\n325.000,00\n14\nHrvatsko društvo filmskih \nkritičara\nProgram redovne djelatnosti Hrvatskog \ndruštva filmskih kritičara\n90.000,00\n15\nHrvatsko društvo nezavisnih \nproducenata\nProgram redovnih aktivnosti HDNP-a za \n2022. godinu\n25.000,00\n16\nHrvatsko kaskadersko društvo - \nHKD\nRedovni program Hrvatskog kaskaderskog \ndruštva 2022.\n25.000,00\n17\nIzvan fokusa - Udruga za \nmedijsko stvaralaštvo i kulturne \naktivnosti\nRedovna djelatnost udruge Izvan fokusa za \n2022. godinu\n18.000,00\n18\nKino klub Sisak\n365/7\n28.000,00\n19\nKino klub Split\nEdukativni program i produkcija Kino kluba \nSplit 2022\n70.000,00\n20\nKinoklub Karlovac\nRedovna djelatnost Kinokluba Karlovac u \n2022. godini\n40.000,00\n21\nKinoklub Zagreb\nRedovite aktivnosti Kinokluba Zagreb u \n2022. godini\n35.000,00\n22\nPulska filmska tvornica\nKlub Pulske filmske tvornice\n30.000,00\n23\nSavez scenarista i pisaca \nizvedbenih djela\nRedovna djelatnost SPID-a u 2022. godini\n70.000,00\n24\nŠkola animiranog filma Čakovec\nRedovna djelatnost ŠAF-a u 2022. godini\n30.000,00\n25\nUdruga Bacači sjenki\nPotpora za provedbu audiovizualnih \ndjelatnosti Udruge Bacači Sjenki\n15.000,00\n26\nUdruga Blank\nRedovita programska djelatnost udruge \nBlank u 2022.\n80.000,00\n27\nUdruga Djeca susreću umjetnost\nProgram AV udruge Djeca susreću umjetnost \n- filmski program Sedmi kontinent \n20.000,00\n28\nUdruga Jedina solucija\nProgram rada Jedine solucije, udruge za \naudiovizualnu umjetnost (2022.)\n5.000,00\n29\nUdruga za promicanje medijske \nkulture Luža\nGodišnji program radionica\n15.000,00\n1.546.000,00\nUKUPNO\n\n\f\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\nFestival mediteranskog filma Split Kino Mediteran od doma - ponuda i promocija \nhrvatskih filmova\n20.000,00\n2\nRestart\nIzdavaštvo i distribucija hrvatskih \ndokumentarnih filmova u regiji u 2022. godini\n20.000,00\n3\nUmjetnička organizacija Zagreb \nFilm Festival\nCroatian.film i Kino Europa Online - \ninternetske platforme Zagreb Film Festivala\n40.000,00\n4\nUstanova Zagreb film\nFestivalska distribucija animiranih, \neksperimentalnih, dokumentarnih i kratkih \nigranih filmova\n25.000,00\n105.000,00\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\nDA Film d.o.o.\nGluma pred kamerom\n7.500,00\n2\nDimDim produkcija, obrt za \nusluge\nKonstelacije narativne strukture\n7.500,00\n3\nDiscovery d.o.o.\n16. Vukovar film festival- radionica - \nDunavska scenaristička radionica\n6.000,00\n4\nDruštvo hrvatskih filmskih \nredatelja\nScenaristički program \"Branko Bauer\" 2022.\n20.000,00\n5\nFactum\nZagrebDox Pro 2022.\n80.000,00\n6\nFestival mediteranskog filma Split\nIndustrija 1.0\n20.000,00\n7\nHrvatski filmski savez - HFS\n24. Škola medijske kulture \"Dr. Ante \nPeterlić\"\n250.000,00\n8\nHrvatski filmski savez - HFS\nScenaristička platforma Palunko, 20. sezona\n45.000,00\n9\nHulahop d.o.o.\nAnimafest PRO 2022\n25.000,00\n10\nKino klub Split\nMala škola medijske kulture 5\n10.000,00\n11\nKino klub Split\nProgram međunarodnih radionica: Mind the \nImage / Pazi na sliku\n15.000,00\n12\nKinoklub Karlovac\nRadionica dokumentarnog filma za profesore \n2022.\n10.000,00\n13\nKinoklub Zagreb\nFilmska čitanka: početnica iz umjetničkih \nfilmskih praksi\n10.000,00\n14\nMotovun film festival U.O.\nKampus Motovun 2022.\n15.000,00\nUKUPNO\nprogrami stručnog usavršavanja i/ili edukacije\nprogrami promocije i prodaje hrvatskih audiovizualnih djela\n\n\f\n15\nProstor rodne i medijske kulture \nK-zona\nPitching Forum Vox Feminae Festivala\n8.000,00\n16\nRestart\nRestart Laboratorij u 2022. godini\n60.000,00\n17\nRiva Film d.o.o.\nPonta Lopud\n60.000,00\n18\nSabmarine\nTabor PRO\n15.000,00\n19\nSavez scenarista i pisaca \nizvedbenih djela\nScenaristički program Zora Dirnbach 2022.\n12.000,00\n20\nUdruga Bacači sjenki\nPotpora za program filmske edukacije CinEd \n2022.\n30.000,00\n21\nUdruga Liburnia film festival\nLFF Rough Cut \n15.000,00\n22\nUdruga Manda - film i riječ\nMedijski izazovi - škola za profesore\n7.000,00\n23\nUdruga Metonimija\n5. Split Script, 2022.\n10.000,00\n24\nUdruga Rudolf\n8. Europski žanrovski forum Zagreb \n(European Genre Forum 2022 Zagreb Lab)\n25.000,00\n25\nUmjetnička organizacija Plafon\nMethod za kameru\n7.500,00\n26\nUmjetnička organizacija Zagreb \nFilm Festival\nIndustrija 20. Zagreb Film Festivala\n70.000,00\n27\nUstanova Zagreb film\n\"Od 5 do 25\" - Radionica dokumentarnog \nfilma\n7.500,00\n28\nUstanova Zagreb film\n13. Međunarodna radionica animiranog filma\n20.000,00\n868.000,00\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\nApoteka - Prostor za suvremenu \numjetnost\nCinemaniac Misliti film 2022: forum slika\n18.000,00\n2\nHulahop d.o.o.\nMeđunarodni znanstveni skup o animiranom \nfilmu Animafest Scanner IX\n25.000,00\n3\nKinoklub Zagreb\nMonsterclass: razgovori s filmskim autorima \nu Kinoklubu Zagreb\n10.000,00\n4\nKulturno informativni centar\nFilm XX: Ženski filmski narativi \n12.000,00\n5\nLokalna baza za osvježavanje \nkulture - BLOK\nKino na trešnjevačkom placu / Doba trešanja\n12.000,00\n6\nMultimedijalni institut\nVizualni kolegij\n40.000,00\n7\nRestart\nHall of Fame u 2022. godini \n10.000,00\n8\nRestart\nMasterclass program u 2022. godini\n35.000,00\n9\nRestart\nRazmišljaj filmom u 2022. godini\n20.000,00\nUKUPNO\nproučavanje i kritičko vrednovanje audiovizualnih djelatnosti\n\n\f\n10\nRestart\nUpoznaj autora i Doku-razgovori u 2022. \ngodini\n20.000,00\n11\nSub pokret\nKino Katarina\n12.000,00\n12\nUdruga Bijeli val\nKinematografije otpora 2022. - Lisl Ponger: \nSrednja klasa koja nestaje \n12.000,00\n13\nUdruga Jučer, danas, sutra - \nplatforma za audiovizualna \nistraživanja\nFilmska i televizijska glazba Kornelija \nKovača\n30.000,00\n14\nUdruga Liburnia film festival\nDiskurzivni program 20. LFF-a (case study i \ntribina)\n5.000,00\n261.000,00\nNaziv predlagatelja\nNaziv programa\nOdobrena sredstva\n1\nHrvatski filmski savez - HFS\nFilmski i video arhiv Hrvatskog filmskog \nsaveza u 2022. godini\n120.000,00\n2\nKino klub Split\nMedijski arhiv 70\n10.000,00\n3\nKinoklub Zagreb\nSređivanje i digitalizacija arhivskog gradiva \nKinokluba Zagreb\n25.000,00\n4\nUstanova Zagreb film\nRestauracija i digitalizacija filmova Ustanove \nZagreb film\n60.000,00\n215.000,00\nBROJ ODOBRENIH PROGRAMA\nODOBRENA SREDSTVA\n119\n3.002.000,00\n28\n2.665.000,00\n17\n332.700,00\n29\n1.546.000,00\n4\n105.000,00\n28\n868.000,00\n14\n261.000,00\n4\n215.000,00\n243\n8.994.700,00\nzaštita audiovizualne baštine \nuključujući kinotečnu djelatnost\nSVEUKUPNO\nPROGRAMSKA DJELATNOST\ndjelatnosti razvijanja audiovizualne \nkulture\nfilmski festivali i druge audiovizualne \nmanifestacije\nizdavaštvo u području audiovizualnih \ndjelatnosti\nprogrami audiovizualnih udruga i \norganizacija\nprogrami promocije i 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ROK, 2023. \nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac  \nKATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - DUGOMETRAŽNI DOKUMENTARNI FILM – \n14.  rujna 2023.  \n \nOPĆI OSVRT  \n \nNa javni poziv u kategoriji proizvodnje dugometražnog dokumentarnog filma u 2. roku prijavljeno \nje sveukupno 7 projekata.  Svi prijavljeni projekti su razmatrani. \n Značajan broj pristiglih projekata već je iskoristio potporu u fazi razvoja scenarija ili razvoja \nprojekta i to je vidljivo u kvaliteti dijela pripremljenih produkcijskih paketa, dok dio autora nije \nkvalitetno iskoristio ranije faze razvoja.  \nAutorski principi su raznoliki uz dominaciju istraživačkih, opservacijskih, poluautobiografskih i \nedukativnih  pristupa. Teme koje autori i autorice postavljaju u fokus su većinom vezane uz očito \njoš uvijek nedovoljno obrađivane teme posljedica Domovinskog rata, tranzicije i posljedica \nrecentnih razornih potresa, no autori također nude uvide u teme općeljudskog značaja te teme s \npodručja umjetnosti.  \nPrijavljeno je nekoliko projekata koji su rezultat temeljitog i dugotrajnog istraživanja teme, no \nnekima istovremeno nedostaje dramaturška kompleksnost, autorska inovativnost ili uvjerljivost.  \nOdobrena su ukupno 2 projekta za sufinanciranje u ovoj kategoriji u ukupnom iznosu od \n142.000,00 eura. Odobreni projekti iskaču svojim kreativnim potencijalom, nadahnutim \npristupom obradi teme, ali i relevantni su u društvenom i umjetničkom kontekstu. Kvalitetno \nobavljenim istraživanjem se stječe povjerenje u mogućnost završetka produkcije.  \n \n1. 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ROK, 2023. \nDUGOMETRAŽNI DOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac  \nKATEGORIJA: POTICANJE RAZVOJA SCENARIJA I RAZVOJA PROJEKATA DUGOMETRAŽNIH IGRANIH, \nDUGOMETRAŽNIH DOKUMENTARNIH I ANIMIRANIH FILMOVA – RAZVOJ PROJEKATA DUGOMETRAŽNIH \nDOKUMENTARNIH FILMOVA –  29. rujna 2023.  \nOPĆI OSVRT  \n______________________________________________________________________________________ \nNa javni poziv u kategoriji poticanja razvoja projekta dugometražnog dokumentarnog filma na 2. roku \n2023. godine prijavljeno je sveukupno 15 projekata. Dva projekta nisu razmatrana.  \nVećina pristiglih projekata autorska su istraživanja segmenata društva i kolektivne prošlosti kroz \npojedince, fenomene, društvene pokrete i suvremenu kulturu. Dio projekata pokazuje slabost u jasnoći, \npripremljenosti ili originalnosti. Kod dijela se radi o ponovljenim prijavama, kod nekih je uočen napredak \nkoncepta, dok drugi autori evidentno ne unapređuju prijave kod ponovnog slanja.   \nNekoliko projekata temama koje obrađuju pristupa s autorskom pripravnošću i zrelošću dostatnom za \nstjecanje povjerenja u održivost nastavka razvoja projekta.  \nPredloženo je i odobreno ukupno 5 projekata za sufinanciranje u ovoj kategoriji u ukupnom iznosu od \n86.000,00 eura.  \nSmatram da će potpora razvoja dolje navedenih filmskih projekta doprinijeti stvaranju jakih kreativnih i \ndruštveno relevantnih filmskih djela te omogućiti njihovu prisutnost na europskoj dokumentarističkoj \nsceni već prije početka snimanja te da će tako biti osiguran bolji plasman budućih filmova.   \n \n1. KROZ PROCES 10-6-93  Marina Petković Liker (redateljica i scenaristica) / Marina Petković Liker \n(producentica) / Četveroruka  (produkcija), 20.000,00 eur  \n \nFilm je svojevrsna studija slučaja koja postavlja jedan traumatski događaj u središte priče o \nposljedicama niza nerazriješenih traumatskih događaja 30 godina nakon rata. Pad granate na dječje \nigralište u Vitezu, djeca koja su tada poginula, njihovi roditelji, susjedi Bošnjaci i novinarka Glorija na \nkoju se trauma prenijela akteri su ovog filma. Film postavlja pitanje o (ne)mogućnosti razriješenja, \nempatiji i pokušaju da se razumijemo bez da u svakoj kući pogine po jedno dijete. \n \n2. EJ, TATA...  Đuro Gavran  (redatelj i scenarist) /  Miljenka Čogelja (producentica) /  Pipser  d.o.o. \n(produkcija),  18.000,00 eur \nDaleko od civilizacije, u netaknutoj prirodi, tata (40) i sin (11) podižu šator. Ispred njih je vikend koji su \npredugo čekali. Vrijeme samo za njih dvoje. Šuma, rijeka, luk i strijela i logorska vatra. Bez ikakvih \nobveza, alarma, jutarnje strke, razvoženja na treninge, whatsapp grupa, notifikacija, dućana, glazbene \n\n\f\nškole, pranja robe, čišćenja, recikliranja, pospremanja sobe, odlaska na vrijeme na spavanje. Vikend \nizdvojen iz mlinca zvanog - život. Vikend o kojem maštaju oboje.  \n \n3.  MINUTA DOVOLJNA DA TE UBIJE  Danijel Damian Nenadić (redatelj i scenarist),  Espi Tomičić \n(scenarist),  Miljenka Čogelja (producentica)  / Pipser d.o.o (produkcija), 13.000,00 kn   \nDugometražni dokumentarno-igrani film \"Minuta dovoljna da te ubije\" kroz svjedočanstva žena koje \nsu doživjele fizičke napade u parku, na ulici, kroz otvoreni prozor vlastitog automobila, pokušava \nosvijetliti društvene uvjete koji omogućuju zlostavljanje i ponižavanje žena u javnom prostoru od \nstrane nepoznatih sugrađana.  \n4.   GRAD U POKERU RATA Morana Ikić Komljenović  (redateljica i scenaristica) / Marin Lukanović \n(producent), Udruga Filmaktiv (produkcija), 18.000,00 eur   \nFilm se bavi manje poznatim faktima vezanim uz realnosti Domovinskog  rata u gradu Rijeci. Autorica \npričom spaja povijesno-faktografske elemente s opservacijom i dokumentarnim eksperimentom \ntemeljenim na radu s grupom studenata. Doku-triler koji nosi miroljubivu i mirotvornu poruku, \nopisuje dane teških pregovora s jugoslavenskom vojskom za spas grada i grupu studenata koji uče o \nskrivenom kontekstu svojih suvremenih prostora. Eksperiment koji se igra s filmskim fragmentima \nosobnih povijesti kroz principe filmova Karpa Godine. \n5.   PRIJEMNI ISPIT  Davor Žmegač  (redatelj i scenarist) /  Marin Lukanović (producent),  Udruga \nFilmaktiv (produkcija), 17.000,00 eur   \nOpservacijski dokumentarac koji kronološki prati pripreme četvero kandidata za studij Glume i \nFilmske i TV režije, zaključno s njihovim prijemnim ispitima na Akademiji dramske umjetnosti u \nZagrebu. U prvom dijelu filma kandidati su predstavljeni kroz ekspozicijske sekvence, dok je u drugom \ndijelu filma težište na ispitnim povjerenstvima, njihovim procjenama, razlikama u stavovima između \npojedinih članova i uvidima u emocionalni kontekst pozicije onih koji biraju.   \n \n  \n \n","warnings":[],"document":{"program_type":"razvoj_projekata","year":2023,"rok":"2. rok","referenced_projects":["KROZ PROCES 10-6-93","EJ, TATA...","MINUTA DOVOLJNA DA TE UBIJE","GRAD U POKERU RATA","PRIJEMNI ISPIT"],"summary":"Obrazloženje umjetničke savjetnice Tihe Gudac za 2. rok 2023. za razvoj projekata dugometražnih dokumentarnih filmova: od 15 prijava odobreno je 5 projekata u ukupnom iznosu od 86.000,00 eura.","project_links":[{"source_title":"KROZ PROCES 10-6-93","family_id":"pf_64f030ead4a6","family_title":"Kroz proces 10-6-93","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"EJ, TATA...","family_id":"pf_7813b9308519","family_title":"Ej, tata","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"MINUTA DOVOLJNA DA TE UBIJE","family_id":"pf_d44b37ab7d8c","family_title":"Minuta dovoljna da te ubije","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"GRAD U POKERU RATA","family_id":"pf_4796e86c87a0","family_title":"Grad u pokeru rata","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"PRIJEMNI ISPIT","family_id":"pf_fa3746dfd8b4","family_title":"Prijemni ispit","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"kratki igrani 27032015.pdf","filename_decoded":"kratki igrani 27032015.pdf","sha256":"dfabda590e2b75cc1609ee0fc639730922c2c57d936837f77cf99a6874c0e732","bytes":120030,"page_count":1,"extracted_at":"2026-05-17T10:24:03Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/kratki%20igrani%2027032015.pdf"},"raw_text":"NASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\nČistačica\nMatija Vukšić\nKino klub Split\n280.000,00 kn\nNišta\nStanislav Tomić\nManevar d.o.o.\n476.240,50 kn\nPosljednji bunar\nFilip Filković\nAntitalent produkcija \nd.o.o.\n150.000,00 kn\nSiguran let\nAldo Tardozzi\nU svom filmu d.o.o.\n250.000,00 kn\nU plavetnilo\nAntoneta Alamat \nKusijanović\nFilmska udruga \nMotion\n340.000,00 kn\n1.496.240,50 kn\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE PROIZVODNJE AUDIOVIZUALNIH DJELA u 2015. - 1. 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ROK - 29.9.2023.\nanimirani film - trajanje nije kraće od 24 minute\nAUTOR IZVORNOG \nPREDLOŠKA\n26. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 14. prosinca 2023.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2023_2rok_29IX2023_ANIMIRANI_WEB","year":2023,"rok":"2. rok","natjecaj_date":"2023-09-29","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"26. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, 14. prosinca 2023.","section_key":"26_sjednica_hrvatskog_audiovizualnog_vijeca_u_4_sazivu_14_pr","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO (€)"],"rows":[{"row_number":1,"project_title":"Jagorova šuma","applicant":"Greta Creative Network","production_company":"Greta Creative Network","director":"David Lušičić","writer":"Sven Klobučar","original_author":null,"category":"Animirani","approved_amount_text":"4.000,00","approved_amount":4000.0,"currency":"EUR","extras":{"SCENARIST/-ICA":"Sven Klobučar","REDATELJ":"David Lušičić","repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_doc_single_signal","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:55:00Z","creator_backfill_director_source":"dfd46272_rsc_2023_2rok_29ix2023_animirani_web_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Redni broj i naslov se jednoznačno podudaraju, a scenarist i redatelj su jasno navedeni u svojim stupcima dok je izvorni predložak prazan.","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:55:00Z","creator_backfill_writer_source":"dfd46272_rsc_2023_2rok_29ix2023_animirani_web_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Redni broj i naslov se jednoznačno podudaraju, a scenarist i redatelj su jasno navedeni u svojim stupcima dok je izvorni predložak prazan."},"entity":"Greta Creative Network","row_id":"dfd46272:s0:33290ba5f47f","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_b7964a92b2a8","project_family_title":"Jagorova šuma"}],"section_total_text":"4.000,00","section_total":4000.0}],"totals":{"ukupno_text":null,"ukupno":4000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":4000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazloz_enje eksperimentalni film 2. rok 2025.pdf","filename_decoded":"web obrazloz_enje eksperimentalni film 2. rok 2025.pdf","sha256":"e001cbd8da8f3abe9117ec649e878a41a0990255d49763995b9db97c233a9ab5","bytes":114138,"page_count":2,"extracted_at":"2026-05-17T12:01:54Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazloz%CC%8Cenje%20eksperimentalni%20film%202.%20rok%202025.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija \nproizvodnje eksperimentalnog filma u 2025. godini – 2. rok; 11. 9. 2025.  \n \nObrazloženje \nBranka Benčić, umjetnička savjetnica za eksperimentalni film \n \nNa drugi rok Javnog poziva za poticanje proizvodnje audiovizualnih djela u kategoriji \neksperimentalnog filma u 2025. godini pristiglo je ukupno četrnaest (14) prijava. Sve su prijave  \nzadovoljile formalne uvjete i ušle u razmatranje. Od četrnaest prijavljenih projekata, dva (2) su \nprethodno bila prijavljivana na isti javni poziv, u kategoriji eksperimentalnog filma. \n \nU okviru svih radova pristiglih na javni poziv zastupljen je širok spektar kreativnih i \numjetničkih pozicija, žanrova i interesa: od društvenog angažmana, eksperimenta s \ndokumentarnim, filmskih eseja, sve većeg interesa za teme ekologije i prirode, preko različitih \noblika vizualnih istraživanja, korištenja različitih oblika produkcije i reprodukcije medijskih \nslika i medijskih eksperimenata, do individualnih priča, autorefleksivnosti, te interesa za \nznanstveno-fantastične teme i distopijske scenarije. Od 14 prijava, 6 je prijedloga kojima su \nautorice žene.  \n \nPri odlučivanju razmatrala sam prema kriterijima Javnog poziva kvalitetu i jasnoću \nprijave, konceptualizaciju projekta iz koje je moguće razaznati osnovne ideje i polazišta filma \ni metodologiju rada; promišljanje medija, kvalitetu i razrađenost vizualnih referenci, svijest o \nkontekstu – povijesti eksperimenata u mediju filma ili videa, i suvremenim kretanjima u \nfilmskoj umjetnosti, izvedivost projekta u okviru operativnog i financijskog plana, plan \npromocije i dristribucije, te procjenu relevantnosti teme/projekta u kontekstu suvremene \naudiovizualne produkcije. \n \nZa sufinanciranje je odobreno pet (5) projekata u ukupnom iznosu 190.000 EUR. \nNekoliko odabranih filmova zajednički karakterizira činjenica da polaze od istraživanja \nutemeljenih u različitim teorijskim pristupima stvarajući kontekstualno gust, ponekad \nhermetičan narativ, usmjeren na relevantne društvene teme,  inovaciju medijskog izraza, a \nelaboriraju zanimljive konceptualne procedure i metode rada. Potencijalno kompleksni i \nzahtjevni radovi, stvaraju diskurzivne i intelektualne prostore koji su vizualno dojmljivi i traže \npažnju angažiranog gledatelja. \n \nRadi se o sljedećim projektima:  \n \nDamir Očko: Dicta III (40.000 EUR, produkcija Izvan fokusa d.o.o.); Vladislav \nKnežević: UY Scuti (36.000 EUR, produkcija Filmska udruga Šuma); Bruno Pavić: Svilaja \n(25.000 EUR, produkcija Imber Film); Nicole Anne Marie Hewitt: Međuzona (50.000 EUR, \nprodukcija Studio Pangolin), Marko Gutić Mižimakov: Zvijezda Strijelca A (39.000 EUR, \nprodukcija Kolektiv za razvoj, istraživanje i propitivanje queer kulture - queerANarchive). \n\n\f\nDamir Očko jedan je od međunarodno najaktivnijih i najpriznatijih suvremenih \nhrvatskih vizualnih umjetnika koji rade s različitim oblicima pokretnih slika. Očko predlaže \ntreći i posljednji eksperimentalni film Dicta III (Finale), kojim zaokružuje trilogiju Dicta. \nDicta III je bajkovita vizualna društvena alegorija naglašene sceničnosti i pažljivo konstruiranih \nelemenata i filmskih slika. Vjeran vizualnom jeziku i umjetničkim postupcima Očko još jednom \nstvara vizualno i konceptualno kompleksno djelo sastavljeno od različitih filmskih i \numjetničkih elemenata (performans, glazba, zvuk, scenografija). Aktivan i prisutan na \nmeđunarodnoj sceni, Očkov rad ostvaruje vidljivost u galerijskom i filmskom kontekstu. \nEksperimentalni filmski esej UY Scuti Vladislava Kneževića bavi se specifičnom \nlogistikom percepcije. Prepoznatljivim rukopisom Knežević gradi film skokovite fragmentarne \nstrukture kao povijesno medijsko putovanje koristeći slike različitog porijekla unutar kojih \nintervenira upotrebom različitih audiovizualnih postupaka i tehnika, stvarajući kompleksan \nkontekstualni i medijsko – tehnološki rad fokusiran na režime gledanja kroz fragmente \nreprezentacije suvremenog svijeta, služi kao upozorenje na galopirajuću militarizaciju društva. \nDugometražni dokumentarno-eksperimentalni film krajolika Brune Pavića Svilaja, \nbilježi uvjete života u ruralnim naseljima podno planine Svilaje, koje autor pretače u poetsko \nistraživačku formu. Bilježenje krajolika, stanovnika i njihovih dnevnih rutina, skromnih \nmaterijalnih i infrastrukturnih uvjeta, slike okoliša, transformacije prirode, zatim odnos \nprostora i vremena, povijesti ili mitologije, interes za društvena i egzistencijalna pitanja, teme \nidentiteta, ekosustav i suživot ljudi i prirode, te umijeće povezivanja lokalnog s univerzalnim, \notvaraju slojeve i vizure u tihim gestama empatije i posvećenosti. \nFilmski esej Međuzona Nicole Anne Marie Hewitt nadovezuje se na Vremeplovke, i \npredstavlja riječima autorice spekulativno eksperimentalni putopis kroz povijest, sadašnjost i \nmoguće budućnosti. Proces rada koji spaja udaljeno i neočigledno otvara prostor eksperimentu \nkoji hrabro i autentično ugrađuje ideju neizvjesnog. Kroz gustoću referenci i konteksta, različite \nmaterijale i postupke, slike različitog porijekla, odjeke mitologije, hauntologije, feministički \nrakurs ženskih pozicija, ovaj film zahtjevat će pažnju angažiranog promatrača kako bi dešifrirao \nslojeve cjeline. \nZvijezda Strijelca A Marka Gutića Mižimakova, putpisni, znanstveno-fantastični \neksperimentalni gay film, navigira između različitih elemenata. Kroz odnose slike, zvuka i \nteksta film se gradi na složenoj kolažnoj strukturi različitih oblika reprezentacije, od tehnologija \nprodukcije i reprodukcije slika, izvedbe, zvuka i glasa, te obilježja prostora interijera i \neksterijera, kao i modela reprezentacije samih protagonista. Radnja prati dvojicu likova, \nastronaute koji putuju do crne rupe u središtu galaksije a strukturira se kroz njihov dijalog. Kroz \nžanr SF putopisa eksperiment donosi višestruko hibridno djelo dojmljive vizualnosti i bogate \nreferencijalnosti. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"JP_DISTRIBUCIJA_2 ROK_2025_web recenzija.pdf","filename_decoded":"JP_DISTRIBUCIJA_2 ROK_2025_web recenzija.pdf","sha256":"e08a5beded2c568974bcfcadccbc80bd07ba26a218d1b8dd55aca8ca0ff4264d","bytes":367812,"page_count":2,"extracted_at":"2026-05-17T12:01:17Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_DISTRIBUCIJA_2%20ROK_2025_web%20recenzija.pdf"},"raw_text":"1. DISTRIBUCIJA dugometražnog igranog filma „Drugi dnevnik Pauline P.“ – 33.000,00 € \nNastavak velikog kino hita „Dnevnik Pauline P.“ donosi nove zgode naslovne junakinje, koja sada ima \nveć jedanaest godina. Iako odrasli govore da joj je ovo \"najbolji dio života\", Paulini se uopće ne čini \ntako. U borbi s nevoljama Paulina će se još jednom poslužiti šarmom i bujnom maštom, te izvući jednu \nvrijednu pouku – život se ne sastoji samo od pobjeda. \nCilj producenata i distributera je da nastavak u kinima nadmaši rezultat izvornika. Termin početka \nredovnog prikazivanja – 6. studenog 2025. – strateški je dobro odmjeren. Uz odgovarajuću provedbu \nprimjerno razrađenog marketinškog plana film bi trebao privući velik broj gledatelja već u prvom \nvikendu prikazivanja, a uz očekivano povoljnu usmenu predaju trebao bi imati dovoljno jake rezultate \nza prikazivanje u kinima do početka zimskih školskih praznika, kada se otvara dodatni potencijal \ngledanosti. Prema prijavnoj dokumentaciji ispunjenje ambicioznog cilja djeluje izvedivo. \n \n2. DISTRIBUCIJA dugometražnog dokumentarnog filma IZA JEDNOG OSMIJEHA“ – 4.000,00 € \nČetrnaestogodišnji Khaled bježi iz Sirije s ciljem da postane oslonac svojoj obitelji, kojoj je on jedina \nnada za spas. Dolaskom u Hrvatskoj pronalazi zaštitu kod volonterke Ene-Sanan. Tijekom svoga \nputovanja odrasta suočavajući se s brojnim izazovima koji ga iz ranjivog dječaka pretvaraju u simbol \nnade. \nTema filma nedvojbeno je relevantna a ideje marketinških i promotivnih aktivnosti generalno su \nlegitimne i dobre, tako da postoje temelji za ostvarivanje korektne gledanosti. \n \n3. DISTRIBUCIJA dugometražnog dokumentarnog filma „IZGUBLJENI TIM IZ SNOVA“ - 7.000,00 € \nKošarkaška reprezentacija bivše Jugoslavije 1991. godine osvojila je zlatnu medalju na Europskom \nprvenstvu u Rimu - tri dana nakon što se raspala država koju su predstavljali. Priča je ispričana kroz \nsjećanja igrača i trenera. \nDobro napravljen film za koji se - na temelju planiranih aktivnosti izloženih u prijavnoj dokumentaciji \n- može očekivati nešto širi interes publike nego što je uobičajeno za dokumentarne filmove.  \n \n4. DISTRIBUCIJA dugometražnog dokumentarnog filma „ŠKOLA HODANJA 2“ - 4.000,00 € \nFilm izlaže životnu priču Borivoja Dovnikovića-Borde, legendarnog autora Zagrebačke škole \nanimiranog filma. \nNa temelju dobrog plana razvoja publike i plana distribucije može se očekivati da će filmski portret \nlegende hrvatske kinematografije ostvariti rezultat koji će opravdati njegov plasman u kina, a u \nsvakom slučaju dat će dragocjen doprinos kino repertoaru. \n \n5. DISTRIBUCIJA dugometražnog dokumentarnog filma „UNDERGROUND TOP LISTA“ – 3.000,00 € \nFilm govori o glazbi u vrlo specifičnom kontekstu - sprovodima. Prateći glazbenike u raznim dijelovima \nHrvatske, film prikazuje raznolikost pogrebnih praksi te glazbenih žanrova koji ih prate. \n\n\f\nUz adekvatnu provedbu dobrog plana distribucije i marketinškog plana može se očekivati da će film \nprivući publiku dokumentarnih filmova i ostvariti realno postavljeni cilj gledanosti. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2017_1_rok_10IV2017_WEB_DUG_DOK.pdf","filename_decoded":"RPR_2017_1_rok_10IV2017_WEB_DUG_DOK.pdf","sha256":"e08cc148d94961af4909ede6962436b24ca95a6d4ece9852c0d6be9544a056da","bytes":32098,"page_count":1,"extracted_at":"2026-05-17T10:24:20Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2017_1_rok_10IV2017_WEB_DUG_DOK.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nLekcije mog tate\nHulahop d.o.o. \nDalija Dozet\nDalija Dozet\n90.000,00\n2\nM.\nUdruga Blank\nDario Juričan\nDario Juričan\n90.000,00\n3\nTRUMPOV VELES\nFantastično dobra \ninstitucija - Fade In\nHrvoje Mabić\nHrvoje Mabić\n100.000,00\nUKUPNO\n280.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ PROJEKATA u 2017. - 1. 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DISTRIBUCIJA dugometražnog igranog filma „HOTEL PULA” - 8.000,00 € (60.276,00 kn) \n \nGodina je 1995. Mahir (38) je izbjeglica iz Bosne i već nekoliko godina živi u Puli, u hotelu koji nosi \nime grada. Njegovi dani jednolični su i prazni, a njegova prošlost nepoznata. Jedne tople noći na \npočetku ljeta, Mahir će na plaži nedaleko hotela prvi put vidjeti Unu, mladu Puležanku. Taj \niznenadni susret pobudit će i nadu. Dok ga ne sustigne prošlost.   \n \n„Hotel Pula”, s obzirom na 'štih' filma,  prvenstveno pretendira postati lokalni (pulski) kino-hit. \n \n2.  DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „NAJSRETNIJI ČOVJEK NA \nSVIJETU” - 3.500,00 € (26.370,75 kn) \n \nAsja, četrdesetogodišnjakinja bez partnera, živi u Sarajevu. Da bi upoznala nekog novog, jednu \nsubotu završi na speed datingu. Spajaju je sa Zoranom, 43-godišnjim bankarom. Međutim, Zoran \nne traži ljubav, već oprost.  \n \nNovi film jedne od najnagrađivanijih regionalnih autorica ponajprije je mamac za zahtjevniju kino publiku. \n \n \n3.  DISTRIBUCIJA dugometražnog eksperimentalnog filma „POLAKO NIKUDA” - 3.000,00 € \n(22.603,50 kn) \n \nLjubavna priča smještena u blisku budućnost i podijeljena u dva poglavlja nazvana prema svojim \njunacima, Olegu i Marti. Epizode lutanja kroz tematike seksa, ovisnosti i smrti u zrcalnim \nportretima \nglavnih likova i varijacije ponavljanja.  \n \nProdukcija dugometražnih filmova eksperimentalnog roda je u nas vrlo skromna pa je shodno tome i \nnjihova zastupljenost na velikom platnu minorna. Djela, koja - poput „Polako nikuda” odskaču svojom \nkvalitetom svakako pridonose popularizaciji ovog roda i zaslužuju 'ograničenu' kinodistribuciju. \n \n \n","warnings":[],"document":{"program_type":"distribucija","natjecaj_title":null,"year":2023,"rok":"2. rok","natjecaj_date":"2023-04-27","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NAZIV","ODOBRENO"],"rows":[{"row_number":1,"project_title":"HOTEL PULA","applicant":null,"production_company":null,"director":null,"writer":null,"original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"140,92 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":["reclassified_from_results_table_to_admin"]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2012 Me_unarodna suradnja_ 24 08 2012.pdf","filename_decoded":"2012 Me_unarodna suradnja_ 24 08 2012.pdf","sha256":"e1e82f94e26e236f3a5b1db60bd2f9d2272e0cae09f6ce08177204a3d22f4868","bytes":119480,"page_count":2,"extracted_at":"2026-05-17T10:23:29Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2012%20Me%C4%91unarodna%20suradnja%2C%2024%2008%202012.pdf"},"raw_text":"PODNOSITELJ\nODGOVORNA  OSOBA\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA \n(HRK)\n1.\nArtizana film d.o.o.\nIrena Škorić\nProgrami gostovanja hrvatskih autora-/ica, \nproducenata/-ica, izbornika filmskih festivala, filmskih \nstručnjaka i djelatnika; Program izrade \npromidžbenih materijala i prijavljivanje u službenu \nkonkurenciju festivala; Programi predstavljanja i \npromocije filmova\nSudjelovanje redateljice i predstavljanje dugometražnog igranog filma \"7seX7\", red. I. Škorić, u službenom programu 36th Montreal World Film Festivala (23.08.-\n03.09.2012., Montreal, Kanada) te na ostalim festivalima po pozivu - 1st Tuzla Film Festival (22.-26.08.2012., Tuzla, BIH), 9th International Film Festival of Tamil Nadu \n(25.-27.10.2012., Tamil Nadu, Indija), 8th Romania International Film Festival (28.09.-06.10.2012., Bukurešt, Rumunjska).\n20,000.00\n2.\nČetiri film d.o.o.\nAnita Juka\nProgrami gostovanja hrvatskih autora-/ica, \nproducenata/-ica, izbornika filmskih festivala, filmskih \nstručnjaka i djelatnika \nSudjelovanje redatelja (ili jednog člana autorskog tima) i predstavljanje kratkometražnog igranog filma \"Romkom\", red. Z. Rumboldta, na 36th Montreal World Film \nFestivalu od 23. kolovoza do 3. rujna 2012. u Montrealu, Kanada.\n10,000.00\n3.\nDalija Dozet\nDalija Dozet\nProgrami programi stručnog usavršavanja\nSudjelovanje MA studentice režije Dalije Dozet na Talent Campus Odense od 20. do 25. kolovoza 2012. u Odenseu, Danska.\n1,772.00\n4.\nDalija Dozet\nDalija Dozet\nProgrami gostovanja hrvatskih autora-/ica, \nproducenata/-ica, izbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje studentice MA režije Dalije Dozet na Academy Meetings of the 3rd Locarno Summer Academy, u sklopu 65th Festival del film Locarno, od 6. do 11. \nkolovoza 2012. u Locarnu, Švicarska.\n837.00\n5. \nEtnografski muzej Istre\nLidija Nikočević\nProgrami programi stručnog usavršavanja\nSudjelovanje kustosice / voditeljice Festivala etnografskog filma na master classu \"Etnografski film i vizualna antropologija u Hrvatskoj\", u sklopu 6th Moscow \nInternational Festival of Visual Anthropology - Mediating Camera, od 8. do 12. listopada 2012. u Moskvi, Rusija.\n2,575.00\n6.\nEurofilm d.o.o.\nSlaven Knezović\nProgrami gostovanja hrvatskih autora-/ica, \nproducenata/-ica, izbornika filmskih festivala, filmskih \nstručnjaka i djelatnika; Programi predstavljanja i \npromocije filmova\nOgranizacija projekta 6. dani filma Mostar od 3. do 10. studenog 2012. u Mostaru, BIH.\n30,000.00\n7.\nFactum\nNenad Puhovski\nPitching, koprodukcijski forumi i programi za razvoj \nprojekata\nSudjelovanje redateljice / scenaristice i producentice s projektom \"Goli / Bosiljak u kamenu\", red. T. K. Gudac, na drugoj sesiji Dok Incubatora - programa za razvoj \ndokumentarnih projekata - od 13. do 20. rujna 2012. u Bratislavi, Slovačka.\n5,714.39\n8.\nHrvatski državni arhiv - Hrvatska \nkinoteka\nStjepan Ćosić / Carmen Lhotka\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti; Programi \nstručnog usavršavanja\nSudjelovanje pročelnice i jednog stručnog djelatnika Hrvatske kinoteke na konferencijama i seminarima u sklopu Balkans' Memory od 6. do 8. studenog 2012. u Tirani, \nAlbanija, u svibnju 2013. u Beogradu, Srbija, u listopadu 2013. u Podgorici, Crna Gora.\n25,080.00\n9.\nHrvatski državni arhiv - Hrvatska \nkinoteka\nStjepan Ćosić / Carmen Lhotka\nProgrami gostovanja hrvatskih autora-/ica, \nproducenata/-ica, izbornika filmskih festivala, filmskih \nstručnjaka i djelatnika; Ostali programi\nSudjelovanje pročelnice Hrvatske kinoteke na trećem sastanku ravnatelja Kinoteka svih država bivše Jugoslavije od 4. do 6. listopada 2012. u Ljubljani, Slovenija te \nsudjelovanje pročelnice i jednog stručnog djelatnika Hrvatske kinoteke u radu 31. Festivala nijemog filma od 6. do 13. listopada 2012. u Pordenoneu, Italija.\n4,300.00\n10.\nHrvatski film d.o.o.\nAntonia Dubravka Carnerud\nProgram izrade promidžbenih materijala i \nprijavljivanje u službenu konkurenciju festivala; \nProgrami predstavljanja i promocije filmova\nSudjelovanje sales agentice i predstavljanje dugometražnog igranog filma \"Kotlovina\", red. T. Radića, na međunarodnim filmskim festivalima -  28th Alexandria Film \nFestival for Mediterranean Countries (12.-19.09.2012., Egipat) i 5th CinEast (11.-28.10.2012., Luxembourg). \n15,000.00\n11.\nHulahop d.o.o.\nDana Budisavljević\nProgram izrade promidžbenih materijala i \nprijavljivanje u službenu konkurenciju festivala; \nProgrami predstavljanja i promocije filmova\nSudjelovanje redateljice i predstavljanje dugometražnog dokumentarnog filma \"Nije ti život pjesma Havaja\", red. D. Budisavljević, na međunarodnim filmskim \nfestivalima - 18th Sarajevo Film Festival (06.-14.07.2012., Sarajevo, BIH), 11th DokuFest (7.-17.07.2012., Prizren, Kosovo), 13th Mediteran Film Festival (20.-\n25.08.2012., Široki Brijeg, BIH) i dr.\n15,000.00\n12.\nInter film d.o.o.\nMaja Pavić\nProgrami stručnog usavršavanja\nSudjelovanje mlađe producentice Interfilma na EP2C (European Post Production Connection) - radionici o europskoj postprodukciji - od 12. do 17. listopada 2012. u \nKoelnu, Njemačka. \n2,400.00\n13.\nIsa Živanović\nIsa Živanović\nProgrami stručnog usavršavanja\nSudjelovanje producentice Ise Živanović na MAIA Workshops - Legal & Financial Issues od 24. do 28. rujna 2012. u Sabaudiji, Italija. \n5,900.00\n14.\nKazališna grupa Scena\nIvo Gregurević\nOstali programi\nOrganizacija projekta 17. dani hrvatskog filma u Orašju od 1. do 9. rujna 2012. u Orašju, BIH.\n30,000.00\n16.\nKinoklub Zagreb\nVedran Šuvar\nPitching, koprodukcijski forumi i programi za razvoj \nprojekata\nSudjelovanje dopredsjednika / koordinatora produkcije KKZ-a na Nisi Masa - Partnership Building Meetingu od 20. do 23. rujna 2012. u Bristolu, UK.\n3,776.21\n17.\nKinorama d.o.o.\nDragan Jurić\nProgrami predstavljanja i promocije filmova\nSudjelovanje redateljice i predstavljanje kratkometražnog eksperimentalnog filma \"Od do\", red. M. Herceg, na 22nd International Film Festival Message To Man od 22. \ndo 29. rujna 2012. u St. Petersburgu, Rusija. \n3,556.00\n18.\nKsenija Ladić\nKsenija Ladić\nProgrami stručnog usavršavanja; Ostali programi\nSudjelovanje studentice sound designa u medijima Ksenije Ladić na Field Studies 2012 od 10. do 13. rujna 2012. u Londonu, UK.\n5,307.43\n19.\nLuka Čurčić\nLuka Čurčić\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti\nSudjelovanje BA studenta režije Luke Čurčića na Talent Campus Odense od 20. do 25. kolovoza 2012. u Odenseu, Danska.\n1,772.00\n20.\nMarko Meštrović\nMarko Meštrović\nProgrami gostovanja hrvatskih autora-/ica, \nproducenata/-ica, izbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje redatelja i predstavljanje kratkometražnog animiranog filma \"Zašto slonovi?\", red. M. Meštrovića, na 65th Festival del film Locarno od 1. do 11. kolovoza \n2012. u Locarnu, Švicarska.\n1,982.72\n21.\nMoje čarobne misli d.o.o.\nHelena Bulaja\nMeđunarodni filmski sajmovi; potpora \nproducentima/icama i autorima/icama za \npredstavljanje filmova; pitching, koprodukcijski \nforumi i programi za razvoj projekata\nSudjelovanje autorice / redateljice / ko-producentice i producenta / koordinatora s cross-platform projektom \"Onkolog i ja\", red. H. Bulaje, na CINEKID Junior Marketu \nod 24. do 26. listopada 2012. u Amsterdamu, Nizozemska.\n19,225.00\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2012. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 24. KOLOVOZA 2012.\n\n\f\nPODNOSITELJ\nODGOVORNA  OSOBA\nPROGRAM\nOPIS PROGRAMA\nODOBRENA POTPORA \n(HRK)\n22.\nMoje čarobne misli d.o.o.\nHelena Bulaja\nMeđunarodni filmski sajmovi; potpora \nproducentima/icama i autorima/icama za \npredstavljanje filmova; pitching, koprodukcijski \nforumi i programi za razvoj projekata\nSudjelovanje redateljice / scenaristice / producentice Helene Bulaje i predstavljanje kreativnog dokumentarca i cross-platform projekta - animiranog nogometnog \nmjuzikla \"Brazil\", red. H. Bulaje, na FilmCupu 2012 u sklopu 36th International Film Festival of Sao Paulo od 19. listopada do 1. studenog 2012. u Sao Paulu, Brazil.\n10,000.00\n23.\nMultimedijalna umjetnička \norganizacija Bacači Sjenki\nBoris Bakal\nPitching, koprodukcijski forumi i programi za razvoj \nprojekata\nSudjelovanje redatelja i producenta/ice s projektom \"Vitic Dances\" na međunarodnoj radionici za razvoj dokumentarnih projekata Ex Oriente, koja se održava u tri \nsesije od 18. do 24. lipnja 2012., od 22. do 28. listopada 2012. te od 4. do 10. ožujka 2013. u Češkoj.\n24,955.00\n24.\nNukleus film d.o.o.\nSiniša Juričić\nProgrami gostovanja hrvatskih autora-/ica, \nproducenata/-ica, izbornika filmskih festivala, filmskih \nstručnjaka i djelatnika; Programi predstavljanja i \npromocije filmova; \nSudjelovanje koproducenta i predstavljanje dugometražnog dokumentarnog filma \"Posljednja ambulantna kola Sofije\", red. I. Meteva, u natjecateljskoj dokumentarnoj \nsekciji na 18th Sarajevo Film Festivalu od 4. do 14. srpnja 2012. u Sarajevu, BIH i na 11th DokuFestu od 7. do 15. srpnja 2012. u Prizrenu, Kosovo.\n2,100.00\n25.\nNukleus film d.o.o.\nSiniša Juričić\nProgrami gostovanja hrvatskih autora-/ica, \nproducenata/-ica, izbornika filmskih festivala, filmskih \nstručnjaka i djelatnika; Programi predstavljanja i \npromocije filmova; \nSudjelovanje koproducenta i predstavljanje dugometražnog dokumentarnog filma \"Posljednja ambulantna kola Sofije\", red. I. Meteva, u natjecateljskoj dokumentarnoj \nsekciji na 47th Karlovy Vary International Film Festivalu od 3. do 6. srpnja 2012. u Karlovym Varyma, Češka.\n3,225.00\n26.\nOne Take Film Festival\nSanja Šamanović\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti\nOrganizacija izložbe fotografija filmskog redatelja Milča Mančevskog u sklopu 6. One Take Film Festivala od 21. studenog do 9. prosinca 2012. u Zagrebu, Hrvatska.\n10,000.00\n27. \nRenata Poljak\nRenata Poljak\nProgrami gostovanja hrvatskih autora-/ica, \nproducenata/-ica, izbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje video umjetnice Renate Poljak na 25th Les Instants Video festivalu od 6. do 17. studenog 2012. u Marseilleu, Francuska.\n6,558.00\n28.\nUdruga Kinofon\nDaniel Rafaelić\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti\nSudjelovanje dvaju predstavnika Kinofona u istraživanju hrvatske filmske baštine u Bundes Film Archivu od 1. do 9. prosinca 2012. u Berlinu, Njemačka. \n9,000.00\n29.\nUmjetnička organizacija Zagreb \nFilm Festival\nBoris T. Matić\nProgrami stručnog usavršavanja\nSuorganizacija radionice stručnog usavršavanja Film London Microwave u sklopu Zagreb Film Festivala 2012. od 14. do 21. listopada 2012. u Zagrebu, Hrvatska.\n50,415.00\n30.\nVizije S.F.T. d.o.o.\nRobert Vidić\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti; Programi \nstručnog usavršavanja\nSudjelovanje jednog stručnog djelatnika Vizija S.F.T. na seminaru o očuvanju i obnovi filmskog i audiovizualnog naslijeđa, u sklopu projekta Balkans' Memory, od 6. do \n8. studenog 2012. u Tirani, Albanija. \n5,624.00\n31.\nSonja Tarokić\nSonja Tarokić\nProgrami gostovanja hrvatskih autora/-ica, \nproducenata/-ica, izbornika filmskih festivala, filmskih \nstručnjaka i djelatnika,\nSudjelovanje redateljice / scenaristice i predstavljanje kratkometražnog igranog filma \"Ja sam svoj život posložila\", red. S. Tarokić, na 42nd International Film Festival \nMolodist od 20. do 28. listopada 2012. u Kijevu, Ukrajina.\n2,890.00\n32.\nSonja Tarokić\nSonja Tarokić\nProgrami gostovanja hrvatskih autora-/ica, \nproducenata/-ica, izbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje redateljice / scenaristice i predstavljanje kratkometražnog igranog filma \"Kurvo!\", red. S. Tarokić, na 35th Recontres Henri Langlois Poitiers Festivalu od \n30. studenog do 9. prosinca 2012. u Poitiersu, Francuska.\n3,148.27\n0.00\nUKUPNO (HRK):\n332,113.02\nHRVATSKI AUDIOVIZUALNI CENTAR, ODJEL ZA PROMOCIJU I PLASMAN\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"2012 Me_unarodna suradnja_ 24 08 2012","year":2013,"rok":null,"natjecaj_date":"2012-09-03","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","ODGOVORNA OSOBA","PROGRAM","OPIS PROGRAMA","ODOBRENA POTPORA (HRK)"],"rows":[{"row_number":1,"project_title":"Programi gostovanja hrvatskih autora-/ica, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika; Program izrade promidžbenih materijala i prijavljivanje u službenu konkurenciju festivala; Programi predstavljanja i promocije filmova","applicant":"Artizana film d.o.o.","production_company":"Artizana film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"us_std","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"1.","ODGOVORNA OSOBA":"Irena Škorić","OPIS PROGRAMA":"Sudjelovanje redateljice i predstavljanje dugometražnog igranog filma \"7seX7\", red. 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B. Vekarić na 4 sesije \nmeđunarode radionice za razvoj projekta ' \nFour Corners Film Development Program'; \n24.-29.03.2014., Sofija, Bugarska; 02.-\n07.06.2014., Helsinki, Finska; 01.-\n05.09.2014., London, VB; 13.-19.10.2014., \nSitges, Španjolska\n11.480,00\n2\nBranka Benčić\nProgrami gostovanja hrvatskih      \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje Branke Benčić na Curators \nMeetingu i popratno programu Film without \nFilm  te selekcija filmova za  projekte Kino \numjetnik (MSU Zagreb) i Cinemaniac (Pula), \nu sklopu 60. međunarodnog festivala u \nObrehausenu, Njemačka, 02 - 05. svibnja \n2014\n2.574,00\n3\nĐina Jakir\nProgrami stručnog usavršavanja\nSudjelovanje producentice s projektom \ndugometražnog filma u razvoju 'Best friends \nforever', red. B. Vekarić na 4 sesije \nmeđunarode radionice za razvoj projekta ' \nFour Corners Film Development Program'; \n24.-29.03.2014., Sofija, Bugarska; 02.-\n07.06.2014., Helsinki, Finska; 01.-\n05.09.2014., London, VB; 13.-19.10.2014., \nSitges, Španjolska\n11.480,00\n4\nFantastičn dobra \ninstituacija - Fade In \nudruga\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje asistentice produkcije s \nprojektom u razvoju 'Eliksir', red. V. Vorkapić \nna tri sesije međunarodne radionice MAIA \n2014.; 'Kreativni aspekti razvoja' 17.-\n21.03.2014., Canale Monterano Italija; \n'Pravna i financijska pitanja' 23.-27.06.2014., \nHalle, Njemačka; 'Marketing i distribucija', \n29.09.-03.10.2014., Lodz, Poljska\n10.000,00\n5\nFoto-kino klub \nIvanovec\nProgrami predstavljanja i promocije \nfilmova. Programi međunarodne \nkulturalne razmjene iz područja \naudiovizualnih djelatnosti\nOrganizacija ljetne međunarodne filmske \nradionice u suradnji s Mađarskom; lipanj \n2014, Ivanovec, Hrvatska\n8.000,00\n6\nFoto kino video klub \nZaprešić\nProgrami gostovanja hrvatskih      \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje 4 člana autorske ekipe i \npredstavljanje filmova 'Hermit', red. J. Fantov \ni 'Inanibus', red. J. Lopatić u natjecateljskom \nprogramu 17. međunarodnog festivala \n'ZOOM - ZBLIZENIA', 18.-23. veljače 2014; \nJelenia Gora, Poljska\n4.200,00\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH \nDJELATNOSTI U 2014.                                                                                                                                        \nPROGRAMI MEĐUNARODNE SURADNJE - Rok 15. veljače 2014.                 \n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA (kn)\n7\nFilmska udruga \nMotion\nProgrami stručnog usavršavanja\nSudjelovanje 4 člana autorskog tima s \nprojektom dugometražnog igranog filma \n'Downtown', red. D. Stavropoulou na četiri \nsesije međunarodne radionice za razvoj \nscenarija 'Four Corners workshop 2014'; 24. - \n29. ožujka 2014., Sofija, Bugarska; 02.-07. \nlipnja 2014., Helsinki, Finska, 01.-\n05.09.2014., London, VB; listopad 2014., \nSitges, Španjolska\n11.480,00\n8\nGate film, obrt za \nusluge\nProgrami izrade promidžbenih \nmaterijala i prijavljivanje u službenu \nkonkurenciju festivala. Programi \npredstavljanja i promocije filmova\nSudjelovanje redatelja i predstavljanje \nkratkometražnog dokumentarnog filma \n'Autofocus', red. B. Poljaka u službenoj \nkonkurenciji kratkometražnih filmova u sklopu \n45. međunarodnog filmskog festivala Vision \ndu Reel, 25.04. - 03.05.2014., Nyon, \nŠvicarska\n22.000,00\n9\nKinoklub Karlovac\nOstali programi\nSudjelovanje Adrijane Dimić u organizaciji \nmeđunarodnog festivala 'Nordic Youth Film \nFestival' u sklopu međunarodne razmjene \nNUFF-a i FRFF-a,01.06. - 01.07. 2014., \nTroms, Norveška\n4.410,00\n10\nKinoklub Karlovac\nOstali programi\nSudjelovanje dvoje predstavnika Four River \nFilm Festivala na radionici 'Streetscape' u \nsklopu 18. međunarodnog festivala Fresh \nFilm Festival, 02. - 07. travnja 2014., \nLimerick, Irska\n4.128,00\n11\nMarko Rojnić\nProgrami gostovanja hrvatskih      \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje Marka Rojnića i predstavljanje \nrada pod nazivom ' The structure of film \npreception: Differences between film and \nreality as indicators of special status of film \npreception' na međunarodnoj konferenciji iz \nfilozofije filma pod nazivom 'Promišljanje \nstvarnosti i vremena kroz film' u organizaciji \nCentra za filozofiju Sveučilišta u Lisabonu; \n06. - 10. svibnja 2014., Lisabon, Portugal\n2.080,00\n12\nMarko Rojnić\nProgrami gostovanja hrvatskih      \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje Marka Rojnića i predstavljanje \nradne verzije rada 'Filmmaking as practical \ncognitivism' u sekciji 'Short paper \npresentation' na međunarodnoj \ninterdisciplinarnoj konferencijiu organizaciji \n'The Society for Cognitive Studies of the \nMoving Image', 11. - 14. lipnja 2014,Franklin \n& Marshall College, Lancaster, Pennsylvania \n6.627,00\n13\nMiran Miošić\nProgrami gostovanja hrvatskih      \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje redatelja i predstavljanje \nkratkometražnog animiranog filma 'Skriveni \ntalent', red. M.Miošića u natjecateljskom \nprogramu (Youth Audience Competition) na \n36. međunarodnom filmskom festivalu \nkratkometražnih filmova Clermont - Ferrand, \nFrancuska 01. - 08. veljače 2014. \n3.000,00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA (kn)\n14\nNukleus film d.o.o.\nProgrami izrade promidžbenih \nmaterijala i prijavljivanje u službenu \nkonkurenciju festivala. Programi \npredstavljanja i promocije filmova\nSudjelovanje članova autorskog tima i \npredstavljanje dugometražnog \ndokumentarnog filma 'Baršunasti teroristi', \nred. P. Pekarcika, I. Ostrchovskyog i P. \nKerekesa na programu 44. međunarodnog \nforuma 'Forum des Jungen Films' u sklopu \n64. međunarodnog filmskog festivala u \nBerlinu; 06. - 16. veljače 2014., Berlin, \nNjemačka\n40.000,00\n15\nREA - udruga za \nsuvremene \nprodukcijske i \narhitektonske \nprodukcije\nProgrami gostovanja hrvatskih      \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje autorice Renate Poljak i \norganizatorice te prezentacija monografije, \nfilmova i video radova autorice u \nOccurrenceu u Montrealu, Kanada, 15.11. - \n20.12.2014\n16.000,00\n16\nRenata Poljak\nProgrami gostovanja hrvatskih      \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje autorice Renate Poljak i \npredstavljanje filma 'Režiranje glumaca/ \nRežiranje uvjerenja' na programu ' Balkan \nfocus' u sklopu međunarodnog festivala \n'Experiments in Cinema', 14. - 20. travnja \n2014., Albuquerque, Novi Meksiko\n10.000,00\n17\nRestart\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje redatelja i producentice s \ndugometražnim dokumentarnim projektom \n'Starac dugačkog brka', red. N. Slijepčevića \nna dvije sesije radionice za razvoj scenarija \n'SOURCES 2 - Script Development \nWorkshop';03.-11.travnja 2014 i srpanj 2014., \nBerlin, Njemačka \n25.000,00\n18\nSlavica film d.o.o.\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje redateljice i producentica s \nprojektom kratkometražnog igranog filma \n'Zvjerka', red.D.Pusić na drugoj sesiji \nscenarističke radionice 'NISI MASA - \nEuropean Short Pitch 2014'; 27.02. - \n03.03.2014., Luxembourg, Luksemburg\n9.000,00\n19\nSlobodan Jokić (Dan \nOki)\nProgrami stručnog usavršavanja. \nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje redatelja s projektom \ndugometražnog filma 'Posljednji Super 8mm \nfilm', red. D.Okija na radionici za razvoj \nprojekta 'SoundImageCulture (SIC) 2014' ; \nBruxelles, travanj - prosinac 2014.\n30.000,00\n20\nUdruga za \naudiovizualno \nstvaralaštvo \n'Artizana'\nProgrami predstavljanja i promocije \nfilmova. \nOrganizacija programa pod nazivom '4. \nCiklus hrvatskog filma u Vojvodini' koja će se \nodržati u Vojvodini, Srbija, 01. svibnja - 31. \nprosinca 2014. \n30.000,00\n21\nUdruga za \naudiovizualno \nstvaralaštvo \n'Artizana'\nPitching, koprodukcijski forumi i \nprogrami za razvoj projekata\nSudjelovanje scenaristice s projektom \ndugometražnog igranog filma u razvoju \n'Izgubljeni', red.B. Ištvančića na 2. sesiji \nrazvojng programa 'BABYLON - feature film \ndevelopment programme', Beč, Austrija, 20.-\n23.veljače 2014.\n7.000,00\n22\nUdruga za audio - \nvizualna istraživanja - \n25FPS\nProgrami gostovanja hrvatskih      \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika\nSudjelovanje člana udruge u svrhu voditelja \nPiO sesija u programu kratkometražnog filma \nna 43. međunarodnom filmskom festivalu u \nRotterdamu, Nizozemska, 22. - 28.siječnja \n2014.\n2.148,00\n23\nUdruga za \npromicanje kulture i \numjetnosti JA BIH\nProgrami predstavljanja i promocije \nfilmova\nOrgnizacija manifestacije 'JA BIH…5 dana \nZagreba u Sarajevu 2014.'; Sarajevo, BiH,   \n02.- 06. lipnja2014.\n20.000,00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA (kn)\n24\nVizije SFT d.o.o.\nProgrami gostovanja hrvatskih      \nautora/-ica, producenata/ -ica, \nizbornika filmskih festivala, filmskih \nstručnjaka i djelatnika. Međunarodni \nfilmski sajmovi. Potpora producentima/ -\nicama i autorima/ -icama za \npredstavljanje filmova\nSudjelovanje Roberta Vidića i Tomislava \nVujnovića i predstavljanje digitaliziranih \nhrvatskih filmova na 70. 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Ištvančića na 2. sesiji razvojng programa 'BABYLON - feature film development programme', Beč, Austrija, 20.- 23.veljače 2014.","entity_original_production_company":"Udruga za audiovizualno stvaralaštvo 'Artizana'","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga za audiovizualno stvaralaštvo Artizana","row_id":"e2158aa6:s2:458b14d8e34c","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_1df3de8cd7a1","project_family_title":"Pitching, koprodukcijski forumi i programi za razvoj projekata"},{"row_number":22,"project_title":"Programi gostovanja hrvatskih autora/-ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika","applicant":"Udruga za audio - vizualna istraživanja - 25FPS","production_company":"Udruga za audio - vizualna istraživanja - 25FPS","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.148,00","approved_amount":2148.0,"currency":"HRK","extras":{"col_1":"22","OPIS PROGRAMA":"Sudjelovanje člana udruge u svrhu voditelja PiO sesija u programu kratkometražnog filma na 43. međunarodnom filmskom festivalu u Rotterdamu, Nizozemska, 22. - 28.siječnja 2014.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga za audio - vizualna istraživanja - 25FPS","row_id":"e2158aa6:s2:bb65d08da469","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_419f5a20e449","project_family_title":"Programi gostovanja hrvatskih autora/-ica, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika"},{"row_number":23,"project_title":"Programi predstavljanja i promocije filmova","applicant":"Udruga za promicanje kulture i umjetnosti JA BIH","production_company":"Udruga za promicanje kulture i umjetnosti JA BIH","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"23","OPIS PROGRAMA":"Orgnizacija manifestacije 'JA BIH…5 dana Zagreba u Sarajevu 2014.'; Sarajevo, BiH, 02.- 06. lipnja2014.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga za promicanje kulture i umjetnosti JA BIH","row_id":"e2158aa6:s2:05952c21d979","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_606a90066648","project_family_title":"Programi predstavljanja i promocije filmova"}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","OPIS PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":24,"project_title":"Programi gostovanja hrvatskih autora/-ica, producenata/ -ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. 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Za dodjelu \nsredstava predloženo je osam radova, od čega četiri u podkategoriji dramske serije tri u \npodkategoriji dokumentarnih serijskih TV djela te jedno u podkategoriji animiranih serijskih \nTV djela. Ukupni iznos sredstava je 600.000 kuna. \n \nPresjek i broj prijavljenih radova svjedoči o nastavku pozitivnog trenda žanrovske \nrazigranosti ali i ukupno sve više profesionalne razine  prijavljenih dramskih i \ndokumentarnih serijskih TV projekata. Iako su ostale podkategorije/formati na ovom pozivu \nnažalost bile slabije zastupljeni i kvantitativno i kvalitativno, ukupan dojam poziva i dalje je \nizrazito pozitivan.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nSaša Runjić, \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \numjetnički savjetnik za razvoj televizijskih djela  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\n1.  Animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute \n \n \n1.1  \n ČOVJEK I BILJKA (10x10 min.)  \n \n \n \n \n \n50.000 kn \n \n \n \n \n \nProducent: Umjetnička organizacija Kadromat \nScenaristi: Daria Blažević, Borna Sor \nRedateljica: Daria Blažević \n \nProjekt koji tematizira čovjekov odnos prema biljnom svijetu, a u kojemu se na krajnje \nneobičan način spajaju filozofija, bioetika, botanika, ekologija osvaja na prvi pogled. \nOzbiljan i utemeljen pristup važnoj temi u novoj je inačici znatno vizualno razigran i \ndinamiziran, pa se, unatoč, i dalje vrlo teško prohodnom diskursu, doima znatno \nkomunikativnijim.  \nUkupno, projekt se sada čini znatno dorađenijim, čvršće i dosljednije postavljenim, i, što je \nnajvažnije, sasvim izglednim za realizaciju. \n \n \n \n \n \n \n2.  Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n \n \n \n2.2  \n KUNST DETEKTIV (20x26 min.) \n \n \n \n \n \n50.000 kn \n \n \n \n \n \nProducent: Jaka Produkcija d.o.o. \nScenaristica i redateljica: Sara Hribar  \n \n \nDokumentarni serijal o pozadini nastanka velikih djela hrvatske moderne umjetnosti \nispričan u formi krimića. U nas još nepoznat, ovaj format na svjež i duhovit način \namalgamira strukturu investigativnog kriminalističkog žanra i dokumentarnog povijesno \numjetničkog eseja čineći potonjeg uzbudljivim, a vrijedan sadržaj kojeg prezentira \nprijemčivim i zanimljivim najširem auditoriju. Priče o velikim i važnim slikama iz moderne \nhrvatske povijesti umjetnosti, ovdje se ne svode na formalnu analizu i stručnu evaluaciju, \nnego pozitivistički istražuju uvjete i kontekst nejzinog nastanka i povijest osoba i/ili scena \nkoje prikazuju. Nadamo se da će realizacija uspjeti doseći visoku razinu prezentiranog \nmaterijala. \n \n \n \n \n \n \n\n\f\n \n \n \n2.3.   NAJVEĆA BITKA U EUROPI (3x50 min.) \n \n \n \n \n75.000 kn \n \n \n \n \n \nProducent: Umjetnička organizacija Missart \nScenaristi: Eduard Galić i Dominik Galić \nRedatelj: Eduard Galić \n \n \nTrodjelni dokumentarni serijal o bici za Vukovar - povijesno, društveno, i nadasve \nemotivno najvećoj i najvažnijoj epopeji Domovinskog rata, bez obzira što je dosad već \nvišestruko i iz raznih kuteva obrađena i dalje traži svoju ultimativnu dokumentarističku \nmonografiju, a ovaj projekt svakako ima potencijala da to bude. Štoviše, čini se kako je \novo jedan od rijetkih projekata s temom Domovinskog rata koji ima potencijal plasmana na \neuropsko tržište, pogotovo ako realizacija bude jednako odmjerena i ispravno \nemocionirana kao i priloženi materijal, budući je to, do sada bila najveća mana radova \nslične vrste.  Autori su  duboko i kvalitetno ušli u materijal, ne samo zbog činjenice da su \nse njime bavili u prethodnim radovima nego i po eksplikaciji tema i sugovornika; a \nstruktura je sada čvrsta i jasna pa priča više ne traži dodatnu kontekstualizaciju i \nobjašnjenje da bi bila razumljiva. \n \n \n2.4  \n ŽENSKA STRANA GRADA  (5x26 min.) \n \n \n \n \n50.000 kn \n \n \n \n \n \nProducent: Restart \nRedateljica: Daria Blažević \nScenaristice: Ana Kutleša i Ivana Hanaček \n \n \nDokumentarni serijal o spomenicima ženama u gradu Zagrebu. Nova inačica ovog \ntematski vrijednog i važnog projekta, znatno je dinamičnija i televizičnija nego prethodna, a \nnjegova problematična dvojna priroda dokumentarnog eseja i angažirane kritičke \nreinterpretacije povijesti (čiji je pravi cilj evidentno i oštra kritika natražnjačkih tendencija u \nsadašnjosti), pa sve to u istom kadru, sada je puno skladnije i televizičnije sklopljena u \nfunkcionalnu cjelinu. Tako ovaj, po novome hibridni dokumentarno-animirani serijal sada \nčvrsto počiva na profinjenom balansu izmedju standardnog formata kunsthistoričarske TV \nmonografije s jedne strane i gotovo aktivistički angažirane reinterpretacije povijesnih \nkanona, odnosno revaloriziciji doprinosa naših velikih sugrađanki iz razdoblja modernizma \ntoj povijesti. \n \n \n \n \n \n \n\n\f\n3. Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n \n \n3.5 \n OBITELJSKI ARHIV  (12x52min.) \n \n \n \n \n100.000 kn \n \n \n \n \n \nProducent: Studio Corvus d.o.o. \nRedatelji: Kristijan Milić \nScenarist: Marjan Alčevski \n \nIgrana dramska serija priča je o uspješnoj ženi srednjih godina koja temelji svoju političku \nkampanju na populističkoj temi arhiva tajnih službi budući joj je otac bivši politički \nzatvorenik. Glavna junjakinja otvara time Pandorinu kutiju zapletenih tajni koji će u \nzavršnici dovesti u pitanje sve emotivne, profesionalne i etičke temelje na kojima počiva  \ndotadašnji život, njezin i cijele njezine obitelji. \nBesprijekorno postavljen treatment s puno narativnih linija i autentičnih karaktera, kao i \npriložena redateljska koncepcija koja u kreativnom dosluhu skladno nadopunjuje \nscenaristički predložak -obećava projekt u najboljoj maniri britanskih serija ovog tipa.  \nVelika vjerojatnost realizacije i plasmana projekta kao internacionalnog. \n \n \n \n3.6 \n ČARUGA (10x45min.) \n \n \n \n \n \n \n \n75.000 kn \n \n \n \n \n \nProducent: DA Film d.o.o. \nRedatelj:  Dejan Aćimović \nScenaristi: Boris Rašeta, Dejan Aćimović \n \n \nTelevizijska dramska serija o \"slavonskom Robinu Hoodu\" s početka prošlog stoljeća, \nodmetniku i ubojici Jovanu Stanislavljeviću Čarugi. Iako uspješno ekranizirana kao film \nkrajem osamdesetih, ova priča i dalje je jednako atraktivna, izazovna i potpuno \nnevjerojatna, pa procjenjujemo da je njezin regionalni koprodukcijski potencijal izvanredno \nvelik, a mogućnost realizacije i kasnijeg plasmana serije na pulsirajuće europsko \ntelevizijsko i streaming tržište vrlo izvjesna.  \nNesumnjiva posvećenost i upućenost autorskog tima u temu kao i svijest o potencijalno \nširokoj kontekstualizaciji priče na društvene i povijesne okolnosti, čini nam se dovoljnom \ngarancijom da će razvoj projekta uroditi željenim plodom.   \n \n \n \n \n \n \n \n \n\n\f\n3.7  \nNEVINA U LUDNICI (5x52 min)  \n \n \n \n \n100.000 kn \n \n \n \n \n \n \n \nprodukcija: MP-filmska produkcija d.o.o \n \nredatelj: Robert Orhel \n \nscenaristica: Sanja Kovačević \n \n \nDramska TV serija o životu Marije Jurić Zagorke, spisateljice, tragične heroine i jedne od \nglavnih ikona ženske emancipacije u Hrvata, vrijedna je sama po sebi, i nosi ne samo \ndramu koja izvire iz sudbine glavne junakinje nego i ima, dakako, snažan društveno kritički \npotencijal.  \nRazvoj scenarija ove serije kojeg smo podržali u 2019. rezultirao je vrlo kvalitetnim \npredloškom a očito je kako su na priloženom materijalu zajedno temeljito i kvalitetno radili  \nscenaristica, producent i redatelj; pa se stječe dojam kako je već sada riječ o vanserijskom \nprojektu.  \n \n \n \n3.8  \nONO KAD NEMAŠ DOVOLJNO IGRAČA \n(10x52 min)  \n100.000 kn \n \n \n \n \n \n \n \nprodukcija: Inter Film d.o.o. \n \nredatelj: Kristijan Milić \n \nscenaristica: Slavica Šnur \n \n \n \nDramska serija o bici za Vukovar, točnije Blagi Zadri i braniteljima s Trpinjske ceste. \nČini se kako ovim projektom vukovarska epopeja napokon dobija zasluženi dramski okvir. \nScenarij je već u ovoj ranoj inačici vrlo uvjerljiv, konzistentan a istovremeno prohodan, \nživotan i dramski uvjerljiv. Priloženi sinopsis svih epizoda očigledno je detaljno, pomno i \ndugo elaboriran, a ukupno prezentirani materijal i oko njega okupljena autorsko-\nproducentska ekipa opravdavaju uvjerenje o kvalitetnoj realizaciji projekta.  \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2021,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Rezultati - Manjinske koprodukcije - 1. rok - 15.2.2016.pdf","filename_decoded":"Rezultati - Manjinske koprodukcije - 1. rok - 15.2.2016.pdf","sha256":"e313a33ad5f4dd5e93a695700f4a0674f91e521229122e2f7ab210d1b591f601","bytes":332534,"page_count":1,"extracted_at":"2026-05-17T10:22:51Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Rezultati%20-%20Manjinske%20koprodukcije%20-%201.%20rok%20-%2015.2.2016.pdf"},"raw_text":" \n \n \n \n \n \n73. sjednica Hrvatskog audiovizualnog vijeća - 23.9.2016. \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE FILMSKIH KOPRODUKCIJA S MANJINSKIM \nHRVATSKIM UDJELOM u 2016. - 1. ROK - 15.2.2016. \nNAZIV \nFILMA \nREDATELJ/ICA \nHRVATSKI \nPRODUCENT \nGLAVNI \nPRODUCENT \nODOBRENO \nAnimirani film \nManivald \nChintis Lundgren \nJadranska \nanimacija / \nAdriatic \nAnimation \nChintis Lundgreni \nAnimatsioonistuudio \n(Estonija) \n250.000,00 kn \nDugometražni dokumentarni film \nSlatko od \nNišta \nBoris Mitić \nAnti-Apsurd \nd.o.o. \nDribbling Pictures \n(Srbija) \n200.000,00 kn \nKratkometražni igrani film \nDeer Boy  \nKatarzyna Gondek \nFilmska udruga \nMotion \nCentrala Distribution \nSp. z o.o. 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Boško Picula \numjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom  \n \nNa treći rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2025. godini \nprijavljeno je ukupno 59 projekata. Od ovoga ukupnog broja prijavljenih, samo jedan \nprojekt nije razmatran jer nije zadovoljio uvjete Javnog poziva, te je u konačnici razmatrano \n58 projekata.  \n \nOd razmatranih projekata, s obzirom na filmski rod i vrstu, najviše prijavljenih dolazi iz \nkategorije dugometražnoga igranog filma, ukupno 39 (od toga 11 debitantskih dugometražnih \nigranih filmova). Dva su dugometražna igrana filma (od toga jedan debitantski), prijavljena u \nfazi postprodukcije. Nakon dugometražnih igranih filmova prema broju prijava slijede \ndugometražni dokumentarni filmovi s ukupno 7 prijava, zatim kratkometražni igrani filmovi s \n5 prijava i kratkometražni animirani filmovi s također 5 prijava. Glede roda kratkometražnoga \ndokumentarnog filma, zaprimljena je i razmatrana samo 1 prijava, te 1 prijava \neksperimentalnog filma, i to u postprodukcijskoj fazi:  \n \nVRSTA FILMA \nBROJ PRIJAVA \n \nDugometražni igrani i debitantski \ndugometražni igrani filmovi \n39 (11) \nKratkometražni igrani filmovi \n5 \nDugometražni dokumentarni filmovi \n7 \nKratkometražni dokumentarni filmovi \n1 \nDugometražni animirani filmovi \n0 \nKratkometražni animirani filmovi \n5 \nEksperimentalni filmovi \n1 \nUKUPNO \n58 \n \n \nOd prijavljenih i razmatranih projekata, s obzirom na zemlju iz koje dolazi glavni producent, \nodnosno produkcijska kuća s većinskim udjelom u financiranju, riječ je o 17 zemalja s dva \nkontinenta (Europa, Azija). Najveći broj prijava stigao je iz Srbije (11), Crne Gore (9), \nSlovenije (8) te Bosne i Hercegovine (6). \n \n \nZEMLJA VEĆINSKOG \nPRODUCENTA \nBROJ PRIJAVA \n \nSrbija \n11 \nCrna Gora \n9 \nSlovenija \n8 \nBosna i Hercegovina \n6 \nRumunjska \n4 \nBugarska \n3 \n\n\f\nItalija \n3 \nFrancuska \n2 \nLitva \n2 \nSjeverna Makedonija \n2 \nTurska \n2 \nCipar \n1 \nČeška \n1 \nGrčka \n1 \nIrska \n1 \nNizozemska \n1 \nPoljska \n1 \nUKUPNO \n58 \n \n \nKriteriji za predlaganje projekata za sufinanciranje temelje se na: \n  \n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i \nredateljski koncept;  \n2. Ocjeni financijske izvedivosti te predstavljenoga distribucijskog potencijala projekta, s \nobzirom na produkcijski paket te plan promocije i distribucije;  \n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za \nfinanciranje projekata.  \n \n \nFilmovi predloženi i odobreni za sufinanciranje, s ukupnim iznosom sufinanciranja od \n407.000 EUR: \n \n1.) Dugometražni igrani film Južni vjetar 3 (Srbija), hrvatska produkcijska kuća Telefilm \nd.o.o., 75.000,00 EUR  \n2.) Dugometražni igrani film Quo Vadis, Aida – dio koji nedostaje (Bosna i \nHercegovina), hrvatska produkcijska kuća Produkcija Živa d.o.o., 100.000,00 EUR \n3.) Dugometražni igrani film Posljednji peron (Bosna i Hercegovina), hrvatska \nprodukcijska kuća Artizana film d.o.o., 62.000,00 EUR \n4.) Debitantski dugometražni igrani film Ježinac (Grčka), hrvatska produkcijska kuća \nStudio Corvus d.o.o., 60.000,00 EUR \n5.) Kratkometražni igrani film Moj prvi pobačaj (Slovenija), hrvatska produkcijska kuća \nMore-Magnets d.o.o., 10.000,00 EUR \n6.) Kratkometražni igrani film Nitko ništa nije rekao (Srbija), hrvatska produkcijska \nkuća Dinaridi film d.o.o., 17.000,00 EUR \n7.) Dugometražni dokumentarni film Posljednji balkanski kauboj (Irska), hrvatska \nprodukcijska kuća Restart, 37.000,00 EUR \n8.) Kratkometražni animirani film Guilty Girl (Francuska), hrvatska produkcijska kuća \nJadranska animacija, 28.000,00 EUR \n9.) Kratkometražni animirani film Rajsferšlus (Crna Gora), hrvatska produkcijska kuća \nJaka produkcija d.o.o.,  18.000,00 EUR \n \n \n \n \n\n\f\nOBRAZLOŽENJA \n \n \n1.) Dugometražni igrani film Južni vjetar 3 (Srbija), hrvatska produkcijska kuća Telefilm \nd.o.o., 75.000,00 EUR  \n \nDugometražni igrani film radnog naslova Južni vjetar 3 (izv. Južni vetar 3), žanrovski je \nakcijski kriminalistički triler, čiji je redatelj Miloš Avramović, a zemlja glavnog producenta \nSrbija. Nakon umjetničkog i komercijalnog uspjeha filma Južni vjetar iz 2018. uslijedila je \nistoimena televizijska serija te u kinima podjednako uspješan nastavak filma s dodatkom u \nnaslovu Ubrzanje iz 2021., također suradnja redatelja Avramovića i koscenarista Petra \nMihajlovića. Razlog ovakvog prijama ovog projekta temelji se upravo na vještini strukturiranja \ni vođenja priče s plastičnim i zaokruženim likovima te s uvjerljivim odnosima i dijalozima \nmeđu njima što su odlike i scenarija trećeg dijela trilogije. Treći segmenti filmskih trilogija \nredovito su najosjetljiviji u dramaturškoj dosljednosti, i unutar sebe, i u kontekstu serijala, što \nje autorska ekipa u ovom slučaju efektno izbjegla kao moguću zamku dodajući priči, izvorno i \nimanentno iz kriminalnog miljea, elemente povezanosti politike i kriminala, te seleći radnju s \nbalkanskoga na srednjoeuropski dio kontinenta. U središtu su zbivanja poznati junaci priče \nPetar Maraš i Marko Milošević 'Baća' koji sada u Beču, iz različitih društvenih pozicija, \nrješavaju ne samo novu pogibeljnu situaciju u podzemlju, nego i vlastitu egzistenciju. Redatelj \nu svojoj koncepciji jasno ističe da film kao završni dio trilogije percipira kao vrhunac svih \nsukoba, definirajući film ne kao završetak, nego kao kulminaciju. Produkcijska kuća Telefilm \nd.o.o. kao hrvatski partner u projektu, uspješan je akter u produkciji hrvatskih dugometražnih \nigranih filmova (Broj 55, Metastaze, Ljudožder vegetarijanac,), potvrdivši svoj koprodukcijski \npotencijal upravo drugim dijelom trilogije Južni vjetar, dobitnikom posebnog priznanja na \nPulskom filmskom festivalu.  \n \n \n2.) Dugometražni igrani film Quo Vadis, Aida – dio koji nedostaje (Bosna i \nHercegovina), hrvatska produkcijska kuća Produkcija Živa d.o.o., 100.000,00 EUR \n \nDugometražni igrani film radnog naslova Quo Vadis, Aida – dio koji nedostaje, poratna je \ndrama, čija je redateljica i scenaristica Jasmila Žbanić, a zemlja glavnog producenta Bosna i \nHercegovina. Riječ je o nastavku redateljičina filma Quo Vadis, Aida? iz 2020. koji je \nsvjetskom premijerom na Festivalu filmske umjetnosti u Veneciji započeo izniman \nmeđunarodni uspjeh zavrijedivši niz nagrada i nominacija, uključujući Europsku filmsku \nnagradu za najbolji film, režiju i glumicu (Jasna Đuričić) te nominaciju za Oscara i BAFTA-u \nu kategoriji najboljega međunarodnog filma, odnosno filma izvan engleskoga govornog \npodručja. Priča i dalje prati naslovnu junakinju, ovaj put nakon što je u Bosni i Hercegovini \n1995. završen krvavi troipolgodišnji rat. Izgubivši u genocidu u Srebrenici obitelj, Aida dobije \ninformaciju da su njezini sinovi možda živi u jednom logoru u Srbiji. Između nove nade i očaja \nAida dijeli sudbinu mnogobrojnih žena u sličnoj situaciji... Povezavši ratne strahote i ništa \nmanje dramatične poratne emotivne brzace osoba koje su u ratu izgubile svoje najmilije, \nautorica logično i koherentno nastavlja priču iz prethodnog filma usredotočujući se na dvojake \nsudbine: žena koje grčevito tragaju za istinom o stradalim članovima svoje obitelji i – samih \nstradalnika. K tome, scenarij pregnantno rekonstruira poratnu zbilju Bosne i Hercegovine u \nkojoj je dogovoreni mir zapravo paravan nikad razriješenog sukoba. Produkcijska kuća \nProdukcija Živa d.o.o. kao hrvatski partner u projektu, etablirao se s nekoliko visoko \nocijenjenih ostvarenja među kojima su Muškarci ne plaču, Cure – život druge i redateljičin \nfilm Na putu.  \n\n\f\n \n3.) Dugometražni igrani film Posljednji peron (Bosna i Hercegovina), hrvatska \nprodukcijska kuća Artizana film d.o.o., 62.000,00 EUR \n \nDugometražni igrani film naslova Posljednji peron, žanrovski dramu, režira Irena Škorić, a \nzemlja je glavnog producenta Bosna i Hercegovina. Hrvatska redateljica, scenaristica i \nspisateljica Irena Škorić, etablirana filmskim ostvarenjima različitih rodova i vrsta, od kratkih \nigranih (Rastanak), preko dokumentarnih (Dragi Lastane, Neželjena baština) do \ndugometražnih igranih (7seX7), u ovom intimistički intoniranom projektu drame dvoje ljudi \npotvrđuje svoju literarnu vještinu uobličavanja složenih međuljudskih odnosa koji nužno \ntrebaju razrješenje. Tako je postavljena i ova priča o Mikiju i Jani koji putuju u Mikijevo rodno \nmjesto u Bosni i Hercegovini kako bi nakon tragičnih događaja i sami prošli kroz katarzu. S \nnaglaskom na višeslojnu profilaciju likova, ključne emotivne apele u priči, te izgovorene i \nneizgovorene tenzije, scenarij je dramaturški dosljedan, a priča sugestivna pri čemu autorica \nuspostavlja kompleksan odnos između protagonista sa sredinom u kojoj se radnja zbiva. \nNaime, bosansko-hercegovački kraj s vlastitom prošlošću i konfliktima, a kojim likovi putuju \nradi vlastitog odnosa, u pojedinim narativnim i režijskim eksplikacijama djeluje kao efektna \ndihotomija zapleta. S tim referencama na nedavnu prošlost, film odlikuje i suvremenost i \nsvevremenost zapleta. Produkcijska kuća Artizana d.o.o. kao hrvatski partner u projektu, \nrealizirala je dosad u Hrvatskoj niz naslova različitih filmskih rodova i vrsta (Most na kraju \nsvijeta, Legende hrvatskog sporta – Nepoznato o poznatima: Miroslav Ćiro Blažević), dok je u \nmeđunarodnoj koprodukciji ostvarila zapaženi dugometražni igrani film Mačji krik.  \n \n \n4.) Debitantski dugometražni igrani film Ježinac (Grčka), hrvatska produkcijska kuća \nStudio Corvus d.o.o., 60.000,00 EUR \n \nDebitantski dugometražni igrani film naslova Ježinac režira Iris Baglanea, a zemlja je glavnog \nproducenta Grčka. Obiteljska drama s elementima magičnog realizma portretira četveročlanu \nobitelj koja živi u ruralnoj središnjoj Grčkoj. I dok dvije sestre, jedna desetogodišnja, druga \nšestogodišnja uživaju u bezbrižnom djetinjstvu u prirodi, a majka pomaže susjedi u pčelarstvu, \notac ribar otkrije da je obolio od terminalnoga zloćudnog tumora na mozgu. On odbije bolničko \nliječenje odlučivši se posvetiti kćerkama kako bi znale prihvatiti neminovnost smrti. No, ova \nće životna odluka uvelike utjecati na cijelu obitelj. Pošavši od vlastitog odrastanja te u jednoj \nod djevojčica skicirajući sebe, redateljica sugestivno gradi priču koja od početka ima cilj – \nsuočavanje sa smrću – ali to čini uz puno nijansa te logičnih obrata profilirajući plastične \nkaraktere te uspostavljajući čvrst dramski luk. Ozračje je priče i iščekujuće i poetsko, a posebna \njoj je vrijednost interakcija između odraslih i dječjih likova. Scenarij oslonjen o metaforiku \nsimetrije ježinca, ali životan, zajednički je rad redateljice, dosad zapažene po kratkim radovima \n(Goads, Zange) i nagrađivane talijanske filmašice Alice Rohrwacher (Sretni Lazzaro, Himera), \nove godine nominirane za Oscara za kratkometražni igrani film La pupille. Produkcijska kuća \nStudio Corvus d.o.o. kao hrvatski partner u projektu, ima iza sebe više realiziranih \ndugometražnih igranih filmova u Hrvatskoj te koprodukcija (Posljednja volja, Djeca jeseni, \nMoje jezero, Luna park), kao i projekata u postprodukciji.  \n \n \n \n \n \n\n\f\n5.) Kratkometražni igrani film Moj prvi pobačaj (Slovenija), hrvatska produkcijska kuća \nMore-Magnets d.o.o., 10.000,00 EUR \n \nKratkometražni igrani film radnog naslova Moj prvi pobačaj, žanrovski dramu, prema \nvlastitom scenariju režira Hannah Koselj Marušič, a zemlja je glavnog producenta Slovenija. \nPošavši od osobnoga životnog iskustva, autorica, inače interdisciplinarna umjetnica koja se \nbavi fotografijom, ilustracijom, poezijom i filmom kombiniranih rodova (Podgane s cvjetnim \nkapicama, Rascijepljeni krajevi) tematizira uvijek iznimno osjetljivo pitanje pobačaja. U svom \nprotagonistima i mizanscenom razrađenom scenariju, dosljedno, ali podosta inovativno govori \no mladoj studentici koja se odlučuje za pobačaj. Premda ima podršku svog partnera, sve više \nosjeća utjecaj društva te društvenih mreža, a u snovima joj se javi sam zametak… Dojmljivo \ndočarana životna situacija koja je dosad dobila najrazličitije ekranizacije, u autoričinoj je viziji \noriginalna i nadahnuta dobivši nekoliko kutova gledanja te mogućnosti. Jednostavnog zapleta, \nali višeslojne razrade, scenarij je uvjerljiv i likovima i dramaturškim lukom, a priča je \nsuvremena i relevantna. Produkcijska kuća More-Magnets d.o.o. kao hrvatski partner u \nprojektu, dosad se najviše istaknula kratkometražnim filmskim projektima (Peti kat lijevo, Daj \nda nam ljubav kaže sve o nama) i televizijskim dokumentarnim serijalima (Zanat, Povratak \nživotinjama), te je kapacitirana za ovakav tip projekta.  \n \n \n6.) Kratkometražni igrani film Nitko ništa nije rekao (Srbija), hrvatska produkcijska \nkuća Dinaridi film d.o.o., 17.000,00 EUR \n \nKratkometražni igrani film naslova Nitko ništa nije rekao, režira Tamara Todorović, a zemlja \nje glavnog producenta Srbija. Nastojeći i u svom novom projektu istražiti izazove s kojima se \nžene suočavaju u različitim fazama života, kako sama ističe, autorica se u svom novom \nkratkometražnom radu, nakon uspješnih studentskih filmova (Glad, Vodi me na more), bavi \ninverzijom položaja žrtve i nasilnika. Slojevita te vješto ispričana priča govori o \nčetrdesetogodišnjoj Katarini koja se svakodnevno suočava s izazovima braka i majčinstva, ali \nje ništa nije moglo pripremiti na jedan koban događaj. Naime, njezina je jedanaestogodišnja \nkći Mina s prijateljicama sudjelovala u zlostavljanju mačke što je dovelo do smrti životinje. \nKada ovaj događaj inicira suočavanje Katarine s majkama ostalih djevojčica, jedan će tip \nnasilja isprovocirati drugi… Čvrstoga dramskog luka, te dojmljivog zapleta i likova, scenarij \nje svojom suvremenom temom relevantan, ne samo za sredinu u kojoj se radnja zbiva, a svojom \nprovokativnošću itekako poziva na raspravu. Produkcijska kuća Dinaridi film d.o.o. kao \nhrvatski partner u projektu, sudjelovala je posljednjih godina u više zapaženih produkcija i \nkoprodukcija dugometražnih igranih filmova (Da li ste vidjeli ovu ženu?, Mare, Otapanje \nvladara, Dobra djeca) te kratkometražnih radova različitih rodova (Antiotpad, Sve što dolazi, \nKnin-Zadar). \n \n \n7.) Dugometražni dokumentarni film Posljednji balkanski kauboj (Irska), hrvatska \nprodukcijska kuća Restart, 37.000,00 EUR \nDugometražni dokumentarni film naslova Posljednji balkanski kauboj, režira Dragana Jurišić, \na zemlja je glavnog producenta Irska. Spojivši priču o jednom od najneobičnijih zaljubljenika \nu film u Bosni i Hercegovini i bivšoj Jugoslaviji s vlastitom obiteljskom pričom koja se također \nodvijala u kontekstu (pred)raspada bivše države i rata, hrvatska fotografska umjetnica, \nspisateljica i filmska autorica Dragana Jurišić strukturira portret i jednog čovjeka, i jednog \nvremena. Njezin dugometražni dokumentarni prvijenac kroz detaljno istraživanje i koherentan \nnarativni sklop rekonstruira život i stvaralaštvo Harija Džeksona, pravim imenom Aljuša \n\n\f\nMuslija, koji je iz rodne Makedonije kao dječak došao u Bijeljinu te u predratnoj BiH \nentuzijastično snimao lokalnu inačicu vesterna. Autorica opisujući svoga glavnog junaka i \nsama pokušava nanovo snimiti jedan njegov film povlačeći paralele između različitih vremena, \nljudi i emocija koje su ih vodile. Kako je sama napustila zemlju u kojoj je rođena etabliravši se \nu Irskoj, njezin osobni i umjetnički povratak kući u isto je vrijeme potraga i za istinom o \nmitskom filmašu amateru, i potraga za vlastitim identitetom. Temeljen na dvostrukoj naraciji \nnadahnutoj životom i radom središnjeg protagonista, scenarij uobličuje univerzalnu priču o \nzanosu i samoodređenju. Produkcijska kuća Restart kao hrvatski partner u projektu, jedna je \nod najagilnijih i najuspješnijih domaćih kuća posljednjih godina kada su posrijedi \ndokumentarni i srodni projekti u Hrvatskoj te koprodukcijski u Europi o čemu svjedoči aktualni \nuspjeh višestruko nagrađenog filma Fiume o Morte! te ostali recentni radovi (Između \nrevolucija, dvodjelni Dosje Labudović, Muzej revolucije, Srbenka).  \n \n \n8.) Kratkometražni animirani film Guilty Girl (Francuska), hrvatska produkcijska kuća \nJadranska animacija, 28.000,00 EUR \n \nKratkometražni animirani film naslova Guilty Girl, režira prema vlastitu scenariju Varja \nJakovljeva, a zemlja je glavnog producenta Francuska. Metaforički kontekstualiziran, film \ngovori o djevojci Anni koja živeći u malom mjestu doznaje da joj je voljeni otac počinio teške \nzločine. S jedne strane, odana ocu s kojim ga povezuje ljubav, a s druge zgrožena njegovim \nnedjelima, središnja junakinja prolazi ubrzano sazrijevanje i to na traumatičan način. Iako \nosobna, priča je provučena kroz refleksiju ratnih stradanja uzrokovanih vojnom agresijom \nRusije na Ukrajinu, te su likovi u priči de facto poveznice sa stvarnim događajima. Snažnih \nlikova i njihovih međuodnosa, autorica potvrđuje svoju iznimnu vještinu pripovijedanja i \noriginalnu vizualizaciju kojom se etablirala u ranijim radovima, među kojima je i Oneluv iz \n2022. kojim je osvojila Grand Prix na zagrebačkom Animafestu te postigla niz ostalih \nmeđunarodnih festivalskih uspjeha. Kao i u tom filmu u kojem također stvara višeslojan odnos \nizmeđu žrtve i nasilnika, i u ovom projektu postiže se sinergija zapleta, njegova konteksta i \nlikovnih rješenja, gotovo bez dijaloga, pri čemu se spajaju linearnost zbivanja i fantazije. Tema \nje univerzalno relevantna, i kao interpretacija pojedinačnog zločina, i kao njegova \npersonifikacija. Jadranska animacija veoma je uspješna u svojim domaćim i koprodukcijskim \nprojektima, redovito postižući međunarodne uspjehe (Eeva, Obiteljski portret, Borisova \npekarnica).  \n \n \n9.) Kratkometražni animirani film Rajsferšlus (Crna Gora), hrvatska produkcijska kuća \nJaka produkcija d.o.o., 18.000,00 EUR \n \nKratkometražni animirani film naslova Rajsferšlus prema vlastitom scenariju režira Mato \nUljarević, a zemlja je glavnog producenta Crna Gora. Akademski kipar i svestrani umjetnik, \nautor je kao redatelj kratkometražnoga animiranog filma debitirao na ovogodišnjem Svjetskom \nfestivalu animiranog filma u Zagrebu pri čemu je njegov rad Uroš uvršten u Veliko natjecanje \nAnimafesta osvojivši nagradu Zlatko Grgić za najbolji prvi film napravljen izvan obrazovne \ninstitucije. U svom se prvijencu predstavio spojem upečatljive likovnosti i priče snažnih \nemocija koji razvija i u ovom projektu. Kompleksno zamišljena i elaborirana, priča u scenariju \npolazi od ideje slušanja apstraktnih zvučnih zapisa koji iniciraju nadrealistički narativni \nmozaik. Nadahnut kafkijanskom prozom o preobrazbi te Platonovom alegorijom sjena u Mitu \no špilji, autor veoma vješto strukturira polazište priče o dvije djevojčice, jednoj odvažnoj, \ndrugoj povučenoj, koje osmišljavaju dva lika – Lavotigra i Djevojčicu – u bajci o suočavanju \n\n\f\ns vlastitim strahovima. Efektna i originalna priča zaživjela je kroz podjednaku sinergiju \nzvukova i pokreta, a svojom se metaforikom nedvojbeno referira na sadašnjost kao svojevrsnu \nsuvremenu 'špilju'. Produkcijska kuća Jaka produkcija d.o.o. kao hrvatski partner u projektu, \nostvaruje u kontinuitetu zapažene projekte različitih filmskih rodova (Dnevnik Pauline P., \nBalada o fruli i ogrlici) i koprodukcija (Praslovan), te je predloženim planom rada i \nfinanciranja kapacitirana za realizaciju i ovog projekta.  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2025,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RPR_DOKUMENTARNI_2025_2rok_10IX2025_WEB.pdf","filename_decoded":"Obrazlozenje_RPR_DOKUMENTARNI_2025_2rok_10IX2025_WEB.pdf","sha256":"e3ca4f93f36316edea282063c3a193f92f5e92b4579c28fc40ee1f16fcce9be0","bytes":180248,"page_count":2,"extracted_at":"2026-05-17T12:02:09Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RPR_DOKUMENTARNI_2025_2rok_10IX2025_WEB.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 2. ROK, 2025. \nDUGOMETRAŽNI DOKUMENTARNI FILM, UMJETNIČKI SAVJETNIK: ROBERT TOMIĆ ZUBER  \nKATEGORIJA: POTICANJE RAZVOJA SCENARIJA I RAZVOJA PROJEKATA DUGOMETRAŽNIH IGRANIH, \nDUGOMETRAŽNIH DOKUMENTARNIH I ANIMIRANIH FILMOVA – RAZVOJ PROJEKATA DUGOMETRAŽNIH \nDOKUMENTARNIH FILMOVA –  10. rujna 2025.  \n \nNa 2. rok javnog poziva u kategoriji poticanja razvoja projekta dugometražnog dokumentarnog \nfilma, prijavilo se nešto više projekata nego li na prošlom roku, njih ukupno 24. Svi projekti pristigli na ovaj \npoziv su i razmatrani.  \nPitanje kojim sam se povodio birajući projekte u ovom pozivu, obzirom na budžetne mogućnosti i \nshvaćanje ove institucije koliko je bitna razvojna faza za dokumentarni projekt, bilo jest promatranje i onih \nnijansi koje bivaju presudne u finalnoj odluci. Jer ono što otežava u odlučivanju u ovoj fazi, jest i sama \nčinjenica da su prijavljeni projekti sve bolji. Raznorodnih tematika, žanrova, autorskih pristupa. U tom \nsmislu ovaj Centar bi trebao biti zadovoljan, kao što i sam jesam zadovoljan čitajući prijavljene projekte.  \nUzimajući u obzir rečeno, predlažem sveukupno 5 projekata za sufinanciranje u ovoj kategoriji na \novom pozivu, u cjelokupnom iznosu potpore od 95.000 eura. Moglo bi se raspravljati o većem broju također \nvrlo dobrih prijava, no u skladu s postojećim financijskim okvirom bilo je potrebno se okrenuti onim \nnijansama koje daju prevagu u donošenju ovakvih odluka. \n \n \n1. BRODOVI KOJI SE ODUPIRU UMJETNOSTI ILI O GLUPOSTI – Vlatka Vorkapić (redateljica i scenaristica) \n/ Vlatka Vorkapić (producent) / Umjetnička organizacija Vedri i oblači (produkcija) - 20.000,00 eura \n \nAutorica Vlatka Vorkapić, nakon uspješne prijave njenog projekta Brodovi… na poziv za razvoj scenarija, \nnastavlja smjerom kojim je uspješno započela faze realizacije svojeg filma. U svom sinopsisu ponovno \ntemeljito eksplicira svoju filmsku temu o gluposti, koja nas okružuje. Koliko god se ona tematski činila \nzačudnom, zapravo se i dalje radi o sjajnom konceptu filma kojim autorica kako sama ističe cit.: ima \nnamjeru na potencijalno zanimljiv način kroz naraciju o gluposti govoriti o Hrvatskoj danas, Hrvatskoj \nkoja je dio Europe, ali i cijelog planeta Zemlje – kako offline tako i online. \n \n2. GOVEDARICA  - Tiha K. Gudac (redateljica i scenaristica) / Danijel Pek (producent) / Antitalent d.o.o. \n(produkcija) - 15.000,00 eura \n \nGovedarica autorice Tihe K. Gudac u svojoj fazi razvoja scenarija, privukla je moj interes prije svega zbog \nneobične protagonistice, dvadesetšestogodišnje Antonije i njene odluke da život nekog mirnijeg \ngradskog obiteljskog ritma, zamjeni životom stočarice sa svojih 50-ak krava, u prilično nelagodnom \nokruženju koji nije nimalo lagan za svakodnevni život. U fazi razvoja projekta, upotpunjeni novi scenarij \ndodatno je argumentirao potrebu da se ovaj filmski projekt realizira. Jer, kao umjetnički savjetnik, u \nsvojoj prvotnoj odluci robovao sam egzotici koju je za mene u prijašnjoj fazi predstavljala ova priča \nautorice. No čitajući sada novi scenarij, shvatio sam kako se u ovom projektu radi o prije svega sjajnoj \npriči sa sjajnom protagonisticom, uz izniman pristup autorice koji je ostvarila gradeći osobni odnos sa \nnjom. Sam scenarij povlači vas da ga već sada čitate kao uzbudljiv film, jedne sudbine, igrom slučaja \n\n\f\nžene. Kojoj je zbog toga što jest žena, sve kada je u pitanju stočarstvo – teže. \n \n \n3. NASLJEDSTVO - Vedrana Pribačić, Mirta Puhlovski (redateljice i scenaristice) / Mirta Puhlovski \n(producentica) / Metar60 (produkcija)  - 20.000,00 eura  \n \nSložio bih se u potpunosti s riječima autorica projekta Vedrane Pribačić i Mirte Puhlovski kako je njihov \nprojekt zapravo priča o svakoj ženi – o svakoj majci, svakoj kćeri koje primaju terete svojih roditelja i \nnjihovih predaka i prenose to dalje svojoj djeci ostavljajući im ogromnu odgovornost i patnju. U svom \nscenariju naspram prijašnje verzije donose novinu, u vidu uvođenja u scenarij i sebe kao \nsuprotagonistice filma. Obje autorice su prijateljice sa svojim protagonisticama Ljiljanom i Nikom, \nosobno se involviraju u procesu razgovora s njima, pa se čini logičnom odluka da filmska ekipa postane \ndio filma. Priča o baki, kćeri i unuci, a onda posredno i o nasljeđu praunuka, u kojoj bivši suprug i otac \nizmanipulira bolesnu punicu i svo njeno vlasništvo uspijeva prebaciti na sebe, uz pomoć bivšeg partnera \nkćeri - kratki je horor siže jedne borbe dviju žena, majke i kćeri. Ono što na 59 stranica autorice donose \niznimno je dinamičan i emotivan film, ali bez opasnosti da ne bude jasan. Gotovo thrillerovski nas vode \nkroz cijelu priču, s neizvjesnim krajem. Vjerujem da bi se u konačnici ovaj film mogao pretvoriti u pravu \nfilmsku kino poslasticu. \n \n4. RAZGOVOR S MRTVIMA – Goran Dević (redatelj i scenarist) / Hrvoje Osvadić (producent) / Petnaesta \numjetnost d.o.o. (produkcija)  - 20.000,00 eura \n \nSmrt kao tema filma izazov je koji se čini ipak nešto lakši kada je fikcija u pitanju. Upravo zato \ndokumentarni projekt autora Gorana Devića intrigira već od čitanja njegova sinopsisa. Dević svoje \nprotagoniste nerijetko nalazi putem svojih prošlih filmova. Tako je i u ovom projektu slučaj. Ideju za \ntemu smrti, neprirodno odvojenu od života, dobio je tijekom snimanja dokumentarnog serijala 65+. \nShvativši da protagonisti njegova serijala redovito odlaze na groblje, kako bi pričali s pokojnim \nčlanovima svoje obitelji, autor prepoznaje potencijal ove teme. Pogotovo uzimajući u obzir kako živimo \nu eri kulta života u kojem nema prostora za bilo kakav razgovor o smrti, iako se radi o nepobitnoj \nsastavnici svačijeg života. Sama smrt ne diskriminira, ne bira, njoj smo svi do jednoga podložni. \nIstovremeno svaku pomisao na nju izbjegavamo. Ne kao jedno društvo, više kao cjelokupna civilizacija \nna ovom planetu. Zato sam i uvjeren da bi ovaj film mogao razumjeti bilo koji gledatelj, na bilo kojem \ndijelu toga malenoga nam planeta. \n \n5. SUDNJI DAN – Melita Vrsaljko (redateljica i scenaristica) / Sabina Krešić (producent)  / Rastika, vl. \nSabina Krešić (produkcija)  - 20.000,00 eura \n \nJedan veliki dio teme filma koji u svojoj prijavi autorica Melita Vrsaljko predlaže, nažalost je uslijed \nsustava koji ne shvaća napade na novinare ozbiljno, postao dostupan javnom prostoru. I u svom \nsinopsisu autorica tu činjenicu decentno navodi. Ipak, njen fokus je na devastiranju prirode koja nam \nživot znači. A kao društvo ponašamo se kao da to nije činjenica. Sela u Ravnim kotarima ostaju bez pitke \nvode, Mediteran svako ljeto pak gori, prekomjerna sječa zaštićenih šuma, nesanirani kamenolomi… kao \nda nikoga ne zanimaju. Sve to na sreću zanima Melitu Vrsaljko, uza sve posljedice koje taj interes nosi \nsa sobom. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web Obrazlozenje_VIDEOIGRE_rok_2022.pdf","filename_decoded":"web Obrazlozenje_VIDEOIGRE_rok_2022.pdf","sha256":"e4085cb1acb0bd1ec02b88483f994470d0367a323e30f3f67dba32310dd6ce79","bytes":50699,"page_count":6,"extracted_at":"2026-05-17T12:01:56Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje_VIDEOIGRE_rok_2022.pdf"},"raw_text":" \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2022. godini, \nkategorija: POTICANJE RAZVOJA  I PROIZVODNJE VIDEOIGARA \nROK: 5.10.2022. \n \nUmjetnički savjetnik: Andrej Kovačević \n \nNa javni poziv za poticanje razvoja projekata i proizvodnje videoigara u 2022. godini u \npotkategoriji razvoja projekta prijavljen je 31 projekt od strane 31 prijavitelja, dok se \nna potkategoriju proizvodnje prijavilo 13 projekata od strane 12 prijavitelja. Jedan je \nprojekt prijavljen na obje potkategorije što nije u skladu s duhom potkategorija s \nobzirom da projekti ne mogu istovremeno biti u obje faze realizacije, no tih je \nslučajeva manje nego prošle godine. \n \nBudžet svih prijavljenih projekata u potkategoriji razvoja projekta iznosi nešto više od \n6 milijuna kuna  s traženim sufinanciranjem HAVC-a u iznosu od 4 milijuna kuna, dok \nbudžet svih prijavljenih projekata u potkategoriji proizvodnje videoigara iznosi nešto \nviše od 7 milijuna kuna  s traženih sufinanciranjem HAVC-a u iznosu od 4,3 milijun \nkuna. \n \nS obzirom da se radi o drugom javnom pozivu za poticanje razvoja i proizvodnje \nvideoigara, nije iznenađujuće da i dalje veliki udio prijavljenih projekata ima vrlo nisku \nrazinu zrelosti prijavljene dokumentacije. Prijave često imaju problem s \nkonceptualnom snagom, kvalitetno dokumentiranim opsegom projekta, adekvatno \ngranuliranim operativnim planom, dostatnim iskustvom projektnog tima ili troškovnom \nutemeljenosti.  \n \nUmjetnički savjetnik predlaže da se razmotri zasebna potkategorija debitantske \nvideoigre s obzirom na velik broj prijavitelja s relativno malo iskustva po pitanju izrade \nvideoigara, ali sa iskustvom u srodnim audiovizualnim djelatnostima. \n \nOpisano stanje prijava za rezultat ima da su za sufinanciranje proizvodnje predložena \ni odobrena 3 projekta, dok je za sufinanciranje razvoja, a shodno povećanju \nraspoloživog budžeta u odnosu na zadnji javni poziv, predloženo i odobreno čak 10 \nprojekata. \n \n \n \n \n\n\f\nMOGUTH RUN (Razvoj projekta) \nGlavni autor: Zdenko Bašić \nProducent: Miran Brajša \nPrijavitelj: White Cube d.o.o. \n90.000,00 HRK / 11.945,05 EUR \n \nIgra je inspirirana hrvatskim narodnim pričama te je njen cilj kroz interaktivnu igru i \npriče, kvizove i pitalice učiti o osnovnom mitološkom konceptu stare legende o \nMogutu. Projekt je vrlo inovativan s dva aspekta: donosi legende i priče koje nisu više \nčesto prisutne u današnjem narativu, a dio su naše kulturne baštine, te ima izuzetno \njedinstven i upečatljiv vizualan smjer. S obzirom na kvalitetnu koncepciju, izuzetno \nupečatljiv likovni izričaj, dobro pripremljenu dokumentaciju te iskustvo tima, \npredlažem ovaj projekt za realizaciju i financijsku potporu. \n \n \nTHE BOOK OF MI - ISTRIA (Razvoj projekta) \nGlavni autor: Marko Tominić \nProducent: Marko Tominić \nPrijavitelj: Red Martyr Entertainment d.o.o. \n170.000,00 HRK / 22.562,88 EUR \n \nThe Book of Mi je povijesna Role-Playing (RPG) videoigra u epskom narativnom \nžanru s radnjom koja se odvija u Europi 17. stoljeća. The Book of Mi je koncipiran kao \nsaga s više nastavaka gdje je naglasak na priči, iako i borba čini važan element \nigrivosti. Projekt svoje temelje bazira na istraživanju ključnih kulturnih karakteristika \nIstre u 17. st. te vješto kombinira povijesno s mitskim, balansirajući mehanike da tvore \noriginalnu kombinaciju unutar žanra RPG-a. Inovativnost projekta je u tome što vrlo \nvješto kombinira odlike žanrovskih prvijenaca bez da kompromitira viziju autentičnosti \nistarskog podneblja. \n \n \nCAVE HIKERS (Razvoj projekta) \nGlavni autor: Zvonimir Barać \nProducent: Zvonimir Barać \nPrijavitelj: PORCUPINE PARKOUR j.d.o.o. \n70.000,00 HRK / 9.290,60 EUR \n \nCave Hikers je video igra sa zagonetkama u mračnom, ali šarenom, pećinskom \nsvijetu prepunom čudnih bića, stvari i pojava. Cijela igra je bez riječi, te sve je \nprikazano kroz animacije likova, crteže i zbunjeno vrištanje. Čak i “pogrešno” \nprelaženje igre zamišljeno je da ima određenu količinu zabavnih reakcija. Prijavljeni \nkoncept je humorističan i simpatičan, te je projekt uvjerljiv i originalan. Svoju \nzaigranost projekt vješto gradi kroz šarene i duhovite likove i pojave s kojima naše \ninterakcije stvaraju daljnje duhovite rezultate te nas na neopterećen i zabavan ton \nvode kroz napredak u igri. \n \n \n\n\f\nGHOST PAINTER (Razvoj projekta) \nGlavni autor: Sven Nemet \nProducent: Sven Nemet \nPrijavitelj: STUDIO SPEKTAR d.o.o. \n105.000,00 HRK /13.935,89 EUR \n \nGhost Painter je narativna, nenasilna video igra koja spaja povijesnu priču s \nakcijskom igrom skrivanja i šuljanja. Radnja se odigrava u Europi 1920-ih,  \nfokusirajući se na depresivnog njemačkog slikara koji putuje mnogim europskim \nzemljama dok bježi od policije zbog lažne optužbe te koristi svoje tehnike slikanja \nkako bi manipulirao stvarnost, slikajući je u popularnim umjetničkim stilovima tog \ndoba. Priča se bavi odraslim temama kao što su: depresija, alkoholizam, siromaštvo, \npropaganda te utjecaj slikarskih stilova na percepciju stvarnosti. Inovacija mehanike \nna način da utječe na vizualan prikaz igre vješto ukomponirana s narativnom \nstrukturom ovaj projekt čini vrlo suvremenim i relevantnim za domaću audiovizualnu \numjetnost. \n \nODRAZ (Razvoj projekta) \nGlavni autor: Mladen Bošnjak \nProducent: Mladen Bošnjak \nPrijavitelj: Misfit Village 2.0, vl. Mladen Bošnjak \n90.000,00 HRK / 11.945,05 EUR \n \nOdraz je koncept računalne igre žanra u kojoj igrač putuje kroz dva paralelna svijeta. \nU svakom trenutku vidi odraz drugog svijeta u podu. Po potrebi može preokrenuti \nsvijet kako bi ušao u odraz i prenosio objekte potrebne za rješavanje zagonetki iz \njednog u drugi svijet. Priča se temelji na staroslavenskoj mitologiji; glavni igrač \npreuzima ulogu antagonista Velesa koji na početku igre zbog amnezije nije svjestan \nsvoje važnosti. Božica Mokoš polako otkriva Velesu njegovu stvarnu ulogu u priči. \nProjekt koristi suvremeni vizualni pristup, klasični set mehanika te zanimljivo \nimplementira slavensku mitologiju čime je relevantan i suvremen, uvjerljiv i originalan. \n \n \n \nALL LIVING THINGS (Razvoj projekta) \nGlavni autor: Filip Ugrin \nProducent: Filip Ugrin \nPrijavitelj: MOXO, vl. Filip Ugrin \n70.000,00 HRK / 9.290,60 EUR \n \nAll Living Things je igra inspirirana “Grow” serijom web igara autora Ona Nakayame s \nvizualnim utjecajem radova Hieronymusa Boscha, Augsburškom knjigom čuda i \npovijesnim kabinetom zanimljivosti. Igrač rješavanjem zagonetki vitalizira digitalnu \nslikovnicu. Slikovnica je oživljena digitalnim skulpturama koje su animirane stop-\nmotion tehnikom i istražuje sve sakriveno, alkemijsko i snoliko. Jedinstveno likovno-\ntehničko rješenje vješto upareno s odabranom tematikom projekt čine izuzetno \ninovativnim, suvremenim, relevantnim i uvjerljivim. \n \n\n\f\nDREAM GLITCHER (Razvoj projekta) \nGlavni autor: Marko Banjac \nProducent: Vjekoslav Brkić \nPrijavitelj: COMPACT WORLDS, vl. Vjekoslav Brkić \n35.000,00 HRK / 4.645,30 EUR \n \nDream Glitcher je znanstveno-fantastična cyberpunk avanturistička vizualna novela \nkoja sadrži snažne likove i zanimljivu priču s više ishoda. Inovativni sustav daje igraču \nmogućnost da odredi osobine glavnog lika i promjeni ishod igre. Projekt koristi \nsuvremeni vizualni pristup, klasični set mehanika te zanimljivu tematiku koja je u \ndanašnje vrijeme napretka umjetne inteligencije vrlo aktualna. S obzirom na kvalitetnu \nkoncepciju, dobro pripremljenu dokumentaciju te iskustvo tima, predlažem ovaj \nprojekt za realizaciju i financijsku potporu. \n \n \nCARTOGRAPHERS (Razvoj projekta) \nGlavni autor: Lovro Gašparac \nProducent: Luka Gašparac \nPrijavitelj: Grey Matter j.d.o.o. \n140.000,00 HRK / 18.581,19 EUR \n \nThe Cartographers je dungeon crawler videoigra s puzzle mehanikama čije su glavne \nznačajke - duhoviti humor, neobični vizuali, zanimljiva kombinacija escape room i \ndungeon crawler žanrova. Koncept je zanimljiv utoliko što uvodi pacifizam u žanr koji \nje često obilježen nasiljem. Igra se oslanja na klasične žanrovske mehanike te time \npostiže dobar balans teme, igrivosti i mehanika. Inovativnost u projektu je prisutna \nputem izokretanja uobičajene žanrovske paradigme što projekt čini originalnim, \nuvjerljivim i suvremenim. \n \n \nČA JE ŽIVOT VENGO FANTAŽIJA (Razvoj projekta) \nGlavni autor: Martin Babić \nProducent: Jure Bušić \nPrijavitelj: Jaka produkcija d.o.o. \n55.000,00 HRK / 7.299,75 EUR \n \nČa je život vengo fantažija je humoristična point&click avantura. Troje klinaca se na \ngroblju igra prizivanja duhova, no kada umjesto duha iz groba izađe Kostur, \nrazočarani što nisu vidjeli duha klinci odlaze prije nego što se novo prizvani Kostur \nuspije snaći. Bez informacija što ovdje radi, i tko je on uopće, Kostur kreće istraživati \nsvijet kako bi eventualno otkrio odgovore na ta i druga pitanja. Igra se oslanja na \nklasične žanrovske mehanike te time postiže dobar balans teme, igrivosti i mehanika. \nProjekt je duhovit i zanimljivo narativno koncipiran te je uvjerljiv i originalan. \n \n \n \n\n\f\nSHOOTING RANGE AND ICE CREAM (Razvoj projekta) \nGlavni autor: Boris Vuković \nProducent: Dario Lonjak \nPrijavitelj: Pulsar produkcija j.d.o.o. \n70.000,00 HRK / 9.290,60 EUR \n \nVideoigra s fokusom na priču i kombinacijom žanra vizualne novele s mehanikama \npucanja. Glavni lik je nedavno rastavljeni proizvođač oružja kojemu kćer pokazuje \nznakove manjka pozitivne pažnje od roditelja. Potaknut time, otac počne u slobodno \nvrijeme osmišljavati i izrađivati bezopasne igračke u obliku pištolja i poligone koje \npotom koristi za igre putem kojih se zbližava s otuđenom kćeri. Riječ je o 'rite of \npassage' priči o prihvaćanju životnih promjena u žanru obiteljske drame. Projekt se \nbavi suvremenim temama te donosi negativne konotacije određenih žanrova u \npozitivan kontekst čime je izrazito relevantan za domaću audiovizualnu umjetnost. \n \n \nCLOUDSEA (Proizvodnja) \nGlavni autor: Mihael Dumančić \nProducent: Mihael Dumančić \nPrijavitelj: Yeti Ate My Breakfast, vl. Mihael Dumančić \n110.000,00 HRK /14.599,51 EUR \n \nCloudsea je istraživačka simulacija u otvorenom svijetu s elementima RPG-a i \nminimalnim elementima nasilja. Igra je smještena u svijetu među oblacima - \nCloudsea. Svijet letećih otoka inspiriran je Europom srednjeg vijeka. Igrač upravlja \nletećim brodom, posadom, teretom i rješava različite zadatke i potrage. Projekt \ninovativno kombinira elemente upravljanja nebeskim brodovima s upravljanjem \nresursima na način na koji nije viđen u drugim igrama. Zanimljiva kombinacija \nmehanika te korištenje domaćih kulturnih motiva projekt čini suvremenim i \nrelevantnim za domaću audiovizualnu umjetnost. \n \n \nBURA: THE WAY THE WIND BLOWS (Proizvodnja) \nGlavni autor: Rea Budić \nProducent: Rea Budić \nPrijavitelj: Tiny Meow studio j.d.o.o. \n235.000,00 HRK / 31.189,86 EUR \n \nBura - The Way the Wind Blows je avantura s fokusom na istraživanje, prva u \nplaniranoj antologiji video igara baziranih na staro-dalmatinskoj pretkršćanskoj kulturi \nkoja uključuje već pomalo zaboravljena vjerovanja, običaje i vrijednosti. Priča prati \ndjevojku Rinu u pet faza njenog života – od djevojčice do starice, te interakcijama s \nokolinom i dobrim duhovima prirode u svakoj njenoj fazi života. Dobri duhovi prirode \nse baziraju na staro-dalmatinskim legendama te igra uključuje brojnu materijalnu i \nnematerijalnu kulturnu baštinu dalmatinskog područja. Igra zanimljivu kombinaciju \nmehanika vješto isprepliće s domaćim kulturnim motivima, temom i narativom. \n\n\f\nPROFESOR BALTAZAR (Proizvodnja) \nGlavni autor: Aleksandar Gavrilović \nProducent: Aleksandar Gavrilović \nPrijavitelj: Gamechuck d.o.o. \n260.000,00 HRK / 34.507,93 EUR \n \nVideoigra po najpoznatijem hrvatskom animiranom liku - Profesoru Baltazaru, \nosmišljena kao puzzle avantura od 13 samostalnih nivoa od kojih je svaki koncipiran \nslično kao i epizoda istoimene kultne serije. Prolaskom epizoda igrač otključava \ndokumentarne snimke u kojima ga informiramo o povijesti Zagrebačke škole \nanimiranog filma te procesu klasične animacije. Projekt stavlja naglasak na očuvanje \nizvornika te mehanike i progresiju gradi kako bi ostao analogan strukturi originalnih \ndjela. Projekt donosi poznato domaće intelektualno vlasništvo u novi medijski \nkontekst što ga čini suvremenim i relevantnim za domaću audiovizualnu umjetnost. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"videoigre","year":2022,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"komplementarne van roka 32015 .pdf","filename_decoded":"komplementarne van roka 32015 .pdf","sha256":"e44b97cb3e0fc6b96deefb784635dc3eb118848c18db1024c2fcd35239e4c92a","bytes":181834,"page_count":1,"extracted_at":"2026-05-17T10:23:03Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/komplementarne%20van%20roka%2032015%20%20.pdf"},"raw_text":"Naziv predlagatelja\nNaziv programa\nOdobreno\n1\nHrvatski filmski savez\nGostovanje Paola Cherchija Usaija i Alloy Orchestra u \nZagrebu i Rijeci\n15.000,00\n                                                                KOMPLEMENTARNE DJELATNOSTI U 2015. GODINI                                                              \nPrijava sukladno članku 59. Pravilnika o postupku, kriterijima i rokovima za provedbu nacionalnog programa \npromicanja audiovizualnog stvaralaštva (NN 144/14) \n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"komplementarne van roka 32015 ","year":2015,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":"KOMPLEMENTARNE DJELATNOSTI U 2015. GODINI Prijava sukladno članku 59. Pravilnika o postupku, kriterijima i rokovima za provedbu nacionalnog programa promicanja audiovizualnog stvaralaštva (NN 144/14)","section_key":"komplementarne_djelatnosti_u_2015_godini_prijava_sukladno_cl","columns":["Naziv predlagatelja","Naziv programa","Odobreno"],"rows":[{"row_number":1,"project_title":"Gostovanje Paola Cherchija Usaija i Alloy Orchestra u Zagrebu i Rijeci","applicant":"Hrvatski filmski savez","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"1","Naziv programa":"Gostovanje Paola Cherchija Usaija i Alloy Orchestra u Zagrebu i Rijeci","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"e44b97cb:s0:9f08a983590f","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski filmski savez","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatski filmski savez","to":"Gostovanje Paola Cherchija Usaija i Alloy Orchestra u Zagrebu i Rijeci","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_3689561c5812","project_family_title":"Gostovanje Paola Cherchija Usaija i Alloy Orchestra u Zagrebu i Rijeci"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":15000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":15000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":1}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_3.%20saziv_imenovanje%20umj.%20savjetnika%20za%20videoigre_01032021%20(1).pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_3.%20saziv_imenovanje%20umj.%20savjetnika%20za%20videoigre_01032021%20(1).pdf","sha256":"e47c1b27fcc61ab2af434668bcc7ca0add55b641bc439d4c6224110670c46cbc","bytes":187201,"page_count":2,"extracted_at":"2026-05-16T14:11:25Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKLASA: 111-006-001 \nURBROJ: 1053-2021 \nU Zagrebu, 01. ožujka 2021. \n \n \nTemeljem članka 36. Zakona o audiovizualnim djelatnostima (NN 61/18, dalje u tekstu: Zakon), Hrvatsko \naudiovizualno vijeće, na prijedlog Ravnatelja, u 3. sazivu na 10. sjednici održanoj 01. ožujka 2021. godine \ndonijelo je: \n \nO  D  L  U  K  U \no imenovanju umjetničkog savjetnika za razvoj projekata i proizvodnju videoigara u 2021. g. \n \n \n1. Andrej Kovačević imenuje se za umjetničkog savjetnika za razvoj projekata i proizvodnju videoigara \nna Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2021. godini. \n \n2. Mandat imenovanom umjetničkom savjetniku iz točke 1. ove Odluke traje do donošenja odluke \nHrvatskog audiovizualnog vijeća o raspodjeli sredstava prema javnom pozivu za koji je isti \nimenovan, sve sukladno čl. 37. st. 2. Zakona o audiovizualnim djelatnostima (NN 61/18). \n \n3. Ova Odluka stupa na snagu danom donošenja. \n \n4. Ova Odluka bit će objavljena u zakonom propisanom roku na mrežnoj stranici Hrvatskog \naudiovizualnog centra (dalje u tekstu: HAVC) www.havc.hr.  \n \n \n \nObrazloženje \n \nTemeljem čl. 34. Zakona ravnatelj HAVC-a predložio je Hrvatskom audiovizualnom vijeću donošenje Odluke \no imenovanju g. Andreja Kovačevića za umjetničkog savjetnika za razvoj projekata i proizvodnju videoigara \nza potrebe Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2021. godini u kategoriji \npoticanje razvoja projekata i proizvodnje videoigara. \n \nSvoj prijedlog te kompetencije imenovanog ravnatelj je detaljno obrazložio. \n \nNa 10. sjednici Hrvatskog audiovizualnog vijeća u 3. sazivu održanoj 01. ožujka 2021. g. jednoglasno je s \ndvanaest (12) glasova „za“  usvojen prijedlog za imenovanje umjetničkog savjetnika za razvoj projekata i \nproizvodnju videoigara iz točke 1. izreke Odluke. \n  \n \nSlijedom navedenog, odlučeno je kao u izreci Odluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku objaviti \nna svojoj mrežnoj stranici: www.havc.hr. \n \n \n\n\f\n \n \n \n \n \n \n \nPredsjednik \nHrvatskog audiovizualnog vijeća \n \n    Lado Skorin, v.r. \n \n \nDostaviti: \n- \nAndrej Kovačević \n- \npismohrana, ovdje \n","warnings":[],"document":{"program_type":"videoigre","year":2021,"rok":null,"referenced_projects":[],"summary":"Odluka AV Vijeća u 3. sazivu na 10. sjednici od 1. ožujka 2021. o imenovanju Andreja Kovačevića za umjetničkog savjetnika za razvoj projekata i proizvodnju videoigara na Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2021. godini.","project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web AV JP ME_ 2023. - 4. rok - 12.10.2023 copy.xls - Compatibility Mode.pdf","filename_decoded":"web AV JP ME_ 2023. - 4. rok - 12.10.2023 copy.xls - Compatibility Mode.pdf","sha256":"e4d1db2903e860abc51b4042285883d1a2ed88633638037ddcaef642487e7c57","bytes":53408,"page_count":3,"extracted_at":"2026-05-17T10:23:56Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20AV%20JP%20ME%C4%90%202023.%20-%204.%20rok%20-%2012.10.2023%20copy.xls%20%20-%20%20Compatibility%20Mode.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA POTPORA\n(€)\n1\nBest Boy Produkcija, vl. Luka Čurčić\nSudjelovanje na radionici Interaction: Doc Workshop u \nČačku, Srbija\n350,00 €\n2\nNikola Kuprešanin\nSudjelovanje u programu TorinoFilmLab – Next TV \nSeries 2023\n1.500,00 €\n3\nLucija Mrzljak\nSudjelovanje filma \"Eeva\" na Ottawa International \nAnimation Festivalu u Kanadi\n676,00 €\n4\nLea Vidaković\nSudjelovanje filma \"Obiteljski portret\" na festivalu \nConcorto u Italiji\n93,00 €\n5\nJadranska animacija\nSudjelovanje projekta \"Bablje ljeto\" na radionici CEE \nAnimation Workshop 2023 - 3. modul u Bratislavi, \nSlovačka\n378,00 €\n6\nKinematograf d.o.o.\nPromocija filma \"Hotel Pula\" i gostovanje ekipe na \nSarajevo Film Festivalu\n500,00 €\n7\nKinorama d.o.o.\nSudjelovanje filma \"Domaćinstvo za početnike\" u \nprogramu Orizzonti međunarodnog filmskog festivala u \nVeneciji\n2.580,00 €\n8\nUdruga Marinis Media\nSudjelovanje filma \"Bezbroj poljubaca\" na \nMakeCoProDox Forumu, u sklopu festivala MakeDox u \nSkoplju\n756,00 €\n9\nUdruga Marinis Media\nSudjelovanje projekta \"Jedrima u orcu\" u programu \nScript Lab Racconti #12 u Italiji\n1.000,00 €\n10\nPetnaesta umjetnost d.o.o.\nSvjetska premijera filma \"Što da se radi?\" na Sarajevo \nFilm Festivalu\n950,00 €\n11\nPetnaesta umjetnost d.o.o.\nSudjelovanje filma \"Paviljon 6\" u programu DOK \nPreview Training, u sklopu festivala DOK Leipzig\n887,00 €\n12\nPetnaesta umjetnost d.o.o.\nSudjelovanje filma \"Sedmo nebo\" na festivalu CinEast u \nLuksemburgu\n1.891,00 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH \nDJELATNOSTI U 2023. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 13.9.2023., 22. \nsjednica Hrvatskog audiovizualnog vijeća 2.11.2023.\n\n\f\n13\nUdruga Bacači sjenki\nPredstavljanje filmskih i edukativnih projekata Bacača \nsjenki na filmskom festivalu Filem'On u Bruxellesu\n400,00 €\n14\nAntitalent d.o.o.\nSudjelovanje TV-serije \"Gora\" u programu \nPretPremijere Serije, u sklopu Sarajevo Film Festivala\n1.171,00 €\n15\nCentar za kulturu i cjeloživotno \nobrazovanje Zlatna vrata\nSudjelovanje u žiriju CICAE na CineFest Miskolc \nInternational Film Festivalu u Mađarskoj\n681,00 €\n16\nSplit Screen, vl. Marcella Jelić\nSudjelovanje u programu Nordisk Panorama Forum, u \nsklopu Nordisk Panorama Film Festivala u Malmöu, \nŠvedska\n129,00 €\n17\nKatarina Lukec\nSudjelovanje filma \"Đe je kruva nema gladi\" u programu \nGreen Years, u sklopu festivala Doclisboa u Portugalu\n460,00 €\n18\nBonobostudio d.o.o.\nPredstavljanje projekta \"Noć cvate\" na CEE Animation \nForumu u Plzeňu, Češka\n276,00 €\n19\nMatea Kovač\nSudjelovanje animiranog filma \"Y\" na Fantoche \nInternational Animation Film Festivalu u Švicarskoj\n378,00 €\n20\nWolfgang i Dolly d.o.o.\nSudjelovanje redatelja Damira Markovine i producentice \nTamare Babun u međunarodnom programu BDC \nDiscoveries 2023 u Sofiji (Modul 2)\n1.200,00 €\n21\nWolfgang i Dolly d.o.o.\nSudjelovanje Tamare Babun i Damira Markovine u \nprogramu Al Jazeera Documentary Industry Days u \nSarajevu\n300,00 €\n22\nWolfgang i Dolly d.o.o.\nSudjelovanje Tamare Babun u programu Jumpgate, u \nsklopu festivala Doclisboa u Portugalu\n900,00 €\n23\nEclectica d.o.o.\nSudjelovanje filmske ekipe na svjetskoj premijeri filma \n\"1001 noć\" na Toronto International Film Festivalu\n6.000,00 €\n24\nRajko Grlić\nProjekcija filma \"U raljama života\" u kulturno-\numjetničkom centru De Balie u Amsterdamu, u \nprogramu posvećenom Dubravki Ugrešić\n1.295,00 €\n25\nReci RCLE d.o.o.\nPredstavljanje projekata animacijskog studija Reci \nRCLE na Marché International des Programmes de \nCommunication (MIPCOM), forumu audiovizualnih \nsadržaja u Cannesu\n2.000,00 €\n26\nDobar film\nSudjelovanje igrane serije \"Poštovani kukci i druge \njezive priče\" na stručnom programu Mediteranskog \nfilmskog instituta (MFI) u Grčkoj - 3. sesija\n594,00 €\n27\nČetiri film d.o.o.\nSudjelovanje producentice Anite Juka i redateljice Ivone \nJuka na Ontario Creates International Financing Forumu \ns projektom \"Program\"\n5.500,00 €\n\n\f\n28\nThomas Johnson Volda\nSudjelovanje na Encounters Film Festivalu u Bristolu i \npredstavljanje animiranog filma \"Sjeti se kako sam \njahala bijelog konja\"\n238,00 €\n29\nDobar film\nSudjelovanje autorice Karle Lulić i producentice Jelene \nMađarić s projektom \"Ogledalo za slavuja\", u programu \nDiscovery Campus, u sklopu Black Nights Film \nFestivala u Tallinnu\n1.045,00 €\n30\nWolfgang i Dolly d.o.o.\nSudjelovanje Lane Kosovac i Amande Prenkaj na \nradionici Torino Film Lab Next - Online TV Series \nWorkshop s projektom televizijske serije \"Roberta, \nsaberi se\"\n1.700,00 €\n31\nKata Gugić\nPredstavljanje projekta \"Noć cvate\" na CEE Animation \nForumu u Plzeňu, Češka\n312,00 €\n32\nMINYA FILM I ANIMACIJA j.d.o.o.\nSudjelovanje na Marché International des Programmes \nde Communication (MIPCOM), forumu audiovizualnih \nsadržaja u Cannesu\n421,00 €\n33\nKata Gugić\nSudjelovanje u programu stručnog usavršavanja \nAnimation Sans Frontières 2023-2024 – prvi i drugi \nmodul u Njemačkoj i Mađarskoj\n1.500,00 €\n34\nNina Klarić\nAnimation Hub 2023 – Unreal Engine radionica \"Uvod u \nUnreal Engine Cinematics\"\n300,00 €\n35\nKreativni sindikat\nSudjelovanje animatorice Martine Meštrović na festivalu \nCinanima u Espinhu, Portugal\n352,00 €\n38.713,00 €\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"web AV JP ME_ 2023. - 4. rok - 12.10.2023 copy.xls - Compatibility Mode","year":2023,"rok":null,"natjecaj_date":"2023-09-13","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA (€)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje na radionici Interaction: Doc Workshop u Čačku, Srbija","applicant":"Best Boy Produkcija, vl. 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Balkan\t\r  Fiction\nDženan\t\r  Medanović\nKaskader\t\r  d.o.o.\n170.000,00\n2 Izgubljeni\t\r  bombarder\nNebojša\t\r  Slijepčević\nRadna\t\r  kuća\t\r  d.o.o.\n400.000,00\n3 Lambada\t\r  Fiumana\nŽeljka\t\r  Sukova,\t\r  Gustavo\t\r  \nBeck\nUdruga\t\r  Ukus\n300.000,00\n4\nMić\t\r  -­‐\t\r  Dnevnik\t\r  jednog\t\r  \nšizofreničara\nDamir\t\r  Čučić\nNukleus\t\r  film\t\r  d.o.o.\n500.000,00\n5\nPhotoshop:\t\r  kako\t\r  smo\t\r  čitali\t\r  \nnovine\nSilvana\t\r  Menđušić\nStudio\t\r  dim\t\r  d.o.o.\n300.000,00\n6 Potrošeni\nBorut\t\r  Šeparović,\t\r  Ivana\t\r  \nDragičević-­‐Veličković\nMontažstroj\t\r  d.o.o.\n180.000,00\n7 Slavenka\t\r  ili\t\r  O\t\r  boli\nPetar\t\r  Krelja\nHrvatski\t\r  filmski\t\r  savez\n80.000,00\n8 Vidimo\t\r  se\t\r  za\t\r  godinu\t\r  dana\nMarko\t\r  Stanić\nSpiritus\t\r  movens\t\r  \nd.o.o.\n100.000,00\n9 Zemlja\t\r  znanja\nSaša\t\r  Ban\nHulahop\t\r  d.o.o.\n110.000,00\n2.140.000,00\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nBordo:\t\r  dobro\t\r  da\t\r  me\t\r  nisu\t\r  uhapsili Bernardin\t\r  Modrić\nVedis\t\r  d.o.o.\n90.000,00\n2\nDaleki\t\r  susreti\nVilim\t\r  Žlender,\t\r  Marko\t\r  \nStanić\nKinematograf\t\r  d.o.o.\n100.000,00\n3\nDjeca\t\r  kapitalizma\nMatija\t\r  Vukšić\nFactum\n150.000,00\n4\nNedovršeni\t\r  put\nTomislav\t\r  Šango\nStudio\t\r  Guberović\t\r  \nd.o.o.\n100.000,00\n5\nPohane\t\r  cipele\t\r  i\t\r  kakao\t\r  s\t\r  lignjama\nEva\t\r  Kraljević\nHulahop\t\r  d.o.o.\n150.000,00\n6\nZlatko\t\r  Bourek\nZoran\t\r  Pezo\nPlavi\t\r  film\t\r  d.o.o.\n150.000,00\n7\nVeseli\t\r  svaki\t\r  me\t\r  kraj\nAna\t\r  Opalić,\t\r  Dalija\t\r  \nPintarić\nKinematograf\t\r  d.o.o.\n140.000,00\n880.000,00\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1 Kauboji\nTomislav\t\r  Mršić\nKabinet\t\r  d.o.o.\n2.800.000,00\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1 2\t\r  i\t\r  2'\nZrinko\t\r  Ogresta\nInter\t\r  film\t\r  d.o.o.\n2.700.000,00\n2 Čudo\t\r  u\t\r  Poskokovoj\t\r  dragi\nRajko\t\r  Grlić\nDrugi\t\r  plan\t\r  d.o.o.\n4.200.000,00\n3 Kosac\nZvonimir\t\r  Jurić\nKinorama\t\r  d.o.o.\n4.200.000,00\n4 Mrtve\t\r  ribe\t\r  plivaju\t\r  na\t\r  leđima\nKristijan\t\r  Milić\nEurofilm\t\r  d.o.o.\n3.900.000,00\n5 Srce\t\r  mesara\nAntonio\t\r  Nuić\nPropeler\t\r  film\t\r  d.o.o.\n4.100.000,00\n6 Zagonetni\t\r  dječak\nDražen\t\r  Žarković\nKinorama\t\r  d.o.o.\n3.900.000,00\n23.000.000,00\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1 Balavica\nIgor\t\r  Mirković\nStudio\t\r  dim\t\r  d.o.o.\n350.000,00\n2 Druga\t\r  strana\t\r  zgrade\nJosip\t\r  Žuvan\nMasmas\t\r  d.o.o.\n190.000,00\n3 Ponoćno\t\r  sivo\nBranko\t\r  Ištvančić\nArtizana\t\r  film\t\r  d.o.o.\n300.000,00\n4 Pragovi\nDijana\t\r  Mlađenović\nKinematograf\t\r  d.o.o.\n220.000,00\n5 Zajedno\nDaniel\t\r  Kušan\nKinorama\t\r  d.o.o.\n380.000,00\n6 Soba\nKristijan\t\r  Milić\nEurofilm\t\r  d.o.o.\n40.000,00\n1.480.000,00\nDUGOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILMOVI\t\r  \nKRATKOMETRAŽNI\t\r  DOKUMENTARNI\t\r  FILMOVI\nUKUPNO\nJavni\t\r  poziv\t\r  za\t\r  dodjelu\t\r  sredstava\t\r  za\t\r  poticanje\t\r  audiovizualnog\t\r  stvaralaštva\t\r  \nUKUPNO\nUKUPNO\nDEBITANTSKI\t\r  DUGOMETRAŽNI\t\r  IGRANI\t\r  FILM\t\r  \nDUGOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\t\r  \nUKUPNO\nKRATKOMETRAŽNI\t\r  IGRANI\t\r  FILMOVI\t\r  \n\n\f\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1 Asimilacija\nAna\t\r  Hušman\nStudio\t\r  Pangolin\n150.000,00\n2 Gestum\nHrvoje\t\r  Đukez\nUmjetnička\t\r  \norganizacija\t\r  Petikat\n70.000,00\n3 Ime\nGordana\t\r  Brzović\nUdruga\t\r  Laboratorij\t\r  \nmultimedijalnih\t\r  \nmogućnosti\n95.000,00\n4 K15\nZlatko\t\r  Kopljar\nDrugi\t\r  plan\t\r  d.o.o.\n150.000,00\n5 Kino\t\r  Crvena\t\r  zvijezda\nSilvestar\t\r  Kolbas\nSilvestar\t\r  Kolbas,\t\r  \nsamostalna\t\r  \ndjelatnost\n45.000,00\n6 Kriška\nSiniša\t\r  Labrović\nStvaralačka\t\r  mreža\t\r  \nZebra\n60.000,00\n7 Moments\nJosip\t\r  Žuvan\nMasmas\t\r  d.o.o.\n60.000,00\n8 Na\t\r  dopustu\nMarko\t\r  Marković\nAdriatic\t\r  art\t\r  media\t\r  \nfilm\n55.000,00\n9 Naslijeđe\nSanja\t\r  Šamanović\nUmjetnička\t\r  \norganizacija\t\r  Mitropa\n65.000,00\n10 New\t\r  Folder\nTanja\t\r  Golić,\t\r  Filip\t\r  \nŠovagović,\t\r  Zvonimir\t\r  \nJurić,\t\r  Petar\t\r  Orešković,\t\r  \nSara\t\r  Hribar,\t\r  Hana\t\r  Jušić,\t\r  \nIvan\t\r  Salaj,\t\r  Stanislav\t\r  \nTomić,\t\r  Vlatka\t\r  Vorkapić,\t\r  \nSonja\t\r  Tarokić,\t\r  Edi\t\r  \nMužina,\t\r  Bobo\t\r  Jelčić\nStvaralačka\t\r  mreža\t\r  \nZebra\n80.000,00\n11 Od\t\r  analognog\t\r  do\t\r  digitalnog\nKristijan\t\r  Mršić\nMomentum\t\r  studio\n90.000,00\n12 Plesati\t\r  sa\nIrma\t\r  Omerzo\nMarmot\n80.000,00\n13 Prosvjetljenje\nDražen\t\r  Žarković\nUmjetnička\t\r  \norganizacija\t\r  Mitropa\n100.000,00\n14\nQuest\t\r  to\t\r  North:\t\r  600\t\r  godina\t\r  \nnakon\t\r  renesanse\nIgor\t\r  Juran\nAdriatic\t\r  art\t\r  media\t\r  \nfilm\n60.000,00\n15 Skrivena\t\r  aplikacija\nVladislav\t\r  Knežević\nBonobostudio\t\r  d.o.o.\n95.000,00\n16 Strange\t\r  Fruit\nIvan\t\r  Faktor\nHrvatski\t\r  filmski\t\r  savez\n200.000,00\n17 Tina\nŽeljko\t\r  Sarić\nProject\t\r  6\t\r  studio\n80.000,00\n18 Tramontana\nZdravko\t\r  Mustać\nFilmska\t\r  autorska\t\r  \ngrupa\t\r  Enthusia\t\r  \nPlanck\n200.000,00\n19 Transfinitan\nBrian\t\r  Willems\nUdruga\t\r  Kazimir\n30.000,00\n20 Prisoner\t\r  of\t\r  War's\t\r  Point\t\r  of\t\r  View\nGoran\t\r  Trbuljak\nŽimbra\t\r  d.o.o.\n45.000,00\n1.810.000,00\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1 Cura\t\r  koja\t\r  je\t\r  voljela\t\r  bajke\nČejen\t\r  Černić\nKinorama\t\r  d.o.o.\n200.000,00\n2 Fibonnacijev\t\r  kruh\nDanijel\t\r  Žeželj\nUstanova\t\r  Zagreb\t\r  film\n239.700,00\n3 Glad\nPetra\t\r  Zlonoga\nBonobostudio\t\r  d.o.o.\n220.000,00\n4 Kako\t\r  se\t\r  kalio\t\r  čelik\nIgor\t\r  Grubić\nKreativni\t\r  sindikat\n416.000,00\n5 Labirint\t\r  ogledala\nIvana\t\r  Bošnjak,\t\r  Thomas\t\r  \nJohnson\nBonobostudio\t\r  d.o.o.\n380.000,00\n6 Penjači\nSiniša\t\r  Mataić\nBold\t\r  studio\t\r  d.o.o.\n340.000,00\n7 Prognoza\t\r  vremena\nMartina\t\r  Lukanović\nUmjetnička\t\r  \norganizacija\t\r  Anima\n60.000,00\n8 Sanjala\t\r  si\t\r  \nAna\t\r  Kolega\nUmjetnička\t\r  \norganizacija\t\r  Anima\n80.000,00\n9 Vaste\t\r  Landscape\nLea\t\r  Vidaković\nAutonomni\t\r  kulturni\t\r  \ncentar\t\r  -­‐\t\r  Attack\n179.050,00\n10 Visina\nSanja\t\r  Šantak\nUmjetnička\t\r  \norganizacija\t\r  Filozirka\n150.000,00\n11 Zašto\t\r  su\t\r  došli\t\r  vlakom\nJoško\t\r  Marušić\nUstanova\t\r  Zagreb\t\r  film\n480.000,00\n12 Živa\t\r  sila\nBruno\t\r  Tolić,\t\r  Goran\t\r  \nZmaić\nUdruga\t\r  Otompotom\n170.000,00\n2.914.750,00\nNASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1. Cvrčak\t\r  i\t\r  Mrvica\nDarko\t\r  Bakliža\nDiedra\t\r  d.o.o.\n4.000.000,00\nEKSPERIMENTALNI\t\r  FILMOVI\t\r  \nUKUPNO\nANIMIRANI\t\r  FILMOVI\t\r  \nUKUPNO\nDUGOMETRAŽNI\t\r  ANIMIRANI\t\r  FILM\n\n\f\nKATEGORIJA\nBROJ\t\r  FILMOVA\t\r  \nIZNOS\nDUGOMETRAŽNI\t\r  \nDOKUMENTARNI\t\r  FILMOVI\n9\n2.140.000,00\nKRATKOMETRAŽNI\t\r  \nDOKUMENTARNI\t\r  FILMOVI\n7\n880.000,00\nDEBITANTSKI\t\r  \nDUGOMETRAŽNI\t\r  IGRANI\t\r  \nFILM\n1\n2.800.000,00\nDUGOMETRAŽNI\t\r  IGRANI\t\r  \nFILMOVI\n6\n23.000.000,00\nKRATKOMETRAŽNI\t\r  IGRANI\t\r  \nFILMOVI\n6\n1.480.000,00\nEKSPERIMENTALNI\t\r  FILMOVI\n20\n1.810.000,00\nANIMIRANI\t\r  FILMOVI\n12\n2.914.750,00\nUKUPNO\n61\n35.024.750,00\nDUGOMETRAŽNI\t\r  ANIMIRANI\t\r  \nFILM\n1\n4.000.000,00\n","warnings":[],"document":{"program_type":"proizvodnja","natjecaj_title":"Javni poziv za dodjelu sredstava za poticanje audiovizualnog stvaralaštva (2011.)","year":2011,"rok":null,"natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"DUGOMETRAŽNI DOKUMENTARNI FILMOVI","section_key":"dugometrazni_dokumentarni","columns":["NASLOV","REDATELJ/ICA","PRODUCENT","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Balkan Fiction","applicant":"Kaskader d.o.o.","production_company":"Kaskader d.o.o.","director":"Dženan Medanović","writer":null,"original_author":null,"category":"Dokumentarni","approved_amount_text":"170.000,00","approved_amount":170000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"dugometražni dokumentarni 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Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB%20OBRAZLOZ%CC%8CENJE%20manjinske%20koprodukcije.pdf","filename_decoded":"WEB%20OBRAZLOZ%CC%8CENJE%20manjinske%20koprodukcije.pdf","sha256":"e874c81d01980d56168eeda6112a6c464a7dff01c9d3497bbda3f5d59526490d","bytes":214918,"page_count":6,"extracted_at":"2026-05-16T14:10:33Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20OBRAZLOZ%CC%8CENJE%20manjinske%20koprodukcije.pdf"},"raw_text":" \n \nObrazloženje umjetničke savjetnice o odlukama o donošenju liste prioriteta i raspodjeli sred-\nstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. \ngodini, u kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskim udjelom \n(prvi rok: 14. travnja 2020.). \n \nMiljenka Čogelja, umjetnička savjetnica za filmske koprodukcije s manjinskim hrvatskim \nudjelom \n \nNa Javni poziv prijavljeno je 38 projekta, a razmatrani su svi prijavljeni projekti. Od \nukupnog broja prijavljenih projekata jedan (1) je animirani film, sedam (7) debitantskih \ndugometražnih igranih filmova, deset (10) dugometražnih dokumentarnih filmova (od 60 \nminuta trajanja), sedamnaest (17) dugometražnih igranih filmova i tri (3) kratkometražna \nigrana filma. Među navedenim projektima četiri (4) su u postprodukcijskoj fazi.  \n \nKriteriji predlaganja projekata za sufinanciranje temeljeni su na cjelovitosti i dorađenosti pro-\njekata u smislu scenarija i režijske koncepcije te kompletnosti i održivosti financijske doku-\nmentacije te potpunosti ostale popratne dokumentacije. Razmatrana je relevantnost teme, \ndoprinos i broj hrvatskog dijela ekipe filma te distribucijski potencijali. Značajan je bio i \nkoprodukcijski reciprocitet te ostvarivanje mogućih suradnji sa zemljama s kojima smo do sad \nmanje ili nismo uopće koproducirali. Osim toga, kriterij su svakako i aktualne financijske \nmogućnosti za financiranje projekata.  \n \n \nNa listu filmova za sufinanciranje proizvodnje uvršteno je osam projekata:  \n \n1. \ndugometražni dokumentarni film Posljednji nomadi (Crna Gora, Srbija)  \nodobreno 200.000 kn  \n2. \ndugometražni dokumentarni film Tijelo (Slovenija)  \nodobreno 250.000 kn  \n3.  \ndugometražni dokumentarni film U posjetu Fortuni (postprodukcija) \n(Mađarska)  \nodobreno 150.000 kn  \n4. \ndebitantski dugometražni igrani film Čovjek bez krivnje (Slovenija, Italija) \nodobreno 419.000 kn  \n5. \ndebitantski dugometražni igrani film Opekline (Republika Češka)  \nodobreno 532.000 kn  \n6. \ndugometražni igrani film Priča o Fateme (Srbija)  \nodobreno 456.000 kn  \n7. \ndugometražni igrani film Majka (Bugarska)  \nodobreno 500.000 kn  \n8. \nkratkometražni igrani film Balzamirani (Gruzija)  \nodobreno 80.800 kuna  \n \n \nUKUPNO:  2.587.800 kuna. \n \n \n \n \n \n\n\f\n \n \nOSVRT: \n \nNa prvi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. \ngodini u kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (14. \ntravnja 2020.) prijavljeni su projekti produkcijskih kuća s većinskim udjelom u financiranju iz \nukupno četrnaest zemalja.  \n \nBroj prijava po zemljama:  \n \nMađarska - 1 \nGruzija - 1 \nCipar - 1 \nKanada - 1 \nRumunjska 1  \nMakedonija - 1  \nEstonija - 1 \nČeška - 1 \nBugarska - 2 \nBosna i Hercegovina - 2 \nItalija - 3 \nCrna Gora - 3 \nSlovenija - 9 \nSrbija - 11 \n \n \nODOBRANI PROJEKTI:  \n \nDUGOMETRAŽNI DOKUMENTARNI FILM (OD 60 MINUTA TRAJANJA) \n \n1. Dugometražni dokumentarni film Posljednji nomadi (Crna Gora, Srbija) film je srpske \nproducentice i redateljice Biljane Tutorov i crnogorskog redatelja Petra Glomazića u \nkoprodukciji s hrvatskom producenticom Dijanom Mlađenović (Kinematograf). Ovo je drugi \nfilm na kojem koproduciraju. Prethodni dokumentarac koji su zajedno producirali u režiji \nBiljane Tutorov, Kada dođu svinje prikazan je na nizu festivala od kojih je važno istaknuti \nSarajevo Film Festival (nagrađen EDN Talent Grant nagradom), Vision du Reel, Nyon i Hot \nDocs, Toronto. Petru Glomaziću ovo je prvi dugometražni dokumentarni film.  \nHrvatski koproducent, tvrtka Kinematograf do sada je proizvela niz kratkometražnih igranih \nte dugometražnih dokumentarnih filmova, a njihov dugometražni igrani omnibus Duboki re-\nzovi na Pulskom filmskom festivalu 2018. godine nagrađen je Zlatnom arenom za kameru. \nKinematografov kratki film Trešnje, redateljice Dubravke Turić, uvršten je na Cannes Film \nFestival - Quinzaine des Realisateurs 2017. te je prikazan na nizu drugih festivala. \n \nDugometražni dokumentarni film Posljednji nomadi priča je o stočaru Vanji koji njeguje \ntradiciju sezonskog seljenja radi ispaše ovaca. Svake godine Vanja kreće na višednevni pohod \nsa 600 ovaca, konjem i psima prema Sinjajevini, planini jugositočno od Durmitora. Tamo je \nnjegov katun, mjesto na kojem njegovi preci već stoljećima napasaju stoku. Nevjerojatno li-\njepe visoravni Sinjajevine, točno na mjestu pastirskih katuna, crnogorska vlada planira \npretvoriti u vojne poligone. Nemarne i grube političke odluke uništavaju tu jedinstvenu pri-\nrodu i pokušavaju ukinuti način života koji se u civiliziranijim zemljama Europe štiti i pro-\n\n\f\n \n \nglašava nematerijalnom kulturnom baštinom. Vanja i njegovo pleme uz pomoć grupe fran-\ncuskih antropologa i regionalnih aktivista pokušavaju ih zaustaviti.  \n \n \n2. Dugometražni dokumentarni film Tijelo projekt je slovenske redateljice i producentice \nPetre Seliškar i makedonskog snimatelja, producenta i redatelja Branda Ferra koji prikazuje \nperiod od 22 godine u životu slovenske pijanistice Urške i njezine petnaestogodišnje kćeri \nZoje. Urška se suočava s nevjerojatnim nizom dijagnoza rijetkih bolesti i bori za izlječenje za \nkoje medicina tvrdi da je nemoguće. Kroz razne faze života pratimo jednu prekrasnu, iznimno \nlijepu, mladu ženu koja i sama pokušava shvatiti kako funkcionirati zarobljena u tijelu koje ne \nfunkcionira.  \n \nRedateljica i slovenska producentica filma Petra Seliškar s Brandom Ferrom (koredateljem) \n2003. godine osnovala je producentsku kuću Petra Pan film, a zajedno su 2010. godine bili i \ninicijatori osnivanja festivala dokumentarnog filma Makedox u Makedoniji.  \nPetra Seliškar je i redateljica i producentica dokumentarca Bakice revolucije, prikazanog na \nfestivalu dokumentarnog filma IDFA, te na nizu drugih festivala. Brand Ferro je do sada \nnagrađivan kao direktor fotografije.  \nHrvatski koproducent je Wolfgang i Dolly, osnovan 2017. godine, a od tada su proizveli \ndugometražni dokumentarni film Kuća male zvijezde, Slađane Lučić (premijera na Sarajevo \nFilm Festivalu) te u svojstvu koproducenata kratkometražni igrani film Sonje Prosenc i Mitje \nLičena Raj.  \n \n3. Dugometražni dokumentarni film U posjetu Fortuni mađarskog redatelja Matyasa Kalma-\nna prijavljen je kao projekt u fazi postprodukcije. Film prati sredovječni bračni par Aniko i \nLaci koji su živjeli u neimaštini i bijedi dok nisu 2013. godine osvojili jackpot na državnoj \nlutriji. Nagla i drastična promjena društvenog položaja, nakon osvajanja nagrade, stavlja ih u \nsituacije o kojima nisu mogli ni sanjati te ih konstantno tjera na nove prilagodbe. Njihovi \nživoti više nisu puka egzistencija, oni nakon osvajanja jack pota počinju razmišljati o ispun-\njenju snova, profesionalnih, obiteljskih želja te se na tom putu traženja sreće raspadaju i \nsastavljaju ovisno o tome kakve ih okolnosti zadese.  \nRedatelj filma Matyas Kalaman diplomirao je medije i dizajn na Sveučilištu Moholy-Nagy u \nBudimpešti. Radi kao video novinar, a trenutno je voditelj video produkcije na najvećem \nmađarskom novinskom portalu (24.hu) te je producirao brojne kratke dokumentarce. Osvojio \nje nagradu Kamera Hungaria 2008. godine.  \nHrvatski koproducent je Peglanje snova, poducenta Bojana Kanjere koji je, između ostalog, \nproducirao debitantski dugometražni igrani film Lada Kamenski Sare Hribar i Marka Šantića \nte debitantski dugometražni igrani film Jure Pavlovića Mater. \nDrugi hrvatski producent je umjetnička organizacija Kompot producenta Tibora Kesera osno-\nvana 2019. godine koja trenutno razvija dokumentarne filmove redateljice Vanje Juranić i \nigrano-dokumentarni film redatelja Ivana Ramljaka.  \n \n \nDEBITANTSKI DUGOMETRAŽNI IGRANI FILM  \n \n4. Debitantski dugometražni igrani film Čovjek bez krivnje talijanskog redatelja Ivana Gergo-\nleta prati Angelu, pedesetogodišnju udovicu koja je izgubila muža zbog raka pluća od kojeg \nse razbolio kao posljedica izloženosti azbestnoj prašini.. Zaposlena je kao čistačica u bolnici u \nkojoj je, poslodavac njenog preminulog muža, smješten zbog moždanog udara. Angela ga je \nuvijek smatrala odgovornim za smrt njenog muža i mnogih drugih radnika. Činjenica da je \n\n\f\n \n \nizbjegao presudu na sudu u njoj budi bijes i bespomoćnost. Spletom okolnosti, Angeli se \npruža prilika da mu se osveti. Redatelj Ivan Gergolet rodio se i odrastao u dijelu Italije gdje su \nposljedice trovanja asbestom uzrokovale nebrojene smrti. U nekim gradovima u skoro svim \ndomaćinstvima barem je jedan član obitelji koji je pod rizikom da se razboli i umre. S druge \nstrane, na sudovima nema niti krivih niti odgovornih za sva ta trovanja. Ovaj projekt \npremješta ovaj društveni sukob u polje obitelji, gdje izostanak pravde od strane nadležnih, \nvodi protagoniste od želje za osvetom do traženja načina da oproste.   \nIvan Gergolet redatelj je iznimno uspješnog dugometražnog dokumentarca Ples s Marijom \nkoji je prvi dokumentarni film izabran u selekciju Međunarodnog tjedna kritike na 71. Festi-\nvalu u Veneciji 2014. godine, gdje je primio nagradu CIVITAS Vitae te je nakon toga \nnominiran za najbolji dokumentarni film europske filmske nagrade (EFA) 2015.  \nFilm je imao kinematografsku eksploataciju u Sloveniji, Italiji, Argenitni, Čileu, Hrvatskoj, \nSrbiji, Rusiji, Poljskoj i šire. Prikazan je na više od 50 međunarodnih festivala te osvojio 6 \nmeđunarodnih nagrada.  \nHrvatski koproducent filma Čovjek bez krivnje je Propeler film iza kojega je više međunarod-\nno zapaženih i nagrađivanih koprodukcijskih projekata (Otac, Krugovi, Žaba, Ivan) uz niz \nprodukcija uspješnih kratkometražnih i dugometražnih igranih filmova u Hrvatskoj (Zvir, \nMali, Karaula, Sve džaba, Buick Riviera….).  \n \n \n5. Debitantski dugometražni igrani film Opekline mladog češkog redatelja Štepańa Foka \nVodražka triler je koji prati finsku obitelj koja dolazi na ljetovanje u Istru. Na prvi pogled \nsavršena finska obitelj u stvari prolazi kroz veliku obiteljsku krizu. Jednom kad stignu u vilu, \niznenade ih gosti koji su već smješteni u kući. Kako dani prolaze tenzije između nepozvanih \ngostiju i finske obitelji počinju rasti, nemilosrdna vrućina ne jenjava, a sve završava požarom \nkoji dovodi do tragičnih posljedica.  \nCijeli film biti će sniman u Hrvatskoj s hrvatskim tehničkim te velikom postotkom umjet-\nničkog osoblja.  \nHrvatski producent je tvrtka Antitalent s velikim iskustvom u raznim segmentima produkcije. \nNjihovi filmovi su među ostalima Vis-A-Vis i Goran redatelja Nevija Marasovića, Oko za oko \nAntonete Alamat Kusijanović… U postprodukciji trenutno imaju dugometražni igrani film \nMurina Antonete Alamat Kusijanović, a u predporodukciji, među ostalim, projekt Črna mati \nzemla, adaptaciju nagrađivanog romana Kristiana Novaka u režiji slovenskog redatelja Roka \nBičeka.  Redatelj filma Opekline Štep̌ ań Fok Vodražka snima filmove od svoje 13 godine. Do \nsad je režirao niz kratkih igranih filmova, reklama i glazbenih spotova od kojih je njegov \nzavršni film na praškoj filmskoj akademiji FAMU film The Deal imao uspjeha i na \nmeđunarodnim festivalima.  \n \nDUGOMETRAŽNI IGRANI FILM  \n \n \n6. Dugometražni igrani film Priča o Fateme (Srbija) nastaje u režiji Vuka Ršumovića, čiji je \nprvi dugometražni igrani film Ničije dijete premijerno prikazan na 71. Tjednu kritike \nMeđunarodnog filmskog festivala u Veneciji gdje je osvojio tri nagrade: Nagradu publike \nRARO VIDEO, Nagradu FEDORA za najbolji scenarij i nagradu FIRPRESCI za najbolji film \nizvan glavne konkurencije. Film je bio prikazan na 52 filmska festivala na 5 kontinenata \nosvojivši ukupno 38 nagrada.  \n\n\f\n \n \nFilm Priča o Fateme istinita je priča o jednoj anonimnoj ženi koja se događa u ljeto 2015. \ngodine kada mlada Afganistanka Fateme, nakon višemjesečnog, iscrpljujućeg putovanja, stiže \nu Beograd s mužem i troje djece. Tamo saznaje da se njen mlađi brat utopio i da će uskoro biti \nsahranjen kao nepoznat, kao N. N. Dok mađarske vlasti užurbano dižu metalnu ogradu kao \nposljednju liniju obrane pred najezdom s istoka, a Fatemin muž i njegova obitelj rade pritisak \nda nastave put prema zapadnoj Europi, Fateme čini sve što može kako bi sahranila brata na \nnačin koji je za njihovu vjeroispovijest doličan. U okolnostima u kojima se našla, njen pothvat \nda sahrani brata, pitanje je srži njenog bića: ljubavi, vjere, identiteta i elementarnog dosto-\njanstva.  \n \nKinorama, hrvatski koproducent filma Priča o Fateme, koproducent je i Ršumovićevog deb-\nitanstkog igranog filma Ničije dijete.  Kinorama je jedna od najuspješnijih hrvatskih produk-\ncijskih kuća. U proteklih pet godina završili su, među ostalim, produkciju osam dugome-\ntražnih igranih filmova – Posljednji Srbin u Hrvatskoj, Comic Sans, Uzbuna na Zelenom \nVrhu, Ne gledaj mi u pijat, Sve najbolje, Zvizdan, Ljubav ili smrt i Kosac te pet kratkome-\ntražnih filmova – Dok je trajao Roland Garros, Prvi udah, Pura, Kukuljica i Zajedno. Deb-\nitantski dugometražni igrani film Ne gledaj mi u pijat redateljice Hane Jušić uvršten je u Ven-\nice Days ('Giornate degli autori'), 73. Međunarodnog filmskog festivala u Veneciji gdje je \npotom osvojio Nagradu FEDEORA-e za najbolji europski film. Film je nakon toga imao \nuspješan festivalski put s dosad osvojene 33 nagrade, a Kinoramin cjelovečernji film Zvizdan \npostigao je uspjeh uvrštenjem i osvajanjem nagrade u službenom programu Cannes Film Fes-\ntivala. Nakon toga Zvizdan je uvršten i u službenu selekciju deset najboljih europskih filmova \nkoji konkuriraju za Nagradu LUX 2015., natjecao se za nominaciju 28. europske filmske \nnagrade (EFA), bio hrvatski predstavnik za Academy Awards američke akademije te je \nnominiran i za EFA-inu nagradu publike.  \n \n \n7. Majka (Bugarska) je dugometražni igrani film redateljice Zornitse Sophie čiji je debitanstki \nigrani film Mila s Marsa osvojio 16 nagrada, ukljujući nagradu za najbolji film i Specijalnu \nnagradu žirija na Sarajevo Film Festivalu te 5 nagrada na Bugarskom nacionalnom festivalu \nGolden Rose uključujući nagrade za najbolji film i za najboljeg debitanta. Film je bio pred-\nstavnik bugarske kinematografije u selekcijskom procesu Američke Akademije filmskih \numjetnosti za nagradu Oscar 2005. i u trenutku prikazivanja najgledaniji bugarski film u 16 \ngodina.   \nNjezin film Majka istinita je priča o Eleni, kazališnoj redateljici i radoholičarki koja se bori za \npriznanje svojeg rada u kazalištu, dok zbog rane menopauze gubi sposobnost rađanja vlastitog \ndjeteta već s 32 godine. Dok iskušava razne terapije i bez obzira na sve ne uspijeva zanijeti, \nparalelno razvija kazališni program za poboljšanje života djece u jednom sirotištu u Bugar-\nskoj. Zbog iznimne uspješnosti u provedbi programa u Bugarskoj, pozivaju je da provede svoj \nprogram i u Keniji, gdje su potrebe za takvim djelovanjem daleko većih razmjera.  \nU jednom trenutku Elena mora izabrati između mogućnosti in vitro začeća i provođenja svo-\njeg kazališnog programa.  \n \nHrvatski koproducent filma je Focus Media, producent dugometražnog igranog filma Ajde, \ndan... prođi... redatelja Matije Klukovića koji je premijerno prikazan na International Film \nFestival Rotterdam te potom sudjelovao na više domaćih i međunarodnih festivala. Focus \nMedia upravo kreće s distribucijom dugometražnog igranog filma Tereza37 Danila Šerbedži-\nje. \n\n\f\n \n \n \n \n \nKRATKOMETRAŽNI IGRANI FILM \n \n8. Kratkometražni igrani film u postprodukciji Balzamirani (Gruzija) novi je kratki igrani \nfilm gruzijskog redatelja i glumca Tornikea Gogrichiania koji iza sebe ima niz filmskih i tele-\nvizijskih uloga, te u ulozi redatelja kratki igrani film Andro iz 2018.  \nU središtu priče filma Balzamirani su braća i sestre (Tina, Tamriko, Andro i Dato) koji \nsaznaju da im je majka pretrpila jedan od najtežih oblika moždanog udara te da neće \npreživjeti dulje od jednog dana. Doktor im savjetuje da ju povedu kući. U trenutku kad je \ndovezu kući majka postaje poput sekundarnog predmeta. Smještaju ju na kauč i započinju \npripreme za sprovod.  \nHrvatski producent Eclectica do sada je realizirala 15-ak reklamnih spotova te pet kratkome-\ntražnih filmova među kojima i Crveno/Red Light redatelja Tome Waszarowa koji je nastupio \nna 30-ak filmskih festivala i osvojio 15 nagrada (Palm Springs, Encounters), a prodan je i \nSundance TV-u. Najnovija koprodukcija im je kratkometražni slovenski film Potop koji je \nnakon premijere na Thessaloniki International Film Festivalu, bio prikazan u natjecateljskom \nprogramu Međunarodnog festivala kratkometražnog filma u Clermont-Ferrandu 2020.  \n\t\r  \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2020,"rok":"1. rok","referenced_projects":["Posljednji nomadi","Tijelo","U posjetu Fortuni","Čovjek bez krivnje","Opekline","Priča o Fateme","Majka","Balzamirani"],"summary":"Obrazloženje umjetničke savjetnice Miljenke Čogelja za 1. rok 2020. (14. travnja 2020.) Javnog poziva u kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskim udjelom – od 38 prijavljenih projekata za sufinanciranje proizvodnje predloženo je 8 projekata u ukupnom iznosu od 2.587.800 kuna.","project_links":[{"source_title":"Posljednji nomadi","family_id":"pf_b6de1b6ac2e4","family_title":"Posljednji nomadi","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Tijelo","family_id":"pf_a823729f1232","family_title":"Tijelo","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"U posjetu Fortuni","family_id":"pf_5c1d43699fd5","family_title":"U posjetu Fortuni","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Čovjek bez krivnje","family_id":"pf_4db0dfa01904","family_title":"Čovjek bez krivnje","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Opekline","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Priča o Fateme","family_id":"pf_61f4f204e2ce","family_title":"Priča o Fateme","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Majka","family_id":"pf_395b295e58fc","family_title":"Majka","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Balzamirani","family_id":"pf_e9d510bd46ae","family_title":"Balzamirani","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenja_web_JP_distr_2rok_28072020.pdf","filename_decoded":"Obrazlozenja_web_JP_distr_2rok_28072020.pdf","sha256":"e87d171a73933f9e027f4dee7e6e951a0bd209843d9f05f55248d2beb05a90dd","bytes":164753,"page_count":2,"extracted_at":"2026-05-17T12:01:19Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenja_web_JP_distr_2rok_28072020.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini -poticanje \nkinodistribucije filmova- 2. ROK -28.7.2020 \n \n \nNa drugi rok Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2020. godini -poticanje \nkinodistribucije filmova 28.7.2020 prijavljeno je 5 projekata, a razmatrana su 4 projekta.  Jedan \nprojekt nije razmatran radi nepotpune dokumentacije. \n \nKriteriji za određivanje potpora za sufinanciranje kinodistribucije filma obuhvaćaju analizu prijavljene \nprocjene komercijalnog potencijala filma, analizu plana distribucije i  marketinškog plana te kvalitetu \nprijave. \n \nNa listu programa odobrenih za sufinanciranje uvrštene su 4 prijave za kinodistribuciju filmova : \n \n \n1. KINODISTRIBUCIJA dugometražnog dokumentarnog filma „POVUCI - POTEGNI” - 25 000 kn \n \nJedna obitelj. Devetogodišnje dijete. Obrazovni program za 3. razred osnovne škole. Dovoljan razlog \nza razvod braka i slom živaca. Dječji radni stol kao pozornica tragikomične obiteljske drame. Tko će \nprvi prokleti autora udžbenika? Tko će nabubati sve nepotrebne podatke? Tko će u ponoć pjevati \npjesmicu za sutrašnji ispit? Tko će odgovoriti na pitanje: „Što je autor htio reći svojim djelom?“  \n \nOmjer proizvedenih, i distribuiranih dokumentarnih filmova još uvijek je prilično nesrazmjeran. \nNjihovi rezultati u kinima nisu nužno poticajni za producente i/ili distributere, a sam proces \nkinodistribucije zahtjeva njihov značajniji angažman, vremenski i financijski. Stoga treba podržati \novakve „pothvate”, a aktualnost teme mu na određeni način daje pravo za to. \n \n2. KINODISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „BOG POSTOJI, NJENO \nIME JE PETRUNIJA” - 50 000 kn \n \nOvo je jednostavna, gotovo komična priča koja naglašava besmisao svijeta u kojem živimo. Ovo je \npriča o ženi i njenom položaju u društvu, u zemlji koja malo kog zanima, u zemlji koja malo toga može \nponuditi osim svojih nedostataka. Ovo je priča o ženi i njenom položaju u religiji. Ovo je priča o tome \nšto pravda zaista znači unutar religije, da li je jednakost žena i muškaraca krajnji cilj ili je pravda \npitanje osjećaja pojednica, i mijenja li se od kulture do kulture, od kontinenta do kontinenta?  \n \nKvalitetni naslovi bez osobitog komercijalnog potencijala, poput predmetnog filma, pridonose većoj \nraznolikosti nacionalnog kino-repertoara kao i povećanoj vidljivosti domaćeg filma te u krajnjoj liniji \nnjegovoj popularizaciji. \n \n \n \n3. KINODISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „MARE” \n- 59 600 kn \n \nMare nikada nije letjela avionom. Živi pored aerodroma s mužem i troje tinejdžera i voli svoju obitelj, \nno ponekad se osjeća gotovo kao strankinja u vlastitom domu. Žudeći za promjenom i nepoznatim, \nona promatra avione kako lete iznad nje. Kada se u susjednu kuću useli stranac, Mare će staviti svoj \nživot na kušnju...  \n \n\n\f\nU svom trećem dugometražnom filmu „Mare”, redateljica Andrea Štaka ponovo se bavi  slojevitim \nmeđuljudskim odnosima. Bračna nevjera kao motiv iskorišten je nebrojeno puta, no „Mare” ga \nobrađuje na ponešto svježiji, vedriji način. Iako je zbog toga na trenutke vrlo „pitak”, nedostaje mu \nona „feel-good” karakteristika kojom bi zasigurno pridobio i ponešto veći broj gledatelja. „Mare” je \nfestivalski naslov koji zbog svojih umjetničkih vrijednosti treba biti uvršten na repertoar hrvatskih \nkino-dvorana. \n \n4. KINODISTRIBUCIJA dugometražnog igranog filma „RIBANJE I RIBARSKO PRIGOVARANJE” - 72 000 \nkn \n \nŠezdesetosmogodišnji pjesnik odluči napustiti nadgledanje izgradnje svojeg utvrđenog ljetnikovca i \nprovesti tri dana na ribarenju u društvu dvojice hvarskih ribara. Tijekom putovanja, scene stvarnosti \nizmjenjuju se sa pjesnikovim sjećanjima, snovima i vizijama dok se ribarenje nastavlja u uvalama \nHvara, Brača i Šolte. To je i priča o odnosu dva staleža, težačkog i vlastelinskog, još uvijek bolnih \nsjećanja na hvarsku bunu, te putovanje jednog velikog pjesnika iz muževne u stariju dob. \n \nRezultat filma „Ribanje i ribarsko prigovaranja” uvelike će ovisiti o odazivu učenika srednjih škola na \norganizirane školske projekcije . Za to je osiguran osnovni preduvjet, preporuka Ministarstva znanosti \ni obrazovanja. Ključan „mobilizator” učenika u odlasku na školske projekcije biti će nastavnici \nhrvatskog jezika odnosno njihova proaktivnost da se znanje o ovom antologijskom književnom djelu \nproširi gledanjem filmske ekranizacije.  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":null,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje_dokumentarni_fumic_15052017.pdf","filename_decoded":"obrazlozenje_dokumentarni_fumic_15052017.pdf","sha256":"e8b8dcb16281e1349e09ab801d5ffd60f3ce1d492205a1591f7bab6f1c41896f","bytes":312218,"page_count":1,"extracted_at":"2026-05-17T12:01:42Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje_dokumentarni_fumic_15052017.pdf"},"raw_text":" \n \n \n \nU svim kategorijama natječaja, i produkcijskim i razvojnim, iako je bilo vrlo različitih tema i \nautorskih pristupa, generalno su postojala dva glavna interesna područja: današnji političari te \npovijesne teme, pogotovo one vojne. Budući da su financijske mogućnosti u ovom trenutku  \nizrazito manje nego na prethodnim natječajima, odlučila sam dati prednost povijesnim temama. U \ndanašnje doba podijeljenog društva, smatram kako je postalo nužno baviti se vlastitom poviješću. \nAutorima je, dakako, najprivlačnije 20. stoljeće i to u segmentu oružanih sukoba. Tako se jedini \ndugometražni projekt, odobren na natječaju za produkciju, \"Davidova taktika\", bavi kreativnošću \nhrvatskih branitelja koji su u vrlo oskudnim uvjetima osmislili cijeli niz inovativnih oružja i oruđa na \ntemelju kojih danas imamo vrlo unosnu gospodarsku granu proizvodnje i izvoza profesionalnog \noružja. Također su osmislili i gerilske taktike o kojima danas svoje vojnike poučavaju svjetske \nvelesile poput Izraela, SAD-a i Rusije.  \nU natječaju za razvoj scenarija tema Domovinskog rata se produbljuje pričom o dragovoljcima \nsrpske nacionalnosti koji su odlučili braniti svoju hrvatsku domovinu - \"Dom i rod, heroji i \nizdajnici\". U kronološki obrnutom smjeru, sljedeći scenarij secira još jednu vojnu silu koja je, htjeli \nmi to ili ne, također dio našeg nasljeđa. Film \"JNA – autobiografija\", koristeći se arhivskim \nfilmovima koje je JNA sama proizvela, govori o tadašnjoj moći vojne propagande, paranoji u vidu \nunutarnjih i vanjskih neprijatelja te, iz današnje perspektive, bizarnim lekcijama iz vojnog bontona, \nkoje djeluju zastrašujuće kada ih se stavi u kontekst ratnih operacija s početka 90-ih. Na sličan \nnačin je rumunjski autor Andrejn Ujica obradio temu njihovog diktatora – Ceausescua. \"Potez \nTIGR-a\" se bavi antifašističkim nasljeđem te obrađuje temu vojnih akcija TIGR-ova koji se se \nsuprotstavili Mussolinijevu fašizmu na području Istre u razdoblju od 1929-1941. Vremenskim \nrazdobljem od 1919-1929. se bavi scenarij za mockumentary \"Majka revolucija\" koji obrađuje \ntemu feminističkog pokreta.  \nOd ostalih povijesnih tema, u svim natječajnim kategorijama, tu je i zanimljiva legenda o vampiru \niz Istre \"Drakula iz Kringe\",  \"Tovareća\" o  tradicionalnoj glazbi s Dugog Otoka, \"Surogat za Vuda\" - \nportret Dušana Vukotića, jedinog hrvatskog dobitnika Oscara te nasljeđe rudarske industrije \nispričano iz perspektive posljednje europske rudarice u kratkometražnom filmu \"Jedna je Sakiba\". \nJedini film koji ne obrađuje nasljeđe već njegove direktne posljedice, film je iz natječaja za \npostprodukciju dugometražnog filma - \"Buffet željezara\" koji opservacijskom tehnikom opisuje \npolaganu smrt grada Siska. \nVažnim mi se čini istaknuti, kako ima još sjajnih projekata koji na ovom natječaju nisu podržani \nisključivo zbog financijskih razloga, no nadam se će i za njih doći vrijeme na nekom od budućih \nnatječaja.  \n \nIvana Fumić, umjetnička savjetnica za dokumentarni film  \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.0","doc_type":"admin","source":{"filename":"PONUDA%20HPB-HAVC.pdf","filename_decoded":"PONUDA%20HPB-HAVC.pdf","sha256":"e8e245f3d8e07731e5ae12eb2d2ab9410fea25d35d989844a132c2046028750f","bytes":284336,"page_count":7,"extracted_at":"2026-05-16T13:38:09Z","extractor":"claude-sonnet-4-6","extractor_version":"1.0"},"raw_text":"[tekst izvornog dokumenta nije objavljen: pomoćni dokument bez podataka o financiranju. Dokument je evidentiran nazivom datoteke, kontrolnim sažetkom i poveznicom na izvor.]","warnings":[]},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2018_2rok_ANIMIRANI_WEB.pdf","filename_decoded":"RSC_2018_2rok_ANIMIRANI_WEB.pdf","sha256":"e918d7aa22e251c42417d8c27859c48eac3d1c382cccc32950eb576003e3bff1","bytes":38053,"page_count":1,"extracted_at":"2026-05-17T10:24:23Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2018_2rok_ANIMIRANI_WEB.pdf"},"raw_text":"1\nRAZVOJ SCENARIJA 2018.\n- 2. rok \nANIMIRANI\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nNAPOMENA\nODOBRENO KN\n1\n2MOROW\nKristijan Dulić\n25.000,00\n2\nStopping Rockets Again\nAnja Pletikosa\nTigar teatar\n25.000,00\nUKUPNO\n50.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata \ndugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ SCENARIJA u 2018. - \n2. ROK - 12.7.2018.\nanimirani film\n1. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 9. studenoga 2018.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2018_2rok_ANIMIRANI_WEB","year":2018,"rok":"2. rok","natjecaj_date":"2018-07-12","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"1. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 9. studenoga 2018.","section_key":"1_sjednica_hrvatskog_audiovizualnog_vijeca_u_2_sazivu_9_stud","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","NAPOMENA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"2MOROW","applicant":null,"production_company":null,"director":"Kristijan Dulić","writer":"Kristijan Dulić","original_author":null,"category":"Animirani","approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Kristijan Dulić","repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_doc_single_signal","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_unified_at":"2026-05-18T14:41:27Z","people_backfill_v1":{"changes":[{"field":"director","from":null,"to":"Kristijan Dulić","source":"title_propagation:director","confidence":"high"},{"field":"writer","from":null,"to":"Kristijan Dulić","source":"title_propagation:writer","confidence":"high"}],"updated_at":"2026-05-18T15:25:14Z","method":"machine:people_backfill_v1"}},"entity":null,"row_id":"e918d7aa:s0:4538ff73a819","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_fbbcb665ad26","project_family_title":"2MOROW"},{"row_number":2,"project_title":"Stopping Rockets Again","applicant":"Tigar teatar","production_company":"Tigar teatar","director":"Anja Pletikosa","writer":"Anja Pletikosa","original_author":null,"category":"Animirani","approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Anja Pletikosa","repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_doc_single_signal","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","people_backfill_v1":{"changes":[{"field":"director","from":null,"to":"Anja Pletikosa","source":"raw_chunk:director","confidence":"medium"}],"updated_at":"2026-05-18T15:25:14Z","method":"machine:people_backfill_v1"},"creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:55:00Z","creator_backfill_writer_source":"e918d7aa_rsc_2018_2rok_animirani_web_pdf.json","creator_backfill_writer_confidence":"low","creator_backfill_writer_reasoning":"Za Stopping Rockets Again naziv i redni broj se poklapaju, a Anja Pletikosa je u stupcu scenarista dok redatelj i autor izvornog predloška nisu izolirani."},"entity":"Tigar teatar","row_id":"e918d7aa:s0:9ca7576154d9","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e4612d633b9b","project_family_title":"Stopping Rockets Again"}],"section_total_text":"50.000,00","section_total":50000.0}],"totals":{"ukupno_text":null,"ukupno":50000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":50000.0,"ukupno_match":true,"row_count":2,"awarded_count":2,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":2}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"JP 2023_4 ROK_31_10_web recenzija.pdf","filename_decoded":"JP 2023_4 ROK_31_10_web recenzija.pdf","sha256":"e91e4da19e77548c381569dfbc735a5bf5bcd587c136e0f190fdd4c4150660b8","bytes":154795,"page_count":2,"extracted_at":"2026-05-17T12:01:15Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP%202023_4%20ROK_31_10_web%20recenzija.pdf"},"raw_text":"1. DISTRIBUCIJA dugometražnog igranog filma „SLATKA SIMONA” - 13.000,00 € \n \nZeleni i Jana rade u opskurnoj seks-chat firmi u Zagrebu i zavode muškarce pod lažnim identitetom \nSlatke Simone. Negdje u Austriji živi tajanstveni Bobo, koji se upleo u Simoninu mrežu: šalje poruke \ndanima i noćima, da bi na kraju poželio stvarnu vezu s njom. Simona potiče njegove želje, ali uvijek \nizbjegne susret. Kad Bobo odluči da će ostaviti sve zbog Simone, seks-chat animatori shvate da igra \npostaje ozbiljna, da zaluđuju nepoznatog čovjeka. No, govori li Bobo istinu?   \n \nTrileri su sve češće zastupljeni u hrvatskoj kinematografiji, njihova popularnost s godinama raste, a „Slatka \nSimona” bi trebala dodatno učvrstiti njihovu poziciju trećeg najgledanijeg žanra među kino publikom barem \nkada su u pitanju domaći filmovi. \n \n \n2.  DISTRIBUCIJA dugometražnog igranog filma „RIFFS OF REVOLUTION” - 4.000,00 € \n \nGenijalni gitarist Ray čija muzika slušateljima daje natprirodnu fizičku snagu, suprotstavlja se dr. Zempu, \nvlasniku agencije koja ubire muzički porez i terorizira građane. Oko Rayovog benda “Razor Jet” okuplja se \npokret otpora. Kako bi uništio pokret otpora, dr. Zemp i njegova zla sestra Niniva kuju pakleni plan da Razor \nJet pretvore u 'boy band' i tako unište njihov „rokenrol modžo“.  \n \nOvo zabavno, otkačeno i subverzivno djelce svoju će publiku pronaći među studentima, filmofilima i \nrokerima. \n \n \n3.  DISTRIBUCIJA dugometražnog dokumentarnog filma „SNAJKA – DNEVNIK OČEKIVANJA” - 5.000,00 € \n \n„Snajka: Dnevnik očekivanja” odvažno zadire u kompleksnost romantičnog odnosa dvoje ljudi iz različitih \nkultura, otkrivajući izazove koje Hrvatici Tei i Romu Mirsadu donose ljubav, brak i roditeljstvo te intimnim \npromatračkim pristupom preispituje njihov idealistički pothvat balansiranja obiteljske prtljage s izazovima \nzasnivanja doma u kojemu će vladati sasvim druga pravila od onih koja su ponijeli od kuće. \n \nDokumentarac „Snajka – dnevnik očekivanja” je naslov koji će zbog svojih odlika 'crowd-pleasera', uz \npoklonike ovog filmskog roda te dijela aktivističke zajednice, zasigurno privući i širu kino publiku. \n \n \n4.  DISTRIBUCIJA dugometražnog dokumentarnog filma „KUĆA NA KRALJEVCU” - 3.400,00 €  \n \nZagrebačka kuća na Kraljevcu broj 35 u posljednjih pola stoljeća pružala je sklonište brojnim, raznolikim \nljudima. Velik broj stanara bio je istaknut na raznim poljima umjetničkog stvaralaštva i društvenih \ndjelatnosti pa su u njoj stvorene vrhunske knjige, scenariji, fotografije, ilustracije, stripovi, glazba, \nfilmovi…Stanari su se kasnije našli raštrkani širom svijeta. Prateći njihove sudbine, sadašnji vlasnik kuće i \nautor filma Pero Kvesić govori o minulom, ali i današnjem vremenu. \n \nDrugi, i posljednji film redatelja Pere Kvesića „Kuća na Kraljevcu” namijenjen je bolje upućenoj publici \nsrednje i starije odrasle dobi. \n \n \n5.  DISTRIBUCIJA dugometražnog dokumentarnog filma „VITIĆ PLEŠE” - 3.400,00 € \n\n\f\n \nDugometražni dokumentarni film o 20-godišnjoj borbi intermedijalnog umjetnika Borisa Bakala i \numjetničke organizacije Bacači sjenki da kroz suradnju i sukobe s lokalnom zajednicom (suvlasnicima i \nstanarima) obnove višestambeni blok u Zagrebu, remek-djelo modernističke arhitekture, koji postaje \nmetafora cijelog društva - njegovih dinamika, prijepora i zabluda . Priča o istraživanju svrhe i uzaludnosti \nzalaganja za opće dobro. Priča o svima nama, o drugima u nama i oko nas, te prostoru između. \n \n„Vitić pleše” će svoju publiku ponajprije tražiti kroz 'non-theatrical' distribuciju odnosno organizirane \nprojekcije sa lokalnim strukovnim udruženjima arhitekata, kulturnim centrima te aktivističkim \norganizacijama. \n \n \n6.  DISTRIBUCIJA dugometražnog dokumentarnog filma  „OBALNO ŠETALIŠTE” - 2.700,00 € \n \nOpservacijski dokumentarni film prikazuje veći broj istarskih stanovnika vezanih za šetalište Franza \nJosefa I, njegove građevine, plaže i more. Živote pojedinih osoba i njihove neposredne interakcije s \nostalim ljudima pratimo kroz promjene godišnjih doba, čime pokazujemo kako te iste promjene utječu i na \nsamo šetalište za vrijeme turističke sezone i nakon nje. Šetalište sačinjavaju neobična događanja i \nmanifestacije kao i skupna raznolika druženja na dvanaest kilometarskoj ruti uz more. \n \nDokumentarni film „Obalno šetalište” može računati na ograničenu kinodistribuciju, ponajprije u mjestima \nkoje ova promenada povezuje. \n \n \n7.  DISTRIBUCIJA dugometražnog dokumentarnog filma, manjinske koprodukcije „IZMEĐU REVOLUCIJA” - \n2.400,00 € \n \nZahra i Maria upoznale su se na sveučilištu u Bukureštu 1970-ih. Kada nada u političke promjene \nodvede Zahru kući u Iran, prisiljene su se razdvojiti. Cijelo naredno desetljeće, sve do Rumunjske \nrevolucije 1989., njihov jedini način komunikacije bila su pisma. Podijeljene dvjema revolucijama, \nnjihove riječi otkrivaju žene koje se bore da ih se čuje, zemlje koje se kreću u različitim smjerovima i \ndvije duše ujedinjene u čežnji jedne za drugom. \n \n„Između revolucija” nedvojbeno spada u vrh ovogodišnje hrvatske doku-produkcije što potvrđuju nagrada \nMeđunarodne federacije filmskih kritičara za najbolji film u programu Forum na zadnjem Berlinaleu i \nprikazivanja na pedesetak svjetskih festivala. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":2023,"rok":"4. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI sve osim animiranog.pdf","filename_decoded":"REZULTATI sve osim animiranog.pdf","sha256":"e9a7f444df6e4330a0ef9d2782c560c4b4d74430faa9b23e2f5f1eaca62694bb","bytes":40994,"page_count":1,"extracted_at":"2026-05-17T10:24:08Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI%20sve%20osim%20animiranog.pdf"},"raw_text":"NASLOV\nREDATELJ/ICA\nPRODUCENT\nODOBRENO\n1\nGarbura\nJosip  Žuvan\nMaxima  film  d.o.o.\n3.000.000,00\n2\nKućna  prašina\nNina  Violić\nSpiritus  movens  d.o.o.\n1.100.000,00\n3\nSigurno  mjesto\nJuraj  Lerotić\nPropeler  Film  d.o.o.\n2.900.000,00\n7.000.000,00\n1\nBischofshofen\nIgor  Mirković\nInter  film  d.o.o.\n3.900.000,00\n2\nŠto  da  se  radi?  \nGoran  Dević\nPetnaesta  umjetnost  d.o.o.  \n900.000,00\n4.800.000,00\n1\nColonelo  Futurista\nVladislav  Knežević\nUstanova  Zagreb  film\n180.000,00\n2\nKhora\nNina  Kurtela\nKreativni  sindikat\n110.000,00\n3\nBlizu  Raja\nSunčica  Fradelić\nKino  klub  Split\n90.000,00\n4\nSurf\nLuka  Matić\nUmjetnička  organizacija  \nKadromat\n70.000,00\n450.000,00\n1\nVilim\nMiro  Branković\nCar  Herc  d.o.o.\n480.000,00\n2\nTvornice  radnicima?\nSrđan  Kovačević\nFantastično  dobra  institucija  -­ \nFade  In\n400.000,00\n3\nStarac  i  roda\nTomislav  Jelinčić,  Alan  \nStanković\nAntitalent  d.o.o.\n300.000,00\n1.180.000,00\n1\nHorror  vacui\nBoris  Poljak\nHrvatski  filmski  savez  -­  HFS\n350.000,00\n2\nIvanova  igra\nTomislav  Žaja\nGral  Film  d.o.o.\n250.000,00\n3\nOsijek  -­  Kopenhagen,  \ngrad  traži  ubojicu\nIvan  Faktor\nUmjetnička  organizacija  \nMitropa\n180.000,00\n780.000,00\n4\nIzlazak  radnika  iz  \ntvornice  –  Zagreb  2017.  \ng.\nZvonimir  Rumboldt,  Tomislav  \nFiket\nUdruga  za  nezavisnu  filmsku  \nprodukciju  i  druge  oblike  \nkreativnih  izražavanja  \"Kad  \ntad\"\n10.000,00\n5\nUlazak  vlaka  u  stanicu  –  \nZagreb  2017.  g.\nZvonimir  Rumboldt,  Tomislav  \nFiket\nUdruga  za  nezavisnu  filmsku  \nprodukciju  i  druge  oblike  \nkreativnih  izražavanja  \"Kad  \ntad\"\n10.000,00\n20.000,00\n800.000,00\n1\nPočetkom  ljeta\nNikica  Zdunić\nFerial  d.o.o.\n290.000,00\n2\nMarko  i  Marko\nMarko  Šantić\nJaka  produkcija  d.o.o.\n280.000,00\n3\nAntiotpad\nTin  Žanić\nDinaridi  film  d.o.o.\n260.000,00\n4\nEmil\nNeda  Hana  Radić\nMetar60\n220.000,00\n1.050.000,00\n5\nLovebox\nIvan  Turković-­Krnjak\nInter  film  d.o.o.\n40.000,00\n40.000,00\n1.090.000,00\n15.320.000,00\nFILMOVI  U  POSTPRODUKCIJSKOJ  FAZI\nJavni  poziv  za  poticanje  audiovizualnih  djelatnosti  i  stvaralaštva  -­  kategorija:  POTICANJE  \nPROIZVODNJE  AUDIOVIZUALNIH  DJELA  u  2017.  -­  2.  ROK  -­  30.11.2017.,  93.  sjednica  Hrvatskog  \naudiovizualnog  vijeća  29.  ožujka  2018.  \ndebitantski  dugometražni  igrani  film\nUKUPNO  DEBITANTSKI  DUGOMETRAŽNI  IGRANI  FILM\ndugometražni  igrani  film\nUKUPNO  DUGOMETRAŽNI  IGRANI  FILM\neksperimentalni  film\nUKUPNO  EKSPERIMENTALNI  FILM\ndugometražni  dokumentarni  film  \nUKUPNO  DUGOMETRAŽNI  DOKUMENTARNI  FILM\nkratkometražni  dokumentarni  film  \nUKUPNO  \nUKUPNO  KRATKOMETRAŽNI    IGRANI  FILM\nSVEUKUPNO\nUKUPNO\nUKUPNO  KRATKOMETRAŽNI  DOKUMENTARNI  FILM\nkratkometražni  igrani  film\nUKUPNO\nFILMOVI  U  POSTPRODUKCIJSKOJ  FAZI\nUKUPNO\n","warnings":["section0_row_numbers_not_sorted"],"document":{"program_type":"proizvodnja","natjecaj_title":"REZULTATI sve osim animiranog","year":2017,"rok":"2. rok","natjecaj_date":"2017-11-30","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"Javni p oziv z a p oticanje a udiovizualnih d jelatnosti i s tvaralaštva - k ategorija: P OTICANJE PROIZVODNJE A UDIOVIZUALNIH D JELA u 2 017. - 2 . 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Ocjena proizlazi iz analize relevantnosti teme, inovativnosti scenarija i redatelj-\nskog pristupa, dramaturške dosljednosti scenarija te cjelovitosti scenarija i redateljske koncepcije.  \nJednako važan aspekt su i ocjena financijske izvedivosti te predstavljenog distribucijskog \npotencijala projekta te doprinos u broju hrvatskog dijela ekipe filma.  \nUspjeh prethodnih redateljevih projekata u festivalskoj i kino distribuciji te iskustvo glavnog produ-\ncenta, hrvatskog koproducenta kao i njihova prethodna uspješna suradnja važan su kriterij pri od-\nlučivanju. \nUz ocjenu svih kreativnih i produkcijskih potencijala pojedinačnog projekta, kriterij predlaganja \nuključuje i odnos reciprociteta sa zemljama s većinskim udjelom u financiranju prijavljenih \nprojekata.  \nI na kraju, kriterij su svakako i aktualne financijske mogućnosti Hrvatskog audiovizualnog centra \nza financiranje projekata. \nNa listu filmova predloženih za sufinanciranje proizvodnje uvršteno je SEDAM projekata:  \n1.    animirani film Mišja kuća (Slovenija) s odobrenim sredstvima u iznosu od 120.000 kn \n2.    dugometražni dokumentarni film Istražitelj (Češka Republika) s odobrenim sredstvima u izno-\nsu od 200.000 kn  \n3.    dugometražni igrani film Mimi (Sjeverna Makedonija) s odobrenim sredstvima u iznosu od \n290.000 kn  \n4.    dugometražni igrani film Balkaya (Turska) s odobrenim sredstvima u iznosu od 720.000 kn, \n\n\f\n5.    dugometražni igrani film Sram (Francuska) s odobrenim sredstvima u iznosu od 550.000 kn  \n6.    kratkometražni igrani film Turist (Slovenija) s odobrenim sredstvima u iznosu od 120.000 kuna \n7.    kratkometražni ekperimentalni film Uploaded memories (Srbija) s odobrenim sredstvima u \niznosu od 35.000 kn  \nUkupni iznos odobrenih sredstava je 2.035.000,00 kuna.  \n1.\nAnimirani film Mišja kuća (Slovenija) s odobrenim sredstvima u iznosu od 120.000 kuna.  \nMišja kuća, kratkometražni animirani film u trajanju od 8 minuta, novi je projekt slovenskog autora \nTimona Ledera čiji je zadnji animirani film Podlasica prikazan na više od 30 festivala animacije \nuključujući i Animafest Zagreb. Priča koja se bavi odnosima među životinjama na rubu preživljava-\nnja ili šire, pitanjem konzumerizma, proždrljivosti, pohlepe, suosjećajnosti, umjerenosti...ispričana \nje na šarmantan, zanimljiv i poučan način, prije svega razumljiv i privlačan djeci, ali ne isključujući \npri tome ni odrasle.  \nGlavni producent filma, slovenska produkcija Invida ima značajno iskustvo u produkciji i distribuciji \nanimiranih filmova. Hrvatski koproducent je Jaka produkcija, producenta Jure Bušića. \n2.    dugometražni dokumentarni film Istražitelj (Češka Republika) s odobrenim sredstvima u izno-\nsu od 200.000 kn  \nDugometražni dokumentarni film redatelja Viktora Portela kroz sjećanja češkog istražitelja Vladimi-\nra Dzura, zaslužnog za prvo uhićenje osumnjičenog ratnog zločinca za Haški sud, gradonačelnika \nVukovara Slavka Dokmanovića kao i za niz drugih uhićenja za Haški sud u Hrvatskoj i Bosni i Her-\ncegovini, bavi se nasljeđem djelovanja Haškog suda na prostoru bivše Jugoslavije.  \nScenarij je temeljen na knjizi The Investigator: Demons of the Balkan War, koja je bazirana na \nDzurovim sjećanjima i dnevničkim zapisima koje je vodio tijekom svog istražiteljskog posla za sud \nu Haagu. \nGlavni producent je produkcijska tvrtka Frame Films, a hrvatski koproducent Restart.  \n3.    dugometražni igrani film Mimi (Sjeverna Makedonija) s odobrenim sredstvima u iznosu od \n290.000 kn  \nDugometražni igrani film Mimi makedonskog redatelja Darijana Pejovskog priča je o odnosu dviju \nmladih žena kojemu je centralna tema gubitak djeteta u patrijarhalnoj makedonskoj sredini i sve \nreperkusije potiskivanja emotivnih stanja majke zbog društvenih okolnosti na njenu osobnost i po-\nnašanja. Mimi progovara o aktualnim temama pobačaja, nasilja u obitelji, nepostojećoj podršci že-\nnama u društvu i odnosu dviju žena koji je zasnovan na očajničkoj potrebi za podrškom, koju ni \njedna ni druga ne uspijevaju pronaći u svojoj okolini, a naposlijetku niti jedna u drugoj. \nGlavni producent je Skopje Film Studio, produkcija čiji su projekti prikazivani  na festivalima poput: \nSundancea, Locarna, Karlovih Vary,Varšave, Sao Paola, Vilniusa, Sarajeva, Moskve, Busana, Ka-\n\n\f\nira, a projekt nastaje u koprodukciji s iskusnim hrvatskim producentom Damirom Terešakom, \nMaxima film.  \n4.    dugometražni igrani film Balkaya (Turska) s odobrenim sredstvima u iznosu od 720.000 kn, \nBalkaya je četvrti igrani film uspješnog turskog redatelja Emina Alpera, redatelja čiji su filmovi imali \npremijere u službenim konkurencijama A festivala poput Berlinala i Venecije te prikazani i nagrađi-\nvani na nizu najvažnijih međunarodnih festivala. Balkaya je zabačeni gradić u Anadoliji u kojem \npridošlica, mladi državni odvjetnik, traga za sudionicima u zločinu u kojem je možda i sam sudjelo-\nvao, premda mu je sjećanje na sam događaj izbrisano. Ovaj psihološki triler vješto isprepliće unu-\ntarnje, intimne transformacije glavnog lika s društveno-političkim temama, nastavljajući se na Alpe-\nrova dosadašnja tematska istraživanja o pojedincima unutar složenih društvenih i političkih struktu-\nra.  \nRiječ je o projektu u čiju je produkciju uključeno pet zemalja. Do sada je osigurana potpora naci-\nonalnih fondova u Turskoj, Francuskoj, Nizozemskoj i Grčkoj. Flm će zastupati The Match Factory \njedan od najpoznatijih prodajnih predstavnika na svijetu, koji je ujedno prodajni predstavnik i Alpe-\nrova dva prethodna filma. The Match Factory priključio se projektu u razvoju, što potvrđuje veliki \npotencijal filma kada je u pitanju distribucija projekta. Hrvatski koproducent je tvrtka Četiri film.  \n5.    dugometražni igrani film Sram (Francuska) s odobrenim sredstvima u iznosu od 550.000 kn  \nSram je drugi dugometražni igrani film Vladimira Perišića autora dugog igranog filma Obični ljudi, \nkoji je svjetsku premijeru imao u prestižnom programu Semaine de la citique canneskog filmskog \nfestivala te potom proputovao cijeli svijet i bio prikazan u natjecateljskim programima brojnih fes-\ntivala, između ostalih Rotterdama, Tallinna, San Francisca, Sarajevo Film Festivala gdje je odnio \nSrce Sarajeva i kao pobjednički film i kao najbolja muška uloga.  \nSram je priča o mladiću Stefanu koji se u delikatnom periodu odrastanja u kojem socijalni odnosi \nvan obitelji, u zajednici, postaju barem jednako važni, a često i važniji od obitelji - nalazi razapet \nizmeđu ljubavi i privrženosti majci i srama pred tom istom zajednicom radi majke. Radnja je \nsmještena u Beograd u trenutku studentskih demonstracija protiv Miloševićevog režima. \nPerišićeva koscenaristica Alice Winocour iskusna je autorica koja iza sebe ima niz dugometraž-\nnih igranih filmova…, a scenarij je u fazi razvoja nagradio i ARTE. Sram je koprodukcija između \nFrancuske, Srbije i Hrvatske, a koproducentice Ankica Jurić Tilić (Kinorama) i glavna producenti-\nca Janja Kralj (Kinoelektron) međunarodno su iznimno uspješne producentice \n6.    kratkometražni igrani film Turist (Slovenija) s odobrenim sredstvima u iznosu od 120.000 kuna \nKratkometražni igrani projekt slovenskog redatelja Luna Sevnika bavi se odnosom između oca i \nsina i to u onoj specifičnoj dobi kad je roditelj izvor najvećeg srama i frustracije i kad između djece i \nroditelja ima najmanje razumijevanja bez obzira na količinu ljubavi. Paralelno, Sevnik se bavi i iz-\njednačavanjem degradacije koju uslužni radnik u turizmu doživljava od tražitelja usluge - turista, s \ndegradacijom koju doživljava prostitutka u prostituciji. Iako ekstremno za izjednačiti, Sevnikov sce-\nnarij tjera na razmišljanje o ulozi i odnosu masovnog turizma prema lokalnom stanovništvu. \nFinancijski plan postavljen je kao koprodukcija između Slovenije, Češke s potvrđenim financira-\nnjem u Sloveniji i Češkoj, a hrvatski koproducent je Udruga Sensoria.  \n\n\f\n7.    kratkometražni ekperimentalni film Uploaded memories (Srbija) s odobrenim sredstvima u \niznosu od 35.000 kn  \nUploaded memories eksperimentalni je film srpskog autora Igora M. Toholja strukturiran od niza \nkadrova koji su automatizirani kompjuterski generiranim algoritmom koji pravi njihov poredak. Riječ \nje o digitaliziranim kadrovima Super 8 koji su osobna arhiva autora. Redatelj manipulirajući privat-\nnim snimkama reinterpretira proces sjećanja. Postavlja pitanje da li je moguće napraviti mašinu \nkoja može virtualno rekonstruirati proces sjećanja, a krajnji ishod je vrlo začudna, nostalgična, \nmješavina kadrova koji u kombinaciji sa zvučnom slikom djeluju upravo kao sjećanje kakvo bi bilo \nda ga je moguće preseliti na filmsko platno.  \nProjekt je koprodukcija između Srbije i Hrvatske, a hrvatski koproducent je F.F. Produkcija. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati komplementarne 2021.pdf","filename_decoded":"rezultati komplementarne 2021.pdf","sha256":"e9dac72becaa7e70a0fa8db264a2e47c34c841ab60b61554f433463d12ad48c1","bytes":91832,"page_count":12,"extracted_at":"2026-05-17T10:23:17Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20komplementarne%202021.pdf"},"raw_text":"Naziv  predlagatelja\nNaziv  programa\n  Odobrena  sredstva  \n1\nArt-­kino\nGodišnji  program  Art-­kina  za  2021.  \ngodinu\n                      330.000,00  HRK  \n2\nArt-­kino\nŠkola  u  kinu  za  2021.\n                          40.000,00  HRK  \n3\nASIFA  Hrvatske\nVečeri  animacije  2021\n                          12.000,00  HRK  \n4\nAutonomni  kulturni  centar\nProgram  Filmskog  studija  Medika  za  \n2021\n                          20.000,00  HRK  \nFilm  za  vrtiće  i  osnovne  škole,  \nKino  za  mlade  i\nRedovna  filmska  djelatnost\n6\nCentar  za  kulturu  i  cjeloživotno  \nobrazovanje  Zlatna  vrata\nProgram  kinoteke  Zlatna  vrata  za  \n2021.  godinu\n                          60.000,00  HRK  \n7\nCentar  za  kulturu  i  film  Augusta  \nCesarca\nKino  Kinoteka  i  Ljetna  pozornica  \nTuškanac  -­  redovna  audiovizualna  \ndjelatnost\n                          50.000,00  HRK  \n8\nCentar  za  kulturu  i  informiranje  \nDr.  Franjo  Tuđman\nKino  u  Grubišnom  Polju\n                          10.000,00  HRK  \n9\nDalmatia  Film  Festival\nMala  škola  filma\n                          10.000,00  HRK  \n10\nFestival  mediteranskog  filma  Split\nKino  Mediteran\n                          90.000,00  HRK  \n11\nFilmski  centar  mladih  Šibenik\nFilmske  radionice  za  djecu  i  mlade  u  \nŠibeniku\n                          15.000,00  HRK  \nJavni  poziv  za  dodjelu  sredstava  za  poticanje  komplementarnih  \ndjelatnosti  u  2021.  godini,  1.  rok  -­  popis  odobrenih  projekata\ndjelatnosti  razvijanja  audiovizualne  kulture\n                          35.000,00  HRK  \n7.  sjednica  Hrvatskog  audiovizualnog  vijeća,  23.  prosinca  2020.\n5\nCentar  za  kulturu  Čakovec\n\n\f\n12\nFoto  kino  video  klub  Zaprešić\nZimske  i  ljetne  filmske  radionice  2021.                           15.000,00  HRK  \n13\nFoto-­kino  klub  Baranja  film\n13.  Mikro-­škola  medijske  kulture,  \n2021.\n                              2.500,00  HRK  \n14\nFoto-­kino  klub  Baranja  film\nDOKfilm  '21.  -­  15.  Revija  \ndokumentarnog  filma\n                              5.000,00  HRK  \n15\nFoto-­kino  klub  Baranja  film\nFilmski  programi  u  Mikro-­kinu  -­  2021.\n                          15.000,00  HRK  \n16\nGFR  film-­video\nArt  kino  2021.\n                          12.000,00  HRK  \n17\nHrvatski  centar  za  istraživačko  \nnovinarstvo  i  slobodu  medija  -­  \nHRCIN\nRadionice  za  dokumentarne  filmove  \nistraživačkog  novinarstva\n                          20.000,00  HRK  \n18\nHrvatski  filmski  savez  -­  HFS\nDigitalna  filmska  naSTAVa\n                          15.000,00  HRK  \n19\nHrvatski  filmski  savez  -­  HFS\n16.  Međunarodni  summit  medija  za  \nmlade\n                          30.000,00  HRK  \n20\nHrvatski  filmski  savez  -­  HFS\nFilmski  programi  kina  Tuškanac  2021.                         420.000,00  HRK  \n21\nHrvatski  filmski  savez  -­  HFS\nKratki  utorak  2021\n                          50.000,00  HRK  \n22\nHrvatski  filmski  savez  -­  HFS\nMladi  mladima  -­  poticanje  razvoja  \nfilmskih  družina  u  novim  sredinama\n                          10.000,00  HRK  \n23\nHrvatski  filmski  savez  -­  HFS\nObrazovni  programi  u  kinu  Tuškanac  \nza  djecu  i  mlade\n                          10.000,00  HRK  \n24\nHrvatski  filmski  savez  -­  HFS\nPetnaesti  susret  Dječje  filmsko  i  \nvideostvaralaštvo  u  funkciji  javnoga  \nzdravstva  i  jedanaesti  Dječji  filmski  \nkamp  \n                          10.000,00  HRK  \n25\nHrvatski  filmski  savez  -­  HFS\nSenzorne  projekcije  u  kinu  Tuškanac,  \nZagreb;;  kinu  Gaj,  Varaždin;;  kinu  \nVelebit,  Koprivnica;;  i  kinu  Bjelovar\n                          15.000,00  HRK  \n26\nJavna  ustanova  Pula  film  festival\nFilmovi  za  sva  vremena\n                          10.000,00  HRK  \n27\nJavna  ustanova  Pula  film  festival\nFUŠ  -­  Film  u  školi\n                          20.000,00  HRK  \n\n\f\n28\nJavna  ustanova  u  kulturi  \nKinematografi  Dubrovnik\nVisia  -­  Slavica  2021\n                          30.000,00  HRK  \n29\nKinematografi  Osijek  d.d.\n109  godina  kina  Urania\n                          40.000,00  HRK  \n30\nKinematografi  Osijek  d.d.\nResonance  Cinema.  Cultural  Hub  for  \nCurious  Minds\n                          70.000,00  HRK  \n31\nKinoklub  Karlovac\nFilmski  Uskrs  i  Vaskrs  2021.\n                          10.000,00  HRK  \n32\nKinoklub  Zagreb\nRadionice  Kinokluba  Zagreb  u  2021.  \ngodini\n                          60.000,00  HRK  \n33\nKolektiv  za  razvoj,  istraživanje  i  \npropitivanje  queer  kulture  -­  \nqueerANarchive\nqRadionice  2021.\n                          10.000,00  HRK  \n34\nKulturni  i  multimedijski  centar  \nBjelovar\nKino  za  sve  -­  poseban  cjelogodišnji  \nprogram  KMC-­a  za  2021.\n                          25.000,00  HRK  \n35\nKulturno  prosvjetno  društvo  \n\"Sloga\"  Pakrac\nŠkic  kroz  šaluzinu\n                          20.000,00  HRK  \n36\nLuma  film  d.o.o.\nŠkola  animacije  za  djecu  od  9  do  12  \ngodina\n                          12.000,00  HRK  \n37\nMotovun  film  festival  U.O.\nKino  Istra  /  Movies  in  Motivon\n                          90.000,00  HRK  \n38\nOtompotom\nPlanktoon  2021\n                          10.000,00  HRK  \n39\nPari  Pikule\nMobilna  aplikacija  za  osobe  s  \noštećenjem  vida\n                          15.000,00  HRK  \n40\nPučko  otvoreno  učilište  \"Augustin  \nVivoda\"  Buzet\nKino  Buzet  2021\n                          10.000,00  HRK  \n41\nPučko  otvoreno  učilište  Daruvar\nGodišnja  kinoprikazivačka  djelatnost  \nkina  \"30.  svibnja\"  Daruvar  -­  \npermanentno  prikazivanje  filmova  i  \nrevija  hrvatskog,  europskog  i  \ninternacionalnog  kino-­repertoara  u  \n2021.\n                          30.000,00  HRK  \n42\nPučko  otvoreno  učilište  Koprivnica\nPopularizacija  neameričkog  i  \neuropskog  filma  te  poticanje  medijske  \npismenosti\n                          20.000,00  HRK  \n43\nPučko  otvoreno  učilište  Kutina\nProgram  za  škole  i  kino  -­  ŠIK  \n                          10.000,00  HRK  \n\n\f\n44\nPučko  otvoreno  učilište  Matija  \nAntun  Relković\nKinoprikazivačka  djelatnost  \nPOUMAR-­a  za  2021.  godinu\n                          12.000,00  HRK  \n45\nPučko  otvoreno  učilište  Novska\nKino  za  sve\n                              3.000,00  HRK  \n46\nPučko  otvoreno  učilište  Ogulin\nKino  klub  Ogulin\n                              5.000,00  HRK  \n47\nPučko  otvoreno  učilište  Samobor\nKino  Samobor:  Godišnji  program\n                          55.000,00  HRK  \n48\nPučko  otvoreno  učilište  Slatina\n101  godina  kinematografije  u  Slatini\n                          14.000,00  HRK  \n49\nPučko  otvoreno  učilište  Sveti  Ivan  \nZelina\nKino  Zelina  -­  Cjelogodišnji  program  \nrazvoja  filmske  i  medijske  pismenosti  \n2021.\n                          30.000,00  HRK  \n50\nPučko  otvoreno  učilište  Varaždin\nProgram  kina  Gaj\n                          45.000,00  HRK  \n51\nPučko  otvoreno  učilište  Velika  \nGorica\nKino  Gorica  -­  cjelogodišnji  program\n                          20.000,00  HRK  \n52\nPulska  filmska  tvornica\n11.  Škola  animiranog  filma\n                          15.000,00  HRK  \n53\nPulska  filmska  tvornica\n17.  Škola  filma\n                          15.000,00  HRK  \n54\nPulska  filmska  tvornica\nAutor  u  gostima\n                              7.000,00  HRK  \n55\nRadar  d.o.o.\nKino.hr  mreža  -­  godišnji  filmski  \nprogram  i  kinoprikazivačka  djelatnost\n                          40.000,00  HRK  \n56\nRestart\nDemokracija  za  početnike  u  2021.  \ngodini  \n                          12.000,00  HRK  \n57\nRestart\nDokukino  program  u  2021.  godini  \n                          70.000,00  HRK  \n58\nRestart\nFilmska  početnica  u  2021.  godini  -­  \npredškolski  i  osnovnoškolski  program\n                          18.000,00  HRK  \n59\nRestart\nŠkola  dokumentarnog  filma  u  2021.  \ngodini  -­  jubilarno  izdanje\n                          60.000,00  HRK  \n60\nSUPERTOON\nAnimation  shots  2021\n                          25.000,00  HRK  \n61\nSUPERTOON\nAnimirani  Šibenik  2021\n                          10.000,00  HRK  \n\n\f\n62\nTeatar  to  go,  U.O.\nFilmska  RUNDA  2021.\n                          20.000,00  HRK  \n63\nTvornica  Umjetnosti  -­  TUM\nIzrazi  se  filmom  \n                          15.000,00  HRK  \n64\nUdruga  Bacači  sjenki\nFrooom  2021  –  cjelogodišnji  program  \naudiovizualnog  opismenjavanja  djece  \ni  mladih\n                          60.000,00  HRK  \n65\nUdruga  Bacači  sjenki\nSamo  nebo  nam  je  granica  2021\n                          10.000,00  HRK  \n66\nUdruga  Blank\nBlank_edu\n                          10.000,00  HRK  \nFilmska  škola  i\nFilmske  radionice\n68\nUdruga  Djeca  susreću  umjetnost\nAnimacijski  lab  Sedmi  kontinent  -­  \nProgram  stop  animacije  i  radionica  \noptičkih  igračaka  za  vrtiće\n                          30.000,00  HRK  \n69\nUdruga  Djeca  susreću  umjetnost\nPutujući  Sedmi  kontinent  u  suradnji  s  \nnezavisnim  kinima  i  Mrežom  \nkinoprikazivača\n                          50.000,00  HRK  \n70\nUdruga  Djeca  susreću  umjetnost\nSedmi  kontinent  u  bolnicama\n                          25.000,00  HRK  \n71\nUdruga  Domino\nQueer  MoMenti  2021.\n                          30.000,00  HRK  \nFilm  svima  2021  i\nFilm  svima  svugdje  2021\n73\nUdruga  Filmaktiv\nPrimijenjeni  video  2021\n                              7.300,00  HRK  \n74\nUdruga  Filmaktiv\nŠkola  dokumentarnog  filma\n                          14.000,00  HRK  \n75\nUdruga  Kaooosss\nŠkola  igranog  filma  2021.\n                          10.000,00  HRK  \n76\nUdruga  Liburnia  film  festival\nLiburnia  uplovljava  2021\n                              5.000,00  HRK  \nRadionica  animiranog  filma  \"Mali  \ngrad  \"Ivanić  Grad\"  i\nRadionica  igranog  filma  \"Mali  grad  \nIvanić  Grad\"\nRadionica  animiranog  filma  \"Mali  \ngrad  Agram\"  i\nRadionica  igranog  filma  \"Mali  grad  \nAgram\"\n79\nUdruga  Što,  kako  i  za  koga  /  \nWHW\nTo  je  stvar  brige,  razgovor  o  stablima  \n-­  serija  filmskih  i  video  programa  i  \nrazgovora\n                          35.000,00  HRK  \n80\nUdruga  za  kulturu  i  sport  \nPozitivna  sila\nKino  Cirkus\n                              5.000,00  HRK  \n                          60.000,00  HRK  \n                          10.000,00  HRK  \n                              5.000,00  HRK  \n5.000,00  HRK\n78\nUdruga  Mali  grad\n67\nUdruga  Blank\n72\nUdruga  Filmaktiv\n77\nUdruga  Mali  grad\n\n\f\n81\nUdruga  za  promicanje  \nstvaralaštva  i  jednakih  \nmogućnosti  Alternator\n13.  Festival  prava  djece  -­  prilagodbe  \nfilmova  za  gluhe  i  slijepe  osobe\n                          20.000,00  HRK  \n82\nUdruga  za  promicanje  \nstvaralaštva  i  jednakih  \nmogućnosti  Alternator\nRazgovor  počinje  filmom\n                          20.000,00  HRK  \n83\nUdruga  ZAG\nOd  ideje  do  realizacije  teen  filma  \n                              5.000,00  HRK  \n84\nUdruženje  za  razvoj  kulture  URK\nNove  filmske  večeri  u  Močvari\n                          35.000,00  HRK  \n85\nUmjetnička  organizacija  Film-­\nprotufilm\nSerije  za  invizibilno  kino  -­  Atelier  \nDioklecijan\n                          20.000,00  HRK  \n86\nUmjetnička  organizacija  \nMetropolis\nKino  Metropolis\n                          30.000,00  HRK  \n87\nUmjetnička  organizacija  Rikšafilm\nAudiovizualna  pismenost  -­  besplatna  \nfilmska  radionica  za  djecu  i  mlade\n                              5.000,00  HRK  \n88\nUmjetnička  organizacija  Rikšafilm\nBesplatna  filmska  radionica  za  djecu,  \nkoja  uključuje  i  polaznike  s  posebnim  \npotrebama\n                              5.000,00  HRK  \n89\nVideo  klub  Mursa\nRadionica  stop-­trik  animacije  \nSee/Touch/Try  –  2021.\n                              5.000,00  HRK  \n90\nZajednica  tehničke  kulture  Grada  \nSlavonskog  Broda\nPeta  radionica  animiranog  filma  \nposvećenog  manifestaciji  Svijet  bajki  \nIvane  Brlić-­  Mažuranić\n                              9.000,00  HRK  \n91\nZajednica  udruga  Centar  \nnezavisne  kulture\nKino  Zona  Zadar\n                          20.000,00  HRK  \n2.829.800,00  HRK\n              \nNaziv  predlagatelja\nNaziv  programa\n  Odobrena  sredstva  \n1\nCentar  za  kulturu  Čakovec\n9.  Međunarodna  revija  filmova  za  \ndjecu\n                          12.000,00  HRK  \n2\nDreaMaker  Productions  d.o.o.\nInternational  Sound  &  Film  Music  \nFestival  (ISFMF)\n                          15.000,00  HRK  \n3\nFactum\n17.  ZagrebDox  međunarodni  festival  \ndokumentarnog  filma  2021\n                      500.000,00  HRK  \n4\nFestival  mediteranskog  filma  Split\n14.  Festival  mediteranskog  filma  Split\n                      200.000,00  HRK  \n5\nFestival  suvremenog  židovskog  \nfilma  Zagreb\n15.  Festival  tolerancije  -­  JFF  Zagreb\n                      100.000,00  HRK  \nfilmski  festivali  i  druge  audiovizualne  manifestacije\nUKUPNO\n\n\f\n6\nFilmsko-­kreativni  studio  Vanima\n12.  VAFI  &  RAFI  -­  internacionalni  \nfestival  animiranog  filma  djece  i  \nmladih\n                          55.000,00  HRK  \n7\nGFR\n29.  Hrvatski  festival  jednominutnih  \nfilmova\n                          50.000,00  HRK  \n8\nHrvatski  filmski  savez  -­  HFS\n30.  Dani  hrvatskog  filma\n                      190.000,00  HRK  \n9\nHulahop  d.o.o.\n31.  Svjetski  festival  animiranog  filma  -­  \n  Animafest  Zagreb  2021\n                      900.000,00  HRK  \n10\nKino  klub  Sisak\nStar  Film  Fest\n                          35.000,00  HRK  \n11\nKinoklub  Karlovac\nFilmski  EU  tjedan  2021.\n                              5.000,00  HRK  \n12\nKinoklub  Karlovac\nFUSE  -­  Film  Under  Severe  \nExperiment  2021.\n                              7.500,00  HRK  \n13\nMediji  Sve  O  d.o.o.\nEkranizacija  hrvatskih  audiovizualnih  \ndjela  (manifestacija-­  prikazivanje  \nhrvatskih  audiovizualnih  djela)\n                          30.000,00  HRK  \n14\nMoonstone  Production  d.o.o.\nDalmatia  Film  Festival\n                          25.000,00  HRK  \n15\nOne  Take  Film  Festival\nOrganizacija  Festivala  filmova  \nsnimljenih  u  jednom  kadru\n                          60.000,00  HRK  \n16\nProstor  rodne  i  medijske  kulture  \nK-­zona\nVox  Feminae  filmski  festival  2021.\n                          40.000,00  HRK  \n17\nUdruga  Bijeli  val\n14.  Subversive  Film  Festival:  \nAlternativne  obitelji  i  sretni  završeci\n                      130.000,00  HRK  \n18\nUdruga  Đakovački  rezovi\nManifestacija  Đakovački  rezovi\n                          20.000,00  HRK  \n19\nUdruga  Filmaktiv\n8.  Međunarodni  studentski  filmski  \nfestival  (STIFF)\n                          25.000,00  HRK  \n20\nUdruga  građana  Spirit\nUhvati  film!\n                          10.000,00  HRK  \n21\nUdruga  Liburnia  film  festival\n19.  Liburnia  Film  Festival\n                          70.000,00  HRK  \n22\nUdruga  za  promicanje  \nstvaralaštva  i  jednakih  \nmogućnosti  Alternator\n13.  Festival  prava  djece  2021.\n                          45.000,00  HRK  \n23\nUmjetnička  organizacija  Film-­\nprotufilm\nFilmske  mutacije:  Festival  nevidljivog  \nfilma  XV  -­  Terestričko  kino-­oko\n                          90.000,00  HRK  \n24\nUmjetnička  organizacija  Zagreb  \nFilm  Festival\n6.  KinoKino  -­  Međunarodni  filmski  \nfestival  za  djecu\n                          40.000,00  HRK  \n2.654.500,00  HRK\n              \nUKUPNO\n\n\f\nNaziv  predlagatelja\nNaziv  programa\n  Odobrena  sredstva  \n1\nAM  centar  audiovizualne  kulture  i  \nmultimedije\nKako  se  kalio  čelik  Igora  Grubića  \n(radni  naslov)\n                          10.000,00  HRK  \n2\nHrvatski  filmski  savez  -­  HFS\nHrvatski  filmski  ljetopis\n                      100.000,00  HRK  \n3\nHrvatski  filmski  savez  -­  HFS\nHrvoje  Turković:  Tipovi  filmskog  \nizlaganja\n                          25.000,00  HRK  \n4\nHrvatski  filmski  savez  -­  HFS\nMartin  u  oblacima  -­  šezdeset  godina  \nposlije  (radni  naslov)\n                          10.000,00  HRK  \n5\nHulahop  d.o.o.\nMonografija  \"50  godina  Animafesta  \nZagreb\"\n                          60.000,00  HRK  \n6\nKurziv  -­  Platforma  za  pitanja  \nkulture,  medija  i  društva\nKinemaskop\n                          30.000,00  HRK  \n7\nMultimedijalni  institut\nPetra  Belc  Krnjaić:  Oslobođena  \nforma  —  poetika  jugoslavenskoga  \neksperimentalnoga  filma  1960-­ih  i  \n1970-­ih\n                          10.000,00  HRK  \n8\nProstor  rodne  i  medijske  kulture  \nK-­zona\nRodno  osviještena  filmska  kritika\n                          15.000,00  HRK  \n9\nUdruga  Dokumetar\nDokumentarni.net\n                          20.000,00  HRK  \n10\nUdruga  za  promicanje  filma,  \nfilmske  kulture  i  televizijskih  serija  \n\"Filmofil\"\nFilmski  portal  Goodtalking\n                              5.000,00  HRK  \n11\nUmjetnička  organizacija  \nMetropolis\nFilmovi.hr\n                          15.000,00  HRK  \n12\nVedis  d.o.o.\nNedeljko  Dragić:  Vučko  2  (knjiga  \nsnimanja  za  dva  animirana  filma)\n                          23.000,00  HRK  \n323.000,00  HRK\n                  \nNaziv  predlagatelja\nNaziv  programa\n  Odobrena    sredstva  \n1\n25  FPS,  Udruga  za  audio-­\nvizualna  istraživanja\nProgrami  Udruge  25  FPS  u  2021.  \n                          40.000,00  HRK  \n2\nCentar  za  rad  i  promociju  \nmedijske  kulture  Lukas\nMedijska  djelatnost  djece  i  mladeži,  \nte  osoba  s  posebnim  potrebama,  \nsudjelovanja  na  revijama  i  festivalima  \ni  stručna  usavršavanja  članova  \nudruge\n                              5.000,00  HRK  \nizdavaštvo  u  području  audiovizualnih  djelatnosti\nprogrami  audiovizualnih  udruga  i  organizacija\n\n\f\n3\nDruštvo  hrvatskih  audiovizualnih  \nprevoditelja\nRedovne  djelatnosti  DHAP-­a  u  2021.\n                              5.000,00  HRK  \n4\nDruštvo  hrvatskih  filmskih  \nredatelja\nProgram  redovite  djelatnosti  za  2021.  \ngodinu\n                      130.000,00  HRK  \n5\nFilmski  centar  mladih  Šibenik\nRedovita  djelatnost  u  2021.\n                          15.000,00  HRK  \n6\nFilmsko-­kreativni  studio  Vanima\nProgram  rada  u  2021.  godini\n                          30.000,00  HRK  \n7\nFoto  film  video  amateri  Luke\nProgram  rada  FFVAL-­a  za  2021.  \ngodinu\n                          15.000,00  HRK  \n8\nFoto  kino  video  klub  Zaprešić\nRedovita  programska  djelatnost  2021.                           25.000,00  HRK  \n9\nGFR  film-­video\nFilmska  edukacija  mladih  2021.\n                          15.000,00  HRK  \n10\nHrvatska  mreža  neovisnih  \nkinoprikazivača\nProgrami  i  projekti  Kino  mreže  u  \n2021.  godini\n                          90.000,00  HRK  \n11\nHrvatska  udruga  filmskih  \nsnimatelja\nRedovna  djelatnost  Hrvatske  Udruge  \nFilmskih  snimatelja\n                          90.000,00  HRK  \n12\nHrvatska  udruga  producenata\nProgram  redovne  djelatnosti  \nHrvatske  udruge  producenata  za  \n2021.  godinu\n                      130.000,00  HRK  \n13\nHrvatski  filmski  savez  -­  HFS\nKoordinacijske  i  poticajne  funkcije  \nHFS-­a\n                          90.000,00  HRK  \n14\nHrvatsko  društvo  filmskih  \ndjelatnika\nRedovna  djelatnost  Hrvatskog  \ndruštva  filmskih  djelatnika\n                      325.000,00  HRK  \n15\nHrvatsko  društvo  filmskih  kritičara\nProgram  redovne  djelatnosti  \nHrvatskog  društva  filmskih  kritičara\n                          90.000,00  HRK  \n16\nHrvatsko  kaskadersko  društvo  -­  \nHKD\nRedovni  program  Hrvatskog  \nkaskaderskog  društva  2021.\n                          20.000,00  HRK  \n17\nIzvan  fokusa  -­  Udruga  za  \nmedijsko  stvaralaštvo  i  kulturne  \naktivnosti\nRedovna  djelatnost  udruge  Izvan  \nfokusa  za  2021.\n                          20.000,00  HRK  \n18\nKino  klub  Sisak\n365/7\n                          28.000,00  HRK  \n19\nKino  klub  Split\nEdukativni  program  i  produkcija  Kino  \nkluba  Split  2021\n                          70.000,00  HRK  \n\n\f\n20\nKinoklub  Karlovac\nRedovna  djelatnost  Kinokluba  \nKarlovac  u  2021.  godini  \n                          40.000,00  HRK  \n21\nKinoklub  Zagreb\nRedovite  aktivnosti  Kinokluba  Zagreb  \nu  2021.  godini\n                          30.000,00  HRK  \n22\nPulska  filmska  tvornica\nKlub  Pulske  filmske  tvornice\n                          30.000,00  HRK  \n23\nSavez  scenarista  i  pisaca  \nizvedbenih  djela\nRedovna  djelatnost  SPID-­a  u  2021.  \ngodini\n                          70.000,00  HRK  \n24\nŠkola  animiranog  filma  Čakovec\nRedovna  djelatnost  ŠAF-­a  u  2021.g.\n                          25.000,00  HRK  \n25\nUdruga  Bacači  sjenki\nPotpora  za  provedbu  audiovizualnih  \ndjelatnosti  Udruge  Bacači  sjenki\n                          15.000,00  HRK  \n26\nUdruga  Blank\nRedovita  programska  djelatnost  \nudruge  Blank  u  2021.\n                          80.000,00  HRK  \n27\nUdruga  Djeca  susreću  umjetnost\nProgram  audiovizualne  udruge  Djeca  \nsusreću  umjetnost  -­  filmski  program  \nSedmi  kontinent  \n                          20.000,00  HRK  \n28\nUdruga  za  promicanje  medijske  \nkulture  Luža\nGodišnji  program  filmskih  radionica\n                          15.000,00  HRK  \n1.558.000,00  HRK\n              \nNaziv  predlagatelja\nNaziv  programa\n  Odobrena  sredstva  \n1\nRestart\nIzdavaštvo  i  distribucija  hrvatskih  \ndokumentarnih  filmova  u  regiji  -­  2021.                           20.000,00  HRK  \n2\nRestart\nKinedok  2021.\n                          40.000,00  HRK  \n3\nSvevid  d.o.o.\nPromocija  kataloga  SVoD  platforme  \nSVEVID\n                          30.000,00  HRK  \n4\nUmjetnička  organizacija  Zagreb  \nFilm  Festival\nCroatian.film  -­  internetska  platforma  \nza  gledanje  i  promociju  hrvatskog  \nfilma\n                          40.000,00  HRK  \n130.000,00  HRK\n                  \nNaziv  predlagatelja\nNaziv  programa\n  Odobrena  sredstva  \n1\nDruštvo  hrvatskih  filmskih  \nredatelja\nScenaristički  program  \"Branko  Bauer\"  \n2021.  \n                          20.000,00  HRK  \n2\nFactum\nZagrebDox  Pro  2021.\n                          80.000,00  HRK  \n3\nFestival  mediteranskog  filma  Split\nIndustrija  1.0\n                          20.000,00  HRK  \nUKUPNO\nprogrami  promocije  i  prodaje  hrvatskih  audiovizualnih  djela\nUKUPNO\nprogrami  stručnog  usavršavanja  i/ili  edukacije\n\n\f\n4\nHrvatski  filmski  savez  -­  HFS\nScenaristička  platforma  Palunko\n                          50.000,00  HRK  \n5\nHulahop  d.o.o.\nAnimafest  PRO  2021\n                          15.000,00  HRK  \n6\nRestart\nRestart  Laboratorij  u  2021.  godini\n                          60.000,00  HRK  \n7\nSekvenca  d.o.o.\nCircle  Women  Doc  Accelerator  2021\n                          25.000,00  HRK  \n8\nUdruga  Manda  -­  film  i  riječ\nMedijski  izazovi  -­  škola  za  profesore\n                          10.000,00  HRK  \n9\nUmjetnička  organizacija  Pulpa\nRadionice  prezentacije  filmskog  \nprojekta\n                              5.000,00  HRK  \n285.000,00  HRK\n                  \nNaziv  predlagatelja\nNaziv  programa\n  Odobrena  sredstva  \n1\nHrvatsko  društvo  filmskih  kritičara Tribina  Psihijatrija  i  film  u  2021.  godini                           10.000,00  HRK  \n2\nHulahop  d.o.o.\nMeđunarodni  znanstveni  skup  o  \nanimiranom  filmu  Animafest  Scanner  \nVIII\n                          25.000,00  HRK  \n3\nKinoklub  Zagreb\nMonsterclass:  razgovori  s  filmskim  \nautorima  u  Kinoklubu  Zagreb\n                          10.000,00  HRK  \n4\nMultimedijalni  institut\nVizualni  kolegij  \n                          45.000,00  HRK  \n5\nRestart\nHall  of  Fame  u  2021.  godini  \n                          10.000,00  HRK  \n6\nRestart\nMasterclass  program  u  2021.  godini\n                          40.000,00  HRK  \n7\nRestart\nRazmišljaj  filmom  u  2021.  godini\n                          15.000,00  HRK  \n8\nRestart\nUpoznaj  autora  i  Doku-­razgovori  u  \n2021.  godini  \n                          20.000,00  HRK  \n9\nUdruga  Bijeli  val\nKinematografije  otpora  2021.  \n                          15.000,00  HRK  \n10\nUdruga  Jučer,  danas,  sutra  -­  \nplatforma  za  audiovizualna  \nistraživanja\nZvuk  hrvatskog  filma:  Glazba  iz  \nanimiranog  serijala  Profesor  Baltazar\n                          30.000,00  HRK  \n220.000,00  HRK\n                  \nUKUPNO\nproučavanje  i  kritičko  vrednovanje  audiovizualnih  djelatnosti          \nUKUPNO\n\n\f\nNaziv  predlagatelja\nNaziv  programa\n  Odobrena  sredstva  \n1\nHrvatski  filmski  savez  -­  HFS\nFilmski  i  video  arhiv  Hrvatskog  \nfilmskog  saveza  u  2021.  godini\n                      125.000,00  HRK  \n125.000,00  HRK\n                  \nBROJ  ODOBRENIH  \nPROGRAMA\n  ODOBRENA  \nSREDSTVA  \n91\n2.829.800,00  HRK\n        \n24\n        2.654.500,00  HRK  \n12\n              323.000,00  HRK  \n28\n        1.558.000,00  HRK  \n4\n              130.000,00  HRK  \n9\n              285.000,00  HRK  \n10\n              220.000,00  HRK  \n1\n              125.000,00  HRK  \n179\n        8.125.300,00  HRK  \nzaštita  audiovizualne  baštine  \nuključujući  kinotečnu  djelatnost\nSVEUKUPNO\nzaštita  audiovizualne  baštine  uključujući  kinotečnu  djelatnost\nUKUPNO\nPROGRAMSKA  DJELATNOST\ndjelatnosti  razvijanja  audiovizualne  \nkulture\nfilmski  festivali  i  druge  audiovizualne  \nmanifestacije\nizdavaštvo  u  području  audiovizualnih  \ndjelatnosti\nprogrami  audiovizualnih  udruga  i  \norganizacija\nprogrami  promocije  i  prodaje  hrvatskih  \naudiovizualnih  djela\nprogrami  stručnog  usavršavanja  i/ili  \nedukacije\nproučavanje  i  kritičko  vrednovanje  \naudiovizualnih  djelatnosti\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati komplementarne 2021","year":2021,"rok":"1. rok","natjecaj_date":"2020-12-23","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:05:49Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"djelatnosti r azvijanja a udiovizualne k ulture","section_key":"djelatnosti_r_azvijanja_a_udiovizualne_k_ulture","columns":["Naziv p redlagatelja","Naziv p rograma","O dobrena s redstva"],"rows":[{"row_number":1,"project_title":"Godišnji program Art-kina za 2021. godinu","applicant":"Art-kino","production_company":"Art-kino","director":null,"writer":null,"original_author":null,"category":null,"approved_amount":330000.0,"approved_amount_text":null,"currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T13:47:30Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Art-kino","row_id":"e9dac72b:s0:459921aae88f","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high","family":{"method":"claude-haiku","confidence":"high","reason":"Clear recurring annual program (2020-2026) with consistent title structure and primary entity Art-kino.","candidate_id":"fc_940e015845c5"}},"project_family_id":"pf_0c33ead6afc2","project_family_title":"Godišnji program Art-kina za godinu"},{"row_number":2,"project_title":"Škola u kinu za 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 redovite  djelatnosti  za  2018.  godina\n130.000,00        \n4\nFilmsko-­kreativni  studio  Vanima\nProgram  rada  za  2018.  godinu\n30.000,00        \n5\nFoto  film  video  amateri  Luke\nProgram  rada  FFVAL-­a  za  2018.  godinu\n15.000,00        \n6\nFoto  kino  video  klub  Zaprešić\nRedovita  programska  djelatnost  2018.\n20.000,00        \n7\nGFR  film-­video\nEdukacija  mladih\n10.000,00        \n8\nHrvatska  mreža  neovisnih  \nkinoprikazivača\nHrvatska  mreža  neovisnih  kinoprikazivača  \n150.000,00        \nRedovna  djelatnost  Hrvatske  Udruge  Filmskih  \nSnimatelja  i\nOrganiziranje  dvodnevne  radionice  za  \nasistente  kamere\n10\nHrvatska  udruga  producenata\nProgram  redovnih  djelatnosti  Hrvatske  udruge  \nproducenata  za  2018.  godinu\n100.000,00        \n11\nHrvatski  filmski  savez  -­  HFS\nKoordinacijske  i  poticajne  funkcije  HFS-­a\n90.000,00        \n12\nHrvatsko  društvo  filmskih  djelatnika\nRedovna  djelatnost  Hrvatskog  društva  filmskih  \ndjelatnika\n325.000,00        \nProgram  redovne  djelatnosti  Hrvatskog  \ndruštva  filmskih  kritičara  u  2018.  godini  i\nTribina  Psihijatrija  i  film  u  2018.  \n14\nHrvatsko  društvo  nezavisnih  \nproducenata\nProgram  redovnih  aktivnosti  HDNP-­a  za  2018.  \ng.\n15.000,00        \n15\nHrvatsko  kaskadersko  društvo\nRedovni  program  Hrvatskog  kaskaderskog  \ndruštva  2018.\n50.000,00        \n16\nIzvan  fokusa  -­  Udruga  za  medijsko  \nstvaralaštvo  i  kulturne  aktivnosti  \nRedovna  djelatnost  udruge  Izvan  fokusa  za  \n2018.  godinu\n10.000,00        \n17\nKinoklub  Karlovac\nRedovna  djelatnost  Kinokluba  Karlovac  u  \n2018.  godini  -­  Kinoklub  Karlovac\n40.000,00        \n18\nKinoklub  Zagreb\nRedovite  aktivnosti  Kinokluba  Zagreb  u  2018.  \ngodini\n20.000,00        \n19\nPulska  filmska  tvornica\nKlub  Pulske  filmske  tvornice\n30.000,00        \n20\nSavez  scenarista  i  pisaca  izvedbenih  \ndjela\nRedovna  djelatnost  SPID-­a  u  2018.  godini\n50.000,00        \n21\nStvaralačka  mreža  Zebra\nGreta  ArtSpace\n20.000,00        \n22\nŠkola  animiranog  filma  Čakovec\nRedovna  djelatnost  ŠAF-­a  u  2018.g.\n10.000,00        \nFilmska  proizvodnja  kratkih  filmova  mladih  \nneafirmiranih  autora  i\nRedovita  programska  djelatnost  udruge  Blank  \nu  2018.\n24\nUdruga  Djeca  susreću  umjetnost\nRedovite  djelatnosti  Udruge  u  okviru  filmskog  \nprograma  Sedmi  kontinent  2018.  godine\n20.000,00        \n25\nUdruga  Globe  Media\nGlobe  Media  -­  redovna  djelatnost\n10.000,00        \n26\nVariete\nRad  udruge  Variete  u  2018.  godini\n5.000,00        \n1.475.000,00  \nUKUPNO\n92.  sjednica  Hrvatskog  audiovizualnog  vijeća,  13.  ožujka  2018.\nJavni  poziv  za  dodjelu  sredstava  za  poticanje  komplementarnih  djelatnosti  u  2018.  \ngodini  -­  popis  odobrenih  projekata\n90.000,00        \n80.000,00        \n80.000,00        \n35.000,00        \nprogrami  audiovizualnih  udruga  i  organizacija\nHrvatsko  društvo  filmskih  kritičara\n13\nUdruga  Blank\n23\nAutorski  studio-­fotografija,  film,  video\n2\nHrvatska  udruga  filmskih  snimatelja\n9\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"UDRUGE REZULTATI KOMPLEMENTARNE 2018 ","year":2018,"rok":null,"natjecaj_date":"2018-03-13","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":"programi a udiovizualnih u druga i o rganizacija","section_key":"programi_a_udiovizualnih_u_druga_i_o_rganizacija","columns":["Naziv p redlagatelja","Naziv p rograma","Odobrena s redstva"],"rows":[{"row_number":1,"project_title":"Programi U druge 2 5 F PS u 2 018.","applicant":"25 F PS, U druga z a a udio-vizualna istraživanja","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"col_1":"1","Naziv p rograma":"Programi U druge 2 5 F PS u 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:6db1d6a2e1e9","curation":{"changes":[{"field":"applicant","from":null,"to":"25 F PS, U druga z a a udio-vizualna istraživanja","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"25 F PS, U druga z a a udio-vizualna istraživanja","to":"Programi U druge 2 5 F PS u 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_3ec87f09d75e","project_family_title":"Programi U druge 2 5 F PS u 2 018."},{"row_number":2,"project_title":"Radionica animiranog filma za djecu - Mala zagrebačka animacija (Z-animacija) i Filmske i video radionice i tečajevi u 2018.","applicant":"Autorski studio-fotografija, film, video","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"35.000,00","approved_amount":35000.0,"currency":"HRK","extras":{"col_1":"2","Naziv p rograma":"Radionica a nimiranog f ilma z a d jecu - M ala zagrebačka a nimacija ( Z-animacija) i Filmske i v ideo r adionice i t ečajevi u 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:62e39b990308","curation":{"changes":[{"field":"applicant","from":null,"to":"Autorski s tudio-fotografija, f ilm, v ideo","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Autorski s tudio-fotografija, f ilm, v ideo","to":"Radionica a nimiranog f ilma z a d jecu - M ala zagrebačka a nimacija ( Z-animacija) i Filmske i v ideo r adionice i t ečajevi u 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Radionica a nimiranog f ilma z a d jecu - M ala zagrebačka a nimacija ( Z-animacija) i Filmske i v ideo r adionice i t ečajevi u 2 018.","to":"Radionica animiranog filma za djecu - Mala zagrebačka animacija (Z-animacija) i Filmske i video radionice i tečajevi u 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Autorski s tudio-fotografija, f ilm, v ideo","to":"Autorski studio-fotografija, film, video","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Radionica animiranog filma za djecu - Mala zagrebačka animacija (Z-animacija) i Filmske i video radionice i tečajevi u 2018.","to":"Radionica a nimiranog f ilma z a d jecu - M ala zagrebačka a nimacija ( Z-animacija) i Filmske i v ideo r adionice i t ečajevi u 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 2. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'a nimiranog' → 'animiranog', 'f ilm' → 'film'). Amount 35,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_1ecc2b49753d","project_family_title":"Radionica animiranog filma za djecu - Mala zagrebačka animacija (Z-animacija) i Filmske i video radionice i tečajevi u 2018."},{"row_number":3,"project_title":"Program redovite djelatnosti za 2018. godina","applicant":"Društvo hrvatskih filmskih redatelja","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"130.000,00","approved_amount":130000.0,"currency":"HRK","extras":{"col_1":"3","Naziv p rograma":"Program r edovite d jelatnosti z a 2 018. g odina","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:8ebb0cf02968","curation":{"changes":[{"field":"applicant","from":null,"to":"Društvo h rvatskih f ilmskih r edatelja","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Društvo h rvatskih f ilmskih r edatelja","to":"Program r edovite d jelatnosti z a 2 018. g odina","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Program r edovite d jelatnosti z a 2 018. g odina","to":"Program redovite djelatnosti za 2018. godina","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Društvo h rvatskih f ilmskih r edatelja","to":"Društvo hrvatskih filmskih redatelja","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Program redovite djelatnosti za 2018. godina","to":"Program r edovite d jelatnosti z a 2 018. g odina","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 3. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'h rvatskih' → 'hrvatskih', 'f ilmskih' → 'filmskih'). Amount 130,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_d1949bd0169f","project_family_title":"Program redovite djelatnosti za 2018. godina"},{"row_number":4,"project_title":"Program rada za 2018. godinu","applicant":"Filmsko-kreativni studio Vanima","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"col_1":"4","Naziv p rograma":"Program r ada z a 2 018. g odinu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:c64ec442eb01","curation":{"changes":[{"field":"applicant","from":null,"to":"Filmsko-kreativni s tudio V anima","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Filmsko-kreativni s tudio V anima","to":"Program r ada z a 2 018. g odinu","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Program r ada z a 2 018. g odinu","to":"Program rada za 2018. godinu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Filmsko-kreativni s tudio V anima","to":"Filmsko-kreativni studio Vanima","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Program rada za 2018. godinu","to":"Program r ada z a 2 018. g odinu","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 4. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 's tudio' → 'studio', 'V anima' → 'Vanima'). Amount 30,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_34d4696f314d","project_family_title":"Program rada za 2018. godinu"},{"row_number":5,"project_title":"Program rada FFVAL-a za 2018. godinu","applicant":"Foto film video amateri Luke","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"5","Naziv p rograma":"Program r ada F FVAL-a z a 2 018. g odinu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:d79ca14686ed","curation":{"changes":[{"field":"applicant","from":null,"to":"Foto f ilm v ideo a materi L uke","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Foto f ilm v ideo a materi L uke","to":"Program r ada F FVAL-a z a 2 018. g odinu","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Program r ada F FVAL-a z a 2 018. g odinu","to":"Program rada FFVAL-a za 2018. godinu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Foto f ilm v ideo a materi L uke","to":"Foto film video amateri Luke","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Program rada FFVAL-a za 2018. godinu","to":"Program r ada F FVAL-a z a 2 018. g odinu","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 5. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'f ilm' → 'film', 'v ideo' → 'video', 'a materi' → 'amateri'). Amount 15,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent entity (Foto film video amateri Luke), distinctive acronym FFVAL, clear annual editions 2016–2021 with identical title structure.","candidate_id":"fc_1ad2a4be7c4c"}},"funding_status":"awarded","project_family_id":"pf_04addc72a8ba","project_family_title":"Program rada FFVAL-a"},{"row_number":6,"project_title":"Redovita programska djelatnost 2018.","applicant":"Foto kino video klub Zaprešić","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"6","Naziv p rograma":"Redovita p rogramska d jelatnost 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:d584c972e5de","curation":{"changes":[{"field":"applicant","from":null,"to":"Foto k ino v ideo k lub Z aprešić","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Foto k ino v ideo k lub Z aprešić","to":"Redovita p rogramska d jelatnost 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Redovita p rogramska d jelatnost 2 018.","to":"Redovita programska djelatnost 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Foto k ino v ideo k lub Z aprešić","to":"Foto kino video klub Zaprešić","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Redovita programska djelatnost 2018.","to":"Redovita p rogramska d jelatnost 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 6. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'k ino' → 'kino', 'v ideo' → 'video', 'k lub' → 'klub', 'Z aprešić' → 'Zaprešić'). Amount 20,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Recurring annual program from Foto kino video klub Zaprešić (with occasional entries from other organizations in the same category). Consistent title and category across 2010-2026 editions.","candidate_id":"fc_106ba86edf2f"}},"funding_status":"awarded","project_family_id":"pf_c9b579481329","project_family_title":"Redovita programska djelatnost"},{"row_number":7,"project_title":"Edukacija m ladih","applicant":"GFR f ilm-video","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"7","Naziv p rograma":"Edukacija m ladih","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:533abb4d61b5","curation":{"changes":[{"field":"applicant","from":null,"to":"GFR f ilm-video","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"GFR f ilm-video","to":"Edukacija m ladih","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_4dccc22abdce","project_family_title":"Edukacija m ladih"},{"row_number":8,"project_title":"Hrvatska mreža neovisnih kinoprikazivača","applicant":"Hrvatska mreža neovisnih kinoprikazivača","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"150.000,00","approved_amount":150000.0,"currency":"HRK","extras":{"col_1":"8","Naziv p rograma":"Hrvatska m reža n eovisnih k inoprikazivača","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:60d157e622b1","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatska m reža n eovisnih kinoprikazivača","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatska m reža n eovisnih kinoprikazivača","to":"Hrvatska m reža n eovisnih k inoprikazivača","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Hrvatska m reža n eovisnih k inoprikazivača","to":"Hrvatska mreža neovisnih kinoprikazivača","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatska m reža n eovisnih kinoprikazivača","to":"Hrvatska mreža neovisnih kinoprikazivača","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Hrvatska mreža neovisnih kinoprikazivača","to":"Hrvatska m reža n eovisnih k inoprikazivača","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 8. Organization name and program title confirmed in source. OCR letter spacing removed (e.g., 'm reža' → 'mreža', 'n eovisnih' → 'neovisnih', 'k inoprikazivača' → 'kinoprikazivača'). Amount 150,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_2afc9fcff656","project_family_title":"Hrvatska mreža neovisnih kinoprikazivača"},{"row_number":9,"project_title":"Redovna djelatnost Hrvatske Udruge Filmskih Snimatelja i Organiziranje dvodnevne radionice za asistente kamere","applicant":"Hrvatska udruga filmskih snimatelja","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"80.000,00","approved_amount":80000.0,"currency":"HRK","extras":{"col_1":"9","Naziv p rograma":"Redovna d jelatnost H rvatske U druge F ilmskih Snimatelja i Organiziranje d vodnevne r adionice z a asistente k amere","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:c3478f8323ea","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatska u druga f ilmskih s nimatelja","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatska u druga f ilmskih s nimatelja","to":"Redovna d jelatnost H rvatske U druge F ilmskih Snimatelja i Organiziranje d vodnevne r adionice z a asistente k amere","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Redovna d jelatnost H rvatske U druge F ilmskih Snimatelja i Organiziranje d vodnevne r adionice z a asistente k amere","to":"Redovna djelatnost Hrvatske Udruge Filmskih Snimatelja i Organiziranje dvodnevne radionice za asistente kamere","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatska u druga f ilmskih s nimatelja","to":"Hrvatska udruga filmskih snimatelja","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Redovna djelatnost Hrvatske Udruge Filmskih Snimatelja i Organiziranje dvodnevne radionice za asistente kamere","to":"Redovna d jelatnost H rvatske U druge F ilmskih Snimatelja i Organiziranje d vodnevne r adionice z a asistente k amere","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 9. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'u druga' → 'udruga', 'f ilmskih' → 'filmskih', 's nimatelja' → 'snimatelja'). Amount 80,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_6062f51f64d9","project_family_title":"Redovna djelatnost Hrvatske Udruge Filmskih Snimatelja i Organiziranje dvodnevne radionice za asistente kamere"},{"row_number":10,"project_title":"Program redovnih djelatnosti Hrvatske udruge producenata za 2018. godinu","applicant":"Hrvatska udruga producenata","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"100.000,00","approved_amount":100000.0,"currency":"HRK","extras":{"col_1":"10","Naziv p rograma":"Program r edovnih d jelatnosti H rvatske u druge producenata z a 2 018. g odinu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:7b3c45d8787b","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatska u druga p roducenata","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatska u druga p roducenata","to":"Program r edovnih d jelatnosti H rvatske u druge producenata z a 2 018. g odinu","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Program r edovnih d jelatnosti H rvatske u druge producenata z a 2 018. g odinu","to":"Program redovnih djelatnosti Hrvatske udruge producenata za 2018. godinu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatska u druga p roducenata","to":"Hrvatska udruga producenata","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Program redovnih djelatnosti Hrvatske udruge producenata za 2018. godinu","to":"Program r edovnih d jelatnosti H rvatske u druge producenata z a 2 018. g odinu","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 10. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'u druga' → 'udruga', 'p roducenata' → 'producenata'). Amount 100,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Same organization across years with identical category and program structure. Consistent wording for annual regular activities program of the same association.","candidate_id":"fc_44b886dc3935"}},"funding_status":"awarded","project_family_id":"pf_b87059b27e71","project_family_title":"Program redovnih djelatnosti Hrvatske udruge producenata"},{"row_number":11,"project_title":"Koordinacijske i poticajne funkcije HFS-a","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"90.000,00","approved_amount":90000.0,"currency":"HRK","extras":{"col_1":"11","Naziv p rograma":"Koordinacijske i p oticajne f unkcije H FS-a","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:ea35e3eb630e","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatski f ilmski s avez - H FS","to":"Koordinacijske i p oticajne f unkcije H FS-a","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Koordinacijske i p oticajne f unkcije H FS-a","to":"Koordinacijske i poticajne funkcije HFS-a","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Koordinacijske i poticajne funkcije HFS-a","to":"Koordinacijske i p oticajne f unkcije H FS-a","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 11. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'f ilmski' → 'filmski', 's avez' → 'savez', 'p oticajne' → 'poticajne', 'f unkcije' → 'funkcije'). Amount 90,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent distinctive title across 2018–2026, same organizer (Hrvatski filmski savez - HFS), consistent program category (audiovizualne udruge).","candidate_id":"fc_f4384df3b543"}},"funding_status":"awarded","project_family_id":"pf_0d1fc779fdc1","project_family_title":"Koordinacijske i poticajne funkcije HFS-a"},{"row_number":12,"project_title":"Redovna djelatnost Hrvatskog društva filmskih djelatnika","applicant":"Hrvatsko društvo filmskih djelatnika","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"325.000,00","approved_amount":325000.0,"currency":"HRK","extras":{"col_1":"12","Naziv p rograma":"Redovna d jelatnost H rvatskog d ruštva f ilmskih djelatnika","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:04695abb43fb","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatsko d ruštvo f ilmskih d jelatnika","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatsko d ruštvo f ilmskih d jelatnika","to":"Redovna d jelatnost H rvatskog d ruštva f ilmskih djelatnika","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Redovna d jelatnost H rvatskog d ruštva f ilmskih djelatnika","to":"Redovna djelatnost Hrvatskog društva filmskih djelatnika","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatsko d ruštvo f ilmskih d jelatnika","to":"Hrvatsko društvo filmskih djelatnika","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Redovna djelatnost Hrvatskog društva filmskih djelatnika","to":"Redovna d jelatnost H rvatskog d ruštva f ilmskih djelatnika","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 12. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'd ruštvo' → 'društvo', 'f ilmskih' → 'filmskih', 'd jelatnika' → 'djelatnika'). Amount 325,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_30b7325d7159","project_family_title":"Redovna djelatnost Hrvatskog društva filmskih djelatnika"},{"row_number":13,"project_title":"Program redovne djelatnosti Hrvatskog društva filmskih kritičara u 2018. godini i Tribina Psihijatrija i film u 2018.","applicant":"Hrvatsko društvo filmskih kritičara","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"90.000,00","approved_amount":90000.0,"currency":"HRK","extras":{"col_1":"13","Naziv p rograma":"Program r edovne d jelatnosti H rvatskog društva f ilmskih k ritičara u 2 018. g odini i Tribina P sihijatrija i f ilm u 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:b2acc6e978bf","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatsko d ruštvo f ilmskih k ritičara","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatsko d ruštvo f ilmskih k ritičara","to":"Program r edovne d jelatnosti H rvatskog društva f ilmskih k ritičara u 2 018. g odini i Tribina P sihijatrija i f ilm u 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Program r edovne d jelatnosti H rvatskog društva f ilmskih k ritičara u 2 018. g odini i Tribina P sihijatrija i f ilm u 2 018.","to":"Program redovne djelatnosti Hrvatskog društva filmskih kritičara u 2018. godini i Tribina Psihijatrija i film u 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatsko d ruštvo f ilmskih k ritičara","to":"Hrvatsko društvo filmskih kritičara","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Program redovne djelatnosti Hrvatskog društva filmskih kritičara u 2018. godini i Tribina Psihijatrija i film u 2018.","to":"Program r edovne d jelatnosti H rvatskog društva f ilmskih k ritičara u 2 018. g odini i Tribina P sihijatrija i f ilm u 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 13. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'd ruštvo' → 'društvo', 'f ilmskih' → 'filmskih', 'k ritičara' → 'kritičara'). Amount 90,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_a455a4fe01cb","project_family_title":"Program redovne djelatnosti Hrvatskog društva filmskih kritičara u 2018. godini i Tribina Psihijatrija i film u 2018."},{"row_number":14,"project_title":"Program redovnih aktivnosti HDNP-a za 2018. g.","applicant":"Hrvatsko društvo nezavisnih producenata","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"14","Naziv p rograma":"Program r edovnih a ktivnosti H DNP-a z a 2 018. g.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:0d428232d480","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatsko d ruštvo n ezavisnih producenata","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatsko d ruštvo n ezavisnih producenata","to":"Program r edovnih a ktivnosti H DNP-a z a 2 018. g.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Program r edovnih a ktivnosti H DNP-a z a 2 018. g.","to":"Program redovnih aktivnosti HDNP-a za 2018. g.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatsko d ruštvo n ezavisnih producenata","to":"Hrvatsko društvo nezavisnih producenata","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Program redovnih aktivnosti HDNP-a za 2018. g.","to":"Program r edovnih a ktivnosti H DNP-a z a 2 018. g.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 14. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'd ruštvo' → 'društvo', 'n ezavisnih' → 'nezavisnih', 'a ktivnosti' → 'aktivnosti'). Amount 15,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Same entity (Hrvatsko društvo nezavisnih producenata), title pattern shows annual activity program (2018-2020). Consistent organizational initiative.","candidate_id":"fc_d4c0c7514f5d"}},"funding_status":"awarded","project_family_id":"pf_8622b7a217aa","project_family_title":"Program redovnih aktivnosti HDNP-a"},{"row_number":15,"project_title":"Redovni program Hrvatskog kaskaderskog društva 2018.","applicant":"Hrvatsko kaskadersko društvo","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"col_1":"15","Naziv p rograma":"Redovni p rogram H rvatskog k askaderskog društva 2 018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:488ec15c3891","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatsko k askadersko d ruštvo","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Hrvatsko k askadersko d ruštvo","to":"Redovni p rogram H rvatskog k askaderskog društva 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Redovni p rogram H rvatskog k askaderskog društva 2 018.","to":"Redovni program Hrvatskog kaskaderskog društva 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatsko k askadersko d ruštvo","to":"Hrvatsko kaskadersko društvo","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Redovni program Hrvatskog kaskaderskog društva 2018.","to":"Redovni p rogram H rvatskog k askaderskog društva 2 018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 15. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'k askadersko' → 'kaskadersko', 'd ruštvo' → 'društvo'). Amount 50,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Entries 2017–2026, consistent distinctive title, same organizing entity 'Hrvatsko kaskadersko društvo', consistent category 'programi audiovizualnih udruga i organizacija'","candidate_id":"fc_0f4d910d34b3"}},"funding_status":"awarded","project_family_id":"pf_006209492a39","project_family_title":"Redovni program Hrvatskog kaskaderskog društva"},{"row_number":16,"project_title":"Redovna djelatnost udruge Izvan fokusa za 2018. godinu","applicant":"Izvan fokusa - Udruga za medijsko stvaralaštvo i kulturne aktivnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"16","Naziv p rograma":"Redovna d jelatnost u druge I zvan f okusa z a 2018. godinu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:9161b4781641","curation":{"changes":[{"field":"applicant","from":null,"to":"Izvan f okusa - U druga z a m edijsko stvaralaštvo i k ulturne a ktivnosti","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Izvan f okusa - U druga z a m edijsko stvaralaštvo i k ulturne a ktivnosti","to":"Redovna d jelatnost u druge I zvan f okusa z a 2018. godinu","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Redovna d jelatnost u druge I zvan f okusa z a 2018. godinu","to":"Redovna djelatnost udruge Izvan fokusa za 2018. godinu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Izvan f okusa - U druga z a m edijsko stvaralaštvo i k ulturne a ktivnosti","to":"Izvan fokusa - Udruga za medijsko stvaralaštvo i kulturne aktivnosti","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Redovna djelatnost udruge Izvan fokusa za 2018. godinu","to":"Redovna d jelatnost u druge I zvan f okusa z a 2018. godinu","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 16. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'f okusa' → 'fokusa', 'z a' → 'za', 'm edijsko' → 'medijsko', 'k ulturne' → 'kulturne', 'a ktivnosti' → 'aktivnosti'). Amount 10,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_43a225fa2aee","project_family_title":"Redovna djelatnost udruge Izvan fokusa za 2018. godinu"},{"row_number":17,"project_title":"Redovna djelatnost Kinokluba Karlovac u 2018. godini - Kinoklub Karlovac","applicant":"Kinoklub Karlovac","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"col_1":"17","Naziv p rograma":"Redovna d jelatnost K inokluba K arlovac u 2018. g odini - K inoklub K arlovac","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:a0d457e266c5","curation":{"changes":[{"field":"applicant","from":null,"to":"Kinoklub K arlovac","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Kinoklub K arlovac","to":"Redovna d jelatnost K inokluba K arlovac u 2018. g odini - K inoklub K arlovac","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Redovna d jelatnost K inokluba K arlovac u 2018. g odini - K inoklub K arlovac","to":"Redovna djelatnost Kinokluba Karlovac u 2018. godini - Kinoklub Karlovac","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kinoklub K arlovac","to":"Kinoklub Karlovac","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Redovna djelatnost Kinokluba Karlovac u 2018. godini - Kinoklub Karlovac","to":"Redovna d jelatnost K inokluba K arlovac u 2018. g odini - K inoklub K arlovac","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 17. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'K arlovac' → 'Karlovac', 'g odini' → 'godini'). Amount 40,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_293429f3ac4d","project_family_title":"Redovna djelatnost Kinokluba Karlovac u 2018. godini - Kinoklub Karlovac"},{"row_number":18,"project_title":"Redovite a ktivnosti K inokluba Z agreb u 2 018. godini","applicant":"Kinoklub Z agreb","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"18","Naziv p rograma":"Redovite a ktivnosti K inokluba Z agreb u 2 018. godini","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:32b82d86b381","curation":{"changes":[{"field":"applicant","from":null,"to":"Kinoklub Z agreb","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Kinoklub Z agreb","to":"Redovite a ktivnosti K inokluba Z agreb u 2 018. godini","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_2a22a022eeea","project_family_title":"Redovite a ktivnosti K inokluba Z agreb u 2 018. godini"},{"row_number":19,"project_title":"Klub Pulske filmske tvornice","applicant":"Pulska filmska tvornica","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"col_1":"19","Naziv p rograma":"Klub P ulske f ilmske t vornice","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:857a2c09d9a7","curation":{"changes":[{"field":"applicant","from":null,"to":"Pulska f ilmska t vornica","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Pulska f ilmska t vornica","to":"Klub P ulske f ilmske t vornice","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Klub P ulske f ilmske t vornice","to":"Klub Pulske filmske tvornice","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pulska f ilmska t vornica","to":"Pulska filmska tvornica","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Klub Pulske filmske tvornice","to":"Klub P ulske f ilmske t vornice","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 19. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'f ilmska' → 'filmska', 't vornica' → 'tvornica'). Amount 30,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Identical entity (Pulska filmska tvornica) and title across 13 years (2011-2023). Clear single recurring program.","candidate_id":"fc_b2cb8cdcaa4e"}},"funding_status":"awarded","project_family_id":"pf_d74902d158dd","project_family_title":"Klub Pulske filmske tvornice"},{"row_number":20,"project_title":"Redovna djelatnost SPID-a u 2018. godini","applicant":"Savez scenarista i pisaca izvedbenih djela","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"col_1":"20","Naziv p rograma":"Redovna d jelatnost S PID-a u 2 018. g odini","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:d6205aa27107","curation":{"changes":[{"field":"applicant","from":null,"to":"Savez s cenarista i p isaca i zvedbenih djela","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Savez s cenarista i p isaca i zvedbenih djela","to":"Redovna d jelatnost S PID-a u 2 018. g odini","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Redovna d jelatnost S PID-a u 2 018. g odini","to":"Redovna djelatnost SPID-a u 2018. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Savez s cenarista i p isaca i zvedbenih djela","to":"Savez scenarista i pisaca izvedbenih djela","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Redovna djelatnost SPID-a u 2018. godini","to":"Redovna d jelatnost S PID-a u 2 018. g odini","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 20. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 's cenarista' → 'scenarista', 'p isaca' → 'pisaca', 'i zvedbenih' → 'izvedbenih'). Amount 50,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Annual activity report by Savez scenarista i pisaca izvedbenih djela with identical title pattern across 2016-2026.","candidate_id":"fc_e36e6a2dbde4"}},"funding_status":"awarded","project_family_id":"pf_5c5c129a29cf","project_family_title":"Redovna djelatnost SPID-a"},{"row_number":21,"project_title":"Greta A rtSpace","applicant":"Stvaralačka m reža Z ebra","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"21","Naziv p rograma":"Greta A rtSpace","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:9b57526ffcd9","curation":{"changes":[{"field":"applicant","from":null,"to":"Stvaralačka m reža Z ebra","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Stvaralačka m reža Z ebra","to":"Greta A rtSpace","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_a4ae664111d8","project_family_title":"Greta A rtSpace"},{"row_number":22,"project_title":"Redovna djelatnost ŠAF-a u 2018.g.","applicant":"Škola animiranog filma Čakovec","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"22","Naziv p rograma":"Redovna d jelatnost Š AF-a u 2 018.g.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:59a24e05142a","curation":{"changes":[{"field":"applicant","from":null,"to":"Škola a nimiranog f ilma Č akovec","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Škola a nimiranog f ilma Č akovec","to":"Redovna d jelatnost Š AF-a u 2 018.g.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Redovna d jelatnost Š AF-a u 2 018.g.","to":"Redovna djelatnost ŠAF-a u 2018.g.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Škola a nimiranog f ilma Č akovec","to":"Škola animiranog filma Čakovec","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Redovna djelatnost ŠAF-a u 2018.g.","to":"Redovna d jelatnost Š AF-a u 2 018.g.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 22. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'a nimiranog' → 'animiranog', 'f ilma' → 'filma', 'Č akovec' → 'Čakovec'). Amount 10,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Same organization (Škola animiranog filma Čakovec) across all years (2018-2021). Consistent wording pattern for regular annual activities with same category context.","candidate_id":"fc_430996f96657"}},"funding_status":"awarded","project_family_id":"pf_909a57dd4c18","project_family_title":"Redovna djelatnost Škole animiranog filma Čakovec"},{"row_number":23,"project_title":"Filmska proizvodnja kratkih filmova mladih neafirmiranih autora i Redovita programska djelatnost udruge Blank u 2018.","applicant":"Udruga Blank","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"80.000,00","approved_amount":80000.0,"currency":"HRK","extras":{"col_1":"23","Naziv p rograma":"Filmska p roizvodnja k ratkih f ilmova m ladih neafirmiranih a utora i Redovita p rogramska d jelatnost u druge B lank u 2018.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:15c0ad720238","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga B lank","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Udruga B lank","to":"Filmska p roizvodnja k ratkih f ilmova m ladih neafirmiranih a utora i Redovita p rogramska d jelatnost u druge B lank u 2018.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Filmska p roizvodnja k ratkih f ilmova m ladih neafirmiranih a utora i Redovita p rogramska d jelatnost u druge B lank u 2018.","to":"Filmska proizvodnja kratkih filmova mladih neafirmiranih autora i Redovita programska djelatnost udruge Blank u 2018.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga B lank","to":"Udruga Blank","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Filmska proizvodnja kratkih filmova mladih neafirmiranih autora i Redovita programska djelatnost udruge Blank u 2018.","to":"Filmska p roizvodnja k ratkih f ilmova m ladih neafirmiranih a utora i Redovita p rogramska d jelatnost u druge B lank u 2018.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 23. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'p roizvodnja' → 'proizvodnja', 'k ratkih' → 'kratkih', 'f ilmova' → 'filmova', 'm ladih' → 'mladih', 'a utora' → 'autora'). Amount 80,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Same organization (Udruga Blank), identical title structure across 2018-2024. Recurring short film production and organizational activities.","candidate_id":"fc_d8ab9da856bd"}},"funding_status":"awarded","project_family_id":"pf_f99dffaed883","project_family_title":"Filmska proizvodnja kratkih filmova mladih neafirmiranih autora i Redovita programska djelatnost udruge Blank"},{"row_number":24,"project_title":"Redovite djelatnosti Udruge u okviru filmskog programa Sedmi kontinent 2018. godine","applicant":"Udruga Djeca susreću umjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"24","Naziv p rograma":"Redovite d jelatnosti U druge u o kviru f ilmskog programa S edmi k ontinent 2 018. g odine","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:a5505ff44d0a","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga D jeca s usreću u mjetnost","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Udruga D jeca s usreću u mjetnost","to":"Redovite d jelatnosti U druge u o kviru f ilmskog programa S edmi k ontinent 2 018. g odine","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Redovite d jelatnosti U druge u o kviru f ilmskog programa S edmi k ontinent 2 018. g odine","to":"Redovite djelatnosti Udruge u okviru filmskog programa Sedmi kontinent 2018. godine","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga D jeca s usreću u mjetnost","to":"Udruga Djeca susreću umjetnost","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Redovite djelatnosti Udruge u okviru filmskog programa Sedmi kontinent 2018. godine","to":"Redovite d jelatnosti U druge u o kviru f ilmskog programa S edmi k ontinent 2 018. g odine","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 24. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'd jelatnosti' → 'djelatnosti', 'f ilmskog' → 'filmskog', 'o kviru' → 'okviru'). Amount 20,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent title structure and entity (Udruga Djeca susreću umjetnost) across 2017–2020, same program category throughout.","candidate_id":"fc_ec3ec8acc9ad"}},"funding_status":"awarded","project_family_id":"pf_e17c188d56e9","project_family_title":"Redovite djelatnosti Udruge u okviru filmskog programa Sedmi kontinent"},{"row_number":25,"project_title":"Globe Media - redovna djelatnost","applicant":"Udruga Globe Media","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"25","Naziv p rograma":"Globe M edia - r edovna d jelatnost","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:07549244167e","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga G lobe M edia","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Udruga G lobe M edia","to":"Globe M edia - r edovna d jelatnost","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Globe M edia - r edovna d jelatnost","to":"Globe Media - redovna djelatnost","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga G lobe M edia","to":"Udruga Globe Media","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Globe Media - redovna djelatnost","to":"Globe M edia - r edovna d jelatnost","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Extracted from PDF table row 25. Organization and program title confirmed in source. OCR letter spacing removed (e.g., 'G lobe' → 'Globe', 'M edia' → 'Media', 'r edovna' → 'redovna', 'd jelatnost' → 'djelatnost'). Amount 10,000.00 HRK supported by source.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_a156750789c4","project_family_title":"Globe Media - redovna djelatnost"},{"row_number":26,"project_title":"Rad u druge V ariete u 2 018. g odini","applicant":"Variete","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"26","Naziv p rograma":"Rad u druge V ariete u 2 018. g odini","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"ecbecf63:s0:5da6f660d285","curation":{"changes":[{"field":"applicant","from":null,"to":"Variete","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Variete","to":"Rad u druge V ariete u 2 018. g odini","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_eb4d0c287638","project_family_title":"Rad u druge V ariete u 2 018. g odini"}],"section_total_text":"1.475.000,00","section_total":1475000.0}],"totals":{"ukupno_text":null,"ukupno":1475000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":1475000.0,"ukupno_match":true,"row_count":26,"awarded_count":26,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":26}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati JP za me_unarodnu suradnju Cannes 4 film 2022.xls - Compatibility Mode.pdf","filename_decoded":"rezultati JP za me_unarodnu suradnju Cannes 4 film 2022.xls - Compatibility Mode.pdf","sha256":"eccf0748bf0ff73bc61e6b65351fddca2f5832e0f52d1b1cc6171e86710b9b8f","bytes":30251,"page_count":1,"extracted_at":"2026-05-17T10:23:50Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20JP%20za%20me%C4%91unarodnu%20suradnju%20Cannes%204%20film%202022.xls%20%20-%20%20Compatibility%20Mode.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA \nPOTPORA\n1\nČETIRI FILM d.o.o.\nSudjelovanje produkcije 4 film na Međunarodnom filmskom \nfestivalu u Cannesu s filmom \"Vizija leptira\"\n175.000,00\n2\nČETIRI FILM d.o.o.\nSudjelovanje produkcije 4 film na Međunarodnom filmskom \nfestivalu u Cannesu s filmom \"Dani suše\"\n82.193,00\n257.193,00\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2022. - PROGRAMI  \nMEĐUNARODNE SURADNJE,  42. sjednica Hrvatskog audiovizualnog vijeća 16.5.2022.\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"rezultati JP za me_unarodnu suradnju Cannes 4 film 2022.xls - 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Šest (6) autorica i dvadeset (20) autora. Od toga jedan (1) projekt nije \nzadovoljio formalne uvjete natječaja te se njegova prijava nije razmatrala, a jedan (1) projekt \nje film u fazi postprodukcije. Sedam (7) projekata je već bilo prijavljeno na neki od \nprethodnih javnih poziva, a devetnaest (19) projekata po prvi puta je prijavljeno na javni \npoziv poticanja proizvodnje kratkometražnog igranog filma. \nI dalje je prisutan osjetni pad i u kvaliteti i u broju prijava zadnja dva natječaja ove godine \ntako da ovo razdoblje generalno nije pogodovalo razvoju kreativnosti kratkometražnih \nautora. Osim uvjerljivog scenarija i nadahnute redateljske koncepcije, gledam stupanj \npripreme i izvedivost projekta, a od autora tražim motivaciju i strast koji ulažu u projekt koji \nse onda valorizira u odnosu na dosadašnju hrvatsku kratkometražnu produkciju. \n \nZa sufinanciranje proizvodnje kratkometražnog igranog filma odobrena su četiri projekta i \njedan projekt za postprodukciju. Ukupno izdvojena sredstva iznose 1.400.000,00 kuna. \n \n \n1. 671, Scenarij i režija: Nebojša Slijepčević, produkcija: Antitalent \n \nScenarij 671 označava ime vlaka koji je svojedobno prometovao na relaciji Beograd – Bar, a \nopisuje tragični događaj iz prošlosti. Rezime događaja uključuje petstotinjak putnika vlaka, \ntridesetak otmičara i dvadeset ubijenih civila koji su akteri stvarnog ratnog zločina iz ratnih \n1990-ih. Autor je uobličio film kroz jedinstvo vremena, mjesta i radnje u kojoj je vrijeme \nstvarne radnje priče ujedno i vrijeme trajanja filma. Kondenzirano zbivanje i filmska \nredukcija daju priči moguću silovitost i neposrednost s kakvom se onda s jednakom silinom \nsuočavaju i protagonisti u filmu, a i sami gledatelji. Projekt je filmski relevantan, društveno \nangažiran jer dokumentaristički propituje, vizualno djeluje uzbudljivo, a vidljiv i zanimljiv \ntrebao bi biti i filmskim festivalima.  \nProjektu se odobrava iznos sufinanciranja u iznosu od 400.000,00 kuna. \n \n2.  Buleta, scenarij: Nikola Kuprešanin i Ivana Marinić Kragić, redateljica: Ivana Marinić \nKragić, produkcija: Marinis media  \n \nBuleta je projekt utemeljen na istinitoj priči kada je mladić uzeo pravdu u svoje ruke i pobio \ndilere koji su ga kamatarili. Potencijalna uzbudljiva socijalna studija koja je svojedobno \npovlačila za sobom mnoga društvena pitanja, a nepovjerenje pojedinaca u sustav i želja da \nse uzme stvar u svoje ruke kada sustav zakaže, nešto je što može proizvesti identifikaciju kod \ngledatelja. O ovoj atraktivnoj priči još nije snimljen ni dokumentarni niti igrani film, a ovakva \ndruštveno relevantna priča zaslužuje svoj oblik pa makar i u kratkom filmu.  \nZnači, mnoštvo živopisnih scena i kontrastnih lokacija dio su žanrovskog aspekta \nsuvremenog hrvatskog kratkometražnog krimića. \n\n\f\nNajuporniji projekt do sada krasi visoki stupanj odmakle pripreme, a ambicioznost ekipe u \nkombinaciji sa suvremenošću i relevantnošću teme daju naslutiti visoki stupanj izvedivosti \novog kratkog filma.  \nProjektu se odobrava iznos sufinanciranja u iznosu od 350.000,00 kuna. \n \n3. Krava, scenarij i režija: Pavo Marinković, produkcija: umjetnička organizacija \nMitropa \n \nProjekt Krava antiratna je priča, satira o zapovjedniku koji na osvojenom teritoriju zaposjeda \nkuću kao ratni plijen. S obzirom da antiratne satire u kratkometražnoj produkciji baš i \nnemamo, ova efektna satira prepoznatljivih situacija kakvim je obilovala naša regija gdje su \nse razne vojske izmjenjivale i ustupale mjesto slijedećoj. Autor tu univerzalnu i lako \nrazumljivu priču, moralku o grižnji savjesti svojeg antijunaka gradi preko svijeta magijskog \nrealizma, poigravajući se ratnim apsurdom, bizarnom svakodnevnicom i koketirajući s \nelementima fantastike. Zanimljivo je imati obrnutu situaciju od uobičajene na natječaju gdje \nse daje prilika autoru koji ima za sebe čak četiri dugometražna filma, a nijedan \nkratkometražni film. \nProjektu se odobrava iznos sufinanciranja u iznosu od 350.000,00 kuna. \n \n4. A gdje je Nataša?, scenaristica i redateljica: Sanja Milardović, produkcija: Castor \nMultimedia \n \nPriča o dvije bivše prijateljice koje je rastavio rat i odveo u potpuno različitim pravcima. \nPonovni susret nakon toliko godina, u noći punoj alkohola, približit će davno izgubljenu \nbliskost, ali će i pojačat ponor razlika koji se u međuvremenu između njih stvorio. \nUvjerljivi dijalozi, lokalni ruralni ambijent, opipljiva nostalgična atmosfera u kontrastu sa \nživopisnom sredinom, opustošenom ratom i besperspektivnošću.  \nUvjerljive glumice, visoki stupanj izvedivosti i autorica u naponu snage, ovogodišnja je \npobjednica Dana hrvatskog filma sa svojim debitantskim profesionalnim igranim filmom, a \nsada novim projektom zaslužuje vjetar u leđa i priliku da nadogradi svoj filmski put. \nProjektu se odobrava iznos sufinanciranja u iznosu od 270.000,00 kuna. \n \n5. Kasna zima, scenaristica i redateljica: Jasna Safić, produkcija: udruga Blank,  \n \nDementni otac koji luta gradom, očajna žena i sin koji sa bivšom ženom pokušava pronaći \noca. Jedna večer, četvero likova i narušeni obiteljski odnosi dovest će protagoniste u nova \npromišljanja koja će možda nagovijestiti njihovo optimističnije sutra. Ova suptilna i nježna \npriča u kojoj su žene empatičnije i otvorenije za dijalog od muških partnera proizašla je iz \nBlankove radionice i jedini je film na natječaju prijavljen za postprodukciju. Radi se o \niznenađujuće zrelom radu jedne neprofesijske redateljice. Film je zanatski pismena filmska \nvježba o demenciji koja razara, ali i spaja napukle obiteljske odnose. 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SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2023. - 1. ROK - 9.3.2023. \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2023. - 1. ROK - 9.3.2023. \n \n \nNa Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE RAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA ukupno je prijavljeno \n66 projekata, od toga 18 u podkategoriji Razvoj projekata, a 48 u podkategoriji Razvoj scenarija.  \nU odnosu na prošlogodišnji Javni poziv, nešto je manji broj prijavljenih projekata, no istovremeno je \nkvaliteta prijavljenih radova bolja, kako na razini samih programa tako i njihove prezentacije, stoga je \ni postotak projekata za koje je predložen financijski poticaj nešto viši. Za potporu je predloženo 10 \nprojekata u podkategoriji Razvoj projekata (iznos 74.000,00 eura) i 13 u podkategoriji Razvoj \nscenarija (iznos 50.500,00 eura). \nOsim uočljivog kvalitativnog iskoraka, zamjećujem i širu žanrovsku diverzifikaciju. Iako i dalje najviše \nprijava dolazi u kategoriji dramskih i humorističkih serija, kvalitetni projekti mogu se pronaći i u \npodkategorijama namijenjenim djeci ili u dokumentarnom filmu, odnosno faktual formatu. \nIpak, ostaje dojam da autori, osobito oni koji projekte u vrlo ranoj fazi prijavljuju za razvoj scenarija, \nnisu u dovoljnoj mjeri upućeni u potrebe domaćih televizijskih kuća što značajno umanjuje šanse za \nrealizaciju samih projekata. \n \n \nIgor Tomljanović \n \nUmjetnički savjetnik za razvoj scenarija  \ni projekata televizijskih djela \n \n \n \n \n \n\n\f\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2023. - 1. ROK - 9.3.2023. \n \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute \n \n1.1 Pustolovine Tizi Enili \nAnimirana serija, 6x22’ \nProducenti: Dream Incubator Productions d.o.o. \nScenaristi: Dražen Krešić, Benjamin Noah Maričak \nRedatelj: Dražen Krešić \n6.000 EUR \nOsmišljen kao adaptacija istoimenih romana u nastavcima autora Damira Hoyke, ovaj animirani \nserijal obraća se ciljnoj skupini djece od 7-13 godina u formi pustolovnog ZF serijala. Maštovit i \noriginalan koncept zbiva se u bližoj budućnosti, dovoljno dalekoj da uključuje značajne tehnološke \npromjene u svakodnevnom životu, ali ne tako dalekoj da nam te tehnološke inovacije nisu bliske i \nlako zamislive. Pripovijeda o pustolovinama iznimno radoznale i kreativne djevojčice, njezinim \nroditeljima, prijateljima i androidu koji duhovito varira Asimovljeve zakone robotike te s glavnom \njunakinjom izgrađuje vrlo specifičan odnos. \nKroz uzbudljive priče primjerene uzrastu ciljne skupine, serija pokazuje ambiciju da zabavi, ali pri \ntome i senzibilizira gledatelje za teme i vrijednosti na kojima počiva Europska Unija, kao što su \nmultikulturalnost, ravnopravnost (etnička, spolna, seksualna, vjerska i dr.), briga za okoliš kao i borba \nprotiv klimatskih promjena, za društvo pravednosti i jednakosti. \n \n1.2 Novi serijal \"Profesor Baltazar\" \nAnimirana serija, 13x7’ \nProducenti: Ultra link d.o.o. \nScenarist: Dino Krpan \nRedatelj: Dino Krpan \n10.000 EUR \nViše puta najavljivan novi serijal kultnog Profesora Baltazara u ovoj prijavi dolazi u vrlo dobro \nosmišljenom i razrađenom projektu. Dvije snimljene epizode svjedoče o uspješnom revitaliziranju \noriginalnog formata, ali uz diskretno provedeno osuvremenjivanje u skladu s duhom vremena. Priče \nepizoda, kako izvedenih tako i onih u formi sinopsisa ili scenarija, su originalne, korespondiraju s \ndanašnjim temama i pronalaze maštovita rješenja za suvremene probleme. One djeci otvaraju nove \npoglede na društvo, šire humanističku perspektivu i upoznaju ih s univerzalnim vrijednostima, s \nosobitim naglaskom na znanstveni način razmišljanja, na toleranciju prema drugima i drugačijima te \nbrigu o okolišu. \nRedateljska koncepcija Dine Krpana pokazuje dobro poznavanje i razumijevanje originalnog serijala, \na njegovoj modernizaciji pristupa s nužnom pažnjom i diskrecijom; intencija je zadržati originalni \nformat, stil i ton crteža, tip priče i model njezina pripovijedanja, no blago modernizirati tipologiju \nlikova te zaplete na način da lakše uspostave komunikaciju s današnjom publikom. Zadržana je \nreducirana animacija i plošna slika, kao i prepoznatljiv kolorit, no dinamizirano je pripovijedanje tako \n\n\f\nda će epizode biti nešto kraće od originalnih. Rezultat je koncept koji kvalitetno pomiruje \ntradicionalno i suvremeno, odnosno serijal koji zaista predstavlja hrvatsko animirano nacionalno \nblago revitalizira i, nadajmo se, uvodi u novo stoljeće. \n \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n2.1. Psi na zadatku \nDokumentarna serija, 6x26’ \nProducenti: Hommage produkcija d.o.o. \nScenarist: Petar Vukičević \nRedatelj: Petar Vukičević \n6.000 EUR \nDokumentarni serijal namijenjen obiteljskom gledanju predstavlja pse u izdanjima u kojima ih rjeđe \nvidimo, ne kao kućne ljubimce, već kao radne, potražne, terapijske  i mnoge druge tipove pasa sa \nspecijalnim zadacima. Nedavni tragični potres u Turskoj istaknuo je ulogu pasa u potrazi za \npreživjelima pod ruševinama, no skloni smo zanemariti iznimno vrijednu ulogu pasa u \nsvakodnevnom životu, svuda oko nas. Ovaj šarmantno osmišljen serijal pokušava promijeniti takvu \npercepciju i kroz šest epizoda predstavlja šest pasa u šest različitih zanimanja – ženka labradora \nglumica u domaćim filmovima i serijama, pas terapeut dječaka s poteškoćama u razvoju, belgijska \novčarka kao arheologinja i otkrivačica više tisuća godina starih grobova, hrvatski ovčar Garo koji u Lici \nčuva goveda, dva labradora vodiča (jedan aktivni, drugi umirovljeni) slijepih i slabovidnih osoba, i za \nkraj, istarska tartufarka Biba. \nZahvaljujući jednostavnom i konciznom konceptu, atraktivnoj redateljskoj koncepciji koja klasičnu \ndokumentarnu naraciju upotpunjuje i duhovitim naracijama u off-u iz pseće perspektive, te \ntematskog sloja koji skreće pažnju javnosti na korist za društvo koju ove životinje imaju, ovaj projekt \nostvaruje i nezanemarivu javnu vrijednost.  \n \n2.2. Obiteljska stvar \nDokumentarna serija, 6x52’ \nProducenti: Inter film d.o.o. \nScenarist:  Arsen Oremović \nRedatelj: Arsen Oremović \n6.000 EUR \nDokumentarni serijal originalnog koncepta sastoji se od šest epizoda koje pripovijedaju obiteljske \npriče satkane od zanimljivih sudbina članova obitelji u kontekstu specifičnih povijesnih okolnosti. \nIako su priče različite i međusobno nepovezane, sudbine pojedinaca poopćavaju se na širu, \ndruštvenu razinu koja se više ne tiče samo protagonista pojedinih epizoda.  \nZa projekt je napravljeno vrlo sveobuhvatno istraživanje što je očito iz detaljno koncipiranih sinopsisa \npojedinih epizoda: u prvoj pratimo gotovo stoljetni misterij lančića koji se po pogibiji poznatog \nnovinara Franje Martina Fruisa u avionskoj nesreći na teritoriju NDH-a zatekao u posjedu obitelji \nKukurozović; u drugoj se upoznajemo s obitelji koja već desetljećima čuva ključ crkvice u Beramu \ngdje se nalaze čuvene freske Vincenta od Kastva te se brine za njih, održava crkvu te poput \nturističkog vodiča pokazuje znatiželjnicima freske kadgod im netko zakuca na vrata; treća se bavi \n\n\f\nneobičnim genom obitelji koja se diči velikim brojem umjetnički talentiranih žena, spisateljice \nSunčane Škrinjarić, plesne umjetnice Tihane Škrinjarić, spisateljice Sanje Pilić te umjetničke \nfotografkinje Vladimire Spindler; četvrta nam pripovijeda o potomcima čuvenog jugoslavenskog \nšpijuna i nuklearnog fizičara Stevana Dedijera kojega su nazivali i Titovim Bondom, odnosno njihovim \ndoživljajem čuvenog djeda; peta donosi priču o jednom klaviru iz Doma umirovljenika, odnosno \npovijesti samog klavira, ali i njegovih vlasnika koji su među začetnicima nekoliko zagrebačkih \nfakulteta; šesta epizoda govori o unuku čovjeka koji je bio član posade broda Carpathia te među \nprvima pomagao u spašavanju putnika s potonulog Titanica.  \nSerijal donosi redom iznimno zanimljive priče sa širom relevantnošću nego što se na prvi pogled čini, \nvrlo dobro istražene i koncipirane, a prva među njima je i kvalitetno scenaristički postavljena. U \nredateljskoj koncepciji autor eksplicira i osnovne narativne tehnike, a riječ je o kombinaciji \nopservacijskog pristupa, korištenja arhivske građe i forme intervjua. Koketiranje s određenim \nžanrovskim narativima, koji se mijenjaju od priče do priče, zanimljiv je i u našim okvirima originalan \niskorak te pokušaj da se formu klasičnog dokumentarca čvršće strukturira i učini atraktivnijom za \ngledatelje.  \n \n2.3. Bake kuhaju \nDokumentarna serija, 6x26’ \nProducenti: Metar60 \nScenaristica:  Neda Radić \nRedateljica: Neda Radić \n6.000 EUR \nTelevizijski gastronomski faktual format s osnovnom idejom čuvanja lokalne gastronomske tradicije u \nstilu „što su jeli naši stari“, pri čemu se tradicije međugeneracijski prenose preko bakinih recepata, \nali i same pripreme hrane. Koncept formata i redateljska izvedba, kao i dramaturgija su rutinski, no \nkorektni: šest epizoda, šest različitih baka iz šest različitih sredina u Hrvatskoj i šest recepata. \nKorektno osmišljen format koji je „garniran“ kulturološkim, antropološkim i povijesnim slojevima. \nIako autorica ne pokazuje intenciju da značajnije inovira ovaj bazični televizijski format, za to postoji i \ndobar razlog, usmjeren je na precizno odabranu ciljnu publiku (gledatelji srednje i starije dobi s \nnaglaskom na ruralno stanovništvo) koje tvori čvrstu bazu gledatelja linearne televizije. Kako u ovom \ntrenutku na domaćim televizijskim programima ne postoji sličan format, serijal ima potencijal privući \ninteres domaćih televizijskih kuća kojima nedostaje kvalitetnih lokalnih gastro formata. \n \n2.4. Sve je lako kad si mlad \nDokumentarna serija, 6x52’ \nProducenti: Pipser d.o.o. \nScenaristi: Ante Zlatko Stolica, Đuro Gavran \nRedatelj: Đuro Gavran \n6.000 EUR \nDokumentarni televizijski serijal pripovijeda o slavnim jugoslavenskim sportašima koji su danas \ngotovo zaboravljeni, no većina njih nije odustala od sporta. I dok naslov poluironično govori o \nprednostima mlađe dobi, istovremeno odaje priznanje ljudima koji su zadržali mladenački duh i žar, \n\n\f\nkako prema sportu tako i prema životu. Osim vrlo zanimljivih osobnih priča slavnih protagonista, \nserija propituje odnos prema amaterskom sportu nekad i danas, odnosno njegovoj marginalizaciji te \nnestanku institucionalne i infrastrukturne potpore u novonastalim državama. Serija tematski pokriva \npet sportova u kojima su sportaši bivše države bili izuzetno uspješni (tenis, košarka, gimnastika, \nborilački sportovi, zimski sportovi), dok jedna epizoda obrađuje temu sportaša amatera. \nSerija koristi relativno standardan repertoar narativnih tehnika u kojima paralelnom montažom prati \npriče troje glavnih protagonista pojedine epizode, a unutar svake  kontrapunktira arhivske snimke \nprotagonista „u akciji“ i one iz svakodnevnog života. Zanimljiv narativni element je onaj u kojem sve \ntroje protagonista pojedine epizode zajedno gleda isti arhivski materijal te dobivamo njihove \ndojmove i emocije, one koje su proživljavali kada se to događalo i emocije koje se događaju danas, s \nvelikim vremenskim odmakom. \nSerija o sportu i starosti zvuči gotovo kao oksimoron, no autor pronalazi perspektivu iz koje nije tek \nriječ o epizodi u stilu „kucamo na vrata zaboravljenih asova“, već kroz priče velikih sportaša \npripovijeda i o razlici u odnosu prema amaterskom sportu nekad i sad, što je iznimno važna, ne samo \nsportska već i politička tema, a iznimno se rijetko pojavljuje u medijima. Jedna od važnih tema koje \nserija problematizira je i dobna inkluzivnost, odnosno na koji način se ona mijenja tijekom života \nprotagonista serije. Iz svega spomenutog, gotovo se organski pojavljuje još jedna rijetko obrađivana \ntema - odnos prema socijalističkom nasljeđu, u ovom slučaju ljudima, veteranima i šampionima, \nnerijetko simbolima bivše države koji su danas u pravilu marginalizirani ili zaboravljeni.  \nRiječ je o originalnom i vrlo kvalitetno razrađenom konceptu koji ima sportsku, ali i širu kulturološku \nvrijednost te u slučaju realizacije velik potencijal za uspješnu regionalnu distribuciju. \n \n \n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n3.1. Uho \nDramska serija, 5x52’ \nProducenti: Četiri film d.o.o. \nScenaristi: Luka Mavretić, Valentina Mavretić \nRedateljica: Ivona Juka \n8.000 EUR \nIznimno ambiciozan i zahtjevan dramski projekt koji kroz format dramske serije u čijem je središtu \nženski klub ljubitelja književnosti, pokušava dati novo čitanje književnih klasika. Kompleksna dramska \nforma koja pred sebe stavlja izazov da se u svakoj epizodi - kroz formu viralnog challengea s \ndruštvenih mreža - jedna junakinja uživi u jedan književni lik te ga tako približi suvremenom \ngledatelju. Bez sumnje vrlo inovativan i hrabar projekt hibridnog žanra sa zavodljivom \nmetatekstualnom zaigranošću, koji pred sebe postavlja zahtjevan izazov – gledatelju ponuditi novo i \nosvježeno čitanje literarnih klasika, a pri tome ne upasti u banalizaciju kanonskih književnih djela. \nScenariju prve epizode to djelomično uspijeva, a u njegovu razvoju predstoji još  i izazov \nprevladavanja ograničenja djela visokog koncepta. Naime, iako se djela visokog koncepta često na \nprvi pogled doimaju atraktivnima, sam koncept ma koliko bio originalan, kao niti metatekstualne \ndosjetke nisu dovoljni za održavanje interesa gledatelja.  \n\n\f\nU trećoj prijavi na Javni poziv učinjene su određene korekcije u odnosu na prethodne verzije \nscenarija i sinopsisa, žanrovski krimi elementi su prisutniji što dramaturški učvršćuje priču, serija je \nžanrovski uklopljena u whodoneit format što joj daje dozu napetosti, a napravljene su i određene \nkorekcije u karakterizaciji likova. Redateljska koncepcija koncizna je i jasno elaborira očuđujuću ideju \nprojekta, kao i stilske odabire za njegovu realizaciju. Riječ je o hibridnom konceptu koji zahtijeva \nrežijsku vještinu baratanja raznim žanrovima i sposobnost njihovog miješanja. U odnosu na originalni \nprojekt, producent je već u prethodnom javljanju na Javni poziv izvršio izmjenu redatelja, umjesto \nneiskusnog mladog redatelja, projekt je preuzela Ivona Juka što smatram mnogo kvalitetnijim \nrješenjem. Nakon učinjenih izmjena, smatram da projekt posjeduje potencijal za razvoj, tim više jer \nsmjera na nišu televizijskih light krimića za širu publiku što je produkcijska niša koja u nas još uvijek \nnije isprobana, a ima daleko veći komercijalni potencijal od učestalih pokušaja proizvodnje balkan-\nnoir krimića. \n \n3.2. Zagorka \nDramska serija, 6x52’ \nProducenti: Inter film d.o.o. \nScenaristi: Snježana Tribuson, Vladimir Stojsavljević \nRedatelji: Snježana Tribuson, Dražen Žarković \n10.000 EUR \n \nBiografska dramska serija u šest nastavaka o životu najčitanije hrvatske književnice, uključujući i \nknjiževnike, prve žene u hrvatskom novinarstvu i feminističke ikone Marije Jurić Zagorke pripovijeda \nnjezinu životnu priču od djetinjstva, teškog proboja u novinarstvu te konačno najvećeg uspjeha, \nobjave Gričke vještice. S obzirom na značaj Marije Jurić Zagorke na razvoj hrvatskog novinarstva, na \nknjiževnost, ali i njezino iznimno važno aktivističko djelovanje u borbi za prava žena, gotovo da je \nizlišno elaborirati važnost i relevantnost teme u našem društvu. Dodatni motiv čini iznenađujuća \nčinjenica za Zagorkin život nije nikad filmski obrađivan, a dvije do sada najavljivane serije, jedna \nbiografska, druga ekranizacija njezina djela, nisu ni blizu realizacije. \nKoncizna i autentična redateljska koncepcija jasno obrazlaže određene stilske postupke i odabire, \nkao i motive i teme koje smješta u fokus priče. Naravno, polazi od poznatih činjenica o Mariji Jurić \nZagorki i o njezinom povijesnom značaju prve žene u hrvatskom novinarstvu i najpopularnije \nhrvatske književnice svih vremena, no kao centralnu temu uzimaju njezinu iznimnu osobnost, \nenergičnost, ustrajnost i beskompromisnost kad su u pitanju ideali i stavovi što ju je i učinilo tako \njedinstvenom intelektualnom pojavom. Kad je riječ o režijskom stilu, koscenaristica i koredateljica \nSnježana Tribuson priklanja se naturalizmu u čijim dobro poznatim motivima nalazi brojne tematske \nsličnosti s pričom o Zagorki i o vremenu u kojemu su mnogi živjeli u teškim socijalnim prilikama, a \nneki, baš kao i naslovna junakinja u nekim periodima života, i u bici s glađu. Period u kojemu se \nradnja događa korespondira sa stilskim razdobljem naturalizma što odabrani registar čini logičnim i \nprikladnim.  \nScenaristička narativna strategija zasniva se na paralelizmu pripovijedanja iz perspektiva različitih \nlikova unutar svake epizode, što im omogućava građenje i kombiniranje različitih atmosfera i \npripovjednih tehnika, od kojih će jedna fabulativna linija uvijek posjedovati elemente detekcije i \natmosferu tajnovitosti. Uvođenje elemenata detekcije, kao svojevrstan motor pokretač \npripovijedanja, moderan je postupak koji se jako često koristi u suvremenoj produkciji tzv. quality \n\n\f\nTV, stoga se i ovaj scenaristički odabir može doživjeti kao dobrodošao iskorak domaće dramske \nprodukcije u tom smjeru. \nNema sumnje da je riječ o kulturološki i historicistički iznimno važnom projektu koji predlaže \nkvalitetna autorska ekipa na čelu sa Snježanom Tribusonom i Vladimirom Stojsavljevićem, koji je uz \nto vrlo kreativno i jasno koncipiran. Projekt je 2017. dobio potporu Creative Europe Media.  \n \n3.3. Crna kutija \nDramska serija, 6x52’ \nProducenti: Kinorama d.o.o. \nScenarist/-ica: Rakan Rushaidat \nRedatelj/-ica: Nevio Marasović \n10.000 EUR \n \nDramski serijal u čijem su središtu dvojica glumaca u kasnim četrdesetima, Bogi i Frenki, jedan \nuspješan i popularan, drugi nakon problema s depresijom i alkoholizmom u mnogo lošijoj privatnoj i \nposlovnoj situaciji. Zajedno putuju po mjestima hrvatske provincije i izvode jeftini patchwork stand-\nup komedije u koji su umiješali best of scene iz popularne dramske literature, no luzerska pozicija i \ntoplo-hladna dinamika njihova međusobnog odnosa ne vode priču u očekivanu depresiju, već uvelike \nzahvaljujući iznenađujuće pozitivnim iskustvima s ljudima koji žive u provinciji, čitava serija dobiva \ntopliji i pozitivan ton. \nOriginalna ideja projekta polazi od namjere lokalizacije serije u tzv. provincijske i od javnosti \nzanemarene dijelove Hrvatske, u velikoj mjeri devastirane ratom, deindustrijalizacijom i \ndepopulacijom što za posljedicu ima i drastično snižavanje kvalitete života. To, međutim, ne znači da \nje društveni i kulturni život posve nestao, a intencija serije je da nam pokaže jednu drugu, manje \npoznatu i mnogo ljepšu sliku te Hrvatske koja se događa izvan urbanih središta. Žanrovski odabir je \ndramedija u kojoj se isprepliću dramski i humoristički tonovi, gorko i slatko ponekad dolaze u \nneočekivanim kombinacijama i na neočekivanim mjestima, dok je emotivno utemeljenje projekta \nodnos dvojice glavnih protagonista i njegova nepredvidljiva dinamika u kojoj se redovito isprepliću \nrazličiti emotivni registri. Autentičan i zanimljiv projekt koji u okviru domaće televizijske produkcije \npredstavlja dobrodošao poetički iskorak. \n \n4) Televizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta \n \n4.1. Punica, papuče i propuh \nHumoristička serija, 12x24’ \nProducenti: Sirovina i sinovi d.o.o. \nScenarist: Cody McClain Brown \nRedatelj: Robert Knjaz \n6.000 EUR \nHibridna forma koja kombinira humoristički igrani i dokumentarni prosede, a zasniva se na knjizi \nameričkog autora Codyja McClaina Browna u kojoj je opisao svoja iskustva nakon preseljenja iz \nAmerike u Hrvatsku te njemu mnoge neobične fenomene kao što su čuveni strah od propuha, strah \n\n\f\nod napuštanja zabave, suočavanje s hrvatskom birokracijom, suživot s punicom, potraga za pečatom \ni mnoge druge. Prevladavajući igrani dio iznijeli bi mahom profesionalni glumci s iznimkom glavnog \nlika kojega bi igrao sam autor. \nRiječ je o inovativnoj formi koja se referira na čuveni humoristički serijal s elementima \ndokumentarnoga Larryja Davida „Curb Your Enthusiasm“. Forma je primjerena, ne preteška za \nizvedbu niti produkcijski preskupa. Uz to, vrlo pitak i duhovit scenarij  obogaćen je i povremenim \ndodacima u obliku duhovitih infografika, titlova i natpisa s dodatnim informacijama koje imaju \nistovremeno i edukativnu i humorističku funkciju, što je svojevrsni trademark djela iz produkcije \nRoberta Knjaza kojemu bi ovaj projekt poslužio i kao svojevrsni redateljski debi u igranoj formi. \n \n \n \n\n\f\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - podkategorija: RAZVOJ \nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2023. - 1. ROK - 9.3.2023. \n \n1) Animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute \n \n1.1. Jagoda, Bobica i Darko \nAnimirana serija, 10x11’ \nScenaristica: Lana Sabljarić \n3.500 EUR \nAnimirani serijal namijenjen djeci školskog uzrasta čiji su glavni protagonisti djevojčica u invalidskim \nkolicima Jagoda i njezina dva psa, mali kineski kukmasti pas Bobica, pomalo lijen, razmažen i plah, te \npridošlica Darko, crni labrador školovan za pomagača djeci s posebnim potrebama. Kroz deset 11-\nminutnih epizoda ova trojka prolazi kroz male velike pustolovine koje uključuju opasnosti na psećem \nbazenu, prvi dan škole, bijeg od kuće, pomaganje u liječenju od ovisnosti o kompjuterskim igrama i \nslično. Autorica je osmislila vrlo upečatljiv dječji svijet ispunjen živopisnim ljudskim i životinjskim \nlikovima koji skladno, uz tek poneku nesuglasicu ili nezgodu, koegzistiraju, međusobno se toleriraju i \npomažu. Tritmenti prezentiraju maštovite i uzbudljive priče svih deset epizoda, vrlo su dobro \nraspisani i čine kvalitetan temelj za pisanje scenarija. \nInauguracija djevojčice u invalidskim kolicima u poziciju glavne junakinje sjajan je potez koji će \npomoći djeci da osvijeste poziciju djece s posebnim potrebama i potrebu za njihovim ravnopravnim \ntretmanom u svakodnevnom životu te tako i sami doprinesu društvenoj inkluzivnosti. No, osim \npostave likova, i same priče sadrže edukativni sloj, na specifičan, djeci razumljiv i zabavan način \nobrađuju mnoge teme s kojima se i djeca i njihovi roditelji svakodnevno susreću, kao što je npr. već \nspomenuta ovisnost o video igrama, suparništvo dvoje ili više djece za poziciju kod roditelja, strah od \nškole itd., no pri tome izbjegavaju zamku patronizirajućeg tona pripovijedanja. \n \n1.2. Kravica Dora \nAnimirana serija, 10x7’ \nProducenti: Luma film \nScenaristica: Jelena Pervan \n3.500 EUR \nAnimirana serija za djecu školskog uzrasta pripovijeda o novoj učenici koja potpuno mijenja dinamiku \njednog školskog razreda. Naime, ona je krava i potrebno je dosta truda svih uključenih da se Dora \nuklopi s ostalim učenicima. O tome kroz priču o teškoćama pronalaska stolice koja će izdržati novu \nučenicu, govori prva epizoda. Kroz deset epizoda dobro raspisanih u priloženim tritmentima, kravica \nDora i njezini novi razredni prijatelji zatiču se u brojnim svakodnevnim zgodama i nezgodama u \nkojima rješavaju problem nervoze prije testova, prekratkih pauza za ručak ili pak kreativne \numjetničke krize jednog učenika zbog koje se glavna junakinja mora pretvoriti u muzu, pozamašan \nmodel koji će u dječaku pobuditi umjetnički nerv. Sve priče beziznimno izmamljuju smiješak, \nizbjegavaju rizik da postanu pretjerano didaktične, a ipak potiču na inkluzivnost.  \nOriginalan koncept i uspjela scenaristička razrada kroz maštovito profilirane likove i priče. Serija \nistovremeno educira i senzibilizira te na duhovit i djeci lako razumljiv način govori o prihvaćanju \nrazličitosti i razvija empatiju. \n\n\f\n \n1.3. Galeb Marko \nAnimirana serija, 10x6’ \nProducenti: Wolfgang i Dolly d.o.o. \nScenaristica: Nikolina Bogdanović \n3.500 EUR \nAnimirani serijal za djecu „Galeb Marko“ zamišljen je kao adaptacija serije istoimenih slikovnica \nautorice Martine Markov. Namijenjen djeci nižih razreda osnovne škole, serijal je koncipiran tako da \nsvaka slikovnica, epizoda, opisuje posjet naslovnog junaka jednom hrvatskom nacionalnom parku, \nkako onima na moru tako i onima u unutrašnjosti. Tom prilikom Marko upoznaje lokalne stanovnike \nkoji mu pomažu da bolje upozna i doživi prirodu, biljke i životinje koji tu obitavaju. Na taj način serija \nosim zabave djeci pruža i edukaciju i osvještava o važnosti zaštite prirode i njezinih stanovnika.  \nOdlično koncipiran projekt neupitne javne vrijednosti i s realnim izgledima da pronađe zainteresirane \npartnere za njegovu realizaciju. \n  \n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n \n2.1. Mravi \nDokumentarna serija, 4x52’ \nScenarist: Jure Pavlović \nRedatelj: Srđan Kovačević \n3.000 EUR \nZanimljivo zamišljen i kvalitetno razrađen dokumentarni serijal u četiri epizode tematizira globalno \naktualnu tematiku migracija radnika i posljedice koje ovaj proces ostavlja na lokalne sredine, ali i na \nsame radnike. Donedavno nacionalno iznimno homogena, Hrvatska posljednjih godina sve češće \npostaje odredište brojnih stranih radnika iz kulturološki vrlo različitih sredina, raznih nacionalnosti i  \nvjera, a autor u ovom serijalu teži prikazati na koji način se oni uklapaju u naše društvo, koliko \nuspijevaju ostvariti ciljeve zbog kojih su došli, čini li ih to sretnima te na koji način novi useljenici \nmijenjaju hrvatsko društvo, kako ekonomski tako i kulturološki. \n \n2.2. Retro! \nDokumentarna serija, 6x26’ \nProducentica: Wolfgang i Dolly d.o.o. \nScenarist: Matija Drniković \nRedateljica: Franko Dujmić \n3.000 EUR \nOriginalna i kulturološki zanimljiva dokumentarna serija u šest epizoda pripovijeda priče o \npredmetima koji su odavno izašli iz upotrebe da bi zatim, u recentno doba, iznova, bez nekog jasnog \nrazloga, ponovno postali iznimno popularni. Predmeti o kojima je riječ u današnjem digitalnom dobu \nnemaju nikakvu funkcionalnu prednost pred predmetima koji su ih zamijenili, no ipak posjeduju \nodređenu emotivnu popudbinu ili naprosto anakroni analogni šarm koji privlači nove generacije. \n\n\f\nZvijezde pojedinih epizoda su stari ruski analogni fotoaparat Smena 8m, gramofon i vinilne ploče, \nigraća konzola Nintendo 64, fotelja Skakavac, sličice nogometaša Panini i romobil.  \nPrivlačna ideja uobličena je u opsežnoj i originalnoj redateljskoj koncepciji u kojoj filmski postupci \nproizlaze iz promišljanja sadržaja, iz pokušaja da se pronikne u fenomen koji ima mnogo više slojeva \nnego što se u prvi čas čini, primjerice je li u ovoj novoj modi riječ samo o konzumerizmu i retro-šik \nfetišizmu ili ova naoko neobjašnjiva popularnost nosi sa sobom i neke druge na prvi pogled nevidljive \nvrijednosti. \n  \n2.3. Dobra ekonomija II. sezona \nDokumentarna serija, 6x52’ \nProducenti: Pipser d.o.o. \nScenarist: Đuro Gavran \nRedatelja: Đuro Gavran \n2.500 EUR \nDruga sezona vrlo kvalitetnog znanstveno-popularnog TV serijala emitiranog na Hrvatskoj \nradioteleviziji u travnju-svibnju 2023. Serijal obrađuje niz ekonomskih tema, daje kritički prikaz \nnačina funkcioniranja tradicionalnog ekonomskog sustava te kroz niz sugovornika, stručnjaka, \npoduzetnika, aktivista i dr. otvara perspektive za drugačije ekonomske koncepte u kojima profit nije \njedina i najviša vrijednost, već je u njemu sadržana i šira društvena odgovornost, za radnike, za \nzajednicu, za okoliš, za buduće generacije… \nDobro osmišljena i još bolje realizirana serija – problematski, narativno, vizualno, grafički – svakako \nima velik potencijal za drugu sezonu, a autor prilaže kvalitetno razrađene tritmente za pet novih \ntema: transport, moda, hrana budućnost, voda i kreativne industrije. \n \n3) Kreativni televizijski format namijenjen djeci i mladima čije ukupno trajanje serije nije \nkraće od 25 minuta i koji su namijenjeni prvenstveno televizijskom prikazivanju \n \n3.1. Vremenaste priče \nAnimirana serija, 6x8’-10’ \nScenaristi: Rona Žulj, Luka Rukavina \nRedatelj: Luka Rukavina \n3.500 EUR \n \nAnimirani serijal od šest epizoda slobodna je adaptacija serije slikovnica o vremenu našeg poznatog \ntelevizijskog meteorologa Zorana Vakule. Svaka epizoda tematizira jedan meteorološki fenomen, \nnpr. vjetar, kišu, munje, itd., a glavni junaci priča su djeca kojima u potrazi za odgovorima pomaže \nZoran Vakula. \nNajveća intervencija u odnosu na objavljene slikovnice jest dodavanje lika Zorana Vakule, kao \nnaratora u offu, dok scenaristi samosvjesno najavljuju ključni dramaturški izazov – osmisliti priče \nepizoda koja nisu tek ilustracije izrečenih misli, već je potrebno dramaturški oblikovati priče koje će \nuključivati meteorološke pojave o kojima je riječ. Priloženi tritmenti pokazuju poželjan smjer razvoja \novog koncepta kojega zanimljivim čine i najavljene moguće ekstenzije izvan ekrana, jedna kao \n\n\f\nmobilna aplikacija, a druga u vidu zadataka i eksperimenata kojima bi djeca mogla testirati i izmjeriti \nono što su naučili iz serije. \n \n \n4) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n4.1. Rumpus \nDramska serija, 6x40’ \nScenaristica: Dubravka Turić \nRedateljica: Dubravka Turić \n5.000 EUR \nKriminalistička dramska serija u šest epizoda pripovijeda dojmljivo postavljenu priču o smrti dječaka \nu močvari pored Kutine te mladoj policajki koja istražuje njegovu smrt. Tijekom istrage otkriva \nilegalne aktivnosti u koje su bile upletene lokalne i policijske vlasti, a koje su dovele do tragične \nsmrti. Tritment donosi originalnu, dramski potentnu i vrlo detaljno razvijenu priču serije, no zamjetni \nsu i određeni nedostaci, primjerice dramaturški nedorečena istraga koju vrše prijatelji stradalog \ndječaka, kao i nagovještaj njihove suradnje s glavnom junakinjom, policajkom Majom. Riječ je o \nzanimljivoj scenarističkoj dosjetki te u slučaju razrade motiv suradnje istražiteljice i prijatelja \nubijenog ima velik dramaturški potencijal. \nOsim zanimljive priče, vrijednost tritmenta leži i u vješto izgrađenoj atmosferi u kojoj se turobna \nsvakidašnjica provincijskog mjesta koje pomalo umire, a na životu ga održava tek tvornica koja ga \ntruje onečišćenim zrakom, spaja s mističnim motivima močvare i lokalne legende o oživjelom \nzloduhu iz močvare. Time serija atmosferski preuzima elemente prve sezone serije „Pravi detektiv“, \nali i nekih dobrih predstavnika nordic-noira. \n \n4.2. 10 dana u travnju \nDramska serija, 10x50’ \nScenarist: Emir Imamović \n5.000 EUR \nProjekt igrane dramske serije za podlogu uzima publicističku knjigu „10 dana u travnju: Uspon i pad \nNDH“ autora Gorana Gavranovića i Borisa Rašete koja dokumentaristički pregnantno opisuje razvoj \ndogađaja prvih dana uspostave Nezavisne države Hrvatske. Autor projekta Emir Imamović ovaj \nzanimljiv dokument koristi kao okvir u koji umeće fikcionalnu priču o mladom novinaru koji se \npokušava snaći u ovom političkom i ratnom vrtlogu događaja i pri tome iz zatvora izbaviti svoju \ndjevojku koja je uhićena kao članica Komunističke partije. \nU kontekstu domaće televizijske produkcije, ovo je jedinstveni projekt koji se donekle naslanja na \ninteres za dramske sadržaje smještene u period između dva rata, no nije riječ o serijama koje \nhistorijski okvir koriste za dodatnu spektakularizaciju posve izmišljenih događaja kao što je slučaj sa \nserijama „Babylon Berlin“ i „Senke nad Balkanom“, već seriji koja fikcijski sloj upliće u dokumentarni \npokušavajući predočiti realističnu i povijesno točnu sliku prilika u Hrvatskoj s početka uspostave \nNDH-a. \n\n\f\nPriloženi sinopsis i tritment naznačuju velike potencijale projekta koji se bavi temama i povijesnim \nperiodom za koji uvijek postoji velik interes širokog gledateljstva, no moderno i pitko izložen. Iako \ntritment odaje određene nedostatke u izgradnji osnovnog dramskog zapleta, što je dug \ndokumentarnom predlošku, uvjeren sam da okvir priče ima potencijal unutar kojega autor ima \ndovoljno prostora da fabulativno i dramaturški razvije priču serije do razine koja će izazvati interes \ntelevizijskih kuća. \n \n4.3. Crna kapelica \nDramska serija, 10x52’ \nProducenti: Plavi film d.o.o. \nScenarist: Robert Međurečan \n5.000 EUR \nKriminalistička serija smještena u izmišljeni gradić na sjeveru Hrvatske započinje ritualnim ubojstvom \nlokalnog poduzetnika i političkog moćnika sumnjive prošlosti koje policijski tandem istražitelja vodi u \nprošlost i još uvijek nezaboravljeno ubojstvo djevojčice koje je skrivio upravo ubijeni muškarac. Uz \nto, mjesto ubojstva, nedaleko crne kapelice, priziva mistične i morbidne legende koje se povezuje s \nkapelicom te izazivaju strah kod mještana. \nProjekt se sastoji od 10 jednosatnih epizoda za koje su priloženi sinopsisi, te scenarij prve epizode. \nNastao pod utjecajem nordic-noira, ali i serija kao što su „True Detective“ ili „Mare of Easttown“, \nautor Međurečan intrigantnu priču na zanimljiv način uklapa u domaće prilike u kojima se isprepliću \npolitika, kriminal, korupcija i arhaično praznovjerje te tvore vrlo specifičan i živopisan svijet djela. \n \n4.4. Slatki kuhar \nDramska serija, 6x52’ \nProducenti: Sekvenca d.o.o. \nScenaristi: Jure Pavlović, Ivan Knežević \n5.000 EUR \nIstinita priča o bivšoj televizijskoj zvijezdi, popularnom TV kuharu i vlasniku vinskog bara koji, \npritisnut poslovnim problemima, prihvaća ponudu da prenosi robu za skupinu organiziranog \nkriminala. Kroz šest epizoda serija prati njegov uspon i pad, kao i brojne međufaze, sve do konačnog \npada i odlaska u zatvor. Najveća kvaliteta teksta jest dojam autentičnosti koji proizlazi iz istinite priče \ni direktnog kontakta koji su scenaristi imali s protagonistom ovih događaja. U samom tritmentu to je \nzamjetno i na razini uvjerljive i zanimljive profilacije glavnog lika, dok će za upečatljiviju profilaciju \nsporednih likova, u prvom redu Lukinih kolega iz zločinačke organizacije, ali i policajke koja mu je na \ntragu, biti potreban dodatan scenaristički posao. Priča je pregledno i zanimljivo izložena što ostavlja \nmogućnost za kvalitetan, dinamičan i uzbudljiv scenarij. \nOriginalna anthology serija uvjerljivog koncepta i tritmenta ima velik komercijalni potencijal, a u \nprilog joj ide i partnerstvo dvojice iznimno zanimljivih i uspješnih filmskih autora – Jure Pavlovića i \nIvana Kneževića. \n \n \n\n\f\n5) Televizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta \n \n5.1. Mali Soho \nHumoristička serija, 12x26’ \nProducenti: Petnaesta umjetnost d.o.o. \nScenaristica: Jasna Nanut \nRedateljica: Jasna Nanut \n4.000 EUR \nHumoristička serija inspirirana književnim likom Pavla Svirca (alias Književna Groupie), jedinstvenoj \npojavi na domaćoj književnoj sceni koji pišući iz pozicije vječnog luzera, razoružava čitatelja \nneočekivanom iskrenošću i autoironijom kojom opisuje vlastite neuspjehe, kako profesionalne tako i \none romantične. \nAutorica serije Jasna Nanut preuzela je autentičan lik i postavila ga u fikcionaliziranu situaciju \npokušaja rješavanja stambenog pitanja u gradu u kojemu su dvije godine nakon potresa cijene \nnekretnina u stalnom i neobuzdanom rastu pa Svirac kreće u unaprijed izgubljenu potragu za stanom \ni kreditom dok istovremeno nastavlja svoju književnu karijeru kao jedini pisac koji osobno na biciklu \ndostavlja svoje knjige kupcima, najčešće razvedenim 40+ ženama. Autorica ga pozicionira kao \nluzersku i neglamuroznu verziju Carrie Bradshaw pa će Svirac funkcionirati kao narator i komentator \nšto ima neosporan humoristički potencijal. \nOriginalni koncept prati uvjerljivo i šarmantno osmišljen svijet djela prezentiran u moodboardu, niz \nzanimljivih sporednih likova kojima su već dodijeljeni i glumci, te jasno opisan registar pripovijedanja, \ngorko slatki ton u kojemu se miješaju razne emocije i registri: suosjećanje, humor i nada. \n \n5.2. Mesokomerc \nHumoristička serija, 10x50’ \nScenarist: Šimun Šitum \n4.000 EUR \nHumoristička serija mladog autora Šimuna Šituma pripovijeda priču o obitelji Šapina, moćnoj obitelji \npodrijetlom iz Hercegovine koja se dobro snašla u periodu tranzicije i nema sumnje da je na samom \nvrhu onih čuvenih „200 obitelji“. Priča počinje lažiranom smrću patrijarha obitelji i početkom bitke \nizmeđu članova obitelji za nasljedstvo, a osim nenadanih i nenadano iskrslih potencijalnih \nnasljednika, problem predstavlja i to što je njihov koncern, najveća hrvatska mesoprerađivačka \ntvrtka pred bankrotom. Autorska koncepcija polazi od vlastitog iskustva – autor priznaje kako je i \nsam član obitelji koja njeguje elemente plemenske podjele na naše i vaše, te se slabo ili nikako \nadaptira na nove sredine, već radije nove sredine prilagođava sebi. Koncept serije, međutim, ne \nupada u zamku banalnih prvoloptaških podjela na kulturne urbane starosjedioce i primitivne dođoše, \nveć umjesto toga kreira širu sliku povezanosti politike, gospodarstva, crkve i kriminala u kojoj obitelji \nkao što je Šapina, upravo zbog plemenske povezanosti, funkcionira mnogo bolje nego neke druge \nkoje su odavno ušle u 21. stoljeće. \nAutor vrlo samosvjesno seriju pozicionira narativno i tipološki u odnosu na tipove komedija koje su \nbile uspješne na ovim prostorima, od serijala „Žikina dinastija“ preko kultnih hrvatskih serija „Naše \nmalo misto“ i „Prosjaci i sinovi“, kasnije „Naših i vaših“ pa sve do recentnih humorističkih telenovela \n\n\f\nkao što su „Kud puklo da puklo“ ili „Kumovi“. U toj serijskoj stratosferi Šitum svoju seriju tipski \nsmješta bliže suvremenim serijama kao što su „Sopranosi“ ili „Succession“, no kad je riječ o stilu, \nsklonosti pretjerivanju, satiri i groteski serija se približava postupcima iz filma „Vuk s Wall Streeta“.  \nScenarij prve epizode serije potvrđuje da koncept nije bez temelja, naime scenarij u znatnoj mjeri \n„isporučuje“ obećano: riječ je o originalnom rukopisu koji ne kopira stilove ranije spomenutih \nreferentnih serija, već stvara autentičnu priču i rukopis: iznenađujuće uspješno i živopisno portretira \nvelik broj likova, stavlja ih u iznimno dramaturški zanimljive i potentne situacije te ispisuje rijetko \nduhovite i „prirodne“ dijaloge na kakve samo iznimno nailazimo u domaćim scenarijima. \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2023,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje web - manjinske koprodukcije 1. rok 2018..pdf","filename_decoded":"obrazlozenje web - manjinske koprodukcije 1. rok 2018..pdf","sha256":"edc56c56083906624bbd71199d2b2efc3043fc5a77ff5b017f92f4d7e5768846","bytes":131040,"page_count":2,"extracted_at":"2026-05-17T12:01:23Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje%20web%20-%20manjinske%20koprodukcije%201.%20rok%202018..pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po odlukama o donošenju liste prioriteta i raspodjeli \nsredstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2018. \ngodini, u kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskim udjelom \n(prvi rok: 22. veljače 2018.). \n \ndoc. dr. sc. Boško Picula, umjetnički savjetnik za filmske koprodukcije s manjinskim \nhrvatskim udjelom \n \nNa Javni poziv prijavljeno je 25 projekata (razmatrana su 24 projekta budući je jedan projekt \nodustao od prijave) od toga dva animirana filma, pet debitantskih dugometražnih igranih \nfilmova, sedam dugometražnih dokumentarnih filmova (od 60 minuta), devet dugometražnih \nigranih filmova i dva kratkometražna igrana filma. Kriteriji predlaganja projekta za \nsufinanciranje temelje se na: cjelovitosti predloženih radova, redateljskom konceptu, \nscenarističkoj dorađenosti, doprinosu i broju hrvatskog dijela kreativne, tehničke i \nprodukcijsko-organizacijske ekipe filma, realizaciji projekta u Hrvatskoj, festivalskim \npotencijalima u Hrvatskoj i inozemstvu, elaboriranosti izvedbe samog projekata i aktualnim \nfinancijskim mogućnostima.  \n \nNa listu filmova predloženih za sufinanciranje uvrštena su dva projekta: dugometražni \nanimirani film John Vardar protiv Galaktike (Makedonija) s predloženim sredstvima u iznosu \nod 900.000 kn i dugometražni igrani film Lajkaj i ti mene (Italija) s predloženim sredstvima u \niznosu od 369.500 kn. Ukupni iznos predloženih sredstava jest 1.269.500,00 kuna. \n \n \nOSVRT: \n \nNa prvi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2018. godini \nu kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (22. veljače \n2018.) prijavljeni su projekti u svim skupinama (animirani film, debitantski dugometražni \nigrani film, dugometražni dokumentarni film (od 60 minuta), dugometražni igrani film i \nkratkometražni igrani film), i to produkcijskih kuća s većinskim udjelom u financiranju \nprojekata iz dvanaest zemalja pri čemu je najveći broj prijava stigao iz Makedonije i Srbije (po \npet), zatim iz Slovenije (4) te iz Italije i Bosne i Hercegovine (po dva). Osim iz Europe, jedan \nje projekt prijavljen i iz SAD-a. Po jedna prijava odnosi se na projekte iz Bugarske, Crne Gore, \nFrancuske, Grčke, Nizozemske i Švedske. Riječ je o veoma različitim projektima glede filmskih \nrodova, žanrova, tema, autorskih koncepata i planiranih proračunskih sredstava te angažmana \nhrvatskog dijela ekipe i – realizacije projekata u samoj Hrvatskoj. Od 25 prijevljenih projekata \ndva su u trenutku prijave bili u postprodukcijskoj fazi, dok se na ovaj rok prijavilo ukupno 19 \nhrvatskih produkcijskih kuća.   \n          \nPREDLOŽENI PROJEKTI: \n \nJohn Vardar protiv Galaktike je projekt dugometražnoga animiranog filma u režiji \nnagrađivana makedonskog redatelja Goce Cvetanovskog školovanog u Francuskoj. \nCvetanovski nakon niza kratkih igranih i dokumentarnih filmova te kratkometražnih animiranih \nfilmova Čovjek koji nije htio umrijeti i Ivica i Marica: istinita priča radi na ovom projektu kao \nprvom dugometražnom animiranom filmu u povijesti makedonske kinematografije (glavni \nproducent Lynx Animation Studios). Riječ je o europskoj koprodukciji u čijoj bi realizaciji \ntrebali sudjelovati i partneri iz Bugarske, Danske te Francuske. Hrvatski je koproducent studio \n3D2D Animatori (filmovi Haron, Mačka) prema čijem će planu u realizaciji filma biti značajna \n\n\f\nzastupljenost hrvatske ekipe: glavni animatori, animatori, fazeri, montažer slike i zvuka te \nsuradnik na scenografiji i modeliranju. Također, jedna je od glavnih glasovnih uloga \nnamijenjena hrvatskom glumcu. Sam je film duhovita reinterpretacija svemirskih opera, \nodnosno znanstveno-fantastična pustolovna komedija koju je moguće usporediti sa serijalima \nRatovi zvijezda i Čuvari galaksije. Priloženi likovni materijal govori u prilog iznimno uspjelom \nvizualnom konceptu nadahnutom crtežima umjetničkog direktora Mihajla Dimitrevskog – \nMiće. S obzirom na potencijal projekta koji postiže optimum između umjetnički razrađenog i \nžanrovski profiliranog filma te komercijalnih mogućnosti, a osobito zbog činjenice da bi \nhrvatska kinematografija kojoj nedostaje dugometražnih animiranih projekata na ovaj način \nsudjelovala u realizaciji jednog takvog rada, film zaslužuje potporu u ovoj fazi pretprodukcije. \nPriča je sadržajno i vizualno domišljato razrađena, a gledanost na različitim platformama \npotencijalno visoka. Film na najbolji način može angažirati ljudski i tehnički kapital hrvatske \nanimacije te je predstaviti u europskom kontekstu u ovakvom tipu projekta.         \n\t\r  \nLajkaj i ti mene (eng. Like Me Back) je dugometražni igrani film čiji je redatelj i scenarist \ntalijanski sineast i glazbenik Leonardo Guerra Seràgnoli koji živi i radi u Londonu. Nakon \nkratkometražnih naslova, ovo mu je drugi cjelovečernji rad u karijeri nakon što je 2014. \nuspješno debitirao dramom Last Summer s Rinko Kikuchi, nominiranom za Oscara za film \nBabel, u glavnoj ulozi. Ponovno smjestivši radnju u kontekstu mora i broda, redatelj u svom \nnovom filmu govori o tri mlade Talijanke koje nakon upravo završene srednje škole kreću na \nodmor na hrvatskoj strani Jadrana. Unatoč ozračju ljeta i slikovitim pejzažima film zbog teme \ni redateljeva pristupa na efektan način djeluje komorno i upozoravajuće s obzirom da je autor \nnastojao postići suptilan kontrast između prividne slobode i novog tipa neslobode koji \nkarakterizira ugrožavanje privatnosti preko društvenih mreža. Film je u trenutku prijave bio u \nvisokoj postprodukcijskoj fazi, snimljen je u cijelosti na području otoka Brača, a u glavnoj je \nmuškoj ulozi Goran Marković, proslavljen filmom Zvizdan. Uz glavnu mušku ulogu, lokacije i \nkoproducentski dio, hrvatski se doprinos realizaciji filma odnosi i na zastupljenost umjetničke \ni tehničke ekipe te na postprodukciju. Hrvatski je koproducent Antitalent iza kojega je, među \nostalim, rad na filmovima Vis-A-Vis Nevija Marasovića, Oko za oko Antonete Alamat \nKusijanović i Posljednji bunar Filipa Filkovića. S obzirom na kakvoću i dosadašnji prijam \nredateljevih radova, film ima dobar festivalski potencijal, a zatražena su sredstva u balansu s \nproračunom.     \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2018,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Rezultati_dokumentarni_rok20062016.pdf","filename_decoded":"Rezultati_dokumentarni_rok20062016.pdf","sha256":"ee6074d068f3836d0c7a8917b113ba20cebfdadace28fd63303ba6d6b655ece0","bytes":460446,"page_count":2,"extracted_at":"2026-05-17T10:24:09Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Rezultati_dokumentarni_rok20062016.pdf"},"raw_text":" \n \n \n \n \n72. sjednica Hrvatskog audiovizualnog vijeća - 13.9.2016. \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE PROIZVODNJE AUDIOVIZUALNIH DJELA u \n2016. - 1. 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Za financiranje su predložena \nčetiri projekta od kojih je jedan dugometražni. \nPredloženi projekti su uglavnom festivalski filmovi, a dugometražni film ima i kino i \nstreaming potencijal. \nPriče su ponajviše inspirirane autorskim promišljanjima vezanim uz aktualne teme \ndanašnjice. \nTehnike su raznovrsne, ali prevladava 2D animacija (digitalna ili tradicionalna). \n \nUkupni iznos financiranja je 35.000,00 €  \n \n1.  \nnaziv projekta: More kao meandar \nprodukcija: MINYA FILM I ANIMACIJA j.d.o.o \nscenarij i režija: Luna Strmotić \niznos financiranja: 5.000,00 € \ntrajanje: 8 minuta \ntehnika: 2D animacija \n \nInspirirana morem i time koliko joj ono znači, autorica razvija ideju za film koji \nnalikuje dnevničkom zapisu. Dok hoda prema moru, pratimo tok misli glavnog lika \nkroz kojeg nas vodi narator, a koji se sastoji od briga svakodnevice, nesigurnosti, \nsreće, ljutnje, tuge i apsurda.  \nUmjesto da pratimo lika koji doslovno hoda prema moru, autorica kreira situacije o \nkoijma razmišlja te se okolina lika i njegova pozicija unutar te okoline  konstantno \nmijenja. Kakofonija glasova u glavi smiruje se u trenutku kada lik pluta u \nbeskonačnom plavetnilu, pokušavajući se sjetiti o čemu je uopće razmišljala. \n \n \n \n\n\f\n2. \nnaziv projekta: Ljudi ispruženih ruku \nprodukcija: Filmska udruga šuma \nscenarij i režija: Tomislav Šoban \niznos financiranja: 5.000,00  \ntrajanje: 12 minuta \ntehnika: 2D klasična animacija \n \nVeliki trg skriva šumu koja se ne vidi golim okom. Ljudi nailaze na nevidljive prepreke \nkoje ih ozljeđuju. Zbog toga neki prekrivaju lice rukama i oprezno koračaju. Neki \nhodaju ispruženih ruku zbog straha od novog sudara. \nLjudi ispruženih ruku zamišljen je kao kratki animirani film koji, metaforično, \npredstavlja nevidljive probleme, one koji nas psihički uništavaju, one s kojima se ne \nznamo nositi. Likovi će biti prikazani linijskim crtežom s punim plohama, a šuma i \nbiljke će biti prikazani samo linijama koje se pojavljuju i nestaju.  Pozadina crteža će \nbiti većinom bijela s tek pokojom naznakom eksterijera. Kroz film nas vodi glas \npripovjedača. \n \n  \n3.  \nnaziv projekta: Kava na suncu \nprodukcija: Livada produkcija d.o.o. \nscenarij i režija: Marko Belić \niznos financiranja: 5.000,00 € \ntrajanje: 15 minuta \ntehnika: 2D, 3D animacija \n \nNakon propasti civilizacije, predvođeni nasumično odabranim Kapetanom, nekolicina \nljudi kreće u svemir. Uz Kapetana, na raspolaganju je i nesavršena umjetna \ninteligencija. Ljudi rade isto što i na zemlji, piju, plešu, tulumare. Kada brod prođe \nkroz toksični dim, nestaje cijela posada, a Kapetan biva slučajno spašen \nhibernacijom. No ne zadugo jer brod se kreće prema Suncu. Umjetna inteligencija \nčestita Kapetanu na misiji jer čovječanstvo oduvijek želi doseći Sunce. \nI kroz ovu priču nas vodi narator, UI koja nas uvodi u priču kao duhoviti komentator. \n \n \n \n\n\f\n4.  \nnaziv projekta: Krila \nprodukcija: Vertigo Media d.o.o. \nscenarij: Maja Pavić \nrežija: Nevio  Marasović \niznos financiranja: 20.000,00 € \ntrajanje: 90 minuta \ntehnika: 2D animacija \n \nKrila je dugometražni obiteljski film zamišljen u tehnici 2D digitalne animacije, \ninspiriran stvarnom pričom iz malog slavonskog sela, pričom o ljubavi dviju roda, \nKlepetanu i Malenoj. \nIako su kao mali bili u istom jatu, Klepetan i Malena ostaju razdvojeni nakon što \nMalenu upucaju lovci. Spašava je skromni i dobri seljak Pero koji postaje njezin \nljudski prijatelj. Nakon nekoliko godina, pri povratku iz migracijskog leta, Malena i \nKlepetan se ponovno zbližavaju no Klepetan kao predvodnik jata ne može ostati kraj \nMalene. U filmu postoje dvije paralelne priče, ona iz mirnog slavonskog sela i afričke \nmigracijske rute; južnoeuropsko selo uronjeno u rustikalni šarm, u kontrastu je s \ngolemim i opasnim afričkim krajolicima.  \nIako je glavna tema  ljubav dviju roda, film se bavi i temom odnosa ljudi i životinja te \nnosi duboke pouke vezane uz nadilaženje prepreka (emocionalnih i fizičkih).  \nFilm se planira izvesti tehnikom 2D animacije, kombinacijom ručno crtanih i digitalnih \ntehnika.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2025,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"23.12. rezultati JAVNI POZIV COVID .pdf","filename_decoded":"23.12. rezultati JAVNI POZIV COVID .pdf","sha256":"ef049a719b048f1bec4250eb0f6bb5868e6033ed5cc584c04122446c67f495d4","bytes":29967,"page_count":1,"extracted_at":"2026-05-17T10:23:57Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/23.12.%20rezultati%20JAVNI%20POZIV%20COVID%20.pdf"},"raw_text":"REDATELJICA\nPRODUCENT\nODOBRENO\nJosipa Bubica\nUdruga Blank\n18.000,00 HRK\nJavni poziv za podnošenjem zahtjeva za potporu za dodatne troškove snimanja filmova nastale uslijed \nizvanrednih okolnosti uzrokovanih epidemijom COVID-19, 31. sjednica Hrvatskog audiovizualnog vijeća u trećem \nsazivu, 23.12. 2021.\nNASLOV\nČIMAVICA,  kratkometražni igrani \nfilm\n","warnings":[],"document":{"program_type":"covid","natjecaj_title":"23.12. rezultati JAVNI POZIV COVID ","year":2021,"rok":null,"natjecaj_date":"2021-12-23","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","REDATELJICA","PRODUCENT","ODOBRENO"],"rows":[{"row_number":null,"project_title":"ČIMAVICA, kratkometražni igrani film","applicant":"Udruga Blank","production_company":"Udruga Blank","director":"Josipa Bubica","writer":null,"original_author":null,"category":null,"approved_amount_text":"18.000,00 HRK","approved_amount":18000.0,"currency":"HRK","extras":{"REDATELJICA":"Josipa Bubica","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:55:00Z","creator_backfill_director_source":"ef049a71_23_12_rezultati_javni_poziv_covid_pdf.json","creator_backfill_director_confidence":"medium","creator_backfill_director_reasoning":"Naslov i producent jednoznačno odgovaraju jedinom retku, a ime je jasno pod stupcem REDATELJICA."},"entity":"Udruga Blank","row_id":"ef049a71:s0:573210ecae4b","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_b1286be07bbd","project_family_title":"ČIMAVICA, kratkometražni igrani film"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":18000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":18000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":1}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"Medjunarodna_rezultati_rok 13022015.pdf","filename_decoded":"Medjunarodna_rezultati_rok 13022015.pdf","sha256":"ef45d4706bbe47bf2ca2552f3152787b2225db3ab665ea62dc825996455416a3","bytes":214264,"page_count":4,"extracted_at":"2026-05-17T10:23:43Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Medjunarodna_rezultati_rok%2013022015.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA (kn)\n1\nAkademija dramske \numjetnosti\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi izrade \npromidžbenih materijala i prijavljivanja u \nslužbenu konkurenciju festivala. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redateljice, producentice i \nsnimateljice i predstavljanje kratkometražnog \nigranog filma 'Da je kuća dobra i vuk bi je imao', \nred. H. Jušić na programu Signals u sklopu 44. \nmeđunarodnog festivala u Rotterdamu, \nNizozemska; 21. siječnja do 01. veljače 2015.\n10.000,00\n2\nAkademija dramske \numjetnosti\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \nstručnog usavršavanja.\nSudjelovanje profesora i četvero studenata te \npredstavljanje kratkometražnog igranog filma \n'Šake', red. J. Nanut i kratkometražnog \ndokumentarnog filma 'Povratak vlaka', red. I. \nHusak na međunarodnoj obrazovnoj platformi \nVišegrad Film Forum; Bratislava, Slovačka; 11. \ndo 15. ožujka 2015.\n4.000,00\n3\nAkademija dramske \numjetnosti\nProgrami predstavljanja i promocije filmova. \nProgrami kulturalne razmjene iz područja \naudiovizualnih djelatnosti.\nSudjelovanje predstavnika ADU na \nmeđunarodnom festivalu kratkometražnog filma \nSEEC; Istanbul, Turska; 27. travnja do 01. svibnja \n2015.\n7.233,00\n4\nAning film d.o.o.\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata.\nSudjelovanje producenta i redateljice s projektom \ndugometražnog igranog filma 'Margita', red. M. \nVerhoef na tri sesije međunarodnog programa \nstručnog usavršavanja EKRAN+; Varšava, \nPoljska; 02.-05.03.2015., 20.-28.04.2015., 22.-\n30.04.2015.\n6.260,00\n5\nAning film d.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata.\nSudjelovanje redateljice i producenta s projektom \ndokumentarnog filma 'Sofkin svijet', red. M. \nVerhoef na Project market forumu u sklopu 4.East \nDoc Platform; Varšava, Poljska; 05. do 07. ožujka \n2015.\n4.000,00\n6\nAntitalent produkcija \nd.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje redateljice i producenta s projektom \nigranog filma 'Fališ mi', re. V. Vorkapić na tri \nmodula međunarodne radionice za razvoj projekta \nEAVE; Luxembourg 09.-16.3.2015.; Skopje, \nMakedonija; 24.6.-01.07.2015. ; Strasbourg, \nFrancuska; 19.-26.10.2015.\n25.000,00\n7\nArtizana film d.o.o.\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje producentice i predstavljanje \ndugometražnog igranog filma 'Most na kraju \nsvijeta', red. B. Ištvančića u službenom programu \nmeđunarodnog festivala novog balkanskog filma - \nBaNEFF; Stockholm, Švedska; 12. do 16. veljače \n2015.\n5.000,00\n8\nBranka Benčić\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje Branke Benčić na Curators \nMeetingu i programima 61. međunarodnog \nfestivala kratkometražnog filma u Oberhausenu, \nNjemačka; 01. do 05. svibnja 2015.\n2.415,00\n9\nDaniel Pavlić\nProgrami međunarodne kulturalne razmjene iz \npodručja audiovizualnih djelatnosti\nSudjelovanje Daniela Pavlića kao člana žirija za \nmeđunarodnu službenu selekciju filmova na 8. \nmeđunarodnom eko film festivalu Ecozine; \nZaragoza, Španjolska; 07.-16.svibnja 2015.\n2.500,00\n10\nHrvatski filmski \nsavez\nOstali programi.\nSudjelovanje voditeljice i dvoje članova filmske \ndružine Strahoninec te predstavljanje hrvatskog \ndječjeg filma na 14. europskom susretu \naudiovizualnog stvaralaštva mladih Camera \nZiziano u sklopu 17. međunarodnog festivala \nfilmova za djecu i mlade Olympia; Pygros, Grčka; \n29. studenog do 06. prosinca 2014.\n3.500,00\n11\nHrvatski filmski \nsavez\nOstali programi.\nSudjelovanje hrvatske delegacije na 2. \nmeđunarodnom festivalu za djecu i mladež \nPlasencia Encorto; Plasencia, Španjolska; 19. do \n21. ožujka 2015. i 3. međunarodnom festivalu za \ndjecu i mladež MICE; Valencia, Španjolska; 27. \ndo 29. ožujka 2015.\n10.000,00\n12\nHrvatski filmski \nsavez\nOstali programi.\nSudjelovanje Željka Baloga i četvero autora na \n77. međunarodnom festivalu amaterskog filma \nUNICA; St. Petersburg; Rusija; 05. do 13. rujna \n2015.\n12.000,00\nREZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2015. - PROGRAMI \nMEĐUNARODNE SURADNJE - ROK 13.02.2015.\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA (kn)\n13\nIvana Bošnjak\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. \nSudjelovanje redateljice i predstavljanje \nkratkometražnog animiranog filma 'Simualcra', \nred. I. Bošnjak, T. Johnson na međunarodnom \nfestivalu animiranog filma MONSTRA; Lisabon, \nPortugal; 12. do 22. ožujka 2015.\n2.242,00\n14\nJan Klemsche\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. \nSudjelovanje montažera i predstavljanje \nkratkometražnog igranog filma 'Manjača', red.T. \nŽanića na 44. međunarodnom filmskom festivalu \nu Rotterdamu, Nizozemska; 21. siječnja do 1. \nveljače 2015.\n1.300,00\n15\nJure Pavlović\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata.\nSudjelovanje producenta Jure Pavlovića s \nprojektom kratkometražnog animiranog filma \n'Voće', red. I. M. Senjanović na pitching forumu \nEuro Connection u sklopu međunarodnog \nfestivala kratkometražnog filma u Clermont - \nFerrandu, Francuska; 02. do 05. veljače 2015.\n2.487,00\n16\nKinematograf d.o.o.\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redateljice i predstavljanje \nkratkometražnog igranog filma 'Pragovi', red. D. \nMlađenović u službenoj konkurenciji 10. \nVancouver International Women in Film Festival; \nKanada; 04. do 08. ožujka 2015.\n5.963,00\n17\nKinoklub Karlovac\nOstali programi.\nSudjelovanje jednog člana Kinokluba Karlovac na \n2. međunarodnom festivalu za mlade Plasencia \nEncorto; Plasencia, Španjolska; 19. do 22. ožujka \n2015.\n2.527,00\n18\nKinoklub Karlovac\nOstali programi.\nSudjelovanje jednog člana Kinokluba Karlovac na \n3. međunarodnom festivalu za djecu i mladež \nMICE; Valencia, Španjolska; 27. do 29. ožujka \n2015.\n3.192,00\n19\nKinoklub Zagreb\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje glavne tajnice Kinokluba Zagreb i \nredateljice te predstavljanje rada kluba te filma \n'Tlo pod nogama', red. S. Tarokić na 12. \nmeđunarodnom festivalu Crossing Europe; Linz, \nAustrija; 25. do 28. travnja 2015.\n2.600,00\n20\nKinoteka d.o.o.\nProgrami stručnog usavršavanja.\nSudjelovanje Krste Jarama na stručnim \nradionicama 'Strategije koloriranja' i 'Napredno \noblikovanje kolora' u organizaciji ICA-e; Beograd, \nSrbija; 02. do 06. veljače 2015.\n7.600,00\n21\nMarko Rojnić\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje Marka Rojnića i izlaganja radova \n'Putting illusionism in its place' i 'Prolegomena to \nthe explanatory value/importance of viewpoint for \nfilm theory' na međunarodnoj interdisciplinarnoj \nkonferenciji u organizaciji The Society of \nCognitive Studies of the Moving Image; Birkbeck, \nVB; 17. do 20. lipnja 2015.\n5.000,00\n22\nMartin Semenčić\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje oblikovatelja zvuka na filmu i \npredstavljanje kratkometražnog igranog filma \n'Manjača', red.T. Žanića na 44. međunarodnom \nfilmskom festivalu u Rotterdamu, Nizozemska; \n21. siječnja do 1. veljače 2015.\n1.300,00\n23\nMaxima film d.o.o.\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje redateljice i glavne glumice i \npredstavljanje dugometražnog igranog filma \n'Zagreb Cappuccino', red. V. Sviličić na 19. \nmeđunarodnom filmskom festivalu u Sofiji, \nBugarska; 05. do 15. ožujka 2015.\n2.000,00\n24\nMaxima film d.o.o.\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje producenta i glavne glumice i \npredstavljanje dugometražnog igranog filma \n'Zagreb Cappuccino', red. V. Sviličić na 43. \nmeđunarodnom filmskom festivalu FEST; \nBeograd, Srbija; 27.veljače do 08. ožujka 2015.\n3.000,00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA (kn)\n25\nMoje čarobne misli \nd.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata.\nSudjelovanje koproducentice i redatelja s \nprojektom dugometražnog animiranog 3D filma \n'Before You Wake/Discover Tesla's Secret \nInvetion', red. B. Brkića na međunarodnom \npitching forumu i marketu Cartoon Movie; Lyon, \nFrancuska; 04. do 07. ožujka 2015.\n8.900,00\n26\nNukleus Film d.o.o.\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi izrade \npromidžbenih materijala i prijavljivanja u \nslužbenu konkurenciju festivala. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redateljice i producenta i \npredstavljanje kratkometražnog igranog filma \n'Kokoška', red. U. Gunjak u konkurneciji na \nmeđunarodnom filmskom festivalu Sundance; \nPark City, Utah, SAD; 21. do 30. siječnja 2015.\n20.000,00\n27\nNukleus Film d.o.o.\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata.\nSudjelovanje producenta na međunarodnom \nfilmskom festivalu u Trstu i pitching forumu When \nEast Meets West u sklopu festivala; Trst, Italija; \n18. do 20. siječnja 2015.\n1.400,00\n28\nPetra Belc\nProgrami stručnog usavršavanja.\nSudjelovanje Petre Belc na radionici \neksperimentalnog filma i novih medija (u \norganizaciji NISI MASA-e) u sklopu 5. \nmeđunarodnog festivala eksperimentalnog filma u \nBukureštu, Rumunjska; 05. do 14. prosinca 2014.\n2.977,00\n29\nPetra Zlonoga\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje redateljice i predstavljanje \nkratkometražnog animiranog filma 'Glad', red. P. \nZlonoge na međunarodnom festivalu animiranog \nfilma MONSTRA; Lisabon, Portugal; 12. do 22. \nožujka 2015.\n2.242,00\n30\nRestart\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata.\nSudjelovanje redateljice i producentice s \nkratkometražnim projektom 'Leopoldina', red. S. \nMikelić na tri sesije međunarodne radionice za \nrazvoj dokumentarnih projekata BDC Discoveries; \nSofija, Bugarska; 18.-24.05.2015.; Prizren, \nKosovo; 12.-16.08.2015. i Jihlava, Češka 24.10.-\n01.11.2015.\n15.000,00\n31\nRestart\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata.\nSudjelovanje redatelja i producentice s \ndugometražnim igranim projektom 'Bedemi', red. \nS. Keča na tri sesije međunarodne radionice za \nrazvoj projekta EAVE; Luxembourg; 09.-\n16.03.2015.; Skopje, Makedonija; 24.06.-\n01.07.2015.; Strasbourg, Francuska; 19.-\n26.10.2015.\n30.000,00\n32\nRestart\nProgrami stručnog usavršavanja. Pitching, \nkoprodukcijski forumi i programi za razvoj \nprojekata.\nSudjelovanje redatelja i producenta s \ndokumentarnim projektom 'Zid smrti, i tako to', \nred. M. Kovačevića na trening programu East \nEuropean Forum; Prag, Češka; 02. do 08. ožujka \n2015.\n4.000,00\n33\nSekvenca\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi izrade \npromidžbenih materijala i prijavljivanja u \nslužbenu konkurenciju festivala. Programi \npredstavljanja i promocije filmova.\nSudjelovanje članova filmske ekipe i \npredstavljanje kratkometražnog igranog filma \n'Piknik', red. J. Pavlovića u službenoj konkurenciji \n65. međunarodnog filmskog festivala u Berlinu; \nNjemačka; 05. do 15. veljače 2015.\n35.000,00\n34\nStudio Corvus j.d.o.o. Programi stručnog usavršavanja.\nSudjelovanje Zvonimira Munivrane na programu \nBerlinale Talents u sklopu 65. međunarodnog \nfilmskog festivala u Berlinu; Njemačka; 06. do 13. \nveljače 2015.\n3.000,00\n35\nŠkola animiranog \nfilma Čakovec\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika.\nSudjelovanje voditeljice ŠAF-a Čakovec na 2. \nmeđunarodnom sastanku voditelja animacijskih \nradionica u sklopu međunarodnog festivala \nanimiranog filma MONSTRA; Lisabon, Portugal; \n12. do 17. ožujka 2015.\n1.916,00\n36\nUdruga Fade In\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata.\nSudjelovanje redateljice i producentice s \ndokumentarnim projektom 'Odgođena revolucija', \nred. V. Vorkapić na 6. project Marketu u sklopu \nEast Doc Platforme; Prag, Češka; 02. do 08. \nožujka 2015.\n4.000,00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA (kn)\n37\nUdruga Okodoko\nPitching, koprodukcijski forumi i programi za \nrazvoj projekata.\nSudjelovanje redatelja i producenta s \ndokumentarno-igranim projektom 'Rosemarie', \nred. Z. Kreme na trening programu East \nEuropean Forum; Prag, Češka; 02. do 08. ožujka \n2015.\n4.000,00\n38\nTena Gojić\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje producentice i predstavljanje \nkratkometražnog igranog filma 'Manjača', red.T. \nŽanića na 44. međunarodnom filmskom festivalu \nu Rotterdamu, Nizozemska; 21. siječnja do 1. \nveljače 2015.\n1.300,00\n39\nTin Žanić\nProgrami gostovanja hrvatskih autora  /-ica, \nproducenata/-ica, izbornika filmskih festivala, \nfilmskih stručnjaka i djelatnika. Programi \npredstavljanja i promocije filmova.\nSudjelovanje redatelja i predstavljanje \nkratkometražnog igranog filma 'Manjača', red.T. \nŽanića na 44. međunarodnom filmskom festivalu \nu Rotterdamu, Nizozemska; 21. siječnja do 1. \nveljače 2015.\n1.300,00\n40\nUdruga za \naudiovizualno \nstvaralaštvo Artizana\nProgrami predstavljanja i promocije filmova.\nPredstavljanje kratkometražnog dokumentarnog \nfilma 'Škverski kipar', red. B. Ištvančića u \nslužbenoj selekciji 33. međunarodnog festivala o \numjetnosti FIFA; Montreal, Kanada; 19. do 29. \nožujka 2015.\n2.500,00\n41\nUdruga za \naudiovizualno \nstvaralaštvo Artizana\nOstali programi.\nOrganizacija programa pod nazivom 'Ciklus \nhrvatskog filma u Vojvodini 2015.' ; Subotica, \nTavankut, Sombori, Srbija, 01. travnja - 31. \nprosinca 2015. \n30.000,00\n42\nUdruga za \npromicanje kulture i \numjetnosti JA BIH\nOstali programi.\nOrganizacija manifestacije 'JA BIH…5 dana \nZagreba u Sarajevu 2015.'; Sarajevo, BiH,   25.- \n29. svibnja 2015.\n15.000,00\n313.654,00\nHRVATSKI AUDIOVIZUALNI CENTAR, ODJEL ZA PROMOCIJU I PLASMAN\nNapomena: \nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"Medjunarodna_rezultati_rok 13022015","year":2015,"rok":null,"natjecaj_date":"2015-03-05","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"REZULTATI JAVNOG POZIVA ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2015. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 13.02.2015.","section_key":"rezultati_javnog_poziva_za_dodjelu_sredstava_za_poticanje_ko","columns":["PODNOSITELJ","PROGRAM","OPIS PROGRAMA","ODOBRENA POTPORA (kn)"],"rows":[{"row_number":1,"project_title":"Programi gostovanja hrvatskih autora /-ica, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika. 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Radi se o \nduhovitoj i zanimljivoj urbanoj priči o bračnim problemima i i moralnim dilemama koje \ndonosi kriza srednjih godina i to s izrazito živim karakterima koji odaju talent, ali i visoki \nstupanj zrelosti autorice.  \nProjekt nije previše zahtjevan, gotovo da se radi o produkcijski idealnom predlošku za \ndebitantski film koji ima potencijala i kod šire publike.  \nScenarij još uvijek podnosi sažimanje i oštrenje dramskih oštrica, a važan dio razvoja ovog \nprojekta je potraga za idealnim glumačkim protagonistima.  \n \nDrugi projekt kojeg predlažemo za razvoj jest projekt kome su sredstva za razvoj scenarija \nodobrena 2013. godine pod naslovom ANA KOLOVIĆ.  Ove je godine bio prijavljen na natječaj \nza proizvodnju dugometražnih igranih filmova pod naslovom KRIVI IZLAZ, a mi ga \npremještamo u kategoriju razvoja projekta.  \nDakle, drugi projekt koji predlažemo za financiranje je:   \n \nKRIVI IZLAZ scenaristice i redateljice Vanje Sviličić u produkciji kuće MAXIMA FILM i to u \niznosu od 100.000 HRK.  \n \nProjekt «Krivi izlaz» inspiriran slučajem Ane Magaš problematizira status žene u hrvatskom \ndruštvu. Iako odbijena na prijašnjim natječajima, autorica je uložila dodatni napor, dosta \nradila na projektu, angažirala suradnike na scenariju, posjećivala radionice. Radi se o \nintimnoj psihološkoj drami koju bismo mogli smjestiti u kategoriju autorskog festivalskog \nfilma.  \nScenarij još nije spreman za snimanje, ali je bitno unaprijeđen, te ga predlažemo za razvoj \nprojekta.  \n \n \nNa 2. rok na natječaj za razvoj scenarija dugometražnih igranih filmova, pristiglo je nešto \nmanje prijava nego na prvi rok, ukupno trideset i jedna.  \nZa sufinanciranje predlažemo ukupno sedam scenarija, od toga 4 izvorno prijavljena na \nnatječaj za razvoj scenarija, te još 3 koji su bili prijavljeni u drugu kategoriju, ili razvoja \nprojekata ili proizvodnje.  \nS iznosom od po 30.000 HRK za razvoj scenarija predlažemo sljedeće projekte:  \n \nBUMBAROV LET – scenarista Ivan Turkovića-Krnjaka i Marka Hrenovića. Radi se o solidno \nkoncipiranoj adaptaciji dječje knjige «Tajanstveni svjetionik» Maje Gluščević, te projektu iza \nkojeg stoji produkcijska kuća INTERFILM.  \n\n\f\nScenarij je vješto aktualiziran, osuvremenjen te ima potencijal razviti se u uspješan i rado \ngledan dječji film detektivskog žanra o ljudskim predrasudama.  \n \nLET NA SJEVER – scenarista Zvonimira Munivrane. Radi se o drami koja problematizira odnos \ndvije žene različitih nacionalnosti koji bude promijenjen dolaskom sirijskog migranta. \nScenarij je bio primljen na međunarodni pitching forum u Latviji te scenarističku radionicu u \nLuksemburgu. Autor je izložio i promjene koje su nastala od posljednjih, neuspješnih \naplikacija. Scenarij ima solidan međunarodni potencijal. \n \nLUKA – scenarista Gjermunda Gisvolda. Radi se o projektu koji je bio prijavljen u drugoj \nkategoriji – razvoja projekta. To je projekt visokog potencijala, ali smatramo da scenarij još \nnije dovoljno spreman pa je stoga premješten u ovu kategoriju. Radi se o «prequelu» filma \n«Goran» Nevija Marasovića koji je kao redatelj kreativni nositelj ovoga projekta uz \nprodukcijsku kuću ANTITALENT. Tema filma je opsada vojarne JNA te početak rata u \nGorskom kotaru uz sazrijevanje lica koje smo upoznali u filmu «Goran».  \n \nMURINA – scenaristice i redateljice Antonete Alamat Kusijanović. I ovaj je projekt bio \nprijavljen u kategoriji razvoja projekta, ali je premješten u kategoriju razvoja scenarija. Nakon \nuspjeha filma «U plavetnilu», scenaristica, uz pomoć produkcijske kuće SPIRITUS MOVENS \nželi snimiti dugometražni igrani film s istom protagonisticom iz svog kratkog filma. Iako se \nradi o nagrađenoj mladoj autorici, po mišljenju savjetnika, scenarij je još uvijek nedovoljno \nrazvijen, pa smatramo da bi bilo preuranjeno pustiti ga na natječaju za razvoj projekta. \n«Murina» je intimna, pomalo okrutna drama o ljubavi i manipulaciji te sazrijevanju mlade \ndjevojke u sebičnom okružju. Scenarij se trenutno razvija u sklopu prestižne rezidencije \nfilmskog festivala u Cannesu.  \n \nSAM U KOLONI – scenarista Davora Šišmanovića. Ovaj projekt je bio prijavljen u kategoriji \nproizvodnje dugometražnih igranih filmova i to s redateljem Zvonimirom Rumboldtom te \nprodukcijskom kućom 4 FILM. Radi se o duhovitom i toplom scenariju koji prikazuje prve \ndemokratske izbore te početak i kraj rata u slavonskoj provinciji. Film je epizodnog karaktera \nte se u sklapanju motiva dobiva dojam vrlo rane verziji scenarija, inače filmske  adaptacije \nzbirke pripovijedaka preminulog glazbenika i pisca Kreše Blaževića.  \n \nSVADBA – scenarista i redatelja Igora Šeregija. Radi se o pučkoj komediji iza koje stoji  \nprodukcijska kuća ECLETICA. Produkcijska namjera je napraviti regionalni kino hit koji se \ndobroćudno izruguje mentalitetnim razlikama nas i naših susjeda. Kćer posrnulog hrvatskog \ntajkuna udaje se za sina srpskog premijera. Za ovakav scenarij postoji popriličan kino \npotencijal.   \n \nŠVABO – scenarista Vedrana Kukavice te koscenarista i redatelja Darija Pleića. Adaptacija \nuspješnog humorističnog romana Vedrana Kukavice koji govori o potrazi za identitetom \nnadobudnog mladog Nijemca koji nakon majčine smrti otkriva da mu je pravi otac Hrvat, iz \nzabačenog sela u Dalmatinskoj Zagori. Potraga za očevim identitetom pretvara se u potragu \nza ljubav u kojoj se sa svim duhovitim krajnostima otkriva mentalitet imotske krajine.  Po \novom predlošku mogao bi se snimiti film solidnog kino potencijala.  \n \n \n\n\f\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje animirani proizvodnja_prvi rok.pdf","filename_decoded":"web obrazlozenje animirani proizvodnja_prvi rok.pdf","sha256":"ef83afd150261ac91814e5c05bfb87b281f5c733a2da9d244197682262276ff7","bytes":42802,"page_count":5,"extracted_at":"2026-05-17T12:01:50Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20animirani%20proizvodnja_prvi%20rok.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje proizvodnje filmova, 1. rok 2024., animirani filmovi \nkategorija: poticanje proizvodnje animiranog filma \nrok: 14.3.2024. \numjetnička savjetnica: Jelena Oroz \n \nNa javni poziv u ovom roku pristiglo je četrnaest (14) projekata. \nOd toga  jedan dugometražni animirani film. \nRežiju devet projekata potpisuju muški autori, a režiju pet projekata autorice. \nSedam projekata namijenjeno je djeci, odnosno dva su fokusirana na djecu dok su \npreostalih pet više obiteljski. \nDebitantskih projekata ima čak deset. \nTehnike i teme su šarolike, od tradicionalne i digitalne crtane 2D animacije, stop \nanimacije, pixilacije, 3D animacije do digitalnog cut outa.  \nIpak, najviše filmova radilo bi se tehnikom 2D animacije. \nTehnika prijavljenog dugometražnog filma je motion capture; snimali bi se pravi \nglumci, a njihovi pokreti bi se mapirali na kompjuterski modeliran lik.  \nAutori obrađuju različite teme, od introspekcije, edukativnih tema, priča inspiriranih \nstvarnim događajima, autobiografskih, do fantastike i folklornih priča iz hrvatskih \nkrajeva. \nVizuali su likovno zanimljivi i raznoliki. \nIpak, voljela bih ohrabriti sadašnje i buduće autore da ‘’osuvremene’’ dizajn likova i \nvizual općenito. Na hrvatskoj likovnoj sceni također su prisutni mladi ilustratori, ali i \nanimatori-autori  koji imaju zanimljiv likovni izričaj pa bi suradnja s njima mogla \nprojekte učiniti vizualno atraktivnijima. \n \nZa financiranje je predloženo i odobreno sedam (7) projekata, od kojih su dva za \ndjecu. Ukupni iznos financiranja je  305.000,00 €. \n \n \n \n \n \n \n \n \n\n\f\n1.  \nnaziv projekta: Bakica \nprodukcija: Drybrush studio d.o.o. \nscenarij: Darko Bakliža \nrežija: Darian Bakliža \niznos financiranja: 28.000,00 € \ntrajanje: 5’ \ntehnika: 2D, 3D, pixilacija \n \nSimpatična i duhovita priča u kojoj se većina nas, koji smo bili bliski s bakama i \ndjedovima, može pronaći. Za razliku od mnogih filmova slične tematike koji \nidealiziraju odnos baka i djedova s unucima, ovaj film taj odnos prikazuje pomalo \ndrugačije; kroz ljutnju, plač, smijeh i mrvicu rakije na rani.  \nKoristeći  humor, ali nenametljivo, autor nam uspijeva približiti iskren odnos između \nbake i unuka i upravo to smatram snagom ovog filma; nema idealiziranja, a opet je \npuno topline.   \nRedatelj Darian Bakliža je debitant čiji je diplomski animirani film Ispod maske \nprikazan na brojnim festivalima animiranog filma uključujući  Animafest i Annecy.   \nScenarij za Bakicu potpisuje Darko Bakliža, naš nagrađivani slikar, scenograf i \nredatelj animiranih i eksperimentalnih filmova.   \nFilm će se raditi tehnikom 2D, 3D animacije i piksilacije.  \n \n2.   \nnaziv projekta: Nonić \nprodukcija: Luma film \nscenarij i režija: Dubravko Kastrapeli \niznos financiranja: 55.000,00 € \ntrajanje: 6’ \ntehnika: kombinacija pozadina nacrtanih na papiru i 2D digitalno animiranih likova \nNonić je kratki animirani obiteljski film. \nPriča prati odnos malog dječaka i njegovog djeda koji nažalost umire, ali dječak  \npronalazi način da djed još uvijek “živi”.  \nOno što smatram glavnim adutom ovog filma je vizualni stil redatelja koji je inače  \nprofesionalni ilustrator.  \nFilm je crno bijeli, pozadine bi bile nacrtane klasično, olovkom na papiru, a likovi se \nanimiraju digitalno, s brushem koji je sličan olovci i grafitu, frame by frame. \nPotez olovkom i debljim grafitom je vidljiv u svakoj sličici filma, koje kontrolirano \ntrepere, što će rezultirati vrlo organskom i bogatom slikom. \n \n \n \n\n\f\n \n3. \nnaziv projekta: Priredba \nprodukcija: Umjetnička organizacija Anima \nscenarij i režija: Ana Horvat \niznos financiranja: 35.000,00 € \ntrajanje: 5’ \ntehnika: 2D, crtež na digitalnom tabletu \nPriredba je kratki animirani film inspiriran stvarnim događajem.   \nNa jednoj školskoj priredbi djevojčica (redateljica filma) primjećuje neobično kretanje \nruke čovjeka u kaputu koji prati priredbu.   \nNevino i naivno, djevojčica zamišlja što se događa ispod kaputa.   \nTehnika filma je 2D digitalna animacija, a vizual imitira dječji crtež.  \nSmatram da su dječji crteži vrlo kreativni i likovno zanimljivi i upravo će ta \nnesputanost, a naizgled i infantilnost, pridonijeti cjelokupnom dojmu filma.  \nDječji um baš kao i dječji crtež, iskren je i ne vidi zlo što povećava kontrast između \nvizuala priče i spomenute situacije s priredbe.  \n \n4.  \nnaziv projekta: Saki torek i petek \nprodukcija: Jaka produkcija d.o.o. \nscenarij i režija: Dora Pejić Bach \niznos financiranja: 65.000,00 € \ntrajanje:12’ \ntehnika: kombinirana 2D animacija i stop motion \nIznimno zanimljivih i likovno bogatih vizuala, Saki torek i petek je zbir kratkih priča \npovezanih u jednu, inspiriranu hrvatskim folkornim pričama o coprnicama. Autorica je \njoš kao djevojčica zapisivala priče o vješticama koje joj je pričala baka. Kasnije \nprelazi na format snimanja te razgovara s još ljudi, a njihove priče, zajedno s \npričama njene bake, prenosi u monolog lika, fiktivne žene Zorje koja živi u selu i zna \nsve o coprnicama. Redateljica se također kritički osvrće na mizogina vjerovanja doba \nu kojem su priče nastale. U feminističkom tonu želi vratiti snagu pričama o \nvješticama i sačuvati narodnu predaju područja Samobora i okolnih sela. \n \n5.  \nnaziv projekta: Žohar \nprodukcija: Slice of Life Films d.o.o. \nscenarij: Stipan Tadić \nrežija: Luka Hrgović, Dino Julius \niznos financiranja: 45.000,00 € \n\n\f\ntrajanje: 10’ \ntehnika: 2D animacija \nŽohar je kratkometražni animirani projekt  Luke Hrgovića i Dine Juliusa u kojem \nsurađuju s našim priznatim slikarom, ilustratorom, strip crtačem i muralistom,  \nStipanom Tadićem koji ovaj puta djeluje u funkciji scenarista i ilustratora tj. autora \nvizuala.  \nGlavna tema filma je emigracija i postepeni gubitak identiteta u stranom društvu, a \nfilm već samo svojim vizualnim stilom intrigira i poziva na gledanje.  \nRedatelji su sa svojim kratkometražnim znanstveno fantastičnim filmom Slice of life \nosvojili  brojne nagrade na festivalima diljem svijeta, a njihov najnoviji film \nSplashback otkupljen je od strane HBO-a te kreće na turneju međunarodnim \nfestivalima.  \nFilm će se raditi tehnikom 2D animacije.  \n \n6.  \nnaziv projekta: Gladno srce \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Nikolina Žabčić \niznos financiranja: 32.000,00 € \ntrajanje: 6’ \ntehnika: 2D digitalna i klasična animacija \nGladno srce je kratki debitantski animirani film redateljice Nikoline Žabčić koji \ntematizira problem poremećaja u prehrani.  \nFilm prati glavnog lika, mladu djevojku Cenu, koja se izlaže raznim ogledalima te se \npokušava oduprijeti svom odrazu u ogledalu, odrazu koji nije realna slika nje, već \nprodukt njene nesigurnosti.  \nFilm je kombinacija 2D digitalne i klasične animacije u kombinaciji s kolažiranim \nteksturama vodenih boja i fotografijama.  \nU filmu važnu ulogu imaju i boje koje naglašavaju stanje lika, npr. lik Cene je u \nkoloru, a njen odraz u ogledalu crn.  \nNikolina Žabčić mlada je animatorica i ilustratorica čije radove sve češće vidimo po \ndruštvenim mrežama; od ilustracija za naslovnice knjiga, dizajna plakata, ilustracija \nslikovnica do radova koji imaju humanitarni karakter.   \nKombinacijom Nikolininog  prepoznatljivog vizuala, teme koju obrađuje i načina na \nkoji obrađuje temu, autorica bi mogla realizirati svoj najkompleksniji rad do sada, film \nGladno srce.  \n \n \n \n \n\n\f\n7.  \nnaziv projekta: Čovjek stablo \nprodukcija: Ustanova Zagreb film \nscenarij i režija: Slobodan Tomić \niznos financiranja: 45.000,00 € \ntrajanje: 11’ \ntehnika: 2D animacija \nNa tragu prethodnih Tomićevih filmova, Čovjek stablo nastavlja niz baveći se \ntematikom o propasti civilizacije. Film s elementima distopije, horora i groteske \nsavršeno se stapa s autorovim snažnim likovnim izričajem.  \nMračan početak filma prekida se buđenjem ljudi koji žive u ništa manje mračnom \nsvijetu, svi su sanjali  isti san koji je ustvari, vizija. I u ovom filmu boja igra važnu \nulogu, monokromija se postupno pretvara u paletu intenzivnih boja što navješćuje \npozitivan ishod; ljudsku civilizaciju je moguće spasiti od samouništenja. \n \n \n \n \n \n  \n  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_distribucija_2_rok2022_za%20objavu.pdf","filename_decoded":"JP_distribucija_2_rok2022_za%20objavu.pdf","sha256":"ef9ab5670fb8bf4ad6ebe795b02a4fc3d9f8fe501b7959fcaa97bd3d96a4b80b","bytes":141621,"page_count":2,"extracted_at":"2026-05-16T15:36:34Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_distribucija_2_rok2022_za%20objavu.pdf"},"raw_text":" \n1) DISTRIBUCIJA dugometražnog igranog filma „Baci se na pod” – 85.000 kn  \nPosljednjih pola sata raspada jednog braka. Kroz perspektive žene, muža i njihovog šestogodišnjeg \ndjeteta, gdje je stvarnost isprepletena s lutkarskom igrom, saznajemo njihove vlastite istine o istom \ndogađaju postajući sve manje sigurni u svoje inicijalne prosudbe o tim likovima. \nGlavni izazov u kino distribuciji filma bit će motivirati publiku da intimnu dramu o raspadu jedne obitelji \npogleda na velikom ekranu. Film ima ograničen komercijalni potencijal, ali atraktivnu glumačku \npostavu, jasno pozicioniranje i svi su segmenti distribucije odlično isplanirani, što bi filmu trebalo \nomogućiti da svoj potencijal i ostvari. Prijava je napisana iznimno kvalitetno u svim elementima, \nprijavitelj je pomno analizirao prednosti i ograničenja filma, prilike za njegovu kvalitetnu promidžbu te \nidentificirao segmente ciljne publike i način na koji doći do svakog pojedinog segmenta. \n2) DISTRIBUCIJA dugometražnog igranog filma „Divljaci” – 95.000 kn  \nLjeto 2018. godine, Svjetsko nogometno prvenstvo - u susret finalu u Moskvi, u hrvatskim gradovima \nvlada opće „ludilo“ koje ponese i Zolju, Jasmina i Malog. Žele nabaviti ulaznice za utakmicu i otputovati \nu Rusiju. Kako nemaju novca, odluče opljačkati seosku benzinsku postaju, no pljačka pođe po krivu pa \nkroz šumu pobjegnu u susjednu BiH, od kud planiraju nastaviti put za Moskvu. Sve dok ne zalutaju u \nkamp za obuku islamističkih terorista, koji skriveni u dubini šume planiraju veliku operaciju. \nPoveznica uz euforiju koja je vladala tokom svjetskog prvenstva u nogometu, kao i činjenica da je riječ \no akcijskoj komediji atributi su zbog kojih film ima mogućnost ostvariti dobar rezultat u distribuciji. \nPohvalan je pokušaj drugačijeg pristupa da se uspjeh plasmana filma u inozemstvu iskoristi u \npromotivne svrhe na domaćem teritoriju. \n3) DISTRIBUCIJA dugometražnog igranog filma „Nije loše biti čovjek” – 35.000 kn  \nPriča prati profesora klavira Milana pet godina nakon što je njegov kum, nekadašnja pop zvijezda \nRanko Beli, nestao pod nerazjašnjenim okolnostima. Milan odluči riješiti misterij i konačno saznati što \nse zapravo dogodilo s Belim. Ne nalazeći na podršku i razumijevanje obitelji i okoline, Milan razvija \nprijateljski odnos sa psom lutalicom. \nFilm na domicilnom teritoriju nije ostvario značajan uspjeh, no za očekivati je da će interes za film \npotaknuti činjenica da je riječ o komediji s glumačkom postavom koja je poznata i domaćoj publici i \nautora čiji filmovi uživaju kultni status. Distribucija je pripremljena vrlo kvalitetno. Ograničavajući \nfaktor u realizaciji punog potencijala je što, prema planu, film neće biti prikazivan u najvećem kino \nprikazivačkom lancu na domaćem tržištu. \n4) DISTRIBUCIJA dugometražnog igranog filma „Nosila je rubac črleni” – 135.000 kn  \nSveznajući Isus Krist, prefrigana kuma Anka i brbljava svinja Beba u romantičnoj komediji s puno \npjevanja u pitomom Hrvatskom zagorju ratnih devedesetih. Od oružja prisutni su tek lovačka puška i \nplastični pištolj. Sitnim vezom slatko-gorkih zapleta dominiraju drama prve svinjske ljubavi u trenutku \nzračne uzbune te kvar frizerske haube na pola frizure. Svadba, prošćenje, prpošni napjevi, dezerteri, \nMajka Božja, sir, vrhnje i happy end su uključeni! \nOva komedija za široku publiku ima potencijal ostvariti značajan rezultat u kino distribuciji, pogotovo \nu sjeverozapadnoj Hrvatskoj. Glavni izazov će biti doprijeti do široke publike u drugim regijama, a \ndobra gledanost u tom dijelu Hrvatske mogla bi generirati pozitivnu usmenu predaju za ostatak tržišta. \n\n\f\nDistribucija je kvalitetno osmišljena – prijavitelj je dobro definirao pozicioniranje i analizirao prednosti \ni mane filma identificirao segmente ciljne publike te kanale kojima planira doprijeti do njih \n5) DISTRIBUCIJA dugometražnog dokumentarnog filma „Tvornice radnicima” – 27.000 kn  \nPriča filma prati radnike koji se deset godina nakon što su preuzeli tvornicu ITAS u Ivancu bore se za \nopstanak u kapitalističkoj ekonomiji. Portret je to zajednice koja udružuje snage kako bi zaštitila svoj \nrad i spremna je podnijeti žrtvu na putu prema cilju. Prateći situaciju iznutra, redatelj Srđan Kovačević \nulazi u kovitlajući otpor, postavljajući u središte radnje dilemu današnjeg radništva: može li ideja \n'tvornice radnicama' opstati ili je to još jedan utopijski san? \nFilm ima ograničen komercijalni potencijal, no nagrade koje je osvojio, kao i tema koju obrađuje \nosigurat će mu interes publike koju zanima kvalitetan dokumentarni film. Distribucija je kvalitetno \nosmišljena i predviđa učinkovitu promociju u skladu s raspoloživim sredstvima. \n6) DISTRIBUCIJA dugometražnog dokumentarnog filma „Žica” – 18.000 kn  \nBožanstveno Pokuplje oduvijek je imalo dvosmislen značaj te se nehotično nalazilo kao poprište \npolitičkog sukoba, i u prošlosti i danas. U doba Jugoslavije, granica nije razdvajala Sloveniju i Hrvatsku. \nDanas ih Europska unija i spaja i razdvaja. I Hrvatska i Slovenija članice su EU, no Slovenija je dio \nSchengena, stoga je odlučila podići željeznu ogradu uz obale rijeke Kupe kako bi spriječila izbjeglice i \nmigrante da ilegalno ulaze u Uniju. Svakoga dana , rijeka, koja simbolizira tijek života, sve je \nodsječenija. Podizanje ograda, žilet-žice i stroge granične kontrole ne cjepkaju samo krajolik, nego i \nzajednice koje žive na području rijeke Kupe. Nova je željezna ograda Hrvatsku i Sloveniju učinila \nneželjenom tampon zonom za priljev izbjeglica koji balkanskom rutom pokušavaju doći do Europe. \nSurov i prekrasan kanjon rijeke postao je borilište gdje migranti i izbjeglice na putu u Europu \npokušavaju probuditi duhove prošlosti i rasvijetliti različita lica ljudske prirode koja se raskrinkavaju u \nvrijeme krize. Podijeljeni ogradom i dolaskom stranaca, mjesno stanovništvo mora se naučiti nositi s \novom novom situacijom kako bi opstalo. \nIako mu je komercijalni potencijal kino distribucije ograničen, film aktualnu i kompleksnu temu \nobrađuje na zanimljiv način, pružajući uvid u perspektivu različitih sudionika ovog problema, što će \nsigurno zainteresirati dio domaće publike koji voli kvalitetan ozbiljan film. Distribucija je dobro \npripremljena, od planiranih promotivnih materijala i komunikacijskih kanala do samog plana \npromocije. \n \n \n","warnings":[],"document":{"program_type":"distribucija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE DISTRIBUCIJE FILMOVA u 2022. - 2. ROK","year":2022,"rok":"2. rok","natjecaj_date":null,"decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","KATEGORIJA","IZNOS"],"rows":[{"row_number":1,"project_title":"Baci se na pod","applicant":null,"production_company":null,"director":"Nina Violić","writer":null,"original_author":null,"category":"Dugometražni igrani film","approved_amount_text":"85.000 kn","approved_amount":85000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":"dugometražni igrani film","to":"Dugometražni","reason":"category_from_existing_row_value","confidence":"high"},{"field":"category","from":"Dugometražni","to":"Dugometražni igrani 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SCENARIJA 2019.\n- 1. rok 19VI2019\nANIMIRANI\nR.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nBesmrtnik\nRenato Grgić, Kristijan \nPetrović\nNarrativium design d.o.o.\nRenato Grgić, Kristijan \nPetrović\n25.000,00\n2\nTrag\nMartina Globočnik, \nTomislav Beštak\n25.000,00\nUKUPNO\n50.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2019. - 1. ROK - 19.6.2019.\nanimirani film\n16. sjednica Hrvatskog audiovizualnog vijeća u 2. sazivu, 9. listopada 2019.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ SCENARIJA u 2019. - 1. 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50.000,00","ukupno":50000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":50000.0,"ukupno_match":true,"row_count":2,"awarded_count":2,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":2}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"web odobreno Javni poziv za poticanje komplementarnih djelatnosti u 2020.pdf","filename_decoded":"web odobreno Javni poziv za poticanje komplementarnih djelatnosti u 2020.pdf","sha256":"efdb72089680b0b3ff3b6ccec1f8edeb062b99d9708f4c32fd97b1ed4c57617e","bytes":118879,"page_count":18,"extracted_at":"2026-05-17T10:23:25Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20odobreno%20Javni%20poziv%20za%20poticanje%20komplementarnih%20djelatnosti%20u%202020.pdf"},"raw_text":"Naziv  predlagatelja\nNaziv  programa\nOdobrena  \nsredstva\n1\nAlternator,  udruga  za  promicanje  \nstvaralaštva  i  jednakih  mogućnosti\n12.  Festival  prava  djece  2020.  –  Prilagodba  filmova  za  \nosobe  s  oštećenjem  sluha  i  vida\n20.000,00\n2\nAlternator,  udruga  za  promicanje  \nstvaralaštva  i  jednakih  mogućnosti\nRazgovor  počinje  filmom\n20.000,00\n3\nApoteka  -­  Prostor  za  suvremenu  umjetnost\nCinemaniac  Misliti  film  2020\n15.000,00\n4\nArt-­kino\nGodišnji  program  Art-­kina  za  2020.  godinu\n330.000,00\n5\nArt-­kino\nŠkola  u  kinu  za  2020.  godinu  \n30.000,00\n6\nASIFA  Hrvatske\nVečeri  animacije  2020\n10.000,00\n7\nAutonomni  kulturni  centar\nFilmski  studio  Medika:  program  za  2020.\n20.000,00\n8\nAutorski  studio-­fotografija,  film,  video\nProgram  specijalističkih  radionica  \"Ono  k'o  Zoran  \nTadić\"\n10.000,00\nFilm  za  vrtiće  i  osnovne  škole,\nKino  za  mlade  i\nRedovna  -­  godišnja  kinotečna  djelatnost  Centra  za  \nkulturu  Čakovec\n10\nCentar  za  kulturu  i  cjeloživotno  \nobrazovanje  Zlatna  vrata\nDisneyevi  klasici\n10.000,00\n11\nCentar  za  kulturu  i  cjeloživotno  \nobrazovanje  Zlatna  vrata\nStogodišnjice\n50.000,00\n12\nCentar  za  kulturu  i  film  Augusta  Cesarca\nKino  Kinoteka  i  Ljetna  pozornica  Tuškanac  -­  redovna  \nfilmska  i  audiovizualna  djelatost  CKF  A.  Cesarca  \n40.000,00\n13\nCentar  za  kulturu  Trešnjevka\nFilmska  i  video  radionica  \"Snimi  svoj  film  -­  postani  \nHitchcock\"\n5.000,00\nJavni  poziv  za  dodjelu  sredstava  za  poticanje  komplementarnih  djelatnosti  u  \n2020.  godini  -­  popis  odobrenih  projekata\n20.  sjednica  Hrvatskog  audiovizualnog  vijeća  17.1.  2020.\ndjelatnosti  razvijanja  audiovizualne  kulture\n35.000,00\nCentar  za  kulturu  Čakovec\n9\n\n\f\n14\nCentar  za  ženske  studije\nCiklus  angažiranog  filma  -­  feminizam  na  platnu\n10.000,00\n15\nČetiri  film  d.o.o.\nPitcher  Perfect  II\n20.000,00\n16\nDalmatia  Film  Festival\nMala  škola  filma\n10.000,00\n17\nDiscovery  d.o.o.\n14.  Vukovar  Film  Festival  -­  Festivalska  radionica  \"Od  \nideje  do  realizacije\"\n10.000,00\n18\nDiscovery  d.o.o.\n14.  Vukovar  Film  Festival  -­  Radionica  jednominutnog  \nfilma  u  jednom  kadru\n5.000,00\n19\nDom  kulture  Kristalna  kocka  vedrine\nKINO  POINT  II\n10.000,00\n20\nDom  mladih\nEdukativne  radionice  audiovizualnog  stvaralaštva  za  \nučenike  i  mentore  iz  OŠ  Grada  Rijeke  i  riječkog  \nprstena  „VIDEO-­  FILMSKA  SVAŠTARNICA“\n7.000,00\n21\nEdukacijsko-­kreativna  udruga  Vita\nDuboko  prirodno  IV\n7.000,00\n22\nFestival  mediteranskog  filma  Split\nKino  Mediteran\n75.000,00\n23\nFestival  mediteranskog  filma  Split\nNezavisni  na  Bačvicama!\n15.000,00\n24\nFilmski  centar  mladih  Šibenik\nFilmske  radionice  za  djecu  i  mlade  u  Šibeniku\n15.000,00\n25\nFilmsko-­kreativni  studio  Vanima\n16.  Ljetne  filmske  radionice\n10.000,00\n26\nFoto  kino  video  klub  Zaprešić\nZimske  i  ljetne  filmske  radionice  2020.\n15.000,00\n27\nFoto-­kino  klub  Baranja  film\n(14.)  DOKfilm  '20.  -­  REVIJA  DOKUMENTARNIH  \nFILMOVA\n5.000,00\n28\nFoto-­kino  klub  Baranja  film\n12.  MIKRO-­ŠKOLA  MEDIJSKE  KULTURE,  2020.\n2.500,00\n29\nFoto-­kino  klub  Baranja  film\nFILMSKI  PROGRAMI  U  MIKRO-­KINU  -­  2020.\n15.000,00\n30\nGFR  film-­video\nArt  kino\n12.000,00\n\n\f\n31\nGOKUL  -­  Građanska  organizacija  za  \nkulturu\nGreen  Room  Cinema  2020.\n18.000,00\n32\nHrvatska  udruga  filmskih  snimatelja\nSnimateljska  filmska  estetika  -­  retrospektiva  filmova  \nFrane  Vodopiveca\n5.000,00\n33\nHrvatski  centar  za  istraživačko  novinarstvo  \ni  slobodu  medija  -­  HRCIN\nRadionice  za  dokumentarne  filmove  istraživačkog  \nnovinarstva\n20.000,00\n34\nHrvatski  filmski  savez  -­  HFS\n15.  MEĐUNARODNI  SUMMIT  MEDIJA  ZA  MLADE\n30.000,00\n35\nHrvatski  filmski  savez  -­  HFS\nČetrnaesti  susret  Dječje  filmsko  i  videostvaralaštvo  u  \nfunkciji  javnoga  zdravstva  i  deseti  Dječji  filmski  kamp\n10.000,00\n36\nHrvatski  filmski  savez  -­  HFS\nFILMSKE  RADIONICE  ZA  DJECU  I  MLADEŽ  U  \nKRALJEVICI\n20.000,00\n37\nHrvatski  filmski  savez  -­  HFS\nFilmski  programi  kina  Tuškanac  2020.  \n390.000,00\n38\nHrvatski  filmski  savez  -­  HFS\nKINO  PROGRAM  MALA  DVORANE\n10.000,00\n39\nHrvatski  filmski  savez  -­  HFS\nKratki  utorak  2020\n50.000,00\n40\nHrvatski  filmski  savez  -­  HFS\nMLADI  MLADIMA  -­  poticanje  razvoja  filmskih  družina  u  \nnovim  sredinama\n10.000,00\n41\nHrvatski  filmski  savez  -­  HFS\nOBRAZOVNI  PROGRAMI  U  KINU  TUŠKANAC  ZA  \nDJECU  I  MLADE\n10.000,00\n42\nHrvatski  filmski  savez  -­  HFS\nSENZORNE  PROJEKCIJE  u  kinu  Tuškanac,  Zagreb,  \nkinu  Gaj,  Varaždin,  kinu  Velebit,  Koprivnica  i  kinu  \nBjelovar\n15.000,00\n43\nHrvatsko  društvo  filmskih  kritičara\nFilmske  tribine  u  Art-­kinu  Croatia\n9.000,00\n44\nIzvan  fokusa  -­  Udruga  za  medijsko  \nstvaralaštvo  i  kulturne  aktivnosti\nAttachment:  film  kao  prilog  2020.\n5.000,00\n45\nJavna  ustanova  Pula  film  festival\nFilmovi  za  sva  vremena\n10.000,00\n46\nJavna  ustanova  Pula  film  festival\nFUŠ  -­  Film  u  školi\n20.000,00\n47\nJavna  ustanova  Pula  film  festival\nMatineje  za  umirovljenike\n8.200,00\n\n\f\n48\nJavna  ustanova  u  kulturi  Kinematografi  \nDubrovnik\nProgram  art  kina  Slavica  /  Visia  u  2020.  godini\n30.000,00\n49\nJavna  ustanova  u  kulturi  Tvrđava  kulture  \nŠibenik\nKinoprikazivačka  djelatnost  Tvrđave  kulture  Šibenik\n12.000,00\n50\nKinematografi  Osijek  d.d.\n108  godina  kina  Urania\n100.000,00\n51\nKino  klub  Sisak\nKorak  do  Filma\n10.000,00\n52\nKino  klub  Sisak\nPlanet  film\n10.000,00\n53\nKino  klub  Sisak\nStar  Gardens\n5.000,00\n54\nKino  klub  Split\nRadionica  filmske  kritike\n10.000,00\n55\nKinoklub  Karlovac\nFilmski  Uskrs  i  Vaskrs  2020.\n10.000,00\n56\nKinoklub  Karlovac\nRiječno  kino  2020.\n15.000,00\n57\nKinoklub  Zagreb\nRadionice  Kinokluba  Zagreb  u  2020.  godini\n80.000,00\n58\nKinoklub  Zagreb\nSvi  su  nam  gradovi  jednaki  2020.:  međunarodna  \nrezidencijalna  filmska  radionica\n15.000,00\n59\nKolektiv  za  razvoj,  istraživanje  i  \npropitivanje  queer  kulture  -­  \nqueerANarchive\nqRADIONICE\n10.000,00\n60\nKulturni  i  multimedijski  centar  Bjelovar\nKino  za  sve  -­  poseban  program  KMC-­a  u  2020.\n25.000,00\n61\nKulturno  prosvjetno  društvo  \"Sloga\"  \nPakrac\nFILMOLJUPCI\n20.000,00\n62\nLuma  film  d.o.o.\nŠkola  animacije  za  djecu\n10.000,00\n63\nMultimedijalni  centar  Studio  kreativnih  \nideja  Gunja  -­  MMC  SKIG\n11.  ljetna  škola  filma  Gunja  i  edukacija  članova\n25.000,00\n64\nMuzej  suvremene  umjetnosti\nKino  umjetnika    serija  projekcija  i  razgovora\n15.000,00\n65\nMuzej  suvremene  umjetnosti\nZagreb  film  u  dvorani  Gorgona\n15.000,00\n\n\f\n66\nOne  Take  Film  Festival\nRADIONIČKI  PROGRAMI  ONE  TAKE  FILM  \nFESTIVALA\n8.000,00\n67\nOtompotom\nANIMATION  SHOTS  2020\n20.000,00\n68\nOtompotom\nANIMIRANI  ŠIBENIK  2020\n8.000,00\n69\nOtompotom\nPLANKTOON  2020\n10.000,00\n70\nPlatforma  za  unapređenje  kulture  -­  \nPUNKT\nGn2p  video  radionice\n15.000,00\n71\nProstor  rodne  i  medijske  kulture  K-­zona\nFilmska  škola  \"Žene  s  videokamerama\"\n15.000,00\n72\nProstor  rodne  i  medijske  kulture  K-­zona\nZreli  za  umjetnost  -­  filmska  škola  za  seniore\n5.000,00\n73\nPučko  otvoreno  učilište  -­  Universita  \npopolare  aperta  Vodnjan  -­  Dignano  \nArt  kino  \"Cineast\"\n10.000,00\n74\nPučko  otvoreno  učilište  \"Augustin  Vivoda\"  \nBuzet\nKino  Buzet  2020\n10.000,00\n75\nPučko  otvoreno  učilište  Daruvar\nKinoprikazivačka  djelatnost  kina  \"30.  svibnja\"  Daruvar  -­  \npermanentno  prikazivanje  filmova  i  revija  hrvatskog,  \neuropskog  i  internacionalnog  kino-­repertoara  u  2020.\n30.000,00\n76\nPučko  otvoreno  učilište  Koprivnica\nPOPULARIZACIJA  EUROPSKOG  I  NEAMERIČKOG  \nFILMA  I  PROMOCIJA  MEDIJSKE  PISMENOSTI\n20.000,00\n77\nPučko  otvoreno  učilište  Kutina\nProgram  za  škole  i  kino  -­  ŠiK\n10.000,00\n78\nPučko  otvoreno  učilište  Matija  Antun  \nRelković\nKINO  DJELATNOST  POUMAR  ZA  2020.\n12.000,00\n79\nPučko  otvoreno  učilište  Poreč\nKultni  Ponedjeljak\n7.000,00\nKino  Samobor:  Program  kina  za  2020.  i\nKino  Samobor:  Škola  u  kinu\n81\nPučko  otvoreno  učilište  Slatina\n100  godina  filma  u  Slatini\n14.000,00\n55.000,00\n80\nPučko  otvoreno  učilište  Samobor\n\n\f\nKINO  PAZIN  U  GOSTIMA  2020.  i\nLJETNO  KINO  2020.\n83\nPučko  otvoreno  učilište  Varaždin\nProgram  kina  Gaj\n45.000,00\n84\nPučko  otvoreno  učilište  Velika  Gorica\nCjelogodišnji  program  Kina  Gorica\n20.000,00\n85\nPulska  filmska  tvornica\n10.  Škola  animiranog  filma  -­  Pula\n15.000,00\n86\nPulska  filmska  tvornica\n16.  Škola  filma\n15.000,00\n87\nPulska  filmska  tvornica\nAutor  u  gostima\n7.000,00\nKino  Lič  -­  Redovna  kinoprikazivačka  djelatnost,\nKino  Mrkopalj  -­  Redovna  kinoprikazivačka  djelatnost,\nKino  Ozalj  -­  Redovna  kinoprikazivačka  djelatnost  i\nKino  Vrbovsko  -­  Redovna  kinoprikazivačka  djelatnost\n89\nRestart\nDemokracija  za  početnike  u  2020.  godini  \n12.000,00\n90\nRestart\nDokukino  program  u  2020.  godini  \n70.000,00\n91\nRestart\nFilmska  početnica  u  2020.  godini  -­  predškolski  i  \nosnovnoškolski  program\n18.000,00\n92\nRestart\nFilmsko  popodne  -­  arhivi  i  sjećanja  u  2020.  godini\n8.000,00\n93\nRestart\nŠkola  dokumentarnog  filma  u  2020.  godini\n55.000,00\n94\nŠkola  animiranog  filma  Čakovec\n27.  Internacionalna  filmska  radionica  (27.  IFR)\n18.000,00\n95\nŠkola  filma  Šipan\n17.  Ljetna  škola  filma  Šipan  2020\n15.000,00\n96\nTeatar  to  go,  U.O.\nGodišnji  program  Filmska  RUNDA  2020.\n15.000,00\n97\nUdruga  Bacači  sjenki\nFROOOM!  2020  INTERDISCIPLINARNI  FILMSKI  \nPROGRAM  MEDIJSKOG,  FILMSKOG  I  \nINFORMATIČKOG  OPISMENJAVANJA  DJECE  I  \nMLADIH\n60.000,00\n98\nUdruga  Bacači  sjenki\nSamo  nebo  nam  je  granica\n10.000,00\nFilmska  škola  i\nFilmske  radionice\n100\nUdruga  Djeca  susreću  umjetnost\nANIMACIJSKI  LAB  SEDMI  KONTINENT  -­  Program  \nstop  animacije  za  najmlađe,  njihove  odgajatelje  i  \nroditelje\n7.000,00\nPučko  otvoreno  učilište  u  Pazinu\nRadar  d.o.o.\nUdruga  Blank\n82\n88\n99\n12.000,00\n40.000,00\n60.000,00\n\n\f\n101\nUdruga  Djeca  susreću  umjetnost\nPUTUJUĆI  SEDMI  KONTINENT  U  SURADNJI  S  \nNEZAVISNIM  KINIMA  I  MREŽOM  KINOPRIKAZIVAČA\n50.000,00\n102\nUdruga  Djeca  susreću  umjetnost\nSedmi  kontinent  -­  radionice  optičkih  igračaka  za  \nnajmlađe  \n15.000,00\n103\nUdruga  Djeca  susreću  umjetnost\nSedmi  kontinent  u  bolnicama  -­  kvalitetan  dječji  film  i  \nfilmske  kreativne  radionice  te  posebni  gosti  filmaši  za  \ndjecu  u  bolnicama  za  2020.  godinu  \n25.000,00\n104\nUdruga  Domino\nQueer  MoMenti\n30.000,00\n105\nUdruga  Filmaktiv\nFilm  svima  2020.\n7.000,00\n106\nUdruga  Filmaktiv\nNova  škola  dokumentarnog  filma\n12.000,00\n107\nUdruga  Filmaktiv\nOtoci  2020\n14.000,00\n108\nUdruga  Filmaktiv\nPrimijenjeni  video  2020\n7.300,00\n109\nUdruga  Globe  Media\nDyxy  na  filmu  7\n8.000,00\n110\nUdruga  Kaooosss\nŠkola  igranog  filma  2020.\n10.000,00\n111\nUdruga  Lanterna  Magica\nFilmska  radionica  za  mlade  PSFF-­a\n5.000,00\n112\nUdruga  Liburnia  film  festival\nGLEDAMO  DOKUMENTARCE,  PRAVIMO  \nDOKUMENTARCE!    edukacijski  program  Liburnia  \nFilm  Festivala  2020.\n15.000,00\n113\nUdruga  Liburnia  film  festival\nLiburnia  uplovljava  truneja  pobjedničkih  filmova  \nLiburnia  Film  Festivala  2020.\n5.000,00\nRadionica  animiranog  filma  \"Mali  grad  Agram\"  i\nRadionica  igranog  filma  \"Mali  grad  Agram\"\nFilmske  radionice  na  festivalu  dječjeg  stvaralaštva  \n\"Mali  grad  Faros\",  \nFilmske  radionice  na  festivalu  dječjeg  stvaralaštva  \n\"Mali  grad  Jolha\",  \nFilmske  radionice  na  festivalu  dječjeg  stvaralaštva  \n\"Mali  grad  Lisina\",  \nFilmske  radionice  na  festivalu  dječjeg  stvaralaštva  \n\"Mali  grad  Vallum\",  \nFilmske  radionice  na  festivalu  dječjeg  stvaralaštva  \n\"Mali  grad  Verboscam\",  \nRadionica  animiranog  filma  na  radionici  dječjeg  \nstvaralaštva  \"Mali  grad  Faros\",  \nRadionice  animiranog  filma  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Jolha\",  \nRadionice  animiranog  filma  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Lisina\",  \nUdruga  Mali  grad  Faros\n28.000,00\n114\n5.000,00\n115\nUdruga  Mali  grad\n\n\f\nRadionice  animiranog  filma  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Vallum\"  i\nRadionice  animiranog  filma  na  festivalu  dječjeg  \nstvaralaštva  \"Mali  grad  Verboscam\"\n116\nUdruga  Metonimija\nAnimirajmo  zajedno\n6.000,00\n117\nUdruga  Metonimija\nInovativne  filmske  prakse\n6.000,00\n118\nUdruga  Metonimija\nOd  Bonda  do  Vadera  predavanje  Briana  Muira\n10.000,00\n119\nUdruga  Što,  kako  i  za  koga  /  WHW\nBrinući  jedni  za  druge,  radikalne  politike  brižnosti  \nserija  filmskih  i  video  programa  i  razgovora\n28.000,00\n120\nUdruga  Skribonauti\nKino  Sloboda  \n10.000,00\n121\nUdruga  za  audiovizualno  stvaralaštvo  \nArtizana\nDIGITAL  GENERATION  -­  radionica  dokumentarnog  \nfilma  i  novih  tehnologija  \n12.000,00\n122\nUdruga  za  kulturu  i  sport  Pozitivna  sila\nKino  Cirkus\n5.000,00\n123\nUdruga  za  promicanje  kulture  Dokuart  \n13.  Mali  DOKUart  -­  DOKUradionica  i  nacionalni  \nnatječaj  za  najbolji  dokumentarni  film  osnovnoškolaca  \n18.000,00\n124\nUdruga  za  promicanje  kulture  Dokuart  \nFILMODROM  -­  ljetno  kino  Udruge  DOKUart  Bjelovar\n7.500,00\n125\nUdruga  za  promicanje  medijske  kulture  \nLuža\nStudio  animacije\n7.500,00\n126\nUdruga  za  promicanje  medijske  kulture  \nLuža\nFestival  filma  djece  i  mladih  Mediterana  -­  radionički  \nprogram\n5.000,00\n127\nUdruga  ZAG\nFilmska  radionica  za  tinejdžere\n5.000,00\n128\nUdruženje  za  razvoj  kulture  URK\nNove  filmske  večeri  u  Močvari\n35.000,00\n129\nUmjetnička  organizacija  Film-­protufilm\nSerije  za  invizibilno  kino:  13  SIMPOZIJA  ATHENE  \nNOCTUA\n20.000,00\n130\nUmjetnička  organizacija  Film-­protufilm\nRemedijacije:  EKSCENTRIČNE  KINOSINTEZE  U  \nKUĆI  BR.  462  ili  KAMOV  IDE  U  KINO\n15.000,00\n131\nUmjetnička  organizacija  Klubvizija\nKlubvizija:  program  u  2020.  godini\n27.800,00\n132\nUmjetnička  organizacija  Metropolis\nKino  Metropolis\n30.000,00\n133\nUmjetnička  organizacija  Rikšafilm\nAUDIOVIZUALNA  PISMENOST  -­  besplatna  radionica  \nza  djecu  koja  uključuje  i  djecu  s  posebnim  potrebama\n5.000,00\n\n\f\n134\nUmjetnička  organizacija  Rikšafilm\nBESPLATNA  radionica  AUDIOVIZUALNE  \nPISMENOSTI  za  djecu  i  mlade\n5.000,00\n135\nUmjetnička  organizacija  Zagreb  Film  \nFestival\nRadionice  filmske  kritike  za  osobe  starije  životne  dobi\n12.000,00\n136\nUstanova  Zagreb  film\nCIKLUS  PREDAVANJA  I  RADIONICA:  „STOP-­\nANIMACIJA  I  LUTKA  FILM“\n10.000,00\n137\nVideo  klub  Mursa\nRadionica  stop-­trik  animacije  See/Touch/Try  –  2020.\n5.000,00\n138\nZajednica  tehničke  kulture  Grada  \nSlavonskog  Broda\nČetvrta  radionica  animiranog  filma  posvećenog  \nmanifestaciji  Svijet  bajki  Ivane  Brlić-­Mažuranić  \n9.000,00\n139\nZajednica  udruga  Centar  nezavisne  \nkulture\nKino  Zona  Zadar\n15.000,00\n3.191.800,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  \nsredstva\n1\n25  FPS,  Udruga  za  audio-­vizualna  \nistraživanja\nŠesnaesti  Festival  25  FPS\n260.000,00\n2\nAlternator,  udruga  za  promicanje  \nstvaralaštva  i  jednakih  mogućnosti\n12.  Festival  prava  djece  2020.\n45.000,00\n3\nASIFA  Hrvatske\nMEĐUNARODNI  DAN  ANIMACIJE  2020\n15.000,00\n4\nAvantura  d.o.o.\nAvvantura  Film  Festival  2020\n25.000,00\n5\nCentar  za  dramsku  umjetnost  -­  CDU\nUNSEEN  4  -­  ZAUZIMAMO  LJETNO  KINO!\n10.000,00\n6\nCentar  za  kulturu  Čakovec\n8.  Međunarodna  revija  filmova  za  djecu\n12.000,00\n7\nCentar  za  kulturu  Trešnjevka\n14.  PSSST!  Festival  nijemog  filma\n10.000,00\n8\nDigitalna  Avantura  d.o.o.\nReboot  Develop  Blue  2020  -­  međunarodna  \nkonferencija  i  festival  kreatora  video  igara\n50.000,00\n9\nDiscovery  d.o.o.\n14.  VUKOVAR  FILM  FESTIVAL  -­  FESTIVAL  \nPODUNAVSKIH  ZEMALJA\n300.000,00\n10\nDom  kulture  Kristalna  kocka  vedrine\n15.  REVIJA  DOKUMENTARNOG  FILMA  \"FIBULA\"\n5.000,00\n11\nDreaMaker  Productions  d.o.o.\nMeđunarodni  festival  filmske  glazve  i  zvuka  -­  ISFMF\n15.000,00\n12\nEtnografski  muzej  Istre  -­  Museo  \netnografico  dell'  Istria\n12.  ETNOFILm  festival  etnografskog  filma\n19.000,00\n13\nFactum\n16.  ZagrebDox  međunarodni  festival  dokumentarnog  \nfilma\n500.000,00\nUKUPNO\nfilmski  festivali  i  druge  audiovizualne  manifestacije\n\n\f\n14\nFestival  mediteranskog  filma  Split\n13.  Festival  mediteranskog  filma  Split\n200.000,00\n15\nFestival  suvremenog  židovskog  filma  \nZagreb\n14.  Festival  tolerancije  -­  JFF  Zagreb\n100.000,00\n16\nFilmaparat  d.o.o.\n14.  Pašmanske  filmske  večeri\n12.000,00\n17\nFilmsko-­kreativni  studio  Vanima\n11.  VAFI  &  RAFI  -­  internacionalni  festival  animiranog  \nfilma  djece  i  mladih  Varaždin/Rijeka\n50.000,00\n18\nFoto-­kino  klub  Baranja  film\n10.  REVIJA  FILMOVA  PODUNAVSKIH  ZEMALJA,  \n2020.\n10.000,00\n19\nGFR  film-­video\n28.  hrvatski  festival  jednominutnih  filmova\n55.000,00\n20\nGFR  film-­video\nPožeški  filmski  tjedan  2020.\n10.000,00\n21\nGOKUL  -­  Građanska  organizacija  za  \nkulturu\n18.  Tabor  Film  Festival\n70.000,00\n22\nGOKUL  -­  Građanska  organizacija  za  \nkulturu\n9.  Kiki  -­  međunarodni  festival  dječjeg  filma\n20.000,00\n23\nHrvatski  filmski  savez  -­  HFS\n25.  Filmska  revija  mladeži  &  13.  Four  River  Film  \nFestival\n110.000,00\n24\nHrvatski  filmski  savez  -­  HFS\n52.  REVIJA  HRVATSKOG  FILMSKOG  \nSTVARALAŠTVA\n60.000,00\n25\nHrvatski  filmski  savez  -­  HFS\n58.  REVIJA  HRVATSKOG  FILMSKOG  \nSTVARALAŠTVA  DJECE\n80.000,00\n26\nHrvatski  filmski  savez  -­  HFS\nDani  hrvatskog  filma  2020\n190.000,00\n27\nHulahop  d.o.o.\n30.  Svjetski  festival  animiranog  filma  -­  Animafest  \nZagreb  2020\n900.000,00\n4.  HISTORY  FILM  FESTIVAL  i\nINKLUZIVNO  KINO\n29\nJavna  ustanova  u  kulturi  Kinematografi  \nDubrovnik\nDUff  2020.  -­  Mediteranski  festival  djece  i  mladih  -­  9.  \nizdanje  \n20.000,00\n30\nKino  klub  Sisak\nStar  Film  Fest\n30.000,00\n31\nKinoklub  Karlovac\nFilmski  EU  tjedan  2020.\n5.000,00\n32\nKinoklub  Karlovac\nFUSE  -­  Film  Under  Severe  Experiment\n5.000,00\n33\nMeđunarodni  festival  novog  filma\n25.  Splitski  filmski  festival\n200.000,00\n34\nMirage  kreativni  studio\nBetina  Film  Festival  III.\n15.000,00\n35\nMoonstone  Production  d.o.o.\nDalmatia  Film  Festival\n25.000,00\nIstra  film\n28\n28.000,00\n\n\f\n36\nMotovun  film  festival  U.O.\nMotovun  Film  Festival  2020\n520.000,00\n37\nMultimedijalni  institut\nHuman  Rights  Film  Festival\n170.000,00\n38\nMuzej  hrvatskih  arheoloških  spomenika  \nSplit\n6.  MEĐUNARODNI  FESTIVAL  ARHEOLOŠKOG  \nFILMA  (mfaf)\n10.000,00\n39\nNoć  hrvatskog  filma  i  novih  medija,  U.O.\nNoć  hrvatskog  filma  i  novih  medija  2020.\n20.000,00\n40\nOne  Take  Film  Festival\nOne  Take  Film  Festival  -­  organizacija  festivala\n65.000,00\n41\nOtompotom\nSupertoon  -­  Međunarodni  festival  animacije\n65.000,00\n42\nPari  Pikule\nDA2  -­  ZAGREB  DESIGN,  ART  &  ARCHITECTURE  \nFILM  FESTIVAL\n25.000,00\n43\nProstor  rodne  i  medijske  kulture  K-­zona\nVox  Feminae  filmski  festival  2020.\n40.000,00\n44\nPučko  otvoreno  učilište  Poreč\n10.POREČDOX,  međunarodni  festival  \ndokumentarnog  filma\n12.000,00\n45\nPučko  otvoreno  učilište  Sveti  Ivan  Zelina\n7.  Diversions  International  Short  Film  Festival\n22.000,00\n46\nREA  -­  udruga  za  suvremene  umjetničke  i  \narhitektonske  produkcije\nFilms  Like  No  Other,  festival  umjetničkog  filma  u  Bolu  \nna  Braču\n15.000,00\n47\nRobot  22  d.o.o.\n10.  Fantastic  Zagreb  Film  Festival\n55.000,00\n48\nTORO  laboratorij  j.d.o.o.\nRab  Film  Festival  -­  RAFF  2020.\n25.000,00\n49\nUdruga  Bijeli  val\n13.  Subversive  Film  Festival:  Kreativni  neposluh\n130.000,00\n50\nUdruga  Đakovački  rezovi\nManifestacija  Đakovački  rezovi  \n20.000,00\n51\nUdruga  Filmaktiv\nMeđunarodni  studentski  filmski  festival  -­  STIFF  2020.\n25.000,00\n52\nUdruga  Globe  Media\n6.  Brač  Film  Festival\n35.000,00\n53\nUdruga  Lanterna  Magica\n10.  međunarodni  festival  kratkometražnog  filma  \n\"POSTIRA  SEASIDE  FILM  FESTIVAL  2020\"\n18.000,00\n54\nUdruga  Liburnia  film  festival\n18.  Liburnia  Film  Festival\n70.000,00\n55\nUdruga  Trash\n15.  Trash  Film  Festival  -­  međunarodni  festival  \nniskobuđetnih  filmova\n20.000,00\n56\nUdruga  za  promicanje  kulture  Dokuart  \nMeđunarodni  festival  dokumentarnog  filma  15.  \nDOKUart\n80.000,00\n57\nUmjetnička  organizacija  \"Asser  Savus\"\n4.Filmski  festival  glumca\n10.000,00\n\n\f\n58\nUmjetnička  organizacija  Film-­protufilm\nFilmske  mutacije:  XIV.  Festival  nevidljivog  filma  -­  \nOLIMPIZAM  ILI  IMAGINARNI  JAPAN\n90.000,00\n59\nUmjetnička  organizacija  Zagreb  Film  \nFestival\n18.  Zagreb  Film  Festival\n500.000,00\n60\nUmjetnička  organizacija  Zagreb  Film  \nFestival\n5.  KinoKino  -­  Međunarodni  filmski  festival  za  djecu\n35.000,00\n61\nVerbum  d.o.o.\nFilmski  program  manifestacije  \"Dani  kršćanske  \nkulture\"\n8.000,00\n62\nVideo  klub  Mursa\n18.  Gastro  film  fest\n5.000,00\n5.551.000,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  \nsredstva\n1\nAkademija  dramske  umjetnosti\nHrvoje  Turković  -­  Rasprava  o  popratnoj  filmskoj  glazbi  \n(Filmološka  biblioteka  ADU)\n10.000,00\n2\nHangar  7  d.o.o.\nFilmski  žanrovski  klasici  -­  Roger  Luckhurst:  Alien\n10.000,00\n3\nHangar  7  d.o.o.\nInverzija.net,  web  publikacija  za  žanrovski  film,  \nznanstvenu  fantastiku  i  fantastičnu  književnost\n5.000,00\n4\nHangar  7  d.o.o.\nVivian  Sobchack:  Prostori  prikazivanja\n20.000,00\n5\nHrvatski  filmski  savez  -­  HFS\nBill  Nichols:  UVOD  U  DOKUMENTARNI  FILM  \n20.000,00\n6\nHrvatski  filmski  savez  -­  HFS\nDragana  Kružić:  IVAN  LADISLAV  GALETA:  \nUMJETNIČKI  PROTOKOLI  (radni  naslov)  \n15.000,00\n7\nHrvatski  filmski  savez  -­  HFS\nDuško  Popović:  Mali  filmski  razgovori\n5.000,00\n8\nHrvatski  filmski  savez  -­  HFS\nHRVATSKI  FILMSKI  LJETOPIS\n100.000,00\n9\nHrvatski  filmski  savez  -­  HFS\nMonografija  VATROSLAV  MIMICA  \n20.000,00\n10\nHrvatski  filmski  savez  -­  HFS\nTKO  PJEVA  ZLO  NE  MISLI  -­  POLA  STOLJEĆA  \nPOSLIJE\n5.000,00\n11\nKurziv  -­  Platforma  za  pitanja  kulture,  \nmedija  i  društva\nKinemaskop\n30.000,00\n12\nNovi  Gordogan,  Udruga  za  kulturu\nNenad  Polimac:  Život  u  filmu,  2:  Lice  i  naličje  \nkinematografije\n10.000,00\n13\nProstor  rodne  i  medijske  kulture  K-­zona\nRodno  osviještena  filmska  kritika\n15.000,00\nizdavaštvo  u  području  audiovizualnih  djelatnosti\nUKUPNO\n\n\f\n14\nSlobodni  filozofski,  Udruga\nSlijepe  pjege\n7.000,00\n15\nUdruga  Dokumetar\nDokumentarni.net\n20.000,00\n16\nUdruga  Dušan  Vukotić\nIzdavanje  knjige  \"VUKOTIĆ  O  VUDU,  VUD  O  \nVUKOTIĆU\"\n15.000,00\n17\nUdruga  Metamedij\nTko  gleda  zlo  ne  misli  –  filmska  internet  stranica\n5.000,00\n18\nUdruga  za  feminizam  i  kulturu  Muf\nFeminističko  čitanje  popularne  kulture  vol.  2.0\n7.000,00\n19\nUdruga  za  promicanje  filma,  filmske  \nkulture  i  televizijskih  serija  \"Filmofil\"\nFilmski  portal  Goodtalking\n5.000,00\n20\nUmjetnička  organizacija  Metropolis\nFilmovi.hr\n15.000,00\n339.000,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  \nsredstva\n1\n25  FPS,  Udruga  za  audio-­vizualna  \nistraživanja\nProgrami  Udruge  25  FPS  u  2020.\n40.000,00\n2\nAM  centar  audiovizualne  kulture  i  \nmultimedije\nAM  centar  2020.  /  godišnje  aktivnosti\n15.000,00\nFilmske  i  video  radionice  i  tečajevi  u  2020.  i\nRadionica  animiranog  filma  za  djecu  -­  Mala  \nzagrebačka  animacija  (Z-­animacija)\n4\nCentar  za  rad  i  promociju  medijske  kulture  \nLukas\nRedovita  djelatnost,  sudjelovanje  na  revijama  i  \nfestivalima  i  stručna  usavršavanja  članova  udruge\n5.000,00\n5\nDruštvo  hrvatskih  filmskih  redatelja\nProgram  redovite  djelatnosti  za  2020.  godinu\n130.000,00\n6\nFilmsko-­kreativni  studio  Vanima\nProgram  rada  u  2020.  godini\n30.000,00\n7\nFoto  film  video  amateri  Luke\nProgram  rada  FFVAL-­a  za  2020.  godinu\n15.000,00\n8\nFoto  kino  video  klub  Zaprešić\nRedovita  programska  djelatnost  2020.\n25.000,00\n9\nGFR  film-­video\nEdukacija  mladih\n10.000,00\n10\nHrvatska  mreža  neovisnih  kinoprikazivača\nProgrami  i  projekti  Kino  mreže  u  2020.  godini\n120.000,00\n11\nHrvatska  udruga  filmskih  snimatelja\nRedovna  djelatnost  Hrvatske  Udruge  Filmskih  \nSnimatelja\n70.000,00\nUKUPNO\nprogrami  audiovizualnih  udruga  i  organizacija\n30.000,00\nAutorski  studio-­fotografija,  film,  video\n3\n\n\f\n12\nHrvatska  udruga  producenata\nProgram  redovne  djelatnosti  Hrvatske  udruge  \nproducenata  za  2020.  godinu\n130.000,00\n13\nHrvatski  filmski  savez  -­  HFS\nKOORDINACIJSKE  I  POTICAJNE  FUNKCIJE  \nHRVATSKOG  FILMSKOG  ZAVEZA\n90.000,00\n14\nHrvatsko  društvo  filmskih  djelatnika\nRedovna  djelatnost  Hrvatskog  društva  filmskih  \ndjelatnika  \n325.000,00\n15\nHrvatsko  društvo  filmskih  kritičara\nProgram  redovne  djelatnosti  Hrvatskog  društva  \nfilmskih  kritičara\n90.000,00\n16\nHrvatsko  društvo  filmskih  kritičara\nTribina  Psihijatrija  i  film  u  2020.  godini\n10.000,00\n17\nHrvatsko  društvo  nezavisnih  producenata\nProgram  redovnih  aktivnosti  HDNP-­a  za  2020.  g.\n25.000,00\n18\nIzvan  fokusa  -­  Udruga  za  medijsko  \nstvaralaštvo  i  kulturne  aktivnosti\nRedovna  djelatnost  udruge  Izvan  fokusa  za  2020.\n20.000,00\n19\nKino  klub  Split\nEdukativni  program  i  produkcija  Kino  kluba  Split  2020\n70.000,00\n20\nKinoklub  Karlovac\nRedovna  djelatnost  Kinokluba  Karlovac  u  2020.  godini  \n40.000,00\n21\nKinoklub  Zagreb\nRedovite  aktivnosti  Kinokluba  Zagreb  u  2020.  godini\n20.000,00\n22\nPulska  filmska  tvornica\nKlub  Pulske  filmske  tvornice\n30.000,00\n23\nPulska  filmska  tvornica\nProduction  In  -­  2020.  –  Istra  x  4\n12.000,00\n24\nSavez  scenarista  i  pisaca  izvedbenih  djela\nRedovna  djelatnost  SPID-­a  u  2020.  godini\n70.000,00\n25\nŠkola  animiranog  filma  Čakovec\nRedovna  djelatnost  ŠAF-­a  u  2020.g.\n12.000,00\n26\nUdruga  Blank\nRedovita  programska  djelatnost  udruge  Blank  u  2020.\n80.000,00\n27\nUdruga  Djeca  susreću  umjetnost\nRedovite  djelatnosti  Udruge  u  okviru  filmskog  \nprograma  Sedmi  kontinent  2020.  godine\n20.000,00\n28\nUdruga  za  promicanje  medijske  kulture  \nLuža\nGodišnji  program  filmskih  radionica\n10.000,00\n1.544.000,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  \nsredstva\n1\nBonobostudio  d.o.o.\nDistribucija  i  promocija  filmova  u  2020.  godini\n50.000,00\nUKUPNO\nprogrami  promocije  i  prodaje  hrvatskih  audiovizualnih  djela\n\n\f\n2\nRestart\nIzdavaštvo  i  distribucija  hrvatskih  dokumentarnih  \nfilmova  u  regiji\n15.000,00\n3\nRestart\nKineDok  2020.\n40.000,00\n4\nUmjetnička  organizacija  Zagreb  Film  \nFestival\ncroatian.film  -­  Internetska  platforma  za  promociju  \nhrvatskog  kratkometražnog  filma\n30.000,00\n5\nUstanova  Zagreb  film\nFestivalska  distribucija  u  2020\n25.000,00\n160.000,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  \nsredstva\n1\nASIFA  Hrvatske\nANIDOK  2020\n25.000,00\n2\nDiscovery  d.o.o.\n14.  Vukovar  Film  Festival  -­  Dunavska  scenaristička  \nradionica\n6.000,00\n3\nDruštvo  hrvatskih  filmskih  redatelja\nScenaristički  program  \"Branko  Bauer\"  2020.\n20.000,00\n4\nDuart  j.d.o.o.\nActors  Academy  by  Duart\n15.000,00\n5\nFactum\nZagrebDox  Pro  2020.\n80.000,00\n6\nFestival  mediteranskog  filma  Split\nIndustrija  1.0\n20.000,00\n7\nHrvatska  udruga  filmskih  snimatelja\nRadionica  za  asistente  kamere  u  organizaciji  Hrvatske  \nudruge  filmskih  snimatelja\n20.000,00\n8\nHrvatski  filmski  savez  -­  HFS\n22.  Škola  medijske  kulture  dr.  Ante  Peterlić\n240.000,00\n9\nHrvatski  filmski  savez  -­  HFS\nRadionica  kolor  korekcije\n10.000,00\n10\nHrvatski  filmski  savez  -­  HFS\nScenaristička  platforma  Palunko\n50.000,00\n11\nHrvatsko  društvo  filmskih  djelatnika\nMASTERCLASS:  KRUPNI  KADAR\n20.000,00\n12\nHulahop  d.o.o.\nAnimafest  PRO  2020\n15.000,00\n13\nKino  klub  Split\nMala  škola  medijske  kulture  2020\n10.000,00\n14\nKinoklub  Karlovac\nSpecijalizirana  radionica  montaže  za  profesore\n10.000,00\nUKUPNO\nprogrami  stručnog  usavršavanja  i/ili  edukacije\n\n\f\n15\nKinoklub  Zagreb\nFilmska  čitanka:  početnica  iz  umjetničkih  filmskih  \npraksi\n15.000,00\n16\nLittle  Red  Dot\n\"DISTRIBUTE  THIS!  DISTRIBUIRAJ  TO!\"  -­  O  \npromociji  i  distribuciji  dokumentarnog  filma\n10.000,00\n17\nMediji  Sve  O  d.o.o.\nNEM  Zagreb  2020.  \n30.000,00\n18\nMotovun  film  festival  U.O.\nKAMPUS  MOTOVUN  2020\n15.000,00\n19\nRestart\nRestart  Laboratorij  2020.\n60.000,00\n20\nRobot  22  d.o.o.\n6.  Europski  žanrovski  forum\n20.000,00\n21\nSekvenca  d.o.o.\nCircle  -­  Women  Doc  Accelerator  (Modul  2)\n25.000,00\n22\nUdruga  Djeca  susreću  umjetnost\nSedmi  kontinent  -­  stručno  usavršavanje  za  učitelje  i  \nodgojitelje\n10.000,00\n23\nUdruga  Manda  -­  film  i  riječ\nMedijski  izazovi  -­  Škola  za  profesore\n10.000,00\n24\nUdruga  Metonimija\nRadionica  scenarija  s  Razvanom  Radulescuom\n12.000,00\n25\nUdruga  za  sport,  ekologiju,  kulturu,  razvoj  \ncivilnog  društva  i  poduzetništva  \"Tvornica  \nideja  Split\"\nFilmska  Ponistra  2020.\n5.000,00\n26\nUmjetnička  organizacija  Zagreb  Film  \nFestival\nIndustrija  18.  Zagreb  Film  Festivala\n70.000,00\n27\nUstanova  Zagreb  film\n11.  međunarodna  radionica  animiranog  filma  \n30.000,00\n28\nZajednica  tehničke  kulture  Grada  \nSlavonskog  Broda\nSudjelovanje  na  Školi  medijske  kulture  „Dr.  Ante  \nPeterlić\"  \n3.000,00\n856.000,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  \nsredstva\n1\nHulahop  d.o.o.\nMeđunarodni  znanstveni  skup  o  animiranom  filmu  \nAnimafest  Scanner  VII\n20.000,00\n2\nKinoklub  Zagreb\nMonsterclass:  razgovori  s  filmskim  autorima  u  \nKinoklubu  Zagreb\n6.000,00\nproučavanje  i  kritičko  vrednovanje  audiovizualnih  djelatnosti\nUKUPNO\n\n\f\n3\nKreativni  sindikat\nVideoforum\n5.000,00\n4\nKulturno  informativni  centar\nFilm  XX  -­  ženski  filmski  narativi  \n10.000,00\n5\nLokalna  baza  za  osvježavanje  kulture  -­  \nBLOK\nFilmski  program  \"Ulica  pretkinja  2020.\"\n7.000,00\n6\nMultimedijalni  institut\nVizualni  kolegij\n40.000,00\n7\nRestart\nDokukino  KIC  -­  Upoznaj  autora  u  2020.  godini  \n20.000,00\n8\nRestart\nHall  of  Fame  u  2020.  godini  \n10.000,00\n9\nRestart\nMasterclass  -­  svjetski  dokumentaristi  u  Zagrebu  u  \n2020  godini  \n40.000,00\n10\nRestart\nRazmišljaj  filmom  u  2020.  godini\n15.000,00\n11\nSub  pokret\nKINO  KATARINA\n7.000,00\n12\nUdruga  Jučer,  danas,  sutra  -­  platforma  za  \naudiovizualna  istraživanja\nZvuk  hrvatskog  filma:  Zagrebačka  škola  animacije\n30.000,00\n13\nUdruga  za  filmsko  i  scensko  stvaralaštvo  \n\"Odjel  za  vizije  produkcija\"\nMala  škola  filmske  kritike\n3.000,00\n213.000,00\nNaziv  predlagatelja\nNaziv  programa\nOdobrena  \nsredstva\n1\nHrvatski  filmski  savez  -­  HFS\nFilmski  i  video  arhiv  Hrvatskog  filmskog  saveza  u  \n2020.  godini\n125.000,00\n2\nKino  klub  Split\nMedijski  Arhiv  2020\n20.000,00\n145.000,00\nzaštita  audiovizualne  baštine  uključujući  kinotečnu  djelatnost\nUKUPNO\nUKUPNO\n\n\f\nBROJ  ODOBRENIH  PROGRAMA\nODOBRENA  \nSREDSTVA\n139\n3.191.800,00\n62\n5.551.000,00\n20\n339.000,00\n28\n1.544.000,00\n5\n160.000,00\n28\n856.000,00\n13\n213.000,00\n2\n145.000,00\n297\n11.999.800,00\nprogrami  promocije  i  prodaje  hrvatskih  \naudiovizualnih  djela\nzaštita  audiovizualne  baštine  uključujući  \nkinotečnu  djelatnost\ndjelatnosti  razvijanja  audiovizualne  kulture\nproučavanje  i  kritičko  vrednovanje  \naudiovizualnih  djelatnosti\nizdavaštvo  u  području  audiovizualnih  \ndjelatnosti\nSVEUKUPNO\nPROGRAMSKA  DJELATNOST\nprogrami  audiovizualnih  udruga  i  organizacija\nprogrami  stručnog  usavršavanja  i/ili  edukacije\nfilmski  festivali  i  druge  audiovizualne  \nmanifestacije\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"web odobreno Javni poziv za poticanje komplementarnih djelatnosti u 2020","year":2020,"rok":null,"natjecaj_date":"2020-01-17","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:05:49Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"Javni p oziv z a d odjelu s redstava z a p oticanje k omplementarnih d jelatnosti u 2020. g odini - p opis o dobrenih p rojekata","section_key":"javni_p_oziv_z_a_d_odjelu_s_redstava_z_a_p_oticanje_k_omplem","columns":["Naziv p redlagatelja","Naziv p rograma","Odobrena sredstva"],"rows":[{"row_number":1,"project_title":"12. Festival prava djece 2020. – Prilagodba filmova za osobe s oštećenjem sluha i vida","applicant":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"1","Naziv p rograma":"12. F estival p rava d jece 2 020. – P rilagodba f ilmova z a osobe s o štećenjem s luha i v ida","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s0:d3e51507a1e2","curation":{"changes":[{"field":"applicant","from":null,"to":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","to":"12. F estival p rava d jece 2 020. – P rilagodba f ilmova z a osobe s o štećenjem s luha i v ida","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"12. F estival p rava d jece 2 020. – P rilagodba f ilmova z a osobe s o štećenjem s luha i v ida","to":"12. Festival prava djece 2020. – Prilagodba filmova za osobe s oštećenjem sluha i vida","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"12. Festival prava djece 2020. – Prilagodba filmova za osobe s oštećenjem sluha i vida","to":"12. F estival p rava d jece 2 020. – P rilagodba f ilmova z a osobe s o štećenjem s luha i v ida","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 1 of approved projects list, section 0. Source confirms: 20.000,00 HRK award to Alternator for film festival adaptation project.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_be3307b19a06","project_family_title":"12. Festival prava djece 2020. – Prilagodba filmova za osobe s oštećenjem sluha i vida"},{"row_number":2,"project_title":"Razgovor počinje filmom","applicant":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"2","Naziv p rograma":"Razgovor p očinje f ilmom","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s0:664944372aa0","curation":{"changes":[{"field":"applicant","from":null,"to":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","to":"Razgovor p očinje f ilmom","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Razgovor p očinje f ilmom","to":"Razgovor počinje filmom","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Razgovor počinje filmom","to":"Razgovor p očinje f ilmom","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 2, section 0. Award of 20.000,00 HRK to Alternator for film project.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Seven consecutive years (2020–2026) with consistent title format. Organized by Udruga Alternator. Clear recurring annual program.","candidate_id":"fc_6cd4cb24cfed"}},"funding_status":"awarded","project_family_id":"pf_ba0be91ca2d3","project_family_title":"Razgovor počinje filmom"},{"row_number":3,"project_title":"Cinemaniac Misliti film 2020","applicant":"Apoteka - P rostor z a s uvremenu u mjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"3","Naziv p rograma":"Cinemaniac M isliti f ilm 2 020","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s0:40a20314f22f","curation":{"changes":[{"field":"applicant","from":null,"to":"Apoteka - P rostor z a s uvremenu u mjetnost","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Apoteka - P rostor z a s uvremenu u mjetnost","to":"Cinemaniac M isliti f ilm 2 020","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Cinemaniac M isliti f ilm 2 020","to":"Cinemaniac Misliti film 2020","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Cinemaniac Misliti film 2020","to":"Cinemaniac M isliti f ilm 2 020","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 3, section 0. Award of 15.000,00 HRK for film project.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_7c4737643036","project_family_title":"Cinemaniac Misliti film 2020"},{"row_number":4,"project_title":"Godišnji program Art-kina za 2020. godinu","applicant":"Art-kino","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"330.000,00","approved_amount":330000.0,"currency":"HRK","extras":{"col_1":"4","Naziv p rograma":"Godišnji p rogram A rt-kina z a 2 020. g odinu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s0:050c26c2c246","curation":{"changes":[{"field":"applicant","from":null,"to":"Art-kino","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Art-kino","to":"Godišnji p rogram A rt-kina z a 2 020. g odinu","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Godišnji p rogram A rt-kina z a 2 020. g odinu","to":"Godišnji program Art-kina za 2020. godinu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Godišnji program Art-kina za 2020. godinu","to":"Godišnji p rogram A rt-kina z a 2 020. g odinu","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 4, section 0. Large award of 330.000,00 HRK for annual film programming.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Clear recurring annual program (2020-2026) with consistent title structure and primary entity Art-kino.","candidate_id":"fc_940e015845c5"}},"funding_status":"awarded","project_family_id":"pf_0c33ead6afc2","project_family_title":"Godišnji program Art-kina za godinu"},{"row_number":5,"project_title":"Škola u k inu z a 2 020. g odinu","applicant":"Art-kino","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"col_1":"5","Naziv p rograma":"Škola u k inu z a 2 020. g odinu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s0:a3b1c60a2459","curation":{"changes":[{"field":"applicant","from":null,"to":"Art-kino","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Art-kino","to":"Škola u k inu z a 2 020. g odinu","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_69f1f0628ae4","project_family_title":"Škola u k inu z a 2 020. g odinu"},{"row_number":6,"project_title":"Večeri a nimacije 2 020","applicant":"ASIFA H rvatske","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"6","Naziv p rograma":"Večeri a nimacije 2 020","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s0:cc6e5403ffa2","curation":{"changes":[{"field":"applicant","from":null,"to":"ASIFA H rvatske","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"ASIFA H rvatske","to":"Večeri a nimacije 2 020","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_584251e85c1a","project_family_title":"Večeri a nimacije 2 020"},{"row_number":7,"project_title":"Filmski studio Medika: program za 2020.","applicant":"Autonomni k ulturni c entar","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"col_1":"7","Naziv p rograma":"Filmski s tudio M edika: p rogram z a 2 020.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s0:c064160d120b","curation":{"changes":[{"field":"applicant","from":null,"to":"Autonomni k ulturni c entar","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Autonomni k ulturni c entar","to":"Filmski s tudio M edika: p rogram z a 2 020.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Filmski s tudio M edika: p rogram z a 2 020.","to":"Filmski studio Medika: program za 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Filmski studio Medika: program za 2020.","to":"Filmski s tudio M edika: p rogram z a 2 020.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 7, section 0. 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Amount 30,000 HRK supported. OCR-inserted spaces throughout require correction (Pučko, otvoreno, učilište, Kinoprikazivačka, djelatnost, permanentno, prikazivanje, filmova, revija, hrvatskog, europskog, internacionalnog, kino-repertoara).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Four consecutive years (2017–2020) with identical descriptive title. Same organizer (Pučko otvoreno učilište Daruvar). 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Amount 20,000 HRK supported. OCR-inserted spaces in 'Pučko', 'otvoreno', 'učilište', 'Koprivnica', 'EUROPSKOG', 'NEAMERIČKOG', 'FILMA', 'PROMOCIJA', 'MEDIJSKE', 'PISMENOSTI' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_f612697a1c6a","project_family_title":"POPULARIZACIJA EUROPSKOG I NEAMERIČKOG FILMA I PROMOCIJA MEDIJSKE PISMENOSTI"},{"row_number":77,"project_title":"Program za škole i kino - ŠiK","applicant":"Pučko otvoreno učilište Kutina","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"66":"77","One T ake F ilm F estival":"Pučko o tvoreno u čilište K utina","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s4:20cdd5e58785","curation":{"changes":[{"field":"applicant","from":null,"to":"Pučko o tvoreno u čilište K utina","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Program z a š kole i k ino - Š iK","to":"Program za škole i kino - ŠiK","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pučko o tvoreno u čilište K utina","to":"Pučko otvoreno učilište Kutina","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 77. Amount 10,000 HRK supported. OCR-inserted spaces in 'Pučko', 'otvoreno', 'učilište', 'Kutina', 'Program', 'škole', 'kino' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_04a78ec23420","project_family_title":"Program za škole i kino - ŠIK"},{"row_number":78,"project_title":"KINO DJELATNOST POUMAR ZA 2020.","applicant":"Pučko otvoreno učilište Matija Antun Relković","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.000,00","approved_amount":12000.0,"currency":"HRK","extras":{"66":"78","One T ake F ilm F estival":"Pučko o tvoreno u čilište M atija A ntun Relković","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s4:098c98b4a173","curation":{"changes":[{"field":"applicant","from":null,"to":"Pučko o tvoreno u čilište M atija A ntun Relković","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"KINO D JELATNOST P OUMAR Z A 2 020.","to":"KINO DJELATNOST POUMAR ZA 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pučko o tvoreno u čilište M atija A ntun Relković","to":"Pučko otvoreno učilište Matija Antun Relković","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 78. Amount 12,000 HRK supported. OCR-inserted spaces in 'Pučko', 'otvoreno', 'učilište', 'Matija', 'Antun', 'Relković', 'KINO', 'DJELATNOST', 'POUMAR' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Identical title base ('Kino djelatnost POUMAR'), same organizer across consecutive years (2019–2020), same program.","candidate_id":"fc_34ae65ed5de9"}},"funding_status":"awarded","project_family_id":"pf_56962f57859a","project_family_title":"Kino djelatnost POUMAR"},{"row_number":79,"project_title":"Kultni P onedjeljak","applicant":"Pučko o tvoreno u čilište P oreč","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"66":"79","One T ake F ilm F estival":"Pučko o tvoreno u čilište P oreč","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s4:6020139cf984","curation":{"changes":[{"field":"applicant","from":null,"to":"Pučko o tvoreno u čilište P oreč","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_3e236eb996c3","project_family_title":"Kultni P onedjeljak"},{"row_number":80,"project_title":"Kino Samobor: Program kina za 2020. i Kino Samobor: Škola u kinu","applicant":"Pučko otvoreno učilište Samobor","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"55.000,00","approved_amount":55000.0,"currency":"HRK","extras":{"66":"80","One T ake F ilm F estival":"Pučko o tvoreno u čilište S amobor","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s4:a38e6a1885c5","curation":{"changes":[{"field":"applicant","from":null,"to":"Pučko o tvoreno u čilište S amobor","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Kino S amobor: P rogram k ina z a 2 020. i Kino S amobor: Š kola u k inu","to":"Kino Samobor: Program kina za 2020. i Kino Samobor: Škola u kinu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pučko o tvoreno u čilište S amobor","to":"Pučko otvoreno učilište Samobor","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 80. Amount 55,000 HRK supported. OCR-inserted spaces in 'Pučko', 'otvoreno', 'učilište', 'Samobor', 'Program', 'kina', 'Škola', 'kinu' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_d137098d743f","project_family_title":"Kino Samobor: Program kina za 2020. i Kino Samobor: Škola u kinu"},{"row_number":81,"project_title":"100 godina filma u Slatini","applicant":"Pučko otvoreno učilište Slatina","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"14.000,00","approved_amount":14000.0,"currency":"HRK","extras":{"66":"81","One T ake F ilm F estival":"Pučko o tvoreno u čilište S latina","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s4:ba7b64964ad1","curation":{"changes":[{"field":"applicant","from":null,"to":"Pučko o tvoreno u čilište S latina","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"100 g odina f ilma u S latini","to":"100 godina filma u Slatini","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pučko o tvoreno u čilište S latina","to":"Pučko otvoreno učilište Slatina","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 81. Amount 14,000 HRK supported. OCR-inserted spaces in 'Pučko', 'otvoreno', 'učilište', 'Slatina', 'godina', 'filma' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_6953a20efa46","project_family_title":"100 godina filma u Slatini"},{"row_number":82,"project_title":"KINO PAZIN U GOSTIMA 2020. i LJETNO KINO 2020.","applicant":"Pučko otvoreno učilište u Pazinu","production_company":"Pučko otvoreno učilište u Pazinu","director":null,"writer":null,"original_author":null,"category":null,"approved_amount":12000.0,"approved_amount_text":"12.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T13:47:30Z","entity_original_applicant":"Pucko otvoreno uciliste u Pazinu","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Pučko otvoreno učilište u Pazinu","row_id":"efdb7208:s4:104207677754","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_fb4fabd7ff67","project_family_title":"KINO PAZIN U GOSTIMA 2020. i LJETNO KINO 2020."},{"row_number":83,"project_title":"Program kina Gaj","applicant":"Pucko otvoreno uciliste Varazdin","production_company":"Pucko otvoreno uciliste Varazdin","director":null,"writer":null,"original_author":null,"category":null,"approved_amount":45000.0,"approved_amount_text":"45.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T13:47:30Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Pucko otvoreno uciliste Varazdin","row_id":"efdb7208:s4:281d9fbbbb9f","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_c886e1323b87","project_family_title":"Program kina Gaj"}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["83","Pučko o tvoreno u čilište V araždin","Program k ina G aj","45.000,00"],"rows":[{"row_number":84,"project_title":"Cjelogodišnji program Kina Gorica","applicant":"Pučko otvoreno učilište Velika Gorica","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"83":"84","Pučko o tvoreno u čilište V araždin":"Pučko o tvoreno u čilište V elika G orica","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:36066e667601","curation":{"changes":[{"field":"applicant","from":null,"to":"Pučko o tvoreno u čilište V elika G orica","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Cjelogodišnji p rogram K ina G orica","to":"Cjelogodišnji program Kina Gorica","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pučko o tvoreno u čilište V elika G orica","to":"Pučko otvoreno učilište Velika Gorica","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 84. Amount 20,000 HRK supported. OCR-inserted spaces in 'Pučko', 'otvoreno', 'učilište', 'Velika', 'Gorica', 'Cjelogodišnji', 'program', 'Kina' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_56adf5751445","project_family_title":"Cjelogodišnji program Kina Gorica"},{"row_number":85,"project_title":"10. Škola animiranog filma - Pula","applicant":"Pulska filmska tvornica","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"83":"85","Pučko o tvoreno u čilište V araždin":"Pulska f ilmska t vornica","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:17d1c0ecb0fd","curation":{"changes":[{"field":"applicant","from":null,"to":"Pulska f ilmska t vornica","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"10. Š kola a nimiranog f ilma - P ula","to":"10. Škola animiranog filma - Pula","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pulska f ilmska t vornica","to":"Pulska filmska tvornica","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 85. Amount 15,000 HRK supported. OCR-inserted spaces in 'Pulska', 'filmska', 'tvornica', 'Škola', 'animiranog', 'filma', 'Pula' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent distinctive title and organizing entity (Pulska filmska tvornica). Clear edition numbering (8th and 10th) indicates recurring numbered film school.","candidate_id":"fc_4a8bae11bd6f"}},"funding_status":"awarded","project_family_id":"pf_086cd0d658fa","project_family_title":"Škola animiranog filma Pula"},{"row_number":86,"project_title":"16. Škola filma","applicant":"Pulska filmska tvornica","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"83":"86","Pučko o tvoreno u čilište V araždin":"Pulska f ilmska t vornica","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:1c0cdc1d0faa","curation":{"changes":[{"field":"applicant","from":null,"to":"Pulska f ilmska t vornica","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"16. Š kola f ilma","to":"16. Škola filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pulska f ilmska t vornica","to":"Pulska filmska tvornica","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 86. Amount 15,000 HRK supported. OCR-inserted spaces in 'Pulska', 'filmska', 'tvornica', 'Škola', 'filma' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (13-22) by Pulska filmska tvornica spanning 2017-2026. Clear recurring annual school program with consistent identity.","candidate_id":"fc_e11315390051"}},"funding_status":"awarded","project_family_id":"pf_945f5fab1e32","project_family_title":"Škola filma"},{"row_number":87,"project_title":"Autor u g ostima","applicant":"Pulska f ilmska t vornica","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"83":"87","Pučko o tvoreno u čilište V araždin":"Pulska f ilmska t vornica","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:a664695affd0","curation":{"changes":[{"field":"applicant","from":null,"to":"Pulska f ilmska t vornica","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_7ae170f93018","project_family_title":"Autor u g ostima"},{"row_number":88,"project_title":"Kino Lič - Redovna kinoprikazivačka djelatnost, Kino Mrkopalj - Redovna kinoprikazivačka djelatnost, Kino Ozalj - Redovna kinoprikazivačka djelatnost i Kino Vrbovsko - Redovna kinoprikazivačka djelatnost","applicant":"Radar d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"83":"88","Pučko o tvoreno u čilište V araždin":"Radar d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:97b2b4eb4f8c","curation":{"changes":[{"field":"applicant","from":null,"to":"Radar d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Kino L ič - R edovna k inoprikazivačka d jelatnost, Kino M rkopalj - R edovna k inoprikazivačka d jelatnost, Kino O zalj - R edovna k inoprikazivačka d jelatnost i Kino V rbovsko - R edovna k inoprikazivačka d jelatnost","to":"Kino Lič - Redovna kinoprikazivačka djelatnost, Kino Mrkopalj - Redovna kinoprikazivačka djelatnost, Kino Ozalj - Redovna kinoprikazivačka djelatnost i Kino Vrbovsko - Redovna kinoprikazivačka djelatnost","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Radar d .o.o.","to":"Radar d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 88. Amount 40,000 HRK supported. OCR-inserted spaces in 'Radar', 'Redovna', 'kinoprikazivačka', 'djelatnost', 'Mrkopalj', 'Ozalj', 'Vrbovsko' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_68a45df2d914","project_family_title":"Kino Lič - Redovna kinoprikazivačka djelatnost, Kino Mrkopalj - Redovna kinoprikazivačka djelatnost, Kino Ozalj - Redovna kinoprikazivačka djelatnost i Kino Vrbovsko - Redovna kinoprikazivačka djelatnost"},{"row_number":89,"project_title":"Demokracija za početnike u 2020. godini","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.000,00","approved_amount":12000.0,"currency":"HRK","extras":{"83":"89","Pučko o tvoreno u čilište V araždin":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:3918f4fc9158","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Demokracija z a p očetnike u 2 020. g odini","to":"Demokracija za početnike u 2020. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 89. Amount 12,000 HRK supported. OCR-inserted spaces in 'Demokracija', 'početnike', 'godini' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Recurring annual program (2020-2026, scattered) primarily by Restart. Consistent title structure and program classification.","candidate_id":"fc_960d22cca8da"}},"funding_status":"awarded","project_family_id":"pf_6f49cfd8e1c7","project_family_title":"Demokracija za početnike u godini"},{"row_number":90,"project_title":"Dokukino program u 2020. godini","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"70.000,00","approved_amount":70000.0,"currency":"HRK","extras":{"83":"90","Pučko o tvoreno u čilište V araždin":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:6840ad2b2bb3","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Dokukino p rogram u 2 020. g odini","to":"Dokukino program u 2020. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 90. Amount 70,000 HRK supported. OCR-inserted spaces in 'Dokukino', 'program', 'godini' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent distinctive title across 6 years (2020–2026), consistent category (audiovizualna kultura), clear annual program structure.","candidate_id":"fc_1ca6916c5b1a"}},"funding_status":"awarded","project_family_id":"pf_1bacc6f3fd16","project_family_title":"Dokukino program"},{"row_number":91,"project_title":"Filmska početnica u 2020. godini - predškolski i osnovnoškolski program","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"18.000,00","approved_amount":18000.0,"currency":"HRK","extras":{"83":"91","Pučko o tvoreno u čilište V araždin":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:063e9f33a2df","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmska p očetnica u 2 020. g odini - p redškolski i osnovnoškolski p rogram","to":"Filmska početnica u 2020. godini - predškolski i osnovnoškolski program","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 91. Amount 18,000 HRK supported. OCR-inserted spaces in 'Filmska', 'početnica', 'godini', 'predškolski', 'osnovnoškolski', 'program' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent entity (Restart), identical program description across 2017–2021, same category and program type.","candidate_id":"fc_22c1afe7527f"}},"funding_status":"awarded","project_family_id":"pf_03f96fec79b8","project_family_title":"Filmska početnica - predškolski i osnovnoškolski program"},{"row_number":92,"project_title":"Filmsko popodne - arhivi i sjećanja u 2020. godini","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"8.000,00","approved_amount":8000.0,"currency":"HRK","extras":{"83":"92","Pučko o tvoreno u čilište V araždin":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:7748bce3c91a","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmsko p opodne - a rhivi i s jećanja u 2 020. g odini","to":"Filmsko popodne - arhivi i sjećanja u 2020. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 92. Amount 8,000 HRK supported. OCR-inserted spaces in 'Filmsko', 'popodne', 'arhivi', 'sjećanja', 'godini' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_ab5bb735c893","project_family_title":"Filmsko popodne - arhivi i sjećanja u 2020. godini"},{"row_number":93,"project_title":"Škola dokumentarnog filma u 2020. godini","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"55.000,00","approved_amount":55000.0,"currency":"HRK","extras":{"83":"93","Pučko o tvoreno u čilište V araždin":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:8fe0b2bac303","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Škola d okumentarnog f ilma u 2 020. g odini","to":"Škola dokumentarnog filma u 2020. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 93. Amount 55,000 HRK supported. OCR-inserted spaces in 'Škola', 'dokumentarnog', 'filma', 'godini' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Nine entries spanning 2014-2024 with consistent entity (Restart for most), identical program naming, and clear annual recurrence. Distinctive wording remains stable.","candidate_id":"fc_70e3a605bb0e"}},"funding_status":"awarded","project_family_id":"pf_144c87ee087d","project_family_title":"Škola dokumentarnog filma"},{"row_number":94,"project_title":"27. Internacionalna filmska radionica (27. IFR)","applicant":"Škola animiranog filma Čakovec","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"18.000,00","approved_amount":18000.0,"currency":"HRK","extras":{"83":"94","Pučko o tvoreno u čilište V araždin":"Škola a nimiranog f ilma Č akovec","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:d53ef2bddc76","curation":{"changes":[{"field":"applicant","from":null,"to":"Škola a nimiranog f ilma Č akovec","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"27. I nternacionalna f ilmska r adionica ( 27. I FR)","to":"27. Internacionalna filmska radionica (27. IFR)","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Škola a nimiranog f ilma Č akovec","to":"Škola animiranog filma Čakovec","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 94. Amount 18,000 HRK supported. OCR-inserted spaces in 'Škola', 'animiranog', 'filma', 'Čakovec', 'Internacionalna', 'filmska', 'radionica' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_0bf6ed8fa3c5","project_family_title":"27. Internacionalna filmska radionica (27. IFR)"},{"row_number":95,"project_title":"17. Ljetna škola filma Šipan 2020","applicant":"Škola filma Šipan","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"83":"95","Pučko o tvoreno u čilište V araždin":"Škola f ilma Š ipan","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:03fd19db3960","curation":{"changes":[{"field":"applicant","from":null,"to":"Škola f ilma Š ipan","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"17. L jetna š kola f ilma Š ipan 2 020","to":"17. Ljetna škola filma Šipan 2020","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Škola f ilma Š ipan","to":"Škola filma Šipan","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 95. Amount 15,000 HRK supported. OCR-inserted spaces in 'Škola', 'filma', 'Šipan', 'Ljetna', 'škola' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Twelve entries with numbered editions spanning 2010-2026, same entity (Škola filma Šipan), consistent naming. Clear annual summer film school program.","candidate_id":"fc_774586b03c9c"}},"funding_status":"awarded","project_family_id":"pf_535d20be219c","project_family_title":"Ljetna škola filma Šipan"},{"row_number":96,"project_title":"Godišnji program Filmska RUNDA 2020.","applicant":"Teatar to go, U.O.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"83":"96","Pučko o tvoreno u čilište V araždin":"Teatar t o g o, U .O.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:bf4c0fd42658","curation":{"changes":[{"field":"applicant","from":null,"to":"Teatar t o g o, U .O.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Godišnji p rogram F ilmska R UNDA 2 020.","to":"Godišnji program Filmska RUNDA 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Teatar t o g o, U .O.","to":"Teatar to go, U.O.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 96. Amount 15,000 HRK supported. OCR-inserted spaces in 'Teatar', 'Godišnji', 'program', 'Filmska', 'RUNDA' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent entity (Teatar to go, U.O.), identical title pattern across 2017–2020, same category and program type.","candidate_id":"fc_2b7254f07993"}},"funding_status":"awarded","project_family_id":"pf_dac72f417091","project_family_title":"Godišnji program Filmska RUNDA"},{"row_number":97,"project_title":"FROOOM! 2020 INTERDISCIPLINARNI FILMSKI PROGRAM MEDIJSKOG, FILMSKOG I INFORMATIČKOG OPISMENJAVANJA DJECE I MLADIH","applicant":"Udruga Bacači sjenki","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"60.000,00","approved_amount":60000.0,"currency":"HRK","extras":{"83":"97","Pučko o tvoreno u čilište V araždin":"Udruga B acači s jenki","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:4e49e7102b8a","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga B acači s jenki","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"FROOOM! 2 020 I NTERDISCIPLINARNI F ILMSKI PROGRAM M EDIJSKOG, F ILMSKOG I INFORMATIČKOG O PISMENJAVANJA D JECE I MLADIH","to":"FROOOM! 2020 INTERDISCIPLINARNI FILMSKI PROGRAM MEDIJSKOG, FILMSKOG I INFORMATIČKOG OPISMENJAVANJA DJECE I MLADIH","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga B acači s jenki","to":"Udruga Bacači sjenki","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 97. Amount 60,000 HRK supported. OCR-inserted spaces in 'Udruga', 'Bacači', 'sjenki', 'INTERDISCIPLINARNI', 'FILMSKI', 'PROGRAM', 'MEDIJSKOG', 'FILMSKOG', 'INFORMATIČKOG', 'OPISMENJAVANJA', 'DJECE', 'MLADIH' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Two consecutive years (2019–2020) with identical program content and organizer (Udruga Bacači sjenki). Recurring film/media literacy program for youth.","candidate_id":"fc_6cc76dcc8ecf"}},"funding_status":"awarded","project_family_id":"pf_528c107adf48","project_family_title":"FROOOM! Interdisciplinarni filmski program"},{"row_number":98,"project_title":"Samo nebo nam je granica","applicant":"Udruga Bacači sjenki","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"83":"98","Pučko o tvoreno u čilište V araždin":"Udruga B acači s jenki","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:0423cf1347de","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga B acači s jenki","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Samo n ebo n am j e g ranica","to":"Samo nebo nam je granica","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga B acači s jenki","to":"Udruga Bacači sjenki","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 98. Amount 10,000 HRK supported. OCR-inserted spaces in 'Udruga', 'Bacački', 'sjenki', 'Samo', 'nebo', 'granica' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Three consecutive entries (2020-2022) with same organizer Udruga Bacači sjenki. Single recurring program across annual editions.","candidate_id":"fc_5b04ee0ad6d4"}},"funding_status":"awarded","project_family_id":"pf_b8d8aae0c963","project_family_title":"Samo nebo nam je granica"},{"row_number":99,"project_title":"Filmska škola i Filmske radionice","applicant":"Udruga Blank","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"60.000,00","approved_amount":60000.0,"currency":"HRK","extras":{"83":"99","Pučko o tvoreno u čilište V araždin":"Udruga B lank","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:950bdb02cded","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga B lank","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmska š kola i Filmske r adionice","to":"Filmska škola i Filmske radionice","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga B lank","to":"Udruga Blank","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 99. Amount 60,000 HRK supported. OCR-inserted spaces in 'Udruga', 'Blank', 'Filmska', 'škola', 'Filmske', 'radionice' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_6aadea4d7623","project_family_title":"Filmska škola i Filmske radionice"},{"row_number":100,"project_title":"ANIMACIJSKI LAB SEDMI KONTINENT - Program stop animacije za najmlađe, njihove odgajatelje i roditelje","applicant":"Udruga Djeca susreću umjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"83":"100","Pučko o tvoreno u čilište V araždin":"Udruga D jeca s usreću u mjetnost","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s5:686ddb3bf036","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga D jeca s usreću u mjetnost","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"ANIMACIJSKI L AB S EDMI K ONTINENT - P rogram stop a nimacije z a n ajmlađe, n jihove o dgajatelje i roditelje","to":"ANIMACIJSKI LAB SEDMI KONTINENT - Program stop animacije za najmlađe, njihove odgajatelje i roditelje","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga D jeca s usreću u mjetnost","to":"Udruga Djeca susreću umjetnost","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Legitimate award in source document row 100. Amount 7,000 HRK supported. OCR-inserted spaces in 'Udruga', 'Djeca', 'susreću', 'umjetnost', 'ANIMACIJSKI', 'KONTINENT', 'Program', 'stop', 'animacije', 'najmlađe', 'njihove', 'odgajatelje', 'roditelje' require correction.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_684dac99ffe4","project_family_title":"ANIMACIJSKI LAB SEDMI KONTINENT - Program stop animacije za najmlađe, njihove odgajatelje i roditelje"},{"row_number":101,"project_title":"PUTUJUCI SEDMI KONTINENT U SURADNJI S NEZAVISNIM KINIMA I MREZOM KINOPRIKAZIVACA","applicant":"Udruga Djeca susrecu umjetnost","production_company":"Udruga Djeca susrecu umjetnost","director":null,"writer":null,"original_author":null,"category":null,"approved_amount":50000.0,"approved_amount_text":"50.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T13:47:30Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Udruga Djeca susrecu umjetnost","row_id":"efdb7208:s5:f31eb6366a2c","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_02fcc5e4f8ed","project_family_title":"Putujući Sedmi kontinent u suradnji s nezavisnim kinima i Mrežom kinoprikazivača"}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["101","Udruga D jeca s usreću u mjetnost","PUTUJUĆI S EDMI K ONTINENT U S URADNJI S NEZAVISNIM K INIMA I M REŽOM K INOPRIKAZIVAČA","50.000,00"],"rows":[{"row_number":102,"project_title":"Sedmi kontinent - radionice optičkih igračaka za najmlađe","applicant":"Udruga Djeca susreću umjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"101":"102","Udruga D jeca s usreću u mjetnost":"Udruga D jeca s usreću u mjetnost","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:a191b364bc84","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga D jeca s usreću u mjetnost","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sedmi k ontinent - r adionice o ptičkih i gračaka z a najmlađe","to":"Sedmi kontinent - radionice optičkih igračaka za najmlađe","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga D jeca s usreću u mjetnost","to":"Udruga Djeca susreću umjetnost","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 102: applicant 'Udruga Djeca susreću umjetnost', title 'Sedmi kontinent - radionice optičkih igračaka za najmlađe', amount 15.000,00 HRK. Candidate has OCR-inserted spaces: 'D jeca'→'Djeca', 's usreću'→'susreću', 'u mjetnost'→'umjetnost', 'k ontinent'→'kontinent', 'o ptičkih'→'optičkih', 'i gračaka'→'igračaka', 'z a'→'za'.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_1ecc9a8deb37","project_family_title":"Sedmi kontinent - radionice optičkih igračaka za najmlađe"},{"row_number":103,"project_title":"Sedmi kontinent u bolnicama - kvalitetan dječji film i filmske kreativne radionice te posebni gosti filmaši za djecu u bolnicama za 2020. godinu","applicant":"Udruga Djeca susreću umjetnost","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"101":"103","Udruga D jeca s usreću u mjetnost":"Udruga D jeca s usreću u mjetnost","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:2f185c670c2c","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga D jeca s usreću u mjetnost","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sedmi k ontinent u b olnicama - k valitetan d ječji f ilm i filmske k reativne r adionice t e p osebni g osti f ilmaši z a djecu u b olnicama z a 2 020. g odinu","to":"Sedmi kontinent u bolnicama - kvalitetan dječji film i filmske kreativne radionice te posebni gosti filmaši za djecu u bolnicama za 2020. godinu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga D jeca s usreću u mjetnost","to":"Udruga Djeca susreću umjetnost","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 103: applicant 'Udruga Djeca susreću umjetnost', title with OCR spacing issues throughout. Source confirms award of 25.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Same distinctive program concept ('Sedmi kontinent u bolnicama') in 2020 and 2025 entries, identical category 'djelatnosti razvijanja audiovizualne kulture', same organizing entity","candidate_id":"fc_09d12d1021a6"}},"funding_status":"awarded","project_family_id":"pf_026370fd1945","project_family_title":"Sedmi kontinent u bolnicama"},{"row_number":104,"project_title":"Queer M oMenti","applicant":"Udruga D omino","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"101":"104","Udruga D jeca s usreću u mjetnost":"Udruga D omino","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:10877932b530","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga D omino","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_1d91f399bcb0","project_family_title":"Queer M oMenti"},{"row_number":105,"project_title":"Film s vima 2 020.","applicant":"Udruga F ilmaktiv","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"101":"105","Udruga D jeca s usreću u mjetnost":"Udruga F ilmaktiv","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:32dc0fe12c18","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga F ilmaktiv","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_bf3c635e3e27","project_family_title":"Film s vima 2 020."},{"row_number":106,"project_title":"Nova škola dokumentarnog filma","applicant":"Udruga Filmaktiv","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.000,00","approved_amount":12000.0,"currency":"HRK","extras":{"101":"106","Udruga D jeca s usreću u mjetnost":"Udruga F ilmaktiv","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:07bb4844b86d","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga F ilmaktiv","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Nova š kola d okumentarnog f ilma","to":"Nova škola dokumentarnog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga F ilmaktiv","to":"Udruga Filmaktiv","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 106: 'Udruga Filmaktiv' (not 'F ilmaktiv'), 'Nova škola dokumentarnog filma' (not 'š kola d okumentarnog f ilma'). Award amount 12.000,00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent distinctive name with edition numbering (3rd noted) across 2020-2023.","candidate_id":"fc_1a9daa6072bc"}},"funding_status":"awarded","project_family_id":"pf_937abc45a35f","project_family_title":"Nova škola dokumentarnog filma"},{"row_number":107,"project_title":"Otoci 2 020","applicant":"Udruga F ilmaktiv","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"14.000,00","approved_amount":14000.0,"currency":"HRK","extras":{"101":"107","Udruga D jeca s usreću u mjetnost":"Udruga F ilmaktiv","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:b25224ce7e6a","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga F ilmaktiv","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_f36d3a5c0105","project_family_title":"Otoci 2 020"},{"row_number":108,"project_title":"Primijenjeni v ideo 2 020","applicant":"Udruga F ilmaktiv","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.300,00","approved_amount":7300.0,"currency":"HRK","extras":{"101":"108","Udruga D jeca s usreću u mjetnost":"Udruga F ilmaktiv","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:a60af1b1cc25","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga F ilmaktiv","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_307c7578884d","project_family_title":"Primijenjeni v ideo 2 020"},{"row_number":109,"project_title":"Dyxy n a f ilmu 7","applicant":"Udruga G lobe M edia","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"8.000,00","approved_amount":8000.0,"currency":"HRK","extras":{"101":"109","Udruga D jeca s usreću u mjetnost":"Udruga G lobe M edia","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:c375be89b6bf","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga G lobe M edia","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_088903b55a2e","project_family_title":"Dyxy n a f ilmu 7"},{"row_number":110,"project_title":"Škola i granog f ilma 2 020.","applicant":"Udruga K aooosss","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"101":"110","Udruga D jeca s usreću u mjetnost":"Udruga K aooosss","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:e6ffa9e46cd0","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga K aooosss","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_60141d33d94a","project_family_title":"Škola i granog f ilma 2 020."},{"row_number":111,"project_title":"Filmska radionica za mlade PSFF-a","applicant":"Udruga Lanterna Magica","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"101":"111","Udruga D jeca s usreću u mjetnost":"Udruga L anterna M agica","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:97e72a59b9b5","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga L anterna M agica","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmska r adionica z a m lade P SFF-a","to":"Filmska radionica za mlade PSFF-a","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga L anterna M agica","to":"Udruga Lanterna Magica","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 111: applicant 'Udruga Lanterna Magica' (not 'L anterna M agica'), title 'Filmska radionica za mlade PSFF-a' (not 'r adionica z a m lade P SFF-a'). Award 5.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent name across years (2020-2026), same workshop entity (Lanterna Magica)","candidate_id":"fc_c2c0ec6e3f59"}},"funding_status":"awarded","project_family_id":"pf_325a8a50b93e","project_family_title":"Filmska radionica za mlade PSFF-a"},{"row_number":112,"project_title":"GLEDAMO DOKUMENTARCE, PRAVIMO DOKUMENTARCE! - edukacijski program Liburnia Film Festivala 2020.","applicant":"Udruga Liburnia film festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"101":"112","Udruga D jeca s usreću u mjetnost":"Udruga L iburnia f ilm f estival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:de23040b113c","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga L iburnia f ilm f estival","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"GLEDAMO D OKUMENTARCE, P RAVIMO DOKUMENTARCE! e dukacijski p rogram L iburnia Film F estivala 2 020.","to":"GLEDAMO DOKUMENTARCE, PRAVIMO DOKUMENTARCE! - edukacijski program Liburnia Film Festivala 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga L iburnia f ilm f estival","to":"Udruga Liburnia film festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 112: title has multiple OCR spacing errors. Candidate shows 'GLEDAMO D OKUMENTARCE, P RAVIMO DOKUMENTARCE! e dukacijski p rogram' with spaces to be removed. Source confirms 15.000,00 HRK award.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent wording across 2016-2020 entries from Udruga Liburnia film festival. Recurring educational documentary workshop program.","candidate_id":"fc_5af1807c7c68"}},"funding_status":"awarded","project_family_id":"pf_a06744c9c9a0","project_family_title":"Gledamo dokumentarce, pravimo dokumentarce - edukacijski program Liburnia Film Festivala"},{"row_number":113,"project_title":"Liburnia uplovljava truneja pobjedničkih filmova Liburnia Film Festivala 2020.","applicant":"Udruga Liburnia film festival","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"101":"113","Udruga D jeca s usreću u mjetnost":"Udruga L iburnia f ilm f estival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:367666426128","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga L iburnia f ilm f estival","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Liburnia u plovljava t runeja p objedničkih f ilmova Liburnia F ilm F estivala 2 020.","to":"Liburnia uplovljava truneja pobjedničkih filmova Liburnia Film Festivala 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga L iburnia f ilm f estival","to":"Udruga Liburnia film festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 113: title 'Liburnia uplovljava truneja pobjedničkih filmova' (not 'u plovljava'). Award 5.000,00 HRK confirmed.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_7839ce1ccb2d","project_family_title":"Liburnia uplovljava truneja pobjedničkih filmova Liburnia Film Festivala 2020."},{"row_number":114,"project_title":"Radionica animiranog filma \"Mali grad Agram\" i Radionica igranog filma \"Mali grad Agram\"","applicant":"Udruga Mali grad","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"101":"114","Udruga D jeca s usreću u mjetnost":"Udruga M ali g rad","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:803895bfe7d0","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga M ali g rad","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Radionica a nimiranog f ilma \" Mali g rad A gram\" i Radionica i granog f ilma \" Mali g rad A gram\"","to":"Radionica animiranog filma \"Mali grad Agram\" i Radionica igranog filma \"Mali grad Agram\"","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga M ali g rad","to":"Udruga Mali grad","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 114: applicant 'Udruga Mali grad' (not 'M ali g rad'), title with OCR spacing. Award 5.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent compound title (paired workshops) with same entity (Udruga Mali grad) across 4 years (2020–2025).","candidate_id":"fc_82a615cb0912"}},"funding_status":"awarded","project_family_id":"pf_b0642d147fd2","project_family_title":"Radionica animiranog filma \"Mali grad Agram\" i Radionica igranog filma \"Mali grad Agram\""},{"row_number":115,"project_title":"Filmske radionice na festivalu dječjeg stvaralaštva \"Mali grad Faros\", Filmske radionice na festivalu dječjeg stvaralaštva \"Mali grad Jolha\", Filmske radionice na festivalu dječjeg stvaralaštva \"Mali grad Lisina\", Filmske radionice na festivalu dječjeg stvaralaštva \"Mali grad Vallum\", Filmske radionice na festivalu dječjeg stvaralaštva \"Mali grad Verboscam\", Radionica animiranog filma na radionici dječjeg stvaralaštva \"Mali grad Faros\", Radionice animiranog filma na festivalu dječjeg stvaralaštva \"Mali grad Jolha\", Radionice animiranog filma na festivalu dječjeg stvaralaštva \"Mali grad Lisina\"","applicant":"Udruga Mali grad Faros","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"28.000,00","approved_amount":28000.0,"currency":"HRK","extras":{"101":"115","Udruga D jeca s usreću u mjetnost":"Udruga M ali g rad F aros","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s6:719793077e7a","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga M ali g rad F aros","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmske r adionice n a f estivalu d ječjeg s tvaralaštva \"Mali g rad F aros\", Filmske r adionice n a f estivalu d ječjeg s tvaralaštva \"Mali g rad J olha\", Filmske r adionice n a f estivalu d ječjeg s tvaralaštva \"Mali g rad L isina\", Filmske r adionice n a f estivalu d ječjeg s tvaralaštva \"Mali g rad V allum\", Filmske r adionice n a f estivalu d ječjeg s tvaralaštva \"Mali g rad V erboscam\", Radionica a nimiranog f ilma n a r adionici d ječjeg stvaralaštva \" Mali g rad F aros\", Radionice a nimiranog f ilma n a f estivalu d ječjeg stvaralaštva \" Mali g rad J olha\", Radionice a nimiranog f ilma n a f estivalu d ječjeg stvaralaštva \" Mali g rad L isina\",","to":"Filmske radionice na festivalu dječjeg stvaralaštva \"Mali grad Faros\", Filmske radionice na festivalu dječjeg stvaralaštva \"Mali grad Jolha\", Filmske radionice na festivalu dječjeg stvaralaštva \"Mali grad Lisina\", Filmske radionice na festivalu dječjeg stvaralaštva \"Mali grad Vallum\", Filmske radionice na festivalu dječjeg stvaralaštva \"Mali grad Verboscam\", Radionica animiranog filma na radionici dječjeg stvaralaštva \"Mali grad Faros\", Radionice animiranog filma na festivalu dječjeg stvaralaštva \"Mali grad Jolha\", Radionice animiranog filma na festivalu dječjeg stvaralaštva \"Mali grad Lisina\"","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga M ali g rad F aros","to":"Udruga Mali grad Faros","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 115: applicant 'Udruga Mali grad Faros' (not 'M ali g rad F aros'). Long compound title with extensive OCR spacing issues. 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FPS","applicant":"25 FPS, Udruga za audio-vizualna istraživanja","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"260.000,00","approved_amount":260000.0,"currency":"HRK","extras":{"col_1":"1","Naziv p rograma":"Šesnaesti F estival 2 5 F PS","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:4362be8b5880","curation":{"changes":[{"field":"applicant","from":null,"to":"25 F PS, U druga z a a udio-vizualna istraživanja","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"25 F PS, U druga z a a udio-vizualna istraživanja","to":"Šesnaesti F estival 2 5 F PS","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Šesnaesti F estival 2 5 F PS","to":"Šesnaesti Festival 25 FPS","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"25 F PS, U druga z a a udio-vizualna istraživanja","to":"25 FPS, Udruga za audio-vizualna istraživanja","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Šesnaesti Festival 25 FPS","to":"Šesnaesti F estival 2 5 F PS","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 1 (section 8): applicant '25 FPS, Udruga za audio-vizualna istraživanja' (not '25 F PS, U druga'). Title 'Šesnaesti Festival 25 FPS' (not with spaces). Award 260.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_44d2ebdce170","project_family_title":"Šesnaesti Festival 25 FPS"},{"row_number":2,"project_title":"12. Festival prava djece 2020.","applicant":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"45.000,00","approved_amount":45000.0,"currency":"HRK","extras":{"col_1":"2","Naziv p rograma":"12. F estival p rava d jece 2 020.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:1c7fa6cb1f3e","curation":{"changes":[{"field":"applicant","from":null,"to":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","to":"12. F estival p rava d jece 2 020.","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"12. F estival p rava d jece 2 020.","to":"12. Festival prava djece 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Alternator, u druga z a p romicanje stvaralaštva i j ednakih m ogućnosti","to":"Alternator, udruga za promicanje stvaralaštva i jednakih mogućnosti","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"12. Festival prava djece 2020.","to":"12. F estival p rava d jece 2 020.","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 2 (section 8): applicant with OCR spacing 'u druga' → 'udruga', 'j ednakih' → 'jednakih'. Title 'F estival p rava d jece' with spaces to be removed. Award 45.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consecutive editions (11th-17th, 2018-2025) with consistent organizer (Alternator), category, and program type. Clear edition numbering indicates annual recurring festival.","candidate_id":"fc_84d5e4c8b5bb"}},"funding_status":"awarded","project_family_id":"pf_6986cbbf859c","project_family_title":"Festival prava djece"},{"row_number":3,"project_title":"MEĐUNARODNI D AN A NIMACIJE 2 020","applicant":"ASIFA H rvatske","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"3","Naziv p rograma":"MEĐUNARODNI D AN A NIMACIJE 2 020","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:e8c8140ea468","curation":{"changes":[{"field":"applicant","from":null,"to":"ASIFA H rvatske","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"ASIFA H rvatske","to":"MEĐUNARODNI D AN A NIMACIJE 2 020","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_eb863e98d313","project_family_title":"MEĐUNARODNI D AN A NIMACIJE 2 020"},{"row_number":4,"project_title":"Avvantura Film Festival 2020","applicant":"Avantura d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"col_1":"4","Naziv p rograma":"Avvantura F ilm F estival 2 020","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:5b6cadf6f907","curation":{"changes":[{"field":"applicant","from":null,"to":"Avantura d .o.o.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Avantura d .o.o.","to":"Avvantura F ilm F estival 2 020","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Avvantura F ilm F estival 2 020","to":"Avvantura Film Festival 2020","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Avantura d .o.o.","to":"Avantura d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Avvantura Film Festival 2020","to":"Avvantura F ilm F estival 2 020","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 4 (section 8): confirmed as 'Avantura d.o.o.' (note raw text shows 'Avvantura' in title with double-v). Award 25.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_80c6a83b2ce5","project_family_title":"Avvantura Film Festival 2020"},{"row_number":5,"project_title":"UNSEEN 4 - Z AUZIMAMO L JETNO K INO!","applicant":"Centar z a d ramsku u mjetnost - C DU","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"5","Naziv p rograma":"UNSEEN 4 - Z AUZIMAMO L JETNO K INO!","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:ab7254df3e4e","curation":{"changes":[{"field":"applicant","from":null,"to":"Centar z a d ramsku u mjetnost - C DU","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Centar z a d ramsku u mjetnost - C DU","to":"UNSEEN 4 - Z AUZIMAMO L JETNO K INO!","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_248d64a2e814","project_family_title":"UNSEEN 4 - Z AUZIMAMO L JETNO K INO!"},{"row_number":6,"project_title":"8. Međunarodna revija filmova za djecu","applicant":"Centar za kulturu Čakovec","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.000,00","approved_amount":12000.0,"currency":"HRK","extras":{"col_1":"6","Naziv p rograma":"8. M eđunarodna r evija f ilmova z a d jecu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:588da2c22922","curation":{"changes":[{"field":"applicant","from":null,"to":"Centar z a k ulturu Č akovec","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Centar z a k ulturu Č akovec","to":"8. M eđunarodna r evija f ilmova z a d jecu","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"8. M eđunarodna r evija f ilmova z a d jecu","to":"8. Međunarodna revija filmova za djecu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Centar z a k ulturu Č akovec","to":"Centar za kulturu Čakovec","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"8. Međunarodna revija filmova za djecu","to":"8. M eđunarodna r evija f ilmova z a d jecu","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 6 (section 8): title 'M eđunarodna r evija f ilmova z a d jecu' has OCR spacing. Award 12.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Same entity (Centar za kulturu Čakovec), numbered editions (3, 8, 9 visible), recurring children's film festival across 2014-2021.","candidate_id":"fc_d6697b463bfb"}},"funding_status":"awarded","project_family_id":"pf_c30b0ee6fdc3","project_family_title":"Međunarodna revija filmova za djecu"},{"row_number":7,"project_title":"14. PSSST! Festival nijemog filma","applicant":"Centar za kulturu Trešnjevka","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"col_1":"7","Naziv p rograma":"14. P SSST! F estival n ijemog f ilma","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:9c544382b3d6","curation":{"changes":[{"field":"applicant","from":null,"to":"Centar z a k ulturu T rešnjevka","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Centar z a k ulturu T rešnjevka","to":"14. P SSST! F estival n ijemog f ilma","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"14. P SSST! F estival n ijemog f ilma","to":"14. PSSST! Festival nijemog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Centar z a k ulturu T rešnjevka","to":"Centar za kulturu Trešnjevka","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"14. PSSST! Festival nijemog filma","to":"14. P SSST! F estival n ijemog f ilma","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 7 (section 8): title 'P SSST!' with space after P. Award 10.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Sequential edition numbers (6th–20th) from 2012–2026, consistent organizer (Centar za kulturu Trešnjevka), consistent festival category throughout.","candidate_id":"fc_f1483b4a6a44"}},"funding_status":"awarded","project_family_id":"pf_2802f3923771","project_family_title":"PSSST! Festival nijemog filma"},{"row_number":8,"project_title":"Reboot Develop Blue 2020 - međunarodna konferencija i festival kreatora video igara","applicant":"Digitalna Avantura d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"col_1":"8","Naziv p rograma":"Reboot D evelop B lue 2 020 - m eđunarodna konferencija i f estival k reatora v ideo i gara","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:071f5bc72363","curation":{"changes":[{"field":"applicant","from":null,"to":"Digitalna A vantura d .o.o.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Digitalna A vantura d .o.o.","to":"Reboot D evelop B lue 2 020 - m eđunarodna konferencija i f estival k reatora v ideo i gara","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Reboot D evelop B lue 2 020 - m eđunarodna konferencija i f estival k reatora v ideo i gara","to":"Reboot Develop Blue 2020 - međunarodna konferencija i festival kreatora video igara","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Digitalna A vantura d .o.o.","to":"Digitalna Avantura d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Reboot Develop Blue 2020 - međunarodna konferencija i festival kreatora video igara","to":"Reboot D evelop B lue 2 020 - m eđunarodna konferencija i f estival k reatora v ideo i gara","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 8 (section 8): applicant 'A vantura' has OCR spacing. Title has 'D evelop B lue' with spaces. Award 50.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_85572b9ec5e9","project_family_title":"Reboot Develop Blue 2020 - međunarodna konferencija i festival kreatora video igara"},{"row_number":9,"project_title":"14. VUKOVAR FILM FESTIVAL - FESTIVAL PODUNAVSKIH ZEMALJA","applicant":"Discovery d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"300.000,00","approved_amount":300000.0,"currency":"HRK","extras":{"col_1":"9","Naziv p rograma":"14. V UKOVAR F ILM F ESTIVAL - F ESTIVAL PODUNAVSKIH Z EMALJA","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:737e48a8b453","curation":{"changes":[{"field":"applicant","from":null,"to":"Discovery d .o.o.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Discovery d .o.o.","to":"14. V UKOVAR F ILM F ESTIVAL - F ESTIVAL PODUNAVSKIH Z EMALJA","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"14. V UKOVAR F ILM F ESTIVAL - F ESTIVAL PODUNAVSKIH Z EMALJA","to":"14. VUKOVAR FILM FESTIVAL - FESTIVAL PODUNAVSKIH ZEMALJA","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Discovery d .o.o.","to":"Discovery d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"14. VUKOVAR FILM FESTIVAL - FESTIVAL PODUNAVSKIH ZEMALJA","to":"14. V UKOVAR F ILM F ESTIVAL - F ESTIVAL PODUNAVSKIH Z EMALJA","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 9 (section 8): large award of 300.000,00 HRK for major festival. OCR spacing in title 'V UKOVAR F ILM F ESTIVAL'.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (14–16) with consistent title, same organizer (Discovery d.o.o.), same category and program. Clear annual film festival.","candidate_id":"fc_30f201165d5b"}},"funding_status":"awarded","project_family_id":"pf_8cc90b7fbbb2","project_family_title":"Vukovar Film Festival - festival podunavskih zemalja"},{"row_number":10,"project_title":"15. REVIJA DOKUMENTARNOG FILMA \"FIBULA\"","applicant":"Dom kulture Kristalna kocka vedrine","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"10","Naziv p rograma":"15. R EVIJA D OKUMENTARNOG F ILMA \" FIBULA\"","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:43f17f1c208c","curation":{"changes":[{"field":"applicant","from":null,"to":"Dom k ulture K ristalna k ocka v edrine","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Dom k ulture K ristalna k ocka v edrine","to":"15. R EVIJA D OKUMENTARNOG F ILMA \" FIBULA\"","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"15. R EVIJA D OKUMENTARNOG F ILMA \" FIBULA\"","to":"15. REVIJA DOKUMENTARNOG FILMA \"FIBULA\"","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Dom k ulture K ristalna k ocka v edrine","to":"Dom kulture Kristalna kocka vedrine","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"15. REVIJA DOKUMENTARNOG FILMA \"FIBULA\"","to":"15. R EVIJA D OKUMENTARNOG F ILMA \" FIBULA\"","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 10 (section 8): title 'R EVIJA D OKUMENTARNOG F ILMA' with OCR spacing. Award 5.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (5-21) by Dom kulture Kristalna kocka vedrine spanning 2010-2026. Recurring documentary review with consistent identity.","candidate_id":"fc_e504fc8afca8"}},"funding_status":"awarded","project_family_id":"pf_c485081ad143","project_family_title":"Revija dokumentarnog filma Fibula"},{"row_number":11,"project_title":"Međunarodni festival filmske glazbe i zvuka - ISFMF","applicant":"DreaMaker Productions d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"col_1":"11","Naziv p rograma":"Međunarodni f estival f ilmske g lazve i z vuka - I SFMF","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:ad45c22a9b5b","curation":{"changes":[{"field":"applicant","from":null,"to":"DreaMaker P roductions d .o.o.","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"DreaMaker P roductions d .o.o.","to":"Međunarodni f estival f ilmske g lazve i z vuka - I SFMF","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Međunarodni f estival f ilmske g lazve i z vuka - I SFMF","to":"Međunarodni festival filmske glazbe i zvuka - ISFMF","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"DreaMaker P roductions d .o.o.","to":"DreaMaker Productions d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Međunarodni festival filmske glazbe i zvuka - ISFMF","to":"Međunarodni f estival f ilmske g lazve i z vuka - I SFMF","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 11 (section 8): applicant 'P roductions' has OCR space. Title 'f estival f ilmske g lazbe i z vuka' with multiple spaces. Award 15.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_00a43b5bdcde","project_family_title":"Međunarodni festival filmske glazbe i zvuka ISFMF"},{"row_number":12,"project_title":"12. ETNOFILm festival etnografskog filma","applicant":"Etnografski muzej Istre - Museo etnografico dell' Istria","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"19.000,00","approved_amount":19000.0,"currency":"HRK","extras":{"col_1":"12","Naziv p rograma":"12. E TNOFILm f estival e tnografskog f ilma","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:9bee4444fb82","curation":{"changes":[{"field":"applicant","from":null,"to":"Etnografski m uzej I stre - M useo etnografico d ell' I stria","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Etnografski m uzej I stre - M useo etnografico d ell' I stria","to":"12. E TNOFILm f estival e tnografskog f ilma","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"12. E TNOFILm f estival e tnografskog f ilma","to":"12. ETNOFILm festival etnografskog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Etnografski m uzej I stre - M useo etnografico d ell' I stria","to":"Etnografski muzej Istre - Museo etnografico dell' Istria","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"12. ETNOFILm festival etnografskog filma","to":"12. E TNOFILm f estival e tnografskog f ilma","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 12 (section 8): title 'E TNOFILm f estival' with spaces. Award 19.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Distinctive brand name, same organizer (Etnografski muzej Istre), numbered editions (5-12)","candidate_id":"fc_bfdbd30756fa"}},"funding_status":"awarded","project_family_id":"pf_0b3db237dcf9","project_family_title":"ETNOFILM festival etnografskog filma"},{"row_number":13,"project_title":"16. ZagrebDox međunarodni festival dokumentarnog filma","applicant":"Factum","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"500.000,00","approved_amount":500000.0,"currency":"HRK","extras":{"col_1":"13","Naziv p rograma":"16. Z agrebDox m eđunarodni f estival d okumentarnog filma","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s8:d44a1da6a50f","curation":{"changes":[{"field":"applicant","from":null,"to":"Factum","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Factum","to":"16. Z agrebDox m eđunarodni f estival d okumentarnog filma","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"16. Z agrebDox m eđunarodni f estival d okumentarnog filma","to":"16. ZagrebDox međunarodni festival dokumentarnog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"16. ZagrebDox međunarodni festival dokumentarnog filma","to":"16. Z agrebDox m eđunarodni f estival d okumentarnog filma","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 13 (section 8): large award of 500.000,00 HRK. Title 'Z agrebDox m eđunarodni f estival d okumentarnog filma' with OCR spacing.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Fifteen numbered editions (5th–22nd) spanning 2009–2026. Organized by Factum. Clear numbered international documentary film festival with consistent identity.","candidate_id":"fc_6c1f1c6c715f"}},"funding_status":"awarded","project_family_id":"pf_bcb6c4099703","project_family_title":"ZagrebDox – Međunarodni festival dokumentarnog filma"},{"row_number":14,"project_title":"13. Festival mediteranskog filma Split","applicant":"Festival mediteranskog filma Split","production_company":"Festival mediteranskog filma Split","director":null,"writer":null,"original_author":null,"category":null,"approved_amount":200000.0,"approved_amount_text":"200.000,00","currency":"HRK","extras":{"parity_action":"added","parity_validated_at":"2026-05-18T13:47:30Z","entity_original_production_company":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Festival mediteranskog filma Split","row_id":"efdb7208:s8:9cdca09d5d56","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high","family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (4-19) spanning 2011-2026 with organizer Festival mediteranskog filma Split. Major recurring festival with strong edition continuity.","candidate_id":"fc_e12cae0b051a"}},"project_family_id":"pf_d2db15e66af5","project_family_title":"Festival mediteranskog filma Split"}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["14","Festival m editeranskog f ilma S plit","13. F estival m editeranskog f ilma S plit","200.000,00"],"rows":[{"row_number":15,"project_title":"14. Festival tolerancije - JFF Zagreb","applicant":"Festival suvremenog židovskog filma Zagreb","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"100.000,00","approved_amount":100000.0,"currency":"HRK","extras":{"14":"15","Festival m editeranskog f ilma S plit":"Festival s uvremenog ž idovskog f ilma Zagreb","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:720887fb48e8","curation":{"changes":[{"field":"applicant","from":null,"to":"Festival s uvremenog ž idovskog f ilma Zagreb","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"14. F estival t olerancije - J FF Z agreb","to":"14. Festival tolerancije - JFF Zagreb","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Festival s uvremenog ž idovskog f ilma Zagreb","to":"Festival suvremenog židovskog filma Zagreb","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 15 (section 9): applicant correctly identified in raw text. Title shows OCR spacing. Award 100.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Distinctive festival name, same organizer (Festival suvremenog židovskog filma Zagreb), sequentially numbered editions (10-17)","candidate_id":"fc_ceff276bf077"}},"funding_status":"awarded","project_family_id":"pf_c0197a79db77","project_family_title":"Festival tolerancije - JFF Zagreb"},{"row_number":16,"project_title":"14. Pašmanske filmske večeri","applicant":"Filmaparat d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.000,00","approved_amount":12000.0,"currency":"HRK","extras":{"14":"16","Festival m editeranskog f ilma S plit":"Filmaparat d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:f144321f486d","curation":{"changes":[{"field":"applicant","from":null,"to":"Filmaparat d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"14. P ašmanske f ilmske v ečeri","to":"14. Pašmanske filmske večeri","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Filmaparat d .o.o.","to":"Filmaparat d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 16 (section 9): title 'P ašmanske f ilmske v ečeri' with OCR spacing. Award 12.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (6th-14th) spanning 2012-2020 with consistent entity (primarily Filmaparat d.o.o. and Udruga pasmanske mladeži Dica), identical category, and distinctive festival name.","candidate_id":"fc_71b829f6a532"}},"funding_status":"awarded","project_family_id":"pf_b9cdd2eab89a","project_family_title":"Pašmanske filmske večeri"},{"row_number":17,"project_title":"11. VAFI & RAFI - internacionalni festival animiranog filma djece i mladih Varaždin/Rijeka","applicant":"Filmsko-kreativni studio Vanima","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"50.000,00","approved_amount":50000.0,"currency":"HRK","extras":{"14":"17","Festival m editeranskog f ilma S plit":"Filmsko-kreativni s tudio V anima","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:8185564e068d","curation":{"changes":[{"field":"applicant","from":null,"to":"Filmsko-kreativni s tudio V anima","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"11. V AFI & R AFI - i nternacionalni f estival a nimiranog filma d jece i m ladih V araždin/Rijeka","to":"11. VAFI & RAFI - internacionalni festival animiranog filma djece i mladih Varaždin/Rijeka","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Filmsko-kreativni s tudio V anima","to":"Filmsko-kreativni studio Vanima","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 17 (section 9): applicant 's tudio V anima' with spaces. Title 'i nternacionalni f estival a nimiranog filma' with OCR spacing. Award 50.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Sequential edition numbers (10th, 11th) in 2019–2020, same organizer (Filmsko-kreativni studio Vanima), consistent festival category.","candidate_id":"fc_f23b31c167d2"}},"funding_status":"awarded","project_family_id":"pf_c87f6ab3738e","project_family_title":"VAFI & RAFI - internacionalni festival animiranog filma djece i mladih Varaždin/Rijeka"},{"row_number":18,"project_title":"10. REVIJA FILMOVA PODUNAVSKIH ZEMALJA, 2020.","applicant":"Foto-kino klub Baranja film","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"14":"18","Festival m editeranskog f ilma S plit":"Foto-kino k lub B aranja f ilm","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:659880588cda","curation":{"changes":[{"field":"applicant","from":null,"to":"Foto-kino k lub B aranja f ilm","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"10. R EVIJA F ILMOVA P ODUNAVSKIH Z EMALJA, 2020.","to":"10. REVIJA FILMOVA PODUNAVSKIH ZEMALJA, 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Foto-kino k lub B aranja f ilm","to":"Foto-kino klub Baranja film","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 18 (section 9): title 'R EVIJA F ILMOVA P ODUNAVSKIH Z EMALJA' with OCR spacing. Award 10.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Same organizer (Foto-kino klub Baranja), visible edition numbers (5th, 10th editions), recurring international Danube region film review.","candidate_id":"fc_d7803297b18b"}},"funding_status":"awarded","project_family_id":"pf_41205ca563f5","project_family_title":"Revija filmova podunavskih zemalja"},{"row_number":19,"project_title":"28. hrvatski festival jednominutnih filmova","applicant":"GFR film-video","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"55.000,00","approved_amount":55000.0,"currency":"HRK","extras":{"14":"19","Festival m editeranskog f ilma S plit":"GFR f ilm-video","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:2c0e82d4701a","curation":{"changes":[{"field":"applicant","from":null,"to":"GFR f ilm-video","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"28. h rvatski f estival j ednominutnih f ilmova","to":"28. hrvatski festival jednominutnih filmova","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"GFR f ilm-video","to":"GFR film-video","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 19 (section 9): title 'h rvatski f estival j ednominutnih f ilmova' with OCR spacing. Award 55.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions 18-30 across 2010-2022 with consistent organizers (Hrvatski filmski savez, GFR film-video) and stable category. Clear annual recurring festival.","candidate_id":"fc_51ba0eb749db"}},"funding_status":"awarded","project_family_id":"pf_0cdbd7cde87a","project_family_title":"Hrvatski festival jednominutnih filmova"},{"row_number":20,"project_title":"Požeški filmski tjedan 2020.","applicant":"GFR film-video","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"14":"20","Festival m editeranskog f ilma S plit":"GFR f ilm-video","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:cec84579b6ab","curation":{"changes":[{"field":"applicant","from":null,"to":"GFR f ilm-video","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Požeški f ilmski t jedan 2 020.","to":"Požeški filmski tjedan 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"GFR f ilm-video","to":"GFR film-video","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 20 (section 9): title 'f ilmski t jedan' with spaces. Award 10.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Twelve entries spanning 2014–2025, consistent distinctive name, consistent organizer GFR film-video, same program category. Established recurring film week.","candidate_id":"fc_ad46e47f3151"}},"funding_status":"awarded","project_family_id":"pf_f53555e46b79","project_family_title":"Požeški filmski tjedan"},{"row_number":21,"project_title":"18. Tabor Film Festival","applicant":"GOKUL - Građanska organizacija za kulturu","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"70.000,00","approved_amount":70000.0,"currency":"HRK","extras":{"14":"21","Festival m editeranskog f ilma S plit":"GOKUL - G rađanska o rganizacija z a kulturu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:92965140a0cc","curation":{"changes":[{"field":"applicant","from":null,"to":"GOKUL - G rađanska o rganizacija z a kulturu","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"18. T abor F ilm F estival","to":"18. Tabor Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"GOKUL - G rađanska o rganizacija z a kulturu","to":"GOKUL - Građanska organizacija za kulturu","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Raw text row 21 (section 9): applicant 'G rađanska o rganizacija z a k ulturu' with OCR spacing. Title 'T abor F ilm F estival' with spaces. Award 70.000,00 HRK.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Thirteen entries spanning 2009–2024 with numbered editions (14–22), consistent organizer GOKUL across all variants, highly distinctive name. Major recurring festival.","candidate_id":"fc_a3d23a68beaf"}},"funding_status":"awarded","project_family_id":"pf_deafdaf104b2","project_family_title":"Tabor Film Festival"},{"row_number":22,"project_title":"9. Kiki - međunarodni festival dječjeg filma","applicant":"GOKUL - Građanska organizacija za kulturu","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"14":"22","Festival m editeranskog f ilma S plit":"GOKUL - G rađanska o rganizacija z a kulturu","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:0b8aa2383729","curation":{"changes":[{"field":"applicant","from":null,"to":"GOKUL - G rađanska o rganizacija z a kulturu","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"9. K iki - m eđunarodni f estival d ječjeg f ilma","to":"9. Kiki - međunarodni festival dječjeg filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"GOKUL - G rađanska o rganizacija z a kulturu","to":"GOKUL - Građanska organizacija za kulturu","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 22, Festival mediteranskog filma Split section. Applicant and title contain OCR-inserted spaces (G rađanska, o rganizacija, z a, K iki, m eđunarodni, f estival, d ječjeg, f ilma) which are corrected.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered international festival editions (8th-15th) organized by GOKUL with consistent distinctive name across 2020-2026.","candidate_id":"fc_14c8143cdf4a"}},"funding_status":"awarded","project_family_id":"pf_a2b10b011670","project_family_title":"KIKI – međunarodni festival dječjeg filma"},{"row_number":23,"project_title":"25. Filmska revija mladeži & 13. Four River Film Festival","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"110.000,00","approved_amount":110000.0,"currency":"HRK","extras":{"14":"23","Festival m editeranskog f ilma S plit":"Hrvatski f ilmski s avez - H FS","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:974c9f2e9ab6","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"25. F ilmska r evija m ladeži & 1 3. F our R iver F ilm Festival","to":"25. Filmska revija mladeži & 13. Four River Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 23. OCR spacing corrected in applicant (f ilmski, s avez, H FS) and title (F ilmska, r evija, m ladeži, F our, R iver).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_b6dda261afbd","project_family_title":"25. Filmska revija mladeži & 13. Four River Film Festival"},{"row_number":24,"project_title":"52. REVIJA HRVATSKOG FILMSKOG STVARALAŠTVA","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"60.000,00","approved_amount":60000.0,"currency":"HRK","extras":{"14":"24","Festival m editeranskog f ilma S plit":"Hrvatski f ilmski s avez - H FS","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:5cde6550454e","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"52. R EVIJA H RVATSKOG F ILMSKOG STVARALAŠTVA","to":"52. REVIJA HRVATSKOG FILMSKOG STVARALAŠTVA","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 24. OCR spacing corrected (R EVIJA, H RVATSKOG, F ILMSKOG, S TVARALAŠTVA).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions 46-58 spanning 2014-2026 with stable organizer (Hrvatski filmski savez). Distinctive wording consistent across all entries.","candidate_id":"fc_534e2bfdb972"}},"funding_status":"awarded","project_family_id":"pf_64d157b206b0","project_family_title":"Revija hrvatskog filmskog stvaralaštva"},{"row_number":25,"project_title":"58. REVIJA HRVATSKOG FILMSKOG STVARALAŠTVA DJECE","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"80.000,00","approved_amount":80000.0,"currency":"HRK","extras":{"14":"25","Festival m editeranskog f ilma S plit":"Hrvatski f ilmski s avez - H FS","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:341afe50ee70","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"58. R EVIJA H RVATSKOG F ILMSKOG STVARALAŠTVA D JECE","to":"58. REVIJA HRVATSKOG FILMSKOG STVARALAŠTVA DJECE","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 25. OCR spacing corrected throughout title and applicant.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Well-established recurring festival with sequential edition numbers (52-64) organized by Hrvatski filmski savez across 2014-2026. Highly distinctive title.","candidate_id":"fc_960e6d86fe2e"}},"funding_status":"awarded","project_family_id":"pf_d2c4874afd70","project_family_title":"Revija hrvatskog filmskog stvaralaštva djece"},{"row_number":26,"project_title":"Dani hrvatskog filma 2020","applicant":"Hrvatski filmski savez - HFS","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"190.000,00","approved_amount":190000.0,"currency":"HRK","extras":{"14":"26","Festival m editeranskog f ilma S plit":"Hrvatski f ilmski s avez - H FS","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:575be54e9f83","curation":{"changes":[{"field":"applicant","from":null,"to":"Hrvatski f ilmski s avez - H FS","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Dani h rvatskog f ilma 2 020","to":"Dani hrvatskog filma 2020","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Hrvatski f ilmski s avez - H FS","to":"Hrvatski filmski savez - HFS","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 26. OCR spacing corrected (h rvatskog, f ilma).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Sixteen entries with numbered editions (18th-35th) spanning 2009-2026. Consistent festival name, category, and distinctive wording across multiple organizers. Major recurring national festival.","candidate_id":"fc_74ecfbbe0743"}},"funding_status":"awarded","project_family_id":"pf_013eae814e86","project_family_title":"Dani hrvatskog filma"},{"row_number":27,"project_title":"30. Svjetski festival animiranog filma - Animafest Zagreb 2020","applicant":"Hulahop d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"900.000,00","approved_amount":900000.0,"currency":"HRK","extras":{"14":"27","Festival m editeranskog f ilma S plit":"Hulahop d.o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:8d3be4bdc308","curation":{"changes":[{"field":"applicant","from":null,"to":"Hulahop d.o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"30. S vjetski f estival a nimiranog f ilma - A nimafest Zagreb 2 020","to":"30. Svjetski festival animiranog filma - Animafest Zagreb 2020","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 27. OCR spacing corrected (S vjetski, f estival, a nimiranog, f ilma, A nimafest).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (29-36) by Hulahop d.o.o. spanning 2010-2026. Flagship recurring festival with consistent name and organizer across 14 rows.","candidate_id":"fc_e1684903fd31"}},"funding_status":"awarded","project_family_id":"pf_e8c67f0ce97b","project_family_title":"Svjetski festival animiranog filma - Animafest Zagreb"},{"row_number":28,"project_title":"4. HISTORY FILM FESTIVAL i INKLUZIVNO KINO","applicant":"Istra film","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"28.000,00","approved_amount":28000.0,"currency":"HRK","extras":{"14":"28","Festival m editeranskog f ilma S plit":"Istra f ilm","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:455d0b10dc8d","curation":{"changes":[{"field":"applicant","from":null,"to":"Istra f ilm","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"4. H ISTORY F ILM F ESTIVAL i INKLUZIVNO K INO","to":"4. HISTORY FILM FESTIVAL i INKLUZIVNO KINO","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Istra f ilm","to":"Istra film","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 28. OCR spacing corrected (H ISTORY, F ILM, F ESTIVAL, I NKLUZIVNO, K INO).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (4-5) of same festival by Istra film in 2020-2021. Clear recurring event despite minor title casing variations.","candidate_id":"fc_e0c699fdb2aa"}},"funding_status":"awarded","project_family_id":"pf_8c6e4a0551c1","project_family_title":"History Film Festival i Inkluzivno kino"},{"row_number":29,"project_title":"DUff 2020. - Mediteranski festival djece i mladih - 9. izdanje","applicant":"Javna ustanova u kulturi Kinematografi Dubrovnik","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"14":"29","Festival m editeranskog f ilma S plit":"Javna u stanova u k ulturi K inematografi Dubrovnik","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:f69a06b46e76","curation":{"changes":[{"field":"applicant","from":null,"to":"Javna u stanova u k ulturi K inematografi Dubrovnik","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"DUff 2 020. - M editeranski f estival d jece i m ladih - 9 . izdanje","to":"DUff 2020. - Mediteranski festival djece i mladih - 9. izdanje","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Javna u stanova u k ulturi K inematografi Dubrovnik","to":"Javna ustanova u kulturi Kinematografi Dubrovnik","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 29. OCR spacing corrected (u stanova, u k ulturi, K inematografi, m editeranski, f estival, d jece, m ladih).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_8f2977dd61f8","project_family_title":"DUff 2020. - Mediteranski festival djece i mladih - 9. izdanje"},{"row_number":30,"project_title":"Star Film Fest","applicant":"Kino klub Sisak","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"14":"30","Festival m editeranskog f ilma S plit":"Kino k lub S isak","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:8d5006b208e6","curation":{"changes":[{"field":"applicant","from":null,"to":"Kino k lub S isak","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Star F ilm F est","to":"Star Film Fest","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kino k lub S isak","to":"Kino klub Sisak","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 30. OCR spacing corrected (k lub, S isak).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_9205325be076","project_family_title":"Star Film Fest"},{"row_number":31,"project_title":"Filmski E U t jedan 2 020.","applicant":"Kinoklub K arlovac","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"14":"31","Festival m editeranskog f ilma S plit":"Kinoklub K arlovac","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:403a4bf3c1cd","curation":{"changes":[{"field":"applicant","from":null,"to":"Kinoklub K arlovac","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_7ed961b486a1","project_family_title":"Filmski E U t jedan 2 020."},{"row_number":32,"project_title":"FUSE - Film Under Severe Experiment","applicant":"Kinoklub Karlovac","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"14":"32","Festival m editeranskog f ilma S plit":"Kinoklub K arlovac","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:264c1603150b","curation":{"changes":[{"field":"applicant","from":null,"to":"Kinoklub K arlovac","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"FUSE - F ilm U nder S evere E xperiment","to":"FUSE - Film Under Severe Experiment","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kinoklub K arlovac","to":"Kinoklub Karlovac","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 32. OCR spacing corrected (K arlovac, F ilm, U nder, S evere, E xperiment).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Recurring annual festival with distinctive title (2019-2026). Consistent organizer Kinoklub Karlovac and festival classification.","candidate_id":"fc_980fc80972ea"}},"funding_status":"awarded","project_family_id":"pf_330d39a04197","project_family_title":"FUSE - Film Under Severe Experiment"},{"row_number":33,"project_title":"25. Splitski filmski festival","applicant":"Međunarodni festival novog filma","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"200.000,00","approved_amount":200000.0,"currency":"HRK","extras":{"14":"33","Festival m editeranskog f ilma S plit":"Međunarodni f estival n ovog f ilma","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:ba3cc7aa67c3","curation":{"changes":[{"field":"applicant","from":null,"to":"Međunarodni f estival n ovog f ilma","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"25. S plitski f ilmski f estival","to":"25. 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OCR spacing corrected (k reativni, s tudio, F ilm, F estival).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_89b599c30b80","project_family_title":"Betina Film Festival I II."},{"row_number":35,"project_title":"Dalmatia Film Festival","applicant":"Moonstone Production d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"14":"35","Festival m editeranskog f ilma S plit":"Moonstone P roduction d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s9:c9d43fe18f3b","curation":{"changes":[{"field":"applicant","from":null,"to":"Moonstone P roduction d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Dalmatia F ilm F estival","to":"Dalmatia Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Moonstone P roduction d .o.o.","to":"Moonstone Production d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 35. OCR spacing corrected (P roduction, d .o.o., F ilm, F estival).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_ea8760488d2c","project_family_title":"Dalmatia Film Festival"}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["36","Motovun f ilm f estival U .O.","Motovun F ilm F estival 2 020","520.000,00"],"rows":[{"row_number":37,"project_title":"Human Rights Film Festival","applicant":"Multimedijalni institut","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"170.000,00","approved_amount":170000.0,"currency":"HRK","extras":{"36":"37","Motovun f ilm f estival U .O.":"Multimedijalni i nstitut","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:2d69ad8d3aa1","curation":{"changes":[{"field":"applicant","from":null,"to":"Multimedijalni i nstitut","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Human R ights F ilm F estival","to":"Human Rights Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Multimedijalni i nstitut","to":"Multimedijalni institut","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 37, Motovun Film Festival section. OCR spacing corrected (i nstitut, R ights, F ilm, F estival).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_1a972265eb2f","project_family_title":"Human Rights Film Festival"},{"row_number":38,"project_title":"6. MEĐUNARODNI FESTIVAL ARHEOLOŠKOG FILMA (mfaf)","applicant":"Muzej hrvatskih arheoloških spomenika Split","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"36":"38","Motovun f ilm f estival U .O.":"Muzej h rvatskih a rheoloških s pomenika Split","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:8cf0fdc8f6cc","curation":{"changes":[{"field":"applicant","from":null,"to":"Muzej h rvatskih a rheoloških s pomenika Split","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"6. M EĐUNARODNI F ESTIVAL A RHEOLOŠKOG FILMA ( mfaf)","to":"6. MEĐUNARODNI FESTIVAL ARHEOLOŠKOG FILMA (mfaf)","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Muzej h rvatskih a rheoloških s pomenika Split","to":"Muzej hrvatskih arheoloških spomenika Split","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 38. OCR spacing corrected (h rvatskih, a rheoloških, s pomenika, M EĐUNARODNI, F ESTIVAL, A RHEOLOŠKOG, F ILMA).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Seven entries with consistent distinctive naming (MFAF), numbered editions (3–9), same organizer (Muzej hrvatskih arheoloških spomenika Split), spanning 2014–2026. 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OCR spacing corrected (h rvatskog, f ilma, n ovih, m edija).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Identical title across 5 entries (2016–2020), same organizer (Noć hrvatskog filma i novih medija, U.O.), same category. 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OCR spacing corrected (T ake, F ilm, F estival, o rganizacija, f estivala).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_bfbbc6d52653","project_family_title":"One Take Film Festival - organizacija festivala"},{"row_number":41,"project_title":"Supertoon - Međunarodni festival animacije","applicant":"Otompotom","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"65.000,00","approved_amount":65000.0,"currency":"HRK","extras":{"36":"41","Motovun f ilm f estival U .O.":"Otompotom","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:9cd3ce1671a9","curation":{"changes":[{"field":"applicant","from":null,"to":"Otompotom","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Supertoon - M eđunarodni f estival a nimacije","to":"Supertoon - Međunarodni festival animacije","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 41. OCR spacing corrected (M eđunarodni, f estival, a nimacije).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_179f9a05411a","project_family_title":"Supertoon - Međunarodni festival animacije"},{"row_number":42,"project_title":"DA2 - ZAGREB DESIGN, ART & ARCHITECTURE FILM FESTIVAL","applicant":"Pari Pikule","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"36":"42","Motovun f ilm f estival U .O.":"Pari P ikule","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:f9b042b507be","curation":{"changes":[{"field":"applicant","from":null,"to":"Pari P ikule","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"DA2 - Z AGREB D ESIGN, A RT & A RCHITECTURE FILM F ESTIVAL","to":"DA2 - ZAGREB DESIGN, ART & ARCHITECTURE FILM FESTIVAL","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pari P ikule","to":"Pari Pikule","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 42. OCR spacing corrected (P ikule, Z AGREB, D ESIGN, A RT, A RCHITECTURE, F ILM, F ESTIVAL).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent distinctive title with numbered editions (8th in 2026), 6 entries across 2020-2026, same organizer and program.","candidate_id":"fc_fef64a087202"}},"funding_status":"awarded","project_family_id":"pf_657e459a4d75","project_family_title":"DA2 – Zagreb Design, Art & Architecture Film Festival"},{"row_number":43,"project_title":"Vox Feminae filmski festival 2020.","applicant":"Prostor rodne i medijske kulture K-zona","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"36":"43","Motovun f ilm f estival U .O.":"Prostor r odne i m edijske k ulture K -zona","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:f5b28430a52f","curation":{"changes":[{"field":"applicant","from":null,"to":"Prostor r odne i m edijske k ulture K -zona","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Vox F eminae f ilmski f estival 2 020.","to":"Vox Feminae filmski festival 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Prostor r odne i m edijske k ulture K -zona","to":"Prostor rodne i medijske kulture K-zona","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 43. OCR spacing corrected (r odne, m edijske, K -zona, f ilmski, f estival).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Identical title across 3 entries (2019–2021), same organizer (Prostor rodne i medijske kulture K-zona), same category. Recurring festival.","candidate_id":"fc_3b089d77cc4f"}},"funding_status":"awarded","project_family_id":"pf_eee6af31c911","project_family_title":"Vox Feminae filmski festival"},{"row_number":44,"project_title":"10.POREČDOX, međunarodni festival dokumentarnog filma","applicant":"Pučko otvoreno učilište Poreč","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"12.000,00","approved_amount":12000.0,"currency":"HRK","extras":{"36":"44","Motovun f ilm f estival U .O.":"Pučko o tvoreno u čilište P oreč","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:e4e35e8fa727","curation":{"changes":[{"field":"applicant","from":null,"to":"Pučko o tvoreno u čilište P oreč","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"10.POREČDOX, m eđunarodni f estival dokumentarnog f ilma","to":"10.POREČDOX, međunarodni festival dokumentarnog filma","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pučko o tvoreno u čilište P oreč","to":"Pučko otvoreno učilište Poreč","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 44. OCR spacing corrected (o tvoreno, u čilište, P oreč, m eđunarodni, f estival, d okumentarnog, f ilma).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Sequential editions 2015-2026 (5th-16th edition) with consistent organizer (Pučko otvoreno učilište Poreč) and distinctive name.","candidate_id":"fc_8ea3edb84f7b"}},"funding_status":"awarded","project_family_id":"pf_5ea5916d8297","project_family_title":"Porečdox - međunarodni festival dokumentarnog filma"},{"row_number":45,"project_title":"7. Diversions International Short Film Festival","applicant":"Pučko otvoreno učilište Sveti Ivan Zelina","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"22.000,00","approved_amount":22000.0,"currency":"HRK","extras":{"36":"45","Motovun f ilm f estival U .O.":"Pučko o tvoreno u čilište S veti I van Z elina","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:370dada7b6ac","curation":{"changes":[{"field":"applicant","from":null,"to":"Pučko o tvoreno u čilište S veti I van Z elina","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"7. D iversions I nternational S hort F ilm F estival","to":"7. Diversions International Short Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Pučko o tvoreno u čilište S veti I van Z elina","to":"Pučko otvoreno učilište Sveti Ivan Zelina","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 45. OCR spacing corrected (o tvoreno, u čilište, S veti, I van, Z elina, D iversions, S hort, F ilm, F estival).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (7th-9th) by same entity (Pučko otvoreno učilište Sveti Ivan Zelina) across 5 entries (2018-2022). Clear annual international festival.","candidate_id":"fc_be71ee234e1a"}},"funding_status":"awarded","project_family_id":"pf_014710a2ffb0","project_family_title":"Diversions International Short Film Festival"},{"row_number":46,"project_title":"Films Like No Other, festival umjetničkog filma u Bolu na Braču","applicant":"REA - udruga za suvremene umjetničke i arhitektonske produkcije","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"15.000,00","approved_amount":15000.0,"currency":"HRK","extras":{"36":"46","Motovun f ilm f estival U .O.":"REA - u druga z a s uvremene u mjetničke i arhitektonske p rodukcije","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:c3645f548cc2","curation":{"changes":[{"field":"applicant","from":null,"to":"REA - u druga z a s uvremene u mjetničke i arhitektonske p rodukcije","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Films L ike N o O ther, f estival u mjetničkog f ilma u B olu na B raču","to":"Films Like No Other, festival umjetničkog filma u Bolu na Braču","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"REA - u druga z a s uvremene u mjetničke i arhitektonske p rodukcije","to":"REA - udruga za suvremene umjetničke i arhitektonske produkcije","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 46. OCR spacing corrected (u druga, z a, s uvremene, u mjetničke, a rhitektonske, p rodukcije, u mjetničkog, f ilma, u B olu, n a, B raču).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_7f7971fb328f","project_family_title":"Films Like No Other, festival umjetničkog filma u Bolu na Braču"},{"row_number":47,"project_title":"10. Fantastic Zagreb Film Festival","applicant":"Robot 22 d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"55.000,00","approved_amount":55000.0,"currency":"HRK","extras":{"36":"47","Motovun f ilm f estival U .O.":"Robot 22 d.o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:f70c620609bc","curation":{"changes":[{"field":"applicant","from":null,"to":"Robot 22 d.o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"10. F antastic Z agreb F ilm F estival","to":"10. Fantastic Zagreb Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 47. OCR spacing corrected (F antastic, Z agreb, F ilm, F estival).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered festival editions (5th-16th) with consistent distinctive name across 2012-2026. Distinct from other Zagreb film festivals per instructions.","candidate_id":"fc_1a8b8b6801b1"}},"funding_status":"awarded","project_family_id":"pf_9f0580789878","project_family_title":"Fantastic Zagreb Film Festival"},{"row_number":48,"project_title":"Rab Film Festival - RAFF 2020.","applicant":"TORO laboratorij j.d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"36":"48","Motovun f ilm f estival U .O.":"TORO l aboratorij j .d.o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:99173312a572","curation":{"changes":[{"field":"applicant","from":null,"to":"TORO l aboratorij j .d.o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Rab F ilm F estival - R AFF 2 020.","to":"Rab Film Festival - RAFF 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"TORO l aboratorij j .d.o.o.","to":"TORO laboratorij j.d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 48. OCR spacing corrected (l aboratorij, j .d.o.o., F ilm, F estival).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_1f96eaee437f","project_family_title":"Rab Film Festival - RAFF 2020."},{"row_number":49,"project_title":"13. Subversive Film Festival: Kreativni neposluh","applicant":"Udruga Bijeli val","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"130.000,00","approved_amount":130000.0,"currency":"HRK","extras":{"36":"49","Motovun f ilm f estival U .O.":"Udruga B ijeli v al","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:bfb5e2a1ac55","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga B ijeli v al","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"13. S ubversive F ilm F estival: K reativni n eposluh","to":"13. Subversive Film Festival: Kreativni neposluh","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga B ijeli v al","to":"Udruga Bijeli val","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 49. OCR spacing corrected (B ijeli, v al, S ubversive, F ilm, F estival, K reativni, n eposluh).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_49af2312dddc","project_family_title":"13. Subversive Film Festival: Kreativni neposluh"},{"row_number":50,"project_title":"Manifestacija Đakovački rezovi","applicant":"Udruga Đakovački rezovi","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"36":"50","Motovun f ilm f estival U .O.":"Udruga Đ akovački r ezovi","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:655e5a0597e7","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga Đ akovački r ezovi","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Manifestacija Đ akovački r ezovi","to":"Manifestacija Đakovački rezovi","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga Đ akovački r ezovi","to":"Udruga Đakovački rezovi","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 50. OCR spacing corrected (Đ akovački, r ezovi).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_3c144dc0c098","project_family_title":"Manifestacija Đakovački rezovi"},{"row_number":51,"project_title":"Međunarodni studentski filmski festival - STIFF 2020.","applicant":"Udruga Filmaktiv","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"HRK","extras":{"36":"51","Motovun f ilm f estival U .O.":"Udruga F ilmaktiv","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:326aa8330dfe","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga F ilmaktiv","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Međunarodni s tudentski f ilmski f estival - S TIFF 2 020.","to":"Međunarodni studentski filmski festival - STIFF 2020.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga F ilmaktiv","to":"Udruga Filmaktiv","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 51. OCR spacing corrected (F ilmaktiv, M eđunarodni, s tudentski, f ilmski, f estival, S TIFF).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent distinctive festival name and organizing entity (Udruga Filmaktiv) across years 2015-2026. Clear sequential edition numbering (8th through 13th) with comprehensive year-to-year documentation demonstrates single recurring international student film festival.","candidate_id":"fc_4d15c89c92de"}},"funding_status":"awarded","project_family_id":"pf_34bb246d8c32","project_family_title":"Međunarodni studentski filmski festival STIFF"},{"row_number":52,"project_title":"6. Brač Film Festival","applicant":"Udruga Globe Media","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"35.000,00","approved_amount":35000.0,"currency":"HRK","extras":{"36":"52","Motovun f ilm f estival U .O.":"Udruga G lobe M edia","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:a7c214b1b8f6","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga G lobe M edia","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"6. B rač F ilm F estival","to":"6. Brač Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga G lobe M edia","to":"Udruga Globe Media","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 52. OCR spacing corrected (G lobe, M edia, B rač, F ilm, F estival).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (6–12) plus unnumbered entries across 2016–2026, same organizer (Udruga Globe Media), same category. Long-running annual festival with consistent identity.","candidate_id":"fc_3825dbc89aeb"}},"funding_status":"awarded","project_family_id":"pf_1977ec5b5cc3","project_family_title":"Brač Film Festival"},{"row_number":53,"project_title":"10. međunarodni festival kratkometražnog filma \"POSTIRA SEASIDE FILM FESTIVAL 2020\"","applicant":"Udruga Lanterna Magica","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"18.000,00","approved_amount":18000.0,"currency":"HRK","extras":{"36":"53","Motovun f ilm f estival U .O.":"Udruga L anterna M agica","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:c828f0638f51","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga L anterna M agica","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"10. m eđunarodni f estival k ratkometražnog f ilma \"POSTIRA S EASIDE F ILM F ESTIVAL 2 020\"","to":"10. međunarodni festival kratkometražnog filma \"POSTIRA SEASIDE FILM FESTIVAL 2020\"","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Udruga L anterna M agica","to":"Udruga Lanterna Magica","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Verified in source: row 53. OCR spacing corrected (L anterna, M agica, m eđunarodni, f estival, k ratkometražnog, f ilma, P OSTIRA, S EASIDE, F ILM, F ESTIVAL).","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_5035a3e63d81","project_family_title":"10. međunarodni festival kratkometražnog filma \"POSTIRA SEASIDE FILM FESTIVAL 2020\""},{"row_number":54,"project_title":"18. Liburnia Film Festival","applicant":"Udruga L iburnia f ilm f estival","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"70.000,00","approved_amount":70000.0,"currency":"HRK","extras":{"36":"54","Motovun f ilm f estival U .O.":"Udruga L iburnia f ilm f estival","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:217e598aab71","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga L iburnia f ilm f estival","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"18. L iburnia F ilm F estival","to":"18. Liburnia Film Festival","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 54 in source document, section 10 (film festivals). Applicant and amount confirmed in raw text. OCR spacing corrected: 'Liburnia' and 'Film' are legitimate multi-word title components.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Sequential edition numbers (9th–24th) spanning 2010–2026, consistent distinctive name despite minor entity variations, consistent festival category.","candidate_id":"fc_ee72880b1175"}},"funding_status":"awarded","project_family_id":"pf_02303e1a0480","project_family_title":"Liburnia Film Festival"},{"row_number":55,"project_title":"15. Trash Film Festival - međunarodni festival niskobuđetnih filmova","applicant":"Udruga T rash","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"36":"55","Motovun f ilm f estival U .O.":"Udruga T rash","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s10:1be500e53402","curation":{"changes":[{"field":"applicant","from":null,"to":"Udruga T rash","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"15. T rash F ilm F estival - m eđunarodni f estival niskobuđetnih f ilmova","to":"15. Trash Film Festival - međunarodni festival niskobuđetnih filmova","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Row 55 in source. Legitimate entry with OCR-corrected spacing in applicant name.","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Numbered editions (14–15) with identical title structure, same organizer (Udruga Trash), same category and program. Clear recurring festival.","candidate_id":"fc_2e88d54a8dc8"}},"funding_status":"awarded","project_family_id":"pf_33bf6c8353dd","project_family_title":"Trash Film Festival - međunarodni festival niskobuđetnih filmova"},{"row_number":56,"project_title":"Međunarodni festival dokumentarnog filma 15. 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20.000,00 HRK confirmed; OCR: 'z nanstveni s kup'→'znanstveni skup', 'a nimiranom'→'animiranom'","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_1092bc36d534","project_family_title":"Međunarodni znanstveni skup o animiranom filmu Animafest Scanner VII"},{"row_number":2,"project_title":"Monsterclass: razgovori s filmskim autorima u Kinoklubu Zagreb","applicant":"Kinoklub Zagreb","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"6.000,00","approved_amount":6000.0,"currency":"HRK","extras":{"col_1":"2","Naziv p rograma":"Monsterclass: r azgovori s f ilmskim a utorima u Kinoklubu Z agreb","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s17:b20ceca05966","curation":{"changes":[{"field":"applicant","from":null,"to":"Kinoklub Z agreb","reason":"recover_applicant_from_shifted_title_column","method":"machine"},{"field":"project_title","from":"Kinoklub Z agreb","to":"Monsterclass: r azgovori s f ilmskim a utorima u Kinoklubu Z agreb","reason":"recover_project_title_from_program_extra","method":"machine"},{"field":"project_title","from":"Monsterclass: r azgovori s f ilmskim a utorima u Kinoklubu Z agreb","to":"Monsterclass: razgovori s filmskim autorima u Kinoklubu Zagreb","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kinoklub Z agreb","to":"Kinoklub Zagreb","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"project_title","from":"Monsterclass: razgovori s filmskim autorima u Kinoklubu Zagreb","to":"Monsterclass: r azgovori s f ilmskim a utorima u Kinoklubu Z agreb","reason":"recover_project_title_from_program_extra","method":"machine"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source document section 17 row 2; 6.000,00 HRK confirmed; OCR: 'r azgovori'→'razgovori', 'f ilmskim'→'filmskim'","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_79c79769b3f7","project_family_title":"Monsterclass: razgovori s filmskim autorima u Kinoklubu Zagreb"}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["3","Kreativni s indikat","Videoforum","5.000,00"],"rows":[{"row_number":4,"project_title":"Film XX - ženski filmski narativi","applicant":"Kulturno informativni centar","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"3":"4","Kreativni s indikat":"Kulturno i nformativni c entar","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s18:3dd1f03918bb","curation":{"changes":[{"field":"applicant","from":null,"to":"Kulturno i nformativni c entar","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Film X X - ž enski f ilmski n arativi","to":"Film XX - ženski filmski narativi","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Kulturno i nformativni c entar","to":"Kulturno informativni centar","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source document section 18 row 4; 10.000,00 HRK confirmed; OCR: 'i nformativni c entar'→'informativni centar', 'ž enski'→'ženski', 'n arativi'→'narativi'","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_f5d7e3913827","project_family_title":"Film XX: Ženski filmski narativi"},{"row_number":5,"project_title":"Filmski program \"Ulica pretkinja 2020.\"","applicant":"Lokalna baza za osvježavanje kulture - BLOK","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"3":"5","Kreativni s indikat":"Lokalna b aza z a o svježavanje k ulture - BLOK","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s18:e82a59bba9a7","curation":{"changes":[{"field":"applicant","from":null,"to":"Lokalna b aza z a o svježavanje k ulture - BLOK","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Filmski p rogram \" Ulica p retkinja 2 020.\"","to":"Filmski program \"Ulica pretkinja 2020.\"","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Lokalna b aza z a o svježavanje k ulture - BLOK","to":"Lokalna baza za osvježavanje kulture - BLOK","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source document section 18 row 5; 7.000,00 HRK confirmed; OCR: 'b aza z a o svježavanje k ulture'→'baza za osvježavanje kulture'","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Consistent program name, same entity (BLOK), consecutive years (2019-2020)","candidate_id":"fc_c21c81fc1c10"}},"funding_status":"awarded","project_family_id":"pf_8fbb7295a8c1","project_family_title":"Filmski program Ulica pretkinja"},{"row_number":6,"project_title":"Vizualni k olegij","applicant":"Multimedijalni i nstitut","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"40.000,00","approved_amount":40000.0,"currency":"HRK","extras":{"3":"6","Kreativni s indikat":"Multimedijalni i nstitut","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s18:8cc8029999fb","curation":{"changes":[{"field":"applicant","from":null,"to":"Multimedijalni i nstitut","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_5476ea1cf37e","project_family_title":"Vizualni k olegij"},{"row_number":7,"project_title":"Dokukino K IC - U poznaj a utora u 2 020. g odini","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"20.000,00","approved_amount":20000.0,"currency":"HRK","extras":{"3":"7","Kreativni s indikat":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s18:87a44d269297","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_promoted_header_section","method":"machine"}],"version":"2.0","method":"machine","confidence":"high"},"funding_status":"awarded","project_family_id":"pf_0a3b86b69485","project_family_title":"Dokukino K IC - U poznaj a utora u 2 020. g odini"},{"row_number":8,"project_title":"Hall of Fame u 2020. godini","applicant":"Restart","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00","approved_amount":10000.0,"currency":"HRK","extras":{"3":"8","Kreativni s indikat":"Restart","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"efdb7208:s18:6a8d64a1682f","curation":{"changes":[{"field":"applicant","from":null,"to":"Restart","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Hall o f F ame u 2 020. g odini","to":"Hall of Fame u 2020. godini","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source document section 18 row 8; 10.000,00 HRK confirmed; OCR: 'F ame'→'Fame', 'g odini'→'godini'","reviewed_reasons":["ocr_letter_spacing"],"family":{"method":"claude-haiku","confidence":"high","reason":"Seven consecutive years (2020–2026) with identical format 'Hall of Fame u [YEAR]. godini'. Consistent organizer (Restart), category, and program. 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Ipak, vjerujem kako bi trebalo dati više prostora \npozitivnim istinitim  pričama u kojima se, usprkos svim vjetrenjačama, uspijevaju \nrealizirati snovi. \nOvaj projekt ima potencijala biti i likovno i animacijski također vrlo zanimljiv čime bi \nmogao dodatno pojačati emotivni dojam filma i učiniti ga još snažnijim. \n2.  \nnaziv projekta: Pipi i izgubljeno pleme \nscenarij i režija: Saša Ban \niznos financiranja: 5.000,00 eura \ntrajanje: dugometražni animirani film \n \nU potrazi  za izgubljenim ljubimcem  papigom, brat i sestra se i sami izgube u šumi. \nPutem upoznaju razne životinje od kojih s nekima postaju prijatelji, ali neke od njih \nnemaju dobre namjere.  \nAnimirani film Pipi i izgubljeno pleme namijenjen je mlađem uzrastu, ali također \nmože biti i obiteljski film. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"3 a obrazloz_enje dugi dok 2 rok_2022.pdf","filename_decoded":"3 a obrazloz_enje dugi dok 2 rok_2022.pdf","sha256":"f07119705bf31048212a04f66f48ebd0a5ced14cb0f407fce67a3b86d6024afc","bytes":55054,"page_count":2,"extracted_at":"2026-05-17T12:01:35Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/3%20a%20obrazloz%CC%8Cenje%20dugi%20dok%202%20rok_2022.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 2. ROK, 2022. \nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac  \nKATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - DUGOMETRAŽNI DOKUMENTARNI FILM – 15. rujna \n2022.  \nOPĆI OSVRT  \nNa javni poziv u kategoriji proizvodnje dugometražnog dokumentarnog filma na 2. roku prijavljeno je \nsveukupno 10 projekata. Od 10 projekata, svi su razmatrani. Značajan broj pristiglih projekata već je \niskoristio potporu u fazi razvoja scenarija ili razvoja projekta i to je vidljivo u kvaliteti dijela pripremljenih \nprodukcijskih paketa. Dio projekata ranije je prijavljivan u kategoriji proizvodnje te su sada ponovili \nprijavu.  \nAutorski principi su raznoliki, uz dominaciju opservacijskih, istraživačkih i polu-autobiografskih pristupa. \nTeme koje autori i autorice postavljaju u fokus su većinom vezane uz turbulentne događaje iz recentne \nprošlosti poput pandemije i potresa, autori također nude zanimljive i društveno relevantne uvide u \nrealnosti kroz portrete specifičnih lokaliteta i  pojedinaca te ulaze u očito još uvijek nedovoljno obrađivane \nteme posljedica Domovinskog rata.   \nDio projekata je ponovio prijavu za proizvodnju, većina njih bez značajne promjene u odnosu na ranije \nprijave. Prijavljeno je i nekoliko projekata koji su rezultat temeljitog i dugotrajnog istraživanja teme, no \nnekima istovremeno nedostaje dramaturška kompleksnost, autorska inovativnost ili uvjerljivost.  \nOdobrena su ukupno 3 projekta za sufinanciranje u ovoj kategoriji u ukupnom iznosu od 1.115.000 kn/ \n147.985,93 eura. Odobreni projekti iskaču svojim kreativnim potencijalom, nadahnutim pristupom obradi \nteme, ali i relevantni su u društvenom i umjetničkom kontekstu. Kvalitetno obavljenim istraživanjem se \nstječe povjerenje u mogućnost završetka produkcije.  \n1. TREĆI SVIJET  Arsen Oremović (scenarist i redatelj) /Ivan Maloča  (producent) / Inter film d.o.o.  \n(produkcija) –385.000,00 kn / 51.098,28 eura \nKroz odnos autorskog dvojca, pjevača Darka Rundeka i basista Srđana Sachera, priča povezuje povijest \ngrupe Haustor kroz duh vremena i utjecaje poetskog realizma koji je povezao njihove prilično \nsuprotstavljene karaktere. Film nadilazi formu klasičnog glazbenog ili biografskog filma, povezujući \nstvaralaštvo glavnih protagonista s duhom vremena potentnog umjetničkog stvaralaštva koje je utjecalo \nna kreativne procese glavnih likova. Pored rekonstrukcije vremena, pri čemu se autor koristi bogatom \narhivom, kreativnom upotrebom umjetničke fotografije i asocijativnom izgradnjom naracije, radnja prati \nproces snimanja nove verzije pjesme Treći svijet Dub 2022. Intencija filma nije primarno kronološka \nrekonstrukcija vremena, nego filmsko oblikovanje umjetničko-stvaralačkog trenutka i poetskog konteksta.  \n2.PRAŠINA U VITRINI Daniel Pavić (redatelj i scenarist) / Branko Ištvančić  (producent) / Udruga za \naudiovizualno stvaralaštvo Artizana -  400.000,00 kn / 53.089,12 eura \n \n\n\f\nDebitantski dokumentarni film «PRAŠINA U VITRINI» prati autora filma koji u potrazi za boljom \negzistencijom odlazi u Amsterdam. Tamo se njegovo putovanje pretvara u neplaniranu, ali nužnu potragu \nza vlastitim ocem. Kroz susret izgubljenog oca i sina ovaj vječni motiv otvara prostor šireg razgovora  o \nnarušenim obiteljskim odnosima, transgeneracijskim traumama, ratu, ljubavi, alkoholizmu, seksualnosti,  \nživotu s AIDS-om... I na koncu izazovima izgradnje osobnih života unutar raznih društvenih tranzicija.  \nFilm poprima simboličko značenje brisanja prašine s vitrine ispunjene figuricama zadanog stanja \nobiteljskog života.  \n \n \n3.PAVILJON 6  Goran Dević (scenarist i redatelj) /   Hrvoje Osvadić  (producent) / Petnaesta umjetnost  \n(produkcija)330.000,00 kn / 43.798,53 eura \n \nDokumentarni film «PAVILJON 6» prati punkt za cijepljenje na Zagrebačkom velesajmu. Dramaturgija filma \ngrađena je kroz opservaciju pojedinaca vezanih uz vođenje najvažnijih sektora organizacije masovnog \ncijepljenja građana na odabranoj lokaciji.  \nPrateći kaos koji nastaje tijekom i oko cijepljenja, filmom autor otkriva zakonitosti okupljene mase te kroz \nnjih suptilno ulazi u veće probleme šireg posttranzicijskog stanja. Psihozu uzrokovanu pandemijom autor \ntako pretvara u inteligentnu analizu šireg društvenog  konteksta.  \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2022,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_WEB_DUG_IGR_3_rok2017.pdf","filename_decoded":"Obrazlozenje_WEB_DUG_IGR_3_rok2017.pdf","sha256":"f197ada56db7f5c64436fa614b5fc395cf112bc904a3438e612658d26319014b","bytes":456484,"page_count":1,"extracted_at":"2026-05-17T12:02:16Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_WEB_DUG_IGR_3_rok2017.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja \nprojekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova u 2017. - 3. ROK - 10.10.2017. \n \nRAZVOJ PROJEKATA DUGOMETRAŽNIH IGRANIH FILMOVA - 3. ROK 2017. \n \nNa 3. rok Javnog poziva za razvoj projekata dugometražnih igranih filmova u 2017. godini prijavljeno je samo tri (3) \nprojekta od kojih predlažemo jedan: \n \nSMRT DJEVOJČICE SA ŽIGICAMA redatelja Gorana Kulenovića, u produkciji produkcijske kuće LIVADA u iznosu od 110.000 \nkuna.  \n \nRadi se adaptaciji poznatog istoimenog romana književnika Zorana Ferića koji je, zajedno s Goranom Kulenovićem, i \nkoscenarist filma. Scenarij je mješavina trilera i detektivskog filma koji na originalan način preispituje konzervativne \nzakone zatvorene otočke zajednice, grižnju savjesti, odnos prema prijateljstvu, izdaji i ljubavi uz dašak melankoličnog \npogleda na propuštene prilike i grijehe iz mladosti.  \nFilm bi zbog žanrovske prijemčivosti, ali i zbog popularnosti pisca Zorana Ferića, mogao biti dobro posjećen u kinima, a \nistovremeno posjeduje i artističku ambiciju koja bi ga mogla približiti krugu festivalskih crowd pleasera.  \n \n \nRAZVOJ SCENARIJA DUGOMETRAŽNIH IGRANIH FILMOVA - 3. ROK 2017. \n \nNa 3. rok Javnog poziva za razvoj scenarija pristiglo je pedeset i sedam (57) projekata. Uz šezdeset i devet (69) prijava na \nprvom i trideset i jednu (31) prijavu na drugom roku, u 2017. ukupno je na razvoj scenarija prijavljeno 157 projekata. Od \nosam projekata koje smo odabrali na ovom roku tri su komedije. \n \nBEBA \nKnjiževnik Jurica Pavičić i redatelj Bruno Anković donose priču o mladom paru kojem vijest o mogućoj trudničkoj \nkomplikaciji unosi nemir i neizvjesnost u njihov, ali i odnos s roditeljima.  \n \nDJEČAK IZ BITUMENA \nProducent Ljubo Zdjelarević izvrsno je prepoznao dramski i akcijski potencijal stvarnog događaja: akciju spašavanja \nafganistanskog izbjeglice iz vagona punog bitumena.  \n \nGOLA NAKON RAZVODA  \nRomantična komedija scenaristice i redateljice Biljane Čakić s okusom američkog nezavisnog filma, pisana iz pozicije žene.  \n \nGOSPA U LIFTU  \nIznimno duhovita ljubavna komedija s elementima akcije scenaristice Rone Žulj, koja stilom podsjeća na uspješne \nniskobudžetne britanske filmove. \n \nHRVATSKA MATI  \nSandra Antolić donosi britku i duhovitu interpretaciju suvremenih hrvatskih tema – iseljavanja, pada nataliteta te muških \ni ženskih arhetipskih uloga. \n \nKVINTET DAVOR MAJERA  \nU suradnji s Marijanom Verhoef, Ognjen Sviličić razvija scenarij svog novog filma. Radi se o drami propuštenih životnih \nprilika jednog sredovječnog muzičara. \n \nNA RUBU PAMETI \nTandem Grlić-Tomić ovaj put se uhvatio adaptacije poznatog Krležinog romana iz koje je jasno koliko je Krleža svevremen \ni suvremen autor. Bez obzira na tip društvenih odnosa, čovjek čovjeku ostaje vuk. \n \nPETLJA  \nVješto koncipirana drama, gdje se više paralelnih rukavaca radnje spaja u potresnu priču o dvije obitelji i posljedicama \nrata. Scenarist je filmski debitant, književnik Franjo Janeš. \n \nUmjetnički savjetnici za dugometražni igrani film Jelena Paljan i Pavao Marinković \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2017,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_30102015_molba_Apoteka.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_30102015_molba_Apoteka.pdf","sha256":"f1990d779c00dfc5cd05556f65bd0c556a61c9bbb5a977e8fc0b661440758cc3","bytes":313034,"page_count":2,"extracted_at":"2026-05-16T14:11:26Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 3709 -2015 \nU Zagrebu, 30. listopada 2015. \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11, dalje u tekstu: Zakon), te \nsukladno Pravilniku o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14, dalje u tekstu: Pravilnik),  Hrvatsko audiovizualno vijeće je na \nprijedlog ravnatelja na 65. sjednici održanoj 30. listopada 2015. godine donijelo: \n \n \nO  D  L  U  K  U \n \n1.) Usvaja se molba za izmjenu nositelja prava programa Cinemaniac 2015 – Međunarodni video susret \nu Motovunu 1976. godine s Udruge Multimedijalni centar Luka, Istarska 30, Pula (dalje u tekstu: Udruga \nMMC Luka) na Umjetničku organizaciju Apoteka – prostor za suvremenu umjetnost, Trgovačka 20, \nVodnjan (dalje u tekstu: UO Apoteka). \n \n2.) Ovlašćuje se ravnatelj Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) na sklapanje ugovora s producentom UO Apoteka radi provedbe ove Odluke u roku \npredviđenom Pravilnikom o postupku, kriterijima i rokovima za provedbu Nacionalnog programa \npromicanja audiovizualnog stvaralaštva (NN 144/14). \n \n3.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n \n4.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n  \n \n \n \n \n \n \n \n  \n \n \n \n \n \nObrazloženje \n \nKustosica Branka Benčić uputila je 17. srpnja 2015.godine molbu Klasa: 222-238-058 Urbroj:2848-2015 \n(dalje u tekstu: Molba) HAVC-u u ime UO Apoteka za prijenos prava na program Cinemaniac 2015 – \nMeđunarodni video susret u Motovunu 1976. godine s Udruge MMC Luka koja je prestala s djelovanjem u \nsvibnju 2015. godine na  UO Apoteka radi kontinuiteta  održavanja navedenog programa. \n \nHrvatsko audiovizualno vijeće je na 65. sjednici, održanoj 30. listopada 2015. godine, donijelo odluku o \nusvajanju molbe kao što je navedeno u ad.1  ove Odluke. \n \nTemeljem članka 18. Zakona, ovlašćuje se ravnatelj HAVC-a sklopiti ugovor kako je navedeno u ad 2. ove \nOdluke. \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku \nobjaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \n\n\f\n \n \n \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v.r. \n \nDostaviti: \n- \nUdruga MMC Luka,Istarska 30, Pula \n- \nUO Apoteka, Trgovačka 20, Vodnjan  \n- \npismohrana, ovdje \n \n \n \n","warnings":[],"document":{"program_type":"komplementarne","year":2015,"rok":null,"referenced_projects":["Cinemaniac 2015 – Međunarodni video susret u Motovunu 1976. godine"],"summary":"Odluka AV Vijeća na 65. sjednici od 30. listopada 2015. o usvajanju molbe za izmjenu nositelja prava programa „Cinemaniac 2015 – Međunarodni video susret u Motovunu 1976. godine“ s Udruge MMC Luka na Umjetničku organizaciju Apoteka.","project_links":[{"source_title":"Cinemaniac 2015 – Međunarodni video susret u Motovunu 1976. godine","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"WEB Manjinske 2023. - 3. rok.pdf","filename_decoded":"WEB Manjinske 2023. - 3. rok.pdf","sha256":"f19d7bc3de84e8022696e69e4725a2d73db76f702a4759d6ed4c91d5e859c681","bytes":37795,"page_count":1,"extracted_at":"2026-05-17T10:22:53Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20%20Manjinske%202023.%20-%203.%20rok.pdf"},"raw_text":"REDATELJ/ICA\nHRVATSKI PRODUCENT\nODOBRENA SREDSTVA(€)\n1\nBorisova pekarnica\nJadranska animacija\n30.000,00 €\n2\nJedan dan na Leninoj \nfarmi\nMINYA FILM I ANIMACIJA \nj.d.o.o.\n30.000,00 €\n3\nVjetre, pričaj sa mnom\nRestart\n40.000,00 €\n4\nSlatka gorčina zrelih nara\nStudio Corvus d.o.o.\n35.000,00 €\n5\nKalafon\nČetiri film d.o.o.\n25.000,00 €\n160.000,00 €\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nFILMSKIH KOPRODUKCIJA S MANJINSKIM HRVATSKIM UDJELOM u 2023. - 3. ROK - 12.7.2023.,  \n20. sjednica Hrvatskog audiovizualnog vijeća, 12. rujna 2023.\nanimirani filmovi\ndebitantski dugometražni igrani filmovi\nStefan Đorđević\nAndrej Ilievski Volkašin\nkratkometražni igrani film\nNAZIV FILMA\nMaša Avramović\nElena Walf\nUKUPNO\nVuk Bogdanović\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"WEB Manjinske 2023. - 3. rok","year":2023,"rok":"3. rok","natjecaj_date":"2023-07-12","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NAZIV FILMA","REDATELJ/ICA","HRVATSKI PRODUCENT","ODOBRENA SREDSTVA(€)"],"rows":[{"row_number":1,"project_title":"Borisova pekarnica","applicant":"Jadranska animacija","production_company":"Jadranska 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d.o.o.\nASTERFEST 2025 - SAMOĆA - kratki film \n893,57 €\n2\nAkademija dramske umjetnosti\nLocarno Film Festival-film Poluotok u \nsklopu programa Pardi di domani\n4.231,05 €\n3\nLucija Marčec\nSudjelovanje redateljice Lucije Marčec na \n7. izdanju MakeCoProDox Foruma\n284,81 €\n4\nLucija Perić\nSudjelovanje producentice Lucije Perić na \n31. Sarajevo film festivalu u Sarajevu, \nBosni i Hercegovini zbog regionalne \npremijere filma Poluotok\n426,60 €\n5\nATL MEDIA, vl. Maja Gros\nSudjelovanje Maje Gros na radionici EAVE \nAI Skills Booster Workshop\n175,00 €\n6\nKOMPOT\nSvjetska premijera kratkometražnog \ndokumentarnog filma 'Koze!' na Locarno \nFilm Festivalu 2025\n1.989,47 €\n7\nAntitalent d.o.o.\nSudjelovanje producenata Katarine Prpić i \nDanijela Peka na koprodukcijskom sajmu \nCineLink s projektima Crvena voda i Dvije \nmale noćne more\n511,76 €\n8\nAntitalent d.o.o.\nSudjelovanje producenta Matka Burića na \nprogramu Midpoint FOCUS AI u Pragu\n658,00 €\n9\nAntitalent d.o.o.\nSudjelovanje producentice Katarine Prpić i \nscenarista i redatelja Ivana Veljače na 1. \nradionici MIDPOINT Shorts 2025-2026 \nprograma s projektom Hrabri dečki u Brnu\n1.301,30 €\n10\nCentar za dramsku umjetnost - \nCDU\nSudjelovanje Karle Crnčević na Pravo \nLjudski Film Festivalu u Sarajevu, kao \ngostujuća kustosica\n348,00 €\n11\nRestart\nSudjelovanje projekta Cordon na DOCU \nROUGH CUT BOUTIQUE - 3. modul - \nSarajevo\n985,01 €\n12\n365 films d.o.o.\nPredstavljanje dugometražnog filma Vidra \nna Sarajevo film festivalu ui takmičarskom \nprogramu\n1.508,88 €\n13\nEma Mikolaci\nSudjelovanje producentice Eme Mikolaci \nna 7. izdanju MakeCoProDox foruma\n284,82 €\n14\nRafael Cuculić\nMeđunarodni filmski festival Flipbook- \nProgram gostovanja filma Adhezija u \nslužbenoj konkurenciji festivala\n257,14 €\nJAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2025. - \nPROGRAMI MEĐUNARODNE SURADNJE - ROK 11.9.2025., 19. sjednica Hrvatskog audiovizualnog vijeća \n27.10.2025.\n\n\f\n15\nUmjetnička organizacija \nParadoks\nSudjelovanje dokumentarnog filma \"Crveni \ntobogan\" na 31. Sarajevo film festivalu\n883,00 €\n16\nKinorama d.o.o.\nSudjelovanje filma \"Četvrti kralj\" u \nindustrijskom programu European Work in \nProgress u Hamburgu\n1.140,68 €\n17\nKinorama d.o.o.\nSudjelovanje filma \"Bog neće pomoći\" u \nglavnom natjecateljskom programu \nSarajevo Film Festivala\n1.518,01 €\n18\nWolfgang i Dolly d.o.o.\nSudjelovanje redatelja Damira Markovine i \nproducentice Tamare Babun Zovko na \nDocu Rough Cut Boutique 2025 - Modul 3\n1.272,76 €\n19\nSplit Screen, vl. Marcella Jelić\nSudjelovanje na Međunarodnom filmskom  \nfestivalu u Torontu, Kanada\n1.018,92 €\n20\nČetiri film d.o.o.\nPremijera filma \"Lijepa večer, lijep dan\" na \nWarsaw International Film Festivalu u \nPoljskoj\n9.080,97 €\n21\nČetiri film d.o.o.\nSudjelovanje filma \"Lijepa večer, lijep dan\" \nna festivalu FilmFestival Cottbus u \nNjemačkoj\n627,25 €\n22\nUdruga Blank\nSudjelovanje glumca Vinija Novosela na \nAlexandria film festivalu u Grčkoj s filmom \nPriroda i poezija \n364,60 €\n23\nUdruga Blank\nSudjelovanje ekipe filma \"Priroda i poezija\" \nna svjetskoj premijeri na FEKK u Ljubljani\n510,33 €\n24\nUstanova Zagreb film\nSvjetska premijera filma \"Medo u \nšparugama\" uz sudjelovanje autorskog \ntima na Toronto International Film \nFestivalu \n8.030,24 €\n25\nČetiri film d.o.o.\nPremijera filma \"Lijepa večer, lijep dan\" na \nCambridge Film Festivalu u Velikoj Britaniji\n820,21 €\n26\nKinematograf d.o.o.\nSudjelovanje Andreja Korovljeva i Marijane \nVeljović na manifestaciji International \nTelevision Festival & Forum Heart of \nEurope u Varšavi\n1.193,58 €\n27\nKreativni sindikat\nSudjelovanje Marka Meštrovića na OIAF \n2025., prikazivanje filma 'How' u službenoj \nkonkurenciji\n1.021,45 €\n28\nFADE IN\nSvjetska premijera dokumentarnog filma \n\"Ono što treba činiti\" (\"The Thing To Be \nDone\") na filmskom festivalu DOK Leipzig \nu Njemačkoj\n3.954,80 €\n29\nHrvatska udruga digitalnih \numjetnika - HUDU\nSudjelovanje filma \"Psihonauti\" na \nmeđunarodnom festivalu animiranog filma \nCINANIMA u Espinhu, Portugal\n342,41 €\n30\nFoto kino video klub Zaprešić\nSudjelovanje na festivalu International \nYouth Film Festival – Plasencia Encorto \n(IYFF), u mjestu Plasencia, Španjolska\n1.285,02 €\n31\nNukleus Film d.o.o.\nSudjelovanje producenta Siniše Juričića u \nprogramu Alumni Producers on the Move \nu Hamburgu, Njemačka\n711,00 €\n32\nNukleus Film d.o.o.\nSudjelovanje redatelja Petra Oreškovića i \nproducenta Siniše Juričića s projektom \n\"Mjerenje neba\" u programu Documentary \nCampus Industry Training Days u Halleu, \nNjemačka\n1.758,00 €\n\n\f\n33\nFestival mediteranskog filma \nSplit\nSudjelovanje na radionici Script Analysis \nWorkshop, u sklopu San Sebastián \nInternational Film Festivala u Španjolskoj, \nu organizaciji platforme Europa Distribution\n611,81 €\n34\nTetrabot d.o.o.\nSudjelovanje kratkog animiranog filma \n\"Fačuk\" na Fantoche International \nAnimation Film Festivalu u Badenu, \nŠvicarska\n489,60 €\n35\nAna Buljan\nSudjelovanje filma \"Sve što nije pustinja \nne postoji\" na festivalu Luna y Halo u \nFornalutxu, Španjolska\n263,95 €\n36\nKarlo Mlinar\nSudjelovanje filma \"Olimbi – Majka \nHrabrost\" u programu Baltic Sea Docs \n(BSD) u Rigi, Latvija\n623,26 €\n37\nLot dvadesetiosam studio d.o.o.\nSudjelovanje u programu Young Horizons \nIndustry (sekcija Project Pool) u Varšavi\n1.090,00 €\n38\nDaria Stilin\nSudjelovanje u programu Stowe Story \nLabs u Stoweu, Sjedinjene Američke \nDržave\n1.626,42 €\n39\nUdruga za razvoj kulture TOČKA \nKULTURE\nSudjelovanje dokumentarnog filma \n\"Grandpa Guru\" na 26. Mediteran Film \nFestivalu u Širokom Brijegu, Bosna i \nHercegovina\n445,78 €\n40\nDiedra d.o.o.\nSudjelovanje producenta Dine Krpana u \nprogramu Producers LINK, u Poljskoj i \nNizozemskoj\n760,86 €\n41\nStudio Pangolin\nSudjelovanje filma \"Obilaznice\", redateljice \nVide Guzmić, na 20. Pravo Ljudski Film \nFestivalu u Sarajevu\n276,84 €\n42\nSekvenca d.o.o.\nGostovanje Jure Pavlovića s filmom \n\"Izgubljeni Dream Team\" na Sarajevskom \nfilmskom festivalu\n417,00 €\n55.994,16 €\nUKUPNO\n","warnings":[],"document":{"program_type":"komplementarne","natjecaj_title":"web JP MEDJ 2025. - 4. rok 2025.xls - Compatibility Mode","year":2025,"rok":null,"natjecaj_date":"2025-09-11","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA (€)"],"rows":[{"row_number":1,"project_title":"ASTERFEST 2025 - SAMOĆA - kratki film","applicant":"MAG d.o.o.","production_company":"MAG d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"893,57 €","approved_amount":893.57,"currency":"EUR","extras":{"col_1":"1","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"MAG d.o.o.","row_id":"f250cb6f:s0:c7a6fb3ab7e9","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_d2eb85518ace","project_family_title":"ASTERFEST 2025 - SAMOĆA - kratki film"},{"row_number":2,"project_title":"Locarno Film Festival-film Poluotok u sklopu programa Pardi di domani","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.231,05 €","approved_amount":4231.05,"currency":"EUR","extras":{"col_1":"2","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Akademija dramske umjetnosti","row_id":"f250cb6f:s0:067b9e28396d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_c1ef0db452d0","project_family_title":"Locarno Film Festival-film Poluotok u sklopu programa Pardi di domani"},{"row_number":3,"project_title":"Sudjelovanje redateljice Lucije Marčec na 7. izdanju MakeCoProDox Foruma","applicant":"Lucija Marčec","production_company":"Lucija Marčec","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"284,81 €","approved_amount":284.81,"currency":"EUR","extras":{"col_1":"3","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Lucija Marčec","row_id":"f250cb6f:s0:d0eb9540fd3a","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e0e391a1a744","project_family_title":"Sudjelovanje redateljice Lucije Marčec na 7. izdanju MakeCoProDox Foruma"},{"row_number":4,"project_title":"Sudjelovanje producentice Lucije Perić na 31. 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teologiji\nBernardin Modrić\nIstra film\nBernardin Modrić\n20.000,00\n2\nKako su lutke spasile \nteleviziju\nSara Hribar\nSara Hribar\n20.000,00\n3\nKućica snova\nSanja Kovačević\n20.000,00\n4\nSmokva\nVivien Karlović\n20.000,00\n5\nSveta godina milosrđa\nNikola Kuprešanin\n20.000,00\nUKUPNO\n100.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: RAZVOJ SCENARIJA \npojedinačnih i serijskih televizijskih djela - podkategorija: POJEDINAČNA TELEVIZIJSKA DJELA u 2016. - \nROK PRIJAVE - 18.1.2017.\nigrano televizijsko djelo\n86. sjednica Hrvatskog audiovizualnog vijeća, 16. listopada 2017.\n","warnings":[],"document":{"program_type":"tv_djela","natjecaj_title":"RSCTV_POJED_WEB_2016_18012017","year":2016,"rok":null,"natjecaj_date":"2017-01-18","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"razvoj_scenarija","to":"tv_djela","reason":"filename/title 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  \nObrazloženje umjetničkih savjetnica za komplementarne djelatnosti \n \nU prvom roku Javnog poziva za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2024. godini \nzaprimljene su 342 prijave u kategorijama:  \n- \ndjelatnosti razvijanja audiovizualne kulture, \n- \nfilmski festivali i druge audiovizualne manifestacije, \n- \nizdavaštvo u području audiovizualnih djelatnosti, \n- \nprogrami audiovizualnih udruga i organizacija, \n- \nprogrami promocije i prodaje hrvatskih audiovizualnih djela, \n- \nprogrami stručnog usavršavanja i/ili edukacije, \n- \nproučavanje i kritičko vrednovanja audiovizualnih djelatnosti, \n- \nzaštita audiovizualne baštine uključujući kinotečnu djelatnost.  \nPrijave na Javni poziv za komplementarne djelatnosti za 2024. godinu podnose se u dva roka godišnje. Prvi \nrok, do 7. rujna 2023., odnosio se na projekte u svim kategorijama koji se održavaju u 2024. godini, a drugi \nrok, raspisan do 11. siječnja 2024., odnosi se isključivo na one projekte iz kategorije programa filmskih \nfestivala i drugih audiovizualnih manifestacija koji se održavaju u drugoj polovici 2024. godine, a nisu se \nprijavili na prvi rok javnog poziva.   \nSavjetnice za komplementarne djelatnosti, Martina Globočnik, Katarina Ivče Farnell i Sanja Šamanović, za \nfinancijsku podršku na prvom roku predlažu 299  programa u ukupnom iznosu od 1.642.050,00 € odnosno \n12.372.025,73 kn, što je Hrvatsko audiovizualno vijeće na 29. sjednici održanoj 28.12.2023. usvojilo. \nU postupku procjenjivanja vodile smo se otprije utvrđenim kriterijima, navedenima u točki VIII Javnog \npoziva za dodjelu sredstava za poticanje komplementarnih djelatnosti u 2024. godini:   \n- \nkvaliteta, izvedivost i održivost programa (od sadržajne do produkcijske razine),  \n- \nprogrami koji imaju konkretne, realne i strateške planove u umjetničkom, organizacijskom i \nfinancijskom smislu,  \n- \nznačaj programa za relevantan kontekst (ovisno o programu, od lokalne zajednice, preko \nnacionalnog značaja do međunarodne prepoznatljivosti i važnosti za audiovizualni sektor),  \n- \nkontinuitet programa odnosno njegova dugoročna usmjerenost, dostupnost projekta, vidljivost i \nkomunikacija sa profesionalcima i javnosti,  \n\n\f\n- \nkvaliteta prijave, kvaliteta i iskustvo projektnog tima u pojedinoj programskoj komplementarnoj \ndjelatnosti za koju se prijavljuje (stabilni i dostatni izvori prihoda za kontinuirano obavljanje \naktivnosti tijekom razdoblja ostvarivanja projekta, stručne kompetencije i kvalifikacije potrebne \nza provođenje predložene aktivnosti),  \n- \nprethodna izdanja programa (ako nije prvo izdanje),  \n- \nispunjavanje prethodnih ugovornih obveza sa Centrom,  \n- \nodjek programa i komunikacija s javnosti (prije, za vrijeme i nakon održavanja programa),  \n- \nte povezivanje i suradnja. \n \nDjelatnosti razvijanja audiovizualne kulture \n \nU kategoriji Djelatnosti razvijanja audiovizualne kulture prijavljeno je  187 programa s time da jedan \nprogram ne pripada području komplementarnih djelatnosti. Zato taj program u daljnjem postupku nije \nvaloriziran. \nOd ukupno razmatranih 186 programa, za sufinanciranje predložena su  i odobrena 162 programa u iznosu \nod 562.300,00 € odnosno 4.236.649,35 kn. Generalan je dojam da među pristiglim prijavama postoji dobra \ngeografska razvedenost ponude filmskih i primjenjivo-filmskih sadržaja. Nerijetko se također nameće \nutisak da su mnogi programi na rubu financijske održivosti, zbijeni u (pre)kratko vremensko razdoblje i \ntime otežano provedivi. Pokazatelji (poput broja polaznika i finaliziranih radova na filmskim radionicama \nte broja kino projekcija i posjetitelja u području kinoprikazivačke djelatnosti) nalažu povećanje iznosa \npotpora kako bi se održao kontinuitet u provedbi uhodanih aktivnosti i programima osigurala dodana \nvrijednost. \nU vrednovanju ponude edukacija naročito djece i mladih, veći broj programa se odnosio na igrani i \ndokumentarni film, u manjem opsegu na animirani film. Među programima treba istaknuti raznovrsnost \nponude usavršavanja polaznika kroz praktičan rad udruga poput Restarta i Blanka iz Zagreba, ali i kino \nklubova (od Karlovca, Siska, Splita, Zagreba), kao i ustrajnost u diverzifikaciji i složenosti radionica, \nprimjerice Pulske filmske tvornice, Filmaktiva iz Rijeke ili Filmsko-kreativnog studija Vanima u Varaždinu.  \nNezaobilazan doprinos šarolikosti ponude imaju i prijavitelji koje rade na inkluzivnosti ranjivih skupina \n(poput osoba s invaliditetom, starijih sugrađana, tražitelja azila, Roma, djece iz depriviranih sredina). Na \novom natječaju ukupno je podržano nešto više od 60 edukativno-radioničarskih programa. Visina iznosa \npotpora ovisila je o složenosti programa edukacije, stručnosti i iskustvu predavača, broju polaznika, \nplaniranim rezultatima kao i dostupnim pokazateljima rezultata rada prijašnjih radionica. Uvažavao se i \n\n\f\nlokalitet provedbe kao i procjena izvedivosti osmišljenih aktivnosti u vremenskim okvirima i s obzirom na \npredznanja polaznika kojima su edukacije namijenjene.  Dobro razrađeni i dugotrajni programi kvalitetnih \nfilmskih škola  (primjerice, Restarta ili Kinokluba Zagreb)  rezultirali su nerijetko zanimljivim  autorskim \nuradcima koji imaju svoj distribucijski, ponekad i festivalski potencijal, dok  zamjetan dio  ponuđenih \nprograma edukacija ostaje na razini predstavljanja filmskih profesija te neambicioznog okušavanja djece i \nmladih u radu na igranoj, dokumentarnoj ili animiranoj formi. Velik dio procjene odnosio se na dvojbu \nimaju li prijavitelji koji su predložili više programa edukacije kapacitete i resurse za realizaciju većine \nprijavljenih aktivnosti ili ne. Ponekad je bila riječ o vrlo sličnim programima istog prijavitelja ili sličnim \n„konkurentskim“  programima različitih prijavitelja među kojima je odlučeno podržati one programe koji \nsu se činili provedljivijima ili čije su aktivnosti u raspisu  bolje elaborirane. \nDrugo područje kategorije Djelatnosti razvijanja audiovizualne kulture  bila je kinoprikazivačka djelatnost \nu kojoj je podržano nešto više od 50 programa. Kinoprikazivačka djelatnost na ovom natječaju realizirana \nje kroz umjetnička i nezavisna kina koja su prisutna u većim i manjim gradovima, od Zagreba, Bjelovara, \nRijeke, Pule, Splita, kao i u Krapini, Kutini, Slatini, Požegi i drugdje. Pitanje dvorane kina Tuškanac u Zagrebu \nna koju su se programski oslanjali ne samo Hrvatski filmski savez već i drugi prijavitelji, izgleda da će se \nuspješno kompenzirati Kinotekom i dvoranama SC-a. Posebno se dojmljivom učinila razvedenost \nprograma Kino Mediteran Festivala mediteranskog filma Split koji se provodi u 20 dalmatinskih gradova \nuključujući i  Trogir, Makarsku, kao i otoke (Hvar, Vis, Šoltu,  Korčulu). U ukupnoj ponudi kino programa u \nHrvatskoj važnu ulogu igraju i pučka otvorena učilišta, kao i centri za kulturu. Zahvaljujući participaciji kroz \nKino mrežu u ponudi mnogih kina nalaze se nekomercijalni programi. Većina prijavitelja prikazuje i \npromovira suvremeni hrvatski i europski film.  \nNa ovom natječaju podržani su i kino-programi koji u opuštenoj formi osvajaju javne prostore Pule, \nKarlovca i drugdje, ističući prožimanje kulture, svakodnevice i zabave što se u korijenu iskustva razlikuje \nod zatvorenosti i monolitnosti multipleksa. Prijavljeni kino-programi razlikuju se u opsegu, kvaliteti, broju \nposjetitelja kao i iskustvu ponuditelja usluga. Vođeni tim kriterijima, predložen je raspon u iznosima za \nnjihovo sufinanciranje. Među kino prikazivačima prijavio se i Klub za ekspedicionizam i kulturu s \nprogramom Prvo specijalizirano VR kino. U okolnostima porasta popularizacije VR filmskog iskustva, \nodlučeno je  inicijalno podržati namjeru prijavitelja u ponudi ovog tipa kino sadržaja. \nOsim redovitih edukacija i kinoprikazivačkih programa, razmatrali su se i programi edukacije u području \nfilmske pismenosti. Trend sve prisutnijeg približavanja filma djeci i mladima te poduke analizi filmskog \nsadržaja kroz gledanje i proučavanje najčešće hrvatskih i europskih naslova prisutan je diljem zemlje. Osim \nanalizi djela, pažnja se posvećuje aktualnosti obrađenih tema koje korespondiraju sa suvremenim životom \n\n\f\ni iskustvom gledatelja. Važnu ulogu i dalje ima Hrvatski filmski savez s nekoliko ustaljenih programa, ali  i \nArt-kino Rijeka, kao i Udruga Djeca susreću umjetnost, Udruga za promicanje stvaralaštva i jednakih \nmogućnosti Alternator, Javna ustanova Pula film festival, Kulturni i multimedijski centar Bjelovar, Pučko \notvoreno učilište Kutina. U procjeni kvalitete prijavnica iz područja filmske pismenosti pokazatelji su nam \nosim broja polaznika, njihove dobi, učestalosti susreta, bili i složenost programa i prijašnje iskustvo \nprijavitelja. Ističemo važnost porasta suradnje kinoprikazivača i platformi (baza) što hrvatskih, što \neuropskih filmskih naslova s obrazovnim ustanovama pri čemu filmovi ne pronalaze samo novu i brojnu \npubliku već postaju nastavno sredstvo u osnovnim i srednjim školama po cijeloj Hrvatskoj. \n \nFilmski festivali i druge audiovizualne manifestacije   \n \nU kategoriji Filmski festivali i druge audiovizualne manifestacije pristiglo je 35 prijava. Uzimajući u obzir \nkvalitetu programa, nacionalni, regionalni i lokalni značaj, rodovsku i programsku raznolikost, \nsufinanciranje je predloženo i odobreno u ukupnom iznosu od 497.750,00 eura, odnosno 3.750.297,38 kn \nza ukupno 33 prijave.  \nNajviše su podržani festivali od nacionalnog značaja koji osiguravaju prisutnost Hrvatske na europskoj i  \nsvjetskoj sceni audiovizualnih događanja. Među programima se izdvaja Animafest s opsežnim \nnatjecateljskim i popratnim filmskim programom, popratnim događanjima koja obuhvaćaju programe za \ndjecu, gostovanja, izložbe, projekcije i radionice; Zagreb Film Festival koji osim filmskog programa sadrži i \nznačajan edukativni program i popratni program, naglašavajući potencijal suradnje s europskim \ninstitucijama i značajnim europskim filmskim festivalima te ZagrebDox koji na svoju 20. obljetnicu uz veliki \nbroj hrvatskih i svjetskih filmova i autora, fokus stavlja i na budućnost dokumentarizma i potencijal \numrežavanja. Uz velike festivale  prepoznata je i potreba za poticanjem i drugih značajnih festivala. U ovoj \nskupini izdvajaju se 25 FPS, Festival mediteranskog filma Split, Subversive Film Festival, Festival prava \ndjece, Filmske mutacije, Vox Feminae, ali i festivali u manjim gradovima koji svojim kontinuitetom \npredstavljaju važan društveni segment za njihove korisnike. U toj skupini ističu se Liburnia Film Festival u \nOpatiji, Festival jednominutnih filmova u Požegi te Star Film Fest u Sisku. Također, predloženo je za \nsufinanciranje i više manifestacija u manjim sredinama koje će obogatiti kulturni život i omogućiti \nkorisnicima uvid u recentno filmsko stvaralaštvo. \nIz ovogodišnjih prijava vidljivi su problemi s kojima se susreću organizatori u kreiranju i realizaciji svojih \nbudžeta. Unatoč povećanju ovogodišnjih sredstava HAVC-a, produkcija festivala u opsegu u kojem \n\n\f\norganizacije žele provoditi svoje programe postaje izuzetno zahtjevna. Naime, sponzorsko sufinanciranje \nje sve manje zastupljeno, a financiranje iz lokalnih proračuna je smanjeno i većinom nepotvrđeno.   \n \nIzdavaštvo u području audiovizualnih djelatnosti   \n \nOd 26 prijava predložena je i odobrena potpora za 21 program u iznosu od 68.250,00 € odnosno \n514.229,63 kn. \nIstičemo potporu za pet naslova iz područja filmske teorije, za jednu monografiju i za filmski ljetopis \nHrvatskog filmskog saveza. Zanimljivom nam se čini raznovrsnost područja i pristupa. Hrvoje Turković u \nnovom naslovu predaje se analizi hrvatskog eksperimentalnog filma (Hrvoje Turković: Eksperimentalni film \nu Hrvatskoj. Pojam, konteksti, povijesni pregledi, portreti), Janica Tomić bavi se kritičkim prikazom švedske \nkinematografije uparujući je usporedbom s hrvatskom kroz djelo: Žive slike/Levande bilder. Prilozi povijesti \nšvedskoga filma, grupa autora iz Umjetničke organizacije Metropolis donosi zanimljiv priručnik za \nrazumijevanje i konkretan rad na filmskoj kritici dok iz udruge Bijeli val očekivano nastavljajući svoj \ndruštveno-kritički diskurs novim naslovom daju prostor za promišljanje relacije fordizma i komunističke \navangarde (Biblioteka Sinestetika: Owen Hatherley  Chaplin-mašina: slapstick, fordizam, i komunistička \navangarda). \nUz knjige, predloženi su i odobreni za sufinanciranje specijalizirani portali koji se bave filmom  kao što su \nZona filma, Dokumentarni.net, Filmovi.hr, ali i portali kulturno-društvenog profila koji posvećuju veći \nprostor za promišljanje o temama koje filmski naslovi adresiraju (primjerice, Slijepe pjege udruge Slobodni \nfilozofski, Kinemaskop Kurziva - Platforme za pitanja kulture, medija i društva). Procjena iznosa \npredloženih potpora ovisi o kontinuitetu izlaženja tekstova (periodično, kroz cijelu godinu, na dnevnoj \nbazi), njihovom broju (u rasponu od 15-ak do 50-ak, do onih pisanih dnevno), kao i o složenosti pristupa \ntemi.  \n \nProgrami audiovizualnih udruga i organizacija \n \nU kategoriji Programa audiovizualnih udruga i organizacija prijavljena su 33 programa dok ih se za \nfinanciranje predlaže i odobreno je 28 u ukupnom iznosu 247.700,00 € odnosno 1.866.295,65 kn. \nNastavlja se potpora strukovnim udrugama od kojih se visinom potpore ističu Hrvatsko društvo filmskih \ndjelatnika, a slijede ih Hrvatska udruga producenata, Društvo hrvatskih filmskih redatelja, Hrvatska udruga \n\n\f\nfilmskih snimatelja, Hrvatsko društvo filmskih kritičara, Savez scenarista i pisaca izvedbenih djela i \nHrvatsko društvo nezavisnih producenata.  \nIstiče se prijava Hrvatske mreže neovisnih kinoprikazivača čija je kvaliteta djelovanja vidljiva ne samo kroz \nnjene redovne aktivnosti već i kroz kvalitetu rada i prijava njenih sastavnica. \nNastavlja se potpora udrugama koje provode neprofesijske, radioničke i obrazovne filmske djelatnosti. Uz \nveć dokazane programe većih udruga kao što su Hrvatski filmski savez, Udruga Blank, Kino klub Split, \nKinoklub Zagreb, Autorski studio – fotografija, film, video nastavlja se i potpora lokalnim udrugama koje \nimaju veliki značaj za razvoj audiovizualne kulture u sredinama  u kojima djeluju. \n \nProgrami promocije i prodaje hrvatskih audiovizualnih djela \n \nU kategoriji Programi promocije i prodaje hrvatskih audiovizualnih djela od šest prijavljenih programa za \nsufinanciranje predložena su i odobrena četiri u ukupnom iznosu od 18.300,00 €, odnosno 137.881,35 kn. \nPredloženi i odobreni programi nastavak su aktivnosti iz prijašnjih godina. \nStreaming platforme jedan su od najznačajnijih načina gledanja filmova. Croatian.film Umjetničke \norganizacije Zagreb Film Festival i Kino Mediteran od doma Festivala mediteranskog filma Split, primjer su \nfilmskih platformi koje ne služe samo kao proširenje ponude festivala već su kreirane i kao baza za \npromociju hrvatskog filma, omogućujući široj publici uvid u hrvatsku filmsku produkciju. Nastavljena je \npodrška i Izdavaštvu i distribuciji hrvatskih dokumentarnih filmova u regiji kao projekt udruge Restart koja \nomogućuje regionalnu distribuciju i razmjenu dokumentarnih filmova. Četvrti podržani program je \nFestivalska distribucija recentnih filmskih naslova animiranih, eksperimentalnih, igranih i dokumentarnih \nfilmova Ustanove Zagreb film koja ovim programom osigurava očuvanje i promociju nacionalne filmske \nbaštine. \n \nProgrami stručnog usavršavanja i/ili edukacije   \n \nU kategoriji Programi stručnog usavršavanja i/ili edukacije prijavljeno je 30 programa, a za potporu se \npredlaže i odobreno je njih 27 u iznosu od 148.000,00 € odnosno 1.115.106,00 kn. Najveća potpora \nodobrena je za Školu medijske kulture Dr. Ante Peterlić koja će sljedeće godine biti decentralizirana na tri \nlokacije i koja će na taj način adekvatnije odgovoriti na potrebe polaznika. Osigurava se nastavak \nkvalitetnih edukacija od kojih se ističu Restart Laboratorij u 2024. godini, CinEd promocija hrvatskih \nfilmova i program stručne filmske edukacije 2024. i scenaristička radionica Palunko 2024. \n\n\f\nDva industry programa, ZagrebDox Pro 2024. i Industrija 22. Zagreb Film Festivala ističu se po \nkompleksnosti programa, broju aktivnosti i sudionika, stoga su predloženi za najveću potporu. Slijede ih \nprogrami industrije Animafest PRO 2024., Filmski market Split (Industrija 1.0) Festivala mediteranskog \nfilma Split i 10. Europski žanrovski forum Udruge Rudolf. \nZa financiranje se predlažu i odobrene su detaljno osmišljene radionice za deficitarna zanimanja u \naudiovizualnim djelatnostima 25 FPS-a, Udruge za audio-vizualna istraživanja i radionica za operatere \nkamere Hrvatske udruge filmskih snimatelja. \n \nProučavanje i kritičko vrednovanje audiovizualnih djelatnosti   \n \nU kategoriji Proučavanje i kritičko vrednovanje audiovizualnih djelatnosti od 15 prijavljenih programa za \nsufinanciranje predlaže se i odobreno je njih 15 u iznosu od 39.350,00 €, odnosno 296.482,58 kn. U ovoj \nkategoriji svojom kvalitetom i kontinuitetom ističu se programi Vizualni kolegij Multimedijalnog instituta \ni 11. Međunarodni simpozij o suvremenoj animaciji Animafest Scanner XI Hulahopa sa svojim znanstvenim \npristupom u  teorijskom proučavanju animacije. Izdvaja se i Restartov prikazivačko-diskurzivni program \nHall of Fame koji ukazuje na neopravdanu zanemarenost izučavanja razvoja dokumentarnog filma. Projekt \nKinematografije otpora 2024. Milica Rakić: Crvena da te nema trebalo bi te izmisliti Udruge Bijeli val ističe \nse kao primjer kustoskog programa fokusiranog na recentne društvenu probleme.  \n \nZaštita audiovizualne baštine uključujući kinotečnu djelatnost \n \nU ovoj kategoriji razmatrano je 9 od 10 prijavljenih programa. Podržano je svih 9 programa. Ukupan iznos \npredloženih i odobrenih potpora iznosi 60.400,00 € odnosno 455.083,80 kn. U opsegu aktivnosti i \nposljedično visini potpora izdvajaju se Hrvatski filmski savez i Kinoklub Zagreb. Glavni razlog potpore \nnajčešće je bila podrška kontinuitetu rada prijavitelja. Primjerice, namjera je bila podržati nastavak \nrestauracije filmova Ljubiše Grlića od strane Kinokluba Zagreb. Nadalje, zahvaljujući sufinanciranju u ovoj \nkategoriji Ustanova Zagreb film planira nastaviti s restauracijom i digitalizacijom arhiva ustanove. Također, \nHrvatski filmski savez je prijavio dva programa koja su i predložena za sufinanciranje. Riječ je o bogatom \narhivu HFS-a kratkih filmova te arhivu filmova i videa. Za digitalizaciju filmova i popratnog materijala \npredložena su i sredstva Školi animiranog filma Čakovec. Kino klub Split, kao i Kinoklub Zagreb podržani \nsu za digitalizaciju filmske, pisane i foto građe u svrhu dokumentiranja, očuvanja i prijenosa memorije o \ndjelovanju ta dva najstarija kino kluba u zemlji.  \n\n\f\n \nZAKLJUČAK \nU svim kategorijama su odabrani programi koji su ključni za očuvanje i razvoj audiovizualnog stvaralaštva \nu Hrvatskoj, a obuhvaćaju ona područja koja se smatraju temeljima kulturne baštine ili su od velike \nregionalne ili lokalne važnosti. Posebna pažnja je posvećena programima koji nude raznolike aspekte \naudiovizualne edukacije, posebno za djecu i mlade. Prepoznata je i prostorna pokrivenost u ponudi \nprograma u svim kategorijama. Uslijed povećanja financijskog opterećenja za provedbu programa, osjetno \nje povećanje predloženih sredstava za podržane prijavitelje.  \n \nUmjetničke savjetnice za komplementarne djelatnosti: \nMartina Globočnik \nKatarina Ivče Farnell  \nSanja Šamanović \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2024,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_IGR_1rok_14III2023_WEB.pdf","filename_decoded":"Obrazlozenje_RSC_IGR_1rok_14III2023_WEB.pdf","sha256":"f3a4b81d1d54920a01d167877dacccf35052b291675f18b43a1d396d474c67df","bytes":214951,"page_count":9,"extracted_at":"2026-05-16T14:11:45Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_IGR_1rok_14III2023_WEB.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija \ni razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2023. - 1. ROK - 14.3.2023. \nDUGOMETRAŽNI IGRANI FILM  \n \nUmjetnički savjetnici: Juraj Lerotić, Višnja Pentić i Dean Šoša \n \nNa Javni poziv za poticanje razvoja scenarija dugometražnog igranog filma u 2023. godini na prvom roku \nprijavljena su ukupno devedeset i dva (92) projekta. Od toga jedan (1) projekt nije razmatran jer je bio \npogrešno prijavljen u kategoriju razvoja scenarija dugometražnih igranih filmova, a jedan (1) projekt je \nodlukom savjetnika prebačen iz kategorije razvoja projekta u kategoriju razvoja scenarija.  \nStupanj razrađenosti prijavljenih projekata bio je raznolik, a tematski raspon izrazito širok pa je teško naći \nzajednički nazivnik kojim bi se obuhvatilo sve prijavljeno. Prijave su uključivale gotovo sve filmske žanrove \ni donijele raznorodne poetike, a prijavljena je i nekolicina dječjih filmova od kojih smo dva odlučili podržati. \nOpćenito smo se odlučili poduprijeti projekte koji imaju jasno postavljenu priču, upečatljive likove i donose \ninovativnu perspektivu na obrađenu tematiku.  Vjerujemo kako svaki od njih ima potencijal da bude \nrazvijen u precizan i slojevit scenarij koji će biti dobra podloga za daljnji razvoj kako onih projekata čiji su \npredlagatelji ujedno i njihovi redatelji tako i onih koji će svoje redatelje tek pronaći. \nPredloženo je i odobreno sveukupno petnaest projekata za razvoj scenarija.  \n \nKad umren zamotan u bilo \nScenarij: Josip Lukić  \nRežija: Josip Lukić \nProducent: -  \n5 300 eura \nPriča je mišljena kao psihološka drama obojana humorom i trilerskim zapletom. Smještena je u Split ljeti, \nusred turističke sezone, a glavni lik je Bosanac u kasnim dvadesetima koji dolazi iz niže ekonomske klase, \nali je obrazovanjem dosegao asistentski položaj na Filozofskom fakultetu.  Njegova je pak djevojka iz više \nklase te mladi par živi u garsonijeri u vlasništvu njene obitelji. Njihov je odnos patološkog profila, ona je \ndominantna i egoistična, on je pasivan i sklon samokažnjavanju, zajedničko im je da oboje imaju nezdrav \nodnos sa samima sobom. Sve se ovo prelama na nedužnom biću, iguani Miki koja postaje svojevrsni testni \npoligon za njihovu mogućnost da budu empatične i brižne osobe. Kroz lokalno obojani humor i dobro \npostavljene likove čiji su odnosi uvjerljivo zamišljeni film progovara o kompleksnim temama kao što su \nklasni sram i položaj pridošlica u društvu, a uz to daje i nijansiranu sliku specifičnog mediteranskog \nturističkog grada i njegovog prgavog mentaliteta.  \n\n\f\n \nMočvara \nScenarij: Daria Blažević \nRežija: Daria Blažević \nProducent: - \n5 300 eura \nDječak Niko ostaje bez oca, koji se pod neobičnim okolnostima utapa u močvari u dolini Neretve. Njegovo \ntijelo nije pronađeno. Tijekom idućih noći, njegov otac, ili nešto nalik njemu, vraća se i dolazi po njegovu \nmajku i braću, a Niko se boji da je on idući. Priča je vješto prenesena i predočena kroz moćne i začudne \nslike koje komuniciraju potisnuti psihološki sadržaj protagonista. Žanrovski je riječ o atmosferičnom hororu \nsnažnog umjetničkog predznaka u kojem se vješto koristi klasični motiv misterioznog nestanka, a posredno \nse progovara o složenoj obiteljskoj dinamici i nemogućnosti napuštanja obrazaca koji se prenose s \ngeneracije na generaciju. Posebno je dobro iskorišten neretvanski krajolik i njegova od ljudi pripitomljena \nmočvara koja u ovoj priči postaje svojevrsni neljudski filmski lik. \n \nMladež \nScenarij: Jakov Nola \nRežija: Jakov Nola \nProducent: - \n5 300 eura  \nAnsambl film prati mladež političke stranke kroz razdoblje od tri godišnja doba i nekoliko glavnih likova u \nperiodu izborne godine. Počinje na obljetnici osnivanja mladeži u zagrebačkoj dvorani, skupu na čijem su \nčelu autoritativna zamjenica predsjednika i samozatajni predsjednik. Ambiciozni mladi ljudi u napetoj \natmosferi pripremaju skup. Ideja da se film smjesti u milje mladeži moćne političke stranke izuzetno je \nuzbudljiva te nudi niz mogućnosti za otvaranje kompleksnih društveno-političkih fenomena. U pozadini se \nsvakako iščitava interes za temu prijenosa ideja i vrijednosti iz generaciju u generaciju bez njihovog \npropitivanja kao i za istraživanje poluga koje omogućuju politički status quo. Likova ima puno s obzirom da \nje riječ o ansambl filmu što dramaturgiju čini kompleksnom te se permanentno otvaraju nove razine radnje \nte je u skladu s tim moguće višeslojno iščitavanje likova i njihovog djelovanja. \n \n \n \n \n\n\f\n \nSise i smoki \nScenarij: Antonela Tošić \nRežija: - \nProducent: - \n5 300 eura \nDvadesetčetverogodišnja Katja, dežurni potrčko na prestižnom kazališnom festivalu ulazi u neočekivano \nprijateljstvo s kontroverznom, dvostruko starijom glumicom. Velike su vrline ove priče zanimljivi likovi i \nsjajno prikazan umjetnički milje prestižnog ljetnog festivala te autorica s puno šarma i humora prikazuje \nkako stvari obično funkcioniraju s druge strane rampe, odnosno iza zastora. Sjajno je odabran i motiv \nprijateljstva dviju neprilagođenih žena koje pripadaju različitim generacijama i koje jedna u drugoj \nneočekivano pronalaze oslonac i utjehu. \n \nBilo jednom u Dalmaciji \nScenarij: Ante Marin \nRežija: - \nProducent: - \n5 300 eura \nRadnja ove humorne drame događa se u divljem kampu za ljubitelje prirode na neimenovanom \ndalmatinskom otoku koji je praktički ispunjen hotelima osim jednog dijela na kojem se nalaze malo mjesto \ni kamp. Ruka turističkog „razvoja“ doprla je do samog ruba kampa, u obliku beach bara koji je smješten na \nplaži ispod brda na kojem je kamp. Kamperi i vlasnik bara žive na rubu sukoba, oni dolaze u njegov zahod \ndok on po cijele noći pušta glasnu glazbu. Status quo poremeti dolazak pisca ljubavnih romana. Riječ je \nprvenstveno o transformacijskoj priči glavnog junaka koji nije imenovan, odnosno u scenariju je nazvan \njednostavno Lik. On se nameće kao introvertirani, egoistični umjetnik bez stvarnog interesa za druge ljude, \na dolaskom na otok počinje se otvarati  za takozvana prava životna iskustva i uspostavlja autentičniju \nkomunikaciju s neobičnim pojedincima koje susreće u kampu. Dramaturgija scenarija je epizodična, dijalozi \nduhoviti te se beskompromisno tematizira navada da se umjesto u stvarnosti radije živi u svijetu iluzija. \n \n \n \n \n\n\f\n \nSlijepo svjetlo \nScenarij: Zorko Sirotić i Ema Dobrota \nRežija: Zorko Sirotić \nProducent: - \n5 300 eura \nZagonetni pulski producent, opsjednut idejom postizanja nemogućeg filmskog kadra, pokušava produkciju \nfilma \"Zagrebački fantom\" premjestiti u Pulu. Iza tog podviga skrivaju se mračne agende producenta. Riječ \nje o izuzetno maštovitom, ludički zamišljenom očuđujućem labirintu sastavljenom od niza pop kulturnih i \nfilmskih referenci i simbola kroz koje se likovi kreću vođeni nadrealnom logikom. Priču karakterizira \nlynchovski pristup gradnji specifičnog filmskog svijeta koji jest i nije nalik našem i čija pravila neprestano \nopovrgavaju naša očekivanja tjerajući nas da propitamo ustaljene obrasce mišljenja i razumijevanja \nstvarnosti. \n \nRaskoljnikov na godišnjem \nScenarij: Matija Drniković \nRežija: - \nProducent: Wolfgang i Dolly d.o.o. \n5 300 eura \nRaskoljnikov na godišnjem je distopijski film čija se radnja zbiva u Hrvatskoj. U našoj, ne tako dalekoj \nbudućnosti, zakoni nisu naklonjeni starijim građanima. Naime, odmah nakon što proslave osamdeseti \nrođendan, svi starci moraju biti eutanazirani. Jedan od izvršitelja eutanazije je i Robert, muškarac srednjih \ngodina koji svoj posao obavlja profesionalno i rutinski, ne razmišljajući previše o etici i moralu. Jednoga \ndana, Robert upozna susjedu Maru, šarmantnu staricu koja će uskoro proslaviti 80. rođendan. Poznanstvo \ns Marom natjerat će Roberta da prvi put razmisli o tome što radi i stavi na kocku i dobro plaćeni posao i \nživot. \nTreatment mladoga i sve zapaženijeg producenta Matije Drnikovića može se pohvaliti zanimljivom pričom \ni likovima, efektno naznačenim društvenim podtekstom, ali i vrlo zanimljivom odlukom da se, umjesto na \nsocijalne i političke implikacije, priča ponajprije usredotočuje na odnos dvoje usamljenih ljudi. \n \n \n \n \n\n\f\n \nSezona \nScenarij: Katarina Radetić \nRežija: - \nProducent: MedVid d.o.o. \n5 300 eura \nFilm Sezona zasnovan je na istinitim događajima u NK Istra 1961, u sezoni 2017. / 2018. Priča je to o grupi \nljudi koja se skupila kako bi spasila ovaj prvoligaški nogometni klub od propasti. Nakon što je vlasnik \nfinancijski uništio 'Istru' i pobjegao na drugi kontinent, u klubu je ostalo svega nekoliko ljudi, predvođenih \ntrenerom Darkom. Darkov je zadatak okupljanje ekipe nogometaša koji su spremni trenirati i igrati bez \nhonorara. Misija je jednostavna: spasiti klub od ispadanja u niži rang natjecanja. \nTreatment za film Sezona vješto izlaže klasičnu underdog i feelgood priču o skupini zanimljivih karaktera \nkoji će savladati sve osobne probleme i međusobne nesuglasice kako bi na koncu uspjeli u naizgled \nnemogućoj misiji.   \n \nTetrix \nScenarij: Niko Sučić, Dino Julius \nRežija: Dino Julius, Luka Hrgović \nProducent: - \n5 300 eura \nTetrix je komedija čija se radnja zbiva koncem 1980-ih godina, dijelom u Kaliforniji dijelom u Dalmatinskoj \nzagori. Neuspješni prodavač automobila Šime vraća se iz Kalifornije u Zagoru kako bi prodao svoje \nnasljedstvo i podmirio dugove prema IRS-u, zbog kojih bi mogao ostati bez salona s automobilima. Plan \nmu ubrzo propada, ali prepoznaje priliku za brzu zaradu kada sazna da je njegova Baba Nediljka iznimno \ntalentirana igračica hit igrice Tetrix. Šime i Nediljka odlaze na veliki turnir u Las Vegasu, gdje započinje \navantura života koja će ih ponovno zbližiti i pomoći im da uvide prave vrijednosti u životu.  \nMladi autori pobudili su veliku pozornost ranijim, nezavisno financiranim filmovima i veseli nas vidjeti kako \nsu odlučili zakoračiti stepenicu više i realizirati cjelovečernji igrani film.   \n \n \n \n \n\n\f\n \nU svemiru, na ivici svijeta \nScenarij: Damir Čučić \nRežija: Damir Čučić \nProducent: - \n5 300 eura \nRadnja filma U svemiru, na ivici svijeta, započinje 1. travnja 1992. godine u ratnom Osijeku. Kombi kojim \nupravlja tajanstveni vozač skuplja umjetnika Ivana Faktora, branitelja Vlatka Bačića, prevoditelja Branka i \nfotografkinju Veru, i odvozi na dvije tisuće kilometara dugo putovanje u danski Kopenhagen, gdje će \ngostovati na televiziji i svjedočiti iz prve ruke o Domovinskom ratu. Faktor dokumentira putovanje VHS \nkamerom. \nFilm  U svemiru, na ivici svijeta novi je projekt hvaljenog i nagrađivanog autora dokumentarnih, igranih i \neksperimentalnih filmova i montažera Damira Čučića. \nU svemiru, na ivici svijeta nudi brojne mogućnosti za autorsko poigravanje motivima, žanrovima i filmskim \nrodovima, kakvo se, uostalom, od ovog autora i očekuje. \n \nBoj pod Sigetom \nScenarij: Arsen Anton Ostojić, Božidar Smiljanić \nRežija: Arsen Anton Ostojić \nProducent: Filmosaurus Rex d.o.o. \n5 300 eura \nBoj pod Sigetom je povijesni spektakl čija radnja prati posljednji dan opsade Sigeta, 7. rujna 1566. \ngodine. Dan započinje smrću Sulejmana Veličanstvenog, koju će Mehmed Paša Sokolović lucidno zatajiti \nod goleme vojske, a završava herojskim pokušajem proboja Nikole Šubića Zrinskog i njegovih junaka, \nnakon što je Zrinski odbio Mehmed Pašinu ponudu hrvatske krune, u zamjenu za predaju tvrđave. \nScenaristi su vješto 'suzili' filmsko trajanje, inače dugotrajne opsade, na jedan dan i na taj način stvorili \npretpostavku za realizaciju modernog povijesnog spektakla, ne remeteći zbog toga značajnije same \npovijesne činjenice. \n \n \n \n \n\n\f\n \nMama je kriva za sve \nScenarij: Valentina Mavretić, Luka Mavretić \nRežija: Goran Ribarić \nProducent: Lux film d.o.o. \n5 300 eura \n \nKao da mu škole nije i onako preko glave, jedanaestogodišnji Berislav Kohn zvan Konj roditeljskom greškom \ndolazi u školu i onda kada nastave nema. U nedjelju. Tu noćnoj mori nije kraj. Berislav će u nastavku biti \nsvjedok pljačke multimedijalne dvorane u koju je nedavno stigao super moćni kompjuter Arči. Budući da  \nje zatečen u ulozi svjedoka, iskusni pljačkaši Brada i Ožiljak nemaju izbora nego Berislava Konja trajno \npospremiti u svoj stan na petnaestom katu nebodera.  \nSlično kao Twain i Pongrašić više vjeruje svojim mladim likovima, nego odraslima pa će Berislavov nestanak \numjesto policije rješavati jedanaestogodišnje jednojajčane blizanke, vikend detektivke Stela i Mirela te tako \npriču o otmici pretvoriti u priču o  pomaganju u nevolji i generacijskoj solidarnosti. Scenarij tandema \nMavretić nastaje po Pongrašićevom romanu nagrađenom priznanjem Grigor Vitez, a autorskoj ekipi već je \nu ovoj ranoj fazi pridružen redatelj Goran Ribarić što dodatno ulijeva povjerenje u čitav projekt. \n \nPoštanska stanica \nScenarij: Veno Mušinović \nRežija: - \nProducent: - \n5 300 eura \n \nNakon što misteriozna dimna bujica pohara Zagreb i uguši sve koji su se zatekli na otvorenome, preživjeli \nhrvatski prosjek, zatečen u poslovnici pošte ne usudi se kročiti na ulicu.  \nSlično kao u drugim filmskim satirama, npr. u  Gospodaru muha ili Trokutu tuge, mjesto zatočeništva, u \novom slučaju pošta, postaje arena, mjesto prisilne karantene gdje se propituju granice pojedinca, njegova \nprava, slobode, ali i odgovornost te mogućnost konsolidiranja zajednice. Iako se radi o svojevrsnom “high \nconceptu”, autor scenarija Veno Mušinović gradi kompleksne likove i pokušava izbjeći zamke žanra u kojima \nnarativ i karakteri često postaju žrtvom osnovne premise i pretjeranog simbolizma.  \nTreatment i priložena koncepcija te opis likova ulijevaju povjerenje da će autor stvoriti  scenarij  koji će biti \nistovremeno točna i duhovita slika današnjeg, ali i nekog drugog mogućeg, paralelnog društva u kojem  \nKožarićeva skulptura Nazovi je kako hoćeš  zaista opkoračuje Vukovarsku ulicu.  \n\n\f\n \nLito koje traje zauvik \nScenarij: Karla Leko \nRežija:  - \nProducent: -  \n5 300 eura \n \nRoko je predškolac koji živi s majkom i starijim bratom u malom splitskom stanu. Ljeto provodi igrajući se i \nposjećujući oca koji se liječi na psihijatriji. Kada otac svojevoljno odluči prekinuti liječenje i vrati se kući, \nRoko se razveseli što će napokon moći realizirati sve planove koje imaju. Međutim, čeka ga ljeto koje će \nzauvijek promijeniti njegov život. Posljedice obiteljskih događaja, zbog kojih će morati naglo odrasti, bit će \nvidljive i u svim narednim ljetima njegovog  života.  \nAutorica gradi uvjerljive likove i vješto isprepliće nekoliko razdoblja iz Rokovog života stvarajući vremenski \nlabirint iz kojeg likovi ne pronalaze izlaz. Osim što tako reflektira neuhvatljivost i nepredvidivost duševne \nbolesti, također stvara uvjerljiv prikaz nemogućnosti izlaska likova, Roka, brata Tome i majke Katarine iz \nteške obiteljske traume.  \n \nMiron u škripcu \nScenarij: Matej Sudarić \nRežija: - \nProducent: Lux film d.o.o. \n5 300 eura \nMiron u škripcu ekranizacija je popularnog romana Ante Gardaša, jednog od najpopularnijih pisaca \nhrvatske dječje književnosti i autora predloška filma Duh u močvari. U središtu radnje je već poznati junak \nGardaševih romana Miron i njegovi osječki prijatelji.  \nFilm počinje in medias res: Miron nakon prepirke s roditeljima po zadatku odlazi do samoposluživanja i na \nputu susreće nepoznatog, tužnog dječaka. Miron ga pokuša utješiti i saznaje da dječak već nekoliko sati \nčeka svoju stariju sestru s kojom je doputovao iz Splita. On promrzlom dječaku posuđuje šal i odlazi na \ntrenutak u samoposluživanje. Međutim, na Mironovom povratku ni dječaku, ni šalu nema traga.   \nNoć, prvi snijeg i prazan grad tvore efektan kontekst ovom inicijalnom motivu, a autor vješto nastavlja \ngraditi atmosferu oslanjajući se na elemente žanrovskog, kriminalističkog filma.  Miron i njegovi prijatelji \nkreću u uzbudljivu avanturu ne bi li pronašli dječaka i njegovu sestru koji su, ispostavit će se, djeca bez \nroditelja, uvučena u maloljetničku delinkvenciju.  \n\n\f\nOsim što zanimljivo nadopisuje, osuvremenjuje i adaptira Gardašev popularni roman, autor izbjegava \nstereotipnu karakterizaciju i uvodi lepezu aktivnih ženskih likova.  \n","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2023,"rok":"1. rok","referenced_projects":["Kad umren zamotan u bilo","Močvara","Mladež","Sise i smoki","Bilo jednom u Dalmaciji","Slijepo svjetlo","Raskoljnikov na godišnjem","Sezona","Tetrix","U svemiru, na ivici svijeta","Boj pod Sigetom","Mama je kriva za sve","Poštanska stanica","Lito koje traje zauvik","Miron u škripcu"],"summary":"Obrazloženje umjetničkih savjetnika (Juraj Lerotić, Višnja Pentić i Dean Šoša) za 1. rok 2023. (14.3.2023.) Javnog poziva za poticanje razvoja scenarija dugometražnog igranog filma – od 92 prijavljena projekta odobreno je 15 projekata za razvoj scenarija (svaki po 5.300 EUR).","project_links":[{"source_title":"Kad umren zamotan u bilo","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Močvara","family_id":"pf_bc8a2a45c9ed","family_title":"Močvara","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Mladež","family_id":"pf_10c78ce40681","family_title":"Mladež","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Sise i smoki","family_id":"pf_d841e2c471a9","family_title":"\"Sise i smoki\"","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Bilo jednom u Dalmaciji","family_id":"pf_2403c1910c6d","family_title":"Bilo jednom u Dalmaciji","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Slijepo svjetlo","family_id":"pf_c8641624b5b3","family_title":"Slijepo svjetlo","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Raskoljnikov na godišnjem","family_id":"pf_cf8347890ece","family_title":"Raskoljnikov na godišnjem","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Sezona","family_id":"pf_b581a4ac7660","family_title":"Sezona","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Tetrix","family_id":"pf_d719fef69e79","family_title":"Tetrix","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"U svemiru, na ivici svijeta","family_id":"pf_862012433a9c","family_title":"U svemiru, na ivici svijeta","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Boj pod Sigetom","family_id":"pf_e3de2df4ce24","family_title":"Boj pod Sigetom","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Mama je kriva za sve","family_id":"pf_a2644380664e","family_title":"Mama je kriva za sve","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Poštanska stanica","family_id":"pf_f8ae27077221","family_title":"Poštanska stanica","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Lito koje traje zauvik","family_id":"pf_13ede4a1cd54","family_title":"Lito koje traje zauvik","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Miron u škripcu","family_id":"pf_79f5d066d81c","family_title":"Miron u škripcu","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"JP 2023_1 ROK_31_01_web recenzija.pdf","filename_decoded":"JP 2023_1 ROK_31_01_web recenzija.pdf","sha256":"f3cd925e9fd20e0d2fbfa52bc73a1c51943803f2986793e63cbb0ff52494207f","bytes":158663,"page_count":3,"extracted_at":"2026-05-17T12:01:14Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP%202023_1%20ROK_31_01_web%20recenzija.pdf"},"raw_text":"1. DISTRIBUCIJA dugometražnog igranog filma „DNEVNIK PAULINE P.” - 30.000,00 € (226.035,00 kn) \n \nOvo je priča o Paulini P., snažnoj, emotivnoj i duhovitoj protagonistici ovoga filma i svojega života, \ngdje unutar školske godine pratimo njezine avanture u razredu i kod kuće te sve probleme koje ona \nuspješno savladava. Film se temelji na Paulininom dnevniku, a ona iz kritičke perspektive i uz \nkomične situacije, govori o svojim problemima u prijateljstvu, ljubavi i obitelji. Sama radnja filma \nsmještena je u stvarni svijet, s pokojim dodirom „čarolije“.   \n \nDeset godina prošlo je od zadnjeg domaćeg hita koji je zabilježio više od 100,00 gledatelja. \n„Dnevnik Pauline P.” svojim komercijalnim potencijalom ima veliku šansu postati sedmi član tog \nelitnog kluba. \n \n2.  DISTRIBUCIJA dugometražnog dokumentarnog filma „MEKANI BRODOVI” - 3.300,00 € \n(24.863,85 kn) \n \nO avangardnoj kazališnoj grupi Kugla glumište „vješto se isprepliće“ kronološki složeno „preobilje \nzvučnog i vizualnog arhivskog materijala“ koji svjedoče o teatru kao urbanom ritualu i socijalnoj \nsituaciji. Njihovo mjesto u povijesti hrvatskog i svjetskog kazališta neprijeporna je činjenica o kojoj \ngovore članovi KG (Burić, Vlašić, Mavar, Pamuković, Ruljančić...) suvremenici, redatelji (Sviben, \nBrezovec), teatrolozi (Rogošić, Ćirilov, Pavićević, Milutinović), glazbenici (Novoselić, Jurić) i dr.  \n \nPionirski pothvat koji bi, ako poluči rezultate, mogao pomoći popularizaciji ovakvih naslova i \nhrvatske kinematografije općenito. \n \n \n3.  DISTRIBUCIJA dugometražnog igranog filma „PELIKAN” - 7.000,00 € (52.741,50 kn) \n \nJosip je nogometaš koji se u toplicama oporavlja od ozljede koljena koja mu ozbiljno narušava \nkarijeru. Između terapija s egocentričnim fizioterapeutom te posjeta uskoro bivše djevojke i \nnekadašnjeg najboljeg prijatelja, postaje mu jasno da mora iznova pronaći sebe. Da bi bio sretan \nsa sobom kakav jest, najprije mora izići iz vlastite kože. Kada slučajno otkrije prodajnu konferenciju \nu toplicama, gdje ga greškom zamijene za prodajnog predstavnika koji se nije pojavio, Josip \npristaje na ulogu.  \n \nNiz međunarodnih festivalskih priznanja potvrđuje da je riječ o ostvarenju čije uvrštenje na \nredovan repertoar hrvatskih kina treba biti neupitno. \n \n \n4.  DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „PRAZNIK RADA” - \n2.700,00 € (20.343,15 kn) \n \nNakon deset godina rada u Njemačkoj, Armin se vraća u Bosnu. Tek se oženio i želi iznenaditi oca \nFudu. No Fude nema. Susjedi kažu da je uhićen, ali nitko ne zna zašto. U novinama piše da je \nosumnjičen za ratni zločin. Dok susjedstvo slavi praznik rada, Armin pokušava saznati istinu.  \n\n\f\n \nBudući da je BiH kinematografija u nas repertoarski gotovo potpuno zapostavljena te da smo zbog \npandemije bili uskraćeni za kinodistribuciju filma „Quo Vadis, Aida?”, dobitnika europske filmske \nza najbolji film, novi film jednog od najznačajinih bosanskohercegovačkih autora Pjera Žalice ne bi \nsmio doživjeti sličnu sudbinu. \n \n \n5.  DISTRIBUCIJA dugometražnog igranog filma „TRAGOVI” - 6.600,00 € (49.727,70 kn) \n \nKao posljednji član nekada brojne obitelji, znanstvenica Ana suočava se s osobnom krizom, a \nantropološko istraživanje koje vodi isprepliće se s njezinim osjećajem izgubljenosti. Nizom \npodudarnosti, tragovi i simboli na stećcima postati će joj ujedno putokaz prema izlazu iz vlastite \ntraume.  \n \nDa je marketinška kampanja kvalitetnije osmišljena, „Tragovi” su imali potencijal da postanu \ndomaći 'art-house' hit. Ovako se može očekivati prosječna gledanost za film ovog tipa. \n \n \n6.  DISTRIBUCIJA dugometražnog igranog filma „SEDMO NEBO” - 18.000,00 € (135.621,00 kn) \n \nCrna komedija o čovjeku na rubu živčanog sloma. On je Nino Radman i njegov je problem potpuno \nbanalan, ali njemu je to pitanje života i smrti: panično se boji reći ženi da se zaljubio u drugu. Nino \nmarljivo uvježbava govor priznanja s prijateljem glumcem, no svaki put kad se suoči sa ženom, \nprestraši se.Nino se sve više zapetljava u vlastite laži, obuzima ga paranoja, uvjeren je da mu je \nsupruga na tragu, da ga netko prati.  \n \n„Sedmo nebo” ima odlike 'mainstream' komedije te je stoga i komercijalni potencijal popriličan. \n \n \n7.  DISTRIBUCIJA dugometražnog igranog filma „4:2” - 2.700,00 € (20.343,15 kn) \n \nNedjelja je, 15. 07. 2018. 17:00, stadion Lužnjiki u Moskvi, finale Svjetskog nogometnog prvenstva \nizmeđu Francuske i Hrvatske. Istovremeno jedan bračni par šutke ulazi u auto u Zagrebu i kreću \nstarom cestom prema Rijeci. Dok se na makroplanu odvija sportska drama godine, na mikroplanu \nse dvoje ljudi bore zadržati život kakvim su ga znali. Ništa nije kako izgleda...   \n \n„4:2” spada u red filmskih ostvarenja posebne umjetničke vrijednosti koji pridonose većoj \nraznolikosti nacionalnog kino-repertoara. \n \n \n \n \n \n\n\f\n \n8.  DISTRIBUCIJA dugometražnog dokumentarnog filma „SUTRA ĆU BITI (PRIČA O DOMCIMA)” - \n1.600,00 € (12.055,20 kn) \n \nPriča o životu štićenika odgojnih domova po Hrvatskoj. Snovima. Nadama. Težnjama. Strahovima. \nSumnjama. Izazovima. Kako od klinaca koji su u startu imali manje prilike postaju muškarci. Kroz \nindividualne portrete i ispovijesti bivših i sadašnjih štićenika Martina, Patrika, Damjana, Gorana, \nElvisa, Iggyja, Marina svjedočimo njihovim pokušajima resocijalizacije nakon izlaska iz institucija.   \n \n„Sutra ću biti (Priča o Domcima)” se po svojem komercijalnom potencijalu može svrstati u 'niži \nrazred' hrvatskih dokumentaraca koji su se posljednjih godina pojavljivali na redovnom kino-\nrepertoaru. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":2023,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2011 Me_unarodna suradnja_ 15 11 2011.pdf","filename_decoded":"2011 Me_unarodna suradnja_ 15 11 2011.pdf","sha256":"f3e2a0dcb342787cd09a86ac15b8399fb7999a2ecd3db16cbcae305f4ebce4be","bytes":195592,"page_count":2,"extracted_at":"2026-05-17T10:23:26Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2011%20Me%C4%91unarodna%20suradnja%2C%2015%2011%202011.pdf"},"raw_text":"REZULTATI JAVNOG POZIVA ZA KOMPLEMENTARNE DJELATNOSTI - PROGRAMI MEĐUNARODNE SURADNJE, ROK 15.11.2011.\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA (HRK)\n1\nAkademija dramske \numjetnosti\nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika; \nProgram izrade promidžbenih materijala i prijavljivanje u \nslužbenu konkurenciju festivala; Program predstavljanja i \npromocije filmova; \nIzrada promidžbenih materijala filmskih radova studenata Akademije \ndramske umjetnosti u Zagrebu u svrhu prijavljivanja u službenu \nkonkurenciju međunarodnih filmskih festivala.\n35,000.00\n2\nAkademija dramske \numjetnosti\nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika; \nProgram izrade promidžbenih materijala i prijavljivanje u \nslužbenu konkurenciju festivala; Program predstavljanja i \npromocije filmova; \nIzrada promidžbenih materijala dugometražnog igranog studentskog \nfilma \"Košnice\", međunarodne koprodukcije pet filmskih škola \npokrenute na Akademiji dramske umjetnosti, u svrhu prijavljivanja u \nslužbenu konkurenciju međunarodnih filmskih festivala.\n25,000.00\n3\nAkademija dramske \numjetnosti\nPitching, koprodukcijski forumi i programi za razvoj projekata\nSudjelovanje studenata diplomskog studija odsjeka montaže na \nradionici postprodukcijskih zvukova u Rotterdamu, Nizozemska, u \nsiječnju i prosincu 2012. \n12,000.00\n4\naKULTURAcija - Centar za \npromicanje kulture i \numjetnosti\nProgrami međunarodne kulturalne razmjene iz područja \naudiovizualnih djelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija)\nPredstavljanje Opuzen Film Festivala u Mostaru, u okviru turneje \n\"OFF - Gost\" u Mostaru, Bosna i Hercegovina, 16. - 18. prosinca \n2011.\n7,500.00\n5\nASIFA Hrvatska\nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika\nSudjelovanje Borivoja Dovnikovića na Međunarodnom festivalu \nanimiranog filma CINANIMA gdje će mu biti uručena nagrada za \nživotno djelo od strane ASIFA-e, a koji će se održati u Espinho, \nPortugal, 8. - 13. studenoga 2011. \n3,504.00\n6\nBranka Benčić\nProgrami međunarodne kulturalne razmjene iz područja \naudiovizualnih djelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija)\nPredstavljanje Festivala MAFAF (1965.-1990.) i alternativne filmske \nprakse (u fokusu: hrvatski eksperimentalni film i video) u Galeriji MC \nu New Yorku, SAD, tijekom ožujka i travnja 2012. \n8,000.00\n7\nCentar za nove inicijative\nProgram predstavljanja i promocije filmova\nOrganizacija festivala \"Hrvatski film u Beču\" koji će se održati u \nBeču, Austrija, 17. - 19. studenoga 2011. i u Gradišću 20. studenoga \n2011.\n15,000.00\n8\nDruštvo hrvatskih filmskih \nredatelja\nProgrami međunarodne kulturalne razmjene iz područja \naudiovizualnih djelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija)\nOrganizacija sastanka generalne skupštine Federacije europskih \nredatelja u Hrvatskoj (FERA )održanog u Opatiji, Hrvatska, 22. - 25. \nrujna 2011.\n80,000.00\n9\nGokul - građanska \norganizacija za kulturu \nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika;  \nProgram predstavljanja i promocije filmova; Programi \nmeđunarodne kulturalne razmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i stranih pojedinaca i \ninstitucija)\nPredstavljanje programa hrvatskih kratkometražnih filmova u odabiru \ni organizaciji Tabor Film Festivala na Batumi International Art House \nFilm Festivalu koji će se održati u Batumi, Gruzija, u rujnu 2012.\n8,300.00\n10 Gokul - građanska \norganizacija za kulturu \nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika;  \nProgram predstavljanja i promocije filmova; Programi \nmeđunarodne kulturalne razmjene iz područja audiovizualnih \ndjelatnosti (razmjena hrvatskih i stranih pojedinaca i \ninstitucija)\nPredstavljanje programa hrvatskih kratkometražnih filmova u odabiru \ni organizaciji Tabor Film Festivala na Festivalu kratkometražnog filma \nu Lilleu, Francuska, koji će se održati od 30. ožujka do 6. travnja \n2012.\n6,800.00\n11 Hrvatski državni arhiv - \nHrvatska kinoteka\nProgrami međunarodne kulturalne razmjene iz područja \naudiovizualnih djelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija)\nSudjelovanje predstavnika Hrvatske kinoteke na obilježavanju \nSvjetskog dana AV baštine i proslavi 35-godišnjice Kinoteke \nMakedonije u Skopju, Makedonija, 27. - 29. listopada 2011. gdje će \nbiti prikazan i program filmova Josipa Karamana i Oktavijana Miletića \nkoji je pripremila Hrvatska kinoteka\n2,068.00\n12 Hrvatski film d.o.o.\nProgram izrade promidžbenih materijala i prijavljivanje u \nslužbenu konkurenciju festivala; Program predstavljanja i \npromocije filmova; \nSudjelovanje i predstavljanje dugometražnog igranog filma \n\"Kotlovina\" redatelja Tomislava Radića u službenoj konkurenciji  \nMeđunarodnog filmskog festivala u Švedskoj.\n39,000.00\n13 Hrvatski filmski savez\nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika\nSudjelovanje Željka Baloga, hrvatskog predstavnika u organizaciji \nUNICA, na sastanku Generalne skupštine UNICA-e u Salon de \nProvence, Francuska, 20. - 23. listopada 2011.\n5,379.00\n14 Hulahop d.o.o.\nProgram izrade promidženih materijala i prijavljivanje u \nslužbenu konkurenciju festivala; Program predstavljanja i \npromocije filmova\nIzrada promidžbenih materijala dokumentarnog filma \"Zemlja znanja\" \nredatelja Saše Bana u svrhu promocije i predstavljanja filma na 54. \nmeđunarodnom festivalu dokumentarnog i animiranog filma DOK \nLeipzig održanog u Leipzigu, Austrija, 17. - 23 listopada 2011. i na \nostalim međunarodnim filmskim festivalima.\n12,000.00\n15 Hulahop d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producentice Miljenke Čogelje na radionici Erich \nPommer Institute / Essential Legal Framework - European Co-\nproduction: Legal and Financial Aspects održanoj u Berlinu, \nNjemačka, 21. - 25. listopada 2011.\n3,755.00\n16 Ivana Bošnjak\nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika; \nProgrami stručnog usavršavanja\nSudjelovanje animatorice Ivane Bošnjak na Međunarodnom festivalu \nanimiranog filma Animated Dreams s filmom \"Crossed Sild\" i na \npopratnoj radionici za mlade autore Anima Campus u Tallinu, \nEstonija, 16. - 20. studenog 2011.\n2,997.00\n17 Kinorama d.o.o.\nPitching, koprodukcijski forumi i programi za razvoj projekata\nSudjelovanje scenaristie Hane Jušić i producentice  Ivane Šimić s \nprojektom Zagonetni dječak na radionici za razvoj dugometražnih \nfilmova \"Prime 4 Kids & Family\" u Berlinu, Njemačka, od 25. rujna do \n2. listopada 2011. i u Ludwigsburgu, Njemačka, od 11. do 14. \nprosinca 2011.\n10,000.00\n18 Kinorama d.o.o.\nProgrami stručnog usavršavanja\nSudjelovanje producentice Ankice Jurić Tilić s projektom u razvoju \n\"Sveta Ana u polju\" redatelja Zvonimira Jurića u programu radionice \nACE 21 (Ateliers du Cinema Europeens).\n30,860.00\n19 Nukleus film d.o.o.\nPitching, koprodukcijski forumi i programi za razvoj projekata\nSudjelovanje producenta Siniše Juričića i redatelja Iliana Meteva s \nfilmom u nastanku \"Sofia's Last Ambulance\" na prezentaciji Doc \nLaunch u sklopu dokumentarnog festivala u Jihlavi, Češka, 27. - 29. \nlistopada 2011.\n5,200.00\n\n\f\nPODNOSITELJ\nPROGRAM\nOPIS PROGRAMA\nODOBRENA \nPOTPORA (HRK)\n20 Nukleus film d.o.o.\nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika; \nProgram izrade promidžbenih materijala i prijavljivanje u \nslužbenu konkurenciju festivala; Program predstavljanja i \npromocije filmova; \nSudjelovanje i predstavljanje kratkometražnog igranog filma \"Ustaj \nMiro!\" redatelja Petra Preškovića na Asiana Int. Short Film Festivalu \n(AISFF) u Seoulu, Južna Koreja, 1. - 8. studenog 2011.\n17,265.00\n21 Otompotom, udruga\nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika\nSudjelovanje animatora Ivana Klepca i Slave Lukarova s animiranim \nfilmom \"Pod konpom\" na Međunardonom festivalu animacije \nANILOGUE u Budimpešti, Mađarska, 25. - 28. studenoga 2011.\n540.00\n22 R 44 usluge d.o.o.\nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika\nSudjelovanje i predstavljanje kratkometražnog studentskog filma \n\"Kurvo\" redateljice Sonje Tarokić na 34. festivalu studentskom filma \nLes Rencontres Henri Langlois u Poitiers, Francuska, 2. - 11. \nprosinca 2011.\n3,422.50\n23 Restart, udruga\nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika; \nProgrami stručnog usavršavanja\nSudjelovanje redatelja Igora Bezinovića i snimatelja Damjana \nNenadić, predstavnika Restarta, na 4. susretu participativnih medija \nu Niolonu, Francuska, 20. - 25. listopada 2011.\n908.00\n24 Restart, udruga\nPitching, koprodukcijski forumi i programi za razvoj projekata\nSudjelovanje producentice Vanje Jambrović i redatelja Nebojše \nSlijepčevića s dokumentarnim filmom u nastanku \"Gangster te voli\" \nna IDFA Forumu u sklopu Festivala dokumentarnog filma IDFA u \nAmsterdamu, Nizozemska, 21. - 23. studenoga 2011.\n8,950.00\n25 Siniša Mataić\nProgrami stručnog usavršavanja\nSudjelovanje animatora Siniše Mataića na edukacijskom programu \n3D character animacije - Animation Workshop koji se održava u \nViborgu, Danska, od veljače do lipnja 2012.\n24,487.00\n26 Udruga KINOFON\nProgrami međunarodne kulturalne razmjene iz područja \naudiovizualnih djelatnosti (razmjena hrvatskih i stranih \npojedinaca i institucija)\nIstraživanje hrvatske filmske baštine u Bundes film Archivu, Berlin, \nNjemačka, od 25. lipnja 2012. do 4. srpnja 2012.\n9,780.00\n27\nUdruga za promicanje \nkulture i umjetnosti JA BIH \n…\nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika; \nProgram predstavljanja i promocije filmova; \nOrganizacija programa pod nazivom \"Hrvatski film u Sarajevu\" koji \nće se održavati u Sarajevu, Bosna i Hrcegovina u lipnju 2012.\n20,000.00\n28 Veljko Popović\nProgrami gostovanja hrvatskih autora/-ca, producenata/-ica, \nizbornika filmskih festivala, filmskih stručnjaka i djelatnika\nSudjelovanje i predstavljanje kratkometražnog animiranog filma \n\"Dove sei, amor mio\" redateljica Veljka Popovića na 34. \nmeđunarodnom festivalu kratkometražnog filma u Clermont-\nFerrandu, Francuska, 27. siječnja - 4. veljače 2011.\n3,800.00\nUKUPNO:\n401,515.50 \nNapomena:\nPRIJAVLJENIM PROGRAMIMA KOJI NISU NAVEDENI NA OVOM POPISU NIJE ODOBRENA POTPORA.\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"2011 Me_unarodna suradnja_ 15 11 2011","year":2012,"rok":null,"natjecaj_date":"2011-11-15","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","OPIS PROGRAMA","ODOBRENA POTPORA (HRK)"],"rows":[{"row_number":1,"project_title":"Programi gostovanja hrvatskih autora/-ca, producenata/-ica, izbornika filmskih festivala, filmskih stručnjaka i djelatnika; Program izrade promidžbenih materijala i prijavljivanje u službenu konkurenciju festivala; Program predstavljanja i promocije filmova;","applicant":"Akademija dramske umjetnosti","production_company":"Akademija dramske umjetnosti","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"US-in-Croatian (35,000.00)","approved_amount":35000.0,"currency":"HRK","extras":{"col_1":"1","OPIS PROGRAMA":"Izrada promidžbenih materijala filmskih radova studenata Akademije dramske umjetnosti u Zagrebu u svrhu prijavljivanja u službenu konkurenciju međunarodnih filmskih festivala.","approved_amount_original":35.0,"approved_amount_text_original":"35,00","amount_repaired_at":"2026-05-17T14:24:11Z","amount_repaired_by":"subagent:pass_c_triage","amount_repair_confidence":"high","amount_repair_reasoning":"Raw text shows '35,000.00' for row 1 (Akademija dramske umjetnosti - promidžbeni materijali studenti ADU Zagreb). 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\nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih \ndokumentarnih i animiranih filmova - podkategorija: RAZVOJ SCENARIJA u 2022. - \n2. ROK - 14.9.2022. \n \nDUGOMETRAŽNI IGRANI FILM \n \nUmjetnički savjetnici: Zvonimir Jurić, Ivor Martinić i Ana Štulina \n \nNa Javni poziv za poticanje razvoja scenarija dugometražnog igranog filma u 2022. godini na \ndrugom roku prijavljen je ukupno 81 projekt. Od toga su dva (2) projekta bila pogrešno \nprijavljena u kategoriju razvoja scenarija dugometražnih igranih filmova.  \nNa ovom roku imali smo značajno manji broj prijavljenih (naspram 116 projekata u prvom \nroku), no kvaliteta prijavljenih projekata je vrlo dobra. Mišljenja smo da su gotovo sve \nprijave bile dobro obrazložene, sa uredno predanim i tehnički dobro realiziranim \ntreatmentom ili scenarijem. Zbog velikog broja prijava nemoguće je utvrditi koji žanr \nprevladava, budući su prijave žanrovski raznolike, kao i faze razvoja. I dalje se najčešće \nprijavljuju redatelji sa autorskim projektima, potom hrvatski dramski i prozni pisci, studenti \nfilmskih akademija završnih godina, te na kraju – pisci scenaristi kojima je scenaristika \nprioritetno zanimanje.  \nZaključno, predloženo je i odobreno sveukupno deset projekata za razvoj scenarija.  \n \nFilmovi predloženi i odobreni za razvoj scenarija \nTekton (pas je za lanac) \nScenarij: Tin Žanić \nRežija: - \nProducent: - \n30.000,00 kn \nPovučeni mladić, Lan radi kao pomoćni radnik na stočarskoj farmi. Zadnjeg dana na poslu, \ndogodi se incident. Šef imanja nestane, a radnici zbog pucnja koje su čuli sumnjaju na \nsamoubojstvo. Neki od njih sumnjaju da Lan ima neke veze sa šefovim nestankom, jer mu je \nLan prije njegovog odlaska nešto šapnuo na uho. Lan odlazi s farme te nastavlja putovanje \nzabačenim dijelovima Hrvatske. Tu započinje odnos sa svojim suputnikom, sredovječnim \nmuškarcem za kojeg uskoro shvaćamo da ostali tog muškarca vide kao nešto potpuno drugo. \nRiječ je o mračnoj, uznemirujućoj priči o marginalcu Lanu. Autor vrlo emotivno razlaže temu \nsamoće, ali i stvara bogati unutrašnji svijet Lana – gdje polako shvaćamo kako on nije ono \nkako ga ljudi izvana vide, već nešto puno više i u isto vrijeme kompliciranije, mračnije, \nprogonjen svojim unutarnjim uznemirujućim mislima.  \n\n\f\nU pakao, lijepo molim \nScenarij: Nikolina Rafaj \nRežija: - \nProducent: - \n30.000,00 kn \nNakon smrti Majke, Sin se vraća kući, te pokušava uspostaviti odnos sa Ocem koji se teško \nmiri sa smrti svoje supruge te započinje autodestruktivno putovanje. Sin se počinje \nopsesivno brinuti za Oca, dok u isto vrijeme rješava traume vezane uz vlastiti raspad braka i \nosjećaja krivnje što nije imao snage biti uz umiruću majku. Riječ je o iznimno zanimljivoj priči \nkoja govori o gubitku. Treatment je pisan originalnim jezikom, te nas odmah uvlači u \natmosferu budućeg scenarija, ali i zavodi neupitnim književnim talentom autorice.  \nMaskarada \nScenarij: Sara Grgurić \nRežija: Sara Grgurić \nProducent: - \n30.000,00 kn \nDjevojka Hana živi u malenom mjestu u Gorskom kotaru s majkom, očuhom i mlađom \npolusestrom. Dane provodi radeći razne poslove kako bi što prije zaradila dovoljnu količinu \nnovaca da može otići iz grada i započeti novi život - život modne dizajnerice. Međutim, \nnjezini planovi se zakompliciraju kada se u njezin život uplete Josip, oženjeni muškarac i otac \ndvoje djece s kojim Hana stupa u ljubavničku vezu.  \nRiječ je o odlično napisanoj priči koja se događa u vizualno dobro odabranom području \nGorskog kotara. Glavni lik, djevojka Hana kroz film prolazi niz uvjerljivih stanja; od \nambicioznosti preko zaljubljenosti, osjećaja novog samopouzdanja, sve do ogorčenosti i \nemotivnog pucanja. \nBrižnost \nScenarij: Beatrica Kurbel \nRežija: - \nProducent: - \n30.000.00 kn \nRadi se o zanimljivoj priči u kojoj se obitelj dugi niz godina nosi s kroničnim oboljenjem \njednog od članova koji ima multiplu sklerozu, da bi saznali da se još jedan član razbolio od \niste. Drama se odvija u jednom vikend druženju na moru i prati šest likova, članova obitelji, \npreispitujući dinamiku odnosa i trenutne pozicije u odnosu na bolest. Nastalo kao filmski \nnastavak romana \"Kud si krenula\" spisateljice Nastje Kulović, \"Brižnost\" svojom \ndramaturgijom bez centralnog lika prenosi fragilnu atmosferu unutar obitelji strukturirane \nna traumi koju je uzrokovala bolest i gradi uvjerljivu obiteljsku dramu. \n \n \n\n\f\nLovac na divlje svinje \nScenarij: Arsen Anton Ostojić \nRežija: Arsen Anton Ostojić \nProducent: - \n30.000.00 kn  \nTridesetsedmogodišnji Petar, član lovačke družine u malom selu na Žumberku, pored \ngranice sa Slovenijom tijekom lova na divlje svinje slučajno ustrijeli imigrantkinju koja je sa \nsvojim šestogodišnjim sinom prolazila šumom. Petar iz straha ne pozove policiju već ih \nodvodi svojoj kući, nakon čega ona umire. Petar je najednom prisiljen brinuti se o dječaku, \nskrivajući tajnu o nesreći od ostalih lovaca i policije, svjestan da mora što prije pronaći način \nda se riješi dječaka. Svi problemi koje migracije impliciraju su tu, kao i motiv netrpeljivosti \nprema imigrantima koji se tragično zakomplicira. Autor nas vješto vodi kroz priču i svijet \nnijemog, marginaliziranog Petra, gradeći podzapletima izrazito napetu atmosferu.  \n \nTatin sin \nScenarij: Dino Pešut \nRežija: - \nProducent: - \n30.000.00 kn \nLuka je tridesetogodišnjak, suzdržan i tih, radi kao recepcionar hotela te potajno piše poeziju \nne želeći je objaviti. Privatno se suočava s nizom komplikacija, očeva bolest, otkaz na poslu, \ngubitak podstanarskog stana, alkoholizam prijateljice te kraj ljubavne veze koje ga dovode \ndo krize u kojoj je primoran učiniti korak na koji nije spreman. U sjajno napisanom \ntreatmentu dinamično se nižu fragmenti Lukine svakodnevice, izvrsno dočaravajući duh \nsadašnjeg vremena i mladog modernog utopljenika u beskonačnoj društveno-političkoj \ntranziciji tako karakterističnoj za ovaj kraj. Dirljiva je to, vrlo životna i topla priča o identitetu \nte je adaptacija ovog suvremenog romana u filmsku formu prirodan slijed. \n \nPomalo \nScenarij: Filip Peruzović \nRežija: Filip Peruzović \nProducent: -  \n30.000.00 kn \n \nUvjerljivo situirana, životopisna „slice of life“ priča o sredovječnom usamljenom muškarcu \nŽeljku čiji se život stubokom mijenja nakon što doživi moždani udar. U njegov samački život \nući će Vesna, kolegica s posla, s kojom on započne nježnu vezu kao i sin s kojim je davno \nizgubio odnos. Jedna od snaga ove pripovijesti leži u davanju digniteta onima o kojima se \npriče rijetko pričaju – malim, nezamjetnim, ni po čemu posebnim ljudima prosječnih života \nčiji zemaljski dani teku a onda jednog dana i završe. Oda je to životu i smrti „malog“ čovjeka.  \n \n \n \n\n\f\nReksi \nScenarij: Josip Lukić \nRežija: Josip Lukić \nProducent: - \n30.000.00 kn  \n \nSmještena u Split za vrijeme turističke sezone te djelomično inspirirana istinitim događajem \nu pitanju je priča intrigantne „štafetne“ dramaturgije u kojoj pratimo nekoliko likova da bi se \nna kraju opet vratili na onaj lik s kojim je i priča započela - mladog momka koji zatim, na prvi \npogled bez jasnog motiva, počini umorstvo. U mravinjaku uvjerljivo kreiranih međuljudskih \nodnosa, pratimo uzbudljivo nizanje situacija u prijetećoj i uznemirujućoj atmosferi \nkontrapunktiranoj ljetnoj i bezbrižnoj turističkoj vrevi.      \n    \n \nPoplava   \nScenarij: Goran Dević \nRežija: Goran Dević \nProducent: -  \n30.000.00 kn \n \nRadnja se događa u proljeće 1944. g. za vrijeme velike poplave. Grupa zatočenika logora \nJasenovac odlazi van logora po drva. Logoraše, među kojima je i Židov, bivši nogometaš \nPavle, prate četvorica ustaša. U  želji da drva obore na terenu koji nije zahvatila poplava \nudalje se od logora i nalete na partizansku patrolu koja iz zasjede ubije ustaške čuvare. \nZatvorenici se sada mogu pridružiti partizanima, no svi osim jednog i Pavla odluče se vratiti u \nlogor jer vide u partizanima klasnog neprijatelja, one koji će - ukoliko pobijede u ratu – \noduzeti i nacionalizirati im imovinu. Dojmljiva močvarna atmosfera, upečatljivi karakteri i \nvrlo zanimljiv razvoj događaja krase ovu priču iz povijesti.     \nPirosi \nScenarij: Robert Cukina \nRežija: - \nProducent: - \n30.000,00 kn \n \nU središtu priče je Ivan, zvani Ico (52), umirovljeni pirotehničar i dreser pasa koji živi \nneurednim, samačkim životom u prizemlju trokatnice smještene u slavonskom mjestu. Pati \nod noćne more, u kojoj mala djevojčica stradava od mine. Ico je izgubio ženu, a s kćeri ne \npriča godinama. U jednom trenutku, kada pokuša počiniti samoubojstvo, zove na telefon \nsvoju kćerku, a na telefonu se javlja dječji glas, te Ico tako saznaje da ima unuku. Ta spoznaja \nodagna mu misli o samoubojstvu, i natjera ga da promijeni život. Riječ je o zanimljivoj priči \nkoja se događa u Slavoniji, a koja uvjerljivo priča o postratnoj svakodnevnici emotivno \ndotaknuvši teme očinstva, obitelji, životnih razočaranja i oprostu. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"razvoj_projekata","year":2022,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"2 BEZ UDRUGA OBRAZLO_ENJE Komplementarne_obrazlo_enje_2018.pdf","filename_decoded":"2 BEZ UDRUGA OBRAZLO_ENJE Komplementarne_obrazlo_enje_2018.pdf","sha256":"f4adf51e9d6ab28e3feb1def17b8648a21caa651281272a3cdb67557754226ca","bytes":77224,"page_count":6,"extracted_at":"2026-05-17T12:01:29Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2%20BEZ%20UDRUGA%20OBRAZLO%C5%BDENJE%20Komplementarne_obrazlo%C5%BEenje_2018.pdf"},"raw_text":" \n \n1\nJavni\t\r  poziv\t\r  za\t\r  dodjelu\t\r  sredstava\t\r  za\t\r  poticanje\t\r  komplementarnih\t\r  djelatnosti\t\r  u\t\r  2018.\t\r  \ngodini \nObrazloženje\t\r  umjetničkih\t\r  savjetnika\t\r  za\t\r  komplementarne\t\r  djelatnosti\t\r  \n \nNa\t\r  Javni\t\r  poziv\t\r  za\t\r  dodjelu\t\r  sredstava\t\r  za\t\r  poticanje\t\r  komplementarnih\t\r  djelatnosti\t\r  u\t\r  2018.\t\r  \ngodini\t\r  pristiglo\t\r  je\t\r  370\t\r  prijava\t\r  u\t\r  kategorijama:\t\r  djelatnosti\t\r  razvijanja\t\r  audiovizualne\t\r  kulture,\t\r  \nfilmskih\t\r  festivala\t\r  i\t\r  drugih\t\r  audiovizualnih\t\r  manifestacija;\t\r  objavljivanja\t\r  književnih\t\r  radova\t\r  u\t\r  \npodručju\t\r   audiovizualnih\t\r   djelatnosti;\t\r   programa\t\r   audiovizualnih\t\r   udruga\t\r   i\t\r   organizacija;\t\r  \nprograma\t\r   promocije\t\r   i\t\r   prodaje\t\r   hrvatskih\t\r   audiovizualnih\t\r   djela;\t\r   programa\t\r   stručnog\t\r  \nusavršavanja;\t\r  programa\t\r  proučavanja\t\r  i\t\r  kritičkog\t\r  vrednovanja\t\r  audiovizualnih\t\r  djelatnosti;\t\r  \nprograma\t\r   zaštite\t\r   audiovizualne\t\r   baštine,\t\r   uključujući\t\r   kinotečnu\t\r   djelatnost,\t\r   te\t\r   ostalih\t\r  \nprograma.\t\r   \n \nDio\t\r   prijava,\t\r   za\t\r   koje\t\r   su\t\r   procijenili\t\r   da\t\r   su\t\r   integralan\t\r   dio\t\r   istog\t\r   programa,\t\r   umjetnički\t\r   su\t\r  \nsavjetnici\t\r  razmatrali\t\r  kao\t\r  jednu\t\r  prijavu,\t\r  a\t\r  za\t\r  četiri\t\r  je\t\r  prijave\t\r  zaključeno\t\r  da\t\r  ne\t\r  pripadaju\t\r  u\t\r  \nprogramsko\t\r  područje\t\r  komplementarnih\t\r  djelatnosti.\t\r   \n \nNakon\t\r  razmatranja\t\r  prijava\t\r  savjetnici\t\r  za\t\r  komplementarne\t\r  djelatnosti,\t\r  Mario\t\r  Kikaš,\t\r  Jaka\t\r  \nPrimorac\t\r  i\t\r  Tomislav\t\r  Šakić,\t\r  za\t\r  financiranje\t\r  preporučuju\t\r  246\t\r  programa\t\r  u\t\r  ukupnom\t\r  iznosu\t\r  \nod\t\r  10.169.000,00\t\r  kuna. \n\t\r  \nU\t\r  postupku\t\r  procjenjivanja\t\r  i\t\r  vrednovanja\t\r  prijava\t\r  savjetnici\t\r  su\t\r  se\t\r  vodili\t\r  nizom\t\r  kriterija\t\r  po\t\r  \nnavedenim\t\r  kategorijama,\t\r  pri\t\r  čemu\t\r  je\t\r  u\t\r  svim\t\r  kategorijama\t\r  vrednovano\t\r  sljedeće:\t\r   \n \n-­‐\t\r  kvaliteta,\t\r  izvedivost\t\r  i\t\r  održivost\t\r  predloženog\t\r  programa,\t\r  pri\t\r  čemu\t\r  se\t\r  posebno\t\r  vodilo\t\r  \nračuna\t\r  o\t\r  programima\t\r  koji\t\r  imaju\t\r  konkretne,\t\r  realne\t\r  i\t\r  strateške\t\r  planove\t\r  u\t\r  umjetničkom,\t\r  \norganizacijskom\t\r   i\t\r   financijskom\t\r   smislu,\t\r   potom\t\r   o\t\r   dostupnosti\t\r   samog\t\r   projekta,\t\r   njegovoj\t\r  \nvidljivosti\t\r   i\t\r   komunikaciji\t\r   s\t\r   profesionalcima\t\r   i\t\r   javnošću,\t\r   o\t\r   kvaliteti\t\r   prijave,\t\r   o\t\r   kvaliteti\t\r   i\t\r  \niskustvu\t\r  projektnog\t\r  tima\t\r  u\t\r  pojedinoj\t\r  programskoj\t\r  komplementarnoj\t\r  djelatnosti\t\r  za\t\r  koju\t\r  \nse\t\r  prijavljuju,\t\r  o\t\r  prethodnom\t\r  izdanju\t\r  programa\t\r  (u\t\r  slučaju\t\r  da\t\r  nije\t\r  riječ\t\r  o\t\r  prvom\t\r  izdanju),\t\r  \nte\t\r  o\t\r  različitim\t\r  oblicima\t\r  suradnje,\t\r  umrežavanju\t\r  i\t\r  partnerstvu; \n \n-­‐\t\r   važnost\t\r   programa,\t\r   u\t\r   rasponu\t\r   od\t\r   lokalne\t\r   zajednice\t\r   preko\t\r   nacionalne\t\r   važnosti\t\r   do\t\r  \nmeđunarodne\t\r  prepoznatljivosti; \n \n-­‐\t\r   kontinuitet\t\r   programa,\t\r   odnosno\t\r   njegova\t\r   dugoročna\t\r   usmjerenost\t\r   (jednokratna\t\r  \ndogađanja\t\r  podržana\t\r  su\t\r  iznimno,\t\r  a\t\r  i\t\r  tad\t\r  s\t\r  relativno\t\r  malenim\t\r  iznosima),\t\r  u\t\r  prvom\t\r  redu\t\r  \n\n\f\n \n \n2\nmisleći\t\r   na\t\r   već\t\r   prijašnjih\t\r   godina\t\r   pokrenute\t\r   programe\t\r   koji\t\r   su\t\r   svojom\t\r   kvalitetom,\t\r  \nsustavnošću\t\r   i\t\r   javnom\t\r   važnošću\t\r   ostvarili\t\r   preduvjete\t\r   za\t\r   daljnju\t\r   potporu\t\r   Hrvatskog\t\r  \naudiovizualnog\t\r  centra\t\r  te\t\r  su\t\r  svojom\t\r  kvalitetom\t\r  i\t\r  rastom\t\r  opravdali\t\r  nastavak\t\r  financiranja; \n \n-­‐\t\r  projekti\t\r  koji\t\r  dosad\t\r  nisu\t\r  financirani,\t\r  a\t\r  doprinose\t\r  specifičnosti,\t\r  komplementarnosti\t\r  te\t\r  \nestetskoj\t\r  raznovrsnosti\t\r  audiovizualnih\t\r  sadržaja; \n \n-­‐\t\r  projekti\t\r  koji\t\r  nude\t\r  različite\t\r  aspekte\t\r  audiovizualne\t\r  edukacije; \n \n-­‐\t\r  projekti\t\r  koji\t\r  naglašavaju\t\r  kustosku,\t\r  kinotečnu\t\r  i\t\r  istraživačku\t\r  djelatnost;\t\r   \n \n-­‐\t\r   projekti\t\r   koje\t\r   na\t\r   pojedinom\t\r   javnom\t\r   pozivu,\t\r   sukladno\t\r   trenutačnim\t\r   potrebama\t\r  \naudiovizualnog\t\r   sektora,\t\r   umjetnički\t\r   savjetnici\t\r   odrede\t\r   kao\t\r   prioritetnu\t\r   aktivnost\t\r   ili\t\r  \naktivnosti\t\r  koju\t\r  bi\t\r  trebalo\t\r  pojačano\t\r  potpomagati\t\r  u\t\r  sljedećem\t\r  razdoblju.\t\r   \n\t\r  \nBroj\t\r  prijava\t\r  ove\t\r  godine\t\r  nije\t\r  se\t\r  pretjerano\t\r  razlikovao\t\r  od\t\r  prethodnih\t\r  godina,\t\r  ali\t\r  je\t\r  i\t\r  nadalje\t\r  \nzamjetna\t\r   pojava\t\r   novih\t\r   vrijednih\t\r   inicijativa\t\r   koje\t\r   se\t\r   ponajprije\t\r   odnose\t\r   na\t\r   programe\t\r  \nusmjerene\t\r   na\t\r   djecu\t\r   i\t\r   mlade,\t\r   građane\t\r   treće\t\r   životne\t\r   dobi\t\r   te\t\r   na\t\r   osobe\t\r   sa\t\r   posebnim\t\r  \npotrebama.\t\r   Prednost\t\r   je\t\r   takvim\t\r   programima\t\r   dana\t\r   u\t\r   sredinama\t\r   u\t\r   kojima\t\r   su\t\r   filmski\t\r  \nprogrami\t\r  ili\t\r  zapostavljeni\t\r  ili\t\r  praktično\t\r  nepostojeći.\t\r  Kao\t\r  i\t\r  2017.,\t\r  treba\t\r  napomenuti\t\r  kako\t\r  je\t\r  \nizradi\t\r  i\t\r  izvedbi\t\r  takvih\t\r  programa\t\r  potrebno\t\r  posvetiti\t\r  posebnu\t\r  pažnju,\t\r  odnosno\t\r  kako\t\r  je\t\r  pri\t\r  \nnjihovoj\t\r   izradi\t\r   i\t\r   provedbi\t\r   nužna\t\r   stručna\t\r   pomoć\t\r   te\t\r   bolja\t\r   povezanost\t\r   s\t\r   nadležnim\t\r  \ninstitucijama,\t\r  što\t\r  su\t\r  umjetnički\t\r  savjetnici\t\r  posebno\t\r  vrednovali.\t\r   \n \nNa\t\r  ovogodišnji\t\r  se\t\r  Javni\t\r  poziv,\t\r  kao\t\r  i\t\r  prethodnih\t\r  godina,\t\r  prijavio\t\r  znatan\t\r  broj\t\r  obrazovnih\t\r  \nprograma\t\r  za\t\r  učenike\t\r  srednjih\t\r  i\t\r  osnovnih\t\r  škola.\t\r  Umjetnički\t\r  savjetnici\t\r  prepoznaju\t\r  potrebu\t\r  \nza\t\r  takvim\t\r  programima\t\r  koja\t\r  proizlazi\t\r  iz,\t\r  očito,\t\r  nedostatno\t\r  razvijenoga\t\r  pristupa\t\r  medijskoj\t\r  \nkulturi\t\r  kroz\t\r  postojeći\t\r  nacionalni\t\r  okvirni\t\r  kurikulum,\t\r  odnosno\t\r  kroz\t\r  redovitu\t\r  nastavu.\t\r  Stoga\t\r  \nsmatramo\t\r  da\t\r  bi\t\r  se\t\r  tom\t\r  problemu\t\r  i\t\r  potrebi\t\r  trebalo\t\r  pristupiti\t\r  na\t\r  sustavan\t\r  način,\t\r  i\t\r  to\t\r  uz\t\r  \npodršku\t\r   resornog\t\r   ministarstva.\t\r   Audiovizualno\t\r   obrazovanje\t\r   ključna\t\r   je\t\r   točka\t\r   daljnjeg\t\r  \nrazvoja\t\r   sektora\t\r   te\t\r   umjetnički\t\r   savjetnici\t\r   i\t\r   ove\t\r   godine\t\r   naglašavaju\t\r   nužnost\t\r   za\t\r   snažnijim\t\r  \notvaranjem\t\r   komunikacijskih\t\r   kanala\t\r   između\t\r   nadležnog\t\r   Ministarstva\t\r   i\t\r   Hrvatskog\t\r  \naudiovizualnog\t\r   centra\t\r   oko\t\r   ovih\t\r   pitanja\t\r   kako\t\r   bi\t\r   se\t\r   postigao\t\r   veći\t\r   napredak\t\r   u\t\r   području\t\r  \naudiovizualnog\t\r  obrazovanja\t\r  i\t\r  medijske\t\r  pismenosti.\t\r   \n \nPrograme\t\r   čiji\t\r   je\t\r   rast\t\r   i\t\r   razvoj\t\r   bio\t\r   primjetan\t\r   u\t\r   prethodnoj\t\r   godini\t\r   savjetnici\t\r   su\t\r   pokušali\t\r  \npopratiti\t\r  (makar\t\r  simboličnim)\t\r  povećanjem\t\r  sredstava,\t\r  a\t\r  u\t\r  okviru\t\r  trenutačnih\t\r  financijskih\t\r  \nmogućnosti. \n\n\f\n \n \n3\nKao\t\r   i\t\r   svake\t\r   godine,\t\r   u\t\r   svim\t\r   kategorijama\t\r   utvrđeni\t\r   su\t\r   prioritetni\t\r   programi\t\r   za\t\r   koje\t\r   su\t\r  \npredložene\t\r   i\t\r   najviše\t\r   potpore.\t\r   Riječ\t\r   je\t\r   o\t\r   programima\t\r   od\t\r   iznimne\t\r   ili\t\r   visoke\t\r   nacionalne\t\r  \nvrijednosti,\t\r   koje\t\r   možemo\t\r   držati\t\r   temeljnima\t\r   za\t\r   očuvanje\t\r   i\t\r   razvoj\t\r   audiovizualnog\t\r  \nstvaralaštva\t\r  u\t\r  Hrvatskoj,\t\r  odnosno\t\r  o\t\r  programima\t\r  velike\t\r  regionalne\t\r  ili\t\r  lokalne\t\r  važnosti,\t\r  ili\t\r  \npak\t\r  onima\t\r  koji\t\r  su\t\r  važni\t\r  za\t\r  razvoj\t\r  pojedinih\t\r  djelatnosti\t\r  ili\t\r  žanrova: \n \n•   U\t\r   kategoriji\t\r   Djelatnosti\t\r   razvijanja\t\r   audiovizualne\t\r   kulture\t\r   posebna\t\r   je\t\r   pažnja\t\r  \nposvećena\t\r  umjetničkim\t\r  i\t\r  nezavisnim\t\r  kinima\t\r  u\t\r  većim\t\r  urbanim\t\r  središtima,\t\r  kojima\t\r  \nsu\t\r  dodijeljene\t\r  različite\t\r  potpore\t\r  s\t\r  obzirom\t\r  na\t\r  kvalitetu\t\r  i\t\r  kontinuitet\t\r  ponuđenog\t\r  \nprograma:\t\r   Filmski\t\r   program\t\r   Art-­‐kina\t\r   Croatia\t\r   (Rijeka),\t\r   Filmski\t\r   programi\t\r   u\t\r   Kinu\t\r  \nTuškanac,\t\r   koje\t\r   vodi\t\r   Hrvatski\t\r   filmski\t\r   savez\t\r   (Zagreb),\t\r   Kino\t\r   Europa\t\r   (Zagreb)\t\r   te\t\r  \nKinoteka\t\r   Zlatna\t\r   vrata\t\r   (Split).\t\r   Kao\t\r   važni\t\r   prepoznati\t\r   su\t\r   i\t\r   redoviti\t\r   prikazivački\t\r  \nprogrami\t\r   u\t\r   manjim\t\r   gradovima\t\r   (Varaždin,\t\r   Daruvar,\t\r   Samobor)\t\r   te\t\r   kontinuirani\t\r  \nobrazovni\t\r   programi\t\r   i\t\r   radionice\t\r   Kinokluba\t\r   Zagreb,\t\r   udruga\t\r   Restart\t\r   i\t\r   Blank\t\r   te\t\r  \nodabrani\t\r   programi\t\r   Studentskog\t\r   centra\t\r   u\t\r   Zagrebu.\t\r   Od\t\r   različitih\t\r   ponuđenih\t\r  \nprikazivačkih\t\r  programa\t\r  za\t\r  djecu\t\r  i\t\r  mlade\t\r  i\t\r  dalje\t\r  se\t\r  ističu\t\r  program\t\r  filma\t\r  za\t\r  djecu\t\r  i\t\r  \nmlade\t\r   Udruge\t\r   Djeca\t\r   susreću\t\r   umjetnost,\t\r   program\t\r   Udruge\t\r   Bacači\t\r   sjenki\t\r   pod\t\r  \nnazivom\t\r   \"FROOOM\t\r   –\t\r   program\t\r   filmskog\t\r   i\t\r   interdisciplinarnog\t\r   obrazovanja\",\t\r  \ninovativni\t\r   programi\t\r   manjeg\t\r   opsega\t\r   udruge\t\r   Otompotom,\t\r   ali\t\r   i\t\r   Udruge\t\r   za\t\r  \npromicanje\t\r  kulture\t\r  DOKUart.\t\r  Putujući\t\r  projekt\t\r  Kina\t\r  Mediteran,\t\r  koji\t\r  je\t\r  pokrenut\t\r  \nprije\t\r  tri\t\r  godine,\t\r  i\t\r  dalje\t\r  se\t\r  pokazuje\t\r  uzornim\t\r  te\t\r  je\t\r  podržan\t\r  i\t\r  ove\t\r  godine,\t\r  dok\t\r  su\t\r  \nprepoznati\t\r   i\t\r   programi\t\r   Multimedijalnog\t\r   centra\t\r   Studio\t\r   kreativnih\t\r   ideja\t\r   Gunja\t\r   –\t\r  \n(MMC\t\r  SKIG),\t\r  Udruge\t\r  Domino\t\r  kao\t\r  i\t\r  \"Kratki\t\r  utorak\"\t\r  Hrvatskoga\t\r  filmskog\t\r  saveza\t\r  (u\t\r  \nzagrebačkom\t\r  Kinu\t\r  Tuškanac).\t\r   \n•   Kategorija\t\r   Filmskih\t\r   festivala\t\r   i\t\r   drugih\t\r   audiovizualnih\t\r   manifestacija\t\r   i\t\r   dalje\t\r   je\t\r  \nnajveća\t\r   proračunska\t\r   stavka\t\r   u\t\r   okviru\t\r   financiranja\t\r   komplementarnih\t\r   djelatnosti\t\r  \n(5.417.000,00)\t\r  te\t\r  iz\t\r  godine\t\r  u\t\r  godinu\t\r  raste\t\r  i\t\r  po\t\r  broju\t\r  i\t\r  po\t\r  razvoju.\t\r  Kao\t\r  najvažniji\t\r  \nnacionalni\t\r   festivali\t\r   značajnoga\t\r   međunarodnog\t\r   ugleda\t\r   i\t\r   dalje\t\r   su\t\r   podržani\t\r  \nAnimafest\t\r   Zagreb,\t\r   Motovun\t\r   Film\t\r   Festival,\t\r   ZagrebDox\t\r   i\t\r   Zagreb\t\r   Film\t\r   Festival.\t\r   I\t\r  \ndalje\t\r  su\t\r  po\t\r  svojoj\t\r  izvrsnosti\t\r  prepoznati\t\r  sljedeći\t\r  festivali:\t\r  Vukovar\t\r  Film\t\r  Festival,\t\r  \n25fps\t\r   (Zagreb),\t\r   Splitski\t\r   filmski\t\r   festival,\t\r   Dani\t\r   hrvatskog\t\r   filma\t\r   (Zagreb),\t\r   Festival\t\r  \nmediteranskog\t\r   filma\t\r   u\t\r   Splitu,\t\r   Human\t\r   Rights\t\r   Film\t\r   Festival\t\r   (Zagreb,\t\r   Rijeka),\t\r  \nSubversive\t\r   Film\t\r   Festival\t\r   (Zagreb)\t\r   te\t\r   Festival\t\r   tolerancije\t\r   (Zagreb).\t\r   Također\t\r   su\t\r  \nprepoznati\t\r  i\t\r  drugi\t\r  festivali\t\r  regionalnog\t\r  i\t\r  lokalnog\t\r  značaja\t\r  kao\t\r  što\t\r  su\t\r  Four\t\r  River\t\r  \nFilm\t\r   Festival\t\r   (Karlovac),\t\r   Tabor\t\r   Film\t\r   Festival\t\r   (Veliki\t\r   Tabor),\t\r   te\t\r   Liburnia\t\r   Film\t\r  \nFestival\t\r   (Opatija).\t\r   Valja\t\r   izdvojiti\t\r   i\t\r   festivale\t\r   specifičnog\t\r   formata\t\r   i/ili\t\r   sadržajnog,\t\r  \nodnosno\t\r   koncepcijskog\t\r   usmjerenja\t\r   (Festival\t\r   jednominutnih\t\r   filmova\t\r   u\t\r   Požegi,\t\r  \nOne\t\r  Take\t\r  Film\t\r  Festival\t\r  u\t\r  Zagrebu,\t\r  Filmske\t\r  mutacije\t\r  u\t\r  Zagrebu\t\r  i\t\r  Rijeci,\t\r  Supertoon\t\r  \n\n\f\n \n \n4\nu\t\r  Šibeniku\t\r  i\t\r  DOKUart\t\r  u\t\r  Bjelovaru).\t\r  Ostali\t\r  programi\t\r  mogu\t\r  se\t\r  okarakterizirati\t\r  kao\t\r  \nuglavnom\t\r  lokalno\t\r  orijentirani\t\r  festivali\t\r  i\t\r  manifestacije,\t\r  odnosno\t\r  filmske\t\r  revije,\t\r  od\t\r  \nkojih\t\r  treba\t\r  izdvojiti\t\r  tri\t\r  specifično\t\r  usmjerene\t\r  nacionalne\t\r  natjecateljske\t\r  revije\t\r  u\t\r  \norganizaciji\t\r  Hrvatskoga\t\r  filmskog\t\r  saveza,\t\r  Reviju\t\r  hrvatskoga\t\r  filmskog\t\r  stvaralaštva,\t\r  \nFilmsku\t\r  reviju\t\r  mladeži\t\r  i\t\r  Reviju\t\r  hrvatskog\t\r  filmskog\t\r  stvaralaštva\t\r  djece.\t\r   \n•   U\t\r  kategoriji\t\r  Objavljivanje\t\r  književnih\t\r  radova\t\r  u\t\r  području\t\r  audiovizualnih\t\r  djelatnosti\t\r  \ntradicionalno\t\r   je\t\r   najveća\t\r   podrška\t\r   dodijeljena\t\r   filmološkom\t\r   časopisu\t\r   Hrvatski\t\r  \nfilmski\t\r   ljetopis,\t\r   kao\t\r   i\t\r   \t\r   filmskom\t\r   časopisu\t\r   Filmonaut.\t\r   U\t\r   području\t\r   elektroničkih\t\r  \npublikacija\t\r   osjetan\t\r   je\t\r   pad\t\r   prijavljenih\t\r   publikacija\t\r   uslijed\t\r   strukturnih\t\r   problema\t\r  \ntog\t\r   sektora,\t\r   kao\t\r   i\t\r   manjak\t\r   sveobuhvatnog\t\r   internetskog\t\r   časopisa\t\r   ili\t\r   portala\t\r  \nnacionalnog\t\r  dosega,\t\r  ali\t\r  se\t\r  pritom\t\r  nastavilo\t\r  s\t\r  dosadašnjom\t\r  praksom\t\r  financiranja\t\r  \nportala\t\r   koji\t\r   na\t\r   kvalitetan\t\r   način\t\r   predstavljaju,\t\r   valoriziraju\t\r   i\t\r   kontekstualiziraju\t\r  \naudiovizualnu\t\r  djelatnost,\t\r  bilo\t\r  putem\t\r  specijaliziranih\t\r  portala\t\r  bilo\t\r  putem\t\r  filmskih\t\r  \nrubrika\t\r  unutar\t\r  općih\t\r  kulturnih\t\r  portala.\t\r   \n•   U\t\r   kategoriji\t\r   Programi\t\r   promocije\t\r   i\t\r   prodaje\t\r   hrvatskih\t\r   audiovizualnih\t\r   djela\t\r   za\t\r  \nsufinanciranje\t\r   su\t\r   predloženi\t\r   programi\t\r   distribucije\t\r   i\t\r   promocije\t\r   filmova\t\r  \nBonobostudija\t\r   d.o.o.,\t\r   program\t\r   \"KineDok\"\t\r   udruge\t\r   Restart\t\r   te\t\r   festivalsku\t\r  \ndistribuciju\t\r  u\t\r  2018.\t\r  Ustanove\t\r  Zagreb\t\r  film.\t\r   \n•   U\t\r  kategoriji\t\r  Programi\t\r  stručnog\t\r  usavršavanja\t\r  filmskih\t\r  profesionalaca,\t\r  prepoznata\t\r  \nje\t\r   nužnost\t\r   daljnjega\t\r   kontinuiranog\t\r   rada\t\r   edukaciji\t\r   nastavnika/ica,\t\r   voditelja/ica\t\r  \nklubova\t\r   i\t\r   samostalnih\t\r   autora\t\r   i\t\r   autorica\t\r   kroz\t\r   \"Školu\t\r   medijske\t\r   kulture\t\r   Dr.\t\r   Ante\t\r  \nPeterlić\"\t\r   Hrvatskoga\t\r   filmskog\t\r   saveza.\t\r   Umjetnički\t\r   savjetnici\t\r   kao\t\r   pozitivne\t\r  \nprimjere\t\r   programa\t\r   s\t\r   kontinuiranim\t\r   rastom\t\r   i\t\r   razvojem\t\r   izdvajaju:\t\r   nastavak\t\r  \norganiziranja\t\r   međunarodnih\t\r   programa\t\r   edukacije\t\r   i\t\r   umrežavanja\t\r   poput\t\r  \n\"ZagrebDox\t\r   Pro\"\t\r   i\t\r   \"Industrija\"\t\r   Zagreb\t\r   film\t\r   festivala,\t\r   \"Restart\t\r   Laboratorij\",\t\r  \nscenarističku\t\r   platformu\t\r   \"Palunko\"\t\r   u\t\r   organizaciji\t\r   Hrvatskoga\t\r   filmskog\t\r   saveza\t\r   te\t\r  \nedukativni\t\r  program\t\r  Kinokluba\t\r  Split.\t\r  Također\t\r  su\t\r  prepoznati\t\r  i\t\r  programi\t\r  razmjene\t\r  i\t\r  \nedukacije\t\r  u\t\r  specifičnim\t\r  filmskim\t\r  područjima\t\r  kao\t\r  što\t\r  su\t\r  ASIFA-­‐in\t\r  \"Anidox\"\t\r  te\t\r  4.\t\r  \n\"Europski\t\r   žanrovski\t\r   forum\"\t\r   koji\t\r   organizira\t\r   Lot\t\r   dvadesetiosam\t\r   studio\t\r   d.o.o.\t\r   u\t\r  \nokviru\t\r  Fantastic\t\r  Film\t\r  Festivala. \n•   U\t\r   kategoriji\t\r   Proučavanje\t\r   i\t\r   kritičko\t\r   vrednovanje\t\r   audiovizualnih\t\r   djelatnosti\t\r  \numjetnički\t\r  savjetnici\t\r  ukazuju\t\r  na\t\r  kontinuitet\t\r  kvalitete\t\r  programa,\t\r  kakav\t\r  je\t\r  vidljiv\t\r  u\t\r  \nprogramu\t\r   udruge\t\r   Restart\t\r   (program\t\r   \"Masterclass\",\t\r   nastavak\t\r   razvoja\t\r   na\t\r  \nintersektorskom\t\r   programu\t\r   \"Razmišljaj\t\r   filmom\")\t\r   te\t\r   \"Vizualnog\t\r   kolegija\"\t\r  \nMultimedijalnog\t\r  instituta\t\r  u\t\r  Zagrebu.\t\r  Međutim,\t\r  potrebno\t\r  je\t\r  naglasiti\t\r  kako\t\r  je,\t\r  po\t\r  \nbroju\t\r   prijava,\t\r   uočljiv\t\r   izostanak\t\r   većega\t\r   broja\t\r   razrađenih\t\r   kritičkih,\t\r   kuratorskih\t\r   i\t\r  \nfilmoloških\t\r  istraživačkih\t\r  projekata\t\r  s\t\r  konkretnim\t\r  ciljevima\t\r  i\t\r  programima\t\r  rada. \n\n\f\n \n \n5\n•   U\t\r  kategoriji\t\r  Zaštita\t\r  audiovizualne\t\r  baštine\t\r  uključujući\t\r  kinotečnu\t\r  djelatnost\t\r  i\t\r  dalje\t\r  \nje\t\r   prepoznata\t\r   važnost\t\r   rada\t\r   na\t\r   redovitom\t\r   održavanju\t\r   i\t\r   javnoj\t\r   dostupnosti\t\r  \nfilmskog\t\r   i\t\r   videoarhiva\t\r   Hrvatskoga\t\r   filmskog\t\r   saveza,\t\r   a,\t\r   nakon\t\r   podrške\t\r   digitalnoj\t\r  \nrestauraciji\t\r   kratkih\t\r   filmova\t\r   Ivana\t\r   Ladislava\t\r   Galete\t\r   i\t\r   Tomislava\t\r   Gotovca\t\r   u\t\r  \nHrvatskom\t\r   filmskom\t\r   savezu\t\r   prethodnih\t\r   dviju\t\r   godina,\t\r   ove\t\r   je\t\r   godine,\t\r   zbog\t\r  \npripremljenosti\t\r  projekta\t\r  i\t\r  činjenice\t\r  da\t\r  je\t\r  riječ\t\r  o\t\r  filmu\t\r  koji\t\r  se\t\r  nalazi\t\r  gotovo\t\r  na\t\r  \nrubu\t\r  fizičkog\t\r  nestanka,\t\r  prednost\t\r  među\t\r  projektima\t\r  restauracije\t\r  i\t\r  digitalizacije\t\r  te\t\r  \npotonje\t\r   javne\t\r   prezentacije\t\r   hrvatske\t\r   filmske\t\r   baštine\t\r   dana\t\r   restauraciji\t\r   i\t\r  \ndigitalizaciji\t\r  dugometražnog\t\r  igranog\t\r  filma\t\r  \"Kuća\t\r  na\t\r  pijesku\"\t\r  Ivana\t\r  Martinca,\t\r  što\t\r  \nga\t\r   je\t\r   predložio\t\r   Kino\t\r   klub\t\r   Split.\t\r   Tradicionalna\t\r   podrška\t\r   i\t\r   ove\t\r   je\t\r   godine\t\r   dana\t\r  \nprogramu\t\r  restauracije\t\r  i\t\r  digitalizacije\t\r  filmova\t\r  Ustanove\t\r  Zagreb\t\r  film.\t\r   \nKao\t\r  i\t\r  prethodne\t\r  godine\t\r  umjetnički\t\r  savjetnici\t\r  žele\t\r  posebno\t\r  naglasiti\t\r  činjenicu\t\r  da\t\r  \nsu\t\r   za\t\r   godišnji\t\r   plan\t\r   zaštite\t\r   i\t\r   restauracije\t\r   audiovizualnoga\t\r   gradiva\t\r   Hrvatskoga\t\r  \ndržavnog\t\r   arhiva\t\r   –\t\r   Hrvatskog\t\r   filmskog\t\r   arhiva\t\r   (HDA-­‐HFA)\t\r   osigurana\t\r   zasebna\t\r  \nsredstva\t\r  izvan\t\r  programskih\t\r  sredstava\t\r  za\t\r  komplementarne\t\r  djelatnosti\t\r  u\t\r  iznosu\t\r  od\t\r  \n1.000.000,00\t\r  kn. \nUmjetnički\t\r  savjetnici\t\r  cijene\t\r  napore\t\r  da\t\r  se\t\r  digitalizira\t\r  što\t\r  veći\t\r  dio\t\r  hrvatske\t\r  filmske\t\r  \nbaštine\t\r   iz\t\r   različitih\t\r   arhiva,\t\r   ali\t\r   smatraju\t\r   da\t\r   se\t\r   tim\t\r   naporima\t\r   treba\t\r   pristupiti\t\r  \nsustavno,\t\r   kako\t\r   bi\t\r   se\t\r   postojeći\t\r   financijski\t\r   i\t\r   ljudski\t\r   resursi\t\r   mogli\t\r   iskoristiti\t\r   na\t\r  \nnajbolji\t\r   mogući\t\r   način.\t\r   Umjetnički\t\r   savjetnici\t\r   napominju\t\r   kako\t\r   bi\t\r   se\t\r   posebna\t\r  \npažnja\t\r   također\t\r   trebala\t\r   posvetiti\t\r   što\t\r   većoj\t\r   i\t\r   lakšoj\t\r   dostupnosti\t\r   građe\t\r   nakon\t\r  \ndigitalizacije. \n\t\r  \nUmjetnički\t\r   savjetnici\t\r   smatraju\t\r   da\t\r   je\t\r   potrebno\t\r   naglasiti\t\r   kako\t\r   je\t\r   i\t\r   ove\t\r   godine\t\r   prilikom\t\r  \nsagledavanja\t\r  Javnog\t\r  poziva\t\r  u\t\r  cjelini,\t\r  zatim\t\r  tijekom\t\r  rada\t\r  na\t\r  procjenjivanju\t\r  prijava,\t\r  ostalo\t\r  \nviše\t\r  otvorenih\t\r  pitanja\t\r  i\t\r  izazova\t\r  koji\t\r  su\t\r  sustavne\t\r  naravi:\t\r   \n \n•   prvo\t\r  se\t\r  odnosi\t\r  na\t\r  pitanje\t\r  održivosti\t\r  filmskih\t\r  festivala\t\r  kao\t\r  najveće\t\r  proračunske\t\r  \nstavke\t\r  poziva\t\r  i\t\r  indikatora\t\r  problema\t\r  u\t\r  cjelogodišnjoj\t\r  filmskoj\t\r  infrastrukturi\t\r  diljem\t\r  \nHrvatske;\t\r   \n•   drugo\t\r  se\t\r  odnosi\t\r  na\t\r  i\t\r  dalje\t\r  neriješen\t\r  status\t\r  Hrvatskoga\t\r  filmskog\t\r  arhiva,\t\r  odnosno\t\r  \nna\t\r   nepostojanje\t\r   samostalne\t\r   institucije\t\r   Hrvatske\t\r   kinoteke,\t\r   unatoč\t\r   tomu\t\r   što\t\r   je\t\r  \nnjezino\t\r  osamostaljivanje,\t\r  odnosno\t\r  osnivanje\t\r  ostalo\t\r  jedini\t\r  neostvareni\t\r  cilj\t\r  prvoga\t\r  \nNacionalnog\t\r  programa\t\r  promicanja\t\r  audiovizualnog\t\r  stvaralaštva,\t\r  a\t\r  i\t\r  ponovljeno\t\r  je\t\r  \nkao\t\r   neposredni\t\r   provedbeni\t\r   cilj\t\r   do\t\r   2021.\t\r   u\t\r   novom\t\r   Nacionalnom\t\r   programu\t\r  \npromicanja\t\r  audiovizualnog\t\r  stvaralaštva\t\r  2017.–2021. \n•   treće\t\r   se\t\r   pitanje\t\r   odnosi\t\r   na\t\r   nužnost\t\r   strateškog\t\r   intersektorskog\t\r   pristupa\t\r  \n\n\f\n \n \n6\naudiovizualnom\t\r  obrazovanju\t\r  i\t\r  filmskoj\t\r  pismenosti;\t\r   \n•   četvrto,\t\r   ne\t\r   manje\t\r   važno\t\r   jest\t\r   pitanje\t\r   održivog\t\r   financiranja\t\r   audiovizualne\t\r  \ndjelatnosti\t\r  u\t\r  cjelini. \n \nNeka\t\r   od\t\r   navedenih\t\r   pitanja\t\r   mogla\t\r   bi\t\r   se\t\r   riješiti\t\r   u\t\r   okviru\t\r   djelovanja\t\r   tijela\t\r   Hrvatskog\t\r  \naudiovizualnog\t\r   centra,\t\r   dok\t\r   je\t\r   za\t\r   druga\t\r   potrebno\t\r   uspostaviti\t\r   aktivnu\t\r   suradnju\t\r   između\t\r  \nCentra\t\r   i\t\r   drugih\t\r   dionika\t\r   (prije\t\r   svega\t\r   Ministarstva\t\r   kulture,\t\r   Ministarstva\t\r   znanosti\t\r   i\t\r  \nobrazovanja\t\r  te\t\r  jedinica\t\r  lokalne\t\r  i\t\r  regionalne\t\r  samouprave).\t\r   \n\t\r  \nKao\t\r   i\t\r   prethodnih\t\r   godina,\t\r   umjetnički\t\r   savjetnici\t\r   osjećaju\t\r   potrebu\t\r   ponoviti\t\r   da\t\r   je\t\r   pitanje\t\r  \nunapređenja\t\r  i\t\r  razrade\t\r  smjernica\t\r  Javnog\t\r  poziva\t\r  i\t\r  dalje\t\r  ostalo\t\r  otvoreno.\t\r  Nakon\t\r  donošenja\t\r  \nNacionalnog\t\r   programa\t\r   promicanja\t\r   audiovizualnog\t\r   stvaralaštva\t\r   2017.–2021.\t\r   te\t\r  \nnajavljenih\t\r   zakonskih\t\r   izmjena,\t\r   mišljenja\t\r   smo\t\r   da\t\r   se\t\r   u\t\r   2018.\t\r   treba\t\r   posvetiti\t\r   razradi\t\r  \nsmjernica\t\r  Javnog\t\r  poziva.\t\r  Drugim\t\r  riječima,\t\r  morali\t\r  bi\t\r  se\t\r  postaviti\t\r  jasniji\t\r  okviri\t\r  i\t\r  parametri\t\r  \nkoji\t\r  će\t\r  proizaći\t\r  iz\t\r  dosadašnjeg\t\r  rada\t\r  svih\t\r  umjetničkih\t\r  savjetnika/ica\t\r  na\t\r  procjeni\t\r  prijava\t\r  u\t\r  \novoj\t\r   kategoriji.\t\r   Također,\t\r   treba\t\r   uzeti\t\r   u\t\r   obzir\t\r   i\t\r   kompleksnost\t\r   te\t\r   specifičnosti\t\r  \naudiovizualnog\t\r  područja\t\r  u\t\r  Republici\t\r  Hrvatskoj\t\r  te\t\r  na\t\r  temelju\t\r  dosadašnjih\t\r  primjera\t\r  dobre\t\r  \nprakse\t\r   u\t\r   sličnim\t\r   natječajima\t\r   unutar\t\r   sektora\t\r   kulture\t\r   i\t\r   medija\t\r   razviti\t\r   odgovarajuće\t\r  \nsmjernice\t\r  koje\t\r  će\t\r  olakšati\t\r  kako\t\r  prijavu\t\r  programa\t\r  samim\t\r  prijaviteljima,\t\r  tako\t\r  i\t\r  evaluacijski\t\r  \nrad\t\r  umjetničkih\t\r  savjetnika/ica\t\r  za\t\r  komplementarne\t\r  djelatnosti.\t\r  Jednako\t\r  tako,\t\r  trebalo\t\r  bi\t\r  \nimati\t\r  na\t\r  umu\t\r  aktivno\t\r  sudjelovanje\t\r  domaćih\t\r  aktera\t\r  iz\t\r  ukupnog\t\r  audiovizualnog\t\r  područja\t\r  u\t\r  \npotprogramu\t\r  Media\t\r  Kreativne\t\r  Europe\t\r  te\t\r  urediti\t\r  smjernice\t\r  i\t\r  strategiju\t\r  o\t\r  sufinanciranju\t\r  \nprojekata\t\r  odobrenih\t\r  u\t\r  okviru\t\r  ovog\t\r  potprograma.\t\r  \t\r  \n\t\r  \n*napomena\t\r  \nU\t\r   kategoriji\t\r   Programi\t\r   audiovizualnih\t\r   udruga\t\r   i\t\r   organizacija\t\r   odluke\t\r   će\t\r   se\t\r   donijeti\t\r   na\t\r  \nnarednoj\t\r  sjednici\t\r  Hrvatskog\t\r  audiovizualnog\t\r  vijeća.\t\r  \n\t\r  \nUmjetnički\t\r  savjetnici\t\r  za\t\r  komplementarne\t\r  djelatnosti \n\t\r  \nMario\t\r  Kikaš \nJaka\t\r  Primorac \nTomislav\t\r  Šakić \n\t\r  \nU\t\r  Zagrebu,\t\r  12.\t\r  veljače\t\r  2018. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"komplementarne","year":2018,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"3%20b%20obrazloz%CC%8Cenje%20%20kratki%20dokumentarni%202%20rok_2022.pdf","filename_decoded":"3%20b%20obrazloz%CC%8Cenje%20%20kratki%20dokumentarni%202%20rok_2022.pdf","sha256":"f4c9857c59bb177628a0ce53e04d6bf41095d3726b78d81eb2788af40cf08352","bytes":64016,"page_count":3,"extracted_at":"2026-05-16T14:12:23Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/3%20b%20obrazloz%CC%8Cenje%20%20kratki%20dokumentarni%202%20rok_2022.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 2. \nROK, 2022. DOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac  \nKATEGORIJA: \nPOTICANJE \nPROIZVODNJE \nFILMOVA \n- \nKRATKOMETRAŽNI \nDOKUMENTARNI FILM – 15. rujna 2022.  \nOPĆI OSVRT  \nNa javni poziv u kategoriji proizvodnje kratkometražnog dokumentarnog filma u 2. \nroku prijavljeno je sveukupno 14 projekata. Od toga je jedan projekt prijavljen u fazi \npostprodukcije. Od 14 projekata, svi su razmatrani. Manji broj projekata je ranije \nprijavljivan u kategoriji proizvodnje te su prijavu sada ponovili.  \nNekoliko projekata ipak se istaknulo kao jasni, inovativni i društveno relevantni \nfilmovi u nastajanju.  \nOdobreno je ukupno 7 projekata za sufinanciranje u ovoj kategoriji u ukupnom \niznosu od 985.000,00 kn/ 130.731,97 eura. Odobreni projekti iskaču društvenom \nrelevantnošću, originalnošću u pristupu temi i dobro pripremljenim produkcijskim \npaketom.    \n1. IZLET  - Jozo Schmuch (redatelj i scenarist) / Danijel Pek  (producent) / Antitalent \nd.o.o.  (produkcija) –100.000,00 kn  / 13.272,28 eura \n«Izlet» je film koji prati razred osnovnoškolaca u posjetu Memorijalnom centru \nDomovinskog rata i gradu Vukovaru. Priča prati dinamiku same grupe te njihov \nsusret sa sadržajima vezanih uz lokaciju izleta.  \nFilm postavlja pitanja o nasljeđu rata te o edukaciji mlađih generacija u tom \nkontekstu te kao takav ima i indirektan edukativni karakter. Autor filmom debitira \nkao redatelj.  \n \n2. Heroin, kruh i rudnici sumpora  -  Nikola Strašek  (redatelj i scenarist) / Nenad \nPuhovski (producent) / Factum (produkcija) -  180.000,00 kn / 23.890,11 eura \n \n«Heroin, kruh i rudnici sumpora» autobiografski je film o radničkom, umjetničkom i \nnarkomanskom iskustvu autora.  \nRutinska «proleterska» zbilja predstavlja polazišnu točku za povlačenje paralela \nizmeđu redateljeve realnosti fizičkog radnika i njegovog prethodnog marljivog rada \nna samouništenju kroz dugogodišnje korištenje opijata.  Film oslikava običnosti \nautodestrukcije i samoostvarenja kao trajnog ili trenutnog stanja, svojevrstan je hod \npo rubu umjetničke i životne egzistencije. Temeljen na auto-refleksivnim tekstovima \nautora,  film će biti sniman 8mm filmskom kamerom.   \n \n \n\n\f\n \n3. Joso - Monika Herceg (redateljica i scenaristica) / Sabina Krešić (producentica) / \nFantastično dobra institucija - Fade in  (produkcija)110.000,00 kn / 14.599,51 eura \nFilm opservacijski prati svakodnevicu protagonista Jose, stanovnika napuštenog i \nzabačenog sela povrh banijskog rasjeda. Joso je lice onog dijela društva koje u \nizolaciji samo nosi posljedice rata i potresa uz teret neimaštine, istovremeno nalazeći \nnajbolje u sebi da se izdigne iznad realnosti. U svojim naporima Joso nadilazi \ndruštvene predrasude i podjele, otvarajući prostor za dublje razmišljanje.   \nAutorica filmom debitira kao redateljica.  \n \n4. Moj prapradjed Arnošt Grund – Neda Hana Radić  (redateljica i scenaristica) / \nMirta Puhlovski (producentica ) / Metar60  (produkcija)170.000,00 kn / 22.562,88 \neura \n \nPrapraunuka glumca Arnošta Grunda filmom ulazi u potragu za ostavštinom \nosebujnog i svestranog prapradjeda. Grund je napisao scenarij prvog hrvatskog \nigranog filma «Brcko u Zagrebu» u kojem je  i glumio, no kako se zagubio trag svim \nkopijama filma tako je i Grundov život ostao bez jasnog i čistog zapisa. Vođena \nfragmentima arhive i sjećanja velike i raštrkane obitelji, u potragu za lentom \nvremena u kojoj je živio njezin prapradjed kreće njegova prapraunuka, također \nglumica Tana.  \n \n \n5. Poluotok - Paula Skelin (redateljica i scenaristica) / Igor Jelinović  (producent) / \nUdruga Blank  (produkcija)125.000,00 kn / 16.590,35 eura \n \n«Poluotok» je putovanje potrage autorice filma za samom sobom kroz rasvjetljivanje \nodnosa s vlastitim roditeljima. Filmska priča odvija se na otoku Čiovo gdje roditelji \nautorice provode svoja proljeća, ljeta, jeseni i zime; u obližnjim selima, ali odvojeno i \nsamački.  \nČistim opservacijskim stilom film ulazi u realnosti jedne obitelji koja nameće pitanja \no sponama i razdvojenostima koje ju tvore. Pojedinci koji nose film uronjeni su u \nMediteran na koji i sami nalikuju -  puni kontrasta i mijena, pored mora kao počela \nživota.  Atmosfera otoka i obiteljska atmosfera se isprepliću, otvarajući prostor za \npostavljanje nužnih pitanja.  \n \n \n6. Moj stan Držislav – Sunčica Ana Veldić (redateljica i scenaristica) / Vinko Brešan  \n(producent) / Ustanova Zagreb film  (produkcija)150.000,00 kn / 19.908,42 eura \n \n\n\f\n„Moj stan Držislav“ prati pokušaje autorice da proda svoj stoljetni stan u centru \nZagreba. Stan je star, ogroman, oštećen potresom, ali je istovremeno i njezin dom i \nsredstvo borbe protiv prepuštanja grada novoj klasi hladnih investitora. U procesu \n(pokušaja) prodaje  redateljica ulazi u borbu sa samom sobom, s vlastitom okolinom, \nno i s realnošću života u gradu koji mijenja svoj identitet. Situaciju često procesuira \nkroz perspektivu humora, autoironije, ali i s dozom začudnosti koju donosi igrani \nsegment priče. Glavni likovi u fimu su sama autorica i njezin stan, koji kao da \nizmjenjuju pozicije protagonista i antagonista, uz epizodne likove koje čine prijatelji, \nčlanovi ekipe, potencijalni kupci, sam Grad.  \n \n \n7. Zalagaonica – Ante Zlatko Stolica, Dora Slakoper (ko-redatelji i ko-scenaristi) / \nVinko Brešan (producent) / Ustanova Zagreb film  (produkcija)150.000,00 kn / \n19.908,42 eura \n \n„Zalagaonica“ je kratki dokumentarni film koji prati pokušaje autorice filma da \npronađe davno založenu obiteljsku uspomenu. Kroz filmsku potragu glavna junakinja \nulazi u svijet zalagaonica koje postaju društvena pozornica. Ovdje se događa sraz \nosobnih, društvenih i ekonomskih vrijednosti razmatranih kroz priče predmeta i \npojedinaca te okolnosti koje upravljaju njihovom sudbinom. Ova stilizirana filmska \npriča postavlja pitanja o vrijednostima koje u aktualnom trenutku poprimaju obličje \nnovca.  \n \n \n","warnings":[],"document":{"program_type":"proizvodnja","year":2022,"rok":"2. rok","referenced_projects":["IZLET","Heroin, kruh i rudnici sumpora","Joso","Moj prapradjed Arnošt Grund","Poluotok","Moj stan Držislav","Zalagaonica"],"summary":"Obrazloženje umjetničke savjetnice Tihe Gudac za 2. rok 2022. (15. rujna 2022.) za proizvodnju kratkometražnog dokumentarnog filma: od 14 razmatranih projekata odobreno je 7 u ukupnom iznosu od 985.000,00 kn / 130.731,97 eura.","project_links":[{"source_title":"IZLET","family_id":"pf_8dace5c6ac90","family_title":"Izlet","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Heroin, kruh i rudnici sumpora","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Joso","family_id":"pf_803cb9fb5957","family_title":"Joso","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Moj prapradjed Arnošt Grund","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Poluotok","family_id":"pf_0c9bed0fecec","family_title":"Poluotok","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Moj stan Držislav","family_id":"pf_dd787ed26269","family_title":"Moj stan Držislav","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Zalagaonica","family_id":"pf_ca9d9553c032","family_title":"Zalagaonica","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_2025_2rok_10IX2025_ANIMIRANI_WEB.pdf","filename_decoded":"RSC_2025_2rok_10IX2025_ANIMIRANI_WEB.pdf","sha256":"f4c98cf4b584db9ab053a3d796777e733232fa33d50b1630770b95156a0df962","bytes":95217,"page_count":1,"extracted_at":"2026-05-17T10:24:26Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_2025_2rok_10IX2025_ANIMIRANI_WEB.pdf"},"raw_text":"R.br.\nNASLOV\nSCENARIST/-ICA\nPRODUCENT\nREDATELJ\nODOBRENO  (€)\n1\nDLT - DUGAVLJANSKA \nLIBERALNA \nTELEVIZIJA _ Skoro \nzaboravljena televizija\nAntonija Veljačić\nAntonija Veljačić\n5.000,00\n2\nRaspored sjemenki u \nprerezanoj rajčici\nDalibor Barić\n5.000,00\n10.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih, \ndugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ \nSCENARIJA u 2025. - 2. ROK - 10.9.2025.\nanimirani film - trajanje nije kraće od 24 minute\n23. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 12. prosinca 2025.\nUKUPNO\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"RSC_2025_2rok_10IX2025_ANIMIRANI_WEB","year":2025,"rok":"2. rok","natjecaj_date":"2025-09-10","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"razvoj_projekata","to":"razvoj_scenarija","reason":"filename/title keyword: razvoj scenarija","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"23. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 12. prosinca 2025.","section_key":"23_sjednica_hrvatskog_audiovizualnog_vijeca_u_5_sazivu_12_pr","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","ODOBRENO (€)"],"rows":[{"row_number":1,"project_title":"DLT - DUGAVLJANSKA 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producenta."},"entity":null,"row_id":"f4c98cf4:s0:cff395fc4d83","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_35cd6147e82f","project_family_title":"DLT - DUGAVLJANSKA LIBERALNA TELEVIZIJA Skoro _ zaboravljena televizija"},{"row_number":2,"project_title":"Raspored sjemenki u prerezanoj rajčici","applicant":null,"production_company":null,"director":null,"writer":"Dalibor Barić","original_author":null,"category":"Animirani","approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"EUR","extras":{"SCENARIST/-ICA":"Dalibor Barić","repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_doc_single_signal","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:55:00Z","creator_backfill_writer_source":"f4c98cf4_rsc_2025_2rok_10ix2025_animirani_web_pdf.json","creator_backfill_writer_confidence":"low","creator_backfill_writer_reasoning":"Uz podudaranje naslova i rednog broja vidljiv je samo scenaristički unos, bez pouzdano izdvojene vrijednosti u stupcu redatelja."},"entity":null,"row_id":"f4c98cf4:s0:8da0c0514866","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e52d22e4c7c2","project_family_title":"Raspored sjemenki u prerezanoj rajčici"}],"section_total_text":"10.000,00","section_total":10000.0}],"totals":{"ukupno_text":null,"ukupno":10000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":10000.0,"ukupno_match":true,"row_count":2,"awarded_count":2,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":2}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI 2 ROK 2018 medjunarodna.pdf","filename_decoded":"REZULTATI 2 ROK 2018 medjunarodna.pdf","sha256":"f520cd2a333e88b5ffa234ce918f7915826d4144aa100511a16ee19e0fad3c9e","bytes":53623,"page_count":2,"extracted_at":"2026-05-17T10:23:46Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI%202%20ROK%202018%20medjunarodna.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA  \nPOTPORA  KN\n1\nVladimir  Šeput\nSudjelovanje  na  seminaru  filmskog  festivala  u  Oberhausenu\n2.030,00\n2\nMislav  Rotim\n  International  Student  Film  Festival  \"NEW  WAVE\",  \nsudjelovanje  u  službenoj  konkurenciji  s  filmom  \"Election  \nDay\"\n550,00\n3\nKinoklub  Karlovac\nSudjelovanje  na  First  Cut!  Youth  Film  Festivalu  u  Irskoj  s  \nfilmom  Depresso\n5.660,00\n4\nMohikanac  d.o.o.\nRadionica  \"Filming  in  Peru  with  Werner  Herzog\",  Filip  Lozić\n5.000,00\n5\nLucija  Bužančić\nPredstavljanje  filma  Iris  (kratkometražni  film  u  razvoju)    na  \nVišegrad  Animation  Forumu\n1.540,00\n6\nKarla  Lulić\nSudjelovanje  scenaristice  i  redateljice  na  svjetskoj  premijeri,  \nte  predstavljanje  kratkometražnog  igranog  filma  'U  ime  \nJagode,  Čokolade  i  Duha  Svetoga',  red.  Karle  Lulić  u  \nslužbenom  programu  13.  SEEfest  filmskog  festivala  Južne  i  \nIstočne  Europe  u  Los  Angelesu\n3.720,00\n7\nAntoneta  Alamat  \nKusijanović\nSudjelovanje  redateljice  u  programu  LA  Quinzaine  des  \nrealisateurs,  THE  FACTORY\n4.700,00\n8\nNukleus  Film  d.o.o.\nPredstavljanje  filmova  CHRIS  THE  SWISS  i  THIRD  KIND  u  \nprogramu  57.  Semaine  de  la  critique  u  Cannesu  \n6.400,00\n9\nSrđan  Šarenac\nSudjelovanje  redatelja  i  producenta  Srđana  Šarenca  sa  \nprojektom  \"Izbor  za  Miss  Zatvora\"  na  HOT  DOCS  FORUMU  \n01.05.2018  -­  07.06.2018\n11.000,00\n10\nKinorama  d.o.o.\nPredstavljanje  filma  Teret  na  ''Quinzaine  des  réalisateurs''\n6.800,00\n11\nRestart\nSudjelovanje  producenta  Olivera  Sertića  u  programu  \nProducers  on  the  move\n6.325,00\n12\nMINYA  FILM  I  \nANIMACIJA  j.d.o.o.  za  \nusluge  \nSudjelovanje  u  programu  Cartoon  Business  2018,  Mirjana  \nDragičević\n1.700,00\n13\nFilmaparat  d.o.o.\nSudjelovanje  producentice  Morane  Mitić  na  radionici  Maia  \nLegal  and  Financial  Issues  u  Palermu,  Italija\n7.390,00\n14\nMultimedijalna  \numjetnička  \norganizacija  Bacači  \nSjenki\nPredstavljanje  filma  \"Moj  svakodnevni  život\"  na    \n“AFestFilmROZAFA2018”,  Albanija\n7.850,00\n15\nKazališna  grupa  \n\"Scena\"\nDani  hrvatskog  filma  u  Orašju\n30.000,00\nJAVNI  POZIV  ZA  DODJELU  SREDSTAVA  ZA  POTICANJE  KOMPLEMENTARNIH  DJELATNOSTI  U  2018.  -­  \nPROGRAMI  MEĐUNARODNE  SURADNJE  -­  ROK  14.5.2018.\n95.\t\r  sjednica\t\r  Hrvatskog\t\r  audiovizualnog\t\r  vijeća,\t\r  15.\t\r  lipnja\t\r  2018.\n\n\f\n16\nKrupni  kadar  d.o.o.\nGostovanje  redatelja  i  producenta  i  predstavljanje    \nanimiranog  filma  \"Biciklisti\"  u  službenoj  konkurenciji  Annecy  \ninternational  festival  of  animated  film  2018                                                               \n                                                                    i  \n17\nKrupni  kadar  d.o.o.\nIzrada  promotivnih  materijala  Annecy,  2018  -­  predstavljanje    \n  animiranog  filma  \"Biciklisti\"  u  službenoj  konkurenciji  \nAnnecy  international  festival  of  animated  film  2018\n18\nKinoklub  Zagreb\nSvi  su  nam  gradovi  jednaki:  međunarodna  radionica  \nKinokluba  Zagreb  i  Akademskog  filmskog  centra  u  \nBeogradu\n2.340,00\n19\nNikica  Šupe\nART  CINEMA  =  ACTION  +  MANAGEMENT  TRAINING  \nPROGRAMME,  San  Servolo,  Venecija\n3.800,00\n20\nFestival  \nmediteranskog  filma  \nSplit\nART  CINEMA  =  ACTION  +  MANAGEMENT  2018,  San  \nServolo,  Venecija,  sudjelovanje  Ene  Rahelić\n7.011,00\n21\nLimen,  obrt  za  usluge  \naudiovizualne  \nprodukcije\nSudjelovanje  producentice  Tene  Gojić  na  radionici  EKRAN+  \n(film:  Četiri  dana  na  moru)\n2.080,00\n22\nFestival  \nmediteranskog  filma  \nSplit\nEuropa  Cinemas  Audience  Development  &  Innovation  Lab,  \nsudjelovanje  Alena  Munitića\n2.080,00\n23\nAna  Vidović\nNew  Arrivals:  Go  Short  Campus,  Nijmegen,  Nizozemska,  \nsudjelovanje  na  festivalskoj  radionici  sa  kratkim  igranim  \nfilmom  \"Nitko  nije  savršen\"\n3.050,00\n24\nBorna  Armanini\nGostovanje  redatelja  i  predstavljanje  filma  PROLJEĆE  \nŽIVOTA  na  WORLDFEST  HOUSTON  TEXAS  \n4.295,00\n25\nFilip  Peruzović\nSudjelovanje  redatelja  Filipa  Peruzovića  na  međunarodnoj  \nradionici  \"Visual  dramaturgy\"  u  sklopu  Višegrad  Film  \nForuma\n2.850,00\n26\nKombinat  produkcija  \nd.o.o.\nSudjelovanje  Slobodana  Karajlovića  u  programu  TFL  \nExpanded-­  TV  serije  2018,  Torino  Film  Lab,  sa  tv  serijom  \nPlay  me  \n5.000,00\n27\nHrvatski  filmski  savez  -­  \n  HFS\nSudjelovanje  mladih  filmaša  na  5.  International  Youth  Film  \nFestivalu  Plasencia  Encorto  u  Španjolskoj\n3.062,00\n28\nTomislav  Sutlar\nSudjelovanje  snimatelja  Tomislava  Sutlara  na  stručnoj  \nradionici  \"Visual  Dramaturgy  Workshop  with  Slawomir  \nIdziak\"  u  organizaciji  \"Višegrad  film  forum  2018.\"  u  Bratislavi\n3.470,00\n29\nMate  Ugrin\nSudjelovanje  redatelja  s    filmom  \"U  međuvremenu\"  na  \nfestivalu  FILMFEST  DRESDEN\n600,00\n30\nSekvenca  d.o.o.\nSudjelovanje  s  projektom  Surogat  za  Vuda  u  programu  \nstručnog  usavršavanja    -­  BDC  Discoveries  2018\n12.240,00\n31\nLEWA  productions  \nj.d.o.o.\nSudjelovanje  producentice  i  redateljice    s  filmom  \"Alice  in  \nthe  land\"  na  radionici  Ex  Oriente  Film  2018\n15.498,00\n32\nAnti-­Apsurd  d.o.o.\nSudjelovanje  redatelja/ko-­producenta  na  Azijskoj  premijeri  \nfilma  \"Slatko  od  Ništa\"  na  Filmskom  festivalu  u  Šangaju  i  \npratećem  marketu\n4.550,00\n180.697,00\n8.106,00\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"REZULTATI 2 ROK 2018 medjunarodna","year":2018,"rok":null,"natjecaj_date":"2018-05-01","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna 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eput","row_id":"f520cd2a:s0:f9a22ace1621","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 2030.00 to Vladimir Šeput. Title and applicant OCR spacing corrected from raw text.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje n a s eminaru f ilmskog f estivala u O berhausenu","to":"Sudjelovanje na seminaru filmskog festivala u Oberhausenu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_5d382d84d1af","project_family_title":"Sudjelovanje na seminaru filmskog festivala u Oberhausenu"},{"row_number":2,"project_title":"International Student Film Festival \"NEW WAVE\", sudjelovanje u službenoj konkurenciji s filmom \"Election Day\"","applicant":"Mislav R otim","production_company":"Mislav R otim","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"550,00","approved_amount":550.0,"currency":"HRK","extras":{"col_1":"2","amount_triage_kept_at":"2026-05-17T14:24:11Z","amount_triage_reasoning":"Raw text shows '550,00' immediately after the project description for row 2 (Mislav Rotim). Value parsed as HRK 550.00 matches the raw_text exactly. While unusually small, the amount is plausible for a single student festival participation and is unambiguously stated in source.","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Mislav R otim","row_id":"f520cd2a:s0:31f83a988996","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 550.00 to Mislav Rotim for festival participation. Amount reasonable for single participant. 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Youth Film Festivalu u Irskoj s filmom Depresso","applicant":"Kinoklub Karlovac","production_company":"Kinoklub Karlovac","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.660,00","approved_amount":5660.0,"currency":"HRK","extras":{"col_1":"3","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kinoklub Karlovac","row_id":"f520cd2a:s0:73de2da3b753","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 5660.00 to Kinoklub Karlovac. Title and applicant OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje n a F irst C ut! Y outh F ilm F estivalu u I rskoj s filmom D epresso","to":"Sudjelovanje na First Cut! 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Youth Film Festivalu u Irskoj s filmom Depresso"},{"row_number":4,"project_title":"Radionica \"Filming in Peru with Werner Herzog\", Filip Lozić","applicant":"Mohikanac d.o.o.","production_company":"Mohikanac d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.000,00","approved_amount":5000.0,"currency":"HRK","extras":{"col_1":"4","entity_original_production_company":"Mohikanac d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Mohikanac d.o.o.","row_id":"f520cd2a:s0:902c69db35b4","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 5000.00 to Mohikanac d.o.o. Title and company name OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Radionica \" Filming i n P eru w ith W erner H erzog\", F ilip L ozić","to":"Radionica \"Filming in Peru with Werner Herzog\", Filip Lozić","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_cb1cca32b01f","project_family_title":"Radionica \"Filming in Peru with Werner Herzog\", Filip Lozić"},{"row_number":5,"project_title":"Predstavljanje filma Iris (kratkometražni film u razvoju) na Višegrad Animation Forumu","applicant":"Lucija B užančić","production_company":"Lucija B užančić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.540,00","approved_amount":1540.0,"currency":"HRK","extras":{"col_1":"5","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Lucija B užančić","row_id":"f520cd2a:s0:85c91448d937","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 1540.00 to Lucija Bužančić. Title and applicant OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Predstavljanje f ilma I ris ( kratkometražni f ilm u r azvoju) n a Višegrad A nimation F orumu","to":"Predstavljanje filma Iris (kratkometražni film u razvoju) na Višegrad Animation Forumu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_a406cf989bc6","project_family_title":"Predstavljanje filma Iris (kratkometražni film u razvoju) na Višegrad Animation Forumu"},{"row_number":6,"project_title":"Sudjelovanje scenaristice i redateljice na svjetskoj premijeri, te predstavljanje kratkometražnog igranog filma 'U ime Jagode, Čokolade i Duha Svetoga', red. Karle Lulić u službenom programu 13. SEEfest filmskog festivala Južne i Istočne Europe u Los Angelesu","applicant":"Karla Lulić","production_company":"Karla Lulić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.720,00","approved_amount":3720.0,"currency":"HRK","extras":{"col_1":"6","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Karla Lulić","row_id":"f520cd2a:s0:2a37b9e55b48","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 3720.00 to Karla Lulić. Complex title for multiple activities corrected for OCR spacing.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje s cenaristice i r edateljice n a s vjetskoj p remijeri, te p redstavljanje k ratkometražnog i granog f ilma ' U i me Jagode, Č okolade i D uha S vetoga', r ed. K arle L ulić u službenom p rogramu 1 3. S EEfest f ilmskog f estivala J užne i Istočne E urope u L os A ngelesu","to":"Sudjelovanje scenaristice i redateljice na svjetskoj premijeri, te predstavljanje kratkometražnog igranog filma 'U ime Jagode, Čokolade i Duha Svetoga', red. Karle Lulić u službenom programu 13. SEEfest filmskog festivala Južne i Istočne Europe u Los Angelesu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_f8cc7ad64ba3","project_family_title":"Sudjelovanje scenaristice i redateljice na svjetskoj premijeri, te predstavljanje kratkometražnog igranog filma 'U ime Jagode, Čokolade i Duha Svetoga', red. Karle Lulić u službenom programu 13. SEEfest filmskog festivala Južne i Istočne Europe u Los Angelesu"},{"row_number":7,"project_title":"Sudjelovanje redateljice u programu LA Quinzaine des realisateurs, THE FACTORY","applicant":"Antoneta Alamat Kusijanović","production_company":"Antoneta Alamat Kusijanović","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.700,00","approved_amount":4700.0,"currency":"HRK","extras":{"col_1":"7","entity_original_production_company":"Antoneta A lamat Kusijanović","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Antoneta Alamat Kusijanović","row_id":"f520cd2a:s0:a1c99d92344d","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 4700.00 to Antoneta Alamat Kusijanović. Title and applicant OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje r edateljice u p rogramu L A Q uinzaine d es realisateurs, T HE F ACTORY","to":"Sudjelovanje redateljice u programu LA Quinzaine des realisateurs, THE FACTORY","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_bf5eaa2532be","project_family_title":"Sudjelovanje redateljice u programu LA Quinzaine des realisateurs, THE FACTORY"},{"row_number":8,"project_title":"Predstavljanje filmova CHRIS THE SWISS i THIRD KIND u programu 57. Semaine de la critique u Cannesu","applicant":"Nukleus Film d.o.o.","production_company":"Nukleus Film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"6.400,00","approved_amount":6400.0,"currency":"HRK","extras":{"col_1":"8","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Nukleus Film d.o.o.","row_id":"f520cd2a:s0:b21569039278","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 6400.00 to Nukleus Film d.o.o. Title OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Predstavljanje f ilmova C HRIS T HE S WISS i T HIRD K IND u programu 5 7. S emaine d e l a c ritique u C annesu","to":"Predstavljanje filmova CHRIS THE SWISS i THIRD KIND u programu 57. Semaine de la critique u Cannesu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_dca95a11efc2","project_family_title":"Predstavljanje filmova CHRIS THE SWISS i THIRD KIND u programu 57. Semaine de la critique u Cannesu"},{"row_number":9,"project_title":"Sudjelovanje redatelja i producenta Srđana Šarenca sa projektom \"Izbor za Miss Zatvora\" na HOT DOCS FORUMU 01.05.2018 - 07.06.2018","applicant":"Srđan Š arenac","production_company":"Srđan Š arenac","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"11.000,00","approved_amount":11000.0,"currency":"HRK","extras":{"col_1":"9","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Srđan Š arenac","row_id":"f520cd2a:s0:078f4f65806f","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 11000.00 to Srđan Šarenac. Title and applicant OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje r edatelja i p roducenta S rđana Š arenca s a projektom \" Izbor z a M iss Z atvora\" n a H OT D OCS F ORUMU 01.05.2018 - 0 7.06.2018","to":"Sudjelovanje redatelja i producenta Srđana Šarenca sa projektom \"Izbor za Miss Zatvora\" na HOT DOCS FORUMU 01.05.2018 - 07.06.2018","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_b85bcb8abc9e","project_family_title":"Sudjelovanje redatelja i producenta Srđana Šarenca sa projektom \"Izbor za Miss Zatvora\" na HOT DOCS FORUMU 01.05.2018 - 07.06.2018"},{"row_number":10,"project_title":"Predstavljanje filma Teret na ''Quinzaine des réalisateurs''","applicant":"Kinorama d.o.o.","production_company":"Kinorama d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"6.800,00","approved_amount":6800.0,"currency":"HRK","extras":{"col_1":"10","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kinorama d.o.o.","row_id":"f520cd2a:s0:a1e8fda7ac41","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 6800.00 to Kinorama d.o.o. Title OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Predstavljanje f ilma T eret n a ' 'Quinzaine d es r éalisateurs''","to":"Predstavljanje filma Teret na ''Quinzaine des réalisateurs''","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_6f112612987e","project_family_title":"Predstavljanje filma Teret na ''Quinzaine des réalisateurs''"},{"row_number":11,"project_title":"Sudjelovanje producenta Olivera Sertića u programu Producers on the move","applicant":"Restart","production_company":"Restart","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"6.325,00","approved_amount":6325.0,"currency":"HRK","extras":{"col_1":"11","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Restart","row_id":"f520cd2a:s0:314bfda159d9","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 6325.00 to Restart. Title OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing"],"changes":[{"field":"project_title","from":"Sudjelovanje p roducenta O livera S ertića u p rogramu Producers o n t he m ove","to":"Sudjelovanje producenta Olivera Sertića u programu Producers on the move","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_bb3f31fec142","project_family_title":"Sudjelovanje producenta Olivera Sertića u programu Producers on the move"},{"row_number":12,"project_title":"Sudjelovanje u programu Cartoon Business 2018, Mirjana Dragičević","applicant":"MINYA FILM I ANIMACIJA j.d.o.o. za usluge","production_company":"MINYA FILM I ANIMACIJA j.d.o.o. za usluge","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.700,00","approved_amount":1700.0,"currency":"HRK","extras":{"col_1":"12","entity_original_production_company":"MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"MINYA FILM I ANIMACIJA j.d.o.o. za usluge","row_id":"f520cd2a:s0:3d5c74c8e127","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 1700.00 to MINYA FILM I ANIMACIJA j.d.o.o. za usluge. 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Title OCR spacing corrected.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_31f17cd03b75","project_family_title":"Sudjelovanje producentice i redateljice s filmom \"Alice in the land\" na radionici Ex Oriente Film 2018"},{"row_number":32,"project_title":"Sudjelovanje redatelja/ko-producenta na Azijskoj premijeri filma \"Slatko od Ništa\" na Filmskom festivalu u Šangaju i pratećem marketu","applicant":"Anti-Apsurd d .o.o.","production_company":"Anti-Apsurd d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.550,00","approved_amount":4550.0,"currency":"HRK","extras":{"19":"32","Nikica Š upe":"Anti-Apsurd d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"f520cd2a:s1:621aee65cc80","curation":{"changes":[{"field":"applicant","from":null,"to":"Anti-Apsurd d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje r edatelja/ko-producenta n a A zijskoj p remijeri filma \" Slatko o d N išta\" n a F ilmskom f estivalu u Š angaju i pratećem m arketu","to":"Sudjelovanje redatelja/ko-producenta na Azijskoj premijeri filma \"Slatko od Ništa\" na Filmskom festivalu u Šangaju i pratećem marketu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Anti-Apsurd d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Source confirms award of HRK 4550.00 to Anti-Apsurd d.o.o. Title OCR spacing corrected; slash notation preserved as source shows cost-sharing arrangement.","reviewed_reasons":["ocr_letter_spacing"]},"funding_status":"awarded","project_family_id":"pf_b42e0762ebce","project_family_title":"Sudjelovanje redatelja/ko-producenta na Azijskoj premijeri filma \"Slatko od Ništa\" na Filmskom festivalu u Šangaju i pratećem marketu"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":347148.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":166451.0,"ukupno_match":false,"row_count":28,"awarded_count":28,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":28}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"WEB_PRO_videoigre_2023.pdf","filename_decoded":"WEB_PRO_videoigre_2023.pdf","sha256":"f56099873000b63bde82d1c9acaf1cdd11b2b528b75a46bea139990b87997d42","bytes":107600,"page_count":1,"extracted_at":"2026-05-17T10:24:10Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB_PRO_videoigre_2023.pdf"},"raw_text":"NAZIV\nGLAVNI AUTOR\nPRODUCENT\n ODOBRENA SREDSTVA (€) \n1\nThe Book of Grando\nMarko Tominić\nRed Martyr Entertainment d.o.o.\n17.500,00 €\n                                    \n2\nShellers.io\nKarlo Eldić\nFEAREM d.o.o.\n10.000,00 €\n                                    \n3\nCave Hikers\nZvonimir Barać\nPORCUPINE PARKOUR j.d.o.o.\n10.000,00 €\n                                    \n4\nThe Dunkers (One on \none, boys and girls)\nFrano Petruša\nUmjetnička organizacija PET RUSA\n10.000,00 €\n                                    \n5\nAll Living Things\nFilip Ugrin\nMOXO, vl. Filip Ugrin\n17.500,00 €\n                                    \n6\nBullets & Brains\nZoran Domuzin\nAjvar Studio d.o.o.\n10.000,00 €\n                                    \n                                75.000,00 € \nUKUPNO\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE RAZVOJA I PROIZVODNJE VIDEOIGARA - \npodkategorija: PROIZVODNJA VIDEOIGARA u 2023. - ROK PRIJAVE - 5.10.2023., 29. sjednica Hrvatskog audiovizualnog vijeća u 4. sazivu, \n28.12.2023.\n","warnings":[],"document":{"program_type":"videoigre","natjecaj_title":"WEB_PRO_videoigre_2023","year":2023,"rok":null,"natjecaj_date":"2023-10-05","decision_date":null,"decision_body":null,"currency":"EUR","currency_inferred":false,"repair_v1":{"changes":[{"field":"document.program_type","from":"razvoj_projekata","to":"videoigre","reason":"filename/title keyword: videoigre","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":null,"section_key":null,"columns":["NAZIV","GLAVNI AUTOR","PRODUCENT","ODOBRENA SREDSTVA (€)"],"rows":[{"row_number":1,"project_title":"The Book of Grando","applicant":"Red Martyr Entertainment d.o.o.","production_company":"Red Martyr Entertainment d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"17.500,00 €","approved_amount":17500.0,"currency":"EUR","extras":{"col_1":"1","GLAVNI AUTOR":"Marko Tominić","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Red Martyr Entertainment d.o.o.","row_id":"f5609987:s0:bd29f63a93f2","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e1cf476c9744","project_family_title":"The Book of Grando"},{"row_number":2,"project_title":"Shellers.io","applicant":"FEAREM d.o.o.","production_company":"FEAREM d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00 €","approved_amount":10000.0,"currency":"EUR","extras":{"col_1":"2","GLAVNI AUTOR":"Karlo Eldić","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"FEAREM d.o.o.","row_id":"f5609987:s0:a82d3b7da293","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_7e97b5a40cca","project_family_title":"Shellers.io"},{"row_number":3,"project_title":"Cave Hikers","applicant":"PORCUPINE PARKOUR j.d.o.o.","production_company":"PORCUPINE PARKOUR j.d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00 €","approved_amount":10000.0,"currency":"EUR","extras":{"col_1":"3","GLAVNI AUTOR":"Zvonimir Barać","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"PORCUPINE PARKOUR j.d.o.o.","row_id":"f5609987:s0:3ed24573efcc","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e4e01f468ad7","project_family_title":"Cave Hikers"},{"row_number":4,"project_title":"The Dunkers (One on one, boys and girls)","applicant":"Umjetnička organizacija PET RUSA","production_company":"Umjetnička organizacija PET RUSA","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00 €","approved_amount":10000.0,"currency":"EUR","extras":{"col_1":"4","GLAVNI AUTOR":"Frano Petruša","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Umjetnička organizacija PET RUSA","row_id":"f5609987:s0:8061940782f3","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_b576d9f08236","project_family_title":"The Dunkers (One on one, boys and girls)"},{"row_number":5,"project_title":"All Living Things","applicant":"MOXO, vl. Filip Ugrin","production_company":"MOXO, vl. Filip Ugrin","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"17.500,00 €","approved_amount":17500.0,"currency":"EUR","extras":{"col_1":"5","GLAVNI AUTOR":"Filip Ugrin","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"MOXO, vl. Filip Ugrin","row_id":"f5609987:s0:b6d0052292a4","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_d12b1aca903b","project_family_title":"All Living Things"},{"row_number":6,"project_title":"Bullets & Brains","applicant":"Ajvar Studio d.o.o.","production_company":"Ajvar Studio d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"10.000,00 €","approved_amount":10000.0,"currency":"EUR","extras":{"col_1":"6","GLAVNI AUTOR":"Zoran Domuzin","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Ajvar Studio d.o.o.","row_id":"f5609987:s0:d15013412c83","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_f94ea14ab525","project_family_title":"Bullets & Brains"}],"section_total_text":"75.000,00 €","section_total":75000.0}],"totals":{"ukupno_text":null,"ukupno":75000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":75000.0,"ukupno_match":true,"row_count":6,"awarded_count":6,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":6}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web_recenzija_2_rok_2021.pdf","filename_decoded":"web_recenzija_2_rok_2021.pdf","sha256":"f5b7283e24b32eca52cd9a7a395cdc1bd5e5dcf83d10cecfb26c9b0b46966143","bytes":102969,"page_count":1,"extracted_at":"2026-05-17T12:01:19Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web_recenzija_2_rok_2021.pdf"},"raw_text":"1) KINODISTRIBUCIJA dugometražnog igranog filma „TEREZA 37” - 50.000,00 kn  \nTereza ima 37 godina, živi u Splitu. Već duže osjeća pritisak okoline te započinje preispitivati svoj \nrutinirani brak što potakne niz događaja koji će joj promijeniti život, u duhu njezine novostečene \nslobode i istine koja je samo njena. \nTereza 37 je film s kvalitetnim scenarijem, glumačkim izvedbama i aktualnom i važnom temom koja je \nobrađena elegantno i pitko i koji ostaje uz gledatelja dugo nakon što ga odgleda. Činjenica da je \nhrvatski kandidat za nagradu Oscar dodatno bi trebala zainteresirati ozbiljnije ljubitelje domaćeg filma. \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":2021,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"18.2.2022 rezultati JAVNI POZIV COVID .pdf","filename_decoded":"18.2.2022 rezultati JAVNI POZIV COVID .pdf","sha256":"f62a9321a9ab616e45a3eab07c58ba8ef7ee488d1713de186f09e314c7b5e012","bytes":29927,"page_count":1,"extracted_at":"2026-05-17T10:23:57Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/18.2.2022%20rezultati%20JAVNI%20POZIV%20COVID%20%20.pdf"},"raw_text":"REDATELJ\nPRODUCENT\nODOBRENO\nFilip Heraković\nUO Plafon\n55.000,00 HRK\nJavni poziv za podnošenjem zahtjeva za potporu za dodatne troškove snimanja filmova nastale uslijed \nizvanrednih okolnosti uzrokovanih epidemijom COVID-19,  36. sjednica Hrvatskog audiovizualnog \nvijeća, 18. veljače 2022.\nNASLOV\nZUBI KROKODILA, kratkometražni \nigrani film\n","warnings":[],"document":{"program_type":"covid","natjecaj_title":"18.2.2022 rezultati JAVNI POZIV COVID ","year":2022,"rok":null,"natjecaj_date":"2022-02-18","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true},"sections":[{"section_label":null,"section_key":null,"columns":["NASLOV","REDATELJ","PRODUCENT","ODOBRENO"],"rows":[{"row_number":null,"project_title":"ZUBI KROKODILA, kratkometražni igrani film","applicant":"UO Plafon","production_company":"UO Plafon","director":"Filip Heraković","writer":null,"original_author":null,"category":null,"approved_amount_text":"55.000,00 HRK","approved_amount":55000.0,"currency":"HRK","extras":{"REDATELJ":"Filip Heraković","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:55:00Z","creator_backfill_director_source":"f62a9321_18_2_2022_rezultati_javni_poziv_covid_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Title and production company align to the single row, and the REDATELJ cell cleanly maps to Filip Heraković."},"entity":"UO Plafon","row_id":"f62a9321:s0:b7219de45d5c","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_3980212d6f43","project_family_title":"ZUBI KROKODILA, kratkometražni igrani film"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":55000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":55000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"proizvodnja web kratki igrani obrazlozenje 17062019.pdf","filename_decoded":"proizvodnja web kratki igrani obrazlozenje 17062019.pdf","sha256":"f67f511e5d08e8218f5e6a347b7d744a54792f999651608ad5ada06e6dec7bb8","bytes":97331,"page_count":2,"extracted_at":"2026-05-17T12:01:47Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/proizvodnja%20web%20kratki%20igrani%20obrazlozenje%2017062019.pdf"},"raw_text":"\t\r  \n1\t\r  \nObrazloženje umjetničkog savjetnika po rezultatima Javnog poziva za poticanje \nproizvodnje kratkometražnog igranog filma na prvom roku u 2019. godini – rok \n17. lipanj 2019. \nNa prvi natječajni rok u 2019. godini pristiglo je dvadeset i tri (23) projekta. Od \nprijavljenih projekata jedan (1) nije razmatran jer nije zadovoljio formalne uvjete \nnatječaja. Od razmatranih prijava tri (3) su prijavljene u fazi postprodukcije, a \ndevetnaest (19) je procjenjivano za produkciju. Sedamnaest (17) projekata je po prvi \nputa prijavljeno na javni poziv za poticanje proizvodnje kratkometražnog igranog \nfilma. \n \nOSVRT: \n \nUži odabir prijavljenih radova na ovom roku izlučio je velik broj scenarija \npodjednake kvalitete. Tražio sam priče u kojima se prepoznaje najviše autentičnog i \nsagledavao sam mogućnost realizacije predloženih projekata. Pokušao sam naći \nravnotežu između financijskih mogućnosti potpore i zahtjevnosti projekata kako bi \nautori u produkcijskom smislu imali mogućnost napraviti uvjerljiva djela. \nProizašao je odabir šest filmova čije su prednosti bile kvalitetan prijašnji rad redatelja, \njasnoća koncepta i prije svega dojam autentičnosti predloženih priča. \n \nPRODUKCIJA: \n \nNe pogađa svaka - redatelj Marko Dugonjić, produkcija Eclectica d.o.o.– odobreno \n280.000,00 kn \nRedatelj i scenarist Marko Dugonjić u ovom kratkom filmu bavi se  likovima koje \ndobro poznaje i kroz njih raspisuje zanimljivu situaciju iz vremena Domovinskog \nrata. Priču pokreće lik Veljke koja je u posljednjoj fazi trudnoće. Kada Veljka  treba \nroditi traje uzbuna, ali ona nošena zaraznim optimizmom sama kreće na put kroz \nratno područje kako bi došla do 60 km udaljene bolnice.  \nIznimno dobro poznavanje likova o kojima piše, jezika kojim govore i situacija koje \nopisuje, uz kvalitetne prethodne radove izdvojili su ovaj projekt i njegovog autora.  \n \n \nCarpe diem! - redatelj Filip Antonio Lizatović, produkcija udruga Blank – odobreno \n240.000,00 kn \nScenarij radnog naslova Carpe diem! opisuje svađu dvoje iznajmljivača apartmana na \notoku Hvaru kroz koju se otkrivaju problemi u njihovom suživotu. Kada je turizam \nčesto jedina ili najlakša opcija za privređivanje susjedi postaju konkurenti, a u tim \nokolnostima ljudski odnosi se raspadaju. Priča je to o privatnim interesima koji se \nčesto ostvaruju na štetu drugih i o borbi koja se unedogled perpetuira.  \nNa osnovu kvalitetnog prethodnog filma ovog autora smatram da i ovaj scenarij može \npostati uvjerljivo filmsko djelo. \n \n \nMali val - redatelj Filip Peruzović,  produkcija Umjetnička organizacija Plafon \n– odobreno 270.000,00 kn \nScenarij Mali val bavi se stalnom preokupacijom redatelja Filipa Peruzovića o liku \nmuškarca u četrdesetim godinama koji pokušava iznaći mogućnost bijega od \n\n\f\n\t\r  \n2\t\r  \ndruštveno ustaljenih normi, obiteljskog života i dosade. Pokušaj glavnog lika nije \njunački pothvat, njegovi postupci opisuju ga gotovo kao antijunaka, stalno je prisutna \ndoza tragikomike koja čitav scenarij i glavnog lika čine razumljivim i zanimljivim.  \n \n \nOstrižena - redateljica Karla Lulić, produkcija Dobar film \n– odobreno 250.000,00 kn \nOstrižena je scenarij koji je napisala Dora Šustić, a koji se bavi pomaknutim stanjem \nsvijesti glavnog ženskog lika Roze. Roza je novopečena majka zarobljena u svojoj \nnovoj ulozi, zarobljena u braku bez strasti i zarobljena u malom mjestu gdje svatko \nzna sve o svakome. Svijet koji gradi scenaristica Dora Šustić i način na koji je \nscenarij pisan - kombinacija groteske, drame i komedije stilski i senzibilitetom bi \ntrebali odgovarati redateljskom stilu Karle Lulić. \n \n \nMost - redatelj Jakov Nola (debitant), produkcija Ustanova Zagreb film \n– odobreno 180.000,00 kn \nMost je priča o ocu i kćeri tijekom kratke vožnje. Odnos se otkriva kroz nekoliko \nkratkih etapa da bi eskalirao njegovim nekontroliranim bijesom. Potreba za bliskošću \ni ljubavi istovremeno su u snažnom kontrastu s nemogućnošću samokontrole. \nAutorica scenarija je Ivori Sošić, a redatelj debitant Jakov Nola. \nProjekt jednostavnog koncepta i autentične situacije. Izazov predstavlja razrada ovog \nprojekta u kojemu će osnovno izražajno sredstvo biti precizan i dobro vođen rad s \nglumcima. \n \n \nPOSTPRODUKCIJA: \n \nEgon i rupa - redatelj Zdenko Bašić, produkcija Švenk – odobreno 150.000,00 kn \n \nU fazi postprodukcije predlažem film Egon i rupa prvenstveno zbog očiglednog \nvelikog ulaganja u film i zahtjevne realizacije prepoznatljivog autorskog svijeta \nautora Zdenka Bašića. Egon i rupa je priča o nijemom dječaku koji svoj glas traži u \nonostranom svijetu kroz komunikaciju sa svojom preminulom bakom. Metaforičan, \nestetski suveren i emotivan projekt. \n \n \nSaša Ban, umjetnički savjetnik za kratkometražni igrani film \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"JP_distribucija_2022_4_rok_recenzije.pdf","filename_decoded":"JP_distribucija_2022_4_rok_recenzije.pdf","sha256":"f6aa8065fd36c67b47010677a9ca7d23aba458c843febbd890cfbfb525a9a5d5","bytes":134983,"page_count":2,"extracted_at":"2026-05-17T12:01:17Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_distribucija_2022_4_rok_recenzije.pdf"},"raw_text":"1) DISTRIBUCIJA dugometražnog igranog filma „Da li ste vidjeli ovu ženu” – 25.000 kn / 3.318,07 \n€ (1 EUR = 7,53450 HRK) \nU vrelini ljetnog dana, Draginja pronalazi tijelo mrtve žene koja podsjeća na nju. U vrelini ljetnog dana, \nDraginja unajmljuje lažnog muža kako bi se pokazala pred prijateljima. U hladnoći zimske noći, \nDraginja luta ulicama grada u potrazi za izgubljenim pamćenjem. Kroz tri različita života, jedna \nsredovječna žena pokušava iskočiti iz svoje kože. \nOvaj originalan film ima ograničen komercijalni potencijal te će prvenstveno biti zanimljiv ljubiteljima \nart-filmova, a interes bi mogao biti pojačan činjenicom da je film svjetsku premijeru imao na filmskom \nfestivalu u Veneciji. Društvene mreže su ispravno prepoznate kao glavni komunikacijski kanal prema \nprimarnoj ciljnoj skupini filma. Korištenje regionalnih ambasadora na društvenim mrežama u svrhu \npromocije i generiranja interesa mlađe publike dobra je nadogradnja medijskog oglašavanja filma. \nPlan distribucije pokriva ključne gradove za ovu vrstu filma. \n \n2) DISTRIBUCIJA dugometražnog igranog filma „Glava velike ribe” – 50.000 kn / 6,636.14 € (1 EUR \n= 7,53450 HRK) \nTaksist Andrija prodaje bratovu kuću na selu i poziva ga da se useli k njemu i njegovoj ženi Vesni u stan \nu Zagrebu. U njihovu ionako ne baš skladnu bračnu svakodnevicu ulazi još̌ i surova realnost postratne \nHrvatske. \nOdlične glumačke izvedbe i tema koja dotiče velik broj ljudi glavni su aduti ovog filma koji će \nprvenstveno biti zanimljiv ozbiljnijoj publici. Marketinški plan identificira prednosti filma te \npromišljeno postavlja ciljne skupine filma. Kvalitetno su prepoznate teme koje film obrađuje, a koje bi \nse mogle koristiti kao platforma za diskusiju s ciljem povećanja vidljivosti filma. Media plan sadrži \npodatke o ključnim medijima, a isplaniran je i geografski te, zajedno s planom distribucije, pokriva \nključne gradove u kojima se očekuje najveća gledanost filma.  \n \n3) DISTRIBUCIJA dugometražnog igranog filma „Illyricvm ” – 50.000 kn / 6,636.14 € (1 EUR = \n7,53450 HRK) \n37. godina prije naše ere. Mladog Liburna Volsusa sa sobom povede rimska jedinica čiji se naoko \njednostavan zadatak skupljanja poreza pretvori u napet i iznenadnim obratima prepleten susret s \nlokalnim, naizgled pokorenim ilirskim plemenima. Očima ovog, za Rimljane primitivnog barbara, \npratimo arhaičan, emotivan svijet začudnih, brutalnih zakona i običaja, sličniji našem suvremenom \nsvijetu nego što bismo to očekivali u prvi mah. \nČinjenica da je ovo prvi domaći film o Ilirima, kao i da je sniman na ilirskom i latinskom jeziku čini ga \nzanimljivim ljubiteljima povijesnog filma (istovremeno treba biti svjestan da će to odbiti dio publike). \nVelika posvećenost detaljima i gotovo dokumentaristički pristup daju filmu dodatnu dimenziju \npotencijalnog edukativnog alata, što bi mu moglo produžiti distribucijski život.  \nPrijava je kvalitetno pripremljena, marketinški plan ispravno identificira ciljnu publiku i aspekte filma \nkoje je potrebno staviti u prvi plan. Medijski miks je zaokružen i pokriva ključne kanale uzimajući u \nobzir raspoloživa sredstva. Plan distribucije je dobro pripremljen, široka distribucija dat će priliku filmu \nda dođe do svih segmenata publike. \n\n\f\n4) DISTRIBUCIJA dugometražnog igranog filma „Sigurno mjesto ” – 85.000 kn / 11.281,44 € (1 \nEUR = 7,53450 HRK) \nTraumatičan događaj, iznenadan pokušaj suicida, otvara procijep u svakodnevici tročlane obitelji. \nNjihov život mijenja se iz temelja, kao da su uvučeni u rat nevidljiv svima ostalima. Radnja se zbiva \nunutar kratkog perioda i reducirana je na ono najbitnije - spasiti bližnjega. Sigurno mjesto temelji se \nna osobnom iskustvu autora Jurja Lerotića, koji u filmu igra glavnu ulogu. \nFilm kreće u distribuciju nakon uspješnih festivalskih prikazivanja i pozicioniran je kao art-film kojeg \ntreba pogledati svaki ljubitelj uspješnog filma. Način na koji obrađuje tešku i intimnu temu omogućuje \nmu da nadiđe uobičajenu percepciju domaćih drama i privuče i širu publiku. Budući da je film hrvatski \nkandidat za nagradu Oscar, za očekivati je da bi eventualni ulazak u uži izbor rezultirao povećanim \ninteresom šire publike. \nPlan je kvalitetno pripremljen, identificirani su glavni segmenti ciljne publike i pomno su analizirane \njake i slabe strane filma. Faza distribucije s edukativnom kampanjom na temu mentalnog zdravlja  \nučinkovit je način da se filmu podigne vidljivost nakon početne kampanje i produži distribucijski život. \nPlan distribucije je dobro pripremljen, široka distribucija dat će priliku filmu da dođe do svih \nsegmenata publike, a festivalske projekcije prije početka distribucije dobra su osnova za pozicioniranje \nfilma i podizanje svijesti o istome. \n \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"distribucija","year":2022,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"decision","source":{"filename":"ODLUKA%20AV%20VIJECA_19102015_manjinske%20koprodukcije.pdf","filename_decoded":"ODLUKA%20AV%20VIJECA_19102015_manjinske%20koprodukcije.pdf","sha256":"f72213c4bf3eed982f2c7b3317cd111119332db1cf5d656de93ed0a50cb2fdf5","bytes":785489,"page_count":3,"extracted_at":"2026-05-16T14:09:11Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":" \n \n \n \nKlasa: 111-006-001 \nUrbroj: 3601-2015 \nU Zagrebu, 19. listopada 2015. \n \n \nTemeljem članka 14. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11), te sukladno Pravilniku o \npostupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja audiovizualnog stvaralaštva \n(NN 144/14),  Hrvatsko audiovizualno vijeće, na prijedlog Umjetničkog vijeća, na 64. sjednici održanoj 19. \nlistopada 2015. godine donijelo je: \n \n \nO  D  L  U  K  U \no utvrđivanju liste prioriteta i raspodjeli sredstava \nza Javni poziv za dodjelu sredstava za poticanje audiovizualnih djelatnosti \ni stvaralaštva u 2015. godini u kategoriji -poticanje filmskih koprodukcija s manjinskim  \nhrvatskih udjelom-rok 24. travnja 2015.godine, \n u svim grupama audiovizualnih djela \n \n1.) Slijedom Javnog poziva Hrvatskog audiovizualnog centra, Nova Ves 18, Zagreb (dalje u tekstu: \nHAVC) za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015. godini u kategoriji-poticanje \nfilmskih koprodukcija s manjinskim hrvatskim udjelom, rok 24. travnja 2015.godine utvrđuje se lista \nprioriteta i donosi odluka o raspodjeli sredstava u sljedećim grupama audiovizualnih djela prema \ntablicama priloženim ovoj Odluci koje čine njezin sastavni dio: \n1. Dugometražni igrani film u ukupnom iznosu od 1.455.870,00 kuna  \n(milijunčetiristopedesetpettisućaosamstosedamdesetkuna), tablica u Prilogu 1 ovoj Odluci; \n2. Debitantski dugometražni igrani film u ukupnom iznosu od 550.000,00 kuna  \n(petstopedesettisućakuna), tablica u Prilogu 2 ovoj Odluci. \n3. Dugometražni dokumentarni film u ukupnom iznosu od 150.000,00 kuna (stopedesettisućakuna), \ntablica u Prologu 3 ovoj Odluci. \n \n   3.) Ovlašćuje se ravnatelj HAVC-a na zaključivanje ugovora s korisnicima sredstava u roku predviđenom \nPravilnikom o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14). \n \n  4.) Ova Odluka je konačna i stupa na snagu danom donošenja. \n   \n  5.) Ova Odluka bit će objavljena u zakonom propisanom roku na web-stranici HAVC-a: www.havc.hr. \n \n \nObrazloženje \n \nTemeljem čl. 23. st.1. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11) i sukladno odredbama \nPravilnika o postupku, kriterijima i rokovima za provedbu Nacionalnog programa promicanja \naudiovizualnog stvaralaštva (NN 144/14) u 2015. godini raspisan je Javni poziv HAVC-a za poticanje \naudiovizualnih djelatnosti i stvaralaštva  u kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskih \nudjelom, rok 24. travnja 2015.godine u svim grupama audiovizualnih djela. \n\n\f\n \n \n \n \n \n Na Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva u 2015.godini u kategoriji-poticanje \nfilmskih koprodukcija s manjinskim hrvatskim udjelom, rok 24. travnja 2015.godine: \n1. u grupi dugometražnih igranih filmova ukupno je prijavljeno 11 projekta od kojih 1 nije razmatran \nzbog nepotpune i/ili nepravovremene prijave.  \n2. u grupi debitantskih dugometražnih igranih filmova ukupno je prijavljeno 5 projekta i svi razmatrani. \n3. u grupi dugometražnih dokumentarnih filmova ukupno je prijavljeno 5 projekta i svi su razmatrani. \n4. u grupi kratkometražnih igranih filmova ukupno je prijavljeno 4 projekta od kojih 1 nije razmatran \njer je prijava povučena. \n5. u grupi animiranih filmova ukupno je prijavljen 2 projekt i svi su razmatrani. \n \nNa 44. sjednici Umjetničkog vijeća održanoj 16. listopada 2015. godine, umjetnička savjetnica za manjinske \nkoprodukcije gđa Saša Vojković predložila je da se projektima prijavljenima na Javni poziv za poticanje \naudiovizualnih djelatnosti i stvaralaštva u 2015.godini u kategoriji poticanja filmskih koprodukcija s \nmanjinskim hrvatskih udjelom, rok 24. travnja 2015.godine u gore navedenim grupama dodjele sredstva \nkako je izloženo u točki 1. ove Odluke.  \n \nNa 64. sjednici Hrvatskog audiovizualnog vijeća održanoj 19. listopada 2015. godine prihvaćena je lista \nprioriteta iz točke 1.1. izreke Odluke i lista prioriteta iz točke 1.2. izreke Odluke. \n \nTemeljem čl.12. Zakona o audiovizualnim djelatnostima (NN 76/07, 90/11),  ravnatelj HAVC-a izvršava \nodluke o raspodjeli sredstava na temelju Nacionalnog programa zaključivanjem ugovora s korisnicima \nsredstava.  \n \nTemeljem čl. 10. Zakona o pravu na pristup informacijama (NN 25/13, 85/15), HAVC će ovu Odluku \nobjaviti na svojoj mrežnoj stranici: www.havc.hr. \n \n \nPredsjedavajuća Hrvatskog audiovizualnog vijeća \n \nVera Robić-Škarica, v. r. \n \n \n \nPrilog: tablice s rezultatima \n \n \nDostaviti: \n- \npismohrana, ovdje \n\n\f\n \n \n \n \n \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE FILMSKIH KOPRODUKCIJA S MANJINSKIM \nHRVATSKIM UDJELOM u 2015. - 2. ROK - 24.4.2015. \nR.br. \nNAZIV \nFILMA \nREDATELJ/ICA \nHRVATSKI \nPRODUCENT \nGLAVNI \nPRODUCENT \nODOBRENO \ndugometražni igrani film \n1 \nVojvoda \nZornitsa Sophia \nFocus Media \nd.o.o. \nMQ Pictures \nLtd (Bugarska) \n700.000,00 kn \n2 \nIvan \nJanez Burger \nPropeler Film \nd.o.o. \nStaragara \n(Slovenija) \n755.870,00 kn \ndebitantski dugometražni igrani film \n1 \nIzbrisana \nMiha Mazzini, \nDušan \nJoksimović \nKinorama \nd.o.o. \nGustav film \n(Slovenija) \n550.000,00 kn \ndugometražni dokumentarni film \n1 \nZašto je \nDragan \nnapravio \norkestar \nNikola Spasić \nMENORAH \nFILM, U.O. \nInkubator \nmultimedijalne \numetnosti i \nkreativnih \nindustrija \nREZON \n(Srbija) \n150.000,00 kn \nSVEUKUPNO: 2.155.870,00 kn \n \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2015,"rok":"2. rok","referenced_projects":["Vojvoda","Ivan","Izbrisana","Zašto je Dragan napravio orkestar"],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 19. listopada 2015. o raspodjeli sredstava za poticanje filmskih koprodukcija s manjinskim hrvatskim udjelom (rok 24. travnja 2015.), u ukupnom iznosu od 2.155.870,00 kuna za dugometražne igrane, debitantske igrane i dugometražni dokumentarni film.","project_links":[{"source_title":"Vojvoda","family_id":"pf_e9a77ca54e6d","family_title":"Vojvoda","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Ivan","family_id":"pf_3f99794ef442","family_title":"Ivan","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Izbrisana","family_id":"pf_12c2a0c25ee4","family_title":"Izbrisana","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Zašto je Dragan napravio orkestar","family_id":"pf_68e7a79f39e4","family_title":"Zašto je Dragan napravio 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poticanje \nrazvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih \ndokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2014. - 1. \nROK - 25.4.2014.\ndugometražni igrani film\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"2014-razvoj-projekata-dugi-igr-rok-25-04","year":2014,"rok":"1. rok","natjecaj_date":"2014-04-25","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"dugometražni igrani film","section_key":"dugometrazni_igrani_film","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Nosila je rubac črleni","applicant":"Švenk d.o.o.","production_company":"Švenk d.o.o.","director":"Goran Dukić","writer":"Sandra 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film"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":null,"ukupno":400000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":400000.0,"ukupno_match":true,"row_count":2,"awarded_count":2,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":2}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje-umjetnickih-savjetnika-3-7-2014.pdf","filename_decoded":"obrazlozenje-umjetnickih-savjetnika-3-7-2014.pdf","sha256":"f8cdc4ed982aee7f63a6988e981c58ebd3c75880e8d44bb291a44242a21b6399","bytes":118782,"page_count":2,"extracted_at":"2026-05-16T14:10:31Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje-umjetnickih-savjetnika-3-7-2014.pdf"},"raw_text":" \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n \n \nObrazloženje umjetničkih savjetnika po odlukama o donošenju liste prioriteta i \nraspodjeli sredstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i \nstvaralaštva u 2014. godini, u kategoriji poticanja proizvodnje audiovizualnih djela \n(kratkometražni igrani film, dokumentarni film te eksperimentalni film – rok 28. ožujka \n2014.) te u kategoriji poticanja razvoja scenarija i razvoja projekata (dugometražni \ndokumentarni film – rok 25. travnja 2014.) \n \nSaziv 31. sjednice Umjetničkog vijeća, održane 2. srpnja 2014: Sanja Ravlić, Sanja Grbin, \nSlaven Zečević, Dragan Rubeša, Tomislav Mršić, Juraj Lerotić i Igor Prassel \n \nSaziv 48. sjednice Hrvatskog audiovizualnog vijeća, održane 3. srpnja 2014: Vera Robić \nŠkarica, Snježana Tribuson, Ivana Vukinovac Gelo, Carmen Lhotka, Nataša Petrović, \nSilvestar Kolbas, Zrinko Ogresta, Dino Paškov i Silvio Jesenković \n \nTomislav Mršić, umjetnički savjetnik za dokumentarni film: \n“Na ovaj rok pristiglo je sedamdesetak prijava za proizvodnju i razvoj dokumentarnog filma, \nčime se nastavlja trend povećanja broja prijavljenih projekata u odnosu na prethodne rokove. \nOsim velikog broja, raduje i  tematska i žanrovska raznolikost prijavljenih projekata, pri čemu \nipak malo dominiraju socijalno i društveno angažirane teme. Shodno tome, i među odabranim \nprojektima najveći je broj onih koji na angažiran, analitičan i kritičan način propitkuju našu \ndruštvenu zbilju. Prije svega tu mislim na kategoriju za poticanje dugometražne proizvodnje, \nali i kategoriju razvoja scenarija zbog čega je i broj odobrenih projekata u tim kategorijama \nnešto veći nego u kategorijama za poticanje kratkometražne proizvodnje i onoj za razvoj \nprojekata. Osim spomenutog, veseli i činjenica da je na natječaj za proizvodnju pristigao \nveliki broj projekata koji su već ranije prošli razvojne kategorije što svjedoči o njihovoj \nvažnosti. Sve to razlog je, vjerujem opravdanom, optimizmu kada govorimo o \ndokumentarnom filmu u idućih nekoliko godina”. \n \nSanja Grbin, umjetnička savjetnica za eksperimentalni film: \n“Kriteriji predlaganja projekata za financiranje u kategoriji eksperimentalnog filma kojima \nsam se vodila su formalna inovativnost, hibridno kombiniranje rodova i žanrova u \nartikuliranju društveno aktualnih tematika, korespondencija s kretanjima i trendovima u \nsuvremenom eksperimentalnom filmu, te prikazivački potencijal. Od šesnaest prijavljenih, \nodabrala sam šest projekata raznolikog raspona. Projekt koji se istaknuo autorskom vizijom i \nza koji se može reći da doista inovira eksperimentalni rod je Test Film #1 Gideona Kiersa \n(produkcija Bonobostudio) koji je svjetski pionirski istraživački poduhvat u pronalaženju \nestetskog potencijala novoga medija i prikazivačkog standarda, DCP-a. Ambicioznom idejom \ni transmedijskom namjerom istaknuo se Novi južni Zagreb Darka Fritza (produkcija Filmska \nudruga Motion) kao kompleksna vizualna studija neostvarenih modernističkih vizija \nUrbanističkog plana Novoga Zagreba  iz 1962. Projekt Ane Hušman Skoro ništa (produkcija \nStudio Pangolin) inspirativna je kombinacija dokumentarnog filma i animacije u promišljanju \nodnosa prema prostoru i utjecaju turizma na otočku zajednicu, zadana okvirom istoimene \nmoderne kompozicije Luca Ferrarija snimljene 1970. u Veloj luci. Zbog složenog pristupa \nfilmu koristeći se sa pet različitih animacijskih tehnika u introspektivnoj studiji emotivnog \nživota, podržan je projekt Periferija mlade redateljice Leone Kadijević (produkcija Luma \nfilm), studentice Kraljevskog umjetničkog koledža u Londonu. Projekt galerijsko-izlagačkog  \n\n\f\n \n \nHrvatski audiovizualni centar, Nova Ves 18, 10000 Zagreb, www.havc.hr, tel. + 385 1 6041 080, fax. +385 1 4667 819 \n \n \n \nprosedea Poruka Nike Radić (produkcija Kreativni sindikat) odabran je zbog ideje \nparticipativnosti i procesualnosti dokumentiranja nastanka i kritičke recepcije autoričine \numjetničke instalacije na način pogodan i za kino prikazivanje. Zbog netradicionalnog \npromišljanja narativne forme i potencijala za inovativno kombiniracije elemenata \neksperimentalnog i igranog filma, podržan je projekt Gubilište Matije Debeljuha (producent \nKinematograf)”.  \n \n \nJuraj Lerotić, umjetnički savjetnik za kratkometražni igrani film: \n“Na natječaj se prijavilo 26 projekata od kojih je jedan već realiziran. Prijavljeni filmovi \n tematski i formalno pokrivaju vrlo širok raspon; od već pomalo zamornog obrasca \"dvoje u \nsobi\" preko društveno angažiranih do znastveno-fantastičnih filmova. Izbor filmova koji će \nbiti financirani odražava upravo tu raznolikost. Scenarijem i promišljenošću redateljske \nkoncepcije  istaknula su se četiri projekta: Marija, redatelja debitanta Juraja Primorca i \nscenarista Ivana Turkovića-Krnjaka, o mladiću kojemu se ukazuje Majka Božja; Grimizno \nDijane Mlađenović o suočavanju počinitelja zločina sa svojom žrtvom; To se samo tak kaže \nHane Veček, o troje djece koja idu u maškare, s tim da jedno od njih taji razlog zbog kojeg \nmu treba novac. Četvrti projekt koji je dobio potporu već je snimljeni film Igora Jelinovića \nSnijeg u Splitu. Radi se nepretencioznom, iskrenom filmu o muškom prijateljstvu. Osim \nkvaliteta odabranih projekata, veseli i činjenica da smo za tri od četiri projekta mogli odobriti \nnovčani iznos približan zatraženom”. \n \n \nU Zagrebu, 3. srpnja 2014.  \n \n \n","warnings":[],"document":{"program_type":"komplementarne","year":2014,"rok":null,"referenced_projects":["Antitalent produkcija d.o.o. - Programi stručnog usavršavanja (Serial Eyes, Berlin)","Artizana film d.o.o. - 'Most na kraju svijeta'","Damir Čučić - 'MITCH - dnevnik jednog shizofreničara'","Factum - 'Iza lica zrcala'","Factum - 'Ljubavna odiseja', 'Goli', 'Djeca tranzicije'","Factum - 'Goli' (DokuFest Prizren)","Festival mediteranskog filma Split - 'Kino Mediteran'","Hrvatski filmski savez - 'U potrazi za izgubljenom državom'","Hrvatski filmski savez - Four River Film Festival (Seoul)","Hrvatski filmski savez - Giffoni Experience","Hrvatski filmski savez - UNICA Pies'tany","Igor Bezinović - MonFilmFest","Jasmina Kallay - European TV Drama Series Lab 2014","Jura Troje - festival dječjeg filma Istanbul","Kinematograf d.o.o. - 'Pragovi'","Maxima film d.o.o. - 'Takva su pravila'","Maydi Film & Video d.o.o. - 'Šegrt Hlapić'","Moje čarobne misli d.o.o. - 'Mehaničke figure_Inspririani Teslom'","Nukleus - 'Kokoška'","Produkcija Živa d.o.o. - 'Otok ljubavi'","Udruga za audiovizualno stvaralaštvo Artizana - 'I LOVE YU'","Udruga Blank - 'Vrag u gospođici Jones'","Udruga Dušan Vukotić - izložba 'Svijet mašte Dušana Vukotića Vuda'","Udruga ljubitelja filma Rare - DORF na Cinedays","Sveučilište u Zagrebu, Studentski centar - 9-LABS Filmswerkplaats","Željka Ferenčić - CICAE radionica 'Art Cinema = Action + Managment'"],"summary":"Odluka Hrvatskog audiovizualnog vijeća od 10. listopada 2014. o utvrđivanju liste prioriteta i raspodjeli sredstava (ukupno 304.786,00 kn) po Javnom pozivu za komplementarne djelatnosti - programi međunarodne suradnje, rok 22. kolovoza 2014. godine, kojom je 26 programa dobilo potporu, a od 34 prijavljena projekta jedan nije razmatran zbog nepotpune/nepravovremene prijave.","project_links":[{"source_title":"Antitalent produkcija d.o.o. - Programi stručnog usavršavanja (Serial Eyes, Berlin)","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Artizana film d.o.o. - 'Most na kraju svijeta'","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Damir Čučić - 'MITCH - dnevnik jednog shizofreničara'","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Factum - 'Iza lica zrcala'","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Factum - 'Ljubavna odiseja', 'Goli', 'Djeca tranzicije'","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Factum - 'Goli' (DokuFest 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Pies'tany","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Igor Bezinović - MonFilmFest","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Jasmina Kallay - European TV Drama Series Lab 2014","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Jura Troje - festival dječjeg filma Istanbul","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Kinematograf d.o.o. - 'Pragovi'","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Maxima film d.o.o. - 'Takva su pravila'","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Maydi Film & Video d.o.o. - 'Šegrt Hlapić'","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Moje čarobne misli d.o.o. - 'Mehaničke figure_Inspririani Teslom'","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Nukleus - 'Kokoška'","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Produkcija Živa d.o.o. - 'Otok ljubavi'","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Udruga za audiovizualno stvaralaštvo Artizana - 'I LOVE YU'","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Udruga Blank - 'Vrag u gospođici Jones'","family_id":null,"family_title":null,"match_status":"unmatched","method":"unmatched","confidence":"low"},{"source_title":"Udruga Dušan Vukotić - 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Juričić","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Nukleus Film d.o.o.","source_url_missing":true,"row_id":"fc220495:s1:1bc26b8c637d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_aeaa2bd656de","project_family_title":"Razred"},{"row_number":2,"project_title":"Dianina lista","applicant":"Hulahop d.o.o.","production_company":"Hulahop d.o.o.","director":"Dana Budisavljević","writer":"Dana Budisavljević / Miljenka Čogelja","original_author":null,"category":"Dokumentarni","approved_amount_text":"HRK 140.000,00","approved_amount":140000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Hulahop d.o.o.","entity_original_applicant":"Dana Budisavljević / Miljenka Čogelja","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Hulahop d.o.o.","source_url_missing":true,"row_id":"fc220495:s1:37d9870a03e7","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_45a79889f9a1","project_family_title":"Dianina lista"},{"row_number":3,"project_title":"Povratak u Dol: monolozi pomirenja","applicant":"Restart","production_company":"Restart","director":"Čarna Radoičić","writer":"Čarna Radoičić / Oliver Sertić","original_author":null,"category":"Dokumentarni","approved_amount_text":"HRK 120.000,00","approved_amount":120000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Dokumentarni","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Restart","entity_original_applicant":"Oliver Sertić","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Restart","source_url_missing":true,"row_id":"fc220495:s1:6fb897210a41","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_b1a58dd28066","project_family_title":"Povratak u Dol: monolozi pomirenja"}],"section_total_text":"UKUPNO: HRK 435.000,00","section_total":435000.0}],"totals":{"ukupno_text":null,"ukupno":null,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":1635000.0,"ukupno_match":null,"row_count":13,"awarded_count":13,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":13}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje proizvodnja dugi igrani.pdf","filename_decoded":"web obrazlozenje proizvodnja dugi igrani.pdf","sha256":"fc6ea2a3520650d4df21e85c7d6aba32badb235b3668717302ccaea64fad1739","bytes":36638,"page_count":3,"extracted_at":"2026-05-17T12:01:52Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20proizvodnja%20dugi%20igrani.pdf"},"raw_text":"REZULTATI\t\r  JAVNOG\t\r  POZIVA\t\r  HAVC-­‐A\t\r  ZA\t\r  PROIZVODNJU\t\r  DUGOMETRAŽNIH\t\r  \nIGRANIH\t\r  FILMOVA\t\r  U\t\r  2018.\t\r  GODINI\t\r  –\t\r  1.\t\r  ROK\t\r  \nUmjetnički\t\r  savjetnici\t\r  :\t\r  Pavo\t\r  Marinković\t\r  i\t\r  Nenad\t\r  Polimac\t\r  \nNa\t\r  1.\t\r  rok\t\r  Javnog\t\r  poziva\t\r  za\t\r  proizvodnju\t\r  dugometražnih\t\r  igranih\t\r  filmova\t\r  u\t\r  2018.\t\r  godini\t\r  \nprijavilo\t\r  se\t\r  ukupno\t\r  39\t\r  projekata,\t\r  od\t\r  toga\t\r  9\t\r  u\t\r  kategoriji\t\r  debitantskih\t\r  igranih\t\r  filmova,\t\r  24\t\r  u\t\r  \nkategoriji\t\r  dugometražnog\t\r  igranog\t\r  filma\t\r  i\t\r  6\t\r  u\t\r  postprodukcijskoj\t\r  fazi,\t\r  od\t\r  kojih\t\r  su\t\r  dva\t\r  \ndebitantska.\t\r  Svi\t\r  prijavljeni\t\r  projekti\t\r  bili\t\r  su\t\r  razmatrani\t\r  jer\t\r  zadovoljavaju\t\r  uvjete\t\r  javnog\t\r  poziva.\t\r  \nGledajući\t\r  kvalitetu\t\r  i\t\r  pripremljenost\t\r  prijavljenih\t\r  projekata\t\r  u\t\r  odnosu\t\r  na\t\r  prošle\t\r  natječaje,\t\r  mogli\t\r  \nbismo\t\r  reći\t\r  da\t\r  je\t\r  ovo\t\r  bio\t\r  natječaj\t\r  razmjerno\t\r  ujednačene\t\r  kvalitete\t\r  scenarističkog\t\r  pisma\t\r  te\t\r  \nprodukcijske\t\r  pripremljenosti\t\r  projekata;\t\r  ovdje\t\r  mislimo\t\r  na\t\r  ujednačenost\t\r  najkvalitetnijih\t\r  \nprijedloga\t\r  za\t\r  sufinanciranje.\t\r  \t\r  \nUmjetnički\t\r  savjetnici\t\r  složili\t\r  su\t\r  se\t\r  oko\t\r  kvalitete\t\r  i\t\r  umjetničkog\t\r  potencijala\t\r  osam\t\r  projekata.\t\r  Od\t\r  \ntih\t\r  osam,\t\r  čak\t\r  šest\t\r  je\t\r  prošlo\t\r  razvojne\t\r  stepenice\t\r  HAVC-­‐a\t\r  te\t\r  je\t\r  očito\t\r  da\t\r  postepeni\t\r  i\t\r  temeljiti\t\r  \t\r  \npristup\t\r  razvoju\t\r  dugometražnog\t\r  igranog\t\r  filma\t\r  daje\t\r  rezultate.\t\r  \nObzirom\t\r  da\t\r  je\t\r  sredstava\t\r  bilo\t\r  samo\t\r  za\t\r  tri\t\r  dugometražna\t\r  igrana\t\r  filma,\t\r  odlučili\t\r  smo\t\r  se\t\r  \npoduprijeti\t\r  one\t\r  projekte\t\r  koji\t\r  su,\t\r  uvjetno\t\r  rečeno,\t\r  najzreliji\t\r  te\t\r  su\t\r  prošli\t\r  sve\t\r  faze\t\r  razvoja,\t\r  a\t\r  opet\t\r  \nnude\t\r  žanrovsku\t\r  raznovrsnost\t\r  te\t\r  autorsku\t\r  svježinu.\t\r  \t\r  \nOd\t\r  preostalih\t\r  pet\t\r  projekata,\t\r  četiri\t\r  ih\t\r  je\t\r  predloženo\t\r  za\t\r  promjenu\t\r  kategorije,\t\r  dakle\t\r  \npremješteni\t\r  su\t\r  u\t\r  fazu\t\r  razvoja\t\r  projekta,\t\r  dok\t\r  se\t\r  jedan\t\r  projekt\t\r  u\t\r  toj\t\r  fazi\t\r  već\t\r  i\t\r  nalazi.\t\r  \t\r  \nOd\t\r  tri\t\r  filmska\t\r  projekta\t\r  koja\t\r  predlažemo\t\r  za\t\r  sufinanciranje\t\r  proizvodnje,\t\r  jedan\t\r  je\t\r  projekt\t\r  \nkomedija\t\r  smještena\t\r  u\t\r  Slavoniju,\t\r  drugi\t\r  je\t\r  projekt\t\r  spoj\t\r  trilera\t\r  i\t\r  horora\t\r  smješten\t\r  u\t\r  Istru,\t\r  a\t\r  treći\t\r  \nje\t\r  projekt\t\r  drama\t\r  odrastanja\t\r  smještena\t\r  na\t\r  jug\t\r  Jadrana.\t\r  \t\r  \nDvojica\t\r  autora\t\r  su\t\r  afirmirani\t\r  redatelji\t\r  srednje\t\r  generacije\t\r  čiji\t\r  projekti\t\r  nikad\t\r  nisu\t\r  bili\t\r  prošli\t\r  na\t\r  \t\r  \nnatječajima\t\r  HAVC-­‐a\t\r  za\t\r  proizvodnju\t\r  dugometražnog\t\r  igranog\t\r  filma\t\r  (već\t\r  samo\t\r  za\t\r  \npostprodukciju),\t\r  a\t\r  treća\t\r  je\t\r  iznimno\t\r  talentirana\t\r  debitantica\t\r  koja\t\r  je\t\r  svojim\t\r  zadnjim\t\r  kratkim\t\r  \nfilmom\t\r  osvojila\t\r  pregršt\t\r  međunarodnih\t\r  nagrada\t\r  i\t\r  čiji\t\r  projekt\t\r  osim\t\r  nas\t\r  žele\t\r  sufinancirati\t\r  i\t\r  \nMartin\t\r  Scorsese\t\r  i\t\r  Rodrigo\t\r  Teixeira.\t\r  Radi\t\r  se\t\r  o\t\r  projektima\t\r  «Murina»\t\r  Antonete\t\r  Alamat\t\r  \nKusijanović,\t\r  «Štriguni»\t\r  Alda\t\r  Tardozzija\t\r  te\t\r  «Po\t\r  tamburi»\t\r  Stanislava\t\r  Tomića.\t\r  \t\r  \nNa\t\r  natječaj\t\r  za\t\r  postprodukciju\t\r  dugometražnih\t\r  igranih\t\r  filmova\t\r  prijavilo\t\r  se\t\r  šest\t\r  projekata,\t\r  od\t\r  \ntoga\t\r  dva\t\r  debitantska.\t\r  Kod\t\r  sufinanciranja\t\r  tzv.\t\r  nezavisne\t\r  produkcije\t\r  uvijek\t\r  postoji\t\r  želja\t\r  da\t\r  se\t\r  \npomogne\t\r  autorima\t\r  koji\t\r  sami\t\r  financiraju\t\r  svoje\t\r  izlete\t\r  u\t\r  avanturu\t\r  dugometražnog\t\r  igranog\t\r  \nfilma.\t\r  To\t\r  nije\t\r  uvijek\t\r  moguće,\t\r  u\t\r  prvom\t\r  redu\t\r  zbog\t\r  nedostatka\t\r  sredstava,\t\r  ali\t\r  i\t\r  zbog\t\r  \nispodprosječne\t\r  kvalitete\t\r  pristiglih\t\r  radova\t\r  kojima\t\r  često,\t\r  zbog\t\r  nepripremljenosti\t\r  projekata,\t\r  \nnesrazmjera\t\r  umjetničke\t\r  ambicije\t\r  i\t\r  produkcijske\t\r  realnosti\t\r  krajnji\t\r  rezultat\t\r  ne\t\r  ispadne\t\r  \nzadovoljavajući.\t\r  Mikrobudžetni\t\r  film\t\r  zahtjeva\t\r  scenarističku\t\r  izbrušenost,\t\r  ili\t\r  visoki\t\r  koncept\t\r  koji\t\r  \nproizlazi\t\r  iz\t\r  samih\t\r  financijskih\t\r  ograničenja.\t\r  \t\r  \nZa\t\r  sufinanciranje\t\r  postprodukcije\t\r  dugometražnih\t\r  igranih\t\r  filmova\t\r  predlažemo\t\r  samo\t\r  dva\t\r  \nprojekta,\t\r  i\t\r  to\t\r  sa\t\r  skromnim\t\r  iznosima.\t\r  Solidno\t\r  produciran\t\r  triler\t\r  afirmiranog\t\r  redatelja\t\r  Arsena\t\r  \nAntona\t\r  Ostojića\t\r  te\t\r  zanimljiv\t\r  mikrobudžetni\t\r  prvijenac\t\r  poznatog\t\r  kritičara\t\r  Damira\t\r  Radića.\t\r  \t\r  \n\t\r  \n\t\r  \n\n\f\nMURINA\t\r  (3.000.000)\t\r  \nScenaristica\t\r  i\t\r  redateljica:\t\r  Antoneta\t\r  Alamat\t\r  Kusijanović\t\r  \nProducent:\t\r  Spiritus\t\r  Movens\t\r  d.o.o.\t\r  \n«Murina»\t\r  je\t\r  priča\t\r  o\t\r  sazrijevanju\t\r  šesnaestogodišnje\t\r  djevojke\t\r  koja\t\r  s\t\r  roditeljima\t\r  živi\t\r  izolirano\t\r  \nna\t\r  jednom\t\r  jadranskom\t\r  otoku.\t\r  Vatrometi\t\r  manipulacija,\t\r  emocija,\t\r  ali\t\r  i\t\r  ljudskih\t\r  nerazumijevanja\t\r  \t\r  \ni\t\r  razočaranja\t\r  događaju\t\r  se\t\r  u\t\r  kamenim\t\r  i\t\r  modrim\t\r  pejzažima\t\r  južnog\t\r  Jadrana\t\r  koji\t\r  i\t\r  sami\t\r  postaju\t\r  \ndio\t\r  priče.\t\r  \t\r  \nOvaj\t\r  film\t\r  i\t\r  fabularno\t\r  i\t\r  tematski\t\r  nadovezuje\t\r  se\t\r  na\t\r  autoričin\t\r  nagrađeni\t\r  kratkometražni\t\r  «U\t\r  \nplavetnilu».\t\r  \t\r  Izvrsna\t\r  glavna\t\r  glumica\t\r  nalazi\t\r  se\t\r  u\t\r  osjetljivim,\t\r  ali\t\r  idealnim\t\r  godinama\t\r  za\t\r  ulogu\t\r  \nprotagonistice\t\r  tako\t\r  da\t\r  uistinu\t\r  nema\t\r  smisla\t\r  odgađati\t\r  produkciju\t\r  filma\t\r  koji\t\r  je\t\r  prošao\t\r  sve\t\r  \nrazvojne\t\r  stepenice\t\r  HAVC-­‐a,\t\r  ali\t\r  i\t\r  sudjelovao\t\r  u\t\r  mnoštvu\t\r  prestižnih\t\r  međunarodnih\t\r  \nscenarističkih\t\r  radionica.\t\r  \t\r  \t\r  \nMartin\t\r  Scorsese,\t\r  kao\t\r  pridruženi\t\r  producent,\t\r  garancija\t\r  je\t\r  i\t\r  pomoć\t\r  u\t\r  pronalaženju\t\r  velike\t\r  \nmeđunarodne\t\r  zvijezde\t\r  koja\t\r  bi\t\r  mogla\t\r  pomoći\t\r  da\t\r  film\t\r  «Murina»\t\r  uistinu\t\r  postane\t\r  veliki\t\r  uspjeh\t\r  \nkako\t\r  marljive\t\r  i\t\r  talentirane\t\r  autorice\t\r  tako\t\r  i\t\r  hrvatskog\t\r  filma.\t\r  \t\r  \n\t\r  \nPO\t\r  TAMBURI\t\r  (3.800.000)\t\r  \nScenaristi:\t\r  Mario\t\r  Marko\t\r  Krce\t\r  i\t\r  Stanislav\t\r  Tomić\t\r  \nRedatelj:\t\r  Stanislav\t\r  Tomić\t\r  \nProducent:\t\r  Kaos\t\r  d.o.o.\t\r  \nTamburaški\t\r  sastav\t\r  «Aveti\t\r  ravnice»\t\r  lažno\t\r  je\t\r  optužen\t\r  za\t\r  krađu\t\r  skupocjenog\t\r  kulena,\t\r  glavne\t\r  \nnagrade\t\r  velikog\t\r  tamburaškog\t\r  natjecanja.\t\r  «Aveti»\t\r  trebaju\t\r  sačuvati\t\r  živu\t\r  glavu\t\r  i\t\r  dokazati\t\r  \nnevinost\t\r  u\t\r  bespućima\t\r  slavonske\t\r  ravnice.\t\r  \t\r  \n\t\r  \nOva\t\r  odlična\t\r  komedija\t\r  koja\t\r  na\t\r  originalan\t\r  način\t\r  reciklira\t\r  motive\t\r  američkog\t\r  klasika,\t\r  te\t\r  \nizmještajući\t\r  mu\t\r  kontekst\t\r  u\t\r  današnju\t\r  Slavoniju,\t\r  nježno\t\r  se\t\r  poigravajući\t\r  junaštvom,\t\r  kičem\t\r  i\t\r  \nmodernom\t\r  kulturom,\t\r  predstavlja\t\r  najduhovitiji\t\r  projekt\t\r  posljednja\t\r  dva\t\r  HAVC-­‐ova\t\r  natječaja\t\r  za\t\r  \nproizvodnju.\t\r  \t\r  \nProjekt\t\r  je\t\r  prošao\t\r  obje\t\r  razvojne\t\r  stepenice\t\r  HAVC-­‐a\t\r  te\t\r  je\t\r  u\t\r  potpunosti\t\r  sazrio\t\r  za\t\r  produkciju.\t\r  \t\r  \nOsim\t\r  velikog\t\r  komercijalnog\t\r  potencijala\t\r  u\t\r  Hrvatskoj,\t\r  «Po\t\r  tamburi»\t\r  može\t\r  uz\t\r  pomoć\t\r  \nregionalnih\t\r  producenata\t\r  postići\t\r  i\t\r  uspjeh\t\r  u\t\r  susjednim\t\r  državama,\t\r  a\t\r  kao\t\r  komedija\t\r  s\t\r  dosta\t\r  \nsuptilnih\t\r  kulturoloških\t\r  referenci\t\r  mogao\t\r  bi\t\r  biti\t\r  i\t\r  rado\t\r  gledan\t\r  film\t\r  na\t\r  domaćim\t\r  i\t\r  stranim\t\r  \nfestivalima,\t\r  onim\t\r  okrenutih\t\r  prvenstveno\t\r  filmskoj\t\r  publici.\t\r  \t\r  \nObzirom\t\r  da\t\r  se\t\r  radi\t\r  o\t\r  produkcijskoj\t\r  kući\t\r  koja\t\r  još\t\r  nema\t\r  vlastiti\t\r  dugometražni\t\r  projekt,\t\r  za\t\r  \npohvaliti\t\r  je\t\r  temeljitost\t\r  i\t\r  profesionalnost\t\r  uloženu\t\r  u\t\r  razvoj\t\r  projekta.\t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\nŠTRIGUNI\t\r  (3.800.000)\t\r  \n\t\r  \nScenarist\t\r  i\t\r  redatelj:\t\r  Aldo\t\r  Tardozzi\t\r  \nProducent:\t\r  Produkcija\t\r  Živa\t\r  d.o.o.\t\r  \n\t\r  \n«Štriguni»\t\r  su\t\r  najneobičniji,\t\r  a\t\r  možda\t\r  i\t\r  najambiciozniji\t\r  od\t\r  svih\t\r  projekata\t\r  predloženih\t\r  za\t\r  \nfinanciranje.\t\r  Radi\t\r  se\t\r  o\t\r  trileru\t\r  s\t\r  elementima\t\r  horora\t\r  inspiriranim\t\r  mitskim\t\r  bićima\t\r  iz\t\r  istarske\t\r  \nnarodne\t\r  predaje.\t\r  \t\r  \nNakon\t\r  privatnog\t\r  brodoloma,\t\r  mladi\t\r  znanstvenik\t\r  dolazi\t\r  u\t\r  istarsku\t\r  provinciju,\t\r  u\t\r  međunarodni\t\r  \ninstitut\t\r  pretvoren\t\r  u\t\r  genetski\t\r  laboratorij\t\r  koji\t\r  se\t\r  bavi\t\r  istraživanjima\t\r  za\t\r  produljivanje\t\r  ljudskog\t\r  \nživota.\t\r  Originalan\t\r  film\t\r  o\t\r  uzaludnosti\t\r  potrage\t\r  za\t\r  ljudskom\t\r  besmrtnosti\t\r  ispripovijedan\t\r  \npametno,\t\r  a\t\r  u\t\r  zadanim\t\r  okvirima\t\r  filmskog\t\r  žanra.\t\r  \t\r  \n«Štriguni»\t\r  su\t\r  neobičan\t\r  iskorak\t\r  u\t\r  hrvatskoj\t\r  kinematografiji\t\r  i\t\r  daleko\t\r  najzahtjevniji\t\r  projekt\t\r  Alda\t\r  \nTardozzija.\t\r  Scenarij\t\r  je\t\r  vrlo\t\r  dobro\t\r  napisan,\t\r  projekt\t\r  produkcijski\t\r  izvrsno\t\r  pripremljen,\t\r  prošao\t\r  je\t\r  \nsve\t\r  razvojne\t\r  faze,\t\r  sudjelovao\t\r  na\t\r  mnogim\t\r  radionicama,\t\r  koprodukcijskim\t\r  sajmovima\t\r  te\t\r  \nsmatramo\t\r  da\t\r  je\t\r  spreman\t\r  za\t\r  proizvodnju.\t\r  \t\r  \nProjekt\t\r  ima\t\r  visok\t\r  koprodukcijski\t\r  potencijal,\t\r  posebno\t\r  s\t\r  Italijom,\t\r  te\t\r  ukoliko\t\r  režija\t\r  uspije\t\r  \niskoristiti\t\r  sve\t\r  ono\t\r  što\t\r  scenarij\t\r  nudi,\t\r  ovaj\t\r  film\t\r  može\t\r  postati\t\r  i\t\r  međunarodna\t\r  komercijalna,\t\r  ali\t\r  i\t\r  \nfestivalska\t\r  uspješnica.\t\r  \t\r  \n\t\r  \nFILMOVI\t\r  U\t\r  POSTPRODUKCIJSKOJ\t\r  FAZI\t\r  \t\r  \nF\t\r  20\t\r  (250.000)\t\r  \nScenarist:\t\r  Hrvoje\t\r  Sadarić\t\r  \nRedatelj:\t\r  Arsen\t\r  Anton\t\r  Ostojić\t\r  \nProducent:\t\r  Filmosaurus\t\r  Rex\t\r  d.o.o.\t\r  \nTriler-­‐horor\t\r  o\t\r  djevojci\t\r  koja\t\r  brzopleto\t\r  ulijeće\t\r  u\t\r  vezu\t\r  mladim\t\r  \npsihopatom,\t\r  no\t\r  prekasno\t\r  shvati\t\r  što\t\r  je\t\r  on\t\r  sve\t\r  u\t\r  stanju\t\r  učiniti\t\r  u\t\r  svojoj\t\r  \nporemećenosti.\t\r  Film\t\r  je\t\r  dosljedno\t\r  žanrovski\t\r  profiliran,\t\r  puno\t\r  bolje\t\r  \nfunkcionira\t\r  dok\t\r  su\t\r  u\t\r  prvom\t\r  planu\t\r  dvoje\t\r  adolescenata,\t\r  a\t\r  najveća\t\r  mu\t\r  je\t\r  \nvrlina\t\r  solidna\t\r  produkcija.\t\r  Posebno\t\r  treba\t\r  izdvojiti\t\r  fotografiju,\t\r  masku\t\r  i\t\r  \ntonsku\t\r  obradu.\t\r  \t\r  \n\t\r  \nPOSLJEDNJI\t\r  DANI\t\r  LJETA\t\r  (100.000)\t\r  \nScenarist\t\r  i\t\r  redatelj:\t\r  Damir\t\r  Radić\t\r  \nProducent:\t\r  Zvona\t\r  i\t\r  Nari,\t\r  Udruga\t\r  za\t\r  proizvodnju\t\r  kulture\t\r  \nNiskobudžetna\t\r  debitantska\t\r  erotska\t\r  drama\t\r  s\t\r  uglavnom\t\r  \nneprofesionalnim\t\r  glumcima.\t\r  Voajer\t\r  kriomice\t\r  promatra\t\r  dvije\t\r  djevojke\t\r  u\t\r  \nseksualnom\t\r  odnosu\t\r  u\t\r  osamljenoj\t\r  kući\t\r  blizu\t\r  mora.\t\r  Glavni\t\r  adut\t\r  filma\t\r  je\t\r  \nsugestivni,\t\r  suspregnuti\t\r  ugođaj\t\r  u\t\r  koji\t\r  se\t\r  vrlo\t\r  dobro\t\r  uklapa\t\r  \nminimalistička\t\r  radnja.\t\r  Zanimljiv\t\r  odmak\t\r  u\t\r  odnosu\t\r  na\t\r  maticu\t\r  hrvatske\t\r  \nkinematografije.\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2017_3rok_10X2017_WEB_DUGIGR.pdf","filename_decoded":"RPR_2017_3rok_10X2017_WEB_DUGIGR.pdf","sha256":"fcb001f869e876d49ec74a6357058727d02de8b8f358dd41bc04ba4947bdc481","bytes":30942,"page_count":1,"extracted_at":"2026-05-17T10:24:20Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2017_3rok_10X2017_WEB_DUGIGR.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nSmrt djevojčice sa \nžigicama\nLivada produkcija d.o.o.\nGoran Kulenović, Zoran \nFerić\nGoran Kulenović\nZoran Ferić\n110.000,00\nUKUPNO\n110.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i \nrazvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ PROJEKATA u 2017. - 3. ROK - 10.10.2017.\ndugometražni igrani film\n92. sjednica Hrvatskog audiovizualnog vijeća, 13. ožujka 2018.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"RPR_2017_3rok_10X2017_WEB_DUGIGR","year":2017,"rok":"3. rok","natjecaj_date":"2017-10-10","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":false},"sections":[{"section_label":"92. sjednica Hrvatskog audiovizualnog vijeća, 13. ožujka 2018.","section_key":"92_sjednica_hrvatskog_audiovizualnog_vijeca_13_ozujka_2018","columns":["R.br.","NASLOV","PRODUCENT","SCENARIST/-ICA","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Smrt djevojčice sa žigicama","applicant":"Livada produkcija d.o.o.","production_company":"Livada produkcija d.o.o.","director":"Goran Kulenović","writer":"Goran Kulenović, Zoran Ferić","original_author":"Zoran Ferić","category":null,"approved_amount_text":"110.000,00","approved_amount":110000.0,"currency":"HRK","extras":{"SCENARIST/-ICA":"Goran Kulenović, Zoran Ferić","REDATELJ":"Goran Kulenović","AUTOR IZVORNOG PREDLOŠKA":"Zoran Ferić","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:55:00Z","creator_backfill_director_source":"fcb001f8_rpr_2017_3rok_10x2017_web_dugigr_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Row number 1 and title match, and names map cleanly across scenarist, redatelj, and autor izvornog predloška columns.","creator_backfill_writer":true,"creator_backfill_writer_at":"2026-05-18T16:55:00Z","creator_backfill_writer_source":"fcb001f8_rpr_2017_3rok_10x2017_web_dugigr_pdf.json","creator_backfill_writer_confidence":"high","creator_backfill_writer_reasoning":"Row number 1 and title match, and names map cleanly across scenarist, redatelj, and autor izvornog predloška columns.","creator_backfill_original_author":true,"creator_backfill_original_author_at":"2026-05-18T16:55:00Z","creator_backfill_original_author_source":"fcb001f8_rpr_2017_3rok_10x2017_web_dugigr_pdf.json","creator_backfill_original_author_confidence":"high","creator_backfill_original_author_reasoning":"Row number 1 and title match, and names map cleanly across scenarist, redatelj, and autor izvornog predloška columns."},"entity":"Livada produkcija d.o.o.","row_id":"fcb001f8:s0:d24b33813ed1","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_54d7d4fbfdd2","project_family_title":"Smrt djevojčice sa žigicama"}],"section_total_text":"110.000,00","section_total":110000.0}],"totals":{"ukupno_text":null,"ukupno":110000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":110000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":1}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"kratki igrani obrazlozenje web 30032017.pdf","filename_decoded":"kratki igrani obrazlozenje web 30032017.pdf","sha256":"fcbb726bdc98694d931fb581dbd16f1a900e8002876181facf453bd23ccb929e","bytes":100307,"page_count":2,"extracted_at":"2026-05-17T12:01:38Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/kratki%20igrani%20obrazlozenje%20web%2030032017.pdf"},"raw_text":" \n1\nObrazloženje umjetničkog savjetnika po rezultatima Javnog poziva za \npoticanje audiovizualnih djelatnosti i stvaralaštva u 2017. godini u \nkategoriji poticanja proizvodnje audiovizualnih djela (kratkometražni \nigrani film – rok 30. ožujka 2017.) \n \nNa prvi natječajni rok za kratkometražni igrani film u 2017. godini pristigle su \ndvadeset tri prijave, od čega su četiri filma prijavljena u fazi postprodukcije. Tri \nprojekta nisu zadovoljila formalne uvjete natječaja pa se njihove prijave nisu \nrazmatrale. Izostanak jakih redateljskih imena mlađe i srednje generacije, koja iza \nsebe ima neke istaknute kratke igrane filmove i rukopis koji ide u korak sa \nsuvremenim filmskim trendovima, a koja se u međuvremenu prebacila u «viši \nrazred», u dugometražnu formu te zabrinjavajuć pad broja prijava (u odnosu na \nprethodne javne pozive) rezultirali su smanjenjem broja kvalitetnih scenarija, \nuvjerljivih i originalnih redateljskih koncepcija te, u konačnici, omanjim brojem \npotencijalno efektnih, intrigantnih i kompaktnih kratkometražnih igranih projekata \nsposobnih za visoke dosege te festivalske nagrade. Žanrovski gledano prevladavaju \ndrame te različite podvrste drame. Većina se njih bavi suvremenim temama, no \nnajčešće ne uspijevaju izbjeći zamku stereotipnosti. Priče, karakteri, motivacija likova \nkao ni uzročno-posljedične veze među scenama, nisu dovoljno čvrsti ni uvjerljivi, \nprečesto posežu za dijalogom kao nesuptilnim načinom informiranja o vanjskom i \nunutrašnjem stanju likova te ostavljaju dojam preliminarnih verzija te nesamostalnih \ni nezaokruženih cjelina. Komedije su u manjini, mahom su preduge i nerijetko \n«ispadaju iz kolosijeka». Za sufinanciranje proizvodnje predlažem dva projekta te \njedan film u fazi postprodukcije. \n \n \n \nNJEMAČKI INAT \nscenaristica i redateljica: Silva Ćapin \nprodukcija: Eclectica \n \nScenarij o efektu promatrača i difuziji odgovornosti, čija se priča razvija na bazi \nekonomična i usko fokusirana narativa, a koji motivski podsjeća na razornu moralku \nRaymonda Carvera o egoizmu «Toliko vode tako blizu doma». Na idiličnoj i skrivenoj \njadranskoj plaži, usred turističke sezone, povlaštena grupa turista provodi idilično \nposlijepodne. Jedna pretila Njemica leži na trbuhu i doslovno se ne miče ispod \nsuncobrana. Ostali prolaze pored nje kao pored turskog groblja, više se zanimajući za \nsadržaj lunch-paketa, nego provjeravajući diše li njihova suputnica. Zvati odmah \npomoć i upropastiti idilu ili odgoditi suočenje sa smrću osobu koju ionako nitko ne \npoznaje, jer se tu ionako više ništa ne može, pitanje je koje postavlja ovaj projekt. \nRediteljica je debitantica, a film je režijski zamišljen kao efektna kadar-sekvenca te se \nnačinom izvedbe poziva na slavni 12-minutni film Rubena Östlunda Incident by a \nBank, pobjednika Berlina 2010. godine, snimljenog u jednom kadru, iz daljine, a koji \nvizualnu naraciju gradi digitalnim pokretom kamere– zumom i panoramom. \n \n \n\n\f\n \n2\nSAURER \nscenarist i redatelj: Miroslav Terzić \nprodukcija: Centralna jedinica \n \nRiječ je o povijesnoj drami u kojoj se prati rutina dana dvaju nacističkih vojnika, \nvozača ozloglašena kamiona Saurer, u kojem je sve obično osim njihova posla, \nčinjenice da su vozači plinskog kamiona konstruiranog za egzekuciju Židova. Jedina \nnepoznanica u tom danu je tko će od njih dvojice biti taj koji će okrenuti ventil i \npustiti plin u stražnji dio kamiona punog zatočenika, a to će presuditi obična igra– \nizvlačenje šibice. Predlagatelj projekta je priložio detaljan i uvjerljiv shooting board \ncijelog filma, koji plastično prikazuje istančan vizualni prosede filma, koji se gradi \npravilnim i čistim kompozicijama, čvrstim kadrom, širokim platnom i hladnim \nkoloritom. «Ledenosti» atmosfere i priče pridonosi funkcionalna ambijentacija u \nzimski pejzaž i snježnu bjelinu, koju razbija maslinasta boja vojnih uniformi i zlokobna \nkamiona. \n \n \nULTRA \nscenarist i redatelj: Igor Jelinović \nprodukcija: Blank \n \nFilm u fazi postprodukcije, kojim autor nastavlja svoju preokupaciju splitskim \ntemama i odnosima, prije svega nemogućnošću komunikacije te uspostavljanja \ndubljih \nemotivnih \nodnosa \ni \nveza \ngeneracije \nizgubljenih \ni \nnezrelih \ndvadesetogodišnjak(inj)a. Realistična priča filma snimljena je izrazito dinamičnom \nkamerom iz ruke, a događa se tijekom glazbenog festivala elektronske glazbe na \nsplitskom Poljudu te glumce dovodi u stvarnu, autentičnu situaciju među slučajne \nposjetitelje tog festivala, potencirajući dokumentarn(ističn)ost situacije te \nponavljajući postupak koji je uspješno primijenio u jednom od svojih prethodnih \nfilmova (Dan Marjana). Glumci Josip Lukić i Mirela Mađor uspijevaju postići \nmaksimalnu prirodnost te uvjerljivo nose priču filma. \n \n \nMiroslav Sikavica, umjetnički savjetnik za kratkometražni igrani film \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"2009%20Koprodukcije,%201.%20rok,%20OBRAZLO%C5%BDENJE.pdf","filename_decoded":"2009%20Koprodukcije,%201.%20rok,%20OBRAZLO%C5%BDENJE.pdf","sha256":"fcdc77391068734ef45ba808cbbbd5b2332ec3c9d153f929998b3102e97e2ef6","bytes":49734,"page_count":1,"extracted_at":"2026-05-16T13:51:43Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0"},"raw_text":"Javni poziv za dodjelu sredstava za poticanje audiovizualnog stvaralaštva u 2009. godini u kategoriji \nkoprodukcija dugometražnih filmova s manjinskim hrvatskim udjelom zaključen je 19. ožujka 2010. \ngodine. \n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2009,"rok":"1. rok","referenced_projects":[],"summary":"Javni poziv za dodjelu sredstava za poticanje audiovizualnog stvaralaštva u 2009. godini u kategoriji koprodukcija dugometražnih filmova s manjinskim hrvatskim udjelom zaključen je 19. ožujka 2010. godine.","project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RPR_2021_1rok_11III2021_WEB_DUG_DOK.pdf","filename_decoded":"RPR_2021_1rok_11III2021_WEB_DUG_DOK.pdf","sha256":"fd07e030fa16982f44b4acb54b3de6aa515579c4565b4a295515acc2f7a6df2e","bytes":109160,"page_count":1,"extracted_at":"2026-05-16T15:28:43Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RPR_2021_1rok_11III2021_WEB_DUG_DOK.pdf"},"raw_text":"R.br.\nNASLOV\nPRODUCENT\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nCordon\nRestart / Oliver Sertić\nAnton Mezulić\nAnton Mezulić\n100.000,00\n2\nDjeca mog brata\nMetar60 / Mirta Puhlovski \nMilivoj Puhlovski\nMilivoj Puhlovski\n90.000,00\n3\nLjevica desnica \ncentralno\nInter film d.o.o. / Ivan \nMaloča\nArsen Oremović\nArsen Oremović\n90.000,00\n4\nMjerenje neba\nNukleus Film d.o.o. / \nSiniša Juričić\nMarjan Alčevski\nFlorence Tran\n100.000,00\n5\nVia Roma\nStvaralačka mreža Zebra \n/ David Lušičić\nDavid Lušičić\nDavid Lušičić\n90.000,00\n6\nZemlja koju (u)dišemo\nRestart / Oliver Sertić\nManuel Inacker\nManuel Inacker\n100.000,00\nUKUPNO\n570.000,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja \nscenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih \nfilmova - podkategorija: RAZVOJ PROJEKATA u 2021. - 1. ROK - 11.3.2021.\ndugometražni dokumentarni film - trajanje nije kraće od 60 minuta\n17. sjednica Hrvatskog audiovizualnog vijeća u 3. sazivu, 14. lipnja 2021.\n","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2021. - 1. 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Dva projekta nisu razmatrana jer ne \nzadovoljavaju uvjete javnog poziva. \n• Prema grupi audiovizualnih djela u kojoj se prijavljuje projekt prijavljeno je:  \n13 dugometražnih igranih filmova \n \n5 debitantskih dugometražnih igranih filmova  \n \n4 dugometražna dokumentarna filma \n \n1 dugometražni dokumentarni film u fazi postprodukcije  \n \n2 kratkometražna dokumentarna filma \n \n2 kratkometražna igrana filma  \n \n2  kratkometražna animirana filma  \n \n• I to produkcijskih kuća s većinskim udjelom u financiranju iz ukupno ŠESNAEST zemalja  \nSrbija (10), Slovenija (3), Sjeverna Makedonija (1), Crna Gora(1), Bosna i Hercegovina(2),Rusija(1), \nSAD(1), Njemačka(1), Turska(2), Kanada(1), Bugarska (1), Nizozemska (1), Španjolska(1), Švedska (1), \nItalija (1), Albanija (1) \n• Kriteriji za predlaganje projekata za sufinanciranje temelje se na cjelovitosti  i dorađenosti projekata \nu kreativnom smislu, ocjeni financijske izvedivosti te predstavljenog distribucijskog potencijala \nprojekta te aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje \nprojekata.  \nFilmovi odobreni za sufinanciranje proizvodnje:  \n \n1. dugometražni igrani film Bazen beskraja (Kanada) s odobrenim sredstvima u iznosu od 900.000 kn  \n2. dugometražni igrani film Prvi maj (Srbija) s odobrenim sredstvima u iznosu od  550.000 kn \n3. dugometražni dokumentarni film u postprodukciji Nova imperija (Rusija) s odobrenim sredstvima u \niznosu od 150.000 kn \n4. animirani film Lebdenje (Srbija) s odobrenim sredstvima u iznosu od 120.000 kn \n\n\f\n5. kratkometražni igrani film Samo vrag bježi od vode (Sjeverna Makedonija) s odobrenim sredstvima \nu iznosu od 97.000 kn \nUkupni iznos odobrenih sredstava jest 1.817.000 kuna.  \n \nBazen beskraja s odobrenim sredstvima u iznosu od 900.000 kuna treći je dugometražni igrani projekt \nu režiji kanadskog autora Brandona Cronenberga, koji je potpisan i kao scenarist projekta. Riječ je o \nznanstveno-fantastičnom trileru s elementima horora koji razmatra pesimističnu budućnost turizma \nusmjerenog prema zatvorenom resort-turizmu u kojem korisnici uživaju u hedonizmu izolirani od \ndomaćina koji su tu samo kao služinčad. Redateljeva imaginarna turistička destinacija, poput mnogih \nsvjetskih turističkih odredišta, gubi doticaj sa stvarnim životom pretvarajući se u kulisu stvorenu samo \nu svrhu profitiranja na turizmu, bez obzira na cijenu koju za to mora platiti.  \nRiječ je o projektu koji budžetom značajno odstupa od projekata koji se uobičajeno prijavljuju u ovoj \nkategoriji pa je stoga strateška odluka, da ga u ovoj kategoriji podržimo. Kako će se projekt snimati u \nMađarskoj i Hrvatskoj, angažirati će veliki broj hrvatskih filmskih djelatnika te će, nadamo se, \nomogućiti i potaknuti koprodukcije i druge oblike suradnje s Kanadom.  \nBazen beskraja je kanadsko, mađarsko, hrvatska koprodukcija, a hrvatski koproducent projekta je \nČetiri film d.o.o. Projekt je dobio potporu fonda Eurimages, distributer mu je međunarodna \nprodukcijska i distribucijska kuća Neon Pictures, a ima i potpisan ugovor s jednom od najjačih svjetskih \nfilmskih prodajnih agencija Celluloid Dreams.  \n \nPrvi maj, s odobrenim sredstvima u iznosu od  550.000 kuna, drugi dugometražni igrani film srpskog  \nredatelja i scenarista Mladena Đorđevića, psihološki je triler smješten u zabačeni srpski grad u kojem \nradnička klasa kreće u osvetnički pohod protiv svojih eksploatatora, gradskih moćnika. U ovoj priči na \ngranici realnog i nadrealnog, dnevnopolitičke traume posve realne i uvjerljive, isprepliću se s \ntraženjem izlaza u nadnaravnom onih koji su izgubili svaku nadu da im ovozemaljsko i realno može \ndonijeti neko dobro. Koristeći se stereotipima autor kreira originalnu, tematski vrlo relevantnu priču \nkoja se bavi ekstremnim, ali ne i nezamislivim slučajem tranzicije socijalističkog u kapitalističko \ndruštvo.  \n \nProjekt je koprodukcija između Srbije, Grčke, Bugarske, Crne Gore i Hrvatske. Hrvatski koproducent \nprojekta je produkcija Kinorama d.o.o., a projekt je podržan od fonda Eurimages.  \n \n \nDugometražni dokumentarni film u postprodukciji Nova imperija s odobrenim sredstvima u iznosu od \n150.000 kn bavi se očajničkom borbom dviju obitelji za oslobođenjem kćeri, tinejdžerica, uhićenih i \nzatvorenih pod optužbama za ekstremizam. Redateljica Anna Shishova-Bogolyubova pokazuje ono što \nse događa djevojkama i njihovim roditeljima dok proživljavaju šizofrenu situaciju u kojoj su se našli te \nparalelno analizira okolnosti koje su tome prethodile i traži odgovore na brojna neodgovorena pitanja \nvezana uz ovaj slučaj. Redateljica na odgovoran način pristupa politički i društveno osjetljivoj temi koja \ndokumentira trenutno stanje ruskog društva.  \n\n\f\nRiječ je o projektu koji je u fazi razvoja osvojio brojne nagrade i široku podršku dokumentarne \nzajednice, a nastaje u koprodukciji Rusije, Norveške, Finske, Nizozemske i Hrvatske te je, među \nostalim, podržan od fonda MEDIA. Hrvatski koproducent je Nukleus Film d.o.o.  \n \nAnimirani film Lebdenje s odobrenim sredstvima u iznosu od 120.000 kn autorice Jelene Milunović  \nbavi mentalnom bolešću člana obitelji. Plutajući balon koji živi sam daleko od svijeta, a kad se svijet s \nnjime suoči on izaziva kaos gdje god se pojavi - zapravo je odlična metafora odnosa  društva prema \nmentalnim bolesnicima i mentalnog bolesnika uronjenog u vlastiti svijet, odvojenog od svih unutar \nbalona. Riječ je o likovno jednostavnom, gotovo eteričnom projektu, autorice s osobitim \nsenzibilitetom za ovu relevantnu temu, pred kojom kao društvo najčešće zatvaramo oči.  \nRiječ je o koprodukciji između Srbije i Hrvatske, a hrvatski je koproducent Jadranska animacija. \n \nSamo Vrag bježi od vode s odobrenim sredstvima u iznosu od 97.000 kuna, kratkometražni je igrani \nfilm makedonske redateljice i scenaristice Lidije Mojsovske. Samo vrag bježi od vode priča je o \nsazrijevanju dječaka Borisa koji ljeta provodi na obali idilične seoske plaže ohridskog jezera pomažući \nbaki u iznajmljivanju pedalina. Baka i njezine prijateljice navode Borisa da pomisli da je u njegovoj \njedinoj prijateljici vrag i da je njezina dječja igra, crtanje tetovaža po tijelu, u stvari nešto zlo, prljavo i \nružno. Ispostavi se da njegova prijateljica Kira tetovaže crta da bi prekrila modrice od obiteljskog \nzlostavljanja. Opreka između idilične atmosfera mjesta, ljeta, jezera i praznovjernih okrutnih seljana \nkoji se ne libe one najslabije dodatno izložiti poruzi stvara dramaturški zaokruženu cjelinu upečatljive \natmosfere.  \nRiječ je o koprodukciji između Sjeverne Makedonije i Hrvatske, a hrvatski je koproducent produkcija \nAntitalent d.o.o.  \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"manjinske_koprodukcije","year":2021,"rok":"3. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"2013 Koprodukcije_ 26 04 2013.pdf","filename_decoded":"2013 Koprodukcije_ 26 04 2013.pdf","sha256":"fd7469a3d0c169c54f254d296401ecad63d8df544f16a280ce934e021e7853ad","bytes":36045,"page_count":1,"extracted_at":"2026-05-17T10:22:50Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/2013%20Koprodukcije%2C%2026%2004%202013.pdf"},"raw_text":"NAZIV\t\r  FILMA\nREDATELJ/ICA\nHRVATSKI\t\r  PRODUCENT/\t\r  \t\r  \t\r  \t\r  \t\r  \t\r  \r  \r  \nGLAVNI\t\r  PRODUCENT\nODOBRENO\n1 Spomenik\t\r  Majklu\t\r  Džeksonu Darko\t\r  Lungulov\nPropeler\t\r  film\t\r  d.o.o.\t\r  /\t\r  Papa\t\r  Films\t\r  \n(Srbija)\n430.000,00\n1 Vlak\nOlivIer\t\r  Chabalier\nBonobostudio\t\r  d.o.o.\t\r  /\t\r  Gasp!\t\r  \n(Francuska)\n310.000,00\n2 Život\t\r  kao\t\r  novčić\nFranco\t\r  Dipietro\nAning\t\r  usluge\t\r  d.o.o.\t\r  /\t\r  Due\t\r  Monete\t\r  \nS.n.C.\t\r  (Italija)\n150.000,00\n890.000,00\nDUGOMETRAŽNI\t\r  IGRANI\t\r  FILM\nSVEUKUPNO\nANIMIRANI\t\r  FILMOVI\nKOPRODUKCIJE\t\r  S\t\r  MANJINSKIM\t\r  HRVATSKIM\t\r  UDJELOM-­‐\t\r  ROK\t\r  26.\t\r  04.\t\r  2013.\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","natjecaj_title":"2013 Koprodukcije_ 26 04 2013","year":2013,"rok":null,"natjecaj_date":"2013-04-26","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"KOPRODUKCIJE S MANJINSKIM HRVATSKIM UDJELOM-‐ R OK 26. 04. 2013.","section_key":"koprodukcije_s_manjinskim_hrvatskim_udjelom_r_ok_26_04_2013","columns":["NAZIV FILMA","REDATELJ/ICA","HRVATSKI PRODUCENT/ GLAVNI PRODUCENT","ODOBRENO"],"rows":[{"row_number":1,"project_title":"Spomenik Majklu Džeksonu","applicant":"Propeler Film d.o.o.","production_company":"Propeler Film d.o.o.","director":"Darko Lungulov","writer":null,"original_author":null,"category":"Dugometražni igrani film · koprod.","approved_amount_text":"430.000,00","approved_amount":430000.0,"currency":"HRK","extras":{"col_1":"1","REDATELJ/ICA":"Darko Lungulov","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometr. · koprod.","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometr. · koprod.","to":"Dugometražni igrani film · koprod.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Propeler film d.o.o. / Papa Films (Srbija)","entity_owner":"Papa Films (Srbija)","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:55:00Z","creator_backfill_director_source":"fd7469a3_2013_koprodukcije_26_04_2013_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Naslov se jasno poklapa i ime redatelja stoji u stupcu REDATELJ/ICA odmah uz projekt."},"entity":"Propeler Film d.o.o.","row_id":"fd7469a3:s0:2c6bbd7c046b","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_006dcf0bf59f","project_family_title":"Spomenik Majklu Džeksonu"},{"row_number":1,"project_title":"Vlak","applicant":"Bonobostudio d.o.o.","production_company":"Bonobostudio d.o.o.","director":"OlivIer Chabalier","writer":null,"original_author":null,"category":"Dugometražni igrani film · koprod.","approved_amount_text":"310.000,00","approved_amount":310000.0,"currency":"HRK","extras":{"col_1":"1","REDATELJ/ICA":"OlivIer Chabalier","repair_v1":{"changes":[{"field":"category","from":null,"to":"Dugometr. · koprod.","reason":"category_from_section_label","confidence":"high"},{"field":"category","from":"Dugometr. · koprod.","to":"Dugometražni igrani film · koprod.","reason":"category_from_existing_row_value","confidence":"high"}],"updated_at":"2026-05-17T20:02:51Z","method":"machine:data_repair_v1"},"entity_original_production_company":"Bonobostudio d.o.o. / Gasp! 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(Italija)","entity_owner":"Due Monete S.n.C. (Italija)","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z","creator_backfill_director":true,"creator_backfill_director_at":"2026-05-18T16:55:00Z","creator_backfill_director_source":"fd7469a3_2013_koprodukcije_26_04_2013_pdf.json","creator_backfill_director_confidence":"high","creator_backfill_director_reasoning":"Naslov Život kao novčić se podudara i pridruženo ime redatelja je jasno poravnato u tablici."},"entity":"Aning usluge d.o.o.","row_id":"fd7469a3:s0:c4cab28acba0","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_479b1c231966","project_family_title":"Život kao novčić"}],"section_total_text":"890.000,00","section_total":890000.0}],"totals":{"ukupno_text":null,"ukupno":890000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":890000.0,"ukupno_match":true,"row_count":3,"awarded_count":3,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":3}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"obrazlozenje-umjetnickih-savjetnika-o-proizvodnji-dugometraznog-igranog-filma-5-9-2014.pdf","filename_decoded":"obrazlozenje-umjetnickih-savjetnika-o-proizvodnji-dugometraznog-igranog-filma-5-9-2014.pdf","sha256":"fd849f71952828475cd2b0fbb5bc72f72913ba2e6d01ce7b3f4d139481ea011e","bytes":332081,"page_count":4,"extracted_at":"2026-05-17T12:01:41Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/obrazlozenje-umjetnickih-savjetnika-o-proizvodnji-dugometraznog-igranog-filma-5-9-2014.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI \nI STVARALAŠTVA \n \nKATEGORIJA: POTICANJE PROIZVODNJE AUDIOVIZUALNIH DJELA U 2014.  \n– 1. ROK (28. OŽUJKA 2014.) \n \n \n \nDEBITANTSKI DUGOMETRAŽNI IGRANI FILMOVI  \n \n1. Ne gledaj mi u pijat \nredateljica: Hana Jušić  \nscenaristica: Hana Jušić  \nprodukcija: Kinorama d.o.o.  \n \nVrhunska karakterizacija i vješto ispreplitanje vizualnog i emotivnog krase ovaj \nprojekt za kojeg slobodno možemo reći da je jedan od najzanimljivijih \nposljednjih godina u Hrvatskoj. Pratimo slojevito uranjanje u intimu jedne \ndjevojke koja mora preuzeti ulogu glave disfunkcionalne obitelji i hrvati se \nistovremeno sa svojim seksualnim oslobađanjem i odrastanjem ne bi li isplivala \niz obiteljskog kaveza. Obiteljski dom i grad Šibenik gdje je radnja smještena, \npostaju okovana pozornica njenog razvijanja, ali istovremeno i gorka \nneminovnost. Kako ove godine u selekciji dominiraju intimističke teme mlađih \nautora i autorica, \"Ne gledaj mi u pijat\" predvodi tu struju i mišljenja smo da zbog \nprisutnog humora, izbjegavanja patetike, vizualne osviještenosti te detaljne \nslojevitosti karaktera, projektu ne predstoji samo vrlo izvjestan festivalski put, \nveć i zanimljiv kino život.  \n \n2. Aleksi \nredateljica: Barbara Vekarić   \nscenaristica: Barbara Vekarić   \nprodukcija: Studio Dim d.o.o. \n \nGlavna junakinja Aleksi je simbol generacije \"dvadeset i nešto\" koju često krase \nnehajnost, upitno emotivno sazrijevanje, pogubljenost i nadasve traženje \nobrazaca \"odraslog\" života u kojem često stradaju emocije i intima. Sve te \nnedoumice mlade junakinje, autorica je uspjela smjestiti u mediteranski kontekst \npelješačkih krajolika, ležerni filmski ton koji bi trebao uspješno komunicirati s \ngeneracijskom publikom. Pohvalno je ispreplitanje ljetnog vizualnog setupa s \nčesto razumljivim, a često i bolnim odlukama i akcijama glavne junakinje koja \nprolazi kroz seksualno oslobađanje, borbu s iskompleksiranošću, nedoumice i \nneizvjesnost koju odrastanje postavlja pred nju. Čini se da imamo potencijalno \njoš jedan atraktivan projekt o intimi mladih ljudi rađen na nehajan i \nneopterećeni način što bi mogao biti dobar ključ za razumijevanje kod publike.   \n \n  \n \n \n \n\n\f\n \n3. Dianina lista \nredateljica: Dana Budisavljević    \nscenaristice: Jelena Paljan, Dana Budisavljević    \nprodukcija: Hulahop d.o.o. za filmsku produkciju i usluge  \n \nKroz intimistički pristup analiziranja pothvata vlastite prezimenjakinje, u ovom \nprojektu se dotičemo tzv. \"visoke teme\" i to ga čini unikatnim u ovoj selekciji. \nMišljenja smo da je film vrlo moćno sredstvo za analizu svih mračnih strana iz \nhrvatske povijesti, a \"Dianina lista\" na jedan posve human način, \ndokumentarističkom objektivnošću priča upravo o najmračnijem slučaju, NDH \nlogorima te građanskoj hrabrosti da se suprostavi represivnom sistemu. Diana \nBudisavljević je osoba koja je spašavala pravoslavnu djecu iz ustaških logora i \nčinila je to kao osoba lišena bilo kakve ideologije, iz najviših humanih principa te \nje svojom akcijom uspjela spasiti 10 000 djece. Dana Budisavljević je spremna \nigrano-dokumentarnom kombinacijom napraviti vrlo atraktivan projekt koji će \nukazati na nedovoljno poznat slučaj hrabrosti i sposobnosti jednog pojedinca da \nse izdigne iznad svih strahova te djeluje za opće humano dobro i time ovaj \nprojekt postaje više nego univerzalan.  \n \nSNIMLJENI FILM:  \n \n4. Happy Endings \nredatelj: Darko Šuvak    \nscenarist: Darko Šuvak    \nprodukcija: Alka film d.o.o. \n \n\"Happy endings\" je u selekciji snimljenih filmova izdvojen kao uvjerljivo \nnajprofesionalnije napravljeno djelo te prateći priču grupe žena koje se odlučuju \nna pljačku, u filmu se naročito ističu glumice koje nose glavne uloge što je u \nmeđuvremeno i nagrađeno s 2 Zlatne Arene na ovogodišnjem Pulskom festivalu.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\nDUGOMETRAŽNI IGRANI FILMOVI  \n \n1. Ministarstvo ljubavi \nredatelj: Pavao Marinković    \nscenarist: Pavao Marinković    \nprodukcija: Telefilm d.o.o.  \n \nU cijeloj selekciji ovaj projekt se najviše ističe izvjesnim kino potencijalom na \ntragu uspješnih hrvatskih komedija posljednjih godina. Humor je najjača strana \n\"Ministarstva ljubavi\" koje prati glavnog lika koji kreće u lov na udovice \nhrvatskih branitelja kojima ako se dokaže da žive u izvanbračnoj zajednici, gube \npravo na mirovinu. Detaljno je analizirana suvremena Hrvatske koja zna biti \nduboko rastrgana između odjeka ratne prošlosti i snalaženja u EU članstvu. U \nprojektu koji bi se trebao snimati dosta na terenu, vrlo je jasno postavljen \nvizualni kod, sistem humora te karakterizacija i time jasno nastupa kao \nmainstream komedija za široki spektar gledateljstva, što su prepoznali i strani \nkoproducenti.     \n \n2. S one strane  \nredatelj: Zrinko Ogresta     \nscenaristi: Mate Matišić, Zrinko Ogresta    \nprodukcija: Inter film d.o.o. \n \n\"S one strane\" je psihološka filmska igra kojom Zrinko Ogresta nakon \n\"Projekcija\" nastavlja propitkivanje filmskih izražajnih sredstava u kreiranju \npriče, ovaj put uz pomoć scenarista Mate Matišića. Upravo spomenuta igra \nizmeđu dvoje glavnih karaktera daje glavnu snagu projektu i čini ga svježim \npristupom u analizi ratnih i postratnih rana u Hrvatskoj. Precizna \nkarakterizacija, jasni vizualni postupci, suptilnost redateljskih postupaka te \natmosfera daju garanciju ovom projektu za živahan festivalski put.  \n \n3. Comic Sans  \nredatelj: Nevio Marasović     \nscenaristi: Nevio Marasović, Rakan Rushaidat    \nprodukcija: Kinorama d.o.o. \n \nJoš jedan projekt koji se bavi intimnim životom mlađeg glavnog protagoniste koji \nse bori s vlastitim nedoumicama i traganjem, ovaj put preko rješavanja \nnedorečenih obiteljskih odnosa te uspostavljanjem pogubljenih spona. Radnja je \nsmještena većim dijelom na otoku Visu i uz mediteranskih štih, dobra strana je \nprisutna kombinacija humora i melankolije koji daje šansu projektu za kino \ngledanost. U ovogodišnjoj selekciji bit će zanimljivo pratiti puteve projekata \"Ne \ngledaj mi u pijat\", \"Aleksi\" i \"Comic Sansa\" pošto svaki na svoj način obrađuju \nslične teme suočavanja sa zrelošću, traženje izlaza te otkrivanja intime mlađih \nkaraktera.   \n \n \n \n \n\n\f\n4. Moj dida je vanzemaljac \nredatelji: Dražen Žarković, Marina Andree Škop     \nscenaristica: Irena Krčelić  \nprodukcija: Studio Dim d.o.o. \n \nNajatraktivniji projekt u žanru dječjeg filma ove selekcije, \"Moj dida \nvanzemaljac\" kombinira žanr SF-a, obiteljskog filma i pustolovnog filma i time \npostaje vrlo izvjestan novi kandidat za veliku kino gledanost u Hrvatskoj. Priča o \nobitelji kojoj posjeta neobičnog djeda mijenja situaciju nabolje spretno \nkombinira SF žanr i obiteljsku dramu, točnije zabavno i ozbiljno, tako da mu je \nzagarantirana i šira publika od ciljanog uzrasta 7-10 godina. Za svaku pohvalu je \nrazmišljanje o novim medijima u plasmanu i distribuciji projekta te suradnja s \nrenomiranim hrvatskim animatorima.  \n \n  \n \n \n \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":2014,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"DUGI IGRANI WEB.pdf","filename_decoded":"DUGI IGRANI WEB.pdf","sha256":"fe2b9c9be01e99fdf4133453fd92a9a97946f2a640fae5a0a12bcf9cfb6ba4e1","bytes":36244,"page_count":3,"extracted_at":"2026-05-17T12:01:36Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/DUGI%20IGRANI%20WEB.pdf"},"raw_text":"REZULTATI\t\r  JAVNOG\t\r  POZIVA\t\r  ZA\t\r  PROIZVODNJU\t\r  DUGOMETRAŽNIH\t\r  IGRANIH\t\r  FILMOVA\t\r  U\t\r  2018.\t\r  \nGODINI\t\r  –\t\r  2.\t\r  ROK\t\r  \nUmjetnički\t\r  savjetnici:\t\r  Pavao\t\r  Marinković\t\r  i\t\r  Nenad\t\r  Polimac\t\r  \n\t\r  \nNa\t\r  2.\t\r  rok\t\r  Javnog\t\r  poziva\t\r  za\t\r  proizvodnju\t\r  dugometražnih\t\r  igranih\t\r  filmova\t\r  u\t\r  2018.\t\r  godini\t\r  prijavilo\t\r  \nse\t\r  32\t\r  projekta,\t\r  od\t\r  toga\t\r  10\t\r  u\t\r  kategoriji\t\r  debitantskog\t\r  dugometražnog\t\r  filma,\t\r  22\t\r  u\t\r  kategoriji\t\r  \ndugometražnog\t\r  igranog\t\r  filma.\t\r  Od\t\r  ta\t\r  32\t\r  projekta,\t\r  3\t\r  projekta\t\r  od\t\r  kojih\t\r  su\t\r  dva\t\r  debitantska,\t\r  bili\t\r  \nsu\t\r   prijavljeni\t\r   za\t\r   potporu\t\r   za\t\r   postprodukciju.\t\r   Od\t\r   32\t\r   projekta\t\r   jedan\t\r   nije\t\r   razmatran\t\r   jer\t\r   ne\t\r  \nzadovoljava\t\r  uvjete\t\r  natječaja.\t\r  \t\r  \n\t\r  \nIako\t\r  se\t\r  ovaj\t\r  rok\t\r  ne\t\r  ističe\t\r  po\t\r  brojnosti\t\r  prijava,\t\r  po\t\r  kvaliteti\t\r  prijavljenih\t\r  projekata\t\r  ovo\t\r  je\t\r  bio\t\r  rok\t\r  \niznimno\t\r  visoke\t\r  kvalitete.\t\r  Zanimljiv\t\r  je\t\r  podatak\t\r  da\t\r  su\t\r  svi\t\r  projekti\t\r  predloženi\t\r  za\t\r  sufinanciranje\t\r  \nprošli\t\r  razvojne\t\r  stepenice\t\r  HAVC-­‐a,\t\r  što\t\r  svjedoči\t\r  o\t\r  koristi\t\r  koju\t\r  i\t\r  autori,\t\r  i\t\r  scenaristi\t\r  i\t\r  producenti\t\r  \nfilma\t\r  crpe\t\r  od\t\r  takvog\t\r  kreativnog\t\r  procesa.\t\r  \t\r  \n\t\r  \nZa\t\r  proizvodnju\t\r  dugometražnih\t\r  igranih\t\r  filmova\t\r  predlažemo\t\r  5\t\r  projekata\t\r  iskusnih\t\r  redatelja,\t\r  od\t\r  \nkojih\t\r  su\t\r  četiri\t\r  vrhunski\t\r  pripremljene\t\r  adaptacije\t\r  književnih\t\r  djela\t\r  suvremenih\t\r  hrvatskih\t\r  pisaca\t\r  –\t\r  \nZorana\t\r  Ferića,\t\r  Ivice\t\r  Prtenjače,\t\r  Ivora\t\r  Martinića\t\r  i\t\r  Josipa\t\r  Mlakića.\t\r  Dok\t\r  je\t\r  peti\t\r  predloženi\t\r  projekt\t\r  \nizuzetno\t\r  ambiciozan\t\r  autorski\t\r  projekt\t\r  dječjeg\t\r  filma.\t\r  \t\r  \n\t\r  \nU\t\r  užem\t\r  izboru\t\r  bila\t\r  su\t\r  još\t\r  tri\t\r  vrlo\t\r  kvalitetna\t\r  projekta.\t\r  Iako\t\r  izuzetno\t\r  atraktivni,\t\r  ti\t\r  projekti\t\r  po\t\r  \nsvojoj\t\r   dramaturškoj\t\r   zaokruženosti\t\r   ipak\t\r   ponešto\t\r   zaostaju\t\r   za\t\r   onima\t\r   predloženima\t\r   za\t\r  \nfinanciranje.\t\r   To\t\r   su\t\r   projekti\t\r   «E,\t\r   jebi\t\r   ga»\t\r   Rajka\t\r   Grlića\t\r   i\t\r   produkcijske\t\r   kuće\t\r   Interfilm\t\r   kojeg\t\r  \npredlažemo\t\r  za\t\r  promjenu\t\r  kategorije\t\r  i\t\r  sufinanciranje\t\r  razvoja\t\r  projekta.\t\r  Druga\t\r  dva\t\r  projekta\t\r  koja\t\r  \nveć\t\r  imaju\t\r  odobren\t\r  razvoj\t\r  projekta,\t\r  a\t\r  to\t\r  su\t\r  «Pred\t\r  zidom-­‐priča\t\r  o\t\r  Maksi\t\r  Vanki»\t\r  Mladena\t\r  Jurana\t\r  \ni\t\r  «Brijunska\t\r  priča»\t\r  Arsena\t\r  Antona\t\r  Ostojića\t\r  se\t\r  daju\t\r  na\t\r  dodatnu\t\r  scenarističku\t\r  doradu.\t\r  \t\r  \n\t\r  \nOd\t\r   deset\t\r   prijavljenih\t\r   debitantskih\t\r   projekata\t\r   kvalitetom\t\r   se\t\r   izdvojilo\t\r   čak\t\r   njih\t\r   šest,\t\r   ali\t\r   se\t\r  \numjetničkim\t\r   potencijalom\t\r   te\t\r   spremnošću\t\r   za\t\r   produkciju\t\r   izdvojio\t\r   jedino\t\r   projekt\t\r   «Tragovi»\t\r  \nDubravke\t\r  Turić\t\r  i\t\r  produkcijske\t\r  kuće\t\r  Kinorama.\t\r  Projekt\t\r  «Divljaci»\t\r  Darija\t\r  Lonjka\t\r  i\t\r  produkcijske\t\r  \nkuće\t\r  Alka\t\r  film\t\r  predlaže\t\r  se\t\r  za\t\r  sufinanciranje\t\r  u\t\r  kategoriji\t\r  razvoja\t\r  projekta.\t\r  \t\r  \n\t\r  \nOd\t\r  projekata\t\r  prijavljenih\t\r  u\t\r  fazi\t\r  postprodukcije\t\r  kvalitetom\t\r  se\t\r  izdvojio\t\r  novi\t\r  film\t\r  Damira\t\r  Čučića\t\r  \n«Ljetnikovac»\t\r  u\t\r  produkciji\t\r  kuće\t\r  Spiritus\t\r  Movens.\t\r  \t\r  \n\t\r  \nSMRT\t\r  DJEVOJČICE\t\r  SA\t\r  ŽIGICAMA,\t\r  redatelj:\t\r  Goran\t\r  Kulenović,\t\r  scenaristi:\t\r  Zoran\t\r  Ferić\t\r  i\t\r  Goran\t\r  \nKulenović,\t\r  producent:\t\r  Livada\t\r  produkcija\t\r  \t\r  \n3.800.000\t\r  HRK\t\r  \n\t\r  \nEkranizacija\t\r  bestselera\t\r  Zorana\t\r  Ferića\t\r  imponira\t\r  žanrovskom\t\r  sigurnošću\t\r  i\t\r  uspjelom\t\r  prilagodbom\t\r  \nknjige\t\r  filmu.\t\r  Radnja\t\r  se\t\r  odigrava\t\r  početkom\t\r  90-­‐ih\t\r  u\t\r  ratnu\t\r  jesen,\t\r  glavni\t\r  protagonist\t\r  je\t\r  zagrebački\t\r  \npatolog\t\r  koji\t\r  se\t\r  nakon\t\r  bračnog\t\r  brodoloma\t\r  vraća\t\r  na\t\r  otok\t\r  Rab,\t\r  mjesto\t\r  svoga\t\r  djetinjstva,\t\r  ali\t\r  se\t\r  i\t\r  \n\n\f\nprotiv\t\r  volje\t\r  upliće\t\r  u\t\r  slučaj\t\r  ubojstva\t\r  rumunjske\t\r  prostitutke,\t\r  zapravo\t\r  transrodne\t\r  osobe.\t\r  Vrlo\t\r  \ndobro\t\r  profilirani\t\r  likovi,\t\r  kojih\t\r  je\t\r  puno,\t\r  ali\t\r  to\t\r  ni\t\r  najmanje\t\r  ne\t\r  smeta,\t\r  napeta\t\r  fabula\t\r  i\t\r  neočekivani\t\r  \nobrati\t\r  tek\t\r  su\t\r  neki\t\r  od\t\r  aduta\t\r  što\t\r  će\t\r  privući\t\r  pažnju\t\r  gledatelja.\t\r  \t\r  \n\t\r  \nMALI\t\r   TESLA\t\r   I\t\r   KRADLJIVCI\t\r   IDEJA,\t\r   redatelj:\t\r   Petar\t\r   Orešković,\t\r   scenaristi:\t\r   Vanja\t\r   Obad\t\r   i\t\r   Petar\t\r  \nOrešković,\t\r  producent:\t\r  Jaako\t\r  dobra\t\r  produkcija\t\r  \t\r  \t\r  \t\r  \n3.800.000\t\r  HRK\t\r  \n\t\r  \nZasigurno\t\r  najbolji\t\r  projekt\t\r  za\t\r  djecu\t\r  i\t\r  mladež\t\r  koji\t\r  je\t\r  prijavljen\t\r  na\t\r  zadnjim\t\r  natječajima.\t\r  Naslovni\t\r  \njunak,\t\r  legendarni\t\r  izumitelj\t\r  Nikola\t\r  Tesla,\t\r  već\t\r  se\t\r  pojavljivao\t\r  u\t\r  domaćim\t\r  i\t\r  stranim\t\r  produkcijama,\t\r  \nkako\t\r  na\t\r  filmu\t\r  tako\t\r  i\t\r  na\t\r  televiziji,\t\r  međutim,\t\r  originalnost\t\r  pristupa\t\r  autora\t\r  filma\t\r  je\t\r  u\t\r  tome\t\r  što\t\r  on\t\r  \novdje\t\r  ima\t\r  samo\t\r  devet\t\r  godina,\t\r  a\t\r  o\t\r  njemu\t\r  ovisi\t\r  sudbina\t\r  cijelog\t\r  austrougarskog\t\r  carstva.\t\r  Radnja\t\r  \nse\t\r  odigrava\t\r  u\t\r  Gospiću\t\r  i\t\r  oko\t\r  njega,\t\r  utjecaj\t\r  serijala\t\r  o\t\r  malom\t\r  čarobnjaku\t\r  Harryju\t\r  Potteru\t\r  je\t\r  očit,\t\r  \nno\t\r  unatoč\t\r  tome\t\r  priča\t\r  je\t\r  krajnje\t\r  originalna,\t\r  kao\t\r  i\t\r  niz\t\r  maštovitih\t\r  likova\t\r  i\t\r  detalja\t\r  kakve\t\r  nikad\t\r  \nnismo\t\r  vidjeli\t\r  u\t\r  hrvatskoj\t\r  kinematografiji.\t\r  Bit\t\r  će\t\r  to\t\r  film\t\r  težak\t\r  za\t\r  realizaciju,\t\r  no\t\r  Petar\t\r  Orešković\t\r  \ni\t\r  ekipa\t\r  ponudili\t\r  su\t\r  dovoljno\t\r  jamstva\t\r  da\t\r  su\t\r  to\t\r  u\t\r  stanju\t\r  izvesti.\t\r  \n\t\r  \nBRDO,\t\r  redatelj:\t\r  Bruno\t\r  Gamulin,\t\r  scenaristi:\t\r  Bruno\t\r  Gamulin\t\r  i\t\r  Ivica\t\r  Prtenjača,\t\r  producent:\t\r  Inter\t\r  \nfilm\t\r  \n\t\r  \n\t\r  \n3.700.000\t\r  HRK\t\r  \n\t\r  \nJoš\t\r  jedna\t\r  ekranizacija\t\r  neospornog\t\r  bestselera\t\r  (autor\t\r  mu\t\r  je\t\r  koscenarist\t\r  Ivica\t\r  Prtenjača),\t\r  i\t\r  ovdje\t\r  \nse\t\r  radnja\t\r  odigrava\t\r  na\t\r  otoku\t\r  (ali\t\r  neimenovanom),\t\r  a\t\r  i\t\r  junak\t\r  je\t\r  došljak\t\r  iz\t\r  Zagreba.\t\r  On\t\r  u\t\r  novoj\t\r  \nsredini\t\r  traži\t\r  priliku\t\r  da\t\r  pronađe\t\r  pravog\t\r  sebe,\t\r  ono\t\r  prije\t\r  nikako\t\r  mu\t\r  nije\t\r  odgovaralo,\t\r  a\t\r  i\t\r  postavlja\t\r  \nsi\t\r  veliko\t\r  iskušenje\t\r  jer\t\r  prihvaća\t\r  posao\t\r  vatrogasnog\t\r  dobrovoljca\t\r  o\t\r  kojem\t\r  zapravo\t\r  nema\t\r  pojma.\t\r  \nJunak\t\r  je\t\r  uvijek\t\r  u\t\r  središtu\t\r  zbivanja,\t\r  oko\t\r  njega\t\r  je\t\r  nekolicina\t\r  zanimljivih\t\r  likova,\t\r  većina\t\r  ih\t\r  je\t\r  u\t\r  \nsrodstvu,\t\r  a\t\r  priroda\t\r  ima\t\r  jednako\t\r  važnu\t\r  ulogu\t\r  kao\t\r  i\t\r  ljudi.\t\r  Ključno\t\r  je\t\r  za\t\r  uspjeh\t\r  projekta\t\r  stvaranje\t\r  \nposebne\t\r  atmosfere,\t\r  što\t\r  je\t\r  redatelj\t\r  –\t\r  znajući\t\r  njegovu\t\r  filmografiju\t\r  –\t\r  u\t\r  stanju\t\r  ostvariti.\t\r  \n\t\r  \nLJUDI\t\r  NE\t\r  MOGU\t\r  LETJETI,\t\r  redatelj:\t\r  Zrinko\t\r  Ogresta,\t\r  scenarist:\t\r  Ivor\t\r  Martinić,\t\r  producent:\t\r  Inter\t\r  \nfilm\t\r  \n\t\r  \n\t\r  \n3.600.000\t\r  HRK\t\r  \n\t\r  \nFilmska\t\r  adaptacija\t\r  kazališnog\t\r  komada\t\r  „Drama\t\r  o\t\r  Mirjani\t\r  i\t\r  ovima\t\r  oko\t\r  nje“,\t\r  za\t\r  koju\t\r  je\t\r  scenarij\t\r  \nnapisao\t\r  sam\t\r  autor.\t\r  Zrinko\t\r  Ogresta\t\r  je\t\r  sudjelovao\t\r  u\t\r  radu\t\r  na\t\r  ekranizaciji,\t\r  ali\t\r  se\t\r  oslonio\t\r  na\t\r  svoj\t\r  \numjetnički\t\r  instinkt\t\r  da\t\r  ne\t\r  robuje\t\r  originalu.\t\r  Kako\t\r  sam\t\r  objašnjava\t\r  u\t\r  redateljskoj\t\r  eksplikaciji,\t\r  \nklonio\t\r  se\t\r  unaprijed\t\r  zadatih\t\r  koncepata,\t\r  ovaj\t\r  put\t\r  se\t\r  odlučio\t\r  za\t\r  „osluškivanje“\t\r  onoga\t\r  što\t\r  mu\t\r  nudi\t\r  \nmaterijal\t\r  i\t\r  uvjeren\t\r  je\t\r  da\t\r  je\t\r  u\t\r  stanju\t\r  napraviti\t\r  kompleksnu\t\r  dramu\t\r  u\t\r  čijem\t\r  je\t\r  središtu\t\r  junakinja\t\r  \nMirjana\t\r  i\t\r  ljudi\t\r  oko\t\r  nje,\t\r  ne\t\r  samo\t\r  obitelj\t\r  nego\t\r  i\t\r  oni\t\r  s\t\r  kojima\t\r  je\t\r  u\t\r  bliskim\t\r  odnosima.\t\r  Martinićev\t\r  \noriginalni\t\r   predložak\t\r   pretrpio\t\r   je\t\r   dosta\t\r   izmjena,\t\r   međutim,\t\r   to\t\r   nije\t\r   loše\t\r   jer\t\r   je\t\r   polazište\t\r   za\t\r  \nuzbudljivu\t\r  filmsku\t\r  pustolovinu.\t\r  \n\n\f\nBOŽJI\t\r  GNJEV,\t\r  redatelj:\t\r  Kristijan\t\r  Milić,\t\r  scenarist:\t\r  Josip\t\r  Mlakić,\t\r  producent:\t\r  Eurofilm\t\r  \t\r  \n3.000.000\t\r  HRK\t\r  \n\t\r  \nZa\t\r  razliku\t\r  od\t\r  njihovog\t\r  prethodnog\t\r  zajedničkog\t\r  projekta\t\r  „Mrtve\t\r  ribe“,\t\r  vrlo\t\r  zahtjevne\t\r  poratne\t\r  \ndrame,\t\r  novi\t\r  pothvat\t\r  tandema\t\r  Milić-­‐Mlakić\t\r  punokrvni\t\r  je\t\r  ratni\t\r  triler,\t\r  financijski\t\r  podržan\t\r  od\t\r  \nfonda\t\r   za\t\r   kinematografiju\t\r   kantona\t\r   Sarajevo.\t\r   Protagonist\t\r   je\t\r   borac\t\r   HVO-­‐a\t\r   koji\t\r   pokušava\t\r  \nrasvijetliti\t\r  zagonetku\t\r  zašto\t\r  mu\t\r  je\t\r  brat\t\r  stradao\t\r  na\t\r  opasnom\t\r  ratnom\t\r  zadatku.\t\r  Fabula\t\r  je\t\r  vrlo\t\r  \npregledno\t\r  izložena,\t\r  ima\t\r  puno\t\r  lokacija,\t\r  kako\t\r  u\t\r  Hrvatskoj\t\r  tako\t\r  i\t\r  u\t\r  BiH,\t\r  pa\t\r  je\t\r  za\t\r  očekivati\t\r  film\t\r  koji\t\r  \nima\t\r  izvjesni\t\r  komercijalni\t\r  potencijal\t\r  u\t\r  domaćim\t\r  kinima,\t\r  ali\t\r  i\t\r  šanse\t\r  za\t\r  međunarodni\t\r  festivalski\t\r  \nplasman.\t\r  \n\t\r  \nfilm\t\r  prijavljen\t\r  u\t\r  postprodukcijskoj\t\r  fazi\t\r  \t\r  \nLJETNIKOVAC,\t\r  redatelj\t\r  i\t\r  scenarist:\t\r  Damir\t\r  Čučić,\t\r  producent:\t\r  Spiritus\t\r  Movens\t\r  \n\t\r  \n200.000\t\r  HRK\t\r  \n\t\r  \nRedatelj\t\r  nas\t\r  bez\t\r  dodatnih\t\r  informacija\t\r  ubacuje\t\r  u\t\r  razgovore\t\r  koje\t\r  vodi\t\r  protagonist\t\r  (Vojin\t\r  Perić):\t\r  \nnaizgled\t\r  se\t\r  on\t\r  doima\t\r  kao\t\r  psihijatar,\t\r  no\t\r  produkcijske\t\r  obavijesti\t\r  definiraju\t\r  ga\t\r  kao\t\r  poluslijepog\t\r  \nsnimatelja\t\r  radio\t\r  drama,\t\r  zainteresiranog\t\r  za\t\r  prva\t\r  seksualna\t\r  iskustva\t\r  svojih\t\r  sugovornika.\t\r  Cjelina\t\r  \nse\t\r  sastoji\t\r  iz\t\r  tri\t\r  takva\t\r  razgovora.\t\r  Film\t\r  je\t\r  efektno\t\r  snimljen,\t\r  otvoren\t\r  za\t\r  različita\t\r  tumačenja,\t\r  i\t\r  \npredstavlja\t\r  vrlo\t\r  zanimljiv\t\r  izdanak\t\r  hrvatskog\t\r  nezavisnog\t\r  filma.\t\r  \n\t\r  \n\t\r  \nDEBITANTSKI\t\r  DUGOMETRAŽNI\t\r  IGRANI\t\r  FILM\t\r  \t\r  \nTRAGOVI,\t\r  scenaristica\t\r  i\t\r  redateljica\t\r  Dubravka\t\r  Turić,\t\r  producent\t\r  KINORAMA\t\r  \n3.000.000\t\r  HRK\t\r  \n\t\r  \nProjekt\t\r  «Tragovi»,\t\r  iznimno\t\r  je\t\r  zanimljiva,\t\r  začudnim\t\r  filmskim\t\r  jezikom\t\r  ispripovijedana\t\r  priča\t\r  o\t\r  \nproblemima\t\r  sredovječne\t\r  znanstvenice\t\r  nakon\t\r  smrti\t\r  oca.\t\r  Istovremeno\t\r  to\t\r  je\t\r  priča\t\r  o\t\r  konačnom\t\r  \nprihvaćanju\t\r  sebe\t\r  i\t\r  vlastite\t\r  prolaznosti\t\r  koja\t\r  začinjena\t\r  mudrom\t\r  melankolijom\t\r  diskretno\t\r  nudi\t\r  \noptimizam.\t\r   To\t\r   je\t\r   projekt\t\r   međunarodno\t\r   najuspješnije\t\r   hrvatske\t\r   autorice\t\r   kratkih\t\r   filmova\t\r  \nDubravke\t\r  Turić\t\r  (Belladona,\t\r  Trešnje),\t\r  koja\t\r  je\t\r  ovom\t\r  verzijom\t\r  scenarija\t\r  pronašla\t\r  estetski\t\r  ključ\t\r  za\t\r  \notkrivanje\t\r  dubokih\t\r  napuknuća\t\r  ljudske\t\r  duše.\t\r  \t\r  \t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_TV_razvoj_2021_2rok_9IX2021_WEB.pdf","filename_decoded":"Obrazlozenje_TV_razvoj_2021_2rok_9IX2021_WEB.pdf","sha256":"fe5af02212f7640244f02f4fb20483548336488d108855426483cbb44f95b6fb","bytes":163696,"page_count":7,"extracted_at":"2026-05-17T12:02:00Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_TV_razvoj_2021_2rok_9IX2021_WEB.pdf"},"raw_text":"REZULTATI JAVNOG POZIVA ZA POTICANJE \nAUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA   \nu kategoriji:   \n \n \nRazvoj scenarija i razvoj projekata serijskih televizijskih \ndjela u 2021. godini - 2. ROK (9.rujna 2021.) \n \n \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE \nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA \n \n \nNa javni poziv za poticanje razvoja projekata prijavljeno je 19 radova, a na javni poziv za \npoticanje razvoja scenarija 49 radova.  \n \nZa dodjelu sredstava u kategoriji razvoja TV projekata predloženo je četiri rada, od čega \ndvije dramske, jedna humoristična i jedna dokumentarna serija.  \n \nU kategoriji razvoja scenarija serijskih TV djela predloženo je deset radova od čega \nsedam dramskih i tri dokumentarna.  \n \nUkupni iznos sredstava je 680.000 kuna. \n \nPresjek i veliki broj prijavljenih radova u ponovno uvedenoj kategoriji poticanja razvoja \nscenarija svjedoči o živosti ovog pomalo zanemarenog dijela AV scene, pri čemu posebno \nraduje pojava brojnih, vrlo kvalitetnih i profesionalno priređenih debitantskih radova. \n \nKategorija razvoja projekata serijskih tv djela, iako ovaj put ponešto skromnija obujmom, \nnastavlja pozitivni trend znatno kvalitetnije dramske razrade materijala, također razvidno je \nkako producenti već u startu imaju vrlo jasnu i, najčešće, prilično točnu ideju o stvarnim \nmogućnostima daljnjeg razvoja i plasmana svakog pojedinog projekta. \n \n \n \n \n \n \n \nSaša Runjić, \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \numjetnički savjetnik HAVC-a \n \n \n \n \n \nza razvoj televizijskih djela  \n \n \n \n \n \n \n \n \n \n\n\f\nRAZVOJ PROJEKATA SERIJSKIH TV DJELA \n \n \n1.  Televizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta \n \n \n1.1  \n 12 KORAKA \n(12x25 min.)  \n \n \n \n \n80.000 \n \n \n \n \n \nProducent: Kabinet d.o.o. \nScenarist i redatelj: Tomislav Mršić \n \n \n12 koraka je humoristična serija o životu glumca Hrvoja Kečkeša nakon liječenja od \nalkoholizma. Dramaturški postavljena kao parafraza dvanaest stepenica u liječenju \novisnosti prema protokolu udruga anonimnih alkoholičara, ova serija potencijalno je \nosvježenje na trpkoj domaćoj sceni humorističnih sadržaja. Posebno je dojmljiv autorski \npristup liku glavnog junaka, ujedno i glavnog glumca serije koji je istovremeno i topao i \nduboko ljudski, a opet vrlo ironičan i zajedljiv, što projektu daje visoki potencijal razvoja \nkomičnog. \n \n \n2.  Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n \n \n \n2.1  \n LOVAC SAKUPLJAČ (8x26 min.) \n \n \n \n \n \n50.000 \n \n \n \n \n \nProducent: Metar 60 \nScenaristica i redateljica: Neda Hana Radić  \n \n \nDokumentarni serijal koji se bavi evolucijom čovjeka odnosno time kako se hranimo, \nodijevamo, spavamo, stanujemo, hodamo i kakve nam to probleme donosi.  \nVrlo zanimljiv, u našim okvirima i inovativan koncept dokumentarnog serijala o svjesnim i \nnesvjesnim vezama suvremenog čovjeka sa svojom prirodom, odnosno evolutivnim \nfiziološkim statusom, koji je u mnogočemu neprilagođen današnjem načinu života, a \npogotovo sve brojnijim, sve ugodnijim a istovremeno sve agresivnijim tekovinama \ncivilizacije.   \n \n \n \n \n \n \n\n\f\n3. Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n \n \n \n3.1 \n DAL' SE SJETIŠ NEKAD MENE  (8x52min.)  \n \n \n100.000 \n \n \n \n \n \nProducent: Drugi plan d.o.o. \nRedatelj: Hrvoje Hribar \nScenaristica: Sandra Antolić \n \n \nBiografska drama o flambojantnom zagorskom kradljivcu i ubojici Vinku Pintariću, jednom \nod najvećih zvijezda crnih kronika kasnog socijalizma, nadrasta čvrsto i suvereno \npostavljene žanrovske okvire i postaje potencijalna freska vremena i društva koje ga je \niznjedrilo. Vrlo složen i kvalitetno postavljen, scenarij se dosljedno organizira oko svog \ntemeljnog dramskog okvira, niti na tren ne upadajući u konceptualnu samodopadnost, pa \nje sasvim izvjesno da će ovaj dramski serijal uspješno dopirati do svih slojeva \ngledateljstva.  \n \n \n \n3.2 \n PUTOVI PRAVDE (5x52min.) \n \n \n \n \n \n \n80.000 \n \n \n \n \n \nProducent: MedVid produkcija d.o.o. \nRedatelj: Arsen Oremović \nScenaristi: Ivana Gudelj i Arsen Oremović \n \n \nPetodijelni kriminalistički serijal čija je radnja smještena u odvjetnički ured. Kvalitetan \nžanrovski predložak koji autorski osviješteno pretendira biti i širom slikom odnosa u \ndruštvu. Radnja je pomno i logično razvedena, suvereno vođena na više paralelnih razina, \nkarakterizacija likova također je vrlo bogata i kvalitetno razrađena. \nProjekt ima visoki potencijal realizacije. \n \n \n \n \n \n \n \n \n \n \n \n \n\n\f\nRAZVOJ SCENARIJA SERIJSKIH TV DJELA \n \n \n1.  Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta \n \n \n1.1  \nINFODEMIJA (3x52 min)  \n \n \n \n \n \n \n30.000\n \n \n \n \n \n \n \n \nscenarist: Hrvoje Mabić \n \n \nTrodijelni dokumentarni serijal o fenomenu lažnih vijesti koji u suvremenom svijetu i \nnjegovom visoko sofisticiranom medijskom okruženju postaje jedna od dominantnih \nprijetnji temeljnim načelima i vrijednostima suvremene civilizacije. Projekt je kvalitetno \npostavljen, tematski je nesporno aktualan i važan. Sugeriramo autoru da težište još više \npomakne ka domaćim primjerima, a da svjetske, ionako naširoko elaborirane i poznate, \nkoristi više kao referencijalni okvir.  \n \n \n1.2  \nHRVATSKE GASTRO IKONE (20x24 min) \n \n \n \n \n30.000\n \n \n \n \n \n \n \n \nproducent: Behemot d.o.o. \n \nscenarist: Ivan Živković \n \n \nDokumentarni putopisni serijal o najpoznatijim i identifikacijski najvažnijim pojmovima i \nsirovinama hrvatske gastronomije, znatno nadilazi žanrovski okvir i predstavlja \nkulturološku studiju o tradiciji i povijesti ovih prostora. Upravo ta potencijalna dodatna \nvrijednost izdiže ga iz mase sličnih projekata.  \n \n \n1.3 \nLJUDI I PREDMETI (4x50 min)  \n \n \n \n \n \n30.000\n \n \n \n \n \n \n \n \nredatelj: Saša Ban \n \nscenaristi: Ivana Borovnjak I Maroje Mrduljaš \n \n \n \nDokumentarni serijal koji problemskom analizom četiri velika uspješna primjera hrvatske \narhitekture, urbanizma i produkt dizajna druge polovice 20. stoljeća zahvaća puno šire od \ntemeljnog prosedea kunsthistoričarske monografije i postaje ne samo plastičan prikaz \njednog prošlog vremena nego i kritika našeg odnosa prema baštini ali i skromnih \nsuvremenih dosega na tim poljima.  \nTeorijska i povijesna upućenost autora u temu garancija su za razvoj kvalitetnog i važnog \nserijala za kojeg se nadamo kako će pronaći put do realizacije. \n \n\n\f\n \n \n2. Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja su \nnamijenjena prvenstveno televizijskom prikazivanju \n \n \n2.1  \nBILJEŽNICA (5x52 min)  \n \n \n \n \n \n40.000 \n \n \n \n \n \n \n \nscenarist: Igor Mirković \n \n \nDramska serija o običnom, bezbojnom, \"čovjeku bez svojstava\", čiji se život mijenja kad \npronalazi bilježnicu u kojoj je ispisana njegova sudbina, odnosno svi predstojeći događaji. \nČesto korišteni motiv jedne jedine fantastične premise na kojoj se potom temelji cijeli \nzaplet ovdje je primijenjen vrlo uspješno i nadahnuto.  \nDobro postavljeni okvir već u treatmentu pokazuje potencijal razvoja raskošne društvene \nfreske koja evidentno stoji u podtekstu projekta.  \n \n \n \n2.2  \nBUDA BAR  (6x52 min) \n \n \n \n \n \n \n40.000 \n \n \n \n \n \n \n \nscenaristica: Dora Šustić \n \n \nDramska serija o uspješnoj kirurginji, koja nakon što otkrije da je kći njezine \nnajbolje prijateljice prostitutka, postaje sudionica policijske istrage prostitucijskoga lanca \nčije je glavno poprište zloglasni noćni klub Buda Bar.  \nŽanrovski kvalitetno postavljen okvir ovdje služi za portretiranje galerije vrlo slojevitih \nlikova i, šire, slike društva ogrezlog u korupciju, nemoral i nedostatak osnovne ljudske \nempatije. Pa ipak podtekst ne nadvladava temeljni dramski okvir, pa projekt, sudeći prema \npredočenom materijalu, ostaje čvrsto ukotvljen u žanr kriminalističke serije s antijunakom u \nsredištu.  \n \n \n \n2.3  \nGRANIČNI DOMET   \n(10x52 min)  \n \n \n \n \n40.000\n \n \n \n \n \n \n \nscenaristica: Mateja Posedi \n \nKriminalistički dramski serijal s temom osvete o dvije mlade žene koje stjecajem nesretnih \nokolnosti bivaju uronjene u sukob s kriminalnim miljeom. Poznati podžanr osvetničkog \nkrimića u kojima obični čovjek neočekivano pokazuje velike sposobnosti u suočenju s \nnaoko nepobjedivim surovim, beskrupuloznim kriminalcima, omiljeni je holivudski motiv. \nOvdje je iskorišten vrlo korektno u razvoju priče za koju mislimo kako ima potencijala biti \nbogatije razvedena s dubljim poniranjem u likove dviju glavnih junakinja što je osnovni \nidentifikacijski element za najširu publiku. Projekt je svakako vrijedan daljnjeg razvoja. \n \n \n\n\f\n2.4  \nKAMENA PRAŠINA   \n(6x50 min) \n \n \n \n \n \n40.000\n \n \n \n \n \n \n \n \n \n \nproducent: Antitalent d.o.o. \n \nscenarist: Ivica Đikić \n \nŠestodijelna dramska serija o posljednjih šest mjeseci života mladog fotografa Pave \nUrbana, jedne od najupečatljivijih ikona Domovinskog rata, dramski je izazovna i vrlo \ndirljiva priča o ratu, ljubavi i smrti.  \nDokumentarizam na kojemu počiva dramska radnja ovdje je promišljeno iskorišten kao \ntemelj za poetičko-stilski okvir u kojem se naoko hladno nizanje činjenica, onako kako su \nse događale, zapravo koristi za tkanje jedne vrlo intimne freske prepune protagonista s \nkojima se lako možemo emocionalno identificirati. \n \n \n \n \n2.5  \nPODMETAČI LEŠEVA   \n(8x52 min) \n \n \n \n \n \n40.000\n \n \n \n \n \n \n \n \nscenarist: Ivo Balenović \nredatelj: Goran Rukavina \n \nMračna, osmodijelna dramska serija o organiziranom kriminalu u hrvatskom zdravstvenom \nsustavu, temelji se na stvarnim događajima, čime zastrašujući niz događaja opisan u \ntreatmentu posve naturalistički, dodatno dobija na jezivoj težini.  \nAutoru dobro poznati svijet zdravstva oslikan je kao svijet bez ikakvog morala i empatije i \nsasvim je na tragu njegovih prethodnih radova (Ljudožder vegetarijanac). Projekt ima \nvisoki potencijal razvoja u kvalitetnu dramsku seriju. \n \n \n \n \n2.6  \nPROFESOR   \n(10x55 min)  \n \n \n \n \n \n40.000\n \n \n \n \n \n \n \n \nscenarist: Hrvoje Sadarić \n \nDesetodijelna kriminalistička serija o povučenom srednjoškolskom profesoru etike, \nserijskom ubojici čije su žrtve kriminalci koje je policijski i pravosudni aparat propustio \nadekvatno kazniti. Poznata holivudska \"vigilanti\" premisa relativna je novost na domaćoj \nsceni žanrovskih krimića, a ovdje je vrlo korektno primijenjena  i uronjena u lokalni kolorit. \nTreatment ima potencijal razviti se u slojevitu i napetu priču koja je, u svjetlu javne \nrasprave o disfunkcionalnosti hrvatskog pravosuđa, i vrlo aktualna. \n \n \n \n \n \n \n\n\f\n \n2.7  \nSIVA ZONA   (6x50 min) \n \n \n \n \n \n \n \n40.000\n \n \n \n \n \n \n \n \n \n \nscenarist: Emir Imamović \n \nNetom osnovani specijalni policijski odjel sastavljen od provjerenih, nekorumpiranih \ndetektiva okončava istragu protiv mračnog šefa zločinačke organizacije koji je dosada \nuspješno eskivirao brojne pokušaje policije i pravosuđa da ga pospreme u zatvor... \n\"Hardboiled\" serija o organiziranom kriminalu, zapletom je nalik na \"Nedodirljive\", a po \ndramskom pismu na \"Žicu\". Žanrovski besprijekorno postavljena mreža karaktera ne \niscrpljuje se u banalnom; motivacija likova je uvjerljiva a niz povezanih dramskih radnji \nlogičan. Predočeni materijal daje za vjerovati kako će realizirani scenarij biti vrijedan \ndoprinos domaćoj žanrovskoj tv produkciji. \n \n \n \n \n \n \no o o \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"tv_djela","year":2021,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"REZULTATI dugi igrani 1.rok 2015.pdf","filename_decoded":"REZULTATI dugi igrani 1.rok 2015.pdf","sha256":"fe972ac341a27b04c030eb55a70746b361f32ba75176ece0c6c9d27515b38bd2","bytes":334361,"page_count":1,"extracted_at":"2026-05-17T10:24:06Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/REZULTATI%20dugi%20igrani%201.rok%202015.pdf"},"raw_text":" \n \n \n \n \n \n \nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - \nkategorija: POTICANJE PROIZVODNJE AUDIOVIZUALNIH DJELA u \n2015. - 1. 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kn","section_total":17800000.0}],"totals":{"ukupno_text":null,"ukupno":17800000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":17800000.0,"ukupno_match":true,"row_count":5,"awarded_count":5,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":5}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"proizvodnja web animirani obrazlozenje 17062019.pdf","filename_decoded":"proizvodnja web animirani obrazlozenje 17062019.pdf","sha256":"fe97b08a90bcb83aa88d684eb42bb736bbc8ac076115b3fe3fd0119e5503fa1f","bytes":31100,"page_count":2,"extracted_at":"2026-05-17T12:01:46Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/proizvodnja%20web%20animirani%20obrazlozenje%2017062019.pdf"},"raw_text":"JAVNI\t\r  POZIV\t\r  ZA\t\r  POTICANJE\t\r  AUDIOVIZUALNIH\t\r  DJELATNOSTI\t\r  I\t\r  STVARALAS3TVA\t\r  U\t\r  \n2019.\t\r  GODINI\t\r  \n\t\r  \nKategorija:\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  \nRok:\t\r  17.\t\r  lipnja\t\r  2019.\t\r  \n\t\r  \nNa\t\r  prvi\t\r  natječajni\t\r  rok\t\r  javnog\t\r  poziva\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  u\t\r  \n2019.\t\r  godini\t\r  prijavljeno\t\r  je\t\r  i\t\r  razmatrano\t\r  sveukupno\t\r  sedamnaest\t\r  (17)\t\r  projekata.\t\r  \t\r  \n\t\r  \nOd\t\r  ukupnog\t\r  broja\t\r  projekata,\t\r  njih\t\r  čak\t\r  devet\t\r  (9)\t\r  prijave\t\r  su\t\r  debitanata\t\r  u\t\r  kategoriji\t\r  \nprofesionalnog\t\r  autorskog\t\r  animiranog\t\r  filma.\t\r  Prema\t\r  toj\t\r  brojci\t\r  i\t\r  prema\t\r  prijavljenim\t\r  \nmaterijalima,\t\r  za\t\r  zaključiti\t\r  je\t\r  da\t\r  hrvatskoj\t\r  sceni\t\r  animiranog\t\r  filma\t\r  ne\t\r  nedostaje\t\r  \nnovih\t\r  autorskih\t\r  snaga.\t\r  Osim\t\r  mlađih\t\r  generacija\t\r  profesionalnih\t\r  animatora,\t\r  \nnekoliko\t\r  debitantskih\t\r  prijava\t\r  dolazi\t\r  i\t\r  od\t\r  filmskih\t\r  profesionalaca\t\r  drugih\t\r  \nusmjerenja\t\r  te\t\r  umjetnika\t\r  iz\t\r  sfere\t\r  književnosti,\t\r  slikarstva\t\r  te\t\r  kazališnog\t\r  \t\r  rada.\t\r  \t\r  \n\t\r  \nPrijavljeni\t\r  projekti\t\r  obuhvaćaju\t\r  širok\t\r  spektar\t\r  animacijskih\t\r  tehnika\t\r  i\t\r  pristupa,\t\r  \nmeđutim,\t\r  tehnika\t\r  2D\t\r  digitalne\t\r  animacije\t\r  i\t\r  dalje\t\r  je\t\r  uvjerljivo\t\r  najdominantnija.\t\r  \nTakođer,\t\r  specifično\t\r  za\t\r  ovaj\t\r  rok\t\r  je\t\r  i\t\r  da\t\r  osim\t\r  originalnih\t\r  scenarija\t\r  postoji\t\r  i\t\r  veći\t\r  broj\t\r  \nadaptacija\t\r  već\t\r  postojećih\t\r  literarnih\t\r  radova.\t\r  S3to\t\r  se\t\r  tiče\t\r  pretpostavljene\t\r  publike,\t\r  \nprijavljeni\t\r  projekti\t\r  i\t\r  dalje\t\r  većinski\t\r  tendiraju\t\r  prema\t\r  odrasloj\t\r  i\t\r  to\t\r  najviše\t\r  \nfestivalskoj\t\r  publici.\t\r  \nOvaj\t\r  natječajni\t\r  rok\t\r  je\t\r  vrlo\t\r  ugodno\t\r  iznenađenje\t\r  u\t\r  vidu\t\r  presjeka\t\r  sveukupne\t\r  \numjetničke\t\r  i\t\r  stvaralačke\t\r  \"snage\"\t\r  aktualne\t\r  scene\t\r  animiranog\t\r  filma.\t\r  Konceptualno,\t\r  \nvizualno\t\r  i\t\r  sadržajno\t\r  \"jake\"\t\r  prijave\t\r  već\t\r  dokazanih\t\r  autora\t\r  \"izbrušenih\"\t\r  rukopisa\t\r  te\t\r  \njednako\t\r  zanimljive\t\r  prijave\t\r  mlađih\t\r  autora\t\r  koji\t\r  tek\t\r  ulaze\t\r  u\t\r  svoj\t\r  stvaralački\t\r  forte\t\r  \nobećavaju\t\r  da\t\r  će\t\r  nadolazeće\t\r  vrijeme\t\r  biti\t\r  vrlo\t\r  plodnosno\t\r  za\t\r  hrvatski\t\r  film.\t\r  \nOd\t\r  predloženih\t\r  projekata\t\r  već\t\r  iskusnijh\t\r  autora\t\r  tu\t\r  su\t\r  AQUALIA\t\r  Vladislava\t\r  \nKneževića,\t\r  film\t\r  koji\t\r  se\t\r  bavi\t\r  tematikom\t\r  odnosa\t\r  čovjeka\t\r  i\t\r  tehnologije;\t\r  priča\t\r  je\t\r  to\t\r  \nkoja\t\r  se\t\r  odvija\t\r  \t\r  u\t\r  znanstveno-­‐‑istraživačkom\t\r  centru\t\r  za\t\r  testiranje\t\r  podvodne\t\r  \nrobotike.\t\r  Iako\t\r  se\t\r  čini\t\r  da\t\r  vježba\t\r  protječe\t\r  pretpostavljenim\t\r  tokom,\t\r  ubrzo\t\r  dolazi\t\r  do\t\r  \niznenadnih\t\r  i\t\r  potencijalno\t\r  vrlo\t\r  kobnih\t\r  promjena\t\r  koje\t\r  istraživači\t\r  nisu\t\r  mogli\t\r  \npredvidjeti.\t\r  \n\t\r  \nVeć\t\r  renomirani\t\r  autor\t\r  srednje\t\r  generacije\t\r  Danijel\t\r  Žeželj\t\r  pripremio\t\r  je\t\r  projekt\t\r  \nSAKUPLJAČ\t\r  kojim\t\r  postavlja\t\r  uvijek\t\r  aktualno\t\r  pitanje\t\r  traženja\t\r  smisla\t\r  i\t\r  ravnoteže\t\r  \nizmeđu\t\r  inherentno\t\r  organske\t\r  prirode\t\r  čovjeka\t\r  i\t\r  često\t\r  vrlo\t\r  anorganskog\t\r  urbanog\t\r  \nnačina\t\r  života.\t\r  Nježnim\t\r  sugestijama,\t\r  jakim\t\r  scenama\t\r  i\t\r  vrlo\t\r  zanimljivo\t\r  razrađenom\t\r  \nzvučnom\t\r  slikom,\t\r  Z3eželj\t\r  u\t\r  svom\t\r  karakterističnom\t\r  stilu\t\r  gradi\t\r  priču\t\r  o\t\r  neobičnom\t\r  \nsakupljaču\t\r  zvukova\t\r  koja\t\r  je\t\r  istovremeno\t\r  i\t\r  vrlo\t\r  poetična\t\r  i\t\r  poentom\t\r  jasna.\t\r  \n\t\r  \nProjekt\t\r  PISMA\t\r  NA\t\r  KRAJU\t\r  ŠUME\t\r  je\t\r  adaptacija\t\r  istoimene\t\r  slikovnice\t\r  čija\t\r  je\t\r  \nautorica\t\r  dramaturginja\t\r  mlađe\t\r  generacije\t\r  Jasna\t\r  Žmak.\t\r  Uspješna\t\r  suradnja\t\r  sa\t\r  \nilustratoricom\t\r  slikovnice\t\r  Jelenom\t\r  Oroz\t\r  nastavlja\t\r  se\t\r  u\t\r  vidu\t\r  filma\t\r  za\t\r  djecu\t\r  u\t\r  \nkojem\t\r  Oroz\t\r  ovog\t\r  puta,\t\r  uz\t\r  dizajn\t\r  vizuala\t\r  i\t\r  animaciju,\t\r  preuzima\t\r  i\t\r  funkciju\t\r  \nredateljice\t\r  filma.\t\r  Iznimno\t\r  simpatičan\t\r  film,\t\r  i\t\r  edukativnog\t\r  i\t\r  zabavnog\t\r  karaktera,\t\r  \n\n\f\nprati\t\r  grupu\t\r  šumskih\t\r  životinja\t\r  koje\t\r  pokušavaju\t\r  dokučiti\t\r  kako\t\r  se\t\r  snaći\t\r  u\t\r  čitanju\t\r  i\t\r  \npisanju\t\r  bez\t\r  pohlepne\t\r  Sove,\t\r  jedine\t\r  koja\t\r  u\t\r  šumi\t\r  poznaje\t\r  slova.\t\r  \n\t\r  \nOvaj\t\r  puta\t\r  su\t\r  za\t\r  potporu\t\r  predložena\t\r  dva\t\r  projekta\t\r  debitanata\t\r  u\t\r  ovoj\t\r  kategoriji.\t\r  \nJedan\t\r  od\t\r  njih\t\r  je\t\r  MEĐU\t\r  NAMA,\t\r  film\t\r  mlade\t\r  autorice\t\r  Petre\t\r  Balekić\t\r  koja\t\r  je\t\r  svojim\t\r  \nstudentskim\t\r  filmovima\t\r  već\t\r  postigla\t\r  zapažene\t\r  uspjehe.\t\r  Ovaj\t\r  tematikom\t\r  vrlo\t\r  \nozbiljan\t\r  film\t\r  (zlostavljanje\t\r  u\t\r  obitelji)\t\r  svojom\t\r  detaljnom\t\r  pripremom\t\r  i\t\r  pomno\t\r  \nrazrađenim\t\r  scenarijem\t\r  i\t\r  vizualima\t\r  pokazuje\t\r  da\t\r  je\t\r  autorica\t\r  spremna\t\r  na\t\r  \nrealizaciju\t\r  prvog\t\r  profesionalnog\t\r  filma.\t\r  \t\r  Priča\t\r  prati\t\r  mladu\t\r  ženu\t\r  koja\t\r  se\t\r  zbog\t\r  \niznenadne\t\r  bolesti\t\r  oca\t\r  vraća\t\r  u\t\r  rodni\t\r  grad\t\r  te\t\r  je\t\r  primorana\t\r  suočiti\t\r  se\t\r  sa\t\r  sjećanjima\t\r  \nzbog\t\r  kojih\t\r  je\t\r  grad\t\r  inicijalno\t\r  i\t\r  napustila.\t\r  \t\r  \t\r  \n\t\r  \nDrugi\t\r  debitantski\t\r  film\t\r  je\t\r  SFERA\t\r  autora\t\r  Manuela\t\r  Šumberca.\t\r  Iako\t\r  debitant\t\r  u\t\r  \nkategoriji,\t\r  autor\t\r  je\t\r  već\t\r  mnogostruko\t\r  ostvaren\t\r  animator\t\r  i\t\r  ilustrator\t\r  što\t\r  pokazuje\t\r  i\t\r  \nsama\t\r  precizno\t\r  i\t\r  pomno\t\r  napravljena\t\r  priprema\t\r  ovog\t\r  iznimno\t\r  zanimljivog\t\r  projekta.\t\r  \nPriča\t\r  je\t\r  to\t\r  o\t\r  pomicanju\t\r  vlastitih\t\r  granica,\t\r  o\t\r  izlasku\t\r  iz\t\r  zone\t\r  ugodnosti,\t\r  o\t\r  hrabrosti\t\r  \nkoja\t\r  je\t\r  potrebna\t\r  za\t\r  to\t\r  i\t\r  iznad\t\r  svega,\t\r  priča\t\r  o\t\r  neminovoj\t\r  povezanosti\t\r  svih\t\r  bića\t\r  i\t\r  \npojava.\t\r  Prekrasni\t\r  vizuali\t\r  i\t\r  neobična,\t\r  jedinstvena\t\r  i\t\r  istovremeno\t\r  univerzalna\t\r  priča\t\r  \no\t\r  malom\t\r  Iou\t\r  koji\t\r  obitava\t\r  unutar\t\r  jednako\t\r  \"žive\"\t\r  Sfere,\t\r  obećavaju\t\r  film\t\r  koji\t\r  bi\t\r  \nmogao\t\r  značajno\t\r  obilježiti\t\r  suvremenu\t\r  hrvatsku,\t\r  ali\t\r  i\t\r  međunarodnu\t\r  scenu\t\r  \nanimiranog\t\r  filma.\t\r  \n\t\r  \n\t\r  \nSveukupna\t\r  predložena\t\r  potpora\t\r  je\t\r  1.820.000,00\t\r  kn\t\r  za\t\r  5\t\r  projekata.\t\r  \t\r  \n\t\r  \nPetra\t\r  Zlonoga,\t\r  \t\r  \numjetnička\t\r  savjetnica\t\r  za\t\r  animirani\t\r  film\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"RSC_WEB_2016_2rok_ANIM_11072016.pdf","filename_decoded":"RSC_WEB_2016_2rok_ANIM_11072016.pdf","sha256":"fe999b807afba357fbdbad9f58494e5a0254b728e5221ab61d3b8e3ca3d5aa27","bytes":84278,"page_count":1,"extracted_at":"2026-05-16T15:31:31Z","extractor":"claude-code-inline-subagent","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/RSC_WEB_2016_2rok_ANIM_11072016.pdf"},"raw_text":"RAZVOJ\t\r  SCENARIJA\t\r  2016.\n-­‐\t\r  2.\t\r  ROK\nANIMIRANI\n1\nR.br.\nNASLOV\nSCENARIST/-ICA\nREDATELJ\nAUTOR IZVORNOG \nPREDLOŠKA\nODOBRENO KN\n1\nMajstor Omega osvaja \nZagreb\nTihomir Mraović\nVedis d.o.o.\n32,000.00\nUKUPNO\n32,000.00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija \ni razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - \npodkategorija: RAZVOJ SCENARIJA u 2016. - 2. ROK - 11.7.2016.\nanimirani film\nPRODUCENT\n75. sjednica Hrvatskog audiovizualnog vijeća, 28. listopada 2016.\n","warnings":[],"document":{"program_type":"razvoj_scenarija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ SCENARIJA u 2016. - 2. ROK - 11.7.2016.","year":2016,"rok":"2. rok","natjecaj_date":"2016-07-11","decision_date":"2016-10-28","decision_body":"AV vijeće","currency":"HRK","currency_inferred":false,"repair_v1":{"changes":[],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"animirani film","section_key":"animirani","columns":["R.br.","NASLOV","SCENARIST/-ICA","PRODUCENT","REDATELJ","AUTOR IZVORNOG PREDLOŠKA","ODOBRENO KN"],"rows":[{"row_number":1,"project_title":"Majstor Omega osvaja Zagreb","applicant":"Vedis d.o.o.","production_company":"Vedis d.o.o.","director":null,"writer":"Tihomir Mraović","original_author":null,"category":"Animirani","approved_amount_text":"32,000.00","approved_amount":32000.0,"currency":"HRK","extras":{"repair_v1":{"changes":[{"field":"category","from":null,"to":"Animirani","reason":"category_from_section_label","confidence":"high"}],"updated_at":"2026-05-17T19:42:52Z","method":"machine:data_repair_v1"},"entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Vedis d.o.o.","row_id":"fe999b80:s0:b3e1b102c1cf","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_f76dd73b6c34","project_family_title":"Majstor Omega osvaja Zagreb"}],"section_total_text":"UKUPNO 32,000.00","section_total":32000.0}],"totals":{"ukupno_text":"UKUPNO 32,000.00","ukupno":32000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":32000.0,"ukupno_match":true,"row_count":1,"awarded_count":1,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":1}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"WEB 2 rok 2019 medjunarodna suradnja copy.pdf","filename_decoded":"WEB 2 rok 2019 medjunarodna suradnja copy.pdf","sha256":"fea2c70d237f0047e65b652fdb25d0c9300e45f74482f7221e33212cab0c88e8","bytes":40822,"page_count":2,"extracted_at":"2026-05-17T10:23:55Z","extractor":"missing-results-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20%202%20rok%202019%20medjunarodna%20suradnja%20copy.pdf"},"raw_text":"PODNOSITELJ\nPROGRAM\nODOBRENA  \nPOTPORA\n1\nČetiri  film  d.o.o.\nSudjelovanje  koordinatorice  produkcije  Laure  \nSinovčić  na  programu  Eurodoc  2019\n30.000,00\n2\nIvana  Bošnjak\nSudjelovanje  na  međunarodnom  festivalu  \nkratkometražnog  filma  Oberhausen  i  \npredstavljanje  lutka  filma  'Udahnut  život'\n870,00\n3\nThomas  Johnson\nSudjelovanje  na  Međunarodnom  festivalu  \nkratkometražnog  filma  Oberhausen-­  film  \nUdahnut  život\n870,00\n4\nDubravka  Turić\nSudjelovanje  scenaristice  i  redateljice  Dubravke  \nTurić  s  dugometražnim  projektom  \"Nosorog\"  na  \nTorino  Film  Labu  -­  ScriptLab  2019.  -­  1  i  3.  \nradionica  \n11.000,00\n5\nFilmaparat  d.o.o.\nSudjelovanje  producentice  na  radionici  \"The  Art  \nof  Negotiating  Agreements  in  Film  and  TV\"  Erich  \nPommer  Instituta\n4.395,54\n6\nKinoklub  Karlovac\nSudjelovanje  na    Fresh  Film  Festivalu  u  Irskoj\n4.087,99\n7\nNukleus  Film  d.o.o.\nCartoon  Masters  2019  -­  Cartoon  Business  \n1.592,70\n8\nEclectica  d.o.o.\n\"Koke\"  Igora  Jelinovića  na  GoEast  u  \nWiesbadenu\n3.504,00\n9\nČetiri  film  d.o.o.\nSudjelovanje  producentice  Anite  Juka  i  \nredateljice  Ivone  Juka  na  radionici  Torino  Film  \nLab-­TV  Series  s  projektom  \"Delivery\"\n17.298,00\n10\nSara  Jurinčić\nPredstavljanje  filma  \"3.  rujna  2015.\"  autorice  \nSare  Jurinčić  na  međunarodnom  filmskom  \nfestivalu  u  Oberhausenu\n2.206,00\n11\nJadranska  animacija  /  \nAdriatic  Animation\nRadionica  za  scenarij  i  koncept  dizajn\n7.500,00\nJAVNI  POZIV  ZA  DODJELU  SREDSTAVA  ZA  POTICANJE  KOMPLEMENTARNIH  DJELATNOSTI  \nU  2019.  -­  PROGRAMI  MEĐUNARODNE  SURADNJE  -­  ROK  25.4.2019.,  11.  sjednica  Hrvatskog  \naudiovizualnog  vijeća  31.5.2019.  \n\n\f\n12\nMINYA  FILM  I  \nANIMACIJA  j.d.o.o.  za  \nusluge  \nThe  Annecy  International  Animation  Film  \nFestival  and  its  Market  (Mifa)\n2.310,00\n13\nIvan  Turković-­Krnjak\nGostovanje  redatelja  i  producenta  filma  \n\"Lovebox\"  na  22.  Festivalu  kratkometražnog  \nfilma  u  Bruxellesu\n1.438,00\n14\nStudio  dim  d.o.o.\nMoj  dida  je  pao  s  Marsa  -­  gostovanje  na  Cinekid  \nfestivalu\n7.000,00\n15\nDinaridi  film  d.o.o.\nSudjelovanje  redatelja  i  producentice  filma  \n\"Branka\"  na  Brussels  Co-­production  Marketu\n1.708,00\n16\nNikolina  Barić  j.d.o.o.\nPredstavljanje  filma  \"Doktorice,  pem  v'  grobeka\"  \n-­  Beldocs  in  Progress  International\n1.391,00\n17\nREA  -­  udruga  za  \nsuvremene  umjetničke  i  \narhitektonske  \nprodukcije\nGostovanje  Renate  Poljak  na  festivalu  kratkog  \nfilma  u  Oberhausenu  -­  film  Još  jedan  odlazak\n2.240,00\n18\nJadranska  animacija  /  \nAdriatic  Animation\nCEE  Animation  Forum  -­  Obiteljski  portret\n2.522,70\n19\nDobar  film\nFilm  redateljice  Karle  Lulić  predstavlja  Hrvatsku  \nna  Starring  Europe  u  Los  Angelesu\n5.936,00\n20\nIvana  Bošnjak\nSUDJELOVANJE  NA  MEĐUNARODNOM  \nFILMSKOM  FESTIVALU  ANNECY    I  \nPREDSTAVLJANJE  FILMA  “UDAHNUT  ŽIVOT“\n2.033,00\n21\nThomas  Johnson\nSUDJELOVANJE  NA  MEĐUNARODNOM  \nFILMSKOM  FESTIVALU  ANNECY    I  \nPREDSTAVLJANJE  FILMA  “UDAHNUT  ŽIVOT“\n1.144,00\n22\nMINYA  FILM  I  \nANIMACIJA  j.d.o.o.  za  \nusluge  \nCartoon  Masters  -­  Digital  2019\n3.281,00\n114.327,93\nUKUPNO\n","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"WEB 2 rok 2019 medjunarodna suradnja copy","year":2019,"rok":null,"natjecaj_date":"2019-04-25","decision_date":null,"decision_body":null,"currency":"HRK","currency_inferred":true,"repair_v1":{"changes":[{"field":"document.program_type","from":"komplementarne","to":"medjunarodna_suradnja","reason":"filename/title keyword: medjunarodna suradnja","confidence":"high"}],"updated_at":"2026-05-17T19:03:37Z","method":"machine:data_repair_v1"}},"sections":[{"section_label":"JAVNI P OZIV Z A D ODJELU S REDSTAVA Z A P OTICANJE K OMPLEMENTARNIH D JELATNOSTI U 2 019. - P ROGRAMI M EĐUNARODNE S URADNJE - R OK 2 5.4.2019., 1 1. s jednica H rvatskog audiovizualnog v ijeća 3 1.5.2019.","section_key":"javni_p_oziv_z_a_d_odjelu_s_redstava_z_a_p_oticanje_k_omplem","columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA"],"rows":[{"row_number":1,"project_title":"Sudjelovanje koordinatorice produkcije Laure Sinovčić na programu Eurodoc 2019","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":30000.0,"currency":"HRK","extras":{"col_1":"1","entity_original_production_company":"Četiri f ilm d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"fea2c70d:s0:77a098c6b31a","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing errors corrected in applicant ('Četiri f ilm d .o.o.' → 'Četiri film d.o.o.') and title. Amount and entity match source.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje k oordinatorice p rodukcije L aure Sinovčić n a p rogramu E urodoc 2 019","to":"Sudjelovanje koordinatorice produkcije Laure Sinovčić na programu Eurodoc 2019","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_20c6fbc7b8d6","project_family_title":"Sudjelovanje koordinatorice produkcije Laure Sinovčić na programu Eurodoc 2019"},{"row_number":2,"project_title":"Sudjelovanje na međunarodnom festivalu kratkometražnog filma Oberhausen i predstavljanje lutka filma 'Udahnut život'","applicant":"Ivana Bošnjak","production_company":"Ivana Bošnjak","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":870.0,"currency":"HRK","extras":{"col_1":"2","approved_amount_original":870.0,"approved_amount_text_original":"870,00","amount_repaired_at":"2026-05-17T12:55:01Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"croatian_std","amount_repair_confidence":"high","entity_original_production_company":"Ivana B ošnjak","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Ivana Bošnjak","row_id":"fea2c70d:s0:e9ca65d0a27f","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Critical error: amount extracted as 30.000,00 but source (raw_text row 2) shows 870,00. OCR spacing also corrected in applicant and title. Title and correct amount fully supported by source.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje n a m eđunarodnom f estivalu kratkometražnog f ilma O berhausen i predstavljanje l utka f ilma ' Udahnut ž ivot'","to":"Sudjelovanje na međunarodnom festivalu kratkometražnog filma Oberhausen i predstavljanje lutka filma 'Udahnut život'","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"approved_amount","from":30000.0,"to":870.0,"reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_57a61d76097d","project_family_title":"Sudjelovanje na međunarodnom festivalu kratkometražnog filma Oberhausen i predstavljanje lutka filma 'Udahnut život'"},{"row_number":3,"project_title":"Sudjelovanje na Međunarodnom festivalu kratkometražnog filma Oberhausen- film Udahnut život","applicant":"Thomas Johnson","production_company":"Thomas Johnson","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"30.000,00","approved_amount":870.0,"currency":"HRK","extras":{"col_1":"3","approved_amount_original":870.0,"approved_amount_text_original":"870,00","amount_repaired_at":"2026-05-17T12:55:01Z","amount_repaired_by":"machine:pass_b_raw_text_remine","amount_repair_format":"croatian_std","amount_repair_confidence":"high","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Thomas J ohnson","row_id":"fea2c70d:s0:3729057d2242","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"Critical error: amount extracted as 30.000,00 but source (raw_text row 3) shows 870,00. OCR spacing corrected in applicant and title ('Thomas J ohnson' → 'Thomas Johnson'). Title and correct amount supported by source.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje n a M eđunarodnom f estivalu kratkometražnog f ilma O berhausen- f ilm Udahnut ž ivot","to":"Sudjelovanje na Međunarodnom festivalu kratkometražnog filma Oberhausen- film Udahnut život","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Thomas J ohnson","to":"Thomas Johnson","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":"Thomas J ohnson","to":"Thomas Johnson","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"approved_amount","from":30000.0,"to":870.0,"reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_6da99c094793","project_family_title":"Sudjelovanje na Međunarodnom festivalu kratkometražnog filma Oberhausen- film Udahnut život"},{"row_number":4,"project_title":"Sudjelovanje scenaristice i redateljice Dubravke Turić s dugometražnim projektom \"Nosorog\" na Torino Film Labu - ScriptLab 2019. - 1 i 3. radionica","applicant":"Dubravka Turić","production_company":"Dubravka Turić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"11.000,00","approved_amount":11000.0,"currency":"HRK","extras":{"col_1":"4","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Dubravka Turić","row_id":"fea2c70d:s0:26ad29e2380e","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing errors throughout title corrected ('s cenaristice' → 'scenaristice', 'r edateljice' → 'redateljice', etc.). Amount and applicant verified against source.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje s cenaristice i r edateljice D ubravke Turić s d ugometražnim p rojektom \" Nosorog\" n a Torino F ilm L abu - S criptLab 2 019. - 1 i 3 . radionica","to":"Sudjelovanje scenaristice i redateljice Dubravke Turić s dugometražnim projektom \"Nosorog\" na Torino Film Labu - ScriptLab 2019. - 1 i 3. radionica","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_b74abd7f865b","project_family_title":"Sudjelovanje scenaristice i redateljice Dubravke Turić s dugometražnim projektom \"Nosorog\" na Torino Film Labu - ScriptLab 2019. - 1 i 3. radionica"},{"row_number":5,"project_title":"Sudjelovanje producentice na radionici \"The Art of Negotiating Agreements in Film and TV\" Erich Pommer Instituta","applicant":"Filmaparat d.o.o.","production_company":"Filmaparat d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.395,54","approved_amount":4395.54,"currency":"HRK","extras":{"col_1":"5","entity_original_production_company":"Filmaparat d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Filmaparat d.o.o.","row_id":"fea2c70d:s0:53465636b679","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected throughout ('p roducentice' → 'producentice', 'd .o.o.' → 'd.o.o.', 'r adionici' → 'radionici', etc.). Amount verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje p roducentice n a r adionici \" The A rt of N egotiating A greements i n F ilm a nd T V\" E rich Pommer I nstituta","to":"Sudjelovanje producentice na radionici \"The Art of Negotiating Agreements in Film and TV\" Erich Pommer Instituta","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_e8df79af3fe8","project_family_title":"Sudjelovanje producentice na radionici \"The Art of Negotiating Agreements in Film and TV\" Erich Pommer Instituta"},{"row_number":6,"project_title":"Sudjelovanje na Fresh Film Festivalu u Irskoj","applicant":"Kinoklub Karlovac","production_company":"Kinoklub Karlovac","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"4.087,99","approved_amount":4087.99,"currency":"HRK","extras":{"col_1":"6","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Kinoklub Karlovac","row_id":"fea2c70d:s0:f1dc0ebde7f1","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected in title ('n a' → 'na', 'F resh' → 'Fresh', 'F ilm' → 'Film', 'I rskoj' → 'Irskoj'). Amount matches source.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje n a F resh F ilm F estivalu u I rskoj","to":"Sudjelovanje na Fresh Film Festivalu u Irskoj","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_06262c34baea","project_family_title":"Sudjelovanje na Fresh Film Festivalu u Irskoj"},{"row_number":7,"project_title":"Cartoon Masters 2019 - Cartoon Business","applicant":"Nukleus Film d.o.o.","production_company":"Nukleus Film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.592,70","approved_amount":1592.7,"currency":"HRK","extras":{"col_1":"7","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Nukleus Film d.o.o.","row_id":"fea2c70d:s0:b933a6b197f6","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected ('M asters' → 'Masters', '2 019' → '2019', 'C artoon' → 'Cartoon'). Amount and applicant verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Cartoon M asters 2 019 - C artoon B usiness","to":"Cartoon Masters 2019 - Cartoon Business","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_8dba59c2c7d7","project_family_title":"Cartoon Masters 2019 - Cartoon Business"},{"row_number":8,"project_title":"\"Koke\" Igora Jelinovića na GoEast u Wiesbadenu","applicant":"Eclectica d.o.o.","production_company":"Eclectica d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.504,00","approved_amount":3504.0,"currency":"HRK","extras":{"col_1":"8","entity_original_production_company":"Eclectica d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Eclectica d.o.o.","row_id":"fea2c70d:s0:96c665decf89","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected in applicant ('d .o.o.' → 'd.o.o.') and title ('I gora' → 'Igora', 'J elinovića' → 'Jelinovića', 'n a' → 'na'). Amount matches source.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"\"Koke\" I gora J elinovića n a G oEast u Wiesbadenu","to":"\"Koke\" Igora Jelinovića na GoEast u Wiesbadenu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_7d43b8601884","project_family_title":"\"Koke\" Igora Jelinovića na GoEast u Wiesbadenu"},{"row_number":9,"project_title":"Sudjelovanje producentice Anite Juka i redateljice Ivone Juka na radionici Torino Film Lab-TV Series s projektom \"Delivery\"","applicant":"Četiri film d.o.o.","production_company":"Četiri film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"17.298,00","approved_amount":17298.0,"currency":"HRK","extras":{"col_1":"9","entity_original_production_company":"Četiri f ilm d .o.o.","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Četiri film d.o.o.","row_id":"fea2c70d:s0:436a5f910ec7","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected throughout ('p roducentice' → 'producentice', 'A nite' → 'Anite', 'J uka' → 'Juka', 'I vone' → 'Ivone', 'r adionici' → 'radionici', 'T orino' → 'Torino'). Amount verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Sudjelovanje p roducentice A nite J uka i redateljice I vone J uka n a r adionici T orino F ilm Lab-TV S eries s p rojektom \" Delivery\"","to":"Sudjelovanje producentice Anite Juka i redateljice Ivone Juka na radionici Torino Film Lab-TV Series s projektom \"Delivery\"","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_2538f6389fca","project_family_title":"Sudjelovanje producentice Anite Juka i redateljice Ivone Juka na radionici Torino Film Lab-TV Series s projektom \"Delivery\""},{"row_number":10,"project_title":"Predstavljanje filma \"3. rujna 2015.\" autorice Sare Jurinčić na međunarodnom filmskom festivalu u Oberhausenu","applicant":"Sara Jurinčić","production_company":"Sara Jurinčić","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.206,00","approved_amount":2206.0,"currency":"HRK","extras":{"col_1":"10","entity_original_production_company":"Sara J urinčić","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Sara Jurinčić","row_id":"fea2c70d:s0:e80acf00f207","funding_status":"awarded","curation":{"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected ('J urinčić' → 'Jurinčić', 'f ilma' → 'filma', 'r ujna' → 'rujna', '2 015' → '2015', 'a utorice' → 'autorice', 'n a' → 'na'). Amount matches source.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"],"changes":[{"field":"project_title","from":"Predstavljanje f ilma \" 3. r ujna 2 015.\" a utorice Sare J urinčić n a m eđunarodnom f ilmskom festivalu u O berhausenu","to":"Predstavljanje filma \"3. rujna 2015.\" autorice Sare Jurinčić na međunarodnom filmskom festivalu u Oberhausenu","reason":"haiku_source_reconciliation","method":"claude-haiku"}]},"project_family_id":"pf_9e9e0c7d4610","project_family_title":"Predstavljanje filma \"3. rujna 2015.\" autorice Sare Jurinčić na međunarodnom filmskom festivalu u Oberhausenu"},{"row_number":11,"project_title":"Radionica z a s cenarij i k oncept d izajn","applicant":"Jadranska animacija","production_company":"Jadranska animacija","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.500,00","approved_amount":7500.0,"currency":"HRK","extras":{"col_1":"11","entity_original_production_company":"Jadranska animacija / Adriatic A nimation","entity_owner":"Adriatic A nimation","entity_canonicalized_at":"2026-05-18T14:37:03Z","entity_original_applicant":null,"entity_unified_at":"2026-05-18T14:41:27Z"},"entity":"Jadranska animacija","row_id":"fea2c70d:s0:ab6d4b59881a","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_b64c1e9a261a","project_family_title":"Radionica z a s cenarij i k oncept d izajn"}],"section_total_text":null,"section_total":null},{"section_label":null,"section_key":null,"columns":["12","MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge","The A nnecy I nternational A nimation F ilm Festival a nd i ts M arket ( Mifa)","2.310,00"],"rows":[{"row_number":13,"project_title":"Gostovanje redatelja i producenta filma \"Lovebox\" na 22. Festivalu kratkometražnog filma u Bruxellesu","applicant":"Ivan Turković-Krnjak","production_company":"Ivan Turković-Krnjak","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.438,00","approved_amount":1438.0,"currency":"HRK","extras":{"12":"13","MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge":"Ivan T urković-Krnjak","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"fea2c70d:s1:27549cac1a65","curation":{"changes":[{"field":"applicant","from":null,"to":"Ivan T urković-Krnjak","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Gostovanje r edatelja i p roducenta f ilma \"Lovebox\" n a 2 2. F estivalu k ratkometražnog filma u B ruxellesu","to":"Gostovanje redatelja i producenta filma \"Lovebox\" na 22. Festivalu kratkometražnog filma u Bruxellesu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Ivan T urković-Krnjak","to":"Ivan Turković-Krnjak","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Ivan Turković-Krnjak","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected ('T urković' → 'Turković', 'r edatelja' → 'redatelja', 'p roducenta' → 'producenta', 'f ilma' → 'filma', 'n a' → 'na', 'k ratkometražnog' → 'kratkometražnog'). Production_company populated. Amount matches source.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_5f739ab9aa01","project_family_title":"Gostovanje redatelja i producenta filma \"Lovebox\" na 22. Festivalu kratkometražnog filma u Bruxellesu"},{"row_number":14,"project_title":"Moj dida je pao s Marsa - gostovanje na Cinekid festivalu","applicant":"Studio dim d.o.o.","production_company":"Studio dim d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"7.000,00","approved_amount":7000.0,"currency":"HRK","extras":{"12":"14","MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge":"Studio d im d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"fea2c70d:s1:7a87c999c5aa","curation":{"changes":[{"field":"applicant","from":null,"to":"Studio d im d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Moj d ida j e p ao s M arsa - g ostovanje n a C inekid festivalu","to":"Moj dida je pao s Marsa - gostovanje na Cinekid festivalu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Studio d im d .o.o.","to":"Studio dim d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Studio dim d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected in applicant ('d im' → 'dim', 'd .o.o.' → 'd.o.o.') and title ('d ida' → 'dida', 'p ao' → 'pao', 'g ostovanje' → 'gostovanje'). Production_company populated. Amount verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_5e27adfe20d5","project_family_title":"Moj dida je pao s Marsa - gostovanje na Cinekid festivalu"},{"row_number":15,"project_title":"Sudjelovanje redatelja i producentice filma \"Branka\" na Brussels Co-production Marketu","applicant":"Dinaridi film d.o.o.","production_company":"Dinaridi film d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.708,00","approved_amount":1708.0,"currency":"HRK","extras":{"12":"15","MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge":"Dinaridi f ilm d .o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"fea2c70d:s1:b1d2c36e54da","curation":{"changes":[{"field":"applicant","from":null,"to":"Dinaridi f ilm d .o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Sudjelovanje r edatelja i p roducentice f ilma \"Branka\" n a B russels C o-production M arketu","to":"Sudjelovanje redatelja i producentice filma \"Branka\" na Brussels Co-production Marketu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Dinaridi f ilm d .o.o.","to":"Dinaridi film d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Dinaridi film d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected in applicant ('f ilm' → 'film', 'd .o.o.' → 'd.o.o.') and title ('r edatelja' → 'redatelja', 'p roducentice' → 'producentice', 'f ilma' → 'filma', 'n a' → 'na'). Production_company populated. Amount matches source.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_83ae74107a27","project_family_title":"Sudjelovanje redatelja i producentice filma \"Branka\" na Brussels Co-production Marketu"},{"row_number":16,"project_title":"Predstavljanje filma \"Doktorice, pem v' grobeka\" - Beldocs in Progress International","applicant":"Nikolina Barić j.d.o.o.","production_company":"Nikolina Barić j.d.o.o.","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.391,00","approved_amount":1391.0,"currency":"HRK","extras":{"12":"16","MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge":"Nikolina Barić j.d.o.o.","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"fea2c70d:s1:744c183196c2","curation":{"changes":[{"field":"applicant","from":null,"to":"Nikolina Barić j.d.o.o.","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Predstavljanje f ilma \" Doktorice, p em v ' g robeka\" - B eldocs i n P rogress I nternational","to":"Predstavljanje filma \"Doktorice, pem v' grobeka\" - Beldocs in Progress International","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Nikolina Barić j.d.o.o.","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected in title ('f ilma' → 'filma', 'p em' → 'pem', 'g robeka' → 'grobeka', 'B eldocs' → 'Beldocs', 'i n' → 'in'). Production_company populated. Amount matches source.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_2ab624a1073f","project_family_title":"Predstavljanje filma \"Doktorice, pem v' grobeka\" - Beldocs in Progress International"},{"row_number":17,"project_title":"Gostovanje Renate Poljak na festivalu kratkog filma u Oberhausenu - film Još jedan odlazak","applicant":"REA - udruga za suvremene umjetničke i arhitektonske produkcije","production_company":"REA - udruga za suvremene umjetničke i arhitektonske produkcije","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.240,00","approved_amount":2240.0,"currency":"HRK","extras":{"12":"17","MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge":"REA - u druga z a suvremene u mjetničke i arhitektonske produkcije","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"fea2c70d:s1:45e88f177f49","curation":{"changes":[{"field":"applicant","from":null,"to":"REA - u druga z a suvremene u mjetničke i arhitektonske produkcije","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Gostovanje R enate P oljak n a f estivalu k ratkog filma u O berhausenu - f ilm J oš j edan o dlazak","to":"Gostovanje Renate Poljak na festivalu kratkog filma u Oberhausenu - film Još jedan odlazak","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"REA - u druga z a suvremene u mjetničke i arhitektonske produkcije","to":"REA - udruga za suvremene umjetničke i arhitektonske produkcije","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"REA - udruga za suvremene umjetničke i arhitektonske produkcije","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR errors corrected: 'u druga' → 'udruga', 'umjetničke' → 'umjetničke' in applicant. Title spacing corrected ('R enate' → 'Renate', 'P oljak' → 'Poljak', 'k ratkog' → 'kratkog', 'J oš' → 'Još', 'o dlazak' → 'odlazak'). Production_company populated. Amount matches source.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_e02bee70881f","project_family_title":"Gostovanje Renate Poljak na festivalu kratkog filma u Oberhausenu - film Još jedan odlazak"},{"row_number":18,"project_title":"CEE Animation Forum - Obiteljski portret","applicant":"Jadranska animacija / Adriatic Animation","production_company":"Jadranska animacija / Adriatic Animation","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.522,70","approved_amount":2522.7,"currency":"HRK","extras":{"12":"18","MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge":"Jadranska animacija / Adriatic A nimation","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"fea2c70d:s1:08817e3fe4e8","curation":{"changes":[{"field":"applicant","from":null,"to":"Jadranska animacija / Adriatic A nimation","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"CEE A nimation F orum - O biteljski p ortret","to":"CEE Animation Forum - Obiteljski portret","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Jadranska animacija / Adriatic A nimation","to":"Jadranska animacija / Adriatic Animation","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Jadranska animacija / Adriatic Animation","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected in title ('A nimation' → 'Animation', 'F orum' → 'Forum', 'O biteljski' → 'Obiteljski', 'p ortret' → 'portret'). Full applicant name restored. Production_company populated. Amount verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_d0906b5e1435","project_family_title":"CEE Animation Forum - Obiteljski portret"},{"row_number":19,"project_title":"Film redateljice Karle Lulić predstavlja Hrvatsku na Starring Europe u Los Angelesu","applicant":"Dobar film","production_company":"Dobar film","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"5.936,00","approved_amount":5936.0,"currency":"HRK","extras":{"12":"19","MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge":"Dobar f ilm","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"fea2c70d:s1:6ab71e0e31ad","curation":{"changes":[{"field":"applicant","from":null,"to":"Dobar f ilm","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Film r edateljice K arle L ulić p redstavlja H rvatsku na S tarring E urope u L os A ngelesu","to":"Film redateljice Karle Lulić predstavlja Hrvatsku na Starring Europe u Los Angelesu","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Dobar f ilm","to":"Dobar film","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Dobar film","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected in applicant ('f ilm' → 'film') and title ('r edateljice' → 'redateljice', 'K arle' → 'Karle', 'L ulić' → 'Lulić', 'p redstavlja' → 'predstavlja', 'H rvatsku' → 'Hrvatsku', 'S tarring' → 'Starring', 'E urope' → 'Europe', 'L os' → 'Los'). Production_company populated. Amount verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_30102da32e98","project_family_title":"Film redateljice Karle Lulić predstavlja Hrvatsku na Starring Europe u Los Angelesu"},{"row_number":20,"project_title":"Sudjelovanje na međunarodnom filmskom festivalu Annecy i predstavljanje filma \"Udahnut život\"","applicant":"Ivana Bošnjak","production_company":"Ivana Bošnjak","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.033,00","approved_amount":2033.0,"currency":"HRK","extras":{"12":"20","MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge":"Ivana B ošnjak","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"fea2c70d:s1:a8b1749831da","curation":{"changes":[{"field":"applicant","from":null,"to":"Ivana B ošnjak","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"SUDJELOVANJE N A M EĐUNARODNOM FILMSKOM F ESTIVALU A NNECY I PREDSTAVLJANJE F ILMA “ UDAHNUT Ž IVOT“","to":"Sudjelovanje na međunarodnom filmskom festivalu Annecy i predstavljanje filma \"Udahnut život\"","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Ivana B ošnjak","to":"Ivana Bošnjak","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Ivana Bošnjak","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected in applicant ('B ošnjak' → 'Bošnjak') and uppercase title normalized with spacing fixed ('N A' → 'na', 'M EĐUNARODNOM' → 'međunarodnom', 'F ILMSKOM' → 'filmskom', 'F ESTIVALU' → 'festivalu', 'A NNECY' → 'Annecy', 'F ILMA' → 'filma', 'Ž IVOT' → 'život'). Production_company populated. Amount verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_5320bedd9447","project_family_title":"Sudjelovanje na međunarodnom filmskom festivalu Annecy i predstavljanje filma \"Udahnut život\""},{"row_number":21,"project_title":"Sudjelovanje na međunarodnom filmskom festivalu Annecy i predstavljanje filma \"Udahnut život\"","applicant":"Thomas Johnson","production_company":"Thomas Johnson","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"1.144,00","approved_amount":1144.0,"currency":"HRK","extras":{"12":"21","MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge":"Thomas J ohnson","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"fea2c70d:s1:4e5155aaa83f","curation":{"changes":[{"field":"applicant","from":null,"to":"Thomas J ohnson","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"SUDJELOVANJE N A M EĐUNARODNOM FILMSKOM F ESTIVALU A NNECY I PREDSTAVLJANJE F ILMA “ UDAHNUT Ž IVOT“","to":"Sudjelovanje na međunarodnom filmskom festivalu Annecy i predstavljanje filma \"Udahnut život\"","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"Thomas J ohnson","to":"Thomas Johnson","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"Thomas Johnson","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected in applicant ('J ohnson' → 'Johnson') and uppercase title normalized with spacing fixed ('N A' → 'na', 'M EĐUNARODNOM' → 'međunarodnom', 'F ILMSKOM' → 'filmskom', 'F ESTIVALU' → 'festivalu', 'A NNECY' → 'Annecy', 'F ILMA' → 'filma', 'Ž IVOT' → 'život'). Production_company populated. Amount verified.","reviewed_reasons":["ocr_letter_spacing","unresolved_status"]},"funding_status":"awarded","project_family_id":"pf_5320bedd9447","project_family_title":"Sudjelovanje na međunarodnom filmskom festivalu Annecy i predstavljanje filma \"Udahnut život\""},{"row_number":22,"project_title":"Cartoon Masters - Digital 2019","applicant":"MINYA FILM I ANIMACIJA j.d.o.o. za usluge","production_company":"MINYA FILM I ANIMACIJA j.d.o.o. za usluge","director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"3.281,00","approved_amount":3281.0,"currency":"HRK","extras":{"12":"22","MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge":"MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge","entity_unified_at":"2026-05-18T14:41:27Z"},"entity":null,"row_id":"fea2c70d:s1:17e856715375","curation":{"changes":[{"field":"applicant","from":null,"to":"MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge","reason":"recover_applicant_from_promoted_header_section","method":"machine"},{"field":"project_title","from":"Cartoon M asters - D igital 2 019","to":"Cartoon Masters - Digital 2019","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"applicant","from":"MINYA F ILM I ANIMACIJA j .d.o.o. z a usluge","to":"MINYA FILM I ANIMACIJA j.d.o.o. za usluge","reason":"haiku_source_reconciliation","method":"claude-haiku"},{"field":"production_company","from":null,"to":"MINYA FILM I ANIMACIJA j.d.o.o. za usluge","reason":"haiku_source_reconciliation","method":"claude-haiku"}],"version":"2.0","method":"claude-haiku","confidence":"high","evidence":"OCR spacing corrected in applicant ('F ILM' → 'FILM', 'j .d.o.o.' → 'j.d.o.o.', 'z a u sluge' → 'za usluge') and title ('M asters' → 'Masters', 'D igital' → 'Digital', '2 019' → '2019'). Production_company populated. 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d.o.o.","row_id":"ff0371f4:s2:c31eb7726d7d","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_7ccd3f38cedd","project_family_title":"Ubojstvo na fotografiji"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":"UKUPNO RAZVOJ PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA 89.500,00","ukupno":89500.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":89500.0,"ukupno_match":true,"row_count":12,"awarded_count":12,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":12}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"animirani_proizvodnja web obrazlozenje.pdf","filename_decoded":"animirani_proizvodnja web obrazlozenje.pdf","sha256":"ff0c149c34c5110bdfc3db17192719193133435c7256a6706309d0d809dc4f22","bytes":35311,"page_count":3,"extracted_at":"2026-05-17T12:01:36Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/animirani_proizvodnja%20web%20obrazlozenje.pdf"},"raw_text":"\t\r  \nJavni\t\r  poziv\t\r  za\t\r  poticanje\t\r  audiovizualnih\t\r  djelatnosti\t\r  i\t\r  stvaralaštva\t\r  -­‐\t\r  kategorija:\t\r  poticanje\t\r  \nproizvodnje\t\r  filmova,\t\r  2.\t\r  rok\t\r  2020.\t\r  \nKategorija:\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  \t\r  \n\t\r  \nRok:\t\r  2.\t\r  rok\t\r  /\t\r  15.\t\r  rujna\t\r  2020.\t\r  \nUmjetnički\t\r  savjetnik\t\r  za\t\r  animirani\t\r  film:\t\r  Božidar\t\r  Trkulja\t\r  \t\r  \n\t\r  \nNa\t\r  drugi\t\r  natječajni\t\r  rok\t\r  Javnog\t\r  poziva\t\r  za\t\r  poticanje\t\r  proizvodnje\t\r  animiranog\t\r  filma\t\r  u\t\r  2020.\t\r  godini\t\r  \nprijavljeno\t\r  je\t\r  i\t\r  razmatrano\t\r  sveukupno\t\r  sedamnaest\t\r  (17)\t\r  projekata,\t\r  od\t\r  čega\t\r  šesnaest\t\r  (16)\t\r  \nkratkometražnih\t\r  i\t\r  jedan\t\r  (1)\t\r  dugometražni\t\r  projekt.\t\r  \t\r  \nOd\t\r  17\t\r  projekata\t\r  \t\r  za\t\r  sufinanciranje\t\r  je\t\r  predloženo\t\r  i\t\r  odobreno\t\r  pet\t\r  (5)\t\r  kratkometražnih\t\r  filmova.\t\r  \t\r  \nKao\t\r  i\t\r  na\t\r  nekoliko\t\r  prethodnih\t\r  natječaja\t\r  ponovno\t\r  je\t\r  prijavljen\t\r  veliki\t\r  broj\t\r  debitantskih\t\r  projekata,\t\r  \nnjih\t\r  čak\t\r  deset\t\r  (10),\t\r  a\t\r  za\t\r  sufinanciranje\t\r  su\t\r  predložena\t\r  i\t\r  odobrena\t\r  dva\t\r  (2)\t\r  filma.\t\r  \t\r  \nNa\t\r  natječaj\t\r  je\t\r  prijavljeno\t\r  pet\t\r  (5)\t\r  filmova\t\r  za\t\r  djecu,\t\r  a\t\r  za\t\r  sufinanciranje\t\r  su\t\r  predložena\t\r  i\t\r  odobrena\t\r  \ndva\t\r  (2)\t\r  filma.\t\r  \t\r  \nŠto\t\r  se\t\r  tehnika\t\r  tiče,\t\r  najveći\t\r  je\t\r  broj\t\r  prijava,\t\r  odnosno\t\r  filmova\t\r  zamišljeno\t\r  da\t\r  se\t\r  izvedu\t\r  u\t\r  2D\t\r  tehnici,\t\r  \niako\t\r  je\t\r  vidljiv\t\r  i\t\r  porast\t\r  broja\t\r  lutka\t\r  filmova,\t\r  dok\t\r  je\t\r  nešto\t\r  manji\t\r  broj\t\r  kombiniranih\t\r  tehnika,\t\r  kolaža\t\r  i\t\r  \n3D\t\r  animacije.\t\r  Za\t\r  sufinanciranje\t\r  su\t\r  predložena\t\r  i\t\r  odobrena\t\r  tri\t\r  (3)\t\r  2D\t\r  filma,\t\r  jedan\t\r  (1)\t\r  stop\t\r  \nanimacijski\t\r  lutka\t\r  filma,\t\r  te\t\r  jedan\t\r  (1)\t\r  film\t\r  koji\t\r  koristi\t\r  kombinaciju\t\r  2D\t\r  i\t\r  3D\t\r  tehnike.\t\r  \t\r  \n\t\r  \nSveukupna\t\r  predložena\t\r  i\t\r  odobrena\t\r  potpora\t\r  \t\r  za\t\r  proizvodnju\t\r  kratkometražnih\t\r  animiranih\t\r  filmova\t\r  \nna\t\r  2.\t\r  roku\t\r  2020.\t\r  godinu\t\r  iznosi\t\r  1.400.000,00\t\r  kn\t\r  za\t\r  pet\t\r  (5)\t\r  projekata.\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\t\r  \n\n\f\nObrazloženja:\t\r  \nnaziv\t\r  projekta:\t\r  IZGUBLJENI\t\r  SIN\t\r  \nprodukcija:\t\r  Filmska\t\r  udruga\t\r  Šuma\t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Natko\t\r  Stipaničev\t\r  \nodobreno:\t\r  400.000,00\t\r  kn\t\r  \n„Izgubljeni\t\r  sin“\t\r  je\t\r  vješto\t\r  zaokruženo\t\r  filmsko\t\r  djelo\t\r  namijenjeno\t\r  odrasloj\t\r  publici\t\r  koje\t\r  se\t\r  poigrava\t\r  idejom\t\r  \nsupstitucije\t\r  ljudskog\t\r  i\t\r  animalnog\t\r  u\t\r  jednom\t\r  običnom\t\r  -­‐\t\r  suvremenom\t\r  kućanstvu.\t\r  Istražuje\t\r  kompleksnost\t\r  \nodnosa\t\r  čovjeka\t\r  i\t\r  životinje\t\r  te\t\r  se\t\r  kreće\t\r  u\t\r  rasponu\t\r  od\t\r  nježnosti\t\r  i\t\r  idealizacije\t\r  ustoličene\t\r  u\t\r  viziji\t\r  dresiranog\t\r  \nkućnog\t\r  ljubimca\t\r  do\t\r  nesvjesnog\t\r  nadomještanja\t\r  autentičnih\t\r  emocija\t\r  gdje\t\r  odnos\t\r  čovjek-­‐životinja\t\r  poprima\t\r  \nsve\t\r  osobine\t\r  odnosa\t\r  majka/otac\t\r  -­‐\t\r  dijete.\t\r  \t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  LIJA\t\r  JULIJA\t\r  I\t\r  KRIJESNICE\t\r  \nprodukcija:\t\r  3D2D\t\r  Animatori\t\r  d.o.o.\t\r  \nscenarij:\t\r  Višnja\t\r  Skorin\t\r  \nrežija:\t\r  Katarina\t\r  Jukić\t\r  \nodobreno:\t\r  300.000,00\t\r  kn\t\r  \n„Lija\t\r  Julija\t\r  i\t\r  krijesnice“\t\r  je\t\r  zaokružen\t\r  animirani\t\r  film\t\r  s\t\r  jasnom\t\r  i\t\r  poučnom\t\r  pričom\t\r  bogatog\t\r  vizuala,\t\r  \ndramaturško-­‐pripovjedački\t\r  namijenjen\t\r  djeci\t\r  predškolske\t\r  i\t\r  niže\t\r  osnovnoškolske\t\r  dobi.\t\r  Kako\t\r  pomiriti\t\r  želje\t\r  i\t\r  \nsreću,\t\r  uvijek\t\r  je\t\r  univerzalna\t\r  tema\t\r  koju\t\r  djeca\t\r  rado\t\r  propituju\t\r  i\t\r  kojoj\t\r  se\t\r  kao\t\r  odrasli\t\r  često\t\r  vraćaju.\t\r  Uz\t\r  \nklasično\t\r  uspostavljen\t\r  koncept,\t\r  ukusno\t\r  razigrani\t\r  vizual,\t\r  prispodobljive\t\r  dijaloge,\t\r  te\t\r  zahvalne\t\r  i\t\r  prilagođeno\t\r  \npriči\t\r  oblikovane\t\r  likove,\t\r  projekt\t\r  ima\t\r  mogućnosti\t\r  uspostaviti\t\r  se\t\r  kao\t\r  animirani\t\r  edukativni\t\r  serijal\t\r  za\t\r  djecu.\t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  MOOON\t\r  \nprodukcija:\t\r  Igubuka\t\r  d.o.o.\t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Ivana\t\r  Guljašević\t\r  Kuman\t\r  \nodobreno:\t\r  120.000,00\t\r  kn\t\r  \n„MOOON“\t\r  je\t\r  simpatična,\t\r  duhovita\t\r  i\t\r  djeci\t\r  prilagođena\t\r  priča\t\r  koja\t\r  se\t\r  odvija\t\r  u\t\r  seoskom\t\r  dvorištu\t\r  čiji\t\r  se\t\r  \nprotagonisti\t\r  –\t\r  domaće\t\r  životinje\t\r  suočavaju\t\r  s\t\r  kravom\t\r  i\t\r  njenim\t\r  neslanim\t\r  šalama.\t\r  Klasično\t\r  postavljen\t\r  i\t\r  \nzamišljen\t\r  film,\t\r  kako\t\r  vizualno\t\r  tako\t\r  i\t\r  pripovjedački,\t\r  kroz\t\r  niz\t\r  gegova\t\r  i\t\r  temu\t\r  koja\t\r  se\t\r  odnosi\t\r  na\t\r  pojam\t\r  zločina\t\r  \ni\t\r  kazne,\t\r  usput\t\r  progovara\t\r  o\t\r  potrebi\t\r  razbijanjem\t\r  dnevne\t\r  rutine,\t\r  ali\t\r  isto\t\r  tako\t\r  i\t\r  o\t\r  navikama.\t\r  \t\r  \nRiječ\t\r  je\t\r  o\t\r  filmu\t\r  bez\t\r  dijaloga,\t\r  likovi\t\r  su\t\r  klasično\t\r  postavljeni,\t\r  a\t\r  cjeli\t\r  vizual\t\r  prati\t\r  autoričin\t\r  dosadašnji\t\r  stil\t\r  koji\t\r  \nse\t\r  u\t\r  potpunosti\t\r  uklapa\t\r  u\t\r  jednostavnu,\t\r  ali\t\r  efektnu\t\r  i\t\r  zabavnu\t\r  filmsku\t\r  priču.\t\r  \n\n\f\nnaziv\t\r  projekta:\t\r  PSIHONAUTI\t\r  \nprodukcija:\t\r  Hrvatska\t\r  udruga\t\r  digitalnih\t\r  umjetnika\t\r  -­‐HUDU\t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Niko\t\r  Radas\t\r  \nodobreno:\t\r  290.000,00\t\r  kn\t\r  \n„Psihonauti“\t\r  su\t\r  zamišljeni,\t\r  vođeni\t\r  i\t\r  ostvaruju\t\r  se\t\r  u\t\r  prilikama\t\r  i\t\r  uvjetima\t\r  koji\t\r  u\t\r  potpunosti\t\r  podržavaju\t\r  i\t\r  \nispunjavaju\t\r  priču-­‐stanje-­‐situaciju\t\r  koja\t\r  je\t\r  relevantna\t\r  u\t\r  sadašnjim\t\r  okolnostima\t\r  i\t\r  okolini\t\r  koja\t\r  žudi\t\r  za\t\r  \noporavkom,\t\r  ali\t\r  ne\t\r  poznaje\t\r  mehanizme\t\r  i\t\r  metode\t\r  koje\t\r  bi\t\r  je\t\r  mogle\t\r  ozdraviti.\t\r  U\t\r  tehnici\t\r  lutkarske\t\r  stop\t\r  \nanimacije\t\r  film\t\r  propituje\t\r  uporabu\t\r  lijekova\t\r  i\t\r  njihov\t\r  učinak\t\r  na\t\r  zdravlje\t\r  psihički\t\r  oboljelih\t\r  osoba.\t\r  Autor\t\r  se\t\r  \novim\t\r  filmom\t\r  nastavlja\t\r  na\t\r  svoj\t\r  dosadašnji\t\r  filmski\t\r  rad\t\r  s\t\r  temama\t\r  psihijatrije.\t\r  \n\t\r  \nnaziv\t\r  projekta:\t\r  TRANSFUZIJA\t\r  \nprodukcija:\t\r  Ustanova\t\r  Zagreb\t\r  film\t\r  \nscenarij\t\r  i\t\r  režija:\t\r  Igor\t\r  Bojan\t\r  Vilagoš\t\r  \nodobreno:\t\r  290.000,00\t\r  kn\t\r  \nFilm\t\r  Transfuzija\t\r  se\t\r  jasno\t\r  iskazuje\t\r  i\t\r  pripovjedno\t\r  i\t\r  vizualno,\t\r  a\t\r  komparativno\t\r  prati\t\r  i\t\r  objašnjava\t\r  rezultate\t\r  \ncivilizacijskog\t\r  sukoba\t\r  služeći\t\r  se\t\r  simbolikom\t\r  i\t\r  stilom\t\r  umjetničkih\t\r  pravaca\t\r  s\t\r  početka\t\r  dvadesetog\t\r  stoljeća,\t\r  \nponajviše\t\r  talijanskog\t\r  futurizma,\t\r  ruskog\t\r  suprematizma\t\r  i\t\r  konstruktivizma,\t\r  švicarskog\t\r  dadaizma\t\r  i\t\r  njemačke\t\r  \narhitektonske\t\r  škole\t\r  Bauhaus.\t\r  \nRazlog\t\r  za\t\r  takvim\t\r  oblikovanjem\t\r  autor\t\r  je\t\r  pronašao\t\r  u\t\r  činjenici\t\r  da\t\r  su\t\r  ti\t\r  umjetnički\t\r  pravci\t\r  u\t\r  svome\t\r  izričaju\t\r  \nstremili\t\r  društvenom\t\r  napretku\t\r  glorificirajući\t\r  za\t\r  to\t\r  vrijeme\t\r  napredne\t\r  ideologije\t\r  i\t\r  tehnologije\t\r  kao\t\r  i\t\r  nove\t\r  \nkomunikacijske\t\r  formate.\t\r  Služeći\t\r  se\t\r  europskim\t\r  umjetničkim\t\r  nasljeđem,\t\r  film\t\r  se\t\r  vizualno\t\r  uobličio\t\r  i\t\r  \npotkrijepio\t\r  priču\t\r  o\t\r  sukobu\t\r  i\t\r  pomirenju\t\r  različitih\t\r  civilizacijskih\t\r  vrijednosti.\t\r  \n\t\r  \n","warnings":["text_only_ingestion_summary_pending"],"document":{"program_type":"proizvodnja","year":null,"rok":null,"referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RPR_DOKUMENTARNI_2rok_2021_WEB.pdf","filename_decoded":"Obrazlozenje_RPR_DOKUMENTARNI_2rok_2021_WEB.pdf","sha256":"ff4f60f4bd3d46a4a291db42a08210926c89e2bab088e2f7f5c634cc2baecae2","bytes":158509,"page_count":2,"extracted_at":"2026-05-17T12:02:09Z","extractor":"narratives-backfill","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RPR_DOKUMENTARNI_2rok_2021_WEB.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA, 2. ROK 2021. / DOKUMENTARNI FILM \nMorana Ikić Komljenović \n1 \n \nJAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 2. ROK, 2021. \nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Morana Ikić Komljenović \nKATEGORIJA:  POTICANJE RAZVOJA SCENARIJA I RAZVOJA PROJEKATA DUGOMETRAŽNIH IGRANIH, DUGOMETRAŽNIH \nDOKUMENTARNIH I ANIMIRANIH FILMOVA – RAZVOJ PROJEKATA DUGOMETRAŽNIH DOKUMENTARNIH FILMOVA – 14. rujna \n2021. \n \nOPĆI OSVRT \n_______________________________________________________________________________________________ \n \nNa javni poziv u kategoriji poticanja razvoja projekta dugometražnog dokumentarnog filma u 2. roku prijavljeno je sveukupno 11 \nprojekata. Svi projekti su razmatrani.  \nVećina pristiglih projekata filmski su eseji u opservacijsko-poetskoj formi. Ističu se i dva kreativna istraživačka filma. Autori čine \niskorak u kreativnoj obradi, pa koriste elemente pseudodokumentarnog, animiranog filma, ali i intervencije u prostoru.  \nPredlažem Hrvatskom audiovizualnom vijeću ukupno 6 projekata za sufinanciranje u ovoj kategoriji u ukupnom iznosu od \n570.000,00 kn. Smatram da će predloženim projektima kvalitetna faza razvoja biti iznimno korisna u osnaživanju projektnih \n(produkcijskih i kreativnih) kapaciteta za bolji doseg prema partnerima i u procesu kreiranja publike i njena interesa. \n \n1. Brod u dvorištu Tonći Gaćina (scenarist i redatelj) / Tibor Keser i Ivan Perić (producenti) / Kompot (produkcija)  \nPredloženi iznos potpore: 100.000 kn \n«Brod u dvorištu» kojia nastaje prema kratkoj priči Jurice Pavičića je autentičan mediteranski film koji donosi novu perspektivu \nna poznate motive. Glavni protagonisti su muškarci, a njihove sudbine neodvojive od umirućih nasukanih brodova o kojima se \nskrbe. Autor na zanimljiv način gradi neobičan suodnos melankolije i muževnosti, suodnos transkodiran u mediteranske \nprepoznatljive simbole. \n2. Brdo: Epicentar Monika Herceg (redateljica i scenaristica) / Sabina Krešić (producentica) / Fantastično dobra \ninstitucija – Fade In (produkcija) \nPredloženi iznos potpore: 90.000 kn \nKratak sadržaj iz prijavnice:  \n«Brdo: Epicentar» je samo je naoko intiman obiteljski portret autoričine majke koji je uronjen u kontekst posljedica razornog \npotresa na području Sisačko-moslovačke županije. U pozadini ovog portreta nalazi se dubinska analiza otuđenosti kao posljedice \nrata, siromaštva, nacionalizma, netrpeljivosti, razaranja i prirodnih katastrofa. Tankoćutnost redateljice izdiže ovaj dokumentarni \nprojekt iz intimne obiteljske sfere u univerzalno prepoznatljiv ekološki kontekst – ekologije prirode i ekologije ljudskog duha i \nmeđuljudskih odnosa. \n3. Kuće na pijesku Mario Piragić (scenarist) / Vid Begić (redatelj) / Oliver Sertić i Suzana Erbežnik (producenti) / Restart \n(produkcija) \nPredloženi iznos potpore: 100.000 kn \n„Kuće na pijesku“ poetsko je istraživački film usmjeren na događanja nakon razornog potresa koji je pogodio sisačko područje u \nprosincu 2020. godine. Osim prikaza stanja neposredno nakon katastrofe i pogleda prema onima koji su prvi reagirali u nakani da \npomognu stradalima, otkrivaju se i nečasni procesi koji slijede – profiterstvo, neosjetljivost administrativno-birokratskog aparata \nprema stanovništvu koje pokušava obnoviti svoje živote, ali i zataškavanje mogućih malverzacija fondovima za post-ratnu \nobnovu.  \n \n\n\f\nJAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA, 2. ROK 2021. / DOKUMENTARNI FILM \nMorana Ikić Komljenović \n2 \n \n4. Hodam Sara Hribar (scenaristica i redateljica) / Jure Bušić (producent) /  Jaka produkcija d.o.o. 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Iako se radnja kreće u okviru analize lika, djela i nedjela \nmarginalnog i kontroverznog Satana Panonskog, projekt koji se planira donosi autentičan pogled na kompleksan odnos malih \nsredina prema drugačijima i neuklopivima. Debitantski redateljski projekt glazbenika Stjepka Galovića – Kandžije svojevrsna je i \nposredna autobiografija i iskren pogled prema maloj slavonskoj sredini. \n6. Grofica  Ana Vilenica (scenaristica i redateljica) / Edi Mužina (producent) /  Fun da Mental (produkcija)  \nPredloženi iznos potpore: 100.000 kn \n«Grofica» je dokumentarni film s elementima kreativne i nestandardne animacije koji u fokus donosi izazove s kojima se susreću \noboljeli od multiple skleroze, autoimune bolesti koja napada živčani sustav. Ovaj prikaz ima formu kriminalističkog istraživanja i \nkoristi iskaze kao svjedočanstva i dokazni postupak, a poglavlja niže poput faza u dokaznom postupku. 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ROK - 11.3.2026.\n35. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 19. lipnja 2026.\ndugometražni dokumentarni film - trajanje nije kraće od 60 minuta\nR.br. NASLOV PRODUCENT SCENARIST/-ICA REDATELJ ODOBRENO (€)\nFantastično dobra\n1 Ja, Tanguera Ljiljana Šišmanović Ljiljana Šišmanović 18.000,00\ninstitucija - Fade In d.o.o.\nKatarina Pejović, Tamara\n2 Ljiljana Wolfgang i Dolly d.o.o. 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ROK - 11.3.2026.\n35. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 19. lipnja 2026.\nanimirani film - trajanje nije kraće od 5 minuta\nAUTOR IZVORNOG\nR.br. NASLOV PRODUCENT SCENARIST/-ICA REDATELJ ODOBRENO (€)\nPREDLOŠKA\n1 Izgladnjela svinja Jadranska animacija Laura Martinović Laura Martinović 5.000,00\n2 Jagorova šuma Greta Creative Network Sven Klobučar David Lušičić 5.000,00\nFilm je baziran na stripu\nDarko Bakliža, Krešimir Krešimira Zimonića,\n3 Portret za sjećanje Drybrush Studio d.o.o. Krešimir Zimonić 5.000,00\nZimonić naziva \"Kako je nastao\nsocrealizam\" iz 1978.\n4 Potres Kreativni sindikat Martina Meštrović Martina Meštrović 5.000,00\nHrvatska udruga\n5 Terapijski vikend digitalnih umjetnika - Niko Radas Niko Radas 5.000,00\nHUDU\nUKUPNO 25.000,00","warnings":[],"document":{"program_type":"razvoj_projekata","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: poticanje razvoja scenarija i razvoja projekata dugometražnih igranih, dugometražnih dokumentarnih i animiranih filmova - podkategorija: RAZVOJ PROJEKATA u 2026. - 1. 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ROK - 10.3.2026.\n34. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 18. lipnja 2026.\nanimirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute\nAUTOR IZVORNOG\nR.br. NASLOV SCENARIST/-ICA PRODUCENT REDATELJ ODOBRENO (€)\nPREDLOŠKA\nRona Žulj, Luka Sven Popović \"Mali i\n1 Mali i Levijatan Luka Rukavina 4.000,00\nRukavina Levijatan\"\ndokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta\nAUTOR IZVORNOG\nR.br. NASLOV SCENARIST/-ICA PRODUCENT REDATELJ ODOBRENO (€)\nPREDLOŠKA\nDobra ekonomija III.\n2 Đuro Gavran Pipser d.o.o. Đuro Gavran 6.000,00\nsezona\n3 Linije Bauhausa Dalija Dozet Dalija Dozet 9.000,00\n4 Mi to tako Luka Tokić Luka Tokić 5.000,00\nPosljednji pastiri VECTIVUS, vl. 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ROK - 24.4.2026. - 34. sjednica\nHrvatskog audiovizualnog vijeća, 18. lipnja 2026.\nNOSITELJ ODOBRENA\nNASLOV FILMA KATEGORIJA FILMA REDATELJ PRODUCENT DISTRIBUTER\nPRIJAVE SREDSTVA (€)\nFilmosaurus Rex dugometražni animirani Arsen Anton Filmosaurus Rex Duplicato Media\n1 Kristalni planet 25.000,00\nd.o.o. film Ostojić d.o.o. d.o.o.\ndugometražni\nYugo ide u Filip Grujić,\n2 Restart dokumentarni film - Restart Restart 4.000,00\nAmeriku Aleksa Borković\nmanjinska koprodukcija\nProdukcija Živa\n3 JUČER d.o.o. Štriguni dugometražni igrani film Aldo Tardozzi Jučer d.o.o. 11.000,00\nd.o.o\nUmjetnička\nUmjetnička Umjetnička\norganizacija dugometražni igrani film -\n4 Nezahvalna bića Olmo Omerzu organizacija Zagreb organizacija Zagreb 3.500,00\nZagreb Film manjinska koprodukcija\nFilm Festival Film Festival\nFestival\n43.500,00\nTrg Josipa Jurja Strossmayera 4 | 10000 Zagreb | Croatia\nTel: +385 1 6041 080 | Fax: +385 1 4667 819\nOIB: 27103918402 | www.havc.hr | havc@havc.hr","warnings":[],"document":{"program_type":"distribucija","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE DISTRIBUCIJE FILMOVA u 2026. - 2. ROK - 24.4.2026. - 34. sjednica Hrvatskog audiovizualnog vijeća, 18. lipnja 2026.","year":2026,"rok":"2. rok","natjecaj_date":"2026-04-24","decision_date":"2026-06-18","decision_body":"Hrvatsko audiovizualno vijeće","currency":"EUR","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["NOSITELJ PRIJAVE","NASLOV FILMA","KATEGORIJA FILMA","REDATELJ","PRODUCENT","DISTRIBUTER","ODOBRENA SREDSTVA (€)"],"rows":[{"row_number":1,"project_title":"Kristalni planet","applicant":"Filmosaurus Rex d.o.o.","production_company":"Filmosaurus Rex d.o.o.","director":"Arsen Anton Ostojić","writer":null,"original_author":null,"category":"dugometražni animirani film","approved_amount_text":"25.000,00","approved_amount":25000.0,"currency":"EUR","extras":{"distributer":"Duplicato Media d.o.o."},"row_id":"ce7d87e7:s0:4a5963de12ff","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_32fbb55de227","project_family_title":"Kristalni planet"},{"row_number":2,"project_title":"Yugo ide u Ameriku","applicant":"Restart","production_company":"Restart","director":"Filip Grujić, Aleksa Borković","writer":null,"original_author":null,"category":"dugometražni dokumentarni film - manjinska koprodukcija","approved_amount_text":"4.000,00","approved_amount":4000.0,"currency":"EUR","extras":{"distributer":"Restart"},"row_id":"ce7d87e7:s0:9af65001337a","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_7bd5c518761a","project_family_title":"Yugo ide u Ameriku"},{"row_number":3,"project_title":"Štriguni","applicant":"JUČER d.o.o.","production_company":"Produkcija Živa d.o.o","director":"Aldo Tardozzi","writer":null,"original_author":null,"category":"dugometražni igrani film","approved_amount_text":"11.000,00","approved_amount":11000.0,"currency":"EUR","extras":{"distributer":"Jučer d.o.o."},"row_id":"ce7d87e7:s0:1d36191ba0c9","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_42336a2bb443","project_family_title":"Štriguni"},{"row_number":4,"project_title":"Nezahvalna bića","applicant":"Umjetnička organizacija Zagreb Film Festival","production_company":"Umjetnička organizacija Zagreb Film Festival","director":"Olmo Omerzu","writer":null,"original_author":null,"category":"dugometražni igrani film - manjinska koprodukcija","approved_amount_text":"3.500,00","approved_amount":3500.0,"currency":"EUR","extras":{"distributer":"Umjetnička organizacija Zagreb Film Festival"},"row_id":"ce7d87e7:s0:d6f565409472","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_b8d061d7e63f","project_family_title":"Nezahvalna bića"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":"43500.00","ukupno":43500.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":43500.0,"ukupno_match":true,"row_count":4,"awarded_count":4,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":4}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati  AV JP MEĐ 2026. - 2. rok.pdf","filename_decoded":"rezultati  AV JP MEĐ 2026. - 2. rok.pdf","sha256":"ba5661aaa2d33e1daa630090d852789fd91895e33a358168ee4811f1286da3fc","bytes":62385,"page_count":4,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20%20AV%20JP%20ME%C4%90%202026.%20-%202.%20rok.pdf"},"raw_text":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2026. - PROGRAMI MEĐUNARODNE\nSURADNJE - ROK 14.4.2026., 34. sjednica Hrvatskog audiovizualnog vijeća 18.6. 2026.\nODOBRENA POTPORA\nPODNOSITELJ PROGRAM\n(€)\nSudjelovanje Matije Drnikovića na programu\n1 Wolfgang i Dolly d.o.o. 875,34 €\nBerlinale Talents\n\"Između baštine i filma\" - predstavljanja programa i\nMultimedijalna umjetnička organizacija\n2 projekata filmske pismenosti Bacača sjenki u 2.000,00 €\nBacači Sjenki\nWellingtonu-Novi Zeland\nSvjetska premijera kratkog filma BILJEG /\n3 Robot 22 d.o.o. BIRTHMARK na 48. Međunarodnom festivalu 401,99 €\nkratkog filma u Clermont-Ferrandu\nSvjetska premijera kratkog filma DUGI SATI DVIJE\nLABORATORIJSKE ASISTENTICE / THE WEARY\n4 Robot 22 d.o.o. 395,32 €\nHOURS OF TWO LAB ASSISTANTS na 76.\nBerlinaleu\nSudjelovanje ekipe filma na svjetskoj premijeri filma\n5 Eclectica d.o.o. \"Koke na Međunarodnom filmskom festivalu u 4.017,31 €\nRotterdamu 2026\nSudjelovanje ekipe filma na svjetskoj premijeri filma\n6 Eclectica d.o.o. \"Vjetar u leđa\" na Međunarodnom filmskom 2.853,22 €\nfestivalu u Rotterdamu 2026\nSudjelovanje producentice Marte Eva Mećave na\n7 Eclectica d.o.o. 330,92 €\nRotterdam Labu 2026\nSudjelovanje na Clermont Ferrand filmskom\n8 Vertigo Media d.o.o. festivalu, premijera filma \"Biljeg\" (manjinska 805,48 €\nhrvatska koprodukcija)\nPredstavljanje filma \"Dugi sati dvije laboratorijske\n9 Vertigo Media d.o.o. asistentice\" u sklopu 76. filmskog festivala u 328,72 €\nBerlinu\n10 Akademija dramske umjetnosti POLUOTOK na festivalu Clermont-Ferrand 874,00 €\n11 Kinoklub Karlovac Sudjelovanje na VBU Film Days 2026 u Švedskoj 999,99 €\nSudjelovanje na Europskom filmskom marketu i\n12 Split Screen, vl. Marcella Jelić 518,76 €\nFestivalu u Berlinu 2026\nSudjelovanje u programu stručnog usavršavanja\n25 FPS, Udruga za audio-vizualna\n13 na Go Short Film Festivalu u Nijmegenu, 2.000,00 €\nistraživanja\nNizozemska\nSudjelovanje filma \"Lijepa večer, lijep dan\" na\n14 Četiri film d.o.o. festivalu Cleveland International Film Festival u 4.000,00 €\nSAD\nSudjelovanje ekipe filma na svjetskoj premijeri filma\n15 Eclectica d.o.o. \"Imaginarni brojevi\" na Međunarodnom festivalu u 2.320,66 €\nBerllinu\nSudjelovanje Filipa Zadre na 11. FIAF\n16 Hrvatski filmski savez - HFS Programming Winter School i 13. Cinémathèque 1.000,00 €\nfrançaise Festivalu\nSudjelovanje Tatjane Aćimović na 11. FIAF\n17 Hrvatski filmski savez - HFS Programming Winter School u sklopu 525,00 €\nCinémathèque française Festivala\nSaima: Prizori iz krize srednjih godina; Cartoon\n18 Jadranska animacija 1.003,50 €\nMovie Bordeaux 2026\nMeđunarodna premijera dugometražnog igranog\n19 PomPom Film d.o.o. filma \"Glavonja\" u natjecateljskom programu 43. 4.690,15 €\nizdanja švedskog BUFF-a\nSudjelovanje u programu MIDPOINT Homecoming\n20 Udruga Marinis Media 477,01 €\nu Pragu\nSudjelovanje redatelja Damira Markovine i\n21 Wolfgang i Dolly d.o.o. producentice Tamare Babun Zovko na Movies that 892,72 €\nMatter Festival 2026.\n22 Akademija dramske umjetnosti „Bez zamjere“ na East Doc Marketu 2026 540,00 €\nSudjelovanje na Međunarodnom festivalu\n23 Split Screen, vl. Marcella Jelić dokumentarnog filma u Kopenhagenu CPH:DOX 318,90 €\n2026\nKratki film DUGI SATI DVIJE LABORATORIJSKE\nASISTENTICE / THE WEARY HOURS OF TWO\n24 Robot 22 d.o.o. 239,88 €\nLAB ASSISTANTS na 48. Cinéma du Réel\nfestivalu u Parizu\nSudjelovanje Davora Sanvincentija i predstavljanje\nfilma \"Rijeka\" na izložbi Circuits of Chance, u\n25 Davor Sanvincenti 1.437,11 €\nustanovi Nam June Paik Art Center u Yonginu,\nRepublika Koreja\nPromocija filma \"Planina\" (\"To Hold a Mountain\") i\n26 Eva Kraljević gostovanje direktorice fotografije Eve Kraljević na 299,92 €\nfestivalu CPH:DOX u Kopenhagenu\nPredstavljanje filma \"Dugi sati dvije laboratorijske\n27 Vertigo Media d.o.o. 844,72 €\nasistentice\" na Cinema du Reel (Pariz, FR)\nSudjelovanje na konferenciji Youth Cinema\n28 Filmsko-kreativni studio Vanima 798,54 €\nNetwork u Limericku, Irska\nSvjetska premijera filma \"Yugo ide u Ameriku\" na\n29 Restart 2.200,00 €\nfestivalu CPH:DOX u Kopenhagenu\nSudjelovanje na konferenciji Youth Cinema\n30 Rebeka Čuljak 289,47 €\nNetwork i Fresh Film Festivalu u Limericku, Irska\nSudjelovanje producenta Siniše Juričića u sklopu\n31 Nukleus Film d.o.o. CineLink delegacije na festivalu Series Mania u 1.000,00 €\nLilleu, Francuska\nSudjelovanje producenta Siniše Juričića u\n32 Nukleus Film d.o.o. programu ACE Annual Reunion u Bratislavi, 405,00 €\nSlovačka\nSudjelovanje Sanje Zanki Pejić na međunarodnom\n33 Hrvatski filmski savez - HFS 331,00 €\nfilmskom festivalu mladih Fresh Film Festival\nSudjelovanje na konferenciji Youth Cinema\n34 Rene Ipša 289,47 €\nNetwork i Fresh Film Festivalu u Limericku, Irska\nSudjelovanje na Youth Cinema Network/Fresh Film\n35 Kinoklub Karlovac 490,83 €\nFestival u Irskoj\nSudjelovanje filma \"Četiri\" na festivalu Filmfest\n36 Kreativni sindikat 758,12 €\nDresden 2026.\nDruštvo hrvatskih audiovizualnih Sudjelovanje na godišnjoj skupštini i konferenciji\n37 900,00 €\nprevoditelja AVTE-a u Varšavi\nSudjelovanje redatelja i producenta filma \"Novi\n38 Petnaesta umjetnost d.o.o. 658,29 €\nživot\" u programu Beldocs in Progress u Beogradu\nSudjelovanje na Hong Kong International Film\n39 Sara Simić 489,46 €\nFestivalu (HKIFF), kao članica žirija FIPRESCI\nSudjelovanje filma \"Crni dim predviđanja\" na\n40 Damir Šuša festivalu Mediawave International Film and Music 182,45 €\nGathering u mjestu Szigliget Várudvar, Mađarska\nSudjelovanje na projekcijama filma \"Fiume o\n41 Igor Bezinović morte!\" u SAD-u (New York i Portland) i Kanadi 610,00 €\n(Edmonton)\nSudjelovanje producentice Veronike Milinović u\n42 Udruga Blank programu Producers Campus, u sklopu festivala 320,12 €\nGo Short u Nijmegenu\nSudjelovanje u programu Mastering AI for\n43 Pipser d.o.o. European Film Professionals (MAIEFP) - 1. modul 3.000,00 €\nu Kopenhagenu\nSudjelovanje redatelja i scenarista Andreja\n44 Andrej Korovljev Korovljeva u programu MIDPOINT Homecoming u 258,41 €\nPragu\nSudjelovanje na manifestaciji Festival\n45 Centar za dramsku umjetnost - CDU Internacional de Cine de Cartagena de Indias 554,97 €\n(FICCI) u Kolumbiji\nSudjelovanje u programu CineLink Drama u Bosni\n46 Pipser d.o.o. i Hercegovini - 1. modul na Jahorini (23.04. - 403,38 €\n27.04.)\nSudjelovanje scenarista Nikole Kuprešanina i\n47 Nukleus Film d.o.o. producenta Siniše Juričića na 1. modulu programa 401,76 €\nCineLink Drama u Jahorini, Bosna i Hercegovina\n48 Akademija dramske umjetnosti Od jutra do sutra na SEEfestu u Los Angelesu 1.976,00 €\nSavez scenarista i pisaca izvedbenih Sudjelovanje SPID-a u programu Labour Transfer\n49 600,00 €\ndjela School u Buggerru, Italija\nIzložba djela Ivana Faktora - Fritz Lang und Ich - u\n50 Umjetnička organizacija Maximum 1.000,00 €\nGoethe-Institutu, u Beogradu\nSudjelovanje filma \"Obilaznice\", redateljice Vide\n51 Studio Pangolin 832,85 €\nGuzmić, na Arquiteturas Film Festivalu u Portugalu\nNoć hrvatskog filma i novih medija, Noć hrvatskog filma i novih medija u Češkoj,\n52 3.500,00 €\nU.O. Njemačkoj, Bosni i Hercegovini i Mađarskoj\nIKA - Istarska kulturna agencija - Program \"Istra u kadru - Istra u gostima\" u\n53 300,00 €\nAgenzia culturale Istriana Sloveniji\nSudjelovanje u programu CineLink Drama u Bosni\n54 Dinaridi film d.o.o. i Hercegovini - 1. modul na Jahorini (23.04. - 205,71 €\n27.04.)\nSudjelovanje filma \"Vremeplovke\" na Istanbul\n55 Studio Pangolin 1.230,29 €\nInternational Experimental Film Festivalu\nUdruga za audiovizualno stvaralaštvo\n56 Ciklus hrvatskog filma u Vojvodini 2026. 3.500,00 €\nArtizana\nSudjelovanje filma \"Isti znoj i dalje teče kroz te iste\n57 Studio Pangolin pore\" na Istanbul International Experimental Film 352,40 €\nFestivalu\nSudjelovanje u programu CANNESERIES Writers\n58 Daria Stilin Club, u sklopu festivala CANNESERIES (Cannes 432,47 €\nInternational Series Festival)\nUKUPNO 63.261,61 €","warnings":[],"document":{"program_type":"medjunarodna_suradnja","natjecaj_title":"JAVNI POZIV ZA DODJELU SREDSTAVA ZA POTICANJE KOMPLEMENTARNIH DJELATNOSTI U 2026. - PROGRAMI MEĐUNARODNE SURADNJE - ROK 14.4.2026., 34. sjednica Hrvatskog audiovizualnog vijeća 18.6. 2026.","year":2026,"rok":"2. rok","natjecaj_date":"2026-04-14","decision_date":null,"decision_body":"Hrvatsko audiovizualno vijeće","currency":"EUR","currency_inferred":false},"sections":[{"section_label":null,"section_key":null,"columns":["PODNOSITELJ","PROGRAM","ODOBRENA POTPORA (€)"],"rows":[{"row_number":1,"project_title":"Sudjelovanje Matije Drnikovića na programu Berlinale Talents","applicant":"Wolfgang i Dolly d.o.o.","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"875,34 €","approved_amount":875.34,"currency":"EUR","extras":{},"row_id":"ba5661aa:s0:7ccc4aa7d7a2","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_442037f3da35","project_family_title":"Sudjelovanje Matije Drnikovića na programu Berlinale Talents"},{"row_number":2,"project_title":"\"Između baštine i filma\" - predstavljanja programa i projekata filmske pismenosti Bacača sjenki u Wellingtonu-Novi Zeland","applicant":"Multimedijalna umjetnička organizacija Bacači Sjenki","production_company":null,"director":null,"writer":null,"original_author":null,"category":null,"approved_amount_text":"2.000,00 €","approved_amount":2000.0,"currency":"EUR","extras":{},"row_id":"ba5661aa:s0:8468051219d7","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_06c8501a4569","project_family_title":"\"Između baštine i filma\" - predstavljanja programa i projekata filmske pismenosti Bacača sjenki u Wellingtonu-Novi Zeland"},{"row_number":3,"project_title":"Svjetska premijera kratkog filma BILJEG / BIRTHMARK na 48. 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€","approved_amount":11500.0,"currency":"EUR","extras":{},"row_id":"2aa85b87:s5:0363a78ed4cc","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_e4cf86255b7e","project_family_title":"Heat"}],"section_total_text":null,"section_total":null},{"section_label":"kratkometražni igrani filmovi","section_key":null,"columns":["NAZIV FILMA","REDATELJ/ICA","HRVATSKI PRODUCENT","ODOBRENA SREDSTVA (€)"],"rows":[{"row_number":11,"project_title":"The Golden Touch","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":"Matěj Paclík","writer":null,"original_author":null,"category":"kratkometražni igrani filmovi","approved_amount_text":"16.000,00 €","approved_amount":16000.0,"currency":"EUR","extras":{},"row_id":"2aa85b87:s6:64296ac50a2a","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_8a362935f560","project_family_title":"The Golden Touch"}],"section_total_text":null,"section_total":null}],"totals":{"ukupno_text":"399.000,00 €","ukupno":399000.0,"sveukupno_text":null,"sveukupno":null},"validation":{"rows_sum":399000.0,"ukupno_match":true,"row_count":11,"awarded_count":11,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"},"curation":{"version":"2.0","reviewed_at":"2026-07-30T17:24:04Z","result_rows":11}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje Animirani_Proizvodnja_01_Rok_2026(1).pdf","filename_decoded":"web obrazlozenje Animirani_Proizvodnja_01_Rok_2026(1).pdf","sha256":"d237c8bed1f91871e9a33a5eafb81e448155bc4301e9e2c9b7aede66631e61be","bytes":30336,"page_count":3,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20Animirani_Proizvodnja_01_Rok_2026%281%29.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija:\npoticanje proizvodnje filmova, 1. rok 2026., animirani filmovi\nkategorija: poticanje proizvodnje animiranog filma\nrok: 1. rok 2026.\numjetnički savjetnik: Simon Bogojević Narath\nNa javni poziv u ovom roku pristigao je trideset i jedan projekt, među kojima su i dva\ndugometražna filma.\nZa financiranje su predložena i odobrena četiri projekta.\nKoncepti i tehnike variraju; od dječjeg filma do horor filma namijenjenog odrasloj publici,\nod festivalskog filma do filma namijenjenog kino distribuciji, kao što variraju i u\nscenarističko/konceptualnom pristupu, te spektru tema koji pokrivaju.\nProdukcijski gledano, zastupljene su gotovo sve tehnike, kao i njihove kombinacije - 2D,\n3D, stopmotion, hibridna forma. Ovakva raznorodnost je ohrabrujuća jer svjedoči o tome\nda unutar animiranofilmske autorske scene postoji raskoš poetika i pristupa filmu. Pri\nprosudbi sam se vodio konzistentošću predloženih projekata, ne samo sa\nscenarističko/dramaturškog aspekta, već i s animacijsko/likovnog te potencijalnog\ndistribucijsko/promotivnog aspekta. Uvidom u pristigle projekte, kod izvjesnog broja sam\ndetektirao učestale simptome koji otežavaju prosudbu, a tiču se prvenstveno načina\npripreme projekata, odnosno formatiranja scenarija i storyboarda, a za što se nadam da\nće do narednog roka biti otklonjeno.\nIznos odobren za sufinanciranje kratkometražnih animiranih filmova je 153.618,13 €.\nDugometražni projekt BESMRTNIK sufinanciran je sa 1.000.000,00 €.\nSveukupno: 1.153.618,13 €.\n1. naziv projekta: 9 PAUKOVA\nprodukcija: STUDIO DEVET d.o.o.\nscenarij i režija: Milan Trenc\niznos financiranja: 47.600 €\ntrajanje: 12’\ntehnika: Digitalna 2D animacija\nRiječ je o 2D animiranom filmu u predviđenom trajanju od 12 min. koji obrađuje i\nviše nego aktualnu temu sindroma pretjerane roditeljske brige o djeci, i uplivu koji\nnavedena praksa može imati na budućnost te iste djece. Način na koji je\nnavedena ozbiljna tema tretirana je neosuđujuć, dobronamjeran i duhovit, a što\nsmatram dobrodošlim. Sinopsis, scenarij i svi prateći vizualni materijali, kao i\nkoncepcijska obrazloženja strukturirani su dosljedno, pitko i jasno, pa je lako\nmoguće odrediti kojem smjeru projekt teži.\nTrencov karakteristični vizualni stil je za ovakav koncept idealan i uz korištenje\nadekvatnog – a planiranog animacijskog pristupa mogao bi rezultirati filmom koji\nposjeduje prikazivački potencijal i izvan festivalskog kruga.\n2. naziv projekta: TIŠINA\nprodukcija: Umjetnička Organizacija PULPA\nscenarij : Petra Zlonoga\nrežija: Petra Zlonoga\niznos financiranja: 55.000 €\ntrajanje: 7.30 min.\ntehnika: 2D i 3D animacija\nRiječ je o poetsko/filozofskom 2D animiranom filmu u planiranom trajanju od 7.30\nmin., namijenjenom odrasloj publici, a koji se bavi kontemplacijom o pojmu\nTišine. Priložena dokumentacija je pregledna, dosljedna i adekvatno oslikava\nautoričin koncept i namjeru. Planirana vizualna simbolika koristi slova, tipografiju\ni tekst kao gradivne jedinice likovnih „protagonista“, kao i postupke fraktalizacije\npojedinih elemenata. S aspekta filmskog pripovijedanja, odnosno filmske\nsintakse i obzirom na globalni koncepcijski pristup, klasični montažni prijelazi su\nvelikim dijelom zanemareni i time film potencijalno dobiva kontinuiranu vizualnu\nstrukturu. Redateljska koncepcija je čvrsto konstruirana, a pojedini skupovi\nznačenjsko/simboličkih vizualnih elemenata, u potenciji i obzirom na\ntehniku/materijal kojim je planirano da se film realizira, mogu dati jako zanimljiv\nrezultat.\n3. naziv projekta: ŽELIM BITI U KONTAKTU S PRIRODOM\nprodukcija: Umjetnička organizacija ANIMA\nscenarij i režija: Ana Horvat\niznos financiranja: 51.018,13 €\ntrajanje: 5 min.\nRiječ je o 2D kolažnom animiranom filmu u trajanju od 5 min. namijenjenom\nmladima i odraslima. Sa dramaturško/značenjskog aspekta film ima ambiciju\ngovoriti o autoričinom stavu prema dubiozama suvremenog društva, putem\nmetafora predočenih u obliku dvoje Protagonista, njihovog međusobnog\nproblematičnog i neskladnog odnosa, i prirode.\nPriloženi vizualni materijali sukladni su prosedeu koncepta koji je tonalitetom\nduhovito ciničan i na momente prezriv prema gluposti i zlobi glavnih\nProtagonista. U svojem planiranom „kolažnom neskladu“ vizual je u funkciji teze\nkoju film namjerava iskomunicirati. Knjiga snimanja izvedena je skicozno, ali\njasno i dosljedno prezentira autoričinu viziju i plan filmskog pripovijedanja.\n4. naziv projekta: BESMRTNIK\nprodukcija: Narrativium Design d.o.o.\nscenarij i režija: Kristijan Petrović, Renato Grgić\niznos financiranja: 1.000.000,00 €\ntrajanje: dugometražni film\ntehnika: 3D, 2D, motion capture\nRiječ je o dugometražnom 3D animiranom filmu (3D, 2D, motion capture). U\nsvojoj srži radi se o hibridu znanstvene fantastike, fantastike i akcijskog filma,\ngdje pratimo sudbinu niza protagonista, povezanih sa grčkim panteonom, kao što\nsu Apolon, Artemida, Ares i ostali te njihove međusobne sukobe i spletke\nvezane za Ambroziju – eliksir besmrtnosti. Usprkos naglašenom akcijskom\naspektu, ovaj film ima ambiciju progovoriti i o dubljim temama, kao što su strah\nod prolaznosti i smrti te moralno/etičkim paradoksima koji su vezani za težnju ka\nbesmrtnosti.\nScenarij je konstruiran čvrsto i žanrovski dosljedno. Narativna linija isprekidana je\nvremenskim skokovima, svojevrsnim „flashbackovima“, a koji su u potpunosti u\nfunkciji fabularne strukture. Ekspozicija likova i svijeta se događa postupno i\ngradacijski pa time filmsko planirano pripovijedanje pridonosi rastu interesa kod\ngledatelja – nije mu sve servirano odmah, što smatram ispravnim.\nKompletan vizualni prosede je visokoprofesionalno izveden i svjedoči o pomnoj,\nrazložnoj i detaljnoj pripremi filma od strane autorskog tima, što svjedoči o jasnoj\nviziji cjelokupnog projekta. Produkcijski pipeline je razložno i argumentirano\nprezentiran, i unutar domaćeg animiranofilmskog produkcijskog konteksta ovaj\nprojekt predstavlja tehnološki iskorak za koji smatram da je dobrodošao i\nstrateški važan. Zbog svega navedenog, smatram kako je distribucijsko –\nprikazivački potencijal ovog filma velik i kako izlazi iz okvira isključivo festivalske\ndistribucije.","warnings":[],"document":{"program_type":"proizvodnja","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje eksperimentalni filmovi 1 rok 2026.pdf","filename_decoded":"web obrazlozenje eksperimentalni filmovi 1 rok 2026.pdf","sha256":"920e7b1c7082fed302e0c528bcb9f8abf8a85e7da7ccc84c912f6371844395cc","bytes":110778,"page_count":3,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20eksperimentalni%20filmovi%201%20rok%202026.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija\nproizvodnje eksperimentalnog filma u 2026. godini – 1. rok; 12. 3. 2026.\nObrazloženje\nBranka Benčić, umjetnička savjetnica za eksperimentalni film\nNa prvi rok Javnog poziva za poticanje proizvodnje audiovizualnih djela u kategoriji\neksperimentalnog filma u 2026. godini pristigao je vidljivo povećan broj prijava u odnosu na\nprethodne godine. Radi se o ukupno 24 prijavljena projekta, za razliku od dosadašnjih npr. 14\nprijava. Iako različite kvalitete prijava i stupnja pripreme projekta i dostave materijala, sve su\nprijave osim jedne zadovoljile formalne uvjete, te su razmatrana 23 projekta. Od 23 prijavljena\nprojekata, pet (5) ih je bilo prethodno prijavljivano na javni poziv, u kategoriji\neksperimentalnog filma.\nU okviru radova pristiglih na javni poziv zastupljen je širok spektar kreativnih i\numjetničkih pozicija, žanrova i interesa: od relevantnih društvenih tema, interesa za\numjetnost, refleksa prošlosti u sadašnjosti, eksperimenta s dokumentarnim, filmskih eseja,\nindividualnih priča, osobnih arhiva, autorefleksivnosti, do vizualnih, medijskih i žanrovskih\nistraživanja, formalnog filmskog eksperimenta.\nOd 24 prijave, 11 je prijedloga kojima su autorice žene.\nPri odlučivanju razmatrala sam prema kriterijima Javnog poziva kvalitetu i jasnoću\nprijave, konceptualizaciju projekta iz koje je moguće razaznati osnovne ideje i polazišta filma\ni metodologiju rada; promišljanje medija, kvalitetu i razrađenost vizualnih referenci, svijest o\nkontekstu – povijesti eksperimenata u mediju filma ili videa, i suvremenim kretanjima u\nfilmskoj umjetnosti, izvedivost projekta u okviru operativnog i financijskog plana, plan\npromocije i dristribucije, te procjenu relevantnosti teme/projekta u kontekstu suvremene\naudiovizualne produkcije.\nZa sufinanciranje je predloženo i odobreno šest (6) projekata u ukupnom iznosu 195.000\nEUR.\nOd toga 4 projekta predstavljaju unaprijeđene i razrađene prijedloge iz prethodnog\nJavnog poziva. Od šest filmova 4 režiraju žene, a jedna je debitantica, odnosno jedan debitantski\nfilm u kategoriji eksperimentalnog filma.\nZajednička kvaliteta odabranih projekata očituje se u sposobnosti da društveno,\npovijesno ili osobno iskustvo prevedu u promišljen filmski oblik. U recentnoj produkciji filmski\nradovi propusnih granica između dokumentarnog i eksperimentalnog donose zanimljive\nfilmove i relevantne teme u širi društveni prostor, nekoliko odabranih radova istražuje upravo\ntakve narative. Temama poput obiteljskih odnosa, rata, majčinstva, egzila, tranzicije, kulturnog\npamćenja, identiteta, često se pristupa iz osobne autorske perspektive, pri čemu osobno postaje\nprostor šire društvene refleksije. Projekti razvijaju jasno artikulirane i formalno dosljedne\nkoncepte, istražujući mogućnosti eksperimentalnog i hibridnog filmskog izraza kroz arhivske\nmaterijale, strukturalne postupke, odnos slike i zvuka, montažne eksperimente te propitivanje\nvremena, percepcije i reprezentacije, čime pokazuju visoku razinu autorske ambicije i\ndoprinose razvoju suvremenog eksperimentalnog i umjetničkog filma.\nRadi se o sljedećim projektima:\nPisma kćeri, Sandra Sterle, Kazimir – Udruga za promicanje kulture, umjetnosti i\naudiovizualnog stvaralaštva, 26.000 EUR\nProjekt Pisma kćeri je osobno, epistolarno-dnevničko eksperimentalno djelo slojevite\nstrukture i specifične autorske osjetljivosti, koje se izdvaja autentičnošću izraza i visokom\nrazinom umjetničke kvalitete. Središnji odnos između majčinih pisama, arhivskog materijala\nodnosno autoarhiva te vizualnih fragmenata promišljen je kao koherentan filmski postupak u\nkojem forma izravno proizlazi iz teme sjećanja. Projekt istodobno funkcionira kao intimni\nosobni dokument i kao zapis vremena, a posebna kvaliteta projekta očituje se u promišljenom\npristupu arhivu i autoarhivu umjetnice. Sandra Sterle je priznata hrvatska umjetnica koja od\nsredine 1990-ih djeluje u području videa, performansa i multimedijalnih instalacija, s\nbogatom međunarodnom izložbenom i umjetničkom praksom.\nOTTI, Dalija Dozet, UO Teatar to go, 32.000 EUR\nOtti je esejistički eksperimentalni film s elementima umjetničkog i poetskog dokumentarnog\nroda, posvećenog filmskom istraživanju života i stvaralaštva umjetnice Otti Berger. Film se\nrazvija kroz slobodno povezivanje biografskih elemenata, krajolika i umjetničke prakse Otti\nBerger, tekstilne umjetnice obrazovane na Bauhausu. Posebnu kvalitetu projekta čine\ndojmljivi vizualni dijalozi između apstraktnih struktura njezinih tekstilnih radova i prizora\nkrajolika, čime se ostvaruje sugestivna i višeslojna filmska cjelina. Krećući se između\neksperimentalnog filma, dokumentarnosti, pejzaža i povijesti umjetnosti, projekt promišlja\nmogućnosti filmskog izraza te odnose među različitim umjetničkim formama. Projekt\npredstavlja vrijedan doprinos afirmaciji ove iznimne avangardne umjetnice.\nShams, Jelena Ratko, Udruga Blank, 35.000 EUR\nProjekt se bavi spletom društveno relevantnih tema – majčinstvom, ratom, okupacijom i\negzilom – kojima autorica pristupa iz osobne poetike, istodobno ostvarujući univerzalno\nrazumljivu i emocionalno dostupnu perspektivu. Film uvjerljivo potvrđuje tezu da osobno\niskustvo može funkcionirati kao snažan politički iskaz. Posebnoj bliskosti s gledateljem\npridonosi razgovorni, dnevnički format pripovijedanja koji temi daje intimnost i autentičnost.\nU središtu interesa nalazi se jedno od najaktualnijih globalnih pitanja – ratno stradanje djece u\nPalestini – obrađeno kroz osobnu refleksiju koja izbjegava didaktičnost te ostvaruje snažan\nemotivni učinak. Riječ je o revidiranom i sadržajno dorađenom prijedlogu prethodno\nprijavljenog kratkometražnog poetskog dokumentarno-eksperimentalnog filma.\nPulsacije, Iva Gavrilović, Filmska udruga Šuma, 27.000 EUR\nPulsacije su kratki eksperimentalni film koji se razvija na tragu vizualnih istraživanja i\nstrukturnog eksperimenta prisutnih u eksperimentalnofilmskoj produkciji. U fokusu je učinak\ngrada na tijelo i filmski materijal. Radi se o zanimljivom prijedlogu propusnih apstraktnih\nstruktura koje se ogledaju u fragmentima grada. Jasne kompozicije slike/kadra, vizualno\ndojmljivih apstraktnih struktura, uz izražen formalni eksperiment, film predstavlja doprinos\nkontinuitetu produkcije strukturalističkog filma.\nOtmica Europe, Matija Debeljuh, Apoteka – Prostor za suvremenu umjetnost, 29.000\nEUR\nProjekt Otmica Europe predstavlja poetski, introspektivan kratki film koji koristi elemente\neksperimentalne poetike, s naglaskom na nenarativnoj strukturi i fragmentiranom pristupu\npripovijedanju, s fokusom na odnos konstrukcije identiteta i urbaniteta, kao i na fluidnost\nprostora i vremena. Kroz međusobno ispreplitanje tih elemenata te pomicanje fokusa između\nrazličitih prostornih i perceptivnih točaka, film razvija slojevitu meditaciju o suvremenom\niskustvu prostora.\nPusta zemlja, Damir Čučić, Sve gore i gore, 46.000 EUR\nProjekt Pusta zemlja dokumentarno-eksperimentalni je film promišljenog pristupa temi\nkolektivnog sjećanja. Kroz opservacijski postupak i lik snimateljice otvara prostor za\nrefleksiju o posljedicama rata, odnosu prema nasljeđu nedavne povijesti, te posjeduje\nsposobnost oblikovanja složenih tema u sugestivne filmske slike. Film se temelji na dobro\nistraženoj građi, a kroz različite materijale, glasove i filmske postupke gradi putovanje kroz\nprostor i vrijeme, u kojem se prošlost reflektira u sadašnjosti. Odnos slike i zvuka koristi se za\nartikulaciju društvenih procesa i njihovih tragova na konkretnim lokacijama.","warnings":[],"document":{"program_type":"proizvodnja","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje PROD_KD_1_2026.pdf","filename_decoded":"web obrazlozenje PROD_KD_1_2026.pdf","sha256":"bd20c7c2723935c76bcacfad773842448212c148078bd30872f63737ce424530","bytes":65307,"page_count":2,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20PROD_KD_1_2026.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. ROK, 2026.\nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac\nKATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - KRATKOMETRAŽNI DOKUMENTARNI FILM – 12.\nožujka 2026.\nOPĆI OSVRT\nNa javni poziv u kategoriji proizvodnje kratkometražnog dokumentarnog filma u 1. roku prijavljeno je\nsveukupno 20 projekata. Od 20 prijavljenih projekata 3 nisu razmatrana jer nisu zadovoljavali uvjete\nnatječaja. Dio projekata ranije je prijavljivan u kategoriji proizvodnje te su sada ponovili prijavu, a 2\nrazmatrana filma su u fazi postprodukcije. Dio projekata je ponovio prijavu za proizvodnju.\nAutorski principi su raznoliki uz dominaciju istraživačkih, opservacijskih i hibridnih pristupa. Teme koje\nautori postavljaju u fokus su većinom vezane uz očito još uvijek nedovoljno obrađivane teme posljedica\nDomovinskog rata i tranzicije, no autori također nude zanimljive i društveno relevantne uvide u teme\nopćeljudskog značaja.\nPrijavljeno je i nekoliko projekata koji su rezultat temeljitog i dugotrajnog istraživanja teme, no nekima\nistovremeno nedostaje dramaturška kompleksnost, autorska inovativnost ili uvjerljivost.\nPredložena su i odobrena ukupno 4 projekta za sufinanciranje u ovoj kategoriji u ukupnom iznosu od\n125.000,00 eur. Odobreni projekti iskaču svojim kreativnim potencijalom, nadahnutim pristupom obradi\nteme, ali i relevantni su u društvenom i umjetničkom kontekstu. Kvalitetno obavljenim istraživanjem se\nstječe povjerenje u mogućnost završetka produkcije filmova koji su navedeni u nastavku.\n1. LJUBAVNE ZGODE I NEZGODE DOKTORA KROTE Toni Jelenić (redatelj i scenarist) / Adrijana\nPrugovečki (producent) / Woodz production d.o.o. (produkcija) - 29.000,00 EUR\nRedatelj predlaže film o opatijcu Kroti – samoprozvanom doktoru bioenergije, umirovljenom smetlaru,\nzanesenjakom u potrazi za romantičnim uzbuđenjima, čiji svijet razumije i strpljivo podržava jedino\nnjegova bivša supruga. Ovaj film vođen protagonistom, velikim onoliko koliko mu film to dopusti, otvara\npitanja o vječnoj ljudskoj potrazi za srećom, pripadanjem i ljubavi te na humorističan način promatra lica\nkoja ona poprima.\n2. MUŠKARCI U TERETANAMA Ivan Grgur (redatelj i scenarist)/ Vinko Brešan (producent) / Ustanova\nZagreb film 36.000,00 EUR\nPitanjem - kako vježbati i postići vrhunsku formu? - film ulazi u lica i naličja svijeta u kojem se pumpajući\nsvoje mišiće muškarci u teretanama zapliću u sferu toksičnih manifestacija krize i pozicije suvremenog alfa\nmuškarca. Pristupom kojim formira humorističan odmak od ozbiljnosti nositelja radnje, autor ulazi u\nslojevitost vrlo aktualne realnosti, nudeći priču univerzalnog značaja.\n3. PRIČA O SLOBODI Renata Poljak (redateljica i scenaristica) / Renata Poljak (producentica), REA –\nudruga za suvremene umjetničke i arhitektonske produkcije (produkcija) 40.000,00 EUR\nOvaj kratki dokumentarac naslanja se na raniji film autorice “Šume šume” intimno portretirajuću već\npoznatu protagonisticu Hildu Hećaj, koja je nedavno proslavila 108. rođendan. Bivša špijunka,\narheologinja i strastvena jahačica i dalje prkosi zaboravu svojom nepokolebljivom duhovitošću. U svom\ndrugom stoljeću gospođa Hilda zrači vitalnošću, sarkazmom i britkom lucidnošću.\nFilm je vođen protagonisticom čije iznimno životno iskustvo zaslužuje i opravdava nastavak autorskog\nfokusa kojim redateljica njezin život pretače u film.\n4. PRVA RATNA BOLNICA TOPUSKO (film u postprodukciji) Daniel Pavić (redatelj i scenarist) / Daniel\nPavić (producent) / Art Pogon (produkcija) 20.000,00 EUR\nFilm dokumentira zbivanja u prvoj ratnoj bolnici u Topuskom koja je formirana tijekom Domovinskog rata.\nProjekt se ističe fokusom na iskustva liječnika i bolničara čija detaljna svjedočanstva iz Domovinskog rata\ndo sada nisu bila čest motiv na hrvatskom filmu. Povijesnim događajima autor, bilježenjem niza intimnih\nsvjedočanstava, daje ljudsko lice.\nOvim filmom autor doprinosi oblikovanju kulture sjećanja kroz medij filmske umjetnosti.","warnings":[],"document":{"program_type":"proizvodnja","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web obrazlozenje PROD_DD_1_2026.pdf","filename_decoded":"web obrazlozenje PROD_DD_1_2026.pdf","sha256":"ab9aa3814e3f473c471d78c9b64c8a2427aaf6526f0b6b816cf51d67e765b1e1","bytes":70127,"page_count":2,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20obrazlozenje%20PROD_DD_1_2026.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. ROK, 2026.\nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac\nKATEGORIJA: POTICANJE PROIZVODNJE FILMOVA - DUGOMETRAŽNI DOKUMENTARNI FILM – 12.\nožujka 2026.\nOPĆI OSVRT\nNa javni poziv u kategoriji proizvodnje dugometražnog dokumentarnog filma u 1. roku prijavljeno\nje sveukupno 26 projekata. Od 26 prijavljenih projekata 1 nije razmatran jer nije zadovoljavao\nuvjete natječaja. Značajan broj pristiglih projekata već je iskoristio potporu u fazi razvoja scenarija\nili razvoja projekta i to je vidljivo u kvaliteti dijela pripremljenih produkcijskih paketa. Dio projekata\nranije je prijavljivan u kategoriji proizvodnje te su sada ponovili prijavu.\nAutorski principi su raznoliki uz dominaciju istraživačkih, opservacijskih, poluautobiografskih i\nedukativnih pristupa. Teme koje autori postavljaju u fokus su većinom vezane uz očito još uvijek\nnedovoljno obrađivane teme posljedica Domovinskog rata i tranzicije, no autori također nude\nzanimljive i društveno relevantne uvide u teme općeljudskog značaja te u teme s područja pop-\nkulture, ekologije i umjetnosti.\nPrijavljeno je i nekoliko projekata koji su rezultat temeljitog i dugotrajnog istraživanja teme, no\nnekima istovremeno nedostaje dramaturška kompleksnost, autorska inovativnost ili uvjerljivost.\nPredloženo je i odobreno ukupno 6 projekata za sufinanciranje u ovoj kategoriji u ukupnom iznosu\nod 424.000,00 eura. Odobreni projekti ističu se svojim kreativnim potencijalom, nadahnutim\npristupom u obradi teme, ali i relevantni su u društvenom i umjetničkom kontekstu. Kvalitetno\nobavljenim istraživanjem se stječe povjerenje u mogućnost završetka produkcije projekata koji su\nnavedeni u nastavku.\n1. ČOVIK KOJI SE SMIJE: BALADA O TOMI BEBIĆU, Mladen Matičević ( redatelj i scenarist) / Bojan\nKanjera (producent) / Peglanje Snova d.o.o. - 90.000,00 eur\nBiografski film o životu i nasljeđu umjetnika Tome Bebića istovremeno je portret osebujnog\numjetnika i poosobljenog grada u kojem je živio, stvarajući sliku njihovog zajedničkog stanja uma.\nPriča koja je građena poput toka misli temelji se na svjedočanstvima protagonista u kombinaciji s\nhibridnom građom. Ovo je film o trajnom osjećaju nepripadanja i poetičnoj neprolaznosti iznimnog\npojedinca.\n2. GRAD U POKERU RATA Morana Ikić Komljenović (redateljica i scenaristica), Marin Lukanović\n(scenarist) / Udruga Filmaktiv (produkcija) 79.000,00 eur\nGrad u pokeru rata je dugometražni dokumentarni film koji spaja povijesno-faktografske elemente\ns opservacijom i dokumentarnim eksperimentom. U Rijeci je rat nekoć bio izbjegnut čašom viskija\ni tihim činom prkosa. Birao se razgovor, a ne metak. Danas, skupina studenata iznova otkriva taj\nzaboravljeni trag i propituje tanku nit koja dijeli sjećanje od povijesti, u zemlji koja tone u\ndemenciju i budno sanja novi sukob.\n3. KAD BI BILA ZVIJEZDA Jasmina Beširević (redateljica i scenaristica) / Anita Čeko (scenaristica)\n/ Dana Budisavljević (producentica), Hulahop d.o.o. (produkcija) 65.000,00 eur\nKroz portret protagonistice Irene autorica oblikuje priču koja balansira između pokušaja odrastanja\ni bijega iz svijeta odraslih. Još od ranog djetinjstva Irena je imala dva velika sna – pronaći pravu\nljubav i postati slavna holivudska glumica i scenaristica te je činila sve što je mogla da to postigne,\npri tom dokumentirajući svoje pokušaje kroz audio i video dnevnike. Splet bogate osobne arhive i\nrealizma današnjice suočava protagonisticu, a pritom i gledatelje, s pitanjima o moći pojedinca u\npotrazi za vlastitom slobodom i identitetom unutar zadanih životnih realnosti.\n4. NA MORSKOME PLAVOM ŽALU Vlatka Vorkapić (redateljica i scenaristica) / Bruno Stanković\n(producent) / Fade In d.o.o. (produkcija) 80.000,00 eur\nMediteranska dokumentarna tragikomedija o jadranskim plažama na kojima traje svojevrsni \"rat\"\nbetona proZv šljunka i sZjena te ležaljki i suncobrana proZv ručnika je gorko-smiješna priča o\nkomodifikaciji i devastaciji, ali i obrani javnog dobra. Film ulazi u nelogičnosZ zemlje koja se diči\nnajljepšom obalom na svijetu dok akZvno doprinosi uništenju iste. Film polupanih lončića u skupoj\nborbi malih proZv velikih.\n5. NATRAG U GARAŽU Radislav Jovanov Gonzo (redatelj i scenarist) / Lidija Balija (producentica)\n/ 3PM MEDIA d.o.o. (produkcija) 40.000,00 eur\nDokumentarni film (prijavljen u fazi postprodukcije) prati uspon kultnog zagrebačkog punk rock\nbenda Psihomodo Pop od vremena u kojem band još nije postojao.\nRekonstrukcijom kronologije nastanka benda autor nas vraća do garažnih početaka ranih 1980-ih,\nkada se karizmatični dečko s kućnih tuluma Davor Gobac pridružuje mladom bendu iz Sigeta, do\nvelikih turneja, hitova i statusa jednog od najdugovječnijih rock sastava regije. Kroz uspone,\npadove, promjene članova i osobne gubitke, bend ostaje vjeran svojoj energiji, humoru i životu\nposvećenom rock’n’rollu. Za ovaj kultni bend penzija ne postoji – sviraju dok se ne sruše.\n6. SVIH NAS NE BI BILO Snježana Tribuson (redateljica i scenaristica) / Mirta Puhlovski\n(producentica) / Metar60 (produkcija) 70.000,00 eur\nPrije 150 godina preci redateljice zatajili su nekonvencionalnu odluku koja je omogućila da se rode\nona i više od 300 njezinih rođaka. Osobnom pričom vlastite obitelji autorica ulazi u životni potez\nsvog pradjeda Jure koji je zbog neplodnosti supruge Mandaline istodobno živio s njom i Matijom -\ndrugom ženom koju su obje prihvatili kao ljubavnicu, konkubinu ili šinjorinu kako su ju je zvali u\nPodgori gdje su živjeli. Kroz splet zanimljivih obiteljskih odnosa i niza intriga film se bavi\ninterpretacijama sjećanja i dugoročnim odjecima odvažnih odluka troje proaktivnih i neobičnih\npojedinaca.","warnings":[],"document":{"program_type":"proizvodnja","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB Obrazlozenje - kratkometrazni igrani 1. rok 2026.pdf","filename_decoded":"WEB Obrazlozenje - kratkometrazni igrani 1. rok 2026.pdf","sha256":"a89cc0c996908272e6d783e8a79caad4cb57412fa611893681672a96c33d39cd","bytes":108764,"page_count":2,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20Obrazlozenje%20-%20kratkometrazni%20igrani%201.%20rok%202026.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika po rezultatima Javnog poziva za poticanje\naudiovizualnih djelatnosti i stvaralaštva – kategorija proizvodnje kratkometražnog\nigranog filma na prvom roku u 2026. godini – rok 12. ožujka 2026.\nNa prvi natječajni rok za poticanje proizvodnje kratkometražnih igranih filmova stiglo je\npedeset i devet (59) prijava, od kojih se radi nepotpune dokumentacije nisu razmatrala tri\nprojekta. Od prijavljenih projekata jedan je prijavljen u fazi postprodukcije.\nMeđu prijavljenim projektima dvadeset i četiri (24) su već bila prijavljena na neki od prethodnih\njavnih poziva, a dvadeset i jedan (21) projekt potpisuju autori debitanti.\nNa ovaj rok brojčano je prijavljen gotovo dvostruki broj projekata u odnosu na prethodni rok, što\nsvjedoči o vitalnosti hrvatske kratkometražne scene, ali i o snažnoj potrebi za kontinuitetom potpore.\nTematski raspon je, sukladno, iznimno širok: od intimnih osobnih drama i društvene satire do\nekoloških tema i seksualnog nasilja, dok je stilski uglavnom usredotočen na dramski realizam, s\nponekim žanrovskim izletima u smjeru komedije i horora.\nOdobreni projekti su tematski i stilski raznoliki te su izdvojeni zbog kompaktnosti i\noriginalnosti scenarija, kritičkih osvrta na aktualne društvene teme i uspjeha u postizanju\nspecifičnih upečatljivih atmosfera.\nVjerujem da bi odobreni projekti mogli doprinijeti raznolikosti domaće kratkometražne produkcije te\ndaljnjem profesionalnom razvoju autora.\nMeđu odabranim projektima jedan je debitantski, dok su ostala tri radovi etabliranih autora.\nZa sufinanciranje proizvodnje kratkometražnog igranog filma predložena su i odobrena 4 projekta u\nukupnom iznosu od 345.000,00 eura.\nProjekti su sljedeći:\nRegrutacija, režija: Ivan Grgur, scenarij: Ivan Grgur, produkcija: Eclectica d.o.o.\niznos: 80.000,00 eura\nU crnohumornoj priči scenarista i redatelja Ivana Grgura smještenoj na sistematski pregled za vojnu\nslužbu, autor kroz paraleno isprepletene vinjete adolescenata progovara o kompleksnim pitanjima\nmuškosti, autoriteta, gubitka privatnosti i institucionalne manipulacije. Tema je izrazito aktualna i\ndruštveno relevantna u kontekstu ponovnog uvođenja vojne obveze, čime film dobiva dodatnu težinu.\nScenarij je građen kroz niz situacija koje uspješno balansiraju između blage, apsurdne komike i\npostupnog rasta dramske napetosti. Likovi su uvjerljivi, a njihovi dijalozi precizno oslikavaju\nnesigurnost generacije koja se nalazi na prijelazu u odraslu dob. Autor vješto koristi ritam i\nponavljanje kako bi stvorio osjećaj tjeskobe.\nRedateljska koncepcija Ivana Grgura je jasna i fokusirana. Njegov dosadašnji rad u dokumentarnoj\nformi, ponajprije kroz međunarodno zapažen film „Medo u šparogama!, jamči da autor posjeduje\nvještinu rada s detaljima, autentičnom atmosferom i neprofesionalnim glumcima, što je za uspjeh ovog\nprojekta ključno.\nProdukcijska kuća Eclectica je jedna od najstabilnijih i najpropulzivnijih na domaćoj sceni, s\ndokazanim kapacitetom za realizaciju profesionalnih projekata te jasnom strategijom promocije i\ndistribucije na festivalima poput Berlina i Cannesa.\nUvala, režija: Renata Lučić, scenarij: Renata Lučić, produkcija: Nermabel produkcija d.o.o.\niznos: 85.000,00 eura\nProjekt „Uvala“ scenaristice i redateljice Renate Lučić je hrabar, napet i društveno angažiran film koji\nse bavi aktualnim problemom narušavanja ženske sigurnosti u javnom prostoru i seksualnog\nuznemiravanja. Radnja prati djevojku na osamljenoj plaži čiji mir narušava pojava nepoznatog\nmuškarca koji okupira njezin fizički i mentalni prostor.\nNajveća vrijednost i inovativnost ovog scenarija leži u činjenici da je u potpunosti napisan bez\ndijaloga. Autorica se oslanja isključivo na vizualni i zvučni podtekst, gradeći kontrast između\nidiličnog morskog pejzaža i sve prisutnije, zlokobne tišine i nelagode. Napetost se ne gradi kroz\neksplicitno nasilje, već kroz mikrogestikulaciju, poglede, ritam disanja i narušavanje prostorne\ndistance. Ovo je odličan primjer čistog filmskog jezika i ekonomičnosti svojstvene najboljim\nostvarenjima kratkog metra.\nRedateljska koncepcija Renate Lučić svjedoči o jasnoj viziji i redateljskoj zrelosti. Fokus na\natmosferske promjene, rad s glumcima bez verbalnog oslonca i precizna mizanscena ključni su\nelementi njezina pristupa.\nNermabel produkcija, iza koje stoji producentica Nerma Mehadžić s dugogodišnjim iskustvom u\nindustriji, jamči visoke produkcijske standarde. Budući da se radi o snimanju na specifičnoj, izoliranoj\nlokaciji u prirodi, logistički troškovi su realno predviđeni, a plan promocije usmjeren na festivale\npoput Clermont-Ferranda i Oberhausena, kao i kasnija domaća distribucija u okviru programa rodne\nravnopravnosti, izvrsno je postavljen.\nUpomoć!, režija: Petar Vukičević, scenarij: Petar Vukičević, produkcija: Kinorama d.o.o.\niznos: 90.000,00 eura\nProjekt „Upomoć!“ scenarista i redatelja Petra Vukičevića bavi se temom koja je u hrvatskom filmu\nrijetko obrađivana s ovolikom razinom suptilnosti – emocionalnim i psihološkim teretom starenja,\ndemencije i Alzheimerove bolesti. Ova intimna drama prati osamdesetjednogodišnjeg Zdenka koji se\nbori za očuvanje dostojanstva i ljubavi u trenucima kada ga njegova supruga Marija prestaje\nprepoznavati.\nDramaturška vrijednost ovog scenarija leži u njegovoj iznimnoj ekonomičnosti i fokusiranosti na\nproces postupnog nestajanja zajedničke stvarnosti dvoje ljudi. Izbjegavajući patetiku, Vukičević gradi\nuvjerljive i tople dijaloge koji počivaju na dugogodišnjoj bliskosti i sitnim životnim ritualima. Prostor\nstana funkcionira kao zatvoreni svemir koji odražava unutarnje stanje protagonista, a uvođenje\nsuptilnih vizualnih projekcija („zamišljaja!) na zidove stana donosi inovativan dramaturški i vizualni\nelement.\nRedateljska vizija počiva na dugim kadrovima (u konačnici bi film trebao djelovati kao da je u jednom\ndugom kadru), sporom ritmu i naglašenom radu s glumcima starije generacije, što zahtijeva visoku\nzanatsku preciznost.\nProducent Kinorama jamči visoku profesionalnu razinu realizacije. Plan distribucije je realan i\nusmjeren na vodeće festivale A kategorije, uz hvalevrijednu inicijativu organizacije edukativnih\nprojekcija u suradnji s udrugama koje se bave demencijom.\nŽar, režija: Eva Vidan, scenarij: Eva Vidan, produkcija: Woodz production d.o.o.\niznos: 90.000,00 eura\nProjekt „Žar“ scenaristice i redateljice Eve Vidan je atmosferična i slojevita obiteljska drama koja\nprirodnu katastrofu – otočki požar – koristi kao katalizator za razrješenje davno potisnutih tenzija\nunutar matrijarhalne obitelji. Povratak tridesetpetogodišnje Renate u rodni otočni dom u kriznom\ntrenutku pokreće sukob s majkom i sestrom te otvara pitanja izolacije, naslijeđenih obrazaca i osobnih\nživotnih odabira.\nScenarij je vrlo sugestivan. Zvukovi kanadera, miris dima i neposredna opasnost aktivno pokreću\nradnju i zrcale unutarnje stanje likova. Debitantica Eva Vidan pokazuje zrelost u vođenju napetosti i\npreciznom strukturiranju odnosa.\nProdukcijska kuća Woodz production, na čelu s Adrijanom Prugovečki, pokazuje dobro razumijevanje\nlogističkih zahtjeva projekta. Iako snimanje na otoku i rad s pirotehnikom te vizualnim efektima nose\nodređene produkcijske rizike, riječ je o produkcijski racionalnom i precizno planiranom filmu s\nvisokim festivalskim potencijalom.\nMarko Ferković - umjetnički savjetnik za kratkometražni igrani film","warnings":[],"document":{"program_type":"proizvodnja","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"WEB DEB I DUGI IGRANI - PROD_obrazloženje_1. rok 2026. .pdf","filename_decoded":"WEB DEB I DUGI IGRANI - PROD_obrazloženje_1. rok 2026. .pdf","sha256":"a5790a7ad4b8f4c169eefec5723d8680db077b50247b2fb15048739772851f44","bytes":55709,"page_count":3,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/WEB%20DEB%20I%20DUGI%20IGRANI%20-%20PROD_obrazloz%CC%8Cenje_1.%20rok%202026.%20.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva – kategorija\nproizvodnje dugometražnog igranog :ilma i debitantskog dugometražnog igranog\n:ilma u 2026. godini – 1. rok, 12.3.2026.\n- umjetnički savjetnici za dugometražni igrani 6ilm - Branko Schmidt, Sandra Antolić, Ira\nCecić\n- 6inancijski savjetnik: Ivan Maloča\nNa prvi rok Javnog poziva za poticanje proizvodnje dugometražnog igranog 6ilma i\ndebitantskog dugometražnog igranog 6ilma u 2026. godini pristigla su 33 projekta. 24 su\nprijavljena u kategoriji dugometražnih igranih 6ilmova, a 9 u kategoriji debitantskih\ndugometražnih igranih 6ilmova.\nBudući da su radi nepravilnosti u prijavama isključena 2 projekta, razmatrali smo\nsveukupno 31 prijavu.\nIako neupitno tematski raznoliki, prijavljeni projekti ipak su svodivi na nekolicinu\nžanrovskih odrednica. Preko dvije trećine su 6ilmske drame od kojih su neke obilježene i\nspeci6ičnim žanrovskim elementima poput horora, trilera, povijesnog i ratnog 6ilma te\nSF-a. CLetiri prijave su komedije, a dvije hibridi. Dva razmatrana projekta su u fazi\npostprodukcije.\nUzimajući u razmatranje kvalitetu prezentiranih materijala, referentnost produkcije i\ndistribucije, entuzijastičnost autorskih timova i originalnost scenarističkih predložaka\nna ovom su roku za su6inanciranje predložena i odobrena 4 dugometražna igrana 6ilma i\njedan debitantski dugometražni igrani 6ilm.\nAdaptacija dječjeg romana Anta Gardaša Miron u škripcu redatelja debitanta Gorana\nRibarića priča je detekcije u kojoj družina na čelu s dječakom Mironom rješava enigmu\nbrata i sestre iz doma te raskrinkava bandu dilera i njihova nalogodavca policajca.\nNakon nevjerojatne kino-gledanosti Svadbe - Svadba 2 redatelja i scenariste Igora\nSLeregija zasigurno je najiščekivaniji dugometražni 6ilm u hrvatskim kinima. Priča se\ndogađa tri godine nakon prve te premješta komične peripetije s poznatim likovima u\nHercegovinu.\nU svemiru, na ivici svijeta redatelja i scenariste Damira CLučića ratna je drama koja prati\ngrupu branitelja koji 1992. godine iz ratnog Osijeka putuju na dansku televiziju\nsvjedočiti o strahotama rata u Hrvatskoj.\nSve se okreće prema suncu redateljice i scenaristkinje Dane Budisavljević je žanrovski\nhibrid koji u naslijeđenom stanu (re)animira život četiriju generacija redateljičine\nobitelji.\nZagrebačke priče vol 4. su šestodijelni omnibus autora Martine Marasović, Jakova Nole,\nAndrije Mardešića, Luke Galešića, Sare Grgurić i Andreja Korovljeva nastao na temu\nživota u Zagrebu koji se nakon pandemije i potresa suočava s novim izazovima.\nDEBITANTSKI DUGOMETRAŽNI IGRANI FILM\nMIRON U ŠKRIPCU\nscenarij: Matej Sudarić\nrežija: Goran Ribarić\nprodukcija: Lux 6ilm d.o.o.\n900 000 EUR\nMiron u škripcu je adaptacija istoimenog romana za djecu Anta Gardaša za koju\nvjerujemo da može postati kino-hit budući da na narativno umješan način kombinira\nnapet detekcijski zaplet, uvjerljive likove, moderan humor te adekvatne emocije s jasnim\ni edukativnim porukama. Glavni protagonist je dječak Miron koji uz pomoć svoje\nnajbolje prijateljice Ivane i dječaka Dinga pomaže Vidu i njegovoj sestru Tildi da se riješe\ndilerske bande predvođene samo naizgled opakim Skorbutom. Premda je na ovom roku\nu žanru dječjega 6ilma bilo produkcijski spremnijih projekata, Miron u škripcu ih je\nscenaristički nadmašio.\nDUGOMETRAŽNI IGRANI FILMOVI\nSVADBA 2\nscenarij: Igor SLeregi\nrežija: Igor SLeregi\nprodukcija: Eclectica d.o.o.\n950 000 EUR\nI redatelj Igor SLeregi, i produkcijska kuća Eclectica znaju da se „željezo kuje dok je\nvruće“ pa nisu gubili vrijeme s prijavom nastavka svoje 6ilmske\nuspješnice Svadba. Svadba 2 ponovno okuplja ansambl poznatih likova te ih dodatno\nrazvija i uvezuje u dublje odnose. Radnja se događa tri godine nakon prve priče, a\nokosnicu čini motiv rehabilitacije Miljenka s obitelji odbjeglog u Hercegovinu. Nove\nperipetije nastavljaju uspješnu formulu za koju smo sigurni da će je autorski tim\neksploatirati u više od dva 6ilmska nastavka.\nU SVEMIRU, NA IVICI SVIJETA\nscenarij: Damir CLučić\nrežija: Damir CLučić\nprodukcija: Sve gore i gore\n750 000 EUR\nDoku-fikcijski film ceste U svemiru, na ivici svijeta četvrti je dugometražni igrani film\nDamira Čučića. Zamišljen je kao rekonstrukcija istinite priče iz travnja 1992. godine kad\nje iz Osijeka pod granatama s dvojicom branitelja, vozačem i studenticom na put od\ndvije tisuće kilometara kombijem krenuo multimedijalni umjetnik i ratni snimatelj Ivan\nFaktor te njegova VHS kamera, a s ciljem da Faktor nastupi u TV emisiji u Kopenhagenu\ni nezainteresiranu Europu upozori na rat u Hrvatskoj. Ovu hrvatsku ratnu priču koja se\nzapravo događa po europskim cestama i gradovima nosi generacijski uvezani ansambl\nlikova i posebna atmosfera koju tvori kombinacija avanture, jada i apsurda posebno\npodcrtanog u finalu, kad se Faktor i ekipa s važnog PR pohoda vraćaju natrag u strahotu\nratišta.\nSVE SE OKREĆE PREMA SUNCU\nscenarij: Dana Budisavljević\nrežija: Dana Budisavljević\nprodukcija: Hulahop d.o.o.\n720 000 EUR\nSve se okreće prema suncu je žanrovski hibridna priča smještena u stvarni ambijent\nzagrebačkog stana redateljice Dane u kojem su živjele četiri generacije njezine obitelji.\nDana se kao naratorica i glavna protagonistica te zadnja u obiteljskom stablu vraća u\nprostor u kojem je odrasla te prebiranjem i probijanjem kroz gomilu zatečenih stvari\nbivših ukućana ulazi s njima kao igranim likovima u dijalog uparujući ih s predmetima\nkoje oživljava animacijom. Ova doku-auto6ikcijska priča izvrsno balansira između\nintimnog, osobnog i emotivnog narativnog sloja i sugestije burne obiteljske, ali i opće\npovijesti u vremenskom okviru od stotinu godina, a začinjena je i obiteljskim vezama\nredateljice sa slavnim pretkom - izumiteljem Nikolom Teslom.\nZAGREBAČKE PRIČE VOL. 4\nscenarij: Martina Marasović, Jakov Nola, Andrija Mardešić, Luka Galešić, Sara Grgurić,\nAndrej Korovljev, Marijana Veljović\nrežija: Martina Marasović, Jakov Nola, Andrija Mardešić, Luka Galešić, Sara Grgurić,\nAndrej Korovljev\nprodukcija: Propeler 6ilm d.o.o.\n400 000 EUR\nZagrebačke priče vol. 4 dokazuju da je i nakon dvadeset godina od prvog „volumena“\nova forma ponovno živa i atraktivna posebno zato što se deset godina od projekcije\nvolumena 3 štošta u Zagrebu potpuno promijenilo u društvenom, političkom,\nemocionalnom i urbanom smislu. Upravo to detektira ovaj šestodijelni omnibus kroz\nrazličite autorske senzibilitete - opet poglavito mlađih 6ilmskih autora. Prva priča\nredateljice Martine Marasović Pomast u fokus stavlja djevojčicu koja u situaciji smrti\nbake otkriva da „smisao i mir ne dolaze od autoriteta i dogmi, već iz ljudske bliskosti i\nnježnosti“. Slijedi priča Jakova Nole Bambi smještena u situaciju momačke večeri tijekom\nkoje trojica likova „postupno razotkrivaju drugačiju istinu o sebi od one koju su na\npočetku pokušavali predstaviti“. U Odjednom me obuzela neka neopisiva tuga Andrija\nMardešić svojim speci6ičnim stilom i tonom tretira susret bivše podstanarke i nove\nvlasnice preuređena stana. Luka Galešić u Malim smrtima u situaciji smrtno bolesne\nmajke propituje krhkost obiteljskih odnosa koja se razrješava u „bratskoj pomirbi\nostvarenoj kroz banalnu raspravu o omekšivaču“. Sara Grgurić u Jednog ljetnog\npopodneva priča o grupi tinejdžera koji lutaju gradom te „hvata suštinu mladosti u\ntrenutku dokolice“, a Andrej Korovljev priča o ponovnom susretu muškarca i žene\nformirajući stil izlaganja kroz „mješavinu banalnog i kozmičkog“. Priče su povezane\nprepoznatljivim simbolom plavog tramvaja.","warnings":[],"document":{"program_type":"proizvodnja","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_ANIMIRANI_1rok_2026_11III2026.pdf","filename_decoded":"Obrazlozenje_RSC_ANIMIRANI_1rok_2026_11III2026.pdf","sha256":"ee44927397e63ae928069e11b9a2549d950793cdd434d2db59434167770a34ce","bytes":114680,"page_count":1,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_ANIMIRANI_1rok_2026_11III2026.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija:\npoticanje razvoja scenarija i projekata dugometražnih igrani, dugometražnih\ndokumentarnih i animiranih filmova, 1. rok 2026.\nRazvoj scenarija, animirani film\nrok: 1. rok 2026.\numjetnički savjetnik: Simon Bogojević Narath\nNa javni poziv u ovom roku pristiglo je petnaest projekata.\nZa financiranje su predložena dva projekta.\nUkupni iznos financiranja je 10.000,00 €.\n1. naziv projekta: BIJELI JELEN, producent JAKA PRODUKCIJA d.o.o., scenarij i režija\nLucija Bužančić. Iznos financiranja: 5.000,00 € . Trajanje 90 min.\nOvaj projekt izvrsno je strukturiran i argumentiran. Riječ je o dugometražnoj (90 min.)\nadaptaciji nazorovog \"Bijelog Jelena\", namijenjenoga djeci, od 8 godina nadalje. Prvotno\nzamišljena kao serijal, ova ideja je na sreću mutirala u koncept za dugometražni film.\nZaokružen i artikuliran koncept potkrijepljen je sa nekoliko više nego kvalitetnih vizuala\nkoji se planski i razložno naslanjaju na poetiku i tipologiju likovnih konstrukcija grupe\nEXAT 51. No usprkos tome, vizualni koncept je dosljedan i autoričinom autorskom\nrukopisu. Vizualni prosede je nadopunjen kratkim animacijskim testom, odnosno\n\"najavom filma\" u kojem je moguće detektirati, ako ne izgled finalne animacije, onda\nsvakako animacijski pravac. Kompletna elaboracija je konzistentna, u globalnom\nkonceptu za sada ne postoje nikakva problematična mjesta. Dvije raspisane scene\nbudućeg scenarija su vrlo dobro postavljene i smatram da u slučaju ovog projekta ima\nprostora za prilično visoka očekivanja.\n2. naziv projekta: TAMNI PROSTORI ŠUTLJIVIH PLANINA, režija i scenarij Eugen\nBilankov. Iznos financiranja: 5.000,00 €.\nIz priložene dokumentacije vidljivo je da se radi o ispovjednom, autorefleksivnom filmu\nanimirano/dokumentarne forme. Priloženi materijali su jako dobro strukturirani i\nargumentirani, vizualni prosede je konzistentan i posjeduje prepoznatljiv autorski\nrukopis, koji barata dječjim crtačkim spektrom. Fabularno je riječ o intimnoj\nkontemplaciji, audiovizualnom pokušaju rekonstrukcije slike preminulog člana uže obitelji\ni istraživanju načina na koje nečija odsutnost preoblikuje formirani identitet.\nUkoliko se načinom animacije, režijom, zvukom i strukturom filmskog pripovijedanja\nuspije izbjeći plitko, površno, I/ili “dekorativno ukrašavanje” dubokih, teških i mučnih\nemocija i/ili životnih situacija, ovaj projekt ima šanse za solidan uspjeh, i to ne samo\nunutar ekosistema animacijskih festivala nego i šire, stoga što se, obzirom na\nispovjedno/autorefleksivan ton, rodovsko/žanrovsku odrednicu (animirano/dokumentarni\nfilm) i dizajnersko/animacijski koncept (dječji crteži) prikladno uklapa u suvremeni\ngledateljski ukus.\n1","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RPR_ANIMIRANI_1rok_2026_11III2026.pdf","filename_decoded":"Obrazlozenje_RPR_ANIMIRANI_1rok_2026_11III2026.pdf","sha256":"bc414a6b6877fd44dc4603added76a26d1fe494ae93162013479bebbe60a968f","bytes":124694,"page_count":2,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RPR_ANIMIRANI_1rok_2026_11III2026.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija:\npoticanje razvoja scenarija i projekata dugometražnih igranih, dugometražnih\ndokumentarnih i animiranih filmova, 1. rok 2026.\nRazvoj projekata, animirani film\nrok: 1. rok 2026.\numjetnički savjetnik: Simon Bogojević Narath\nNa javni poziv u ovom roku pristiglo je četrnaest projekata. Za financiranje je predloženo pet\nprojekata. Predloženi projekti su uglavnom autorski festivalski filmovi, čije teme variraju od\nosbno – ispovjednih do autobiografskih. Tehnike su raznovrsne i variraju od klasične digitalne\n2D animacije, stopmotiona do eksperimentalnijih, kombiniranih pristupa.\nUkupni iznos financiranja je 25.000,00 €.\n1. IZGLADNJELA SVINJA, produkcija JADRANSKA ANIMACIJA, redateljica i scenaristica\nLaura Martinović. Tehnika izrade je 2D animacija u kombinaciji sa rotoskopijom.\nPlanirano trajanje je 10 min. Iznos financiranja 5000 eura.\nRiječ je o autorefleksivno intoniranom filmu, koji kroz, na momente ironijski i duhovit\nnačin tematizira problem debljine, kao i obiteljsku te socijalnu dinamiku koja iz takve\nsituacije proizilaze. Izborom teme, osobnim pristupom i planiranom metodom filmskoga\npripovijedanja, ovaj film ima pontencijal doprijeti do široke publike.\n2. JAGOROVA ŠUMA, produkcija GRETA CREATIVE NETWORK, scenarij Sven\nKlobučar, redatelj David Luščić. Tehnika izrade je 2D animacija, rotoskopija i kombinirani\npostupci. Planirano trajanje je 25 min. Iznos financiranja je 5000 eura.\nOvaj film formalno se naslanja na žanr horror filma i fabularno prati odnos dvoje\nprotagonista, Magde i Vojčeka, koji kroz interakciju pokušavaju dotaknuti i teme kao što\nsu prošlost, sadašnjost, život i smrt. Vizualno se film bazira na umjetničko – slikarskom\nopusu Svena Klobučara i sveukupno planiranom, uvjetno rečeno “eksperimentalnijom”\nfilmskom metodom naznačuje hermetičniji, ali i simbolički potentan audiovizualan smjer.\n3. PORTRET ZA SJEĆANJE, produkcija DRYBRUSH STUDIO d.o.o, scenarij Darko\nBakliža, Krešimir Zimonić, režija Krešimir Zimonić. Iznos financiranja je 5000 eura.\nRiječ je o \"animiranom dokumentarcu\" u planiranom trajanju od 18 min. baziranom na,\ndijelom autorskoj figuri Krešimira Zimonića, a dijelom na njegovom antologijskom stripu\n“Kako je nastao Socrealizam” po scenariju Mirka Ilića. Ovaj film se također bavi\nfilozofsko – paradoksalnim momentima iz spomenutog stripa i kroz kombinaciju\nautobiografske dramaturške forme i animacijskog pristupa objedinjuje narativ u\npotencijalno raskošno audiovizualno djelo.\n4. POTRES, produkcija KREATIVNI SINDIKAT, scenarij i režija Martina Meštrović.\nRiječ je o 2D animiranom filmu kombinirane tehnike u planiranom trajanju od. 9 min.\nIznos financiranja je 5000 eura. Scenarij je strukturiran linearno sa pravocrtnim uzročno -\nposljedičnim nizom. Priča proizilazi iz osobnih iskustava autorice i dijelom se može\nshvatiti kao introspektivna. Vremenski je smještena u vrijeme COVID pandemije tako da\nrezonira sa općim iskustvom. Planirana filmska metoda objedinjuje klasičnu digitalnu 2D\nanimaciju sa segmentima koji su analogni. Uzimajući u obzir postavljenu dramaturšku\n1\nliniju, kao i animacijsko - vizualni prosede, u konačnici ovaj projekt može dati svjež i\naktualan filmski rezultat.\n5. TERAPIJSKI VIKEND, produkcija HUDU, scenarij i režija Niko Radas.\nOvaj projekt zamišljen je kao kratki animirani film u trajanju od 10 min. izveden tehnikom\nstopmotion animacije. Iznos financiranja je 5000 eura. Stilski, izvedbeno i koncepcijski\nse spomenuti projekt naslanja na prethodne radove autorskog tima. Scenarij je pisan\nprotočno i adekvatno željenom konceptu, sa funkcionalnom poantom na kraju.\nDijalozi/replike su promišljeno plasirani, na momente posjeduju duhovitost koja jako\ndobro rezonira sa, u načelu, vrlo ozbiljnom tematikom filma, a koja se bavi\nsocioterapijskom tehnikom gdje se pacijentima psihijatrijskih bolnica omogućuje\nprivremeni izlazak iz bolničkog okruženja kako bi se u budućnosti postupno reintegrirali\nu zajednicu. Autorov opus, pa tako i ovaj film, dotiče se tema koje su društveno važne i o\nkojima je potrebno govoriti pa je i to dodatni razlog za podršku.\n2","warnings":[],"document":{"program_type":"razvoj_projekata","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_DOK_1rok_11III2026_WEB.pdf","filename_decoded":"Obrazlozenje_RSC_DOK_1rok_11III2026_WEB.pdf","sha256":"58a269954a20accf4cfc01e435d9173849e3592935b989f4337c11563b56ba7f","bytes":172444,"page_count":3,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_DOK_1rok_11III2026_WEB.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. ROK, 2026.\nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac\nKATEGORIJA: POTICANJE RAZVOJA SCENARIJA I RAZVOJA PROJEKATA DUGOMETRAŽNIH\nIGRANIH, DUGOMETRAŽNIH DOKUMENTARNIH I ANIMIRANIH FILMOVA – RAZVOJ SCENARIJA\nDUGOMETRAŽNIH DOKUMENTARNIH FILMOVA – 11. ožujka 2026.\nNa javni poziv u kategoriji poticanja razvoja scenarija dugometražnog dokumentarnog filma u 1.\nroku 2026. godine prijavljeno je sveukupno 49 projekata, jedan projekt nije zadovoljavao uvjete\nnatječaja te nije bio razmatran.\nDio prijava pristiglih na Javni poziv za razvoj projekata također je razmatran na razini Javnog poziva\nza razvoj scenarija, budući da je projektna dokumentacija ukazivala na to da je ova kategorija\nprikladnija za realne potrebe i razvojne faze nekih projekata.\nDio pristiglih prijava prezentirano je na razini ideje, bez dodatne razrade, bez jasnog dramaturškog\nsmjera te bez stvarnih likova i potvrde o tome da je pristup temi i likovima osiguran. Dio projekata\nzamišljeni su u obliku za koji je upitno da li žanrovski odgovaraju formi dokumentarnog filma, a dio\nje prikladniji za televizijsku proizvodnju jer ne posjeduju obilježja autorskog filma, to su izlagački\nfilmovi koji pate od opterećenosti podacima ili se svode na prepričavanje.\nIstovremeno među prijavama iznenađuje više projekata u naprednom stadiju razvoja, s kvalitetnim\nscenarističkim i vizualnim rješenjima te s priloženim istraživačkim vizualnim materijalom. Među\nprojektima koji se ističu kvalitetom autorskog pristupa odabir prijedloga za sufinanciranje stoga je\ndjelomično bio ograničen okvirima budžeta s kojim se raspolaže u ovoj kategoriji.\nPredlažem Hrvatskom audiovizualnom vijeću ukupno 10 projekata za sufinanciranje u ovoj\nkategoriji u ukupnom iznosu od 50.000,00 eur.\n1. KUĆA TREŠNJE Leila Elhoweris (redateljica i scenaristica) - 5.000,00 eura\nFilm je vođen zanimljivom protagonisticom Valentinom koju tridesetak djece zove majkom, iako\nniti jedno nije njezino biološko dijete. Prateći ritam protagonistice autorica gradi portret žene koja\nje kao SOS majka život posvetila nezbrinutoj djeci. Film se ističe društvenom relevantnošću.\n2. LAVANDIJERE Sanja Matovina Janski (scenaristica) - 5.000,00 eura\nFilmska priča u fokus stavlja potonuće brodice u kojem je kod mjesta Preko kod otoka Ugljana\n1891. god. stradalo šesnaest žena koje su, snalazeći se bez muževa moreplovaca, radile kao pralje\nbogatijih žitelja Zadra. Kroz priču o potonuću broda, autorica ulazi u slojevite povijesne i društvene\n1\nodnose ispisane snažnim ženskim perom kojim autorica razmatra poziciju žena u kolektivnom\nsjećanju.\n3. MATRESENCIJA Dea Maria Računica (redateljica i scenaristica) / Oliver Sertić (producent),\nRestart (produkcija) - 5.000,00 eura\nFilm istražuje manje naglašavanu stranu ranog majčinstva – onu u kojoj se majka suočava s\nranjivošću nove uloge u kojoj se nalazi te s ranjivošću malog bića za kojeg je postala odgovorna.\nAutorica filmu pristupa iz snaže osobne pozicije koristeći vlastito iskustvo rada kao doula te\nulaskom u dnevničke zapise nastale tijekom vlastitog postpartuma.\n4. OD PROLJEĆA DO PROLJEĆA Dinko Voloder (redatelj i scenarist) - 5.000,00 eura\nAutor predlaže film o manje poznatim aspektima biografije prvog hrvatskog predsjednika dr. Franje\nTuđmana, fokusirajući se na njegove formativne godine i put do pozicije buduće političke moći.\nIstovremeno filmom autor razmatra kompleksne zakonitosti vlasti i političkih elita.\n5. POD NEBOM POLJE Ena Katarina Haler (scenaristica) - 5.000,00 eura\nDokumentarni film o Kamporu na otoku Rabu kroz 20. stoljeće. Donosi jednu višedimenzionalnu\nsliku tog prostora kroz 20.stoljeće, od poljoprivrednog zemljišta koje je opustošeno u svrhu\nuspostave fašističkog logora, preko životnih uvjeta i organizacije logora, do oslobođenja, izgradnje\nspomen-područja i osnivanja psihijatrijske bolnice te promjene gospodarstva i slike cijelog otoka.\nFilm se u velikom dijelu temelji na arhivi uz snažnu narativnu funkciju otočkog ambijenta u\nsuvremenom trenutku.\n6. PRIČA O FEĐI ŠTUKANU Bojana Momirović (redateljica i scenaristica), Magdalena Petrović\n(producentica), LEWA productions j.d.o.o. (produkcija) - 5.000,00 eura\nFilm inspiriran autobiografskom knjigom „Blank“ glumca Feđe Štukana. U vrijeme kada se rat\nponovno vraća u Europu, glumac i uspješan autor progovara o vlastitom putu kroz rat\nautodestrukciju i preživljavanje, podsjećajući nas na trajne ožiljke koje sukobi ostavljaju na ljudima\ni koji se generacijski prenose. Ogoljenim svjedočanstvom ovaj film vođen snažnim protagonistom,\nu vremenu novih ludila, zahtjeva trenutak tišine za osluškivanje i poziva na trezvenost, humanost i\nmir.\n7. PROTOKOL David Luščić (redatelj i scenarist), Nenad Puhovski (producent), Factum\n(produkcija) - 5.000,00 eura\nFilm se bazira na autentičnim, arhivskim javno dostupnim audio-transkriptima vojno- političkih\nrazgovora između zapovjednika i političkog vrha iz 1991. koji su zabilježeni uoči pada Vukovara.\nCjelovitim sagledavanjem bogate arhivske građe, stavljajući ih u kontra-post opservacije\nsuvremenih trenutaka, film propituje službene verzije suvremene povijesti. Novim filmom\n2\nprodukcija Factum ponovo ukazuje na kontraverzne verzije stvarnosti koje filmskom adaptacijom\nzbilje nameću nužnost dubljeg propitkivanja temelja suvremenog društva i ustroja.\n8. TOTENTANZ Dora Slakoper (redateljica i scenaristica) - 5.000,00 eura\nOvaj poetski dokumentarni film promatra život i smrt u istarskom gradiću Beramu. Tijekom\nrazdoblja od otprilike godinu dana, autorica prati mirnu svakodnevicu mještana i vjerske rituale\nkoje redovno upražnjavaju. Usporedno, film prati završne radove na restauraciji srednjovjekovnih\nfreski u maloj crkvi nedaleko gradića i promatra motive biblijskih prizora te čuvenog Plesa mrtvaca\nmajstora Vincenta iz Kastva.\n9. TVOJA MAMICA JE DOBRO Lana Kosovac (redateljica i scenaristica) - 5.000,00 eura\nTemelj filma su promjene u životu redateljice nastale kroz suočavanje s Alzheimerovom bolesti\nkoja se razvija kod njezine majke. Redateljica započinje novi život s majkom snimajući pritom\nnjihovu svakodnevicu i koristeći kameru kao sredstvo protiv zaborava.\n10 . ZVONKOVO MALO CARSTVO Lucija Stojević (redateljica i scenaristica) - 5.000,00 eura\nRedateljica odlučuje snimiti film o svom ocu Zvonku, karizmatičnom poduzetniku i neumornom\nvizionaru, otvarajući pritom istragu koja vodi kroz desetljeća poslovnih pothvata i sudskih sporova\ndiljem Europe. Dok Zvonko razvija svoj najnoviji projekt – Teslaverse – Lucija pokušava razumjeti\nsloženu mrežu ambicije, sustava i obiteljskih odnosa koja je obilježila njihov zajednički život i\npronaći vlastitu poziciju unutar te priče.\n3","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RPR_DOK_1rok_11III2026_WEB.pdf","filename_decoded":"Obrazlozenje_RPR_DOK_1rok_11III2026_WEB.pdf","sha256":"67e0266c0b3ecc086e7d426c3565758e040883722efe3c9c28a187bc6849bfa0","bytes":186160,"page_count":2,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RPR_DOK_1rok_11III2026_WEB.pdf"},"raw_text":"JAVNI POZIV ZA POTICANJE AUDIOVIZUALNIH DJELATNOSTI I STVARALAŠTVA 1. ROK, 2026.\nDOKUMENTARNI FILM, UMJETNIČKA SAVJETNICA: Tiha Gudac\nKATEGORIJA: POTICANJE RAZVOJA SCENARIJA I RAZVOJA PROJEKATA DUGOMETRAŽNIH\nIGRANIH, DUGOMETRAŽNIH DOKUMENTARNIH I ANIMIRANIH FILMOVA – RAZVOJ PROJEKATA\nDUGOMETRAŽNIH DOKUMENTARNIH FILMOVA – 11. ožujka 2026.\nNa javni poziv u kategoriji poticanja razvoja projekta dugometražnog dokumentarnog filma u 1.\nroku prijavljeno je sveukupno 23 projekta. Svi projekti su razmatrani. Također razmatrani su i\nprojekti prijavljeni u kategoriji produkcije dugometražnog igranog filma, za koje je procijenjeno\nda je kategorija razvoja projekta prikladnija za nastavak pripreme budućih filmova.\nVećina pristiglih projekata autorska su istraživanja segmenata društva i kolektivne prošlosti kroz\npojedince, fenomene, društvene pokrete i pop kulturu. Dio projekata pokazuje slabost u jasnoći,\npripremljenosti ili originalnosti.\nS druge strane nekoliko projekata temama koje obrađuju pristupaju s autorskom pripravnošću i\nzrelošću dostatnom za stjecanje povjerenja u održivost nastavaka razvoja projekta.\nPredlažem Hrvatskom audiovizualnom vijeću ukupno 5 projekata za sufinanciranje u ovoj\nkategoriji. U kategoriji razvoja projekta predloženo je financiranje u ukupnom iznosu od\n89 000 eura.\nSmatram da će potpora razvoja dolje navedenih filmskih projekta doprinijeti stvaranju jakih\nkreativnih i društveno relevantnih filmskih djela te omogućiti njihovu prisutnost na europskoj\ndokumentarističkoj sceni već prije početka snimanja te da će tako biti osiguran bolji plasman\nbudućih filmova.\n1. JA, TANGUERA, Ljiljana Šišmanović (redateljica i scenaristica), Bruno Stanković (producent),\nFade In d.o.o. (produkcija) - 18.000,00 eura\nFilm iskustva ulaska u svijet plesa. Tanguera - jedna žena u svima i sve žene u jednoj, uči plesati\nargentinski tango. Kroz radionice, praktike, milonge i festivale traži savršenog lidera, savršeni\nzagrljaj i „tangazam“. Ona slavi misterij tanga demistificiranjem njegovog pojmovnika iz\nsubjektivne perspektive koja sublimira žensko iskustvo kroz prizmu muško-ženskih odnosa u\nkonstelaciji lider-folowerka. Ovo je film o ženskom iskustvu ljepote prepuštanja iz perspektive\nžene.\n2. LJILJANA Katarina Pejović (redateljica i scenaristica), Tamara Babun Zovko (redateljica i\nproducentica), Wolfgang i Dolly d.o.o. (produkcija) - 20.000,00 eura\nTijekom priprema za retrospektivu u Kinoteci i izložbu u Laubi, posvećene Ljiljani Jojić – filmskoj i\nTV redateljici i jezikoslovcu, prvoj ženi autorici dugometražnog igranog filma u hrvatskoj\nkinematografiji, te glavnoj urednici Velikog rječnika hrvatskoga – koje će njezinom značajnom\n1\ndjelu u dva polja konačno dati zasluženu vidljivost i validaciju, Ljiljana sa svojom nećakinjom\nprolazi kroz filmske i TV arhive i kroz toponime svog života i rada.\n3. NAŠI IMAGINARNI OTOCI Ana Grgić (redateljica i scenaristica), Sunčica Fradelić\n(producentica), Kino Klub Split (produkcija) - 18.000,00 eura\nMnogo godina nakon selidbe iz Hrvatske na Novi Zeland autorica otkriva foto arhivu svojeg djeda\nkoja je odvodi na auto-refleksivno poetično putovanje razotkrivanja duhova dalje i bliže prošlosti,\npokrenuto raspadom jedne zemlje koji i danas oblikuje njezinu sadašnjost. Naši imaginarni otoci\nbolno su istraživanje pamćenja, identiteta i nedostižne potrage za pripadanjem. U današnjem\ntrenutku autorica svoj pogled na svijet svodi na odabir koji joj pruža fotografski kadar – sredstvo\nkroz koje traži poveznice s vlastitim djedom i uspostavlja most između vremena i prostora u\nkojem su svijet doživljavali i interpretirali – svatko na svoj način.\n4. OVO JE MOGLA BITI NAŠA NAMA Lana Kosovac (redateljica i scenaristica), Bruno Stanković\n(producent), Fade In (produkcija) - 18.000,00 eura\nIdeja za film o robnoj kući NAMI polazi od osobne priče autoričine bake Mice, prodavačice koja je\nondje provela cijeli radni vijek. Nakon bakine smrti redateljica pronalazi kovčeg- arhiv uspomena i\nkreće u potragu za radnicima Name, njihovim sjećanjima i tragovima nekada uspješne robne kuće\nkoja je kroz privatizaciju završila u stečaju. Film prati i posljednje dane NAME prije zatvaranja,\npostavljajući pitanje što se događa s identitetom grada kada nestanu njegova zajednička mjesta.\n5. ZAJEDNO Silvio Jesenković (redatelj i scenarist), Snježana Tribuson (scenaristica), Mirta\nPuhlovski (producentica), Metar60 (produkcija) - 15.000,00 eura\nFilm o petero pripadnika židovske nacionalne manjine s područja bivše YU te o njihovom\naktivnom nastojanju da održe i pridonesu očuvanju kulturnog identiteta židovske zajednice koja\nse radikalno smanjila. Često će njihov angažman nailaziti na ravnodušnost ili indolenciju sredina i\nstruktura kojima se obraćaju, ali oni će i usprkos tomu nastojati provesti ideje važne za zajednicu\ni njen integritet. Važna komponenta je kada se zajednica radikalno smanji, održati zajedništvo i\nmeđusobnu potporu.\n2","warnings":[],"document":{"program_type":"razvoj_projekata","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RSC_IGR_1rok_2026_11III2026._WEB.pdf","filename_decoded":"Obrazlozenje_RSC_IGR_1rok_2026_11III2026._WEB.pdf","sha256":"96af58ced77c6c480a5551801cb9d3e6ed66b7433c1626d99a28cc762c7dd72f","bytes":230791,"page_count":4,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RSC_IGR_1rok_2026_11III2026._WEB.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva kategorija:\npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih,\ndugometražnih dokumentarnih i animiranih filmova potkategorija:\nrazvoj scenarija u 2026. 1. rok – 11.3.2026. – dugometražni igrani filmovi\numjetnički savjetnici za dugometražni igrani film Branko Schmidt, Sandra Antolić,, Ira\nCecić\nNa ovaj rok pristigle su rekordne 146 prijave, od kojih jedna nepotpuna prijava. 16\nprijava su adaptacije knjiž evnih predlož aka.\nZa financiranje predlaž emo 17 projekata:\n1. ZADNJI KAT BEZ LIFTA\nscenarij: Rino Barbir, Š imun Š itum\nprodukcija: Eclectica d.o.o.\n- 6 000 eura\nPric a vodi Andru radi kupovine stana u Zagrebu posuditi u Šplitu novac od oca i suoc ava\nga sa starim obiteljskim problemima te posljedic no sa samom sobom.\n2. SPLIT, 2003./2004.\nscenarij: Tamara Bilankov\nprodukcija: Udruga Blank\n- 6 000 eura\nPric a prati druž enje splitskih petnaestogodis njakinja Karmen i Tanje od s kole, kafic a i\nnoc nih klubova, preko granice dožvoljenog ža njihovu dob te žavrs ava Tanjinom\nafirmacijom i oslobađanjem od dominantne prijateljice.\n3. ST70\nscenarij: Ognjen Švilic ic\nprodukcija: Umjetnic ka organižacija MissArt\n- 6 000 eura\nPric a iž sedamdesetih godina pros loga stoljec a c etvrti je filmski predlož ak koji koristi\nlegendarne likove Kižu, Krpu, Bubu i Deju, iž romana Metastaže Alana Bovic a aka Ive\nBalenovic a, no sad kao sedamnaestogodis njake koji s kolsku posjetu Šplitu koriste ža\nmisiju krađe dresa c uvenog Hajdukovog kapetana Ivice Š urjaka.\n1\n4. TRANSFER\nscenarij: Branko Ruž ic\n- 6 000 eura\nPric a o transportu narkobosa Mareta iž žatvora u Šplitu u pritvorsku jedinicu u Zagrebu\nkoja otkriva velike rupe u sustavu te umjesto tri sata traje trinaest sati tijekom kojih\nsustav kolabira, a Mare profitira.\n5. ZABAVA\nscenarij: Vivien Karlovic\n- 6 000 eura\nWhodunnit pric a u kojoj se tijekom jedne noc i na gala žabavi u opatijskom hotelu krož niž\nprevrata pokus a rasvijetliti misteriožni nestanak neprocjenjivog kipa i umorstvo\nprevaranta ža koje svaki užvanik ima motiv.\n6. NEGDJE DRUGDJE\nscenarij: Danilo Š erbedž ija\n- 6 000 eura\nGeneracijska pric a o c etvorici žagrebac kih prijatelja c ije je odrastanje obiljež io rat,\nnavijac ka subkultura, droga i gubitak, a njihov kasniji susret pretvara se u melankolic no\nsuoc avanje s ižgubljenom mlados c u.\n7. PLIVAČ\nscenarij: Ivica Prtenjac a, Natas a Antulov\nprodukcija: Nukleus Film d.o.o.\n- 6 000 eura\nAntimilitaristic ka pric a o dvadesetogodis njem plivac u Andreju koji se u ljeto 1991.,\nrastrgan ižmeđu mobiližacijskog poživa, roditeljskih strahova i prve ljubavi na Los inju,\nodluc uje na bijeg od rata i tuđih predodž bi o mus koj hrabrosti.\n8. POBUNA PAULINE P.\nscenarij: Ivan Turkovic Krnjak\nprodukcija: Jaka produkcija\n- 6 000 eura\n2\nTrec i nastavak filmskog serijala o Paulini P. prati nježin ulažak u pubertet, prvu ljubav i\npobunu protiv autoriteta, spajajuc i dnevnic ku strukturu, humor i fantažijski susret s\nmajkom iž pros losti.\n9. SMISAO ŽIVOTA U ČETIRI MEČ LOPTE\nscenarij: Nikola Kupres anin\n- 6 000 eura\nŠportskobiografska pric a o c udesnom osvajanju Wimbledona Gorana Ivanis evic a 2001.\ngodine, koja krož c etiri mec lopte povežuje njegove poraže, obiteljsku ž rtvu, karijerni pad\ni trijumfalni povratak.\n10. DEBELA\nscenarij: Luka Galešić\nprodukcija: Kinorama d.o.o.\n- 6 000 eura\nKomedija o odrastanju pisana očima djevojke s viškom kilograma. Inovativan pristup koji\ngovori o ljudskoj površnosti i preferiranju forme umjesto sadržaja.\n11. DERBI\nscenarij: Dražen Ivežić\n- 6 000 eura\nZanimljivo i duhovito predstavljena priča o dvije suparničke političke stranke koje u\npredižbornoj kampanji u selu na istoku Šlavonije čine sve da pobijede, da bi „čašu prelio“\ncrni nogometaš kojeg angažiraju u lokalnom nogometnom klubu.\n12. DRUŠTVO PUTNIKA KROZ VRIJEME\nscenarij: Filip Heraković, Katarina Koljević\n- 6 000 eura\nŠentimentalna fantastična priča u kojoj putujući krož vrijeme djevojčica na otvaranju\nUniverzijade u Zagrebu 1987. godine upozna svoju majku koja je umrla na porodu.\n13. DVIJE NEVJESTE I JEDNA KRAVA\nscenarij: Renata Lučić\n- 6 000 eura\n3\nPriča o ljubavi dvije djevojke u slavonskom selu neposredno nakon Domovinskog rata\nkoju autorica odlično ražvija slijedeći sugestije koje smo joj dali na prošlom roku.\n14. GRANICE\nscenarij: Vanja Juranić\n- 6 000 eura\nZanimljiva priča koja hrabro pristupa temi prava žene na pobačaj u slučaju ploda s\nteškom malformacijom nakon žakonski propisanog roka.\n15. JA SAM BUDUĆNOST\nscenarij: Marko Hrenović, Robert Cukina\n- 6 000 eura\nPriča o jednom od najoriginalnijih i najboljih suvremenih rokera Hrvatske, Goranu\nBareu, predstavljena je posebno inovativnim načinom ižlaganja.\n16. VUKOVAR\nscenarij: Dominik Sedlar\nrežija: Jakov Šedlar, Dominik Šedlar\nprodukcija: 260DAYS d.o.o.\n- 6 000 eura\nZbog žnačaje teme i potrebe ža filmom o gradu heroju projekt Vukovar smo iz kategorije\nProdukcije odlučili vratiti u potkategoriju Ražvoja scenarija dugometražnih igranih\nfilmova.\n17. HIDRA\nscenarij: Dora Šustić\n- 6 000 eura\nNajbolja prijava u ovoj potkategoriji bavi se temom čedomorstva teško bolesnog djeteta.\nPriča je fokusirana na svjedočanstvo o bitci koju je majka vodila s nefunkcionalnim\nsustavom i koja ju je dovela do strašnog čina.\n4","warnings":[],"document":{"program_type":"razvoj_scenarija","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RPR_IGR_1rok_2026_11III2026_WEB.pdf","filename_decoded":"Obrazlozenje_RPR_IGR_1rok_2026_11III2026_WEB.pdf","sha256":"2fe36f7508914a9ccd627f8860ea810a4d6f0b77cf373ff74558f92803cfe744","bytes":211818,"page_count":3,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RPR_IGR_1rok_2026_11III2026_WEB.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija:\npoticanje razvoja scenarija i razvoja projekata dugometražnih igranih,\ndugometražnih dokumentarnih i animiranih filmova - potkategorija:\nrazvoj projekta u 2026. - 1. rok, 11.3.2026. – dugometražni igrani filmovi\n- umjetnički savjetnici za dugometražni igrani film - Branko Schmidt, Sandra Antolić, Ira\nCecić\nNa ovaj rok pristigla je 31 prijava i sve smo ih razmatrali.\nDva prijavljena projekta namjenjena su djeci, jedan tinejdz erima, c etiri su povijesne\ndrame, a nekoliko ih je smjes teno u bliz u povijest - osamdesete odnosno devedesete\ngodine pros loga stoljec a.\nVec ina se prijavljenih projekata deklarira kao psiholos ke ili obiteljske drame opisane\ndodatno razlic itim z anrovskim ili stilskim elementima poput horora, thrillera i humora.\nTri prijavljena projekta su komedije, od kojih je jedna romantic na.\nU tematskom smislu pretežu filmovi koji se bave odrastanjem ili prihvac anjem z ivotnih\nodgovornosti te poc ivaju na protagonistima od tinejdz erske dobi do praga tridesetih\npreokupiranih ekonomskim problemima, seksualnom orijentacijom, prijateljstvom,\nprilagođenos c u okolini, itd.\nČ etiri projekta su adaptacije knjiz evnih predloz aka, a jedan adaptacija kazalis ne\npredstave. Gotovo pola prijavljenih redatelja_ica su debitanti.\nOd tridesetjednog prijavljenog projekta u ovoj potkategoriji odabrali smo podrz ati c etiri\nkojima smo dodali i jedan prijavljen na Javni poziv za poticanje proizvodnje. To su redom\nBijes, Čančara, Otac, majka i njihova djeca, Dorina škola štednje te dodani projekt -\nZmaj.\nBijes Martine Marasovic je obiteljska drama koja kroz centralni lik desetogodis njakinje\nreflektira horor rata u Zagrebu 1941. godine.\nČančara Vene Mus inovic a je komic ni film ceste o brac i koja iz poc etne iluzije da su\nusmrtili c ovjeka zavrs e s vercajuc i kornjac e c anc are za mafiju.\nOtac majka i njihova djeca Antonete Alamat Kusijanovic distopic na je drama o moguc em\nnuklearnom napadu od kojeg se brat i sestra sklanjaju na rodni otok, no majka i otac ne\nz ele im prepustiti svoja mjesta u sklonis tu.\nDorina škola štednje Petra Ores kovic a je pouc na filmska pric a za djecu o eskalaciji\npotros ac kog mentaliteta personificiranoj u zloj AI kasici-prasici.\nZmaj Ivone Juke je ratna drama o “lijec nici bez granica” koja 1993. spas ava z ivot vođi\nsrpskih pobunjenika koji joj je ubio sina.\n1\n1. BIJES\nscenarij: Martina Marasovic\nrez ija: Martina Marasovic\nprodukcija: Eclectica d.o.o.\n- 25 000 eura\nVjerna stilu i temama svojih kratkih filmova, redateljica i povjesnic arka Martina\nMarasovic smjes ta pric u Bijes u vrijeme NDH, u Zagreb 1941. godine. Kroz “oc i”\ndesetogodis nje Mas e, najmlađe kc eri u obitelji narcisoidnog oca gostionic ara i priproste\nmajke, pratimo događaje striktno locirane u gostionicu, stan na katu iznad te dvoris te. Od\nbijega susjeda Srbina i odvođenja oca pod sumnjom da mu je u tome pomogao, preko\nsvakodnevice u kuhinji, dinamike između majke i sestara (bolesne Janice i Ranke\nzainteresirane za momke), do Mas inog svjedoc enja brutalnom ubojstvu koje u susjednoj\nkuc i poc ini mladi ustas a, a koje djevojc ica vidi s drveta. Upravo ta specific na vizura, uz\nMas ine snove i strahove, daje Bijesu posebnu kvalitetu.\n2. ČANČARA\nscenarij: Veno Mus inovic\nrez ija: Veno Mus inovic\nprodukcija: Wolfgang i Dolly d.o.o.\n- 25 000 eura\nČančara je komedija izuzetno brza ritma i izvrsno napisanih dijaloga koja se odvija kao\nlavina događaja u koje se uz glavne aktere, brac u trideset-plus-godis njaka, uplic u i\nsukobljeni mafijas i, Ukrajinka i tri stotine vrijednih kornjac a c anc ara. Osnovni okidac\nradnje je namjes tena prometna nesrec a u kojoj c e pod kotac ima brac e “poginuti” tip s\ngepekom punim eura. Ta prevara mafijas koj s efici Gabrijeli posluz i za ucjenu pa brac a\nmoraju za nju obaviti “posao”. Z eljko c e se tako nac i na mjestu vozac a, a Vjeran suvozac a\nkamiona punog nepoznatog tereta na putu za Split. Traumatic ne obiteljske teme i razna\nmeđusobna zamjeranja koja c e pritom otvoriti dovode u konac nici pric u do autentic ne\nemocije.\n3. OTAC, MAJKA I NJIHOVA DJECA\nscenarij: Ivor Martinic , Antoneta Alamat Kusijanovic\nrez ija: Antoneta Alamat Kusijanovic\nprodukcija: Eclectica d.o.o.\n- 25 000 eura\nPriča provokativne premise pod kojom majka izbjegava općeprihvaćenu obavezu\nžrtvovanja za svoju djecu smještena je u kontekst eskalacije međunarodne nuklearne\nkrize i najavljenog masivnog udara. Na rodni otok se tako sklanjaju brat i sestra, no za\n2\nnjih nema mjesta u brojčano ograničenom atomskom skloništu, a majka i otac im ne žele\nprepustiti svoja mjesta. Priča se plete u laviranju roditelja između rezolutnosti,\nopravdavanja i osuđivanja djece za zanemarivanje te atmosferu stalno prisutne nade da\nće brat i sestra ipak u zadnji tren dobiti šansu preživjeti.\n4. DORINA ŠKOLA ŠTEDNJE\nscenarij: Natko Jurdana\nrez ija: Petar Ores kovic\nprodukcija: Nukleus Film d.o.o.\n- 20 000 eura\nDevetogodis nja Dora z eli sve s to imaju njezine s kolske kolegice, no njezini financijski\nlos estojec i roditelji i s tedljiva, pomalo s krta baka joj to ne omoguc uju. Kad dobije AI\nkasicu-prasicu, Zvecka, putem njegovih uputa Dora poc inje uc iti kako da zaradi i us tedi\nte tako brzo dosegne svotu potrebnu za ostvarenje prve z elje. No unatoc zadovoljenju,\nDorine z elje ne prestaju rasti, kao ni Zvecko koji, nakon uc itavanja novog programa, od\nDore zahtijeva da ga hrani sa sve vis e i vis e novca. Ova originalna pric a na zabavan i\npouc an nac in prenosi poruku kako novac ne moz e biti zamjena za paz nju i ljubav te kako\nu tes kim vremenima obitelj mora surađivati.\n5. ZMAJ\nscenarij: Ivona Juka\nrez ija: Ivona Juka\nprodukcija: Č etiri film d.o.o./Anita Juka\n- 25 000 eura\nZmaj je ratna drama koja se bavi velikim temama poput osvete, krivnje i oprosta.\nČentralni lik je Petra, “lijec nica bez granica” koja se u ratnoj Hrvatskoj 1993. godine nakon\nduz eg vremena srec e sa sinom Markom, volonterom Črvenog kriz a. Daljnjim spletom\nratnih okolnosti dogodi se najgore: srpske paravojne snage upadaju u selo i njihov vođa\nSejo pred Petrinim oc ima ubija Marka. Potom Petra bjez i te spas ava izgubljenog djec aka\nkoji ne govori, da bi na kraju shvatila da je to upravo Sejin sin.\n3","warnings":[],"document":{"program_type":"razvoj_projekata","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"Obrazlozenje_RPRTV_RSCTV_1rok_10III2026_WEB.pdf","filename_decoded":"Obrazlozenje_RPRTV_RSCTV_1rok_10III2026_WEB.pdf","sha256":"254f1cca27c29948c3468e046b47bac265e9d1c05253c27dfac71c913edd2745","bytes":299814,"page_count":13,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/Obrazlozenje_RPRTV_RSCTV_1rok_10III2026_WEB.pdf"},"raw_text":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE\nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ\nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2026. - 1. ROK - 10.3.2026.\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE\nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ\nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2026. - 1. ROK - 10.3.2026.\nNa Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE\nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u prvom roku 2026.g.\nukupno je prijavljeno 149 projekata (59 više nego na prethodnom javnom pozivu), od toga\n95 u potkategoriji Razvoja scenarija, a 54 u potkategoriji Razvoja projekata. Svi prijavljeni\nprojekti zadovoljili su uvjete javnog poziva.\nU potkategoriji razvoja scenarija TV djela predloženo je 14 projekata u ukupnom iznosu od\n89.000 eura, dok je u potkategoriji razvoja projekata TV djela predloženo 9 projekata u\nukupnom iznosu od 91.000 eura. Ukupni zajednički iznos za obje potkategorije je 180.000\neura.\nVelik broj prijavljenih projekata rezultirao je solidnom kvalitetom projekata, osobito\nkad je riječ o dramskim serijalima, dok je standardno slabija konkurencija bila među\nanimiranim i humorističkim projektima. Može se zamijetiti i sve veći broj projekata koji zaista\nimaju potencijala za šire tržište od domaćeg, pa čak i regionalnog.\nU dokumentarnom programu osjetna je prevlast putopisnih i baštinskih serijala, dok je u\nigranom nešto šarenija situacija mada je najveći broj generičkih kriminalističkih drama i\ntrilera.\nOno što veseli je, još uvijek stidljivo, skretanje prema autentičnim, lokalno specifičnim\npričama s jakim ženskim glasom.\nKristina Kumrić\numjetnička savjetnica za\nrazvoj televizijskih djela\n1\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE\nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ\nPROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA u 2026. - 1. ROK - 10.3. 2026.\n1) Animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute\n1.1. Gizzo Gezzu\nAnimirana serija, 30x5'\nProducent: Kobra Koke Zagreb\nScenaristi: Sonja Babić, Luka Vucić\nRedatelj: Luka Vucić\n- 8.000 eura\nAnimirani serijal je priča o dva šašava vanzemaljca koja dolaze na naš planet i baš na farmu\nkod Petre. Gizzo i Gezzu su znatiželjni i sve ih zanima o Zemljanima (npr. zašto se smijemo,\nzašto psi laju i sl.), a dječak Matej i djevojčica Petra im strpljivo odgovaraju, pa katkad u priče\nuključe i ostale članove obitelji.\nOvo je maštovit serijal koji potiče dječju znatiželju, a kroz koji će djeca učiti o svakojakim\ntemama zajedno s Gizzom i Gezzuom.\nEpizode su zabavne i edukativne, 2D animacija atraktivna i primjerena djeci od 5 godina .\n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta\n2.1. Tri lica otpora\nDokumentarna serija, 3x52'\nProducent: Hrvatski centar za istraživačko novinarstvo i slobodu medija\nScenaristica: Željka Laslavić\nRedatelj: Dario Juričan\n- 10.000 eura\nTri lica otpora trodijelni je dokumentarni projekt koji mapira ključne točke građanskog bunta\nna ovim prostorima kroz tri različita načina djelovanja – umjetnost, eko-aktivizam i politiku.\nAutorov plan je donijeti necenzurirani uvid u anatomiju građanskog bunta i društvenog\nangažmana na ovim prostorima opsežnim istraživanjem koje uključuje razgovore s iznimno\nvelikim brojem sugovornika, arhivske snimke, snimanje prosvjeda, koncerata itd.\nRiječ je o punokrvnom problematskom (istraživačkom) dokumentarcu koji je u stilskom\npristupu opservacijski, a ponegdje i poetski. Autor želi pokazati da ima još ljudi koji vjeruju u\nto da promjena počinje od pojedinca i time inspirirati gledatelja.\nOvaj projekt je jako slojevit i zbog teme kojom se bavi, ali i zbog nužne opsežne građe koju\nautor priprema. Također, to je jedini projekt od dokumentarnih serijala čija je tema izravno\ndruštveno relevantna.\n2\n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koja je\nnamijenjeno prvenstveno televizijskom prikazivanju\n3.1. Uvijek se možeš vratiti\nDramska serija, 4x58'\nProducent: Pipser d.o.o.\nScenaristice: Tena Gojić, Hana Jušić\nRedateljica: Tena Gojić\n- 15.000 eura\nPriča prati Nadu, ženu u kasnim tridesetima koja početkom devedesetih odlazi iz Zagreba\nraditi na norveški kruzer kako bi materijalno osigurala familiju. I nikad se više ne vrati.\nKroz nekih dvadesetak godina pratimo odrastanje kćeri u Zagrebu i Nadin novi život u\nNorveškoj uz rijetka, iščašena viđanja.\nOva priča nudi surovu, ali duboko istinitu psihološku studiju o tome kako trauma, rat i\ngeografska distanca trajno mijenjaju i prepolovljuju jednu obitelj.\nScenarij prve epizode je snažan je, zreo i slojevit. Slike su opipljive, moćne, a opet lomljive.\nU cijeloj seriji najjači dojam ostavlja način na koji se lome (pa srastaju pa opet lome)\nunutarnji svjetovi junakinja i njihovi odnosi. Na taj isti način se stilski lomi slika, prijelazi\nizmeđu zagušljivog, ljepljivog Zagreba devedestih i sterilne, hladne Norveške. Kako bi\nBergman režirao Ferrante?\nProjekt je zahtjevan za realizaciju, ali iznimno dobro pripremljen i sa velikim potencijalom za\nstrane producente.\n3.2. Sijedi razvod\nDramska serija, 8x45'\nProducent: Kobra Koke Zagreb\nScenaristi: Lea Stanković, Ivan Knežević\nRedatelj: Goran Gajić\n- 12.000 eura\nObiteljska drama s elementima crne komedije koja istražuje krizu identiteta treće životne\ndobi. Odlazak u mirovinu razotkriva duboko otuđenje starijeg bračnog para, čija odluka o\nprekidu odnosa izaziva potpuni kaos i prisiljava cijelu obitelj na suočavanje s vlastitim\nživotnim zabludama. Serija fino balansira između smiješnog i tužnog a završava tragičnim\notrježnjenjem. Struktura prati princip \"grude snijega\", priča počinje kao spora, intimna\nbračna drama, a zatim se, pod utjecajem nesporazuma i obiteljskih pritisaka, kotrlja prema\nbrzoj, satiričnoj komediji zabune, da bi na kraju naglo udarila u zid tišine i tragične ozbiljnosti.\nRiječ je o produkcijski dobro osmišljenom projektu sa izvrsnim castom koji posjeduje\nkvalitete i za širu publiku od domaće.\n3\n3.3. Dvanaest novih godina\nDramska serija, 12x45'\nProducent: Wolfgang & Dolly d.o.o.\nScenaristi: Marijan Alčevski, Nikolina Bogdanović, Vid Lež\nRedatelj: Filip Heraković\n- 10.000 eura\nZanimljivo osmišljen i formatiran projekt u kojem se šestero prijatelja svake godine nalazi na\nproslavi Nove godine, pa je tako dvanaest epizoda zapravo dvanaest Novih godina. Dakle,\nlikove pratimo od njihovih ranih dvadesetih do srednjih tridesetih, a u tom razdoblju oni se\nžene, razvode, mijenjaju partnere, poslove i gradove. I, ono najvažnije, mijenjaju sebe. Zbog\nčinjenice da svaka epizoda ima jedinstvo mjesta, vremena i radnje ova priča podsjeća na\nslavni film Paola Genovesea Perfetti Conosciuti, ali s tom prednošću da ovdje između\nepizoda imamo vremenski otklon od godine dana pa dolazi do oscilacija stanja likova i\nnjihovih međusobnih odnosa.\nScenarij zadnje epizode atmosferičan je i emocionalno gust. Fokus je stavljen na mikro-\ndrame unutar odnosa i na neumoljiv protok vremena.\n3.4. Seventyn\nDramska serija, 8x40'\nProducent: Umjetnička organizacija T25\nScenaristi: Andrea Slaviček, Ivor Martinić\nRedateljica: Andrea Slaviček\n- 10.000 EUR\nRiječ je o nadrealnoj psihološkoj alegoriji u kojoj pratimo mladog novinara Lua, pasivnog\ndvadesetšestogodišnjaka koji radi u senzacionalističkom tabloidu. Svjestan da radi isprazan\nposao, ali se previše boji rizika da bi išta promijenio.\nNjegova duboko ukorijenjena anksioznost i strahovi nisu nastali preko noći, ali u trenutku\nkada je Luov unutrašnji nemir dosegao kritičnu točku pojavljuje se Sev. Sev je prikaza,\npersonificirani strah u liku petnaestogodišnjaka koji Luu doslovno visi oko vrata ili ga pritišće\nkao ruksak, ali Lu ga ne vidi već ga osjeća kao neobjašnjivu \"negativnost koja ga prati\", a što\nje vješto prikazano kao iznenadni nalet ljutnje, panike, mucanja ili krivnje. Stvari se mijenjaju\nkada se mladić zaljubi i počne primjenjivati mentalne trikove za podizanje optimizma. Što\nviše razmišlja o sretnoj budućnosti, to njegova personificirana tjeskoba gubi tlo pod nogama,\nslabi i gubi moć. U konačnom mentalnom obračunu, Lu uspijeva nadvladati svoj najveći\nunutrašnji teret, ostavljajući iza sebe toksične obrasce ponašanja. Ipak, uništeni unutrašnji\nneprijatelj ostavlja prostor za nove sumnje koje u pozadini već kuju plan za idući napad na\nnjegovu psihu.\nOsim što se radi o izuzetno originalnom i slojevitom dramskom konceptu (koji miriše na\nCharlija Kaufmana), snaga ove serije leži u njenom iznimno jakom vizualnom identitetu što\npotvrđuju posebno dojmljivi opisi prostora u kojima se osjeti uvrnuta, sterilna i otuđena\nlogika tog svijeta.\n4\n3.5. Ubojstvo u raju\nDramska serija, 6x52'\nProducent: CGM films d.o.o.\nScenaristice: Sonja Tarokić, Valentina Batalić\nRedateljica: Jelena Gavrilović\n- 8.000 eura\nKada metodični zagrebački inspektor s kroničnim gastritisom stigne na jadranski otok kako bi\nriješio niz bizarnih ljetnih ubojstava, prisiljen je voditi istragu kroz kaos lokalnog mentaliteta i\nnepisanih pravila otočke policije. Sveti Jure pretvara se u poprište bizarnih zločina kad\ndetektiv i lokalna policajka razotkriju desetljećima skrivanu mrežu financijskih skandala i\nilegalnih investicija.\nProjekt je franšiza iznimno popularne BBC-jeve serije Death in Paradise, međutim dok se\noriginal često bavi klasičnim kolonijalnim i/ili spletkama visokog društva na egzotičnim\notocima, ovaj projekt u srž kriminalističkog zapleta ugrađuje goruće probleme suvremene\njadranske obale. To su mutne preprodaje djedovine i zemljišta, divlja gradnja resorta,\nprenamjene parcela, pritisak stranog kapitala te lokalni klanovi u kojima je pola otoka u\nrodbinskim vezama.\n4) Televizijsko humoristično djelo, čije trajanje po epizodi nije kraće od 20 minuta\n4.1. Kamp Kriskindl\nHumoristična serija, 6x50'\nProducent: Četiri film d.o.o.\nScenarist: Matej Sudarić\nRedateljica: Ivona Juka\n- 10.000 eura\nObitelji Mlinar bježi na zimovanje u propali priobalni autokamp, nakon što otac u panici\npokuša sakriti da mu je na kućna vrata stigla trudna slovenska ljubavnica. Dok on pokušava\nspriječiti ljubavnicu da ih razotkrije supruga se upušta u flert s lokalnim ribarom, a\nekscentrični susjedi iz kampa nameću svoje bizarne metode bračnog savjetovanja. Kaos\nkulminira na sam Badnjak usred snježne oluje, kada ljubavnica uleti u kamp i počne se\nporađati u obiteljskom kamperu, što kroz niz farsičnih obrata i tajni na koncu prisili\nsupružnike na potpuno pročišćenje i borbu za spas vlastitog braka.\nOvaj projekt je vrlo dobro osmišljena i dinamična obiteljska komedija s elementima farse i\nblagdanskog apsurda. Koncept \"Božića na moru\" u loše ukrašenom, blatnjavom autokampu\nsavršena je scenografija za seciranje obiteljskih tajni i bračnih kriza.\nScenarij za prvu epizodu je dinamičan, scene brzo teku, a humor je oštar, suvremen i pun\nprepoznatljivih obiteljskih frustracija.\n5\n4.2. Bečka škola\nHumoristična serija, 12x25'\nProducent: Wolfgang & Dolly d.o.o.\nScenaristi: Daniel Kušan, Stjepan Perić\nRedatelj: Daniel Kušan\n- 8.000 eura\nOvaj mockumentary prati blentavog profesora koji umjesto finskog modela školstva\npokušava uvesti (ili vratiti?!) austrougarski model u zagorsku gimnaziju u kojoj je ravnatelj.\nKroz niz urnebesnih obrata – od financijskog kraha, preko nasjedanja na internetsku prevaru,\ndo potpunog kaosa na maturalcu u Beču – Eugen uz pomoć mudre tajnice, smotanog domara\ni pronicljive nastavnice kemije s kojom razvija romansu pokušava spasiti školu. U finalu\nsezone, Eugenov tim razotkriva korumpiranu zavjeru ministra i rivala iz privatne gimnazije,\nuspješno podiže znanje učenika i dokazuje da su zajedništvo i tradicija jači od birokracije.\nU pilot epizodi didaskalije su izuzetno vizualne i detaljne što je ključno za snimanje serije\novakvog tipa, dok dijalozi i scenska akcija jako dobro prenose sve ono što čini tzv. cringe\ncomedy.\nUštogljeni profesor već ima svoje fanove na internetu, pa nema razloga ne vjerovati da će ih\nbiti i puno više kad se pojavi u televizijskom formatu.\n6\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE\nRAZVOJA SCENARIJA I PROJEKATA SERIJSKIH TELEVIZIJSKIH DJELA - potkategorija: RAZVOJ\nSCENARIJA SERIJSKIH TELEVIZIJSKIH DJELA u 2026. – 1. ROK - 10.3.2026.\n1) Animirano televizijsko djelo čije ukupno trajanje serije nije kraće od 24 minute\n1.1 Mali i Levijatan\nAnimirana serija, 10x15'\nProducent: -\nScenaristi: Rona Žulj, Luka Rukavina\nRedatelj: Luka Rukavina\n- 4.000 EUR\nMali i Levijatan adaptacija je knjige Svena Popovića o bistrom dječaku Malom koji bježi iz\nizolirane kule na gusarski brod karizmatičnog, ali opsjednutog kapetana Igle, koji pokreće\nkrvavu revoluciju kako bi pronašao i ubio Levijatana, mitsku neman za koju vjeruje da je izvor\nsame ljudske smrtnosti. Nakon razaranja i brodoloma, Mali se suočava s tim golemim bićem\ni shvaća da ono nije čudovište, već prirodna sila zbog koje život uopće ima smisao. Mali ne\nraste tako što dobiva božanske moći, već tako što gubi iluzije. Serija je namijenjena djeci od\n12+ godina što je publika koja se nalazi na granici između dječjeg i odraslog svijeta a ova\nserija, poštujući njihov intelekt, otvara kompleksna pitanja sazrijevanja, poput preuzimanja\nkontrole nad vlastitom sudbinom, nošenja s osobnim nesigurnostima i građenja autonomnog\nidentiteta nasuprot roditeljskim očekivanjima.\n2) Dokumentarno televizijsko djelo čije trajanje po epizodi nije kraće od 20 minuta\n2.1. Linije Bauhausa\nDokumentarna serija, 7x26 min.\nProducent: -\nScenaristica: Dalija Dozet\nRedateljica: Dalija Dozet\n- 9.000 EUR\nJedan od najzanimljivijih i najbolje pripremljenih projekata u potkategoriji razvoja scenarija.\nSerijal govori o umjetnicima s ovih prostora koji su studirali na čuvenom Bauhausu između\ndva rata. Svaka epizoda prati jednog umjetnika, njegov put do Bauhausa (i nazad).\nAutorica vrlo jasno navodi koja ju pitanja zanimaju i čime se namjerava baviti. Jasna\nstruktura, snažan narativni luk kroz kronološki prikaz (početak, sredina i kraj škole Bauhaus)\ndaje seriji jasan povijesni smjer. Suvremena relevantnost (povezivanje povijesnih praksi s\n7\nmodernim dizajnom npr. Apple, Ikea i današnjim obrtima) osigurava dinamiku priče. Zgodan\ndetalj su i kompaktni \"cliffhangeri\" (korištenje međusobnih odnosa umjetnika za uvođenje\niduće epizode). Politički moment daje seriji nužnu težinu i katarzu na kraju. Škola se zatvara\n1933. pod izravnim pritiskom nacista. Sudbine likova zapravo savršeno oslikavaju tragediju\nEurope: Otti Berger kao Židovka završava i stradava u Auschwitzu, Selman Selmanagić ostaje\nu Berlinu i ilegalno djeluje u pokretu otpora, a Ivana Tomljenović biva izbačena iz škole zbog\npolitičkih stavova i seli se kroz Europu.\nOvo je iznimno kvalitetno osmišljen, strukturno zaokružen i tržišno potentan serijal ne samo\nza naše tržište. \"Linije Bauhausa\" pametno balansiraju lokalne, regionalne priče s globalnim\npovijesnim i umjetničkim kontekstom.\n2.2. Mi to tako\nDokumentarna serija, 4x26'\nProducent: –\nScenarist: Luka Tokić\nRedatelj: Luka Tokić\n- 5.000 EUR\nDokumentarno-igrani serijal Mi to tako u 4 epizode od po 26 minuta na zabavan i\ninformativan način istražuje, kako autor kaže, dijalektičku prirodu hrvatskog društva kroz\nprizmu bontona. Kako bismo osvijestili pravila koja uzimamo zdravo za gotovo, autor će ih –\nčesto namjerno – kršiti. Kroz ulogu provokatora i medijatora, Luka spaja glas naroda (kroz\ndinamične fokus grupe građana svih dobi i regija) s analizama sociologa, antropologa i\nstručnjaka za bonton. Sam naslov serijala na humorističan način evocira našu kolektivnu\nosobinu: uvjerenje da je naš osobni način ponašanja ujedno i jedini ispravan.\nStruktura od 4 epizode prati prirodan ritam dana, što je zgodan dramaturški kostur.\nSvaka epizoda ima jasan tematski fokus, jasne protagoniste i jasan zaključak.\n2.3. Posvete\nDokumentarna serija, 6 x 26'\nProducent: -\nScenarist: Arsen Oremović\nRedatelj: -\n- 6.000 EUR\nKnjige kupujemo radi priča koje su u njima ispisane, ali najfascinantnije priče zapravo se kriju\niza posveta na prvoj stranici. Dokumentarni serijal o posvetama autor strukturira na način da\npratimo pisca Ivicu Prtenjaču koji u antikvarijatima pronalazi knjige s intimnim posvetama te\ntraži ljude koji su ih napisali, primili ili naslijedili. Izbjegavajući senzacionalizam, projekt\nmapira sudbine običnih ljudi i završava pitanjem o vrijednosti rukom pisanog traga u\ndigitalnom dobu. Ono što ovaj projekt čini posebnim je esejistički, refleksivan i duboko\nhuman pristup.\n8\n2.4. Dobra ekonomija, III sezona\nDokumentarna serija, 5x52'\nProducent: Pipser d.o.o.\nScenarist: Đuro Gavran\nRedatelj: Đuro Gavran\n- 6.000 EUR\nDobra ekonomija je već dobro poznat koncept koji je u svoje dvije sezone emitiranja imao\nizrazito veliku gledanost na javnoj televiziji. U drugoj sezoni se ponešto mijenjao format što\nje zahtijevalo i složeniji produkcijski proces, puno više pripreme, istraživanja i rada sa\nsugovornicima.\nU izvrsno pripremljenom materijalu autor objašnjava koliko i kako se bavi ovim projektom\ngotovo deset godina, navodi suradnike za sljedeću sezonu i opet zanimljive i aktualne teme\nkoje se tiču ekologije, održivosti, pametnog poslovanja. Fokus je na rješenjima, a ne samo na\nkritiziranju. Ovaj projekt pokazuje koliko je dobra priprema ključna za kvalitetu serije i to\ntreba podržati.\n2.5. Posljednji pastiri Balkana\nDokumentarna serija, 4x30'\nProducent: VECTIVUS, vl. Hrvoje Jurić\nScenarist: Hrvoje Jurić\nRedatelj: -\n- 7.000 EUR\nPosljednji pastiri Balkana je vizualno impresivan, poetičan i duboko intiman dokumentarni\nserijal od četiri epizode koji vodi gledatelje na putovanje kroz Julijske Alpe (Slovenija), Velebit\n(Hrvatska), Vlašić (BiH) i Durmitor (Crna Gora). Kroz oči putopisca Hrvoja Jurića, koji s ovim\nljudima već godinama dijeli planinske staze, ulazimo u surovu svakodnevicu izoliranih katuna\ni planinskih koliba. Ovo nije klasični, suhoparni putopis. Ovo je opservacijski dokumentarac\nkoji bilježi trenutke tišine, teškog rada, ali i nevjerojatne slobode. Kroz intimne portrete tri\nčovjeka i jedne obitelji koji odbijaju napustiti planinu, serija otvara univerzalna pitanja: Što\ngubimo kada izgubimo vezu s prirodom? Tko će naslijediti posljednje čuvare planina?\n9\n3) Televizijsko dramsko djelo čije trajanje po epizodi nije kraće od 25 minuta i koje je\nnamijenjeno prvenstveno televizijskom prikazivanju\n3.1. Stringeri\nDramska serija, 8x52'\nProducent: NUKLEUS FILM d.o.o.\nScenarist: Nikola Kuprešanin\nRedatelj: Danis Tanović\n- 7.000 EUR\nSmještena na hladni, neonski Baltik priča prati troje diskreditiranih freelance novinara\n(Hrvat, Amerikanac i Latvijka) u Rigi koji, prateći tragove lokalnog kriminala, upadaju u žrvanj\nhibridnog rata i \"lova na ljude\" na granici EU-a. Ovo nije serija o herojima, ovo je priča o\npreživljavanju na prvoj crti novog Hladnog rata, gdje je informacija smrtonosnije oružje od\nmetka.\nStringeri su brutalno iskren i pametno strukturiran geopolitički triler s elementima baltičkog\nnoira koji savršeno secira paniku našeg vremena. Priča vješto izbjegava klišeje o\nnepobjedivim tajnim agentima. Umjesto njih, u središtu su troje moralno sivih, duboko\noštećenih novinara s margine (stringera) koji, kopajući po lokalnom kriminalu otkrivaju rusku\nhibridnu operaciju s ciljem destabilizacije Baltika. Serija ima veliki, veliki potencijal za vanjske\nkoprodukcije, ne samo regionalne.\n3.2. Slučaj dječjeg vrtića\nDramska serija, 6x40'\nProducent: –\nScenaristica: Lovorka Marjanović\nRedatelj: –\n- 7.000 EUR\nCrnohumorna drama o mladoj samohranoj majci zaposlenoj u gradskoj upravi koja se\ncinizmom i bezobraznošću rok zvijezde bori sa svakodnevnicom (borba za vrtić, briga o\nbolesnom ocu, ilegalne čuvalice, dugovi i krediti). Kada joj sustav (zbog suludog birokratskog\napsurda) odbije upisati kćer u vrtić, ona puca i odlučuje fizički „riješiti“ ravnateljicu vrtića.\nPočinje trenirati s uličnim borcem, nesvjesna da je njezin gnjev samo oružje u skrivenoj\npolitičkoj igri njezina korumpiranog šefa koji preko nje ruši gradonačelnika. Lara na kraju\nshvaća da se sustav nikad ne raspada, on samo sporo truli, a ona na kraju bira slobodu izvan\nte kaljuže.\nSerija vizualno pleše između sterilnih gradskih ureda i mračne, znojem natopljene dvorane.\nSnaga ovog scenarija je vrlo autentičan glavni lik kojem je cinizam obrambeni mehanizam, ali\nkada korumpirana birokracija ugrozi njezino dijete, verbalni štit zamjenjuje stisnutim šakama\ni ulazi u brutalni borilački svijet. Fleabag susreće Fightclub.\n10\n3.3. Majčin osmijeh\nDramska serija, 4x50'\nProducent: -\nScenarist: Emir Imamović\nRedatelj: -\n- 7.000 EUR\nCrna komedija s elementima groteske i krimića u kojoj pratimo Juru i Kenjca, lokalne sitne\nkriminalce koji preživljavaju tako što kradu umjetna zubala s pokojnika i preprodaju ih na\ndivljem buvljaku. Situacija eskalira kada brutalni zagrebački gangster Ante otkrije da su s leša\nnjegove majke nestali skupocjeni zubi te preprodavačima daje ultimatum od 24 sata da ih\npronađu. Potraga ih vodi do obitelji naoružanih lokalnih lovaca koja je zube već kupila za\nsvoju majku. Dolazi do apsurdnog spleta okolnosti, a na kraju i do krvavog tarantinovskog\nobračuna (dok u pozadini svira Mišo Kovač!) u kojem svi pucaju na sve, a preživljavaju samo\ndva glavna lika.\nVješto napisana priča koja je hibrid braće Coen i Dušana Kovačevića (osobito Maratonaca)\nima izniman tržišni potencijal za cijelu regiju.\n3.4. Kruh naš svagdašnji\nDramska serija, 12x40'\nProducent: -\nScenarist: Dražen Žarković\nRedatelj: Dražen Žarković\n- 8.000 EUR\nModern feel-good dramedy koji balansira između britke ženske perspektive i tople\nimigrantske obiteljske dinamike. Pratimo Adelu (40) koja mingla između djedovog\npatrijarhalnog autoriteta, propasti kultne trešnjevačke obiteljske pekare i sumnje u\nsuprugovu vjernost. Kada pritisak agresivne gentrifikacije i skriveni obiteljski dugovi zaprijete\nopstanku svega što vole, Adela odlučuje prekinuti nametnutu šutnju, suprotstaviti se tradiciji\ni po prvi put sama preuzeti kontrolu nad vlastitom sudbinom.\nKroz mikrokozmos zagrebačke Trešnjevke, istražujući univerzalne teme identiteta, asimilacije\ni ženske autonomije unutar jedne specifične, a u našoj fikciji potpuno zanemarene sredine —\nalbanske katoličke zajednice u Hrvatskoj, a koja je do sada je bila potpuno ignorirana ili\nprikazivana kroz površne karikature, ova serija i više nego obećava.\nPrikazivanje \"iznutra\" daje seriji snažan pečat autentičnosti i uz jaki, dobro napisani ženski lik\novo je zapravo imperativ.\n11\n4) Televizijsko humoristično djelo čije trajanje po epizodi nije kraće od 20 minuta\n4.1. Postolarka\nDramska serija, 11x25'\nProducent: UDRUGA MALO DRAMA, MALO ART\nScenaristice: Martina Mandek, Lucija Klarić, Marija Androić\nRedatelj: –\n- 6.000 EUR\nSitcom u kojem je junakinja mlada žena na pragu tridesetih koja nakon smrti oca postolara\nnasljeđuje njegov obrt i iz sentimentalnih razloga odlučuje nastaviti s poslom iako sve radi\nprotiv nje. Dolazi do niza peripetija i apsurdnih situacija da bi se do kraja sezone ipak desio\npreokret i junakinja uspijeva zadržati postolarsku radnju.\nSerija je dobro osmišljena, duhovita, galerija likova dosta dobro razrađena, a sinopsisi\nepizoda govore da su autorice na dobrom putu da stvore zabavan projekt koji zasigurno ima\ntržišni potencijal.\n4.2. Put u središte teme\nDramska serija, 15x25'\nProducent: -\nScenarist: Zoran Lazić\nRedatelj: -\n- 6.000 EUR\nPut u središte teme je britka humoristična serija u formi lažnog dokumentarca koja parodira\ntelevizijske talk show emisije uživo. Radnja prati egocentričnog, nesposobnog i\nkonzervativnog voditelja Miljenka koji manjak znanja i socijalne inteligencije nadomješta\nagresivnim vođenjem rasprava i udovoljavanjem sponzorima. Dok se on u studiju gubi u\nsuludim raspravama i vrijeđa goste (koji su mahom bizarni likovi sa društveno političke\nscene), sav stvarni i opasni istraživački rad na terenu obavlja njegova mlada, podcijenjena\nsuradnica, čije zasluge Miljenko bez srama prisvaja. Svaka epizoda prati strogu strukturu TV\nemisije unutar koje se, pred kamerama i iza kulisa, odvija potpuni kaos.\nOva serija ima potencijala na domaćem i regionalnom tržištu s obzirom da kronično\nnedostaje kvalitetne oštre satire.\n12\n4.3. Znakovi ljubavi\nDramska serija, 12x30\nProducent: -\nScenaristice: Annamaria Grzetic , Zorana Meić\nRedatelj: -\n- 5.000 EUR\nNakon što doživi potpuni slom zbog površnosti digitalnog dejtanja, tridesetogodišnja Iskra\nodlučuje izbrisati sve aplikacije i izlaziti na spoj samo po principu horoskopskih znakova,\ntražeći onog idealnog po zvijezdama – samo da bi shvatila da su ljudski odnosi puno\nkompliciraniji od natalne karte.\nIdeja je tu, likovi su zanimljivi, ali trebalo bi poraditi na konceptu, jer projekt je potentan i\njako dobro pokazuje probleme mlađih milenijalaca.\n5) Kreativni televizijski format namijenjen djeci i mladima čije ukupno trajanje serije\nnije kraće od 25 minuta i koji je namijenjen prvenstveno televizijskom prikazivanju\n5.1. Plitki rezovi\nKreativni format za djecu i mlade, 6x25 min.\nProducent: -\nScenaristica: Ines Mrenica Mutevelić\nRedatelj: -\n- 6.000 EUR\nHibridna, igrano animirana serija o šestero tinejdžera zatvorenih na dječjem odjelu klinike za\npsihijatriju. Likovi su već u ovoj fazi projekta izuzetno uvjerljivi, te svaki od njih funkcionira\nkao autentična i slojevita osoba, a ne kao hodajuća dijagnoza. Oni ne pate od apstraktne\ntinejdžerske tjeskobe, već od problema koji su izravan proizvod 21. stoljeća. Ovo nije serija\nza opuštanje. Ona je teška, zahtjevna i na trenutke duboko uznemirujuća. No, ona je i prijeko\npotrebna i mladima i nama. Ovo je televizijski projekt koji ne samo da educira i\ndestigmatizira mentalne bolesti, već posjeduje i rijetku empatiju koja će odrasle gledatelje\nnatjerati da se zapitaju: Koliko dobro zapravo poznajemo vlastitu djecu? Serija detektira\ntoksični pritisak društvenih mreža, bulimiju te jezivi fenomen livestreaming suicida.\nPoremećaji ovih mladih ljudi nisu izolirani incidenti, već simptomi duboko bolesnog,\nhiperpovezanog, a istovremeno emocionalno potpuno izoliranog društva.\nScenarij je iznimno hrabar, društveno bitan i vizualno potentan. Odluka autorice da najteže\nunutrašnje lomove likova ne prikazuje kroz eksplicitan naturalizam, već kroz visokostilizirane\nanimirane sekvence, čini se kao dobar dramaturški potez. Ukoliko se angažira kvalitetan\nstudio za animaciju (npr. s različitim stilovima animacije za svakog lika), ova serija može biti\nregionalni, pa čak i međunarodni hit koji otvara prijeko potreban dijalog o mentalnom\nzdravlju mladih.\n13","warnings":[],"document":{"program_type":"tv_djela","year":2026,"rok":"1. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"JP 2026_2 ROK_24_04_web recenzija.pdf","filename_decoded":"JP 2026_2 ROK_24_04_web recenzija.pdf","sha256":"48a74fa9d9f9b357e7d61afe5286ab7befb55e334dad14382898ceeba6c56a7e","bytes":377337,"page_count":2,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP%202026_2%20ROK_24_04_web%20recenzija.pdf"},"raw_text":"1. DISTRIBUCIJA dugometražnog animiranog filma „KRISTALNI PLANET“ – 25.000,00 €\nNakon što je njen otac dobio posao u tvornici koja proizvodi robotičke životinje na novonaseljenom\nKristalnom planetu, 11-godišnja Rea slučajno pronalazi mladunče neobičnih i nepoznatih životinja\nkoje žive u podzemlju planeta, te zajedno sa svojim novim susjedom, 11-godišnjim dječakom Andijem,\npokušava spasiti slatkog mladunca od pohlepnog vlasnika tvornice koji ga želi pretvoriti u robotičku\nživotinju.\nRedatelj Arsen Anton Ostojić odlučio se okušati na polju animiranog filma s ovom pričom\nutemeljenom na ideji Dušana Vukotića. Na temelju prijavne dokumentacije, a uz odgovarajuću\nprovedbu plana distribucije, pogotovo u segmentu školskih projekcija, dostizanje ciljanog rezultata od\n60.000 gledatelja djeluje izvedivo.\n2. DISTRIBUCIJA dugometražnog igranog filma „ŠTRIGUNI“ – 11.000,00 €\nBoris je mladi ambiciozni biolog koji istražuje mogućnost dugovječnog života u Origolabu, modernom\nlaboratoriju za genetska istraživanja u podzemlju starog istarskog gradića u kojem se šaptom prenose\nstare legende o Štrigunima - mitskim besmrtnim bićima koja ljudima kradu djecu.U isto vrijeme,\nmještane i policiju okupira slučaj nestalog dječaka Luke.\nZanimljivo autorsko okušavanje redatelja Alda Tardozzija u žanrovskom filmu na temelju prijavne\ndokumentacije ima potencijal za ostvarenje korektne gledanosti s gornjom granicom od 10 tisuća\ngledatelja.\n3. DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „NEZAHVALNA BIĆA“-\n3.500,00 €\nNadajući se da će održati na okupu svoju odnedavno razjedinjenu obitelj, David vodi svoju djecu Kláru\ni Tea na ljetovanje na Jadran. Sedamnaestogodišnja Klára, koja se bori s poremećajem prehrane,\nzaljubljuje se u lokalnog dečka Denisa. Kada Denis postane osumnjičen za ubojstvo, David žurno\nodvodi obitelj kući. Klárino se stanje pogoršava i ona završava u bolnici. Želja da je spase je jedino što\nujedinjuje roditelje.\nFilm slovenskog autora Olma Omerzua djelo je s respektabilnom međunarodnom festivalskom\nkarijerom; potencijal gledanosti u kontekstu redovnog kino repertoara u Hrvatskoj je nišni, no na\ntemelju svoje kvalitete film zaslužuje podršku u nastojanju da ostvari ciljani rezultat u rasponu 1.500-\n2.500 gledatelja.\n4. DISTRIBUCIJA dugometražnog dokumentarnog filma „YUGO IDE U AMERIKU“ – 4.000,00 €\nTijekom jednog ljeta, troje ljudi rođenih 90-tih godina u Srbiji odlazi na put u Ameriku – vozeći “Yuga”\nod New Yorka do Los Angelesa. Film prati njihovo putovanje kro7z 23 savezne države i preko 10 tisuća\nprijeđenih kilometara, sve kako bi nam ispričali priču o izvozu malog socijalističkog automobila u\nkompetitivnu Reganovu Ameriku 80-tih godina. 33 godine nakon što je uvezen posljednji “Yugo” u\nAmeriku, autori filma odlaze u avanturu života.\nUz dobru provedbu marketinškog i distribucijskog plana, ovaj simpatičan film ima potencijal\npostizanja vrlo solidnog rezultata u okviru parametara gledanosti dokumentarnih filmova u hrvatskim\nkinima.","warnings":[],"document":{"program_type":"distribucija","year":2026,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web Obrazlozenje za manjinske koprodukcije Drugi rok 2026. .pdf","filename_decoded":"web Obrazlozenje za manjinske koprodukcije Drugi rok 2026. .pdf","sha256":"4d849225c11f6145b228b054ff17040dbc7b3eca98a1ae40f8c246990bd6bf9d","bytes":182806,"page_count":9,"extracted_at":"2026-06-22T15:09:00Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje%20za%20manjinske%20koprodukcije%20Drugi%20rok%202026.%20.pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika o odlukama o donošenju liste prioriteta i raspodjeli\nsredstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u\n2026. godini, u kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskim\nudjelom (drugi rok: 15. travnja 2026.)\ndr. sc. Boško Picula\numjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom\nNa drugi rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2026. godini\nprijavljeno je ukupno 60 projekata. Od ovoga ukupnog broja prijavljenih, deset projekata\nnije razmatrano jer nisu zadovoljili uvjete Javnog poziva ili su u međuvremenu povučeni iz\nprocedure, te je u konačnici razmatrano 50 projekata.\nOd razmatranih projekata, s obzirom na filmski rod i vrstu, najviše prijavljenih dolazi iz\nkategorije dugometražnoga igranog filma, ukupno 34 (od toga 10 debitantskih dugometražnih\nigranih filmova). Četiri su dugometražna igrana filma (od toga dva debitantska), prijavljena u\nfazi postprodukcije. Nakon dugometražnih igranih filmova prema broju prijava slijede\nkratkometražni igrani filmovi s ukupno 5 prijava, te dugometražni dokumentarni s 5 prijava, i\nkratkometražni animirani filmovi s također 5 prijava. Glede roda eksperimentalnog filma,\nzaprimljena je i razmatrana 1 prijava:\nVRSTA FILMA BROJ PRIJAVA\nDugometražni igrani i debitantski 34 (10)\ndugometražni igrani filmovi\nKratkometražni igrani filmovi 5\nDugometražni dokumentarni filmovi 5\nKratkometražni dokumentarni filmovi 0\nDugometražni animirani filmovi 0\nKratkometražni animirani filmovi 5\nEksperimentalni filmovi 1\nUKUPNO 50\nOd prijavljenih i razmatranih projekata, s obzirom na zemlju iz koje dolazi glavni producent,\nodnosno produkcijska kuća s većinskim udjelom u financiranju, riječ je o 19 zemalja s tri\nkontinenta (Europa, Azija, Sjeverna Amerika). Najveći broj prijava stigao je iz Slovenije (10),\nSrbije (9), Bugarske (5) i Sjeverne Makedonije (3).\nZEMLJA VEĆINSKOG BROJ PRIJAVA\nPRODUCENTA\nSlovenija 10\nSrbija 9\nBugarska 5\nSjeverna Makedonija 3\nAlbanija 2\nBosna i Hercegovina 2\nČeška 2\nGrčka 2\nKosovo 2\nLitva 2\nRumunjska 2\nTurska 2\nCipar 1\nCrna Gora 1\nEstonija 1\nFrancuska 1\nMalta 1\nŠvicarska 1\nSjedinjene Američke Države 1\nUKUPNO 50\nKriteriji za predlaganje projekata za sufinanciranje temelje se na:\n1. Cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i\nredateljski koncept;\n2. Ocjeni financijske izvedivosti te predstavljenoga distribucijskog potencijala projekta, s\nobzirom na produkcijski paket te plan promocije i distribucije;\n3. Aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za\nfinanciranje projekata.\nFilmovi predloženi i odobreni za sufinanciranje, s ukupnim iznosom sufinanciranja od\n399.000 EUR:\n1.) Kratkometražni animirani film Lefti i Rajti (Sjeverna Makedonija), hrvatska\nprodukcijska kuća Minya film i animacija, glavni producent: zAnimacija Produkcija\ndooel Produkcija, 16.500,00 EUR\n2.) Kratkometražni animirani film Tko to pjeva? (Kosovo), hrvatska produkcijska kuća\nKobra Koke Zagreb / Cobra Chicks Zagreb, glavni producent: Little House\nProductions, 11.000,00 EUR\n3.) Debitantski dugometražni igrani film (u postprodukcijskoj fazi) Pariz 18 (Bugarska),\nhrvatska produkcijska kuća Sekvenca d.o.o., glavni producent: Little Wing\nProductions, 32.000,00 EUR\n4.) Dugometražni dokumentarni film Rapsodija špiljskog medvjeda (Slovenija),\nhrvatska produkcijska kuća Wolfgang & Dolly d.o.o., glavni producent: Astral d.o.o.,\n34.000,00 EUR\n5.) Dugometražni igrani film Hunsko ljeto (Srbija), hrvatska produkcijska kuća Metar60,\nglavni producent: Magnus Production d.o.o., 66.000,00 EUR\n6.) Dugometražni igrani film Kurentov mjesec (Slovenija), hrvatska produkcijska kuća\nNukleus Film d.o.o., glavni producent: 666 Productions, 64.000,00 EUR\n7.) Dugometražni igrani film (u postprodukcijskoj fazi) Runolist (Edelweiss)\n(Rumunjska), hrvatska produkcijska kuća Robot 22 d.o.o., glavni producent: - Point\nFilm, 30.000,00 EUR\n8.) Dugometražni igrani film Svi umorni konji (Turska), hrvatska produkcijska kuća\nVertigo Media d.o.o., glavni producent: Fol Film, 48.000,00 EUR\n9.) Dugometražni igrani film Zrak u boci (Bosna i Hercegovina), hrvatska produkcijska\nkuća PomPom Film d.o.o., glavni producent: Eksperimentalno-edukativni centar Film\nHouse, 70.000,00 EUR\n10.) Eksperimentalni film Heat (Estonija), hrvatska produkcijska kuća Kreativni\nsindikat, glavni producent: Tallinn Art Hall Foundation, 11.500,00 EUR\n11.) Kratkometražni igrani film The Golden Touch (Češka), hrvatska produkcijska\nkuća Antitalent d.o.o., glavni producent: Breathless Films s.r.o., 16.000,00 EUR\nOBRAZLOŽENJA\nKratkometražni animirani film Lefti i Rajti (Sjeverna Makedonija), hrvatska\nprodukcijska kuća Minya film i animacija, glavni producent: zAnimacija Produkcija\ndooel, 16.500,00 EUR\nKratkometražni animirani film naslova Lefti i Rajti, režira Ilija Todorovski, a zemlja je glavnog\nproducenta Sjeverna Makedonija. Debitantski projekt stručnjaka za vizualne efekte s\ndugogodišnjim iskustvom u 2D i 3D animaciji, a koji je diplomirao multimediju, računalnu\ngrafiku i animaciju na Novom bugarskom univerzitetu u Sofiji, inovativan je rad koji se ističe\nvizualnom razigranošću te edukativnim kontekstom. Scenarij je djelo Nataše Dukoske, dok\npriča prati dva antropomorfizirana naslovna komada odjeće. Lefti je bijela košuljica s plavim\novratnikom, a Rajti zelene hlače s naramenicama. Nalazeći se u prodavaonici odjeće, njih dvoje\njedva čekaju da ih netko kupi. Kada se to napokon dogodi doći će u svijet djevojčice Mimi\nzapočevši niz pustolovina uz svoju malu vlasnicu, ali i ostale komade odjeće iz njezina\normara… Rijetko viđen prikaz života djeteta iz perspektive njegove odjeće, zaživio je u\nuvjerljivom spoju pripovijedanja i vizualizacije inicijalne ideje. Redatelj planira koristiti 2D\nanimaciju, dok priloženi šaroliki vizuali, razrađeni dramski luk s odvojcima te izvornost\nkoncepta govore u prilog radu koji je ne samo suvremen i relevantan za adresatnu dječju\npubliku od 4 do 8 godina, nego i za odrasle gledatelje. Hrvatski koproducent MINYA FILM I\nANIMACIJA j.d.o.o. u svom se dosadašnjem djelovanju usmjerio na radove vezane uz\nobrazovanje, ekološku osviještenost i ekologiju, te raznolikost i uključivost razvijajući\nsuradnju s partnerima iz inozemstva (Cinda Real, Oči srama). Najveći je međunarodni uspjeh\nkuće kratkometražni animirani film Mađioničar rumunjskog redatelja Bogdana Muresanua s\nFestivala u Annecyju 2025.\nKratkometražni animirani film Tko to pjeva? (Kosovo), hrvatska produkcijska kuća\nKobra Koke Zagreb / Cobra Chicks Zagreb, glavni producent: Little House Productions,\n11.000,00 EUR\nKratkometražni animirani film naslova Tko to pjeva?, režira Albiana Morina, a zemlja je\nglavnog producenta Kosovo. Odrastajući u Hrvatskoj te školujući se u Ujedinjenom\nKraljevstvu, mlada redateljica s Kosova Albiana Morina nakon nekoliko kratkometražnih\nfilmova u kojima je eksperimentirala s igranom i dokumentarnom slikom (Cave, Pashtriku)\nrealizira kratki animirani film. Zamisao o filmu nastala je tijekom njezina dvogodišnjeg rada u\norganizaciji Oral History Kosovo kada je imala prigodu razgovarati s nekoliko desetaka\npolitičkih zatvorenica i zatvorenika u doba bivše Jugoslavije. Pošavši od stvarnih sudbina,\nautorica u zamišljenoj priči portretira dvije bivše uznice režima Sadije i Ganimete koje se\nnakon četiri desetljeća ponovno nalaze u Prištini evocirajući trenutak kada su nasilno ostale\nbez prijateljice Afërdite koja je pjevala o slobodi. Temeljena na izvornim likovima i\nsituacijama, vješto ispričana priča upravo o borbi za slobodu i solidarnosti u najtežim životnim\nuvjetima, skladno je vizualizirana u priloženim likovnim materijalima kojima dominira, za\npriču, ekspresivna paleta boja te crtež likova i pozadina mladenačke jednostavnosti i\nizražajnosti. Upravo taj spoj vizije mlade autorice i priče o zloglasnim vremenima u kojima je\nsankcioniran poklič za slobodom, stvara sinergiju umjetničkog i angažiranog u ovom projektu.\nHrvatski je koproducent produkcijska kuća Kobra Koke/ Cobra Chicks Zagreb koja je proteklih\ngodina ostvarila više zapaženih ostvarenja različitih filmskih i TV rodova i vrsta (Zakrpa,\nDavid Skoko: Motor, loza, kuhača, Čista i zakopana / Tiha Milost).\nDebitantski dugometražni igrani film (u postprodukcijskoj fazi) Pariz 18 (Bugarska),\nhrvatska produkcijska kuća Sekvenca d.o.o., glavni producent: Little Wing Productions,\n32.000,00 EUR\nDugometražni igrani film naslova Pariz 18 u postprodukciji, žanrovski drama s elementima\ntrilera, zajednički su režirali Kitodar Todorov i Jonathan Heidelberger, a zemlja je glavnog\nproducenta Bugarska. Proslavljen ulogom u seriji na mreži Petak u pet čiji je autor te kao\nkoscenarist u Veneciji nagrađenog filma Otuđenje, Kitodar Todorov zajedno s američkim\nredateljem i scenaristom koji živi i stvara u Bugarskoj Jonathanom Heidelbergerom (Goodbye\nHello, The Guardian) autor je ovog projekta u kojem se kao koscenaristica pridružila\nMagdelena Ilieva. Riječ je o sugestivnom prikazu bugarskoga tranzicijskog društva koje se ni\ndalje ne uspijeva konsolidirati kao sredina u kojoj politička i društvena moć istodobno ne znači\nrezistenciju na pravo i pravdu. Naime, slojevito zamišljena i dočarana priča koja žanrovski\nspaja obiteljsku, socijalnu i kriminalističku dramu, govori o supružnicima Silviji i Stojanu\n'Tonyju' koji upravo proslavljaju rođendan svoje devetogodišnje kćerke Vasje te obilježavaju\nparastos za Silvijina pokojnog oca Ognjana. No, na vrata njihova otmjena stana u Sofiji pokucat\nće Stojanov poznanik Kiril koji je svojedobno preuzeo njegovu kaznenu odgovornost za\nprometnu nesreću, a što je orkestrirao Ognjan… Sižeom i kontekstom nalik rumunjskom filmu\nPoza djeteta Călina Petera Netzera, ovaj rad nudi izvoran i uvjerljiv prikaz klasne divergencije\nu Bugarskoj nakon demokratskih promjena koja se i dalje teško prevladava. Fokusiran na\nlikove, njihove međuodnose te komornog ugođaja koje zaziva kazališno uprizorenje, film je\nscenaristički i izvedbeno koherentan, zaokružen i uvjerljiv u svom dramskom luku. Priložena\nje aktualizirana inačica filma sukladno suradnji s hrvatskom koscenaristicom, redateljicom\nSonjom Tarokić. Produkcijska kuća Sekvenca d.o.o. kao hrvatski partner u projektu, proteklih\nje godina ostvarila više u zemlji i inozemstvu nagrađenih radova (Lada Kamenski, Mater, Sirin)\nmeđu kojima je kratkometražni igrani film Piknik ovjenčan Europskom filmskom nagradom.\nDugometražni dokumentarni film Rapsodija špiljskog medvjeda (Slovenija), hrvatska\nprodukcijska kuća Wolfgang & Dolly d.o.o., glavni producent: Astral d.o.o., 34.000,00\nEUR\nDugometražni dokumentarni film naslova Rapsodija špiljskog medvjeda, režira Miha Čelar, a\nzemlja je glavnog producenta Slovenija. Autor se projekta u svom dugogodišnjem stvaralaštvu\nbavio i igranim i animiranim filmom etabliravši se pak dokumentarnim i transmedijskim\nprojektima (iOtok, Mama je ena sama). Upravo je takav i ovaj rad u čijem je središtu\nsvojedobno otkriće neandertalske frule. Naime, godine 1995. u mjestu Divje Babe u\nsjeverozapadnoj Sloveniji pronađena je bedrena kost mladoga špiljskog medvjeda s četiri\nizbušene rupice. Nakon niza godina stručnog detektiranja u Sloveniji i inozemstvu je li riječ ili\nne o glazbalu koji su koristili neandertalci, makedonski glazbenik Ljuben Dimkaroski proizveo\nje glazbu na replici frule da bi godinu dana prije svoje smrti repliku dao slovenskom glazbenom\nvirtuozu Boštjanu Gombaču. Redateljev se rad u tom smislu strukturira kao glazbeno putovanje\nod daleke prošlosti u paleolitiku do današnjice kako bi se preko istraživanja okolnosti nastanka\nnajstarijega glazbala u povijesti dokučio razvoj ljudske umjetnosti, ali i same ljudskosti.\nTemeljen na atraktivnoj premisi o fruli koju su izradili praljudi, film uz veoma kvalitetno\nsročen treatment te istraživački rad, na kreativan način pristupa svojoj temi spajajući nekoliko\npripovjednih razina integrirajući samu publiku kao aktera putovanja. Produkcijska kuća\nWolfgang & Dolly d.o.o. kao hrvatski partner u projektu, zaslužna je za više zapaženih\nprojekata za veliki i mali ekran (Pelikan, Put su ljudi, Kuća male zvijezde, Dulum zemlje) pri\nčemu od njezinih recentnih dugometražnih dokumentarnih projekata treba izdvojiti filmove\nFunk YU i Tijelo.\nDugometražni igrani film Hunsko ljeto (Srbija), hrvatska produkcijska kuća Metar60,\nglavni producent: Magnus Production d.o.o., 66.000,00 EUR\nDugometražni igrani film naslova Hunsko ljeto, žanrovski pustolovni film za djecu, režira\nKlemen Dvornik, a zemlja je glavnog producenta Srbija. Prema scenariju srbijanske\ndramaturginje Kristine Đuković (Vera), film režira slovenski sineast Klemen Dvornik (Kruha\ni igara, Ne damo igralište!) prvotno se obraćajući dječjoj publici. Nadahnut žanrovski\nistovjetnim filmovima iz 1980.-ih (Gooniesi, Ostani uz mene), ali i suvremenim iskoracima tog\ntipa na malom ekranu (Stranger Things), scenarij je domišljata i vješto sročena posveta\nfilmskim pričama o skupini djece koja kroz uzbudljivu, pa i opasnu pustolovinu jačaju svoje\nprijateljstvo i zajedništvo. Konkretno, riječ je o desetogodišnjacima koje predvodi Teo čiji je\notac poslovno povezan s izgradnjom luksuznoga hotelskog kompleksa u Vojvodini. No, taj bi\nprojekt uvelike poremetio život mještana, osobito djece, te se mališani udružuju kako bi\nspriječili izgradnju u čemu će im pomoći pronalazak zagonetnoga zlatnog predmeta navodno\npovezanog s hunskim vladarom i osvajačem Atilom Bičom Božjim. Veoma dopadljiva te\nrazigrana kompilacija poznatih motiva i likova djeluje privlačno i žanrovski koherentno, tim\nviše jer je pričom smještena u malo korišteni ambijent i povijesni kontekst koji pak dobiva\nekstenziju u tematiziranju dvojba suvremenog života usmjerenog prema profitu. Osobita su\nvrijednost projekta efektno profilirani likovi djece te je film u konačnici lokalno dočarana priča\nkoja nedvojbeno ima univerzalnu razumljivost. Hrvatski partner u projektu Metar60 profilirao\nse kao produkcijska kuća koja proizvodi umjetničke kratke igrane filmove, TV filmove te\ndokumentarce, dok u isto vrijeme pažnju poklanja projektima vezanima uz kazališnu i dramsku\numjetnost. Od recentnih uspjeha treba istaknuti Veliku Zlatnu arenu te druga priznanja za\ndugometražni dokumentarni film Veće od traume te dokumentarnu TV seriju Lovac, sakupljač.\nDugometražni igrani film Kurentov mjesec (Slovenija), hrvatska produkcijska kuća\nNukleus Film d.o.o., glavni producent: 666 Productions, 64.000,00 EUR\nDugometražni igrani film naslova Kurentov mjesec, žanrovski kriminalistički triler s\nelementima filma strave, režira Tomaž Gorkič, a zemlja je glavnog producenta Slovenija.\nProfiliravši se dvama prethodnim dugometražnim igranim filmovima Idila i Prokletstvo\nValburge kao autor horora, slovenski redatelj i scenarist Tomaž Gorkič u svom novom projektu\nspaja triler, detektivsku priču i elemente filma strave, i to kroz prizmu slovenske baštine.\nScenarij je, uz redatelja, djelo dramaturginje Jere Ivanc i romanopisca Zorana Benčića, a u\ncjelini je riječ o napetoj i izbalansiranoj priči koja jest okrenuta žanru, ali istodobno razvija i\nsocijalno-kritički diskurs. Glavni joj je lik policijski detektiv Drago koji sa svojom novom\npartnericom Kristinom istražuje slučaj ritualnog ubojstva za koje će se utvrditi da je povezano\ns nekolicinom ranijih, također nerazjašnjenih. Detektivski par shvati da su ubojičine žrtve\nmlade žene koje nisu mogle zatrudnjeti te ih niz indicija vodi prema kultu vjerovanja u\nbožanstvo plodnosti Kurenta… Na granici između „tvrdo kuhanog krimića“ i poigravanja\nnarodnim vjerovanjima i praznovjerjima, priča ima čvrstu strukturu glede galerije likova,\nnjihovih motiva i konteksta kroz koji se suptilno analizira heterogenost društva između tradicije\ni suvremenosti. Osobitost tekstu daje njegova povezanost sa slovenskom tradicijskom\nkulturom, konkretno s naslovnim kurentovanjem (sličnom hrvatskom običaju zvončarstva) kao\npopularnim karnevalskim običajem čija je vizualna strana i poslužila u koncipiranju projekta\nte njegovoj posebnosti. Hrvatski partner u projektu Nukleus Film d.o.o. produkcijska je kuća\nkoja baštini višegodišnji uspješan rad u Hrvatskoj i inozemstvu ovjenčan nizom priznanja za\nsvoje dugometražne i kratkometražne igrane i dokumentarne filmove (Kokoška, Houston,\nimamo problem, Ekskurzija, Treća vrsta).\nDugometražni igrani film (u postprodukcijskoj fazi) Runolist (Edelweiss) (Rumunjska),\nhrvatska produkcijska kuća Robot 22 d.o.o., glavni producent: Point Film, 30.000,00\nEUR\nDugometražni igrani film naslova Edelweiss (Runolist) u postprodukciji, žanrovski spoj\nobiteljske drame i filma za djecu i mlade, režiraju Adriana Răcășan i Tudor Giurgiu, a zemlja\nje glavnog producenta Rumunjska. Nakon što je kao asistentica režije i izvršna producentica\nradila na više od trideset kratkometražnih i dugometražnih projekata, rumunjska redateljica\nAdriana Răcășan po uspješnoj premijeri kratkog filma Bubblebath realizira svoj cjelovečernji\nigrani prvijenac zajedno s kolegom Tudorom Giurgiuom, zapaženom po debitantskom\ndugometražnom ostvarenju Japanski pas. Njihov je zajednički rad Runolist čiji scenarij\npotpisuje redateljica zajedno s Marianom Buric. Istodobno oslonjen o klasična ostvarenja ovog\nžanra o djeci i mladima u potrazi za obiteljskom srećom i suvremeno iščitana priča o\nrazdvojenosti obitelji zbog suvremenog načina života i potreba, scenarij je vješto strukturiran i\nnapisan s plastičnim likovima te životnim dijalozima. Središnji je junak trinaestogodišnji\ndječak David iz Bukurešta koji živi s bakom i mlađom sestrom jer mu majka kao cvjećarica\nradi u Njemačkoj, a otac je u SAD-u. Darovit kao nogometaš David se druži s vršnjakom\nAlexom, a kada se poremete njegovi planovi o ljetu s majkom, dječak odluči kriomice krenuti\nput nje riskirajući štošta… Film koji se nalazi u visokoj fazi dovršenosti potvrđuje da je riječ o\nveoma kvalitetnom projektu čija je priča premisom univerzalna te okolnostima radnje posebna\ns uvjerljivim mladim glumcima. Produkcijska kuća Robot 22 d.o.o. kao hrvatski partner u\nprojektu, ima više perspektivnih projekata različitih filmskih rodova i vrsta u različitim fazama\nprodukcije u zemlji i inozemstvu (Budimo u kontaktu, Tracking: The Cyprus Tigers, The Last\nMoon), dok je na hrvatskom dugometražnom igranom filmu Goran bila pridruženi producent.\nDugometražni igrani film Svi umorni konji (Turska), hrvatska produkcijska kuća Vertigo\nMedia d.o.o., glavni producent: Fol Film, 48.000,00 EUR\nDugometražni igrani film naslova Svi umorni konji, žanrovski drama, režira Burak Çevik, a\nzemlja je glavnog producenta Turska. U svom je petom dugometražnom igranom filmu, nakon\nradova koji su ostvarili zapažene međunarodne festivalske nastupe (Forms of Forgetting,\nNothing in Its Place), uključujući festivale u Berlinu i Karlovym Varyma, autor, kako sam\nnaglašava, najviše usmjeren na priču i likove. Oni su vješto i koherentno izbalansirani u\nscenariju koji ima više slojeva, a ključna su pitanja teksta: tko smo mi i – zašto nastavljamo\nživjeti. Središnji je lik Galip, sitni lopov u svojim tridesetima iz Istanbula na kojega okolina ne\nobraća pažnju, a on sam pokušava steći identitet svojim krađama. No, sve će mu promijeniti\nsusret s muškarcem koji mu kaže da ga poznaje iz prošlog života, i to kao anarhista koji je u\nvrijeme Osmanskog Carstva pokušao atentat na sultana. Kada mu usto u život uđe postarija\nglumica koja postavlja kazališnu predstavu upravo o posljednjim danima Carstva kada je došlo\ndo epidemije samoubojstava, Galip će se naći ne samo na životnoj prekretnici… Dojmljiva\nsredišnja intriga dosljedno je provedena kroz cijeli scenarij koji pak primarno govori o\nčovjekovu identitetu te kako ga steći i zadržati, dok suptilno balansiranje među različitim\nžanrovskim elementima i ugođajima stvara dojam višeslojnosti priče i konteksta potvrđujući\nsvoju relevantnost. Hrvatski partner u filmu produkcijska kuća Vertigo Media iza sebe ima više\nuspješno realiziranih projekata različitih filmskih rodova i vrsta radeći u domovini i inozemstvu\n(Papaya Make Some Noise, Cul-de-sac, The Weary Hours of Two Lab Assistants).\nDugometražni igrani film Zrak u boci (Bosna i Hercegovina), hrvatska produkcijska kuća\nPomPom Film d.o.o., glavni producent: Eksperimentalno-edukativni centar Film House,\n70.000,00 EUR\nDugometražni igrani film naslova Zrak u boci, žanrovski drama, režira Aida Begić, a zemlja je\nglavnog producenta Bosna i Hercegovina. Nakon zapaženih dokumentarnih te kratkih igranih\nfilmova, autorica se etablirala cjelovečernjim igranim ostvarenjima (Snijeg, Djeca) u kojima je\nminuciozno interpretirala poslijeratno bosansko-hercegovačko društvo (dugo)trajno\nopterećeno ratnim stradanjima. U svom novom projektu te prema vlastitom scenariju također\ngovori o višestrukoj tranziciji u Bosni i Hercegovini, ali ovaj put iz perspektive povratnice iz\nNjemačke Sabine koja u Sarajevu proslavlja svoj šezdeseti rođendan. I dok se čini da je ona\nzahvaljujući svom vedrom karakteru i godinama provedenima u inozemstvu u mogućnosti\npomoći svima, poglavito kćeri u pripremi vjenčanja, Sabina je ovisnica o kockanju koja i dalje\ngubi novac, te gomila dugove. Kada je sve teža situacija udalji od najbliže okoline, osobito\nkćerke kojoj zdušno želi omogućiti nezaboravno vjenčanje u Sarajevu, pitanje je hoće li\nprokockati i vlastiti život… Temeljen na redateljičinu iskustvu sa sličnom situacijom u obitelji\nte istraživanju ovoga zlosretnog fenomena, scenarij na veoma dojmljiv način portretira ne samo\nvišedimenzionalnu glavnu (anti)junakinju nego i sredinu koja je uvelike utjecala i – utječe na\nnjezino ponašanje. Vješto ispričana i uvjerljiva u povlačenju paralela između nesretnog\npojedinca i nesretne okoline, unatoč vanjskim manifestacijama, priča se sugestivno fokusira na\nodnos majke i kćeri ostvarujući sinergiju osobnog i društveno relevantnog. Produkcijska kuća\nPomPom Film d.o.o. kao hrvatski partner u projektu etablirala se s više zapaženih\nmeđunarodnih koprodukcija (Moj dida je pao s Marsa, Ne zaboravi disati, Kapa, Oče naš),\ndok se ove godine istaknula uspjehom filma Glavonja.\nEksperimentalni film Heat (Estonija), hrvatska produkcijska kuća Kreativni sindikat,\nglavni producent: Tallinn Art Hall Foundation, 11.500,00 EUR\nKratkometražni eksperimentalni film naslova Heat režira Jelena Visković, a zemlja je glavnog\nproducenta Estonija. Jelena Visković, autorica filmskih, video i skulpturalnih radova, živi i radi\nu Londonu s trenutačnim prebivalištem u Tallinnu. Ovim projektom nastavlja svoje\ndugogodišnje umjetničko istraživanje utjecaja tehnologija na percepciju, emocije i društvene\nodnose nadovezujući se na ranije videoradove i instalacije (Volumes, Motonation) koji, kako\napostrofira, kroz spekulativne i nadrealističke narative istražuju suodnos tijela, tehnologije i\nideologije. Na aktualni su je projekt nadahnuli romani poput Baba Jaga je snijela jaje\nDubravke Ugrešić i Empuzijuma Olge Tokarczuk. Radnja je filma smještena u blisku\nbudućnost u kojoj se u luksuznim toplicama kroz perspektive triju žena srednjih godina\ntematiziraju opsesije starenjem, tehnologijom, društvenim napetostima i iscjeljenjem u\nsuvremenoj kulturi kako bi se što više produljila mladost. U tom smislu tehnologija upravlja\nsvakim aspektom njege i nadzora, dok se ono čovječno, individualno i samosvjesno svodi na\nrobovanje nadmoćnijim postulatima i procedurama. Redateljičin koncept je jasan, razumljiv i\nharmoniziran s vizualnim prosedeom. Kreativno udruženje Kreativni sindikat kao hrvatski\npartner u projektu ostvarilo je dosad više međunarodno prepoznatih filmova poglavito\nanimiranog roda (How, Haljina za finale, Ingresso animali vivi, Sjeti se kako sam jahala bijelog\nkonja, Arka).\nKratkometražni igrani film The Golden Touch (Češka), hrvatska produkcijska kuća\nAntitalent d.o.o., glavni producent: Breathless Films s.r.o., 16.000,00 EUR\nKratkometražni igrani film naslova The Golden Touch, režira Matěj Paclík, a zemlja je glavnog\nproducenta Češka. Autor je filmski producent koji ovim filmom debitira kao redatelj pri čemu\nje sam napisao scenarij. Pošavši od stvarnog događaja koji je 2025. izazvao pozornost u češkoj\njavnosti, Matěj Paclík bavi se utjecajem virtualnog svijeta društvenih mreža na svakodnevicu\nljudi portretirajući mladog i uspješnog influencera Adama. Čvrsto gradeći svoj pozitivan imidž\nprema korisnicima društvenih mreža, Adama razbjesni njegov bivši prijatelj Honza koji ga u\nvirtualnom svijetu počne ismijavati. Adam ga uz pomoć suradnika Viktora odluči oteti kako bi\ndošao do pristupa njegova računa na Instagramu. No, otmica se pretvori u Honzino ponižavanje\nte veoma brzo u Adamovo urušavanje slike o samom sebi… Veoma vješto ispričana priča\ntemeljem istinitih zbivanja, efektno detektira moć suvremenih alata komuniciranja te ponajviše\nraskorak između tako kreirane slike o sebi i stvarnosti. Uvjerljivih likova i dijaloga, film\nspretno spaja elemente drame, trilera i apsurda optimalno koristeći planirano vrijeme i\nmizanscenu za dojam kojem teži. Hrvatski partner u projektu produkcijska kuća Antitalent\nd.o.o., postigla je svjetski uspjeh kratkometražnim igranim filmom Čovjek koji nije mogao\nšutjeti redatelja Nebojše Slijepčevića, od Zlatne palme u Cannesu, preko Europske filmske\nnagrade do nominacije za Oscara. Kuća je producirala, među ostalim, i filmove Murina, Prava\nistina priče o šori, Jahači te Starac i roda, priča o Malenoj i Klepetanu.","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2026,"rok":"2. rok","referenced_projects":[],"summary":null,"project_links":[]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"rezultati manjinske u 2026. - 3. rok.pdf","filename_decoded":"rezultati manjinske u 2026. - 3. rok.pdf","sha256":"736656ae005df8d59ee1848e3528d28fc943faa6bbb23ab3d939f9f83b42a942","bytes":44534,"page_count":1,"extracted_at":"2026-08-31T15:32:51Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/rezultati%20manjinske%20u%202026.%20-%203.%20rok.pdf"},"raw_text":"REDATELJ/ICA HRVATSKI PRODUCENTODOBRENA SREDSTVA (€)\n1 Izgubljeno / nađeno Bonobostudio d.o.o. 21.000,00 €\n2 BALCANICA Antitalent d.o.o. 62.000,00 €\n3 Do kraja dana Dinaridi film d.o.o. 27.000,00 €\n4 Grad Nukleus Film d.o.o. 42.000,00 €\n5 Azra Pipser d.o.o. 50.000,00 €\n6 Sama s Marom Terminal 3 64.000,00 €\n7 Bez filtera 365 films d.o.o. 12.000,00 €\n8 Svjetlost sunca Umjetnička organizacija Mitropa11.000,00 €\n9 Big in Gazi Baba Restart 28.000,00 €\n10 U sjeni Lazike Petnaesta umjetnost d.o.o. 27.000,00 €\n344.000,00 €\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE FILMSKIH KOPRODUKCIJA S MANJINSKIM HRVATSKIM UDJELOM u 2026. \n- 3. ROK - 15.7.2026.\nVisar Vishka\nUKUPNO\nNikolaos Kostopoulos\nPauline Blanchet\ndugometražni dokumentarni filmovi \nSara Kern\ndugometražni igrani filmovi\nkratkometražni igrani filmovi\n37. sjednica Hrvatskog audiovizualnog vijeća, 31. kolovoza 2026.\nRoman Pivovarník\nStanislav Bytiutskyi\nTijana Zinajić\n debitantski dugometražni igrani filmovi u postprodukcijskoj fazi\nNicola Sorcinelli\nJelena Maksimović\nNAZIV FILMA\nCheng-Hsu Chung\nanimirani filmovi\n","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2026,"rok":"3. rok","currency":"EUR","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE FILMSKIH KOPRODUKCIJA S MANJINSKIM HRVATSKIM UDJELOM u 2026. - 3. ROK - 15.7.2026. - 37. sjednica Hrvatskog audiovizualnog vijeća, 31. kolovoza 2026.","decision_date":"2026-08-31","decision_body":"Hrvatsko audiovizualno vijeće","summary":null},"sections":[{"section_label":"animirani filmovi","rows":[{"row_number":1,"project_title":"Izgubljeno / nađeno","applicant":"Bonobostudio d.o.o.","production_company":"Bonobostudio d.o.o.","director":"Cheng-Hsu Chung","writer":null,"original_author":null,"category":"animirani filmovi","approved_amount_text":"21.000,00 €","approved_amount":21000,"currency":"EUR","extras":{},"row_id":"736656ae:s0:ae6918cba2b7","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_bcbb875e92da","project_family_title":"Izgubljeno-nađeno"}]},{"section_label":"debitantski dugometražni igrani filmovi u postprodukcijskoj fazi","rows":[{"row_number":2,"project_title":"Balcanica","applicant":"Antitalent d.o.o.","production_company":"Antitalent d.o.o.","director":"Nicola Sorcinelli","writer":null,"original_author":null,"category":"debitantski dugometražni igrani filmovi u postprodukcijskoj fazi","approved_amount_text":"62.000,00 €","approved_amount":62000,"currency":"EUR","extras":{},"row_id":"736656ae:s1:c7176f3678fa","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_4e3d789273cd","project_family_title":"Balcanica"},{"row_number":3,"project_title":"Do kraja dana","applicant":"Dinaridi film d.o.o.","production_company":"Dinaridi film d.o.o.","director":"Jelena Maksimović","writer":null,"original_author":null,"category":"debitantski dugometražni igrani filmovi u postprodukcijskoj fazi","approved_amount_text":"27.000,00 €","approved_amount":27000,"currency":"EUR","extras":{},"row_id":"736656ae:s1:aac8e7e4083f","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_10e09987ea4b","project_family_title":"Do kraja dana"},{"row_number":4,"project_title":"Grad","applicant":"Nukleus Film d.o.o.","production_company":"Nukleus Film d.o.o.","director":"Stanislav Bytiutskyi","writer":null,"original_author":null,"category":"debitantski dugometražni igrani filmovi u postprodukcijskoj fazi","approved_amount_text":"42.000,00 €","approved_amount":42000,"currency":"EUR","extras":{},"row_id":"736656ae:s1:e5c6b5f64dea","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_8a735b529685","project_family_title":"Grad"}]},{"section_label":"dugometražni igrani filmovi","rows":[{"row_number":5,"project_title":"Azra","applicant":"Pipser d.o.o.","production_company":"Pipser d.o.o.","director":"Tijana Zinajić","writer":null,"original_author":null,"category":"dugometražni igrani filmovi","approved_amount_text":"50.000,00 €","approved_amount":50000,"currency":"EUR","extras":{},"row_id":"736656ae:s2:f31de987cde9","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_197ea9d7f07e","project_family_title":"Azra"},{"row_number":6,"project_title":"Sama s Marom","applicant":"Terminal 3 Film d.o.o.","production_company":"Terminal 3 Film d.o.o.","director":"Sara Kern","writer":null,"original_author":null,"category":"dugometražni igrani filmovi","approved_amount_text":"64.000,00 €","approved_amount":64000,"currency":"EUR","extras":{},"row_id":"736656ae:s2:f399ce936bc6","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_93e73e11feb0","project_family_title":"Sama s Marom"}]},{"section_label":"kratkometražni igrani filmovi","rows":[{"row_number":7,"project_title":"Bez filtera","applicant":"365 films d.o.o.","production_company":"365 films d.o.o.","director":"Roman Pivovarník","writer":null,"original_author":null,"category":"kratkometražni igrani filmovi","approved_amount_text":"12.000,00 €","approved_amount":12000,"currency":"EUR","extras":{},"row_id":"736656ae:s3:99300ec759f4","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_831266d2f48e","project_family_title":"Bez filtera"},{"row_number":8,"project_title":"Svjetlost sunca","applicant":"Umjetnička organizacija Mitropa","production_company":"Umjetnička organizacija Mitropa","director":"Visar Vishka","writer":null,"original_author":null,"category":"kratkometražni igrani filmovi","approved_amount_text":"11.000,00 €","approved_amount":11000,"currency":"EUR","extras":{},"row_id":"736656ae:s3:bad78837ce12","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_3613476e61a4","project_family_title":"Svjetlost sunca"}]},{"section_label":"dugometražni dokumentarni filmovi","rows":[{"row_number":9,"project_title":"Big in Gazi Baba","applicant":"Restart","production_company":"Restart","director":"Pauline Blanchet","writer":null,"original_author":null,"category":"dugometražni dokumentarni filmovi","approved_amount_text":"28.000,00 €","approved_amount":28000,"currency":"EUR","extras":{},"row_id":"736656ae:s4:5d0f413a14b7","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_d4c185093c45","project_family_title":"Big in Gazi Baba"},{"row_number":10,"project_title":"U sjeni Lazike","applicant":"Petnaesta umjetnost d.o.o.","production_company":"Petnaesta umjetnost d.o.o.","director":"Nikolaos Kostopoulos","writer":null,"original_author":null,"category":"dugometražni dokumentarni filmovi","approved_amount_text":"27.000,00 €","approved_amount":27000,"currency":"EUR","extras":{},"row_id":"736656ae:s4:465fd3c69d80","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_bc9c1780e1fd","project_family_title":"U sjeni Lazike"}]}],"totals":{"ukupno_text":"344.000,00 €","ukupno":344000,"sveukupno_text":null,"sveukupno":null},"curation":{"version":"2.0","reviewed_at":"2026-08-31T15:32:53Z","result_rows":10},"validation":{"rows_sum":344000.0,"ukupno_match":true,"row_count":10,"awarded_count":10,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"web Obrazlozenje za manjinske koprodukcije 3. rok 2026..pdf","filename_decoded":"web Obrazlozenje za manjinske koprodukcije 3. rok 2026..pdf","sha256":"7359644aba7d228715d7be98a42193ec81cd7d14e8fcc8515a9e4646ee207473","bytes":175028,"page_count":8,"extracted_at":"2026-08-31T15:32:51Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/web%20Obrazlozenje%20za%20manjinske%20koprodukcije%203.%20rok%202026..pdf"},"raw_text":"Obrazloženje umjetničkog savjetnika o odlukama o donošenju liste prioriteta i raspodjeli sredstava prema Javnom pozivu za poticanje audiovizualnih djelatnosti i stvaralaštva u 2026. godini, u kategoriji poticanja filmskih koprodukcija s manjinskim hrvatskim udjelom (treći rok: 15. srpnja 2026.)   dr. sc. Boško Picula umjetnički savjetnik za filmske koprodukcije s manjinskim hrvatskim udjelom   Na treći rok Javnog poziva za poticanje audiovizualnih djelatnosti i stvaralaštva u 2026. godini prijavljeno je ukupno 55 projekta. Od ovoga ukupnog broja prijavljenih, četiri projekta nisu razmatrana jer nisu zadovoljili uvjete Javnog poziva, te je u konačnici razmatran 51 projekt.   Od razmatranih projekata, s obzirom na filmski rod i vrstu, najviše prijavljenih dolazi iz kategorije dugometražnoga igranog filma, ukupno 34 (od toga 11 debitantskih dugometražnih igranih filmova). Šest (6) je debitantskih dugometražnih igranih filmova prijavljeno u fazi postprodukcije. Nakon dugometražnih igranih filmova prema broju prijava slijede kratkometražni igrani filmovi s ukupno 7 prijava, zatim dugometražni dokumentarni sa 6 prijava, te kratkometražni animirani filmovi s 4 prijave. Na ovom natječajnom roku nije bilo prijavljenih eksperimentalnih filmova ni kratkometražnih dokumentarnih filmova:   VRSTA FILMA BROJ PRIJAVA  Dugometražni igrani i debitantski dugometražni igrani filmovi 34 (11) Kratkometražni igrani filmovi 7 Dugometražni dokumentarni filmovi 6 Kratkometražni dokumentarni filmovi 0 Dugometražni animirani filmovi 0 Kratkometražni animirani filmovi 4 Eksperimentalni filmovi 0 UKUPNO 51  Od razmatranih projekata, s obzirom na zemlju iz koje dolazi glavni producent, odnosno produkcijska kuća s većinskim udjelom u financiranju, riječ je o 21 zemlji s tri kontinenta (Europa, Azija, Sjeverna Amerika). Najveći broj prijava stigao je iz Srbije (7), Slovenije (6), Grčke (5), Sjeverne Makedonije (5) i Crne Gore (4):  ZEMLJA VEĆINSKOG PRODUCENTA BROJ PRIJAVA  Srbija 7 Slovenija 6 Grčka 5 Sjeverna Makedonija 5 Crna Gora 4 Bosna i Hercegovina 3 Bugarska 3 Litva 2 Sjedinjene Američke Države 2 \nŠvedska 2 Turska 2 Albanija 1 Cipar 1 Francuska 1 Italija 1 Kanada 1 Kosovo 1 Latvija 1 Slovačka  1 Švicarska 1 Ukrajina 1 UKUPNO 51  Kriteriji za predlaganje projekata za sufinanciranje temelje se na:   1. cjelovitosti i dorađenosti projekata u kreativnom smislu, s obzirom na scenarij i redateljski koncept;  2. ocjeni financijske izvedivosti te predstavljenoga distribucijskog potencijala projekta, s obzirom na produkcijski paket te plan promocije i distribucije;  3. aktualnim financijskim mogućnostima Hrvatskog audiovizualnog centra za financiranje projekata.   Filmovi predloženi i odobreni za sufinanciranje, s ukupnim iznosom sufinanciranja od 344.000 EUR:  1.) kratkometražni animirani film Izgubljeno / nađeno (Francuska), hrvatska produkcijska kuća Bonobostudio d.o.o., glavni producent: Melocoton Films, 21.000,00 EUR 2.) debitantski dugometražni igrani film u fazi postprodukcije Balcanica (Italija), hrvatska produkcijska kuća Antitalent d.o.o., glavni producent: Nightswim s.r.l., 62.000,00 EUR 3.) debitantski dugometražni igrani film u fazi postprodukcije Do kraja dana (Srbija), hrvatska produkcijska kuća Dinaridi film d.o.o., glavni producent: Taurunum Film, 27.000,00 EUR 4.) debitantski dugometražni igrani film u fazi postprodukcije Grad (Ukrajina), hrvatska produkcijska kuća Nukleus Film d.o.o., glavni producent: Toy Cinema, 42.000,00 EUR 5.) dugometražni dokumentarni film Big in Gazi Baba (Sjeverna Makedonija), hrvatska produkcijska kuća Restart, glavni producent: Lumiere Films d.o.o., 28.000,00 EUR 6.) dugometražni dokumentarni film U sjeni Lazike (Grčka), hrvatska produkcijska kuća Petnaesta umjetnost d.o.o., glavni producent: PHENO, 27.000,00 EUR 7.) dugometražni igrani film Azra (Slovenija), hrvatska produkcijska kuća Pipser d.o.o., glavni producent: Zavod December, 50.000,00 EUR  8.) dugometražni igrani film Sama s Marom (Slovenija), hrvatska produkcijska kuća Terminal 3 Film d.o.o., glavni producent: Zavod SPOK, 64.000,00 EUR 9.) kratkometražni igrani film Bez filtera (Slovačka), hrvatska produkcijska kuća 365 films d.o.o., glavni producent: Hitchhiker Cinema s.r.o., 12.000,00 EUR \n10.) Kratkometražni igrani film Svjetlost sunca (Sjeverna Makedonija), hrvatska produkcijska kuća Umjetnička organizacija Mitropa, glavni producent: Prometeus Films dooel, 11.000,00 EUR   OBRAZLOŽENJA  Kratkometražni animirani film Izgubljeno / nađeno (Francuska), hrvatska produkcijska kuća Bonobostudio d.o.o., glavni producent: Melocoton Films, 21.000,00 EUR  Kratkometražni animirani film naslova Izgubljeno / nađeno, režira Cheng-Hsu Chung, a zemlja je glavnog producenta Francuska. Autor projekta, tajvanski redatelj i animator Cheng-Hsu Chung završio je preddiplomski studij animacije u domovini, a diplomski u Londonu. Trenutačno živi i radi u Berlinu etabliravši se ekspresivnim kratkometražnim animiranim filmovima o ljubavi, strasti i egzistencijalnim pitanjima iza kojih su uspješni nastupi i nagrade na Tajvanu i u svijetu (Adorable, A Daily Chat). Nastavljajući svoj prepoznatljivi spoj tematskih preokupacija i likovno-filmskog stila, autor u novom projektu realizira svoj dosad najambiciozniji rad u kojem se bavi ne samo slojevitošću međuljudske romantične veze, nego i potrebom za samospoznajom, i vis-à-vis te veze, i kada je posrijedi odnos čovjeka prema vlastitoj biti. Polazeći od vlastitog identiteta i životnih iskustava queer pojedinca, redatelj u vješto izrađenoj knjizi snimanja te priloženim materijalima profilira središnje likove priče. To su Ben i Adam koji održavaju naoko skladnu ljubavnu vezu. No, njihova se svakodnevica sve više opterećuje rutinom, a do točke pucanja dođe kada se Adam zaljubi u zagonetno jaje iz kojega istječe neonski plava tekućina. Kada ljubomorni Ben izbaci jaje kroz prozor, Adam krene u grozničavu potragu za njim, ali i za samospoznajom te za budućnošću svoje dosadašnje romance… Na dodiru stvarnosti i fantastike, realizma i nadrealizma, autor gradi koherentnu priču uvjerljivog zapleta i protagonista ostvarujući sadržajno-vizualnu sinergiju bogatoga likovnog izraza. Groteskno oblikovani crteži likova i pozadina uz izražajno korištenje boja i oblika, stvaraju iznimno sugestivnu cjelinu u čvrstom dramskom luku. Produkcijska kuća Bonobostudio d.o.o. kao hrvatski partner u projektu, jedna je od vodećih hrvatskih tvrtki za proizvodnju, distribuciju i promociju animiranih i eksperimentalnih filmova domaćih i međunarodnih uspjeha (Udahnut život, Ježeva kuća, Noćna ptica).   Debitantski dugometražni igrani film Balcanica (Italija), hrvatska produkcijska kuća Antitalent d.o.o., glavni producent: Nightswim s.r.l., 62.000,00 EUR  Debitantski dugometražni igrani film u postprodukciji naslova Balcanica, žanrovski drama, režira Nicola Sorcinelli, a zemlja je glavnog producenta Italija. Etabliran kratkometražnim filmovima (Ispovijest, Pčela matica) i dramskom serijom Odmetnici, autor i njegov koscenarist Andrea Brusa, u cjelovečernjem igranom prvijencu posvećuju se europskoj migrantskoj krizi koja više od desetljeća utječe i na pojedinačne sudbine, i na političko-društvene prilike zemalja u kojima su se uspostavile migrantske rute od Bliskog istoka prema Zapadnoj Europi. Razrađeni scenarij usredotočen na uvjerljivu profilaciju likova i njihove međuodnose, govori o dvojici afganistanskih glazbenika, ocu i sinu, koji napuštaju domovinu i kreću prema Italiji jer su talibanske vlasti zabranile izvođenje glazbe. Na balkanskoj ruti između Bosne i Hercegovine i Hrvatske gdje su ostali blokirani, pomaže im liječnica iz Italije koja mora donijeti egzistencijalnu odluku… Suvremena i relevantna tema i za hrvatsko društvo i audiovizualnu umjetnost, dosljedno je izvedena na primjerima konkretnih sudbina kao zrcalnih slika stvarnih događaja, a posebna je vrijednost autorovo ustrajavanje na konfliktu između stvarnog i mogućeg te na emocijama koje u konačnici prevladavaju. Seriozno napisan i u konačnici ekraniziran scenarij kroz osobne priče nadahnute stvarnim događajima tematizira \njedan od ključnih društvenih i političkih problema suvremene Europe na čijim se granicama otvara ne samo prvorazredno humanitarno pitanje, nego i pitanje temeljnih vrijednosti same Europe. Pritom osobito imponira profilacija likova i njihove glumačke izvedbe, dok je redatelj kao debitant potvrdio svoj inovativan pristup filmskom stilu i pripovijedanju. Hrvatski partner u projektu, produkcijska kuća Antitalent d.o.o., postigla je svjetski uspjeh kratkometražnim igranim filmom Čovjek koji nije mogao šutjeti, od Zlatne palme u Cannesu, preko Europske filmske nagrade do nominacije za Oscara. Kuća je producirala, među ostalim, i filmove Murina, Prava istina priče o šori, Jahači te Starac i roda, priča o Malenoj i Klepetanu.   Debitantski dugometražni igrani film Do kraja dana (Srbija), hrvatska produkcijska kuća Dinaridi film d.o.o., glavni producent: Taurunum Film, 27.000,00 EUR  Debitantski dugometražni igrani film u postprodukciji naslova Do kraja dana režira Jelena Maksimović, a zemlja je glavnog producenta Srbija. Diplomiravši montažu na Fakultetu dramskih umjetnosti u Beogradu, autorica se etablirala dokumentarnim filmovima (Daljine, Taurunum Boy), dok scenarij svoga cjelovečernjega igranog prvijenca supotpisuje uz Ivana Salatića i Olgu Dimitrijević  Upoznavši na jednoj filmskoj radionici koju je vodila tinejdžericu Lenu, redateljica je evocirala vlastitu mladost i unutarobiteljske odnose zapitavši se kako bi danas razmišljalo njezino mlađe 'ja'. U tom je smislu osmislila priču o osamnaestogodišnjoj studentici Leni koja bježi od obitelji koja je čini nesretnom te upoznaje dvije godine starijeg Stefana iz kruga poznanika njezina brata Milana. Našavši se usred prosvjeda kakvi danas obilježavaju prilike u Srbiji, dvoje će se mladih – isprva na različitim stranama – zbog nasilnog sukoba s policajcem dati u bijeg, i stvarni, i metaforični, praćeni neizvjesnošću koja kroz njihove sudbine zrcali perspektivu cijelog društva… Efektan suodnos unutarnje drame središnje protagonistice i društvene drame sredine u kojoj živi, zaživio je u priloženoj inačici filma kao domišljato ispričana priča, vještog dramskog luka i karakterizacije, te snažne atmosfere i konteksta zbivanja. Izvrsne glumačke izvedbe te promišljeno korištena izražajna sredstva čine ovu suvremenu dramu ne samo relevantnom za sredinu koju zorno prikazuje, nego i univerzalno razumljivom. Produkcijska kuća Dinaridi film d.o.o. kao hrvatski partner u projektu, sudjelovala je posljednjih godina u više zapaženih produkcija i koprodukcija dugometražnih igranih filmova (Da li ste vidjeli ovu ženu?, Mare, Otapanje vladara, Dobra djeca) te kratkometražnih radova različitih rodova (Nitko ništa nije rekao, Antiotpad, Sve što dolazi, Knin-Zadar).   Debitantski dugometražni igrani film Grad (Ukrajina), hrvatska produkcijska kuća Nukleus Film d.o.o., glavni producent: Toy Cinema, 42.000,00 EUR  Debitantski dugometražni igrani film u postprodukciji naslova Grad, žanrovski drama, režira Stanislav Bytiutskyi, a zemlja je glavnog producenta Ukrajina. Diplomiravši na Kijevskom nacionalnom sveučilištu kazališta, filma i televizije te se niz godina baveći filmskom kritikom i selekcijom filmskih programa, autor je projekta dosad režirao više zapaženih kratkometražnih igranih filmova (24, Sutra će ti sigurno biti bolje, Netrpeljivost) te dugometražni dokumentarni film Zbogom, kinofili. U njegovu cjelovečernjem igranom prvijencu koscenarist mu je Mykhaylo Masloboishchykov, a njihova je ratom intonirana drama slobodna prilagodba romana Grad (ukr. Місто) iz 1928. čiji je  autor cijenjeni ukrajinski književnik Valerjan Pidmohiljni (1901.-1937.). I dok literarni izvornik govori o Ukrajini nakon Oktobarske revolucije i Prvoga svjetskog rata, scenarij domišljato spaja njegovo ozračje i strukturu sa suvremenim prikazom Ukrajine nakon ruske vojne invazije 2022. Radnjom smješten gotovo stoljeće kasnije, film veoma vješto povlači paralele između dva vremena u istoj zemlji opterećenoj istim geopolitičkim bremenom. Središnji je lik mladi glazbenik iz Hersona Stepan \nRadčenko koji napustivši svoj grad pod okupacijom odlazi u Kijev ne bi li ondje započeo nov život. Doista, dobivši posao u organizaciji rave zabava, Stepen se sve više penje poslovnom i društvenom ljestvicom upuštajući se u veze s nekoliko žena. Međutim, sve ga više pritišće nedavna prošlost čija mu mračna tajna može u cijelosti odrediti budućnost… Spoj književnog klasika, njegova suvremenog iščitavanja i priče o strahotama rata čije su posljedice trajno nasljeđe i pojedinaca i kolektiva, scenarij je ekraniziran u jednako takvu, koherentnu filmsku cjelinu o čemu svjedoči i priloženi materijal u fazi postprodukcije. Hrvatski partner u projektu Nukleus Film d.o.o. produkcijska je kuća koja baštini višegodišnji uspješan rad u Hrvatskoj i inozemstvu ovjenčan nizom priznanja za svoje dugometražne i kratkometražne igrane i dokumentarne filmove (Kokoška, Houston, imamo problem, Ekskurzija, Treća vrsta).    Dugometražni dokumentarni film Big in Gazi Baba (Sjeverna Makedonija), hrvatska produkcijska kuća Restart, glavni producent: Lumiere Films d.o.o., 28.000,00 EUR  Dugometražni dokumentarni film naslova Big in Gazi Baba, režira Pauline Blanchet, a zemlja je glavnog producenta Sjeverna Makedonija. Prethodno ostvarivši kratkometražni dokumentarni film Zuckerberg, You Owe/Own Me, francusko-britanska redateljica Pauline Blanchet u svom se debitantskom dugometražnom dokumentarnom filmu posvećuje fenomenu drevnoga balkanskog običaja zakletih djevica (albanski: Burrneshël), odnosno žena koje su se odricale braka i obiteljskog života kako bi preuzele ulogu muškog nasljednika u obitelji. Temeljem iscrpnog istraživanja te detaljno obrazloženog treatmenta, autorica u svom projektu predstavlja trinaestogodišnju Sadije, iz naslovne općine, jedne od deset koje čine Skoplje, a koja je kao najmlađa od tri kćeri, odgojena s ciljem preuzimanja tradicionalno muških obveza u svojoj albanskoj obitelji kako bi osigurala njezin ekonomski opstanak. Kroz kreativan i seriozno postavljen pristup temi, treatment svoju protagonisticu prati kroz četiri godine njezina života neprestance stvarajući kontrast između suvremenog doba u kojem ona živi i nastoji se afirmirati među ostalim i kao uspješna hrvačica, i tradicionalnog običaja koji u cijelosti definira njezin identitet i životna očekivanja. Kada taj kontrast dovede do unutarnjih dvojba i preispitivanja, Sadije mora pronaći vlastiti glas i životni odabir… Uz priloženi snimljeni materijal te opsežan rad na pripremi i realizaciji projekta, film nudi jedinstven uvid u središnji običaj vezan uz pojedine dijelove Balkana, poglavito albanske zajednice, ističući se konceptom intimistički ugođenog opservacijskog dokumentarca upečatljive glavne junakinje, ali i slojevite okoline s kojom se ona nalazi u intenzivnoj interakciji. Produkcijska kuća Restart kao hrvatski partner u projektu, jedna je od najagilnijih i najuspješnijih domaćih kuća posljednjih godina kada su posrijedi dokumentarni i srodni projekti u Hrvatskoj te koprodukcijski u Europi o čemu svjedoči aktualni uspjeh višestruko nagrađenog filma Fiume o Morte!, dobitnika Europske filmske nagrade, te ostali recentni radovi (Između revolucija, Muzej revolucije, Srbenka).    Dugometražni dokumentarni film U sjeni Lazike (Grčka), hrvatska produkcijska kuća Petnaesta umjetnost d.o.o., glavni producent: PHENO, 27.000,00 EUR  Dugometražni dokumentarni film naslova U sjeni Lazike, režira Nikolaos Kostopoulos, a zemlja je glavnog producenta Grčka. Nastojeći odgovoriti na pitanje što je to potrebno da bismo neko mjesto nazvali domom, grčki filmski i vizualni umjetnik Nikolaos Kostopoulos koji je dosad realizirao niz audiovizualnih produkcija u Europi, ovim projektom debitira kao redatelj dugometražnoga dokumentarnog filma. Koristeći se filmskim jezikom kreativnog dokumentarca, kako sam ističe, želi doprijeti do šire publike koja je iskusila kolaps sna, potragu za domom te istodobnu potragu za identitetom. U podrobno sastavljenom treatmentu autor \nplanira kreativno odgovoriti na središnje pitanje svog rada portretirajući tridesetšestogodišnjeg Gruzijca Georgija koji je kao trogodišnjak s obitelji stigao u Grčku nakon što je njegovu domovinu zahvatio rat u kojem se odmetnula gruzijska autonomna republika Abhazija. Desetljećima kasnije Georgi se s obitelji vraća u Gruziju u kojoj je tamošnja vlast najavila izgradnju suvremenog velegrada Lazike, tik do granice s Abhazijom. No, projekt propada, a Georgi se nađe pred dvojbom: ostati ili otići… Projekt u čijem je naslovu zamišljeni grad koji simbolizira monumentalni spomenik čiji je autor Jürgen Mayer H., spaja tradicionalno pripovijedanje i poetsko filmsko iskustvo kako bi se ostvario hibridni kreativni dokumentarac koji je rezultat dugotrajnog istraživanja, a čiji je treatment strukturiran temeljem prema prizorima, bez unaprijed pisanih dijaloga, kako bi se zadržale jasnoća i umjetnička autentičnost. Produkcijska kuća Petnaesta umjetnost d.o.o. kao hrvatski partner u projektu, uspješno djeluje od 2007., dok se proteklih godina predstavila dokumentarnim (Paviljon 6), hibridnim (Što da se radi?) i igranim (Sedmo nebo) filmovima.   Dugometražni igrani film Azra (Slovenija), hrvatska produkcijska kuća Pipser d.o.o., glavni producent: Zavod December, 50.000,00 EUR   Dugometražni igrani film naslova Azra, žanrovski spoj drame, glazbene drame i mjuzikla, režira Tijana Zinajić, a zemlja je glavnog producenta Slovenija. Nagrađivana slovenska filmska i kazališna redateljica iza koje su, među ostalim, srednjometražni igrani film Priče iz zahoda te debitantski dugometražni igrani film Prasica, ovjenčan slovenskom nacionalnom filmskom nagradom Vesna za najbolji film, Tijana Zinajić u svom novom projektu spaja dosadašnje tematske preokupacije čineći to u oporoj priči o transgeneracijskom zlostavljanju. U likovima te njihovim motivima i interakcijama bogatom scenariju koji uz redateljicu supotpisuju Deja Crnović i Iza Strehar, kao naslovna junakinja portretira se četrdesetpetogodišnja profesionalna fotografkinja Azra koja od samog početka braka razmišlja o razvodu od supruga Nike koji je zlostavlja ne samo emocionalno, nego i fizički. U tome je sprječava bojazan da će pri razvodu izgubiti skrbništvo nad desetogodišnjom kćerkom Jelenom. Međutim, sve perpetuira vijest da joj je umrla teta čiji ju je suprug zlostavljao dok je bila dijete na što se kasnije nadovezalo silovanje od strane školskog kolege. Mučena nikad zacijeljenom traumom te izostankom podrške s majčine i tetine strane, Azra mora odlučiti kako prekinuti niz nasilja… Tema zlostavljanja u djetinjstvu i mladosti koja se kao trauma prenosi kroz život, u scenariju je dobila puninu i originalnost kroz čvrsto profilirane likove, razrađene scene i dijaloge, a osobitu vrijednost projektu daje sinergija žanrova koji osnažuju središnju temu. Radnja je uvjerljiva, tematski iznimno relevantna te u završnici umjetnički dosljedno zaokružena. Produkcijska kuća Pipser d.o.o. kao hrvatski partner u projektu, etablirala se u ovom desetljeću međunarodnim uspjehom dugometražnoga igranog filma Sigurno mjesto koji je, među ostalim, osvojio Srce Sarajeva te zavrijedio nominaciju za Europsku filmsku nagradu. Iza kuće je i realizacija dokumentarne serije Dobra ekonomija te dokumentarca Jedna od nas.    Dugometražni igrani film Sama s Marom (Slovenija), hrvatska produkcijska kuća Terminal 3 Film d.o.o., glavni producent: Zavod SPOK, 64.000,00 EUR  Dugometražni igrani film naslova Sama s Marom, žanrovski drama, režira Sara Kern, a zemlja je glavnog producenta Slovenija. Slovensko-australska filmska redateljica i scenaristica koja živi i radi u Melbourneu, a koja se etablirala međunarodno zapaženim cjelovečernjim igranim prvijencem Moja Vesna, Sara Kern u svom projektu suvereno slaže scenaristički mozaik transgeneracijskih obiteljskih trauma Polazeći od vlastitog iskustva, kako sama ističe, film je realizacija njezine potrebe da umjetnički verbalizira problem seksualnog zlostavljanja djece. \nPotvrdivši vješto i dosljedno pripovijedanje, osobito u profiliranju likova i njihovih bremenitih odnosa, scenarij radnju smješta u jedan slovenski gradić početkom 21. stoljeća. U središtu je zapleta desetogodišnja djevojčica Mara koja se druži sa svojom najboljom prijateljicom, susjedom i vršnjakinjom Samom pri čemu koriste baby monitore kao tajne uređaje. Mara s trudnom majkom Petjom živi u kući svoje bake Julke koju malo-pomalo preuzima Marin ujak Boris koji je u lošim odnosima s Petjom. Jedne pak noći Sama preko baby monitora svjedoči neobjašnjivoj Marinoj traumi koja će zauvijek promijeniti i nju, i odnose u obitelji… Sugestivno napisan tekst svjedoči o autoričinom osjećaju za vizualizaciju pisane riječi, te o lucidnom spajanju stvarnog i interpretiranog, i to iz uvijek obuzimajuće dječje perspektive. Zaplet o zlostavljanju u djetinjstvu zaživio je kroz snažnu razradu likova i situacija svjedočeći da ovakva traumatična iskustva imaju univerzalnu relevantnost i potrebu za reakcijom. Film, prema autorici, govori o onome što se događa kada nešto ostane neizrečeno, kako se šutnja uvlači u obitelj te kako je za preživjelu osobu presudan – svjedok. Produkcijska kuća Terminal 3 Film d.o.o. kao hrvatski partner u projektu, potvrđeno je ime u aktualnim te nagrađivanim projektima u Hrvatskoj i Europi (Virus patološke dobrote, Baci se na pod, Najsretniji čovjek na svijetu).   Kratkometražni igrani film Bez filtera (Slovačka), hrvatska produkcijska kuća 365 films d.o.o., glavni producent: Hitchhiker Cinema s.r.o., 12.000,00 EUR  Kratkometražni igrani film naslova Bez filtera, režira Roman Pivovarnik, a zemlja je glavnog producenta Slovačka. Diplomiravši filmsku produkciju na Filmskom i televizijskom fakultetu Akademije izvedbenih umjetnosti u Bratislavi (VŠMU), autor je kao redatelj i producent realizirao nekoliko kratkih filmova među kojima se ističe igrani Pohľady (eng. Perceptions) sa svjetskom premijerom na FilmFestivalu Cottbus. Njegov je novi projekt u ovom filmskom rodu i vrsti drama nadahnuta vlastitim propitivanjem identiteta i autentičnosti, poglavito među današnjim mladima. Dramaturški zaokružen i slojevit scenarij predstavlja devetnaestogodišnjeg Huga koji je, unatoč mladosti kao vremenu mnogobrojnih mogućnosti, izgubljen upravo u njihovu beskraju i sebi samome bez prave usredotočenosti. Svjestan problema sudjeluje u intenzivnom tečaju #BezFiltera koji mlade osnažuje da žive autentično i ispunjeno. Isprva ostvarujući korake prema ispunjenju, Hugo malo-pomalo briše granicu između sebe i uloga koje preuzima… Inovativno napisan tekst na zreo način te s nizom detalja razrađuje središnju temu stvarajući vlastitu perspektivu istraživanog fenomena čime je i suvremen i relevantan. Produkcijskoj kući 365 Films d.o.o. cilj je razvoj novih talenata i osnaživanje koprodukcijskih veza u Europi i svijetu, pri čemu kao recentne međunarodne uspjehe treba istaknuti slovenski film Dobre djevojke s nominacijom za Europsku filmsku nagradu te makedonski film DJ Ahmet nagrađen na Sundance Film Festivalu.   Kratkometražni igrani film Svjetlost sunca (Sjeverna Makedonija), hrvatska produkcijska kuća Umjetnička organizacija Mitropa, glavni producent: Prometeus Films dooel, 11.000,00 EUR   Kratkometražni igrani film naslova Svjetlost sunca, režira Visar Vishka, a zemlja je glavnog producenta Sjeverna Makedonija. Diplomirani glumac, redatelj i producent, autor uz bogatu glumačku karijeru iza sebe ima i zapaženi dugometražni igrani film DODA - Život i pustolovine baruna Franza Nopcse. U suradnji sa scenaristom Refetom Abazijem, također glumcem i nagrađivanim dramskim piscem, redatelj priprema film koji, kao što je istaknuto u prijavi, nije povijesna rekonstrukcija u klasičnom smislu, nego koncentrirana, komorna priča u kojoj se kroz jedan prostor, džamiju otvara pitanje cijelog društva. Scenarij je, naime, nadahnut istinitim događajima, a u središtu mu je Šerif, šezdesetšestogodišnji bivši pripadnik tajne službe \nnekadašnjega autokratskog režima. U sve poznijim godinama sve je svjesniji tereta posla kojim se bavio, ali ne bježi od svojih postupaka i odgovornosti. Međutim, kada jednog dana u džamiji potraži mir, izazove negativne reakcije ostalih vjernika koji mu zamjeraju prošlost. Suočen s njima, Šerif odluči razotkriti njihovo vlastito licemjerje te sudjelovanje u prokazivanju ljudi u bivšem sustavu… Čvrstoga dramskog luka i generirane napetosti među likovima, ova drama koja je istodobno i osobna, i socijalna, i politička, potvrđuje piščev osjećaj za kontekst i njegovu razradu kroz jasno strukturiranu radnju, likove i dijaloge. Baveći se ljudskom hipokrizijom na primjeru odnosa prema bivšoj autokraciji, film je relevantan ne samo za sredinu u kojoj nastaje. Produkcijska kuća Umjetnička organizacija Mitropa kao hrvatski partner u projektu, proteklih je godina ostvarila više zapaženih projekata različitih filmskih rodova i vrsta (Krava, Gradovi u kojima nisam bio, Naslijeđe, Prosvjetljenje, Tišina mora), među kojima je i dugometražni igrani film u crnogorsko-hrvatskoj koprodukciji Grudi.   ","warnings":[],"document":{"program_type":"manjinske_koprodukcije","year":2026,"rok":"3. rok","referenced_projects":["Izgubljeno / nađeno","Balcanica","Do kraja dana","Grad","Azra","Sama s Marom","Bez filtera","Svjetlost sunca","Big in Gazi Baba","U sjeni Lazike"],"summary":null,"project_links":[{"source_title":"Izgubljeno / nađeno","family_id":"pf_bcbb875e92da","family_title":"Izgubljeno-nađeno","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Balcanica","family_id":"pf_4e3d789273cd","family_title":"Balcanica","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Do kraja dana","family_id":"pf_10e09987ea4b","family_title":"Do kraja dana","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Grad","family_id":"pf_8a735b529685","family_title":"Grad","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Azra","family_id":"pf_197ea9d7f07e","family_title":"Azra","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Sama s Marom","family_id":"pf_93e73e11feb0","family_title":"Sama s Marom","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Bez filtera","family_id":"pf_831266d2f48e","family_title":"Bez filtera","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Svjetlost sunca","family_id":"pf_3613476e61a4","family_title":"Svjetlost sunca","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Big in Gazi Baba","family_id":"pf_d4c185093c45","family_title":"Big in Gazi Baba","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"U sjeni Lazike","family_id":"pf_bc9c1780e1fd","family_title":"U sjeni Lazike","match_status":"awarded","method":"exact_alias","confidence":"high"}]}},{"schema_version":"1.1","doc_type":"results_table","source":{"filename":"JP_distribucija_2026_3 ROK_web.pdf","filename_decoded":"JP_distribucija_2026_3 ROK_web.pdf","sha256":"8c69e98c933516e34a76466088260ca8ac0378155e736356feaf8b01f9ddfd95","bytes":200706,"page_count":1,"extracted_at":"2026-08-31T15:32:51Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_distribucija_2026_3%20ROK_web.pdf"},"raw_text":"NOSITELJ \nPRIJAVE NASLOV FILMAKATEGORIJA \nFILMA REDATELJ/ICA PRODUCENT DISTRIBUTER ODOBRENO(€)\n1 Udruga Blank Među nama dugometražni igrani \nfilm Laura Pascu Udruga Blank Udruga Blank 7.500,00\n2 PomPom Film \nd.o.o. Oče naš\ndugometražni igrani \nfilm - manjinska \nkoprodukcija\nGoran StankovićPomPom Film \nd.o.o.\nPomPom Film \nd.o.o. 4.000,00\n3 Terminal 3 Film \nd.o.o.\nVirus patološke \ndobrote\ndugometražni igrani \nfilm - manjinska \nkoprodukcija\nPredrag LičinaTerminal 3 Film \nd.o.o. Editus d.o.o. 8.000,00\n4 Kreativni sindikat Elektroničke vješticedugometražni igrano-\neksperimentalni filmMaja Čule Kreativni sindikat Kreativni sindikat 5.000,00\n5 Factum Nije na prodaju dugometražni \ndokumentarni film\nMarina Aničić \nSpremo Factum Factum 3.000,00\n6 Kinorama d.o.o. Male stvari dugometražni igrani \nfilm Zvonimir Jurić Kinorama d.o.o.Duplicato Media \nd.o.o. 10.000,00\n7 Restart Planina\ndugometražni \ndokumentarni film - \nmanjinska \nkoprodukcija\nBiljana Tutorov, \nPetar Glomazić Restart Restart 4.000,00\n8 Hulahop d.o.o. Danas je mama živadugometražni igrani \nfilm Josip Lukić Dinaridi Film \nd.o.o. Hulahop d.o.o. 9.000,00\n50.500,00\nJavni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: \nPOTICANJE DISTRIBUCIJE FILMOVA u 2026. - 3. ROK - 24.7.2026. - 37. \nsjednica Hrvatskog audiovizualnog  vijeća u 5. sazivu, 31. kolovoza 2026.\nTrg Josipa Jurja Strossmayera 4  |  10000 Zagreb  |  Croatia\nTel: +385 1 6041 080  |  Fax: +385 1 4667 819\nOIB: 27103918402  |  www.havc.hr  |  havc@havc.hr\n","warnings":[],"document":{"program_type":"distribucija","year":2026,"rok":"3. rok","currency":"EUR","natjecaj_title":"Javni poziv za poticanje audiovizualnih djelatnosti i stvaralaštva - kategorija: POTICANJE DISTRIBUCIJE FILMOVA u 2026. - 3. ROK - 24.7.2026. - 37. sjednica Hrvatskog audiovizualnog vijeća u 5. sazivu, 31. kolovoza 2026.","decision_date":"2026-08-31","decision_body":"Hrvatsko audiovizualno vijeće","summary":null},"sections":[{"section_label":null,"rows":[{"row_number":1,"project_title":"Među nama","applicant":"Udruga Blank","production_company":"Udruga Blank","director":"Laura Pascu","writer":null,"original_author":null,"category":"dugometražni igrani film","approved_amount_text":"7.500,00 €","approved_amount":7500,"currency":"EUR","extras":{"distributer":"Udruga Blank"},"row_id":"8c69e98c:s0:a5c501db2bee","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_f6aabbb88b22","project_family_title":"Među nama"},{"row_number":2,"project_title":"Oče naš","applicant":"PomPom Film d.o.o.","production_company":"PomPom Film d.o.o.","director":"Goran Stanković","writer":null,"original_author":null,"category":"dugometražni igrani film - manjinska koprodukcija","approved_amount_text":"4.000,00 €","approved_amount":4000,"currency":"EUR","extras":{"distributer":"PomPom Film d.o.o."},"row_id":"8c69e98c:s0:3cf1ea48e6ee","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_c14c68650ac2","project_family_title":"Oče naš"},{"row_number":3,"project_title":"Virus patološke dobrote","applicant":"Terminal 3 Film d.o.o.","production_company":"Terminal 3 Film d.o.o.","director":"Predrag Ličina","writer":null,"original_author":null,"category":"dugometražni igrani film - manjinska koprodukcija","approved_amount_text":"8.000,00 €","approved_amount":8000,"currency":"EUR","extras":{"distributer":"Editus d.o.o."},"row_id":"8c69e98c:s0:98b0c65c2b67","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_2ca23cf579bc","project_family_title":"Virus patološke dobrote"},{"row_number":4,"project_title":"Elektroničke vještice","applicant":"Kreativni sindikat","production_company":"Kreativni sindikat","director":"Maja Čule","writer":null,"original_author":null,"category":"dugometražni igrano-eksperimentalni film","approved_amount_text":"5.000,00 €","approved_amount":5000,"currency":"EUR","extras":{"distributer":"Kreativni sindikat"},"row_id":"8c69e98c:s0:7847085b8ba3","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_0e5bc4a40cad","project_family_title":"Elektroničke vještice"},{"row_number":5,"project_title":"Nije na prodaju","applicant":"Factum","production_company":"Factum","director":"Marina Aničić Spremo","writer":null,"original_author":null,"category":"dugometražni dokumentarni film","approved_amount_text":"3.000,00 €","approved_amount":3000,"currency":"EUR","extras":{"distributer":"Factum"},"row_id":"8c69e98c:s0:78b4ceb5df7c","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_25d08262d8f8","project_family_title":"Nije na prodaju"},{"row_number":6,"project_title":"Male stvari","applicant":"Kinorama d.o.o.","production_company":"Kinorama d.o.o.","director":"Zvonimir Jurić","writer":null,"original_author":null,"category":"dugometražni igrani film","approved_amount_text":"10.000,00 €","approved_amount":10000,"currency":"EUR","extras":{"distributer":"Duplicato Media d.o.o."},"row_id":"8c69e98c:s0:fa3ac552dde6","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_f34e18b9d100","project_family_title":"Male stvari"},{"row_number":7,"project_title":"Planina","applicant":"Restart","production_company":"Restart","director":"Biljana Tutorov, Petar Glomazić","writer":null,"original_author":null,"category":"dugometražni dokumentarni film - manjinska koprodukcija","approved_amount_text":"4.000,00 €","approved_amount":4000,"currency":"EUR","extras":{"distributer":"Restart"},"row_id":"8c69e98c:s0:31b8cc4e50ae","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_846d1117e22d","project_family_title":"Planina"},{"row_number":8,"project_title":"Danas je mama živa","applicant":"Hulahop d.o.o.","production_company":"Dinaridi Film d.o.o.","director":"Josip Lukić","writer":null,"original_author":null,"category":"dugometražni igrani film","approved_amount_text":"9.000,00 €","approved_amount":9000,"currency":"EUR","extras":{"distributer":"Hulahop d.o.o."},"row_id":"8c69e98c:s0:5c421d7a02ed","funding_status":"awarded","curation":{"version":"2.0","method":"machine","confidence":"high"},"project_family_id":"pf_a626f411a9bf","project_family_title":"Danas je mama živa"}]}],"totals":{"ukupno_text":"50.500,00 €","ukupno":50500,"sveukupno_text":null,"sveukupno":null},"curation":{"version":"2.0","reviewed_at":"2026-08-31T15:32:53Z","result_rows":8},"validation":{"rows_sum":50500.0,"ukupno_match":true,"row_count":8,"awarded_count":8,"unresolved_count":0,"not_awarded_count":0,"curation_version":"2.0"}},{"schema_version":"1.1","doc_type":"narrative","source":{"filename":"JP_distribucija_2026_3 ROK_24_07_web recenzija.pdf","filename_decoded":"JP_distribucija_2026_3 ROK_24_07_web recenzija.pdf","sha256":"4ea2147e253679e7553e102449964a9c25c491e66e4f42ad98ae4b9b281709e6","bytes":378235,"page_count":3,"extracted_at":"2026-08-31T15:32:52Z","extractor":"news-results-2026","extractor_version":"1.0","source_url":"https://havc.hr/img/newsletter/files/JP_distribucija_2026_3%20ROK_24_07_web%20recenzija.pdf"},"raw_text":"1. DISTRIBUCIJA dugometražnog igranog filma „DANAS JE MAMA ŽIVA” – 9.000,00 eura\nJakov se vraća se u rodni Split kako bi se brinuo za majku čije se psihičko stanje ubrzano pogoršava,\nno pokušaj da izbjegne njezinu hospitalizaciju prisilit će ga da se suoči s obiteljskim traumama i \ngranicama vlasƟte požrtvovnosƟ.\nDugometražni prvijenac redatelja Josipa Lukića svjetsku će premijeru imaƟ u studenom na Zagreb \nFilm FesƟvalu, a planirano je da odmah nakon toga započne redovnu kinodistribuciju. Na temelju \nprijavne dokumentacije, ostvarivanje zadanog cilja gledanosƟ od 5.000 gledatelja djeluje izvedivo.\n2. DISTRIBUCIJA dugometražnog eksperimentalnog filma „Elektronicke vjesƟce” – 5.000,00 eura\nNakon dolaska u New York Neda (Nora Vorfi) suočava se s potragom za stabilnošću i povezanošću, \ndok putem interneta pokušava održaƟ narušeni odnos s ocem (Milivoj Beader) u Hrvatskoj. Jedne \nnoći na internetu nailazi na queer cyber-feminisƟčki kolekƟv „Elektroničke vješƟce“ koji je bio \nakƟvan u Zagrebu 1990-ih godina. Postojanje tog kolekƟva za Nedu ubrzo prerasta u opsesiju, a \npotraga se iz virtualnog premješta u stvarni svijet.\nHvalevrijedna je prijaviteljeva ambicija da se upusƟ u distribuciju jednog dugometražnog \neksperimentalnog filma. U prijavnoj dokumentaciji navedena je ciljana gledanost od 1.500 \ngledatelja, što se doima malo preopƟmisƟčnim, ali uz dobru provedbu plana distribucije i pratećih \nakƟvnosƟ moglo bi biƟ izvedivo.\n3. DISTRIBUCIJA dugometražnog igranog filma „MALE STVARI” – 10.000,00 eura\n \nJednog zimskog vikenda, sestre Anica i Irena, koja dovodi i svoje dvoje male djece, dolaze posjeƟƟ \nOca koji živi na otoku s njihovim bratom Ivanom, šutljivim osobenjakom. MoƟv za posjetu je očeva \nodluka da proda obiteljsku zemlju. Dvije sestre, dvoje djece i dva muškarca koja se teško mogu \nbrinuƟ za sebe prisiljeni su Ɵjekom tog zimskog vikenda, sƟješnjeni u obiteljskoj kući koja je vidjela \nbolje dane, preispitaƟ svoje odnose, a jedno od njih morat će se žrtvovaƟ za ostale. \nPrvi film Zvonimira Jurića nakon 'Kosca' (2014.) nije djelo koje može dosƟći veliku gledanost, ali \npripada u kreaƟvne vrhunce ovogodišnje hrvatske produkcije. Na temelju prijavne dokumentacije \n– prije svega, na temelju plana distribucije – ostvarivanje zadanog cilja gledanosƟ od 5.000 \ngledatelja doima se izvedivo.\n4. DISTRIBUCIJA dugometražnog igranog filma „MEĐU NAMA” – 7.500,00 eura\nMlada slikarica Marina i gitarist David pokušavaju održaƟ dugogodišnju vezu dok se njihove \numjetničke ambicije sudaraju sa stvarnošću. Ispričan kroz nelinearnu mozaičnu strukturu, film \nistražuje ljubav, umjetnost i cijene snova. \nZa dugometražni prvijenac redateljice Laure Pascu u prijavnoj dokumentaciji navedena je procjena \ngledanosƟ od 3.000 gledatelja. Uz dobru provedbu akƟvnosƟ navedenih u markeƟnškom planu\nnavedeni cilj mogao bi biƟ dosƟgnut.\n5. DISTRIBUCIJA dugometražnog dokumentarnog filma „NIJE NA PRODAJU” – 3.000,00 eura\nNakon stjecanja hrvatske neovisnosƟ ubrzana privaƟzacija i intenzivna izgradnja nepovratno \nmijenjaju lice Zagreba. Interesi invesƟtora poƟskuju idenƟtet kvartova i narušavaju kvalitetu života \nnjihovih stanovnika. Redateljica Marine Aničić Spremo praƟ obitelji koje su odbile prodaƟ svoje \ndomove te kroz njihove priče progovara o pravu na dom, prostoru i očuvanju zajednice.\n„Nije na prodaju” djelo je izrazito nišnog potencijala, no zbog teme kojom se bavi zaslužuje podršku u \nostvarivanju kinodistribucije i dosƟzanju zadanog cilja gledanosƟ od 1.200 gledatelja. \n6. DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „OČE NAŠ” – 4.000,00 eura\nDejan dolazi u strogo organiziranu terapijsku komunu pod vodstvom karizmaƟčnog i autoritaƟvnog\nsvećenika, oca Branka. U sustavu discipline, poslušnosƟ i kazne, otac Branko u Dejanu prepoznaje \npotencijal i postupno ga pretvara u svoju desnu ruku. No kada komunu potrese snimka brutalnog \nnasilja nad jednim od šƟćenika, Dejan se mora odlučiƟ između odanosƟ autoritetu i pokušaja da \nspasi prijatelja koji se ponovno vraƟo drogi. \nFilm redatelja Gorana Stankovića svjetsku je premijeru imao prije godinu dana na međunarodnom \nfilmskom fesƟvalu u Torontu, a na ovogodišnjoj Puli dobio je nagradu za najbolju glavnu mušku \nulogu u manjinskoj koprodukciji. Na temelju kvalitetno razrađene prijavne dokumentacija \nkinodistribucija filma doima se izvedivo.\n7. DISTRIBUCIJA dugometražnog dokumentarnog filma, manjinske koprodukcije „PLANINA” – \n4.000,00 eura\nU vrleƟma Crne Gore, majka i kćerka ponosno brane nomadsku stočarsku tradiciju i svoju planinu \nda ne postane vojni poligon NATO-a, suočavajući se sa nasiljem nad ženama i prirodom.\nFilm redateljskog tandema Biljana Tutorov-Petar Glomazić dobitnik je Velike nagrade žirija za \ndokumentarni film na ovogodišnjem Sundance Film FesƟvalu, nakon čega je započeo vrlo uspješan \nfesƟvalski život na međunarodnoj sceni. Potencijal gledanosƟ u kinima ovisit će o tome hoće li film \nbiƟ nominiran za Oscara, no ovo vrijedno ostvarenje u svakom slučaju zaslužuje podršku u \nnastojanju da ostvari ciljani rezultat od 5.000 gledatelja.\n8. DISTRIBUCIJA dugometražnog igranog filma, manjinske koprodukcije „VIRUS PATOLOŠKE \nDOBROTE” – 8.000,00 eura\nZagreb, 1983. Usred snježne noći u stan Zorke Vasiljević upada goli muškarac koji tvrdi da je sƟgao \niz 2031. godine kako bi spriječio pandemiju Virusa patološke dobrote. Zorka vjeruje da je riječ o \nprevarantu, no njegova se predviđanja Ɵjekom noći počinju ostvarivaƟ. \nPrvi film redatelja Predraga Ličine nakon 'Posljednjeg Srbina u  Hrvatskoj'  (2019.) svjetsku je premijeru \nimao na Sarajevo Film FesƟvalu. Na temelju osobito kvalitetne prijavne dokumentacije, posƟzanje zadanog \ncilja gledanosƟ od 5.000 gledatelja djeluje izvedivo, a uz odgovarajuću provedbu markeƟnškog plana i plana\ndistribucije film bi mogao imaƟ šansu da i nadmaši tu brojku.","warnings":[],"document":{"program_type":"distribucija","year":2026,"rok":"3. rok","referenced_projects":["Među nama","Oče naš","Virus patološke dobrote","Elektroničke vještice","Nije na prodaju","Male stvari","Planina","Danas je mama živa"],"summary":null,"project_links":[{"source_title":"Među nama","family_id":"pf_f6aabbb88b22","family_title":"Među nama","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Oče naš","family_id":"pf_c14c68650ac2","family_title":"Oče naš","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Virus patološke dobrote","family_id":"pf_2ca23cf579bc","family_title":"Virus patološke dobrote","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Elektroničke vještice","family_id":"pf_0e5bc4a40cad","family_title":"Elektroničke vještice","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Nije na prodaju","family_id":"pf_25d08262d8f8","family_title":"Nije na prodaju","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Male stvari","family_id":"pf_f34e18b9d100","family_title":"Male stvari","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Planina","family_id":"pf_846d1117e22d","family_title":"Planina","match_status":"awarded","method":"exact_alias","confidence":"high"},{"source_title":"Danas je mama živa","family_id":"pf_a626f411a9bf","family_title":"Danas je mama živa","match_status":"awarded","method":"exact_alias","confidence":"high"}]}}]